An Annotated Bibliography for Taiwan Film Studies 9780231173827, 9780231540339, 1011021021, 2342362382, 0231173822

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An Annotated Bibliography For Taiwan Film Studies 台 灣 電 影 研 究 書 目 提 要

An Annotated Bibliography For Taiwan Film Studies 台 灣 電 影 研 究 書目提 要

◼

Edited by Jim Cheng, James Wicks, and Sachie Noguchi

COLUMBIA UNIVERSITY PRESS

NEW YORK

Columbia University Press wishes to express its appreciation for assistance given by the Taiwan Ministry of Culture in the publication of this book. The editors are grateful for support for this project from the Fulbright Scholar Program; the Ministry of Culture, Republic of China in Taiwan; and Columbia University Libraries/Information Services. Columbia University Press Publishers Since 1893 New York Chichester, West Sussex cup.columbia.edu Copyright © 2016 Columbia University Press All rights reserved Library of Congress Cataloging-in-Publication Data Names: Cheng, Jim. | Wicks, James, 1975– | Noguchi, Sachie. Title: An annotated bibliography of Taiwan film studies / edited by Jim Cheng, James Wicks, and Sachie Noguchi. Description: New York : Columbia University Press, 2016. | In English and Chinese. | Includes index. Identifiers: LCCN 2015037161 | ISBN 9780231173827 (cloth : alk. paper) | ISBN 9780231540339 (electronic) Subjects: LCSH: Motion pictures—Taiwan—Bibliography. | Motion picture industry—Taiwan—Bibliography. | Film criticism—Taiwan—Bibliography. Classification: LCC Z5784.M9 C53 2016 PN1993.5.T28 | DDC 016.791430951249—dc23 LC record available at http://lccn.loc.gov/2015037161

Columbia University Press books are printed on permanent and durable acid-free paper. This book is printed on paper with recycled content. Printed in the United States of America c 10 9 8 7 6 5 4 3 2 1 Cover design: Diane Lugar References to websites (URLs) were accurate at the time of writing. Neither the author nor Columbia University Press is responsible for URLs that may have expired or changed since the manuscript was prepared.

To Kathy, Justin, and Nick for our time in Taiwan; Andrea Gay, Charles, Mary, and Dr. Ragen; and Doubles and Stan and Peggy Denton for supporting and accepting me as your friend and family member

Contents

Acknowledgments Introduction

1

Reference Materials 1.1 1.2 1.3 1.4 1.5 1.6

2

Bibliographies and Filmographies Indexes Dictionaries Directories Encyclopedias Catalogs, Guides, Handbooks, Factfinders, and Manuals

1

3 3 8 9 11 11 12

Film History

17

2.1 2.2

17 40 40 40

General Special Regions, Periods, and Events 2.2.1 Ximending (Ximenting), 1896– 2.2.2 Hsinchu (Xinzhu), 1900– 2.2.3 Kaohsiung (Gaoxiong) and Southern Taiwan, Including Pingtung (Pingdong or P’ing-tung), Tainan (T’ai-nan), and Chiayi (Jiayi or Chia-i), 1900– 2.2.4 Keelung (Jilong or Chi-lung), 1908– 2.2.5 Taichung (Taizhong or T’ai-chung), 1910– 2.2.6 Taipei (Taibei), 1950– 2.2.7 Japanese Colonial Period, 1895–1945 2.2.8 Early Period After Taiwan Retrocession, 1945–1949 2.2.9 Taiwanese-Dialect Film, 1955–1982 2.2.10 Mandarin Film, 1963–1970 2.2.11 Healthy Realism Film, 1963–1980 2.2.12 Contemporary Taiwan Film, 1980– 2.2.12.1 Taiwan New, New-New, and Post-New Cinema, 1982– 2.2.13 February 28 Incident, 1947 2.2.14 August 23, The Second Taiwan Strait Crisis, 1958 2.2.15 Ten Worst Films Incident, 1977 2.2.16 May 20 Incident, 1988 and Social Movement Documentary, 1980s–1990s

2.3

xv

42 45 45 46 47 55 56 60 61 63 73 90 90 90

3

Specific Film Genres 3.1 3.2 3.3

91

vii

Film Institutions and Studios 2.3.1 China Motion Picture Studio (Zhongguo Dian Ying Zhi Pian Chang/Zhong zhi ), 1933– 2.3.2 Xin hua Film Corporation (Xinhua Ying Ye Gong Si), 1935–1984 2.3.3 Taiwan Provincial Film Production Studio (Taiwan Sheng Dian Ying She Zhi Chang / Taiwan Sheng Zheng Fu Xin Wen Dian Ying Zhi Pian Chang / Taiwan Dian Ying Zhi Pian Chang / Taiwan Dian Ying Wen Hua Shi Ye Gu Fen You Xian Gong Si /Tai ying or Tai zhi), 1945–1999 2.3.4 Asia Film Corporation (Yazhou Ying Ye Gong Si), 1952– 2.3.5 Union Film Co., Ltd. (Lian Bang Ying Ye You Xian Gong Si /Lian bang), 1953–1980 2.3.6 Central Motion Picture Corporation (Zhong Yang Dian Ying Shi Ye Gu Fen You Xian Gong Si / Zhong ying), 1954– 2.3.7 Tiensheng and Tienhua Film Company (Tian Sheng, Tian Hua Ying Ye Gong Si), 1960–1978 2.3.8 Grand Motion Pictures Co., Ltd. (Guo Lian Dian Ying Gong Si / Guo lian), 1963–1967 2.3.9. First Motion Pictures Co., Ltd (Di Yi Ying Ye Ji Gou You Xian Gong Si ), 1967– 2.3.10 Chinese Taipei Film Archive (Cai Tuan Fa Ren Guo Jia Dian Ying Zi Liao Guan), 1991– 2.3.11 Taiwan Film and Culture Association (Taiwan Dian Ying Wen Hua Xie Hui), 2001–

“A,” Restricted, and Pornographic Films Animated Films Anti-Communist Films

91

91 91

92 92

92

93

95

95

95

96

96

97 97 97 101

Contents

3.4 3.5 3.6 3.7 3.8 3.9 3.10 3.11 3.12 3.13 3.14 3.15 3.16 3.17 3.18 3.19 3.20

4

5

101 102 102 102 103 112 113 116 117 119 119 123 124 125 125 126 126

Film Reviews

129

4.1 4.2

129 147

General Reviews Individual Film Reviews

Film Theory and Technique

169

5.1 5.2 5.3 5.4 5.5 5.6 5.7

169 173 174 177 178 178 178 180 180 180 180 181 189 189 190 191 192 194

5.8 5.9

5.10 5.11 5.12 5.13 5.14 5.15

6

Art Films Children’s Films Comedy Films Commercial Films and MTVs Documentary Films Ethnographic Films Homosexual, Gay, and Lesbian Films Horror and Ghost Films Independent Films Literary Films Martial Arts and Kung Fu Films Opera and Drama Films Musical Films Science and Education Films Short Films Teenage-Campus Films Qiongyao’s Melodrama Films

General Acting Aesthetics Cinematography Cultural Criticism Dialogue Directing 5.7.1 Montage and Editing Film Grammar Film Movements and Theory 5.9.1 Healthy Realism 5.9.2 Taiwan New Cinema Historiography Music and Soundtrack Composition Postcolonial Theory Scenery and Set Design Screenplay Writing Special Effects

Interdisciplinary Studies

195

6.1

195

6.2 6.3 6.4 6.5 6.6

Comparative Film Study 6.1.1 Films in Taiwan, Hong Kong, and Mainland China 6.1.2 Films in Taiwan and Japan 6.1.3 Films in Taiwan and Korea 6.1.4 Taiwan and Bollywood Films 6.1.5 Taiwan and Hollywood Films Film and Aboriginal People Film and Animals Film and Anthropology Film and Archives Film and Colonialism

6.7 6.8 6.9 6.10 6.11 6.12 6.13 6.14 6.15 6.16 6.17 6.18 6.19 6.20 6.21 6.22 6.23 6.24 6.25 6.26 6.27 6.28 6.29 6.30 6.31 6.32 6.33 6.34

7

Film Producers, Directors, Actors, Actresses, Cinematographers, Critics, Scholars, Music and Song Composers and Song Lyric Writers, and Screenwriters (Including Biographies and Autobiographies) 7.1 7.2

7.3

7.4

7.5 196 218 222 222 223 229 231 232 232 232

7.6

7.7

viii

Film and Drama and Opera Film and Economics Film and Education Film and Environmental Protection Film and Ethnology Film and Globalization 6.12.1 Foreign Laborers Film and Hakka Film and Law Film and Literature Film and Mainland Chinese Film and Management Film and Medicine and Mental Illness Film and Music Film, Nationalism, Nationality, Identity, and Localization Film and Newspaper and Journals Film and Painting Film and Patients Film and Politics Film and Psychology Film and Railway Film and Religion Film and Sexuality and Homosexuality Film and Sociology: Area, Audience/ Family, City, Culture, and Society Film and Technology Film and Television, Internet, and Multimedia Film and Videotape Film and Women Film and Youth

General Producers and Directors 7.2.1 General 7.2.2 Individual Producers and Directors Actors and Actresses 7.3.1 General 7.3.2 Individual Actors and Actresses Cinematographers 7.4.1 General 7.4.2 Individual Cinematographers Critics and Scholars 7.5.1 General 7.5.2 Individual Critics and Scholars Music and Song Composers and Song Lyric Writers 7.6.1 General 7.6.2 Individual Music and Song Composers and Song Lyric Writers Screenwriters 7.7.1 General 7.7.2 Individual Screenplay Writers

234 236 238 241 242 243 248 248 249 249 254 255 255 255 258 262 263 263 263 274 275 275 275 278 291 291 294 294 299

301 301 307 307 313 347 347 350 357 357 358 360 360 360 362 362 362 363 363 363

Contents

8

9

Film Stories, Screenplays, and Scripts

369

Film Technology

401

9.1 9.2 9.3

401 401

9.4 9.5

General Digital Filmmaking Movie Cameras, Projectors, and Related Equipment Movie Content Management Movie Sound Recording

10 Others 10.1 Film Artifacts 10.2 Film Censorship 10.3 Film Copyright, Piracy, and Intellectual Property 10.4 Film Distribution 10.5 Film Education 10.6 Film Festivals and Awards 10.6.1 Asia Pacific Film Festival, 1953– 10.6.2 Golden Horse Film Festival and Awards, 1962– 10.6.3 Golden Harvest Awards for Outstanding Short Films, 1978– 10.6.4 Women Make Waves Film Festival, 1993– 10.6.5 Taipei Film Festival and Awards, 1998– 10.6.6 Taiwan International Documentary Festival, 1998–

10.7 10.8 10.9 10.10

403 404 405

10.11 10.12 10.13

407 407 408

10.14 10.15 10.16 10.17 10.18 10.19

411 412 414 414 415 415

10.6.7 Taiwan International Ethnographic Film Festival, 2001– 10.6.8 Taiwan International Animation Festival, 2003– 10.6.9 New Talents, Young Cinema Film Festival, 2004– Film Industry Film Investment Film Law, Policy, Regulation, and Legal Cases Film Market, Marketing, and Box Office 10.10.1 Trailers Film Music and Songs Film Posters Film Production and Management 10.13.1 Digitization, Preservation, and Restoration 10.13.2 Independent Filmmaking Film Propaganda Film Screen Quota Film Stills Film Subsidies Film Subtitles Film and Movie Theaters

421 422 423 423 431 432 437 443 443 446 448 454 456 458 459 459 459 461 462

Bibliography

465

418 Subject Index

467

418 419

Author Index

487

420

Title Index

511

ix

۵࠷

ሜ‫ه‬ൠܾ

2.3

xv

Ӈ‫ؙ‬ҚภйߵӇ‫ءؙ‬әྃ 2.3.1

ೀཿ

1

2

1

‫ࢧޞڣࡢ֞ߎ۾‬:

2.3.2

Ј‫׬ؙܓ‬ԍ‫ޅ‬, 1935–1984

91

ཅஹ૸Ӈ‫ؙ‬଄३ྃ (ཅ‫)ؙ‬, 1945–1999

92

3

2.3.4

ਐರ‫׬ؙ‬ԍ‫ޅ‬, 1952–

92

ࡀᕹ‫׬ؙ‬ϩࡳԍ‫ࡀ( ޅ‬ᕹ), 1953–1980

92

Ѕ႑Ӈ‫ؙ‬Ѩ‫׬‬੦‫ڤ‬ϩࡳԍ‫ޅ‬ (Ѕ‫)ؙ‬, 1954–

93

1.1

‫ڣ‬۵٤ϴйߵӇ‫ؙ‬ә۵٤ϴ

3

1.2

౱৉

8

2.3.6

1.3

‫ܒ‬୬ਹ

9

1.4

сժϪӜ࠷

11

1.5

‫॓ښ‬Ҫ‫ڣ‬

11

1.6

۵࠷, Ѳೠ, ‫۪܋‬, մᅹ

12

2.3.7

ϳТ, ϳ‫׬ؙܓ‬ԍ‫ޅ‬, 1960–1978

95

2.3.8

лࡀӇ‫ؙ‬ԍ‫( ޅ‬лࡀ), 1963–1967

95

2.3.9

ҷϣ‫׬ؙ‬Қภϩࡳԍ‫ޅ‬, 1967–

95

2.3.10 ੠֚ࣗϪлрӇ‫ࢧޞؙ‬ఖ, 1991–

96

2.3.11 ཅஹӇ‫ؙ‬ҹ٩൒Ͼ, 2001–

96

17

2.1

ᆩׁ

17

2.2

‫ئ‬ӡϡс߅䩟႓‫ݫ‬䩟Ѩխ

40

3

ϤӎϡӇ‫ؙ‬ढࡿ䩟Ղᄖ

97

3.1

A ә/ࡳ‫ء‬ٜӇ‫ؙ‬/єաӇ‫ؙ‬

97

3.2

ҁޫӇ‫ؙ‬

97

3.3

‫࢕ބ‬Ӈ‫ؙ‬

101

42

3.4

ਲफӇ‫ؙ‬

101

45

3.5

ճুӇ‫ؙ‬

102

ӍঁӇ‫ؙ‬

102

2.2.1

՝՞⁣, 1896–

40

2.2.2

Јኵ, 1900–

40

2.2.3

ҙ೰йߵ‫ݡ‬ஹ۪‫ח‬, ‫د‬၉ ๔ֆ, ‫۪ݡ‬, ဓच, 1900– ऴᇐ, 1908–

2.2.4

91 91

2.3.3 2.3.5

Ӈ‫ؙࣵ‬੗

ЅлӇ‫ؙ‬३әྃ (Ѕ३), 1933–

2.2.5

ཅЅ, 1910–

45

3.6

2.2.6

ཅ‫ܚ‬, 1950–

46

3.7

࠱‫׬‬Ӈ‫ؙ‬ӿ‫ٸ‬ӀӇ؆

102

֮࠷Ӈ‫ؙ‬

103

2.2.7

яӆᜊ‫ھ‬Ж‫׈‬, 1895–1945

47

3.8

2.2.8

ཅஹ‫࣢ׇ‬Չ‫׈‬, 1945–1949

55

3.9

‫ھ‬ఓ௨Ӈ‫ؙ‬

112

ཅ‫ܭ‬Ӈ‫ؙ‬Ж‫׈‬, 1955–1982

56

3.10 ӎԛߧӇ‫ؙ‬

113

2.2.10 л‫ܭ‬Ӈ‫ؙ‬Ж‫׈‬, 1963–1970

60

3.11 ౦࿙, ૤঩Ӈ‫ؙ‬

116

2.2.11 ࡬ࣉ܎ӢҰचӇ‫ؙ‬Ж‫׈‬, 1963–1980

61

3.12 ‫߹ݻ‬Ӈ‫ؙ‬

117

2.2.12 Ԅ‫ڊ‬ཅஹӇ‫ؙ‬, 1980–

63

3.13 ҹਲӇ‫ؙ‬

119

3.14 ‫ۋ‬ਜ਼, ેཱུӇ‫ؙ‬

119

2.2.9

2.2.12.1 ཅஹЈӇ‫ؙ‬, ЈЈӇ‫ؙ‬, ћЈӇ‫ؙ‬, 1982– 2.2.13 ԏ. ԏࡂ Ѩխ, 1947

73

3.15 ۚঁӇ‫ؙ‬

123

90

3.16 ‫ٸ‬ӀঁӇ‫ؙ‬

124

2.2.14 ࡂ. ԏѧ ᛤ‫ڕ‬, 1958

90

3.17 ॓‫ڌ‬Ӈ‫ؙ‬

125

2.2.15 ֐Ͻз૟ಉәѨխ, 1977

90

3.18 ߦӇ‫ؙ‬

125

2.2.16 ٚ. ԏജѨխ, 1988 , йߵघϾ ‫ػ‬ҁ֮࠷ә, 1980s–1990s.

3.19 ‫ࡇݙ‬, ‫ࡩޥ‬Ӈ‫ؙ‬

126

91

3.20 ᬆᴽйԷє‫ঁڞ‬Ӈ‫ؙ‬

126

xi

Contents

4

5

Ӈ‫ںؙ߰‬

6.15 Ӈ‫ؙ‬ӿҹѹ

249

4.1

ᆩׁ

129

6.16 Ӈ‫ؙ‬ӿ֔૸Ϫ

254

4.2

‫ں߰ݻ؁‬

147

6.17 Ӈ‫ؙ‬ӿ‫܉‬ԑ

255

6.18 Ӈ‫ؙ‬ӿࣦѹ, ‫࠴ظؘ‬

255

6.19 Ӈ‫ؙ‬ӿ‫ٸ‬Ӏ

255

Ӈ‫ؙ‬ԑ‫ں‬ӿ৔ಌ

169

6.20 Ӈ‫ؙ‬ӿлఓ, ‫گ‬ӎ, ӆग٩

258

5.1

ᆩׁ

169

6.21 Ӈ‫ؙ‬ӿ‫ڻ‬ᑂ, ૝௨

262

5.2

Ӈ‫ؙ‬ԣࠟ

173

6.22 Ӈ‫ؙ‬ӿዻޫ

263

5.3

Ӈ‫ؙ‬Ѥѹ

174

6.23 Ӈ‫ؙ‬ӿ࠴Ϫ

263

5.4

Ӈ‫ؙ‬଄‫ؙ‬

177

6.24 Ӈ‫ؙ‬ӿू੽

263

5.5

Ӈ‫ؙ‬ҹ٩౓߰

178

6.25 Ӈ‫ؙ‬ӿКԑѹ

274

5.6

Ӈ‫ؙ‬хՁ

178

6.26 Ӈ‫ؙ‬ӿੌѬ

275

5.7

Ӈ‫ؙ࣒ࠟ‬

178

6.27 Ӈ‫ؙ‬ӿᅓ‫ڌ‬

275

180

6.28 Ӈ‫ؙ‬ӿԛኍ, ӎԛߧ

275 278

5.7.1.

6

129

ྤѿ࡞/යফ

5.8

Ӈ‫֚ܭؙ‬

180

5.9

Ӈ‫ػؙ‬ҁߵԷԑ‫ں‬

180

6.29 Ӈ‫ؙ‬ӿघϾѹ (с෢, ޲ੁ, р೛, ‫صڵ‬, ҹ٩, घϾ)

291

5.9.1

࡬ࣉ܎ӢҰच

180

6.30 Ӈ‫ؙ‬ӿ৔फ

5.9.2

ཅஹЈӇ‫ؙ‬

181

6.31 Ӈ‫ؙ‬ӿӇ؆, ӻ౪, Є෪Ղ

291

5.10 Ӈ‫ؙ‬੗ѹ

189

6.32 Ӈ‫ؙ‬ӿ࠷‫ؙ‬ծ

294

5.11 Ӈ‫ٸؙ‬Ӏӿ‫ࡶॽܮ‬ӑ

189

6.33 Ӈ‫ؙ‬ӿѽԛ

294

5.12 Ӈ‫ؙ‬њᜊ‫ھ‬ԑ‫ں‬

190

6.34 Ӈ‫ؙ‬ӿ‫ݙ‬վё

299

5.13 Ӈ‫࢓ؙ‬ѡߵԾ࢓३ӑ

191

5.14 Ӈ‫ঁؙ‬ӆ܎ӑ

192

5.15 Ӈ‫ئؙ‬৔

194

ቄѹ॓୳ૢ 6.1

7

195

ԝࢺӇ‫ૢ୳ؙ‬

195

6.1.1

ཅஹ䩟‫ܫ‬୯, Ͻ૔Ӈ‫ؙ‬ԝࢺ୳ૢ

196

6.1.2

ཅஹяӆӇ‫ؙ‬ԝࢺ୳ૢ

218

6.1.3

ཅஹठлӇ‫ؙ‬ԝࢺ୳ૢ

222

6.1.4

ཅஹմᒀᩕӇ‫ؙ‬ԝࢺ୳ૢ

222

6.1.5

ཅஹϮᒀᩕӇ‫ؙ‬ԝࢺ୳ૢ

223

6.2

Ӈ‫ؙ‬ӿ֍֙‫ھ‬

229

6.3

Ӈ‫ؙ‬ӿҁ‫׉‬

231

6.4

Ӈ‫ؙ‬ӿϪढѹ

232

6.5

Ӈ‫ؙ‬ӿးଈ

232

6.6

Ӈ‫ؙ‬ӿᜊ‫ھ‬Ұच

232

6.7

Ӈ‫ؙ‬ӿۚঁ

234

6.8

Ӈ‫ؙ‬ӿҬ௵

236

6.9

Ӈ‫ؙ‬ӿ‫ڌ‬ड़

238

6.10 Ӈ‫ؙ‬ӿࢰ॒‫ࣆخ‬

241

6.11 Ӈ‫ؙ‬ӿ‫ھ‬ఓѹ

242

6.12 Ӈ‫ؙ‬ӿҪ‫ܧ‬٩

243

6.12.1 ֔ጭఫ֞

248

6.14 Ӈ‫ؙ‬ӿ֚ಋ

249

ᆩׁ

301

7.2

Ӈ‫ءؙ‬әϪӿ࣒ࠟ

307

7.4

7.5

7.6

7.7

8

xii

301

7.1

7.3

248

6.13 Ӈ‫ؙ‬ӿ‫ۺ‬р

Ӈ‫ءؙ‬әϪ䩟࣒ࠟ䩟ࠟ‫؂‬䩟଄‫ؙؓ‬䩟߰‫ں‬р䩟 ѹ‫ٸٷ‬Ӏӿ‫ॽܮ‬ӑ‫ܮٷ‬୬ӑ‫ঁٷ‬ӑр 䩛‫د‬၉‫֮ة‬ӿІ‫ة‬䩜

7.2.1

ᆩׁ

307

7.2.2

‫؁‬ϫӇ‫ءؙ‬әϪӿ࣒ࠟ

313

Ӈ‫؂ؙࠟ‬

347

7.3.1

ᆩׁ

347

7.3.2

‫؁‬ϫӇ‫؂ؙࠟ‬

350

Ӈ‫ؙ‬଄‫ؙؓ‬

357

7.4.1

ᆩׁ

357

7.4.2

‫؁‬ϫӇ‫ؙ‬଄‫ؙؓ‬

358

Ӈ‫ںؙ߰‬рӿѹ‫ٷ‬

360

7.5.1

ᆩׁ

360

7.5.2

‫؁‬ϫӇ‫ںؙ߰‬рӿѹ‫ٷ‬

360

Ӈ‫ٸؙ‬Ӏ, ‫ॽܮ‬, ‫ܮ‬୬ӑ‫ٷ‬

362

7.6.1

ᆩׁ

362

7.6.2

‫؁‬ϫӇ‫ٸؙ‬Ӏ, ‫ॽܮ‬, ‫ܮ‬୬ӑ‫ٷ‬

362

Ӈ‫ঁؙ‬ӑр

363

7.7.1

ᆩׁ

363

7.7.2

‫؁‬ϫӇ‫ঁؙ‬ӑр

363

Ӈ‫ݞؙ‬Ѩঁӆйߵд஗Ӱঁӆ

369

Contents

9

Ӈ‫ؙ‬৔फ

401

10.7 Ӈ‫׬ؙ֞‬

423

9.1

ᆩׁ

401

10.8 Ӈ‫ޞۄؙ‬

431

9.2

ُ‫ڸ‬Ӈ‫ؙ‬३ӑ

401

10.9 Ӈ‫ؙ֚‬ಋ, ੺ӡ, ᏺѨଈխ

432

9.3

Ӈ‫ؙ‬଄‫ؙ‬Қ䩟ӵྱҚ䩟йߵԷј‫އޗ‬

403

9.4

Ӈ‫܉ُࣞبֶؙ‬ԑ

404

9.5

Ӈ‫ٸ࠷ؙ‬

405

10.10 Ӈ‫صؙ‬Ծ, ॺઍ, ‫ࠚܯ‬ 10.10.1 Ӈ‫ؙ‬әՐ 10.11 Ӈ‫ٸؙ‬Ӏӿ‫ॽܮ‬

437 443 443

10.12 Ӈ‫ڻ֋ؙ‬

446

10.13 Ӈ‫ؙ‬३ӑӿ‫܉‬ԑ 10.13.1 ُ֧٩, ‫ࡖخ‬, ࢗ࣢ 10.13.2 ‫߹ݻ‬Ӈ‫ؙ‬३ӑ 10.14 Ӈ‫ؙ‬ୌ‫ة‬

448 454 456 458

10.15 Ӈ‫ؙ‬ϼྱࡈ๪

459

10.16 Ӈ‫ؕঁؙ‬

459

10.17 Ӈ‫ؙ‬ਣࡾ‫ؖ‬

459

10.18 Ӈ‫௷ܒؙ‬

461

10.19 Ӈ‫ࡨؙ‬, ‫ڵؙ‬

462

10 Է‫ؚ‬

407

10.1 Ӈ‫ؙ‬ҹ‫׉‬

407

10.2 Ӈ‫ؙ‬ഛ‫ݓ‬

408

10.3 Ӈ‫੸ؙؗ‬, ೆ೙, Ҍࡦ‫੸ݗ‬

411

10.4 Ӈ‫ؙ‬чҲ

412

10.5 Ӈ‫ڌؙ‬ड़

414

10.6 Ӈ‫ڞؙ‬ӿӇ‫ؙ‬؉

414

10.6.1 ਐѿ‫ࣁؙ‬, 1953–

415

10.6.2 ‫ࣁؙެؖ‬, ‫ެؖ‬؉, 1962–

415

10.6.3 ཅஹлগѽԛ‫ࣁؙ‬, 1993–

418

10.6.4 ཅ‫ܚ‬Ӈ‫ڞؙ‬, 1998–

418

10.6.5 ཅஹлগઔ࠷ә‫ࣁؙ‬, 1998–

419

10.6.6 ཅஹлগ‫ھ‬ఓ௨‫ࣁؙ‬, 2001–

420

10.6.7 ཅஹлগҁޫ‫ࣁؙ‬, 2003–

421

10.6.8 Ј࣒ࠟ Tailly High ‫ࣁؙ‬, 2004–

422

xiii

‫ڣߎ۾‬۵

465

Ұ֤౱৉

467

ϪӜ౱৉

487

֤Ӝ౱৉

511

Acknowledgments

I would first like to acknowledge my two co-authors, Professor James Wicks (author of Transnational Representations: The State of Taiwan Film in the 1960s and 1970s) and Dr. Sachie Noguchie, who joined me to work on this book in 2012. For the last three years we have worked together closely. It is with heartfelt gratitude that I thank them for their hard work and many contributions. They made the completion of this book possible. Second, I would like to thank Jennifer Crewe, president and director of Columbia University Press, Rebecca L. Edwards, senior project manager at Cenveo Publisher Services, and Jonathan Fiedler, editorial assistant at the press. Without their support, this book would not have been published. It is not easy to write and publish academic books, which need not only intelligence and knowledge but more importantly time and money. For those last two not-so-intellectual or academic yet critical elements, I need to thank first the Fulbright Scholar Program, which provided me with the Fulbright Senior Research Award in 2009 (the award allowed me to go to Taiwan to conduct my research), and Brian Schottlaender, university librarian at UCSD (University of California, San Diego) for allowing me to take a three-month sabbatical in Taiwan to work on the book. I am also deeply grateful to the Ministry of Culture, Republic of China in Taiwan and Columbia University Libraries/Information Services that provided subsidies to publish the book, specifically,

Jim Neal, former vice president and university librarian at Columbia University Libraries/Information Services and Ms. Susan Yu, director of the Taipei Cultural Center of the Taipei Economic and Cultural Office in New York. Six years ago, when I first landed in Taiwan as a Fulbright Scholar, it was professor Hseu-hua Chen, director of NTU (National Taiwan University) library, who helped me and my family settle smoothly at the NTU campus and provided me with easy access to NTU’s collection. I am grateful for the hospitality and support of Dr. Gu Min, director of the National Central Library, and his staff, as well as Dr. Lee Tien-yang, director of Chinese Taipei Film Archive, and his staff. They made my research in their library extremely productive and memorable. For that I am eternally grateful to these colleagues in Taiwan. Because I have worked in the library as a graduate student assistant, library support staff, and librarian, I know how much work goes on behind the scenes to make library users happy. I would like to take this opportunity to salute the library staff members at UCSD and Columbia University libraries in the circulation and interlibrary loan department for helping me retrieve numerous books for this project. Last, but certainly not least, I want to express my gratitude to the “anonymous” book reviewers, whose objective reviews and intelligent suggestions have made this book not only possible but better.

xv

An Annotated Bibliography For Taiwan Film Studies 台 灣 電 影 研 究 書 目 提 要

Introduction

COVERAGE

Note:

An Annotated Bibliography For Taiwan Film Studies is the second volume in a three-volume series. It covers materials, including monographs, conference proceedings, theses, unpublished scripts, and screenplays that relate to Taiwan film studies from 1895 to 2013. Vol. 1., An Annotated Bibliography For Chinese Films Studies, focuses on film studies in mainland China and was published in 2004 by Hong Kong University Press. Vol. 3 will cover film studies materials related to Hong Kong. Books relating to both Taiwan and mainland China or Hong Kong will be included in all three volumes. Journal articles, Chinese translations of works originally published in other languages, and film studies materials unrelated to Taiwan are not included.

Describes the adaptation of a stage drama into a film. Contains interviews with the producers of The Peach Blossom Land (1992) and film reviews. Includes a list of the film’s cast and crew and an account of the director’s film production logistics. CTFAL Chi Within each section, entries are listed alphabetically according to the first line. Following Anglo-American Cataloging Rules, Second Edition (AACR2), authors will be listed first (see Example 1), unless there are more than three authors listed. When there are two or three authors listed for the same work, the first author will appear on the first line. The title will be listed first when there is no author, when there are more than three authors, or when there is only an editor. In such cases, the principle author or editor (if any) will be listed after the title in the following fashion.

ENTRIES Each entry includes the following information: entry number, author, title, publication, page count, ISBN, series title, note, resource, and language code. All Chinese and Japanese entries are presented with both romanized and Chinese or Japanese character entries for author, editor, and title. The use of traditional or simplified Chinese characters for each Chinese entry depends on the characters used in the original source material. Where English translations of the titles are included, the translations appear exactly as provided in the original Chinese texts. Works in other languages are only presented with standard romanized entries.

Example 2:

0089 Dian ying, dian ying ren, dian ying kan wu / Li Youxin bian. Ӈ‫ؙ‬, Ӈ‫ؙ‬Ϫ, Ӈ‫ؙ‬ᑂ‫ ׉‬/ ଽෂЈഹ. Taibei: Zi li wan bao she, 1986. 209 p. Series title: Dian ying wen xuan; 2 Ӈ‫ؙ‬ҹ‫ק‬, 2 Zi li cong shu, 27 І߹ᜣ‫ڣ‬, 27 Note: An insightful history of Taiwan New Cinema. Originally published in various journals, books, film reviews, and newspapers, this collection of articles and essays focuses on film critiques from the early period of Taiwan New Cinema. The most unique and important aspect of this book is the editor’s insightful comments, interpretations, and background information provided after each article or essay. Includes film stills. WorldCat Chi

Example 1:

0813 Yan, Hongya. Ἡ᜞ਐ. Wo an lian de Taohuayuan / Honghong (Yan Hongya), Yuehui (Lin Yuehui) bian zhu. ϢମߧϡಱՐ੅ / ᜞᜞ (Ἡ᜞ਐ), ֊௑ (৆֊௑) ഹЯ. Taibei: Yuan liu, 1992. 216 p. ISBN 9573216310 Series title: Dian ying guan; 27 Ӈ‫ؙ‬ఖ; 27

Each entry is numbered; the number is listed at the beginning of the entry. If an entry covers more than one subject area, it will appear in all related subject areas.

1

Introduction

INDEXES

LANGUAGE CODES

This volume contains three indexes: 1. Subject Index: alphabetically arranged subjects and subsubjects with matching entry numbers. 2. Author Index: alphabetically arranged individual author, editor, and corporate author names with matching entry numbers. 3. Title Index: alphabetically arranged titles and parallel titles (such as the translated titles) with matching entry numbers.

The following language codes are used in this volume: Chi = Chinese Eng = English Fre = French Ger = German Ita = Italian Jpn = Japanese Kor = Korean Slo = Slovenian Spa = Spanish Rus = Russian Uig = Uigur

RESOURCE CODES The following resource codes are used in this volume: AIRITI = Airiti Library, online catalog at: http://www.airitilibrary. com/Home/Index. BAS = Bibliography of Asian Studies catalog at: http://ets.umdl. umich.edu/b/bas, licensed access provides online access to the bibliography index of journal articles, book chapters, and books in Asian Studies. (FT) = Online Full-text available. CTFAL = Chinese Taipei Film Archive Library, online catalog at: http://www.ctfa.org.tw/index.php. DuXiu = A commercial Chinese E-book database developed by SuperStar Digital Library in Beijing, licensed access at: http:// edu.duxiu.com/. NCL = National Central Library, online catalog at: http://www .ncl.edu.tw/. NCLAAC = National Central Library Arts and Audiovisual Center, which has its online catalog merged with the online catalog of NCL at: http://aleweb.ncl.edu.tw/. NCL/NDLTD = National Central Library/National Digital Library of Theses and Dissertations in Taiwan at: http://ndltd .ncl.edu.tw/cgibin/gs32/gsweb.cgi/login?o=dwebmge. NTUL = National Taiwan University Library, online catalog at: http://tulips.ntu.edu.tw/search/. ProQuest = Online database provider at: http://www.proquest.com /en-US/, licensed access provides full-text access of e-books, journals, and dissertations. Wanfang = A comprehensive online Chinese database at: http:// c.g.wanfangdata.com.cn, licensed access provides full-text access of e-books, journals, and dissertations. WorldCat = OCLC WorldCat, public access at: http://www .worldcat.org/; however, the author used access provided by the institution that paid the membership fee.

ROMANIZATION AND NAME SPELLING The bibliography is arranged according to the Roman alphabet order. Chinese romanization is based on the Pinyin system and follows the Chinese Romanization Guidelines issued by LC (Library of Congress) in 2000 (at http://www.loc.gov/catdir /pinyin/romcover.html); this standard has been adopted by most of the academic libraries in the world, including the National Taiwan University Library in Taiwan. There are some differences between the LC Pinyin standard and the official Pinyin standard issued by the Chinese government in mainland China in 1957. In the LC Pinyin system, in general, a space is placed between each romanized character except in geographical and personal names: for example, the Chinese word for “film” is “dian ying” in the LC Pinyin system, while the Chinese words for “Republic of China” are Zhonghua Minguo.” Regarding personal names, unless the person’s name is already established in English publications, such as Ang Lee and Hou Hsiaohsien, Pinyin will be used, for example: Li Xing. The name index at in the end of the book presents names in their different forms.

SIMPLIFIED AND TRADITIONAL CHINESE CHARACTERS This bibliography uses both traditional and simplified Chinese characters depending on the characters used in the original source material. The authors strongly believe that, as a reference tool, this bibliography should match the original materials as closely as possible.

2

1 Reference Materials

1.1

BIBLIOGRAPHIES AND FILMOGRAPHIES

Taibei Shi: Yuan liu chu ban shi ye gu fen you xian gong si, 2002. 2 v. (1123 p.) ISBN 9573245280; 9573243040 Note: A two-volume filmography of representative international films organized by genre: Vol. 1: Gangster and Crime, Horror and Thrillers, Musicals, Romance; Vol. 2: Action and Adventure, Comedies, Science Fiction, and War/History. Each film is presented in two parts: film details (year, runtime, actors and actresses, etc.) followed by a brief review. WorldCat Chi Eng

0001 Bai nian Zhongguo dian ying jing xuan / Chen Jingliang, Zou Jianwen zhu bian. ‫ښ‬ёЅмӈ‫ שؘؙ‬/ ವ࢓݊䩟ểࠃҹҰ൜. Beijing: Zhongguo she hui ke xue chu ban she, 2005. 8 v. ISBN 7500452500 Note: A filmography of 800 films selected from a collection of more than 6,000 films in the Beijing Film Archive. Organized into four parts; each part contains two volumes. Ten Taiwan films are included in Part 3 (1979–1989), and five Taiwan films are included in Part 4 (1990–2004). Each volume presents a film chronology and film title index organized alphabetically in Pinyin. WorldCat Chi

0004 Eberhard, Wolfram, 1909– ዐᓱ‫ܓ‬, 1909– The Chinese silver screen; Hong Kong and Taiwanese motion pictures in the 1960s = Zhongguo dian ying ti yao : yi jiu liu ling nian Taiwan, Xianggang de ying pian. The Chinese silver screen; Hong Kong and Taiwanese motion pictures in the 1960s = ЅлӇ‫ؙ‬٤ϴ; ϣ॰ࡏജё‫ݡ‬ஹ,‫ܫ‬୯ϡ‫ؙ‬ә. Taipei: Orient Cultural Service, 1972. 241 p. Series title: Asian folklore and social life monographs; v. 23 Yazhou min su, she hui sheng huo zhuan kan, di er shi san ji ਐರ‫ھ‬ཞ.घϾТ҅֟ᑂ, ҷԏѧফ Note: A rare, early English work on Taiwan and Hong Kong films screened in Taiwan during the 1960s. The text focuses on the relationship between film and Chinese society, folktales, legends, myth, opera, novels, and short stories. The introduction’s subtitle is “Family and Social Problems in Chinese Films Shown in Taiwan.” Includes abstracts of 329 films (pp. 41–223); film titles, presented in both Wade-Giles and Chinese characters, are followed by a synopsis and a note regarding screening locations and dates. Rather than using page numbers, the book’s general index references the text’s 329 film abstracts by their respective, sequentially assigned numbers. The quality of the book’s paper, printing, editing, translation, and organization is very poor. WorldCat Eng Chi

0002 Cheng, Jim. An Annotated Bibliography for Chinese Film Studies = Zhongguo dian ying yan jiu shu mu ti yao. An Annotated Bibliography for Chinese Film Studies = Ѕмӈ‫୳ؙ‬ ૢ‫ڪ‬۵٤ϴ. Hong Kong: Hong Kong University Press, 2004. 404 p. ISBN 9622097030 Note: A comprehensive annotated bibliography focusing on film studies in mainland China from 1920 to 2003. A section entitled “Films in China, Hong Kong, and Taiwan, within “Chapter 6: Interdisciplinary Studies,” describes works that compare films produced in mainland China, Hong Kong, and Taiwan. Includes a bibliography, as well as subject, author, and title indexes. WorldCat Eng Chi Fre Ger Ita

Jpn

Kor

Spn

Rus

Uig

0003 Dian ying zhi nan = Movie guide / Liao Jinfeng bian. Ӈ‫ = ۪܋ؙ‬Movie guide / ᴰ‫ؖ‬ངഹ.

3

Reference Materials

0005 0005

0008

Er shi shi ji de dian ying: shi jie dian ying jing dian: 1900–2000 = Films of the century: 1900–2000 / Wu Guanping zhu bian. ԏ֐Ԓઓϡӈ‫ؙ‬䩭Ԓ֎ӈ‫ؙ‬Үਹ䩭1900–2000 = Films of the century: 1900–2000 / ྴഃ‫כ‬Ұ൜. Beijing: San lian shu dian, 2002. 607 p. ISBN 7108016427 Note: A filmography of 260 selected films representing world film history, including 11 Taiwan films produced from 1963 to 2000. Each film is presented with a brief introduction, synopsis, commentary, and director biography. Includes a film title index and bibliography. WorldCat Chi

Ji lu Taiwan: Taiwan ji lu pian yan jiu shu mu yu wen xian xuan ji / zhu bian Zhang Changyan, Li Daoming ; zhi xing bian ji Hong Yawen, Han Xu’er, Zhang Qinyun. ઔ࠷‫ݡ‬ஹ: ‫ݡ‬ஹઔ࠷ә୳ૢ‫ڣ‬۵ӿҹຶ‫ק‬ओ / Ұഹ‫פ‬ቾᴧ, ଽѬҴ ; వҲഹফᖻ઩ҹ, ठ᯾ঌ, ‫פ‬ቦ᭲. Taibei: Xing zheng yuan wen hua jian she wei yuan hui wei tuo cai tuan fa ren guo jia dian ying zi liao guan, 2000. 2 v. ISBN 9570265478 (v. 1); 9570262486 (v. 2) Series title: Taiwan dian ying shi liao cong shu ‫ݡ‬ஹӇ‫ؙ‬੗ࢧᜣ‫ڣ‬ Note: This is the first and most comprehensive bibliography and collection of essays on Taiwan film documentaries. Vol. 1 covers the colonial period and includes 65 essays and articles written by three contemporary Taiwan scholars as well as colonial-era Japanese authors whose articles were initially published in Japanese before being translated into Chinese for the purposes of this book. Contains eight parts: (1) Film history; (2) Documentary, news, and education films; (3) Film show activities; (4) Film propaganda; (5) Film censorship; (6) Film affairs; (7) Film reviews and introduction; and (8) a Bibliography of Taiwan documentary film studies during the colonial period that includes monographs (in both Chinese and Japanese), dissertations, and journal articles (in both Chinese and Japanese, dated and undated). There is also a bibliography at the end of the book. Vol. 2 covers Taiwan documentary film studies after 1945 and includes 81 essays, articles, interviews, film reviews, and news reports. Similar to Vol. 1, it also contains eight parts: (1) Anthropology films; (2) Introduction and review of Taiwan documentary films; (3) Theory and aesthetics of documentary film; (4) Documentary film and social movements; (5) Documentary and indigenous people; (6) Documentary film directors and workers; (7) Documentary film history and analysis; and (8) a Bibliography of Taiwan documentary film studies after 1945, which is organized under the following subjects: anthropology films, Chinese (including Hong Kong) documentary films, review and introduction to Taiwan documentary films, review and introduction to foreign documentary films, documentary filmography and others, documentary film theory and aesthetics, documentary films and social culture, documentary film and social movements, documentary film and indigenous people, documentary film directors and workers (domestic), documentary film directors and workers (abroad), documentary film history (domestic), and documentary film history (abroad). The materials collected in the bibliography include monographs, dissertations, journal and newspaper articles, handbooks, and manuals. WorldCat Chi

0006 Er shi shi ji Zhongguo wen yi tu wen zhi, dian ying juan / Chen Shaozhou zhu bian. ԏ֐ԒઓЅмҹ਴֘ҹ࢑䩟ӈ‫ؙ‬ඵ / ವվዲҰ൜. Shenyang: Shenyang chu ban she, 2002. ISBN 7544115283 Note: A pictorial filmography of 100 representative films selected from more than 20,000 films produced in mainland China, Hong Kong, and Taiwan during the twentieth century. Seven Taiwan films are highlighted: Home, Sweet Home (dir. Bai Jingrui, 1970), Outside the Window (dir. Song Cunshou, 1973), Execution in Autumn (dir. Li Xing, 1972), Story of a Small Town (dir. Li Xing, 1979), Madam Yu Ching (dir. Chang Yi, 1984), A City of Sadness (dir. Hou Hsiao-hsien, 1989), and Crouching Tiger, Hidden Dragon (dir. Ang Lee, 2000). Includes photos, film stills, and posters. WorldCat Chi

0007 Fei ju qing pian quan pian mu (Dian ying zi liao ku gui hua an fu jian) / Ji hua zhi xing dan wei: Guo jia dian ying zi liao guan; ji hua zhu chi ren: Li Daoming. ۘঁєәҪә۵ (Ӈ‫ࢧޞؙ‬ఖ੺੿ଈปխ) / ‫ޫذ‬వҲ‫֧؁‬: лр Ӈ‫ࢧޞؙ‬ఖ; ‫ޫذ‬Ұ‫ف‬Ϫ: ଽѬҴ. Taibei: Guo jia dian ying zi liao guan, 2002. 2 v. (1373 p.) Note: Chinese Taipei Film Archive’s Film Catalog/Filmography of “non-feature films” (literal translation); however, some of the films listed are not housed in the archive. The catalog is divided into twenty main categories. Films that do not fit within these categories are listed under “Others.” Each film entry is presented with the following information: a sequence number, archive index code, title, director, format, language, genre, studio, runtime, condition, production date, source, poster, and location. Because this is a catalog for internal use only and contains no index, it is difficult to search films by title or director. Primarily includes films produced in Taiwan. CTFAL Chi

4

Bibliographies and Filmographies

0014 Taiwan dian ying yan jiu ji wen xian chu ban gai kuang / Lu Feiyi bian zhu; Wang Rong bian ji. ‫ݡ‬ஹӇ‫ߵૢ୳ؙ‬ҹຶо‫ؗ‬มୄ / ᡭۘ‫ډ‬ഹЯ; ࣼᕣഹফ. Taibei: Zhonghua Minguo dian ying nian zhi wei hui, 1994. 244 p. Note: An introduction to Taiwan film studies and publications, including a categorized bibliography of Taiwan film studies from 1949 to 1993. CTFAL Chi

0009 Ju qing pian quan pian mu (Dian ying zi liao ku gui hua an fu jian) / Ji hua zhi xing dan wei: Guo jia dian ying zi liao guan; ji hua zhu chi ren: Li Daoming. ঁєәҪә۵ (Ӈ‫ࢧޞؙ‬ఖ੺੿ଈปխ) / ‫ޫذ‬వҲ‫֧؁‬: лрӇ ‫ࢧޞؙ‬ఖ; ‫ޫذ‬Ұ‫ف‬Ϫ: ଽѬҴ. Taibei: Guo jia dian ying zi liao guan, 2002. 727 p. Note: Chinese Taipei Film Archive’s Film Catalog/ Filmography of feature-length fictional films; however, some of the films listed are not housed in the archive. The catalog is organized by film production date (1927–2002). Films without an associated production date are listed under the category “Others.” Each film entry is presented with the following information: a sequence number, archive index code, title, director, format, language, genre, studio, runtime, condition, production date, source, poster, and location. Because this is a catalog for internal use only and contains no index, it is difficult to search films by title or director. Includes films produced in Taiwan, Hong Kong, and mainland China (mainly films produced in China before 1949). CTFAL Chi

0012 Lu, Feiyi. ᡭۘ‫ډ‬. Taiwan dian ying yan jiu ji wen xian chu ban gai kuang: fu lu Taiwan dian ying yan jiu wen xian fen lei mu lu (1949–1993) / Lu Feiyi bian zhu; Wang Rong bian ji. ‫ݡ‬ஹӇ‫ߵૢ୳ؙ‬ҹຶо‫ؗ‬มୄ: ป࠷‫ݡ‬ஹӇ‫ૢ୳ؙ‬ҹຶдढ۵࠷ (1949–1993) / ᡭۘ‫ډ‬ഹЯ; ࣼᕣഹফ. Taibei: Zhonghua Minguo dian ying nian zhi wei hui, 1994. 236 p. Series title: Dian ying zi liao cong shu; 2 Ӈ‫ࢧޞؙ‬ᜣ‫ ;ڣ‬2 Note: An introduction to Taiwan film studies and publications, including a categorized bibliography of Taiwan film studies from 1949 to 1993. CTFAL Chi

0010 Li, H. C. Chinese cinema: five bibliographies. Hong Kong: Studio 8, 2003. 1 v. (various paginations) Note: Contains five bibliographies of English publications on Chinese cinema originally published separately in various journals: (1) “Chinese electric shadows: a selected bibliography of materials in English”; (2) “More Chinese electric shadows: a supplementary list”; (3) “Chinese electric shadows III: and the ship sails on”; (4) “Hong Kong electric shadows: a selected bibliography of studies in English”; and (5) “Hong Kong electric shadows II: recent English publications on Hong Kong Cinema.” All five bibliographies are organized by format: “Books, Articles, Interviews, Literary Sources, Film Programs.” Taiwan cinema materials that are not specified under any particular category can be found in the first three bibliographies, including interesting film programs that are difficult to locate elsewhere, such as a “New Films from Taiwan” program, hosted by the American Film Institute in Washington, D.C., in 1986, with an introduction by Derek Elley. Because this is not an official publication (with no ISBN), but rather a simple combination of five separate bibliographies, there is no index in the volume. The only library that holds the book is Hong Kong University of Science and Technology. WorldCat Eng

0013 Shi jie dian ying jian shang ci dian / Zheng Xuelai zhu bian. Ԓ֎ӈ‫ؙ‬პೄ᏷ਹ / ችઞϱҰ൜. Fuzhou: Fujian jiao yu chu ban she, 1991. 876 p. ISBN 7533406648, 9787533406646 Note: A filmography of 200 representative world films produced from 1916 to 1989. Includes very few Taiwan films, such as Hou Hsiao-hsien’s A City of Sadness (1989). Organized by film production year, each film entry contains the title in both its original language and Chinese translation followed by three parts: an introduction, plot, and commentary. The table of contents lists the films without their production dates and locations. Includes a film title index, organized by the number of Chinese character strokes, at the end of the volume. Duxiu Chi

0014 Shi jie dian ying jian shang ci dian (xu bian) / Zheng Xuelai zhu bian. Ԓ֎ӈ‫ؙ‬პೄ᏷ਹ䩛۟൜䩜 / ችઞϱҰ൜. Fuzhou: Fujian jiao yu chu ban she, 1993. 844 p. ISBN 7533414330 Note: A filmography of 180 representative world films produced from 1916 to 1993. This second edition of the book complements the first edition. Includes two Taiwan films: Li Xing’s My Native Land (1980) and Edward Yang’s A Brighter Summer Day (1991).

0011 Lu, Feiyi. ᡭۘ‫ډ‬.

5

Reference Materials

0015 Organized by film production year, each film entry contains the title in both its original language and Chinese translation followed by three parts: an introduction, plot, and commentary. The Table of Contents lists the films with their production dates and locations; Taiwan films are listed under “China” as their production location. Includes a film title index, organized by the number of Chinese character strokes, at the end of the volume. WorldCat Chi

0017 Taiwan di qu ji lu pian pian mu zi liao ku ji lu pian li shi ji ji lu zi shen ying ren kou shu li shi ji hua di yi nian cheng guo bao gao / Li Daoming deng ‫ݡ‬ஹс߅ઔ࠷әࢡ۵‫ࢧޞ‬ᆞઔ࠷әࣵ੗ߵઔ࠷‫ؙٹޞ‬Ϫ‫ט‬਎ࣵ੗ ‫ޫذ‬ҷϣёюҝ‫ ݍڻ‬/ ଽѬҴҳ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 1998. Note: Author Jim Cheng noticed this title in the bibliography of a book but could not locate the actual text at the three major libraries housing film materials in Taipei (NCL, NTU, and CTFA). Chi

0015 Shi jie dian ying jian shang ci dian (san bian) / Zheng Xuelai zhu bian. Ԓ֎ӈ‫ؙ‬პೄ᏷ਹ䩛ѧ൜䩜 / ችઞϱҰ൜. Fuzhou: Fujian jiao yu chu ban she, 1995. 861 p. ISBN 7533420187 Note: A filmography of 171 representative world films produced from 1912 to 1994. This third edition of the book complements the previous two editions. Includes four Taiwan films. Organized by film production year, each film entry contains the title in both its original language and Chinese translation, followed by three parts: an introduction, plot, and commentary. Table of Contents lists the films with their production dates and locations; Taiwan films are listed under “China Taiwan” as their production location, but Hong Kong films have only “Hong Kong” as their production location. Includes a film-title index, organized by the number of Chinese character strokes, at the beginning of the volume. Duxiu Chi

0018 Taiwan di qu ji lu pian pian mu zi liao ku ji lu pian li shi ji ji lu zi shen ying ren kou shu li shi ji hua di er nian cheng guo bao gao / Li Daoming deng ‫ݡ‬ஹс߅ઔ࠷әࢡ۵‫ࢧޞ‬ᆞઔ࠷әࣵ੗ߵઔ࠷‫ؙٹޞ‬Ϫ‫ט‬਎ࣵ੗ ‫ޫذ‬ҷԏёюҝ‫ ݍڻ‬/ ଽѬҴҳ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 1999. Note: Author Jim Cheng noticed this title in the bibliography of a book but could not locate the actual text at the three major libraries housing film materials in Taipei (NCL, NTU, and CTFA). Chi

0019 Taiwan dian ying mu lu, 2003–2004: ju qing pian ji lu pian dong hua pian shi yan pian / Zhou Beiji ce hua; Chen Sufen wen zi bian ji. ‫ݡ‬ஹӇ‫ؙ‬, 2003–2004: ঁєәઔ࠷әҁޫәӢࡐә / ‫ر‬ᲅᮮ೫੿; ಴ঈᐇҹ‫ܒ‬ഹফ. Taibei: Xing zheng yuan xin wen ju, 2005. 97 p. ISBN 9570187980 Note: A filmography of 97 Taiwan films produced or in production from 2003 to 2004. Organized by feature films, documentaries, animation, shorts, experimental film, and in production. Each film entry includes credits, copyright holder’s contact information, and a synopsis. Includes a film title index in English and Chinese. NCL Chi Eng

0016 Shi jie dian ying jian shang ci dian (si bian) / Zheng Xuelai zhu bian. Ԓ֎ӈ‫ؙ‬პೄ᏷ਹ䩛‫ף‬൜䩜 / ችઞϱҰ൜. Fuzhou: Fujian jiao yu chu ban she, 2003. 994 p. ISBN 7533431111, 9787533431112 Note: A filmography of 183 representative world films produced from 1912 to 1995. This fourth edition of the book complements the previous three editions. Includes twelve Taiwan films. One of the Taiwan films, Dragon Gate Inn (1967) directed by King Hu, is mistakenly labeled as a Hong Kong production. Organized by film production year, each film entry contains the title in both its original language and Chinese translation, followed by three parts: an introduction, plot, and commentary. The Table of Contents lists the films with their production dates and locations; Taiwan films are listed under “China Taiwan” as their production location, and Hong Kong films are listed with “China Hong Kong” as their production location. Includes a film title index, organized by the number of Chinese character strokes, at the beginning of the volume. Duxiu Chi

0020 Taiwan dian ying ying pian sheng chan tong ji, fu: song jian ying pian ji duan pian pian mu (1949–1993) / Xing zheng yuan xin wen ju Zhonghua Minguo dian ying nian zhi wei hui. ‫ݡ‬ஹӇ‫ؙؙ‬әТ‫ذࢃݗ‬, ป: ‫؟‬ഛ‫ؙ‬ә᠕ߦәә۵ (1949–1993) / ҲूࡨЈࢨ঵Ѕ‫ھܓ‬лӇ‫ؙ‬ёవణϾ. Taibei: Xing zheng yuan xin wen ju Zhonghua Minguo dian ying nian zhi wei hui, 1994. 2 v. (950 p.) Note: A complete filmography and statistical record of Taiwan films submitted to the government for censorship approval from 1949 to 1993. Includes 3,478 fictional films, 2,227 news and documentary films, and 323 short films. The filmography is organized by film title.

6

Bibliographies and Filmographies

0025

Although the text is primarily based on films submitted for government approval, the text includes a few additions from other resources. In principle, the text only lists films produced in Taiwan; however, jointly produced Taiwan and Hong Kong films are also included. CTFAL Chi

0023 Taiwan song jian ying pian ji duan pian pian mu (1949–1994) / Lu Feiyi zhu bian. ‫ݡ‬ஹ‫؟‬ഛ‫ؙ‬ә᠕ߦәә۵ (1949–1994) / ᡭۘ‫ډ‬Ұഹ. Taibei: Xing zheng yuan xin wen ju Zhonghua Minguo dian ying nian zhi wei hui, 1994. 472 p. Series title: Dian ying zi liao ku cong shu; 5 Ӈ‫ࢧޞؙ‬ᆞᜣ‫ ;ڣ‬5 Note: This is a complete filmography and statistical record of Taiwan films submitted to the government for censorship approval from 1949 to 1994. Includes 3,500 fictional films, 2,227 news and documentary films, and 342 short films. The filmography is organized by film title and is based primarily on film applications submitted to the government. Beginning in 1950, every film produced in Taiwan required state approval. Contains statistical charts of Taiwan film production from 1949 to 1994, a filmography of the films submitted for censorship approval from 1949 to 1993 with an accompanying index, and a filmography of the films submitted for government approval in 1994, divided into the following categories: Taiwan, Hong Kong, Other, and Short films. CTFAL Chi

0021 Taiwan dian ying zhen gui ying xiang shi liao mu lu (Di yi ji 35 nian– 58 nian) / Taiwan dian ying wen hua gong si. ‫ݡ‬ஹӇ‫ੵؙ‬ਰ‫ؙ‬Ռ੗ࢧ۵࠷ (ҷϣফ 35ё58ё) / ‫ݡ‬ஹӇ‫ؙ‬ҹ٩ԍ ‫ޅ‬. Taibei: Taiwan dian ying wen hua gong si, [1969] 90 p. Note: A filmography, organized by film production date, of news and documentary films distributed by Taiwan dian ying wen hua gong si (Taiwan Film Culture Company) from 1945 to 1969. CTFAL Chi

0022 Taiwan sheng dian ying zhi pian chang ying pian zong mu lu / Zong bian ji Yu Ruji. ‫ݡ‬ஹ૸Ӈ‫ؙ‬३әྃր۵࠷ / րഹফ൑Ғࡵ. Taizhong Xian Wufeng xiang: Taiwan sheng dian ying zhi pian chang, 1984. 2 v. (560 p.) Note: A filmography of films produced by Taiwan Sheng dian ying zhi pian chang (Taiwan Provincial Film Production Studio) from 1945 to 1984. Includes a history of the studio, film distribution map, list of awardwinning films, and a studio organization chart. The filmography is organized by production date under the following categories: (1) Feature Films (16 titles), including introduction, credits, synopsis, film stills, posters, and photos; (2) Social Education Films containing plots (47 titles), including film title, runtime, production date, language, and official sponsors; (3) Social Education Films not containing plots (79 titles), including film title, runtime, production date, language, and official sponsors; (4) News Films for Domestic Distribution (1,317 titles), including film title, runtime, production date, and color information; (5) News Film for Overseas Chinese Distribution (180 titles), including film title, runtime, production date, and color information; (6) News Film for Overseas Distribution (121 titles), including film title, runtime, production date, language, and color information; (7) News Film for Domestic Countryside Distribution (146 titles), including film title, runtime, production date, and color information; (8) Short Television Films (1,095 titles), including film title, runtime, production date, and television channel; (9) Documentary Films (303 titles), including film title, runtime, production date, language, color information, and official sponsors. Text does not include an index. WorldCat Chi

0024 Taiwan xin wen / ji lu pian pian mu / Ji hua zhi xing dan wei: Guo jia dian ying zi liao guan; Ji hua zhu chi ren: Li Daoming, Lu Feiyi; gong tong zhu chi ren: Zhang Changyan, Wang Weici. ‫ݡ‬ஹЈࢨ / ઔ࠷әә۵ / ‫ޫذ‬వҲ‫֧؁‬: лрӇ‫ࢧޞؙ‬ఖ; ‫ޫذ‬Ұ ‫ف‬Ϫ: ଽѬҴ, ᡭۘ‫࢕ ;ډ‬ӎҰ‫ف‬Ϫ: ‫פ‬ቾ໏, ࣼ໓፦. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 1999. 648 p. Note: A filmography of Taiwan news and documentary films produced from 1945 to 1998. Each entry in the filmography contains general information, including a film synopsis and current film location. Because the filmography has no index and is organized by production date or by institution name, it is difficult to search for film titles, directors, producers, or film content. CTFAL Chi

0025 Taiwan xin wen / ji lu pian pian mu / Ji hua zhi xing dan wei: Guo jia dian ying zi liao guan; Ji hua zhu chi ren: Wang Weici, Li Daoming, Zhang Changyan, Lu Feiyi. ‫ݡ‬ஹЈࢨ / ઔ࠷әә۵ / ‫ޫذ‬వҲ‫֧؁‬: лрӇ‫ࢧޞؙ‬ఖ; ‫ޫذ‬Ұ ‫ف‬Ϫ: ࣼ໓፦, ଽѬҴ, ‫פ‬ቾ໏, ᡭۘ‫ډ‬. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 2000. 2 v. (736 p.) Note: The most comprehensive filmography of Taiwan news and documentary films produced from 1907 to 1999. Divided into two parts: (1) Part One: Colonial Period, organized by film production date; and (2) Part 2: After Taiwan Retrocession, organized according to the seventeen institutions that housed the films. Each entry

7

Reference Materials

0026 in the filmography consists of detailed information, including a synopsis, current film location, copyright holder, source, record code, name of person recording the film information, and date. Because the filmography has no index and is organized by production date or by institution name, it is difficult to search for film titles, directors, producers, or film content. CTFAL Chi

0029 Zhonghua Minguo dian ying ying pian shang ying cong mu: min guo 38 nian zhi 71 nian / Bian zhe Liang Liang, bian ji Zha Zhiyao. Ѕ‫ھܓ‬лӇ‫ؙؙ‬әϼྱր۵:‫ھ‬лѧ֐ࡂё۠ࢳ֐ϣё / ഹ‫ٷ‬ᅯ મ,ഹফ‫ݓ‬ҏ⁢. Taibei: Zhonghua Minguo dian ying shi ye fa zhan ji jin hui dian ying tu shu guan chu ban bu, 1984. 2 v. Note: A filmography of films screened in Taiwan from 1949 to 1982. Organized chronologically starting with the first public screening of films in Taipei’s movie theaters. Dates are based on movie advertisements published in two Taiwan newspapers: the Central Daily and Union Daily. Information includes film title, genre, studio, director, cast, workers, screening dates, and notes. The index of film titles is organized by the year each film screened in theaters in Taipei and by the number of the Chinese character strokes in each film title. WorldCat Chi

0026 Ying hua zong mu lu. ྱޫր۵࠷. Taizhong: Taizhong zhou xue xiao ying hua lian meng, [n.d.] Note: Author Jim Cheng noticed this title in the bibliography of a book but could not locate the actual text at the three major libraries housing film materials in Taipei (NCL, NTU, and CTFA). The text appears to be a filmography compiled during the Japanese colonial period in Taiwan. [Jpn]

0027 1.2

Ying san bai / Dou Jiangming zhu bian. ‫ؙ‬ѧ‫ ښ‬/ 扻࢖ҴҰ൜. Shanghai: Fudan da xue chu ban she, 2006. 342 p. ISBN 7309048431 Note: Shu Qi and Luo Ka, two film critics, directors, and scholars from Hong Kong, present the 100 best films from mainland China, Hong Kong, and Taiwan; the 100 best actors and actresses with accompanying biographies; and the 100 best film directors in Chinese film history. Luo Ka admits in the postscript that the authors focused only on Taiwan’s standard, often-cited titles and film personnel. The book also includes a collection of essays that cover 100 years of Chinese film history, including an essay by Taiwan film critic Huang Ren (pp. 28–59) that deals with Taiwan’s early film history from 1907 to 1964, and an essay by August Palmer (pp. 99–152) that considers the interactions among Hong Kong New Wave films, New Taiwan films, and mainland China fifth-generation films from 1979 to 1999. Endnotes are included at the end of each essay. Includes both a bibliography and a chronology. WorldCat Chi

INDEXES

0030 Goble, Alan. The International Film Index 1895–1990 / edited by Alan Goble. London: Bowker-saur, 1991. 2 v. ISBN 0862916232 Note: Covers 182,456 films and 24,688 world film directors. Contains numerous mistakes relating to Taiwan film titles and directors’ names. Vol. 1, “Film Titles” uses Chinese romanized (WadeGiles) titles as the proper titles for films produced in Taiwan but also uses English translations of the titles as a reference. For example, Hou Hsiao-hsien’s Pei-Ch’ing Cheng-Shih is used as a proper title while the English title, A City of Sadness, is provided as a reference title. Vol. 2, “Directors’ Filmography and Indexes” is categorized in four parts: (1) Directors’ filmography, (2) Directors by country, (3) Directors of animated film, and (4) Selected bibliography. Forty-nine film directors are listed under “Taiwan” and each director’s films are listed in a corresponding filmography; for example, Hou Hsiao-hsien is presented with seven films, produced from 1983 to 1989, in his filmography. However, famous Taiwan director Li Xing (1930–) is listed as a Hong Kong film director, his name is misspelled “Li Hsin, 1931–,” and his limited filmography contains only works produced from 1965 to 1982. WorldCat Eng

0028 Zhong yang dian ying gong si ying pian mu lu = Guide to motion pictures / Zhong yang dian ying shi ye gu fen you xian gong si. Ѕ႑Ӈ‫ؙ‬ԍ‫ؙޅ‬ә۵࠷ = Guide to motion pictures / Ѕ႑Ӈ‫ؙ‬Ѩ‫׬‬ ੦‫ڤ‬ϩࡳԍ‫ޅ‬. Taibei: Zhong yang dian ying shi ye gu fen you xian gong si, 1982. 2 v. Note: A filmography of films produced by Zhong ying (Central Motion Picture Corporation). Includes film stills and photos. WorldCat Chi

0031 Ka fei shi guang, suo yin / Lao Jiahua deng. ౹೑Ж‫ׇ‬, ౱৉ / ҡဓ‫ܓ‬ҳ. Taibei: San shi duo mei ti wang lu go fen you xiang gong si, 2004. 189 p.

8

Dictionaries

Note:

0038 A special publication for Hou Hsiao-hsien’s 2003 film Ka fei shi guang (Café Lumière). The literal translation of the film is “coffee time.” Commissioned by the Japanese film studio, Shochiku; includes the film’s background story, credits, and an index. CTFAL Chi

Westport, CT: Greenwood Press, 1993. 342 p. ISBN 0313291233 Note: A dictionary of 3,400 acronyms and abbreviations commonly used in the film, television, and video industries, including a few used in Taiwan. Under “Country Index” a Taiwan entry contains five acronyms and abbreviations. Includes Full Name, Subject/Theme, and Country indexes. WorldCat Eng

0032 MacCann, Richard Dyer. The new film index: a bibliography of magazine articles in English, 1930–1970 / by Richard Dyer MacCann and Edward S. Perry. With special editorial assistance by Mikki Moisio. New York: Dutton, 1975. 522 p. ISBN 0525165541 Note: Includes a brief section on “China, Taiwan, Hong Kong,” under the “Film History” heading (pp. 212–213). WorldCat Eng

1.3

0036 Slide, Anthony. The international film industry: a historical dictionary. New York: Greenwood Press, 1989. 423 p. ISBN 0313256357 Note: This dictionary presents limited and often-biased information about the Chinese film industry. For example, under the “Taiwan” entry (pp. 345–346), the influence of Japan during the colonial period (1895–1945) is not mentioned, and the explanation that Taiwan’s film industry originated in mainland China is, at the least, incomplete. The text, however, does provide interesting statistics regarding the overall state of the Taiwan film industry. For example, at the time of the book’s publication 450 movie theaters were in Taiwan, the cost of producing a film in Taiwan was $100,000, and the output of Taiwan’s annual feature films decreased from 250 at the beginning of the 1980s to 150 by the end of the 1980s; also, after Japan severed diplomatic relations with Taiwan in the mid-1970s, Japanese films were banned in Taiwan. Includes an index and a bibliography under each entry. WorldCat Eng

DICTIONARIES

0033 Cowie, Peter. International film guide 1988. London: Tantivy Press, 1987. Note: The entry “Taiwan” (pp. 328–333) includes a general introduction to Taiwan films. WorldCat Eng

0034 Dian ying ci dian / Zong bian ji Xu Ligong deng Ӈ‫ؙ‬Ᏸਹ / րഹফጝ߹‫ۋ‬ҳ. Taibei: Guo jia dian ying zi liao guan, 1999. 312 p. ISBN 9579904804 Note: A general English–Chinese film dictionary organized alphabetically in English. Presents general film–related terms (such as film history, titles, directors, studios, actors and actresses, technology, theory) followed in Chinese with the term’s translation, interpretation, and historical information. Three directors of the Chinese Taipei Film Archive in Taiwan (Hsu Li-kong 1978–1989, Jing Yingrui 1989–1996, and Huang Jianye 1996–2000) spent ten years (1989–1999) completing the book. It represents the highest standard of international film studies in Taiwan. However, very few Taiwan film related subjects, such as Taiwan director Hou Hsiao-hsien and his films, are mentioned in the book, and none of the Taiwan film–related subjects are treated as formal entries. Includes both Chinese and English subject, name, and film title indexes. WorldCat Eng Chi

0037 Taiwan ying shi ge ren wu zhi 1950–1965 / Yao Liqun deng zhuan bian. ‫ݡ‬ஹ‫ؙ‬؆‫ܮ‬Ϫ‫׉‬௨ 1950–1965 / ᝻߹ळҳ᫃ഹ. Taibei: Xing zheng yuan xin wen ju, 2008. 207 p. ISBN 19789860134841 Note: A biographical dictionary of 33 of Taiwan’s distinguished actors and actresses in the film, television, and singing/opera professions active from 1950 to 1965. Organized by the number of the Chinese character strokes in each name, entries contain a biography and filmography. Includes photos, screen shots, film stills, bibliography, and introduction of the contributors. CTFAL Chi

0038 Ying san bai / Dou Jiangming zhu bian. ‫ؙ‬ѧ‫ ښ‬/ 扻࢖ҴҰ൜. Shanghai: Fudan da xue chu ban she, 2006. 342 p. ISBN 7309048431

0035 International film, television and video acronyms / edited by Matthew Stevens.

9

Reference Materials

0039 Note:

Shu Qi and Luo Ka, two film critics, directors, and scholars from Hong Kong, present the 100 best films from mainland China, Hong Kong, and Taiwan; the 100 best actors and actresses with accompanying biographies; and the 100 best film directors in Chinese film history. Luo Ka admits in the postscript that the authors focused only on Taiwan’s standard, often-cited titles and film personnel. The book also includes a collection of essays that cover 100 years of Chinese film history, including an essay by Taiwan film critic Huang Ren (pp. 28–59) that deals with Taiwan’s early film history from 1907 to 1964, and an essay by August Palmer (pp. 99–152) that considers the interactions among Hong Kong New Wave films, New Taiwan films, and mainland China fifth-generation films from 1979 to 1999. Endnotes are included at the end of each essay. Includes both a bibliography and a chronology. WorldCat Chi

and includes 2000 films that were labeled as “politically reactionary films.” In the preface, the publisher gives credit to the contributions made by Li Hang, Huang Ren, and Liang Liang in Taiwan, and Yu Muyun in Hong Kong. Contains a comprehensive index organized under fourteen category titles. WorldCat Chi

0041 Zhongguo dian ying dian shi ming ren lu / Zhu bian Huang Ren deng. ЅлӇ‫ؙ‬Ӈ؆ӜϪ࠷ / Ұഹࢶწҳ. Taibei: Jin ri dian ying za zhi she, 1982. 719 p. Note: Contains more than 2,000 film and television personnel in Taiwan and Hong Kong, each with an accompanying photo, biography, chronology, and production list. Organized by the number of Chinese character strokes in each name. Appendix includes the following lists: films in international film festivals, Golden Horse Award winners, Golden Bell Award winners, R.O.C. Film Production Association Members, R.O.C. Film and Drama Association Trustee and Members, Taiwan Provincial Film and Drama Commerce Members, Taipei Film and Drama Commerce Members, and a Name Index. CTFAL Chi

0039 Zhong wai ying shi da ci dian = Dictionary of cinema and teleplay / Wang Liu zhu bian. Ѕ֔‫ؙ‬؇Ͻ᏷ਹ = Dictionary of cinema and teleplay / ᑓԵҰ൜. Beijing: Zhongguo guang bo dian shi chu ban she, 2001. 1025 p. ISBN 7504335320 Note: Presents more than 3,000 entries covering Chinese (mainland China, Hong Kong, and Taiwan) and foreign films and television shows. It aims to cover as many subjects as possible, including some areas that have not been covered by similar dictionaries, such as a list of film- and television-related journals and newspapers. The coverage of Taiwan film and television, however, is incomplete and misleading because its editorial board and contributors do not include recognized Taiwan film and television experts. For example, important Taiwan film director and scholar, Wang Sushang, is not mentioned in the book. Includes a general term index organized according to the Pinyin alphabetic order. WorldCat Chi

0042 Zhongguo dian ying dian shi yi shu jia ci dian = Dictionary of Chinese film-TV artists / Zhu bian Wang Yunman. Ѕмӈ‫ؙ‬ӈ؇਴भр୫ਹ = Dictionary of Chinese film-TV artists / Ұ൜ࣼ࠭㓧. Nanning: Guangxi ren min chu ban she, 1991. 767 p. ISBN 7219018495 Note: A dictionary containing more than 1,500 entries of selected film and television personnel in mainland China, Hong Kong, and Taiwan through 1990. Many important film directors, such as Bai Ke, Zong You, Wang Tung, and Wang Jujin, are not included in the book; thus, this is not a good reference source for Taiwan film artists. Organized by the number of Chinese character strokes in each artist’s surname. WorldCat Chi

0040 Zhongguo dian ying da ci dian = China cinema encyclopedia / Zhu bian Zhang Junxiang, Cheng Jihua. Ѕмӈ‫ؙ‬Ͻ᏷ਹ = China cinema encyclopedia / Ұ൜‫צ‬Ằፖ䩟 ࡄ ࡵ‫ܗ‬. Shanghai: Shanghai zi shu chu ban she, 1995. 1509 p. ISBN 7532603261 Note: A relatively comprehensive and objective Chinese film dictionary covering mainland China, Hong Kong and Taiwan; however, some films and their production studios under Japanese control during the Second Sino-Japanese War in mainland China are deliberately omitted. Includes a first word index arranged by Pinyin, and a subject index arranged by stroke number. Contains 6,139 entries, including films that received domestic film awards and international film awards,

0043 Zhongguo dian ying yan yuan ci dian / Zhongguo dian ying ping lun xue hui, Hubei sheng dian ying ping lun xue hui bian zhu; zhu bian Cheng Shu’an; fu zhu bian Lie Fu, Liang Liang, Dai Lixin. Ѕмӈ‫؃ؙࠟ‬୫ਹ / Ѕмӈ‫ڹؙ߯‬ѺϿ䩟 ઀‫૸ܚ‬ӈ‫ڹؙ߯‬ѺϿ൜ Я 䩮 Ұ൜ࡄஔԥ䩟ైҰ൜࠶⅃䩟 ᅯમ䩟 ඕ߹Ј. Beijing: Zhongguo guang bo dian shi chu ban she, 1993. 501 p. ISBN 7504320609 Note: A biographical dictionary of more than 1,100 Chinese film actors and actresses in mainland China, Hong Kong, and Taiwan. Organized by the number of Chinese character strokes in the names. The editor admits, in the preface, that many Taiwan and Hong Kong film

10

Directories / Encyclopedias

0048 1.5

actors and actresses are not included because of limited contact with Taiwan’s film industry. Interestingly, Taiwan film actress Jiang Qing (1946–) is included in the book; however, the mainland China film actress Jiang Qing (1914–1991) is not included in the book because, as Chinese Communist Party Chairman Mao Zedong’s wife, her later political involvement led the editor to exclude her from the book. Includes a name index based on the number of Chinese character strokes in each name, a name index based on Pinyin names in alphabetical order at the beginning of the book, two lists of mainland China and Taiwan film actors and actresses who won awards abroad, and three lists of film actors and actresses who won any of the three domestic film awards in both mainland China and Taiwan. WorldCat Chi

1.4

ENCYCLOPEDIAS

0046 Palmer, Bill, 1947– The encyclopedia of martial arts movies / Bill Palmer, Karen Palmer, and Ric Meyers. Metuchen, NJ: Scarecrow Press, 1995. 465 p. ISBN 0810830272 (acid-free paper) Note: Provides 3,281 entries on martial arts films produced mainly in Hong Kong, Taiwan, Japan, the United States, and China with film information, including the title, cast, director, producer, film studio, runtime, and availability. The major problems with the text are as follows: only English translations are used for all nonEnglish films, and the names of Chinese cast members are often romanized in nonstandard ways. For example, famous Chinese martial arts film star Jet Li is presented as “Li Lianjie,” which is the standard Pinyin romanization system of his name, or “Li Lien-chieh,” his name in the standard Wade-Giles romanization system. However, Jet Li’s name, in this work, is “Li Lin-jei.” Jet Li’s popular, nonstandard English name, “Jat Lee,” is provided in the aliases section. Includes bibliographical references (p. 417), aliases, and a name index. WorldCat Eng

DIRECTORIES

0044 Pai Taibei: ying shi kan jing zhi nan = Taipei cinema location guide / Rao Zijuan zhu bian. ‫ܚݡޛ‬: ‫ؙ‬؆ ࢓‫ = ۪܋‬Taipei cinema location guide / ᓔཎᥱ Ұഹ. Taibei: Taibei shi dian ying wei yuan hui, 2009. 199 p. ISBN 9789868468603 Note: A bilingual (Chinese and English) guidebook to Taipei’s cultural areas, scenic spots, and filming sites. Important information is included in the appendix, including Production Subsidies in Taipei, Directions for Funding Foreign Motion Picture Production Enterprises to Produce Motion Pictures in Taiwan, Regulations Governing Tax Credit for Businesses Investing in Motion Picture Production Enterprises for the Production of Domestically Produced Motion Pictures, Current Preferential Taxation Policies on Films, and Directory of Motion Picture Industry in Taiwan. NTUL Chi Eng

0047 Shi jie dian ying bai ke quan shu / Yang Haiming deng bian yi. Ԓ֎ӈ‫॓ښؙ‬Ҫ‫ ڪ‬/ ໶֋Ҵҳ൜ፈ. Beijing: She hui ke xue wen xian chu ban she, 1993. 820 p. ISBN 7800502031; 9787800502033 Note: A text translated primarily from the Russian-language Encyclopedia of the Cinema, published in 1986 by the Soviet Encyclopedia Press. Entries for lesser Soviet and Eastern Block personalities have been deleted and thorough coverage of film personalities from mainland China, Hong Kong and Taiwan have been added. However, the only fourth- and fifth-generation directors, actors, and actresses included from mainland China are those who won Golden Rooster Awards or Hundred Flowers Awards. Duxiu Chi

0045 0048

Zhonghua Minguo dian ying dao yan xie hui hui yuan ming dan = Directory/ Directors Guide of Taiwan, R.O.C. / Bian ji: Tang Mingzhu deng. Ѕ‫ھܓ‬лӇ‫ؙ࣒ࠟ‬൒ϾϾ‫؂‬Ӝ‫ = ؁‬Directory / Directors Guide of Taiwan, R.O.C. / ഹফ: ࿔Ҵ෿ҳ. Taibei: Zhonghua minguo dian ying dao yan xie hui, 1996. 112 p. Note: A member’s directory of the R.O.C. Film Directors Association organized by the number of the Chinese character strokes in the names. Each entry includes the member’s photo, brief resume, film list, and a related film still, but no contact information is provided. CTFAL Chi

Zhang, Yingjin. Encyclopedia of Chinese film / Yingjin Zhang and Zhiwei Xiao; with additional contributions from Ru-shou Robert Chen . . . [et al.]; edited by Yingjin Zhang. London; New York: Routledge, 1998. 475 p. ISBN 0415151686 Note: Includes six historical essays on the film traditions in China, Hong Kong, and Taiwan, including “Taiwan cinema” by Ru-shou Robert Chen (pp. 47–63), which divides Taiwan film history into five parts: (1) Early formation, 1901–45; (2) Destruction and restoration,

11

Reference Materials

0049 1945–59; (3) Revitalization and decay, 1960–70s; (4) Taiwan New Cinema, 1980s; and (5) Recent developments, 1990s, as well as a further reading list at the conclusion of each section. It is a brief, yet in-depth, summary of Taiwan film history with statistical data to support the author’s points. The essay “Transnational cinema: mainland China, Hong Kong and Taiwan” by Yingjin Zhang (pp. 63–65) provides an outline of the relationship between mainland China, Hong Kong, and Taiwan within film studies and includes a further reading list. Contains bibliographical references (pp. 397–411); three indexes (Title Index, Name Index, and Studio Index); and a glossary in Pinyin romanization, Chinese characters, and English. WorldCat Eng Chi

1.6

Chinese Taipei Film Archive in June 2008. Includes an evaluation report on the condition of movies housed in the Chinese Taipei Film Archive. CTFAL Chi

0052 Chambers film factfinder. Edinburgh: Chambers, 2006. 474 p. ISBN 9780550101976, 0550101977 Note: An international film factfinder. Consists of five parts: Part 1: People in Film; Part 2: Film Categories and Genres; Part 3: Film-Producing Countries; Part 4: Notable Films; and Part 5: Film Reference. Contains Taiwan cinema facts. Includes a glossary of film related terms and an index of film titles. WorldCat Eng

0053

CATALOGS, GUIDES, HANDBOOKS, FACTFINDERS, AND M ANUALS

Davis, Darrell Williams. East Asian screen industries / Darrell Williams; Emilie Yueh-yu Yeh. London: British Film Institute, 2007. 192 p. ISBN 9781844571802 (hbk.); 1844571807 (hbk.); 9781844571819 (pbk.); 1844571815 (pbk.) Note: East Asian Screen Industries is situated at the forefront of current trends in film studies. It recognizes the continuing importance of national policy and identity in the production of the film image, but it also observes the regional connections between Korea, Japan, China, Taiwan, and Hong Kong that must be factored into a present-day consideration of film in the region. Specifically, Davis and Yeh focus on the ways deregulation, that is the abandonment of protectionist measures such as government-imposed quotas and tax barriers, has led to the influx of Hollywood film in East Asia. This, in turn, challenged local industries, but also provided an opportunity for various film industries to restructure and reconsider industrial practices in a make or break effort to maintain their vitality despite the obstacles—be they institutional, economic, or political. Davis and Yeh describe East Asia’s vibrant and energetic market with a series of case studies and examples. Their close readings of key films and examples of key film personnel are concise and informative. Thus, this text reads as a current who’s who and what’s what of the East Asia cinema industry; yet, as the book also makes clear, the authors recognize that the film industry changes quickly. WorldCat Eng

0049 2008 ying yin shu wei hua gong zuo shou ce / Pan Xiuling, Liu Xinmei, Wang Zupei bian. 2008 ‫ُ֧ٸؙ‬٩֞ӑѲೠ / ᕤ㆑ᦚ, ฀ಶᄮ, ࣼྥⳍഹ. Taipei: Guo jia dian ying zi liao guan, 2008. 62 p. Note: A technical manual for the audio and video (AV) digitalization process in Taiwan based on the Digital Archive Workshop hosted by the Chinese Taipei Film Archive. CTFAL Chi

0050 2008 dian ying tu wen bao cun wei hu shou ce / Xu Changye, Chen Yingjie, Xiao Yixia bian. 2008 Ӈ‫ؙ֖‬ҹ‫ࣆۆࡖخ‬Ѳೠ / ጝቾ‫׬‬, ಴ᙀ೓, ᖆ࣊ᎇഹ. Taibei: Guo jia dian ying zi liao guan, 2008. 68 p. Note: A technical manual for the preservation and conservation of film-related pictorial and print materials. Divided into five categories: Picture, Photograph, Film, Word, and Object. Publication based on the Digital Archive Workshop hosted by the Chinese Taipei Film Archive in 2008. Includes a bibliography. CTFAL Chi

0051

0054

2008 nian ying pian yu fang xing bao hu shou ce / Xie Lihua deng bian. 2008 ё‫ؙ‬әভࣃԛ‫ࣆخ‬Ѳೠ / ‫ܓܡه‬ҳഹ. Taibei: Guo jia dian ying zi liao guan, 2008. 64 p. Note: A technical manual for the preservation and conservation of movies, based on the AV Copyright and Film Management Practice Workshop hosted by the

Di wu shi yi jie Ya Tai ying zhan jie mu shou ce = The 51st AsiaPacific Film Festival / Zhu ban dan wei Zhonghua Minguo dian ying xi ju xie hui, Taibei shi zheng fu. ҷٚ֐ϣโਐѿ‫ڞࣁؙ‬۵Ѳೠ= The 51st Asia-Pacific Film Festival / Ұ‫֧؁ދ‬Ѕ‫ھܓ‬лӇ‫ঁؙۚ‬൒Ͼ, ‫ूصܚݡ‬௞. Taibei: The 51st Asia-Pacific Film Festival, 2006. 70 p.

12

Catalogs, Guides, Handbooks, Factfinders, and Manuals

Note:

0061

A bilingual (Chinese and English) program guide to the 51st Asia-Pacific Film Festival hosted by the R.O.C. Film & Drama Association and the Taipei Municipal Government from November 14 to 24, 2006. Includes film symposium program, film festival program, schedule, and synopses of the festival films, including nine Taiwan films. NTUL Chi Eng

0058 Films very well made in Taiwan, 1994 / edited by Peggy Chiao, Jean Yeh, Theresa Ma. Taibei: Government Information Office, 1994. 16 p. Note: A film catalog of Taiwanese films produced in 1994. Published by the Government Information Office (GIO) to promote Taiwan films globally. WorldCat Eng

0055 Di yi jie min zu zhi ying zhan xun yan ji “Ying xiang zhong de zu qun wen hua” yan xi ying yan xi shou ce / Taiwan min zu zhi ying xiang xue hui. ҷϣโ‫ھ‬ఓ௨‫ࣁؙ‬፶ࠟ᠕ “‫ؙ‬ՌЅϡఓळҹ٩”୳‫܄୳ॺ܄‬Ѳೠ / ‫ݡ‬ஹ‫ھ‬ఓ௨‫ؙ‬ՌѹϾ. Taibei: Taiwan min zu zhi ying xiang xue hui, 2002. 38 p. Note: A manual for the Ethnic Culture in Film Images study camp hosted by the Taiwan Association of Visual Ethnography during the first Taiwan International Ethnographic Film Festival Touring Exhibition from April 13 to June 2, 2002. Includes a collection of articles by Taiwan scholars on ethnographic films shown during the festival, a study camp program and schedule, and synopses (in both Chinese and English) of sixteen films shown during the festival and study camp, including four Taiwan films. NTUL Chi Eng

0059 Guang ying ji xing: Gaoxiong xian ying shi kan jing shou ce = Journey to cinema: a guide book for film-makers on locations in Kaohsiung county / Zhou Jiarong zhu bian; Huang Zhengyue she ying. ‫ׇؙ‬ઔҲ: ҙ೰້‫ؙ‬؆ ࢓Ѳೠ = Journey to cinema: a guide book for film-makers on locations in Kaohsiung county / ‫ر‬рึҰഹ; ࢶ Ԝៈ଄‫ؙ‬. Gaoxiong: Gaoxiong xian zheng fu, 2009. 183 p. ISBN 9789860191172 Note: A bilingual, pictorial guidebook prepared by the Kaohsiung County Government for filmmakers who may want to choose Kaohsiung as their film’s setting. Presents comments from directors who have used Kaohsiung’s natural, historical, and cultural landmarks in their films. Includes directions for Kaohsiung County Film Subsidies and Kaohsiung County Accommodation Information. CTFAL Chi Eng

0056 0060

Di er jie wen hua zi chan ji lu pian xun hui guan mo yan xi ying: chu jie ke cheng xue yuan shou ce / Ce hua Xing zheng yuan wen hua jian she wei yuan hui. ҷԏโҹ٩‫ݗޞ‬ઔ࠷ә፶፯޲ಎ୳‫ॺ܄‬: २႓ࠆࡄѹ‫؂‬Ѳೠ / ೫ ੿Ҳूࡨҹ٩ࠃ‫ޗ‬ణ‫؂‬Ͼ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 1998. 133 p. Note: A study manual for students of the Second Cultural Heritage Documentary Film Exhibit and Study Camp, sponsored by the Council on Cultural Affairs, Executive Yuan in Taiwan in 1997. Includes an introduction to the program, lecturers, related papers, curricula, synopses of related films, and a result report of the Second Cultural Heritage Documentary Film Exhibit and Symposium by Wang Weici, organizer of the exhibit and symposium. CTFAL Chi

Li, Daoming. Crossing waves: documenting Taiwan in the 1990s / Li Daoming, Mao Yiling. Taibei: Xing zhen yuan wen hua jian she wei yuan hui. Note: A manual prepared for the “Crossing Waves: Documenting Taiwan in the 1990s” exhibition of Taiwan films, which toured the University of California–Los Angeles, the University of California–Berkeley, and Harvard in 1999. Organized by the Chinese Taipei Film Archive. CTFAL Eng

0061 Li, Youning (Lee, You-ning), 1951– ଽᏖો. Ru he pai she dian ying: dian ying qi hua zhi zuo shi zhan shou ce (di san ban). Ғ‫ޛح‬଄Ӈ‫ؙ‬: Ӈ‫ؙ‬ఌ੿३ӑӢ‫ڕ‬Ѳೠ (ҷѧ‫)ؗ‬. Taibei: Shan zhou chu ban she, 2010. 431 p. ISBN 9861202587, 9789861202587 Series title: Dian ying chuang zuo gai nian shu; 1 Ӈ‫ࡶؙ‬ӑม݉‫ ;ڣ‬1 Note: The third edition of the original book, first published in 2000 with many additions and updates. From the local Taiwan perspective, this is the most comprehensive and practical handbook on film production in Taiwan. The author combines his experiences both as a film director and as educator.

0057 Di san jie wen hua zi chan ji lu pian xun hui guan mo cheng guo bao gao / Wang Weici zhu chi ce hua. ҷѧโҹ٩‫ݗޞ‬ઔ࠷ә፶፯޲ಎюҝ‫ ݍڻ‬/ ࣼ໓፦Ұ‫ف‬೫੿. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 1999. Note: Author Jim Cheng found this title in the bibliography of the Third Cultural Heritage Documentary Film Exhibit and Study Camp report; however, he could not locate the actual text at the three major libraries housing film materials in Taipei (NCL, NTU, and CTFA). Chi

13

Reference Materials

0062 The appendix includes a bibliography, film-related institutions and organizations, websites, training classes, casting agencies, equipment rentals, related laws, regulations, sample forms, contracts, and budget information. WorldCat Chi

0064a Rojas, Carlos. The Oxford Handbook of Chinese Cinemas / edited by Carlos Rojas and Eileen Cheng-yin Chow.  709 p. ISBN 9780199765607; 019976560X New York: Oxford University Press, 2013. Note: This volume includes thirty-three essays written by leading researchers in the field of Chinese cinema, divided into three parts: (1) Part I describes the history of Chinese cinema from its beginnings on the mainland to contemporary Hong Kong, Taiwan, and China coproductions; (2) Part II features the study of Chinese cinema’s techniques and aesthetic influences such as Chinese opera and martial arts, and political influences such as “Maoist film”; (3) Part III focuses on Chinese film production, distribution, and reception. Includes “Taiwan New Cinema: Small Nation with Soft Power” by Song Hwee Lim (pp. 152–169). WorldCat Eng

0062 “Ling yi zhong qing ting”—jia ting jiao yu dian ying xin shang tao lun shou ce / Zuo zhe Hong Pinli, Zhu Liying. “ࡔϣ҆෵ԯ”—р೛‫ڌ‬ड़Ӈ‫ؙ‬ಶ೘क़‫ں‬Ѳೠ / ӑ‫ٷ‬ᖻԘᰆ, ᗌው߭. Taibei: Taiwan di qu jia ting jiao yu zhong xin, 1996. 133 p. Series title: Jia ting jiao yu zhong xin zhuan ye xi lie gong zuo shou ce; PF1012 р೛‫ڌ‬ड़‫ࠔע‬ЅК֟‫࠶ڍ׬‬Ѳೠ; PF1012 Note: A handbook for Taiwan families who wish to use films for educational purposes in the home. Recommended films are organized by subject and time period. Each film is accompanied by credits, a synopsis, suggested discussion topics, and related reading materials. CTFAL Chi

0065 Roth Li, Gertraude. Films for Chinese studies / compiled by Gertraude Roth Li, Marie Saulino Lew. Honolulu, HI: University of Hawaii, Center for Chinese Studies, 1988. 191 p. Note: A catalog of films related to Chinese studies, including Taiwan films, collected by five libraries in Honolulu. WorldCat Eng

0063 New films from Taiwan / American Film Institute; Coordination Council for North American Affairs (New York, NY); Ford Aerospace & Communications Corporation. Washington, DC: American Film Institute, 1988. 13 p. Note: A program handout and guide for a 1988 tour of six feature films from Taiwan in the United States, presented by the American Film Institute. Includes credits, synopses, and stills of the six films. WorldCat Eng

0066 Taiwan guo ji ji lu pian shuang nian zhan te kan. ‫ݡ‬ஹлগઔ࠷ә‫ד‬ёࣁ‫ئ‬ᑂ. Taibei: Taiwan guo ji ji lu pian shuang nian zhan ri xing wei yuan hui, 1998. Note: Author Jim Cheng noticed this document, a program for the government-sponsored Taiwan International Documentary Film Festival in 1998, but could not locate the actual text at the three major libraries housing film materials in Taipei (NCL, NTU, and CTFA). Chi Eng

0064 Pai Taibei: ying shi kan jing zhi nan = Taipei cinema location guide / Rao Zijuan zhu bian. ‫ܚݡޛ‬: ‫ؙ‬؆ ࢓‫ = ۪܋‬Taipei cinema location guide / ᓔཎᥱҰ ഹ. Taibei: Taibei shi dian ying wei yuan hui, 2009. 199 p. ISBN 9789868468603 Note: A bilingual (Chinese and English) guidebook to Taipei’s cultural areas, scenic spots, and filming sites. Important information is included in the appendix, including Production Subsidies in Taipei, Directions for Funding Foreign Motion Picture Production Enterprises to Produce Motion Pictures in Taiwan, Regulations Governing Tax Credit for Businesses Investing in Motion Picture Production Enterprises for the Production of Domestically Produced Motion Pictures, Current Preferential Taxation Policies on Films, and Directory of Motion Picture Industry in Taiwan. NTUL Chi Eng

0067 Xuan pian zhi nan: 200 bu zui shou huan ying de dian ying / Wang Zhicheng, Chen Yaoxing, Wen Tianxiang, Hong Hong zhu. ‫ק‬ә‫۪܋‬: 200‫ח‬зիӨࣽϡӇ‫ ؙ‬/ ࣼ࢑ю, ಴⁢ࣱ, ࢨϳፖ, ᜞᜞ Я. Taibei: Di mao guo ji chu ban gong si, 1996. 239 p. ISBN 9578897383 Note: A family guide for selecting international films, videos, or movies shown on cable television. Organized by film genre and country. Taiwan films are listed under the genres “Literary” and “Comedy.” Includes English and Chinese indexes. CTFAL Chi

14

Catalogs, Guides, Handbooks, Factfinders, and Manuals

0069

0068

0069

Ying ye shou ce / Taibei shi ying pian shang ye tong ye gong hui. ‫׬ؙ‬Ѳೠ / ‫׬࠱׬ؙصܚݡ‬ӎ‫׬‬ԍϾ. Taibei: Taibei shi ying ye shang ye tong ye gong hui, [1952] 70 p. Note: A handbook for the Taipei Municipal Film Distributors Association. Includes Film Distributors Association and Film Drama Association bylaws, regulations for film censorship, theater management, film business registration, and application procedures for wiring foreign currency used for filmmaking. CTFAL Chi

Zhou, Liming. ‫ر‬ሑҴ. Hua yu pian die zhong die / Zhou Liming, Liang Liang zhu. ‫ܬܗ‬әᖦЅᖦ / ‫ر‬ሑҴ䩟ᅯમЯ. Guangzhou: Hua cheng chu ban she, 2006. 433 p. ISBN 7536047037 (pbk.), 9787536047037 (pbk.) Series title: Raymond Zhou’s Film Guide Hua yu dian ying 2000 bu “Die zhong die” xi lie; di 3 juan ‫ܬܗ‬ӈ‫ؙ‬2000‫”ח‬ᖦЅᖦ”‫࠶ڍ‬䩮 ҷ3ඵ Note: A Chinese film (DVD) guide with more than 2,000 film reviews of representative films from Taiwan, Hong Kong, and mainland China. WorldCat Chi

15

2 Film History

2.1

GENERAL

Series title: Wen ke zhi shi ҹ॓Ҍࡧ Note: A general introduction to the films and television series of mainland China and Taiwan. WorldCat Chi

0070 2007 Taizhong xue yan tao hui: dian ying wen hua pian lun wen ji / Cai tuan far en Taiwan dian ying wen hua xie hui zhu bian. 2007‫ݡ‬Ѕѹ୳क़Ͼ: Ӈ‫ؙ‬ҹ٩ࢡ‫ں‬ҹओ / ੠֚ࣗϪ‫ݡ‬ஹӇ‫ؙ‬ҹ٩ ൒ϾҰഹ. Taizhong: Taizhong shi wen hua ju, 2007. 225 p. ISBN 9789860116786 Note: Published conference proceedings from a film symposium cohosted by the Taichung Municipal Government and Taiwan Film and Culture Association in 2007. The sixteen papers and eight lectures in the book focus on the relationship between Taichung and film. Includes a symposium program and an introduction to the presenters. NTUL Chi

0073 Cai, Hongsheng, 1940– ᓥᖻ‫ل‬, 1940–. Tai Gang dian ying yu ming xing. ‫ݡ‬୯ӈ‫ؙ‬ԁҴլ. Beijing: Zhongguo wen lian chu ban she, 1992. 223 p. ISBN 7505917412, 9787505917415 Note: An introduction to the cinemas of Taiwan and Hong Kong and their movie stars. WorldCat Chi

0074

0071

Chen, Feibao. ವٟն. Taiwan dian ying shi hua. ‫ݡ‬ළӈ‫ؙ‬੗Ҧ. Beijing: Zhongguo dian ying chu ban she, 1988. 517 p. ISBN 7106000914 Note: Covers Taiwan film history from 1895 to 1985 by dividing Taiwan Film History into the following: (1) Japanese occupation period (1895–1945), (2) After liberation from Japanese rule (1945–1954), (3) Starting period (1955–1961), (4) Taiwanese-dialect film (1955– 1962), (5) Golden age (1963–1969), (6) The 1970s (1970–1979), and (7) Since 1980 (1980–). Includes a chronology of Taiwan film history, a list of Golden Horse Award recipients, a record of Taiwan films that participated in international film festivals from 1945 to 1985, and a bibliography. It is the first representative academic work on Taiwan film history written by a mainland Chinese scholar. See also the revision of this text with the same title, published in 2008. Duxiu Chi

Ajia eiga = Asian movie / Yomota Inuhiko hen. 䬑䬧䬑ྱࡌ = Asian movie / ‫ף‬Ҥ೧ᐴᴦഹ. T䲖ky䲖: Sakuhinsha, 2003. 190 p. ISBN 4878935391 Series title: Shis䲖-dokuhon; 9 ‫ڽ‬Ђ媠ӆ; 9 Note: A general introduction to Asian film history, including mainland China, South Korea, Taiwan, and Hong Kong. Presents brief biographies of six Taiwan film directors: Hou Hsiao-hsien (1947–), Edward Yang (1947–2007), King Hu (1931–1997), Tsai Ming-liang (1957–), Ang Lee (1954–), and Wu Nien-chen (1952–). Includes index and bibliography (pp. 181–190). WorldCat Jpn

0072 Bai wan ge wei shen me: dian ying dian shi ju / Zhu bian: Wang Yunman; Fu zhu bian: Zhu Xiao’ou, Lin Yi. ‫ݚښ‬ϬЋѮА䩭ӈ‫ؙ‬ӈ؇ঃ / Ұ൜䩭ࣼ࠭㓧䩮ైҰ൜䩭ᗌЩᾤ䩟 ৆ᗥ. Guilin: Li Jiang chu ban she, 1990. 2 v.

17

Film History

0075

Includes a Chinese abstract, bibliography, and statistics charts. NCL/NDLTD Chi

0075 Chen, Feibao. ವٟն. Taiwan dian ying shi hua: xiu ding ban. ‫ݡ‬ළӈ‫ؙ‬੗Ҧ: ࢗ๒‫ؗ‬. Beijing: Zhongguo dian ying chu ban she, 2008. 561 p. ISBN 7106000914 Note: The revised edition of the same book published in 1988. The preface reveals that the author started his research on Taiwan films in 1980 in the first academic research institution of its kind in mainland China, the Taiwan Research Center of Xiamen University. After the first edition of the book was published in 1988, the author was able to visit Taiwan several times to locate additional academic research materials and meet with Taiwan film colleagues and counterparts. This led to significant changes and additions in this revised edition. The beginning period of Taiwan film history under the Japanese rule starts in 1896 instead of 1895; the Taiwanese-dialect film period ends in 1972 instead of 1962; and the golden age of Taiwan film starts in 1960 instead of 1963. Chapter 7: Taiwan New Cinema (1982–1987), Chapter 8: Taiwan Film since 1990 (1990–2004), and Chapter 9: New generation of Taiwan film directors and their film arts (1987–2004) are all new additions to the book. Except for the footnotes, there is no bibliographical information. WorldCat Chi

0078 Chen, Mo. ವၢ. Bai nian dian ying shan hui. ‫ښ‬ёӈ‫ؙ‬రҘ. Beijing: Zhongguo jing ji chu ban she, 2000. 474 p. ISBN 7501749019 Series title: Bai nian Zhongguo cong shu: 1901–2000 ‫ښ‬ёЅмᜥ‫ڪ‬: 1901–2000 Note: The author selects a significant film event in Chinese film history as the focal point for each of the book’s 120 short essays that provide brief yet detailed perspectives on Chinese film history from 1900 to 1999. Starting in Chapter 6, which covers the period from 1949 to 1959, essays related to Hong Kong and Taiwan films are intermixed with other essays related to mainland China. Essays 49, 66, 67, 75, 76, 96, 97, 98, and 113 deal with different periods of Taiwan film history from 1949 to 1999. Includes bibliographical information. WorldCat Chi

0079 Chen, Mo. ಴ၢ. Bai nian dian ying shan hui = Film retrospect of a century. ‫ښ‬ёӇ‫ؙ‬మҘ = Film retrospect of a century. Taibei: Feng yun shi dai chu ban you xian gong si, 2006. 394 p. ISBN 9861462783 Series title: Feng yun dian ying xi lie գࠥӇ‫࠶ڍؙ‬ Note: This is the slightly revised edition of the author’s work published in mainland China in 2000. The author selects a significant film event in Chinese film history as the focal point for each of the book’s 120 short essays that provide brief yet detailed perspectives on Chinese film history from 1900 to 1999. Starting in Chapter 6, which covers the period from 1949 to 1959, essays related to Hong Kong and Taiwan films are intermixed with other essays related to mainland China. Essays 49, 66, 67, 75, 76, 96, 97, 98, and 113 deal with different periods of Taiwan film history from 1949 to 1999. Includes bibliographical information. WorldCat Chi

0076 Chen, Feibao. ವٟն. Taiwan dian ying shi jian bian. ‫ݡ‬ළӈ‫ؙ‬੗ߢഹ. Xiamen: Xiamen da xue Taiwan yan jiu suo, 1983. 238 p. Note: This is the earliest work on Taiwan film studies by a mainland Chinese scholar. It divides Taiwan film history into five periods: Japanese occupation (1895– 1945), after retrocession (1946–1960), the 1960s (1961–1970), the 1970s (1971–1980), and the 1980s. Includes a bibliography and an appendix on the Taiwan film industry (organizations, education, and movements during the 1950s and the 1960s). Duxiu Chi

0077 Chen, Guanhua (Chen, Kuan-Hua). ಴ഃṡ. Taiwan dian ying tui guang ce lue yan jiu = A study of promotion strategies among Taiwan cinema. ‫ݡ‬ஹӇ‫ؙ‬Ԑܰ೫ଯ୳ૢ = A study of promotion strategies among Taiwan cinema. 197 leaves. Note: Thesis (M.A.)—National Chengchi University, 2005. Presents the marketing strategies and promotion of Taiwan cinema during six different time periods: 1895–1945, 1945–1959, 1960–1969, 1970–1979, 1980–1989, and 1990–.

0080 Chen, Mo. ಴ၢ. Zhongguo wu xia dian ying shi. ЅлેཱུӇ‫ؙ‬੗. Taibei: Feng yun shi dai chu ban gu fen you xian gong si, 2006. 332 p.

18

General

0085

ISBN 9861462740 Series title: Feng yun dian ying xi lie գࠥӇ‫࠶ڍؙ‬ Note: A comprehensive work on Chinese martial arts film history. Divides the development of Chinese martial arts films into five periods: (1) the first period in Shanghai in the 1920s and 1930s; (2) a shift to Hong Kong in the 1940s and 1950s; (3) Hong Kong, and later in Taiwan, in the 1960s and 1970s; (4) a cooperative period between Hong Kong and mainland China in the 1980s and 1990s; and (5) the trend towards globalization and further cooperation between Hong Kong, Taiwan, and mainland China, using Ang Lee’s film Crouching Tiger, Hidden Dragon (2000) as an example. In the postscript, the author admits that his knowledge of Hong Kong and Taiwan martial arts films, specifically during the mid-1960s to the early 1980s period, is limited and thus apologizes for any missing or oversimplified parts in this section of the book. NTUL Chi

essay by Mary Farquhar and Chris Berry: “Shadow Opera: Toward a New Archaeology of the Chinese Cinema,” which states: “If civilized plays are cinema’s stepmother, then opera is the mother in terms of first film productions, whether on the mainland (1905) or in Hong Kong (1909). Opera films were also the first productions in major regional language films, Cantonese (1933) and Taiwanese (1954)” (p. 51). Other Taiwan film or related comparative film studies essays include Meiling Wu’s “Postsadness Taiwan New Cinema: Eat, Drink, Everyman, Everywoman,” Emilie Yuehyu Yeh’s “Poetics and Politics of Hou Hsiao-hsien’s Films,” Sheldon H. Lu’s “Crouching Tiger, Hidden Dragon, Bounding Angeles: Hollywood, Taiwan, Hong Kong, and Transnational Cinema,” Darrell W. Davis’s “Borrowing Postcolonial: Wu Nien-chen’s Dou-san and the Memory Mine,” and Shao-ying Shen’s “Locating Feminine Writing in Taiwan Cinema: A Study of Yang Hui-shan’s Body and Sylvia Chang’s Siao Yu.” Includes filmography, Chinese glossary, bibliography, notes on contributors, and an index. WorldCat Eng

0081 The Chinese cinema book / edited by Song Hwee Lim; Julia Ward. New York: Palgrave Macmillan; London: British Film Institute, 2011. 218 p. ISBN 9781844573448, 1844573443, 1844573451, 9781844573445 Note: An essential collection of China film studies essays that provides informed insights into leading film theories, including an essay by Chris Berry on transnational film studies and the historical-material conditions of filmmaking in China, Hong Kong, and Taiwan. The text is divided into the following sections: Territories, Trajectories, Historiographies; Early Cinema to 1949; The Forgotten Period: 1949–80; The New Waves; and Stars, Auteurs and Genres. Includes “Healthy Realism in Taiwan, 1964–80: Film Style, Cultural Policies, and Mandarin Cinema” by Guo-Juin Hong, and “Taiwan New Cinema and Its Legacy” by Tonglin Lu. WorldCat Eng

0083 The cinema of small nations / edited by Mette Hjort, Duncan Partie. Bloomington: Indiana University Press, 2007. (Originally published in Edinburgh: Edinburgh University Press, 2007.) 250 p. ISBN 9780253351975, 0253351979, 97802532202103, 0253220106 Note: An introduction to the cinema of twelve nations, including an introduction to Taiwan cinema by James Udden. Includes a bibliography and an index. WorldCat Chi

0084 A companion to Chinese cinema / edited by Yingjin Zhang. Malden, MA: Wiley-Blackwell, 2012. 684 p. ISBN 9781444330298 (hbk.: alk. paper), 1444330292 (hbk.: alk. paper) Note: An essential collection of academic essays on Chinese cinema in mainland China, Hong Kong, and Taiwan by established scholars, including the following essays focusing on Taiwan cinema: “Gender Negotiation in Song Cunshou’s Story of Mother and Taiwan Cinema of the Early 1970s” by James Wicks and “Second Coming: The Legacy of Taiwan New Cinema” by Darrell William Davis. Includes a significant filmography, bibliography, and index. WorldCat Eng

0082 Chinese-language film: historiography, poetics, politics / edited by Sheldon H. Lu and Emilie Yueh-yu Yeh. Honolulu: University of Hawai’i Press, 2005. 413 p. ISBN 0824828135 (alk. paper), 9780824828691 (pbk.: alk. paper), 0824828690 (pbk.: alk. paper) Note: This edited volume “covers the cinematic traditions of mainland China, Taiwan, Hong Kong, and the Chinese diaspora from the beginning of Chinese film history to the present moment” (p. 2). Part I, Historiography, Periodization, Trends includes articles that either address Chinese film history broadly or different significant movements within Chinese cinema; Part II, Poetics, Directors, Styles provides “lucid, synchronic, structural(ist), transhistorical accounts of the poetics and aesthetics of Chinese film as an integral part of world cinema” (p. 15). Interesting studies include the

0085 Coppola, Antonie. Le cinema asiatique: Chine, Coree, Japon, Hong Kong, Taiwan. Paris: L’Harmattan, 2004. 487 p. ISBN 2747560546, 9782747560542

19

Film History

0086 Note:

An introduction to the cinemas of China, Korea, Japan, Hong Kong, and Taiwan. Includes a bibliography and an index. WorldCat Fre

0090 Dian ying sui yue zong heng tan / Zhu bian Zhong Qiao. Ӈ‫֊ۈؙ‬྾ืড / Ұഹ߀ᑑ. Taipei: Guo jia dian ying zi liao guan, 1994. 2 v. (707 p.) Series title: Taiwan dian ying shi liao cong shu ‫ݡ‬ஹӇ‫ؙ‬੗ࢧᜣ‫ڣ‬ Note: A government-sponsored, oral history project on Taiwan film history. Twenty Taiwan film directors, screenplay writers, producers, cinematographers, actors and actresses—their film careers primarily covering the 1950s to 1990s—are introduced and interviewed. Accompanied with brief biographies, recorded interviews, and a filmography. Includes a bibliography. NTUL Chi

0086 Da jia lai kan lao dian ying: dian ying zi liao guan bao hu ying pian cheng guo xun hui zhan / Dian ying zi liao guan. ϽрϰЃҡӇ‫ؙ‬: Ӈ‫ࢧޞؙ‬ఖ‫ؙࣆخ‬әюҝ፶፯ࣁ / Ӈ‫ࢧޞؙ‬ఖ. Taibei: Dian ying zi liao guan, 1992. 76 p. Note: An introduction to a touring exhibition of restored films presented by the Chinese Taipei Film Archive. WorldCat Chi

0087 Dalla Gassa, Marco. Il cinema dell’Estremo Oriente: Cina, Corea del Sud, Hong Kong, Taiwan dagli anni Ottenta a oggi / Marco Dalla Gassa, Dario Tomasi. [Torin, Italy] : UTET universita, 2010. 511 p. ISBN 9788860082756, 8860082757 Note: A work on East Asian cinema, including the cinemas of China, Hong Kong, and Taiwan. Includes a bibliography and an index. WorldCat Ita

0091 Du, Yunzhi, 1923– ᖯࠥҏ, 1923– Zhongguo de dian ying. ЅлϡӇ‫ؙ‬. Taibei: Huang guan chu ban she, 1978. 266 p. Note: A collection of essays on Chinese film history, focusing mainly on Taiwan and Hong Kong film history. The most interesting and important essays in the book include the following topics: the relationship between R.O.C.’s leader Chiang Kai-shek and film production, the history of Chinese documentary and news film development, the relationship between Chinese film and Peking opera, a review of the Taiwan film industry, an analysis of the psychology of film audiences, martial arts film and martial arts–magic spirit films (wuxia shenguai pian), a fifty-year history of the Shao family’s involvement in Chinese film production, and an account of female movie stars and female spies in the real world. Includes film stills, posters, and photos; a list of 100 important Chinese films; and a chronology of Chinese film history (1896–1978). But there is no bibliographical information or index. WorldCat Chi

0088 Dian ying de guo qu xian zai wei lai / Yin Taipeng, Li Chunsheng deng bian. Ӈ‫ؙ‬ϡОЧѳϨ‫۔‬ϰ /ẚ‫᧨ݡ‬., ଽࡇТҳഹ. Taibei: Da zhong chuan bo xi, Zhangguo wen hua xue yuan, 1978. 120 p. Series title: Da zhong chuan bo cong shu; 3 Ͻੁ‫ة‬৚ᜣ‫ ;ڣ‬3 Note: Includes a bibliography. CTFAL Chi

0089 Dian ying, dian ying ren, dian ying kan wu / Li Youxin bian. Ӈ‫ؙ‬, Ӈ‫ؙ‬Ϫ, Ӈ‫ؙ‬ᑂ‫ ׉‬/ ଽෂЈഹ. Taibei: Zi li wan bao she, 1986. 209 p. Series title: Dian ying wen xuan; 2 Ӈ‫ؙ‬ҹ‫ ;ק‬2 Zi li cong shu; 27 І߹ᜣ‫ ;ڣ‬27 Note: An insightful history of Taiwan New Cinema. Originally published in various journals, books, film reviews, and newspapers, this collection of articles and essays focuses on film critiques from the early period of Taiwan New Cinema. The most unique and important aspect of this book is the editor’s insightful comments, interpretations, and background information provided after each article or essay. Includes film stills. WorldCat Chi

0092 Du, Yunzhi, 1923– ᖯࠥҏ, 1923– Zhongguo dian ying qi shi nian. ЅлӇ‫֐ࢳؙ‬ё. Taibei: Zhonghua minguo dian ying tu shu guan chu ban bu, 1986. 450 p. Series title: Ying tu cong shu ‫ؙ֖‬ᜣ‫ڣ‬ Note: According to the author’s postscript, this work is not a formal Chinese film history, but rather a collection of anecdotes related to Chinese film history. Taiwan film history-related anecdotes begin in Chapter 53 (pp. 382– 389) with a discussion of Japanese colonial film history

20

General

0098 in Taiwan, and end in Chapter 57 (pp. 412–418) with a consideration of the rise of Taiwanese-dialect films and a history of Li Han-hsiang’s Guolian film studio in Taiwan. Includes film stills, posters, and photos. WorldCat Chi

during the Japanese colonial era and the early years of Nationalist rule, including the February 28 Incident, and ends with Ang Lee’s film Eat Drink Man Woman (1994) to touch on the lives of nonlocal (wai sheng ren) Taiwanese living in Taiwan. WorldCat Jpn

0093 0096

Du, Yunzhi, 1923– ᖯࠥҏ䩟1923– Zhongguo dian ying shi. ЅлӇ‫ؙ‬੗. Taibei: Taiwan shang wu yin shu guan, 1972. 3 v. Note: A history of Chinese film from 1896–1971 written by Taiwan film scholar Du Yunzhi. It represents a different perspective on Chinese film history from those found in works by mainland Chinese scholars. Although the table of contents in Vol. 3 states that the coverage date of the volume is from 1951 to 1971, in reality, it covers Taiwan film history from the first film showing in Taiwan in 1901 to the 1960s. Note that different dates are assigned to the first film shown in Taiwan in later film histories; for example, Huang Ren and Wang Wei’s Taiwan dian ying bai nian shi huo (2004) states that the first film showing in Taiwan occurred in the year 1899. Includes film stills, posters, photos, and a bibliography (pp. 209–210). WorldCat Chi

Gaoxiong dian ying ji shi = Kaohsiung cinema memorandum / Cai fang zhuan wen Lin Meixiu, cong bian ji Zheng Deqing. ҙ೰Ӈ‫ؙ‬ઔѨ = Kaohsiung cinema memorandum / ൵භ᫃ҹ৆Ѥ ഫ, րഹফቼख़দ. Gaoxiong: Gaoxiong shi dian ying tu shu guan, 2003. 143 p. ISBN 9570149795 Series title: Gaoxiong shi dian ying tu shu guan dian ying cong shu; 1 ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖӇ‫ؙ‬ᜣ‫ ;ڣ‬1 Note: Documents the relationship between Kaohsiung City and cinema, which began in 1900 according to the book. Presents descriptions of Kaohsiung’s film history, film scenes shot in Kaohsiung, film events, and film artists and related personnel from Kaohsiung. Includes a List of Films that used Kaohsiung as Setting; List of Kaohsiung Film Theatres; Kaohsiung Film Show Interpreters (benshi) during the colonial period; and photos, film stills, and posters. NTUL Chi

0097

0094

Gong Jianong cong ying sheng ya yu ju zhao quan ji: dian ying tu zhi / zuo zhe Gong Jianong, Huang Ren. ₳⅒హԩ‫ؙ‬ТᄇӿঁؕҪओ䩭Ӈ‫ؙ֖‬௨ / ӑ‫⅒₳ٷ‬హ, ࢶწ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui: Guo jia dian ying zi liao guan, 1995. 212 p. ISBN 9570063505 Note: A unique pictorial autobiography of Gong Jianong (1902–1993), a film star in both mainland China and Taiwan. It consists of more than one hundred photos and screen shots that align with Mr. Gong’s autobiography, which involves nearly all of the most famous actors, actresses, directors, and producers in both mainland China and Taiwan during Mr. Gong’s life. Includes a biography, memorial articles, and filmographies. The appendix includes a chronologically organized list of film personnel and events mentioned in the autobiography; each entry is accompanied by a matching photo, biography, or event description. CTFAL Chi

Du, Yunzhi, 1923– ᖯࠥҏ䩟1923– Zhonghua Minguo dian ying shi. Ѕ‫ھܓ‬лӇ‫ؙ‬੗. Taibei: Xing zhen yuan wen hua jian she wei yuan hui, 1988. 2 v. Note: Based on the author’s earlier work, Zhongguo dian ying shi published in 1972, with a reorganization of the chapters, addition of new materials, and expansion of coverage through 1983. Taiwan film history is covered from Chapters 19 to 27, except for Chapter 22 and 24, which are dedicated to Hong Kong films. Includes film stills, posters, and photos, and bibliographic information at the end of each chapter. WorldCat Chi

0095 Fujii, Sh䲖z䲖, 1952– ᗳቯ૸ѧ, 1952– Ch䲚goku eiga o yomu hon. Ѕмྱࡌ䬃媠䫱ӆ.

0098

T䲖ky䲖: Asahi Shinbunsha, 1996. 225 p. ISBN 4022569484 Note: Chapters 5 and 6 deal with Taiwan film. Begins with Hou Hsiao-hsien’s film A City of Sadness (1989) and an accompanying reflection on Taiwan’s film history

Gu, Jitang. ࣲߓஇ. Taiwan de dian ying yu ming xing / Gu Jitang bian zhu. ‫ݡ‬ළϡӈ‫ؙ‬ԁҴլ / ࣲߓஇ൜Я. Chengdu: Sichuan wen yi chu ban she, 1989.

21

Film History

0099 268 p. ISBN Note:

0101 7541103330 A general introduction to Taiwan film and its stars, including a history of the Golden Horse Awards, genres, and trends of Taiwan cinema. Duxiu Chi

Huang, Xianwen. ࢷຸҹ. Dong fang dian ying = East film ևҤӈ‫ = ؙ‬East film. Wuhan: Hubei mei shu chu ban she, 2005. 162 p. ISBN 7539416491 Note: Published as instructional material for the college level, this text covers the Asian region and the following countries: China, Taiwan, Hong Kong, Japan, Vietnam, South Korea, Iran, India, and Pakistan. Chapter 2 (pp. 36–53) focuses on Taiwan films. Includes endnotes for each chapter and a bibliography at the end of the book. WorldCat Chi

0099 Hong, Guo-Juin. Taiwan cinema: a contested nation on screen. New York, NY: Palgrave Macmillan, 2011. 246 p. ISBN 0230111629, 9780230111622 Note: This is the first English work to cover the entire history of Taiwan cinema. It is divided into two parts: Part I: Genres, which deals with the following time periods: Pre-1945, 1955–1970, 1964–1980, and 1980–1982; and Part II: Style, which starts with the time period of 1982–1986, and then concludes with two chapters that describe the current film landscape in Taiwan: “Island of No Return: Cinematic Narration as Retrospection in Wang Tung’s Taiwan Trilogy and Beyond” and “Anywhere but Here: the Postcolonial City in Tsai Ming-Liang’s Taipei Trilogy.” With rich historical materials and close analysis based on cinematic case studies, the work focuses on the theme “A contested nation on screen.” Includes a bibliography and an index. WorldCat Eng

0102 Huang, Ren, 1925– ࢶწ, 1925– Guo pian dian ying shi hua: kua shi ji hua yu dian ying chuang yi de xian xing zhe. ләӇ‫ؙ‬੗ҧ: ቄԒઔ‫ܭܓ‬Ӈ‫ࡶؙ‬Һϡ܏Ҳ‫ٷ‬. Taibei: Taiwan shang wu ying shu guan gu fen you xian gong si, 2010. 462 p. ISBN 9789570524819, 957052481 Series title: Xin wan you wen ku = New variety Ј‫ݛ‬ϩҹᆞ = New variety Note: An introduction to the front-runners of Chinese film production in the twentieth and twenty-first centuries in China, Hong Kong, and Taiwan. WorldCat Chi

0100 Hua yu dian ying li shi yan tao hui lun wen ji = Symposium on Chinese film history / Zhu ban dan wei: Cai tuan far en guo jia dian ying zi liao guan. ‫ܭܓ‬Ӈ‫ؙࣵ‬੗୳क़Ͼ = Symposium on Chinese film history / Ұ‫ދ‬ ‫֧؁‬: ੠֚ࣗϪлрӇ‫ࢧޞؙ‬ఖ. Taibei: Guo jia dian ying zi liao guan, 2003. Various pagination. Note: Conference proceedings from the Symposium on Chinese Film History held in Taiwan, December 11–12, 2003. Includes the symposium program and thirteen papers presented by scholars from Taiwan, Hong Kong, mainland China, and Japan. Papers related to Taiwan film history include Huang Ren’s “My Experience on Writing Taiwanese Film History,” Misawa Mamie’s “Hybridized Nativization Through Divided Routes of Cinema Popularization in Colonial Taiwan,” Huang Ren’s “The Beginning of Film Cultural Exchanges of Mainland China and Taiwan,” Zeng Xiba’s “The Sixties in Taiwan Cinema,” Huang Jianye’s “The Golden Age of Taiwan New Cinema in the 1980s,” and Li Yongquan’s “The Overview of Taiwan Cinema in the 1990s.” Only the paper titles are translated into English. The appendix includes a Chronicle of Film Exchanges between mainland China and Taiwan. CTFAL Chi

0103 Huang, Ren, 1925– ࢶწ, 1925– Riben dian ying zai Taiwan. яӆӇ‫ؙ‬Ϩ‫ݡ‬ஹ. Taibei: Xiu wei zi xun ke ji chu ban, 2008. 314 p. ISBN 9789862211205 Series title: Mei xue yi shu lei; PH0015 Ѥѹਲफढ; PH0015 Note: This is a comprehensive work on the influence of Japanese films in Taiwan. It is divided into two major parts: Part 1: Japanese Directors Who Influenced Taiwan Film-Making; Part 2: Influence of Japanese Films in Taiwan. The appendix includes lists of Japanese films shown in Taiwan from 1915 to 1945 (selected) and from 1950 to 1972. Includes a bibliography. NTUL Chi

22

General

0108

0104

0106

Huang, Ren, 1925– ࢶწ, 1925– Taiwan dian ying bai nian shi hua / Huang Ren, Wang Wei bian zhu. ‫ݡ‬ஹӇ‫ښؙ‬ё੗ҧ/ࢶწ,ࣼଂഹЯ. Taipei: Zhonghua ying ping ren xie hui, 2004. 2 v. Note: A comprehensive and objective text on Taiwan film history. Significant achievements of the work include (1) the discovery that the first film screening in Taiwan occurred in 1899, differing from scholars who claim the first screening occurred in 1901; (2) a detailed description of Taiwan film artists’ activities and achievements during the colonial period in both Taiwan and mainland China; (3) Taiwan film history from multiple perspectives; (4) the authors maintain an objective stance while approaching politically charged issues, such as the Japanese influence on Taiwan cinema, propaganda films in Taiwan, and the Nationalist government’s censorship system; and (5) the text includes important filmographies in some of its chapters. Shortcomings of the work include (1) poor editing—for example, multiple typos, such as on page 19, when the date of the first feature film made in Taiwan, by the Japanese, is written as 1902 instead of 1922; and Chapter 12 starts on p. 331, but the table of contents notes that it starts on p. 329; (2) poor content organization—for example, Chapters 11–21 in Vol. 2 are not connected cohesively; and (3) the text does not contain a complete bibliography, filmography, or indexes, except for inconsistent bibliographical materials included at the end of selected chapters. Thus, it is difficult to recommend this text as reference material, even though it contains important historical information. Includes some bibliographic information at the end of selected chapters; and film stills, posters, and photos. WorldCat Chi

Il nuovo cinema taiwanese: Pesaro, 11–19 guijno, 1988 / Mostra internazionale del nuovo cinema. Pesaro: Mostra internazionale del nuovo cinema, 1988. 130 p. Note: A photo album of a Taiwanese cinema exhibition held during an international cinema conference in Pesaro, Italy, June 11–19, 1988. WorldCat Ita

0107 Ji lu Taiwan: Taiwan ji lu pian yu xin wen pian ying ren kou shu / zhu bian Li Daoming, Wang Weici; zhi xing bian Wu Yuexiu, Zhang Qinyun. ઔ࠷‫ݡ‬ஹ: ‫ݡ‬ஹઔ࠷әӿЈࢨә‫ؙ‬Ϫ‫ט‬਎ / ҰഹଽѬҴ, ࣼ໓፦; వҲഹফྶៈࢗ, ‫פ‬ቦ᭲. Taibei: Xing zheng yuan wen hua jian she wei yuan hui wei tuo Cai tuan fa ren guo jia dian ying zi liao guan, 2000. 2 v. ISBN 9570261749 (v. 1), 9570261757 (v. 2) Note: This is the print version of Taiwan Documentary Film Oral History Project, which began in 1997 and was carried out for three years. Vol. 1 includes interviews of nineteen documentary and news filmmakers from Zhongying (Zhongguo dian ying zhi pian chang), Taiying (Taiwan dian ying zhi pian chang), and Xin wen ju (Information Office); Vol. 2 consists of interviews of nineteen documentary film makers from four television documentary series and Taiwan’s independent filmmaking field. Each interview includes a photo and a brief biography of the interviewee. NTUL Chi

0108 Jiao, Xiongping (Chiao, Peggy). ဖ೰๔. Shi dai xian ying: Zhong xi dian ying lun shu. Ж‫ؙࣶڊ‬: Ѕ՝Ӈ‫ںؙ‬਎. Taibei: Yuan liu chu ban gong si, 1998. 308 p. ISBN 9573234270 Series title: Dian ying guan; 78 Ӈ‫ؙ‬ఖ; 78 Note: A collection of essays organized into five categories: China, Hong Kong, Taiwan, Asia, and Film Theory. In the Taiwan segment, the author reviews Taiwan film history from the 1950s to 1990s, and explores Taiwan film’s “mainland complex.” In the Asia section, the future of Chinese and Asian films is discussed, and the work of Hou Hsiao-hsien is selected as a case study for the interaction of Taiwan film with other world film industries. Includes a filmography organized by subject. CTFAL Chi

0105 Huang, Ren, 1925– ࢶწ, 1925– Taiwan ying ping liu shi nian: Taiwan ying ping shi hua = 60 years of film critique in Taiwan. ‫ݡ‬ஹ‫֐ࡏؙ߰‬ё: ‫ݡ‬ஹ‫ؙ߰‬੗ҧ = 60 years of film critique in Taiwan. Taibei: Ya tai tu shu chu ban she, 2004. 269 p. ISBN 986780919X Series title: Taiwan dian ying yan jiu cong shu; 12 ‫ݡ‬ஹӇ‫ؙ‬傘ૢᜣ‫ ;ڣ‬12 Note: A work that documents the history of film reviews in Taiwan, divided into the following historical delineations: Japanese colonial period (1916–1945), the 1940s, the 1950s, the 1960s, the 1970s, and after the 1980s. Contains many firsthand historical records based on the author’s personal experiences; unfortunately, there is no index. Includes the contents of Film Commentary, no. 1–17 (1977–1987), when the author was chief editor of the journal. WorldCat Chi

23

Film History

0109

interviews of sixteen Taiwan film directors; and Part 3: Legendaries of Taiwan Cinema, including biographies and interviews of twenty-two legendary figures in Taiwan cinema, such as novelist and director Huang Chunming, screenwriter Chu T’ien-wen, composer and singing star Cai Zhennan, and actress Yang Guimei. Includes photos, film stills, and posters; a chronology of Taiwan film history, 1895–1998; and a bibliography. WorldCat Chi

0109 Jiao, Xiongping (Chiao, Peggy). ဖ೰๔. Ying xiang Zhongguo. ྱࢣЅм. Shanghai: Fudan da xue chu ban she, 2005. 330 p. ISBN 7309047648; 9787309047646 Series title: Ying, Xiang cong shu ‫ؙ‬䩟ড়ᜥ‫ڪ‬ Note: An introduction to the history of Chinese cinema in China, Hong Kong, and Taiwan. Includes bibliography. WorldCat Chi

0112 Koyama, Sabur䲖, 1952– Щ‫ځ‬ѧᅦ, 1952– Taiwan eiga: Taiwan no rekishi, shakai o shiru madoguchi / Koyama Sabur䲖 hencho.

0110

‫ݡ‬ළྱࡌ: ‫ݡ‬ළ䫟䖉੗ί घϿ䬃Ҍ䫼凵‫ ט‬/ Щ‫ځ‬ѧᅦഹЯ.

Kawase, Ken’ichi. ඇⰗ࡬ϣ.

Kyoto: K䲖y䲖 Shob䲖, 2008. 233 p. ISBN 9784771020207 Note: A collection of eleven chapters by various film scholars that deal with Japanese colonialism and the formation of modern Taiwan society and film, politics and Taiwan’s modern cinema, the KMT (Taiwan’s Kuomintang Party) government and Taiwan film, Shanghai’s film influence on Taiwan film development, Taiwan and Hong Kong film exchange, the Taiwanese-dialect film era (1955– 1961), Taiwan film reviews and publications after World War II, and Taiwan film policy and censorship. Includes endnotes at the end of each essay and biographies of the contributors at the end of the book, but there is no index. WorldCat Jpn

Taiwan eiga e no sh䲖tai: ichiya ni shite Ch䲚gokujin ni natta t䲖san (t䲖san). ‫ݡ‬ළྱࡌ䫩䫟੷‫ۉ‬: ϣ١䫜䫈䫗ЅмϪ䫜䫛䫔䫐Єᇤ (୊䫆䬄). Nara-ken Kashihara-shi : T䲖y䲖 Shis䲖 Kenky䲚jo ; Ŕsaka-fu Suita-shi : hatsubai Birejji Puresu, 1998. 94 p. ISBN 493859854X, 9784938598549 Note: The text begins with an introduction to the film director Wu Nien-chen and his film T䲖san = A Borrowed Life followed by introductions to five additional leading figures in Taiwan cinema: Wang Tung, Liao Hsiang-hsiung, Lin Cheng-sheng, Tsai Ming-liang, Hou Hsiao-hsien, and their films. Contains “A Brief History of Taiwan Cinema,” which includes Taiwan Film during Japanese Occupation (1895–1945), Taiwan Cinema After World War II (1945–1969), the World’s Orphan Era (1970s), and The Era of Taiwan New Cinema (1980s–1990s). Includes photos, stills, posters, and bibliography. WorldCat Jpn

0113 Kramer, Stefan. Chungguk yonghwasa / Stefan Kramer chium, Hwang Chin-ja omgim. Soul Tukpolsi: Isan, 2000. 383 p. ISBN 8987608166; 9788987608167 Note: The Korean translation of author Stefan Kramer’s work: Geschichte des Chinesischen films. An introduction to the history of Chinese cinemas in China, Hong Kong, and Taiwan. Includes a filmography, a bibliography, and an index. WorldCat Kor

0111 Kawase, Ken’ichi. ඇⰗ࡬ϣ. Taiwan dian ying xiang yan: bai nian dao lan / zhu zhe Chuanlai Jianyi ; Zhong yi Li Changchuan. ‫ݡ‬ஹӇ‫ؙ‬⡕ᑱ : ‫ښ‬ё࣒ऋ / Я‫ٷ‬ඇⰗ࡬ϣ ; Ѕፆଽ‫ة׶‬. Taibei: Nan tian shu ju, 2002. 165 p. ISBN 9576386012 Note: A Chinese translation of the revised version of Taiwan eiga e no sh䲖tai = ‫ݡ‬ළྱࡌ䫩䫟੷‫ ۉ‬written by Kawase Ken’ichi and published in Japan in 1998. Consists of three parts: Part 1: A Brief History of Taiwan Cinema, including Taiwan Film during Japanese Occupation (1895–1945), Taiwan Cinema After World War II (1946–1970), the Isolated Taiwan Cinema (1970–1979), and the Era of Taiwan New Cinema (1980–1990); Part 2: Taiwan Film Directors, including biographies and

0114 Kramer, Stefan. Geschichte des Chinesischen films. Stuttgart: Metzler, 1997. 313 p. ISBN 3476015092; 9783476015099 Note: An introduction to the history of Chinese cinemas in China, Hong Kong, and Taiwan. Includes filmography (pp. 271–286), bibliographical references (pp. 287–300), and indexes. WorldCat Ger

24

General

0119 ISBN Note:

0115 Kua shi ji Taiwan dian ying shi lu = The chronicle of Taiwan cinema, 1898–2000 / Wang Wei deng zhuan wen zhuan shu, Huang Jianye zong bian ji. ቄԒઔ‫ݡ‬ஹӇ‫ؙ‬Ӣ࠷ = The chronicle of Taiwan cinema, 1898– 2000 / ࣼᬕҳ֟ҹ᫃਎, ࢶࠃ‫׬‬րഹফ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui; Cai tuan fa ren guo jia dian ying zi liao guan, 2005. 3 v. (1401 p.) ISBN 9860011141 (v. 1), 986001115x (v. 2), 9860011168 (v. 3) Note: A comprehensive, three-volume review of Taiwan cinema from 1898 to 2000. Includes essays on Taiwan film studies by seventeen scholars as well as a chronological report of Taiwan cinema. Appendix includes Golden Horse Award Winning List, Golden Harvest Award Winning List, Best Screenplay Award Winning List, Film Titles (in original languages and Chinese translation), Names (in original languages and Chinese translation), and a bibliography. The text is packaged with a CD-ROM version. NTUL Chi

7301084382 Starting in Part 3: Separate Country and Home Dreams (1949–1979) and ending in Part 4: Combined Cultural Interpretation (1979–2004), the author explores the history of Chinese film culture from three perspectives: mainland China, Taiwan, and Hong Kong. At the beginning of these two parts the author presents a summary chapter to cover the relationship between the three areas. Includes a bibliography and name and film indexes. WorldCat Chi

0118 Li, Tianduo. ଽϳ⟢. Taiwan dian ying, she hui yu li shi = Taiwanese cinema, society and history. ‫ݡ‬ஹӇ‫ؙ‬, घϾӿࣵ੗= Taiwanese cinema, society and history. Taibei: Ya tai tu shu chu ban she, 1997. 269 p. ISBN 9579856117 Series title: Taiwan dian ying yan jiu cong shu ‫ݡ‬ஹӇ‫ૢ୳ؙ‬ᜣ‫ڣ‬ Note: As the author states in the preface, this work attempts to situate the development of Taiwan cinema within political, economic, and cultural structures over the past 100 years to identify recurrent patterns. It consists of Part 1: Taiwan Cinema during Colonial and PostColonial Period; Part 2: Taiwan Cinema under the Authoritative System; and Part 3: Taiwan Cinema in the Post-Authoritative System Era. Includes a bibliography of both Chinese and English materials, charts of Film Censorship Statistics of the Taiwan Colonial Administration (1927–1940), the Films Adapted from Qiong Yao’s Novels, Brief Introduction of Taiwan New Cinema Directors, a Quantitative Comparison Between Mandarin Films and Taiwan New Cinema (1982–1989), Taiwan Film Production (1968–1992), Statistical Record of Taiwan Film Language (1949–1993), Statistical Record of the Taiwan Entertainment Industry (1961–1983), Annual Expenditure of Taiwan Population on Entertainment (1951–1993), and the 10 Best Box Office Mandarin Films in Taiwan (1957–1994). WorldCat Chi

0116 Lent, John A. The Asian film industry. Austin: University of Texas Press, 1990. 309 p. ISBN 0292704216 (cloth), 0292704224 (pbk.) Note: As the author states in the preface, the outline of the book “combine[s] historical and contemporary perspectives, primarily of the Asian film industries, carried out in a case-study, problem-oriented approach.” The book is organized by region: East, Southeast, and South Asia. The section dealing with the Taiwan film industry begins with the author’s interview with film director Chen Kun-hou in 1986. “Historical Background” reviews the history of Taiwan’s film industry, beginning during the Second Sino-Japanese War when occupying Japanese forces established the Taiwan Motion Picture Association and Taipei News Picture Association, which transitioned in 1945 to form the first film studio in Taiwan: Taiwan Film Studio. Finally, “Contemporary Scene” outlines the following: Production, Directing, Acting, Scriptwriting, Distribution and Exhibition, Regulation, Impact of Videocassettes, Genres and Themes of Films, and Professionalism. Includes a bibliography, interviews, and subject, film, and name index. WorldCat Eng

0119 Li, Yongquan (Lee, Yungchuan), 1953– ଽᄈ໩, 1953– Taiwan dian ying yue lian = Taiwanese cinema: An illustrated history. ‫ݡ‬ஹӇ‫ؙ‬་ऋ = Taiwanese cinema: An illustrated history. Taibei: Yu shan she, 1998. 110 p. ISBN 9579361916 Series title: Ying xiang, Taiwan; 19 ‫ؙ‬Ռ, ‫ݡ‬ஹ; 19

0117 Li, Daoxin. ଽѬЈ. Zhongguo dian ying wen hua shi (1905–2004) = History of Chinese film culture. Ѕмӈ‫ؙ‬ҹ٩੗ (1905–2004) = History of Chinese film culture. Beijing: Beijing da xue chu ban she, 2005. 676 p.

25

Film History

0120 Note:

An illustrated history of Taiwan cinema from 1900– 1997, this is a short and nonacademic work; however, the author’s frank and objective attitude toward many sensitive subjects makes the text noteworthy. His comments on Taiwan cinema during the February 28 Incident in 1947, authoritarian film censorship, martial law, the rise and decline of Taiwanese-dialect cinema, political propaganda films, social realism films adapted from mainland Chinese scar literature during the 1970s, the controversies of Taiwan New Cinema, and other topics are inspiring and refreshing. Includes photos, film stills, and posters. WorldCat Chi

0122 Liu shi nian dai guo pian ming dao ming zuo xuan / zhu bian Cai Guorong. ࡏ֐ё‫ڊ‬ләӜ࣒Ӝӑ‫ ק‬/ Ұഹᓥлึ. Taibei: Zhonghua Minguo dian ying shi ye fa zhan ji jin hui, 1982. 191 p. Note: The 1960s was a significant era for Mandarin films produced by both Hong Kong and Taiwan film studios as they boasted box office records in both places. This book provides an overview of this “golden era” for Mandarin film. It consists of three chapters: Chapter 1: Time and Space, which provides background information, Chapter 2: Directors and Products, which reviews the most representative directors and their films, and Chapter 3: Figures and Events, which delivers biographical information on the most important film producers, directors, actors and actresses during the 1960s, and a chronology. NTUL Chi

0120 Li, Youning (Lee, You-ning), 1951– ଽᏖો. Dian ying de gu shi. Ӈ‫ؙ‬ϡ‫ݞ‬Ѩ. Taibei: Chu ban jia wen hua shi ye you xian gong si, 1977. 212 p. Series title: Chu ban jia cong shu; 25 о‫ؗ‬рᜣ‫ ;ڣ‬25 Note: A collection of essays on the history of World cinema; the last essay, “A Brief History of Chinese Cinema,” (pp. 153–181) discusses Taiwan cinema history from 1901 to 1976. Includes a bibliography and lists of Taiwan films that received awards in Asian Film Festivals (1956–1976) and the Golden Horse Awards (1st–13th). WorldCat Chi

0123 Liu, Xiancheng (Liu, Hsien-cheng). ฀ѳю. Taiwan dian ying, she hui yu guo jia = Taiwanese cinema, society and state. ‫ݡ‬ஹӇ‫ؙ‬, घϾӿлр = Taiwanese cinema, society and state. Taibei: Yang zhi wen hua, 1997. 194 p. ISBN 9579856109 Series title: Taiwan dian ying yan jiu cong shu; 1 ‫ݡ‬ஹӇ‫ૢ୳ؙ‬ᜣ‫ ;ڣ‬1 Note: Focuses on the period of Taiwan film history after Taiwan retrocession in 1945, and the relationship between film, society, and the state. Includes a bibliography. NTUL Chi

0121 Liang, Liang, 1954– ᅯમ, 1954– Lun liang an san di dian ying. ‫ں‬Ҕ࿝ѧсӇ‫ؙ‬. Taibei: Mao lin chu ban she, 1998. 350 p. ISBN 9579860955 Series title: Dian ying lun tan Ӈ‫ںؙ‬Ⴋ Note: Recognizing that a similar problem affects Taiwan, Hong Kong, and mainland China, namely declining domestic film markets and an increasing quantity of films from Hollywood, the author provides a general overview of film production history in Taiwan (1945– 1991), Hong Kong (1896–1995), and mainland China (1946–1994); analyzes current film production trends and problems; and provides suggestions for cooperation between Taiwan, Hong Kong, and China. It is divided into four parts: Taiwan, Hong Kong, mainland China, and Combined Studies. CTFAL Chi

0124 Liu, Xiancheng (Liu, Hsien-cheng). ฀ѳю. Yi jiu liu ling nian dai guo jia ji qi jie ru Taiwan dian ying shi ye zhi yan jiu = Study on the state apparatus’ involvement in Taiwan’s film industry in the 1960’s. ϣ॰ࡏ0 ё‫ڊ‬лрೀՊ‫ݡ‬ஹӇ‫ؙ‬Ѩ‫׬‬ҏ୳ૢ = Study on the state apparatus’ involvement in Taiwan’s film industry in the 1960’s. 172 leaves. Note: This master’s thesis from Fu Jen Catholic University researches the state’s involvement with Taiwan’s three state-run film studios by considering how (1) cultural policy controlled the content and performance of this artistic form, (2) laws and the political system regulated and institutionalized the shape of the film industry, (3) the state’s taxation system regarded the film industry as a business, and (4) film, under the state’s educational system, was a necessary propaganda apparatus used to maintain national identity.

26

General

0128 Includes Chinese and English abstracts and a bibliography. NCL/NDLTD Chi

As a groundbreaking work, the author provides a vast amount of firsthand information about Taiwan film history from 1901 to 1961, including dates, names, and events related to the Taiwan film. As an academic work, however, it is weak in terms of theoretical analysis and objectivity due to the limits of the overall political and academic environment during the time. Moreover, in 1992, Lee Daw-ming, a Taiwan scholar, found out that Lu had copied part of Chapter 3 from Japanese scholar Sai Ichigawa’s work: Ajia eiga no s䲖z䲖 oyobi kensetsu (Creation and Building of Asian Films) in Chapter 1, Taiwan Film During the Japanese Occupation Period within the Taiwan film history part of his work. Lee’s discovery was published in the article: “Dian ying shi ru he lai dao Taiwan de” (How did film come to Taiwan?) in the journal Dian ying xin shang (Film Appreciation), no. 9/10 (September/ October 1993), p. 107. The preface includes an introduction of the author written by You Mijian. The appendix includes the author’s photo collection (pp. 536–542), an essay on Taiwanese-dialect film (pp. 543–544), and the author’s resume (pp. 576). WorldCat Chi

0125 Lu, Feiyi. ᡭۘ‫ډ‬. Taiwan dian ying: zheng zhi, jing ji, mei xue (1949–1994). ‫ݡ‬ஹӇ‫ؙ‬: ू੽,Ҭ௵,Ѥѹ (1949–1994). Taibei: Yuanliu chu ban gong si, 1998. 476 p. ISBN 9573235943 Series title: Dian ying guan; 81 Ӈ‫ؙ‬ఖ; 81 Note: This essential book studies Taiwan film history from political, economic, and aesthetic perspectives. Taiwan film history is divided into the following time periods: 1949, 1950–1954, 1955–1959, 1960–1964, 1965–1969, 1970–1974, 1975–1979, 1980–1984, 1985– 1989, and 1990–1994. Politically, the author focuses on government policy, processes, laws, and regulation of Taiwan film production; economically, based on the text’s political analysis, the author explores how film resources were allocated and policy control was instituted in Taiwan film production and the interrelationship between film production, distribution, and competition; and aesthetically, following the political and economic studies of Taiwan film history, the author explains artistic styles and trends in Taiwan by analyzing major film productions and film artists over the past forty years (before 1998). Includes a bibliography and statistical charts. All related statistical information can be found in the Database of Taiwan Cinema at http://cinema.nccu.edu.tw. NTUL Chi

0127 Made in China. Paris: Cahiers du cinema, 1999. 97 p. Note: A general introduction to Chinese film history in China, Hong Kong, and Taiwan. Includes a bibliography. WorldCat Fre

0128 Monma, Takashi, 1964– ՞Ҽਰ࢑, 1964– Ajia eiga ni miru Nihon. 䬑䬧䬑ྱࡌ䫜䫰䫼яӆ.

0126 Lu, Sushang, 1915–1970. ᧛पϼ, 1915–1970. Taiwan dian ying xi ju shi = A  history of cinema and drama in Taiwan. ‫ݡ‬ஹӇ‫ঁؙۚ‬੗ = A history of cinema and drama in Taiwan. Taibei: Yin hua chu ban she, 1961. 577 p. Note: This is the earliest known academic work on Taiwan film and opera/drama history written by a Taiwanese scholar. The first part of the book, Taiwan Film History (pp. 1–156), contains Chapter 1: Taiwan Film During the Japanese Occupation Period, Chapter 2: Taiwan Film after Retrocession, Chapter 3: International Cooperation in Film Production, Chapter 4: Introduction of Taiwan Film Studios, Chapter 5: Official Film Advisory and Censorship Functions, Chapter 6: Nongovernmental Film Organizations, Chapter 7: Film Education and Workshops, Chapter 8: Film Related Publications, Chapter 9: Film Theory and Critics, and Chapter 10: Film Industry and Theatres.

T䲖ky䲖: Shakai Hy䲖ronsha, 1995–1996. 2 v. ISBN 4784509410 (v. 1), 9784784509416 (v. 1), 4784509429 (v. 2), 9784784509423 (v. 2) Series title: Furikushonaru firumu-dokuhon; 1–2 䭄䭙䬞䬦䭖䬹䭚ί䭄䬒䭚䭏媠ӆ; 1–2 Note: Includes two parts: Part 1: Cinemas of China, Taiwan, and Hong Kong; and Part 2: Cinemas of South and North Korea, and Southeast Asia. Contains bibliographies on pages 264–280 in Vol. I and on pages 334–348 in Vol. II, as well as lists of videos and laserdiscs on pages 281–285 in Vol. I and on pages 349–350 in Vol. II. WorldCat Jpn

27

Film History

0129 ISBN Note:

0129 Muller, Marco. Taiwan: nuove ombre elettriche. Venezia: Marsilio, 1988. 190 p. ISBN 8831750992, 9788831750998 Note: A work on Taiwan cinema. WorldCat

4544020999, 9784544020991 Covers more than 100 years of Chinese film history from 1896 to 2006. Chapter 12 (pp. 283–327) deals with Taiwan film history. Includes a name index. WorldCat Jpn

0134

Ita

Sat䲖, Tadao, 1930–

0130

ᩊᗳᇝԲ, 1930– Shirarezaru eiga o motomete. Ҍ䫺䫽䫇䫼ྱࡌ䬃ؒ䫲䫗.

Novi novi tajvanski film: retrospektiva / [Peggy Chiao, Jurij Meden, Vlado Skafar; Borut Cajnko]. Ljubljana: Slovenska kinoteka, 2000. [19 p.] Series title: Zbirka Kinotecni katalog; leto 6, st. 5 Note: A brief review of Taiwan film history. WorldCat Slo

T䲖ky䲖: Gendai Shokan, 1999. 294 p. ISBN 4768476902, 9784768476901 Note: An introduction to Asian cinema, including the cinemas of Japan and Taiwan. WorldCat Jpn

0131 Perspectives on Chinese cinema / edited by Chris Berry. London: BFI Publishing, 1991 [2nd, expanded ed.] 234 p. ISBN 0851702716 (hbk.), 0851702724 (pbk.) Note: An early collection of scholarly work on Chinese cinema. As the editor notes in the introduction, the book does not satisfy the editor’s desire to present reliable English-language histories of Chinese cinema before 1949, Taiwanese cinema, Hong Kong cinema, in-depth studies on the emergent Taiwanese New Wave (Taiwan New Cinema), Hong Kong popular cinema, and classic mainland films. The essay “The Distinct Taiwanese and Hong Kong Cinemas” by Chiao Hsiung-Ping provides a comparative study of Taiwan and Hong Kong cinema from a historical perspective. Includes a bibliography at the end of each essay, two appendixes (Appendix 1: Major Directors and Appendix 2: Chronology), and an index. WorldCat Eng

0135 Sha, Rongfeng, 1921– ૶ึ๢, 1921– Bin fen dian ying si shi chun: Sha Rongfeng hui yi lu. ᠷ໧Ӈ‫ࡇ֐ףؙ‬: ૶ึ๢Ҙশ࠷. Taibei: Guo jia dian ying zi liao guan, 1994. 248 p. ISBN 9579987408 Series title: Taiwan dian ying shi liao cong shu; 1 ‫ݡ‬ஹӇ‫ؙ‬੗ࢧᜣ‫ ;ڣ‬1 Note: The autobiography of Sha Rongfeng, one of the major film producers in Taiwan. Sha was involved with the Taiwan film industry for more than forty years and founded several film distribution companies and studios, such as Lian Bang Ying Ye Gong Si (Union Film) in 1953, and he produced many important films, such as Longmen Ke Zhan (Dragon Gate Inn, dir. King Hu) in 1967. Includes a chronology, appendix of films produced or distributed by Sha’s companies, and a Chinese film title and name index. NTUL Chi

0132 Rayns, Tony. Electric shadows: 45 years of Chinese cinema / Tony Rayns, Scott Meek. London: British Film Institute, 1980. 1 v. (various pagination) Note: A study of Chinese film history from 1934 to 1979. Includes biographical information about Chinese film actors, actresses, directors, and producers; a bibliography; and indexes. WorldCat Eng

0136 Shi duo san luo de guang ying: Hua yu dian ying de li shi, zuo zhe yu wen hua zai xiang / Liu Xiancheng bian. ༺␜્޻ϡ‫ׇؙ‬: ‫ܭܓ‬Ӈ‫ؙ‬ϡࣵ੗, ӑ‫ٷ‬ӿҹ٩Ӑѳ / ฀ѳюഹ. Taibei: Ya Tai tu shu, 2001. 390 p. ISBN 9578264836 Series title: Taiwan dian ying yan jiu cong shu; 7 ‫ݡ‬ஹӇ‫ૢ୳ؙ‬ᜣ‫ ;ڣ‬7 Note: A collection of essays focusing on Chinese film history, including the film histories of mainland China and Taiwan. Includes a bibliography. NCL Chi

0133 Sat䲖, Tadao, 1930– ᩊᗳᇝԲ, 1930– Ch䲚goku eiga no 100-nen. Ѕмྱࡌ䫟100ё. T䲖ky䲖: Nigensha, 2006. 341 p.

28

General

0141 Unfortunately, apart from a short bibliography, there is no index for the incredibly rich film-related materials, particularly the photographical materials, from Taiwan, Hong Kong, and mainland China. WorldCat Chi Eng

0137 Shi guang liu ying—Gaoxiong shi dian ying tu shu guan cang wen wu zhuan ji er = Time flow & steaming shadow / Lan Zuwei zhuan gao; Chen Yixuan ying wen fan yi. Ж‫ׇ‬Ե‫—ؙ‬ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖেҹ‫֟׉‬ফԏ = Time flow & steaming shadow / ঢྥ᝛᫃፻; ಴ፐ጗߭ҹࢬፆ. Gaoxiong: Gaoxiong shi dian ying tu shu guan, 2008. 249 p. ISBN 9789860155990 Series title: Gaoxiong shi dian ying tu shu guan dian ying cong shu; 10 ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖӇ‫ؙ‬ᜣ‫ ;ڣ‬10 Note: This bilingual work presents film-related artifacts collected by the Kaohsiung Municipal Film Archives. It consists of five parts: Part 1, Stills and Posters; Part 2, Ads and Flyers; Part 3, Music and Records; Part 4, Synopses, Movie Tickets; and Part 5, Film Equipment and Technology. Many materials are specifically related to Taiwan films of the 1970s and 1980s. NTUL Chi Eng

0139 Shi jie dian ying quan ji lu = Die chronik des films / Shao Mujun zhu bian. Ԓ֎ӈ‫ؙ‬Ҫઓ࠹ = Die chronik des films / ἗ᖥᅿҰ൜. Haikou: Nan fang chu ban she, 2001. 709 p. ISBN 7806602585 Note: The Chinese edition, translated from a French text, of a chronological work of world film history from 1895– 1999, including more than 1,000 major event reports, 2,000 representative film reviews, and 17 essays written by famous scholars. An essay specifically added to the Chinese edition reviews Chinese film history, including Taiwan and Hong Kong film history, from 1905 to 1999, at the conclusion of the book (pp. 668–691). Includes film director and actor/actress indexes, film stills, posters, and photos. Duxiu Chi

0138 Shi ji hui gu : tu shuo Hua yu dian ying = Spectrums of the century : Chinese cinemas, 1896–1999 / [zong bian ji Huang Jianye, Huang Ren ; Ying yi Su Zhe’an (Jon Soloman) . . . et al.]. ԒઔҘઆ: ֖М‫ܭܓ‬Ӈ‫ = ؙ‬Spectrums of the century : Chinese cinemas, 1986–1999 / [րഹফࢷࠃ‫׬‬, ࢷწ ; ߭ፆ಩Ꮋԥ (Jon Soloman) . . . et al.]. Taibei: Xing zheng yuan wen hua jian she wei yuan hui : Guo jia dian ying zi liao guan, 2001. 431 p. ISBN 9570277572 Note: This is an unprecedented joint project involving scholars from Taiwan, Hong Kong, and mainland China under the auspices of the Chinese Taipei Film Archive. It presents short essays, chronological statements, quoted film reviews, and a prodigious quantity of film stills, posters, and photos to illustrate a century of Chinese cinema history. It is the most objective and comprehensive description of Chinese film history in terms of the photographic materials and range of subjects included in the book, but not in terms of in-depth academic exploration of the topics presented. It is a bilingual work in Chinese and English and is divided into four parts: Chinese Cinema 1896–1949 (with separate chapters dealing with the beginnings of Chinese cinema in mainland China, Hong Kong, and Taiwan), Taiwan Cinema 1949–1999, Hong Kong Cinema 1949–1999, and Mainland Chinese Cinema 1949–1999. The text attempts to tackle controversial issues, such as the Japanese influence on cinema during the colonial period, government censorship in Taiwan, anti-communist propaganda films, and the February 28 Incident in 1947 in Taiwan. A comparative line of study connects Taiwan (and Japan during the colonial period), Hong Kong, and mainland China throughout the book.

0140 Shu xie Taiwan dian ying / Wen Tianxiang bian. ‫ݡ܎ڣ‬ஹӇ‫ ؙ‬/ ࢨϳፖഹ. Taibei: Dian ying zi liao guan, 1999. 103 p. ISBN 9579904863 Series title: Xue yuan ying zhan cong shu; 1 ѹᮛ‫ࣁؙ‬ᜣ‫ ;ڣ‬1 Note: A collection of essays on Taiwan film history and film production. NTUL Chi

0141 Sima, Fen, 1929– ‫ެޅ‬ᐇ, 1929– Zhongguo dian ying san shi nian. ЅлӇ‫ؙ‬ѧ֐ё. Taibei: Wang Bin, 1980. 220 p. Note: A collection of newspaper articles on Chinese film history from 1949 to 1979, mainly from Taiwan and Hong Kong. The author, Sima Fen (original name Wang Bin), was a famous reporter who wrote for various Taiwan and Hong Kong newspapers’ movie columns. Many articles were originally published as newspaper reports and interviews; they are short but contain historical information and details about Taiwan and Hong Kong film history. It covers the most successful film studios, producers, directors, actors, actresses, and major events in Taiwan and Hong Kong during the period. Does not contain a bibliography or an index. Includes film stills, posters, and photos. WorldCat Chi

29

Film History

0142

their films are introduced in this chapter. Film directors Chen Kaige, Zhang Yimou, Tian Zhuangzhuang (China), Hou Hsiao-hsien, Edward Yang, Tsai Mingliang (Taiwan), and Wong Kar-Wai (Hong Kong) are specifically introduced in this chapter. Includes a bibliography (pp. 554–559), glossary (pp. 560–564), filmography (pp. 565–579), index (pp. 580– 596), and credits (pp. 597–600). WorldCat Eng

0142 Sima, Fen, 1929– ‫ެޅ‬ᐇ, 1929– Zhongguo dian ying wu shi nian. ЅлӇ‫ؙ‬ٚ֐ё. Taibei: Huang ding wen hua chu ban she, 1983. 341 p. Note: The revised and enhanced version of the author’s work published in 1980. A collection of newspaper articles on Chinese film history from 1949 to 1983, mainly in Taiwan and Hong Kong, it is divided into three chapters: Chapter 1: From Silent to Sound in the 1930s; Chapter 2: From Black & White to Color Over the Last 30 years (1953–1983); and Chapter 3: Film Education and Organizations, which is a new addition to this edition. The author, Sima Fen (original name Wang Bin), was a famous reporter who wrote for various Taiwan and Hong Kong newspapers’ movie columns. Many articles were originally published as newspaper reports and interviews; they are short but contain historical information and details about Taiwan and Hong Kong film history. It covers the most successful film studios, producers, directors, actors, actresses, and major events in Taiwan and Hong Kong, and all film education programs and related organizations in Taiwan during the period discussed. Does not contain a bibliography or an index. Includes film stills, posters, and photos; a list of Golden Horse Award winners; a directory of Taiwan movie theaters; and the author’s biography. CTFAL Chi

0144 Song, Ziwen. ᓠжҹ. Taiwan dian ying san shi nian. ‫ݡ‬ළӈ‫ؙ‬ѧ֐ё. Shanghai: Fudan da xue chu ban she, 2006. 304 p. ISBN 7309049172 Series title: Ying, Xiang cong shu ‫ؙ‬䩟ড়ᜥ‫ڪ‬ Note: Presents Taiwan film history from 1973 to 2004. Chapter 1 focuses on Qiong Yao’s literary and melodramatic films during the 1970s; Chapter 2 deals with the Taiwan native (xiang tu) films represented by Li Xing and his films during the 1970s and 1980s; Chapter 3 describes Taiwan student films represented by Lin Qingjie, Ouyang Jun, and others; Chapter 4 comments on the unsuccessful development of kung fu films by Hong Kong film director King Hu; Chapters 5 and 6 describe the arrival of the Taiwan New Cinema represented by Hou Hsiao-hsien, Edward Yang, Wang Tung, and others during the 1980s; Chapter 7 laments Taiwan cinema’s decline in the 1990s; and Chapter 8 concludes with a description of the struggling Taiwan film industry at the beginning of the 2000s. The book reads more as a personal commentary and introduction to Taiwan film history for a general audience than as a serious academic work. Some arguments within the book are questionable, such as the author’s claim that kung fu film development in Taiwan was unsuccessful; in fact, Taiwan Kung Fu film production, initiated by King Hu and his film Longmen Ke Zhan (Dragon Gate Inn) 1967 was very successful in Taiwan. Based on statistics, during the first quarter of 1968, eight Taiwan kung fu films earned a box office income of more than 1 million Taiwan dollars. Not to mention, Taiwan film director Ang Lee’s kung fu film Crouching Tiger, Hidden Dragon (2000) was also successful, winning various film awards throughout the world, including four Academy Awards. On the other hand, the author has devoted a complete chapter to discuss Taiwan student films, a topic that is not often the focus Taiwan film analyses. Includes a list of Golden Horse Award–winning films and a Taiwan film chronology from 1973 to 2004, but there is no bibliography or index. Duxiu Chi

0143 Sklar, Robert. A world history of film. New York: Harry N. Abrams, Inc., 2002. 600 p. ISBN 0810906066 (Abrams), 0810903881 (book club: jkt.), 0810921405 (book club: pbk.), 0130340499 (PH) Note: Chapter 10, Meeting Hollywood’s Challenge, under the section Filmmaking Outside Europe, includes a brief description of Chinese film history during the 1930s. Chapter 18, Cinema of Liberation, under the section China, presents an introduction to the development of Chinese films under the Communist government during the 1950s. Film directors Xie Jin and Shui Hua and their films are introduced. Chapter 24, The Global Advance of Cinema, under the section Cinema of the “Three Chinas,” introduces the development of Chinese films in China, Taiwan, and Hong Kong during the 1980s. The fifth generation of Chinese directors in China and their films are introduced. Film directors Wu Tianming (China) and Hou Hsiao-hsien (Taiwan) are specifically discussed in this chapter. Chapter 27, World Cinema, under the section Chinese Films, explains how Chinese films in the 1990s moved into a coproduction mode between China, Taiwan, and Hong Kong. The sixth generation of Chinese directors and

30

General

0150

0145

0148

Sun, Lifeng. ྑ߹๢. Dian ying shi hua. ӈ‫ؙ‬੗Ҧ. Beijing: She hui ke xue wen xian chu ban she, 2000. 211 p. ISBN 7801493435 Series title: Bai nian Zhongguo shi hua ‫ښ‬ёЅм੗Ҧ Note: Outlines Chinese film history from 1896 to 1949 and covers the three areas of mainland China, Taiwan, and Hong Kong together in each chapter. The description of Taiwan film history is superficial; it does not provide new materials or original perspectives. Includes a bibliography. Duxiu Chi

Taiwan dang dai ying xiang: cong ji shi dao shi yan 1930–2003 = A retrospective collection of documentary films from Taiwan / Zhu bian Wang Weici. ‫ݡ‬ஹԄ‫ؙڊ‬Ռ: ԩઔ࠷ϺӢࡐ 1930–2003 = A retrospective collection of documentary films from Taiwan / Ұഹࣼ໓፦. Taibei: Tong xi wen hua chu ban gong zuo shi, 2006. 186 p. Note: This book is published with a set of more than thirty documentary films on fifteen DVDs. It includes a collection of twenty essays exploring the development of Taiwan documentary films from 1930 to 2003 and the relationship between societal changes and documentary films. Includes theoretical discussions, analyses, and reviews of Taiwan documentary films. Includes a bibliography. WorldCat Chi

0149

0146

Taiwan dian ying ji shi chu gao (1949–1994) / Bian zhe Lu Feiyi. ‫ݡ‬ஹӇ‫ؙ‬ઔѨ२፻ (1949–1994) / ഹ‫ٷ‬ᡭۘ‫ډ‬. Taibei: Xing zheng yuan xin wen ju; Zhonghua Minguo dian ying nian zhi wei hui, 1994. 245 p. Series title: Dian ying zi liao ku cong shu; 4 Ӈ‫ࢧޞؙ‬ᆞᜣ‫ ;ڣ‬4 Note: A comprehensive chronology of Taiwan film history from 1949 to 1994. All events selected for inclusion in the book are related to Taiwan film development; thus, less important events and stories, such as movie stars’ personal stories, anecdotes, and promotional materials for films, are not included. Includes a bibliography. CTFAL. Chi

Sun, Weichuan. ྑ໓ඇ. Dang dai Taiwan dian ying: 1949–2007 = Contemporary Taiwanese film studies. Ӿ‫ݡڊ‬ළӈ‫ؙ‬䩭1949–2007 = Contemporary Taiwanese film studies. Beijing: Zhongguo guang po dian shi chu ban she, 2008. 339 p. ISBN 7504355003 Note: Based on the author’s Ph.D. dissertation, completed in 2003 at the Nanjing Normal University, the text consists of five parts: Part 1 presents a chronological study of Taiwan film history from the Japanese colonial period (even through the book title indicates the author’s study begins in 1949) to the Post-Taiwan New Cinema period in the 1980s and 1990s; Part 2 is an aesthetic study of Taiwan Healthy Realism, New Taiwan Cinema, and Post-Taiwan New Cinema films; Parts 3 and 4 deal with the subjects and artistic styles of Taiwan film; and, finally, Part 5 provides detailed studies of fourteen of the most prominent Taiwan film directors and their works. Includes a chronology of Taiwan film history from 1949 to 2007, Taiwan Golden Horse Award winners list, a bibliography, and the author’s major publication list. WorldCat Chi

0150 Taiwan dian ying jing xuan = Films: made in Taiwan / Ce hua: Zhonghua Minguo dian ying nian guo ji tui guang zu; zhi xing bian ji: Ou Guizhi. ‫ݡ‬ஹӇ‫ = קؘؙ‬Films: made in Taiwan / ೫੿: Ѕ‫ھܓ‬лӇ‫ؙ‬ёл গԐܰ६; వҲഹফ߅ᄉᆙ. Taibei: Wan xiang tu shu gu fen you xian gong si, 1993. Various pagination. ISBN 9576694469 Note: A collection of six essays with accompanying photos, film posters, and stills. Wang Zhicheng’s essay analyzes the relationship between Taiwan film and social change, while Cai Kangyong and Han Liangyi’s essay comments on Taiwan film and literature. The book introduces directors Hou Hsiao-hsien, Edward Yang, Wang Tung, and a group of “New Directors,” including Tsai Ming-liang, Ang Lee, Lan Shengchuan, Xu Xiaoming, Chen Guofu, and Ye Hongwei, followed by relevant film synopses and reviews of these directors’ films. The appendix includes a list of awards won by the films presented in the book. CTFAL Chi

0147 Taiwan cinema = Le cinema taiwanais / edited by Corrado Neri, Kirstie Gormley; text by Michelle Bloom . . . [et al.]. Lyon, France: Asiexpo, 2009. 256 p. ISBN 9782952801836, 2952801835 Note: An introduction to Taiwan cinema and its history. It was published in celebration of the Fifteenth Lyon Asian Film Festival’s focus on Taiwan Cinema, November 2009. Includes one DVD. WorldCat Fre Eng

31

Film History

0151

Vol. 2, Hegemony and the Aesthetic of Taiwan Documentary Film in the Early Post-Martial Law Era, curated by Lin Bao-yuan, reviews challenges to the hegemony and the aesthetic development of documentary films from 1985 to 1999 (martial law was lifted in 1987). Vol. 3, Private Me Time: I and My . . . , curated by Wen Tien-hsiang, describes the arrival of “private me time” in Taiwan documentary films from 1990 to 2008. Vol. 4, Video-Dialogue with One Self in the Aesthetics of Documentary Films: Between Truth and Fiction, Between Documentary and Drama, curated by Wang Wei-tsy, considers female perspectives in Taiwan documentary films and deals with female expressions through the documentary form. Vol. 5, History, Memory, Representation and Documentary Film, curated by Lee Daw-ming, investigates the aesthetic strategy of Taiwan documentary films in reconstructing Taiwan history, which is to combine the “big history” of influential historical figures and the “small history” made up of ordinary people. Includes both Chinese and English versions of the curator’s essays, a film list, and records of the panel discussions. NTUL Chi Eng

0151 Taiwan dian ying ying pian sheng chan tong ji, fu: song jian ying pian ji duan pian pian mu (1949–1993) / Xing zheng yuan xin wen ju Zhonghua Minguo dian ying nian zhi wei hui. ‫ݡ‬ஹӇ‫ؙؙ‬әТ‫ذࢃݗ‬, ป: ‫؟‬ഛ‫ؙ‬ә᠕ߦәә۵ (1949–1993) / ҲूࡨЈࢨ঵Ѕ‫ھܓ‬лӇ‫ؙ‬ёవణϾ. Taibei: Xing zheng yuan xin wen ju Zhonghua Minguo dian ying nian zhi wei hui, 1994. 2 v. (950 p.) Note: A complete filmography and statistical record of Taiwan films submitted to the government for censorship approval from 1949 to 1993. Includes 3,478 fictional films, 2,227 news and documentary films, and 323 short films. The filmography is organized by film title. Although the text primarily is based on films submitted for government approval, the text includes a few additions from other resources. In principle, the text only lists films produced in Taiwan; however, jointly produced Taiwan and Hong Kong films are also included. CTFAL Chi

0152 Taiwan dian ying zhen gui ying xiang shi liao mu lu (Di yi ji 35 nian –58 nian) / Taiwan dian ying wen hua gong si. ‫ݡ‬ஹӇ‫ੵؙ‬ਰ‫ؙ‬Ռ੗ࢧ۵࠷ (ҷϣফ 35ё—58ё) / ‫ݡ‬ஹӇ‫ؙ‬ҹ٩ ԍ‫ޅ‬. Taibei: Taiwan dian ying wen hua gong si, [1969] 90 p. Note: A filmography, organized by film production date, of news and documentary films distributed by Taiwan dian ying wen hua gong si (Taiwan Film Culture Company) from 1946 to 1969. CTFAL Chi

0154 Taiwan ji lu pian mei xue xi lie (er) = Taiwan documentary aesthetic series II / Lin Baoyuan deng ce hua. ‫ݡ‬ஹઔ࠷әѤѹ‫( ࠶ڍ‬ԏ) = Taiwan documentary aesthetic series II / ৆ᷰׄҳ೫ޫ. Taizhong: Guo li Taiwan mei shu guan, 2010. 5 v. ISBN 9789860235289 Note: This work is the second in a series; it contains the same title and uses the same publishing house. Again, five Taiwan documentary film studies scholars were invited to act as curators for the project, and each scholar presents his or her perspective on the development and changes of Taiwan documentary film aesthetics in this work. The five volumes include: Vol. 1, Colonization and Decolonization: Social, Historical, and Aesthetic Consciousness in Taiwan’s Documentary Films in the Post-Martial Law Era, by Catherine Lim Yuan; Vol. 2, What to Say and How to Say It? Documentaries; Narrative Strategies and Formal Considerations, by Lee Yungchuan; Vol. 3, Technology and Ethics, by Qiu Guifen; Vol. 4, The Documentation of Subject and the Subject of Documentation: The Political Nature of the “Amateur Aesthetics” of Documentary Films, by Kuo Li-hsin; and Vol. 5, Recording Youth; Bitterness, Struggle and Growth, by Wei Di. Includes both Chinese and English versions of the curator’s essays, a film list, and records of the panel discussions. NTUL Chi Eng

0153 Taiwan ji lu pian mei xue xi lie = Taiwan documentary aesthetic series / Zong ce hua Chen Jimin. ‫ݡ‬ஹઔ࠷әѤѹ‫ = ࠶ڍ‬Taiwan documentary aesthetic series / ր ೫੿಴௵‫ھ‬. Taizhong: Guo li Taiwan mei shu guan, 2008. 5 v. ISBN 9789860173086 Note: This study is the result of a project entitled the Taiwan Documentary Aesthetic Series, hosted by the National Taiwan Museum of Fine Arts in 2008. Examines multiple topics while providing the history of Taiwan documentary films in a systematic way. Five Taiwan documentary film studies scholars were invited to act as curators for the project, and each scholar presents his or her perspective on the development of Taiwan documentary film aesthetics in this work. Vol. 1, A Pre-history of Taiwanese Documentary Filmmaking: Actualities, Home Movies and Documentary, curated by Liao Gene-fon, covers early documentary films from the 1930s to the 1970s.

32

General

0160 Note:

0155 Taiwan song jian ying pian ji duan pian pian mu (1949–1994) / Lu Feiyi zhu bian. ‫ݡ‬ஹ‫؟‬ഛ‫ؙ‬ә᠕ߦәә۵ (1949–1994) / ᡭۘ‫ډ‬Ұഹ. Taibei: Xing zheng yuan xin wen ju Zhonghua Minguo dian ying nian zhi wei hui, 1994. 472 p. Series title: Dian ying zi liao ku cong shu; 5 Ӈ‫ࢧޞؙ‬ᆞᜣ‫ ;ڣ‬5 Note: This is a complete filmography and statistical record of Taiwan films submitted to the government for censorship approval from 1949 to 1994. Includes 3,500 fictional films, 2,227 news and documentary films, and 342 short films. The filmography is organized by film title and primarily is based on film applications submitted to the government. Beginning in 1950, every film produced in Taiwan required state approval. Contains statistical charts of Taiwan film production from 1949 to 1994, a filmography of the films submitted for censorship approval from 1949 to 1993 with an accompanying index, and a filmography of the films submitted for government approval in 1994, divided into the following categories: Taiwan, Hong Kong, Other, and Short Films. CTFAL. Chi

Consists of four parts: Part 1, From Healthy Realism to New Cinema; Part 2, Zhongying (Central Motion Picture Corporation) and the Rise and Fall of Taiwan Cinema; Part 3, Taiwan New Cinema and Political Reform; and Part 4, Ethnic Groups in Taiwan Cinema. Includes a list, prepared by Liao Jinfeng and Ru-shou Robert Chen, of the most representative films of Taiwan cinema during each time period, and a bibliography (pp. 172–175). WorldCat Jpn

0158 Toroptsev, S. A. (Sergei Arkadevich) Kinematografiia Taivania = T’ai-wan tien ying. Moskva: Editorial URSS, 1998. 198 p. ISBN 5901006623, 9785901006627 Note: Includes a summary in English, a bibliography, and an index. WorldCat Rus

0159 Transnational Chinese cinemas: identity, nationhood, gender / edited by Sheldon Hsiao-peng Lu. Honolulu: University of Hawaii Press, 1997. 414 p. ISBN 0824818548 Note: A collection of twelve essays covering the relationship between cinema, identity, nationhood, and gender in mainland China, Taiwan, and Hong Kong. Part II, The Politics of Cultural and National Identity in the Cinemas of Taiwan and Hong Kong, includes the essays “Constructing a Nation: Taiwanese History and the Films of Hou Hsiao-hsien” by June Yip; “The Diaspora in Postmodern Taiwan and Hong Kong Film: Framing Stan Lai’s The Peach Blossom Land with Allen Fong’s Ah Ying” by Jon Kowallis; and “Breaking the Soy Sauce Jar: Diaspora and Displacement in the Films of Ang Lee” by Wei Ming Darious and Eileen Fung. Includes a bibliography and an index. WorldCat Chi

0156 Tanaka, Hideo, 1952– ೧Ѕഫ೰, 1952– Eiga ni miru Higashi Ajia no kindai. ྱࡌ䫜Ԋ䫼ֆ䬑䬧䬑䫟‫ڊײ‬. T䲖ky䲖: Fuy䲖 Shob䲖, 2002. 245 p. ISBN 482950322X Note: The author accounts for the modern histories of Japan, China, Taiwan, and Korea by comparing each nation’s cinema traditions. The last section of Chapter 1 focuses on Taiwan film history by considering Japan’s influence on Taiwan and representations of Japan in Taiwan films. There is no bibliography or index at the end of the book, but reference notes are included at the end of some of the chapters. WorldCat Jpn

0160 Vick, Tom. Asian cinema: a field guide. New York: Collins, 2007. 274 p. ISBN 9780061145858, 0061145858 Note: A general introduction to the Asian cinemas of China, Japan, India, Hong Kong, Korean, Iran, Taiwan, South and Southeast Asia, Central Asia, and the Middle East. Taiwan and Iranian cinema are grouped together in Part Three, Recent Arrivals. Includes a bibliography and an index. WorldCat Eng

0157 Tobari, Haruo, 1938– ‫פݏ‬ֆਜ਼, 1938– Taiwan eiga no subete / Tobari Haruo, Ry䲖 Kinh䲖, Chin Jush䲚. ‫ݡ‬ළྱࡌ䫟䫊䫪䫗/ ‫פݏ‬ֆਜ਼, ᴰ‫ؖ‬ང, ಴ᭉࢗ. T䲖ky䲖: Maruzen, 2006. 180 p. ISBN 4621061062, 9784621061060 Series title: Maruzen bukkusu; 106 ᐣ৖䭅䬲䬞䬨; 106

33

Film History

0161

Chinese film and drama, divided into six periods: Budding: End of Qing to 1920, Establishing: 1921–1930; Developing: 1931–1937; Peaking: 1938–1945; Prosperous: 1946–1949; and Struggling: 1950–1959. The appendix includes the essays on Taiwanese-dialect film and drama. CTFAL Chi

0161 Wang, Fei. ٟࣼ. Sheng guang mei ying: Taiwan ying shi. ‫ׇل‬ຓ‫ؙ‬䩭‫ݡ‬ළ‫ؙ‬؇. Fuzhou: Fujian jiao yu chu ban she, 2008. 149 p. ISBN 9787533451790, 7533451791 Series title: Tu wen Taiwan ֘ҹ‫ݡ‬ළ Note: A fairly objective introductory work on the history of Taiwan film and television for a general readership in mainland China. Includes photos, stills, posters, and a bibliography. WorldCat Chi

0165 Wen, Tianxiang. ࢨϳፖ. Ying mi de di yi tang ke. ‫ؙࣿ‬ϡҷϣஇࠆ. Taibei: You shi wen hua shi ye gu fen you xian gong si, 2003. 211 p. ISBN 9575744322 Series title: Xin High shao nian; 9 ЈHigh վё; 9 Note: A general introduction targeted at young Taiwan film fans. Topics include Taiwan film history (explained as originating in mainland China until 1949, the year the mainland industry moved to Taiwan), Taiwan’s Golden Horse Film Awards, Taiwan’s documentary films, filmmaking, film directors, stars, and film-related resources and organizations in Taiwan. Include a filmography. CTFAL Chi

0162 Wang, Zhicheng, 1961– ࣼ࢑ю, 1961– Taiwan dian ying yu she hui bian qian. ‫ݡ‬ஹӇ‫ؙ‬ӿघϾԺቜ. Taibei: Wan xiang tu shu gu fen you xian gong si, [1993?] 40 p. Series title: Taiwan dian ying jing xuan xi lie ‫ݡ‬ஹӇ‫࠶ڍקؘؙ‬ Note: Discusses the relationship between Taiwan cinema and society. Initiated and organized by the 1993 Republic of China International Film Year Promotion Team. WorldCat Chi

0166 Wicks, James Anthony. The antecedents of Taiwan New Cinema: the state of Taiwan film in the 1960s and 1970s. 266 leaves. Note: Thesis (Ph.D.)—University of California, San Diego, 2010. Explores the ways Taiwan’s KMT (Nationalist Party) government defined itself as the representative government of all of China in the 1960s and 1970s by both studying its state-sanctioned film industry and explaining how these filmmaking conditions in the 1970s enabled the emergence of Taiwan New Cinema in the 1980s. Analyzes influences from mainland China, Japanese colonialism, and the United States during the Cold War. Includes notes and a bibliography. ProQuest (FT) Eng

0163 Wang, Yunman. ࣼ࠭㓧. Zhongguo dian ying yi shu shi lue. Ѕмӈ‫ؙ‬਴भ੗ଯ. Beijing: Zhongguo guan ji guang bo chu ban she, 1989. 141 p. ISBN 7800352331 Note: This collection of ten essays provides a brief overview of Chinese film art history from 1905 to 1988 with a focus on fictional films. The last essay (pp. 138–141) presents a short account of Taiwan and Hong Kong film history. Does not include a bibliography or an index. Duxiu Chi

0167 World cinema since 1945 / edited by William Luhr. New York: Ungar, 1987. 708 p. ISBN 0804430780 Note: A collection of essays on the cinema industries in thirty-nine countries and areas. “China” by Esther Yau (pp. 116–139), considers Chinese film history since 1945, including a section on “Taiwan Cinema” that provides a general introduction to Taiwan’s film industry, two-dialect (Mandarin and Taiwanese) productions, and the New Wave film movement beginning in the 1980s.

0164 Wang, Zilong. ࣼжᑹ. Zhongguo ying ju shi. Ѕл‫ঁؙ‬੗. Taibei: Jian guo chu ban she, 1960. 152 p. Note: Because of the close relationship between Chinese film and drama (in this case, not Chinese opera, but Western performance art), the author provides a joint history of

34

General

0172 Includes a selected bibliography at the end of each essay, as well as a section about contributors, photo credits, and an index at the end of the book. WorldCat Eng

Note:

0168 Xiao, Zhang. ន‫א‬. Zhong wai dian ying shi hua / Xiao Zhang, Dai Zhongfu bian zhu. Ѕ֔ӈ‫ؙ‬੗Ҧ / ន‫א‬䩟ඕЅ⅃൜Я. Chongqing: Chongqing chu ban she, 1999. 283 p. ISBN 7536641826 Series title: Xin shi ji bai ke zhi shi jin dian ЈԒઓ‫॓ښ‬Ҍࡧ‫ؖ‬ਹ Note: A work on Chinese and world film histories. Taiwan film history is discussed briefly in Chapter 22 (pp. 280– 283). Does not contain a bibliography or an index. Duxiu Chi

Thesis (M.A.)—National Dong Hwa University, 2007. This paper considers representations of Taiwan aboriginals in fictional feature films produced both during the Japanese colonial period and after retrocession. The author uses film analysis as the starting point to explore the relationship between the aboriginal people and colonialism, postcolonialism, nation building, and national identity. Includes a Chinese abstract, bibliography, and filmography. NCL/NDLTD (FT) Chi

0171 Yang, Jeff. Once upon a time in China: a guide to Hong Kong, Taiwanese, and Mainland Chinese cinema / Jeff Yang; senior contributor, Art Black, John Charles . . . [et al.]. New York: Artria Books, 2003. 306 p. ISBN 0743448170 Note: A unique and comparative but Hong Kong–centric guide to film production in Hong Kong, Taiwan, and mainland China. It endeavors to locate common themes between Hong Kong, Taiwan, and mainland Chinese films within each chapter for each time period and to explore their “intertwined traditions.” Chapters are as follows: Chapter 1, The Dawn of Chinese Film: 1896– 1949; Chapter 2, Swordsmen and Revolutionaries: The Fifties and Sixties; Chapter 3, Martial Arts and Melodrama: The Seventies; Chapter 4, New Wave Dreams and Ballistic Kisses: The Eighties; Chapter 5, The Best of Times, the Worst of Times: The Nineties; and Epilogue: 2000 and Beyond. All chapters include Capsule Film Reviews. Except for the first chapter, which focuses on mainland China films, all of the following chapters are dominated by Hong Kong films. Attention to Taiwan film is certainly the weakest in the book; for example, there is no mention of Taiwan film production in Chapter 1; and in Chapter 2, although nine Hong Kong film directors and their films are mentioned, only three Taiwan film directors and films are mentioned, and one of them is King Hu, whose film career took him from Hong Kong to Taiwan. Also note the text’s method of only using English translations for the titles of all Chinese films could cause confusion. Overall, this text cannot be considered a comprehensive guide for films in all three areas, as the primary author points out in the preface. Includes Capsule Film Reviews for all chapters, but note that there are some mistakes; for example, the capsule review for Chapter 2 labels two King Hu movies as mainland China productions. Includes a bibliography (as notes) and an index. WorldCat Eng

0169 Xun zhao dian ying zhong de Taibei = Focus on Taipei through cinema 1950–1990 / Chen Ruxiu, Liao Jinfeng bian zhu. ଵ‫װ‬Ӈ‫ؙ‬Ѕϡ‫ = ܚݡ‬Focus on Taipei through cinema 1950–1990 / ಴ᭉࢗ, ᴰ‫ؖ‬ངഹЯ. Taibei: Wan xiang tu shu ge fen you xian gong si, 1995. 164 p. ISBN 9576697433 Note: A special bilingual (Chinese and English) publication for the Taipei film exhibit, Focus on Taipei through Cinema, 1950–1990, and the 1990 Golden Horse Film Awards. Twelve Taipei-related films were selected for the exhibit, all of them produced between 1963 and 1990. Ten essays, which investigate these twelve films, focus on the subjects of Taipei’s film history, Taipei’s city image in Chinese films, the “Taipei experience” in Taiwanese-dialect films, aesthetic and comparative studies of Taiwanese and Mandarin films during the 1960s, Post–Taiwan New Cinema from the 1980s to the 1990s, a sociological study of portrayals of Taipei city through films from 1960 to 1990, depictions of Taipei youth, Taipei’s landscape of desire, and a comparative study of Taipei and Shanghai in Chinese cinema from the 1930s to the 1990s. Includes interviews, synopses, and an introduction of the contributors in the appendix. NTUL Chi Eng

0170 Yang, Huanhong (Yang, Huan-hong). ໷ᢵ᜞. Ta zhe bu xian ying: Taiwan dian ying zhong de yuan zhu min ying xiang. ј‫ٷ‬Ϥࣶ‫ؙ‬: ‫ݡ‬ஹӇ‫ؙ‬Ѕϡ֍֙‫ؙھ‬Ռ. 106 leaves.

0172 Ye, Longyan, 1940– ౕहᴧ, 1940– Riben dian ying dui Taiwan de ying xiang 1945–1972. яӆӇ‫ؙ‬х‫ݡ‬ஹϡ‫ؙ‬৘ 1945–1972.

35

Film History

0173 Zhanghua: Zhong zhou ji shu xue yuan dian ying yan jiu zhong xin, 2006. 198 p. Note: An overview of the relationship between Japanese and Taiwanese films from 1945 to 1972. It deals with the following subjects: the ban on importing Japanese films from 1945 to 1950 and from 1963 to 1964, the peak of Japanese film imports, government policy on importing Japanese films, cases of smuggling Japanese films, Taiwan’s film censorship system, and the influences of imported Japanese films and culture on Taiwan filmmaking. Includes a bibliography. CTFAL Chi

Dr. Yeh is referring to the February 28 Incident, this event occurred in 1947. Includes a filmography (243–247) and bibliography (248–263). WorldCat Eng

0175 Ying san bai / Dou Jiangming zhu bian. ‫ؙ‬ѧ‫ ښ‬/ 扻࢖ҴҰ൜. Shanghai: Fudan da xue chu ban she, 2006. 342 p. ISBN 7309048431 Note: Shu Qi and Luo Ka, two film critics, directors, and scholars from Hong Kong, present the 100 best films from Mainland China, Hong Kong, and Taiwan, the 100 best actors and actresses with accompanying biographies, and the 100 best film directors in Chinese film history. Luo Ka admits in the postscript that the authors only focused on Taiwan’s standard, often-cited titles and film personnel. The book also includes a collection of essays that cover 100 years of Chinese film history, including an essay by Taiwan film critic Huang Ren (pp. 28–59) that deals with Taiwan’s early film history from 1907–1964, and an essay by August Palmer (pp. 99–152) that considers the interaction between Hong Kong New Wave films, New Taiwan films, and mainland China fifth-generation films from 1979 to 1999. Endnotes are included at the end of each essay. Includes both a bibliography and a chronology. WorldCat Chi

0173 Ye, Longyan, 1940– ౕहᴧ, 1940– “Ying xiang” de ying xiang: qi shi nian dai Taiwan dian ying shi, 1970–1979. “‫ؙ‬৘” ϡ‫ؙ‬৘: ࢳ֐ё‫ݡڊ‬ஹӇ‫ؙ‬੗, 1970–1979. Xinzhu: Xinzhu shi ying xiang bo wu guan, 2002. 206 p. ISBN 9570116935 Note: According to the author’s preface, the original title of the manuscript was Historical Analysis of a Film Magazine: Ying Xiang. This text is an overview of Taiwan film during the 1970s based on an analysis of the film magazine, Ying Xiang, during the 1970s (December 1971–September 1979). Includes endnotes and a bibliography. NTUL Chi

0176 Ying shi yi shu xin shang / Zhang Jian zhu bian; Li Yanchun deng he zhu. ‫ؙ‬؆ਲफಶ೘ / ‫࡬פ‬Ұഹ; ଽᴧࡇҳׁЯ. Taibei: Wu nan tu shu chu ban gu fen you xian gong si, 2002. 352 p. ISBN 9571127647 Series title: Yi shu jian shang cong shu ਲफᅹ೘ᜣ‫ڣ‬ Note: The Taiwan edition of a book written by scholars in mainland China. A section on Taiwan and Hong Kong film history can be found in Chapter 2, Chinese Film History (pp. 135–142). Includes a bibliography and postscript to the Taiwanese version. CTFAL Chi

0174 Ye, Yueyu (Yeh, Emilie Yueh-yu). ౕ֊ᒶ. A national score: popular music and Taiwanese cinema. 263 leaves. Note: Thesis (Ph.D.)—University of Southern California, 1995. An interesting study of the relationship between popular music, cinema, and national identity in Taiwan from the 1970s to the 1990s. Explores multiple relevant interrelationships between popular music and Taiwan cinema, including the inclusion of popular songs in the 1970s policy films and romantic melodramas, the exclusion of pop music in Taiwan New Cinema in the 1980s, and the return of popular music in commercial films of the 1990s, thus revealing “a national identity characterized by shifting loci of commerce, politics, and art” (abstract). As a serious academic work, it provides many interesting perspectives based on in-depth research and substantial evidence. It states, however, that “A huge massacre occurred in 1945 when many Taiwanese rose up against the semi-colonial governance of the National Party” 2), which is possibly miswritten, for if

0177 Ying xiang bi ji = The moving image / Zhu bian Yu Weizheng. ‫ؙ‬Ռદ֮ = The moving image / Ұഹ൑Њू. Tainan: Tainan yi shu da xue, 2007. 311 p. ISBN 9789860090987 Note: A collection of film studies essays and lectures presented at Tainan National University of the Arts. Divided into four parts: Part 1, Principle of Moving

36

General

0182 Image and Aesthetics; Part 2, Moving Image Culture and Communication; Part 3, Moving Image Today and Tomorrow; and Part 4, Moving Image Creation. In terms of specifics, Part 1 touches on current (2007) Taiwan film theory discussions; Part 2 focuses on Taiwan film history; Part 3 considers the future of Taiwan film development; and Part 4 presents filmmaking anecdotes and experiences within Taiwan. NTUL Chi

0181 Zhang, Yingjin. Chinese national cinema. New York: Routledge, 2004. 328 p. ISBN 0415172896 (hbk.: alk. paper), 9780415172899 (hbk.: alk. paper), 041517290X (pbk.: alk. paper), 9780415172905 (pbk.: alk. paper) Series title: National Cinemas Note: A serious academic work that provides thorough research and original perspectives. As the first attempt to outline Chinese film history in English with an up-to-date and chronological history approach, the author uses a “Chinese national cinema” paradigm to cover all films produced in mainland China (including those before 1949), Hong Kong, and Taiwan, while at the same time instructing the reader to keep in mind all associated problems and “messiness”—theoretical as well as geopolitical—surrounding “China” and “Chineseness.” The text forms a “general and potentially comparative framework of Chinese national cinema” in the three territories of mainland China, Hong Kong, and Taiwan (p. 5). Unlike many other works on the same subject, it provides a unique historical perspective: Cinema and National Traditions, 1896–1929; Cinema and the Nation-People, 1930–49; Cinematic Reinvention of the National in Taiwan, 1896–1978; Cinematic Revival of the Regional in Hong Kong, 1945–78; Cinema and the Nation-State in the PRC, 1949–78; Cinema and National/Regional Cultures, 1979–89; and Cinema and the Transnational Imaginary, 1990–2002. This is not a comprehensive history of Chinese cinema; the author states that “this book concentrates primarily on feature films” (p. 12). Because the publisher does not print Chinese characters, the author reasonably used Pinyin unless names are more commonly recognized in Wade-Giles or Cantonese (for more information regarding this tactic, see “Romanization and Name Spelling” in the Introduction to this volume). Almost all Chinese film titles in the text and index are presented in their English translations, without romanization or Chinese characters. Includes a bibliography and an index. WorldCat Eng

0178 Yong yan jing kan de Zhongguo dian ying shi / Ce hua Longjiang wen hua shi ye you xian gong si. ѓՒ஄ЃϡЅлӇ‫ؙ‬੗ / ೫੿ह࢖ҹ٩Ѩ‫׬‬ϩࡳԍ‫ޅ‬. Taibei: Longjiang wen hua shi ye you xian gong si, 1979. 400 p. Note: A pictorial work that presents unique photos, film stills, and posters as a visual map of Chinese film history from 1896 to 1963. It focuses on mainland China from 1895 to 1949, and then turns to Hong Kong and Taiwan from 1950 to 1963. Includes biographies of Chinese film stars, a chronology of Chinese film history, and an introduction to ten beautiful Chinese movie stars. CTFAL Chi

0179 Yu, Yeying. ཡ‫⁒׬‬. Dian ying bei wo pao kua le. Ӈ‫ؙ‬ҩϢާቄϦ. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1990. 318 p. ISBN 9571301744 Series title: Ji zhe 25 xiao shi xi lie; 7 ֮‫ٷ‬25ЩЖ‫ ;࠶ڍ‬7 Note: A film journalist’s memoir. Covers film-related news and stories from the 1970s to the 1980s, including historical events and famous directors, producers, actors, and actresses in Taiwan, Hong Kong, and mainland China. CTFAL Chi

0180 Zeng, Xiba. ߲՝ພ. Zou ru dian ying tian di. ҵՊӇ‫ؙ‬ϳс. Taibei: Zhi wen chu ban she, 1988. 295 p. Series title: Xin chao wen ku; 332. Ј଎ҹᆞ; 3332 Note: A collection of the author’s essays, lectures, and newspaper articles, organized into four parts: Talking About Current Film Problems, Paying Attention to Our Film Production, Stories of Eight Hollywood Companies, and Brief Comments. It provides multiple perspectives of Taiwan film history and its production environment. NTUL Chi

0182 Zhang, Yutian. ‫ەפ‬೧. Zhongguo dian ying shi ye lun. ЅлӇ‫ؙ‬Ѩ‫ں׬‬. Taibei: Zhongguo dian ying wen xue chu ban she, 1968. 170 p. Note: As the author states in the preface, this work focuses its attention on film policy issues in Taiwan from 1949 to 1967. The book provides suggestions to the government regarding the establishment of complete and reasonable film laws and policies that would enable the best possible environment for the development of Taiwan’s film industry. For example, the author

37

Film History

0183 recommends controlling the importation and distribution of foreign films in Taiwan because of the threat of American film distribution in Taiwan. Suggestions are also made regarding Taiwan’s filmmaking personnel by offering a comparative study of Japanese and Taiwan film development after World War II. The appendix includes some important statistics, such as a filmography of Taiwan films produced from 1948 to 1967 (pp. 77–87), the annual ten best Mandarin films at the box office from 1957 to 1967 (pp. 78–96), and a statistical record of movie theater attendance in the Taiwan area in 1967 (pp. 97–98). WorldCat Chi

films; Part 6 considers military films; and Part 7 covers comedy films. Includes a bibliography. Duxiu Chi

0185 Zhongguo dian ying bai nian 1905–1976 = Chinese movie 100 years / Li Duoyu zhu bian. Ѕмӈ‫ښؙ‬ё 1905–1976 = Chinese movie 100 years / ଽЄ⢇Ұ൜. Beijing: Zhongguo guang bo dian shi chu ban she, 2005. 399 p. ISBN 7504347000 Note: The first of two volumes. Concentrates on significant film-related or historical events to describe the development of Chinese film history. Issues dealing with Taiwan begin in Chapter 6, which discusses the Healthy Realism movement and film director Li Xing in 1963. Chapter 7 covers Qiong Yao’s movies in the 1970s. Does not contain a bibliography or an index, and thus it is not a serious academic work and cannot be used as a reference text. WorldCat Chi

0183 Zhong, Lei. ፼๥. Wu shi nian lai de Zhongguo dian ying. ٚ֐ёϰϡЅлӇ‫ؙ‬. Taibei: Zheng zhong shu ju, 1965. 158 p. Series title: Xian dai Zhongguo wen yi cong shu ѳ‫ڊ‬Ѕлҹਲᜣ‫ڣ‬ Note: A general introduction to Chinese film history from 1911 to 1961. Chapter 1 deals with Chinese film history in mainland China before 1937; Chapter 2 describes the development of the Chinese film industry during and after the Sino-Japanese War, 1937–1949, including the film industry in Hong Kong and Taiwan after the war; and Chapter 3 introduces the current (1965) situation of the film industry and production in Taiwan and Hong Kong. The book presents the official views of the Nationalist government controlled by the KMT (Kuomintang Party); thus, it is critical of the left-wing movement of Chinese films during the 1930s and 1940s. It pinpoints two films produced during the war, Wan shi liu fang and Chun jiang yi hen, as products of cooperation with the Japanese, it does not mention the Japanese influence on the Taiwan film industry, and it ignores the strict government censorship of film in Taiwan after the Nationalist government fled to Taiwan in 1949. WorldCat Chi

0186 Zhongguo dian ying bai nian 1977–2005 = Chinese movie 100 years / Sun Xiantao, Li Duoyu zhu bian. Ѕмӈ‫ښؙ‬ё 1977–2005 = Chinese movie 100 years / ྑຸ⁰䩟ଽ Є⢇Ұ൜. Beijing: Zhongguo guang bo dian shi chu ban she, 2006. 308 p. ISBN 7504348139 Note: The second of two volumes. Concentrates on significant film-related or historical events to describe the development of the Chinese film history. Chapter 1 presents the Taiwan New Cinema movement and film director Edward Yang in 1982; Chapter 5 focuses on Taiwan film director Chen Zhuhuang’s film Mom, love me once more in 1988, which became the number-one box office hit in mainland China two years later, and Edward Yang’s work in 1991; Chapter 6 discusses Tsai Ming-liang’s work in 1994 as well as Ang Lee and his film Crouching Tiger, Hidden Dragon. Does not contain a bibliography or an index, and thus it is not a serious academic work and cannot be used as a reference text. WorldCat Chi

0184 Zhongguo dang dai dian ying fa zhan shi / Zhang Boqing, Jia Leilei zhu bian. ЅмӾ‫ڊ‬ӈ‫ؙ‬тࣁ੗ / ‫א‬ᓱ‫ݙ‬䩟ᯉᲁᲁҰ൜. Beijing: Wen hua yi shu chu ban she, 2006. 2 v. ISBN 7503926961 Note: Describes Chinese film history from 1949 to 1999. Chapter 14, written by Chen Feibao, deals with Taiwan film history and begins with a summary of Taiwan film history. Part 1 describes Taiwan realism films; Part 2 discusses Taiwan urban films; Part 3 covers Taiwan female films (nü xing dian ying); Part 4 analyzes children films; Part 5 deals with kung fu and gangster

0187 Zhongguo dian ying shi ye de xian zhuang ji zhan wang: jiao yu bu wen hua ju dian ying shi ye diao cha bao gao shu / Jiao yu bu wen hua ju bian. ЅлӇ‫ؙ‬Ѩ‫׬‬ϡѳ૬ߵࣁֳ: ‫ڌ‬ड़‫ח‬ҹ٩঵Ӈ‫ؙ‬Ѩ‫ ڣݍڻݓ݇׬‬/ ‫ڌ‬ड़‫ח‬ҹ٩঵ഹ. Taibei: Jiao yu bu wen hua ju, 1971. 189 p. Note: An official 1971 report on the current condition of, and future predictions for, the Taiwan film industry. Released by the Cultural Bureau under the Ministry of Education. WorldCat Chi

38

General

0192 Note:

0188 Zhongguo dian ying jian shi—ju zhao pian / Di 26 jie Taibei Jin Ma guo ji ying zhan = Concise Chinese film chronicle: through still photographs / Zhonghua Minguo dian ying shi ye fa zhan ji jin hui dian ying zi liao guan. ЅлӇ‫ߢؙ‬੗—ঁؕࢡ / ҷ26โཅ‫ެؖܚ‬лগ‫ = ࣁؙ‬Concise Chinese film chronicle: through still photographs / Ѕ‫ھܓ‬лӇ‫ؙ‬Ѩ ‫׬‬чࣁऴ‫ؖ‬ϾӇ‫ࢧޞؙ‬ఖ. Taibei: Zhonghua Minguo dian ying shi ye fa zhan ji jin hui dian ying zi liao guan, 1989. 155 p. Note: A bilingual (Chinese and English), concise Chinese film chronicle with a collection of related film stills and photos. A brief description of Chinese film history from 1921 to 1989, with a focus on concurrent film trends, can be found in Huang Ren’s essay, “The Development and Changes of the Chinese Cinema: A Look at Chinese Film History through the Last Decade.” Includes 120 film titles listed with credits, film poster or still, and production date. Post-1949 mainland Chinese films and film history are not included in this book. Published in commemoration of the Twenty-Sixth Taipei Golden Horse International Film Festival. CTFAL Chi Eng

Published in celebration of 100 years of Chinese film history (1905–2005), this is the culmination of three years of work by a collection of film scholars and professionals from mainland China, Taiwan, and Hong Kong. Thus far, it is the most comprehensive, objective, and integrated illustrated history of Chinese cinema, presenting the film histories of mainland China, Taiwan, and Hong Kong chronologically. The book is quite unusual in that it is published in mainland China, yet in terms of linguistics, it uses traditional Chinese characters, and in terms of politics, it lists film studios controlled by the Japanese or the Chinese puppet government in China during the Second Sino-Japanese War (although it lists these films in the main text and chronology, these films are not in the annual film production list or the film title index at the end of the book). Includes photos, film posters, stills, bibliography, and indexes of film personnel and film titles. CTFAL Chi

0191 Zhongguo dian ying tu zhi / Zhongguo dian ying yi shu yan jiu zhong xin, Zhongguo dian ying zi liao guan bian. ЅлӇ‫ ࢑ؙ֖‬/ ЅлӇ‫ؙ‬ਲफ୳ૢЅК, ЅлӇ‫ࢧޞؙ‬ఖഹ. Zhuhai: Zhuhai chu ban she, 1995. 541 p. ISBN 786070982 Note: An important pictorial history of Chinese film, including mainland China, Hong Kong, and Taiwan containing film stills, posters and photos. Taiwan cinema, and Hong Kong cinema for that matter, are presented in their own chapters in the four parts of the book. Taiwan film chapters include the following: Part 1, Chapter 5: Taiwan Film in Early Budding Period (1913–1930); Part 2, Chapter 5: Taiwan Film in Late Budding Period (1930–1949); Part 3, Chapter 5: Taiwan Film Between the 1950s and 1970s (1949–1981); and Part 4, Chapter 5: Taiwan Film During the Adjustment Period (1982–1994). Because of the limited availability of materials, the editor states that the portions dealing with Taiwan and Hong Kong are inappropriately brief. Bibliographical materials are included in the editor’s introductory note. WorldCat Chi

0189 Zhongguo dian ying shi / Hu Xingliang, Zhang Ruilin zhu bian. Ѕмӈ‫ؙ‬੗ / ഐլ݊䩟 ‫צ‬ᇳᰕҰ൜. Beijing: Zhong yang guang bo dian shi da xue chu ban she, 1995. 544 p. ISBN 7304011823 Series title: Nanjing da xue xi ju ying shi xue cong shu. ۪ߟϽѺۜঃ‫ؙ‬؇Ѻᜥ‫ڪ‬ Note: Compiled by Nanjing University as teaching materials for the instruction of Chinese film history, this is not a serious academic work and it does not include a bibliography or an index. Part 6: Taiwan and Hong Kong Film 1949–1989 (pp. 433–541) discusses Taiwan and Hong Kong film history together over the course of six chapters. Chapter 6 explores the connection between Hong Kong and Taiwan kung fu films, and the other chapters are focused primarily on Taiwan film topics, such as Taiwan film culture and theory, Qiongyiao’s melodramatic films, and Taiwan xiangtu (native soil) films. However, it does not mention important Taiwan film movements, such as Taiwanese-dialect film or Healthy Realism. Duxiu Chi

0192 Zhou, Zhiping. Readings in contemporary Chinese cinema: a textbook of advanced modern Chinese = Dang dai Zhongguo dian ying xuan du: Zhongguo ce ying: xian dai han yu gao ji du ben / Zhiping Zhou, Wei Wang, Joanne Chiang. Readings in contemporary Chinese cinema: a textbook of advanced modern Chinese = Ӿ‫ڊ‬Ѕмӈ‫ࢴשؙ‬䩭Ѕмᄬ‫ؙ‬䩭Ѵ‫ڊ‬ఉ‫ܬ‬ҙٛ ࢴӆ / Zhiping Zhou, Wei Wang, Joanne Chiang. Princeton: Princeton University Press, 2007. 338 p. ISBN 9780691131092, 0691131090 Note: A Chinese textbook designed for American college students who have studied Chinese for three years or

0190 Zhongguo dian ying tu shi (1905–2005) = Chinese film: an illustrated history / Zhu bian: Zhongguo dian ying tu shi bian ji wei yuan hui. ЅлӇ‫ؙ֖‬੗(1905–2005) = Chinese film: an illustrated history / Ұഹ: ЅлӇ‫ؙ֖‬੗ഹফణ‫؂‬Ͼ. Beijing: Zhongguo chuan mei da xue chu ban she, 2007. 915 p. ISBN 9787810857338

39

Film History

0193 more. Introduces films produced over the past twenty years by filmmakers in mainland China, Hong Kong, and Taiwan. Includes an English preface and Pinyin index. WorldCat Chi Eng

Note:

0193 Zhuang, Ling. ບࢼ. Dian ying yi shu za tan = Talks on cinematic art. Ӈ‫ؙ‬ਲफ૝ড = Talks on cinematic art. Taibei: Chen zhong chu ban she, 1970. 2 v. Series title: Xiang ri kui wen cong; 3 ‫ז‬яᕽҹᜣ; 3 Note: A collection of the author’s discussions on cinematic art. The introductory articles in the text discuss contemporary Taiwan film, its achievements, and shortcomings. NTUL Chi

2.2 2.2.1

2.2.2

Consists of two parts: Japanese Colonial Period (1895– 1945) and After Taiwan Retrocession (August 15, 1945–) and four chapters: Chapter 1, Establishing Ximending Movie Street; Chapter 2, Prosperous Ximending Movie Street; Chapter 3, Golden Era of Ximending (1960s to 1980s); and Chapter 4, Conclusion. Includes endnotes at the conclusion of each chapter, and a chronology at the end of the book, but there is no index. NTUL Chi

Hsinchu (Xinzhu), 1900–

0196 Chen, Zhengxun. ಴Ԝ㡼. Jiao juan li de miu si: 2002 nian “Xinzhu shi li ying xiang bo wu guan” guan zhong guan ying xing wei yu sheng huo jing tai diao cha bao gao. ᄶᒹѶϡ‘‫ڽ‬: 2002 ё “Јኵ‫ؙ߹ص‬Ռѕ‫׉‬ఖ” ޲ੁ޲‫ؙ‬ҲЊӿ Т҅ࡿ‫ݍڻݓ݇ݯ‬. Taibei: Xinzhu shi li ying xiang bo wu guan, 2003. 167 p. ISBN 9570155469 Note: A text based on the author’s M.A. thesis. A study of audience film viewing behavior at the Hsinchu Image Museum. Includes a literature review, survey, returned surveys, methodology, analysis charts, and bibliography. NTUL Chi

SPECIAL REGIONS, PERIODS, AND EVENTS Ximending (Ximenting), 1896–

0194 Ye, Longyan, 1940– ౕहᴧ, 1940– Hong lou xun xing meng, Ximending de gu shi. ‫࣍ی‬ଵլْ, ՝՞⍆ϡ‫ݞ‬Ѩ. Taibei xian Luzhou shi: Bo Yang wen hua shi ye you xian gong si, 1999. 201 p. ISBN 9579771022 Series title: Taiwan yue lan shi; 5 ‫ݡ‬ஹ་ऋॣ; 5 Note: A pictorial book on Ximending with images and anecdotal stories related to Taiwan film history, buildings, theaters, people, shops, and culture. Includes photos, drawings, Ximending Entertainment Archive, maps, and a chronology. CTFAL Chi

0197 Chuan qi ji yi de zhen zhu: guo min xi yuan ji Xinzhu dian yang ye kou shu li shi fang tan lu / Liu Jiawen, Chen Yijun bian zhuan, Lin Song zong bian ji. ၌в֮ᏻϡੵ෿: л‫ࡨۚھ‬᠕ЈኵӇ‫ט׬ؙ‬਎ࣵ੗භড࠷ / ฀ဓᝉ, ಴ជᅿഹ᫃, ৆ग़րഹফ. Xinzhu: Xinzhu shi wen hua ju, 2008. 159 p. ISBN 9789860137040 Series title: Zhu qian wen hua zi chan cong shu; 366 ኵ∔ҹ٩‫ݗޞ‬ᜣ‫ ;ڣ‬366 Note: An oral history of the Guomin Xi Yuan movie theater and film history in Hsinchu city, Taiwan. The work consists of two parts: Historical Records from the People’s Perspective and Guomin Theatres and the History of Hsinchu Film Industry Development. In 1933, the Japanese colonial government built Taiwan’s first theater with air-conditioning, Youle Guan, in Hsinchu, which was renamed Guomin Da Xi Yuan after Taiwan retrocession in 1945. It closed in 1991. In 2000, the Hsinchu Image Museum opened in the original Guomin Xi Yuan location. Memories from the local community, film directors, artists, theater staff, and managers regarding Guomin Xi Yuan provide a unique perspective on the film history of Hsinchu.

0195 Ye, Longyan, 1940– ౕहᴧ, 1940– Taibei Ximending dian ying shi 1896–1997. ‫ܚݡ‬՝՞⍆Ӈ‫ؙ‬੗ 1896–1997. Taibei: Guo jia dian ying zi liao guan, 1997. 329 p. ISBN 957020219X Series title: Taiwan dian ying shi cong shu; 005 ‫ݡ‬ஹӇ‫ؙ‬੗ᜣ‫ ;ڣ‬005

40

Special Regions, Periods, and Events

Includes a bibliography. NTUL

0204 Xinzhu: Xinzhu shi li ying xiang bo wu guan, 2001. 61 p. ISBN 9570288965 Note: A special publication for the anniversary of the Hsinchu Image Museum. Includes a museum report, reviews of the film festivals hosted by the museum, and essays on documentary film history and filmmaking. CTFAL Chi

Chi

0198 Feng cheng ying hua: Xinzhu shi dian ying, xi yuan da shi tu lu / Pan Guozheng deng zhu, zhu bian Pan Guozheng. գ‫ؙڵ‬ҧ: Јኵ‫ص‬Ӈ‫ؙ‬, ۚࡨϽѨ֖࠷ / ᕤлूҳЯ, Ұഹᕤлू. Xinzhu: Xinzhu shi wen hua zhong xin, 1996. 225 p. ISBN 9570070013 Note: A pictorial film history of Hsinchu containing photos, film stills, posters, drawings, and a photocopy of a newspaper clip reporting the earliest evidence of a film screening in Hsinchu: Eight Country Troops attacking Peking during the Boxer Rebellion, which was screened in Hsinchu at 6:00 P.M., November 17, 1901. The appendix contains interesting historical stories, such as a recollection of the conflict between the local military and the film industry in Hsinchu regarding whether or not to allow military personnel free or discounted tickets for film showings after the February 28 Incident in 1947. NTUL Chi

0202 Xingzhu shi li ying xiang bo wu guan san zhou nian cheng guo zhuan ji: 2002.06–2003.05 / Qiu Sufen zhi xing bian ji. Јኵ‫ؙ߹ص‬Ռѕ‫׉‬ఖѧ‫ڬ‬ёюҝ֟ফ: 2002.06–2003.05 / ᆥঈᐇ వҲഹফ. Xinzhu: Xinzhu shi li ying xiang bo wu guan, 2003. 63 p. ISBN 9570157844 Note: A special publication for the third anniversary of the Hsinchu Image Museum. Commemorates achievements and includes Programs, Film List, Obituaries, Oscar Award-winning Film list and Golden Horse Award-winning Film List. NTUL Chi

0199

0203

Xinzhu shi guo min ju yuan she zhi ying xiang bo wu guan ji zai sheng li yong ji hua gui hua yan jiu / Jing qun guo ji gui hua she ji gu fen you xian gong si gui hua. Јኵ‫ص‬л‫ޗࡨঁھ‬ঞ‫ؙ‬Ռѕ‫׉‬ఖߵӐТ۱ѓ‫ ૢ୳੿੺ޫذ‬/ ॒ळ лগ੺੿‫ذޗ‬੦‫ڤ‬ϩࡳԍ‫੿੺ޅ‬. Xinzhu: Xinzhu shi li wen hua zhong xin, 1997. Various pagination. Note: The proposed plan and blueprints for converting the former Guomin Theatre into the Hsinchu Image Museum. NTUL Chi

Xingzhu shi li ying xiang bo wu guan si zhou nian cheng guo zhuan ji: 2003.06–2004.05 = 4th Anniversary Achievement Edition / Liu Hongquan zong bian ji. Јኵ‫ؙ߹ص‬Ռѕ‫׉‬ఖ‫ڬף‬ёюҝ֟ফ: 2003.06–2004.05 = 4th Anniversary Achievement Edition / ฀᜞Ҫրഹফ. Xinzhu: Xinzhu shi li ying xiang bo wu guan, 2004. 64 p. ISBN 9570175100 Note: A special publication for the fourth anniversary of the Hsinchu Image Museum. Commemorates achievements and includes Programs, Film List, Obituaries, Oscar Award-winning Film list and Golden Horse Award-winning Film List. NTUL Chi

0200 Xingzhu shi li ying xiang bo wu guan: Feng cheng ying shi de jin sheng qian shi / Xiang lu wen hua shi ye you xian gong si. Јኵ‫ؙ߹ص‬Ռѕ‫׉‬ఖ: գ‫ؙڵ‬੗ϡѵТӓԒ / ұੑҹ٩Ѩ‫׬‬ϩࡳ ԍ‫ޅ‬. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 2001. 47 p. ISBN 9570299126, 9789570299120 Series title: She qu wen hua cong shu; 2 घ߅ҹ٩ᜣ‫ ;ڣ‬2 Note: A tourist manual for the Hsinchu Image Museum. Provides a history of film in Hsinchu city as well as museum information. WorldCat Chi

0204 Xingzhu shi wen hua ju ying xiang bo wu guan liu zhou nian cheng guo zhuan ji: 2005.06–2006.05 = Image Museum of Hsinchu City 6th Anniversary Achievement Edition / Lin Song zong bian ji. Јኵ‫ص‬ҹ٩঵‫ؙ‬Ռѕ‫׉‬ఖࡏ‫ڬ‬ёюҝ֟ফ: 2005.06–2006.05 = Image Museum of Hsinchu City 6th Anniversary Achievement Edition / ৆ग़րഹফ. Xinzhu: Xinzhu shi li ying xiang bo wu guan, 2006. 63 p. ISBN 9789860064223, 9860064229 Note: A special publication for the sixth anniversary of the Hsinchu Image Museum. Commemorates achievements and includes programs, film list, obituaries, Oscar award–winning film list and Golden Horse award–winning film list. NTUL Chi

0201 Xingzhu shi li ying xiang bo wu guan zhou nian cheng guo zhuan ji: 2000.05–2001.05 / Qu Meifeng bian ji. Јኵ‫ؙ߹ص‬Ռѕ‫׉‬ఖ‫ڬ‬ёюҝ֟ফ: 2000.05–2001.05 / ㎆Ѥངր ഹফ.

41

Film History

0205

2.2.3 Kaohsiung (Gaoxiong) and Southern Taiwan, Including Pingtung (Pingdong or P’ing-tung), Tainan (T’ai-nan), and Chiayi (Jiayi or Chia-i), 1900–

0205 Xingzhu shi wen hua ju ying xiang bo wu guan qi zhou nian cheng guo zhuan ji = Image Museum of Hsinchu City 7th Anniversary Achievement Edition / Lin Song zong bian ji. Јኵ‫ص‬ҹ٩঵‫ؙ‬Ռѕ‫׉‬ఖࢳ‫ڬ‬ёюҝ֟ফ = Image Museum of Hsinchu City 7th Anniversary Achievement Edition / ৆ग़րഹফ. Xinzhu: Xinzhu shi li ying xiang bo wu guan, 2007. 63 p. ISBN 9789860107685 Note: A special publication for the seventh anniversary of the Hsinchu Image Museum. Commemorates achievements and includes programs, film list, obituaries, Oscar award–winning film list and Golden Horse award–winning film list. NTUL Chi

0208 “Ben guan dian cang wen wu yan jiu” wei tuo yan jiu an / Ji hua zhu chi ren: Chen Linghui; Xie tong zhu chi ren: Lin Qishou. “ӆఖਹেҹ‫ ”ૢ୳׉‬ణኅ୳ૢଈ / ‫੿ذ‬Ұ‫ف‬Ϫ: ಴෗༫; ൒ӎҰ‫ف‬ Ϫ: ৆ൠႎ. Gaoxiong: Gaoxiong dian ying tu shu guan, 2007. 106 p. Note: A research report on film-related artifacts collected by the Kaohsiung Film Library. Includes purpose, methodology, targeted materials, discoveries, recommendations, and a bibliography. Appendix 1 and Appendix 2 include interviews and catalogs of the film artifacts collected by the library. CTFAL Chi

0206 Xinzhu shi xi yuan zhi / Ye Longyan bian. Јኵ‫ࡨۚص‬௨ /ౕहᴧഹ. Xinzhu: Xinzhu shi wen hua zhong xin, 1996. 24 p. Note: A pictorial work that shows the history of Hsinchu’s theaters, including the first theater built during the colonial period in 1908. Includes a map of Hsinchu movie theaters, photos, foldouts, film stills, and posters. NTUL Chi

0209 “Ben guan dian cang wen wu yan jiu” wei tuo yan jiu an (fu lu san: guan cang wen wu dang an) / Ji hua zhu chi ren: Chen Linghui; Xie tong zhu chi ren: Lin Qishou. “ӆఖਹেҹ‫ ”ૢ୳׉‬ణኅ୳ૢଈ (ป࠷ѧ: ఖেҹ‫׉‬းଈ) / ‫੿ذ‬ Ұ‫ف‬Ϫ: ಴෗༫; ൒ӎҰ‫ف‬Ϫ: ৆ൠႎ. Gaoxiong: Gaoxiong dian ying tu shu guan, 2007. 452 p. Note: An attachment to the research report on film-related artifacts collected by the Kaohsiung Film Library. Appendix 3 provides a detailed catalog of the film artifacts collected by Kaohsiung Film Archive organized by film, soundtrack, movie propaganda materials, posters, photos, equipment, books, and series. CTFAL Chi

0207 Ye, Longyan, 1940– ౕहᴧ, 1940– Xinzhu shi dian ying shi. Јኵ‫ص‬Ӈ‫ؙ‬੗. Taibei: Xinzhu shi wen hua zhong xin, 1996. 330 p. ISBN 957007054 Series title: Zhu qian wen hua zi chan cong shu; 81 ኵ∔ҹ٩‫ݗޞ‬ᜣ‫ ;ڣ‬81 Note: A detailed film history of Hsinchu from 1900 to 1995. According to the author, in 1900, two Japanese merchants brought some short documentary films and showed them in Hsinchu city’s Confucius Temple after similar showings in Taipei; then, in 1901, the Japanese colonial government provided the first official film show for the Hsinchu’s officials, their families, and around 200 local guests. Since then, Hsinchu, as a Taiwanese city, has been closely related to the Taiwan film industry, particularly from 1956 to 1971 when Taiwanese-dialect film reached its peak in terms of production quantity. Includes film stills, posters, photos, and a bibliography. NTUL Chi

0210 Chen, Guilan. ಴ᄉ୪. Nanying xi yuan zhi / Chen Guilan, Wang Chaosi zhu. ۪↡ۚࡨ࢑ / ಴ᄉ୪, ࣼசᐥЯ. Tainan Xian Xinying shi: Tainan Xian zheng fu, 2009. 481 p. ISBN 9789860178128 Series title: Nanying gu zao wen hua zhuan ji ۪↡ࣲՉҹ٩֟ফ Note: A comprehensive work on the history of theaters in Tainan County used for local operas, movies, and plays. Includes a bibliography, author introduction, photos, and chronology of theaters in Tainan County. CTFAL Chi

0211 Dian guang cheng shi—kan dian ying you Gaoxiong = Imaging city—Kaohsiung / Lan Zuwei zhu bi. Ӈ‫—صڵׇ‬ЃӇ‫ׂؙ‬ҙ೰ = Imaging city—Kaohsiung / ঢྥ᝛Ұ દ.

42

Special Regions, Periods, and Events

0218

Gaoxiong: Gaoxiong shi dian ying tu shu guan, 2006. 178 p. ISBN 9789860073829 Series title: Gaoxiong shi dian ying tu shu guan dian ying cong shu; 8 ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖӇ‫ؙ‬ᜣ‫ ;ڣ‬8 Note: A bilingual pictorial book presenting film scenes shot in Kaohsiung. Includes photos, film stills, posters, and an Index of Film Scenes in Kaohsiung. NTUL Chi Eng

Note:

A special bilingual publication to celebrate the opening of the Kaohsiung Municipal Film Archives in 2002. Includes the archives’ history, services, outreach programs, collections, a Kaohsiung film history outline, and a chronology. NTUL Chi

0216 Gaoxiong dian ying ji shi = Kaohsiung cinema memorandum / Cai fang zhuan wen Lin Meixiu, cong bian ji Zheng Deqing. ҙ೰Ӈ‫ؙ‬ઔѨ = Kaohsiung cinema memorandum / ൵භ᫃ҹ৆Ѥഫ, րഹফቼख़দ. Gaoxiong: Gaoxiong shi dian ying tu shu guan, 2003. 143 p. ISBN 9570149795 Series title: Gaoxiong shi dian ying tu shu guan dian ying cong shu; 1 ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖӇ‫ؙ‬ᜣ‫ ;ڣ‬1 Note: Documents the relationship between Kaohsiung City and cinema, which started in 1900 according to the book. Presents descriptions of Kaohsiung’s film history, film scenes shot in Kaohsiung, film events, and film artists and related personnel from Kaohsiung. Includes a list of films that used Kaohsiung as setting; a List of Kaohsiung Film Theatres; Kaohsiung Film Show Interpreters (benshi) during the colonial period; and photos, film stills, and posters. NTUL Chi

0212 Dian ying zai Gaoxiong = Cinema Kaohsiung / Lin Yuezhen wen zi zhuan gao. Ӈ‫ؙ‬Ϩҙ೰ = Cinema Kaohsiung / ৆֊ੵҹ‫ܒ‬᫃፻. Gaoxiong: Gaoxiong shi dian ying tu shu guan, 2005. 174 p. ISBN 957019703X Note: A bilingual calendar book that matches Kaohsiung city events with film-related events. Includes photos, film posters, stills, links to Film Archive websites, Kaohsiung International Film Festival information, and Kaohsiung City Government websites and theaters. CTFAL Chi Eng

0213 Gang du kua shi ji dian ying shi = Kaohsiung’s historical century of movies / Zhu bian: Xu Canlu. ୯ЁቄԒઔӇ‫ؙ‬੗ = Kaohsiung’s historical century of movies / Ұഹ: ‫۾ܛ‬૔. Gaoxiong: Gaoxiong shi dian ying ju ye tong ye gong hui, 2001. 208 p. Note: An introduction to Kaohsiung’s 100-year film history. CTFAL Chi

0217 Guang ying ji xing: Gaoxiong xian ying shi kan jing shou ce = Journey to cinema: a guide book for film-makers on locations in Kaohsiung county / Zhou Jiarong zhu bian; Huang Zhengyue she ying. ‫ׇؙ‬ઔҲ: ҙ೰້‫ؙ‬؆ ࢓Ѳೠ = Journey to cinema: a guide book for film-makers on locations in Kaohsiung county / ‫ر‬рึҰഹ; ࢶ Ԝៈ଄‫ؙ‬. Gaoxiong: Gaoxiong xian zheng fu, 2009. 183 p. ISBN 9789860191172 Note: A bilingual, pictorial guidebook prepared by the Kaohsiung County government for filmmakers who may want to choose Kaohsiung as their film’s setting. Presents comments from directors who have used Kaohsiung’s natural, historical, and cultural landmarks in their films. Includes directions for Kaohsiung County film subsidies and Kaohsiung County accommodation information. CTFAL Chi Eng

0214 Gaoxiong shi dian ying tu shu guan = Kaohsiung Municipal Film Archives / Bian shen Zhao Shiguang, Gao Guanghai. ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖ = Kaohsiung Municipal Film Archives / ഹᅭᕿ ࡲ‫ׇ‬, ҙ‫֋ׇ‬. Gaoxiong: Gaoxiong shi zheng fu xin wen chu, [2003] 54 p. Note: A special bilingual publication to celebrate the opening of the Kaohsiung Municipal Film Archives in 2002. Includes a history of the archive’s creation, design details, introduction to Kaohsiung-related film artists, film scenes of Kaohsiung, and a Kaohsiung Film Chronology. NTUL Chi Eng

0218 Li, Youning (Lee, You-ning), 1951– ଽⷵો, 1951– Nan Taiwan: dian ying dao yan zhen cang de pai pian chang jing = Zoom in Southern Taiwan. ۪‫ݡ‬ஹ: Ӈ‫ੵؙ࣒ࠟ‬েϡ‫ޛ‬әԾ࢓ = Zoom in Southern Taiwan. Gaoxiong: Gaoxiong shi xin wen chu, 2005. 147 p.

0215 Gaoxiong shi dian ying tu shu guan te kan / Zong bian ji Ke Jinyi. ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖ ‫ئ‬ᑂ / րഹফᛊ‫ؖ‬သ. Gaoxiong: Gaoxiong shi zheng fu xin wen chu, 2002. 117 p.

43

Film History

0219 ISBN Note:

9860020108 A bilingual (Chinese and English) work that presents the author–director’s favorite filming sites in Southern Taiwan based on his experience of more than twenty years as a film director (1983–2004). It includes twentyseven sites in Kaohsiung City, thirteen sites in Kaohsiung County, and nine sites in Pingtung County. The author states in the preface that he hoped to create a “Filming Site Guide Book” for Southern Taiwan. Includes photos, maps, contact information, and a CD-ROM. NTUL Chi Eng

0221 Lin, Yuru (Lin, Yu-ru). ৆ड़Ғ. “Gaoxiong shi dian ying tu shu guan zhi dian ying zhan shi yan jiu”—yi liu ge zhan chu zhuan ti wei an li = The study on Film Exhibitions of Kaohsiung Film Archive. “ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖҏӇ‫—”ૢ୳ܾࣁؙ‬йࡏϫࣁо֤֟Њଈຎ. 102 leaves. Note: Thesis (M.A.)—Tainan National University of the Arts, 2007. The paper focuses on six exhibitions held by the Kaohsiung Film Archive as case studies to show how the Kaohsiung Film Archive performed its functions of collection, research, education, and promotion. The six exhibitions included Unforgettable Love— Collections of Kaohsiung Municipal Film Archive, The Phantom of the Opera—Unforgettable Voices and Figures of Super Stars, The World Directed by Joseph Kuo, Classical Swordsman Film Exhibition, Kaohsiung Cinema Memorandum, Twin Cities— Notes in France vs. Kaohsiung in Taiwan. The paper categorizes these exhibitions into three types: (1) exhibitions of film history and artifacts, (2) exhibitions based on film themes, and (3) exhibitions featuring international film exchange and promotion. The paper explains how to use the archive as a tool for film education, film archive work, film exhibition space planning, and city promotion. Includes Chinese and English abstracts and a bibliography. NCL/NDLTD (FT) Chi

0219 Lin, Huiru (Lin, Huei-Ju). ৆༫Ғ. Gaoxiong dian ying tu shu guan wen hua xing su yu guan nei ren yuan ren tong zhi yan jiu. ҙ೰Ӈ‫ڣؙ֖‬ఖҹ٩ࡿᄽӿఖֶϪ‫گ؂‬ӎҏ୳ૢ. 228 leaves. Note: Thesis (M.A.)—National Pingtung University of Education, 2007. Studies the cultural nature of the Kaohsiung Municipal Film Archive and analyzes the staff working in the Archive by using participant observation, in-depth interviews, and qualitative research. The paper concludes that the staff of the archive identified with the formation and organization of the film archive, but the staff did not identify with Taiwan film culture. The paper recommends that the government clearly identify its position in relation to the cultural nature of Taiwan’s film industry, create a single and united department in charge of planning and managing filmrelated affairs, and employ a contract-based recruiting system for hiring the archive’s film professionals. Includes Chinese and English abstracts and a bibliography. NCL/NDLTD Chi

0222 Shi guang liu ying—Gaoxiong shi dian ying tu shu guan cang wen wu zhuan ji er = Time flow & steaming shadow / Lan Zuwei zhuan gao; Chen Yixuan ying wen fan yi. Ж‫ׇ‬Ե‫—ؙ‬ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖেҹ‫֟׉‬ফԏ = Time flow & steaming shadow / ঢྥ᝛᫃፻; ಴ፐ጗߭ҹࢬፆ. Gaoxiong: Gaoxiong shi dian ying tu shu guan, 2008. 249 p. ISBN 9789860155990 Series title: Gaoxiong shi dian ying tu shu guan dian ying cong shu; 10 ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖӇ‫ؙ‬ᜣ‫ ;ڣ‬10 Note: This bilingual work presents film-related artifacts collected by the Kaohsiung Municipal Film Archives. It consists of five parts: Part 1, Stills and Posters; Part 2, Ads and Flyers; Part 3, Music and Records; Part 4, Synopses, Movie Tickets; and Part 5, Film Equipment and Technology. Many materials are specifically related to Taiwan films of the 1970s and 1980s. NTUL Chi Eng

0220 Lin, Shengwei (Lin, Sheng-wei). ৆๦໖. Tainan shi dian ying yuan shang ye kong jian zhi yan jiu. ‫ص۪ݡ‬Ӈ‫׺׬࠱ࡨؙ‬Ҽҏ୳ૢ. 102 leaves. Note: Thesis (M.A.)—National University of Tainan, 2004. The paper analyzes the business models, commercial space management characteristics, and consumer perspectives of traditional movie theaters and cinema centers in Tainan in light of the influx of large-scale cinema complexes and decline of traditional theaters in Tainan City. Its purpose is to provide a reference point for those selecting commercial locations and business models for movie theaters in Tainan. Includes a Chinese abstract, a bibliography, and an appendix. NCL/NDLTD (FT) Chi

44

Special Regions, Periods, and Events

0228 Keelung in 2005. Contains photos of the exhibition items related to Taiwan film history and Keelung. NTUL Chi

0223 Wu, Zhaohui. ྶᢘ༫. Yan po liu ying: nan fang dian ying ren ji shi. 䠑ம߈‫ؙ‬: ۪ҤӇ‫ؙ‬ϪઔӢ. Gaoxiong: Gaoxiong dian ying tu shu guan, 2007. 135 p. ISBN 9789860116922 Series title: Gaoxiong shi dian ying tu shu guan dian ying cong shu; 9 ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖӇ‫ؙ‬ᜣ‫ ;ڣ‬9 Note: A film history of Southern Taiwan, including Kaohsiung, Pingtung, Tainan, and Chiayi, based on interviews of representative film directors, cinematographers, and actors and actresses related to the area. A brief biography (in some cases, plus a chronology and film list) has been provided for the selected figures in the book. Includes a bibliography. NTUL Chi

2.2.5

0226 2007 Taizhong xue yan tao hui: dian ying wen hua pian lun wen ji / Cai tuan far en Taiwan dian ying wen hua xie hui zhu bian. 2007‫ݡ‬Ѕѹ୳क़Ͼ: Ӈ‫ؙ‬ҹ٩ࢡ‫ں‬ҹओ / ੠֚ࣗϪ‫ݡ‬ஹӇ‫ؙ‬ҹ٩ ൒ϾҰഹ. Taizhong: Taizhong shi wen hua ju, 2007. 225 p. ISBN 9789860116786 Note: Published conference proceedings from a film symposium cohosted by the Taichung Municipal Government and Taiwan Film and Culture Association in 2007. The sixteen papers and eight lectures in the book focus on the relationship between Taichung and film. Includes the symposium program and an introduction to the presenters. NTUL Chi

0224 Ye, Longyan, 1940– ౕहᴧ, 1940– Guang fu qian hou Gaoxiong shi de xi yuan yu dian ying. ‫࣢ׇ‬ӓћҙ೰‫ص‬ϡۚࡨӿӇ‫ؙ‬. Gaoxiong: Gaoxiong shi wen xian wei yuan hui, 1996. 37 p. ISBN 9570063696 Series title: Taiwan guang fu wu shi zhou nian ji nian cong kan (wu) ‫ݡ‬ஹ‫࣢ׇ‬ٚ֐‫ڬ‬ёઔ݉ᜣᑂ (ٚ) Note: A special publication commemorating the 50th anniversary of Taiwan retrocession in 1945. Focuses on Kaohsiung’s film history, specifically Kaohsiung’s theaters, from 1900 through the 1950s. NTUL Chi

2.2.4

Taichung (Taizhong or T’ai-chung), 1910–

0227 Lin, Liangzhe. ৆મᎻ. Taizhong dian ying chuan qi = Treasure of movies in Taichung. ཅЅӇ‫ = ࡞ةؙ‬Treasure of movies in Taichung. Taizhong: Taizhong shi fu, 2004. 186 p. ISBN 9570189088 Note: A detailed film history of Taichung. Significant events include: in 1910, the first screenings of Japanese films occurred in Taizhong Zuo (the first professional theater in Taichung, which was built in 1902); in 1949, Nongjiao Company established its film studio in Taichung and produced its first feature film E Meng Chu Xing; and in 1955, He Jiming, a famous Taiwanese-dialect film director and Taichung native, made the box office success Xue Pinggui yu Wang Baochuan in Taichung—it was the first Taiwanese-dialect film, and the first 35 mm Taiwanese-dialect film, produced in Taiwan. Includes biographies of the film directors, actors, and actresses related to Taichung, as well as film stills, posters, and photos. NTUL Chi

Keelung (Jilong or Chi-lung), 1908–

0225 Xiao, Xueren. ᖆѹწ. Nan wang de san chang dian ying: huai jiu dian ying wen wu ji sheng huo qi wu zhan = Exhibition of memorial movie artifact & living implement. Ԣ۲ϡ્ԾӇ‫ؙ‬: ॕ଒Ӈ‫ؙ‬ҹ‫׉‬᠕Т҅ॆ‫ = ࣁ׉‬Exhibition of memorial movie artifact & living implement. Jilong: Jilong shi wen hua ju, 2006. 48 p. ISBN 986004581X Series title: Jilong wen xin cong kan ऴᇐҹКᜣᑂ Note: A special publication to celebrate the Forty-Second Golden Horse Film Festival and Awards hosted by

0228 Shalu dian ying yi shu guan 2006 cheng guo zhuan ji / Shalu dian ying yi shu guan. ૶࿇Ӈ‫ؙ‬ਲफఖ 2006 юҝ֟ফ / ૶࿇Ӈ‫ؙ‬ਲफఖ. Taizhong: Shalu dian ying yi shu guan, 2006. Unpaged. Note: A special publication that presents the achievements of Shalu Film Art Museum in Shalu Town, Taichung County.

45

Film History

0229 Includes programs, film show schedule, synopsis, and film introductions. NTUL Chi

2.2.6

including Production Subsidies in Taipei, Directions for Funding Foreign Motion Picture Production Enterprises to Produce Motion Pictures in Taiwan, Regulations Governing Tax Credit for Businesses Investing in Motion Picture Production Enterprises for the Production of Domestically Produced Motion Pictures, Current Preferential Taxation Policies on Films, and Directory of Motion Picture Industry in Taiwan. NTUL Chi Eng

Taipei (Taibei), 1950–

0229 Hong, Yueqing (Hung, Yueh-ching). ᖻ֊᥮. Taibei gui ling—dian ying zhong de Taibei chen xian = City zero. ‫ܚݡ‬஑ജ—Ӈ‫ؙ‬Ѕ‫ܚݡ‬ᅲѳ = City zero. Taibei: Tian yuan cheng shi wen hu shi ye you xiang gong si, 2002. 158 p. ISBN 9570406801 Note: A study of Taipei City by way of its representations in cinema. Specifically, the author compares Li Xing’s films, which present images of Taipei from the 1950s to the 1970s, with Wang Ren’s films, which provide images of Taipei in the 1980s and 1990s. Includes photos, film stills, biographies of Li Xing and Wang Ren, filmography (of Taipei City films), chronology (of Taipei City’s development), and bibliography. CTFAL Chi

0232 Sanchong chang pian, xi yuan, ge ying xing shi = The history of Sanchong’s record industries, theatres, singers, & movie stars / Zhi xing bian ji: Cai Dongxiong. ѧԳ‫ݝ‬ә, ۚࡨ, ‫ؙܮ‬լ੗ = The history of Sanchong’s record industries, theatres, singers, & movie stars / వҲഹফ: ᓥᗏ೰. Taibei xian Sanchong shi: Taibei xian Sanchong shi gong suo, 2007. 251 p. ISBN 9789860087895 Series title: Lian lian Sanchong xi lie; 2 ߧߧѧԳ‫ ;࠶ڍ‬2 Note: A review of the history of Sanchong’s record industry, theaters, singers, and movie stars in Taipei County. Consists of six chapters, including a record of the development of movie theaters and introduction to the movie stars and directors from Sanchong in Chapters 2 and 3. Appendix includes a record of a panel discussion on Sanchong’s record industry, theaters, and music and movie stars. CTFAL Chi

0230 Li, Xinyi. ଽಶជ. Jiu shi nian dai Taiwan dian ying zhong de Taibei cheng shi tu xiang yi “Ai qing wan sui,” “Shao nian ye, an la,” “Du li shi dai” wei li. ॰֐ё‫ݡڊ‬ஹӇ‫ؙ‬Ѕϡ‫֖صڵܚݡ‬Ռй”Дє‫ۈݛ‬,” “վёЇ, ԥ ֯!” “‫߹ݻ‬Ж‫”ڊ‬Њຎ. 60 leaves. Note: Thesis (B.A.)—Shi li Mingzhuan da xue, 1999. Describes filmic representations of Taipei in the 1990s and representations of Taipei in earlier periods. By using three films as case studies, the author explains how 1990s’ films appear to no longer compare urban settings with rural settings or contrast modern culture with traditional culture; rather, 1990s’ Taiwan films present the city in a more direct way as they record Taipei city’s social and cultural transformation. Includes a bibliography and filmography. NCL Chi

0233 Taibei dian ying yuan = Movie theaters in Taipei—a city tour in films / Li Qingzhi zhu bian. ‫ܚݡ‬Ӈ‫ = ࡨؙ‬Movie theaters in Taipei—a city tour in films / ଽ֜ ࢑Ұഹ. Taibei: Yuan zun wen hua qi ye go fen you xian gong si, 1998. 138 p. ISBN 9578286449 Series title: Feng xing guan, yi kong jian գҲఖ, ஫‫׺‬Ҽ Note: A complimentary publication for the Taipei Film Festival. Consists of two parts: History of Movie Theatres in Taipei, and Images of Taipei in Film. Includes photos, film stills, and maps of movie theaters in Taipei and Ximending. NTUL Chi

0231 Pai Taibei: ying shi kan jing zhi nan = Taipei cinema location guide / Rao Zijuan zhu bian. ‫ܚݡޛ‬: ‫ؙ‬؆ ࢓‫ = ۪܋‬Taipei cinema location guide / ᓔཎᥱҰ ഹ. Taibei: Taibei shi dian ying wei yuan hui, 2009. 199 p. ISBN 9789868468603 Note: A bilingual (Chinese and English) guidebook to Taipei’s cultural areas, scenic spots, and filming sites. Important information is included in the appendix,

0234 Xun zhao dian ying zhong de Taibei = Focus on Taipei through cinema 1950–1990 / Chen Ruxiu, Liao Jinfeng bian zhu. ଵ‫װ‬Ӈ‫ؙ‬Ѕϡ‫ = ܚݡ‬Focus on Taipei through cinema 1950–1990 / ಴ᭉࢗ, ᴰ‫ؖ‬ངഹЯ. Taibei: Wan xiang tu shu ge fen you xian gong si, 1995. 164 p. ISBN 9576697433

46

Special Regions, Periods, and Events

Note:

2.2.7

0240

A special bilingual (Chinese and English) publication for the Taipei film exhibit Focus on Taipei through Cinema, 1950–1990, and the 1990 Golden Horse Film Awards. Twelve Taipei-related films were selected for the exhibit, all of them produced from 1963 to 1990. Ten essays, which investigate these twelve films, focus on the subjects of Taipei’s film history, Taipei’s city image in Chinese films, the “Taipei experience” in Taiwanese-dialect films, aesthetic and comparative studies of Taiwanese and Mandarin films during the 1960s, Post-Taiwan New Cinema from the 1980s to the 1990s, a sociological study of portrayals of Taipei city through films from 1960 to 1990, depictions of Taipei youth, Taipei’s landscape of desire, and a comparative study of Taipei and Shanghai in Chinese cinema from the 1930s–1990s. Includes interviews, synopses, and an introduction of the contributors in the appendix. NTUL Chi Eng

The paper studies the Japanese colonial film enterprise throughout the Asian region, including Manchuria, Korea, and Taiwan. Includes a bibliography. WorldCat Eng

0238 Chen, Zhengxun. ಴Ԝ࢐. Yi ren de zu ji: guang ying sui yue—Gaosong Fengcilang = Toyojirö Takamatsu / Chen Zhengxun, Lin Junpin zhu. ஫Ϫϡ߿࿑: ‫—֊ۈׇؙ‬ҙग़ஶҋᅦ = Toyojirö Takamatsu / ಴Ԝ ࢐, ৆୐ԘЯ. Taibei: Da kang chu ban she, 2008. 44 p. ISBN 9789868347472 Series title: Sheng hua zhi; 010 Т҅௨; 010 Note: Presents Toyojirö Takamatsu’s (1872–1952) biography and influence in Taiwan film history. Takamatsu introduced film to Taiwan in 1895 and produced the first documentary film in Taiwan in 1907. CTFAL Chi

Japanese Colonial Period, 1895–1945

0235 Baskett, Michael. The attractive empire: colonial Asia in Japanese imperial film culture, 1931–1953. 336 leaves. Note: Thesis (Ph.D.)—University of California, Los Angeles, 2000. Chapter 1, From Film Empire to Great East Asian Film Sphere, discusses the intense competition between Chinese films, specifically films made in Shanghai and Japan, during the colonial period in Taiwan. Includes bibliography and filmography. WorldCat Eng

0239 Colonialism and nationalism in Asian cinema / edited by Wimal Dissanayake. Bloomington: Indiana University Press, 1994. 224 p. ISBN 0253318041 (alk. paper), 0253208955 (pbk.: alk. paper) Note: A collection of essays focusing on colonialism and nationalism in Asian cinema. Includes Chris Berry’s essay “A Nation T(w/o)o: Chinese Cinema(s) and Nationhood(s),” which analyzes films produced by mainland Chinese film directors as well as Taiwanese film directors Hou Hsiao-hsien, Edward Yang, and Huang Mingchuan, and explores representations of nationality, colonialism, and aboriginal peoples. Includes a bibliography in the end of each essay, an introduction to the contributors, and an index at the end of the book. WorldCat Eng

0236 Baskett, Michael. The attractive empire: transnational film culture in imperial Japan. Honolulu: University of Hawaii Press, 2008. 216 p. ISBN 9780824831639 (hardcover: alk. paper), 0824831632 (hardcover: alk. paper), 9780824832230 (pbk.: alk. paper), 082483223X (pbk.: alk. paper) Note: Chapter 1, From Film Empire to Great East Asian Film Sphere, discusses the intense competition between Chinese films, specifically films made in Shanghai and Japan, during the colonial period in Taiwan. Includes bibliography, filmography, and index. WorldCat Eng

0240 Dian cang dian ying wen wu zhang ji / Lin Yuru zong bian ji. ਹেӇ‫ؙ‬ҹ‫֟׉‬ফ / ৆ड़Ғրഹফ. Gaoxiong: Gaoxiong shi dian ying tu shu guan, 2005. 184 p. ISBN 9860007713 Series title: Gaoxiong shi dian ying tu shu guan dian ying song shu; 6 ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖӇ‫ؙ‬ᜣ‫ ;ڣ‬6 Note: Kaohsiung Film Archive has digitized 1,500 film artifacts, more than 100 of which are selected and displayed in this book, including film posters, cameras, projectors, costumes, and more. Divided into nine parts: Part 1, Essays; Part 2, Film Equipment; Part 3, Film Posters Hand-Drawn by Chen Zifu; Part 4,

0237 Baskett, Michael. Japanese colonial film enterprise 1937–1945: imagining the imperial Japanese subject. 106 leaves. Note: Thesis (M.A.)—University of California, Los Angeles, 1993.

47

Film History

0241 Japanese Film Artifacts; Part 5, Hollywood Film Artifacts; Part 6, European and American Film Posters; Part 7, Taiwanese-Dialect Film Artifacts; Part 8, Hong Kong Film Artifacts; and Part 9, Mandarin Film Artifacts. Includes an index. NTUL Chi

Note:

0241 Du, Yunzhi, 1923– ᖯࠥҏ䩟1923– Zhongguo dian ying qi shi nian. ЅлӇ‫֐ࢳؙ‬ё. Taibei: Zhonghua minguo dian ying tu shu guan chu ban bu, 1986. 450 p. Series title: Ying tu cong shu ‫ؙ֖‬ᜣ‫ڣ‬ Note: According to the author’s postscript, this work is not a formal Chinese film history, but rather is a collection of anecdotes related to Chinese film history. Taiwan film history–related anecdotes begin in Chapter 53 (pp. 382–389) with a discussion of Japanese colonial film history in Taiwan, and end in Chapter 57 (pp. 412–418) with a consideration of the rise of Taiwanese-dialect films and a history of Li Han-hsiang’s Guolian film studio in Taiwan. Includes film stills, posters, and photos. WorldCat Chi

Chapter 3, ཅஹྱޫѨ‫׬‬чܺ੗፻ (pp. 86–98) is the earliest known academic work on Taiwan film history, and the text as a whole is known as an early work on Asian film history. In 1992, Lee Daw-ming, a Taiwan scholar, found out that Lu Shushang, a Taiwanese scholar and the author of the earliest Chinese academic work on Taiwan film history: ‫ݡ‬ஹӇ‫ঁؙۚ‬੗ published in 1961, copied Sai Ichigawa’s work in his first chapter entitled: “Taiwan Film During the Japanese Occupation Period.” Lee Daw-ming’s discovery was published in the article: “Dian ying shi ru he lai dao Taiwan de” (“How Did the Film Come to Taiwan?”), in Dian ying xin shang (Film Appreciation), no. 9/10 (September/October 1993), p. 107. Includes bibliography at the end of the preface (p. 32). WorldCat Jpn

0244 Ichikawa, Sai. ‫ص‬ඇࠡ. Ajia eiga no s䲖z䲖 oyobi kensetsu / Ichikawa Sai ; kaisetsu Murayama Ky䲖ichir䲖. 䬑䬧䬑ྱࡌ䫟ࡶ߃ߵࠃ‫ ޗ‬/ ‫ص‬ඇࠡ ; ‫ث‬М భ‫ځ‬ᷔϣྦྷ. T䲖ky䲖: Yumani Shob䲖, 2003. 459 p. ISBN 4843309494 Series title: Nihon eigaron gensetsu taikei / Makino Mamoru kansh䲚. Dai I-ki, Senjika no eiga t䲖seiki; 10 яӆྱࡌ‫ߞں‬МϽ‫ ڍ‬/ᖥఀௗฬࢗ. ҷ I‫׈‬, 䁡ЖЎ䫟ྱࡌࢃ‫ء‬ ‫ ;׈‬10

0242 Huang, Ren, 1925– ࢶწ, 1925– Riben dian ying zai Taiwan. яӆӇ‫ؙ‬Ϩ‫ݡ‬ஹ. Taibei: Xiu wei zi xun ke ji chu ban, 2008. 314 p. ISBN 9789862211205 Series title: Mei xue yi shu lei; PH0015 Ѥѹਲफढ; PH0015 Note: A comprehensive work on the influence of Japanese films in Taiwan. It is divided into two major parts: Part 1, Japanese Directors Who Influenced Taiwan FilmMaking; and Part 2, Influence of Japanese Films in Taiwan. Appendix includes lists of Japanese films shown in Taiwan from 1915 to 1945 (selected) and 1950 to 1972. Includes a bibliography. NTUL Chi

Note:

0243

A reprint of the original work with the same title published in 1941. Chapter 3, ཅஹྱޫѨ‫׬‬чܺ੗፻ (pp. 86–98) is the earliest known academic work on Taiwan film history, and the text as a whole is known as an early work on Asian film history. In 1992, Lee Dawming, a Taiwan scholar, found out that Lu Shushang, a Taiwanese scholar and the author of the earliest Chinese academic work on Taiwan film history, ‫ݡ‬ஹ Ӈ‫ঁؙۚ‬੗, published in 1961, copied Sai Ichikawa’s work in his first chapter entitled: “Taiwan Film During the Japanese Occupation Period.” Lee Daw-ming’s discovery was published in the article “Dian ying shi ru he lai dao Taiwan de” (“How Did the Film Come to Taiwan?”), in Dian ying xin shang (Film Appreciation), no. 9/10 (September/October 1993), p. 107. Additions include an annotation by Murayama Kyöichirö and an index of the original work organized by the Japanese phonetic order at the end of the book. WorldCat Jpn

0245

Ichikawa, Sai. ‫ص‬ඇࠡ.

Ji lu Taiwan: Taiwan ji lu pian yan jiu shu mu yu wen xian xuan ji / zhu bian Zhang Changyan, Li Daoming; zhi xing bian ji Hong Yawen, Han Xu’er, Zhang Qinyun. ઔ࠷‫ݡ‬ஹ: ‫ݡ‬ஹઔ࠷ә୳ૢ‫ڣ‬۵ӿҹຶ‫ק‬ओ / Ұഹ‫פ‬ቾᴧ, ଽѬҴ ; వҲഹফᖻ઩ҹ, ठ᯾ঌ, ‫פ‬ቦ᭲.

Ajia eiga no s䲖z䲖 oyobi kensetsu. 䬑䬧䬑ྱࡌ䫟ࡶ߃ߵࠃ‫ޗ‬. T䲖ky䲖: Kokusai Eiga Ts䲚shinsha Shuppanbu, 1941. 378 p.

48

Special Regions, Periods, and Events

0247

Taibei: Xing zheng yuan wen hua jian she wei yuan hui wei tuo cai tuan fa ren guo jia dian ying zi liao guan, 2000. 2 v. ISBN 9570265478 (v. 1), 9570262486 (v. 2) Series title: Taiwan dian ying shi liao cong shu ‫ݡ‬ஹӇ‫ؙ‬੗ࢧᜣ‫ڣ‬ Note: The first and most comprehensive bibliography and collection of essays on Taiwan film documentaries. Vol. 1 covers the colonial period and includes sixty-five essays and articles written by three contemporary Taiwan scholars as well as colonial-era Japanese authors whose articles were initially published in Japanese before being translated into Chinese for the purposes of this book. Contains eight parts: (1) Film History; (2) Documentary, News, and Education Films; (3) Film Show Activities; (4) Film Propaganda; (5) Film Censorship; (6) Film Affairs; (7) Film Reviews and Introduction; and (8) a Bibliography of Taiwan Documentary Film Studies During the Colonial Period, which includes monographs (in both Chinese and Japanese), dissertations, and journal articles (in both Chinese and Japanese, dated and undated). There is also a bibliography at the end of the book. Vol. 2 covers Taiwan documentary film studies after 1945 and includes eighty-one essays, articles, interviews, film reviews, and news reports. Similar to Vol. 1, it also contains eight parts: (1) Anthropology Films; (2) Introduction and Review of Taiwan Documentary Films; (3) Theory and Aesthetics of Documentary Film; (4) Documentary Film and Social Movements; (5) Documentary and Indigenous People; (6) Documentary Film Directors and Workers; (7) Documentary Film History, and Analysis; and (8) a Bibliography of Taiwan Documentary Film Studies after 1945, which is organized under the following subjects: anthropology films, China (including Hong Kong) documentary films, review and introduction to Taiwan documentary films, review and introduction to foreign documentary films, documentary filmography and others, documentary film theory and aesthetics, documentary films and social culture, documentary film and social movements, documentary film and indigenous people, documentary film directors and workers (domestic), documentary film directors and workers (abroad), documentary film history (domestic), and documentary film history (abroad). The materials collected in the bibliography include monographs, dissertations, journal and newspaper articles, handbooks, and manuals. WorldCat Chi

[v. 1] 1899(Ҵ੽32)ё䦢1934(ᢘф9)ё; [v. 2] 1935(ᢘф10)ё䦢 1945(ᢘф20)ё; [v. 3] ଥࡌഹ 1899(Ҵ੽32)ё䦢1945(ᢘф20)ё ISBN [v. 3] 9784990536626 Note: An inventory of 23,700 films shown in Taiwan from 1899 to 1945 during the Japanese colonial era, including 15,200 Japanese, Taiwanese, and Chinese and 6,500 Western (United States, France, United Kingdom, Germany, Italy, Australia, Denmark, Poland, Soviet Union, Argentine, etc.) feature films, documentaries, news films, official propaganda films, and cultural films. Some Chinese feature films produced in Shanghai or by Man’ei (Manchuria Motion Picture Production and Distribution Co. 1937–1945), and illustrations of 430 Japanese and Chinese, and 200 Western film posters and newspaper articles introducing the films. (Some film titles are duplicated.) Includes film titles screened and attendance numbers during the Taiwan Expo, October 10–November 28, 1935. Japanese feature film poster titles are chronologically organized with related studio names and a bibliography. WorldCat Jpn

0246a Kawase, Ken’ichi. ඇⰗ࡬ϣ. Shokuminchi Taiwan de j䲖eisareta eiga. ယ‫ھ‬с‫ݡ‬ළ䫘ϼࠟ䫆䫽䫐ྱࡌ. Nara-ken Kashihara-shi: T䲖y䲖 Shis䲖 Kenky䲚jo, 2014. 2 v. [v. 1] 1899(Ҵ੽32)ё䦢1934(ᢘф9)ё; [v. 2] 1935(ᢘф10)ё 䦢1945(ᢘф20)ё ISBN 9784990536640, 9784990536657 Note: [v. 1] and [v. 2] are enlarged and revised editions of 0246. An inventory of 17,200 Japanese, Taiwanese, and Chinese films shown in Taiwan from 1899 to 1945 during the Japanese colonial era including feature films, documentaries, news films, official propaganda films, and cultural films. Two volumes include illustrations of 430 Japanese and Chinese posters and newspaper articles introducing the films. (Some film titles are duplicated.) Includes film titles screened and attendance numbers during the Taiwan Expo, October 10-November 28, 1935, and a list of the newly added films in [v.2]. The images of Japanese feature film poster titles are chronologically organized with related studio names, and a bibliography. WorldCat Jpn

0247

0246 Kawase, Ken’ichi. ඇⰗ࡬ϣ.

Kawase, Ken’ichi. ඇⰗ࡬ϣ.

