Die deutsche Griselda: Transformationen einer literarischen Figuration von Boccaccio bis zur Moderne 9783110233124, 9783110233131

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Table of contents :
Frontmatter
Inhalt
I. Die Griselda-Figuration bei Boccaccio und Petrarca
Griselda: Boccaccio und die Folgen
Griselda und der Marchese von Saluzzo
Von Boccaccios ›Griselda‹ zu Petrarcas ›Griseldis‹
II. Spätmittelalterliche Varietäten der Griselda-Figuration
Die italienische Griselda-Rezeption im 14. und 15. Jahrhundert
Steinhöwels Griseldis im Kontext europäischer Hofkultur des 15. Jahrhunderts
Dominanz und Unterwerfung – Prüfung und Qualifikation
Griseldis lernt sprechen
Griseldis im medialen Wechselspiel von Bild und Text
III. Frühneuzeitliche Korrekturen der Griselda-Figuration
Hans Sachsens comedia: die gedultig und gehorsam marggräfin Griselda
Griseldis auf dem Schultheater
Griseldis in der deutschen Literatur des 16. Jahrhunderts
IV. Von der Romantik bis zur Moderne: Die Griselda-Figuration zwischen Emanzipation und Geschlechterkampf
Griseldis in der klassisch-romantischen Ballade
Griseldis im Zeitalter der Restauration. Markgraf Walther und Griseldis (1819) des Otto Heinrich von Loeben
Griseldis am Artus-Hof
Griseldis in den Volksbüchern Karl Simrocks und Gustav Schwabs
Gerhart Hauptmanns Griselda
Ludwig Berger: Griseldis. Ein Volksstück in vier Akten (1921)
Backmatter
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Die deutsche Griselda: Transformationen einer literarischen Figuration von Boccaccio bis zur Moderne
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Frühe Neuzeit Band 146

Studien und Dokumente zur deutschen Literatur und Kultur im europäischen Kontext Herausgegeben von Achim Aurnhammer, Wilhelm Kühlmann, Jan-Dirk Müller, Martin Mulsow und Friedrich Vollhardt

Die deutsche Griselda Transformationen einer literarischen Figuration von Boccaccio bis zur Moderne

Herausgegeben von Achim Aurnhammer und Hans-Jochen Schiewer

De Gruyter

ISBN 978-3-11-023312-4 e-ISBN 978-3-11-023313-1 ISSN 0934-5531 Bibliogra¿sche Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliogra¿e; detaillierte bibliogra¿sche Daten sind im Internet über http://dnb.d-nb.de abrufbar. © 2010 Walter de Gruyter GmbH & Co. KG, Berlin/ New York Druck: Hubert & Co. GmbH & Co. KG, Göttingen f Gedruckt auf säurefreiem Papier Printed in Germany www.degruyter.com

Inhalt

Einleitung . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

VII

I. Die Griselda-Figuration bei Boccaccio und Petrarca . . . . . . . . . . .

1

Raffaele Morabito Griselda: Boccaccio und die Folgen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

3

Lucia Battaglia Ricci Griselda und der Marchese von Saluzzo Die Perspektive des Dioneo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

13

Mario Zanucchi Von Boccaccios ›Griselda‹ zu Petrarcas ›Griseldis‹ . . . . . . . . . . . . . . . . . .

25

II. Spätmittelalterliche Varietäten der Griselda-Figuration . . . . . . . .

53

Thomas Klinkert Die italienische Griselda-Rezeption im 14. und 15. Jahrhundert . . . . . . .

55

Christa Bertelsmeier-Kierst Steinhöwels Griseldis im Kontext europäischer Hofkultur des 15. Jahrhunderts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

73

Ricarda Bauschke Dominanz und 8nterwerfung ² Prfung und 4ualiÀkation Tendenzen der Griseldis-Konzeption im deutschen und französischen Spätmittelalter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

93

Nina Allweier Griseldis lernt sprechen Liebe und Ehe in der Grisardis des Erhart Groß von 1432 . . . . . . . . . . . .

107

Ursula Kocher Griseldis im medialen Wechselspiel von Bild und Text . . . . . . . . . . . . . .

125

VI

Inhalt

III. Frühneuzeitliche Korrekturen der Griselda-Figuration . . . . . . .

141

Michael Dallapiazza Hans Sachsens FRPedidieJedXlWiJXQdJeKRrsaPParJJrlÀQGriselda . . . . . . . .

143

Achim Aurnhammer Griseldis auf dem Schultheater: Georg Mauritius: Comœdia von Graff Walther von Salutz / vnd Grisolden (1582) . . . . . . . . . . . . .

153

Klaus Grubmüller Griseldis in der deutschen Literatur des 16. Jahrhunderts . . . . . . . . . . . .

171

IV. Von der Romantik bis zur Moderne: Die Griselda-Figuration zwischen Emanzipation und Geschlechterkampf . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

181

Dieter Martin Griseldis in der klassisch-romantischen Ballade . . . . . . . . . . . . . . . . . . . .

183

Mario Zanucchi Griseldis im Zeitalter der Restauration Markgraf Walther und Griseldis (1819) des Otto Heinrich von Loeben . . . .