Shokuminchi Taiwan de j䲖eisareta eiga.

Taiwan eiga e no sh䲖tai: ichiya ni shite Ch䲚gokujin ni natta t䲖san (t䲖san).

ယ‫ھ‬с‫ݡ‬ළ䫘ϼࠟ䫆䫽䫐ྱࡌ.

‫ݡ‬ළྱࡌ䫩䫟੷‫ۉ‬: ϣ١䫜䫈䫗ЅмϪ䫜䫛䫔䫐Єᇤ (୊䫆䬄).

Nara-ken Kashihara-shi: T䲖y䲖 Shis䲖 Kenky䲚jo, 2010–2013. 3 v.

49

Film History

0248

of modern Taiwan society and film, politics and Taiwan’s modern cinema, the KMT government and Taiwan film, Shanghai’s film influence on Taiwan film development, Taiwan and Hong Kong film exchange, the Taiwanese-dialect film era (1955–1961), Taiwan film reviews and publications after World War II, and Taiwan film policy and censorship. Includes endnotes at the end of each essay and biographies of the contributors at the end of the book, but there is no index. WorldCat Jpn

Nara-ken Kashihara-shi: T䲖y䲖 Shis䲖 Kenky䲚jo; Ŕsaka-fu Suita-shi: hatsubai Birejji Puresu, 1998. 94 p. ISBN 493859854X, 9784938598549 Note: The text begins with an introduction to the film director Wu Nien-chen and his film “T䲖san = A Borrowed Life” followed by introductions to five additional leading figures in Taiwan cinema: Wang Tung, Liao Hsiang-hsiung, Lin Cheng-sheng, Tsai Ming-liang, Hou Hsiao-hsien, and their films. Contains “A brief history of Taiwan Cinema,” which includes Taiwan Film during Japanese Occupation (1895–1945), Taiwan Cinema After World War II (1945–1969), World’s orphan era (1970s), and The Era of Taiwan New Cinema (1980s–1990s). Includes photos, stills, posters, and a bibliography WorldCat Jpn

0250 Liu, Na’ou, 1905–1940 ฀໭ᾥ, 1905–1940 Liu Na’ou quan ji, dian ying ji / Kang Laixin zong bian ji. ฀໭ᾥҪओ, Ӈ‫ؙ‬ओ / ࣉϰЈրഹফ. Tainan xian Xinying shi: Tainan xian wen hua ju, 2001. 338 p. ISBN 9570279575, 9570279583 Series title: Nanying wen hua cong shu; 88 ۪↡ҹ٩ᜣ‫ ;ڣ‬88 Note: Collected works of the writer, film critic, screenwriter, and documentary film director Liu Na’ou. Consists of three parts: Part 1, Screenplays; Part 2, Film Reviews; and Part 3, Other Works. CTFAL Chi

0248 Kawase, Ken’ichi. ඇⰗ࡬ϣ. Taiwan dian ying xiang yan: bai nian dao lan / zhu zhe Chuanlai Jianyi ; Zhong yi Li Changchuan. ‫ݡ‬ஹӇ‫ؙ‬⡕ᑱ : ‫ښ‬ё࣒ऋ / Я‫ٷ‬ඇⰗ࡬ϣ ; Ѕፆଽ‫ة׶‬. Taibei: Nan tian shu ju, 2002. 165 p. ISBN 9576386012 Note: A Chinese translation of the revised version of Taiwan eiga e no sh䲖tai = ‫ݡ‬ළྱࡌ䫩䫟੷‫ ۉ‬written by Kawase Ken’ichi and published in Japan in 1998. Consists of three parts: Part 1: A brief history of Taiwan Cinema, including Taiwan Film during Japanese Occupation (1895–1945), Taiwan Cinema After World War II (1946–1970), the Isolated Taiwan Cinema (1970–1979), and the Era of Taiwan New Cinema (1980–1990); Part 2: Taiwan Film Directors, including biographies and interviews of sixteen Taiwan film directors; and Part 3: Legendaries of Taiwan Cinema, including biographies and interviews of twenty-two legendary figures in Taiwan cinema, such as novelist and director Huang Chunming, screenwriter Chu T’ien-wen, composer and singing star Cai Zhennan, and actress Yang Guimei. Includes photos, film stills, and posters; a chronology of Taiwan film history 1895–1998; and a bibliography. WorldCat Chi

0251 Liu, Na’ou, 1905–1940 ฀໭ᾥ, 1905–1940 Liu Na’ou quan ji, li lun ji / Kang Laixin zong bian ji. ฀໭ᾥҪओ, ԑ‫ں‬ओ / ࣉϰЈրഹফ. Tainan xian Xinying shi: Tainan xian wen hua ju, 2001. 396 p. ISBN 9570279591, 9570279605 Series title: Nanying wen hua cong shu; 89 ۪↡ҹ٩ᜣ‫ ;ڣ‬89 Note: A collection of Liu Na’ou’s writings on art theory and his translations of art theory into Chinese. CTFAL Chi

0252 Liu, Na’ou, 1905–1940 ฀໭ᾥ, 1905–1940 Liu Na’ou quan ji, ri ji ji / Kang Laixin zong bian ji. ฀໭ᾥҪओ, я֮ओ / ࣉϰЈրഹফ. Tainan xian Xinying shi: Tainan xian wen hua ju, 2001. 2 v. ISBN 9570279613, 9789570279610 Series title: Nanying wen hua cong shu; 90 ۪↡ҹ٩ᜣ‫ ;ڣ‬90 Note: A collection of Liu Na’ou’s diaries from 1927. Includes introduction, diary manuscripts, and a list of Liu’s friends as written in his diaries. CTFAL Chi

0249 Koyama, Sabur䲖, 1952– Щ‫ځ‬ѧᅦ, 1952– Taiwan eiga: Taiwan no rekishi, shakai o shiru madoguchi / Koyama Sabur䲖 hencho. ‫ݡ‬ළྱࡌ: ‫ݡ‬ළ䫟䖉੗ί घϿ䬃Ҍ䫼凵‫ ט‬/ Щ‫ځ‬ѧᅦഹЯ. Kyoto: K䲖y䲖 Shob䲖, 2008. 233 p. ISBN 9784771020207 Note: A collection of eleven chapters by various film scholars that deal with Japanese colonialism and the formation

50

Special Regions, Periods, and Events

0259 Japanese colonial era, Liu’s career included residency in Taiwan, Tokyo, and Shanghai. Includes conference schedule and list of the attendees. CTFAL Chi

0253 Liu, Na’ou, 1905–1940 ฀໭ᾥ, 1905–1940 Liu Na’ou quan ji, wen xue ji / Kang Laixin zong bian ji. ฀໭ᾥҪओ, ҹѹओ / ࣉϰЈրഹফ. Tainan xian Xinying shi: Tainan xian wen hua ju, 2001. 452 p. ISBN 9570279559, 9570279567 Series title: Nanying wen hua cong shu; 87 ۪↡ҹ٩ᜣ‫ ;ڣ‬87 Note: A collection of Liu Na’ou’s literary works. CTFAL Chi

0257 Misawa, Mamie. ѧ෹ѐѤ௑. Riben shi dai Taiwan dian ying zheng ce zhi yan jiu: 1895–1942 = A study of policy about movies in Taiwan at Japanese period 1895–1942. яӆЖ‫ݡڊ‬ஹӇ‫ूؙ‬೫ҏ୳ૢ: 1895–1942 = A study of policy about movies in Taiwan at Japanese period 1895–1942. 270 leaves. Note: Thesis (M.A.)—History Institute, National Taiwan University, 1999. A study of the Japanese colonial government’s film policy in Taiwan during the colonial period, 1895– 1942. Considers Japanese legal regulations, government control, propaganda, and Taiwanese local society. Includes a Chinese abstract and bibliography. NCL/NDLTD Chi

0254 Liu, Na’ou, 1905–1940 ฀໭ᾥ, 1905–1940 Liu Na’ou quan ji, ying xiang ji / Kang Laixin zong bian ji. ฀໭ᾥҪओ, ‫ؙ‬Ռओ / ࣉϰЈրഹফ. Tainan xian Xinying shi: Tainan xian wen hua ju, 2001. 194 p. ISBN 957027963X, 9570279648 Series title: Nanying wen hua cong shu; 91 ۪↡ҹ٩ᜣ‫ ;ڣ‬91 Note: A collection of biographical works on the life of Liu Na’ou, including essays on, and a chronicle of, Liu Na’ou’s literary and film career. CTFAL Chi

0258 Misawa, Mamie. ѧ෹ѐѤ௑. Shokuminchiki Taiwanjin ni yoru eiga katsud䲖 no kiseki: k䲖sh䲖 to ekky䲖 no poritikusu. ယ‫ھ‬с‫ݡ׈‬ළϪ䫜䫹䫼ྱࡌ҅ҁ䫟ፋ࿑ : ‫ے‬ᇎ䫙ք॒䫟䭌䭙䬵䬒 䬞䬨. 229 leaves. Note: [Thesis (Ph.D.)—University of Tokyo, 2006] A paper on the relationship between Taiwan film history, politics, and Japanese colonial policy. According to WorldCat, this text is only housed by the Waseda University Library, in addition to the National Diet Library, which is a depository of dissertations in Japan. WorldCat Jpn

0255 Liu, Na’ou, 1905–1940 ฀໭ᾥ, 1905–1940 Liu Na’ou quan ji, zeng bu ji / Kang Laixin, Xu Qinzhen he bian. ฀໭ᾥҪओ, Ҷਣओ / ࣉϰЈ, ‫ܛ‬ቦ♴ׁഹ. Tainan shi: Guo li Taiwan wen xue guan, 2010. 380 p. ISBN 9789860221879 Note: A supplement to the previously published complete works of Liu Na’ou. Part 3 includes Liu’s articles and papers on film theory and criticism. CTFAL Chi

0259 Misawa, Mamie. ѧ෹ѐѤ௑.

0256 Liu Na’ou guo ji yan tao hui lun wen ji = International Conference on the Works of Liu Na’ou / Zhu zuo ren: Cutivet Sakina, Sanze Zhenmeihui, Wang Yunru deng. ฀໭ᾥлগ୳क़Ͼ‫ں‬ҹओ / Яӑ‫ٷ‬: Cutivet Sakina, ѧ෹ѐѤ௑, ࣼ᏾Ғҳ. Taibei: Guo jia Taiwan wen xue guan, 2005. 704 p. ISBN 9860027714 Note: The book consists of conference lectures, papers, and panel discussions from the International Conference on the Works of Liu Na’ou hosted by National Central University in Taiwan in 2005. As a writer, film critic, screenwriter, and documentary film director during the

“Teikoku” to “sokoku” no hazama: shokuminchiki Taiwan eigajin no k䲖sh䲖 to ekky䲖. “෌м”䫙“ྥм”䫟䫠䫇䫯 : ယ‫ھ‬с‫ݡ׈‬ළྱࡌϪ䫟‫ے‬ᇎ䫙ք॒. T䲖ky䲖: Iwanami Shoten, 2010. 347 p. ISBN 9784000240284, 400240285 Note: Revision of the author’s Ph.D. dissertation: “Shokuminchiki Taiwanjin ni yoru eiga katsud䲖 no kiseki: k䲖sh䲖 to ekky䲖 no poritikusu (University of Tokyo 2006).” Includes a bibliography and an index. WorldCat Jpn

51

Film History

0260 0260

0262

Misawa, Mamie. ѧ෹ѐѤ௑. Zhi min di xia de “yin mu”: Taiwan zong du fu dian ying zheng ce zhi yan jiu (1895–1942). ᜊ‫ھ‬сЎϡ “ુ௷”:‫ݡ‬ஹրᒾ௞Ӈ‫ूؙ‬೫ҏ୳ૢ (1895–1942). Taibei: Qian wei chu ban she, 2002. 470 p. ISBN 9578013248 Note: A substantial academic work that analyzes the filmrelated laws, policy, regulations, and propaganda of the Japanese colonial administration, as well as local target audiences in Taiwan, during the period from 1895–1942. Divided into Part 1, Film Related Laws, Regulations and Control System; Part 2, Propaganda and Film; and Part 3, Population and Film. Includes fascinating topics—for example, the strategy of using film as a tool to improve the image of the local police, the effort to educate and control Taiwan’s aboriginal population, and the use of film to promote the war effort. One of the chapters includes nine interviews— eight Taiwanese and one Japanese—about their memories of the cinema in Taiwan. Based on the author’s M.A. thesis completed at the History Institute of National Taiwan University, written in Chinese. Includes a bibliography and an appendix of Donated Film List from the Patriotic Women Association to the Taiwan Education Association, Schedule of Taiwan Propaganda Team in Mainland China, Films Produced by Taiwan Education Association, and Films Housed by Various Organizations in Taiwan. WorldCat Chi

Qi, Longren, 1952– ಞᇐ〣, 1952– Taiwan dian ying de Riben zhi min ji yi. ‫ݡ‬ஹӇ‫ؙ‬ϡяӆᜊ‫֮ھ‬শ. Taibei: Taiwan da xue wai guo yu wen xue xi, 1994. 14 p. Note: A conference paper on the memory of Japanese colonial experience as reflected in Taiwan cinema, presented at the Literature and Cinema Symposium, hosted by Taiwan National University in 1994. Includes a bibliography. WorldCat Chi

0263 Qiu, Kunliang. ᆥᓍમ. Piao lang wu tai: Taiwan da zhong ju chang nian dai. ੆‫ع‬ଢ‫ݡ‬: ‫ݡ‬ஹϽੁঁԾё‫ڊ‬. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 2008. 370 p. ISBN 9789573263654 Note: Describes Taiwan’s popular drama performances, including local operas, striptease dances, and theaters. Chapter 2 of the book focuses on the relationship between drama and film development in Taiwan during the Japanese colonial era. Includes a bibliography. CTFAL Chi

0264 Sat䲖, Tadao, 1930– ᩊᗳᇝԲ, 1930–

0261

Le cinéma japonais / Tadao Sat䲖 ; traduction de Karine Chesneau, Rose-Marie Makino-Fayolle et Chiharu Tanaka. Paris: Centre Georges Pompidou, 1997. 2 v. ISBN 2858509301 Note: The French translation of a Japanese four-volume text entitled Nihon eigashi (T䲖ky䲖: Iwanami Shoten, 1995), published during a Japanese film retrospective held at the Centre Georges Pompidou from March 19–October 1, 1997. Chapter 5 (pp. 255–263) deals with the film histories of Japanese colonies and occupied areas during World War II, including Taiwan, Korea, Shanghai, and Manchuria. WorldCat Fre

Ou, Shumin. ଟᎂ์. Ri zhi shi qi Taiwan dian ying de zheng jiao gong neng. я੽Ж‫ݡ׈‬ஹӇ‫ؙ‬ϡू‫ۋڌ‬Ќ. 145 leaves. Note: Thesis (M.A.)—National Taiwan Normal University, 2004. A serious work on the political and educational function of film in Taiwan during the Japanese colonial period. The paper follows three key phases of Japanese colonial rule in Taiwan, discusses the colonial film censorship system, and explains the relationship between official cultural and educational policies and movie theaters, “narrators” (benshi), and the general development of film in Taiwan. Concludes by describing how particular political conditions lead to the creation of Japanese film policies with different intended functions for film in political and educational arenas. Includes an abstract and a bibliography in Chinese. NCL/NDLTD Chi

0265 Sat䲖, Tadao, 1930– ᩊᗳᇝԲ, 1930– Nihon eigashi. яӆྱࡌ੗. T䲖ky䲖: Iwanami Shoten, 1995. 4 v.

52

Special Regions, Periods, and Events

ISBN Note:

0271

4000037854 (v. 1), 4000037862 (v. 2), 4000037870 (v. 3), 4000037889 (v. 4) One of the most authoritative works on Japanese film history. Organized by time period covered: Vol. 1: 1896–1940, Vol. 2: 1941–1959, Vol. 3: 1960–1995, and Vol. 4: Chronologies and Indexes. Vol. 2, Chapter 5 (pp. 111–155) deals with the film histories of Japanese colonies and occupied areas during World War II, including Taiwan, Korea, Shanghai, and Manchuria. Includes chronologies of major Japanese film–related events and major film productions; indexes of personal names, movies, events, and film studios; and an index in Vol. 4. WorldCat Jpn

0268 Taiwan under Japanese colonial rule 1895–1945: history, culture, memory / edited by Liao Ping-Hui and David Der-Wei Wang. New York: Columbia University Press, 2006. 416 p. ISBN 0231137982 Note: A comprehensive work that captures the history, culture, and memory of Japanese colonial rule in Taiwan. However, it does not provide a serious discussion of cinema during the time period discussed, with an exception of the following: includes descriptions of Liu Na’ou’s career (pp. 224–225) in Shanghai; presents the story of the 1943 film The Bell of Sayon (pp. 279–280), a film that depicts Taiwanese aboriginal peoples and remains the only Japanese colonial feature film made in Taiwan that can still be seen; and includes editor Liao Ping-Hui’s essay which notes that vastly different views of Taiwan’s colonial and postcolonial history are held by former president Lee Tenghui and the views presented in the films directed by the famous New Taiwan Cinema directors Hou Hsiao-hsien and Wu Nien-chen (pp. 2–3). Includes a bibliography and an index. WorldCat Eng

0266 Sat䲖, Tadao, 1930– ᩊᗳᇝԲ, 1930– Nihon eigashi (Z䲖hoban) яӆྱࡌ੗ (㬱ਣ‫)ؗ‬. T䲖ky䲖: Iwanami Shoten, 2006–2007. 4 v. ISBN 4000265776 (v. 1), 4000265784 (v. 2), 4000265792 (v. 3), 4000265806 (v. 4) Note: An enhanced revision to the original work published in 1995. The most significant changes, compared with the original work, are in Vol. 3: 1960–1995. One of the most authoritative works on Japanese film history. Organized by time period covered: Vol. 1: 1896–1940, Vol. 2: 1941–1959, Vol. 3: 1960–1995, and Vol. 4: Chronologies and Indexes. Vol. 2, Chapter 5 (pp. 111–155) deals with the film histories of Japanese colonies and occupied areas during World War II, including Taiwan, Korea, Shanghai, and Manchuria. Includes chronologies of major Japanese film–related events and major film productions and indexes of personal names, movies, events, and film studios in Vol. 4. WorldCat Jpn

0269 Taiwan zhong ceng jin dai hua lun wen ji / Ruolin Zhengzhang, Wu Micha zhu bian. ‫ݡ‬ஹԳৡ‫ڊײ‬٩‫ں‬ҹओ / ઎৆Ԝ࿆, ྶ઼ൌҰഹ. Taibei: Buo zhong zhe wen hua you xian gong si, 2000. 479 p. ISBN 9576963737 Note: A collection of essays that includes ѧ෹ѐѤ௑/ Sanze Zhenmeihui’s (Misawa, Mamie) essay: Taiwan Jiao Yu Hui de dian ying xuan chuan ce lue: 1914–1942 / = ‫ݡ‬ ஹ‫ڌ‬ड़ϾϡӇ‫ؙ‬ୌ‫ة‬೫ଯ: 1914–1942, which discusses the film propaganda strategy of the Taiwan Education Association from 1914–1942. NTUL Chi

0270 Tamura, Shizue, 1944– ೧భ࢑ဋብ, 1944– Hajime ni eiga ga atta: shokuminchi Taiwan to Nihon. 䫠䫉䫲䫜ྱࡌ䪽䪳䫔䫐 : ယ‫ھ‬с‫ݡ‬ළ䫙яӆ.

0267 Sun, Lifeng ྑ߹๢. Dian ying shi hua. ӈ‫ؙ‬੗Ҧ. Beijing: She hui ke xue wen xian chu ban she, 2000. 211 p. ISBN 7801493435 Series title: Bai nian Zhongguo shi hua ‫ښ‬ёЅм੗Ҧ Note: Outlines Chinese film history from 1896–1949 and covers the three areas of mainland China, Taiwan, and Hong Kong together in each chapter. The description of Taiwan film history is superficial; it does not provide new materials or original perspectives. Includes a bibliography. Duxiu Chi

T䲖ky䲖: Ch䲚䲖 K䲖ron Shinsha, 2000. 307 p. ISBN 4120030075, 9784120030079 Note: A work on Taiwan cinema during the Japanese colonial period. Includes a bibliography. WorldCat Jpn

0271 Wang, Wenling. ࣼҹጘ. Ri ju shi qi Taiwan dian ying huo dong zhi yan jiu. яࣞЖ‫ݡ׈‬ஹӇ‫ؙ҅‬ҁҏ୳ૢ. 305 leaves.

53

Film History

0272 Note:

colonization. Divides the Japanese colonial era into four time periods: (1) Budding Period 1896–1919; (2) Rising Period 1920–1930; (3) Thriving Period 1931– 1941; and (4) Pacific War Period 1942–1945. Includes noteworthy analyses of the film histories of Taiwan, Tokyo, Shanghai, and Hollywood. Includes a bibliography and list of theaters in Taiwan during the colonial period with the following information: location, ownership, operation agency, and contractor. WorldCat Chi

Thesis (M.A.)—National Taiwan Normal University, 1994. The paper focuses on film-related events in Taiwan during the Japanese colonial period. Includes a bibliography. NCL Chi

0272 Yang, Huanhong (Yang, Huan-hong). ໷ᢵ᜞. Ta zhe bu xian ying: Taiwan dian ying zhong de yuan zhu min ying xiang. ј‫ٷ‬Ϥࣶ‫ؙ‬: ‫ݡ‬ஹӇ‫ؙ‬Ѕϡ֍֙‫ؙھ‬Ռ. 106 leaves. Note: Thesis (M.A.)—National Dong Hwa University, 2007. This paper considers representations of Taiwan aboriginals in fictional feature films produced both during the Japanese colonial period and after the retrocession. The author uses film analysis as the starting point to explore the relationship between the aboriginal people and colonialism, post-colonialism, nation building, and national identity. Includes a Chinese abstract, bibliography, and filmography. NCL/NDLTD (FT) Chi

0275 Ye, Qianqi (Yeh, Chien-Chi). ౕ࡛ᴟ. Ri zhi shi qi Taiwan bao kan zhi dian ying chuan bo xian xiang yan jiu = Taiwanese news and periodicals under Japanese colonization: a study on film communication. я੽Ж‫ݡ׈‬ஹ‫ڻ‬ᑂҏӇ‫ةؙ‬৚ѳࢣ୳ૢ = Taiwanese news and periodicals under Japanese colonization: a study on film communication. 108 leaves. Note: Thesis (M.A.)—National Chung Cheng University, 2009. The paper uses three local newspapers as primary resources to respond to the following research questions: How did local audiences respond to films distributed by the Japanese colonial regime in Taiwan? And how did the Japanese government employ Mandarin as the official language to influence its Taiwanese audience? Includes Chinese and English abstracts and a bibliography. NCL/NDLTD Chi

0273 Ye, Longyan, 1940– ౕहᴧ, 1940– Guang fu qian hou Gaoxiong shi de xi yuan yu dian ying. ‫࣢ׇ‬ӓћҙ೰‫ص‬ϡۚࡨӿӇ‫ؙ‬. Gaoxiong: Gaoxiong shi wen xian wei yuan hui, 1996. 37 p. ISBN 9570063696 Series title: Taiwan guang fu wu shi zhou nian ji nian cong kan (wu) ‫ݡ‬ஹ‫࣢ׇ‬ٚ֐‫ڬ‬ёઔ݉ᜣᑂ (ٚ) Note: A special publication commemorating the fiftieth anniversary of Taiwan retrocession in 1945. Focuses on Kaohsiung’s film history, specifically Kaohsiung’s theaters, from 1900 through the 1950s. NTUL Chi

0276 Ying hua zong mu lu. ྱޫր۵࠷. Taizhong: Taizhong zhou xue xiao ying hua lian meng, [n.d.] Note: Author Jim Cheng noticed this title in the bibliography of a book but could not locate the actual text at the three major libraries housing film materials in Taipei (NCL, NTU, and CTFA). The text appears to be a filmography compiled during the Japanese colonial period in Taiwan. Jpn

0274 Ye, Longyan, 1940– ౕहᴧ, 1940– Ri zhi shi qi Taiwan dian ying shi = The history of Taiwanese movies during the Japanese colonization. я੽Ж‫ݡ׈‬ஹӇ‫ؙ‬੗= The history of Taiwanese movies during the Japanese colonization. Taibei: Yu shan she, 1998. 365 p. ISBN 9579361908 Series title: Bu tu xin shu; 37 ӆगЈ‫ ;ڣ‬37 Note: The first academic work by a Taiwanese scholar that focuses on Taiwan film history during Japanese

0277 Yomota, Inuhiko, 1953– ‫ף‬Ҥ೧ᐴᴦ, 1953– Nihon eigashi 100-nen. яӆྱࡌ੗100ё. T䲖ky䲖: Sh䲚eisha, 2000. 240 p. ISBN 4087200256 Series title: Sh䲚eisha shinsho ओ߭घЈ‫ڣ‬

54

Special Regions, Periods, and Events

Note:

0281

Chapter 5 covers film production in Japanese colonies and occupied areas, including Taiwan (pp. 108–112). Includes a bibliography, and a name and film title index. WorldCat Jpn

2.2.8 Early Period After Taiwan Retrocession, 1945–1949 0280 Chen, Jingfeng. ಴࢓๢. Guo fu dui Taiwan dian ying chan ye de chu li ce lue (1945–1949). л௞х‫ݡ‬ஹӇ‫׬ݗؙ‬ϡ‫؛‬ԑ೫ଯ (1945–1949). 250 leaves. Note: Thesis (M.A.)—National Central University, 2001. The paper studies how Taiwan’s film industry was managed during the political struggle between Taiwan Governor Chen Yi and the KMT CC Clique after retrocession from 1945 to 1949. The author points out that Chen Yi’s aim was to manage the film industry with a profit-oriented, loss-control policy, in contrast to the CC Clique’s intention to manage the film industry with absolute control, using film as an arm of the government’s propaganda, education, and ideological machinery. Thus, it is apparent that Taiwan’s film industry developed from the beginning as a site of political struggle, dependent on government policy. Consists of five chapters: Chapter 1: Government’s Attitude Towards Taiwan Film Industry, Chapter 2: Process of Appropriating the Taiwan Film Industry, Chapter 3: Factional Struggle in Taiwan Film Industry, Chapter 4: Management and Censorship in Film Industry, and Chapter 5: Profit and Propaganda of Film Industry. Includes a bibliography and official documents. NCL Chi

0278 Yomota, Inuhiko, 1953– ‫ף‬Ҥ೧ᐴᴦ, 1953– Riben dian ying shi 100 nian / Wang Zhongyi yi. яӆӈ‫ؙ‬੗ϣ‫ښ‬ё/ࣼ੃ϣፈ. Beijing: Du shu sheng huo xin zhi san lian shu dian, 2006. 272 p. ISBN 7108023539 Note: Chinese translation of Nihon eigashi 100-nen (T䲖ky䲖: Sh䲚eisha, 2000). Chapter 5 covers film production in Japanese colonies and occupied areas, including Taiwan (pp. 111–115). Includes a bibliography, and a name and film title index. WorldCat Chi

0279 Zhongguo dian ying: li shi, wen hua yu zai xian = Chinese cinemas: history, culture and representation: Hai xia liang an ji Xiang Gang dian ying fa zhan yu wen hua bian qian yan tao hui lun wen ji / Liu Xiancheng bian. ЅлӇ‫ؙ‬: ࣵ੗, ҹ٩ӿӐѳ = Chinese cinemas: history, culture and representation: ֋ᒘҔ࿝᠕‫ܫ‬୯Ӈ‫ؙ‬чࣁӿҹ٩Ժቜ୳क़Ͼ ‫ں‬ҹओ / ฀ѳюഹ. Taibei: Taibei shi Zhongguo dian ying shi liao yan jiu hui, Zhonghua Minguo shi jue chuan bo yi shu xue hui, 1996. 335 p. Note: A collection of the papers from a film symposium in Taiwan attended by scholars from Taiwan, Hong Kong, mainland China, and the United States on September 13–15, 1995. Twenty-three papers were presented during the symposium, nineteen of which are published here. Themes include “Chinese Film History,” “Relationship Between Chinese Film with Society,” Political and Economic Development,” “Chinese Film and Gender Study,” “Chinese Film Genre Study,” and “Chinese Film and Culture Representation.” Eight papers touch on the subject of Taiwan film, including Li Tianduo’s paper on Taiwan film under the colonial system; Liu Xiancheng’s essay on the history of Taiwan color film development in terms of social issues as well as scientific and technical practice; Huang Yingfen’s article on the aesthetic trends of contemporary Taiwan film; Roland B. Tolentino’s (in English) comparative study of the Chinese “city film” from Taipei, Hong Kong, and Beijing; Qi Longren’s essay on Qiongyao’s films during the 1970s; Zhang Yupei’s analysis of the social and cultural meanings of Taiwan film during the 1990s; and Ye Yueyu’s paper on the relationship between nationality and popular songs in Taiwan films produced from the mid-1970s to the early 1990s. NTUL Chi Eng

0281 Ji lu Taiwan: Taiwan ji lu pian yan jiu shu mu yu wen xian xuan ji / zhu bian Zhang Changyan, Li Daoming; zhi xing bian ji Hong Yawen, Han Xu’er, Zhang Qinyun. ઔ࠷‫ݡ‬ஹ: ‫ݡ‬ஹઔ࠷ә୳ૢ‫ڣ‬۵ӿҹຶ‫ק‬ओ / Ұഹ‫פ‬ቾᴧ, ଽѬҴ ; వҲഹফᖻ઩ҹ, ठ᯾ঌ, ‫פ‬ቦ᭲. Taibei: Xing zheng yuan wen hua jian she wei yuan hui wei tuo cai tuan fa ren guo jia dian ying zi liao guan, 2000. 2 v. ISBN 9570265478 (v. 1); 9570262486 (v. 2) Series title: Taiwan dian ying shi liao cong shu ‫ݡ‬ஹӇ‫ؙ‬੗ࢧᜣ‫ڣ‬ Note: This is the first and most comprehensive bibliography and collection of essays on Taiwan film documentaries. Vol. 1 covers the colonial period and includes sixty-five essays and articles written by three contemporary Taiwan scholars as well as colonial-era Japanese authors whose articles were initially published in Japanese before being translated into Chinese for the purposes of this book. Contains eight parts: (1) Film History; (2) Documentary, News, and Education Films; (3) Film Show Activities; (4) Film Propaganda; (5) Film Censorship; (6) Film Affairs; (7) Film Reviews and Introduction; and (8) a Bibliography of Taiwan Documentary Film Studies During the Colonial Period, which includes monographs (in both Chinese and Japanese), dissertations, and journal articles (in both

55

Film History

0282 Chinese and Japanese, dated and undated). There is also a bibliography at the end of the book. Vol. 2 covers Taiwan documentary film studies after 1945 and includes eighty-one essays, articles, interviews, film reviews, and news reports. Similar to Vol. 1, it also contains eight parts: (1) Anthropology Films; (2) Introduction and Review of Taiwan Documentary Films; (3) Theory and Aesthetics of Documentary Film; (4) Documentary Film and Social Movements; (5) Documentary and Indigenous People; (6) Documentary Film Directors and Workers; (7) Documentary Film History, and Analysis; and (8) a Bibliography of Taiwan Documentary Film Studies after 1945, which is organized under the following subjects: anthropology films, China (including Hong Kong) documentary films, review and introduction to Taiwan documentary films, review and introduction to foreign documentary films, documentary filmography and others, documentary film theory and aesthetics, documentary films and social culture, documentary film and social movements, documentary film and indigenous people, documentary film directors and workers (domestic), documentary film directors and workers (abroad), documentary film history (domestic), and documentary film history (abroad). The materials collected in the bibliography include monographs, dissertations, journal and newspaper articles, handbooks, and manuals. WorldCat Chi

Note:

On the basis of the author’s impressive research of film-related materials published in various newspapers in Taiwan, this text describes the establishment of Taiwan’s film industry after retrocession from 1945–1949. Significantly, Chapter 2 describes the moment when mainland film studios first arrived to shoot films in Taiwan and later shipped their equipment, production, and personnel to Taiwan; Chapter 3 deals with the operation and management of the Taiwan theater system; Chapter 4 focuses on movies shown in Taiwan’s theaters, specifically, the large quantity of films produced in mainland China and, later, the domination of the market by Hollywood films; Chapter 5 considers film censorship in Taiwan during the time. Includes two important documents at the appendix in the end of the book: the Taiwan Film Industry Corporation Business Plan and the Taiwan Film Industry Corporation Preparation Report, which provide details of the early management and operation of Taiwan’s theater system. Includes a bibliography. WorldCat Chi

0284 Ye, Longyan, 1940– ౕहᴧ, 1940– Riben dian ying dui Taiwan de ying xiang 1945–1972. яӆӇ‫ؙ‬х‫ݡ‬ஹϡ‫ؙ‬৘ 1945–1972. Zhanghua: Zhong zhou ji shu xue yuan dian ying yan jiu zhong xin, 2006. 198 p. Note: An overview of the relationship between Japanese and Taiwanese films from 1945 to 1972. It deals with the following subjects: the ban on importing Japanese films from 1945 to 1950 and 1963 to 1964, the peak of Japanese film imports, government policy on importing Japanese films, cases of smuggling Japanese films, Taiwan’s film censorship system, and the influences of imported Japanese films and culture on Taiwan filmmaking. Includes a bibliography. CTFAL Chi

0282 Ye, Longyan, 1940– ౕहᴧ, 1940– Guang fu qian hou Gaoxiong shi de xi yuan yu dian ying. ‫࣢ׇ‬ӓћҙ೰‫ص‬ϡۚࡨӿӇ‫ؙ‬. Gaoxiong: Gaoxiong shi wen xian wei yuan hui, 1996. 37 p. ISBN 9570063696 Series title: Taiwan guang fu wu shi zhou nian ji nian cong kan (wu) ‫ݡ‬ஹ‫࣢ׇ‬ٚ֐‫ڬ‬ёઔ݉ᜣᑂ (ٚ) Note: A special publication commemorating the 50th anniversary of Taiwan retrocession in 1945. Focuses on Kaohsiung’s film history, specifically Kaohsiung’s theaters, from 1900 through the 1950s. NTUL Chi

2.2.9

Taiwanese-Dialect Film, 1955–1982

0285 0283

Chun hua meng lu wu shi nian—Tai yu pian xue shu yan tao hui lun wen yi / Zhu ban dan wei: Guo li zheng zhi da xue, Guo jia dian ying zi liao guan. ࡇՐْਗ਼ٚ֐ё—‫ܭݡ‬әѹफ୳क़Ͼ‫ں‬ҹओ / Ұ‫֧؁ދ‬: л߹ू ੽Ͻѹ, лрӇ‫ࢧޞؙ‬ఖ. Taibei: Guo li zheng zhi da xue; Guo jia dian ying zi liao guan, 2007. 150 p. Note: Conference proceedings from an academic symposium on Taiwanese-dialect films hosted by National Chengchi University and Chinese Taipei Film Archive in

Ye, Longyan, 1940– ౕहᴧ, 1940– Guang fu chu qi Taiwan dian ying shi. ‫࣢ׇ‬२‫ݡ׈‬ஹӇ‫ؙ‬੗. Taibei: guo jia dian ying zi liao guan, 1995. 267 p. ISBN 9579987440 Series title: Taiwan dian ying shi liao cong shu; 2 ‫ݡ‬ஹӇ‫ؙ‬੗ࢧᜣ‫ ;ڣ‬2

56

Special Regions, Periods, and Events

0291

Beitou, Taibei, on June 24, 2007. Includes ten papers and the Symposium Schedule. CTFAL Chi

Note:

0286 Dian cang dian ying wen wu zhang ji / Lin Yuru zong bian ji. ਹেӇ‫ؙ‬ҹ‫֟׉‬ফ / ৆ड़Ғրഹফ. Gaoxiong: Gaoxiong shi dian ying tu shu guan, 2005. 184 p. ISBN 9860007713 Series title: Gaoxiong shi dian ying tu shu guan dian ying song shu; 6 ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖӇ‫ؙ‬ᜣ‫ ;ڣ‬6 Note: Kaohsiung Film Archive has digitized 1,500 film artifacts, more than 100 of which are selected and displayed in this book, including: film posters, cameras, projectors, costumes, and more. Divided into nine parts: Part 1, Essays; Part 2, Film Equipment; Part 3, Film Posters Hand-Drawn by Chen Zifu; Part 4, Japanese Film Artifacts; Part 5, Hollywood Film Artifacts; Part 6, European and American Film Posters; Part 7, Taiwanese-Dialect Film Artifacts; Part 8, Hong Kong Film Artifacts; and Part 9, Mandarin Film Artifacts. Includes an index. NTUL Chi

This text on the famous Taiwanese-dialect and martial arts film director and screenwriter Joseph Kuo consists of Part 1, Mr. Kuo’s achievements in Taiwanese-dialect, Mandarin, and Martial Arts films in Taiwan; Part 2, an interview with Mr. Kuo regarding his film career in Taiwan and Hong Kong; Part 3, synopses of Mr. Kuo’s films; and Part 4, an appendix, which includes a chronology, an exhibit of Mr. Kuo’s donations to the Kaohsiung Film Archive, and a bibliography. NTUL Chi

0289 Huang, Ren, 1925– ࢶწ, 1925– Bei qing Tai yu pian. ঳є‫ܭݡ‬ә. Taibei: Wan xiang tu shu gu fen you xian gong si, 1994. 528 p. ISBN 9576694930 Series title: Taiwan dian ying shi cong shu; 4 ‫ݡ‬ஹӇ‫ؙ‬੗ᜣ‫ ;ڣ‬4 Note: A comprehensive work on Taiwanese-dialect film history from 1955 to 1980; however, the filmography at the end of the book includes Taiwanese-dialect films produced from 1955 to 1982. Consists of thirteen chapters, covers multiple subject areas, includes reviews of major representative films, and provides biographies of producers, directors, screenwriters, scholars, and actors and actresses. Includes a filmography (1955–1982). WorldCat Chi

0287 Du, Yunzhi, 1923– ᖯࠥҏ䩟1923– Zhongguo dian ying qi shi nian. ЅлӇ‫֐ࢳؙ‬ё. Taibei: Zhonghua minguo dian ying tu shu guan chu ban bu, 1986. 450 p. Series title: Ying tu cong shu ‫ؙ֖‬ᜣ‫ڣ‬ Note: According to the author’s postscript, this work is not a formal Chinese film history, rather a collection of anecdotes related to Chinese film history. Taiwan film history– related anecdotes begin in Chapter 53 (pp. 382–389) with a discussion of Japanese colonial film history in Taiwan, and end in Chapter 57 (pp. 412–418) with a consideration of the rise of Taiwanese-dialect films and a history of Li Han-hsiang’s Guolian film studio in Taiwan. Includes film stills, posters, and photos. WorldCat Chi

0290 Huang, Ren, 1925– ࢶწ, 1925– Kai tuo Tai yu pian de nu xing xian qu. ыᓛ‫ܭݡ‬әϡѽԛ܏ᒠ. Taibei: He tian ke ji, 2007. 212 p. ISBN 9789868258938 Series title: Taiwan dian ying yan jiu cong shu ‫ݡ‬ஹӇ‫ૢ୳ؙ‬ᜣ‫ڣ‬ Tai yu pian wu shi zhou nian ji nian ji; 2 ‫ܭݡ‬әٚ֐‫ڬ‬ёઔ݉ফ; 2 Note: The first comprehensive biographical work on Taiwan women directors, screenwriters, and actresses in Taiwanese-dialect films. Includes photos, film stills, posters, and a bibliography NTUL Chi

0288 Guo Nanhong de dian ying shi jie = The world directed by Joseph Kuo / Lin Yuru cai fang zhuan wen, Zheng Deqing zong bian ji. ᔕ۪ᒩϡӇ‫ؙ‬Ԓ֎ = The world directed by Joseph Kuo / ৆ड़Ғ൵ භ᫃ҹ, ቼख़দրഹফ. Gaoxiong: Gaoxiong shi dian ying tu shu guan, 2004. 135 p. ISBN 9570162767 Series title: Gaoxiong shi dian ying tu shu guan dian ying cong shu; 3 ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖӇ‫ؙ‬ᜣ‫ ;ڣ‬3

0291 Huang, Ren, 1925– ࢶწ, 1925– You xiu Tai yu pian ping lun jing xuan ji / Huang Ren bian; Huang Ren deng zhu. ‫ݿ‬ഫ‫ܭݡ‬ә߰‫קؘں‬ओ / ࢶწഹ; ࢶწҳЯ. Taibei: Ya tai tu shu chu ban she, 2006.

57

Film History

0292 299 p. ISBN 9789867809445 Series title: Taiwan dian ying yan jiu cong shu; 15 ‫ݡ‬ஹӇ‫ૢ୳ؙ‬ᜣ‫ ;ڣ‬15 Tai yu pian wu shi zhou nian ji nian ji; 1 ‫ܭݡ‬әٚ֐‫ڬ‬ёઔ݉ফ; 1 Note: A collection of selected film reviews on Taiwanesedialect films, divided by decade into the 1950s and 1960s. Also includes essays that review the history of Taiwanese-dialect films. Includes photos, film stills, posters, and a bibliography. NTUL Chi

233 p. ISBN Note:

0292 Huang, Xiuru. ࢶഫҒ. Tai yu pian de xing shuai qi luo. ‫ܭݡ‬әϡࣱᆽв޻. 124 leaves. Note: Thesis (M.A.)—National Taiwan University, 1991. An exploration of the rise and fall of Taiwanese-dialect cinema from 1955 to 1981. Describes the economic conditions and competition of Taiwanese-dialect films and government film policies. The paper concludes that the following reasons lead to the eventual downturn of Taiwanese-dialect cinema: (1) Initially local filmmakers in Taiwan started to produce Taiwanese-dialect films due to a weak market of Mandarin films and stimulation of popular Xiamen-dialect films; (2) the quality of early Taiwanese-dialect films was poor and did not improve over time, even after its initial popular period, due to limited resources; (3) Taiwanesedialect films inevitably lost their share of the market share when the Mandarin film industry emerged and Japanese films were banned; and (4) government film policy and officials in Taiwan were always hostile to Taiwanese-dialect films and filmmaking. Includes a Chinese abstract, a bibliography, Chronology of Domestic Political Affairs, Film Policies and Government-owned Film Studios, Charts of Mandarin Film-Making and Taiwanese-Dialect Filmmaking, Filmography of Mandarin Films 1949–1954, Taiwanese Theatrical Professionals Involved in Taiwanese-dialect Filmmaking, Lists of Taiwanese-dialect and Mandarin Films Selected and Received Golden Horse Awards, Production Charts of Mandarin and TaiwaneseDialect Films from 1955–1974, and Box Office Record of 1965. NTUL Chi

9784771020207 A collection of eleven chapters by various film scholars that deal with Japanese colonialism and the formation of modern Taiwan society and film, politics and Taiwan’s modern cinema, the KMT government and Taiwan film, Shanghai’s film influence on Taiwan film development, Taiwan and Hong Kong film exchange, the Taiwanese-dialect film era (1955–1961), Taiwan film reviews and publications after World War II, and Taiwan film policy and censorship. Includes endnotes at the end of each essay and biographies of the contributors at the end of the book, but there is no index. WorldCat Jpn

0294 Liao, Jinfeng. ᴰ‫ؖ‬ང. Xiao shi de ying xiang: Tai yu pian de dian ying zai xian yu wen hua ren tong. ‫۽‬ᅴϡ‫ؙ‬Ռ: ‫ܭݡ‬әϡӇ‫ؙ‬Ӑѳӿҹ٩‫گ‬ӎ. Taibei: Yuan liu chu ban gong si, 2001. 225 p. ISBN 9573243806 Series title: Dian ying guan; 98 Ӈ‫ؙ‬ఖ; 98 Note: Among the authoritative academic works on Taiwanesedialect film, this text examines representations of culture in more than 1,000 Taiwanese-dialect films produced from 1955 to 1972. Includes a bibliography and Current Situation of Taiwanese-Dialect Films in the appendix. CTFAL Chi

0295 Lin, Kuizhang (Lin, Kuei-Chang). ৆⇙‫א‬. Xun zhao Tai yu pian de lei xing yu zuo zhe: Cong chan ye do wen ben = Searching for auteur and genre in Taiwanese Dialect Films: An analysis of the industry and text. ଵ‫ܭݡװ‬әϡढࡿӑ‫ٷ‬: ԩ‫׬ݗ‬Ϻҹӆ = Searching for auteur and genre in Taiwanese Dialect Films: An analysis of the industry and text. 206 leaves. Note: Thesis (M.A.)—National Taiwan University, 2008. The paper focuses on three of the most popular genres of Taiwanese-dialect films: Ge zai xi (Local Taiwanese Opera), Literary, and Western films as well as their representative auteurs, including Li Quanxi, Lin Tuanqiu, and Li Xing. The paper then examines Hsin Chi, a so-called Taiwanese-dialect film director with future potential, and his works. Includes a Chinese abstract, bibliography, filmography of Gezai Xi, and a catalog of Taiwanese-dialect film posters, newspaper advertisements, and film copies. NCL/NDLTD Chi

0293 Koyama, Sabur䲖, 1952– Щ‫ځ‬ѧᅦ, 1952– Taiwan eiga: Taiwan no rekishi, shakai o shiru madoguchi / Koyama Sabur䲖 hencho. ‫ݡ‬ළྱࡌ: ‫ݡ‬ළ䫟䖉੗ί घϿ䬃Ҍ䫼凵‫ ט‬/ Щ‫ځ‬ѧᅦഹЯ. Kyoto: K䲖y䲖 Shob䲖, 2008.

58

Special Regions, Periods, and Events

0301 Xing Film Studio; and reports on the preservation and restoration projects of Taiwanese-dialect films. The appendix includes the introduction of the current available Taiwanese-dialect films in the Chinese Taipei Film Archive, a filmography of Taiwanese-dialect films from 1955 to 1981, and a bibliography. CTFAL Chi

0296 Lin, Liangzhe. ৆મᎻ. Taizhong dian ying chuan qi = Treasure of movies in Taichung. ཅЅӇ‫ = ࡞ةؙ‬Treasure of movies in Taichung. Taizhong: Taizhong shi fu, 2004. 186 p. ISBN 9570189088 Note: A detailed film history of Taichung. Significant events include these dates: in 1910, the first screenings of Japanese films occurred in Taizhong Zuo (the first professional theater in Taichung which was built in 1902); in 1949, Nongjiao Company established its film studio in Taichung and produced its first feature film E Meng Chu Xing; and in 1955, He Jiming, a famous Taiwanese-dialect film director and Taichung native, made the box office success Xue Pinggui yu Wang Baochuan in Taichung—it was the first Taiwanese-dialect film, and the first 35mm Taiwanese-dialect film, produced in Taiwan. Includes biographies of the film directors, actors and actresses related to Taichung, film stills, posters, and photos. NTUL Chi

0299 “Taiwan wen xue yu dian ying zhong de mu yu” xue shu yan tao hui lun wen ji / Jian Guangming zhu bian. “‫ݡ‬ஹҹѹӿӇ‫ؙ‬Ѕϡআ‫ ”ܭ‬ѹफ୳क़Ͼҹओ / ߢ‫ׇ‬ҴҰഹ. Pingdong: Guo li Pingdong jiao yu da xue Zhongguo yu wen xue xi, 2008. 234 p. ISBN 9789860136210 Note: Consists of nine papers presented at the Native Languages in Taiwan Literature and Film Symposium on February 22, 2008. The papers explore Taiwan native languages, including Mandarin, Min’nan/Taiwanese, Hakka, and Aboriginal dialects used in literature and film under different political, cultural, economic, and historical conditions. Includes the Symposium program and presenter introduction. NTUL Chi

0297 Lin, Meise. ৆Ѥ亯. Ge zai xi huang di: Yang Lihua. ‫ܮ‬௩ۚ෦෌:໷‫ܡ‬Ր. Taibei: Shi bao wen hua chu ban qi ye gu fen you xian gong si, 2007. 318 p. ISBN 9789571347271 Series title: People; 207 Note: A biography of Yang Lihua, a famous Taiwan local opera (ge zai xi) and film star, who, according to the text, began producing Taiwanese-dialect films in 1967 and made Taiwan’s last Taiwanese-dialect film, Chen Sanwu Niang, in 1981. Includes a chronology. CTFAL Chi

0300 Wang, Zilong. ࣼжᑹ. Zhongguo ying ju shi. Ѕл‫ঁؙ‬੗. Taibei: Jian guo chu ban she, 1960. 152 p. Note: Because of the close relationship between Chinese film and drama (in this case, not Chinese opera, but Western performance art), the author provides a joint history of Chinese film and drama, divided into six periods: Budding: End of Qing to 1920; Establishing: 1921–1930; Developing: 1931–1937; Peaking: 1938–1945; Prosperous: 1946–1949; and Struggling: 1950–1959. The appendix includes the essays on Taiwanese-dialect film and drama. CTFAL Chi

0298 Tai yu pian shi dai (1) / Zuo zhe: Guo jia dian ying zi liao guan kou shu dian ying shi xiao zu. ‫ܭݡ‬әЖ‫( ڊ‬ϣ) / ӑ‫ٷ‬: лрӇ‫ࢧޞؙ‬ఖ‫ט‬਎Ӈ‫ؙ‬੗Щ६. Taibei: Guo jia dian ying zi liao guan, 1994. 388 p. ISBN 9579987424 Series title: Taiwan dian ying shi liao cong shu; 003 ‫ݡ‬ஹӇ‫ؙ‬੗ࢧᜣ‫ ;ڣ‬003 Note: Part of the Taiwan Film Oral History project, sponsored by the Chinese Taipei Film Archive, this text includes interviews of related personnel in Taiwanesedialect film production, such as Li Quanxi, Xin Q, Li Jia, Gao Renhe, Chen Hongmin, Cai Yangming, Shen Jiang, and Liang Zhefu; biographical works on Hua

0301 Yang, Meiying (Yang, Mei-ying). ໷Ѥᓜ. Cong Taiwan dian ying zhi fang yan yu wen hua ci de ying yi jian shi zi mu yi zhe de jue se: yi Hou Xiaoxian de dian ying wei li = The role of a subtitler in the translations of dialects and cultural terms in Taiwan Cinema: a case study of Hou Hsiao-hsien’s films. ԩ‫ݡ‬ஹӇ‫ؙ‬ҏҤߞӿҹ٩୬ϡ߭ፆഛ؆‫௷ܒ‬ፆ‫ٷ‬ϡࡠա: йᢡᖮ ᐊϡӇ‫ؙ‬Њຎ = The role of a subtitler in the translations of dialects and cultural terms in Taiwan Cinema: a case study of Hou Hsiaohsien’s films. 125 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 2008.

59

Film History

0302 Focuses on the role of film subtitlers in the translation of dialects (including Taiwanese and Hakka) and cultural terms in seven Hou Hsiao-hsien films. The paper introduces director Hou and four of his subtitlers to explore the subtitling difficulties inherent to Hou’s films by considering the perspectives of the author, text, and audience. The paper is written in English. Includes Chinese and English abstracts and a bibliography. NCL/NDLTD (FT) Eng

producers, screenwriters, and directors; posters; its distribution system; and explanations of Taiyu pian’s fall and complex relationship with Japanese culture. Includes film posters, stills, and photos. CTFAL Chi

0304 Yi jiu ba jiu Jin Ma guo ji guan mo ying zhan, 12.9–12.22, 1989 / Dian ying zi liao guan. ϣ॰ࡂ॰‫ެؖ‬лগ޲ಎ‫ࣁؙ‬, 12.9–12.22, 1989 / Ӈ‫ࢧޞؙ‬ఖ. Taibei: Dian ying zi liao guan, 1989. 162 p. Note: Published to celebrate the 1989 Golden Horse International Film Festival hosted by the Taiwan Film Library from December 9 to 22, 1989, this work includes the filmography of all participating films, including three Taiwanese-dialect films, one film by Edward Yang, and related reviews and interviews by film scholars and critics. NTUL Chi

0302 Ye, Longyan, 1940– ౕहᴧ, 1940– Chun hua meng lu: zheng zong Tai yu dian ying xing shuai lu. ࡇՐْਗ਼: Ԝᅓ‫ܭݡ‬Ӈ‫ࣱؙ‬ᆽ࠷. Taibei: Go yang wen hua shi ye you xian gong si, 1999. 320 p. ISBN 9579771006 Series title: Taiwan yue lan shi; 4 ‫ݡ‬ஹ་ऋॣ; 4 Note: According to the author’s preface and introduction to this Taiwanese-dialect film history, the title of the book should have been Authentic History of TaiwaneseDialect Film; however, no explanation is provided to account for the change in title. Ye used Huang Ren’s 1994 work as a reference, but integrates new perspectives, including the political, sociological, and cultural. Because of the author’s academic background, the text provides a scholarly approach to Taiwanese-dialect film history in contrast to Huang Ren’s work published earlier. The author suggests that the Taiwanese-dialect film movement lasted from 1955 to 1974, although there were a few attempts to revive its seemingly inevitable death from 1974 to 1981, whereas Huang Ren claims the movement ended in 1980. The filmography includes Taiwanese-dialect films produced from 1955 to 1981 and includes films not listed in Huang Ren’s work. Ye is critical of the KMT’s handling of the February 28 Incident and the KMT government’s policy vis-à-vis Taiwanese-dialect film. Contains seven chapters with notes for each chapter. Includes film stills, posters, and photos. WorldCat Chi

0305 Zhongguo dian ying shi ye de xian zhuang ji zhan wang: jiao yu bu wen hua ju dian ying shi ye diao cha bao gao shu / Jiao yu bu wen hua ju bian. ЅлӇ‫ؙ‬Ѩ‫׬‬ϡѳ૬ߵࣁֳ: ‫ڌ‬ड़‫ח‬ҹ٩঵Ӈ‫ؙ‬Ѩ‫ ڣݍڻݓ݇׬‬/ ‫ڌ‬ड़‫ח‬ҹ٩঵ഹ. Taibei: Jiao yu bu wen hua ju, 1971. 189 p. Note: An official 1971 report on the current condition of, and future predictions for, the Taiwan film industry. Released by the Cultural Bureau under the Ministry of Education. WorldCat Chi

2.2.10

Mandarin Film, 1963–1970

0306 Dian cang dian ying wen wu zhang ji / Lin Yuru zong bian ji. ਹেӇ‫ؙ‬ҹ‫֟׉‬ফ / ৆ड़Ғրഹফ. Gaoxiong: Gaoxiong shi dian ying tu shu guan, 2005. 184 p. ISBN 9860007713 Series title: Gaoxiong shi dian ying tu shu guan dian ying song shu; 6 ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖӇ‫ؙ‬ᜣ‫ ;ڣ‬6 Note: Kaohsiung Film Archive has digitized 1,500 film artifacts, more than 100 of which are selected and displayed in this book, including film posters, cameras, projectors, costumes, and more. Divided into nine parts: Part 1, Essays; Part 2, Film Equipment; Part 3, Film Posters Hand-Drawn by Chen Zifu; Part 4, Japanese Film Artifacts; Part 5, Hollywood Film Artifacts; Part 6, European and American Film Posters; Part 7, Taiwanese-Dialect Film Artifacts; Part 8, Hong Kong Film Artifacts; and Part 9, Mandarin Film Artifacts. Includes an index. NTUL Chi

0303 Ye, Longyan, 1940– ౕहᴧ, 1940– Zheng zong Tai yu dian ying shi 1955–1974 (dian cang ban). Ԝᅓ‫ܭݡ‬Ӈ‫ؙ‬੗ 1955–1974 (ਹে‫)ؗ‬. Taibei: Taiwan kuai le xue yan jiu suo, 2005. 143 p. ISBN 9574130223 Series title: Happy 01 Note: As the author states in the preface, the work both reviews the history of Taiyu pian (Taiwanese-dialect film) and explores the close relationship between Japanese culture and Taiyu pian. Introduces the private film studios that produced Taiyu pian; important Taiyu pian

60

Special Regions, Periods, and Events

0313 Note:

0307 “Taiwan wen xue yu dian ying zhong de mu yu” xue shu yan tao hui lun wen ji / Jian Guangming zhu bian. “‫ݡ‬ஹҹѹӿӇ‫ؙ‬Ѕϡআ‫ ”ܭ‬ѹफ୳क़Ͼҹओ / ߢ‫ׇ‬ҴҰഹ. Pingdong: Guo li Pingdong jiao yu da xue Zhongguo yu wen xue xi, 2008. 234 p. ISBN 9789860136210 Note: Consists of nine papers presented at the Native Languages in Taiwan Literature and Film Symposium on February 22, 2008. The papers explore the Taiwan native languages, including Mandarin, Min’nan/ Taiwanese, Hakka, and Aboriginal dialects, used in the literature and film under different political, cultural, and economic, and historical conditions. Includes the Symposium program and presenter introduction. NTUL Chi

A paper presented at “Film Style in Question: an International Symposium in Honor of David Bordwell” at the University of Wisconsin, Madison, April 21–23, 2005. Discusses the representation of Mandarin literary classics in twenty-first-century Taiwan cinema. Includes a bibliography. WorldCat Eng

0311 Zhongguo dian ying shi ye de xian zhuang ji zhan wang: jiao yu bu wen hua ju dian ying shi ye diao cha bao gao shu / Jiao yu bu wen hua ju bian. ЅлӇ‫ؙ‬Ѩ‫׬‬ϡѳ૬ߵࣁֳ: ‫ڌ‬ड़‫ח‬ҹ٩঵Ӈ‫ؙ‬Ѩ‫ ڣݍڻݓ݇׬‬/ ‫ڌ‬ड़‫ח‬ҹ٩঵ഹ. Taibei: Jiao yu bu wen hua ju, 1971. 189 p. Note: An official 1971 report on the current condition of, and future predictions for, the Taiwan film industry. Released by the Cultural Bureau under the Ministry of Education. WorldCat Chi

0308 Wang, Kai ming. A history and thematic analysis selected Chinese fictional motion pictures produced in Hong Kong and Taiwan (1968–1970). 121 leaves. Note: Thesis (M.A.)—Ohio State University, 1976. A comparative study of selected Chinese fictional films produced in Hong Kong and Taiwan from 1968 to 1970. Includes a bibliography. WorldCat Eng

2.2.11

Healthy Realism Film, 1963–1980

0312 Chen, Nan. ವ۪. Zhongguo dian ying si chao ping xi. Ѕмӈ‫ࡷؙ‬ӑ‫ڽ‬଎߯໯. Shanghai: Tongji da xue chu ban she, 2002. 226 p. ISBN 7560824382 Note: Chapter 11 (pp. 209–224) covers Taiwan Healthy Realism during the 1960s, and the New Taiwan Cinema movement during the 1980s. WorldCat Chi

0309 Wicks, James Anthony. The antecedents of Taiwan New Cinema: the state of Taiwan film in the 1960s and 1970s. 266 leaves. Note: Thesis (Ph.D.)—University of California, San Diego, 2010. Explores the ways Taiwan’s KMT (Nationalist Party) government defined itself as the representative government of all of China in the 1960s and 1970s by both studying its state-sanctioned film industry and explaining how these filmmaking conditions in the 1970s enabled the emergence of Taiwan New Cinema in the 1980s. Analyzes influences from mainland China, Japanese colonialism, and the United States during the Cold War. Includes notes and a bibliography. ProQuest (FT) Eng

0313 The Chinese cinema book / edited by Song Hwee Lim; Julia Ward. New York: Palgrave Macmillan; London: British Film Institute, 2011. 218 p. ISBN 9781844573448, 1844573443, 1844573451, 9781844573445 Note: An essential collection of China film studies essays that provides informed insights into leading film theories, including an essay by Chris Berry on transnational film studies, and the historical-material conditions of filmmaking in China, Hong Kong, and Taiwan. The text is divided into the following sections: Territories, Trajectories, Historiographies; Early Cinema to 1949; The Forgotten Period: 1949–80; The New Waves; and Stars, Auteurs and Genres. Includes “Healthy Realism in Taiwan, 1964–80: Film Style, Cultural Policies, and Mandarin Cinema” by Guo-Juin Hong, and “Taiwan New Cinema and Its Legacy” by Tonglin Lu. WorldCat Eng

0310 Ye, Yueyu (Yeh, Emilie Yueh-yu). ౕ֊ᒶ. Innovation or recycling: Mandarin classics and the return of the wenyi tradition. Hong Kong: David C. Lam Institute for East-West Studies, Hong Kong Baptist University, 2006. 22 p. Series title: Working paper series, David C Lam Institute for East-West Studies; no. 47.

61

Film History

0314 Note:

0314 Li Xing—yi jia zi de hui huang / zhu bian Jiao Xiongping, Qu Guizhi. ଽҲ—ϣപжϡሓᑟ / Ұഹဖ೰๔, ߅ᄉᆙ. Taibei: Yue sheng wen hua shi ye you xian gong si, 2008. 255 p. ISBN 9789576307348 Series title: Taibei Jin Ma ying zhan cong shu, 2008; 4 ཅ‫ࣁؙެؖܚ‬ᜣ‫ڣ‬, 2008; 4 Note: A special collection of essays, written by film scholars on both sides of the Taiwan Strait, compiled to celebrate the 60th anniversary of Li Xing’s film career (1958–2008). The essays cover Li Xing, “father of Taiwan film” and “founder of the Healthy Realism Film movement,” and his classic works. Includes a recent interview and chronology. NTUL Chi

Consists of four parts: Part 1, From Healthy Realism to New Cinema; Part 2, Zhongying (Central Motion Picture Corporation) and the Rise and Fall of Taiwan Cinema; Part 3, Taiwan New Cinema and Political Reform; and Part 4, Ethnic Groups in Taiwan Cinema. Includes a list, prepared by Liao Jinfeng and Ru-shou Robert Chen, of the most representative films of Taiwan cinema during each time period, and a bibliography (pp. 172–175). WorldCat Jpn

0317 Wicks, James Anthony. The antecedents of Taiwan New Cinema: the state of Taiwan film in the 1960s and 1970s. 266 leaves. Note: Thesis (Ph.D.)—University of California, San Diego, 2010. Explores the ways Taiwan’s KMT (Nationalist Party) government defined itself as the representative government of all of China in the 1960s and 1970s by both studying its state-sanctioned film industry and explaining how these filmmaking conditions in the 1970s enabled the emergence of Taiwan New Cinema in the 1980s. Analyzes influences from mainland China, Japanese colonialism, and the United States during the Cold War. Includes notes and a bibliography. ProQuest (FT) Eng

0315 Tang, Weimin (Tang, Albert Wei-Min). ࿔‫์ۆ‬. You yi wen yi zhan dou fu sheng, dian ying zheng jing jian kong qi fei, xu shi wen ben mei xue zai xian: Liu shi nian dai Taiwan jian kang xie shi dian ying de jue qi = Recurring right-wing discursive tactics, policing political economy of cinematic production, representing narrative aesthetic syndromes: The rise of Healthy Realistic Cinema in Taiwan. ૼॢҹਲ‫ڕ‬ஸ࣢Т, Ӈ‫ूؙ‬Ҭฬସвٞ, ᡳѨҹӆѤѹӐѳ: ࡏ֐ ё‫ݡڊ‬ஹ࡬ࣉ܎ӢӇ‫ؙ‬ϡ៷в = Recurring right-wing discursive tactics, policing political economy of cinematic production, representing narrative aesthetic syndromes: The rise of Healthy Realistic Cinema in Taiwan. 267 leaves. Note: Thesis (Ph.D.)—Fu Jen Catholic University, 2008. The paper analyzes the discursive formation of Taiwan’s Healthy Realism movement in the 1960s. The author argues that, based on an account of the KMT’s efforts to preserve its monolithic governance from the 1930s through the Healthy Realism era, filmmakers used subtle tactics in a struggle for artistic freedom while film critics and film historians desired relevant film productions. Includes Chinese and English abstracts and a bibliography. NCL/NDLTD Chi

0318 Ye, Longyan, 1940– ౕहᴧ, 1940– “Ying xiang” de ying xiang: qi shi nian dai Taiwan dian ying shi, 1970–1979. “‫ؙ‬৘” ϡ‫ؙ‬৘: ࢳ֐ё‫ݡڊ‬ஹӇ‫ؙ‬੗, 1970–1979. Xinzhu: Xinzhu shi ying xiang bo wu guan, 2002. 206 p. ISBN 9570116935 Note: According to the author’s preface, the original title of the manuscript was: Historical Analysis of a Film Magazine: Ying Xiang. This text is an overview of Taiwan film during the 1970s based on an analysis of the film magazine, Ying Xiang, during the 1970s (December 1971–September 1979). Includes endnotes and a bibliography. NTUL Chi

0316 Tobari, Haruo, 1938– ‫פݏ‬ֆਜ਼, 1938–

0319 Ye, Yueyu (Yeh, Emilie Yueh-yu). ౕ֊ᒶ. A national score: popular music and Taiwanese cinema. 263 leaves. Note: Thesis (Ph.D.)—University of Southern California, 1995. An interesting study of the relationship between popular music, cinema, and national identity in Taiwan from the 1970s to the 1990s. Explores multiple relevant interrelationships between popular music and Taiwan

Taiwan eiga no subete / Tobari Haruo, Ry䲖 Kinh䲖, Chin Jush䲚. ‫ݡ‬ළྱࡌ䫟䫊䫪䫗/ ‫פݏ‬ֆਜ਼, ᴰ‫ؖ‬ང, ಴ᭉࢗ. T䲖ky䲖: Maruzen, 2006. 180 p. ISBN 4621061062, 9784621061060 Series title: Maruzen bukkusu; 106 ᐣ৖䭅䬲䬞䬨; 106

62

Special Regions, Periods, and Events

0326

cinema, including the inclusion of popular songs in 1970s policy films and romantic melodramas, the exclusion of pop music in Taiwan New Cinema in the 1980s, and the return of popular music in commercial films of the 1990s, thus revealing “a national identity characterized by shifting loci of commerce, politics, and art” (abstract). As a serious academic work, it provides many interesting perspectives based on in-depth research and substantial evidence. It states, however, that “A huge massacre occurred in 1945 when many Taiwanese rose up against the semi-colonial governance of the National Party” (p. 2), which is possibly miswritten, for if Dr. Yeh is referring to the February 28 Incident, this event occurred in 1947. Includes a filmography (243–247) and bibliography (248–263). WorldCat Eng

0322 2000 Taiwan dian ying wen hua di tu / Taibei shi zheng fu, Cai tuan far en guo jia dian ying zi liao guan ce hua. 2000 ‫ݡ‬ஹӇ‫ؙ‬ҹ٩с֖ / ‫ूصܚݡ‬௞, ੠֚ࣗϪлрӇ‫ࢧޞؙ‬ఖ ೫੿. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 2001. 268 p. ISBN 9573243849 Series title: Dian ying guan; 96 Ӈ‫ؙ‬ఖ; 96 Note: An introduction to the Third Taipei Film Festival hosted by the Taipei Municipal Government and the Chinese Taipei Film Archive in 2000. Describes how award-winning films are selected, presents essays on contemporary Chinese films in Taiwan, Hong Kong, and mainland China, and contains brief biographies of the film award judges. CTFAL Chi

0320

0323

Zhongguo dian ying shi ye de xian zhuang ji zhan wang: jiao yu bu wen hua ju dian ying shi ye diao cha bao gao shu / Jiao yu bu wen hua ju bian. ЅлӇ‫ؙ‬Ѩ‫׬‬ϡѳ૬ߵࣁֳ: ‫ڌ‬ड़‫ח‬ҹ٩঵Ӈ‫ؙ‬Ѩ‫ ڣݍڻݓ݇׬‬/ ‫ڌ‬ड़‫ח‬ҹ٩঵ഹ. Taibei: Jiao yu bu wen hua ju, 1971. 189 p. Note: An official 1971 report on the current condition of, and future predictions for, the Taiwan film industry. Released by the Cultural Bureau under the Ministry of Education. WorldCat Chi

2010 Zhongguo dian ying yi shu bao gao = A report on Chinese film art / Yin Hong, Liu Haodong zhu bian. 2010 Ѕмӈ‫ؙ‬਴भ‫ = ݍۏ‬A report on Chinese film art / ẚ᜝䩟ข ᒲևҰ൜. Beijing: Zhongguo dian ying chu ban she, 2010. 236 p. ISBN 9787106032050, 7106032050 Note: A report on Chinese film production in 2009, including Hong Kong and Taiwan, compiled by film scholars from mainland China. WorldCat Chi

0324 2.2.12

Ba shi nian dai Taiwan dian ying zhan / Lingnan da xue yi wen she; Xianggang yi shu zhong xin. ࡂ֐ё‫ݡڊ‬ஹӇ‫ ࣁؙ‬/ ᗬ۪Ͻѹਲҹघ; ‫ܫ‬୯ਲफЅК. [Xianggang: Lingnan da xue yi wen she, 1987] [30 p.] Note: The program for The Exhibition of Taiwan Films in the 1980s, jointly presented by the Arts and Literature Promotion Society at Lingnan University and the Hong Kong Arts Center in 1987. WorldCat Chi

Contemporary Taiwan Film, 1980–

0321 1994 Taibei Jin Ma ying zhan zhuan ti te kan; “duan lie” yu “fu he”: zhan wang jiu shi nian dai zhongguo dian ying = 1994 Taipei Golden Horse Film Festival special programs: perspective of Chinese cinemas of the 90s / Te kan zhu bian: Xie Renchang. 1994 ‫ئ֤֟ࣁؙެؖܚݡ‬ᑂ; “ऄი” ӿ “࣢ׁ”: ࣁֳ90ё‫ڊ‬Ѕл Ӈ‫ = ؙ‬1994 Taipei Golden Horse Film Festival special programs: perspective of Chinese cinemas of the 90s / ‫ئ‬ᑂҰഹ: ‫ه‬წቾ. Taibei: Taibei Jin Ma ying zhan zhi xing wei yuan hui, [1994] 139 p. Note: Published to commemorate the 1994 Taipei Golden Horse Film Festival. Primarily focuses on Taiwan and Hong Kong as it provides a survey of Chinese cinemas in the 1990s. Includes a bibliography and filmography. WorldCat Chi

0325 Balemi, Andreas, 1968– Der neue taiwanische Film der 80er Jahre. Bern; New York: P. Lang, 1996. 170 p. ISBN 3906755673, 9783906755670 Series title: Schweizer asiatische Studien. Studienhefte; Bd. 14 Etudes asiatiques suisses. Cahiers; v. 14 WorldCat Ger

0326 Bian di fa sheng—fan zhu liu ying xiang mei ti yu she yun ji lu / Zhu zhe Dun Cheng deng. ‫נ‬сч‫ބ—ك‬ҰԵ ‫ؙ‬Ռ෪Ղӿघ‫ػ‬ઔ࠷ / Я‫ٷ‬ᆼ஧ҳ.

63

Film History

0327 Taibei: Tangshan chu ban she, 1992. 183 p. Series title: Jin bu cong shu; 5 Ք‫܌‬ᜣ‫ ;ڣ‬5 Note: An essay collection that focuses on Taiwan’s antimainstream media movements and social movements during the 1980s and 1990s. Essays include Jiang Guanming’s report on nonmainstream media in Taiwan; Dai Bofen and Wei Yinbing’s analysis of antimainstream images; Li Daoming’s review of his experience in documentary filmmaking; Liang Guang’s discussion of Taiwan antimainstream image media movement vis-à-vis the May 20, 1988, Incident; Zhang Bihua’s interview of Wang Zhizhang on Taiwan’s street movement in the 1980s; and an overall description of Taiwan’s antimainstream image media groups, such as Green Group, the Third Image Studio, Culture Taiwan Studio, Firefly Image, New Taiwan Social Movement Audio/Visual Studio, and Taiwan Report by the editors. Includes a product list of Taiwan antimainstream image media. CTFAL Chi

0329 Chiu, Chi-ming. A study of Taiwanese cinema: cultural policy, marketing and the issues of postmodernity (the late 1980s–2000). Taipei: Radio and Television Department, National Taiwan University of Arts, 2003. 176 p. ISBN 9570138955, 9789570138955 Note: A study of cultural policy, marketing, and the issues of postmodernity in the cinema of Taiwan from the 1980s to 2000. Includes a bibliography. NCL Eng

0330 Chou, Peggy. Taiwan cinema: fictions, documentaries, animations. Taipei: Department of Motion Picture Affairs, Government Information Office, 2006. 1 v. Note: According to OCLC WorldCat, there is only one copy at the National Taiwan University Library. WorldCat Eng

0327 Braester, Yomi. Witness against history: literature, film, and public discourse in twentieth-century China. Stanford, CA: Stanford University Press, 2003. 264 p. ISBN 080474792X, 9780804747929 Note: Analyzes constructions of twentieth-century Chinese history as reflected in literature, film, and public discourse. Chapter 7 focuses on Taiwan: “Retelling Taiwan: Identity and Dislocation in Post-Chiang Mystery.” Includes a bibliography and an index. WorldCat Eng

0331 Cinema Taiwan: politics, popularity and state of the arts / edited by Darrell William Davis and Ru-shou Robert Chen. London and New York: Routledge Taylor & Francis Group, 2007. 236 p. ISBN 0415412579 (hbk.), 0415412587 (pbk.), 020396439X (ebk.), 9780415412575 (hbk.), 9780415412582 (pbk.), 9780203964392 (ebk.) Note: An excellent collection of essays divided into three groups: Politics, Popularity, and State of Arts. As the introduction by Darrell William Davis states, this text is “a foray into the cultural politics of contemporary Taiwan film, which brings into focus several developments since the famous milestones of Hou Hsiaohsien, Edward Yang, Ang Lee, Tsai Ming-liang, et al” (p. 8). The text explores new developments of Taiwan film in the twenty-first century based on a historical understanding of Taiwan’s previous film movements, including Taiwan New Cinema. Includes a selected filmography (with English translation and Chinese characters), a Chinese glossary, selected bibliography, and an index. WorldCat Eng

0328 Chen, Ruxiu (Chen, Ru-shou Robert). ಴ᭉࢗ. Dian ying di guo, ling yi zhong zhu shi: dian ying wen hua yan jiu. Ӈ‫ؙ‬෌л, ࡔϣ҆‫ڀ‬؆: Ӈ‫ؙ‬ҹ٩୳ૢ. Taibei: Wan xiang tu shu gu fen you xian gong si, 1995. 264 p. ISBN 9576697344 Series title: Yi shu fang; 16 ਲ‫ ;ࠚڣ‬16 Note: A collection of the author’s essays organized into three sections: (1) cultural, gender, psychological, and comparative analyses of Taiwan films of the 1990s; (2) mainland China films; (3) Taiwan film through the lens of post-colonial theory. Essays of note include a study of mental illness in Taiwan films, and a psychological study of Hou Hsiao-hsien’s film A City of Sadness (1989). Includes a bibliography. CTFAL Chi

0332 Dang dai Zhongguo dian ying: 1994 / Huang Wulan zhu bian. Ԅ‫ڊ‬ЅлӇ‫ؙ‬: 1994 / ࢶ循ᘈҰഹ. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1994. 309 p. ISBN 9571314919 Series title: Ren jian cong shu; 217 ϪҼᜣ‫ ;ڣ‬217

64

Special Regions, Periods, and Events

Note:

0337

Introduces the 1994 Seventh Taibei Film Award (ཅ ‫ܚ‬Ӈ‫ؙ‬؉, the forerunner to the Taipei Film Festival), and discusses the award-winning films from Taiwan, Hong Kong, and mainland China. Includes photos, film stills, and a 1994 Film Index. NTUL Chi

0335 Dang dai Gang Tai dian ying: 1988–1992 / Huang Wulan zhu bian. Ԅ‫ڊ‬୯‫ݡ‬Ӈ‫ؙ‬: 1988–1992 / ࢶ循ᘈҰഹ. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1992. 2 v. ISBN 9571305553, 9571305561, 957130557X Series title: Ren jian cong shu; 187–188 ϪҼᜣ‫ ;ڣ‬187–188

0333 Dang dai Zhongguo dian ying: 1995–1997 / Zhu bian: Huang Wulan. Ԅ‫ڊ‬ЅлӇ‫ؙ‬: 1995–1997 /Ұഹ: ࢶ循ᘈ. Taibei: Shi bao wen hua chu ban qi ye gu fen you xian gong si, 1998. 329 p. ISBN 9571325236 Series title: Shi bao shu xi; 679 Ж‫ ;ڍڣڻ‬679 Note:

Note:

Introduces the 1997 Taibei Film Award (ཅ‫ܚ‬Ӈ‫ؙ‬؉, the forerunner to the Taipei Film Festival), with the same series title as the 1994 publication. The text, however, differs from the 1994 publication in interesting ways. In terms of additions, Taiwan and Hong Kong film scholars report on the films from Taiwan, Hong Kong, and mainland China, review important films from 1995 to 1997, and introduce five contemporary Taiwan and Hong Kong directors. In terms of differences, mainland Chinese films did not participate in the Taipei Film Awards, notably this occurred when proindependence R.O.C. President Chen Shuibian was in office—interestingly, he provides the preface of the book—and the final film catalog includes only Taiwan and Hong Kong films. Includes 1995–1997 Hong Kong and Taiwan Film Catalogs. CTFAL Chi

0336 Dang dai Gang Tai dian ying: 1993 / Huang Wulan zhu bian. Ԅ‫ڊ‬୯‫ݡ‬Ӈ‫ؙ‬: 1993 / ࢶ循ᘈҰഹ. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1993. 226 p. ISBN 9571308730 Series title: Ren jian cong shu; 202 ϪҼᜣ‫ ;ڣ‬202 Note:

0334 Dang dai Zhongguo dian ying: 1998 / Zhu bian: Huang Wulan. Ԅ‫ڊ‬ЅлӇ‫ؙ‬: 1998 /Ұഹ: ࢶ循ᘈ. Taibei: Shi bao wen hua chu ban qi ye gu fen you xian gong si, 1999. 256 p. ISBN 9571328464 Series title: Shi bao shu xi; 681 Ж‫ ;ڍڣڻ‬681 Note:

Introduces the Taibei Film Award (ཅ‫ܚ‬Ӈ‫ؙ‬؉, the forerunner to the Taipei Film Festival) from 1988 to 1992 and presents award-winning films from Taiwan and Hong Kong. Two categories of films were considered for awards: commercial films and noncommercial films. Includes an annual film report for each year, photos, film stills, and posters. CTFAL Chi

Introduces the Taibei Film Award (ཅ‫ܚ‬Ӈ‫ؙ‬؉, the forerunner to the Taipei Film Festival) in 1993 and presents award-winning films from Taiwan and Hong Kong. Two categories of films were considered for awards: commercial films and noncommercial films. In the preface, the editor mentions that 1993 marked the second year in which films from mainland China were recommended for awards; however, there were problems with selecting and acquiring copyrights for the mainland Chinese films. Includes photos, film stills, and a 1993 Hong Kong and Taiwan Film Index. CTFAL Chi

0337 Davis, Darrell Williams. East Asian screen industries / Darrell Williams; Emilie Yueh-yu Yeh. London: British Film Institute, 2007. 192 p. ISBN 9781844571802 (hbk.), 1844571807 (hbk.), 9781844571819 (pbk.), 1844571815 (pbk.) Note: East Asian Screen Industries is situated at the forefront of current trends in film studies. It recognizes the continuing importance of national policy and identity in the production of the film image, but it also observes the regional connections between Korea, Japan, China, Taiwan, and Hong Kong that must be factored into a present-day consideration of film in the region. Specifically, Davis and Yeh focus on the ways deregulation— that is, the abandonment of protectionist measures, such as government imposed quotas and tax barriers—has led to the influx of Hollywood film in East

Introduces the 1998 Taibei Film Award (ཅ‫ܚ‬Ӈ‫ؙ‬؉, the forerunner to the Taipei Film Festival), with the same series title as the 1994 publication. Taiwan, Hong Kong, and mainland China film scholars report on the films from Taiwan, Hong Kong, and mainland China; review important films of 1998; and list award-winning films of 1998. Mainland China film returned to the event in 1998, after not participating in 1997. Includes 1998 Hong Kong, Taiwan, and mainland China Film Catalogs. CTFAL Chi

65

Film History

0338 Asia. This, in turn, challenged local industries and also provided an opportunity for various film industries to restructure and reconsider industrial practices in a make or break effort to maintain their vitality despite the obstacles—be they institutional, economical, or political. Davis and Yeh describe East Asia’s vibrant and energetic market with a series of case studies and examples. Their close readings of key films and examples of key film personnel are concise and informative. Thus, this text reads as a current who’s who and what’s what of the East Asia cinema industry; yet, as the book also makes clear, the authors recognize that the film industry changes quickly. WorldCat Eng

0341 Fujii, Sh䲖z䲖, 1952– ᗳቯ૸ѧ, 1952– Ch䲚goku eiga o yomu hon. Ѕмྱࡌ䬃媠䫱ӆ. T䲖ky䲖: Asahi Shinbunsha, 1996. 225 p. ISBN 4022569484 Note: Chapters 5 and 6 deal with Taiwan film. Begins with Hou Hsiao-hsien’s film A City of Sadness (1989) and an accompanying reflection on Taiwan’s film history during the Japanese colonial era and the early years of Nationalist rule, including the February 28 Incident, and ends with Ang Lee’s film Eat Drink Man Woman (1994) to touch on the subject of the lives of nonlocal (wai sheng ren) Taiwanese in Taiwan. WorldCat Jpn

0338 Di san ge shi qi de Zhongguo dian ying: Beijing, Taibei, Xianggang xue sheng dian ying lu xiang hui zhan. ҷѧϫЖ‫׈‬ϡЅлӇ‫ؙ‬: ‫ߟܚ‬, ‫ܚݡ‬, ‫ܫ‬୯ѹТӇ‫࠷ؙ‬Ռအࣁ. Xianggang: Xianggang Jin Hui xue yuan chuan li xi, 1988. 168 p. Note: A record of a 1988 exhibit of films produced by film majors from colleges in Hong Kong, Taipei, and Beijing. Includes synopses of the films produced by the students from five Taiwan colleges, and Li Tianduo’s essay, which describes Taiwan film education. WorldCat Chi

0342 Hoare, Stephanie Alison. Melodrama and innovation: literary adaptation in contemporary Chinese film. 218 leaves. Note: Thesis (Ph.D.)—Cornell University, 1989. Analyzes, by way of comparison and contrast, contemporary Chinese films from Taiwan and mainland China adapted from Chinese literature. Includes a bibliography, filmography, and glossary. WorldCat Eng

0339 Dian ying zhi ai: cong dian ying hui yi dao dian ying nian / Ce hua Yang Zhongfan, Chen Zhikuan; bian ji Chen Yongfeng deng. Ӈ‫ؙ‬ҏД: ԩӇ‫ؙ‬Ͼ৶ϺӇ‫ؙ‬ё / ೫੿໷ᓶ౯, ಴࢑஝; ഹফ಴‫ݖ‬ ஶҳ. Taibei: Xing zheng yuan xin wen ju, 1994. 590 p. ISBN 9570046732 Note: A record of the National Film Conference in 1992 and the Film Year of Republic of China in 1993, sponsored by the Government Information Office, Executive Yuan. Published by the R.O.C. government, this text contains a Republic of China Film Chronology 1992– 1994, the National Film Conference Program in 1992, special activities during the Film Year of Republic of China in 1993, and information regarding upcoming films. NTUL Chi

0343 Hong, Qianmei (Hung, Chien-Mei). ᖻ࡛ኣ. Tu di xian ying yu shi jian xu shi—yi Taiwan dian ying wei yan jiu chang yu (2000–2010) = A study on phenomenon of land and time narration in Taiwanese films (2000–2010). गсࣶ‫ؙ‬ӿЖҼᡳѨ—й‫ݡ‬ஹӇ‫ؙ‬Њ୳ૢԾ෢ (2000–2010) = A study on phenomenon of land and time narration in Taiwanese films (2000–2010). 111 p. Note: Thesis (M.A.)—National Chung Hsing University, 2013. A study of recurring social phenomena in Taiwan cinema from 2000 to 2010. The first chapter provides an overview of the Taiwan film industry from 2000 to 2010; the second and the third chapters focus on films concerned with Taiwan’s urban and eastern spaces; the fourth chapter concentrates on filmic narration. Includes Chinese and English abstracts and a bibliography. NCL/NDLTD Chi

0340 Films very well made in Taiwan, 1994 / edited by Peggy Chiao, Jean Yeh, Theresa Ma. Taibei: Government Information Office, 1994. 16 p. Note: A film catalog of Taiwanese films produced in 1994. Published by the Government Information Office to promote Taiwan films globally. WorldCat Eng

0344 Hua yu dian ying 2005 / Wei Xidi zhu bian. ‫ܬܗ‬ӈ‫ ؙ‬2005 / ਛ՝ᪿҰ൜. Guangzhou: Hua cheng chu ban she, 2006. 323 p. ISBN 7563359680, 9787563359684

66

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Note:

0351

A collaborative work by film critics, directors, and scholars from mainland China, Hong Kong, and Taiwan that provides a film production summary of, and introduction to, important films of 2005. WorldCat Chi

Taipei: Yuan liu chu ban gong si, 1990. 243 p. ISBN 9573206188 Series title: Dian ying guan; 2 Ӈ‫ؙ‬ఖ; 2 Note: A collection of essays on early Chinese films, the concurrent Taiwan film industry, and film reviews of 1980s Taiwan and Hong Kong films. NTUL Chi

0345 Hua yu dian ying 2006 / Yu Xiaoyi zhu bian. ‫ܬܗ‬ӈ‫ ؙ‬2006 / ᷇༿ᗥҰ൜. Guangzhou: Hua cheng chu ban she, 2007. 373 p. ISBN 9787536050297 Note: A collaborative work by film critics, directors, and scholars from Mainland China, Hong Kong, and Taiwan that provides a film production summary of, and introduction to, important films of 2006. Part 3 (pp. 262–296) deals with Taiwan films. Written by Liang Liang, it summarizes the Taiwan film industry in 2006. Seven films, with accompanying synopses and reviews, are selected to represent Taiwan cinema in 2006. Includes a list of the ten best-selling films in mainland China, Hong Kong, and Taiwan. WorldCat Chi

0349 Jia zhi de zhui xun: liang an chuan bo yu wen hua lun ji / Chen Linghui zhu bian. ٢ߚϡ৪ଵ: Ҕ࿝‫ة‬৚ӿҹ٩‫ں‬ओ / ಴෗༫Ұഹ. Tainan: Tainan yi shu da xue, 2009. 461 p. ISBN 9789860188226 Note: Conference proceedings of the Seventh Cross Taiwan Strait Media and Cinema Symposium hosted by National Tainan Arts University in October 2008. Consists of four parts; Part 4 contains seven papers on contemporary Taiwan and mainland China film studies by scholars from both sides of the Taiwan Strait. CTFAL Chi

0346 Hua yu dian ying 2007 / Zeng Yanbin zhu bian. ‫ܬܗ‬ӈ‫ ؙ‬2007 / ߲ᴦᭌҰ൜. Guangzhou: Hua cheng chu ban she, 2008. 380 p. ISBN 9787536053397, 7536053398 Note: A collaborative work by film critics, directors, and scholars from mainland China, Hong Kong, and Taiwan that provides a film production summary of, and introduction to, important films of 2007. WorldCat Chi

0350 Jing xiang yu wen hua: Gang Tai dian ying yan jiu / Wang Haizhou zhu bian. ஖Ռԁҹ٩䩭୯‫ݡ‬ӈ‫ ૢ୳ؙ‬/ ࣼ֋ರҰ൜. Beijing: Zhongguo dian ying chu ban she, 2002. 438 p. ISBN 7106018236 Series title: Xin shi ji dian ying xue lun cong ЈԒઓӈ‫ؙ‬Ѻ‫ڹ‬ᜥ Note: A collection of essays on Hong Kong and Taiwan film studies by graduate students and faculty members at the Beijing Film Academy. Part 1 contains three essays on Taiwan New Cinema: Hu Yankai, a Taiwan student who graduated from the Beijing Film Academy, describes the historical evolution of Taiwan New Cinema, while the following two essays focus on Hou Hsiao-hsien and Tsai Ming-liang, respectively. Part 3 contains Liu Ting’s essay, an analysis of the cultural contents of Ang Lee’s films through a unique perspective: “home.” Part 4 presents two essays by Huang Shixian, a faculty member at the Beijing Film Academy, who provides comparative studies of mainland China, Taiwan, and Hong Kong films. WorldCat Chi

0347 Hua yu dian ying 2008–2009: dian ying ren ying ping ren yan li de ling ba ling jiu hua yu dian ying fa zhan qu xiang / Zeng Yanbin zhu bian. ‫ܬܗ‬ӈ‫ ؙ‬2008–2009䩭ӈ‫ؙ‬Ϫ‫ؙ߯‬ϪՒѦϡജࡂജ॰‫ܬܗ‬ӈ‫ؙ‬т ࣁࠌ‫ ז‬/ ߲ᴦᭌҰ൜. Guangzhou: Hua cheng chu ban she, 2010. 444 p. ISBN 9787536059825, 7536059825 Note: A collaborative work by film critics, directors, and scholars from mainland China, Hong Kong, and Taiwan that provides a film production summary of, and introduction to, more than fifty important films from mainland China, Hong Kong, and Taiwan in 2008 and 2009. Includes the summaries of the Ninth and Tenth Chinese Film Media Awards. WorldCat Chi

0351 Lan, Shuxuan. ঢ‫⋍ڣ‬. Cong chuan tong zhong du li—fen xi Taiwan ji lu pian nu dao yan de chuang zuo huan jing. ԩ‫ࢃة‬Ѕ‫—߹ݻ‬д໯‫ݡ‬ஹઔ࠷әѽ࣒ࠟϡࡶӑࢰ॒. 123 leaves.

0348 Huang, Jianye, 1954– ࢶࠃ‫׬‬, 1954– Ren wen dian ying de zhui xun. ϪҹӇ‫ؙ‬ϡ৪ଵ.

67

Film History

0352 Note:

Thesis (M.A.)—National Taiwan University, 2005. The paper engages the following question: What is Taiwan’s current independent filmmaking environment for women documentary directors? It then responds from five different angles: education, science and technology, subjects, profession, and family economic situation. It notes that from 1984 to 2004, 130 of the 343 documentary films produced in Taiwan were directed by women. Includes Filmography of Male and Female Directors 1984–2004 and a bibliography. NTUL Chi

0354 Lu, Hong. ᡭ₽. Taiwan dian ying xin wei lai—yi qi nian ji dao yan xian xiang lai tan tao Taiwan dian ying de wei lai. ‫ݡ‬ஹӇ‫ؙ‬Ј‫۔‬ϰ—йࢳёٜ࣒ࠟѳࢣϰ෬क़‫ݡ‬ஹӇ‫ؙ‬ϡ‫۔‬ϰ. 117 leaves. Note: Thesis (M.A.)—National Taiwan University, 2005. Focuses on documentary film directors born in the 1980s, such as Chen Yingrong, Ke Mengrong, and Chen Zhengdao, and comments on the future of Taiwan film. It claims that these directors born in the 1980s are not influenced by Taiwan New Cinema and do not carry the burden of making a “Great Revolutionary Film”; but rather, these directors make films that appeal to “commercial” and “mass” taste. Consists of Research Background, Purpose, Methodology, and Content/ Film Structure, including film scripts. Includes a Chinese abstract and bibliography. NCL/NDLTD Chi

0352 Li, Tianduo. ଽϳ⟢. Dang dai Hua yu dian ying lun shu. Ԅ‫ܭܓڊ‬Ӈ‫ںؙ‬਎. Taibei: Shi bao wen hua chu ban qi ye you xiang gong si, 1996. 338 p. ISBN 9571320323 Series title: Wen hua cong shu; 143 ҹ٩ᜣ‫ ;ڣ‬143 Note: A collection of essays organized into three parts: Taiwan Film (pp. 17–133), Hong Kong Film (pp. 137–207), and Mainland Film (pp. 211–331). The Taiwan section includes the following essays: “Taiwan Film Culture and Two Cinematic Perspectives” by Wu Zhengheng, “A Sociologist Exploration of Taiwan New Cinema in 1980s” by Li Tianduo and Chen Peizhi, “Widen Historical View: Examine the Polarized Taiwan Film Discourse during 1980s and 1990s” by Liu Xiancheng, “Review the Cultural Contents of the 1990s Taiwan Film” by Li Tianduo, and “The Japanese Colonial Memory in Taiwan Film” by Qi Longren. Includes a brief introduction to all contributors and bibliographies at the end of selected essays. WorldCat Chi

0355 Lu, Shaoyang. ૖ཾ‫ݵ‬. Zhongguo dang dai dian ying shi: 1977 nian yi lai. ЅмӾ‫ڊ‬ӈ‫ؙ‬੗䩭1977 ёйϱ. Beijing: Beijing da zue chu ban she, 2004. ISBN 7301070837 Note: Chapter 8 (pp. 151–174) covers Taiwan film history from 1987 to 2001. Includes endnotes. WorldCat Chi

0356 Lu, Tonglin. Confronting modernity in the cinemas of Taiwan and Mainland China. Cambridge; New York: Cambridge University Press, 2007, 2002, 2001. 246 p. ISBN 0521806771, 0521037271 (pbk.), 9780521037273 (pbk.) Note: A comparative study of fifth-generation directors in mainland China and Taiwan New Cinema directors in Taiwan conducted to analyze how the interaction and confrontation with Western notions of progress are reflected on the screen. The author focuses on representative directors from the 1980s through the 1990s, including Chen Kaige, Tian Zhuangzhuang, Hou Hsiao-hsien, and Edward Yang. Includes notes, a glossary, bibliography, filmography, and an index at the end of the book. WorldCat Eng

0353 Li, Xinyi. ଽಶជ. Jiu shi nian dai Taiwan dian ying zhong de Taibei cheng shi tu xiang yi “Ai qing wan sui,” “Shao nian ye, an la,” “Du li shi dai” wei li. ॰֐ё‫ݡڊ‬ஹӇ‫ؙ‬Ѕϡ‫֖صڵܚݡ‬Ռй,” Дє‫ۈݛ‬,” “վёЇ, ԥ ֯!” “‫߹ݻ‬Ж‫”ڊ‬Њຎ.” 60 leaves. Note: Thesis (B.A.)—Shi li Mingzhuan da xue, 1999. Describes filmic representations of Taipei in the 1990s and representations of Taipei in earlier periods. By using three films as case studies, the author explains how 1990s films appear to no longer compare urban settings with rural settings or contrast modern culture with traditional culture; rather, 1990s Taiwan films present the city in a more direct way as they record Taipei city’s social and cultural transformation. Includes a bibliography and filmography. NCL Chi

0357 Lu, Tonglin. ᧛‽ረ. Da lu Taiwan wen hua lun tan: xin dian ying yu xian dai xing / Lu Tonglin zhu; Xiao Yu yi.

68

Special Regions, Periods, and Events

0363

Ͻ૔‫ݡ‬ஹҹ٩‫ں‬Ⴋ: ЈӇ‫ؙ‬ӿѳ‫ڊ‬ԛ / ᧛‽ረЯ; ᖆ⟆ፆ. Xianggang: Xianggang da xue chu ban she, 2004. 325 p. ISBN 9622096395, 9789622096394 Note: The Chinese translation of the author’s text: Confronting Modernity in the Cinemas of Taiwan and Mainland China (2002). A comparative study of fifth-generation directors in mainland China and Taiwan New Cinema directors in Taiwan conducted to analyze how the interaction and confrontation with Western notions of progress are reflected on the screen. The author focuses on representative directors from the 1980s through the 1990s, including Chen Kaige, Tian Zhuangzhuang, Hou Hsiao-hsien, and Edward Yang. Includes a filmography, a bibliography and an index. WorldCat Chi

Kong since the end of the Cultural Revolution, with a particular emphasis on how film comments on the profound social changes that have occurred in East Asia over the past two decades. Considering in detail both conservative and progressive stances on economic modernization, it also demonstrates how film has been an important formal structure and social document in the interpretation of these changes” (abstract). Two essays focus on Taiwan cinema: “Remapping Taipei” by Fredric Jameson, and “The Ideology of Initiation” by William Tay. Includes a bibliography and an index. Contents and abstract can be located in WorldCat. WorldCat Eng

0361 New films from Taiwan / American Film Institute; Coordination Council for North American Affairs (New York, NY); Ford Aerospace & Communications Corporation. Washington, DC: American Film Institute, 1988. 13 p. Note: A handout program and guide for a 1988 tour of six feature films from Taiwan in the United States, presented by the American Film Institute. Includes credits, synopses, and stills of the six films. WorldCat Eng

0358 Ma, Youcheng. ެϩю. Shi er ting: dian ying yu dang an de chu xie hou: tan xun guo jia bao zang = The national treasure exploration. Жᾄ೏: Ӈ‫ؙ‬ӿးଈϡ२᝱ᝳ: ෬ଵлрմে = The national treasure exploration. Taibei: Dang an guan li ju, 2010. 118 p. ISBN 9789860257601, 9860257604 Note: Describes reference materials that can be located in Taiwan’s national archive by way of introducing twelve popular films produced in Taiwan, from Beautiful Duckling (1965) to Monga (2010). WorldCat Chi

0362 Nu xing, ying xiang, shu: cong nu xing yang zhan kan nu xing ying xiang zhi zai xian / She tuan fa ren Taiwan nu xing ying xiang xue hui zhu bian. ѽԛ, ‫ؙ‬Ռ, ‫ڣ‬: ԩѽԛ‫ࣁؙ‬Ѓѽԛ‫ؙ‬ՌҏӐѳ / घ֚ࣗϪ‫ݡ‬ஹѽ ԛ‫ؙ‬ՌѹϾҰഹ. Taibei: Shu lin chu ban you xian gong si, 2006. 305 p. ISBN 9574451607 Series title: Dian ying yuan; F3 Ӈ‫ؙ‬ᮛ; F3 Note: A collection of introductions to, and discussions of, women directors and their works over six Women Make Waves Film Festivals in Taiwan (2000–2005). Divided into three parts: Part 1: International Female Directors; Part 2: Taiwan Female Directors; and Part 3: Explore the Topics. Essays that study Taiwan women film directors and their works are mainly in Parts 2 and 3. The appendix includes a bibliography and film list from the First to Twelfth Women Make Waves Film Festivals (1993–2005). CTFAL Chi

0359 New Chinese Cinema = Zhongguo xin dian ying / edited by Klaus Eder and Deac Rossell. New Chinese Cinema = ЅлЈӇ‫ ؙ‬/ edited by Klaus Eder and Deac Rossell. London: National Film Theatre, 1993. 132 p. ISBN 0851704425, 9780851704425 Series title: Dossier; 11 Note: A collection of essays focusing on New Chinese Cinema since the 1980s. “Reel Contact across the Taiwan Strait: A History of Separation and Reunion,” by Peggy Chiao, details the cross-strait contacts between film personnel, producers, and investors starting in the mid-1980s. WorldCat Eng

0363 Pan, Suhui (Pan, Su-hui). ᕤঈ༫. Jie gou ba shi nian dai xiao yuan xue sheng dian ying: Lei xing, xing bie, guo zu ren tong = Deconstruction of Teenager-Campus Films in the 80’s: Genre, gender and national identity. ‫ث‬ภࡂ֐ё‫ࡩޥڊ‬ѹТӇ‫ؙ‬: ढࡿ, ԛԇ, лఓ‫گ‬ӎ = Deconstruction of Teenager-Campus Films in the 80’s: Genre, gender and national identity. 112 leaves.

0360 New Chinese cinemas: forms, identities, politics / edited by Nick Browne . . . [et al.]. Cambridge; New York: Cambridge University Press, 1994. 255 p. ISBN 05214444098 Note: Published in the mid-1990s, New Chinese Cinemas “analyzes the changing forms and significance of filmmaking in the People’s Republic of China, Taiwan, and Hong

69

Film History

0364 Note:

Thesis (M.A.)—Tamkang University, 2007. Analyzes four coming-of-age films produced in the 1980s that represent teenagers growing up on campuses. Identifies the ways teenagers become socialized and gradually conform to the masculine stereotypes expected of them as they are raised by authoritative male figures within a patriarchal society. The comradery forged among the male teenagers arguably represents the comradery among citizens of the nation as a whole within a national imaginary. Includes Chinese and English abstracts, a bibliography, and Charts of the Films Produced in the 1980s. NCL/NDLTD Chi

0367 San di chuan qi: Hua yu dian ying er shi nian = Romance of three cities: Studies of Chinese cinemas / Ye Yueyu, Zhuo Bojia, Wu Hao zhu. ѧс‫࡞ة‬: ‫ܭܓ‬Ӈ‫ؙ‬ԏ֐ё = Romance of three cities: Studies of Chinese cinemas / ౕ֊ᒶ, ᅤᐑဓ, ྶ⑤Я. Taibei: Cai tuan fa ren guo jia dian ying zi liao guan, 1999. 334 p. ISBN 9579904898 Series title: Dian ying lun tan Ӈ‫ںؙ‬Ⴋ Note: Conference proceedings from the First International Chinese Cinema Symposium (1980-1996) in Hong Kong, hosted by Hong Kong Baptist University. Papers discuss films produced in Hong Kong, mainland China, and Taiwan from 1980 to 1996. Includes brief biographies of the authors. CTFAL Chi

0364 Pareti, Silvia. Taiwan: cinema degli anni ‘90 / Silvia Pareti; Peggy Chiao. Milano: Castoro, 1998. 159 p. ISBN 8880331191; 9788880331193 Note: Conference proceedings from an international cinema symposium in Pesaro, Italy, 1998. Two papers deal with Taiwan Cinema from 1990 to 1997. Includes a filmography. WorldCat Ita

0368 Taiwan cinema 2000–2002: short fictions, documentaries, animations, experimentals / Chinese Taipei Film Archive. Taipei: Arthur Lap, 2003. 84 p. Note: An introduction to Taiwan cinema from 2000 to 2002. Includes short films, documentaries, animation, and experimental cinema. WorldCat Eng

0365 Quan guo dian ying hui yi shi lu / Ce hua Yang Zhongfan, Chen Zhikuan; bian ji Chen Junzhe. ҪлӇ‫ؙ‬Ͼ৶Ӣ࠷ / ೫੿໷ᓶ౯; ഹফ಴ᒺᎻ. Taibei: Xing zheng yuan xin wen ju, 1993. 235 p. ISBN 9570025966 Note: A report of the National Film Conference on December 7–8, 1992, in Taibei, hosted by Government Information Office, Executive Yuan. Contains a conference program and schedule, and as a government-published work, it contains remarks by various government officials. Includes a record of the domestic film discussion panels, National Film Conference Procedures, a National Film Conference and Film Year Advisory Committee Member List, a National Film Conference and Film Year Executive Committee Member List, and a National Film Conference Attendants List. NTUL Chi

0369 Taiwan zhi zao—2008 dian ying bei wang lu = Taiwan cinema observation, 2008 / Zong bian ji: Chen Ruxiu deng; zhi xing bian ji: Wang Yuyan. ‫ݡ‬ஹ३߃—2008 Ӈ‫އؙ‬۲࠷ = Taiwan cinema observation, 2008 / րഹফ: ಴ᭉࢗҳ; వҲഹফ: ࣼർᆜ. Taibei: Cai tuan far en guo jia dian ying zi liao guan, [2008] 91 p. ISBN 9789869445505 Note: A general overview of Taiwan cinema in 2008. Includes thirty-two reviews, in both English and Chinese, of films produced in 2008 as well as two forums on Taiwan cinema. CTFAL Chi Eng

0370 Tam, Kwok-kan, 1952– New Chinese cinema / Kwok-kan Tam and Wimal Dissanayake. Hong Kong; New York: Oxford University Press, 1998. 96 p. ISBN 0195906071 Series title: Images of Asia Note: As the author states in the preface, this is a work for the nonspecialist and interested layperson. Six of the most important Chinese films directors and their works are selected: Chen Kaige (1952–), Zhang Yimou (1950–), and Tian Zhuangzhuang (1952–) from mainland China; Hou Hsiao-hsien (1947–) and Edward Yang

0366 Reynaud, Bérénice. Nouvelles Chines, nouveaux cinemas. Paris: Cahiers du cinema, 1999. 319 p. ISBN 2866422260 Note: A study of Chinese contemporary film in mainland China, Hong Kong, and Taiwan. Chapters 16–18 deal with Taiwan film history from 1980 to 1999. Includes a filmography, bibliography, and an index. WorldCat Fre

70

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0376

(1947–2007) from Taiwan; and Stanley Kwan (1957–) from Hong Kong. Includes a selected filmography, bibliography, and index. WorldCat Eng

0374 Wu, Qiyan. ྶԷ᷀. Di du kai fa de hui yi, yi zhong yi lei ying ping. ࠍ֏ычϡҘশ, ϣ҆஫ढ‫ؙ߰‬. Taibei: Tang shan chu ban she, 1993. 218 p. Note: Consists of five parts: Parts 1 and 2 discuss Taiwan films in the 1980s, mainly Taiwan New Cinema and Hou Hsiao-hsien’s films; Part 3 explores the relationship between Taiwan film and “Third World Cinema”; Part 4 introduces films produced in Eastern European countries during the Soviet era; and Part 5 describes links between psychology and the experience of film. Includes a bibliography. CTFAL Chi

0371 Tobari, Haruo, 1938– ‫פݏ‬ֆਜ਼, 1938– Taiwan eiga no subete / Tobari Haruo, Ry䲖 Kinh䲖, Chin Jush䲚. ‫ݡ‬ළྱࡌ䫟䫊䫪䫗/ ‫פݏ‬ֆਜ਼, ᴰ‫ؖ‬ང, ಴ᭉࢗ. T䲖ky䲖: Maruzen, 2006. 180 p. ISBN 4621061062, 9784621061060 Series title: Maruzen bukkusu; 106 ᐣ৖䭅䬲䬞䬨 ; 106 Note: Consists of four parts: Part 1, From Healthy Realism to New Cinema; Part 2, Zhongying (Central Motion Picture Corporation) and the Rise and Fall of Taiwan Cinema; Part 3, Taiwan New Cinema and Political Reform; and Part 4, Ethnic Groups in Taiwan Cinema. Includes a list, prepared by LiaoJinfeng and Ru-shou Robert Chen, of the most representative films of Taiwan cinema during each time period, and a bibliography (pp. 172–175). WorldCat Jpn

0375 Xin dao yan Tailly High ying zhan = New talents, Young cinema / Ce hua zhi xing dan wei: Taiwan dian ying wen hua xie hui. Ј࣒ࠟTailly High ‫ = ࣁؙ‬New talents, Young cinema / ೫੿వҲ ‫֧؁‬: ‫ݡ‬ஹӇ‫ؙ‬ҹ٩൒Ͼ. Taibei: Taiwan dian ying wen hua xie hui, 2004. 139 p. Note: A special publication for the New Talents, Young Cinema film festival hosted by the Taiwan Film and Culture Association from August 8 to October 10, 2004, in Taipei, Kaohsiung, and Hsinchu. Includes schedule, ticketing and seminar information, synopses of 117 films by new and upcoming Taiwan film directors and stars, and twenty films by young directors from mainland China, Hong Kong, Japan, Korea, and other Asian countries. Includes an index of titles. CTFAL Chi

0372 Tsou, Charlyne Chien-lin. New Taiwanese cinema: a critical analysis. 125 leaves. Note: Thesis (M.A.)—California State University, Fresno, 1992. An analytical work on New Taiwan Cinema, focusing on political perspectives presented in Taiwan films postmartial law. Includes a bibliography. WorldCat Eng

0376 Ye, Longyan. ౕहᴧ. Ba shi nian dian Taiwan dian ying shi. ࡂ֐ё‫ݡڊ‬ஹӇ‫ؙ‬੗. Xinzhu: Xinzhu shi ying xiang bo wu guan, 2003. 183 p. ISBN 9570155477 Note: An overview of Taiwan film development during the 1980s. Describes how dramatic political, social, and economic changes influenced the Taiwan film industry. Key historical events include the opening of overseas travel for all Taiwan citizens in 1980, the Taiwan Meilido Incident in 1980, the apex of Taiwan’s economic miracle during the mid-1980s, and the lifting of Taiwan martial law in 1987. At the same time, Taiwan’s Mandarin film market lost its momentum, and the island’s box office was occupied by Hong Kong kung fu films. In turn, changes were made to the government’s film laws in 1983, and Taiwan New Cinema presented a promising future. Includes a bibliography. NTUL Chi

0373 Wang, Chialan Sharon. Nostalgia for the future to come: national consciousness in post-87 Taiwanese Literature and Cinema. 252 p. Note: Thesis (Ph.D.)—University of Southern California, 2011. Focuses on the theme of nationhood in Taiwanese literary and cinematic works published since the 1980s, in which, as the author states, “there is a nostalgic tendency to imagine an organic community unique to the Taiwanese experience in literary and cinematic production” (abstract). Analyzes Zhu Tianxin’s short novels, Wei Te-sheng’s Cape No. 7 (2008), Doze Niu’s Monga (2010), and Ang Lee’s Crouching Tiger, Hidden Dragon (2000) and Lust, Caution (2008). Includes a bibliography. ProQuest (FT) Eng

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The paper concludes that, in Taiwan films of 1980s, mothers performed a traditional role in the family while their daughters learned to become independent, whereas films of the 1990s films focused on “Maternal Sexuality” and “Lesbian Sexuality” and placed “subjectivity” as the priority for female identity. Includes Chinese and English abstracts, a bibliography, and a filmography. NCL/NDLTD Eng

0377 You, Tingjing. ղᑢ෧. Ning shi yu dui wang: duan ni jiu shi nian dai Taiwan nu xing dian ying yuan mao = To gaze and be gazed at: Rediscovering the true faces of Taiwanese woman-made films in the 1990s. ፝؆ӿхֳ: ઉ❖॰֐ё‫ݡڊ‬ஹѽԛӇ‫֍ؙ‬൯ = To gaze and be gazed at: Rediscovering the true faces of Taiwanese woman-made films in the 1990s. Taibei: Xinzhu shi wen hua ju, 2005. 207 p. ISBN 9860042152 Series title: Zhu qian wen hua zi chan cong shu; 281 ኵ∔ҹ٩‫ݗޞ‬ᜣ‫ ;ڣ‬281 Note: Based on the author’s M.A. thesis, this work reviews Taiwan films (including fiction, documentary, experimental, and animation) directed by women directors in the 1990s. Includes both image analysis and a discussion of film content in terms of aesthetics, auteur theory, and feminist literary theory. Divided into two parts: Part 1 describes women who have directed commercial films since the 1980s and analyzes their films; Part 2 focuses on independent Taiwan women directors and their films since the 1990s as well as the independent filmmaking environment in Taiwan. The author points out that independent female filmmakers enjoy a greater freedom in creation than their female colleagues directing commercial films and that a high percentage of films directed by women are independently produced. Includes a bibliography and an appendix containing a list of female directors who directed commercial films and received government’s subsidies; a list of female directors, each of whom has at least two films entered into women’s film festivals; information about the hosting organizations of Women Make Waves Film Festival; statistical charts of documentary, fiction, animated, and experimental films shown during women’s film festivals, the list of interviewees, and a filmography. NTUL Chi

0379 Zhao, Xueyong. ᖀѺର. Zhongguo dian ying jian shi / Zhao Xueyong, Ruan Qing bian zhu. Ѕмӈ‫ߣؙ‬੗ / ᖀѺର䩟∜‫ݙ‬൜Я. Lanzhou: Lanzhou da xue chu ban she, 2007. 339 p. ISBN 7311026717 Note: Chapter 10 (pp. 277–287) involves a comparative study of contemporary film “reform” and “innovation” movements in mainland China, Hong Kong, and Taiwan. Includes a filmography and bibliography. Duxiu Chi

0380 Zheng, Binghong. ቼ᳉᜞. Taiwan dian ying ai yu si: guan yu dian ying, wo lue zhi yi er = The love and death of Taiwan Cinema. ‫ݡ‬ஹӇ‫ؙ‬ДӿӚ: ԬӿӇ‫ؙ‬, ϢଯҌϣԏ = The love and death of Taiwan Cinema. Taibei: Shu linchu ban gong si, 2010. 347 p. ISBN 9789574453535, 9574453537 Series title: Dian ying yuan; F9 Ӈ‫ؙ‬ᮛ; F9 Note: A collection of the author’s film reviews on Taiwanese films produced during the first decade of the twentyfirst century. Provides a clear overall view of the latest and best Taiwan films produced since Taiwan New Cinema garnered the world’s attention in the 1980s. Chapter 1 deals with influential feature/fictional films; Chapter 2 presents profiles and interviews of nine film directors; Chapter 3 surveys Taiwan documentaries; Chapter 4 comments on films produced for television channels; Chapter 5 covers television series; and the final chapter, Chapter 6, includes film reviews that focus on various “Taiwan themes.” Includes film stills. WorldCat Chi

0378 Zhang, Jiani (Chang, Chia-Ni). ‫פ‬ဓ᫻. Nu nu xiang xi de lao jie: Taiwan dian ying zhi mu nu guan xi yan jiu (1983–2005) = Knots between women: investigation of motherdaughter relationships in Taiwan cinema (1983–2005). ѽѽԚ಻ϡ቏ְ: ‫ݡ‬ஹӇ‫ؙ‬ҏআѽԬ਽୳ૢ (1983–2005) = Knots between women: investigation of mother-daughter relationships in Taiwan cinema (1983–2005). 175 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 2007. Discusses five Taiwan films that represent motherdaughter relationships in Taiwan films during the 1980s and 1990s to investigate cinematic reflections of patriarchal attitudes by using feminist criticism, motherhood theory, visual aesthetics and intertextuality.

0381 Zhongguo dian ying, dian ying Zhongguo: Hai xia liang an dian ying xue shu jiao liu yan tao hui lun wen ji / Bian ji Zhang Shufen, He Shihuang. ЅлӇ‫ؙ‬, Ӈ‫ؙ‬Ѕл: ֋ᒘҔ࿝Ӈ‫ؙ‬ѹफ‫ے‬Ե୳क़Ͼ‫ں‬ҹओ / ഹফ ‫פ‬ᎂᐇ, ‫ح‬Ԓᑟ.

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0386

Taibei: Zhonghua Minguo shi jue chuan bo yi shu xue hui, Furen da xue da zhong chuan bo xi, 1993. 182 p. Note: A collection of papers presented at a film symposium hosted by Taiwan Fu Jen Catholic University and the R.O.C. Visual Art and Communication Association on December 29–30, 1992. The symposium provided the opportunity for film scholars on both sides of the Taiwan Strait to exchange ideas in their research fields. Includes twelve papers; three assess contemporary Taiwan film: “Taiwan Film Industry Moving Out of the 20th Century” by Chen Qinghe, “Local Identity Realization in Taiwan New Cinema” by Wang Wei, “Identity of Aboriginals in Taiwan Cinema” by Qi Longren, and one paper offers a comparative study of mainland, Taiwan, and Hong Kong films: “Meaning of ‘China Code’ in Chinese Films” by Chen Ruxiu. WorldCat Chi Eng

နْ‫ٷ‬ϡԒઔઃ‫ׇؙ‬: 1999 ё֏Ӈ‫޲ؙ‬ൌ / ‫ूصܚݡ‬௞, ੠֚ࣗϪ лрӇ‫ࢧޞؙ‬ఖ೫੿. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 2000. 280 p. ISBN 957323940X Series title: Dian ying guan; 88 Ӈ‫ؙ‬ఖ; 88 Note: Introduces the Second Taipei Film Festival and Taipei Award competition hosted by the Taipei Municipal Government and the Chinese Taipei Film Archive in 1999. Describes the process for selecting awardwinning films and presents papers on contemporary Chinese films in Taiwan, and Hong Kong. Divided into two parts: Recommended Commercial Films and Independent Creation Competition. Includes brief biographies of the film award judges. CTFAL Chi

0382

2.2.12.1 Taiwan New, New-New, and Post-New Cinema, 1982–

Zhonghua Minguo qi shi yi nian Jin Ma jiang guo ji dian ying zhan / Zhu ban dan wei: Zhonghua minguo dian ying shi ye fa zhan ji jin hui; Zong bian ji: Xu Ligong; Bian ji: Chen Guofu, Huang Jianye. Ѕ‫ھܓ‬лࢳ֐ϣё‫ެؖ‬؉лগӇ‫ ࣁؙ‬/ Ұ‫֧؁ދ‬: Ѕ‫ھܓ‬лӇ‫ؙ‬ Ѩ‫׬‬чࣁऴ‫ؖ‬Ͼ; րഹফ: ጝ߹‫ ;ۋ‬ഹফ: ಴лࣥ, ࢶࠃ‫׬‬. Taibei: Zhonghua minguo dian ying shi ye fa zhan ji jin hui, 1982. 147 p. Note: An introduction to the Golden Horse Award films in 1982. WorldCat Chi

0384a Anderson, John, 1955– Edward Yang. Urbana: University of Illinois Press, 2005. 128 p. ISBN 0252029933 (alk. paper), 0252072367 (pbk.: alk. paper) Note: This introductory work on Edward Yang and his films consists of the essay titled “Poetry and Motion”; reviews of Yang’s films Expectations (1982), That Day, On the Beach (1983), Taipei Story (1985), The Terrorizer (1986), A Brighter Summer Day (1991), A Confucian Confusion (1994), Mahjong (1996), and Yi Yi (2000); and “An Interview with Edward Yang.” Includes a filmography, a bibliography, and an index. WorldCat Eng

0383 Zou, Xinning. ềಶો. Guo pian de can lan shi guang: Xiaoye, Wang Tong, Li An, Li Pingzhen, Wu Nianzhen, Hou Xiaoxian, Yang Dechang, Yang Guimei, Cai Mingliang, Chen Zhaorong, Liao Qingsong de dian ying shi jian bu. ләϡༀಉЖ‫ׇ‬: Щఀ, ࣼু, ଽԥ, ଽ๔ѐ, ྶ݉ѐ, ᢡᖮᐊ, ໷ख़ ቾ, ໷ਰኣ, ᓥҴ݊, ಴ᢘึ, ᴰদग़ϡӇ‫ؙ‬ѨխṠ. Taibei: Tui shou wen hua chuang yi gu fen you xian gong si, 2010. 155 p. ISBN 9789866570339 Series title: Mei hao sheng huo xi lie; 004 ѤϮТ҅‫;࠶ڍ‬䦘004 Note: A chronological description of Taiwan cinema highlights, beginning with films made in the 1980s. Includes photos, stills, posters, interviews, and a bibliography. CTFAL Chi

0385 Benoit, James. Working through the ambiguities of focalization with the films of Edward Yang. 113 leaves. Note: Thesis (M.A.)—McGill University, 2005. A case study of Edward Yang’s films A Confucian Confusion (1994) and Yi Yi (2000). Includes a bibliography. WorldCat Eng

0386 Cai, Dujian. ᓥỵߗ. Mei ti zai xian yu dang dai Taiwan min zu ren tong xing gou de gong gong lun shu fen xi. ෪ՂӐѳӿԄ‫ݡڊ‬ஹ‫ھ‬ఓ‫گ‬ӎ࣏ภϡԍ࢕‫ں‬਎д໯. Taibei: Tang shan chu ban she, 2001. 299 p. ISBN 9578221525 Series title: Ben tu wen hua shi jian xi lie; 2 ӆगҹ٩Ӣᒂ‫ ;࠶ڍ‬2

0384 Zhu meng zhe de shi ji mo guang ying: 1999 nian du dian ying guan cha / Taibei shi zheng fu, Cai tuan far en guo jia dian ying zi liao guan ce hua.

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Ѵ‫ڊ‬ԁ‫ࢅت‬ҏҽ䩭໶ख़ቾӈ‫ؙ‬Ѕѽԛ࣏ࢣ୳ૢ = Between modern and traditional: studies on the images of women in Edward Yang’s films. 49 p. Note: Thesis (M.A.)—Shanghai University, 2009. A thesis presented in three chapters: Chapter 1 compares and contrasts images of women in Edward Yang’s films with images of women in other Taiwan films; Chapter 2 explores characteristics of women in Yang’s films; Chapter 3 compares images of women in the films of Zhang Yimou, Wong Kai-wai, and Edward Yang. Includes an abstract in Chinese and English, a bibliography, and a filmography. Duxiu (FT) Chi

A collection of five of the author’s essays on media representations of Taiwan’s nationality, including a study of Taiwanese identity presented in Taiwan New Cinema. CTFAL Chi

0387 Chan, Shuen-yan. History and memory in Hou Hsiao-hsien’s A City of Sadness and Tian Zhuangzhuang’s The Blue Kite. 68 leaves. Note: Thesis (M.A.)—Hong Kong University, 1999. A comparative study of A City of Sadness (Hou Hsiaohsien, 1980) and The Blue Kite (Tian Zhuangzhuang, 1993). Focuses on issues of private memory versus official history. Includes two appendixes (brief biography of the directors), a filmography, and a bibliography. Full-text access is available through the HKU Scholars Hub. WorldCat Eng

0388c Chen, Rui. ವᥧ. Yang Dechang dian ying zhong de du shi wen ti yan jiu = Research of the urban problem in Edward Yang’s films. ໶ख़ቾӈ‫ؙ‬ЅϡЁ‫ص‬՜֣୳ૢ = Research of the urban problem in Edward Yang’s films. 48 p. Note: Thesis (M.A.)—University of Science and Technology of China, 2009. This thesis argues that, in contrast to presenting Hollywood style narratives, Edward Yang’s urban films represent the confusion and ambiguity inherent to modern city life, provoking audiences to discuss and consider issues surrounding modernity and urbanization. Includes an abstract in Chinese and English and a bibliography. Wanfang (FT) Chi

0388 Chen, Nan. ವ۪. Zhongguo dian ying si chao ping xi. Ѕмӈ‫ࡷؙ‬ӑ‫ڽ‬଎߯໯. Shanghai: Tongji da xue chu ban she, 2002. 226 p. ISBN 7560824382 Note: Chapter 11 (pp. 209–224) covers Taiwan Healthy Realism during the 1960s, and the New Taiwan Cinema movement during the 1980s. WorldCat Chi

0388a

0389

Chen, Decan. ವख़໾. “Qi bu ban” de ying xiang shi jie—Yang Dechang dao yan yan jiu. “ࢳ‫ ”ٻח‬ϡ‫ؙ‬ՌԒ֎—໶ख़ቾࣔࠟ୳ૢ. 45 p. Note: Thesis (M.A.)—Fujian Normal University, 2013. A study of Edward Yang’s directing style and urban themes. Traces Yang’s influence on Taiwan and Chinese cinemas. Includes an abstract in Chinese and English, a bibliography, and an author introduction. Duxiu (FT) Chi

Chen, Ruxiu (Chen, Ru-shou Robert). ಴ᭉࢗ. Chong tan 80 nian dai xin dian ying. Գ෬ࡂ֐ё‫ڊ‬ЈӇ‫ؙ‬. Taibei: Zhong wai wen xue yue kan she, 1999. 67 p. ISSN 0303–0849 Note: An exploration of 1980s Taiwan cinema, published in the journal Zhong wai wen xue, vol. 27, no. 8. According to WorldCat, Hong Kong University of Science and Technology Library is the only library that has a copy in book format. Includes a bibliography. WorldCat Chi

0388b Chen, Jing. ವ‫ݔ‬. Xian dai yu chuan tong zhi jian: Yang Dechang dian ying zhong nu xing xing xiang yan jiu = Between modern and traditional: studies on the images of women in Edward Yang’s films.

0390 Chen, Ruxiu (Chen, Ru-shou Robert). ಴ᭉࢗ Dispersion, ambivalence, hybridity: a cultural-historical investigation of film experience in Taiwan in the 1980s. 271 leaves.

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Note:

0396

Thesis (Ph.D.)—University of Southern California, 1993. The author explores the relationship between Taiwan New Cinema and three cultural characteristics: “Dispersion,” “Ambivalence,” and “Hybridity.” Divided into eight chapters: Chapter 1: Research Project Introduction; Chapter 2: History of Taiwan Film Industry and Style Development; Chapter 3: Taiwanese Identity; Chapter 4: Major Events of Taiwan New Cinema; Chapter 5: Taiwan’s Modern Experience; Chapter 6: Male and Female Characters in Taiwan Film; Chapter 7: Influence of Hollywood and Other Areas Films; and Chapter 8: Meaning of Taiwan New Cinema. Includes biographies of major figures, introductions of major works in Taiwan New Cinema, and a bibliography. WorldCat Eng

As one of the representative directors of Taiwan New Cinema, Edward Yang is also recognized here as a film sociologist. The paper uses auteur theory and a sociological perspective to study five of Yang’s films that present images of Taiwan’s media from the mid1980 through the end of the twentieth century. Includes Chinese and English abstracts, a bibliography, and an appendix (including basic information on five of Yang’s films). NCL/NDLTD Chi

0393 Chen, Ziying (Chen, Tzu-Ying). ಴༙ᔏ. Shen ti dian ying: Cai Mingliang dian ying zhong de shen ti ying xiang = Corporeal movies: the cinematic body in Tsai Ming-liang’s films. ӱՂӇ‫ؙ‬: ᓥҴ݊Ӈ‫ؙ‬ЅϡӱՂ‫ؙ‬Ռ = Corporeal movies: the cinematic body in Tsai Ming-liang’s films. 97 leaves. Note: Thesis (M.A.)—National Chiao Tung University, 2007. The paper studies the cinematic body in Tsai Mingliang’s films, analyzing representations of self-reflection, in contrast to historical nostalgia, in Tsai Ming-liang’s films. Includes Chinese and English abstracts, a bibliography, filmography, and glossary. NCL/NDLTD Eng

0391 Chen, Ruxiu (Chen, Ru-shou Robert). ಴ᭉࢗ. Taiwan xin dian ying de li shi wen hua jing yan / Chen Ruxiu zuo; Luo Pocheng yi. ‫ݡ‬ஹЈӇ‫ؙ‬ϡࣵ੗ҹ٩Ҭࡐ / ಴ᭉࢗӑ; ஛Ꮱ஧ፆ. Taipei: Wan xiang tu shu gong si, 1993. 194 p. ISBN 9576694493 Series title: Taiwan dian ying shi cong shu; 1 ‫ݡ‬ஹӇ‫ؙ‬੗ᜣ‫ ;ڣ‬1 Note: This is the Chinese translation of Robert Chen’s Ph.D. dissertation completed in 1993 at the University of Southern California. The author explores the relationship between Taiwan New Cinema and three cultural characteristics: “Dispersion,” “Ambivalence,” and “Hybridity.” Divided into eight chapters: Chapter 1: Research Project Introduction; Chapter 2: History of Taiwan Film Industry and Style Development; Chapter 3: Taiwanese Identity; Chapter 4: Major Events of Taiwan New Cinema; Chapter 5: Taiwan’s Modern Experience; Chapter 6: Male and Female Characters in Taiwan Film; Chapter 7: Influence of Hollywood and Other Areas Films; and Chapter 8: Meaning of Taiwan New Cinema. Includes biographies of major figures, introductions of major works in Taiwan New Cinema, and a bibliography. NTUL Chi

0394 Chi, Robert Yee-sin (Bum, Al). A world of sadness. 48 leaves. Note: A manuscript on Hou Hsiao-hsien’s film A City of Sadness (1989). Received the Susan Anthony Potter Prize in Comparative Literature, Harvard University, 1997. WorldCat Eng

0395 Chiesi, Roberto. Hou Hsiao-hsien: cinema delle memorie nel corpo del tempo. Recco, Genova: Le mani; [Bologna] : Centro studi d’arte Estremo Orientel: Comune di Bologna, Assessorato alla cultura, 2002. 264 p. ISBN 8880122193, 9788880122197 Note: A work on Hou Hsiao-hsien and his films. Includes a bibliography, a filmography, and an index. WorldCat Ita

0392 Chen, Yapeng (Chen, Ya-peng). ಴઩▧. Yang Dechang dian ying zhong de mei ti jing xiang = The images of media in Edward Yang’s films. ໷ख़ቾӇ‫ؙ‬Ѕϡ෪Ղ࢓ࢣ = The images of media in Edward Yang’s films. 126 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 2009.

0396 The Chinese cinema book / edited by Song Hwee Lim; Julia Ward. New York: Palgrave Macmillan; London: British Film Institute, 2011. 218 p. ISBN 9781844573448, 1844573443, 1844573451, 9781844573445

75

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0397 Note:

An essential collection of China film studies essays that provides informed insights into leading film theories, including an essay by Chris Berry on transnational film studies, and the historical-material conditions of filmmaking in China, Hong Kong, and Taiwan. The text is divided into the following sections: Territories, Trajectories, Historiographies; Early Cinema to 1949; The Forgotten Period: 1949–80; The New Waves; and Stars, Auteurs, and Genres. Includes “Healthy Realism in Taiwan, 1964–80: Film Style, Cultural Policies, and Mandarin Cinema” by Guo-Juin Hong, and “Taiwan New Cinema and Its Legacy” by Tonglin Lu. WorldCat Eng

Note:

An edited volume that explores the transnational contexts of Chinese women’s cinema, from Chinese films produced in the 1920s and 1930s to the most recent Chinese films produced in China, Taiwan, Hong Kong, the United States, and elsewhere. Essays on Taiwan women’s cinema include “Post-Taiwan New Cinema Women Directors and Their Films: Auteurs, Images, and Language” by Yu-shan Huang and Chunchi Wang, translated by Robbin Visser and Thomas Moran; and “Chu T’ien-wen and the Sotto Voce of Feminine Expression in the Films of Hou HsiaoHsien” by Christopher Lupke. Includes a bibliography. WorldCat Eng

0397 0399

Chinese-language film: historiography, poetics, politics / edited by Sheldon H. Lu and Emilie Yueh-yu Yeh. Honolulu: University of Hawai’i Press, 2005. 413 p. ISBN 0824828135 (alk. Paper), 9780824828691 (pbk.: alk. paper), 0824828690 (pbk.: alk. Paper) Note: This edited volume “covers the cinematic traditions of mainland China, Taiwan, Hong Kong, and the Chinese diaspora from the beginning of Chinese film history to the present moment” (p. 2). Part I. Historiography, Periodization, Trends includes articles that either address Chinese film history broadly or different significant movements within Chinese cinema; Part II. Poetics, Directors, Styles provides “lucid, synchronic, structural(ist), transhistorical accounts of the poetics and aesthetics of Chinese film as an integral part of world cinema” (p. 15). Interesting studies include the essay by Mary Farquhar and Chris Berry: “Shadow Opera: Toward a New Archaeology of the Chinese Cinema,” which states :“If civilized plays are cinema’s stepmother, then opera is the mother in terms of first film productions, whether on the mainland (1905) or in Hong Kong (1909). Opera films were also the first productions in major regional language films, Cantonese (1933) and Taiwanese (1954)” (p. 51). Other Taiwan film or related comparative film studies essays include Meiling Wu’s “Postsadness Taiwan New Cinema: Eat, Drink, Everyman, Everywoman,” Emilie Yuehyu Yeh’s “Poetics and Politics of Hou Hsiao-hsien’s Films,” Sheldon H. Lu’s “Crouching Tiger, Hidden Dragon, Bounding Angeles: Hollywood, Taiwan, Hong Kong, and Transnational Cinema,” Darrell W. Davis’s “Borrowing Postcolonial: Wu Nien-chen’s Dou-san and the Memory Mine,” and Shao-ying Shen’s “Locating Feminine Writing in Taiwan Cinema: A Study of Yang Hui-shan’s Body and Sylvia Chang’s Siao Yu.”

Chu, C-M. Taiwanese cinema and national identity after 1989. Unpaged. Note: Thesis (Ph.D.)—The University of Wales College of Cardiff (United Kingdom), 2005. Examines Taiwanese cinematic development and issues of national identity after 1989, the year in which the Taiwanese film industry took an important step into international cinema societies. Analyzes domestic and international perspectives: domestically, cinema contrasts popular memory and official history; internationally, political viewpoints differ regarding the identity of the Republic of China. ProQuest Eng

0400 Cinematic landscapes: observations on the visual arts and cinema of China and Japan / edited by Linda C. Ehrlich and David Desser. Austin: University of Texas Press, 1994. 345 p. ISBN 0292720866 (hbk.), 0292720874 (pbk.) Note: This collection of essays explores cinematic landscapes, locating the relationship between the visual arts and cinema of China and Japan. Hou Hsiao-hsien and his films are used as case studies for a comparative study of classical Chinese painting and cinematographic design; meanwhile, the New Cinema Movements in both mainland China and Taiwan during the 1980s are described in the essay “Classical Chinese painting and cinematographic signification” by Ni Zhen, translated by Douglas Wilkson (pp. 63–80). Includes bibliographical reference (pp. 327–330), index, and filmography (pp. 323–326). WorldCat Eng

0401

0398

Colonialism and nationalism in Asian cinema / edited by Wimal Dissanayake. Bloomington: Indiana University Press, 1994. 224 p. ISBN 0253318041 (alk. paper), 0253208955 (pbk.: alk. paper) Note: A collection of essays focusing on colonialism and nationalism in Asian cinema. Includes Chris Berry’s essay “A Nation T(w/o)o: Chinese Cinema(s) and

Chinese women’s cinema: transnational contexts / edited by Lingzhen Wang. New York: Columbia University Press, 2011. 430 p. ISBN 9780231156745 (cloth: alk. paper), 023115674X (cloth: alk. paper), 9780231156752 (pbk.: alk. paper), 0231156758 (pbk.: alk. paper), 9780231527446 (ebk.), 0231527446 (ebk.)

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0408

Nationhood(s),” which analyzes films produced by mainland Chinese film directors as well as Taiwanese film directors Hou Hsiao-hsien, Edward Yang, and Huang Mingchuan, and explores representations of nationality, colonialism, and aboriginal peoples. Includes a bibliography in the end of each essay, an introduction to the contributors, and an index at the end of the book. WorldCat Eng

0404a Ding, Ye. ౨‫ސ‬. Yu Wang du shi de sheng ming zhui wen: Yang Dechang dian ying zhong de sheng tai mei xue jing shen = The requiring of life in the desired city: the ecological aesthetic spirit in Edward Yang’s films. ௰ֳЁ‫ص‬ϡТ‫ܞ‬৪՜䩭໶ख़ቾӈ‫ؙ‬ЅϡТ‫ݮ‬ѤѺ‫ = ظؘ‬The requiring of life in the desired city: the ecological aesthetic spirit in Edward Yang’s films. 61 p. Note: Thesis (M.A.)—Soochow University, 2011. Analyzes the representation of the city in films directed by Edward Yang to comment on the director’s concept of the city and its residents. Conclusions are based on the following perspectives: time, space, and the “return of the ecological spirit.” Includes an abstract in Chinese and English and a bibliography. Duxiu (FT) Chi

0402 A companion to Chinese cinema / edited by Yingjin Zhang. Malden, MA: Wiley-Blackwell, 2012. 684 p. ISBN 9781444330298 (hardback: alk. paper), 1444330292 (hardback: alk. paper) Note: An essential collection of academic essays on Chinese cinema in mainland China, Hong Kong, and Taiwan by established scholars, including these essays focusing on Taiwan cinema: “Gender Negotiation in Song Cunshou’s Story of Mother and Taiwan Cinema of the Early 1970s” by James Wicks and “Second Coming: The Legacy of Taiwan New Cinema” by Darrell William Davis. Includes a significant filmography, bibliography, and an index. WorldCat Eng

0405 Frodon, Jean-Michel. Le cinema d’Edward Yang. Paris: Eclat, 2010. 222 p. ISBN 9782841622221, 2841622223 Note: A work on Edward Yang and his films. WorldCat

0403 Dellai, Naji. Popular history as mosaic: Hou Hsiao-Hsien’s Taiwan trilogy. 61 leaves. Note: Thesis (M.A.)—La Trobe University, 1999. Studies the relationship between Taiwanese popular history and the three films directed by Hou Hsiaohsien known as Hou’s trilogy. Includes a bibliography. WorldCat Fre

Fre

0406 Frodon, Jean-Michel. Hou Hsiao-Hsien / dir. de Jean-Michel; pref. par Olivier Assayas. [Paris] : Cahiers du cinema, 1999. 191 p. ISBN 286642249X, 9782866422493 Series title: Collection essais Note: A study on Hou Hsiao-hsien and his films. WorldCat Fre

0404

0407

Dian ying, dian ying ren, dian ying kan wu / Li Youxin bian. Ӈ‫ؙ‬, Ӈ‫ؙ‬Ϫ, Ӈ‫ؙ‬ᑂ‫ ׉‬/ ଽෂЈഹ. Taibei: Zi li wan bao she, 1986. 209 p. Series title: Dian ying wen xuan; 2 Ӈ‫ؙ‬ҹ‫ ;ק‬2 Zi li cong shu; 27 І߹ᜣ‫ ;ڣ‬27 Note: An insightful history of Taiwan New Cinema. Originally published in various journals, books, film reviews, and newspapers, this collection of articles and essays focuses on film critiques from the early period of Taiwan New Cinema. The most unique and important aspect of this book is the editor’s insightful comments, interpretations, and background information provided after each article or essay. Includes film stills. WorldCat Chi

Frodon, Jean-Michel. Hou Xiaoxian = Hou Hsiao-Hsien / Zuo zhe Olivier Assayas . . . [et al.]; Yi zhe Lin ᢡᖮᐊ = Hou Hsiao-Hsien / ӑ‫ٷ‬Olivier Assayas . . . [et al.]; ፆ‫ٷ‬ ৆࢑Ҵ . . . [et al.]. Taibei: Cai tuan fa ren guo jia dian ying zi liao guan, 2000. 219 p. ISBN 9573097222, 9789573097228 Note: The Chinese translation of the author’s original work in French: Hou Hsiao-hsien, published in 1999, a study on Hou Hsiao-hsien and his films. WorldCat Chi

0408 Futures of Chinese cinema: technologies and temporalities in Chinese screen cultures / edited by Olivia Khoo; Seen Metzger. Bristol, UK; Chicago, IL: Intellect, 2009. 292 p.

77

Film History

0409 ISBN Note:

9781841502748, 184150274X A collection of essays on the ways new technology, changing production constraints, and shifting viewing practices have shaped perceptions of Chinese screen cultures. Includes “Island of No Return: Cinematic Narration in Wang Tung and New Taiwan Cinema” by Guo-juin Hong. Includes a bibliography and an index. WorldCat Eng

and their films have left an indelible mark on Taiwan New Cinema. Includes a bibliography. WorldCat Eng

0412 Hou, Xiaoxian (Hou, Hsiao-hsien), 1947– ᢡᖮᐊ, 1947– Hou Xiaoxian dian ying jiang zuo = Hou Hsiao-hsien Master Class / Hou Xiaoxian; Zhuo Botang zhu bian. ᢡᖮᐊӇ‫܈ؙ‬ӏ = Hou Hsiao-hsien Master Class / ᢡᖮᐊ; ᅤᐑ ἙҰഹ. Xianggang: Tian di tu shu you xian gong si, 2008. 236 p. ISBN 9789882119888 Series title: “Quan qiu hua ren dian ying dao yan jiang zuo” xi lie “Ҫ‫ܓܧ‬ϪӇ‫܈ؙ࣒ࠟ‬ӏ” ‫࠶ڍ‬ Note: Presents six lectures given by Hou Hsiao-hsien during the film director’s lecture series, hosted by Hong Kong Baptist University, November 5–7, 2007. Hou discusses his film career and aesthetic concepts, comments on his favorite film directors and their films, and opines on the current situation and future of Taiwan cinema. Includes a filmography and list of the lecture series attendants. CTFAL Chi

0409 Guo, Yue, 1975– ᔕք䩟1975– Hua yu dian ying de mei xue ge ming yu wen hua hui liu: Dalu, Xianggang, Taiwan “xin dian ying” yan jiu. ‫ܬܗ‬ӈ‫ؙ‬ϡѤѺཪ‫ܞ‬ԁҹ٩ཹԵ䩭Ͻ૖䩟‫ܫ‬୯䩟‫ݡ‬ළ”Јӈ‫”ؙ‬ ୳ૢ. Beijing: Ren min chu ban she, 2008. 289 p. ISBN 9787010045849 Series title: Xibei da xue Zhongguo yu yan wen xue cong shu ՝‫ܚ‬ϽѺЅм‫ߞܬ‬ҹѺᜥ‫ڪ‬ Note: The author adopts the notion of “New Cinemas” to describe the development of filmmaking in mainland China, Hong Kong, and Taiwan since the 1980s. Makes comparative assessments and studies the phenomenon of cultural convergence created by these new cinemas. The author indicates in the postscript that this is a work based on his Ph.D. dissertation at Xibei University in Xi’an, China. Includes a bibliography. WorldCat Chi

0413 Hou, Xiaoxian (Hou, Hsiao-hsien), 1947– ᢡᖮᐉ, 1947– Hou Xiaoxian dian ying jiang zuo = Hou Hsiao-hsien Master Class / Hou Xiaoxian; Zhuo Botang zhu bian. ᢡᖮᐉӈ‫܇ؙ‬ӏ = Hou Hsiao-hsien Master Class / ᢡᖮᐉ; ᅤᐑ ἙҰ൜. Guilin: Guangxi shi fan da xue chu ban she, 2009. 235 p. ISBN 9787563384013 Note: Mainland China’s version of the similarly titled text published by Tian di tu shu you xian gong si in Hong Kong in 2008. Presents six lectures given by Hou Hsiao-hsien during the film director’s lecture series, hosted by Hong Kong Baptist University, November 5–7, 2007. Hou discusses his film career and aesthetic concepts, comments on his favorite film directors and their films, and opines on the current situation and future of Taiwan cinema. Includes a filmography. Duxiu (FT) Chi

0410 Hong, Guo-Juin. Cinematograph of history: post/colonial modernity in 1930s Shanghai and New Taiwan Cinema since 1982. 228 leaves. Note: Thesis (Ph.D.)—University of California, Berkeley, 2004. A comparative study of New Taiwan Cinema since 1982 and the leftist cinema movement in Shanghai during the 1930s. The author substantiates the argument that “For both cinemas, modernity is flanked by nationalism and colonialism” and “these two leftist cinemas represent and participate in China’s ongoing processes of modernization.” (abstract). Includes a bibliography. WorldCat Eng

0411

0414

Hong, Guo-Juin. New Taiwanese cinema, the year 1986, an identity in the making. 109 leaves. Note: Thesis (M.A.)—San Francisco State University, 1995. This thesis focuses on two Taiwanese directors, Hou Hsiao-hsien and Edward Yang, as well as their films Dust in the Wind and Terrorizers, both of which were made in 1986. Describes the ways these two directors

Hsu, Tzu-yi. Rethinking the film critics’ role of Taiwan New Cinema in the 1980s. 92 leaves. Note: Thesis (M.A.)—Indiana University, 1996. A work on the relationship between the film critics and Taiwan New Cinema in the 1980s. Includes a bibliography. WorldCat Eng

78

Special Regions, Periods, and Events

0422

0415 Huang, Jianye, 1954– ࢶࠃ‫׬‬, 1954– Yang Dechang: qi ren qi pian. ໷ख़ቾ: ԷϪԷә. Taibei: Wan xiang tu shu you xian gong si, [1993] 48 p. Note: A work on Edward Yang and his films. WorldCat

0419 Jiang, Huixian (Chiang, Huey-hsien). ឣ༫࿁. Taiwan dian ying, guo zu xu shi yu xing bie zheng zhi—tan “Guling jie shao nian sha ren shi jian.” ‫ݡ‬ஹӇ‫ؙ‬, лఓᡳѨӿԛԇू੽—ড “⚯ᗬঅվё৵ϪѨխ.” 83 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 1993. Describes how Taiwan New Cinema represented sociopolitical changes in Taiwan from the 1960s through the 1980s by presenting personal films and transforming the “Big China concept” into a new nationality of Taiwan and localization. Provides an analysis of the film A Brighter Summer Day (1991). Appendix includes newspaper reports on Hou Hsiaohsien and Edward Yang, promotional materials for the film A Brighter Summer Day, an outline of the R.O.C. Cinema Year activity plan, and a summary of the film subsidies for filmmakers who participate in international film festivals. Includes a Chinese abstract and bibliography. NCL/NDLTD Chi

Chi

0416 Huang, Ling-Huei. The interactive relationship among “body,” “space” and “city” in five “New New Taiwan Films” of the 1990s. 95 leaves. Note: Thesis (M.A.)—University of Miami, 1996. Includes bibliography and filmography. WorldCat Eng

0417 Hung, Christine Yu-Ting. A nation of sadness? Reading history, culture, and gender in Hou Hsiao-hsien’s A City of Sadness. 100 leaves. Note: Thesis (M.A.)—University of New South Wales, 2006. Includes bibliography. WorldCat Eng

0420 Jiao, Xiongping (Chiao, Peggy). ဖ೰๔. 1993 National Film Year Taiwan, ROC: Hou Hsiao-Hsien / [author, Peggy Chiao; translator, Sam Ho, Stephen Teo]. Taiwan: Variety Publishing Co., Ltd., 1993. 64 p. Series title: Films: made in Taiwan; 3 Note: This is one of a three-part introductory and promotional series published in 1993, which was designated a National Film Year in Taiwan, R.O.C. Peggy Chiao was hired to be in charge of organizing the related activities. Includes Hou Hsiao-hsien Overview, Films (1983–1993), and Interviews with Peggy Chiao. WorldCat Eng

0418 Island on the edge: Taiwan New Cinema and after / edited by Chris Berry and Feii Lu. Hong Kong: Hong Kong University Press, 2005. 195 p. ISBN 9622097154 (hbk.), 9789622097155 (hbk.), 9622097162 (pbk.), 9789622097162 (pbk.) Note: A collection of essays focusing on the Taiwan New Cinema studies, including “The Terrorizer and the great divide in contemporary Taiwan’s cultural development” by Sung-sheng Yvonne Chang; “Reflections on the Screen: Hou Hsiao Hsien’s Dust in the Wind and the Rhythms of the Taiwan New Cinema” by Haden Guest; “A Borrowed Life in Banana Paradise: De-Cold War/ Decolonization, or Modernity and Its Tears” by Chen Kuan-Hsing; “Hou Hsiao Hsien’s City of Sadness: History and the Dialogic Female Voice” by Rosemary Haddon; “Myth(ology) Mythologizing Its Own Closure: Edward Yang’s A Brighter Summer Day” by Liu Yuhsiu; “Hou Hsiao Hsien’s The Puppetmaster: The Poetics of Landscape” by Nick Browne; “Where Is the Love? Hyperbolic Realism and Indulgence in Vive L’Amour” by Chris Berry; “Generational/Cultural Contradiction and Global Incorporation: Ang Lee’s Eat Drink Man Woman” by Ti Wei; “On Tsai Mingliang’s The River” by Gina Marchetti; “Compulsory Orientalism: Hou Hsiao Hsien’s Flowers of Shanghai” by Nick Kaldis; “Another Cinema: Darkness & Light” by Feii Lu; “China Simulacrum: Genre, Feminism, and Pan-Chinese Cultural Politics in Crouching Tiger, Hidden Dragon” by Fran Martin. WorldCat Eng

0421 Jiao, Xiongping (Chiao, Peggy). ဖ೰๔. Feng yun ji hui: yu Zhongguo dang dai dian ying dui hua. գࠥগϾ: ӿЅлԄ‫ڊ‬Ӈ‫ؙ‬хҧ. Taibei: Yuan liu, 1998. 332 p. ISBN 9573234041 Series title: Dian ying guan; 77 Ӈ‫ؙ‬ఖ; 77 NCL

Chi

0422 Jiao, Xiongping (Chiao, Peggy). ဖ೰๔. Hou Hsiao-Hsien, overview / [author, Peggy Chiao; translator, Sam Ho, Stephen Teo]. Taiwan: Variety Publishing Co., Ltd., 1993. 64 p.

79

Film History

0423 Series title: Films: made in Taiwan; 3 WorldCat

Chapters 1–3 review the historical, industrial, and political background of Taiwan New Cinema; Chapters 4–11 discuss eight major early film directors and their works; Chapter 12 is dedicated to other contributors to Taiwan New Cinemas, including screenwriters, cinematographers, producers, and additional film personnel; Chapters 13 and 14 contain film reviews of Taiwan New Cinema’s major works; Chapters 15 and 16 deal with the relationship between Taiwan New Cinema, literature, and feminist studies; and Chapters 17 and 18 consider the legacy of Taiwan New Cinema. The appendix includes papers that offer foreign scholars’ perspectives on Taiwan New Cinema. NTUL Chi

Eng

0423 Jiao, Xiongping (Chiao, Peggy). ဖ೰๔. Hou Xiaoxian: Taiwan xin dian ying de dai biao ren wu. ᢡᖮᐊ: ‫ݡ‬ஹЈӇ‫ؙ‬ϡ‫ڊ‬ԣϪ‫׉‬. [Taibei] : Wan xiang tu shu gu fen you xian gong si, [1993] 48 p. Series title: Taiwan dian ying jing xuan xi lie ‫ݡ‬ஹӇ‫࠶ڍקؘؙ‬ Note: A biographical work on Hou Hsiao-hsien as the representative figure of Taiwan New Cinema. WorldCat Chi

0426 Jing xiang yu wen hua: Gang Tai dian ying yan jiu / Wang Haizhou zhu bian. ஖Ռԁҹ٩䩭୯‫ݡ‬ӈ‫ ૢ୳ؙ‬/ ࣼ֋ರҰ൜. Beijing: Zhongguo dian ying chu ban she, 2002. 438 p. ISBN 7106018236 Series title: Xin shi ji dian ying xue lun cong ЈԒઓӈ‫ؙ‬Ѻ‫ڹ‬ᜥ Note: A collection of essays on Hong Kong and Taiwan film studies by graduate students and faculty members at the Beijing Film Academy. Part 1 contains three essays on Taiwan New Cinema: Hu Yankai, a Taiwan student who graduated from the Beijing Film Academy, describes the historical evolution of Taiwan New Cinema, and the following two essays focus on Hou Hsiaohsien and Tsai Ming-liang, respectively; Part 3 contains Liu Ting’s essay, an analysis of the cultural contents of Ang Lee’s films through a unique perspective: “home”; Part 4 presents two essays by Huang Shixian, a faculty member at the Beijing Film Academy, who provides comparative studies of mainland China, Taiwan, and Hong Kong films. WorldCat Chi

0424 Jiao, Xiongping (Chiao, Peggy). ဖ೰๔. Taiwan dian ying 90 xin xin lang chao = New new wave of Taiwan cinema 90s. ‫ݡ‬ஹӇ‫ؙ‬90 ЈЈ‫ع‬଎ = New new wave of Taiwan cinema 90s. Taibei: Mai tian chu ban she, 2002. 315 p. ISBN 9867895118, 9789867895110 Series title: Dian ying guan; 01 Ӈ‫ؙ‬ఖ; 01 Note: Outlines Taiwan films produced in the 1990s, described as “The Second Wave of Taiwan New Cinema” or “New New Wave of Taiwan Cinema” to distinguish these films from the Taiwan New Cinema films of the 1980s. Differing cinematic techniques include the absence of the long take, which was typical of the Taiwan New Cinema. Part 1 provides filmography of sixty-four films produced from 1990 to 1998, Parts 2–4 list the biographies of thirty-four directors, thirty-seven actors and actresses, six supervisors, six screenwriters, nine cinematographers, two sound designers, two editors; Part 5 introduces thirteen film studios; and Part 6 ends with a list of award-winning films of the 1990s. WorldCat Chi

0426a Kang, Qianru. ࣉᝤҒ. Ji yi zai xian de fu diao yu dui hua: lun Yang Dechang dian ying “Guling jie shao nian sha ren shi jian” = The polyphony and dialogue of the reproduction of memories: A Bright Summer Day. ֭ষӐѴϡߒ݆ԁцҦ䩭‫ڹ‬໶ख़ቾӈ‫⚯“ ؙ‬ᗮঅվё৹ϪѨխ = The polyphony and dialogue of the reproduction of memories: A Brighter Summer Day. 38 p. Note: Thesis (M.A.)—Zhejiang University, 2010. Focuses on the narrative structure of Edward Yang’s film A Brighter Summer Day (1991), recognizing how the reproduction of memories, representations of family life, and connections to historical and societal networks reveal the nuances of Taiwanese society. Includes abstracts in Chinese and English and a bibliography. Duxiu (FT) Chi

0425 Jiao, Xiongping (Chiao, Peggy). ဖ೰๔. Taiwan xin dian ying / Jiao Xiongping bian zhu. ‫ݡ‬ஹЈӇ‫ ؙ‬/ ဖ೰๔ഹЯ. Taibei: Shi bao wen hua chu ban qi ye you xiang gong si, 1988, 1990. 433 p. ISBN 9571301582, 9789571301587 Series title: Ren jian cong shu; 117 ϪҼᜣ‫ ;ڣ‬117 Note: A fairly extensive review of Taiwan New Cinema. Divided into eighteen chapters and an appendix.

80

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0431a Note:

0427 Kawase, Ken’ichi. ඇⰗ࡬ϣ. Taiwan eiga e no sh䲖tai: ichiya ni shite Ch䲚gokujin ni natta t䲖san (t䲖san). ‫ݡ‬ළྱࡌ䫩䫟੷‫ۉ‬: ϣ١䫜䫈䫗ЅмϪ䫜䫛䫔䫐Єᇤ (୊䫆䬄). Nara-ken Kashihara-shi : T䲖y䲖 Shis䲖 Kenky䲚jo ; Ŕsaka-fu Suita-shi : hatsubai Birejji Puresu, 1998. 94 p. ISBN 493859854X, 9784938598549 Note: The text begins with an introduction to the film director Wu Nien-chen and his film “T䲖san = A Borrowed Life” followed by introductions to five additional leading figures in Taiwan cinema: Wang Tung, Liao Hsiang-hsiung, Lin Cheng-sheng, Tsai Ming-liang, Hou Hsiao-hsien, and their films. Contains “A Brief History of Taiwan Cinema,” which includes Taiwan Film during Japanese Occupation (1895–1945), Taiwan Cinema After World War II (1945–1969), World’s Orphan Era (1970s), and The Era of Taiwan New Cinema (1980s–1990s). Includes photos, stills, posters, and a bibliography. WorldCat Jpn

Thesis (Ph.D.)- University of Southern California, 1995. Explores the relationship between Yang’s film career, the Taiwan New Cinema movement, and modernism. Four of Yang’s films—That Day, on the Beach, Taipei Story, Terrorizer, and A Brighter Summer Day—are analyzed as case studies. Includes a bibliography. WorldCat Eng

0430 Li, Meirong (Li, Mei-Jung). ଽѤ๎. Ling yi zhong dian ying shi xue: Hou Xiaoxiang dian ying li de huo che—ying xiang = Towards alternative cinematic poetics. ࡔϣ҆Ӈ‫ؙ‬உѹ: ᢡᖮᐊӇ‫ؙ‬Ѷϡ‫ڮ‬ӝ—‫ؙ‬Ռ = Towards alternative cinematic poetics. 86 leaves. Note: Thesis (M.A.)—National Chiao Tung University, 2008. Inspired by Gilles Deleuze’s notion of the time-image, the paper redefines the three signature styles of Hou Hsiao-hsien’s films, Nostalgia, Slowness, and Realism, through a new concept: the “train-image.” The train is not simply regarded as a diegetic symbol in his films, but instead it is a metaphor combining traintraveling and film-viewing experience to recapitulate the aesthetics of Hou’s films. Includes Chinese and English abstracts, a bibliography, and filmography. NCL/NDLTD (FT) Eng

0428 Kawase, Ken’ichi. ඇⰗ࡬ϣ. Taiwan dian ying xiang yan: bai nian dao lan / zhu zhe Chuanlai Jianyi ; Zhong yi Li Changchuan. ‫ݡ‬ஹӇ‫ؙ‬⡕ᑱ : ‫ښ‬ё࣒ऋ / Я‫ٷ‬ඇⰗ࡬ϣ ; Ѕፆଽ‫ة׶‬. Taibei: Nan tian shu ju, 2002. 165 p. ISBN 9576386012 Note: A Chinese translation of the revised version of Taiwan eiga e no sh䲖tai = ‫ݡ‬ළྱࡌ䫩䫟੷‫ ۉ‬written by Kawase Ken’ichi and published in Japan in 1998. Consists of three parts: Part 1, A Brief History of Taiwan Cinema, including Taiwan Film during Japanese Occupation (1895–1945), Taiwan Cinema After World War II (1946–1970), The Isolated Taiwan Cinema (1970–1979), and The Era of Taiwan New Cinema (1980–1990); Part 2, Taiwan Film Directors, including biographies and interviews of sixteen Taiwan film directors; and Part 3, Legendaries of Taiwan Cinema, including biographies and interviews of twenty-two legendary figures in Taiwan cinema, such as novelist and director Huang Chunming, screenwriter Chu T’ien-wen, composer and singing star Cai Zhennan, and actress Yang Guimei. Includes photos, film stills, posters, a chronology of Taiwan film history 1895–1998, and a bibliography. WorldCat Chi

0431 Li, Zhenlin, 1965– ཯౜৆, 1965– Dao yan de lu dong: hua yu dian ying, shi yan ying xiang he zuo zhe dian ying yan jiu. ࣔࠟϡಋ҃䩭‫ܬܗ‬ӈ‫ؙ‬䩟 ӥࡑ‫ؙ‬Ռфӑ‫ٷ‬ӈ‫ؙ‬ϡ୳ૢ. Shanghai: Shanghai shu dian chu ban she, 2011. 229 p. ISBN 9787545804102, 7545804104 Note: The author studies Chinese films produced in mainland China, Hong Kong, and Taiwan during the first decade of the twenty-first century by considering different directing perspectives. Chapter 3 is devoted to the market-saving function of Taiwan’s New Youth Films. Includes a bibliography. WorldCat Chi

0431a Lim, Song Hwee. Tsai Ming-liang and a Cinema of Slowness. Honolulu: University of Hawaii Press, 2014. 240 p. ISBN 9780824836849

0429 Lee, Chu-chun. A modernist auteur, Edward Yang: the first decade of his film career (1982–1991). 147 leaves.

81

Film History

0432 Note:

In this text, which addresses “questions of temporality, materiality, and aesthetics, and examin[es] concepts of authorship, cinephilia, and nostalgia, Song Hwee Lim offers insight into cinematic slowness through the films of the Malaysian-born, Taiwan-based director Tsai Ming-liang” (abstract). WorldCat Eng

0434 Lu, Tonglin. Confronting modernity in the cinemas of Taiwan and Mainland China. Cambridge; New York: Cambridge University Press, 2007, 2002, 2001. 246 p. ISBN 0521806771, 0521037271 (pbk.), 9780521037273 (pbk.) Note: A comparative study of fifth-generation directors in mainland China and Taiwan New Cinema directors in Taiwan conducted to analyze how the interaction and confrontation with Western notions of progress are reflected on the screen. The author focuses on representative directors from the 1980s through the 1990s, including Chen Kaige, Tian Zhuangzhuang, Hou Hsiao-hsien, and Edward Yang. Includes notes, a glossary, a bibliography, a filmography, and an index at the end of the book. WorldCat Eng

0432 Lin, Chi-fan. Fiction and film in Taiwan, 1960s to 1980s: narratives, politics, and aesthetics. 208 p. Note: Thesis (Ph.D.)—New York University, 1999. Comparing eleven works of Taiwanese native-soil literature during the 1960s and 1970s with their film adaptations in the 1980s during the Taiwan New Cinema movement. The paper examines the dynamic relationship between Taiwan’s socioeconomic realities and aesthetic artifacts. Includes a bibliography. WorldCat Eng

0435 Lu, Tonglin. ᧛‽ረ. Da lu Taiwan wen hua lun tan: xin dian ying yu xian dai xing / Lu Tonglin zhu; Xiao Yu yi. Ͻ૔‫ݡ‬ஹҹ٩‫ں‬Ⴋ: ЈӇ‫ؙ‬ӿѳ‫ڊ‬ԛ / ᧛‽ረЯ; ᖆ⟆ፆ. Xianggang: Xianggang da xue chu ban she, 2004. 325 p. ISBN 9622096395, 9789622096394 Note: The Chinese translation of the author’s text: Confronting Modernity in the Cinemas of Taiwan and Mainland China (2002). A comparative study of fifth-generation directors in mainland China and Taiwan New Cinema directors in Taiwan conducted to analyze how the interaction and confrontation with Western notions of progress are reflected on the screen. The author focuses on representative directors from the 1980s through the 1990s, including Chen Kaige, Tian Zhuangzhuang, Hou Hsiao-hsien, and Edward Yang. Includes a filmography, a bibliography, and an index. WorldCat Chi

0432a Lin, Lin. ৆ᕻ. Jing shen xue mai de ying xiang biao zheng: Yang Dechang, Li An dian ying de chuan tong wen hua jie du. ‫߱ظؘ‬ኼϡ‫ؙ‬Ռԣ෥䩭໶ख़ቾ䩟ଽԥӈ‫ؙ‬ϡ‫ࢅت‬ҹ٩‫ࢴث‬. 40 p. Note: Thesis (M.A.)—Qufu Normal University, 2013. The author provides an interpretation of Edward Yang and Ang Lee’s films through the lens of traditional Chinese philosophies. For example, Daoist conceptual structures, characteristics influenced by the Confucian tradition, and Buddhist thought are the focal points of this study. Specifically, the paper points out that Yang critiques the relationship between Confucianism and family–societal structures and both Yang and Lee’s films display Buddhist concepts as revealed in the respective director’s film aesthetics. Includes abstracts in Chinese and English and a bibliography. Duxiu (FT) Chi

0436 Ma, Jean Yen-chun. Time without measure, sadness without cure: Hou Hsiao-Hsien’s films of history. 283 leaves. Note: Thesis (Ph.D.)—University of Chicago, 2003. The paper focuses on three of Hou Hsiao-hsien’s films: A City of Sadness (1989), The Puppetmaster (1993), and Good Men, Good Women (1995), which comprise a historical trilogy covering twentieth-century Taiwan history and are included among the “New Wave” Chinese cinematic movements represented by film directors in Taiwan, Hong Kong, and mainland China. The author emphasizes the uniqueness of Hou and his films, which redefine the meaning of national cinema with the environment of globalization, nativism, state-sponsored cultural identity, and regionally differentiated identity.

0433 Lin, Ying-chia. A descriptive analysis of the development and decline of New Taiwan Cinema, 1982–1986. 152 p. Note: Thesis (M.A.)—University of North Texas, 1993. The paper explores the rise and fall of New Taiwan Cinema from 1982 to 1986 by considering social, economic, and cultural perspectives. The author apparently does not take into full account the lineage and legacy of New Taiwan Cinema, including important works such as Hou Hsiao-hsien’s A City of Sadness (1989). Includes a bibliography and a filmography. ProQuest (FT) Eng

82

Special Regions, Periods, and Events

Includes a bibliography. WorldCat (FT)

0441 Includes abstracts in Chinese and English and a bibliography. Duxiu (FX) Chi

Eng

0437 0440

Mei xue yu shu min: 2008 Taiwan “Hou xin dian ying” xian xiang guo ji xue shu yan tao hui lun wen ji / Zhong yan yan jiu yuan wen zhe yan jiu suo. Ѥѹӿ⋚‫ھ‬: 2008 ‫ݡ‬ஹ “ћЈӇ‫”ؙ‬ѳࢣлগѹफ୳क़Ͼ‫ں‬ҹओ / Ѕ႑୳ૢࡨҹᎻ୳ૢӛ. Taibei: Zhong yang yan jiu yuan wen zhe yan jiu suo, 2009. 269 p. Note: A collection of essays from the international symposium Aesthetics and Common People: 2008 Taiwan Post-New Cinema Phenomenon, hosted by Academia Sinica, October 29–30, 2009, in Taiwan. Includes eleven papers focusing on Taiwan Post-New Cinema represented by the box office success, Cape No. 7 (2008). Includes a bibliography at the end of each paper. WorldCat Chi

Realism and the audiovisual media / edited by Lucia Nagib, Cecilia Mello. Basingstrike, Hampshire; New York: Palgrave Macmillan, 2009. 257 p. ISBN 9780230577220, 0230577229 Note: A collection of essays that examine two recent phenomena: “the return of realist tendencies and practices in world cinema and television, and the rehabilitation of realism in film and media theory” (abstract). Includes the essay “Observational Realism in Taiwan New Cinema” by Ming-yeh T. Rawnsley. Includes a bibliography and an index WorldCat Eng

0440a

0438

Rojas, Carlos. The Oxford Handbook of Chinese Cinemas / edited by Carlos Rojas and Eileen Cheng-yin Chow. New York: Oxford University Press, 2013. 709 p. ISBN 9780199765607, 019976560X New York: Oxford University Press, 2013. Note: This volume includes thirty-three essays written by leading researchers in the field of Chinese cinemas.. Divided into three parts:(1) Part I describes the history of Chinese cinema from its beginnings on the mainland to contemporary Hong Kong, Taiwan, and China coproductions; (2) Part II features the study of Chinese cinema's techniques and aesthetic influences such as Chinese opera and martial arts, and political influences such as "Maoist film"; (3) Part III focuses on Chinese film production, distribution, and reception. Includes “Taiwan New Cinema: Small Nation with Soft Power” by Song Hwee Lim (pp. 152–169). WorldCat Eng

Moon, Sung Hee. The rhythmic journey: early films of Hou Hsiao-Hsien: an analysis of Summer at grandpa’s and Boys from Fengkuei. 98 leaves. Note: Thesis (A.B., Honors in East Asian Languages and Civilizations)—Harvard University, 2000. The paper studies two early films of Hou Xianxian (Hou Hsiao-Hsien): Boys from Fengkuei (1983) and Summer at Grandpa’s (1984). Includes a bibliography. WorldCat Eng

0439 Powley, Kathryn Anne. Silence, emptiness and love in Ts’ai Ming-liang’s film Vive l’amour. 47 leaves. Note: Thesis (M.A.–Chinese)—University of Auckland, 1997. A work on Cai Mingliang (Tsai Ming-liang) and his film Vive l’amour. Includes a bibliography. WorldCat Eng

0441 Shen, Shiao-ying. Permutations of the foreign/er: a study of the works of Edward Yang, Stan Lai, Chang Yi, and Hou Hsiao-Hsien. 271 p. Note: Thesis (Ph.D.)—Cornell University, 1995. “This study is a tribute to Taiwan New Cinema and the films that came after” (abstract). Focuses on three major film directors of Taiwan New Cinema: Edward Yang, Chang Yi, and Hou Hsiao-hsien, as well as a cultural figure and film director since the 1990s: Stan Lai. The “foreign/er” is used as a framework and metaphor that facilitates the permutation of the varied and complex meanings of Taiwan New Cinema. Assesses how Taipei is the “city foreigner” in Edward Yang’s films; Lan Shengchun’s films explore the “mainlander-foreigner” dynamic; three films made by Chang Yi and his partner Yang Huishan present

0439a Qin, Hongliang. ቦᖻ݊. Yang Dechang dian ying zhong de “fu zi” ren tong xiang xiang = The identity between “father and son” in Edward Yang’s films. ໶ख़ቾӈ‫ؙ‬Ѕϡ”୊ж”‫ڶ‬ӎЂՌ = The identity between “father and son” in Edward Yang’s films. 37 p. Note: Thesis (M.A.)—Human University of Science and Technology, 2011. Studies the relationship between fathers and sons in Edward Yang’s films. Argues that these identity formations symbolize larger issues faced by Taiwan’s people as they navigate between the following positions: Taiwan and Japan, Taiwan and Mainland China, and Taiwan and the United States.

83

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0442

‫ݡ‬ஹЈӇ‫ؙ‬ԏ֐ё = 20th Anniversary of Taiwanese New Cinema / Taipei Golden Horse Film Festival Executive Committee. Taibei: Taipei Golden Horse Film Festival Executive Committee, 2002. 215 p. Note: A bilingual (Chinese and English) text published in celebration of the Twentieth Anniversary of Taiwan New Cinema (1982–2002). Includes seven film critiques, film synopses of forty-one films, and introductions to twenty-two filmmakers. Includes a chronicle of Taiwan new cinema and a film history. CTFAL Chi Eng

Yang’s body as a space in which foreign and familiar forces become intertwined; and, as the most daring experimenter, Hou Hsiao-hsien pursues a foreign form to present Taiwan stories in his films. Includes a bibliography. WorldCat Eng

0442 Sun, Mingde (Sun, Mi-te). ྒ᎘ख़. Taiwan Jin Ma jiang dian ying hai bao tu xiang fu hao fen xi = Study of image and symbol applied in analyzing the film posters of the Golden Horse Awards in Taiwan (1982–2008). ‫ݡ‬ஹ‫ެؖ‬؉Ӈ‫֖ڻ֋ؙ‬Ռላ‫ى‬д໯ = Study of image and symbol applied in analyzing the film posters of the Golden Horse Awards in Taiwan (1982–2008). 122 leaves. Note: Thesis (M.A.)—National Taiwan University of Arts, 2010. Assesses potential meanings conveyed by the posters of twelve films awarded best film in Taiwan’s Golden Horse Awards. The author uncovers cultural and artistic changes in posters created during the rise of Taiwan New Cinema. Includes Chinese and English abstracts, a bibliography, and interviews with the Film Poster Designers and Curator of the Film Poster Collection at the Chinese Taipei Film Archive. NCL/NDLTD Chi

0446 Taiwanese cinema 1982–2002: from new wave to independent / edited by Kim Ji-soek; Jongsuk Thomas Nam. Pusan, South Korea: Pusan International Film Festival, 2002. [92, 81 p.] Note: A bilingual work (English and Chinese) published by the Seventh Pusan International Film Festival. Also known by the title, “The 20th Anniversary of Taiwan New Wave Cinema.” WorldCat Chi Eng

0447 Tamura, Shizue, 1944– ೧భ࢑ဋብ, 1944– Taiwan ny䲚 shinema no kishu K䲖 K䲖ken no sekai.

0443

‫ݡ‬ළ䬺䭔䴈䬦䬼䭍䫟෇Ѳᢡᖮᐊ䫟Ԓ֎.

Taiwan dian ying xin xin lang chao = New Taiwan cinema in the 1990s / Cai tuan far en dian ying tui guang ji jin hui zhu. ‫ݡ‬ஹӇ‫ؙ‬ЈЈ‫ع‬଎ = New Taiwan cinema in the 1990s /੠֚ࣗϪӇ ‫ؙ‬Ԑܰऴ‫ؖ‬ϾഹЯ. Taibei: Wan xiang tu shu, 2001. 456 p. ISBN 9572708902, 9789572708903, 9572708910, Note: Based on author Jim Cheng’s research, only the National Central Library has a record of this book in their online catalog; however, he could not find the book when researching there, nor could the NCL staff. NCL Chi

T䲖ky䲖: Iwanami Shoten, 1990. 62 p. ISBN 4000031155, 9784000031158 Series title: Iwanami bukkuretto; 175 ᎚ம䭅䬲䬞䭛䬲䬷; 175 Note: A biography of Hou Hsiao-hsien. WorldCat

Jpn

0448 Tamura, Shizue, 1944– ೧భ࢑ဋብ, 1944– Sukur䲒n no muk䲖 ni mieru Taiwan.

0444

䬨䬞䭙䴈䭢䫟‫ז‬䪷䫜Ԋ䪹䫼‫ݡ‬ළ.

Taiwan Honkon shin eiga sengen = Taiwan Hong Kong new cinema. ‫ݡ‬ළ‫ܫ‬୯Јྱࡌୌߞ = Taiwan Hong Kong new cinema.

T䲖ky䲖: Tabata Shoten, 1989. 249 p. Note: A collection of essays on New Taiwan Cinema. WorldCat Jpn

T䲖ky䲖: Wave; hatsubai Beyotoru K䲖b䲖, 1989. 159 p. ISBN 4893420879, 9784893420879 Note: A late 1980s study of new cinemas in Taiwan and Hong Kong. WorldCat Jpn

0449 Theorising national cinema / edited by Valentina Vitali, Paul Willemen. London: British Film Institute, 2006. 326 p. ISBN 184457119X, 9871844571192, 1844571203, 9871844571208

0445 Taiwan xin dian ying er shi nian = 20th Anniversary of Taiwanese New Cinema / Taipei Golden Horse Film Festival Executive Committee.

84

Special Regions, Periods, and Events

Note:

0454

Revisits and reconceptualizes the idea of National Cinema in light of theoretical developments including poststructuralism and transnationalism. Includes the essays “Taiwan New Cinema, or a Global Nativism?” by Kuan-Hsing Chen, and “From National Cinema to Cinema and the National: Chinese-Language Cinema and Hou Hsiao-Hsien’s ‘Taiwan Trilogy’” by Chris Berry. Includes a bibliography and an index. WorldCat Eng

0453 Udden, James. No man an island: the cinema of Hou Hsiao-Hsien. Hong Kong: Hong Kong University Press, 2009. 226 p. ISBN 9789622090743 (hbk.), 9622090745 (hbk.) Note: An in-depth analysis of Hou Hsiao-hsien films: Puppetmaster, A City of Sadness, Flowers of Shanghai, and Goodbye South, Goodbye. Superbly expounds on the aesthetics of Hou’s films in terms of historical experience, lighting, improvisational acting, and long, static shots. “James Udden argues that Hou’s films reflect Taiwan’s peculiar historical and geographical situation and could only have emerged there. Udden also examines the regional impact Hou’s films have had on other Asian directors and cinema artists” (abstract). Includes a bibliography. WorldCat Eng

0450 Tobari, Haruo, 1938– ‫פݏ‬ֆਜ਼, 1938– Taiwan eiga no subete / Tobari Haruo, Ry䲖 Kinh䲖, Chin Jush䲚. ‫ݡ‬ළྱࡌ䫟䫊䫪䫗/ ‫פݏ‬ֆਜ਼, ᴰ‫ؖ‬ང, ಴ᭉࢗ. T䲖ky䲖: Maruzen, 2006. 180 p. ISBN 4621061062, 9784621061060 Series title: Maruzen bukkusu; 106 ᐣ৖䭅䬲䬞䬨; 106 Note: Consists of four parts: Part 1, From Healthy Realism to New Cinema; Part 2, Zhongying (Central Motion Picture Corporation) and the Rise and Fall of Taiwan Cinema; Part 3, Taiwan New Cinema and Political Reform; and Part 4, Ethnic Groups in Taiwan Cinema. Includes a list, prepared by LiaoJinfeng and Ru-shou Robert Chen, of the most representative films of Taiwan cinema during each time period, and a bibliography (pp. 172–175). WorldCat Jpn

0453a Wang, Jinchuan. ࣼቆඇ. Hou Xiaoxian yu Yang Dechang dian ying bi jiao yan jiu. ᢡᖮᐉԁ໶ख़ቾӈ‫ؙ‬ԝࢹ୳ૢ. 35 p. Note: Thesis (M.A.)—Nanjing University of the Arts, 2009. A comparative study of Hou Hsiao-hsien and Edward Yang’s films. The study focuses on film techniques, narrative styles, and each director’s perspective on Confucian thought. Includes a summary of the New Taiwan Cinema movement, an abstract in Chinese and English, a bibliography, and an author introduction. Duxiu (FT) Chi

0451 Tsou, Charlyne Chien-lin. New Taiwanese cinema: a critical analysis. 125 leaves. Note: Thesis (M.A.)—California State University, Fresno, 1992. An analytical work on New Taiwan Cinema, focusing on political perspectives presented in Taiwan films postmartial law. Includes a bibliography. WorldCat Eng

0454 Wen hua pi ping yu hua yu dian ying = Cultural Criticism and Chinese cinema / Zheng Shusen bian. ҹ٩౓߰ӿ‫ܭܓ‬Ӈ‫ = ؙ‬Cultural Criticism and Chinese cinema / ቼ கာഹ. Taibei: Mai tian chu ban you xian gong si, 1995. 366 p. ISBN 9577083102 Series title: Mai tian ren wen; 9 ๤೧Ϫҹ; 9 Note: Liao Ping-hui states in the foreword that the text’s purpose is to explore the relationship between Western cultural criticism and Chinese cinema of the 1980s and 1990s in mainland China, Hong Kong, and Taiwan. Three essays discuss films of Taiwan New Cinema: Zhan Mingxin’s essay on Edward Yang’s The Terrorizers (1986), Huang Yuexiu’s discussion of Edward Yang’s A Brighter Summer Day (1991), and Liao Chaoyang’s essay on Wang Tung’s Banana Paradise (1989). Includes a bibliography at the end of each essay. WorldCat Chi

0452 Udden, James. Hou Hsiao-hsien and the aesthetics of historical experience. 384 leaves. Note: Thesis (Ph.D.)—University of Wisconsin, Madison, 2003. A study of Hou Hsiao-hsien and the aesthetics of his films. Includes a bibliography. WorldCat Eng

85

Film History

0455

Conference of the North American Taiwan Studies Association, June 16–19, 2000, Harvard University. Includes a bibliography. WorldCat Eng

0455 Wen hua pi ping yu hua yu dian ying / Zheng Shusen bian. ҹ٩౓߯ԁ‫ܬܗ‬ӈ‫ ؙ‬/ ችஔာ൜. Guilin: Guangxi shi fan da xue chu ban she, 2003. 249 p. ISBN 756334232X Note: The mainland China version, in simplified characters, of the same title published in Taiwan in 1995. Liao Ping-hui states in the foreword that the text’s purpose is to explore the relationship between Western cultural criticism and Chinese cinema of the 1980s and 1990s in mainland China, Hong Kong, and Taiwan. Three essays discuss films of Taiwan New Cinema: Zhan Mingxin’s essay on Edward Yang’s The Terrorizers (1986), Huang Yuexiu’s discussion of Edward Yang’s A Brighter Summer Day (1991), and Liao Chaoyang’s essay on Wang Tung’s Banana Paradise (1989). Includes a bibliography after each essay and a contributor introduction at the end of the book. WorldCat Chi

0459 Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ, 1952– Bei qing cheng shi: Wu Nianzhen Zhu Tianwen zuo pin / Wu Nianzhen, Zhu Tianwen. ঳є‫صڵ‬: ྶ݉ѐᗌϳҹӑԘ / ྶ݉ѐ, ᗌϳҹ. Taibei: San san shu fang, 1989. 198 p. ISBN 9579528004 Note: Includes the screenplay of A City of Sadness (1989), written by Wu Nien-chen, and a Q&A with Chu T’ien-wen. Duxiu (FT) Chi

0460 Wu, Qiyan. ྶԷ᷀. Di du kai fa de hui yi, yi zhong yi lei ying ping. ࠍ֏ычϡҘশ, ϣ҆஫ढ‫ؙ߰‬. Taibei: Tang shan chu ban she, 1993. 218 p. Note: Consists of five parts: Parts 1 and 2 discuss Taiwan films in the 1980s, mainly Taiwan New Cinema and Hou Hsiao-hsien’s films; Part 3 explores the relationship between Taiwan film and “Third World Cinema”; Part 4 introduces films produced in Eastern European countries during the Soviet era; and Part 5 describes links between psychology and the experience of film. Includes a bibliography. CTFAL Chi

0456 Wicks, James Anthony. The antecedents of Taiwan New Cinema: the state of Taiwan film in the 1960s and 1970s. 266 leaves. Note: Thesis (Ph.D.)—University of California, San Diego, 2010. Explores the ways Taiwan’s KMT (Nationalist Party) government defined itself as the representative government of all of China in the 1960s and 1970s by both studying its state-sanctioned film industry and explaining how these filmmaking conditions in the 1970s enabled the emergence of Taiwan New Cinema in the 1980s. Analyzes influences from mainland China, Japanese colonialism, and the United States during the Cold War. Includes notes and a bibliography. ProQuest (FT) Eng

0461 Xi lian ren sheng: Hou Xiaoxian dian ying yan jiu = Passionate detachment: Films of Hou Hsiao-hsien / Lin Wenqi, Shen Xiaoyin, Li Zhenya bian. ۚߧϪТ: ᢡᖮᐊӇ‫ؙ‬傘ૢ = Passionate detachment: Films of Hou Hsiao-hsien / ৆ҹᚉ, ਻ཁ᱘, ଽዄਐഹ. Taibei: Mai tian chu ban gu fen you xian gong si, 2000. 389 p. ISBN 9577089534 (pbk.) Series title: Mai tian ren wen; 33 ๤೧Ϫҹ; 33 Note: This collection of essays provides arguably the most broad and in-depth study of Hou Hsiao-hsien’s films up to the year 2000, written by scholars from Taiwan, Hong Kong, and the United States. NTUL Chi

0457 Wong, Edmond. Edward Yang / Edmond Wong; Edward Yang; translated by Stephen Teo. [Taibei] : Variety, 1993. 64 p. Note: An introduction to the works of Edward Yang, published in celebration of the 1993 National Film Year, Taiwan, R.O.C. WorldCat Eng

0458 Wu, I-fan. Floating in Taipei? The cultural landscape and film aesthetics in Tsai Ming-liang’s trilogy. Cambridge, MA: North American Taiwán Studies, 2000. 17 p. Note: A paper presented during Panel 5: Contemporary Literature and Performing Arts, at the Sixth Annual

0462 Xiaoye, 1951– Щఀ, 1951– Bai ge wu yu. Ձ៬‫ܭ׉‬.

86

Special Regions, Periods, and Events

0467

Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1988. 237 p. Series title: Ren jian cong shu; 138 ϪҼᜣ‫ ;ڣ‬138 Note: The sequel to the author’s first such book, published in 1986. Contains a preface written by the famous Taiwan New Cinema director, Edward Yang. Collects the author’s various musings on his interactions with Taiwan New Cinema’s milieu and participants. CTFAL Chi

0465 Xin dian ying zhi wai / hou / Mizou, Liang Xinhua bian. ЈӇ‫ؙ‬ҏ֔ / ћ / ࣿҵ, ᅯЈ‫ܓ‬ഹ. Taipei: Tang shan chu ban she, 1994. 240 p. ISBN 9578900090 Series title: Zhan zheng ji qi cong kan; 13 ‫ڕ‬ৎҚॆᜣᑂ; 13 Note: Following in sequence with a work of the same title “Xin dian ying zhi si,” published in 1991, this text analyzes Taiwan cinema movements that occurred concurrently with Taiwan New Cinema, such as Taiwan Non-mainstream and Alternative Media, Independent Film-Making, and Documentary Film Movements. Also contains the latest works of the time by Taiwan New Cinema directors, such as Edward Yang, Lan Shengchuan, Tsai Ming-liang, Xu Xiaoming, and Wang Tung. Includes a bibliography. CTFAL Chi

0463 Xiaoye, 1951– Щఀ, 1951– Yi ge yun dong de kai shi. ϣϫ‫ػ‬ҁϡы‫״‬. Taibei: Shi bao chu ban gong si, 1986. 284 p. Series title: Ren jian cong shu; 54 ϪҼᜣ‫ ;ڣ‬54 Note: Although not an academic work, this text is a readable collection of essays, diaries, letters, interviews, and prose that touches on a broad series of topics, including the author’s daily experiences at Zhong ying (Central Motion Picture Corporation) as he managed film production issues; personal anecdotes regarding his relationship with some of the most famous Taiwan film directors, screenwriters, and Zhong ying studio officials; comparative reviews on Hong Kong and mainland China films; and, most important, his records and comments, as an insider, about the birth of the Taiwan New Cinema movement during the early 1980s. WorldCat Chi

0466 Xin Yazhou dian ying mian mian guan / Jiao Xiongping bian. ЈਐರӇ‫ؙ‬ӌӌ޲ / ဖ೰๔ഹ. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 1991. 239 p. ISBN 9573214547 Note: A collection of essays focusing on the “New Asian Films.” Two essays are of note: Jiao Xiongping’s essay deals with the growing pains faced by Taiwan, Hong Kong, and mainland China film industries during the late 1980s and early 1990s when cooperation among film producers outpaced the uncooperative political, commercial, and economic systems that remained in place. Zhang Cangyan’s essay describes the relationship between Taiwan’s film tradition and the emergence of New Taiwan Cinema in 1982. NTUL Chi

0464 Xin dian ying zhi si—cong “Yi qie wei ming tian” dao “Bei qing cheng shi” / Mizou, Liang Xinhua bian. ЈӇ‫ؙ‬ҏӚ—ԩ “ϣܷЊҴϳ” Ϻ “঳є‫”صڵ‬/ ࣿҵ, ᅯЈ‫ܓ‬ഹ. Taipei: Tang shan chu ban she, 1991. 236 p. Series title: Zhan zheng ji qi cong kan; 3 ‫ڕ‬ৎҚॆᜣᑂ; 3 Note: A collection of essays critical of Taiwan New Cinema director Hou Hsiao-hsien and his acclaimed film A City of Sadness (1989). Several essays declare that the death of Taiwan New Cinema occurred in 1988 when Hou Hsiao-hsien and other Taiwan New Cinema directors delivered a “Taiwan Film Memoratum” in 1987 and then agreed to make the government policy film Everything for the Events of Tomorrow for Taiwan’s Defense Department in 1988. Most of the film reviews of Hou Hsiao-hsien’s film A City of Sadness (1989) take both a negative view of the director’s portrayal of the February 28 Incident and the film as a whole. Also includes a negative review of Taiwan’s so-called first independently made film, The Man from the Island West (1990). Includes a bibliography. CTFAL Chi

0467 Yan, Shikai. ୶ࡲᏎ. Zhan zhe zuo ai: dian ying yu xing = Stand to make love. ۖа҂Д: Ӈ‫ؙ‬ӿԛ = Stand to make love. Taibei: Bo shi ke ji yi shu, 2005. 370 p. ISBN 9867224698 Series title: Zhuan jia zhi zao; b02034 ֟р३߃; b02034 Note: Explores the indirect, hidden sexual content and innuendos presented in mainstream films produced in Hong Kong, Taiwan—including Taiwan New Cinema—and films from other countries to expound on the political subtext of such representations. The book cover carries an “18 and older” marking. CTFAL Chi

87

Film History

0468

from the 1970s to the 1990s. Explores multiple relevant interrelationships between popular music and Taiwan cinema, including the inclusion of popular songs in the 1970s policy films and romantic melodramas, the exclusion of pop music in Taiwan New Cinema in the 1980s, and the return of popular music in commercial films of the 1990s, thus revealing “a national identity characterized by shifting loci of commerce, politics, and art” (abstract). As a serious academic work, it provides many interesting perspectives based on in-depth research and substantial evidence. It states, however, that “A huge massacre occurred in 1945 when many Taiwanese rose up against the semi-colonial governance of the National Party” (l. 2), which is possibly miswritten, for if Dr. Yeh is referring to the February 28 Incident, this event occurred in 1947. Includes a filmography (pp. 243–247) and bibliography (pp. 248–263). WorldCat Eng

0468 Yang Dechang—Taiwan dui shi jie ying shi de gong xian / Huang Jianye deng zuo. ໷ख़ቾ—‫ݡ‬ஹхԒ֎Ӈ‫ؙ‬ϡᕠຶ / ࢶࠃ‫׬‬ҳӑ. Taibei: Yue sheng wen hua shi ye you xian gong si, 2007. 210 p. ISBN 9789576307300 Series title: Taibei Jin Ma ying zhan cong shu, 2007; 3 ‫ࣁؙެؖܚݡ‬ᜣ‫ڣ‬, 2007; 3 Note: A special collection of essays that systematically review Edward Yang’s eight films. Includes an Edward Yang chronology compiled by Qu Guizhi. NTUL Chi

0469 Yang, Shifan. ໷Ԓఅ. Ren wu yan shuo yu Taiwan xin dian ying—yi xiang zhi shi she hui xue de yan jiu. Ϫ‫ߞ׉‬Мӿ‫ݡ‬ஹЈӇ‫—ؙ‬ϣ࣯ҌࡦघϾѹϡ୳ૢ. 154 p. Note: Thesis (M.A.)—National Taiwan University, 1991. Discusses Taiwan’s social condition represented in Taiwan New Cinema of the 1980s by analyzing the social networks presented in the films and by in-depth interviews to acquire personal accounts. Consists of five chapters: Chapters 1 and 2 provide a review of Taiwan New Cinema; Chapter 3 describes the theoretical framework and methods, and divides the fifty-five Taiwan New Cinema interviewees into three groups: (1) Reporters/Critics/Scholars, (2) Screenwriters/Directors/Important Technicians, (3) Producers/Policy Makers; Chapter 4 assesses interview results; and Chapter 5 provides a conclusion. Includes a bibliography and filmography. NTUL Chi

0472 Yi, Zhiyan. ‫ߞ޺ډ‬. Taiwan xin dao yan: di er bo xin lang chao. ‫ݡ‬ஹЈ࣒ࠟ: ҷԏமЈ‫ع‬଎. Taibei: Wan xiang tu shu you xian gong si, 1993. 48 p. Series title: Taiwan dian ying jing xuan xi lie ‫ݡ‬ஹӇ‫࠶ڍקؘؙ‬ Note: Includes director biographies and film reviews representative of the “Second Wave of New Taiwan Cinema.” WorldCat Chi

0473 Yip, June Chun, 1962– Colonialism and its counter-discourses: On the uses of “nation” in modern Taiwanese literature and film. 2 v. (415 leaves.) Note: Thesis (Ph.D.)—Princeton University, 1996. Explores the formation of Taiwanese Nationalism and Identity by analyzing 1960s and 1970s Hsiang-tu (Native) literature and 1980s New Taiwan Cinema. Analyzes writer Huang Chunming (Hwang Chunming) and his works and film director Hou Hsiaohsien and his films. Includes a bibliography and list of films by Hou Hsiao-hsien. WorldCat Eng

0470 Yee, Chih-yen. New discoveries: the second new wave / [author, Chih-yan Yee; translator, Sam Ho]. Taiwan: Variety Publishing Co., Ltd., 1993. 48 p. Series title: Films: made in Taiwan; 6 Note: WorldCat Eng

0471 Ye, Yueyu (Yeh, Emilie Yueh-yu). ౕ֊ᒶ. A national score: popular music and Taiwanese cinema. 263 leaves. Note: Thesis (Ph.D.)—University of Southern California, 1995. An interesting study of the relationship between popular music, cinema, and national identity in Taiwan

0474 Yip, June Chun, 1962– Taiwanese new cinema and third cinema: post-colonial issues in the films of Hou Hsiao-Hsien. 150 leaves.

88

Special Regions, Periods, and Events

Note:

0477

Thesis (M.A.)—University of California, Los Angeles, 1992. Applies theories of the Third Cinema to an analysis of Taiwan New Cinema, focusing on postcolonial issues presented in Hou Hsiao-Hsien’s films. Includes a bibliography. WorldCat Eng

Analyzes the discursive formation of Taiwan New Cinema, the influence of Western Art Cinema on Taiwan New Cinema, and the historical relationship between Taiwan New Cinema and the popular Golden Horse Awards. Also covers traditional topics in the field: the disconnect between Taiwan New Cinema and the local film industry, the government’s transition from passive involvement in the 1980s to active involvement in the 1990s, the establishment of the Guidance Fund for Domestically Produced Films and participation in international film festivals, and the decline of Taiwan’s film industry in the 1990s. Includes a Chinese abstract, bibliography, and charts of International and Domestic Box Office Records of Hou Hsiao-hsien and Edward Yang’s Films (1983– 1988), Percentage of the Domestically Produced Films That Were Sent for Censorship and Received the Guidance Fund (1980–1999), and Films That Received the Guidance Fund. NCL/NDLTD (FT) Chi

0474a Zeng, Zheng. ߲⇜. “Li xing” yu “gan xing” de dui yi : Yang Decang Hou Xiaoxian dian ying bi jiao yan jiu = Sense and sensibility of the unity of opposites: the comparative study on film of Edward Yang and Hou Hsiao-Hsien. “ԑԛ”ԁ “Ҁԛ”ϡцᷓ䩭໶ख़ቾԁᢡᖮᐉӈ‫ؙ‬ԝࢹ୳ૢ= Sense and sensibility of the unity of opposites: the comparative study on film of Edward Yang and Hou Hsiao-Hsien. 47 p. Note: Thesis (M.A.)—Chongqing University, 2013. A comparative study of Hou Hsiao-hsien’s and Edward Yang’s films. Regards Hou and Yang, both born in China in 1947 (with ancestry from Meixian County, Guangdong Province) before moving to Taiwan with their families due to political turmoil in Mainland China, as the soul of New Taiwan Cinema. Presents Yang as a “rational thinker” who focuses on Taipei and Hou as a “romantic poet” who describes native Taiwaneseness. Includes Chinese and English abstracts and a bibliography. Wanfang (FX) Chi

0476a Zhang, Yiyang. ‫צ‬၍෾. Ru zhe de kun huo—Yang Dechang dian ying zhong de Taibei jing xiang = A Confucian confusion-mirror image of Taipei in Edward Yang’s films. ᭉ‫ٷ‬ϡ੡༜—໶ख़ቾӈ‫ؙ‬Ѕϡ‫ܚݡ‬஖Ռ = A Confucian confusionmirror image of Taipei in Edward Yang’s films. 35 p. Note: Thesis (M.A.)—Chinese Academy of Art, 2012. Examines Edward Yang’s depictions of traditional Chinese culture in his eight films set in Taipei city. Reveals that each of Yang’s films represents concern about urban society, culture, and city life. Includes Chinese and English abstracts and a bibliography. Duxiu (FT) Chi

0475 Zhang, Changyan. ‫פ‬ቾᴧ. Wang Tong: qi ren qi pian / Zhang Changyan bian zhu; Lin Baocheng zheng li. ࣼু: ԷϪԷә / ‫פ‬ቾᴧഹЯ; ৆‫خ‬ю‫ݱ‬ԑ. Taibei: Wan xiang tu shu gu fen you xian gong si, 1993. 32 p. Series title: Taiwan dian ying jing xuan xi lie ‫ݡ‬ஹӇ‫࠶ڍקؘؙ‬ Note: Includes biographical work and film reviews of Wang Tung. WorldCat Chi

0477 Zhongguo dian ying, dian ying Zhongguo: Hai xia liang an dian ying xue shu jiao liu yan tao hui lun wen ji / Bian ji Zhang Shufen, He Shihuang. ЅлӇ‫ؙ‬, Ӈ‫ؙ‬Ѕл: ֋ᒘҔ࿝Ӈ‫ؙ‬ѹफ‫ے‬Ե୳क़Ͼ‫ں‬ҹओ / ഹফ ‫פ‬ᎂᐇ, ‫ح‬Ԓᑟ. Taibei: Zhonghua Minguo shi jue chuan bo yi shu xue hui, Furen da xue da zhong chuan bo xi, 1993. 182 p. Note: A collection of papers presented at a film symposium hosted by Taiwan Fu Jen Catholic University and the R.O.C. Visual Art and Communication Association on December 29–30, 1992. The symposium provided the opportunity for film scholars on both sides of the Taiwan Strait to exchange ideas in their research fields. Includes twelve papers, three of which assess contemporary Taiwan film: “Taiwan Film Industry Moving Out of the 20th Century” by Chen Qinghe, “Local Identity Realization in Taiwan New Cinema” by Wang Wei, “Identity of Aboriginals in Taiwan Cinema” by

0476 Zhang, Shilun (Chang, Shih-lun). ‫פ‬Ԓൔ. Taiwan “Xin dian ying” lun shu xing gou zhi li shi fen xi (1965–2000) = Discursive formation of “Taiwanese New Cinema” : a historical analysis (1965–2000). ‫ݡ‬ஹ “ЈӇ‫ں ”ؙ‬਎࣏ภҏࣵ੗д໯ (1965–2000) = Discursive formation of “Taiwanese New Cinema”: a historical analysis (1965–2000). 141 leaves. Note: Thesis (M.A.)—National Chengchi University, 2001.

89

Film History

0478 Qi Longren. One paper, “Meaning of ‘China Code’ in Chinese Films” by Chen Ruxiu, offers a comparative study of mainland, Taiwan, and Hong Kong films. WorldCat Chi Eng

0481 Xin dian ying zhi si—cong “Yi qie wei ming tian” dao “Bei qing cheng shi” / Mizou, Liang Xinhua bian. ЈӇ‫ؙ‬ҏӚ—ԩ “ϣܷЊҴϳ” Ϻ “঳є‫”صڵ‬/ ࣿҵ, ᅯЈ‫ܓ‬ഹ. Taipei: Tang shan chu ban she, 1991. 236 p. Series title: Zhan zheng ji qi cong kan; 3 ‫ڕ‬ৎҚॆᜣᑂ; 3 Note: A collection of essays critical of Taiwan New Cinema director Hou Hsiao-hsien and his acclaimed film A City of Sadness (1989). Several essays declare that the death of Taiwan New Cinema occurred in 1988 when Hou Hsiao-hsien and other Taiwan New Cinema directors delivered a “Taiwan Film Memoratum” in 1987 and then agreed to make the government policy film Everything for the Events of Tomorrow for Taiwan’s Defense Department in 1988. Most of the film reviews of Hou Hsiao-hsien’s film A City of Sadness (1989) take both a negative view of the director’s portrayal of the February 28 Incident and the film as a whole. Also includes a negative review of Taiwan’s so-called first independently made film, The Man from the Island West (1990). Includes a bibliography. CTFAL Chi

0478 Zhu, Tianwen (Chu, T’ien-wen), 1956– ᗌϳҹ, 1956– Bei qing cheng shi. ঳є‫صڵ‬. Shanghai: Shanghai wen yi chu ban she, 2001. 248 p. ISBN 7532121003 Series title: Tai Gang ji hai wai Hua yu zuo jia zi xuan wen ku ‫ݡ‬୯᠕֋֔ӑрІ‫ש‬ҹᆟ Note: A collection of four screenplays written by the author and directed by Hou Hsiao-hsien: Dust in the Wind (1986), A City of Sadness (1989), The Puppetmaster (1993), and Good Men, Good Women (1995), as well as the author’s comments and records of making the films. Includes a filmography and bibliography. Duxiu (FT) Chi

2.2.13

February 28 Incident, 1947 2.2.14

0479 Chen, Yuanqiu (Chen, Yuan-chiu). ಴ᤨ‫ڠ‬. Bei qing cheng shi: Hou Xiaoxian de yu hui que wu gui bi = A City of Sadness: Hou Hsiao-Hsien’s elusiveness without evasiveness. ঳є‫صڵ‬: ᢡᖮᐊϡᯩ፯‫׌‬ѩ੺೬ = A City of Sadness: Hou Hsiao-Hsien’s elusiveness without evasiveness. 128 leaves. Note: Thesis (M.A.)—National Chung Cheng University, 2008. Asserts that Hou Hsiao-hsien’s unconventional style in his film A City of Sadness (1989) should be examined carefully, for the director’s representation of history reveals an indirect cinematic, but not an evasive, approach to the historical reality. This position is voiced in contradiction to critics who claim Hou’s representation of the February 28 Incident keeps a safe distance from the sensitive events and conforms to the KMT government’s perspective. It is written in English. Includes Chinese and English abstracts and a bibliography. NCL/NDLTD Eng

August 23, The Second Taiwan Strait Crisis, 1958

0482 Ding, Shanxi. ౨৖ᮑ. Ba er san pao zhan / Bian dao: Ding Shanxi. ࡂԏѧᛤ‫ ڕ‬/ ഹ࣒: ౨৖ᮑ. [Taibei] : Zhong yang dian ying shi ye gong si, [n.d.] 75 leaves. Note: This studio-use-only script includes open letters to the army by Chiang Kai-Shak, president of R.O.C., and Hao Bochun, division commander of the Army, regarding the August 23, 1958, shelling between mainland China and Taiwan during the Second Taiwan Strait Crisis. CTFAL Chi

2.2.15

Ten Worst Films Incident, 1977

0483 Gao, Shanzhun. ҙ‫ߪځ‬. Shi da lan pian feng bo. ֐Ͻಉәգம. Taizhong: Lan deng wen hua shi ye go fen you xian gong si, 1978. 184 p. Series title: Lan deng zhi shi fen zi cong shu zhi; 21 ঢ୥Ҍࡦ‫ڤ‬жᜣ‫ڣ‬ҏ; 21

0480 Er er ba dian ying ju ben. ԏԏࡂӇ‫ঁؙ‬ӆ. [Taibei] : Zhonghua Minguo dian ying dao yan xie hui, [n.d.] 55 leaves. Note: A studio-use-only script. CTFAL Chi

90

Film Institutions and Studios

Note:

0488

Discusses a controversial incident in 1977 in which the ten worst films, in both foreign and domestic categories, were presented in the film journal Ying xiang, an event initiated by four young editors of the journal. The incident stirred up heated discussion at the time, and eventually the four student editors of the journal resigned from the editorial board. CTFAL Chi

Film Preservation project, and a filmography of preserved social movement documentary films. CTFAL Chi

2.3

FILM INSTITUTIONS AND STUDIOS

2.3.1 China Motion Picture Studio (Zhongguo Dian Ying Zhi Pian Chang / Zhong zhi), 1933–

2.2.16 May 20 Incident, 1988 and Social Movement Documentary, 1980s–1990s

0486 Guo fang bu Zhongguo dian ying zhi pian chang chang shi / Guo fang bu Zhongguo dian ying zhi pian chang. лࣃ‫ח‬ЅлӇ‫ؙ‬३әྃྃ੗ / лࣃ‫ח‬ЅлӇ‫ؙ‬३әྃ. Taibei: Zhongguo dian ying zhi pian chang, 1985. 438 p. Note: An official history of Zhong zhi (China Film Production Company), which began in 1933 and was known by various names until it took the name Zhong zhi while operating under the Department of Defense from 1937 to 1985 (the year the book was published). CTFAL Chi

0484 Bian di fa sheng—fan zhu liu ying xiang mei ti yu she yun ji lu / Zhu zhe Dun Cheng deng. ‫נ‬сч‫ބ—ك‬ҰԵ ‫ؙ‬Ռ෪Ղӿघ‫ػ‬ઔ࠷ / Я‫ٷ‬ᆼ஧ҳ. Taibei: Tangshan chu ban she, 1992. 183 p. Series title: Jin bu cong shu; 5 Ք‫܌‬ᜣ‫ ;ڣ‬5 Note: An essay collection that focuses on Taiwan’s antimainstream media movements and social movements during the 1980s and 1990s. Essays include Jiang Guanming’s report on nonmainstream media in Taiwan, Dai Bofen and Wei Yinbing’s analysis of antimainstream images, Li Daoming’s review of his experience in documentary filmmaking, Liang Guang’s discussion of Taiwan antimainstream image media movement vis-à-vis the May 20, 1988, Incident, and Zhang Bihua’s interview of Wang Zhizhang on Taiwan’s street movement in the 1980s, as well as an overall description of Taiwan’s antimainstream image media groups, such as Green Group, The Third Image Studio, Culture Taiwan Studio, Firefly Image, New Taiwan Social Movement Audio/Visual Studio, and Taiwan Report by the editors. Includes a product list of Taiwan antimainstream image media. CTFAL Chi

0487 Zhong zhi liu shi / Zhongguo dian ying zhi pian chang bian. Ѕ३ࡏ֐ / ЅлӇ‫ؙ‬३әྃഹ. Taibei: Zhongguo dian ying zhi pian chang, 1993. 197 p. Note: A special publication celebrating the sixtieth anniversary of Zhong zhi (China Motion Picture Studio), 1933–1993. Consists of articles that survey the studio’s history, annual film production charts, synopses of forty-one feature films produced by the studio, and photos of eighteen executive directors. Includes photos, film posters, and stills. CTFAL Chi

2.3.2 Xin hua Film Corporation (Xin hua Ying Ye Gong Si), 1935–1984

0485 “Zai jian, Taiwan ji qing nian dai” zhuan an jie an bao gao shu / Ji hua zhu chi ren: Gu Biling, Li Yongquan; Zhuan an zhi xing ren: Qiu Chuida, Guo Shufeng. “ӐԊ, ‫ݡ‬ஹࢫєё‫֟ ”ڊ‬ଈְଈ‫ ڣݍڻ‬/ ‫੿ذ‬Ұ‫ف‬Ϫ: ࣲካጘ, ଽ ᄈ໩; ֟ଈవҲϪ: ᆥᎾܺ, ᔕ‫ڣ‬ང. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 2003. 299 p. Note: A report of the government-sponsored study of Taiwan Social Movement Documentary Films during the 1980s and 1990s. Topics include the May 20 Incident; environmental protection; women’s rights; student movements; and other social, political, and cultural issues. Includes interviews with thirteen documentary film directors, records of the Social Movement Documentary

0488 Tong Yuejuan: hui yi lu ji tu wen zi liao hui pian / Tong Yuejuan kou shu; Zuo Guifang, Yao Liqun bian. ু֊ᥱ: Ҙশ࠷᠕֖ҹ‫ࢧޞ‬ᓫഹ / ু֊ᥱ‫ט‬਎; ਅᄉᇙ, ᝻߹ळഹ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 2001. 301 p. ISBN 9570100516, 9570100524 (pbk.) Series title: Dian ying jia xi lie; 2 Ӈ‫ؙ‬р‫ ;࠶ڍ‬2 Note: A collection of Tong Yuejuan’s memorabilia and other related visual and written materials. Tong (1914–2003) was both a film actress and producer, and her professional career took her to mainland China, Hong Kong, and Taiwan.

91

Film History

0489 The appendix includes a chronology, filmography of Xin hua Film Corporation, and postscripts by the editors. Includes photos, film posters, and film stills; a bibliography; and film title and name indexes. CTFAL Chi

including introduction, credits, synopsis, film stills, posters, and photos; (2) Social Education Films, containing plots (47 titles), including film title, runtime, production date, language, and official sponsors; (3) Social Education Films not containing plots (79 titles), including film title, runtime, production date, language, and official sponsors; (4) News Films for Domestic Distribution (1,317 titles), including film title, runtime, production date, and color information; (5) News Film for Overseas Chinese Distribution (180 titles), including film title, runtime, production date, and color information; (6) News Film for Overseas Distribution (121 titles), including film title, runtime, production date, language, and color information; (7) News Film for Domestic Countryside Distribution (146 titles), including film title, runtime, production date, and color information; (8) Short Television Films (1,095 titles), including film title, runtime, production date, and television channel; (9) Documentary Films (303 titles), including film title, runtime, production date, language, color information, and official sponsors. Text does not include an index. WorldCat Chi

2.3.3 Taiwan Provincial Film Production Studio (Taiwan sheng Dian Ying She Zhi Chang / Taiwan Sheng Zheng Fu Xin Wen Dian Ying Zhi Pian Chang / Taiwan Dian Ying Zhi Pian Chang / Taiwan Dian Ying Wen Hua Shi Ye Gu Fen You Xian Gong Si / Tai ying or Tai zhi), 1945–1999 0489 Li shi de jiao zong: Tai ying wu shi nian / Guo jia dian ying zi liao guan ben guo dian ying shi yan jiu xiao zu bian. ࣵ੗ϡऍᏇ: ‫ؙݡ‬ٚ֐ё / лрӇ‫ࢧޞؙ‬ఖӆлӇ‫ؙ‬੗୳ૢЩ६ ഹ. Taibei: Dian ying zi liao guan, 1996. 219 p. ISBN 9579987483 Series title: Taiwan dian ying shi liao cong shu; 4 ‫ݡ‬ஹӇ‫ؙ‬੗ࢧᜣ‫ ;ڣ‬4 Note: A special publication in celebration of the fiftieth anniversary of Tai ying, (also known as Tai zhi). It is the most comprehensive work on the history of Tai ying, and includes a chronology, records of the panel discussions, essays, and synopses of twenty-nine feature films produced by Tai ying. CTFAL Chi

2.3.4 Asia Film Corporation (Yazhou Ying Ye Gong Si), 1952– 0492 Ding, Boshen, 1952– ౨ᐑ捡, 1952– Yi ge dian ying gong zuo zhe de hui yi. ϣϫӇ‫ؙ֞‬ӑ‫ٷ‬ϡҘশ. Xianggang: Ya zhou wen hua shi ye ji gou, 2000. 554 p. Note: An autobiography of Ding Boshen (1952–), film producer, educator, and founder of the Taiwan film production and distribution company Ya zhou ying ye gong si. Includes the film production and distribution lists of Ya zhou. CTFAL Chi

0490 Long Fang xian sheng ji nian ce / Bian ji zhe: Long Fang xian sheng ji nian ce bian ji wei yuan hui. हᇙ܏Тઔ݉ೠ / ഹফ‫ٷ‬: हᇙ܏Тઔ݉ೠഹফణ‫؂‬Ͼ. Sanchong shi: Ta di yin shua chang, 1965. 42 p. Note: A work that commemorates Long Fang, executive director of Tai ying (1955–1964). Includes a biography, articles in memory of Long Fang, photos, and film stills. CTFAL Chi

2.3.5 Union Film Co., Ltd. (Lian Bang Ying Ye You Xian Gong Si / Lian bang), 1953–1980

0491

0493

Taiwan sheng dian ying zhi pian chang ying pian zong mu lu / Zong bian ji Yu Ruji. ‫ݡ‬ஹ૸Ӈ‫ؙ‬३әྃր۵࠷ / րഹফ൑Ғࡵ. Taizhong Xian Wufeng xiang: Taiwan sheng dian ying zhi pian chang, 1984. 2 v. (560 p.) Note: A filmography of films produced by Taiwan Sheng dian ying zhi pian chang (Taiwan Provincial Film Production Studio) from 1945–1984. Includes a history of the studio, film distribution map, list of award-winning films, and a studio organization chart. The filmography is organized by production date under the following categories: (1) Feature Films (16 titles),

Huang, Ren, 1925– ࢶწ, 1925– Lian bang dian ying shi dai. ࡀᕹӇ‫ؙ‬Ж‫ڊ‬. Taibei: Dian ying zi liao guan, 2001. 143 p. ISBN 9573097230 Note: Consists of Lian bang’s film production history in Taiwan and related articles regarding Lian bang studio. The appendix includes a chronology and synopses of films produced by Lian bang. CTFAL Chi

92

Film Institutions and Studios

0499 Note:

0494 Sha, Rongfeng, 1921– ૶ึ๢, 1921– Bin fen dian ying si shi chun: Sha Rongfeng hui yi lu. ᠷ໧Ӈ‫ࡇ֐ףؙ‬: ૶ึ๢Ҙশ࠷. Taibei: Guo jia dian ying zi liao guan, 1994. 248 p. ISBN 9579987408 Series title: Taiwan dian ying shi liao cong shu; 1 ‫ݡ‬ஹӇ‫ؙ‬੗ࢧᜣ‫ ;ڣ‬1 Note: The autobiography of Sha Rongfeng, one of the major film producers in Taiwan. Sha was involved with the Taiwan film industry for more than forty years and founded several film distribution companies and studios, such as Lian Bang Ying Ye Gong Si (Union Film) in 1953, and he produced many important films, such as Longmen Ke Zhan (Dragon Gate Inn, dir. King Hu) in 1967. Includes a chronology, appendix of films produced or distributed by Sha’s companies, and a Chinese film title and name index. NTUL Chi

An autobiographical work by Cai Mengjian, who, besides his other careers as a military officer, diplomat, and congressman, was an executive director of Zhong ying (Central Motion Picture Corporation) in the 1960s. One chapter in his book (pp. 71–86) is dedicated to his 500-day film career; seven films were produced under his leadership. Includes his resume in the beginning of the book. CTFAL Chi

0497 Gong, Hong, 1915–2004 ₳ᮜ, 1915–2004 Ying chen hui yi lu / Gong Hong kou shu; Gong Tianjie zheng li. ‫ؙ‬ຳҘশ࠷ / ₳ᮜ‫ט‬਎; ₳ϳီ‫ݱ‬ԑ. Taibei: Huang guan wen hua chu ban you sian gong si, 2005. 230 p. ISBN 9573321330 Series title: Guang guan cong shu 3446 zhong ෦ഃᜣ‫ ڣ‬3446҆ Fei xiao shuo wen cong; 38 ۘЩМҹᜣ; 38 Note: An autobiography of Gong Hong, general director of Zhong ying (Central Motion Picture Corporation) from 1963 to 1972 where he produced thirty-five films. Includes a chronology. CTFAL Chi

0495 Sha, Rongfeng, 1921– ૶ึ๢, 1921– Sha Rongfeng hui yi lu ji tu wen zi liao hui bian. ૶ึ๢Ҙশ࠷᠕֖ҹ‫ࢧޞ‬ᓫഹ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 2006. 366 p. ISBN 957309729X Series title: Dian ying jia xi lie; 3 Ӈ‫ؙ‬р‫ ;࠶ڍ‬3 Note: Autobiography of Sha Rongfeng, film producer and founder of several film companies in Taiwan. Presents Sha’s written reflections and related visual materials. Appendix includes the staff directory of Guo ji dian ying zhi pian chang; lists of Chinese and foreign films distributed by Lian bang; and Lian bang film production list, film and name indexes, a special term index, and a bibliography. CTFAL Chi

0498 Hui gu yu zhan Wang: Zhong ying 1998 jing dian te kan / Zhong yang dian ying shi ye gu fen you xian gong si bian. Ҙઆӿࣁֳ: Ѕ‫ؙ‬1998Ҭਹ‫ئ‬ᑂ / Ѕ႑Ӈ‫ؙ‬Ѩ‫׬‬੦‫ڤ‬ϩࡳԍ‫ޅ‬ഹ [Taibei: Zhong yang dian ying shi ye gu fen you xian gong si, 1998] 127 p. Note: A special publication in celebration of Zhong ying’s entry into the twenty-first century. Consists of essays on the history of Zhong ying and introduces Zhong ying’s film production studio, film processing factories, television productions, theaters, and famous directors and stars. Includes a chronology. CTFAL Chi

0499

2.3.6 Central Motion Picture Corporation (Zhong Yang Dian Ying Shi Ye Gu Fen You Xian Gong Si / Zhong ying), 1954–

Liu, Yalun. ฀ਐൔ. Ming xing zhi si. ҴլҏӚ. Taipei: Cheng shi chu ban she, 1980. 173 p. Note: A collection of the special reports regarding the mysterious death of movie star Gu Minglun in 1978, involving a director and president of Zhong Ying Film Studio. CTFAL Chi

0496 Cai, Mengjian, 1905–2001 ᓥ፽ߗ, 1905–2001 Cai Mengjian zhuan zhen ji. ᓥ፽ߗ‫ة‬ѐओ. Taibei: Zhuan ji wen xue za zhi she, 1981. 388 p. Series title: Zhuan ji wen xue cong kan zhi liu shi ‫֮ة‬ҹѹ䒴ᑂҏࡏO

93

Film History

0500

Series title: Maruzen bukkusu; 106 ᐣ৖䭅䬲䬞䬨; 106 Note: Consists of four parts: Part 1, From Healthy Realism to New Cinema; Part 2, Zhongying (Central Motion Picture Corporation) and the Rise and Fall of Taiwan Cinema; Part 3, Taiwan New Cinema and Political Reform; and Part 4, Ethnic Groups in Taiwan Cinema. Includes a list, prepared by LiaoJinfeng and Ru-shou Robert Chen, of the most representative films of Taiwan cinema during each time period, and a bibliography (pp. 172–175). WorldCat Jpn

0500 Ming, Ji. Ҵ┫. Yin he cai wei. ુ૯ಈᑤ. Taibei: Li ming wen hu shi ye gu fen you xian gong si, 1987. 383 p. Note: A collection of lectures and articles by Ming Ji and reflections on Ming Ji’s life by his colleagues at Zhong ying where Ming Ji was the general director and producer from 1978 to 1984. CTFAL Chi

0504

0501

Xu, Ligong (Hsu, Li-kong), 1943– ጝ߹‫ۋ‬, 1943– Rang wo men zai ai yi ci: Xu Ligong de dian ying shi jie / Xu Ligong, Li Lingyi zhu. џϢИӐДϣҋ: ጝ߹‫ۋ‬ϡӇ‫ؙ‬Ԓ֎ / ጝ߹‫ۋ‬, ଽਘသЯ. Taibei: Tian xia yuan jian chu ban gu fen you xian gong si, 2006. 318 p. ISBN 986417696X, 9789864176960 Series title: She hui ren wen; 238 घϾϪҹ; 238 Note: Autobiographical articles by Hsu Li-kong, film producer, director, publisher, supervisor, screenwriter, executive director of Central Motion Picture Corporation, and director of the Chinese Taipei Film Archive. Includes a chronology of Hsu’s film career and a list of award-winning films with which Hsu was involved. WorldCat Chi

Qiao, Qiong’en. ᑑᬆ൛. Ban shi ji dian ying qing. ‫ٻ‬ԒઔӇ‫ؙ‬є. Taibei: Ze feng ke ji gu fen you xian gong si, 2004. 127 p. ISBN 9868086205 Note: Published in celebration of the fiftieth anniversary of Zhong ying (1954–2004). The text lists the studio’s twenty best feature films and valorizes thirteen of its most famous film directors and stars. Includes a chronology of Zhong ying. CTFAL Chi

0502 Taiwan dian ying de tuo huang zhe: Gong Hong zuo tan hui yu ji nian zhan / Zhu ban dan wei: Zhong yang dian ying shi ye gu fen you xian gong si; Cai tuan fa ren guo jia dian ying zi liao guan. ‫ݡ‬ஹӇ‫ؙ‬ϡᓛᄯ‫ٷ‬: ₳ᮜӏডϾӿઔ݉ࣁ / Ұ‫֧؁ދ‬: Ѕ႑Ӈ‫ؙ‬Ѩ ‫׬‬੦‫ڤ‬ϩࡳԍ‫ ;ޅ‬੠֚ࣗϪлрӇ‫ࢧޞؙ‬ఖ. Taibei: Guo jia dian ying zi liao guan, 2004. 16 p. Note: The program for the Forum and Memorial Exhibition of Gong Hong hosted by the Chinese Taipei Film Archive from May 14 to June 18, 2004. Includes articles in memory of Gong Hong, general director of Zhong ying (Central Motion Picture Corporation) in Taiwan from 1963 to 1972, a chronology of Gong Hong, synopses of ten films produced by Gong Hong and presented at the exhibition, and a schedule of the Forum and Memorial Exhibition. CTFAL Chi

0505 Yu, Yeying. ཡ‫⁒׬‬. Cui can guang ying sui yue: Zhong yang dian ying gong si ji shi. ᪋ᩴ‫֊ۈׇؙ‬: Ѕ႑Ӈ‫ؙ‬ԍ‫ޅ‬ઔѨ. Taibei: Zhong yang dian ying shi ye gu fen you xian gong si, 2002. 471 p. Note: A history of Zhong ying; includes a description of the historical context before and during the company’s origin, a detailed description of the development of the company, and details about films produced by the company. Includes film title and name indexes. CTFAL Chi

0503 Tobari, Haruo, 1938– ‫פݏ‬ֆਜ਼, 1938–

0506 Zhong yang dian ying gong si jian jie / Zhong yang dian ying shi ye gu fen you xian gong si bian. Ѕ႑Ӈ‫ؙ‬ԍ‫ߢޅ‬ೀ / Ѕ႑Ӈ‫ؙ‬Ѩ‫׬‬੦‫ڤ‬ϩࡳԍ‫ޅ‬ഹ. Taibei: Zhong yang dian ying shi ye gu fen you xian gong si, [1997] 36 p.

Taiwan eiga no subete / Tobari Haruo, Ry䲖 Kinh䲖, Chin Jush䲚. ‫ݡ‬ළྱࡌ䫟䫊䫪䫗/ ‫פݏ‬ֆਜ਼, ᴰ‫ؖ‬ང, ಴ᭉࢗ. T䲖ky䲖: Maruzen, 2006. 180 p. ISBN 4621061062, 9784621061060

94

Film Institutions and Studios

Note:

0512

A general introduction to Zhong ying (Central Motion Picture Corporation). Includes a brief history, organization chart, distribution map, introduction to equipment and venues, synopses of classic films, and chronology. CTFAL Chi

2.3.8 Grand Motion Pictures Co., Ltd. (Guo Lian Dian Ying Gong Si / Guo lian), 1963–1967 0510 Jiao, Xiongping (Chiao, Peggy). ဖ೰๔. Gai bian li shi de wu nian: Guo Lian dian ying yan jiu. ۨԺࣵ੗ϡٚё: лࡀӇ‫ૢ୳ؙ‬. Taibei: Wan xiang tu shu go fen you xian gong si, 1993. 327 p. ISBN 9576694663 Series title: Taiwan dian ying shi cong shu; 2 ‫ݡ‬ஹӇ‫ؙ‬੗ᜣ‫ ;ڣ‬2 Note: The most comprehensive study on the history, structure, and contribution of Grand Motion Pictures Co., Ltd. (Guo Lian Dian Ying Gong Si) in Taiwan as well as the company’s founder and film director Li Hanhsiang. Explores issues surrounding the company’s rapid rise and fall, and provides insights into the company’s founder and employees. Includes four chapters: Chapter 1, Rise and Fall of Guo Lian Dian Ying Gong Si; Chapter 2, Li Han-hsiang and Guolian; Chapter 3, Review of the Films Produced by Guolian and Guolian’s Chronology; and Chapter 4, Conclusion. Includes interviews with Guolian employees, biographies of Guolian employees, and a bibliography. NTUL Chi

0507 Zhong yang dian ying gong si ying pian mu lu = Guide to motion pictures / Zhong yang dian ying shi ye gu fen you xian gong si. Ѕ႑Ӈ‫ؙ‬ԍ‫ؙޅ‬ә۵࠷ = Guide to motion pictures / Ѕ႑Ӈ‫ؙ‬Ѩ‫׬‬ ੦‫ڤ‬ϩࡳԍ‫ޅ‬. Taibei: Zhong yang dian ying shi ye gu fen you xian gong si, 1982. 2 v. Note: A filmography of films produced by Zhong ying (Central Motion Picture Corporation). Includes film stills and photos. WorldCat Chi

0508 Zhong ying si shi nian ji nian te kan / Zhong yang dian ying shi ye gu fen you xian gong si bian. Ѕ‫֐ףؙ‬ё‫ئ‬ᑂ / Ѕ႑Ӈ‫ؙ‬Ѩ‫׬‬੦‫ڤ‬ϩࡳԍ‫ޅ‬ഹ. [Taibei: Zhong yang dian ying shi ye gu fen you xian gong si, 1994] 95 p. Note: A special publication in celebration of the fortieth anniversary of Zhong ying (1954–1994). Consists of Huang Ren’s history of the company, and introductions to the company’s organization, production, film development factories, studio, major directors, classical feature films, and a chronology. CTFAL Chi

0511 Yong yuan de Li Hanxiang / Zhu bian: Yu Yeying; zhu bi: Huang Ren. ‫׼ݖ‬ϡଽᲆፖ / Ұഹ: ཡ‫ ;⁒׬‬Ұદ: ࢶწ. Taibei: Jin xiu chu ban shi ye gu fen you xian gong si, 1997. 144 p. ISBN 9577203140 Note: A work which commemorates Li Han-hsiang. Consists of seven parts: Part 1, Hong Kong Period (1948–1963); Part 2, Post-Hong Kong Period (1971–1982); Part 3, Taiwan Period (1963–1970); Part 4, Mainland Period (1982–1996); Part 5, Asian Film World Shocked by Li’s Death; Part 6, Memories; and Part 7, Li Han-hsiang’s Life and Film. Includes a list of the films directed by Li, Guolian’s film production chronology, and a list of the awards received by Li. CTFAL Chi

2.3.7 Tiensheng and Tienhua Film Company (Tian Sheng, Tian Hua Ying Ye Gong Si), 1960–1978 0509 Tu, Shujun. ຂᎂᅿ. Ying lao Zhou Tiansu. ‫ؙ‬ᤕ‫ر‬ϳঈ. Tainan xian Xinying shi: Xingying shi gong suo, 2001. 71 p. ISBN 9570296674 Series title: Xinying shi shi su jun xiang ji; 2 Јॺ‫ص‬㍇௔ळՌফ; 2 Note: A biography of Zhou Tiansu, early film narrator, producer, owner of Xin ying Theatre, and founder of the film distribution company Bai dai and film production studios Tiansheng and Tianhua. Includes a chronology. CTFAL Chi

2.3.9 First Motion Pictures Co., Ltd (Di Yi Ying Ye Ji Gou You Xian Gong Si), 1967– 0512 Huang, Zhuohan (Huang, Cho-han), 1920– ࢶᅤఈ, 1920– Dian ying ren sheng: Huang Zhuohan hui yi lu. Ӈ‫ؙ‬ϪТ: ࢶᅤఈҘশ࠷. Taibei: Wan xiang tu shu fu fen you xian gong si, 1994. 317 p.

95

Film History

0513 ISBN Note:

9576695759 A memoir of Huang Cho-han who began his film production career in Taiwan in 1967, established the film production company First Motion Pictures Co., Ltd. (Di Yi Ying Ye Ji Gou You Xian Going Si) and worked in the film industry in mainland China, Hong Kong, and Taiwan. Includes a chronology. CTFAL Chi

2.3.11 Taiwan Film and Culture Association (Taiwan Dian Ying Wen Hua Xie Hui), 2001– 0514 2002–2007 Taiwan dian ying wen hua xie hui ji shi = Chronicle of the Taiwan Film & Culture Association / Taiwan dian ying wen hua xie hui. 2002–2007‫ݡ‬ஹӇ‫ؙ‬ҹ٩൒Ͼઔ࠷ = Chronicle of the Taiwan Film & Culture Association / ‫ݡ‬ஹӇ‫ؙ‬ҹ٩൒Ͼ. Taibei: Taiwan dian ying wen hua xie hui, 2007. 263 p. Note: A bilingual (Chinese and English) introduction to, and review of, the Taiwan Film and Culture Association and its activities from 2002 to 2007. Includes a chronicle of the Taiwan Film and Culture Association, 2002–2007. CTFAL Chi Eng

2.3.10 Chinese Taipei Film Archive (Cai Tuan Fa Ren Guo Jia Dian Ying Zi Liao Guan), 1991– 0513 Asian cinema—yesterday, today and tomorrow / edited by Myungkyu Park. Seoul: Korea Film Archive, 2002. 348 p. Note: Proceedings from the Fifty-Eighth Congress of the International Federation of Film Archives, Seoul, 2002. Includes papers introducing film archive works in various Asian countries, including the paper “Films Well-Made and Kept in Taiwan: A Brief Introduction to the Film Industry, Film Databases and Film Archive in Taipei” by Feiyi Lu. WorldCat Kor Eng

96

3 Specific Film Genres

3.1

“A,” RESTRICTED,

AND

PORNOGRAPHIC FILMS

ISBN 9579901066 Series title: San qing kong jian; 1 ѧє‫׺‬Ҽ; 1 Note: A work covering the so-called Qing se or “A”-rated films, which are restricted to general audiences because of the display of nudity or sexual content. Consists of five parts: Part 1 describes Qing se films, the government’s “restricted” rating system, Taiwan’s film rating system, and “A” film production; Part 2 describes the most famous “A” film directors and their works; Part 3 explores American and Japanese “A” films; Part 4 describes Hong Kong and Taiwan “A” film production; Part 5 presents a theoretical discussion of “A” films. Includes a bibliography. CTFAL Chi

0515 Chihan. စఈ. Se qing pian. ዸєә. Taibei: Mu cun tu shu, 2004. 222 p. ISBN 9867533119 Series title: Qu wei ren sheng xi lie; 1 ঙ‫ڏ‬ϪТ‫ ;࠶ڍ‬1 Note: A collection of adult film reviews, divided into two parts: Western and Oriental. The book cover carries an “18 and older” marking. CTFAL Ch1

3.2

0516 Liang, Liang, 1954– ᅯમ, 1954– Kan bu dao de dian ying—bai nian jin pian da guan. ЃϤϺϡӇ‫ښ—ؙ‬ё๫әϽ޲. Taibei: Shi bao wen hua, 2004. 310 p. ISBN 957134124X Series title: Passion xi lie Passion ‫࠶ڍ‬ Note: A review of films around the globe that are banned due to issues, including the following: politics, religion, sex, violence, culture, and race. Eighty-seven censored or banned films in mainland China, Hong Kong, and Taiwan are introduced and discussed in the text. Includes a list of banned movies available in DVD format. NTUL Chi

ANIMATED FILMS

0518 Chen, Lifang (Chen, Li-fang). ಴ᾭҤ. 1989–2006 Di shi ni jing dian tong hua zai Taiwan de xiao fei yu yun yong = The consumption and application of Disney classical animation between 1989 and 2006 in Taiwan. 1989–2006 ၔࡲ৸ҬਹҁޫϨ‫ݡ‬ஹϡ‫ٮ۽‬ӿ‫ػ‬ѓ = The consumption and application of Disney classical animation between 1989 and 2006 in Taiwan. 104 leaves. Note: Thesis (M.A.)—National Cheng Kung University, 2006. In 1989, animated films produced by Walt Disney officially entered the Taiwan film market, and in 1995, Disney movies entered Taiwan’s cable television programs. Chapter 1 discusses the history of Walt Disney Studio, Chapter 2 focuses on characteristics of and cultural elements in Disney film plots, and Chapter 3 studies the influence of Disney animated films on Taiwan animated film production, children’s education, and audience reception since 1989. Includes a Chinese and English Abstract, bibliography, and appendix. NCL/NDLTD (FT) Chi

0517 Ye, Junjie. ౕᒺီ. A chao, qing se dian ying da sou mi. A ଎, єաӇ‫ؙ‬Ͻഎ઼. Taibei: Fuermosha chu ban ji tuan, 1997. 289 p.

97

Specific Film Genres

0519

१֡Ӈ‫ؙ‬: १֡ҁޫϡӢগ३ӑ৔֚ = Cartoon animation art. Taibei: Da lu shu dian, 1977. 336 p. Note: A comprehensive work on animated film history, theory, and filmmaking techniques, including a comparative study of Chinese and foreign animated films. CTFAL Chi

0519 Chen, Yijing. ಴ជ᪦. Dong hua chuang yi xian chang: Taiwan dong hua dao yan ming zuo da po xi. ҁޫࡶҺѳԾ: ‫ݡ‬ஹҁޫ࣒ࠟӜӑϽ៖໯. Taibei: Ru guo chu ban she, Da yan wen hua shi ye gu fen you xian gong si, 2009. 197 p. ISBN 9789866702276 Note: A brief introduction to animated film, Taiwan’s animation film history, and forty-three animation directors. Each director is presented with a brief biography, a list of works, synopses, film stills, and animated drawings. CTFAL Chi

0524 Huang, Ren, 1925– ࢶწ, 1925– Taiwan dian ying bai nian shi hua / Huang Ren, Wang Wei bian zhu. ‫ݡ‬ஹӇ‫ښؙ‬ё੗ҧ/ࢶწ,ࣼଂഹЯ. Taipei: Zhonghua ying ping ren xie hui, 2004. 2 v. Note: A comprehensive and objective text on Taiwan film history. Significant achievements of the work include the following: (1) discovery that the first film shown in Taiwan occurred in 1899, differing from scholars who claim the first screening occurred in 1901; (2) a detailed description of Taiwan film artists’ activities and achievements during the colonial period in both Taiwan and mainland China; (3) a discussion of Taiwan film history from multiple perspectives; (4) the authors ability to maintain an objective stance while approaching politically charged issues, such as the Japanese influence on Taiwan cinema, propaganda films in Taiwan, the Nationalist Government’s censorship system; and (5) the inclusion of important filmographies in some of its chapters. Shortcomings of the work include the following: (1) poor editing and multiple typos, such as on page 19, when the date of the first feature film made in Taiwan, by the Japanese, is written as 1902 instead of 1922, and the fact that Chapter 12 starts on p. 331, but the table of contents notes that it starts on p. 329; (2) poor content organization, for example, Chapters 11–21 in Vol. 2 are not connected cohesively; and (3) the text does not contain a complete bibliography, filmography, or indexes, except for inconsistent bibliographical materials included at the end of selected chapters. Thus, it is difficult to recommend this text as reference material, even though it contains important historical information. Includes some bibliographic information at the end of selected chapters. Includes film stills, posters, and photos. WorldCat Chi

0520 Chou, Peggy. Taiwan cinema: fictions, documentaries, animations. Taipei: Department of Motion Picture Affairs, Government Information Office, 2006. 1 v. Note: According to OCLC WorldCat, there is only one copy at the National Taiwan University Library. WorldCat Eng

0521 Deng, Youli. ᛨϩ߹. Ka tong ying pian zhi zuo. १֡‫ؙ‬ә३ӑ. Taibei: Wuling chu ban she, 1983. 182 p. Note: A general introduction to the history, theory, and filmmaking techniques of animated films. CTFAL Chi

0522 Dong hua dian ying tan suo / Huang Yushan, Yu Weizheng bian. ҁޫӇ‫ؙ‬෬౱ / ࢶർᦸ, ൑Њूഹ. Taibei: Yuan liu chu ban shi ye go fen you xiang gong si, 2004. 349 p. ISBN 9573232428 Series title: Dian ying guan; 71 Ӈ‫ؙ‬ఖ; 71 Note: A collection of essays on Taiwan animated films, including Li Caiqing on animated film development and its current state in Taiwan; Huang Yushang on the use of animation for educational purposes in Taiwan; and other essays on film animation techniques, genres, technology, production, history, and forecasts for its future. NTUL Chi

0525 Ka tong dian ying: ka tong dian ying de shi ji zhi zuo ji fa = Cartoon animation art / Zhang Zongxiong, Huang Mucun bian zhu. १֡Ӈ‫ؙ‬: १֡Ӈ‫ؙ‬ϡӢগ३ӑ৔֚ = Cartoon animation art / ‫פ‬ ᅓ೰, ࢶަభഹЯ. Taibei: Da lu shu dian, 1975. 282 p. Note: Covers animated film history, theory, and filmmaking techniques, including an introduction to the development and future of Chinese animated film. CTFAL Chi

0523 Huang, Mucun. ࢶަభ. Ka tong dian ying: ka tong dong hua de shi ji zhi zuo ji fa = Cartoon animation art.

98

Animated Films

0533 ISBN Note:

0526 Lent, John A. Animation in Asia and the Pacific. London: John Libbery, 2001. 270 p. ISBN 1864620366, 9781864620368, 1864620374 (pbk.), 9781864620375 (pbk.) Note: An introductory look into animated films in Asia and the Pacific region. Chapter 7 focuses on animated films in Taiwan and James Wang’s animated film studio “Cuckoo’s Nest.” Includes a bibliography and indexes. WorldCat Eng

9577444660 A work on animated comic books and films. Two essays of note: a discussion of the relationship between the Taiwan Golden Horse Film Awards and animated films (pp. 99–105), and a presentation of the current state of Taiwan comics and animated films (pp. 157–182). CTFAL Chi

0530 Shiau, Hong-Chi. Animating the cute, the mean and the beautiful: the production and consumption of animation: Taiwan’s struggles in the age of globalization. Saarbruchen, Germany: Vdm Verlag Dr Mueller, 2008. 202 p. ISBN 3639093976, 9783639093971 Note: Studies animation as the end product of a complicated relationship between conscious social exchanges and intelligent cultural management in the age of globalization. Taiwan, one of the largest producers of animation in the world, heavily depends on the pre- and postproduction skills of its client countries, such as the United States and Japan. WorldCat Eng

0527 Lent, John A. Ya Tai dong hua / Fanyi: Zhang Huilin. ਒ѿ҃ࡌ / ࢬፈ䩭‫צ‬༫ை. Beijing: Zhongguo chuan mei da xue chu ban she, 2006. 313 p. ISBN 7810857029 Note: The Chinese translation of John Lent’s 2001 book Animation in Asia and the Pacific, published by John Libbery Publishing in London. An introductory look into animated films in Asia and the Pacific region. Chapter 7 focuses on animated films in Taiwan and James Wang’s animated film studio “Cuckoo’s Nest.” It does not include the bibliography and indexes found in the original English version. Duxiu Chi

0531 Shiau, Hong-Chi. Production and consumption of animation in Taiwan: the interplay of global political and economic forces. 235 leaves. Note: Thesis (Ph.D.)—Temple University, 2005. A study of animation production and consumption in Taiwan using global political and economic perspectives. Includes an abstract and a bibliography. WorldCat Eng

0528 Oh mei jun Amazing: Guo li Taiwan yi shu da xue, she ji xue yuan, duo mei ti dong hua yi shu xue xi di yi jie bi ye zuo pin ji = First Graduation Exhibition, Department of Multimedia and Animation Art, National Taiwan University of Arts. ᄠ෪ጶ Amazing: л߹‫ݡ‬ஹਲफϽѹ, ‫ذޗ‬ѹࡨ, Є෪Ղҁޫਲफ ѹ‫ڍ‬ҷϣโഋ‫׬‬ӑԘओ = First Graduation Exhibition, Department of Multimedia and Animation Art, National Taiwan University of Arts. Taibei: Guo li Taiwan yi shu da xue, 2007. 128 p. Note: A program for the First Graduation Exhibition by the Department of Multimedia and Animation Art, National Taiwan University of Arts. Includes an introduction to the National Taiwan University of Arts department, faculty, and student animated films and portfolios. Includes drawings and stills. CTFAL Chi

0532 Taiwan guo ji dong hua ying zhan (di yi, er jia) = Taiwan International Animation Festival (2003–2004) / Guo jia dian ying zi liao guan zhu ban. ‫ݡ‬ஹлগҁޫ‫( ࣁؙ‬ҷϣ, ԏโ) = Taiwan International Animation Festival (2003–2004) / лрӇ‫ࢧޞؙ‬ఖҰ‫ދ‬. 1 v. Taipei: Guo jia dian ying zi liao guan, 2004. Note: This bilingual (Chinese and English) work was published for the First and Second Taiwan International Animation Festivals (TIDF; 2003–2004). Includes festival program, introduction to the presented films, award winners, and indexes of the films and directors. CTFAL Chi Eng

0533

0529

Taiwan guo ji dong hua ying zhan (di er, san jia) = Taiwan International Animation Festival (2004–2005) / Guo jia dian ying zi liao guan zhu ban. ‫ݡ‬ஹлগҁޫ‫( ࣁؙ‬ҷԏ, ѧโ) = Taiwan International Animation Festival (2004–2005) / лрӇ‫ࢧޞؙ‬ఖҰ‫ދ‬. 1 v. Taipei: Guo jia dian ying zi liao guan, 2005.

Shahulu Tongmeng. ૪॥ᖠӎჂ. Dong man 2000 = Animation comic. ҁࢿ2000 = Animation comic. Taibei: Lan jing chu ban you xian gong si, 2001. 328 p.

99

Specific Film Genres

0534 Note:

This bilingual (Chinese and English) work was published for the Second and Third Taiwan International Animation Festivals (TIDF; 2004–2005). Includes festival program, introduction to the presented films, award winners, and indexes of the films and directors. CTFAL Chi Eng

0538 Wu, Dingwu-Walisi (Wu, Diing-wuu Vale). ྶᑾે-ᐩࣵট. Dian nao dong hua ji chu = The fundamental of computer animation. Ӈ‫ݴ‬ҁޫऴኝ = The fundamental of computer animation. Taibei: Song gang dian nao tu shu zi liao ge fen you xian gong si, 1998. 215 p. ISBN 9572229699 Note: An introduction to computer animation. Includes sample images, bibliography, and resume. CTFAL Chi Eng

0534 Taiwan guo ji dong hua ying zhan (di si, wu jia) = Taiwan International Animation Festival (2006–2007) / Guo jia dian ying zi liao guan zhu ban. ‫ݡ‬ஹлগҁޫ‫( ࣁؙ‬ҷ‫ף‬, ٚโ) = Taiwan International Animation Festival (2006–2007) / лрӇ‫ࢧޞؙ‬ఖҰ‫ދ‬. 1 v. Taipei: Guo jia dian ying zi liao guan, 2007. Note: This bilingual (Chinese and English) work was published for the Fourth and Fifth Taiwan International Animation Festivals (TIDF; 2006–2007). Includes festival program, introduction to the presented films, award winners, and indexes of the films and directors. CTFAL Chi Eng

0539 Ye, Yueng. ౕड़൛. MAYA jing hua lun III: dong hua she ding yu fen zi te xiao = The evolution III of MAYA: animation and dynamic effect. MAYA Ք٩‫ں‬III: ҁޫ‫ޗ‬ӡӿдж‫ = ݌ئ‬The evolution III of MAYA: animation and dynamic effect. Taibei: Jin he zi xun gu fen you xian gong si, 2005. 878 p. ISBN 9861491325 Note: A manual for version III of the MAYA animation software program. CTFAL Chi

0535 Taiwan guo ji dong hua ying zhan (di si jia) = Taiwan International Animation Festival (2006) / Guo jia dian ying zi liao guan zhu ban. ‫ݡ‬ஹлগҁޫ‫( ࣁؙ‬ҷ‫ף‬โ) = Taiwan International Animation Festival (2006) / лрӇ‫ࢧޞؙ‬ఖҰ‫ދ‬. 1 v. Taipei: Guo jia dian ying zi liao guan, 2006. Note: This bilingual (Chinese and English) work was published for the Fourth Taiwan International Animation Festival (TIDF; 2006). Includes festival program, introduction to the presented films, award winners, and indexes of the films and directors. CTFAL Chi Eng

0540 Ying yin mei xue yu chuang yi xing xiao yan tao hui = Seminar on digital aesthetics and creative marketing / Li Tianduo, Fan Shengbao, Qiu Zhiyong zong zhu bian. ‫ٸؙ‬ѤѹӿࡶҺҲઍ୳क़Ͼ = Seminar on digital aesthetics and creative marketing / ଽϳ⟢, ౒ഄ‫خ‬, ᆥ௨ରրҰഹ. Taibei: Jiao yu bu, 2007. 210 p. ISBN 9789860101904 Note: Conference proceedings organized into twelve sessions, including lectures and panel discussions, focusing on the emergent multimedia, digital technology, film production, and marketing trends involving Hollywood marketing strategies in Taiwan and Taiwan film production and marketing, as well as the cooperation of animated film production between Taiwan and mainland China. CTFAL Chi

0536 Taiwan guo ji dong hua ying zhan (di wu jia) = Taiwan International Animation Festival (2007) / Guo jia dian ying zi liao guan zhu ban. ‫ݡ‬ஹлগҁޫ‫( ࣁؙ‬ҷٚโ) = Taiwan International Animation Festival (2007) / лрӇ‫ࢧޞؙ‬ఖҰ‫ދ‬. 1 v. Taipei: Guo jia dian ying zi liao guan, 2007. Note: This bilingual (Chinese and English) work was published for the Fifth Taiwan International Animation Festival (TIDF; 2007). Includes festival program, introduction to the presented films, award winners, and indexes of the films and directors. CTFAL Chi Eng

0541 Zhao, Guohong. ᕿлᒩ. 3ds max 8 dong hua li lun yu she ji. 3ds max 8 ҁޫԑ‫ں‬ӿ‫ذޗ‬. Taibei: Xue guan xing xiao gu fen you xian gong si, 2005. [36 p.] ISBN 986619828x Note: The theory and design of the animation software program 3D Studio MAX. CTFAL Chi

0537 Taiwan cinema 2000–2002: short fictions, documentaries, animations, experimentals / Chinese Taipei Film Archive. Taipei: Arthur Lap, 2003. 84 p. Note: An introduction to Taiwan cinema from 2000 to 2002; includes short films, documentaries, animation, and experimental cinema. WorldCat Eng

100

Anti-Communist Films / Art Films

3.3

0546

ANTI-COMMUNIST FILMS

Taibei: Guo li guo fu ji nian guan, 2004. 211 p. ISBN 9570192216 Note: A collection of film reviews and related synopses of forty-six selected art films, including seven Taiwan films, screened and discussed during an annual art film seminar held at the Sun Yat-sen Museum. Includes the author’s chronology. CTFAL Chi

0542 Huang, Ren, 1925– ࢶწ, 1925– Dian ying yu zheng zhi xuan chuan. Ӈ‫ؙ‬ӿू੽ୌ‫ة‬. Taibei: Wan xiang tu shu go fen you xian gong si, 2004. 441 p. ISBN 9576694841 Series title: Taiwan dian ying shi cong shu; 3 ‫ݡ‬ஹӇ‫ؙ‬੗ᜣ‫ ;ڣ‬3 Note: A comprehensive work on the relationship between film and politics in Taiwan. Divided into eleven chapters: Chapter 1: General Introduction; Chapter 2: Film Policy and Public & Private Film Studios; Chapter 3: AntiCommunist Films; Chapter 4: Anti-Japanese Films; Chapter 5: “Search-Roots” (nativism) and Nationalist Films; Chapter 6: Military Education Films; Chapter 7: Character-Building and Educational Films; Chapter 8: Agricultural Reform, Economic Development, and Unity-Building Films; Chapter 9: National Revolution Films; Chapter 10: Biographies of Film Professionals; and Chapter 11: Interviews. NTUL Chi

3.4

0545 Lai, Huilan. ໰┰୪. Yi sheng huo xing tai pou xi Taiwan zhi yi shu dian ying xiao fei xing wei = Consumer behaviors analysis in Art House from the life-style viewpoint. йТ҅ࡿ‫ݯ‬៖໯‫ݡ‬ஹҏਲफӇ‫ٮ۽ؙ‬ҲЊ = Consumer behaviors analysis in Art House from the life-style viewpoint. 76 leaves. Note: Thesis (M.A.)—National Taiwan University, 2005. Uses audience survey responses at art house theaters in Taipei to study audience motivation, expectation, and behavior. The author divides the art house audience into three different life-style groups: the “Simple and Plain People” group often attends art films with coworkers; the “Art & Literature-Desiring People” attend films based on previous knowledge of the film; and the “Active to Interpersonal-Activity People” group, which enjoys watching films and other artrelated activities more than the previous two groups of people. Includes an English abstract, a bibliography and a sample survey. NTUL Chi

ART FILMS

0543 Cai, Xiaowei (Tsai, Hsiao-Wei). ᓥ➐ᑤ. Yi shu dian ying guan shang zhe zhi xiao fei xing wei yan jiu = Consumer behaviors in art films. ਲफӇ‫޲ؙ‬೘‫ٷ‬ҏ‫ٮ۽‬ҲЊ୳ૢ = Consumer behaviors in art films. 63 leaves. Note: Thesis (M.A.)—National Taiwan University, 2004. Studies two main film currents in Taiwan since the 1990s: commercial films, which struggle against dominant foreign films; and art films, which participate in the global art house market with the aim of garnering international acclaim. Examines consumer behavior data collected in questionnaires directed to art film viewers in Taiwan. Includes a Chinese and English abstract, a bibliography, and sample questionnaires. NCL/NDLTD Chi

0546 Wu, Tingyun. ྶ៴ུ. Yi shu dian ying mi yu Taiwan dian ying xiao fei jie ceng hua xian xiang zhi yan jiu: yi Budi’e (Bourdieu) wen hua she hui xue wei yan jiu qu jing. ਲफӇ‫ؙࣿ‬ӿ‫ݡ‬ஹӇ‫ٮ۽ؙ‬႓ৡ٩୳ૢ: й޿ၔᵹ (Bourdier) ҹ ٩घϾѹЊ୳ૢԼዒ. 149 leaves. Note: Thesis (M.A.)—Tamkang University, 2006. Analyzes the formation of art film consumer culture in Taiwan as well as the social characteristics and cultural practices of art film fans by using in-depth interviews. The author employs French sociologist Pierre Bourdieu’s cultural theories, and concludes that Taiwan film consumption is stratified because economic and cultural capital is distributed unequally. Appendix includes the names and background information of interviewees, and the survey sample. Includes a Chinese and English abstract and a bibliography NCL/NDLTD Chi

0544 Huang, Yingxiong. ࢶ߭೰. Yi shu dian ying shang xi: Guo li guo fu ji nian guan rang ai fei yang yi shu dian ying jiang zuo, jiu shi er nian du. ਲफӇ‫ؙ‬೘໯: л߹л୊ઔ݉ఖџДٞเਲफӇ‫܈ؙ‬ӏ, ॰֐ԏё ֏.

101

Specific Film Genres

0547 3.5

CHILDREN’S FILMS

ጝϤϦӍঁӇ‫ؙ‬ЅϡԲԛӠ‫ = ૢ୳ڰ‬The construction of masculinity in Pu-liao Hsu’s comedy movies. 94 leaves. Note: Thesis (M.A.)—National Cheng Kung University, 2004. Interprets the construction of masculinity in four Pu-liao Hsu (a comedy movie star in Taiwan) films: A Maiden and Wonderer (1981), Playboy (1982), The Twins (1984), and The Clown and the Swan (1985). Concludes that the two patterns of masculinity in these films are characteristic of Taiwan society in the 1980s: an “exaggerated-fetish” pattern, and a “castrated-feminine” pattern. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD (FT) Chi

0547 Huang, Qianfen (Huang, Chien-Fen). ࢶ࡛ᐇ. Yi jiu ba ling nian dai Taiwan er tong dian ying lei xing yan jiu = Approaches to Children’s Films in Taiwan in the 1980s. ϣ॰ࡂ0ё‫ݡڊ‬ஹճুӇ‫ؙ‬ढࡿ୳ૢ = Approaches to Children’s Films in Taiwan in the 1980s. 105 leaves. Note: Thesis (M.A.)—National Taitung University, 2005. Four genre films directed by Hou Hsiao-hsien, Ke Yizhen, and Wang Xiajun are selected as case studies to identify the role of children in Taiwan cinema of the 1980s. Includes a Chinese and English abstract, a bibliography, film synopses, Taiwan children’s cinema during the1980s, and children’s films shown during the Golden Horse International Film Festivals, 1991–1995. NCL/NDLTD Chi

3.7

0550 Li, Zhenyi (Le, Jen-yi). ଽᢾသ. Dian nao dong zuo kong zhi she ying xi tong de guang gao ying xiang biao xian yan jiu = The image expression of commercial films made by motion control camera system. Ӈ‫ݴ‬ҁӑସ‫ء‬଄‫ࢃڍؙ‬ϡܰ‫ؙݍ‬Ռԣࠟ୳ૢ = The image expression of commercial films made by motion control camera system. 138 leaves. Note: Thesis (M.A.)—National Taiwan Normal University, 2004. The paper explores the potential of the Motion Control Camera System (MOCO), concurrently in limited use, to be used widely throughout the Taiwan film industry by examining and analyzing images in commercial films produced by MOCO, and by interviewing film professionals who have used MOCO in their productions. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD (FT) Chi

0548 Zhang, Ruilan (Chang, Jui Lan). ‫פ‬ᇳ୪. Taiwan dian ying xu jing zhong suo jian gou zhi er tong shi jia = Construction of Children’s world in Taiwan cinema. ‫ݡ‬ஹӇ‫ؙ‬ᡳ॒ЅӛࠃภҏճুԒ֎ = Construction of children’s world in Taiwan cinema. 260 leaves. Note: Thesis (M.A.)—National Taiwan University of Arts, 2005. Explores the role of children in Taiwan cinema in three different thematic arrangements: family, school, and coming of age. Studies eight films with child actors/ actresses who won Golden Horse Film Awards and films that participated in International Children’s Film Festivals to show ways in which the children’s environments are constructed by adults, the positive and negative interactions between children and adults, and how narrative incidents contribute to each child’s moral development and eventual success. Appendix includes the List of Golden Horse awardwinning children film stars, Taiwan films that participated in International Children’s Film Festivals, and film synopses and scene analysis charts of the selected eight films. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD (FT) Chi

3.6

COMMERCIAL FILMS AND MTVS

0551 Lin, Xinghong. ৆ᕭ᜞. Jiao han “Kai mai la” de nu xing—Taiwan shang ye pian nu dao yan ji qi zuo pin yan jiu. ‫چ‬ஃ “ы๤ࠁ” ϡѽԛ—‫ݡ‬ஹ࠱‫׬‬әѽ࣒ࠟߵԷӑԘ୳ૢ. 200 leaves. Note: Thesis (Master)—National Cheng Kung University, 1998. Based on the study of sixteen Taiwanese commercial films directed by female directors and interviews with these directors, the paper provides an overall picture of the family, education, marriage, and professional background of Taiwanese female directors during the 1970s and 1980s. Includes a Chinese abstract, a bibliography, and an appendix (including biographies of interviewees, filmography, interview question, time, and location). NCL/NDLTD Chi

COMEDY FILMS

0549 Cai, Kunfen (Tsai, Kun-fen). ᓥᐒ୒. Xu Buliao xi ju dian ying zhong de nan xing qi zhi yan jiu = The construction of masculinity in Pu-liao Hsu’s comedy movies.

102

Documentary Films

3.8

0557

DOCUMENTARY FILMS

Includes a product list of Taiwan’s antimainstream image media. CTFAL Chi

0552 2000 wen hua ji lu pian guan mo yan tao ying zhuan kan / Xing zheng yuan wen hua jian she wei yuan hui zhu ban; Taibei dian ying xie hui ce hua zhi xing. 2000 ҹ٩ઔ࠷ә޲ಎ୳क़ॺ֟ᑂ / Ҳूࡨҹ٩ࠃ‫ޗ‬ణ‫؂‬ϾҰ‫;ދ‬ ‫ܚݡ‬Ӈ‫ؙ‬൒Ͼ೫੿వҲ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 2000. 120 p. Note: A special publication for the 2000 Cultural Documentary Festival and Study Camp hosted by Council on Cultural Affairs, Executive Yuan, and Taipei Film Association. Includes introductions to the films, directors, and lecturers, as well as papers and records of the panel discussions. CTFAL Chi

0555 Chen, Jiandao. ಴ࠃѬ. Ji lu pian zhi zhi zuo. ઔ࠷әҏ३ӑ. Taibei: Shi jie shu ju, 1978. 258 p. Note: This is the same work published in 1965 under the name of Wenquan (Chen, Wenquan) with a similar title. An introduction to documentary film theory and a detailed description of the techniques and processes of documentary filmmaking in Taiwan. Appendix includes three papers on documentary films by Xiao Hao. CTFAL Chi

0553 2001 du li zhi pian yu ji lu pian guo ji xue shu yan tao hui ji nan fang ying zhan lun wen ji / Zhu ban dan wei: Guo li Tainan yi shu xue yuan yin xiang yi shu ke ji duo mei ti zhong xin. 2001 ‫߹ݻ‬३әӿઔ࠷әлগѹफ୳क़Ͼ᠕۪Ҥ‫ںࣁؙ‬ҹओ / Ұ‫ދ‬ ‫֧؁‬: л߹‫۪ݡ‬ਲफѹࡨ‫ٸ‬Ռਲफ॓৔Є෪ՂЅК. Tainan: Guo li Tainan yi shu xue yuan yin xiang yi shu ke ji duo mei ti zhong xin, 2001. Various paginations. Note: Conference proceeding from the 2001 International Independent Filmmaking and Documentary Symposium in Tainan. Includes program, introduction of participants, and Chinese and English abstracts of the presentations. CTFAL Chi Eng

0556 Chen, Liangfeng (Chen, Liang Feng). ಴݊ழ. Ji lu pian sheng chan de ping min hua: 95–98 nian di fang ji lu she ying gong zuo zhe xun lian ji hua de jing yan yan jiu = The Accessibility of Making People Documentary. ઔ࠷әТ‫ݗ‬ϡ‫ھכ‬٩: 95–98ёсҤઔ࠷଄‫ؙ֞‬ӑ‫ٷ‬ਗ୚‫ޫذ‬ϡҬ ࡐ୳ૢ = The Accessibility of Making People Documentary. 150 leaves. Note: Thesis (M.A.)—National Tsing Hua University, 1998. Explores the accessibility of documentary filmmaking for ordinary people in Taiwan, based on ideas acquired while participating in Taiwan’s Local Documentary Film Training Workshop Program, 1995–1998. Includes a Chinese abstract and bibliography. NCL/NDLTD Chi

0554 Bian di fa sheng—fan zhu liu ying xiang mei ti yu she yun ji lu / Zhu zhe Dun Cheng deng. ‫נ‬сч‫ބ—ك‬ҰԵ ‫ؙ‬Ռ෪Ղӿघ‫ػ‬ઔ࠷ / Я‫ٷ‬ᆼ஧ҳ. Taibei: Tangshan chu ban she, 1992. 183 p. Series title: Jin bu cong shu; 5 Ք‫܌‬ᜣ‫ ;ڣ‬5 Note: An essay collection that focuses on Taiwan’s antimainstream media movements and social movements during the 1980s and 1990s. Essays include Jiang Guanming’s report on nonmainstream media in Taiwan; Dai Bofen and Wei Yinbing’s analysis of antimainstream images; Li Daoming’s review of his experience in documentary filmmaking; Liang Guang’s discussion of Taiwan antimainstream image media movement vis-à-vis the May 20, 1988 Incident; and Zhang Bihua’s interview of Wang Zhizhang on Taiwan’s street movement in the 1980s, as well as an overall description of Taiwan’s antimainstream image media groups, such as Green Group, The Third Image Studio, Culture Taiwan Studio, Firefly Image, New Taiwan Social Movement Audio/Visual Studio, and Taiwan Report by the editors.

0557 Chen, Luyang (Chen, Lu-Yang). ಴߫เ. Wo guo yuan xian ji lu pian “Wu mi le,” “Fan gun ba! nan hai,” “Nanfang’ao hai yang ji shi” zhi xing xiao ce lue yan jiu = Marketing strategies study of “Happy rice,” “Jump! Boys,” and “Chronicle of the sea, Nan-Fang-Ao.” Ϣлࡨ۷ઔ࠷ә “ѩܶӀ,” “ࢬఁщ! Բ‫י‬,” “۪Ҥᆹ֋ଥઔѨ” = Marketing strategies study of “Happy rice,” “Jump! Boys,” and “Chronicle of the sea, Nan-Fang-Ao.” 144 leaves. Note: Thesis (M.A.)—Ming Chuan University, 2006. Analyzes the documentary film marketing strategies of Happy Rice (2004), Jump! Boys (2005), and Chronicle of the Sea, Nan-fang-ao (2004). Includes a Chinese and English Abstract, a bibliography, and an appendix. NCL/NDLTD Chi

103

Specific Film Genres

0558

island, the location of the last ground battle between Nationalist and Communist troops in 1949, and site of more than twenty years of artillery fire between the two sides. CTFAL Chi

0558 Chen, Wenquan (Wenquan). ಴ҹ໩ (ҹ໩). Ji lu pian she zhi zhi li lun yu shi jian. ઔ࠷ә଄३ҏԑ‫ں‬ӿӢᒂ. Taibei: Zhong wai dian ying za zhi she, 1965. 220 p. Note: An introduction to documentary film theory and a detailed description of the techniques and processes of documentary filmmaking in Taiwan. Appendix includes three papers on documentary films by Xiao Hao. CTFAL Chi

0562 Di er jie wen hua zi chan ji lu pian xun hui guan mo yan xi ying: chu jie ke cheng xue yuan shou ce / Ce hua Xing zheng yuan wen hua jian she wei yuan hui. ҷԏโҹ٩‫ݗޞ‬ઔ࠷ә፶፯޲ಎ୳‫ॺ܄‬: २႓ࠆࡄѹ‫؂‬Ѳೠ / ೫ ੿Ҳूࡨҹ٩ࠃ‫ޗ‬ణ‫؂‬Ͼ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 1998. 133 p. Note: A study manual for students of the Second Cultural Heritage Documentary Film Exhibit and Study Camp, sponsored by the Council on Cultural Affairs, Executive Yuan in Taiwan in 1997. Includes an introduction to the program, lecturers, related papers, curricula, synopses of related films, and a Result Report of the Second Cultural Heritage Documentary Film Exhibit and Symposium by Wang Weici, organizer of the exhibit and symposium. CTFAL Chi

0559 Chen, Zhengxun. ಴Ԝ࢐. Yi ren de zu ji: guang ying sui yue—Gaosong Fengcilang = Toyojirö Takamatsu / Chen Zhengxun, Lin Junpin zhu. ஫Ϫϡ߿࿑: ‫—֊ۈׇؙ‬ҙग़ஶҋᅦ = Toyojirö Takamatsu / ಴Ԝ ࢐, ৆୐ԘЯ. Taibei: Da kang chu ban she, 2008. 44 p. ISBN 9789868347472 Series title: Sheng hua zhi; 010 Т҅௨; 010 Note: Presents Toyojirö Takamatsu’s (1872–1952) biography and influence in Taiwan film history. Takamatsu introduced film to Taiwan in 1895 and produced the first documentary film in Taiwan in 1907. CTFAL Chi

0563 Di san jie wen hua zi chan ji lu pian xun hui guan mo cheng guo bao gao / Wang Weici zhu chi ce hua. ҷѧโҹ٩‫ݗޞ‬ઔ࠷ә፶፯޲ಎюҝ‫ ݍڻ‬/ ࣼ໓፦Ұ‫ف‬೫੿. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 1999. Note: Author Jim Cheng found this title in the bibliography of the Third Cultural Heritage Documentary Film Exhibit and Study Camp report; however, he could not locate the actual text at the three major libraries housing film materials in Taipei (NCL, NTU, and CTFA). Chi

0560 Chou, Peggy. Taiwan cinema: fictions, documentaries, animations. Taipei: Department of Motion Picture Affairs, Government Information Office, 2006. 1 v. Note: According to OCLC WorldCat, there is only one copy at the National Taiwan University Library. WorldCat Eng

0564 Di yi jie min zu zhi ying zhan xun yan ji “Ying xiang zhong de zu qun wen hua” yan xi ying yan xi shou ce / Taiwan min zu zhi ying xiang xue hui. ҷϣโ‫ھ‬ఓ௨‫ࣁؙ‬፶ࠟ᠕ “‫ؙ‬ՌЅϡఓळҹ٩”୳‫܄୳ॺ܄‬Ѳೠ / ‫ݡ‬ஹ‫ھ‬ఓ௨‫ؙ‬ՌѹϾ. Taibei: Taiwan min zu zhi ying xiang xue hui, 2002. 38 p. Note: A manual for the Ethnic Culture in Film Images study camp hosted by the Taiwan Association of Visual Ethnography during the first Taiwan International Ethnographic Film Festival Touring Exhibition from April 13–June 02, 2002. Includes a collection of articles by Taiwan scholars on ethnographic films shown during the festival, a study camp program and schedule, and synopses (in both Chinese and English) of sixteen films shown during the festival and study camp, including four Taiwan films. NTUL Chi Eng

0561 Dan dao shuang bu da—yi bu lai zi Jinmen de bai xing dian ying / Ying huo chong ying xiang ti zuo. ‫؁‬Ӌ‫ד‬ϤӋ—ϣ‫ח‬ϰІ‫ؖ‬՞ϡ‫ښ‬࿲Ӈ‫ ؙ‬/ ⁒‫ڮ‬າྱՌՂӑ. Taibei: Wan xiang tu shu go fen you xian gong si, 1995. 193 p. ISBN 9576696321 Series title: Yi shu fang; 7 ਲ‫ ;ࠚڣ‬7 Note: An introduction to the independent film Every Odd Numbered Day (1994), including commentary by the director, producer, and related personnel, as well as interviews and reviews. The film, a mixture of documentary and fiction, describes the residents of Jinmen

104

Documentary Films

0569 Note:

0565 Di yi jie wen hua zi chan ji lu pian xun hui guan mo yan tao hui cheng guo bao gao / Wang Weici zhu chi ce hua. ҷϣโҹ٩‫ݗޞ‬ઔ࠷ә፶፯޲ಎ୳क़Ͼюҝ‫ ݍڻ‬/ ࣼ໓፦Ұ‫ف‬೫ ੿. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 1997. 38 leaves. Note: An internal report on “The First Cultural Heritage Documentary Film Exhibit and Symposium” sponsored by the Council on Cultural Affairs, Executive Yuan, in 1996. The author, the principal investigator (PI) of the project and a lecturer in the program, reports on the project’s purpose, scope, budget, result of a student survey, and offers a conclusion. Documentary films from Taiwan and other countries were shown during the exhibit, and lectures on the documentary films were presented by scholars from Taiwan and other countries during the symposium. CTFAL Chi

A collection of essays on Chinese film history, focusing mainly on Taiwan and Hong Kong film history. The most interesting and important essays in the book include the following topics: the relationship between ROC’s leader Chiang Kai-shek and film production, the history of Chinese documentary and news film development, the relationship between Chinese film and Peking opera, a review of the Taiwan film industry, an analysis of the psychology of film audiences, martial arts film and martial arts–magic spirit films (wuxia shenguai pian), a fifty-year history of the Shao family’s involvement in Chinese film production, and an account of female movie stars and female spies in the real world. Includes film stills, posters, and photos, a list of 100 important Chinese films, and a chronology of Chinese film history (1896–1978), but there is no bibliographical information or index. WorldCat Chi

0568 Guang bo, dian shi, dian ying / Fang Zheng, Wang Dakong, Xu Changhui, Nie Yin, He Yimou, Yang Qiao zhu. ܰ৚, Ӈ؆, Ӈ‫ ؙ‬/ ҤԜ, ࣼϽ‫׺‬, ‫׶ܛ‬௑, ℸ┄, ‫⎬ح‬ጚ, ໷⃊Я. Taibei: Taibei shi xin wen ji zhe gong hui, 1964. 197 p. Series title: Ji zhe cong shu di san zhong ֮‫ٷ‬ᜣ‫ڣ‬ҷѧ҆ Note: The third monographic series published by the Taiwan Municipal Reporters Association. Includes essays on radio broadcasting, television programming, and news and documentary filmmaking. CTFAL Chi

0566 Documenting Taiwan on film: issues and methods in new documentaries / edited by Sylvia Li-chun Lin and Deborah Tze-lan Sang. London; New York: Routledge, 2012. 228 p. ISBN 9780415685115, 0415685117978, 0203124437, 020312443X Series title: Routledge research on Taiwan; 9 Note: A collection of exceptional academic papers on new Taiwan documentary films written by renowned scholars, including “Re/making Histories: On Historical Documentary Film and Taiwan: A People’s History” by Daw-Ming Lee; “Recreating the White Terror on the Screen” by Sylvia Li-Chun Lin; “Reclaiming Taiwan’s Colonial Modernity: The Case of Viva Tonal: The Dance Age” by Tze-Lan D. Sang; “Cultivating Taiwanese: Yen Lan-chuan and Juang Yi-tseng’s Let It Be (Wu mi le)” by Bert M. Scruggs; “The Politics and Aesthetics of Seeing in Jump! Boys” by Hsiu-Chuang Deppman; “‘Should I Put Down the Camera?’ Ethics in Contemporary Taiwanese Documentary Films” by Kuei-Fen Chiu; “Documenting Environmental Protest: Taiwan’s Gongliao Fouth Nuclear Power Plant and the Cultural Politics of Dialogic Artifice” by Christopher Lupke; “Sentimentalism and the Phenomenon of Collective ‘Looking Inward’: A Critical Analysis of Mainstream Taiwanese Documentary” by Li-Hsin Kuo. Includes a Chinese glossary, filmography, and bibliography, and an index. WorldCat Eng

0569 Huang, Ren, 1925– ࢶწ, 1925– Taiwan dian ying bai nian shi hua / Huang Ren, Wang Wei bian zhu. ‫ݡ‬ஹӇ‫ښؙ‬ё੗ҧ/ࢶწ,ࣼଂഹЯ. Taipei: Zhonghua ying ping ren xie hui, 2004. 2 v. Note: A comprehensive and objective text on Taiwan film history. Significant achievements of the work include the following: (1) discovery that the first film shown in Taiwan occurred in 1899, differing from scholars who claim the first screening occurred in 1901; (2) a detailed description of Taiwan film artists’ activities and achievements during the colonial period in both Taiwan and mainland China; (3) covers Taiwan film history from multiple perspectives; (4) the authors maintain an objective stance while approaching politically charged issues such as the Japanese influence on Taiwan cinema, propaganda films in Taiwan, and the Nationalist Government’s censorship system; and (5), the text includes important filmographies in some of its chapters. Shortcomings of the work include the following: (1) poor editing and multiple typos, such as on page 19, when the date of the first feature film made in Taiwan, by the Japanese, is written as 1902 instead

0567 Du, Yunzhi, 1923– ᖯࠥҏ, 1923– Zhongguo de dian ying. ЅлϡӇ‫ؙ‬. Taibei: Huang guan chu ban she, 1978. 266 p.

105

Specific Film Genres

0570 of 1922, and the fact that Chapter 12 starts on p. 331, but the table of contents notes that it starts on p. 329; (2) poor content organization, for example, Chapters 11–21 in Vol. 2 are not connected cohesively; and (3) the text does not contain a complete bibliography, filmography, or indexes, except for inconsistent bibliographical materials included at the end of selected chapters. Thus, it is difficult to recommend this text as reference material, even though it contains important historical information. Includes some bibliographic information at the end of selected chapters. Includes film stills, posters, and photos. WorldCat Chi

Film Show Activities; (4) Film Propaganda; (5) Film Censorship; (6) Film Affairs; (7) Film Reviews and Introduction; and (8) a Bibliography of Taiwan Documentary Film Studies During the Colonial Period, which includes monographs (in both Chinese and Japanese), dissertations, and journal articles (in both Chinese and Japanese, dated and undated). There is also a bibliography at the end of the book. Vol. 2 covers Taiwan documentary film studies after 1945 and includes eighty-one essays, articles, interviews, film reviews, and news reports. Similar to Vol. 1, it also contains eight parts: (1) Anthropology Films; (2) Introduction and Review of Taiwan Documentary Films; (3) Theory and Aesthetics of Documentary Film; (4) Documentary Film and Social Movements; (5) Documentary and Indigenous People; (6) Documentary Film Directors and Workers; (7) Documentary Film History, and Analysis; and (8) a Bibliography of Taiwan Documentary Film Studies after 1945, which is organized under the following subjects: anthropology films, China (including Hong Kong) documentary films, review and introduction to Taiwan documentary films, review and introduction to foreign documentary films, documentary filmography and others, documentary film theory and aesthetics, documentary films and social culture, documentary film and social movements, documentary film and indigenous people, documentary film directors and workers (domestic), documentary film directors and workers (abroad), documentary film history (domestic), and documentary film history (abroad). The materials collected in the bibliography include monographs, dissertations, journal and newspaper articles, handbooks, and manuals. WorldCat Chi

0570 Hou, Jiran (Hou, Chi-jan). ᢡࡵѼ. “Taiwan Hei Dian Ying” ji lu pian zhi chuang zuo yu yi yi = “Taiwan Black Movies”—The Making and Meaning of a Documentary. “‫ݡ‬ஹ‫ܪ‬Ӈ‫ ”ؙ‬ઔ࠷әҏࡶӑӿҺच = “Taiwan Black Movies”— The Making and Meaning of a Documentary. 80 leaves. Note: Thesis (M.A.)—National Chengchi University, 2005. Using “Social Realistic Movies,” popular during the early 1980s, as a primary reference point, the author makes a documentary film entitled: Taiwan Black Movies (2005). This paper records the production and meaning of “Taiwan Black Movies.” Includes a Chinese and English abstract, a bibliography, a chronology of “Social Realistic Movies” 1975–1985, a filmography of “Social Realistic Movies” 1975–1985, interviews, reviews of “Taiwan Black Cinema,” a copyright agreement, script of Taiwan Black Movies, and Hou Jiran’s professional biography. NCL/NDLTD Chi

0572 Ji lu Taiwan: Taiwan ji lu pian yu xin wen pian ying ren kou shu / zhu bian Li Daoming, Wang Weici; zhi xing bian Wu Yuexiu, Zhang Qinyun. ઔ࠷‫ݡ‬ஹ: ‫ݡ‬ஹઔ࠷әӿЈࢨә‫ؙ‬Ϫ‫ט‬਎ / ҰഹଽѬҴ, ࣼ໓፦; వҲഹফྶៈࢗ, ‫פ‬ቦ᭲. Taibei: Xing zheng yuan wen hua jian she wei yuan hui wei tuo Cai tuan fa ren guo jia dian ying zi liao guan, 2000. 2 v. ISBN 9570261749 (v. 1), 9570261757 (v. 2) Note: This is the print version of Taiwan Documentary Film Oral History Project, which began in 1997 and was carried out for three years. Vol. 1 includes interviews of nineteen documentary and news filmmakers from Zhongying (Zhongguo dian ying zhi pian chang), Taiying (Taiwan dian ying zhi pian chang), and Xin wen ju (Information Office); Vol. 2 consists of interviews of nineteen documentary film makers from four television documentary series and Taiwan’s independent filmmaking field. Each interview includes a photo and a brief biography of the interviewee. NTUL Chi

0571 Ji lu Taiwan: Taiwan ji lu pian yan jiu shu mu yu wen xian xuan ji / zhu bian Zhang Changyan, Li Daoming ; zhi xing bian ji Hong Yawen, Han Xu’er, Zhang Qinyun. ઔ࠷‫ݡ‬ஹ: ‫ݡ‬ஹઔ࠷ә୳ૢ‫ڣ‬۵ӿҹຶ‫ק‬ओ / Ұഹ‫פ‬ቾᴧ, ଽѬҴ ; వҲഹফᖻ઩ҹ, ठ᯾ঌ, ‫פ‬ቦ᭲. Taibei: Xing zheng yuan wen hua jian she wei yuan hui wei tuo cai tuan fa ren guo jia dian ying zi liao guan, 2000. 2 v. ISBN 9570265478 (v. 1), 9570262486 (v. 2) Series title: Taiwan dian ying shi liao cong shu ‫ݡ‬ஹӇ‫ؙ‬੗ࢧᜣ‫ڣ‬ Note: This is the first and most comprehensive bibliography and collection of essays on Taiwan film documentaries. Vol. 1 covers the colonial period and includes sixty-five essays and articles written by three contemporary Taiwan scholars as well as colonial-era Japanese authors whose articles were initially published in Japanese before being translated into Chinese for the purposes of this book. Contains eight parts: (1) Film History; (2) Documentary, News, and Education Films; (3)

106

Documentary Films

0578 2008 moderated and summarized by Liao Gene-fon; covers early documentary films from the 1930s to the 1970s. CTFAL Chi

0573 Lan, Shuxuan. ঢ‫⋍ڣ‬. Cong chuan tong zhong du li—fen xi Taiwan ji lu pian nu dao yan de chuang zuo huan jing. ԩ‫ࢃة‬Ѕ‫—߹ݻ‬д໯‫ݡ‬ஹઔ࠷әѽ࣒ࠟϡࡶӑࢰ॒. 123 leaves. Note: Thesis (M.A.)—National Taiwan University, 2005. The paper engages the following question: What is Taiwan’s current independent filmmaking environment for women documentary directors? It then responds from five different angles: education, science and technology, subjects, profession, and family economic situation. Notes that from 1984 to 2004, 130 of the 343 documentary films produced in Taiwan were directed by women. Includes a Filmography of Male and Female Directors 1984–2004 and a bibliography. NTUL Chi

0576 Liu, Yizhu (Liu, Yi-chu). ฀ፐኵ. Xie hou Lanyu: lun san bu min zu zhi ji lu pian “Lanyu guan dian,” “Qing Wen bu zai jia,” “Mian dui e mo” = Close/d encounters with Orchid Island: A study of “Voice of Orchid Island,” “Libangbang,” and “Deliver Us from Evil.” ᝱ᝳ୪ᓊ: ‫ں‬ѧ‫ھח‬ఓ௨ઔ࠷ә “୪ᓊ޲ѡ,” “֜ҹϤϨр,” “ӌ хॱತ” = Close/d encounters with Orchid Island: A study of “Voice of Orchid Island,” “Libangbang,” and “Deliver Us from Evil.” 96 leaves. Note: Thesis (M.A.)—National Chiao Tung University, 2003. Discusses three documentary films produced between 1993 and 2001 that represent Orchid Island on two levels: encounters with modernity and the camera’s representation of this encounter. The author describes how Orchid Island becomes a living subject with its own voice, the problem of truth and the reflexivity in ethnographic films, and the ways in which the three directors of the films delve into these issues in their work. Includes a bibliography. NTUL Eng

0574 Li, Wenfeng (Lee, Wen-feng) ଽඌᅷ. “Ji lu guan dian” jiu jing ji lu shui de guan dian? Qie kan gong shi jiao gai xi lie ji lu pian = Whose viewpoint was “Viewpoint” documenting? Documentaries of Education Reform. “ઔ࠷޲ѡ” ૢफ़ઔ࠷Ոϡ޲ѡ? ॸЃԍ؆‫࠶ڍۨڌ‬ઔ࠷ә = Whose viewpoint was “Viewpoint” documenting? Documentaries of Education Reform. 130 leaves. Note: Thesis (M.A.)—National Taiwan University, 1997. Investigates reactions to a controversial television program entitled “Documentaries of Education Reform” produced by the Taiwan Public Television Series (PTS) in 2004. Explains the production process of “Documentaries of Education Reform,” as well as the attitudes expressed and mechanisms used by PTS to manage and respond to viewer reactions. Exposes the ways that the PTS “producer system” was poorly administered. Includes a bibliography. NTUL Chi

0577 Sheng ming de ying xiang: Taiwan ji lu pian de qi tang ke = Images of life: seven lessons on Taiwan documentary films / Lin Wenqi, Chen Deling bian. Т‫ܞ‬ϡ‫ؙ‬Ռ: ‫ݡ‬ஹઔ࠷әϡࢳஇࠆ = Images of life: seven lessons on Taiwan documentary films / ৆ҹᚉ, ಴ख़෗ഹ. Taibei: Guo li zhong yang da xue dian ying wen hua yan jiu shi, [2007] 206 p. Note: Seven recent Taiwan documentary films are presented with introductions to each film, history of awards, director’s comments, in-depth film reviews, related academic essays, and further reading recommendations. Includes a filmography of Taiwan documentary film history from 1966 to 2006. CTFAL Chi

0575 Liao, Jinfeng. ᴰ‫ؖ‬ང. Taiwan ji lu pian “qian shi”: ji shi ying xiang, jia ting dian ying dao ji lu pian = A pre-history of Taiwanese documentary filmmaking: actualities, home movies and documentary / Liao Jinfeng ce hua. ‫ݡ‬ஹઔ࠷ә “ӓ੗”: ઔӢ‫ؙ‬Ռ, р೛Ӈ‫ؙ‬Ϻઔ࠷ә = A pre-history of Taiwanese documentary filmmaking: actualities, home movies and documentary / ᴰ‫ؖ‬ང೫੿. Taizhong shi: Guo li Taiwan mei shu guan, 2008. 39 p. ISBN 9789860173086 Series title: Taiwan ji lu pian mei xue xi lie; 1 ‫ݡ‬ஹઔ࠷әѤѹ‫ ;࠶ڍ‬1 Note: Records a panel discussion about the history of Taiwanese early documentary filmmaking on June 29,

0578 Shou ji Beijing guo ji ji lu pian xu shu hui yi wen jian hui bian / Chen Meng, Lin Xudong zhu bian. ۰ไ‫ߟܚ‬мকઓ࠹әѺभϿ৷ҹຸཹ൜ / ವ⤐䩟৆᯾ևҰ൜. Beijing: Zhong yang dian shi tai, xin wen ping lun bu nei bu fa xing, 1997. Note: Internally distributed conference proceedings of the First Beijing International Documentary Film Conference in 1997. Includes papers presented by the scholars and documentary filmmakers from the United States, France, Germany, Australia, and Taiwan. Google Chi

107

Specific Film Genres

0579 0579

0583

Taiwan cinema 2000–2002: short fictions, documentaries, animations, experimentals / Chinese Taipei Film Archive. Taipei: Arthur Lap, 2003. 84 p. Note: An introduction to Taiwan cinema from 2000 to 2002; includes short films, documentaries, animation, and experimental cinema. WorldCat Eng

Taiwan dian ying zhen gui ying xiang shi liao mu lu (Di yi ji 35 nian -58 nian) / Taiwan dian ying wen hua gong si. ‫ݡ‬ஹӇ‫ੵؙ‬ਰ‫ؙ‬Ռ੗ࢧ۵࠷ (ҷϣফ 35ё—58ё) / ‫ݡ‬ஹӇ‫ؙ‬ҹ٩ ԍ‫ޅ‬. Taibei: Taiwan dian ying wen hua gong si, [1969] 90 p. Note: A filmography, organized by film production date, of news and documentary films distributed by Taiwan dian ying wen hua gong si (Taiwan Film Culture Company) from 1945 to 1969. CTFAL Chi

0580 Taiwan dang dai ying xiang: cong ji shi dao shi yan 1930–2003 = A retrospective collection of documentary films from Taiwan / Zhu bian Wang Weici. ‫ݡ‬ஹԄ‫ؙڊ‬Ռ: ԩઔ࠷ϺӢࡐ 1930–2003 = A retrospective collection of documentary films from Taiwan / Ұഹࣼ໓፦. Taibei: Tong xi wen hua chu ban gong zuo shi, 2006. 186 p. Note: This book is published with a set of more than thirty documentary films on fifteen DVDs. It includes a collection of twenty essays exploring the development of Taiwan documentary films from 1930 to 2003 and the relationship between societal changes and documentary films. Includes theoretical discussions, analyses, and reviews of Taiwan documentary films. Includes a bibliography. WorldCat Chi

0584 Taiwan guo ji ji lu pian shuang nian zhan (1–2 jie) = Taiwan international documentary festival (1998–2000) / Zhonghua minguo ji lu pian fa zhan xie hui. ‫ݡ‬ஹлগઔ࠷ә‫ד‬ёࣁ (1–2โ) = Taiwan international documentary festival (1998–2000) / Ѕ‫ھܓ‬лઔ࠷әчࣁ൒Ͼ. Taibei: Taiwan mei xue guo ji wen hua shi ye bu fen you xian gong si, 2000. 1 v. Note: This bilingual (Chinese and English) work was published for the First and Second Taiwan International Documentary Festivals (TIDF), 1998–2000. Includes festival program and introductions to the presented films, award winners, and indexes of the films and directors. CTFAL Chi Eng

0581 Taiwan di qu ji lu pian pian mu zi liao ku ji lu pian li shi ji ji lu zi shen ying ren kou shu li shi ji hua di yi nian cheng guo bao gao / Li Daoming deng ‫ݡ‬ஹс߅ઔ࠷әࢡ۵‫ࢧޞ‬ᆞઔ࠷әࣵ੗ߵઔ࠷‫ؙٹޞ‬Ϫ‫ט‬਎ࣵ੗ ‫ޫذ‬ҷϣёюҝ‫ ݍڻ‬/ ଽѬҴҳ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 1998. Note: Author Jim Cheng noticed this title in the bibliography of a book but could not locate the actual text at the three major libraries housing film materials in Taipei (NCL, NTU, and CTFA). Chi

0585 Taiwan guo ji ji lu pian shuang nian zhan (2002): “Zai jian, Taiwan ji qing nian dai” zhuan an jie an bao gao shu / Xing zheng yuan wen hua jian she wei yuan hui zhu ban; Zhonghua minguo ying xiang yun dong xie hui xie ban. ‫ݡ‬ஹлগઔ࠷ә‫ד‬ёࣁ (2002): “ӐԊ, ‫ݡ‬ஹࢫєё‫֟ ”ڊ‬ଈְଈ ‫ ڣݍڻ‬/ Ҳूࡨҹ٩ࠃ‫ޗ‬ణ‫؂‬ϾҰ‫ ;ދ‬Ѕ‫ھܓ‬л‫ؙ‬Ռ‫ػ‬ҁ൒Ͼ൒ ‫ދ‬. Taibei: Zhonghua minguo ying xiang yun dong xue hui, 2003. 2003 p. Note: A government report on hosting the Taiwan International Documentary Festival in 2002 (TIDF 2002). CTFAL Chi

0582 Taiwan di qu ji lu pian pian mu zi liao ku ji lu pian li shi ji ji lu zi shen ying ren kou shu li shi ji hua di er nian cheng guo bao gao / Li Daoming deng ‫ݡ‬ஹс߅ઔ࠷әࢡ۵‫ࢧޞ‬ᆞઔ࠷әࣵ੗ߵઔ࠷‫ؙٹޞ‬Ϫ‫ט‬਎ࣵ੗ ‫ޫذ‬ҷԏёюҝ‫ ݍڻ‬/ ଽѬҴҳ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 1999. Note: Author Jim Cheng noticed this title in the bibliography of a book but could not locate the actual text at the three major libraries housing film materials in Taipei (NCL, NTU, and CTFA). Chi

0586 Taiwan guo ji ji lu pian shuang nian zhan (3 jie) = Taiwan international documentary festival (2002) / Zhonghua minguo ying xiang yun dong xie hui. ‫ݡ‬ஹлগઔ࠷ә‫ד‬ёࣁ (3โ) = Taiwan international documentary festival (2002) / Ѕ‫ھܓ‬л‫ؙ‬Ռ‫ػ‬ҁ൒Ͼ. Taibei: Zhonghua minguo ying xiang yun dong fa zhan xie hui, 2002. 1 v. Note: This bilingual (Chinese and English) work was published for the Third Taiwan International Documentary Festival (TIDF), 2002. Includes festival program and introductions to the presented films, award winners, and indexes of the films and directors. CTFAL Chi Eng

108

Documentary Films

0592

0587

0591

Taiwan guo ji ji lu pian shuang nian zhan (4–5 jie) = Taiwan international documentary festival (2004–2006) / Xing zheng yuan wen hua jian she wei yuan hui zhu ban. ‫ݡ‬ஹлগઔ࠷ә‫ד‬ёࣁ (4–5โ) = Taiwan international documentary festival (2004–2006) / Ҳूࡨҹ٩ࠃ‫ޗ‬ణ‫؂‬ϾҰ‫ދ‬. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 2006. 1 v. Note: This bilingual (Chinese and English) work was published for the Fourth and Fifth Taiwan International Documentary Festivals (TIDF), 2004–2006. Includes festival program and introductions to the presented films, award winners, and indexes of the films and directors. CTFAL Chi Eng

Taiwan ji lu pian mei xue xi lie = Taiwan documentary aesthetic series / Zong ce hua Chen Jimin. ‫ݡ‬ஹઔ࠷әѤѹ‫ = ࠶ڍ‬Taiwan documentary aesthetic series / ր ೫੿಴௵‫ھ‬. Taizhong: Guo li Taiwan mei shu guan, 2008. 5 v. ISBN 9789860173086 Note: This study is the result of a project entitled the “Taiwan Documentary Aesthetic Series,” hosted by the National Taiwan Museum of Fine Arts in 2008. Examines multiple topics while providing the history of Taiwan documentary films in a systematic way. Five Taiwan documentary film studies scholars were invited to act as curators for the project, and each scholar presents his or her perspective on the development of Taiwan documentary film aesthetics in this work. Vol. 1: “A Pre-History of Taiwanese Documentary Filmmaking: Actualities, Home Movies and Documentary,” curated by Liao Gene-fon, covers early documentary films from the 1930s to the 1970s. Vol. 2: “Hegemony and the Aesthetic of Taiwan Documentary Film in the Early Post-Martial Law Era,” curated by Lin Bao-yuan, reviews challenges to the hegemony and the aesthetic development of documentary films from 1985 to 1999 (Martial Law was lifted in 1987). Vol. 3: “Private Me Time: I and My . . . ,” curated by Wen Tien-hsiang, describes the arrival of “private me time” in Taiwan documentary films from 1990 to 2008. Vol. 4: “Video-Dialogue with One Self in the Aesthetics of Documentary Films: Between Truth and Fiction, Between Documentary and Drama,” curated by Wang Wei-tsy, considers female perspectives in Taiwan documentary films and deals with female expressions through the documentary form. Vol. 5: “History, Memory, Representation and Documentary Film,” curated by Lee Daw-ming, investigates the aesthetic strategy of Taiwan documentary films in reconstructing Taiwan history, which is to combine the “big history” of influential historical figures and the “small history” made up of ordinary people. Includes both Chinese and English versions of the curator’s essays, a film list, and records of the panel discussions. NTUL Chi Eng

0588 Taiwan guo ji ji lu pian shuang nian zhan (6 jie) = Taiwan international documentary festival (2008) / Xing zheng yuan wen hua jian she wei yuan hui zhu ban. ‫ݡ‬ஹлগઔ࠷ә‫ד‬ёࣁ (6โ) = Taiwan international documentary festival (2008) / Ҳूࡨҹ٩ࠃ‫ޗ‬ణ‫؂‬ϾҰ‫ދ‬. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 2008. 1 v. Note: This bilingual (Chinese and English) work was published for the Sixth Taiwan International Documentary Festival (TIDF), 2008. Includes festival program and introductions to the presented films, award winners, and indexes of the films and directors. CTFAL Chi Eng

0589 Taiwan guo ji ji lu pian shuang nian zhan (7 jie) = Taiwan international documentary festival (2010) / Xing zheng yuan wen hua jian she wei yuan hui zhu ban. ‫ݡ‬ஹлগઔ࠷ә‫ד‬ёࣁ (7โ) = Taiwan international documentary festival (2010) / Ҳूࡨҹ٩ࠃ‫ޗ‬ణ‫؂‬ϾҰ‫ދ‬. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 2010. 1 v. Note: This bilingual (Chinese and English) work was published for the Seventh Taiwan International Documentary Festival (TIDF) 2010. Includes festival program and introductions to the presented films, award winners, and indexes of the films and directors. CTFAL Chi Eng

0590 Taiwan guo ji ji lu pian shuang nian zhan (di 8 jie) = 2012 8th Taiwan international documentary festival / Zhu ban dan wei: Guo li Taiwan mei shu guan. ‫ݡ‬ஹлগઔ࠷ә‫ד‬ёࣁ (ҷ8โ) = 2012 8th Taiwan international documentary festival / Ұ‫֧؁ދ‬: л߹‫ݡ‬ஹѤफఖ. Taibei: Guo li Taiwan mei shu guan, 2012. 176 p. Note: This bilingual (Chinese and English) work was published for the Eighth Taiwan International Documentary Festival (TIDF), 2012. Includes festival program and introductions to the presented films, award winners, and indexes of the films and directors. CTFAL Chi Eng

0592 Taiwan ji lu pian mei xue xi lie (er) = Taiwan documentary aesthetic series II / Lin Baoyuan deng ce hua. ‫ݡ‬ஹઔ࠷әѤѹ‫( ࠶ڍ‬ԏ) = Taiwan documentary aesthetic series II / ৆ᷰׄҳ೫ޫ. Taizhong: Guo li Taiwan mei shu guan, 2010. 5 v. ISBN 9789860235289 Note: This work is the second in a series; it contains the same title and uses the same publishing house. Again, five Taiwan documentary film studies scholars were invited to act as curators for the project, and each scholar

109

Specific Film Genres

0593 presents his or her perspective on the development and changes of Taiwan documentary film aesthetics in this work. Vol. 1: “Colonization and Decolonization: Social, Historical, And Aesthetic Consciousness in Taiwan’s Documentary Films in the Post-Martial Law Era” by Catherine Lim Yuan. Vol. 2: “What To Say and How To Say It? Documentaries; Narrative Strategies and Formal Considerations” by Lee Yungchuan. Vol. 3: “Technology and Ethics” by Qiu Guifen. Vol. 4: “The documentation of Subject and the Subject of Documentation: The Political Nature of the “Amateur Aesthetics” of Documentary Films” by Kuo Li-hsin. Vol. 5: “Recording Youth; Bitterness, Struggle and Growth” by Wei Di. Includes both Chinese and English versions of the curator’s essays, a film list, and records of the panel discussions. NTUL Chi Eng

0595 Taiwan xin wen / ji lu pian pian mu / Ji hua zhi xing dan wei: Guo jia dian ying zi liao guan; Ji hua zhu chi ren: Wang Weici, Li Daoming, Zhang Changyan, Lu Feiyi. ‫ݡ‬ஹЈࢨ / ઔ࠷әә۵ / ‫ޫذ‬వҲ‫֧؁‬: лрӇ‫ࢧޞؙ‬ఖ; ‫ޫذ‬Ұ ‫ف‬Ϫ: ࣼ໓፦, ଽѬҴ, ‫פ‬ቾ໏, ᡭۘ‫ډ‬. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 2000. 2 v. (736 p.) Note: The most comprehensive filmography of Taiwan news and documentary films produced from 1907–1999. Divided into two parts: Part One: Colonial Period, organized by film production date; and Part 2: After Taiwan Retrocession, organized according to the seventeen institutions that housed the films. Each entry in the filmography consists of detailed information, including a synopsis, current film location, copyright holder, source, record code, name of person recording the film information, and date. Because the filmography has no index and is organized by production date or by institution name, it is difficult to search for film titles, directors, producers, or film content. CTFAL Chi

0593 Taiwan ji lu pian nu dao yan bi ji shu = The female directors of Taiwan Documentary / Lin Xinghong zong bian ji. ‫ݡ‬ஹઔ࠷әѽ࣒ࠟદ֮‫ = ڣ‬The female directors of Taiwan Documentary / ৆ᕭ᜞րഹফ. Gaoxiong: Gaoxiong shi dian ying tu shu guan, 2005. 230 p. ISBN 9570187212 Series title: Gaoxiong shi dian ying tu shu guan dian ying cong shu; 4 ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖӇ‫ؙ‬ᜣ‫ ;ڣ‬4 Note: Introduces twenty female Taiwan documentary film directors, based on the number of documentary films directed and the time they began making documentary films, along with brief biographies, personal statements, and filmographies. Includes ten essays on Taiwan female directors and their films. Includes an index. NTUL Chi

0596 Wang, Pu. ࣼ⊝. Zuo jia lu ying zhuan ji shi nian jian ying. ӑр࠷‫֐֮ةؙ‬ёය‫ؙ‬. Taibei: Guo jia tu shu guan, 2009. 270 p. ISBN 9789576784910 Note: Presents the author’s experience of making documentary films about Taiwan writers, a project he has worked on for more than ten years, as well as articles about the project published in various newspapers and journals. Appendix includes names of the featured Taiwan writers and a chronology of the author’s documentary filmmaking career. NTUL Chi

0597

0594

Wang, Weici. ࣼ໓፦. Ji lu yu tan suo: 1990 -2000 da lu ji lu pian de fa zhan yu kou shu ji lu. ઔ࠷ӿ෬౱: 1990–2000Ͻ૔ઔ࠷әϡчࣁӿ‫ט‬਎ઔ࠷. Taibei: Dian ying zi liao guan, 2001. 670 p. ISBN 9573097257 Note: A more detailed and better-organized work with more materials than a similar work by the author published in 2000. Records the dialogue between mainland Chinese and Taiwanese documentary film workers; includes a historical background, describes the current state of documentary filmmaking, provides a forecast of documentary film development, and lists documentary

Taiwan xin wen / ji lu pian pian mu / Ji hua zhi xing dan wei: Guo jia dian ying zi liao guan; Ji hua zhu chi ren: Li Daoming, Lu Feiyi; gong tong zhu chi ren: Zhang Changyan, Wang Weici. ‫ݡ‬ஹЈࢨ / ઔ࠷әә۵ / ‫ޫذ‬వҲ‫֧؁‬: лрӇ‫ࢧޞؙ‬ఖ; ‫ޫذ‬Ұ ‫ف‬Ϫ: ଽѬҴ, ᡭۘ‫࢕ ;ډ‬ӎҰ‫ف‬Ϫ: ‫פ‬ቾ໏, ࣼ໓፦. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 1999. 648 p. Note: A filmography of Taiwan news and documentary films produced from 1945 to 1998. Each entry in the filmography contains general information, such as a film synopsis and current film location. Because the filmography has no index and is organized by production date or by institution name, it is difficult to search for film titles, directors, producers, or film content. CTFAL Chi

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Documentary Films

0603

film directors and their works in mainland China. It represents the Taiwan scholarly perspective on the study of mainland China’s documentary film development. It is interesting to see that the independent documentary film development in mainland China, which has been ignored by the mainland Chinese government for quite a long time, is received with great interest in Taiwan. Includes a bibliography. CTFAL Chi

ISBN Note:

9570221968 The official publication of the Second Cultural Heritage Documentary Festival and Symposium in 1997. Includes a map, an introduction of the lecturers, a program, film synopses, records of the panel discussions and papers presented during the symposium, an analysis of the results of a student survey, an evaluation, and a conclusion. CTFAL Chi

0601 0598

Wang, Weici. ࣼ໓፦. Wen hua ji lu pian yan tao hui ji (san) / Wang Weici bian zhu. ҹ٩ઔ࠷ә୳क़အओ (㐂) / ࣼ໓፦ഹЯ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 1999. 401 p. ISBN 9570246596 Note: The official publication of the Third Cultural Heritage Documentary Festival and Symposium in 1998. Includes a map, an introduction of the lecturers, a program, film synopses, records of the panel discussions and papers presented during the symposium, an analysis of the results of a student survey, an evaluation, and a conclusion. Compared with the previous two festivals and symposiums, the main difference is the inclusion of mainland China documentary films and scholars in this festival and symposium. CTFAL Chi

Wang, Weici. ࣼ໓፦. Ji lu yu tan suo: yu da lu ji lu pian gong zuo zhe de shi ji dui hua. ઔ࠷ӿ෬౱: ӿϽ૔ઔ࠷ә֞ӑ‫ٷ‬ϡԒઔхҧ. Taibei: Yuan liu chu ban shi ye go fen you xian gong si, 2000. 475 p. ISBN 9573240432 Series title: Dian ying guan; 90 Ӈ‫ؙ‬ఖ; 90 Note: Records the dialogue between mainland Chinese and Taiwanese documentary film workers; includes a historical background, describes the current state of documentary filmmaking, provides a forecast of documentary film development, and lists documentary film directors and their works in mainland China. It represents the Taiwan scholarly perspective on the study of mainland China’s documentary film development. It is interesting to see that the independent documentary film development in mainland China, which has been ignored by the mainland Chinese government for quite a long time, is received with great interest in Taiwan CTFAL Chi

0602 Wen, Tianxiang. ࢨϳፖ. Ying mi de di yi tang ke. ‫ؙࣿ‬ϡҷϣஇࠆ. Taibei: You shi wen hua shi ye gu fen you xian gong si, 2003. 211 p. ISBN 9575744322 Series title: Xin High shao nian; 9 ЈHigh վё; 9 Note: A general introduction targeted at young Taiwan film fans. Topics include Taiwan film history (explained as originating in mainland China until 1949, the year the mainland industry moved to Taiwan), Taiwan’s Golden Horse Film Awards, Taiwan’s documentary films, filmmaking, film directors, stars, and film-related resources and organizations in Taiwan. Includes a filmography. CTFAL Chi

0599 Wang, Weici. ࣼ໓፦. Wen hua ji lu pian yan tao hui ji (yi) / Wang Weici bian zhu. ҹ٩ઔ࠷ә୳क़အओ (Დ) / ࣼ໓፦ഹЯ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 1997. 294 p. ISBN 9570095997d Note: The official publication of the First Cultural Heritage Documentary Festival and Symposium in 1996. Includes a map, an introduction to the lecturers, a program, film synopses, records of the panel discussions and papers presented during the symposium, an analysis of the results of a student survey, an evaluation, and a conclusion. CTFAL Chi

0603 0600

Xiao, Juzhen (Hsiao, Chu-chen), 1972– ᖆᏕᢾ, 1972– Yin zhuan zi: zhoug jiu, wo de hui tou kan zi ji = Grandma’s Hairpin. ુ⍪ж: ‫ૢٽ‬, ϢЏҘӰЃІѝ = Grandma’s Hairpin. Taibei: Shi bao wen hua chu ban qi ye go fen you xian gong si, 2001. 254 p.

Wang, Weici. ࣼ໓፦. Wen hua ji lu pian yan tao hui ji (er) / Wang Weici bian zhu. ҹ٩ઔ࠷ә୳क़အओ (ᾄ) / ࣼ໓፦ഹЯ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 1998. 367 p.

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Specific Film Genres

0604 ISBN Note:

9571334782 The director’s account of making her documentary film: Grandma’s Hairpin (2000) about her father, a veteran in Taiwan, containing stories about filmmaking and the author’s family. NTUL Chi

0607 Zhen shi yu zai xian: Ji lu pian mei xue guo ji xue shu yan tao jui lun wen ji = Representing reality: International Conference on documentary aesthetics. ѐӢӿӐѳ: ઔ࠷әѤѹлগѹफ୳क़Ͼ‫ں‬ҹओ = Representing reality: International Conference on documentary aesthetics. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 2002. 217 p. Note: Conference proceedings and program of the 2002 Taiwan International Documentary Festival, which consisted of an exhibition of films and a conference. This document includes the conference program and papers presented by two foreign scholars and nine Taiwan scholars. The program is in both Chinese and English; the papers are in their original languages, but every Chinese paper has an English abstract. CTFAL Chi Eng

0604 Xing zheng yuan wen hua jian she wei yuan hui wei tuo ban li ji lu pian zhi zuo ren da lu fang wen tuan cheng guo bao gao / Wang Weici, Li Daoming, Li Guizhi deng. Ҳूࡨҹ٩ࠃ‫ޗ‬ణ‫؂‬Ͼణኅ‫ދ‬ԑઔ࠷ә३ӑϪϽ૔භ՛ࣗюҝ‫ڻ‬ ‫ ݍ‬/ ࣼ໓፦, ଽѬҴ, ଽᄉᆙҳ. Taibei: Guo jia dian ying zi liao guan, 1998. Various paginations. Note: Internal reports of the Taiwan Documentary Film Producer Delegation’s visit to mainland China on May 27–June 7, 1998. Includes impressions and experiences of documentary film production in mainland China as well as a comparison of Taiwan and mainland China’s documentary film production. CTFAL Chi

0608 Zheng, Guijin. ቼਰѵ. Muzhi Longyao de Pingpu zu qun ji lu pian zhi quan shi feng ge yu zai xian zheng shi. ަብ.ᑹ⮡ϡ‫כ‬ᰎఓळઔ࠷әҏ᙮ౠգ۴ӿӐѳू੽. 239 p. Note: Thesis (M.A.)—Tainan National University of the Arts, 2004. The author uses theories of documentary aesthetics and postcolonialism to analyze and study the contents of director Muzhi Longyao’s six documentaries about the Pingpu aboriginal people. The thesis shows how the director returns ownership of interpretation to the Pingpu people, enabling a reestablishment of ethnicity and self-recognition. Includes a bibliography. NTUL Chi

0605 You zheng—yu du bing cun / Ce hua Cai Chonglong; Zhu zuo Chen Zhaoru, Zhou Fumei. ‫ܟ‬ೋ—ӿఽ࢚ࡖ / ೫੿ᓥྕᇐ; Яӑ಴ᢘҒ, ‫ࣥر‬Ѥ. Taibei: Tong xi wen hua chu ban gong zuo shi, 2008. 83 p. Note: A special publication about the documentary film dealing with the Taizhong chemical (PCBs) pollution case in 1979. Appendix includes the similar pollution cases in Japan and Vietnam. CTFAL Chi

0606 “Zai jian, Taiwan ji qing nian dai” zhuan an jie an bao gao shu / Ji hua zhu chi ren: Gu Biling, Li Yongquan; Zhuan an zhi xing ren: Qiu Chuida, Guo Shufeng. “ӐԊ, ‫ݡ‬ஹࢫєё‫֟ ”ڊ‬ଈְଈ‫ ڣݍڻ‬/ ‫੿ذ‬Ұ‫ف‬Ϫ: ࣲካጘ, ଽ ᄈ໩; ֟ଈవҲϪ: ᆥᎾܺ, ᔕ‫ڣ‬ང. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 2003. 299 p. Note: A report of the government-sponsored study of Taiwan Social Movement Documentary Films during the 1980s and 1990s. Topics include the May 20 incident, environmental protection, women’s rights, student movements, and other social, political, and cultural issues. Includes interviews with thirteen documentary film directors, records of the Social Movement Documentary Film Preservation project, and a filmography of preserved Social Movement documentary films. CTFAL Chi

3.9

ETHNOGRAPHIC FILMS

0609 2005 Taiwan guo ji min zu zhi ying zhan: jia de bian zou = Taiwan international ethnographic film festival ; Family Variations / Taiwan min zu zhi ying xiang xue hui zhu ban; Zhong yang yan jiu yuan min zu xue yan jiu suo deng xie ban. 2005 ‫ݡ‬ஹлগ‫ھ‬ఓ௨‫ ࣁؙ‬: рϡԺᄊ = Taiwan international ethnographic film festival ; Family Variations / ཅஹ‫ھ‬ఓ௨‫ؙ‬ՌѹϾҰ ‫ ; ދ‬Ѕ႑୳ૢࡨ‫ھ‬ఓѹ୳ૢӛѕ‫׉‬ఖҳ൒‫ދ‬. Taibei: Taiwan min zu zhi ying xiang xue hui, [2005] 167 p. Note: This bilingual (Chinese and English) work was published for the Second Taiwan International Ethnographic Film Festival: Family Variations, in 2005. Includes festival program and an introduction to the presented films. NTUL Chi Eng

112

Homosexual, Gay, and Lesbian Films

0613

0610

0611a

Shi lian yu chong sheng: 2011 Taiwan guo ji min zu zhi ying zhan te kan = Suffering and rebirth : Taiwan international ethnographic film festival / [Taiwan min zu zhi ying xiang xue hui zhu ban]; Zhong yang yan jiu yuan min zu xue yan jiu suo deng xie ban. ՅᐱӿԳТ : 2011‫ݡ‬ஹлগ‫ھ‬ఓ௨‫ئࣁؙ‬ᑂ = Suffering and rebirth : Taiwan international ethnographic film festival / [ཅஹ‫ھ‬ఓ ௨‫ؙ‬ՌѹϾҰ‫ ; ]ދ‬Ѕ႑୳ૢࡨ‫ھ‬ఓѹ୳ૢӛҳ൒‫ދ‬. Taibei: Taiwan min zu zhi ying xiang xue hui, 2011. 127 p. Note: This bilingual (Chinese and English) work was published for the Sixth Taiwan International Ethnographic Film Festival: Suffering and Rebirth, 2011. Includes festival program and an introduction to the presented films. NTUL Chi Eng

Taiwan guo ji min zu zhi ying zhan: 2003 qian xi de gu shi = Taiwan International Ethnographic Film Festival: Migration story / Taiwan min zu zhi ying xiang xue hui zhu ban. ‫ݡ‬ஹлগ‫ھ‬ఓ௨‫ࣁؙ‬: 2003ቜ⃼ϡ‫ݞ‬Ѩ = Taiwan International Ethnographic Film Festival: Migration story / ‫ݡ‬ஹ‫ھ‬ఓ௨‫ؙ‬ՌѹϾ Ұ‫ދ‬. Taibei: Taiwan min zu zhi ying xiang xue hui, 2003. 98 p. Note: This bilingual (Chinese and English) work was published for the second Taiwan International Ethnographic Film Festival: 2003 Migration Story, hosted by the Taiwan Association of Visual Ethnography in 2003. Includes four parts: Retrospective, Migration Story-Beyond Island, Migration Story-Taiwan, and New Vision. Each part contains an Introduction, Synopsis, and Filmography. Seven ethnographic films made in Taiwan are introduced in Migration Story-Taiwan: E.T. Yue qiu xue yuan = Experimental Taiwanese moon academy / Wu Misen (Wu, Mi-sen) / 2003, Xiang yao you ge jia-cheng shi bian yuan bu luo = Dreaming of home-Marginal tribe of the city / Cao Wenjie (Tsao, Wen-chieh) / 1997, Wo de Qiannawei = My imported wife / Cai Conglong (Tsai, Tsung-lung) / 2003, Bei jing li xiang qu da gong = Shattered dreams / Li Daoming (Lee, Daw-ming) / 2003, Kan shan de ren-Xiongjiao keng zhi ge = Mountain keepers-Song of Chong Giao Keng / Chen Rongxian (Chen, Rong-shien) / 1999, Lai qu Dachen = Come and go, Island of Tachen / Mayao Bihong (Mayaw Biho) / 2002, and Xian dao 184 zhi dong-Jiao gong yue dui Yanlou chang ge = County Road 184 / He Zhaoti (Ho, Choa-ti) / 2001. NCL Chi Eng

0611 Taiwan guo ji min zu zhi ying zhan: 2001 dao yu lian xian = Taiwan International Ethnographic Film Festival: 2001 Island Odyssey / Zhu ban dan wei Taiwan min zu zhi ying xiang xue hui. ‫ݡ‬ஹлগ‫ھ‬ఓ௨‫ࣁؙ‬: 2001ޯᓊ‫ۀ‬۷ = Taiwan International Ethnographic Film Festival: 2001 Island Odyssey / Ұ‫ݡ֧؁ދ‬ஹ‫ھ‬ఓ ௨‫ؙ‬ՌѹϾ. Taibei: Taiwan min zu zhi ying xiang xue hui, 2001. 103 p. Note: This bilingual (Chinese and English) work was published for the premier Taiwan International Ethnographic Film Festival: 2001 Island Odyssey, hosted by the Taiwan Association of Visual Ethnography in 2001. Includes five parts: Retrospective, Orchid Island in Focus, Island Odyssey-International, Island Odyssey-Domestic, and New Vision. Each part contains an Introduction, Synopsis, and Filmography. Eleven ethnographic films made in Taiwan are introduced in the book, the following five are about Orchid Island under “Orchid Island in Focus”: Lanyu guan dian = Voices of Orchid Island / Hu Taili (Hu Tai-Li) / 1993, Xia wu fan de cai = Dishes of an afternoon meal / Huang Qimao (Huang Chi-Mao) / 1996, Fei yu ji = Rayon / Lin Jianxiang (Lin JianChiang) / 1997, Qingwen bu zai jia = Libangbang: Ching-Wen’s not home / Guo Zhendi (Kuo Chen-Ti) / 2000, Mian dui e ling = And deliver us from evil / Zhang Shulan (Si-Manirei) / 2001. The following six are about the Taiwan Island under “Island Odyssey-Domestic”: Tian di ping an = Heavenly peace in small town / Cao Wenjie (Tsao Wen-Chieh) / 2001, Liang an di er chun = The second spring of the strait / Dong Zhengliang (Dong Cheng-Liang) / 2000, Mo dai tou mu = The last chieftain / Li Daoming (Lee Daw-Ming) / 1999, Guan jun zhi hou = After championship / Cao Wenzhen (Tsao Wen-Chen) / 2000, Wang yi Qiuyan = She sometimes a god / Jiang Meiru (Chiang Mei-ju) / 1999, and Chang zhong wu chun qiu: Taiwan bu dai xi = Theater in the palm of your-glove puppetry in Taiwan / Yu Kanping (Yu Kan-ping) / 2001. NTUL Chi Eng

3.10

HOMOSEXUAL, GAY,

AND

LESBIAN FILMS

0612 2005 nu tong zhi de sheng xia pai dui Yazhou La Zi ying zhan = Asian Lesbian Film and Video Festival / Taiwan xing bie ren quan xie hui. 2005 ѽӎ࢑ϡഄॼ൨хਐರࠁж‫ = ࣁؙ‬Asian Lesbian Film and Video Festival / ‫ݡ‬ஹԛԇϪ੸൒Ͼ. [Taibei: Taiwan xing bie ren quan xie hui, 2005] [110 p.] Note: Program from the First Asian Lesbian Film and Video Festival held in Taipei, Taiwan in 2005, including the Taiwanese lesbian films shown during the festival. WorldCat Chi Eng

0613 Chen, Pei-ching. Women’s studies and women’s movement in Taiwan and Lesbianism in mainstream cinema. 101 leaves. Note: Thesis (M.A.)—Simon Fraser University, 2006. Points out the characteristics of lesbian representation in Taiwan mainstream cinema from the 1960s to the

113

Specific Film Genres

0614 2000s, including the elimination of lesbian sexuality in film version of lesbian novels, alterations of story endings, depictions of character relations, and the portrayal of butch lesbians. Includes a bibliography. WorldCat (FT) Eng

0616a Lim, Song Hwee. Celluloid comrades: representations of male homosexuality in contemporary Chinese cinemas. Honolulu: University of Hawaii Press, 2006. 272 p. ISBN 9780824830779 (hbk.), 9780824829094 (pbk.) Note: “Tracing the engendering conditions within the film industries of China, Taiwan, and Hong Kong, Song Hwee Lim argues that the emergence of Chinese cinemas in the international scene since the 1980s created a public sphere in which representations of marginal sexualities could flourish in its interstices. Examining the politics of representation in the age of multiculturalism through debates about the films, Lim calls for a rethinking of the limits and hegemony of gay liberationist discourse prevalent in current scholarship and film criticism” (abstract). WorldCat Eng

0614 Chen, Yin-chin. Spider lilies: Taiwanese tongzhi aesthetic, female same-sex desires, and the critique of modernization. 56 leaves. Note: Thesis (M.A.)—University of Oregon, 2009. Using Spider lilies (2007), a Taiwanese lesbian drama film directed by Zero Chou (Zhou Meiling), as the primary object of inquiry, the author explores the aesthetic, social, and sexual meaning of Taiwanese lesbian films with the backdrop of modernization. Includes a bibliography. WorldCat Eng

0617 0615

Lin, Jiayi (Lin, Chia-Yi). ৆૟჆. Qing chun xi lie—cong lei xing guan dian kan 2002–2008 Taiwan tong zhi dian ying = Young line—a genre analysis of 2002–2008 Taiwan gay and lesbian movies. ‫—࠶ڍࡇݙ‬ԩढࡿ޲ѡЃ2002–2008 ‫ݡ‬ஹӎ࢑Ӈ‫ = ؙ‬Young line—a genre analysis of 2002–2008 Taiwan gay and lesbian movies. 131 leaves. Note: Thesis (M.A.)—Taiwan Chengchi University, 2009. A genre study of a series of Taiwan gay films; explores their characteristics, development, culture, and other contextual factors. Concludes that the “Young Line” series is inspired by the concepts and techniques of foreign films, but at the same time, the series inherits the core traditional themes of local films of the same genre; thus, the series achieves a particular inclusive style. This genre of film arrived while Taiwan’s film industry was at a low ebb. The success of this series reveals a grassroots force that is leading the rebound of the Taiwan film industry. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

Li, Zhiqiang, 1966– ଽ࢑ᨋ, 1966– Dian shi dian ying, ou xiang ju = TV-film, trendy drama; yan guang si she ge wu tuan: yi bu dian ying de wan cheng = Drag queen: from dream to film. Ӈ؆Ӈ‫ؙ‬, ઢՌঁ = TV-film, trendy drama; ᇗ‫ףׇ‬थ‫ܮ‬ଢࣗ: ϣ‫ח‬ Ӈ‫ؙ‬ϡԟю = Drag queen: from dream to film. Xindian, Taibei Xian: Yuan zhu wen hua shi ye you xian gong si, 2004. [187 p.] ISBN 9867630467, 9789867630469 Note: Divided into two parts: Part 1: History of Taiwan’s TV-Film and Trendy Drama Production; and Part 2: Detailed and Daily Descriptions of making the TVFilm: Yan guang si she ge wu tuan / Splendid Float (2004), a drag queen film. Includes photos, stills, posters, chronology, filmography, and interviews with the director and cinematographer. WorldCat Chi

0616 Li, Youxin. ଽෂЈ. Nan tong xing lian dian ying . . . ԲӎԛߧӇ‫ ؙ‬. . . Taibei: Zhi wen chu ban she, 1993. 462 p. ISBN 9575455576 Series title: Xin chao wen ku; 361 Ј଎ҹᆞ; 361 Note: A collection of film reviews on gay films, including Taiwan and Hong Kong movies. Part XII: Prose, and Part XIII: Academic Essays, present articles and essays by other Taiwan film critics and scholars dealing with the topic of gay films. NTUL Chi

0618 Lu, Zhenglin (Lu, Cheng-lin). ᧛ूᷖ. Taiwan xiao cheng ben dian ying de sheng cun zhi dao—yi “Shi qi sui de tian kong,” “Sheng xia guang nian” he “Ci qing” deng san bu tong zhi ti cai dian ying wei li. ‫ݡ‬ஹЩюӆӇ‫ؙ‬ϡТࡖҏѬ—й “֐ࢳ‫ۈ‬ϡϳ‫׺‬,” “ഄॼ‫ׇ‬ё” ф “଱‫ ”ݙ‬ҳѧ‫ח‬ӎ࢑֤୰Ӈ‫ؙ‬Њຎ. 130 leaves. Note: Thesis (M.A.)—National Chung Cheng University, 2008. Using three low-budget but successful gay movies as examples, and by studying their production methods,

114

Homosexual, Gay, and Lesbian Films

0623 Ԣߞҏೆ / Բߞҏ‫ؙ‬: ‫ں‬ଽԥӇ‫ؙ‬ЅԲԛ࣏ࢣϡԛ / ԇࣁࠟӿ‫گ‬ ӎࠃภ = Gender performativity and identity construction of male images in Ang Lee’s films. 186 leaves. Note: Thesis (M.A.)—National Tainan Arts University, 2009. This is a gender analysis of male identity in Ang Lee’s films; argues that the representation of men reflects the director’s cultural and educational background of Confucianism. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

subject selection, and marketing strategies, the paper provides four suggestions for rejuvenating the Taiwan film industry in terms of understanding the market size, establishing the director’s reputation, despecifying marketable content, and diversifying the market. Includes a Chinese abstract and bibliography. NCL/NDLTD Chi

0619 Martin, Fran. Backward glances: contemporary Chinese cultures and the female homoerotic imaginary. Durham, NC; London, England: Duke University Press, 2010. 290 p. ISBN 9780822346685, 9780822346807 Note: A comparative study of female homoeroticism and ways of understanding love between women today in China, Hong Kong, and Taiwan as played out in mainstream Chinese media and literary cultures, including films, novels, and television. Includes an appendix, notes, a filmography, selected bibliography, and an index. WorldCat Eng

0622 Shao, Qimai. ἗⓱፪. G pian gong chang. G ә֞Ծ. Taibei: Jib en shu fang, 2009. 233 p. ISBN 9789866474026 Series title: Zhi nan zhen xi lie; A014 ‫܋‬Բఴ‫ ;࠶ڍ‬A014 Note: A guide to X-rated gay films, including three chapters: Chapter 1 introduces the most famous actors and a filmography; Chapter 2 introduces the best series, and Chapter 3 discusses remaking classic films. All the movies are produced in Europe, Japan, and United States. The book cover carries an “18 and older” marking. CTFAL Chi

0620 Martin, Fran. Situating sexualities: queer representation in Taiwanese fiction, film, and public culture. Hong Kong: Hong Kong University Press, 2003. 358 p. ISBN 9622096190, 9789622096196 Note: An important work on queer representation in Taiwanese fiction, film, and public culture. Martin writes that culture does not remain constant and unchanged; rather, cultures are transformed and modified as cultural products travel between and across cultural landscapes. For example, Martin describes an archeology of terms that have been used to describe homosexuality in Taiwan, such as tongxinglian and tongzhi, terms that lead one to recognize that in an analysis of cultural exchange, local ideas of gender and sexual specificity trump generalizations if the cultural theorist “attends to the historical specificities of local context and is sensitive to the ways in which locality today is always itself marked by translocal interaction” (p. 37). Moreover, the generalizations one encounters when considering polarizing characterizations such as “Chinese vs. Western” do not withstand careful examination when considering specific gender issues in Taiwan (p. 42). Includes a bibliography and an index. WorldCat Eng

0623 Suen, Pak-kin. Filming gay representations: male homosexuality in Hong Kong and Taiwanese cinema. 147 leaves. Note: Thesis (M. Phil.)—University of Hong Kong, 2001. Although same-sex relationships have been decriminalized in Hong Kong and Taiwan, the issue of male homosexuality is still controversial. This paper discusses the relationship between the meaning of homosexuality in Chinese society and its significance in Hong Kong and Taiwan gay films. The table of contents in the paper provides an overview of the study, as follows: Chapter 1: Situating Homosexuality and Film in Chinese Contexts; Chapter 2: City Nomads: Heteropia, Homosexuality and the Urban Space of Hong Kong and Taipei; Chapter 3: Homosociality or Homosexuality? Male Bonding and the Unspeakable Desire; Chapter 4: Does “Homosexuality” Exist? The Construction of Homosexuality in Hong Kong Cinema; and Chapter 5: Gay People as Ghostly Figures: The Allegorical Representation of Male Homosexuality. Includes a bibliography. HKUSH (FT) Eng

0621 Ping, Liewei (Ping, Lieh-wei) ‫૆כ‬໖. Nan yan zhi yin / Nan yan zhi ying: lun Li An dian ying zhong nan xing xing xiang de xing / bie zhan yan yu ren tong jian gou = Gender performativity and identity construction of male images in Ang Lee’s films.

115

Specific Film Genres

0624 3.11

0624 Tam, Siu-yan Xavier. Between penumbrae and shadow: contextualizing transnational queer Chinese cinemas. 144 leaves. Note: Thesis (M. Phil.)—University of Hong Kong, 2010. A study on transnational queer Chinese cinemas, mainly gay and lesbian films, from Taiwan, Hong Kong, and mainland China. Includes a filmography and bibliography. Online full-text access through “The HKU Scholars Hub.” WorldCat Eng

HORROR AND GHOST FILMS

0627 Gui mei ying zhan = Chinese Phantom Film Festival / Ce hua zhi xing dan wei: Taiwan dian ying wen hua xie hui. ૤ຓ‫ = ࣁؙ‬Chinese Phantom Film Festival / ೫੿వҲ‫֧؁‬: ‫ݡ‬ஹ Ӈ‫ؙ‬ҹ٩൒Ͼ. Taibei: Taiwan dian ying wen hua xie hui, 2004. 92 p. Note: A special publication for the Chinese Phantom Film Festival hosted by the Taiwan Film and Culture Association from October 2004 to November 2004 in Taiwan. Includes a special article in memory of Taiwan ghost film director Yao Feng-pan and his filmography; synopses of twenty-eight Chinese phantom films from mainland China, Taiwan, and Hong Kong that represent two time periods: 1937–1987 and 1991–2004; special introductions to Hong Kong film director Xu Anhua’s three phantom films and four films based on the same ghost story directed by different directors; and nine essays by Taiwan and Hong Kong scholars on Chinese phantom films. Includes a limited filmography of Chinese ghost films made from 1956 to 2004 by Wen Tianxiang. CTFAL Chi

0625 Wang, Xuanru (Wang, Xuan-ru). ࣼ២Ғ. “Kua yue tong zhi yu jia ting de hong gou”: tan tao Li An “Duan bei shan” zhong de tong zhi yu jia ting zhi jian de zheng zha = “Family that hurts”: Struggle between family and homosexuality in Ang Lee’s Brokeback Mountain. “ቄքӎ࢑ӿр೛ϡ᜞ཻ”: ෬क़ଽԥ “ऄࠧ‫ ”ځ‬Ѕӎ࢑ӿр೛ҏҼ ϡᄋႹ= “Family that hurts”: Struggle between family and homosexuality in Ang Lee’s Brokeback Mountain. 105 leaves. Note: Thesis (M.A.)—National Chung Cheng University, 2007. Focuses on the struggle between family and homosexuality in Ang Lee’s film Brokeback Mountain (2005). Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Eng

0628 Yao, Fengpan (Yao, Feng-pan), 1932–2004 ᝻ང῟, 1932–2004 Yin hai dao hang. ુ֋࣒Ҳ. Taibei: Jin wen tu shu you xian gong si, 1986. 162 p. Note: The author discusses his career and experience as a filmmaker in Taiwan. Includes a list of the author’s works. WorldCat Chi

0626 Xie, Yiping (Hsieh, Yi-ping) ‫ه‬च‫כ‬. Chuang jian ta men de kong jian: Li An dian ying Duan Bei Shan zhong de kong jian xing yu xing bie ren tong = Constructing a space of their own: spatiality and gendered identification in Ang Liee’s Brokeback Mountain. ࡶࠃјИϡ‫׺‬Ҽ: ଽԥӇ‫ؙ‬ऄࠧ‫ځ‬Ѕϡ‫׺‬Ҽӿԛԇ‫گ‬ӎ = Constructing a space of their own: spatiality and gendered identification in Ang Lee’s Brokeback Mountain. 91 leaves. Note: Thesis (M.A.)—Shih Hsin University, 2009. Investigates the importance and linkage of space and gender based on the cinematic context of Ang Lee’s film Brokeback Mountain (2005). Concludes that the queer love in this particular spatiotemporal portrayal of Brokeback Mountain is both forbidden and under surveillance, and the tension is whether or not to break the taboo or compromise with its reality. Includes a bibliography. NCL/NDLTD Eng

0629 Yao Fengpan de gui mei shi jie / Liu Guanlun kou shu; Yao Zhihua zhuan wen. ᝻ང῟ϡ૤ຓԒ֎ / ฀ഃൔ‫ט‬਎䩮᝻ᆙ‫ܓ‬᫃ҹ. Taibei: He tian ke ji gu fen you xian gong si, 2005. 366 p. ISBN 986816950X Note: A biography of Yao Feng-pan, journalist, film director of ghost films, and founder of the film company: Feng guan ying ye gong si in the 1970s in Taiwan. Written by his daughter and based on oral accounts from his wife, with essays and articles about Yao Feng-pan and his ghost films. Includes a chronology and filmography. CTFAL Chi

116

Independent Films

3.12

0634

INDEPENDENT FILMS

the male body and nature; (5) the film started production before signing the distribution contract; (6) the director raised funds from non-film-related sources; (7) the cast consisted entirely of nonprofessionals; and (8) the film’s distribution and marketing only used an art film model. Includes papers on independent filmmaking, film reviews, interviews, screenplay writer’s diary, an introduction of the eastern mountain tribes’ legendary stories, and synopsis and screenplay of The Man from West Island (1990). CTFAL Chi

0630 Dan dao shuang bu da—yi bu lai zi Jinmen de bai xing dian ying / Ying huo chong ying xiang ti zuo. ‫؁‬Ӌ‫ד‬ϤӋ—ϣ‫ח‬ϰІ‫ؖ‬՞ϡ‫ښ‬࿲Ӈ‫ ؙ‬/ ⁒‫ڮ‬າྱՌՂӑ. Taibei: Wan xiang tu shu go fen you xian gong si, 1995. 193 p. ISBN 9576696321 Series title: Yi shu fang; 7 ਲ‫ ;ࠚڣ‬7 Note: An introduction to the independent film Every Odd Numbered Day (1994), including commentary by the director, producer, and related personnel, as well as interviews and reviews. The film, a mixture of documentary and fiction, describes the residents of Jinmen Island, the location of the last ground battle between Nationalist and Communist troops in 1949, and site of more than twenty years of artillery fire between the two sides. CTFAL Chi

0633 Lan, Shuxuan. ঢ‫⋍ڣ‬. Cong chuan tong zhong du li—fen xi Taiwan ji lu pian nu dao yan de chuang zuo huan jing. ԩ‫ࢃة‬Ѕ‫—߹ݻ‬д໯‫ݡ‬ஹઔ࠷әѽ࣒ࠟϡࡶӑࢰ॒. 123 leaves. Note: Thesis (M.A.)—National Taiwan University, 2005. The paper engages the following question: What is Taiwan’s current independent filmmaking environment for women documentary directors? It then responds from five different angles: education, science and technology, subjects, profession, and family economic situation. Notes that from 1984 to 2004, 130 of the 343 documentary films produced in Taiwan were directed by women. Includes a Filmography of Male and Female Directors 1984–2004 and a bibliography. NTUL Chi

0631 Dong, Zeping (Dong, Tse-ping). ᔇ෹‫כ‬. Xin chuang feng xian shi ye chuang ye cai wu ce lue zhi yan jiu: yi du li zhi pian ren dian ying zhuan an chou zi wei li = The study of entrepreneurial financial strategy in new venture initiating: a case of independent producer in film project fundraising. ЈࡶգঔѨ‫׬ࡶ׬‬੠ࠔ೫ଯҏ୳ૢ: й‫߹ݻ‬३әϪӇ‫ؙ֟‬ଈቺ‫ޞ‬ Њຎ = The study of entrepreneurial financial strategy in new venture initiating: a case of independent producer in film project fundraising. 116 leaves. Note: Thesis (Ph.D.)—National Taiwan University, 2006. Provides financial recommendations for independent film producers. The author has not given full-text access permission in the National Digital Library of Theses and Dissertations hosted by the National Central Library in Taiwan. NTUL Chi

0634 Li, Yunping (Lee, Yun-Ping). ଽ᭲ᙞ. Taiwan du li dian ying zhi pian zhi guan cha—yi Huang Mingchuan dian ying she wei ge an yan jiu = An observation on Taiwan independent film production—A case study of HMC Film Productions. ‫ݡ‬ஹ‫߹ݻ‬Ӈ‫ؙ‬३әҏ޲ൌ—йࢶҴඇӇ‫ؙ‬घЊϫଈ୳ૢ = An observation on Taiwan independent film production—A case study of HMC Film Productions. 170 leaves. Note: Thesis (M.A.)—Chinese Culture University, 1999. During a period of decline in commercial film production in Taiwan, the paper takes three films produced by Huang Mingchuan Film Studio as case studies to explore the spirit, characteristics, and methods of independent film production in Taiwan. Claims that independent film production shows signs for the future direction of Taiwan film production. Includes a Chinese abstract, a bibliography, and an appendix (including Filmography of Huang Mingchuan, 10 Best Box Office Taiwan Domestic Films 1990– 1998, Records of In-Depth Interviews, Award-Winning Taiwan Films from International Film Festivals, and a List of the Domestically Produced Films That Received Government Subsidies). NCL/NDLTD Chi

0632 Du li zhi pian zai Taiwan: “Xi bu lai de ren” / Huang Mingchuan deng zhu. ‫߹ݻ‬३әϨ‫ݡ‬ஹ: “՝‫ח‬ϰϡϪ” / ࢶҴඇҳЯ. Taibei: Qian wei chu ban she, 1990. 200 p. Series title: Xin Taiwan ren cong shu; 22 Ј‫ݡ‬ஹϪᜣ‫ ;ڣ‬22 Note: A work on independent filmmaking in Taiwan and the first such film produced in Taiwan in 1989. The author and the director of the film declare that this film achieved the following firsts in Taiwan film history: (1) the film was made in the Taiwan eastern mountainous tribe area; (2) the film used the local tribe language Taiya in many parts of the film; (3) the film crew was self-organized; (4) the film depicts harmony between

117

Specific Film Genres

0635

Taiwan New Cinema directors, including Edward Yang, Lan Shengchuan, Tsai Ming-liang, Xu Xiaoming, and Wang Tung. Includes a bibliography. CTFAL Chi

0635 Shen hua 3 bu qu: Huang Mingchuan dian ying ji shi = Huang Mingchuan trilogy / Huang Mingchuan dian ying shi xun you xian gong si. ‫ظ‬ҧ3‫ॽח‬: ࢶҴඇӇ‫ؙ֮‬Ѩ = Huang Mingchuan trilogy / ࢶҴඇ Ӈ‫ؙ‬؆ళϩࡳԍ‫ޅ‬. Taibei: Huang Mingchuan dian ying shi xun you xian gong si, 2011. 205 p. ISBN 9789868704701, 9868704707 Note: Reviews of the filmmaking process of independent film director Huang Mingchuan’s famous trilogy: The Man From the Island West (1990), Bodo (1993), and Flat Tire (1998), plus a short film: Wind Within (1999). Includes four DVDs. WorldCat Chi

0638 You, Tingjing. ղᑢ෧. Ning shi yu dui wang: duan ni jiu shi nian dai Taiwan nu xing dian ying yuan mao = To gaze and be gazed at: Rediscovering the true faces of Taiwanese woman-made films in the 1990s. ፝؆ӿхֳ: ઉ❖॰֐ё‫ݡڊ‬ஹѽԛӇ‫֍ؙ‬൯= To gaze and be gazed at: Rediscovering the true faces of Taiwanese woman-made films in the 1990s. Taibei: Xinzhu shi wen hua ju, 2005. 207 p. ISBN 9860042152 Series title: Zhu qian wen hua zi chan cong shu; 281 ኵ∔ҹ٩‫ݗޞ‬ᜣ‫ ;ڣ‬281 Note: Based on the author’s master’s degree thesis, this work reviews Taiwan films (including fiction, documentary, experimental, and animation) directed by women directors in the 1990s. Includes both image analysis and a discussion of film content in terms of aesthetics, auteur theory, and feminist literary theory. Divided into two parts: Part 1 describes women who have directed commercial films since the 1980s and analyzes their films; and Part 2 focuses on independent Taiwan women directors and their films since the 1990s as well as the independent filmmaking environment in Taiwan. The author points out that independent female filmmakers enjoy a greater freedom in the creation than their female colleagues directing commercial films, and that a high percentage of films directed by women are independently produced. Includes a bibliography and an appendix containing a list of female directors who directed commercial films and received government’s subsidies; a list of female directors, each of whom has at least two films entered into women’s film festivals; information about the hosting organizations of Women Make Waves Film Festival; statistical charts of documentary, fiction, animated, and experimental films shown during women’s film festivals, the list of interviewees, and a filmography. NTUL Chi

0636 Xin dian ying zhi si—cong “Yi qie wei ming tian” dao “Bei qing cheng shi” / Mizou, Liang Xinhua bian. ЈӇ‫ؙ‬ҏӚ—ԩ “ϣܷЊҴϳ” Ϻ “঳є‫”صڵ‬/ ࣿҵ, ᅯЈ‫ܓ‬ഹ. Taipei: Tang shan chu ban she, 1991. 236 p. Series title: Zhan zheng ji qi cong kan; 3 ‫ڕ‬ৎҚॆᜣᑂ; 3 Note: A collection of essays critical of Taiwan New Cinema director Hou Hsiao-hsien and his acclaimed film A City of Sadness (1989). Several essays declare that the death of Taiwan New Cinema occurred in 1988 when Hou Hsiao-hsien and other Taiwan New Cinema directors delivered a “Taiwan Film Memoratum” in 1987 and then agreed to make the government policy film Everything for the Events of Tomorrow for Taiwan’s Defense Department in 1988. Most of the film reviews of Hou Hsiao-hsien’s film A City of Sadness (1989) take both a negative view of the director’s portrayal of the February 28 Incident and the film as a whole. Also includes a negative review of Taiwan’s socalled first independently made film, The Man from the Island West (1990). Includes a bibliography. CTFAL Chi

0637 Xin dian ying zhi wai / hou / Mizou, Liang Xinhua bian. ЈӇ‫ؙ‬ҏ֔ / ћ / ࣿҵ, ᅯЈ‫ܓ‬ഹ. Taipei: Tang shan chu ban she, 1994. 240 p. ISBN 9578900090 Series title: Zhan zheng ji qi cong kan; 13 ‫ڕ‬ৎҚॆᜣᑂ; 13 Note: Following in sequence with a work of the same title “Xin dian ying zhi si,” published in 1991, this text analyzes Taiwan cinema movements that occurred concurrently with Taiwan New Cinema, such as the following: Taiwan nonmainstream and alternative media, independent filmmaking, and documentary film movements. Also contains the latest works of the time by

0639 Zhu, Wenjun. ࢇҹᅿ. Mei li shi guang: Zhang Zuoji ji qi du li zhi pian = The best of times / Zuo zhe Zhu Wenjun; she ying Jin Chengcai. Ѥ‫ܡ‬Ж‫ׇ‬: ‫פ‬ӑ┫ߵԷ‫߹ݻ‬३ә = The best of times / ӑ‫ࢇٷ‬ҹᅿ; ଄‫ؙؖ‬ю੠. Taibei: Ying xiang dian ying za zhi she, 2000. 149 p. ISBN 9868045118; 9789868045118

118

Literary Films / Martial Arts and Kung Fu Films

0645

Series title: Dian ying mu hou zhi zuo zhuan ji xi lie Ӈ‫௷ؙ‬ћ३ӑ֟ফ‫࠶ڍ‬ Note: Taking the film: The Best of Times (2001) as a case study, the book focuses on Chang Tso-chi and his independent filmmaking in Taiwan. WorldCat Chi

3.13

0643 Ye, Yueyu (Yeh, Emilie Yueh-yu). ౕ֊ᒶ. Innovation or recycling: Mandarin classics and the return of the wenyi tradition. Hong Kong: David C. Lam Institute for East-West Studies, Hong Kong Baptist University, 2006. 22 p. Series title: Working paper series (David C Lam Institute for East-West Studies); No. 47. Note: A paper presented at Film Style in Question: An International Symposium in Honor of David Bordwell at the University of Wisconsin, Madison, April 21–23, 2005. Discusses the representation of Mandarin literary classics in twenty-first-century Taiwan cinema. Includes a bibliography. WorldCat Eng

LITERARY FILMS

0640 Cai, Guorong. ᓥлึ. Zhongguo jin dai wen yi dian ying yan jiu. Ѕл‫ڊײ‬ҹਲӇ‫ૢ୳ؙ‬. Taibei: Zhonghua Minguo dian ying tu shu guan chu ban bu, 1985. 312 p. Note: Focuses on the so-called literary art film in Taiwan, Hong Kong, and mainland China film history before 1949. Based on the author’s preface, the book includes all Chinese films produced in Taiwan and Hong Kong, and shown publicly in Taipei; note that Taiwan dialect films and films produced by the left-wing film studios in Hong Kong, such as the Great Wall Studio and Phoenix Film Studio, are not included in this list of films shown publicly in Taipei. Provides in-depth studies of the Chinese literary art film, including the definition of Literary Art Film, its early development in mainland China, recent domination by films produced in Hong Kong and Taiwan, the influence of novels and individual film directors, a forecast for the future, and reviews of some of the most representative literary films and directors. Includes bibliography (pp. 310–311). WorldCat Chi

3.14

MARTIAL ARTS AND KUNG FU FILMS

0644 Armanet, François. Ciné kung fu / François et Max Armanet. Paris: Ramsay, 1988. 207 p. ISBN 2859566996 Note: An introduction to the historical development of kung fu films in mainland China, Hong Kong, Taiwan, and the world, as well as King Hu, Bruce Lee, Jackie Chan, and Jet Li. Divided into four parts: Part 1, From Martial Arts to Kung Fu Films; Part 2, Golden Era of Martial Arts Films (1965–1971); Part 3, Prosperous Period of Kung Fu Films (1971–1975); and Part 4, New Wave (1975–1981). Includes a genealogy chart of Shaolin Temple, a bibliography, and an index. WorldCat Fre

0641

0645

Chou, Peggy. Taiwan cinema: fictions, documentaries, animations. Taipei: Department of Motion Picture Affairs, Government Information Office, 2006. 1 v. Note: According to OCLC WorldCat, there is only one copy at the National Taiwan University Library. WorldCat Eng

Chen, Mo. ವၢ. Dao guang xia ying meng tai qi: Zhongguo wu xia dian ying lun. ఋ‫ྤؙྣׇ‬ѿ࡞䩭Ѕмેྣӈ‫ڹؙ‬. Beijing: Zhongguo dian ying chu ban she, 1996. 516 p. ISBN 7106011673, 7106011681 (pbk.) Note: A major work on Chinese martial arts films by mainland Chinese film scholar Chen Mo. According to the author’s postscript, however, the author could access only those martial arts films located in the Chinese Film Archive in Beijing but not those in Hong Kong or the Chinese Taipei Film Archive in Taipei when he was writing the book. Thus, the Hong Kong and Taiwan martial arts film sections in the book cannot be seen as comprehensive. There is no explanation for the interruption of martial arts film development in mainland

0642 Taiwan cinema 2000–2002: short fictions, documentaries, animations, experimentals / Chinese Taipei Film Archive. Taipei: Arthur Lap, 2003. 84 p. Note: An introduction to Taiwan cinema from 2000 to 2002; includes short films, documentaries, animation, and experimental cinema. WorldCat Eng

119

Specific Film Genres

0646 China after 1949. Another missing aspect of the book is the absence of a Chinese martial arts filmography. Includes a bibliography. Duxiu Chi

0648 Dai, Ning. ඕો. Wu xi apian sheng yin gui ze zhi yun yong—Hu Jinquan “Da zui xia” yu Li An “Wo hu cang long” zhi bi jiao. ેཱུә‫੺ٸك‬छҏ‫ػ‬ѓ—ഐ‫ؖ‬⠌ “Ͻ௴ཱུ” ӿଽԥ “၃ഝেह” ҏ ԝࢺ. 130 leaves. Note: Thesis (M.A.)—National Chengchi University, 2005. The paper provides a comparative study of King Hu and Ang Lee’s use of sound in their two most famous martial arts films. Includes a Chinese abstract and a bibliography. NCL/NDLTD Chi

0646 Chen, Mo. ವၢ. Zhongguo wu xia dian ying shi. Ѕмેྣӈ‫ؙ‬੗. Beijing: Zhongguo dian ying chu ban she, 2005. 295 p. ISBN 7106023787 Series title: Bai nian Zhongguo dian ying yan jiu shu xi ‫ښ‬ёЅмӈ‫ڍڪૢ୳ؙ‬ Note: As a comprehensive work on Chinese martial arts film history, this text maintains a fairly objective overview of martial arts film development in mainland China, Hong Kong, Taiwan, and overseas. Relatively speaking, the author’s knowledge of mainland China and Hong Kong martial arts films is more in depth than his assessment of Taiwan martial arts films. It is unfortunate that there is no Chinese martial arts filmography in the book. Includes a bibliography. Duxiu Chi

0649 Guo Nanhong de dian ying shi jie = The world directed by Joseph Kuo / Lin Yuru cai fang zhuan wen, Zheng Deqing zong bian ji. ᔕ۪ᒩϡӇ‫ؙ‬Ԓ֎ = The world directed by Joseph Kuo / ৆ड़Ғ൵ භ᫃ҹ, ቼख़দրഹফ. Gaoxiong: Gaoxiong shi dian ying tu shu guan, 2004. 135 p. ISBN 9570162767 Series title: Gaoxiong shi dian ying tu shu guan dian ying cong shu; 3 ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖӇ‫ؙ‬ᜣ‫ ;ڣ‬3 Note: This text on the famous Taiwanese-dialect and martial arts film director and screenwriter Joseph Kuo consists of the following: Part 1, Mr. Kuo’s achievements in Taiwanese-dialect, Mandarin, and Martial Arts films in Taiwan; Part 2, an interview with Mr. Kuo regarding his film career in Taiwan and Hong Kong; Part 3, synopses of Mr. Kuo’s films; and Part 4, an appendix, which includes a chronology, an exhibit of Mr. Kuo’s donations to the Kaohsiung Film Archive, and a bibliography. NTUL Chi

0647 Chen, Mo. ಴ၢ. Zhongguo wu xia dian ying shi. ЅлેཱུӇ‫ؙ‬੗. Taibei: Feng yun shi dai chu ban gu fen you xian gong si, 2006. 332 p. ISBN 9861462740 Series title: Feng yun dian ying xi lie գࠥӇ‫࠶ڍؙ‬ Note: A comprehensive work on Chinese martial arts film history. Divides the development of Chinese martial arts films into five periods: (1) the first period in Shanghai in the 1920s and 1930s; (2) a shift to Hong Kong in the 1940s and 1950s; (3) Hong Kong, and later in Taiwan, in the 1960s and 1970s; (4) a cooperative period between Hong Kong and mainland China in the 1980s and 1990s; and (5) the trend toward globalization and further cooperation between Hong Kong, Taiwan, and mainland China, using Ang Lee’s film Crouching Tiger, Hidden Dragon (2000) as an example. In the postscript, the author admits that his knowledge of Hong Kong and Taiwan martial arts films, specifically during the mid-1960s to the early 1980s period, is limited and thus apologizes for any missing or oversimplified parts during this section of the book. NTUL Chi

0650 Hino, K䲖ichi, 1929– яఀࣉϣ, 1929– Kunf䲚 doragon daizensh䲚: Bur䲚su R䲒 kara Jakk䲒 Chen / Hino K䲖ichi sekinin hensh䲚. KUNG FU!䬸䭘䬣䭢ϽҪओ : 䭅䭚䴈䬨ί䭙䴈䪼䫺䬧䭒䬲䬜䴈ί 䬰䬖䭢 / яఀࣉϣૻ‫ڗ‬ഹओ. T䲖ky䲖: Haga Shoten, 1980. 183 p. ISBN 4826100760, 9784826100762 Series: Shine arubamu; 76 䬦䬼䬑䭚䬿䭏; 76 Note: An introduction to kung fu and martial arts film actors and actresses in Hong Kong, Taiwan, and mainland China. WorldCat Jpn

120

Literary Films / Martial Arts and Kung Fu Films

0657 96 leaves. Note: Thesis (M.A.)—Shih Hsin University, 2009. The paper focuses on representations of gender identity and performativity in Ang Lee’s film: Crouching Tiger, Hidden Dragon (2000). Includes a bibliography. NCL/NDLTD Eng

0651 Hu Jinquan de yi shu shi jia / Liang Bingjun deng zuo. ഐ‫ؖ‬⠌ϡਲफԒ֎ / ᅯ᳉ῢҳӑ. Taibei: Yue sheng wen hua shi ye you xian gong si, 2007. 184 p. ISBN 9576307294 Series title: Taibei Jin Ma ying zhan cong shu, 2007; 2 ‫ࣁؙެؖܚݡ‬ᜣ‫ڣ‬, 2007; 2 Note: A special collection of essays focusing on the aesthetic and artistic perspectives of King Hu’s martial art films and style. Includes a King Hu chronology compiled by the Chinese Taipei Film Archive. NTUL Chi

0655 Jia, Leilei. ᯉᲁᲁ. Wu zhi wu: Zhongguo wu xia dian ying de xing tai yu shen hun. ેҏଢ䩭Ѕмેྣӈ‫ؙ‬ϡ࣏‫ݮ‬ԁ‫ظ‬ฆ. Zhengzhou: Henan ren min chu ban she, 1998. 265 p. ISBN 721504243X Series title: Yu le wen hua yan jiu cong shu ษӂҹ٩୳ૢᜥ‫ڪ‬ Note: An early attempt by the mainland China scholar to explore common themes within martial arts films produced in mainland China, Hong Kong, and Taiwan. The book, however, cannot be viewed as a serious academic work because the author did not have direct access to resources in Taiwan, such as the resources at the Chinese Taipei Film Archive, and thus did not attain a sufficient quantity of reliable primary sources to support his assertions. Includes a filmography of the famous Chinese martial arts figure Huang Feihong (Wong Fei-Hung) from 1949 to 1994, but there is no bibliography. WorldCat Chi

0652 Hu Jinquan dian ying chuan qi / Hu Weiyao, Liang Bingjun zhu bian. ഐ‫ؖ‬⠌Ӈ‫ ࡞ةؙ‬/ ഐ‫⁢ۆ‬, ᅯ᳉ῢҰഹ. Xianggang: Ming bao chu ban she, 2008. 265 p. ISBN 9789628959983 Series title: Ren wu xi lie Ϫ‫࠶ڍ׉‬ Note: A commemorative work of King Hu. Consists of biographical works, articles in memory of King Hu, and essays on Hu and his films. Includes a bibliography of Hu’s personal writings, a filmography, and a bibliography of Hu and his films. CTFAL Chi

0653 Huang, Ren, 1925– ࢶწ, 1925– Hu Jinquan de shi jie. ഐ‫ؖ‬⠌ϡԒ֎. Taibei: Yan Tai tu shu chu ban she, 1999. 349 p. ISBN 9578264178 (pbk.), 9789578264175 (pbk.) Series title: Taiwan dian ying yan jiu cong shu; 3 ‫ݡ‬ஹӇ‫ؙ‬傘ૢᜣ‫ ;ڣ‬3 Note: Not only a comprehensive biography of King Hu, but also a collection of academic essays of Hu’s martial art films by different authors and memoirs from his exwife, students, and friends. Includes a bibliography, a chronology, manuscripts, incomplete works, photos, film stills, and posters. WorldCat Chi

0656 Jia, Leilei. ᯉᲁᲁ. Zhongguo wu xia dian ying shi. Ѕмેྣӈ‫ؙ‬੗. Beijing: Wen hua yi shu chu ban she, 2005. 391 p. ISBN 7503926392 Series title: Dian ying cong shu ӈ‫ؙ‬ᜥ‫ڪ‬ Note: A Chinese martial arts film history. The author provides a detailed chronology of Chinese martial arts films as the genre moved through mainland China, Hong Kong, Taiwan, and overseas. The author, however, does not provide a convincing reason for the abrupt interruption of martial arts film development in mainland China after 1949. Includes interviews with contemporary Chinese martial arts film directors and actors. Includes a bibliography. Duxiu Chi

0654 Huang, Yujie (Huang, Yu-Chieh). ࢶఛီ. Wu xia / Nu xia: Li An Wo Hu Cang Long zhong xing bie pan yan de dian fu = Wuxias / Nuxias: the subversion of gender performativity in Ang Lee’s Crouching Tiger, Hidden Dragon. ેཱུ / ѽཱུ: ଽԥ၃ഝেहЅԛԇၣࠟϡኩ࿡ = Wuxias / Nuxias: the subversion of gender performativity in Ang Lee’s Crouching Tiger, Hidden Dragon.

0657 Mintz, Marilyn D., 1950– The martial arts film. South Brunswick, [NJ] : A. S. Barnes & Co., Inc., 1978. 243 p.

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Specific Film Genres

0658 ISBN Note:

0498017753 A book on worldwide martial arts film production, including Chinese kung fu, James Bond, and Japanese samurai movies, with a focus on Bruce Lee and Japanese samurai movies. Martial arts films directed by King Hu and produced in both Hong Kang and Taiwan are discussed in the book. Includes a selected filmography (Chinese and Japanese), bibliography, and index. WorldCat Eng

all non-English films, and the names of Chinese cast members are often romanized in nonstandard ways. For example, famous Chinese martial arts film star Jet Li is presented as “Li Lianjie,” which is the standard Pinyin romanization system of his name, or “Li Lienchieh,” his name in the standard Wade-Giles romanization system. In this work, however, Jet Li’s name is “Li Lin-jei.” Jet Li’s popular, non-standard English name, “Jat Lee,” is provided in the aliases section. Includes bibliographical references (p. 417), aliases, and a name index. WorldCat Eng

0658 Ngo, Nightingale. Girl power : Chinese women warriors in swordplay films. 98 leaves. Note: Thesis (M.A.)—University of Miami, 2002. Describes female character–centered Chinese martial arts films, specifically, the key films of two of the foremost actresses Chang Pei-pei and Michelle Yeoh, who rose to stardom in Hong Kong in the 1960s and 1980s, respectively. Concludes with an in-depth analysis of the most recent (at the time) and famous kung fu film: Crouching Tiger, Hidden Dragon (2000) directed by Ang Lee and featuring by both actresses. Includes a bibliography and a filmography. WorldCat Eng

0661 Szeto, Kin-Yan. The martial arts cinema of the Chinese diaspora: Ang Lee, John Woo, and Jackie Chan in Hollywood. Carbondale: Southern Illinois University Press, 2011. 171 p. ISBN 9780809330218 (pbk.; alk. paper), 0809330210 (pbk.; alk. paper), 9780809386208 (ebk.), 0809386208 (ebk.) Note: A work on Ang Lee, John Woo, Jackie Chan, and their martial arts film careers in Hollywood. WorldCat Eng

0662 Teo, Stephen. Fight and flight: the Wuxia film in Chinese cinema: Ph.D. thesis. 261 p. Note: Thesis (Ph.D.)—RMIT University, 2002. Studies wuxia and martial arts films produced in Hong Kong, Taiwan, and mainland China from historical and critical perspectives. Includes a bibliography. WorldCat Eng

0659 Ni, Jun. ᫻Ằ. Pang luo de jiang hu: Zhongguo wu xia dian ying de li shi yu shen mei. ೨޻ϡ࢖઀䩭Ѕмેྣӈ‫ؙ‬ϡࣄ੗ԁᅮѤ. Beijing: Zhongguo you yi chu ban gong si, 2008. 210. ISBN 9787505724457 Note: A general introduction to Chinese martial arts film history and its aesthetic meanings. Although the author mentions Taiwan martial arts films, his limited knowledge of, and access to, Taiwan martial arts films is apparent. Includes a filmography and bibliography. Duxiu Chi

0663 Zhang, Li. ‫צ‬Ҩ. Gong fu pian de mi mi: dong zuo dao yan yi shu = The secret of Kong Fu movie: the arts of action directors. ‫ۋ‬ਜ਼әϡ੶઼䩭҃ӑࣔࠟ਴भ = The secret of Kong Fu movie: the arts of action director. Qingdao: Qingdao chu ban she, 2009. 386 p. ISBN 9787543653900 Note: A work on the art of Chinese martial arts film developed in mainland China, Hong Kong, and Taiwan. Covers multiple aspects, such as special effects, martial arts training, directing skills, equipment, and acting. Pays primary attention to Hong Kong martial arts film directors and actors. Includes a bibliography and the nominees for best action design in martial arts films for Hong Kong Film Awards and Golden Horse Awards in Taiwan. WorldCat Chi

0660 Palmer, Bill, 1947– The encyclopedia of martial arts movies / Bill Palmer, Karen Palmer, and Ric Meyers. Metuchen, NJ: Scarecrow Press, 1995. 465 p. ISBN 0810830272 (acid-free paper) Note: Provides 3,281 entries on martial arts films produced mainly in Hong Kong, Taiwan, Japan, the United States, and China with film information, including the title, cast, director, producer, film studio, runtime, and availability. The major problems with the text are as follows: only English translations are used for

122

Opera and Drama Films

3.15

0668

OPERA AND DRAMA FILMS

structural(ist), transhistorical accounts of the poetics and aesthetics of Chinese film as an integral part of world cinema” (p. 15). Interesting studies include the essay by Mary Farquhar and Chris Berry: “Shadow Opera: Toward a New Archaeology of the Chinese Cinema,” which states :“If civilized plays are cinema’s stepmother, then opera is the mother in terms of first film productions, whether on the mainland (1905) or in Hong Kong (1909). Opera films were also the first productions in major regional language films, Cantonese (1933) and Taiwanese (1954)” (p. 51). Other Taiwan film or related comparative film studies essays include Meiling Wu’s “Postsadness Taiwan New Cinema: Eat, Drink, Everyman, Everywoman,” Emilie Yuehyu Yeh’s “Poetics and Politics of Hou Hsiao-hsien’s Films,” Sheldon H. Lu’s “Crouching Tiger, Hidden Dragon, Bounding Angeles: Hollywood, Taiwan, Hong Kong, and Transnational Cinema,” Darrell W. Davis’s “Borrowing Postcolonial: Wu Nien-chen’s Dou-san and the Memory Mine,” and Shao-ying Shen’s “Locating Feminine Writing in Taiwan Cinema: A Study of Yang Hui-shan’s Body and Sylvia Chang’s Siao Yu.” Includes filmography, Chinese glossary, bibliography, notes on contributors, and an index. WorldCat Eng

0664 Bai, Xianyong, 1937– Ձ܏ର, 1937– You yuan jing meng. ղࡪइٓ. Guangzhou: Hua cheng chu ben she, 2000. 410 p. ISBN 7536031335 Series title: Bai Xianyong wen ji: di wu juan: xi ju, dian ying Ձ܏ରҹओ䩭ҷٚඵ䩭ۜঃ䩟ӈ‫ؙ‬ Note: A collection of essays by Bai Xianyong on opera films. Duxiu Chi

0665 Chen, Weizhi (Chen, Edwin W.) ಴⤇޺. Wo ai Huangmei diao: si zhu Zhongguo gu dian yin xiang—Gang Tai Huangmei diao dian ying chu tan. ϢДࢶႰ݇: ࡉኵЅлࣲਹ୅ࢣ—୯‫ࢶݡ‬Ⴐ݇Ӈ‫ؙ‬२෬. Taibei: Mu cun tu shu you xian gong si, 2005. 224 p. ISBN 9867533372 Note: Beginning in the late 1950s, for more than ten years Huangmei opera films produced by Hong Kong and Taiwan film studios were successful in the Chinese film markets of Hong Kong, Taiwan, and Southeast Asia. This special phenomenon is studied in this book, which describes the origins of Huangmei opera, the definition of a Huangmei opera film, the development of the Huangmei opera film in Hong Kong and Taiwan During the Pre-Classical (1958–1959), First Experimental (1959–1962), First Classical (1962–1963), Second Experimental (1963–1964), Second Classical (1965–1966), Decline (1967–1969), and Golden Era of Taiwan Huangmei Opera Film (1960s) periods, and an Epilogue of the Huangmei Opera Film (early 1980s) in ten chapters. Includes a filmography of Huangmei Opera Film from 1958–1982. WorldCat Chi

0667 Du, Yunzhi, 1923– ᖯࠥҏ䩟1923– Zhongguo de dian ying. ЅлϡӇ‫ؙ‬. Taibei: Huang guan chu ban she, 1978. 266 p. Note: A collection of essays on Chinese film history, focusing mainly on Taiwan and Hong Kong film history. The most interesting and important essays in the book include the following topics: the relationship between ROC’s leader Chiang Kai-shek and film production, the history of Chinese documentary and news film development, the relationship between Chinese film and Peking opera, a review of the Taiwan film industry, an analysis of the psychology of film audiences, martial arts film and martial arts–magic spirit films (wuxia shenguai pian), a fifty-year history of the Shao family’s involvement in Chinese film production, and an account of female movie stars and female spies in the real world. Includes film stills, posters, and photos, a list of 100 important Chinese films, and a chronology of Chinese film history (1896–1978), but there is no bibliographical information or index. WorldCat Chi

0666 Chinese-language film: historiography, poetics, politics / edited by Sheldon H. Lu and Emilie Yueh-yu Yeh. Honolulu: University of Hawai’i Press, 2005. 413 p. ISBN 0824828135 (alk. paper), 9780824828691 (pbk.; alk. paper), 0824828690 (pbk.; alk. paper) Note: This edited volume “covers the cinematic traditions of mainland China, Taiwan, Hong Kong, and the Chinese diaspora from the beginning of Chinese film history to the present moment” (p. 2). Part I. Historiography, Periodization, Trends includes articles that either address Chinese film history broadly or different significant movements within Chinese cinema; Part II. Poetics, Directors, Styles provides “lucid, synchronic,

0668 Huang, Xiuru. ࢶഫҒ. Tai yu pian de xing shuai qi luo. ‫ܭݡ‬әϡࣱᆽв޻. 124 leaves.

123

Specific Film Genres

0669 Note:

Thesis (M.A.)—National Taiwan University, 1991. An exploration of the rise and fall of Taiwanese-dialect cinema from 1955 to 1981. Describes the economic conditions and competition of Taiwanese-dialect films, and government film policies. In conclusion, the paper states that the following reasons lead to the eventual downturn of Taiwanese-dialect cinema: (1) Initially local filmmakers in Taiwan started to produce Taiwanese-dialect films due to a weak market of Mandarin films and stimulation of popular Xiamendialect films; (2) the quality of early Taiwanese-dialect films was poor and did not improve over time, even after its initial popular period, due to limited resources; (3) Taiwanese-dialect films inevitably lost their share of the market share when the Mandarin film industry emerged and Japanese films were banned; (4) government film policy and officials in Taiwan were always hostile to Taiwanese-dialect films and filmmaking. Includes a Chinese abstract and a bibliography, as well as a Chronology of Domestic Political Affairs, Film Policies and Government-Owned Film Studios, Charts of Mandarin Film-Making and TaiwaneseDialect Filmmaking, Filmography of Mandarin Films 1949–1954, Taiwanese Theatrical Professionals Involved in Taiwanese-Dialect Filmmaking, Lists of Taiwanese-Dialect and Mandarin Films Selected and Received Golden Horse Awards, Production Charts of Mandarin and Taiwanese-dialect Films from 1955– 1974, and Box Office Record of 1965. NTUL Chi

Moreover, in 1992, Lee Daw-ming, a Taiwan scholar, found out that Lu had copied part of Chapter 3 from Japanese scholar Sai Ichigawa’s work: Ajia eiga no s䲖z䲖 oyobi kensetsu (Creation and Building of Asian Films) in Chapter 1, Taiwan Film During the Japanese Occupation Period within the Taiwan film history part of his work. Lee’s discovery was published in the article: “Dian ying shi ru he lai dao Taiwan de” (How did film come to Taiwan?) in the journal Dian ying xin shang (Film Appreciation), no. 9/10 (September/ October 1993), p. 107. The preface includes an introduction of the author written by You Mijian. The appendix includes the author’s photo collection (pp. 536–542), an essay on Taiwanese-dialect film (pp. 543–544), and the author’s resume (pp. 576). WorldCat Chi

0670 Wang, Zilong. ࣼжᑹ. Zhongguo ying ju shi. Ѕл‫ঁؙ‬੗. Taibei: Jian guo chu ban she, 1960. 152 p. Note: Because of the close relationship between Chinese film and drama (in this case, not Chinese opera, but Western performance art), the author provides a joint history of Chinese film and drama, divided into six periods: Budding: End of Qing to 1920; Establishing: 1921–1930; Developing: 1931–1937; Peaking: 1938–1945; Prosperous: 1946–1949; and Struggling: 1950–1959. Appendix includes the essays on Taiwanese-dialect film and drama. CTFAL Chi

0669 Lu, Sushang, 1915–1970. ᧛पϼ, 1915–1970. Taiwan dian ying xi ju shi = A  history of cinema and drama in Taiwan. ‫ݡ‬ஹӇ‫ঁؙۚ‬੗ = A history of cinema and drama in Taiwan. Taibei: Yin hua chu ban she, 1961. 577 p. Note: This is the earliest known academic work on Taiwan film and opera/drama history written by a Taiwanese scholar. The first part of the book, Taiwan Film History (pp. 1–156), contains Chapter 1: Taiwan Film During the Japanese Occupation Period, Chapter 2: Taiwan Film after Retrocession, Chapter 3: International Cooperation in Film Production, Chapter 4: Introduction of Taiwan Film Studios, Chapter 5: Official Film Advisory and Censorship Functions, Chapter 6: Non-governmental Film Organizations, Chapter 7: Film Education and Workshops, Chapter 8: Film Related Publications, Chapter 9: Film Theory and Critics, and Chapter 10: Film Industry and Theatres. As a groundbreaking work, the author provides a vast amount of firsthand information about Taiwan film history from 1901 to 1961, including dates, names, and events related to the Taiwan film. As an academic work, however, it is weak in terms of theoretical analysis and objectivity due to the limits of the overall political and academic environment during the time.

3.16

MUSICAL FILMS

0671 Jiao, Xiongping (Chiao, Peggy). ဖ೰๔. Ge wu dian ying zong heng tan. ‫ܮ‬ଢӇ‫ؙ‬྾ืড. Taibei: Yuan liu chu ban gong si, 1993. 266 p. ISBN 9573219263 Series title: Dian ying guan; 39 Ӈ‫ؙ‬ఖ; 39 Note: A book on musical films. Although no chapter or discussion focuses exclusively on Taiwan musicals, the author mentions that there are many Chinese musical films, including local opera films, as well as film music composers in mainland China, Hong Kong, and Taiwan. Due to limited records and resources, however, a thorough study of Chinese musicals remains unfulfilled in this volume. Includes a film title and name index. CTFAL Chi

124

Science and Education Films / Short Films

0675 Note:

0672 Zhongguo dian ying ge wu yi / Ce hua bian ji: Jiao Xiongping, Jing Yingrui. ЅлӇ‫ܮؙ‬ଢশ / ೫੿ഹফ: ဖ೰๔, ቯࣽᇳ. Taibei: Zhongguo dian ying nian chu ban f axing, [1993] 108 p. Note: A special publication for the Chinese Musical Film Festival held in Taiwan in 1993. Includes synopses of the thirteen Hong Kong musical films shown at the festival, film reviews, introductions of the stars and festival workers, and thirty songs from these musical films. Contains discussions regarding the limited quantity of musicals in Taiwan and a comparison of Hong Kong and mainland musicals. CTFAL Chi

3.17

SCIENCE AND EDUCATION FILMS

0673 Huang, Ren, 1925– ࢶწ, 1925– Dian ying yu zheng zhi xuan chuan. Ӈ‫ؙ‬ӿू੽ୌ‫ة‬. Taibei: Wan xiang tu shu go fen you xian gong si, 2004. 441 p. ISBN 9576694841 Series title: Taiwan dian ying shi cong shu; 3 ‫ݡ‬ஹӇ‫ؙ‬੗ᜣ‫ ;ڣ‬3 Note: A most comprehensive work on the relationship between film and politics in Taiwan. Divided into eleven chapters: Chapter 1: General Introduction; Chapter 2: Film Policy and Public & Private Film Studios; Chapter 3: Anti-Communist Films; Chapter 4: Anti-Japanese Films; Chapter 5: “Search-Roots” (nativism) and Nationalist Films; Chapter 6: Military Education Films; Chapter 7: Character-Building and Educational Films; Chapter 8: Agricultural Reform, Economic Development, and Unity-Building Films; Chapter 9: National Revolution Films; Chapter 10: Biographies of Film Professionals; and Chapter 11: Interviews. NTUL Chi

3.18

0674 Ji lu Taiwan: Taiwan ji lu pian yan jiu shu mu yu wen xian xuan ji / zhu bian Zhang Changyan, Li Daoming ; zhi xing bian ji Hong Yawen, Han Xu’er, Zhang Qinyun. ઔ࠷‫ݡ‬ஹ: ‫ݡ‬ஹઔ࠷ә୳ૢ‫ڣ‬۵ӿҹຶ‫ק‬ओ / Ұഹ‫פ‬ቾᴧ, ଽѬҴ ; వҲഹফᖻ઩ҹ, ठ᯾ঌ, ‫פ‬ቦ᭲. Taibei: Xing zheng yuan wen hua jian she wei yuan hui wei tuo cai tuan fa ren guo jia dian ying zi liao guan, 2000. 2 v. ISBN 9570265478 (v. 1), 9570262486 (v. 2) Series title: Taiwan dian ying shi liao cong shu ‫ݡ‬ஹӇ‫ؙ‬੗ࢧᜣ‫ڣ‬

This is the first and most comprehensive bibliography and collection of essays on Taiwan film documentaries. Vol. 1 covers the colonial period and includes sixty-five essays and articles written by three contemporary Taiwan scholars as well as colonial-era Japanese authors whose articles were initially published in Japanese before being translated into Chinese for the purposes of this book. Contains eight parts: (1) Film History; (2) Documentary, News, and Education Films; (3) Film Show Activities; (4) Film Propaganda; (5) Film Censorship; (6) Film Affairs; (7) Film Reviews and Introduction; and (8) a Bibliography of Taiwan Documentary Film Studies During the Colonial Period, which includes monographs (in both Chinese and Japanese), dissertations, and journal articles (in both Chinese and Japanese, dated and undated). There is also a bibliography at the end of the book. Vol. 2 covers Taiwan documentary film studies after 1945 and includes eighty-one essays, articles, interviews, film reviews, and news reports. Similar to Vol. 1, it also contains eight parts: (1) Anthropology Films; (2) Introduction and Review of Taiwan Documentary Films; (3) Theory and Aesthetics of Documentary Film; (4) Documentary Film and Social Movements; (5) Documentary and Indigenous People; (6) Documentary Film Directors and Workers; (7) Documentary Film History, and Analysis; and (8) a Bibliography of Taiwan Documentary Film Studies after 1945, which is organized under the following subjects: anthropology films, China (including Hong Kong) documentary films, review and introduction to Taiwan documentary films, review and introduction to foreign documentary films, documentary filmography and others, documentary film theory and aesthetics, documentary films and social culture, documentary film and social movements, documentary film and indigenous people, documentary film directors and workers (domestic), documentary film directors and workers (abroad), documentary film history (domestic), and documentary film history (abroad). The materials collected in the bibliography include monographs, dissertations, journal and newspaper articles, handbooks, and manuals. WorldCat Chi

SHORT FILMS

0675 Huang, Qidi (Huang, Chi-Ti). ࢶᐚ෌. Taiwan duan pian zhi zuo mo shi yan jiu—yi “Qiubite nu hai” yu “Wu zhang ai” wei li = An empirical study on the production mode of Taiwanese short films: taking Ms. Cupid and Let off as examples. ‫ݡ‬ஹߦә३ӑথܴ୳ૢ—й “ᆥԝ‫ئ‬ѽ‫ ”י‬ӿ “ѩᅣዏ” Њຎ = An empirical study on the production mode of Taiwanese short films: taking Ms. Cupid and Let off as examples. 135 leaves. Note: Thesis (M.A.)—National Taiwan University of Arts, 2009.

125

Specific Film Genres

0676 From the perspective of a film producer, the paper explores the auteur-centered mode of short film production. Two short films Wu zhang ai = Let off and Qiubite nu hai = Ms. Cupid, which differ from each other in terms of content and style, are used as case studies. Proposes an audience-oriented, communicative, conceptual short film production mode known as MEED (Manager, Executer, Experienced people, and Dreamer). Includes a Chinese abstract and a bibliography, as well as Case Study Film Scripts, Case Study Film Production Budgets, and Case Study Film Promotion Materials. NCL/NDLTD Chi

of them as they are raised by authoritative male figures within a patriarchal society. The comradery forged among the male teenagers arguably represents the comradery among citizens of the nation as a whole within a national imaginary. Includes a Chinese and English abstract, a bibliography, and Charts of the Films Produced in the 1980s. NCL/NDLTD Chi

3.20

0679 Lin, Fangmei. ৆ᇙᄮ. Jie du Qiongyao ai qing wang guo. ‫ࢵث‬ᬆᴽДєࣼл. Taibei: Shi bao wen hua, 1994. 342 p. ISBN 9571312940 Series title: Wen hua cong shu; 128 ҹ٩ᜣ‫ ;ڣ‬128 Note: An in-depth study of Qiongyao’s romance novels, including films and television series adapted from her work. Includes a list of fifty adapted films and their original novels. CTFAL Chi

0676 Lin, Tzuhui. Grandpa!? 52 leaves. Note: Thesis (M.F.A)—Rochester Institute of Technology, 2010. Describes the making of the short film Grandpa!? (2009), filmed and produced in Taiwan. Provides an account of the film’s production, filming, and postproduction, all as part of the director’s student-film project. Includes the film script, proposal, timeline, budget, film stills, and behind-the-scenes photos. Full-text access is available at R.I.T Digital Media Library Repository. WorldCat Eng

0677

0680

Taiwan cinema 2000–2002: short fictions, documentaries, animations, experimentals / Chinese Taipei Film Archive. Taipei: Arthur Lap, 2003. 84 p. Note: An introduction to Taiwan cinema from 2000 to 2002; includes short films, documentaries, animation, and experimental cinema. WorldCat Eng

3.19

QIONGYAO’S MELODRAMA FILMS

Ye, Yueyu (Yeh, Emilie Yueh-yu). ౕ֊ᒶ. A national score: popular music and Taiwanese cinema. 263 leaves. Note: Thesis (Ph.D.)—University of Southern California, 1995. An interesting study of the relationship between popular music, cinema, and national identity in Taiwan from the 1970s to the 1990s. Explores multiple relevant interrelationships between popular music and Taiwan cinema, including the inclusion of popular songs in the 1970s policy films and romantic melodramas, the exclusion of pop music in Taiwan New Cinema in the 1980s, and the return of popular music in commercial films of the 1990s, thus revealing “a national identity characterized by shifting loci of commerce, politics, and art” (abstract). As a serious academic work, it provides many interesting perspectives based on in-depth research and substantial evidence. It states, however, that “A huge massacre occurred in 1945 when many Taiwanese rose up against the semi-colonial governance of the National Party” (l. 2), which is possibly miswritten, for if Dr. Yeh is referring to the February 28 Incident, this event occurred in 1947. Includes a filmography (pp. 243–247) and bibliography (pp. 248–263). WorldCat Eng

TEENAGE-CAMPUS FILMS

0678 Pan, Suhui (Pan, Su-hui). ᕤঈ༫. Jie gou ba shi nian dai xiao yuan xue sheng dian ying: Lei xing, xing bie, guo zu ren tong = Deconstruction of Teenager-Campus Films in the 80’s: Genre, gender and national identity. ‫ث‬ภࡂ֐ё‫ࡩޥڊ‬ѹТӇ‫ؙ‬: ढࡿ, ԛԇ, лఓ‫گ‬ӎ = Deconstruction of Teenager-Campus Films in the 80’s: Genre, gender and national identity. 112 leaves. Note: Thesis (M.A.)—Tamkang University, 2007. Analyzes four coming-of-age films produced in the 1980s that represent teenagers growing up on campuses. Identifies the ways teenagers become socialized and gradually conform to the masculine stereotypes expected

126

Qiongyao’s Melodrama Films

0681 Political and Economic Development,” “Chinese Film and Gender Study,” “Chinese Film Genre Study,” and “Chinese Film and Culture Representation.” Eight papers touch on the subject of Taiwan film, including Li Tianduo’s paper on Taiwan film under the colonial system; Liu Xiancheng’s essay on the history of Taiwan color film development in terms of social issues as well as scientific and technical practice; Huang Yingfen’s article on the aesthetic trends of contemporary Taiwan film; Roland B. Tolentino’s (in English) comparative study of the Chinese “city film” from Taipei, Hong Kong, and Beijing; Qi Longren’s essay on Qiongyao’s films during the 1970s; Zhang Yupei’s analysis of the social and cultural meanings of Taiwan film during the 1990s; and Ye Yueyu’s paper on the relationship between nationality and popular songs in Taiwan films produced from the mid-1970s to the early 1990s. NTUL Chi Eng

0681 Zhongguo dian ying: li shi, wen hua yu zai xian = Chinese cinemas: history, culture and representation: Hai xia liang an ji Xiang Gang dian ying fa zhan yu wen hua bian qian yan tao hui lun wen ji / Liu Xiancheng bian. ЅлӇ‫ؙ‬: ࣵ੗, ҹ٩ӿӐѳ = Chinese cinemas: history, culture and representation: ֋ᒘҔ࿝᠕‫ܫ‬୯Ӈ‫ؙ‬чࣁӿҹ٩Ժቜ୳क़Ͼ ‫ں‬ҹओ / ฀ѳюഹ. Taibei: Taibei shi Zhongguo dian ying shi liao yan jiu hui, Zhonghua Minguo shi jue chuan bo yi shu xue hui, 1996. 335 p. Note: A collection of the papers from a film symposium in Taiwan attended by scholars from Taiwan, Hong Kong, mainland China, and the United States on September 13–15, 1995. Twenty-three papers were presented during the symposium, nineteen of which are published here. Themes include “Chinese Film History,” “Relationship between Chinese Film with Society,”

127

4 Film Reviews

4.1

GENERAL REVIEWS

and films produced by the left-wing film studios in Hong Kong, such as the Great Wall Studio and Phoenix Film Studio, are not included in this list of films shown publicly in Taipei. Provides in-depth studies of the Chinese literary art film, including the definition of Literary Art Film, its early development in Mainland China, recent domination by films produced in Hong Kong and Taiwan, the influence of novels and individual film directors, a forecast for the future, and reviews of some of the most representative literary films and directors. Includes a bibliography (pp. 310–311). WorldCat Chi

0681a Anderson, John, 1955– Edward Yang. Urbana: University of Illinois Press, 2005. 128 p. ISBN 0252029933 (alk. paper), 0252072367 (pbk.; alk. paper) Note: This introductory work on Edward Yang and his films consists of the essay “Poetry and Motion”; reviews of Yang’s films Expectations (1982), That Day, On the Beach (1983), Taipei Story (1985), The Terrorizer (1986), A Brighter Summer Day (1991), A Confucian Confusion (1994), Mahjong (1996), Yi Yi (2000); and “An Interview with Edward Yang.” Includes filmography, bibliography, and an index. WorldCat Eng

0684 Cai, Zhaocheng. ᓥᘻ஧. Fa lu dian ying yuan—Jing pi jie xi 18 bu jing dian fa lu dian ying. ֚ಋӇ‫ؘ—ࡨؙ‬᭽‫ث‬໯18‫ח‬Ҭਹ֚ಋӇ‫ؙ‬. Taibei: Wu nan tu shu chu ban gu fen you xian gong si, 2007. 347 p. ISBN 9789571146461 Series title: Fa lu ren wen guan ֚ಋϪҹఖ Note: Written by lawyer and legal advisor to film director Edward Yang, the book provides eighteen reviews of Hollywood films from a legal perspective, including related legal cases in Taiwan. CTFAL Chi

0682 Bi, Ming. ഋҴ. Dian ying wei si—101 tao hao hao xi. Ӈ‫۔ؙ‬Ӛ—101 ࠇϮϮۚ. Xianggang: Kubrick, 2005. 205 p. ISBN 9889793113 Note: A collection of the author’s film reviews, including reviews of Taiwan films directed by Yi Zhiyan, Hou Hsiao-hsien, and Edward Yang. NTUL Chi

0685 Chen, Aini. ಴ዐᔾ. Ai qing gu shi dian ying ji (nan ren pian). Дє‫ݞ‬ѨӇ‫ؙ‬ओ (ԲϪࢡ). Taibei xian Xindian shi: Xue ying wen hua shi ye you xian gong si, 1998. 239 p. ISBN 9578369069 Series title: Ai qing gu shi zhi; 1 Дє‫ݞ‬Ѩҏ; 1 Note: A collection of film reviews, primarily on Taiwan romantic films, written from a feminist perspective. CTFAL Chi

0683 Cai, Guorong. ᓥлึ. Zhongguo jin dai wen yi dian ying yan jiu. Ѕл‫ڊײ‬ҹਲӇ‫ૢ୳ؙ‬. Taibei: Zhonghua Minguo dian ying tu shu guan chu ban bu, 1985. 312 p. Note: Focuses on the so-called literary art film in Taiwan, Hong Kong, and Mainland China film history before 1949. Based on the author’s preface, the book includes all Chinese films produced in Taiwan and Hong Kong, and shown publicly in Taipei; note that Taiwanese-dialect films

129

Film Reviews

0686 0686

0690

Chen, Biyue, 1969– ಴ካ֊, 1969– Ning shi xin ling: wen xue dian ying yu ren sheng. ፝؆Кࢼ: ҹѹӇ‫ؙ‬ӿϪТ. Taibei: Xiu wei zi xun ke ji gu fen you xian gong si, 2010. 280 p. ISBN 9789862215418, 9862215410 Series title: Mei xue yi shu lei; PH 0022 Ѥѹਲफढ; PH 0022 Note: Reviews films from mainland China, Hong Kong, and Taiwan. Includes a bibliography. WorldCat Chi

Chen, Nianxuan. ಴݉ἒ. Wo ai shuo dian ying. ϢДМӇ‫ؙ‬. Taibei: Zhi ku go fen you xian gong si, 2005. 319 p. ISBN 9867264274 Series title: Xiu xian sheng huo; 8 ࣤሤТ҅; 8 Note: A collection of film reviews divided by region; includes two Taiwan film reviews in the section on the “China, Hong Kong, and Taiwan” region. NTUL Chi

0687

0691

Chen, Guofu䩟 1958– ಴лࣥ䩟1958– Pian mian zhi yan-Chen Guofu dian ying wen ji. әӌҏߞ-಴лࣥӇ‫ؙ‬ҹओ. Taibei: Zhonghua Minguo dian ying tu shu guan chu ban bu, 1985. 268 p. Note: A collection of the author’s film reviews and articles on film theory and Taiwan film studies. NTUL Chi

Chen, Yaocheng (Chan, Evans Yiu Shing). ಴႙ю. Cong xin lang chao zhi hou xian dai = From the new wave to the postmodern. ԩЈ‫ع‬଎۠ћѳ‫ = ڊ‬From the new wave to the postmodern. Xianggang: Xianggang dian ying ping lun xue hui, 2001. 342 p. ISBN 9628271563 Series title: Xianggang dian ying ping lun xue hui cong shu; 11 ‫ܫ‬୯Ӈ‫ںؙ߰‬ѹϾᜣ‫ ;ڣ‬11 Note: A collection of the author’s film reviews and essays on film studies; Chapter 4 includes a segment on Taiwan. Includes an index. CTFAL Chi

0688 Chen, Kehua. ಴ࡽ‫ܓ‬. E sheng—Chen Kehua dian ying bi ji. ॱ‫—ك‬಴ࡽ‫ܓ‬Ӈ‫ؙ‬દ֮. Taibei: Huang guan wen xue chu ban you xian gong si, 1994. 231 p. ISBN 9573311526 Series title: Huang guan cong shu di er san qi san zhong ෦ഃᜣ‫ڣ‬ҷԏѧࢳѧ҆ Note: A collection of the author’s film reviews primarily on Taiwan films. CTFAL, NTUL Chi

0692 Chihan. စఈ. Se qing pian. ዸєә. Taibei: Mu cun tu shu, 2004. 222 p. ISBN 9867533119 Series title: Qu wei ren sheng xi lie; 1 ঙ‫ڏ‬ϪТ‫ ;࠶ڍ‬1 Note: A collection of adult film reviews, divided into two parts: Western and Oriental. The book cover carries an “18 and older” marking. CTFAL Chi

0689 Chen, Huiyang. ಴ሓเ. Meng ying ji—Zhongguo dian ying yin xiang. ْ‫ؙ‬ओ—ЅлӇ‫ؙ‬୅ࢣ. Taibei: Yun chen wen hua shi ye gu fen you xian gong si, 1990. 291 p. Series title: Yun chen wen xuan; 10 ኧநҹ‫ ;ק‬10 Note: A collection of film reviews on mainland China, Hong Kong, and Taiwan films. Four reviews (pp. 253–276) focus on Taiwan films. NTUL Chi

0693 Chinese films in focus: 25 new takers / edited by Chris Berry. London: BFI Pub., 2003. 216 p. ISBN 0851709850, 9780851709857, 0851709869, 9870851709864 Note: A collection of the essays on twenty-five Chinese films, including the essays on the following Taiwanese films: “Flowers of Shanghai: Visualising Ellipses and (Colonial) Absence” by Gang Gary Xu; “A Time to Live, a Time to Die: A Time to Grow” by Corrado Neri; “A Touch of Zen: Action in Martial Arts Movies” by

130

General Reviews

0700

Mary Farquhar; “Vive l’amour: Eloquent Emptiness” by Fran Martin; “Wedding Banquet: A Family (Melodrama) Affair” by Chris Berry; and “Yi Yi: Reflections on Reflexive Modernity in Taiwan” by David Leiwei Li. Includes a bibliography and an index. WorldCat Eng

0697 Frodon, Jean-Michel. Hou Hsiao-Hsien / dir. de Jean-Michel; pref. par Olivier Assayas. [Paris] : Cahiers du cinema, 1999. 191 p. ISBN 286642249X, 9782866422493 Series title: Collection Essais Note: A study on Hou Hsiao-hsien and his films. WorldCat Fre

0694 Chinese films in focus II / edited by Chris Berry. Basingstoke, Hampshire, England; New York: Palgrave Macmillan; London: on behalf of British Film Institute, 2008. 287 p. ISBN 9781844572366, 1844572366, 9781844572373, 1844572374 Note: An enhanced version of Chinese Films in Focus: 25 New Takes published in 200, and an essential guide to key Chinese films from the 1930s to the present in China, Taiwan, Hong Kong, Singapore, and other areas. In addition to the essays published in the earlier book, fourteen new articles were added, including a new article dealing with Taiwan cinema: “Formula 17: Mainstream in the Margins” by film scholar Brian Hu. Includes a bibliography and an index. WorldCat Eng

0698 Frodon, Jean-Michel. Hou Xiaoxian = Hou Hsiao-Hsien / Zuo zhe Olivier Assayas . . . [et al.]; Yi zhe Lin ᢡᖮᐊ = Hou Hsiao-Hsien / ӑ‫ٷ‬Olivier Assayas . . . [et al.]; ፆ‫ٷ‬ ৆࢑Ҵ . . . . [et al.]. Taibei: Cai tuan fa ren guo jia dian ying zi liao guan, 2000. 219 p. ISBN 9573097222, 9789573097228 Note: The Chinese translation of the author’s original work in French: Hou Hsiao-hsien, published in 1999, a study on Hou Hsiao-hsien and his films. WorldCat Chi

0695

0699

Dan, Hanzhang, 1949–1990 Ԕఈ‫א‬, 1949–1990. Dian ying xin chao. Ӈ‫ؙ‬Ј଎. Taibei: Shi bao wen hua chu ban shi ye you xian gong si, 1976. 268 p. Series title: Shi bao shu xi; 27 Ж‫ ;ڍڣڻ‬27 Note: The author’s articles on and reviews of current worldwide film trends, including Taiwan. CTFAL Chi

Gang Tai liu da dao yan / Li Youxin bian. ୯‫ࡏݡ‬Ͻ࣒ࠟ / ଽෂЈഹ. Taibei: Zi li wan bao she, 1986. 229 p. Series title: Zi li cong shu; 26 І߹ᜣ‫ ;ڣ‬26 Note: An introduction to four Taiwan and two Hong Kong film directors—Song Cunshou, Li Han-hsiang, Edward Yang, Hou Hsiao-hsien, Xu Anhua, and Fang Yuping— and their films. Includes chronologies, film production lists, interviews, and reviews. CTFAL Chi

0696 Dian ying, dian ying ren, dian ying kan wu / Li Youxin bian. Ӈ‫ؙ‬, Ӈ‫ؙ‬Ϫ, Ӈ‫ؙ‬ᑂ‫ ׉‬/ ଽෂЈഹ. Taibei: Zi li wan bao she, 1986. 209 p. Series title: Dian ying wen xuan; 2 Ӈ‫ؙ‬ҹ‫ ;ק‬2 Zi li cong shu; 27 І߹ᜣ‫ ;ڣ‬27 Note: An insightful history of Taiwan New Cinema. Originally published in various journals, books, film reviews, and newspapers, this collection of articles and essays focuses on film critiques from the early period of Taiwan New Cinema. The most unique and important aspect of this book is the editor’s insightful comments, interpretations, and background information provided after each article or essay. Includes film stills. WorldCat Chi

0700 Gong ren kan dian ying / Zuo zhe: He Huixiang deng. ֞ϪЃӇ‫ ؙ‬/ ӑ‫ٷ‬: ‫ح‬༫‫ܫ‬ҳ. Taibei: Taiwan gong yun za zhi she, 1994. 149 p. Series title: ICLE Taiwan gong ren wen hua xi lie zhi yi ICLE ‫ݡ‬ஹ֞Ϫҹ٩‫࠶ڍ‬ҏϣ Note: A collection of film reviews and articles written from the perspective of Taiwan’s working class. Three Taiwan movies related to working conditions and workers’ strikes are reviewed, and the subject of developing a film about Taiwan workers is discussed in the book. CTFAL Chi

131

Film Reviews

0701

Taipei and its images in two Taiwan film directors’ films are selected as representative of urban development in Taiwan since 1949. Both Li Xing, the most senior and influential Taiwan film director who came to Taiwan from mainland, and Wan Ren, one of the most important new wave film directors since the 1980s, who grew up in Taiwan, depict Taipei’s social, political, and economic milieu in their films in ways different from official urban development history accounts. Includes a Chinese and English abstract, a bibliography, and an appendix (including the film information, Wan Ren’s comments, and Taipei City Development Statistics). NCL/NDLTD (FT) Chi

0701 Hasumi, Shigehiko, 1936– ၬӢԳᴧ, 1936– Lianshi Zhongyan te ji: yi ci yu dian ying de bei ju xing jiao wang / Xu Jielin zhu bain. ၬӢԳᴧ‫ئ‬ओ: ϣҋӿӇ‫ؙ‬ϡ঳ঁԛ‫ ܊ے‬/ ‫ܛ‬ೀᗗҰഹ. Taibei: Guo li Taiwan da xue Riben zong he yan jiu zhong xin, 1995. 56 p. ISBN 9579019657 Note: Chinese translations of lectures and articles by Japanese film critic Shigehiko Hasumi, including his lecture on Edward Yang’s films at the Chinese Taipei Film Archive, and another lecture on Hou Hsiao-hsien’s film A City of Sadness (1989) at the College of Liberal Arts, National Taiwan University. Includes a biography of Shigehiko Hasumi. NTUL Chi

0705 Hou, Gangben. ᢡӃӆ. Qi miao ying cheng. ࡞ి‫ڵؙ‬. Taibei: Yu zhou guan quan ren guan huai ji gou, 2007. 223 p. ISBN 9789577273383 Note: A collection of film reviews from a religious perspective, divided into three parts: Part 1, European films; Part 2, North American films; and Part 3, Asian films, including Taiwan films. NTUL Chi

0702 He, Yingjie. ‫ီ߭ح‬. Dian ying su miao. Ӈ‫ؙ‬ঈᆡ. Taibei: Xiu wei zi xun ke ji go fen you xian gong si, 2007. 441 p. ISBN 9789866732430 Note: A collection of the author’s film reviews, including the reviews of films produced in Taiwan, Hong Kong, and mainland China. NTUL Chi

0706 Hou, Gangben. ᢡӃӆ. Wei Yesu liu yi zhang dian ying piao—yong jing tou lai shi fang xin tou ya li. Њኬᮚ߈ϣ‫פ‬Ӈ‫—ܯؙ‬ѓ஗ӰϰౠӵКӰॠҨ. Jilong: Ya xi ya chu ban she, 1999. 186 p. ISBN 9570317043 Series title: Xin ling zhi lu; 6 Кࢼҏ߫; 6 Note: A collection of the alternative film reviews written from a religious perspective. CTFAL Chi

0703 Hong, Guo-Juin. New Taiwanese cinema, the year 1986, an identity in the making. 109 leaves. Note: Thesis (M.A.)—San Francisco State University, 1995. This thesis focuses on two Taiwanese directors, Hou Hsiao-hsien and Edward Yang, as well as their films Dust in the Wind and Terrorizers, both of which were made in 1986. Describes the ways these two directors and their films have left an indelible mark on Taiwan New Cinema. Includes a bibliography. WorldCat Eng

0707 Hou, Xiaoxian (Hou, Hsiao-hsien), 1947– ᢡᖮᐊ, 1947– Hou Xiaoxian = Hou Hsiao-hsien ᢡᖮᐊ = Hou Hsiao-hsien. Taibei: San shi ying ye, 2005. [45 p.] Note: A work issued along with a four-DVD set titled, Hou Xiaoxian (Hou Hsiao-hsien) 1983–1986: Hou Xiaoxian (Hou Hsiao-hsien) dian ying jing dian xi lie. Includes the director’s commentary on four of his major film productions. Includes a filmography. WorldCat Chi

0704 Hong, Yueqing (Hung, Yueh-ching). ᖻ֊᥮. Taiwan dian ying zhong de du shi cheng xian—yi Li Xing he Wan Ren de dian ying wei li = The urban representation of Taiwanese movies—an example for Li hsing and Wan Jen. ‫ݡ‬ஹӇ‫ؙ‬ЅϡЁ‫ص‬ᅲѳ—йଽҲф‫ݛ‬წϡӇ‫ؙ‬Њຎ = The urban representation of Taiwanese movies—an example for Li hsing and Wan Jen. 119 leaves. Note: Thesis (M.A.)—Tamkang University, 2000.

132

General Reviews

0713 Note:

0708 Hou, Xiaoxian (Hou, Hsiao-hsien), 1947– ᢡᖮᐊ, 1947– Hou Xiaoxian dian ying jiang zuo = Hou Hsiao-hsien Master Class / Hou Xiaoxian; Zhuo Botang zhu bian. ᢡᖮᐊӇ‫܈ؙ‬ӏ = Hou Hsiao-hsien Master Class / ᢡᖮᐊ; ᅤᐑ ἙҰഹ. Xianggang: Tian di tu shu you xian gong si, 2008. 236 p. ISBN 9789882119888 Series title: “Quan qiu hua ren dian ying dao yan jiang zuo” xi lie “Ҫ‫ܓܧ‬ϪӇ‫܈ؙ࣒ࠟ‬ӏ”‫࠶ڍ‬ Note: Presents six lectures given by Hou Hsiao-hsien during the film director’s lecture series, hosted by Hong Kong Baptist University, November 5–7, 2007. Hou discusses his film career and aesthetic concepts, comments on his favorite film directors and their films, and opines on the current situation and future of Taiwan cinema. Includes a filmography and list of the lecture series attendants. CTFAL Chi

A collection of essays on early Chinese films, the concurrent Taiwan film industry, and film reviews of 1980s Taiwan and Hong Kong films. NTUL Chi

0711 Huang, Jianye, 1954– ࢶࠃ‫׬‬, 1954– Yang Dechang dian ying yan jiu: Taiwan xin dian ying de zhi xing si bian jia. ໷ख़ቾӇ‫ૢ୳ؙ‬: ‫ݡ‬ஹЈӇ‫ؙ‬ϡҌԛ‫ڽ‬ᔨр. Taipei: Yuan liu chu ban shi ye gu fen you xian gong si, 1995. 259 p. ISBN 9573223880 Series title: Dian ying guan; 50 Ӈ‫ؙ‬ఖ; 50 Note: The main part of this work consists of a biography of Edward Yang (Yang Dechang), a historical background of Taiwan New Cinema, and reviews of six of Edward Yang’s most representative films. The appendix contains interviews with Yang Dechang, a chronology of his life and directing career, a bibliography, and a list of journal articles about Edward Yang. WorldCat Chi

0709 Hou, Xiaoxian (Hou, Hsiao-hsien), 1947– ᢡᖮᐉ, 1947– Hou Xiaoxian dian ying jiang zuo = Hou Hsiao-hsien Master Class / Hou Xiaoxian; Zhuo Botang zhu bian. ᢡᖮᐉӈ‫܇ؙ‬ӏ = Hou Hsiao-hsien Master Class / ᢡᖮᐉ; ᅤᐑ ἙҰ൜. Guilin: Guangxi shi fan da xue chu ban she, 2009. 235 p. ISBN 9787563384013 Note: Mainland China’s version of the similarly titled text published by Tian di tu shu you xian gong si in Hong Kong in 2008. Presents six lectures given by Hou Hsiao-hsien during the film director’s lecture series, hosted by Hong Kong Baptist University, November 5–7, 2007. Hou discusses his film career and aesthetic concepts, comments on his favorite film directors and their films, and opines on the current situation and future of Taiwan cinema. Includes a filmography. Duxiu (FT) Chi

0712 Huang, Jianye, 1954– ࢶࠃ‫׬‬, 1954– Zhuan dong zhong de dian ying shi jie. ‫ׅ‬ҁЅϡӇ‫ؙ‬Ԓ֎. Taibei: Zhi wen chu ban she, 1980. 280 p. Series title: Xin chao wen ku; 234 Ј଎ҹᆞ; 234 Note: A collection of film reviews divided into seven chapters. Chapter 6 focuses on Taiwan films. Includes a film and name index in English and Chinese. NTUL Chi

0713 Huang, Ren, 1925– ࢶწ, 1925– Taiwan ying ping liu shi nian: Taiwan ying ping shi hua = 60 years of film critique in Taiwan. ‫ݡ‬ஹ‫֐ࡏؙ߰‬ё: ‫ݡ‬ஹ‫ؙ߰‬੗ҧ = 60 years of film critique in Taiwan. Taibei: Ya tai tu shu chu ban she, 2004. 269 p. ISBN 986780919X Series title: Taiwan dian ying yan jiu cong shu; 12 ‫ݡ‬ஹӇ‫ؙ‬傘ૢᜣ‫ ;ڣ‬12 Note: A work that documents the history of film reviews in Taiwan; divided into the following historical delineations: Japanese Colonial Period (1916–1945), the 1940s, the 1950s, the 1960s, the 1970s, and After the 1980s. Contains many firsthand historical records based on

0710 Huang, Jianye, 1954– ࢶࠃ‫׬‬, 1954– Ren wen dian ying de zhui xun. ϪҹӇ‫ؙ‬ϡ৪ଵ. Taipei: Yuan liu chu ban gong si, 1990. 243 p. ISBN 9573206188 Series title: Dian ying guan; 2 Ӈ‫ؙ‬ఖ; 2

133

Film Reviews

0714 the author’s personal experiences; unfortunately, there is no index. Includes the contents of Film Commentary, no. 1–17 (1977–1987), when the author was chief editor of the journal. WorldCat Chi

0717 Huang, Yingxiong. ࢶ߭೰. Yi shu dian ying shang xi: Guo li guo fu ji nian guan rang ai fei yang yi shu dian ying jiang zuo, jiu shi er nian du. ਲफӇ‫ؙ‬೘໯: л߹л୊ઔ݉ఖџДٞเਲफӇ‫܈ؙ‬ӏ, ॰֐ԏ ё֏. Taibei: Guo li guo fu ji nian guan, 2004. 211 p. ISBN 9570192216 Note: A collection of film reviews and related synopses of forty-six selected art films, including seven Taiwan films, screened and discussed during an annual art film seminar held at the Sun Yat-sen Museum. Includes the author’s chronology. CTFAL Chi

0714 Hua yu dian ying 2005 / Wei Xidi zhu bian. ‫ܬܗ‬ӈ‫ ؙ‬2005 / ਛ՝ᪿҰ൜. Guangzhou: Hua cheng chu ban she, 2006. 323 p. ISBN 7563359680, 9787563359684 Note: A collaborative work by film critics, directors, and scholars from mainland China, Hong Kong, and Taiwan that provides a film production summary of, and introduction to, important films of 2005. WorldCat Chi

0718 Ji lu Taiwan: Taiwan ji lu pian yan jiu shu mu yu wen xian xuan ji / zhu bian Zhang Changyan, Li Daoming ; zhi xing bian ji Hong Yawen, Han Xu’er, Zhang Qinyun. ઔ࠷‫ݡ‬ஹ: ‫ݡ‬ஹઔ࠷ә୳ૢ‫ڣ‬۵ӿҹຶ‫ק‬ओ / Ұഹ‫פ‬ቾᴧ, ଽѬҴ ; వҲഹফᖻ઩ҹ, ठ᯾ঌ, ‫פ‬ቦ᭲. Taibei: Xing zheng yuan wen hua jian she wei yuan hui wei tuo cai tuan fa ren guo jia dian ying zi liao guan, 2000. 2 v. ISBN 9570265478 (v. 1), 9570262486 (v. 2) Series title: Taiwan dian ying shi liao cong shu ‫ݡ‬ஹӇ‫ؙ‬੗ࢧᜣ‫ڣ‬ Note: This is the first and most comprehensive bibliography and collection of essays on Taiwan film documentaries. Vol. 1 covers the colonial period and includes sixty-five essays and articles written by three contemporary Taiwan scholars as well as colonial-era Japanese authors whose articles were initially published in Japanese before being translated into Chinese for the purposes of this book. Contains eight parts: (1) Film History; (2) Documentary, News, and Education Films; (3) Film Show Activities; (4) Film Propaganda; (5) Film Censorship; (6) Film Affairs; (7) Film Reviews and Introduction; and (8) a Bibliography of Taiwan Documentary Film Studies During the Colonial Period, which includes monographs (in both Chinese and Japanese), dissertations, and journal articles (in both Chinese and Japanese, dated and undated). There is also a bibliography at the end of the book. Vol. 2 covers Taiwan documentary film studies after 1945 and includes eighty-one essays, articles, interviews, film reviews, and news reports. Similar to Vol. 1, it also contains eight parts: (1) Anthropology Films; (2) Introduction and Review of Taiwan Documentary Films; (3) Theory and Aesthetics of Documentary Film; (4) Documentary Film and Social Movements; (5) Documentary and Indigenous People; (6) Documentary Film Directors and Workers; (7) Documentary Film History, and Analysis; and (8) a Bibliography of Taiwan Documentary Film Studies After 1945, which is organized under the following

0715 Hua yu dian ying 2006 / Yu Xiaoyi zhu bian. ‫ܬܗ‬ӈ‫ ؙ‬2006 / ᷇༿ᗥҰ൜. Guangzhou: Hua cheng chu ban she, 2007. 373 p. ISBN 9787536050297 Note: A collaborative work by film critics, directors, and scholars from mainland China, Hong Kong, and Taiwan that provides a film production summary of, and introduction to, important films of 2006. Part 3 (pp. 262–296) deals with Taiwan films. Written by Liang Liang, it summarizes the Taiwan film industry in 2006. Seven films, with accompanying synopses and reviews, are selected to represent Taiwan cinema in 2006. Includes a list of the ten best-selling films in mainland China, Hong Kong, and Taiwan. WorldCat Chi

0716 Huang, Ren, 1925– ࢶწ, 1925– You xiu Tai yu pian ping lun jing xuan ji / Huang Ren bian; Huang Ren deng zhu. ‫ݿ‬ഫ‫ܭݡ‬ә߰‫קؘں‬ओ / ࢶწഹ; ࢶწҳЯ. Taibei: Ya tai tu shu chu ban she, 2006. 299 p. ISBN 9789867809445 Series title: Taiwan dian ying yan jiu cong shu; 15 ‫ݡ‬ஹӇ‫ૢ୳ؙ‬ᜣ‫ ;ڣ‬15 Tai yu pian wu shi zhou nian ji nian ji; 1 ‫ܭݡ‬әٚ֐‫ڬ‬ёઔ݉ফ; 1 Note: A collection of selected film reviews on Taiwanesedialect films, divided by decade into the 1950s and 1960s. Also includes essays that review the history of Taiwanese-dialect films. Includes photos, film stills, posters, and a bibliography. NTUL Chi

134

General Reviews

0724

subjects: anthropology films, China (including Hong Kong) documentary films, review and introduction to Taiwan documentary films, review and introduction to foreign documentary films, documentary filmography and others, documentary film theory and aesthetics, documentary films and social culture, documentary film and social movements, documentary film and indigenous people, documentary film directors and workers (domestic), documentary film directors and workers (abroad), documentary film history (domestic), and documentary film history (abroad). The materials collected in the bibliography include monographs, dissertations, journal and newspaper articles, handbooks, and manuals. WorldCat Chi

Note:

0719

The most comprehensive study on the history, structure, and contribution of Grand Motion Pictures Co., Ltd. (Guo Lian Dian Ying Gong Si) in Taiwan as well as the company’s founder and film director Li Han-hsiang. Explores issues surrounding the company’s rapid rise and fall, and provides insights into the company’s founder and employees. Includes four chapters: Chapter 1, Rise and Fall of Guo Lian Dian Ying Gong Si; Chapter 2, Li Han-hsiang and Guolian; Chapter 3, Review of the Films Produced by Guolian and Guolian’s Chronology; and Chapter 4, Conclusion. Includes interviews with Guolian employees, biographies of Guolian employees, and a bibliography. NTUL Chi

0722

Jiang, Longzhao. ዕहᢘ. Dian ying xi ju lun ji. Ӈ‫ںঁؙۚ‬ओ. Taibei: Wen hao chu ban she, 1979. 246 p. Series title: Wen hao cong shu ҹൻᜣ‫ڣ‬ Note: A collection of the author’s essays on film and drama, film and drama reviews, and a screenplay. The author states that there should be works on the KMT leader Chiang Kai-shiek in Taiwan film, drama, and television. Includes a chronology. CTFAL Chi

Jiao, Xiongping (Chiao, Peggy). ဖ೰๔. Jiao Xiongping kan dian ying: Tai Gang xi lie. ဖ೰๔ЃӇ‫ؙ‬: ‫ݡ‬୯‫࠶ڍ‬. Taibei: San san shu fang, 1985. 266 p. Note: This work focuses on Taiwan and Hong Kong films. Includes two parts: Part 1 is a collection of articles, interviews, and reports on Taiwan and Hong Kong films in general; Part 2 is a series of film reviews. NTUL Chi

0723 Jiao, Xiongping (Chiao, Peggy). ဖ೰๔. Tai Gang dian ying zhong de zuo zhe yu lei xing. ‫ݡ‬୯Ӈ‫ؙ‬Ѕϡӑ‫ٷ‬ӿढࡿ. Taibei: Yuan liu chu ban shi ye gu feng you xian gong si, 1991. 294 p. ISBN 9573214784 (pbk.) Series title: Dian ying guan; 19 Ӈ‫ؙ‬ఖ; 19 Note: A collection of articles and reviews on Taiwan and Hong Kong film directors and their films published in various newspapers and journals in Taiwan from 1981 to 1990. NTUL Chi

0720 Jiang, Longzhao. ዕहᢘ. Xi ju ping lun ji. ۚঁ߰‫ں‬ओ. Taibei: Cai feng chu ban she, 1986. 259 p. Series title: Wen xue chuang zuo; 101 ҹѹࡶӑ; 101 Note: A collection of the author’s reviews of drama productions, television programs, and films. WorldCat Chi

0724

0721

Jiao yu ying ping ji / Cui Guangzhou, Fang Yongquan zhu. ‫ڌ‬ड़‫ؙ߰‬ओ / ᮫‫ׇ‬ዚ, Ҥ‫ݖ‬໩Я. Gaoxiong: Li wen wen hua shi ye ge fen you xian gong si, 1997. 157 p. ISBN 9577481302 Note: This collection of seventeen film reviews with seventeen films is organized in seven educational categories. Note that these films are not from Taiwan. CTFAL Chi

Jiao, Xiongping (Chiao, Peggy). ဖ೰๔. Gai bian li shi de wu nian: Guo Lian dian ying yan jiu. ۨԺࣵ੗ϡٚё: лࡀӇ‫ૢ୳ؙ‬. Taibei: Wan xiang tu shu go fen you xian gong si, 1993. 327 p. ISBN 9576694663 Series title: Taiwan dian ying shi cong shu; 2 ‫ݡ‬ஹӇ‫ؙ‬੗ᜣ‫ ;ڣ‬2

135

Film Reviews

0725 Note:

0725 Jin, Bingxing. ‫ؖ‬ẅࣱ. Zhang ba deng tai kan dian ying. ࿆ࡂ୥‫ݡ‬ЃӇ‫ؙ‬. Xianggang: Xianggang dian ying ping lun xue hui, 2000. 230 p. ISBN 9628271547 Series title: Xianggang dian ying ping lun xue hui cong shu; 8 ‫ܫ‬୯Ӈ‫ںؙ߰‬ѹϾᜣ‫ ;ڣ‬8 Note: A collection of the author’s film reviews of Hong Kong, Taiwan, mainland China, and overseas films. CTFAL Chi

A collection of film reviews, interviews, and articles on Taiwan and Hong Kong films, directors, producers, studio executives, actors, and actresses. NTUL Chi

0729 Li, Gang, 1957– ଽᐻ, 1957– Li Gang pei ni kan dian ying. ଽᐻোϧЃӇ‫ؙ‬. Taibei: Yuan shen chu ban she, 1997. 229 p. ISBN 9576072905 Series title: Yuan shen cong shu; 234 ࡩ‫ظ‬ᜣ‫ ;ڣ‬234 Note: A collection of short but entertaining film reviews. CTFAL Chi

0726 Lai kan dian ying: Ping Zhen Shi Min Da Xue 93 nian she qu ying xiang du shu hui cheng guo fen xiang / Chen Cailuan, Ying xiang tu shu hui xue yuan he zhu. ϰЃӇ‫ؙ‬: ‫כ‬๰‫ھص‬Ͻѹ93ё‫ؙ‬Ռࢵ‫ڣ‬Ͼюҝдұ / ಴ࠡ○, ‫ؙ‬Ռ ࢵ‫ڣ‬ϾׁЯ. Taibei: Xiu wei zi xun ke ji gu fen you xian gong si, 2005. 229 p. ISBN 9789867263339 Series title: Yu yan wen xueh lei; PG0137 ‫ߞܭ‬ҹѹढ; PG0137 Note: This is a collection of film reviews and personal viewing experiences written by members and organizers of the Film Reading Club at Ping Zhen Community College in 2004. Includes a Recommended Film List. CTFAL Chi

0730 Li, Zhuotao. ଽ⮣ಱ. Guan ni ji, Zhong wai dian ying pian. ޲ဵओ, Ѕ֔Ӈ‫ࢡؙ‬. Xianggang: Ci wen hua you xian gong si, 1993. 206 p. ISBN 96274200577 Series title: Ci wen hua ying xiang wen hua xi lie; 4 ҋҹ٩‫ؙ‬Ռҹ٩‫ ;࠶ڍ‬4 Note: The author, a film critic in Hong Kong, organizes his film reviews regionally into three parts: Hong Kong, mainland China and Taiwan, and overseas. Includes the author’s biography. CTFAL Chi

0727 Li, De’an. ଽख़ԥ. Wo kan Zhong wai dian ying. ϢЃЅ֔Ӈ‫ؙ‬. Taibei: Jin went u shu you xian gong si, 1982. 343 p. Series title: Jin wen cong shu; 108 ‫ؖ‬ҹᜣ‫ ;ڣ‬108 Note: Film reviews presented in two parts: Chinese and foreign films. The Chinese film section contains articles on Chinese filmmaking, interviews with film directors and stars, and film reviews. CTFAL Chi

0731 Liang an san di ying ping ren yan tao hui lun wen ji / Zong bian ji Chen Bosheng. Ҕ࿝ѧс‫ؙ߰‬Ϫ୳क़Ͼ‫ں‬ҹओ / րഹফ಴ᓱТ. Xianggang: Xianggang ying ping ren xie hui, 2005. 304 p. ISBN 9889852810, 9789889852818 Note: Conference proceedings from the Second Conference of Chinese Film Critics from mainland China, Hong Kong, and Taiwan; hosted by the Hong Kong Film Critics Association in Hong Kong, 2005. WorldCat Chi

0732

0728

Liang, Liang, 1954– ᅯમ, 1954– Dian ying de yi dai. Ӈ‫ؙ‬ϡϣ‫ڊ‬. Taibei: Zhi wen chu ban she, 1988. 294 p. Series title: Xin wen ku; 324 Јҹᆞ; 324

Li, De’an. ଽख़ԥ. Yi ying jian wen. ਲ‫ؙ‬Ԋࢨ. Taibei: Zhi yi shu wu, 1967. 90 p. Series title: Zhi yi shu wu cong shu zhi ba ࢑ᗥ‫ڣ‬൙ᜣ‫ڣ‬ҏࡂ

136

General Reviews

Note:

0739

Consists of six chapters: Chapter 1 discusses the “film review” and “film reviewer” in Taiwan, Hong Kong, and the United States; Chapter 2 assesses the film environment in Taiwan; Chapter 3 focuses on film censorship; Chapter 4 comments on the Sixteenth Golden Horse Film Awards; Chapter 5 reviews Chinese film production in Taiwan during the 1970s and 1980s; and Chapter 6 is devoted to foreign films. NTUL Chi

Hong Kong: Bo ya xuan chu ban she, 2002 180 p. ISBN 9628607448 Note: A general introduction to Hong Kong, Taiwan, and Japan films and directors. Includes lists of Hong Kong film-related entertainment newspapers and journals (1930s to 1970s). WorldCat Chi

0737 0733

Lin, Yunmei. ৆᏾Ⴐ. Yue du xin ling guang cai. ་ࢵКࢼ‫ׇࠡ‬. Taidong: Tong Xian wen hua, 1996. 260 p ISBN 9570071125 Series title: Taidong Xian ji zuo jia zuo pin ji ‫ݡ‬ֆ້ጭӑрӑԘओ Note: Lectures and film reviews on film, including Taiwan films. NTUL Chi

Liang, Liang, 1954– ᅯમ, 1954– Zhongguo dian ying wo jian wo si. ЅлӇ‫ؙ‬ϢԊϢ‫ڽ‬. Taibei: Mao lin chu ban she, 1998. 320 p. ISBN 9579860963 Series title: Dian ying lun tan; 2 Ӈ‫ںؙ‬Ⴋ; 2 Note: A collection of the author’s Chinese film reviews and critiques. Includes four parts: Taiwan, Hong Kong, mainland China, and Comparative Studies. CTFAL Chi

0738 Liu, Chenghan. ฀юఈ. Dian ying fu bi xing ji. Ӈ‫ؙ‬ᔽԝࣱओ. Xianggang: Tian di tu shu you xian gong si, 1991. 449 p. ISBN 9622575277 Note: Includes essays on such subjects as Chinese film history from the 1920s to the 1940s, a comparative study of Hong Kong and Taiwan films, film theory, and Taiwan and Hong Kong film directors and their films. CTFAL Chi

0734 Liao, Jinfeng. ᴰ‫ؖ‬ང. Dai zhe dian ying qu san bu = Walking with the movies. ծЯӇ‫ؙ‬Ч્‫ = ܌‬Walking with the movies. Taibei: Jiao yu bu, 2004. 58 p. ISBN 9789570175769, 9570175761 Series title: Yi shi xin shang ru men shou ce; dian ying pian ਲफಶ೘Պ՞Ѳೠ; Ӈ‫ࢡؙ‬ Note: A film appreciation guidebook, including reviews of Taiwan’s most famous movies. WorldCat Chi

0739 Liu, Chenghan. ฀юఈ. Dian ying fu bi xing ji. Ӈ‫ؙ‬ᔽԝࣱओ. Taibei: Yuan liu chu ban gong si, 1992. 2 v. ISBN 957321623X, 9573216256 Series title: Dian ying guan; 29–30 Ӈ‫ؙ‬ఖ; 29–30 Note: Essays on subjects such as Chinese film history from the 1920s to the 1940s, a comparative study of Hong Kong and Taiwan films, film theory, and Taiwan and Hong Kong film directors and their films. Includes a Chinese and English glossary. NTUL Chi

0735 Lin, Kangrong. ৆ࣉึ. Dian ying bing fen lu / Lin Kangrong zhu. Ӈ‫ؙ‬ᠷ໧࠷ / ৆ࣉึЯ. Hong Kong: Bo ya xuan chu ban she, 2007. 208 p. ISBN 9789889937003 Note: A casual introduction to Hong Kong, Taiwan, Japan, and Hollywood films, film directors, and film industries. WorldCat Chi

0736 Lin, Kangrong. ৆ࣉึ. Zhong wai ding ying man tan / Lin Kangrong, Lian Min’an zhu. Ѕ֔Ӈ‫ࢿؙ‬ড / ৆ࣉึ,‫ھۀ‬ԥЯ.

137

Film Reviews

0740 0740

0744

Liu, Senyao. ฀ာ⁢. Dian ying sheng huo. Ӈ‫ؙ‬Т҅. Taibei: Zhi wen chu ban she, 1984. 270 p. Series title: Xin chao wen ku; 233 Ј଎ҹᆞ; 233 Note: A collection of the author’s film reviews, including a few on Taiwan films. NTUL Chi

Lu, Zhizi. ჁᎴж. Ying xiang wen hua san lun. ྱࢣҹ٩્‫ں‬. Taizhong: Taizhong shi li wen hua zhong xin, 1991. 209 p. Series title: Taizhong shi wen xue jia zuo pin ji zhi qi ‫ݡ‬Ѕ‫ص‬ҹѹрӑԘҏࢳ Note: The author’s film reviews and articles on various subjects, such as a comparative study of Hong Kong and Taiwan films, and the film censorship and rating system in Taiwan. NTUL Chi

0741 Liu, Senyao. ฀ာ⁢. Tian guang yun ying gong pai huai: wen xue, dian ying ji qi ta. ϳ‫࢕ׇؙࠥ‬᛼᛺: ҹѹ, Ӈ‫ߵؙ‬Էј. Taibei: Er ya chu ban she, 2001. 410 p. ISBN 9576393159 Series title: Er ya cong shu; 364 ঌ઩ᜣ‫ ;ڣ‬364 Note: A collection of the author’s literary and film reviews. CTFAL Chi

0745 Luo, Qing. ஛‫ݙ‬. Luo Qing kai dian ying: yuan xing yu xiang zheng. ஛‫ݙ‬ЃӇ‫ؙ‬: ֍ࡿӿࢣၹ. Taibei: Dong da tu shu gu fen you xin gong si fa xing, 1995. 222 p. ISBN 9571918814, 9571918822 Note: A four-part book; Part 3 contains six essays commenting on Taiwan films. NTUL Chi

0742 Liu, Yi, 1930–1990 ฀ਲ, 1930–1990 Wo kan dian ying. ϢЃӇ‫ؙ‬. Taibei: Li ming wen hua shi ye gu fen gong si, 1973. 236 p. Series title: Li ming wen cong; 4 ሑҴҹᜣ; 4 Note: A collection of film reviews. CTFAL

0746 Ma, Jean. Melancholy drift: marking time in Chinese cinema. Hong Kong: Hong Kong University Press, 2010. 224 p. ISBN 9789888028054 (hbk.), 9888028057 (hbk.), 9888028065 (pbk.), 9789888028061 (pbk.) Note: A significant work focusing on three film directors: Hou Hsiao-hsien, Cai Mingling (Tsai Ming-Liang), and Wong Kar-wai and the representations of melancholy displayed in their films. “Focusing on the highly stylized and nonlinear configurations of time in each director's films, [Ma] argues that these directors have brought new global respect for Chinese cinema in amplifying motifs of loss, nostalgia, haunting, absence and ephemeral poetics. Hou, Tsai, and Wong all insist on the significance of being out of time, not merely out of place, as a condition of global modernity. Ma argues that their films collectively foreground the central place of contemporary Chinese films in a transnational culture of memory, characterized by a distinctive melancholy that highlights the difficulty of binding together past and present into a meaningful narrative” (abstract). WorldCat Eng

Chi

0743 Lu, Kuang. բୄ. Xu wu zhu yi shu jian—li shi zhong jie de you mu si kao. ஠ѩҰच‫ࣵ—ߢڣ‬੗‫ְٽ‬ϡղᖥ‫ߎڽ‬. Taibei: Tangshan chu ban she, 1993. 209 p. Series title: Zhan zheng ji qi cong kan; 12 ‫ڕ‬ৎҚॆᜣᑂ; 12 Note: A combination of the author’s reviews of literature, film, and music. CTFAL Chi

138

General Reviews

0753 211 p. Note:

0747 Maike. ፪ࡽ. Mi hun zhen = Spellbound. ࣿฆಔ = Spellbound. Hong Kong: Oxford University Press, 2005. 282 p. ISBN 0195964683 Note: A collection of film reviews, including a few Taiwan film reviews. Includes an index of films and names in both English and Chinese. NTUL Chi

0748 Mizou. ࣿҵ. Li kai dian ying yuan zhi hou. ‫ڐ‬ыӇ‫ࡨؙ‬ҏћ. Taibei: Yuan zun wen hua qi ye you xian gong si, 1998. 219 p. ISBN 9578399596 Series title: Feng ge guan. Feng ge ren wen գ۴ఖ. գ۴Ϫҹ Note: The author’s film reviews of Taiwan, Hong Kong, Japan, mainland China, Hollywood, and other Western films. These reviews, unlike purely entertainment-oriented film articles, delve into deeper subjects, such as the complicated relationship between Taiwan and Japan, and reflections on the images of Taiwan aboriginal peoples depicted in Taiwan cinema. CTFAL Chi

Thesis (M.A.)—National Taiwan University, 2006. Considering that globalization and Hollywood domination has greatly influenced Chinese filmmaking, the paper selects three major Chinese film directors and compares their works before and after receiving transnational and Hollywood investment, including Ang Lee’s Wedding Banquet (1993) and Crouching Tiger, Hidden Dragon (2000); Zhang Yimou’s Raise the Red Lantern (1992) and Hero (2002); and Chen Kaige’s Farewell My Concubine (1993) and The Promise (2005). Concludes that the influence of globalization is inevitable, and the pressure of box office success challenges the directors’ integrity and cultural and national values. In terms of Taiwan’s film industry, the paper suggests that the government should change its policy: subsidies need to be more carefully directed to promising directors and their works, and their subjects should not be limited to “local characteristics.” Includes a Chinese abstract and bibliography. NCL/NDLTD Chi

0751 Ren jian shi yu li xiang guo: cong dian ying kan ren sheng di san ji / Zeng Zhaoxu, Lin Jingsu zhu. ϪҼԒӿԑЂл: ԩӇ‫ؙ‬ЃϪТҷѧফ / ߲ᢘ᯾, ৆࢓಩Я. Taibei: Han guang wen hua shi ye go fen you xiang gong si, 1990. 213 p. Note: A collection of film reviews, including a few reviews of Taiwan films. NTUL Chi

0752 Ren sheng ru meng: Ping Zhen Shi Min Da Xue 94 nian she qu ying xiang du shu hui cheng guo fen xiang / Chen Cailuan, Ying xiang tu shu hui xue yuan bian zhu. ϪТҒْ: ‫כ‬๰‫ھص‬Ͻѹ94ё‫ؙ‬Ռࢵ‫ڣ‬Ͼюҝдұ / ಴ࠡ○, ‫ؙ‬Ռ ࢵ‫ڣ‬ϾഹЯ. Taibei: Xiu wei zi xun ke ji gu fen you xian gong si, 2006. 251 p. ISBN 978966909153 Series title: Yu yan wen xueh lei; PG0099 ‫ߞܭ‬ҹѹढ; PG0099 Note: This is a collection of film reviews and personal viewing experiences written by members and organizers of the Film Reading Club at Ping Zhen Community College in 2005. Includes a recommended film list. CTFAL Chi

0749 Ning shi nu xiang: 56 zhong yue du nu xing ying zhan de fang fa / Chen Ruxiu, Huang Huimin, Zheng Yujing bian. ፝؆ѽՌ: 56҆་ࢵѽԛ‫ࣁؙ‬ϡҤ֚ / ಴ᭉࢗ, ࢶ௑์,ቼർ᪦ഹ. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 1999. 314 p. ISBN 9573238837 Series title: Dian ying guan; 87 Ӈ‫ؙ‬ఖ; 87 Note: Film reviews of films shown during six annual International Women Make Waves Film Festivals in Taipei, hosted by the Taipei Women’s Film Association from 1993 to 1998. The book shows fifty-six ways to look at these films about women and made by women. Includes a filmography and an introduction to the Taipei Women’s Film Association. NTUL Chi

0753 Shen, Xiuzhen. ਻ഫ▗. Ying xiang ren jian, jen jian ying xiang. ‫ؙ‬ՌϪҼ, ϪҼ‫ؙ‬Ռ. Taibei: Li shi wen hua you xiang gong si, 2006. 198 p.

0750 Peng, Guangwei (Peng, Kuang-wei). ᣴ‫ׇ‬໖. Quan qiu hua yu Haolaiwu Hua yi dao yan—zuo pin tan tao yu xing tai fen xi. Ҫ‫ܧ‬٩ӿϮᒀᩕ‫ܓ‬ᶜ࣒ࠟ—ӑԘ෬क़ӿࡿ‫ݯ‬д໯.

139

Film Reviews

0754 ISBN Note:

9868083524 A collection of short essays in which the author watches daily life as a film and watches film as watching daily life. NTUL Chi

Note:

A collection of the author’s film reviews on the eighteen best Chinese and foreign films made over the previous three years, including several Taiwan films. CTFAL Chi

0757 0754

Taiwan dian ying jing xuan = Films: made in Taiwan / Ce hua: Zhonghua Minguo dian ying nian guo ji tui guang zu; zhi xing bian ji: Ou Guizhi. ‫ݡ‬ஹӇ‫ = קؘؙ‬Films: made in Taiwan / ೫੿: Ѕ‫ھܓ‬лӇ‫ؙ‬ёл গԐܰ६; వҲഹফ߅ᄉᆙ. Taibei: Wan xiang tu shu gu fen you xian gong si, 1993. Various paginations. ISBN 9576694469 Note: A collection of six essays with accompanying photos, film posters, and stills. Wang Zhicheng’s essay analyzes the relationship between Taiwan film and social change, while Cai Kangyong and Han Liangyi’s essay comments on Taiwan film and literature. The book introduces directors Hou Hsiao-hsien, Edward Yang, Wang Tung, and a group of “New Directors,” including Tsai Ming-liang, Ang Lee, Lan Shengchuan, Xu Xiaoming, Chen Guofu, and Ye Hongwei, followed by relevant film synopses and reviews of these director’s films. The appendix includes a list of awards won by the films presented in the book. CTFAL Chi

Shi ji hui mou: Zhonghua dian ying jiang dian zhan: Di nian wu jie Xianggang guo ji dian ying jie / Xianggang dian ying zi liao guan chou ban; [Xianggang dian ying ping lun xue hui bian ji] = A century of Chinese cinema: look back in glory: the 25th Hong Kong International Film Festival, 6–21.4.2001 / Organized by the Hong Kong Film Archive; [edited by Hong Kong Film Critics Society] ԒઔҘ : Ѕ‫ܓ‬Ӈ‫ؙ‬Ҭਹࣁ: ҷ⃖ٚโ‫ܫ‬୯лগӇ‫ڞؙ‬, 6–21.4.2001 / ‫ܫ‬୯Ӈ‫ࢧޞؙ‬ఖቺ‫ܫ[ ;ދ‬୯Ӈ‫ںؙ߰‬ѹϾഹফ] = A century of Chinese cinema: look back in glory : the 25th Hong Kong International Film Festival, 6–21.4.2001 / Organized by the Hong Kong Film Archive; [edited by Hong Kong Film Critics Society]. [Xianggang] : Kang le ji wen hua shi wu shu, 2001. 56 p. ISBN 9628050117 Note: As part of the Twenty-Fifth Hong Kong International Film Festival, the Hong Kong Film Archive screened twenty-five Chinese films produced in mainland China, Hong Kong, and Taiwan and published reviews of these films by renowned film critics in both Chinese and English. The films from Taiwan included Beauty of Beauties (1965), A Touch of Zen (1969), Taipei Story (1985), A Time to Live, a Time to Die (1985), and Crouching Tiger, Hidden Dragon (2000); their reviews were written by Law Kar, Bryan Chang, Ye Yueh-yu, Sam Ho, and Po Fung. WorldCat Chi Eng

0758 Taiwan ji lu pian nu dao yan bi ji shu = The female directors of Taiwan Documentary / Lin Xinghong zong bian ji. ‫ݡ‬ஹઔ࠷әѽ࣒ࠟદ֮‫ = ڣ‬The female directors of Taiwan Documentary / ৆ᕭ᜞րഹফ. Gaoxiong: Gaoxiong shi dian ying tu shu guan, 2005. 230 p. ISBN 9570187212 Series title: Gaoxiong shi dian ying tu shu guan dian ying cong shu; 4 ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖӇ‫ؙ‬ᜣ‫ ;ڣ‬4 Note: Introduces twenty female Taiwan documentary film directors, based on the number of documentary films directed and the time they began making documentary films, along with brief biographies, personal statements, and filmographies. Includes ten essays on Taiwan female directors and their films. Includes an index. NTUL Chi

0755 Shu, Tan. স໐. Ai yao zen me zuo: jin nian zui ju zheng yi xing de jin jiang ying pian. Дϴ՘В҂: ‫ײ‬ёзࡢৎ৶ԛϡ‫ؖ‬؉‫ؙ‬ә. Taibei: Ye qiang chu ban she, 2002. 163 p. ISBN 9576836603 Series title: Wen xue feng qing; 95 ҹѹգє; 95 Note: A collection of the author’s recent (2002) film reviews. CTFAL Chi

0756

0759

Shu, Tan. স໐. Fei yue de guang pu. ٞቷϡ‫ׇ‬ഊ. Taibei: Ye qiang chu ban she, 1995. 204 p. ISBN 9576833485 Series title: Wen xue feng qing; 86 ҹѹգє; 86

Taiwan zhi zao—2008 dian ying bei wang lu = Taiwan cinema observation, 2008 / Zong bian ji: Chen Ruxiu deng; zhi xing bian ji: Wang Yuyan. ‫ݡ‬ஹ३߃—2008 Ӈ‫އؙ‬۲࠷ = Taiwan cinema observation, 2008 / րഹফ: ಴ᭉࢗҳ; వҲഹফ: ࣼർᆜ. Taibei: Cai tuan far en guo jia dian ying zi liao guan, [2008] 91 p. ISBN 9789869445505

140

General Reviews

Note:

0766

A general overview of Taiwan cinema in 2008. Includes thirty-two reviews, in both English and Chinese, of films produced in 2008 as well as two forums on Taiwan cinema. CTFAL Chi Eng

Note:

0760 Tam, Kwok-kan, 1952– New Chinese cinema / Kwok-kan Tam and Wimal Dissanayake Hong Kong; New York: Oxford University Press, 1998. 96 p. ISBN 0195906071 Series title: Images of Asia Note: As the author states in the preface, this is a work for the nonspecialist and interested layperson. Six of the most important Chinese films directors and their works are selected: Chen Kaige (1952–), Zhang Yimou (1950–), and Tian Zhuangzhuang (1952–) from Mainland China; Hou Hsiao-hsien (1947–) and Edward Yang (1947–2007) from Taiwan; and Stanley Kwan (1957–) from Hong Kong. Includes a selected filmography, bibliography, and index. WorldCat Eng

An in-depth analysis of Hou Hsiao-hsien films: Puppetmaster, A City of Sadness, Flowers of Shanghai, and Goodbye South, Goodbye. Superbly expounds on the aesthetics of Hou’s films in terms of historical experience, lighting, improvisational acting, and long, static shots. “James Udden argues that Hou’s films reflect Taiwan’s peculiar historical and geographical situation and could only have emerged there. Udden also examines the regional impact Hou’s films have had on other Asian directors and cinema artists” (abstract). Includes a bibliography. WorldCat Eng

0764 Wang, Chang’an. ࣼӕԥ. Dian ying bi ji: Wang Chang’an kan dian ying. Ӈ‫ؙ‬દ֮: ࣼӕԥЃӇ‫ؙ‬. Tabie: Wan xiang tu shu ge fen you xian gong si, 1995. 299 p. ISBN 957669700X Series title: Yi shu fang; 13 ਲ‫ ;ࠚڣ‬13 Note: A collection of film reviews, including reviews of twelve Chinese movies from Taiwan, Hong Kong, and mainland China as well as articles on female characters in recent Taiwan films. CTFAL Chi

0761 Tang, Wenbiao. ࿔ҹ࠳. Wo yong yuan nian qing. Ϣ‫׼ݖ‬ё‫ڳ‬. Taibei: Dong da tu shu you xian gong si, 1980. 274 p. Series title: Cang hai cong kan ፄ֋ᜣᑂ Note: A collection of the authors’ essays on art and film, including three Taiwan film reviews in the book. CTFAL Chi

0765 Wang, Chang’an. ࣼӕԥ. Ying shi guan jian bao gao. ‫ؙ‬؆Ԭඟ‫ݍڻ‬. Taibei: Ya Tai tu shu, 2003. 249 p. ISBN 9867809106 Note: The author’s film reviews and commentary articles, some of which deal with Taiwan film, television, and related topics. CTFAL Chi

0762 Tu, Xiangwen. ກጕҹ. Dian yin A ka—kai mai la. ӇᎥA౹—ы๤ࠁ. Taibei: Han huang guo ji wen hua you xian gong si, 2009. 287 p. ISBN 9789866590269 Note: A collection of the author’s interviews with famous movie stars and directors, mainly from Taiwan, and film reviews. Includes photos, stills, and posters. CTFAL Chi

0766 Wang, Jingrong. ࣼ‫ݕ‬ᕣ. Dian ying xiu lian mo fa. Ӈ‫ؙࢗ‬୚ತ֚. Taibei: Xin lu chu ban you xian gong si, 1997. 236 p. ISBN 9579898367 Series title: Xin gan dong cong shu; 001 ЈҀҁᜣ‫ ;ڣ‬001 Note: A collection of film reviews written from the perspective of “self-realization,” as stated by the author and the book’s reviewers. DTFALib Chi

0763 Udden, James. No man an island: the cinema of Hou Hsiao-Hsien. Hong Kong: Hong Kong University Press, 2009. 226 p. ISBN 9789622090743 (hbk.), 9622090745 (hbk.)

141

Film Reviews

0767 0767

0771

Wang, Molin. ࣼၢ৆. Dao yan yu zuo pin. ࣒ࠟӿӑԘ. Taibei: Lian ya chu ban she, 1978. 261 p. Series title: Lian ya cong kan; 39 ࡀਐᜣᑂ; 39 Note: This is a collection of the author’s reviews of worldfamous film directors and their films. In the domestic part, fourteen Taiwan film directors and their films are presented in four categories: Dynasty Court Films, Martial Arts Films, Literary Films, and New Directors. Includes a filmography. CTFAL Chi

Wen hua pi ping yu hua yu dian ying = Cultural Criticism and Chinese cinema / Zheng Shusen bian. ҹ٩౓߰ӿ‫ܭܓ‬Ӈ‫ = ؙ‬Cultural Criticism and Chinese cinema / ቼ கာഹ. Taibei: Mai tian chu ban you xian gong si, 1995. 366 p. ISBN 9577083102 Series title: Mai tian ren wen; 9 ๤೧Ϫҹ; 9 Note: Liao Ping-hui states in the Foreword that the text’s purpose is to explore the relationship between western cultural criticism and Chinese cinema of the 1980s and 1990s in mainland China, Hong Kong, and Taiwan. Three essays discuss films of Taiwan New Cinema: Zhan Mingxin’s essay on Edward Yang’s The Terrorizers (1986), Huang Yuexiu’s discussion of Edward Yang’s A Brighter Summer Day (1991), and Liao Chaoyang’s essay on Wang Tung’s Banana Paradise (1989). Includes a bibliography at the end of each essay. WorldCat Chi

0768 Wang, Wei ࣼᬕ. Xun qiu jia xiang xian de yin mu: dang dai Taiwan dian ying de guan cha. ଵؒ޳Ђ۷ϡુ௷: Ԅ‫ݡڊ‬ஹӇ‫ؙ‬ϡ޲ൌ. Taibei: Wan xiang tu shu gu fen you xian gong si, 1995. 178 p. ISBN 9576696984 Series title: Yi shu fang; 14 ਲ‫ ;ࠚڣ‬14 Note: The author’s film reviews of contemporary Taiwan films. Includes a filmography. CTFAL Chi

0772 Wen hua pi ping yu hua yu dian ying / Zheng Shusen bian. ҹ٩౓߯ԁ‫ܬܗ‬ӈ‫ ؙ‬/ ችஔာ൜. Guilin: Guangxi shi fan da xue chu ban she, 2003. 249 p. ISBN 756334232X Note: The mainland China version, in simplified characters, of the same title published in Taiwan in 1995. Liao Ping-hui states in the Foreword that the text’s purpose is to explore the relationship between western cultural criticism and Chinese cinema of the 1980s and 1990s in mainland China, Hong Kong, and Taiwan. Three essays discuss films of Taiwan New Cinema: Zhan Mingxin’s essay on Edward Yang’s The Terrorizers (1986), Huang Yuexiu’s discussion of Edward Yang’s A Brighter Summer Day (1991), and Liao Chaoyang’s essay on Wang Tung’s Banana Paradise (1989). Includes a bibliography after each essay and a contributor introduction at the end of the book. WorldCat Chi

0769 Wang, Ying. ᑓᙀ. Ying ying yan. ᒭᒭՒ. Taibei: Wen sheng shu ju, 1982. 304 p. Note: A collection of film reviews. CTFAL

Chi

0773

0770

Wen, Tianxiang. ࢨϳፖ. Fu yi ke dian ying dan: “Ji mo fang xin ju le bu” dian ying shu. ₿ϣੀӇ‫ؙࠠ‬: “ఘದᇙК༤Ӏ‫ ”ח‬Ӈ‫ڣؙ‬. Taibei: Yuan liu chu ban gong si, 1995. 207 p. ISBN 9573225557 Series title: Dian ying guan; 57 Ӈ‫ؙ‬ఖ; 57 Note: Primarily a discussion of the film: Ji mo fang xin ju le bu / Lonely Hearts Club; however, at the end, films directed by Ang Lee and Tsai Ming-liang are reviewed. CTFAL Chi

Wang, Zhicheng, 1961– ࣼ࢑ю, 1961– Sheng se zhi mi: dian ying xing shi yu feng ge jie du. ‫ك‬աҏຮ: Ӈ‫ؙܴ࣏‬ӿգ۴‫ࢵث‬. Taibei: Wan xiang tu shu gu fen you xian gong si, 1996. 324 p. ISBN 9576697948 Series title: Yi shu fang; 19 ਲ‫ ;ࠚڣ‬19 Note: A collection of the author’s film reviews organized into three categories: Directors, Box Office Records, and Film Festivals. Reviewed Taiwan films include those by Tsai Ming-liang, Yang Dechang, and Hou Xiaoxian. CTFAL Chi

142

General Reviews

0780 Note:

0774 Wen, Tianxiang. ࢨϳፖ. She ying ji yu jiao rou ji—Hua yu dian ying 1990–1996. ଄‫ؙ‬Қӿ᧷‫ރ‬ӫ—‫ܭܓ‬Ӈ‫ ؙ‬1990–1996. Taibei xian Zhonghe shi: Zhi shu fang, 1996. 281 p. ISBN 9578622449 Series title: Yue du dian ying shu xi; 2 ་ࢵӇ‫ ;ڍڣؙ‬2 Note: A collection of the author’s film reviews on Chinese films produced in Taiwan, Hong Kong, and mainland China, from 1990 to 1996. CTFAL Chi

A collection of the author’s reviews, commentaries, and anecdotes regarding Hong Kong and Taiwan films and television programs. WorldCat Chi

0778 Wu, Mengqiao. ྶ፽⃊. Ai kan dian ying de ren. ДЃӇ‫ؙ‬ϡϪ. Taibei: Er ya chu ban she, 2003. 342 p. ISBN 9576393663 Series title: Er ya cong shu; 387 ঌ઩ᜣ‫ ;ڣ‬387 Note: A collection of film reviews, some of which deal with Taiwan films. Includes the author’s biography. NTUL Chi

0775 Wen, Tianxiang. ࢨϳፖ. Ying chi zi zhu can. ‫ؙ‬စІࡾ࠼. Taibei: Yang zhi wen hua shi ye gu fen you xian gong si, 2001. 308 p. ISBN 9578181906 Series title: Dian ying xue yuan; 2 Ӈ‫ؙ‬ѹᮛ; 2 Note: An organized collection of film reviews for film fans. Includes various favorite or best film lists and Golden Horse Film Award record holders. CTFAL Chi

0779 Wu, Qiyan. ྶԷ᷀. Bian yuan shi jiao: Wu Qiyan wen ji / Wu Qiyan; Zhang Jingbei bian. ‫ࢊנ‬؆ࡠ: ྶԷ᷀ҹओ / ྶԷ᷀; ‫פ‬ᑽᲅഹ. Taibei: Wan xiang tu shu gu fen you xian gong si, 1996. 377 p. ISBN 9576697719 Note: Film reviews and essays by Wu Qiyan. Includes two parts: Part 1 covers foreign films; Part 2 reviews Taiwan films. Includes a bibliography. CTFAL Chi

0776 Wen, Tianxiang. ࢨϳፖ. Ying mi cang bao tu. ‫ؙࣿ‬েմ֖. Taibei xian Zhonghe shi: Shu pin wen hua shi ye you xian gong si, 1996. 353 p. ISBN 9578622287 Series title: Yue du dian ying shu xi; 1 ་ࢵӇ‫ ;ڍڣؙ‬1 Note: A collection of the author’s film reviews and papers on film studies. Includes Taiwan film reviews in Chapters 5 and 6. CTFAL Chi

0780 Wu, Yelan. ેⴲầ. Dian ying bai nian jia pian shang xi / Wu Yelan, Zhao Zhao Zhengjie bian zhu. ӈ‫ښؙ‬ё૟әೄ໯ / ેⴲầ䩟ᖀԜ‫ڝ‬൜Я. Beijing: Zhongguo Chang’an chu ban she, 2005. 2 v. ISBN 7801753089 Note: A film appreciation guide and series of reviews of the 120 best Chinese films from 1905–2005, including 8 films produced in Taiwan. Compared with similar works published in mainland China, this text is more objective and less political work. Each review includes the film’s credits, cast, backgro information, synopsis, and the authors’ comments. Includes a bibliography. WorldCat Chi

0777 Wu, Junrong. ྶᒺ๎. Dian ying sui bi. Ӈ‫ڨؙ‬દ. Xianggang: Ke hua tu shu chu ban gong si, 2007. 448 p. ISBN 9789621601506, 9621601509

143

Film Reviews

0781

a comparative study of Taipei and Shanghai in Chinese cinema from the 1930s to the 1990s. Includes interviews, synopses, and an introduction of the contributors in the appendix. NTUL Chi Eng

0781 Xi lian ren sheng: Hou Xiaoxian dian ying yan jiu = Passionate detachment: Films of Hou Hsiao-hsien / Lin Wenqi, Shen Xiaoyin, Li Zhenya bian. ۚߧϪТ: ᢡᖮᐊӇ‫ؙ‬傘ૢ = Passionate detachment: Films of Hou Hsiao-hsien / ৆ҹᚉ, ਻ཁ᱘, ଽዄਐഹ. Taibei: Mai tian chu ban gu fen you xian gong si, 2000. 389 p. ISBN 9577089534 (pbk.) Series title: Mai tian ren wen; 33 ๤೧Ϫҹ; 33 Note: This collection of essays provides arguably the most broad and in-depth study of Hou Hsiao-hsien’s films up to the year 2000, written by scholars from Taiwan, Hong Kong, and United States. NTUL Chi

0784 Yan, Huizeng. ୶௑Ҷ. Shen sheng yu shi su: cong dian ying de biao mian jie gou dao shen ceng jie gou. ‫ظ‬๦ӿԒཞ: ԩӇ‫ؙ‬ϡԣӌְภϺ‫ٹ‬ৡְภ. Taibei: Yuan liu chu ban gou si, 1992. 246 p. ISBN 9573216639 Series title: Dian ying guan; 28 Ӈ‫ؙ‬ఖ; 28 Note: A collection of essays on film theory and Taiwan film reviews. NTUL Chi

0782 Xie Wenyu (Hsieh, Wen-yu). ‫ه‬ᝉ㙻. Hei an zhi guang: Zhang Zuoji feng ge yan jiu = Light in darkness: Stylistics of Chang Tso-chi. ‫ܪ‬ମҏ‫ׇ‬: ‫פ‬ӑ┫գ۴୳ૢ = Light in darkness: Stylistics of Chang Tso-chi. 111 leaves. Note: Thesis (M.A.)—National Taiwan Normal University, 2007. Studies Chang Tso-chi’s films from aesthetic, historical, and cultural perspectives. Explores the influence of Taiwan New Cinema on Chang’s films and the development of the director’s cinematic style. Written in English. Includes a Chinese abstract and bibliography. NCL/NDLTD (FT) Eng

0785 Yan, Shikai. ୶ࡲᏎ. Zhan zhe zuo ai: dian ying yu xing = Stand to make love. ۖа҂Д: Ӈ‫ؙ‬ӿԛ = Stand to make love. Taibei: Bo shi ke ji yi shu, 2005. 370 p. ISBN 9867224698 Series title: Zhuan jia zhi zao; b02034 ֟р३߃; b02034 Note: Explores the indirect, hidden sexual content and innuendos presented in mainstream films produced in Hong Kong, Taiwan—including Taiwan New Cinema—and films from other countries to expound on the political subtext of such representations. The book cover carries an “18 and older” marking. CTFAL Chi

0783 Xun zhao dian ying zhong de Taibei = Focus on Taipei through cinema 1950–1990 / Chen Ruxiu, Liao Jinfeng bian zhu. ଵ‫װ‬Ӈ‫ؙ‬Ѕϡ‫ = ܚݡ‬Focus on Taipei through cinema 1950–1990 / ಴ᭉࢗ, ᴰ‫ؖ‬ངഹЯ. Taibei: Wan xiang tu shu ge fen you xian gong si, 1995. 164 p. ISBN 9576697433 Note: This is a special bilingual (Chinese and English) publication for the Taipei film exhibit: “Focus on Taipei through Cinema, 1950–1990,” and the 1990 Golden Horse Film Awards. Twelve Taipei-related films were selected for the exhibit, all of them produced from 1963 to 1990. Ten essays, which investigate these twelve films, focus on the subjects of Taipei’s film history, Taipei’s city image in Chinese films, the “Taipei experience” in Taiwanese-dialect films, aesthetic and comparative studies of Taiwanese and Mandarin films during the 1960s, Post-Taiwan New Cinema from the 1980s to the 1990s, a sociological study of portrayals of Taipei city through films from 1960 to 1990, depictions of Taipei youth, Taipei’s landscape of desire, and

0786 Yi jiu ba jiu Jin Ma guo ji guan mo ying zhan, 12.9–12.22, 1989 / Dian ying zi liao guan. ϣ॰ࡂ॰‫ެؖ‬лগ޲ಎ‫ࣁؙ‬, 12.9–12.22, 1989 / Ӈ‫ࢧޞؙ‬ఖ. Taibei: Dian ying zi liao guan, 1989. 162 p. Note: Published to celebrate the 1989 Golden Horse International Film Festival hosted by the Taiwan Film Library from December 9 to December 22, 1989, this work includes the filmography of all participating films, including three Taiwanese-dialect films, one film by Edward Yang, and related reviews and interviews by film scholars and critics. NTUL Chi

144

General Reviews

0795 Taibei: Liang jing chu ban shi ye gong si, 1999. 249 p. ISBN 9570820179 Series title: Bin fen ban xi lei; 1 ᠷ໧‫ ;࠶ڍؗ‬1 Note: A collection of the author’s film reviews. CTFAL

0787 Yi ge ren ke dian ying / Shu weir en bian ji bu zuo. ϣϫϪḡӇ‫ ؙ‬/ ُ֧Ϫഹফ‫ח‬ӑ. Taibei: Shu wei ren zi xun you xian gong si, 2008. 142 p. ISBN 9789866690198 Note: An informal collection of short film reviews, notes, and comments. Includes cartoons, photos, film stills, and posters. NTUL Chi

Chi

0792 Yu, Yeying. ཡ‫⁒׬‬. Dian ying bei wo pao kua le. Ӈ‫ؙ‬ҩϢާቄϦ. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1990. 318 p. ISBN 9571301744 Series title: Ji zhe 25 xiao shi xi lie; 7 ֮‫ٷ‬25ЩЖ‫ ;࠶ڍ‬7 Note: A film journalist’s memoir. Covers film-related news and stories from the 1970s to the 1980s, including historical events and famous directors, producers, actors, and actresses in Taiwan, Hong Kong, and mainland China. CTFAL Chi

0788 Yi qu wei wan dian ying meng—Wang Feilin ji nian wen ji / Zhu bian Jian Zhen, Jing Yingrui deng. ϣॽ‫۔‬ԟӇ‫ࣼ—ؙْ‬๘৆ઔ݉ҹओ / Ұഹߢ㱠, ቯࣽᇳҳ. Taibei: Ke ning chu ban she, 1993. 432 p. ISBN 9579099162 Note: This is a commemorative work of Wang Feilin, a Taiwan film director and critic who passed away in 1992. It includes Wang Feiling’s essays, film reviews, articles, interviews, and memorial articles about Wang Feiling. Includes a chronology. NTUL Chi

0789

0793

Ying xiang: 1979—2005 zui you jia zhi ying ping / Di Rongjun bian. ‫ؙ‬Ռ䩭1979—2005 зϩ٣ߚ‫ ؙ߯‬/ ⌃ึ‫ݲ‬ഹ. Bejing: Dunhuang wen yi chu ban she, 2006. 333 p. ISBN 780587798X Note: Film reviews selected by film critics from multiple countries, including Taiwan, from 1979 to 2005. Reviews of Taiwan film director Edward Yang’s A Brighter Summer Day (1991) and Tsai Ming-liang’s Vive L’Amour (1994) are included in the book. CTFAL Chi

Zeng, Weizhen. ߲໖ℭ. Cong xin kan dian ying. ԩКЃӇ‫ؙ‬. Taibei: Fa gu wen hua shi ye gu fen you xian gong si, 2006. 287 p. ISBN 9789575989710 Series title: Liu li wen xue; 8 ᧑ᅏҹѹ; 8 Note: A collection of the author’s film reviews. Includes a filmography. CTFAL Chi

0790 Ying xiang yu yin xiang: Zhongguo ying ping ren xie hui chuang hui sa zhou nian ji nian / Zhongguo ying ping ren xie hui bian ji wei yuan hui. ‫ؙ‬Ռӿ୅ࢣ: Ѕл‫ؙ߰‬Ϫ൒ϾࡶϾⓔ‫ڬ‬ёઔ݉ / Ѕл‫ؙ߰‬Ϫ൒Ͼ ഹফణ‫؂‬Ͼ. Taibei: Zhongguo ying ping ren xie hui, 1995. 233 p. Note: A commemorative work for the Thirtieth Anniversary of the Chinese Film Critics Association; includes articles on Taiwan film and film reviews divided into Chinese and foreign film review sections. CTFAL Chi

0794 Zeng, Zhaoxu. ߲ᢘ᯾. Cong dian ying kan ren sheng. ԩӇ‫ؙ‬ЃϪТ. Taibei: Han guang wen hua shi ye gu fen you xian gong si, 1982. 215 p. Series title: Han guang cong shu; 003 ఈ‫ׇ‬ᜣ‫ ;ڣ‬003 Note: A collection of film reviews. CTFAL Chi

0791 0795

Yu, Qianru. ൑圎Ғ. Shang xin dian ying yuan. ،КӇ‫ࡨؙ‬.

Zeng, Zhaoxu. ߲ᢘ᯾. Zai ai zhong cheng zhang. ϨДЅюӕ.

145

Film Reviews

0796 Taibei: Han guang wen hua shi ye go fen you xiang gong si, 1987. 243 p. Series title: Han guang cong kan; 30 ఈ‫ׇ‬ᜣᑂ; 30 Note: A collection of film reviews, including the first four reviews on Taiwan films. NTUL Chi

Jiayi: Wen zhi chu ban she, 1983. 264 p. Note: A collection of film reviews. CTFAL

0800 Zeng, Xiba. ߲՝ພ. Tan ying lun xi. ড‫ۚںؙ‬. Taibei: Zhong ying wen zhou she, 1974. 192 p. Series title: Zhong ying wen zhou kan cong shu Ѕ߭ҹ‫ڬ‬ᑂᜣ‫ڣ‬ Note: A collection of the author’s articles and reviews on both film and drama. CTFAL Chi

0796 Zeng, Zhicheng. ߲࢑ю. Ying hua nan nu = Nuovo cinema paradiso. ྱࡌԲѽ = Nuovo cinema paradiso. Taibei xian Sancheng shi: Xin yu, 2002. 126 p. ISBN 9577336914 Note: One hundred films from the various countries, including few Taiwan, are selected and reviewed by the author. CTFAL Chi

0801 Zhang, Guoqing. ‫פ‬лদ. Bian yuan bian zheng: dian ying, wen xue yu wen hua pi ping. ‫ࢊנ‬ᗙࢮ: Ӈ‫ؙ‬, ҹѹӿҹ٩౓߰. Taibei: Shu lin chu ban you xian gong si, 1998. 226 p. ISBN 9575867777 Note: A collection of the author’s articles on film, literature, and culture. Part 1 is a collection of film reviews, including two reviews on Taiwan films. CTFAL Chi

0797 Zeng, Xiba. ߲՝ພ. Dian ying lun ji. Ӈ‫ںؙ‬ओ. Taibei: Yan Tai tu shu, 2007. 164 p. ISBN 978986780946 Series title: Chuan bo jiao yu cong shu; 43 ‫ة‬৚‫ڌ‬ड़ᜣ‫ ;ڣ‬43 Note: This is a collection of film reviews. NTUL

Chi

0802 Zhang, Jian. ‫࡬פ‬. Cong Tangmu Qiongsi dao tiao hui—Zhang Jian ying ping ji. ԩ௡ᏛᬆটϺ੩ී—‫ؙ߰࡬פ‬ओ. Taibei: Min zhong ri bao chu ban she, 1979. 170 p. Series title: Min zhong cong shu; L-2 ‫ੁھ‬ᜣ‫ ;ڣ‬L-2 Note: A collection of film reviews. CTFAL Chi

Chi

0798 Zeng, Xiba. ߲՝ພ. Dian ying shi dai. Ӈ‫ؙ‬Ж‫ڊ‬. Nantou: Nantou xian wen hua ju, 2001. 272 p. ISBN 9570103361 Series title: Nantou xian wen hua zi chan cong shu; 78 ۪‫້ۄ‬ҹ٩‫ݗޞ‬ᜣ‫ ;ڣ‬78 Note: A collection of the author’s film reviews, divided by region into three sections: Foreign Film Reviews, Taiwan, and Hong Kong. Includes a chronology. CTFAL Chi

0803 Zhang, Jingbei. ‫פ‬ᑽᲅ. Jing tou xia de ai qing. ஗ӰЎϡДє. Taibei xian Xindian shi: Mi luo chu ban she, 1998. 318 p. ISBN 9579825505 Series title: Kai mai la; 1 ы๤ࠁ; 1 Note: A collection of film reviews. CTFAL

0799 Zeng, Xiba. ߲՝ພ. Leng yan guan ying. ߤՒ޲‫ؙ‬.

146

Chi

Individual Film Reviews

0810 Includes a bibliography. CTFAL

0804 Zheng, Binghong. ቼ᳉᜞. Taiwan dian ying ai yu si: guan yu dian ying, wo lue zhi yi er = The love and death of Taiwan Cinema. ‫ݡ‬ஹӇ‫ؙ‬ДӿӚ: ԬӿӇ‫ؙ‬, ϢଯҌϣԏ = The love and death of Taiwan Cinema. Taibei: Shu linchu ban gong si, 2010. 347 p. ISBN 9789574453535, 9574453537 Series title: Dian ying yuan; F9 Ӈ‫ؙ‬ᮛ; F9 Note: A collection of the author’s film reviews on Taiwanese films produced during the first decade of the twentyfirst century. Provides a clear overall view of the latest and best Taiwan films produced since Taiwan New Cinema garnered the world’s attention in the 1980s. Chapter 1 deals with influential feature and fictional films; Chapter 2 presents profiles and interviews of nine film directors; Chapter 3 surveys Taiwan documentaries; Chapter 4 comments on films produced for television channels; Chapter 5 covers television series; and the final chapter, Chapter 6, includes film reviews that focus on various “Taiwan themes.” Includes film stills. WorldCat Chi

Chi

0807 Zhou, Yanzi. ‫ر‬Ἳж. Dian ying qing huai. Ӈ‫ؙ‬єॕ. Taibei: Da te xie chu ban she, 1983. 220 p. Note: A collection of short articles, including film reviews of Taiwan films and commentaries on Taiwan’s film rating system and film awards. CTFAL Chi

0808 Zhuang, Yongkang. ນ‫ࣉݖ‬. Xi yan: Zhuang Yongkang guan ying bi ji. ۜߞ䩭ນ‫ؙ޴ࣉݖ‬ધ֭. [Singapore] : Chuang yi quan gong zuo shi, 2001. 199 p. ISBN 9810440774, 9789810440770 Note: Reviews of ten motion pictures produced in China, Germany, Japan, Taiwan, and the United States— previously published in various Chinese newspapers in Singapore—are published here. WorldCat Chi

0805 Zhou, Liming. ‫ر‬ሑҴ. Hua yu pian die zhong die / Zhou Liming, Liang Liang zhu. ‫ܬܗ‬әᖦЅᖦ / ‫ر‬ሑҴ䩟ᅯમЯ. Guangzhou: Hua cheng chu ban she, 2006. 433 p. ISBN 7536047037 (pbk.), 9787536047037 (pbk.) Series title: Raymond Zhou’s Film Guide Hua yu dian ying 2000 bu “Die zhong die” xi lie; di 3 juan ‫ܬܗ‬ӈ‫ؙ‬2000‫”ח‬ᖦЅᖦ”‫࠶ڍ‬䩮 ҷ3ඵ Note: A Chinese film (DVD) guide with more than 2000 film reviews of representative films from Taiwan, Hong Kong, and mainland China. WorldCat Chi

4.2

INDIVIDUAL FILM REVIEWS

20: 30: 40 (2004) 0809 203040 Dian ying quan shu / Guo Yujun zhuan gao. 203040 Ӈ‫ؙ‬Ҫ‫ ڣ‬/ ᔕఛᅿ᫃፻. Taibei: Da tian chu ban you xian gong si, 2004. 150 p. ISBN 957455581X, 9789574555819 Note: This is a comprehensive account of the making Sylvia Chang’s film 20:30:40 (2004). Includes film stills, interviews with three main actresses, and related stories from the film’s production. WorldCat Chi

0806 Zhou, Qixing. ‫ر‬ൠҲ. Xian dai ying shi lu = Cinema apocalypse now. ѳ‫ = ࠷ؙܾڊ‬Cinema apocalypse now. Taibei: Taiwan shang wu yin shu guan, 2008. 331 p. ISBN 9789570523041 Series title: Xin wan you wen ku Ј‫ݛ‬ϩҹᆞ Note: A collection of the author’s film reviews organized by country. Taiwan, Hong Kong, and Vietnam film reviews are grouped together at the end of the book.

Ai de fa sheng lian xi = So Called Love (2008) Дϡч‫ك‬୚‫( ܄‬2008) 0810 Li, Ding. ଽᑾ. Zai jian de di fang: “Ai de fa sheng lian xi” dian ying er san shi = See you again. ӐԊϡсҤ: “Дϡч‫ك‬୚‫”܄‬Ӈ‫ؙ‬ԏѧѨ = See you again.

147

Film Reviews

0811 Taibei: Da kuai wen hua chu ban gu fen you xian gong si, 2008. 215 p. ISBN 9789862130940, 9862130946 Note: Director’s account of making the film: So Called Love (2008). WorldCat Chi

0814 Bao dao da meng: Taiwan dian ying de qi huan bian jing / Huang Mingchuan bian. մޯϽْ: ‫ݡ‬ஹӇ‫ؙ‬ϡ࡞ୀ‫ ॒נ‬/ ࢶҴඇഹ. Taibei: Qian wei chu ban she, 1999. 226 p. ISBN 9578994605 Series title: Taiwan dian ying; 1 ‫ݡ‬ஹӇ‫ ;ؙ‬1 Note: The book describes how the film Bodo (1993) was made, including sound and scene design, and the equipment used. WorldCat Chi

Ai qing wan sui = Vive L’amour (1994) Дє‫( ۈݛ‬1994) 0811 Cai, Mingliang (Tsai, Ming-liang), 1957– ᓥҴ݊, 1957– Ai qing wan sui: Cai Mingliang de dian ying = Vive l’amour. Дє‫ۈݛ‬: ᓥҴ݊ϡӇ‫ = ؙ‬Vive l’amour. Taibei: Wan xiang tu shu go fen you xian gong si, 1994. 208 p. ISBN 9576695317 (pbk.), 9789576695315 (pbk.) Note: Describes the writing and making of Vive L’amour (1994). Includes screenplay. WorldCat Chi

0815 Shen hua 3 bu qu: Huang Mingchuan dian ying ji shi = Huang Mingchuan trilogy / Huang Mingchuan dian ying shi xun you xian gong si. ‫ظ‬ҧ3‫ॽח‬: ࢶҴඇӇ‫ؙ֮‬Ѩ = Huang Mingchuan trilogy / ࢶҴඇ Ӈ‫ؙ‬؆ళϩࡳԍ‫ޅ‬. Taibei: Huang Mingchuan dian ying shi xun you xian gong si, 2011. 205 p. ISBN 9789868704701, 9868704707 Note: Reviews of the filmmaking process of independent film director Huang Mingchuan’s famous trilogy, The Man from the Island West (1990), Bodo (1993), and Flat Tire (1998), plus a short film, Wind Within (1999). Includes four DVDs. WorldCat Chi

0812 Powley, Kathryn Anne. Silence, emptiness and love in Ts’ai Ming-liang’s film Vive l’amour. 47 leaves. Note: Thesis (M.A.–Chinese)—University of Auckland, 1997. A work on Cai Mingliang (Tsai Ming-liang) and his film Vive l’amour. Includes a bibliography. WorldCat Eng

Bao dao man po = Formosa Mambo (2011) մޯࢿம (2011) 0816

An lian Taohuayuan = The Peach Blossom Land (1992)

Xi, Han. Ӎ៲. Bao dao man po = Formosa Mambo. մޯࢿம = Formosa Mambo. Xin Bei Shi: Yuan jing chu ban shi ye you xian gong si, 2011. 189 p. ISBN 9789573907954, 957390795X Note: A book in four parts: (1) an introduction of the film director Wang Qizai and his production team; (2) a collection of filmmaking stories; (3) an introduction of the film cast; and (4) a review of the film Formosa Mambo (2011). WorldCat Chi

ମߧಱՐ੅ (1992) 0813 Yan, Hongya. Ἡ᜞ਐ. Wo an lian de Taohuayuan / Honghong (Yan Hongya), Yuehui (Lin Yuehui) bian zhu. ϢମߧϡಱՐ੅ / ᜞᜞ (Ἡ᜞ਐ), ֊௑ (৆֊௑) ഹЯ. Taibei: Yuan liu, 1992. 216 p. ISBN 9573216310 Series title: Dian ying guan; 27 Ӈ‫ؙ‬ఖ; 27 Note: Describes the adaptation of a stage drama into a film. Contains interviews with the producers of The Peach Blossom Land (1992) and film reviews. Includes a list of the film’s cast and crew and an account of the director’s film production logistics. CTFAL Chi

Bei qing cheng shi = A City of Sadness (1989) ঳є‫( صڵ‬1989) 0817 Cai, Peijuan (Tsai, Pei Chung). ᓥႬᥱ. “Bei qing cheng shi” de lun shu jian gou—Shi chang xing xiao, lei xing yu li shi xu shi = The construction of “A city of sadness”: Marketing, genre and narrative.

Bao dao da meng = Bodo (1993) մޯϽْ (1993)

148

Individual Film Reviews

0824

“঳є‫ ”صڵ‬ϡ‫ں‬਎ࠃภ—‫ص‬ԾҲઍ,ढࡿӿࣵ੗ᡳѨ = The construction of “A city of sadness”: Marketing, genre and narrative. 138 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 1994. Viewing Hou Hsiao-hsien’s film A City of Sadness (1989) as an example of Taiwan films produced in the 1980s, the paper analyzes the discourse of the film from the perspectives of marketing, genre, and historical narrative. Includes a Chinese abstract and bibliography. NCL/NDLTD Chi

Asserts that Hou Hsiao-hsien’s unconventional style in his film A City of Sadness (1989) should be examined carefully, for the director’s representation of history reveals an indirect cinematic, but not an evasive, approach to the historical reality. This position is voiced in contradiction to critics who claim Hou’s representation of the February 28 Incident keeps a safe distance from the sensitive events and conforms to the KMT government’s perspective. It is written in English. Includes a Chinese and English abstract and bibliography. NCL/NDLTD Eng

0818

0821

Chan, Shuen-yan. History and memory in Hou Hsiao-hsien’s A City of Sadness and Tian Zhuangzhuang’s The Blue Kite. 68 leaves. Note: Thesis (M.A.)—Hong Kong University, 1999. A comparative study of A City of Sadness (Hou Hsiaohsien, 1980) and The Blue Kite (Tian Zhuangzhuang, 1993). Focuses on issues of private memory versus official history. Includes appendix I and II (brief biography of the directors), a filmography, and a bibliography. Full-text access through the HKU Scholars Hub. WorldCat Eng

Chi, Robert Yee-sin (Bum, Al). A world of sadness. 48 leaves. Note: A manuscript on Hou Hsiao-hsien’s film A City of Sadness (1989). Received the Susan Anthony Potter Prize in Comparative Literature, Harvard University, 1997. WorldCat Eng

0822 Hung, Christine Yu-Ting. A nation of sadness? Reading history, culture, and gender in Hou Hsiao-hsien’s A City of Sadness. 100 leaves. Note: Thesis (M.A.)—University of New South Wales, 2006. Includes a bibliography. WorldCat Eng

0819 Chen, Ruxiu (Chen, Ru-shou Robert). ಴ᭉࢗ. Dian ying di guo, ling yi zhong zhu shi: dian ying wen hua yan jiu. Ӈ‫ؙ‬෌л, ࡔϣ҆‫ڀ‬؆: Ӈ‫ؙ‬ҹ٩୳ૢ. Taibei: Wan xiang tu shu gu fen you xian gong si, 1995. 264 p. ISBN 9576697344 Series title: Yi shu fang; 16 ਲ‫ ;ࠚڣ‬16 Note: A collection of the author’s essays organized into three sections: (1) cultural, gender, psychological, and comparative analyses of Taiwan films of the 1990s; (2) mainland China films; (3) Taiwan film through the lens of postcolonial theory. Essays of note include a study of mental illness in Taiwan films, and a psychological study of Hou Hsiao-hsien’s film A City of Sadness (1989). Includes a bibliography. CTFAL Chi

0823 Reynaud, Bérénice. A city of sadness = ঳є‫صڵ‬. London: British Film Institute, 2002. 95 p. ISBN 0851709303 Series title: BFI Modern Classics Note: A comprehensive study of Hou Hsiao-hsien’s film A City of Sadness (1989). Integrates unique perspectives, such as a comparative analysis of the June 4 Incident in Tiananmen Square in Beijing in 1989 and the film; provides historical background of the Lin family in the film; and offers a detailed study of the film’s sound editing strategy and effects. Includes, an appendix, the Lin Family genealogy chart, filmography, notes, and film credits. WorldCat Eng

0820 Chen, Yuanqiu (Chen, Yuan-chiu). ಴ᤨ‫ڠ‬. Bei qing cheng shi: Hou Xiaoxian de yu hui que wu gui bi = A City of Sadness: Hou Hsiao-Hsien’s elusiveness without evasiveness. ঳є‫صڵ‬: ᢡᖮᐊϡᯩ፯‫׌‬ѩ੺೬ = A City of Sadness: Hou Hsiao-Hsien’s elusiveness without evasiveness. 128 leaves. Note: Thesis (M.A.)—National Chung Cheng University, 2008.

0824 Tamura, Shizue, 1944– ೧భ࢑ဋብ, 1944– Hij䲖j䲖-shi no hitobito: Taiwan to Nihon no uta. ঳є‫صڵ‬䫟Ϫ䫤䫙 : ‫ݡ‬ළ䫙яӆ䫟䪷䫐. T䲖ky䲖: Sh䲖bunsha, 1992. 228 p. ISBN 4794961030, 9784794961037

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Film Reviews

0825 Note:

A work on the film A City of Sadness (1989) and the relationship between Taiwan and Japan as reflected in the film. WorldCat Jpn

(1993), and Good Men, Good Women (1995), as well as the author’s comments and records of making the films. Includes a filmography and bibliography. Duxiu (FT) Chi

Brokeback Mountain (2005)

0825 Xin dian ying zhi si—cong “Yi qie wei ming tian” dao “Bei qing cheng shi” / Mizou, Liang Xinhua bian. ЈӇ‫ؙ‬ҏӚ—ԩ “ϣܷЊҴϳ” Ϻ “঳є‫”صڵ‬/ ࣿҵ, ᅯЈ‫ܓ‬ഹ. Taipei: Tang shan chu ban she, 1991. 236 p. Series title: Zhan zheng ji qi cong kan; 3 ‫ڕ‬ৎҚॆᜣᑂ; 3 Note: A collection of essays critical of Taiwan New Cinema director Hou Hsiao-hsien and his acclaimed film A City of Sadness (1989). Several essays declare that the death of Taiwan New Cinema occurred in 1988 when Hou Hsiao-hsien and other Taiwan New Cinema directors delivered a “Taiwan Film Memoratum” in 1987 and then agreed to make the government policy film Everything for the Events of Tomorrow for Taiwan’s Defense Department in 1988. Most of the film reviews of Hou Hsiao-hsien’s film A City of Sadness (1989) take both a negative view of the director’s portrayal of the February 28 Incident and the film as a whole. Also includes a negative review of Taiwan’s so-called first independently made film, The Man from the Island West (1990). Includes a bibliography. CTFAL Chi

0828 Li, Dahan. ଽܺᲆ. Yi san zou guo you yi san—Li An, Se jie, Duan bei san. ϣ‫ځ‬ҵОҍϣ‫—ځ‬ଽԥ, աയ, ऄࠧ‫ځ‬. Taibei: Ru guo chu ban she; Da yan wen hua, 2007. 479 p. ISBN 9789868331389 Note: The author’s interviews, introductions, reports, and film reviews related to Ang Lee and his two major works Brokeback Mountain (2005), and Lust, Caution (2007). Includes photos, film posters, and stills. CTFAL Chi

0829 Lu, Wanying (Lu, Wan-ying). ᧛ᙙᙀ. Li An “Duan bei shan” yu Zhnag Yimou “Shi mian mai fu” dian ying mei xue guan zhi bi jiao yan jiu = A comparative study of movie aesthetics between Ang Lee’s “Brokeback Mountain” and Yimou Zhang’s “House of flying daggers”. ଽԥ “ऄࠧ‫ ”ځ‬ӿ‫פ‬ਲጚ “֐ӌႲቛ” Ӈ‫ؙ‬Ѥѹ޲ҏԝࢺ୳ૢ = A comparative study of movie aesthetics between Ang Lee’s “Brokeback Mountain” and Yimou Zhang’s “House of flying daggers”. 431 leaves. Note: Thesis (M.A.)—National Tainan Arts University, 2007. A comparative analysis of the movie aesthetics in Ang Lee’s Brokeback Mountain (2005) and Zhang Yimou’s House of Flying Daggers (2004). Includes an abstract in Chinese and English and a bibliography. NCL/NDLTD Chi

0826 Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ1952– Bei qing cheng shi: Wu Nianzhen Zhu Tianwen zuo pin / Wu Nianzhen, Zhu Tianwen. ঳є‫صڵ‬: ྶ݉ѐᗌϳҹӑԘ / ྶ݉ѐ, ᗌϳҹ. Taibei: San san shu fang, 1989. 198 p. ISBN 9579528004 Note: Includes the screenplay of A City of Sadness (1989), written by Wu Nien-chen, and a question and answer with Chu T’ien-wen. Duxiu (FT) Chi

0830 Wang, Xuanru (Wang, Xuan-ru). ࣼ២Ғ. “Kua yue tong zhi yu jia ting de hong gou”: tan tao Li An “Duan bei shan” zhong de tong zhi yu jia ting zhi jian de zheng zha = “Family that hurts”: Struggle between family and homosexuality in Ang Lee’s Brokeback Mountain. “ቄքӎ࢑ӿр೛ϡ᜞ཻ”: ෬क़ଽԥ “ऄࠧ‫ ”ځ‬Ѕӎ࢑ӿр೛ҏҼ ϡᄋႹ= “Family that hurts”: Struggle between family and homosexuality in Ang Lee’s Brokeback Mountain. 105 leaves. Note: Thesis (M.A.)—National Chung Cheng University, 2007. Focuses on the struggle between family and homosexuality in Ang Lee’s film Brokeback Mountain (2005). Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Eng

0827 Zhu, Tianwen (Chu, T’ien-wen), 1956– ᗌϳҹ, 1956– Bei qing cheng shi. ঳є‫صڵ‬. Shanghai: Shanghai wen yi chu ban she, 2001. 248 p. ISBN 7532121003 Series title: Tai Gang ji hai wai Hua yu zuo jia zi xuan wen ku ‫ݡ‬୯᠕֋֔ӑрІ‫ש‬ҹᆟ Note: A collection of four screenplays written by the author and directed by Hou Hsiao-hsien: Dust in the Wind (1986), A City of Sadness (1989), The Puppetmaster

150

Individual Film Reviews

0835 ISBN Note:

0831 Xie, Yiping (Hsieh, Yi-ping) ‫ه‬च‫כ‬. Chuang jian ta men de kong jian: Li An dian ying Duan Bei Shan zhong de kong jian xing yu xing bie ren tong = Constructing a space of their own: spatiality and gendered identification in Ang Liee’s Brokeback Mountain. ࡶࠃјИϡ‫׺‬Ҽ: ଽԥӇ‫ؙ‬ऄࠧ‫ځ‬Ѕϡ‫׺‬Ҽӿԛԇ‫گ‬ӎ = Constructing a space of their own: spatiality and gendered identification in Ang Lee’s Brokeback Mountain. 91 leaves. Note: Thesis (M.A.)—Shih Hsin University, 2009. Investigates the importance and linkage of space and gender based on the cinematic context of Ang Lee’s film Brokeback Mountain (2005). Concludes that the queer love in this particular spatiotemporal portrayal of Brokeback Mountain is both forbidden and under surveillance, and the tension is whether or not to break the taboo or compromise with its reality. Includes a bibliography. NCL/NDLTD Eng

9814139106, 9789814139106 With prefaces by both Tsai Ming-liang and Lee Kangsheng, this text provides a detailed description of the filmmaking process of Bu San / Goodbye, Dragon Inn (2003) directed by Tsai Ming-liang and casting direction by Lee Kang-sheng, and Bu Jian / The Missing (2003) directed by Lee Kang-sheng and produced by Tsai Ming-liang. Provides insight into the relationship between these two important figures in contemporary Taiwan cinema. Includes posters, stills, scripts, and credits from the two films. WorldCat Chi

Ci Ling = The Treasure Hunter (2009) ଱ᒆ (2009) 0834 Ci Ling ying xiang gai nian shu: liu dong yu sha mo de guang, ying, chuan qi / Chang Hong Ying Shi zhu. ଱ᒆ‫ؙ‬Ռม݉‫ڣ‬: Եҁӿ૶ဴϡ‫ׇ‬, ‫ؙ‬, ‫ ࡞ة‬/ ӕᒩ‫ؙ‬؆Я. Taibei: Kai te wen hua chuang yi gu fen you xian gong si, 2009. No pagination. ISBN 9789866606696 Series title: Kai te wen hua xing sheng huo; 15 Ꮞ‫ئ‬ҹ٩լТ҅; 15 Note: A pictorial work that captures the making of the film The Treasure Hunter (2009), a joint venture between Taiwan, Hong Kong, and mainland China. Includes a narrative summary, credits, and character introductions. CTFAL Chi

Bu jian = The Missing (2003) ϤԊ (2003) 0832 Zhang, Jingbei. ‫פ‬ᑽᲅ. Bu jian bu san—Cai Mingliang yu Li Kangsheng. ϤԊϤ્—ᓥҴ݊ӿଽࣉТ. Singapore: Ba fang wen hua chuang zuo shi, 2004. 139 p. ISBN 9814139106; 9789814139106 Note: With prefaces by both Tsai Ming-liang and Lee Kangsheng, this text provides a detailed description of the filmmaking process of Bu San / Goodbye, Dragon Inn (2003) directed by Tsai Ming-liang and casting direction by Lee Kang-sheng, and Bu Jian / The Missing (2003) directed by Lee Kang-sheng and produced by Tsai Ming-liang, as well as insights into the relationship between these two important figures in contemporary Taiwan cinema. Includes posters, stills, scripts, and credits from the two films. WorldCat Chi

Dai shu nan ren = Kangaroo Man (1994) ೂ࿿ԲϪ (1994) 0835 Li, Li. ଽሑ. Dai shu nan ren: dian ying ju ben yu mu hou ren yu / Li Li, Liu Yiming zhu. ೂ࿿ԲϪ: Ӈ‫ঁؙ‬ӆӿ௷ћϪ‫ ܭ‬/ ଽሑ, ฀ជҴЯ. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 1994. 166 p. ISBN 9573224534 Series title: Dian ying guan; 52 Ӈ‫ؙ‬ఖ; 52 Note: The screenplay and account of making Kangaroo Man (1994), directed by Liu Yiming, with behind-thescenes perspectives and an interview with director Liu Yiming. NTUL Chi

Bu san = Goodbye, Dragon Inn (2003) Ϥ્ (2003) 0833 Zhang, Jingbei. ‫פ‬ᑽᲅ. Bu jian bu san—Cai Mingliang yu Li Kangsheng. ϤԊϤ્—ᓥҴ݊ӿଽࣉТ. Singapore: Ba fang wen hua chuang zuo shi, 2004. 139 p.

Dan dao shuang bu da = Every Odd Numbered Day (1994) ‫؁‬Ӌ‫ד‬ϤӋ (1994)

151

Film Reviews

0836

Cinema After World War II (1945–1969), World’s Orphan Era (1970s), and the Era of Taiwan New Cinema (1980s–1990s). Includes photos, stills, posters, and a bibliography WorldCat Jpn

0836 Dan dao shuang bu da—yi bu lai zi Jinmen de bai xing dian ying / Ying huo chong ying xiang ti zuo. ‫؁‬Ӌ‫ד‬ϤӋ—ϣ‫ח‬ϰІ‫ؖ‬՞ϡ‫ښ‬࿲Ӈ‫ ؙ‬/ ⁒‫ڮ‬າྱՌՂӑ. Taibei: Wan xiang tu shu go fen you xian gong si, 1995. 193 p. ISBN 9576696321 Series title: Yi shu fang; 7 ਲ‫ ;ࠚڣ‬7 Note: An introduction to the independent film Every Odd Numbered Day (1994), including commentary by the director, producer, and related personnel, as well as interviews and reviews. The film, a mixture of documentary and fiction, describes the residents of Jinmen Island, the location of the last ground battle between Nationalist and Communist troops in 1949, and the site of more than twenty years of artillery fire between the two sides. CTFAL Chi

Gei wo yi zhi mao = Drop Me a Cat (2002) ѰϢϣ‫( ࢈ݒ‬2002) 0839 Wu, Misen (Wu, Mi-sen), 1967– ྶܶာ, 1967– Gei wo yi zhi mao. ѰϢϣ‫࢈ݒ‬. Taibei: Xiao zhi tang wen hua, 2004. 177 p. ISBN 9574501949, 9789574501946 Note: The screenplay of Wu Mi-sen’s film Drop Me a Cat (2002). Includes stills and photos. WorldCat Chi

Dong = The Hole (1998) ၻ (1998)

Gong fu guan lan = Kung Fu Dunk (2008)

0837

‫ۋ‬ਜ਼ᓲႨ (2008)

Dong: dian ying ju ben yu ping lun / Jiao Xiongping, Cai Mingliang bian zhu. ၻ: Ӈ‫ঁؙ‬ӆӿ߰‫ ں‬/ ဖ೰๔, ᓥҴ݊ഹЯ. Taibei: Wan xiang tu shu gu fen you xian gong si, 1998. 182 p. ISBN 9572702653 Series title: Yi shu fang; 29 ਲ‫ ;ࠚڣ‬29 Note: Screenplay and reviews of Tsai Ming-liang’s film The Hole (1998). CTFAL Chi

0840 Zhou Jielun: gong fu guan lan zhen cang xie zhen ben = Jay Chou: the photo album of Kung Fu Dunk / Zong bian ji: Waigang Hongchang (Hironaka Sotooka); She ying: Cai Rongfeng; Wen zi: Huang Ting. ‫ီر‬ൔ: ‫ۋ‬ਜ਼ᓲႨੵে܎ѐӆ = Jay Chou: the photo album of Kung Fu Dunk / րഹফ: ֔ᐻᒩӕ; ଄‫ؙ‬: ᓥึழ; ҹ‫ܒ‬: ࢶᑢ. Taibei: Taiwan guo ji jiao chuan shu dian, 2008. 135 p. ISBN 9789861745855, 9861745858 Note: A photographic record of the production of Kung Fu Dunk (2008), directed by Zhu Yanping with casting direction by Zhou Jielun (Jay Chou). WorldCat Chi

Duosang = A Borrowed Life (1994) Єᇤ (1994) 0838 Kawase, Ken’ichi. ඇⰗ࡬ϣ. Taiwan eiga e no sh䲖tai: ichiya ni shite Ch䲚gokujin ni natta t䲖san (t䲖san). ‫ݡ‬ළྱࡌ䫩䫟੷‫ۉ‬: ϣ١䫜䫈䫗ЅмϪ䫜䫛䫔䫐Єᇤ (୊䫆䬄). Nara-ken Kashihara-shi: T䲖y䲖 Shis䲖 Kenky䲚jo; Ŕsaka-fu Suita-shi: hatsubai Birejji Puresu, 1998. 94 p. ISBN 493859854X, 9784938598549 Note: The text begins with an introduction to the film director Wu Nien-chen and his film “T䲖san = A Borrowed Life” followed by introductions to five additional leading figures in Taiwan cinema: Wang Tung, Liao Hsiang-hsiung, Lin Cheng-sheng, Tsai Ming-liang, Hou Hsiao-hsien, and their films. Contains “A Brief History of Taiwan Cinema,” which includes Taiwan Film during Japanese Occupation (1895–1945), Taiwan

Grandpa!? (2009) 0841 Lin, Tzuhui. Grandpa!? 52 leaves. Note: Thesis (M.F.A)—Rochester Institute of Technology, 2010. Describes the making of the short film Grandpa!? (2009), filmed and produced in Taiwan. Provides an account of the film’s production, filming, and postproduction, all as part of the director’s student-film project at R.I.T. Includes the film script, proposal, timeline, budget, film stills, and behind-the-scenes photos. Full-text access is available at R.I.T Digital Media Library Repository. WorldCat Eng

152

Individual Film Reviews

0844 Ji yi zai xian de fu diao yu dui hua: lun Yang Dechang dian ying “Guling jie shao nian sha ren shi jian” = The polyphony and dialogue of the reproduction of memories: A Brighter Summer Day. ֭ষӐѴϡߒ݆ԁцҦ䩭‫ڹ‬໶ख़ቾӈ‫⚯“ ؙ‬ᗮঅվё৹ϪѨխ” = The polyphony and dialogue of the reproduction of memories: A Brighter Summer Day. 38 p. Note: Thesis (M.A.)- Zhejiang University, 2010. Focuses on the narrative structure of Edward Yang’s film A Brighter Summer Day (1991), recognizing how the reproduction of memories, representations of family life, and connections to historical and societal networks reveal the nuances of Taiwanese society. Includes an abstract in Chinese and English and a bibliography. Duxiu (FT) Chi

Gu lian hua = Love’s Lone Flower (1985, 2005) વߧՐ (1985, 2005) 0841a Lin, Xuanxiao (Lin, Hsuan-hsiao) ৆ୌᖮ. Nu tong zhi shu xie: Bai Xianyong xiao shuo “Gu lian hua” ji qi gai bian dian ying yan jiu = Writing the image of lesbian: A Study on Bai Hsienyung’s Novel “Ku Lien Hua” and Its Film Adaptation. ѽӎ࢑‫܎ڣ‬: Ձ܏ରЩМ “વߧՐ” ࡗԷۨഹӇ‫ = ૢ୳ؙ‬Writing the image of lesbian: A Study on Bai Hsienyung’s Novel “Ku Lien Hua” and Its Film Adaptation. 159 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 2012. Compares Bai’s lesbian novel Gu lian hua with its film adaptations in 1985 and 2005. Focuses on the differences between the novel and adaptations in terms of visual imagery, sound, set design, and descriptions of lesbian sexuality. Includes a Chinese abstract and bibliography. Online full text access will be available in 2017. NCL/NDLTD Chi

Guo shi wu shuang = Catch (2006) лࡲѩ‫( ד‬2006) 0843 Lu, Hong. ᡭ₽. Guo shi wu shuang zhi dian ying chu sheng ri ji. лࡲѩ‫ד‬ҏӇ‫ؙ‬оТя֮. Taibei: Da kuai wen hua chu ban gu fen you xian gong si, 2006. 132 p. ISBN 9867291948, 9789867291943 Note: A diary-style record of making the film Catch (2006). WorldCat Chi

Guling jie shao nian sha ren shi jian = A Brighter Summer Day (1991) ⚯ᗬঅվё৵ϪѨխ (1991) 0842 Jiang, Huixian (Chiang, Huey-hsien). ឣ༫࿁. Taiwan dian ying, guo zu xu shi yu xing bie zheng zhi—tan “Guling jie shao nian sha ren shi jian.” ‫ݡ‬ஹӇ‫ؙ‬, лఓᡳѨӿԛԇू੽—ড “⚯ᗬঅվё৵ϪѨխ.” 83 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 1993. Describes how Taiwan New Cinema represented sociopolitical changes in Taiwan from the 1960s through the 1980s by presenting personal films and transforming the “Big China concept” into a new nationality of Taiwan and localization. Provides an analysis of the film A Brighter Summer Day (1991). Appendix includes newspaper reports on Hou Hsiaohsien and Edward Yang, promotional materials for the film A Brighter Summer Day, an outline of the R.O.C. Cinema Year activity plan, and a summary of the film subsidies for filmmakers who participate in international film festivals. Includes a Chinese abstract and bibliography. NCL/NDLTD Chi

Haijiao qi hao = Cape No. 7 (2008) ֋ࡠࢳ‫( ى‬2008) 0844 Lai, Yingtai (Lai, Terrence Ying-Tai). ໰߭೉. Er shi yi shi ji chu qi Taiwan dian ying li the lun shu yu ren tong— yi Wei Desheng dao yan de “Haojiao 7 hao” yu “Shaidekebalai” wei li = Discourse and identity of Taiwan film in during early 21st century—Director Wei Te-Shen’s film Cape No. 7 and Seediq Bale as examples. ԏ֐ϣԒઔ२‫ݡ׈‬ஹӇ‫ؙ‬Ѷϡ‫ں‬਎ӿ‫گ‬ӎ—й᪭ख़๦࣒ࠟϡ “֋ ࡠࢳ‫”ى‬ӿ “ॴख़ࡽ࣬ᒀ”Њຎ. 89 p. Note: Thesis (M.A.)—Chang Jung Christian University, 2012. Using Normam Fairclough’s “Critical Discourse Analysis” from the perspectives of “Texts,” “Discourse Practice,” and “Social Practice,” this paper examines the development and evolution of Taiwan cinema’s discourse and identity during the first part of the twenty-first century in the films Cape No. 7 and Seediq Bale directed by Wei Desheng. Wei’s films depict Taiwan’s society today as well as famous historical events, such as the “Wushe incident,” when Taiwan’s

0842a Kang, Qianru. ࣉᝤҒ.

153

Film Reviews

0845 aboriginal people’s revolted against Japanese colonial rule in 1930. Wei’s films have garnered acclaim and set box office records in Taiwan. Includes a bibliography and Chinese abstract. NCL/NDLTD Chi

Hai shang hua = Flowers of Shanghai (1998) ֋ϼՐ (1998) 0848 Huang, Wenying. ࢶҹ߭. Hai shang fan hua lu: “Hai shang hua” de ying xiang mei gan / Huang Wenying, Cao Zhiwei. ֋ϼ໪‫࠷ܓ‬:”֋ϼՐ”ϡ‫ؙ‬ՌѤҀ / ࢶҹ߭, ᢳ࢑໖. Xianggang: Yuan liu chu ban gong si, 1998. 187 p. ISBN 9573235951, 9789573235958 Note: A work on the production and aesthetic of Flowers of Shanghai (1998). Includes a bibliography. WorldCat Chi

0845 Lin, Bolong (Lin, Po-Long). ৆ᐑह. Taiwan dian ying jia zhi lian yu mai zuo an li zhi tan tao: yi “Hai jiao qi hao” wei li = The value chain of Taiwan movie and blockbuster: a case study on “Cape No. 7.” ‫ݡ‬ஹӇ‫ؙ‬٢ߚషӿࢀӏଈຎҏ෬क़: й “֋ࡠࢳ‫”ى‬Њຎ = The value chain of Taiwan movie and blockbuster: a case study on “Cape No. 7.” 134 leaves. Note: Thesis (M.A.)—National Yunlin University of Science & Technology, 2008. By describing the process of making the film Cape No. 7 (2008), this paper explores the main reasons for the box office success of the film. Includes a Chinese and English abstract, bibliography, and appendix, including guidelines for applying for the 2009 government domestic film subsidy, a filmmaking budget management example, the cast and personnel of Cape No. 7, and box office records for Cape No. 7 in Taipei. NCL/NDLTD (FT) Chi

0849 Hou, Xiaoxian (Hou, Hsiao-hsien), 1947– ᢡᖮᐊ, 1947– Ji shang zhi meng: “Hai shang hua” dian ying quan ji lu / Hou Xiaoxian, Zhu Tianwen zhu. ࡗϼҏْ: “֋ϼՐ” Ӈ‫ؙ‬Ҫઔ࠷ / ᢡᖮᐊ, ᗌϳҹЯ. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 1998. 159 p. ISBN 9573235935 Series title: Dian ying guan; 80 Ӈ‫ؙ‬ఖ; 80 Note: Records the making of Hou Hsiao-hsien’s Flowers of Shanghai (1998). Includes the introduction to the original story depicted in the film, discussions of the film’s historical context including brothels in Shanghai, use of Shanghainese, casting, standout performances, setting, and film reviews. Includes film stills and photos. NTUL Chi

0846 Hai jiao qi hao he ta men de gu shi: yi duan cong kun jing zou xiang meng xiang de lu cheng = Cape No. 7: the marking of dreams / Da kuai wen hua bian zhuan. ֋ࡠࢳ‫ى‬фјИϡ‫ݞ‬Ѩ: ϣ‫ݫ‬ԩ੡॒ҵ‫ْז‬Ђϡ߫ࡄ = Cape No. 7: the marking of dreams / Ͻࡰҹ٩ഹ᫃. Taibei: Da kuan wen hua chu ban gu fen you xian gong si, 2008. 265 p. ISBN 9789862130988, 9862130989, 9789862130995 (set), 9862130997 (set) Note: A collection of stories related to the filmmaking of Cape No. 7 (2008). WorldCat Chi

Hao nan hao nu = Good Men, Good Women (1993) ϮԲϮѽ (1993)

0847

0850

Transnational Asian identities in Pan-Pacific cinemas: the reel Asian exchange / edited by Philippa Gates & Lisa Funnell. New York: Routledge, 2011. ISBN 9780415893541, 0415893542 Note: A collection of essays on transnational Asian identities in Pan-Pacific cinemas, including the production of and audience reception to the cinemas of Hong Kong, Japan, South Korea, Thailand, China, Taiwan, and Hollywood. This volume’s essay focusing on Taiwan film is entitled “Trauma and Taiwan’s Melodrama: Seven Orphans of Cape No. 7” by Sheng-mei Ma. Includes a bibliography, index, and filmography. WorldCat Eng

Zhu, Tianwen (Chu, T’ien-wen), 1956– ᗌϳҹ, 1956– Bei qing cheng shi. ঳є‫صڵ‬. Shanghai: Shanghai wen yi chu ban she, 2001. 248 p. ISBN 7532121003 Series title: Tai Gang ji hai wai Hua yu zuo jia zi xuan wen ku ‫ݡ‬୯᠕֋֔ӑрІ‫ש‬ҹᆟ Note: A collection of four screenplays written by the author and directed by Hou Hsiao-hsien: Dust in the Wind (1986), A City of Sadness (1989), The Puppetmaster (1993), and Good Men, Good Women (1995), as well as the author’s comments and records of making the films. Includes a filmography and bibliography. Duxiu (FT) Chi

154

Individual Film Reviews

0856

He liu = The River (1997)

0854 Zhu, Tianwen (Chu, T’ien-wen), 1956– ᗌϳҹ, 1956– Hong qi qiu de lu xing: Hou Xiaoxian dian ying ji lu xu bian. ‫ێ‬Ӥ‫ܧ‬ϡ߫Ҳ䩭ᢡᖮᐉӈ‫ؙ‬ઓ࠹۟൜. Jinan: Shandong hua bao chu ban she, 2009. 642 p. ISBN 9787807138419 Note: Written by noted author and famous screenwriter Chu T’ien-wen, many of whose works were directed by Hou Hsiao-hsien. As a supplementary work to the author’s earlier work published by the same publisher in 2006, this text is a combination of reviews, notes, screenplays, filmmaking diaries, and interviews related to Hou Hsiao-hsien and his films, including Flight of the Red Balloon (2006). Includes a list of the author’s screenplays and publications. WorldCat Chi

૯Ե (1997) 0851 Jiao, Xiongping (Chiao, Peggy). ဖ೰๔. He liu: Cai Mingliang de dian ying / Jiao Xiongping, Cai Mingliang zuo. ૯Ե: ᓥҴ݊ϡӇ‫ ؙ‬/ ဖ೰๔, ᓥҴ݊ӑ. Taibei: Huang guan, 1997. 207 p. ISBN 9573213987, 9789573313984 Series title: Huang guan cong shu: di 2690 zhong ෦ഃᜣ‫ڣ‬: ҷ 2690 ҆ Note: The screenplay, introduction to, and film reviews of The River (1997), directed by Tsai Ming-Liang. CTFAL Chi

Ji mo fang xin ju le bu = Lonely Hearts Club (1995)

0852

ఘದᇙК༤Ӏ‫( ח‬1995)

The trans-Pacific imagination: rethinking boundary, culture and society / edited by Naoki Sakai and Hyon Joo Yoo. Singapore: Hackensack, NJ: World Scientific, 2012. 330 p. ISBN 9789814324137, 9814324132, 9789814324144, 9814324140 Note: A collection of academic essays, including “InterAsia Comparative Framework: Postcolonial Film Historiography in Taiwan and South Korea” by Kim Soysoung, which compares the Taiwan film The Puppetmaster (Hou Hsiao-hsien, 1993) and the Korean Film Chihwasǂn (Im Kwŗntaek, 2002); and “The Incurable Feminine: Women Without a Country in East Asian Cinema” by Yoo Hyon Joo, which studies female characters in two Korean films, Time (Kim Kiduk, 2006) and Sympathy for Lady Vengeance (Park Chan-wook, 2005), and two Taiwanese films, The River (Tsai Ming-liang, 1997) and What Time Is It There? (Tsai Ming-liang, 2004). Includes a bibliography and an index. BAS Chi

0855 Wen, Tianxiang. ࢨϳፖ. Fu yi ke dian ying dan: “Ji mo fang xin ju le bu” dian ying shu. ₿ϣੀӇ‫ؙࠠ‬: “ఘದᇙК༤Ӏ‫ ”ח‬Ӈ‫ڣؙ‬. Taibei: Yuan liu chu ban gong si, 1995. 207 p. ISBN 9573225557 Series title: Dian ying guan; 57 Ӈ‫ؙ‬ఖ; 57 Note: Primarily a discussion of the film: Ji mo fang xin ju le bu / Lonely Hearts Club; however, at the end, films directed by Ang Lee and Tsai Ming-liang are reviewed. CTFAL Chi

Ka fei shi guang = Café Lumière (2003) ౹೑Ж‫( ׇ‬2003)

Hong qi qiu de lu xing = Flight of the Red Balloon = Le Voyage du Ballon Rouge (2006)

0856

‫ی‬Ӡ‫ܧ‬ϡ߫Ҳ (2006)

Ka fei shi guang, suo yin / Lao Jiahua deng. ౹೑Ж‫ׇ‬, ౱৉ / ҡဓ‫ܓ‬ҳ. Taibei: San shi duo mei ti wang lu go fen you xiang gong si, 2004. 189 p. Note: A special publication for Hou Hsiao-hsien’s 2003 film Ka fei shi guang (Café Lumière). The literal translation of the film is “coffee time.” Commissioned by the Japanese film studio, Shochiku; includes the film’s background story, credits, and an index. CTFAL Chi

0853 World cinema and the visual arts / edited by David Gallagher. New York: Amthem Press, 2012. 178 p. ISBN 9780857284389, 085728438X Note: A collection of academic essays on world cinema, including “The Postnational and the Aesthetics of the Spectral: Hou Hsiao-Hsien’s Flight of the Red Balloon” by Je Cheol Park. Includes a bibliography and an index. WorldCat Eng

155

Film Reviews

0857 Note:

Kong bu fen zi = Terrorizers (1986) ౦࿙‫ڤ‬ж (1986) 0857

Includes the screenplay, film reviews, and behind-thescenes stories of making Face (2009), directed by Tsai Ming-Liang. WorldCat Chi

Lian lian feng chen = Dust in the Wind (1986)

Gao, Ruiyang (Kao, Ray-young). ҙᇳ‫ݷ‬. “Kong bu fen zi” de fen lie cheng shi—Dian ying de du shi xiang zheng yan jiu = The urban schizophrenia within “Terrorizers”: the symbolic analysis of cinematics. “౦࿙‫ڤ‬ж” ϡдი‫—صڵ‬Ӈ‫ؙ‬ϡЁ‫ࢣص‬ၹ୳ૢ = The urban schizophrenia within “Terrorizers”: the symbolic analysis of cinematics. 125 leaves. Note: Thesis (M.A.)—Tamkang University, 1999. Studies the urban setting within Edward Yang’s film Terrorizers (1986), noting the relationship between the symbolism and social practice and the cinematic representation of social formation in Taipei, Taiwan. Includes a Chinese and English abstract and bibliography. NCL/NDLTD Chi

ߧߧգຳ (1986) 0860 Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ1952– Lian lian feng chen: ju ben ji yi bu dian ying de kai shi dao wen cheng / Wu Nianzhen, Zhu Tianwen bian zhu. ߧߧգຳ: ঁӆߵϣ‫ח‬Ӈ‫ؙ‬ϡы‫״‬Ϻԟю / ྶ݉ѐ, ᗌϳҹഹЯ. Taibei: San san shu fang, 1987. 241 p. Note: The screenplay of the film Dust in the Wind (1986), directed by Hou Hsiao-hsien, as well as related stories regarding director’s decision-making process during the making of the film and comments by the scriptwriters. Includes photos and film stills. NTUL Chi

Lan se da men = Blue Gate Crossing (2002) ঢաϽ՞ (2002)

0861 Zhu, Tianwen (Chu, T’ien-wen), 1956– ᗌϳҹ, 1956– Bei qing cheng shi. ঳є‫صڵ‬. Shanghai: Shanghai wen yi chu ban she, 2001. 248 p. ISBN 7532121003 Series title: Tai Gang ji hai wai Hua yu zuo jia zi xuan wen ku ‫ݡ‬୯᠕֋֔ӑрІ‫ש‬ҹᆟ Note: A collection of four screenplays written by the author and directed by Hou Hsiao-hsien: Dust in the Wind (1986), A City of Sadness (1989), The Puppetmaster (1993), and Good Men, Good Women (1995), as well as the author’s comments and records of making the films. Includes a filmography and bibliography. Duxiu (FT) Chi

0858 Zhao, Tinghui. ᕿ៴ሓ. Xu shi dian ying yu xing bie lun shu = Narrative cinema and gender discourse. ᡳѨӇ‫ؙ‬ӿԛԇ‫ں‬਎ = Narrative cinema and gender discourse. Taibei Xian Yonghe shi: Airiti Press Inc., 2010. 335 p. ISBN 9789866286292, 9866286290 Series title: Chuan bo xue yan jiu xi lie ‫ة‬৚ѹ୳ૢ‫࠶ڍ‬ Note: Analyzes representations of females in films from Taiwan, Hong Kong, and Hollywood to explore gender power structures. Films include Taiwan’s The Shoe Fairy (2006) and Blue Gate Crossing (2002), Hong Kong’s Turn Left, Turn Right (2003), and Hollywood’s Mulan (1998) and Shanghai Noon (2000). Includes a bibliography. WorldCat Chi

0862 Zhu, Tianwen (Chu, T’ien-wen), 1956– ᗌϳҹ, 1956– Zui hao de shi guang: dian ying ben shi, fen chang ju ben, yi ji suo you guan yu dian ying de 1982 / 2006. зϮϡЖ‫ׇ‬: Ӈ‫ؙ‬ӆѨ, дԾঁӆ, йߵӛϩԬҿӇ‫ؙ‬ϡ 1982 / 2006. Taibei: INK yin ke chu ban you xian gong si, 2008. 417 p. ISBN 9789866873621 Series title: Zhu Tianwen zuo pin ji; 7 ᗌϳҹӑԘओ; 7 Note: Written by noted author and famous screenwriter Chu T’ien-wen, this text presents ten scripts written by the author, details of making eight films with Hou

Lian = Face (2009) ࠙ (2009) 0859 Lian = Face / Cai Mingliang . . . [et al.]. ࠙ = Face / ᓥҴ݊ . . . [et al.]. Taibei: Dian cang yi shu jia ting gu fen you xian gong si, 2009. 1 v. (unpaginated). ISBN 9789866833618, 9866833615

156

Individual Film Reviews

0864

Hsiao-hsien, from Dust in the Wind (1986) to Three Times (2005), and the author’s writings on Taiwan film. Includes photos and film stills. CTFAL Chi

Lian xi qu = Island Etude (2007) ୚‫( ॽ܄‬2007) 0865 Zhu, Shiyu (Chu, Shih-yu). ᗌஉ⡹. Zhuan dong = Rolling. ‫ׅ‬ҁ = Rolling. 87 leaves. Note: Thesis (M.A.)—National Taiwan University of Arts, 2006. The paper explores the concept, creation process, structure and design, and retrospective analysis of the documentary film Island Etude (2007). Includes a Chinese and English abstract, bibliography, and appendix (including film shooting specifications, budgets, production timetable, crew member biographies, survey sample, survey analysis, and stills). NCL/NDLTD (FT) Chi

Lian lian wu = Step by Step (2009) ୚ߧଢ (2009) 0863 Lian lian wu ying xiang tu wen quan ji lu = Step by step / Bian zhuan: Xin xian wen hua. ୚ߧଢ‫ؙ‬Ռ֖ҹҪ ઔ࠷ = Step by step / ഹ᫃: К৬ҹ٩. Taibei: Xin xian wen hua shi ye you xian gong si, 2009. 189 p. ISBN 9789867446398 Series title: Loft; 006 Note: A pictorial book that presents the making of the film Step by Step (2009), directed by Guo Zhendi. Includes photos, selected film stills, and interviews with the director, producer, cast, and cinematographers. CTFAL Chi

Liu li dao ying = Floating Islands (2000) Ե‫( ؙޯڐ‬2000)

Lian ren = Fall . . . in Love (2004)

0866

ߧϪ (2004)

Liu li dao ying / Li Zhiqiang deng zhu. Ե‫ ؙޯڐ‬/ ଽ࢑ᨋҳЯ. Taibei: Tangshan, 2001. 162 p. ISBN 9678221428 Note: A record of a documentary film project from 1999– 2000 in which twelve film directors visited twelve islands surrounding Taiwan to make twelve documentary films about these islands. Includes a discussion of the project’s initial concept, and a history of each island’s people, culture, and environment. Includes photos. NTUL Chi

0864 Qin, Dingchang. ቦᑾቾ. Taiwan dian ying chuan tong ying xiang yu shu wei ying xiang zhi chan zhi yan jiu: yi “Lian ren,” “Ren yu duo duo” wei li = A study of traditional cinematography production and digital cinematography production for filmmaking in Taiwan: using “Fall . . . in love” & “The shoe fairy” as examples. ‫ݡ‬ஹӇ‫ؙࢃةؙ‬Ռӿُ֧‫ؙ‬Ռҏ‫ݗ‬३୳ૢ: й “ߧϪ,” “Ϫ‫־‬౤ ౤” Њຎ = A study of traditional cinematography production and digital cinematography production for filmmaking in Taiwan: using “Fall . . . in love” & “The shoe fairy” as examples. 150 leaves. Note: Thesis (M.A.)—Shih Hsin University, 2008. Using the production of his two films as examples (Fall . . . in Love [2004], and The Shoe Fairy [2006]) the author describes, with firsthand experience, filmmaking in both traditional and digital formats to provide a practical reference point for the film industry and scholars as the Taiwan film industry moves to digital film production. Appendix includes a list of cinematography equipment, shooting scripts, production and postproduction technical guidelines, and award-winning information regarding the two films described. Includes a Chinese and English abstract and bibliography. NCL/NDLTD (FT) Chi

Lu gang qing shen = Wind Within (1999) ࿇୯є‫( ٹ‬1999) 0867 Shen hua 3 bu qu: Huang Mingchuan dian ying ji shi = Huang Mingchuan trilogy / Huang Mingchuan dian ying shi xun you xian gong si. ‫ظ‬ҧ3‫ॽח‬: ࢶҴඇӇ‫ؙ֮‬Ѩ = Huang Mingchuan trilogy / ࢶҴඇ Ӈ‫ؙ‬؆ళϩࡳԍ‫ޅ‬. Taibei: Huang Mingchuan dian ying shi xun you xian gong si, 2011. 205 p. ISBN 9789868704701, 9868704707 Note: Reviews of the filmmaking process of independent film director Huang Mingchuan’s famous trilogy, The Man from the Island West (1990), Bodo (1993), and Flat Tire (1998), plus a short film, Wind Within (1999). Includes four DVDs. WorldCat Chi

157

Film Reviews

0868 Mei can jia = And She Wasn’t (2000)

0871 Nan fang ji shi zhi fu shi guang ying / Li Qinxian, Huang Yushan zhu. ۪Ҥ֮ѨҏൿԒ‫ ׇؙ‬/ ଽᯃᐊ, ࢶർᦸЯ. Taibei: Cao gen chu ban shi ye you xian gong si, 2005. 167 p. ISBN 9578466862 Note: A book about the biographic film The Strait Story (2005), directed by Huang Yushan. Includes background information, a biography, and chronology of the main character, a talented young Taiwan artist who died near the end of the Second Sino-Japanese War, and the screenplay of the film. NTUL Chi

Э‫۾‬Ӹ (2000) 0868 Yi qi can jia, mei can jia dian ying zhu ti shu / Liu Jixiong, Liu Jianwei. ϣв‫۾‬Ӹ, Э‫۾‬ӸӇ‫ؙ‬Ұ֤‫ ڣ‬/ ฀แ೰, ฀ࠃ໖. Taibei: Shi gan wen hua, 2002. 157 p. Note: An account of a short documentary film made in 2000, directed by Liu Jixiong and Liu Jianwei, about a dog adoption in Taiwan; includes an introduction by the film directors, a description of making the film, technical details of the film, and film reviews. CTFAL Chi

Ni na bian ji dian = What Time Is It There? (2001) ϧъ‫נ‬ӫѡ? (2001)

Mengjia = Monga (2010) ⛑➩ (2010)

0872 Cai, Mingliang (Tsai, Ming-liang), 1957– ᓥҴ݊, 1957– Ni na bian ji dian: Cai Mingliang zuo pin. ϧъ‫נ‬ӫѡ: ᓥҴ݊ӑԘ. Taibei: Bao ping wen hua shi ye you xian gong si, 2002. 190 p. ISBN 9868007623; 9789868007628 Note: The director’s account of making the film What Time Is It There? (2001). Includes the screenplay. WorldCat Chi

0869 Feng, Yanshuo. ᫄ᴧ፩. Mengjia: jing zhuan xie zhen yu mu hou ji shi = Monga. ⛑➩: ‫܎آؘ‬ѐӿ௷ћ֮Ӣ = Monga. Taibei: Taibei guo ji jiao chuan shu dian gu feng you xian gong si, 2010. 1 v. ISBN 9789862375068 (pbk.), 986237506X Note: Interviews and background stories from the making of Monga (2010), which deals with youth gang members in the Monga district of Taipei during the 1980s. Accompanying booklet contains English captions. WorldCat Chi Eng

0873 The trans-Pacific imagination: rethinking boundary, culture and society / edited by Naoki Sakai and Hyon Joo Yoo. Singapore: Hackensack, NJ: World Scientific, 2012. 330 p. ISBN 9789814324137, 9814324132, 9789814324144, 9814324140 Note: A collection of academic essays, including “InterAsia Comparative Framework: Postcolonial Film Historiography in Taiwan and South Korea” by Kim Soysoung, which compares the Taiwan film The Puppetmaster (Hou Hsiao-hsien, 1993) and the Korean Film Chihwasǂn (Im Kwŗntaek, 2002); and “The Incurable Feminine: Women Without a Country in East Asian Cinema” by Yoo Hyon Joo, which studies female characters in two Korean films, Time (Kim Kiduk, 2006) and Sympathy for Lady Vengeance (Park Chan-wook, 2005), and two Taiwanese films, The River (Tsai Ming-liang, 1997) and What Time Is It There? (Tsai Ming-liang, 2004). Includes a bibliography and an index. BAS Chi

Mo fa a ma = Grandma and Her Ghosts (1998) ತ֚०֒ (1998) 0870 Mo fa a ma: wo ba a ma bian ka tong le / Wang Xiaodi deng zhu. ತ֚०֒: Ϣө०֒ᔨ१֡Ϧ / ࣼЩ➅ҳЯ. Taibei: Mai tian chu ban she, 1999. 205 p. ISBN 9577087442 Note: An introduction to Wang Xiaodi’s animated film Grandma and Her Ghosts (1998), with interviews and film reviews. CTFAL Chi

Nan fang ji shi zhi fu shi guang ying = The Strait Story (2005) ۪Ҥ֮ѨҏൿԒ‫( ׇؙ‬2005)

158

Individual Film Reviews

0879

Po lun tai = Flat Tire (1998)

0877 Huang, Ting. ࢶᑢ. e shi dai dian ying nan nu shuang ren ya zuo—zou ru “Qian xi man bo” de Taibei bu ye cheng. e Ԓ‫ڊ‬ϡӇ‫ؙ‬Բѽ‫ד‬Ϫ઩ӏ—ҵՊ”࡛Ẽᅸம” ϡ‫ܚݡ‬Ϥ١‫ڵ‬. Taibei: Taiwan guo ji jiao chuan shu dian, 2001. 149 p. ISBN 9867993020 Note: Summarizes a dialogue between nine participants, each one an established representative in their respective field; the conversation is initiated by a discussion about Hou Hsiao-hsien’s film Millennium Mambo (2001). CTFAL Chi

਋ਈნ (1998) 0874 Shen hua 3 bu qu: Huang Mingchuan dian ying ji shi = Huang Mingchuan trilogy / Huang Mingchuan dian ying shi xun you xian gong si. ‫ظ‬ҧ3‫ॽח‬: ࢶҴඇӇ‫ؙ֮‬Ѩ = Huang Mingchuan trilogy / ࢶҴඇ Ӈ‫ؙ‬؆ళϩࡳԍ‫ޅ‬. Taibei: Huang Mingchuan dian ying shi xun you xian gong si, 2011. 205 p. ISBN 9789868704701, 9868704707 Note: Reviews of the filmmaking process of independent film director Huang Mingchuan’s famous trilogy, The Man from the Island West (1990), Bodo (1993), and Flat Tire (1998), plus a short film, Wind Within (1999). Includes four DVDs. WorldCat Chi

0878 Huang, Ting. ࢶᑢ. Qian xi man bo dian ying bi ji: Hou Xiaoxian de dian ying. ࡛ẼᅸமӇ‫ؙ‬દ֮: ᢡᖮᐊϡӇ‫ؙ‬. Taibei: Mai tian chu ban, 2001. 159 p. ISBN 9574697177 Series title: Sheng huo yue du; 24 Т҅་ࢵ; 24 Note: An account of Hou Hsiao-hsien’s film Millennium Mambo (2001) by the film’s embedded recorder. Contains film scenes with accompanying script segments, film stills, background information, setting locations, addresses and contact information, and interviews with the director, cast, cinematographer, musicians, and artistic advisor. NTUL Chi

Qi mao qiu le = Fluffy Rhapsody (2000) вࢂ‫ܧ‬Ϧ (2000) 0875 Wu, Misen (Wu, Mi-sen), 1967– ྶܶာ, 1967– Qi mao qiu le. вࢂ‫ܧ‬Ϧ. Taibei: Xiao zhi tang wen hua shi ye you xian gong si, 2003. 157 p. ISBN 9574501930, 9789574501939 Series title: Chuang shi ji; 4 ࡶԒઔ; 4 Note: Primarily consists of photos and stills from the film Fluffy Rhapsody (2000). Created by the author as well as the director of the film. Text in Chinese and Japanese. WorldCat Chi Jpn

Qiao ke li zhong ji = Chocolate Rap (2005) ಌࡽҨԳ‫( ܂‬2005) 0879 Wang, Chuanzong (Wang, Chuan-tzung). ࣼ‫ة‬ᅓ. Yi “Wen hua lao dong de xin guo ji fen gong” jia gou fen xi kua guo he zhi guo pian de qian jing yu wei lai—yi guo pian “Qiao ke li zhong ji” wei ge an yan jiu. й “ҹ٩ఫҁϡЈлগд֞” ବภд໯ቄлׁ३ләϡӓ࢓ӿ‫۔‬ ϰ—й “ಌࡽҨԳ‫ ”܂‬Њϫଈ୳ૢ. 37 leaves. Note: Thesis (M.A.)—National Taiwan University, 2005. By adopting the structure of NICL (New International Division of Cultural Labour) developed by Toby Miller and using the film production of Chocolate Rap (2005), jointly produced and distributed by both Taiwan and the United States, as a case study, the author explores a new transnational film production and distribution model for Taiwan film production, which was previously dependent on government subsidies and whose distribution channels are controlled by American companies. Includes a bibliography. NTUL Chi

Qian xi man bo = Millennium Mambo (2001) ࡛Ẽᅸம (2001) 0876 Durafour, Jean-Michel. Millennium mambo. Chatou, France: Editions de la Transparence, 2006. 84 p. ISBN 2350510190, 9782350510194 Series title: Cinéphilie Note: A work on Hou Hsiao-hsien and his film Millennium Mambo (2001). Includes a bibliography. WorldCat Fre

159

Film Reviews

0880

traditional and digital formats to provide a practical reference point for the film industry and scholars as the Taiwan film industry moves to digital film production. Appendix includes a list of cinematography equipment, shooting scripts, production and postproduction technical guidelines, and award-winning information regarding the two films described. Includes a Chinese and English abstract and bibliography. NCL/NDLTD (FT) Chi

Qing shao nian Nezha = Rebels of the Neon God (1992) ‫ݙ‬վё‫ڃ‬ᢁ (1992) 0880 Cai, Mingliang (Tsai, Ming-liang), 1957– ᓥҴ݊, 1957– Qing shao nian Nezha / Cai Mingliang zhu; Zhang Lianghan bian. ‫ݙ‬վё‫ڃ‬ᢁ / ᓥҴ݊Я; ‫פ‬ᑽ⛄ഹ. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 1992. 148 p. ISBN 9573217147, 9789573217145 Series title: Dian ying guan; 33 Ӈ‫ؙ‬ఖ; 33 Note: The director/author’s account of making Rebels of the Neon God (1992). Includes the screenplay. WorldCat Chi

0883 Zhao, Tinghui. ᕿ៴ሓ. Xu shi dian ying yu xing bie lun shu = Narrative cinema and gender discourse. ᡳѨӇ‫ؙ‬ӿԛԇ‫ں‬਎ = Narrative cinema and gender discourse. Taibei Xian Yonghe shi: Airiti Press Inc., 2010. 335 p. ISBN 9789866286292, 9866286290 Series title: Chuan bo xue yan jiu xi lie ‫ة‬৚ѹ୳ૢ‫࠶ڍ‬ Note: Analyzes representations of females in films from Taiwan, Hong Kong, and Hollywood to explore gender power structures. Films include Taiwan’s The Shoe Fairy (2006) and Blue Gate Crossing (2002), Hong Kong’s Turn Left, Turn Right (2003), and Hollywood’s Mulan (1998) and Shanghai Noon (2000). Includes a bibliography. WorldCat Chi

Qiu jue = Execution in Autumn (1972) ‫( ݺڠ‬1972) 0881 Zhang, Yongxiang, 1929– ‫ݖפ‬ፖ, 1929– Qiu jue. ‫ݺڠ‬. Taibei: Zhi wen chu ban she, 1977. 179 p. Series title: Xin chao cong shu zhi er shi Ј଎ᜣ‫ڣ‬ҏԏ֐ Note: Includes the original story, screenplay, and reviews of the film Execution in Autumn (1972). CTFAL Chi

Saideke—Balai = Seediq Bale (2011) ॴख़ࡽ—࣬ᒀ (2011) 0884 Lai, Yingtai (Lai, Terrence Ying-Tai). ໰߭೉. Er shi yi shi ji chu qi Taiwan dian ying li the lun shu yu ren tong— yi Wei Desheng dao yan de “Haojiao 7 hao” yu “Shaidekebalai” wei li = Discourse and identity of Taiwan film in during early 21st century—Director Wei Te-Shen’s film Cape No. 7 and Seediq Bale as examples. ԏ֐ϣԒઔ२‫ݡ׈‬ஹӇ‫ؙ‬Ѷϡ‫ں‬਎ӿ‫گ‬ӎ—й᪭ख़๦࣒ࠟϡ “֋ ࡠࢳ‫”ى‬ӿ “ॴख़ࡽ࣬ᒀ”Њຎ. 89 p. Note: Thesis (M.A.)—Chang Jung Christian University, 2012. Using Normam Fairclough’s “Critical Discourse Analysis” from the perspectives of “Texts,” “Discourse Practice,” and “Social Practice,” this paper examines the development and evolution of Taiwan cinema’s discourse and identity during the first part of the twenty-first century in the films Cape No. 7 and Seediq Bale directed by Wei Desheng. Wei’s films depict Taiwan’s society today as well as famous historical events, such as the “Wushe incident,” when Taiwan’s aboriginal people’s revolted against Japanese colonial rule in 1930. Wei’s films have garnered acclaim and set box office records in Taiwan.