203

Luigi Reitani Griseldis am Artus-Hof Friedrich Halm: Griseldis. Ein dramatisches Gedicht (1835/37) . . . . . . . . . . .

223

Leonard Keidel Griseldis in den Volksbüchern Karl Simrocks und Gustav Schwabs . . . .

229

Peter Sprengel Gerhart Hauptmanns Griselda Zur Mehrdeutigkeit einer »deutlichen Komödie« . . . . . . . . . . . . . . . . . . .

243

Rudolf Denk Ludwig Berger: Griseldis. Ein Volksstück in vier Akten (1921) . . . . . . . . . . .

273

Zusammenfassungen der Beiträge in italienischer Sprache Riassunti dei contributi in lingua italiana . . . . . . . . . . . . . . . . . . . . . . . . . . . .

287

Abkürzungen und Siglen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

297

Register . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

299

Einleitung

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Die italienische Griselda-Rezeption im 14. und 15. Jahrhundert



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53

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Zur Darstellung von Liebe und Ehe in der Grisardis des Erhart Groß



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Für ihn steht fest, daß beide erst nach diesem privaten Martyrium VervollNRPPQXQJHUIDKUHQZHUGHQ'LHVHOEVWDXIHUOHJWHQ3UIXQJHQEHNRPPHQVRPLW EHL *UR‰ HLQH DQGHUH /HJLWLPDWLRQ 'HU 0DUNJUDI VFKHLQW GDV :RKO DOOHU (KHOHXWH EHU GDV JHJHQZlUWLJH *OFN VHLQHV HLJHQHQ /HEHQV XQG GDV VHLQHU )UDX]XVWHOOHQXPGHQ9RUELOGFKDUDNWHUGHQGLH(KHVHOEVWLQ([WUHPVLWXDWLRQHQEHKlOWHLQGHXWLJDXI]HLJHQ]XN|QQHQ2EJOHLFKGLH3UIXQJHQHLJHQWOLFK Grisardis gelten, werden diese auch als Prüfung des Fürsten gestaltet, insofern HU±LP9HUJOHLFK]XVHLQHQ9RUJlQJHUQ±QRFKHPSDWKLVFKHUDXIGHQ*HKRUVDP XQGGLH'HPXW*ULVDUGHQVUHDJLHUW'DVWXJHQGVDPH%HWUDJHQVHLQHU*DWWLQEHUKUWLKQVRGD‰HUZHLQWXQGGDPLWVHLQHU(UJULIIHQKHLWVLFKWEDUHQ$XVGUXFN YHUOHLKWªDO]RGHUPDUJJUDIIVDFKGLHVWHUNHVHLQU*U\VDUGHQXQGEHGDFKWGRFK yr mueterliche smertz, die sie alzo mit großer gedult uebirwand, des weint er oft KHLPOLFKJDUVHU©61 :HLO GHU 0DUNJUDI EHUHLWV YRQ $QIDQJ DQ YRQ *ULVDUGHQV %HVWlQGLJNHLW EHU]HXJWLVWZLUGGDV3UIXQJVJHVFKHKHQDXIGHU+DQGOXQJVHEHQHUHGX]LHUW =ZDUODVVHQVLFKLPPHUQRFKGLHGUHLJUR‰HQ*HKRUVDPNHLWVSUREHQDXVPDFKHQ :HJQDKPH GHU .LQGHU 7UHQQXQJ XQG (QWODVVXQJ YRP +RI 'LHQVW IU GLH ]ZHLWH+RFK]HLW DOOHUGLQJVVLQGGLHVHQXQDEJHPLOGHUW'LHGUHL.LQGHUZHUGHQ DXI HLQPDO HQWIKUW *ULVDUGLV HUKlOW 6WRII IU HLQ QHXHV +HPG PLW ZHOFKHP VLHGHQGXUFKGLH6FKZDQJHUVFKDIWHQYHUlQGHUWHQ.|USHUEHGHFNHQNDQQXQG ZLUGYRQLKUHP0DQQELV]XP6WDGWUDQGEHJOHLWHW'HP3ODQHLQHQHXHVWDQGHVJHPl‰HUH )UDX ]X KHLUDWHQ JHKW NHLQ ¿QJLHUWHV 6FKHLGXQJVHUVXFKHQ EHLP 3DSVWYRUDXVZLHGLHVEHL3HWUDUFDGHU)DOOLVW62'DUEHUKLQDXVPX‰*ULVDUGLV GLH+RFK]HLWVJlVWHQLFKWLPVFKPXW]LJHQ*HZDQGHPSIDQJHQVLHYHUKDUUWVWDWW 

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Zur Darstellung von Liebe und Ehe in der Grisardis des Erhart Groß



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Klaus Grubmüller

Bibliographie

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Dieter Martin

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Dieter Martin

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Dieter Martin

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Dieter Martin

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1. Bühnenfassung Mitte Nov. 1908 (Königsberg 1917)

Uraufführung 6.3.1909

Erstausgabe 1909

Ausgabe letzter Hand Bd. 5 (1942), Centenarausgabe Bd. 2 (1965)

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Peter Sprengel

Bibliographie

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