Ren yu Duoduo = The Shoe Fairy (2006) Ϫ‫־‬౤౤ (2006) 0882 Qin, Dingchang. ቦᑾቾ. Taiwan dian ying chuan tong ying xiang yu shu wei ying xiang zhi chan zhi yan jiu: yi “Lian ren,” “Ren yu duo duo” wei li = A study of traditional cinematography production and digital cinematography production for filmmaking in Taiwan: using “Fall . . . in love” & “The shoe fairy” as examples. ‫ݡ‬ஹӇ‫ؙࢃةؙ‬Ռӿُ֧‫ؙ‬Ռҏ‫ݗ‬३୳ૢ: й “ߧϪ,” “Ϫ‫־‬౤ ౤” Њຎ = A study of traditional cinematography production and digital cinematography production for filmmaking in Taiwan: using “Fall . . . in love” & “The shoe fairy” as examples. 150 leaves. Note: Thesis (M.A.)—Shih Hsin University, 2008. Using the production of his two films as examples (Fall . . . in Love [2004], and The Shoe Fairy [2006]) the author describes, with firsthand experience, filmmaking in both

160

Individual Film Reviews

0891

Includes a bibliography and Chinese abstract. NCL/NDLTD Chi

Taibei: Ru guo chu ban she; Da yan wen hua, 2007. 479 p. ISBN 9789868331389 Note: The author’s interviews, introductions, reports, and film reviews related to Ang Lee and his two major works Brokeback Mountain (2005), and Lust, Caution (2007). Includes photos, film posters, and stills. CTFAL Chi

0885 Wei, Desheng (Wei, Te-sheng), 1986– ᪭ख़๦, 1986– Dao yan—Balai: Te you zhong Wei Desheng “Saideke—Balai” shou ji = Director—Bale / Wei Desheng zhu; You Wenxing zhuan wen zheng li. ࣒ࠟ—࣬ᒀ: ‫ئ‬ϩ҆᪭ख़๦ “ॴख़ࡽ—࣬ᒀ” Ѳ֮ = Director— Bale / ᪭ख़๦Я; ղҹࣱ᫃ҹ‫ݱ‬ԑ. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 2011. 299 p. ISBN 9789573268215, 9573268213 Note: The director’s commentary on making the film Seediq Bale (2011). WorldCat Chi

0889 Li, Oufan. ଽଟ᰼. Di “Se, jie”—wen xue, dian ying, li shi. ⷺ “ա, യ “—ҹѹ, Ӈ‫ؙ‬, ࣵ੗. Hong Kong: Oxford University Press (China) Ltd, 2008. 152 p. ISBN 9780195498684 Note: Compares Zhang Ailing’s novel and its film adaptation by Ang Lee’s Lust, Caution (2007) as well as historical connections shared by the two works. Appendix includes the author’s essay, “Lust, Caution: Vision and Revision,” and Guo Shiyong’s essay, “‘Se, jie’: xiao shuo yu dian ying dui du.” CTFAL Chi

San sheng you xing = Doubles / Giddens (2009) ѧТϩ؄ (2009) 0886 Jiubadao (Ke, Jingteng and Ko, Giddens), 1978– ॰өఋ (ᛊ࢓౵), 1978– San sheng you xing = Doubles / Giddens. ѧТϩ؄ = Double / Giddens. Taibei: Chun tian chu ban guo ji wen hua you xian gong si, 2009. 269 p. ISBN 9789866675843, 986667584X Note: The author/director’s work on the creation of Doubles (2009). WorldCat Chi

Sense and Sensibility (1995) 0890 Thompson, Emma. Sense and sensibility: the screenplay & diaries : bringing Jane Austen’s novel to film. New York: Newmarket Press, 2008. 288 p. ISBN 1557047820 (pbk.), 9781557047823 (pbk.) Note: A work on the relationship between Sense and Sensibility (1995), directed by Ang Lee, and Jane Austen’s famous novel. WorldCat Eng

Se Jie = Lust, Caution (2007) ա,യ (2007) 0887 “Se, jie” de shi jie / Zheng Peikai zhu bian. “ա,യ”ϡԒ֎ / ችഷᏐҰ൜. Guilin: Guangxi shi fan da xue chu ban she, 2007. 165 p. ISBN 9787563369140 Note: Includes film reviews and interviews with the director, screenwriter, and main characters of the film Lust, Caution (2007). Includes screenshots, photos, and film stills. CTFAL Chi

Shuang tong = Double Vision (2002) ‫( ᧢ד‬2002) 0891 Guo, Dongyi (Kuo, Tong-yi). ᔕֆ೯. Kua guo zhi zuo dui Taiwan dian ying zhi zuo ying xiang zhi tan tao: yi “shuang tong” wei li = An examination on international coproduction in Taiwanese film production: a case study on “Double Vision.” ቄл३ӑх‫ݡ‬ஹӇ‫ؙ‬३ӑ‫ؙ‬৘ҏ෬क़: й”‫”᧢ד‬Њຎ = An examination on international co-production in Taiwanese film production: a case study on “Double Vision.” 173 leaves. Note: Thesis (M.A.)—National Chiao Tung University, 2004.

0888 Li, Dahan. ଽܺᲆ. Yi san zou guo you yi san—Li An, Se jie, Duan bei san. ϣ‫ځ‬ҵОҍϣ‫—ځ‬ଽԥ, աയ, ऄࠧ‫ځ‬.

161

Film Reviews

0892 Explores the new model of international film production in Taiwan used by Columbia Pictures Film Production Asia (CPFPA) to produce and release the mystery thriller Double Vision (2002), which was successful at the box office in Taiwan after CPFPA had already been successful with its product Crouching Tiger, Hidden Dragon. This model represents a trend of cultural globalization and commodification in Taiwan film production. Appling the discourse of the New International Division of Cultural Labor (NIDCL) and the Global Film Market System in the case of Double Vision, the close connection between transnational film production and characteristics of Hollywood film production is evident. Concludes that the existence of high-quality international film coproduction brings major challenges to Taiwan film production in the twenty-first century because of the emphasis on commercial success rather than cultural representation. Includes a Chinese and English abstract, bibliography, and structure charts of the globalization of Taiwan film production and information on four films by CPFPA since 2000. NCL/NDLTD (FT) Chi

Note:

Includes film reviews, credits, received awards, historical background, and filmmaking accounts. CTFAL Chi

Tui shou = Pushing Hands (1991) ԐѲ (1991) 0894 Lai, Yizhu (Lai, Yi-chu). ໰ᧂဘ. Kua yue jiang jie: lun Li An “Tui shou” ji “Xi yan” zhong de wen hua han hun yu chong xin ding wei = Crossing borders: Cultural ambivalence and relocation in Ang Lee’s Pushing Hands and The Wedding Banquet. ቄքቨ֎: ‫ں‬ଽԥ “ԐѲ” ߵ “㏵ᑱ” Ѕϡҹ٩ଭౢӿԳЈӡ֧ = Crossing borders: Cultural ambivalence and relocation in Ang Lee’s Pushing Hands and The Wedding Banquet. 76 leaves. Note: Thesis (M.A.)—National Chiao Tung University, 2003. The paper focuses on Ang Lee’s Pushing Hands (1991) and The Wedding Banquet (1993) as both films use family dramas to present conflict and negotiation among different cultures. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

Taiwan hei dian ying = Taiwan Black Movies (2005) ‫ݡ‬ஹ‫ܪ‬Ӈ‫( ؙ‬2005) 0892 Hou, Jiran (Hou, Chi-jan). ᢡࡵѼ. “Taiwan Hei Dian Ying” ji lu pian zhi chuang zuo yu yi yi = “Taiwan Black Movies”—The Making and Meaning of a Documentary. “‫ݡ‬ஹ‫ܪ‬Ӈ‫ ”ؙ‬ઔ࠷әҏࡶӑӿҺच = “Taiwan Black Movies”— The Making and Meaning of a Documentary. 80 leaves. Note: Thesis (M.A.)—National Chengchi University, 2005. Using “Social Realistic Movies,” popular during the early 1980s, as a primary reference point, the author makes a documentary film entitled Taiwan Black Movies (2005). This paper records the production and meaning of “Taiwan Black Movies.” Includes a Chinese and English abstract, a bibliography, a chronology of “Social Realistic Movies” 1975–1985, a filmography of “Social Realistic Movies” 1975– 1985, interviews, reviews of “Taiwan Black Cinema,” the copyright agreement and script of Taiwan Black Movies, and Hou Jiran’s professional biography. NCL/NDLTD Chi

0895 Tui shou: yi bu dian ying de dan sheng / Feng Guangyuan bian. ԐѲ : ϣ‫ח‬Ӈ‫ؙؙ‬ϡᅈТ / ᫄‫׼ׇ‬ഹ. Taibei: Yuan liu chu ban shi ye you sian gong si, 1991. 221 p. ISBN 9573214741 Series title: Dian ying guan; 22 Ӈ‫ؙ‬ఖ; 22 Note: Includes the screenplay and interviews with the director, cinematographer, producer, manager, cast, and other related personnel of the film Pushing Hands (1991). NTULILP Chi

Wang Xiang = Homesick Eyes (1997) ֳ൅ (1997) 0896 Shen, Xiaoyin. ਻ཁ᱘. Wang xiang—dian ying dang an: di san shi si jie Jin Ma Jiang ying pian. ֳ൅—Ӈ‫ؙ‬းଈ:ҷѧ֐‫ף‬โ‫ެؖ‬؉‫ؙ‬ә. Taibei: Taibei Jin Ma guo ji ying chan zhi xing wei yuan hui, 1998. Note: An introduction to and review of the film Homesick Eyes (1997). CTFAL Chi

Tang shan guo Taiwan = The Heroic Pioneers (1986) ࿔‫ځ‬О‫ݡ‬ஹ (1986) 0893 Tang shan guo Taiwan de hui xiang / “Tang shan guo Taiwan” bian ji wei yuan hui. ࿔‫ځ‬О‫ݡ‬ஹϡ፯৘ / “࿔‫ځ‬О‫ݡ‬ஹ” ഹফణ‫؂‬Ͼ. Taibei: Taiwan dian ying zhi pian chang, 1986. 108 p.

162

Individual Film Reviews

0902

Wo de mei li yu ai chou = The Peony Pavilion (1995)

0900 Dai, Ning. ඕો. Wu xi apian sheng yin gui ze zhi yun yong—Hu Jinquan “Da zui xia” yu Li An “Wo hu cang long” zhi bi jiao. ેཱུә‫੺ٸك‬छҏ‫ػ‬ѓ—ഐ‫ؖ‬⠌ “Ͻ௴ཱུ” ӿଽԥ “၃ഝেह” ҏ ԝࢺ. 130 leaves. Note: Thesis (M.A.)—National Chengchi University, 2005. The paper provides a comparative study of King Hu and Ang Lee’s use of sound in their two most famous martial arts films. Includes a Chinese abstract and bibliography. NCL/NDLTD Chi

ϢϡѤ‫ܡ‬ӿඅེ (1995) 0897 Chen, Guofu, 1958– ಴лࣥ, 1958– Wo de mei li yu ai chou: dian ying ju ben / Chen Guofu, Chen Shijie zhu; Lin Zhixiang bian. ϢϡѤ‫ܡ‬ӿඅེ:Ӈ‫ঁؙ‬ӆ / ಴лࣥ, ಴ԒီЯ; ৆޺ፖഹ. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 1995. 218. ISBN 957322450X, 9789573224501 Series title: Dian ying guan; 51 Ӈ‫ؙ‬ఖ; 51 Note: The screenplay of the film The Peony Pavilion (1995). WorldCat Chi

0901 Huang, Yizhen (Huang, Yi-chen). ࢶជ♴. Quan qiu hua shi dai de wen hua rou za: yi Li An de “Wo hu cang long” wei li = Cultural hybridity in the age of globalization: a case study of Ang Lee’s “Crouching Tiger, Hidden Dragon.” Ҫ‫ܧ‬٩Ж‫ڊ‬ϡҹ٩ᚥ૝: йଽԥϡ “၃ഝেह” Њຎ = Cultural hybridity in the age of globalization: a case study of Ang Lee’s “Crouching Tiger, Hidden Dragon.” 75 leaves. Note: Thesis (M.A.)—National Chung Cheng University, 2005. Uses Ang Lee’s martial arts film Crouching Tiger, Hidden Dragon (2000) as a case study to analyze cultural hybridity and discuss cultural homogenization and heterogenization in the process of cultural hybridization. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Eng

0898 Lin, Zhixiang. ৆޺ፖ. Wo de mei li yu ai chou: pai she ji shi. ϢϡѤ‫ܡ‬ӿඅེ.: ‫ޛ‬଄֮Ӣ. Taibei: Wan xiang tu shu gu fen you xian gong si, 1995. 195 p. ISBN 957669633X, 9789576696336 Note: An on-site record of the making of the film The Peony Pavilion (1995). WorldCat Chi

Wo de yi piao xuan zong tong = The Tofu Maker Had a Dream (1994) Ϣϡϣ‫קܯ‬րࢃ (1994)

0902 Xie, Caimiao. ‫ిࠡه‬. Xun zhao qing min jian: cong “Wo hu cang long” tan Hua yu dian ying guo ji hua = Globalization of Chinese language cinemas: a case study of Crouching Tiger, Hidden Dragon. ଵ‫ݙװ‬ᙛ঺: ԩ “၃ഝেह” ড‫ܭܓ‬Ӈ‫ؙ‬лগ٩= Globalization of Chinese language cinemas: a case study of Crouching Tiger, Hidden Dragon. Taibei: Ya Tai tu shu, 2004. 244 p. ISBN 9867809297 Series title: Chuan bo jiao yu cong shu ‫ة‬৚‫ڌ‬ड़ᜣ‫ڣ‬ Note: A book based on the author’s master’s degree thesis at the National Taiwan University. Studies Crouching Tiger, Hidden Dragon (2000) as a blueprint for the success of Chinese cinema in the global marketplace. Analyzes the film’s production, distribution, and marketing as well as the current film production environment in Taiwan, Hong Kong, mainland China, and the United States; includes in-depth interviews with the film’s producers and scholars in Taiwan, Hong Kong,

0899 Qiu, Mingcheng, 1952– ᆥ᎘஧, 1952– Wo de yi piao xuan zong tong: fan ying xiong ren wu de hei se you mo ju. Ϣϡϣ‫קܯ‬րࢃ: ‫߭ބ‬೰Ϫ‫׉‬ϡ‫ܪ‬ա྇ࢪঁ. Taibei: Hao jiao chu ban she, 1995. 197 p. ISBN 9576201365, 9789576201363 Note: The director’s analysis and screenplay of the film The Tofu Maker Had a Dream (1994). WorldCat Chi

Wo hu cang long = Crouching Tiger, Hidden Dragon (2000) ၃ഝেह (2000)

163

Film Reviews

0903 and mainland China; and uses an immersion–crystallization method to reach its conclusion. Includes a bibliography and an appendix. NTUL Chi

0906 Wu zi tian shu / Zhu bian Gao Zhihao. ѩ‫ܒ‬ϳ‫ ڣ‬/ Ұഹҙ࢑ൻ. Taibei: Yun shui chu ban she, 1978. 186 p. Note: Presents examples of special effects in Western films; also describes the special effects in the Taiwan film Wu zi tian shu (The Phoenix; Chang Mei-chun, 1978), as well as reviews of the special effects in the film. CTFAL Chi

0903 Zhang, Xiaohong. ‫פ‬Щᅋ. Jia quan qiu hua = Fake globalization. ޳Ҫ‫ܧ‬٩= Fake globalization. Taibei: Lian he wen xue chu ban she, 2008. 291 p. ISBN 9789575227241 Series title: Lian he wen cong; 400 ࡀׁҹᜣ; 400 Note: The author tries to answer the question: “what is fake or real globalization?” from various perspectives; in Chapter 2, the author discusses Crouching Tiger, Hidden Dragon (2000) as a study case to discuss whether the film presents the true identity of Taiwan film, or if it is a Chinese film under the influence of globalization. CTFAL Chi

Xi bu lai de ren = The Man from Island West (1990) ՝‫ח‬ϰϡϪ (1990) 0907 Du li zhi pian zai Taiwan: “Xi bu lai de ren” / Huang Mingchuan deng zhu. ‫߹ݻ‬३әϨ‫ݡ‬ஹ: “՝‫ח‬ϰϡϪ” / ࢶҴඇҳЯ. Taibei: Qian wei chu ban she, 1990. 200 p. Series title: Xin Taiwan ren cong shu; 22 Ј‫ݡ‬ஹϪᜣ‫ ;ڣ‬22 Note: A work on independent filmmaking in Taiwan and the first such film produced in Taiwan in 1989. The author and the director of the film declare that this film achieved the following firsts in Taiwan film history: (1) the film was made in the Taiwan eastern mountainous tribe area; (2) the film used the local tribe language Taiya in many parts of the film; (3) the film crew was self-organized; (4 ) the film depicts harmony between the male body and nature; (5) the film started production before signing the distribution contract; (6) the director raised funds from non-film-related sources; (7) the cast consisted entirely of nonprofessionals; and (8) the film’s distribution and marketing only used an art film model. Includes papers on independent filmmaking, film reviews, interviews, screenplay writer’s diary, an introduction of the eastern mountain tribes’ legendary stories, and synopsis and screenplay of The Man from Island West (1990). CTFAL Chi

0904 Zheng, Peipei, 1946– ቼႬႬ, 1946– Wo hu cang long sui bi. ၃ഝেह‫ڨ‬દ. Hong Kong: ichannel.com Limited, 2000. 171 p. ISBN 9628595547, 9789628595549, 9628595539 (pbk.), 9789628595532 (pbk.) Note: This is a segment of the author’s autobiography, Wo de yan yi sheng ya. It was selected by an editorial board and published in celebration of the release of Ang Lee’s film Crouching Tiger, Hidden Dragon (2000) in Hong Kong. Provides anecdotes from the making of the film. WorldCat Chi

Wu yue zhi lian = Love of May (2004) ٚ֊ҏߧ (2004) 0905

0908

Wu yue zhi lian ying xiang quan ji lu = Love of May movie photography album / Ji guang dian ying gong si zuo. ٚ֊ҏߧ‫ؙ‬ՌҪઔ࠷ = Love of May movie photography album / แ ‫ׇ‬Ӈ‫ؙ‬ԍ‫ޅ‬ӑ. Taibei: Tai shi wen hua, 2004. 1 v. ISBN 957565630X, 9789575656300 Note: A photographic record of the feature film Love of May (2004). Includes a DVD. WorldCat Chi

Shen hua 3 bu qu: Huang Mingchuan dian ying ji shi = Huang Mingchuan trilogy / Huang Mingchuan dian ying shi xun you xian gong si. ‫ظ‬ҧ3‫ॽח‬: ࢶҴඇӇ‫ؙ֮‬Ѩ = Huang Mingchuan trilogy / ࢶҴඇ Ӈ‫ؙ‬؆ళϩࡳԍ‫ޅ‬. Taibei: Huang Mingchuan dian ying shi xun you xian gong si, 2011. 205 p. ISBN 9789868704701, 9868704707 Note: Reviews of the filmmaking process of independent film director Huang Mingchuan’s famous trilogy, The Man from Island West (1990), Bodo (1993), and Flat Tire (1998), plus a short film, Wind Within (1999). Includes four DVDs. WorldCat Chi

Wu zi tian shu = The Phoenix (1978) ѩ‫ܒ‬ϳ‫( ڣ‬1978)

164

Individual Film Reviews

0913

0909

0911

Xin dian ying zhi si—cong “Yi qie wei ming tian” dao “Bei qing cheng shi” / Mizou, Liang Xinhua bian. ЈӇ‫ؙ‬ҏӚ—ԩ “ϣܷЊҴϳ” Ϻ “঳є‫”صڵ‬/ ࣿҵ, ᅯЈ‫ܓ‬ഹ. Taipei: Tang shan chu ban she, 1991. 236 p. Series title: Zhan zheng ji qi cong kan; 3 ‫ڕ‬ৎҚॆᜣᑂ; 3 Note: A collection of essays critical of Taiwan New Cinema director Hou Hsiao-hsien and his acclaimed film A City of Sadness (1989). Several essays declare that the death of Taiwan New Cinema occurred in 1988 when Hou Hsiao-hsien and other Taiwan New Cinema directors delivered a “Taiwan Film Memoratum” in 1987 and then agreed to make the government policy film Everything for the Events of Tomorrow for Taiwan’s Defense Department in 1988. Most of the film reviews of Hou Hsiao-hsien’s film A City of Sadness (1989) take both a negative view of the director’s portrayal of the February 28 Incident and the film as a whole. Also includes a negative review of Taiwan’s so-called first independently made film, The Man from Island West (1990). Includes a bibliography. CTFAL Chi

Zhu, Tianwen (Chu, T’ien-wen), 1956– ᗌϳҹ, 1956– Bei qing cheng shi. ঳є‫صڵ‬. Shanghai: Shanghai wen yi chu ban she, 2001. 248 p. ISBN 7532121003 Series title: Tai Gang ji hai wai Hua yu zuo jia zi xuan wen ku ‫ݡ‬୯᠕֋֔ӑрІ‫ש‬ҹᆟ Note: A collection of four screenplays written by the author and directed by Hou Hsiao-hsien: Dust in the Wind (1986), A City of Sadness (1989), The Puppetmaster (1993), and Good Men, Good Women (1995), as well as the author’s comments and records of making the films. Includes a filmography and bibliography. Duxiu (FT) Chi

Xi yan = The Wedding Banquet (1993) ㏵ᑱ (2003) 0912 Lai, Yizhu (Lai, Yi-chu). ໰ᧂဘ. Kua yue jiang jie: lun Li An “Tui shou” ji “Xi yan” zhong de wen hua han hun yu chong xin ding wei = Crossing borders: Cultural ambivalence and relocation in Ang Lee’s Pushing Hands and The Wedding Banquet. ቄքቨ֎: ‫ں‬ଽԥ “ԐѲ” ߵ “㏵ᑱ” Ѕϡҹ٩ଭౢӿԳЈӡ֧ = Crossing borders: Cultural ambivalence and relocation in Ang Lee’s Pushing Hands and The Wedding Banquet. 76 leaves. Note: Thesis (M.A.)—National Chiao Tung University, 2003. The paper focuses on Ang Lee’s Pushing Hands (1991) and The Wedding Banquet (1993) as both films use family dramas to present conflict and negotiation among different cultures. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

Xi meng ren sheng = The Puppetmaster (1995) ْۚϪТ (1995) 0910 The trans-Pacific imagination: rethinking boundary, culture and society / edited by Naoki Sakai and Hyon Joo Yoo. Singapore: Hackensack, NJ: World Scientific, 2012. 330 p. ISBN 9789814324137, 9814324132, 9789814324144, 9814324140 Note: A collection of academic essays, including “InterAsia Comparative Framework: Postcolonial Film Historiography in Taiwan and South Korea” by Kim Soysoung, which compares the Taiwan film The Puppetmaster (Hou Hsiao-hsien, 1993) and the Korean Film Chihwasǂn (Im Kwǂntaek, 2002); and “The Incurable Feminine: Women Without a Country in East Asian Cinema” by Yoo Hyon Joo, which studies female characters in two Korean films, Time (Kim Kiduk, 2006) and Sympathy for Lady Vengeance (Park Chan-wook, 2005), and two Taiwanese films, The River (Tsai Ming-liang, 1997) and What Time Is It There? (Tsai Ming-liang, 2004). Includes a bibliography and an index. BAS Chi

0913 Li, An (Lee, Ang), 1954– ଽԥ, 1954– Xi yan / Li An; Feng Guangyuan. ㏵ᑱ / ଽԥ; ᫄‫׼ׇ‬. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1993. 283 p. ISBN 9571306231, 9789571306230 Series title: Ren jian cong shu; 190 ϪҼᜣ‫ ;ڣ‬190 Note: A work about the film The Wedding Banquet (1993). WorldCat Chi

Xia nu = A Touch of Zen (1969) ཱུѽ (1969)

165

Film Reviews

0915

ISBN 9578446861 Series title: Wen hua shou bian ce; 45 ҹ٩Ѳ‫נ‬ೠ; 45 Note: Uses the theory of historiophoty as a cross-disciplinary method of analysis between history, cinema, and television to discuss the film The Opium War (1997), jointly produced by mainland China, Taiwan, and Hong Kong, as a case study. Includes a bibliography (pp. 165–166). WorldCat Chi

0914 Teo, Stephen. King Hu’s A Touch of Zen. Hong Kong: Hong Kong University Press, 2007. 179 p. ISBN 9789622098152 (pbk.), 9622098150 (pbk.) Note: This is a work on King Hu and his famous film A Touch of Zen (1969). Includes a bibliography, index, and filmography. WorldCat Eng

Xiang fei = Princess D (2002)

Yan guang si she ge wu tuan = Splendid Float (2004)

Ђٞ (2002)

ᇗ‫ףׇ‬थ‫ܮ‬ଢࣗ (2004)

0915

0918

Xiang fei dian ying xie zhen ji shi = Princess D: I believe the day will com / Wen zi bian ji Huang Weixiong; Dao yan / Bian ju: Zhang Aijia, Yuan Jinlin. ЂٞӇ‫܎ؙ‬ѐ֮Ѩ = Princess D: I believe the day will come / ҹ‫ܒ‬ ഹফ: ࢶ໖೰; ࣒ࠟ / ഹঁ: ‫פ‬ዐဓ, ᭛ቇᰕ. Taibei: Jian dui chu ban you xian gong si, 2002. No pagination. Note: A pictorial book on the making of the film Princess D (2002), written and directed by Zhang Aijia. Includes words by the director, interviews with the cast, a narrative outline, credits, stills, and film script. CTFAL Chi

Li, Zhiqiang, 1966– ଽ࢑ᨋ, 1966– Dian shi dian ying, ou xiang ju = television -film, trendy drama; yan guang si she ge wu tuan: yi bu dian ying de wan cheng = Drag queen: from dream to film. Ӈ؆Ӈ‫ؙ‬, ઢՌঁ = television -film, trendy drama; ᇗ‫ףׇ‬थ‫ܮ‬ଢ ࣗ: ϣ‫ח‬Ӈ‫ؙ‬ϡԟю = Drag queen: from dream to film. Xindian, Taibei Xian: Yuan zhu wen hua shi ye you xian gong si, 2004. [187 p.] ISBN 9867630467, 9789867630469 Note: Divided into two parts: Part 1, the history of Taiwan’s television-film and trendy drama production; and Part 2, detailed and daily descriptions of making the television-film, Yan guang si she ge wu tuan / Splendid Float (2004), a drag queen film. Includes photos, stills, posters, chronology, filmography, and interviews with the director and cinematographer. WorldCat Chi

Xiao zhen chun hui = Gain Sons, Not Losing Daughters (1968) Щ๰ࡇҘ (1968) 0916 Xiao zhen chun hui / Taiwan dian ying zhi pian chang bian. Щ๰ࡇҘ / ‫ݡ‬ஹӇ‫ؙ‬३әྃഹ. Taibei: Taiwan dian ying zhi pian chang, 1970. 196 p. Note: An internal publication by the Taiwan Film Production Co.; includes award-winning works from a writing contest that were adapted for the screenplay, a list of the cast, an account of the filmmaking process, and reviews of the film Gain Sons, Not Losing Daughters (1968). CTFAL Chi

Yangzi jiang feng yun = Storm Over the Yang-Tse River (1969) เж࢖գࠥ (1969) 0919 Yangzi jiang feng yun ying ping ji / Zhongguo dian ying zhi pian chang bian. เж࢖գࠥ‫ؙ߰‬ओ / ЅлӇ‫ؙ‬३әྃഹ. Taibei: Zhongguo dian ying zhi pian chang, 1969. 131 p. Note: Includes an introduction to, and interviews and reviews of, the film Storms over the Yangzi River (1969). CTFAL Chi

Ya pian zhan zheng = The Opium War (1997) ᛃә‫ڕ‬ৎ (1997)

Yi ba jiu wu = The Legend of Formosa in 1895 (2008)

0917 Zhang, Guangzhi. ‫޺ܰפ‬. Ying shi shi xue = Historiophoty. ‫ؙ‬؆੗ѹ = Historiophoty. Taibei: Yang zhi wen hua shi ye gu fen you xian gong si, 1998. 166 p.

ϣࡂ॰ٚ (2008)

166

Individual Film Reviews

0925 Note:

0920 Yi ba jiu wu dian ying xie zhen bi ji shu / Bu Ke wen hua bian ji shi. ϣࡂ॰ٚӇ‫܎ؙ‬ѐદ֮‫ ڣ‬/ ޿ࡽҹ٩ഹফॣ. Taibei: Bu Kew en hua chu ban shi ye bu, 2008. 128 p. ISBN 9789867010742, 9867010744 Note: A description of the making of the film The Legend of Formosa in 1895 (2008). Includes film stills, script dialogue, and narrative. WorldCat Chi

Thesis (M.A.)—Fu Jen Catholic University, 2004. Analyzes the subtitle translation of Taiwanese films by using Ang Lee’s Eat Drink Man Woman (1994) and reception theory. The paper is written in Japanese, with a Chinese and English title, and a Chinese abstract. Includes a bibliography and an appendix. NCL/NDLTD (FT) Jpn

0923 Yin shi nan nu: dian ying ju ben yu bai she guo cheng / Zhong yang dian ying gong si ce hua; Wang Huiling, Li An, James Schamus bian ju; Chen Baoxue cai fang. ୗ‫ې‬Բѽ: Ӈ‫ঁؙ‬ӆӿ‫ޛ‬଄Оࡄ / Ѕ႑Ӈ‫ؙ‬ԍ‫ޅ‬೫੿; ࣼ┰ጘ, ଽ ԥ, James Schamus ഹঁ. Taibei: Yuan liu wen huachu pan qi ye gong si. 206 p. ISBN 957322271 Series title: Dian ying guan; 47 Ӈ‫ؙ‬ఖ; 47 Note: Includes the screenplay of Ang Lee’s film Eat Drink Man Woman (1994) and interviews with Ang Lee, Wang Huiling (screenwriter), and James Schamus (producer, scholar, and promoter of the film). CTFAL Chi

Yi qie wei le ming tian = Everything for the Events of Tomorrow (1988) ϣܷЊϦҴϳ (1988) 0921 Xin dian ying zhi si—cong “Yi qie wei ming tian” dao “Bei qing cheng shi” / Mizou, Liang Xinhua bian. ЈӇ‫ؙ‬ҏӚ—ԩ “ϣܷЊҴϳ” Ϻ “঳є‫”صڵ‬/ ࣿҵ, ᅯЈ‫ܓ‬ഹ. Taipei: Tang shan chu ban she, 1991. 236 p. Series title: Zhan zheng ji qi cong kan; 3 ‫ڕ‬ৎҚॆᜣᑂ; 3 Note: A collection of essays critical of Taiwan New Cinema director Hou Hsiao-hsien and his acclaimed film A City of Sadness (1989). Several essays declare that the death of Taiwan New Cinema occurred in 1988 when Hou Hsiao-hsien and other Taiwan New Cinema directors delivered a “Taiwan Film Memoratum” in 1987 and then agreed to make the government policy film Everything for the Events of Tomorrow for Taiwan’s Defense Department in 1988. Most of the film reviews of Hou Hsiao-hsien’s film A City of Sadness (1989) take both a negative view of the director’s portrayal of the February 28 Incident and the film as a whole. Also includes a negative review of Taiwan’s so-called first independently made film, The Man from the Island West (1990). Includes a bibliography. CTFAL Chi

Ying lie qian qiu = The Everlasting Glory (1974) ߭૆࡛‫( ڠ‬1974) 0924 Ying lie qian qiu ying ping ji / Zhu bian: Zhong ying zhi pian qi hua bu. ߭૆࡛‫ؙ߰ڠ‬ओ / Ұഹ: Ѕ‫ؙ‬३әఌ੿‫ח‬. Taibei: Zhong yang dian ying shi ye gong si, 1974. 179 p. Series title: Zhong ying tong xun cong shu zhi yi Ѕ‫ؙ֡‬ళᜣ‫ڣ‬ҏϣ Note: An introduction, with interviews and reviews, of the film The Everlasting Glory (1974). CTFAL Chi

Yin shi nan nu = Eat Drink Man Woman (1994)

Zui hao shi guang = Three Times (2005)

ୗ‫ې‬Բѽ (1994)

зϮЖ‫( ׇ‬2005)

0922

0925

Honda, Momo. ӆ೧ಱ. Cong “Jie shou li lun” tan tao Taiwan dian ying zhi zi mu fan yi: yi “Yin shi nan nu” wei li = An exploration of the subtitle translation of Taiwanese movies using the Reception Theory: using “Eat Drink Man Woman” as an example. ԩ “‫ב‬իԑ‫ ”ں‬෬क़‫ݡ‬ஹӇ‫ؙ‬ҏ‫ࢬ௷ܒ‬ፆ: й “ୗ‫ې‬Բѽ” Њຎ = An exploration of the subtitle translation of Taiwanese movies using the Reception Theory: using “Eat Drink Man Woman” as an example. 79 leaves.

Zhu, Tianwen (Chu, T’ien-wen), 1956– ᗌϳҹ, 1956– Zui hao de shi guang: dian ying ben shi, fen chang ju ben, yi ji suo you guan yu dian ying de 1982 / 2006. зϮϡЖ‫ׇ‬: Ӈ‫ؙ‬ӆѨ, дԾঁӆ, йߵӛϩԬҿӇ‫ؙ‬ϡ 1982 / 2006. Taibei: INK yin ke chu ban you xian gong si, 2008. 417 p. ISBN 9789866873621 Series title: Zhu Tianwen zuo pin ji; 7 ᗌϳҹӑԘओ; 7

167

Film Reviews

0926 Note:

Written by noted author and famous screenwriter Chu T’ien-wen, this text presents ten scripts written by the author; details of making eight films with Hou Hsiaohsien, from Dust in the Wind (1986) to Three Times (2005); and the author’s writings on Taiwan film. Includes photos and film stills. CTFAL Chi

Jinan: Shangdong hua bao chu ban she, 2006. 386 p. ISBN 7807132973, 9787807132974 Note: A combination of film stories, sceenplays, and reviews related to Hou Hsiao-hsien and eight of his films, from Dust in the Wind (1986) to Three Times (2005). Includes Hou Hsiao-hsien’s filmography. Duxiu Chi

0926 Zhu, Tianwen (Chu, T’ien-wen), 1956– ᗌϳҹ, 1956– Zui hao de shi guang: Hou Xiaoxian dian ying ji lu. зϮϡЗ‫ׇ‬䩭ᢡᖮᐉӈ‫ؙ‬ઓ࠹.

168

5 Film Theory and Technique

5.1

GENERAL

0930 Liu, Lixing. ฀߹Ҳ. Dian ying li lun yu pi ping. Ӈ‫ؙ‬ԑ‫ں‬ӿ౓߰. Taibei: Wu nan tu shu chu ban you xian gong si, 1997. 241 p. ISBN 9571114324 Note: Part 1, “Theory,” presents eight introductory chapters on film theory; and Part 2, “Criticism,” presents a collection of film reviews and comments on film-related topics. CTFAL Chi

0927 Chen, Guofu, 1958– ಴лࣥ, 1958– Pian mian zhi yan-Chen Guofu dian ying wen ji. әӌҏߞ-಴лࣥӇ‫ؙ‬ҹओ. Taibei: Zhonghua Minguo dian ying tu shu guan chu ban bu, 1985. 268 p. Note: A collection of the author’s film reviews and articles on film theory and Taiwan film studies. NTUL Chi

0931

0928

Liu, Yi, 1930–1990. ฀ਲ, 1930–1990 Dian ying yi shu lun ji. Ӈ‫ؙ‬ਲफ‫ں‬ओ. Taibei: Huang guan za zhi she, 1982. 400 p. Series title: Huang guan cong shu dib a si wu zhong ෦ഃᜣ‫ڣ‬ҷࡂ‫ף‬ٚ҆ Liu Yi dian ying cong shu zhi wu ฀ਲӇ‫ؙ‬ᜣ‫ڣ‬ҏٚ Note: The author, a film director and screenwriter, presents his perspectives on film theory and world cinema, including Taiwan cinema. CTFAL Chi

Ha, Gong. Հԍ. Dian ying yi shu gai lun. Ӈ‫ؙ‬ਲफม‫ں‬. Taibei: Hua xin wen hu shi ye zhong xin, 1974. 279 p. Series title: Hua xin xue shu cong shu zhi qi ‫ܓ‬ಶѹफᜣ‫ڣ‬ҏࢳ Note: An introduction to film theory, techniques, and world cinema. CTFAL Chi

0929 Jiang, Longzhao. ዕहᢘ. Dian ying xi ju lun ji. Ӈ‫ںঁؙۚ‬ओ. Taibei: Wen hao chu ban she, 1979. 246 p. Series title: Wen hao cong shu ҹൻᜣ‫ڣ‬ Note: A collection of the author’s essays on film and drama, film and drama reviews, and a screenplay. The author states that there should be works on the KMT leader Chiang Kai-shiek in Taiwan film, drama, and television. Includes a chronology. CTFAL Chi

0932 Lu, Zhizi. ჁᎴж. Dian ying yi shu man tan = A look at movie art. Ӈ‫ؙ‬ਲफࢿড = A look at movie art. Taibei: Aboluo chu ban she, 1970. 162 p. Series title: Aboluo wen cong; 1 ०ம஛ҹᜣ; 1 Note: A sequel to the author’s work published in 1969; an introduction to film theory, techniques, and world cinema. CTFAL Chi

169

Film Theory and Technique

0933 0933

0937

Lu, Zhizi. ჁᎴж. Dian ying yi shu zong heng tan = A look at movie art. Ӈ‫ؙ‬ਲफ྾ืড = A look at movie art. Taibei: Xian ren zhang chu ban she, 1969. 178 p. Series title: Xian ren zhang wen ku; 20 ࿁Ϫ௢ҹᆞ; 20 Note: An introduction to film theory, techniques, and world cinema. CTFAL Chi

Liu, Chenghan. ฀юఈ. Dian ying fu bi xing ji. Ӈ‫ؙ‬ᔽԝࣱओ. Taibei: Yuan liu chu ban gong si, 1992. 2 v. ISBN 957321623X 9573216256 Series title: Dian ying guan; 29–30 Ӈ‫ؙ‬ఖ; 29–30 Note: Includes essays on such subjects as Chinese film history from the 1920s to the 1940s, a comparative study of Hong Kong and Taiwan films, film theory, and Taiwan and Hong Kong film directors and their films. Includes a Chinese and English glossary. NTUL Chi

0934 Lu, Zhizi. ჁᎴж. Xian dai dian ying yi shu. ѳ‫ڊ‬Ӈ‫ؙ‬ਲफ. Taibei: Zhongguo dian ying wen xue chu ban she, 1968. 275 p. Series title: Zhongguo dian ying wen xue chu ban she dian ying cong shu ЅлӇ‫ؙ‬ҹѹо‫ؗ‬घӇ‫ؙ‬ᜣ‫ڣ‬ Note: A general introduction to film theory and techniques. Includes a Japanese screenplay: Harakiri (Kobayashi Masaki, 1962). CTFAL Chi

0938 Liu, Yi, 1930–1990. ฀ਲ, 1930–1990. Dian ying gong zuo lin chang lu. Ӈ‫ؙ֞‬ӑெԾ࠷. Taibei: Dian ying wen xue chu ban she, 1968. 222 p. Note: An account of the author’s film production experience with both Japanese and American directors, and a record of the Taiwan filmmaking system from the perspective of this director and screenwriter. NTUL Chi

0935 Mei, Changling. Ⴐӕ෗. Dian ying yuan li yu zhi zuo. Ӈ‫֍ؙ‬ԑӿ३ӑ. Taibei: San min shu ju, 1982. 337 p. Note: A general introduction to film history, production, theory, and techniques; presented as a text for universitylevel instruction. NTUL Chi

0939 Liu, Yi, 1930–1990. ฀ਲ, 1930–1990. Dian ying lu tan. Ӈ‫ںؙ‬Ⴋ. Taibei: Zhongguo ying ping ren xie hui, 1979. 400 p. Note: A collection of author’s articles and studies on Taiwanese film, followed by film reviews. NTUL Chi

0936

0940

Liu, Chenghan. ฀юఈ. Dian ying fu bi xing ji. Ӈ‫ؙ‬ᔽԝࣱओ. Xianggang: Tian di tu shu you xian gong si, 1991. 449 p. ISBN 9622575277 Note: Includes essays on such subjects as Chinese film history from the 1920s to the 1940s, a comparative study of Hong Kong and Taiwanese films, film theory, and Taiwan and Hong Kong film directors and their films. CTFAL Chi

Ma, Sen. ެာ. Dian ying, Zhongguo, Meng. Ӈ‫ؙ‬, Ѕл, ْ. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1990. 301 p. ISBN 9571301450 Series title: Ren jian cong shu; 106 ϪҼᜣ‫ ;ڣ‬106 Note: Contains three parts: (1) a collection of articles on film theory; (2) a comparative study of Western and Taiwanese films; and (3) a study of new Taiwan film directors and their films. Includes a chronology. CTFAL Chi

170

General

0947

0941

0944

Qi, Longren, 1952– ಞᇐ〣, 1952– Dian ying chen si ji. Ӈ‫ؙ‬ਭ‫ڽ‬ओ. Taibei: Yuan shen chu ban she, 1987. 207 p. Series title: Yuan shen cong shu; 20 அ‫ظ‬ᜣ‫ ;ڣ‬20 Note: A collection of film-related articles originally published in various newspapers and journals. Includes the following four parts: Movements, Structure, Criticism, and Appendix. Articles on Taiwanese film are present in all four parts of the book. CTFAL Chi

Chen, Jiandao. ಴ࠃѬ. Ji lu pian zhi zhi zuo. ઔ࠷әҏ३ӑ. Taibei: Shi jie shu ju, 1978. 258 p. Note: This is the same work published in 1965 under the name of Wenquan (Chen, Wenquan) with a similar title. An introduction to documentary film theory and a detailed description of the techniques and processes of documentary filmmaking in Taiwan. The appendix includes three papers on documentary films by Xiao Hao. CTFAL Chi

0945

0942

Chen, Wenquan. ಴ҹ໩. Dian ying gai lun. Ӈ‫ؙ‬ม‫ں‬. Taibei: Guo li xi ju zhuan ge xue xiao xiao you hui, 1961. 166 p. Note: A general introduction to film, its origins, film theory, film art, film education, screenplay writing, directing, and further topics. Wenquan is presented as the author’s name in the book, but the author’s full name is Chen Wenquan. NTUL Chi

Qi, Longren, 1952– ಞᇐ〣, 1952– Dian ying fu hao xue. Ӈ‫ؙ‬ላ‫ى‬ѹ. Taibei: Shu lin chu ban you xian gong si, 1992. 219 p. ISBN 9575862988 Series title: Dian ying cong shu; 1 Ӈ‫ؙ‬ᜣ‫ ;ڣ‬1 Note: The author both introduces readers to, and reviews key elements of, the development of La semiologie du cinema film theory initiated by French scholar Christian Metz in 1964, and then applies said theory to the study of Taiwan film directors, including Edward Yang, Hou Hsiao-hsien, and Chen Guofu. Includes a glossary in French, English, and Chinese; a Name and Film Title List in both the original language and Chinese translation; and a Name and Film Title Index organized according to Chinese character stroke numbers. NTUL Chi

0946 Chen, Wenquan (Wenquan). ಴ҹ໩ (ҹ໩). Ji lu pian she zhi zhi li lun yu shi jian. ઔ࠷ә଄३ҏԑ‫ں‬ӿӢᒂ. Taibei: Zhong wai dian ying za zhi she, 1965. 220 p. Note: An introduction to documentary film theory and a detailed description of the techniques and processes of documentary filmmaking in Taiwan. The appendix includes three papers on documentary films by Xiao Hao. CTFAL Chi

0943 Liao, Xiangxiong. ᴰፖ೰. Dian ying yi shu lun. Ӈ‫ؙ‬ਲफ‫ں‬. Taibei: San shan chu ban she, 1964. 283 p. Series title: San shan cong shu; er ѧ‫ځ‬ᜣ‫ ;ڣ‬ԏ Note: A general introduction to world cinema in terms of film art and film production. Although the text does not mention Taiwan film production, the book concludes with a commentary on the artistic relationship between Chinese poetry, characters, and film. NTUL Chi

0947 Wu, Dongquan. ྶֆ੸. Dian ying yu chuan bo. Ӈ‫ؙ‬ӿ‫ة‬৚. Taibei: Li ming wen hua shi ye gu fen you xian gong si, 1979. 292 p. Note: A collection of the author’s articles on film production and distribution, the relationship between literature and film, the Chinese Communist influence on film production, Taiwanese film history, and the rise and fall of Taiwanese-dialect film. Includes a bibliography. CTFAL Chi

171

Film Theory and Technique

0948 0948

0952

Wu, Dongquan. ྶֆ੸. Ying guang mu hou. ᝰ‫௷ׇ‬ћ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 1986. 225 p. Series title: Wen hua jian she cong shu; 7 ҹ٩ࠃ‫ޗ‬ᜣ‫ ;ڣ‬7 Note: A collection of the author’s articles dealing with film and television production and direction in Taiwan. WorldCat Chi

Yan, Zhongxian. ୶ᇝᐊ. Ying xiang di zhi xue: mai xiang dian ying kong jian li lun de jian gou. ‫ؙ‬Ռс௨ѹ: ፪‫ז‬Ӈ‫׺ؙ‬Ҽԑ‫ں‬ϡࠃภ. Taibei: Wan xiang tu shu ge fen you xian gong si, 1996. 231 p. ISBN 9576698642 Series title: Yi shu fang; 28 ਲ‫ ;ࠚڣ‬28 Note: The author aims to establish an original theory of film space by considering related film theories and analyzing relevant films. Includes a bibliography and an index. CTFAL Chi

0949 Wu, Peici. ྶⳍ፦. Zai dian ying si kao de nian dai. ϨӇ‫ߎڽؙ‬ϡё‫ڊ‬. Taibei: Shu lin chu ban you xian gong si, 2007. 175 p. ISBN 9789574451869 Series title: Dian ying yuan; F4 Ӈ‫ؙ‬ᮛ; F4 Note: The author uses the lens of various film theories to review and analyze Edward Yang’s films as well as the films of Alfred Hitchcock and other famous Western film directors. Includes a bibliography. NTUL Chi

0953 Yao, Yiwei. ᝻ϣἹ. Xi ju lun ji. ۚঁ‫ں‬ओ. Taibei: Taiwan kai ming shu dian, 1969. 243 p. Note: A collection of the author’s essays on drama and film theory. CTFAL Chi

0954 Yi qu wei wan dian ying meng—Wang Feilin ji nian wen ji / Zhu bian Jian Zhen, Jing Yingrui deng. ϣॽ‫۔‬ԟӇ‫ࣼ—ؙْ‬๘৆ઔ݉ҹओ / Ұഹߢ㱠, ቯࣽᇳҳ. Taibei: Ke ning chu ban she, 1993. 432 p. ISBN 9579099162 Note: This is a commemorative work of Wang Feilin, a Taiwan film director and critic who passed away in 1992. It includes Wang Feiling’s essays, film reviews, articles, interviews, and memorial articles about Wang Feiling. Includes a chronology. NTUL Chi

0950 Xie, Pengxiong. ‫ه‬អ೰. Dian ying si kao. Ӈ‫ߎڽؙ‬. Taibei: Guang fu shu ju, 1988. 236 p. Series title: Chun hui cong shu; 24 ࡇᲉᜣ‫ ;ڣ‬24 Note: A collection of the author’s articles on film theory and film reviews; very few mention Taiwan film. NTUL Chi

0955 Ying xiang bi ji = The moving image / Zhu bian Yu Weizheng. ‫ؙ‬Ռદ֮ = The moving image / Ұഹ൑Њू. Tainan: Tainan yi shu da xue, 2007. 311 p. ISBN 9789860090987 Note: A collection of film studies essays and lectures presented at Tainan National University of the Arts. Divided into four parts: Part 1, Principle of Moving Image and Aesthetics; Part 2, Moving Image Culture and Communication; Part 3, Moving Image Today and Tomorrow; and Part 4: Moving Image Creation. In terms of specifics, Part 1 touches on current (2007) Taiwan film theory discussions, Part 2 focuses on Taiwan film history, Part 3 considers the future of Taiwan film

0951 Yan, Huizeng. ୶௑Ҷ. Shen sheng yu shi su: cong dian ying de biao mian jie gou dao shen ceng jie gou. ‫ظ‬๦ӿԒཞ: ԩӇ‫ؙ‬ϡԣӌְภϺ‫ٹ‬ৡְภ. Taibei: Yuan liu chu ban gou si, 1992. 246 p. ISBN 9573216639 Series title: Dian ying guan; 28 Ӈ‫ؙ‬ఖ; 28 Note: A collection of essays on film theory and Taiwan film reviews. NTUL Chi 172

Acting

0962 development, and Part 4 presents filmmaking anecdotes and experiences within Taiwan. NTUL Chi

0959 Zhuang, Ling. ບࢼ. Dian ying yi shu za tan = Talks on cinematic art. Ӈ‫ؙ‬ਲफ૝ড = Talks on cinematic art. Taibei: Chen zhong chu ban she, 1970. 2 v. Series title: Xiang ri kui wen cong; 3 ‫ז‬яᕽҹᜣ; 3 Note: A collection of the author’s discussions on cinematic art. The first articles in the text discuss contemporary Taiwan film, including its achievements and shortcomings. NTUL Chi

0956 Ying xiang xia de xian dai: dian ying yu shi jue wen hua = Visual modern and its other / Zhu bian: Zhou Yingxiong, Feng Pinjia. ‫ؙ‬ՌЎϡѳ‫ڊ‬: Ӈ‫ؙ‬ӿ؆ңҹ٩= Visual modern and its other / Ұ ഹ: ‫߭ر‬೰, ᫄Ԙ૟. Taibei: Shu lin chu ban you xian gong si, 2007. 293 p. ISBN 9789574451951 Series title: Dian ying yuan; F5 Ӈ‫ؙ‬ᮛ; F5 Note: Explores the relationship between film illusion and modernity. Presented in four parts: (1) McCarthyism’s affect on Hollywood film directors, actors, actresses, and Chinese writer Zhang Ailing; (2) the theoretical relationship between “the gaze” and being the object of the gaze; (3) the connection between Taiwan films and their representations of modernity; and (4) the characteristics of and desire expressed in New Queer Film. Includes an index and contributor introduction. CTFAL Chi

5.2

ACTING

0960 Ha, Gong. Հԍ. Biao yan lun. ԣࠟ‫ں‬. Taibei: Huang guan chu ban she, 1973. 498 p. Note: Presents Chinese and Western drama acting techniques and theory with the intention of applying these concepts to film performance. CTFAL Chi

0957 Zeng, Xiba. ߲՝ພ. Wo ai dian ying. ϢДӇ‫ؙ‬. Taibei: Da han chu ban she, 1979. 204 p. Series title: Da han wen ku; 8 Ͻఈҹᆞ; 8 Note: A collection of film-related articles originally published in various newspapers and journals. Articles on Taiwan film, in Parts 1 and 3, deal with film theory, box office results, and censorship issues. CTFAL Chi

0961 Ha, Gong. Հԍ. Tan yan ji. ডࠟ৔. Taibei: Hai tian chu ban she, 1960. 148 p. Note: A text that presents acting techniques. CTFAL

Chi

0958 0962

Zhang, Wugong. ‫ેפ‬௫. Dian ying jian shang yu chuang yi. Ӈ‫ؙ‬ᅹ೘ӿࡶҺ. Taibei xian Zhonghe shi: Xin wen jing kai fa chu ban gu fen you xian gong si, 2007. 217 p. ISBN 9789861505794 Note: Introduces film history, art, theory, techniques, production, and appreciation. Includes a bibliography. CTFAL Chi

Jia, Yidi. ᯊඩ➅. Biao yan yi shu. ԣࠟਲफ. Taibei: Zheng zhong shu ju, 1973. 172 p. Series title: Zheng zhong wen yi cong shu ԜЅҹਲᜣ‫ڣ‬ Note: A collection of essays on drama and movie acting. Includes Acting Test Sample Questions. CTFAL Chi

173

Film Theory and Technique

0963 5.3

0963 Liu, Shibing. ขஈഈ. Zhongguo dian ying biao yan bai nian shi hua. Ѕмӈ‫ؙ‬ԣࠟ‫ښ‬ё੗Ҧ. Beijing: Zhongguo dian ying chu ban she, 2005. 239 p. ISBN 7106023779 Note: A summary of 100 years of Chinese film acting history and development. Chapter 6 (pp. 191–222) surveys fifty years (1950–2000) of film acting in Hong Kong and Taiwan. WorldCat Chi

AESTHETICS

0967 Cinema Taiwan: politics, popularity and state of the arts / edited by Darrell William Davis and Ru-shou Robert Chen. London, England; New York, NY: Routledge Taylor & Francis Group, 2007. 236 p. ISBN 0415412579 (hbk.), 0415412587 (pbk.), 020396439X (ebk.), 9780415412575 (hbk.), 9780415412582 (pbk.), 9780203964392 (ebk.) Note: An excellent collection of essays divided into three groups: Politics, Popularity, and State of Arts. As the introduction by Darrell William Davis states, this text is “a foray into the cultural politics of contemporary Taiwan film, which brings into focus several developments since the famous milestones of Hou Hsiaohsien, Edward Yang, Ang Lee, Tsai Ming-liang, et al” (p. 8). The text explores new developments of Taiwan film in the twenty-first century based on a historical understanding of Taiwan’s previous film movements, including Taiwan New Cinema. Includes a selected filmography (with English translation and Chinese characters), a Chinese glossary, selected bibliography, and an index. WorldCat Eng

0964 Peng, Zhaohong. ᣴᘻᒩ. Yan yuan xun lian jiang yi. ࠟ‫؂‬ਗ୚‫܈‬च. Taibei: Hua lian chu ban she, 1979. 107 p. Note: An outline for teaching drama and film acting in workshops or in the classroom. Includes a glossary. CTFAL Chi

0968

0965

Ji lu Taiwan: Taiwan ji lu pian yan jiu shu mu yu wen xian xuan ji / zhu bian Zhang Changyan, Li Daoming; zhi xing bian ji Hong Yawen, Han Xu’er, Zhang Qinyun. ઔ࠷‫ݡ‬ஹ: ‫ݡ‬ஹઔ࠷ә୳ૢ‫ڣ‬۵ӿҹຶ‫ק‬ओ / Ұഹ‫פ‬ቾᴧ, ଽѬҴ ; వҲഹফᖻ઩ҹ, ठ᯾ঌ, ‫פ‬ቦ᭲. Taibei: Xing zheng yuan wen hua jian she wei yuan hui wei tuo cai tuan fa ren guo jia dian ying zi liao guan, 2000. 2 v. ISBN 9570265478 (v. 1), 9570262486 (v. 2) Series title: Taiwan dian ying shi liao cong shu ‫ݡ‬ஹӇ‫ؙ‬੗ࢧᜣ‫ڣ‬ Note: This is the first and most comprehensive bibliography and collection of essays on Taiwan film documentaries. Vol. 1 covers the colonial period and includes sixty-five essays and articles written by three contemporary Taiwan scholars as well as colonial-era Japanese authors whose articles were initially published in Japanese before being translated into Chinese for the purposes of this book. Contains eight parts: (1) Film History; (2) Documentary, News, and Education Films; (3) Film Show Activities; (4) Film Propaganda; (5) Film Censorship; (6) Film Affairs; (7) Film Reviews and Introduction; and (8) a Bibliography of Taiwan Documentary Film Studies During the Colonial Period, which includes monographs (in both Chinese and Japanese), dissertations, and journal articles (in both Chinese and Japanese, dated and undated). There is also a bibliography at the end of the book. Vol. 2 covers Taiwan documentary film studies after 1945 and includes eighty-one essays, articles,

Xia, Peng. ॼអ. Ying ju yan ji zhi fang. ‫ࠟঁؙ‬৔ҏҤ. Taibei: Xia Peng, 1968. 214 p. Note: An overview of the skills, training, and techniques of acting necessary for movie, television, and drama performance, presented in twelve chapters. NTUL Chi

0966 Zhang, Shenzhi. ‫פ‬ዌҏ. Dian ying yan yuan ji ben lian xi—zi xiu jiang yi. Ӈ‫؂ؙࠟ‬ऴӆ୚‫—܄‬Іࢗ‫܈‬च. Taibei: Liu feng chu ban she, 1968. 149 p. Note: A self-study guide for film actors and actresses, with basic information regarding acting, make-up, mise-enscène, equipment, terminology, and the filmmaking process. NTUL Chi

174

Aesthetics

0973 interviews, film reviews, and news reports. Similar to Vol. 1, it also contains eight parts: (1) Anthropology Films; (2) Introduction and Review of Taiwan Documentary Films; (3) Theory and Aesthetics of Documentary Film; (4) Documentary Film and Social Movements; (5) Documentary and Indigenous People; (6) Documentary Film Directors and Workers; (7) Documentary Film History, and Analysis; and (8) a Bibliography of Taiwan Documentary Film Studies After 1945, which is organized under the following subjects: anthropology films, China (including Hong Kong) documentary films, review and introduction to Taiwan documentary films, review and introduction to foreign documentary films, documentary filmography and others, documentary film theory and aesthetics, documentary films and social culture, documentary film and social movements, documentary film and indigenous people, documentary film directors and workers (domestic), documentary film directors and workers (abroad), documentary film history (domestic), and documentary film history (abroad). The materials collected in the bibliography include monographs, dissertations, journal and newspaper articles, handbooks, and manuals. WorldCat Chi

Taibei: Shu lin chu ban you xian gong si, 2006. 283 p. ISBN 9574450678 Note: An accessible introduction to film aesthetics and theory, originally published in 1993. Compared with the second edition, the third edition contains additional reviews of concurrent foreign and mainland Chinese films. Includes a bibliography and film index. NTUL Chi

0972 Liu, Lixing. ฀߹Ҳ. Ying shi li lun yu pi ping. ‫ؙ‬؆ԑ‫ں‬ӿ౓߰. Taibei: Wu nan tu shu chu ban go fen you xian gong si, 2005. 229 p. ISBN 9571141070 Note: A collection of essays divided into two parts: Part 1, Theory, an introduction to film theory and various film schools, and Part 2, Criticism, a collection of the author’s critical essays and film analyses. NTUL Chi

0973

0969

Lu, Feiyi. ᡭۘ‫ډ‬. Taiwan dian ying: zheng zhi, jing ji, mei xue (1949–1994). ‫ݡ‬ஹӇ‫ؙ‬: ू੽,Ҭ௵,Ѥѹ (1949–1994). Taibei: Yuanliu chu ban gong si, 1998. 476 p. ISBN 9573235943 Series title: Dian ying guan; 81 Ӈ‫ؙ‬ఖ; 81 Note: This essential book studies Taiwan film history from political, economic, and aesthetic perspectives. Taiwan film history is divided into the following time periods: 1949, 1950–1954, 1955–1959, 1960–1964, 1965–1969, 1970–1974, 1975–1979, 1980–1984, 1985– 1989, and 1990–1994. Politically, the author focuses on government policy, processes, laws, and regulation of Taiwan film production; economically, based on the text’s political analysis, the author explores how film resources were allocated and policy control was instituted in Taiwan film production and the interrelationship between film production, distribution, and competition; and aesthetically, following the political and economic studies of Taiwan film history, the author explains artistic styles and trends in Taiwan by analyzing major film productions and film artists over the past forty years (before 1998). Includes a bibliography and statistical charts. All related statistical information can also be found in the Database of Taiwan Cinema at http://cinema.nccu.edu.tw. NTUL Chi

Jian, Zhengzhen. ߢूੵ. Dian ying yue du mei xue. Ӈ‫ؙ‬་ࢵѤѹ. Taibei: Shu lin chu ban you xian gong si, 1993. 224 p. Note: An accessible introduction to film aesthetics and theory; includes close readings of film scenes, including scenes from Taiwan films. NTUL Chi

0970 Jian, Zhengzhen. ߢूੵ. Dian ying yue du mei xue (zeng ding er ban). Ӈ‫ؙ‬་ࢵѤѹ (Ҷ๓ԏ‫)ؗ‬. Taibei: Shu lin chu ban you xian gong si, 2004. 268 p. ISBN 9574450678 Note: An accessible introduction to film aesthetics and theory, originally published in 1993. The new edition contains such additions as a review of Ang Lee’s film Crouching Tiger, Hidden Dragon in the appendix. Includes a film index. NTUL Chi

0971 Jian, Zhengzhen. ߢूੵ. Dian ying yue du mei xue (zeng ding san ban). Ӈ‫ؙ‬་ࢵѤѹ (Ҷ๓ѧ‫)ؗ‬.

175

Film Theory and Technique

0974

hegemony and the aesthetic development of documentary films from 1985 to 1999 (martial law was lifted in 1987). Vol. 3, Private Me Time: I and My . . . , curated by Wen Tien-hsiang, describes the arrival of “private me time” in Taiwan documentary films from 1990 to 2008. Vol. 4, Video-Dialogue with One Self in the Aesthetics of Documentary Films: Between Truth and Fiction, Between Documentary and Drama, curated by Wang Wei-tsy, considers female perspectives in Taiwan documentary films and deals with female expressions through the documentary form. Vol. 5, History, Memory, Representation and Documentary Film, curated by Lee Daw-ming, investigates the aesthetic strategy of Taiwan documentary films in reconstructing Taiwan history, which is to combine the “big history” of influential historical figures and the “small history” made up of ordinary people. Includes both Chinese and English versions of the curator’s essays, a film list, and records of the panel discussions. NTUL Chi Eng

0974 Lu, Wanying (Lu, Wan-ying). ᧛ᙙᙀ. Li An “Duan bei shan” yu Zhnag Yimou “Shi mian mai fu” dian ying mei xue guan zhi bi jiao yan jiu = A comparative study of movie aesthetics between Ang Lee’s “Brokeback Mountain” and Yimou Zhang’s “House of flying daggers.” ଽԥ “ऄࠧ‫ ”ځ‬ӿ‫פ‬ਲጚ “֐ӌႲቛ” Ӈ‫ؙ‬Ѥѹ޲ҏԝࢺ୳ૢ = A comparative study of movie aesthetics between Ang Lee’s “Brokeback Mountain” and Yimou Zhang’s “House of flying daggers.” 431 leaves. Note: Thesis (M.A.)—National Tainan Arts University, 2007. A comparative analysis of the movie aesthetics in Ang Lee’s Brokeback Mountain (2005) and Zhang Yimou’s House of Flying Daggers (2004). Includes an abstract in Chinese and English and a bibliography. NCL/NDLTD Chi

0975 Shi, Zuosheng. ੗ӑ๦. San yue hou de wu juan—Ai yu bian zheng yu dian ying mei xue. ѧ֊ћϡٚඵ—Д௰ᗙࢮӿӇ‫ؙ‬Ѥѹ. Taibei: Shui ping shi ji wen hua, 1999. 284 p. ISBN 9579692688 Series title: Sophia; 5 Note: Although the title and Chapter 4 both mention “film aesthetics,” in fact, this text could be more accurately described as a work at the intersection of philosophy, critical theory, and film. Includes the author’s chronology. CTFAL Chi

0977 Zhongguo dian ying: li shi, wen hua yu zai xian = Chinese cinemas: history, culture and representation: Hai xia liang an ji Xiang Gang dian ying fa zhan yu wen hua bian qian yan tao hui lun wen ji / Liu Xiancheng bian. ЅлӇ‫ؙ‬: ࣵ੗, ҹ٩ӿӐѳ = Chinese cinemas: history, culture and representation: ֋ᒘҔ࿝᠕‫ܫ‬୯Ӈ‫ؙ‬чࣁӿҹ٩Ժቜ୳क़Ͼ ‫ں‬ҹओ / ฀ѳюഹ. Taibei: Taibei shi Zhongguo dian ying shi liao yan jiu hui, Zhonghua Minguo shi jue chuan bo yi shu xue hui, 1996. 335 p. Note: A collection of the papers from a film symposium in Taiwan attended by scholars from Taiwan, Hong Kong, mainland China, and the United States on September 13–15, 1995. Twenty-three papers were presented during the symposium, nineteen of which are published here. Themes include “Chinese Film History,” “Relationship between Chinese Film with Society,” Political and Economic Development,” “Chinese Film and Gender Study,” “Chinese Film Genre Study,” and “Chinese Film and Culture Representation.” Eight papers touch on the subject of Taiwan film, including Li Tianduo’s paper on Taiwan film under the colonial system; Liu Xiancheng’s essay on the history of Taiwan color film development in terms of social issues as well as scientific and technical practice; Huang Yingfen’s article on the aesthetic trends of contemporary Taiwan film; Roland B. Tolentino’s (in English) comparative study of the Chinese “city film” from Taipei, Hong Kong, and Beijing; Qi Longren’s essay on Qiongyao’s films during the 1970s; Zhang Yupei’s analysis of the social and cultural meanings of Taiwan film during the 1990s; and Ye Yueyu’s paper on the relationship between nationality and popular songs in Taiwan films produced from the mid-1970s to the early 1990s. NTUL Chi Eng

0976 Taiwan ji lu pian mei xue xi lie = Taiwan documentary aesthetic series / Zong ce hua Chen Jimin. ‫ݡ‬ஹઔ࠷әѤѹ‫ = ࠶ڍ‬Taiwan documentary aesthetic series / ր ೫੿಴௵‫ھ‬. Taizhong: Guo li Taiwan mei shu guan, 2008. 5 v. ISBN 9789860173086 Note: This study is the result of a project entitled the Taiwan Documentary Aesthetic Series, hosted by the National Taiwan Museum of Fine Arts in 2008. Examines multiple topics while providing the history of Taiwan documentary films in a systematic way. Five Taiwan documentary film studies scholars were invited to act as curators for the project, and each scholar presents his or her perspective on the development of Taiwan documentary film aesthetics in this work. Vol. 1, A Pre-history of Taiwanese Documentary Filmmaking: Actualities, Home Movies and Documentary, curated by Liao Gene-fon, covers early documentary films from the 1930s to the 1970s. Vol. 2, Hegemony and the Aesthetic of Taiwan Documentary Film in the Early Post-Martial Law Era, curated by Lin Bao-yuan, reviews challenges to the

176

Cinematography

5.4

0983

CINEMATOGRAPHY

Taibei: Guo jia wen hua yi shu ji jin hui, [n.d.] 2 v. Note: An end-of-project report on the history and development of cinematography in Taiwan from 1930 to 1969. NCLAAC Chi

0978 Chen, Qinghe. ಴֜૯. Dian zi she lu ying shi wu. Ӈж଄࠷‫ؙ‬Ӣࠔ. Taibei: He ji tu shu chu ban she, 1984. 250 p. Note: Describes the use of Electronic News Gathering and Electronic Field Production equipment in filmmaking and television production. CTFAL Chi

0982 Qin, Dingchang. ቦᑾቾ. Taiwan dian ying chuan tong ying xiang yu shu wei ying xiang zhi chan zhi yan jiu: yi “Lian ren,” “Ren yu duo duo” wei li = A study of traditional cinematography production and digital cinematography production for filmmaking in Taiwan: using “Fall . . . in love” & “The shoe fairy” as examples. ‫ݡ‬ஹӇ‫ؙࢃةؙ‬Ռӿُ֧‫ؙ‬Ռҏ‫ݗ‬३୳ૢ: й “ߧϪ,” “Ϫ‫־‬౤ ౤” Њຎ = A study of traditional cinematography production and digital cinematography production for filmmaking in Taiwan: using “Fall . . . in love” & “The shoe fairy” as examples. 150 leaves. Note: Thesis (M.A.)—Shih Hsin University, 2008. Using the production of his two films as examples (Fall . . . in Love [2004], and The Shoe Fairy [2006]) the author describes, with firsthand experience, filmmaking in both traditional and digital formats to provide a practical reference point for the film industry and scholars as the Taiwan film industry moves to digital film production. The appendix includes a list of cinematography equipment, shooting scripts, production and postproduction technical guidelines, and award-winning information regarding the two films described. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD (FT) Chi

0979 Hua, Huiying, 1925– ‫ܓ‬༫߭, 1925– Bu zhuo ying xiang de ren: Hua Huiying she ying but u wu shi nian. ቫ፬‫ؙ‬ՌϡϪ: ‫ܓ‬༫߭଄‫܌ؙ‬ಬٚ֐ё. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 2000. 470 p. ISBN 957323999X Note: The autobiography of a cinematographer with more than fifty years (1946–2000) of experience. Includes a filmography, Chinese and English cinematography glossary, and related personnel biography. NTUL Chi

0980 Lin, Zanting. ৆ლ೛. Taiwan dian ying she ying ji shu fa zhan gai shu 1945–1970 = Cinematography in Taiwan 1945–1970: History and technical development / Lin Zhanting bian zhu. ‫ݡ‬ஹӇ‫ؙ‬଄‫ؙ‬৔फчࣁม਎ 1945–1970 = Cinematography in Taiwan 1945–1970: History and technical development /৆ლ೛ഹЯ. Taibei: Xing zhe yuan wen hua jian she wei yuan hui, 2003. 319 p. ISBN 9570148454 Note: This title is the most comprehensive, accurate work on the history and development of cinematography in Taiwan. Part 1 focuses on the history of cinematography in Taiwan; and Part 2 provides a brief introduction to all of the private film studios and cinematographers in Taiwan, as well as technological advances in cinematography equipment from 1945 to 1970. The appendix includes 1945–1970 Taiwan Film Negative List, 1945–1970 Taiwan 35 mm Film Projector List, a filmography, and a bibliography. NTUL Chi

0983 Yin yue ying ju lun ji / Bian ji zhe: Zhonghua xue shu yuan. ‫ٸ‬Ӏ‫ںঁؙ‬ओ / ഹফ‫ٷ‬: Ѕ‫ܓ‬ѹफࡨ. Taibei: Zhongguo wen hua da xue chu ban she, 1981. 835 p. Series title: Zhonghua xue shu yu xian dai wen hua cong shu, di liu ce Ѕ‫ܓ‬ѹफӿѳ‫ڊ‬ҹ٩ᜣ‫ڣ‬, ҷࡏೠ Chinese learning and modern civilization series, V. VI Note: A collection of essays on music, opera, and cinema. Includes two essays on Taiwan film: “Special Effects of Color Cinematography in Motion Pictures” by Chi Ho-hsi (Qi Hexi) and “The Temporary Status of Chinese Film Industry” by James Y. Liu (Liu Yi). Chi’s essay explains how special effects are enabled by color cinematography from a technical perspective. Liu’s essay outlines ten suggestions to improve the Taiwan film industry, including, for example, the following: paying attention to audience expectations, ending false advertising, and eliminating obstacles in film distribution. WorldCat Chi

0981 Lin, Zanting. ৆ლ೛. Zao qi (1930–1969) Taiwan dian ying she ying ji shu fa zhan shi jie an bao gao / Lin Zanting diao cha yu yan jiu. Չ‫( ׈‬1930–1969) ‫ݡ‬ஹӇ‫ؙ‬଄‫ؙ‬৔फчࣁ੗ְଈ‫ ݍڻ‬/ ৆ლ೛݇ ‫ݓ‬ӿ୳ૢ.

177

Film Theory and Technique

0984 5.5

CULTURAL CRITICISM

Note:

0984 Wen hua pi ping yu hua yu dian ying = Cultural Criticism and Chinese cinema / Zheng Shusen bian. ҹ٩౓߰ӿ‫ܭܓ‬Ӈ‫ = ؙ‬Cultural Criticism and Chinese cinema / ቼ கာഹ. Taibei: Mai tian chu ban you xian gong si, 1995. 366 p. ISBN 9577083102 Series title: Mai tian ren wen; 9 ๤೧Ϫҹ; 9 Note: Liao Ping-hui states in the foreword that the text’s purpose is to explore the relationship between Western cultural criticism and Chinese cinema of the 1980s and 1990s in mainland China, Hong Kong, and Taiwan. Three essays discuss films of Taiwan New Cinema: Zhan Mingxin’s essay on Edward Yang’s The Terrorizers (1986), Huang Yuexiu’s discussion of Edward Yang’s A Brighter Summer Day (1991), and Liao Chaoyang’s essay on Wang Tung’s Banana Paradise (1989). Includes a bibliography at the end of each essay. WorldCat Chi

0987 Zhu, Xiaocang. ᗌ឴ፄ. Jun yong de dian ying dui bai / Zhu Xiaocang ji yi. ℚ‫ݖ‬ϡӇ‫ؙ‬хՁ / ᗌ឴ፄফፆ. Taibei: Lian jing chu ban gong si, 1989. 153 p. Note: A collection of meaningful dialogue excerpts from notable films. CTFAL Chi

0988 Zhou, Lijun. ‫ݲ߹ر‬. Dian ying ming yan de zhi hui. Ӈ‫ؙ‬Ӝߞϡ޺༫. Taizhong: Hao du chu ban you xian gong si, 2007. 327 p. ISBN 9789861780283, 9861780289 Note: Includes 200 memorable quotations from famous films. CTFAL Chi

0985 Wen hua pi ping yu hua yu dian ying / Zheng Shusen bian. ҹ٩౓߯ԁ‫ܬܗ‬ӈ‫ ؙ‬/ ችஔာ൜. Guilin: Guangxi shi fan da xue chu ban she, 2003. 249 p. ISBN 756334232X Note: The mainland China version, in simplified characters, of the same title published in Taiwan in 1995. Liao Ping-hui states in the foreword that the text’s purpose is to explore the relationship between Western cultural criticism and Chinese cinema of the 1980s and 1990s in mainland China, Hong Kong, and Taiwan. Three essays discuss films of Taiwan New Cinema: Zhan Mingxin’s essay on Edward Yang’s The Terrorizers (1986), Huang Yuexiu’s discussion of Edward Yang’s A Brighter Summer Day (1991), and Liao Chaoyang’s essay on Wang Tung’s Banana Paradise (1989). Includes a bibliography after each essay and contributor introduction at the end of the book. WorldCat Chi

5.6

A collection of famous dialogue excerpts from classic films in Chinese and English. CTFAL Chi Eng

5.7

DIRECTING

0989 Bai, Ke, 1913–1964 Ձࡽ, 1913–1964 Dian ying dao yan. Ӈ‫ؙ࣒ࠟ‬. Taibei: Zheng gong gai bu xue xiao, [n.d.] Note: The text presents ten chapters that introduce general film directing approaches, skills, and techniques. This work is listed in a memorial publication entitled: Bai Ke dao yan ji nian wen ji ji yi zuo xuan ji (edited by Huang Ren in 2003), but the text cannot be found in the major film libraries in Taiwan, including the Chinese Taipei Film Archive Library, National Central Library, and National Taiwan University Library. NTUL Chi

0990

DIALOGUE

Chen, Feibao. ಴ٞմ. Taiwan dian ying dao yan yi shu. ‫ݡ‬ஹӇ‫ؙ࣒ࠟ‬ਲफ. Taibei: Ya Tai tu shu, 2000. 449 p. ISBN 9578264291 Series title: Taiwan dian ying yan jiu cong shu; 4 ‫ݡ‬ஹӇ‫ૢ୳ؙ‬ᜣ‫ ;ڣ‬4

0986 Shi, Fangyu. ੘Ҥឨ. Ying yan yin yu: dian ying li de jing dian ming ju. ‫ߞؙ‬৉‫ܭ‬: Ӈ‫ؙ‬ѶϡҬਹӜ‫ط‬. Taibei: Liang chen chu ban shi ye, 2000. 250 p. ISBN 9579751722

178

Directing

Note:

0998 A study of twenty-two Taiwan film directors and their directorial arts. NTUL Chi

0995 Liu, Yi, 1930–1990. ฀ਲ, 1930–1990. Dian ying gong zuo lin chang lu. Ӈ‫ؙ֞‬ӑெԾ࠷. Taibei: Dian ying wen xue chu ban she, 1968. 222 p. Note: An account of the author’s film production experience with both Japanese and American directors, and a record of the Taiwan filmmaking system from the perspective of this director and screenwriter. NTUL Chi

0991 Chen, Wenquan. ಴ҹ໩. Ying shi xi ju dao yan ji shu ji chu. ‫ؙ‬؆ۚঁ࣒ࠟ৔फऴኝ. Taibei: He ji tu shu chu ban she, 1987. 718 p. Note: A general introduction to directing techniques for film, drama, and television. Chapters that deal with cinema include the following: Chapter 4 discusses representative traits of various film genres and movements; Chapters 5–24 introduce nineteen basic directing techniques; and Chapter 26 provides specific techniques for feature film production. CTFAL Chi

0996 Lu, Zhizi. ჁᎴж. Xian dai dian ying dao yan san lun = Studies in current motion picture directing. ѳ‫ڊ‬Ӈ‫ = ں્ؙ࣒ࠟ‬Studies in current motion picture directing. Taibei: Wen xing shu dian, 1965. 324 p. Series title: Wen xing cong kan; 164 ҹլᜣᑂ; 164 Note: A work on concurrent foreign film directing theories and techniques. CTFAL Chi

0992 Lee, Tai-Dow. Performing film study at the level of high education in Taiwan, the Republic of China. 173 leaves. Note: Thesis (Ph.D.)—Ohio State University, 1986. A study on film studies education, including film production and directing, in Taiwan. Includes a bibliography. WorldCat Eng

0997 Tang, Shaohua. ࿔ཿ‫ܓ‬. Dian ying dao yan de yuan li yu jing yan jiang yi. Ӈ‫ؙ࣒ࠟ‬ϡ֍ԑӿҬࡐ‫܈‬च. Taibei: Zhonguo dian ying xi ju jie jin hui, 1967. 176 p. Note: A general introduction to film directing and production, including technical and theoretical information. NTUL Chi

0993 Li, Zhenlin, 1965– ཯౜৆, 1965– Dao yan de lu dong: hua yu dian ying, shi yan ying xiang he zuo zhe dian ying yan jiu. ࣔࠟϡಋ҃䩭‫ܬܗ‬ӈ‫ؙ‬䩟 ӥࡑ‫ؙ‬Ռфӑ‫ٷ‬ӈ‫ؙ‬ϡ୳ૢ. Shanghai: Shanghai shu dian chu ban she, 2011. 229 p. ISBN 9787545804102, 7545804104 Note: The author studies Chinese films produced in mainland China, Hong Kong, and Taiwan during the first decade of the twenty-first century by considering different directing perspectives. Chapter 3 is devoted to the market-saving function of Taiwan’s New Youth Films. Includes a bibliography. WorldCat Chi

0998 Tang, Shaohua. ࿔ཿ‫ܓ‬. Dian ying dao yan yu dian shi dao bo. Ӈ‫ؙ࣒ࠟ‬ӿӇ؆࣒৚. Taibei: Li ming wen hua shi ye gu fen you xian gong si, 1977. 278 p. Series title: Da xue cong shu Ͻѹᜣ‫ڣ‬ Note: Presents film and television directing techniques and compares these two presentation formats. CTFAL Chi

0994 Liao, Xiangxiong. ᴰፖ೰. Lun dao yan dui yu dian ying te xing ying you de ren shi yu kong zhi. ‫࣒ࠟں‬хҿӇ‫ئؙ‬ԛ‫׎‬ϩϡ‫ࡦگ‬ӿସ‫ء‬. Taibei: Zhongguo ying ping ren xie hui, 1981. 130 p. Note: Presents basic filmmaking techniques for film directors. Includes a bibliography. CTFAL Chi

179

Film Theory and Technique

0999 5.7.1

5.9

Montage and Editing

0999

5.9.1

Chen, Meijing ಴Ⴐᨎ. Meng tai qi ji fa jian yan yi xiang xing cheng guo cheng zhi yan jiu = Proving the process of image formation through montage technic. ྤѿ࡞৔֚ഛࡐҺࢣ࣏юОࡄҏ୳ૢ. = Proving the process of image formation through montage technic. Taibei: Ling dao chu ban she, 1994. 79 p. Note: The Chinese translation of the author’s dissertation written in Japanese. The paper studies the ways in which film montage creates meaning. Includes a bibliography. CTFAL Chi

Healthy Realism

1002 Chen, Nan. ವ۪. Zhongguo dian ying si chao ping xi. Ѕмӈ‫ࡷؙ‬ӑ‫ڽ‬଎߯໯. Shanghai: Tongji da xue chu ban she, 2002. 226 p. ISBN 7560824382 Note: Chapter 11 (pp. 209–224) covers Taiwan Healthy Realism during the 1960s and the New Taiwan Cinema movement during the 1980s. WorldCat Chi

1000

1003

Jing, Yingzhao. ቯࣽᘻ. Dian ying jian jie mei xue: shuo de yi shu = The aesthetics of film editing: art of speech. Ӈ‫ؙ‬ය‫ב‬Ѥѹ: Мϡਲफ = The aesthetics of film editing: art of speech. Taibei: San min shu jug u fen you xian gong si, 2006. 311 p. ISBN 9571444820 Note: This is a work on the aesthetics and techniques of film editing. Includes a bibliography, filmography, and an index. CTFAL Chi

5.8

FILM MOVEMENTS AND THEORY

Li Xing—yi jia zi de hui huang / zhu bian Jiao Xiongping, Qu Guizhi. ଽҲ—ϣപжϡሓᑟ / Ұഹဖ೰๔, ߅ᄉᆙ. Taibei: Yue sheng wen hua shi ye you xian gong si, 2008. 255 p. ISBN 9789576307348 Series title: Taibei Jin Ma ying zhan cong shu, 2008; 4 ཅ‫ࣁؙެؖܚ‬ᜣ‫ڣ‬, 2008; 4 Note: A special collection of essays, written by film scholars on both sides of the Taiwan Strait, compiled to celebrate the sixtieth anniversary of Li Xing’s film career (1958–2008). The essays cover Li Xing, the “father of Taiwan film” and “founder of the Healthy Realism Film movement,” and his classic works. Includes a recent interview and chronology. NTUL Chi

FILM GRAMMAR

1004 Tang, Weimin (Tang, Albert Wei-Min). ࿔‫์ۆ‬. You yi wen yi zhan dou fu sheng, dian ying zheng jing jian kong qi fei, xu shi wen ben mei xue zai xian: Liu shi nian dai Taiwan jian kang xie shi dian ying de jue qi = Recurring right-wing discursive tactics, policing political economy of cinematic production, representing narrative aesthetic syndromes: The rise of Healthy Realistic Cinema in Taiwan. ૼॢҹਲ‫ڕ‬ஸ࣢Т, Ӈ‫ूؙ‬Ҭฬସвٞ, ᡳѨҹӆѤѹӐѳ: ࡏ֐ ё‫ݡڊ‬ஹ࡬ࣉ܎ӢӇ‫ؙ‬ϡ៷в = Recurring right-wing discursive tactics, policing political economy of cinematic production, representing narrative aesthetic syndromes: The rise of Healthy Realistic Cinema in Taiwan. 267 leaves. Note: Thesis (Ph.D.)—Fu Jen Catholic University, 2008. The paper analyzes the discursive formation of Taiwan’s Healthy Realism movement in the 1960s. The author argues that, based on an account of the KMT’s efforts to preserve its monolithic governance from the 1930s through the Healthy Realism era, filmmakers used subtle tactics in a struggle for artistic freedom,

1001 Chen, Xuanwei. ಴ἒᬕ. Yi jie zou fen xi wei ji chu de dong zuo dian ying fen ge yu zhai yao = Action movies segmentation and summarization based on tempo analysis. й‫ڞ‬ᄊд໯ЊऴኝϡҁӑӇ‫ؙ‬дኘӿሁϴ = Action movies segmentation and summarization based on tempo analysis. 70 p. Note: Thesis (M.A.)—National Taiwan University, 2004. This paper, in English, proposes the use of a digital film management system that would detect and retrieve the most semantically important story units and segments of films based on movie tempo analysis. The system is based on shot changes, motion activity, and audio features to access and retrieve films in a sophisticated manner. Includes a bibliography. NTUL Eng

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whereas film critics and film historians desired relevant film productions. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

1007 Chen, Nan. ವ۪. Zhongguo dian ying si chao ping xi. Ѕмӈ‫ࡷؙ‬ӑ‫ڽ‬଎߯໯. Shanghai: Tongji da xue chu ban she, 2002. 226 p. ISBN 7560824382 Note: Chapter 11 (pp. 209–224) covers Taiwan Healthy Realism during the 1960s and the New Taiwan Cinema movement during the 1980s. WorldCat Chi

1005 Ye, Yueyu (Yeh, Emilie Yueh-yu). ౕ֊ᒶ. A national score: popular music and Taiwanese cinema. 263 leaves. Note: Thesis (Ph.D.)—University of Southern California, 1995. An interesting study of the relationship between popular music, cinema, and national identity in Taiwan from the 1970s to the 1990s. Explores multiple relevant interrelationships between popular music and Taiwan cinema, including the inclusion of popular songs in the 1970s policy films and romantic melodramas, the exclusion of pop music in Taiwan New Cinema in the 1980s, and the return of popular music in commercial films of the 1990s, thus revealing “a national identity characterized by shifting loci of commerce, politics, and art” (abstract). As a serious academic work, it provides many interesting perspectives based on in-depth research and substantial evidence. It states, however, that “A huge massacre occurred in 1945 when many Taiwanese rose up against the semi-colonial governance of the National Party” (l. 2), which is possibly miswritten, for if Dr. Yeh is referring to the February 28 Incident, this event occurred in 1947. Includes a filmography (pp. 243–247) and bibliography (pp. 248–263). WorldCat Eng

5.9.2

1008 Chen, Ruxiu (Chen, Ru-shou Robert). ಴ᭉࢗ. Taiwan xin dian ying de li shi wen hua jing yan / Chen Ruxiu zuo; Luo Pocheng yi. ‫ݡ‬ஹЈӇ‫ؙ‬ϡࣵ੗ҹ٩Ҭࡐ / ಴ᭉࢗӑ; ஛Ꮱ஧ፆ. Taipei: Wan xiang tu shu gong si, 1993. 194 p. ISBN 9576694493 Series title: Taiwan dian ying shi cong shu; 1 ‫ݡ‬ஹӇ‫ؙ‬੗ᜣ‫ ;ڣ‬1 Note: This is the Chinese translation of Robert Chen’s Ph.D. dissertation completed in 1993 at the University of Southern California. The author explores the relationship between Taiwan New Cinema and three cultural characteristics: “Dispersion,” “Ambivalence,” and “Hybridity.” Divided into eight chapters: Chapter 1: Research Project Introduction; Chapter 2: History of Taiwan Film Industry and Style Development; Chapter 3: Taiwanese Identity; Chapter 4: Major Events of Taiwan New Cinema; Chapter 5: Taiwan’s Modern Experience; Chapter 6: Male and Female Characters in Taiwan Film; Chapter 7: Influence of Hollywood and Other Areas Films; and Chapter 8: Meaning of Taiwan New Cinema. Includes biographies of major figures, introductions of major works in Taiwan New Cinema, and a bibliography. NTUL Chi

Taiwan New Cinema

1006 Cai, Dujian. ᓥỵߗ. Mei ti zai xian yu dang dai Taiwan min zu ren tong xing gou de gong gong lun shu fen xi. ෪ՂӐѳӿԄ‫ݡڊ‬ஹ‫ھ‬ఓ‫گ‬ӎ࣏ภϡԍ࢕‫ں‬਎д໯. Taibei: Tang shan chu ban she, 2001. 299 p. ISBN 9578221525 Series title: Ben tu wen hua shi jian xi lie; 2 ӆगҹ٩Ӣᒂ‫ ;࠶ڍ‬2 Note: A collection of five of the author’s essays on media representations of Taiwan’s nationality, including a study of Taiwanese identity presented in Taiwan New Cinema. CTFAL Chi

1009 Chen, Ziying (Chen, Tzu-Ying). ಴༙ᔏ. Shen ti dian ying: Cai Mingliang dian ying zhong de shen ti ying xiang = Corporeal movies: the cinematic body in Tsai Ming-liang’s films. ӱՂӇ‫ؙ‬: ᓥҴ݊Ӈ‫ؙ‬ЅϡӱՂ‫ؙ‬Ռ = Corporeal movies: the cinematic body in Tsai Ming-liang’s films. 97 leaves. Note: Thesis (M.A.)—National Chiao Tung University, 2007. The paper studies the cinematic body in Tsai Mingliang’s films, analyzing representations of self-reflection, in contrast to historical nostalgia, in Tsai Ming-liang’s films.

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1010 It is written in English. Includes a Chinese and English abstract, bibliography, filmography, and glossary. NCL/NDLTD Eng

aspect of this book is the editor’s insightful comments, interpretations, and background information provided after each article or essay. Includes film stills. WorldCat Chi

1010 1012

Chinese-language film: historiography, poetics, politics / edited by Sheldon H. Lu and Emilie Yueh-yu Yeh. Honolulu: University of Hawai’i Press, 2005. 413 p. ISBN 0824828135 (alk. paper), 9780824828691 (pbk.: alk. paper), 0824828690 (pbk.: alk. paper) Note: This edited volume “covers the cinematic traditions of mainland China, Taiwan, Hong Kong, and the Chinese diaspora from the beginning of Chinese film history to the present moment” (p. 2). Part I. Historiography, Periodization, Trends includes articles that either address Chinese film history broadly or different significant movements within Chinese cinema; Part II. Poetics, Directors, Styles provides “lucid, synchronic, structural(ist), transhistorical accounts of the poetics and aesthetics of Chinese film as an integral part of world cinema” (p. 15). Interesting studies include the essay by Mary Farquhar and Chris Berry: “Shadow Opera: Toward a New Archaeology of the Chinese Cinema,” which states :“If civilized plays are cinema’s stepmother, then opera is the mother in terms of first film productions, whether on the mainland (1905) or in Hong Kong (1909). Opera films were also the first productions in major regional language films, Cantonese (1933) and Taiwanese (1954)” (p. 51). Other Taiwan film or related comparative film studies essays include Meiling Wu’s “Postsadness Taiwan New Cinema: Eat, Drink, Everyman, Everywoman,” Emilie Yueh-yu Yeh’s “Poetics and Politics of Hou Hsiao-hsien’s Films,” Sheldon H. Lu’s “Crouching Tiger, Hidden Dragon, Bounding Angeles: Hollywood, Taiwan, Hong Kong, and Transnational Cinema,” Darrell W. Davis’s “Borrowing Postcolonial: Wu Nien-chen’s Dou-san and the Memory Mine,” and Shao-ying Shen’s “Locating Feminine Writing in Taiwan Cinema: A Study of Yang Huishan’s Body and Sylvia Chang’s Siao Yu.” Includes filmography, Chinese glossary, bibliography, notes on contributors, and an index. WorldCat Eng

Guo, Yue, 1975– ᔕք䩟1975– Hua yu dian ying de mei xue ge ming yu wen hua hui liu: Dalu, Xianggang, Taiwan “xin dian ying” yan jiu. ‫ܬܗ‬ӈ‫ؙ‬ϡѤѺཪ‫ܞ‬ԁҹ٩ཹԵ䩭Ͻ૖䩟‫ܫ‬୯䩟‫ݡ‬ළ”Јӈ‫୳”ؙ‬ ૢ. Beijing: Ren min chu ban she, 2008. 289 p. ISBN 9787010045849 Series title: Xibei da xue Zhongguo yu yan wen xue cong shu ՝‫ܚ‬ϽѺЅм‫ߞܬ‬ҹѺᜥ‫ڪ‬ Note: The author adopts the notion of “New Cinemas” to describe the development of filmmaking in mainland China, Hong Kong, and Taiwan since the 1980s. Makes comparative assessments and studies the phenomenon of cultural convergence created by these new cinemas. The author indicates in the postscript that this is a work based on his Ph.D. dissertation at Xibei University in Xi’an, China. Includes a bibliography. WorldCat Chi

1013 Hou, Xiaoxian (Hou, Hsiao-hsien), 1947– ᢡᖮᐊ, 1947– Hou Xiaoxian dian ying jiang zuo = Hou Hsiao-hsien Master Class / Hou Xiaoxian; Zhuo Botang zhu bian. ᢡᖮᐊӇ‫܈ؙ‬ӏ = Hou Hsiao-hsien Master Class / ᢡᖮᐊ; ᅤᐑ ἙҰഹ. Xianggang: Tian di tu shu you xian gong si, 2008. 236 p. ISBN 9789882119888 Series title: “Quan qiu hua ren dian ying dao yan jiang zuo” xi lie “Ҫ‫ܓܧ‬ϪӇ‫܈ؙ࣒ࠟ‬ӏ”‫࠶ڍ‬ Note: Presents six lectures given by Hou Hsiao-hsien during the film director’s lecture series, hosted by Hong Kong Baptist University, November 5–7, 2007. Hou discusses his film career and aesthetic concepts, comments on his favorite film directors and their films, and opines on the current situation and future of Taiwan cinema. Includes a filmography and list of the lecture series attendants. CTFAL Chi

1011 Dian ying, dian ying ren, dian ying kan wu / Li Youxin bian. Ӈ‫ؙ‬, Ӈ‫ؙ‬Ϫ, Ӈ‫ؙ‬ᑂ‫ ׉‬/ ଽෂЈഹ. Taibei: Zi li wan bao she, 1986. 209 p. Series title: Dian ying wen xuan; 2 Ӈ‫ؙ‬ҹ‫ ;ק‬2 Zi li cong shu; 27 І߹ᜣ‫ ;ڣ‬27 Note: An insightful history of Taiwan New Cinema. Originally published in various journals, books, film reviews, and newspapers, this collection of articles and essays focuses on film critiques from the early period of Taiwan New Cinema. The most unique and important

1014 Hou, Xiaoxian (Hou, Hsiao-hsien), 1947– ᢡᖮᐉ, 1947– Hou Xiaoxian dian ying jiang zuo = Hou Hsiao-hsien Master Class / Hou Xiaoxian; Zhuo Botang zhu bian. ᢡᖮᐉӈ‫܇ؙ‬ӏ = Hou Hsiao-hsien Master Class / ᢡᖮᐉ; ᅤᐑ ἙҰ൜.

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Guilin: Guangxi shi fan da xue chu ban she, 2009. 235 p. ISBN 9787563384013 Note: Mainland China’s version of the similarly titled text published by Tian di tu shu you xian gong si in Hong Kong in 2008. Presents six lectures given by Hou Hsiao-hsien during the film director’s lecture series, hosted by Hong Kong Baptist University, November 5–7, 2007. Hou discusses his film career and aesthetic concepts, comments on his favorite film directors and their films, and opines on the current situation and future of Taiwan cinema. Includes a filmography. Duxiu (FT) Chi

1017 Jiang, Huixian (Chiang, Huey-hsien). ឣ༫࿁. Taiwan dian ying, guo zu xu shi yu xing bie zheng zhi—tan “Guling jie shao nian sha ren shi jian.” ‫ݡ‬ஹӇ‫ؙ‬, лఓᡳѨӿԛԇू੽—ড “⚯ᗬঅվё৵ϪѨխ.” 83 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 1993. Describes how Taiwan New Cinema represented sociopolitical changes in Taiwan from the 1960s through the 1980s by presenting personal films and transforming the “Big China concept” into a new nationality of Taiwan and localization. Provides an analysis of the film A Brighter Summer Day (1991). Appendix includes newspaper reports on Hou Hsiaohsien and Edward Yang, promotional materials for the film A Brighter Summer Day, an outline of the R.O.C. Cinema Year activity plan, and a summary of the film subsidies for filmmakers who participate in international film festivals. Includes a Chinese abstract and bibliography. NCL/NDLTD Chi

1015 Hsu, Tzu-yi. Rethinking the film critics’ role of Taiwan New Cinema in the 1980s. 92 leaves. Note: Thesis (M.A.)—Indiana University, 1996. A work on the relationship between the film critics and Taiwan New Cinema in the 1980s. Includes a bibliography. WorldCat Eng

1018 Jiao, Xiongping (Chiao, Peggy). ဖ೰๔. Taiwan dian ying 90 xin xin lang chao = New new wave of Taiwan cinema 90s. ‫ݡ‬ஹӇ‫ؙ‬90 ЈЈ‫ع‬଎ = New new wave of Taiwan cinema 90s. Taibei: Mai tian chu ban she, 2002. 315 p. ISBN 9867895118, 9789867895110 Series title: Dian ying guan; 01 Ӈ‫ؙ‬ఖ; 01 Note: Outlines Taiwan films produced in the 1990s, described as “The Second Wave of Taiwan New Cinema” or “New New Wave of Taiwan Cinema” to distinguish these films from the Taiwan New Cinema films of the 1980s. Differing cinematic techniques include the absence of the long take, which was typical of the Taiwan New Cinema. Part 1 provides filmography of sixty-four films produced from 1990 to 1998, Parts 2–4 list the biographies of thirty-four directors, thirty-seven actors and actresses, six supervisors, six screenwriters, nine cinematographers, two sound designers, and two editors; Part 5 introduces thirteen film studios; and Part 6 ends with a list of award-winning films of the 1990s. WorldCat Chi

1016 Island on the edge: Taiwan New Cinema and after / edited by Chris Berry and Feii Lu. Hong Kong: Hong Kong University Press, 2005. 195 p. ISBN 9622097154 (hbk.), 9789622097155 (hbk.), 9622097162 (pbk.), 9789622097162 (pbk.) Note: A collection of essays focusing on the Taiwan New Cinema studies, including “The Terrorizer and the great divide in contemporary Taiwan’s cultural development” by Sung-sheng Yvonne Chang; “Reflections on the Screen: Hou Hsiao Hsien’s Dust in the Wind and the Rhythms of the Taiwan New Cinema” by Haden Guest; “A Borrowed Life in Banana Paradise: De-Cold War/Decolonization, or Modernity and Its Tears” by Chen Kuan-Hsing; “Hou Hsiao Hsien’s City of Sadness: History and the Dialogic Female Voice” by Rosemary Haddon; “Myth(ology) Mythologizing Its Own Closure: Edward Yang’s A Brighter Summer Day” by Liu Yu-hsiu; “Hou Hsiao Hsien’s The Puppetmaster: The Poetics of Landscape” by Nick Browne; “Where Is the Love? Hyperbolic Realism and Indulgence in Vive L’Amour” by Chris Berry; “Generational/Cultural Contradiction and Global Incorporation: Ang Lee’s Eat Drink Man Woman” by Ti Wei; “On Tsai Mingliang’s The River” by Gina Marchetti; “Compulsory Orientalism: Hou Hsiao Hsien’s Flowers of Shanghai” by Nick Kaldis; “Another Cinema: Darkness & Light” by Feii Lu; “China Simulacrum: Genre, Feminism, and Pan-Chinese Cultural Politics in Crouching Tiger, Hidden Dragon” by Fran Martin. WorldCat Eng

1019 Jiao, Xiongping (Chiao, Peggy). ဖ೰๔. Taiwan xin dian ying / Jiao Xiongping bian zhu. ‫ݡ‬ஹЈӇ‫ ؙ‬/ ဖ೰๔ഹЯ. Taibei: Shi bao wen hua chu ban qi ye you xiang gong si, 1988, 1990.

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1020 433 p. ISBN 9571301582, 9789571301587 Series title: Ren jian cong shu; 117 ϪҼᜣ‫ ;ڣ‬117 Note: A fairly extensive review of Taiwan New Cinema. Divided into 18 chapters and an appendix. Chapters 1–3 review the historical, industrial, and political background of Taiwan New Cinema; Chapters 4–11 discuss eight major early film directors and their works; Chapter 12 is dedicated to other contributors to Taiwan New Cinemas, including screenwriters, cinematographers, producers, and additional film personnel; Chapters 13 and 14 contain film reviews of Taiwan New Cinema’s major works; Chapters 15 and 16 deal with the relationship among Taiwan New Cinema, literature, and feminist studies; and Chapters 17 and 18 consider the legacy of Taiwan New Cinema. Appendix includes papers that offer foreign scholars’ perspectives on Taiwan New Cinema. NTUL Chi

Note:

The text begins with an introduction to the film director Wu Nien-chen and his film “T䲖san = A Borrowed Life” followed by introductions to five additional leading figures in Taiwan cinema: Wang Tung, Liao Hsiang-hsiung, Lin Cheng-sheng, Tsai Ming-liang, and Hou Hsiao-hsien, and their films. Contains “A Brief History of Taiwan Cinema,” which includes Taiwan Film during Japanese Occupation (1895–1945), Taiwan Cinema After World War II (1945–1969), the World’s Orphan Era (1970s), and the Era of Taiwan New Cinema (1980s–1990s). Includes photos, stills, posters, and bibliography WorldCat Jpn

1022 Kawase, Ken’ichi. ඇⰗ࡬ϣ. Taiwan dian ying xiang yan: bai nian dao lan / zhu zhe Chuanlai Jianyi ; Zhong yi Li Changchuan. ‫ݡ‬ஹӇ‫ؙ‬⡕ᑱ : ‫ښ‬ё࣒ऋ / Я‫ٷ‬ඇⰗ࡬ϣ ; Ѕፆଽ‫ة׶‬. Taibei: Nan tian shu ju, 2002. 165 p. ISBN 9576386012 Note: A Chinese translation of the revised version of Taiwan eiga e no sh䲖tai = ‫ݡ‬ළྱࡌ䫩䫟੷‫ ۉ‬written by Kawase Ken’ichi and published in Japan in 1998. Consists of three parts: Part 1: A Brief History of Taiwan Cinema, including Taiwan Film during Japanese Occupation (1895–1945), Taiwan Cinema After World War II (1946–1970), the Isolated Taiwan Cinema (1970–1979), and the Era of Taiwan New Cinema (1980–1990); Part 2: Taiwan Film Directors, including biographies and interviews of sixteen Taiwan film directors; and Part 3: Legendaries of Taiwan Cinema, including biographies and interviews of twenty-two legendary figures in Taiwan cinema, such as novelist and director Huang Chunming, screenwriter Chu T’ien-wen, composer and singing star Cai Zhennan, and actress Yang Guimei. Includes photos, film stills, posters, a chronology of Taiwan film history from 1895 to 1998, and a bibliography. WorldCat Chi

1020 Jing xiang yu wen hua: Gang Tai dian ying yan jiu / Wang Haizhou zhu bian. ஖Ռԁҹ٩䩭୯‫ݡ‬ӈ‫ ૢ୳ؙ‬/ ࣼ֋ರҰ൜. Beijing: Zhongguo dian ying chu ban she, 2002. 438 p. ISBN 7106018236 Series title: Xin shi ji dian ying xue lun cong ЈԒઓӈ‫ؙ‬Ѻ‫ڹ‬ᜥ Note: A collection of essays on Hong Kong and Taiwanese film studies by graduate students and faculty members at the Beijing Film Academy. Part 1 contains three essays on Taiwan New Cinema: Hu Yankai, a Taiwan student who graduated from the Beijing Film Academy, describes the historical evolution of Taiwan New Cinema, and the following two essays focus on Hou Hsiao-hsien and Tsai Mingliang, respectively; Part 3 contains Liu Ting’s essay, an analysis of the cultural contents of Ang Lee’s films through a unique perspective: “home”; Part 4 presents two essays by Huang Shixian, a faculty member at the Beijing Film Academy, who provides comparative studies of mainland China, Taiwan, and Hong Kong films. WorldCat Chi

1023 Li, Meirong (Li, Mei-Jung). ଽѤ๎. Ling yi zhong dian ying shi xue: Hou Xiaoxiang dian ying li de huo che—ying xiang = Towards alternative cinematic poetics. ࡔϣ҆Ӈ‫ؙ‬உѹ: ᢡᖮᐊӇ‫ؙ‬Ѷϡ‫ڮ‬ӝ—‫ؙ‬Ռ = Towards alternative cinematic poetics. 86 leaves. Note: Thesis (M.A.)—National Chiao Tung University, 2008. Inspired by Gilles Deleuze’s notion of the time-image, the paper redefines the three signature styles of Hou Hsiao-hsien’s films: nostalgia, slowness, and realism through a new concept: “train-image.” The train is not simply regarded as a diegetic symbol in his films, but instead it is a metaphor combining train-traveling and

1021 Kawase, Ken’ichi. ඇⰗ࡬ϣ. Taiwan eiga e no sh䲖tai: ichiya ni shite Ch䲚gokujin ni natta t䲖san (t䲖san). ‫ݡ‬ළྱࡌ䫩䫟੷‫ۉ‬: ϣ١䫜䫈䫗ЅмϪ䫜䫛䫔䫐Єᇤ (୊䫆䬄). Nara-ken Kashihara-shi: T䲖y䲖 Shis䲖 Kenky䲚jo; Ŕsaka-fu Suita-shi: hatsubai Birejji Puresu, 1998. 94 p. ISBN 493859854X, 9784938598549

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film-viewing experience to recapitulate the aesthetics of Hou’s films. Written in English. Includes a Chinese and English abstract, bibliography, and filmography. NCL/NDLTD Eng

1990s, including Chen Kaige, Tian Zhuangzhuang, Hou Hsiao-hsien, and Edward Yang. Includes a filmography, bibliography and an index. WorldCat Chi

1027 1024

Mei xue yu shu min: 2008 Taiwan “Hou xin dian ying” xian xiang guo ji xue shu yan tao hui lun wen ji / Zhong yan yan jiu yuan wen zhe yan jiu suo. Ѥѹӿ⋚‫ھ‬: 2008 ‫ݡ‬ஹ “ћЈӇ‫”ؙ‬ѳࢣлগѹफ୳क़Ͼ‫ں‬ҹओ / Ѕ႑୳ૢࡨҹᎻ୳ૢӛ. Taibei: Zhong yang yan jiu yuan wen zhe yan jiu suo, 2009. 269 p. Note: A collection of essays from the international symposium Aesthetics and Common People: 2008 Taiwan Post-New Cinema Phenomenon, hosted by Academia Sinica, October 29–30, 2009, in Taiwan. Includes eleven papers focusing on Taiwan Post-New Cinema represented by the box office success Cape No. 7 (2008). Includes a bibliography at the end of each paper. WorldCat Chi

Lin, Chi-fan. Fiction and film in Taiwan, 1960s to 1980s: narratives, politics, and aesthetics. 208 p. Note: Thesis (Ph.D.)—New York University, 1999. Comparing eleven works of Taiwanese native-soil literature during the 1960s and 1970s with their film adaptations in the 1980s during the Taiwan New Cinema movement, the paper examines the dynamic relationship between Taiwan’s socioeconomic realities and aesthetic artifacts. Includes a bibliography. WorldCat Eng

1025 Lu, Tonglin. Confronting modernity in the cinemas of Taiwan and Mainland China. Cambridge; New York: Cambridge University Press, 2007, 2002, 2001. 246 p. ISBN 0521806771, 0521037271 (pbk.), 9780521037273 (pbk.) Note: A comparative study of fifth-generation directors in mainland China and Taiwan New Cinema directors in Taiwan conducted to analyze how the interaction and confrontation with Western notions of progress are reflected on the screen. The author focuses on representative directors from the 1980s through the 1990s, including Chen Kaige, Tian Zhuangzhuang, Hou Hsiao-hsien, and Edward Yang. Includes notes, a glossary, bibliography, filmography, and an index at the end of the book. WorldCat Eng

1028 Realism and the audiovisual media / edited by Lucia Nagib, Cecilia Mello. Basingstrike, Hampshire; New York: Palgrave Macmillan, 2009. 257 p. ISBN 9780230577220, 0230577229 Note: A collection of essays that examine two recent phenomena: “the return of realist tendencies and practices in world cinema and television, and the rehabilitation of realism in film and media theory” (abstract). Includes the essay “Observational Realism in Taiwan New Cinema” by Ming-yeh T. Rawnsley. Includes a bibliography and an index WorldCat Eng

1029 Sun, Mingde (Sun, Mi-te). ྒ᎘ख़. Taiwan Jin Ma jiang dian ying hai bao tu xiang fu hao fen xi = Study of image and symbol applied in analyzing the film posters of the Golden Horse Awards in Taiwan (1982–2008). ‫ݡ‬ஹ‫ެؖ‬؉Ӈ‫֖ڻ֋ؙ‬Ռላ‫ى‬д໯ = Study of image and symbol applied in analyzing the film posters of the Golden Horse Awards in Taiwan (1982–2008). 122 leaves. Note: Thesis (M.A.)—National Taiwan University of Arts, 2010. Assesses potential meanings conveyed by the posters of twelve films awarded best film in Taiwan’s Golden Horse Awards. The author uncovers cultural and artistic changes in posters created during the rise of Taiwan New Cinema. Includes a Chinese and English abstract, bibliography, and interviews with the film poster designers and curator of the film poster collection at the Chinese Taipei Film Archive. NCL/NDLTD Chi

1026 Lu, Tonglin. ᧛‽ረ. Da lu Taiwan wen hua lun tan: xin dian ying yu xian dai xing / Lu Tonglin zhu; Xiao Yu yi. Ͻ૔‫ݡ‬ஹҹ٩‫ں‬Ⴋ: ЈӇ‫ؙ‬ӿѳ‫ڊ‬ԛ / ᧛‽ረЯ; ᖆ⟆ፆ. Xianggang: Xianggang da xue chu ban she, 2004. 325 p. ISBN 9622096395, 9789622096394 Note: The Chinese translation of the author’s text Confronting Modernity in the Cinemas of Taiwan and Mainland China (2002). A comparative study of fifth-generation directors in mainland China and Taiwan New Cinema directors in Taiwan conducted to analyze how the interaction and confrontation with Western notions of progress are reflected on the screen. The author focuses on representative directors from the 1980s through the

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1030 249 p. ISBN Note:

1030 Taiwan dian ying xin xin lang chao = New Taiwan cinema in the 1990s / Cai tuan far en dian ying tui guang ji jin hui zhu. ‫ݡ‬ஹӇ‫ؙ‬ЈЈ‫ع‬଎ = New Taiwan cinema in the 1990s /੠֚ࣗϪӇ ‫ؙ‬Ԑܰऴ‫ؖ‬ϾഹЯ. Taibei: Wan xiang tu shu, 2001. 456 p. ISBN 9572708902, 9789572708903, 9572708910, Note: Based on author Jim Cheng’s research, only the National Central Library has a record of this book in their online catalog; however, he could not find the book when researching there, nor could the NCL staff. NCL Chi

1031 Taiwan xin dian ying er shi nian = 20th Anniversary of Taiwanese New Cinema / Taipei Golden Horse Film Festival Executive Committee. ‫ݡ‬ஹЈӇ‫ؙ‬ԏ֐ё = 20th Anniversary of Taiwanese New Cinema / Taipei Golden Horse Film Festival Executive Committee. Taibei: Taipei Golden Horse Film Festival Executive Committee, 2002. 215 p. Note: A bilingual (Chinese and English) text published in celebration of the twentieth anniversary of Taiwan New Cinema (1982–2002). Includes seven film critiques, film synopses of forty-one films, and introductions to twenty-two filmmakers. Includes a chronicle of Taiwan New Cinema and a film history. CTFAL Chi Eng

756334232X The mainland China version, in simplified characters, of the same title published in Taiwan in 1995. Liao Ping-hui states in the foreword that the text’s purpose is to explore the relationship between Western cultural criticism and Chinese cinema of the 1980s and 1990s in mainland China, Hong Kong, and Taiwan. Three essays discuss films of Taiwan New Cinema: Zhan Mingxin’s essay on Edward Yang’s The Terrorizers (1986), Huang Yuexiu’s discussion of Edward Yang’s A Brighter Summer Day (1991), and Liao Chaoyang’s essay on Wang Tung’s Banana Paradise (1989). Includes a bibliography after each essay and a contributor introduction at the end of the book. WorldCat Chi

1034 Wu, Qiyan. ྶԷ᷀. Di du kai fa de hui yi, yi zhong yi lei ying ping. ࠍ֏ычϡҘশ, ϣ҆஫ढ‫ؙ߰‬. Taibei: Tang shan chu ban she, 1993. 218 p. Note: Consists of five parts: Parts 1 and 2 discuss Taiwan films in the 1980s, mainly Taiwan New Cinema and Hou Hsiao-hsien’s films; Part 3 explores the relationship between Taiwan film and “Third World Cinema”; Part 4 introduces films produced in Eastern European countries during the Soviet era; and Part 5 describes links between psychology and the experience of film. Includes a bibliography. CTFAL Chi

1032 Wen hua pi ping yu hua yu dian ying = Cultural Criticism and Chinese cinema / Zheng Shusen bian. ҹ٩౓߰ӿ‫ܭܓ‬Ӈ‫ = ؙ‬Cultural Criticism and Chinese cinema / ቼ கာഹ. Taibei: Mai tian chu ban you xian gong si, 1995. 366 p. ISBN 9577083102 Series title: Mai tian ren wen; 9 ๤೧Ϫҹ; 9 Note: Liao Ping-hui states in the foreword that the text’s purpose is to explore the relationship between Western cultural criticism and Chinese cinema of the 1980s and 1990s in mainland China, Hong Kong, and Taiwan. Three essays discuss films of Taiwan New Cinema: Zhan Mingxin’s essay on Edward Yang’s The Terrorizers (1986), Huang Yuexiu’s discussion of Edward Yang’s A Brighter Summer Day (1991), and Liao Chaoyang’s essay on Wang Tung’s Banana Paradise (1989). Includes a bibliography at the end of each essay. WorldCat Chi

1035 Xi lian ren sheng: Hou Xiaoxian dian ying yan jiu = Passionate detachment: Films of Hou Hsiao-hsien / Lin Wenqi, Shen Xiaoyin, Li Zhenya bian. ۚߧϪТ: ᢡᖮᐊӇ‫ؙ‬傘ૢ = Passionate detachment: Films of Hou Hsiao-hsien / ৆ҹᚉ, ਻ཁ᱘, ଽዄਐഹ. Taibei: Mai tian chu ban gu fen you xian gong si, 2000. 389 p. ISBN 9577089534 (pbk.) Series title: Mai tian ren wen; 33 ๤೧Ϫҹ; 33 Note: This collection of essays provides arguably the most broad and in-depth study of Hou Hsiao-hsien’s films up to the year 2000, written by scholars from Taiwan, Hong Kong, and United States. NTUL Chi

1036 Xiaoye, 1951– Щఀ, 1951– Bai ge wu yu. Ձ៬‫ܭ׉‬. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1988. 237 p.

1033 Wen hua pi ping yu hua yu dian ying / Zheng Shusen bian. ҹ٩౓߯ԁ‫ܬܗ‬ӈ‫ ؙ‬/ ችஔာ൜. Guilin: Guangxi shi fan da xue chu ban she, 2003.

186

Film Movements and Theory

1041

Series title: Ren jian cong shu; 138 ϪҼᜣ‫ ;ڣ‬138 Note: The sequel to the author’s first such book, published in 1986. Contains a preface written by the famous Taiwan New Cinema director, Edward Yang. Collects the author’s various musings on his interactions with Taiwan New Cinema’s milieu and participants. CTFAL Chi

1039 Xin dian ying zhi wai / hou / Mizou, Liang Xinhua bian. ЈӇ‫ؙ‬ҏ֔ / ћ / ࣿҵ, ᅯЈ‫ܓ‬ഹ. Taipei: Tang shan chu ban she, 1994. 240 p. ISBN 9578900090 Series title: Zhan zheng ji qi cong kan; 13 ‫ڕ‬ৎҚॆᜣᑂ; 13 Note: Following in sequence with a work of the same title “Xin dian ying zhi si,” published in 1991, this text analyzes Taiwan cinema movements that occurred concurrently with Taiwan New Cinema, such as Taiwan nonmainstream and alternative media, independent filmmaking, and documentary film movements. Also contains the latest works of the time by Taiwan New Cinema directors, such as Edward Yang, Lan Shengchuan, Tsai Ming-liang, Xu Xiaoming, and Wang Tung. Includes a bibliography. CTFAL Chi

1037 Xiaoye, 1951– Щఀ, 1951– Yi ge yun dong de kai shi. ϣϫ‫ػ‬ҁϡы‫״‬. Taibei: Shi bao chu ban gong si, 1986. 284 p. Series title: Ren jian cong shu; 54 ϪҼᜣ‫ ;ڣ‬54 Note: Although not an academic work, this text is a readable collection of essays, diaries, letters, interviews, and prose that touches on a broad series of topics, including the author’s daily experiences at Zhong ying (Central Motion Pictures Company) as he managed film production issues; personal anecdotes regarding his relationship with some of the most famous Taiwan film directors, screenwriters, and Zhong ying studio officials; comparative reviews on Hong Kong and mainland China films; and, most important, his records and comments, as an insider, about the birth of the Taiwan New Cinema movement during the early 1980s. WorldCat Chi

1040 Xin Yazhou dian ying mian mian guan / Jiao Xiongping bian. ЈਐರӇ‫ؙ‬ӌӌ޲ / ဖ೰๔ഹ. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 1991. 239 p. ISBN 9573214547 Note: A collection of essays focusing on the “New Asian Films.” Two essays are of note: Jiao Xiongping’s essay deals with the growing pains faced by Taiwan, Hong Kong, and mainland China film industries during the late 1980s and early 1990s when cooperation among film producers outpaced the uncooperative political, commercial, and economic systems that remained in place. Meanwhile, Zhang Cangyan’s essay describes the relationship between Taiwan’s film tradition and the emergence of New Taiwan Cinema in 1982. NTUL Chi

1038 Xin dian ying zhi si—cong “Yi qie wei ming tian” dao “Bei qing cheng shi” / Mizou, Liang Xinhua bian. ЈӇ‫ؙ‬ҏӚ—ԩ “ϣܷЊҴϳ” Ϻ “঳є‫”صڵ‬/ ࣿҵ, ᅯЈ‫ܓ‬ഹ. Taipei: Tang shan chu ban she, 1991. 236 p. Series title: Zhan zheng ji qi cong kan; 3 ‫ڕ‬ৎҚॆᜣᑂ; 3 Note: A collection of essays critical of Taiwan New Cinema director Hou Hsiao-hsien and his acclaimed film A City of Sadness (1989). Several essays declare that the death of Taiwan New Cinema occurred in 1988 when Hou Hsiao-hsien and other Taiwan New Cinema directors delivered a “Taiwan Film Memoratum” in 1987 and then agreed to make the government policy film Everything for the Events of Tomorrow for Taiwan’s Defense Department in 1988. Most of the film reviews of Hou Hsiao-hsien’s film A City of Sadness (1989) take both a negative view of the director’s portrayal of the February 28 Incident and the film as a whole. Also includes a negative review of Taiwan’s so-called first independently made film, The Man from the Island West (1990). Includes a bibliography. CTFAL Chi

1041 Yan, Huizeng. ୶௑Ҷ. Shen sheng yu shi su: cong dian ying de biao mian jie gou dao shen ceng jie gou. ‫ظ‬๦ӿԒཞ: ԩӇ‫ؙ‬ϡԣӌְภϺ‫ٹ‬ৡְภ. Taibei: Yuan liu chu ban gou si, 1992. 246 p. ISBN 9573216639 Series title: Dian ying guan; 28 Ӈ‫ؙ‬ఖ; 28 Note: A collection of essays on film theory and Taiwan film reviews. NTUL Chi

187

Film Theory and Technique

1042 1042

1045

Yan, Shikai. ୶ࡲᏎ. Zhan zhe zuo ai: dian ying yu xing = Stand to make love. ۖа҂Д: Ӈ‫ؙ‬ӿԛ = Stand to make love. Taibei: Bo shi ke ji yi shu, 2005. 370 p. ISBN 9867224698 Series title: Zhuan jia zhi zao; b02034 ֟р३߃; b02034 Note: Explores the indirect, hidden sexual content and innuendos presented in mainstream films produced in Hong Kong, Taiwan—including Taiwan New Cinema—and films from other countries to expound on the political subtext of such representations. The book cover carries an “18 and older” marking. CTFAL Chi

Ye, Yueyu (Yeh, Emilie Yueh-yu). ౕ֊ᒶ. A national score: popular music and Taiwanese cinema. 263 leaves. Note: Thesis (Ph.D.)—University of Southern California, 1995. An interesting study of the relationship between popular music, cinema, and national identity in Taiwan from the 1970s to the 1990s. Explores multiple relevant interrelationships between popular music and Taiwan cinema, including the inclusion of popular songs in the 1970s policy films and romantic melodramas, the exclusion of pop music in Taiwan New Cinema in the 1980s, and the return of popular music in commercial films of the 1990s, thus revealing “a national identity characterized by shifting loci of commerce, politics, and art” (abstract). As a serious academic work, it provides many interesting perspectives based on in-depth research and substantial evidence. It states, however, that “A huge massacre occurred in 1945 when many Taiwanese rose up against the semi-colonial governance of the National Party” (l. 2), which is possibly miswritten, for if Dr. Yeh is referring to the February 28 Incident, this event occurred in 1947. Includes a filmography (pp. 243–247) and bibliography (pp. 248–263). WorldCat Eng

1043 Yang Dechang—Taiwan dui shi jie ying shi de gong xian / Huang Jianye deng zuo. ໷ख़ቾ—‫ݡ‬ஹхԒ֎Ӈ‫ؙ‬ϡᕠຶ / ࢶࠃ‫׬‬ҳӑ. Taibei: Yue sheng wen hua shi ye you xian gong si, 2007. 210 p. ISBN 9789576307300 Series title: Taibei Jin Ma ying zhan cong shu, 2007; 3 ‫ࣁؙެؖܚݡ‬ᜣ‫ڣ‬, 2007; 3 Note: A special collection of essays that systematically review Edward Yang’s eight films. Includes an Edward Yang chronology compiled by Qu Guizhi. NTUL Chi

1046 Yip, June Chun, 1962– Colonialism and its counter-discourses: On the uses of “nation” in modern Taiwanese literature and film. 2 v. (415 leaves.) Note: Thesis (Ph.D.)—Princeton University, 1996. Explores the formation of Taiwanese Nationalism and Identity by analyzing 1960s and 1970s Hsiang-tu (Native) literature and 1980s New Taiwan Cinema. Analyzes writer Huang Chunming (Hwang Chun-ming) and his works and film director Hou Hsiao-hsien and his films. Includes bibliography and list of films by Hou Hsiaohsien. WorldCat Eng

1044 Yang, Shifan. ໷Ԓఅ. Ren wu yan shuo yu Taiwan xin dian ying—yi xiang zhi shi she hui xue de yan jiu. Ϫ‫ߞ׉‬Мӿ‫ݡ‬ஹЈӇ‫—ؙ‬ϣ࣯ҌࡦघϾѹϡ୳ૢ. 154 p. Note: Thesis (M.A.)—National Taiwan University, 1991. Discusses Taiwan’s social condition represented in Taiwan New Cinema of the 1980s by analyzing the social networks presented in the films and by in-depth interviews to acquire personal accounts. Includes five chapters: Chapters 1 and 2 provide a review of Taiwan New Cinema. Chapter 3 describes the theoretical framework and methods and divides the fifty-five Taiwan New Cinema interviewees into three groups: (1) reporters, critics, and scholars; (2) screenwriters, directors, and important technicians; and (3) producers and policy makers. Chapter 4 assesses interview results, and Chapter 5 provides a conclusion. Includes a bibliography and filmography. NTUL Chi

1047 Zhang, Shilun (Chang, Shih-lun). ‫פ‬Ԓൔ. Taiwan “Xin dian ying” lun shu xing gou zhi li shi fen xi (1965–2000) = Discursive formation of “Taiwanese New Cinema” : a historical analysis (1965–2000). ‫ݡ‬ஹ “ЈӇ‫ں ”ؙ‬਎࣏ภҏࣵ੗д໯ (1965–2000) = Discursive formation of “Taiwanese New Cinema” : a historical analysis (1965–2000). 141 leaves.

188

Historiography

Note:

1052

Thesis (M.A.)—National Chengchi University, 2001. Analyzes the discursive formation of Taiwan New Cinema, the influence of Western Art Cinema on Taiwan New Cinema, and the historical relationship between Taiwan New Cinema and the popular Golden Horse Awards. Also covers traditional topics in the field: the disconnect between Taiwan New Cinema and the local film industry, the government’s transition from passive involvement in the 1980s to active involvement in the 1990s, the establishment of the Guidance Fund for Domestically Produced Films and participation in international film festivals, and the decline of Taiwan’s film industry in the 1990s. Includes a Chinese abstract, a bibliography, and charts of international and domestic box office records of Hou Hsiao-hsien and Edward Yang’s Films (1983– 1988), percentage of the domestically produced films that were sent for censorship and received the Guidance Fund (1980–1999), and films that received the Guidance Fund. NCL/NDLTD (FT) Chi

Series title: Wen hua shou bian ce; 45 ҹ٩Ѳ‫נ‬ೠ; 45 Note: Uses the theory of historiophoty as a cross-disciplinary method of analysis between history, cinema, and television to discuss the film The Opium War (1997), jointly produced by mainland China, Taiwan, and Hong Kong, as a case study. Includes a bibliography (pp. 165–166). WorldCat Chi

5.11

MUSIC AND SOUNDTRACK COMPOSITION

1050 Dai, Hongxuan. ඕᤃ጗. Tan dian ying pei yue. ডӇ‫ࡈؙ‬Ӏ. Taibei: Wen kai yin yue yi shu gong si, 1975. 115 p. Note: Describes how to compose affective soundtracks and the relationship between film and music; includes several Taiwan films with accompanying film scores as case studies. Includes a section of Tchaikovsky’s “Piano Concerto No. 1.” CTFAL Chi

1048 Zhongguo dian ying, dian ying Zhongguo: Hai xia liang an dian ying xue shu jiao liu yan tao hui lun wen ji / Bian ji Zhang Shufen, He Shihuang. ЅлӇ‫ؙ‬, Ӈ‫ؙ‬Ѕл: ֋ᒘҔ࿝Ӈ‫ؙ‬ѹफ‫ے‬Ե୳क़Ͼ‫ں‬ҹओ / ഹফ ‫פ‬ᎂᐇ, ‫ح‬Ԓᑟ. Taibei: Zhonghua Minguo shi jue chuan bo yi shu xue hui, Furen da xue da zhong chuan bo xi, 1993. 182 p. Note: A collection of papers presented at a film symposium hosted by Taiwan Fu Jen Catholic University and the R.O.C. Visual Art and Communication Association on December 29–30, 1992. The symposium provided the opportunity for film scholars on both sides of the Taiwan Strait to exchange ideas in their research fields. Includes twelve papers; three assess contemporary Taiwan film—“Taiwan Film Industry Moving Out of the 20th Century” by Chen Qinghe, “Local Identity Realization in Taiwan New Cinema” by Wang Wei, “Identity of Aboriginals in Taiwan Cinema” by Qi Longren—and one offers a comparative study of mainland, Taiwan, and Hong Kong films—“Meaning of ‘China Code’ in Chinese Films” by Chen Ruxiu. WorldCat Chi Eng

1051 Huang, Xinzhang. ࢶҞᔛ. Li Linqiu yu Wang Chun Feng de nian dai. ଽெ‫ڠ‬ӿֳࡇգϡё‫ڊ‬. Taibei: Taibei shi wen xian wei yuan hui, 2009. 185 p. ISBN 9789860181555 Note: A biography of Li Linqiu, a popular composer, screenwriter, and producer of Taiwanese-dialect films; his famous works include the Taiwanese-dialect popular song, “Wang Chun Feng” written in 1933, and the film of the same title in 1937. Includes lyrics from 186 Taiwanese-dialect popular songs written by Li Linqiu, and an appendix with published song lyrics, film stories, screenplays, a chronology, and a bibliography. CTFAL Chi

1052 5.10

HISTORIOGRAPHY

Lan, Zuwei. ঢྥ᝛. Sheng yu ying: 20 wei zuo qu jia tan Hua yu dian ying yin yue chuang zuo = Film music composers. ‫ك‬ӿ‫ؙ‬: 20֧ӑॽрড‫ܭܓ‬Ӈ‫ٸؙ‬Ӏࡶӑ = Film music composers. Taibei: Mai tian chu ban, 2001. 295 p. ISBN 9574697517 Series title: Mai tian ying yin guan; 01 ๤೧‫ٸؙ‬ఖ; 01

1049 Zhang, Guangzhi. ‫޺ܰפ‬. Ying shi shi xue = Historiophoty. ‫ؙ‬؆੗ѹ = Historiophoty. Taibei: Yang zhi wen hua shi ye gu fen you xian gong si, 1998. 166 p. ISBN 9578446861

189

Film Theory and Technique

1053 Note:

A collection of the author’s interviews with twenty famous film music composers from Taiwan, Hong Kong, and mainland China. CTFAL Chi

The appendix includes the best-selling records of film music in Taiwan from 1995 to 1996 and the Golden Horse film music award-winning films. CTFAL Chi

1053 5.12

Liu, Wanli. ฀ᙙᰆ. Ying yue, yue ying—dian ying pei yue wen lu. ‫ؙ‬Ӏ, Ӏ‫—ؙ‬Ӈ‫ࡈؙ‬Ӏҹ࠷. Taibei: Yang zhi wen hua shi ye gu fen you xian gong si, 2000. 182 p. ISBN 9578180896 Series title: Yang zhi yin yue ting; 12 เ޺‫ٸ‬Ӏ೏; 12 Note: A collection of the essays that discuss world film music composers and film soundtracks. CTFAL Chi

POSTCOLONIAL THEORY

1056 Chen, Ruxiu (Chen, Ru-shou Robert). ಴ᭉࢗ. Dian ying di guo, ling yi zhong zhu shi: dian ying wen hua yan jiu. Ӈ‫ؙ‬෌л, ࡔϣ҆‫ڀ‬؆: Ӈ‫ؙ‬ҹ٩୳ૢ. Taibei: Wan xiang tu shu gu fen you xian gong si, 1995. 264 p. ISBN 9576697344 Series title: Yi shu fang; 16 ਲ‫ ;ࠚڣ‬16 Note: A collection of the author’s essays organized into three sections: (1) cultural, gender, psychological, and comparative analyses of Taiwan films of the 1990s; (2) mainland China films; and (3) Taiwan film through the lens of postcolonial theory. Essays of note include a study of mental illness in Taiwan films, and a psychological study of Hou Hsiao-hsien’s film A City of Sadness (1989). Includes a bibliography. CTFAL Chi

1054 Liu, Xiuting. ฀ഫ೛. Zeng Zhongying de yin yue sheng ya. ߲ᓶ‫ؙ‬ϡ‫ٸ‬ӀТᄇ. Yilan: Guo li chuan tong yi shu zhong xin, 2002. 140 p. ISBN 9570125624 Series title: Chuan tong yin yue ji lu, ge zai xi juan ‫ٸࢃة‬Ӏফ࠷, ‫ܮ‬௩ۚඵ Note: A biography of Zeng Zhongying, a ge zai xi (Local Taiwanese Opera) and film music composer. Includes nine chapters; Chapter 7 focuses on Zeng’s career as a film music composer. The appendix includes chronology, family tree, song lists, and music scores. Includes a bibliography. CTFAL Chi

1057 Chinese-language film: historiography, poetics, politics / edited by Sheldon H. Lu and Emilie Yueh-yu Yeh. Honolulu: University of Hawai’i Press, 2005. 413 p. ISBN 0824828135 (alk. paper), 9780824828691 (pbk.: alk. paper), 0824828690 (pbk.: alk. paper) Note: This edited volume “covers the cinematic traditions of mainland China, Taiwan, Hong Kong, and the Chinese diaspora from the beginning of Chinese film history to the present moment” (p. 2). Part I. Historiography, Periodization, Trends includes articles that either address Chinese film history broadly or different significant movements within Chinese cinema; Part II. Poetics, Directors, Styles provides “lucid, synchronic, structural(ist), transhistorical accounts of the poetics and aesthetics of Chinese film as an integral part of world cinema” (p. 15). Interesting studies include the essay by Mary Farquhar and Chris Berry: “Shadow Opera: Toward a New Archaeology of the Chinese Cinema,” which states :“If civilized plays are cinema’s stepmother, then opera is the mother in terms of first film productions, whether on the mainland (1905) or in Hong Kong (1909). Opera films were also the first productions in major regional language films, Cantonese (1933) and Taiwanese (1954)” (p. 51). Other Taiwan film or related comparative film studies essays include Meiling Wu’s “Postsadness Taiwan New Cinema: Eat, Drink, Everyman, Everywoman,” Emilie Yueh-yu Yeh’s

1055 Wang, Jie’an. ࣼೀԥ. Dian ying yin yue fa shao shu = Movie music. Ӈ‫ٸؙ‬Ӏч਩‫ = ڣ‬Movie music. Taipei: Ping shi chu ban you xian gong si, 1996. 255 p. ISBN 9578031165 Series title: Ping shi cong shu; di san shi si zhong ‫כ‬ᖐᜣ‫ ;ڣ‬ҷѧ֐‫҆ף‬ Note: Considers the relationship between film and music, and discusses world film music composers. Chapter 5 presents Chinese film music, including the music in Tian Zhuangzhuang, Ang Lee, and Lan Shengchuan’s films, and introduces the composers Zhao Jiping (mainland China), Shi Jieyong (Taiwan), Tan Dun (mainland China), Xiaochong (Taiwan), and Chen Mingzhang (Taiwan).

190

Scenery and Set Design

1062

“Poetics and Politics of Hou Hsiao-hsien’s Films,” Sheldon H. Lu’s “Crouching Tiger, Hidden Dragon, Bounding Angeles: Hollywood, Taiwan, Hong Kong, and Transnational Cinema,” Darrell W. Davis’s “Borrowing Postcolonial: Wu Nien-chen’s Dou-san and the Memory Mine,” and Shao-ying Shen’s “Locating Feminine Writing in Taiwan Cinema: A Study of Yang Huishan’s Body and Sylvia Chang’s Siao Yu.” Includes filmography, Chinese glossary, bibliography, notes on contributors, and an index. WorldCat Eng

career (pp. 224–225) in Shanghai; presents the story of the 1943 film The Bell of Sayon (pp. 279–280), a film that depicts Taiwanese aboriginal peoples and remains the only Japanese colonial feature film made in Taiwan that can still be seen; and includes editor Liao Ping-Hui’s essay which notes the vastly different views of Taiwan’s colonial and postcolonial history held by former president Lee Tenghui and the views presented in the films directed by the famous New Taiwan Cinema directors Hou Hsiao-hsien and Wu Nien-chen (pp. 2–3). Includes a bibliography and an index. WorldCat Eng

1058 1061

Hong, Guo-Juin. Taiwan cinema: a contested nation on screen. New York, NY: Palgrave Macmillan, 2011. 246 p. ISBN 0230111629, 9780230111622 Note: This is the first English work to cover the entire history of Taiwan cinema. It is divided into two parts: Part I, Genres, which deals with the following time periods: pre-1945, 1955–1970, 1964–1980, and 1980– 1982; and Part II, Style, which starts with the time period of 1982–1986 and concludes with two chapters that describe the current film landscape in Taiwan: “Island of No Return: Cinematic Narration as Retrospection in Wang Tung’s Taiwan Trilogy and Beyond” and “Anywhere but Here: the Postcolonial City in Tsai Ming-Liang’s Taipei Trilogy.” With rich historical materials and close analysis based on cinematic case studies, the work focuses on the theme of “a contested nation on screen.” Includes a bibliography and an index. WorldCat Eng

Ye, Yueyu (Yeh, Emilie Yueh-yu). ౕ֊ᒶ. Ge sheng mei ying: ge qu xu shi yu Zhong wen dian ying = Phantom of the music: song narration and Chinese-language cinema. ‫كܮ‬ຓ‫ؙ‬: ‫ॽܮ‬ᡳѨӿЅҹӇ‫ = ؙ‬Phantom of the music: song narration and Chinese-language cinema. Taibei: Yuan liu chu ban gong si, 2000. 244 p. ISBN 9573241552 Series title: Dian ying guan; 91 Ӈ‫ؙ‬ఖ; 91 Note: A collection of the author’s essays on popular music in Chinese films produced in Taiwan, mainland China, and Hong Kong. The English titles of the eight essays are as follows: (1) “Two Histories: Notes on Taiwanese Cinema and Popular Songs”; (2) “Sinification and Historiography: Music in Chinese Films of the 1930s”; (3) “Beyond Visual Narration: College Folk Songs and Policy Films”; (4) “Victory Popular Music and the Patriotic Imaginary”; (5) “A Life of Its Own: Musical Discourses in Wong Kar-Wai’s films”; (6) “Postcolonial Rock: A Bright Summer Day and Historical Memory”; (7) An Immigrant’s Suitcase: “Comrades, Almost a Love Story”; (8) “Noise Reduction: Rock’n Roll in Chinese-Language Films.” Includes an English table of contents and abstracts. CTFAL Chi Eng

1059 Nguyen, Uyen. Orientalist visuality in a postcolonial context: a critical interrogation of theoretical positions advanced in Rey Chow’s primitive passions, with discussions of pertinent films made in China, Hong Kong, Taiwan, Australia, France & Vietnam. 178 leaves. Note: Thesis (M.A.)—Monash University, 2002. By using postcolonial theory advanced by Rey Chow, the author studies films produced in China, Hong Kong, Taiwan, Australia, France, and Vietnam. Includes a bibliography. WorldCat Eng

5.13

SCENERY AND SET DESIGN

1062 Guang ying ji xing: Gaoxiong xian ying shi kan jing shou ce = Journey to cinema: a guide book for film-makers on locations in Kaohsiung county / Zhou Jiarong zhu bian; Huang Zhengyue she ying. ‫ׇؙ‬ઔҲ: ҙ೰້‫ؙ‬؆ ࢓Ѳೠ = Journey to cinema: a guide book for film-makers on locations in Kaohsiung county / ‫ر‬рึҰഹ; ࢶ Ԝៈ଄‫ؙ‬. Gaoxiong: Gaoxiong xian zheng fu, 2009. 183 p. ISBN 9789860191172 Note: This is a bilingual, pictorial guidebook prepared by the Kaohsiung County Government for filmmakers who may want to choose Kaohsiung as their film’s setting. Presents

1060 Taiwan under Japanese colonial rule 1895–1945: history, culture, memory / edited by Liao Ping-Hui and David Der-Wei Wang. New York: Columbia University Press, 2006. 416 p. ISBN 0231137982 Note: A comprehensive work that captures the history, culture, and memory of Japanese colonial rule in Taiwan. It does not, however, provide a serious discussion of cinema during the time period discussed, with an exception of the following: includes descriptions of Liu Na’ou’s

191

Film Theory and Technique

1063 comments from directors who have used Kaohsiung’s natural, historical, and cultural landmarks in their films. Includes directions for Kaohsiung County film subsidies and Kaohsiung county accommodation information. CTFAL Chi Eng

years as a film director (1983–2004). It includes twentyseven sites in Kaohsiung City, thirteen sites in Kaohsiung County, and nine sites in Pingtung County. The author states in the preface that he hoped to create a “Filming Site Guide Book” for southern Taiwan. Includes photos, maps, contact information, and a CD-ROM. NTUL Chi Eng

1063 Hai shan quan shi: Taiwan dian ying pai she jing dian ji zhi zuo dao lan II = Imaging a paradisal landscape: cinema location and production guide in Taiwan II / Hou chang yin xiang ji lu gong zuo shi qi hua zhi zuo. ֋‫ځ‬໩੘: ‫ݡ‬ஹӇ‫ޛؙ‬଄࢓ѡߵ३ӑ࣒ऋ II = Imaging a paradisal landscape: cinema location and production guide in Taiwan II / ћԾ ‫ٸ‬Ռઔ࠷֞ӑॣఌ੿३ӑ. Taibei: Xing zheng yuan xin wen ju, 2005. 173 p. ISBN 9860010161 Note: A Taiwan cinema location and production site guidebook. The second volume in a two-volume series; the first volume is entitled: Proceed from the Sea, Follow the Waves: Cinema Location and Production Guide in Taiwan” edited by Ji Yalan and published in 2004. NCL Chi

1066 Liang, Jiawei (Liang, Jia-wei). ᅯр໖. Yi After Effect ruan ti ji shu yun yong yu shi jing he cheng zhi tan tao = Using After Effect as a tool of composition computer graphics to live scenes. й After Effect લՂ৔फ‫ػ‬ѓҿӢ࢓ׁюҏ෬क़ = Using After Effect as a tool of composition computer graphics to live scenes. 49 leaves. Note: Thesis (M.A.)—National Taiwan University of Science and Technology, 2009. Focuses on “compositing computer graphics to live scenes” in Taiwan film production; explains an efficient procedure for integrating three-dimensional animation into low-budget short films. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

1064 Hai yang chu fa, shui de wen lu: Taiwan dian ying pai she jing dian ji zhi zuo dao you = Proceed from the sea, follow the waves: cinema location and production guide in Taiwan / Ji Yalan bian ji. ֋ଥоч, һϡඌբ: ‫ݡ‬ஹӇ‫ޛؙ‬଄࢓ѡߵ३ӑׂ࣒ = Proceed from the sea, follow the waves: cinema location and production guide in Taiwan / ઔ઩୪ഹফ. Taibei: Xing zheng yuan xin wen ju, 2004. 167 p. ISBN 9570170530 Note: A bilingual Taiwan cinema location and production site guidebook. Includes the following sections: Recommendation Lists from the Motion Picture Industry in Taiwan, Appendix—Laws Relevant to the Motion Pictures Industry in Taiwan: The Motion Picture Act-Article 39–1, Application for Foreign Film Crew Members Coming to Taiwan and Bringing in Foreign Equipment, and Regulations Governing Rewards for Participation in International Film Festivals by CoProduction Motion Pictures. Includes photos, maps, and two DVDs. NCL Chi Eng

1067 Pai Taibei: ying shi kan jing zhi nan = Taipei cinema location guide / Rao Zijuan zhu bian. ‫ܚݡޛ‬: ‫ؙ‬؆ ࢓‫ = ۪܋‬Taipei cinema location guide / ᓔཎᥱҰ ഹ. Taibei: Taibei shi dian ying wei yuan hui, 2009. 199 p. ISBN 9789868468603 Note: A bilingual (Chinese and English) guidebook to Taipei’s cultural areas, scenic spots, and filming sites. Important information is included in the appendix, including Production Subsidies in Taipei, Directions for Funding Foreign Motion Picture Production Enterprises to Produce Motion Pictures in Taiwan, Regulations Governing Tax Credit for Businesses Investing in Motion Picture Production Enterprises for the Production of Domestically Produced Motion Pictures, Current Preferential Taxation Policies on Films, and a Directory of Motion Picture Industry in Taiwan. NTUL Chi Eng

1065 Li, Youning (Lee, You-ning), 1951– ଽⷵો, 1951– Nan Taiwan: dian ying dao yan zhen cang de pai pian chang jing = Zoom in Southern Taiwan. ۪‫ݡ‬ஹ: Ӈ‫ੵؙ࣒ࠟ‬েϡ‫ޛ‬әԾ࢓ = Zoom in Southern Taiwan. Gaoxiong: Gaoxiong shi xin wen chu, 2005. 147 p. ISBN 9860020108 Note: A bilingual (Chinese and English) work that presents the author/director’s favorite filming sites in Southern Taiwan based on his experience of more than twenty

5.14

SCREENPLAY WRITING

1068 Feng, Jishi. ᫄গ䉕. Xiao shuo gai bian yu ying shi bian ju / Feng, Jishi bian yi. ЩМۨഹӿ‫ؙ‬؆ഹঁ / ᫄গ䉕ഹፆ. Taibei: Shu lin chu ban you xian gong si, 1988.

192

Screenplay Writing

679 p. Note:

1077 1073

A work on film adaptation and scriptwriting. CTFAL

Zhang, Juemin. ‫פ‬ң‫ھ‬. Dian ying bian ju. Ӈ‫ؙ‬ഹঁ. Taibei: Yang zhi wen hua shi ye gu fen you xian gong si, 1992. 342 p. ISBN 9579091099 Note: A work on screenplay writing. CTFAL Chi

Chi

1069 Liu, Wenzhou. ฀ҹ‫ر‬. Dian ying, dian shi bian ju de yi shu. Ӈ‫ؙ‬, Ӈ؆ഹঁϡਲफ. Taizhong: Guang qi chu ban she, 1984. 252 p. Series title: Wen yi cong shu ҹਲᜣ‫\ڣ‬ Note: Describes the art of television and film scriptwriting. CTFAL Chi

1074 Zhang, Juemin. ‫פ‬ң‫ھ‬. Dian ying bian ju = The playwright of movies. Ӈ‫ؙ‬ഹঁ = The playwright of movies. Taibei: Yang zhi wen hua shi ye gu fen you xian gong si, 1997. 474 p. ISBN 9578446284 Series title: Dian ying xue yuan Ӈ‫ؙ‬ѹᮛ Note: A work on screenplay writing. CTFAL Chi

1070 Liu, Yibing. ขϣഈ. Xu gou de zi you: dian ying ju zuo ben ti lun / Liu Yibing, Zhang Min. ஢พϡІ‫ۥ‬䩭ӈ‫ؙ‬঵ӑӆՄ‫ ڹ‬/ ขϣഈ䩟‫ھצ‬. Beijing: Zhongguo dian ying chu ban she, 2002. 467 p. ISBN 7106018279, 9787106018276 Series title: Xin shi ji dian ying xue lun cong ЈԒઓӈ‫ؙ‬Ѻ‫ڹ‬ᜥ Note: Explores fictional leeway evident in screenplays by Chu T’ien-wen from Taiwan and Wong Kar-wai from Hong Kong, and uses their respective scripts as case studies. Include a bibliography. WorldCat Chi

1075 Zhang, Juemin. ‫פ‬ң‫ھ‬. Shi yong dian ying bian ju = Screen writing for film. ӢѓӇ‫ؙ‬ഹঁ = Screen writing for film. Taibei: Yang zhi wen hua shi ye gu fen you xian gong si, 2008. 506 p. ISBN 978957818952 Series title: Dian ying xue yuan Ӈ‫ؙ‬ѹᮛ Note: A work on screenplay writing. CTFAL Chi

1071 Xu, Tianrong. ጝϳึ. Tu po: Chuang zuo dian feng. ߷਋: ࡶӑᠩ๢. Taibei: Ya tai tu shu chu ban she, 2008. 285 p. ISBN 9789867809506 Series title: Taiwan dian ying yan jiu cong shu ‫ݡ‬ஹӇ‫ૢ୳ؙ‬ᜣ‫ڣ‬ Zhonghua Minguo dian ying xi ju xie hui ying ju cong shu Ѕ‫ھܓ‬лӇ‫ঁؙۚ‬൒Ͼ‫ঁؙ‬ᜣ‫ڣ‬ Note: A work on screenplay writing. CTFAL Chi

1076 Zhang, Mingyu. ‫פ‬Ҵർ. Mu qian mu hou. ටӓ௷ћ. Jiayi shi: Yuan da wen hua, 1978. 224 p. Note: An autobiographical work by Zhang Mingyu, a recognized singer, dancer, and screenwriter in Taiwan. Includes a detailed description of writing the screenplay for, and the filmmaking of, Hua fei hua (Soung Tsun-Shou, 1978). CTFAL Chi

1072 Ying shi ju ben zhuan xie ge shi yan tao hui hui yi ji lu / Zhao yang ke ji da xue bian. ‫ؙ‬؆ঁӆ᫃܎۴ܴ୳क़ϾϾ৶֮࠷ / ச‫॓ݷ‬৔Ͻѹഹ. Taizhong: Zhao yang ke ji da xue, 2001. 39 p. Note: Proceedings from a conference on the technical formats of screenplay writing. CTFAL Chi

1077 Zhang, Mingyu. ‫פ‬Ҵർ. Ren sheng ru xi. ϪТҒۚ.

193

Film Theory and Technique

1078 Monterey, CA: Evergreen Pub., 2003. 301 p. ISBN 193225904X (pbk.), 9781932259049 (pbk.) Note: A personal reflection on, and insight into the profession of, screenwriting. WorldCat Chi

5.15

1079 Li, Ling. ଽᾐ. Zhuan ye ying shi te xiao zhi zuo da quan = After Effects / Premiere Pro. ֟‫ؙ׬‬؆‫݌ئ‬३ӑϽҪ = After Effects / Premiere Pro. Taibei: Dian mao ren wen hua, 2006. 404 p. ISBN 9867075293 Note: An introduction to two software programs, After Effects and Premiere Pro, which are used for special effects and animated filmmaking. CTFAL Chi

SPECIAL EFFECTS

1078 Ji, Weiguo. ઔ໖л. Dian ying zhong de xian dai mo shu. Ӈ‫ؙ‬Ѕϡѳ‫ڊ‬ತफ. Xinzhu: Fan yi chu ban she, 2000. 150 p. ISBN 9576944295 Series title: Xian dai ke xue ji shu cong shu ѳ‫॓ڊ‬ѹ৔फᜣ‫ڣ‬ Note: A basic introduction to film history, theory, production, and special effects. CTFAL Chi

1080 Wu zi tian shu / Zhu bian Gao Zhihao. ѩ‫ܒ‬ϳ‫ ڣ‬/ Ұഹҙ࢑ൻ. Taibei: Yun shui chu ban she, 1978. 186 p. Note: Presents examples of special effects in Western films; also describes the special effects used in the Taiwanese film Wu zi tian shu (The Phoenix; Chang Mei-chun, 1978) as well as reviews of the special effects in the film. CTFAL Chi

194

6 Interdisciplinary Studies

6.1

COMPARATIVE FILM STUDY

1084 Chen, Shuli, 1966– Cinemas and the cities: spatiality in Taiwanese, Mexican, and Iranian urban films. 219 leaves. Note: Thesis (Ph.D.)—University of Washington, 2009. A comparative study of urban films from Taiwan, Mexico, and Iran. Includes a bibliography. WorldCat Eng

1081 Asian cinema—yesterday, today and tomorrow / edited by Myungkyu Park. Seoul: Korea Film Archive, 2002. 348 p. Note: Proceedings from the Fifty-Eighth Congress of the International Federation of Film Archives, Seoul, 2002. Includes papers introducing film archive works in various Asian countries, including the paper “Films WellMade and Kept in Taiwan: A Brief Introduction t to the Film Industry, Film Databases and Film Archive in Taipei” by Feiyi Lu. WorldCat Kor Eng

1085 Contemporary Asian cinema: popular culture in a global frame / edited by Anne Tereska Ciecko. Oxford; New York: Berg, 2006. 250 p. ISBN 9781845202361, 1845202368, 9781845202378, 1845202376 Series title: Asian cinema series Note: An introduction to popular Asian cinema, including the essay “Taiwan: Popular Cinema’s Disappearing Act” by Emilia Yueh-yu Yeh. Includes a bibliography and an index. WorldCat Eng

1082 Carruthers, Lee. Doing time: timeliness and temporal rhetorics in contemporary cinema. 212 leaves. Note: Thesis (Ph.D.)—University of Chicago, 2008. This is a comparative study of Taiwan film director Cai Mingling (Tsai Ming-Liang) with contemporary film directors Steven Soderbergh (1963–), John Frankenheimer (1930–2002), and François Ozon (1967–). Includes a bibliography. WorldCat Eng

1086 The cinema of small nations / edited by Mette Hjort, Duncan Partie. Bloomington: Indiana University Press, 2007. 250 p. ISBN 9780253351975, 0253351979, 97802532202103, 0253220106 Note: An introduction to the cinema of twelve nations, including an introduction to Taiwan cinema by James Udden. Originally published by Edinburgh University Press, 2007. Includes a bibliography and an index. WorldCat Eng

1083 Carter, David. East Asian cinema. Harpenden: Kamera, 2007. 254 p. ISBN 9781904048688, 1904048684 Note: The films of China, Hong Kong, Taiwan, Japan, and South and North Korea reflect political turmoil, conflict between modern lifestyles and traditional values, and the exchange of cultural heritages and mutual influences. Includes a DVD: Cinema on Road: A Personal Essay on Cinema in Korea by Jang Sun-woo (British Film Institute, 1995: 52 min), a bibliography, and an index. WorldCat Eng

1087 Hasumi, Shigehiko, 1936– ၬӢԳᴧ, 1936– Hikari o megutte: eiga intavy䲚-sh䲚. ‫ׇ‬䬃䫲䫁䫔䫗 : ྱࡌ䬓䭢䬮䭣䭔䴈ओ. T䲖ky䲖 : Chikuma Shob䲖, 1991. 357 p.

195

Interdisciplinary Studies

1088 ISBN 4480871691, 9784480871695 Series title: Ryumi䲎ru s䲖sho; 9 䭙䭔䭎䬗䴈䭚ᜣ‫;ڣ‬9 Note: A collection of interviews with eight famous film directors of the world, including Hou Hsiao-Hsien. Includes a filmography. WorldCat Jpn

Includes a bibliography and an index. WorldCat

6.1.1

Eng

Films in Taiwan, Hong Kong, and Mainland China

1092 1994 Taibei Jin Ma ying zhan zhuan ti te kan; “duan lie” yu “fu he”: zhan wang jiu shi nian dai zhongguo dian ying = 1994 Taipei Golden Horse Film Festival special programs: perspective of Chinese cinemas of the 90s / Te kan zhu bian: Xie Renchang. 1994 ‫ئ֤֟ࣁؙެؖܚݡ‬ᑂ; “ऄი” ӿ “࣢ׁ”: ࣁֳ90ё‫ڊ‬Ѕл Ӈ‫ = ؙ‬1994 Taipei Golden Horse Film Festival special programs: perspective of Chinese cinemas of the 90s / ‫ئ‬ᑂҰഹ: ‫ه‬წቾ. Taibei: Taibei Jin Ma ying zhan zhi xing wei yuan hui, [1994] 139 p. Note: Published to commemorate the 1994 Taipei Golden Horse Film Festival. Primarily focuses on Taiwan and Hong Kong as it provides a survey of Chinese cinemas in the 1990s. Includes a bibliography and filmography. WorldCat Chi

1088 Nguyen, Uyen. Orientalist visuality in a postcolonial context: a critical interrogation of theoretical positions advanced in Rey Chow’s primitive passions, with discussions of pertinent films made in China, Hong Kong, Taiwan, Australia, France & Vietnam. 178 leaves. Note: Thesis (M.A.)—Monash University, 2002. By using postcolonial theory advanced by Rey Chow, the author studies films produced in China, Hong Kong, Taiwan, Australia, France and Vietnam. Includes a bibliography. WorldCat Eng

1089 Server, Lee. Asian pop cinema: Bombay to Tokyo. San Francisco, CA: Chronical Books, 1999. 132 p. ISBN 0811821196, 9780811821193 Note: A general introduction to the Asian pop cinemas of Hong Kong, China, Taiwan, Japan, Philippines, Korea, India, and Southeast Asia. Includes a bibliography and an index. WorldCat Eng

1093 Baskett, Michael. The attractive empire: colonial Asia in Japanese imperial film culture, 1931–1953. 336 leaves. Note: Thesis (Ph.D.)—University of California, Los Angeles, 2000. Chapter 1: “From film empire to great East Asian film sphere” discusses the intense competition between Chinese films, specifically films made in Shanghai and Japan, during the colonial period in Taiwan. Includes a bibliography and filmography. WorldCat Eng

1090 Transnational Asian identities in Pan-Pacific cinemas: the reel Asian exchange / edited by Philippa Gates & Lisa Funnell. New York: Routledge, 2011. ISBN 9780415893541, 0415893542 Note: A collection of essays on transnational Asian identities in Pan-Pacific cinemas, including the production of and audience reception to the cinemas of Hong Kong, Japan, South Korea, Thailand, China, Taiwan, and Hollywood. This volume’s essay focusing on Taiwan film is entitled “Trauma and Taiwan’s Melodrama: Seven Orphans of Cape No. 7” by Sheng-mei Ma. Includes a bibliography, an index, and a filmography. WorldCat Eng

1094 Baskett, Michael. The attractive empire: transnational film culture in imperial Japan. Honolulu: University of Hawaii Press, 2008. 216 p. ISBN 9780824831639 (hbk.: alk. paper), 0824831632 (hbk.: alk. paper), 9780824832230 (pbk.: alk. paper), 082483223X (pbk.: alk. paper) Note: Chapter 1, “From Film Empire to Great East Asian Film Sphere” discusses the intense competition between Chinese films, specifically films made in Shanghai and Japan, during the colonial period in Taiwan. Includes a bibliography, a filmography, and an index. WorldCat Eng

1091 Vick, Tom. Asian cinema: a field guide. New York: Collins, 2007. 274 p. ISBN 9780061145858, 0061145858 Note: A general introduction to the Asian cinemas of China, Japan, India, Hong Kong, Korea, Iran, Taiwan, South and Southeast Asia, Central Asia, and the Middle East. Taiwan and Iranian cinema are grouped together in Part Three under the title “Recent Arrivals.”

1095 Baskett, Michael. Japanese colonial film enterprise 1937–1945: imagining the imperial Japanese subject. 106 leaves. Note: Thesis (M.A.)—University of California, Los Angeles, 1993.

196

Comparative Film Study

1102

The paper studies the Japanese colonial film enterprise throughout the Asian region, including Manchuria, Korea, and Taiwan. Includes a bibliography. WorldCat Eng

Chinese film. Specifically, in Chapter 5, the author provides a case study of the space usage in the films of Chen Kaige (mainland China), Hou Hsiao-hsien (Taiwan), and Wong Kar-wai (Hong Kong). Includes a bibliography and appendixes (Glossary of Chinese Names and Glossary of Chinese Terms). WorldCat Eng

1096 Berry, Chris. China on screen: cinema and nation / Chris Berry; Mary Ann Farqhar. New York: Columbia University Press, 2006. 313 p. ISBN 0231137060, 9780231136065, 0231137079, 9780231137072 Series title: Film and culture series Note: A major work covering more than one hundred years of Chinese cinema and issues of nation and nationalism, with new perspectives on key movements, themes, and filmmakers in China, Hong Kong, Taiwan, and the Chinese diaspora. Includes a bibliography (in both English and Chinese), an index, and a filmography. The table of contents and abstract are available on WorldCat. WorldCat Eng

1100 Chan, Shuen-yan. History and memory in Hou Hsiao-hsien’s A City of Sadness and Tian Zhuangzhuang’s The Blue Kite. 68 leaves. Note: Thesis (M.A.)—Hong Kong University, 1999. A comparative study of A City of Sadness (Hou Hsiaohsien, 1980) and The Blue Kite (Tian Zhuangzhuang, 1993). Focuses on issues of private memory versus official history. Includes two appendixes (a brief biography of the directors), a filmography, and a bibliography. Full-text access is available through the HKU Scholars Hub. WorldCat Eng

1101 Chen, Mo. ಴ၢ. Zhongguo wu xia dian ying shi. ЅлેཱུӇ‫ؙ‬੗. Taibei: Feng yun shi dai chu ban gu fen you xian gong si, 2006. 332 p. ISBN 9861462740 Series title: Feng yun dian ying xi lie գࠥӇ‫࠶ڍؙ‬ Note: A comprehensive work on Chinese martial arts film history. Divides the development of Chinese martial arts films into five periods: (1) the first period in Shanghai in the 1920s and 1930s; (2) a shift to Hong Kong in the 1940s and 1950s; (3) Hong Kong, and later in Taiwan, in the 1960s and 1970s; (4) a cooperative period between Hong Kong and mainland China in the 1980s and 1990s; and (5) the trend toward globalization and further cooperation between Hong Kong, Taiwan, and mainland China, using Ang Lee’s film Crouching Tiger, Hidden Dragon (2000) as an example. In the postscript, the author admits that his knowledge of Hong Kong and Taiwan martial arts films, specifically during the mid-1960s to the early- 1980s period, is limited and thus apologizes for any missing or oversimplified parts in this section of the book. NTUL Chi

1097 Braester, Yomi. Painting the city red: Chinese cinema and the urban contract. Durham, NC: Duke University Press, 2010. 405 p. ISBN 9780822347064, 0822347067, 9780822347231, 0822347237 Note: Focuses on the dynamic relationship between visual media—film and theater—and the development of cities in China and Taiwan, including Beijing, Shanghai, and Taipei. Describes the changes and cinematic rewritings of the Veteran’s village in Taipei, Nanjing Road in Shanghai, and Tiananmen Square, courtyards, and the postmodern architectural landmarks of Beijing. Includes a bibliography and an index. WorldCat Eng

1098 Cai, Hongsheng, 1940– ᓥᖻ‫ل‬, 1940–. Tai Gang dian ying yu ming xing. ‫ݡ‬୯ӈ‫ؙ‬ԁҴլ. Beijing: Zhongguo wen lian chu ban she, 1992. 223 p. ISBN 7505917412, 9787505917415 Note: An introduction to the cinemas of Taiwan and Hong Kong and their movie stars. WorldCat Chi

1102 1099

Cheng, Jim. An annotated bibliography for Chinese film studies = Zhongguo dian ying yan jiu shu mu ti yao. An annotated bibliography for Chinese film studies = Ѕмӈ‫୳ؙ‬ ૢ‫ڪ‬۵٤ϴ. Hong Kong: Hong Kong University Press, 2004. 404 p.

Chae, Youn-Jeong. Film space and the Chinese visual tradition. 235 leaves. Note: Thesis (Ph.D.)—New York University, 1997. A work on the relationship between the use of negative space in Chinese traditional painting and its use in

197

Interdisciplinary Studies

1103 ISBN Note:

9622097030 A comprehensive annotated bibliography focusing on film studies in Mainland China from 1920 to 2003. A section entitled “Films in China, Hong Kong, and Taiwan,” within “Chapter 6: Interdisciplinary Studies,” describes works that compare films produced in mainland China, Hong Kong, and Taiwan. Includes a bibliography and subject, author, and title indexes. WorldCat Eng Chi Fre Ger Ita Jpn Kor Spn Rus Uig

and the Memory Mine,” and Shao-ying Shen’s “Locating Feminine Writing in Taiwan Cinema: A Study of Yang Hui-shan’s Body and Sylvia Chang’s Siao Yu.” Includes filmography, Chinese glossary, bibliography, notes on contributors, and an index. WorldCat Eng

1105 Chinese women’s cinema: transnational contexts / edited by Lingzhen Wang. New York: Columbia University Press, 2011. 430 p. ISBN 9780231156745 (cloth: alk. paper), 023115674X (cloth: alk. paper), 9780231156752 (pbk.: alk. paper), 0231156758 (pbk.: alk. paper), 9780231527446 (ebk.), 0231527446 (ebk.) Note: An edited volume that explores the transnational contexts of Chinese women’s cinema, from Chinese films produced in the 1920s and 1930s to the most recent Chinese films produced in China, Taiwan, Hong Kong, the United States, and elsewhere. Essays on Taiwan women’s cinema include “Post-Taiwan New Cinema Women Directors and Their Films: Auteurs, Images, and Language” by Yu-shan Huang and Chunchi Wang, translated by Robbin Visser and Thomas Moran; and “Chu T’ien-wen and the Sotto Voce of Feminine Expression in the Films of Hou HsiaoHsien” by Christopher Lupke. Includes a bibliography. WorldCat Eng

1103 Chinese connections: critical perspectives on film, identity, and diaspora / edited by Tan See-kam, Peter X. Feng, and Gina Marchetti. Philadelphia: Temple University Press, 2009. 311 p. ISBN 1592132677, 9781592132676, 1592132685, 9781592132683 Note: A collection of essays, including “Hollywood and Taiwan: Connections, Countercurrents, and Ang Lee’s Hulk” by Gina Marchetti, and “Taiwan Fever: Tsai Ming-liang and the Everyday Postnation” by Peter Hitchcock. Includes a bibliography, an index, and a filmography. WorldCat Eng

1104 Chinese-language film: historiography, poetics, politics / edited by Sheldon H. Lu and Emilie Yueh-yu Yeh. Honolulu: University of Hawai’i Press, 2005. 413 p. ISBN 0824828135 (alk. paper), 9780824828691 (pbk.: alk. paper), 0824828690 (pbk.: alk. paper) Note: This edited volume “covers the cinematic traditions of mainland China, Taiwan, Hong Kong, and the Chinese diaspora from the beginning of Chinese film history to the present moment” (p. 2). Part I. Historiography, Periodization, Trends includes articles that either address Chinese film history broadly or different significant movements within Chinese cinema; Part II. Poetics, Directors, Styles provides “lucid, synchronic, structural(ist), transhistorical accounts of the poetics and aesthetics of Chinese film as an integral part of world cinema” (p. 15). Interesting studies include the essay by Mary Farquhar and Chris Berry: “Shadow Opera: Toward a New Archaeology of the Chinese Cinema,” which states :“If civilized plays are cinema’s stepmother, then opera is the mother in terms of first film productions, whether on the mainland (1905) or in Hong Kong (1909). Opera films were also the first productions in major regional language films, Cantonese (1933) and Taiwanese (1954)” (p. 51). Other Taiwan film or related comparative film studies essays include Meiling Wu’s “Postsadness Taiwan New Cinema: Eat, Drink, Everyman, Everywoman,” Emilie Yuehyu Yeh’s “Poetics and Politics of Hou Hsiao-hsien’s Films,” Sheldon H. Lu’s “Crouching Tiger, Hidden Dragon, Bounding Angeles: Hollywood, Taiwan, Hong Kong, and Transnational Cinema,” Darrell W. Davis’s “Borrowing Postcolonial: Wu Nien-chen’s Dou-san

1106 Cinematic landscapes: observations on the visual arts and cinema of China and Japan / edited by Linda C. Ehrlich and David Desser. Austin, TX: University of Taxes Press, 1994. 345 p. ISBN 0292720866 (hbk.), 0292720874 (pbk.)(pbk.) Note: This collection of essays explores cinematic landscapes, locating the relationship between the visual arts and cinema of China and Japan. Hou Hsiao-hsien and his films are used as case studies for a comparative study of classical Chinese painting and cinematographic design; meanwhile, the New Cinema Movements in both mainland China and Taiwan during the 1980s are described in the essay “Classical Chinese painting and Cinematographic Signification” by Ni Zhen, translated by Douglas Wilkson (pp. 63–80). Includes bibliographical reference (pp. 327–330), index, and filmography (pp. 323–326). WorldCat Eng

1107 Colonialism and nationalism in Asian cinema / edited by Wimal Dissanayake. Bloomington: Indiana University Press, 1994. 224 p. ISBN 0253318041 (alk. paper), 0253208955 (pbk.: alk. paper) Note: A collection of essays focusing on colonialism and nationalism in Asian cinema. Includes Chris Berry’s essay “A Nation T(w/o)o: Chinese Cinema(s) and

198

Comparative Film Study

1112

Nationhood(s),” which analyzes films produced by mainland Chinese film directors as well as Taiwanese film directors Hou Hsiao-hsien, Edward Yang, and Huang Mingchuan, and explores representations of nationality, colonialism, and aboriginal peoples. Includes a bibliography in the end of each essay, an introduction to the contributors, and an index at the end of the book. WorldCat Eng

130 leaves. Note: Thesis (M.A.)—National Chengchi University, 2005. The paper provides a comparative study of King Hu and Ang Lee’s use of sound in their two most famous martial arts films. Includes a Chinese abstract and bibliography. NCL/NDLTD Chi

1110 Dalla Gassa, Marco. Il cinema dell’Estremo Oriente: Cina, Corea del Sud, Hong Kong, Taiwan dagli anni Ottenta a oggi / Marco Dalla Gassa, Dario Tomasi. [Torin, Italy] : UTET universita, 2010. 511 p. ISBN 9788860082756, 8860082757 Note: A work on East Asian cinema, including the cinemas of China, Hong Kong, and Taiwan. Includes a bibliography and an index. WorldCat Ita

1108 Curtin, Michael. Playing to the world’s biggest audience: the globalization of Chinese film and TV. Berkeley; Los Angeles: University of California Press, 2007. 341 p. ISBN 9780520251335 (cloth: alk. paper), 9780520251342 (pbk.: alk. paper) Note: Michael Curtin’s text, Playing to the World’s Biggest Audience: The Globalization of Chinese Film and TV examines the shifting dynamics of film and television industries in an era of global connectivity. Although the historical breadth of the project considers the early filmic entertainment industries in China, Taiwan, Hong Kong, and Singapore, it focuses on the “dramatic changes that have occurred since the 1980s with the end of the Cold War, the rise of the World Trade Organization, the modernization policies of the PRC, the end of martial law in Taiwan, the transfer of Hong Kong to Chinese sovereignty, the high-tech liberalization of Singapore, the rise of consumer and youth cultures across the regions, and the growing wealth and influence of overseas Chinese in such cities as Vancouver, London, and Kuala Lumpur” (p. 3). This book focuses on the challenge of globalization during the 1990s and early 2000s, confronts the idea that Hollywood hegemony will last indefinitely, and considers globalized Chinese media enterprises that faced a slower pace of expansion in wake of the financial crisis of 1997 and the burst of the dotcom bubble in 2000. In short, the text discusses how commercial media enterprises—and at times the text addresses state media in the PRC—adjusts and shifts to the social and institutional dynamics of the new millennium. Includes a broad historical synopsis of the Shaw Brothers Studio (Chapter 1), a study of Hollywood’s saturation of Taiwan’s film market (Chapter 4), and an account of the current cooperation between mainland China and Taiwan (Chapter 6). Includes industry interviews, notes, a bibliography, and an index. WorldCat Eng

1111 Dang dai Gang Tai dian ying: 1988–1992 / Huang Wulan zhu bian. Ԅ‫ڊ‬୯‫ݡ‬Ӈ‫ؙ‬: 1988–1992 / ࢶ循ᘈҰഹ. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1992. 2 v. ISBN 9571305553, 9571305561, 957130557X Series title: Ren jian cong shu; 187–188 ϪҼᜣ‫ ;ڣ‬187–188 Note: Introduces the Taibei Film Award (ཅ‫ܚ‬Ӈ‫ؙ‬؉, the forerunner to the Taipei Film Festival) from 1988 to 1992 and presents award-winning films from Taiwan and Hong Kong. Two categories of films were considered for awards: commercial films and noncommercial films. Includes an annual film report for each year, photos, film stills, and posters. CTFAL Chi

1112 Dang dai Gang Tai dian ying: 1993 / Huang Wulan zhu bian. Ԅ‫ڊ‬୯‫ݡ‬Ӈ‫ؙ‬: 1993 / ࢶ循ᘈҰഹ. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1993. 226 p. ISBN 9571308730 Series title: Ren jian cong shu; 202 ϪҼᜣ‫ ;ڣ‬202 Note: Introduces the Taibei Film Award (ཅ‫ܚ‬Ӈ‫ؙ‬؉, the forerunner to the Taipei Film Festival) in 1993 and presents award-winning films from Taiwan and Hong Kong. Two categories of films were considered for awards: commercial films and noncommercial films. In the preface, the editor mentions that 1993 marked the second year in which films from mainland China were recommended for awards; however, there were problems with selecting and acquiring copyrights for the mainland Chinese films. Includes photos, film stills, and a 1993 Hong Kong and Taiwan Film Index. CTFAL Chi

1109 Dai, Ning. ඕો. Wu xi apian sheng yin gui ze zhi yun yong—Hu Jinquan “Da zui xia” yu Li An “Wo hu cang long” zhi bi jiao. ેཱུә‫੺ٸك‬छҏ‫ػ‬ѓ—ഐ‫ؖ‬⠌ “Ͻ௴ཱུ” ӿଽԥ “၃ഝেह” ҏ ԝࢺ.

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Mainland China film returned to the event in 1998, after not participating in 1997. Includes the 1998 Hong Kong, Taiwan, and Mainland China Film Catalogs. CTFAL Chi

1113 Dang dai Zhongguo dian ying: 1994 / Huang Wulan zhu bian. Ԅ‫ڊ‬ЅлӇ‫ؙ‬: 1994 / ࢶ循ᘈҰഹ. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1994. 309 p. ISBN 9571314919 Series title: Ren jian cong shu; 217 ϪҼᜣ‫ ;ڣ‬217 Note: Introduces the 1994 (Seventh) Taibei Film Award (ཅ ‫ܚ‬Ӈ‫ؙ‬؉, the forerunner to the Taipei Film Festival), and discusses the award-winning films from Taiwan, Hong Kong, and mainland China. Includes photos, film stills, and the 1994 Film Index. NTUL Chi

1116 Dang dai Gang Tai dian ying: 1988–1992 / Huang Wulan zhu bian. Ԅ‫ڊ‬୯‫ݡ‬Ӈ‫ؙ‬: 1988–1992 / ࢶ循ᘈҰഹ. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1992. 2 v. ISBN 9571305553, 9571305561, 957130557X Series title: Ren jian cong shu; 187–188 ϪҼᜣ‫ ;ڣ‬187–188 Note: Introduces the Taibei Film Award (ཅ‫ܚ‬Ӈ‫ؙ‬؉, the forerunner to the Taipei Film Festival) from 1988 to 1992 and presents award-winning films from Taiwan and Hong Kong. Two categories of films were considered for awards: commercial films and noncommercial films. Includes an annual film report for each year, photos, film stills, and posters. CTFAL Chi

1114 Dang dai Zhongguo dian ying: 1995–1997 / Zhu bian: Huang Wulan. Ԅ‫ڊ‬ЅлӇ‫ؙ‬: 1995–1997 /Ұഹ: ࢶ循ᘈ. Taibei: Shi bao wen hua chu ban qi ye gu fen you xian gong si, 1998. 329 p. ISBN 9571325236 Series title: Shi bao shu xi; 679 Ж‫ ;ڍڣڻ‬679 Note: Introduces the 1997 Taibei Film Award (ཅ‫ܚ‬Ӈ‫ؙ‬؉, the forerunner to the Taipei Film Festival), with the same series title as the 1994 publication. The text differs, however, from the 1994 publication in interesting ways. In terms of additions, Taiwan and Hong Kong film scholars report on the films from Taiwan, Hong Kong, and mainland China, review important films from 1995 to 1997, and introduce five contemporary Taiwan and Hong Kong directors. In terms of differences, mainland Chinese films did not participate in the Taipei Film Awards, notably this occurred when proindependence R.O.C. President Chen Shuibian was in office—interestingly, he provides the preface of the book—and the final film catalog includes only Taiwan and Hong Kong films. Includes the 1995–1997 Hong Kong and Taiwan Film Catalogs. CTFAL Chi

1117 Davis, Darrell Williams. East Asian screen industries / Darrell Williams; Emilie Yueh-yu Yeh. London: British Film Institute, 2007. 192 p. ISBN 9781844571802 (hbk.), 1844571807 (hbk.), 9781844571819 (pbk.), 1844571815 (pbk.) Note: East Asian Screen Industries is situated at the forefront of current trends in film studies. It not only recognizes the continuing importance of national policy and identity in the production of the film image, but also observes the regional connections among Korea, Japan, China, Taiwan, and Hong Kong that must be factored into a present-day consideration of film in the region. Specifically, Davis and Yeh focus on the ways deregulation—that is, the abandonment of protectionist measures, such as government-imposed quotas and tax barriers—has led to the influx of Hollywood film in East Asia. This, in turn, challenged local industries and also provided an opportunity for various film industries to restructure and reconsider industrial practices in a make or break effort to maintain their vitality despite the obstacles—whether they are institutional, economical, or political. Davis and Yeh describe East Asia’s vibrant and energetic market with a series of case studies and examples. Their close readings of key films and examples of key film personnel are concise and informative. Thus, this text reads as a current who’s who and what’s what of the East Asia cinema industry; yet, as the book also makes clear, the authors recognize that the film industry changes quickly. WorldCat Eng

1115 Dang dai Zhongguo dian ying: 1998 / Zhu bian: Huang Wulan. Ԅ‫ڊ‬ЅлӇ‫ؙ‬: 1998 /Ұഹ: ࢶ循ᘈ. Taibei: Shi bao wen hua chu ban qi ye gu fen you xian gong si, 1999. 256 p. ISBN 9571328464 Series title: Shi bao shu xi; 681 Ж‫ ;ڍڣڻ‬681 Note: Introduces the 1998 Taibei Film Award (ཅ‫ܚ‬Ӈ‫ؙ‬؉, the forerunner to the Taipei Film Festival), with the same series title as the 1994 publication. Taiwan, Hong Kong, and mainland China film scholars report on the films from Taiwan, Hong Kong, and mainland China; review important films of 1998; and list award-winning films of 1998.

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1118

1121

Dian ying dang an: di san shi si jie Jin Ma Jiang de jiang ying pian = Cinedossier: The 34th Golden Horse Award-winning films / Taibei Jin Ma ying zhan zhi xing wei yuan hui. Ӈ‫ؙ‬းଈ: ҷѧ֐‫ף‬โ‫ެؖ‬؉Џ؉‫ؙ‬ә = Cinedossier: The 34th Golden Horse Award-winning films / ‫ࣁؙެؖܚݡ‬వҲణ‫؂‬Ͼ. Taibei: Taibei Jin Ma ying zhan zhi xing wei yuan hui, 1998. 165 p. Note: A bilingual archive of the films that won the ThirtyFourth Golden Horse Awards in Taibei in 1998. Includes a filmography, judges’ results, and film reviews in both Chinese and English. NTUL Chi Eng

East Asian cinema and cultural heritage: from China, Hong Kong, and Taiwan to Japan and South Korea / edited by Kinnia Shuk-ting Yao. New York: Palgrave Macmillan, 2011. 207 p. ISBN 9780230116955, 0230116957 Note: This collection of essays examines how the legacies of East Asian cultures are being revived and recreated by contemporary filmmakers; examples include references to martial arts, music, aesthetics, stage performances, and legends in the cinemas of mainland China, Taiwan, Hong Kong, Japan, and South Korea. Includes a bibliography. WorldCat Eng

1119 “Ch䲚goku, Honkon, Taiwan” Ch䲚ka den’ei: yomimono d䲎ta bukku : Ajia-teki den’ei sekai. 䦫Ѕмί‫ܫ‬୯ί‫ݡ‬ළ䦬Ѕ‫ܓ‬Ӈ‫ؙ‬: 媠䫰‫׉‬䬶䴈䬮䭅䬲䬞: 㙔࢜㙔ϡ Ӈ‫ؙ‬Ԓ֎. T䲖ky䲖: Kinema Junp䲖sha, 1993. 182 p. Note: A Kinema Junposha Journal supplementary book on China, Hong Kong, and Taiwan Cinema. Includes an “Illustrated Who’s Who of Chinese Movies, Actors, Directors and Staff.” WorldCat Jpn

1122 Guo, Yue, 1975– ᔕք䩟1975– Hua yu dian ying de mei xue ge ming yu wen hua hui liu: Dalu, Xianggang, Taiwan “xin dian ying” yan jiu. ‫ܬܗ‬ӈ‫ؙ‬ϡѤѺཪ‫ܞ‬ԁҹ٩ཹԵ䩭Ͻ૖䩟‫ܫ‬୯䩟‫ݡ‬ළ”Јӈ‫”ؙ‬ ୳ૢ. Beijing: Ren min chu ban she, 2008. 289 p. ISBN 9787010045849 Series title: Xibei da xue Zhongguo yu yan wen xue cong shu ՝‫ܚ‬ϽѺЅм‫ߞܬ‬ҹѺᜥ‫ڪ‬ Note: The author adopts the notion of “New Cinemas” to describe the development of filmmaking in mainland China, Hong Kong, and Taiwan since the 1980s. Makes comparative assessments and studies the phenomenon of cultural convergence created by these new cinemas. The author indicates in the postscript that this is a work based on his Ph.D. dissertation at Xibei University in Xi’an, China. Includes a bibliography. WorldCat Chi

1120 Eberhard, Wolfram, 1909– ዐᓱ‫ܓ‬, 1909– The Chinese silver screen; Hong Kong and Taiwanese motion pictures in the 1960s = Zhongguo dian ying ti yao : yi jiu liu ling nian Taiwan, Xianggang de ying pian. The Chinese silver screen; Hong Kong and Taiwanese motion pictures in the 1960s = ЅлӇ‫ؙ‬٤ϴ; ϣ॰ࡏജё‫ݡ‬ஹ,‫ܫ‬୯ϡ‫ؙ‬ә. Taipei: Orient cultural service, 1972. 241 p. Series title: Asian folklore and social life monographs; v. 23 Yazhou min su, she hui sheng huo zhuan kan, di er shi san ji ਐರ‫ھ‬ཞ.घϾТ҅֟ᑂ, ҷԏѧফ Note: A rare, early English work on Taiwan and Hong Kong films screened in Taiwan during the 1960s. The text focuses on the relationships among film and Chinese society, folktales, legends, myth, opera, novels, and short stories. The introduction’s subtitle is “Family and Social Problems in Chinese Films Shown in Taiwan.” Includes abstracts of 329 films (pp. 41–223); film titles, presented in both Wade-Giles and Chinese characters, are followed by a synopsis and a note regarding screening locations and dates. Rather than using page numbers, the book’s general index references the text’s 329 film abstracts by their respective, sequentially assigned numbers. The quality of the book’s paper, printing, editing, translation, and organization is poor. WorldCat Eng Chi

1123 Hino, K䲖ichi, 1929– яఀࣉϣ, 1929– Kunf䲚 doragon daizensh䲚: Bur䲚su R䲒 kara Jakk䲒 Chen / Hino K䲖ichi sekinin hensh䲚. KUNG FU!䬸䭘䬣䭢ϽҪओ : 䭅䭚䴈䬨ί䭙䴈䪼䫺䬧䭒䬲䬜䴈ί 䬰䬖䭢 / яఀࣉϣૻ‫ڗ‬ഹओ. T䲖ky䲖: Haga Shoten, 1980. 183 p. ISBN 4826100760, 9784826100762 Series: Shine arubamu; 76 䬦䬼䬑䭚䬿䭏; 76 Note: An introduction to kung fu and martial arts film actors and actresses in Hong Kong, Taiwan, and mainland China. WorldCat Jpn

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1124 Note:

1124 Hoare, Stephanie Alison. Melodrama and innovation: literary adaptation in contemporary Chinese film. 218 leaves. Note: Thesis (Ph.D.)—Cornell University, 1989. Analyzes, by comparing and contrasting, contemporary Chinese films from Taiwan and mainland China adapted from Chinese literature. Includes a bibliography, filmography, and glossary. WorldCat Eng

A collaborative work by film critics, directors, and scholars from mainland China, Hong Kong, and Taiwan that provides a film production summary of, and introduction to, important films of 2005. WorldCat Chi

1128 Hua yu dian ying 2006 / Yu Xiaoyi zhu bian. ‫ܬܗ‬ӈ‫ ؙ‬2006 / ᷇༿ᗥҰ൜. Guangzhou: Hua cheng chu ban she, 2007. 373 p. ISBN 9787536050297 Note: A collaborative work by film critics, directors, and scholars from mainland China, Hong Kong, and Taiwan that provides a film production summary of, and introduction to, important films of 2006. Part 3 (pp. 262–296) deals with Taiwan films. Written by Liang Liang, it summarizes the Taiwan film industry in 2006. Seven films, with accompanying synopses and reviews, are selected to represent Taiwan cinema in 2006. Includes a list of the ten best-selling films in mainland China, Hong Kong, and Taiwan. WorldCat Chi

1125 Hong, Guo-Juin. Cinematograph of history: post/colonial modernity in 1930s Shanghai and New Taiwan Cinema since 1982. 228 leaves. Note: Thesis (Ph.D.)—University of California, Berkeley, 2004. A comparative study of New Taiwan Cinema since 1982 and the leftist cinema movement in Shanghai during the 1930s. The author substantiates the argument that “For both cinemas, modernity is flanked by nationalism and colonialism” and “these two leftist cinemas represent and participate in China’s ongoing processes of modernization” (abstract). Includes a bibliography. WorldCat Eng

1129 Hua yu dian ying 2007 / Zeng Yanbin zhu bian. ‫ܬܗ‬ӈ‫ ؙ‬2007 / ߲ᴦᭌҰ൜. Guangzhou: Hua cheng chu ban she, 2008. 380 p. ISBN 9787536053397, 7536053398 Note: A collaborative work by film critics, directors, and scholars from mainland China, Hong Kong, and Taiwan that provides a film production summary of, and introduction to, important films of 2007. WorldCat Chi

1126 Hu, Brian. Worldly desires: cosmopolitanism and cinemas in Hong Kong and Taiwan. 385 leaves. Note: Thesis (Ph.D.)—University of California, Los Angeles, 2011. “This dissertation examines the role that cinema played in imagining Hong Kong and Taiwan’s place in the world during decades in which the idea of belonging and identity was under duress. In fan magazines with names like International Screen and in films with titles like Cosmopolitan Fantasy, the dissertation unearths two generations of discourses on cosmopolitanism, an ideal of being a citizen of the world, a provocative possibility of belonging for residents in islands turbulently on the peripheries of colonizers and nations. The dissertation also tracks discourses of cosmopolitanism as it is embedded across various kinds of cinematic pleasures and industrial practices such as beauty, fashion, music, genre, stardom, and advertising” (abstract). Includes a bibliography. WorldCat Eng

1130 Hua yu dian ying 2008–2009: dian ying ren ying ping ren yan li de ling ba ling jiu hua yu dian ying fa zhan qu xiang / Zeng Yanbin zhu bian. ‫ܬܗ‬ӈ‫ ؙ‬2008–2009䩭ӈ‫ؙ‬Ϫ‫ؙ߯‬ϪՒѦϡജࡂജ॰‫ܬܗ‬ӈ‫ؙ‬т ࣁࠌ‫ ז‬/ ߲ᴦᭌҰ൜. Guangzhou: Hua cheng chu ban she, 2010. 444 p. ISBN 9787536059825, 7536059825 Note: A collaborative work by film critics, directors, and scholars from mainland China, Hong Kong, and Taiwan that provides a film production summary of, and introduction to, more than fifty important films from mainland China, Hong Kong, and Taiwan in 2008 and 2009. Includes the summaries of the Ninth and Tenth Chinese Film Media Awards. WorldCat Chi

1127 Hua yu dian ying 2005 / Wei Xidi zhu bian. ‫ܬܗ‬ӈ‫ ؙ‬2005 / ਛ՝ᪿҰ൜. Guangzhou: Hua cheng chu ban she, 2006. 323 p. ISBN 7563359680, 9787563359684

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1136 written as 1902 instead of 1922; and Chapter 12 starts on p. 331, but the table of contents notes that it starts on p. 329; (2) poor content organization—for example, Chapters 11–21 in Vol. 2 are not connected cohesively; and (3) the text does not contain a complete bibliography, filmography, or indexes, except for inconsistent bibliographical materials included at the end of selected chapters. Thus, it is difficult to recommend this text as reference material, even though it contains important historical information. Includes some bibliographic information at the end of selected chapters; and film stills, posters, and photos. WorldCat Chi

1131 Huang, Jianye, 1954– ࢶࠃ‫׬‬, 1954– Ren wen dian ying de zhui xun. ϪҹӇ‫ؙ‬ϡ৪ଵ. Taipei: Yuan liu chu ban gong si, 1990. 243 p. ISBN 9573206188 Series title: Dian ying guan; 2 Ӈ‫ؙ‬ఖ; 2 Note: A collection of essays on early Chinese films, the concurrent Taiwan film industry, and film reviews of 1980s Taiwan and Hong Kong films. NTUL Chi

1134 Jia zhi de zhui xun: liang an chuan bo yu wen hua lun ji / Chen Linghui zhu bian. ٢ߚϡ৪ଵ: Ҕ࿝‫ة‬৚ӿҹ٩‫ں‬ओ / ಴෗༫Ұഹ. Tainan: Tainan yi shu da xue, 2009. 461 p. ISBN 9789860188226 Note: Conference proceedings of the Seventh Cross Taiwan Strait Media and Cinema Symposium hosted by National Tainan Arts University in October 2008. Includes four parts; Part 4 contains seven papers on contemporary Taiwan and mainland China film studies by scholars from both sides of the Taiwan Strait. CTFAL Chi

1132 Huang, Ren, 1925– ࢶწ, 1925– Guo pian dian ying shi hua: kua shi ji hua yu dian ying chuang yi de xian xing zhe. ләӇ‫ؙ‬੗ҧ: ቄԒઔ‫ܭܓ‬Ӈ‫ࡶؙ‬Һϡ܏Ҳ‫ٷ‬. Taibei: Taiwan shang wu ying shu guan gu fen you xian gong si, 2010. 462 p. ISBN 9789570524819, 957052481 Series title: Xin wan you wen ku = New variety Ј‫ݛ‬ϩҹᆞ = New variety Note: An introduction to the front-runners of Chinese film production in the twentieth and twenty-first centuries in China, Hong Kong, and Taiwan. WorldCat Chi

1135 Jiao, Xiongping (Chiao, Peggy). ဖ೰๔. Jiao Xiongping kan dian ying: Tai Gang xi lie. ဖ೰๔ЃӇ‫ؙ‬: ‫ݡ‬୯‫࠶ڍ‬. Taibei: San san shu fang, 1985. 266 p. ISBN Note: This work focuses on Taiwan and Hong Kong films. Includes two parts: Part 1 is a collection of articles, interviews, and reports on Taiwan and Hong Kong films in general; Part 2 is a series of film reviews. NTUL Chi

1133 Huang, Ren, 1925– ࢶწ, 1925– Taiwan dian ying bai nian shi hua / Huang Ren, Wang Wei bian zhu. ‫ݡ‬ஹӇ‫ښؙ‬ё੗ҧ/ࢶწ,ࣼଂഹЯ. Taipei: Zhonghua ying ping ren xie hui, 2004. 2 v. ISBN Note: A comprehensive and objective text on Taiwan film history. Significant achievements of the work include (1) the discovery that the first film shown in Taiwan occurred in 1899, differing from scholars who claim the first screening occurred in 1901; (2) a detailed description of Taiwan film artists’ activities and achievements during the colonial period in both Taiwan and mainland China; (3) Taiwan film history from multiple perspectives; (4) the authors maintain an objective stance while approaching politically charged issues, such as the Japanese influence on Taiwan cinema, propaganda films in Taiwan, and the Nationalist government’s censorship system; and (5) the text includes important filmographies in some of its chapters. Shortcomings of the work include (1) poor editing—for example, multiple typos, such as on page 19, when the date of the first feature film made in Taiwan, by the Japanese, is

1136 Jiao, Xiongping (Chiao, Peggy). ဖ೰๔. Shi dai xian ying: Zhong xi dian ying lun shu. Ж‫ؙࣶڊ‬: Ѕ՝Ӈ‫ںؙ‬਎. Taibei: Yuan liu chu ban gong si, 1998. 308 p. ISBN 9573234270 Series title: Dian ying guan; 78 Ӈ‫ؙ‬ఖ; 78 Note: A collection of essays organized into five categories: China, Hong Kong, Taiwan, Asia, and Film Theory. In the Taiwan segment, the author reviews Taiwan film history from the 1950s to 1990s, and explores Taiwan film’s “mainland complex.” In the Asia section, the

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1137 future of Chinese and Asian films is discussed, and the work of Hou Hsiao-hsien is selected as a case study for the interaction of Taiwan film with other world film industries. Includes a filmography organized by subject. CTFAL Chi

through a unique perspective: “home”; and Part 4 presents two essays by Huang Shixian, a faculty member at the Beijing Film Academy, who provides comparative studies of mainland China, Taiwan, and Hong Kong films. WorldCat Chi

Jiao, Xiongping (Chiao, Peggy). ဖ೰๔. Tai Gang dian ying zhong de zuo zhe yu lei xing. ‫ݡ‬୯Ӈ‫ؙ‬Ѕϡӑ‫ٷ‬ӿढࡿ. Taibei: Yuan liu chu ban shi ye gu feng you xian gong si, 1991. 294 p. ISBN 9573214784 (pbk.) Series title: Dian ying guan; 19 Ӈ‫ؙ‬ఖ; 19 Note: A collection of articles and reviews on Taiwan and Hong Kong film directors and their films published in various newspapers and journals in Taiwan from 1981 to 1990. NTUL Chi

Kawase, Ken’ichi. ඇⰗ࡬ϣ. Shokuminchi Taiwan de j䲖eisareta eiga. ယ‫ھ‬с‫ݡ‬ළ䫘ϼࠟ䫆䫽䫐ྱࡌ. Nara-ken Kashihara-shi: T䲖y䲖 Shis䲖 Kenky䲚jo, 2010-2013. 3 v. [v. 1] 1899(Ҵ੽32)ё䦢1934(ᢘф9)ё; [v. 2] 1935(ᢘф10)ё䦢 1945(ᢘф20)ё; [v. 3] ଥࡌഹ 1899(Ҵ੽32)ё䦢1945(ᢘф20)ё ISBN [v.3] 9784990536626 Note: An inventory of 23,700 films shown in Taiwan from 1899 to 1945 during the Japanese colonial era, including 15,200 Japanese, Taiwanese, and Chinese and 6,500 Western (United States, France, United Kingdom, Germany, Italy, Australia, Denmark, Poland, Soviet Union, Argentine, etc.) feature films, documentaries, news films, official propaganda films, and cultural films. Some Chinese feature films produced in Shanghai or by Man’ei (Manchuria Motion Picture Production and Distribution Co. 1937–1945), and illustrations of 430 Japanese and Chinese, and 200 Western film posters and newspaper articles introducing the films. (Some film titles are duplicated.) Includes film titles screened and attendance numbers during the Taiwan Expo, October 10–November 28, 1935. Japanese feature film poster titles are chronologically organized with related studio names and a bibliography. WorldCat Jpn

1137

1140

1138 Jin, Guanjun. ‫ؖ‬ഃ‫ݳ‬. Hua yu dian ying: kua di jiao liu yu shen fen ren tong. ‫ܬܗ‬ӈ‫ؙ‬䩭ቄс‫ے‬Եԁӱ‫ڶڤ‬ӎ. Shanghai: Shanghai san lian shu dian, 2010. 314 p. ISBN 9787542632555, 7542632558 Series title: Hai shang ying shi wen cong ֋ϼ‫ؙ‬؇ҹᜥ Note: Examines the relationship between Chinese films from Taiwan, Hong Kong, and mainland China, including issues of identity as reflected in the films. WorldCat Chi

1140a Kawase, Ken’ichi. ඇⰗ࡬ϣ. Shokuminchi Taiwan de j䲖eisareta eiga. ယ‫ھ‬с‫ݡ‬ළ䫘ϼࠟ䫆䫽䫐ྱࡌ. Nara-ken Kashihara-shi: T䲖y䲖 Shis䲖 Kenky䲚jo, 2014. 2 v. [v. 1] 1899(Ҵ੽32)ё䦢1934(ᢘф9)ё; [v. 2] 1935(ᢘф10)ё 䦢1945(ᢘф20)ё ISBN 9784990536640, 9784990536657 Note: [v. 1] and [v. 2] are enlarged and revised editions of 0246. An inventory of 17,200 Japanese, Taiwanese, and Chinese films shown in Taiwan from 1899 to 1945 during the Japanese colonial era including feature films, documentaries, news films, official propaganda films, and cultural films. Two volumes include illustrations of 430 Japanese and Chinese posters and newspaper articles introducing the films. (Some film titles are duplicated.) Includes film titles screened and attendance numbers during the Taiwan Expo, October 10-November 28, 1935, and a list of the newly added films in [v.2].

1139 Jing xiang yu wen hua: Gang Tai dian ying yan jiu / Wang Haizhou zhu bian. ஖Ռԁҹ٩䩭୯‫ݡ‬ӈ‫ ૢ୳ؙ‬/ ࣼ֋ರҰ൜. Beijing: Zhongguo dian ying chu ban she, 2002. 438 p. ISBN 7106018236 Series title: Xin shi ji dian ying xue lun cong ЈԒઓӈ‫ؙ‬Ѻ‫ڹ‬ᜥ Note: A collection of essays on Hong Kong and Taiwan film studies by graduate students and faculty members at the Beijing Film Academy. Part 1 contains three essays on Taiwan New Cinema: Hu Yankai, a Taiwan student who graduated from the Beijing Film Academy, describes the historical evolution of Taiwan New Cinema, while the next two essays focus on Hou Hsiao-hsien and Tsai Mingliang, respectively; Part 3 contains Liu Ting’s essay, an analysis of the cultural contents of Ang Lee’s films

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Comparative Film Study

1147

The images of Japanese feature film poster titles are chronologically organized with related studio names, and a bibliography. WorldCat Jpn

Note:

This collection of the essays focuses on new filmmaking trends and the emerging regional cooperation between China, Hong Kong, Taiwan, Japan, and South Korea during the era of globalization. WorldCat Eng

1141 1145

Koyama, Sabur䲖, 1952– Щ‫ځ‬ѧᅦ, 1952– Taiwan eiga: Taiwan no rekishi, shakai o shiru madoguchi / Koyama Sabur䲖 hencho. ‫ݡ‬ළྱࡌ: ‫ݡ‬ළ䫟䖉੗ί घϿ䬃Ҍ䫼凵‫ ט‬/ Щ‫ځ‬ѧᅦഹЯ. Kyoto: K䲖y䲖 Shob䲖, 2008. 233 p. ISBN 9784771020207 Note: A collection of eleven chapters by various film scholars that deals with the following topics: Japanese colonialism and the formation of modern Taiwan society and film, politics and Taiwan’s modern cinema, the KMT government and Taiwan film, Shanghai’s film influence on Taiwan film development, Taiwan and Hong Kong film exchange, the Taiwanese-dialect film era (1955– 1961), Taiwan film reviews and publications after World War II, and Taiwan film policy and censorship. Includes endnotes at the end of each essay and biographies of the contributors at the end of the book, but there is no index. WorldCat Jpn

Li, Daoxin. ଽѬЈ. Zhongguo dian ying wen hua shi (1905–2004) = History of Chinese Film Culture. Ѕмӈ‫ؙ‬ҹ٩੗ (1905–2004) = History of Chinese Film Culture. Beijing: Beijing da xue chu ban she, 2005. 676 p. ISBN 7301084382 Note: Starting in Part 3: Separate Country and Home Dreams (1949–1979) and ending in Part 4: Combined Cultural Interpretation (1979–2004), the author explores the history of Chinese film culture from three perspectives: mainland China, Taiwan, and Hong Kong. At the beginning of Part 3, the author presents a summary chapter discussing the relationship among these three perspectives. Includes bibliography, name, and film indexes. WorldCat Chi

1146 Li’er. Ѧ঒. Gang Tai dian ying shuang jin dang an. ୯‫ݡ‬ӈ‫့ؖהؙ‬ଈ. Hangzhou: Zhejiang wen yi chu ban she, 2005. 300 p. ISBN 7533920384 Note: Introduces readers to recipients of twenty-three Hong Kong Golden Statue Awards and forty Taiwan Golden Horse Awards. Includes a list of Golden Stature and Golden Horse Award recipients. CTFAL Chi

1142 Kramer, Stefan. Chungguk yonghwasa / Stefan Kramer chium, Hwang Chin-ja omgim. Soul Tukpolsi: Isan, 2000. 383 p. ISBN 8987608166, 9788987608167 Note: The Korean translation of author Stefan Kramer’s work: Geschichte des Chinesischen films. An introduction to the history of Chinese cinemas in China, Hong Kong, and Taiwan. Includes a filmography, a bibliography, and an index. WorldCat Kor

1143

1147

Kramer, Stefan. Geschichte des Chinesischen films. Stuttgart: Metzler, 1997. 313 p. ISBN 3476015092; 9783476015099 Note: An introduction to the history of Chinese cinemas in China, Hong Kong, and Taiwan. Includes filmography (pp. [271]–286), bibliographical references (pp. 287– 300), and indexes. WorldCat Ger

Li, Tianduo. ଽϳ⟢. Dang dai Hua yu dian ying lun shu. Ԅ‫ܭܓڊ‬Ӈ‫ںؙ‬਎. Taibei: Shi bao wen hua chu ban qi ye you xiang gong si, 1996. 338 p. ISBN 9571320323 Series title: Wen hua cong shu; 143 ҹ٩ᜣ‫ ;ڣ‬143 Note: A collection of essays organized into three parts: Taiwan Film (pp. 17–133), Hong Kong Film (pp. 137–207), and Mainland Film (pp. 211–331). The Taiwan section includes the following essays: “Taiwan Film Culture and Two Cinematic Perspectives” by Wu Zhengheng, “A Sociologist Exploration of Taiwan New Cinema

1144 Lee, Vivian P Y. East Asian cinemas: regional flows and global transformations. Basingstoke, UK: Palgrave Macmillan, 2011. 272 p. ISBN 9780230307186, 0230307183

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1147a in 1980s” by Li Tianduo and Chen Peizhi, “Widen Historical View: Examine the Polarized Taiwan Film Discourse during 1980s and 1990s” by Liu Xiancheng, “Review the Cultural Contents of the 1990s Taiwan Film” by Li Tianduo, and “The Japanese Colonial Memory in Taiwan Film” by Qi Longren. Includes a brief introduction to all contributors and bibliographies at the end of selected essays. WorldCat Chi

history of film exchange between the two sides of the Taiwan Strait. CTFAL Chi

1150 Liang an san di ying ping ren yan tao hui lun wen ji / Zong bian ji Chen Bosheng. Ҕ࿝ѧс‫ؙ߰‬Ϫ୳क़Ͼ‫ں‬ҹओ / րഹফ಴ᓱТ. Xianggang: Xianggang ying ping ren xie hui, 2005. 304 p. ISBN 9889852810, 9789889852818 Note: Conference proceedings from the Second Conference of Chinese Film Critics from mainland China, Hong Kong, and Taiwan; hosted by the Hong Kong Film Critics Association in Hong Kong, 2005. WorldCat Chi

1147a Lim, Song Hwee. Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese Cinemas. Honolulu: University of Hawaii Press, 2006. 272 p. ISBN 9780824830779 (hbk.); 9780824829094 (pbk.) Note: “Tracing the engendering conditions within the film industries of China, Taiwan, and Hong Kong, Song Hwee Lim argues that the emergence of Chinese cinemas in the international scene since the 1980s created a public sphere in which representations of marginal sexualities could flourish in its interstices. Examining the politics of representation in the age of multiculturalism through debates about the films, Lim calls for a rethinking of the limits and hegemony of gay liberationist discourse prevalent in current scholarship and film criticism” (abstract). WorldCat Eng

1151 Liang, Liang, 1954– ᅯમ, 1954– Lun liang an san di dian ying. ‫ں‬Ҕ࿝ѧсӇ‫ؙ‬. Taibei: Mao lin chu ban she, 1998. 350 p. ISBN 9579860955 Series title: Dian ying lun tan Ӈ‫ںؙ‬Ⴋ Note: Recognizing that a similar problem affects Taiwan, Hong Kong, and mainland China, namely declining domestic film markets and an increasing quantity of films from Hollywood, the author provides a general overview of film production history in Taiwan (1945–1991), Hong Kong (1896–1995), and mainland China (1946–1994); analyzes current film production trends and problems; and provides suggestions for cooperation between Taiwan, Hong Kong, and China. It includes four parts: Taiwan, Hong Kong, mainland China, and combined studies. CTFAL Chi

1148 Lin, Huijun. ৆௑ᅿ. Jin Ma jiang de zai xian fen xi (1962–2000). ‫ެؖ‬؉ϡӐѳд໯ (1962–2000). 135 leaves. Note: Thesis (M.A.)—National Chengchi University, 2001. A history of the Golden Horse Awards from1962 to 2000. The Golden Horse Awards emerged as a way to promote domestically produced films containing progovernment political views, and then transitioned to recognize regionally produced Chinese commercial films. Includes a Chinese abstract, a bibliography, and an appendix (including the Award Winning Film List and Evaluation Committee Members from the Sixth to Thirty-Seventh Golden Horse Awards). NCL/NDLTD Chi

1152 Liang, Liang, 1954– ᅯમ, 1954– Zhongguo dian ying wo jian wo si. ЅлӇ‫ؙ‬ϢԊϢ‫ڽ‬. Taibei: Mao lin chu ban she, 1998. 320 p. ISBN 9579860963 Series title: Dian ying lun tan; 2 Ӈ‫ںؙ‬Ⴋ; 2 Note: A collection of the author’s Chinese film reviews and critiques. Includes four parts: Taiwan, Hong Kong, mainland China, and comparative studies. CTFAL Chi

1149 Liang an da zhong chuan bo jiao liu xian kuang yu fa zhan / Xing zheng yuan xin wen ju bian yin. Ҕ࿝Ͻੁ‫ة‬৚‫ے‬Եѳୄӿчࣁ / ҲूࡨЈࢨ঵ഹ୅. Taibei: Xing zheng yuan xin wen ju, 2005. 228 p. ISBN 986003818X Note: A Taiwan government report on the current state of, and future predictions for, mass media exchange between Taiwan and mainland China. Chapter 6 describes the

206

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1158 Includes notes, a glossary, bibliography, filmography, and an index at the end of the book. WorldCat Eng

1153 Liu, Chenghan. ฀юఈ. Dian ying fu bi xing ji. Ӈ‫ؙ‬ᔽԝࣱओ. Taibei: Yuan liu chu ban gong si, 1992. 2 v. ISBN 957321623X 9573216256 Series title: Dian ying guan; 29–30 Ӈ‫ؙ‬ఖ; 29–30 Note: Essays on subjects such as Chinese film history from the 1920s to the 1940s, a comparative study of Hong Kong and Taiwan films, film theory, and Taiwan and Hong Kong film directors and their films. Includes a Chinese and English Glossary. NTUL Chi

1156 Lu, Tonglin. ᧛‽ረ. Da lu Taiwan wen hua lun tan: xin dian ying yu xian dai xing / Lu Tonglin zhu; Xiao Yu yi. Ͻ૔‫ݡ‬ஹҹ٩‫ں‬Ⴋ: ЈӇ‫ؙ‬ӿѳ‫ڊ‬ԛ / ᧛‽ረЯ; ᖆ⟆ፆ. Xianggang: Xianggang da xue chu ban she, 2004. 325 p. ISBN 9622096395, 9789622096394 Note: The Chinese translation of the author’s text: Confronting Modernity in the Cinemas of Taiwan and Mainland China (2002). A comparative study of fifth-generation directors in mainland China and Taiwan New Cinema directors in Taiwan conducted to analyze how the interaction and confrontation with Western notions of progress are reflected on the screen. The author focuses on representative directors from the 1980s through the 1990s, including Chen Kaige, Tian Zhuangzhuang, Hou Hsiao-hsien, and Edward Yang. Includes filmography, bibliography, and index. WorldCat Chi

1154 Lu, Meihui (Lu, Mei-huei). ᡭѤ௑. Taiwan dian ying jin jun da lu shi chang guan jian cheng gong yin su zhi tan tao = The Taiwanese movie industry entering the Chinese market: a discussion of critical success factors. ‫ݡ‬ஹӇ‫ؙ‬Ք‫ݲ‬Ͻ૔‫ص‬ԾԬඟю‫ۋ‬ӹঈҏ෬क़ = The Taiwanese movie industry entering the Chinese market: a discussion of critical success factors. 90 leaves. Note: Thesis (M.A.)—Chinese Culture University, 2009. This thesis focuses on the challenges and opportunities faced by Taiwanese movie companies that attempt to enter the Chinese market. An analysis of the key strategies commonly adopted for entering the Chinese market is provided. Concludes that government policy, film quality, and innovation are the most critical factors for success in the Chinese market. Includes a Chinese and English Abstract, a bibliography, and an appendix (including Survey Sample, Results from Interviews, and an Introduction of Film Distribution). NCL/NDLTD Chi

1157 Ma, Jean. Melancholy drift: marking time in Chinese cinema. Hong Kong: Hong Kong University Press, 2010. 224 p. ISBN 9789888028054 (hbk.), 9888028057 (hbk.), 9888028065 (pbk.), 9789888028061 (pbk.) Note: A significant work focusing on three film directors: Hou Hsiao-hsien, Cai Mingling (Tsai Ming-Liang), and Wong Kar-wai and the representations of melancholy displayed in their films. “Focusing on the highly stylized and nonlinear configurations of time in each director's films, [Ma] argues that these directors have brought new global respect for Chinese cinema in amplifying motifs of loss, nostalgia, haunting, absence and ephemeral poetics. Hou, Tsai, and Wong all insist on the significance of being out of time, not merely out of place, as a condition of global modernity. Ma argues that their films collectively foreground the central place of contemporary Chinese films in a transnational culture of memory, characterized by a distinctive melancholy that highlights the difficulty of binding together past and present into a meaningful narrative” (abstract). WorldCat Eng

1155 Lu, Tonglin. Confronting modernity in the cinemas of Taiwan and Mainland China. Cambridge; New York: Cambridge University Press, 2007, 2002, 2001. 246 p. ISBN 0521806771, 0521037271 (pbk.), 9780521037273 (pbk.) Note: A comparative study of fifth-generation directors in mainland China and Taiwan New Cinema directors in Taiwan conducted to analyze how the interaction and confrontation with Western notions of progress are reflected on the screen. The author focuses on representative directors from the 1980s through the 1990s, including Chen Kaige, Tian Zhuangzhuang, Hou Hsiao-hsien, and Edward Yang.

1158 Martin, Fran. Backward glances: contemporary Chinese cultures and the female homoerotic imaginary. Durham, NC; London, England: Duke University Press, 2010. 290 p. ISBN 9780822346685, 9780822346807

207

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1159 Note:

A comparative study of female homoeroticism and ways of understanding love between women today in China, Hong Kong, and Taiwan as played out in mainstream Chinese media and literary cultures, including films, novels, and television. Includes an appendix, notes, filmography, selected bibliography, and an index. WorldCat Eng

1162 Nishizawa, Haruhiko, 1954– ՝䘕੽ᴦ, 1954– Ch䲚goku eiga no bunka jinruigaku. Ѕмྱࡌ䫟ҹ٩ϪढѺ. T䲖ky䲖: F䲚ky䲖sha, 1999. 300 p. ISBN 4938718219 Note: Uses theories of cultural anthropology to study the social, cultural, and historical contexts of Chinese film, including mainland China, Taiwan, and Hong Kong. Includes a bibliography and film title, name, book title, and event indexes. WorldCat Jpn

1159 Mintz, Marilyn D., 1950– The martial arts film. South Brunswick, [NJ] : A. S. Barnes & Co., Inc., 1978. 243 p. ISBN 0498017753 Note: A book on worldwide martial arts film production, including Chinese kung fu, James Bond, and Japanese samurai movies, with a focus on Bruce Lee and Japanese samurai movies. Martial arts films directed by King Hu and produced in both Hong Kang and Taiwan are discussed in the book. Includes a selected filmography (Chinese and Japanese), bibliography, and an index. WorldCat Eng

1163 Peng, Guangwei (Peng, Kuang-wei). ᣴ‫ׇ‬໖. Quan qiu hua yu Haolaiwu Hua yi dao yan—zuo pin tan tao yu xing tai fen xi. Ҫ‫ܧ‬٩ӿϮᒀᩕ‫ܓ‬ᶜ࣒ࠟ—ӑԘ෬क़ӿࡿ‫ݯ‬д໯. 211 p. Note: Thesis (M.A.)—National Taiwan University, 2006. Considering that globalization and Hollywood domination has greatly influenced Chinese filmmaking, the paper selects three major Chinese film directors and compares their works before and after receiving transnational and Hollywood investment, including Ang Lee’s Wedding Banquet (1993) and Crouching Tiger, Hidden Dragon (2000), Zhang Yimou’s Raise the Red Lantern (1992) and Hero (2002), and Chen Kaige’s Farewell My Concubine (1993) and The Promise (2005). Concludes that the influence of globalization is inevitable, and the pressure of box office success challenges the directors’ integrity and cultural and national values. In terms of Taiwan’s film industry, the paper suggests that the government should change its policy: subsidies need to be more carefully directed to promising directors and their works and their subjects should not be limited to “local characteristics.” Includes a Chinese abstract and bibliography. NCL/NDLTD Chi

1160 New Chinese Cinema = Zhongguo xin dian ying / edited by Klaus Eder and Deac Rossell. New Chinese Cinema = ЅлЈӇ‫ ؙ‬/ edited by Klaus Eder and Deac Rossell. London: National Film Theatre, 1993. 132 p. ISBN 0851704425; 9780851704425 Series title: Dossier; 11 Note: A collection of essays focusing on New Chinese Cinema since the 1980s. “Reel Contact Across the Taiwan Strait: A History of Separation and Reunion,” by Peggy Chiao, details the cross-strait contacts between film personnel, producers, and investors starting in the mid-1980s. WorldCat Eng

1161 Nguyen, Uyen. Orientalist visuality in a postcolonial context: a critical interrogation of theoretical positions advanced in Rey Chow’s primitive passions, with discussions of pertinent films made in China, Hong Kong, Taiwan, Australia, France, and Vietnam. 178 leaves. Note: Thesis (M.A.)—Monash University, 2002. By using postcolonial theory advanced by Rey Chow, the author studies films produced in China, Hong Kong, Taiwan, Australia, France, and Vietnam. Includes a bibliography. WorldCat Eng

1164 Perspectives on Chinese cinema / edited by Chris Berry. London: BFI Publishing, 1991 [2nd, expanded ed.] 234 p. ISBN 0851702716 (hbk.), 0851702724 (pbk.) Note: An early collection of scholarly work on Chinese cinema. As the editor notes in the Introduction, the book does not satisfy the editor’s desire to present reliable English-language histories of Chinese cinema before 1949, Taiwanese cinema, Hong Kong cinema, in-depth studies on the emergent “Taiwanese New Wave” (Taiwan New Cinema), Hong Kong popular cinema, and classic mainland films.

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1167a

The essay “The Distinct Taiwanese and Hong Kong Cinemas” by Chiao Hsiung-Ping provides a comparative study of Taiwan and Hong Kong cinema from a historical perspective. Includes a bibliography at the end of each essay, two appendixes (Major Directors and Chronology), and an index. WorldCat Eng

Includes a list of Hong Kong anti-Japanese films (1934–1941), Japanese films shown in the Shanghai Concession (1942–1945), and the exchange of films between Hong Kong and Japan. Includes a bibliography. WorldCat Chi

1167 Quan qiu Hua yu dian ying chuang zuo ren ji zhi pian lun tan ji shi lu = The International Forum on Creative Production and Global Marketing for Chinese Film 2004 in Taiwan, Memorabilia / Li Tianduo bian. Ҫ‫ܭܓܧ‬Ӈ‫ࡶؙ‬ӑϪ᠕३ә‫ں‬ႫઔѨ࠷ = The International Forum on Creative Production and Global Marketing for Chinese Film 2004 in Taiwan, Memorabilia / ଽϳ⟢ഹ. Tainan xian Yongkang shi: Kunshan ke ji da xue, 2005. 274 p. ISBN 9868148014 Note: Conference proceedings from the International Forum on Creative Production and Global Marketing for Chinese Film sponsored by the Office of News Affairs, Executive Yuan at the National Central Library in Taipei, April 21–23, 2004. Includes the forum agenda and schedule as well as eleven forum sessions: “Impact and Competition: The Situation and Tendency of Current Chinese Film”; “Prospectives on Chinese Film Market: The Integration and Complement of Financing, Production and Distribution”; “Digital Technology: The Impact and Transformation to Film Production and Distribution”; “The Interaction Among Chinese and Korean film industry in Asia”; “Creative Industry: The Development of Animation in Japan”; “Creative Industry: Development of Animation in Korea”; “Aesthetics and Marketing: Dialectic Position on Chinese Film”; “Creation and Innovation: Filmmakers’ Prospects on Taiwan Film”; “New Faces of Animation: The Rise of Digital Technology”; “The Practices and Cases of Chinese Film and International Co-financing and Co-production”; “The Operation of Financing and Venture Capital to Film Production”; and “Toward a New Face of Taiwanese Film: Localization, Greater Chinese Region and International Cooperation.” Includes background documents and a “Summary of Chinese Film Production and Transformation of Taiwan Film Production After Martial Law.” CTFAL Chi

1165 Qiu, Shichun. ᆥஉ᳝. Taiwan dian ying ru he li yong guo ji ying shi shi chang jin xing guo ji fa xing zhi tan tao—yi Fushan yu Xianggang shi chang wei li = Exploration of International distribution for Taiwan cinema via international market: case studies of Asia film market & HK filmart. ‫ݡ‬ஹӇ‫ؙ‬Ғ‫ح‬۱ѓлগ‫ؙ‬؆‫ص‬ԾՔҲлগчҲҏ෬क़—й᷶‫ځ‬ӿ ‫ܫ‬୯‫ص‬ԾЊຎ = Exploration of International distribution for Taiwan cinema via international market: case studies of Asia film market & HK filmart. 113 p. Note: Thesis (M.A.)—National Chengchi University, 2010. Analyzes the “2009 Busha Asia Film Market Exhibition” and the “2010 Hong Kong Filmart” to explore international distribution strategies for Taiwan cinema. Concludes the following: Taiwan films should first be distributed to Chinese and Asian markets, current Taiwan cinema style and content is not particularly appealing to audiences overseas and limits investor interest, and the quality of Taiwan’s art films must improve to compete in the competitive international marketplace. Finally, the author recommends that if Taiwan filmmakers want to enter the international market, then they should select topics and scripts that match concurrent world cinema trends. Includes Chinese index and bibliography. NCL/NDLTD Chi

1166 Qiu, Shuting (Yao, Kinnia Shuk-ting). ᆥᎂᑢ. Gang Ri dian ying guan xi: xun zhao Yazhou dian ying wang luo zhi yuan. ୯яӇ‫ؙ‬Ԭ਽: ଵ‫װ‬ਐರӇ‫ؙ‬ӻ౪ҏ੅. Xianggang: Tian di tu shu you xian gong si, 2006. 250 p. ISBN 9789882115491, 9789882115497 Series title: Xianggang wen hua yan jiu cong shu ‫ܫ‬୯ҹ٩୳ૢᜣ‫ڣ‬ Note: A substantial academic work that explores the relationship between Hong Kong and Japanese films. In the second section of the third chapter, the author analyzes the relationship between Taiwan and Japanese films. Additional references to Taiwan cinema are found in chapter 4 as the author describes the relationship between the Shaw Brothers Studio and both the Japanese film industry and the Taiwan film industry.

1167a Rojas, Carlos. The Oxford Handbook of Chinese Cinemas / edited by Carlos Rojas and Eileen Cheng-yin Chow. New York: Oxford University Press, 2013. 709 p. ISBN 9780199765607, 019976560X Note: This volume includes thirty-three essays written by leading researchers in the field of Chinese cinemas.. Divided into three parts:(1) Part I describes the history of Chinese cinema from its beginnings on the mainland to contemporary Hong Kong, Taiwan, and China

209

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1168 co-productions; (2) Part II features the study of Chinese cinema’s techniques and aesthetic influences such as Chinese opera and martial arts, and political influences such as “Maoist film”; (3) Part III focuses on Chinese film production, distribution, and reception. Includes “Taiwan New Cinema: Small Nation with Soft Power” by Song Hwee Lim (pp. 152–169). WorldCat Eng

quoted film reviews, and a prodigious quantity of film stills, posters, and photos to illustrate a century of Chinese cinema history. It is the most objective and comprehensive description of Chinese film history in terms of the photographic materials and range of subjects included in the book, but not in terms of in-depth academic exploration of the topics presented. It is a bilingual work in Chinese and English and is divided into four parts: Chinese Cinema 1896–1949 (with separate chapters dealing with the beginnings of Chinese cinema in mainland China, Hong Kong, and Taiwan), Taiwan Cinema 1949–1999, Hong Kong Cinema 1949–1999, and Mainland Chinese Cinema 1949–1999. The text attempts to tackle controversial issues, such as the Japanese influence on cinema during the colonial period, government censorship in Taiwan, antiCommunist propaganda films, and the February 28 Incident in 1947 in Taiwan. A comparative line of study connects Taiwan (and Japan during the colonial period), Hong Kong, and mainland China throughout the book. Unfortunately, apart from a short bibliography, there is no index for the incredibly rich film-related materials, particularly the photographical materials, from Taiwan, Hong Kong, and mainland China. WorldCat Chi Eng

1168 San di chuan qi: Hua yu dian ying er shi nian = Romance of three cities: Studies of Chinese cinemas / Ye Yueyu, Zhuo Bojia, Wu Hao zhu. ѧс‫࡞ة‬: ‫ܭܓ‬Ӈ‫ؙ‬ԏ֐ё = Romance of three cities: Studies of Chinese cinemas / ౕ֊ᒶ, ᅤᐑဓ, ྶ⑤Я. Taibei: Cai tuan fa ren guo jia dian ying zi liao guan, 1999. 334 p. ISBN 9579904898 Series title: Dian ying lun tan Ӈ‫ںؙ‬Ⴋ Note: Conference proceedings from the First International Chinese Cinema Symposium (1980–1996) in Hong Kong, hosted by Hong Kong Baptist University. Papers discuss films produced in Hong Kong, mainland China, and Taiwan from 1980 to 1996. Includes brief biographies of the authors. CTFAL Chi

1171 Sibergeld, Jerome. Hitchcock with a Chinese face: cinematic doubles, Oedipal triangles, and China’s moral voice. Seattle: University of Washington Press, 2004. 146 p. ISBN 0295984171, 9780295984179 Note: A book in three chapters: Chapter 1 analyzes the mainland Chinese film Suzhou River (Ye, 2000); Chapter 2 the Hong Kong film The Day the Sun Turned Cold (Yim, 1995); and Chapter 3 the Taiwan film Good Men, Good Women (Hou, 1995). Includes a bibliography, an index, and a DVD containing scenes from the three films. WorldCat Eng

1169 Shi duo san luo de guang ying: Hua yu dian ying de li shi, zuo zhe yu wen hua zai xiang / Liu Xiancheng bian. ༺␜્޻ϡ‫ׇؙ‬: ‫ܭܓ‬Ӈ‫ؙ‬ϡࣵ੗, ӑ‫ٷ‬ӿҹ٩Ӑѳ / ฀ѳюഹ. Taibei: Ya Tai tu shu, 2001. 390 p. ISBN 9578264836 Series title: Taiwan dian ying yan jiu cong shu; 7 ‫ݡ‬ஹӇ‫ૢ୳ؙ‬ᜣ‫ ;ڣ‬7 Note: A collection of essays focusing on Chinese film history, including the film histories of mainland China and Taiwan. Includes a bibliography. NCL Chi

1172 Suen, Pak-kin. Filming gay representations: male homosexuality in Hong Kong and Taiwanese cinema. 147 leaves. Note: Thesis (M. Phil.)—University of Hong Kong, 2001. Although same-sex relationships have been decriminalized in Hong Kong and Taiwan, the issue of male homosexuality is still controversial. This paper discusses the relationship between the meaning of homosexuality in Chinese society and its significance in Hong Kong and Taiwan gay films. The table of the contents in the paper provides an overview of the study: Chapter 1: Situating Homosexuality and Film in Chinese Contexts; Chapter 2: City Nomads: Heteropia, Homosexuality and the Urban Space of Hong Kong and Taipei; Chapter 3: Homosociality or

1170 Shi ji hui gu : tu shuo Hua yu dian ying = Spectrums of the century : Chinese cinemas, 1896–1999 / [zong bian ji Huang Jianye, Huang Ren ; Ying yi Su Zhe’an (Jon Soloman) . . . et al.]. ԒઔҘઆ: ֖М‫ܭܓ‬Ӈ‫ = ؙ‬Spectrums of the century : Chinese cinemas, 1986–1999 / [րഹফࢷࠃ‫׬‬, ࢷწ ; ߭ፆ಩Ꮋԥ (Jon Soloman) . . . et al.]. Taibei: Xing zheng yuan wen hua jian she wei yuan hui : Guo jia dian ying zi liao guan, 2001. 431 p. ISBN 9570277572 Note: This is an unprecedented joint project involving scholars from Taiwan, Hong Kong, and mainland China under the auspices of the Chinese Taipei Film Archive. It presents short essays, chronological statements,

210

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1179

Homosexuality? Male Bonding and the Unspeakable Desire; Chapter 4: Does “Homosexuality” Exist? The Construction of Homosexuality in Hong Kong Cinema; and Chapter 5: Gay People As Ghostly Figures: The Allegorical Representation of Male Homosexuality. Includes a bibliography. HKUSH (FT) Eng

Includes a bibliography. WorldCat

Eng

1177 Wang, Weici. ࣼ໓፦. Ji lu yu tan suo: 1990–2000 da lu ji lu pian de fa zhan yu kou shu ji lu. ઔ࠷ӿ෬౱: 1990–2000Ͻ૔ઔ࠷әϡчࣁӿ‫ט‬਎ઔ࠷. Taibei: Dian ying zi liao guan, 2001. 670 p. ISBN 9573097257 Note: This work is more detailed and better organized, including more materials, than a similar work by the author published in 2000. Records the dialogue between mainland Chinese and Taiwanese documentary film workers; includes a historical background, describes the current state of documentary filmmaking, provides a forecast of documentary film development, and lists documentary film directors and their works in mainland China. It represents the Taiwan scholarly perspective on the study of mainland China’s documentary film development, and it is interesting to see that the independent documentary film development in mainland China, which has been ignored by the mainland Chinese government for quite a long time, is received with great interest in Taiwan. Includes a bibliography. CTFAL Chi

1173 Taiwan Honkon shin eiga sengen = Taiwan Hong Kong new cinema. ‫ݡ‬ළ‫ܫ‬୯Јྱࡌୌߞ = Taiwan Hong Kong new cinema. T䲖ky䲖: Wave; hatsubai Beyotoru K䲖b䲖, 1989. 159 p. ISBN 4893420879, 9784893420879 Note: A late-1980s study of new cinemas in Taiwan and Hong Kong. WorldCat Jpn

1174 Teo, Stephen. Fight and flight: the Wuxia film in Chinese cinema: Ph.D. thesis. 261 p. Note: Thesis (Ph.D.)—RMIT University, 2002. Studies wuxia and martial arts films produced in Hong Kong, Taiwan, and mainland China from historical and critical perspectives. Includes a bibliography. WorldCat Eng

1175

1178

Tobari, Haruo, 1938– ‫פݏ‬ֆਜ਼, 1938– Eiga de kataru Ch䲚goku Taiwan Honkon. ྱࡌ䫘‫ܭ‬䫼Ѕмί‫ݡ‬ළί‫ܫ‬୯. T䲖ky䲖: Maruzen Kabushiki Kaisha, 1991. 227 p. ISBN 4621050249, 9784621050248 Series: Maruzen raiburar䲒; 024 ᐣ৖䭘䬓䭅䭘䭙䴈; 024 Note: A Japanese newspaper reporter in Hong Kong for more than ten years, the author is interested in studying Chinese films from Taiwan, Hong Kong, and mainland China and broadly examines the cinematic characteristics seemingly inherent to each of these three areas. For example: Taiwan films present ideas in moderation, whereas Hong Kong films are meant for entertainment and other purposes. WorldCat Jpn

Wang, Weici. ࣼ໓፦. Ji lu yu tan suo: yu da lu ji lu pian gong zuo zhe de shi ji dui hua. ઔ࠷ӿ෬౱: ӿϽ૔ઔ࠷ә֞ӑ‫ٷ‬ϡԒઔхҧ. Taibei: Yuan liu chu ban shi ye go fen you xian gong si, 2000. 475 p. ISBN 9573240432 Series title: Dian ying guan; 90 Ӈ‫ؙ‬ఖ; 90 Note: Records the dialogue between mainland Chinese and Taiwanese documentary film workers; includes a historical background, describes the current state of documentary filmmaking, provides a forecast of documentary film development, and lists documentary film directors and their works in mainland China. It represents the Taiwan scholarly perspective on the study of mainland China’s documentary film development, and it is interesting to see that the independent documentary film development in mainland China, which has been ignored by the mainland Chinese government for quite a long time, is received with great interest in Taiwan CTFAL Chi

1176 Wang, Kai ming. A history and thematic analysis selected Chinese fictional motion pictures produced in Hong Kong and Taiwan (1968–1970). 121 leaves. Note: Thesis (M.A.)—Ohio State University, 1976. A comparative study of selected Chinese fictional films produced in Hong Kong and Taiwan from 1968 to 1970.

1179 Weakland, John H. Conflicts between love and family relationships in Chinese films. Ft. Belvoir, VA: Defense Technical Information Center, 1967. 12 p.

211

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1180 Note:

A study of three groups of fictional feature Chinese films from Taiwan, Hong Kong, and mainland China focusing on the theme of conflict between love and family relationships. The following conclusions are made: in mainland Chinese Communist films, parents are blamed for conflict and a possible resolution is radical social change; in Taiwan Nationalist films, parents receive no blame and resolution is achieved by the young restoring family unity. Both Communist films from mainland China and Nationalist films from Taiwan accept traditional values, such as respect for authority and personal sacrifice, to achieve wider social goals. WorldCat Eng

1183 Wu, Junrong. ྶᒺ๎. Dian ying sui bi. Ӈ‫ڨؙ‬દ. Xianggang: Ke hua tu shu chu ban gong si, 2007. 448 p. ISBN 9789621601506, 9621601509 Note: A collection of the author’s reviews, commentaries, and anecdotes regarding Hong Kong and Taiwan films and television programs. WorldCat Chi

1184

1180

Xianggang dian ying hui gu / Bian zhe Zhongguo Tai Gang dian ying yan jiu hui. ‫ܫ‬୯ӈ‫ؙ‬Ҙઈ / ൜‫ٷ‬Ѕм‫ݡ‬୯ӈ‫ૢ୳ؙ‬Ͽ. Beijing: Zhongguo dian ying chu ban she, 2000. 293 p. ISBN 7106016098 Note: A collection of essays focusing on Hong Kong film history. The text’s essay by Liang Liang (pp. 259–269) deals with the influence of Taiwan on Hong Kong film during the years from 1949 to 1997. WorldCat Chi

Wen hua de jiao xiang: Zhongguo dian ying bi jiao yan jiu / Zhu bian Yan Chunjun, zuo zhe Zhang Yinghui dEng ҹ٩ϡ‫ے‬ড়䩭Ѕмӈ‫ؙ‬ԝࢹ୳ૢ / Ұ൜୵৞ῥ䩟ӑ‫׏צٷ‬ሒҳ. Beijing: Zhongguo dian ying chu ban she, 2000. 415 p. ISBN 7106016381 Note: Chapter 4 (pp. 180–229) compares mainland China, Hong Kong, and Taiwan films. Includes endnotes for each chapter WorldCat Chi

1181

1185

Wicks, James Anthony. The antecedents of Taiwan New Cinema: the state of Taiwan film in the 1960s and 1970s. 266 leaves. Note: Thesis (Ph.D.)—University of California, San Diego, 2010. Explores the ways Taiwan’s KMT (Nationalist Party) government defined itself as the representative government of all of China in the 1960s and 1970s by both studying its state-sanctioned film industry and explaining how these filmmaking conditions in the 1970s enabled the emergence of Taiwan New Cinema in the 1980s. Analyzes influences from mainland China, Japanese colonialism, and the United States during the Cold War. Includes notes and bibliography. ProQuest (FT) Eng

Xie, Caimiao. ‫ిࠡه‬. Xun zhao qing min jian: cong “Wo hu cang long” tan Hua yu dian ying guo ji hua = Globalization of Chinese language cinemas: a case study of Crouching Tiger, Hidden Dragon. ଵ‫ݙװ‬ᙛ঺: ԩ “၃ഝেह” ড‫ܭܓ‬Ӈ‫ؙ‬лগ٩= Globalization of Chinese language cinemas: a case study of Crouching Tiger, Hidden Dragon. Taibei: Ya Tai tu shu, 2004. 244 p. ISBN 9867809297 Series title: Chuan bo jiao yu cong shu ‫ة‬৚‫ڌ‬ड़ᜣ‫ڣ‬ Note: A book based on the author’s master’s thesis at the National Taiwan University. Studies Crouching Tiger, Hidden Dragon (2000) as a blueprint for the success of Chinese cinema in the global marketplace. Analyzes the film’s production, distribution, and marketing as well as the current film production environment in Taiwan, Hong Kong, mainland China, and the United States; includes in-depth interviews with the film’s producers and scholars in Taiwan, Hong Kong, and mainland China; and uses an immersion–crystallization method to reach its conclusion. Includes a bibliography and an appendix. NTUL Chi

1182 Wu, Chia-chi. Chinese language cinemas in transnational flux. 209 leaves. Note: Thesis (Ph.D.)—University of Southern California, 2004. Studies Chinese language cinemas within a transnational framework; specifically analyzes the film production flow between Taiwan, Hong Kong, and mainland China. Include a bibliography. WorldCat Eng

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1190 Includes a bibliography. WorldCat

1186 Xin Yazhou dian ying mian mian guan / Jiao Xiongping bian. ЈਐರӇ‫ؙ‬ӌӌ޲ / ဖ೰๔ഹ. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 1991. 239 p. ISBN 9573214547 Note: A collection of essays focusing on the “New Asian Films.” Two essays are of note here. Jiao Xiongping’s essay deals with the growing pains faced by Taiwan, Hong Kong, and mainland China film industries during the late 1980s and early 1990s when cooperation among film producers outpaced the uncooperative political, commercial, and economic systems that remained in place. Meanwhile, Zhang Cangyan’s essay describes the relationship between Taiwan’s film tradition and the emergence of New Taiwan Cinema in 1982. NTUL Chi

Eng

1189 Yan, Shikai. ୶ࡲᏎ. Zhan zhe zuo ai: dian ying yu xing = Stand to make love. ۖа҂Д: Ӈ‫ؙ‬ӿԛ = Stand to make love. Taibei: Bo shi ke ji yi shu, 2005. 370 p. ISBN 9867224698 Series title: Zhuan jia zhi zao; b02034 ֟р३߃; b02034 Note: Explores the indirect, hidden sexual content and innuendos presented in mainstream films produced in Hong Kong, Taiwan—including Taiwan New Cinema—and films from other countries to expound on the political subtext of such representations. The book cover carries an “18 and older” marking. CTFAL Chi

1187 Xing zheng yuan wen hua jian she wei yuan hui wei tuo ban li ji lu pian zhi zuo ren da lu fang wen tuan cheng guo bao gao / Wang Weici, Li Daoming, Li Guizhi deng. Ҳूࡨҹ٩ࠃ‫ޗ‬ణ‫؂‬Ͼణኅ‫ދ‬ԑઔ࠷ә३ӑϪϽ૔භ՛ࣗюҝ‫ڻ‬ ‫ ݍ‬/ ࣼ໓፦, ଽѬҴ, ଽᄉᆙҳ. Taibei: Guo jia dian ying zi liao guan, 1998. Various paginations. Note: Internal reports of the Taiwan Documentary Film Producer Delegation’s visit to mainland China on May 27–June 7, 1998. Includes impressions and experiences of documentary film production in mainland China as well as a comparison of Taiwan and mainland China’s documentary film production. CTFAL Chi

1190 Yang, Jeff. Once upon a time in China: a guide to Hong Kong, Taiwanese, and Mainland Chinese cinema / Jeff Yang; senior contributor, Art Black, John Charles . . . [et al.]. New York: Artria Books, 2003. 306 p. ISBN 0743448170 Note: This is a unique and comparative, but Hong Kong–centric, guide to film production in Hong Kong, Taiwan, and mainland China. It endeavors to locate common themes between Hong Kong, Taiwan, and mainland Chinese films within each chapter for each time period and to explore their “intertwined traditions.” Chapters are as follows: Chapter 1, The Dawn of Chinese Film: 1896–1949; Chapter 2, Swordsmen and Revolutionaries: The Fifties and Sixties; Chapter 3, Martial Arts and Melodrama: The Seventies; Chapter 4, New Wave Dreams and Ballistic Kisses: The Eighties; Chapter 5, The Best of Times, the Worst of Times: The Nineties; and Epilogue: 2000 and Beyond. All chapters include Capsule Film Reviews. Except for the first chapter, which focuses on mainland China films, all of the following chapters are dominated by Hong Kong films. Attention to Taiwan film is certainly the weakest in the book; for example, there is no mention of Taiwan film production in Chapter 1; and in Chapter 2, although nine Hong Kong film directors and their films are mentioned, only three Taiwan film directors and films are mentioned, and one of them is King Hu whose film career took him from Hong Kong to Taiwan. Also note, the text’s method of only using English translations for the titles of all Chinese films could cause confusion. Overall, this text cannot be considered a comprehensive guide for films in all three areas, as the primary author points out in the preface. Includes Capsule Film Reviews for all chapters, but note that there are some mistakes; for example, the

1188 Xu, Gary Gang. Sinascape: contemporary Chinese cinema. Lanham, MD: Rowman & Littlefield, 2007. 175 p. ISBN 9780742554498(cloth), 9780742554504 (pbk.), 074255449X (cloth: alk. paper), 0742554503 (pbk.: alk. paper) Note: Gary Xu’s book Sinascape: Contemporary Chinese Cinema is primarily a close reading of nine films produced in China, Hong Kong, and Taiwan. The introduction contains a straightforward presentation of the themes in the text by way of four illustrative vignettes from Xu’s personal experience and research, and an outline of six key topics that the text addresses, including: (1) Proliferation of the copyright industry; (2) representation of violence and violence of representation; (3) manipulation of reality through mediation and simulacra; (4) relentless demolition driven by modernization and urbanization; (5) erasure of individual memories by linear and masculinist history; and (6) domination of the socioeconomic and political life by the cinematic mode of production (p. 20). These themes are organized under the matrix of the term “sinascape,” which Xu prefers over “Chinese-language film.”

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1191 capsule review for Chapter 2 labels two King Hu movies as mainland China productions. Includes a bibliography (as notes) and an index. WorldCat Eng

Includes a bibliography and list of theaters in Taiwan during the colonial period with the following information: location, ownership, operation agency, and contractor. WorldCat Chi

Ye, Longyan, 1940– ౕहᴧ, 1940– Guang fu chu qi Taiwan dian ying shi. ‫࣢ׇ‬२‫ݡ׈‬ஹӇ‫ؙ‬੗. Taibei: guo jia dian ying zi liao guan, 1995. 267 p. ISBN 9579987440 Series title: Taiwan dian ying shi liao cong shu; 2 ‫ݡ‬ஹӇ‫ؙ‬੗ࢧᜣ‫ ;ڣ‬2 Note: Based on the author’s impressive research of filmrelated materials published in various newspapers in Taiwan, this text describes the establishment of Taiwan’s film industry after retrocession from 1945 to 1949. Significantly, Chapter 2 describes the moment when mainland film studios first arrived to shoot films in Taiwan and later shipped their equipment, production, and personnel to Taiwan; Chapter 3 deals with the operation and management of the Taiwan theater system; Chapter 4 focuses on movies shown in Taiwan’s theaters, specifically, the large quantity of films produced in mainland China and, later, the domination of the market by Hollywood films; and Chapter 5 considers film censorship in Taiwan during the time. Includes two important documents at the appendix in the end of the book: the Taiwan Film Industry Corporation Business Plan and the Taiwan Film Industry Corporation Preparation Report, which provide details of the early management and operation of Taiwan’s theater system. Includes bibliography. WorldCat Chi

Yi jiu ba jiu Jin Ma guo ji guan mo ying zhan, 12.9–12.22, 1989 / Dian ying zi liao guan. ϣ॰ࡂ॰‫ެؖ‬лগ޲ಎ‫ࣁؙ‬, 12.9–12.22, 1989 / Ӈ‫ࢧޞؙ‬ఖ. Taibei: Dian ying zi liao guan, 1989. 162 p. ISBN Note: Published to celebrate the 1989 Golden Horse International Film Festival hosted by the Taiwan Film Library from December 9–22, 1989, this work includes the filmography of all participating films, including three Taiwanese-dialect films, one film by Edward Yang, and related reviews and interviews by film scholars and critics. NTUL Chi

1191

1193

1194 Ying san bai / Dou Jiangming zhu bian. ‫ؙ‬ѧ‫ ښ‬/ 扻࢖ҴҰ൜. Shanghai: Fudan da xue chu ban she, 2006. 342 p. ISBN 7309048431 Note: Shu Qi and Luo Ka, two film critics, directors, and scholars from Hong Kong, present the 100 best films from mainland China, Hong Kong, and Taiwan; the 100 best actors and actresses with accompanying biographies; and the 100 best film directors in Chinese film history. Luo Ka admits in the postscript that the authors focused only on Taiwan’s standard, often-cited titles and film personnel. The book also includes a collection of essays that cover 100 years of Chinese film history, including an essay by Taiwan film critic Huang Ren (pp. 28–59) that deals with Taiwan’s early film history from 1907 to 1964 and an essay by August Palmer (pp. 99–152) that considers the interaction between Hong Kong New Wave films, New Taiwan films, and mainland China fifth-generation films from 1979 to 1999. Endnotes are included at the end of each essay. Includes a bibliography and a chronology. WorldCat Chi

1192 Ye, Longyan, 1940– ౕहᴧ, 1940– Ri zhi shi qi Taiwan dian ying shi = The history of Taiwanese movies during the Japanese colonization. я੽Ж‫ݡ׈‬ஹӇ‫ؙ‬੗= The history of Taiwanese movies during the Japanese colonization. Taibei: Yu shan she, 1998. 365 p. ISBN 9579361908 Series title: Bu tu xin shu; 37 ӆगЈ‫ ;ڣ‬37 Note: The first academic work by a Taiwanese scholar that focuses on Taiwan film history during Japanese colonization. Divides the Japanese colonial era into four time periods: (1) Budding Period 1896–1919; (2) Rising Period 1920–1930; (3) Thriving Period 1931–1941; and (4) Pacific War Period 1942–1945. Includes noteworthy analyses of the film histories of Taiwan, Tokyo, Shanghai, and Hollywood.

1195 Yip, June Chun, 1962– Envisioning Taiwan: fiction, cinema, and the nation in the cultural imaginary. Durham, NC: Duke University Press, 2004. 356 p. ISBN 0822333570 (alk. paper), 0822333678 (pbk: alk. paper) Note: June Yip’s text, Envisioning Taiwan: Fiction, Cinema, and the Nation in the Cultural Imaginary, considers the representation of Taiwan as an imagined community in the Taiwan New Cinema of the 1980s and in Native Literature, known as Hsiang-t’u Literature, of the late 1960s.

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1200

The table of contents of the book provides an overview of the author’s views: Introduction: Envisioning Taiwan in a Changing World; Chapter 1, Confronting the Other, Defining a Self: Hsiang-t’u Literature and the Emergence of a Taiwanese Nationalism; Chapter 2, Toward the Postmodern: Taiwanese New Cinema and Alternative Visions of Nation; Chapter 3, Remembering and Forgetting, Part I: History, Memory, and the autobiographical Impulse; Chapter 4, Remembering and Forgetting, Part II: Hou Hsiao-hsien’s Taiwan Trilogy; Chapter 5, Language and Nationhood: Culture as Social Contestation; Chapter 6, The Country and the City: Modernization and Changing Apprehensions of Space and Time; Chapter 7, Exile, Displacement, and Shifting Identities: Globalization and the Frontiers of Cultural Hybridity; Conclusion: From Nation to Dissemi-nation: Postmodern Hybridization and Changing Conditions for the Representation of Identity. Includes a bibliography and an index. WorldCat (FT) Eng

Note:

A biographical work on the Golden Horse Best Actor and Actress Award winners from the First to the Twenty-Ninth Golden Horse Awards. The appendix includes a brief history of the Golden Horse Awards, list of Golden Horse Awards, and bibliography. CTFAL Chi

1199 Zeng, Wenjun (Tseng, Wen-chun). ߲ҹᒺ. Quan qiu hua qu shi xia kua guo Hua yu dian ying de fa zhan = A Progress of international Chinese cinemas in the global age. Ҫ‫ܧ‬٩ࠊۢЎቄл‫ܭܓ‬Ӈ‫ؙ‬ϡчࣁ = A Progress of international Chinese cinemas in the global age. 71 leaves. Note: Thesis (M.A.)—Tainan National University of the Arts, 2006. This thesis aims to locate the position of the Taiwan film industry within the international network of Chinese cinemas in a global age by considering cinema in terms of political economy, commodification, and cultural labor. Concludes that after joining World Trade Organization, China will become the secondbiggest film market for Hollywood and that Taiwan’s film industry is losing ground in the areas of marketing, funding, and influence. To solve this dilemma, the author advocates for the Taiwan film industry to actively seek coproduction opportunities in the global market. Includes a Chinese and English abstract, bibliography, appendix, and charts of Chinese film professionals in Hollywood and advantages for Hong Kong films entering the China market. NCL/NDLTD Chi

1196 You, Xinren. දЈწ. Dian ying wen ti, wen ti dian ying: xing, bao li, dian jian. Ӈ‫ؙ‬՛֤, ՛֤Ӈ‫ؙ‬: ԛ, ફҨ, Ӈഛ. Taibei: Da te xie chu ban she, 1983. 199 p. Note: A collection of the author’s articles on sexuality, violence, and censorship in world cinema, including Hong Kong and Taiwan cinema. CTFAL Chi

1197 Yu, Gwo-chauo. China, Hong Kong, and Taiwan: The convergence and interaction of Chinese film. Ann Arbor, Mich.: University Microfilms International, 1993. 95 leaves. Note: Thesis (Ph.D.)—University of North Texas, 1993. A work on the convergence and interaction of Chinese films produced in China, Hong Kong, and Taiwan. This is a photocopy of typescript. Includes bibliographical references (leaves 87–95). WorldCat Eng

1200 Zhang, Che (Chang, Cheh), 1923–2002. ‫פ‬๜, 1923–2002. Zhang Che jin zuo ji (1986–1988). ‫פ‬๜‫ײ‬ӑओ (1986–1988). Hong Kong: Ming chuang chu ban she, 1988. 136 p. Note: A collection of the author’s articles organized in three parts: Part 1 deals with the author’s relationship (as a writer, film music composer, film and drama director) with Chiang Ching-guo, former president of the R.O.C. in Taiwan; Part 2 discusses the history of film production in Shanghai, Taiwan, and Hong Kong; and Part 3 provides a general commentary on the concurrent cultural and political affairs in mainland China and Hong Kong. Includes a brief biography of the author. CTFAL Chi

1198 Yu, Yeying. ཡ‫⁒׬‬. Jin Ma xing zong san shi nian: li jie Jin Ma ying di hou de cang sang. ‫ެؖ‬լᏈѧ֐ё: ࣵโ‫ؙެؖ‬෌њϡፄᇤ. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1993. 324 p. ISBN 9571308706 Series title: Li shi yu xian chang; 47 ࣵ੗ӿѳԾ; 47

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1203

Zhang, Yingjin. Chinese national cinema. New York: Routledge, 2004. 328 p. ISBN 0415172896 (hbk. alk. paper), 9780415172899 (hbk. alk. paper), 041517290X (pbk. alk. paper), 9780415172905 (pbk. alk. paper) Series title: National Cinemas Note: A serious academic work that provides thorough research and original perspectives. As the first attempt to outline Chinese film history in English with an upto-date and chronological history approach, the author uses a “Chinese national cinema” paradigm to cover all films produced in mainland China (including those before 1949), Hong Kong, and Taiwan, while at the same time instructing the reader to keep in mind all associated problems and “messiness”—theoretical as well as geopolitical—surrounding “China” and “Chineseness.” The text forms a “general and potentially comparative framework of Chinese national cinema” in the three territories of mainland China, Hong Kong, and Taiwan (5). Unlike many other works on the same subject, it provides a unique historical perspective: Cinema and National Traditions, 1896–1929; Cinema and the Nation-People, 1930–49; Cinematic Reinvention of the National in Taiwan, 1896–1978; Cinematic Revival of the Regional in Hong Kong, 1945–78; Cinema and the Nation-State in the PRC, 1949–78; Cinema and National/Regional Cultures, 1979–89; and Cinema and the Transnational Imaginary, 1990–2002. This is not a comprehensive history of Chinese cinema; the author states that “this book concentrates primarily on feature films” (12). Because the publisher does not print Chinese characters, the author reasonably used Pinyin unless names are more commonly recognized in Wade-Giles or Cantonese (for more information regarding this tactic, see “Romanization and Name Spelling” in the Introduction to this volume). Almost all Chinese film titles in the text and index are presented in their English translations, without romanization or Chinese characters. Includes a bibliography and an index. WorldCat Eng

Zhao, Tinghui. ᕿ៴ሓ. Xu shi dian ying yu xing bie lun shu = Narrative cinema and gender discourse. ᡳѨӇ‫ؙ‬ӿԛԇ‫ں‬਎ = Narrative cinema and gender discourse. Taibei Xian Yonghe shi: Airiti Press Inc., 2010. 335 p. ISBN 9789866286292, 9866286290 Series title: Chuan bo xue yan jiu xi lie ‫ة‬৚ѹ୳ૢ‫࠶ڍ‬ Note: Analyzes representations of females in films from Taiwan, Hong Kong, and Hollywood to explore gender power structures. Films include Taiwan’s The Shoe Fairy (2006) and Blue Gate Crossing (2002), Hong Kong’s Turn Left, Turn Right (2003), and Hollywood’s Mulan (1998) and Shanghai Noon (2000). Includes a bibliography. WorldCat Chi

1204 Zheng, Jiashi. ቼဓஉ. Cong Zhongguo dian ying fa zhan ce lue kan Taiwan dian ying jin ru Zhongguo shi chang zhi ji hui yu tiao zhan. ԩЅлӇ‫ؙ‬чࣁ೫ଯЃ‫ݡ‬ஹӇ‫ؙ‬ՔՊЅл‫ص‬ԾҏҚϾӿख‫ڕ‬. 117 leaves. Note: Thesis (M.A.)—National Chengchi University, 2009. Considers the opportunities and challenges facing Taiwan’s film industry vis-à-vis mainland China’s film regulations and development. Concludes that Taiwan should coproduce films with China’s film industry to increase its market reach and enable competition in light of the CEPA (Closer Economic Partnership Arrangement) signed by China and Hong Kong. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

1205 Zhonghua Minguo qi shi yi nian Jin Ma jiang guo ji dian ying zhan / Zhu ban dan wei: Zhonghua Minguo dian ying shi ye fa zhan ji jin hui; Zong bian ji: Xu Ligong; Bian ji: Chen Guofu, Huang Jianye. Ѕ‫ھܓ‬лࢳ֐ϣё‫ެؖ‬؉лগӇ‫ ࣁؙ‬/ Ұ‫֧؁ދ‬: Ѕ‫ھܓ‬лӇ‫ؙ‬ Ѩ‫׬‬чࣁऴ‫ؖ‬Ͼ; րഹফ: ጝ߹‫ ;ۋ‬ഹফ: ಴лࣥ, ࢶࠃ‫׬‬. Taibei: Zhonghua Minguo dian ying shi ye fa zhan ji jin hui, 1982. 147 p. Note: An introduction to the Golden Horse Award films in 1982. WorldCat Chi

1202 Zhao, Xueyong. ᖀѺର. Zhongguo dian ying jian shi / Zhao Xueyong, Ruan Qing bian zhu. Ѕмӈ‫ߣؙ‬੗ / ᖀѺର䩟∜‫ݙ‬൜Я. Lanzhou: Lanzhou da xue chu ban she, 2007. 339 p. ISBN 7311026717 Note: Chapter 10 (pp. 277–287) involves a comparative study of contemporary film “reform” and “innovation” movements in mainland China, Hong Kong, and Taiwan. Includes a filmography and bibliography. Duxiu Chi

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1211 “Relationship between Chinese Film with Society,” Political and Economic Development,” “Chinese Film and Gender Study,” “Chinese Film Genre Study,” and “Chinese Film and Culture Representation.” Eight papers touch on the subject of Taiwan film, including Li Tianduo’s paper on Taiwan film under the colonial system; Liu Xiancheng’s essay on the history of Taiwan color film development in terms of social issues as well as scientific and technical practice; Huang Yingfen’s article on the aesthetic trends of contemporary Taiwan film; Roland B. Tolentino’s (in English) comparative study of the Chinese “city film” from Taipei, Hong Kong, and Beijing; Qi Longren’s essay on Qiongyao’s films during the 1970s; Zhang Yupei’s analysis of the social and cultural meanings of Taiwan film during the 1990s; and Ye Yueyu’s paper on the relationship between nationality and popular songs in Taiwan films produced from the mid-1970s to the early 1990s. NTUL Chi Eng

1206 Zhongguo dian ying, dian ying Zhongguo: Hai xia liang an dian ying xue shu jiao liu yan tao hui lun wen ji / Bian ji Zhang Shufen, He Shihuang. ЅлӇ‫ؙ‬, Ӈ‫ؙ‬Ѕл: ֋ᒘҔ࿝Ӈ‫ؙ‬ѹफ‫ے‬Ե୳क़Ͼ‫ں‬ҹओ / ഹফ ‫פ‬ᎂᐇ, ‫ح‬Ԓᑟ. Taibei: Zhonghua Minguo shi jue chuan bo yi shu xue hui, Furen da xue da zhong chuan bo xi, 1993. 182 p. Note: A collection of papers presented at a film symposium hosted by Taiwan Fu Jen Catholic University and the R.O.C. Visual Art and Communication Association on December 29–30, 1992. The symposium provided the opportunity for film scholars on both sides of the Taiwan Strait to exchange ideas in their research fields. Includes twelve papers, three of which assess contemporary Taiwan film: “Taiwan Film Industry Moving Out of the 20th Century” by Chen Qinghe, “Local Identity Realization in Taiwan New Cinema” by Wang Wei, and “Identity of Aboriginals in Taiwan Cinema” by Qi Longren. One paper offers a comparative study of mainland China, Taiwan, and Hong Kong films: “Meaning of ‘China Code’ in Chinese Films” by Chen Ruxiu. WorldCat Chi Eng

1209 Zhongguo dian ying xin bai nian: he zuo yu fa zhan, di shi si jie Zhongguo jin ji bai hua dian ying jie xue shu yan tao hui lun wen ji / Zhongguo dian ying jia xie hui bian. Ѕмӈ‫ؙ‬Ј‫ښ‬ё䩭ׁӑԁтࣁ䩟ҷ֐‫ף‬ไЅм‫ؖ‬঱‫ښ‬Րӈ‫ڝؙ‬Ѻ भ୳ॗϿ‫ڹ‬ҹओ / Ѕмӈ‫ؙ‬р൓Ͽ൜. Beijing: Zhongguo dian ying chu ban she, 2006. 654 p. Series title: Zhongguo dian ying lun tan cong shu Ѕмӈ‫ڹؙ‬ႊᜥ‫ڪ‬ ISBN 7106025429 Note: Proceedings from the Fourteenth Golden Rooster and Hundred Flowers Film Festival Symposium in 2005; features essays by scholars from mainland China, Hong Kong, and Taiwan, including Li Tianduo and Zuo Shan. The theme of cooperation and development is common throughout the collection. WorldCat Chi

1207 Zhongguo dian ying ge wu yi / Ce hua bian ji: Jiao Xiongping, Jing Yingrui. ЅлӇ‫ܮؙ‬ଢশ / ೫੿ഹফ: ဖ೰๔, ቯࣽᇳ. Taibei: Zhongguo dian ying nian chu ban f axing, [1993] 108 p. Note: A special publication for the Chinese Musical Film Festival held in Taiwan in 1993. Includes synopses of the thirteen Hong Kong musical films shown at the festival, film reviews, introductions of the stars and festival workers, and thirty songs from these musical films. Contains discussions regarding the limited quantity of musicals in Taiwan and a comparison of Hong Kong and mainland China musicals. CTFAL Chi

1210 Zhou, Bin. ‫ر‬ᭌ. Bu yi yang de jing guan: Gang Tai dian ying yan jiu. Ϥϣ҈ϡ࢓޴䩭୯‫ݡ‬ӈ‫ૢ୳ؙ‬. Shanghai: Dong fang chu ban zhong xin, 2009. 342 p. ISBN 9787547300381, 7547300383 Note: A comparative study of Hong Kong and Taiwan cinema. WorldCat Chi

1208 Zhongguo dian ying: li shi, wen hua yu zai xian = Chinese cinemas: history, culture and representation: Hai xia liang an ji Xiang Gang dian ying fa zhan yu wen hua bian qian yan tao hui lun wen ji / Liu Xiancheng bian. ЅлӇ‫ؙ‬: ࣵ੗, ҹ٩ӿӐѳ = Chinese cinemas: history, culture and representation: ֋ᒘҔ࿝᠕‫ܫ‬୯Ӈ‫ؙ‬чࣁӿҹ٩Ժቜ୳क़Ͼ ‫ں‬ҹओ / ฀ѳюഹ. Taibei: Taibei shi Zhongguo dian ying shi liao yan jiu hui, Zhonghua Minguo shi jue chuan bo yi shu xue hui, 1996. 335 p. Note: A collection of the papers from a film symposium in Taiwan attended by scholars from Taiwan, Hong Kong, mainland China, and the United States on September 13–15, 1995. Twenty-three papers were presented during the symposium, nineteen of which are published here. Themes include: “Chinese Film History,”

1211 Zhou, Liming. ‫ر‬ሑҴ. Hua yu pian die zhong die / Zhou Liming, Liang Liang zhu. ‫ܬܗ‬әᖦЅᖦ / ‫ر‬ሑҴ䩟ᅯમЯ. Guangzhou: Hua cheng chu ban she, 2006. 433 p.

217

Interdisciplinary Studies

1212 ISBN 7536047037 (pbk.), 9787536047037 (pbk.) Series title: Raymond Zhou’s Film Guide Hua yu dian ying 2000 bu “Die zhong die” xi lie; di 3 juan ‫ܬܗ‬ӈ‫ؙ‬2000‫”ח‬ᖦЅᖦ”‫࠶ڍ‬䩮 ҷ3ඵ Note: A Chinese film (DVD) guide with more than 2,000 film reviews of representative films from Taiwan, Hong Kong, and mainland China. WorldCat Chi

6.1.2

A comparative study of Yokomitsu Riichi and Liu Na’ou, New Sensationalist School writers who pursued the cinematic in modern literature. WorldCat Eng

1215 East Asian cinema and cultural heritage: from China, Hong Kong, and Taiwan to Japan and South Korea / edited by Kinnia Shuk-ting Yao. New York: Palgrave Macmillan, 2011. 207 p. ISBN 9780230116955, 0230116957 Note: This collection of essays examines how the legacies of East Asian cultures are being revived and recreated by contemporary filmmakers; examples include references to martial arts, music, aesthetics, stage performances, and legends in the cinemas of mainland China, Taiwan, Hong Kong, Japan, and South Korea. Includes a bibliography. WorldCat Eng

Films in Taiwan and Japan

1212 Chen, Zhenhao (Chen, ChenHao). ಴ዄΆ. Nihon eiga to ky䲖iku : Nihon bunka ky䲖iku o ch䲚shin ni = Dian ying yu jiao yu—yi Riben wen hua jiao yu wei zhong xin = Film and education—Core by Japan cultural education. ྱࡌ䫙‫ڌ‬ड़ : яӆҹ٩‫ڌ‬ड़䬃ЅК䫜 = Ӈ‫ؙ‬ӿ‫ڌ‬ड़—йяӆ ҹ٩‫ڌ‬ड़ЊЅК = Film and education—Core by Japan cultural education. 119 leaves. Note: Thesis (M.A.)—National Kaohsiung First University of Science and Technology, 2008. Describes how Japanese films have affected Taiwan’s film market and the popularity of Japanization in Taiwan. Explores the relationship between film and education as well as film and culture, and the usage of film as a method of presenting Japanese culture. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Jpn Chi

1216 Guo, Xiaolu. ᔕЩⲉ. Dian ying li lun bi ji. ӈ‫ؙ‬ԑ‫ڹ‬ધ֭. Nanning: Guangxi shi fan da xue chu ban she, 2002. 249 p. ISBN 7563335439 Note: A collection of essays on film studies and film theory, including a comparative study on the films directed by Hou Hsiao-hsien in Taiwan and Yasujiro Ozu in Japan. Duxiu Chi

1213

1217

Cinematic landscapes: observations on the visual arts and cinema of China and Japan / edited by Linda C. Ehrlich and David Desser. Austin: University of Texas Press, 1994. 345 p. ISBN 0292720866 (hbk.), 0292720874 (pbk.) Note: This collection of essays explores cinematic landscapes, locating the relationship between the visual arts and cinema of China and Japan. Hou Hsiao-hsien and his films are used as case studies for a comparative study of classical Chinese painting and cinematographic design; meanwhile, the New Cinema movements in both mainland China and Taiwan during the 1980s are described in the essay “Classical Chinese Painting and Cinematographic Signification” by Ni Zhen, translated by Douglas Wilkson (pp. 63–80). Includes bibliographical reference (pp. 327–330), index, and filmography (pp. 323–326). WorldCat Eng

Qiu, Shuding (Yao, Kinnia Shuk-ting). ᆥᎂᑢ. Gang Ri dian ying guan xi: xun zhao Yazhou dian ying wang luo zhi yuan. ୯яӇ‫ؙ‬Ԭ਽: ଵ‫װ‬ਐರӇ‫ؙ‬ӻ౪ҏ੅. Xianggang: Tian di tu shu you xian gong si, 2006. 250 p. ISBN 9789882115491, 9789882115497 Series title: Xianggang wen hua yan jiu cong shu ‫ܫ‬୯ҹ٩୳ૢᜣ‫ڣ‬ Note: A substantial academic work that explores the relationship between Hong Kong and Japanese films. In the second section of the third chapter, the author analyzes the relationship between Taiwan and Japanese films. Chapter 4 includes additional references to Taiwan cinema, as the author describes the relationship between the Shaw Brothers Studio and both the Japanese film industry and the Taiwan film industry. Includes a list of Hong Kong anti-Japanese films (1934–1941), Japanese films shown in the Shanghai Concession (1942–1945), and the exchange of films between Hong Kong and Japan. Includes a bibliography. WorldCat Chi

1214 DeBoer, Stephanie. Pursuing the cinematic in modern literature: a comparative study of Yokomitsu Riichi and Liu Na’ou. 76 leaves. Note: Thesis (M.A.)—Indiana University, 2000.

218

Comparative Film Study

1221 [v. 1] 1899(Ҵ੽32)ё䦢1934(ᢘф9)ё; [v. 2] 1935(ᢘф10)ё 䦢1945(ᢘф20)ё ISBN 9784990536640, 9784990536657 Note: [v. 1] and [v. 2] are enlarged and revised editions of 0246. An inventory of 17,200 Japanese, Taiwanese, and Chinese films shown in Taiwan from 1899 to 1945 during the Japanese colonial era including feature films, documentaries, news films, official propaganda films, and cultural films. Two volumes include illustrations of 430 Japanese and Chinese posters and newspaper articles introducing the films. (Some film titles are duplicated.) Includes film titles screened and attendance numbers during the Taiwan Expo, October 10–November 28, 1935, and a list of the newly added films in [v.2]. The images of Japanese feature film poster titles are chronologically organized with related studio names, and a bibliography. WorldCat Jpn

1218 Huang, Ren, 1925– ࢶწ, 1925– Riben dian ying zai Taiwan. яӆӇ‫ؙ‬Ϩ‫ݡ‬ஹ. Taibei: Xiu wei zi xun ke ji chu ban, 2008. 314 p. ISBN 9789862211205 Series title: Mei xue yi shu lei; PH0015 Ѥѹਲफढ; PH0015 Note: This is a comprehensive work on the influence of Japanese films in Taiwan. It includes two major parts: Part 1: Japanese Directors Who Influenced Taiwan FilmMaking; and Part 2: Influence of Japanese Films in Taiwan. The appendix includes lists of Japanese films shown in Taiwan from 1915 to 1945 (selected) and 1950 to 1972. Includes a bibliography. NTUL Chi

1220 Mintz, Marilyn D., 1950– The martial arts film. South Brunswick, [NJ] : A. S. Barnes & Co., Inc., 1978. 243 p. ISBN 0498017753 Note: A book on worldwide martial arts film production, including Chinese kung fu, James Bond, and Japanese samurai movies, with a focus on Bruce Lee and Japanese samurai movies. Martial arts films directed by King Hu and produced in both Hong Kang and Taiwan are discussed in the book. Includes a selected filmography (Chinese and Japanese), a bibliography, and an index. WorldCat Eng

1219 Kawase, Ken’ichi. ඇⰗ࡬ϣ. Shokuminchi Taiwan de j䲖eisareta eiga. ယ‫ھ‬с‫ݡ‬ළ䫘ϼࠟ䫆䫽䫐ྱࡌ. Nara-ken Kashihara-shi: T䲖y䲖 Shis䲖 Kenky䲚jo, 2010-2013. 3 v. [v. 1] 1899(Ҵ੽32)ё䦢1934(ᢘф9)ё; [v. 2] 1935(ᢘф10)ё 䦢1945(ᢘф20)ё; [v. 3] ଥࡌഹ 1899(Ҵ੽32)ё䦢1945(ᢘф 20)ё ISBN [v.3] 9784990536626 Note: An inventory of 23,700 films shown in Taiwan from 1899 to 1945 during the Japanese colonial era, including 15,200 Japanese, Taiwanese, and Chinese and 6,500 Western (United States, France, United Kingdom, Germany, Italy, Australia, Denmark, Poland, Soviet Union, Argentine, etc.) feature films, documentaries, news films, official propaganda films, and cultural films. Some Chinese feature films produced in Shanghai or by Man’ei (Manchuria Motion Picture Production and Distribution Co. 1937–1945), and illustrations of 430 Japanese and Chinese, and 200 Western film posters and newspaper articles introducing the films. (Some film titles are duplicated.) Includes film titles screened and attendance numbers during the Taiwan Expo, October 10–November 28, 1935. Japanese feature film poster titles are chronologically organized with related studio names and a bibliography. WorldCat Jpn

1221 Qiu, Shichun ᆥஉ᳝. Taiwan dian ying ru he li yong guo ji ying shi shi chang jin xing guo ji fa xing zhi tan tao—yi Fushan yu Xianggang shi chang wei li = Exploration of International distribution for Taiwan cinema via international market: case studies of Asia film market & HK filmart. ‫ݡ‬ஹӇ‫ؙ‬Ғ‫ح‬۱ѓлগ‫ؙ‬؆‫ص‬ԾՔҲлগчҲҏ෬क़—й᷶‫ځ‬ӿ ‫ܫ‬୯‫ص‬ԾЊຎ = Exploration of International distribution for Taiwan cinema via international market: case studies of Asia film market & HK filmart. 113 p. Note: Thesis (M.A.)—National Chengchi University, 2010. Analyzes the “2009 Busha Asia Film Market Exhibition” and the “2010 Hong Kong Filmart” to explore international distribution strategies for Taiwan cinema. Concludes the following: Taiwan films should first be distributed to Chinese and Asian markets, current Taiwan cinema style and content is not particularly appealing to audiences overseas and limits investor interest, and the quality of Taiwan’s art films must improve to compete in the competitive international marketplace. Finally, the author recommends that if Taiwan filmmakers want to enter the international market, then they should select topics and scripts that match concurrent world cinema trends.

1219a Kawase, Ken’ichi. ඇⰗ࡬ϣ. Shokuminchi Taiwan de j䲖eisareta eiga. ယ‫ھ‬с‫ݡ‬ළ䫘ϼࠟ䫆䫽䫐ྱࡌ. Nara-ken Kashihara-shi: T䲖y䲖 Shis䲖 Kenky䲚jo, 2014. 2 v.

219

Interdisciplinary Studies

1222 Includes a Chinese index and bibliography. NCL/NDLTD

Vol. 4: Chronologies and Indexes. Chapter 5, in Vol. 2 (pp. 111–155), deals with the film histories of Japanese colonies and occupied areas during World War II, including Taiwan, Korea, Shanghai, and Manchuria. Includes chronologies of major Japanese film-related events and major film productions, and indexes of personal names, movies, events, and film studios in Vol. 4. WorldCat Jpn

Chi

1222 Sat䲖, Tadao, 1930– ᩊᗳᇝԲ, 1930– Le cinéma japonais / Tadao Sat䲖 ; traduction de Karine Chesneau, Rose-Marie Makino-Fayolle et Chiharu Tanaka. Paris: Centre Georges Pompidou, 1997. 2 v. ISBN 2858509301 Note: The French translation of a Japanese, four-volume text entitled Nihon eigashi (T䲖ky䲖: Iwanami Shoten, 1995), published during a Japanese film retrospective held at the Centre Georges Pompidou from March 19– October 1, 1997. Chapter 5 (pp. 255–263) deals with the film histories of Japanese colonies and occupied areas during World War II, including Taiwan, Korea, Shanghai, and Manchuria. WorldCat Fre

1225 Sat䲖, Tadao, 1930– ᩊᗳᇝԲ, 1930– Shirarezaru eiga o motomete. Ҍ䫺䫽䫇䫼ྱࡌ䬃ؒ䫲䫗. T䲖ky䲖: Gendai Shokan, 1999. 294 p. ISBN 4768476902, 9784768476901 Note: An introduction to Asian cinema, including the cinemas of Japan and Taiwan. WorldCat Jpn

1223

1226

Sat䲖, Tadao, 1930– ᩊᗳᇝԲ, 1930– Nihon eigashi. яӆྱࡌ੗. T䲖ky䲖: Iwanami Shoten, 1995. 4 v. ISBN 4000037854 (v. 1), 4000037862 (v. 2), 4000037870 (v. 3), 4000037889 (v. 4) Note: One of the most authoritative works on Japanese film history. Organized by time period covered: Vol. 1: 1896–1940, Vol. 2: 1941–1959, Vol. 3: 1960–1995, and Vol. 4: Chronologies and Indexes. Chapter 5, in Vol. 2 (pp. 111–155), deals with the film histories of Japanese colonies and occupied areas during World War II, including Taiwan, Korea, Shanghai, and Manchuria. Includes chronologies of major Japanese film-related events and major film productions, and indexes of personal names, movies, events, and film studios, and an index in Vol. 4. WorldCat Jpn

Shi ji hui gu : tu shuo Hua yu dian ying = Spectrums of the century : Chinese cinemas, 1896–1999 / [zong bian ji Huang Jianye, Huang Ren ; Ying yi Su Zhe’an (Jon Soloman) . . . et al.]. ԒઔҘઆ: ֖М‫ܭܓ‬Ӈ‫ = ؙ‬Spectrums of the century : Chinese cinemas, 1986–1999 / [րഹফࢷࠃ‫׬‬, ࢷწ ; ߭ፆ಩Ꮋԥ (Jon Soloman) . . . et al.]. Taibei: Xing zheng yuan wen hua jian she wei yuan hui : Guo jia dian ying zi liao guan, 2001. 431 p. ISBN 9570277572 Note: This is an unprecedented joint project involving scholars from Taiwan, Hong Kong, and mainland China under the auspices of the Chinese Taipei Film Archive. It presents short essays, chronological statements, quoted film reviews, and a prodigious quantity of film stills, posters, and photos to illustrate a century of Chinese cinema history. It is the most objective and comprehensive description of Chinese film history in terms of the photographic materials and range of subjects included in the book, but not in terms of in-depth academic exploration of the topics presented. It is a bilingual work in Chinese and English and is divided into four parts: Chinese Cinema 1896–1949 (with separate chapters dealing with the beginnings of Chinese cinema in mainland China, Hong Kong, and Taiwan), Taiwan Cinema 1949–1999, Hong Kong Cinema 1949– 1999, and Mainland Chinese Cinema 1949–1999. The text attempts to tackle controversial issues, such as the Japanese influence on cinema during the colonial period, government censorship in Taiwan, anti-Communist propaganda films, and the February 28 Incident in 1947 in Taiwan. A comparative line of study connects Taiwan (and Japan during the colonial period), Hong Kong, and mainland China throughout the book. Unfortunately, apart from a short bibliography, there is no index for the incredibly rich film-related materials,

1224 Sat䲖, Tadao, 1930– ᩊᗳᇝԲ, 1930– Nihon eigashi (Z䲖hoban) яӆྱࡌ੗ (㬱ਣ‫)ؗ‬. T䲖ky䲖: Iwanami Shoten, 2006–2007. 4 v. ISBN 4000265776 (v. 1), 4000265784 (v. 2), 4000265792 (v. 3), 4000265806 (v. 4) Note: An enhanced revision to the original work published in 1995. The most significant changes, compared with the original work, are in Vol. 3: 1960–1995. One of the most authoritative works on Japanese film history. Organized by time period covered: Vol. 1: 1896–1940, Vol. 2: 1941–1959, Vol. 3: 1960–1995, and

220

Comparative Film Study

1233

particularly the photographical materials, from Taiwan, Hong Kong, and mainland China. WorldCat Chi Eng

Note:

1227

Compares Hollywood films with Japanese, mainland Chinese, and concurrent Taiwan films. Includes a bibliography. CTFAL Chi

1231

Tamura, Shizue, 1944– ೧భ࢑ဋብ, 1944– Hij䲖j䲖-shi no hitobito: Taiwan to Nihon no uta. ঳є‫صڵ‬䫟Ϫ䫤䫙 : ‫ݡ‬ළ䫙яӆ䫟䪷䫐 . T䲖ky䲖: Sh䲖bunsha, 1992. 228 p. ISBN 4794961030, 9784794961037 Note: A work on the film A City of Sadness (1989) and the relationship between Taiwan and Japan as reflected in the film. WorldCat Jpn

Ye, Longyan, 1940– ౕहᴧ, 1940– Ri zhi shi qi Taiwan dian ying shi = The history of Taiwanese movies during the Japanese colonization. я੽Ж‫ݡ׈‬ஹӇ‫ؙ‬੗= The history of Taiwanese movies during the Japanese colonization. Taibei: Yu shan she, 1998. 365 p. ISBN 9579361908 Series title: Bu tu xin shu; 37 ӆगЈ‫ ;ڣ‬37 Note: The first academic work by a Taiwanese scholar that focuses on Taiwan film history during Japanese colonization. Divides the Japanese colonial era into four time periods: (1) Budding Period 1896–1919; (2) Rising Period 1920–1930; (3) Thriving Period 1931–1941; and (4) Pacific War Period 1942–1945. Includes noteworthy analyses of the film histories of Taiwan, Tokyo, Shanghai, and Hollywood. Includes a bibliography and list of theaters in Taiwan during the colonial period with the following information: location, ownership, operation agency, and contractor. WorldCat Chi

1228 Tanaka, Hideo, 1952– ೧Ѕഫ೰, 1952– Eiga ni miru Higashi Ajia no kindai. ྱࡌ䫜Ԋ䫼ֆ䬑䬧䬑䫟‫ڊײ‬. T䲖ky䲖: Fuy䲖 Shob䲖, 2002. 245 p. ISBN 482950322X Note: The author accounts for the modern histories of Japan, China, Taiwan, and Korea by comparing each nation’s cinema traditions. The last section of Chapter 1 focuses on Taiwan film history by considering Japan’s influence on Taiwan and representations of Japan in Taiwan films. There is no bibliography or index at the end of the book, but reference notes are included at the end of some of the chapters. WorldCat Jpn

1232 Ye, Longyan, 1940– ౕहᴧ, 1940– Riben dian ying dui Taiwan de ying xiang 1945–1972. яӆӇ‫ؙ‬х‫ݡ‬ஹϡ‫ؙ‬৘ 1945–1972. Zhanghua: Zhong zhou ji shu xue yuan dian ying yan jiu zhong xin, 2006. 198 p. Note: An overview of the relationship between Japanese and Taiwanese films from 1945 to 1972. It deals with the following subjects: the ban on importing Japanese films from 1945 to 1950 and 1963 to 1964, the peak of Japanese film imports, government policy on importing Japanese films, cases of smuggling Japanese films, Taiwan’s film censorship system, and the influences of imported Japanese films and culture on Taiwan filmmaking. Includes a bibliography. CTFAL Chi

1229 Transnational Asian identities in Pan-Pacific cinemas: the reel Asian exchange / edited by Philippa Gates & Lisa Funnell. New York: Routledge, 2011. ISBN 9780415893541, 0415893542 Note: A collection of essays on transnational Asian identities in Pan-Pacific cinemas, including the production of and audience reception to the cinemas of Hong Kong, Japan, South Korea, Thailand, China, Taiwan, and Hollywood. This volume’s essay focusing on Taiwan film is entitled “Trauma and Taiwan’s Melodrama: Seven Orphans of Cape No. 7” by Sheng-mei Ma. Includes a bibliography, an index, and a filmography. WorldCat Eng

1233 Ye, Longyan, 1940– ౕहᴧ, 1940– Zheng zong Tai yu dian ying shi 1955–1974 (dian cang ban). Ԝᅓ‫ܭݡ‬Ӈ‫ؙ‬੗ 1955–1974 (ਹে‫)ؗ‬. Taibei: Taiwan kuai le xue yan jiu suo, 2005. 143 p. ISBN 9574130223 Series title: Happy 01

1230 Yang, Dunli. ໷ᆼٗ. Xi fang dian ying dui wo guo dian ying fa zhan zhi yan jiu. ՝ҤӇ‫ؙ‬хϢлӇ‫ؙ‬чࣁҏ୳ૢ. Taibei: Xin tain di shu ju, 1986. 180 p.

221

Interdisciplinary Studies

1234 Note:

6.1.3

As the author states in the preface, the work both reviews the history of Taiyu pian (Taiwanese-dialect film) and explores the close relationship between Japanese culture and Taiyu pian. Introduces the private film studios that produced Taiyu pian; discusses important Taiyu pian producers, screenwriters, directors, posters, and its distribution system; and explains Taiyu pian’s fall and complex relationship with Japanese culture. Includes film posters, stills, and photos. CTFAL Chi

1236 The trans-Pacific imagination: rethinking boundary, culture and society/ edited by Naoki Sakai and Hyon Joo Yoo. Singapore; Hackensack, NJ: World Scientific, 2012. 330 p. ISBN 9789814324137, 9814324132, 9789814324144, 9814324140 Note: A collection of academic essays, including “Inter-Asia Comparative Framework: Postcolonial Film Historiography in Taiwan and South Korea” by Kim Soysoung, which compares the Taiwan film The Puppetmaster (Hou Hsiao-hsien, 1993) and the Korean Film Chihwasǂn (Im Kwǂntaek, 2002); and “The Incurable Feminine: Women without a Country in East Asian Cinema” by Yoo Hyon Joo, which studies female characters in two Korean films: Time (Kim Ki-duk, 2006) and Sympathy for Lady Vengeance (Park Chan-wook, 2005), and two Taiwanese films: The River (Tsai Mingliang, 1997) and What Time Is It There? (Tsai Mingliang, 2004). Includes a bibliography and an index. BAS Chi

Films in Taiwan and Korea

1234 East Asian cinema and cultural heritage: from China, Hong Kong, and Taiwan to Japan and South Korea / edited by Kinnia Shuk-ting Yao. New York: Palgrave Macmillan, 2011. 207 p. ISBN 9780230116955, 0230116957 Note: This collection of essays examines how the legacies of East Asian cultures are being revived and recreated by contemporary filmmakers; examples include references to martial arts, music, aesthetics, stage performances, and legends in the cinemas of mainland China, Taiwan, Hong Kong, Japan, and South Korea. Includes a bibliography. WorldCat Eng

1237 You, Shixian (Yu, Shih-hsien). ղࡲᐊ. Taiwan dian ying chan ye sheng cun ce lue: 2004–2006—cong Hanguo dian ying shi chang jie xi Taiwan xian zhuang. ‫ݡ‬ஹӇ‫׬ݗؙ‬Тࡖ೫ଯ: 2004–2006—ԩठлӇ‫صؙ‬Ծ‫ث‬໯‫ݡ‬ஹѳ ୄ. 90 leaves. Note: Thesis (M.A.)—National Chengchi University, 2004. This EMBA thesis compares the decline of Taiwan’s film industry with the rise of Korean film industry to provide a three-year financial strategy for Taiwan’s film industry. Appendix includes a Chronicle of Taiwan Film Affairs from 1982 to 2003, and Taiwan’s Film Box Office Records from 1980 to 1999. Includes a Chinese abstract, a bibliography, and a Chart of the Ten Best Box Office Records of Korean Films. NCL/NDLTD (FT) Chi

1235 Qiu, Shichun. ᆥஉ᳝. Taiwan dian ying ru he li yong guo ji ying shi shi chang jin xing guo ji fa xing zhi tan tao—yi Fushan yu Xianggang shi chang wei li = Exploration of International distribution for Taiwan cinema via international market: case studies of Asia film market & HK filmart. ‫ݡ‬ஹӇ‫ؙ‬Ғ‫ح‬۱ѓлগ‫ؙ‬؆‫ص‬ԾՔҲлগчҲҏ෬क़—й᷶‫ځ‬ӿ ‫ܫ‬୯‫ص‬ԾЊຎ = Exploration of International distribution for Taiwan cinema via international market: case studies of Asia film market & HK filmart. 113 p. Note: Thesis (M.A.)—National Chengchi University, 2010. Analyzes the “2009 Busha Asia Film Market Exhibition” and the “2010 Hong Kong Filmart” to explore international distribution strategies for Taiwan cinema. Concludes the following: Taiwan films should first be distributed to Chinese and Asian markets, current Taiwan cinema style and content is not particularly appealing to audiences overseas and limits investor interest, and the quality of Taiwan’s art films must improve to compete in the competitive international marketplace. Finally, the author recommends that if Taiwan filmmakers want to enter the international market, then they should select topics and scripts that match concurrent world cinema trends. Includes a Chinese index and bibliography. NCL/NDLTD Chi

6.1.4

Taiwan and Bollywood Films

1238 Taiwan V.S. Yindu ying zhan = The Taiwan V.S. India Film Festival / Ce hua dan wei: Taiwan dian ying wen hua xie hui. ‫ݡ‬ஹ V.S. ୅֏‫ = ࣁؙ‬The Taiwan V.S. India Film Festival / ೫੿‫؁‬ ֧: ‫ݡ‬ஹӇ‫ؙ‬ҹ٩൒Ͼ. Taibei: Taiwan dian ying wen hua xie hui, 2004. 117 p. Note: A special publication for the Taiwan versus India Film Festival hosted by the Taiwan Film and Culture Association from December 2004 to January 2005 in Taiwan.

222

Comparative Film Study

1242

Includes the festival schedule, synopses of films shown during the festival, an introduction to Bollywood (India) films, and comparative studies of Taiwan and Bollywood films. CTFAL Chi

6.1.5

1241 Chinese connections: critical perspectives on film, identity, and diaspora / edited by Tan See-kam, Peter X. Feng, and Gina Marchetti. Philadelphia: Temple University Press, 2009. 311 p. ISBN 1592132677, 9781592132676, 1592132685, 9781592132683 Note: A collection of essays, including “Hollywood and Taiwan: Connections, Countercurrents, and Ang Lee’s Hulk” by Gina Marchetti, and “Taiwan Fever: Tsai Ming-liang and the Everyday Postnation” by Peter Hitchcock. Includes a bibliography, an index, and a filmography. WorldCat Eng

Taiwan and Hollywood Films

1239 Chen, Junji (Chen, Chun-chi). ಴ᒺแ. Taiwan shi shi dian ying yin mu pei ji zhi de ke xing xing = The feasibility of the implements of the silver screen quota system in Taiwan. ‫ݡ‬ஹӢැӇ‫ࡈ௷ુؙ‬Ѱ‫ء‬ϡНҲԛ = The feasibility of the implements of the silver screen quota system in Taiwan. 120 leaves. Note: Thesis (M.A.)—Shi Hsin University, 2009. Since 1980, the Taiwanese government has implemented a domestic film subsidy system; however, the subsidy policy did not entirely alter Hollywood’s colonization of Taiwan’s domestic film market in which 90 percent of Taiwan’s box office was taken by Hollywood films, with local Taiwanese films usually contributing less than 1 percent of the box office. This study uses quantitative research, interviews, and the lens of Edward Said’s theory of culture and imperialism to study the feasibility of a screen quotas system in Taiwan to protect Taiwan’s domestic film industry and enable it to prosper. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

1242 Chinese-language film: historiography, poetics, politics / edited by Sheldon H. Lu and Emilie Yueh-yu Yeh. Honolulu: University of Hawai’i Press, 2005. 413 p. ISBN 0824828135 (alk. paper), 9780824828691, (pbk.: alk. paper), 0824828690 (pbk.: alk. paper) Note: This edited volume “covers the cinematic traditions of mainland China, Taiwan, Hong Kong, and the Chinese diaspora from the beginning of Chinese film history to the present moment” (p. 2). Part I. Historiography, Periodization, Trends includes articles that either address Chinese film history broadly or different significant movements within Chinese cinema; Part II. Poetics, Directors, Styles provides “lucid, synchronic, structural(ist), transhistorical accounts of the poetics and aesthetics of Chinese film as an integral part of world cinema” (p. 15). Interesting studies include the essay by Mary Farquhar and Chris Berry: “Shadow Opera: Toward a New Archaeology of the Chinese Cinema,” which states :“If civilized plays are cinema’s stepmother, then opera is the mother in terms of first film productions, whether on the mainland (1905) or in Hong Kong (1909). Opera films were also the first productions in major regional language films, Cantonese (1933) and Taiwanese (1954)” (p. 51). Other Taiwan film or related comparative film studies essays include Meiling Wu’s “Postsadness Taiwan New Cinema: Eat, Drink, Everyman, Everywoman,” Emilie Yuehyu Yeh’s “Poetics and Politics of Hou Hsiao-hsien’s Films,” Sheldon H. Lu’s “Crouching Tiger, Hidden Dragon, Bounding Angeles: Hollywood, Taiwan, Hong Kong, and Transnational Cinema,” Darrell W. Davis’s “Borrowing Postcolonial: Wu Nien-chen’s Dou-san and the Memory Mine,” and Shao-ying Shen’s “Locating Feminine Writing in Taiwan Cinema: A Study of Yang Hui-shan’s Body and Sylvia Chang’s Siao Yu.” Includes filmography, Chinese glossary, bibliography, notes on contributors, and an index. WorldCat Eng

1240 Chen, Lifang (Chen, Li-fang). ಴ᾭҤ. 1989–2006 Di shi ni jing dian tong hua zai Taiwan de xiao fei yu yun yong = The consumption and application of Disney classical animation between 1989 and 2006 in Taiwan. 1989–2006ၔࡲ৸ҬਹҁޫϨ‫ݡ‬ஹϡ‫ٮ۽‬ӿ‫ػ‬ѓ = consumption and application of Disney classical animation between 1989 and 2006 in Taiwan. 104 leaves. Note: Thesis (M.A.)—National Cheng Kung University, 2006. In 1989, animated films produced by Walt Disney officially entered the Taiwan film market, and in 1995, Disney movies entered Taiwan’s cable television programs. Chapter 1 discusses the history of Walt Disney Studio; Chapter 2 focuses on characteristics of and cultural elements in Disney film plots; and Chapter 3 studies the influence of Disney’s animated films on Taiwan’s animated film production, children’s education, and audience reception since 1989. Includes a Chinese and English abstract, a bibliography, and an appendix. NCL/NDLTD (FT) Chi

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films dominate Taiwan’s market after limits on imported foreign films were lifted. As the result of these conditions, and various solutions proposed by film directors, the paper suggests that the government should intervene by being more involved in film production and establishing improved film policies. Includes a Chinese abstract, a bibliography, and an appendix (including past import quotas on foreign films, and a list of government subsidized domestically produced films from 2002 and 2003). NCL/NDLTD (FT) Chi

1243 Curtin, Michael. Playing to the world’s biggest audience: the globalization of Chinese film and TV. Berkeley; Los Angeles: University of California Press, 2007. 341 p. ISBN 9780520251335 (cloth: alk. paper), 9780520251342 (pbk.: alk. paper) Note: Michael Curtin’s text, Playing to the World’s Biggest Audience: The Globalization of Chinese Film and TV examines the shifting dynamics of film and television industries in an era of global connectivity. Although the historical breadth of the project considers the early filmic entertainment industries in China, Taiwan, Hong Kong, and Singapore, it focuses on the “dramatic changes that have occurred since the 1980s with the end of the Cold War, the rise of the World Trade Organization, the modernization policies of the PRC, the end of martial law in Taiwan, the transfer of Hong Kong to Chinese sovereignty, the high-tech liberalization of Singapore, the rise of consumer and youth cultures across the regions, and the growing wealth and influence of overseas Chinese in such cities as Vancouver, London, and Kuala Lumpur” (p. 3). This book focuses on the challenge of globalization during the 1990s and early 2000s, confronts the idea that Hollywood hegemony will last indefinitely, and considers globalized Chinese media enterprises that faced a slower pace of expansion in wake of the financial crisis of 1997 and the burst of the dotcom bubble in 2000. In short, the text discusses how commercial media enterprises—and at times the text addresses state media in the PRC—adjusts and shifts to the social and institutional dynamics of the new millennium. Includes a broad historical synopsis of the Shaw Brothers Studio (Chapter 1), a study of Hollywood’s saturation of Taiwan’s film market (Chapter 4), and an account of the current cooperation between mainland China and Taiwan (Chapter 6). Includes industry interviews, notes, a bibliography, and an index. WorldCat Eng

1245 Huang, Ren, 1925– ࢶწ, 1925– Wo hu cang long Haolaiwu: Li An yu hua yi ying ren jing ying / Huang Ren, Liang Liang zhu. ၃ഝেहϮᒀᩕ: ଽԥӿ‫ܓ‬ᶜ‫ؙ‬Ϫ‫ ؘ߭‬/ ࢶწ, ᅯમЯ. Taibei: Ya Ta tu shu chu ban she, 2002. 223 p. ISBN 9578264933 Series title: Taiwan dian ying yan jiu cong shu; 8 ‫ݡ‬ஹӇ‫ૢ୳ؙ‬ᜣ‫ ;ڣ‬8 Note: A book about Crouching Tiger, Hidden Dragon; Chapters 1–5 describe how Ang Lee broke in into Hollywood and include academic essays on Ang Lee’s films; Chapters 6–9 present successful Chinese directors, cinematographers, technicians, actresses, and actors in Hollywood. NTUL Chi

1246 Huang, Shikai. ࢶஉᏎ. Yi jiu jiu ling nian dai Taiwan dian ying gong ye de zheng zhi jing ji fen xi. ϣ॰॰0ё‫ݡڊ‬ஹӇ‫׬ؙ֞‬ϡू੽Ҭ௵д໯. 119 leaves. Note: Thesis (M.A.)—National Chung Cheng University, 2004. An overview of Taiwan’s film industry as influenced by political and economic changes during the 1990s: local capital was moved to the area of foreign film distribution dominated by Hollywood; in 1999, Taiwan only produced sixteen films and occupied less than 0.46 percent of the box office income in Taiwan. The paper argues that the government did not adequately change its film policies and even abandoned some valuable cultural regulations, which protected the domestic film industry after entering the World Trade Organization. Includes a Chinese abstract and an appendix (including Taipei Area Box Office Records of Domestic Films and Foreign Films, 1990–1999; and Domestic Films That Received Government Subsidies and Awards during International Film Festivals, 1990–1999). NCL/NDLTD (FT) Chi

1244 Gu, Shuxun (Gu, Shushiun). ࣲᎂ៨. Taiwan dian ying sheng chan chang yu fen xi, 1998–2003 = Analysis of the field of film production in Taiwan, 1998–2003. ‫ݡ‬ஹӇ‫ؙ‬Т‫ݗ‬Ծ෢д໯, 1998–2003 = Analysis of the field of film production in Taiwan, 1998–2003. 136 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 2004. Based on Pierre Bourdieu’s field theory, this paper explores structural changes within the field of film production in Taiwan from 1998 to 2003 by way of interviewing twelve local Taiwan film directors. Politically, Taiwan’s film industry inherits a legacy of censorship and propaganda; economically, Hollywood

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1251 information of Chinese Times Daily newspaper and United Daily newspaper (1996–2004). ӐѳӇ‫ؙ‬: йЅлЖ‫ھߵڻ‬Т‫ڻ‬ϡӇ‫ޞؙ‬ళЊຎ = Represent films: research news information of Chinese Times Daily newspaper and United Daily newspaper (1996–2004). 213 leaves. Note: Thesis (M.A.)—National Chung Cheng University, 2005. By assessing film-related stories from two Taiwan newspapers, the Chinese Times Daily and United Daily as the case studies, this paper describes responses to, and the presentation of, Hollywood films in Taiwan. In the 1990s, Hollywood films flooded Taiwan’s theaters (in 1996, Hollywood films occupied 90 percent of Taiwan’s film market), at the same time, the Taiwan government, policymakers, scholars, and film workers tried to alleviate Taiwan’s film market slippage. Research reveals that Taiwan directors were featured in newspapers in terms of their achievements in receiving awards in international film festivals, the government film subsidies received by these directors, and the difficulties inherent to releasing films domestically— unlike the Hollywood and Hong Kong newspaper reports that focused on film plots and promotional activities. The study recommends that newspapers present Taiwanese domestic films with similar exposure as provided for Hollywood films. Includes a Chinese and English abstract; a bibliography; statistical charts of Taiwan domestic, Hong Kong, and foreign film distribution; and box office records from 1996 to 2004. NCL/NDLTD (FT) Chi

1247 Li, Peipei. ଽഷഷ. 2000–2010 nian Taiwan dia ying yu gao pian yan jiu yu mo shi tan qiu = The study of 2000–2010 Taiwan movie trailers and model exploration. 2000–2010 ё‫ݡ‬ஹӇ‫ؙ‬ভ‫ݍ‬ә୳ૢӿথܴ෬ؒ = The study of 2000–2010 Taiwan movie trailers and model exploration. 167 p. Note: Thesis (M.A.)—National Cheng Chi University, 2009. Compares Taiwanese movie trailers with Hollywood movie trailers. Categorizes Hollywood movie trailers into four types (narrative, visual, audial, and stars), and then categorizes Taiwanese movie-trailers into three types (quasi- Hollywood, Hollywood-like, and a local Taiwan model). The purpose of the study is to help Taiwan’s film industry maximize the marketing impact of its movie trailers. Includes a bibliography and Chinese and English abstracts. NCL/NDLTD Chi

1248 Li, Shu-chu Sarrina. The image of America delivered by American TV programs and movies to the Chinese in Taiwan. 108 leaves. Note: Thesis (M.A.)—Texas Tech. University, 1985. Analyzes the way the United States is represented through American television programs and movies shown in Taiwan. Includes a bibliography. WorldCat Eng

1250a

1249

Lin, Xianru (Lin, Hsien Ju). ৆ᢌҒ. Jiu shi nian dai zheng jing bian qian zhong de Taiwan dian ying gong ye. ॰֐ё‫ूڊ‬ҬԺቜЅϡ‫ݡ‬ஹӇ‫׬ؙ֞‬. 197 leaves. Note: Thesis (M.A.)—Chinese Culture University, 2000. Assesses Taiwan’s film industry decline resulting from both political and economic changes during the 1990s. Includes a Chinese abstract and bibliography. NCL/NDLTD Chi

Li䩟Yuxuan (Lee, Yu-shiuan). ଽℯἒ. Wen hua duo yang xing yu fu wu mao yi zi you hua zhi hu dong guan xi䩭yi WTO jia gou zhi dian ying shi ting fu wu wei zhong xin. ҹ٩ЄҊԛӿ‫ࠔע‬ᆓ‫ډ‬٩ҏૠҁԬ਽䩭йWTOବภҏӇ‫ؙ‬؆ԯ ‫ࠔע‬ЊЅК. 187 leaves. Note: Thesis (M.A.)—National Dong Hwa University, 2008. This paper explores the contradictions and interactions between UNESCO’s Convention on the Protection and Promotion of the Diversity of Cultural Expressions and the World Trade Organization’s General Agreement on Trade in Services, which covers the audiovisual business in the service sector, and then discusses how to protect Taiwan’s film industry. Includes a Chinese abstract and a bibliography. NCL/NDLTD (FT) Chi

1251 Lin, Yupeng. ৆ർអ. Quan qiu hua shi dai xia de min zu guo jia dian ying: wen hua gong min quan shi ye de fen xi = National cinema in the global age: an analysis in perspective of cultural citizenship. Ҫ‫ܧ‬٩Ж‫ڊ‬Ўϡ‫ھ‬ఓлрӇ‫ؙ‬: ҹ٩ԍ‫੸ھ‬؆ఀϡд໯ = National cinema in the global age: an analysis in perspective of cultural citizenship. 124 leaves. Note: Thesis (M.A.)—Tamkang University, 2004.

1250 Liang, Wenqi (Liang, Wen-chi). ᅯҹ⓭. Zai xian dian ying: yi Zhongguo Shi Bao ji Min Sheng Bao de dian ying zi xun wei li (1996–2004) = Represent films: research news

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1252 The paper claims that laissez-faire film policies of deregulation adopted by Taiwan during the 1980s and 1990s transformed audiences from “citizens” into “consumers” and ignored the cultural significance and rights of film audiences; then the thesis attempts to find a solution for Taiwan national cinema in a global age from the perspective of “Cultural Citizenship,” including audience access to information, participation in communication, and egalitarian dialogue. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD (FT) Chi

promising directors and their works and their subjects should not be limited to “local characteristics.” Includes a Chinese abstract and bibliography. NCL/NDLTD Chi

1254 Szeto, Kin-Yan. The martial arts cinema of the Chinese diaspora: Ang Lee, John Woo, and Jackie Chan in Hollywood. Carbondale: Southern Illinois University Press. 171 p. ISBN 9780809330218 (pbk.: alk. paper); 0809330210 (pbk.: alk. paper); 9780809386208 (ebk.); 0809386208 (ebk.) Note: A work on Ang Lee, John Woo, Jackie Chan, and their martial arts film careers in Hollywood. WorldCat Eng

1252 Liu, Youjing. ฀ҍ᪦. Cong yu qiu li yi guan dian tan tao Taiwan dian ying zhi shi chang qu ge—yi Meiguo dian ying wei yan jiu dui xiang = A study of Taiwan’s movies market segmentation from a benefit-seeking perspective: a case study of American movies. ԩ௰ؒ۱೯޲ѡ෬क़‫ݡ‬ஹӇ‫ؙ‬ҏ‫ص‬Ծ߅ഭ—йѤлӇ‫ؙ‬Њ୳ૢх ࢣ= A study of Taiwan’s movies market segmentation from a benefitseeking perspective: a case study of American movies. 82 leaves. Note: Thesis (M.A.)—National Chiao Tung University, 2003. Considering the dominance of Hollywood cinema in Taiwan in the 1990s, this study considers Taiwan college and graduate students’ high level of interest in watching American movies in the Taipei area. Concludes that there are three ways to categorize this cross-section of university students as follows: “self-improvement,” “fashionable,” and “social and entertainment” (the third group was largest at 56.2 percent). Includes a Chinese abstract and a bibliography. NCL/NDLTD (FT) Chi

1255 Sibergeld, Jerome. Hitchcock with a Chinese face: cinematic doubles, Oedipal triangles, and China’s moral voice. Seattle: University of Washington Press, 2004. 146 p. ISBN 0295984171, 9780295984179 Note: A book in three chapters: Chapter 1 analyzes mainland Chinese film Suzhou River (Ye, 2000); Chapter 2 the Hong Kong film The Day the Sun Turned Cold (Yim, 1995); and Chapter 3 the Taiwanese film Good Men, Good Women (Hou, 1995). Includes a bibliography, an index, and a DVD containing scenes from the three films. WorldCat Eng

1256 Tesson, Charles. L’Asie à Hollywood / Charles Tesson; Claudine Paquot; Roger Garcia. Paris: Cahiers du Cinéma, 2001. 255 p. ISBN 2866422821, 9782866422820 Note: A work on successful Asian Americans in Hollywood, including Ang Lee, John Woo, Tsui Hark, and Raymond Chow. WorldCat Fre

1253 Peng, Guangwei (Peng, Kuang-wei). ᣴ‫ׇ‬໖. Quan qiu hua yu Haolaiwu Hua yi dao yan—zuo pin tan tao yu xing tai fen xi. Ҫ‫ܧ‬٩ӿϮᒀᩕ‫ܓ‬ᶜ࣒ࠟ—ӑԘ෬क़ӿࡿ‫ݯ‬д໯. 211 p. Note: Thesis (M.A.)—National Taiwan University, 2006. Considering that globalization and Hollywood domination has greatly influenced Chinese filmmaking, the paper selects three major Chinese film directors and compares their works before and after receiving transnational and Hollywood investment, including Ang Lee’s Wedding Banquet (1993) and Crouching Tiger, Hidden Dragon (2000), Zhang Yimou’s Raise the Red Lantern (1992) and Hero (2002), and Chen Kaige’s Farewell My Concubine (1993) and The Promise (2005). Concludes that the influence of globalization is inevitable, and the pressure of box office success challenges the directors’ integrity and cultural and national values. In terms of Taiwan’s film industry, the paper suggests that the government should change its policy: subsidies need to be more carefully directed to

1257 Tian, Jiaqi (Tien, Chia-Chi). ೧рᔂ. Taiwan Hua shang fa Xing Ou Mei wai pian zhi li shi fa zhan yan jiu = A historical research of the development of domestic distributors of imported foreign films. ‫ݡ‬ஹ‫࠱ܓ‬чҲଟѤ֔әҏࣵ੗чࣁ୳ૢ = A historical research of the development of domestic distributors of imported foreign films. 213 leaves. Note: Thesis (M.A.)—Yuan Ze University, 2000. This paper divides the development and history of Taiwan domestic film distribution and distributors into three periods: “Beginning Period”: 1954–1980, during which Taiwan’s government instituted policies that restricted imported films, including prints and

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exhibition of foreign films, to ensure the growth of the domestic film industry, prevent unbalanced competition, and control access to foreign films in the local market; the “Golden Era”: 1980–1988, when the Taiwan government deregulated portions of its restrictions and protections in response to the Motion Pictures Export Association of America’s (MPEA’s) requirements to open Taiwan’s local film market, and Taiwanese distributors could import various foreign films; and the “Decline Time” (1989–1999), during which Taiwan removed almost all of its restrictions and Hollywood Majors directly dominated the Taiwan film market, and Taiwan became the tenth largest film market in Hollywood’s global box office ranking. The paper suggests that Taiwan’s government should control the number of imported film prints and screening venues, media should avoid being Hollywood’s advertising tool, and research should focus on local audience and consumer behavior in improve domestic film production and distribution. Includes a Chinese and English abstract and bibliography. NCL/NDLTD Chi

Taibei: guo jia dian ying zi liao guan, 1995. 267 p. ISBN 9579987440 Series title: Taiwan dian ying shi liao cong shu; 2 ‫ݡ‬ஹӇ‫ؙ‬੗ࢧᜣ‫ ;ڣ‬2 Note: Based on the author’s impressive research of filmrelated materials published in various newspapers in Taiwan, this text describes the establishment of Taiwan’s film industry after retrocession from 1945 to 1949. Significantly, Chapter 2 describes the moment when mainland film studios first arrived to shoot films in Taiwan and later shipped their equipment, production, and personnel to Taiwan; Chapter 3 deals with the operation and management of the Taiwan theatre system; Chapter 4 focuses on movies shown in Taiwan’s theaters, specifically, the large quantity of films produced in mainland China and, later, the domination of the market by Hollywood films; and Chapter 5 considers film censorship in Taiwan during the time. Includes two important documents at the appendix in the end of the book: the Taiwan Film Industry Corporation Business Plan and the Taiwan Film Industry Corporation Preparation Report, which provide details of the early management and operation of Taiwan’s theater system. Includes bibliography. WorldCat Chi

1258 Yan, Zhilong (Yen, Chih-lung). ୶࢑ह. Meiguo dian ying zai Taiwan = American movie in Taiwan. ѤлӇ‫ؙ‬Ϩ‫ݡ‬ஹ = American movie in Taiwan. 60 leaves. Note: Thesis (M.A.)—National Taiwan University, 2007. Uses economic statistics to consider why Hollywood movies succeed in Taiwan’s market. Concludes that Hollywood’s rating system, higher production budgets, quantity of theaters exhibiting films, and release times result in better box office results compared with Taiwan films. Includes a Chinese and English abstract, bibliography, and various box office records in Taiwan film market. NCL/NDLTD Chi

1261 Ye, Longyan, 1940– ౕहᴧ, 1940– Ri zhi shi qi Taiwan dian ying shi = The history of Taiwanese movies during the Japanese colonization. я੽Ж‫ݡ׈‬ஹӇ‫ؙ‬੗= The history of Taiwanese movies during the Japanese colonization. Taibei: Yu shan she, 1998. 365 p. ISBN 9579361908 Series title: Bu tu xin shu; 37 ӆगЈ‫ ;ڣ‬37 Note: The first academic work by a Taiwanese scholar that focuses on Taiwan film history during Japanese colonization. Divides the Japanese colonial era into four time periods: (1) Budding Period 1896–1919; (2) Rising Period 1920–1930; (3) Thriving Period 1931–1941; and (4) Pacific War Period 1942–1945. Includes noteworthy analyses of the film histories of Taiwan, Tokyo, Shanghai, and Hollywood. Includes a bibliography and list of theaters in Taiwan during the colonial period with the following information: location, ownership, operation agency, and contractor. WorldCat Chi

1259 Yang, Dunli. ໷ᆼٗ. Xi fang dian ying dui wo guo dian ying fa zhan zhi yan jiu. ՝ҤӇ‫ؙ‬хϢлӇ‫ؙ‬чࣁҏ୳ૢ. Taibei: Xin tain di shu ju, 1986. 180 p. Note: Compares Hollywood films with Japanese, mainland Chinese, and concurrent Taiwan films. Includes a bibliography. CTFAL Chi

1262 Ying yin mei xue yu chuang yi xing xiao yan tao hui = Seminar on digital aesthetics and creative marketing / Li Tianduo, Fan Shengbao, Qiu Zhiyong zong zhu bian. ‫ٸؙ‬ѤѹӿࡶҺҲઍ୳क़Ͼ = Seminar on digital aesthetics and creative marketing / ଽϳ⟢, ౒ഄ‫خ‬, ᆥ௨ରրҰഹ.

1260 Ye, Longyan, 1940– ౕहᴧ, 1940– Guang fu chu qi Taiwan dian ying shi. ‫࣢ׇ‬२‫ݡ׈‬ஹӇ‫ؙ‬੗.

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1263 Taibei: Jiao yu bu, 2007. 210 p. ISBN 9789860101904 Note: Conference proceedings organized into twelve sessions, including lectures and panel discussions, focusing on the emergent multimedia, digital technology, film production, and marketing trends involving Hollywood marketing strategies in Taiwan and Taiwan film production and marketing, as well as the cooperation of animated film production between Taiwan and mainland China. CTFAL Chi

1265 Zeng, Wenjun (Tseng, Wen-chun). ߲ҹᒺ. Quan qiu hua qu shi xia kua guo Hua yu dian ying de fa zhan = A Progress of international Chinese cinemas in the global age. Ҫ‫ܧ‬٩ࠊۢЎቄл‫ܭܓ‬Ӈ‫ؙ‬ϡчࣁ = A Progress of international Chinese cinemas in the global age. 71 leaves. Note: Thesis (M.A.)—Tainan National University of the Arts, 2006. This thesis aims to locate the position of the Taiwan film industry within the international network of Chinese cinemas in a global age by considering cinema in terms of political economy, commodification, and cultural labor. Concludes that after joining World Trade Organization, China will become the second-biggest film market for Hollywood and that Taiwan’s film industry is losing ground in the areas of marketing, funding, and influence. To solve this dilemma, the author advocates for the Taiwan film industry to actively seek coproduction opportunities in the global market. Includes a Chinese and English abstract, bibliography, appendix, and charts of Chinese film professionals in Hollywood and advantages for Hong Kong films entering the China market. NCL/NDLTD Chi

1263 You, Shangmin. ղϼ‫ھ‬. “Shang dian ying yuan = kan Haolaiwu dian ying?”: Meiguo hua xia Taiwan guan zhong de dian ying xiang xiang. “ϼӇ‫ = ࡨؙ‬ЃϮᒀᩕӇ‫”?ؙ‬: Ѥл٩Ў‫ݡ‬ஹ޲ੁϡӇ‫ؙ‬ЂՌ. 200 leaves. Note: Thesis (M.A.)—National Taiwan Normal University, 2008. Studies the domination of Hollywood films in Taiwan’s film market and the Americanization of Taiwan movie theaters from an audience perspective. Defines movie theaters as sites of technology, consumption, and entertainment for Taiwanese society and concludes that Hollywood films best match the requirements of these three spaces. In addition, Taiwan’s art films only shown in film festivals and commercial films, which include elements of Hollywood style, have further Americanized Taiwan’s film viewing experience and audience. Includes a Chinese abstract and bibliography. NCL/NDLTD Chi

1266 Zou, Nianzu (Tzou, Nian-tsu). ề݉ྥ. Guo pian fu dao jin zhi du yan jiu = Research on the subsidiary Policy of Taiwan Cinema. ләᔆ࣒‫ = ૢ୳֏ءؖ‬Research on the subsidiary Policy of Taiwan Cinema. 177 leaves. Note: Thesis (M.A.)—National Chiao Tung University, 2001. Hollywood has dominated the international film markets, including Taiwan market, for decades, and many countries implement different policies to support their own national cinemas. After studying these policies, the paper suggests that Taiwan should not copy the policies of other countries; rather, it should position its subsidiary grant clearly as a cultural policy and spend the grant more appropriately in the areas of producing art-oriented films and investing in new directors. Includes a Chinese and English abstract, a bibliography, and an appendix (including a List of the Films [That] Received the Subsidiary Grants, Chronology of Taiwan Film Subsidiary System, and Name List of the Subsidiary Grant Evaluation Committee Members). NCL/NDLTD Chi

1264 Zhao, Tinghui. ᕿ៴ሓ. Xu shi dian ying yu xing bie lun shu = Narrative cinema and gender discourse. ᡳѨӇ‫ؙ‬ӿԛԇ‫ں‬਎ = Narrative cinema and gender discourse. Taibei Xian Yonghe shi: Airiti Press Inc., 2010. 335 p. ISBN 9789866286292, 9866286290 Series title: Chuan bo xue yan jiu xi lie ‫ة‬৚ѹ୳ૢ‫࠶ڍ‬ Note: Analyzes representations of females in films from Taiwan, Hong Kong, and Hollywood to explore gender power structures. Films include Taiwan’s The Shoe Fairy (2006) and Blue Gate Crossing (2002), Hong Kong’s Turn Left, Turn Right (2003), and Hollywood’s Mulan (1998) and Shanghai Noon (2000). Includes a bibliography. WorldCat Chi

228

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6.2

1270

FILM AND ABORIGINAL PEOPLE

1270 Ji lu Taiwan: Taiwan ji lu pian yan jiu shu mu yu wen xian xuan ji / zhu bian Zhang Changyan, Li Daoming ; zhi xing bian ji Hong Yawen, Han Xu’er, Zhang Qinyun. ઔ࠷‫ݡ‬ஹ: ‫ݡ‬ஹઔ࠷ә୳ૢ‫ڣ‬۵ӿҹຶ‫ק‬ओ / Ұഹ‫פ‬ቾᴧ, ଽѬҴ ; వҲഹফᖻ઩ҹ, ठ᯾ঌ, ‫פ‬ቦ᭲. Taibei: Xing zheng yuan wen hua jian she wei yuan hui wei tuo cai tuan fa ren guo jia dian ying zi liao guan, 2000. 2 v. ISBN 9570265478 (v. 1); 9570262486 (v. 2) Series title: Taiwan dian ying shi liao cong shu ‫ݡ‬ஹӇ‫ؙ‬੗ࢧᜣ‫ڣ‬ Note: This is the first and most comprehensive bibliography and collection of essays on Taiwan film documentaries. Vol. 1 covers the colonial period and includes sixty-five essays and articles written by three contemporary Taiwan scholars as well as colonial-era Japanese authors whose articles were initially published in Japanese before being translated into Chinese for the purposes of this book. Contains eight parts: (1) Film History; (2) Documentary, News, and Education Films; (3) Film Show Activities; (4) Film Propaganda; (5) Film Censorship; (6) Film Affairs; (7) Film Reviews and Introduction; and (8) a Bibliography of Taiwan Documentary Film Studies During the Colonial Period, which includes monographs (in both Chinese and Japanese), dissertations, and journal articles (in both Chinese and Japanese, dated and undated). There is also a bibliography at the end of the book. Vol. 2 covers Taiwan documentary film studies after 1945 and includes eighty-one essays, articles, interviews, film reviews, and news reports. Similar to Vol. 1, it also contains eight parts: (1) Anthropology Films; (2) Introduction and Review of Taiwan Documentary Films; (3) Theory and Aesthetics of Documentary Film; (4) Documentary Film and Social Movements; (5) Documentary and Indigenous People; (6) Documentary Film Directors and Workers; (7) Documentary Film History, and Analysis; and (8) a Bibliography of Taiwan Documentary Film Studies after 1945, which is organized under the following subjects: anthropology films, China (including Hong Kong) documentary films, review and introduction to Taiwan documentary films, review and introduction to foreign documentary films, documentary filmography and others, documentary film theory and aesthetics, documentary films and social culture, documentary film and social movements, documentary film and indigenous people, documentary film directors and workers (domestic), documentary film directors and workers (abroad), documentary film history (domestic), and documentary film history (abroad). The materials collected in the bibliography include monographs, dissertations, journal and newspaper articles, handbooks, and manuals. WorldCat Chi

1267 Ba, Ruiling, 1977– ࣬ᇳ෗, 1977– Yuan zhu min ying pian zhong de yuan han yi shi ji qu yun yong = Aboriginese Taiwan. ֍֙‫ؙھ‬әЅϡ֍ఈҺࡦߵԷ‫ػ‬ѓ = Aboriginese Taiwan. Taibei: Xiu wei zi xun ke ji you xian gong si, 2011. 180 p. ISBN 9789862216569; 9862216565 Series title: Dong da xue shu; 31 she hui ke xue lei; PF0035 ֆϽѹफ; 31 घϾ॓ѹढ; PF0035 Note: Explores expressions of Han ethnicity in Taiwanese films dealing with Taiwan’s aboriginal peoples. Includes a bibliography. WorldCat Chi

1268 Chen, Lizhu. ಴‫ܡ‬෿. Taiwan dian ying zhong yuan zhu min xing xiang zhi yan jiu: lun shu gong ye xia de ta zhe tu xiang. ‫ݡ‬ஹӇ‫ؙ‬Ѕϡ֍֙‫ࢣ࣏ھ‬ҏ୳ૢ: ‫ں‬਎֞‫׬‬Ўϡ‫ࢣ֖ٷؚ‬. 108 leaves. Note: Thesis (M.A.)—Chinese Culture University, 1997. Using images of Taiwan’s aboriginal people as presented in ten movies produced between 1957 to 1990, the author investigates and analyzes how the ethnic Han majority created and established stereotypes of Taiwan’s aboriginal people through mass media. Includes a bibliography. NTUL Chi

1269 Colonialism and nationalism in Asian cinema / edited by Wimal Dissanayake. Bloomington: Indiana University Press, 1994. 224 p. ISBN 0253318041 (alk. paper), 0253208955 (pbk.: alk. paper) Note: A collection of essays focusing on colonialism and nationalism in Asian cinema. Includes Chris Berry’s essay “A Nation T(w/o)o: Chinese Cinema(s) and Nationhood(s),” which analyzes films produced by mainland Chinese film directors as well as Taiwanese film directors Hou Hsiao-hsien, Edward Yang, and Huang Mingchuan, and explores representations of nationality, colonialism, and aboriginal peoples. Includes a bibliography in the end of each essay, an introduction to the contributors, and an index at the end of the book. WorldCat Eng

229

Interdisciplinary Studies

1271 Note:

1271 Lin, Xing (Lin, Hsin). ৆լ. “Dong bu zhu yi”—21 shi ji chu Taiwan dian ying zhong de huan bao lun shu yu lu xing shen hua = Journey to the East Environmental Discourse and travel stories in Taiwan films of the early 21st century. “ֆ‫ח‬Ұच”—21Ԓઔ२‫ݡ‬ஹӇ‫ؙ‬Ѕϡࢰ‫ںخ‬਎ӿ߫Ҳ‫ظ‬ҧ = Journey to the East Environmental Discourse and travel stories in Taiwan films of the early 21st century. 130 leaves. Note: Thesis (M.A.)—Shih Hsin University, 2008. The author notes that since the year 2000, Eastern Taiwan increasingly has used as a film theme or setting representations the author considers to be overidealized and overnaturalized in light of historical, social, and cultural changes. Also includes discourse surrounding Eastern Taiwan’s environment, aboriginal protection, and travel stories. Appendix includes the filmography of “Eastern Taiwan Theme” films from 1984 to 2008 and a Chart of Eastern Taiwan Natural Resources. Includes a Chinese abstract and bibliography. NCL/NDLTD (FT) Chi

A substantial academic work that analyzes the filmrelated laws, policy, regulations, and propaganda of the Japanese colonial administration, as well as local target audiences in Taiwan, during the period from 1895–1942. Divided into Part 1, Film Related Laws, Regulations and Control System; Part 2, Propaganda and Film; and Part 3, Population and Film. Includes fascinating topics—for example, the strategy of using film as a tool to improve the image of the local police, the effort to educate and control Taiwan’s aboriginal population, and the use of film to promote the war effort. One of the chapters includes nine interviews— eight Taiwanese and one Japanese—about their memories of the cinema in Taiwan. Based on the author’s master’s thesis completed at the History Institute of National Taiwan University, written in Chinese. Includes a bibliography and an appendix of Donated Film List from the Patriotic Women Association to the Taiwan Education Association, Schedule of Taiwan Propaganda Team in Mainland China, Films Produced by Taiwan Education Association, and Films Housed by Various Organizations in Taiwan. WorldCat Chi

1274

1272

“Taiwan wen xue yu dian ying zhong de mu yu” xue shu yan tao hui lun wen ji / Jian Guangming zhu bian. “‫ݡ‬ஹҹѹӿӇ‫ؙ‬Ѕϡআ‫ ”ܭ‬ѹफ୳क़Ͼҹओ / ߢ‫ׇ‬ҴҰഹ. Pingdong: Guo li Pingdong jiao yu da xue Zhongguo yu wen xue xi, 2008. 234 p. ISBN 9789860136210 Note: Consists of nine papers presented at the Native Languages in Taiwan Literature and Film Symposium on February 22, 2008. The papers explore Taiwan native languages, including Mandarin, Min’nan/Taiwanese, Hakka, and aboriginal dialects used in literature and film under different political, cultural, economic, and historical conditions. Includes the Symposium program and presenter introduction. NTUL Chi

Liu, Yizhu (Liu, Yi-chu). ฀ፐኵ. Xie hou Lanyu: lun san bu min zu zhi ji lu pian “Lanyu guan dian,” “Qing Wen bu zai jia,” “Mian dui e mo” = Close/d encounters with Orchid Island: A study of “Voice of Orchid Island,” “Libangbang,” and “Deliver Us from Evil.” ᝱ᝳ୪ᓊ: ‫ں‬ѧ‫ھח‬ఓ௨ઔ࠷ә “୪ᓊ޲ѡ,” “֜ҹϤϨр,” “ӌ хॱತ” = Close/d encounters with Orchid Island: A study of “Voice of Orchid Island,” “Libangbang,” and “Deliver Us from Evil.” 96 leaves. Note: Thesis (M.A.)—National Chiao Tung University, 2003. Discusses three documentary films produced between 1993 and 2001 that represent Orchid Island on two levels: encounters with modernity and the camera’s representation of this encounter. The author describes how Orchid Island becomes a living subject with its own voice, the problem of truth and the reflexivity in ethnographic films, and the ways in which the three directors of the films delve into these issues in their work. Includes a bibliography. NTUL Eng

1275 “Taiwan yuan zhu min zu wen hua ying yin zi liao ku” fu wu jian ji shu, “Yuan zhu min dian shi ren cai pei xun ji zhi bo jie mu ji jian zhi Taiwan yuan zhu min zu wen hua ying yin zi liao ku” an / Xing zheng yuan yuan zhu min zu wei yuan hui, Hua yi shu wei yi shu go fen you xian gong si. “‫ݡ‬ஹ֍֙‫ھ‬ఓҹ٩‫ࢧޞٸؙ‬ᆞ” ‫ࠃࠔע‬৶‫ڣ‬, “֍֙‫ھ‬ఓӇ؆Ϫ ҥഷਗߵ३৚‫ڞ‬۵᠕ࠃঞ‫ݡ‬ஹ֍֙‫ھ‬ఓҹ٩‫ࢧޞٸؙ‬ᆞ” ଈ / Ҳ ूࡨ֍֙‫ھ‬ఓణ‫؂‬Ͼ, ‫ܓ‬ਲُ֧ਲफ੦‫ڤ‬ϩࡳԍ‫ޅ‬. Taibei: Xing zheng yuan yuan zhu min zu wei yuan hui, 2004. 186 p. Note: The government proposal, service plan, and contract for building the “Taiwan Indigenous Peoples Culture and Audio/Visual Archive” by the Council of Indigenous Peoples, Executive Yuan, and Hua Yi Art Digital Company. The archive will be a repository for digitized

1273 Misawa, Mamie. ѧ෹ѐѤ௑. Zhi min di xia de “yin mu”: Taiwan zong du fu dian ying zheng ce zhi yan jiu (1895–1942). ᜊ‫ھ‬сЎϡ “ુ௷”:‫ݡ‬ஹրᒾ௞Ӈ‫ूؙ‬೫ҏ୳ૢ (1895–1942). Taibei: Qian wei chu ban she, 2002. 470 p. ISBN 9578013248

230

Film and Animals

1280

cultural and audiovisual content, including movie portrayals of Taiwan’s indigenous peoples. NTUL Chi

Includes a Chinese and English abstract, a bibliography, the sample survey, and survey results of Han, aboriginal, and other people. NCL/NDLTD (FT) Chi

1276 1279

Yang, Dahe. ໷Ͻф. Tai chan yuan xian lu ying dai zhong, Gaoshan zu yu fei Gaoshan zu su xiang zhi yan jiu—She hui xin li yu wen hua qing xiang de tan tao. ཅ‫ࡨݗ‬۷࠷‫ؙ‬ծЅ, ҙ‫ځ‬ఓӿۘҙ‫ځ‬ఓᄽՌҏ୳ૢ—घϾКԑӿ ҹ٩෵‫ז‬ϡ෬क़. 343 p. Note: Thesis (Ph.D.)—National Political University, 1992. Eighteen Taiwan films screened in theaters are selected as case studies to analyze the representation of Gaoshan aboriginal people as well as non-Gaoshan people in terms of environment, social status, and behavior. Significant differences between these two groups of characters are observed, and in most cases, Gaoshan aboriginal characters are presented negatively. Includes a bibliography. NTYLibIPS Chi

Zheng, Guijin. ቼਰѵ. Muzhi Longyao de Pingpu zu qun ji lu pian zhi quan shi feng ge yu zai xian zheng shi. ަብ.ᑹ⮡ϡ‫כ‬ᰎఓळઔ࠷әҏ᙮ౠգ۴ӿӐѳू੽. 239 p. Note: Thesis (M.A.)—Tainan National University of the Arts, 2004. The author uses theories of documentary aesthetics and postcolonialism to analyze and study the contents of director Muzhi Longyao’s six documentaries about the Pingpu aboriginal people. The thesis shows how the director returns ownership of interpretation to the Pingpu people, enabling a reestablishment of ethnicity and self-recognition. Includes a bibliography. NTUL Chi

1277 Yang, Huanhong (Yang, Huan-hong). ໷ᢵ᜞. Ta zhe bu xian ying: Taiwan dian ying zhong de yuan zhu min ying xiang. ј‫ٷ‬Ϥࣶ‫ؙ‬: ‫ݡ‬ஹӇ‫ؙ‬Ѕϡ֍֙‫ؙھ‬Ռ. 106 leaves. Note: Thesis (M.A.)—National Dong Hwa University, 2007. This paper considers representations of Taiwan aboriginals in fictional feature films produced both during the Japanese colonial period and after retrocession. The author uses film analysis as the starting point to explore the relationship between the aboriginal people and colonialism, postcolonialism, nation-building, and national identity. Includes a Chinese abstract, bibliography, and filmography. NCL/NDLTD (FT) Chi

6.3

FILM AND ANIMALS

1280 Chinese ecocinema: in the age of environmental challenges / edited by Sheldon H. Lu and Jiayan Mi. Hong Kong: Hong Kong University Press, 2009. 370 p. ISBN 9789622090859, 9789622090866 Note: A significant text that explores concurrent cinematic reflections of, and approaches to, environmental challenges in China, Taiwan, and Hong Kong. Consists of the following parts: Part I. Hydo-Politics: Water, River, and National Trauma; Part II. Eco-Aesthetics, Heteroscape, and Manufactured Landscape; Part III. Urban Space in Production and Disappearance; and Part IV. Biothics, Non-Anthropocentrism, and Green Sovereignty. The text’s first chapter, “Framing Ambient Unheimlich: Ecoggedon, Ecological Unconscious, and Water Pathology in New Chinese Cinema,” by Jiayan Mi, examines imagery of water in both post-Mao mainland China and post–Miracle Taiwan cinema and claims that “beneath these seemingly ecodystopian films lies New Chinese Ecocinema’s utopianism of messianic redemption and elevated humanism.” Chapter 6, “Putting Back the Animals: Women-Animal Meme in Contemporary Taiwanese Ecofeminist Imagination,” by Cha-ju Chang, uses an ecofeminist critique of a woman–animal meme to analyze contemporary Taiwanese films and argues that this meme represents the overlapping oppression and exploitation of both women and animals. Includes a Chinese glossary, a filmography, a bibliography, and an index. WorldCat Eng

1278 Zhang, Zhijing (Chang, Chih-ching). ‫פ‬ᆙ᪦. Yuan zhu min yuan sheng dian ying zhi guan cha—yi “Shan zhu, fei shu, Sakenu” wei ge an yan jiu = “The sage hunter”—a case study of an original aboriginal movie. ֍֙‫֍ھ‬ТӇ‫ؙ‬ҏ޲ൌ—й “‫ځ‬坴, ٞ࿿, ྺНझ” Њϫଈ୳ૢ. 183 leaves. Note: Thesis (M.A.)—National Central University, 2006. The first Taiwanese aboriginal film Shan zhu, fei shu, Sakenu = The Sage Hunter, released in 2005, is an account of aboriginal tribe life. The paper explains how the film describes tribal life in Eastern Taiwan, the difficulties during film production, and the differing responses by various ethnic groups after viewing the film.

231

Interdisciplinary Studies

1281 6.4

FILM AND ANTHROPOLOGY

1282 Nishizawa, Haruhiko, 1954– ՝䘕੽ᴦ, 1954– Ch䲚goku eiga no bunka jinruigaku. Ѕмྱࡌ䫟ҹ٩ϪढѺ. T䲖ky䲖: F䲚ky䲖sha, 1999. 300 p. ISBN 4938718219 Note: Uses theories of cultural anthropology to study the social, cultural, and historical contexts of Chinese film, including mainland China, Taiwan, and Hong Kong. Includes a bibliography, film title, name, book title, and event indexes. WorldCat Jpn

1281 Ji lu Taiwan: Taiwan ji lu pian yan jiu shu mu yu wen xian xuan ji / zhu bian Zhang Changyan, Li Daoming; zhi xing bian ji Hong Yawen, Han Xu’er, Zhang Qinyun. ઔ࠷‫ݡ‬ஹ: ‫ݡ‬ஹઔ࠷ә୳ૢ‫ڣ‬۵ӿҹຶ‫ק‬ओ / Ұഹ‫פ‬ቾᴧ, ଽѬҴ ; వҲഹফᖻ઩ҹ, ठ᯾ঌ, ‫פ‬ቦ᭲. Taibei: Xing zheng yuan wen hua jian she wei yuan hui wei tuo cai tuan fa ren guo jia dian ying zi liao guan, 2000. 2 v. ISBN 9570265478 (v. 1); 9570262486 (v. 2) Series title: Taiwan dian ying shi liao cong shu ‫ݡ‬ஹӇ‫ؙ‬੗ࢧᜣ‫ڣ‬ Note: This is the first and most comprehensive bibliography and collection of essays on Taiwan film documentaries. Vol. 1 covers the colonial period and includes sixty-five essays and articles written by three contemporary Taiwan scholars as well as colonial-era Japanese authors whose articles were initially published in Japanese before being translated into Chinese for the purposes of this book. Contains eight parts: (1) Film History; (2) Documentary, News, and Education Films; (3) Film Show Activities; (4) Film Propaganda; (5) Film Censorship; (6) Film Affairs; (7) Film Reviews and Introduction; and (8) a Bibliography of Taiwan Documentary Film Studies During the Colonial Period, which includes monographs (in both Chinese and Japanese), dissertations, and journal articles (in both Chinese and Japanese, dated and undated). There is also a bibliography at the end of the book. Vol. 2 covers Taiwan documentary film studies after 1945 and includes eighty-one essays, articles, interviews, film reviews, and news reports. Similar to Vol. 1, it also contains eight parts: (1) Anthropology Films; (2) Introduction and Review of Taiwan Documentary Films; (3) Theory and Aesthetics of Documentary Film; (4) Documentary Film and Social Movements; (5) Documentary and Indigenous People; (6) Documentary Film Directors and Workers; (7) Documentary Film History, and Analysis; and (8) a Bibliography of Taiwan Documentary Film Studies after 1945, which is organized under the following subjects: anthropology films, China (including Hong Kong) documentary films, review and introduction to Taiwan documentary films, review and introduction to foreign documentary films, documentary filmography and others, documentary film theory and aesthetics, documentary films and social culture, documentary film and social movements, documentary film and indigenous people, documentary film directors and workers (domestic), documentary film directors and workers (abroad), documentary film history (domestic), and documentary film history (abroad). The materials collected in the bibliography include monographs, dissertations, journal and newspaper articles, handbooks, and manuals. WorldCat Chi

6.5

FILM AND ARCHIVES

1283 Asian cinema—yesterday, today and tomorrow / edited by Myungkyu Park. Seoul: Korea Film Archive, 2002. 348 p. Note: Proceedings from the Fifty-Eighth Congress of the International Federation of Film Archives, Seoul, 2002. Includes papers introducing film archive works in various Asian countries, including the paper “Films Well-Made and Kept in Taiwan: A Brief Introduction to the Film Industry, Film Databases and Film Archive in Taipei” by Feiyi Lu. WorldCat Kor Eng

1284 Ma, Youcheng. ެϩю. Shi er ting: dian ying yu dang an de chu xie hou: tan xun guo jia bao zang = The national treasure exploration. Жᾄ೏: Ӈ‫ؙ‬ӿးଈϡ२᝱ᝳ: ෬ଵлрմে = The national treasure exploration. Taibei: Dang an guan li ju, 2010. 118 p. ISBN 9789860257601, 9860257604 Note: Describes reference materials that can be located in Taiwan’s national archive by way of introducing twelve popular films produced in Taiwan, from Beautiful Duckling (1965) to Monga (2010). WorldCat Chi

6.6

FILM AND COLONIALISM

1285 Chen, Ruxiu (Chen, Ru-shou Robert). ಴ᭉࢗ. Dian ying di guo, ling yi zhong zhu shi: dian ying wen hua yan jiu. Ӈ‫ؙ‬෌л, ࡔϣ҆‫ڀ‬؆: Ӈ‫ؙ‬ҹ٩୳ૢ.

232

Film and Colonialism

1291

Taibei: Wan xiang tu shu gu fen you xian gong si, 1995. 264 p. ISBN 9576697344 Series title: Yi shu fang; 16 ਲ‫ ;ࠚڣ‬16 Note: A collection of the author’s essays organized into three sections: (1) cultural, gender, psychological, and comparative analyses of Taiwan films of the 1990s; (2) mainland China films; and (3) Taiwan film through the lens of postcolonial theory. Essays of note include a study of mental illness in Taiwanese films and a psychological study of Hou Hsiao-hsien’s film A City of Sadness (1989). Includes a bibliography. CTFAL Chi

Note:

A conference paper on the memory of Japanese colonial experience as reflected in Taiwan cinema, presented at the Literature and Cinema Symposium, hosted by Taiwan National University in 1994. Includes a bibliography. WorldCat Chi

1289 Yang, Huanhong (Yang, Huan-hong). ໷ᢵ᜞. Ta zhe bu xian ying: Taiwan dian ying zhong de yuan zhu min ying xiang. ј‫ٷ‬Ϥࣶ‫ؙ‬: ‫ݡ‬ஹӇ‫ؙ‬Ѕϡ֍֙‫ؙھ‬Ռ. 106 leaves. Note: Thesis (M.A.)—National Dong Hwa University, 2007. This paper considers representations of Taiwan aboriginals in fictional feature films produced both during the Japanese colonial period and after retrocession. The author uses film analysis as the starting point to explore the relationship between the aboriginal people and colonialism, postcolonialism, nation-building, and national identity. Includes a Chinese abstract, bibliography, and filmography. NCL/NDLTD (FT) Chi

1286 Colonialism and nationalism in Asian cinema / edited by Wimal Dissanayake. Bloomington: Indiana University Press, 1994. 224 p. ISBN 0253318041 (alk. paper), 0253208955 (pbk.: alk. paper) Note: A collection of essays focusing on colonialism and nationalism in Asian cinema. Includes Chris Berry’s essay “A Nation T(w/o)o: Chinese Cinema(s) and Nationhood(s),” which analyzes films produced by mainland Chinese film directors as well as Taiwanese film directors Hou Hsiao-hsien, Edward Yang, and Huang Mingchuan, and explores representations of nationality, colonialism, and aboriginal peoples. Includes a bibliography in the end of each essay, an introduction to the contributors, and an index at the end of the book. WorldCat Eng

1290 Ye, Yueyu (Yeh, Emilie Yueh-yu). ౕ֊ᒶ. Elvis, allow me to introduce myself: American music and neocolonialism in Taiwan cinema. Hong Kong: David C. Lam Institute for East-West Studies, Hong Kong Baptist University, 2003. 27 p. Series title: Working paper series, David C. Lam Institute for East-West Studies (LEWI); no. 16 Note: Using Edward Yang and his films as case studies, this work explores American popular music and neocolonialism in Taiwan cinema. Includes a bibliography. WorldCat Eng

1287 Hong, Guo-Juin. Cinematograph of history: post/colonial modernity in 1930s Shanghai and New Taiwan Cinema since 1982. 228 leaves. Note: Thesis (Ph.D.)—University of California, Berkeley, 2004. A comparative study of New Taiwan Cinema since 1982 and the leftist cinema movement in Shanghai during the 1930s. The author substantiates the argument that “For both cinemas, modernity is flanked by nationalism and colonialism” and “these two leftist cinemas represent and participate in China’s ongoing processes of modernization” (abstract). Includes a bibliography. WorldCat Eng

1291 Yip, June Chun, 1962– Colonialism and its counter-discourses: On the uses of “nation” in modern Taiwanese literature and film. 2 v. (415 leaves.) Note: Thesis (Ph.D.)—Princeton University, 1996. Explores the formation of Taiwanese nationalism and identity by analyzing 1960s and 1970s Hsiang-tu (Native) literature and 1980s New Taiwan Cinema. Analyzes writer Huang Chunming (Hwang Chunming) and his works, and film director Hou Hsiaohsien and his films. Includes a bibliography and list of films by Hou Hsiaohsien. WorldCat Eng

1288 Qi, Longren, 1952– ಞᇐ〣, 1952– Taiwan dian ying de Riben zhi min ji yi. ‫ݡ‬ஹӇ‫ؙ‬ϡяӆᜊ‫֮ھ‬শ. Taibei: Taiwan da xue wai guo yu wen xue xi, 1994. 14 p.

233

Interdisciplinary Studies

1292

Includes filmography, Chinese glossary, bibliography, notes on contributors, and an index. WorldCat Eng

1292 Zheng, Guijin. ቼਰѵ. Muzhi Longyao de Pingpu zu qun ji lu pian zhi quan shi feng ge yu zai xian zheng shi. ަብ.ᑹ⮡ϡ‫כ‬ᰎఓळઔ࠷әҏ᙮ౠգ۴ӿӐѳू੽. 239 p. Note: Thesis (M.A.)—Tainan National University of the Arts, 2004. The author uses theories of documentary aesthetics and postcolonialism to analyze and study the contents of director Muzhi Longyao’s six documentaries about the Pingpu aboriginal people. The thesis shows how the director returns ownership of interpretation to the Pingpu people, enabling a reestablishment of ethnicity and self-recognition. Includes a bibliography. NTUL Chi

6.7

1294 Du, Yunzhi, 1923– ᖯࠥҏ䩟1923– Zhongguo de dian ying. ЅлϡӇ‫ؙ‬. Taibei: Huang guan chu ban she, 1978. 266 p. Note: A collection of essays on Chinese film history, focusing mainly on Taiwan and Hong Kong film history. The most interesting and important essays in the book include the following topics: the relationship between R.O.C.’s leader Chiang Kai-shek and film production, the history of Chinese documentary and news film development, the relationship between Chinese film and Peking opera, a review of the Taiwan film industry, an analysis of the psychology of film audiences, martial arts film and martial arts–magic spirit films (wuxia shenguai pian), a fifty-year history of the Shao family’s involvement in Chinese film production, and an account of female movie stars and female spies in the real world. Includes film stills, posters, and photos; a list of 100 important Chinese films; and a chronology of Chinese film history (1896–1978); however, there is no bibliographical information or index. WorldCat Chi

FILM AND DRAMA AND OPERA

1293 Chinese-language film: historiography, poetics, politics / edited by Sheldon H. Lu and Emilie Yueh-yu Yeh. Honolulu: University of Hawai’i Press, 2005. 413 p. ISBN 0824828135 (alk. paper), 9780824828691 (pbk.: alk. paper), 0824828690 (pbk.: alk. paper) Note: This edited volume “covers the cinematic traditions of mainland China, Taiwan, Hong Kong, and the Chinese diaspora from the beginning of Chinese film history to the present moment” (p. 2). Part I. Historiography, Periodization, Trends includes articles that either address Chinese film history broadly or different significant movements within Chinese cinema; Part II. Poetics, Directors, Styles provides “lucid, synchronic, structural(ist), transhistorical accounts of the poetics and aesthetics of Chinese film as an integral part of world cinema” (p. 15). Interesting studies include the essay by Mary Farquhar and Chris Berry: “Shadow Opera: Toward a New Archaeology of the Chinese Cinema,” which states: “If civilized plays are cinema’s stepmother, then opera is the mother in terms of first film productions, whether on the mainland (1905) or in Hong Kong (1909). Opera films were also the first productions in major regional language films, Cantonese (1933) and Taiwanese (1954)” (p. 51). Other Taiwan film or related comparative film studies essays include Meiling Wu’s “Postsadness Taiwan New Cinema: Eat, Drink, Everyman, Everywoman,” Emilie Yuehyu Yeh’s “Poetics and Politics of Hou Hsiao-hsien’s Films,” Sheldon H. Lu’s “Crouching Tiger, Hidden Dragon, Bounding Angeles: Hollywood, Taiwan, Hong Kong, and Transnational Cinema,” Darrell W. Davis’s “Borrowing Postcolonial: Wu Nien-chen’s Dou-san and the Memory Mine,” and Shao-ying Shen’s “Locating Feminine Writing in Taiwan Cinema: A Study of Yang Hui-shan’s Body and Sylvia Chang’s Siao Yu.”

1295 Chen, Weizhi (Chen, Edwin W.). ಴⤇޺. Wo ai Huangmei diao: si zhu Zhongguo gu dian yin xiang—Gang Tai Huangmei diao dian ying chu tan. ϢДࢶႰ݇: ࡉኵЅлࣲਹ୅ࢣ—୯‫ࢶݡ‬Ⴐ݇Ӈ‫ؙ‬२෬. Taibei: Mu cun tu shu you xian gong si, 2005. 224 p. ISBN 9867533372 Note: Beginning in the late 1950s, for more than ten years, Huangmei opera films produced by Hong Kong and Taiwan film studios were successful in the Chinese film markets of Hong Kong, Taiwan, and Southeast Asia. This special phenomenon is studied in this book, which describes the origins of Huangmei opera, the definition of a Huangmei opera film, the development of the Huangmei opera film in Hong Kong and Taiwan during the Pre-Classical (1958–1959), First Experimental (1959–1962), First Classical (1962–1963), Second Experimental (1963–1964), Second Classical (1965– 1966), Decline (1967–1969), and Golden Era of Taiwan Huangmei Opera Film (1960s) periods. Includes an Epilogue of the Huangmei Opera Film (early 1980s) in ten chapters. Includes a Filmography of Huangmei Opera Film from 1958 to 1982. WorldCat Chi

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Film and Drama and Opera

1301 Filmography of Mandarin Films 1949–1954, Taiwanese Theatrical Professionals Involved in Taiwanese-dialect Filmmaking, Lists of Taiwanese-dialect and Mandarin Films Selected and Received Golden Horse Awards, Production Charts of Mandarin and Taiwanese-Dialect Films from 1955–1974, and Box Office Record of 1965. NTUL Chi

1296 Eberhard, Wolfram, 1909– ዐᓱ‫ܓ‬, 1909– The Chinese silver screen; Hong Kong and Taiwanese motion pictures in the 1960s = Zhongguo dian ying ti yao : yi jiu liu ling nian Taiwan, Xianggang de ying pian. The Chinese silver screen; Hong Kong and Taiwanese motion pictures in the 1960s = ЅлӇ‫ؙ‬٤ϴ; ϣ॰ࡏജё‫ݡ‬ஹ,‫ܫ‬୯ϡ‫ؙ‬ә. Taipei: Orient cultural service, 1972. 241 p. Series title: Asian folklore and social life monographs; v. 23 Yazhou min su, she hui sheng huo zhuan kan, di er shi san ji ਐರ‫ھ‬ཞ.घϾТ҅֟ᑂ, ҷԏѧফ Note: A rare, early English work on Taiwan and Hong Kong films screened in Taiwan during the 1960s. The text focuses on the relationships among film and Chinese society, folktales, legends, myth, opera, novels, and short stories. The introduction’s subtitle is “Family and Social Problems in Chinese Films Shown in Taiwan.” Includes abstracts of 329 films (pp. 41–223); film titles, presented in both Wade-Giles and Chinese characters, are followed by a synopsis and a note regarding screening locations and dates. Rather than using page numbers, the book’s general index references the text’s 329 film abstracts by their respective, sequentially assigned numbers. The quality of the book’s paper, printing, editing, translation, and organization is poor. WorldCat Eng Chi

1298 Jiang, Longzhao. ዕहᢘ. Dian ying xi ju lun ji. Ӈ‫ںঁؙۚ‬ओ. Taibei: Wen hao chu ban she, 1979. 246 p. Series title: Wen hao cong shu ҹൻᜣ‫ڣ‬ Note: A collection of the author’s essays on film and drama, film and drama reviews, and a screenplay. The author states that there should be works on the KMT leader Chiang Kai-shiek in Taiwan film, drama, and television. Includes a chronology. CTFAL Chi

1299 Jiang, Longzhao. ዕहᢘ. Xi ju ping lun ji. ۚঁ߰‫ں‬ओ. Taibei: Cai feng chu ban she, 1986. 259 p. Series title: Wen xue chuang zuo; 101 ҹѹࡶӑ; 101 Note: A collection of the author’s reviews of drama productions, television programs, and films. WorldCat Chi

1297 Huang, Xiuru. ࢶഫҒ. Tai yu pian de xing shuai qi luo. ‫ܭݡ‬әϡࣱᆽв޻. 124 leaves. Note: Thesis (M.A.)—National Taiwan University, 1991. An exploration of the rise and fall of Taiwanese-dialect cinema from 1955 to 1981. Describes the economic conditions and competition of Taiwanese-dialect films and government film policies. The paper concludes that the following reasons lead to the eventual downturn of Taiwanese-dialect cinema: (1) Initially local filmmakers in Taiwan started to produce Taiwanese-dialect films due to a weak market of Mandarin films and stimulation of popular Xiamen-dialect films; (2) the quality of early Taiwanese-dialect films was poor and did not improve over time, even after its initial popular period, due to limited resources; (3) Taiwanese-dialect films inevitably lost their share of the market share when the Mandarin film industry emerged and Japanese films were banned; and (4) government film policy and officials in Taiwan were always hostile to Taiwanesedialect films and filmmaking. Includes a Chinese abstract, a bibliography, Chronology of Domestic Political Affairs, Film Policies and Government-owned Film Studios, Charts of Mandarin Film-Making and Taiwanese-Dialect Filmmaking,

1300 Liu, Zhihua. ฀࢑‫ܓ‬. Xi ju, dian ying yu pang huang = Bewilderment of drama and films. ۚঁ䩟Ӈ‫ؙ‬ӿ⠶᥉ = Bewilderment of drama and films. Xianggang: Ren sheng ju xi xie hui, 1981. 82 p. Series title: Zhongguo ju ying cong shu. Ѕлঁ‫ؙ‬ᜣ‫ڣ‬. Note: A collection of short assays dealing with the drama and films in Hong Kong, mainland China, and Taiwan. Includes the author’s own photos. WorldCat Chi

1301 Qiu, Kunliang. ᆥᓍમ. Piao lang wu tai: Taiwan da zhong ju chang nian dai. ੆‫ع‬ଢ‫ݡ‬: ‫ݡ‬ஹϽੁঁԾё‫ڊ‬.

235

Interdisciplinary Studies

1302 Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 2008. 370 p. ISBN 9789573263654 Note: Describes Taiwan’s popular drama performances, including local operas, striptease dances, and theaters. Chapter 2 of the book focuses on the relationship between drama and film development in Taiwan during the Japanese colonial era. Includes a bibliography. CTFAL Chi

1305 Wang, Zilong. ࣼжᑹ. Zhongguo ying ju shi. Ѕл‫ঁؙ‬੗. Taibei: Jian guo chu ban she, 1960. 152 p. Note: Because of the close relationship between Chinese film and drama (in this case, not Chinese opera, but Western performance art), the author provides a joint history of Chinese film and drama, divided into six periods: Budding: End of Qing to 1920, Establishing: 1921–1930; Developing: 1931–1937; Peaking: 1938–1945; Prosperous: 1946–1949; and Struggling: 1950–1959. The appendix includes the essays on Taiwanese-dialect film and drama. CTFAL Chi

1302 Rawnsley, Ming-Yeh. Cultural and social change in Taiwan: society, cinema, and theater. London: Routledge, 2008. 256 p. ISBN 9780415421874, 041542187X Note: Examines changes within Taiwan’s cultural, social, and political structure since 1945 and investigates their impact on Taiwan’s cinema and theater. Focuses on such developments as Taiwanese-language opera and cinema from the 1930s to the 1950s, the government’s promotion of Mandarin-language cinema in the 1960s, and Taiwan New Cinema since the 1980s. WorldCat Eng

1306 Yan, Hongya. Ἡ᜞ਐ. Wo an lian de Taohuayuan / Honghong (Yan Hongya), Yuehui (Lin Yuehui) bian zhu. ϢମߧϡಱՐ੅ / ᜞᜞ (Ἡ᜞ਐ), ֊௑ (৆֊௑) ഹЯ. Taibei: Yuan liu, 1992. 216 p. ISBN 9573216310 Series title: Dian ying guan; 27 Ӈ‫ؙ‬ఖ; 27 Note: Describes the adaptation of a stage drama into a film. Contains interviews with the producers of The Peach Blossom Land (1992) and film reviews. Includes a list of the film’s cast and crew and an account of the director’s film production logistics. CTFAL Chi

1303 Sun, Yang. ྒ‫ݷ‬. Dian ying ji wu tai ju gou cheng: ying ju chuan bo chuang yi guan = The creative perspective on cinema and drama. Ӈ‫ߵؙ‬ଢ‫ঁݡ‬ภю: ‫ةঁؙ‬৚ࡶҺ޲ = The creative perspective on cinema and drama. Taibei: Yi shu jia chu ban she, 2009. 235 p. ISBN 9789866565236 Note: Situates cinema and drama comparatively to explore their common creative perspectives; organized into four parts: Part I: Concept, Part II: Language, Part III: Structure, and Part IV: Expected Realm. NTUL Chi

1307 Zhou, Yanmou. ‫ر‬ᆜጚ. Zhongguo ying ju wen xue. Ѕл‫ঁؙ‬ҹѹ. Taibei: Zhongshan wen xue wen hua ji jin hui, 1968. 240 p. Note: A collection of stories adapted from both Chinese films and Chinese operas. CTFAL Chi

1304 Wang, Molin. ࣼၢ৆. Zhongguo de dian ying yu xi ju. ЅлϡӇ‫ؙ‬ӿۚঁ. Taibei: Lian ya chu ban she, 1981. 243 p. Series title: Ying ju lun cong; 2 ‫ںঁؙ‬ᜣ; 2 Note: A general review of the relationship between film and drama in Taiwan as well as mainland China’s film history. CTFAL Chi

6.8

FILM AND ECONOMICS

1308 Gu, Shuxun (Gu, Shushiun). ࣲᎂ៨. Taiwan dian ying sheng chan chang yu fen xi, 1998–2003 = Analysis of the field of film production in Taiwan, 1998–2003. ‫ݡ‬ஹӇ‫ؙ‬Т‫ݗ‬Ծ෢д໯, 1998–2003 = Analysis of the field of film production in Taiwan, 1998–2003.

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Film and Economics

1313

136 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 2004. Based on Pierre Bourdieu’s field theory, this paper explores structural changes within the field of film production in Taiwan from 1998 to 2003 by way of interviewing twelve local Taiwan film directors. Politically, Taiwan’s film industry inherits a legacy of censorship and propaganda; economically, Hollywood films dominate Taiwan’s market after limits on imported foreign films were lifted. As the result of these conditions, and various solutions proposed by film directors, the paper suggests that the government should intervene by being more involved in film production and establishing improved film policies. Includes a Chinese abstract, a bibliography, and an appendix (including past import quotas on foreign films, and a list of government subsidized domestically produced films from 2002 and 2003). NCL/NDLTD (FT) Chi

distribution dominated by Hollywood; in 1999, Taiwan only produced sixteen films and occupied less than 0.46 percent of the box office income in Taiwan. The paper argues that the government did not adequately change its film policies and even abandoned some valuable cultural regulations, which protected the domestic film industry after entering the World Trade Organization. Includes a Chinese abstract and an appendix (including Taipei Area Box Office Records of Domestic Films and Foreign Films, 1990–1999; and Domestic Films that Received Government Subsidies and Awards during International Film Festivals, 1990–1999). NCL/NDLTD (FT) Chi

1311 Li, Zhenlin, 1965– ཯౜৆, 1965– Dao yan de lu dong: hua yu dian ying, shi yan ying xiang he zuo zhe dian ying yan jiu. ࣔࠟϡಋ҃䩭‫ܬܗ‬ӈ‫ؙ‬䩟 ӥࡑ‫ؙ‬Ռфӑ‫ٷ‬ӈ‫ؙ‬ϡ୳ૢ. Shanghai: Shanghai shu dian chu ban she, 2011. 229 p. ISBN 9787545804102, 7545804104 Note: The author studies Chinese films produced in mainland China, Hong Kong, and Taiwan during the first decade of the twenty-first century by considering different directing perspectives. Chapter 3 is devoted to the market-saving function of Taiwan’s New Youth Films. Includes a bibliography. WorldCat Chi

1309 Hong, Rongxuan (Hung, Jung-hsuan). ᖻѽึᘌ Wen hua gong ye xia de Taiwan dian ying yin yue fa zhan xian kuang yu zheng zhi jing ji fen xi: 1960–2005 = The current situation of film music of Taiwan under the industry and the analysis of the politics and economics: 1960–2005. ҹ٩֞‫׬‬Ўϡ‫ݡ‬ஹӇ‫ٸؙ‬Ӏчࣁѳୄӿू੽Ҭ௵д໯: 1960–2005 = The current situation of film music of Taiwan under the industry and the analysis of the politics and economics: 1960–2005. 90 leaves. Note: Thesis (M.A.)—Tainan National University of the Arts, 2006. By interviewing three film music composers who represent different periods in Taiwan film history, and using their work as examples, the author explores interesting historic correlates between Taiwan’s film music and government policies. For example, 1970s film music contained messages of anti-Communism and resistance against Japan, while in the 1990s, aboriginal and folk music was featured in film soundtracks. Appendix includes the interviews with Weng Qingxi, Li Xing, Shi Jieyong, and Zhang Yuwei. Includes a Chinese and English abstract and bibliography. NCL/NDLTD (FT) Chi Eng

1312 Lin, Xianru (Lin, Hsien Ju). ৆ᢌҒ. Jiu shi nian dai zheng jing bian qian zhong de Taiwan dian ying gong ye. ॰֐ё‫ूڊ‬ҬԺቜЅϡ‫ݡ‬ஹӇ‫׬ؙ֞‬. 197 leaves. Note: Thesis (M.A.)—Chinese Culture University, 2000. Assesses the declining situation of Taiwan film industry resulting from both political and economic changes during the 1990s. Includes a Chinese abstract and bibliography. NCL/NDLTD Chi

1313

1310

Lin, Yang. ৆ଥ. Taiwan dian ying shi ting chan ye zhi jing ji diao cha = La investigacion economica de la industria cinematografica de Taiwan. ‫ݡ‬ஹӇ‫ؙ‬؆ԯ‫׬ݗ‬ҏҬ௵݇‫ = ݓ‬La investigacion economica de la industria cinematografica de Taiwan. Taibei: Guo jia wen hua yi shu ji jin hui, 2001. 131 p. Note: An economic investigative report on Taiwan’s film and television industries in Chinese and Spanish. Includes six chapters: Chapter 1, Film Industry; Chapter 2, Film

Huang, Shikai. ࢶஉᏎ. Yi jiu jiu ling nian dai Taiwan dian ying gong ye de zheng zhi jing ji fen xi. ϣ॰॰0ё‫ݡڊ‬ஹӇ‫׬ؙ֞‬ϡू੽Ҭ௵д໯. 119 leaves. Note: Thesis (M.A.)—National Chung Cheng University, 2004. An overview of Taiwan’s film industry as influenced by political and economic changes during the 1990s: local capital was moved to the area of foreign film

237

Interdisciplinary Studies

1314 Distribution; Chapter 3, Film Showing; Chapter 4, Audio/Visual Publication; Chapter 5, Audio/Visual Retail and Rental; and Chapter 6, TV Movie Channels. Includes a bibliography and list of the interviewees. NCLAAC Chi Spa

1316 Shiau, Hong-Chi. Animating the cute, the mean and the beautiful: the production and consumption of animation: Taiwan’s struggles in the age of globalization. Saarbruchen, Germany: Vdm Verlag Dr Mueller, 2008. 202 p. ISBN 3639093976, 9783639093971 Note: Studies animation as the end product of a complicated relationship between conscious social exchanges and intelligent cultural management in the age of globalization. Taiwan, one of the largest producers of animation in the world, heavily depends on the pre- and postproduction skills of its client countries, such as the United States and Japan. WorldCat Eng

1314 Lin, Yang. ৆ଥ. Taiwan dian ying shi ting chan ye zhi jing ji diao cha: tian ye diao cha ri zhi = La investigacion economica de la industria cinematografica de Taiwan: archivos. ‫ݡ‬ஹӇ‫ؙ‬؆ԯ‫׬ݗ‬ҏҬ௵݇‫ݓ‬: ೧ఀ݇‫ݓ‬я௨= La investigacion economica de la industria cinematografica de Taiwan: archivos. Taibei: Guo jia wen hua yi shu ji jin hui, 2001. 286 p. Note: Supplemental field investigation notes for the author’s report published separately in Chinese and Spanish; includes an economic investigation of twelve counties and cities in Taiwan as well as the film advertisement business within Taipei city’s public bus system. Includes charts and photos. NCL Chi Spa

1317 Shiau, Hong-Chi. Production and consumption of animation in Taiwan: the interplay of global political and economic forces. 235 leaves. Note: Thesis (Ph.D.)—Temple University, 2005. A work on animation production and consumption in Taiwan through global political and economic perspectives. Includes an abstract and a bibliography. WorldCat Eng

1315 Lu, Feiyi. ᡭۘ‫ډ‬. Taiwan dian ying: zheng zhi, jing ji, mei xue (1949–1994). ‫ݡ‬ஹӇ‫ؙ‬: ू੽,Ҭ௵,Ѥѹ (1949–1994). Taibei: Yuanliu chu ban gong si, 1998. 476 p. ISBN 9573235943 Series title: Dian ying guan; 81 Ӈ‫ؙ‬ఖ; 81 Note: This essential book studies Taiwan film history from political, economic, and aesthetic perspectives. Taiwan film history is divided into the following time periods: 1949, 1950–1954, 1955–1959, 1960–1964, 1965–1969, 1970–1974, 1975–1979, 1980–1984, 1985– 1989, and 1990–1994. Politically, the author focuses on government policy, processes, laws, and regulation of Taiwan film production; economically, based on the text’s political analysis, the author explores how film resources were allocated and policy control was instituted in Taiwan film production and the interrelationship among film production, distribution, and competition; and aesthetically, following the political and economic studies of Taiwan film history, the author explains artistic styles and trends in Taiwan by analyzing major film productions and film artists over the past forty years (before 1998). Includes a bibliography and statistical charts. All related statistical information also can be found in the Database of Taiwan Cinema at http://cinema.nccu. edu.tw. NTUL Chi

1318 Wei, Di (Wei, Ti). ᪭万. Dang qian Taiwan dian ying gong ye de Zheng zhi jing ji fen xi = The Taiwan film industry (1989–1993): a political economic perspective. Ԅӓ‫ݡ‬ஹӇ‫׬ؙ֞‬ϡू੽Ҭ௵д໯ = The Taiwan film industry (1989—1993): a political economic perspective. 181 leaves. Note: Thesis (M.A.)—National Chengchi University, 1995. Describes the decline of Taiwan’s film industry, starting in the mid-1970s, even as concurrent domestically produced Taiwanese films received international film festival recognition and the government had intensified its support for the local film industry. Considers the following interrelated topics: politics, economic trends, government film policy, and film market trends. Includes a Chinese abstract and bibliography. NCL/NDLTD Chi

6.9

FILM AND EDUCATION

1319 Chen, Zhenhao (Chen, ChenHao). ಴ዄΆ. Nihon eiga to ky䲖iku : Nihon bunka ky䲖iku o ch䲚shin ni = Dian ying yu jiao yu—yi Riben wen hua jiao yu wei zhong xin = Film and education—Core by Japan cultural education.

238

Film and Education

1324

ྱࡌ䫙‫ڌ‬ड़ : яӆҹ٩‫ڌ‬ड़䬃ЅК䫜 = Ӈ‫ؙ‬ӿ‫ڌ‬ड़—йяӆ ҹ٩‫ڌ‬ड़ЊЅК = Film and education—Core by Japan cultural education. 119 leaves. Note: Thesis (M.A.)—National Kaohsiung First University of Science and Technology, 2008. Describes how Japanese films have affected Taiwan’s film market and the popularity of Japanization in Taiwan. Explores the relationship between film and education as well as film and culture, and the usage of film as a method of presenting Japanese culture. Includes a Chinese and English abstract and bibliography. NCL/NDLTD Jpn Chi

industry: using Shih Hsing and National Taiwan University of Arts as study cases. ‫ݡ‬ஹӇ‫ؙ‬ҙҳ‫ڌ‬ड़ӿӇ‫׬ݗؙ‬ૠҁҏ୳ૢ: йԒЈϽѹӿл߹‫ݡ‬ ஹਲफϽѹЊຎ = A study of correlation between Taiwan’s film high education and film industry: using Shih Hsing and National Taiwan University of Arts as study cases. 342 leaves. Note: Thesis (M.A.)—Shih Hsin University, 2003. This research paper analyzes the educational strategies used by the higher education system in Taiwan at Shih Hsin and National Taiwan University of Arts to educate Taiwan’s next generation of film professionals. Uses data analysis, intensive interviews, and focus group interviews to collect and analyze data. Encourages competition between universities with film programs, and collaboration between institutions of higher education and the film industry. Includes a Chinese and English abstract and bibliography. NCL/NDLTD (FT) Chi

1320 Chung, Jack. The way of English teaching and bilingual education through movies = Dian ying Ying yu jiao xue fa yu shuang yu jiao xue. The way of English teaching and bilingual education through movies = Ӈ‫ڌܭؙ߭‬ѹ֚ӿ‫ڌܭד‬ѹ. Taibei: Crane Publishing Co., 2007. 339 p. ISBN 9789861472324 (pbk.), 9861472320 (pbk.) Note: Describes how to use film to teach language skills. Includes a bibliography. WorldCat Eng

1324 Ji lu Taiwan: Taiwan ji lu pian yan jiu shu mu yu wen xian xuan ji / zhu bian Zhang Changyan, Li Daoming ; zhi xing bian ji Hong Yawen, Han Xu’er, Zhang Qinyun. ઔ࠷‫ݡ‬ஹ: ‫ݡ‬ஹઔ࠷ә୳ૢ‫ڣ‬۵ӿҹຶ‫ק‬ओ / Ұഹ‫פ‬ቾᴧ, ଽѬҴ ; వҲഹফᖻ઩ҹ, ठ᯾ঌ, ‫פ‬ቦ᭲. Taibei: Xing zheng yuan wen hua jian she wei yuan hui wei tuo cai tuan fa ren guo jia dian ying zi liao guan, 2000. 2 v. ISBN 9570265478 (v. 1), 9570262486 (v. 2) Series title: Taiwan dian ying shi liao cong shu ‫ݡ‬ஹӇ‫ؙ‬੗ࢧᜣ‫ڣ‬ Note: This is the first and most comprehensive bibliography and collection of essays on Taiwan film documentaries. Vol. 1 covers the colonial period and includes sixty-five essays and articles written by three contemporary Taiwan scholars as well as colonial-era Japanese authors whose articles were initially published in Japanese before being translated into Chinese for the purposes of this book. Contains eight parts: (1) Film History; (2) Documentary, News, and Education Films; (3) Film Show Activities; (4) Film Propaganda; (5) Film Censorship; (6) Film Affairs; (7) Film Reviews and Introduction; and (8) a Bibliography of Taiwan Documentary Film Studies During the Colonial Period, which includes monographs (in both Chinese and Japanese), dissertations, and journal articles (in both Chinese and Japanese, dated and undated). There is also a bibliography at the end of the book. Vol. 2 covers Taiwan documentary film studies after 1945 and includes eighty-one essays, articles, interviews, film reviews, and news reports. Similar to Vol. 1, it also contains eight parts: (1) Anthropology Films; (2) Introduction and Review of Taiwan Documentary Films; (3) Theory and Aesthetics of Documentary Film; (4) Documentary Film and Social Movements; (5) Documentary and Indigenous People; (6) Documentary Film Directors and Workers; (7)

1321 Dilley, Whitney Crothers. Teaching English as a second language through the films of Ang Lee. Taipei: Crane Publishing, 2006. 145 p. ISBN 9861471448 Note: Presents how one might use Ang Lee’s films to teach English as a second language. Includes a bibliography. NCL Eng

1322 Fan, Mingde. ⍬Ҵख़. Yi dian ying kai qi sheng ming zhi hui—e hua dian ying shi sheng ming jiao yu zhi li lun yu shi jian. йӇ‫ؙ‬ыൠТ‫޺ܞ‬༫—e ٩Ӈ‫ؙܴ‬Т‫ڌܞ‬ड़ҏԑ‫ں‬ӿӢᒂ. Taibei: Xue fu wen hua shi ye you xian gong si, 2004. 278 p. ISBN 986784050X Note: A work on the educational function of film. Includes a filmography, a bibliography, and an index. CTFAL Chi

1323 Huang, Junqi (Huang, Yun-chi). ࢶ୐⓱ . Taiwan dian ying gao deng jiao yu yu dian ying chan ye hu dong zhi yan jiu: yi Shixin da xue yu Guo li Taiwan yi shu da xue wei li = A study of correlation between Taiwan’s film high education and film

239

Interdisciplinary Studies

1325 Documentary Film History, and Analysis; and (8) a Bibliography of Taiwan Documentary Film Studies after 1945, which is organized under the following subjects: anthropology films, China (including Hong Kong) documentary films, review and introduction to Taiwan documentary films, review and introduction to foreign documentary films, documentary filmography and others, documentary film theory and aesthetics, documentary films and social culture, documentary film and social movements, documentary film and indigenous people, documentary film directors and workers (domestic), documentary film directors and workers (abroad), documentary film history (domestic), and documentary film history (abroad). The materials collected in the bibliography include monographs, dissertations, journal and newspaper articles, handbooks, and manuals. WorldCat Chi

the ways in which the PTS “producer system” was poorly administered. Includes a bibliography. NTUL Chi

1328 Lin, Yuru (Lin, Yu-ru). ৆ड़Ғ. “Gaoxiong shi dian ying tu shu guan zhi dian ying zhan shi yan jiu”—yi liu ge zhan chu zhuan ti wei an li = The study on Film Exhibitions of Kaohsiung Film Archive. “ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖҏӇ‫—”ૢ୳ܾࣁؙ‬йࡏϫࣁо֤֟Њଈຎ. 102 leaves. Note: Thesis (M.A.)—Tainan National University of the Arts, 2007. The paper focuses on six exhibitions held by the Kaohsiung Film Archive as a case study to show how the Kaohsiung Film Archive performs its functions of collection, research, education, and promotion. The six exhibitions included “Unforgettable Love–– Collections of Kaohsiung Municipal Film Archive,” “The Phantom of the Opera––Unforgettable Voices and Figures of Super Stars,” “The World Directed by Joseph Kuo,” “Classical Swordsman Film Exhibition,” “Kaohsiung Cinema Memorandum,” and “Twin Cities––Notes in France vs. Kaohsiung in Taiwan.” The paper categorizes these exhibitions into three types: (1) exhibitions of film history and artifacts; (2) exhibitions based on film themes; and (3) exhibitions featuring international film exchange and promotion. The paper explains how to use the archive as a tool for film education, film archive work, film exhibition space planning, and city promotion. Includes a Chinese and English abstract and bibliography. NCL/NDLTD (FT) Chi

1325 Jiao yu ying ping ji / Cui Guangzhou, Fang Yongquan zhu. ‫ڌ‬ड़‫ؙ߰‬ओ / ᮫‫ׇ‬ዚ, Ҥ‫ݖ‬໩Я. Gaoxiong: Li wen wen hua shi ye ge fen you xian gong si, 1997. 157 p. ISBN 9577481302 Note: This collection of seventeen film reviews with seventeen films Note: is organized in seven educational categories. Note that the films are not from Taiwan. CTFAL Chi

1326 Lee, Tai-Dow. Performing film study at the level of high education in Taiwan, the Republic of China. 173 leaves. Note: Thesis (Ph.D.)—Ohio State University, 1986. A study on film studies education, including film production and directing, in Taiwan. Includes a bibliography. WorldCat Eng

1329 “Ling yi zhong qing ting”—jia ting jiao yu dian ying xin shang tao lun shou ce / Zuo zhe Hong Pinli, Zhu Liying. “ࡔϣ҆෵ԯ”—р೛‫ڌ‬ड़Ӈ‫ؙ‬ಶ೘क़‫ں‬Ѳೠ / ӑ‫ٷ‬ᖻԘᰆ, ᗌው ߭. Taibei: Taiwan di qu jia ting jiao yu zhong xin, 1996. 133 p. Series title: Jia ting jiao yu zhong xin zhuan ye xi lie gong zuo shou ce; PF1012 р೛‫ڌ‬ड़‫ࠔע‬ЅК֟‫࠶ڍ׬‬Ѳೠ; PF1012 Note: A handbook for Taiwanese families who wish to use films for educational purposes in the home. Recommended films are organized by subject and time period. Each film is accompanied with credits, a synopsis, suggested discussion topics, and related reading materials. CTFAL Chi

1327 Li, Wenfeng (Lee, Wen-feng) ଽඌᅷ. “Ji lu guan dian” jiu jing ji lu shui de guan dian? Qie kan gong shi jiao gai xi lie ji lu pian = Whose viewpoint was “Viewpoint” documenting? Documentaries of Education Reform. “ઔ࠷޲ѡ” ૢफ़ઔ࠷Ոϡ޲ѡ? ॸЃԍ؆‫࠶ڍۨڌ‬ઔ࠷ә = Whose viewpoint was “Viewpoint” documenting? Documentaries of Education Reform. 130 leaves. Note: Thesis (M.A.)—National Taiwan University, 1997. Investigates reactions to a controversial television program entitled “Documentaries of Education Reform” produced by the Taiwan Public Television Series (PTS) in 2004. Explains the production process of “Documentaries of Education Reform,” as well as the attitudes expressed and mechanisms used by PTS to manage and respond to viewer reactions. Exposes

1330 Misawa, Mamie. ѧ෹ѐѤ௑.

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Film and Environmental Protection

1334 479 p. ISBN Note:

Zhi min di xia de “yin mu”: Taiwan zong du fu dian ying zheng ce zhi yan jiu (1895–1942). ᜊ‫ھ‬сЎϡ “ુ௷”:‫ݡ‬ஹրᒾ௞Ӈ‫ूؙ‬೫ҏ୳ૢ (1895–1942). Taibei: Qian wei chu ban she, 2002. 470 p. ISBN 9578013248 Note: A substantial academic work that analyzes the filmrelated laws, policy, regulations, and propaganda of the Japanese colonial administration, as well as local target audiences in Taiwan, during the period from 1895–1942. Divided into Part 1, Film Related Laws, Regulations and Control System; Part 2, Propaganda and Film; and Part 3, Population and Film. Includes fascinating topics—for example, the strategy of using film as a tool to improve the image of the local police, the effort to educate and control Taiwan’s aboriginal population, and the use of film to promote the war effort. One of the chapters includes nine interviews— eight Taiwanese and one Japanese—about their memories of the cinema in Taiwan. Based on the author’s master’s thesis completed at the History Institute of National Taiwan University, written in Chinese. Includes a bibliography and an appendix of Donated Film List from the Patriotic Women Association to the Taiwan Education Association, Schedule of Taiwan Propaganda Team in Mainland China, Films Produced by Taiwan Education Association, and Films Housed by Various Organizations in Taiwan. WorldCat Chi

6.10

9576963737 A collection of essays that includes ѧ෹ѐѤ௑/Sanze Zhenmeihui’s (Misawa, Mamie) essay: Taiwan Jiao Yu Hui de dian ying xuan chuan ce lue: 1914–1942 / = ‫ݡ‬ ஹ‫ڌ‬ड़ϾϡӇ‫ؙ‬ୌ‫ة‬೫ଯ: 1914–1942, which discusses the film propaganda strategy of the Taiwan Education Association from 1914 to 1942. NTUL Chi

FILM AND ENVIRONMENTAL PROTECTION

1333 Chinese ecocinema: in the age of environmental challenges / Edited by Sheldon H. Lu and Jiayan Mi. Hong Kong: Hong Kong University Press, 2009. 370 p. ISBN 9789622090859, 9789622090866 Note: A significant text that explores concurrent cinematic reflections of, and approaches to, environmental challenges in China, Taiwan, and Hong Kong. Consists of the following parts: Part I. Hydo-Politics: Water, River, and National Trauma; Part II. Eco-Aesthetics, Heteroscape, and Manufactured Landscape; Part III. Urban Space in Production and Disappearance; and Part IV. Biothics, Non-Anthropocentrism, and Green Sovereignty. The text’s first chapter, “Framing Ambient Unheimlich: Ecoggedon, Ecological Unconscious, and Water Pathology in New Chinese Cinema,” by Jiayan Mi, examines imagery of water in both post-Mao mainland China and post–Miracle Taiwan cinema and claims that “beneath these seemingly ecodystopian films lies New Chinese Ecocinema’s utopianism of messianic redemption and elevated humanism.” Chapter 6, “Putting Back the Animals: Women-Animal Meme in Contemporary Taiwanese Ecofeminist Imagination,” by Cha-ju Chang, uses an ecofeminist critique of a woman–animal meme to analyze contemporary Taiwanese films and argues that this meme represents the overlapping oppression and exploitation of both women and animals. Includes a Chinese glossary, a filmography, a bibliography, and an index. WorldCat Eng

1331 Ou, Shumin. ଟᎂ์. Ri zhi shi qi Taiwan dian ying de zheng jiao gong neng. я੽Ж‫ݡ׈‬ஹӇ‫ؙ‬ϡू‫ۋڌ‬Ќ. 145 leaves. Note: Thesis (M.A.)—National Taiwan Normal University, 2004. A serious work on the political and educational function of film in Taiwan during the Japanese colonial period. The paper follows three key phases of Japanese colonial rule in Taiwan, discusses the colonial film censorship system, and explains the relationship between official cultural and educational policies and movie theaters, “narrators” (benshi), and the general development of film in Taiwan. Concludes by describing how particular political conditions lead to the creation of Japanese film policies with different intended functions for film in political and educational arenas. Includes an abstract and a bibliography in Chinese. NCL/NDLTD Chi

1334 Lin, Xing (Lin, Hsin). ৆լ. “Dong bu zhu yi”—21 shi ji chu Taiwan dian ying zhong de huan bao lun shu yu lu xing shen hua = Journey to the East Environmental Discourse and travel stories in Taiwan films of the early 21st century. “ֆ‫ח‬Ұच”—21Ԓઔ२‫ݡ‬ஹӇ‫ؙ‬Ѕϡࢰ‫ںخ‬਎ӿ߫Ҳ‫ظ‬ҧ = Journey to the East Environmental Discourse and travel stories in Taiwan films of the early 21st century. 130 leaves. Note: Thesis (M.A.)—Shih Hsin University, 2008. The author notes that since the year 2000, Eastern Taiwan increasingly has used as a film theme or

1332 Taiwan zhong ceng jin dai hua lun wen ji / Ruolin Zhengzhang, Wu Micha zhu bian. ‫ݡ‬ஹԳৡ‫ڊײ‬٩‫ں‬ҹओ / ઎৆Ԝ࿆, ྶ઼ൌҰഹ. Taibei: Buo zhong zhe wen hua you xian gong si, 2000.

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Interdisciplinary Studies

1335 setting representations the author considers to be overidealized and overnaturalized in light of historical, social, and cultural changes. Also includes discourse surrounding Eastern Taiwan’s environment, aboriginal protection, and travel stories. Appendix includes the filmography of “Eastern Taiwan Theme” films from 1984 to 2008 and a Chart of Eastern Taiwan Natural Resources. Includes a Chinese abstract and bibliography. NCL/NDLTD (FT) Chi

Ethnography during the first Taiwan International Ethnographic Film Festival Touring Exhibition from April 13 to June 2, 2002. Includes a collection of articles by Taiwan scholars on ethnographic films shown during the festival, a study camp program and schedule, and synopses (in both Chinese and English) of sixteen films shown during the festival and study camp, including four Taiwan films. NTUL Chi Eng

1338 6.11

Liu, Yizhu (Liu, Yi-chu). ฀ፐኵ. Xie hou Lanyu: lun san bu min zu zhi ji lu pian “Lanyu guan dian,” “Qing Wen bu zai jia,” “Mian dui e mo” = Close/d encounters with Orchid Island: A study of “Voice of Orchid Island,” “Libangbang,” and “Deliver Us from Evil.” ᝱ᝳ୪ᓊ: ‫ں‬ѧ‫ھח‬ఓ௨ઔ࠷ә “୪ᓊ޲ѡ,” “֜ҹϤϨр,” “ӌ хॱತ” = Close/d encounters with Orchid Island: A study of “Voice of Orchid Island,” “Libangbang,” and “Deliver Us from Evil.” 96 leaves. Note: Thesis (M.A.)—National Chiao Tung University, 2003. Discusses three documentary films produced between 1993 and 2001 that represent Orchid Island on two levels: encounters with modernity and the camera’s representation of this encounter. The author describes how Orchid Island becomes a living subject with its own voice, the problem of truth and the reflexivity in ethnographic films, and the ways in which the three directors of the films delve into these issues in their work. Includes a bibliography. NTUL Eng

FILM AND ETHNOLOGY

1335 2005 Taiwan guo ji min zu zhi ying zhan: Jia de bian zou = Taiwan International Ethnographic Film Festival: Family Variations / Zhu ban dan wei Taiwan min zu zhi ying xiang xue hui. 2005 ‫ݡ‬ஹлগ‫ھ‬ఓ௨‫ࣁؙ‬: рϡԺᄊ = Taiwan International Ethnographic Film Festival: Family Variations / Ұ‫ݡ֧؁ދ‬ஹ‫ھ‬ఓ௨ ‫ؙ‬ՌѹϾ. Taibei: Taiwan min zu zhi ying xiang xue hui, 2005. 167 p. Note: A bilingual (Chinese and English) publication for the Third Taiwan International Ethnographic Film Festival: Family Variations September 30–October 4, 2005. Contains a program for the “Crossing Culture Visual Communication International Forum,” articles on the directors and their films (including twelve Taiwan films), synopses of the films, and the festival schedule. NTUL Chi Eng

1336 1339

Chen, Lizhu. ಴‫ܡ‬෿. Taiwan dian ying zhong yuan zhu min xing xiang zhi yan jiu: lun shu gong ye xia de ta zhe tu xiang. ‫ݡ‬ஹӇ‫ؙ‬Ѕϡ֍֙‫ࢣ࣏ھ‬ҏ୳ૢ: ‫ں‬਎֞‫׬‬Ўϡ‫ࢣ֖ٷؚ‬. 108 leaves. Note: Thesis (M.A.)—Chinese Culture University, 1997. Using images of Taiwan’s aboriginal people as presented in ten movies produced between 1957 and 1990, the author investigates and analyzes how the ethnic Han majority created and established stereotypes of Taiwan’s aboriginal people through mass media. Includes a bibliography. NTUL Chi

Taiwan guo ji min zu zhi ying zhan: 2001 dao yu lian xian = Taiwan International Ethnographic Film Festival: 2001 Island Odyssey / Zhu ban dan wei Taiwan min zu zhi ying xiang xue hui. ‫ݡ‬ஹлগ‫ھ‬ఓ௨‫ࣁؙ‬: 2001ޯᓊ‫ۀ‬۷ = Taiwan International Ethnographic Film Festival: 2001 Island Odyssey / Ұ‫ݡ֧؁ދ‬ஹ‫ھ‬ఓ ௨‫ؙ‬ՌѹϾ. Taibei: Taiwan min zu zhi ying xiang xue hui, 2001. 103 p. Note: This bilingual (Chinese and English) work was published for the premier Taiwan International Ethnographic Film Festival: 2001 Island Odyssey, hosted by the Taiwan Association of Visual Ethnography in 2001. Includes five parts: Retrospective, Orchid Island in Focus, Island Odyssey-International, Island Odyssey-Domestic, and New Vision. Each part contains an Introduction, Synopsis, and Filmography. Eleven ethnographic films made in Taiwan are introduced in the book, the following five are about Orchid Island under “Orchid Island in Focus”: Lanyu guan dian = Voices of Orchid Island / Hu Taili (Hu Tai-Li) / 1993, Xia wu fan de cai = Dishes of an afternoon meal / Huang Qimao (Huang Chi-Mao) / 1996, Fei yu ji = Rayon / Lin Jianxiang (Lin JianChiang) / 1997, Qingwen bu zai jia = Libangbang: Ching-Wen’s not home / Guo Zhendi (Kuo Chen-Ti) /

1337 Di yi jie min zu zhi ying zhan xun yan ji “Ying xiang zhong de zu qun wen hua” yan xi ying yan xi shou ce / Taiwan min zu zhi ying xiang xue hui. ҷϣโ‫ھ‬ఓ௨‫ࣁؙ‬፶ࠟ᠕ “‫ؙ‬ՌЅϡఓळҹ٩”୳‫܄୳ॺ܄‬Ѳೠ / ‫ݡ‬ஹ‫ھ‬ఓ௨‫ؙ‬ՌѹϾ. Taibei: Taiwan min zu zhi ying xiang xue hui, 2002. 38 p. Note: A manual for the Ethnic Culture in Film Images study camp hosted by the Taiwan Association of Visual

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Film and Globalization

1343

2000, Mian dui e ling = And deliver us from evil / Zhang Shulan (Si-Manirei) / 2001. The following six are about the Taiwan Island under “Island Odyssey-Domestic”: Tian di ping an = Heavenly peace in small town / Cao Wenjie (Tsao Wen-Chieh) / 2001, Liang an di er chun = The second spring of the strait / Dong Zhengliang (Dong Cheng-Liang) / 2000, Mo dai tou mu = The last chieftain / Li Daoming (Lee Daw-Ming) / 1999, Guan jun zhi hou = After championship / Cao Wenzhen (Tsao Wen-Chen) / 2000, Wang yi Qiuyan = She sometimes a god / Jiang Meiru (Chiang Mei-ju) / 1999, and Chang zhong wu chun qiu: Taiwan bu dai xi = Theater in the palm of your-glove puppetry in Taiwan / Yu Kanping (Yu Kan-ping) / 2001. NTUL Chi Eng

The author uses theories of documentary aesthetics and postcolonialism to analyze and study the contents of director Muzhi Longyao’s six documentaries about the Pingpu aboriginal people. The thesis shows how the director returns ownership of interpretation to the Pingpu people, enabling a reestablishment of ethnicity and self-recognition. Includes a bibliography. NTUL Chi

6.12

FILM AND GLOBALIZATION

1341 Chen, Duanci. ಴ઉ፦. Dian ying chang jing yu yi fu hao de kong jian wen hua yu quan qiu shi chang hua: Li An zao qi dian ying ge an fen xi = An analysis of the early films of Ang Lee and study of the sight of film, the culture of meaning and film symbols of sight. Ӈ‫ؙ‬Ծ࢓‫ܭ‬Һላ‫ى‬ϡ‫׺‬Ҽҹ٩ӿҪ‫صܧ‬Ծ٩: ଽԥՉ‫׈‬Ӈ‫ؙ‬ϫଈ д໯ = An analysis of the early films of Ang Lee and study of the sight of film, the culture of meaning and film symbols of sight. 119 leaves. Note: Thesis (M.A.)––Ming Chuan University, 2004. Explores space and genre in Ang Lee’s films. Includes bibliography, filmography, and chronologies of Hou Hsiao-hsien, Edward Yang, and Ang Lee. NCL/NDLTD Chi

1339a Taiwan guo ji min zu zhi ying zhan: 2003 qian xi de gu shi = Taiwan International Ethnographic Film Festival: Migration story / Taiwan min zu zhi ying xiang xue hui zhu ban. ‫ݡ‬ஹлগ‫ھ‬ఓ௨‫ࣁؙ‬: 2003ቜ⃼ϡ‫ݞ‬Ѩ = Taiwan International Ethnographic Film Festival: Migration story / ‫ݡ‬ஹ‫ھ‬ఓ௨‫ؙ‬ՌѹϾ Ұ‫ދ‬. Taibei: Taiwan min zu zhi ying xiang xue hui, 2003. 98 p. Note: This bilingual (Chinese and English) work was published for the second Taiwan International Ethnographic Film Festival: 2003 Migration Story, hosted by the Taiwan Association of Visual Ethnography in 2003. Includes four parts: Retrospective, Migration Story-Beyond Island, Migration Story-Taiwan, and New Vision. Each part contains an Introduction, Synopsis, and Filmography. Seven ethnographic films made in Taiwan are introduced in Migration Story-Taiwan: E.T. Yue qiu xue yuan = Experimental Taiwanese moon academy / Wu Misen (Wu, Mi-sen) / 2003, Xiang yao you ge jia-cheng shi bian yuan bu luo = Dreaming of home-Marginal tribe of the city / Cao Wenjie (Tsao, Wen-chieh) / 1997, Wo de Qiannawei = My imported wife / Cai Conglong (Tsai, Tsung-lung) / 2003, Bei jing li xiang qu da gong = Shattered dreams / Li Daoming (Lee, Daw-ming) / 2003, Kan shan de ren-Xiongjiao keng zhi ge = Mountain keepers-Song of Chong Giao Keng / Chen Rongxian (Chen, Rong-shien) / 1999, Lai qu Dachen = Come and go, Island of Tachen / Mayao Bihong (Mayaw Biho) / 2002, and Xian dao 184 zhi dong-Jiao gong yue dui Yanlou chang ge = County Road 184 / He Zhaoti (Ho, Choa-ti) / 2001. NCL Chi Eng

1342 Chen, Hongmi (Chen, Hung-mi). ಴ᅋܶ. Quan qiu hua zhi xia de Taiwan dian ying chan ye fa zhan ce lue = The development strategy of Taiwanese film industry under globalization. Ҫ‫ܧ‬٩ҏЎϡ‫ݡ‬ஹӇ‫׬ݗؙ‬чࣁ೫ଯ = The development strategy of Taiwanese film industry under globalization. 120 leaves. Note: Thesis (M.A.)—National Sun Yat-Sen University, 2004. Compares various national film industries to provide a development strategy for Taiwan’s film industry during globalization. Includes a Chinese and English abstract and bibliography. NCL/NDLTD Chi

1343 Chen, Mo. ಴ၢ. Zhongguo wu xia dian ying shi. ЅлેཱུӇ‫ؙ‬੗. Taibei: Feng yun shi dai chu ban gu fen you xian gong si, 2006. 332 p. ISBN 9861462740 Series title: Feng yun dian ying xi lie գࠥӇ‫࠶ڍؙ‬

1340 Zheng, Guijin. ቼਰѵ. Muzhi Longyao de Pingpu zu qun ji lu pian zhi quan shi feng ge yu zai xian zheng shi. ަብ.ᑹ⮡ϡ‫כ‬ᰎఓळઔ࠷әҏ᙮ౠգ۴ӿӐѳू੽. 239 p. Note: Thesis (M.A.)—Tainan National University of the Arts, 2004.

243

Interdisciplinary Studies

1344 Note:

A comprehensive work on Chinese martial arts film history. Divides the development of Chinese martial arts films into five periods: (1) the first period in Shanghai in the 1920s and 1930s; (2) a shift to Hong Kong in the 1940s and 1950s; (3) Hong Kong, and later in Taiwan, in the 1960s and 1970s; (4) a cooperative period between Hong Kong and mainland China in the 1980s and 1990s; and (5) the trend towards globalization and further cooperation between Hong Kong, Taiwan, and mainland China, using Ang Lee’s film Crouching Tiger, Hidden Dragon (2000) as an example. In the postscript, the author admits that his knowledge of Hong Kong and Taiwan martial arts films, specifically during the mid-1960s to the early 1980s period, is limited and thus apologizes for any missing or oversimplified parts in this section of the book. NTUL Chi

had already been successful with its film Crouching Tiger, Hidden Dragon. This model represents a trend of cultural globalization and commodification in Taiwan film production. Appling the discourse of the New International Division of Cultural Labor (NIDCL) and the Global Film Market System in the case of Double Vision, the close connection between transnational film production and characteristics of Hollywood film production is evident. Concludes that the existence of high-quality international film coproductions brings major challenges to Taiwan film production in the twenty-first century because of their emphasis on commercial success rather than cultural representation. Includes a Chinese and English abstract, a bibliography, and structure charts of the globalization of Taiwan film production and information on four films by CPFPA since 2000. NCL/NDLTD (FT) Chi

1344 Chinese women’s cinema: transnational contexts / edited by Lingzhen Wang. New York: Columbia University Press, 2011. 430 p. ISBN 9780231156745 (cloth: alk. paper), 023115674X (cloth: alk. paper), 9780231156752 (pbk.: alk. paper), 0231156758 (pbk.: alk. paper), 9780231527446 (ebk.), 0231527446 (ebk.) Note: An edited volume that explores the transnational contexts of Chinese women’s cinema, from Chinese films produced in the 1920s and 1930s to the most recent Chinese films produced in China, Taiwan, Hong Kong, the United States, and elsewhere. Essays on Taiwan women’s cinema include “Post-Taiwan New Cinema Women Directors and Their Films: Auteurs, Images, and Language” by Yu-shan Huang and Chunchi Wang, translated by Robbin Visser and Thomas Moran; and “Chu T’ien-wen and the Sotto Voce of Feminine Expression in the Films of Hou HsiaoHsien” by Christopher Lupke. Includes a bibliography. WorldCat Eng

1346 Huang, Yizhen (Huang, Yi-chen). ࢶជ♴. Quan qiu hua shi dai de wen hua rou za: yi Li An de “Wo hu cang long” wei li = Cultural hybridity in the age of globalization: a case study of Ang Lee’s “Crouching Tiger, Hidden Dragon.” Ҫ‫ܧ‬٩Ж‫ڊ‬ϡҹ٩ᚥ૝: йଽԥϡ “၃ഝেह” Њຎ = Cultural hybridity in the age of globalization: a case study of Ang Lee’s “Crouching Tiger, Hidden Dragon.” 75 leaves. Note: Thesis (M.A.)—National Chung Cheng University, 2005. Uses Ang Lee’s martial arts film Crouching Tiger, Hidden Dragon (2000) as a case study to analyze cultural hybridity and discuss cultural homogenization and heterogenization in the process of cultural hybridization. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Eng

1347

1345

Lee, Vivian P Y. East Asian cinemas: regional flows and global transformations. Basingstoke, UK: Palgrave Macmillan, 2011. 272 p. ISBN 9780230307186, 0230307183 Note: This collection of the essays focuses on new filmmaking trends and the emerging regional cooperation between China, Hong Kong, Taiwan, Japan, and South Korea during the era of globalization. WorldCat Eng

Guo, Dongyi (Kuo, Tong-yi). ᔕֆ೯. Kua guo zhi zuo dui Taiwan dian ying zhi zuo ying xiang zhi tan tao: yi “shuang tong” wei li = An examination on international coproduction in Taiwanese film production: a case study on “Double vision.” ቄл३ӑх‫ݡ‬ஹӇ‫ؙ‬३ӑ‫ؙ‬৘ҏ෬क़: й”‫”᧢ד‬Њຎ = An examination on international co-production in Taiwanese film production: a case study on “Double vision.” 173 leaves. Note: Thesis (M.A.)—National Chiao Tung University, 2004. Explores the new model of international film production in Taiwan used by Columbia Pictures Film Production Asia (CPFPA) to produce and release the mystery thriller Double Vision (2002), which was successful at the box office in Taiwan after CPFPA

1348 Li, Tianduo. ଽϳ⟢. “Quan qiu jing zheng shi dai Taiwan ying shi mei ti fa zhan de ce lue yu zheng ce gui hua” zhuan an yan jiu ji hua: qi mo bao gao / Yan jiu ji hua zhu chi ren: Li Tianduo.

244

Film and Globalization

1353

“Ҫ‫ܧ‬ჟৎЖ‫ݡڊ‬ஹ‫ؙ‬؆෪Ղчࣁϡ೫ଯӿू೫੺੿” ֟ଈ୳ૢ ‫ޫذ‬: ‫׈‬ઃ‫ ݍڻ‬/ ୳ૢ‫ޫذ‬Ұ‫ف‬Ϫ: ଽϳ⟢. Taibei: Kunshan ke ji da xue chuan yi mei ti xue yuan, 2006. 324 p. Note: Reports on the “Strategy and Policy Plan for Taiwan Film and Television Media Development Under the Global Competition” sponsored by the Office of News Affairs within the Executive Yuan. Considers the concurrent state of film and television in Korea, Singapore, and Hong Kong. Appendix includes introductions of, and various interviews with, media companies, television stations, and other related organizations in different countries. Includes a bibliography. CTFAL Chi

1351 Ma, Jean Yen-chun. Time without measure, sadness without cure: Hou Hsiao-Hsien’s films of history. 283 leaves. Note: Thesis (Ph.D.)—University of Chicago, 2003. The paper focuses on three of Hou Hsiao-hsien’s films: A City of Sadness (1989), The Puppetmaster (1993), and Good Men, Good Women (1995), which make up a historical trilogy covering twentieth-century Taiwan history and also are included among the “New Wave” Chinese cinematic movements represented by film directors in Taiwan, Hong Kong, and mainland China. The author emphasizes the uniqueness of Hou and his films, which redefine the meaning of national cinema with the environment of globalization, nativism, statesponsored cultural identity, and regionally differentiated identity. Includes a bibliography. WorldCat (FT) Eng

1349 Lin, Yupeng. ৆ർអ. Quan qiu hua shi dai xia de min zu guo jia dian ying: wen hua gong min quan shi ye de fen xi = National cinema in the global age: an analysis in perspective of cultural citizenship. Ҫ‫ܧ‬٩Ж‫ڊ‬Ўϡ‫ھ‬ఓлрӇ‫ؙ‬: ҹ٩ԍ‫੸ھ‬؆ఀϡд໯ = National cinema in the global age: an analysis in perspective of cultural citizenship. 124 leaves. Note: Thesis (M.A.)—Tamkang University, 2004. The paper claims that laissez-faire film policies of deregulation adopted by Taiwan during the 1980s and 1990s transformed audiences from “citizens” into “consumers” and ignored the cultural significance and rights of film audiences; then the thesis attempts to find a solution for Taiwan national cinema in a global age from the perspective of “Cultural Citizenship,” including audience access to information, participation in communication, and egalitarian dialogue. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD (FT) Chi

1352 Peng, Guangwei (Peng, Kuang-wei). ᣴ‫ׇ‬໖. Quan qiu hua yu Haolaiwu Hua yi dao yan—zuo pin tan tao yu xing tai fen xi. Ҫ‫ܧ‬٩ӿϮᒀᩕ‫ܓ‬ᶜ࣒ࠟ—ӑԘ෬क़ӿࡿ‫ݯ‬д໯. 211 p. Note: Thesis (M.A.)—National Taiwan University, 2006. Considering that globalization and Hollywood domination has greatly influenced Chinese film-making, the paper selects three major Chinese film directors and compares their works before and after receiving transnational and Hollywood investment, including Ang Lee’s Wedding Banquet (1993) and Crouching Tiger, Hidden Dragon (2000); Zhang Yimou’s Raise the Red Lantern (1992) and Hero (2002); and Chen Kaige’s Farewell My Concubine (1993) and The Promise (2005). Concludes that the influence of globalization is inevitable, and the pressure of box office success challenges the directors’ integrity and cultural and national values. In terms of Taiwan’s film industry, the paper suggests that the government should change its policy: subsidies need to be more carefully directed to promising directors and their works and their subjects should not be limited to “local characteristics.” Includes a Chinese abstract and bibliography. NCL/NDLTD Chi

1350 Liu, Shangyun. ฀࣑⽐. Taiwan dian ying chan ye zheng ce yu qi dong tai fa zhan li cheng yan jiu: “quan qiu, zai di, guo jia” san zhe gong mou guan dian = The cooperation by triple alliance: the study of Taiwan film policy and industry development process. ‫ݡ‬ஹӇ‫ू׬ݗؙ‬೫ӿԷҁ‫ݯ‬чࣁࣵࡄ୳ૢ: “Ҫ‫ܧ‬, Ϩс, лр” ѧ ‫࢕ٷ‬ጚ޲ѡ = The cooperation by triple alliance: the study of Taiwan film policy and industry development process. 215 leaves. Note: Thesis (M.A.)—National Taiwan Normal University, 2007. Describes the government’s involvement in the Taiwan film industry and proposes ways the government should manage the film industry locally and internationally in the age of globalization. Includes a Chinese abstract and bibliography. NCL/NDLTD Chi

1353 Quan qiu Hua yu dian ying chuang zuo ren ji zhi pian lun tan ji shi lu = The International Forum on Creative Production and Global Marketing for Chinese Film 2004 in Taiwan, Memorabilia / Li Tianduo bian. Ҫ‫ܭܓܧ‬Ӈ‫ࡶؙ‬ӑϪ᠕३ә‫ں‬ႫઔѨ࠷ = The International Forum on Creative Production and Global Marketing for Chinese Film 2004 in Taiwan, Memorabilia / ଽϳ⟢ഹ. Tainan xian Yongkang shi: Kunshan ke ji da xue, 2005. 274 p.

245

Interdisciplinary Studies

1354 ISBN Note:

9868148014 Conference proceedings from the International Forum on Creative Production and Global Marketing for Chinese Film sponsored by the Office of News Affairs, Executive Yuan at the National Central Library in Taipei, April 21–23, 2004. Includes the forum agenda and schedule as well as eleven forum sessions: “Impact and Competition: The Situation and Tendency of Current Chinese Film”; “Prospectives on Chinese Film Market: The Integration and Complement of Financing, Production and Distribution”; “Digital Technology: The Impact and Transformation to Film Production and Distribution”; “The Interaction Among Chinese and Korean film industry in Asia”; “Creative Industry: The Development of Animation in Japan”; “Creative Industry: Development of Animation in Korea”; “Aesthetics and Marketing: Dialectic Position on Chinese Film”; “Creation and Innovation: Filmmakers’ Prospects on Taiwan Film”; “New Faces of Animation: The Rise of Digital Technology”; “The Practices and Cases of Chinese Film and International Co-financing and Co-production”; “The Operation of Financing and Venture Capital to Film Production”; and “Toward a New Face of Taiwanese Film: Localization, Greater Chinese Region and International Cooperation.” Includes background documents and a “Summary of Chinese Film Production and Transformation of Taiwan Film Production After Martial Law.” CTFAL Chi

1356 Sze, Siu Sin Jean. Globalization and Edward Yang’s films. 152 leaves. Note: Thesis (M.Phil.)—University of Hong Kong, 2004. The paper provides a comprehensive study of Edward Yang’s films by focusing on the role of the individual in Yang’s films and the rapid transformation of society in Taipei during globalization. ProQuest Eng

1357 Wang, Chuanzong (Wang, Chuan-tzung). ࣼ‫ة‬ᅓ. Yi “Wen hua lao dong de xin guo ji fen gong” jia gou fen xi kua guo he zhi guo pian de qian jing yu wei lai—yi guo pian “Qiao ke li zhong ji” wei ge an yan jiu. й “ҹ٩ఫҁϡЈлগд֞” ବภд໯ቄлׁ३ләϡӓ࢓ӿ‫۔‬ ϰ—й “ಌࡽҨԳ‫ ”܂‬Њϫଈ୳ૢ. 37 leaves. Note: Thesis (M.A.)—National Taiwan University, 2005. By adopting the structure of NICL (New International Division of Cultural Labour) developed by Toby Miller and using the film production of Chocolate Rap (2005), jointly produced and distributed by both Taiwan and the United States, as a case study, the author explores a new transnational film production and distribution model for Taiwan film production, which was previously dependent on government subsidies and whose distribution channels are controlled by U.S. companies. Includes a bibliography. NTUL Chi

1354 Shiau, Hong-Chi. Animating the cute, the mean and the beautiful: the production and consumption of animation: Taiwan’s struggles in the age of globalization. Saarbruchen, Germany: Vdm Verlag Dr Mueller, 2008. 202 p. ISBN 3639093976, 9783639093971 Note: Studies animation as the end product of a complicated relationship between conscious social exchanges and intelligent cultural management in the age of globalization. Taiwan, one of the largest producers of animation in the world, heavily depends on the pre- and postproduction skills of its client countries, such as the United States and Japan. WorldCat Eng

1358 Yang, Shixian (Yang, Shih-hsien). ໷ࡲᐊ. Taiwan dian ying chan ye guo ji jing zheng li yu quan qiu hua ce lue qing jing gui hua: Bote “zhuan shi ti xi” zhi ying yong = The scenario planning for the international competitiveness and global strategy of Taiwan film industry: an analysis with Poter’s “diamond” system. ‫ݡ‬ஹӇ‫׬ݗؙ‬лগჟৎҨӿҪ‫ܧ‬٩೫ଯє॒੺੿: ம‫໌“ ئ‬੘Ղ ‫ ”ڍ‬ҏ‫׎‬ѓ = The scenario planning for the international competitiveness and global strategy of Taiwan film industry: an analysis with Poter’s “diamond” system. 170 leaves. Note: Thesis (M.A.)—National Sun Yat-Sen University, 2003. Analyzes Taiwan’s film industry by using Michael Poter’s “Diamond” system, which has four attributes: Factor Conditions; Demand Conditions; Related and Supporting Industries; and (the tripart) Film Strategy, Structure, and Rivalry. Concludes by advocating for the development of Taiwan’s digital media industry and the attraction of high-quality human resources to Taiwan to sustain Taiwan’s film industry. Includes a Chinese and English abstract and bibliography. NCL/NDLTD (FT) Chi

1355 Shiau, Hong-Chi. Production and consumption of animation in Taiwan: the interplay of global political and economic forces. 235 leaves. Note: Thesis (Ph.D.)—Temple University, 2005. A work on animation production and consumption in Taiwan through global political and economic perspectives. Includes an abstract and a bibliography. WorldCat Eng

246

Film and Globalization

1363 ଵ‫ݙװ‬ᙛ঺: ԩ “၃ഝেह” ড‫ܭܓ‬Ӈ‫ؙ‬лগ٩= Globalization of Chinese language cinemas: a case study of Crouching Tiger, Hidden Dragon. Taibei: Ya Tai tu shu, 2004. 244 p. ISBN 9867809297 Series title Chuan bo jiao yu cong shu ‫ة‬৚‫ڌ‬ड़ᜣ‫ڣ‬ Note: A book based on the author’s master’s thesis at the National Taiwan University. Studies Crouching Tiger, Hidden Dragon (2000) as a blueprint for the success of Chinese cinema in the global marketplace. Analyzes the film’s production, distribution, and marketing as well as the current film production environment in Taiwan, Hong Kong, mainland China, and the United States; includes in-depth interviews with the film’s producers and scholars in Taiwan, Hong Kong, and mainland China, and uses an immersion–crystallization method to reach its conclusion. Includes a bibliography and an appendix. NTUL Chi

1359 Ye, Xuanchen. ౕ጗ந. Taiwan dian ying chan ye huan jing yu jing zheng li yan jiu = The study of Taiwan film industry environment and its competitiveness. ‫ݡ‬ஹӇ‫॒ࢰ׬ݗؙ‬ӿჟৎҨ୳ૢ = The study of Taiwan film industry environment and its competitiveness. 134 p. Note: Thesis (M.A.)—National Chengchi University, 2009. Studies the competitiveness of the Taiwan film industry by assessing film production, distribution, and exhibition via Michael Porter’s survey method and diamond theory. Proposes that Taiwan’s film industry would benefit from changes in government policies, industry production strategies, and academic research. Includes a Chinese and English abstract and biography. NCL/NDLTD Chi

1360 Yip, June Chun, 1962– Envisioning Taiwan: fiction, cinema, and the nation in the cultural imaginary. Durham, NC: Duke University Press, 2004. 356 p. ISBN 0822333570 (alk. paper), 0822333678 (pbk: alk. paper) Note: June Yip’s text, Envisioning Taiwan: Fiction, Cinema, and the Nation in the Cultural Imaginary, considers the representation of Taiwan as an imagined community in the Taiwan New Cinema of the 1980s and in Native Literature, known as Hsiang-t’u Literature, of the late 1960s. The table of contents of the book provides an overview of the author’s views: Introduction: Envisioning Taiwan in a Changing World; Chapter 1, Confronting the Other, Defining a Self: Hsiang-t’u Literature and the Emergence of a Taiwanese Nationalism; Chapter 2, Toward the Postmodern: Taiwanese New Cinema and Alternative Visions of Nation; Chapter 3, Remembering and Forgetting, Part I: History, Memory, and the autobiographical Impulse; Chapter 4, Remembering and Forgetting, Part II: Hou Hsiao-hsien’s Taiwan Trilogy; Chapter 5, Language and Nationhood: Culture as Social Contestation; Chapter 6, The Country and the City: Modernization and Changing Apprehensions of Space and Time; Chapter 7, Exile, Displacement, and Shifting Identities: Globalization and the Frontiers of Cultural Hybridity; Conclusion: From Nation to Dissemi-nation: Postmodern Hybridization and Changing Conditions for the Representation of Identity. Includes a bibliography and an index. WorldCat (FT) Eng

1362 Xu, Gary Gang. Sinascape: contemporary Chinese cinema. Lanham: Rowman & Littlefield, 2007. 175 p. ISBN 9780742554498 (cloth), 9780742554504 (pbk.), 074255449X (cloth: alk. paper), 0742554503 (pbk.: alk. paper) Note: Gary Xu’s book Sinascape: Contemporary Chinese Cinema is primarily a close reading of nine films produced in China, Hong Kong, and Taiwan. The introduction contains a straightforward presentation of the themes in the text by way of four illustrative vignettes from Xu’s personal experience and research, and an outline of six key topics that the text addresses, including: (1) proliferation of the copyright industry; (2) representation of violence and violence of representation; (3) manipulation of reality through mediation and simulacra; (4) relentless demolition driven by modernization and urbanization; (5) erasure of individual memories by linear and masculinist history; and (6) domination of the socioeconomic and political life by the cinematic mode of production (p. 20). These themes are organized under the matrix of the term “sinascape,” which Xu prefers over “Chinese-language film.” Includes a bibliography. WorldCat Eng

1363 Zeng, Wenjun (Tseng, Wen-chun). ߲ҹᒺ. Quan qiu hua qu shi xia kua guo Hua yu dian ying de fa zhan = A Progress of international Chinese cinemas in the global age. Ҫ‫ܧ‬٩ࠊۢЎቄл‫ܭܓ‬Ӈ‫ؙ‬ϡчࣁ = A Progress of international Chinese cinemas in the global age. 71 leaves.

1361 Xie, Caimiao. ‫ిࠡه‬. Xun zhao qing min jian: cong “Wo hu cang long” tan Hua yu dian ying guo ji hua = Globalization of Chinese language cinemas: a case study of Crouching Tiger, Hidden Dragon.

247

Interdisciplinary Studies

1364 Note:

Thesis (M.A.)—Tainan National University of the Arts, 2006. This thesis aims to locate the position of the Taiwan film industry within the international network of Chinese cinemas in a global age by considering cinema in terms of political economy, commodification, and cultural labor. Concludes that after joining World Trade Organization, China will become the secondbiggest film market for Hollywood and that Taiwan’s film industry is losing ground in the areas of marketing, funding, and influence. To solve this dilemma, the author advocates for the Taiwan film industry to actively seek coproduction opportunities in the global market. Includes a Chinese and English abstract, bibliography, appendix, and charts of Chinese film professionals in Hollywood and advantages for Hong Kong films entering the China market. NCL/NDLTD Chi

Dragon (2000) as a study case to examine whether the film presents the true identity of Taiwan film, or if it is a Chinese film under the influence of globalization. CTFAL Chi

6.12.1

Foreign Laborers

1366 The global and intimate: feminism in our time/ edited by Geraldine Pratt and Victoria Rosner. New York: Columbia University Press, 2012. 325 p. ISBN 9780231154482, 0231154488, 9780231154499, 0231154496, 9780231520843, 0231520840 (ebk.) Note: A collection of sixteen essays by prominent feminist scholars. Includes the following essay: “‘Like a Family, but Not Quite’: Emotional Labor and Cinematic Politics of Intimacy” by Tsung-yi Michelle Huang and Chi-she Li, which analyzes three Taiwan films––Hospital Wing 8 East (Meg Huang Hui-Zhen, 2006), Nyonya’s Taste of Life (Wen Chih-Yi, 2007), and We Don’t Have a Future Together (Lin Jing-Jie, 2003)–– and representations of the treatment of foreign female laborers in Taiwan. WorldCat Eng

1364 Zeng, Zihao (Tseng, Tzu-hao). ߲жൻ. Cong dian ying de quan qiu hua sheng chan yu xiao fei jie gou fan dao ban de mi si yu kun jing—yi Taiwan de dian ying shang pin shi chang wei li = From Global Production and Consumption to deconstruct the difficultly and confusion of Anti-piracy—the assumption of movie product of Taiwan market. ԩӇ‫ؙ‬ϡҪ‫ܧ‬٩Т‫ݗ‬ӿ‫ثٮ۽‬ภ‫ބ‬ᅟ‫ؗ‬ϡࣿ‫ڽ‬ӿ੡॒—й‫ݡ‬ஹ ϡӇ‫࠱ؙ‬Ԙ‫ص‬ԾЊຎ = From Global Production and Consumption to deconstruct the difficultly and confusion of Anti-piracy—the assumption of movie product of Taiwan market. 110 leaves. Note: Thesis (M.A.)—Nanhua University, 2005. By using the Taiwan’s film market as an example, the paper reexamines the relationship between piracy and copyright issues from the perspective of production and consumption, and points out that using or not using pirated products is not only a simple moral issue, but also one related to the user’s social status, education, taste, and cultural background. Suggests ways to reduce the usage of pirated products. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD (FT) Chi

6.13

FILM AND HAKKA

1367 Sun, Rongguang. ྒึ‫ׇ‬. Kejia, mei ti, zai xian. ‫ۺ‬р, ෪Ղ, Ӑѳ. Taibei: Wei bo wen hua guo ji chu ban you xian gong si, 2010. 222 p. ISBN 9789866338151; 9866338150 Series title: Da zhong chuan bo lun cong; 5 Ͻੁ‫ة‬৚‫ں‬ᜣ; 5 Note: Studies media representations of Taiwan’s Hakka people. WorldCat Chi

1368

1365

Taiwan Ke jia yan jiu xue hui 2009 nian hui ji “Ke jia shu xie yu quan shi: fang zhi, lun shu, mei ti yu dian ying” xue shu lung wen ji. ‫ݡ‬ஹ‫ۺ‬р୳ૢѹϾ2009ёϾ᠕ “‫ۺ‬р‫܎ڣ‬ӿ⠌ౠ: Ҥ࢑, ‫ں‬਎, ෪ ՂӿӇ‫”ؙ‬ѹफ୳क़Ͼ‫ں‬ҹओ. Taibei: Taiwan Ke jia yan jiu hui, 2009. 226 p. Note: An article within a collection of conference proceedings, Zhang Yupei’s paper: “Lu man” yu “Tu fei”: jie gou Ke jia dian ying de fu gao yi xiang = “Ⴡ໲” ӿ “Ⴏ এ”: ‫ث‬ภ‫ۺ‬рӇ‫ؙ‬ϡላ‫ى‬Һࢣ (pp. 119–126) decodes the representation of male Hakka characters in Taiwan Hakka films. Includes a bibliography. NTUL Chi

Zhang, Xiaohong. ‫פ‬Щᅋ. Jia quan qiu hua = Fake globalization. ޳Ҫ‫ܧ‬٩= Fake globalization. Taibei: Lian he wen xue chu ban she, 2008. 291 p. ISBN 9789575227241 Series title: Lian he wen cong; 400 ࡀׁҹᜣ; 400 Note: The author tries to answer the question: “What is fake or real globalization?” from various perspectives. In Chapter 2, the author discusses Crouching Tiger, Hidden

248

Film and Law / Film and Literature

1374 Note:

1369 “Taiwan wen xue yu dian ying zhong de mu yu” xue shu yan tao hui lun wen ji / Jian Guangming zhu bian. “‫ݡ‬ஹҹѹӿӇ‫ؙ‬Ѕϡআ‫ ”ܭ‬ѹफ୳क़Ͼҹओ / ߢ‫ׇ‬ҴҰഹ. Pingdong: Guo li Pingdong jiao yu da xue Zhongguo yu wen xue xi, 2008. 234 p. ISBN 9789860136210 Note: Consists of nine papers presented at the Native Languages in Taiwan Literature and Film Symposium on February 22, 2008. The papers explore Taiwan native languages, including Mandarin, Min’nan/Taiwanese, Hakka, and aboriginal dialects used in literature and film under different political, cultural, economic, and historical conditions. Includes the Symposium program and presenter introduction. NTUL Chi

1372 Li䩟Yuxuan (Lee, Yu-shiuan). ଽℯἒ. Wen hua duo yang xing yu fu wu mao yi zi you hua zhi hu dong guan xi䩭yi WTO jia gou zhi dian ying shi ting fu wu wei zhong xin. ҹ٩ЄҊԛӿ‫ࠔע‬ᆓ‫ډ‬٩ҏૠҁԬ਽䩭йWTOବภҏӇ‫ؙ‬؆ԯ ‫ࠔע‬ЊЅК. 187 leaves. Note: Thesis (M.A.)—National Dong Hwa University, 2008. This paper explores the contradictions and interactions between UNESCO’s (United Nations Educational, Scientific and Cultural Organization) Convention on the Protection and Promotion of the Diversity of Cultural Expressions and the World Trade Organization’s General Agreement on Trade in Services, which covers the audiovisual business in service sector, and then discusses how to protect Taiwan’s film industry. Includes a Chinese abstract and a bibliography. NCL/NDLTD (FT) Chi

1370 Yang, Meiying (Yang, Mei-ying). ໷Ѥᓜ. Cong Taiwan dian ying zhi fang yan yu wen hua ci de ying yi jian shi zi mu yi zhe de jue se: yi Hou Xiaoxian de dian ying wei li = The role of a subtitler in the translations of dialects and cultural terms in Taiwan Cinema: a case study of Hou Hsiao-hsien’s films. ԩ‫ݡ‬ஹӇ‫ؙ‬ҏҤߞӿҹ٩୬ϡ߭ፆഛ؆‫௷ܒ‬ፆ‫ٷ‬ϡࡠա: йᢡᖮ ᐊϡӇ‫ؙ‬Њຎ = The role of a subtitler in the translations of dialects and cultural terms in Taiwan Cinema: a case study of Hou Hsiaohsien’s films. 125 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 2008. Focuses on the role of film subtitlers in the translation of dialects (including Taiwanese and Hakka) and cultural terms in seven Hou Hsiao-hsien films. The paper introduces director Hou and four of his subtitlers to explore the subtitling difficulties inherent to Hou’s films by considering the perspectives of the author, text, and audience. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD (FT) Eng

6.14

Written by lawyer and legal advisor to film director Edward Yang, the book provides eighteen reviews of Hollywood films from a legal perspective, including related legal cases in Taiwan. CTFAL Chi

1373 Wu, Ruozhi. ྶ઎≮. Zhongguo dian ying jian cha wen ti de yan jiu. ЅлӇ‫ؙ‬ഛ‫ݓ‬՛֤ϡ୳ૢ. 95 leaves. Note: Thesis (M.A.)—National Chengchi University, [1966] An introductory look at film censorship in different countries. In Chapter 5, the author reviews the history of censorship on the mainland before 1949 and in Taiwan after 1949; in Chapter 6, the practice of censorship in Taiwan is discussed; in Chapter 7, the author offers conclusions regarding censorship in Taiwan. Film censorship in mainland China after 1949 is not included in this study. Includes two appendixes (Current Film Censorship Law and Regulations in Taiwan) and a bibliography. WorldCat Chi

FILM AND LAW

6.15

1371 Cai, Zhaocheng. ᓥᘻ஧. Fa lu dian ying yuan—Jing pi jie xi 18 bu jing dian fa lu dian ying. ֚ಋӇ‫ؘ—ࡨؙ‬᭽‫ث‬໯18‫ח‬Ҭਹ֚ಋӇ‫ؙ‬. Taibei: Wu nan tu shu chu ban gu fen you xian gong si, 2007. 347 p. ISBN 9789571146461 Series title: Fa lu ren wen guan ֚ಋϪҹఖ

FILM AND LITERATURE

1374 Ai, li xiang, yu lei guang: wen xue dian ying yu tu di de gu shi / Li Zhiqiang deng zhuang shu; Xing zheng yuan wen hua jian she wei yuan hui ce hua zhu ban. Д, ԑЂ, ӿौ‫ׇ‬: ҹѹӇ‫ؙ‬ӿगсϡ‫ݞ‬Ѩ / ଽ࢑ᨋҳ᫃਎; Ҳूࡨ ҹ٩ࠃ‫ޗ‬ణ‫؂‬Ͼ೫੿Ұ‫ދ‬. Tainan: Guo li Taiwan wen xue guan, 2010. 2 v. ISBN 9789860254082, 9860254087

249

Interdisciplinary Studies

1375 Note:

A collection of stories based on thirty films that were adapted from original literary works. WorldCat Chi

1378 DeBoer, Stephanie. Pursuing the cinematic in modern literature: a comparative study of Yokomitsu Riichi and Liu Na’ou. 76 leaves. Note: Thesis (M.A.)—Indiana University, 2000. A comparative study of Yokomitsu Riichi and Liu Na’ou, New Sensationalist School writers who pursued the cinematic in modern literature. WorldCat Eng

1375 Braester, Yomi. Witness against history: literature, film, and public discourse in twentieth-century China. Stanford, CA: Stanford University Press, 2003. 264 p. ISBN 080474792X, 9780804747929 Note: Analyzes constructions of twentieth-century Chinese history as reflected in literature, film, and public discourse. Chapter 7, “Retelling Taiwan: Identity and Dislocation in Post-Chiang Mystery,” focuses on Taiwan. Includes a bibliography and an index. WorldCat Eng

1379 Eberhard, Wolfram, 1909– ዐᓱ‫ܓ‬, 1909– The Chinese silver screen; Hong Kong and Taiwanese motion pictures in the 1960s = Zhongguo dian ying ti yao : yi jiu liu ling nian Taiwan, Xianggang de ying pian. The Chinese silver screen; Hong Kong and Taiwanese motion pictures in the 1960s = ЅлӇ‫ؙ‬٤ϴ; ϣ॰ࡏജё‫ݡ‬ஹ,‫ܫ‬୯ϡ‫ؙ‬ә. Taipei: Orient cultural service, 1972. 241 p. Series title: Asian folklore and social life monographs, v. 23 Yazhou min su, she hui sheng huo zhuan kan, di er shi san ji ਐರ‫ھ‬ཞ.घϾТ҅֟ᑂ, ҷԏѧফ Note: A rare, early English work on Taiwan and Hong Kong films screened in Taiwan during the 1960s. The text focuses on the relationships among film and Chinese society, folktales, legends, myth, opera, novels, and short stories. The introduction’s subtitle is “Family and Social Problems in Chinese Films Shown in Taiwan.” Includes abstracts of 329 films (pp. 41–223); film titles, presented in both Wade-Giles and Chinese characters, are followed by a synopsis and a note regarding screening locations and dates. Rather than using page numbers, the book’s general index references the text’s 329 film abstracts by their respective, sequentially assigned numbers. The quality of the book’s paper, printing, editing, translation, and organization is poor. WorldCat Eng Chi

1376 Cai, Guorong. ᓥлึ. Zhongguo jin dai wen yi dian ying yan jiu. Ѕл‫ڊײ‬ҹਲӇ‫ૢ୳ؙ‬. Taibei: Zhonghua Minguo dian ying tu shu guan chu ban bu, 1985. 312 p. Note: Focuses on the so-called literary art film in Taiwan, Hong Kong, and mainland China film history before 1949. Based on the author’s preface, the book includes all Chinese films produced in Taiwan and Hong Kong and shown publicly in Taipei. Note that Taiwanesedialect films and films produced by the left-wing film studios in Hong Kong, such as the Great Wall Studio and Phoenix Film Studio, are not included in this list of films shown publicly in Taipei. Provides in-depth studies of the Chinese literary art film, including the definition of Literary Art Film, its early development in mainland China, recent domination by films produced in Hong Kong and Taiwan, the influence of novels and individual film directors, a forecast for the future, and reviews of some of the most representative literary films and directors. Includes a bibliography (pp. 310–311). WorldCat Chi

1380 From May fourth to June fourth: fiction and film in twentieth-century China / edited by Ellen Widmer, David Der-wei Wang. Cambridge, MA: Harvard University Press, 1993. 435 p. ISBN 067432501x (hbk.), 0674325028 (pbk.) Series title: Harvard contemporary China series; 9 Note: Includes the essays “Visitation of the Past in Han Shaogong’s Post-1985 Fiction” by Joseph S. M Lau; “Past, Present, and Future in Mo Yan’s Fiction of the 1980s” by Michael S. Duke; “Shen Congwen’s Legacy in Chinese Literature of the 1980s” by Jeffrey C. Kinkley; “Imaginary Nostalgia” by David Der-wei Wang; “Urban Exoticism in Modern and Contemporary Chinese Literature” by Heinrich Fruehauf; “Text, Intertext, and the Representation of the Writing Self in Lu Xun, Yu Dafu, and Wang Meng” by Yi-tsi Mei Feuerwerker; “Invention and Intervention” by Lydia H. Liu; “Living in Sin” by Margaret H. Decker; “Lu

1377 Cai, Kangyong (Tsai, Kang-yung), 1962– Taiwan films and literature / Kang-yung Tsai, Liang-yi Han; translated by Stephen Teo. [Taiwan] : Variety, 1993. 48 p. Note: An English translation of a Chinese work published in celebration of the 1993 “National Film Year of Taiwan.” Assesses the relationship between Taiwanese films and literature. WorldCat Eng

250

Film and Literature

1386

Xun’s Facetious Muse” by Marston Anderson; “Lives in Profile” by Theodore Huters; “Melodramatic Representation and the ‘May Fourth’ Tradition of Chinese Cinema” by Paul G. Pickowicz; and “Male Narcissism and National Culture” by Rey Chow. Includes a bibliography. WorldCat Eng

1383 Huang, Shuxian. ࢶᎂᢎ. Nu xing shu xie: Dian ying yu wen xue = Feminine writing in cinema and literature. ѽԛ‫܎ڣ‬: Ӈ‫ؙ‬ӿҹѹ = Feminine writing in cinema and literature. Hong Kong: Qing wen shu wu, 1997. 267 p. ISBN 9627258571 Series title: Wen hua shi ye cong shu ҹ٩؆ఀᜣ‫ڣ‬ Note: A collection of the author’s essays organized into four parts; selections in Part 2 concentrate on the relationship between literature and female directors and their works, and representations of women, in Taiwan New Cinema. CTFAL Chi

1381 Hoare, Stephanie Alison. Melodrama and innovation: literary adaptation in contemporary Chinese film. 218 leaves. Note: Thesis (Ph.D.)—Cornell University, 1989. Analyzes, by way of comparison and contrast, contemporary Chinese films from Taiwan and mainland China adapted from Chinese literature. Includes a bibliography, filmography, and glossary. WorldCat Eng

1384 1382

Huang, Yiguan. ࢶသഃ. Taiwan nu xing xiao shuo yu dian ying zhi hu wen yan jiu. ‫ݡ‬ஹѽԛЩМӿӇ‫ؙ‬ҏૠҹ୳ૢ. 375 leaves. Note: Thesis (M.A.)—National Chengchi University, 2005. In the 1980s, both Taiwan female novelists and Taiwan New Cinema emerged. This paper focuses on important female writer’s novels that were adapted during the Taiwan New Cinema era. Explains how the feminist content within these novels was interpreted by male directors in their films and examines the results of their interpretations. Includes a Chinese abstract and bibliography. NCL/NDLTD Chi

Huang, Ren, 1925– ࢶწ, 1925– Taiwan dian ying bai nian shi hua / Huang Ren, Wang Wei bian zhu. ‫ݡ‬ஹӇ‫ښؙ‬ё੗ҧ/ࢶწ,ࣼଂഹЯ. Taipei: Zhonghua ying ping ren xie hui, 2004. 2 v. Note: A comprehensive and objective text on Taiwan film history. Significant achievements of the work include (1) the discovery that the first film shown in Taiwan occurred in 1899, differing from scholars who claim the first screening occurred in 1901; (2) a detailed description of Taiwan film artists’ activities and achievements during the colonial period in both Taiwan and mainland China; (3) Taiwan film history from multiple perspectives; (4) the authors maintain an objective stance while approaching politically charged issues, such as the Japanese influence on Taiwan cinema, propaganda films in Taiwan, and the Nationalist government’s censorship system; and (5) the text includes important filmographies in some of its chapters. Shortcomings of the work include (1) poor editing—for example, multiple typos, such as on page 19, when the date of the first feature film made in Taiwan, by the Japanese, is written as 1902 instead of 1922; and Chapter 12 starts on p. 331, but the table of contents notes that it starts on p. 329; (2) poor content organization—for example, Chapters 11–21 in Vol. 2 are not connected cohesively; and (3) the text does not contain a complete bibliography, filmography, or indexes, except for inconsistent bibliographical materials included at the end of selected chapters. Thus, it is difficult to recommend this text as reference material, even though it contains important historical information. Includes some bibliographic information at the end of selected chapters; and film stills, posters, and photos. WorldCat Chi

1385 Li, Oufan. ଽଟ᰼. Di “Se, jie”—wen xue, dian ying, li shi. ⷺ “ա, യ “—ҹѹ, Ӈ‫ؙ‬, ࣵ੗. Hong Kong: Oxford University Press (China) Ltd, 2008. 152 p. ISBN 9780195498684 Note: Compares Zhang Ailing’s novel and its film adaptation by Ang Lee’s Lust, Caution (2007) as well as historical connections shared by the two works. Appendix includes the author’s essay, “Lust, Caution: Vision and Revision,” and Guo Shiyong’s essay, “‘Se, jie’: xiao shuo yu dian ying dui du.” CTFAL Chi

1386 Liang, Qiongfang (Liang, Chiung-fang). ᅯᬆᇙ. Wen xue, ying xiang, xing bie—ba shi nian dai Taiwan “Wen xue dian ying” zhong de nu shen / nu sheng = Literature, Image and Gender—Female’s role and voice in 1980’s Taiwanese Literature Films.

251

Interdisciplinary Studies

1387 ҹѹ, ‫ؙ‬Ռ, ԛԇ—ࡂ֐ё‫ݡڊ‬ஹ “ҹѹӇ‫ ”ؙ‬Ѕϡѽӱ / ѽ‫= ك‬ Literature, Image and Gender—Female’s role and voice in 1980’s Taiwanese Literature Films. 145 leaves. Note: Thesis (M.A.)—National Chung Hsing University, 2007. Focuses on film adaptations of Taiwan literature in Taiwan New Cinema during the 1980s and explores female roles and voices revealed by both male and female writers and directors via three perspectives: literature, image, and gender. Includes a Chinese and English abstract, a bibliography, and an appendix (including List of the Films Adapted from Literature in the 1980s, Films Adapted from the Male/Female Writers’ Works and Directed by Male/Female Directors, and a Chronology of Taiwan Literature and Film from 1980 to 1989). NCL/NDLTD Chi

ѽӎ࢑‫܎ڣ‬: Ձ܏ରЩМ “વߧՐ” ࡗԷۨഹӇ‫ = ૢ୳ؙ‬Writing the image of lesbian: A Study on Bai Hsienyung’s Novel “Ku Lien Hua” and Its Film Adaptation. 159 leaves Note: Thesis (M.A.)—Fu Jen Catholic University, 2012. Compares Bai’s lesbian novel Gu lian hua with its film adaptations in 1985 and 2005. Focuses on the differences between the novel and adaptations in terms of visual imagery, sound, set design, and descriptions of lesbian sexuality. Includes a Chinese abstract and bibliography. Online full text access will be available in 2017. NCL/NDLTD Chi

1389 Literatura i iskusstvo KNR nachala 90–x godov / [otvetstvennyi redaktor V.F. Sorokin]. Moskva: In-t Dalnego Vostoka RAN, 1995. 143 p. Series title: Informatsionnyi biulleten (Institut Dalnego Vostoka (Rossiiskaia akademiia nauk)); [1995], no 1. Note: Includes bibliographical references. WorldCat Rus Eng

1387 Lin, Chi-fan. Fiction and film in Taiwan, 1960s to 1980s: narratives, politics, and aesthetics. 208 p. Note: Thesis (Ph.D.)—New York University, 1999. Comparing eleven works of Taiwanese native-soil literature during the 1960s and 1970s with their film adaptations in the 1980s during the Taiwan New Cinema movement, the paper examines the dynamic relationship between Taiwan’s socioeconomic realities and aesthetic artifacts. Includes a bibliography. WorldCat Eng

1390 Literatura i iskusstvo KNR, 1976–1985 / [otvetstvennyi redaktor V.F. Sorokin]. Moskva: “Nauka,” Glav. red. vostochnoi lit-ry, 1989. 235 p. ISBN 5020169536 Note: Includes bibliographical references (pp. 230–234). WorldCat Rus Eng

1388

1391

Lin, Fangmei. ৆ᇙᄮ. Jie du Qiongyao ai qing wang guo. ‫ࢵث‬ᬆᴽДєࣼл. Taibei: Shi bao wen hua, 1994. 342 p. ISBN 9571312940 Series title: Wen hua cong shu; 128 ҹ٩ᜣ‫ ;ڣ‬128 Note: An in-depth study of Qiongyao’s romance novels, including films and television series adapted from her work. Includes a list of fifty adapted films and their original novels. CTFAL Chi

Lu, Runtang. ૔ඏஇ. Dian ying yu wen xue. Ӈ‫ؙ‬ӿҹѹ. Taibei: Zhonguo wen hua da xue chu ban she, 1984. 179 p. Series title: Wen yi li lun cong shu ҹਲԑ‫ں‬ᜣ‫ڣ‬ Note: A collection of the author’s papers that study the relationship between film and literature––for example, the relationship between King Hu’s martial arts films and Buddhist Zen literature. NTUL Chi

1392 Mossin, Ulla. Adapting nineteenth century novels for film and television in the nineteen nineties. 60 leaves. Note: Thesis—Syddansk Universitet, Center for Engelsk, 2000. A paper on film adaptations of nineteenth-century novels during the 1990s; includes the literary and cinematic figures Ang Lee, Anthony Page, Jane Austen, George Eliot, and Simon Langton. WorldCat Eng

1388a Lin, Xuanxiao (Lin, Hsuan-hsiao). ৆ୌᖮ. Nu tong zhi shu xie: Bai Xianyong xiao shuo “Gu lian hua” ji qi gai bian dian ying yan jiu = Writing the image of lesbian: A Study on Bai Hsienyung’s Novel “Ku Lien Hua” and Its Film Adaptation.

252

Film and Literature

1400

1393

1397

Shu, Tan. স໐. Dian ying yu wen xue. Ӈ‫ؙ‬ӿҹѹ. Taibei xian Zhonghe shi: Tai yang chu ban she, 1992. 192 p. ISBN 9578590008 Note: Contains nineteen articles that explore the relationship between film and literature; seven articles deal with Taiwan films. CTFAL Chi

Tesson, Charles. L’Asie à Hollywood / Charles Tesson; Claudine Paquot; Roger Garcia. Paris: Cahiers du Cinéma, 2001. 255 p. ISBN 2866422821, 9782866422820 Note: A work on successful Asian Americans in Hollywood, including Ang Lee, John Woo, Tsui Hark, and Raymond Chow. WorldCat Fre

1398 Thompson, Emma. Sense and sensibility: the screenplay & diaries : bringing Jane Austen’s novel to film. New York: Newmarket Press, 2008. 288 p. QV ISBN 1557047820 (pbk.), 9781557047823 (pbk.) Note: A work on the relationship between Sense and Sensibility (1995), directed by Ang Lee, and Jane Austen’s famous novel. WorldCat Eng

1394 Ta men zai dao yu xie zuo: wen xue da shi xi lie dian ying = Inspired Island / Bian zhe Mu su mei ti, Wang Gengyu. јИϨޯᓊ܎ӑ: ҹѹϽؓ‫࠶ڍ‬Ӈ‫ =ؙ‬Inspired Island / ഹ‫ٷ‬۵௔ ෪Ղ, ࣼᩋᒶ. Taibei: Xing ren wen hua shi yan shi, 2011. 263 p. ISBN 9789868711204, 9868711207 Note: An introduction to six documentary films about six famous contemporary Taiwanese literary figures: Lin Haiyin, Zhou Mengdie, Yu Guangzhong, Zheng Chouyu, Wang Wenxing, and Yang Mu. WorldCat Chi

1399 Wang, Chialan Sharon. Nostalgia for the future to come: national consciousness in post-87 Taiwanese Literature and Cinema. 252 p. Note: Thesis (Ph.D.)—University of Southern California, 2011. Focuses on the theme of nationhood in Taiwanese literary and cinematic works published since the 1980s, in which, as the author states, “there is a nostalgic tendency to imagine an organic community unique to the Taiwanese experience in literary and cinematic production” (abstract). Analyzes Zhu Tianxin’s short novels, Wei Te-sheng’s Cape No. 7 (2008), Doze Niu’s Monga (2010), and Ang Lee’s Crouching Tiger, Hidden Dragon (2000) and Lust, Caution (2008). Includes a bibliography. ProQuest (FT) Eng

1395 Taiwan dian ying yu wen xue / 1993 Zhonghua Minguo dian ying nian guo ji tui guang zu. ‫ݡ‬ஹӇ‫ؙ‬ӿҹѹ / 1993Ѕ‫ھܓ‬лӇ‫ؙ‬ёлগԐܰ६. Taibei: Wan xiang tu shu gu fen you xian gong si, [1993] 1 v. (various pagination) Series title: Taiwan dian ying jing xuan xi lie ‫ݡ‬ஹӇ‫࠶ڍקؘؙ‬ Note: An introduction to important literary works that have been adapted into films in Taiwan. WorldCat Chi

1396 “Taiwan wen xue yu dian ying zhong de mu yu” xue shu yan tao hui lun wen ji / Jian Guangming zhu bian. “‫ݡ‬ஹҹѹӿӇ‫ؙ‬Ѕϡআ‫ ”ܭ‬ѹफ୳क़Ͼҹओ / ߢ‫ׇ‬ҴҰഹ. Pingdong: Guo li Pingdong jiao yu da xue Zhongguo yu wen xue xi, 2008. 234 p. ISBN 9789860136210 Note: Consists of nine papers presented at the Native Languages in Taiwan Literature and Film Symposium on February 22, 2008. The papers explore Taiwan native languages, including Mandarin, Min’nan/Taiwanese, Hakka, and aboriginal dialects used in literature and film under different political, cultural, economic, and historical conditions. Includes the Symposium program and presenter introduction. NTUL Chi

1400 Wang, Pu. ࣼ⊝. Zuo jia lu ying zhuan ji shi nian jian ying. ӑр࠷‫֐֮ةؙ‬ёය‫ؙ‬. Taibei: Guo jia tu shu guan, 2009. 270 p. ISBN 9789576784910 Note: Presents the author’s experience of making documentary films about Taiwan writers, a project he has worked on for more than ten years, as well as articles about the project published in various newspapers and journals. The appendix includes the featured Taiwan writers’ names and a chronology of the author’s documentary filmmaking career. NTUL Chi

253

Interdisciplinary Studies

1401 1401

1403

Xu, Jiankun. ‫ࠃܛ‬Ỏ. Yue du xin shi ye: wen xue yu din ying de dui hua. ་ࢵЈ؆ఀ: ҹѹӿӇ‫ؙ‬ϡхҧ. Taibei: You shi wen hua shi ye go fen you xian gong si, 2009. 251 p. ISBN 9789575747299 Series title: Duo bao ge; 155 Єմ䑧; 155 Note: A literary presentation of children’s films for young readers. CTFAL Chi

Yip, June Chun, 1962– Envisioning Taiwan: fiction, cinema, and the nation in the cultural imaginary. Durham, NC: Duke University Press, 2004. 356 p. ISBN 0822333570 (alk. paper), 0822333678 (pbk.: alk. paper) Note: June Yip’s text, Envisioning Taiwan: Fiction, Cinema, and the Nation in the Cultural Imaginary, considers the representation of Taiwan as an imagined community in the Taiwan New Cinema of the 1980s and in Native Literature, known as Hsiang-t’u Literature, of the late 1960s. The table of contents of the book provides an overview of the author’s views: Introduction: Envisioning Taiwan in a Changing World; Chapter 1, Confronting the Other, Defining a Self: Hsiang-t’u Literature and the Emergence of a Taiwanese Nationalism; Chapter 2, Toward the Postmodern: Taiwanese New Cinema and Alternative Visions of Nation; Chapter 3, Remembering and Forgetting, Part I: History, Memory, and the autobiographical Impulse; Chapter 4, Remembering and Forgetting, Part II: Hou Hsiao-hsien’s Taiwan Trilogy; Chapter 5, Language and Nationhood: Culture as Social Contestation; Chapter 6, The Country and the City: Modernization and Changing Apprehensions of Space and Time; Chapter 7, Exile, Displacement, and Shifting Identities: Globalization and the Frontiers of Cultural Hybridity; Conclusion: From Nation to Dissemi-nation: Postmodern Hybridization and Changing Conditions for the Representation of Identity. Includes a bibliography and an index. WorldCat (FT) Eng

1401a Ye, Siyan. ౕ‫ڽ‬ᢌ Xing bie, li san yu kong jian: Bai Xianyong xiao shuo dian ying ha yan jiu = Sex, Diaspora, and Space䵋The study of movies which transferred from Bai Xianyong’s novels. ԛԇ, ‫્ڐ‬ӿ‫׺‬Ҽ: Ձ܏ରЩМӇ‫ؙ‬٩୳ૢ = Sex, Diaspora, and Space䵋The study of movies which transferred from Bai Xianyong’s novels. 255 leaves. Note: Thesis (M.A.)—National Changhua University of Education, 2011. Compares six Bai Xianyong novels and six films adapted from his novels, including The Last Night of Taipan Chin (1984) directed by Bai Jingrui, Madam Yu-Ching (1984) by Zhang Yi, Love’s Lone Flower (1985) by Lin Ching-jie, Crystal Boys (1986) by Yu Kan-ping, and The Last Aristocrats (1989) and My Rice Noodle Shop (1997) by Xie Jin, the well-known film director from Mainland China. Explores themes of sex, diaspora, and space within the context of Taiwan’s historical, political, social, and cultural realities. Includes a Chinese and English abstract and bibliography. NCL/NDLTD Chi

6.16

FILM AND MAINLAND CHINESE

1404 Cai, Huipin (Tsai, Hui-pin). ᓥ௑ࠐ. Wai sheng zu qun de zhu ti zhui xun: yi Taiwan dian ying wei tan tao zhong xin (1982–2000). ֔૸ఓळϡҰՂ৪ଵ: й‫ݡ‬ஹӇ‫ؙ‬Њ෬क़ЅК (1982–2000). 137 leaves. Note: Thesis (M.A.)—National Taipei University of Education, 2006. The paper focuses on the evolving images of mainlanders in Taiwan cinema from 1982 to 2000. Includes a Chinese abstract and bibliography. NCL/NDLTD (FT) Chi

1402 Yip, June Chun, 1962– Colonialism and its counter-discourses: On the uses of “nation” in modern Taiwanese literature and film. 2 v. (415 leaves.) Note: Thesis (Ph.D.)—Princeton University, 1996 Explores the formation of Taiwanese Nationalism and Identity by analyzing 1960s and 1970s Hsiang-tu (Native) literature and 1980s New Taiwan Cinema. Analyzes writer Huang Chunming (Hwang Chunming) and his works and film director Hou Hsiaohsien and his films. Includes a bibliography and list of films by Hou Hsiao-hsien. WorldCat Eng

1405 Tobari, Haruo, 1938– ‫פݏ‬ֆਜ਼, 1938– Taiwan eiga no subete / Tobari Haruo, Ry䲖 Kinh䲖, Chin Jush䲚. ‫ݡ‬ළྱࡌ䫟䫊䫪䫗/ ‫פݏ‬ֆਜ਼, ᴰ‫ؖ‬ང, ಴ᭉࢗ. T䲖ky䲖: Maruzen, 2006. 180 p.

254

Film and Management / Film and Medicine and Mental Illness / Film and Music

1411

ISBN 4621061062, 9784621061060 Series title: Maruzen bukkusu; 106 ᐣ৖䭅䬲䬞䬨 ; 106 Note: Consists of four parts: Part 1, From Healthy Realism to New Cinema; Part 2, Zhongying (Central Motion Picture Corporation) and the Rise and Fall of Taiwan Cinema; Part 3, Taiwan New Cinema and Political Reform; and Part 4, Ethnic Groups in Taiwan Cinema. Includes a list, prepared by Liao Jinfeng and Ru-shou Robert Chen, of the most representative films of Taiwan cinema during each time period, and a bibliography (pp. 172–175). WorldCat Jpn

6.17

Series title: Yi shu fang; 16 ਲ‫ ;ࠚڣ‬16 Note: A collection of the author’s essays organized into three sections: (1) cultural, gender, psychological, and comparative analyses of Taiwan films of the 1990s; (2) mainland China films; and (3) Taiwan film through the lens of postcolonial theory. Essays of note include a study of mental illness in Taiwanese films and a psychological study of Hou Hsiao-hsien’s film A City of Sadness (1989). Includes a bibliography. CTFAL Chi

1409 Quan, Jiali. Ҫဓው. Men zhen shi de chun tian: ming yi kan dian ying. ՞ᑮॣϡࡇϳ: ӜࣦЃӇ‫ؙ‬. Taibei: Wei lai shu cheng gu fen you xian gong si, 2002. 286 p. ISBN 9867943244 Series title: Jian kang shu; 008 ࡬ࣉ‫ ;ڣ‬008 Note: Explores medical cases as presented in different films, with comments offered by the medical school faculty at National Taiwan University. CTFAL Chi

FILM AND MANAGEMENT

1406 Xu, Mulan. ጝަ୪. Dian ying yuan li de guan li zhi hui. Ӈ‫ࡨؙ‬Ѷϡ‫܉‬ԑ޺༫. Taibei: Tian xia za zhi go fen you xian gong si, 2006. 211 p. ISBN 9789866948343 Series title: Tian xia cai jing xi lie; 119 ϳЎ੠Ҭ‫ ;࠶ڍ‬119 Note: Presents films used as teaching materials for management education. CTFAL Chi

1410 Ye, Bingqiang. ౕẅ‫ל‬. Dian ying zhong de yi xue shi jie. Ӈ‫ؙ‬ЅϡࣦѹԒ֎. Taibei: Guo li Taiwan da xue yi xue yuan, 2000. 108 p. ISBN 9570255439, 9789570255430 Series title: Yi xue ren wen cong shu; 8 ࣦѹϪҹᜣ‫ ;ڣ‬8 Note: The author, a doctor at the National Taiwan University’s medical school, explores the relationship between film and medical education. Includes a filmography and an index. CTFAL Chi

1407 Huang, Lixiang (Huang, Li-hsiang). ࢶውጕ. Hua ren wen hua chan ye ying yun mo shi zhi yan jiu: yi Ma Youyou, Li An, Jimi zhi ge an wei li. ‫ܓ‬Ϫҹ٩‫ػॺ׬ݗ‬থܴҏ୳ૢ: йެҎҎ, ଽԥ, ӫܶҏϫଈЊຎ. 94 leaves. Note: Thesis (M.A.)—National Taiwan University, 2003. A business analysis of the culture industry and the success of Ang Lee’s films. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

6.19 6.18

FILM AND MEDICINE AND MENTAL ILLNESS

FILM AND MUSIC

1411 Chen, Rongbin. ಴ึᝯ. Dang dian ying yu shang jue shi. ԄӇ‫߁ؙ‬ϼᡯࡲ. Taibei: Gai tan wen hua shi ye you xian gong si, 2005. 219 p. ISBN 9867542797 Series title: Yin yue guan ‫ٸ‬Ӏఖ

1408 Chen, Ruxiu (Chen, Ru-shou Robert). ಴ᭉࢗ. Dian ying di guo, ling yi zhong zhu shi: dian ying wen hua yan jiu. Ӈ‫ؙ‬෌л, ࡔϣ҆‫ڀ‬؆: Ӈ‫ؙ‬ҹ٩୳ૢ. Taibei: Wan xiang tu shu gu fen you xian gong si, 1995. 264 p. ISBN 9576697344

255

Interdisciplinary Studies

1412 Note:

Discusses the relationship between jazz music and film. The author states that the book’s intent is “to look at jazz music from a cinematic perspective.” CTFAL Chi

1415 Huang, Xinzhang. ࢶҞᔛ. Li Linqiu yu Wang Chun Feng de nian dai. ଽெ‫ڠ‬ӿֳࡇգϡё‫ڊ‬. Taibei: Taibei shi wen xian wei yuan hui, 2009. 185 p. ISBN 9789860181555 Note: A biography of Li Linqiu, a popular composer, screenwriter, and producer of Taiwanese-dialect films. His famous works include the Taiwanese-dialect popular song: “Wang Chun Feng” written in 1933, and the film of the same title in 1937. Includes lyrics from 186 Taiwanese-dialect popular songs written by Li Linqiu, and an appendix with published song lyrics, film stories, screenplays, a chronology, and a bibliography. CTFAL Chi

1412 Chen, Rongbin. ಴ึᝯ. Dian ying jia xin jue shi pai. Ӈ‫ؙ‬࿓Кᡯࡲ൨. Taibei: Xing shi wen hua xing xao you xian gong si, 2008. 219 p. ISBN 9789868391796 Note: This is the same work (“ԄӇ‫߁ؙ‬ϼᡯࡲ”) by the same author, but published in 2005 with a new title. Discusses the relationship between jazz music and film. CTFAL Chi

1413 1416

Dai, Hongxuan. ඕᤃ጗. Tan dian ying pei yue. ডӇ‫ࡈؙ‬Ӏ. Taibei: Wen kai yin yue yi shu gong si, 1975. 115 p. Note: Describes how to compose affective soundtracks and explains the relationship between film and music. Includes several Taiwan films with accompanying film scores as case studies. Includes a section of Tchaikovsky’s Piano Concerto No. 1. CTFAL Chi

Jiao, Xiongping (Chiao, Peggy). ဖ೰๔. Ge wu dian ying zong heng tan. ‫ܮ‬ଢӇ‫ؙ‬྾ืড. Taibei: Yuan liu chu ban gong si, 1993. 266 p. ISBN 9573219263 Series title: Dian ying guan; 39 Ӈ‫ؙ‬ఖ; 39 Note: A book on musical films. Although no chapter or discussion focuses exclusively on Taiwan musicals, the author mentions that there are many Chinese musical films, including local opera films, as well as film music composers in mainland China, Hong Kong, and Taiwan; however, due to limited records and resources, a thorough study of Chinese musicals remains unfulfilled in this volume. Includes a film title and name index. CTFAL Chi

1414 Hong, Rongxuan (Hung, Jung-hsuan). ᖻѽึᘌ Wen hua gong ye xia de Taiwan dian ying yin yue fa zhan xian kuang yu zheng zhi jing ji fen xi: 1960–2005 = The current situation of film music of Taiwan under the industry and the analysis of the politics and economics: 1960–2005. ҹ٩֞‫׬‬Ўϡ‫ݡ‬ஹӇ‫ٸؙ‬Ӏчࣁѳୄӿू੽Ҭ௵д໯:1960–2005 = The current situation of film music of Taiwan under the industry and the analysis of the politics and economics: 1960–2005. 90 leaves. Note: Thesis (M.A.)—Tainan National University of the Arts, 2006. By interviewing three film music composers who represent different periods in Taiwan film history, and using their work as examples, the author explores interesting historical correlates between Taiwan’s film music and government policies. For example, 1970s film music contained messages of anti-Communism and resistance against Japan, while in the 1990s aboriginal and folk music was included in film soundtracks. Appendix includes the interviews with Weng Qingxi, Li Xing, Shi Jieyong, and Zhang Yuwei. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD (FT) Chi Eng

1417 Lan, Zuwei. ঢྥ᝛. Sheng yu ying: 20 wei zuo qu jia tan Hua yu dian ying yin yue chuang zuo = Film music composers. ‫ك‬ӿ‫ؙ‬: 20֧ӑॽрড‫ܭܓ‬Ӈ‫ٸؙ‬Ӏࡶӑ = Film music composers. Taibei: Mai tian chu ban, 2001. 295 p. ISBN 9574697517 Series title: Mai tian ying yin guan; 01 ๤೧‫ٸؙ‬ఖ; 01 Note: A collection of the author’s interviews with twenty famous film music composers from Taiwan, Hong Kong, and mainland China. CTFAL Chi

256

Film and Music

1423 5 presents Chinese film music, including the music in Tian Zhuangzhuang, Ang Lee, and Lan Shengchuan’s films, while introducing the composers Zhao Jiping (mainland China), Shi Jieyong (Taiwan), Tan Dun (mainland China), Xiaochong (Taiwan), and Chen Mingzhang (Taiwan). The appendix includes the best-selling records of film music in Taiwan from 1995 to 1996 and Golden Horse film music award-winning films. CTFAL Chi

1418 Lin, Jiaoshuang. ৆⋢ዪ. Yi zhi wen hua yu ji yi—jie yan hou Taiwan dian ying zhong de ge qu. ஫‫ڰ‬ҹ٩ӿ֮শ—യଲћ‫ݡ‬ஹӇ‫ؙ‬Ѕϡ‫ॽܮ‬. 140 leaves. Note: Thesis (M.A.)—National Tsing Hua University, 2008. By analyzing songs in seven films directed by three Taiwanese directors after martial law was lifted in 1987, this thesis links those film songs with so-called Japanese memories in Taiwan, American memories in Taiwan, and Chinese memories in Taiwan. Includes a Chinese abstract and bibliography. NCL/NDLTD Chi

1422 Ye, Yueyu (Yeh, Emilie Yueh-yu). ౕ֊ᒶ. Elvis, allow me to introduce myself: American music and neocolonialism in Taiwan cinema. Hong Kong: David C. Lam Institute for East-West Studies, Hong Kong Baptist University, 2003. 27 p. Series title: Working paper series, David C. Lam Institute for East-West Studies (LEWI); no. 16 Note: Using Edward Yang and his films as case studies, this work explores American popular music and neocolonialism in Taiwanese cinema. Includes a bibliography. WorldCat Eng

1419 Liu, Wanli. ฀ᙙᰆ. Ying yue, yue ying—dian ying pei yue wen lu. ‫ؙ‬Ӏ, Ӏ‫—ؙ‬Ӈ‫ࡈؙ‬Ӏҹ࠷. Taibei: Yang zhi wen hua shi ye gu fen you xian gong si, 2000. 182 p. ISBN 9578180896 Series title: Yang zhi yin yue ting; 12 เ޺‫ٸ‬Ӏ೏; 12 Note: A collection of the essays that discuss world film music composers and film soundtracks. CTFAL Chi

1423 Ye, Yueyu (Yeh, Emilie Yueh-yu). ౕ֊ᒶ. A national score: popular music and Taiwanese cinema. 263 leaves. Note: Thesis (Ph.D.)—University of Southern California, 1995. An interesting study of the relationship between popular music, cinema, and national identity in Taiwan from the 1970s to the 1990s. Explores multiple relevant interrelationships between popular music and Taiwan cinema, including the inclusion of popular songs in the 1970s policy films and romantic melodramas, the exclusion of pop music in Taiwan New Cinema in the 1980s, and the return of popular music in commercial films of the 1990s, thus revealing “a national identity characterized by shifting loci of commerce, politics, and art” (abstract). As a serious academic work, it provides many interesting perspectives based on in-depth research and substantial evidence. It states, however, that “A huge massacre occurred in 1945 when many Taiwanese rose up against the semi-colonial governance of the National Party” (p. 2), which is possibly miswritten, for if Dr. Yeh is referring to the February 28 Incident, this event occurred in 1947. Includes a filmography (pp. 243–247) and bibliography (pp. 248–263). WorldCat Eng

1420 Sang, Huifen. ᇤ༫ᐇ. Dang dian ying ai shang gu dian yue. ԄӇ‫ؙ‬ДϼࣲਹӀ. Taibei: Wang xiang tu shu gu fen you xian gong si, 1996. 169 p. ISBN 9576698367 Note: A collection of the author’s film music reviews; does not include music from Taiwan films. CTFAL Chi

1421 Wang, Jie’an. ࣼೀԥ. Dian ying yin yue fa shao shu = Movie music. Ӈ‫ٸؙ‬Ӏч਩‫ = ڣ‬Movie music. Taipei: Ping shi chu ban you xian gong si, 1996. 255 p. ISBN 9578031165 Series title: Ping shi cong shu; di san shi si zhong ‫כ‬ᖐᜣ‫ ;ڣ‬ҷѧ֐‫҆ף‬ Note: Considers the relationship between film and music, and discusses world film music composers. Chapter

257

Interdisciplinary Studies

1424

Traces the history of the music award category in the forty-year history of the Golden Horse Awards. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD (FT) Chi

1424 Ye, Yueyu (Yeh, Emilie Yueh-yu). ౕ֊ᒶ. Ge sheng mei ying: ge qu xu shi yu Zhong wen dian ying = Phantom of the music: song narration and Chinese–language cinema. ‫كܮ‬ຓ‫ؙ‬: ‫ॽܮ‬ᡳѨӿЅҹӇ‫ = ؙ‬Phantom of the music: song narration and Chinese–language cinema. Taibei: Yuan liu chu ban gong si, 2000. 244 p. ISBN 9573241552 Series title: Dian ying guan; 91 Ӈ‫ؙ‬ఖ; 91 Note: A collection of the author’s essays on popular music in Chinese films produced in Taiwan, mainland China, and Hong Kong. The English titles of the eight essays are as follows: (1) “Two Histories: Notes on Taiwanese Cinema and Popular Songs”; (2) “Sinification and Historiography: Music in Chinese Films of the 1930s”; (3) “Beyond Visual Narration: College Folk Songs and Policy Films”; (4) “Victory Popular Music and the Patriotic Imaginary”; (5) “A Life of Its Own: Musical Discourses in Wong Kar-Wai’s films”; (6) “Postcolonial Rock: A Bright Summer Day and Historical Memory”; (7) An Immigrant’s Suitcase: “Comrades, Almost a Love Story”; (8) “Noise Reduction: Rock’n Roll in Chinese-Language Films.” Includes an English table of contents and abstracts. CTFAL Chi Eng

1427 Zhu, Zhongkai. ᗌЅ⌮. Dian ying yin yue di tu. Ӈ‫ٸؙ‬Ӏс֖. Taibei: Shang zhi wen hua shi ye go fen you xian gong si, 1998. 219 p. ISBN 9576671604 Note: A collection of the author’s reviews of world film music composers, including the Taiwan composers Chen Mingzhang (pp. 38–40) and Shi Jieyong (pp. 172–178).Includes a Film Music Work List at the end of each review. CTFAL Chi

6.20

FILM, NATIONALISM, NATIONALITY, IDENTITY, AND LOCALIZATION

1428 Berry, Chris. China on screen: cinema and nation / Chris Berry; Mary Ann Farqhar. New York: Columbia University Press, 2006. 313 p. ISBN 0231137060, 9780231136065, 0231137079, 9780231137072 Series title: Film and culture series Note: A major work covering more than one hundred years of Chinese cinema and issues of nation and nationalism, with new perspectives on key movements, themes, and filmmakers in China, Hong Kong, Taiwan, and the Chinese diaspora. Includes a bibliography (in both English and Chinese), an index, and a filmography. The table of contents and an abstract are available on WorldCat. WorldCat Eng

1425 Zhongguo dian ying ge wu yi / Ce hua bian ji: Jiao Xiongping, Jing Yingrui. ЅлӇ‫ܮؙ‬ଢশ / ೫੿ഹফ: ဖ೰๔, ቯࣽᇳ. Taibei: Zhongguo dian ying nian chu ban f axing, [1993] 108 p. Note: A special publication for the Chinese Musical Film Festival held in Taiwan in 1993. Includes synopses of the thirteen Hong Kong musical films shown at the festival, film reviews, introductions of the stars and festival workers, and thirty songs from these musical films. Contains discussions regarding the limited quantity of musicals in Taiwan and a comparison of Hong Kong and mainland musicals. CTFAL Chi

1429 Braester, Yomi. Witness against history: literature, film, and public discourse in twentieth-century China. Stanford, CA: Stanford University Press, 2003. 264 p. ISBN 080474792X, 9780804747929 Note: Analyzes constructions of twentieth-century Chinese history as reflected in literature, film, and public discourse. Chapter 7 focuses on Taiwan: “Retelling Taiwan: Identity and Dislocation in Post-Chiang Mystery.” Includes a bibliography and an index. WorldCat Eng

1426 Zhou, Jufang (Chou, Chu-fan). ‫ر‬Ꮥᇙ. Ming cheng yu jia zhi: Jin Ma jiang (1962–2003) yin yue jiang xiang bian qian zhi yan jiu = Name and value: the study of the transition of the music award of Golden Horse Award (1962–2003). Ӝिӿ٢ߚ: ‫ެؖ‬؉ (1962–2003)‫ٸ‬Ӏ؉Ժቜҏ୳ૢ = Name and value: the study of the transition of the music award of Golden Horse Award (1962–2003). 128 leaves. Note: Thesis (M.A.)—National Cheng Kung University, 2005.

258

Film, Nationalism, Nationality, Identity, and Localization

1436 Note:

1430 Chinese connections: critical perspectives on film, identity, and diaspora / edited by Tan See-kam, Peter X. Feng, and Gina Marchetti. Philadelphia: Temple University Press, 2009. 311 p. ISBN 1592132677, 9781592132676, 1592132685, 9781592132683 Note: A collection of essays, including “Hollywood and Taiwan: Connections, Countercurrents, and Ang Lee’s Hulk” by Gina Marchetti, and “Taiwan Fever: Tsai Ming-liang and the Everyday Postnation” by Peter Hitchcock. Includes a bibliography, an index, and a filmography. WorldCat Eng

Comments on Taiwan films that represent issues of nationality, imagination, separation, and recognition as experienced by Taiwanese people living in an emigrating society. WorldCat Chi

1434 Hong, Guo-Juin. Cinematograph of history: post/colonial modernity in 1930s Shanghai and New Taiwan Cinema since 1982. 228 leaves. Note: Thesis (Ph.D.)—University of California, Berkeley, 2004. A comparative study of New Taiwan Cinema since 1982 and the leftist cinema movement in Shanghai during the 1930s. The author substantiates the argument that “For both cinemas, modernity is flanked by nationalism and colonialism” and “these two leftist cinemas represent and participate in China’s ongoing processes of modernization”(abstract). Includes a bibliography. WorldCat Eng

1431 Chu, C-M. Taiwanese cinema and national identity after 1989. Unpaged. Note: Thesis (Ph.D.)—The University of Wales College of Cardiff (United Kingdom), 2005. Examines Taiwanese cinematic development and issues of national identity after 1989, the year in which the Taiwanese film industry took an important step into international cinema societies. Analyzes domestic and international perspectives: domestically, cinema contrasts popular memory and official history; internationally, political viewpoints differ regarding the identity of the Republic of China. ProQuest Eng

1435 Hong, Guo-Juin. Taiwan cinema: a contested nation on screen. New York, NY: Palgrave Macmillan, 2011. 246 p. ISBN 0230111629, 9780230111622 Note: This is the first English work to cover the entire history of Taiwan cinema. It is divided into two parts: Part I: Genres, which deals with the following time periods: pre-1945, 1955–1970, 1964–1980, and 1980–1982; and Part II: Style, which starts with the time period of 1982– 1986 and concludes with two chapters that describe the current film landscape in Taiwan: “Island of No Return: Cinematic Narration as Retrospection in Wang Tung’s Taiwan Trilogy and Beyond” and “Anywhere but Here: the Postcolonial City in Tsai Ming-Liang’s Taipei Trilogy.” With rich historical materials and close analysis based on cinematic case studies, the work focuses on the theme of a “contested nation on screen.” Includes a bibliography and an index. WorldCat Eng

1432 Colonialism and nationalism in Asian cinema / edited by Wimal Dissanayake. Bloomington: Indiana University Press, 1994. 224 p. ISBN 0253318041 (alk. paper), 0253208955 (pbk.: alk. paper) Note: A collection of essays focusing on colonialism and nationalism in Asian cinema. Includes Chris Berry’s essay “A Nation T(w/o)o: Chinese Cinema(s) and Nationhood(s),” which analyzes films produced by mainland Chinese film directors as well as Taiwanese film directors Hou Hsiao-hsien, Edward Yang, and Huang Mingchuan, and explores representations of nationality, colonialism, and aboriginal peoples. Includes a bibliography in the end of each essay, an introduction to the contributors, and an index at the end of the book. WorldCat Eng

1436 Hu, Brian. Worldly desires: cosmopolitanism and cinemas in Hong kong and Taiwan. 385 leaves. Note: Thesis (Ph.D.)—University of California, Los Angeles, 2011. “This dissertation examines the role that cinema played in imagining Hong Kong and Taiwan’s place in the world during decades in which the idea of belonging and identity was under duress. In fan magazines with names like International Screen and in films with titles like Cosmopolitan Fantasy, the dissertation unearths two generations of discourses on cosmopolitanism, an ideal of being a citizen of the world, a provocative possibility of belonging for residents in islands turbulently on the

1433 Guo zu, xiang xiang, li san, ren tong: cong dian ying wen ben zai xian yi min she hui / Ding Shijie deng he zhu, Song Huizhong, Liu Wanqing zhu bian. лఓ, ЂՌ, ‫્ڐ‬, ‫گ‬ӎ: ԩӇ‫ؙ‬ҹӆӐѳ௄‫ھ‬घϾ / ౨ԒီҳׁЯ; ᓠ௑Ѕ, ฀‫ݙݛ‬Ұഹ. Taibei: Ju liu tu shu gong si, 2010. 215 p. ISBN 9789577323842, 9577323847 Series title: Ying xiang xi lie cong shu; 3 ‫ؙ‬Ռ‫࠶ڍ‬ᜣ‫ ;ڣ‬3

259

Interdisciplinary Studies

1437 peripheries of colonizers and nations. The dissertation also tracks discourses of cosmopolitanism as it is embedded across various kinds of cinematic pleasures and industrial practices such as beauty, fashion, music, genre, stardom, and advertising” (abstract). Includes a bibliography. WorldCat Eng

1440 Lai, Yingtai (Lai, Terrence Ying-Tai). ໰߭೉. Er shi yi shi ji chu qi Taiwan dian ying li the lun shu yu ren tong— yi Wei Desheng dao yan de “Haojiao 7 hao” yu “Shaidekebalai” wei li = Discourse and identity of Taiwan film in during early 21st century—Director Wei Te-Shen’s film Cape No. 7 and Seediq Bale as examples. ԏ֐ϣԒઔ२‫ݡ׈‬ஹӇ‫ؙ‬Ѷϡ‫ں‬਎ӿ‫گ‬ӎ—й᪭ख़๦࣒ࠟϡ “֋ ࡠࢳ‫”ى‬ӿ “ॴख़ࡽ࣬ᒀ”Њຎ. 89 p. Note: Thesis (M.A.)—Chang Jung Christian University, 2012. Using Normam Fairclough’s “critical discourse analysis” from the perspectives of “texts,” “discourse practice,” and “social practice,” this paper examines the development and evolution of Taiwan cinema’s discourse and identity during the first part of the twenty-first century in the films Cape No. 7 and Seediq Bale directed by Wei Desheng. Wei’s films depict Taiwan’s society in the twenty-first century as well as famous historical events, such as the “Wushe incident,” when Taiwan’s aboriginal people’s revolted against Japanese colonial rule in 1930. Wei’s films have garnered acclaim and set box-office records in Taiwan. Includes a bibliography and Chinese abstract. NCL/NDLTD Chi

1437 Hu, Huiping (Hu, Huei Ping). ഐ༫ᙞ. Taiwan dian ying xin wu tai she ji an. ‫ݡ‬ஹӇ‫ؙ‬Јଢ‫ذޗݡ‬ଈ. 99 leaves. Note: Thesis (M.A.)—Tunghai University, 1998. Uses film as a form to construct a local Taiwanese history. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

1438 Jiang, Huixian (Chiang, Huey-hsien). ឣ༫࿁. Taiwan dian ying, guo zu xu shi yu xing bie zheng zhi—tan “Guling jie shao nian sha ren shi jian.” ‫ݡ‬ஹӇ‫ؙ‬, лఓᡳѨӿԛԇू੽—ড “⚯ᗬঅվё৵ϪѨխ.” 83 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 1993. Describes how Taiwan New Cinema represented sociopolitical changes in Taiwan from the 1960s through the 1980s by presenting personal films and transforming the “Big China concept” into a new nationality of Taiwan and localization. Provides an analysis of the film A Brighter Summer Day (1991). Appendix includes newspaper reports on Hou Hsiaohsien and Edward Yang, promotional materials for the film A Brighter Summer Day, an outline of the R.O.C. Cinema Year activity plan, and a summary of the film subsidies for filmmakers who participate in international film festivals. Includes a Chinese abstract and bibliography. NCL/NDLTD Chi

1441 Lin, Jiaoshuang. ৆⋢ዪ. Yi zhi wen hua yu ji yi—jie yan hou Taiwan dian ying zhong de ge qu. ஫‫ڰ‬ҹ٩ӿ֮শ—യଲћ‫ݡ‬ஹӇ‫ؙ‬Ѕϡ‫ॽܮ‬. 140 leaves. Note: Thesis (M.A.)—National Tsing Hua University, 2008. By analyzing songs in seven films directed by three Taiwanese directors after martial law was lifted in 1987, this thesis links those film songs with so-called Japanese memories in Taiwan, American memories in Taiwan, and Chinese memories in Taiwan. Includes a Chinese abstract and bibliography. NCL/NDLTD Chi

1442 1439

Ma, Jean Yen-chun. Time without measure, sadness without cure: Hou Hsiao-Hsien’s films of history. 283 leaves. Note: Thesis (Ph.D.)—University of Chicago, 2003. The paper focuses on three of Hou Hsiao-hsien’s films: A City of Sadness (1989), The Puppetmaster (1993), and Good Men, Good Women (1995), which make up a historical trilogy covering twentieth-century Taiwan history and also are included among the “New Wave” Chinese cinematic movements represented by film directors in Taiwan, Hong Kong, and mainland China. The author emphasizes the uniqueness of Hou and his films, which redefine the meaning of national cinema

Jin, Guanjun. ‫ؖ‬ഃ‫ݳ‬. Hua yu dian ying: kua di jiao liu yu shen fen ren tong. ‫ܬܗ‬ӈ‫ؙ‬䩭ቄс‫ے‬Եԁӱ‫ڶڤ‬ӎ. Shanghai: Shanghai san lian shu dian, 2010. 314 p. ISBN 9787542632555, 7542632558 Series title: Hai shang ying shi wen cong ֋ϼ‫ؙ‬؇ҹᜥ Note: Examines the relationship between Chinese films from Taiwan, Hong Kong, and mainland China, including issues of identity as reflected in the films. WorldCat Chi

260

Film, Nationalism, Nationality, Identity, and Localization

1450

with the environment of globalization, nativism, state-sponsored cultural identity, and regionally differentiated identity. Includes a bibliography. WorldCat (FT) Eng

Taiwan dian ying zhong guo zu lun shu de zhuan bian = Nationalism in Taiwan’s film. ‫ݡ‬ஹӇ‫ؙ‬Ѕлఓ‫ں‬਎ϡ‫ׅ‬Ժ = Nationalism in Taiwan’s film. 132 leaves. Note: Thesis (M.A.)—National Chengchi University, 1997. Claims that there are different nationalisms displayed during different historical periods in Taiwan cinema from the 1980s to the 1990s, including the following categories: authentic, localized, multinational, and the new proWestern. Includes a Chinese abstract and bibliography. NCL/NDLTD Chi

1443 Misawa, Mamie. ѧ෹ѐѤ௑. “Teikoku” to “sokoku” no hazama: shokuminchiki Taiwan eigajin no k䲖sh䲖 to ekky䲖. “෌м”䫙”ྥм”䫟䫠䫇䫯 : ယ‫ھ‬с‫ݡ׈‬ළྱࡌϪ䫟‫ے‬ᇎ䫙ք॒. T䲖ky䲖: Iwanami Shoten, 2010. 347 p. ISBN 9784000240284, 400240285 Note: Revision of the author’s Ph.D. dissertation: “Shokuminchiki Taiwanjin ni yoru eiga katsud䲖 no kiseki: k䲖sh䲖 to ekky䲖 no poritikusu” (University of Tokyo, 2006).Includes a bibliography and an index. WorldCat Jpn

1447 Wei, Shu-mei. Performing diaspora: cultural identities in contemporary Taiwan theatre. Cambridge, MA: North America Taiwan Studies Association, 2000. 33 p. Note: This paper, “Contemporary Literature and Performing Arts,” was presented at the sixth annual North America Taiwan Studies Association Conference at Harvard University. Includes a bibliography. WorldCat Eng

1444 Theorising national cinema / edited by Valentina Vitali, Paul Willemen. London: British Film Institute, 2006. 326 p. ISBN 184457119X, 9871844571192, 1844571203, 9871844571208 Note: Revisits and reconceptualizes the idea of National Cinema in light of theoretical developments including poststructuralism and transnationalism. Includes the essays: “Taiwan New Cinema, or a Global Nativism?” by Kuan-Hsing Chen, and “From National Cinema to Cinema and the National: Chinese-Language Cinema and Hou Hsiao-Hsien’s ‘Taiwan Trilogy’” by Chris Berry. Includes a bibliography and an index. WorldCat Eng

1448 Wu, Chia-chi. Chinese language cinemas in transnational flux. 209 leaves. Note: Thesis (Ph.D.)—University of Southern California, 2004. Studies Chinese language cinemas within a transnational framework; specifically analyzes the film production flow between Taiwan, Hong Kong, and mainland China. Include a bibliography. WorldCat Eng

1445 Wang, Chialan Sharon. Nostalgia for the future to come: national consciousness in post-87 Taiwanese Literature and Cinema. 252 p. Note: Thesis (Ph.D.)—University of Southern California, 2011. Focuses on the theme of nationhood in Taiwanese literary and cinematic works published since the 1980s, in which, as the author states, “there is a nostalgic tendency to imagine an organic community unique to the Taiwanese experience in literary and cinematic production” (abstract). Analyzes Zhu Tianxin’s short novels, Wei Te-sheng’s Cape No. 7 (2008), Doze Niu’s Monga (2010), and Ang Lee’s Crouching Tiger, Hidden Dragon (2000) and Lust, Caution (2008). Includes a bibliography. ProQuest (FT) Eng

1449 Rodriguez, Hector. The cinema of Taiwan: national identity and political legitimacy. 336 p. Note: Thesis (Ph.D.)—New York University, 1995. A significant dissertation on Taiwan cinema and its relationship to Taiwan’s national identity and political legitimacy . Includes an abstract, a vita, and a bibliography. WorldCat Eng

1450 Yip, June Chun, 1962– Envisioning Taiwan: fiction, cinema, and the nation in the cultural imaginary. Durham, NC: Duke University Press, 2004. 356 p. ISBN 0822333570 (alk. paper), 0822333678 (pbk: alk. paper) Note: June Yip’s text, Envisioning Taiwan: Fiction, Cinema, and the Nation in the Cultural Imaginary, considers the representation of Taiwan as an imagined community

1446 Wang, Lirong (Wang, Li Jung). ࣼᰆ‫ب‬.

261

Interdisciplinary Studies

1451 in the Taiwan New Cinema of the 1980s and in Native Literature, known as Hsiang-t’u Literature, of the late 1960s. The table of contents of the book provides an overview of the author’s views: Introduction: Envisioning Taiwan in a Changing World; Chapter 1, Confronting the Other, Defining a Self: Hsiang-t’u Literature and the Emergence of a Taiwanese Nationalism; Chapter 2, Toward the Postmodern: Taiwanese New Cinema and Alternative Visions of Nation; Chapter 3, Remembering and Forgetting, Part I: History, Memory, and the autobiographical Impulse; Chapter 4, Remembering and Forgetting, Part II: Hou Hsiao-hsien’s Taiwan Trilogy; Chapter 5, Language and Nationhood: Culture as Social Contestation; Chapter 6, The Country and the City: Modernization and Changing Apprehensions of Space and Time; Chapter 7, Exile, Displacement, and Shifting Identities: Globalization and the Frontiers of Cultural Hybridity; Conclusion: From Nation to Dissemi-nation: Postmodern Hybridization and Changing Conditions for the Representation of Identity. Includes a bibliography and an index. WorldCat (FT) Eng

By assessing film-related stories from two Taiwan newspapers, the Chinese Times Daily and United Daily as the case studies, this paper describes responses to, and the presentation of, Hollywood films in Taiwan. In the 1990s, Hollywood films flooded Taiwan’s theaters (in 1996, Hollywood films occupied 90 percent of Taiwan’s film market), at the same time, the Taiwan government, policymakers, scholars, and film workers tried to alleviate Taiwan’s film market slippage. Research reveals that Taiwan directors were featured in newspapers in terms of their achievements in receiving awards in international film festivals, the government film subsidies received by these directors, and the difficulties inherent to releasing films domestically— unlike the Hollywood and Hong Kong newspaper reports that focused on film plots and promotional activities. The study recommends that newspapers present Taiwanese domestic films with similar exposure as provided for Hollywood films. Includes a Chinese and English abstract; a bibliography; statistical charts of Taiwanese domestic, Hong Kong, and foreign film distribution; and box office records from 1996 to 2004. NCL/NDLTD (FT) Chi

1451 Zhang, Yupei (Chang, Yu-pei). ‫פ‬ർႬ. Taiwan dian ying zai xian de she hui gui fan yu jia zhi guan—yi xi ju wu yin fen xi Jin Ma jiang zui jia ju qing pian = Social norms and values as represented in Taiwan’s movies: a pentadic analysis. ‫ݡ‬ஹӇ‫ؙ‬ӐѳϡघϾ੺౯ӿ٢ߚ޲—йۚঁٚӹд໯‫ެؖ‬؉з૟ ঁєә = Social norms and values as represented in Taiwan’s movies: a pentadic analysis. 210 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 1996. Studies the social norms and values represented in twelve Taiwan feature films that won best film at the Golden Horse Awards from 1983 to 1994. The films display a movement out of the shadow of “Big China.” Includes a Chinese abstract and bibliography. NCL/NDLTD Chi

1453 Taiwan dian ying de sheng yin: Fang ying zhou bao VS Taiwan ying ren / Lin Wenqi, Wang Yuyan zhu bian. ‫ݡ‬ஹӇ‫ؙ‬ϡ‫ٸك‬: ӵྱ‫ ڻڬ‬VS ‫ݡ‬ஹ‫ؙ‬Ϫ / ৆ҹᔂ, ࣼർᆜҰഹ. Taibei: Shu lin chu ban you xian gong si, 2010. 301 p. ISBN 9789574453511, 9574453510 Series title: Dian ying yuan; F8 Ӈ‫ؙ‬ᮛ; F8 Note: A collection of interviews with famous Taiwanese movie figures published in Fang ying zhou bao (Screening Weekly), a weekly film publication in Taiwan since 2005. WorldCat Chi

1454 6.21

Ye, Longyan, 1940– ౕहᴧ, 1940– “Ying xiang” de ying xiang: qi shi nian dai Taiwan dian ying shi, 1970–1979. “‫ؙ‬৘” ϡ‫ؙ‬৘: ࢳ֐ё‫ݡڊ‬ஹӇ‫ؙ‬੗, 1970–1979. Xinzhu: Xinzhu shi ying xiang bo wu guan, 2002. 206 p. ISBN 9570116935 Note: According to the author’s preface, the original title of the manuscript was “Historical Analysis of a Film Magazine: Ying Xiang.” This text is an overview of Taiwanese film during the 1970s based on an analysis of the film magazine, Ying Xiang, during the 1970s (December 1971–September 1979). Includes endnotes and a bibliography. NTUL Chi

FILM AND NEWSPAPER AND JOURNALS

1452 Liang, Wenqi (Liang, Wen-chi) ᅯҹ⓭. Zai xian dian ying: yi Zhongguo Shi Bao ji Min Sheng Bao de dian ying zi xun wei li (1996–2004) = Represent films: research news information of Chinese Times Daily newspaper and United Daily newspaper (1996–2004). ӐѳӇ‫ؙ‬: йЅлЖ‫ھߵڻ‬Т‫ڻ‬ϡӇ‫ޞؙ‬ళЊຎ = Represent films: research news information of Chinese Times Daily newspaper and United Daily newspaper (1996–2004). 213 leaves. Note: Thesis (M.A.)—National Chung Cheng University, 2005.

262

Film and Painting / Film and Patients / Film and Politics

1460 6.23

1455 Ye, Qianqi (Yeh, Chien-Chi). ౕ࡛ᴟ. Ri zhi shi qi Taiwan bao kan zhi dian ying chuan bo xian xiang yan jiu = Taiwanese news and periodicals under Japanese colonization: a study on film communication. я੽Ж‫ݡ׈‬ஹ‫ڻ‬ᑂҏӇ‫ةؙ‬৚ѳࢣ୳ૢ = Taiwanese news and periodicals under Japanese colonization: a study on film communication. 108 leaves. Note: Thesis (M.A.)—National Chung Cheng University, 2009. The paper uses three local newspapers as primary resources to respond to the following research questions: How did local audiences respond to films distributed by the Japanese colonial regime in Taiwan? And how did the Japanese government employ Mandarin as the official language to influence its Taiwanese audience? Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

FILM AND PATIENTS

1458 Chen, Ruxiu (Chen, Ru-shou Robert). ಴ᭉࢗ. Ling yi zhong zhu shi: Taiwan dian ying zhong de bing ren. ࡔϣ҆‫ڀ‬؆: ‫ݡ‬ஹӇ‫ؙ‬Ѕϡ࠴Ϫ. Taibei: Taiwan da xue wei guo yu wen xue xi, 1994. 8 p. Note: A conference paper dealing with the representation of patients in Taiwan cinema, presented at the Literature and Cinema Symposium hosted by National Taiwan University in 1994. Includes a bibliography. WorldCat Chi

6.24

FILM AND POLITICS

1459 6.22

Braester, Yomi. Witness against history: literature, film, and public discourse in twentieth-century China. Stanford, CA: Stanford University Press, 2003. 264 p. ISBN 080474792X, 9780804747929 Note: Analyzes constructions of twentieth-century Chinese history as reflected in literature, film, and public discourse. Chapter 7 focuses on Taiwan: “Retelling Taiwan: Identity and Dislocation in Post-Chiang Mystery.” Includes a bibliography and an index. WorldCat Eng

FILM AND PAINTING

1456 Chae, Youn-Jeong. Film space and the Chinese visual tradition. 235 leaves. Note: Thesis (Ph.D.)—New York University, 1997. A work on the relationship between the use of negative space in Chinese traditional painting and its use in Chinese film. Specifically, in Chapter 5, the author provides a case study of the space usage in the films of Chen Kaige (mainland China), Hou Hsiao-hsien (Taiwan), and Wong Kar-wai (Hong Kong). Includes a bibliography and appendixes, including a Glossary of Chinese Names and a Glossary of Chinese Terms. WorldCat Eng

1460 Chen, Jingfeng. ಴࢓๢. Guo fu dui Taiwan dian ying chan ye de chu li ce lue (1945–1949). л௞х‫ݡ‬ஹӇ‫׬ݗؙ‬ϡ‫؛‬ԑ೫ଯ (1945–1949). 250 leaves. Note: Thesis (M.A.)—National Central University, 2001. The paper studies how Taiwan’s film industry was managed during the political struggle between Taiwan Governor Chen Yi and the KMT CC Clique after retrocession from 1945 to 1949. The author points out that Chen Yi’s aim was to manage the film industry with a profit-oriented, loss-control policy, in contrast to the CC Clique’s intention to manage the film industry with absolute control, using film as an arm of the government’s propaganda, education, and ideological machinery. Thus, it is apparent that Taiwan’s film industry developed from the beginning as a site of political struggle, dependent on government policy. Consists of five chapters: Chapter 1: Government’s Attitude Towards Taiwan Film Industry, Chapter 2: Process of Appropriating the Taiwan Film Industry, Chapter 3: Factional Struggle in Taiwan Film Industry, Chapter 4: Management and Censorship in Film Industry, and Chapter 5: Profit and Propaganda of Film Industry. Includes a bibliography and official documents. NCL Chi

1457 Cinematic landscapes: observations on the visual arts and cinema of China and Japan / edited by Linda C. Ehrlich and David Desser. Austin: University of Taxes Press, 1994. 345 p. ISBN 0292720866 (hbk.), 0292720874 (pbk.) Note: This collection of essays explores cinematic landscapes, locating the relationship between the visual arts and cinema of China and Japan. Hou Hsiao-hsien and his films are used as case studies for a comparative study of classical Chinese painting and cinematographic design; meanwhile, the New Cinema Movements in both mainland China and Taiwan during the 1980s are described in the essay “Classical Chinese Painting and Cinematographic Signification” by Ni Zhen, translated by Douglas Wilkson (pp. 63–80). Includes a bibliographical reference (pp. 327–330), an index, and a filmography (pp. 323–326). WorldCat Eng

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explores representations of nationality, colonialism, and aboriginal peoples. Includes a bibliography in the end of each essay, an introduction to the contributors, and an index at the end of the book. WorldCat Eng

1461 Chen, Yuanqiu (Chen, Yuan-chiu). ಴ᤨ‫ڠ‬. Bei qing cheng shi: Hou Xiaoxian de yu hui que wu gui bi = A City of Sadness: Hou Hsiao-Hsien’s elusiveness without evasiveness. ঳є‫صڵ‬: ᢡᖮᐊϡᯩ፯‫׌‬ѩ੺೬ = A City of Sadness: Hou Hsiao-Hsien’s elusiveness without evasiveness. 128 leaves. Note: Thesis (M.A.)—National Chung Cheng University, 2008. Asserts that Hou Hsiao-hsien’s unconventional style in his film A City of Sadness (1989) should be examined carefully, for the director’s representation of history reveals an indirect cinematic, but not an evasive, approach to the historical reality. This position is voiced in contradiction to critics who claim Hou’s representation of the February 28 Incident keeps a safe distance from the sensitive events and conforms to the KMT government’s perspective. It is written in English. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Eng

1464 Da zao ying yin chan ye 101: mei ti wen hua chan ye / tou zi jiang li yu fu dao cuo shi / Weng Guitang cong bian ji. Ӌ߃‫ ׬ݗٸؙ‬101: ෪Ղҹ٩‫ ׬ݗ‬/ ‫ޞۄ‬؉ಽӿᔆ࣒ᇯැ / ᙋᄉஇ ๻ഹফ. Taibei: Xing zheng yuan xin wen ju, 2004. 124 p. ISBN 9570197021 Note: Part I of this document explains seventeen advisory and subsidy measures for the film industry. The document’s purpose is to present official updates regarding advisory and subsidy measures and regulations; it is published by the Government Information Office, part of the Executive Yuan, which oversees Taiwan’s film, television, radio, and audio-visual publication industry. NTUL Chi

1462 Cinema Taiwan: politics, popularity and state of the arts / edited by Darrell William Davis and Ru-shou Robert Chen. London and New York: Routledge Taylor & Francis Group, 2007. 236 p. ISBN 0415412579 (hbk.), 0415412587 (pbk.), 020396439X (ebk), 9780415412575 (hbk.), 9780415412582 (pbk.), 9780203964392 (ebk.) Note: An excellent collection of essays divided into three groups: Politics, Popularity, and State of Arts. As the introduction by Darrell William Davis states, this text is “a foray into the cultural politics of contemporary Taiwan film, which brings into focus several developments since the famous milestones of Hou Hsiaohsien, Edward Yang, Ang Lee, Tsai Ming-liang, et al” (p. 8). The text explores new developments of Taiwan film in the twenty-first century based on a historical understanding of Taiwan’s previous film movements, including Taiwan New Cinema. Includes a selected filmography (with English translation and Chinese characters), a Chinese glossary, selected bibliography, and an index. WorldCat Eng

1465 Dan dao shuang bu da—yi bu lai zi Jinmen de bai xing dian ying / Ying huo chong ying xiang ti zuo. ‫؁‬Ӌ‫ד‬ϤӋ—ϣ‫ח‬ϰІ‫ؖ‬՞ϡ‫ښ‬࿲Ӈ‫ ؙ‬/ ⁒‫ڮ‬າྱՌՂӑ. Taibei: Wan xiang tu shu go fen you xian gong si, 1995. 193 p. ISBN 9576696321 Series title: Yi shu fang; 7 ਲ‫ ;ࠚڣ‬7 Note: An introduction to the independent film Every Odd Numbered Day (1994), including commentary by the director, producer, and related personnel, as well as interviews and reviews. The film, a mixture of documentary and fiction, describes the residents of Jinmen Island, the location of the last ground battle between Nationalist and Communist troops in 1949, and site of more than twenty years of artillery fire between the two sides. CTFAL Chi

1466 Dian ying zhi ai: cong dian ying hui yi dao dian ying nian / Ce hua Yang Zhongfan, Chen Zhikuan; bian ji Chen Yongfeng deng. Ӈ‫ؙ‬ҏД: ԩӇ‫ؙ‬Ͼ৶ϺӇ‫ؙ‬ё / ೫੿໷ᓶ౯, ಴࢑஝; ഹফ಴‫ݖ‬ ஶҳ. Taibei: Xing zheng yuan xin wen ju, 1994. 590 p. ISBN 9570046732 Note: A record of the National Film Conference in 1992 and the Film Year of Republic of China in 1993, sponsored by Government Information Office, Executive Yuan. Published by the R.O.C. government, this text contains a Republic of China Film Chronology 1992–1994, the National Film Conference Program in 1992, special

1463 Colonialism and nationalism in Asian cinema / edited by Wimal Dissanayake. Bloomington: Indiana University Press, 1994. 224 p. ISBN 0253318041 (alk. paper), 0253208955 (pbk.: alk. paper) Note: A collection of essays focusing on colonialism and nationalism in Asian cinema. Includes Chris Berry’s essay “A Nation T(w/o)o: Chinese Cinema(s) and Nationhood(s),” which analyzes films produced by mainland Chinese film directors as well as Taiwanese film directors Hou Hsiao-hsien, Edward Yang, and Huang Mingchuan, and

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activities during the Film Year of Republic of China in 1993, and information regarding upcoming films. NTUL Chi

of interviewing twelve local Taiwan film directors. Politically, Taiwan’s film industry inherits a legacy of censorship and propaganda; economically, Hollywood films dominate Taiwan’s market after limits on imported foreign films were lifted. As the result of these conditions, and various solutions proposed by film directors, the paper suggests that the government should intervene by being more involved in film production and establishing improved film policies. Includes a Chinese abstract, a bibliography, and an appendix (including past import quotas on foreign films, and a list of government subsidized domestically produced films from 2002 and 2003). NCL/NDLTD (FT) Chi

1467 Du, Yunzhi, 1923– ᖯࠥҏ䩟1923– Zhongguo de dian ying. ЅлϡӇ‫ؙ‬. Taibei: Huang guan chu ban she, 1978. 266 p. Note: A collection of essays on Chinese film history, focusing mainly on Taiwan and Hong Kong film history. The most interesting and important essays in the book include the following topics: the relationship between R.O.C.’s leader Chiang Kai-shek and film production, the history of Chinese documentary and news film development, the relationship between Chinese film and Peking opera, a review of the Taiwan film industry, an analysis of the psychology of film audiences, martial arts film and martial arts–magic spirit films (wuxia shenguai pian), a fifty-year history of the Shao family’s involvement in Chinese film production, and an account of female movie stars and female spies in the real world. Includes film stills, posters, and photos; a list of 100 important Chinese films; and a chronology of Chinese film history (1896–1978); however, there is no bibliographical information or index. WorldCat Chi

1470 Hong, Guo-Juin. Taiwan cinema: a contested nation on screen. New York, NY: Palgrave Macmillan, 2011. 246 p. ISBN 0230111629, 9780230111622 Note: This is the first English work to cover the entire history of Taiwan cinema. It is divided into two parts: Part I: Genres, which deals with the following time periods: Pre-1945, 1955–1970, 1964–1980, and 1980–1982; and Part II: Style, which starts with the time period of 1982–1986, and then concludes with two chapters that describe the current film landscape in Taiwan: “Island of No Return: Cinematic Narration as Retrospection in Wang Tung’s Taiwan Trilogy and Beyond” and “Anywhere but Here: the Postcolonial City in Tsai MingLiang’s Taipei Trilogy.” With rich historical materials and close analysis based on cinematic case studies, the work focuses on the theme “A contested nation on screen.” Includes a bibliography and an index. WorldCat Eng

1468 Gong ren kan dian ying / Zuo zhe: He Huixiang deng. ֞ϪЃӇ‫ ؙ‬/ ӑ‫ٷ‬: ‫ح‬༫‫ܫ‬ҳ. Taibei: Taiwan gong yun za zhi she, 1994. 149 p. Series title: ICLE Taiwan gong ren wen hua xi lie zhi yi ICLE ‫ݡ‬ஹ֞Ϫҹ٩‫࠶ڍ‬ҏϣ Note: A collection of film reviews and articles written from the perspective of Taiwan’s working class. Three Taiwan movies related to working conditions and workers’ strikes are reviewed, and the subject of developing a film about Taiwan workers is discussed in the book. CTFAL Chi

1471 Hong, Rongxuan (Hung, Jung-hsuan). ᖻѽึᘌ Wen hua gong ye xia de Taiwan dian ying yin yue fa zhan xian kuang yu zheng zhi jing ji fen xi: 1960–2005 = The current situation of film music of Taiwan under the industry and the analysis of the politics and economics: 1960–2005. ҹ٩֞‫׬‬Ўϡ‫ݡ‬ஹӇ‫ٸؙ‬Ӏчࣁѳୄӿू੽Ҭ௵д໯: 1960–2005 = The current situation of film music of Taiwan under the industry and the analysis of the politics and economics: 1960–2005. 90 leaves. Note: Thesis (M.A.)—Tainan National University of the Arts, 2006. By interviewing three film music composers who represent different periods in Taiwan film history, and using their work as examples, the author explores interesting historical correlates between Taiwan’s film music and government policies. For example, 1970s film music contained messages of anti-Communism and resistance against Japan, whereas in the 1990s aboriginal and folk music was included in film soundtracks.

1469 Gu, Shuxun (Gu, Shushiun). ࣲᎂ៨. Taiwan dian ying sheng chan chang yu fen xi, 1998–2003 = Analysis of the field of film production in Taiwan, 1998–2003. ‫ݡ‬ஹӇ‫ؙ‬Т‫ݗ‬Ծ෢д໯, 1998–2003 = Analysis of the field of film production in Taiwan, 1998–2003. 136 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 2004. Based on Pierre Bourdieu’s field theory, this paper explores structural changes within the field of film production in Taiwan from 1998 to 2003 by way

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1472 Appendix includes the interviews with Weng Qingxi, Li Xing, Shi Jieyong, and Zhang Yuwei. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD (FT) Chi Eng

Note:

1472 Huang, Ren, 1925– ࢶწ, 1925– Dian ying yu zheng zhi xuan chuan. Ӈ‫ؙ‬ӿू੽ୌ‫ة‬. Taibei: Wan xiang tu shu go fen you xian gong si, 2004. 441 p. ISBN 9576694841 Series title: Taiwan dian ying shi cong shu; 3 ‫ݡ‬ஹӇ‫ؙ‬੗ᜣ‫ ;ڣ‬3 Note: A most comprehensive work on the relationship between film and politics in Taiwan. Divided into eleven chapters: Chapter 1: General Introduction; Chapter 2: Film Policy and Public and Private Film Studios; Chapter 3: Anti-Communist Films; Chapter 4: AntiJapanese Films; Chapter 5: “Search-Roots” (nativism) and Nationalist Films; Chapter 6: Military Education Films; Chapter 7: Character-Building and Educational Films; Chapter 8: Agricultural Reform, Economic Development, and Unity-Building Films; Chapter 9: National Revolution Films; Chapter 10: Biographies of Film Professionals; and Chapter 11: Interviews. NTUL Chi

Thesis (M.A.)—National Chung Cheng University, 2004. An overview of Taiwan’s film industry as influenced by political and economic changes during the 1990s: local capital was moved to the area of foreign film distribution dominated by Hollywood; in 1999, Taiwan only produced sixteen films and occupied less than 0.46 percent of the box office income in Taiwan. The paper argues that the government did not adequately change its film policies and even abandoned some valuable cultural regulations, which protected the domestic film industry after entering the World Trade Organization. Includes a Chinese abstract and an appendix (including Taipei Area Box Office Records of Domestic Films and Foreign Films, 1990–1999; and Domestic Films That Received Government Subsidies and Awards during International Film Festivals, 1990–1999). NCL/NDLTD (FT) Chi

1475 Ji lu Taiwan: Taiwan ji lu pian yan jiu shu mu yu wen xian xuan ji / zhu bian Zhang Changyan, Li Daoming ; zhi xing bian ji Hong Yawen, Han Xu’er, Zhang Qinyun. ઔ࠷‫ݡ‬ஹ: ‫ݡ‬ஹઔ࠷ә୳ૢ‫ڣ‬۵ӿҹຶ‫ק‬ओ / Ұഹ‫פ‬ቾᴧ, ଽѬҴ ; వҲഹফᖻ઩ҹ, ठ᯾ঌ, ‫פ‬ቦ᭲. Taibei: Xing zheng yuan wen hua jian she wei yuan hui wei tuo cai tuan fa ren guo jia dian ying zi liao guan, 2000. 2 v. ISBN 9570265478 (v. 1), 9570262486 (v. 2) Series title: Taiwan dian ying shi liao cong shu ‫ݡ‬ஹӇ‫ؙ‬੗ࢧᜣ‫ڣ‬ Note: This is the first and most comprehensive bibliography and collection of essays on Taiwan film documentaries. Vol. 1 covers the colonial period and includes sixty-five essays and articles written by three contemporary Taiwan scholars as well as colonial-era Japanese authors whose articles were initially published in Japanese before being translated into Chinese for the purposes of this book. Contains eight parts: (1) Film History; (2) Documentary, News, and Education Films; (3) Film Show Activities; (4) Film Propaganda; (5) Film Censorship; (6) Film Affairs; (7) Film Reviews and Introduction; and (8) a Bibliography of Taiwan Documentary Film Studies During the Colonial Period, which includes monographs (in both Chinese and Japanese), dissertations, and journal articles (in both Chinese and Japanese, dated and undated). There is also a bibliography at the end of the book. Vol. 2 covers Taiwan documentary film studies after 1945 and includes eighty-one essays, articles, interviews, film reviews, and news reports. Similar to Vol. 1, it also contains eight parts: (1) Anthropology Films; (2) Introduction and Review of Taiwan Documentary Films; (3) Theory and Aesthetics of Documentary Film; (4) Documentary Film and Social Movements; (5) Documentary and Indigenous People; (6) Documentary Film Directors and Workers; (7) Documentary Film History, and Analysis; and (8) a Bibliography of Taiwan Documentary Film Studies

1473 Huang, Ren, 1925– ࢶწ, 1925– Riben dian ying zai Taiwan. яӆӇ‫ؙ‬Ϩ‫ݡ‬ஹ. Taibei: Xiu wei zi xun ke ji chu ban, 2008. 314 p. ISBN 9789862211205 Series title: Mei xue yi shu lei; PH0015 Ѥѹਲफढ; PH0015 Note: This is a comprehensive work on the influence of Japanese films in Taiwan. It is divided into two major parts: Part 1: Japanese Directors Who Influenced Taiwan Film-Making; and Part 2: Influence of Japanese Films in Taiwan. The appendix includes lists of Japanese films shown in Taiwan from 1915 to 1945 (selected) and from 1950to 1972. Includes a bibliography. NTUL Chi

1474 Huang, Shikai. ࢶஉᏎ. Yi jiu jiu ling nian dai Taiwan dian ying gong ye de zheng zhi jing ji fen xi. ϣ॰॰0ё‫ݡڊ‬ஹӇ‫׬ؙ֞‬ϡू੽Ҭ௵д໯. 119 leaves.

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after 1945, which is organized under the following subjects: anthropology films, China (including Hong Kong) documentary films, review and introduction to Taiwan documentary films, review and introduction to foreign documentary films, documentary filmography and others, documentary film theory and aesthetics, documentary films and social culture, documentary film and social movements, documentary film and indigenous people, documentary film directors and workers (domestic), documentary film directors and workers (abroad), documentary film history (domestic), and documentary film history (abroad).The materials collected in the bibliography include monographs, dissertations, journal and newspaper articles, handbooks, and manuals. WorldCat Chi

1478 Koyama, Sabur䲖, 1952– Щ‫ځ‬ѧᅦ, 1952– Taiwan eiga: Taiwan no rekishi, shakai o shiru madoguchi / Koyama Sabur䲖 hencho. ‫ݡ‬ළྱࡌ: ‫ݡ‬ළ䫟䖉੗ί घϿ䬃Ҍ䫼凵‫ ט‬/ Щ‫ځ‬ѧᅦഹЯ. Kyoto: K䲖y䲖 Shob䲖, 2008. 233 p. ISBN 9784771020207 Note: A collection of eleven chapters by various film scholars that deal with Japanese colonialism and the formation of modern Taiwan society and film, politics and Taiwan’s modern cinema, the KMT government and Taiwan film, Shanghai’s film influence on Taiwan film development, Taiwan and Hong Kong film exchange, the Taiwanese-dialect film era (1955–1961), Taiwan film reviews and publications after World War II, and Taiwan film policy and censorship. Includes endnotes at the end of each essay and biographies of the contributors at the end of the book, but there is no index. WorldCat Jpn

1476 Jiang, Huixian (Chiang, Huey-hsien). ឣ༫࿁. Taiwan dian ying, guo zu xu shi yu xing bie zheng zhi—tan “Guling jie shao nian sha ren shi jian.” ‫ݡ‬ஹӇ‫ؙ‬, лఓᡳѨӿԛԇू੽—ড “⚯ᗬঅվё৵ϪѨխ.” 83 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 1993. Describes how Taiwan New Cinema represented sociopolitical changes in Taiwan from the 1960s through the 1980s by presenting personal films and transforming the “Big China concept” into a new nationality of Taiwan and localization. Provides an analysis of the film A Brighter Summer Day (1991). Appendix includes newspaper reports on Hou Hsiaohsien and Edward Yang, promotional materials for the film A Brighter Summer Day, an outline of the R.O.C. Cinema Year activity plan, and a summary of the film subsidies for filmmakers who participate in international film festivals. Includes a Chinese abstract and bibliography. NCL/NDLTD Chi

1479 Li, Xin. Film as political bridge to promote unification: an examination of the film production industry in Mainland China and Taiwan. 65 leaves. Note: Thesis (M. Int.St.)—University of Adelaide, 2007. A comparative study of the film production industry in both mainland China and Taiwan, including the leading filmmakers’ works. It discusses issues surrounding the cooperation of the two film production industries and suggests how to further such cooperation. Concludes that film might function as a bridge to promote unification between mainland China and Taiwan. Includes a bibliography. WorldCat Eng

1480 1477

Liang, Hongzhi (Liang, Hung-chih). ᅯᒩ࢑. Guo jia yu dian ying: Taiwan dian ying zheng ce yan jiu = State and film: Taiwan film policy study. лрӿӇ‫ؙ‬: ‫ݡ‬ஹӇ‫ूؙ‬೫୳ૢ = State and film: Taiwan film policy study. 137 leaves. Note: Thesis (M.A.)—National Sun Yat-sen University, 2001. By using theories of New Marxism, the paper explores Taiwan’s poor film production output by looking at three major links in Taiwan’s film industry: production, distribution/marketing, and exhibition, and discusses the government’s role in forming, managing, and supporting the Taiwan film industry. American, French, and Canadian governments film policies are used as examples in the paper Includes a Chinese abstract; Appendix 1, Table Comparing Original and Current Film Laws; Appendix 2, Government Subsidy Evaluation Committee Member

Jiang, Longzhao. ዕहᢘ. Dian ying xi ju lun ji. Ӈ‫ںঁؙۚ‬ओ. Taibei: Wen hao chu ban she, 1979. 246 p. Series title: Wen hao cong shu ҹൻᜣ‫ڣ‬ Note: A collection of the author’s essays on film and drama, film and drama reviews, and a screenplay. The author states that there should be works on the KMT leader Chiang Kai-shiek in Taiwan film, drama, and television. Includes a chronology. CTFAL Chi

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1481 List; Appendix 3, List of Taiwan Films That Participated in International Film Festivals; and a bibliography. NCL/NDLTD (FT) Chi

1484 Liu, Xiancheng (Liu, Hsien-cheng). ฀ѳю. Yi jiu liu ling nian dai guo jia ji qi jie ru Taiwan dian ying shi ye zhi yan jiu = Study on the state apparatus’ involvement in Taiwan’s film industry in the 1960’s. ϣ॰ࡏ0 ё‫ڊ‬лрೀՊ‫ݡ‬ஹӇ‫ؙ‬Ѩ‫׬‬ҏ୳ૢ = Study on the state apparatus’ involvement in Taiwan’s film industry in the 1960’s. 172 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 1995. Researches the state’s involvement with Taiwan’s three state-run film studios by considering how (1) cultural policy controlled the content and performance of this artistic form; (2) laws and the political system regulated and institutionalized the shape of the film industry; (3) the state’s taxation system regarded the film industry as a business; and (4) film, under the state’s educational system, was a necessary propaganda apparatus used to maintain national identity. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

1481 Liang, Liang, 1954– ᅯમ, 1954– Kan bu dao de dian ying—bai nian jin pian da guan. ЃϤϺϡӇ‫ښ—ؙ‬ё๫әϽ޲. Taibei: Shi bao wen hua, 2004. 310 p. ISBN 957134124X Series title: Passion xi lie Passion ‫࠶ڍ‬ Note: A review of films across the globe that are banned because of issues, including politics, religion, sex, violence, culture, and race. Eighty-seven censored or banned films in mainland China, Hong Kong, and Taiwan are introduced and discussed in the text. Includes a list of banned movies available in DVD format. NTUL Chi

1485 Lu, Feiyi. ᡭۘ‫ډ‬. Taiwan dian ying: zheng zhi, jing ji, mei xue (1949–1994). ‫ݡ‬ஹӇ‫ؙ‬: ू੽,Ҭ௵,Ѥѹ (1949–1994). Taibei: Yuanliu chu ban gong si, 1998. 476 p. ISBN 9573235943 Series title: Dian ying guan; 81 Ӈ‫ؙ‬ఖ; 81 Note: This essential book studies Taiwan film history from political, economic, and aesthetic perspectives. Taiwan film history is divided into the following time periods: 1949, 1950–1954, 1955–1959, 1960–1964, 1965–1969, 1970–1974, 1975–1979, 1980–1984, 1985– 1989, and 1990–1994. Politically, the author focuses on government policy, processes, laws, and regulation of Taiwan film production; economically, based on the text’s political analysis, the author explores how film resources were allocated and policy control was instituted in Taiwan film production and the interrelationship between film production, distribution, and competition; and aesthetically, following the political and economic studies of Taiwan film history, the author explains artistic styles and trends in Taiwan by analyzing major film productions and film artists over the past forty years (before 1998). Includes a bibliography and statistical charts. All related statistical information can be found in the Database of Taiwan Cinema at http://cinema.nccu.edu.tw. NTUL Chi

1482 Lin, Xianru (Lin, Hsien Ju). ৆ᢌҒ. Jiu shi nian dai zheng jing bian qian zhong de Taiwan dian ying gong ye. ॰֐ё‫ूڊ‬ҬԺቜЅϡ‫ݡ‬ஹӇ‫׬ؙ֞‬. 197 leaves. Note: Thesis (M.A.)—Chinese Culture University, 2000. Assesses the declining situation of Taiwan film industry because of both political and economic changes during the 1990s. Includes a Chinese abstract and a bibliography. NCL/NDLTD Chi

1483 Liu, Xiancheng (Liu, Hsien-cheng). ฀ѳю. Taiwan dian ying, she hui yu guo jia = Taiwanese cinema, society and state. ‫ݡ‬ஹӇ‫ؙ‬, घϾӿлр = Taiwanese cinema, society and state. Taibei: Yang zhi wen hua, 1997. 194 p. ISBN 9579856109 Series title: Taiwan dian ying yan jiu cong shu; 1 ‫ݡ‬ஹӇ‫ૢ୳ؙ‬ᜣ‫ ;ڣ‬1 Note: Focuses on the period of Taiwan film history after Taiwan retrocession in 1945, and the relationship between film, society, and the state. Includes a bibliography. NTUL Chi

268

Film and Politics

1491 interviews—eight Taiwanese and one Japanese—about their memories of the cinema in Taiwan. Based on the author’s master’s thesis completed at the History Institute of National Taiwan University, written in Chinese. Includes a bibliography and an appendix of Donated Film List from the Patriotic Women Association to the Taiwan Education Association, Schedule of Taiwan Propaganda Team in Mainland China, Films Produced by Taiwan Education Association, and Films Housed by Various Organizations in Taiwan. WorldCat Chi

1486 Ma, Jean Yen-chun. Time without measure, sadness without cure: Hou Hsiao-Hsien’s films of history. 283 leaves. Note: Thesis (Ph.D.)—University of Chicago, 2003. The paper focuses on three of Hou Hsiao-hsien’s films: A City of Sadness (1989), The Puppetmaster (1993), and Good Men, Good Women (1995), which make up a historical trilogy covering twentieth-century Taiwan history and also are included among the “New Wave” Chinese cinematic movements represented by film directors in Taiwan, Hong Kong, and mainland China. The author emphasizes the uniqueness of Hou and his films, which redefine the meaning of national cinema with the environment of globalization, nativism, statesponsored cultural identity, and regionally differentiated identity. Includes a bibliography. WorldCat (FT) Eng

1489 Ou, Shumin. ଟᎂ์. Ri zhi shi qi Taiwan dian ying de zheng jiao gong neng. я੽Ж‫ݡ׈‬ஹӇ‫ؙ‬ϡू‫ۋڌ‬Ќ. 145 leaves. Note: Thesis (M.A.)—National Taiwan Normal University, 2004. A serious work on the political and educational function of film in Taiwan during the Japanese colonial period. The paper follows three key phases of Japanese colonial rule in Taiwan, discusses the colonial film censorship system, and explains the relationship between official cultural and educational policies and movie theaters, “narrators” (benshi), and the general development of film in Taiwan. Concludes by describing how particular political conditions lead to the creation of Japanese film policies with different intended functions for film in political and educational arenas. Includes an abstract and a bibliography in Chinese. NCL/NDLTD Chi

1487 Misawa, Mamie. ѧ෹ѐѤ௑. Shokuminchiki Taiwanjin ni yoru eiga katsud䲖 no kiseki: k䲖sh䲖 to ekky䲖 no poritikusu. ယ‫ھ‬с‫ݡ׈‬ළϪ䫜䫹䫼ྱࡌ҅ҁ䫟ፋ࿑ : ‫ے‬ᇎ䫙ք॒䫟䭌䭙䬵䬒 䬞䬨. Note: [Thesis (Ph.D.)—University of Tokyo, 2006] A paper on the relationship between Taiwan film history, politics, and Japanese colonial policy. According to WorldCat, this text is only housed by the Waseda University Library, in addition to the National Diet Library, which is a depository of dissertations in Japan. WorldCat Jpn

1490 Quan guo dian ying hui yi shi lu / Ce hua Yang Zhongfan, Chen Zhikuan; bian ji Chen Junzhe. ҪлӇ‫ؙ‬Ͼ৶Ӣ࠷ / ೫੿໷ᓶ౯; ഹফ಴ᒺᎻ. Taibei: Xing zheng yuan xin wen ju, 1993. 235 p. ISBN 9570025966 Note: A report of the National Film Conference on December 7–8, 1992, in Taibei, hosted by Government Information Office, Executive Yuan. Contains a conference program and schedule, and as a government-published work, it contains remarks by various government officials. Includes a record of the domestic film discussion panels, National Film Conference Procedures, a National Film Conference and Film Year Advisory Committee Member List, a National Film Conference and Film Year Executive Committee Member List, and a National Film Conference Attendants List. NTUL Chi

1488 Misawa, Mamie. ѧ෹ѐѤ௑. Zhi min di xia de “yin mu”: Taiwan zong du fu dian ying zheng ce zhi yan jiu (1895–1942). ᜊ‫ھ‬сЎϡ “ુ௷”:‫ݡ‬ஹրᒾ௞Ӈ‫ूؙ‬೫ҏ୳ૢ (1895–1942). Taibei: Qian wei chu ban she, 2002. 470 p. ISBN 9578013248 Note: A substantial academic work that analyzes the filmrelated laws, policy, regulations, and propaganda of the Japanese colonial administration, as well as local target audiences in Taiwan, during the period from 1895–1942. Divided into Part 1, Film Related Laws, Regulations and Control System; Part 2, Propaganda and Film; and Part 3, Population and Film. Includes fascinating topics—for example, the strategy of using film as a tool to improve the image of the local police, the effort to educate and control Taiwan’s aboriginal population, and the use of film to promote the war effort. One of the chapters includes nine

1491 Rawnsley, Ming-Yeh. Cultural and social change in Taiwan: society, cinema, and theater. London: Routledge, 2008.

269

Interdisciplinary Studies

1492 256 p. ISBN Note:

Note: 9780415421874, 041542187X Examines changes within Taiwan’s cultural, social, and political structure since 1945 and investigates their impact on Taiwan’s cinema and theater. Focuses on such developments as Taiwanese-language opera and cinema during the 1930s and 1950s, the government’s promotion of Mandarin-language cinema in the 1960s, and Taiwan New Cinema since the 1980s. WorldCat Eng

1492

Consists of nine papers presented at the Native Languages in Taiwan Literature and Film Symposium on February 22, 2008. The papers explore Taiwan native languages, including Mandarin, Min’nan/Taiwanese, Hakka, and aboriginal dialects used in literature and film under different political, cultural, economic, and historical conditions. Includes the Symposium program and presenter introduction. NTUL Chi

1496

Rodriguez, Hector. The cinema of Taiwan: national identity and political legitimacy. 336 p. Note: Thesis (Ph.D.)—New York University, 1995. A significant dissertation on Taiwan cinema and its relationship to Taiwan’s national identity and political legitimacy. Includes an abstract, a vita, and a bibliography. WorldCat Eng

Tang, Weimin (Tang, Albert Wei-Min). ࿔‫์ۆ‬. You yi wen yi zhan dou fu sheng, dian ying zheng jing jian kong qi fei, xu shi wen ben mei xue zai xian: Liu shi nian dai Taiwan jian kang xie shi dian ying de jue qi = Recurring right-wing discursive tactics, policing political economy of cinematic production, representing narrative aesthetic syndromes: The rise of Healthy Realistic Cinema in Taiwan. ૼॢҹਲ‫ڕ‬ஸ࣢Т, Ӈ‫ूؙ‬Ҭฬସвٞ, ᡳѨҹӆѤѹӐѳ: ࡏ֐ ё‫ݡڊ‬ஹ࡬ࣉ܎ӢӇ‫ؙ‬ϡ៷в = Recurring right-wing discursive tactics, policing political economy of cinematic production, representing narrative aesthetic syndromes: The rise of Healthy Realistic Cinema in Taiwan. 267 leaves. Note: Thesis (Ph.D.)—Fu Jen Catholic University, 2008. The paper analyzes the discursive formation of Taiwan’s Healthy Realism movement in the 1960s. The author argues that, based on an account of the KMT’s efforts to preserve its monolithic governance from the 1930s through the Healthy Realism era, filmmakers used subtle tactics in a struggle for artistic freedom while film critics and film historians desired relevant film productions. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

1493 Shiau, Hong-Chi. Animating the cute, the mean and the beautiful: the production and consumption of animation: Taiwan’s struggles in the age of globalization. Saarbruchen, Germany: Vdm Verlag Dr Mueller, 2008. 202 p. ISBN 3639093976, 9783639093971 Note: Studies animation as the end product of a complicated relationship between conscious social exchanges and intelligent cultural management in the age of globalization. Taiwan, one of the largest producers of animation in the world, heavily depends on the pre- and postproduction skills of its client countries, such as the United States and Japan. WorldCat Eng

1497

1494

Tobari, Haruo, 1938– ‫פݏ‬ֆਜ਼, 1938– Taiwan eiga no subete / Tobari Haruo, Ry䲖 Kinh䲖, Chin Jush䲚. ‫ݡ‬ළྱࡌ䫟䫊䫪䫗/ ‫פݏ‬ֆਜ਼, ᴰ‫ؖ‬ང, ಴ᭉࢗ. T䲖ky䲖: Maruzen, 2006. 180 p. ISBN 4621061062, 9784621061060 Series title: Maruzen bukkusu; 106 ᐣ৖䭅䬲䬞䬨 ; 106 Note: Consists of four parts: Part 1, From Healthy Realism to New Cinema; Part 2, Zhongying (Central Motion Picture Corporation) and the Rise and Fall of Taiwan Cinema; Part 3, Taiwan New Cinema and Political Reform; and Part 4, Ethnic Groups in Taiwan Cinema. Includes a list, prepared by Liao Jinfeng and Ru-shou Robert Chen, of the most representative films of Taiwan cinema during each time period, and a bibliography (pp. 172–175). WorldCat Jpn

Shiau, Hong-Chi. Production and consumption of animation in Taiwan: the interplay of global political and economic forces. 235 leaves. Note: Thesis (Ph.D.)—Temple University, 2005. A work on animation production and consumption in Taiwan through global political and economic perspectives. Includes an abstract and a bibliography. WorldCat Eng

1495 “Taiwan wen xue yu dian ying zhong de mu yu” xue shu yan tao hui lun wen ji / Jian Guangming zhu bian. “‫ݡ‬ஹҹѹӿӇ‫ؙ‬Ѕϡআ‫ ”ܭ‬ѹफ୳क़Ͼҹओ / ߢ‫ׇ‬ҴҰഹ. Pingdong: Guo li Pingdong jiao yu da xue Zhongguo yu wen xue xi, 2008. 234 p. ISBN 9789860136210

270

Film and Politics

1503 Includes a bibliography, Film Law and President’s Executive Order (issued in 1983), Film Censorship Law (issued in 1955 and revised in 1958), and the Film Censorship Standard Regulation (issued in 1956). NTUL Chi

1498 Transnational Chinese cinemas: identity, nationhood, gender / edited by Sheldon Hsiao-peng Lu. Honolulu, HI: University of Hawaii Press, 1997. 414 p. ISBN 0824818548 Note: A collection of twelve essays covering the relationship between cinema, identity, nationhood, and gender in mainland China, Taiwan and Hong Kong. Part II of the text is entitled: “The Politics of Cultural and National Identity in the Cinemas of Taiwan and Hong Kong” and includes the essays “Constructing a Nation: Taiwanese History and the Films of Hou Hsiao-hsien” by June Yip; “The Diaspora in Postmodern Taiwan and Hong Kong Film: Framing Stan Lai’s The Peach Blossom Land with Allen Fong’s Ah Ying” by Jon Kowallis; and “Breaking the Soy Sauce Jar: Diaspora and Displacement in the Films of Ang Lee” by Wei Ming Darious and Eileen Fung. Includes a bibliography and an index. WorldCat Chi

1501 Weakland, John H. Conflicts between love and family relationships in Chinese films. Ft. Belvoir, VA: Defense Technical Information Center, 1967. 12 p. Note: A study of three groups of fictional feature Chinese films from Taiwan, Hong Kong, and mainland China focusing on the theme of conflict between love and family relationships. The following conclusions are made: in mainland Chinese Communist films, parents are blamed for conflict and a possible resolution is radical social change; in Taiwan Nationalist films, parents receive no blame and resolution is achieved by the young restoring family unity. Both Communist films from mainland China and Nationalist films from Taiwan accept traditional values, such as respect for authority and personal sacrifice, to achieve wider social goals. WorldCat Eng

1499 Wang, Lirong (Wang, Li Jung). ࣼᰆ‫ب‬. Taiwan dian ying zhong guo zu lun shu de zhuan bian = Nationalism in Taiwan’s film. ‫ݡ‬ஹӇ‫ؙ‬Ѕлఓ‫ں‬਎ϡ‫ׅ‬Ժ = Nationalism in Taiwan’s film. 132 leaves. Note: Thesis (M.A.)—National Chengchi University, 1997, Claims that there are different nationalisms displayed during different historical periods in Taiwan cinema from the 1980s to the 1990s, including the following categories: authentic, localized, multinational, and the new proWestern. Includes a Chinese abstract and a bibliography. NCL/NDLTD Chi

1502 Wei, Di (Wei, Ti). ᪭万. Dang qian Taiwan dian ying gong ye de Zheng zhi jing ji fen xi = The Taiwan film industry (1989—1993): a political economic perspective. Ԅӓ‫ݡ‬ஹӇ‫׬ؙ֞‬ϡू੽Ҭ௵д໯ = The Taiwan film industry (1989—1993): a political economic perspective. 181 leaves. Note: Thesis (M.A.)—National Chengchi University, 1995. Describes the decline of Taiwan’s film industry, starting in the mid-1970s, even as concurrent domestically produced Taiwanese films received international film festival recognition and the government had intensified its support for the local film industry. Considers the following interrelated topics: politics, economic trends, government film policy, and film market trends. Includes a Chinese abstract and a bibliography. NCL/NDLTD Chi

1500 Wang, Mingwo. ࣼҴϢ. Cong Min Sheng Zhu Yi Yu Le liang pian bu shu lun wo guo dian ying shi ye—xian jie duan dian ying zheng ce zhi yan jiu. ԩ‫ھ‬ТҰचड़ӀҔࢡਣ਎‫ں‬ϢлӇ‫ؙ‬Ѩ‫—׬‬ѳ႓‫ݫ‬Ӈ‫ूؙ‬೫ҏ୳ ૢ. Taibei: Zheng zhong shu ju, 1987. 288 p. Series title: San Min Zhu Yi yan jiu so bo shi, shuo shi lun wen jiang zhu chu ban cong shu, di ba ji; 2 ѧ‫ھ‬Ұच୳ૢѕࡲ, ፩ࡲ‫ں‬ҹ؉ࡾо‫ؗ‬ᜣ‫ڣ‬, ҷࡂফ; 2 Note: Presents the theoretical basis of the Taiwan government’s concurrent film policy as outlined by, and in accordance with, Dr. Sun Yat-sen’s “Three Principles of People.” Selected from Taiwan’s Ph.D. and M.A. thesis collection entitled “The Institute of Three Principles of People in Taiwan.”

1503 Wicks, James Anthony. The antecedents of Taiwan New Cinema: the state of Taiwan film in the 1960s and 1970s. 266 leaves. Note: Thesis (Ph.D.)—University of California, San Diego, 2010. Explores the ways Taiwan’s KMT (Nationalist Party) government defined itself as the representative government of all of China in the 1960s and 1970s by both studying its state-sanctioned film industry and explaining how these filmmaking conditions in the 1970s enabled the emergence of Taiwan New Cinema in the 1980s. Analyzes influences from mainland China, Japanese colonialism, and the United States during the Cold War.

271

Interdisciplinary Studies

1504 Includes notes and a bibliography. ProQuest (FT)

Note: Eng

1504 Xin shi ji Taiwan dian ying huo shui lan tu—cong ge guo wen hua zheng ce, fa kui zhi du yu gong ye jie gou zhi dao cha yan jiu jian gou dian ying wen hua zhong xin ji ben guo dian ying zong ti zhen xing fang an / Wei tuo dan wei Xing zheng yuan wen hua jian she wei yuan hui; Zhi xing dan wei Cai tuan fa ren guo jia dian ying zi liao guan. ЈԒઔ‫ݡ‬ஹӇ‫ؙ҅‬һঢ֖—ԩ‫ٿ‬лҹ٩ू೫,֚੺‫֏ء‬ӿ֞‫ְ׬‬ ภҏ݇‫ࠃૢ୳ݓ‬ภӇ‫ؙ‬ҹ٩ЅК᠕ӆлӇ‫ؙ‬րՂዄࣱҤଈ / ణኅ ‫֧؁‬Ҳूࡨҹ٩ࠃ‫ޗ‬ణ‫؂‬Ͼ; వҲ‫֧؁‬੠֚ࣗϪлрӇ‫ࢧޞؙ‬ఖ. 2 v. Note: An unpublished official report commissioned by Council for Cultural Affairs, Executive Yuan, and prepared by the Chinese Taipei Film Archive (October 1, 2000– May 31, 2001). The state of affairs is described as follows: (1) due to the powerful pressure of Hollywood’s political influence and marketing and distribution system in Taiwan, and (2) even though the government issued various subsidy measures to support the domestic film industry, (3) Taiwan film production still faces the embarrassing situation that its annual production is only around ten movies. Thus, the government is planning to switch the responsibility of supervising film industry from the Government Information Office to the Council for Cultural Affairs. The purpose of the report is to confirm the necessity of the Council for Cultural Affairs to supervise film, suggest the establishment of the National Film Cultural Center with a plan and implementation methods, discover and clarify the problems faced by Taiwan’s film industry and provide a viable solution, and adopt related film and cultural policies and regulations as well as industry-supportive measures developed by other countries in the world. Contains three parts: Current Situation Analysis, World Reference Models, and Future Trends and Developments. Vol. 1 (273 p.) is the complete text of the report, including a bibliography; and Vol. 2 (70 p.) is the reference manual, including the implementation handbook, chapter abstracts of the report, interviews, charts of world film–related organizations, world film– related taxation systems, world film–related government subsidy measures, and world film education systems. NTUL Chi

Explores the indirect, hidden sexual content and innuendos presented in mainstream films produced in Hong Kong, Taiwan—including Taiwan New Cinema—and films from other countries to expound on the political subtext of such representations. The book cover carries an “18 and older” marking. CTFAL Chi

1506 Yang, Huanhong (Yang, Huan-hong). ໷ᢵ᜞. Ta zhe bu xian ying: Taiwan dian ying zhong de yuan zhu min ying xiang. ј‫ٷ‬Ϥࣶ‫ؙ‬: ‫ݡ‬ஹӇ‫ؙ‬Ѕϡ֍֙‫ؙھ‬Ռ. 106 leaves. Note: Thesis (M.A.)—National Dong Hwa University, 2007. This paper considers representations of Taiwan aboriginals in fictional feature films produced both during the Japanese colonial period and after retrocession. The author uses film analysis as the starting point to explore the relationship between the aboriginal people and colonialism, postcolonialism, nation-building, and national identity. Includes a Chinese abstract, bibliography, and filmography. NCL/NDLTD (FT) Chi

1507 Ye, Yueyu (Yeh, Emilie Yueh-yu). ౕ֊ᒶ. A national score: popular music and Taiwanese cinema. 263 leaves. Note: Thesis (Ph.D.)—University of Southern California, 1995. An interesting study of the relationship between popular music, cinema, and national identity in Taiwan from the 1970s to the 1990s. Explores multiple relevant interrelationships between popular music and Taiwan cinema, including the inclusion of popular songs in the 1970s policy films and romantic melodramas, the exclusion of pop music in Taiwan New Cinema in the 1980s, and the return of popular music in commercial films of the 1990s, thus revealing “a national identity characterized by shifting loci of commerce, politics, and art” (abstract). As a serious academic work, it provides many interesting perspectives based on in-depth research and substantial evidence. It states, however, that “A huge massacre occurred in 1945 when many Taiwanese rose up against the semi-colonial governance of the National Party” (l.2), which is possibly miswritten, for if Dr. Yeh is referring to the February 28 Incident, this event occurred in 1947. Includes a filmography (pp. 243–247) and bibliography (pp. 248–263). WorldCat Eng

1505 Yan, Shikai. ୶ࡲᏎ. Zhan zhe zuo ai: dian ying yu xing = Stand to make love. ۖа҂Д: Ӈ‫ؙ‬ӿԛ = Stand to make love. Taibei: Bo shi ke ji yi shu, 2005. 370 p. ISBN 9867224698 Series title: Zhuan jia zhi zao; b02034 ֟р३߃; b02034

272

Film and Politics

1512 a writer, film music composer, film and drama director) with Chiang Ching-guo, former president of the R.O.C. in Taiwan; Part 2 discusses the history of film production in Shanghai, Taiwan, and Hong Kong; Part 3 provides a general commentary on the concurrent cultural and political affairs in mainland China and Hong Kong. Includes a brief biography of the author. CTFAL Chi

1508 Yip, June Chun, 1962– Colonialism and its counter-discourses: On the uses of “nation” in modern Taiwanese literature and film. 2 v. (415 leaves.) Note: Thesis (Ph.D.)—Princeton University, 1996 Explores the formation of Taiwanese Nationalism and Identity by analyzing 1960s and 1970s Hsiang-tu (Native) literature and 1980s New Taiwan Cinema. Analyzes writer Huang Chunming (Hwang Chunming) and his works and film director Hou Hsiaohsien and his films. Includes bibliography and list of films by Hou Hsiaohsien. WorldCat Eng

1511 Zhang, Yutian. ‫ەפ‬೧. Zhongguo dian ying shi ye lun. ЅлӇ‫ؙ‬Ѩ‫ں׬‬. Taibei: Zhongguo dian ying wen xue chu ban she, 1968. 170 p. Note: As the author states in the preface, this work focuses its attention on film policy issues in Taiwan from 1949 to 1967. The book provides suggestions to the government regarding the establishment of complete and reasonable film laws and policies that would enable the best possible environment for the development of Taiwan’s film industry. For example, the author recommends controlling the importation and distribution of foreign films in Taiwan because of the threat of American film distribution in Taiwan. Suggestions are also made regarding Taiwan’s filmmaking personnel by offering a comparative study of Japanese and Taiwan film development after World War II. The appendix includes some important statistics, such as a filmography of Taiwan films produced from 1948 to 1967 (pp. 77–87), the annual ten best Mandarin films at the box office from 1957 to 1967 (pp. 78–96), and a statistical record of movie theater attendance in the Taiwan area in 1967 (pp. 97–98). WorldCat Chi

1509 Yip, June Chun, 1962– Envisioning Taiwan: fiction, cinema, and the nation in the cultural imaginary. Durham, NC: Duke University Press, 2004. 356 p. ISBN 0822333570 (alk. paper), 0822333678 (pbk: alk. paper) Note: June Yip’s text, Envisioning Taiwan: Fiction, Cinema, and the Nation in the Cultural Imaginary, considers the representation of Taiwan as an imagined community in the Taiwan New Cinema of the 1980s and in Native Literature, known as Hsiang-t’u Literature, of the late 1960s. The table of contents of the book provides an overview of the author’s views: Introduction: Envisioning Taiwan in a Changing World; Chapter 1, Confronting the Other, Defining a Self: Hsiang-t’u Literature and the Emergence of a Taiwanese Nationalism; Chapter 2, Toward the Postmodern: Taiwanese New Cinema and Alternative Visions of Nation; Chapter 3, Remembering and Forgetting, Part I: History, Memory, and the autobiographical Impulse; Chapter 4, Remembering and Forgetting, Part II: Hou Hsiao-hsien’s Taiwan Trilogy; Chapter 5, Language and Nationhood: Culture as Social Contestation; Chapter 6, The Country and the City: Modernization and Changing Apprehensions of Space and Time; Chapter 7, Exile, Displacement, and Shifting Identities: Globalization and the Frontiers of Cultural Hybridity; Conclusion: From Nation to Dissemi-nation: Postmodern Hybridization and Changing Conditions for the Representation of Identity. Includes a bibliography and an index. WorldCat (FT) Eng

1512 Zheng, Wanxiang. ቼ։‫ܫ‬. Zhan hou Taiwan dian ying guan li ti xi zhi yan jiu (1950–1970). ‫ڕ‬ћ‫ݡ‬ஹӇ‫܉ؙ‬ԑՂ‫ڍ‬ҏ୳ૢ (1950–1970). 177 leaves. Note: Thesis (M.A.)—National Central University, 2001. The author assesses the KMT policy of managing the Taiwan film industry in the 1950s and 1960s, and studies the details of the government’s film policy during these two respective decades. Issues surrounding “AntiCommunism,” “Counter-Attack,” and “Recover the Mainland” were central to film policy; the government also enacted detailed management plans and regulations, including censorship, subsidies, control of Taiwanesedialect film production, and the encouragement of Mandarin film production. Includes a bibliography. NCL Chi

1510 Zhang, Che (Chang, Cheh), 1923–2002. ‫פ‬๜, 1923–2002. Zhang Che jin zuo ji (1986–1988). ‫פ‬๜‫ײ‬ӑओ (198 6–1988). Hong Kong: Ming chuang chu ban she, 1988. 136 p. Note: A collection of the author’s articles organized in three parts: Part 1 deals with the author’s relationship (as

273

Interdisciplinary Studies

1513 Includes a bibliography. CTFAL

1513 Zhongguo dian ying: li shi, wen hua yu zai xian = Chinese cinemas: history, culture and representation: Hai xia liang an ji Xiang Gang dian ying fa zhan yu wen hua bian qian yan tao hui lun wen ji / Liu Xiancheng bian. ЅлӇ‫ؙ‬: ࣵ੗, ҹ٩ӿӐѳ = Chinese cinemas: history, culture and representation: ֋ᒘҔ࿝᠕‫ܫ‬୯Ӈ‫ؙ‬чࣁӿҹ٩Ժቜ୳क़Ͼ ‫ں‬ҹओ / ฀ѳюഹ. Taibei: Taibei shi Zhongguo dian ying shi liao yan jiu hui, Zhonghua Minguo shi jue chuan bo yi shu xue hui, 1996. 335 p. Note: A collection of the papers from a film symposium in Taiwan attended by scholars from Taiwan, Hong Kong, mainland China, and the United States on September 13–15, 1995. Twenty-three papers were presented during the symposium, nineteen of which are published here. Themes include: “Chinese Film History,” “Relationship between Chinese Film with Society,” Political and Economic Development,” “Chinese Film and Gender Study,” “Chinese Film Genre Study,” and “Chinese Film and Culture Representation.” Eight papers touch on the subject of Taiwan film, including Li Tianduo’s paper on Taiwan film under the colonial system; Liu Xiancheng’s essay on the history of Taiwan color film development in terms of social issues as well as scientific and technical practice; Huang Yingfen’s article on the aesthetic trends of contemporary Taiwan film; Roland B. Tolentino’s (in English) comparative study of the Chinese “city film” from Taipei, Hong Kong, and Beijing; Qi Longren’s essay on Qiongyao’s films during the 1970s; Zhang Yupei’s analysis of the social and cultural meanings of Taiwan film during the 1990s; and Ye Yueyu’s paper on the relationship between nationality and popular songs in Taiwan films produced from the mid-1970s to the early 1990s. NTUL Chi Eng

6.25

Chi

1515 Wu, Qiyan. ྶԷ᷀. Di du kai fa de hui yi, yi zhong yi lei ying ping. ࠍ֏ычϡҘশ, ϣ҆஫ढ‫ؙ߰‬. Taibei: Tang shan chu ban she, 1993. 218 p. Note: Consists of five parts: Parts 1 and 2 discuss Taiwan films in the 1980s, mainly Taiwan New Cinema and Hou Hsiao-hsien’s films; Part 3 explores the relationship between Taiwan film and “Third World Cinema”; Part 4 introduces films produced in Eastern European countries during the Soviet era; and Part 5 describes links between psychology and the experience of film. Includes a bibliography. CTFAL Chi

1516 Ye, Bingqiang. ౕẅ‫ל‬. Dian ying zhong de yi xue shi jie. Ӈ‫ؙ‬ЅϡࣦѹԒ֎. Taibei: Guo li Taiwan da xue yi xue yuan, 2000. 108 p. ISBN 9570255439, 9789570255430 Series title: Yi xue ren wen cong shu; 8 ࣦѹϪҹᜣ‫ ;ڣ‬8 Note: The author, a doctor at Medical School, National Taiwan University, explores the relationship between film and medical education. Includes a filmography and an index. CTFAL Chi

1517

FILM AND PSYCHOLOGY

Zheng, Taicheng. ቼ೉ᵮ. Dian ying guan shang—xian shi de zong jiao yi han xing xin li jing yan = Film viewing: a secular psychological experience with religious implications. Ӈ‫޲ؙ‬೘—ѳԒϡᅓ‫ڌ‬ҺଭԛКԑҬࡐ = Film viewing: a secular psychological experience with religious implications. Taibei: Gui guan tu shu gu fen you xian gong si, 1995. 195 p. ISBN 9575519213 Series title: Gui guan xin zhi cong shu; 80 ᄉഃЈҌᜣ‫ ;ڣ‬80 Note: The author explores film’s psychological representations as well as its religious implications. Includes a bibliography and Chinese–English and English–Chinese indexes. CTFAL Chi

1514 Chen, Ruxiu (Chen, Ru-shou Robert). ಴ᭉࢗ. Dian ying di guo, ling yi zhong zhu shi: dian ying wen hua yan jiu. Ӈ‫ؙ‬෌л, ࡔϣ҆‫ڀ‬؆: Ӈ‫ؙ‬ҹ٩୳ૢ. Taibei: Wan xiang tu shu gu fen you xian gong si, 1995. 264 p. ISBN 9576697344 Series title: Yi shu fang; 16 ਲ‫ ;ࠚڣ‬16 Note: A collection of the author’s essays organized into three sections: (1) cultural, gender, psychological, and comparative analyses of Taiwan films of the 1990s; (2) mainland China films; and (3) Taiwan film through the lens of postcolonial theory. Essays of note include a study of mental illness in Taiwanese films and a psychological study of Hou Hsiao-hsien’s film A City of Sadness (1989).

274

Film and Railway / Film and Religion / Film and Sexuality and Homosexuality

6.26

1524

FILM AND RAILWAY

Dian ying guan shang—xian shi de zong jiao yi han xing xin li jing yan = Film viewing: a secular psychological experience with religious implications. Ӈ‫޲ؙ‬೘—ѳԒϡᅓ‫ڌ‬ҺଭԛКԑҬࡐ = Film viewing: a secular psychological experience with religious implications. Taibei: Gui guan tu shu gu fen you xian gong si, 1995. 195 p. ISBN 9575519213 Series title: Gui guan xin zhi cong shu; 80 ᄉഃЈҌᜣ‫ ;ڣ‬80 Note: The author explores film’s psychological representations as well as its religious implications. Includes a Bibliography and Chinese–English and English–Chinese indexes. CTFAL Chi

1518 Hong, Zhiwen (Hung, Chih-wen). ᖻঊҹ. Tie dao dian ying yuan: dian ying li de huo che shi jie = Railways in cinema. ੌѬӇ‫ࡨؙ‬: Ӈ‫ؙ‬Ѷϡ‫ڮ‬ӝԒ֎ = Railways in cinema. Taibei: Shi bao wen hua chu ban qi ye gu fen you xian gong si, 2003. 227 p. ISBN 957133975X Note: Analyzes representations of railways and trains in cinema; contains two parts: Western and Eastern. In the Eastern part, films from Hong Kong, Taiwan, and Japan are discussed with particular focus on Taiwanese directors Hou Hsiao-hsien and Wu Nien-chen, and Hong Kong director Wang Jiawei. Includes a bibliography. CTFAL Chi

6.27

6.28

FILM AND SEXUALITY AND HOMOSEXUALITY

1522 Chen, Pei-ching. Women’s studies and women’s movement in Taiwan and Lesbianism in mainstream cinema. 101 leaves. Note: Thesis (M.A.)—Simon Fraser University, 2006. Points out the characteristics of lesbian representation in Taiwan mainstream cinema from the 1960s to the 2000s, including the elimination of lesbian sexuality in the film version of lesbian novels, alterations of story endings, depictions of character relations, and the portrayal of butch lesbians. Includes a bibliography. WorldCat (FT) Eng

FILM AND RELIGION

1519 Hou, Gangben. ᢡӃӆ. Qi miao ying cheng. ࡞ి‫ڵؙ‬. Taibei: Yu zhou guan quan ren guan huai ji gou, 2007. 223 p. ISBN 9789577273383 Note: A collection of film reviews from a religious perspective. Includes three parts: Part 1, European films; Part 2, North American films; and Part 3, Asian films, including Taiwan films. NTUL Chi

1523 Chihan. စఈ. Se qing pian. ዸєә. Taibei: Mu cun tu shu, 2004. 222 p. ISBN 9867533119 Series title: Qu wei ren sheng xi lie; 1 ঙ‫ڏ‬ϪТ‫ ;࠶ڍ‬1 Note: A collection of adult film reviews. Includes two parts: Western and Oriental. The book cover carries an “18 and older” marking. CTFAL Chi

1520 Hou, Gangben ᢡӃӆ. Wei Yesu liu yi zhang dian ying piao—yong jing tou lai shi fang xin tou ya li. Њኬᮚ߈ϣ‫פ‬Ӈ‫—ܯؙ‬ѓ஗ӰϰౠӵКӰॠҨ. Jilong: Ya xi ya chu ban she, 1999. 186 p. ISBN 9570317043 Series title: Xin ling zhi lu; 6 Кࢼҏ߫; 6 Note: A collection of the alternative film reviews written from a religious perspective. CTFAL Chi

1524 Li, Youxin. ଽෂЈ. Nan tong xing lian dian ying . . . ԲӎԛߧӇ‫ ؙ‬. . . Taibei: Zhi wen chu ban she, 1993. 462 p. ISBN 9575455576

1521 Zheng, Taicheng. ቼ೉ᵮ.

275

Interdisciplinary Studies

1524a Series title: Xin chao wen ku; 361 Ј଎ҹᆞ; 361 Note: A collection of film reviews on gay films, including Taiwan and Hong Kong movies. Part XII, Prose, and Part XIII, Academic Essays, present articles and essays by other Taiwan film critics and scholars dealing with the topic of gay films. NTUL Chi

Includes an appendix, notes, a filmography, a selected bibliography, and an index. WorldCat Eng

1527 Martin, Fran. Situating sexualities: queer representation in Taiwanese fiction, film, and public culture. Hong Kong: Hong Kong University Press, 2003. 358 p. ISBN 9622096190, 9789622096196 Note: An important work on queer representation in Taiwanese fiction, film, and public culture. Martin writes that culture does not remain constant and unchanged; rather, cultures are transformed and modified as cultural products travel between and across cultural landscapes. For example, Martin describes an archeology of terms that have been used to describe homosexuality in Taiwan, such as tongxinglian and tongzhi, terms that lead one to recognize that in an analysis of cultural exchange, local ideas of gender and sexual specificity trump generalizations if the cultural theorist “attends to the historical specificities of local context and is sensitive to the ways in which locality today is always itself marked by translocal interaction” (p. 37). Moreover, the generalizations one encounters when considering polarizing characterizations such as “Chinese vs. Western” do not withstand careful examination when considering specific gender issues in Taiwan (p. 42). Includes a bibliography and an index. WorldCat Eng

1524a Lim, Song Hwee. Celluloid comrades: representations of male homosexuality in contemporary Chinese cinemas. Honolulu: University of Hawaii Press, 2006. 272 p. ISBN 9780824830779 (hbk.), 9780824829094 (pbk.) Note: “Tracing the engendering conditions within the film industries of China, Taiwan, and Hong Kong, Song Hwee Lim argues that the emergence of Chinese cinemas in the international scene since the 1980s created a public sphere in which representations of marginal sexualities could flourish in its interstices. Examining the politics of representation in the age of multiculturalism through debates about the films, Lim calls for a rethinking of the limits and hegemony of gay liberationist discourse prevalent in current scholarship and film criticism” (abstract). WorldCat Eng

1525 Lin, Wanjin (Lin, Wan-chin). ৆ᬉṲ. Taiwan she xing dian ying zhi se qing xue yan jiu (1982–2007) = The erotological study on Taiwanese films from 1982 to 2007. ‫ݡ‬ஹᇎԛӇ‫ؙ‬ҏաєѹ୳ૢ (1982–2007) = The erotological study on Taiwanese films from 1982 to 2007. 157 leaves. Note: Thesis (M.A.)—Shu-Te University, 2008. Studies representations of sexual behavior and relationships in Taiwanese films from 1982 to 2007; focuses on three aspects: (1) sexual themes as they are presented in film chronologically, (2) categorizing sexual topics, and (3) erotological readings of the films. Includes a Chinese and English abstract, bibliography, and filmography. NCL/NDLTD (FT) Chi

1528 Ping, Liewei (Ping, Lieh-wei). ‫૆כ‬໖. Nan yan zhi yin / Nan yan zhi ying: lun Li An dian ying zhong nan xing xing xiang de xing / bie zhan yan yu ren tong jian gou = Gender performativity and identity construction of male images in Ang Lee’s films. Ԣߞҏೆ / Բߞҏ‫ؙ‬: ‫ں‬ଽԥӇ‫ؙ‬ЅԲԛ࣏ࢣϡԛ / ԇࣁࠟӿ‫گ‬ ӎࠃภ = Gender performativity and identity construction of male images in Ang Lee’s films. 186 leaves. Note: Thesis (M.A.)—National Tainan Arts University, 2009. This gender analysis of male identity in Ang Lee’s films argues that the representation of men reflects the director’s cultural and educational background of Confucianism. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

1526 Martin, Fran. Backward glances: contemporary Chinese cultures and the female homoerotic imaginary. Durham, NC; London: Duke University Press, 2010. 290 p. ISBN 9780822346685, 9780822346807 Note: A comparative study of female homoeroticism and ways of understanding love between women in the twenty-first century in China, Hong Kong, and Taiwan as played out in mainstream Chinese media and literary cultures, including films, novels, and television.

1529 Shao, Qimai. ἗⓱፪. G pian gong chang. G ә֞Ծ. Taibei: Jib en shu fang, 2009. 233 p.

276

Film and Sexuality and Homosexuality

1536

ISBN 9789866474026 Series title: Zhi nan zhen xi lie; A014 ‫܋‬Բఴ‫ ;࠶ڍ‬A014 Note: A guide to X-rated gay films, including three chapters: Chapter 1 introduces the most famous actors and a filmography, Chapter 2 introduces the best series, and Chapter 3 discusses remaking classic films. All the movies are produced in Europe, Japan, and the United States. The book cover carries an “18 and older” marking. CTFAL Chi

queer love in this particular spatiotemporal portrayal of Brokeback Mountain is both forbidden and under surveillance, and the tension is whether or not to break the taboo or compromise with its reality. Includes a bibliography. NCL/NDLTD Eng

1533 Yan, Shikai. ୶ࡲᏎ. Zhan zhe zuo ai: dian ying yu xing = Stand to make love. ۖа҂Д: Ӈ‫ؙ‬ӿԛ = Stand to make love. Taibei: Bo shi ke ji yi shu, 2005. 370 p. ISBN 9867224698 Series title: Zhuan jia zhi zao; b02034 ֟р३߃; b02034 Note: Explores the indirect, hidden sexual content and innuendos presented in mainstream films produced in Hong Kong, Taiwan (including Taiwan New Cinema), and films from other countries to expound on the political subtext of such representations. The book cover carries an “18 and older” marking. CTFAL Chi

1530 Tam, Siu-yan Xavier. Between penumbrae and shadow: contextualizing transnational queer Chinese cinemas. 144 leaves. Note: Thesis (M.Phil.)—University of Hong Kong, 2010. A study on transnational queer Chinese cinemas, mainly gay and lesbian films, from Taiwan, Hong Kong, and mainland China. Includes a filmography and bibliography. Online full-text access is available through “The HKU Scholars Hub.” WorldCat Eng

1531

1534

Wang, Xuanru (Wang, Xuan-ru). ࣼ២Ғ. “Kua yue tong zhi yu jia ting de hong gou”: tan tao Li An “Duan bei shan” zhong de tong zhi yu jia ting zhi jian de zheng zha = “Family that hurts”: Struggle between family and homosexuality in Ang Lee’s Brokeback Mountain. “ቄքӎ࢑ӿр೛ϡ᜞ཻ”: ෬क़ଽԥ “ऄࠧ‫ ”ځ‬Ѕӎ࢑ӿр೛ҏҼ ϡᄋႹ= “Family that hurts”: Struggle between family and homosexuality in Ang Lee’s Brokeback Mountain. 105 leaves. Note: Thesis (M.A.)—National Chung Cheng University, 2007. Focuses on the struggle between family and homosexuality in Ang Lee’s film Brokeback Mountain (2005). Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Eng

Yang, Wanyu (Yang, Woan-yuh). ໷ᕫ᠅. Li An dian ying zhong de xing bie xing xiang = The gender images in Ang Lee’s movies. ଽԥӇ‫ؙ‬Ѕϡԛԇ࣏ࢣ = The gender images in Ang Lee’s movies. 100 leaves. Note: Thesis (M.A.)—Fo Guang University, 2004. Classifies Ang Lee’s films according to their representation of gender issues. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD (FT) Chi

1535 You, Xinren. දЈწ. Dian ying wen ti, wen ti dian ying: xing, bao li, dian jian. Ӈ‫ؙ‬՛֤, ՛֤Ӈ‫ؙ‬: ԛ, ફҨ, Ӈഛ. Taibei: Da te xie chu ban she, 1983. 199 p. Note: A collection of the author’s articles on sexuality, violence, and censorship in world cinema, including Hong Kong and Taiwan cinema. CTFAL Chi

1532 Xie, Yiping (Hsieh, Yi-ping). ‫ه‬च‫כ‬. Chuang jian ta men de kong jian: Li An dian ying Duan Bei Shan zhong de kong jian xing yu xing bie ren tong = Constructing a space of their own: spatiality and gendered identification in Ang Lee’s Brokeback Mountain. ࡶࠃјИϡ‫׺‬Ҽ: ଽԥӇ‫ؙ‬ऄࠧ‫ځ‬Ѕϡ‫׺‬Ҽӿԛԇ‫گ‬ӎ = Constructing a space of their own: spatiality and gendered identification in Ang Lee’s Brokeback Mountain. 91 leaves. Note: Thesis (M.A.)—Shih Hsin University, 2009. Investigates the importance and linkage of space and gender based on the cinematic context of Ang Lee’s film Brokeback Mountain (2005). Concludes that the

1536 Zhao, Tinghui. ᕿ៴ሓ. Xu shi dian ying yu xing bie lun shu = Narrative cinema and gender discourse. ᡳѨӇ‫ؙ‬ӿԛԇ‫ں‬਎ = Narrative cinema and gender discourse.

277

Interdisciplinary Studies

1537 Taibei Xian Yonghe shi: Airiti Press Inc., 2010. 335 p. ISBN 9789866286292, 9866286290 Series title: Chuan bo xue yan jiu xi lie ‫ة‬৚ѹ୳ૢ‫࠶ڍ‬ Note: Analyzes representations of females in films from Taiwan, Hong Kong, and Hollywood to explore gender power structures. Films include Taiwan’s The Shoe Fairy (2006) and Blue Gate Crossing (2002), Hong Kong’s Turn Left, Turn Right (2003), and Hollywood’s Mulan (1998) and Shanghai Noon (2000). Includes a bibliography. WorldCat Chi

6.29

Firefly Image, New Taiwan Social Movement Audio/ Visual Studio, and Taiwan Report. Includes a product list of Taiwanese antimainstream image media. CTFAL Chi

1539 Braester, Yomi. Painting the city red: Chinese cinema and the urban contract. Durham, NC: Duke University Press, 2010. 405 p. ISBN 9780822347064, 0822347067, 9780822347231, 0822347237 Note: Focuses on the dynamic relationship between visual media, film, and theater and the development of cities in China and Taiwan, such as Beijing, Shanghai, and Taipei. Describes the changes and cinematic rewritings of the Veteran’s village in Taipei, Nanjing Road in Shanghai, and Tiananmen Square, courtyards, and the postmodern architectural landmarks of Beijing. Includes a bibliography and an index. WorldCat Eng

FILM AND SOCIOLOGY: AREA, AUDIENCE/FAMILY, CITY, CULTURE, AND SOCIETY

1537 2007 Taizhong xue yan tao hui: dian ying wen hua pian lun wen ji / Cai tuan far en Taiwan dian ying wen hua xie hui zhu bian. 2007‫ݡ‬Ѕѹ୳क़Ͼ: Ӈ‫ؙ‬ҹ٩ࢡ‫ں‬ҹओ / ੠֚ࣗϪ‫ݡ‬ஹӇ‫ؙ‬ҹ٩ ൒ϾҰഹ. Taizhong: Taizhong shi wen hua ju, 2007. 225 p. ISBN 9789860116786 Note: Published conference proceedings from a film symposium cohosted by the Taichung Municipal Government and Taiwan Film and Culture Association in 2007. The sixteen papers and eight lectures in the book focus on the relationship between Taichung and film. Includes Symposium program and introduction to the presenters. NTUL Chi

1540 Cai, Dujian. ᓥỵߗ. Mei ti zai xian yu dang dai Taiwan min zu ren tong xing gou de gong gong lun shu fen xi. ෪ՂӐѳӿԄ‫ݡڊ‬ஹ‫ھ‬ఓ‫گ‬ӎ࣏ภϡԍ࢕‫ں‬਎д໯. Taibei: Tang shan chu ban she, 2001. 299 p. ISBN 9578221525 Series title: Ben tu wen hua shi jian xi lie; 2 ӆगҹ٩Ӣᒂ‫ ;࠶ڍ‬2 Note: A collection of five of the author’s essays on media representations of Taiwan’s nationality, including a study of Taiwanese identity presented in Taiwan New Cinema. CTFAL Chi

1538 Bian di fa sheng—fan zhu liu ying xiang mei ti yu she yun ji lu / Zhu zhe Dun Cheng deng. ‫נ‬сч‫ބ—ك‬ҰԵ ‫ؙ‬Ռ෪Ղӿघ‫ػ‬ઔ࠷ / Я‫ٷ‬ᆼ஧ҳ. Taibei: Tangshan chu ban she, 1992. 183 p. Series title: Jin bu cong shu; 5 Ք‫܌‬ᜣ‫ ;ڣ‬5 Note: An essay collection that focuses on Taiwan’s antimainstream media movements and social movements during the 1980s and 1990s. Essays include Jiang Guanming’s report on nonmainstream media in Taiwan; Dai Bofen and Wei Yinbing’s analysis of antimainstream images; Li Daoming’s review of his experience in documentary filmmaking; Liang Guang’s discussion of Taiwan antimainstream image media movement vis-à-vis the May 20, 1988 Incident; Zhang Bihua’s interview of Wang Zhizhang on Taiwan’s street movement in the 1980s; and an overall description by the editors of Taiwan’s antimainstream image media groups, including Green Group, The 3rd Image Studio, Culture Taiwan Studio,

1541 Cai, Xiaowei (Tsai, Hsiao-Wei). ᓥ➐ᑤ. Yi shu dian ying guan shang zhe zhi xiao fei xing wei yan jiu = Consumer behaviors in art films. ਲफӇ‫޲ؙ‬೘‫ٷ‬ҏ‫ٮ۽‬ҲЊ୳ૢ = Consumer behaviors in art films. 63 leaves. Note: Thesis (M.A.)—National Taiwan University, 2004. Studies two main film currents in Taiwan since the 1990s: commercial films, which struggle against dominant foreign films; and art films, which participate in the global art house market with the aim of garnering international acclaim. Examines consumer behavior data collected in questionnaires directed to art film viewers in Taiwan. Includes a Chinese and English abstract, a bibliography, and sample questionnaires. NCL/NDLTD Chi

278

Film and Sociology: Area, Audience/Family, City, Culture, and Society

1547

1542

1544

Chen, Conghan (Chen, Tsung-Han). ಴ⰲᲆ. Taiwan dian ying zhong de “Nan bu”—yi ge fu hao xue de guan dian = “The south” in Taiwanese movies: a semiotic analysis. ‫ݡ‬ஹӇ‫ؙ‬Ѕϡ “۪‫—”ח‬ϣϫላ‫ى‬ѹϡ޲ѡ = “The south” in Taiwanese movies: a semiotic analysis. 58 p. Note: Thesis (M.A.)—Tzu Chi University, 2011. A semiotic analysis and a comparative exploration of images of “the south” and “the north” in Taiwanese film, including representations of the: Countryside (South)/City (North), Taiwanese Dialect (South)/ Mandarin (North), Poor (South)/Reach (North), Grassroots (South)/Global (North), and Barbaric (South)/Civilized (North). Includes a Chinese abstract and a bibliography. NCL/NDLTD Chi

Chen, Shuli, 1966– Cinemas and the cities: spatiality in Taiwanese, Mexican, and Iranian urban films. 219 leaves. Note: Thesis (Ph.D.)—University of Washington, 2009. A comparative study of urban films from Taiwan, Mexico, and Iran. Includes a bibliography. WorldCat Eng

1545 Chen, Yapeng (Chen, Ya-peng). ಴઩▧. Yang Dechang dian ying zhong de mei ti jing xiang = The images of media in Edward Yang’s films. ໷ख़ቾӇ‫ؙ‬Ѕϡ෪Ղ࢓ࢣ = The images of media in Edward Yang’s films. 126 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 2009. As one of the representative directors of Taiwan New Cinema, Edward Yang is also recognized here as a film sociologist. The paper uses auteur theory and a sociological perspective to study five of Yang’s films that present images of Taiwan’s media from the mid1980s through the end of the twentieth century. Includes a Chinese and English abstract, a bibliography, and an appendix (including basic information on five of Yang’s films). NCL/NDLTD Chi

1543 Chen, Duanci. ಴ઉ፦. Dian ying chang jing yu yi fu hao de kong jian wen hua yu quan qiu shi chang hua: Li An zao qi dian ying ge an fen xi = An analysis of the early films of Ang Lee and study of the sight of film, the culture of meaning and film symbols of sight. Ӈ‫ؙ‬Ծ࢓‫ܭ‬Һላ‫ى‬ϡ‫׺‬Ҽҹ٩ӿҪ‫صܧ‬Ծ٩: ଽԥՉ‫׈‬Ӈ‫ؙ‬ϫଈ д໯ = An analysis of the early films of Ang Lee and study of the sight of film, the culture of meaning and film symbols of sight. 119 leaves. Note: Thesis(M.A.)—Ming Chuan University, 2004. Explores space and genre in Ang Lee’s films. Includes a bibliography, a filmography, and chronologies of Hou Hsiao-hsien, Edward Yang, and Ang Lee. NCL/NDLTD Chi

1546 Chen, Yin-chin. Spider lilies: Taiwanese tongzhi aesthetic, female same-sex desires, and the critique of modernization. 56 leaves. Note: Thesis (M.A.)—University of Oregon, 2009. Using Spider Lilies (2007), a Taiwanese lesbian drama film directed by Zero Chou (Zhou Meiling), as the primary object of inquiry, the author explores the aesthetic, social, and sexual meaning of Taiwanese lesbian films with the backdrop of modernization. Includes a bibliography. WorldCat Eng

1543a Chen, Rui. ವᥧ. Yang Dechang dian ying zhong de du shi wen ti yan jiu = Research of the urban problem in Edward Yang’s films. ໶ख़ቾӈ‫ؙ‬ЅϡЁ‫ص‬՜֣୳ૢ = Research of the urban problem in Edward Yang’s films. 48 p. Note: Thesis (M.A.)—University of Science and Technology of China, 2009. This thesis argues that, in contrast to presenting Hollywood style narratives, Edward Yang’s urban films represent the confusion and ambiguity inherent in modern city life, provoking audiences to discuss and consider issues surrounding modernity and urbanization. Includes an abstract in Chinese and English and a bibliography. Wanfang (FT) Chi

1547 Chen, Zhengxun. ಴Ԝ㡼. Jiao juan li de miu si: 2002 nian “Xinzhu shi li ying xiang bo wu guan” guan zhong guan ying xing wei yu sheng huo jing tai diao cha bao gao. ᄶᒹѶϡ‘‫ڽ‬: 2002 ё “Јኵ‫ؙ߹ص‬Ռѕ‫׉‬ఖ” ޲ੁ޲‫ؙ‬ҲЊӿ Т҅ࡿ‫ݍڻݓ݇ݯ‬. Taibei: Xinzhu shi li ying xiang bo wu guan, 2003. 167 p. ISBN 9570155469

279

Interdisciplinary Studies

1548 Note:

A text based on the author’s master’s degree thesis. A study of audience film viewing behavior at the Hsinchu Image Museum. Includes a literature review, the survey, returned surveys, methodology, analysis charts, and a bibliography. NTUL Chi

Includes a selected filmography (with English translation and Chinese characters), a Chinese glossary, selected bibliography, and an index. WorldCat Eng

1551 Curtin, Michael. Playing to the world’s biggest audience: the globalization of Chinese film and TV. Berkeley; Los Angeles: University of California Press, 2007. 341 p. ISBN 9780520251335 (cloth: alk. paper), 9780520251342 (pbk.: alk. paper) Note: Michael Curtin’s text, Playing to the World’s Biggest Audience: The Globalization of Chinese Film and TV examines the shifting dynamics of film and television industries in an era of global connectivity. Although the historical breadth of the project considers the early filmic entertainment industries in China, Taiwan, Hong Kong, and Singapore, it focuses on the “dramatic changes that have occurred since the 1980s with the end of the Cold War, the rise of the World Trade Organization, the modernization policies of the PRC, the end of martial law in Taiwan, the transfer of Hong Kong to Chinese sovereignty, the high-tech liberalization of Singapore, the rise of consumer and youth cultures across the regions, and the growing wealth and influence of overseas Chinese in such cities as Vancouver, London, and Kuala Lumpur” (p. 3). This book focuses on the challenge of globalization during the 1990s and early 2000s, confronts the idea that Hollywood hegemony will last indefinitely, and considers globalized Chinese media enterprises that faced a slower pace of expansion in wake of the financial crisis of 1997 and the burst of the dotcom bubble in 2000. In short, the text discusses how commercial media enterprises—and at times the text addresses state media in the PRC—adjusts and shifts to the social and institutional dynamics of the new millennium. Includes a broad historical synopsis of the Shaw Brothers Studio (Chapter 1), a study of Hollywood’s saturation of Taiwan’s film market (Chapter 4), and an account of the current cooperation between mainland China and Taiwan (Chapter 6). Includes industry interviews, notes, a bibliography, and an index. WorldCat Eng

1548 Chen, Zhong. ಴Ѕ. Dian ying zhong de gu shi mai dian. Ӈ‫ؙ‬Ѕϡ‫ݞ‬Ѩࢀѡ. Taibei xian Sanzhi xiang: Xin guan nian chu ban she, 2006. 189 p. ISBN 9868098386 Note: Categorizes seventy-six films from overseas, mostly Hollywood films, with box office earnings around NT$100,000 (ca. $3,300), into eleven subjects. Recommends that local Taiwanese film directors and screenplay writers follow similar filmic and narrative strategies to be more profitable. CTFAL Chi

1549 Chiu, Chi-ming. A study of Taiwanese cinema: cultural policy, marketing and the issues of postmodernity (the late 1980s-2000). Taipei: Radio and Television Department, National Taiwan University of Arts, 2003. 176 p. ISBN 9570138955, 9789570138955 Note: A study of cultural policy, marketing, and the issues of postmodernity in the cinema of Taiwan from the 1980s to 2000. Includes a bibliography. NCL Eng

1550 Cinema Taiwan: politics, popularity and state of the arts / Edited by Darrell William Davis and Ru-shou Robert Chen. London and New York: Routledge Taylor & Francis Group, 2007. 236 p. ISBN 0415412579 (hbk.), 0415412587 (pbk.), 020396439X (ebk.), 9780415412575 (hbk.), 9780415412582 (pbk.), 9780203964392 (ebk.) Note: An excellent collection of essays divided into three groups: Politics, Popularity, and State of Arts. As the introduction by Darrell William Davis states, this text is “a foray into the cultural politics of contemporary Taiwan film, which brings into focus several developments since the famous milestones of Hou Hsiaohsien, Edward Yang, Ang Lee, Tsai Ming-liang, et al” (p. 8). The text explores new developments of Taiwan film in the twenty-first century based on a historical understanding of Taiwan’s previous film movements, including Taiwan New Cinema.

1552 Dellai, Naji. Popular history as mosaic: Hou Hsiao-Hsien’s Taiwan trilogy 61 leaves. Note: Thesis (M.A.)—La Trobe University, 1999. Studies the relationship between Taiwanese popular history and the three films directed by Hou Hsiaohsien known as Hou’s trilogy. Includes a bibliography. WorldCat Fre

280

Film and Sociology: Area, Audience/Family, City, Culture, and Society

1556 “౦࿙‫ڤ‬ж” ϡдი‫—صڵ‬Ӈ‫ؙ‬ϡЁ‫ࢣص‬ၹ୳ૢ = The urban schizophrenia within “Terrorizers”: the symbolic analysis of cinematics. 125 leaves. Note: Thesis (M.A.)—Tamkang University, 1999. Studies the urban setting within Edward Yang’s film Terrorizers (1986), noting the relationship between the symbolism and social practice and the cinematic representation of social formation in Taipei, Taiwan. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

1552a Ding, Ye. ౨‫ސ‬. Yu Wang du shi de sheng ming zhui wen: Yang Dechang dian ying zhong de sheng tai mei xue jing shen = The requiring of life in the desired city: the ecological aesthetic spirit in Edward Yang’s films. ௰ֳЁ‫ص‬ϡТ‫ܞ‬৪՜䩭໶ख़ቾӈ‫ؙ‬ЅϡТ‫ݮ‬ѤѺ‫ = ظؘ‬The requiring of life in the desired city: the ecological aesthetic spirit in Edward Yang’s films. 61 p. Note: Thesis (M.A.)—Soochow University, 2011. Analyzes the representation of the city in films directed by Edward Yang to comment on the director’s concept of the city and its residents. Conclusions are based on the following perspectives: time, space, and the “return of the ecological spirit.” Includes an abstract in Chinese and English and a bibliography. Duxiu (FT) Chi

1555 Gong ren kan dian ying / Zuo zhe: He Huixiang deng. ֞ϪЃӇ‫ ؙ‬/ ӑ‫ٷ‬: ‫ح‬༫‫ܫ‬ҳ. Taibei: Taiwan gong yun za zhi she, 1994. 149 p. Series title: ICLE Taiwan gong ren wen hua xi lie zhi yi ICLE ‫ݡ‬ஹ֞Ϫҹ٩‫࠶ڍ‬ҏϣ Note: A collection of film reviews and articles written from the perspective of Taiwan’s working class. Three Taiwan movies related to working conditions and workers’ strikes are reviewed, and the subject of developing a film about Taiwan workers is discussed in the book. CTFAL Chi

1553 Eberhard, Wolfram, 1909– ዐᓱ‫ܓ‬, 1909– The Chinese silver screen; Hong Kong and Taiwanese motion pictures in the 1960s = Zhongguo dian ying ti yao : yi jiu liu ling nian Taiwan, Xianggang de ying pian. The Chinese silver screen; Hong Kong and Taiwanese motion pictures in the 1960s = ЅлӇ‫ؙ‬٤ϴ; ϣ॰ࡏജё‫ݡ‬ஹ,‫ܫ‬୯ϡ‫ؙ‬ә. Taipei: Orient Cultural Service, 1972. 241 p. Series title: Asian folklore and social life monographs, v. 23 Yazhou min su, she hui sheng huo zhuan kan, di er shi san ji ਐರ‫ھ‬ཞ.घϾТ҅֟ᑂ, ҷԏѧফ Note: A rare, early English work on Taiwan and Hong Kong films screened in Taiwan during the 1960s. The text focuses on the relationships among film and Chinese society, folktales, legends, myth, opera, novels, and short stories. The introduction’s subtitle is “Family and Social Problems in Chinese Films Shown in Taiwan.” Includes abstracts of 329 films (pp. 41–223); film titles, presented in both Wade-Giles and Chinese characters, are followed by a synopsis and a note regarding screening locations and dates. Rather than using page numbers, the book’s general index references the text’s 329 film abstracts by their respective, sequentially assigned numbers. The quality of the book’s paper, printing, editing, translation, and organization is poor. WorldCat Eng Chi

1556 Gu, Shuxun (Gu, Shushiun). ࣲᎂ៨. Taiwan dian ying sheng chan chang yu fen xi, 1998–2003 = Analysis of the field of film production in Taiwan, 1998–2003. ‫ݡ‬ஹӇ‫ؙ‬Т‫ݗ‬Ծ෢д໯, 1998–2003 = Analysis of the field of film production in Taiwan, 1998–2003. 136 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 2004. Based on Pierre Bourdieu’s field theory, this paper explores structural changes within the field of film production in Taiwan from 1998 to 2003 by way of interviewing twelve local Taiwan film directors. Politically, Taiwan’s film industry inherits a legacy of censorship and propaganda; economically, Hollywood films dominate Taiwan’s market after limits on imported foreign films were lifted. As the result of these conditions, and various solutions proposed by film directors, the paper suggests that the government should intervene by being more involved in film production and establishing improved film policies. Includes a Chinese abstract, a bibliography, and an appendix (including past import quotas on foreign films, and a list of government subsidized domestically produced films from 2002 and 2003). NCL/NDLTD (FT) Chi

1554 Gao, Ruiyang (Kao, Ray-young). ҙᇳ‫ݷ‬. “Kong bu fen zi” de fen lie cheng shi—Dian ying de du shi xiang zheng yan jiu = The urban schizophrenia within “Terrorizers”: the symbolic analysis of cinematics.

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concerned with Taiwan’s urban and eastern spaces; and the fourth chapter concentrates on filmic narration. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

1557 Guo, Youlong (Kuo, Yuo-long). ᔕෂह. Min zhong dui Taiwan dian ying de ping jia yu dian ying xiao fei xing wei zhi guan xi yan jiu = Interrelationship between personal evaluations and consumer behaviors in Taiwan film. ‫ੁھ‬х‫ݡ‬ஹӇ‫ؙ‬ϡ߰٢ӿӇ‫ٮ۽ؙ‬ҲЊҏԬ਽୳ૢ = Interrelationship between personal evaluations and consumer behaviors in Taiwan film. 305 leaves. Note: Thesis (M.A.)—Shih Hsin University, 1999. Uses quantitative and qualitative research to investigate viewing habits and consumer behavior in Taiwan. Concludes that most people in Taiwan, regardless of gender, like watching movies, yet the audience category most likely to watch Taiwan films are between ages 12 and 19; those least likely to watch Taiwan films are those who claim that they prefer watching movies primarily for their entertainment value. Includes a Chinese abstract, bibliography, and sample of survey. NCL/NDLTD Chi

1560 Hong, Yueqing (Hung, Yueh-ching). ᖻ֊᥮. Taiwan dian ying zhong de du shi cheng xian—yi Li Xing he Wan Ren de dian ying wei li = The urban representation of Taiwanese movies—an example for Li hsing and Wan Jen. ‫ݡ‬ஹӇ‫ؙ‬ЅϡЁ‫ص‬ᅲѳ—йଽҲф‫ݛ‬წϡӇ‫ؙ‬Њຎ = The urban representation of Taiwanese movies—an example for Li hsing and Wan Jen. 119 leaves. Note: Thesis (M.A.)—Tamkang University, 2000. Taipei and its images in two Taiwan film directors’ films are selected as representative of urban development in Taiwan since 1949. Both Li Xing, the most senior and influential Taiwan film director who came to Taiwan from mainland, and Wan Ren, one of the most important new wave film directors since the 1980s, who grew up in Taiwan, depict Taipei’s social, political, and economic milieu in their films in ways different from official urban development history accounts. Includes a Chinese and English Abstract, a bibliography, and an appendix (including the film information, Wan Ren’s comments, and Taipei City Development Statistics). NCL/NDLTD (FT) Chi

1558 Guo zu, xiang xiang, li san, ren tong: cong dian ying wen ben zai xian yi min she hui / Ding Shijie deng he zhu, Song Huizhong, Liu Wanqing zhu bian. лఓ, ЂՌ, ‫્ڐ‬, ‫گ‬ӎ: ԩӇ‫ؙ‬ҹӆӐѳ௄‫ھ‬घϾ / ౨ԒီҳׁЯ; ᓠ௑Ѕ, ฀‫ݙݛ‬Ұഹ. Taibei: Ju liu tu shu gong si, 2010. 215 p. ISBN 9789577323842, 9577323847 Series title: Ying xiang xi lie cong shu; 3 ‫ؙ‬Ռ‫࠶ڍ‬ᜣ‫ ;ڣ‬3 Note: Comments on Taiwan films that represent issues of nationality, imagination, separation, and recognition as experienced by Taiwanese people living in an emigrating society. WorldCat Chi

1561 Huang, Ling-Huei. The interactive relationship among “body,” “space” and “city” in five “New New Taiwan Films” of the 1990s. 95 leaves. Note: Thesis (M.A.)—University of Miami, 1996. Includes a bibliography and filmography. WorldCat Eng

1559 Hong, Qianmei (Hung, Chien-Mei). ᖻ࡛ኣ. Tu di xian ying yu shi jian xu shi—yi Taiwan dian ying wei yan jiu chang yu (2000–2010) = A study on phenomenon of land and time narration in Taiwanese films (2000–2010). गсࣶ‫ؙ‬ӿЖҼᡳѨ—й‫ݡ‬ஹӇ‫ؙ‬Њ୳ૢԾ෢ (2000–2010) = A study on phenomenon of land and time narration in Taiwanese films (2000–2010). 111 p. Note: Thesis (M.A.)—National Chung Hsing University, 2013. A study of recurring social phenomena in Taiwan cinema from 2000 to 2010. The first chapter provides an overview of the Taiwan film industry from 2000 to 2010; the second and the third chapters focus on films

1562 Hung, Christine Yu-Ting. A nation of sadness? Reading history, culture, and gender in Hou Hsiao-hsien’s A City of Sadness. 100 leaves. Note: Thesis (M.A.)—University of New South Wales, 2006. Includes a bibliography. WorldCat Eng

1563 Ji lu Taiwan: Taiwan ji lu pian yan jiu shu mu yu wen xian xuan ji / zhu bian Zhang Changyan, Li Daoming ; zhi xing bian ji Hong Yawen, Han Xu’er, Zhang Qinyun. ઔ࠷‫ݡ‬ஹ: ‫ݡ‬ஹઔ࠷ә୳ૢ‫ڣ‬۵ӿҹຶ‫ק‬ओ / Ұഹ‫פ‬ቾᴧ, ଽѬҴ ; వҲഹফᖻ઩ҹ, ठ᯾ঌ, ‫פ‬ቦ᭲.

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1567

Taibei: Xing zheng yuan wen hua jian she wei yuan hui wei tuo cai tuan fa ren guo jia dian ying zi liao guan, 2000. 2 v. ISBN 9570265478 (v. 1), 9570262486 (v. 2) Series title: Taiwan dian ying shi liao cong shu ‫ݡ‬ஹӇ‫ؙ‬੗ࢧᜣ‫ڣ‬ Note: This is the first and most comprehensive bibliography and collection of essays on Taiwan film documentaries. Vol. 1 covers the colonial period and includes sixty-five essays and articles written by three contemporary Taiwan scholars as well as colonial-era Japanese authors whose articles were initially published in Japanese before being translated into Chinese for the purposes of this book. Contains eight parts: (1) Film History; (2) Documentary, News, and Education Films; (3) Film Show Activities; (4) Film Propaganda; (5) Film Censorship; (6) Film Affairs; (7) Film Reviews and Introduction; and (8) a Bibliography of Taiwan Documentary Film Studies During the Colonial Period, which includes monographs (in both Chinese and Japanese), dissertations, and journal articles (in both Chinese and Japanese, dated and undated). There is also a bibliography at the end of the book. Vol. 2 covers Taiwan documentary film studies after 1945 and includes eighty-one essays, articles, interviews, film reviews, and news reports. Similar to Vol. 1, it also contains eight parts: (1) Anthropology Films; (2) Introduction and Review of Taiwan Documentary Films; (3) Theory and Aesthetics of Documentary Film; (4) Documentary Film and Social Movements; (5) Documentary and Indigenous People; (6) Documentary Film Directors and Workers; (7) Documentary Film History, and Analysis; and (8) a Bibliography of Taiwan Documentary Film Studies after 1945, which is organized under the following subjects: anthropology films, China (including Hong Kong) documentary films, review and introduction to Taiwan documentary films, review and introduction to foreign documentary films, documentary filmography and others, documentary film theory and aesthetics, documentary films and social culture, documentary film and social movements, documentary film and indigenous people, documentary film directors and workers (domestic), documentary film directors and workers (abroad), documentary film history (domestic), and documentary film history (abroad).The materials collected in the bibliography include monographs, dissertations, journal and newspaper articles, handbooks, and manuals. WorldCat Chi

Series title: Si chao wen cong; 731 ‫ڽ‬଎ҹᜣ; 731 Note: Includes the author’s essays on cultural criticism and film studies. CTFAL Chi

1565 Lai, Huilan. ໰┰୪. Yi sheng huo xing tai pou xi Taiwan zhi yi shu dian ying xiao fei xing wei = Consumer behaviors analysis in Art House from the life-style viewpoint. йТ҅ࡿ‫ݯ‬៖໯‫ݡ‬ஹҏਲफӇ‫ٮ۽ؙ‬ҲЊ = Consumer behaviors analysis in Art House from the life-style viewpoint. 76 leaves. Note: Thesis (M.A.)—National Taiwan University, 2005. Uses audience survey responses at art house theaters in Taipei to study audience motivation, expectation, and behavior. The author divides the art house audience into three different lifestyle groups: the “Simple and Plain People” group, which often attends art films with coworkers; the “Art & LiteratureDesiring People” group, which attends films based on previous knowledge of the film; and the “Active to Interpersonal-Activity People” group, which enjoys watching films and other art-related activities more than the previous two groups of people. Includes an English abstract, a bibliography and a sample survey. NTUL Chi

1566 Lai, Yizhu (Lai, Yi-chu). ໰ᧂဘ. Kua yue jiang jie: lun Li An “Tui shou” ji “Xi yan” zhong de wen hua han hun yu chong xin ding wei = Crossing borders: Cultural ambivalence and relocation in Ang Lee’s Pushing Hands and The Wedding Banquet. ቄքቨ֎: ‫ں‬ଽԥ “ԐѲ” ߵ “㏵ᑱ” Ѕϡҹ٩ଭౢӿԳЈӡ֧ = Crossing borders: Cultural ambivalence and relocation in Ang Lee’s Pushing Hands and The Wedding Banquet. 76 leaves. Note: Thesis (M.A.)—National Chiao Tung University, 2003. The paper focuses on Ang Lee’s Pushing Hands (1991) and The Wedding Banquet (1993) as both films use family dramas to present conflict and negotiation among different cultures. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

1564 Jiang, Pengsheng (Jon, Ben-son). ዕ᧨Т. Wen hua pi pan yu dian ying yi shi xing tai yan jiu = Research for culture criticism and film ideology. ҹ٩౓်ӿӇ‫ؙ‬Һࡦ࣏‫ = ૢ୳ݯ‬Research for culture criticism and film ideology. Taibei: Si chao chu ban she, 1984. 208 p.

1567 Li, Daoxin. ଽѬЈ. Zhongguo dian ying wen hua shi (1905–2004) = History of Chinese film culture. Ѕмӈ‫ؙ‬ҹ٩੗ (1905–2004) = History of Chinese film culture.

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1568 Beijing: Beijing da xue chu ban she, 2005. 676 p. ISBN 7301084382 Note: In Part 3: Separate Country and Home Dreams (1949– 1979) and Part 4: Combined Cultural Interpretation (1979–2004), the author explores the history of Chinese film culture from three perspectives: mainland China, Taiwan, and Hong Kong. Before beginning these two parts, the author presents a summary chapter to discus the relationship among the three perspectives. Includes a bibliography and name and film indexes. WorldCat Chi

Describes filmic representations of Taipei in the 1990s and representations of Taipei in earlier periods. By using three films as case studies, the author explains how 1990s films appear to no longer compare urban settings with rural settings or contrast modern culture with traditional culture; rather, 1990s Taiwan films present the city in a more direct way as they record Taipei city’s social and cultural transformation. Includes a bibliography and filmography. NCL Chi

1570 Liang, Liang, 1954– ᅯમ, 1954– Kan bu dao de dian ying—bai nian jin pian da guan. ЃϤϺϡӇ‫ښ—ؙ‬ё๫әϽ޲. Taibei: Shi bao wen hua, 2004. 310 p. ISBN 957134124X Series title: Passion xi lie Passion ‫࠶ڍ‬ Note: A review of films around the globe that are banned because of issues, including politics, religion, sex, violence, culture, and race. Eighty-seven censored or banned films in mainland China, Hong Kong, and Taiwan are introduced and discussed in the text. Includes a list of banned movies available in DVD format. NTUL Chi

1568 Li, Tianduo. ଽϳ⟢. Taiwan dian ying, she hui yu li shi = Taiwanese cinema, society and history. ‫ݡ‬ஹӇ‫ؙ‬, घϾӿࣵ੗= Taiwanese cinema, society and history. Taibei: Ya tai tu shu chu ban she, 1997. 269 p. ISBN 9579856117 Series title: Taiwan dian ying yan jiu cong shu ‫ݡ‬ஹӇ‫ૢ୳ؙ‬ᜣ‫ڣ‬ Note: As the author states in the preface, this work attempts to situate the development of Taiwan cinema within political, economic, and cultural structures over the past 100 years to identify recurrent patterns. It consists of Part 1: Taiwan Cinema during Colonial and PostColonial Period; Part 2: Taiwan Cinema under the Authoritative System; and Part 3: Taiwan Cinema in the Post-Authoritative System Era. Includes a bibliography of both Chinese and English materials, charts of Film Censorship Statistics of the Taiwan Colonial Administration (1927–1940), the Films Adapted from Qiong Yao’s Novels, Brief Introduction of Taiwan New Cinema Directors, a Quantitative Comparison Between Mandarin Films and Taiwan New Cinema (1982–1989), Taiwan Film Production (1968–1992), Statistical Record of Taiwan Film Language (1949–1993), Statistical Record of the Taiwan Entertainment Industry (1961–1983), Annual Expenditure of Taiwan Population on Entertainment (1951–1993), and the 10 Best Box Office Mandarin Films in Taiwan (1957–1994). WorldCat Chi

1571 Liao, Jinfeng. ᴰ‫ؖ‬ང. Xiao shi de ying xiang: Tai yu pian de dian ying zai xian yu wen hua ren tong. ‫۽‬ᅴϡ‫ؙ‬Ռ: ‫ܭݡ‬әϡӇ‫ؙ‬Ӑѳӿҹ٩‫گ‬ӎ. Taibei: Yuan liu chu ban gong si, 2001. 225 p. ISBN 9573243806 Series title: Dian ying guan; 98 Ӈ‫ؙ‬ఖ; 98 Note: Among the authoritative academic works on Taiwanese-dialect film, this text examines representations of culture in more than 1,000 Taiwanese-dialect films produced from 1955 to 1972. Includes a bibliography and an appendix covering the current situation of Taiwanese-dialect films. CTFAL Chi

1569 Li, Xinyi. ଽಶជ. Jiu shi nian dai Taiwan dian ying zhong de Taibei cheng shi tu xiang yi “Ai qing wan sui,” “Shao nian ye, an la,” “Du li shi dai” wei li. ॰֐ё‫ݡڊ‬ஹӇ‫ؙ‬Ѕϡ‫֖صڵܚݡ‬Ռй”Дє‫ۈݛ‬,” “վёЇ, ԥ ֯!,” “‫߹ݻ‬Ж‫”ڊ‬Њຎ. 60 leaves. Note: Thesis (B.A.)—Shi li Mingzhuan da xue, 1999.

1572 Liao, Yifan. ᴰϣఅ. Taibei shi dian ying shi chang zhi qu ge ji Taiwan dian ying zhi ding wei yan jiu—yi Taibei shi da xue sheng wei li. ‫صܚݡ‬Ӈ‫صؙ‬Ծҏ߅ഭߵ‫ݡ‬ஹӇ‫ؙ‬ҏӡ֧୳ૢ—й‫صܚݡ‬ϽѹТ Њຎ. 118 leaves.

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Note:

1577 Ҫ‫ܧ‬٩Ж‫ڊ‬Ўϡ‫ھ‬ఓлрӇ‫ؙ‬: ҹ٩ԍ‫੸ھ‬؆ఀϡд໯ = National cinema in the global age: an analysis in perspective of cultural citizenship. 124 leaves. Note: Thesis (M.A.)—Tamkang University, 2004. The paper claims that laissez-faire film policies of deregulation adopted by Taiwan during the 1980s and 1990s transformed audiences from “citizens” into “consumers” and ignored the cultural significance and rights of film audiences; then the thesis attempts to find a solution for Taiwan national cinema in a global age from the perspective of “Cultural Citizenship,” including audience access to information, participation in communication, and egalitarian dialogue. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD (FT) Chi

Thesis (M.A.)—Tamkang University, 2000. Using college students in Taipei’s municipal area as a case study, discusses the negative perception toward Taiwanese films in terms of film reviews, audience’s dissatisfaction, marketing, ticket prices, directing, acting, and film narratives. Includes a Chinese abstract and a bibliography. NCL/NDLTD Chi

1573 Lin, Chi-fan. Fiction and film in Taiwan, 1960s to 1980s: narratives, politics, and aesthetics. 208 p. Note: Thesis (Ph.D.)—New York University, 1999. Comparing eleven works of Taiwanese native-soil literature during the 1960s and 1970s with their film adaptations in the 1980s during the Taiwan New Cinema movement, the paper examines the dynamic relationship between Taiwan’s socioeconomic realities and aesthetic artifacts. Includes a bibliography. WorldCat Eng

1576 Liu, Xianghuan (Liu, Hsiang-huan). ฀‫⇱ז‬. Shi chang fen qun mo shi yu gu ke jia zhi mo shi yan tao—yi dian ying shi chang wei li = A study on market segmentation and customer value—taking movie market for example. ‫ص‬Ծдळথܴӿઆ‫ۺ‬٢ߚথܴ୳क़—йӇ‫صؙ‬ԾЊຎ = A study on market segmentation and customer value—taking movie market for example. 95 p. Note: Thesis (M.A.)—National Taiwan University, 2008. Based on a study of Taipei’s box office records, the paper divides customers into these categories: highest contribution, regular contribution, and lowcontribution customers, accounting for 7.3 percent, 25 percent, and 67.7 percent of the market, respectively. Notes that the highest contribution customers focus on innovation, diversity, and information acquisition; regular customers pay more attention to entertainment factors; and low contributors are most intrigued by the overall visual experience. Distinctive differences among the groups include viewing companions, whether or not films would be watched on impulse, and when films were watched. Includes an English abstract, a bibliography, and survey samples. NTUL Chi

1574 Lin, Huiru (Lin, Huei-Ju). ৆༫Ғ. Gaoxiong dian ying tu shu guan wen hua xing su yu guan nei ren yuan ren tong zhi yan jiu. ҙ೰Ӈ‫ڣؙ֖‬ఖҹ٩ࡿᄽӿఖֶϪ‫گ؂‬ӎҏ୳ૢ. 228 leaves. Note: Thesis (M.A.)—National Pingtung University of Education, 2007. Studies the cultural nature of the Kaohsiung Municipal Film Archive and analyzes the staff working in the archive by using participant observation, in-depth interviews, and qualitative research. The paper concludes that the staff of the archive identified with the formation and organization of the film archive but did not identify with Taiwan film culture. The paper recommends that the government clearly identify its position in relation to the cultural nature of Taiwan’s film industry, create a single and united department in charge of planning and managing film-related affairs, and employ a contractbased recruiting system for hiring the archive’s film professionals. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

1577 Liu, Youjing. ฀ҍ᪦. Cong yu qiu li yi guan dian tan tao Taiwan dian ying zhi shi chang qu ge—yi Meiguo dian ying wei yan jiu dui xiang = A study of Taiwan’s movies market segmentation from a benefit-seeking perspective: a case study of American movies. ԩ௰ؒ۱೯޲ѡ෬क़‫ݡ‬ஹӇ‫ؙ‬ҏ‫ص‬Ծ߅ഭ—йѤлӇ‫ؙ‬Њ୳ૢх ࢣ= A study of Taiwan’s movies market segmentation from a benefitseeking perspective: a case study of American movies. 82 leaves.

1575 Lin, Yupeng. ৆ർអ. Quan qiu hua shi dai xia de min zu guo jia dian ying: wen hua gong min quan shi ye de fen xi = National cinema in the global age: an analysis in perspective of cultural citizenship.

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1578 Note:

Thesis (M.A.)—National Chiao Tung University, 2003. Considering the dominance of Hollywood cinema in Taiwan in the 1990s, this study considers Taiwan college and graduate students’ high level of interest in watching American movies in the Taipei area. Concludes that this cross-section of university students can be categorized in the following three ways: “self-improvement,” “fashionable,” and “social and entertainment” (the third group was largest at 56.2 percent). Includes a Chinese abstract and a bibliography. NCL/NDLTD (FT) Chi

1580 Mei jie yu ke ji: tou shi chuan bo wen hua yu she hui: di si jie dian ying dian shi lu ying guo ji xue shu hui yi lun wen ji = Mass communication and technology: a cultural and critical view: Proceedings of the fourth international symposium on film, television and video / Shi jue chuan bo yi shu xue hui. ෪ೀӿ॓৔: ਧ؆‫ة‬৚ҹ٩ӿघϾ: ҷ‫ף‬โӇ‫ؙ‬Ӈ؆࠷‫ؙ‬лগѹफ Ͼ৶‫ں‬ҹओ = Mass communication and technology: a cultural and critical view: Proceedings of the fourth international symposium on film, television and video / ؆ң‫ة‬৚ਲफѹϾ. Taibei: Shi jue chuan bo yi shu xue hui, 1995. 312 p. Note: Proceedings from the Fourth International Symposium on Film, Television, and Video held in Taipei, Taiwan, in 1994. WorldCat Chi

1578 Lu, Zhifang. ᡭ޺ᇙ. [You ying fu ying?]—kan Taiwan dian ying chan ye de kun jing yu zhan wang. [ϩ‫ؙ‬㧤‫—]?ؙ‬Ѓ‫ݡ‬ஹӇ‫׬ݗؙ‬ϡ੡॒ӿࣁֳ. 68 leaves. Note: Thesis (M.A.)—National Taiwan University, 1997. In 1996, annual film production in Taiwan reached a low point in Taiwan’s filmmaking history with only eighteen films; at the same time, more films were supported by government subsidies. In 1998, government subsidies reached NT$120,000,000 (ca. $4 million), yet Taiwan film production had not improved. On the basis of these conditions, the paper presents interviews with film industry, government, and academic participants and provides a report of the problems of the Taiwanese film industry. Includes a Chinese and English abstract and a bibliography. NTUL Chi

1580a New Chinese cinemas: forms, identities, politics / edited by Nick Browne . . . [et al.]. Cambridge; New York: Cambridge University Press, 1994. 255 p. ISBN 05214444098 Note: Published in the mid-1990s, New Chinese Cinemas “analyzes the changing forms and significance of filmmaking in the People’s Republic of China, Taiwan, and Hong Kong since the end of the Cultural Revolution, with a particular emphasis on how film comments on the profound social changes that have occurred in East Asia over the past two decades. Considering in detail both conservative and progressive stances on economic modernization, it also demonstrates how film has been an important formal structure and social document in the interpretation of these changes” (abstract). Two essays focus on Taiwan cinema: “Remapping Taipei” by Fredric Jameson, and “The Ideology of Initiation” by William Tay. Includes a bibliography and an index. Contents and abstract can be located in WorldCat. WorldCat Eng

1579 Ma, Jean Yen-chun. Time without measure, sadness without cure: Hou Hsiao-Hsien’s films of history. 283 leaves. Note: Thesis (Ph.D.)—University of Chicago, 2003. The paper focuses on three of Hou Hsiao-hsien’s films: A City of Sadness (1989), The Puppetmaster (1993), and Good Men, Good Women (1995), which make up a historical trilogy covering twentieth-century Taiwan history and also are included among the “New Wave” Chinese cinematic movements represented by film directors in Taiwan, Hong Kong, and mainland China. The author emphasizes the uniqueness of Hou and his films, which redefine the meaning of national cinema with the environment of globalization, nativism, statesponsored cultural identity, and regionally differentiated identity. Includes a bibliography. WorldCat (FT) Eng

1581 Nishizawa, Haruhiko, 1954– ՝䘕੽ᴦ, 1954– Ch䲚goku eiga no bunka jinruigaku. Ѕмྱࡌ䫟ҹ٩ϪढѺ. T䲖ky䲖: F䲚ky䲖sha, 1999. 300 p. ISBN 4938718219 Note: Uses theories of cultural anthropology to study the social, cultural, and historical contexts of Chinese film, including mainland China, Taiwan, and Hong Kong. Includes a bibliography and film title, name, book title, and event indexes. WorldCat Jpn

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1587 experimenter, Hou Hsiao-hsien pursues a foreign form to present Taiwan stories in his films. Includes a bibliography. WorldCat Eng

1582 Ou, Shumin. ଟᎂ์. Ri zhi shi qi Taiwan dian ying de zheng jiao gong neng. я੽Ж‫ݡ׈‬ஹӇ‫ؙ‬ϡू‫ۋڌ‬Ќ. 145 leaves. Note: Thesis (M.A.)—National Taiwan Normal University, 2004. A serious work on the political and educational function of film in Taiwan during the Japanese colonial period. The paper follows three key phases of Japanese colonial rule in Taiwan, discusses the colonial film censorship system, and explains the relationship between official cultural and educational policies and movie theaters, “narrators” (benshi), and the general development of film in Taiwan. Concludes by describing how particular political conditions lead to the creation of Japanese film policies with different intended functions for film in political and educational arenas. Includes an abstract and a bibliography in Chinese. NCL/NDLTD Chi

1585 Suen, Pak-kin. Filming gay representations: male homosexuality in Hong Kong and Taiwanese cinema. 147 leaves. Note: Thesis (M.Phil.)—University of Hong Kong, 2001. Although same-sex relationships have been decriminalized in Hong Kong and Taiwan, the issue of male homosexuality is still controversial. This paper discusses the relationship between the meaning of homosexuality in Chinese society and its significance in Hong Kong and Taiwan gay films. The table of the contents in the paper provides an overview of the study: Chapter 1: Situating Homosexuality and Film in Chinese Contexts; Chapter 2: City Nomads: Heteropia, Homosexuality and the Urban Space of Hong Kong and Taipei; Chapter 3: Homosociality or Homosexuality? Male Bonding and the Unspeakable Desire; Chapter 4: Does “Homosexuality” Exist? The Construction of Homosexuality in Hong Kong Cinema; and Chapter 5: Gay People As Ghostly Figures: The Allegorical Representation of Male Homosexuality. Includes a bibliography. HKUSH (FT) Eng

1583 Rawnsley, Ming-Yeh. Cultural and social change in Taiwan: society, cinema, and theater. London: Routledge, 2008. 256 p. ISBN 9780415421874, 041542187X Note: Examines changes within Taiwan’s cultural, social, and political structure since 1945 and investigates their impact on Taiwan’s cinema and theater. Focuses on such developments as Taiwanese-language opera and cinema during the 1930s and 1950s, the government’s promotion of Mandarin-language cinema in the 1960s, and Taiwan New Cinema since the 1980s. WorldCat Eng

1586 Sze, Siu Sin Jean. Globalization and Edward Yang’s films. 152 leaves. Note: Thesis (M.Phil.)—University of Hong Kong, 2004. The paper provides a comprehensive study of Edward Yang’s films by focusing on the role of the individual in Yang’s films and the rapid transformation of society in Taipei during globalization. ProQuest Eng

1584 Shen, Shiao-ying. Permutations of the foreign/er: a study of the works of Edward Yang, Stan Lai, Chang Yi, and Hou Hisao-Hsien. 271 p. Note: Thesis (Ph.D.)—Cornell University, 1995. “This study is a tribute to Taiwan New Cinema and the films that came after” (abstract). Focuses on three major film directors of Taiwan New Cinema: Edward Yang, Chang Yi, and Hou Hsiao-hsien, as well as a cultural figure and film director since the 1990s: Stan Lai. The “foreign/er” is used as a framework and metaphor that facilitates the permutation of the varied and complex meanings of Taiwan New Cinema. Assesses how Taipei is the “city foreigner” in Edward Yang’s films; Lan Shengchun’s films explore the “mainlander-foreigner” dynamic; three films made by Chang Yi and his partner Yang Huishan present Yang’s body as a space in which foreign and familiar forces become intertwined; and, as the most daring

1587 “Taiwan wen xue yu dian ying zhong de mu yu” xue shu yan tao hui lun wen ji / Jian Guangming zhu bian. “‫ݡ‬ஹҹѹӿӇ‫ؙ‬Ѕϡআ‫ ”ܭ‬ѹफ୳क़Ͼҹओ / ߢ‫ׇ‬ҴҰഹ. Pingdong: Guo li Pingdong jiao yu da xue Zhongguo yu wen xue xi, 2008. 234 p. ISBN 9789860136210 Note: Consists of nine papers presented at the Native Languages in Taiwan Literature and Film Symposium on February 22, 2008. The papers explore Taiwan native languages, including Mandarin, Min’nan/Taiwanese, Hakka, and aboriginal dialects used in literature and film under different political, cultural, economic, and historical conditions. Includes the Symposium program and presenter introduction. NTUL Chi

287

Interdisciplinary Studies

1588

Terrorizers (1986), Huang Yuexiu’s discussion of Edward Yang’s A Brighter Summer Day (1991), and Liao Chaoyang’s essay on Wang Tung’s Banana Paradise (1989). Includes a bibliography at the end of each essay. WorldCat Chi

1588 Wang, Chris. Taiwan films and social change; translated by Sam Ho. [Taiwan] : Variety, 1993. 40 p. Note: Published in celebration of National Film Year, 1993, in Taiwan, R.O.C. WorldCat Eng

1592 Wen hua pi ping yu hua yu dian ying / Zheng Shusen bian. ҹ٩౓߯ԁ‫ܬܗ‬ӈ‫ ؙ‬/ ችஔာ൜. Guilin: Guangxi shi fan da xue chu ban she, 2003. 249 p. ISBN 756334232X Note: The mainland China version, in simplified characters, of the same title published in Taiwan in 1995. Liao Ping-hui states in the foreword that the text’s purpose is to explore the relationship between western cultural criticism and Chinese cinema of the 1980s and 1990s in mainland China, Hong Kong, and Taiwan. Three essays discuss films of Taiwan New Cinema: Zhan Mingxin’s essay on Edward Yang’s The Terrorizers (1986), Huang Yuexiu’s discussion of Edward Yang’s A Brighter Summer Day (1991), and Liao Chaoyang’s essay on Wang Tung’s Banana Paradise (1989). Includes a bibliography after each essay and contributor introduction at the end of the book. WorldCat Chi

1589 Wang, Zhicheng, 1961– ࣼ࢑ю, 1961– Taiwan dian ying yu she hui bian qian. ‫ݡ‬ஹӇ‫ؙ‬ӿघϾԺቜ. Taibei: Wan xiang tu shu gu fen you xian gong si, [1993] 40 p. Series title: Taiwan dian ying jing xuan xi lie ‫ݡ‬ஹӇ‫࠶ڍקؘؙ‬ Note: Discusses the relationship between Taiwan cinema and society. Initiated and organized by the 1993 Republic of China International Film Year Promotion Team. WorldCat Chi

1590 Weakland, John H. Conflicts between love and family relationships in Chinese films. Ft. Belvoir, VA: Defense Technical Information Center, 1967. 12 p. Note: A study of three groups of fictional feature Chinese films from Taiwan, Hong Kong, and mainland China focusing on the theme of conflict between love and family relationships. The following conclusions are made: in mainland Chinese Communist films, parents are blamed for conflict and a possible resolution is radical social change; in Taiwan Nationalist films, parents receive no blame and resolution is achieved by the young restoring family unity. Both Communist films from mainland China and Nationalist films from Taiwan accept traditional values, such as respect for authority and personal sacrifice, to achieve wider social goals. WorldCat Eng

1593 Wu, Tingyun. ྶ៴ུ. Yi shu dian ying mi yu Taiwan dian ying xiao fei jie ceng hua xian xiang zhi yan jiu: yi Budi’e (Bourdieu) wen hua she hui xue wei yan jiu qu jing. ਲफӇ‫ؙࣿ‬ӿ‫ݡ‬ஹӇ‫ٮ۽ؙ‬႓ৡ٩୳ૢ: й޿ၔᵹ (Bourdier) ҹ ٩घϾѹЊ୳ૢԼዒ. 149 leaves. Note: Thesis (M.A.)—Tamkang University, 2006. Analyzes the formation of art film consumer culture in Taiwan as well as the social characteristics and cultural practices of art film fans by using in-depth interviews. The author employs French sociologist Pierre Bourdieu’s cultural theories and concludes that Taiwan film consumption is stratified because economic and cultural capital is distributed unequally. The appendix includes the names and background information of interviewees, as well as the survey sample. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

1591 Wen hua pi ping yu hua yu dian ying = Cultural Criticism and Chinese cinema / Zheng Shusen bian. ҹ٩౓߰ӿ‫ܭܓ‬Ӈ‫ = ؙ‬Cultural Criticism and Chinese cinema / ቼ கာഹ. Taibei: Mai tian chu ban you xian gong si, 1995. 366 p. ISBN 9577083102 Series title: Mai tian ren wen; 9 ๤೧Ϫҹ; 9 Note: Liao Ping-hui states in the foreword that the text’s purpose is to explore the relationship between western cultural criticism and Chinese cinema of the 1980s and 1990s in mainland China, Hong Kong, and Taiwan. Three essays discuss films of Taiwan New Cinema: Zhan Mingxin’s essay on Edward Yang’s The

1594 Yang, Shifan. ໷Ԓఅ. Ren wu yan shuo yu Taiwan xin dian ying—yi xiang zhi shi she hui xue de yan jiu. Ϫ‫ߞ׉‬Мӿ‫ݡ‬ஹЈӇ‫—ؙ‬ϣ࣯ҌࡦघϾѹϡ୳ૢ. 154 p.

288

Film and Sociology: Area, Audience/Family, City, Culture, and Society

Note:

1599

Thesis (M.A.)—National Taiwan University, 1991. Discusses Taiwan’s social condition represented in Taiwan New Cinema of the 1980s by analyzing the social networks presented in the films and by in-depth interviews to acquire personal accounts. Consists of five chapters: Chapters 1 and 2 provide a review of Taiwan New Cinema; Chapter 3 describes the theoretical framework and methods, and divides the fifty-five Taiwan New Cinema interviewees into three groups: (1) Reporters/Critics/Scholars, (2) Screenwriters/Directors/ Important Technicians, (3) Producers/Policy Makers; Chapter 4 assesses interview results; and Chapter 5 provides a conclusion. Includes a bibliography and filmography. NTUL Chi

1597 Yip, June Chun, 1962– Envisioning Taiwan: fiction, cinema, and the nation in the cultural imaginary. Durham, NC: Duke University Press, 2004. 356 p. ISBN 0822333570 (alk. paper), 0822333678 (pbk.: alk. paper) Note: June Yip’s text, Envisioning Taiwan: Fiction, Cinema, and the Nation in the Cultural Imaginary, considers the representation of Taiwan as an imagined community in the Taiwan New Cinema of the 1980s and in Native Literature, known as Hsiang-t’u Literature, of the late 1960s. The table of contents of the book provides an overview of the author’s views: Introduction: Envisioning Taiwan in a Changing World; Chapter 1, Confronting the Other, Defining a Self: Hsiang-t’u Literature and the Emergence of a Taiwanese Nationalism; Chapter 2, Toward the Postmodern: Taiwanese New Cinema and Alternative Visions of Nation; Chapter 3, Remembering and Forgetting, Part I: History, Memory, and the autobiographical Impulse; Chapter 4, Remembering and Forgetting, Part II: Hou Hsiao-hsien’s Taiwan Trilogy; Chapter 5, Language and Nationhood: Culture as Social Contestation; Chapter 6, The Country and the City: Modernization and Changing Apprehensions of Space and Time; Chapter 7, Exile, Displacement, and Shifting Identities: Globalization and the Frontiers of Cultural Hybridity; Conclusion: From Nation to Dissemi-nation: Postmodern Hybridization and Changing Conditions for the Representation of Identity. Includes a bibliography and an index. WorldCat (FT) Eng

1595 Yin mu yu ying mu: dong xi ying xiang wen hua de tan suo: di er jie dian ying dian shi lu ying xue shu yan tao hui lun wen ji = Screen and monitor: a critical investigation of image culture: Proceedings of the second annual symposium on film, television and video / Shi jue chuan bo yi shu xue hui. ુ௷ӿᝰ௷: ֆ՝‫ؙ‬Ռҹ٩ϡ෬౱: ҷԏโӇ‫ؙ‬Ӈ؆࠷‫ؙ‬ѹफ୳क़ Ͼ‫ں‬ҹओ = Screen and monitor: a critical investigation of image culture: Proceedings of the second annual symposium on film, television and video/ ؆ң‫ة‬৚ਲफѹϾ. Taibei: Zhonghua Minguo shi jue chuan bo yi shu xue hui; Furen da xue da zhong chuan bo xi, 1990. 293 p. Note: Proceedings from the Second Annual Symposium on Film, Television, and Video held at Fu Jen Catholic University, Taiwan in 1990. WorldCat Chi

1598 Yip, June Chun, 1962– Taiwanese new cinema and third cinema: post-colonial issues in the films of Hou Hsiao-Hsien. 150 leaves. Note: Thesis (MA)—University of California, Los Angeles, 1992. Applies theories of the Third Cinema to an analysis of Taiwan New Cinema, focusing on postcolonial issues presented in Hou Hsiao-Hsien’s films. Includes a bibliography. WorldCat Eng

1596 Ying xiang xia de xian dai: dian ying yu shi jue wen hua = Visual modern and its other / Zhu bian: Zhou Yingxiong, Feng Pinjia. ‫ؙ‬ՌЎϡѳ‫ڊ‬: Ӈ‫ؙ‬ӿ؆ңҹ٩= Visual modern and its other / Ұ ഹ: ‫߭ر‬೰, ᫄Ԙ૟. Taibei: Shu lin chu ban you xian gong si, 2007. 293 p. ISBN 9789574451951 Series title: Dian ying yuan; F5 Ӈ‫ؙ‬ᮛ; F5 Note: Explores the relationship between film illusion and modernity. Presented in four parts: (1) McCarthyism’s affect on Hollywood film directors, actors, actresses, and Chinese writer Zhang Ailing; (2) the theoretical relationship between “the gaze” and being the object of the gaze; (3) the connection between Taiwan films and their representations of modernity; and (4) the characteristics of and desire expressed in “New Queer Film.” Includes an index and a contributor introduction. CTFAL Chi

1599 You, Shangmin. ղϼ‫ھ‬. “Shang dian ying yuan = kan Haolaiwu dian ying?”: Meiguo hua xia Taiwan guan zhong de dian ying xiang xiang. “ϼӇ‫ = ࡨؙ‬ЃϮᒀᩕӇ‫”?ؙ‬: Ѥл٩Ў‫ݡ‬ஹ޲ੁϡӇ‫ؙ‬ЂՌ. 200 leaves. Note: Thesis (M.A.)—National Taiwan Normal University, 2008. Studies the domination of Hollywood films in Taiwan’s film market and the Americanization of Taiwan movie theaters from an audience perspective. Defines movie

289

Interdisciplinary Studies

1600 theaters as sites of technology, consumption, and entertainment for Taiwanese society, and concludes that Hollywood films best match the requirements of these three spaces. In addition, Taiwan’s art films only shown in film festivals, and commercial films, which include elements of Hollywood style, have further Americanized Taiwan’s film viewing experience and audience. Includes a Chinese abstract and a bibliography. NCL/NDLTD Chi

1602 Zhang, Ruilan (Chang, Jui Lan). ‫פ‬ᇳ୪. Taiwan dian ying xu jing zhong suo jian gou zhi er tong shi jia = Construction of Children’s world in Taiwan cinema. ‫ݡ‬ஹӇ‫ؙ‬ᡳ॒ЅӛࠃภҏճুԒ֎ = Construction of children’s world in Taiwan cinema. 260 leaves. Note: Thesis (M.A.)—National Taiwan University of Arts, 2005. Explores the role of children in Taiwan cinema in three different thematic arrangements: family, school, and coming of age. Studies eight films with child actors and actresses who won Golden Horse Film Awards and films that participated in International Children’s Film Festivals to show ways in which the children’s environments are constructed by adults, the positive and negative interactions between children and adults, and how narrative incident contributes to each child’s moral development and eventual success. The appendix includes a list of Golden Horse awardwinning child film stars, Taiwan films that participated in international children’s film festivals, and film synopses and scene analysis charts of the selected eight films. Includes a Chinese and English Abstract and a bibliography. NCL/NDLTD (FT) Chi

1600 Zeng, Zihao (Tseng, Tzu-hao). ߲жൻ. Cong dian ying de quan qiu hua sheng chan yu xiao fei jie gou fan dao ban de mi si yu kun jing—yi Taiwan de dian ying shang pin shi chang wei li = From Global Production and Consumption to deconstruct the difficultly and confusion of Anti-piracy—the assumption of movie product of Taiwan market. ԩӇ‫ؙ‬ϡҪ‫ܧ‬٩Т‫ݗ‬ӿ‫ثٮ۽‬ภ‫ބ‬ᅟ‫ؗ‬ϡࣿ‫ڽ‬ӿ੡॒—й‫ݡ‬ஹ ϡӇ‫࠱ؙ‬Ԙ‫ص‬ԾЊຎ = From Global Production and Consumption to deconstruct the difficultly and confusion of Anti-piracy—the assumption of movie product of Taiwan market. 110 leaves. Note: Thesis (M.A.)—Nanhua University, 2005. By using the Taiwan’s film market as an example, the paper reexamines the relationship between piracy and copyright issues from the perspective of production and consumption, and points out that using or not using pirated products is not only a simple moral issue, but also one related to the user’s social status, education, taste, and cultural background. Suggests ways to reduce the usage of pirated products. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD (FT) Chi

1602a Zhang, Yiyang. ‫צ‬၍෾. Ru zhe de kun huo—Yang Dechang dian ying zhong de Taibei jing xiang = A Confucian confusion-mirror image of Taipei in Edward Yang’s films. ᭉ‫ٷ‬ϡ੡༜—໶ख़ቾӈ‫ؙ‬Ѕϡ‫ܚݡ‬஖Ռ = A Confucian confusionmirror image of Taipei in Edward Yang’s films. 35 p. Note: Thesis (M.A.)—Chinese Academy of Art, 2012. Examines Edward Yang’s depictions of traditional Chinese culture in his eight films set in Taipei city. Reveals that each of Yang’s films represents concern about urban society, culture, and city life. Includes a Chinese and English Abstract and a bibliography. Duxiu (FT) Chi

1601 Zhang, Jingyi (Chang, Ching-yi). ‫ݕפ‬ជ. Taiwan dian ying ying yan shi chang zhi xiao fei zhe shi yong wang lu xia zai zhi xing wei yan jiu = A study on consumer behavior of downloading files in Taiwan cinema exhibition market. ‫ݡ‬ஹӇ‫صࠟྱؙ‬Ծҏ‫ٍٷٮ۽‬ѓӻբЎՙҏҲЊ୳ૢ = A study on consumer behavior of downloading files in Taiwan cinema exhibition market. 83 leaves. Note: Thesis (M.A.)—Management School, National Taiwan University, 2007. A case study of people in Taiwan who download movie files from the Internet; finds that people who download film files feel satisfaction and that downloading does not strongly affect frequenting movie theaters or buying and renting DVDs. Includes a bibliography and charts. NTUL Chi

1603 Zhang, Yupei (Chang, Yu-pei). ‫פ‬ർႬ. Taiwan dian ying zai xian de she hui gui fan yu jia zhi guan—yi xi ju wu yin fen xi Jin Ma jiang zui jia ju qing pian = Social norms and values as represented in Taiwan’s movies: a pentadic analysis. ‫ݡ‬ஹӇ‫ؙ‬ӐѳϡघϾ੺౯ӿ٢ߚ޲—йۚঁٚӹд໯‫ެؖ‬؉з૟ ঁєә = Social norms and values as represented in Taiwan’s movies: a pentadic analysis. 210 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 1996.

290

Film and Technology / Film and Television, Internet, and Multimedia

1610

Studies the social norms and values represented in twelve Taiwan feature films that won best film at the Golden Horse Awards from 1983 to 1994; the films display a movement out of the shadow of “Big China.” Includes a Chinese abstract and a bibliography. NCL/NDLTD Chi

6.30

1607 Cai, Dujian. ᓥỵߗ. Mei ti zai xian yu dang dai Taiwan min zu ren tong xing gou de gong gong lun shu fen xi. ෪ՂӐѳӿԄ‫ݡڊ‬ஹ‫ھ‬ఓ‫گ‬ӎ࣏ภϡԍ࢕‫ں‬਎д໯. Taibei: Tang shan chu ban she, 2001. 299 p. ISBN 9578221525 Series title: Ben tu wen hua shi jian xi lie; 2 ӆगҹ٩Ӣᒂ‫ ;࠶ڍ‬2 Note: A collection of five of the author’s essays on media representations of Taiwan’s nationality, including a study of Taiwanese identity presented in Taiwan New Cinema. CTFAL Chi

FILM AND TECHNOLOGY

1604 Futures of Chinese cinema: technologies and temporalities in Chinese screen cultures / edited by Olivia Khoo; Seen Metzger. Bristol, UK; Chicago, IL: Intellect, 2009. 292 p. ISBN 9781841502748, 184150274X Note: A collection of essays on the ways new technology, changing production constraints, and shifting viewing practices have shaped perceptions of Chinese screen cultures. Includes “Island of No Return: Cinematic Narration in Wang Tung and New Taiwan Cinema” by Guo-juin Hong. Includes a bibliography and an index. WorldCat Eng

1608 Chen, Yapeng (Chen, Ya-peng). ಴઩▧. Yang Dechang dian ying zhong de mei ti jing xiang = The Images of Media in Edward Yang’s Films. ໷ख़ቾӇ‫ؙ‬Ѕϡ෪Ղ࢓ࢣ = The Images of Media in Edward Yang’s Films. 126 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 2009. As one of the representative directors of Taiwan New Cinema, Edward Yang is also recognized in this paper as a film sociologist. The paper uses auteur theory and a sociological perspective to study five of Yang’s films that present images of Taiwan’s media from the mid1980s through the end of the twentieth century. Includes a Chinese and English abstract, a bibliography, and an appendix (including basic information on five of Yang’s films). NCL/NDLTD Chi

1605 Mei jie yu ke ji: tou shi chuan bo wen hua yu she hui: di si jie dian ying dian shi lu ying guo ji xue shu hui yi lun wen ji = Mass communication and technology: a cultural and critical view: Proceedings of the fourth international symposium on film, television and video / Shi jue chuan bo yi shu xue hui. ෪ೀӿ॓৔: ਧ؆‫ة‬৚ҹ٩ӿघϾ: ҷ‫ף‬โӇ‫ؙ‬Ӈ؆࠷‫ؙ‬лগѹफ Ͼ৶‫ں‬ҹओ = Mass communication and technology: a cultural and critical view: Proceedings of the fourth international symposium on film, television and video / ؆ң‫ة‬৚ਲफѹϾ. Taibei: Shi jue chuan bo yi shu xue hui, 1995. 312 p. Note: Proceedings from the Fourth International Symposium on Film, Televion, and Video held in Taipei, Taiwan in 1994. WorldCat Chi

6.31

FILM AND TELEVISION, INTERNET,

AND

1609 Guang bo, dian shi, dian ying / Fang Zheng, Wang Dakong, Xu Changhui, Nie Yin, He Yimou, Yang Qiao zhu. ܰ৚, Ӈ؆, Ӈ‫ ؙ‬/ ҤԜ, ࣼϽ‫׺‬, ‫׶ܛ‬௑, ℸ┄, ‫⎬ح‬ጚ, ໷⃊Я. Taibei: Taibei shi xin wen ji zhe gong hui, 1964. 197 p. Series title: Ji zhe cong shu di san zhong ֮‫ٷ‬ᜣ‫ڣ‬ҷѧ҆ Note: The third monographic series published by the Taiwan Municipal Reporters Association. Includes essays on radio broadcasting, television programming, and news and documentary filmmaking. CTFAL Chi

MULTIMEDIA

1606 2008 he zuo zhi pian hui yi = Film & TV co-production meeting / Zong ce hua: You Xuru. 2008 ׁӑ३әϾ৶ = Film & TV co-production meeting / ր೫੿: ‫ౌۥ‬Ғ. Taibei: Taibei Jin Ma ying zhan zhi xing wei yuan hui, 2008. 54 p. Note: A bilingual publication for the Film & TV Co-production Meeting, a conference held in Taipei in 2008. Includes the conference program and twenty-four film and television projects discussed during the meetings. CTFAL Chi Eng

1610 Li, Wenfeng (Lee, Wen-feng) ଽඌᅷ. “Ji lu guan dian” jiu jing ji lu shui de guan dian? Qie kan gong shi jiao gai xi lie ji lu pian = Whose viewpoint was “Viewpoint” documenting? Documentaries of Education Reform.

291

Interdisciplinary Studies

1611 “ઔ࠷޲ѡ” ૢफ़ઔ࠷Ոϡ޲ѡ? ॸЃԍ؆‫࠶ڍۨڌ‬ઔ࠷ә = Whose viewpoint was “Viewpoint” documenting? Documentaries of Education Reform. 130 leaves. Note: Thesis (M.A.)—National Taiwan University, 1997. Investigates reactions to a controversial television program entitled “Documentaries of Education Reform” produced by the Taiwan Public Television Series (PTS) in 2004. Explains the production process of “Documentaries of Education Reform,” as well as the attitudes expressed and mechanisms used by PTS to manage and respond to viewer reactions. Exposes the ways in which the PTS “producer system” was poorly administered. Includes a bibliography. NTUL Chi

1613 Peng, Xiangge (Peng, Hsiang Ke). ᣴ‫ܫ‬۴. Ben tu you xian dian shi dian ying pin dao jie mu nei rong gui hua ce lue zhi yan jiu—yi Dong sen, Wei lai wei li = Toward a systematic study of managing movie channels in CATV-Using ETTV and KG’s movie channels as examples. ӆगϩ۷Ӈ؆Ӈ‫ࠐؙ‬Ѭ‫ڞ‬۵ֶ‫੿੺ب‬೫ଯҏ୳ૢ—й “ֆာ,” “ᮆ ϰ” Њຎ = Toward a systematic study of managing movie channels in CATV-Using ETTV and KG’s movie channels as examples. 181 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 2005. Because of the development of digital technology, movie channels provided by local cable television networks became a popular but competitive within the Taiwan television market. From a marketing perspective (namely, 4P: product, promotion, price, and place), the paper studies movie channel management in Taiwan. Includes a Chinese abstract and a bibliography. EDTS Chi

1611 Li, Zhiqiang, 1966– ଽ࢑ᨋ, 1966– Dian shi dian ying, ou xiang ju = TV-film, trendy drama; yan guang si she ge wu tuan: yi bu dian ying de wan cheng = Drag queen: from dream to film. Ӈ؆Ӈ‫ؙ‬, ઢՌঁ = TV-film, trendy drama; ᇗ‫ףׇ‬थ‫ܮ‬ଢࣗ: ϣ‫ח‬ Ӈ‫ؙ‬ϡԟю = Drag queen: from dream to film. Xindian, Taibei Xian: Yuan zhu wen hua shi ye you xian gong si, 2004. [187 p.] ISBN 9867630467, 9789867630469 Note: Includes two parts: Part 1, a history of Taiwan’s television-film and trendy drama production; and Part 2, detailed and daily descriptions of making the television-film Yan guang si she ge wu tuan (Splendid Float, 2004), a drag queen film. Includes photos, stills, posters, chronology, filmography, and interviews with the director and cinematographer. WorldCat Chi

1614 Sun, Rongguang. ྒึ‫ׇ‬. Kejia, mei ti, zai xian. ‫ۺ‬р, ෪Ղ, Ӑѳ. Taibei: Wei bo wen hua guo ji chu ban you xian gong si, 2010. 222 p. ISBN 9789866338151, 9866338150 Series title: Da zhong chuan bo lun cong; 5 Ͻੁ‫ة‬৚‫ں‬ᜣ; 5 Note: Studies media representations of Taiwan’s Hakka people. WorldCat Chi

1612

1615

Mei jie yu ke ji: tou shi chuan bo wen hua yu she hui: di si jie dian ying dian shi lu ying guo ji xue shu hui yi lun wen ji = Mass communication and technology: a cultural and critical view: Proceedings of the fourth international symposium on film, television and video / Shi jue chuan bo yi shu xue hui. ෪ೀӿ॓৔: ਧ؆‫ة‬৚ҹ٩ӿघϾ: ҷ‫ף‬โӇ‫ؙ‬Ӈ؆࠷‫ؙ‬лগѹफ Ͼ৶‫ں‬ҹओ = Mass communication and technology: a cultural and critical view: Proceedings of the fourth international symposium on film, television and video / ؆ң‫ة‬৚ਲफѹϾ. Taibei: Shi jue chuan bo yi shu xue hui, 1995. 312 p. Note: Proceedings from the Fourth International Symposium on Film, Television, and Video held in Taipei, Taiwan in 1994. WorldCat Chi

Taipei International digital TV, broadcasting & film forum, 2005, 11/10–11/11 = 2005 Taibei guo ji shu wei guang dian ying shi lun tan / Taiwan External Trade Development Council; Taiwan Television Enterprise. Taipei International digital TV, broadcasting & film forum, 2005, 11/10–11/11 = 2005 ‫ܚݡ‬лগُ֧ܰӇ‫ؙ‬؆‫ں‬Ⴋ / Taiwan External Trade Development Council; Taiwan Television Enterprise. Taibei: Taiwan External Trade Development Council; Taiwan Television Enterprise, 2005. 1 v. Note: Proceedings from the Taipei International Digital TV and Film Forum in 2005. WorldCat Chi

1616 Tang, Shaohua. ࿔ཿ‫ܓ‬. Dian ying dao yan yu dian shi dao bo. Ӈ‫ؙ࣒ࠟ‬ӿӇ؆࣒৚. Taibei: Li ming wen hua shi ye gu fen you xian gong si, 1977.

292

Film and Television, Internet, and Multimedia

1622

278 p. Series title: Da xue cong shu Ͻѹᜣ‫ڣ‬ Note: Presents film and television directing techniques and compares these two presentation formats. CTFAL Chi

1620 Ying yin mei xue yu chuang yi xing xiao yan tao hui = Seminar on digital aesthetics and creative marketing / Li Tianduo, Fan Shengbao, Qiu Zhiyong zong zhu bian. ‫ٸؙ‬ѤѹӿࡶҺҲઍ୳क़Ͼ = Seminar on digital aesthetics and creative marketing / ଽϳ⟢, ౒ഄ‫خ‬, ᆥ௨ରրҰഹ. Taibei: Jiao yu bu, 2007. 210 p. ISBN 9789860101904 Note: Conference proceedings organized into twelve sessions, including lectures and panel discussions, focusing on the emergent multimedia, digital technology, film production, and marketing trends involving Hollywood marketing strategies in Taiwan and Taiwan film production and marketing, as well as the cooperation of animated film production between Taiwan and mainland China. CTFAL Chi

1617 Wang, Fei. ٟࣼ. Sheng guang mei ying: Taiwan ying shi. ‫ׇل‬ຓ‫ؙ‬䩭‫ݡ‬ළ‫ؙ‬؇. Fuzhou: Fujian jiao yu chu ban she, 2008. 149 p. ISBN 9787533451790, 7533451791 Series title: Tu wen Taiwan ֘ҹ‫ݡ‬ළ Note: A fairly objective introductory work on the history of Taiwan film and television for a general readership in mainland China. Includes photos, stills, posters, and a bibliography. WorldCat Chi

1621 Zhang, Jingyi (Chang, Ching-yi). ‫ݕפ‬ជ. Taiwan dian ying ying yan shi chang zhi xiao fei zhe shi yong wang lu xia zai zhi xing wei yan jiu = A study on consumer behavior of downloading files in Taiwan cinema exhibition market. ‫ݡ‬ஹӇ‫صࠟྱؙ‬Ծҏ‫ٍٷٮ۽‬ѓӻբЎՙҏҲЊ୳ૢ = A study on consumer behavior of downloading files in Taiwan cinema exhibition market. 83 leaves. Note: Thesis (M.A.)—Management School, National Taiwan University, 2007. A case study of people in Taiwan who download movie files from the Internet; finds that people who download film files feel satisfaction and that downloading does not strongly affect frequenting movie theaters or buying and renting DVDs. Includes a bibliography and charts. NTUL Chi

1618 Xin mei ti, xin yi shu = Art and new media / Zhu bain Yu Weizheng, Phillip George. Ј෪Ղ, Јਲफ= Art and new media / Ұഹ൑Њू; Phillip George. Tainan: Guo li Tainan yi shu da xue yin xiang dong hua yan jiu suo, 2004. 385 p. Note: A collection of essays in both Chinese and English focusing on new media as well as multimedia development. Film-related essays include the titles “Future ICinema,” “Computer Graphics in Animated Films,” “Laser & Holography,” “Spatial Montage and the Possible Future,” and “Digital Visualization & Aesthetics (Artists’ Viewpoint).” Includes an index. CTFAL Chi Eng

1622 Zhuo, Youcong (Cho, Yu-tsang). ᅤᏖㆊ. Wang lu kou bei de sheng ming zhou qi: yi Taiwan dian ying bu luo ge wei li = Life cycle of online word-of-mouth: the movie blog in Taiwan. ӻբ‫ט‬ᗍϡТ‫׈ڬܞ‬: й‫ݡ‬ஹӇ‫޻חؙ‬۴Њຎ = Life cycle of online word-of-mouth: the movie blog in Taiwan. 58 leaves. Note: Thesis (M.A.)—National Taiwan University of Science and Technology, 2009. Cape No. 7 (Wei, 2008) successfully used the Internet film blog platform to publicize the film. The official blog of the film received more than 10 million visitors and produced more than 6,000 posts; eventually, the box office of the film in Taiwan reached NT$400 million (ca. $13 million), the second-highest film in the history of the Taiwan film market. This paper examines the

1619 Yin mu yu ying mu: dong xi ying xiang wen hua de tan suo: di er jie dian ying dian shi lu ying xue shu yan tao hui lun wen ji = Screen and monitor: a critical investigation of image culture: Proceedings of the second annual symposium on film, television and video / Shi jue chuan bo yi shu xue hui. ુ௷ӿᝰ௷: ֆ՝‫ؙ‬Ռҹ٩ϡ෬౱: ҷԏโӇ‫ؙ‬Ӈ؆࠷‫ؙ‬ѹफ୳क़ Ͼ‫ں‬ҹओ = Screen and monitor: a critical investigation of image culture: Proceedings of the second annual symposium on film, television and video/ ؆ң‫ة‬৚ਲफѹϾ. Taibei: Zhonghua Minguo shi jue chuan bo yi shu xue hui; Furen da xue da zhong chuan bo xi, 1990. 293 p. Note: Proceedings from the Second Annual Symposium on Film, Television, and Video held at Fu Jen Catholic University, Taiwan in 1990. WorldCat Chi

293

Interdisciplinary Studies

1623 lifecycle of word-of-mouth messages on three Internet film blogs: Cape No. 7, Orz Boys, and 1895. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

cases, Gaoshan aboriginal characters are presented negatively. Includes a bibliography. NTYLibIPS Chi

1626 6.32

Yin mu yu ying mu: dong xi ying xiang wen hua de tan suo: di er jie dian ying dian shi lu ying xue shu yan tao hui lun wen ji = Screen and monitor: a critical investigation of image culture: Proceedings of the second annual symposium on film, television and video / Shi jue chuan bo yi shu xue hui. ુ௷ӿᝰ௷: ֆ՝‫ؙ‬Ռҹ٩ϡ෬౱: ҷԏโӇ‫ؙ‬Ӈ؆࠷‫ؙ‬ѹफ୳क़ Ͼ‫ں‬ҹओ = Screen and monitor: a critical investigation of image culture: Proceedings of the second annual symposium on film, television and video/ ؆ң‫ة‬৚ਲफѹϾ. Taibei: Zhonghua Minguo shi jue chuan bo yi shu xue hui; Furen da xue da zhong chuan bo xi, 1990. 293 p. Note: Proceedings from the Second Annual Symposium on Film, Television, and Video held at Fu Jen Catholic University, Taiwan in 1990. WorldCat Chi

FILM AND VIDEOTAPE

1623 Mai xiang er shi yi shi ji de Taiwan lu ying wen hua ji wei lai lu ying fa zhan de shi jie qu shi. ፪‫ז‬ԏ֐ϣԒઔϡ‫ݡ‬ஹ࠷‫ؙ‬ҹ٩ߵ‫۔‬ϰ࠷‫ؙ‬чࣁϡԒ֎ࠊۢ. Taibei: Zhonghua Minguo shi jue chuan bo yi shu xue hui, 1991. 148 p. Note: These conference papers and lectures presented during the Third Excellent Cultural Image Program Award in 1991 in Taiwan describe the concurrent boom in Taiwan video rentals and the decline in movie-theater business and discuss perspectives on the future of this trend. CTFAL Chi

6.33

1624 Mei jie yu ke ji: tou shi chuan bo wen hua yu she hui: di si jie dian ying dian shi lu ying guo ji xue shu hui yi lun wen ji = Mass communication and technology: a cultural and critical view: Proceedings of the fourth international symposium on film, television and video / Shi jue chuan bo yi shu xue hui. ෪ೀӿ॓৔: ਧ؆‫ة‬৚ҹ٩ӿघϾ: ҷ‫ף‬โӇ‫ؙ‬Ӈ؆࠷‫ؙ‬лগѹफ Ͼ৶‫ں‬ҹओ = Mass communication and technology: a cultural and critical view: Proceedings of the fourth international symposium on film, television and video / ؆ң‫ة‬৚ਲफѹϾ. Taibei: Shi jue chuan bo yi shu xue hui, 1995. 312 p. Note: Proceedings from the Fourth International Symposium on Film, Television, and Video held in Taipei, Taiwan in 1994. WorldCat Chi

FILM AND WOMEN

1626a Chen, Jing. ವ‫ݔ‬. Xian dai yu chuan tong zhi jian: Yang Dechang dian ying zhong nu xing xing xiang yan jiu = Between modern and traditional: studies on the images of women in Edward Yang’s films. Ѵ‫ڊ‬ԁ‫ࢅت‬ҏҽ䩭໶ख़ቾӈ‫ؙ‬Ѕѽԛ࣏ࢣ୳ૢ = Between modern and traditional: studies on the images of women in Edward Yang’s films. 49 p. Note: Thesis (M.A.)—Shanghai University, 2009. A thesis presented in three chapters: Chapter 1 compares and contrasts images of women in Edward Yang’s films with images of women in other Taiwan films; Chapter 2 explores characteristics of women in Yang’s films; Chapter 3 compares images of women in the films of Zhang Yimou, Wong Kai-wai, and Edward Yang. Includes an abstract in Chinese and English, a bibliography, and a filmography. Duxiu (FT) Chi

1625 Yang, Dahe. ໷Ͻф. Tai chan yuan xian lu ying dai zhong, Gaoshan zu yu fei Gaoshan zu su xiang zhi yan jiu—She hui xin li yu wen hua qing xiang de tan tao ཅ‫ࡨݗ‬۷࠷‫ؙ‬ծЅ, ҙ‫ځ‬ఓӿۘҙ‫ځ‬ఓᄽՌҏ୳ૢ—घϾКԑӿ ҹ٩෵‫ז‬ϡ෬क़. 343 p. Note: Thesis (Ph.D.)—National Political University, 1992. Eighteen Taiwanese films screened in theaters are selected as case studies to analyze the representation of Gaoshan aboriginal people as well as non-Gaoshan people in terms of environment, social status, and behavior. Significant differences between these two groups of characters are observed, and in most

1627 Chen, Mingzhu. ಴Ҵ෿. 2000–2010 Taiwan nu dao yan yan jiu: ta, ju qing pian, tan hua lu / Chen Mingzhu, Huang Yunqi bian zhu. 2000–2010 ‫ݡ‬ஹѽ࣒ࠟ୳ૢ: ԧ, ঁєә, ডҧ࠷ / ಴Ҵ෿, ࢶུᔂ ഹЯ. Taibei: Xiu wei zi xun ke ji gu fen you xian gong si, 2010. 387 p.

294

Film and Women

ISBN Note:

1631

9789862216132, 9862216131 A study of Taiwanese female movie directors, including their personal lives, fictional films, and interviews. WorldCat Chi

Note:

1628 Chen, Pei-ching. Women’s studies and women’s movement in Taiwan and Lesbianism in mainstream cinema. 101 leaves. Note: Thesis (M.A.)—Simon Fraser University, 2006. Points out the characteristics of lesbian representation in Taiwan mainstream cinema from the 1960s to the 2000s, including the elimination of lesbian sexuality in the film version of lesbian novels, alterations of story endings, depictions of character relations, and the portrayal of butch lesbians. Includes a bibliography. WorldCat (FT) Eng

1629 Chinese ecocinema: in the age of environmental challenges / edited by Sheldon H. Lu and Jiayan Mi. Hong Kong: Hong Kong University Press, 2009. 370 p. ISBN 9789622090859, 9789622090866 Note: A significant text that explores concurrent cinematic reflections of, and approaches to, environmental challenges in China, Taiwan, and Hong Kong. Consists of the following parts: Part I. Hydo-Politics: Water, River, and National Trauma; Part II. Eco-Aesthetics, Heteroscape, and Manufactured Landscape; Part III. Urban Space in Production and Disappearance; and Part IV. Biothics, Non-Anthropocentrism, and Green Sovereignty. The text’s first chapter, “Framing Ambient Unheimlich: Ecoggedon, Ecological Unconscious, and Water Pathology in New Chinese Cinema,” by Jiayan Mi, examines imagery of water in both post-Mao mainland China and post–Miracle Taiwan cinema and claims that “beneath these seemingly ecodystopian films lies New Chinese Ecocinema’s utopianism of messianic redemption and elevated humanism.” Chapter 6, “Putting Back the Animals: Women-Animal Meme in Contemporary Taiwanese Ecofeminist Imagination,” by Cha-ju Chang, uses an ecofeminist critique of a woman–animal meme to analyze contemporary Taiwanese films and argues that this meme represents the overlapping oppression and exploitation of both women and animals. Includes a Chinese glossary, a filmography, a bibliography, and an index. WorldCat Eng

This edited volume “covers the cinematic traditions of mainland China, Taiwan, Hong Kong, and the Chinese diaspora from the beginning of Chinese film history to the present moment” (p. 2). Part I. Historiography, Periodization, Trends includes articles that either address Chinese film history broadly or different significant movements within Chinese cinema; Part II. Poetics, Directors, Styles provides “lucid, synchronic, structural(ist), transhistorical accounts of the poetics and aesthetics of Chinese film as an integral part of world cinema” (p. 15). Interesting studies include the essay by Mary Farquhar and Chris Berry: “Shadow Opera: Toward a New Archaeology of the Chinese Cinema,” which states :“If civilized plays are cinema’s stepmother, then opera is the mother in terms of first film productions, whether on the mainland (1905) or in Hong Kong (1909). Opera films were also the first productions in major regional language films, Cantonese (1933) and Taiwanese (1954)” (p. 51). Other Taiwan film or related comparative film studies essays include Meiling Wu’s “Postsadness Taiwan New Cinema: Eat, Drink, Everyman, Everywoman,” Emilie Yuehyu Yeh’s “Poetics and Politics of Hou Hsiao-hsien’s Films,” Sheldon H. Lu’s “Crouching Tiger, Hidden Dragon, Bounding Angeles: Hollywood, Taiwan, Hong Kong, and Transnational Cinema,” Darrell W. Davis’s “Borrowing Postcolonial: Wu Nien-chen’s Dou-san and the Memory Mine,” and Shao-ying Shen’s “Locating Feminine Writing in Taiwan Cinema: A Study of Yang Hui-shan’s Body and Sylvia Chang’s Siao Yu.” Includes filmography, Chinese glossary, bibliography, notes on contributors, and an index. WorldCat Eng

1631 Chinese women’s cinema: transnational contexts / edited by Lingzhen Wang. New York: Columbia University Press, 2011. 430 p. ISBN 9780231156745 (cloth: alk. paper), 023115674X (cloth: alk. paper), 9780231156752 (pbk.: alk. paper), 0231156758 (pbk.: alk. paper), 9780231527446 (ebk.), 0231527446 (ebk.) Note: An edited volume that explores the transnational contexts of Chinese women’s cinema, from Chinese films produced in the 1920s and 1930s to the most recent Chinese films produced in China, Taiwan, Hong Kong, the United States, and elsewhere. Essays on Taiwan women’s cinema include “Post-Taiwan New Cinema Women Directors and Their Films: Auteurs, Images, and Language” by Yu-shan Huang and Chunchi Wang, translated by Robbin Visser and Thomas Moran; and “Chu T’ien-wen and the Sotto Voce of Feminine Expression in the Films of Hou HsiaoHsien” by Christopher Lupke. Includes a bibliography. WorldCat Eng

1630 Chinese-language film: historiography, poetics, politics / edited by Sheldon H. Lu and Emilie Yueh-yu Yeh. Honolulu: University of Hawai’i Press, 2005. 413 p. ISBN 0824828135 (alk. paper), 9780824828691 (pbk.: alk. paper), 0824828690 (pbk.: alk. paper)

295

Interdisciplinary Studies

1632 1632

1635

The global and intimate: feminism in our time/ edited Geraldine Pratt and Victoria Rosner. New York: Columbia University Press, 2012. 325 p. ISBN 9780231154482, 0231154488, 9780231154499, 0231154496, 9780231520843, 0231520840 (ebk.) Note: A collection of sixteen essays by prominent feminist scholars. Includes the following essay: “‘Like a Family, But Not Quite’: Emotional Labor and Cinematic Politics of Intimacy” by Tsung-yi Michelle Huang and Chi-she Li, which analyzes three Taiwan films––Hospital Wing 8 East (Meg Huang Hui-Zhen, 2006), Nyonya’s Taste of Life (Wen Chih-Yi, 2007), and We Don’t Have a Future Together (Lin Jing-Jie, 2003)––and representations of the treatment of foreign female laborers in Taiwan. WorldCat Eng

Huang, Yiguan. ࢶသഃ. Taiwan nu xing xiao shuo yu dian ying zhi hu wen yan jiu. ‫ݡ‬ஹѽԛЩМӿӇ‫ؙ‬ҏૠҹ୳ૢ. 375 leaves. Note: Thesis (M.A.)—National Chengchi University, 2005. In the 1980s, both Taiwan female novelists and Taiwan New Cinema emerged. This paper focuses on important female writer’s novels that were adapted during the Taiwan New Cinema era. Explains how the feminist content within these novels was interpreted by male directors in their films and examines the results of their interpretations. Includes a Chinese abstract and a bibliography. NCL/NDLTD Chi

1636 Huang, Yujie (Huang, Yu-Chieh). ࢶఛီ. Wu xia / Nu xia: Li An Wo Hu Cang Long zhong xing bie pan yan de dian fu = Wuxias / Nuxias: the subversion of gender performativity in Ang Lee’s Crouching Tiger, Hidden Dragon. ેཱུ / ѽཱུ: ଽԥ၃ഝেहЅԛԇၣࠟϡኩ࿡ = Wuxias / Nuxias: the subversion of gender performativity in Ang Lee’s Crouching Tiger, Hidden Dragon. 96 leaves. Note: Thesis (M.A.)—Shih Hsin University, 2009. This paper focuses on representations of gender identity and performativity in Ang Lee’s film Crouching Tiger, Hidden Dragon (2000). Includes a bibliography. NCL/NDLTD Eng

1633 Huang, Shuxian. ࢶᎂᢎ. Nu xing shu xie: Dian ying yu wen xue = Feminine writing in cinema and literature. ѽԛ‫܎ڣ‬: Ӈ‫ؙ‬ӿҹѹ = Feminine writing in cinema and literature. Hong Kong: Qing wen shu wu, 1997. 267 p. ISBN 9627258571 Series title: Wen hua shi ye cong shu ҹ٩؆ఀᜣ‫ڣ‬ Note: A collection of the author’s essays organized into four parts. Selections in Part 2 concentrate on the relationship between literature and female directors and their works as well as on representations of women in Taiwan New Cinema. CTFAL Chi

1637 Lan, Shuxuan. ঢ‫⋍ڣ‬. Cong chuan tong zhong du li—fen xi Taiwan ji lu pian nu dao yan de chuang zuo huan jing. ԩ‫ࢃة‬Ѕ‫—߹ݻ‬д໯‫ݡ‬ஹઔ࠷әѽ࣒ࠟϡࡶӑࢰ॒. 123 leaves. Note: Thesis (M.A.)—National Taiwan University, 2005. This paper engages the following question: what is Taiwan’s current independent filmmaking environment for women documentary directors? It then responds to this question from five different angles: education, science and technology, subjects, profession, and family economic situation. Notes that from 1984 to 2004, 130 of the 343 documentary films produced in Taiwan were directed by women. Includes Filmography of Male and Female Directors 1984–2004 and a bibliography. NTUL Chi

1634 Huang, Ren, 1925– ࢶწ, 1925– Kai tuo Tai yu pian de nu xing xian qu. ыᓛ‫ܭݡ‬әϡѽԛ܏ᒠ. Taibei: He tian ke ji, 2007. 212 p. ISBN 9789868258938 Series title: Taiwan dian ying yan jiu cong shu ‫ݡ‬ஹӇ‫ૢ୳ؙ‬ᜣ‫ڣ‬ Tai yu pian wu shi zhou nian ji nian ji; 2 ‫ܭݡ‬әٚ֐‫ڬ‬ёઔ݉ফ; 2 Note: The first comprehensive biographical work on Taiwan women directors, screenwriters, and actresses in Taiwanese-dialect films. Includes photos, film stills, posters, and a bibliography NTUL Chi

296

Film and Women

1644

1638

1641

Li, Taifang. ଽཅᇙ. Nu xing dian ying li lun = Theory of women’s cinema. ѽԛӇ‫ؙ‬ԑ‫ = ں‬Theory of women’s cinema. Taibei: Yang zhi wen hua, 1996. 136 p. ISBN 957927262X Series title: Wen hua shou bian ce; 23 ҹ٩Ѳ‫נ‬ೠ; 23 Note: A general introduction to theories of women’s cinema; text does not include women’s cinema in Taiwan. Includes a bibliography. NTUL Chi

Lin, Xinghong. ৆ᕭ᜞. Jiao han “Kai mai la” de nu xing—Taiwan shang ye pian nu dao yan ji qi zuo pin yan jiu. ‫چ‬ஃ “ы๤ࠁ” ϡѽԛ—‫ݡ‬ஹ࠱‫׬‬әѽ࣒ࠟߵԷӑԘ୳ૢ. 200 leaves. Note: Thesis (M.A.)—National Cheng Kung University, 1998. Based on a study of sixteen Taiwanese commercial films directed by female directors and interviews with these directors, this paper provides an overall picture of the family, education, marriage, and professional background of Taiwanese female directors during the 1970s and 1980s. Includes a Chinese abstract, a bibliography, and an appendix (including biographies of interviewees, a filmography, and the interview question, time, and location). NCL/NDLTD Chi

1639 Liang, Qiongfang (Liang, Chiung-fang). ᅯᬆᇙ. Wen xue, ying xiang, xing bie—ba shi nian dai Taiwan “Wen xue dian ying” zhong de nu shen / nu sheng = Literature, image and gender—female’s role and voice in 1980’s Taiwanese literature films. ҹѹ, ‫ؙ‬Ռ, ԛԇ—ࡂ֐ё‫ݡڊ‬ஹ “ҹѹӇ‫ ”ؙ‬Ѕϡѽӱ / ѽ‫= ك‬ Literature, image and gender—female’s role and voice in 1980’s Taiwanese literature films. 145 leaves. Note: Thesis (M.A.)—National Chung Hsing University, 2007. Focuses on film adaptations of Taiwan literature in Taiwan New Cinema during the 1980s and explores female roles and voices revealed by both male and female writers and directors via three perspectives: literature, image, and gender. Includes a Chinese and English abstract, a bibliography, and an appendix (including List of the Films Adapted from Literature in the 1980s, Films Adapted from the Male/Female Writers’ Works and Directed by Male/Female Directors, and a Chronology of Taiwan Literature & Film from 1980–1989). NCL/NDLTD Chi

1642 Lu, Beibei. ᧛ᲅᲅ. Li Hanxiang “Liang Zhu” dian ying yan jiu: yi nu xing guan zhong ning shi jiao du fen xi. ଽᲆፖ “ᅯࢇ” Ӈ‫ૢ୳ؙ‬: йѽԛ޲ੁ፝؆ࡠ֏д໯. 418 leaves. Note: Thesis (Ph.D.)—Chinese Culture University, 2002. Uses a “female audience perspective” to study Li Hanhsiang’s 1963 Hong Kong film The Love Eterne (Liang Shanbo yu Zhu Yingtai), which was a huge success in Taiwan, winning the Golden Horse Award. WorldCat Chi

1643 Martin, Fran. Backward glances: contemporary Chinese cultures and the female homoerotic imaginary. Durham, NC; London: Duke University Press, 2010. 290 p. ISBN 9780822346685, 9780822346807 Note: A comparative study of female homoeroticism and ways of understanding love between women in the twenty-first century in China, Hong Kong, and Taiwan as played out in mainstream Chinese media and literary cultures, including films, novels, and television. Includes an appendix, notes, a filmography, a selected bibliography, and an index. WorldCat Eng

1640 Lin, Fangmei. ৆ᇙᄮ. Jie du Qiongyao ai qing wang guo. ‫ࢵث‬ᬆᴽДєࣼл. Taibei: Shi bao wen hua, 1994. 342 p. ISBN 9571312940 Series title: Wen hua cong shu; 128 ҹ٩ᜣ‫ ;ڣ‬128 Note: An in-depth study of Qiongyao’s romance novels, including films and television series adapted from her work. Includes a list of fifty adapted films and their original novels. CTFAL Chi

1644 Ngo, Nightingale. Girl power : Chinese women warriors in swordplay films. 98 leaves. Note: Thesis (M.A.)—University of Miami, 2002. Describes female character–centered Chinese martial arts films; specifically, the key films of two of the foremost actresses Chang Pei-pei and Michelle Yeoh,

297

Interdisciplinary Studies

1645 who rose to stardom in Hong Kong in the 1960s and 1980s, respectively. Concludes with an in-depth analysis of the most recent (at the time) and famous kung fu film: Crouching Tiger, Hidden Dragon (2000) directed by Ang Lee and featuring both actresses. Includes a bibliography and filmography. WorldCat Eng

Note:

1645 Ning shi nu xiang: 56 zhong yue du nu xing ying zhan de fang fa / Chen Ruxiu, Huang Huimin, Zheng Yujing bian. ፝؆ѽՌ: 56҆་ࢵѽԛ‫ࣁؙ‬ϡҤ֚ / ಴ᭉࢗ, ࢶ௑์,ቼർ᪦ഹ. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 1999. 314 p. ISBN 9573238837 Series title: Dian ying guan; 87 Ӈ‫ؙ‬ఖ; 87 Note: Film reviews of films shown during six annual International Women Make Waves Film Festivals in Taipei, hosted by Taipei Women’s Film Association from 1993 to 1998. The book shows fifty-six ways to look at these films about women and made by women. Includes filmography and an introduction to the Taipei Women’s Film Association. NTUL Chi

Introduces more than thirty world films directed by women. Includes eight chapters: “Body,” “Gender Difference,” “Media,” “Figure,” “Movement,” “Society,” “Practice,” and “Theory.” Essays in this work focus on Taiwanese female directors’ works, including the following: Pau Sex (1994) directed by Fiona Chan, Chen Cai ping, and Chen Huijuan; Wait Menstruation Woman (1993) directed by Jane Scott Adams; and Revolving Universe of Taiwan Women (1993) directed by Huang Yushan. NTUL Chi

1648 Taiwan ji lu pian nu dao yan bi ji shu = The female directors of Taiwan Documentary / Lin Xinghong zong bian ji. ‫ݡ‬ஹઔ࠷әѽ࣒ࠟદ֮‫ = ڣ‬The female directors of Taiwan Documentary / ৆ᕭ᜞րഹফ. Gaoxiong: Gaoxiong shi dian ying tu shu guan, 2005. 230 p. ISBN 9570187212 Series title: Gaoxiong shi dian ying tu shu guan dian ying cong shu; 4 ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖӇ‫ؙ‬ᜣ‫ ;ڣ‬4 Note: Introduces twenty female Taiwanese documentary film directors, based on the number of documentary films directed and the time they began making documentary films, along with brief biographies, personal statements, and filmographies. Includes ten essays on Taiwanese female directors and their films. Includes an index of titles and an index about other directors. NTUL Chi

1646 Nu xing, ying xiang, shu: cong nu xing yang zhan kan nu xing ying xiang zhi zai xian / She tuan fa ren Taiwan nu xing ying xiang xue hui zhu bian. ѽԛ, ‫ؙ‬Ռ, ‫ڣ‬: ԩѽԛ‫ࣁؙ‬Ѓѽԛ‫ؙ‬ՌҏӐѳ / घ֚ࣗϪ‫ݡ‬ஹѽ ԛ‫ؙ‬ՌѹϾҰഹ. Taibei: Shu lin chu ban you xian gong si, 2006. 305 p. ISBN 9574451607 Series title: Dian ying yuan; F3 Ӈ‫ؙ‬ᮛ; F3 Note: A collection of introductions to, and discussions of, women directors and their works over six Women Make Waves Film Festivals in Taiwan (2000–2005). Divided into three parts: Part 1: International Female Directors; Part 2: Taiwan Female Directors; and Part 3: Explore the Topics. Essays that study Taiwan women film directors and their works are mainly in Parts 2 and 3. The appendix includes a bibliography and film list from the First to Twelfth Women Make Waves Film Festivals (1993–2005). CTFAL Chi

1649 Wang, Meiling. ࣼѤጘ. Taiwan dian ying zhong de nu bing xing xiang yan jiu. ‫ݡ‬ஹӇ‫ؙ‬Ѕϡѽഈ࣏ࢣ୳ૢ. 130 leaves. Note: Thesis (M.A.)—Political Warfare College, also known as Fu Hsing Kang College, 1999. Studies negative representations of female soldiers in five Taiwanese films produced from the 1970s to the 1990s in Taiwan. Includes a bibliography and an appendix. NCL Chi

1650 You, Tingjing. ղᑢ෧. Ning shi yu dui wang: duan ni jiu shi nian dai Taiwan nu xing dian ying yuan mao = To gaze and be gazed at: Rediscovering the true faces of Taiwanese woman-made films in the 1990s. ፝؆ӿхֳ: ઉ❖॰֐ё‫ݡڊ‬ஹѽԛӇ‫֍ؙ‬൯ = To gaze and be gazed at: Rediscovering the true faces of Taiwanese woman-made films in the 1990s. Taibei: Xinzhu shi wen hua ju, 2005. 207 p.

1647 Nu xing yu ying xiang—nu xing dian ying de duo jiao du yue du / You Huizhen bian. ѽԛӿ‫ؙ‬Ռ—ѽԛӇ‫ؙ‬ϡЄࡠ֏་ࢵ / ղ௑ᢾഹ. Taibei: Yuan liu chu ban gong si, 1994. 328 p. ISBN 9573223899 Series title: Dian ying guan; 49 Ӈ‫ؙ‬ఖ; 49

298

Film and Youth

1654

ISBN 9860042152 Series title: Zhu qian wen hua zi chan cong shu; 281 ኵ∔ҹ٩‫ݗޞ‬ᜣ‫ ;ڣ‬281 Note: Based on the author’s master’s degree thesis, this work reviews Taiwanese films (including fiction, documentary, experimental, and animation) directed by women directors in the 1990s. Includes both image analysis and a discussion of film content in terms of aesthetics, auteur theory, and feminist literary theory. Includes two parts: Part 1 describes women who have directed commercial films since the 1980s and analyzes their films; and Part 2 focuses on independent Taiwanese women directors and their films since the 1990s as well as the independent filmmaking environment in Taiwan. The author points out that independent female filmmakers enjoy a greater freedom in creation than their female colleagues directing commercial films and that a high percentage of films directed by women are independently produced. Includes a bibliography and an appendix containing a list of female directors who directed commercial films and received government’s subsidies; a list of female directors, each of whom has at least two films entered into women’s film festivals; information about the hosting organizations of Women Make Waves Film Festival; statistical charts of documentary, fiction, animated, and experimental films shown during women’s film festivals, the list of interviewees, and a filmography. NTUL Chi

1652 Zhang, Yupei (Chang, Yu-pei). ‫פ‬ർႬ. Taiwan dian ying zai xian de she hui gui fan yu jia zhi guan—yi xi ju wu yin fen xi Jin Ma jiang zui jia ju qing pian = Social norms and values as represented in Taiwan’s movies: a pentadic analysis. ‫ݡ‬ஹӇ‫ؙ‬ӐѳϡघϾ੺౯ӿ٢ߚ޲—йۚঁٚӹд໯‫ެؖ‬؉з૟ ঁєә = Social norms and values as represented in Taiwan’s movies: a pentadic analysis. 210 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 1996. Studies the social norms and values represented in twelve Taiwan feature films that won best film at the Golden Horse Awards from 1983 to 1994; the films display a movement out of the shadow of “Big China.” Includes a Chinese abstract and a bibliography. NCL/NDLTD Chi

1653 Zhao, Tinghui. ᕿ៴ሓ. Xu shi dian ying yu xing bie lun shu = Narrative cinema and gender discourse. ᡳѨӇ‫ؙ‬ӿԛԇ‫ں‬਎ = Narrative cinema and gender discourse. Taibei Xian Yonghe shi: Airiti Press Inc., 2010. 335 p. ISBN 9789866286292, 9866286290 Series title: Chuan bo xue yan jiu xi lie ‫ة‬৚ѹ୳ૢ‫࠶ڍ‬ Note: Analyzes representations of females in films from Taiwan, Hong Kong, and Hollywood to explore gender power structures. Films include Taiwan’s The Shoe Fairy (2006) and Blue Gate Crossing (2002); Hong Kong’s Turn Left, Turn Right (2003); and Hollywood’s Mulan (1998) and Shanghai Noon (2000). Includes a bibliography. WorldCat Chi

1651 Zhang, Jiani (Chang, Chia-Ni). ‫פ‬ဓ᫻. Nu nu xiang xi de lao jie: Taiwan dian ying zhi mu nu guan xi yan jiu (1983–2005) = Knots between women: investigation of motherdaughter relationships in Taiwan cinema (1983–2005). ѽѽԚ಻ϡ቏ְ: ‫ݡ‬ஹӇ‫ؙ‬ҏআѽԬ਽୳ૢ (1983–2005) = Knots between women: investigation of mother-daughter relationships in Taiwan cinema (1983–2005). 175 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 2007. Discusses five Taiwan films that represent mother– daughter relationships in Taiwanese films during the 1980s and 1990s to investigate cinematic reflections of patriarchal attitudes by using feminist criticism, motherhood theory, visual aesthetics, and intertextuality. The paper concludes that in Taiwan films of the 1980s, mothers performed a traditional role in the family, whereas their daughters learned to become independent. Films of the 1990s focused on “maternal sexuality” and “lesbian sexuality” and placed “subjectivity” as the priority for female identity. Includes a Chinese and English abstract, a bibliography, and a filmography. NCL/NDLTD Eng

6.34

FILM AND YOUTH

1654 Feng, Yanshuo. ᫄ᴧ፩. Mengjia: jing zhuan xie zhen yu mu hou ji shi = Monga. ⛑➩: ‫܎آؘ‬ѐӿ௷ћ֮Ӣ = Monga. Taibei: Taibei guo ji jiao chuan shu dian gu feng you xian gong si, 2010. 1 v. ISBN 9789862375068 (pbk.), 986237506X Note: Interviews and background stories from the making of Monga (2010), which deals with youth gang members in the Monga district of Taipei during the 1980s. Accompanying booklet contains English captions. WorldCat Chi Eng

299

Interdisciplinary Studies

1655 1655

1656

Li, Zhenlin, 1965– ཯౜৆, 1965– Dao yan de lu dong: hua yu dian ying, shi yan ying xiang he zuo zhe dian ying yan jiu. ࣔࠟϡಋ҃䩭‫ܬܗ‬ӈ‫ؙ‬䩟 ӥࡑ‫ؙ‬Ռфӑ‫ٷ‬ӈ‫ؙ‬ϡ୳ૢ. Shanghai: Shanghai shu dian chu ban she, 2011. 229 p. ISBN 9787545804102, 7545804104 Note: The author studies Chinese films produced in mainland China, Hong Kong, and Taiwan during the first decade of the twenty-first century by considering different directing perspectives. Chapter 3 is devoted to the market-saving function of Taiwan’s New Youth Films. Includes a bibliography. WorldCat Chi

Wang, Meiyu. ࣼѤർ. Jie yan hou Taiwan dian ying zhong qing shao nian cheng zhang / bang pai jing yan yi qi wen hua fen xi. യଲћ‫ݡ‬ஹӇ‫ؙ‬Ѕ‫ݙ‬վёюӕ / ‫ݧ‬൨Ҭࡐйߵҹ٩д໯. 99 leaves. Note: Thesis (M.A.)—National Tsing Hua University, 2010. Conducts a cultural analysis by locating five films released soon after Taiwan lifted its martial law that portray youth and gang culture. Includes a Chinese abstract, a bibliography, and a filmography. NCL/NDLTD Chi

300

7 Film Producers, Directors, Actors, Actresses, Cinematographers, Critics, Scholars, Music and Song Composers and Song Lyric Writers, and Screenwriters (Including Biographies and Autobiographies) 7.1

GENERAL

Guang zhi su ji: Du Kefeng Zhongguo dian ying ying xiang. ‫ׇ‬ҏ‫֮ݬ‬: ᖯНգЅлӇ‫ྱؙ‬Ռ. Taibei: Shi bao wen hua chu ban qi ye go fen you xian gong si, 1996. 143 p. ISBN 9571320501 Series title: Ren jian cong shu; 235 ϪҼᜣ‫ ;ڣ‬235 Note: The author, cinematographer Christopher Doyle, provides commentaries that accompany his photos and film stills from his films in this book of Chinese cinema, which includes Part A, Directors (including ten directors from Taiwan, Hong Kong, and mainland China); Part B, Films (presenting eight Chinese films); Part C, Actors and Actresses (including thirteen actors and actresses); and Part D, Behind the Scenes. Includes Christopher Doyle’s biography and production list. CTFAL Chi

1657 Dian ying 100 ming ren tang / Qiu Huadong, Yang Shaobo zhu. Ӈ‫ؙ‬100 ӜϪஇ / ᆥ‫ܓ‬ᗏ, ໷վமЯ. Taibei: Xing shi wen hua xing xiao you xian gong si, 2007. 384 p. ISBN 9789868368057 Note: A collection of brief biographies of the 100 most famous film personalities in world cinema, including Taiwan film director Hou Hsiao-hsien. CTFAL Chi

1658 Dian ying ren wu xiao xiang / Luo Ka bian. Ӈ‫ؙ‬Ϫ‫׉‬នՌ / ஛१ഹ. Xianggang: Shan bian she, 1987. 160 p. ISBN 9622731872 Note: A collection of eighteen interviews and articles on film directors and movie stars in Hong Kong, Taiwan, and mainland China. CTFAL Chi

1661 Gong Jianong cong ying sheng ya yu ju zhao quan ji: dian ying tu zhi / zuo zhe Gong Jianong, Huang Ren. ₳⅒హԩ‫ؙ‬ТᄇӿঁؕҪओ䩭Ӈ‫ؙ֖‬௨ / ӑ‫⅒₳ٷ‬హ, ࢶწ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui: Guo jia dian ying zi liao guan, 1995. 212 p. ISBN 9570063505 Note: A unique pictorial autobiography of Gong Jianong (1902–1993), a film star in both mainland China and Taiwan. It includes more than 100 photos and screenshots that align with Mr. Gong’s autobiography, which involves nearly all of the most famous actors, actresses, directors, and producers in both mainland China and Taiwan during Mr. Gong’s life. Includes a biography, memorial articles, and filmographies. The appendix includes a chronologically organized list of film personnel and events mentioned in the autobiography; each entry is accompanied with a matching photo, biography, or event description. CTFAL Chi

1659 Dian ying sui yue zong heng tan / Zhu bian Zhong Qiao. Ӈ‫֊ۈؙ‬྾ืড / Ұഹ߀ᑑ. Taipei: Guo jia dian ying zi liao guan, 1994. 2 v. (707 p.) Series title: Taiwan dian ying shi liao cong shu ‫ݡ‬ஹӇ‫ؙ‬੗ࢧᜣ‫ڣ‬ Note: A government-sponsored, oral history project on Taiwan film history. Twenty Taiwan film directors, screenplay writers, producers, cinematographers, actors, and actresses—their film careers primarily covering the 1950s to the 1990s—are introduced and interviewed. Accompanied with brief biographies, recorded interviews, and a filmography. Includes a bibliography. NTUL Chi

1660 Doyle, Christopher (Du, Kefeng), 1952– ᖯНգ, 1952–

301

1662

Film Producers, Directors, Actors, Actresses, Cinematographers, Critics, Scholars, Music and Song Composers, and Screenwriters

Each interview includes a photo and a brief biography of the interviewee. NTUL Chi

1662 Huang, Ren, 1925– ࢶწ, 1925– Kai tuo Tai yu pian de nu xing xian qu. ыᓛ‫ܭݡ‬әϡѽԛ܏ᒠ. Taibei: He tian ke ji, 2007. 212 p. ISBN 9789868258938 Series title: Taiwan dian ying yan jiu cong shu ‫ݡ‬ஹӇ‫ૢ୳ؙ‬ᜣ‫ڣ‬ Tai yu pian wu shi zhou nian ji nian ji; 2 ‫ܭݡ‬әٚ֐‫ڬ‬ёઔ݉ফ; 2 Note: The first comprehensive biographical work on Taiwan women directors, screenwriters, and actresses in Taiwanese-dialect films. Includes photos, film stills, posters, and a bibliography NTUL Chi

1665 Jiao, Xiongping (Chiao, Peggy). ဖ೰๔. Gai bian li shi de wu nian: Guo Lian dian ying yan jiu. ۨԺࣵ੗ϡٚё: лࡀӇ‫ૢ୳ؙ‬. Taibei: Wan xiang tu shu go fen you xian gong si, 1993. 327 p. ISBN 9576694663 Series title: Taiwan dian ying shi cong shu; 2 ‫ݡ‬ஹӇ‫ؙ‬੗ᜣ‫ ;ڣ‬2 Note: The most comprehensive study on the history, structure, and contribution of Grand Motion Pictures Co., Ltd. (Guo Lian Dian Ying Gong Si) in Taiwan as well as the company’s founder and film director Li Han-hsiang. Explores issues surrounding the company’s rapid rise and fall, and provides insights into the company’s founder and employees. Includes four chapters: Chapter 1, Rise and Fall of Guo Lian Dian Ying Gong Si; Chapter 2, Li Han-hsiang and Guolian; Chapter 3, Review of the Films produced by Guolian and Guolian’s Chronology; and Chapter 4, Conclusion. Includes Interviews with Guolian employees, biographies of Guolian employees, and a bibliography. NTUL Chi

1663 Huang, Ren, 1925– ࢶწ, 1925– Wo hu cang long Haolaiwu: Li An yu hua yi ying ren jing ying / Huang Ren, Liang Liang zhu. ၃ഝেहϮᒀᩕ: ଽԥӿ‫ܓ‬ᶜ‫ؙ‬Ϫ‫ ؘ߭‬/ ࢶწ, ᅯમЯ. Taibei: Ya Ta tu shu chu ban she, 2002. 223 p. ISBN 9578264933 Series title: Taiwan dian ying yan jiu cong shu; 8 ‫ݡ‬ஹӇ‫ૢ୳ؙ‬ᜣ‫ ;ڣ‬8 Note: A book about Crouching Tiger, Hidden Dragon. Chapters 1–5 describe how Ang Lee broke into Hollywood and feature academic essays on Ang Lee’s films. Chapters 6–9 present successful Chinese directors, cinematographers, technicians, actresses, and actors in Hollywood. NTUL Chi

1666 Jiao, Xiongping (Chiao, Peggy). ဖ೰๔. Taiwan dian ying 90 xin xin lang chao = New new wave of Taiwan cinema 90s. ‫ݡ‬ஹӇ‫ؙ‬90 ЈЈ‫ع‬଎ = New new wave of Taiwan cinema 90s. Taibei: Mai tian chu ban she, 2002. 315 p. ISBN 9867895118, 9789867895110 Series title: Dian ying guan; 01 Ӈ‫ؙ‬ఖ; 01 Note: Outlines Taiwan films produced in the 1990s, described as “The Second Wave of Taiwan New Cinema” or “New New Wave of Taiwan Cinema” to distinguish these films from the Taiwan New Cinema films of the 1980s. Differing cinematic techniques include the absence of the long take, which was typical of the Taiwan New Cinema. Part 1 provides filmography of sixty-four films produced from 1990 to 1998, Parts 2–4 list the biographies of thirty-four directors, thirty-seven actors and actresses, six supervisors, six screenwriters, nine cinematographers, two sound designers, two editors; Part 5 introduces thirteen film studios; and Part 6 ends with a list of award-winning films of the 1990s. WorldCat Chi

1664 Ji lu Taiwan: Taiwan ji lu pian yu xin wen pian ying ren kou shu / zhu bian Li Daoming, Wang Weici; zhi xing bian Wu Yuexiu, Zhang Qinyun. ઔ࠷‫ݡ‬ஹ: ‫ݡ‬ஹઔ࠷әӿЈࢨә‫ؙ‬Ϫ‫ט‬਎ / ҰഹଽѬҴ, ࣼ໓፦; వҲഹফྶៈࢗ, ‫פ‬ቦ᭲. Taibei: Xing zheng yuan wen hua jian she wei yuan hui wei tuo Cai tuan fa ren guo jia dian ying zi liao guan, 2000. 2 v. ISBN 9570261749 (v. 1), 9570261757 (v. 2) Note: This is the print version of Taiwan Documentary Film Oral History Project, which began in 1997 and was carried out for three years. Vol. 1 includes interviews of nineteen documentary and news filmmakers from Zhongying (Zhongguo dian ying zhi pian chang), Taiying (Taiwan dian ying zhi pian chang), and Xin wen ju (Information Office); Vol. 2 includes interviews of nineteen documentary filmmakers from four television documentary series and Taiwan’s independent filmmaking field.

302

General

1672 Taibei: Nan tian shu ju, 2002. 165 p. ISBN 9576386012 Note: A Chinese translation of the revised version of Taiwan eiga e no sh䲖tai = ‫ݡ‬ළྱࡌ䫩䫟੷‫ ۉ‬written by Kawase Ken’ichi and published in Japan in 1998. Consists of three parts: Part 1: A Brief History of Taiwan Cinema, including Taiwan Film during Japanese Occupation (1895–1945), Taiwan Cinema After World War II (1946–1970), the Isolated Taiwan Cinema (1970–1979), and the Era of Taiwan New Cinema (1980–1990); Part 2: Taiwan Film Directors, including biographies and interviews of sixteen Taiwan film directors; and Part 3: Legends of Taiwan Cinema, including biographies and interviews of twenty-two legendary figures in Taiwan cinema, such as novelist and director Huang Chunming, screenwriter Chu T’ien-wen, composer and singing star Cai Zhennan, and actress Yang Guimei. Includes photos, film stills, and posters; a chronology of Taiwan film history, 1895–1998; and a bibliography. WorldCat Chi

1667 Jiao, Xiongping (Chiao, Peggy). ဖ೰๔. Taiwan xin dian ying / Jiao Xiongping bian zhu. ‫ݡ‬ஹЈӇ‫ ؙ‬/ ဖ೰๔ഹЯ. Taibei: Shi bao wen hua chu ban qi ye you xiang gong si, 1988, 1990. 433 p. ISBN 9571301582, 9789571301587 Series title: Ren jian cong shu; 117 ϪҼᜣ‫ ;ڣ‬117 Note: A fairly extensive review of Taiwan New Cinema. Divided into eighteen chapters and an appendix. Chapters 1–3 review the historical, industrial, and political background of Taiwan New Cinema; Chapters 4–11 discuss eight major early film directors and their works; Chapter 12 is dedicated to other contributors to Taiwan New Cinemas, including screenwriters, cinematographers, producers, and additional film personnel; Chapters 13 and 14 contain film reviews of Taiwan New Cinema’s major works; Chapters 15 and 16 deal with the relationship between Taiwan New Cinema, literature, and feminist studies; and Chapters 17 and 18 consider the legacy of Taiwan New Cinema. The appendix includes papers that offer foreign scholars’ perspectives on Taiwan New Cinema. NTUL Chi

1670 Li, De’an. ଽख़ԥ. Ming xing, dao yan zong heng tan. Ҵլ, ࣒ࠟ྾ืড. Taibei: Jin went u shu you xian gong si, 1982. 310 p. Note: Presents interviews of sixteen film stars and fourteen film directors in Taiwan and includes biographies of famous film producers and directors in Hong Kong. Also contains reviews of award-winning films from Asian film festivals and the eighteen-year history of the Golden Horse Film Awards in Taiwan. CTFAL Chi

1668 Kawase, Ken’ichi. ඇⰗ࡬ϣ. Taiwan eiga e no sh䲖tai: ichiya ni shite Ch䲚gokujin ni natta t䲖san (t䲖san). ‫ݡ‬ළྱࡌ䫩䫟੷‫ۉ‬: ϣ١䫜䫈䫗ЅмϪ䫜䫛䫔䫐Єᇤ (୊䫆䬄). Nara-ken Kashihara-shi: T䲖y䲖 Shis䲖 Kenky䲚jo; Ŕsaka-fu Suita-shi: hatsubai Birejji Puresu, 1998. 94 p. ISBN 493859854X, 9784938598549 Note: The text begins with an introduction to the film director Wu Nien-chen and his film T䲖san = A Borrowed Life followed by introductions to five additional leading figures in Taiwan cinema: Wang Tung, Liao Hsiang-hsiung, Lin Cheng-sheng, Tsai Ming-liang, Hou Hsiao-hsien, and their films. Contains “A Brief History of Taiwan Cinema,” which includes Taiwan Film during Japanese Occupation (1895–1945), Taiwan Cinema After World War II (1945–1969), the World’s Orphan Era (1970s), and The Era of Taiwan New Cinema (1980s–1990s). Includes photos, stills, posters, and bibliography. WorldCat Jpn

1671 Li, De’an. ଽख़ԥ. Wo kan Zhong wai dian ying. ϢЃЅ֔Ӈ‫ؙ‬. Taibei: Jin went u shu you xian gong si, 1982. 343 p. Series title: Jin wen cong shu; 108 ‫ؖ‬ҹᜣ‫ ;ڣ‬108 Note: Film reviews presented in two parts: Chinese and foreign films. The Chinese film section contains articles on Chinese filmmaking, interviews with film directors and stars, and film reviews. CTFAL Chi

1672

1669

Li, De’an. ଽख़ԥ. Yi ying chun qiu. ਲ‫ڠࡇؙ‬. Taibei: Shui niu chu ban she, 1967.

Kawase, Ken’ichi. ඇⰗ࡬ϣ. Taiwan dian ying xiang yan: bai nian dao lan / zhu zhe Chuanlai Jianyi ; Zhong yi Li Changchuan. ‫ݡ‬ஹӇ‫ؙ‬⡕ᑱ: ‫ښ‬ё࣒ऋ / Я‫ٷ‬ඇⰗ࡬ϣ ; Ѕፆଽ‫ة׶‬.

303

1673

Film Producers, Directors, Actors, Actresses, Cinematographers, Critics, Scholars, Music and Song Composers, and Screenwriters

90 p. Series title: Shui niu xin kan; 16 һܵЈᑂ; 16 Note: A collection of the author’s film articles, reviews, interviews with film directors, and introductions to film actors and actresses. CTFAL Chi

ISBN 9622579175 Series title: Tian shang ren jian; 3 ϳϼϪҼ; 3 Note: Famous film director Li Hanxiang writes about his career, which included filmmaking in Hong Kong, Taiwan, and mainland China. This volume is from a fourvolume series, including autobiographical accounts, experiences, and film industry anecdotes spanning the 1940s to the 1990s. It would seem that the author deliberately omitted most of his professional filmmaking history in Taiwan and left only a few clues to suggest that political concerns might be the reason. WorldCat Chi

1673 Li, Hanxiang (Li, Han-hsiang), 1926–1996 ଽᲆፖ, 1926–1996 Yin hai qian qiu. ુ֋࡛‫ڠ‬. Xianggang: Tian di tu shu you xian gong si, 1997. 260 p. ISBN 9622579159 Series title: Tian shang ren jian; 1 ϳϼϪҼ; 1 Note: Famous film director Li Hanxiang writes about his career, which included filmmaking in Hong Kong, Taiwan, and mainland China. This volume is from a fourvolume series, including autobiographical accounts, experiences, and film industry anecdotes spanning the 1940s to the 1990s. It would seem that the author deliberately omitted most of his professional filmmaking history in Taiwan and left only a few clues to suggest that political concerns might be the reason. WorldCat Chi

1676 Li, Hanxiang, (Li, Han-hsiang), 1926–1996 ଽᲆፖ, 1926–1996 Yin tai wang shi. ુႫ‫܊‬Ѩ. Xianggang: Tian di tu shu you xian gong si, 1997. 258 p. ISBN 9622579183 Series title: Tian shang ren jian; 4 ϳϼϪҼ; 4 Note: Famous film director Li Hanxiang writes about his career, which included filmmaking in Hong Kong, Taiwan, and mainland China. This volume is from a fourvolume series, including autobiographical accounts, experiences, and film industry anecdotes spanning the 1940s to the 1990s. It would seem that the author deliberately omitted most of his professional filmmaking history in Taiwan and left only a few clues to suggest that political concerns might be the reason. WorldCat Chi

1674 Li, Hanxiang (Li, Han-hsiang), 1926–1996 ଽᲆፖ, 1926–1996 Yin he shang xia. ુ૯ϼЎ. Xianggang: Tian di tu shu you xian gong si, 1997. 226 p. ISBN 9622579167 Series title: Tian shang ren jian; 2 ϳϼϪҼ; 2 Note: Famous film director Li Hanxiang writes about his career, which included filmmaking in Hong Kong, Taiwan, and mainland China. This volume is from a fourvolume series, including autobiographical accounts, experiences, and film industry anecdotes spanning the 1940s to the 1990s. It would seem that the author deliberately omitted most of his professional filmmaking history in Taiwan and left only a few clues to suggest that political concerns might be the reason. WorldCat Chi

1677 Lin, Kangrong. ৆ࣉึ. Dian ying bing fen lu / Lin Kangrong zhu. Ӈ‫ؙ‬ᠷ໧࠷ / ৆ࣉึЯ. Hong Kong: Bo ya xuan chu ban she, 2007. 208 p. ISBN 9789889937003 Note: A casual introduction to Hong Kong, Taiwan, Japan, and Hollywood films, film directors, and film industries. WorldCat Chi

1678 Lin, Kangrong. ৆ࣉึ. Zhong wai ding ying man tan / Lin Kangrong, Lian Min’an zhu. Ѕ֔Ӈ‫ࢿؙ‬ড / ৆ࣉึ,‫ھۀ‬ԥЯ. Hong Kong: Bo ya xuan chu ban she, 2002 180 p. ISBN 9628607448 Note: A general introduction to Hong Kong, Taiwan, and Japan films and directors.

1675 Li, Hanxiang (Li, Han-hsiang), 1926–1996 ଽᲆፖ, 1926–1996 Ying cheng nei wai. ‫ֶ֔ڵؙ‬. Xianggang: Tian di tu shu you xian gong si, 1997. 214 p.

304

General

1685 Includes lists of Hong Kong film-related entertainment newspapers and journals (1930s–1970s). WorldCat Chi

1683 Tai yu pian shi dai (1) / Zuo zhe: Guo jia dian ying zi liao guan kou shu dian ying shi xiao zu zuo. ‫ܭݡ‬әЖ‫( ڊ‬ϣ) / ӑ‫ٷ‬: лрӇ‫ࢧޞؙ‬ఖ‫ט‬਎Ӈ‫ؙ‬੗Щ६. Taibei: Guo jia dian ying zi liao guan, 1994. 388 p. ISBN 9579987424 Series title: Taiwan dian ying shi liao cong shu; 003 ‫ݡ‬ஹӇ‫ؙ‬੗ࢧᜣ‫ ;ڣ‬003 Note: Part of the Taiwan Film Oral History project, sponsored by the Chinese Taipei Film Archive, this text includes interviews of related personnel in Taiwanesedialect film production, such as Li Quanxi, Xin Q, Li Jia, Gao Renhe, Chen Hongmin, Cai Yangming, Shen Jiang, and Liang Zhefu; biographical works on Hua Xing Film Studio; and reports on the preservation and restoration projects of Taiwanese-dialect films. The appendix includes an introduction to the currently available Taiwanese-dialect films in the Chinese Taipei Film Archive, a filmography of Taiwanese-dialect films 1955 to 1981, and a bibliography. CTFAL Chi

1679 Lin, Yihua. ৆ᖼ‫ܓ‬. Yu le da jia: ming xing pian. สӀϽр: Ҵլࢡ. Hong Kong: Oxford University Press, 2008. 370 p. ISBN 9780198002000 Note: An entertainment-oriented book about famous film directors, film stars, film festivals, and awards in Hong Kong, Taiwan, and mainland China. CTFAL Chi

1680 Liang, Ruzhou. ᅯ὎ರ. Ming xing, ge xing, si sheng huo. Ҵլ, ‫ܮ‬լ, ೙Т҅. Jiayi shi: Yuan da wen hua, 1977. 208 p. Note: A collection of stories regarding famous film directors, producers, and stars’ private lives in Taiwan and Hong Kong. CTFAL Chi

1684 Taiwan dian ying de sheng yin: Fang ying zhou bao VS Taiwan ying ren / Lin Wenqi, Wang Yuyan zhu bian. ‫ݡ‬ஹӇ‫ؙ‬ϡ‫ٸك‬: ӵྱ‫ ڻڬ‬VS ‫ݡ‬ஹ‫ؙ‬Ϫ / ৆ҹᔂ, ࣼർᆜҰഹ. Taibei: Shu lin chu ban you xian gong si, 2010. 301 p. ISBN 9789574453511, 9574453510 Series title: Dian ying yuan; F8 Ӈ‫ؙ‬ᮛ; F8 Note: A collection of interviews with famous Taiwanese movie figures published in Fang ying zhou bao (Screening Weekly), a weekly film publication in Taiwan since 2005. WorldCat Chi

1681 Liu, Yimin. ฀ϣ‫ھ‬. Ying ju feng yun ren wu. ‫ঁؙ‬գࠥϪ‫׉‬. Taibei: Lian he chu ban she, 1969. 290 p. Note: Biographies and autobiographies of Taiwan’s film directors, stars, and their mothers. CTFAL Chi

1685 Taiwan xin dian ying er shi nian = 20th Anniversary of Taiwanese New Cinema / Taipei Golden Horse Film Festival Executive Committee. ‫ݡ‬ஹЈӇ‫ؙ‬ԏ֐ё = 20th Anniversary of Taiwanese New Cinema / Taipei Golden Horse Film Festival Executive Committee. Taibei: Taipei Golden Horse Film Festival Executive Committee, 2002. 215 p. Note: A bilingual (Chinese and English) text published in celebration of the twentieth anniversary of Taiwan New Cinema (1982–2002). Includes seven film critiques, film synopses of forty-one films, and introductions to twenty-two filmmakers. Includes a chronicle of Taiwan New Cinema and a film history. CTFAL Chi Eng

1682 Qiao, Qiong’en. ᑑᬆ൛. Ban shi ji dian ying qing. ‫ٻ‬ԒઔӇ‫ؙ‬є. Taibei: Ze feng ke ji gu fen you xian gong si, 2004. 127 p. ISBN 9868086205 Note: Published in celebration of the fiftieth anniversary of Zhong ying (1954–2004). The text lists the studio’s twenty best feature films and valorizes thirteen of its most famous film directors and stars. Includes a chronology of Zhong ying. CTFAL Chi

305

1686

Film Producers, Directors, Actors, Actresses, Cinematographers, Critics, Scholars, Music and Song Composers, and Screenwriters

Series title: Xin wen xie zuo cong shu; 1 Јࢨ܎ӑᜣ‫ ;ڣ‬1 Note: Consists of two parts; Part 1 contains interviews with famous film directors and stars. CTFAL Chi

1686 Taiwan ying shi ge ren wu zhi, 1950–1965 / Yao Liqun deng zhuan bian. ‫ݡ‬ஹ‫ؙ‬؆‫ܮ‬Ϫ‫׉‬௨, 1950–1965 / ᝻߹ळҳ᫃ഹ. Taibei: Xing zheng yuan xin wen ju, 2008. 207 p. ISBN 19789860134841 Note: Biographies of thirty-three representative figures in the movie, television, and music industries from 1950 to 1965. Each entry includes a brief biography, photos, film stills, and list of productions. Organized by the number of character strokes in each name. Includes a bibliography and an introduction to the contributors. NTUL Chi

1690 Yang, Shifan. ໷Ԓఅ. Ren wu yan shuo yu Taiwan xin dian ying—yi xiang zhi shi she hui xue de yan jiu. Ϫ‫ߞ׉‬Мӿ‫ݡ‬ஹЈӇ‫—ؙ‬ϣ࣯ҌࡦघϾѹϡ୳ૢ. 154 p. Note: Thesis (M.A.)—National Taiwan University, 1991. Discusses Taiwan’s social condition represented in Taiwan New Cinema of the 1980s by analyzing the social networks presented in the films and by in-depth interviews to acquire personal accounts. Includes five chapters: Chapters 1 and 2 provide a review of Taiwan New Cinema; Chapter 3 describes the theoretical framework and methods, and divides the fifty-five Taiwan New Cinema interviewees into three groups: (1) Reporters / Critics / Scholars, (2) Screenwriters / Directors / Important Technicians, and (3) Producers / Policy Makers; Chapter 4 assesses interview results; and Chapter 5 provides a conclusion. Includes a bibliography and a filmography. NTUL Chi

1687 Tu, Xiangwen. ກጕҹ. Dian yin A ka—kai mai la. ӇᎥA౹—ы๤ࠁ. Taibei: Han huang guo ji wen hua you xian gong si, 2009. 287 p. ISBN 9789866590269 Note: A collection of the author’s interviews with famous movie stars and directors, mainly from Taiwan, and film reviews. Includes photos, stills, and posters. CTFAL Chi

1691 Ying san bai / Dou Jiangming zhu bian. ‫ؙ‬ѧ‫ ښ‬/ 扻࢖ҴҰ൜. Shanghai: Fudan da xue chu ban she, 2006. 342 p. ISBN 7309048431 Note: Shu Qi and Luo Ka, two film critics, directors, and scholars from Hong Kong, present the 100 best films from mainland China, Hong Kong, and Taiwan, the 100 best actors and actresses with accompanying biographies, and the 100 best film directors in Chinese film history. Luo Ka admits in the postscript that the authors only focused on Taiwan’s standard, often-cited titles and film personnel. The book also includes a collection of essays that cover 100 years of Chinese film history, including an essay by Taiwan film critic Huang Ren (pp. 28–59) that deals with Taiwan’s early film history from 1907 to 1964, and an essay by August Palmer (pp. 99–152) that considers the interaction between Hong Kong New Wave films, New Taiwan films, and Mainland China fifth-generation films from 1979 to 1999. Endnotes are included at the end of each essay. Includes both a bibliography and a chronology. WorldCat Chi

1688 Wu, Zhaohui. ྶᢘ༫. Yan po liu ying: nan fang dian ying ren ji shi. 䠑ம߈‫ؙ‬: ۪ҤӇ‫ؙ‬ϪઔӢ. Gaoxiong: Gaoxiong dian ying tu shu guan, 2007. 135 p. ISBN 9789860116922 Series title: Gaoxiong shi dian ying tu shu guan dian ying cong shu; 9. ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖӇ‫ؙ‬ᜣ‫ ;ڣ‬9. Note: A film history of Southern Taiwan, including Kaohsiung, Pingtung, Tainan, and Chiayi based on interviews of representative film directors, cinematographers, and actors and actresses related to the area. A brief biography (in some cases, plus a chronology and film list) has been provided for the selected figures in the book. Includes a bibliography. NTUL Chi

1689 Xie, Jiaxiao. ‫ه‬рᖮ. Yi yuan ren sheng. ਲᮛϪТ. Taibei: Jing sheng wen wu gong ying gong si, 1996. 270 p.

306

Producers and Directors

1694

1691a

1693

Yu, Yeying. ཡ‫⁒׬‬. Dian ying bei wo pao kua le. Ӈ‫ؙ‬ҩϢާቄϦ. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1990. 318 p. ISBN 9571301744 Series title: Ji zhe 25 xiao shi xi lie; 7 ֮‫ٷ‬25ЩЖ‫ ;࠶ڍ‬7 Note: A film journalist’s memoir. Covers film-related news and stories from the 1970s to the 1980s, including historical events and famous directors, producers, actors, and actresses in Taiwan, Hong Kong, and mainland China. CTFAL Chi

Zhongguo dian ying jia lie zhuan / Zhongguo dian ying jia xie hui dian ying shi yan jiu bu bian zhuan. Ѕмӈ‫ؙ‬р࠶‫ ت‬/ Ѕмӈ‫ؙ‬р൓Ͽӈ‫ؙ‬੗୳ૢ‫ח‬൜᫃. Beijing: Zhongguo dian ying chu ban she, 1982–. Note: A comprehensive biographical information resource for Chinese film studies published in mainland China; each entry contains a detailed biography and photo. By 1986, seven volumes were published in this series; however, in the prefaces to Vol. 1 and Vol. 7, the editors claim that the series will present more than 700 significant film personalities in Chinese film history, including those from Hong Kong and Taiwan; moreover, the editor of Vol. 7 states that ten volumes were scheduled to be published. Yet, on the basis of author Jim Cheng’s research, Vol. 7 was the final volume published in 1986, and no film personalities from Taiwan or Hong Kong are introduced in the seven-volume series. Duxiu Chi

1692 Zhongguo dian ying dian shi ming ren lu / Zhu bian Huang Ren deng. ЅлӇ‫ؙ‬Ӈ؆ӜϪ࠷ / Ұഹࢶწҳ. Taibei: Jin ri dian ying za zhi she, 1982. 719 p. Note: Contains more than 2,000 film and television personnel in Taiwan and Hong Kong, each with an accompanying photo, biography, chronology, and production list. Organized by the number of Chinese character strokes in each name. The appendix includes the following lists: films in international film festivals, Golden Horse Award winners, Golden Bell Award winners, R.O.C. Film Production Association Members, R.O.C. Film and Drama Association Trustee and Members, Taiwan Provincial Film and Drama Commerce Members, Taipei Film and Drama Commerce Members, and a Name Index. CTFAL Chi

7.2 7.2.1

PRODUCERS AND DIRECTORS General

1693a Ajia eiga = Asian movie / Yomota Inuhiko hen 䬑䬧䬑ྱࡌ = Asian movie / ‫ף‬Ҥ೧ᐴᴦഹ T䲖ky䲖: Sakuhinsha, 2003. 190 p. ISBN 4878935391 Series: Shis䲖-dokuhon; 9 ‫ڽ‬Ђ媠ӆ; 9 Note: A general introduction to Asian film history, including mainland China, South Korea, Taiwan, and Hong Kong. Presents brief biographies of six Taiwan film directors: Hou Hsiao-hsien (1947–), Edward Yang (1947–2007), King Hu (1931–1997), Tsai Ming-liang (1957–), Ang Lee (1954–), and Wu Nien-chen (1952–). Includes an index and a bibliography (pp. 181–190) WorldCat Jpn

1692a Zhongguo dian ying dian shi yi shu jia ci dian = Dictionary of Chinese film-TV artists / Zhu bian Wang Yunman. Ѕмӈ‫ؙ‬ӈ؇਴भр୫ਹ = Dictionary of Chinese film-TV artists / Ұ൜ࣼ࠭㓧䦚 Nanning: Guangxi ren min chu ban she, 1991. 767 p. ISBN 7219018495 Note: A dictionary containing more than 1,500 entries of selected film and television personnel in mainland China, Hong Kong, and Taiwan through 1990. Many important film directors, such as Bai Ke, Zong You, Wang Tung, and Wang Jujin, are not selected in the book; thus, this is not a good reference source for Taiwan film artists. Organized by the number of Chinese character strokes in each artist’s surname. WorldCat Chi

1694 Andrew, Geoff. Directors A-Z: a concise guide to the art of 250 great film-makers. Chicago: A Cappella Books, 1999. 2 v. ISBN 1853753351 (pbk.), 9781853753350 (pbk.) Note: Selects 250 world cinema filmmakers and provides each entry with a list of the filmmakers’ major films, a film review, and a film still. Taiwanese filmmakers in the volume include Hou Hsiao-hien, King Hu, and Edward Yang. Includes a film title index. WorldCat Eng

307

1694a

Film Producers, Directors, Actors, Actresses, Cinematographers, Critics, Scholars, Music and Song Composers, and Screenwriters

A collection of high-quality, thorough, and enlightening interviews with contemporary filmmakers in mainland China, Taiwan, and Hong Kong. Part II, Voice from Taiwan, includes the following interviews: Hou Hsiaohsien and Chu T’ien-wen, Edward Yang, Wu Nien-jen, Ang Lee, Tsai Ming-liang, and Chang Tso-chi. Include notes and a bibliography. WorldCat Chi

1694a Andrew, Geoff. Dao yan shi ye—yu jian 250 wei shi jie zhu ming dao yan = Directors A-Z: a concise guide to the art of 250 great film-makers / Geoff Andrew zhu, Jiao Xiongping yi. ࣒ࠟ؆ఀ—߁Ԋ250֧Ԓ֎ЯӜ࣒ࠟ = Directors A-Z: a concise guide to the art of 250 great film-makers / Geoff Andrew Я, ဖ೰ ๔ፆ. Taibei: Mai tian chu ban, 2005. 2 v. ISBN 9867252322 (v. 1 pbk.) 9867252330 (v.2 pbk.) Series title: Mai tian ying yin guan; OI3–4 ๤೧‫ٸؙ‬ఖ; OI3–4 Note: The Chinese translation of Geoff Andrew’s work: “Directors A-Z: A Concise Guide to the Art of 250 Great Filmmakers” published in 1999. Selects 250 world cinema filmmakers and provides each entry with a list of the filmmakers’ major films, a film review, and a film still. Taiwanese filmmakers in the volume include Hou Hsiao-hien, King Hu, and Edward Yang. Includes a film title index. NTUL Chi

1696 Berry, Michael (Bai, Ruiwen), 1974– Berry, Michael (Ձᥧҹ), 1974– Guang ying yan yu, dang dai hua yu pian dao yan fang tan lu = Speaking in images, interviews with contemporary filmmakers / Bai Ruiwen zhu, Luo Zuzhen, Liu Junxi, Zhao Manru fan yi. ‫ܬߞׇؙ‬, Ӿ‫ܬܗڊ‬әࣔࠟබঠ࠹ = Speaking in images, interviews with contemporary filmmakers / ՁᥧҹЯ, ஻ྥੵ, ขᒺ‫ܨ‬, ᖀᅸҒࢬፈ. Guilin: Guangxi shi fan da xue chu ban she, 2008. 491 p. ISBN 9787563376438, 7563376437 Note: The mainland China edition of the Chinese translation of Speaking in Images, Interviews with Contemporary Filmmakers published in Taiwan in 2007, and the original English work, published by Columbia University Press in 2005. A collection of high-quality, thorough, and enlightening interviews with contemporary filmmakers in mainland China, Taiwan, and Hong Kong. Part II, Voice from Taiwan, includes the following interviews: Hou Hsiaohsien and Chu T’ien-wen, Edward Yang, Wu Nien-jen, Ang Lee, Tsai Ming-liang, and Chang Tso-chi. Includes notes and a bibliography. WorldCat Chi

1695 Berry, Michael, 1974– Speaking in images, interviews with contemporary filmmakers. New Yorker: Columbia University Press, 2005. 568 p. ISBN 0231133308 (cloth: alk. paper), 0231133316 (pbk.) Note: A collection of high-quality, thorough, and enlightening interviews with contemporary filmmakers in mainland China, Taiwan, and Hong Kong. Part II, Voice from Taiwan, includes the following interviews: Hou Hsiao-hsien and Chu T’ien-wen, Edward Yang, Wu Nien-jen, Ang Lee, Tsai Ming-liang, and Chang Tso-chi. Includes notes and a bibliography. WorldCat Eng

1696a Cai, Guorong. ᓥлึ. Zhongguo jin dai wen yi dian ying yan jiu. Ѕл‫ڊײ‬ҹਲӇ‫ૢ୳ؙ‬. Taibei: Zhonghua Minguo dian ying tu shu guan chu ban bu, 1985. 312 p. Note: Focuses on the so-called literary art film in Taiwan, Hong Kong, and mainland China film history before 1949. Based on the author’s preface, the book includes all Chinese films produced in Taiwan and Hong Kong, and shown publicly in Taipei. Taiwanese-dialect films and films produced by the left-wing film studios in Hong Kong, such as the Great Wall Studio and Phoenix Film Studio, are not included in this list of films shown publicly in Taipei. Provides in-depth studies of the Chinese literary art film, including the definition of Literary Art Film, its early development in mainland China, recent domination by films produced in Hong Kong and Taiwan, the influence of novels and individual film directors, a forecast for the

1695a Berry, Michael (Bai, Ruiwen), 1974– Ձᥧҹ, 1974– Guang ying yan yu, dang dai hua yu pian dao yan fang tan lu = Speaking in images, interviews with contemporary filmmakers / Bai Ruiwen zhu, Luo Zuzhen, Liu Junxi, Zhao Manru fan yi. ‫ܭߞׇؙ‬, Ԅ‫ܭܓڊ‬ә࣒ࠟභড࠷ = Speaking in images, interviews with contemporary filmmakers / ՁᥧҹЯ, ஛ྥੵ, ฀ᒺ‫ܨ‬, ᕿᅸҒࢬፆ. Taibei: Mai tian chu ban, 2007. 482 p. ISBN 9789861732695 Series title: Mai tian wen xue; 214 ๤೧ҹѹ; 214 Note: A Chinese translation of Speaking in Images, Interviews with Contemporary Filmmakers published by Columbia University Press in 2005.

308

Producers and Directors

1700

future, and reviews of some of the most representative literary films and directors. Includes a bibliography (pp. 310–311). WorldCat Chi

Note:

1697 Chen, Feibao. ಴ٞմ. Taiwan dian ying dao yan yi shu. ‫ݡ‬ஹӇ‫ؙ࣒ࠟ‬ਲफ. Taibei: Ya Tai tu shu, 2000. 449 p. ISBN 9578264291 Series title: Taiwan dian ying yan jiu cong shu; 4 ‫ݡ‬ஹӇ‫ૢ୳ؙ‬ᜣ‫ ;ڣ‬4 Note: A study of twenty-two Taiwanese film directors and their directorial arts. NTUL Chi

The Chinese translation of Michel Ciment’s work, which includes interviews with fifty world film directors; however, the Chinese translation includes only forty-seven of them. Each director interview is accompanied by a biography. Taiwanese film directors in the volume include Hou Hsiao-hsien regarding his film A City of Sadness in Venice, 1989; Tsai Ming-liang regarding his films Viva l’amour (1994) and Qing shao nian Nuozhai in Venice, 1994; and Edward Yang regarding his film Gulin Jie shao nian sha ren shi jian in Berlin, 1992. Duxiu Chi

1699 Dan, Hanzhang, 1949–1990 Ԕఈ‫א‬, 1949–1990 Zuo jia dian ying mian mian guan. ӑрӇ‫ؙ‬ӌӌ޲. Taibei: You shi wen hua shi ye gong si, 1976. 276 p. Series title: You shi qi kan cong shu ෂୱ‫׈‬ᑂᜣ‫ڣ‬ Note: A collection of the author’s articles on the world film directors and their works. The first three articles in the book focus on Taiwanese film directors and Taiwanese film production. CTFAL Chi

1697a Chen, Mingzhu. ಴Ҵ෿. 2000–2010 Taiwan nu dao yan yan jiu: ta, ju qing pian, tan hua lu / Chen Mingzhu, Huang Yunqi bian zhu. 2000–2010 ‫ݡ‬ஹѽ࣒ࠟ୳ૢ: ԧ, ঁєә, ডҧ࠷ / ಴Ҵ෿, ࢶུᔂ ഹЯ. Taibei: Xiu wei zi xun ke ji gu fen you xian gong si, 2010. 387 p. ISBN 9789862216132, 9862216131 Note: A study of Taiwanese female movie directors, including their personal lives, fictional films, and interviews. WorldCat Chi

1699a Gang Tai liu da dao yan / Li Youxin bian. ୯‫ࡏݡ‬Ͻ࣒ࠟ / ଽෂЈഹ. Taibei: Zi li wan bao she, 1986. 229 p. Series title: Zi li cong shu; 26 І߹ᜣ‫ ;ڣ‬26 Note: An introduction to four Taiwan and two Hong Kong film directors—Song Cunshou, Li Han-hsiang, Edward Yang, Hou Hsiao-hsien, Xu Anhua, and Fang Yuping—and their films. Includes chronologies, film production lists, interviews, and reviews. CTFAL Chi

1698 Chen, Yijing. ಴ជ᪦. Dong hua chuang yi xian chang: Taiwan dong hua dao yan ming zuo da po xi. ҁޫࡶҺѳԾ: ‫ݡ‬ஹҁޫ࣒ࠟӜӑϽ៖໯. Taibei: Ru guo chu ban she, Da yan wen hua shi ye gu fen you xian gong si, 2009. 197 p. ISBN 9789866702276 Note: A brief introduction to animated film, Taiwan’s animation film history, and forty-three animation directors. Each director is presented with a brief biography, a list of works, synopses, film stills, and animated drawings. CTFAL Chi

1700 Hua yu dian ying 10 dao yan / Yang Yuanying zhu bian; Luo Yijun deng zhu. ‫ܬܗ‬ӈ‫ؙ‬10ࣔࠟ / ໶‫׾‬ᆯҰ൜䩮 ஻਴‫ݳ‬ҳЯ. Hangzhou: Zhejiang she ying chu ban she, 2000. 470 p. ISBN 7805367108, 9787805367101 Series title: Dang dai shi jie dian ying dao yan Ӿ‫ڊ‬Ԓ֎ӈ‫ؙࠟࣔ‬ Note: An introduction to ten contemporary Chinese film directors, including the Taiwanese film directors Hou Hsiao-hsien and Ang Lee. WorldCat Chi

1698a Ciment, Michel. Dian ying xiao xing qiu: shi jie zhu ming dao yan fang tan lu / (Fa) Ximeng zhu; Ren Youliang yi. ӈ‫ؙ‬Щլ‫ܧ‬䩭Ԓ֎ЯӜࣔࠟබঠ࠹ / 䩛֚䩜՝ྤЯ䩮‫ڗ‬Ҏ໇ፈ. Beijing: Beijing da xue chu ban she, 2008. 481 p. ISBN 9787301139042

309

1701

Film Producers, Directors, Actors, Actresses, Cinematographers, Critics, Scholars, Music and Song Composers, and Screenwriters

documentary films and social culture, documentary film and social movements, documentary film and indigenous people, documentary film directors and workers (domestic), documentary film directors and workers (abroad), documentary film history (domestic), and documentary film history (abroad). The materials collected in the bibliography include monographs, dissertations, journal and newspaper articles, handbooks, and manuals. WorldCat Chi

1701 Huang, Ren, 1925– ࢶწ, 1925– Zhong wai ming dao yan ji. Ѕ֔Ӝ࣒ࠟओ. Taibei: Zhongguo dian ying wen xue chu ban she, 1968–1970. 2 v. Note: An introduction to world film directors, including fiftyfour Chinese directors from Taiwan and Hong Kong. Includes biographies and film production lists. CTFAL Chi

1703 Lan, Shuxuan. ঢ‫⋍ڣ‬. Cong chuan tong zhong du li—fen xi Taiwan ji lu pian nu dao yan de chuang zuo huan jing. ԩ‫ࢃة‬Ѕ‫—߹ݻ‬д໯‫ݡ‬ஹઔ࠷әѽ࣒ࠟϡࡶӑࢰ॒. 123 leaves. Note: Thesis (M.A.)—National Taiwan University, 2005. The paper engages the following question: what is Taiwan’s current independent filmmaking environment for women documentary directors? then responds from five different angles: education, science and technology, subjects, profession, and family economic situation. Notes that from 1984–2004, 130 of the 343 documentary films produced in Taiwan were directed by women. Includes a filmography of Male and Female Directors 1984–2004 and a bibliography. NTUL Chi

1702 Ji lu Taiwan: Taiwan ji lu pian yan jiu shu mu yu wen xian xuan ji / zhu bian Zhang Changyan, Li Daoming ; zhi xing bian ji Hong Yawen, Han Xu’er, Zhang Qinyun. ઔ࠷‫ݡ‬ஹ: ‫ݡ‬ஹઔ࠷ә୳ૢ‫ڣ‬۵ӿҹຶ‫ק‬ओ / Ұഹ‫פ‬ቾᴧ, ଽѬҴ ; వҲഹফᖻ઩ҹ, ठ᯾ঌ, ‫פ‬ቦ᭲. Taibei: Xing zheng yuan wen hua jian she wei yuan hui wei tuo cai tuan fa ren guo jia dian ying zi liao guan, 2000. 2 v. ISBN 9570265478 (v. 1), 9570262486 (v. 2) Series title: Taiwan dian ying shi liao cong shu ‫ݡ‬ஹӇ‫ؙ‬੗ࢧᜣ‫ڣ‬ Note: This is the first and most comprehensive bibliography and collection of essays on Taiwan film documentaries. Vol. 1 covers the colonial period and includes sixty-five essays and articles written by three contemporary Taiwan scholars as well as colonial-era Japanese authors whose articles were initially published in Japanese before being translated into Chinese for the purposes of this book. Contains eight parts: (1) Film History; (2) Documentary, News, and Education Films; (3) Film Show Activities; (4) Film Propaganda; (5) Film Censorship; (6) Film Affairs; (7) Film Reviews and Introduction; and (8) a Bibliography of Taiwan Documentary Film Studies During the Colonial Period, which includes monographs (in both Chinese and Japanese), dissertations, and journal articles (in both Chinese and Japanese, dated and undated). There is also a bibliography at the end of the book. Vol. 2 covers Taiwan documentary film studies after 1945 and includes eighty-one essays, articles, interviews, film reviews, and news reports. Similar to Vol. 1, it also contains eight parts: (1) Anthropology Films; (2) Introduction and Review of Taiwan Documentary Films; (3) Theory and Aesthetics of Documentary Film; (4) Documentary Film and Social Movements; (5) Documentary and Indigenous People; (6) Documentary Film Directors and Workers; (7) Documentary Film History, and Analysis; and (8) a Bibliography of Taiwan Documentary Film Studies after 1945, which is organized under the following subjects: anthropology films, China (including Hong Kong) documentary films, review and introduction to Taiwan documentary films, review and introduction to foreign documentary films, documentary filmography and others, documentary film theory and aesthetics,

1704 Lin, Xinghong. ৆ᕭ᜞. Jiao han “Kai mai la” de nu xing—Taiwan shang ye pian nu dao yan ji qi zuo pin yan jiu. ‫چ‬ஃ “ы๤ࠁ” ϡѽԛ—‫ݡ‬ஹ࠱‫׬‬әѽ࣒ࠟߵԷӑԘ୳ૢ. 200 leaves. Note: Thesis (M.A.)—National Cheng Kung University, 1998. Based on the study of sixteen Taiwanese commercial films directed by female directors and interviews with these directors, the paper provides an overall picture of the family, education, marriage, and professional background of Taiwanese female directors during the 1970s and 1980s. Includes a Chinese abstract, a bibliography, and an appendix (including biographies of interviewees, filmography, interview question, time, and location). NCL/NDLTD Chi

1705 Liu, Senyao. ฀ာ⁢. Dao yan yu dian ying: dang dai shi wei dai biao xing dian ying ling hun ren wu. ࣒ࠟӿӇ‫ؙ‬: Ԅ‫ڊ֧֐ڊ‬ԣԛӇ‫ࢼؙ‬ฆϪ‫׉‬. Taipei: Zhi wen chu ban she, 1977.

310

Producers and Directors

1711

314 p. Series title: Xin chao wen ku; 162 Ј଎ҹᆞ; 162 Note: Introduces ten of the most representative figures in concurrent (1977) cinema. NCL Chi

a condition of global modernity. Ma argues that their films collectively foreground the central place of contemporary Chinese films in a transnational culture of memory, characterized by a distinctive melancholy that highlights the difficulty of binding together past and present into a meaningful narrative” (abstract). WorldCat Eng

1706

1709

Liu, Senyao. ฀ာ⁢. Dao yan yu dian ying: dang dai shi wei dai biao xing dian ying ling hun ren wu. ࣒ࠟӿӇ‫ؙ‬: Ԅ‫ڊ֧֐ڊ‬ԣԛӇ‫ࢼؙ‬ฆϪ‫׉‬. Taipei: Zhi wen chu ban she, 1987. 314 p. Note: This is the second edition of the same title published in 1977. Introduces ten of the most representative figures in concurrent (1987) cinema. CTFAL Chi

Peng, Guangwei (Peng, Kuang-wei). ᣴ‫ׇ‬໖. Quan qiu hua yu Haolaiwu Hua yi dao yan—zuo pin tan tao yu xing tai fen xi. Ҫ‫ܧ‬٩ӿϮᒀᩕ‫ܓ‬ᶜ࣒ࠟ—ӑԘ෬क़ӿࡿ‫ݯ‬д໯. 211 p. Note: Thesis (M.A.)—National Taiwan University, 2006. Considering that globalization and Hollywood domination has greatly influenced Chinese filmmaking, the paper selects three major Chinese film directors and compares their works before and after receiving transnational and Hollywood investment, including Ang Lee’s Wedding Banquet (1993) and Crouching Tiger, Hidden Dragon (2000); Zhang Yimou’s Raise the Red Lantern (1992) and Hero (2002); and Chen Kaige’s Farewell My Concubine (1993) and The Promise (2005). Concludes that the influence of globalization is inevitable, and the pressure of box office success challenges the directors’ integrity and cultural and national values. In terms of Taiwan’s film industry, the paper suggests that the government should change its policy: subsidies need to be more carefully directed to promising directors and their works and their subjects should not be limited to “local characteristics.” Includes a Chinese abstract and a bibliography. NCL/NDLTD Chi

1707 Lu, Hong. ᡭ₽. Taiwan dian ying xin wei lai—yi qi nian ji dao yan xian xiang lai tan tao Taiwan dian ying de wei lai. ‫ݡ‬ஹӇ‫ؙ‬Ј‫۔‬ϰ—йࢳёٜ࣒ࠟѳࢣϰ෬क़‫ݡ‬ஹӇ‫ؙ‬ϡ‫۔‬ϰ. 117 leaves. Note: Thesis (M.A.)—National Taiwan University, 2005. Focuses on documentary film directors born in the 1980s, such as Chen Yingrong, Ke Mengrong, and Chen Zhengdao, and comments on the future of Taiwanese film. Claims that these directors born in the 1980s are not influenced by Taiwan New Cinema and do not carry the burden of making a Great Revolutionary Film. Rather, these directors make films that appeal to “commercial” and “mass” taste. Consists of research background, purpose, methodology, and content/film structure, including film scripts. Includes a Chinese abstract and a bibliography. NCL/NDLTD Chi

1710 Qiu, Huadong. ᆥ‫ܓ‬ᗏ. Ni bu ke bu zhi dao de gai bian dian ying li shi de 100 wei ming ren = The 100 most influential persons in film history / Qiu Huadong, Yang Shaobo zhu. ϧϤНϤҌѬϡۨԺӇ‫ؙࣵ‬੗ϡ100֧ӜϪ = The 100 most influential persons in film history / ᆥ‫ܓ‬ᗏ, ໷վமЯ. Taibei: Gao tan wen hua shi ye you xian gong si, 2005. 384 p. ISBN 9867542754 Note: Hou Hsiao-hsien and Ang Lee are selected as two Taiwan film directors among 100 brief entries on the most influential people in film history. NTUL Chi

1708 Ma, Jean. Melancholy drift: marking time in Chinese cinema. Hong Kong: Hong Kong University Press, 2010. 224 p. ISBN 9789888028054 (hbk.), 9888028057 (hbk.), 9888028065 (pbk.), 9789888028061 (pbk.) Note: A significant work focusing on three film directors: Hou Hsiao-hsien, Cai Mingling (Tsai Ming-Liang), and Wong Kar-wai and the representations of melancholy displayed in their films. “Focusing on the highly stylized and nonlinear configurations of time in each director’s films, [Ma] argues that these directors have brought new global respect for Chinese cinema in amplifying motifs of loss, nostalgia, haunting, absence and ephemeral poetics. Hou, Tsai, and Wong all insist on the significance of being out of time, not merely out of place, as

1711 Song Cunshou, Bai Jingrui, Hu Jinquan dian ying hui gu zhan / Zhonghua Minguo dian ying shi ye fa zhan ji jin hui, dian ying tu shu guan zhu ban. ᓠࡖႎ, Ձ࢓ᇳ, ഐ‫ؖ‬⠌Ӈ‫ؙ‬Ҙઆࣁ / Ѕ‫ھܓ‬лӇ‫ؙ‬Ѩ‫׬‬чࣁऴ‫ؖ‬ Ͼ, Ӈ‫ڣؙ֖‬ఖҰ‫ދ‬.

311

1712

Film Producers, Directors, Actors, Actresses, Cinematographers, Critics, Scholars, Music and Song Composers, and Screenwriters

Taibei: Dian ying tu shu guan, 1979–1980. 42, 43, 48 p. Note: Programs from the “Retrospective Film Exhibits of three famous film directors in Taiwan: Song Cunshou (June 5–July 31, 1979), Bai Jingrui (April 5–June 14, 1980), and King Hu (July 29–August 27, 1980).” Includes the exhibition schedules, directors’ writings, film reviews, chronologies, and interviews. CTFAL Chi

96 p. ISBN 0195906071 Series title: Images of Asia Note: As the author states in the preface, this is a work for the nonspecialist and interested layperson. Six of the most important Chinese films directors and their works are selected: Chen Kaige (1952–), Zhang Yimou (1950–), and Tian Zhuangzhuang (1952–) from mainland China, Hou Hsiao-hsien (1947–), and Edward Yang (1947–2007) from Taiwan, and Stanley Kwan (1957–) from Hong Kong. Includes a selected filmography, a bibliography, and an index. WorldCat Eng

1712 Taiwan dian ying jing xuan = Films: made in Taiwan / Ce hua: Zhonghua Minguo dian ying nian guo ji tui guang zu; zhi xing bian ji: Ou Guizhi. ‫ݡ‬ஹӇ‫ = קؘؙ‬Films: made in Taiwan / ೫੿: Ѕ‫ھܓ‬лӇ‫ؙ‬ёл গԐܰ६; వҲഹফ߅ᄉᆙ. Taibei: Wan xiang tu shu gu fen you xian gong si, 1993. Various paginations. ISBN 9576694469 Note: A collection of six essays with accompanying photos, film posters, and stills. Wang Zhicheng’s essay analyzes the relationship between Taiwan film and social change, while Cai Kangyong and Han Liangyi’s essay comments on Taiwan film and literature. The book introduces directors Hou Hsiao-hsien, Edward Yang, and Wang Tung, as well as a group of “new directors,” including Tsai Ming-liang, Ang Lee, Lan Shengchuan, Xu Xiaoming, Chen Guofu, and Ye Hongwei, followed by relevant film synopses and reviews of these director’s films. The appendix includes a list of awards won by the films presented in the book. CTFAL Chi

1715 Wang, Molin. ࣼၢ৆. Dao yan yu zuo pin. ࣒ࠟӿӑԘ. Taibei: Lian ya chu ban she, 1978. 261 p. Series title: Lian ya cong kan; 39 ࡀਐᜣᑂ; 39 Note: This is a collection of the author’s reviews of world famous film directors and their films. In the domestic part, fourteen Taiwanese film directors and their films are presented in four categories: dynasty court films, martial arts films, literary films, and new directors. Includes a filmography. CTFAL Chi

1716 Yi, Zhiyan. ‫ߞ޺ډ‬. Taiwan xin dao yan: di er bo xin lang chao. ‫ݡ‬ஹЈ࣒ࠟ: ҷԏமЈ‫ع‬଎. Taibei: Wan xiang tu shu you xian gong si, 1993. 48 p. Series title: Taiwan dian ying jing xuan xi lie ‫ݡ‬ஹӇ‫࠶ڍקؘؙ‬ Note: Includes director biographies and film reviews representative of the “Second Wave of New Taiwan Cinema.” WorldCat Chi

1713 Taiwan ji lu pian nu dao yan bi ji shu = The female directors of Taiwan Documentary / Lin Xinghong zong bian ji. ‫ݡ‬ஹઔ࠷әѽ࣒ࠟદ֮‫ = ڣ‬The female directors of Taiwan Documentary / ৆ᕭ᜞րഹফ. Gaoxiong: Gaoxiong shi dian ying tu shu guan, 2005. 230 p. ISBN 9570187212 Series title: Gaoxiong shi dian ying tu shu guan dian ying cong shu; 4 ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖӇ‫ؙ‬ᜣ‫ ;ڣ‬4 Note: Introduces twenty female Taiwanese documentary film directors, based on the number of documentary films directed and the time they began making documentary films, along with brief biographies, personal statements, and filmographies. Includes ten essays on Taiwanese female directors and their films. Includes an index of titles and information about other directors. NTUL Chi

1717 Yuan, Qiongqiong. ᭛ᬆᬆ. Qing chun de tian kong. ‫ࡇݙ‬ϡϳ‫׺‬. Taibei: Li Bai chu ban she, 1986. 274 p. Series title: Li Bai wen cong; 5 ଽՁҹᜣ; 5

1714 Tam, Kwok-kan, 1952– New Chinese cinema / Kwok-kan Tam and Wimal Dissanayake. Hong Kong; New York: Oxford University Press, 1998.

312

Producers and Directors

Note:

1723

Consists of two parts: interviews with eight Taiwanese film directors and interviews with folk song singers. CTFAL Chi

Taibei: Zhonghua Minguo dian ying dao yan xie hui, 1996. 112 p. Note: A member’s directory of the R.O.C. Film Directors Association organized by the number of the Chinese character strokes in the names. Each entry includes the member’s photo, brief resume, film list, and a related film still, but no contact information. CTFAL Chi

1718 Zeng, Boren. ߲ᓱწ. Yin wei dao yan, suo yi dian ying: dang dai dian ying dao yan qun xiang. ӹЊ࣒ࠟ, ӛйӇ‫ؙ‬: Ԅ‫ڊ‬Ӈ‫ؙ࣒ࠟ‬ळՌ. Taibei: Yang zhi wen hua shi ye ge fen you xian gong si, 2000. 378 p. ISBN 9578181612 Note: An introduction to forty-five world film directors and their films (268 films total), including three Taiwanese film directors: Hou Hsiao-hsien, Ang Lee, and Tsai Ming-liang. Includes a list of the venues where the author reviewed the films and a chronology. NTYLibIPS Chi

7.2.2

Individual Producers and Directors

Bai, Jingrui, 1931–1997 Ձ࢓ᇳ, 1931–1997 1722 Huang, Ren, 1925– ࢶწ, 1925– Dian ying a lang—Bai Jingrui / Huang Ren bian zhu. Ӈ‫ؙ‬०ᅦ—Ձ࢓ᇳ / ࢶწഹЯ. Taibei: Ya tai tu shu chu ban she, 2001. 276 p. ISBN 957264666 Series title: Taiwan dian ying yan jiu cong shu ‫ݡ‬ஹӇ‫ૢ୳ؙ‬ᜣ‫ڣ‬ Note: Published to commemorate Taiwan film director Bai Jingrui. Includes a biography, film reviews, and essays on Bai’s achievements in film art, as well as Bai Jingrui’s autobiography, papers on film theory, and directing techniques. Includes a chronology and a filmography. CTFAL Chi

1719 Zhang, Jingbei. ‫פ‬ᑽᲅ. Dian ying shou zha = 2003 film reader’s diary. Ӈ‫ؙ‬Ѳ∝ = 2003 film reader’s diary. Taibei: Ying Xiang dian ying za zhi she, 2002. 224 p. ISBN 9868045142 Note: The author’s film diary recorded in 2002; describes her impressions and commentary on Hou Hsiao-hsien in her diary on April 4, 2002; Ang Lee on October 23; Tsai Ming-liang on October 27; and Edward Yang on November 6. NTUL Chi

Bai, Ke, 1913–1964

1720

Ձࡽ, 1913–1964

Zhang, Jingbei. ‫פ‬ᑽᲅ. Meng xiang de ding ge: shi wei yue shang shi jie ying tan de hua ren dao yan. ْЂϡӡ۴: ֐֧ቷϼԒ֎‫ؙ‬Ⴋϡ‫ܓ‬Ϫ࣒ࠟ. Taibei: Xin zi ran zhu yi gu fen you xian gong si, 2004. 307 p. ISBN 9576965373 Note: Focuses on ten Chinese film directors from Taiwan, Hong Kong, and mainland China known worldwide. Among them, the five Taiwan film directors include King Hu, Hou Hsiao-hsien, Edward Yang, Ang Lee, and Tsai Ming-liang. Each director is featured with a biography, film chronology, and an interview. NTUL Chi

1723 Huang, Ren, 1925– ࢶწ, 1925– Bai Ke dao yan ji nian wen ji ji yi zuo xuan ji / Huang Ren bian zhu. Ձࡽ࣒ࠟઔ݉ҹओ᠕୾ӑ‫ק‬ফ / ࢶწഹЯ. Taibei: Ya Tai tu shu, 2003. 253 p. ISBN 9867809076 Series title Taiwan dian ying yan jiu cong shu ‫ݡ‬ஹӇ‫ૢ୳ؙ‬ᜣ‫ڣ‬ Note: Published in commemoration of Bai Ke, executed as a Communist agent in Taiwan in 1964. Includes memorial articles that recollect the life of Bai Ke, biography, filmography, film reviews and film theory essays, and photocopies of relevant documents. Includes photos, film stills, and posters. NTUL Chi

1721 Zhonghua Minguo dian ying dao yan xie hui hui yuan ming dan = Directory/ Directors Guide of Taiwan, R.O.C. / Bian ji: Tang Mingzhu deng. Ѕ‫ھܓ‬лӇ‫ؙ࣒ࠟ‬൒ϾϾ‫؂‬Ӝ‫ = ؁‬Directory / Directors Guide of Taiwan, R.O.C. / ഹফ: ࿔Ҵ෿ҳ.

313

1724

Film Producers, Directors, Actors, Actresses, Cinematographers, Critics, Scholars, Music and Song Composers, and Screenwriters

Cai, Guoxian.

1727 Cai, Mengjian, 1905–2001. ᓥ፽ߗ, 1905–2001. Cai Mengjian zhuan zhen xu ji. ᓥ፽ߗ‫ة‬ѐ‫۝‬ओ. Taibei: Zhuan ji wen xue za zhi she, 1990. 380 p. Series title: Zhuan ji wen xue cong kan; 117 ‫֮ة‬ҹѹ䒴ᑂ; 117 Note: Part two of the author’s autobiography published in 1981. CTFAL Chi

ᓥлࣶ. 1724 Cai, Guoxian. ᓥлࣶ. Ba zai zhuang yuan: Cai Guoxian de qian wan chuan qi. ဣ௩૬ׄ: ᓥлࣶϡ࡛‫࡞ةݛ‬. Taibei: Shi bao wen hua chu ban qi ye gu fen you xian gong si, 2004. 242 p. ISBN 9571340596 Series title: People 0204 Note: Autobiography of Cai Guoxian, film director and local guava farmer in Taiwan. CTFAL Chi

Cai, Mingliang (Tsai, Ming-liang), 1957– ᓥҴ݊, 1957– 1728

Cai, Mengjian, 1905–2001

Cai, Mingliang (Tsai, Ming-liang), 1957– ᓥҴ݊, 1957– Ai qing wan sui: Cai Mingliang de dian ying = Vive l’amour. Дє‫ۈݛ‬: ᓥҴ݊ϡӇ‫ = ؙ‬Vive l’amour. Taibei: Wan xiang tu shu go fen you xian gong si, 1994. 208 p. ISBN 9576695317 (pbk.), 9789576695315 (pbk.) Note: Describes the writing and making of Vive L’amour (1994). Includes screenplay. WorldCat Chi

ᓥ፽ߗ, 1905–2001 1725 Cai, Mengjian, 1905–2001. ᓥ፽ߗ, 1905–2001. Cai Mengjian xing su ji. ᓥ፽ߗ‫ة‬Ҳঈओ. [Taibei: s.n., 1971?] 241 p. Note: Presents the author’s personal collection of his writings, thoughts, lectures, and articles as a military officer, diplomat, mayor, congressman, and executive director of Zhongying (Central Motion Picture Corporation) and film producer in the 1960s in Taiwan. WorldCat Chi

1729 Cai, Mingliang (Tsai, Ming-liang), 1957– ᓥҴ݊, 1957– Ni na bian ji dian: Cai Mingliang zuo pin. ϧъ‫נ‬ӫѡ: ᓥҴ݊ӑԘ. Taibei: Bao ping wen hua shi ye you xian gong si, 2002. 190 p. ISBN 9868007623, 9789868007628 Note: The director’s account of making the film What Time Is It There? (2001). Includes screenplay. WorldCat Chi

1726 Cai, Mengjian, 1905–2001. ᓥ፽ߗ, 1905–2001. Cai Mengjian zhuan zhen ji. ᓥ፽ߗ‫ة‬ѐओ. Taibei: Zhuan ji wen xue za zhi she, 1981. 388 p. Series title: Zhuan ji wen xue cong kan zhi liu shi ‫֮ة‬ҹѹ䒴ᑂҏࡏO Note: An autobiographical work by Cai Mengjian, who, in addition to his other careers as a military officer, diplomat, and congressman, was an executive director of Zhong ying (Central Motion Picture Corporation) in the 1960s. One chapter in his book (pp. 71–86) is dedicated to his 500-day film career; seven films were produced under his leadership. Includes his resume in the beginning of the book. CTFAL Chi

1730 Cai, Mingliang (Tsai, Ming-liang), 1957– ᓥҴ݊, 1957– Qing shao nian Nezha / Cai Mingliang zhu; Zhang Lianghan bian. ‫ݙ‬վё‫ڃ‬ᢁ / ᓥҴ݊Я; ‫פ‬ᑽ⛄ഹ. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 1992. 148 p. ISBN 9573217147, 9789573217145 Series title: Dian ying guan; 33 Ӈ‫ؙ‬ఖ; 33 Note: The director and author’s account of making Rebels of the Neon God (1992). Includes the screenplay. WorldCat Chi

314

Producers and Directors

1737 Note:

1731 Carruthers, Lee. Doing time: timeliness and temporal rhetorics in contemporary cinema. 212 leaves. Note: Thesis (Ph.D.)—University of Chicago, 2008. This is a comparative study of Taiwan film director Cai Mingling (Tsai Ming-Liang) with contemporary film directors Steven Soderbergh (1963–), John Frankenheimer (1930–2002), and François Ozon (1967–). Includes a bibliography. WorldCat Eng

The screenplay, introduction to, and film reviews of The River (1997), directed by Tsai Ming-Liang. CTFAL Chi

1735 Lian = Face / Cai Mingliang . . . [et al.]. ࠙ = Face / ᓥҴ݊ . . . [et al.]. Taibei: Dian cang yi shu jia ting gu fen you xian gong si, 2009. 1 v. (unpaged). ISBN 9789866833618, 9866833615 Note: Includes the screenplay, film reviews, and behind-thescenes stories of making Face (2009), directed by Tsai Ming-Liang. WorldCat Chi

1732 Chen, Ziying (Chen, Tzu-Ying). ಴༙ᔏ. Shen ti dian ying: Cai Mingliang dian ying zhong de shen ti ying xiang = Corporeal movies: the cinematic body in Tsai Ming-liang’s films. ӱՂӇ‫ؙ‬: ᓥҴ݊Ӈ‫ؙ‬ЅϡӱՂ‫ؙ‬Ռ = Corporeal movies: the cinematic body in Tsai Ming-liang’s films. 97 leaves. Note: Thesis (M.A.)—National Chiao Tung University, 2007. The paper studies the cinematic body in Tsai Mingliang’s films, analyzing representations of selfreflection, in contrast to historical nostalgia, in Tsai Ming-liang’s films. Includes a Chinese and English abstract, a bibliography, a filmography, and a glossary. NCL/NDLTD Eng

1735a Lim, Song Hwee. Tsai Ming-liang and a Cinema of Slowness. Honolulu: University of Hawaii Press, 2014. 240 p. ISBN 9780824836849 Note: In this text, which addresses “questions of temporality, materiality, and aesthetics, and examin[es] concepts of authorship, cinephilia, and nostalgia, Song Hwee Lim offers insight into cinematic slowness through the films of the Malaysian-born, Taiwan-based director Tsai Ming-liang” (abstract). WorldCat Eng

1736 Neri, Corrado. Tsai Ming-liang. Venezia: Caforscarina, 2004. 241 p. Note: A biography of Tsai Ming-liang. Includes a bibliography. WorldCat

1733 Dong: dian ying ju ben yu ping lun / Jiao Xiongping, Cai Mingliang bian zhu. ၻ: Ӈ‫ঁؙ‬ӆӿ߰‫ ں‬/ ဖ೰๔, ᓥҴ݊ഹЯ. Taibei: Wan xiang tu shu gu fen you xian gong si, 1998. 182 p. ISBN 9572702653 Series title: Yi shu fang; 29 ਲ‫ ;ࠚڣ‬29 Note: Screenplay and reviews of Tsai Ming-liang’s film The Hole (1998). CTFAL Chi

Ita

1737 Rehm, Jean-Pierre. Cai Mingliang = Tsai Ming-liang / Jean-Pierre Rehm, Olivier Joyard, Daniele Riviere zhu; Suli Chen, Paizhang Wang, Zhiming Lin yi. ᓥҴ݊ = Tsai Ming-liang / Jean-Pierre Rehm, Olivier Joyard, Daniele Riviere (Я); ಴ঈ‫ܡ‬, ࣼ൨ᔛ, ৆࢑Ҵ (ፆ). Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 2001. 121 p. ISBN 9573243814, 9789573243816 Note: The Chinese translation of the original text of interviews with Tsai Ming-liang, published in 1999 in French. Includes photos, film stills, a biography, and a filmography WorldCat Chi

1734 Jiao, Xiongping (Chiao, Peggy). ဖ೰๔. He liu: Cai Mingliang de dian ying / Jiao Xiongping, Cai Mingliang zuo. ૯Ե: ᓥҴ݊ϡӇ‫ ؙ‬/ ဖ೰๔, ᓥҴ݊ӑ. Taibei: Huang guan, 1997. 207 p. ISBN 9573213987, 9789573313984 Series title: Huang guan cong shu: di 2690 zhong ෦ഃᜣ‫ڣ‬: ҷ 2690 ҆

315

1738

Film Producers, Directors, Actors, Actresses, Cinematographers, Critics, Scholars, Music and Song Composers, and Screenwriters

1738

1742

Rehm, Jean-Pierre. Tsai Ming-liang / Jean-Pierre Rehm, Olivier Joyard, Daniele Riviere. Paris: Dis Voir, 1999/2000. 127 p. ISBN 2906571903, 9782906571907, 290657189X, 9782906571891 Note: Interviews with director Tsai Ming-liang. WorldCat Fre

Zhang, Jingbei. ‫פ‬ᑽᲅ. Bu jian bu san—Cai Mingliang yu Li Kangsheng. ϤԊϤ્—ᓥҴ݊ӿଽࣉТ. Singapore: Ba fang wen hua chuang zuo shi, 2004. 139 p. ISBN 9814139106, 9789814139106 Note: With prefaces by both Tsai Ming-liang and Lee Kangsheng, this text provides a detailed description of the filmmaking process of Bu San / Goodbye, Dragon Inn (2003) directed by Tsai Ming-liang and casting direction by Lee Kang-sheng, and Bu Jian / The Missing (2003) directed by Lee Kang-sheng and produced by Tsai Ming-liang, as well as insights into the relationship between these two important figures in contemporary Taiwan cinema. Includes posters, stills, scripts, and credits from the two films. WorldCat Chi

1739 Wen, Tianxiang. ࢨϳፖ. Guang ying ding ge—Cai Mingliang de xin ling chang yu. ‫ׇؙ‬ӡ۴䩠ᓥҴ݊ϡКࢼԾ෢. Taibei: Heng xing guo ji wen hua shi ye you xian gong si, 2002. 251 p. ISBN 9867982118 Series title: Super Star Ϫ‫׉‬ Note: A biography of Tsai Ming-liang. The appendix includes an interview with Tsai Mingliang, and a Tsai chronology and filmography. Includes photos, film stills, stills, and posters. CTFAL Chi

Dan, Hanzhang, 1949–1990 Ԕఈ‫א‬, 1949–1990 1743 Yi ge dian ying zuo jia de dan sheng: Dan Hanzhang ji nian wen ji / Li Daoming bian. ϣϫӇ‫ؙ‬ӑрϡᅈТ: Ԕఈ‫א‬ઔ݉ҹओ / ଽѬҴഹ Taibei: Dian ying zi liao guan, 1991. 370 p. ISBN 9579700583 Note: Commemorates the work of Fred Han-chang Tan, a Taiwan film critic and director. It includes Tan’s essays, film reviews, film scripts, screenplays, and memorial articles by his family members, friends, and colleagues. Includes a chronology and a filmography. CTFAL Chi

1740 Wen, Tianxiang (Wen, Tian-Shiang). ࢨϳፖ. Cai Mingliang yan jiu = The study of Tsai Ming-liang. ᓥҴ݊୳ૢ = The study of Tsai Ming-liang. 195 leaves. Note: Thesis (M.A.)—Chinese Culture University, 1997. Provides an overview of Tsai Ming-liang’s life and film career, including his childhood in Malaysia; claims that Cai’s three films in the 1990s provide the best representation of Taiwan film during that decade. Includes a Chinese abstract, a bibliography, and an appendix (including an interview with Tsai Ming-liang and Tsai’s chronology). NCL/NDLTD Chi

Ding, Boshen, 1916– ౨ᐑ捡, 1916– 1744 Ding, Boshen, 1952– ౨ᐑ捡, 1952– Yi ge dian ying gong zuo zhe de hui yi. ϣϫӇ‫ؙ֞‬ӑ‫ٷ‬ϡҘশ. Xianggang: Ya zhou wen hua shi ye ji gou, 2000. 554 p. Note: An autobiography of Ding Boshen (1952–), film producer, educator, and founder of the Taiwan film production and distribution company Ya zhou ying ye gong si. Includes the film production and distribution lists of Ya zhou. CTFAL Chi

1741 Wu, I-fan. Floating in Taipei? The cultural landscape and film aesthetics in Tsai Ming-liang’s trilogy. Cambridge, MA: North American Taiwán Studies, 2000. 17 p. Note: A paper presented during Panel 5: Contemporary Literature and Performing Arts, at the Sixth Annual Conference of the North American Taiwan Studies Association, June 16–19, 2000, Harvard University. Includes a bibliography. WorldCat Eng

316

Producers and Directors

1749 Note:

Gong, Hong, 1915–2004 ₳ᮜ, 1915–2004 1745 Gong, Hong, 1915–2004 ₳ᮜ, 1915–2004 Ying chen hui yi lu / Gong Hong kou shu; Gong Tianjie zheng li. ‫ؙ‬ຳҘশ࠷ / ₳ᮜ‫ט‬਎; ₳ϳီ‫ݱ‬ԑ. Taibei: Huang guan wen hua chu ban you sian gong si, 2005. 230 p. ISBN 9573321330 Series title: Guang guan cong shu 3446 zhong ෦ഃᜣ‫ ڣ‬3446҆ Fei xiao shuo wen cong; 38 ۘЩМҹᜣ; 38 Note: An autobiography of Gong Hong, general director of Zhong ying (Central Motion Picture Corporation) from 1963 to 1972, where he produced thirty-five films. Includes a chronology. CTFAL Chi

This text on the famous Taiwanese-dialect and martial arts film director and screenwriter Joseph Kuo consists of the following: Part 1, Mr. Kuo’s achievements in Taiwanese-dialect, Mandarin, and Martial Arts films in Taiwan; Part 2, an interview with Mr. Kuo regarding his film career in Taiwan and Hong Kong; Part 3, synopses of Mr. Kuo’s films; and Part 4, an the appendix, which includes a chronology, exhibit of Mr. Kuo’s donations to the Kaohsiung Film Archive, and a bibliography. NTUL Chi

He, Feiguang, 1913–1997 ‫ׇۘح‬, 1913–1997 1748 He Feiguang tu wen zi liao hui bian / Huang Ren bian. ‫ׇ֖ۘح‬ҹ‫ࢧޞ‬ᓫഹ / ࢶწഹ. Taibei: Dian ying zi liao guan, 2000. 134 p. ISBN 9573097206 Series title: Dian ying jia xi lie; 1 Ӈ‫ؙ‬р‫ ;࠶ڍ‬1 Note: A commemorative work featuring He Feiguang, a film actor and director who was born in Taiwan, educated in Taiwan and Japan, and then worked as a film actor and director in mainland China and Taiwan through the 1930s and the 1940s. Contains biographies and memories of He Feiguang, He’s essays and working notes, interviews with and about He Feiguang, reviews of He’s films, and the screenplay of He’s film Tong Ya zhi guang. Includes photos, film stills, a chronology, and a filmography. CTFAL Chi

1746 Taiwan dian ying de tuo huang zhe: Gong Hong zuo tan hui yu ji nian zhan / Zhu ban dan wei: Zhong yang dian ying shi ye gu fen you xian gong si; Cai tuan fa ren guo jia dian ying zi liao guan. ‫ݡ‬ஹӇ‫ؙ‬ϡᓛᄯ‫ٷ‬: ₳ᮜӏডϾӿઔ݉ࣁ / Ұ‫֧؁ދ‬: Ѕ႑Ӈ‫ؙ‬Ѩ ‫׬‬੦‫ڤ‬ϩࡳԍ‫ ;ޅ‬੠֚ࣗϪлрӇ‫ࢧޞؙ‬ఖ. Taibei: Guo jia dian ying zi liao guan, 2004. 16 p. Note: The program for the Forum and Memorial Exhibition of Gong Hong hosted by the Chinese Taipei Film Archive from May 14 to June 18, 2004. Includes articles in memory of Gong Hong, general director of Zhong ying (Central Motion Picture Corporation) in Taiwan from 1963 to 1972; a chronology of Gong Hong; synopses of ten films produced by Gong Hong and presented at the exhibition; and a schedule of the Forum and Memorial Exhibition. CTFAL Chi

1749 He, Lin. ‫ح‬ᕻ. Yin hai fu chen: He Feiguang hua zhuan. ુ֋ൿਭ: ‫ةޫׇۘح‬. Taizhong: Taizhong shi wen hua ju, 2004. 149 p. ISBN 9570188723 Series title: Dian cang Taizhong xi lie; 6 ਹে‫ݡ‬Ѕ‫ ;࠶ڍ‬6 Note: A pictorial biography of He Feiguang, a film actor and director who was born in Taiwan, educated in Taiwan and Japan, and then worked as a film actor and director in mainland China and Taiwan through the 1930s and the 1940s. The author, the daughter of He Feiguang, challenges criticisms leveled against her father during the Chinese Cultural Revolution in the book. Includes film reviews and screenplay of Dong Ya zhi guang. CTFAL Chi

Guo, Nanhong (Kuo, Joseph), 1933– ᔕ۪ᒩ (Kuo, Joseph), 1933– 1747 Guo Nanhong de dian ying shi jie = The world directed by Joseph Kuo / Lin Yuru cai fang zhuan wen, Zheng Deqing zong bian ji. ᔕ۪ᒩϡӇ‫ؙ‬Ԓ֎ = The world directed by Joseph Kuo / ৆ड़Ғ൵ භ᫃ҹ, ቼख़দրഹফ. Gaoxiong: Gaoxiong shi dian ying tu shu guan, 2004. 135 p. ISBN 9570162767 Series title: Gaoxiong shi dian ying tu shu guan dian ying cong shu; 3 ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖӇ‫ؙ‬ᜣ‫ ;ڣ‬3

317

1750

Film Producers, Directors, Actors, Actresses, Cinematographers, Critics, Scholars, Music and Song Composers, and Screenwriters

Note:

Hou, Xiaoxian (Hou, Hsiao-hsien), 1947– ᢡᖮᐊ, 1947– 1750

A work on Hou Hsiao-hsien and his films. Includes a bibliography, a filmography, and an index. WorldCat Ita

1754

Ceretto, Luisa. Il dolore del tempo: il cinema di Hou Hsiao-hsien / Luisa Ceretto, Andrea Morini, Giancarlo Zappoli. Torino: Lindau, 2002. 174 p. ISBN 8871804279, 9788871804279 Note: A biography of Hou Hsiao-Hsien. Includes a filmography and a bibliography. WorldCat Ita

Dellai, Naji. Popular history as mosaic: Hou Hsiao-Hsien’s Taiwan trilogy 61 leaves. Note: Thesis (M.A.)—La Trobe University, 1999. Studies the relationship between Taiwanese popular history and the three films directed by Hou Hsiaohsien known as Hou’s trilogy. Includes a bibliography. WorldCat Fre

1751

1755

Chan, Shuen-yan. History and memory in Hou Hsiao-hsien’s A City of Sadness and Tian Zhuangzhuang’s The Blue Kite. 68 leaves. Note: Thesis (M.A.)—Hong Kong University, 1999. A comparative study of A City of Sadness (Hou Hsiaohsien, 1980) and The Blue Kite (Tian Zhuangzhuang, 1993). Focuses on issues of private memory versus official history. Includes two appendixes (brief biographies of the directors), a filmography, and a bibliography. Full-text access through the HKU Scholars Hub. WorldCat Eng

Durafour, Jean-Michel. Millennium mambo. Chatou, France: Editions de la Transparence, 2006. 84 p. ISBN 2350510190, 9782350510194 Series title: Cinephilie Note: A work on Hou Hsiao-hsien and his film Millennium Mambo (2001). Includes a bibliography. WorldCat Fre

1756 Frodon, Jean-Michel. Hou Hsiao-Hsien / dir de Jean-Michel; pref. par Olivier Assayas. [Paris]: Cahiers du cinema, 1999. 191 p. ISBN 286642249X, 9782866422493 Series title: Collection Essais Note: A study on Hou Hsiao-hsien and his films. WorldCat Fre

1752 Chen, Yuanqiu (Chen, Yuan-chiu). ಴ᤨ‫ڠ‬. Bei qing cheng shi: Hou Xiaoxian de yu hui que wu gui bi = A City of Sadness: Hou Hsiao-Hsien’s elusiveness without evasiveness. ঳є‫صڵ‬: ᢡᖮᐊϡᯩ፯‫׌‬ѩ੺೬ = A City of Sadness: Hou Hsiao-Hsien’s elusiveness without evasiveness. 128 leaves. Note: Thesis (M.A.)—National Chung Cheng University, 2008. Asserts that Hou Hsiao-hsien’s unconventional style in his film A City of Sadness (1989) should be examined carefully, for the director’s representation of history reveals an indirect cinematic, but not an evasive, approach to the historical reality. This position is voiced in contradiction to critics who claim Hou’s representation of the February 28 Incident keeps a safe distance from the sensitive events and conforms to the KMT government’s perspective. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Eng

1757 Frodon, Jean-Michel. Hou Xiaoxian = Hou Hsiao-Hsien / Zuo zhe Olivier Assayas . . . [et al.]; Yi zhe Lin ᢡᖮᐊ = Hou Hsiao-Hsien / ӑ‫ٷ‬Olivier Assayas . . . [et al.]; ፆ‫ٷ‬ ৆࢑Ҵ . . . [et al.]. Taibei: Cai tuan fa ren guo jia dian ying zi liao guan, 2000. 219 p. ISBN 9573097222, 9789573097228 Note: The Chinese translation of the author’s original work in French: Hou Hsiao-hsien, published in 1999, a study on Hou Hsiao-hsien and his films. WorldCat Chi

1758 Guo, Xiaolu. ᔕЩⲉ. Dian ying li lun bi ji. ӈ‫ؙ‬ԑ‫ڹ‬ધ֭. Nanning: Guangxi shi fan da xue chu ban she, 2002. 249 p. ISBN 7563335439

1753 Chiesi, Roberto. Hou Hsiao-hsien: cinema delle memorie nel corpo del tempo. Recco, Genova: Le mani; [Bologna]: Centro studi d’arte Estremo Orientel: Comune di Bologna, Assessorato alla cultura, 2002. 264 p. ISBN 8880122193, 9788880122197

318

Producers and Directors

Note:

1764

A collection of essays on film studies and film theory, including a comparative study on the films directed by Hou Hsiao-hsien in Taiwan and Yasujiro Ozu in Japan. Duxiu Chi

1762 Hou, Xiaoxian (Hou, Hsiao-hsien), 1947– ᢡᖮᐉ, 1947– Hou Xiaoxian dian ying jiang zuo = Hou Hsiao-hsien Master Class / Hou Xiaoxian; Zhuo Botang zhu bian.

1759

ᢡᖮᐉӈ‫܇ؙ‬ӏ = Hou Hsiao-hsien Master Class / ᢡᖮᐉ; ᅤᐑ ἙҰ൜䦚 Guilin: Guangxi shi fan da xue chu ban she, 2009. 235 p. ISBN 9787563384013 Note: Mainland China’s version of the similarly titled text published by Tian di tu shu you xian gong si in Hong Kong in 2008. Presents six lectures given by Hou Hsiao-hsien during the film director’s lecture series, hosted by Hong Kong Baptist University, November 5–7, 2007. Hou discusses his film career and aesthetic concepts, comments on his favorite film directors and their films, and opines on the current situation and future of Taiwan cinema. Includes a filmography. Duxiu (FT) Chi

Hasumi, Shigehiko, 1936– ၬӢԳᴧ, 1936– Hikari o megutte: eiga intavy䲚-sh䲚. ‫ׇ‬䬃䫲䫁䫔䫗: ྱࡌ䬓䭢䬮䭣䭔䴈ओ. T䲖ky䲖: Chikuma Shob䲖, 1991. 357 p. ISBN 4480871691, 9784480871695 Series title: Ryumi䲎ru s䲖sho; 9 䭙䭔䭎䬗䴈䭚ᜣ‫;ڣ‬9 Note: A collection of interviews with eight famous film directors of the world, including Hou Hsiao-Hsien. Includes a filmography. WorldCat Jpn

1760 Hou, Xiaoxian (Hou, Hsiao-hsien), 1947– ᢡᖮᐊ, 1947– Hou Xiaoxian = Hou Hsiao-hsien. ᢡᖮᐊ = Hou Hsiao-hsien. Taibei: San shi ying ye, 2005. [45 p.] Note: A work issued along with a four-DVD set titled: Hou Xiaoxian (Hou Hsiao-hsien) 1983–1986: Hou Xiaoxian (Hou Hsiao-hsien) dian ying jing dian xi lie. Includes the director’s commentary on four of his major film productions. Includes a filmography. WorldCat Chi

1763 Hou Xiaoxian = Hou Hsiao-hsien / Zuo zhe: Olivier Assayas deng; yi zhe: Lin Zhiming deng. ᢡᖮᐊ = Hou Hsiao-hsien / ӑ‫ٷ‬: Olivier Assayas ҳ; ፆ‫ٷ‬: ৆࢑ Ҵҳ. Taibei: Cai tuan fa ren guo jia dian ying zi liao guan, 2000. 219 p ISBN 957307222 Note: The Chinese translation of the original works in French published by Editions Cahiers du cinema in 1999. Consists of essays, interviews, and film reviews about Hou Hsiao-hsien. Includes a chronological, comparative chart of the historical events that Hou Hsiao-hsien films have represented. CTFLib Chi

1761 Hou, Xiaoxian (Hou, Hsiao-hsien), 1947– ᢡᖮᐊ, 1947– Hou Xiaoxian dian ying jiang zuo = Hou Hsiao-hsien Master Class / Hou Xiaoxian; Zhuo Botang zhu bian. ᢡᖮᐊӇ‫܈ؙ‬ӏ = Hou Hsiao-hsien Master Class / ᢡᖮᐊ; ᅤᐑ ἙҰഹ. Xianggang: Tian di tu shu you xian gong si, 2008. 236 p. ISBN 9789882119888 Series title: “Quan qiu hua ren dian ying dao yan jiang zuo” xi lie “Ҫ‫ܓܧ‬ϪӇ‫܈ؙ࣒ࠟ‬ӏ”‫࠶ڍ‬ Note: Presents six lectures given by Hou Hsiao-hsien during the film director’s lecture series, hosted by Hong Kong Baptist University, November 5–7, 2007. Hou discusses his film career and aesthetic concepts, comments on his favorite film directors and their films, and opines on the current situation and future of Taiwan cinema. Includes a filmography and a list of the lecture series attendants. CTFAL Chi

1764 Jiao, Xiongping (Chiao, Peggy). ဖ೰๔. 1993 National Film Year Taiwan, ROC: Hou Hsiao-Hsien / [Author, Peggy Chiao; Translator, Sam Ho, Stephen Teo]. Taiwan: Variety Publishing Co., Ltd., 1993. 64 p. Series title: Films: made in Taiwan; 3 Note: This is one of a three-part introductory and promotional series published in 1993, which was designated a National Film Year in Taiwan, R.O.C. Peggy Chiao was hired to be in charge of organizing the related activities. Includes Hou Hsiao-hsien overview, films (1983–1993), and interviews with Peggy Chiao. WorldCat Eng

319

1765

Film Producers, Directors, Actors, Actresses, Cinematographers, Critics, Scholars, Music and Song Composers, and Screenwriters

1765

1768

Jiao, Xiongping (Chiao, Peggy). ဖ೰๔. Hou Xiaoxian: Taiwan xin dian ying de dai biao ren wu. ᢡᖮᐊ: ‫ݡ‬ஹЈӇ‫ؙ‬ϡ‫ڊ‬ԣϪ‫׉‬. [Taibei]: Wan xiang tu shu gu fen you xian gong si, [1993] 48 p. Series title: Taiwan dian ying jing xuan xi lie ‫ݡ‬ஹӇ‫࠶ڍקؘؙ‬ Note: A biographical work on Hou Hsiao-hsien as the representative figure of Taiwan New Cinema. WorldCat Chi

Moon, Sung Hee. The rhythmic journey: early films of Hou Hsiao-Hsien: an analysis of Summer at grandpa’s and Boys from Fengkuei. 98 leaves. Note: Thesis (A.B., Honors in East Asian Languages and Civilizations)—Harvard University, 2000. The paper studies two early films of Hou Xianxian (Hou Hsiao-Hsien): Boys from Fengkuei (1983) and Summer at Grandpa’s (1984). Includes a bibliography. WorldCat Eng

1769 Shen, Shiao-ying. Permutations of the foreign/er: a study of the works of Edward Yang, Stan Lai, Chang Yi, and Hou Hisao-Hsien. 271 p. Note: Thesis (Ph.D.)—Cornell University, 1995. “This study is a tribute to Taiwan New Cinema and the films that came after” (abstract). Focuses on three major film directors of Taiwan New Cinema: Edward Yang, Chang Yi, and Hou Hsiao-hsien, as well as a cultural figure and film director since the 1990s: Stan Lai. The “foreign/er” is used as a framework and metaphor that facilitates the permutation of the varied and complex meanings of Taiwan New Cinema. Assesses how Taipei is the “city foreigner” in Edward Yang’s films; Lan Shengchun’s films explore the “mainlander-foreigner” dynamic; three films made by Chang Yi and his partner Yang Huishan present Yang’s body as a space in which foreign and familiar forces become intertwined; and, as the most daring experimenter, Hou Hsiao-hsien pursues a foreign form to present Taiwan stories in his films. Includes a bibliography. WorldCat Eng

1766 Li, Meirong (Li, Mei-Jung). ଽѤ๎. Ling yi zhong dian ying shi xue: Hou Xiaoxiang dian ying li de huo che—ying xiang = Towards alternative cinematic poetics. ࡔϣ҆Ӈ‫ؙ‬உѹ: ᢡᖮᐊӇ‫ؙ‬Ѷϡ‫ڮ‬ӝ—‫ؙ‬Ռ = Towards alternative cinematic poetics. 86 leaves. Note: Thesis (M.A.)—National Chiao Tung University, 2008. Inspired by Gilles Deleuze’s notion of the time-image, the paper redefines the three signature styles of Hou Hsiao-hsien’s films—nostalgia, slowness, and realism— through a new concept: “train-image.” The train is not simply regarded as a diegetic symbol in his films, but instead a metaphor combining the train-traveling and film-viewing experience to recapitulate the aesthetics of Hou’s films. Includes a Chinese and English abstract, a bibliography, and a filmography. NCL/NDLTD Eng

1767 Ma, Jean Yen-chun. Time without measure, sadness without cure: Hou Hsiao-Hsien’s films of history. 283 leaves. Note: Thesis (Ph.D.)—University of Chicago, 2003. The paper focuses on three of Hou Hsiao-hsien’s films—A City of Sadness (1989), The Puppetmaster (1993), and Good Men, Good Women (1995)—which comprise a historical trilogy covering twentieth-century Taiwan history and also are included among the New Wave Chinese cinematic movements represented by film directors in Taiwan, Hong Kong, and mainland China. The author emphasizes the uniqueness of Hou and his films, which redefine the meaning of national cinema with the environment of globalization, nativism, state-sponsored cultural identity, and regionally differentiated identity. Includes a bibliography. WorldCat (FT) Eng

1770 Tamura, Shizue, 1944– ೧భ࢑ဋብ, 1944– Taiwan ny䲚 shinema no kishu K䲖 K䲖ken no sekai. ‫ݡ‬ළ䬺䭔䴈䬦䬼䭍䫟෇Ѳᢡᖮᐊ䫟Ԓ֎. T䲖ky䲖: Iwanami Shoten, 1990. 62 p. ISBN 4000031155, 9784000031158 Series title: Iwanami bukkuretto; 175 ᎚ம䭅䬲䬞䭛䬲䬷; 175 Note: A biography of Hou Hsiao-hsien. WorldCat

Jpn

1771 Udden, James. Hou Hsiao-hsien and the aesthetics of historical experience. 384 leaves. Note: Thesis (Ph.D.)—University of Wisconsin, Madison, 2003.

320

Producers and Directors

1776

A study of Hou Hsiao-hsien and the aesthetics of his films. Includes a bibliography. WorldCat Eng

1774 Yip, June Chun, 1962– Colonialism and its counter-discourses: On the uses of “nation” in modern Taiwanese literature and film. 2 v. (415 leaves.) Note: Thesis (Ph.D.)—Princeton University, 1996. Explores the formation of Taiwanese nationalism and identity by analyzing 1960s and 1970s Hsiang-tu (Native) literature and 1980s New Taiwan Cinema. Analyzes writer Huang Chunming (Hwang Chunming) and his works and film director Hou Hsiaohsien and his films. Includes a bibliography and a list of films by Hou Hsiao-hsien. WorldCat Eng

1772 Udden, James. No man an island: the cinema of Hou Hsiao-Hsien. Hong Kong: Hong Kong University Press, 2009. 226 p. ISBN 9789622090743 (hbk.), 9622090745 (hbk.) Note: An in-depth analysis of Hou Hsiao-hsien films: Puppetmaster, A City of Sadness, Flowers of Shanghai, and Goodbye South, Goodbye. Superbly expounds on the aesthetics of Hou’s films in terms of historical experience, lighting, improvisational acting, and long, static shots. “James Udden argues that Hou’s films reflect Taiwan’s peculiar historical and geographical situation and could only have emerged there. Udden also examines the regional impact Hou’s films have had on other Asian directors and cinema artists” (abstract). Includes a bibliography. WorldCat Eng

1775 Yip, June Chun, 1962– Taiwanese new cinema and third cinema: post-colonial issues in the films of Hou Hsiao-Hsien. 150 leaves. Note: Thesis (M.A.)—University of California, Los Angeles, 1992. Applies theories of the Third Cinema to an analysis of Taiwan New Cinema, focusing on postcolonial issues presented in Hou Hsiao-Hsien’s films. Includes a bibliography. WorldCat Eng

1772a Wang, Jinchuan. ࣼቆඇ. Hou Xiaoxian yu Yang Dechang dian ying bi jiao yan jiu. ᢡᖮᐉԁ໶ख़ቾӈ‫ؙ‬ԝࢹ୳ૢ. 35 p. Note: Thesis (M.A.)—Nanjing University of the Arts, 2009. A comparative study of Hou Hsiao-hsien and Edward Yang’s films. The study focuses on film techniques, narrative styles, and each director’s perspective on Confucian thought. Includes a summary of the New Taiwan Cinema movement, an abstract in Chinese and English, a bibliography, and an introduction to the author. Duxiu (FT) Chi

1775a Zeng, Zheng. ߲⇜. “Li xing” yu “gan xing” de dui yi: Yang Decang Hou Xiaoxian dian ying bi jiao yan jiu = Sense and sensibility of the unity of opposites: the comparative study on film of Edward Yang and Hou Hsiao-Hsien. “ԑԛ”ԁ “Ҁԛ”ϡцᷓ䩭໶ख़ቾԁᢡᖮᐉӈ‫ؙ‬ԝࢹ୳ૢ= Sense and sensibility of the unity of opposites: the comparative study on film of Edward Yang and Hou Hsiao-Hsien. 47 p. Note: Thesis (M.A.)—Chongqing University, 2013. A comparative study of Hou Hsiao-hsien’s and Edward Yang’s films. Regards Hou and Yang, both born in China in 1947 (with ancestry from Meixian County, Guangdong Province) before moving to Taiwan with their families because of political turmoil in mainland China, as the soul of New Taiwan Cinema. Presents Yang as a “rational thinker” who focuses on Taipei and Hou as a “romantic poet” who describes native Taiwaneseness. Includes a Chinese and English abstract and a bibliography. Wanfang (FX) Chi

1773 Xi lian ren sheng: Hou Xiaoxian dian ying yan jiu = Passionate detachment: Films of Hou Hsiao-hsien / Lin Wenqi, Shen Xiaoyin, Li Zhenya bian. ۚߧϪТ: ᢡᖮᐊӇ‫ؙ‬傘ૢ = Passionate detachment: Films of Hou Hsiao-hsien / ৆ҹᚉ, ਻ཁ᱘, ଽዄਐഹ. Taibei: Mai tian chu ban gu fen you xian gong si, 2000. 389 p. ISBN 9577089534 (pbk.) Series title: Mai tian ren wen; 33 ๤೧Ϫҹ; 33 Note: This collection of essays provides arguably the most broad and in-depth study of Hou Hsiao-hsien’s films up to the year 2000, written by scholars from Taiwan, Hong Kong, and the United States. NTUL Chi

1776 Zhu, Tianwen (Chu, T’ien-wen), 1956– ᗌϳҹ, 1956– Bei qing cheng shi. ঳є‫صڵ‬.

321

1777

Film Producers, Directors, Actors, Actresses, Cinematographers, Critics, Scholars, Music and Song Composers, and Screenwriters

Shanghai: Shanghai wen yi chu ban she, 2001. 248 p. ISBN 7532121003 Series title: Tai Gang ji hai wai Hua yu zuo jia zi xuan wen ku ‫ݡ‬୯᠕֋֔ӑрІ‫ש‬ҹᆟ Note: A collection of four screenplays written by the author and directed by Hou Hsiao-hsien: Dust in the Wind (1986), A City of Sadness (1989), The Puppetmaster (1993), and Good Men, Good Women (1995), as well as the author’s comments and records of making the films. Includes a filmography and a bibliography. Duxiu (FT) Chi

190 p. Note:

The bilingual (Chinese and English) program and conference proceedings of a symposium held during the Twenty-Second Hong Kong International Film Festival in 1998. Includes eight papers about King Hu and his films, and seven papers about the writer Eileen Chang and her works. Includes the biographies of King Hu and Eileen Chang, film festival program notes, and a catalog of Hong Kong International Film Festival retrospective programs. CTFAL Chi

1780 Dai, Ning. ඕો. Wu xi apian sheng yin gui ze zhi yun yong—Hu Jinquan “Da zui xia” yu Li An “Wo hu cang long” zhi bi jiao. ેཱུә‫੺ٸك‬छҏ‫ػ‬ѓ—ഐ‫ؖ‬⠌ “Ͻ௴ཱུ” ӿଽԥ “၃ഝেह” ҏ ԝࢺ. 130 leaves. Note: Thesis (M.A.)—National Chengchi University, 2005. The paper provides a comparative study of King Hu and Ang Lee’s use of sound in their two most famous martial arts films. Includes a Chinese abstract and a bibliography. NCL/NDLTD Chi

1777 Zhu, Tianwen (Chu, T’ien-wen), 1956– ᗌϳҹ, 1956– Hong qi qiu de lu xing: Hou Xiaoxian dian ying ji lu xu bian. ‫ێ‬Ӥ‫ܧ‬ϡ߫Ҳ䩭ᢡᖮᐉӈ‫ؙ‬ઓ࠹۟൜. Jinan: Shandong hua bao chu ban she, 2009. 642 p. ISBN 9787807138419 Note: Written by noted author and famous screenwriter Chu T’ien-wen, many of whose works were directed by Hou Hsiao-hsien. As a supplementary work to the author’s earlier work published by the same publisher in 2006, this text is a combination of reviews, notes, screenplays, filmmaking diaries, and interviews related to Hou Hsiao-hsien and his films, including Flight of the Red Balloon (2006). Includes a list of the author’s screenplays and publications. WorldCat Chi

1781 Hu, Jinquan (Hu, King), 1932–1997 ഐ‫ؖ‬⠌, 1932–1997 Hu Jinquan wu xia dian ying zuo fa = A touch of King Hu / Zhu zhe: Hu Jinquan, Shantian Hongyi, Yutian Chuanxingyang; Yi zhe: Li Ge, Ma Songzhi. ഐ‫ؖ‬⠌ેཱུӇ‫ؙ‬ӑ֚ = A touch of King Hu / Я‫ٷ‬: ഐ‫ؖ‬⠌, ‫ځ‬೧ᒩ ϣ, ཡ೧ඇ؄ଥ; ፆ‫ٷ‬: ཰૯, ެᓠᆙ. Xianggang: Zheng wen she chu ban you xian gong si, 1998. 304 p. ISBN 9626812702 Note: An autobiography of King Hu based on oral records. This is the Chinese translation of the original work published by Soshish Ltd., Tokyo, Japan, in 1997. Includes photos, film stills, stills, postscripts by two Japanese authors, chronology and synopses of Hu’s films, and an obituary prepared by King Hu’s Memorial Service Committee. CTFAL Chi

1778 Zhu, Tianwen (Chu, T’ien-wen), 1956– ᗌϳҹ, 1956– Zui hao de shi guang: Hou Xiaoxian dian ying ji lu. зϮϡЗ‫ׇ‬䩭ᢡᖮᐉӈ‫ؙ‬ઓ࠹䦚 Jinan: Shangdong hua bao chu ban she, 2006. 386 p. ISBN 7807132973, 9787807132974 Note: A combination of film stories, screenplays, and reviews related to Hou Hsiao-hsien and eight of his films, from Dust in the Wind (1986) to Three Times (2005). Includes Hou Hsiao-hsien’s filmography. Duxiu Chi

1782

Hu, Jinquan (Hu, King), 1932–1997

Hu, Jinquan (Hu, King), 1932–1997 ഐ‫ؖ‬⠌, 1932–1997 Shan ke ji / Hu Jinquan, Zhong Ling zhu. ‫ۺځ‬ओ / ഐ‫ؖ‬⠌, ፼ጘЯ. Taibei: Yuan jing chu ban she, 1979. 178 p. Series title: Yuan jing cong kan; 138 ‫࢓׼‬ᜣᑂ; 138

ഐ‫ؖ‬⠌, 1932–1997 1779 Chao qian yu kua yue: Hu Jinquan yu Zhang Ailing = Transcending the times: King Hu and Eileen Chang / Xianggang lin shi shi zheng fu bian. սӓӿቄք: ഐ‫ؖ‬⠌ӿ‫פ‬Дጘ = Transcending the times: King Hu and Eileen Chang / ‫ܫ‬୯ெЖ‫ूص‬௞ഹ. Hong Kong: Provisional Urban Council of Hong Kong, 1998.

322

Producers and Directors

Note:

1789

This is a collection of essays written by King Hu and his wife Zhong Ling. WorldCat Chi

Taibei: Guo jia dian ying zi liao guan, 1999. 44 p. Note: A symposium program and schedule of King Hu’s films; includes King Hu’s autobiographical article regarding his film career, essays, and interviews involving the work of King Hu. Includes the screening schedule, a chronology, and the lists of the films directed by and involved with King Hu. CTFAL Chi

1783 Hu Jinquan de yi shu shi jia / Liang Bingjun deng zuo. ഐ‫ؖ‬⠌ϡਲफԒ֎ / ᅯ᳉ῢҳӑ. Taibei: Yue sheng wen hua shi ye you xian gong si, 2007. 184 p. ISBN 9576307294 Series title: Taibei Jin Ma ying zhan cong shu, 2007; 2 ‫ࣁؙެؖܚݡ‬ᜣ‫ڣ‬, 2007; 2 Note: A special collection of essays focusing on the aesthetic and artistic perspectives of King Hu’s martial art films and style. Includes a King Hu chronology compiled by the Chinese Taipei Film Archive. NTUL Chi

1787 Teo, Stephen. King Hu’s A Touch of Zen. Hong Kong: Hong Kong University Press, 2007. 179 p. ISBN 9789622098152 (pbk.), 9622098150 (pbk.) Note: This is a work on King Hu and his famous film A Touch of Zen (1969). Includes a bibliography, an Index, and a filmography. WorldCat Eng

1784 Hu Jinquan dian ying chuan qi / Hu Weiyao, Liang Bingjun zhu bian. ഐ‫ؖ‬⠌Ӈ‫ ࡞ةؙ‬/ ഐ‫⁢ۆ‬, ᅯ᳉ῢҰഹ. Xianggang: Ming bao chu ban she, 2008. 265 p. ISBN 9789628959983 Series title: Ren wu xi lie Ϫ‫࠶ڍ׉‬ Note: A commemorative work of King Hu. Consists of biographical works, articles in memory of King Hu, and essays on Hu and his films. Includes a bibliography of Hu’s personal writings, a filmography, and a bibliography of Hu and his films. CTFAL Chi

Huang, Zhuohan (Huang, Cho-han), 1920– ࢶᅤఈ, 1920– 1788 Huang, Zhuohan (Huang, Cho-han), 1920– ࢶᅤఈ, 1920– Dian ying ren sheng: Huang Zhuohan hui yi lu. Ӈ‫ؙ‬ϪТ: ࢶᅤఈҘশ࠷. Taibei: Wan xiang tu shu fu fen you xian gong si, 1994. 317 p. ISBN 9576695759 Note: A memoir of Huang Cho-han who began his film production career in Taiwan in 1967, established the film production company First Motion Pictures Co., Ltd. (Di Yi Ying Ye Ji Gou You Xian Going Si), and worked in the film industry in mainland China, Hong Kong, and Taiwan. Includes a chronology. CTFAL Chi

1785 Huang, Ren, 1925– ࢶწ, 1925– Hu Jinquan de shi jie. ഐ‫ؖ‬⠌ϡԒ֎ Taibei: Yan Tai tu shu chu ban she, 1999. 349 p. ISBN 9578264178 (pbk.), 9789578264175 (pbk.) Series title: Taiwan dian ying yan jiu cong shu; 3 ‫ݡ‬ஹӇ‫ؙ‬傘ૢᜣ‫ ;ڣ‬3 Note: Not only a comprehensive biography of King Hu but also a collection of academic essays of Hu’s martial art films by different authors, as well as memoirs from his ex-wife, students, and friends. Includes a bibliography, a chronology, manuscripts, incomplete works, photos, film stills, and posters. WorldCat Chi

Jiubadao (Ke, Jingteng and Ko, Giddens), 1978– ॰өఋ (ᛊ࢓౵), 1978– 1789 Jiubadao (Ke, Jingteng and Ko, Giddens), 1978– ॰өఋ (ᛊ࢓౵), 1978– San sheng you xing = Doubles / Giddens. ѧТϩ؄ = Double / Giddens. Taibei: Chun tian chu ban guo ji wen hua you xian gong si, 2009. 269 p. ISBN 9789866675843, 986667584X Note: The author and director’s work on the creation of Doubles (2009). WorldCat Chi

1786 Shu jian tian ya fu sheng xian ying: da jian shi Hu Jinquan xing zhe de gui ji / Bian yin zhe: Guo jia dian ying zi liao guan. ‫঺ڣ‬ϳᄇൿТࣶ‫ؙ‬: Ͻ঺ؓഐ‫ؖ‬⠌Ҳ‫ٷ‬ϡፋ࿑ / ഹ୅‫ٷ‬: лрӇ‫ؙ‬ ‫ࢧޞ‬ఖ.

323

1790

Film Producers, Directors, Actors, Actresses, Cinematographers, Critics, Scholars, Music and Song Composers, and Screenwriters

experimenter, Hou Hsiao-hsien pursues a foreign form to present Taiwan stories in his films. Includes a bibliography. WorldCat Eng

Ke, Shuqing. ᛊᎂ᥮. 1790 1793

Ke, Shuqing. ᛊᎂ᥮. Yi zhi hu die fei guo. ϣྦᅍႵٞО. Taibei: Lian he wen xue chu ban she, 2001. 226 p. ISBN 9574223446 Series title: Lian he wen cong; 238 ࡀׁҹᜣ; 238 Note: A biography of Lin Zhengsheng and an autobiography of Ke Shuqing; both the author, Ke Shuqing, and her husband are film directors. This text is an account of their daily lives and filmmaking work together. Includes photos. CTFAL Chi

Tao, Qingmei, 1974– ᑀদႰ, 1974– Sha na zhong: Lai Shengchuan de ju chang yi shu / Tao Qingmei, Hou Shuyi. ᏹъЅ: ໰‫ك‬ඇϡঁԾਲफ / ᑀদႰ, ᢡᎂသ. Taibei: Shi bao wen hua chu ban gu fen you xian gong si, 2003. 273 p. ISBN 9571338494; 9789571338491 Series title: Yi shu da shi; 16 ਲफϽؓ; 16 Note: A work on Stan Lai’s theatrical art. Includes a bibliography. WorldCat Chi

Lan, Tianhong, 1924–2007 1791

ঢϳᅋ, 1924–2007

Lin, Zhengsheng. ৆Ԝഄ. Wei lai, yi zhi lai yi zhi lai. ‫۔‬ϰ, ϣ‫ׯ‬ϰϣ‫ׯ‬ϰ. Taibei: Lian he wen xue chu ban she, 2001. 394 p. ISBN 9575223454 Series title: Lian he wen cong; 237 ࡀׁҹᜣ; 237 Note: An autobiography of film director Lin Zhengsheng. Includes a chronology. CTFAL Chi

1794 Lan, Tianhong, 1924–2007 ঢϳᅋ, 1924–2007 Ba shi zai cang sang hua jiu. ࡂ֐ՙፄᇤҧ଒. Taibei: San yi wen hua shi ye you xian gong si, 2007. 324 p. ISBN 9789867308955 Note: Autobiography of Lan Tianhong, film actor, director, producer, and founder of the film company Lan Tian & Tai Jie Ying Ye Gong Si; his career included work in mainland China, Taiwan, and Hong Kong. Includes an index. CTFAL Chi

Lai, Shengchuan (Lai, Stan), 1954– ໰‫ك‬ඇ, 1954– 1792

Li, An (Lee, Ang), 1954–

Shen, Shiao-ying. Permutations of the foreign/er: a study of the works of Edward Yang, Stan Lai, Chang Yi, and Hou Hisao-Hsien. 271 p. Note: Thesis (Ph.D.)—Cornell University, 1995. “This study is a tribute to Taiwan New Cinema and the films that came after” (abstract). Focuses on three major film directors of Taiwan New Cinema: Edward Yang, Chang Yi, and Hou Hsiao-hsien, as well as a cultural figure and film director since the 1990s: Stan Lai. The “foreign/er” is used as a framework and metaphor that facilitates the permutation of the varied and complex meanings of Taiwan New Cinema. Assesses how Taipei is the “city foreigner” in Edward Yang’s films; Lan Shengchun’s films explore the “mainlander-foreigner” dynamic; three films made by Chang Yi and his partner Yang Huishan present Yang’s body as a space in which foreign and familiar forces become intertwined; and, as the most daring

ଽԥ, 1954– 1795 Bauer, Matthias. Ang Lee / Gastherausgeber Matthias Bauer, Hrsg. von Thomas Koebner und Fabienne Liptay. München: Edition Text und Kritik, 2007. 102 p. ISBN 9783883778617 (pbk.), 3883778613 (pbk.) Note: A biography of Ang Lee. Includes a filmography and a bibliography. WorldCat Ger

1796 Burdeau, Emmanuel. Tigre et dragon: Ang Lee / Emmanuel Burdeau; Antoine Thirion Paris: CNC, 2004. 23 p.

324

Producers and Directors

Note:

1804

“Teaching dossier published as part of the Students in Cinema 2004–2005 program. This film was one of six programs on the national list. Contains technical specifications of the film” (abstract). WorldCat Fre

1801 Dai, Ning. ඕો. Wu xi apian sheng yin gui ze zhi yun yong—Hu Jinquan “Da zui xia” yu Li An “Wo hu cang long” zhi bi jiao. ેཱུә‫੺ٸك‬छҏ‫ػ‬ѓ—ഐ‫ؖ‬⠌ “Ͻ௴ཱུ” ӿଽԥ “၃ഝেह” ҏ ԝࢺ. 130 leaves. Note: Thesis (M.A.)—National Chengchi University, 2005. The paper provides a comparative study of King Hu and Ang Lee’s use of sound in their two most famous martial arts films. Includes a Chinese abstract and a bibliography. NCL/NDLTD Chi

1797 Bürkle, Christoph. Ang Lee und sein Kino Poesie im Grossformat. Sulgen: Niggli, 2006. 90 p. ISBN 9783037170212, 3037170212 Note: Analyzes Ang Lee’s filmmaking. WorldCat

Ger

1798

1802

Chen, Duanci. ಴ઉ፦. Dian ying chang jing yu yi fu hao de kong jian wen hua yu quan qiu shi chang hua: Li An zao qi dian ying ge an fen xi = An analysis of the early films of Ang Lee and study of the sight of film, the culture of meaning and film symbols of sight. Ӈ‫ؙ‬Ծ࢓‫ܭ‬Һላ‫ى‬ϡ‫׺‬Ҽҹ٩ӿҪ‫صܧ‬Ծ٩: ଽԥՉ‫׈‬Ӈ‫ؙ‬ϫଈ д໯ = An analysis of the early films of Ang Lee and study of the sight of film, the culture of meaning and film symbols of sight. 119 leaves. Note: Thesis(M.A.)—Ming Chuan University, 2004. Explores space and genre in Ang Lee’s films. Includes a bibliography, a filmography, and chronologies of Hou Hsiao-hsien, Edward Yang, and Ang Lee. NCL/NDLTD Chi

Dian ying dang an: Li An = Cinedossier: Li An / Bian zhe: Taibei Jin Ma guo ji ying zhan zhi xing wei yuan hui. Ӈ‫ؙ‬းଈ: ଽԥ = Cinedossier: Li An / ഹফ: ‫ެؖܚݡ‬лগ‫ࣁؙ‬వ Ҳణ‫؂‬Ͼ. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1991. 47 p. Note: The second volume 2 in a series. Includes Ang Lee’s chronology, interviews, a list of films directed, and critical essays on Ang Lee and his films. CTFAL Chi

1803 Dilley, Whitney Crothers. The cinema of Ang Lee: the other side of the screen. London; New York: Wallflower Press, 2007. 203 p. ISBN 9781905674091 (hbk.), 1905674090 (hbk.), 1905674082 (pbk.), 9781905674084 (pbk.) Note: The topics covered in this text on Ang Lee are revealed in the table of contents: “Introduction: Ang Lee, a History”; “Ang Lee as Director: His Position in Chinese and World Cinema”; “Confucian Values and Cultural Displacement in Pushing Hands”; “Transgressing Boundaries of Gender and Culture in The Wedding Banquet”; “Globalisation and Cultural Identity in Eat Drink Man Woman”; “Opposition and Resolution in Sense and Sensibility”; “Fragmented Narratives/ Fragmented Identities in The Ice Storm”; “Race, Gender, Class and Social Identity in Ride with the Devil”; “Wuxia Narrative and Transnational Chinese Identity in Crouching Tiger, Hidden Dragon”; “The Ultimate Outsider: Hulk”; “Transcending Gender in Brokeback Mountain”; “Conclusion: The Dream of Cinema.” Includes a bibliography and an index. WorldCat Eng

1799 Chen, Suyi. ಴ṅသ. Da dao yan—Li An de gu shi / Chen Suyi zhu, Chen Xuejian, Zhang Qinglong tu. Ͻ࣒ࠟ—ଽԥϡ‫ݞ‬Ѩ / ಴ṅသЯ, ಴ѹࠃ, ‫֜פ‬ह֖. Taibei: Wen jing chu ban she, 2008. 175 p. ISBN 9789576635540 Series title: Wen jing er tong wen ku cheng gong xiao zhuan ji; 10140 ҹҬճুҹᆞ ю‫ۋ‬Щ‫ ;֮ة‬10140 Note: A biography of Ang Lee written for young readers. CTFAL Chi

1800 Cheshire, Ellen. Ang Lee. Harpenden: Pocket Essentials, 2001. 96 p. ISBN 1903047714, 9781903047712 Note: A biography of Ang Lee. WorldCat

1804 Dilley, Whitney Crothers. Kan dong Li An: di yi ben cong xi fang guan dian po xi Li An zhuan shu = Ang Li: The Cinema of Ang Lee: the other side of the screen / Witney Crothers Dilley, Huang Yuwen.

Eng

325

1805

Film Producers, Directors, Actors, Actresses, Cinematographers, Critics, Scholars, Music and Song Composers, and Screenwriters

Ѓ‫ګ‬ଽԥ: ҷϣӆԩ՝Ҥ޲ѡ៖໯ଽԥ֟‫ =ڣ‬Ang Li: The Cinema of Ang Lee: the other side of the screen / Witney Crothers Dilley, ࢶ ◢ҹ. Taibei: Sho zhou wen hua shi ye gu fen you xian gong si, 2009. 317 p. ISBN 9789867586919 (pbk.), 9867586913 (pbk.) Series title: Shi jie ming dao xi lie; 1 = Masters; 001 Ԓ֎Ӝ࣒‫ ;࠶ڍ‬1 = Masters; 001 Note: The Chinese translation of, and commentary on, the original work published in English in 2007: The Cinema of Ang Lee: The Other Side of the Screen. Includes a bibliography. WorldCat Chi

1809 Hu, Qin. Das Kino von Ang Lee: von der chinesischen Philosophie, Kunstauffassung und Kultur zu filmästhetischen Prinzipien. Remscheid: Gardez!-Verlag, 2008. 122 p. ISBN 9783897962095, 3897962098 Note: A work on Ang Lee’s films. Includes a bibliography. WorldCat Ger

1810 Huang, Ren, 1925– ࢶწ, 1925– Wo hu cang long Haolaiwu: Li An yu hua yi ying ren jing ying / Huang Ren, Liang Liang zhu. ၃ഝেहϮᒀᩕ: ଽԥӿ‫ܓ‬ᶜ‫ؙ‬Ϫ‫ ؘ߭‬/ ࢶწ, ᅯમЯ. Taibei: Ya Ta tu shu chu ban she, 2002. 223 p. ISBN 9578264933 Series title: Taiwan dian ying yan jiu cong shu; 8 ‫ݡ‬ஹӇ‫ૢ୳ؙ‬ᜣ‫ ;ڣ‬8 Note: A book about Crouching Tiger, Hidden Dragon. Chapters 1–5 describe how Ang Lee broke into Hollywood and feature academic essays on Ang Lee’s films. Chapters 6–9 present successful Chinese directors, cinematographers, technicians, actresses, and actors in Hollywood. NTUL Chi

1805 Dou, Xinping. ᷲЈ‫כ‬. Li An de shi jie. ଽԥϡԒ֎. Beijing: Ren min ri bao chu ban she, 2010. 223 p. ISBN 9787511500625, 7511500625 Note: A biographical work on Ang Lee and his film career. WorldCat Chi

1806 Fend, Yunda. The Chinese patriarch and evolving national identities: Ang Lee’s “Father Knows Best” thematic trilogy. 97 leaves. Note: Thesis (M.A.)—Chapman University, 2005. Analyzes the patriarchal theme of “Father Knows Best” in Ang Lee’s films: Eat Drink Man Woman, Pushing Hands, and The Wedding Banquet. Includes a bibliography. WorldCat Eng

1811 Li An / Bian zhu: Taibei Jin Ma guo ji ying zhan zhi xing wei yuan hui. ଽԥ / ഹЯ: ‫ެؖܚݡ‬лগ‫ࣁؙ‬వҲణ‫؂‬Ͼ. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1991. 48 p. Series title: Dian ying cong shu, dian ying dang an; 2 = Cinedossier 2 Ӈ‫ؙ‬ᜣ‫ڣ‬, Ӈ‫ؙ‬းଈ; 2 = Cinedossier 2 Note: A biographical work on Ang Lee. Includes a filmography. WorldCat Chi

1807 Goodridge, Mike. Directing. Crans-Près-Céligny; Hove: RotoVision, 2002. 176 p. ISBN 2880465052, 9782880465056 Note: A collection of interviews and biographies of famous world film directors, including Oliver Stone, David Lynch, and Ang Lee. WorldCat Eng

1812 Li, Dahan. ଽܺᲆ. Li An de cheng gong fa ze: cong Google dao Anteng Zhongxiong dou shi zhe yang cheng gong de! = Ang Lee’s key to success. ଽԥϡю‫֚ۋ‬छ: ԩGoogleϺԥᗳᇝ೰Ёϥ϶Ҋю‫ۋ‬ϡ! = Ang Lee’s key to success. Taibei: Ru guo chu ban she, 2008. 303 p. ISBN 9789866702242, 9866702243 Note: A biography of Ang Lee. Includes a bibliography. WorldCat Chi

1808 Gossele, Isabell. Das Kino des Ang Lee: im Atem des verborgenen Drachen. Marburg: Tectum-Verl, 2009. 349 p. ISBN 9783828820463, 3828820468 Series title: Wissenschaftliche Beiträge aus dem Tectum-Verlag; 5 Note: A thesis on Ang Lee and his films. WorldCat Ger

326

Producers and Directors

1819

1813

1816a

Li, Dahan. ଽܺᲆ. Yi san zou guo you yi san—Li An, Se jie, Duan bei san. ϣ‫ځ‬ҵОҍϣ‫—ځ‬ଽԥ, աയ, ऄࠧ‫ځ‬. Taibei: Ru guo chu ban she; Da yan wen hua, 2007. 479 p. ISBN 9789868331389 Note: The author’s interviews, introductions, reports, and film reviews related to Ang Lee and his two major works Brokeback Mountain (2005) and Lust, Caution (2007). Includes photos, film posters, and stills. CTFAL Chi

Lin, Lin. ৆ᕻ. Jing shen xue mai de ying xiang biao zheng: Yang Dechang, Li An dian ying de chuan tong wen hua jie du. ‫߱ظؘ‬ኼϡ‫ؙ‬Ռԣ෥䩭໶ख़ቾ䩟ଽԥӈ‫ؙ‬ϡ‫ࢅت‬ҹ٩‫ࢴث‬. 40 p. Note: Thesis (M.A.)—Qufu Normal University, 2013. The author provides an interpretation of Edward Yang and Ang Lee’s films through the lens of traditional Chinese philosophies. For example, Daoist conceptual structures, characteristics influenced by the Confucian tradition, and Buddhist thought are the focal points of this study. Specifically, the paper points out that Yang critiques the relationship between Confucianism and family and societal structures and that both Yang and Lee’s films display Buddhist concepts as revealed in the respective director’s film aesthetics. Includes an abstract in Chinese and English and a bibliography. Duxiu (FT) Chi

1814 Li, Gang, 1957– ଽᐻ, 1957– You dian gan xing you bu shi li xing. ϩѡҀԛҍϤ‫׹‬ԑԛ. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 1996. 238 p. ISBN 9573228432 Series title: Feng xing guan, Li Gang zuo pin; 1 գҲఖ, ଽᐻӑԘ; 1 Note: A biography of Ang Lee as well as an autobiography of Li Gang. Li Gang is film director Ang Lee’s younger brother as well as a screenwriter and film director in Taiwan. Includes photos. CTFAL Chi

1817 Ma, Sheng-mei. Immigrant subjectivities in Asian American and Asian Diaspora literatures. Albany: State University of New York Press, 1998. 188 p. ISBN 0791438295 (hbk.: alk. paper), 9780791438299 (hbk.: alk. paper), 0791438309 (pbk.: alk. paper), 9780791438305 (pbk.: alk. paper) Note: Ang Lee and Carlos Bolosan are presented in studies of immigrant subjectivities in Asian American and Asian Diaspora literatures. WorldCat Eng

1815 Li, Oufan. ଽଟ᰼. Di “Se, jie”—wen xue, dian ying, li shi. ⷺ “ա, യ “—ҹѹ, Ӈ‫ؙ‬, ࣵ੗. Hong Kong: Oxford University Press (China) Ltd, 2008. 152 p. ISBN 9780195498684 Note: Compares Zhang Ailing’s novel and its film adaptation by Ang Lee’s Lust, Caution (2007) as well as historical connections shared by the two works. The appendix includes the author’s essay “Lust, Caution: Vision and Revision” and Guo Shiyong’s essay “‘Se, jie’: xiao shuo yu dian ying dui du.” CTFAL Chi

1818 Mills, Cliff, 1947– Ang Lee. New York: Chelsea House Publishers, 2009, 119 p. ISBN 9781604135664 (alk. paper), 1604135662 (alk. paper) Series title: Asian Americans of Achievement Note: A biography of Ang Lee for juvenile readers. WorldCat Eng

1819 Mo, Wa. ၢ෈. Yue du Li An = Reading Ang Lee / Mo Wa, Fu Huimin. ༊ࢴଽԥ = Reading Ang Lee / ၢ෈, ૳௑์. Beijing: Beijing da xue chu ban she, 2008. 281 p. ISBN 9787301135020, 7301135025 Note: A biography and commentary; explores the relationship between Ang Lee and society, culture, economy, and ideology. Assesses Ang Lee’s film production, distribution, and cultural representation models as they

1816 Lim, Janurary Yee Hiong. Beyond Orientalism: Identity politics of Asian American diasporic literature. 132 leaves. Note: Thesis (M.A.)—University of Alberta, 2002. A study on the identity politics of three Asian Americans: Chay Yew, a playwright and stage director; Shirley Lim, a writer of poetry, fiction, and criticism; and Ang Lee, a film director. Includes a bibliography. WorldCat Eng

327

1820

Film Producers, Directors, Actors, Actresses, Cinematographers, Critics, Scholars, Music and Song Composers, and Screenwriters

exist at the intersection of Eastern and Western film systems. Includes a bibliography. CTFAL, WorldCat Chi

1825 Tesson, Charles. L’Asie à Hollywood / Charles Tesson; Claudine Paquot; Roger Garcia Paris: Cahiers du Cinéma, 2001. 255 p. ISBN 2866422821, 9782866422820 Note: A work on successful Asian Americans in Hollywood, including Ang Lee, John Woo, Tsui Hark, and Raymond Chow. WorldCat Fre

1820 Mossin, Ulla. Adapting nineteenth century novels for film and television in the nineteen nineties. 60 leaves. Note: Thesis—Syddansk Universitet, Center for Engelsk, 2000. A paper on film adaptations of nineteenth-century novels during the 1990s. Includes the literary and cinematic figures Ang Lee, Anthony Page, Jane Austen, George Eliot, and Simon Langton. WorldCat Eng

1826 Thompson, Emma. Sense and sensibility: the screenplay & diaries: bringing Jane Austen’s novel to film. New York: Newmarket Press, 2008. 288 p. ISBN 1557047820 (pbk.), 9781557047823 (pbk.) Note: A work on the relationship between Sense and Sensibility (1995), directed by Ang Lee, and Jane Austen’s famous novel. WorldCat Eng

1821 Pekler, Michael. Ang Lee und seine filme. Marburg: Schüren, 2009. 190 p. ISBN 9783894726652 (pbk.), 3894726652 (pbk.) Note: A work on Ang Lee and his films. Includes a bibliography and an interview. WorldCat

1827 Yang, Wanyu (Yang, Woan-yuh). ໷ᕫ᠅. Li An dian ying zhong de xing bie xing xiang = The gender images in Ang Lee’s movies. ଽԥӇ‫ؙ‬Ѕϡԛԇ࣏ࢣ = The gender images in Ang Lee’s movies. 100 leaves. Note: Thesis (M.A.)—Fo Guang University, 2004. Classifies Ang Lee’s films according to their representation of gender issues. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD (FT) Chi

Ger

1822 “Se, jie” de shi jie / Zheng Peikai zhu bian. “ա,യ”ϡԒ֎ / ችഷᏐҰ൜. Guilin: Guangxi shi fan da xue chu ban she, 2007. 165 p. ISBN 9787563369140 Note: Includes film reviews as well as interviews with the director, screenwriter, and main characters of the film Lust, Caution (2007). Includes screenshots, photos, and film stills. CTFAL Chi

1828 Zhang, Kerong. ‫ิࡽצ‬. Li An. ଽԥ. Beijing: Xian dai chu ban she, 2005. 291 p. ISBN 7801885015, 9787801885012 Series title: Hua ren zong heng tian xia = The world is not enough ‫ܗ‬Ϫ࿀่ϳЎ = The world is not enough Note: A biography of Ang Lee. WorldCat Chi

1823 Bürkle, Christoph. Ang Lee und sein Kino Poesie im Grossformat Sulgen: Niggli, 2006. 90 p. ISBN 9783037170212, 3037170212 Note: Analyzes Ang Lee’s filmmaking. WorldCat

Ger

1824 Szeto, Kin-Yan. The martial arts cinema of the Chinese diaspora: Ang Lee, John Woo, and Jackie Chan in Hollywood. Carbondale: Southern Illinois University Press, 2011. 171 p. ISBN 9780809330218 (pbk.: alk. paper), 0809330210 (pbk.: alk. paper), 9780809386208 (ebk.), 0809386208 (ebk.) Note: A work on Ang Lee, John Woo, Jackie Chan, and their martial arts film careers in Hollywood. WorldCat Eng

1829 Zhang, Jingbei. ‫פ‬ᑽᲅ. Shi nian yi jue dian ying meng. ֐ёϣңӇ‫ؙْ‬. Taibei: Shi bao wen hua chu ban qi ye gu fen you xian gong si, 2002.

328

Producers and Directors

1836

485 p. ISBN 9571338036 Series title: People; 308 Note: A comprehensive biography of Ang Lee. Includes a chronology of the films directed by Ang Lee. CTFAL Chi

Li, Gang, 1957– ଽᐻ, 1957– 1833 Li, Gang, 1957– ଽᐻ, 1957– You dian gan xing you bu shi li xing. ϩѡҀԛҍϤ‫׹‬ԑԛ. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 1996. 238 p. ISBN 9573228432 Series title: Feng xing guan, Li Gang zuo pin; 1 գҲఖ, ଽᐻӑԘ; 1 Note: A biography of Ang Lee as well as an autobiography of Li Gang. Li Gang is film director Ang Lee’s younger brother as well as a screenwriter and film director in Taiwan. Includes photos. CTFAL Chi

1830 Zhang, Jingbei. ‫צ‬ᑼᲅ. Shi nian yi jue dian ying meng: Li An zhuan. ֐ёϣҢӈ‫ؙٓ‬䩭ଽԥ‫ت‬. Beijing: Ren min wen xue chu ban she, 2007. 316 p. ISBN 9787020058150, 7020058159 Note: This is the mainland Chinese version of the original biography of Ang Lee published in Taiwan in 2002. WorldCat Chi

1831 Zheng, Peipei, 1946– ቼႬႬ, 1946– Wo hu cang long sui bi. ၃ഝেह‫ڨ‬દ. Hong Kong: ichannel.com Limited, 2000. 171 p. ISBN 9628595547, 9789628595549, 9628595539 (pbk.), 9789628595532 (pbk.) Note: This is a segment of the author’s autobiography: Wo de yan yi sheng ya. It was selected by an editorial board and published in celebration of the release of Ang Lee’s film Crouching Tiger, Hidden Dragon (2000) in Hong Kong. Provides anecdotes from the making of the film. WorldCat Chi

Li, Hanxiang (Li, Han-hsiang), 1926–1996 ଽᲆፖ, 1926–1996 1834 Chen, Laiqi. ವϱ࡞. Yong yuan de Li Hanxiang. ‫׾ݖ‬ϡଽᲆፖ. Beijing: Zhongguo min zu she ying yi shu chu ban she, 1998. 143 p. ISBN 7800691837 (pbk.), 9787800691836 (pbk.) Note: A commemorative book published in memory of Li Han-hsiang; primarily composed of photos, film stills, and other related illustrative materials. WorldCat Chi

Li, Ding. ଽᑾ.

1835 Dou, Yingtai. ᷲ‫׏‬೉. Da dao yan Li Hanxiang. Ͻࣔࠟଽᲆፖ. Ha’erbin: Ha’erbin chu ban she, 1997. 321 p. ISBN 7806390278 Note: A biography of Li Han-hsiang. Includes photos, film stills, posters, and a chronology. CTFAL Chi

1832 Li, Ding. ଽᑾ. Zai jian de di fang: “Ai de fa sheng lian xi” dian ying er san shi = See you again. ӐԊϡсҤ: “Дϡч‫ك‬୚‫”܄‬Ӈ‫ؙ‬ԏѧѨ = See you again. Taibei: Da kuai wen hua chu ban gu fen you xian gong si, 2008. 215 p. ISBN 9789862130940, 9862130946 Note: Director’s account of making the film So Called Love (2008). WorldCat Chi

1836 Feng hua xue yue Li Hanxiang / Bian zhe: Huang Ailing. գՐઞ֊ଽᲆፖ / ഹ‫ٷ‬: ࢶДጘ. Xainggang: Xianggang dian ying zi liao guan, 2007. 270 p. ISBN 9628050400

329

1837 Note:

Film Producers, Directors, Actors, Actresses, Cinematographers, Critics, Scholars, Music and Song Composers, and Screenwriters

The Chinese translation of the original English work Li Han-hsiang, Storyteller, a thoroughly researched work on Li Han-hsiang published by the Hong Kong Film Archive, including a collection of essays by film scholars on Li Han-hsiang’s film art, and a second collection of retrospective essays by Li Han-hsiang’s friends and colleagues. Includes photos, drawings, posters, film stills, a chronology, an index, and a bibliography. CTFAL Chi

1840 Li, Hanxiang (Li, Han-hsiang), 1926–1996 ଽᲆፖ, 1926–1996 San shi nian xi shuo cong tou. ѧ֐ё࢜МԩӰ. Taibei: Lian jing chu ban shi ye gong si, 1982. 320 p. Note: Part 1 of a collection of newspaper columns originally published in the Eastern Daily in Hong Kong; records film-related anecdotes, events, personnel issues, and the author’s personal views regarding the Chinese film world in mainland China, Taiwan, and Hong Kong. The remaining parts of the series were published later in 1984 (and again 1987 as a second edition) by the Hong Kong publisher Tian di tu shu you xian gong si. Includes photos, film stills, stills, and posters. CTFAL Chi

1837 Yong yuan de Li Hanxiang / Zhu bian: Yu Yeying; zhu bi: Huang Ren. ‫׼ݖ‬ϡଽᲆፖ / Ұഹ: ཡ‫ ;⁒׬‬Ұદ: ࢶწ. Taibei: Jin xiu chu ban shi ye gu fen you xian gong si, 1997. 144 p. ISBN 9577203140 Note: A work that commemorates Li Han-hsiang. Includes seven parts: Part 1, Hong Kong Period (1948–1963); Part 2, Post-Hong Kong Period (1971–1982); Part 3, Taiwan Period (1963–1970); Part 4, Mainland Period (1982–1996); Part 5, Asian Film World Shocked by Li’s Death; Part 6, Memories; and Part 7, Li Han-hsiang’s Life and Film. Includes a list of the films directed by Li, Guolian’s film production chronology, and a list of the awards received by Li. CTFAL Chi

1841 Li, Hanxiang (Li, Han-hsiang), 1926–1996 ଽᲆፖ, 1926–1996 San shi nian xi shuo cong tou. ѧ֐ё࢜МԩӰ. Xianggang: Tian di tu shu you xian gong si, 1983–1984. 4 v. ISBN 9622571816, 9789622571815, 9789622571808, 9622571808 Note: A collection of newspaper columns originally published in the Eastern Daily in Hong Kong; records film-related anecdotes, events, personnel issues, and the author’s personal views regarding the Chinese film world in mainland China, Taiwan, and Hong Kong. The remaining parts of the series were published later in 1984 (and again 1987 as a second edition) by the Hong Kong publisher Tian di tu shu you xian gong si. Includes photos, film stills, stills, and posters. CTFAL Chi

1838 Ip, Wing Cheung. Shaw in blue, women in nude: Li Han-Hsiang’s fengyue films in 1970s. 116 leaves. Note: Thesis (M.Phil.)—Hong Kong Baptist University, 2007. Analyzes the Shaw Brothers Studio business model and Li Han-hsiang’s pornographic (fengyue) films produced by the Shaw Brothers Studio in Hong Kong in the 1970s. WorldCat Eng

1842 Li, Hanxiang (Li, Han-hsiang), 1926–1996 ଽᲆፖ, 1926–1996 Yin hai qian qiu. ુ֋࡛‫ڠ‬. Xianggang: Tian di tu shu you xian gong si, 1997. 260 p. ISBN 9622579159 Series title: Tian shang ren jian, 1 ϳϼϪҼ, 1 Note: Famous film director Li Hanxiang writes about his career, which included filmmaking in Hong Kong, Taiwan, and mainland China. This volume is from a fourvolume series, including autobiographical accounts, experiences, and film industry anecdotes spanning the 1940s to the 1990s. It would seem that the author deliberately omitted most of his professional filmmaking history in Taiwan and left only a few clues to suggest that political concerns might be the reason. WorldCat Chi

1839 Jiao, Xiongping (Chiao, Peggy). ဖ೰๔. Li Hanxiang—Taiwan dian ying de kai tuo xian feng. ଽᲆፖ—‫ݡ‬ஹӇ‫ؙ‬ϡыᓛ܏ᅷ. Taibei: Yue sheng wen hua shi ye you xian gong si, 2007. 278 p. ISBN 9789576307287 Series title: Taibei Jin Ma ying zhan cong shu, 2007; 1 ‫ࣁؙެؖܚݡ‬ᜣ‫ڣ‬, 2007; 1 Note: A superior study of Li Han-hsiang as a film director, founder of Guolian Film Studio in Taiwan, and contributor to Taiwan film. Includes photos, film stills, posters, and a chronology. NTUL Chi

330

Producers and Directors

1849 1940s to the 1990s. It would seem that the author deliberately omitted most of his professional filmmaking history in Taiwan and left only a few clues to suggest that political concerns might be the reason. WorldCat Chi

1843 Li, Hanxiang (Li, Han-hsiang), 1926–1996 ଽᲆፖ, 1926–1996 Yin he shang xia. ુ૯ϼЎ. Xianggang: Tian di tu shu you xian gong si, 1997. 226 p. ISBN 9622579167 Series title: Tian shang ren jian; 2 ϳϼϪҼ; 2 Note: Famous film director Li Hanxiang writes about his career, which included filmmaking in Hong Kong, Taiwan, and mainland China. This volume is from a fourvolume series, including autobiographical accounts, experiences, and film industry anecdotes spanning the 1940s to the 1990s. It would seem that the author deliberately omitted most of his professional filmmaking history in Taiwan and left only a few clues to suggest that political concerns might be the reason. WorldCat Chi

1846 Li, Hanxiang (Li, Han-hsiang), 1926–1996 ଽᲆፖ䩟 1926–1996 Ying hai sheng ya: yuan ming san shi nian xi shuo cong tou. ‫֋ؙ‬Тᄇ䩭֍Ӝѧ֐ё࢛ЛԪӳ䦚 [Beijing]: Nong cun du wu chu ban she, 1987. 975 p. Note: A shortened version of the original autobiography published in Hong Kong in 1987. WorldCat Chi

1847 Li Han-hsiang, storyteller = Feng hua xue yue Li Hanxiang / edited by Wong Ain-ling. Li Han-hsiang, storyteller = գՐઞ֊ଽᲆፖ / edited by Wong Ain-ling. Hong Kong: Hong Kong Film Archive, 2007. 308 p. ISBN 9628050419 (pbk.), 9789628050413 (pbk.) Note: A thoroughly researched work on Li Han-hsiang published by the Hong Kong Film Archive, including a collection of essays by film scholars on Li Han-hsiang’s film art, and a second collection of retrospective essays by Li Han-hsiang’s friends and colleagues. Includes photos, drawings, posters, film stills, a chronology, an index, and a bibliography. CTFAL Chi

1844 Li, Hanxiang (Li, Han-hsiang), 1926–1996 ଽᲆፖ, 1926–1996 Ying cheng nei wai. ‫ֶ֔ڵؙ‬. Xianggang: Tian di tu shu you xian gong si, 1997. 214 p. ISBN 9622579175 Series title: Tian shang ren jian; 3 ϳϼϪҼ; 3 Note: Famous film director Li Hanxiang writes about his career, which included filmmaking in Hong Kong, Taiwan, and mainland China. This volume is from a fourvolume series, including autobiographical accounts, experiences, and film industry anecdotes spanning the 1940s to the 1990s. It would seem that the author deliberately omitted most of his professional filmmaking history in Taiwan and left only a few clues to suggest that political concerns might be the reason. WorldCat Chi

1848 Lu, Beibei. ᧛ᲅᲅ. Li Hanxiang “Liang Zhu” dian ying yan jiu: yi nu xing guan zhong ning shi jiao du fen xi. ଽᲆፖ “ᅯࢇ” Ӈ‫ૢ୳ؙ‬: йѽԛ޲ੁ፝؆ࡠ֏д໯. 418 leaves. Note: Thesis (Ph.D.)—Chinese Culture University, 2002. Uses a “female audience perspective” to study Li Hanhsiang’s 1963 Hong Kong film The Love Eterne (Liang Shanbo yu Zhu Yingtai), which was a huge success in Taiwan, winning the Golden Horse Award. WorldCat Chi

1845 Li, Hanxiang, (Li, Han-hsiang), 1926–1996 ଽᲆፖ, 1926–1996 Yin tai wang shi. ુႫ‫܊‬Ѩ. Xianggang: Tian di tu shu you xian gong si, 1997. 258 p. ISBN 9622579183 Series title: Tian shang ren jian; 4 ϳϼϪҼ; 4 Note: Famous film director Li Hanxiang writes about his career, which included filmmaking in Hong Kong, Taiwan, and mainland China. This volume is from a fourvolume series, including autobiographical accounts, experiences, and film industry anecdotes spanning the

1849 Yong yuan de Li Hanxiang / Zhu bian: Yu Yeying; zhu bi: Huang Ren. ‫׼ݖ‬ϡଽᲆፖ / Ұഹ: ཡ‫ ;⁒׬‬Ұદ: ࢶწ. Taibei: Jin xiu chu ban shi ye gu fen you xian gong si, 1997. 144 p. ISBN 9577203140 Note: A work that commemorates Li Han-hsiang. Includes seven parts: Part 1, Hong Kong Period (1948–1963); Part 2, Post-Hong Kong Period (1971–1982); Part 3,

331

Film Producers, Directors, Actors, Actresses, Cinematographers, Critics, Scholars, Music and Song Composers, and Screenwriters

1850

Taiwan Period (1963–1970); Part 4, Mainland Period (1982–1996); Part 5, Asian Film World Shocked by Li’s Death; Part 6, Memories; and Part 7, Li Han-hsiang’s Life and Film. Includes a list of the films directed by Li, Guolian’s film production chronology, and a list of the awards received by Li. CTFAL Chi

Note:

Li, Kangsheng (Lee, Kang-sheng), 1968–

Conference proceedings from the Li Xing Film Symposium hosted by the Chinese Film Artist Association in Suzhou, China in 2007. Includes twenty-four papers presented during the symposium by scholars from mainland China and Taiwan. Includes photos, film stills, posters, lists of film directed by Li Xing, and awards received by Li Xing. CTFAL Chi

1853 Huang, Ren. ࢶწ. Xing zhe ying ji: Li Xing, dian ying, wu shi nian. Ҳ‫ؙٷ‬࿑: ଽҲ, Ӈ‫ؙ‬, ٚ֐ё. Taibei: Shi bao wen hua chu ban shi ye gu feng you xian gong si, 1999. 469 p. ISBN 957133040X Series title: Wen hua cong shu; 157 ҹ٩ᜣ‫ ;ڣ‬157 Note: A comprehensive biography of Li Xing published in celebration of the fiftieth anniversary of his film career. The appendix includes a chronology, a films directed list, an awards received list, and a bibliography. CTFAL Chi

ଽࣉТ, 1968– 1850 Zhang, Jingbei. ‫פ‬ᑽᲅ. Bu jian bu san—Cai Mingliang yu Li Kangsheng. ϤԊϤ્—ᓥҴ݊ӿଽࣉТ. Singapore: Ba fang wen hua chuang zuo shi, 2004. 139 p. ISBN 9814139106, 9789814139106 Note: With prefaces by both Tsai Ming-liang and Lee Kangsheng, this text provides a detailed description of the filmmaking process of Bu San / Goodbye, Dragon Inn (2003) directed by Tsai Ming-liang and casting direction by Lee Kang-sheng, and Bu Jian / The Missing (2003) directed by Lee Kang-sheng and produced by Tsai Ming-liang, as well as insights into the relationship between these two important figures in contemporary Taiwan cinema. Includes posters, stills, scripts, and credits from the two films. WorldCat Chi

1854 Li Xing—yi jia zi de hui huang / zhu bian Jiao Xiongping, Qu Guizhi. ଽҲ—ϣപжϡሓᑟ / Ұഹဖ೰๔, ߅ᄉᆙ. Taibei: Yue sheng wen hua shi ye you xian gong si, 2008. 255 p. ISBN 9789576307348 Series title: Taibei Jin Ma ying zhan cong shu, 2008; 4 ཅ‫ࣁؙެؖܚ‬ᜣ‫ڣ‬, 2008; 4 Note: A special collection of essays, written by film scholars on both sides of the Taiwan Strait, compiled to celebrate the sixtieth anniversary of Li Xing’s film career (1958–2008). The essays cover Li Xing, “father of Taiwan film” and “founder of the Healthy Realism Film movement,” and his classic works. Includes a recent interview and a chronology. NTUL Chi

Li, Xing, 1930– ଽҲ, 1930– 1851 Dian ying xing zhe—Li Xing cong ying wu shi zhou nian hui gu wen xuan / Zhu bian: Li Tianduo, Liu Xiancheng. Ӈ‫ؙ‬Ҳ‫—ٷ‬ଽҲԩ‫ؙ‬ٚ֐‫ڬ‬ёҘઆҹ‫ ק‬/ Ұഹ: ଽϳ⟢, ฀ѳю. Taibei: Taibei shi Zhongguo dian ying shi liao yan jiu hui, 1999. 77 p. Note: A commemorative work in celebration of the fiftieth anniversary of Li Xing’s film career. Includes a record of a panel discussion on Li Xing’s films and seven articles. Includes a list of films directed by Li Xing. CTFAL Chi

1855 Li Xing ba shi: Li Xing zuo pin jing xuan zhan / Dian ying liu shi: Li Xing zuo pin quan zhan = Li Hsing Retrospective: Selected Film Screenings / Complete Screenings / Bian ji: Yao Liqun, Xue Huiling. ଽҲࡂ֐: ଽҲӑԘ‫ ࣁקؘ‬/ Ӈ‫֐ࡏؙ‬: ଽҲӇ‫ؙ‬ӑԘҪࣁ = Hsing Retrospective: Selected Film Screenings / Complete Screenings / ഹফ: ᝻߹ळ, ṟ௑ጘ. Taibei: Xing zheng yuan xin wen ju, 2009. 70 p. Note: A bilingual program from two of Li Xing’s film screenings, “Selected Screenings” and “Complete Screenings,” hosted by the Office of News Affairs, Executive Yuan in Taipei, 2009. Includes the schedules of the two screenings, a biography of Li Xing, synopses of

1852 Hua yu dian ying de ba she zhe—Li Xing dao yan dian ying zuo pin yan tao hui lun wen ji / Zhongguo dian ying jia xie hui bian. ‫ܬܗ‬ӈ‫ؙ‬ϡ᡿ᇎ‫—ٷ‬ଽҲࣔࠟӈ‫ؙ‬ӑԘ୳ॗϿ‫ڹ‬ҹओ / Ѕмӈ‫ؙ‬ р൓Ͽ൜. Beijing: Zhongguo dian ying chu ban she, 2008. 202 p. ISBN 9787106029692

332

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1862

his films, and an essay entitled “Sixty Years of Moral Glamor” by Jiao Xiongping. CTFAL Chi Eng

Dian ying dao yan, dian ying guan. Ӈ‫ؙ࣒ࠟ‬, Ӈ‫ܥؙ‬. Taizhong: Dong yi ying shi shi ye you xian gong si, 2006. 792 p. ISBN 9868282500, 9789868282506 Note: Autobiography of Liao Xiangxiong; describes his life and career as both film director and government official. CTFAL Chi

1856 Lin, Daiman. ৆ᒗ㲅. Li Xing de ben shi. ଽҲϡӆѨ. Taibei: San min shu ju, 2009. 281 p. ISBN 9789571451480 Series title: Shi ji wen ku: zhuan ji 003 Ԓઔҹᆞ: ‫ ֮ة‬003 Note: This is the only biography authorized by Li Xing; includes a detailed description of Li Xing’s family background and film career. Includes a chronology, a family letter (a letter from Li Xing’s older brother is used as the text’s preface), photos, film stills, and posters. NTUL Chi

Lin, Tuanqiu, 1920–1998 ৆Ⲥ‫ڠ‬, 1920–1998 1860 Shi, Wansun. ੘ᙙ‚. Lin Tuanqiu. ৆Ⲥ‫ڠ‬. Taibei: Guo li Taibei yi shu da xue, 2003. 180 p. ISBN 9570143932 Series title: Taiwan xi ju guan—zi shen xi ju jia cong shu ‫ݡ‬ஹۚঁఖ䰭‫ঁۚٹޞ‬рᜣ‫ڣ‬. Note: Biography of Li Tuanqiu: playwright, screenwriter, and director in Taiwan. One chapter of the book is dedicated to Li Tuanqiu’s film career. The appendix includes a chronology, chronicles of his plays and films, and a biography. CTFAL Chi

1857 Xiao xin, ai xin: Li Xianyi ji nian zhuan ji / Xue Huiling bian. ᖮК, ДК: ଽࣶϣઔ݉֟ফ / ṟ௑ጘഹ. Taibei: Li shi geng le tang, 1996. 143 p. Note: A special publication in memory of Li Xianyi (1956– 1995), son of Taiwan film director Li Xing. Includes commemorative articles by Li Xing, other family members, and friends. Includes a chronology. CTFAL Chi

Lin, Zhengsheng, 1959– ৆Ԝഄ, 1959–

Liang, Xiushen (Liang, Slim), 1948–

1861

ᅯࢗӱ, 1948–

Ke, Shuqing. ᛊᎂ᥮. Yi zhi hu die fei guo. ϣྦᅍႵٞО. Taibei: Lian he wen xue chu ban she, 2001. 226 p. ISBN 9574223446 Series title: Lian he wen cong; 238 ࡀׁҹᜣ; 238 Note: A biography of Lin Zhengsheng and an autobiography of Ke Shuqing; both the author, Ke Shuqing, and her husband are film directors. This text is an account of their daily lives and filmmaking work together. Includes photos. CTFAL Chi

1858 Liang, Xiushen (Liang, Slim), 1948– ᅯࢗӱ, 1948– Xi shuo ren sheng. ۚМϪТ. Taibei: Hao jiao chu ban she, 1983. 201 p. Note: A collection of brief articles related to the author’s career as both movie star and director in Taiwan. Includes a list of the roles the author portrayed. WorldCat Chi

Liao, Xiangxiong, 1933– ᴰፖ೰, 1933–

1862 Lin, Zhengsheng, 1959– ৆Ԝഄ, 1959– Lubinxun piao liu ji. Ⴡඐᖱ੆Ե֮.

1859 Liao, Xiangxiong, 1933– ᴰፖ೰, 1933–

333

1863

Film Producers, Directors, Actors, Actresses, Cinematographers, Critics, Scholars, Music and Song Composers, and Screenwriters

Taibei: Lian he wen xue chu ban she you xian gong si, 2003. 175 p. ISBN 9575224337, 9789575224332 Series title: Lian he wen xue; 314 Lian he wen cong; 282 ࡀׁҹѹ; 314 ࡀׁҹᜣ; 282 Note: This is a novel written by the author. WorldCat Chi

Note:

Collected works of the writer, film critic, screenwriter, and documentary film director Liu Na’ou. Includes three parts: Part 1, Screenplays; Part 2, Film Reviews; and Part 3, Other Works. CTFAL Chi

1867 Liu, Na’ou, 1905–1940 ฀໭ᾥ, 1905–1940 Liu Na’ou quan ji, li lun ji / Kang Laixin zong bian ji. ฀໭ᾥҪओ, ԑ‫ں‬ओ / ࣉϰЈրഹফ. Tainan xian Xinying shi: Tainan xian wen hua ju, 2001. 396 p. ISBN 9570279591, 9570279605 Series title: Nanying wen hua cong shu; 89 ۪↡ҹ٩ᜣ‫ ;ڣ‬89 Note: A collection of Liu Na’ou’s writings on art theory and his translations of art theory into Chinese. CTFAL Chi

1863 Lin, Zhengsheng. ৆Ԝഄ. Wei lai, yi zhi lai yi zhi lai. ‫۔‬ϰ, ϣ‫ׯ‬ϰϣ‫ׯ‬ϰ. Taibei: Lian he wen xue chu ban she, 2001. 394 p. ISBN 9575223454 Series title: Lian he wen cong; 237 ࡀׁҹᜣ; 237 Note: An autobiography of film director Lin Zhengsheng. Includes a chronology. CTFAL Chi

1868 Liu, Na’ou, 1905–1940 ฀໭ᾥ, 1905–1940 Liu Na’ou quan ji, ri ji ji / Kang Laixin zong bian ji. ฀໭ᾥҪओ, я֮ओ / ࣉϰЈրഹফ. Tainan xian Xinying shi: Tainan xian wen hua ju, 2001. 2 v. ISBN 9570279613, 9789570279610 Series title: Nanying wen hua cong shu; 90 ۪↡ҹ٩ᜣ‫ ;ڣ‬90 Note: A collection of Liu Na’ou’s diaries from 1927. Includes introduction, diary manuscripts, and a list of Liu’s friends as written in his diaries. CTFAL Chi

Liu, Na’ou, 1905–1940 ฀໭ᾥ, 1905–1940 1864 DeBoer, Stephanie. Pursuing the cinematic in modern literature: a comparative study of Yokomitsu Riichi and Liu Na’ou. 76 leaves. Note: Thesis (M.A.)—Indiana University, 2000. A comparative study of Yokomitsu Riichi and Liu Na’ou, New Sensationalist School writers who pursued the cinematic in modern literature. WorldCat Eng

1869 Liu, Na’ou, 1905–1940 ฀໭ᾥ, 1905–1940 Liu Na’ou quan ji, wen xue ji / Kang Laixin zong bian ji. ฀໭ᾥҪओ, ҹѹओ / ࣉϰЈրഹফ. Tainan xian Xinying shi: Tainan xian wen hua ju, 2001. 452 p. ISBN 9570279559, 9570279567 Series title: Nanying wen hua cong shu; 87 ۪↡ҹ٩ᜣ‫ ;ڣ‬87 Note: A collection of Liu Na’ou’s literary works. CTFAL Chi

1865 Fu, Jialing. Die haipai-Ezahlliteratur. Wiesbaden: Harrsssowitz, 2003. 221 p. ISBN 3447050659, 9783447050654 Note: A work on a literary school in Shanghai in the 1930s and early part of the 1940s; includes writers and artists such as Liu Na’ou. WorldCat Ger

1866 Liu, Na’ou, 1905–1940 ฀໭ᾥ, 1905–1940 Liu Na’ou quan ji, dian ying ji / Kang Laixin zong bian ji. ฀໭ᾥҪओ, Ӈ‫ؙ‬ओ / ࣉϰЈրഹফ. Tainan xian Xinying shi: Tainan xian wen hua ju, 2001. 338 p. ISBN 9570279575, 9570279583 Series title: Nanying wen hua cong shu; 88 ۪↡ҹ٩ᜣ‫ ;ڣ‬88

1870 Liu, Na’ou, 1905–1940 ฀໭ᾥ, 1905–1940 Liu Na’ou quan ji, ying xiang ji / Kang Laixin zong bian ji. ฀໭ᾥҪओ, ‫ؙ‬Ռओ / ࣉϰЈրഹফ. Tainan xian Xinying shi: Tainan xian wen hua ju, 2001. 194 p. ISBN 957027963X, 9570279648

334

Producers and Directors

1877

Series title: Nanying wen hua cong shu; 91 ۪↡ҹ٩ᜣ‫ ;ڣ‬91 Note: A collection of biographical works on the life of Liu Na’ou, including essays on, and a chronicle of, Liu Na’ou’s literary and film career. CTFAL Chi

Cinema directors Hou Hsiao-hsien and Wu Nien-chen (pp. 2–3). Includes a bibliography and an index. WorldCat Eng

1874 Xu, Qinzhen, 1972– ‫ܛ‬ቦ♴, 1972– Mo deng, Shanghai, xin gan jue: Liu Na’ou, 1905–1940. ಎࠪ, ϼ֋, ЈҀң: ฀໭ᾥ, 1905–1940. Taibei: Xiu wei zi xun ke ji gu fen you xian gong si, 2008. 169 p. ISBN 9789866732331, 9866732339 Series title: Shi di zhuan ji; PC0034 Shi ji ying xiang cong shu; 24 ੗с‫ ;֮ة‬PC0034 ԒઔྱՌᜣ‫ ;ڣ‬24 Note: A study of Liu Na’ou’s artistic style and a comparison of his work with the artistic styles of Shanghai in the 1930s. WorldCat Chi

1871 Liu, Na’ou, 1905–1940 ฀໭ᾥ, 1905–1940 Liu Na’ou quan ji, zeng bu ji / Kang Laixin, Xu Qinzhen he bian. ฀໭ᾥҪओ, Ҷਣओ / ࣉϰЈ, ‫ܛ‬ቦ♴ׁഹ. Tainan shi: Guo li Taiwan wen xue guan, 2010. 380 p. ISBN 9789860221879 Note: A supplement to the previously published complete works of Liu Na’ou. Part 3 includes Liu’s articles and papers on film theory and criticism. CTFAL Chi

Long, Fang, 1915–1964

1872 Liu Na’ou guo ji yan tao hui lun wen ji = International Conference on the Works of Liu Na’ou / Zhu zuo ren: Cutivet Sakina, Sanze Zhenmeihui, Wang Yunru deng. ฀໭ᾥлগ୳क़Ͼ‫ں‬ҹओ / Яӑ‫ٷ‬: Cutivet Sakina, ѧ෹ѐѤ௑, ࣼ᏾Ғҳ. Taibei: Guo jia Taiwan wen xue guan, 2005. 704 p. ISBN 9860027714 Note: The book consists of conference lectures, papers, and panel discussions from the International Conference on the Works of Liu Na’ou hosted by National Central University in Taiwan in 2005. As a writer, film critic, screenwriter, and documentary film director during the Japanese colonial era, Liu’s career included residency in Taiwan, Tokyo, and Shanghai. Includes conference schedule and list of the attendees. CTFAL Chi

हᇙ, 1915–1964 1875 Long Fang xian sheng ji nian ce / Bian ji zhe: Long Fang xian sheng ji nian ce bian ji wei yuan hui. हᇙ܏Тઔ݉ೠ / ഹফ‫ٷ‬: हᇙ܏Тઔ݉ೠഹফణ‫؂‬Ͼ. Sanchong shi: Ta di yin shua chang, 1965. 42 p. Note: A work that commemorates Long Fang, executive director of Tai ying (1955–1964). Includes a biography, articles in memory of Long Fang, photos, and film stills. CTFAL Chi

1876 Long Fang xian sheng li nan nian zhou nian ji nian zhuan ji. हᇙ܏Т∿Ԣ⃖‫ڬ‬ёઔ݉֟ओ. [Taiwan: s.n.], 1984. 63 p. Note: A collection of essays as a commemorating Long Fang, executive director of Taiying film studio from 1955 to 1964. WorldCat Chi

1873 Taiwan under Japanese colonial rule 1895–1945: history, culture, memory / edited by Liao Ping-Hui and David Der-Wei Wang. New York: Columbia University Press, 2006. 416 p. ISBN 0231137982 Note: A comprehensive work that captures the history, culture, and memory of Japanese colonial rule in Taiwan. However, it does not provide a serious discussion of cinema during the time period discussed, with an exception of the following: includes descriptions of Liu Na’ou’s career (pp. 224–225) in Shanghai; presents the story of the 1943 film The Bell of Sayon (pp. 279–280), a film that depicts Taiwanese aboriginal peoples and remains the only Japanese colonial feature film made in Taiwan that can still be seen; and includes editor Liao Ping-Hui’s essay which notes that vastly different views of Taiwan’s colonial and postcolonial history are held by former president Lee Tenghui and the views presented in the films directed by the famous New Taiwan

Lu, Sushang, 1915–1970 ᧛पϼ, 1915–1970 1877 Lu, Sushang, 1915–1970 ᧛पϼ, 1915–1970 Taiwan dian ying xi ju shi = A  history of cinema and drama in Taiwan. ‫ݡ‬ஹӇ‫ঁؙۚ‬੗ = A history of cinema and drama in Taiwan. Taibei: Yin hua chu ban she, 1961. 577 p.

335

1878 Note:

Film Producers, Directors, Actors, Actresses, Cinematographers, Critics, Scholars, Music and Song Composers, and Screenwriters

This is the earliest known academic work on Taiwan film and opera/drama history written by a Taiwanese scholar. The first part of the book, Taiwan Film History (pp. 1–156), contains Chapter 1: Taiwan Film During the Japanese Occupation Period, Chapter 2: Taiwan Film after Retrocession, Chapter 3: International Cooperation in Film Production, Chapter 4: Introduction of Taiwan Film Studios, Chapter 5: Official Film Advisory and Censorship Functions, Chapter 6: Non-governmental Film Organizations, Chapter 7: Film Education and Workshops, Chapter 8: Film Related Publications, Chapter 9: Film Theory and Critics, and Chapter 10: Film Industry and Theatres. As a groundbreaking work, the author provides a vast amount of firsthand information about Taiwan film history from 1901 to 1961, including dates, names, and events related to the Taiwan film. As an academic work, however, it is weak in terms of theoretical analysis and objectivity due to the limits of the overall political and academic environment during the time. Moreover, in 1992, Lee Daw-ming, a Taiwan scholar, found out that Lu had copied part of Chapter 3 from Japanese scholar Sai Ichigawa’s work: Ajia eiga no s䲖z䲖 oyobi kensetsu (Creation and Building of Asian Films) in Chapter 1, Taiwan Film During the Japanese Occupation Period within the Taiwan film history part of his work. Lee’s discovery was published in the article: “Dian ying shi ru he lai dao Taiwan de” (How did film come to Taiwan?) in the journal Dian ying xin shang (Film Appreciation), no. 9/10 (September/ October 1993), p. 107. The preface includes an introduction to the author written by You Mijian. The appendix includes the author’s photo collection (pp. 536–542), an essay on Taiwanese-dialect film (pp. 543–544), and the author’s resume (pp. 576). WorldCat Chi

Luo, Xuelian, 1902–2000 ஛ѹ⻋, 1902–2000 1879 Luo gong Xueliang shi shi wu zhou nian ji nian ji / Hu Caihe zong bian ji. ஛ԍѹ⻋ᅴԒٚ‫ڬ‬ёઔ݉ओ / ഐಈᷣրഹফ. Taibei: Ju he guo ji chuan bo you xian gong si, 2006. 175 p. ISBN 9789868295001 Note: A commemorative work for the fifth anniversary of the death of Luo Xuelian, who, beside his many other positions, was a film producer and film studies scholar at several universities in Taiwan. Includes a biography, a chronology, memorial articles, a collection of his articles, and a family photo album of Luo Xuelian. CTFAL Chi

Ming, Ji, 1939– Ҵ┫, 1939– 1880 Ming, Ji. Ҵ┫. Yin he cai wei. ુ૯ಈᑤ. Taibei: Li ming wen hu shi ye gu fen you xian gong si, 1987. 383 p. Note: A collection of lectures and articles by Ming Ji and reflections on Ming Ji’s life by his colleagues at Zhong ying where Ming Ji was the general director and producer from 1978 to 1984. CTFAL Chi

Ou Wei, 1937–1973

1878 Qiu, Kunliang. ᆥᓍમ. Lu Sushang: yin hua piao luo. ᧛पϼ: ુ‫ܓ‬൳޻. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 2004. 189 p. ISBN 9570195010 Series title: Taiwan xi ju guan—zi shen xi ju jia cong shu ‫ݡ‬ஹۚঁఖ䩠‫ঁۚٹޞ‬рᜣ‫ڣ‬ Note: Biography of Lu Shushang, drama director, film narrator, playwright, scholar, screenwriter, and film director in Taiwan. Includes Lu’s chronology, bibliography, and other reference materials. CTFAL Chi

ଟ୺, 1937–1973 1881 Ou Wei / Yao Liqun, Xue Huiling bian. ଟ୺ / ᝻߹ळ, ṟ௑ጘഹ. Taibei: Cai tuan fa ren guo jia dian ying zi liao guan, 2010. 111 p. ISBN 97898668445536 Series title: Yin he ren wu xi lie; 1 ુ૯Ϫ‫ ;࠶ڍ׉‬1 Note: A biographical work on Ou Wei, a Taiwanese film actor and director. Includes photos, stills, and posters; a filmography; a chronology, and a bibliography. CTFAL Chi

336

Producers and Directors

1887 distributed by Lian bang, a Lian bang film production list, film and name indexes, a special terms index, and a bibliography. CTFAL Chi

Qiu, Mingcheng (Chiu, Ming-chong), 1952– ᆥ᎘஧, 1952– 1882

Tong, Yuejuan (Wan, Xiuying; Liang, Ruiying), 1914–

Qiu, Mingcheng, 1952– ᆥ᎘஧, 1952– Wo de yi piao xuan zong tong: fan ying xiong ren wu de hei se you mo ju. Ϣϡϣ‫קܯ‬րࢃ: ‫߭ބ‬೰Ϫ‫׉‬ϡ‫ܪ‬ա྇ࢪঁ. Taibei: Hao jiao chu ban she, 1995. 197 p. ISBN 9576201365, 9789576201363 Note: The director’s analysis and screenplay of the film The Tofu Maker Had a Dream (1994). WorldCat Chi

ু֊ᥱ (‫ݛ‬ഫ߭, ᅯᇳ߭), 1914– 1885 Tong Yuejuan: hui yi lu ji tu wen zi liao hui pian / Tong Yuejuan kou shu; Zuo Guifang, Yao Liqun bian. ু֊ᥱ: Ҙশ࠷᠕֖ҹ‫ࢧޞ‬ᓫഹ / ু֊ᥱ‫ט‬਎; ਅᄉᇙ, ᝻߹ळഹ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 2001. 301 p. ISBN 9570100516; 9570100524 (pbk.) Series title: Dian ying jia xi lie; 2 Ӈ‫ؙ‬р‫ ;࠶ڍ‬2 Note: A collection of Tong Yuejuan’s memorabilia and other related visual and written materials. Tong (1914–2003) was both a film actress and producer, and her professional career took her to mainland China, Hong Kong, and Taiwan. The appendix includes a chronology, a filmography of Xin hua Film Corporation, and postscripts by the editors. Includes photos, film posters, film stills, a bibliography, and film title and name index. CTFAL Chi

Sha, Rongfeng, 1921– ૶ึ๢, 1921– 1883 Sha, Rongfeng, 1921– ૶ึ๢, 1921– Bin fen dian ying si shi chun: Sha Rongfeng hui yi lu. ᠷ໧Ӈ‫ࡇ֐ףؙ‬: ૶ึ๢Ҙশ࠷. Taibei: Guo jia dian ying zi liao guan, 1994. 248 p. ISBN 9579987408 Series title: Taiwan dian ying shi liao cong shu; 1 ‫ݡ‬ஹӇ‫ؙ‬੗ࢧᜣ‫ ;ڣ‬1 Note: The autobiography of Sha Rongfeng, one of the major film producers in Taiwan. Sha was involved with the Taiwan film industry for more than forty years and founded several film distribution companies and studios, including Lian Bang Ying Ye Gong Si (Union Film) in 1953, and produced many important films, such as Longmen Ke Zhan (Dragon Gate Inn, dir. King Hu) in 1967. Includes a chronology, an appendix of films produced or distributed by Sha’s companies, and a Chinese film title and name index. NTUL Chi

1886 Hong Kong here I come / Hong Kong Film Archive. Hong Kong: Hong Kong Film Archive, 2000. 226 p. ISBN 9628050079, 9789628050079 Series title: Monographs of Hong Kong Film Veterans Note: A multilingual work, including essays, interviews, and filmographies of Hong Kong film veterans, including Tong Yuejuan. WorldCat Eng Chi

Toyojirö, Takamatsu, 1872–1952 ҙग़ஶҋᅦ, 1872–1952

1884

1887

Sha, Rongfeng, 1921– ૶ึ๢, 1921– Sha Rongfeng hui yi lu ji tu wen zi liao hui bian. ૶ึ๢Ҙশ࠷᠕֖ҹ‫ࢧޞ‬ᓫഹ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 2006. 366 p. ISBN 957309729X Series title: Dian ying jia xi lie; 3 Ӈ‫ؙ‬р‫ ;࠶ڍ‬3 Note: Autobiography of Sha Rongfeng, film producer and founder of several film companies in Taiwan. Presents Sha’s written reflections and related visual materials. The appendix includes the staff directory of Guo ji dian ying zhi pian chang, lists of Chinese and foreign films

Chen, Zhengxun. ಴Ԝ࢐. Yi ren de zu ji: guang ying sui yue—Gaosong Fengcilang = Toyojirö Takamatsu / Chen Zhengxun, Lin Junpin zhu. ஫Ϫϡ߿࿑: ‫—֊ۈׇؙ‬ҙग़ஶҋᅦ = Toyojirö Takamatsu / ಴Ԝ ࢐, ৆୐ԘЯ. Taibei: Da kang chu ban she, 2008. 44 p. ISBN 9789868347472 Series title: Sheng hua zhi; 010 Т҅௨; 010 Note: Presents Toyojirö Takamatsu’s (1872–1952) biography and influence in Taiwan film history. Takamatsu

337

Film Producers, Directors, Actors, Actresses, Cinematographers, Critics, Scholars, Music and Song Composers, and Screenwriters

1888

introduced film to Taiwan in 1895 and produced the first documentary film in Taiwan in 1907. CTFAL Chi

1891 Zhang, Changyan. ‫פ‬ቾᴧ. Wang Tong: qi ren qi pian / Zhang Changyan bian zhu; Lin Baocheng zheng li. ࣼু: ԷϪԷә / ‫פ‬ቾᴧഹЯ; ৆‫خ‬ю‫ݱ‬ԑ. Taibei: Wan xiang tu shu gu fen you xian gong si, 1993. 32 p. Series title: Taiwan dian ying jing xuan xi lie ‫ݡ‬ஹӇ‫࠶ڍקؘؙ‬ Note: Includes biographical work and film reviews of Wang Tung. WorldCat Chi

Wang, Feilin, 1956–1992 ࣼ๘৆, 1956–1992 1888 Yi qu wei wan dian ying meng—Wang Feilin ji nian wen ji / Zhu bian Jian Zhen, Jing Yingrui deng. ϣॽ‫۔‬ԟӇ‫ࣼ—ؙْ‬๘৆ઔ݉ҹओ / Ұഹߢ㱠, ቯࣽᇳҳ. Taibei: Ke ning chu ban she, 1993. 432 p. ISBN 9579099162 Note: This is a commemorative work of Wang Feilin, a Taiwan film director and critic who passed away in 1992. It includes Wang Feiling’s essays, film reviews, articles, interviews, and memorial articles about Wang Feiling. Includes a chronology. NTUL Chi

Wang, Xiaodi, 1953– ࣼЩ➅, 1953– 1892 Pai pian man huo ji qu / Wang Xiaodi shu; Chen Yuxun hui. ‫ޛ‬әࢿޫ֮ঙ / ࣼЩ➅਎; ಴ർ࢐ዻ. Taibei: Dao tian dian ying gong zuo shi you xian gong si, 2003. 163 p. ISBN 9867620003 Note: A book that uses cartoons to tell interesting stories about Taiwanese film director Wang Xiaodi’s experiences in mainland China while making his film Accidental Legend in 1995. Includes synopses of the following films that Wang Xiaodi either directed or supervised: Tropical Fish, Accidental Legend, and Yours & Mine. NTUL Chi

Wang, Shengshan, 1921–2003 ࣼТ৖, 1921–2003 1889 Li, Kangnian. ଽࣉё. Wang Shengshan. ࣼТ৖. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 2004. 189 p. ISBN 9570195029 Series title: Taiwan xi ju guan—zi shen xi ju jia cong shu ‫ݡ‬ஹۚঁఖ—‫ঁۚٹޞ‬рᜣ‫ڣ‬ Note: Biography of Wang Shengshan, a famous playwright, film director, and screenwriter in Taiwan. Includes a chronology, lists of the plays he directed and awards he received, and an inventory of related materials donated to the National History Archive. CTFAL Chi

Wang, Zhengfang. ࣼԜҤ. 1893 Wang, Zhengfang. ࣼԜҤ. Wo zhe ren hua duo: dao yan jiang gu shi. Ϣ϶ϪҧЄ: ࣒ࠟ‫ݞ܈‬Ѩ. Taibei: Jiu ge chu ban she, 2008. 222 p. ISBN 9789574444625 (pbk.), 9574444627 Series title: Jiu ge wen ku; 1006 ॰‫ܮ‬ҹᆞ; 1006 Note: Autobiographical account of the author’s career as a film director who grew up in mainland China and Taiwan, lived in the United States, and made movies in the United States, mainland China, Taiwan, and Hong Kong. WorldCat Chi

Wang, Tong (Wang, Tung), 1942– ࣼু, 1942– 1890 Dian ying dang an: Wang Tong = Cinedossier: Wang Tung / Bian zhe: Taibei Jin Ma guo ji ying zhan zhi xing wei yuan hui. Ӈ‫ؙ‬းଈ: ࣼু = Cinedossier: Wang Tung / ഹফ: ‫ެؖܚݡ‬лগ‫ؙ‬ ࣁవҲణ‫؂‬Ͼ. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1991. 39 p. Note: The fifth volume in a series. Includes Wang Tung’s chronology, interviews, a list of films directed, and critical essays on Wang Tung and his films. CTFAL Chi

338

Producers and Directors

1900 Yi jiang Dan shui xiang xi liu: wen xue, hui hua, dian ying. ϣ࢖ࡎһ‫ז‬՝Ե: ҹѹ, ዻޫ, Ӈ‫ؙ‬. Taibei: Yong he Bikasuo hua lang, 2006. 155 p. Note: A collection of articles by the author on literature, painting, and film. Includes photos, film posters, stills, and paintings. CTFAL Chi

1894 Wang, Zhengfang. ࣼԜҤ. Wo zhe ren zhang de bie niu. Ϣ϶ϪӕЏᬬᇹ. Taibei: Gao tan wen hua shi ye you xian gong si, 2005. 267 p. ISBN 9867542703 Note: Autobiographical account of the author’s career as a film director who grew up in mainland China and Taiwan, lived in the United States, and made movies in the United States, mainland China, Taiwan, and Hong Kong. CTFAL Chi

Wu, Misen (Wu, Mi-sen), 1967– ྶܶာ, 1967– 1898 Wu, Misen (Wu, Mi-sen) 1967– ྶܶာ, 1967– Qi mao qiu le. вࢂ‫ܧ‬Ϧ. Taibei: Xiao zhi tang wen hua shi ye you xian gong si, 2003. 157 p. ISBN 9574501930, 9789574501939 Series title: Chuang shi ji; 4 ࡶԒઔ; 4 Note: Primarily consists of photos and stills from the film Fluffy Rhapsody (2000). Created by the author as well as the director of the film. WorldCat Chi Jpn

Wei, Desheng (Wei, Te-sheng), 1969– ᪭ख़๦, 1969– 1895 Wei, Desheng (Wei, Te-sheng), 1986– ᪭ख़๦, 1986– Dao yan—Balai: Te you zhong Wei Desheng “Saideke—Balai” shou ji = Director—Bale / Wei Desheng zhu; You Wenxing zhuan wen zheng li. ࣒ࠟ—࣬ᒀ: ‫ئ‬ϩ҆᪭ख़๦ “ॴख़ࡽ—࣬ᒀ” Ѳ֮ = Director— Bale / ᪭ख़๦Я; ղҹࣱ᫃ҹ‫ݱ‬ԑ. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 2011. 299 p. ISBN 9789573268215, 9573268213 Note: The director’s commentary on making the film Seediq Bale (2011). WorldCat Chi

Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ, 1952– 1899 Dian ying dang an: Wu Nianzhen = Cinedossier: Wu Nien-chen / Bian zhe: Taibei Jin Ma guo ji ying zhan zhi xing wei yuan hui. Ӈ‫ؙ‬းଈ: ྶ݉ѐ = Cinedossier: Wu Nien-chen / ഹফ: ‫ެؖܚݡ‬л গ‫ࣁؙ‬వҲణ‫؂‬Ͼ. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1991. 59 p. Note: The sixth volume in a series. Includes Wu Nien-chen’s chronology, interviews, a list of films directed, and critical essays on Wu Nien-chen and his films. CTFAL Chi

1896 Wei, Deshng (Wei, Te-sheng), 1969– ᪭ख़๦, 1969– Xiao dao yan shi ye ri ji. Щ࣒ࠟ‫׬׹‬я֮. Taibei: Shi bao wen hua chu ban qi yi gu fen you xian gong si, 2008. 279 p. ISBN 9789571349374 Series title: Passion; 18 Note: Autobiographical account by the director of the 2008 box office record-breaking film Cape No.7 (2008) in Taiwan. The text is the author’s personal diaries during his phase of unemployment. CTFAL Chi

1900 Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ1952– Bei qing cheng shi: Wu Nianzhen Zhu Tianwen zuo pin / Wu Nianzhen, Zhu Tianwen. ঳є‫صڵ‬: ྶ݉ѐᗌϳҹӑԘ / ྶ݉ѐ, ᗌϳҹ. Taibei: San san shu fang, 1989. 198 p. ISBN 9579528004 Note: Includes the screenplay of A City of Sadness (1989), written by Wu Nien-chen, and a question and answer with Chu T’ien-wen. Duxiu (FT) Chi

Weng, Dacheng, 1944– ᙋϽю, 1944– 1897 Weng, Dacheng, 1944– ᙋϽю, 1944–

339

1901

Film Producers, Directors, Actors, Actresses, Cinematographers, Critics, Scholars, Music and Song Composers, and Screenwriters

1901

Xin, Qi (Hsin, Chi), 1924–

Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ1952– Lian lian feng chen: ju ben ji yi bu dian ying de kai shi dao wen cheng / Wu Nianzhen, Zhu Tianwen bian zhu. ߧߧգຳ: ঁӆߵϣ‫ח‬Ӈ‫ؙ‬ϡы‫״‬Ϻԟю / ྶ݉ѐ, ᗌϳҹഹЯ. Taibei: San san shu fang, 1987. 241 p. Note: The screenplay of the film Dust in the Wind (1986), directed by Hou Hsiao-hsien, as well as related stories regarding director’s decision-making process during the making of the film and comments by the scriptwriters. Includes photos and film stills. NTUL Chi

ొ࡞, 1924– 1904 Huang, Ren, 1925– ࢶწ, 1925– Xin Qi de chuan qi. ొ࡞ϡ‫࡞ة‬. Taibei: Ya Tai tu shu chu ban she, 2005. 246 p. ISBN 9867809300 Note: Biography of Hsin Chi, who was born in Taibei in 1924 and has made more than forty Taiwanese-dialect films. In 1965, during the Taiwanese-dialect film exhibition hosted by Taiwan Daily newspaper, two of his films won the best film and best screenplay awards, respectively, and he was selected as one of the ten best Taiwanese-dialect film directors. Includes photos, film stills, posters, a chronology, a film list, and a manuscript of one of his scenes within a film script. NTUL Chi

1902 Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ1952– Xun zhao “Taiping, Tianguo”: Wu Nianzhen de dian ying sheng huo zha ji. ଵ‫”װ‬ѿ‫כ‬, ϳл”: ྶ݉ѐϡӇ‫ؙ‬Т҅∝֮. Taibei: Mai tian chu ban, 1996. 335 p. ISBN 9577084265 Series title: Mai tian wen xue; 73 ๤೧ҹѹ; 73 Note: A collection of Taiwan film director Nien-chen Wu’s diaries from December 1994 to February 1996. Provides a picture of a film director’s daily life in Taiwan. CTFAL Chi

Xu, Ligong (Hsu, Li-kong), 1943– ጝ߹‫ۋ‬, 1943– 1905 Xu, Ligong (Hsu, Li-kong), 1943– ጝ߹‫ۋ‬, 1943– Rang wo men zai ai yi ci: Xu Ligong de dian ying shi jie / Xu Ligong, Li Lingyi zhu. џϢИӐДϣҋ: ጝ߹‫ۋ‬ϡӇ‫ؙ‬Ԓ֎ / ጝ߹‫ۋ‬, ଽਘသЯ. Taibei: Tian xia yuan jian chu ban gu fen you xian gong si, 2006 318 p. ISBN 986417696X, 9789864176960 Series title: She hui ren wen; 238 घϾϪҹ; 238 Note: Autobiographical articles by Hsu Li-kong, film producer, director, publisher, supervisor, screenwriter, executive director of Central Motion Picture Corporation, and director of the Chinese Taipei Film Archive. Includes a chronology of Hsu’s film career and a list of award-winning films with which Hsu was involved. WorldCat Chi

Xiao, Juzhen (Hsiao, Chu-chen), 1972– ᖆᏕᢾ, 1972– 1903 Xiao, Juzhen (Hsiao, Chu-chen), 1972– ᖆᏕᢾ, 1972– Yin zhuan zi: zhoug jiu, wo de hui tou kan zi ji = Grandma’s Hairpin. ુ⍪ж: ‫ૢٽ‬, ϢЏҘӰЃІѝ = Grandma’s Hairpin. Taibei: Shi bao wen hua chu ban qi ye go fen you xian gong si, 2001. 254 p. ISBN 9571334782 Note: The director’s account of making her documentary film Grandma’s Hairpin (2000) about her father, a veteran in Taiwan. Includes stories about filmmaking and the author’s family. NTUL Chi

Yang, Dechang (Yang, Edward), 1947–2007 ໷ख़ቾ, 1947–2007 1906 Anderson, John, 1955– Edward Yang. Urbana: University of Illinois Press, 2005. 128 p. ISBN 0252029933 (alk. paper), 0252072367 (pbk.: alk. paper) Note: This introductory work on Edward Yang and his films includes the essay titled “Poetry and Motion”; reviews

340

Producers and Directors

1912

of Yang’s films Expectations (1982), That Day, On the Beach (1983), Taipei Story (1985), The Terrorizer (1986), A Brighter Summer Day (1991), A Confucian Confusion (1994), Mahjong (1996), and Yi Yi (2000); and “An Interview with Edward Yang.” Includes a filmography, a bibliography, and an index. WorldCat Eng

1910 Chen, Rui. ವᥧ. Yang Dechang dian ying zhong de du shi wen ti yan jiu = Research of the urban problem in Edward Yang’s films. ໶ख़ቾӈ‫ؙ‬ЅϡЁ‫ص‬՜֣୳ૢ = Research of the urban problem in Edward Yang’s films. 48 p. Note: Thesis (M.A.)—University of Science and Technology of China, 2009. This thesis argues that, in contrast to presenting Hollywood style narratives, Edward Yang’s urban films represent the confusion and ambiguity inherent in modern city life, provoking audiences to discuss and consider issues surrounding modernity and urbanization. Includes an abstract in Chinese and English and a bibliography. Wanfang (FT) Chi

1907 Benoit, James. Working through the ambiguities of focalization with the films of Edward Yang. 113 leaves. Note: Thesis (M.A.)—McGill University, 2005. A case study of Edward Yang’s films A Confucian Confusion (1994) and Yi Yi (2000). Includes a bibliography. WorldCat Eng

1908

1911

Chen, Decan. ವख़໾. “Qi bu ban” de ying xiang shi jie—Yang Dechang dao yan yan jiu. “ࢳ‫ ”ٻח‬ϡ‫ؙ‬ՌԒ֎—໶ख़ቾࣔࠟ୳ૢ. 45 p. Note䩭Thesis (M.A.)—Fujian Normal University, 2013. A study of Edward Yang’s directing style and urban themes. Traces Yang’s influence on Taiwan and Chinese cinemas. Includes an abstract in Chinese and English, a bibliography, and an introduction to the author. Duxiu (FT) Chi

Chen, Yapeng (Chen, Ya-peng). ಴઩▧. Yang Dechang dian ying zhong de mei ti jing xiang = The Images of Media in Edward Yang’s Films. ໷ख़ቾӇ‫ؙ‬Ѕϡ෪Ղ࢓ࢣ = The Images of Media in Edward Yang’s Films. 126 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 2009. As one of the representative directors of Taiwan New Cinema, this paper also recognizes Edward Yang as a film sociologist. The paper uses auteur theory and a sociological perspective to study five of Yang’s films that present images of Taiwan’s media from the mid1980 through the end of the twentieth century. Includes a Chinese and English abstract, a bibliography, and an appendix (including basic information on five of Yang’s films). NCL/NDLTD Chi

1909 Chen, Jing. ವ‫ݔ‬. Xian dai yu chuan tong zhi jian: Yang Dechang dian ying zhong nu xing xing xiang yan jiu = Between modern and traditional: studies on the images of women in Edward Yang’s films. Ѵ‫ڊ‬ԁ‫ࢅت‬ҏҽ䩭໶ख़ቾӈ‫ؙ‬Ѕѽԛ࣏ࢣ୳ૢ = Between modern and traditional: studies on the images of women in Edward Yang’s films. 49 p. Note: Thesis (M.A.)—Shanghai University, 2009. A thesis presented in three chapters: Chapter 1 compares and contrasts images of women in Edward Yang’s films with images of women in other Taiwan films; Chapter 2 explores characteristics of women in Yang’s films; and Chapter 3 compares images of women in the films of Zhang Yimou, Wong Kai-wai, and Edward Yang. Includes an abstract in Chinese and English, a bibliography, and a filmography. Duxiu (FT) Chi

1912 Dian ying dang an: Yang Dechang = Cinedossier: Edward Yang / Bian zhe: Taibei Jin Ma guo ji ying zhan zhi xing wei yuan hui. Ӈ‫ؙ‬းଈ: ໷ख़ቾ = Cinedossier: Edward Yang / ഹফ: ‫ެؖܚݡ‬л গ‫ࣁؙ‬వҲణ‫؂‬Ͼ. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1991. 72 p. Series title: Zhongguo dian ying 3 = Chinese films; 3 ЅлӇ‫ؙ‬䩦= Chinese films; 3 Note: The third volume in a series. Includes Edward Yang’s chronology, interviews, a list of films directed, and critical essays on Edward Yang and his films. CTFAL Chi

341

1913

Film Producers, Directors, Actors, Actresses, Cinematographers, Critics, Scholars, Music and Song Composers, and Screenwriters

Note:

1913 Ding, Ye. ౨‫ސ‬. Yu Wang du shi de sheng ming zhui wen: Yang Dechang dian ying zhong de sheng tai mei xue jing shen = The requiring of life in the desired city: the ecological aesthetic spirit in Edward Yang’s films. ௰ֳЁ‫ص‬ϡТ‫ܞ‬৪՜䩭໶ख़ቾӈ‫ؙ‬ЅϡТ‫ݮ‬ѤѺ‫ = ظؘ‬The requiring of life in the desired city: the ecological aesthetic spirit in Edward Yang’s films. 61 p. Note: Thesis (M.A.)—Soochow University, 2011. Analyzes the representation of the city in films directed by Edward Yang to comment on the director’s concept of the city and its residents. Conclusions are based on the following perspectives: time, space, and the “return of the ecological spirit.” Includes an abstract in Chinese and English and a bibliography. Duxiu (FT) Chi

1917 Kang, Qianru. ࣉᝤҒ. Ji yi zai xian de fu diao yu dui hua: lun Yang Dechang dian ying “Guling jie shao nian sha ren shi jian” = The polyphony and dialogue of the reproduction of memories: A Bright Summer Day. ֭ষӐѴϡߒ݆ԁцҦ䩭‫ڹ‬໶ख़ቾӈ‫⚯“ ؙ‬ᗮঅվё৹ϪѨխ” = The polyphony and dialogue of the reproduction of memories: A Brighter Summer Day. 38 p. Note: Thesis (M.A.)—Zhejiang University, 2010. Focuses on the narrative structure of Edward Yang’s film A Brighter Summer Day (1991), recognizing how the reproduction of memories, representations of family life, and connections to historical and societal networks reveal the nuances of Taiwanese society. Includes an abstract in Chinese and English and a bibliography Duxiu (FT) Chi

1914 Frodon, Jean-Michel. Le cinema d’Edward Yang. Paris: Eclat, 2010. 222 p. ISBN 9782841622221, 2841622223 Note: A critique of Edward Yang and his films. WorldCat

A biographical and introductory work on Edward Yang and his films. WorldCat Chi

1918 Lee, Chu-chun. A modernist auteur, Edward Yang: the first decade of his film career (1982–1991) 147 leaves. Note: Thesis (Ph.D.)—University of Southern California, 1995. Explores the relationship between Yang’s film career, the Taiwan New Cinema movement, and modernism. Four of Yang’s films—That Day, on the Beach; Taipei Story; Terrorizer; and A Brighter Summer Day—are analyzed as case studies. Includes a bibliography. WorldCat Eng

Fre

1915 Huang, Jianye, 1954– ࢶࠃ‫׬‬, 1954– Yang Dechang dian ying yan jiu: Taiwan xin dian ying de zhi xing si bian jia. ໷ख़ቾӇ‫ૢ୳ؙ‬: ‫ݡ‬ஹЈӇ‫ؙ‬ϡҌԛ‫ڽ‬ᔨр. Taipei: Yuan liu chu ban shi ye gu fen you xian gong si, 1995. 259 p. ISBN 9573223880 Series title: Dian ying guan; 50 Ӈ‫ؙ‬ఖ; 50 Note: The main part of this work consists of a biography of Edward Yang (Yang Dechang), a historical background of Taiwan New Cinema, and reviews of six of Edward Yang’s most representative films. The appendix contains interviews with Yang Dechang, a chronology of his life and directing career, a bibliography, and a list of journal articles about Edward Yang. WorldCat Chi

1919 Lin, Lin. ৆ᕻ. Jing shen xue mai de ying xiang biao zheng: Yang Dechang, Li An dian ying de chuan tong wen hua jie du. ‫߱ظؘ‬ኼϡ‫ؙ‬Ռԣ෥䩭໶ख़ቾ䩟ଽԥӈ‫ؙ‬ϡ‫ࢅت‬ҹ٩‫ࢴث‬. 40 p. Note: Thesis (M.A.)—Qufu Normal University, 2013. The author provides an interpretation of Edward Yang and Ang Lee’s films through the lens of traditional Chinese philosophies. For example, Daoist conceptual structures, characteristics influenced by the Confucian tradition, and Buddhist thought are the focal points of this study. Specifically, the paper points out that Yang critiques the relationship between Confucianism and family–societal structures and both Yang and Lee’s films display Buddhist concepts as revealed in the respective director’s film aesthetics. Includes an abstract in Chinese and English and a bibliography. Duxiu (FT) Chi

1916 Huang, Jianye, 1954– ࢶࠃ‫׬‬, 1954– Yang Dechang: qi ren qi pian. ໷ख़ቾ: ԷϪԷә. Taibei: Wan xiang tu shu you xian gong si, [1993] 48 p.

342

Producers and Directors

1926

1920

1923

Qin, Hongliang. ቦᖻ݊. Yang Dechang dian ying zhong de “fu zi” ren tong xiang xiang = The identity between “father and son” in Edward Yang’s films. ໶ख़ቾӈ‫ؙ‬Ѕϡ”୊ж”‫ڶ‬ӎЂՌ = The identity between “father and son” in Edward Yang’s films. 37 p. Note: Thesis (M.A.)—Human University of Science and Technology, 2011. Studies the relationship between fathers and sons in Edward Yang’s films. Argues that these identity formations symbolize larger issues faced by Taiwan’s people as they navigate between the following positions: Taiwan and Japan, Taiwan and mainland China, and Taiwan and the United States. Includes an abstract in Chinese and English and a bibliography. Duxiu (FX) Chi

Wong, Edmond. Edward Yang / Edmond Wong; Edward Yang; translated by Stephen Teo. [Taibei]: Variety, 1993. 64 p. Note: An introduction to the works of Edward Yang, published in celebration of the 1993 National Film Year, Taiwan, R.O.C. WorldCat Eng

1924 Wang, Jinchuan. ࣼቆඇ. Hou Xiaoxian yu Yang Dechang dian ying bi jiao yan jiu. ᢡᖮᐉԁ໶ख़ቾӈ‫ؙ‬ԝࢹ୳ૢ. 35 p. Note: Thesis (M.A.)—Nanjing University of the Arts, 2009. A comparative study of Hou Hsiao-hsien and Edward Yang’s films. The study focuses on film techniques, narrative styles, and each director’s perspective on Confucian thought. Includes a summary of the New Taiwan Cinema movement, an abstract in Chinese and English, a bibliography, and an introduction to the author. Duxiu (FT) Chi

1921 Shen, Shiao-ying. Permutations of the foreign/er: a study of the works of Edward Yang, Stan Lai, Chang Yi, and Hou Hisao-Hsien. 271 p. Note: Thesis (Ph.D.)—Cornell University, 1995. “This study is a tribute to Taiwan New Cinema and the films that came after” (abstract). Focuses on three major film directors of Taiwan New Cinema: Edward Yang, Chang Yi, and Hou Hsiao-hsien, as well as a cultural figure and film director since the 1990s: Stan Lai. The “foreign/er” is used as a framework and metaphor that facilitates the permutation of the varied and complex meanings of Taiwan New Cinema. Assesses how Taipei is the “city foreigner” in Edward Yang’s films; Lan Shengchun’s films explore the “mainlander-foreigner” dynamic; three films made by Chang Yi and his partner Yang Huishan present Yang’s body as a space in which foreign and familiar forces become intertwined; and, as the most daring experimenter, Hou Hsiao-hsien pursues a foreign form to present Taiwan stories in his films. Includes a bibliography. WorldCat Eng

1925 Yang Dechang dian ying bi ji = Notebook on my new film / Wang Gengyu bian. ໷ख़ቾӇ‫ؙ‬દ֮ = Notebook on my new film / ࣼᩋᒶഹ. Taipei: Shi bao wen hua chu ban qi ye you xian gong si, 1991. 150 p. ISBN 9571303100 Note: A pictorial notebook on the making of Edward Yang’s film A Brighter Summer Day. Includes photos, stills, and frames. CTFAL Chi

1926 Yang Dechang—Taiwan dui shi jie ying shi de gong xian / Huang Jianye deng zuo. ໷ख़ቾ—‫ݡ‬ஹхԒ֎Ӈ‫ؙ‬ϡᕠຶ / ࢶࠃ‫׬‬ҳӑ. Taibei: Yue sheng wen hua shi ye you xian gong si, 2007. 210 p. ISBN 9789576307300 Series title: Taibei Jin Ma ying zhan cong shu, 2007; 3 ‫ࣁؙެؖܚݡ‬ᜣ‫ڣ‬, 2007; 3 Note: A special collection of essays that systematically review Edward Yang’s eight films. Includes an Edward Yang chronology compiled by Qu Guizhi. NTUL Chi

1922 Sze, Siu Sin Jean. Globalization and Edward Yang’s films. 152 leaves. Note: Thesis (M.Phil.)—University of Hong Kong, 2004. The paper provides a comprehensive study of Edward Yang’s films by focusing on the role of the individual in Yang’s films and the rapid transformation of society in Taipei during globalization. ProQuest Eng

343

1927

Film Producers, Directors, Actors, Actresses, Cinematographers, Critics, Scholars, Music and Song Composers, and Screenwriters

1927

1930

Ye, Yueyu (Yeh, Emilie Yueh-yu). ౕ֊ᒶ. Elvis, allow me to introduce myself: American music and neocolonialism in Taiwan cinema. Hong Kong: David C. Lam Institute for East-West Studies, Hong Kong Baptist University, 2003. 27 p. Series title: Working Paper Series, David C. Lam Institute for East-West Studies (LEWI); no. 16 Note: Using Edward Yang and his films as case studies, this work explores American popular music and neocolonialism in Taiwan cinema. Includes a bibliography. WorldCat Eng

Zhang, Yiyang. ‫צ‬၍෾. Ru zhe de kun huo—Yang Dechang dian ying zhong de Taibei jing xiang = A Confucian confusion-mirror image of Taipei in Edward Yang’s films. ᭉ‫ٷ‬ϡ੡༜—໶ख़ቾӈ‫ؙ‬Ѕϡ‫ܚݡ‬஖Ռ = A Confucian confusionmirror image of Taipei in Edward Yang’s films. 35 p. Note: Thesis (M.A.)—Chinese Academy of Art, 2012. Examines Edward Yang’s depictions of traditional Chinese culture in his eight films set in Taipei city. Reveals that each of Yang’s films represents concern about urban society, culture, and city life. Includes a Chinese and English abstract and a bibliography. Duxiu (FT) Chi

1928 Yi yi chong xian Yang Dechang = The one and only Edward Yang / Bian ji: Zhang Weiguo, Li Zhuotao. ϣϣԳѳ໷ख़ቾ = The one and only Edward Yang / ഹফ: ‫פ‬໖л, ଽ⮣ಱ. Hong Kong: Hong Kong International Film Festival Society, 2008. 144 p. ISBN 978988991849 Series title: Xianggang guo ji dian ying jie cong shu; 9 = HKIFF Society Series; 9 ‫ܫ‬୯лগӇ‫ڞؙ‬ᜣ‫ ;ڣ‬9 = HKIFF Society Series; 9 Note: A special bilingual publication in memory of Edward Yang. Includes interviews, essays, and film notes related to Edward Yang. Includes a biography and a filmography. CTFAL Chi Eng

Yao, Fengpan (Yao, Feng-pan), 1932–2004 ᝻ང῟, 1932–2004 1931 Yao, Fengpan (Yao, Feng-pan), 1932–2004 ᝻ང῟, 1932–2004 Yin hai dao hang. ુ֋࣒Ҳ. Taibei: Jin wen tu shu you xian gong si, 1986. 162 p. Note: The author discusses his career and experience as a filmmaker in Taiwan. Includes a list of the author’s works. WorldCat Chi

1932

1929

Yao Fengpan de gui mei shi jie / Liu Guanlun kou shu; Yao Zhihua zhuan wen. ᝻ང῟ϡ૤ຓԒ֎ / ฀ഃൔ‫ט‬਎䩮᝻ᆙ‫ܓ‬᫃ҹ. Taibei: He tian ke ji gu fen you xian gong si, 2005. 366 p. ISBN 986816950X Note: A biography of Yao Feng-pan, journalist, film director of ghost films, and founder of the film company: Feng guan ying ye gong si in the 1970s in Taiwan. Written by his daughter and based on oral accounts from his wife, with essays and articles about Yao Feng-pan and his ghost films. Includes a chronology and a filmography. CTFAL Chi

Zeng, Zheng. ߲⇜. “Li xing” yu “gan xing” de dui yi: Yang Decang Hou Xiaoxian dian ying bi jiao yan jiu = Sense and sensibility of the unity of opposites: the comparative study on film of Edward Yang and Hou Hsiao-Hsien. “ԑԛ”ԁ “Ҁԛ”ϡцᷓ䩭໶ख़ቾԁᢡᖮᐉӈ‫ؙ‬ԝࢹ୳ૢ= Sense and sensibility of the unity of opposites: the comparative study on film of Edward Yang and Hou Hsiao-Hsien. 47 p. Note: Thesis (M.A.)—Chongqing University, 2013. A comparative study of Hou Hsiao-hsien’s and Edward Yang’s films. Regards Hou and Yang, both born in China in 1947 (with ancestry from Meixian County, Guangdong Province) before moving to Taiwan with their families because of political turmoil in mainland China, as the soul of New Taiwan Cinema. Presents Yang as a “rational thinker” who focuses on Taipei and Hou as a “romantic poet” who describes native Taiwaneseness. Includes a Chinese and English abstract and a bibliography. Wanfang (FX) Chi

Yi, Wen (Yang, Evan), 1920–1978 ‫ډ‬ҹ, 1920–1978 1933 Yi, Wen (Yang, Evan), 1920–1978 ‫ډ‬ҹ, 1920–1978 You sheng zhi nian—Yi Wen nian ji = Evan Yang’s autobiography.

344

Producers and Directors

1938

ϩТҏё䩠‫ډ‬ҹё֮ = Evan Yang’s autobiography. Xianggang: Xinggang dian ying zi liao guan, 2009. 153 p. ISBN 9628050494 Note: Autobiography of Evan Yang, a film screenwriter and director as well as a song lyric writer in mainland China, Hong Kong, and Taiwan; also includes a collection of Evan Yang’s articles and articles written by others in memory of him. Includes a chronology, a filmography, and a list of additional published works. CTFAL Chi

1936 Zhang, Che (Chang, Cheh), 1923–2002 ‫פ‬๜, 1923–2002 Zhang Che za wen. ‫פ‬๜૝ҹ. Taibei: Huang guan, 1978. 265 p. Series title: Huang guan cong shu di wu san ba zhong ෦ഃᜣ‫ڣ‬ҷٚѧࡂ҆ Note: A collection of the author’s writings and articles. As a writer, film music composer, and film and drama director, the author spent parts of his life and career in Taiwan, mainland China, and Hong Kong, and his writings touch on various subjects, including cinema. CTFAL Chi

Yuan, Congmei (Yuan, Tsung-mei), 1905– ᭛ᜣѤ, 1905– 1934 Huang, Ren, 1925– ࢶწ, 1925– Yuan Congmei cong ying qi shi nian hui yi lu: 21 shi ji liang an san di Zhongguo dian ying shi wei yi jin cun jian zheng ren / Yuan Congmie kou shu, Huang Ren zheng li. ᭛ᜣѤԩ‫֐ࢳؙ‬ёҘশ࠷: 21ԒઔҔ࿝ѧсЅлӇ‫ؙ‬੗ଂϣ঍ࡖ ԊࢮϪ / ᭛ᜣѤ‫ט‬਎, ࢶწ‫ݱ‬ԑ. Taibei: Ya Tai tu shu, 2002. 194 p. ISBN 9578264917 Series title: Taiwan dian ying yan jiu cong shu ‫ݡ‬ஹӇ‫ૢ୳ؙ‬ᜣ‫ڣ‬ Note: A detailed biography of Yuan Tsung-mei, whose film career started in 1933 and covered Shanghai, Chongqing, and Taiwan over three time periods. Includes photos, film stills, posters, a chronology, film production list, and a bibliography. NTUL Chi

Zhang, Yi (Chang, Yi), 1951– ‫פ‬ᗥ, 1951– 1937 Fu, Zhiying. ላᆙ⑵. Jin sheng xiang sui: Yang Huishan, Zhang Yi yu Liu li gong fang. ѵТԚ‫ڨ‬: ໷௑ᦸ, ‫פ‬ᗥӿ᧑ᅏ֞ࠚ. Taibei: Tian xia yuan jian chu ban gu fen you xian gong si, 1999. 305 p. ISBN 9576215323 (pbk.), 9789576215322 (pbk.) Note: A biographical work focusing on the Taiwanese film actress Yang Huisan and director Chang Yi, and their joint endeavor of establishing an art studio for glazed tile art. Includes a bibliography. WorldCat Chi

1938

Zhang, Che (Chang, Cheh), 1923–2002

Shen, Shiao-ying. Permutations of the foreign/er: a study of the works of Edward Yang, Stan Lai, Chang Yi, and Hou Hisao-Hsien. 271 p. Note: Thesis (Ph.D.)—Cornell University, 1995. “This study is a tribute to Taiwan New Cinema and the films that came after” (abstract). Focuses on three major film directors of Taiwan New Cinema: Edward Yang, Chang Yi, and Hou Hsiao-hsien, as well as a cultural figure and film director since the 1990s: Stan Lai. The “foreign/er” is used as a framework and metaphor that facilitates the permutation of the varied and complex meanings of Taiwan New Cinema. Assesses how Taipei is the “city foreigner” in Edward Yang’s films; Lan Shengchun’s films explore the “mainlander-foreigner” dynamic; three films made by Chang Yi and his partner Yang Huishan present Yang’s body as a space in which foreign and familiar forces become intertwined; and, as the most daring experimenter, Hou Hsiao-hsien pursues a foreign form to present Taiwan stories in his films. Includes a bibliography. WorldCat Eng

‫פ‬๜, 1923–2002 1935 Zhang, Che (Chang, Cheh), 1923–2002 ‫פ‬๜, 1923–2002 Zhang Che jin zuo ji (1986–1988). ‫פ‬๜‫ײ‬ӑओ (1986–1988). Hong Kong: Ming chuang chu ban she, 1988. 136 p. Note: A collection of the author’s articles organized in three parts: Part 1 deals with the author’s relationship (as a writer, film music composer, and film and drama director) with Chiang Ching-guo, former president of the R.O.C. in Taiwan; Part 2 discusses the history of film production in Shanghai, Taiwan, and Hong Kong; and Part 3 provides a general commentary on the concurrent cultural and political affairs in mainland China and Hong Kong. Includes a brief biography of the author. CTFAL Chi

345

1939

Film Producers, Directors, Actors, Actresses, Cinematographers, Critics, Scholars, Music and Song Composers, and Screenwriters

1939

1942

Zhang, Ying, 1913– ‫߭פ‬, 1913–

Zhu, Wenjun. ࢇҹᅿ. Mei li shi guang: Zhang Zuoji ji qi du li zhi pian = The best of times / Zuo zhe Zhu Wenjun; she ying Jin Chengcai. Ѥ‫ܡ‬Ж‫ׇ‬: ‫פ‬ӑ┫ߵԷ‫߹ݻ‬३ә = The best of times / ӑ‫ࢇٷ‬ҹᅿ; ଄‫ؙؖ‬ю੠. Taibei: Ying xiang dian ying za zhi she, 2000. 149 p. ISBN 9868045118; 9789868045118 Series title: Dian ying mu hou zhi zuo zhuan ji xi lie Ӈ‫௷ؙ‬ћ३ӑ֟ফ‫࠶ڍ‬ Note: Taking the film The Best of Times (2001) as a case study, the book focuses on Chang Tso-chi and his independent filmmaking in Taiwan. WorldCat Chi

1939 Da luo san xiang bao de xing (Zhang Ying ju zuo ji)—Zhang Ying dui Taiwan ying ju de gong xian / Huang Zhongyu bian. Ӌᨇѧ৘‫د‬ЏҲ (‫ঁ߭פ‬ӑओ)—‫߭פ‬х‫ݡ‬ஹ‫ঁؙ‬ϡᕠຶ / ࢶЅཡ ഹ. Taibei: Jiu bao jian she, 1999. 419 p. ISBN 9579782814 Note: A biographical work on Zhang Ying, a Taiwan drama and film director. Includes Zhang Ying’s own essays on drama and film studies, and a chronology of his career as a drama and film director. CTFAL Chi

Zheng, Wenhui (Cheng, Wun-hui), 1981–2007 Zhang, Zengze, 1930–

ቼҹ௑, 1981–2007

‫߲פ‬෹, 1930– 1943 1940

Duo mu de yuan li: Zheng Wenhui ying zhan. ᅘ۵ϡ‫ڐ׼‬: ቼҹ௑‫ࣁؙ‬. Taibei: Taibei yi shu da xue dian ying xi, 2008. [35 p.] Note: A film exhibition program in memory of Cheng Wunhui, a musician, writer, film producer, and director. Consists of Cheng Wen-hui’s chronology, biography, introduction of her film productions, memorial articles, and the exhibition schedule. CTFAL Chi

Zhang, Zengze, 1930– ‫߲פ‬෹, 1930– Yu bei, kai mai la!: Zhang Zengze de dian ying si fang bi ji. ভ‫އ‬, ы๤ࠁ!: ‫߲פ‬෹ϡӇ‫ؙ‬೙ࠚદ֮. Taibei: Ya Tai tu shu, 2005. 308 p. ISBN 9867809416 Note: Autobiography of a fifty-year career as a film director in Taiwan. Includes a filmography. NTUL Chi

Zhou, Meiling (Chou, Zoru), 1969– ‫ر‬Ѥጘ, 1969–

Zhang, Zuoji (Chang, Tso-chi), 1961–

1944

‫פ‬ӑ┫, 1961–

Chen, Yin-chin. Spider lilies: Taiwanese tongzhi aesthetic, female same-sex desires, and the critique of modernization. 56 leaves. Note: Thesis (M.A.)—University of Oregon, 2009. Using Spider Lilies (2007), a Taiwanese lesbian drama film directed by Zero Chou (Zhou Meiling), as the primary object of inquiry, the author explores the aesthetic, social, and sexual meaning of Taiwanese lesbian films with the backdrop of modernization. Includes a bibliography. WorldCat Eng

1941 Xie Wenyu (Hsieh, Wen-yu). ‫ه‬ᝉ㙻. Hei an zhi guang: Zhang Zuoji feng ge yan jiu = Light in darkness: Stylistics of Chang Tso-chi. ‫ܪ‬ମҏ‫ׇ‬: ‫פ‬ӑ┫գ۴୳ૢ = Light in darkness: Stylistics of Chang Tso-chi. 111 leaves. Note: Thesis (M.A.)—National Taiwan Normal University, 2007. Studies Chang Tso-chi’s films from aesthetic, historical, and cultural perspectives. Explores the influence of Taiwan New Cinema on Chang’s films and the development of the director’s cinematic style. Includes a Chinese abstract and a bibliography. NCL/NDLTD (FT) Eng

346

Actors and Actresses

1951

Zhou, Tiansu (Chou, Tien-su), 1910–

1948 Cai, Hongsheng, 1940– ᓥᖻ‫ل‬, 1940– Tai Gang dian ying yu ming xing. ‫ݡ‬୯ӈ‫ؙ‬ԁҴլ. Beijing: Zhongguo wen lian chu ban she, 1992. 223 p. ISBN 7505917412, 9787505917415 Note: An introduction to the cinemas of Taiwan and Hong Kong and their movie stars. WorldCat Chi

‫ر‬ϳঈ, 1910– 1945 Tu, Shujun. ຂᎂᅿ. Ying lao Zhou Tiansu. ‫ؙ‬ᤕ‫ر‬ϳঈ. Tainan xian Xinying shi: Xingying shi gong suo, 2001. 71 p. ISBN 9570296674 Series title: Xinying shi shi su jun xiang ji; 2 Јॺ‫ص‬㍇௔ळՌফ; 2 Note: A biography of Zhou Tiansu, early film narrator, producer, owner of Xin ying Theatre, and founder of the film distribution company Bai dai and film production studios Tiansheng and Tianhua. Includes a chronology. CTFAL Chi

7.3 7.3.1

1949 Chi zha ying tan shi er xing / Zhu bian Sun Zijun. ᓅᚎ‫ؙ‬ႊ֐ԏլ / Ұ൜ྑІ⡮. Wulumuqi: Xinjiang qing shao nian chu ban she, 1996. 202 p. ISBN 7537120838 (set) Series title: Er shi shi ji Zhonghua qi ren cong shu ԏ֐ԒઓЅ‫࡞ܗ‬Ϫᜥ‫ڪ‬ Note: A biographical work on twelve famous Chinese movie figures, including Taiwan actor Ling Feng. Duxiu Chi

ACTORS AND ACTRESSES

1950

General

Chinese film stars / edited by Mary Farquhar and Yingjin Zhang. London and New York: Routledge, 2010. 244 p. ISBN 0415573904, 0203854853, 9780415573900, 9780203854853 Series title: Routledge contemporary China series Note: Introduces major Chinese film stars by situating them within their respective historical, political, and social contexts. Includes the following: Part I, “Early Cinema: Crossing Race and Class Divides”; Part II, “Socialist Cinema: From Film Star to Model Worker”; Part III, “Taiwan Cinema: Diaspora, Transvestism, Non-professionalism”; and Part IV, “Hong Kong and Transnational Cinema: Action, Gender, Emotion.” Chapter 3 introduces Taiwanese film stars Ling Bo, Brigitte Lin Ching Hsia, and Lee Kang-sheng by Zhang Zhen, Tony Williams, and Michael Lawrence. Includes cited works and a filmography at the end of each introduction; a general index is included at the end of the book. WorldCat Chi

1946 Bai, Shen. Ձ਻. Ming xing yi hen lu: li nian lai dian ying ming xing ge xing de yi ben lan zhang. Ӝլ୾௤࠷: ࣵёϰӇ‫ؙ‬Ҵլ‫ܮ‬լϡϣӆಉு. Taibei: Ya zhou ping lun za zhi she, 1980. 224 p. Series title: Ya zhou ping lun zhi yi ਐರ߰‫ں‬ҏϣ Note: A collection of stories describing film and music star scandals. CTFAL Chi

1947 Cai, Guorong. ᓥлึ. Meng yuan xing xi: Zhongguo ming xing ying shi. ْ‫׼‬լ็: ЅлҴլ‫ؙ‬੗. Taibei: Zhongguo ying ping ren jie hui, 1984. 380 p. Note: A reprint of biographical articles on forty-eight movie stars active in the 1950s and 1960s in Taiwan and Hong Kong; originally published in Taiwan’s Xinsheng Daily newspaper. Includes photos and film stills. CTFAL Chi

1951 Hua yu dian ying ming xing: biao yan, yu jing, lei xing / Zhang Yingjin, Hu Minna zhu bian; Xiyang yi. ‫ܬܗ‬ӈ‫ؙ‬Ҵլ䩭ԣࠟ䩟‫॒ܬ‬䩟णࡿ / ‫߭צ‬Ֆ䩟ഐ์ᅡҰ൜䩮 ՝⬲ ፈ. Beijing: Beijing da xue chu ban she, 2011. 322 p. ISBN 9787301188323, 7301188323 Series title: Wei ming, ming xiang yan jiu cong shu ‫۔‬Ӝ䩟Ҵլ୳ૢᜥ‫ڪ‬

347

1952 Note:

Film Producers, Directors, Actors, Actresses, Cinematographers, Critics, Scholars, Music and Song Composers, and Screenwriters

This is the Chinese translation of the original work Chinese film stars, edited by Mary Farquhar and Yingjin Zhang, and published by Routledge in 2010. Introduces major Chinese film stars by situating them within their respective historical, political, and social contexts; includes the following: Part I, “Early Cinema: Crossing Race and Class Divides”; Part II, “Socialist Cinema: From Film Star to Model Worker”; Part III, “Taiwan Cinema: Diaspora, Transvestism, Non-professionalism”; and Part IV, “Hong Kong and Transnational Cinema: Action, Gender, Emotion.” Chapter three introduces Taiwanese film stars Ling Bo, Brigitte Lin Ching Hsia, and Lee Kang-sheng by Zhang Zhen, Tony Williams, and Michael Lawrence. Includes cited works and a filmography at the end of each introduction; a general index is included at the end of the book. WorldCat Chi

1955 Hino, K䲖ichi, 1929– яఀࣉϣ, 1929– Kunf䲚 doragon daizensh䲚: Bur䲚su R䲒 kara Jakk䲒 Chen / Hino K䲖ichi sekinin hensh䲚. KUNG FU!䬸䭘䬣䭢ϽҪओ: 䭅䭚䴈䬨ί䭙䴈䪼䫺䬧䭒䬲䬜䴈ί 䬰䬖䭢 / яఀࣉϣૻ‫ڗ‬ഹओ. T䲖ky䲖: Haga Shoten, 1980. 183 p. ISBN 4826100760, 9784826100762 Series: Shine arubamu; 76 䬦䬼䬑䭚䬿䭏; 76 Note: An introduction to kung fu and martial arts film actors and actresses in Hong Kong, Taiwan, and mainland China. WorldCat Jpn

1956

1952

Liu, Qing. ฀෷. Niuyue guan xing ji. ኯए޲լ֮. Taibei: Min Sheng bao chu ban, 1984. 344 p. Series title: Min sheng bao cong su ‫ھ‬Т‫ڻ‬ᜣ‫ڣ‬ Note: The author’s anecdotes about Taiwan film stars in New York City. NTUL Chi

Dang dai Zhongguo bai xing / Li Chao, Huang Yaomin zhu bian; “Dian ying shi jie” hua bao she bian. Ӿ‫ڊ‬Ѕм‫ښ‬լ / ଽս䩟ࢷ႙‫ھ‬Ұ൜䩮“ӈ‫ؙ‬Ԓ֎” ࡌ‫ۏ‬घ൜. Changchun: Jilin she ying chu ban she, 1995. 104 p. ISBN 7806060189 Note: A biographical work and photo collection of 100 contemporary Chinese film stars. Duxiu Chi

1953 Guo, Hua. ᔕ‫ܗ‬. Lao ying xing, lao ying pian / Bian zhu Guo Hua; tu pian zhi zuo Liu Zhende. ҡ‫ؙ‬լ䩟ҡ‫ؙ‬ә / ൜Яᔕ‫ܗ‬䩮֘ә‫ء‬ӑขዄख़. Beijing: Zhongguo dian ying chu ban she, 1998. 2 v. ISBN 710601351X Note: A collection of biographies of movie stars and reviews of movies from 1905 to 1949 in China, including movie stars, such as Gong Jianong, who moved to Taiwan in 1949. Duxiu Chi

1957 Liu, Qing. ฀෷. Yin mu qian qiu: qi wei hong xing de zhen shi gu shi. ુ௷࡛‫ڠ‬䩭ࢳ֧‫ی‬լϡѐӢ‫ݞ‬Ѩ. Taibei: Qi shi nian dai chu ban gong si, 1972. 253 p. Series title: Qi shi nian dai cong shu ࢳ֐ё‫ڊ‬ᜣ‫ڣ‬ Note: Biographies of seven famous Chinese movie stars: Ge Lan, Bai Guang, Zhang Hangmen, Ye Feng, Ling Bo, Tang Bayou, and Li Qing. Most were famous in Hong Kong and Taiwan, but a few, like Bai Guang, started their acting careers in Mainland China. NCL Chi

1954 Gu, Jitang. ࣲߓஇ. Taiwan de dian ying yu ming xing / Gu Jitang bian zhu. ‫ݡ‬ළϡӈ‫ؙ‬ԁҴլ / ࣲߓஇ൜Я. Chengdu: Sichuan wen yi chu ban she, 1989. 268 p. ISBN 7541103330 Note: A general introduction to Taiwan film and its stars, including a history of the Golden Horse Awards, genres, and trends of Taiwan cinema. Duxiu Chi

1958 Luo, Meiying. ஛Ѥ߭. Nu ming xing de chu lian. ѽҴլϡ२ߧ. Taibei: Min zhong wen hua, 1980. 153 p. Series title: Min zhong ri bao cong shu ‫ੁھ‬я‫ڻ‬ᜣ‫ڣ‬

348

Actors and Actresses

Note:

1965

A collection of romantic stories about female movie, television, and music stars from Taiwan. CTFAL Chi

1962 Xing hai mi wen / Gu Yingde, Lu Zhennian zhu bian. լ֋੶ࢨ / આ߭ख़, ૔ੵёҰഹ. Taibei: Lian ya chu ban she, 1977. 220 p. Series title: Lian ya cong kan; 16 ࡀਐᜣᑂ; 16 Note: A collection of lesser-known stories about famous film stars in Taiwan. CTFAL Chi

1959 Wei, Qiren. ᪭ൠწ. Shi ji ge ying xing san jiao ding: Zhou Xuan, Li Xianglan, Bai Guang. Ԓઔ‫ؙܮ‬լѧऍᑾ: ‫⋍ر‬, ଽ‫ܫ‬୪, Ձ‫ׇ‬. Taibei: Nan tian shu ju, 2001. 184 p. ISBN 9576385822 Series title: Nan tian ying xiang xi lie; 2 ۪ϳ‫ؙ‬Ռ‫ ;࠶ڍ‬2 Note: A biographical work on three Chinese film and singing stars: Zhou Xuan, Li Xianglan, and Bai Guang. Although their careers were mainly involved with the Hong Kong and mainland China scenes, the text provides their Taiwan-related stories. All film songs listed are in Chinese musical notation. Includes photos, film posters, and stills. CTFAL Chi

1963 Ying hai zhai xing / [Bian ji zhe: Tai shi wen hua shi ye gong si chu ban bu]. ᝰ֋ሁլ / [ഹফ‫ٷ‬: ‫ݡ‬؆ҹ٩Ѩ‫׬‬ԍ‫ޅ‬о‫]חؗ‬. Taibei: Tai shi wen hua shi ye gong si, 1982. 268 p. Note: A collection of biographical stories on Taiwanese television and movie stars. WorldCat Chi

1964 Yu, Yeying. ཡ‫⁒׬‬. Jin Ma xing zong san shi nian: li jie Jin Ma ying di hou de cang sang. ‫ެؖ‬լᏈѧ֐ё: ࣵโ‫ؙެؖ‬෌њϡፄᇤ. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1993. 324 p. ISBN 9571308706 Series title: Li shi yu xian chang; 47 ࣵ੗ӿѳԾ; 47 Note: A biographical work on the Golden Horse Best Actor and Actress Award winners from the First through the Twenty-Ninth Golden Horse Awards. The appendix includes a brief history of the Golden Horse Awards, a list of Golden Horse Awards, and a bibliography. CTFAL Chi

1960 Wei, Qiren. ᪭ൠწ. Yi qu nan wang. ϣॽԢ۲. Taibei: Huang guan za zhi she, [1981] 299 p. Series title: Huang guan cong shu di liu ba er zhong ෦ഃᜣ‫ڣ‬ҷࡏࡂԏ҆ Note: An introduction to fifty film stars in mainland China, Hong Kong, and Taiwan, and 100 movie songs performed by these stars. All songs are in Chinese musical notation. Includes photos, film posters, and stills. CTFAL Chi

1965 1961

Zhong wai nü ming xing mi wu yi yun / Jia Xinxu deng bian zhu. Ѕ֔ѽҴլࣿᇔ௅࠭ / ᯉЈᷠҳ൜Я. Nanning: Guangxi min zu chu ban she, 1990. 206 p. ISBN 7536308434 Series title: Jiu shi nian dai nü shi wen ku ॰֐ё‫ڊ‬ѽࡲҹᆟ Note: Published in mainland China, this is a collection of stories related to famous female movie stars, including Taiwanese movie stars Yang Huishan, Brigitte Ching Hsia Lin, Wen Qianyu, and Zhang Aijia. Duxiu Chi

Taiwan ying shi ge ren wu zhi 1950–1965 / Yao Liqun deng zhuan bian. ‫ݡ‬ஹ‫ؙ‬؆‫ܮ‬Ϫ‫׉‬௨ 1950–1965 / ᝻߹ळҳ᫃ഹ. Taibei: Xing zheng yuan xin wen ju, 2008. 207 p. ISBN 19789860134841 Note: A biographical dictionary of thirty-three of Taiwan’s distinguished actors and actresses in the film, television, and singing and opera professions active from 1950 to 1965. Organized by the number of the Chinese character strokes in each name, entries contain a biography and filmography. Includes photos, screenshots, film stills, a bibliography, and an introduction to the contributors. CTFAL Chi

349

1966

Film Producers, Directors, Actors, Actresses, Cinematographers, Critics, Scholars, Music and Song Composers, and Screenwriters

Note:

1966 Zhong wai ying xing / Li Chao, Cai Guangrui zhu bian. Ѕ֔‫ؙ‬լ / ଽս䩟ᓥ‫ׇ‬ᇳҰ൜. Changchun: Jilin ren min chu ban she, 1983. 797 p. Note: Includes biographical information about 280 movie stars, including stars in mainland China, Hong Kong, and Taiwan. Duxiu Chi

A biographical work on thirty-eight female movie stars in mainland China, Hong Kong, and Taiwan, including Brigitte Ching Hsia Lin, Tang Baoyun, and Lin Fengjiao. Duxiu Chi

1970 Zhonghua ying xing: 1905–1995 / Guang dian bu dian ying ju, Xin hua chu ban she, Zhongguo dian ying zi liao guan he bian. Ѕ‫ؙܗ‬լ䩭1905–1995 / ܲӈ‫ח‬ӈ‫ؙ‬঵䩟Ј‫ܗ‬о‫ؗ‬घ䩟Ѕмӈ‫ؙ‬ ‫ࢧޝ‬కׁ൜. Beijing: Xin hua chu ban she, 1995. 267 p. ISBN 7501129762 Note: A pictorial and biographical work on 127 of the most famous movie stars in mainland China, Hong Kong, and Taiwan from 1905 to 1995. Includes a brief biography, a stage photo, and related film stills for each star. WorldCat Chi

1967 Zhong wai ying xing da guan / Su Wei deng bian. Ѕ֔‫ؙ‬լϽ޴ / ಧ‫ۅ‬ҳ൜. Hangzhou: Zhejiang da xue chu ban she, 1989. 273 p. ISBN 7308002950 Note: A collection of biographical stories of the world’s most famous movie stars, including Taiwanese movie stars Wang Zuxian, Lin Qingxia, and Hui Huizhong. Duxiu Chi

1968

7.3.2

Zhongguo dian ying yan yuan ci dian / Zhongguo dian ying ping lun xue hui, Hubei sheng dian ying ping lun xue hui bian zhu; zhu bian Cheng Shu’an; fu zhu bian Lie Fu, Liang Liang, Dai Lixin. Ѕмӈ‫؃ؙࠟ‬୫ਹ / Ѕмӈ‫ڹؙ߯‬ѺϿ䩟 ઀‫૸ܚ‬ӈ‫ڹؙ߯‬ѺϿ൜ Я 䩮 Ұ൜ࡄஔԥ䩟ైҰ൜࠶⅃䩟 ᅯમ䩟 ඕ߹Ј. Beijing: Zhongguo guang bo dian shi chu ban she, 1993. 501 p. ISBN 7504320609 Note: A biographical dictionary of more than 1,100 Chinese film actors and actresses in mainland China, Hong Kong, and Taiwan. Organized by the number of Chinese character strokes in the names. The editor admits, in the preface, that many Taiwan and Hong Kong film actors and actresses are not included because of limited contact with Taiwan’s film industry. Interestingly, Taiwan film actress Jiang Qing (1946–) is included in the book; however, the mainland China film actress Jiang Qing (1914–1991) is not included in the book because, as Chinese Communist Party Chairman Mao Zedong’s wife, her later political involvement led the editor to decide to omit her from the book. Includes a name index based on the number of Chinese character strokes in each name, a name index based on Pinyin names in alphabetical order at the beginning of the book, two lists of mainland China and Taiwan film actors and actresses who won awards abroad, and three lists of film actors and actresses who won any of the three domestic film awards in both mainland China and Taiwan. WorldCat Chi

Individual Actors and Actresses

Cao, Jian, 1922–2002 ᢳ࡬, 1922–2002 1971 Yong yuan de Cao ba—huai nian Cao Jian xian sheng ying zhan ji nian zhuan ji / Guo jia dian jing zi liao guan. ‫׼ݖ‬ϡᢳࠜ—ॕ݉ᢳ࡬܏Т‫ࣁؙ‬ઔ݉֟ফ / лрӇ‫ࢧޞؙ‬ఖ. Taibei: Guo jia dian ying zi liao guan, 2002. 11 p. Note: A special film exhibition program in memory of Cao Jian (1922–2002) hosted by the Chinese Taipei Film Archive in 2002. It includes Cao Jian’s wife Qian Lu’s article, a brief introduction and chronology of Cao Jian, synopses of ten films cast by Cao and shown in the exhibition, and an after-exhibition forum. CTFAL Chi

Gong, Jianong, 1902–1993 ₳⅒హ䩟1902–1993 1972 Gong, Jianong, 1902–1993 ₳⅒హ, 1902–1993 Gong Jianong cong ying hui yi lu. ₳⅒హԩ‫ؙ‬Ҙশ࠷. Taibei: Wen xing shu dian, 1967. 3 v. Series title: Wen xing cong kan; 248 ҹլᜣᑂ; 248 Note: Gong Jianong’s memoir recounting this famous film star’s experiences in both mainland China and Taiwan. CTFAL Chi

1969 Zhongguo nü ying xing ji cui / zhu bian Peng Chang. Ѕмѽ‫ؙ‬լओ᫫ / Ұ൜ᣴซ. Changchun: Bei fang fu nü er tong chu ban she, 1988. 348 p. ISBN 753850205X

350

Actors and Actresses

1979

1973

Hong, Mingxue, 1936 –

Gong, Jianong, 1902–1993 ₳⅒హ, 1902–1993 Gong Jianong cong ying hui yi lu. ₳⅒హԩ‫ؙ‬Ҙশ࠷. Taibei: Zhuan ji wen xue chu ban she, 1969. 3 v. Series title: Wen shi xin kan zhi; 80–82 ҹ੗Јᑂҏ; 80–81 Note: This is the reprint of the same title with the same content published in 1967 by a different publisher; however, it is missing the author’s preface: Gong Jianong’s memoir recounting this famous film star’s experiences in both mainland China and Taiwan. CTFAL Chi

ᖻҴઞ, 1936 – 1976 Cai, Xinxin. ᓥಶಶ. Yue ming bing xue lan: you qing a mo Hong Mingxue de ge zai xi ren sheng. ֊Ҵ઄ઞᴷ: ϩє०ᲱᖻҴઞϡ‫ܮ‬௩ۚϪТ. Taibei xian Banqiao shi: Taibei xian wen hua ju, 2008. 263 p. ISBN 9789860149449 Series title: Taibei xian zi shen yi wen ren shi kou shu li shi, min su yi shu lei ‫ٹޞ້ܚݡ‬ਲҹϪࡲ‫ט‬਎ࣵ੗, ‫ھ‬ཞਲफढ Note: An autobiography of Hong Mingxue, a Taiwan local opera (gezai xi) singer and Taiwanese-dialect film star. Includes a Taiwan local opera (gezai xi) screenplay and a Taiwanese-dialect film script. CTFAL Chi

1974 Gong Jianong cong ying sheng ya yu ju zhao quan ji: dian ying tu zhi / zuo zhe Gong Jianong, Huang Ren. ₳⅒హԩ‫ؙ‬ТᄇӿঁؕҪओ䩭Ӈ‫ؙ֖‬௨ / ӑ‫⅒₳ٷ‬హ, ࢶწ–. Taibei: Xing zheng yuan wen hua jian she wei yuan hui: Guo jia dian ying zi liao guan, 1995. 212 p. ISBN 9570063505 Note: A unique pictorial autobiography of Gong Jianong (1902–1993), a film star in both mainland China and Taiwan. It consists of more than 100 photos and screenshots that align with Mr. Gong’s autobiography, which involves nearly all of the most famous actors, actresses, directors, and producers in both mainland China and Taiwan during Mr. Gong’s life. Includes a biography, memorial articles, and filmographies. The appendix includes a chronologically organized list of film personnel and events mentioned in the autobiography; each entry is accompanied with a matching photo, biography, or event description. CTFAL Chi

Hu, Die, 1907–1989 ഐႵ, 1907–1989 1977 Ao, Ran. ⇓ᇮ. Hu Die zhuan. ഐႵ‫ت‬. Wuhan: Hubei ren min chu ban she, 2006. 251 p. ISBN 7216046250 Note: A biography of Hu Die. Includes a chronology and a bibliography. Duxiu

Chi

1978 Dou, Yingtai. ᷲ‫׏‬೉. Dai Li yu Hu Die qing shi feng yun. ඕ╕ԁഐႵє੗ը࠭. Ha’erbing: Ha’erbing chu ban she, 1994. 412 p. ISBN 7805577153 Note: A biofictional work on Hu Die; focuses on the relationship between the movie star and the KMT’s head of the secret service, Dai Li. Duxiu Chi

Gu, Minglun, 1948–1978 ໥Ӝൔ, 1948–1978 1975 Liu, Yalun. ฀ਐൔ. Ming xing zhi si. ҴլҏӚ. Taipei: Cheng shi chu ban she, 1980. 173 p. Note: A collection of the special reports regarding the mysterious death of movie star Gu Minglun in 1978, involving a director and president of Zhong Ying Film Studio. CTFAL Chi

1979 Hu, Die, 1907–1989 ഐႵ, 1907–1989 Hu Die hui yi lu / Hu Die kou shu; Liu Huiqin zheng li. ഐႵҘশ࠷ / ഐႵ‫ט‬਎ 䩮฀༫ᅄ‫ݱ‬ԑ. Taibei: Lian he bao she, 1986.

351

1980

Film Producers, Directors, Actors, Actresses, Cinematographers, Critics, Scholars, Music and Song Composers, and Screenwriters

285 p. Series title: Lian he bao cong shu ࡀׁ‫ڻ‬ᜣ‫ڣ‬ Note: An autobiography of Hu Die that points out the mistakes prevalent in several rumors about her, such as her dancing with Zhang Xueliang when the Japanese attached Shenyang in the 1930s. Includes details about her last two films made in Taiwan in the 1960s. CTFAL Chi

1984 Hu Die nu shi Ou you ji nian ce / Chen Jiazhen bian. ഐႵѽࡲଟղઔ݉ೠ / ಴ဓዄഹ. [S.l.]: Yi sheng chu ban she, 1935. 54 p. Note: A description of Hu Die’s European trip after she attended international film festivals in the Soviet Union and Germany in 1935. Primarily consists of photos. Duxiu Chi

1980

1985

Hu, Die, 1907–1989 ഐႵ, 1907–1989 Hu Die hui yi lu / Hu Die kou shu; Liu Huiqin zheng li. ഐႵҘষ࠹ / ഐႵ‫ט‬਎䩮 ข༫ᅄ‫ݱ‬ԑ. Beijing: Xin hua chu ban she, 1987. 296 p. ISBN 7501100659 Note: The copyright page includes the note “Internal Distribution.” Thus, this is clearly a pirated copy of the autobiography of Hu Die published in Taiwan in 1986. Duxiu Chi

Feng, Li. ᫅ᰆ. Ying hou Hu Die. ‫ؙ‬њഐႵ. Beijing: Zhongguo wen lian chu ban gong si, 1998. 397 p. ISBN 7505927205 Note: A biography of Hu Die. CTFAL

Chi

1986 Liu, Shu. ขⶹ. Hu Die hua zhuan. ഐႵࡌ‫ت‬. Beijing: Zhongguo wen shi chu ban she, 2008. 362 p. ISBN 7503420286 Note: A biographical work on Hu Die. Duxiu

1981 Hu, Die, 1907–1989 ഐႵ, 1907–1989 Hu Die hui yi lu / Hu Die kou shu; Liu Huiqin zheng li. ഐႵҘষ࠹ / ഐႵ‫ט‬਎䩮 ข༫ᅄ‫ݱ‬ԑ. Beijing: Wen hua yi shu chu ban she, 1988. 228 p. ISBN 8503902043 Note: The mainland China version of Hu Die’s autobiography that was originally published in Taiwan in 1986. Duxiu Chi

Chi

1987 Shan, Wa. ᦈ෈. Die wu hong chen. Ⴕଢ‫ີێ‬. Beijing: Xin xing chu ban she, 2006. 244 p. ISBN 7801489748 Note: A biography of Hu Die. The details of her life in Hong Kong, Taiwan, and Vancouver from the 1950s to the 1980s, however, are not included in the book. CTFAL Chi

1982 Hu, Die, 1907–1989 ഐႵ, 1907–1989 Hu Die zi zhuan. ഐႵІ‫ة‬. [Shanghai]: Chen Li fa xing, 1938. 91 p. Note: The autobiography by Hu Die written after she returned from her trip to Europe in 1938. Duxiu Chi

1988 1983

Tan, Chunfa. ᭂࡇт. Hu Die xian wei ren zhi de gu shi. ഐႵ৲ЋϪҌϡ‫ݞ‬Ѩ. Beijing: Tuan jie chu ban she, 2004. 371 p. ISBN 780130764X Note: A biography of Hu Die that focuses on her relationship with Dai Li, the head of the KMT’s security service during the 1930s and 1940s. However, there are

Hu, Die, 1907–1989 ഐႵ, 1907–1989 Hu Die nu shi Ou you za ji / Hu Die shu; Chen Yiyun bi ji. ഐႵѽࡲଟղ૝֮ / ഐႵ਎; ಴ඩࠥદ֮. Shanghai: Liang you tu shu yin shua gong si, 1935. 130 p. Note: A record of Hu Die’s four-month European journey to the Soviet Union, Germany, England, and France. Duxiu Chi

352

Actors and Actresses

1997

no details of her later life in Hong Kong, Taiwan, and Vancouver. CTFAL Chi

1993 Zhu, Jian. ᗌহ. Hu Die: dian ying huang hou. ഐႵ䩭ӈ‫ؙ‬෦њ. Lanzhou: Lanzhou da xue chu ban she, 1996. 306 p. ISBN 7311009588 Series title: Minguo ren wu da xi; 7 ‫ھ‬мϪ‫׉‬Ͻ‫ ;ڍ‬7 Note: A biographical work on Hu Die. Duxiu

1989 Zhang, Naxin. ‫צ‬ᅡᰧ. Hu Die chuan qi. ഐႵ‫࡞ة‬. Changchun: Shi dai wen yi chu ban she, [n.d.] Note: Author Jim Cheng located the title and cover page of this text on Duxiu; however, additional information, such as the publishing date, page number, and table of contents, was not available. Duxiu Chi

1994 Yan, Cunlin. Ἠࡖ৆. Hu Die qing shi. ഐႵєѨ. Changchun: Shi dai wen yi chu ban she, 1997. 380 p. ISBN 7538711694 Note: A biographical work on Hu Die’s romantic affairs. Duxiu Chi

1990 Zhang, Naxin. ‫צ‬ᅡᰧ. Ying xing Hu Die. ‫ؙ‬լഐႵ. Changchun: Shi dai wen yi chu ban she, 2003. 376 p. ISBN 7538718362 Note: A biography of Hu Die. Duxiu

Chi

1995

Chi

Yi ge zhen shi de Hu Die = Beauty and Sadness / Mu Lan bian. ϣϬѐӥϡഐႵ= Beauty and Sadness / ަ୩൜. Beijing: Dong fang chu ban she, 2005. 304 p. ISBN 7506023571 Note: A biography of Hu Die. Includes a chronology. Duxiu Chi

1991 Zhao, Mei. ᖀᄮ. Hu Die. ഐႵ. Beijing: Xin hua chu ban she, 2008. 277 p. ISBN 9787501184040 Series title: Wan yu wen ku Zhao Mei jing dian zuo ping ji ‫ܬݚ‬ҹᆟᖀᄮҮਹӑԘओ Note: A biofictional work on Hu Die. Duxiu Chi

1996 Ying hou sheng ya: Hu Die hui yi lu. ‫ؙ‬њТᄇ䩭ഐႵҘষ࠹. Hangzhou: Zhejiang ren min chu ban she, 1986. 295 p. Note: This text appears to be a pirated copy of Hu Die’s autobiography published in Taiwan in 1986; this text does not contain a statement by the author on the copyright page. Duxiu Chi

1992 Zhongguo di yi dai “dian ying huang hou” Hu Die ji / Heshan xian di fang zhi bian zhuan wei yuan hui bai gong shi bian. Ѕмҷϣ‫”ڊ‬ӈ‫ؙ‬෦њ”ഐႵ֭ / ᡪ‫໋ځ‬сҤ࢑൜᫃ణ‫؃‬Ͽ‫ފ‬ԍॣ ൜. Heshan: Heshan xian di fang zhi bian zhuan wei yuan hui, 1991. 95 p. Series title: Guangdong sheng Heshan xian di fang zhi cong shu ܲև૸ᡪ‫໋ځ‬сҤ࢑ᜥ‫ڪ‬ Note: A biography of Hu Die prepared by the editorial committee of the local newspaper office in Geshang County, which is where Hu Die’s hometown is located. Duxiu Chi

Jiang, Qing, 1946– ࢖‫ݙ‬, 1946– 1997 Jiang, Qing, 1946– ࢖‫ݙ‬, 1946– Jiang Qing de wang shi, wang shi, wang si. ࢖‫ݙ‬ϡ‫܊‬Ж, ‫܊‬Ѩ, ‫ڽ܊‬. Taibei: Shi bao wen hua chu ban shi ye you xian gong si, 1991. 355 p. ISBN 9571303682

353

1998

Film Producers, Directors, Actors, Actresses, Cinematographers, Critics, Scholars, Music and Song Composers, and Screenwriters

Series title: Li shi yu xian chang; 19 ࣵ੗ӿѳԾ; 19 Note: A biography of the dancer and film star Jiang Qing. Includes a chronology. CTFAL Chi

Taibei: Pei lin chu ban she, 1987. 239 p. Note: Li Ying’s autobiography recounting his life as a drama and film star. Li Ying’s professional career, spanning more than fifty years, included experiences in mainland China, Taiwan, and Hong Kong. CTFAL Chi

Lan, Tianhong, 1924–2007 ঢϳᅋ, 1924–2007

Liang, Xiushen (Liang, Slim), 1948– ᅯࢗӱ, 1948–

1998 Lan, Tianhong, 1924–2007 ঢϳᅋ, 1924–2007 Ba shi zai cang sang hua jiu. ࡂ֐ՙፄᇤҧ଒. Taibei: San yi wen hua shi ye you xian gong si, 2007. 324 p. ISBN 9789867308955 Note: Autobiography of Lan Tianhong, film actor, director, producer, and founder of the film company Lan Tian & Tai Jie Ying Ye Gong Si; his career included work in mainland China, Taiwan, and Hong Kong. Includes an index. CTFAL Chi

Liang, Xiushen (Liang, Slim), 1948– ᅯࢗӱ, 1948– Xi shuo ren sheng. ۚМϪТ. Taibei: Hao jiao chu ban she, 1983. 201 p. Note: A collection of brief articles related to the author’s career as both movie star and director in Taiwan. Includes a list of the roles the author portrayed. WorldCat Chi

Li, Kangsheng (Lee, Kang-sheng), 1968–

৆‫ݙ‬ᎇ, 1954–

2001

Lin, Qingxia (Lin, Brigitte Ching Hsia), 1954–

ଽࣉТ, 1968–

2002 Dian ying dang an: Lin Qingxia = Cinedossier: Lin Brigitte Ching Hsia / Bian zhe: Taibei Jin Ma guo ji ying zhan zhi xing wei yuan hui. Ӈ‫ؙ‬းଈ: ৆‫ݙ‬ᎇ = Cinedossier: Lin Brigitte Ching Hsia / ഹফ: ‫ݡ‬ ‫ެؖܚ‬лগ‫ࣁؙ‬వҲణ‫؂‬Ͼ. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1991. Note: The eighth volume in a series. Includes Brigitte Ching Hsia Lin’s chronology, interviews, and film list, and critical essays on the actress and her films. CTFAL Chi

1999 Zhang, Jingbei. ‫פ‬ᑽᲅ. Bu jian bu san—Cai Mingliang yu Li Kangsheng. ϤԊϤ્—ᓥҴ݊ӿଽࣉТ. Singapore: Ba fang wen hua chuang zuo shi, 2004. 139 p. ISBN 9814139106, 9789814139106 Note: With prefaces by both Tsai Ming-liang and Lee Kangsheng, this text provides a detailed description of the filmmaking process of Bu San / Goodbye, Dragon Inn (2003) directed by Tsai Ming-liang and casting direction by Lee Kang-sheng, and Bu Jian / The Missing (2003) directed by Lee Kang-sheng and produced by Tsai Ming-liang, as well as insights into the relationship between these two important figures in contemporary Taiwan cinema. Includes posters, stills, scripts, and credits from the two films. WorldCat Chi

2003 Dou, Yingtai. ᷲ‫׏‬೉. Meng li qing ren Lin Qingxia. ٓѦєϪ৆‫ݙ‬ᎇ. Ha’erbing: Bei fang wen yi chu ban she, 2002. 413 p. ISBN 7531714914 Note: A biographical work on Brigitte Ching Hsia Lin’s romantic affairs. Duxiu Chi

Li, Ying, 1923–2005 ଽ‫ؙ‬, 1923–2005

2004 Dou, Yingtai. ᷲ‫׏‬೉. Suo wei yi ren, Lin Qingxia zhuan. ӛ஼၍Ϫ䩟৆‫ݙ‬ᎇ‫ت‬. Beijing: Hua Xia chu ban she, 2008. 336 p.

2000 Li, Ying, 1923–2005 ଽ‫ؙ‬, 1923–2005 Ying ju sheng ya. ‫ঁؙ‬Тᄇ.

354

Actors and Actresses

ISBN Note:

2011 ᆩਲ‫ة‬ѐ; 1 Note: An account of Ching Hsia Lin’s experiences and anecdotes in Dunhuang, China, while making New Dragon Gate Inn (Xin Longmen ke zhan). Includes photos, film posters, stills, and Lin’s film list. CTFAL Chi

9787508048697 Biography of the most famous Taiwan actress Lin Qingxia. Describes her personal life and work in cinema when she was eighteen years old. Clearly omits her early childhood. Includes a chronologically arranged film list with both Chinese film names and their English translations, film stills, posters, and photos. Duxiu Chi

2009 Ou, Nier. ଡ৸঒. Yu nu Lin Qingxia, feng yu si shi nian hui shou hong chen. ർѽ৆‫ݙ‬ᎇ䩟ը‫֐ףە‬ёҘ۰‫ີێ‬. Wuhan: Hubei ke xue ji shu chu ban she, 1993. 112 p. ISBN 7535211674 Note: A biography of Brigitte Ching Hsia Lin. Duxiu

2005 Guo, Zhen. ᔕੵ. Lin Qingxia zai da lu. ৆‫ݙ‬ᎇϨϽ૖. Jilin: Jilin ren min chu ban she, 1992. 197 p. ISBN 7206013767 Note: A biographical work on the time Brigitte Ching Hsia Lin spent in mainland China. Duxiu Chi

Chi

2010 Tetsuya, Akiko. 庿൙ᔛж. Yong yuan de Lin Qingxia / Li Xiaowen yi. ‫׾ݖ‬ϡ৆‫ݙ‬ᎇ / ᙤ➐ᝉፈ. Shanghai: Shanghai jin xiu wen zhang chu ban she, 2009. 346 p. ISBN 9787545204650 Note: The mainland China version of the original English work The Last Star of the East by Akiko Tetsuya; a comprehensive biographic work of Taiwan film star Brigitte Ching Hsia Lin. Includes a brief biography and interviews with Brigitte Ching Hsia Lin, her friends, and colleagues. Includes photos, film posters, stills, and lists of Lin’s films and the awards she received. Duxiu Chi

2006 Huang, Xiaoyang. ࢷ༿‫ݵ‬. Lin Qingxia hua zhuan. ৆‫ݙ‬ᎇࡌ‫ت‬. Beijing: Zhongguo guang bo dian shi chu ban she, 2005. 262 p. ISBN 7504345431 Note: A biography of Brigitte Ching Hsia Lin. Includes a chronology. CTFAL Chi

2007 Lin, Qingxia (Lin, Brigitte Ching Hsia), 1954– ৆‫ݙ‬ᎇ, 1954– Lin Qingxia zi shu. ৆‫ݙ‬ᎇІ਎. Beijing: Zhongguo dian ying chu ban she, 1987. 91 p. ISBN 7106000256 Series title: Tai Gang dian ying cong shu ‫ݡ‬୯ӈ‫ؙ‬ᜥ‫ڪ‬ Note: An autobiography of Brigitte Ching Hsia Lin. Includes photos, chronology, and filmography. Duxiu Chi

2011 Tetsuya, Akiko. 庿൙ᔛж. Yong yuan de Lin Qingxia = The last star of the East: Brigitte Lin Ching Hsia and her films / Zuo zhe: Akiko Tetsuya; Yi zhe: Li Xiaowen. ‫׼ݖ‬ϡ৆‫ݙ‬ᎇ = The last star of the East: Brigitte Lin Ching Hsia and her films / ӑ‫ٷ‬庿൙ᔛж; ፆ‫ٷ‬ᙤ➐ᝉ. Taibei: Da kuai wen hua chu ban gu fen you xian gong si, 2005. 382 p. ISBN 9789862130452 Series title: Mark; 69 Note: The Taiwan version of the original English work The Last Star of the East by Akiko Tetsuya; a comprehensive biographic work of Taiwan film star Brigitte Ching Hsia Lin. Includes a brief biography and interviews with Brigitte Ching Hsia Lin, her friends, and colleagues. Includes photos, film posters, stills, and lists of Lin’s films and the awards she received. CTFAL Chi

2008 Ni, Youchun. ᫻ϩয়. Lin Qingxia Dunhuang li xian ji. ৆‫ݙ‬ᎇᆼᑟࣵঔ֮. Taibei: Hao jiao chu ban she, 1992. 153 p. ISBN 9576200644 Series title: Zong yi chuan zhen; 1

355

2012

Film Producers, Directors, Actors, Actresses, Cinematographers, Critics, Scholars, Music and Song Composers, and Screenwriters

2012

2016

Zhang, Baojun. ‫צ‬նᅿ. Lin Qingxia jin xi. ৆‫ݙ‬ᎇѵᘎ. Guangzhou: Guangzhou chu ban she, 1999. 308 p. ISBN 7805927774 Note: A biography of Brigitte Ching Hsia Lin. Includes photos, film posters, stills, and a profile of Lin. CTFAL Chi

Bu tui se de mai shan: yang ya gong zhu Tang Baoyun / bian zhe Su Xiawei. Ϥ௕աϡѤ৖: ‫ޘ‬ቑԍҰ࿔մࠥ / ഹ‫ٷ‬಩ॼ᝛. Taibei: Guo jia dian ying zi liao guan, 1999. 47 p. ISBN 957990458X Note: A commemoration of the life of Tang Baoyun, a Taiwanese actress best known for in her role in Li Xing’s 1964 film Beautiful Duckling (Yang ya ren jia), one of the most famous Healthy Realism films. Includes a chronology, photos, film stills, reviews, interviews, and a list of Tang’s films. NTUL Chi

2013 Zhang, Xuan. ‫⬰צ‬. Lin Qingxia zhuan. ৆‫ݙ‬ᎇ‫ت‬. Shanghai: Shanghai wen yi chu ban she, 1989. 311 p. ISBN 7532102815 Note: A biography of Brigitte Ching Hsia Lin. Includes a list of the films in which Lin starred. CTFAL Chi

Wei, Ping’ao, 1929–1989 ᪭‫כ‬ᆹ, 1929–1989 2017 Wei, Ping’ao, 1929–1989 ᪭‫כ‬ᆹ, 1929–1989 Yi tan zhao yao jing. ਲႫؕၝ஗. Taibei: San tan dian shi zhou kan she, 1976. 231 p. Note: A collection of the author’s articles recounting his experiences and perspectives on being a drama, television, and film personality in Taiwan and Hong Kong CTFAL Chi

2014 Zheng, Fang. ቼӵ. Beng xiang cai hong, Lin Qingxia. ౶‫ࠡז‬ᅋ, ৆‫ݙ‬ᎇ. Taibei: Pan geng chu ban she, [1978] 90 p. Note Anecdotes on the life of Brigitte Ching Hsia Lin. WorldCat Chi

2018 Wei, Ping’ao, 1929–1989 ᪭‫כ‬ᆹ, 1929–1989 Kuang tu ri ji. ৛ၵя֮. Taibei: Jin se nian dai za zhi she, 1981. 206 p. Series title: Yin hai cong shu ુ֋ᜣ‫ڣ‬ Note: An autobiographical work by a comedian in both Hong Kong and Taiwan. WorldCat Chi

Ou, Wei, 1937–1973 ଟ୺, 1937–1973 2015 Ou Wei / Yao Liqun, Xue Huiling bian. ଟ୺ / ᝻߹ळ, ṟ௑ጘഹ. Taibei: Cai tuan fa ren guo jia dian ying zi liao guan, 2010. 111 p. ISBN 97898668445536 Series title: Yin he ren wu xi lie; 1 ુ૯Ϫ‫ ;࠶ڍ׉‬1 Note: A biographical work on Ou Wei, a Taiwan film actor and director. Includes photos, stills, posters, filmography, chronology, and a bibliography. CTFAL Chi

Yang, Huishan, 1952– ໷௑ᦸ, 1952– 2019 Fu, Zhiying. ላᆙ⑵. Jin sheng xiang sui: Yang Huishan, Zhang Yi yu Liu li gong fang. ѵТԚ‫ڨ‬: ໷௑ᦸ, ‫פ‬ᗥӿ᧑ᅏ֞ࠚ. Taibei: Tian xia yuan jian chu ban gu fen you xian gong si, 1999. 305 p. ISBN 9576215323 (pbk.), 9789576215322 (pbk.)

Tang, Baoyun, 1944–1999 ࿔մࠥ, 1944–1999

356

Cinematographers

Note:

2024

A biographical work focusing on the Taiwan film actress Yang Huisan and director Chang Yi, and their joint endeavor of establishing an art studio for glazed tile art. Includes a bibliography. WorldCat Chi

Zhang, Meiyao, 1941– ‫פ‬Ѥᴽ, 1941– 2022 Zhang, Meiyao, 1941– ‫פ‬Ѥᴽ, 1941– Dian ying yu wo. Ӈ‫ؙ‬ӿϢ. Taibei: Zhonghua ri bao she, [n.d.] 96 p. Note: A collection of autobiographical articles published in the Zhonghua ri bao newspaper by Zhang Meiyou, a Taiwan film star. CTFAL Chi

Yang, Lihua, 1944– ໷‫ܡ‬Ր, 1944– 2020 Lin, Meise. ৆Ѥ亯. Ge zai xi huang di: Yang Lihua. ‫ܮ‬௩ۚ෦෌:໷‫ܡ‬Ր. Taibei: Shi bao wen hua chu ban qi ye gu fen you xian gong si, 2007. 318 p. ISBN 9789571347271 Series title: People; 207 Note: A biography of Yang Lihua, a famous Taiwan local opera (ge zai xi) and film star, who, according to the text, began producing Taiwanese-dialect films in 1967 and made Taiwan’s last Taiwanese-dialect film, Chen Sanwu Niang, in 1981. Includes a chronology. CTFAL Chi

Zhou, Jielun (Chou, Jay), 1979– ‫ီر‬ൔ, 1979– 2023 Zhou Jielun: gong fu guan lan zhen cang xie zhen ben = Jay Chou: the photo album of Kung Fu Dunk / Zong bian ji: Waigang Hongchang (Sotooka Hironaga); She ying: Cai Rongfeng; Wen zi: Huang Ting. ‫ီر‬ൔ: ‫ۋ‬ਜ਼ᓲႨੵে܎ѐӆ = Jay Chou: the photo album of Kung Fu Dunk / րഹফ: ֔ᐻᒩӕ; ଄‫ؙ‬: ᓥึழ; ҹ‫ܒ‬: ࢶᑢ. Taibei: Taiwan guo ji jiao chuan shu dian, 2008. 135 p. ISBN 9789861745855, 9861745858 Note: A photographic record of the production of Kung Fu Dunk (2008), directed by Zhu Yanping with casting direction by Zhou Jielun (Jay Chou). WorldCat Chi

Xu, Buliao (Pu-liao Hsu), 1951–1985 ‫ܛ‬ϤϦ, 1951–1985 2021 Cai, Kunfen (Tsai, Kun-fen). ᓥᐒ୒. Xu Buliao xi ju dian ying zhong de nan xing qi zhi yan jiu = The construction of masculinity in Pu-liao Hsu’s comedy movies. ጝϤϦӍঁӇ‫ؙ‬ЅϡԲԛӠ‫ = ૢ୳ڰ‬The construction of masculinity in Pu-liao Hsu’s comedy movies. 94 leaves. Note: Thesis (M.A.)—National Cheng Kung University, 2004. Interprets the construction of masculinity in four Pu-liao Hsu (a comedy movie star in Taiwan) films: A Maiden and Wonderer (1981), Playboy (1982), The Twins (1984), and The Clown and the Swan (1985). Concludes that there are two patterns of masculinity in these films, which are characteristic of Taiwan society in the 1980s: an “exaggerated-fetish” pattern and a “castrated-feminine” pattern. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD (FT) Chi

7.4 7.4.1

CINEMATOGRAPHERS General

2024 Huang, Ren, 1925– ࢶწ, 1925– Taiwan dian ying bai nian shi hua / Huang Ren, Wang Wei bian zhu. ‫ݡ‬ஹӇ‫ښؙ‬ё੗ҧ/ࢶწ,ࣼଂഹЯ. Taipei: Zhonghua ying ping ren xie hui, 2004. 2 v. Note: A comprehensive and objective text on Taiwan film history. Significant achievements of the work include (1) the discovery that the first film shown in Taiwan occurred in 1899, differing from scholars who claim the first screening occurred in 1901; (2) a detailed description of Taiwan film artists’ activities and achievements during the colonial period in both Taiwan and mainland China; (3) Taiwan film history from multiple perspectives; (4) the authors maintain an objective stance while approaching politically charged issues, such as the Japanese influence on Taiwan cinema, propaganda

357

Film Producers, Directors, Actors, Actresses, Cinematographers, Critics, Scholars, Music and Song Composers, and Screenwriters

2025

films in Taiwan, and the Nationalist government’s censorship system; and (5) the text includes important filmographies in some of its chapters. Shortcomings of the work include (1) poor editing—for example, multiple typos, such as on page 19, when the date of the first feature film made in Taiwan, by the Japanese, is written as 1902 instead of 1922; and Chapter 12 starts on p. 331, but the table of contents notes that it starts on p. 329; (2) poor content organization—for example, Chapters 11–21 in Vol. 2 are not connected cohesively; and (3) the text does not contain a complete bibliography, filmography, or indexes, except for inconsistent bibliographical materials included at the end of selected chapters. Thus, it is difficult to recommend this text as reference material, even though it contains important historical information. Includes some bibliographic information at the end of selected chapters; and film stills, posters, and photos. WorldCat Chi

Note:

2027 Doyle, Christopher, 1952– Angel talk. Tokyo: Prenom, 1996. 151 p. ISBN 479528069X, 9784795280694 Note: Cinematographer Christopher Doyle discusses the making of Fallen Angels (Duo luo tian shi), directed by Wong Kar-wai . Includes photos. WorldCat Eng Jpn

2028 Doyle, Christopher, 1952– Ashes of time. Hong Kong: [s.n.], 1994. Note: A book of photographs shot by the author while shooting the film Ashes of Time (Wong Kar-Wai, 1994). CTFAL Eng

2025 Lin, Zanting. ৆ლ೛. Taiwan dian ying she ying ji shu fa zhan gai shu 1945–1970 = Cinematography in Taiwan 1945–1970: History and technical development / Lin Zhanting bian zhu. ‫ݡ‬ஹӇ‫ؙ‬଄‫ؙ‬৔फчࣁม਎ 1945–1970 = Cinematography in Taiwan 1945–1970: History and technical development /৆ლ೛ഹЯ. Taibei: Xing zhe yuan wen hua jian she wei yuan hui, 2003. 319 p. ISBN 9570148454 Note: This title is the most comprehensive, accurate work on the history and development of cinematography in Taiwan. Part 1 focuses on the history of cinematography in Taiwan; Part 2 provides a brief introduction to all of the private film studios and cinematographers in Taiwan, as well as technological advances in cinematography equipment from 1945 to 1970. The appendix includes 1945–1970 Taiwan Film Negative List, 1945–1970 Taiwan 35 mm Film Projector List, a filmography, and a bibliography. NTUL Chi

7.4.2

A photography book on Chinese singer Ai Jing by Christopher Doyle. It is difficult to locate a physical copy of this text on WorldCat, or libraries in Hong Kong, Taiwan, and China. Chi

2029 Doyle, Christopher, 1952– Backlit by the moon. Japan: Little More, 1996. 96 p. ISBN 4947648392, 9784947648396 Note: A book of photographs shot by the author while working on Chinese films directed by Wong Kar-Wai, Chen Kaige, and Stanley Kwan. CTFAL Jpn Eng

2030 Doyle, Christopher, 1952– Buenos Aires. Tokyo: Prenom H, 1997. 218 p. ISBN 4795280665, 9784795280663 Note: Cinematographer Christopher Doyle describes the filmmaking of Happy Together (Chun guang za xie), directed by Wong Kar-wai. WorldCat Eng

Individual Cinematographers

Doyle, Christopher (Du, Kefeng), 1952– 2031

ᖯНգ, 1952–

Doyle, Christopher, 1952– A cloud in trousers / Christopher Doyle; Roger Thrilling; Los Angeles Center for Photographic Studies. Los Angeles: LACPS; Santa Monica, CA: Small Art Press; Distributed by RAM publications, 1998. 107 p. ISBN 1889195332, 9781889195339 Note: Words and images by Christopher Doyle for an exhibition and film festival organized by LACPS, November 14, 1998, through January 9, 1999. WorldCat Eng

2026 Doyle, Christopher (Du, Kefeng), 1952– ᖯНգ, 1952– “Jie jin Ai Jing” she ying ji. “‫ײב‬ዐ෧” ଄‫ؙ‬ओ. Xianggang: [s.n.], 1996. 108 p.

358

Cinematographers

2039 Note:

2032 Doyle, Christopher, 1952– Doyle on Doyle. Tokyo: Prenom, 1997. 40 p. ISBN 4990055713, 9784990055714 Note: An autobiography by Christopher Doyle. WorldCat Eng

Jpn

2033 Doyle, Christopher (Du, Kefeng), 1952– ᖯНգ, 1952– Du Kefeng Chun guang zha xie she ying shou ji = Happy together: Christopher Doyle photographic journal. ᖯНգࡇ‫ׇ‬ᨀᓒ଄‫ؙ‬Ѳ֮ = Happy together: Christopher Doyle photographic journal. Hong Kong: Dian ying shuang zhou kan, 2003. No pagination. ISBN 9628114247, 9789628114245 Series title: Dian ying shuang zhou kan cong shu Ӈ‫ڬדؙ‬ᑂᜣ‫ڣ‬ Note: Also carries the alternate title Don’t Try for Me Argentina. Includes a photographic journal that records the making of Happy Together (Chun guang zha xian) directed by Wong Kar-wai. CTFAL Eng Chi

The author, cinematographer Christopher Doyle, provides commentaries that accompany his photos and film stills from his films in this book of Chinese cinema, which includes Part A, Directors (including ten directors from Taiwan, Hong Kong, and mainland China); Part B, Films (presenting eight Chinese films); Part C, Actors and Actresses (including thirteen actors and actresses); and Part D, Behind the Scenes. Includes Christopher Doyle’s biography and production list. CTFAL Chi

2036 Doyle, Christopher (Du, Kefeng), 1952– ᖯНգ, 1952– Mei li, huai, nu ren = Not such a bad thing. Ѥ‫ܡ‬, श, ѽϪ = Not such as bad thing. Taibei: Jiu jiu wen hua, 1999. Note: An artistic photography book by the author. The physical copy has been located only on an online auction website. Chi Eng

2037 Doyle, Christopher, 1952– Motel Cactus. Japan: [s.n.], 1999. Note: An exhibition program for the film Motel Catus, with cinematography by author and directed by Ki-Yong Park in 1998. It is difficult to locate a physical copy of this text on WorldCat, or libraries in Hong Kong, Taiwan, and China. Eng

2034 Doyle, Christopher (Du, Kefeng), 1952– ᖯНգ, 1952– Fang se hai wai: Du fei Zhongguo dian ying bi ji. ӵա֋֔: ᖯНգۘЅлӇ‫ؙ‬દ֮. Taibei: Shi bao wen hua chu ban qi ye go fen you xian gong si, 1999. 200 p. ISBN 9571329533 Series title: Xin ren jian te qu; 010 ЈϪҼ‫ ;߅ئ‬010 Note: Records Doyle’s involvement as a cinematographer with non-Chinese film projects by way of writing, photography, and film stills. Includes captions for all of the text’s illustrations at the end of the book, and lists of film productions, books, and exhibitions. CTFAL Chi

2038 Doyle, Christopher, 1952– Project 8. United Kindom: [s.n.], 1997. Note: Cinematographer Christopher Doyle describes the making of Happy Together (Chun guang za xie). It is difficult to locate a physical copy of this text on WorldCat, or libraries in Hong Kong, Taiwan, and China. Eng

2039 Doyle, Christopher, 1952– 1997 Tamaki Ogawa = Ogawa Tamaki “1997” / Christopher Doyle. 1997 Tamaki Ogawa = 叛ඇ䫐䫯䪾䦯1997䦰 / Christopher Doyle. Japan: Rockin’On, 1997. 124 p. ISBN 4947599456, 9784947599452 Note: A photography book of a Japanese actress with photos taken by Christopher Doyle with titles in English but text in Japanese. WoldCat Jpn

2035 Doyle, Christopher (Du, Kefeng), 1952– ᖯНգ, 1952– Guang zhi su ji: Du Kefeng Zhongguo dian ying ying xiang. ‫ׇ‬ҏ‫֮ݬ‬: ᖯНգЅлӇ‫ྱؙ‬Ռ. Taibei: Shi bao wen hua chu ban qi ye go fen you xian gong si, 1996. 143 p. ISBN 9571320501 Series title: Ren jian cong shu; 235 ϪҼᜣ‫ ;ڣ‬235

359

Film Producers, Directors, Actors, Actresses, Cinematographers, Critics, Scholars, Music and Song Composers, and Screenwriters

2040 2040

2044

Doyle, Christopher, 1952– There is a crack in everything / Christopher Doyle; Scout Gallery (London). London: Scout Gallery, 2003. 39 p. Note: Author Christopher Doyle’s photographs at an exhibition held at Scout Gallery, London, in the fall of 2003. WorldCat Eng

Liang, Liang, 1954– ᅯમ, 1954– Ying ping ren de zheng mian mu. ‫ؙ߰‬ϪϡԜӌ۵. Taibei: Shu xing chu ban she, 1993. 251 p. ISBN 9575312848 Series title: Ying ju guang chang; 1 ‫ܰঁؙ‬Ծ; 1 Note: Includes interviews with more than seventeen Taiwan film critics and also contains articles on Taiwan and Hong Kong film reviews and reviewers. NTUL Chi

2041 Chan, Queenie Monica. Multiculturalism as cultural policy and hybridity as creative practice in the Australian cinema: the works of Clara Law, Christopher Doyle and Tony Ayres. 123 leaves. Thesis (M.A.)—University of Melbourne, 2005. Note: Focuses on three Australian cinematic figures, including Christopher Doyle, and their works in the context of multiculturalism in Australian cinema. Includes a bibliography. WorldCat Eng

7.5.2

Individual Critics and Scholars

Dan, Hanzhang (Tan, Fred), 1949–1990 Ԕఈ‫א‬, 1949–1990

Hua, Huiying, 1925–

2045 Yi ge dian ying zuo jia de dan sheng: Dan Hanzhang ji nian wen ji / Li Daoming bian. ϣϫӇ‫ؙ‬ӑрϡᅈТ: Ԕఈ‫א‬ઔ݉ҹओ / ଽѬҴഹ. Taibei: Dian ying zi liao guan, 1991. 370 p. ISBN 9579700583 Note: Commemorates the work of Fred Tan, a Taiwan film critic and director. It includes Dan’s essays, film reviews, film scripts, screenplays, and memorial articles by his family members, friends, and colleagues. Includes a chronology and a filmography. CTFAL Chi

‫ܓ‬༫߭, 1925– 2042 Hua, Huiying, 1925– ‫ܓ‬༫߭, 1925– Bu zhuo ying xiang de ren: Hua Huiying she ying but u wu shi nian. ቫ፬‫ؙ‬ՌϡϪ: ‫ܓ‬༫߭଄‫܌ؙ‬ಬٚ֐ё. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 2000. 470 p. ISBN 957323999X Note: The autobiography of a cinematographer with more than fifty years (1946–2000) of experience. Includes a filmography, Chinese and English cinematography glossary, and related personnel biography. NTUL Chi

Luo, Xuelian, 1902–2000 ஛ѹ⻋, 1902–2000 2046 Luo gong Xueliang shi shi wu zhou nian ji nian ji / Hu Caihe zong bian ji. ஛ԍѹ⻋ᅴԒٚ‫ڬ‬ёઔ݉ओ / ഐಈᷣրഹফ. Taibei: Ju he guo ji chuan bo you xian gong si, 2006. 175 p. ISBN 9789868295001 Note: A commemorative work for the fifth anniversary of the death of Luo Xuelian, who, beside his many other positions, was a film producer and film studies scholar at several universities in Taiwan. Includes a biography, a chronology, memorial articles, a collection of his articles, and a family photo album of Luo Xuelian. CTFAL Chi

7.5. CRITICS AND SCHOLARS 7.5.1

General

2043 Liang an san di ying ping ren yan tao hui lun wen ji / Zong bian ji Chen Bosheng. Ҕ࿝ѧс‫ؙ߰‬Ϫ୳क़Ͼ‫ں‬ҹओ / րഹফ಴ᓱТ. Xianggang: Xianggang ying ping ren xie hui, 2005. 304 p. ISBN 9889852810, 9789889852818 Note: Conference proceedings from the Second Conference of Chinese Film Critics from mainland China, Hong Kong, and Taiwan; hosted by the Hong Kong Film Critics Association in Hong Kong, 2005. WorldCat Chi

360

Critics and Scholars

2051 Note:

Lu, Sushang, 1915–1970 ᧛पϼ, 1915–1970 2047 Lu, Sushang, 1915–1970 ᧛पϼ, 1915–1970 Taiwan dian ying xi ju shi = A  history of cinema and drama in Taiwan. ‫ݡ‬ஹӇ‫ঁؙۚ‬੗ = A history of cinema and drama in Taiwan. Taibei: Yin hua chu ban she, 1961. 577 p. Note: This is the earliest known academic work on Taiwan film and opera/drama history written by a Taiwanese scholar. The first part of the book, Taiwan Film History (pp. 1–156), contains Chapter 1: Taiwan Film During the Japanese Occupation Period, Chapter 2: Taiwan Film after Retrocession, Chapter 3: International Cooperation in Film Production, Chapter 4: Introduction of Taiwan Film Studios, Chapter 5: Official Film Advisory and Censorship Functions, Chapter 6: Non-governmental Film Organizations, Chapter 7: Film Education and Workshops, Chapter 8: Film Related Publications, Chapter 9: Film Theory and Critics, and Chapter 10: Film Industry and Theatres. As a groundbreaking work, the author provides a vast amount of firsthand information about Taiwan film history from 1901 to 1961, including dates, names, and events related to the Taiwan film. As an academic work, however, it is weak in terms of theoretical analysis and objectivity due to the limits of the overall political and academic environment during the time. Moreover, in 1992, Lee Daw-ming, a Taiwan scholar, found out that Lu had copied part of Chapter 3 from Japanese scholar Sai Ichigawa’s work: Ajia eiga no s䲖z䲖 oyobi kensetsu (Creation and Building of Asian Films) in Chapter 1, Taiwan Film During the Japanese Occupation Period within the Taiwan film history part of his work. Lee’s discovery was published in the article: “Dian ying shi ru he lai dao Taiwan de” (How did film come to Taiwan?) in the journal Dian ying xin shang (Film Appreciation), no. 9/10 (September/October 1993), p. 107. The preface includes an introduction of the author written by You Mijian. The appendix includes the author’s photo collection (pp. 536–542), an essay on Taiwanese-dialect film (pp. 543–544), and the author’s resume (pp. 576). WorldCat Chi

Biography of Lu Shushang: drama director, film narrator, playwright, scholar, screenwriter, and film director in Taiwan. Includes Lu’s chronology, a bibliography, and other reference materials. CTFAL Chi

Wang, Feilin, 1956–1992 ࣼ๘৆, 1956–1992 2049 Yi qu wei wan dian ying meng—Wang Feilin ji nian wen ji / Zhu bian Jian Zhen, Jing Yingrui deng. ϣॽ‫۔‬ԟӇ‫ࣼ—ؙْ‬๘৆ઔ݉ҹओ / Ұഹߢ㱠, ቯࣽᇳҳ. Taibei: Ke ning chu ban she, 1993. 432 p. ISBN 9579099162 Note: This is a commemorative work of Wang Feilin, a Taiwan film director and critic who passed away in 1992. It includes Wang Feiling’s essays, film reviews, articles, interviews, and memorial articles about Wang Feiling. Includes a chronology. NTUL Chi

Yang, Shiqi ໷ࡲᔂ 2050 Meng huan qi shi: Yang Shiqi ji nian ji / Wang Weining, Tu Mingjun bian ji. ْୀ್ࡲ: ໷ࡲᔂઔ݉ओ / ࣼ୺ો, ຂҴᅿഹফ. Taipei: s.n., 1985. 187 p. Note: Commemorates Yang Shiqi, a Taiwan film critic; includes her film-related articles published in both the Minsheng and Lianhe newspapers as well as memorial articles by her family members, friends, and colleagues. CTFAL Chi

Yao, Yiwei, 1922–1997 ᝻ϣἹ, 1922–1997 2051 An ye zhong de zhang deng zhe—Yao Yiwei xian sheng de ren sheng yu xi ju / Chen Yingzhen zhu bian. ମ١Ѕϡ௢୥‫—ٷ‬᝻ϣἹ܏ТϡϪТӿۚঁ / ಴ྱѐҰഹ. Taibei: Shu lin chu ban you xian gong si, 1998. 417 p. ISBN 9575867823 Note: One of the most famous playwrights in Taiwan, Yao Yiwei has also written a screenplay and several film reviews. Includes four parts: articles in memory of Yao Yiwei; articles about Yao Yiwei; reviews of Yao Yiwei’s works; and related reference materials, such as a chronology and bibliography. CTFAL Chi

2048 Qiu, Kunliang. ᆥᓍમ. Lu Sushang: yin hua piao luo. ᧛पϼ: ુ‫ܓ‬൳޻. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 2004. 189 p. ISBN 9570195010 Series title: Taiwan xi ju guan—zi shen xi ju jia cong shu ‫ݡ‬ஹۚঁఖ䦡‫ঁۚٹޞ‬рᜣ‫ڣ‬

361

Film Producers, Directors, Actors, Actresses, Cinematographers, Critics, Scholars, Music and Song Composers, and Screenwriters

2052 2052

Yi, Wen (Yang, Evan), 1920–1978

Wang, Youhui. ࣼҎሓ. Yao Yiwei. ᝻ϣἹ. Taibei: Guo li Taibei yi shu da xue, 2003. 197 p. ISBN 9570143940 Series title: Taiwan xi ju guan—zi shen xi ju jia cong shu ‫ݡ‬ஹۚঁఖ—‫ঁۚٹޞ‬рᜣ‫ڣ‬ Note: The most comprehensive biography available on Yao Yiwei, one of the most famous playwrights in Taiwan and also author of a screenplay and several film reviews. The appendix includes a chronology, lists of Yao’s works, and a bibliography. Includes photos and stage photos. CTFAL Chi

7.6

7.6.1

‫ډ‬ҹ, 1920–1978 2054 Yi, Wen (Yang, Evan), 1920–1978 ‫ډ‬ҹ, 1920–1978 You sheng zhi nian—Yi Wen nian ji = Evan Yang’s autobiography. ϩТҏё䩠‫ډ‬ҹё֮ = Evan Yang’s autobiography. Xianggang: Xinggang dian ying zi liao guan, 2009. 153 p. ISBN 9628050494 Note: Autobiography of Evan Yang, a film screenwriter and director as well as a song lyric writer in mainland China, Hong Kong, and Taiwan; also includes a collection of Evan Yang’s articles and articles written by others in memory of him. Includes a chronology, a filmography, and a list of additional published works. CTFAL Chi

MUSIC AND SONG COMPOSERS AND SONG LYRIC WRITERS

Zeng, Zhongying, 1924– ߲ᓶ‫ؙ‬, 1924–

General 2055 Liu, Xiuting. ฀ഫ೛. Zeng Zhongying de yin yue sheng ya. ߲ᓶ‫ؙ‬ϡ‫ٸ‬ӀТᄇ. Yilan: Guo li chuan tong yi shu zhong xin, 2002. 140 p. ISBN 9570125624 Series title: Chuan tong yin yue ji lu, ge zai xi juan ‫ٸࢃة‬Ӏফ࠷, ‫ܮ‬௩ۚඵ Note: A biography of Zeng Zhongying, a ge zai xi (Local Taiwanese Opera) and film music composer. Includes nine chapters; Chapter 7 focuses on Zeng’s career as a film music composer. The appendix includes a chronology, a family tree, song lists, and music scores. Includes a bibliography. CTFAL Chi

7.6.2 Individual Music and Song Composers and Song Lyric Writers Li, Linqiu, 1909–1979 ଽெ‫ڠ‬, 1909–1979 2053 Huang, Xinzhang. ࢶҞᔛ. Li Linqiu yu Wang Chun Feng de nian dai. ଽெ‫ڠ‬ӿֳࡇգϡё‫ڊ‬. Taibei: Taibei shi wen xian wei yuan hui, 2009. 185 p. ISBN 9789860181555 Note: A biography of Li Linqiu, a popular composer, screenwriter, and producer of Taiwanese-dialect films; his famous works include the Taiwanese-dialect popular song “Wang Chun Feng” (written in 1933) and the film of the same title (released in 1937). Includes lyrics from 186 Taiwanese-dialect popular songs written by Li Linqiu and an appendix with published song lyrics, film stories, screenplays, a chronology, and a bibliography. CTFAL Chi

Zhang, Hongyi, 1950–2006 ‫פ‬ᮜᗥ, 1950–2006 2056 Zhang Hongyi yin yue ren sheng / Zhu ban dan wei: Cai tuan fa ren liu li gong fang wen jiao ji jin hui. ‫פ‬ᮜᗥ‫ٸ‬ӀϪТ / Ұ‫֧؁ދ‬: ੠֚ࣗϪ᧑ᅏࠚҹ‫ڌ‬ऴ‫ؖ‬Ͼ. Taibei: Cai tuan fa ren liu li gong fang wen jiao ji jin hui, 2007. 29 p. Note: Program for a commemorative concert for Zhang Hongyi, a famous film music composer in Taiwan. Includes a biography, a chronology of Zhang Hongyi, and an introduction to the program’s participating musicians and program organizers. CTFAL Chi

362

Screenwriters

7.7

2057

SCREENWRITERS

7.7.1

General

7.7.2

Individual Screenwriters

Note:

Bai, Xianyong, 1937–

There are several biographies of Bai Xianyong published in Taiwan and mainland China. This is the latest and most comprehensive account of Bai’s life. Subscribers of the Duxiu online site are granted access to the first twenty-one pages of the document. Duxiu Chi

2056d Ye, Siyan. ౕ‫ڽ‬ᢌ. Xing bie, li san yu kong jian: Bai Xianyong xiao shuo dian ying ha yan jiu = Sex, Diaspora, and Space䵋The study of movies which transferred from Bai Xianyong’s novels. ԛԇ, ‫્ڐ‬ӿ‫׺‬Ҽ: Ձ܏ରЩМӇ‫ؙ‬٩୳ૢ = Sex, Diaspora, and Space䵋The study of movies which transferred from Bai Xianyong’s novels. 255 leaves Note: Thesis (M.A.)—National Changhua University of Education, 2011. Compares six Bai Xianyong novels and six films adapted from his novels, including The Last Night of Taipan Chin (1984) directed by Bai Jingrui, Madam Yu-Ching (1984) by Zhang Yi, Love’s Lone Flower (1985) by Lin Ching-jie, Crystal Boys (1986) by Yu Kan-ping, and The Last Aristocrats (1989) and My Rice Noodle Shop (1997) by Xie Jin, the well-known film director from mainland China. Explores themes of sex, diaspora, and space within the context of Taiwan’s historical, political, social, and cultural realities. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

Ձ܏ର, 1937– 2056a Bai, Xianyong, 1937– Ձ܏ର, 1937– Bai Xianyong zi xuan ji. Ձ܏ରІ‫ש‬ओ. Guangzhou: Hua cheng chu ban she, 2009 345 p. ISBN 9787536055728 Note: A collection of works selected by the author, Bai Xianyong. Includes novels, prose, essays, book reviews, and interviews. Also includes author photographs and commentaries. Subscribers of the Duxiu online site are granted access to the first twenty-one pages of the document. Duxiu Chi

2056b Lin, Xuanxiao (Lin, Hsuan-hsiao). ৆ୌᖮ. Nu tong zhi shu xie: Bai Xianyong xiao shuo “Gu lian hua” ji qi gai bian dian ying yan jiu = Writing the image of lesbian: A study on Bai Hsienyung’s novel “Ku Lien Hua” and its film adaptation. ѽӎ࢑‫܎ڣ‬: Ձ܏ରЩМ “વߧՐ” ࡗԷۨഹӇ‫ = ૢ୳ؙ‬Writing the image of lesbian: A study on Bai Hsienyung’s novel “Ku Lien Hua” and its film adaptation. 159 leaves Note: Thesis (M.A.)—Fu Jen Catholic University, 2012. Compares Bai’s lesbian novel Gu lian hua with its film adaptations in 1985 and 2005. Focuses on the differences between the novel and adaptations in terms of visual imagery, sound, set design, and descriptions of lesbian sexuality. Includes a Chinese abstract and a bibliography. Online full text access available in 2017. NCL/NDLTD Chi

Gong, Min, 1931– ᕠ์, 1931– 2057 Huang, Meixu. ࢶѤਡ. Gong Min: Gong Min ping zhuan. ᕠ์: ᕠ์߰‫ة‬. Taibei: Xing zheng yuan wen jian hui, 2004. 189 p. ISBN 9570195045, 9789570195040 Series title: Taiwan xi ju guan—zi shen xi ju jia cong shu ‫ݡ‬ஹۚঁఖ—‫ঁۚٹޞ‬рᜣ‫ڣ‬ Note: This is a biography of Gong Min. In addition to being a famous playwright, Gong Min is also a famous screenplay writer known in particular for his stateendorsed films. Includes a chapter dedicated to his film career (pp. 150–169). Includes a chronology, performance records, and a bibliography. CTFAL Chi

2056c Wang, Lingling. ࣼጘጘ. Zui hou de gui zu: Bai Xianyong zhuan / Wang Lingling, Xu Fuming zhu. зћϡਰఓ: Ձ܏ର‫ ة‬/ ࣼጘጘ, ጝൿҴЯ. 394 p. Taibei: Feng yun shi dai, 2004. ISBN 9575699963 Series title: Feng yun ming ren zhuan ji գࠥӜϪ‫֮ة‬

363

2058

Film Producers, Directors, Actors, Actresses, Cinematographers, Critics, Scholars, Music and Song Composers, and Screenwriters

Note:

Li, Gang, 1957– ଽᐻ, 1957– 2058 Li, Gang, 1957– ଽᐻ, 1957– You dian gan xing you bu shi li xing. ϩѡҀԛҍϤ‫׹‬ԑԛ. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 1996. 238 p. ISBN 9573228432 Series title: Feng xing guan, Li Gang zuo pin; 1 գҲఖ, ଽᐻӑԘ; 1 Note: A biography of Ang Lee and an autobiography of Li Gang. Li Gang is film director Ang Lee’s younger brother as well as a screenwriter and film director in Taiwan. Includes photos. CTFAL Chi

Biography of Li Tuanqiu: playwright, screenwriter, and director in Taiwan. One chapter of the book is dedicated to Li Tuanqiu’s film career. The appendix includes a chronology, chronicles of his plays and films, and a biography. CTFAL Chi

Lu, Sushang, 1915–1970 ᧛पϼ, 1915–1970 2061 Lu, Sushang, 1915–1970 ᧛पϼ, 1915–1970 Taiwan dian ying xi ju shi = A  history of cinema and drama in Taiwan. ‫ݡ‬ஹӇ‫ঁؙۚ‬੗ = A history of cinema and drama in Taiwan. Taibei: Yin hua chu ban she, 1961. 577 p. Note: This is the earliest known academic work on Taiwan film and opera/drama history written by a Taiwanese scholar. The first part of the book, Taiwan Film History (pp. 1–156), contains Chapter 1: Taiwan Film During the Japanese Occupation Period, Chapter 2: Taiwan Film after Retrocession, Chapter 3: International Cooperation in Film Production, Chapter 4: Introduction of Taiwan Film Studios, Chapter 5: Official Film Advisory and Censorship Functions, Chapter 6: Non-governmental Film Organizations, Chapter 7: Film Education and Workshops, Chapter 8: Film Related Publications, Chapter 9: Film Theory and Critics, and Chapter 10: Film Industry and Theatres. As a groundbreaking work, the author provides a vast amount of firsthand information about Taiwan film history from 1901 to 1961, including dates, names, and events related to the Taiwan film. As an academic work, however, it is weak in terms of theoretical analysis and objectivity due to the limits of the overall political and academic environment during the time. Moreover, in 1992, Lee Daw-ming, a Taiwan scholar, found out that Lu had copied part of Chapter 3 from Japanese scholar Sai Ichigawa’s work: Ajia eiga no s䲖z䲖 oyobi kensetsu (Creation and Building of Asian Films) in Chapter 1, Taiwan Film During the Japanese Occupation Period within the Taiwan film history part of his work. Lee’s discovery was published in the article: “Dian ying shi ru he lai dao Taiwan de” (How did film come to Taiwan?) in the journal Dian ying xin shang (Film Appreciation), no. 9/10 (September/ October 1993), p. 107. The preface includes an introduction of the author written by You Mijian. The appendix includes the author’s photo collection (pp. 536–542), an essay on Taiwanese-dialect film (pp. 543–544), and the author’s resume (pp. 576). WorldCat Chi

Li, Linqiu, 1909–1979 ଽெ‫ڠ‬, 1909–1979 2059 Huang, Xinzhang. ࢶҞᔛ. Li Linqiu yu Wang Chun Feng de nian dai. ଽெ‫ڠ‬ӿֳࡇգϡё‫ڊ‬. Taibei: Taibei shi wen xian wei yuan hui, 2009. 185 p. ISBN 9789860181555 Note: A biography of Li Linqiu, a popular composer, screenwriter, and producer of Taiwanese-dialect films; his famous works include the Taiwanese-dialect popular song “Wang Chun Feng” (written in 1933) and the film of the same title (released in 1937). Includes lyrics from 186 Taiwanese-dialect popular songs written by Li Linqiu and an appendix with published song lyrics, film stories, screenplays, a chronology, and a bibliography. CTFAL Chi

Lin, Tuanqiu, 1920–1998 ৆Ⲥ‫ڠ‬, 1920–1998 2060 Shi, Wansun. ੘ᙙ‚. Lin Tuanqiu. ৆Ⲥ‫ڠ‬. Taibei: Guo li Taibei yi shu da xue, 2003. 180 p. ISBN 9570143932 Series title: Taiwan xi ju guan—zi shen xi ju jia cong shu ‫ݡ‬ஹۚঁఖ䦡‫ঁۚٹޞ‬рᜣ‫ڣ‬.

364

Screenwriters

2068

2062

Xiaoye, 1951–

Qiu, Kunliang. ᆥᓍમ. Lu Sushang: yin hua piao luo. ᧛पϼ: ુ‫ܓ‬൳޻. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 2004. 189 p. ISBN 9570195010 Series title: Taiwan xi ju guan—zi shen xi ju jia cong shu ‫ݡ‬ஹۚঁఖ䦡‫ঁۚٹޞ‬рᜣ‫ڣ‬ Note: Biography of Lu Shushang: drama director, film narrator, playwright, scholar, screenwriter, and film director in Taiwan. Includes Lu’s chronology, a bibliography, and other reference materials. CTFAL Chi

Щఀ, 1951– 2065 Xiaoye, 1951– Щఀ, 1951– Ba ba, wo yao xiu xue / Xiaoye, Li Ya. ࠜࠜ, Ϣϴࣤѹ / Щఀ, ଽਐ. Taibei: Mai tian chu ban you xian gong si, 2004. 191 p. ISBN 9867537548, 9789867537546 Series title: Xiaoye zuo pin ji; 20 ЩఀӑԘओ; 20 Note: A collection of correspondences between Xiaoye and his daughter. WorldCat Chi

Ma, Sen, 1932– 2066

ެာ, 1932–

Xiaoye, 1951– Щఀ, 1951– Ba ba, wo hai xiang wan / Xiaoye, Li Ya. ࠜࠜ, ϢУЂ։ / Щఀ, ଽਐ. Taibei: Mai tian chu ban you xian gong si, 2005. 159 p. ISBN 9867252136 (pbk.), 9789573312406 Series title: Xiaoye zuo pin; 9 Huang guan cong shu; di 2498 zhong ЩఀӑԘ; 9 ෦ഃᜣ‫ ;ڣ‬ҷ2498҆ Note: A collection of writings by Xiaoye and his daughter. WorldCat Chi

2063 Shi, Guangsheng. ੘‫ׇ‬Т. Ma Sen. ެာ. Taibei: Xing zheng yuan wen jian hui, 2004. 181 p. ISBN 9570195037, 9789570195033 Series title: Taiwan xi ju guan—zi shen xi ju jia cong shu ‫ݡ‬ஹۚঁఖ—‫ঁۚٹޞ‬рᜣ‫ڣ‬ Note: In addition to being a scholar and playwright, Ma Sen is also a screenwriter in Taiwan. This is his biography. Includes a chronology and bibliography. CTFAL Chi

2067 Xiaoye, 1951– Щఀ, 1951– Bai ge wu yu. Ձ៬‫ܭ׉‬. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1988. 237 p. Series title: Ren jian cong shu; 138 ϪҼᜣ‫ ;ڣ‬138 Note: The sequel to the author’s first such book, published in 1986. Contains a preface written by the famous Taiwan New Cinema director, Edward Yang. Collects the author’s various musings on his interactions with Taiwan New Cinema’s milieu and participants. CTFAL Chi

Wang, Shengshan, 1921–2003 ࣼТ৖, 1921–2003 2064 Li, Kangnian. ଽࣉё. Wang Shengshan. ࣼТ৖. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 2004. 189 p. ISBN 9570195029 Series title: Taiwan xi ju guan—zi shen xi ju jia cong shu ‫ݡ‬ஹۚঁఖ—‫ঁۚٹޞ‬рᜣ‫ڣ‬ Note: Biography of Wang Shengshan, a famous playwright, film director, and screenwriter in Taiwan. Includes a chronology, lists of the plays he directed and awards he received, and an inventory of related materials donated to the National History Archive. CTFAL Chi

2068 Xiaoye, 1951– Щఀ, 1951– Chi kuang lao bao bei. စ৛ҡմर. Taibei: Huang guan wen xue chu ban you xian gong si, 1995. 194 p. ISBN 9573312409, 9789867537546

365

2069

Film Producers, Directors, Actors, Actresses, Cinematographers, Critics, Scholars, Music and Song Composers, and Screenwriters

Series title: Xiaoye zuo pin ji; 20 ЩఀӑԘओ; 20 Note: The author, Xiao Ye, describes his life and his family. WorldCat Chi

works; and related reference materials, such as a chronology and bibliography. CTFAL Chi

2072 Wang, Youhui. ࣼҎሓ. Yao Yiwei. ᝻ϣἹ. Taibei: Guo li Taibei yi shu da xue, 2003. 197 p. ISBN 9570143940 Series title: Taiwan xi ju guan—zi shen xi ju jia cong shu ‫ݡ‬ஹۚঁఖ—‫ঁۚٹޞ‬рᜣ‫ڣ‬ Note: The most comprehensive biography available on Yao Yiwei, one of the most famous playwrights in Taiwan and also author of a screenplay and several film reviews. The appendix includes a chronology, lists of Yao’s works, and a bibliography. Includes photos and stage photos. CTFAL Chi

2069 Xiaoye, 1951– Щఀ, 1951– Qin shao nu bo pi shu. ‫ڳ‬վѽ૗‫ڣޔ‬. Taibei: Mai tian chu ban you xian gong si, 1995. 244 p. ISBN 9577082262, 9789577082268 Series title: Mai tian wen xue; 51 ๤೧ҹѹ; 51 Note: The author, Xiao Ye, describes his family and his daughter. WorldCat Chi

2070 Xiaoye, 1951– Щఀ, 1951– Yi ge yun dong de kai shi. ϣϫ‫ػ‬ҁϡы‫״‬. Taibei: Shi bao chu ban gong si, 1986. 284 p. Series title: Ren jian cong shu; 54 ϪҼᜣ‫ ;ڣ‬54 Note: Although not an academic work, this text is a readable collection of essays, diaries, letters, interviews, and prose that touches on a broad series of topics, including the author’s daily experiences at Zhong ying (Central Motion Picture Corporation) as he managed film production issues; personal anecdotes regarding his relationship with some of the most famous Taiwanese film directors, screenwriters, and Zhong ying studio officials; comparative reviews on Hong Kong and mainland China films; and, most important, his records and comments, as an insider, about the birth of the Taiwan New Cinema movement during the early 1980s. WorldCat Chi

2073 Yao, Yiwei, 1922–1997 ᝻ϣἽ, 1922–1997 “Hong bi zi” de wu tai yi shu / Yao Yiwei zhu; Lin Kehuan bian. “‫ێ‬຋ж”ϡଢ‫ݡ‬਴भ / ᝻ϣἽЯ䩮৆ࡽӧ൜. Beijing: Zhongguo xi ju chu ban she, 1984. 298 p. Series title: Wu tai yi shu cong shu ଢ‫ݡ‬਴भᜥ‫ڪ‬ Note: The play Hong Bi Zi (Red Nose), written by the Taiwan playwright Yao Yiwei, was presented in mainland China in 1982; this is an account of Yao’s artistic achievements in the art of stage performance. WorldCat Chi

Yi, Wen (Yang, Evan), 1920–1978 ‫ډ‬ҹ, 1920–1978 2074

Yao, Yiwei, 1922–1997

Yi, Wen (Yang, Evan), 1920–1978 ‫ډ‬ҹ, 1920–1978 You sheng zhi nian—Yi Wen nian ji = Evan Yang’s autobiography. ϩТҏё䩠‫ډ‬ҹё֮ = Evan Yang’s autobiography. Xianggang: Xinggang dian ying zi liao guan, 2009. 153 p. ISBN 9628050494 Note: Autobiography of Evan Yang, a film screenwriter and director as well as a song lyric writer in mainland China, Hong Kong, and Taiwan; also includes a collection of Evan Yang’s articles and articles written by others in memory of him. Includes a chronology, a filmography, and a list of additional published works. CTFAL Chi

᝻ϣἹ, 1922–1997 2071 An ye zhong de zhang deng zhe—Yao Yiwei xian sheng de ren sheng yu xi ju / Chen Yingzhen zhu bian. ମ١Ѕϡ௢୥‫—ٷ‬᝻ϣἹ܏ТϡϪТӿۚঁ / ಴ྱѐҰഹ. Taibei: Shu lin chu ban you xian gong si, 1998. 417 p. ISBN 9575867823 Note: One of the most famous playwrights in Taiwan, Yao Yiwei has also written a screenplay and several film reviews. Includes four parts: articles in memory of Yao Yiwei; articles about Yao Yiwei; reviews of Yao Yiwei’s

366

Screenwriters

2082 Includes a bibliography. WorldCat

Zhang, Mingyu. ‫פ‬Ҵർ.

Eng

2079 2075

Liu, Yibing. ขϣഈ. Xu gou de zi you: dian ying ju zuo ben ti lun / Liu Yibing, Zhang Min. ஢พϡІ‫ۥ‬䩭ӈ‫ؙ‬঵ӑӆՄ‫ ڹ‬/ ขϣഈ䩟‫ھצ‬. Beijing: Zhongguo dian ying chu ban she, 2002. 467 p. ISBN 7106018279, 9787106018276 Series title: Xin shi ji dian ying xue lun cong ЈԒઓӈ‫ؙ‬Ѻ‫ڹ‬ᜥ Note: Explores fictional leeway evident in screenplays by Chu T’ien-wen from Taiwan and Wong Kar-wai from Hong Kong, and uses their respective scripts as case studies. Include a bibliography. WorldCat Chi

Zhang, Mingyu. ‫פ‬Ҵർ. Mu qian mu hou. ටӓ௷ћ. Jiayi shi: Yuan da wen hua, 1978. 224 p. Note: An autobiographical work by Zhang Mingyu, a recognized singer, dancer, and screenwriter in Taiwan. Includes a detailed description of writing the screenplay for, and the filmmaking of, Hua fei hua (Soung Tsun-Shou, 1978). CTFAL Chi

2076 Zhang, Mingyu. ‫פ‬Ҵർ. Ren sheng ru xi. ϪТҒۚ. Monterey, CA: Evergreen Pub., 2003. 301 p. ISBN 193225904X (pbk.), 9781932259049 (pbk.) Note: Personal reflections on and insight into the profession of screenwriting. WorldCat Chi

2080 Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ1952– Bei qing cheng shi: Wu Nianzhen Zhu Tianwen zuo pin / Wu Nianzhen, Zhu Tianwen. ঳є‫صڵ‬: ྶ݉ѐᗌϳҹӑԘ / ྶ݉ѐ, ᗌϳҹ. Taibei: San san shu fang, 1989. 198 p. ISBN 9579528004 Note: Includes the screenplay of A City of Sadness (1989), written by Wu Nien-chen, and a question and answer with Chu T’ien-wen. Duxiu (FT) Chi

Zhao, Qibin, 1929–1986 ᕿ⓭ᝯ, 1929–1986 2077

2081

“Ju ren—Zhao Qibin” ji nian wen ji / Zhao Qibing ji nian wen ji bian ji wei yuan hui. “ঁϪ- ᕿ⓭ᝯ” ઔ݉ҹओ /ᕿ⓭ᝯઔ݉ҹओഹফణ‫؂‬Ͼ. Taibei: Zhao Qibing ji nian wen ji bian ji wei yuan hui, [1987] 250 p. Note: Commemorates the work of Zhao Qibin, famous playwright and screenwriter in Taiwan. Includes a chronology. CTFAL Chi

Zhu, Tianwen (Chu, T’ien-wen), 1956– ᗌϳҹ, 1956– Bei qing cheng shi. ঳є‫صڵ‬. Shanghai: Shanghai wen yi chu ban she, 2001. 248 p. ISBN 7532121003 Series title: Tai Gang ji hai wai Hua yu zuo jia zi xuan wen ku ‫ݡ‬୯᠕֋֔ӑрІ‫ש‬ҹᆟ Note: A collection of four screenplays written by the author and directed by Hou Hsiao-hsien: Dust in the Wind (1986), A City of Sadness (1989), The Puppetmaster (1993), and Good Men, Good Women (1995), as well as the author’s comments and records of making the films. Includes a filmography and a bibliography. Duxiu (FT) Chi

Zhu, Tianwen (Chu, T’ien-wen), 1956– ᗌϳҹ, 1956– 2078 Cho, Hwei-cheng. Chu T’ien-wen: writing dedecadence in contemporary Taiwan context. 297 leaves. Note: Thesis (Ph.D.)—University of London, 1999. An examination of Chu T’ien-wen’s fictional and cinematic writings in the context of contemporary Taiwan.

2082 Zhu, Tianwen (Chu, T’ien-wen), 1956– ᗌϳҹ, 1956– Hong qi qiu de lu xing: Hou Xiaoxian dian ying ji lu xu bian. ‫ێ‬Ӥ‫ܧ‬ϡ߫Ҳ䩭ᢡᖮᐉӈ‫ؙ‬ઓ࠹۟൜.

367

2083

Film Producers, Directors, Actors, Actresses, Cinematographers, Critics, Scholars, Music and Song Composers, and Screenwriters

Jinan: Shandong hua bao chu ban she, 2009. 642 p. ISBN 9787807138419 Note: Written by noted author and famous screenwriter Chu T’ien-wen, many of whose works were directed by Hou Hsiao-hsien. As a supplementary work to the author’s earlier work published by the same publisher in 2006, this text is a combination of reviews, notes, screenplays, filmmaking diaries, and interviews related to Hou Hsiao-hsien and his films, including Flight of the Red Balloon (2006). Includes a list of the author’s screenplays and publications. WorldCat Chi

2084 Zhu, Tianwen (Chu, T’ien-wen), 1956– ᗌϳҹ, 1956– Zui hao de shi guang: dian ying ben shi, fen chang ju ben, yi ji suo you guan yu dian ying de 1982 / 2006. зϮϡЖ‫ׇ‬: Ӈ‫ؙ‬ӆѨ, дԾঁӆ, йߵӛϩԬҿӇ‫ؙ‬ϡ 1982 / 2006. Taibei: INK yin ke chu ban you xian gong si, 2008. 417 p. ISBN 9789866873621 Series title: Zhu Tianwen zuo pin ji; 7 ᗌϳҹӑԘओ; 7 Note: Written by noted author and famous screenwriter Chu T’ien-wen, this text presents ten scripts written by the author; details of making eight films with Hou Hsiaohsien, from Dust in the Wind (1986) to Three Times (2005); and the author’s writings on Taiwanese film. Includes photos and film stills. CTFAL Chi

2083 Zhu, Tianwen (Chu, T’ien-wen), 1956– ᗌϳҹ, 1956– Hua yi qian shen / Zhu Tianwen. Րশӓӱ / ᗌϳҹ. Taibei: Mai tian chu ban gu fen you xian gong si, 1996. 312 p. ISBN 9577082564, 9789577082565 Series title: Dang dai xiao shuo jia, 1, Wang Dewei zhu bian Ԅ‫ڊ‬ЩМр, 1, ࣼख़୺Ұഹ Note: A collection of the prose by author Chu T’ien-wen, including her memories of being a student. Includes a chronology. WorldCat Chi

2085 Zhu, Tianwen (Chu, T’ien-wen), 1956– ᗌϳҹ, 1956– Zui hao de shi guang: Hou Xiaoxian dian ying ji lu. зϮϡЗ‫ׇ‬䩭ᢡᖮᐉӈ‫ؙ‬ઓ࠹. Jinan: Shangdong hua bao chu ban she, 2006. 386 p. ISBN 7807132973, 9787807132974 Note: A combination of film stories, screenplays, and reviews related to Hou Hsiao-hsien and eight of his films, from Dust in the Wind (1986) to Three Times (2005). Includes Hou Hsiao-hsien’s filmography. Duxiu Chi

368

8 Film Stories, Screenplays, and Scripts

2086

67 leaves. Note: A studio-use-only dialogue script. CTFAL Chi

74, 75 nian you liang dian ying gu shi de jiang zuo pin ji, xi ju cong shu, di si ji / Xing zheng yuan wen hua jian she wei yuan hui bian yin. 74, 75 ё‫ݿ‬મӇ‫ݞؙ‬ѨЏ؉ӑԘओ, ۚঁᜣ‫ڣ‬, ҷ‫ף‬ফ / Ҳूࡨҹ ٩ࠃ‫ޗ‬ణ‫؂‬Ͼഹ୅. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 1987. 4 v. (bound together) Note: Text includes four of the stories made into award-winning films in Taiwan in 1985 and 1986. CTFAL Chi

2091 Ba shi ba nian du you liang dian ying ju ben / Xing zheng yuan xin wen ju bian yin. ࡂ֐ࡂё֏‫ݿ‬મӇ‫ঁؙ‬ӆӑԘ / ҲूࡨЈࢨ঵ഹ୅. Taibei: Xing zheng yuan xin wen ju, 1999. 10 v. (bound in 2 v.) ISBN 9570235969, 9570235977, 9570235985, 9570235993, 9570236000, 9570236019, 9570236027, 9570236035, 9570236043, 9570236051 Note: Includes ten of the 1999 award-winning screenplays; each screenplay comes with the author’s comments, judges’ comments, and a list of award winners. CTFAL Chi

2087 A Tu (Xu, Rentu), 1949– ०֖ (‫ܛ‬წ֖), 1949– Xiao shu qing qing / A Tu yuan zhu bian ju; Cai Yangming dao yan. ‫ޥ‬க‫ ݙݙ‬/ ०֖֍Яഹঁ; ᓥเӜ࣒ࠟ. [Taiwan] : Wan long dian ying gong si, [n.d.] [74 leaves.] Note: A studio-use-only script. CTFAL Chi

2092 Ba shi liu nian du you liang dian ying ju ben / Xing zheng yuan xin wen ju bian yin. ࡂ֐ࡏё֏‫ݿ‬મӇ‫ঁؙ‬ӆӑԘ / ҲूࡨЈࢨ঵ഹ୅. Taibei: Xing zheng yuan xin wen ju, 1997. 10 v. (bound in 2 v.) ISBN 9570096624, 9570096632, 9570096640, 9570096659, 9570096667, 9570096675, 9570096683, 9570096691, 9570096705, 9570096713 Note: Includes ten of the 1997 award-winning screenplays; each screenplay comes with the author’s comments, judges’ comments, and a list of award winners. CTFAL Chi

2088 A Tu (Xu, Rentu), 1949– ०֖ (‫ܛ‬წ֖), 1949– Lu ge = Shan nian zu / A Tu bian ju; Jin Aoxun dao yan. Ⴡࢯ = վё६ / ०֖ഹঁ; ‫ؖ‬⍘࢐࣒ࠟ. [Taiwan] : Da di dian ying shi ye gong si, [n.d.] [138 leaves.] Note: A studio-use-only script. CTFAL

Chi

2089 Ai qing yi er san. Дєϣԏѧ. [Taibei] : Da zhong dian ying gong si, [n.d.] [37 leaves.] Note: A studio-use-only script. CTFAL

Eng

2093 Ba shi jiu nian du you liang dian ying ju ben / Xing zheng yuan xin wen ju bian yin. ࡂ֐॰ё֏‫ݿ‬મӇ‫ঁؙ‬ӆӑԘ / ҲूࡨЈࢨ঵ഹ୅. Taibei: Xing zheng yuan xin wen ju, 2000. 10 v. (bound in 2 v.) ISBN 9570270551, 957027056X, 9570270578, 9570270586, 9570270594, 9570270608, 9570270616, 9570270624, 9570270632, 9570270640

Chi

2090 Ai de yu mao zai piao. ДϡሞࢂϨ൳. [Taibei: Wu fu ying ye gong sis, 1982.]

369

Film Stories, Screenplays, and Scripts

2094 Note:

Includes ten of the 2000 award-winning screenplays; each screenplay comes with the author’s comments, judges’ comments, and a list of award winners. CTFAL Chi

2098 Ba shi wu nian du you liang dian ying ju ben / Xing zheng yuan xin wen ju bian yin. ࡂ֐ٚё֏‫ݿ‬મӇ‫ঁؙ‬ӆӑԘ / ҲूࡨЈࢨ঵ഹ୅. Taibei: Xing zheng yuan xin wen ju, 1996. 10 v. (bound in 2 v.) ISBN 9570073756, 9570073845, 9570073802, 9570073810, 9570073829, 9570073837, 9570073764, 9570073772, 9570073799, 9570073780 Note: Includes ten of the 1996 award-winning screenplays; each screenplay comes with the author’s comments, judges’ comments, and a list of award winners. CTFAL Chi

2094 Ba shi nian you liang dian ying ju ben / Xing zheng yuan xin wen ju bian yin. ࡂ֐ё‫ݿ‬મӇ‫ঁؙ‬ӆӑԘ / ҲूࡨЈࢨ঵ഹ୅. Taibei: Xing zheng yuan xin wen ju, 1991. 10 v. (bound in 2 v.) Note: Includes ten of the 1991 award-winning screenplays. CTFAL Chi

2095 2099

Ba shi qi nian du you liang dian ying ju ben / Xing zheng yuan xin wen ju bian yin. ࡂ֐ࢳё֏‫ݿ‬મӇ‫ঁؙ‬ӆӑԘ / ҲूࡨЈࢨ঵ഹ୅. Taibei: Xing zheng yuan xin wen ju, 1998. 10 v. (bound in 2 v.) ISBN 9570216646, 9570216654, 9570216662, 9570216670, 9570216689, 9570216697, 9570216700, 9570216719, 957016727, 9570216735 Note: Includes ten of the 1998 award-winning screenplays; each screenplay comes with the author’s comments, judges’ comments, and a list of award winners. CTFAL Chi

Ba shi yi nian du you liang dian ying ju ben / Xing zheng yuan xin wen ju bian yin. ࡂ֐ϣё֏‫ݿ‬મӇ‫ঁؙ‬ӆӑԘ / ҲूࡨЈࢨ঵ഹ୅. Taibei: Xing zheng yuan xin wen ju, 1992. 10 v. (bound in 2 v.) ISBN 957001265X, 9570012668, 9570012692, 9570012676, 9570012684, 9570012706, 9570012714, 9570012722, 9570012730, 9570012749 Note: Includes ten of the 1994 award-winning screenplays; each screenplay comes with the author’s comments, a story outline, and a list of award winners. CTFAL Chi

2096 2100

Ba shi san nian du you liang dian ying ju ben / Xing zheng yuan xin wen ju bian yin. ࡂ֐ѧё֏‫ݿ‬મӇ‫ঁؙ‬ӆӑԘ / ҲूࡨЈࢨ঵ഹ୅. Taibei: Xing zheng yuan xin wen ju, 1994. 10 v. (bound in 2 v.) ISBN 9570039507, 9570039493, 9570039485, 9570039477, 9570039469, 9570039450, 9570039442, 9570039434, 9570039426, 9570039418 Note: Includes ten of the 1994 award-winning screenplays; each screenplay comes with the author’s comments, judges’ comments, and a list of award winners. CTFAL Chi

Bai, Hua. Ձṡ. Ku lian / Bai Hua bian ju; Wang Tong dao yan. ܿߧ / Ձṡഹঁ; ࣼু࣒ࠟ. [Taibei] : San yi yu le shi ye gong si, [n.d.] 68 leaves. Note: A studio-use-only script. This is the script written by Bai Hua, a mainland Chinese writer, but the film made in mainland China was banned in 1981. The Taiwanese version, made in 1982, was directed by Wang Tung, a Taiwanese director from the New Taiwan Cinema movement. CTFAL Chi

2097 Ba shi si nian du you liang dian ying ju ben / Xing zheng yuan xin wen ju bian yin. ࡂ֐‫ף‬ё֏‫ݿ‬મӇ‫ঁؙ‬ӆӑԘ / ҲूࡨЈࢨ঵ഹ୅. Taibei: Xing zheng yuan xin wen ju, 1995. 10 v. (bound in 2 v.) ISBN 9570056169, 9570056177, 9570056185, 9570056193, 9570056207, 9570056215, 9570056223, 9570056231, 957005624X, 9570056258 Note: Includes ten of the 1995 award-winning screenplays; each screenplay comes with the author’s comments, judges’ comments, and a list of award winners. CTFAL Chi

2101 Bai hua piao xue hua piao. ՁՐ൳ઞՐ൳. [Taibei: Da zhong Li Xing gong zuo shi you xian gong si, 1977.] No pagination. Note: A studio-use-only dialogue script. CTFAL Chi Eng

370

Film Stories, Screenplays, and Scripts

2111

2102

2106

Bai, Xianyong, 1937– Ձ܏ର, 1937– Gu lian hua = Love’s lone flower / Bai Xianyong, Fu Yue’an. વߧՐ = Love’s lone flower / Ձ܏ର, ዑ֊圵. Taibei: Yuan liu chu ban shi ye you xian gu fen gong si, 2005. 1 v. (unpaged) ISBN 9573254999, 9789573254997 Series title: Lu du yu cong shu; YLG08 ੑ⤲‫־‬ᜣ‫ ;ڣ‬YLG08 Note: Script with color stills. WorldCat Chi

Bao Longtu (you ming: Bai zhi gao qin fu) / Dao yan: Wang Hongzhang. ‫د‬ह֖ (ҍӜ: Ձௌ‫֪ݍ‬ਜ਼) / ࣒ࠟ: ࣼᖻᔛ. [Xianggang]: Quan wei dian ying (Xianggang) shi ye you xian gong si, [n.d.] 71 leaves. Note: A studio-use-only script. CTFAL Chi

2107 Bi, Lina. ഋ߹ฤ. Xue ran hong chou / Bi Lina bian ju; Wang Ying dao yan. ߱ท‫ی‬᠏ / ഋ߹ฤഹঁ; ࣼᙀ࣒ࠟ. [S.l.: s.n.., n.d.] 60 leaves. Note: A studio-use-only script. CTFAL

2103 Bai, Xianyong, 1937– Ձ܏ର, 1937– Jin da ban de zui hou yi ye. ‫ؖ‬Ͻ‫ڡ‬ϡзћϣ١. Taibei: Yuan ying chu ban shi ye gong si, 1985. 128 p. Series title: Yuan jing cong kan; 265 ‫ؙ׼‬ᜣᑂ; 265 Note: Text consists of the original novel, an introduction to the main characters, anecdotes on making the film, and the screenplay of the film Jin da ban de zui hou yi ye. CTFAL Chi

Chi

2108 Bian cheng xia ying / Tu Zhongxun Hu Han he bian. ‫ ؙཱུڵנ‬/ ᛅᇝਗ, ഐఈׁഹ. [Taibei] : Lian bang ying ye gong si, [n.d.] 62 leaves. Note: A studio-use-only script. CTFAL

2104

Chi

2109

Bai, Xianyong, 1937– Ձ܏ର, 1937– Yuqing sao. ർ᥮៹. Taibei: Yuan ying chu ban shi ye gong si, 1985. 163 p. Series title: Yuan jing cong kan; 264 ‫ؙ׼‬ᜣᑂ; 264 Note: Text includes the original novel, an introduction to the main characters, and the screenplay of the film Yuqing sao. CTFAL Chi

Bu jie zi. Ϥְ௩. [Taibei] : Kinco Yingi Co., LTD., [1987] 86 leaves. Note: A studio-use-only script. CTFAL

Chi

2110 Cai, Deming. ᓥख़Ҵ. Qing chun wu hui / Cai Deming bian ju; Zhou Yanzi bian dao. ‫ࡇݙ‬ѩന / ᓥख़Ҵഹঁ; ‫ر‬Ἳжഹ࣒. [‫ܚݡ‬: Ѕ႑ӈ‫ؙ‬Ѩ‫׭‬੦‫ڤ‬ϩࡳԍ‫ޅ‬, 1993.] [88 leaves.] Note: A studio-use-only script. CTFAL Chi

2105 Bai xue piao xue hua piao. Ձઞ੆ઞՐ൳. [Taipei: Da zhong Li Xing gong zuo shi you xian gong si., 1977.] No pagination. Note: There is a mistake in the handwritten title:it should be Bai hua piao xue hua piao. ՁՐ൳ઞՐ൳, A studio-use-only script in both Chinese and English. CTFAL Chi Eng

2111 Cai, Mingliang (Tsai, Ming-liang), 1957– ᓥҴ݊, 1957– Ai qing wan sui: Cai Mingliang de dian ying = Vive l’amour. Дє‫ۈݛ‬: ᓥҴ݊ϡӇ‫ = ؙ‬Vive l’amour. Taibei: Wan xiang tu shu go fen you xian gong si, 1994. 208 p. ISBN 9576695317 (pbk.), 9789576695315 (pbk.)

371

Film Stories, Screenplays, and Scripts

2112 Note:

Describes the writing and making of Vive L’amour (1994). Includes screenplay. WorldCat Chi

2116 Chen, Hongmin. ಴ᖻ‫ھ‬. Si guang biao / Chen Hongmin bian ju; Xin Qi dao yan. Ӛ‫ׇ‬ᐛ / ಴ᖻ‫ھ‬ഹঁ; ొ࡞࣒ࠟ. [Taiwan] : Yong xin ying ye gong si, [1966] No pagination. Note: A studio-use-only script. A second copy can be located in the library. CTFAL Chi

2112 Cai, Mingliang (Tsai, Ming-liang), 1957– ᓥҴ݊, 1957– Huang se gu shi / Cai Mingliang, Wang Xiaodi, Zeng Weizhen bian ju. ࢶա‫ݞ‬Ѩ / ᓥҴ݊, ࣼЩ➅, ߲໖⦽ഹঁ. [Taiwan] : Tang chen dian ying gong si, [1987] No pagination. Note: A studio-use-only script. CTFAL Chi

2117 Chen, Junxiong. ಴ᒺ೰. Ye ye tiao chuang de lao ren / Chen Junxiong bian ju; Zhang Chonggeng dao yan. ١١᪔ੳϡҡϪ / ಴ᒺ೰ഹঁ; ‫פ‬Գน࣒ࠟ. [Taiwan] : Shang shang ying shi gong si chu pin; Chao dai ying shi gong si qi hua, [n.d.] 40 leaves. Note: A studio-use-only script. A second copy can be located in the library. CTFAL Chi

2113 Cai, Mingliang (Tsai, Ming-liang), 1957– ᓥҴ݊, 1957– Ni na bian ji dian: Cai Mingliang zuo pin. ϧъ‫נ‬ӫѡ: ᓥҴ݊ӑԘ. Taibei: Bao ping wen hua shi ye you xian gong si, 2002. 190 p. ISBN 9868007623, 9789868007628 Note: The director’s account of making the film What Time Is It There? (2001). Includes screenplay. WorldCat Chi

2118 Chen, Guofu, 1958– ಴лࣥ, 1958– Wo de mei li yu ai chou: dian ying ju ben / Chen Guofu, Chen Shijie zhu; Lin Zhixiang bian. ϢϡѤ‫ܡ‬ӿඅེ:Ӈ‫ঁؙ‬ӆ / ಴лࣥ, ಴ԒီЯ; ৆޺ፖഹ. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 1995. 218. ISBN 957322450X; 9789573224501 Series title: Dian ying guan; 51 Ӈ‫ؙ‬ఖ; 51 Note: The screenplay of the film The Peony Pavilion (1995). WorldCat Chi

2114 Cai, Mingliang (Tsai, Ming-liang), 1957– ᓥҴ݊, 1957– Qing shao nian Nezha / Cai Mingliang zhu; Zhang Lianghan bian. ‫ݙ‬վё‫ڃ‬ᢁ / ᓥҴ݊Я; ‫פ‬ᑽ⛄ഹ. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 1992. 148 p. ISBN 9573217147; 9789573217145 Series title: Dian ying guan; 33 Ӈ‫ؙ‬ఖ; 33 Note: The director/author’s account of making Rebels of the Neon God (1992). Includes the screenplay. WorldCat Chi

2119 Chen, Shilong. ಴Ԓह. Wen xin xiao yuan / Chen Shilong bian ju, Lin Qingjie dao yan. ‫ޜ‬ရ‫ ࡩޥ‬/ ಴Ԓहഹঁ; ৆֜ೀ࣒ࠟ. [Taiwan] : Long jie ding yang gong si, [n.d.] [142 leaves.] Note: A studio-use-only script. This is a photocopied version. CTFAL Chi

2115 Chen, Hongmin. ಴ᖻ‫ھ‬. Hou jie ren sheng / Chen Hongmin bian ju. ћঅϪТ / ಴ᖻ‫ھ‬ഹঁ. Taibei: San you, 1966. No pagination. Note: A studio-use-only script. CTFAL

2120 Chen, Wengui. ಴ҹਰ. Fan mu an kao / Chen Wengui bian ju; Tang Jiming dao yan. ᗜআଈߎ / ಴ҹਰഹঁ; ࿔ऴҴ࣒ࠟ. [Taiwan] : Zhong yang dian ying gong si, [n.d.] [106 leaves.]

Chi

372

Film Stories, Screenplays, and Scripts

Note:

2132

The fourth revised edition of this studio-use-only script. CTFAL Chi

2127 Da zhang fu chu chai (Zhong Ying wen dui bai ben); Long de xin. Ͻ࿆ਜ਼оई (Ѕ߭ҹхՁӆ); हϡК. [Taibei] : Hao peng you ying ye you xian gong si, [n.d.] Various pagination. Note: Two scripts are bound together: Da chang fu chu chai is a Chinese and English script, and Long de xin is a handwritten Chinese script. CTFAL Chi Eng

2121 Chen, Yiwen. ಴йҹ. Guo jiang = Jam / Chen Yiwen bian ju. ҝල = Jam / ಴йҹഹঁ. Taibei: Xiao da chu pin; Cheng shi fa xing, 1998. No pagination. Note: A studio-use-only script. CTFAL

2128 Fang, Lingzheng. ҤਘԜ. Ai zai bie xiang de ji jie (di san gao) / Dao yan: Luo Zhuoyao; Ju ben: Fang Lingzheng ДϨԇ൅ϡࡵ‫( ڞ‬ҷѧ፻) / ࣒ࠟ: ஛ᅤᴽ; ঁӆ: ҤਘԜ. [Xianggang: s.n., 1990] 135 p. Note: A handwritten and studio-use-only script. CTFAL Chi

Chi

2122 Chen, Yuxun. ಴ർ࢐. Re dai yu / Dao yan Chen Yuxun; Bian ju Chen Yuxun. չծ‫ ־‬/ ࣒ࠟ಴ർ࢐; ഹঁ಴ർ࢐. Taibei: Dao tian dian ying kong zuo shi, [1995] 105 p. Note: A studio-use-only script. CTFAL

2129 Feng, Guangyuan. ᫄‫׼ׇ‬. Wei ren min fu wu / Feng Guangyuan, Li Juyuan bian ju. ЊϪ‫ ࠔעھ‬/ ᫄‫׼ׇ‬, ଽै੅ഹঁ. Taibei: Zong heng guo ji, 1999. No pagination. Note: A studio-use-only script. CTFAL

Chi

2123 Chen, Zhou. ಴ዲ. Yi li mu xin wan dian qing / Chen Zhou bian ju. ϣཇআК‫ݛ‬ѡє / ಴ዲഹঁ. Taibei: Yu feng ying ye gong si, [n.d.] No pagination. Note: A studio-use-only script. CTFAL

2130 Da tou zai. ϽӰ௩. [Taibei] : Hong tai ying ye gong si, [1988] [76 leaves.] Note: A studio-use-only script. CTFAL

Chi

2124 Cheng shi zhan shi. ‫ࡲڕصڵ‬ [S.l.: s.n., 1989] [55 p.] Note: A handwritten script. CTFAL

Chi

2131 Ge men de qiu shi. ࢯИϡᡖѨ. Xianggang: Jia he dian ying gong si chu pin; Taibei: Fei teng dian ying gong si zhi zuo, [1986] 78 leaves. Note: A studio-use-only script. CTFAL Chi

Chi

2125 Cheng shi zhan zheng. ‫ڕصڵ‬ৎ. [Taibei] : Xin yi cheng dian ying zhi zuo you xian gong si, [n.d.] No pagination. Note: A handwritten and studio-use-only script. CTFAL Chi

2132 Dan dao shuang bu da—yi bu lai zi Jinmen de bai xing dian ying / Ying huo chong ying xiang ti zuo. ‫؁‬Ӌ‫ד‬ϤӋ—ϣ‫ח‬ϰІ‫ؖ‬՞ϡ‫ښ‬࿲Ӈ‫ ؙ‬/ ⁒‫ڮ‬າྱՌՂӑ. Taibei: Wan xiang tu shu go fen you xian gong si, 1995. 193 p. ISBN 9576696321 Series title: Yi shu fang; 7 ਲ‫ ;ࠚڣ‬7

2126 Ci man wang. ଱໲ࣼ. [Taiwan] : Lian bang dian ying gong si, 1971. No pagination. Note: A studio-use-only script. CTFAL

Chi

Chi

373

Film Stories, Screenplays, and Scripts

2133 Note:

An introduction to the independent film Every Odd Numbered Day (1994), including commentary by the director, producer, and related personnel, as well as interviews and reviews. The film, a mixture of documentary and fiction, describes the residents of Jinmen Island, the location of the last ground battle between Nationalist and Communist troops in 1949, and site of more than 20 years of artillery fire between the two sides. CTFAL Chi

1958, shelling between mainland China and Taiwan during the Second Taiwan Strait Crisis. CTFAL Chi

2138 Ding, Shanxi. ౨৖ᮑ. Da jiao niang zi / Bian dao: Ding Shanxi. Ͻऑਔж / ഹ࣒: ౨৖ᮑ. [Xianggang] : Xianggang ju ren ying ye gong si, [1977] 83 leaves. Note: A studio-use-only script. CTFAL Chi

2133 Dan, Hanzhang, 1949–1990 Yuan nu / Dan Hanzhang bian dao; Zhang Ailing yuan zhu. ൧ѽ / Ԕఈ‫א‬ഹ࣒; ‫פ‬Дጘ֍Я. [Taibei] : Zhong yang dian ying gong si, [1988] 60 leaves. Note: A studio-use-only script. CTFAL Chi

2139 Ding, Shanxi. ౨৖ᮑ. Fei yue yin yan jie / Bian dao: Ding Shanxi. ٞቷ೾‫ ֎ݷ‬/ ഹ࣒: ౨৖ᮑ. [Taibei] : Taiwan dian ying wen hua gong si, [n.d.] 50 leaves. Note: A studio-use-only script. CTFAL

2134 Dao wen. ఋ⊛. [Taibei: s.n., 1990] No pagination. Note: A studio-use-only script. CTFAL

2140 Ding, Shanxi. ౨৖ᮑ. Ge wang ge hou: shi zhuang hao hua ge ju da xi ju / Bian dao: Ding Shanxi. ‫ܮࣼܮ‬њ: Ж‫آ‬ൻ‫ঁܮܓ‬ϽӍঁ / ഹঁ: ౨৖ᮑ. [Xianggang] : Xianggang di yi ying ye gong si, [n.d.] No pagination. Note: A studio-use-only script. CTFAL Chi

Chi

2135 Deng, Jingsheng. ᛨ࢓Т. Qi ji. ࡞ቶ. [Xianggang: Wei he dian ying zhi zuo you xiang gong si, 1989] No pagination. Note: A studio-use-only script. CTFAL Chi

2141 Ding, Shanxi. ౨৖ᮑ. Lin tou zi / Bain dao: Ding Shanxi. ৆‫ۄ‬ᐕ / ഹ࣒: ౨৖ᮑ. [Taibei] : Hong tai dian ying shi ye gu fen you xian gong si, [n.d.] 65 leaves. Note: A studio-use-only script. CTFAL Chi

2136 Di yi ci yue hui. ҷϣҋएϾ. [Taibei: s.n., 1989] 53 leaves. Note: A studio-use-only script. CTFAL

Chi

Chi

2137 Ding, Shanxi. ౨৖ᮑ. Ba er san pao zhan / Bian dao: Ding Shanxi. ࡂԏѧᛤ‫ ڕ‬/ ഹ࣒: ౨৖ᮑ. [Taibei] : Zhong yang dian ying shi ye gong si, [1986] 75 leaves. Note: A studio-use-only script. Includes open letters to the army by Chiang KaiShak, president of R.O.C., and Hao Bochun, Division Commander of the Army, regarding the August 23,

2142 Ding, Shanxi. ౨৖ᮑ. Tianjin long hu dou / Bian dao: Ding Shanxi. ϳဋहഝ搲 / ഹ࣒: ౨৖ᮑ. [Taibei: s.n., 1976] 76 leaves. Note: A studio-use-only script. CTFAL

374

Chi

Film Stories, Screenplays, and Scripts

2152

2143

2147

Ding, Yamin. ౨ਐ‫ھ‬. Wo jia chun qiu cha shi / Bian ju: Ding Yamin; Dao yan: Chen Kunhou. Ϣрࡇ‫ ॣߖڠ‬/ ഹঁ: ౨ਐ‫࣒ࠟ ;ھ‬: ಴ᓍധ. [Xianggang] : Long xiang ying ye (Xinggang) you xian gong si, [n.d.] 48 leaves. Note: A photocopy of the original studio-use-only script with handwritten notes. CTFAL Chi

Feng, Ruixiong. ᫄ᇳ෣. Zhuang zhi xiong xin / Feng Ruixiong bian ju. ฃ࢑೰К / ᫄ᇳ෣ഹঁ. [Xianggang: Wan neng ying ye you xian gong si, 1989] No pagination. Note: A studio-use-only dialogue script. CTFAL Chi

2148 Feng yun. գࠥ. [S.l.: s.n., n.d.] 170 p. Note: A studio-use-only script. CTFAL

2144 Du li zhi pian zai Taiwan: “Xi bu lai de ren” / Huang Mingchuan deng zhu. ‫߹ݻ‬३әϨ‫ݡ‬ஹ: “՝‫ח‬ϰϡϪ” / ࢶҴඇҳЯ. Taibei: Qian wei chu ban she, 1990. 200 p. Series title: Xin Taiwan ren cong shu; 22 Ј‫ݡ‬ஹϪᜣ‫ ;ڣ‬22 Note: A work on independent filmmaking in Taiwan and the first such film produced in Taiwan in 1989. The author and the director of the film declare that this film achieved the following firsts in Taiwan film history: (1) it was made in the Taiwan eastern mountainous tribe area; (2) it used the local tribe language Taiya in many parts of the film; (3) the film crew was self-organized; (4) it depicts harmony between the male body and nature; (5) the studio started production before signing the distribution contract; (6) the director raised funds from non-film-related sources; (7) the cast consisted entirely of nonprofessionals; and (8) film distribution and marketing used an art film model. Includes papers on independent filmmaking, film reviews, interviews, screenplay writer’s diary, introduction of the eastern mountain tribes’ legendary stories, and synopsis and screenplay of The Man from West Island (1990). CTFAL Chi

Chi

2149 Feng yun sui yue. գࠥ‫֊ۈ‬. [S.l.: s.n., n.d.] [128 leaves.] Note: An original studio-use-only manuscript. There are two other copies in the library. CTFAL Chi

2150 Fu, Zhenghui. ዑԜሓ. Feng huang wang zi / Fu Zhenghui bian ju; Li Zuonan, Zhuang Yongjian dao yan. ངᄣࣼж / ዑԜሓഹঁ; ଽӑᔜ, ບ᳀ࠃ࣒ࠟ. [Taibei] : Xue fu you xian gong si, [1989] 116 leaves. Note: A studio-use-only script. CTFAL Chi

2151

2145

Gan jiang de shui yi jiu zai liu. ᭅ࢖ϡһ࣊଒ϨԵ. [Taibei: s.n., n.d.] 61 leaves. Note: A studio-use-only script. CTFAL

Er er ba dian ying ju ben. ԏԏࡂӇ‫ঁؙ‬ӆ. [Taibei] : Zhonghua Minguo dian ying dao yan xie hui, [n.d.] 55 leaves. Note: A studio-use-only script. CTFAL Chi

Chi

2152

2146

Gong, Min. ᕠ์. Yao wang Sun Simiao—you ming “Yi dai yao wang”: dian ying fen chang dui bai ju ben / Bian ju: Gong Min. ੈࣼྒ‫—◞ڽ‬ҍӜ “ϣ‫”ࣼੈڊ‬: Ӈ‫ؙ‬дԾхՁঁӆ / ഹঁ: ᕠ์. [Taibei] : Taiwan dian ying wen hua gong si, [n.d.] 60 leaves. Note: A studio-use-only script. CTFAL Chi

Fang, Xiang. Ҥጕ. Feng yu zhao yang / Bian ju: Fang Xiang; Dao yan: Fang Jingyue. գ‫ە‬ச‫ ݷ‬/ ഹঁ: Ҥጕ; ࣒ࠟ: Ҥ࢓ₙ. [Taibei] : Hengli ying ye gong si, [n.d.] 78 leaves. Note: A studio-use-only script. CTFAL Chi

375

Film Stories, Screenplays, and Scripts

2153 2153

2158

Guang yin de gu shi / Tao Dechen, Yang Dechang, Ke Yizheng, Zhang Yi lian he dao yan. ‫ׇ‬೾ϡ‫ݞ‬Ѩ / ᑀख़ᜳ, ໷ख़ቾ, ᛊϣԜ, ‫פ‬ᗥࡀׁ࣒ࠟ. [Taibei] : Zhong yang dian ying gong si zhi pian qi hua bu, [1982] Various paginations. Note: A collection of four scripts. CTFAL Chi

He, Weikang. ‫ح‬໖ࣉ. Yan yun jiu long bei / He Weikang bian dao. ଔࠥ॰हᗍ / ‫ح‬໖ࣉഹ࣒. [Taibei] : Ju qiao gong si, [n.d.] 140 leaves. Note: A studio-use-only script; adapted from the novel published in the newspaper Zhong yang ri bao. CTFAL Chi

2154 Guang yu re / Bian ju: Zeng Lianrong, Shen Yamin, Yang Zhengxian; Dao yan: Zeng Lianrong. ‫ׇ‬ӿչ / ഹঁ: ߲‫ึۀ‬, ਻ਐ‫ھ‬, ໷ूᬊ; ࣒ࠟ: ߲‫ึۀ‬. [Taibei] : Lian yong gu fen you xian gong si, [n.d.] 124 p. Note: A studio-use-only script. CTFAL Chi

2159 Hei pi yu bai ya. ‫ޔܪ‬ӿՁஏ. [Taibei] : Hong tai ying ye gong si, [n.d.] 92 p. Note: A studio-use-only script. CTFAL

2155

Chi

2160

Gui zai huo tang de shi ban shang. ᇭϨ‫ڮ‬ႅϡ੘५ϼ. [Taibei] : Yan Ping ying ye gong si, [n.d.] 43 leaves. Note: A studio-use-only script. A second copy can be located in the library. CTFAL Chi

Hei se tai yang / Bian ju: Jin Wu bian ju qun; Dao yan: Xu Tianrong. ‫ܪ‬աѿ‫ ݷ‬/ ഹঁ: ‫ેؖ‬ഹঁळ; ࣒ࠟ: ጝϳึ. [Taibei] : Nan Qiang dian ying qi ye you xian gong si, [n.d.] 66 p. Note: A studio-use-only script. CTFAL Chi

2161

2156

Hou, Li. ᢡ᳄. Qiu shui chang tian / Hou Li bian ju; Lai Chengying dao yan. ‫ڠ‬һӕϳ / ᢡ᳄ഹঁ; ໰ю࣒߭ࠟ. [Taibei] : Wu fu ying ye gong si, [n.d.] [127 leaves.] Note: A studio-use-only script. CTFAL Chi

Guo, Zheng. ᔕᝫ. Qu nian dong tian = Heartbreak island / Xu Xioming de dian ying; Guo Zheng de ju ben. Чёபϳ = Heartbreak island / ጝЩҴϡӇ‫ ;ؙ‬ᔕᝫϡঁӆ. Taibei: Wan xiang tu shu gu fen you xian gong si, 1995. 179 p. ISBN 9576697018 Series title: Yi shu fang; 14 ਲ‫ ;ࠚڣ‬14 Note: Consists of an interview with the director, an introduction of the cast, and the screenplay of the film Qu nian dong tian (Heartbreak Island). CTFAL Chi

2162 Hou, Xiaoxian (Hou, Hsiao-hsien), 1947– ᢡᖮᐊ, 1947– Xiao ba ba de tian kong / Hou Xiaoxian, Zhu Tian wen bian ju; Chen Kunhou dao yan. Щࠜࠜϡϳ‫ ׺‬/ ᢡᖮᐊ, ᗌϳҹഹঁ; ಴ᓍധ࣒ࠟ. Taibei: Zhong yang dian ying gong si, [n.d.] 66 leaves. Note: A studio-use-only script. CTFAL Chi

2157 He, Xinming. ‫ح‬ᾞҴ. Zhen qing kuang ai = Wild love / He Xinming bian ju; Huang Yushan dao yan. ѐє৛Д = Wild love / ‫ح‬ᾞҴഹঁ; ࢶർᦸ࣒ࠟ. [Taibei] : Tai ying hei ju; 1998. No pagination. Note: A studio-use-only script. CTFAL Chi

2163 Hou, Xiaoxian (Hou, Hsiao-hsien), 1947– ᢡᖮᐊ, 1947– Zao an Taibei = Good morning, Taipei / Hou Xiaoxian bian ju. Չԥ‫ =ܚݡ‬Good morning, Taipei / ᢡᖮᐊഹঁ. [Taibei: Da zhong dian ying gong si, 1979] No pagination. Note: A studio-use-only Chinese and English script. CTFAL Chi Eng

376

Film Stories, Screenplays, and Scripts

2174

2164

2169

Hu, Jinquan (Hu, King), 1932–1997 ഐ‫ؖ‬⠌, 1932–1997 Guo shan = Long men ke zhan / Hu Jinquan bian dao. О‫ = ځ‬ह՞‫ ᦧۺ‬/ ഐ‫ؖ‬⠌ഹ࣒. [Taiwan] : Lian bang ying ye gong si, [n.d.] 212 leaves. Note: A studio-use-only script. A second copy can be located in the library. CTFAL Chi

Huang, Bingyao. ࢶẅ႙. Zhuang zhi hao qing / Huang Bingyao bian ju; Ke Shouliang dao yan. ฃ࢑ൻє / ࢶẅ႙ഹঁ; ᛊիમ࣒ࠟ. [Taiwan] : Taiwan dian ying wen hua gong si, [n.d.] [100 leaves.] Note: A studio-use-only script. CTFAL Chi

2170 Huang, Yixin. ࢶϣᰧ. Da tong qi ling / Huang Yixin bian ju; Ou Wei dao yan. Ͻ֡᳑ਘ / ࢶϣᰧഹঁ; ଡ୺࣒ࠟ. [Taibei: Guo lian you xian gong si, 1974] No pagination. Note: A studio-use-only script. CTFAL

2165 Hu, Jinquan (Hu, King), 1932–1997 ഐ‫ؖ‬⠌, 1932–1997 Xia nu / Hu Jinquan bian dao. ཱུѽ / ഐ‫ؖ‬⠌ഹ࣒. [Taiwan] : Lian bang ying ye gong si, [n.d.] 130 leaves. Note: A studio-use-only script. CTFAL

Chi

Chi

2171 Ji de dang shi. ֮ЏԄЖ. [S.l.: s.n., n.d.] 79 leaves. Note: A studio-use-only script. CTFAL

2166 Huang, Chunming. ࢶࡇҴ. Sha yao na le, zai jian / Huang Chunming bian dao. ᒊ຾ᅡ֯, ӐԊ / ࢶࡇҴഹ࣒. [Taibei] : Yin xiang gu fen you xian gong si, 1985. 87 p. Note: A studio-use-only script. CTFAL

Chi

2172 Ji, Weiran. ઔ໓Ѽ. Jue di fan ji = Striking back / Ji Weiran bian ju; Fu Changfeng dao yan. ߺс‫ = ܂ބ‬Striking back / ઔ໓Ѽഹঁ; ዑቾᅷ࣒ࠟ. Taibei: Jiu jiu, 1998. No pagination. Note: A studio-use-only script. CTFAL Chi

Chi

2167 Huang, Jinfu. ࢶ‫ࣥؖ‬. Mei gui, bai he, qian niu hua / Huang Jinfu bian ju; Yang Jingchen dao yan. ᄮჃ, ‫ׁښ‬, ౻ܵՐ / ࢶ‫ࣥؖ‬ഹঁ; ໷‫ݕ‬ຳ࣒ࠟ. [Taibei] : Yong fu dian ying gong si, [1989] 73 leaves. Note: A studio-use-only script. CTFAL Chi

2173 Jiang, Lang. ࢖‫ع‬. Beitou zui hou yi ban lie che / Jiang Lang bian ju, Zheng Shengfu dao yan. ‫ۄܚ‬зћϣ‫࠶ڡ‬ӝ / ࢖‫ع‬ഹঁ; ቼ਱ਜ਼࣒ࠟ. Xianggang: De li ying ye gong si, [1985] [182 leaves.] Note: A studio-use-only script. CTFAL Chi

2168 Huang, Liming. ࢶሑҴ. Mo fa a ma / Huang Liming bian ju; Wang Xiaodi dao yan. ತ֚०֒ / ࢶሑҴഹঁ; ࣼЩ➅࣒ࠟ. Taibei: Dao dian dian ying gong zuo shi, [1998] No pagination. Note: A studio-use-only script. CTFAL Chi

2174 Jie yi fu ren. ‫ڞ‬चਜ਼Ϫ. [S.l.: s.n., n.d.] 60 leaves. Note: A studio-use-only script. CTFAL

377

Chi

Film Stories, Screenplays, and Scripts

2175

9 v. (bound in 2 v.) ISBN 9570120789, 9570120770, 9570120762, 9570120754, 9570120746, 9570120738, 957012072X, 9570120711, 9570120703 Note: Includes nine of the 2002 award-winning screenplays; each screenplay comes with the author’s words, judgers’ comments, story outline, character introduction, and the list of award winners. CTFAL Chi

2175 Dong: dian ying ju ben yu ping lun / Jiao Xiongping, Cai Mingliang bian zhu. ၻ: Ӈ‫ঁؙ‬ӆӿ߰‫ ں‬/ ဖ೰๔, ᓥҴ݊ഹЯ. Taibei: Wan xiang tu shu gu fen you xian gong si, 1998. 182 p. ISBN 9572702653 Series title: Yi shu fang; 29 ਲ‫ ;ࠚڣ‬29 Note: Screenplay and reviews of Tsai Ming-liang’s film The Hole (1998). CTFAL Chi

2180 Kong shou dao shao nu zu = Karate girls / Wang Yuya dao yan zuo pin. ‫׺‬ѲѬվѽ६ = Karate girls / ࣼ┗઩࣒ࠟӑԘ. Taibei: Chun tian chu ban guo ji wen hua you xian gong si, 2004. 174 p. ISBN 9867494024 Series title: Fa shao xing; 2 ч਩լ; 2 Note: Consists of the director’s introduction, a cast introduction, stills, and the script of the film Kong shou dao shao nu zu (Karate Girls). CTFAL Chi

2176 Jiao, Xiongping (Chiao, Peggy). ဖ೰๔. He liu: Cai Mingliang de dian ying / Jiao Xiongping, Cai Mingliang zuo. ૯Ե: ᓥҴ݊ϡӇ‫ ؙ‬/ ဖ೰๔, ᓥҴ݊ӑ. Taibei: Huang guan, 1997. 207 p. ISBN 9573213987, 9789573313984 Series title: Huang guan cong shu: di 2690 zhong ෦ഃᜣ‫ڣ‬: ҷ 2690 ҆ Note: The screenplay, introduction to, and film reviews of The River (1997), directed by Tsai Ming-Liang. CTFAL Chi

2181 Lai, Hanchu. ໰ఈ२. Lao shao wu ge ban / Lai Hanchu bian ju. ҡվٚϫ‫ ٻ‬/ ໰ఈ२ഹঁ. [S.l.] : Ming da ying ye, [n.d.] [80 leaves.] Note: A studio-use-only script. There are two other copies in the library. CTFAL Chi

2177 Jin, Bao. ‫ؖ‬մ. Nan bei ge wang / Biao ju: Jin Bao; Dao yan: Xin Qi. ۪‫ ࣼܮܚ‬/ ഹঁ: ‫ؖ‬մ; ࣒ࠟ: ొ࡞. [Taibei] : Ying xin ying ye gong si, [n.d.] 94 p. Note: A studio-use-only script. CTFAL

2182

Chi

Lai, Mingtang. ໰᎘இ. Xue zai shao / Lai Mingtang, Tan Jiaming bian ju; Tan Jiaming dao yan. ઞϨ਩ / ໰᎘இ, ᭃрҴഹঁ; ᭃрҴ࣒ࠟ. [Taibei] : Yan Ping dian ying gong zuo shi, [n.d.] [171 leaves.] Note: A studio-use-only script. CTFAL Chi

2178 Jiu shi nian du you liang dian ying ju ben / Xing zheng yuan xin wen ju bian yin. ॰֐ё֏‫ݿ‬મӇ‫ঁؙ‬ӆӑԘ / ҲूࡨЈࢨ঵ഹ୅. Taibei: Xing zheng yuan xin wen ju, 2001. 8 v. (bound in 2 v.) ISBN 9570292377, 9570292385, 9570292393, 9570292407, 9570292415, 9570292423, 9570292431, 957029244X Note: Includes eight of the 2001 award-winning screenplays; each screenplay comes with the author’s words, judgers’ comments, story outline, character introduction, and the list of award winners. CTFAL Chi

2183 Lai, Xiaoweng. ໰឴⤳. Shen yong Guan Gong / Lai Xiaoweng bian ju. ‫ظ‬ରԬԍ / ໰឴⤳ഹঁ. [S.l.: s.n., n.d.] [128 leaves.] Note: A studio-use-only script. CTFAL

2179 Jiu shi yi nian du you liang dian ying ju ben / Xing zheng yuan xin wen ju bian yin. ॰֐ϣё֏‫ݿ‬મӇ‫ঁؙ‬ӆӑԘ / ҲूࡨЈࢨ঵ഹ୅. Taibei: Xing zheng yuan xin wen ju, 2002.

378

Chi

Film Stories, Screenplays, and Scripts

2194 No pagination. Note: A studio-use-only script. CTFAL

2184 Lei bao feng yun. ๥ณգࠥ. Taibei: Zhong yang dian ying gong si, [1965] No pagination. Note: A studio-use-only dialogue script. CTFAL

2190 Li, Kangnian. ଽࣉё. Cui gu qing tian / Li Kangnian bian ju; Lin Guanghui dao yan. ᘓ໥෷ϳ / ଽࣉёഹঁ; ৆‫ׇ‬Ͼ࣒ࠟ. Xianggang: Hai huang xing ying ye gong si, [n.d.] [126 leaves.] CTFAL Chi

Chi

2185 Li, An (Lee, Ang), 1954– ଽԥ, 1954– Tui shou / Li An bian dao. ԐѲ / ଽԥഹ࣒. [Taiwan] : Zhong yang dian ying gong si; Li An dian ying gong si, [n.d.] No pagination. Note: A studio-use-only script. CTFAL Chi

2191 Li, Kangnian. ଽࣉё. Shi sheng hua mei / Li Kangnian bian ju; Zheng Shengfu dao yan. ‫ޫك׹‬ᆠ / ଽࣉёഹঁ; ቼ਱ਜ਼࣒ࠟ. [Taibei] : Long xiang ying ye gong si, Yuan tai dian ying gong si, [n.d.] [98 leaves.] Note: A studio-use-only script. CTFAL Chi

2186 Li, Chuan. ଽඇ. Anguang dao / Li Chuan bian ju; Xin Qi dao yan. ମ‫ ޯׇ‬/ ଽඇഹঁ; ొ࡞࣒ࠟ. [S.l.] : Yong fang qing ye gong si, [1969] No pagination. Note: A studio-use-only dialogue script. CTFAL

Chi

2192 Li, Kangnian. ଽࣉё. Xu Zhimo yu Lu Xiaoman / Li Kangnian bian ju. ጝ࢑ಎӿ૔Щᅸ / ଽࣉёഹঁ. [S.l.: s.n., n.d.] [139 leaves.] Note: A studio-use-only dialogue script. CTFAL

Chi

2187 Li, Chuan. ଽඇ. Hen ming mo yuan tian / Li Chuan, Zhou Tianwang bian ju. ௤‫଼ܞ‬൧ϳ / ଽඇ, ‫ر‬ϳᆑഹঁ. [S.l.] : Dong nan ying ye she, [n.d.] No pagination. Note: A studio-use-only dialogue script. CTFAL Chi

Chi

2193 Li, Li. ଽሑ. Dai shu nan ren: dian ying ju ben yu mu hou ren yu / Li Li, Liu Yiming zhu. ೂ࿿ԲϪ: Ӈ‫ঁؙ‬ӆӿ௷ћϪ‫ ܭ‬/ ଽሑ, ฀ជҴЯ. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 1994. 166 p. ISBN 9573224534 Series title: Dian ying guan; 52 Ӈ‫ؙ‬ఖ; 52 Note: The screenplay and account of making Kangaroo Man (1994), directed by Liu Yiming, with behind-thescenes perspectives and an interview with director Liu Yiming. NTUL Chi

2188 Li, Chuan. ଽඇ. Shan dian qi shi / Li Chuan bian ju; Lin Chongguan dao yan. మӇ್ࡲ / ଽඇഹঁ; ৆Գ‫ׇ࣒ࠟ‬. [Taibei] : Dong xing dian ying gong si, [n.d.] [100 leaves.] Note: A studio-use-only script. CTFAL Chi

2189 Li, Jie. ሑီ. Cheng / Li Jie bian ju; Li Dawei dao yan. ‫ ڵ‬/ ሑီഹঁ; ሑϽ໖࣒ࠟ. [S.l.: s.n.], 1988.

2194 Li, Qinxian. ଽᯃᐊ. Nan fang ji shi zhi fu shi guang ying / Li Qinxian, Huang Yushan zhu. ۪Ҥ֮ѨҏൿԒ‫ ׇؙ‬/ ଽᯃᐊ, ࢶർᦸЯ.

379

Film Stories, Screenplays, and Scripts

2195 Taibei: Cao gen chu ban shi ye you xian gong si, 2005. 167 p. ISBN 9578466862 Note: A book about the biographic film The Strait Story (2005), directed by Huang Yushan. Includes background information, a biography, and chronology of the main character, a talented young Taiwan artist who died near the end of the Second Sino-Japanese War, as well as the screenplay of the film. NTUL Chi

2199 Lin, Guiying. ৆ᄉ⑵. Mei luan tou jia / Lin Guiying bian ju; Wang Xiangqi yuan zhu; Xu Jinliang dao yan. Э᠚Ӱр / ৆ᄉ⑵ഹঁ; ࣼᙓ⓭֍Я; ጝՔમ࣒ࠟ. [Taiwan] : Tunhua dian ying gong si, [n.d.] [94 leaves.] Note: A studio-use-only script. There are other two copies in the library. CTFAL Chi

2195 Li, Ying. ଽᔏ. Dong fang ye tan / Li Ying, Gu Dan bian ju; Li Ying dao yan. ֆҤ١ড /ଽᔏ, ࣲ‫؁‬ഹঁ; ଽ‫ؙ࣒ࠟ‬. [S.l.] : Hai ma dian ying gong si, [n.d.] [95 leaves.] Note: A studio-use-only script. CTFAL Chi

2200 Lin, Huangkun. ৆ᑟᓍ. Ge bi ban de nan sheng / Lin Huangkun bian ju; Lin Qingjie dao yan. ഭຍ‫ڡ‬ϡԲТ / ৆ᑟᓍഹঁ; ৆֜ೀ࣒ࠟ. [Taiwan] : Long jie dian ying ye gong si zhi zuo; Xue zhe gong si chu pin, [n.d.] No pagination. Note: A studio-use-only script. CTFAL Chi

2196 Li, Youning (Lee, You-ning), 1951– ଽⷵો, 1951– You xi gui ze / Li Youning bian dao; Ye Yandou yuan zhu. ׂۚ੺छ / ଽⷵોഹঁ; ౕߞЁ֍Я. [S.l.] : Xue zhe you xian gong si, [n.d.] [95 leaves.] Note: A studio-use-only script. CTFAL

2201 Lin, Huangkun. ৆ᑟᓍ. Jinshui shen qin qing si hai / Lin Huangkun, Lin Qingjie bian ju; Wang Ta yuan zhu; Lin Qingjie dao yan. ‫ؖ‬һᣊ֪єঐ֋ / ৆ᑟᓍ, ৆֜ೀഹঁ; ࣼᓛ֍Я; ৆֜ೀ࣒ࠟ. [Taiwan] : Long jie ying ye gong si zhi zuo; Qi xian ying ye gong si fa xing, [n.d.] [120 leaves.] Note: A studio-use-only script. CTFAL Chi

Chi

2197 Li, Youning (Lee, You-ning), 1951– ଽⷵો, 1951– You xi gui ze / Li Youning bian dao; Yin jian xiang ma / He Ping, An Yixin bian ju. ׂۚ੺छ / ଽⷵોഹঁ; ೾Ҽ⡕ެ / ‫כح‬, ԥশКഹঁ. [S.l.] : Xue zhe you xian gong si, [n.d.] 126 leaves. Note: Two studio-use-only scripts bound together. CTFAL Chi

2202 Lin, Huangkun. ৆ᑟᓍ. Nan wang de yi tian / Lin Huangkun bian ju; Zhang Aijun dao yan. Ԣ۲ϡϣϳ / ৆ᑟᓍഹঁ; ‫פ‬Дᅿ࣒ࠟ. [Taiwan] : Lian men ying ye gong si, [n.d.] [124 leaves.] Note: A studio-use-only script. CTFAL Chi

2198 Lian = Face / Cai Mingliang . . . [et al.]. ࠙ = Face / ᓥҴ݊ . . . [et al.]. Taibei: Dian cang yi shu jia ting gu fen you xian gong si, 2009. 1 v. (unpaginated). ISBN 9789866833618. 9866833615 Note: Includes the screenplay, film reviews, and behind-thescenes stories of making Face (2009), directed by Tsai Ming-Liang. WorldCat Chi

2203 Lin, Huangkun. ৆ᑟᓍ. Tong xue hui / Lin Huangkun bian ju; Lin Qingjie dao yan. ӎѹϾ / ৆ᑟᓍഹঁ; ৆֜ೀ࣒ࠟ. [Taiwan] : Long jie, De bao, Xue fu dian ying ye gong si, [n.d.] [118 leaves.] Note: A studio-use-only script. CTFAL Chi

380

Film Stories, Screenplays, and Scripts

2213

2204 Lin, Liyin. ৆‫ٸܡ‬. Hua hun. ޫฆ. [S.l.: s.n., n.d.] [146 leaves.] Note: A studio-use-only script. CTFAL

2209 Lin, Tuanqiu. ৆Ⲥ‫ڠ‬. Liu yi xiong. ࡏ௅᥷. [S.l.: s.n., n.d.] No pagination. Note: A studio-use-only script. There is the second copy in the library CTFAL Chi

Chi

2205 Lin, Qingjie. ৆֜ೀ. Zai jian, shi qi sui / Lin Qingjie bian dao. ӐԊ, ֐ࢳ‫ ۈ‬/ ৆֜ೀഹ࣒. [S.l.: s.n., n.d.] [202 leaves.] Note: A studio-use-only script. CTFAL

2210 Lin, Tzuhui. Grandpa!? 52 leaves. Note: Thesis (M.F.A)—Rochester Institute of Technology, 2010. Describes the making of the short film Grandpa!? (2009), filmed and produced in Taiwan. Provides an account of the film’s production, filming, and postproduction, all as part of the director’s student-film project at R.I.T. Includes the film script, proposal, timeline, budget, film stills, and behind-the-scenes photos. Full-text access is available at the R.I.T Digital Media Library Repository. WorldCat Eng

Chi

2206 Lin, Shikun. ৆ԒⲦ. Tian xia di yi ban / Lin Shikun, An Yixin bian ju; Lin Qingjie dao yan. ϳЎҷϣ‫ ڡ‬/ ৆ԒⲦ, ԥশКഹঁ; ৆֜ೀ࣒ࠟ. [S.l.] : Long jie dian ying gong si, [n.d.] [118 leaves.] Note: A studio-use-only script. CTFAL Chi

2211 Lin, Yiyun. ৆ॢࠥ. Shan mao yu hai gou. ‫࢈ځ‬ӿ֋ࠂ. [Taiwan] : Yu feng ying ye gong si, [n.d.] [74 leaves.] Note: A studio-use-only script. CTFAL

2207 Lin, Shikun. ৆ԒⲦ. Wo shi yi ge you gu shi de ren / Lin Shikun bian ju; Li Jia dao yan. Ϣϥϣϫϩ‫ݞ‬ѨϡϪ / ৆ԒⲦഹঁ; ଽဓ࣒ࠟ. [Taiwan] : Jia jia le dian ying gong si, [1988] [276 leaves.] Note: A studio-use-only script. There is the second copy in the library CTFAL Chi

Chi

2212 Lin, Yuefeng. ৆ք๢. Ai qing shi zi lu / Lin Yuefeng bian ju. Дє֐‫ܒ‬բ / ৆ք๢ഹঁ. Taibei: Tai lian, 1957. No pagination. Note: A studio-use-only script. CTFAL

2208 Lin, Tuanqiu. ৆Ⲥ‫ڠ‬. A san ge chu ma. ०ѧࢯоެ. [S.l.: s.n., n.d.] No pagination. Note: A studio-use-only script. There is the second copy in the library CTFAL Chi

Chi

2213 Liu, Songbo. ᑗग़ᓱ. Wei an fu / Liu Songbo bian dao. ໓ԥ೥ / ᑗग़ᓱഹ࣒. [S.l.] : Zhang jin guo ji ying shi you xian gong si, [n.d.] 113 leaves. Note: A studio-use-only script. CTFAL

381

Chi

Film Stories, Screenplays, and Scripts

2214 2214 Liu, Songbo. ᑗग़ᓱ. Zhan long / Liu Songbo bian ju; Dai Che dao yan. ‫ڕ‬ᑹ / ᑗग़ᓱഹঁ; ඕ๜࣒ࠟ. Taibei: Lan tian ying ye gong si, [n.d.] [138 leaves.] Note: A studio-use-only script. CTFAL

2219 Liu, Yi, 1930–1990. ฀ਲ, 1930–1990. Yue man xi lou / Liu Yi bian ju; Qiong Yao yuan zhu. ֊‫ٴ‬՝࣍ / ฀ਲഹঁ; ᬆᴽ֍Я. Taibei: Huo niao, [1968] No pagination. Note: A screenplay manuscript. CTFAL

Chi

2215

2220

Liu, Yi, 1930–1990. ฀ਲ, 1930–1990. Chang qing wan lu / Liu Yi, Gan Quan bian ju. ӕє‫ݛ‬ᓼ / ฀ਲ, ಣ໩ഹঁ. [Taibei] : Zhong yang dian ying gong si, [n.d.] No pagination. Note: A studio-use-only script. Adapted from the novel Ya qi by Qiong Yao. CTFAL Chi

Liu, Zhengqian. ฀Ԝᕩ. Shi shang zhi you ma ma hao / Liu Zhengqian bian ju; Chen Zhuhuang dao yan. Ԓϼђϩ֒֒Ϯ / ฀Ԝᕩഹঁ; ಴ᗌᑟ࣒ࠟ. [Taiwan] : Fu xiang dian ying gong si, [n.d.] [118 leaves.] Note: A studio-use-only script. CTFAL Chi

2216 Liu, Yi, 1930–1990. ฀ਲ, 1930–1990. Feng gu / Liu Yi bian dao; Guan Guan bian ju. ངಪ / ฀ਲഹ࣒; ‫܉܉‬ഹঁ. [Taibei] : Zhong yang dian ying gong si, [n.d.] [148 leaves.] Note: A studio-use-only dialogue script. CTFAL

Chi

2221 Lu, Yongxiang. ᡭ‫ݖ‬ፖ. Bu tuo wa de ren / Lu Yongxiang, Fang Lingzheng, Chen You bian ju; Ϥ௲ᐞϡϪ / ᡭ‫ݖ‬ፖ, ҤਘԜ, ಴Ҏഹঁ. [Taibei] : Jia tong yu le, [n.d.] No pagination. Note: A studio-use-only script in Cantonese. CTFAL Chi

Chi

2217

2222

Liu, Yi, 1930–1990. ฀ਲ, 1930–1990. Pu tao cheng shu shi / Liu Yi, Gan Quan bian ju. ໡໴ю়Ж / ฀ਲ, ಣ໩ഹঁ. [Taibei] : Zhong yang dian ying gong si, [n.d.] [109 leaves.] Note: A studio-use-only script. Adapted from the novel He shang de yue guang by Xu Yilan. CTFAL Chi

Lu, Jishang. ᧛ߔ࣑. Liu mang shi jia / Lu Jishang bian ju; Zhang Zhichao dao yan. ԵᎼԒр / ᧛ߔ࣑ഹঁ; ‫޺פ‬ս࣒ࠟ. [Taiwan] : Liu fu dian ying gong si, [n.d.] [118 leaves.] Note: A studio-use-only script. Two additional copies are also in the library. CTFAL Chi

2218

2223

Liu, Yi, 1930–1990. ฀ਲ, 1930–1990. Ya nu qing shen / Liu Yi bian ju. ᕛѽє‫ ٹ‬/ ฀ਲഹঁ. [Taibei] : Zhong yang dian ying gong si, [1965] No pagination. Note: A studio-use-only dialogue script. Two additional copies are also in the library. CTFAL Chi

Meng suo Lan he / Dao yan: Ye Hongwei; Bian ju: Wang Yibai, Huang Peijun, Wen Yaoting, Wang Yi, Ye Hongwei. ْྠ୪૯ / ࣒ࠟ: ౕ᜞໖; ഹঁ: ࣼፐՁ, ࢶⳍᅿ, ‫ޜ‬႙៴, ࣼ௱, ౕ ᜞໖. [Taibei] : Ye Hongwei dian ying gong zuo shi, [1992] 87 p. Note: A studio-use-only script. CTFAL Chi

382

Film Stories, Screenplays, and Scripts

2236

2224

2230

Mian hua tang de zi wei. ྡྷՐਫ਼ϡ༸‫ ڏ‬. [Taibei] : Xue fu you xian gong si, [n.d.] 52 p. Note: A studio-use-only script that is different from the script with the same title written by Xiaoye. CTFAL Chi

Nie Xiaoqian: dian ying fen chang dui bai ju ben. ℸЩᝤ: Ӈ‫ؙ‬дԾхՁঁӆ. [Taibei] : Lian bang ying ye gong si zhi pian bu, [n.d.] 39 leaves. Note: A studio-use-only script. CTFAL

Chi

2231 2225

Nu ren feng qing hua. ѽϪգєҧ. [Xianggang: s.n., 1985] [57 leaves.] Note: A studio-use-only script. There is also a second copy in the library. CTFAL Chi

Mu niu yi tiao. আܵϣָ. [S.l.] : Jia he ding ying gong si chu pin; Fei teng dian ying gong si zhi zuo; [n.d.] [140 leaves.] Note: A studio-use-only script. CTFAL Chi

2232 2226

Nu xing de tiao jian. ѽԛϡָխ. [S.l.: s.n., n.d.] [79 leaves.] Note: A studio-use-only script. CTFAL

Mu yu nu. আӿѽ. [Taibei] : Da zhong dian ying shi ye gu fen you sian gong si, [n.d.] No pagination. Note: A studio-use-only script. CTFAL Chi

2233 Qi fu jiang. ࢳ‫׫‬ԕ. [Xianggang: Bian dao zhi zuo you xian gong si, 1989] No pagination. Note: A Chinese and English script used by the studio. CTFAL Chi Eng

2227 Nie yuan. ᚊࢊ. [S.l.: s.n., n.d.] No pagination. Note: A studio-use-only script. CTFAL

Chi

Chi

2234 Qi shi ba nian you liang dian ying ju ben de jiang zuo pin / Xing zheng yuan xin wen ju bian yin. ࢳ֐ࡂё‫ݿ‬મӇ‫ঁؙ‬ӆЏ؉ӑԘ / ҲूࡨЈࢨ঵ഹ୅. Taibei: Xing zheng yuan xin wen ju, 1989. 9 v. (bound together) Note: Includes nine of the 1989 award-winning screenplays. CTFAL Chi

2228 Nie, Hongfeng. ℸᒩգ. Tian luo di wang: di si gao / [Nie Hongfeng bian ju]. ϳ஛сӻ: ҷ‫ף‬፻ / [ℸᒩգഹঁ]. [Xianggang: Jin gong zhu dian ying zhi zuo you xian gong si, 1988] [64 p.]. Note: A photocopy of the original handwritten script. CTFAL Chi

2235 Qi shi jiu nian you liang dian ying ju ben de jiang zuo pin / Xing zheng yuan xin wen ju bian yin. ࢳ֐॰ё‫ݿ‬મӇ‫ঁؙ‬ӆЏ؉ӑԘ / ҲूࡨЈࢨ঵ഹ୅. Taibei: Xing zheng yuan xin wen ju, 1991. 9 v. (bound in 2 v.) Note: Includes nine of the 1990 award-winning screenplays. CTFAL Chi

2229 Nie, Yangxian. ℸ࿰ᐊ. Hong gu / Bian ju: Nie Yangxian, Xue Daosheng; Dao yan: Xue Daosheng. ‫ ⚡ی‬/ ഹঁ: ℸ࿰ᐊ, ṟѬ‫࣒ࠟ ;ك‬: ṟѬ‫ك‬. [Taibei] : Jun long dian ying gong si, [n.d.] 78 p. Note: A studio-use-only script. CTFAL Chi

2236 Qi shi liu nian zheng xuan you liang dian ying ju ben de jiang zuo pin / Xing zheng yuan xin wen ju bian yin. ࢳ֐ࡏёၹ‫ݿק‬મӇ‫ঁؙ‬ӆЏ؉ӑԘ / ҲूࡨЈࢨ঵ഹ୅. Taibei: Xing zheng yuan xin wen ju, 1987.

383

Film Stories, Screenplays, and Scripts

2237 9 v. (bound together) Note: Includes nine of the 1987 award-winning screenplays. CTFAL Chi

2242 Qing yu fa. єӿ֚. [S.l.: s.n., n.d.] 59 p. Note: A studio-use-only script. CTFAL

2237 Qi shi qi nian you liang dian ying ju ben de jiang zuo pin / Xing zheng yuan xin wen ju bian yin. ࢳ֐ࢳё‫ݿ‬મӇ‫ঁؙ‬ӆЏ؉ӑԘ / ҲूࡨЈࢨ঵ഹ୅. Taibei: Xing zheng yuan xin wen ju, 1988. 12 v. (bound together) Note: Includes six of the 1988 award-winning screenplays and six other screenplays printed by Ta Chung Motion Picture Co. LTD. CTFAL Chi

2243 Qiu fu. ᯷ਜ਼. [S.l.: s.n., n.d.] [146 leaves.] Note: A studio-use-only script. There is a second copy in the library. CTFAL Chi

2238 Qi shi si nian zheng xuan you liang dian ying ju ben de jiang zuo pin. ࢳ֐‫ף‬ёၹ‫ݿק‬મӇ‫ঁؙ‬ӆЏ؉ӑԘ. 4 v. (bound together) Note: Includes four of the 1985 award-winning screenplays. It is not an official publication; contains no information about the publisher. CTFAL Chi

2244 Ren jian zi you wen qing zai / Bian ju: Zhou Naizhong ji Gao shi bian dao qun; Dao yan: Yang Liguo. ϪҼІϩ‫ޜ‬єϨ / ഹঁ: ‫ر‬ᑏᇝ᠕ҙᶒഹ࣒ळ; ࣒ࠟ: ໷߹л. [Taibei] : Gao shi dian ying gu fen you xian gong si, [n.d.] 67 leaves. Note: A studio-use-only script. CTFAL Chi

2239 Qi shi wu nian zheng xuan you liang dian ying ju ben de jiang zuo pin. ࢳ֐ٚёၹ‫ݿק‬મӇ‫ঁؙ‬ӆЏ؉ӑԘ. 10 v. (bound together) Note: Includes ten of the 1986 award-winning screenplays. Not an official publication; contains no information about the publisher. CTFAL Chi

2245 Re xue nan er. չ߱Բճ. [S.l.: s.n., n.d.] No pagination. Note: A studio-use-only script in Cantonese. CTFAL

2240 Qiao, Ye. ᑑఀ. Cai xia man tian / Qiao Ye bian ju; Liu Lili dao yan. ࠡᎇ‫ٴ‬ϳ / ᑑఀഹঁ; ฀߹߹࣒ࠟ. Taibei: Ju xing, 1979. No pagination. Note: A studio-use-only script. CTFAL

Chi

Chi

2246 San lang qi an. ѧ࿟࡞ଈ. Taibei: Jia tong yu le, 1989. No pagination. Note: A studio-use-only script in Cantonese. CTFAL Chi

Chi

2247 San san nian. ѧѧё. [S.l.: s.n., n.d.] 42 leaves. Note: A handwritten and studio-use-only script. CTFAL

2241 Qin, Tiannan. ቦϳ۪. Tang chao qi li nan / Qin Tiannan, Qiu Gangjian bian ju; Qiu Gangjian dao yan. ࿔சᴟ‫ܡ‬Բ / ቦϳ۪, ᆥӃ࡬ഹঁ; ᆥӃ࡬࣒ࠟ. Taibei: Xin feng ge dian ying gong si chu pin; Xue zhe ding ying gong si fa xing, [n.d.] [281 leaves.] Note: A studio-use-only script. CTFAL Chi

2248 Sanmao. ѧࢂ. Gun gun hong chen: dian ying yuan zhu ju ben. ఁఁ‫ی‬ຳ: Ӈ‫֍ؙ‬Яঁӆ. Taibei: Huang guan chu ban she, 1991.

384

Chi

Film Stories, Screenplays, and Scripts

2259

205 p. ISBN 957330460 Series title: Huang guan cong shu di 1834 zhong ෦ഃᜣ‫ڣ‬ҷ1834҆ Note: Original screenplay of the film Gun gun hong chen, including the historical background and characters of the film. CTFAL Chi

2254 Shu, Zonghao. সᅓᒲ. Guan bing zhuo qiang dao / Bian ju: Shu Zonghao; Dao yan: Zhou Teng. ‫ܥ‬ഈ፬‫ל‬ᅟ / ഹঁ: সᅓᒲ; ࣒ࠟ: ‫ر‬౵. [Taibei] : Ta lian meng ying ye you xian gong si, [n.d.] 65 p. Note: A studio-use-only script. CTFAL Chi

2249 Sha shou hu die meng. ৵ѲᅍႵْ. [S.l.: s.n., n.d.] No pagination. Note: A studio-use-only dialogue script in both Chinese and English. CTFAL Chi Eng

2255 Shuo huang de nu ren. МဿϡѽϪ. [S.l.: s.n., n.d.] 60 p. Note: A studio-use-only script. CTFAL

2250 Shen xian lao shi / Dao yan: Jin Aoxun. ‫ظ‬࿁ҡؓ / ࣒ࠟ: ‫ؖ‬⍘࢐. [Taibei] : Kai yuan dian ying shi ye gu fen you xian gong si, [n.d.] 76 p. Note: A studio-use-only script. CTFAL Chi

2256 Si lao ri zi. Ӛ቏яж. [Taibei] : Long Xiang ying ye gong si, [n.d.] No pagination. Note: A studio-use-only script. CTFAL

2251

Chi

2257

Shi, Sheng. ੘Т. Yun niang: dian ying ju ben / Dao yan: Sun Caisu; Bian ju: Shi Sheng. ࠥਔ: Ӈ‫ঁؙ‬ӆ / ࣒ࠟ: ྒ୰ᑜ; ഹঁ: ੘Т. [Taibei] : Bai shi guo ji qi ye (dian ying) you xian gong si, [n.d.] 34 leaves. Note: A studio-use-only script. CTFAL Chi

Song, Fulin. ᓠ‫׫‬ெ. Qiu qian shang de xiao jing ling / Song Fulin bian dao. ᴍᴋϼϡЩ‫ ࢼؘ‬/ ᓠ‫׫‬ெഹ࣒. Xianggang: Yang guang dian ying gong si, [n.d.] [90 leaves.] Note: A studio-use-only script. CTFAL

2252 Shi ba. ֐ࡂ. [S.l.: s.n., n.d.] No pagination. Note: A studio-use-only script. CTFAL

Chi

Chi

2258 Song, Xiangru. ᓠ࣯Ғ. Bu gui lu / Song Xiangru bian ju; Liao Huiying yuan chu; Zhang Shusheng dao yan. Ϥ஑բ / ᓠ࣯Ғഹঁ; ᴰሓ߭֍Я; ‫᠁פ‬Т࣒ࠟ. [S.l.] : Meng tai qi ying ye gong si, [n.d.] [142 leaves.] Note: A studio-use-only script. CTFAL Chi

Chi

2253 Shuo huang de nu ren. МဿϡѽϪ. 61 p. Note: This is an original handwritten script used by the film studio. The author, date, and film studio name are not included. CTFAL Chi

2259 Song, Xiangru. ᓠ࣯Ғ. Da gui jiu fu / Song Xiangru, Wu Nianzhen bian ju; Sima Zhongyuan yuan chu; Cai Yangming dao yan. Ӌ૤ષਜ਼ / ᓠ࣯Ғ, ྶ݉ѐഹঁ; ‫ެޅ‬Ѕ֍֍Я; ᓥเӜ࣒ࠟ. [S.l.] : Fei teng dian ying gong si, [n.d.] [121 leaves.]

385

Film Stories, Screenplays, and Scripts

2260 Note:

A studio-use-only script. CTFAL

2265 Chi

Sun, Zhengzhong. ྒूЅ. Tian xia wu di / Sun Zhengzhong bian ju. ϳЎѩ൹ / ྒूЅഹঁ. [S.l.: s.n.], 1977. 63 leaves. Note: A studio-use-only script. CTFAL

2260 Song, Xiangru. ᓠ࣯Ғ. Hua yue zheng chun feng / Song Xiangru bian ju; Tu Zhongxun dao yan. Ր֊Ԝࡇգ / ᓠ࣯Ғഹঁ; ᛅᇝਗ࣒ࠟ. Xianggang: Zi li dian ying gong si, [n.d.] [102 leaves.] Note: A studio-use-only dialogue script. CTFAL Chi

Chi

2266 Tai ping tian guo. ϳ‫כ‬ϳл. [Taibei: Taiwan film center, 1996] [138 leaves.] Note: A studio-use-only script. CTFAL

2261 Song, Xiangru. ᓠ࣯Ғ. Ling yu zhi lu / Song Xiangru bian ju; Cai Yangming dao yan. ࢼ௰ҏբ / ᓠ࣯Ғഹঁ; ᓥเӜ࣒ࠟ. [S.l.] : Meng tai qi ying ye gong si, [n.d.] [101 leaves.] Note: A studio-use-only dialogue script. CTFAL Chi

Chi

2267 Tao chu Xianggang. ௺о‫ܫ‬୯. [S.l.: s.n., n.d.] No pagination Note: A Cantonese screenplay manuscript. CTFAL

2262 Song, Zhongfeng. ᓠЅ๢. Tie xue yong tan / Song Zhongfeng, Ye Qiao bian ju; Qin Han dao yan. ੌ߱ର෬ / ᓠЅ๢, ౕ⃊ഹঁ; ቦఈ࣒ࠟ. Xinggang: Sun shi ying ye gong si, 1982. No pagination. Note: A studio-use-only script. CTFAL Chi

Chi

2268 Tang, Yiteng. ௡‫ډ‬౵ Gu zao fa lu ren fu gui / Tang Yiteng, Su Yingxue bian ju; Tang Mingzhi dao yan. ੦㕅чტϪࣥਰ / ௡‫ډ‬౵, ಩ྱઞഹঁ; ௡Ҵ޺࣒ࠟ. [S.l.: s.n., n.d.] [92 leaves.] Note: A studio-use-only dialogue script. CTFAL Chi

2263 Sun, Caimin. ྒҥ์. Tian zhi jiao zi / Sun Caimin bian ju; Qiu Mingcheng dao yan. ϳҏთж / ྒҥ์ഹঁ; ᆥ᎘஧࣒ࠟ. [Taibei] : Hong Tai dian ying gong si, [n.d.] 73 leaves. Note: A studio-use-only script. CTFAL Chi

2269 Tao, Dechen. ᑀख़ᜳ. Dan che yu wo / Bian dao: Dao Dechen. ‫؁‬ӝӿϢ / ഹ࣒: ᑀख़ᜳ. [Taibei] : Tai ping yang dian ying gong si, [n.d.] 35 leaves. Note: A studio-use-only script. CTFAL

2264 Sun, Zhengguo. ྒԜл. Gu lian hua / Sun Zhengguo bian ju; Lin Qingjie bian dao. વߧՐ / ྒԜлഹঁ; ৆֜ೀഹ࣒. Xianggang: Xin yicheng; Taibei: Long xiang dian ying gong si, [n.d.] 58 leaves. Note: A studio-use-only script. CTFAL Chi

Chi

2270 Tian liang hao ge qiu. ϳधϮϫ‫ڠ‬. [S.l.: s.n., n.d.] No pagination. Note: A studio-use-only dialogue script. CTFAL

386

Chi

Film Stories, Screenplays, and Scripts

2279

2271

2276

Tian liang hao ge qiu. ϳधϮϫ‫ڠ‬. [S.l.: s.n., n.d.] No pagination. Note: A studio-use-only dialogue script in Chinese and English. CTFAL Chi Eng

Wang, Huiling, 1964– ࣼ┰ጘ, 1964– Ye ben: dian ying ju ben = Fleeting by night / bian ju Wang Huiling, Wang Mingxia; dao yan Xu Ligong, Yin Qi. ١౶: Ӈ‫ঁؙ‬ӆ = Fleeting by night / ഹঁࣼ┰ጘ, ࣼҴᎇ; ࣒ࠟጝ ߹‫ۋ‬, ẚ⓱. Taibei: Tian xia yuan jian chu ban gu fen you xian gong si, 2000. 165 p. ISBN 9576217490, 9789576217494 Series title: Wen xue ren sheng; 38 ҹѹϪТ; 38 Note: Includes plot summary and film script for Ye ben (Fleeting by Night), a joint venture project between Taiwan, Hong Kong, and mainland China. Also includes notes by the director and screenwriters. WorldCat Chi

2272 Tie niang zi. ੌਔж. [S.l.: s.n., n.d.] No pagination. Note: A studio-use-only script. CTFAL

Chi

2273 Tui shou: yi bu dian ying de dan sheng / Feng Guangyuan bian. ԐѲ : ϣ‫ח‬Ӈ‫ؙؙ‬ϡᅈТ / ᫄‫׼ׇ‬ഹ. Taibei: Yuan liu chu ban shi ye you sian gong si, 1991. 221 p. ISBN 9573214741 Series title: Dian ying guan; 22 Ӈ‫ؙ‬ఖ; 22 Note: The screenplay and interviews with the director, cinematographer, producer, manager, cast, and other related personnel of the film Pushing Hands (1991). NTULILP Chi

2277 Wang, Huiling, 1964– ࣼ┰ጘ, 1964– Yin shi nan nu / Dao yan: Li An; Bian ju: Wang Huiling, Li An. ୗ‫ې‬Բѽ / ࣒ࠟ: ଽԥ; ഹঁ: ࣼ┰ጘ, ଽԥ. [S.l.: s.n., n.d.] 159 p. Note: A studio-use-only script. CTFAL Chi

2274

2278

Wan, Ren, 1950– ‫ݛ‬წ, 1950– Yan zhi / Wan Ren bian ju; Yi Shu yuan zhu. ᶗ༥ / ‫ݛ‬წഹঁ; ඩস֍Я. [Taiwan] : Zhong yang dian ying gong si; Wan Ren dian ying gong zuo shi, [n.d.] No pagination. Note: A studio-use-only script. CTFAL Chi

Wang, Huiling, 1964– ࣼ┰ጘ, 1964– Xiao zi li da gong / Wang Huiling bian ju. Щж߹Ͻ‫ ۋ‬/ ࣼ௑ጘഹঁ. [S.l.] : Han wa dian ying shi ye gong si, [n.d.] [84 leaves.] Note: A studio-use-only script. CTFAL

Chi

2279

2275

Wang, Mingtai, 1966– ࣼҴ‫ݡ‬, 1966– Xian dou jiang. ᙳ࠵ቢ. Taibei: Xing zheng yuan xin wen ju, 2001. 125 p. ISBN 9570292377, 9789570292374 Series title: Jiu shi nian du you liang dian ying ju ben; 1 ॰֐ё֏‫ݿ‬મӇ‫ঁؙ‬ӆ; 1 Note: This is the award-wining screenplay for Xiao dou jiang (Brave 20), the author’s first script and directorial debut in 2002. WorldCat Chi

Wang, Chong. ࣼ৳. Shi mian mai fu / Yuan zhu: Zhu Yu; Bian ju: Wang Chong; Dao yan: Tian Feng. ֐ӌႲቛ / ֍Я: ᗌሞ; ഹঁ: ࣼ৳; ࣒ࠟ: ೧ஶ. [Taibei, Xianggang] : Da zhong dian ying shi ye gu fen you xian gong si, Tian Feng (Xianggang) dian ying qi ye gong si, [n.d.] 54 leaves. Note: A studio-use-only script. CTFAL Chi

387

Film Stories, Screenplays, and Scripts

2280

Series title: Yuan jing cong kan; 234 ‫࢓׼‬ᜣᑂ; 234 Note: Screenplay for the film Jia zhuang yi niu che; includes film stills, songs, and credits and records stories during the filmmaking process. CTFAL Chi

2280 Wang, Wei. ࣼᬕ. A ba de qing ren: ju ben, pai she ji shi. ०ࠜϡєϪ: ঁӆ, ‫ޛ‬଄ઔӢ. Taibei: Wan xiang tu shu gu fen you xian gong si, 1996. 269 p. ISBN 9576696410 Series title: Yi shu fang; 5 ਲ‫ ;ࠚڣ‬5 Note: Screenplay for A ba de qing ren (Daughter in Law), directed by Wang Xianhu (Steve Wang) in 1995. Includes background information, the cinematographer’s comments, interviews with the cast, set design drawings, photos, film credits, and music from the film. NTUL Chi

2285 Wang, Zhenhe. ࣼℭф. Mei gui mei gui wo ai ni. ᄮჃᄮჃϢДϧ. [Taibei] : Meng tai qi ying ye gong si, 1985. 72 leaves. Note: A studio-use-only script. CTFAL

Chi

2286

2281

Wang, Zhenhe. ࣼℭф. Shan hai li / Bian ju: Wang Zhenhe; Dao yan: Qiu Mingcheng. ‫֋ځ‬Ѧ / ഹঁ: ࣼℭф; ࣒ࠟ: ᆥ᎘஧. [Taibei] : Jia yu ying ye you xian gong si, [n.d.] 64 p. Note: A studio-use-only script. CTFAL Chi

Wang, Xiaodi. ࣼЩ➅. Chi jiao tian shi / Bian ju: Wang Xiaodi, Wu Yifeng; Dao yan: Wang Youhui, Wu Yifeng. Ꭼऑϳٍ / ഹঁ: ࣼЩ➅, ྶᒬ๢; ࣒ࠟ: ࣼҎሓ, ྶᒬ๢. [Taibei] : An ji dian ying yu le you xian gong si, [n.d.] 98 p. Note: A studio-use-only script. CTFAL Chi

2287 2282 Wang, Xiaodi. ࣼЩ➅. Qiang dao de er zi / Bian dao: Wang Xiaodi. ‫ל‬ᅟϡճж / ഹ࣒: ࣼЩ➅. [S.l.: s.n., n.d.] 44 leaves. Note: A studio-use-only script. CTFAL

Wei, Desheng (Wei, Te-sheng), 1986– ᪭ख़๦, 1986– Dao yan—Balai: Te you zhong Wei Desheng “Saideke—Balai” shou ji = Director—Bale / Wei Desheng zhu; You Wenxing zhuan wen zheng li. ࣒ࠟ—࣬ᒀ: ‫ئ‬ϩ҆᪭ख़๦ “ॴख़ࡽ—࣬ᒀ” Ѳ֮ = Director— Bale / ᪭ख़๦Я; ղҹࣱ᫃ҹ‫ݱ‬ԑ. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 2011. 299 p. ISBN 9789573268215, 9573268213 Note: The director’s commentary on making the film Seediq Bale (2011). WorldCat Chi

Chi

2283 Wang, Xiaodi. ࣼЩ➅. Xiang jiao tian tang / Bian ju: Wang Xiaodi, Song Hong; Dao yan: Wang Tong. ‫ܫ‬ᆻϳஇ / ഹঁ: ࣼЩ➅, ᓠァ; ࣒ࠟ: ࣼু. [Taibei: Zhong yang dian ying gong si, n.d.] 44 leaves. Note: A studio-use-only script. CTFAL Chi

2288 Weng, Dacheng, 1944– ᙋϽю, 1944– Bei ying / Dao yan bian ju: Weng Dacheng. ࠧ‫ ؙ‬/ ࣒ࠟഹঁ: ᙋϽю. [Taibei] : Kang qian dian ying gu fen you xian gog si, [n.d.] 41 p. Note: This is a studio-use-only screenplay; adapted from a work of the same title by author Zhu Ziqing. CTFAL Chi

2284 Wang, Zhenhe. ࣼℭф. Jia zhuang yi niu che (dian ying ju ben). ผೳϣܵӝ (Ӈ‫ঁؙ‬ӆ). Taibei: Yuan jing chu ban shi ye gong si, 1984. 201 p.

2289 Wo hu cang long / Wang Dulu yuan zhu; Wang Huiling, James Schamus, Cai Guorong ju ben. ၃ഝেह / ࣼ֏ᡭ֍Я; ࣼ௑ጘ, James Schamus, ᓥлึঁӆ.

388

Film Stories, Screenplays, and Scripts

2299

Taibei xian Xindian shi: Tian xing guo ji wen hua, 2000. 137 p. ISBN 957308760X Note: Screenplay for Crouching Tiger, Hidden Dragon (2000); also includes a list of the cast, director’s commentary, and film stills. CTFAL Chi

2295 Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ1952– Bei qing cheng shi: Wu Nianzhen Zhu Tianwen zuo pin / Wu Nianzhen, Zhu Tianwen. ঳є‫صڵ‬: ྶ݉ѐᗌϳҹӑԘ / ྶ݉ѐ, ᗌϳҹ. Taibei: San san shu fang, 1989. 198 p. ISBN 9579528004 Note: Includes the screenplay of A City of Sadness (1989), written by Wu Nien-chen, and a question-and-answer with Chu T’ien-wen. Duxiu (FT) Chi

2290 Wo zai hei she hui de ri zi. ϢϨ‫ܪ‬घϾϡяж. [S.l.: s.n., n.d.] [121 leaves.] Note: A studio-use-only script. CTFAL

Chi

2296 Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ1952– Bei qing cheng shi = A city of sadness / Wu Nianzhen, Zhu Tianwen bian ju; Hou Xiaoxian dao yan. ঳є‫ = صڵ‬A city of sadness / ྶ݉ѐ, ᗌϳҹഹঁ; ᢡᖮᐊ࣒ࠟ. [Taibei] : He zuo she dian ying, [n.d.] [95 leaves.] Note: A studio-use-only script. CTFAL Chi

2291 Wu bai zhi bu qiang; = Huangpu zhong hun wan gu qing = Huangpu jian jun shi shi zhan zheng wen yi ju pian fen chang dui bai ben / Dao yan: Ding Shanxi; Bian ju: Xia Yan xiao zu. ٚ‫܌ݒښ‬ຠ = ࢶᰎᇝฆ‫ࣲݛ‬є = ࢶᰎࠃ‫ݲ‬੗Ӣ‫ڕ‬ৎҹਲயәд ԾхՁӆ / ࣒ࠟ: ౨৖ᮑ; ഹঁ: ॼ᎚Щ६. [Taibei] : Han wei dian ying shi ye gu fen you xian gong si, [n.d.] 56 leaves. Note: A studio-use-only script. Includes an introduction to Han Wei Film Studio, a background to the film, a film character list, and the set design from the film. CTFAL Chi

2297 Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ1952– Ben niu man fei / Wu Nianzhen, Wu Qilong bian ju; Lai Chengying dao yan. ෆ఩ߝٞ / ྶ݉ѐ, ྶ࡞ᇐഹঁ; ໰ю࣒߭ࠟ. [Taibei] : Wu fu ying ye gong si, [n.d.] [178 leaves.] Note: A studio-use-only script. CTFAL Chi

2292 Wu gu. ኊ⅓. [S.l.: s.n., n.d.] 65 leaves. Note: A studio-use-only script. CTFAL

Chi

2293

2298

Wu, Lixue. ྶ‫ܡ‬ઞ. Shao nian ye, an la / Wu Lixue bian ju; Xu Xiaoming dao yan. վёЇ, ԥ֯ / ྶ‫ܡ‬ઞഹঁ; ጝЩҴ࣒ࠟ. [Taiwan] : Cheng shi guo ji dian ying gong si, [n.d.] 72 leaves. Note: A studio-use-only script. CTFAL Chi

Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ1952– Er zi de da wan ou / Wu Nianzhen bian ju; Huang Chunming yuan zhu; Hou Xiaoxian, Wan Ren, Zeng Zhuangxiang dao yan. ճжϡϽ։ઢ / ྶ݉ѐഹঁ; ࢶࡇҴ֍Я; ᢡᖮᐊ, ‫ݛ‬წ, ߲ฃፖ࣒ ࠟ. [Taibei] : Zhong yang dian ying gong si zhi pian qi hua bu, [n.d.] No pagination. Note: A studio-use-only script; adapted from three short stories originally written by Huang Chunming. CTFAL Chi

2294 Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ1952– A Dai / Wu Nianzhen bian ju. ०ഗ / ྶ݉ѐഹঁ. [S.l.: s.n., n.d.] 172 leaves. Note: A photocopy of the original script. CTFAL

2299 Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ1952– Feng yu cao chang / Wu Nianzhen, Sun Zhenguo bian ju; Jin Aoxun dao yan. գ‫ە‬୙Ծ / ྶ݉ѐ, ྒԜлഹঁ; ‫ؖ‬⍘࢐࣒ࠟ. [Taibei] : Hong tai dian ying gong si, [n.d.]

Chi

389

Film Stories, Screenplays, and Scripts

2300 [126 leaves.] Note: A studio-use-only script. CTFAL

2305 Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ1952– Ke tu qiu hen / Wu Nianzhen bian ju; Xu Anhua dao yan. ‫ۺ‬ಬ‫ڠ‬௤ / ྶ݉ѐഹঁ; ‫ܛ‬ᴂ‫࣒ࠟܓ‬. [Taibei] : Gao zhi dian ying gong si; Zhong yang dian ying gong si lian he chu pin, [n.d.] [82 leaves.] Note: A studio-use-only script. CTFAL Chi

Chi

2300 Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ1952– Gan en sui yue / Wu Nianzhen bian ju. Ҁ൛‫ ֊ۈ‬/ ྶ݉ѐഹঁ. [Taibei] : San yi dianyng gong si, [n.d.] [90 leaves.] Note: A studio-use-only script. CTFAL

2306 Chi

Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ1952– Lao Ke de zui hou yi ge qiu tian / Wu Nianzhen bian ju; Li Youning dao yan. ҡ॓ϡзћϣϫ‫ڠ‬ϳ / ྶ݉ѐഹঁ; ଽᏖો࣒ࠟ. [Taibei] : Fei ling dian ying gong si, [n.d.] [105 leaves.] Note: A studio-use-only script. CTFAL Chi

2301 Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ1952– Gang du ye yu / Wu Nianzhen bian ju; Yi Chuan yuan zhu; Li Youning dao yan. ୯Ё١‫ ە‬/ ྶ݉ѐഹঁ; ኄඇ֍Я; ଽᏖો࣒ࠟ. [Taibei] : Zhong yang dian ying gong si zhi pian qi hua bu, [n.d.] [95 leaves.] Note: A studio-use-only script. CTFAL Chi

2307 Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ1952– Lian lian feng chen: ju ben ji yi bu dian ying de kai shi dao wen cheng / Wu Nianzhen, Zhu Tianwen bian zhu. ߧߧգຳ: ঁӆߵϣ‫ח‬Ӈ‫ؙ‬ϡы‫״‬Ϻԟю / ྶ݉ѐ, ᗌϳҹഹЯ. Taibei: San san shu fang, 1987. 241 p. Note: The screenplay of the film Dust in the Wind (1986), directed by Hou Hsiao-hsien, as well as related stories regarding the director’s decision-making process during the making of the film and comments by the scriptwriters. Includes photos and film stills. NTUL Chi

2302 Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ1952– Guo si ying xiong zhuan / Wu Nianzhen bian ju; Mai Dajie dao yan. л‫߭ף‬೰‫ ة‬/ ྶ݉ѐഹঁ; ๤Ͻီ࣒ࠟ. [Taibei] : Long xiang ying ye gong si, [n.d.] [94 leaves.] Note: A studio-use-only script. CTFAL Chi

2303 Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ1952– Guo zhong nu sheng / Dao yan Chen Guofu; Bian ju Wu Nianzhen, Xiaoye. лЅѽТ / ࣒ࠟ಴лࣥ; ഹঁྶ݉ѐ, Щఀ. [Taibei] : Qun long ying ye you xian gong si, [n.d.] 62 p. Note: A studio-use-only script. CTFAL Chi

2308 Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ1952– Liang ge you qi jiang / Wu Nianzhen bian ju; Huang Chunming yuan zhu; Yu Kanping dao yan. ൝ϫ‫ܟ‬Ꮖ᪢ / ྶ݉ѐഹঁ; ࢶࡇҴ֍Я; ᷇⬠‫࣒ࠟכ‬. [Taibei] : Long xiang ying ye zhi zuo fa xing, [n.d.] No pagination. Note: A studio-use-only script. CTFAL Chi

2304 Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ1952– Hao ge qiao ke tian / Wu Nianzhen bian ju; Guo Zheng yuan zhu; Fu Weide dao yan. ϮϫᲝࠆϳ / ྶ݉ѐഹঁ; ᔕᝫ֍Я; ዑ‫ۆ‬ख़࣒ࠟ. [Taibei] : Fei teng dian ying gong si, [n.d.] [84 leaves.] Note: A studio-use-only script. CTFAL Chi

2309 Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ1952– Liao Tianding / Wu Nianzhen bian ju; Cai Yangming dao yan. ᴰྔ౨ / ྶ݉ѐഹঁ; ᓥ‫ݷ‬Ӝ࣒ࠟ. [Taibei] : Jin ge ying yi gong si, [n.d.] [132 leaves.]

390

Film Stories, Screenplays, and Scripts

Note:

A studio-use-only script. CTFAL

2319 2315 Chi

Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ1952– Shanghai jia qi / Wu Nianzhen bian ju; Xu Anhua dao yan. ϼ֋޳‫ ׈‬/ ྶ݉ѐഹঁ; ‫ܛ‬ᴂ‫࣒ࠟܓ‬. [Taibei] : Jin ding ying ye gong si she zhi; Qi bao ying ye gong si f axing, [n.d.] [74 leaves.] Note: A photocopy of the original script. CTFAL Chi

2310 Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ1952– Lu Binghua / Wu Nianzhen bian ju; Yang Liguo dao yan. Ⴡ઄Ր / ྶ݉ѐഹঁ; ໷߹л࣒ࠟ. [Taibei] : Gao shi dian yang gong si, [n.d.] [98 leaves.] Note: A studio-use-only script. CTFAL

Chi

2316 Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ1952– Taibei tong hua / Wu Nianzhen bian ju; Yu Kanping dao yan. ‫ুܚݡ‬ҧ / ྶ݉ѐഹঁ; ᷇⬠‫࣒ࠟכ‬. [Taibei] : Fei teng dian ying gong si, [n.d.] [160 leaves.] Note: A studio-use-only script. CTFAL Chi

2311 Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ1952– Luo shan feng / Wu Nianzhen bian ju; Huang Yushan dao yan. ޻‫ځ‬գ / ྶ݉ѐഹঁ; ࢶർᦸ࣒ࠟ. [Taibei] : Zhong yang dian ying gong si, [n.d.] 59 leaves. Note: A studio-use-only script. CTFAL Chi

2317 Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ1952– Wo yao zhan qi lai / Wu Nianzhen bian ju; Cai Yangming dao yan. Ϣϴۖвϰ / ྶ݉ѐഹঁ; ᓥเӜ࣒ࠟ. [Taibei] : Xin da ying ye gong si chu pin; Qi bao ying ye gong si fa xing, [n.d.] No pagination. Note: A studio-use-only script. CTFAL Chi

2312 Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ1952– Na nian han jia you gou chang / Wu Nianzhen bian ju, Zhang Shusheng dao yan. ъёຘ޳ϩ‫ޡ‬ӕ / ྶ݉ѐഹঁ; ‫᠁פ‬Т࣒ࠟ. [Taibei] : Hong tai dian ying gong si, [n.d.] [74 leaves.] Note: A studio-use-only script. CTFAL Chi

2318 Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ1952– Xiong di zhen zhong / Wu Nianzhen bian ju. ಺੣ੵԳ / ྶ݉ѐഹঁ. [Taibei: Jin ge ying yi you xian gong si, 1990] [115 leaves.] Note: A studio-use-only script. CTFAL

2313 Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ1952– Qing ding Weinisi / Wu Nianzhen bian ju; Wu Yaohan dao yan. єӡ୺৸ট / ྶ݉ѐഹঁ; ྶ႙ఈ࣒ࠟ. [S.l.: s.n., n.d.] [86 leaves.] Note: A studio-use-only script. CTFAL Chi

Chi

2319 Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ1952– Zhan zheng qian xi / Wu Nianzhen bian ju; Li Jia dao yan. ‫ڕ‬ৎӓᅆ / ྶ݉ѐഹঁ; ଽဓ࣒ࠟ. [Taibei] : Zhong yang dian ying gong si zhi pian qi hua bu, [n.d.] [162 leaves.] Note: A studio-use-only script. CTFAL Chi

2314 Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ1952– Shan he sui yue / Wu Nianzhen bian ju; Li Jia dao yan. ‫ځ‬૯‫ ֊ۈ‬/ ྶ݉ѐഹঁ; ଽဓ࣒ࠟ. [Taibei] : Zhong yang dian ying gong si zhi pian qi hua bu, [n.d.] [128 leaves.] Note: A studio-use-only script. CTFAL Chi

391

Film Stories, Screenplays, and Scripts

2320 2320

2325

Wu, Rongshan. ྶึ‫ځ‬. Xiong di, tou ke huai le / Wu Rongshan, Wu Liqing, Chen Hu bian ju. ಺੣, ӰᎹशϦ / ྶึ‫ځ‬, ྶ‫ܡ‬᥮, ಴॥ഹঁ. [S.l.] : Kuan lian you xian gong si dian ying zhi zuo bu, 1991. [107 leaves.] Note: A studio-use-only dialogue script. CTFAL Chi

Xi, Ke. ຟ॓. Xi Ke dian ying ju ben xuan ji. ຟ॓Ӈ‫ঁؙ‬ӆ‫ק‬ओ. Taibei: [s.n.], 1994. 363 p. Note: A selection of Xi Ke’s screenplays. CTFAL

Chi

2326 2321

Xi, Song. ⒉ℨ. Wan chun qing shi / Xi Song, Ge Bi bian ju; Chen Yaoqi dao yan. ԉࡇєѨ /⒉ℨ, ᛻દഹঁ; ಴႙⧃࣒ࠟ. [S.l.: s.n.], 1988. No pagination. Note: A studio-use-only dialogue script. CTFAL Chi

Wu, Wenqin. ྶҹᯃ. Fang cao bi lian tian / Wu Wenqin bian ju; Cai Yangming dao yan. ᇙसካၬϳ / ྶҹᯃഹঁ; ᓥเӜ࣒ࠟ. [Taiwan] : Jin ge dian ying gong si; Taiwan sheng dian ying zhi pian chang lian he zhi zuo; [n.d.] 59 leaves. Note: A studio-use-only script. CTFAL Chi

2327 Xiao chou yu tian e. ЩནӿϳᏞ. [Taibei] : Yong yu ying ye you xian gong si, [n.d.] No pagination. Note: A studio-use-only script. CTFAL

2322 Wu ye li ren. ۹١‫ܡ‬Ϫ. [S.l.: s.n., n.d.] No pagination. Note: A photocopy of the original handwritten script used by the studio. CTFAL Chi

Chi

2328 Xiao nan ren. ЩԲϪ. [Taibei: Zhong yang dian ying gong si, n.d.] No pagination. Note: A photocopy of the handwritten script. CTFAL

2323 Wu, Yusen. ྶཡာ. Die xue shuang xiong / Wu Yusen bian dao. ᷅߱‫ד‬೰ / ྶཡာഹ࣒. [Taibei] : Long xiang dian ying go si dian ying gong zuo shi zhi zuo, [n.d.] No pagination. Note: A studio-use-only script. CTFAL Chi

Chi

2329 Xiao, Sa. ᖆᴉ. Tong dang wan sui. ুཙ‫ۈݛ‬. [S.l.] : Luo Wei dian ying gong si, [n.d.] [112 leaves.] Note: A studio-use-only script. CTFAL

2324 Wu, Zhenmin. ྶዄ‫ھ‬. Wu ye / Wu Zhenmin bian ju. ᇑ١ / ྶዄ‫ھ‬ഹঁ. Taibei: Yu feng ying ye gong si, [n.d.] Note: A studio-use-only script; based on the stage play Zui by Lin Boqiu. CTFAL Chi

Chi

2330 Xiang jian hao / Xi Qiran, Liang Honghua, Zheng Zhaoqiang, Xi Jinqing bian ju. ԚԊϮ / ‫ޤ‬ᜟѼ, ᅯ᜞‫ܓ‬, ቼᘻ‫ל‬, ‫ޤ‬ቇ‫ݙ‬ഹঁ. [S.l.: s.n., n.d.] No pagination. Note: A manuscript. CTFAL Chi

392

Film Stories, Screenplays, and Scripts

2341

2331

2336

Xiaoye, 1951– Щఀ, 1951– Bai se zha jiang cao / Bian ju: Xiaoye; Dao yan Qiu Mingcheng. Ձա幉ቤस / ഹঁЩఀ; ࣒ࠟᆥ᎘஧. [Taibei] : Hong tai dian ying shi ye gu fen you xian gong si, [n.d.] [110 leaves] Note: A studio-use-only script. CTFAL Chi

Xiaoye, 1951– Щఀ, 1951– Na yi nian wo men qu kan xue / Bian ju: Xiaoye, Li Youning; Dao yan: Li Youning. ъϣёϢИЧЃઞ / ഹঁЩఀ, ଽᏖો; ࣒ࠟ: ଽᏖો. [Taibei] : Zhong yang dian ying gong si, [n.d.] [86 leaves.] Note: A studio-use-only script. CTFAL Chi

2332

2337

Xiaoye, 1951– Щఀ, 1951– Ce ma ru lin: xie shi wu xia da zhan di yi bu—Lu lin pian / Bian ju Xiaoye, Cai Mingliang; Dao yan Wang Tong. ೫ެՊ৆: ܎ӢેཱུϽࣁҷϣ‫—ח‬ੑ৆ࢡ / ഹঁЩఀ, ᓥҴ݊; ࣒ ࠟࣼু. [Taibei] : Zhong yang dian ying gong si qi hua bu, [n.d.] [152 leaves.] Note: A studio-use-only script. CTFAL Chi

Xiaoye, 1951– Щఀ, 1951– Qing yu fa / Xiaoye bian ju. єӿ֚ / Щఀഹঁ. [S.l.: s.n., n.d.] [117 leaves] Note: A studio-use-only script. CTFAL

2338 Xiaoye, 1951– Щఀ, 1951– Tian tang di xiong / Bian ju: Xiaoye; Dao yan: Yang Liguo. ϳஇ੣಺ / ഹঁ: Щఀ; ࣒ࠟ: ໷߹л. [Taibei] : Luo wei gong si, [n.d.] 56 p. Note: A studio-use-only script. CTFAL Chi

2333 Xiaoye, 1951– Щఀ, 1951– Hai shui zheng lan / Yuan zhu: Zhang Manjuan; Bian ju: Xiaoye; Dao yan: Liao Qingsong. ֋һԜঢ / ֍Я: ‫פ‬ᅸᥱ; ഹঁ: Щఀ; ࣒ࠟ: ᴰদग़. [Taibei] : Zhong yang dian ying gong si zhi pian qi hua bu, [n.d.] 48 p. Note: A studio-use-only script. CTFAL Chi

2339 Xiaoye, 1951– Щఀ, 1951– Tong xue hui / Bian ju: Xiaoye; Dao yan: Ke Yizheng. ӎѹϾ / ഹঁ: Щఀ; ࣒ࠟ: ᛊϣԜ. [Taibei] : Zhong yang dian ying gong si, [n.d.] [126 leaves] Note: A studio-use-only script, including some original notes. CTFAL Chi

2334 Xiaoye, 1951– Щఀ, 1951– Hei pi yu bai pi / Xiaoye bian ju. ‫ޔܪ‬ӿՁ‫ ޔ‬/ Щఀഹঁ. [Taibei] : Hong Tai ying ye gong si, [n.d.] [186 leaves] Note: A studio-use-only script. CTFAL

Chi

2340 Chi

Xiaoye, 1951– Щఀ, 1951– Wa wa / Bian ju: Xiaoye; Dao yan: Ke Yizheng. ෈෈ / ഹঁ: Щఀ; ࣒ࠟ: ᛊϣԜ. [Taibei] : Zhong yang dian ying gong si, [n.d.] [102 leaves] Note: A studio-use-only script. CTFAL

2335 Xiaoye, 1951– Щఀ, 1951– Mian hua tang de zi wei / Yuan zhu bian ju: Xiaoye; Dao yan Song Cunshou, Yu Zhengchun. ྡྷՐਫ਼ϡ༸‫ ڏ‬/ ֍ЯഹঁЩఀ; ࣒ࠟᓠࡖႎ, ఛԜࡇ. [S.l.: s.n., n.d.] 48 p. Note: A studio-use-only script. CTFAL Chi

Chi

2341 Xiaoye, 1951– Щఀ, 1951– Wo de er zi shi tian cai / Bian ju: Xiaoye; Dao yan: Yang Liguo. Ϣϡճжϥϳҥ / ഹঁ: Щఀ; ࣒ࠟ: ໷߹л.

393

Film Stories, Screenplays, and Scripts

2342 [Taibei] : Yi se dian ying you xian gong si, [n.d.] 49 p. Note: A studio-use-only script. CTFAL

2346 Xu, Rentu. ‫ܛ‬წ֖. Huang pao jia shen / Bian ju: Xu Rentu, Li Changmin; Dao yan: Qiu Mingcheng. ࢶᤓӸӱ / ഹঁ: ‫ܛ‬წ֖, ଽቾ‫࣒ࠟ ;ھ‬: ᆥ᎘஧. [Taibei] : Long xiang dian ying, [n.d.] 192 p. Note: A studio-use-only script. CTFAL Chi

Chi

2342 Xie, Dinghua. ‫ه‬ӡ‫ܓ‬. Wei Jingsheng. ᪭ߟТ. [S.l.: s.n., n.d.] 106 p. Note: Includes the screenwriter’s commentary, background information, and the screenplay of Wei Jingsheng (1950– ), a famous political dissident in mainland China. CTFAL Chi

2347 Xu, Xiangxi. ‫ܛ‬ፖᙜ. Hei shou dang chuan shuo / Bian ju: Xu Xiangxi; Dao yan: Qiu Mingcheng. ‫ܪ‬Ѳཙ‫ة‬М / ഹঁ: ‫ܛ‬ፖᙜ; ࣒ࠟ: ᆥ᎘஧. [S.l.: s.n., n.d.] [31 p.] Note: A studio-use-only script. CTFAL Chi

2343 Xie, Pengxiong. ‫ه‬អ೰. Ying mu xia de xi ju. ⁒௷ЎϡӍঁ. Taibei: Jiu ge chu ban she, 1984. 328 p. Series title: Jiu ge wen ku; 154 ॰‫ܮ‬ҹᆞ; 154 Note: Screenplay of the comedy Ying mu xia de xi ju (literally: “comedy under the silver screen”). CTFAL Chi

2348 Yang, Fan. ໷అ. Shao nu ri ji / Yang Fan bian dao. վѽя֮ / ໷అഹ࣒. [Taiwan] : Hua sheng ying she gong si, [n.d.] No pagination. Note: A studio-use-only script. CTFAL

2344 Xiong, Tingwu. ෣៴ે. Wan li xiong feng / Xiong Tingwu bian ju. ‫ݛ‬Ѧ೰գ / ෣៴ેഹঁ. Taibei: Lian Bang ying ye gong si, [n.d.] No pagination. Note: A studio-use-only script. CTFAL

Chi

2349 Yang, Fan. ໷అ. Zhu fu / Yang Fan bian dao. ࢇ‫ ׫‬/ ໷అഹ࣒. [Taiwan] : Hua sheng ying she gong si, [n.d.] No pagination. Note: A studio-use-only script. A second copy can be located in the library. CTFAL Chi

Chi

2345 Xu, Rentu. ‫ܛ‬წ֖. Wo de yi piao xuan zong tong / Bian ju Xu Rentu; Dao yan: Qiu Mingcheng. Ϣϡϣ‫קܯ‬րࢃ / ഹঁ: ‫ܛ‬წ֖; ࣒ࠟ: ᆥ᎘஧. [Taibei] : Jia yu dian ying, [n.d.] 90 p. Note: A studio-use-only script. CTFAL Chi

2350 Yang, Dechang (Yang, Edward), 1947–2007 ໷ख़ቾ, 1947–2007 Guling jie shao nian de gu shi = Guling jie shao nian sha ren shi jian / Yang Dechang bian dao; Hong Hong, Yang Shunqing, Lai Mingtang bian ju. ⚯ᗬঅվёϡ‫ݞ‬Ѩ = ⚯ᗬঅվё৵ϪѨխ / ໷ख़ቾഹ࣒; ᜞᜞, ໷ ॄ֜, ໰Ӝஇഹঁ. [Taibei] : Yang Dechang dian ying gong si, [n.d.] [185 leaves.] Note: This is the third revised copy of the script. CTFAL Chi

394

Film Stories, Screenplays, and Scripts

2360 [Taiwan] : Meng tai qi ying ye gong si, [n.d.] [163 leaves.] Note: A studio-use-only script. CTFAL

2351 Yang, Qingchu (Yang, Ch’ingch’u), 1940– ໷‫ݙ‬Å, 1940– Ren jian nan nu / Yang Qingchu yuan zhu bian ju; Yu Weizheng dao yan. ϪҼԲѽ / ໷֜Å֍Яഹঁ; ൑Њू࣒ࠟ. [Taiwan] : Song qing ying pian gong si, [n.d.] [129 leaves.] Note: A studio-use-only script. CTFAL Chi

2357 Ye, Yunqiao. ౕࠥ⃊. Shao nian A Xin. վё०ొ. [Taiwan] : Meng tai qi ying ye gong si, [n.d.] [148 leaves.] Note: A studio-use-only script. CTFAL

2352 Yao, Qingkang. ᝻দࣉ. Jian ying da qiao / Yao Qingkang, Lin Fuzhen, Jiang Lizhen bian ju; Chen Junliang dao yan. ᕢ⑵Ͻ൮ / ᝻দࣉ, ৆≂ѐ, ࢖‫⦽ܡ‬ഹঁ; ಴ᒺમ࣒ࠟ. [Taiwan] : Jin ge ying yi gong si, [n.d.] [117 leaves.] Note: A studio-use-only script. CTFAL Chi

Chi

2358 Wang, Huiling, 1964– ࣼ┰ጘ, 1964– Ye ben: dian ying ju ben = Fleeting by night / bian ju Wang Huiling, Wang Mingxia; dao yan Xu Ligong, Yin Qi. ١౶: Ӈ‫ঁؙ‬ӆ = Fleeting by night / ഹঁࣼ┰ጘ, ࣼҴᎇ; ࣒ࠟጝ ߹‫ۋ‬, ẚ⓱. Taibei: Tian xia yuan jian chu ban gu fen you xian gong si, 2000. 165 p. ISBN 9576217490, 9789576217494 Series title: Wen xue ren sheng; 38 ҹѹϪТ; 38 Note: Includes plot summary and film script for Ye ben (Fleeting by Night), a joint venture project between Taiwan, Hong Kong, and mainland China. Also includes notes by the director and screenwriters. WorldCat Chi

2353 Yao, Yiwei, 1922–1997 ᝻ϣἹ, 1922–1997 Nian yu Guanyin / Yao Yiwei zhu. ᨑർ޲‫ ٸ‬/ ᝻ϣἹЯ. [Taibei: s.n., 1969] 138 leaves. Note: A studio-use-only script. CTFAL

Chi

Chi

2354 Ye lu ren / Bai Jingrui dao yan. ١բϪ / Ձ࢓ᇳ࣒ࠟ. Xianggang: Ru yi ying ye gong si, [n.d.] 44 leaves. Note: A studio-use-only script. CTFAL

2359 Yi, Wen (Yang, Evan), 1920–1978 ‫ډ‬ҹ, 1920–1978 Yue Fei zhuan = Jing zhong bao guo / Yi Wen, He Fang bian ju. ៈٞ‫ؘ = ة‬ᇝ‫ڻ‬л / ‫ډ‬ҹ, ‫ح‬Ҥഹঁ. [S.l.] : Guo ji gong si, [n.d.] [142 leaves.] Note: A studio-use-only script. The library also has a second copy. CTFAL Chi

Chi

2355 Ye, Yunqiao. ౕࠥ⃊. Bao gao ban zhang / Ye Yunqiao bian ju, Jin Aoxun dao yan. ‫ڡݍڻ‬ӕ / ౕࠥ⃊ഹঁ; ‫ؖ‬⍘࢐࣒ࠟ. [Taiwan] : Meng tai qi ying ye gong si, [n.d.] [126 leaves.] Note: A studio-use-only script. CTFAL Chi

2360 Yi zhi niao zai xiao jiu jiu. ϣྦ఩௩ᤁᶕᶕ. [S.l.: s.n., n.d.] No pagination. Note: A studio-use-only script. CTFAL

2356 Ye, Yunqiao. ౕࠥ⃊. Pai xing bang. ٕҲ౽.

395

Chi

Film Stories, Screenplays, and Scripts

2361 2361

2366

Yin shi nan nu: dian ying ju ben yu bai she guo cheng / Zhong yang dian ying gong si ce hua; Wang Huiling, Li An, James Schamus bian ju; Chen Baoxue cai fang. ୗ‫ې‬Բѽ: Ӈ‫ঁؙ‬ӆӿ‫ޛ‬଄Оࡄ / Ѕ႑Ӈ‫ؙ‬ԍ‫ޅ‬೫੿; ࣼ┰ጘ, ଽ ԥ, James Schamus ഹঁ. Taibei: Yuan liu wen huachu pan qi ye gong si, 1994. 206 p. ISBN 957322271X Series title: Dian ying guan; 47 Ӈ‫ؙ‬ఖ; 47 Note: Includes the screenplay of Ang Lee’s film Eat Drink Man Woman (1994) as well as interviews with Ang Lee, Wang Huiling (screenwriter), and James Schamus (producer, scholar, and promoter of the film). CTFAL Chi

Zhang, Chonggeng. ‫פ‬Գน. Bing leng de tai yang / Bian ju: Zhang Chonggeng; Dao yan: Zhang Chonggeng. ઄ߤϡѿ‫ ݷ‬/ ഹঁ: ‫פ‬Գน; ࣒ࠟ: ‫פ‬Գน. [S.l.] : Shang shang gu fen you xian gong si, [n.d.] 40 leaves. Note: A studio-use-only script. CTFAL Chi

2367 Zhang, Dachun. ‫פ‬Ͻࡇ. Jiang xie sheng jian / Zhang Dachun bian ju. ԕ࿕‫ ঺ظ‬/ ‫פ‬Ͻࡇഹঁ. Taibei: Taiwan dian ying wen hua gong si, 1993. 56 leaves. Note: A studio-use-only script. CTFAL

2362 Yong yuan de xia tian / Qidengsheng yuan zhu. ‫׼ݖ‬ϡॼϳ / ࢳҳТ֍Я. [S.l.] : Fei teng dian ying gong si, [n.d.] [108 leaves.] Note: A studio-use-only script. Adapted from the novel entitled Jie hun. CTFAL Chi

Chi

2368 Zhang, Guangdou. ‫ׇפ‬૓. Hua ji. Ր់. Taibei: Shi bao guang chang, 1990. 183 p. Note: Screenplay of Hua Ji. NTUL

2363 Yu, Jiwei. ӊ֮໖. Dong zhi ji / Bian ju: Yu Jiwei; Dao yan: Wang Shuai. பҏ់ / ഹঁ: ӊ֮໖; ࣒ࠟ: ࣼળ. [Taibei] : Fei ling ying ying shi zhuan bo gong si, [n.d.] 91 leaves. Note: A studio-use-only script. CTFAL Chi

Chi

2369 Zhang, Liqun. ‫߹פ‬ळ. Shi dai zhi feng = L’Air du Temps (xiu ding ben) / Bian ju: Zhang Liqun; Dao yan: Zhou Yichang. Ж‫ڊ‬ҏգ = L’Air du Temps (ࢗ๓ӆ) / ഹঁ: ‫߹פ‬ळ; ࣒ࠟ: ‫ر‬ፐቾ. [Taibei] : Taiwan dian ying shi ye gu fen you xian gong si, [n.d.] 62 leaves. Note: A studio-use-only script. CTFAL Chi

2364 Yu, Jiwei. ӊ֮໖. Zai jian! Guangzhou che zhan / Xing zheng yuan xin wen ju bian yin. ӐԊ! ܰ߮ӝۖ / ҲूࡨЈࢨ঵ഹ୅. Taibie: Xing zheng yuan xin wen ju, 1988. 46 p. Note: The screenplay for the film Zai jian! Guangzhou che zhan, and a list of screenplays that received best screenplay awards from the Office of News Affairs, Executive Yuan, in 1988. CTFAL Chi

2370 Zhang, Mingyu. ‫פ‬Ҵർ. Xiang fei / Zhang Mingyu, Wang Zhongzheng bian ju. Ђٞ / ‫פ‬Ҵർ, ࣼԳԜഹঁ. [Taiwan, Riben] : Han wei dian ying shi ye gong si; San ben qi ye gong si, [n.d.] 36 leaves. Note: A studio-use-only script. CTFAL Chi

2365 Yu, Jiwei. ӊ֮໖. Zui hou yi di xue / Bian dao: Yu Jiwei. зћϣਉ߱ / ഹ࣒: ӊ֮໖. [Taibei] : Xin hang xian ying shi you xian gong si, [n.d.] 64 leaves. Note: A studio-use-only script. CTFAL Chi

396

Film Stories, Screenplays, and Scripts

2380

2371

2376

Zhang, Xinyi. ‫פ‬Ҟच. Tang lang diao shou yu san xia / Zhang Xinyi bian dao. ₂ᣥ᭗Ѳ‫ە‬ᄻཱུ / ‫פ‬Ҟचഹ࣒. Taibei, Xianggang: Dong ya ying ye gong si; Liu he ying ye gong si, [n.d.] 54 leaves Note: A studio-use-only script. CTFAL Chi

Zhang, Yongxiang, 1929– ‫ݖפ‬ፖ, 1929– Jian dan pian de ren / Zhang Yongxiang, Lan Hai bian ju. ᄝ೵әϡϪ / ‫ݖפ‬ፖ, ঢ֋ഹঁ. Taibie: Zhong yang dian ying gong si zhi pian bu, [n.d.] 50 leaves. Note: A studio-use-only script. CTFAL Chi

2377 2372

Zhang, Yongxiang, 1929– ‫ݖפ‬ፖ, 1929– Lang hua / Qiong Yao yuan zhu; Zhang Yongxiang bian ju; Li Xing dao yan. ‫ع‬Ր / ᬆᴽ֍Я; ‫ݖפ‬ፖഹঁ; ଽҲ࣒ࠟ. [S.l.: s.n., n.d.] 48 leaves. Note: A studio-use-only dialogue script. CTFAL Chi

Zhang, Yongxiang, 1929– ‫ݖפ‬ፖ, 1929– Cai yun fei / Qiong Yao yuan zhu; Zhang Yongxiang bian ju; Li Xing dao yan. ࠡࠥٞ / ᬆᴽ֍Я; ‫ݖפ‬ፖഹঁ; ଽҲ࣒ࠟ. Xianggang: Xing fa ying ye gong si, [n.d.] No pagination. Note: A studio-use-only script. CTFAL Chi

2378 2373

Zhang, Yongxiang, 1929– ‫ݖפ‬ፖ, 1929– Miao ji le / Zhang Yongxiang, Wang Shihong bian ju; Li Jia dao yan. ిࡗϦ / ‫ݖפ‬ፖ, ࣼࡲᮜഹঁ; ଽဓ࣒ࠟ. Taibei: Da zhong dian ying gong si, [n.d.] 52 leaves. Note: A studio-use-only dialogue script. CTFAL Chi

Zhang, Yongxiang, 1929– ‫ݖפ‬ፖ, 1929– Hai ou fei chu / Qiong Yao yuan zhu; Zhang Yongxiang bian ju; Li Xing dao yan. ֋ᾥٞ‫ ؛‬/ ᬆᴽ֍Я; ‫ݖפ‬ፖഹঁ; ଽҲ࣒ࠟ. Xianggang: Zhou shi ying ye gong si, [n.d.] No pagination. Note: A studio-use-only script. CTFAL Chi

2379 2374

Zhang, Yongxiang, 1929– ‫ݖפ‬ፖ, 1929– Miao ji le / Zhang Yongxiang, Wang Shihong bian ju; Li Jia dao yan. ిࡗϦ / ‫ݖפ‬ፖ, ࣼࡲᮜഹঁ; ଽဓ࣒ࠟ. Taibei: Da zhong dian ying gong si, [n.d.] 17 leaves. Note: A studio-use-only script. CTFAL Chi

Zhang, Yongxiang, 1929– ‫ݖפ‬ፖ, 1929– Huan wo he shan, you ming: Tian Dan fu guo ji / Zhang Yongxiang, Lan Hai bian ju; Li Jia, Li Xing, Bai Jingrui dao yan. УϢ૯‫ځ‬, ҍӜ: ೧‫࣢؁‬л֮ / ‫ݖפ‬ፖ, ঢ֋ഹঁ; ଽဓ, ଽҲ, Ձ࢓ ᇳ࣒ࠟ. Taibei: Zhong yang dian ying gong si, [n.d.] No pagination. Note: A studio-use-only script. CTFAL Chi

2380 Zhang, Yongxiang, 1929– ‫ݖפ‬ፖ, 1929– Qiu jue. ‫ݺڠ‬. Taibei: Zhi wen chu ban she, 1977. 179 p. Series title: Xin chao cong shu zhi er shi Ј଎ᜣ‫ڣ‬ҏԏ֐ Note: Includes the original story, screenplay, and reviews of the film Execution in Autumn (1972). CTFAL Chi

2375 Zhang, Yongxiang, 1929– ‫ݖפ‬ፖ, 1929– Jia bian / Zhang Yongxiang bian ju; Dan Hanzhang bian dao. рԺ / ‫ݖפ‬ፖഹঁ; Ԕఈ‫א‬ഹ࣒. Taibei: Da zhong dian ying gong si, [n.d.] 84 leaves. Note: A studio-use-only screenplay. CTFAL Chi

397

Film Stories, Screenplays, and Scripts

2381 2381 Zhang, Yongxiang, 1929– ‫ݖפ‬ፖ, 1929– Sheng ming xian chuan qi / Zhang Yongxiang zhu. Т‫ܞ‬۷‫ ࡞ة‬/ ‫ݖפ‬ፖЯ. [S.l.: s.n., n.d.] 68 leaves. Note: A studio-use-only script. CTFAL

2386 Zhang, Zhiliang. ‫פ‬ҏ݊. Mo gong = A battle of wits / Zhang Zhiliang bian ju dao yan. ၢແ = A battle of wits / ‫פ‬ҏ݊ഹঁ࣒ࠟ. Taibei: Qun ti gong zuo shi, 2006. [136 leaves.] Note: A studio-use-only bilingual (Chinese and Japanese) script. CTFAL Chi

Chi

2382 2387

Zhang, Yongxiang, 1929– ‫ݖפ‬ፖ, 1929– Xi yu chun feng / Zhang Yongxiang bian ju; Li Xing dao yan. ࢜‫ࡇە‬գ / ‫ݖפ‬ፖഹঁ; ଽҲ࣒ࠟ. Taibei: Zhongguo dian ying zhi pian chang, [n.d.] 41 leaves. Note: A studio-use-only script. CTFAL Chi

Zhang, Zhiyong. ‫࢑פ‬ର. Zui jia pei ou / Zhang Zhiyong bian dao. з૟ࡈઢ / ‫࢑פ‬ରഹࠟ. Taibei: Han liang ying ye gong si, [n.d.] No pagination. Note: A studio-use-only script. CTFAL

Chi

2383 2388

Zhang, Yongxiang, 1929– ‫ݖפ‬ፖ, 1929– Yuan xiang ren: zuo jia Zhong Lihe de gu shi / Zhang Yongxiang bian ju, Li Xing dao yan. ֍൅Ϫ: ӑр፼ԑфϡ‫ݞ‬Ѩ / ‫ݖפ‬ፖഹঁ; ଽҲ࣒ࠟ. Xianggang: Zi li dian ying gong si, [n.d.] 83 leaves. Note: A studio-use-only screenplay. CTFAL Chi

Zhang, Zilhong. ‫פ‬жᮜ. Xia tian li guo hai yang / Bian ju: Zhang Zihong. ॼϳѶО֋ଥ / ഹঁ: ‫פ‬жᮜ. [S.l.: s.n., n.d.] 80 p. Note: A studio-use-only script. CTFAL

2384

Chi

2389

Zhang, Yongxiang, 1929– ‫ݖפ‬ፖ, 1929– Yuan xiang ren: zuo jia Zhong Lihe de gu shi = China, my native land / Zhang Yongxiang bian ju, Li Xing dao yan. ֍൅Ϫ: ӑр፼ԑфϡ‫ݞ‬Ѩ = China, my native land / ‫ݖפ‬ፖഹঁ; ଽҲ࣒ࠟ. Taibei: Guo tai ji gou, [1980] 109 p. Note: A studio-use-only Chinese and English dialogue script. CTFAL Chi Eng

Zhao, Liangjun. ᕿમẮ. Shen xing tai bao / Zhao Liangjun bian ju. ‫ظ‬Ҳѿ‫ خ‬/ ᕿમẮഹঁ. [S.l.] : Zhongguo er tong cheng zhi zuo you xian gong si, [n.d.] No pagination. Note: A studio-use-only script. The library also has two additional copies. CTFAL Chi

2390 2385

Zhao, Qibin. ᕿ⓭ᝯ. Tian shang ren jian / Zhao Qibin, Liu Ling bian ju; Wang Hao dao yan. ϳϼϪҼ / ᕿ⓭ᝯ, ฀ວഹঁ; ࣼൻ࣒ࠟ. [S.l.: s.n., n.d.] 81 leaves. Note: A studio-use-only script. CTFAL Chi

Zhang, Yongxiang, 1929– ‫ݖפ‬ፖ, 1929– Zhan di ying hao / Zhang Yongxiang bian ju. ‫ڕ‬с߭ൻ / ‫ݖפ‬ፖഹঁ. [Taibei: Zhong ying, 1975] No pagination. Note: There are three photocopies of the studio-use-only script in the library. CTFAL Chi

398

Film Stories, Screenplays, and Scripts

2399

2391

2396

Zhao, Yugang. ᕿർᐻ. Da di niu lang / Zhao Yugang bian ju; Hua Huiying dao yan. Ͻсܵᅦ / ᕿർᐻഹঁ; ‫ܓ‬༫࣒߭ࠟ. Taibei: Hua shi gong si, [n.d.] [88 leaves.] Note: A studio-use-only script. CTFAL Chi

Zhu Li ba wai de chun tian. ኵ᫗⇊֔ϡࡇϳ. [S.l.: s.n., n.d.] 63 p. Note: A studio-use-only script. CTFAL

2397 Zhu, Tianwen (Chu, T’ien-wen), 1956– ᗌϳҹ, 1956– Bei qing cheng shi. ঳є‫صڵ‬. Shanghai: Shanghai wen yi chu ban she, 2001. 248 p. ISBN 7532121003 Series title: Tai Gang ji hai wai Hua yu zuo jia zi xuan wen ku ‫ݡ‬୯᠕֋֔ӑрІ‫ש‬ҹᆟ Note: A collection of four screenplays written by the author and directed by Hou Hsiao-hsien: Dust in the Wind (1986), A City of Sadness (1989), The Puppetmaster (1993), and Good Men, Good Women (1995), as well as the author’s comments and records of making the films. Includes a filmography and a bibliography. Duxiu (FT) Chi

2392 Zhou, Teng. ‫ر‬౵. A Tai de zi wei ying pan / Bian ju: Zhou Teng. ०೉ϡཎᑤ‫ ࣪ܞ‬/ഹঁ: ‫ر‬౵. [Taibei] : Xin chuan fu yuan dian ying gong si, [n.d.] 68 leaves. Note: A photocopy of the original handwritten script used by the studio. CTFAL Chi

2393 Zhou, Xujiang. ‫ر‬᯾࢖. Chang gong / Zhang Qiuli yuan zhu; Zhou Xujiang bian ju. ӕ֞ / ‫֍ܡ␒פ‬Я; ‫ر‬᯾࢖ഹঁ. [Taibei] : Zhong yang dian gong si zhi pian wei yuan hui, [n.d.] No pagination. Note: A studio-use-only dialogue script. CTFAL Chi

2398 Zhu, Tianwen (Chu, T’ien-wen), 1956– ᗌϳҹ, 1956– Hai shang hua / Zhu Tianwen bian ju; Hou Xiaoxian dao yan. ֋ϼՐ / ᗌϳҹഹঁ; ᢡᖮᐊ࣒ࠟ. [Taibei] : Hou Xiaoxian ying xiang zhi zuo, 1998. No pagination. Note: A studio-use-only script. CTFAL Chi

2394 Zhou, Xujiang. ‫ر‬᯾࢖. Xun meng yuan / Yuan zhu: Qiong Yao; Bian ju dao yan: Zhou Xujiang. ଵْࡩ / ֍Я: ᬆᴽ; ഹঁ࣒ࠟ: ‫ر‬᯾࢖. [Taibei] : Long yu ying ye gong si, [n.d.] 37 p. Note: A studio-use-only script. CTFAL Chi

2399 Zhu, Tianwen (Chu, T’ien-wen), 1956– ᗌϳҹ, 1956– Hong qi qiu de lu xing: Hou Xiaoxian dian ying ji lu xu bian. ‫ێ‬Ӥ‫ܧ‬ϡ߫Ҳ䩭ᢡᖮᐉӈ‫ؙ‬ઓ࠹۟൜. Jinan: Shandong hua bao chu ban she, 2009. 642 p. ISBN 9787807138419 Note: Written by noted author and famous screenwriter Chu T’ien-wen, many of whose works were directed by Hou Hsiao-hsien. As a supplementary work to the author’s earlier work published by the same publisher in 2006, this text is a combination of reviews, notes, screenplays, filmmaking diaries, and interviews related to Hou Hsiao-hsien and his films, including Flight of the Red Balloon (2006). Includes a list of the author’s screenplays and publications. WorldCat Chi

2395 Zhou, Yanzi. ‫ر‬Ἳж. Qiu ju / Yuan zhu: Wu Jinfa; Bian dao: Zhou Yanzi. ‫ڠ‬Ꮥ / ֍Я: ྶቇч; ഹ࣒: ‫ر‬Ἳж. [S.l.: s.n., n.d.] 72 p. Note: A studio-use-only script. CTFAL

Chi

Chi

399

Film Stories, Screenplays, and Scripts

2400 2400

2403

Zhu, Tianwen (Chu, T’ien-wen), 1956– ᗌϳҹ, 1956– Niluo he nu er / Zhu Tianwen bian ju; Hou Xiaoxian dao yan. ৸஛૯ѽճ / ᗌϳҹഹঁ; ᢡᖮᐊ࣒ࠟ. Taibei: Wan bao ying ye gong si; [n.d.] 56 leaves. Note: A studio-use-only script. CTFAL Chi

Zhu, Tianwen (Chu, T’ien-wen), 1956– ᗌϳҹ, 1956– Zui hao de shi guang: Hou Xiaoxian dian ying ji lu. зϮϡЗ‫ׇ‬䩭ᢡᖮᐉӈ‫ؙ‬ઓ࠹. Jinan: Shangdong hua bao chu ban she, 2006. 386 p. ISBN 7807132973, 9787807132974 Note: A combination of film stories, screenplays, and reviews related to Hou Hsiao-hsien and eight of his films, from Dust in the Wind (1986) to Three Times (2005). Includes Hou Hsiao-hsien’s a filmography. Duxiu Chi

2401 Zhu, Tianwen (Chu, T’ien-wen), 1956– ᗌϳҹ, 1956– Tong nian wang shi / Zhu Tianwen bian ju; Hou Xiaoxian dao yan. ুё‫܊‬Ѩ / ᗌϳҹഹঁ; ᢡᖮᐊ࣒ࠟ. Taibei: Zhong yang dian ying gong si zhi pian qi hua bu; [n.d.] 35 leaves. Note: A studio-use-only script. CTFAL Chi

2404 Zhuo, Hongshun. 懖ᒩॄ. Wo you hua yao shuo / Zhuo Hongshun bian ju; Cai Zhengbin dao yan. ϢϩҧϴМ /懖ᒩॄഹঁ; ᓥԜᝯ࣒ࠟ. Xianghang: Tang chen gong si, [n.d.] [157 leaves.] Note: A studio-use-only script. CTFAL Chi

2402 Zhu, Tianwen (Chu, T’ien-wen), 1956– ᗌϳҹ, 1956– Zui hao de shi guang: dian ying ben shi, fen chang ju ben, yi ji suo you guan yu dian ying de 1982 / 2006. зϮϡЖ‫ׇ‬: Ӈ‫ؙ‬ӆѨ, дԾঁӆ, йߵӛϩԬҿӇ‫ؙ‬ϡ 1982 / 2006. Taibei: INK yin ke chu ban you xian gong si, 2008. 417 p. ISBN 9789866873621 Series title: Zhu Tianwen zuo pin ji; 7 ᗌϳҹӑԘओ; 7 Note: Written by noted author and famous screenwriter Chu T’ien-wen, this text presents ten scripts written by the author; details of making eight films with Hou Hsiaohsien, from Dust in the Wind (1986) to Three Times (2005); and the author’s writings on Taiwanese film. Includes photos and film stills. CTFAL Chi

2405 Zui xiang nian de ji jie / Bian ju: Ding Yamin, Zhu Tianwen, Hou Xiaoxian, Xu Shuzhen; Dao yan: Chen Kunhou. зЂ݉ϡࡵ‫ ڞ‬/ ഹঁ: ౨ਐ‫ھ‬, ᗌϳҹ, ᢡᖮᐊ, ‫ܛ‬ᎂѐ; ࣒ࠟ: ಴ ᓍധ. [Taibei] : Zhong yang dian ying gong si zhi pian qi hua bu, [n.d.] 73 leaves. Note: A studio-use-only script. CTFAL Chi

400

9 Film Technology

9.1

GENERAL

9.2

2406

DIGITAL FILMMAKING

2407

Huang, Ren, 1925– ࢶწ, 1925– Taiwan dian ying bai nian shi hua / Huang Ren, Wang Wei bian zhu. ‫ݡ‬ஹӇ‫ښؙ‬ё੗ҧ/ࢶწ,ࣼଂഹЯ. Taipei: Zhonghua ying ping ren xie hui, 2004. 2 v. Note: A comprehensive and objective text on Taiwan film history. Significant achievements of the work include (1) the discovery that the first film shown in Taiwan occurred in 1899, differing from scholars who claim the first screening occurred in 1901; (2) a detailed description of Taiwan film artists’ activities and achievements during the colonial period in both Taiwan and mainland China; (3) Taiwan film history from multiple perspectives; (4) the authors maintain an objective stance while approaching politically charged issues, such as the Japanese influence on Taiwan cinema, propaganda films in Taiwan, and the Nationalist government’s censorship system; and (5) the text includes important filmographies in some of its chapters. Shortcomings of the work include (1) poor editing—for example, multiple typos, such as on page 19, when the date of the first feature film made in Taiwan, by the Japanese, is written as 1902 instead of 1922; and Chapter 12 starts on p. 331, but the table of contents notes that it starts on p. 329; (2) poor content organization—for example, Chapters 11–21 in Vol. 2 are not connected cohesively; and (3) the text does not contain a complete bibliography, filmography, or indexes, except for inconsistent bibliographical materials included at the end of selected chapters. Thus, it is difficult to recommend this text as reference material, even though it contains important historical information. Includes some bibliographic information at the end of selected chapters; and film stills, posters, and photos. WorldCat Chi

Cao, Qingyun. ᢳ‫ࠥݙ‬. DC, DV bian xiu, jian ji, shao lu quan neng tong: huisheng hui ying 9 + pai pai shao 4. DC, DV ഹࢗ, යফ, ਩࠷ҪЌ֡: Ͼ‫ك‬Ͼ‫ ؙ‬9 + ‫ޛޛ‬਩ 4. Taibei: Shang qi ke ji, 2005. [15.5 p.] ISBN 9867199278 Note: An introduction to DV (Digital Video) technology, software, equipment, and related case studies. CTFAL Chi

2408 Chen, Qinghe. ಴֜૯. Dian zi she lu ying shi wu. Ӈж଄࠷‫ؙ‬Ӣࠔ. Taibei: He ji tu shu chu ban she, 1984. 250 p. Note: Describes the use of Electronic News Gathering and Electronic Field Production equipment in filmmaking and television production. CTFAL Chi

2409 Chen, Wenhui. ಴ҹᲉ. Premiere Pro 2.0 ying pian jian ji shi wu jiang zuo. Premiere Pro 2.0 ‫ؙ‬әයফӢࠔ‫܈‬ӏ. Taibei: Qi biao chu ban gu fen you xian gong si, 2006. [12.30 p.] ISBN 9789574423804 Note: Guide to the film-editing software program Premiere Pro 2.0. CTFAL Chi

401

Film Technology

2410 Note:

2410 Chen, Xuanwei. ಴ἒᬕ. Yi jie zou fen xi wei ji chu de dong zuo dian ying fen ge yu zhai yao = Action movies segmentation and summarization based on tempo analysis. й‫ڞ‬ᄊд໯ЊऴኝϡҁӑӇ‫ؙ‬дኘӿሁϴ = Action movies segmentation and summarization based on tempo analysis. 70 p. Note: Thesis (M.A.)—National Taiwan University, 2004. This paper, in English, proposes the use of a digital film management system that would detect and retrieve the most semantically important story units and segments of films based on movie tempo analysis. The system is based on shot changes, motion activity, and audio features to access and retrieve films in a sophisticated manner. Includes a bibliography. NTUL Eng

Thesis (M.A.)—National Taiwan Normal University, 2004. This paper explores the potential of the Motion Control Camera System (MOCO), currently in limited use, to be used widely throughout the Taiwan film industry by examining and analyzing images in commercial films produced by MOCO and by interviewing film professionals who have used MOCO in their productions. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD (FT) Chi

2414 Liang, Jiawei (Liang, Jia-wei). ᅯр໖. Yi After Effect ruan ti ji shu yun yong yu shi jing he cheng zhi tan tao = Using After Effect as a tool of composition computer graphics to live scenes. й After Effect લՂ৔फ‫ػ‬ѓҿӢ࢓ׁюҏ෬क़ = Using After Effect as a tool of composition computer graphics to live scenes. 49 leaves. Note: Thesis (M.A.)—National Taiwan University of Science and Technology, 2009. Focuses on “compositing computer graphics to live scenes” in Taiwanese film production; explains an efficient procedure for integrating three-dimensional animation into low-budget short films. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

2411 Lin, Chaoling. ৆சጘ. DV@Home: shu wei sheng huo, zi ji zuo dao yan / Lin Chaoling, Liu Dawei bian zhu. DV@Home: ُ֧Т҅, Іѝ҂࣒ࠟ / ৆சጘ, ฀Ͻ໖ഹЯ. Taibei: Ya mai duo mei ti, 1999. 119 p. ISBN 9579775257 Note: An introduction to DV filmmaking, including the selection and use of cameras and software, and editing techniques. CTFAL Chi

2415 Qin, Dingchang. ቦᑾቾ. Taiwan dian ying chuan tong ying xiang yu shu wei ying xiang zhi chan zhi yan jiu: yi “Lian ren”, “Ren yu duo duo” wei li = A study of traditional cinematography production and digital cinematography production for filmmaking in Taiwan: using “Fall . . . in love” & “The shoe fairy” as examples. ‫ݡ‬ஹӇ‫ؙࢃةؙ‬Ռӿُ֧‫ؙ‬Ռҏ‫ݗ‬३୳ૢ: й “ߧϪ”, “Ϫ‫־‬౤ ౤” Њຎ = A study of traditional cinematography production and digital cinematography production for filmmaking in Taiwan: using “Fall . . . in love” & “The shoe fairy” as examples. 150 leaves. Note: Thesis (M.A.)—Shih Hsin University, 2008. Using the production of his two films as examples (Fall . . . in Love [2004], and The Shoe Fairy [2006]) the author describes, with firsthand experience, filmmaking in both traditional and digital formats to provide a practical reference point for the film industry and scholars as the Taiwanese film industry moves to digital film production. The appendix includes a list of cinematography equipment, shooting scripts, production and postproduction technical guidelines, and award-winning information regarding the two films described. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD (FT) Chi

2412 Li, Ling. ଽᾐ. Zhuan ye ying shi te xiao zhi zuo da quan = After Effects / Premiere Pro. ֟‫ؙ׬‬؆‫݌ئ‬३ӑϽҪ = After Effects / Premiere Pro. Taibei: Dian mao ren wen hua, 2006. 404 p. ISBN 9867075293 Note: An introduction to two software programs, After Effects and Premiere Pro, used for special effects and animated filmmaking. CTFAL Chi

2413 Li, Zhenyi (Li, Jen-yi). ଽᢾသ. Dian nao dong zuo kong zhi she ying xi tong de guang gao ying xiang biao xian yan jiu = The image expression of commercial films made by motion control camera system. Ӈ‫ݴ‬ҁӑସ‫ء‬଄‫ࢃڍؙ‬ϡܰ‫ؙݍ‬Ռԣࠟ୳ૢ = The image expression of commercial films made by motion control camera system. 138 leaves.

402

Movie Cameras, Projectors, and Related Equipment

2423 9.3

2416 Wu, Dingwu-Walisi (Wu, Diing-wuu Vale). ྶᑾે-ᐩࣵট. Dian nao dong hua ji chu = The fundamental of computer animation. Ӈ‫ݴ‬ҁޫऴኝ = The fundamental of computer animation. Taibei: Song gang dian nao tu shu zi liao ge fen you xian gong si, 1998. 215 p. ISBN 9572229699 Note: An introduction to computer animation. Includes sample images, a bibliography, and a resume. CTFAL Chi Eng

MOVIE CAMERAS, PROJECTORS, AND R ELATED E QUIPMENT

2420 Ba mi li she ying ji qiao. ࡂܶᐸ଄‫ؙ‬৔ಌ. Taibei: Huang Qirong. 152 p. Note: A detailed introduction to 8 mm camera equipment, use, and filming techniques. CTFAL Chi

2421 2417

Dian cang dian ying wen wu zhang ji / Lin Yuru zong bian ji. ਹেӇ‫ؙ‬ҹ‫֟׉‬ফ / ৆ड़Ғրഹফ. Gaoxiong: Gaoxiong shi dian ying tu shu guan, 2005. 184 p. ISBN 9860007713 Series title: Gaoxiong shi dian ying tu shu guan dian ying song shu; 6 ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖӇ‫ؙ‬ᜣ‫ ;ڣ‬6 Note: Kaohsiung Film Archive has digitized 1,500 film artifacts, more than 100 of which are selected and displayed in this book, including the following: film posters, cameras, projectors, costumes, and more. Includes nine parts: Part 1, Essays; Part 2, Film Equipment; Part 3, Film Posters Hand-Drawn by Chen Zifu; Part 4, Japanese Film Artifacts; Part 5, Hollywood Film Artifacts; Part 6, European and American Film Posters; Part 7, Taiwanese-Dialect Film Artifacts; Part 8, Hong Kong Film Artifacts; and Part 9, Mandarin Film Artifacts. Includes an index. NTUL Chi

Xin mei ti, xin yi shu = Art and new media / Zhu bain Yu Weizheng, Phillip George. Ј෪Ղ, Јਲफ= Art and new media / Ұഹ൑Њू; Phillip George. Tainan: Guo li Tainan yi shu da xue yin xiang dong hua yan jiu suo, 2004. 385 p. Note: A collection of essays in both Chinese and English focusing on new media as well as multimedia development. Film-related essays include the titles “Future ICinema,” “Computer Graphics in Animated Films,” “Laser & Holography,” “Spatial Montage and the Possible Future,” and “Digital Visualization & Aesthetics (Artists’ Viewpoint).” Includes an index. CTFAL Chi Eng

2418 Ye, Yueng. ౕड़൛. MAYA jing hua lun III: dong hua she ding yu fen zi te xiao = The evolution III of MAYA: animation and dynamic effect. MAYA Ք٩‫ں‬III: ҁޫ‫ޗ‬ӡӿдж‫ = ݌ئ‬The evolution III of MAYA: animation and dynamic effect. Taibei: Jin he zi xun gu fen you xian gong si, 2005. 878 p. ISBN 9861491325 Note: A manual for version III of the MAYA animation software program. CTFAL Chi

2422 Li, Youzhi. ଽҎҏ. Ba mi li dian ying she zhi jing yan tan. ࡂܶᐸӇ‫ؙ‬଄३Ҭࡐড. [s.n: s.m., n.d.] 30 p. Note: Describes the author’s experience using 8 mm camera equipment to make movies. CTFAL Chi

2419 Zhao, Guohong. ᕿлᒩ. 3ds Max 8 dong hua li lun yu she ji. 3ds Max 8 ҁޫԑ‫ں‬ӿ‫ذޗ‬. Taibei: Xue guan xing xiao gu fen you xian gong si, 2005. [36 p.] ISBN 986719828x Note: The theory and design of the animation software program 3D Studio MAX. CTFAL Chi

2423 Li, Youzhi. ଽҎҏ. Zen yang pai hao ba mi li dian ying. ՘Ҋ‫ޛ‬ϮࡂܶᐸӇ‫ؙ‬. Taibei: Li Youzhi, 1975. 129 p. Note: An introduction to 8 mm filmmaking, cameras, and screening equipment. CTFAL Chi

403

Film Technology

2424 2424

2429

Peng, Guangzhao. ᣴ‫ׇؕ‬. Ba mi li dian ying ࡂܶᐸӇ‫ؙ‬. Taibei: Wu zhou chu ban she, 1974. 28 p. Note: Describes how to make an 8 mm movie, including an introduction to basic filmmaking techniques. CTFAL Chi

Shi guang liu ying—Gaoxiong shi dian ying tu shu guan cang wen wu zhuan ji er = Time flow & steaming shadow / Lan Zuwei zhuan gao; Chen Yixuan ying wen fan yi. Ж‫ׇ‬Ե‫—ؙ‬ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖেҹ‫֟׉‬ফԏ = Time flow & steaming shadow / ঢྥ᝛᫃፻; ಴ፐ጗߭ҹࢬፆ. Gaoxiong: Gaoxiong shi dian ying tu shu guan, 2008. 249 p. ISBN 9789860155990 Series title: Gaoxiong shi dian ying tu shu guan dian ying cong shu; 10 ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖӇ‫ؙ‬ᜣ‫ ;ڣ‬10 Note: This bilingual work presents film-related artifacts collected by the Kaohsiung Municipal Film Archives. It includes five parts: Part 1, Stills and Posters; Part 2, Ads and Flyers; Part 3: Music and Records; Part 4, Synopses, Movie Tickets; and Part 5, Film Equipment and Technology. Many materials are specifically related to Taiwan films of the 1970s and 1980s. NTUL Chi Eng

2425 Peng, Guangzhao. ᣴ‫ׇؕ‬. You sheng ba mi li dian ying ϩ‫ܶࡂك‬ᐸӇ‫ؙ‬. Taibei: Wu zhou chu ban she, 1976. 61 p. Note: An introduction to 8 mm cameras, projectors, film, related equipment, and filming techniques. CTFAL Chi

2426

9.4

Qiu, Guohua. ᆥл‫ܓ‬. Hai di she ying ji shu. ֋݄଄‫ؙ‬৔फ. Taibei: Hua lian chu ban she, 1976. 118 p. Note: An introduction to underwater filmmaking equipment and filming techniques. CTFAL Chi

MOVIE CONTENT MANAGEMENT

2430 Chen, Xuanwei. ಴ἒᬕ. Yi jie zou fen xi wei ji chu de dong zuo dian ying fen ge yu zhai yao = Action movies segmentation and summarization based on tempo analysis. й‫ڞ‬ᄊд໯ЊऴኝϡҁӑӇ‫ؙ‬дኘӿሁϴ = Action movies segmentation and summarization based on tempo analysis. 70 p. Note: Thesis (M.A.)—National Taiwan University, 2004. This paper, in English, proposes the use of a digital film management system that would detect and retrieve the most semantically important story units and segments of films based on movie tempo analysis. The system is based on shot changes, motion activity, and audio features to access and retrieve films in a sophisticated manner. Includes a bibliography. NTUL Eng

2427 Wang, Wen. ࣼҹ. Chao ba mi li dian ying pai she ji zhi zuo = Super 8 movie. սࡂܶᐸӇ‫ޛؙ‬଄ߵ३ӑ = Super 8 movie. Taibei: Wu zhou chu ban she, 1975. 156 p. Note: An introduction to 8 mm filmmaking, including the equipment usage techniques, lighting control, animated filmmaking, projector selection and usage, sound recording and editing, and equipment maintenance. CTFAL Chi

2431 “Taiwan yuan zhu min zu wen hua ying yin zi liao ku” fu wu jian ji shu, “Yuan zhu min dian shi ren cai pei xun ji zhi bo jie mu ji jian zhi Taiwan yuan zhu min zu wen hua ying yin zi liao ku” an / Xing zheng yuan yuan zhu min zu wei yuan hui, Hua yi shu wei yi shu go fen you xian gong si. “‫ݡ‬ஹ֍֙‫ھ‬ఓҹ٩‫ࢧޞٸؙ‬ᆞ” ‫ࠃࠔע‬৶‫ڣ‬, “֍֙‫ھ‬ఓӇ؆Ϫ ҥഷਗߵ३৚‫ڞ‬۵᠕ࠃঞ‫ݡ‬ஹ֍֙‫ھ‬ఓҹ٩‫ࢧޞٸؙ‬ᆞ” ଈ / Ҳ ूࡨ֍֙‫ھ‬ఓణ‫؂‬Ͼ, ‫ܓ‬ਲُ֧ਲफ੦‫ڤ‬ϩࡳԍ‫ޅ‬. Taibei: Xing zheng yuan yuan zhu min zu wei yuan hui, 2004. 186 p.

2428 Yang, Zuiying (Yueng, Tsui Ying). ໷௴‫ؙ‬. Chao ba hao mi dian ying = Super 8 CINE ABC. սࡂශܶӇ‫ = ؙ‬Super 8 CINE ABC. Taibei: Wu zhou chu ban she, 1981. 276 p. Note: An introduction to Super 8 mm filmmaking, including equipment selection, maintenance, and filming techniques. CTFAL Chi

404

Movie Sound Recording

Note:

2432 9.5

The government proposal, service plan, and contract for building the “Taiwan Indigenous Peoples Culture and Audio/Visual Archive” by the Council of Indigenous Peoples, Executive Yuan, and Hua Yi Art Digital Company. The archive will be a repository for digitized cultural and Audio/Visual content, including movie portrayals of Taiwan’s Indigenous Peoples. NT UL Chi

MOVIE SOUND RECORDING

2432 Dai, Ning. ඕો. Wu xi apian sheng yin gui ze zhi yun yong—Hu Jinquan “Da zui xia” yu Li An “Wo hu cang long” zhi bi jiao. ેཱུә‫੺ٸك‬छҏ‫ػ‬ѓ—ഐ‫ؖ‬⠌ “Ͻ௴ཱུ” ӿଽԥ “၃ഝেह” ҏ ԝࢺ. 130 leaves. Note: Thesis (M.A.)—National Chengchi University, 2005. This paper provides a comparative study of King Hu and Ang Lee’s use of sound in their two most famous martial arts films. Includes a Chinese abstract and a bibliography. NCL/NDLTD Chi

405

10 Others

10.1

FILM ARTIFACTS

Note:

2433 “Ben guan dian cang wen wu yan jiu” wei tuo yan jiu an / Ji hua zhu chi ren: Chen Linghui; Xie tong zhu chi ren: Lin Qishou. “ӆఖਹেҹ‫ ”ૢ୳׉‬ణኅ୳ૢଈ / ‫੿ذ‬Ұ‫ف‬Ϫ: ಴෗༫; ൒ӎҰ‫ف‬ Ϫ: ৆ൠႎ. Gaoxiong: Gaoxiong dian ying tu shu guan, 2007. 106 p. Note: A research report on film-related artifacts collected by the Kaohsiung Film Library. Includes purpose, methodology, targeted materials, discoveries, recommendations, and a bibliography. Appendix 1 and appendix 2 include interviews and catalogs of the film artifacts collected by the library. CTFAL Chi

Kaohsiung Film Archive has digitized 1,500 film artifacts, more than 100 of which are selected and displayed in this book, including film posters, cameras, projectors, costumes, and more. Includes nine parts: Part 1, Essays; Part 2, Film Equipment; Part 3, Film Posters Hand-drawn by Chen Zifu; Part 4, Japanese Film Artifacts; Part 5, Hollywood Film Artifacts; Part 6, European and American Film Posters; Part 7, Taiwanese-Dialect Film Artifacts; Part 8, Hong Kong Film Artifacts; and Part 9, Mandarin Film Artifacts. Includes an index. NTUL Chi

2436 Shi guang liu ying—Gaoxiong shi dian ying tu shu guan cang wen wu zhuan ji er = Time flow & steaming shadow / Lan Zuwei zhuan gao; Chen Yixuan ying wen fan yi. Ж‫ׇ‬Ե‫—ؙ‬ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖেҹ‫֟׉‬ফԏ = Time flow & steaming shadow / ঢྥ᝛᫃፻; ಴ፐ጗߭ҹࢬፆ. Gaoxiong: Gaoxiong shi dian ying tu shu guan, 2008. 249 p. ISBN 9789860155990 Series title: Gaoxiong shi dian ying tu shu guan dian ying cong shu; 10 ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖӇ‫ؙ‬ᜣ‫ ;ڣ‬10 Note: This bilingual work presents film-related artifacts collected by the Kaohsiung Municipal Film Archives. It includes five parts: Part 1, Stills and Posters; Part 2, Ads and Flyers; Part 3, Music and Records; Part 4, Synopses, Movie Tickets; and Part 5, Film Equipment and Technology. Many materials are specifically related to Taiwan films of the 1970s and 1980s. NTUL Chi Eng

2434 “Ben guan dian cang wen wu yan jiu” wei tuo yan jiu an (fu lu san: guan cang wen wu dang an) / Ji hua zhu chi ren: Chen Linghui; Xie tong zhu chi ren: Lin Qishou. “ӆఖਹেҹ‫ ”ૢ୳׉‬ణኅ୳ૢଈ (ป࠷ѧ: ఖেҹ‫׉‬းଈ) / ‫੿ذ‬ Ұ‫ف‬Ϫ: ಴෗༫; ൒ӎҰ‫ف‬Ϫ: ৆ൠႎ. Gaoxiong: Gaoxiong dian ying tu shu guan, 2007. 452 p. Note: An attachment to the research report on film-related artifacts collected by the Kaohsiung Film Library. Appendix 3 is a detailed catalog of the film artifacts collected by Kaohsiung Film Archive organized by film, soundtrack, movie propaganda materials, posters, photos, equipment, books, and series. CTFAL Chi

2435

2437

Dian cang dian ying wen wu zhang ji / Lin Yuru zong bian ji. ਹেӇ‫ؙ‬ҹ‫֟׉‬ফ / ৆ड़Ғրഹফ. Gaoxiong: Gaoxiong shi dian ying tu shu guan, 2005. 184 p. ISBN 9860007713 Series title: Gaoxiong shi dian ying tu shu guan dian ying song shu; 6 ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖӇ‫ؙ‬ᜣ‫ ;ڣ‬6

Xiao, Xueren. ᖆѹწ. Nan wang de san chang dian ying: huai jiu dian ying wen wu ji sheng huo qi wu zhan = Exhibition of memorial movie artifact & living implement. Ԣ۲ϡ્ԾӇ‫ؙ‬: ॕ଒Ӈ‫ؙ‬ҹ‫׉‬᠕Т҅ॆ‫ = ࣁ׉‬Exhibition of memorial movie artifact & living implement.

407

Others

2438 Jilong: Jilong shi wen hua ju, 2006. 48 p. ISBN 986004581X Series title: Jilong wen xin cong kan ऴᇐҹКᜣᑂ Note: A special publication to celebrate the Forty-Second Golden Horse Film Festival and Awards hosted by Keelung in 2005. Contains photos of the exhibition items related to Taiwanese film history and Keelung. NTUL Chi

10.2

2440 Ji lu Taiwan: Taiwan ji lu pian yan jiu shu mu yu wen xian xuan ji / zhu bian Zhang Changyan, Li Daoming ; zhi xing bian ji Hong Yawen, Han Xu’er, Zhang Qinyun. ઔ࠷‫ݡ‬ஹ: ‫ݡ‬ஹઔ࠷ә୳ૢ‫ڣ‬۵ӿҹຶ‫ק‬ओ / Ұഹ‫פ‬ቾᴧ, ଽѬҴ ; వҲഹফᖻ઩ҹ, ठ᯾ঌ, ‫פ‬ቦ᭲. Taibei: Xing zheng yuan wen hua jian she wei yuan hui wei tuo cai tuan fa ren guo jia dian ying zi liao guan, 2000. 2 v. ISBN 9570265478 (v. 1), 9570262486 (v. 2) Series title: Taiwan dian ying shi liao cong shu ‫ݡ‬ஹӇ‫ؙ‬੗ࢧᜣ‫ڣ‬ Note: This is the first and most comprehensive bibliography and collection of essays on Taiwan film documentaries. Vol. 1 covers the colonial period and includes sixty-five essays and articles written by three contemporary Taiwan scholars as well as colonial-era Japanese authors whose articles were initially published in Japanese before being translated into Chinese for the purposes of this book. Contains eight parts: (1) Film History; (2) Documentary, News, and Education Films; (3) Film Show Activities; (4) Film Propaganda; (5) Film Censorship; (6) Film Affairs; (7) Film Reviews and Introduction; and (8) a Bibliography of Taiwan Documentary Film Studies During the Colonial Period, which includes monographs (in both Chinese and Japanese), dissertations, and journal articles (in both Chinese and Japanese, dated and undated). There is also a bibliography at the end of the book. Vol. 2 covers Taiwan documentary film studies after 1945 and includes eighty-one essays, articles, interviews, film reviews, and news reports. Similar to Vol. 1, it also contains eight parts: (1) Anthropology Films; (2) Introduction and Review of Taiwan Documentary Films; (3) Theory and Aesthetics of Documentary Film; (4) Documentary Film and Social Movements; (5) Documentary and Indigenous People; (6) Documentary Film Directors and Workers; (7) Documentary Film History, and Analysis; and (8) a Bibliography of Taiwan Documentary Film Studies after 1945, which is organized under the following subjects: anthropology films, China (including Hong Kong) documentary films, review and introduction to Taiwan documentary films, review and introduction to foreign documentary films, documentary filmography and others, documentary film theory and aesthetics, documentary films and social culture, documentary film and social movements, documentary film and indigenous people, documentary film directors and workers (domestic), documentary film directors and workers (abroad), documentary film history (domestic), and documentary film history (abroad).The materials collected in the bibliography include monographs, dissertations, journal and newspaper articles, handbooks, and manuals. WorldCat Chi

FILM CENSORSHIP

2438 Dian ying fa an: “dian ying jian cha fa” yu yi fei zhi / Li fa yuan mi shu chu bian yin. Ӈ‫ؙ֚‬ଈ: “Ӈ‫ؙ‬ഛ‫ ”֚ݓ‬໹йಖঝ / ߹֚ࡨ੶‫؛ڣ‬ഹ୅. Taibei: Li fa yuan mi shu chu, 1984. 336 p. Series title: Fa lu an zhuan ji, di liu shi er ji, jiao yu (er shi) ֚ಋଈ֟ফ, ҷࡏ֐ԏফ, ‫ڌ‬ड़ (ԏ֐) Note: This is a legislative document regarding the establishment of a new film censorship law and the abolishment of the old film censorship law in Taiwan. Includes records of the legislative proposal, process, and discussion, as well as the president’s legal order and the film law. The appendix includes interviews with legislators and a Chinese Times editorial. NCL Chi

2439 Huang, Ren, 1925– ࢶწ, 1925– Dian ying yu zheng zhi xuan chuan. Ӈ‫ؙ‬ӿू੽ୌ‫ة‬. Taibei: Wan xiang tu shu go fen you xian gong si, 2004. 441 p. ISBN 9576694841 Series title: Taiwan dian ying shi cong shu; 3 ‫ݡ‬ஹӇ‫ؙ‬੗ᜣ‫ ;ڣ‬3 Note: A most comprehensive work on the relationship between film and politics in Taiwan. Includes eleven chapters: Chapter 1, General Introduction; Chapter 2, Film Policy and Public & Private Film Studios; Chapter 3, Anti-Communist Films; Chapter 4, AntiJapanese Films; Chapter 5, “Search-Roots” (Nativism) and Nationalist Films; Chapter 6, Military Education Films; Chapter 7, Character-Building and Educational Films; Chapter 8, Agricultural Reform, Economic Development, and Unity-Building Films; Chapter 9, National Revolution Films; Chapter 10, Biographies of Film Professionals; and Chapter 11, Interviews. NTUL Chi

408

Film Censorship

2446 Includes a bibliography. NCL

2441 Liang, Hongzhi (Liang, Hung-chih). ᅯᒩ࢑. Guo jia yu dian ying: Taiwan dian ying zheng ce yan jiu = State and film: Taiwan film policy study. лрӿӇ‫ؙ‬: ‫ݡ‬ஹӇ‫ूؙ‬೫୳ૢ = State and film: Taiwan film policy study. 137 leaves. Note: Thesis (M.A.)—National Sun Yat-sen University, 2001. By using theories of New Marxism, the paper explores Taiwan’s poor film production output by looking at three major links in Taiwan’s film industry—production, distribution and marketing, and exhibition—and discusses the government’s role in forming, managing, and supporting the Taiwanese film industry. American, French, and Canadian government film policies are used as examples in the paper. Includes a Chinese abstract, a bibliography and three appendixes. Appendix 1 is a table comparing original and current film laws; Appendix 2 is a government subsidy evaluation committee member list; and Appendix 3 is a list of Taiwan films that participated in international film festivals. NCL/NDLTD (FT) Chi

Chi

2444 Taiwan dian ying ying pian sheng chan tong ji, fu: song jian ying pian ji duan pian pian mu (1949–1993) / Xing zheng yuan xin wen ju Zhonghua Minguo dian ying nian zhi wei hui. ‫ݡ‬ஹӇ‫ؙؙ‬әТ‫ذࢃݗ‬, ป: ‫؟‬ഛ‫ؙ‬ә᠕ߦәә۵ (1949–1993) / ҲूࡨЈࢨ঵Ѕ‫ھܓ‬лӇ‫ؙ‬ёవణϾ. Taibei: Xing zheng yuan xin wen ju Zhonghua Minguo dian ying nian zhi wei hui, 1994. 2 v. (950 p.) Note: A complete filmography and statistical record of Taiwan films submitted to the government for censorship approval from 1949 to 1993. Includes 3,478 fictional films, 2,227 news and documentary films, and 323 short films. The filmography is organized by film title. Although the text is primarily based on films submitted for government approval, it includes a few additions from other resources. In principle, the text lists only films produced in Taiwan; however, jointly produced Taiwan and Hong Kong films are also included. CTFAL Chi

2445 Taiwan song jian ying pian ji duan pian pian mu (1949–1994) / Lu Feiyi zhu bian. ‫ݡ‬ஹ‫؟‬ഛ‫ؙ‬ә᠕ߦәә۵ (1949–1994) / ᡭۘ‫ډ‬Ұഹ. Taibei: Xing zheng yuan xin wen ju Zhonghua Minguo dian ying nian zhi wei hui, 1994. 472 p. Series title: Dian ying zi liao ku cong shu; 5 Ӈ‫ࢧޞؙ‬ᆞᜣ‫ ;ڣ‬5 Note: This is a complete filmography and statistical record of Taiwan films submitted to the government for censorship approval from 1949 to 1994. Includes 3,500 fictional films, 2,227 news and documentary films, and 342 short films. The filmography is organized by film title and is primarily based on film applications submitted to the government. Beginning in 1950, every film produced in Taiwan required state approval. Contains statistical charts of Taiwan film production from 1949 to 1994, a filmography of the films submitted for censorship approval from 1949 to 1993 with an accompanying index, and a filmography of the films submitted for government approval in 1994, divided into the following categories: Taiwan, Hong Kong, other, and short films. CTFAL Chi

2442 Liang, Liang, 1954– ᅯમ, 1954– Kan bu dao de dian ying—bai nian jin pian da guan. ЃϤϺϡӇ‫ښ—ؙ‬ё๫әϽ޲. Taibei: Shi bao wen hua, 2004. 310 p. ISBN 957134124X Series title: Passion xi lie Passion ‫࠶ڍ‬ Note: A review of films around the globe that are banned because of such issues as politics, religion, sex, violence, culture, and race. Eighty-seven censored or banned films in mainland China, Hong Kong, and Taiwan are introduced and discussed in the text. Includes a list of banned movies available in DVD format. NTUL Chi

2443 Liu, Changping. ฀ቾᢼ. Lun wo guo dian ying jian cha zhi du zhi he xian xing—yi dian ying fa die r shi liu tiao zhi shi qian shen cha wei zhong xin. ‫ں‬ϢлӇ‫ؙ‬ഛ‫֏ءݓ‬ҏׁᬊԛ—йӇ‫ؙ֚‬ҷԏ֐ࡏָҏѨӓᅭ‫ݓ‬ ЊЅК. 164 leaves. Note: Thesis (M.A.)—Shi li Zhongguo wen hua da xue, 2003. This study on Item 26 of the Taiwan Film Law, which requires films to pass censorship before public exhibition, seeks to prove that the law is unconstitutional. Includes a comparison of censorship systems in other countries.

2446 Wang, Baomin. ࣼ‫ھخ‬. Chu ban fa guang bo dian shi fa dian ying fa shi lun. о‫֚ܰؗ‬৚Ӈ؆֚Ӈ‫ؙ֚‬ౠ‫ں‬. Taibei: Taiwan Zhonghua shu ju, 1985. 257 p.

409

Others

2447 Note:

An interpretation of the Publishing, Radio Broadcasting and Television, and Film Law in Taiwan. Describes the film review process and legislative principles applied. The appendix includes the following titles: Implementation Guiding of Film Law, Film Export/Import Permission Processing Methods, and Film Subsidies Application Processing Methods. NCL Chi

Taibei: Yao Rongling, 1952. 133 p. Note: An early work on Taiwan’s film censorship system. Includes an introduction to film censorship systems in other countries, an explanation of the Chinese film censorship system and the Free China Film Industry in Taiwan. The appendix includes the film censorship–related laws, regulations, processing procedures, and guidelines, as well as lists of Taiwanese film companies, studios, movie theatres, and industry associations. CTFAL Chi

2447 Wang, Mingwo. ࣼҴϢ. Cong Min Sheng Zhu Yi Yu Le liang pian bu shu lun wo guo dian ying shi ye—xian jie duan dian ying zheng ce zhi yan jiu. ԩ‫ھ‬ТҰचड़ӀҔࢡਣ਎‫ں‬ϢлӇ‫ؙ‬Ѩ‫—׬‬ѳ႓‫ݫ‬Ӈ‫ूؙ‬೫ҏ୳ ૢ. Taibei: Zheng zhong shu ju, 1987. 288 p. Series title: San Min Zhu Yi yan jiu so bo shi, shuo shi lun wen jiang zhu chu ban cong shu, di ba ji; 2 ѧ‫ھ‬Ұच୳ૢѕࡲ, ፩ࡲ‫ں‬ҹ؉ࡾо‫ؗ‬ᜣ‫ڣ‬, ҷࡂফ; 2 Note: Presents the theoretical basis of the Taiwan government’s concurrent film policy as outlined by, and in accordance with, Dr. Sun Yat-sen’s “Three Principles of People.” Selected from Taiwan’s Ph.D. and M.A. thesis collection entitled “The Institute of Three Principles of People in Taiwan.” Includes a bibliography, Film Law and President’s Executive Order (issued in 1983), Film Censorship Law (issued in 1955 and revised in 1958), and the Film Censorship Standard Regulation (issued in 1956). NTUL Chi

2450 Ye, Longyan, 1940– ౕहᴧ, 1940– Guang fu chu qi Taiwan dian ying shi. ‫࣢ׇ‬२‫ݡ׈‬ஹӇ‫ؙ‬੗. Taibei: guo jia dian ying zi liao guan, 1995. 267 p. ISBN 9579987440 Series title: Taiwan dian ying shi liao cong shu; 2 ‫ݡ‬ஹӇ‫ؙ‬੗ࢧᜣ‫ ;ڣ‬2 Note: On the basis of the author’s impressive research of film-related materials published in various newspapers in Taiwan, this text describes the establishment of Taiwan’s film industry after retrocession from 1945–1949. Significantly, Chapter 2 describes the moment when mainland film studios first arrived to shoot films in Taiwan and later shipped their equipment, production, and personnel to Taiwan; Chapter 3 deals with the operation and management of the Taiwan theater system; Chapter 4 focuses on movies shown in Taiwan’s theaters, specifically, the large quantity of films produced in mainland China and, later, the domination of the market by Hollywood films; Chapter 5 considers film censorship in Taiwan during the time. Includes two important documents at the appendix in the end of the book: the Taiwan Film Industry Corporation Business Plan and the Taiwan Film Industry Corporation Preparation Report, which provide details of the early management and operation of Taiwan’s theater system. Includes a bibliography. WorldCat Chi

2448 Wu, Ruozhi. ྶ઎≮. Zhongguo dian ying jian cha wen ti de yan jiu. ЅлӇ‫ؙ‬ഛ‫ݓ‬՛֤ϡ୳ૢ. 95 leaves. Note: Thesis (M.A.)—National Chengchi University, [1966] An introductory look at film censorship in different countries. In Chapter 5, the author reviews the history of censorship on the mainland before 1949 and in Taiwan after 1949. Chapter 6 discusses the practice of censorship in Taiwan. In Chapter 7, the author offers conclusions regarding censorship in Taiwan. Film censorship in mainland China after 1949 is not included in this study. Includes appendixes (Current Film Censorship Law and Regulations in Taiwan) and a bibliography. WorldCat Chi

2451 You, Xinren. දЈწ. Dian ying wen ti, wen ti dian ying: xing, bao li, dian jian. Ӈ‫ؙ‬՛֤, ՛֤Ӈ‫ؙ‬: ԛ, ફҨ, Ӈഛ. Taibei: Da te xie chu ban she, 1983. 199 p. Note: A collection of the author’s articles on sexuality, violence, and censorship in world cinema, including Hong Kong and Taiwan cinema. CTFAL Chi

2449 Yao, Rongling. ᝻ึ෗. Dian ying yu jian cha. Ӈ‫ؙ‬ӿഛ‫ݓ‬.

410

Film Copyright, Piracy, and Intellectual Property

2457 156 leaves. Note: Thesis (M.A.)—National Chengchi University, 2009. Notes that the Cape No. 7 film production team, just like many current productions, did not actively commercialize the intellectual property (IP) of the film. Thus, this paper clarifies the commercial relationship between a film’s box office performance and the value of IP applications. Recommends innovative ways to use IP in the Taiwan film industry. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

2452 Zeng, Xiba. ߲՝ພ. Wo ai dian ying. ϢДӇ‫ؙ‬. Taibei: Da han chu ban she, 1979. 204 p. Series title: Da han wen ku; 8 Ͻఈҹᆞ; 8 Note: A collection of film-related articles originally published in various newspapers and journals. Articles on Taiwan film, in Parts 1 and 3, deal with film theory, box office results, and censorship issues. CTFAL Chi

10.3

2456 Wang, Shujen. Framing piracy: globalization and film distribution in greater China. Lanham, MD: Rowman & Littlefield, 2003. ISBN 0742519791 (alk. paper), 0742519805 (pbk.: alk. paper) Note: Shujen Wang’s Framing Piracy: Globalization and Film Distribution in Greater China, is a bipartite text. In part one, Wang presents the historical context of the distribution of Hollywood film in Greater China (i.e., China, Hong Kong, and Taiwan) and discusses film distribution and its economic implications vis-à-vis China and Taiwan’s respective entries into the World Trade Organization. In part two, Wang presents seven case studies, including film distribution and piracy in mainland China; film distribution and piracy in Taiwan; and the distribution, piracy, and parallel import situation in Hong Kong. Regarding Taiwan cinema, see Chapter 7, “Film Distribution in Taiwan” and Chapter 9, “A ‘Culture of Illegality’? Piracy in Taiwan.” Includes bibliographical references and an index. WorldCat Eng

FILM COPYRIGHT, PIRACY, AND INTELLECTUAL PROPERTY

2453 Gan, Longqiang. ಣह‫ל‬. Dian ying zhu zuo quan. Ӈ‫ؙ‬Яӑ੸. Taibei: Wei li fa lu chu ban she, 1988. 224 p. Note: The author, a legal expert, explains the definition of film copyright and film copyright law in Taiwan. Includes a bibliography and an index of the film titles mentioned in the book. CTFAL Chi

2454

2457

Gan, Longqiang. ಣह‫מ‬. Dian ying zhu zuo quan. ӈ‫ؙ‬Яӑ੹. Beijing: Zhongguo dian ying chu ban she, 1991. 143 p. ISBN 7106004626, 9787106004620 Note: Revised version of the original work published in Taiwan in 1988. The author, a legal expert, explains the definition of film copyright and film copyright law in Taiwan. Includes a bibliography and an index of the film titles mentioned in the book. CTFAL Chi

Zeng, Zihao (Tseng, Tzu-hao). ߲жൻ. Cong dian ying de quan qiu hua sheng chan yu xiao fei jie gou fan dao ban de mi si yu kun jing—yi Taiwan de dian ying shang pin shi chang wei li = From global production and consumption to deconstruct the difficultly and confusion of anti-piracy—the assumption of movie product of Taiwan market. ԩӇ‫ؙ‬ϡҪ‫ܧ‬٩Т‫ݗ‬ӿ‫ثٮ۽‬ภ‫ބ‬ᅟ‫ؗ‬ϡࣿ‫ڽ‬ӿ੡॒—й‫ݡ‬ஹϡ Ӈ‫࠱ؙ‬Ԙ‫ص‬ԾЊຎ = From global production and consumption to deconstruct the difficultly and confusion of anti-piracy—the assumption of movie product of Taiwan market. 110 leaves. Note: Thesis (M.A.)—Nanhua University, 2005. By using the Taiwan’s film market as an example, the paper reexamines the relationship between piracy and copyright issues from the perspective of production and consumption, and points out that using or not using pirated products is not only a simple moral issue, but also one related to the user’s social status, education, taste, and cultural background. Suggests ways to reduce the usage of pirated products. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD (FT) Chi

2455 Hong, Chengxiao. ᖻ஧ᖮ. Taiwan dian ying chan ye zhi zhi shi cai chan shang pin hua yan jiu = A study on the commercialization of the intellectual property of Taiwan film industry. ‫ݡ‬ஹӇ‫׬ݗؙ‬ҏҌࡦ੠‫࠱ݗ‬Ԙ٩୳ૢ = A study on the commercialization of the intellectual property of Taiwan film industry.

411

Others

2458 2458

2461

Zhang, Jingyi (Chang, Ching-yi). ‫ݕפ‬ជ. Taiwan dian ying ying yan shi chang zhi xiao fei zhe shi yong wang lu xia zai zhi xing wei yan jiu = A study on consumer behavior of downloading files in Taiwan cinema exhibition market. ‫ݡ‬ஹӇ‫صࠟྱؙ‬Ծҏ‫ٍٷٮ۽‬ѓӻբЎՙҏҲЊ୳ૢ = A study on consumer behavior of downloading files in Taiwan cinema exhibition market. 83 leaves. Note: M.A. thesis—Management School, National Taiwan University, 2007. A case study of people in Taiwan who download movie files from the Internet; finds that people who download film files feel satisfaction and that downloading does not strongly affect frequenting movie theaters or buying and renting DVDs. Includes a bibliography and charts. NTUL Chi

Jiang, Jiyun (Chiang, Chi-yun). ࢖ࡵ᭲. Taiwan dian ying ye pei xiao mi du zhi jue ding yin su yu piao fang biao xian: yi jiao yi cheng ben, dai li li lun yu she hui wang luo guan dian tan tao zhi = Antecedents of distribution intensity and boxoffice in Taiwan’s film industry: Insights from transaction cost analysis, agency theory, and network perspective. ‫ݡ‬ஹӇ‫ࡈ׬ؙ‬ઍ઼֏ҏ‫ݺ‬ӡӹঈӿ‫ࠚܯ‬ԣѳ: й‫ډے‬юӆ, ‫ڊ‬ԑԑ ‫ں‬ӿघϾӻ౪޲ѡ෬क़ҏ = Antecedents of distribution intensity and box-office in Taiwan’s film industry: Insights from transaction cost analysis, agency theory, and network perspective. 133 leaves. Note: Thesis (Ph.D.)—National Taiwan University, 2005. Uses movie distribution data collected from Taiwan’s film industry to show that asset specificity has a negative relationship in relation to distribution intensity; in contrast, information gathering and social networks have a positive relationship on distribution intensity, which in turn has a significant positive relationship on box office performance. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Eng

2459 Zhu zuo quan fa yu ying ju shi ye zhi jing ying / Zhu bian: Chen Huiying. Яӑ੸֚ӿ‫ঁؙ‬Ѩ‫׬‬ҏҬॺ / Ұഹ: ಴༫⑵. Taibei: Zhonghua Minguo dian ying shi ye fa zhan ji jin hui, 1992. 106 p. Note: Includes the following records: the Copyright Law and Cinema Drama Business Management Forum on May 29, 1992; the 1992 version of the Copyright Law; and the Implementation Guideline of the Copyright Law in Taiwan. CTFAL Chi

10.4

2462 Qiu, Shichun. ᆥஉ᳝. Taiwan dian ying ru he li yong guo ji ying shi shi chang jin xing guo ji fa xing zhi tan tao—yi Fushan yu Xianggang shi chang wei li = Exploration of international distribution for Taiwan cinema via international market: case studies of Asia film market & HK filmart. ‫ݡ‬ஹӇ‫ؙ‬Ғ‫ح‬۱ѓлগ‫ؙ‬؆‫ص‬ԾՔҲлগчҲҏ෬क़—й᷶‫ځ‬ ӿ‫ܫ‬୯‫ص‬ԾЊຎ = Exploration of international distribution for Taiwan cinema via international market: case studies of Asia film market & HK filmart. 113 p. Note: Thesis (M.A.)—National Chengchi University, 2010. Analyzes the “2009 Busha Asia Film Market Exhibition” and the “2010 Hong Kong Filmart” to explore international distribution strategies for Taiwan cinema. Concludes the following: Taiwan films should first be distributed to Chinese and Asian markets, current Taiwan cinema style and content is not particularly appealing to audiences overseas and limits investor interest, and the quality of Taiwan’s art films must improve to compete in the competitive international marketplace. Finally, the author recommends that if Taiwan filmmakers want to enter the international market, then they should select topics and scripts that match current world cinema trends. Includes a Chinese index and a bibliography. NCL/NDLTD Chi

FILM DISTRIBUTION

2460 Chen, Yifan (Chen, Frank). ಴သఅ. Dian ying cheng gong xing xiao mo shi tan tao—yi 2006 nian Taiwan wai pian fa xing shang wei li = A study on film marketing models—Taking 2006 Taiwan foreign film distributors as examples. Ӈ‫ؙ‬ю‫ۋ‬Ҳઍথܴ෬क़—й 2006 ё‫ݡ‬ஹ֔әчҲ࠱Њຎ = A study on film marketing models—Taking 2006 Taiwan foreign film distributors as examples. 130 leaves. Note: Thesis (M.A.)—National Chengchi University, 2008. In 2006, Taiwan film distributors of foreign films bucked a trend in which, normally, more than 70 percent of the annual box office profit in Taiwan was earned by Hollywood major film distributors. Thus this paper analyzes four Taiwan-based foreign film distributors who were successful in 2006, demonstrating several marketing models suitable for the future of Taiwan’s film market. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

412

Film Distribution

2466 distributors could import various foreign films; and the “Decline Time,” 1989–1999, during which Taiwan removed almost all of its restrictions, Hollywood majors directly dominated the Taiwan film market, and Taiwan became the tenth largest film market in Hollywood’s global box office ranking. The paper suggests that Taiwan’s government should control the number of imported film prints and screening venues, media should avoid being Hollywood’s advertising tool, and research should focus on local audience and consumer behavior to improve domestic film production and distribution. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

2463 Stalens, Alizee (Shi, Aili). ੗⏣ᰆ. After Hou Hsiao Hsien and Tsai Ming Liang: A case study of promotion of Taiwan cinema in France = Hou Xiaoxian yu Cai Mingliang zhi hou: Taiwan dian ying yu Faguo xing xiao zhi yan jiu fen xi. After Hou Hsiao Hsien and Tsai Ming Liang: A case study of promotion of Taiwan cinema in France = ᢡᖮᐊӿᓥҴ݊ҏћ: ‫ݡ‬ஹӇ ‫ؙ‬ҿ֚лҲઍҏ୳ૢд໯. 106 p. Note: Thesis (M.A.)—National Chengchi University, 2012. Hou Hsiao-Hsien and Tsai Ming-Liang’s films have been warmly received by the French public; however, films directed by Taiwan film directors of the early 2000s have not fared as well. The paper provides interviews with French film distributors and points out that “observations of Taiwan distributors and the Taipei Film Commission at Le Marché du Film de Cannes revealed a lack of effort to attract French or European buyers” (abstract). In addition, “Taiwan, and Asian Cinema in general, is facing a great opponent as French distributors are now being attracted to more emergent cinemas coming from South America and Africa. Furthermore, interviews with French distributors shows that the type of films French distributors are more likely to buy is an art house type of cinema as opposed to the rather commercial type of cinema that regained Taiwanese audience attention since 2008” (abstract). including Cape No.7, a hugely successful film in Taiwan’s domestic market. Includes a bibliography and an English and Chinese abstract. NCL/NDLTD Eng

2465 Xie, Caimiao. ‫ిࠡه‬. Xun zhao qing min jian: cong “Wo hu cang long” tan Hua yu dian ying guo ji hua = Globalization of Chinese language cinemas: a case study of Crouching Tiger, Hidden Dragon. ଵ‫ݙװ‬ᙛ঺: ԩ “၃ഝেह” ড‫ܭܓ‬Ӈ‫ؙ‬лগ٩= Globalization of Chinese language cinemas: a case study of Crouching Tiger, Hidden Dragon. Taibei: Ya Tai tu shu, 2004. 244 p. ISBN 9867809297 Series title Chuan bo jiao yu cong shu ‫ة‬৚‫ڌ‬ड़ᜣ‫ڣ‬ Note: A book based on the author’s master’s thesis at the National Taiwan University. Studies Crouching Tiger, Hidden Dragon (2000) as a blueprint for the success of Chinese cinema in the global marketplace. Analyzes the film’s production, distribution, and marketing as well as the current film production environment in Taiwan, Hong Kong, mainland China, and the United States. Includes in-depth interviews with the film’s producers and scholars in Taiwan, Hong Kong, and mainland China and uses an immersion and crystallization method to reach its conclusion. Includes a bibliography and an appendix. NTUL Chi

2464 Tian, Jiaqi (Tien, Chia-Chi). ೧рᔂ. Taiwan Hua shang fa Xing Ou Mei wai pian zhi li shi fa zhan yan jiu = A historical research of the development of domestic distributors of imported foreign films. ‫ݡ‬ஹ‫࠱ܓ‬чҲଟѤ֔әҏࣵ੗чࣁ୳ૢ = A historical research of the development of domestic distributors of imported foreign films. 213 leaves. Note: Thesis (M.A.)—Yuan Ze University, 2000. This paper divides the development and history of Taiwan domestic film distribution and distributors into three periods: the “Beginning Period,” 1954– 1980, during which Taiwan’s government instituted policies that restricted imported films, including prints and exhibition of foreign films, to ensure the growth of the domestic film industry, prevent unbalanced competition, and control access to foreign films in the local market; the “Golden Era,” 1980–1988, when the Taiwan government deregulated portions of its restrictions and protections in response to the Motion Pictures Export Association of America’s requirements to open Taiwan’s local film market, and Taiwanese

2466 Ying ye shou ce / Taibei shi ying pian shang ye tong ye gong hui. ‫׬ؙ‬Ѳೠ / ‫׬࠱׬ؙصܚݡ‬ӎ‫׬‬ԍϾ. Taibei: Taibei shi ying ye shang ye tong ye gong hui, [1952] 70 p. Note: A handbook for the Taipei Municipal Film Distributors Association. Includes Film Distributors Association and Film Drama Association bylaws; regulations for film censorship, theater management, and film business registration; and application procedures for wiring foreign currency used for filmmaking. CTFAL Chi

413

Others

2467 10.5

FILM EDUCATION

perspectives; (4) the authors maintain an objective stance while approaching politically charged issues, such as the Japanese influence on Taiwan cinema, propaganda films in Taiwan, and the Nationalist government’s censorship system; and (5) the text includes important filmographies in some of its chapters. Shortcomings of the work include (1) poor editing—for example, multiple typos, such as on page 19, when the date of the first feature film made in Taiwan, by the Japanese, is written as 1902 instead of 1922; and Chapter 12 starts on p. 331, but the table of contents notes that it starts on p. 329; (2) poor content organization— for example, Chapters 11–21 in Vol. 2 are not connected cohesively; and (3) the text does not contain a complete bibliography, filmography, or indexes, except for inconsistent bibliographical materials included at the end of selected chapters. Thus, it is difficult to recommend this text as reference material, even though it contains important historical information. Includes some bibliographic information at the end of selected chapters; and film stills, posters, and photos. WorldCat Chi

2467 Di san ge shi qi de Zhongguo dian ying: Beijing, Taibei, Xianggang xue sheng dian ying lu xiang hui zhan. ҷѧϫЖ‫׈‬ϡЅлӇ‫ؙ‬: ‫ߟܚ‬, ‫ܚݡ‬, ‫ܫ‬୯ѹТӇ‫࠷ؙ‬Ռအࣁ. Xianggang: Xianggang Jin Hui xue yuan chuan li xi, 1988. 168 p. Note: A record of a 1988 exhibit of films produced by film majors from colleges in Hong Kong, Taipei, and Beijing. Includes synopses of the films produced by the students from five Taiwan colleges, and Li Tianduo’s essay, which describes Taiwan film education. WorldCat Chi

2468 Huang, Junqi (Huang, Yun-chi). ࢶ୐⓱. Taiwan dian ying gao deng jiao yu yu dian ying chan ye hu dong zhi yan jiu: yi Shixin da xue yu Guo li Taiwan yi shu da xue wei li = A study of correlation between Taiwan’s film high education and film industry: using Shih Hsing and National Taiwan University of Arts as study cases. ‫ݡ‬ஹӇ‫ؙ‬ҙҳ‫ڌ‬ड़ӿӇ‫׬ݗؙ‬ૠҁҏ୳ૢ: йԒЈϽѹӿл߹‫ݡ‬ ஹਲफϽѹЊຎ = A study of correlation between Taiwan’s film high education and film industry: using Shih Hsing and National Taiwan University of Arts as study cases. 342 leaves. Note: Thesis (M.A.)—Shih Hsin University, 2003. This research paper analyzes the educational strategies used by the higher education system in Taiwan at Shih Hsin and National Taiwan University of Arts to educate Taiwan’s next generation of film professionals. Uses data analysis, intensive interviews, and focus group interviews to collect and analyze data. Encourages competition between universities with film programs and collaboration between institutions of higher education and the film industry. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD (FT) Chi

2470 Lee, Tai-Dow. Performing film study at the level of high education in Taiwan, the Republic of China. 173 leaves. Note: Thesis (Ph.D.)—Ohio State University, 1986. A study on film studies education, including film production and directing, in Taiwan. Includes a bibliography. WorldCat Eng

10.6

FILM FESTIVALS AND AWARDS

2471 Guo min xi yuan ji shi: 2003–2006 lin yi ge jiao du kan dian ying = P.O.P cinema: a new perspective on film festivals / Taiwan dian ying wen hua xie hui zhi zuo. л‫ࡨۚھ‬ઔѨ: 2003–2006 ࡔϣϫࡠ֏ЃӇ‫ = ؙ‬P.O.P cinema: a new perspective on film festivals / ‫ݡ‬ஹӇ‫ؙ‬ҹ٩൒Ͼ३ӑ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 2006. 1 v. Note: A bilingual pictorial work for the POP Cinema Program, commissioned by the Council for Cultural Affairs and the Government Information Office, planned and presented by the Taiwan Film and Cultural Association, which started in 2003. The POP Program has presented seventeen film festivals via several venues, including the Xinzhu Image Museum, Kaohsiung Municipal Film Archives, and Guang Dian Theatre. Taiwan film-related festivals include “Eyes on the Wind of Taiwan Films,” “The Classical Martial Arts Film Festival—Legendary Swordsman V.S. Samurai,” “Taiwan V.S. East European Films,” “Taiwan V.S. India Film Festival,” “Taiwan V.S. South European

2469 Huang, Ren, 1925– ࢶწ, 1925– Taiwan dian ying bai nian shi hua / Huang Ren, Wang Wei bian zhu. ‫ݡ‬ஹӇ‫ښؙ‬ё੗ҧ/ࢶწ,ࣼଂഹЯ. Taipei: Zhonghua ying ping ren xie hui, 2004. 2 v. Note: A comprehensive and objective text on Taiwan film history. Significant achievements of the work include (1) the discovery that the first film shown in Taiwan occurred in 1899, differing from scholars who claim the first screening occurred in 1901; (2) a detailed description of Taiwan film artists’ activities and achievements during the colonial period in both Taiwan and mainland China; (3) Taiwan film history from multiple

414

Film Festivals and Awards

2476

Film Festival,” “Music in Taiwan and Mandarin Films: A Companionship,” and “Ghost Film Festival.” Includes the cinema program, a filmography, and a chronology. NTUL Chi Eng

that The City of Sadness achieved both international recognition (as it won the Golden Lion Award at the International Venice Film Festival) and success at the Taiwan box office, as did two of Ang Lee’s films that won Oscars and attracted Taiwan audiences. Although The City of Sadness was an anomaly and Ang Lee’s films had good stories, overall, most Taiwan films that garnered international acclaim do not perform well in Taiwan. Thus, the author recommends that Taiwan’s government should not only encourage winning international film festival competitions but also should encourage the development of interesting narrative content for the Taiwan film market. Includes a bibliography. NTUL Chi

2472 Shi jie ying zhan quan ji = International film festival guide / Ce hua Xing zheng yuan xin wen ju; zhi xing Guo jia dian ying zi liao guan. Ԓ֎‫ࣁؙ‬Ҫओ = International film festival guide / ೫੿ҲूࡨЈࢨ ঵; వҲлрӇ‫ࢧޞؙ‬ఖ. Taibei: Xing zheng yuan xin wen ju, 1993. 263 p. Note: The official guidebook for international film festivals. In addition to introducing each international film festival, articles on Taiwan film directors, actors, and actresses who participated in international film festivals are included, as are comments by scholars and film critics regarding the participation of Taiwan films in international film festivals. Includes a record of Taiwan, Hong Kong, and mainland China films involved in international film festivals, as well as key points of the government encouraging Taiwan film professionals to participate in international film festivals. NTUL Chi

10.6.1

Asia Pacific Film Festival, 1953–

2475 Di wu shi yi jie Ya Tai ying zhan jie mu shou ce = The 51st AsiaPacific Film Festival / Zhu ban dan wei Zhonghua Minguo dian ying xi ju xie hui, Taibei shi zheng fu. ҷٚ֐ϣโਐѿ‫ڞࣁؙ‬۵Ѳೠ= The 51st Asia-Pacific Film Festival / Ұ‫֧؁ދ‬Ѕ‫ھܓ‬лӇ‫ঁؙۚ‬൒Ͼ, ‫ूصܚݡ‬௞. Taibei: The 51st Asia-Pacific Film Festival, 2006. 70 p. Note: A bilingual (Chinese and English) program guide to the Fifty-First Asia-Pacific Film Festival hosted by the ROC Film and Drama Association and the Taipei Municipal Government from November 14 to 24, 2006. Includes the film symposium program, the film festival program, the schedule, and synopses of the festival films, including nine Taiwan films. NTUL Chi Eng

2473 Wu, Fan. ྶఅ. Dian ying o ying zhan. Ӈ‫ؙ‬o ‫ࣁؙ‬. Taibei: Shu lin chu ban you xian gong si, 2009. 271 p. ISBN 9789574453047 Series title: Dian ying gong chang; 3 Ӈ‫ؙ֞‬Ծ; 3 Note: The author describes, from personal experience, how to organize and participate in film festivals; includes four interviews with film professionals regarding film festivals in Taiwan. Includes a CD containing official documents, forms, and regulations; a bibliography; and CD contents. CTFAL Chi

10.6.2

Golden Horse Film Festival and Awards, 1962–

2476 1994 Taibei Jin Ma ying zhan zhuan ti te kan; “duan lie” yu “fu he”: zhan wang jiu shi nian dai zhongguo dian ying = 1994 Taipei Golden Horse Film Festival special programs: perspective of Chinese cinemas of the 90s / Te kan zhu bian: Xie Renchang. 1994 ‫ئ֤֟ࣁؙެؖܚݡ‬ᑂ; “ऄი” ӿ “࣢ׁ”: ࣁֳ90ё‫ڊ‬Ѕл Ӈ‫ = ؙ‬1994 Taipei Golden Horse Film Festival special programs: perspective of Chinese cinemas of the 90s / ‫ئ‬ᑂҰഹ: ‫ه‬წቾ. Taibei: Taibei Jin Ma ying zhan zhi xing wei yuan hui, [1994] 139 p. Note: Published to commemorate the 1994 Taipei Golden Horse Film Festival. Primarily focuses on Taiwan and Hong Kong as it provides a survey of Chinese cinemas in the 1990s. Includes a bibliography and a filmography. WorldCat Chi

2474 Yin, Jialian (Yin, Chia-lien). ᦜဓၬ. Taiwan dian ying huo guo ji ying zhan jiang xiang yu piao fang xiao shou zhi guan xi = The relationship between the award-winning films of Taiwan and the box office. ‫ݡ‬ஹӇ‫ؙ‬Ԡлগ‫ࣁؙ‬؉࣯ӿ‫ࠚܯ‬ઍତҏԬ਽ = The relationship between the award-winning films of Taiwan and the box office. 117 leaves. Note: M.A. thesis—National Sun Yat-sen University, 2007. Analyzes the filmic relationship between international recognition and success at the Taiwan box office. Notes

415

Others

2477

Focuses on the economic relationship between the Golden Horse Awards and market data; takes into account the box office records of 440 Chinese films shown in Taipei movie theaters from 1996 to 2000. Concludes that Golden Horse success does not necessarily correlate to success at the box office for domestically produced Chinese films, unless successful marketing tactics link movie stars to both the Golden Horse Awards and their films. Includes a Chinese abstract and a bibliography. NCL/NDLTD Chi

2477 Dian ying dang an: di san shi si jie Jin Ma Jiang de jiang ying pian = Cinedossier: The 34th Golden Horse Award-winning films / Taibei Jin Ma ying zhan zhi xing wei yuan hui. Ӈ‫ؙ‬းଈ: ҷѧ֐‫ף‬โ‫ެؖ‬؉Џ؉‫ؙ‬ә = Cinedossier: The 34th Golden Horse Award-winning films / ‫ࣁؙެؖܚݡ‬వҲణ‫؂‬Ͼ. Taibei: Taibei Jin Ma ying zhan zhi xing wei yuan hui, 1998. 165 p. Note: A bilingual archive of the films that won the ThirtyFourth Golden Horse Awards in Taibei in 1998. Includes a filmography, judges’ results, and film reviews in both Chinese and English. NTUL Chi Eng

2481 Sun, Mingde (Sun, Mi-te). ྒ᎘ख़. Taiwan Jin Ma jiang dian ying hai bao tu xiang fu hao fen xi = Study of image and symbol applied in analyzing the film posters of the Golden Horse Awards in Taiwan (1982–2008). ‫ݡ‬ஹ‫ެؖ‬؉Ӈ‫֖ڻ֋ؙ‬Ռላ‫ى‬д໯ = Study of image and symbol applied in analyzing the film posters of the Golden Horse Awards in Taiwan (1982–2008). 122 leaves. Note: Thesis (M.A.)—National Taiwan University of Arts, 2010. Assesses potential meanings conveyed by the posters of twelve films awarded best film in Taiwan’s Golden Horse Awards. The author uncovers cultural and artistic changes in posters created during the rise of Taiwan New Cinema. Includes a Chinese and English abstract, a bibliography, and interviews with the film poster designers and with the curator of the film poster collection at the Chinese Taipei Film Archive. NCL/NDLTD Chi

2478 Li’er. Ѧ঒. Gang Tai dian ying shuang jin dang an. ୯‫ݡ‬ӈ‫့ؖהؙ‬ଈ. Hangzhou: Zhejiang wen yi chu ban she, 2005. 300 p. ISBN 7533920384 Note: Introduces readers to recipients of twenty-three Hong Kong Golden Statue Awards and forty Taiwan Golden Horse Awards. Includes a list of Golden Stature and Golden Horse Award recipients. CTFAL Chi

2479 Lin, Huijun. ৆௑ᅿ. Jin Ma jiang de zai xian fen xi (1962–2000). ‫ެؖ‬؉ϡӐѳд໯ (1962–2000). 135 leaves. Note: Thesis (M.A.)—National Chengchi University, 2001. A history of the Golden Horse Awards from 1962 to 2000. The Golden Horse Awards emerged as a way to promote domestically produced films containing progovernment political views, and then it transitioned to recognize regionally produced Chinese commercial films. Includes a Chinese abstract, a bibliography, and an appendix (including the Award-Winning Film List and Evaluation Committee Members from the Sixth to Thirty-Seventh Golden Horse Awards). NCL/NDLTD Chi

2482 Wen, Tianxiang. ࢨϳፖ. Ying mi de di yi tang ke. ‫ؙࣿ‬ϡҷϣஇࠆ. Taibei: You shi wen hua shi ye gu fen you xian gong si, 2003. 211 p. ISBN 9575744322 Series title: Xin High shao nian; 9 ЈHigh վё; 9 Note: A general introduction targeted at young Taiwan film fans. Topics include the following: Taiwan film history (explained as originating in mainland China until 1949, the year the mainland industry moved to Taiwan), Taiwan’s Golden Horse Film Awards, Taiwan’s documentary films, filmmaking, film directors, film stars, and film-related resources and organizations in Taiwan. Includes a filmography. CTFAL Chi

2480 Ma, Yaqi (Ma, Ya Chi). ެ઩⓭. Jin ma jiang dui Taiwan Hua yu ying pian xiao shou piao fang ying xiang zhi tan tao. ‫ެؖ‬؉х‫ݡ‬ஹ‫ؙܭܓ‬әઍତ‫ؙࠚܯ‬৘ҏ෬क़. 170 leaves. Note: Thesis (M.A.)—National Taiwan Normal University, 2002.

416

Film Festivals and Awards

2488

2483

2486

Xun zhao dian ying zhong de Taibei = Focus on Taipei through cinema 1950–1990 / Chen Ruxiu, Liao Jinfeng bian zhu. ଵ‫װ‬Ӈ‫ؙ‬Ѕϡ‫ = ܚݡ‬Focus on Taipei through cinema 1950–1990 / ಴ᭉࢗ, ᴰ‫ؖ‬ངഹЯ. Taibei: Wan xiang tu shu ge fen you xian gong si, 1995. 164 p. ISBN 9576697433 Note: This is a special bilingual (Chinese and English) publication for the Taipei film exhibit Focus on Taipei through Cinema, 1950–1990, and the 1990 Golden Horse Film Awards. Twelve Taipei-related films were selected for the exhibit, all of them produced from 1963 to 1990. Ten essays, which investigate these twelve films, focus on the subjects of Taipei’s film history, Taipei’s city image in Chinese films, the “Taipei experience” in Taiwanese-dialect films, aesthetic and comparative studies of Taiwanese and Mandarin films during the 1960s, Post-Taiwan New Cinema from the 1980s to the 1990s, a sociological study of portrayals of Taipei city through films from 1960 to 1990, depictions of Taipei youth, Taipei’s landscape of desire, and a comparative study of Taipei and Shanghai in Chinese cinema from the 1930s–1990s. Includes interviews, synopses, and an introduction of the contributors in the appendix. NTUL Chi Eng

Zhong wai dian ying jie dian ying jiang bo lan / Sun Yi deng bian. Ѕ֔ӈ‫ڝؙ‬ӈ‫ؙ‬؋ѕऊ / ྑᗥҳ൜. Changchun: Shi dai chu ban she, 1992. 266 p. ISBN 753870485X Note: An introduction to international film festivals and awards, including the Taiwan Golden Horse Film Festivals and Awards (pp. 221–222). Duxiu Chi

2487 Zhongguo dian ying jian shi—ju zhao pian / Di 26 jie Taibei Jin Ma guo ji ying zhan = Concise Chinese film chronicle: through still photographs / Zhonghua Minguo dian ying shi ye fa zhan ji jin hui dian ying zi liao guan. ЅлӇ‫ߢؙ‬੗—ঁؕࢡ / ҷ26โཅ‫ެؖܚ‬лগ‫ = ࣁؙ‬Concise Chinese film chronicle: through still photographs / Ѕ‫ھܓ‬лӇ‫ؙ‬Ѩ‫׬‬ч ࣁऴ‫ؖ‬ϾӇ‫ࢧޞؙ‬ఖ. Taibei: Zhonghua Minguo dian ying shi ye fa zhan ji jin hui dian ying zi liao guan, 1989. 155 p. Note: A bilingual (Chinese and English), concise Chinese film chronicle with a collection of related film stills and photos. A brief description of Chinese film history from 1921 to 1989, with a focus on concurrent film trends, can be found in Huang Ren’s essay, “The Development and Changes of the Chinese Cinema: A Look at Chinese Film History through the Last Decade.” Includes 120 film titles listed with credits, film poster or still, and production date. Post-1949 mainland Chinese films and film history are not included in this book. Published in commemoration of the Twenty-Sixth Taipei Golden Horse International Film Festival. CTFAL Chi Eng

2484 Yi jiu ba jiu Jin Ma guo ji guan mo ying zhan, 12.9–12.22, 1989 / Dian ying zi liao guan. ϣ॰ࡂ॰‫ެؖ‬лগ޲ಎ‫ࣁؙ‬, 12.9–12.22, 1989 / Ӈ‫ࢧޞؙ‬ఖ. Taibei: Dian ying zi liao guan, 1989. 162 p. Note: Published to celebrate the 1989 Golden Horse International Film Festival hosted by the Taiwan Film Library from December 9 to 22, 1989, this work includes the filmography of all participating films, including three Taiwanese-dialect films, one film by Edward Yang, and related reviews and interviews by film scholars and critics. NTUL Chi

2488 Zhou, Jufang (Chou, Chu-fan). ‫ر‬Ꮥᇙ. Ming cheng yu jia zhi: Jin Ma jiang (1962–2003) yin yue jiang xiang bian qian zhi yan jiu = Name and value: the study of the transition of the music award of Golden Horse Award (1962–2003). Ӝिӿ٢ߚ: ‫ެؖ‬؉(1962–2003) ‫ٸ‬Ӏ؉Ժቜҏ୳ૢ = Name and value: the study of the transition of the music award of Golden Horse Award (1962–2003). 128 leaves. Note: Thesis (M.A.)—National Cheng Kung University, 2005. Traces the development and transitions of music technology, values, and awards during the fortyyear history of the Golden Horse Awards. Notes connections between the technology of sound, its improvement over time, and its integration with film production, as well as the importance of music in Taiwan film production. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD (FT) Chi

2485 Yu, Yeying. ཡ‫⁒׬‬. Jin Ma xing zong san shi nian: li jie Jin Ma ying di hou de cang sang. ‫ެؖ‬լᏈѧ֐ё: ࣵโ‫ؙެؖ‬෌њϡፄᇤ. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1993. 324 p. ISBN 9571308706 Series title: Li shi yu xian chang; 47 ࣵ੗ӿѳԾ; 47 Note: A biographical work on the Golden Horse Best Actor and Actress Award winners from the First through the Twenty-Ninth Golden Horse Awards. The appendix includes a brief history of the Golden Horse Awards, List of Golden Horse Awards, and a bibliography. CTFAL Chi

417

Others

2489

hosted by Taipei Women’s Film Association from 1993 to 1998. The book shows fifty-six ways to look at these films about women and made by women. Includes a filmography and an introduction to the Taipei Women’s Film Association. NTUL Chi

2489 Zhonghua Minguo qi shi wu nian dian ying Jin Ma jiang = 1986 Golden Horse Awards. Ѕ‫ھܓ‬лࢳ֐ٚёӇ‫ެؙؖ‬؉ = 1986 Golden Horse Awards [Taibei: s.n], 1986. 32 p. Note: An introduction to the 1986 Motion Picture Golden Horse Awards in Taiwan. WorldCat Chi

2493 Nu xing, ying xiang, shu: cong nu xing yang zhan kan nu xing ying xiang zhi zai xian / She tuan fa ren Taiwan nu xing ying xiang xue hui zhu bian. ѽԛ, ‫ؙ‬Ռ, ‫ڣ‬: ԩѽԛ‫ࣁؙ‬Ѓѽԛ‫ؙ‬ՌҏӐѳ / घ֚ࣗϪ‫ݡ‬ஹѽ ԛ‫ؙ‬ՌѹϾҰഹ. Taibei: Shu lin chu ban you xian gong si, 2006. 305 p. ISBN 9574451607 Series title: Dian ying yuan; F3 Ӈ‫ؙ‬ᮛ; F3 Note: A collection of introductions to, and discussions of, women directors and their works over six Women Make Waves Film Festivals in Taiwan (2000–2005). Includes three parts: Part 1, International Female Directors; Part 2, Taiwan Female Directors; and Part 3, Explore the Topics. Essays that study Taiwan women film directors and their works are mainly in Parts 2 and 3. The appendix includes a bibliography and film lists from the First to Twelfth Women Make Waves Film Festivals (1993–2005). CTFAL Chi

2490 Zhonghua Minguo qi shi yi nian Jin Ma jiang guo ji dian ying zhan / Zhu ban dan wei: Zhonghua Minguo dian ying shi ye fa zhan ji jin hui; Zong bian ji: Xu Ligong; Bian ji: Chen Guofu, Huang Jianye. Ѕ‫ھܓ‬лࢳ֐ϣё‫ެؖ‬؉лগӇ‫ ࣁؙ‬/ Ұ‫֧؁ދ‬: Ѕ‫ھܓ‬лӇ‫ؙ‬ Ѩ‫׬‬чࣁऴ‫ؖ‬Ͼ; րഹফ: ጝ߹‫ ;ۋ‬ഹফ: ಴лࣥ, ࢶࠃ‫׬‬. Taibei: Zhonghua Minguo dian ying shi ye fa zhan ji jin hui, 1982. 147 p. Note: An introduction to the Golden Horse Award films in 1982. WorldCat Chi

10.6.3 Golden Harvest Awards for Outstanding Short Films, 1978– 2491 Di 31 jie jiang li you liang ying xiang chuang zuo Jin Sui Jiang ru wei zuo pin te kan = The 31st Golden Harvest Awards for Outstanding Short Films / bian yin zhe guo jia dian ying zi liao guan. ҷ31 โ؉ಽ‫ݿ‬મ‫ؙ‬Ռࡶӑ‫ؖ‬‱؉ՊࣹӑԘ‫ئ‬ᑂ = The 31st Golden Harvest Awards for Outstanding Short Films / ഹ୅‫ٷ‬лрӇ‫ޞؙ‬ ࢧఖ. Taibei: Guo jia dian ying zi liao guan, 2009. 94 p. Note: Includes a filmography of the selected film entries for the Golden Harvest Awards for Outstanding Short Films, an introduction of film director Wei Te-sheng, and comments by members of the award selection committee. NTUL Chi

10.6.4

2494 You, Tingjing. ղᑢ෧. Ning shi yu dui wang: duan ni jiu shi nian dai Taiwan nu xing dian ying yuan mao = To gaze and be gazed at: Rediscovering the true faces of Taiwanese woman-made films in the 1990s. ፝؆ӿхֳ: ઉ❖॰֐ё‫ݡڊ‬ஹѽԛӇ‫֍ؙ‬൯ = To gaze and be gazed at: Rediscovering the true faces of Taiwanese woman-made films in the 1990s. Taibei: Xinzhu shi wen hua ju, 2005. 207 p. ISBN 9860042152 Series title: Zhu qian wen hua zi chan cong shu; 281 ኵ∔ҹ٩‫ݗޞ‬ᜣ‫ ;ڣ‬281 Note: Based on the author’s master’s thesis, this work reviews Taiwan films (including fiction, documentary, experimental, and animation) directed by women directors in the 1990s. Includes both image analysis and a discussion of film content in terms of aesthetics, auteur theory, and feminist literary theory. Divided into two parts: Part 1 describes women who have directed commercial films since the 1980s and analyzes their films; Part 2 focuses on independent Taiwan women directors and their films since the 1990s as well as the independent filmmaking environment in Taiwan. The author points out that independent female filmmakers enjoy a greater freedom in creation than their female colleagues directing commercial films and that a high

Women Make Waves Film Festival, 1993–

2492 Ning shi nu xiang: 56 zhong yue du nu xing ying zhan de fang fa / Chen Ruxiu, Huang Huimin, Zheng Yujing bian. ፝؆ѽՌ: 56 ҆་ࢵѽԛ‫ࣁؙ‬ϡҤ֚ / ಴ᭉࢗ, ࢶ௑์,ቼർ᪦ഹ. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 1999. 314 p. ISBN 9573238837 Series title: Dian ying guan; 87 Ӈ‫ؙ‬ఖ; 87 Note: Reviews of films shown during six annual International Women Make Waves Film Festivals in Taipei,

418

Film Festivals and Awards

2499

percentage of films directed by women are independently produced. Includes a bibliography and an appendix containing a list of female directors who directed commercial films and received government’s subsidies; a list of female directors, each of whom has at least two films entered into women’s film festivals; information about the hosting organizations of Women Make Waves Film Festival; statistical charts of documentary, fiction, animated, and experimental films shown during women’s film festivals, the list of interviewees, and a filmography. NTUL Chi

10.6.5

ISBN 9571308730 Series title: Ren jian cong shu; 202 ϪҼᜣ‫ ;ڣ‬202 Note: Introduces the Taibei Film Award (ཅ‫ܚ‬Ӈ‫ؙ‬؉, the forerunner to the Taipei Film Festival) in 1993 and presents award-winning films from Taiwan and Hong Kong. Two categories of films were considered for awards: commercial films and noncommercial films. In the preface, the editor mentions that 1993 marked the second year in which films from mainland China were recommended for awards; however, there were problems with selecting and acquiring copyrights for the mainland Chinese films. Includes photos, film stills, and a 1993 Hong Kong and Taiwan film index. CTFAL Chi

Taipei Film Festival and Awards, 1998–

2495 2498

2000 Taiwan dian ying wen hua di tu / Taibei shi zheng fu, Cai tuan far en guo jia dian ying zi liao guan ce hua. 2000 ‫ݡ‬ஹӇ‫ؙ‬ҹ٩с֖ / ‫ूصܚݡ‬௞, ੠֚ࣗϪлрӇ‫ࢧޞؙ‬ఖ ೫੿. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 2001. 268 p. ISBN 9573243849 Series title: Dian ying guan; 96 Ӈ‫ؙ‬ఖ; 96 Note: An introduction to the Third Taipei Film Festival hosted by the Taipei Municipal Government and the Chinese Taipei Film Archive in 2000. Describes how award-winning films are selected; presents essays on contemporary Chinese films in Taiwan, Hong Kong, and mainland China; and contains brief biographies of the film award judges. CTFAL Chi

Dang dai Zhongguo dian ying: 1994 / Huang Wulan zhu bian. Ԅ‫ڊ‬ЅлӇ‫ؙ‬: 1994 / ࢶ循ᘈҰഹ. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1994. 309 p. ISBN 9571314919 Series title: Ren jian cong shu; 217 ϪҼᜣ‫ ;ڣ‬217 Note: Introduces the 1994 (Seventh) Taibei Film Award (ཅ ‫ܚ‬Ӈ‫ؙ‬؉, the forerunner to the Taipei Film Festival) and discusses the award-winning films from Taiwan, Hong Kong, and mainland China. Includes photos, film stills, and a 1994 film index. NTUL Chi

2499 Dang dai Zhongguo dian ying: 1995–1997 / Zhu bian: Huang Wulan. Ԅ‫ڊ‬ЅлӇ‫ؙ‬: 1995–1997 /Ұഹ: ࢶ循ᘈ. Taibei: Shi bao wen hua chu ban qi ye gu fen you xian gong si, 1998. 329 p. ISBN 9571325236 Series title: Shi bao shu xi; 679 Ж‫ ;ڍڣڻ‬679 Note: Introduces the 1997 Taibei Film Award (ཅ‫ܚ‬Ӈ‫ؙ‬؉, the forerunner to the Taipei Film Festival), with the same series title as the 1994 publication. The text differs, however, from the 1994 publication in interesting ways. In terms of additions, Taiwan and Hong Kong film scholars report on the films from Taiwan, Hong Kong, and mainland China; review important films from 1995 to 1997; and introduce five contemporary Taiwan and Hong Kong directors. In terms of differences, mainland Chinese films did not participate in the Taipei Film Awards, notably this occurred when proindependence R.O.C. President Chen Shuibian was in office—interestingly, he provides the preface of the book—and the final film catalog includes only Taiwan and Hong Kong films. Includes the 1995–1997 Hong Kong and Taiwan film catalogs. CTFAL Chi

2496 Dang dai Gang Tai dian ying: 1988–1992 / Huang Wulan zhu bian. Ԅ‫ڊ‬୯‫ݡ‬Ӈ‫ؙ‬: 1988–1992 / ࢶ循ᘈҰഹ. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1992. 2 v. ISBN 9571305553, 9571305561, 957130557X Series title: Ren jian cong shu; 187–188 ϪҼᜣ‫ ;ڣ‬187–188 Note: Introduces the Taibei Film Award (ཅ‫ܚ‬Ӈ‫ؙ‬؉, the forerunner to the Taipei Film Festival) from 1988 to 1992 and presents award-winning films from Taiwan and Hong Kong. Two categories of films were considered for awards: commercial films and noncommercial films. Includes an annual film report for each year, photos, film stills, and posters. CTFAL Chi

2497 Dang dai Gang Tai dian ying: 1993 / Huang Wulan zhu bian. Ԅ‫ڊ‬୯‫ݡ‬Ӈ‫ؙ‬: 1993 / ࢶ循ᘈҰഹ. Taibei: Shi bao wen hua chu ban qi ye you xian gong si, 1993. 226 p.

419

Others

2500 Note:

2500 Dang dai Zhongguo dian ying: 1998 / Zhu bian: Huang Wulan. Ԅ‫ڊ‬ЅлӇ‫ؙ‬: 1998 /Ұഹ: ࢶ循ᘈ. Taibei: Shi bao wen hua chu ban qi ye gu fen you xian gong si, 1999. 256 p. ISBN 9571328464 Series title: Shi bao shu xi; 681 Ж‫ ;ڍڣڻ‬681 Note: Introduces the 1998 Taibei Film Award (ཅ‫ܚ‬Ӈ‫ؙ‬؉, the forerunner to the Taipei Film Festival), with the same series title as the 1994 publication. Taiwan, Hong Kong, and mainland China film scholars report on the films from Taiwan, Hong Kong, and mainland China; review important films of 1998; and list award-winning films of 1998. Mainland China film returned to the event in 1998, after not participating in 1997. Includes the 1998 Hong Kong, Taiwan, and mainland China film catalogs. CTFAL Chi

This bilingual (Chinese and English) work was published for the First and Second Taiwan International Documentary Festivals, 1998–2000. Includes the festival program and introductions to the presented films, award winners, and indexes of the films and directors. CTFAL Chi Eng

2503 Taiwan guo ji ji lu pian shuang nian zhan (2002): “Zai jian, Taiwan ji qing nian dai” zhuan an jie an bao gao shu / Xing zheng yuan wen hua jian she wei yuan hui zhu ban; Zhonghua Minguo ying xiang yun dong xie hui xie ban. ‫ݡ‬ஹлগઔ࠷ә‫ד‬ёࣁ (2002): “ӐԊ, ‫ݡ‬ஹࢫєё‫֟ ”ڊ‬ଈְଈ ‫ ڣݍڻ‬/ Ҳूࡨҹ٩ࠃ‫ޗ‬ణ‫؂‬ϾҰ‫ ;ދ‬Ѕ‫ھܓ‬л‫ؙ‬Ռ‫ػ‬ҁ൒Ͼ൒ ‫ދ‬. Taibei: Zhonghua Minguo ying xiang yun dong xue hui, 2003. 2003 p. Note: A government report on hosting the Taiwan International Documentary Festival in 2002. CTFAL Chi

2501

2504

Zhu meng zhe de shi ji mo guang ying: 1999 nian du dian ying guan cha / Taibei shi zheng fu, Cai tuan far en guo jia dian ying zi liao guan ce hua. နْ‫ٷ‬ϡԒઔઃ‫ׇؙ‬: 1999ё֏Ӈ‫޲ؙ‬ൌ / ‫ूصܚݡ‬௞, ੠֚ࣗϪ лрӇ‫ࢧޞؙ‬ఖ೫੿. Taibei: Yuan liu chu ban shi ye gu fen you xian gong si, 2000. 280 p. ISBN 957323940X Series title: Dian ying guan; 88 Ӈ‫ؙ‬ఖ; 88 Note: Introduces the Second Taipei Film Festival and Taipei Award competition hosted by the Taipei Municipal Government and the Chinese Taipei Film Archive in 1999. Describes the process for selecting awardwinning films and presents papers on contemporary Chinese films in Taiwan and Hong Kong. Includes two parts: Recommended Commercial Films and Independent Creation Competition. Includes brief biographies of the film award judges. CTFAL Chi

Taiwan guo ji ji lu pian shuang nian zhan (3 jie) = Taiwan international documentary festival (2002) / Zhonghua Minguo ying xiang yun dong xie hui. ‫ݡ‬ஹлগઔ࠷ә‫ד‬ёࣁ (3โ) = Taiwan international documentary festival (2002) / Ѕ‫ھܓ‬л‫ؙ‬Ռ‫ػ‬ҁ൒Ͼ. Taibei: Zhonghua Minguo ying xiang yun dong fa zhan xie hui, 2002. 1 v. Note: This bilingual (Chinese and English) work was published for the Third Taiwan International Documentary Festival, 2002. Includes festival program and introductions to the presented films, award winners, and indexes of the films and directors. CTFAL Chi Eng

2505 Taiwan guo ji ji lu pian shuang nian zhan (4–5 jie) = Taiwan international documentary festival (2004–2006) / Xing zheng yuan wen hua jian she wei yuan hui zhu ban. ‫ݡ‬ஹлগઔ࠷ә‫ד‬ёࣁ (4–5 โ) = Taiwan international documentary festival (2004–2006) / Ҳूࡨҹ٩ࠃ‫ޗ‬ణ‫؂‬ϾҰ‫ދ‬. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 2006. 1 v. Note: This bilingual (Chinese and English) work was published for the Fourth and Fifth Taiwan International Documentary Festivals, 2004–2006. Includes festival program and introductions to the presented films, award winners, and indexes of the films and directors. CTFAL Chi Eng

10.6.6 Taiwan International Documentary Festival, 1998– 2502 Taiwan guo ji ji lu pian shuang nian zhan (1–2 jie) = Taiwan international documentary festival (1998–2000) / Zhonghua Minguo ji lu pian fa zhan xie hui. ‫ݡ‬ஹлগઔ࠷ә‫ד‬ёࣁ (1–2 โ) = Taiwan international documentary festival (1998–2000) / Ѕ‫ھܓ‬лઔ࠷әчࣁ൒Ͼ. Taibei: Taiwan mei xue guo ji wen hua shi ye bu fen you xian gong si, 2000. 1 v.

420

Film Festivals and Awards

2511 Taibei: Taiwan min zu zhi ying xiang xue hui, 2005. 167 p. Note: A bilingual (Chinese and English) publication for the Third Taiwan International Ethnographic Film Festival: Family Variations, September 30–October 4, 2005. Includes a program for the Crossing Culture Visual Communication International Forum, articles on the directors and their films (including twelve Taiwan films), synopses of the films, and the festival schedule. NTUL Chi Eng

2506 Taiwan guo ji ji lu pian shuang nian zhan (6 jie) = Taiwan international documentary festival (2008) / Xing zheng yuan wen hua jian she wei yuan hui zhu ban. ‫ݡ‬ஹлগઔ࠷ә‫ד‬ёࣁ (6 โ) = Taiwan international documentary festival (2008) / Ҳूࡨҹ٩ࠃ‫ޗ‬ణ‫؂‬ϾҰ‫ދ‬. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 2008. 1 v. Note: This bilingual (Chinese and English) work was published for the Sixth Taiwan International Documentary Festival, 2008. Includes festival program and introductions to the presented films, award winners, and indexes of the films and directors. CTFAL Chi Eng

2510 Di yi jie min zu zhi ying zhan xun yan ji “Ying xiang zhong de zu qun wen hua” yan xi ying yan xi shou ce / Taiwan min zu zhi ying xiang xue hui. ҷϣโ‫ھ‬ఓ௨‫ࣁؙ‬፶ࠟ᠕ “‫ؙ‬ՌЅϡఓळҹ٩”୳‫܄୳ॺ܄‬Ѳೠ / ‫ݡ‬ஹ‫ھ‬ఓ௨‫ؙ‬ՌѹϾ. Taibei: Taiwan min zu zhi ying xiang xue hui, 2002. 38 p. Note: A manual for the Ethnic Culture in Film Images study camp hosted by the Taiwan Association of Visual Ethnography during the first Taiwan International Ethnographic Film Festival Touring Exhibition from April 13 to June 2, 2002. Includes a collection of articles by Taiwan scholars on ethnographic films shown during the festival, a study camp program and schedule, and synopses (in both Chinese and English) of sixteen films shown during the festival and study camp, including four Taiwan films. NTUL Chi Eng

2507 Taiwan guo ji ji lu pian shuang nian zhan (7 jie) = Taiwan international documentary festival (2010) / Xing zheng yuan wen hua jian she wei yuan hui zhu ban. ‫ݡ‬ஹлগઔ࠷ә‫ד‬ёࣁ (7 โ) = Taiwan international documentary festival (2010) / Ҳूࡨҹ٩ࠃ‫ޗ‬ణ‫؂‬ϾҰ‫ދ‬. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 2010. 1 v. Note: This bilingual (Chinese and English) work was published for the Seventh Taiwan International Documentary Festival, 2010. Includes festival program and introductions to the presented films, award winners, and indexes of the films and directors. CTFAL Chi Eng

2511 Taiwan guo ji min zu zhi ying zhan: 2001 dao yu lian xian = Taiwan International Ethnographic Film Festival: 2001 Island Odyssey / Zhu ban dan wei Taiwan min zu zhi ying xiang xue hui. ‫ݡ‬ஹлগ‫ھ‬ఓ௨‫ࣁؙ‬: 2001ޯᓊ‫ۀ‬۷ = Taiwan International Ethnographic Film Festival: 2001 Island Odyssey / Ұ‫ݡ֧؁ދ‬ஹ‫ھ‬ఓ ௨‫ؙ‬ՌѹϾ. Taibei: Taiwan min zu zhi ying xiang xue hui, 2001. 103 p. Note: This bilingual (Chinese and English) work was published for the premier Taiwan International Ethnographic Film Festival: 2001 Island Odyssey, hosted by the Taiwan Association of Visual Ethnography in 2001. Includes five parts: Retrospective, Orchid Island in Focus, Island Odyssey-International, Island Odyssey-Domestic, and New Vision. Each part contains an Introduction, Synopsis, and Filmography. Eleven ethnographic films made in Taiwan are introduced in the book, the following five are about Orchid Island under “Orchid Island in Focus”: Lanyu guan dian = Voices of Orchid Island / Hu Taili (Hu Tai-Li) / 1993, Xia wu fan de cai = Dishes of an afternoon meal / Huang Qimao (Huang Chi-Mao) / 1996, Fei yu ji = Rayon / Lin Jianxiang (Lin JianChiang) / 1997, Qingwen bu zai jia = Libangbang: Ching-Wen’s not home / Guo Zhendi (Kuo Chen-Ti) / 2000, Mian dui e ling = And deliver us from evil / Zhang Shulan (Si-Manirei) / 2001. The following six are about the Taiwan Island under “Island Odyssey-Domestic”:

2508 Taiwan guo ji ji lu pian shuang nian zhan (di 8 jie) = 2012 8th Taiwan international documentary festival / Zhu ban dan wei: Guo li Taiwan mei shu guan. ‫ݡ‬ஹлগઔ࠷ә‫ד‬ёࣁ (ҷ8 โ) = 2012 8th Taiwan international documentary festival / Ұ‫֧؁ދ‬: л߹‫ݡ‬ஹѤफఖ. Taibei: Guo li Taiwan mei shu guan, 2012. 176 p. Note: This bilingual (Chinese and English) work was published for the Eighth Taiwan International Documentary Festival, 2012. Includes festival program and introductions to the presented films, award winners, and indexes of the films and directors. CTFAL Chi Eng

10.6.7 Taiwan International Ethnographic Film Festival, 2001– 2509 2005 Taiwan guo ji min zu zhi ying zhan: Jia de bian zou = Taiwan International Ethnographic Film Festival: Family Variations / Zhu ban dan wei Taiwan min zu zhi ying xiang xue hui. 2005 ‫ݡ‬ஹлগ‫ھ‬ఓ௨‫ࣁؙ‬: рϡԺᄊ = Taiwan International Ethnographic Film Festival: Family Variations / Ұ‫ݡ֧؁ދ‬ஹ‫ھ‬ఓ௨ ‫ؙ‬ՌѹϾ.

421

Others

2511a Tian di ping an = Heavenly peace in small town / Cao Wenjie (Tsao Wen-Chieh) / 2001, Liang an di er chun = The second spring of the strait / Dong Zhengliang (Dong Cheng-Liang) / 2000, Mo dai tou mu = The last chieftain / Li Daoming (Lee Daw-Ming) / 1999, Guan jun zhi hou = After championship / Cao Wenzhen (Tsao Wen-Chen) / 2000, Wang yi Qiuyan = She sometimes a god / Jiang Meiru (Chiang Mei-ju) / 1999, and Chang zhong wu chun qiu: Taiwan bu dai xi = Theater in the palm of your-glove puppetry in Taiwan / Yu Kanping (Yu Kan-ping) / 2001. NTUL Chi Eng

Note:

2513 Taiwan guo ji dong hua ying zhan (di er, san jia) = Taiwan International Animation Festival (2004–2005) / Guo jia dian ying zi liao guan zhu ban. ‫ݡ‬ஹлগҁޫ‫( ࣁؙ‬ҷԏ, ѧโ) = Taiwan International Animation Festival (2004–2005) / лрӇ‫ࢧޞؙ‬ఖҰ‫ދ‬. 1 v. Taipei: Guo jia dian ying zi liao guan, 2005. Note: This bilingual (Chinese and English) work was published for the Second and Third Taiwan International Animation Festivals, 2004–2005. Includes the festival program, introduction to the presented films, award winners, and indexes of the films and directors. CTFAL Chi Eng

2511a Taiwan guo ji min zu zhi ying zhan: 2003 qian xi de gu shi = Taiwan International Ethnographic Film Festival: Migration story / Taiwan min zu zhi ying xiang xue hui zhu ban. ‫ݡ‬ஹлগ‫ھ‬ఓ௨‫ࣁؙ‬: 2003 ቜ⃼ϡ‫ݞ‬Ѩ = Taiwan International Ethnographic Film Festival: Migration story / ‫ݡ‬ஹ‫ھ‬ఓ௨‫ؙ‬ՌѹϾ Ұ‫ދ‬. Taibei: Taiwan min zu zhi ying xiang xue hui, 2003. 98 p. Note: This bilingual (Chinese and English) work was published for the second Taiwan International Ethnographic Film Festival: 2003 Migration Story, hosted by the Taiwan Association of Visual Ethnography in 2003. Includes four parts: Retrospective, Migration Story-Beyond Island, Migration Story-Taiwan, and New Vision. Each part contains an Introduction, Synopsis, and Filmography. Seven ethnographic films made in Taiwan are introduced in Migration Story-Taiwan: E.T. Yue qiu xue yuan = Experimental Taiwanese moon academy / Wu Misen (Wu, Mi-sen) / 2003, Xiang yao you ge jia-cheng shi bian yuan bu luo = Dreaming of home-Marginal tribe of the city / Cao Wenjie (Tsao, Wen-chieh) / 1997, Wo de Qiannawei = My imported wife / Cai Conglong (Tsai, Tsung-lung) / 2003, Bei jing li xiang qu da gong = Shattered dreams / Li Daoming (Lee, Daw-ming) / 2003, Kan shan de ren-Xiongjiao keng zhi ge = Mountain keepers-Song of Chong Giao Keng / Chen Rongxian (Chen, Rong-shien) / 1999, Lai qu Dachen = Come and go, Island of Tachen / Mayao Bihong (Mayaw Biho) / 2002, and Xian dao 184 zhi dong-Jiao gong yue dui Yanlou chang ge = County Road 184 / He Zhaoti (Ho, Choa-ti) / 2001. NCL Chi Eng

10.6.8

This bilingual (Chinese and English) work was published for the First and Second Taiwan International Animation Festivals, 2003–2004. Includes the festival program, introduction to the presented films, award winners, and indexes of the films and directors. CTFAL Chi Eng

2514 Taiwan guo ji dong hua ying zhan (di si, wu jia) = Taiwan International Animation Festival (2006–2007) / Guo jia dian ying zi liao guan zhu ban. ‫ݡ‬ஹлগҁޫ‫( ࣁؙ‬ҷ‫ף‬, ٚโ) = Taiwan International Animation Festival (2006–2007) / лрӇ‫ࢧޞؙ‬ఖҰ‫ދ‬. 1 v. Taipei: Guo jia dian ying zi liao guan, 2007. Note: This bilingual (Chinese and English) work was published for the Fourth and Fifth Taiwan International Animation Festivals, 2006–2007. Includes the festival program, introduction to the presented films, award winners, and indexes of the films and directors. CTFAL Chi Eng

2515 Taiwan guo ji dong hua ying zhan (di si jia) = Taiwan International Animation Festival (2006) / Guo jia dian ying zi liao guan zhu ban. ‫ݡ‬ஹлগҁޫ‫( ࣁؙ‬ҷ‫ף‬โ) = Taiwan International Animation Festival (2006) / лрӇ‫ࢧޞؙ‬ఖҰ‫ދ‬. 1 v. Taipei: Guo jia dian ying zi liao guan, 2006. Note: This bilingual (Chinese and English) work was published for the Fourth Taiwan International Animation Festival, 2006. Includes the festival program, introduction to the presented films, award winners, and indexes of the films and directors. CTFAL Chi Eng

Taiwan International Animation Festival, 2003–

2512 Taiwan guo ji dong hua ying zhan (di yi, er jia) = Taiwan International Animation Festival (2003–2004) / Guo jia dian ying zi liao guan zhu ban. ‫ݡ‬ஹлগҁޫ‫( ࣁؙ‬ҷϣ, ԏโ) = Taiwan International Animation Festival (2003–2004) / лрӇ‫ࢧޞؙ‬ఖҰ‫ދ‬. 1 v. Taipei: Guo jia dian ying zi liao guan, 2004.

422

Film Industry

2520

2516

2519

Taiwan guo ji dong hua ying zhan (di wu jia) = Taiwan International Animation Festival (2007) / Guo jia dian ying zi liao guan zhu ban. ‫ݡ‬ஹлগҁޫ‫( ࣁؙ‬ҷٚโ) = Taiwan International Animation Festival (2007) / лрӇ‫ࢧޞؙ‬ఖҰ‫ދ‬. 1 v. Taipei: Guo jia dian ying zi liao guan, 2007. Note: This bilingual (Chinese and English) work was published for the Fifth Taiwan International Animation Festival, 2007. Includes the festival program, introduction to the presented films, award winners, and indexes of the films and directors. CTFAL Chi Eng

10.6.9

Chen, Jingfeng. ಴࢓๢. Guo fu dui Taiwan dian ying chan ye de chu li ce lue (1945–1949). л௞х‫ݡ‬ஹӇ‫׬ݗؙ‬ϡ‫؛‬ԑ೫ଯ (1945–1949). 250 leaves. Note: Thesis (M.A.)—National Central University, 2001. This paper studies how Taiwan’s film industry was managed during the political struggle between Taiwan Governor Chen Yi and the KMT CC Clique after retrocession from 1945 to 1949. The author points out that Chen Yi’s aim was to manage the film industry with a profit-oriented, loss-control policy, in contrast to the CC Clique’s intention to manage the film industry with absolute control, using film as an arm of the government’s propaganda, education, and ideological machinery. Thus, it is apparent that Taiwan’s film industry developed from the beginning as a site of political struggle, dependent on government policy. Includes five chapters: Chapter 1, Government’s Attitude Towards Taiwan Film Industry; Chapter 2, Process of Appropriating the Taiwan Film Industry; Chapter 3, Factional Struggle in Taiwan Film Industry; Chapter 4, Management and Censorship in Film Industry; and Chapter 5, Profit and Propaganda of Film Industry. Includes a bibliography and official documents. NCL Chi

New Talents, Young Cinema Film Festival, 2004–

2517 Xin dao yan Tailly High ying zhan = New talents, young cinema / Ce hua zhi xing dan wei: Taiwan dian ying wen hua xie hui. Ј࣒ࠟTailly High ‫ = ࣁؙ‬New talents, young cinema / ೫੿వҲ‫؁‬ ֧: ‫ݡ‬ஹӇ‫ؙ‬ҹ٩൒Ͼ. Taibei: Taiwan dian ying wen hua xie hui, 2004. 139 p. Note: A special publication for the New Talents, Young Cinema film festival hosted by the Taiwan Film and Culture Association from August 8 to October 10, 2004, in Taipei, Kaohsiung, and Hsinchu. Includes schedule, ticketing and seminar information, synopses of 117 films by new and upcoming Taiwan film directors and stars, and twenty films by young directors from mainland China, Hong Kong, Japan, Korea, and other Asian countries. Includes an index of titles. CTFAL Chi

10.7

2520 Curtin, Michael. Playing to the world’s biggest audience: the globalization of Chinese film and TV. Berkeley and Los Angeles: University of California Press, 2007. 341 p. ISBN 9780520251335 (cloth: alk. paper), 9780520251342 (pbk.: alk. paper) Note: Michael Curtin’s text, Playing to the World’s Biggest Audience: The Globalization of Chinese Film and TV examines the shifting dynamics of film and television industries in an era of global connectivity. Although the historical breadth of the project considers the early filmic entertainment industries in China, Taiwan, Hong Kong, and Singapore, it focuses on the “dramatic changes that have occurred since the 1980s with the end of the Cold War, the rise of the World Trade Organization, the modernization policies of the PRC, the end of martial law in Taiwan, the transfer of Hong Kong to Chinese sovereignty, the high-tech liberalization of Singapore, the rise of consumer and youth cultures across the regions, and the growing wealth and influence of overseas Chinese in such cities as Vancouver, London, and Kuala Lumpur” (p. 3). This book focuses on the challenge of globalization during the 1990s and early 2000s, confronts the idea that Hollywood hegemony will last indefinitely, and considers globalized Chinese media enterprises that faced a slower pace of expansion in wake of the financial crisis of 1997 and the burst of the dotcom bubble in 2000. In short, the text discusses how commercial media

FILM INDUSTRY

2518 Chen, Hongmi (Chen, Hung-mi). ಴ᅋܶ. Quan qiu hua zhi xia de Taiwan dian ying chan ye fa zhan ce lue = The development strategy of Taiwanese film industry under globalization. Ҫ‫ܧ‬٩ҏЎϡ‫ݡ‬ஹӇ‫׬ݗؙ‬чࣁ೫ଯ = The development strategy of Taiwanese film industry under globalization. 120 leaves. Note: Thesis (M.A.)—National Sun Yat-Sen University, 2004. Compares various national film industries to provide a development strategy for Taiwan’s film industry during globalization. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

423

Others

2521 enterprises—and at times the text addresses state media in the PRC—adjusts and shifts to the social and institutional dynamics of the new millennium. Includes a broad historical synopsis of the Shaw Brothers Studio (Chapter 1), a study of Hollywood’s saturation of Taiwan’s film market (Chapter 4), and an account of the current cooperation between mainland China and Taiwan (Chapter 6). Includes industry interviews, notes, a bibliography, and an index. WorldCat Eng

who’s who and what’s what of the East Asia cinema industry; yet, as the book also makes clear, the authors recognize that the film industry changes quickly. WorldCat Eng

2523 Guan, Qingcheng. ‫ܥ‬দю. Zhonghua Minguo dian ying she ye gai kuang = An overview of the Chinese film industry. Ѕ‫ھܓ‬лӇ‫ؙ‬Ѩ‫׬‬มୄ = An overview of the Chinese film industry. Taibei: Kuang hua chu ban you xian gong si, 1991. 44 p. Note: A government-issued overview of the Chinese film industry in Taiwan, Hong Kong, and mainland China. WorldCat Chi Eng

2521 Da zao ying yin chan ye 101: mei ti wen hua chan ye / tou zi jiang li yu fu dao cuo shi / Weng Guitang cong bian ji. Ӌ߃‫ ׬ݗٸؙ‬101: ෪Ղҹ٩‫ ׬ݗ‬/ ‫ޞۄ‬؉ಽӿᔆ࣒ᇯැ / ᙋᄉஇ ๻ഹফ. Taibei: Xing zheng yuan xin wen ju, 2004. 124 p. ISBN 9570197021 Note: Part I of this document explains seventeen advisory and subsidy measures for the film industry. The document’s purpose is to present official updates regarding advisory and subsidy measures and regulations. It is published by the Government Information Office, part of the Executive Yuan, which oversees Taiwan’s film, television, radio, and audiovisual publication industry. NTUL Chi

2524 Hong, Chengxiao. ᖻ஧ᖮ. Taiwan dian ying chan ye zhi zhi shi cai chan shang pin hua yan jiu = A study on the commercialization of the intellectual property of Taiwan film industry. ‫ݡ‬ஹӇ‫׬ݗؙ‬ҏҌࡦ੠‫࠱ݗ‬Ԙ٩୳ૢ = A study on the commercialization of the intellectual property of Taiwan film industry. 156 leaves. Note: Thesis (M.A.)—National Chengchi University, 2009. Notes that the Cape No. 7 film production team, just like many current productions, did not actively commercialize the intellectual property (IP) of the film. Thus, this paper clarifies the commercial relationship between a film’s box office performance and the value of IP applications. Recommends innovative ways to use IP in the Taiwan film industry. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

2522 Davis, Darrell Williams. East Asian screen industries / Darrell Williams; Emilie Yueh-yu Yeh. London: British Film Institute, 2007. 192 p. ISBN 9781844571802 (hbk.), 1844571807 (hbk.), 9781844571819 (pbk.), 1844571815 (pbk.) Note: 9781844571802 (hbk.), 1844571807 (hbk.), 9781844571819 (pbk.), 1844571815 (pbk.) Note: East Asian Screen Industries is situated at the forefront of current trends in film studies. It not only recognizes the continuing importance of national policy and identity in the production of the film image, but also observes the regional connections among Korea, Japan, China, Taiwan, and Hong Kong that must be factored into a present-day consideration of film in the region. Specifically, Davis and Yeh focus on the ways deregulation—that is, the abandonment of protectionist measures, such as government-imposed quotas and tax barriers—has led to the influx of Hollywood film in East Asia. This, in turn, challenged local industries and also provided an opportunity for various film industries to restructure and reconsider industrial practices in a make or break effort to maintain their vitality despite the obstacles—whether they are institutional, economical, or political. Davis and Yeh describe East Asia’s vibrant and energetic market with a series of case studies and examples. Their close readings of key films and examples of key film personnel are concise and informative. Thus, this text reads as a current

2525 Hu, Jason C. An overview of the Chinese film industry. Taibei: Government Information Office, 1995. 55 p. Note: A brochure issued by the Taiwanese government that provides an overview of the Chinese film industry in Taiwan, Hong Kong, and mainland China. WorldCat Eng

2526 Hua yu dian ying gong ye: fang fa yu li shi de xin tan suo / Ye Yueyu bian. ‫ܬܗ‬ӈ‫׭ؙ֞‬䩭Ҥ֚ԁࣄ੗ϡЈ෬౱ / ౘ֊ᒶ൜. Beijing: Beijing da xue chu ban she, 2011. 450 p. ISBN 9787301196410 Note: A collection of essays focusing on the study of the Chinese film industry in mainland China, Hong Kong, and Taiwan during different time periods. Three essays, one

424

Film Industry

2530 written by Ru-shou Robert Chen, focus on the Taiwan film industry. Includes a bibliography, authors’ biographies, and an index. WorldCat Chi

on p. 331, but the table of contents notes that it starts on p. 329; (2) poor content organization—for example, Chapters 11–21 in Vol. 2 are not connected cohesively; and (3) the text does not contain a complete bibliography, filmography, or indexes, except for inconsistent bibliographical materials included at the end of selected chapters. Thus, it is difficult to recommend this text as reference material, even though it contains important historical information. Includes some bibliographic information at the end of selected chapters; and film stills, posters, and photos. WorldCat Chi

2527 Huang, Junqi (Huang, Yun-chi). ࢶ୐⓱. Taiwan dian ying gao deng jiao yu yu dian ying chan ye hu dong zhi yan jiu: yi Shixin da xue yu Guo li Taiwan yi shu da xue wei li = A study of correlation between Taiwan’s film high education and film industry: using Shih Hsing and National Taiwan University of Arts as study cases. ‫ݡ‬ஹӇ‫ؙ‬ҙҳ‫ڌ‬ड़ӿӇ‫׬ݗؙ‬ૠҁҏ୳ૢ: йԒЈϽѹӿл߹‫ݡ‬ ஹਲफϽѹЊຎ = A study of correlation between Taiwan’s film high education and film industry: using Shih Hsing and National Taiwan University of Arts as study cases. 342 leaves. Note: Thesis (M.A.)—Shih Hsin University, 2003. This research paper analyzes the educational strategies used by the higher education system in Taiwan at Shih Hsin and National Taiwan University of Arts to educate Taiwan’s next generation of film professionals. Uses data analysis, intensive interviews, and focus group interviews to collect and analyze data. Encourages competition between universities with film programs and collaboration between institutions of higher education and the film industry. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD (FT) Chi

2529 Huang, Shikai. ࢶஉᏎ. Yi jiu jiu ling nian dai Taiwan dian ying gong ye de zheng zhi jing ji fen xi. ϣ॰॰0 ё‫ݡڊ‬ஹӇ‫׬ؙ֞‬ϡू੽Ҭ௵д໯. 119 leaves. Note: Thesis (M.A.)—National Chung Cheng University, 2004. An overview of Taiwan’s film industry as influenced by political and economic changes during the 1990s: local capital was moved to the area of foreign film distribution dominated by Hollywood; in 1999, Taiwan only produced sixteen films and occupied less than 0.46 percent of the box office income in Taiwan. The paper argues that the government did not adequately change its film policies and even abandoned some valuable cultural regulations, which protected the domestic film industry after entering the World Trade Organization. Includes a Chinese abstract and an appendix (including Taipei Area Box Office Records of Domestic Films and Foreign Films, 1990–1999; and Domestic Films That Received Government Subsidies and Awards during International Film Festivals, 1990–1999). NCL/NDLTD (FT) Chi

2528 Huang, Ren, 1925– ࢶწ, 1925– Taiwan dian ying bai nian shi hua / Huang Ren, Wang Wei bian zhu. ‫ݡ‬ஹӇ‫ښؙ‬ё੗ҧ/ࢶწ,ࣼଂഹЯ. Taipei: Zhonghua ying ping ren xie hui, 2004. 2 v. Note: A comprehensive and objective text on Taiwan film history. Significant achievements of the work include (1) the discovery that the first film shown in Taiwan occurred in 1899, differing from scholars who claim the first screening occurred in 1901; (2) a detailed description of Taiwan film artists’ activities and achievements during the colonial period in both Taiwan and mainland China; (3) Taiwan film history from multiple perspectives; (4) the authors maintain an objective stance while approaching politically charged issues, such as the Japanese influence on Taiwan cinema, propaganda films in Taiwan, and the Nationalist government’s censorship system; and (5) the text includes important filmographies in some of its chapters. Shortcomings of the work include (1) poor editing—for example, multiple typos, such as on page 19, when the date of the first feature film made in Taiwan, by the Japanese, is written as 1902 instead of 1922; and Chapter 12 starts

2530 Lai, Yujing (Lai, Patricia). ໰⡹ဗ. Sheng jing te xing, zu qun guan xi yu zu qun sheng cun ce lue zhi dong tai yan jiu—yi Taiwan dian ying chan ye wei li = A dynamic study about environmental characteristics, population relationships and survival strategies. Т॒‫ئ‬ԛ, ఓळԬ਽ӿఓळТࡖ೫ଯҏҁ‫—ૢ୳ݯ‬й‫ݡ‬ஹ‫׬ݗ‬Њ ຎ = A dynamic study about environmental characteristics, population relationships and survival strategies. 146 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 1995. Studies the Taiwan film industry’s survival strategies. Includes a Chinese abstract and a bibliography. NCL/NDLTD Chi

425

Others

2531 2531

2534

Lee, David Tawei. An overview of the Chinese film industry. Taibei: Government Information Office, 1997. 51 p. ISBN 9570094699, 9789570094695 Note: A government-issued overview of the Chinese film industry in Taiwan, Hong Kong, and mainland China. WorldCat Eng

Liang, Hongzhi (Hung-chih Liang). ᅯᒩ࢑. Guo jia yu dian ying: Taiwan dian ying zheng ce yan jiu = State and film: Taiwan film policy study. лрӿӇ‫ؙ‬: ‫ݡ‬ஹӇ‫ूؙ‬೫୳ૢ = State and film: Taiwan film policy study. 137 leaves. Note: Thesis (M.A.)—National Sun Yat-sen University, 2001. By using theories of New Marxism, the paper explores Taiwan’s poor film production output by looking at three major links in Taiwan’s film industry—production, distribution and marketing, and exhibition—and discusses the government’s role in forming, managing, and supporting the Taiwanese film industry. American, French, and Canadian government film policies are used as examples in the paper. Includes a Chinese abstract, a bibliography and three appendixes. Appendix 1 is a table comparing original and current film laws; Appendix 2 is a government subsidy evaluation committee member list; and Appendix 3 is a list of Taiwan films that participated in international film festivals. NCL/NDLTD (FT) Chi

2532 Lent, John A. The Asian film industry. Austin: University of Texas Press, 1990. 309 p. ISBN 0292704216 (cloth), 0292704224 (pbk.) Note: As the author states in the Preface, the outline of the book “combine[s] historical and contemporary perspectives, primarily of the Asian film industries, carried out in a case-study, problem-oriented approach.” The book is organized by region: East, Southeast, and South Asia. The section dealing with the Taiwan film industry begins with the author’s interview with film director Chen Kun-hou in 1986. “Historical Background” reviews the history of Taiwan’s film industry, beginning during the Second Sino-Japanese War when occupying Japanese forces established the Taiwan Motion Picture Association and Taipei News Picture Association, which transitioned in 1945 to form the first film studio in Taiwan: Taiwan Film Studio. Finally, “Contemporary Scene” outlines the following: Production, Directing, Acting, Scriptwriting, Distribution and Exhibition, Regulation, Impact of Videocassettes, Genres and Themes of Films, and Professionalism. Includes a bibliography; interviews; and subject, film, and name indexes. WorldCat Eng

2535 Liang, Liang, 1954– ᅯમ, 1954– Lun liang an san di dian ying. ‫ں‬Ҕ࿝ѧсӇ‫ؙ‬. Taibei: Mao lin chu ban she, 1998. 350 p. ISBN 9579860955 Series title: Dian ying lun tan Ӈ‫ںؙ‬Ⴋ Note: Recognizing that a similar problem affects Taiwan, Hong Kong, and mainland China, namely declining domestic film markets and an increasing quantity of films from Hollywood, the author provides a general overview of film production history in Taiwan (1945–1991), Hong Kong (1896–1995), and mainland China (1946–1994); analyzes current film production trends and problems; and also provides suggestions for cooperation among Taiwan, Hong Kong, and China. Includes four parts: Taiwan, Hong Kong, mainland China, and combined studies. CTFAL Chi

2533 Li, Tianduo. ଽϳ⟢. “Quan qiu jing zheng shi dai Taiwan ying shi mei ti fa zhan de ce lue yu zheng ce gui hua” zhuan an yan jiu ji hua: qi mo bao gao / Yan jiu ji hua zhu chi ren: Li Tianduo. “Ҫ‫ܧ‬ჟৎЖ‫ݡڊ‬ஹ‫ؙ‬؆෪Ղчࣁϡ೫ଯӿू೫੺੿” ֟ଈ୳ૢ ‫ޫذ‬: ‫׈‬ઃ‫ ݍڻ‬/ ୳ૢ‫ޫذ‬Ұ‫ف‬Ϫ: ଽϳ⟢. Taibei: Kunshan ke ji da xue chuan yi mei ti xue yuan, 2006. 324 p. Note: Reports on the “Strategy and Policy Plan for Taiwan Film and Television Media Development Under the Global Competition” sponsored by the Office of News Affairs within the Executive Yuan. Considers the concurrent state of film and television in Korea, Singapore, and Hong Kong. The appendix includes introductions of, and various interviews with, media companies, television stations, and other related organizations in different countries. Includes a bibliography. CTFAL Chi

2536 Lin, Xianru (Lin, Hsien Ju). ৆ᢌҒ. Jiu shi nian dai zheng jing bian qian zhong de Taiwan dian ying gong ye. ॰֐ё‫ूڊ‬ҬԺቜЅϡ‫ݡ‬ஹӇ‫׬ؙ֞‬. 197 leaves. Note: Thesis (M.A.)—Chinese Culture University, 2000.

426

Film Industry

2542 Assesses the declining situation of the Taiwan film industry because of both political and economic changes during the 1990s. Includes a Chinese abstract and a bibliography. NCL/NDLTD Chi

2540 Liu, Shangyun. ฀࣑⽐. Taiwan dian ying chan ye zheng ce yu qi dong tai fa zhan li cheng yan jiu: “quan qiu, zai di, guo jia” san zhe gong mou guan dian = The cooperation by triple alliance: the study of Taiwan film policy and industry development process. ‫ݡ‬ஹӇ‫ू׬ݗؙ‬೫ӿԷҁ‫ݯ‬чࣁࣵࡄ୳ૢ: “Ҫ‫ܧ‬, Ϩс, лр” ѧ ‫࢕ٷ‬ጚ޲ѡ = The cooperation by triple alliance: the study of Taiwan film policy and industry development process. 215 leaves. Note: Thesis (M.A.)—National Taiwan Normal University, 2007. Describes the government’s involvement in the Taiwan film industry and proposes ways the government should manage the film industry locally and internationally in the age of globalization. Includes a Chinese abstract and a bibliography. NCL/NDLTD Chi

2537 Lin, Yang. ৆ଥ. Dian ying gong ye sheng si yi ling jian—Taiwan yu Xibanya dian ying fa ling zhi bi jiao. Ӈ‫׬ؙ֞‬ТӚϣਘҼ—‫ݡ‬ஹӿ՝‫ڡ‬ஏӇ‫ؙ֚‬ਘҏԝࢺ. Taibei: Xi la mei gong zuo shi, 1999. 290 p. ISBN 9579742162 Note: A comparative study of Taiwan and Spain’s film laws and the impact of their film laws on their respective film industries. Includes the film laws and regulations of Taiwan and Spain. CTFAL Chi

2541 Liu, Yimin. ฀ϣ‫ھ‬. Zhongguo dian ying qian tu de tan tao. ЅлӇ‫ؙ‬ӓಬϡ෬क़. Taibei: Lian he chu ban she, 1969. 178 p. Note: Forecasts the future of the Chinese film industry by assessing the potential results of the government’s film taxation and subsidy programs, the cost of color printing, the cost of marketing films, and the need for professional training. CTFAL Chi

2538 Lin, Yang. ৆ଥ. Taiwan dian ying shi ting chan ye zhi jing ji diao cha = La investigacion economica de la industria cinematografica de Taiwan. ‫ݡ‬ஹӇ‫ؙ‬؆ԯ‫׬ݗ‬ҏҬ௵݇‫ = ݓ‬La investigacion economica de la industria cinematografica de Taiwan. Taibei: Guo jia wen hua yi shu ji jin hui, 2001. 131 p. Note: An economic investigative report on Taiwan’s film and television industries. Includes six chapters: Chapter 1, Film Industry; Chapter 2, Film Distribution; Chapter 3, Film Showing; Chapter 4, Audio/Visual Publication; Chapter 5, Audio/Visual Retail and Rental; and Chapter 6, TV Movie Channels. Includes a bibliography and list of the interviewees. NCLAAC Chi Spa

2542 Lu, Hong. ᡭ₽. Taiwan dian ying xin wei lai—yi qi nian ji dao yan xian xiang lai tan tao Taiwan dian ying de wei lai. ‫ݡ‬ஹӇ‫ؙ‬Ј‫۔‬ϰ—йࢳёٜ࣒ࠟѳࢣϰ෬क़‫ݡ‬ஹӇ‫ؙ‬ϡ‫۔‬ϰ. 117 leaves. Note: Thesis (M.A.)—National Taiwan University, 2005. Focuses on documentary film directors born in the 1980s, such as Chen Yingrong, Ke Mengrong, and Chen Zhengdao, and comments on the future of Taiwan film. Claims that these directors born in the 1980s are not influenced by Taiwan New Cinema and do not carry the burden of making a “Great Revolutionary Film”; rather, these directors make films that appeal to “commercial” and “mass” taste. Consists of Research Background, Purpose, Methodology, and Content and Film Structure, including film scripts. Includes a Chinese abstract and a bibliography. NCL/NDLTD Chi

2539 Lin, Yang. ৆ଥ. Taiwan dian ying shi ting chan ye zhi jing ji diao cha: tian ye diao cha ri zhi = La investigacion economica de la industria cinematografica de Taiwan: archivos. ‫ݡ‬ஹӇ‫ؙ‬؆ԯ‫׬ݗ‬ҏҬ௵݇‫ݓ‬: ೧ఀ݇‫ݓ‬я௨ = La investigacion economica de la industria cinematografica de Taiwan: archivos. Taibei: Guo jia wen hua yi shu ji jin hui, 2001. 286 p. Note: Supplemental field investigation notes for the author’s report published separately. Includes an economic investigation of twelve counties and cities in Taiwan as well as the film advertisement business within Taipei city’s public bus system. Includes charts and photos. NCL Chi Spa

427

Others

2543 2543

2546

Lu, Zhifang. ᡭ޺ᇙ. [You ying fu ying?]—kan Taiwan dian ying chan ye de kun jing yu zhan wang. [ϩ‫ؙ‬㧤‫—]?ؙ‬Ѓ‫ݡ‬ஹӇ‫׬ݗؙ‬ϡ੡॒ӿࣁֳ. 68 leaves. Note: Thesis (M.A.)—National Taiwan University, 1997. In 1996, annual film production in Taiwan reached a low point in Taiwan’s filmmaking history with only eighteen films; at the same time, more films were supported by government subsidies. In 1998, government subsidies reached NT$120,000,000(ca. $40 million), yet Taiwan film production had not improved. On the basis of these conditions, the paper presents interviews with film industry, government, and academic participants and provides a report of the problems of the Taiwanese film industry. Includes a Chinese and English abstract and a bibliography. NTUL Chi

Tu, Ming. ຂ᎘. Taiwan dian ying chan ye chui zhi zheng he ce lue zhi yan jiu—yi Zhonghuan gong si wei ge an fen xi. ‫ݡ‬ஹӇ‫׬ݗؙ‬Ꮎ‫ׁݱׯ‬೫ଯҏд໯: йЅࢰԍ‫ޅ‬Њϫଈд໯. 95 leaves. Note: Thesis (M.A.)—National Taiwan University, 2005. The thesis explores the motivation, benefits, and value of a vertical integration strategy in Taiwan’s film industry. The only Taiwan company that invests in the filmmaking business and uses this vertical integration strategy is the CMC Group. NTUL Chi

2547 Wang, Ziting (Wang, Tzu-Ting). ༙ࣼᑢ. Shi ting chan pin / fu wu mao yi guan zhi zhi yan jiu—yi dian ying ye wei zhong xin = The study of the trade regulations upon audiovisual products / services—focusing on film industries. ؆ԯ‫ݗ‬Ԙ / ‫ࠔע‬ᆓ‫܉ډ‬ԑ‫ء‬ҏ୳ૢ—йӇ‫׬ؙ‬ЊЅК = The study of the trade regulations upon audiovisual products / services—focusing on film industries. 231 leaves. Note: Thesis (M.A.)—National Taiwan University, 2007. This paper addresses the following questions: Should the Taiwanese government adopt trade regulations to protect the domestic film industry and market? And, if film is classified as a cultural product, how would this effect multilateral, bilateral, and free area trade agreements? Includes a Chinese and English abstract, a bibliography, and an appendix. NCL/NDLTD Chi

2544 An overview of the Chinese film industry. Taibei: [s.n.], 1995. 41 p. ISBN 9570051434, 9789570051438 Note: A Taiwan government-issued overview of the Chinese film industry in Taiwan, Hong Kong, and mainland China. WorldCat Eng

2545 Slide, Anthony. The international film industry: a historical dictionary. New York: Greenwood Press, 1989. 423 p. ISBN 0313256357 Note: As a dictionary for the international film industry, this text has limited and often biased information about the Chinese film industry. For example, under the “Taiwan” entry (pp. 345–346), the influence of Japan during the colonial period (1895–1945) is not mentioned, and the explanation that Taiwan’s film industry originated in mainland China is, at the least, incomplete. The text, however, does provide interesting statistics and factors affecting the overall picture of the Taiwan film industry. For example, at the time of the book’s publication, there were 450 movie theaters in Taiwan and the cost of producing a film in Taiwan was $100,000; the output of Taiwan’s annual feature films decreased from 250 at the beginning of the 1980s to 150 by the end of the 1980s; and, after Japan severed diplomatic relations with Taiwan in the mid-1970s, Japanese films were banned in Taiwan. Includes an index at the end of the book and a bibliography at the end of each entry. WorldCat Eng

2548 Xie, Caimiao. ‫ిࠡه‬. Xun zhao qing min jian: cong “Wo hu cang long” tan Hua yu dian ying guo ji hua = Globalization of Chinese language cinemas: a case study of Crouching Tiger, Hidden Dragon. ଵ‫ݙװ‬ᙛ঺: ԩ “၃ഝেह” ড‫ܭܓ‬Ӈ‫ؙ‬лগ٩= Globalization of Chinese language cinemas: a case study of Crouching Tiger, Hidden Dragon. Taibei: Ya Tai tu shu, 2004. 244 p. ISBN 9867809297 Series title Chuan bo jiao yu cong shu ‫ة‬৚‫ڌ‬ड़ᜣ‫ڣ‬ Note: A book based on the author’s master’s thesis at the National Taiwan University. Studies Crouching Tiger, Hidden Dragon (2000) as a blueprint for the success of Chinese cinema in the global marketplace. Analyzes the film’s production, distribution, and marketing as well as the current film production environment in Taiwan, Hong Kong, mainland China, and the United

428

Film Industry

2552 ‫ݡ‬ஹӇ‫׬ݗؙ‬лগჟৎҨӿҪ‫ܧ‬٩೫ଯє॒੺੿: ம‫໌“ ئ‬੘Ղ ‫ ”ڍ‬ҏ‫׎‬ѓ = The scenario planning for the international competitiveness and global strategy of Taiwan film industry: an analysis with Porter’s “diamond” system. 170 leaves. Note: Thesis (M.A.)—National Sun Yat-Sen University, 2003. Analyzes Taiwan’s film industry by using Michael Poter’s “diamond” system, which has four attributes: Factor Conditions, Demand Conditions, Related and Supporting Industries, and (the tripart) Film Strategy, Structure, and Rivalry. Concludes by advocating for the development of Taiwan’s digital media industry and the attraction of high-quality human resources to Taiwan to sustain Taiwan’s film industry. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD (FT) Chi

States. Includes in-depth interviews with the film’s producers and scholars in Taiwan, Hong Kong, and mainland China and uses an immersion and crystallization method to reach its conclusion. Includes a bibliography and an appendix. NTUL Chi

2549 Xin shi ji Taiwan dian ying huo shui lan tu—cong ge guo wen hua zheng ce, fa kui zhi du yu gong ye jie gou zhi dao cha yan jiu jian gou dian ying wen hua zhong xin ji ben guo dian ying zong ti zhen xing fang an / Wei tuo dan wei Xing zheng yuan wen hua jian she wei yuan hui; Zhi xing dan wei Cai tuan fa ren guo jia dian ying zi liao guan. ЈԒઔ‫ݡ‬ஹӇ‫ؙ҅‬һঢ֖—ԩ‫ٿ‬лҹ٩ू೫,֚੺‫֏ء‬ӿ֞‫ְ׬‬ ภҏ݇‫ࠃૢ୳ݓ‬ภӇ‫ؙ‬ҹ٩ЅК᠕ӆлӇ‫ؙ‬րՂዄࣱҤଈ / ణኅ ‫֧؁‬Ҳूࡨҹ٩ࠃ‫ޗ‬ణ‫؂‬Ͼ; వҲ‫֧؁‬੠֚ࣗϪлрӇ‫ࢧޞؙ‬ఖ. 2 v. Note: An unpublished official report commissioned by Council for Cultural Affairs, Executive Yuan, and prepared by the Chinese Taipei Film Archive (October 1, 2000– May 31, 2001). The state of affairs is described as follows: (1) due to the powerful pressure of Hollywood’s political influence and marketing and distribution system in Taiwan, and (2) even though the government issued various subsidy measures to support the domestic film industry, (3) Taiwan film production still faces the embarrassing situation that its annual production is only around ten movies. Thus, the government is planning to switch the responsibility of supervising film industry from the Government Information Office to the Council for Cultural Affairs. The purpose of the report is to confirm the necessity of the Council for Cultural Affairs to supervise film, suggest the establishment of the National Film Cultural Center with a plan and implementation methods, discover and clarify the problems faced by Taiwan’s film industry and provide a viable solution, and adopt related film and cultural policies and regulations as well as industry supportive measures developed by other countries in the world. Includes three parts: Current Situation Analysis, World Reference Models, and Future Trends and Developments. Vol. 1 (273 p.) is the complete text of the report, including the bibliography. Vol. 2 (70 p.) is the reference manual, including the implementation handbook, chapter abstracts of the report, interviews, and charts of world film–related organizations, world film–related taxation systems, world film–related government subsidy measures, and world film education systems. NTUL Chi

2551 Ye, Xuanchen. ౕ጗ந. Taiwan dian ying chan ye huan jing yu jing zheng li yan jiu = The study of Taiwan film industry environment and its competitiveness. ‫ݡ‬ஹӇ‫॒ࢰ׬ݗؙ‬ӿჟৎҨ୳ૢ = The study of Taiwan film industry environment and its competitiveness. 134 p. Note: Thesis (M.A.)—National Chengchi University, 2009. Studies the competitiveness of the Taiwan film industry by assessing film production, distribution, and exhibition via Michael Porter’s survey method and diamond theory. Proposes that Taiwan’s film industry would benefit from changes in government policies, industry production strategies, and academic research. Includes a Chinese and English abstract and a biography. NCL/NDLTD Chi

2552 Yin yue ying ju lun ji / Bian ji zhe: Zhonghua xue shu yuan. ‫ٸ‬Ӏ‫ںঁؙ‬ओ / ഹফ‫ٷ‬: Ѕ‫ܓ‬ѹफࡨ. Taibei: Zhongguo wen hua da xue chu ban she, 1981. 835 p. Series title: Zhonghua xue shu yu xian dai wen hua cong shu, di liu ce Ѕ‫ܓ‬ѹफӿѳ‫ڊ‬ҹ٩ᜣ‫ڣ‬, ҷࡏೠ Chinese learning and modern civilization series; V. VI Note: A collection of essays on music, opera, and cinema. Includes two essays on Taiwan Film: “Special Effects of Color Cinematography in Motion Pictures” by Chi Ho-hsi (Qi Hexi) and “The Temporary Status of Chinese Film Industry” by James Y. Liu (Liu Yi). Chi’s essay explains how special effects are enabled by color cinematography from a technical perspective. Liu’s essay outlines ten suggestions to improve the Taiwan film industry—for example, paying attention to audience expectations, ending false advertising, and eliminating obstacles in film distribution. WorldCat Chi

2550 Yang, Shixian (Yang, Shih-hsien). ໷ࡲᐊ. Taiwan dian ying chan ye guo ji jing zheng li yu quan qiu hua ce lue qing jing gui hua: Bote “zhuan shi ti xi” zhi ying yong = The scenario planning for the international competitiveness and global strategy of Taiwan film industry: an analysis with Porter’s “diamond” system.

429

Others

2553 Note:

2553 Ying ye shou ce / Taibei shi ying pian shang ye tong ye gong hui. ‫׬ؙ‬Ѳೠ / ‫׬࠱׬ؙصܚݡ‬ӎ‫׬‬ԍϾ. Taibei: Taibei shi ying ye shang ye tong ye gong hui, [1952] 70 p. Note: A handbook for the Taipei Municipal Film Distributors Association. Includes Film Distributors Association and Film Drama Association bylaws; regulations for film censorship, theater management, and film business registration; and application procedures for wiring foreign currency used for filmmaking. CTFAL Chi

The author’s report of his trip to Europe to study the film industry. The account focuses on Italy’s film industry. The recently legislated Italian film regulations are translated in the book. Also includes film industry data from the United Kingdom, France, and Germany from 1962 to 1965, and the author’s suggestions for the development of the Taiwan film industry. CTFAL Chi

2557 Zhongguo dian ying, dian ying Zhongguo: Hai xia liang an dian ying xue shu jiao liu yan tao hui lun wen ji / Bian ji Zhang Shufen, He Shihuang. ЅлӇ‫ؙ‬, Ӈ‫ؙ‬Ѕл: ֋ᒘҔ࿝Ӈ‫ؙ‬ѹफ‫ے‬Ե୳क़Ͼ‫ں‬ҹओ / ഹফ ‫פ‬ᎂᐇ, ‫ح‬Ԓᑟ. Taibei: Zhonghua Minguo shi jue chuan bo yi shu xue hui, Furen da xue da zhong chuan bo xi, 1993. 182 p. Note: A collection of papers presented at a film symposium hosted by Taiwan Fu Jen Catholic University and the R.O.C. Visual Art and Communication Association on December 29–30, 1992. The symposium provided the opportunity for film scholars on both sides of the Taiwan Strait to exchange ideas in their research fields. Includes twelve papers; three assess contemporary Taiwan film: “Taiwan Film Industry Moving Out of the 20th Century” by Chen Qinghe, “Local Identity Realization in Taiwan New Cinema” by Wang Wei, and “Identity of Aboriginals in Taiwan Cinema” by Qi Longren, and one paper offers a comparative study of mainland, Taiwan, and Hong Kong films: “Meaning of ‘China Code’ in Chinese Films” by Chen Ruxiu. WorldCat Chi Eng

2554 You, Shixian (Yu, Shih-hsien). ղࡲᐊ. Taiwan dian ying chan ye sheng cun ce lue: 2004–2006—cong Hanguo dian ying shi chang jie xi Taiwan xian zhuang. ‫ݡ‬ஹӇ‫׬ݗؙ‬Тࡖ೫ଯ: 2004–2006—ԩठлӇ‫صؙ‬Ծ‫ث‬໯‫ݡ‬ஹѳ ୄ. 90 leaves. Note: Thesis (M.A.)—National Chengchi University, 2004. This thesis compares the decline of Taiwan’s film industry with the rise of Korean film industry to provide a three-year financial strategy for Taiwan’s film industry. The appendix includes a Chronicle of Taiwan Film Affairs from 1982 to 2003 and Taiwan’s Film Box Office Records from 1980 to 1999. Includes a Chinese abstract, a bibliography, and a chart of the Ten Best Box Office Records of Korean Films. NCL/NDLTD (FT) Chi

2555

2558

Zhang, Guilun (Chang, Kuei-lun). ‫פ‬ᄉἐ. Taiwan dian ying chan ye fa zhan ce lue zhi yan jiu = A study on the film industry develop strategy: a case of Taiwan. ‫ݡ‬ஹӇ‫׬ݗؙ‬чࣁ೫ଯҏ୳ૢ = A study on the film industry develop strategy: a case of Taiwan. 109 leaves. Note: Thesis (M.A.)—Ming Chuan University, 2004. Uses Taiwan’s film industry as a case study to propose an algorithm that could be used to best determine how to develop the culture and creative industries in Taiwan. Includes results of interviews with forty film personnel in Taiwan. Includes a Chinese and English abstract, a bibliography, two appendixes, and charts. NCL/NDLTD (FT) Chi

Zhongguo dian ying shi ye de xian zhuang ji zhan wang: jiao yu bu wen hua ju dian ying shi ye diao cha bao gao shu / Jiao yu bu wen hua ju bian. ЅлӇ‫ؙ‬Ѩ‫׬‬ϡѳ૬ߵࣁֳ: ‫ڌ‬ड़‫ח‬ҹ٩঵Ӈ‫ؙ‬Ѩ‫ ڣݍڻݓ݇׬‬/ ‫ڌ‬ड़‫ח‬ҹ٩঵ഹ. Taibei: Jiao yu bu wen hua ju, 1971. 189 p. Note: An official 1971 report on the current condition of, and future predictions for, the Taiwan film industry. Released by the Cultural Bureau under the Ministry of Education. WorldCat Chi

2559 Zhonghua mingguo dian ying shi ye gai kuang / Zhu bain: Yang Zhongfan. Ѕ‫ھܓ‬лӇ‫ؙ‬Ѩ‫׬‬มୄ / Ұഹ: ໷ᓶ౯. Taibei: Kuang hua chu ban gong si, 1993. 58 p. Note: Includes a brief film history; a current situation report on film production in Taiwan, Hong Kong, and mainland China; an R.O.C. Film Year Activity Plan; and an overview of Taiwan film production in 1992. CTFAL Chi

2556 Zhang, Yutian. ‫ەפ‬೧. Dian ying shi ye kao cha xin de bao gao. Ӈ‫ؙ‬Ѩ‫ߎ׬‬ൌКЏ‫ݍڻ‬. Taibei: [s.n.], 1967. 20 p.

430

Film Investment

2565 10.8

2560 Zhonghua mingguo dian ying shi ye gai kuang / Zhu bain: Yang Zhongfan. Ѕ‫ھܓ‬лӇ‫ؙ‬Ѩ‫׬‬มୄ / Ұഹ: ໷ᓶ౯. Taibei: Xing zheng yuan xin wen ju, 1995. 40 p. ISBN 9570050861 Note: Includes a brief summary of Chinese film production in the 1990s; a current situation report on film production in Taiwan, Hong Kong, and mainland China; and a summary of the Welcome New-New Film Series in 1994. The appendix includes the ten best-selling films in Taipei in 1994 and lists of Taiwan films participating in international film festivals in 1993 and 1994. CTFAL Chi

FILM INVESTMENT

2563 Da zao ying yin chan ye 101: mei ti wen hua chan ye / tou zi jiang li yu fu dao cuo shi / Weng Guitang cong bian ji. Ӌ߃‫ ׬ݗٸؙ‬101: ෪Ղҹ٩‫ ׬ݗ‬/ ‫ޞۄ‬؉ಽӿᔆ࣒ᇯැ / ᙋᄉஇ ๻ഹফ. Taibei: Xing zheng yuan xin wen ju, 2004. 124 p. ISBN 9570197021 Note: Part I of this document explains seventeen advisory and subsidy measures for the film industry. The document’s purpose is to present official updates regarding advisory and subsidy measures and regulations. It is published by the Government Information Office, part of the Executive Yuan, which oversees Taiwan’s film, television, radio, and audiovisual publication industry. NTUL Chi

2561 Zhonghua mingguo dian ying shi ye gai kuang / Zhu bain: Chen Zhikuan. Ѕ‫ھܓ‬лӇ‫ؙ‬Ѩ‫׬‬มୄ / Ұഹ: ಴࢑஝. Taibie: Xing zheng yuan xin wen ju, 1997. 53 p. ISBN 9570089512 Note: Includes a current situation report on film production in Taiwan, Hong Kong, and mainland China, as well as government film advisory and subsidy regulations. The appendix includes a list of film organizations and institutions in the R.O.C., the ten best-selling films in Taipei in 1996, film statistics data, and lists of Taiwan films participating in international film festivals in 1995 and 1996. CTFAL Chi

2564 Lu, Jian’an (Lu, Chien-An). ᡭࠃԥ. Taiwan dian ying zi jin yi zhu guan dao zhi chu tan = The preliminary study on Taiwan’s film industry fund shifting methods. ‫ݡ‬ஹӇ‫܉ڀ⪜ؖޞؙ‬Ѭҏ२෬ = The preliminary study on Taiwan’s film industry fund shifting methods. 183 leaves. Note: Thesis (M.A.)—Chang Jung Christian University, 2009. The paper claims that the Taiwan film industry faces the following funding problems: government subsidies, bank loans, contract fulfillment, internal and external fundraising, exhibition and box office systems. The paper next suggests a plan for future development. Interviews with Cape No. 7 director Wei Te-sheng and other two film professionals were conducted for the paper. Includes a Chinese abstract, a bibliography, and an appendix. NCL/NDLTD Chi

2562 Zhuo, Shan. ᅤᦸ. Chuang xin yu guan li: Taiwan dian ying chan ye de jie gou tan suo = Innovation and management䩭 A structural analysis of Taiwan’s film industry. ࡶЈӿ‫܉‬ԑ: ‫ݡ‬ஹӇ‫׬ݗؙ‬ϡְภ෬౱ = Innovation and management 䩭 A structural analysis of Taiwan’s film industry. 169 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 2004. Considering different perspectives regarding structural reorganization and industrial competition, the paper tries to understand the relationships among production, distribution, and exhibition in the Taiwan film industry. Offers three strategies for the struggling Taiwan film industry. Includes a Chinese abstract and a bibliography. NCL/NDLTD Chi

2565 Tu, Ming. ຂ᎘. Taiwan dian ying chan ye chui zhi zheng he ce lue zhi yan jiu—yi Zhonghuan gong si wei ge an fen xi. ‫ݡ‬ஹӇ‫׬ݗؙ‬Ꮎ‫ׁݱׯ‬೫ଯҏд໯: йЅࢰԍ‫ޅ‬Њϫଈд໯. 95 leaves. Note: Thesis (M.A.)—National Taiwan University, 2005. The thesis explores the motivation, benefits, and value of a vertical integration strategy in Taiwan’s film industry. The only Taiwan company that invests in the filmmaking business and uses this vertical integration strategy is the CMC Group. NTUL Chi

431

Others

2566 Note:

2566 Ying li shi ye tou zi dian ying pian zhi zuo ye zhi zuo guo chan dian ying pian tou zi di jian ban fa ji dian ying xiang guan xing ge fu dao cuo shi shuo ming hui / Xing zheng yuan xin wen ju. ॺ۱Ѩ‫ޞۄ׬‬Ӈ‫ؙ‬३әӑ‫׬‬३ӑл‫ݗ‬Ӈ‫ؙ‬ә‫ޞۄ‬௦ः‫ߵ֚ދ‬Ӈ‫ؙ‬ ԚԬࣱཪᔆ࣒ᇯැМҴϾ / ҲूࡨЈࢨ঵. Taibei: Xing zheng yuan xin wen ju, 2004. 30 p. Note: This is the government’s publication regarding “The regulations governing tax credit for business investing in motion picture production enterprises for production of domestically produced motion pictures”; and “The criteria differentiating domestically produced motion pictures, domestic motion pictures, and foreign motion pictures”; and other film investment–related laws, regulations, and guidelines. CTFAL Chi Eng

10.9

Thesis (M.A.)—Shi Hsin University, 2009. Since 1980, the Taiwanese government has implemented a domestic film subsidy system; however, the subsidy policy did not entirely alter Hollywood’s colonization of Taiwan’s domestic film market in which 90 percent of Taiwan’s box office was taken by Hollywood films, with local Taiwanese films usually contributing less than 1 percent of the box office. This study uses quantitative research, interviews, and the lens of Edward Said’s theory of culture and imperialism to study the feasibility of a screen quotas system in Taiwan to protect Taiwan’s domestic film industry and enable it to prosper. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

2569 Dian ying fa an: “dian ying jian cha fa” yu yi fei zhi / Li fa yuan mi shu chu bian yin. Ӈ‫ؙ֚‬ଈ: “Ӈ‫ؙ‬ഛ‫ ”֚ݓ‬໹йಖঝ / ߹֚ࡨ੶‫؛ڣ‬ഹ୅. Taibei: Li fa yuan mi shu chu, 1984. 336 p. Series title: Fa lu an zhuan ji, di liu shi er ji, jiao yu (er shi) ֚ಋଈ֟ফ, ҷࡏ֐ԏফ, ‫ڌ‬ड़ (ԏ֐) Note: This is a legislative document regarding the establishment of a new film censorship law and the abolishment of the old film censorship law in Taiwan. Includes records of the legislative proposal, process, and discussion, as well as the president’s legal order and the film law. The appendix includes interviews with legislators and a Chinese Times editorial. NCL Chi

FILM LAW, POLICY, REGULATION, AND LEGAL CASES

2567 Chen, Jingfeng. ಴࢓๢. Guo fu dui Taiwan dian ying chan ye de chu li ce lue (1945–1949). л௞х‫ݡ‬ஹӇ‫׬ݗؙ‬ϡ‫؛‬ԑ೫ଯ (1945–1949). 250 leaves. Note: Thesis (M.A.)—National Central University, 2001. This paper studies how Taiwan’s film industry was managed during the political struggle between Taiwan Governor Chen Yi and the KMT CC Clique after retrocession from 1945 to 1949. The author points out that Chen Yi’s aim was to manage the film industry with a profit-oriented, loss-control policy, in contrast to the CC Clique’s intention to manage the film industry with absolute control, using film as an arm of the government’s propaganda, education, and ideological machinery. Thus, it is apparent that Taiwan’s film industry developed from the beginning as a site of political struggle, dependent on government policy. Includes five chapters: Chapter 1, Government’s Attitude Towards Taiwan Film Industry; Chapter 2, Process of Appropriating the Taiwan Film Industry; Chapter 3, Factional Struggle in Taiwan Film Industry; Chapter 4, Management and Censorship in Film Industry; and Chapter 5, Profit and Propaganda of Film Industry. Includes a bibliography and official documents. NCL Chi

2570 Dian ying zheng ce yu yuan jing / Xing zheng yuan xin wen ju. Ӈ‫ूؙ‬೫ӿ݃࢓ / ҲूࡨЈࢨ঵. Taibei: Xing zheng yuan xin wen ju, [2005] 23 p. Note: An official explanation of the Taiwan government’s film policy and its plans for the following five years by the Office of News Affairs, Executive Yuan. Covers the following topics: film supervisory, subsidy system, healthy industry environment, and reorganization of the audiovisual industry platform. The appendix includes the future plan of action and policy execution charts. CTFAL Chi

2571

2568

Hong, Cilin. ᤃ፦ㆇ. Wo guo dian ying fu dao jin jin zhi du gai jin fang shi zhi yan jiu. ϢлӇ‫ؙ‬ᔆ࣒‫ۨ֏ءؖ‬ՔҤܴҏ୳ૢ. Taibei: Xing zheng yuan xin wen chu, 2003. 73 p.

Chen, Junji (Chen, Chun-chi). ಴ᒺแ. Taiwan shi shi dian ying yin mu pei ji zhi de ke xing xing = The feasibility of the implements of the silver screen quota system in Taiwan. ‫ݡ‬ஹӢැӇ‫ࡈ௷ુؙ‬Ѱ‫ء‬ϡНҲԛ = The feasibility of the implements of the silver screen quota system in Taiwan. 120 leaves.

432

Film Law, Policy, Regulation, and Legal Cases

Note:

2576

This is the government’s report on potential ways to improve Taiwan’s film subsidy system. Includes a list of films that received government film subsidies in the past, and past film subsidy guidelines. CTFAL Chi

2574 Li, Tianduo. ଽϳ⟢. “Quan qiu jing zheng shi dai Taiwan ying shi mei ti fa zhan de ce lue yu zheng ce gui hua” zhuan an yan jiu ji hua: qi mo bao gao / Yan jiu ji hua zhu chi ren: Li Tianduo. “Ҫ‫ܧ‬ჟৎЖ‫ݡڊ‬ஹ‫ؙ‬؆෪Ղчࣁϡ೫ଯӿू೫੺੿” ֟ଈ୳ૢ ‫ޫذ‬: ‫׈‬ઃ‫ ݍڻ‬/ ୳ૢ‫ޫذ‬Ұ‫ف‬Ϫ: ଽϳ⟢. Taibei: Kunshan ke ji da xue chuan yi mei ti xue yuan, 2006. 324 p. Note: Reports on the “Strategy and Policy Plan for Taiwan Film and Television Media Development Under the Global Competition” sponsored by the Office of News Affairs within the Executive Yuan. Considers the concurrent state of film and television in Korea, Singapore, and Hong Kong. The appendix includes introductions of, and various interviews with, media companies, television stations, and other related organizations in different countries. Includes a bibliography. CTFAL Chi

2572 Huang, Ren, 1925– ࢶწ, 1925– Dian ying yu zheng zhi xuan chuan. Ӈ‫ؙ‬ӿू੽ୌ‫ة‬. Taibei: Wan xiang tu shu go fen you xian gong si, 2004. 441 p. ISBN 9576694841 Series title: Taiwan dian ying shi cong shu; 3 ‫ݡ‬ஹӇ‫ؙ‬੗ᜣ‫ ;ڣ‬3 Note: A most comprehensive work on the relationship between film and politics in Taiwan. Includes eleven chapters: Chapter 1, General Introduction; Chapter 2, Film Policy and Public & Private Film Studios; Chapter 3, Anti-Communist Films; Chapter 4, AntiJapanese Films; Chapter 5, “Search-Roots” (Nativism) and Nationalist Films; Chapter 6, Military Education Films; Chapter 7, Character-Building and Educational Films; Chapter 8, Agricultural Reform, Economic Development, and Unity-Building Films; Chapter 9, National Revolution Films; Chapter 10, Biographies of Film Professionals; and Chapter 11, Interviews. NTUL Chi

2575 Lin, Yang. ৆ଥ. Dian ying gong ye sheng si yi ling jian—Taiwan yu Xibanya dian ying fa ling zhi bi jiao. Ӈ‫׬ؙ֞‬ТӚϣਘҼ—‫ݡ‬ஹӿ՝‫ڡ‬ஏӇ‫ؙ֚‬ਘҏԝࢺ. Taibei: Xi la mei gong zuo shi, 1999. 290 p. ISBN 9579742162 Note: A comparative study of Taiwan and Spain’s film laws and the impact of their film laws on their respective film industries. Includes the film laws and regulations of Taiwan and Spain. CTFAL Chi

2573 Liang, Hongzhi (Liang, Hung-chih). ᅯᒩ࢑. Guo jia yu dian ying: Taiwan dian ying zheng ce yan jiu = State and film: Taiwan film policy study. лрӿӇ‫ؙ‬: ‫ݡ‬ஹӇ‫ूؙ‬೫୳ૢ = State and film: Taiwan film policy study. 137 leaves. Note: Thesis (M.A.)—National Sun Yat-sen University, 2001. By using theories of New Marxism, the paper explores Taiwan’s poor film production output by looking at three major links in Taiwan’s film industry—production, distribution and marketing, and exhibition—and discusses the government’s role in forming, managing, and supporting the Taiwanese film industry. American, French, and Canadian government film policies are used as examples in the paper. Includes a Chinese abstract, a bibliography and three appendixes. Appendix 1 is a table comparing original and current film laws; Appendix 2 is a government subsidy evaluation committee member list; and Appendix 3 is a list of Taiwan films that participated in international film festivals. NCL/NDLTD (FT) Chi

2576 Liu, Changping. ฀ቾᢼ. Lun wo guo dian ying jian cha zhi du zhi he xian xing—yi dian ying fa die r shi liu tiao zhi shi qian shen cha wei zhong xin. ‫ں‬ϢлӇ‫ؙ‬ഛ‫֏ءݓ‬ҏׁᬊԛ—йӇ‫ؙ֚‬ҷԏ֐ࡏָҏѨӓᅭ‫ݓ‬ ЊЅК. 164 leaves. Note: Thesis (M.A.)—Shi li Zhongguo wen hua da xue, 2003. This study on Item 26 of the Taiwan Film Law, which requires films to pass censorship before public exhibition, seeks to prove that the law is unconstitutional. Includes a comparison of censorship systems in other countries. Includes a bibliography. NCL Chi

433

Others

2577

improved. On the basis of these conditions, the paper presents interviews with film industry, government, and academic participants and provides a report of the problems of the Taiwanese film industry. Includes a Chinese and English abstract and a bibliography. NTUL Chi

2577 Liu, Shangyun. ฀࣑⽐. Taiwan dian ying chan ye zheng ce yu qi dong tai fa zhan li cheng yan jiu: “quan qiu, zai di, guo jia” san zhe gong mou guan dian = The cooperation by triple alliance: the study of Taiwan film policy and industry development process. ‫ݡ‬ஹӇ‫ू׬ݗؙ‬೫ӿԷҁ‫ݯ‬чࣁࣵࡄ୳ૢ: “Ҫ‫ܧ‬, Ϩс, лр” ѧ ‫࢕ٷ‬ጚ޲ѡ = The cooperation by triple alliance: the study of Taiwan film policy and industry development process. 215 leaves. Note: Thesis (M.A.)—National Taiwan Normal University, 2007. Describes the government’s involvement in the Taiwan film industry and proposes ways the government should manage the film industry locally and internationally in the age of globalization. Includes a Chinese abstract and a bibliography. NCL/NDLTD Chi

2580 Misawa, Mamie. ѧ෹ѐѤ௑. Riben shi dai Taiwan dian ying zheng ce zhi yan jiu: 1895–1942 = A study of policy about movies in Taiwan at Japanese period 1895–1942. яӆЖ‫ݡڊ‬ஹӇ‫ूؙ‬೫ҏ୳ૢ: 1895–1942 = A study of policy about movies in Taiwan at Japanese period 1895–1942. 270 leaves. Note: Thesis (M.A.)—History Institute, National Taiwan University, 1999. A study of the Japanese colonial government’s film policy in Taiwan during the colonial period, 1895– 1942. Considers Japanese legal regulations, government control, propaganda, and Taiwanese local society. Includes a Chinese abstract and a bibliography. NCL/NDLTD Chi

2578 Liu, Xiancheng (Liu, Hsien-cheng). ฀ѳю. Yi jiu liu ling nian dai guo jia ji qi jie ru Taiwan dian ying shi ye zhi yan jiu = Study on the state apparatus’ involvement in Taiwan’s film industry in the 1960’s. ϣ॰ࡏ0 ё‫ڊ‬лрೀՊ‫ݡ‬ஹӇ‫ؙ‬Ѩ‫׬‬ҏ୳ૢ = Study on the state apparatus’ involvement in Taiwan’s film industry in the 1960’s. 172 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 1995. Researches the state’s involvement with Taiwan’s three state-run film studios by considering how (1) cultural policy controlled the content and performance of this artistic form; (2) laws and the political system regulated and institutionalized the shape of the film industry; (3) the state’s taxation system regarded the film industry as a business; and (4) film, under the state’s educational system, was a necessary propaganda apparatus used to maintain national identity. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

2581 Peng, Guangwei (Peng, Kuang-wei). ᣴ‫ׇ‬໖. Quan qiu hua yu Haolaiwu Hua yi dao yan—zuo pin tan tao yu xing tai fen xi. Ҫ‫ܧ‬٩ӿϮᒀᩕ‫ܓ‬ᶜ࣒ࠟ—ӑԘ෬क़ӿࡿ‫ݯ‬д໯. 211 p. Note: Thesis (M.A.)—National Taiwan University, 2006. Considering that globalization and Hollywood domination has greatly influenced Chinese filmmaking, the paper selects three major Chinese film directors and compares their works before and after receiving transnational and Hollywood investment, including Ang Lee’s Wedding Banquet (1993) and Crouching Tiger, Hidden Dragon (2000); Zhang Yimou’s Raise the Red Lantern (1992) and Hero (2002); and Chen Kaige’s Farewell My Concubine (1993) and The Promise (2005). Concludes that the influence of globalization is inevitable, and the pressure of box office success challenges the directors’ integrity and cultural and national values. In terms of Taiwan’s film industry, the paper suggests that the government should change its policy: subsidies need to be more carefully directed to promising directors and their works and their subjects should not be limited to “local characteristics.” Includes a Chinese abstract and a bibliography. NCL/NDLTD Chi

2579 Lu, Zhifang. ᡭ޺ᇙ. [You ying fu ying?]—kan Taiwan dian ying chan ye de kun jing yu zhan wang. [ϩ‫ؙ‬㧤‫—]?ؙ‬Ѓ‫ݡ‬ஹӇ‫׬ݗؙ‬ϡ੡॒ӿࣁֳ. 68 leaves. Note: Thesis (M.A.)—National Taiwan University, 1997. In 1996, annual film production in Taiwan reached a low point in Taiwan’s filmmaking history with only eighteen films; at the same time, more films were supported by government subsidies. In 1998, government subsidies reached NT$120,000,000 (ca. $40 million), yet Taiwan film production had not

434

Film Law, Policy, Regulation, and Legal Cases

2586 Note:

2582 Tang, Weimin (Tang, Albert Wei-Min). ࿔‫์ۆ‬. You yi wen yi zhan dou fu sheng, dian ying zheng jing jian kong qi fei, xu shi wen ben mei xue zai xian: Liu shi nian dai Taiwan jian kang xie shi dian ying de jue qi = Recurring right-wing discursive tactics, policing political economy of cinematic production, representing narrative aesthetic syndromes: The rise of Healthy Realistic Cinema in Taiwan. ૼॢҹਲ‫ڕ‬ஸ࣢Т, Ӈ‫ूؙ‬Ҭฬସвٞ, ᡳѨҹӆѤѹӐѳ: ࡏ֐ ё‫ݡڊ‬ஹ࡬ࣉ܎ӢӇ‫ؙ‬ϡ៷в = Recurring right-wing discursive tactics, policing political economy of cinematic production, representing narrative aesthetic syndromes: The rise of Healthy Realistic Cinema in Taiwan. 267 leaves. Note: Thesis (Ph.D.)—Fu Jen Catholic University, 2008. The paper analyzes the discursive formation of Taiwan’s Healthy Realism movement in the 1960s. The author argues that, based on an account of the KMT’s efforts to preserve its monolithic governance from the 1930s through the Healthy Realism era, filmmakers used subtle tactics in a struggle for artistic freedom, while film critics and film historians desired relevant film productions. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

Presents the theoretical basis of the Taiwan government’s current film policy as outlined by, and in accordance with, Dr. Sun Yat-sen’s “Three Principles of People.” Selected from Taiwan’s Ph.D. and M.A. thesis collection entitled “The Institute of Three Principles of People in Taiwan.” Includes a bibliography, Film Law and President’s Executive Order (issued in 1983), Film Censorship Law (issued in 1955 and revised in 1958), and the Film Censorship Standard Regulation (issued in 1956). NTUL Chi

2585 Wang, Ziting (Wang, Tzu-Ting). ༙ࣼᑢ. Shi ting chan pin / fu wu mao yi guan zhi zhi yan jiu—yi dian ying ye wei zhong xin = The study of the trade regulations upon audiovisual products / services—focusing on film industries. ؆ԯ‫ݗ‬Ԙ / ‫ࠔע‬ᆓ‫܉ډ‬ԑ‫ء‬ҏ୳ૢ—йӇ‫׬ؙ‬ЊЅК = The study of the trade regulations upon audiovisual products / services—focusing on film industries. 231 leaves. Note: Thesis (M.A.)—National Taiwan University, 2007. This paper addresses the following questions: Should the Taiwanese government adopt trade regulations in order to protect the domestic film industry and market? And, if film is classified as a cultural product, how would this effect multilateral, bilateral, and free area trade agreements? Includes a Chinese and English abstract, a bibliography, and an appendix. NCL/NDLTD Chi

2583 Wang, Baomin. ࣼ‫ھخ‬. Chu ban fa guang bo dian shi fa dian ying fa shi lun. о‫֚ܰؗ‬৚Ӈ؆֚Ӈ‫ؙ֚‬ౠ‫ں‬. Taibei: Taiwan Zhonghua shu ju, 1985. 257 p. Note: An interpretation of the Publishing, Radio Broadcasting and Television, and Film Law in Taiwan. Describes the film review process and legislative principles applied. The appendix includes these titles: Implementation Guiding of Film Law, Film Export/Import Permission Processing Methods, and Film Subsidies Application Processing Methods. NCL Chi

2586 Wu, Ruozhi. ྶ઎≮. Zhongguo dian ying jian cha wen ti de yan jiu. ЅлӇ‫ؙ‬ഛ‫ݓ‬՛֤ϡ୳ૢ. 95 leaves. Note: Thesis (M.A.)—National Chengchi University, [1966] An introductory look at film censorship in different countries. In Chapter 5, the author reviews the history of censorship on the mainland before 1949 and in Taiwan after 1949. Chapter 6 discusses the practice of censorship in Taiwan. In Chapter 7, the author offers conclusions regarding censorship in Taiwan. Film censorship in mainland China after 1949 is not included in this study. Includes appendixes (Current Film Censorship Law and Regulations in Taiwan) and a bibliography. WorldCat Chi

2584 Wang, Mingwo. ࣼҴϢ. Cong Min Sheng Zhu Yi Yu Le liang pian bu shu lun wo guo dian ying shi ye—xian jie duan dian ying zheng ce zhi yan jiu. ԩ‫ھ‬ТҰचड़ӀҔࢡਣ਎‫ں‬ϢлӇ‫ؙ‬Ѩ‫—׬‬ѳ႓‫ݫ‬Ӈ‫ूؙ‬೫ҏ୳ ૢ. Taibei: Zheng zhong shu ju, 1987. 288 p. Series title: San Min Zhu Yi yan jiu so bo shi, shuo shi lun wen jiang zhu chu ban cong shu, di ba ji; 2 ѧ‫ھ‬Ұच୳ૢѕࡲ, ፩ࡲ‫ں‬ҹ؉ࡾо‫ؗ‬ᜣ‫ڣ‬, ҷࡂফ; 2

435

Others

2587

The appendix includes a list of major countries in the world that provide film subsidies and guidelines for applying for government subsidies. CTFAL Chi

2587 Xin wen fa gui hui bian / Xing zheng yuan xin wen ju bian. Јࢨ֚੺ᓫഹ / ҲूࡨЈࢨ঵ഹ. Taibei: Xing zheng yuan xin wen ju, 1978. 1 v. Note: A collection of official laws and regulations related to film, television, radio, publishing, and other news media in Taiwan. It is the earliest collection published by the Information Bureau of the Executive Yuan in Taiwan; after this publication, the same government agency published many collections under the same title but did not observe a consistent time pattern between subsequent publications. WorldCat Chi

2591 Zheng, Jiashi. ቼဓஉ. Cong Zhongguo dian ying fa zhan ce lue kan Taiwan dian ying jin ru Zhongguo shi chang zhi ji hui yu tiao zhan. ԩЅлӇ‫ؙ‬чࣁ೫ଯЃ‫ݡ‬ஹӇ‫ؙ‬ՔՊЅл‫ص‬ԾҏҚϾӿख‫ڕ‬. 117 leaves. Note: Thesis (M.A.)—National Chengchi University, 2009. Considers the opportunities and challenges facing Taiwan’s film industry vis-à-vis mainland China’s film regulations and development. Concludes that Taiwan should coproduce films with China’s film industry to increase its market reach and enable competition in light of the Closer Economic Partnership Arrangement signed by China and Hong Kong. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

2588 Xin wen fa gui hui bian / Xing zheng yuan xin wen ju bian. Јࢨ֚੺ᓫഹ / ҲूࡨЈࢨ঵ഹ. Taibei: Xing zheng yuan xin wen ju, 2004. 2 v. (10,968 p.) ISBN 9570179163 (v. 1), 9789570179163 (v. 1), 9570179171 (v. 2), 9789570179170 (v. 2) Note: A collection of official laws and regulations related to film, television, radio, publishing, and other news media in Taiwan. The film-related laws and regulations are included in Vol. 1. WorldCat Chi

2592 Zhu zuo quan fa yu ying ju shi ye zhi jing ying / Zhu bian: Chen Huiying. Яӑ੸֚ӿ‫ঁؙ‬Ѩ‫׬‬ҏҬॺ / Ұഹ: ಴༫⑵. Taibei: Zhonghua Minguo dian ying shi ye fa zhan ji jin hui, 1992. 106 p. Note: Includes the following records: the Copyright Law and Cinema Drama Business Management Forum on May 29, 1992; and the 1992 version of the Copyright Law; and the Implementation Guideline of the Copyright Law in Taiwan. CTFAL Chi

2589 Ying li shi ye tou zi dian ying pian zhi zuo ye zhi zuo guo chan dian ying pian tou zi di jian ban fa ji dian ying xiang guan xing ge fu dao cuo shi shuo ming hui / Xing zheng yuan xin wen ju. ॺ۱Ѩ‫ޞۄ׬‬Ӈ‫ؙ‬३әӑ‫׬‬३ӑл‫ݗ‬Ӈ‫ؙ‬ә‫ޞۄ‬௦ः‫ߵ֚ދ‬Ӈ‫ؙ‬ ԚԬࣱཪᔆ࣒ᇯැМҴϾ / ҲूࡨЈࢨ঵. Taibei: Xing zheng yuan xin wen ju, 2004. 30 p. Note: This is the government’s publication regarding “The regulations governing tax credit for business investing in motion picture production enterprises for production of domestically produced motion pictures”; and “The criteria differentiating domestically produced motion pictures, domestic motion pictures, and foreign motion pictures”; and other film investment–related laws, regulations, and guidelines. CTFAL Chi Eng

2593 Zou, Nianzu (Tzou, Nian-tsu). ề݉ྥ. Guo pian fu dao jin zhi du yan jiu = Research on the subsidiary Policy of Taiwan Cinema. ләᔆ࣒‫ = ૢ୳֏ءؖ‬Research on the subsidiary Policy of Taiwan Cinema. 177 leaves. Note: Thesis (M.A.)—National Chiao Tung University, 2001. Hollywood has dominated the international film markets, including Taiwan market, for decades and many countries implement different policies to support their own national cinemas. After studying these policies, the paper suggests that Taiwan should not copy the policies of other countries; rather, it should position its subsidiary grant clearly as a cultural policy and spend the grant more appropriately in the areas of producing art-oriented films and investing in new directors. Includes a Chinese and English abstract, a bibliography, and an appendix (including List of the Films Received

2590 Zhen xing wo guo dian ying shi ye fu dao fang an / Xing zheng yuan xin wen ju bian yin. ዄࣱϢлӇ‫ؙ‬Ѩ‫׬‬ᔆ࣒Ҥଈ / ҲूࡨЈࢨ঵ഹ୅. Taibei: Xing zheng yuan xin wen ju, 1990. 41 p. Note: This is the government-issued, official plan for supervising and supporting the Taiwan film industry, issued by the Office of News Affairs, Executive Yuan in 1990. Based on the Motion Picture Act-Article 39, the plan lists the requirements necessary for budget support (ten items) and the administrative coordination necessary for domestic film production in Taiwan.

436

Film Market, Marketing, and Box Office

2599

the Subsidiary Grants, a chronology of Taiwan Film Subsidiary System, and Name List of the Subsidiary Grant Evaluation Committee Members). NCL/NDLTD Chi

10.10

FILM MARKET, MARKETING,

AND

2597 Chen, Yifan (Chen, Frank). ಴သఅ. Dian ying cheng gong xing xiao mo shi tan tao—yi 2006 nian Taiwan wai pian fa xing shang wei li = A study on film marketing models—Taking 2006 Taiwan foreign film distributors as examples. Ӈ‫ؙ‬ю‫ۋ‬Ҳઍথܴ෬क़—й 2006 ё‫ݡ‬ஹ֔әчҲ࠱Њຎ = A study on film marketing models—Taking 2006 Taiwan foreign film distributors as examples. 130 leaves. Note: Thesis (M.A.)—National Chengchi University, 2008. In 2006, Taiwan film distributors of foreign films bucked a trend in which, normally, more than 70 percent of the annual box office profit in Taiwan was earned by Hollywood major film distributors. Thus, this paper analyzes four Taiwan-based foreign film distributors who were successful in 2006, demonstrating several marketing models suitable for the future of Taiwan’s film market. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

BOX OFFICE

2594 Cai, Peijuan (Tsai, Pei Chung). ᓥႬᥱ. “Bei qing cheng shi” de lun shu jian gou—Shi chang xing xiao, lei xing yu li shi xu shi = The construction of “A city of sadness”: Marketing, genre and narrative. “঳є‫ ”صڵ‬ϡ‫ں‬਎ࠃภ—‫ص‬ԾҲઍ,ढࡿӿࣵ੗ᡳѨ = The construction of “A city of sadness”: Marketing, genre and narrative. 138 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 1994. Viewing Hou Hsiao-hsien’s film A City of Sadness (1989) as an example of Taiwan films produced in the 1980s, the paper analyzes the discourse of the film from the perspectives of marketing, genre, and historical narrative. Includes a Chinese abstract and a bibliography. NCL/NDLTD Chi

2598 Chen, Zhong. ಴Ѕ. Dian ying zhong de gu shi mai dian. Ӈ‫ؙ‬Ѕϡ‫ݞ‬Ѩࢀѡ. Taibei xian Sanzhi xiang: Xin guan nian chu ban she, 2006. 189 p. ISBN 9868098386 Note: Categorizes seventy-six films from overseas, mostly Hollywood films, with box office earnings around NT$100,000 (ca. $33,000), into eleven subjects to recommend local Taiwan film directors and screenplay writers to follow similar filmic and narrative strategies to be more profitable. CTFAL Chi

2595 Chen, Duanci. ಴ઉ፦. Dian ying chang jing yu yi fu hao de kong jian wen hua yu quan qiu shi chang hua: Li An zao qi dian ying ge an fen xi = an analysis of the early films of Ang Lee and study of the sight of film, the culture of meaning and film symbols of sight. Ӈ‫ؙ‬Ծ࢓‫ܭ‬Һላ‫ى‬ϡ‫׺‬Ҽҹ٩ӿҪ‫صܧ‬Ծ٩: ଽԥՉ‫׈‬Ӈ‫ؙ‬ϫଈ д໯ = an analysis of the early films of Ang Lee and study of the sight of film, the culture of meaning and film symbols of sight. 119 leaves. Note: Thesis(M.A.)— Ming Chuan University, 2004. Explores space and genre in Ang Lee’s films. Includes a bibliography, a filmography, and chronologies of Hou Hsiao-hsien, Edward Yang, and Ang Lee. NCL/NDLTD Chi

2599 Cheng, Yucheng. ࡄ໹஧. Xing xiao dian ying = Marketing movies. ҲઍӇ‫ = ؙ‬Marketing movies. Taibei: Yan Tai tu shu chu ban she, 2006. 284 p. ISBN 9789867809438, 9867809432 Series title: Chuan bo jiao yu cong shu; 41 ‫ة‬৚‫ڌ‬ड़ᜣ‫ ;ڣ‬41 Note: Because this book dealing with film marketing is written by a Taiwanese scholar, it is unfortunate that most of the cases discussed in the book are based on Hollywood film marketing rather than on Taiwan film marketing. Includes a glossary (in Chinese and English) and a bibliography NTUL Chi

2596 Chen, Guanhua (Chen, Kuan-Hua). ಴ഃṡ. Taiwan dian ying tui guang ce lue yan jiu = A study of promotion strategies among Taiwan cinema. ‫ݡ‬ஹӇ‫ؙ‬Ԑܰ೫ଯ୳ૢ = A study of promotion strategies among Taiwan cinema. 197 leaves. Note: Thesis (M.A.)—National Chengchi University, 2005. Presents the marketing strategies and promotion of Taiwan cinema during six different time periods: 1895– 1945, 1945–1959, 1960–1969, 1970–1979, 1980–1989, and 1990–. Includes a Chinese Abstract, a bibliography, and statistical charts. NCL/NDLTD Chi

437

Others

2600 2600

2603

Chen, Luyang (Chen, Lu-Yang). ಴߫เ. Wo guo yuan xian ji lu pian “Wu mi le,” “Fan gun ba! nan hai,” “Nanfang’ao hai yang ji shi” zhi xing xiao ce lue yan jiu = Marketing strategies study of “Happy rice,” “Jump! Boys,” and “Chronicle of the sea, Nan-Fang-Ao.” Ϣлࡨ۷ઔ࠷ә “ѩܶӀ,” “ࢬఁщ! Բ‫י‬,” “۪Ҥᆹ֋ଥઔѨ” = Marketing strategies study of “Happy rice,” “Jump! Boys,” and “Chronicle of the sea, Nan-Fang-Ao.” 144 leaves. Note: Thesis (M.A.)—Ming Chuan University, 2006. Analyzes the documentary film marketing strategies of Happy Rice (2004), Jump! Boys (2005), and Chronicle of the Sea, Nan-fang-ao (2004). Includes a Chinese and English abstract, a bibliography, and an appendix. NCL/NDLTD Chi

Li, Zhenlin, 1965– ཯౜৆, 1965– Dao yan de lu dong: hua yu dian ying, shi yan ying xiang he zuo zhe dian ying yan jiu. ࣔࠟϡಋ҃䩭‫ܬܗ‬ӈ‫ؙ‬䩟 ӥࡑ‫ؙ‬Ռфӑ‫ٷ‬ӈ‫ؙ‬ϡ୳ૢ. Shanghai: Shanghai shu dian chu ban she, 2011. 229 p. ISBN 9787545804102, 7545804104 Note: The author studies Chinese films produced in mainland China, Hong Kong, and Taiwan during the first decade of the twenty-first century by considering different directing perspectives. Chapter 3 is devoted to the market-saving function of Taiwan’s New Youth Films. Includes a bibliography. WorldCat Chi

2604 Liao, Shuhua (Liao, Shu-Hua). ᴰᎂ‫ܓ‬. Taiwan dian ying piao fang mo xing zhi jian gou = The model creation of box office in Taiwan. ‫ݡ‬ஹӇ‫ࠚܯؙ‬থࡿҏࠃภ = The model creation of box office in Taiwan. 92 leaves. Note: Thesis (M.A.)—Shih Hsin University, 2008. Uses the Bass Diffusion Model to present a prediction model for box office success for Taiwan film distributors and investors. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

2601 Chiu, Chi-ming. A study of Taiwanese cinema: cultural policy, marketing and the issues of postmodernity (the late 1980s-2000). Taipei: Radio and Television Department, National Taiwan University of Arts, 2003. 176 p. ISBN 9570138955, 9789570138955 Note: A study of cultural policy, marketing, and the issues of postmodernity in the cinema of Taiwan from the 1980s to 2000. Includes a bibliography. NCL Eng

2602

2605

Jiang, Jiyun (Chiang, Chi-yun). ࢖ࡵ᭲. Taiwan dian ying ye pei xiao mi du zhi jue ding yin su yu piao fang biao xian: yi jiao yi cheng ben, dai li li lun yu she hui wang luo guan dian tan tao zhi = Antecedents of distribution intensity and boxoffice in Taiwan’s film industry: Insights from transaction cost analysis, agency theory, and network perspective. ‫ݡ‬ஹӇ‫ࡈ׬ؙ‬ઍ઼֏ҏ‫ݺ‬ӡӹঈӿ‫ࠚܯ‬ԣѳ: й‫ډے‬юӆ, ‫ڊ‬ԑԑ ‫ں‬ӿघϾӻ౪޲ѡ෬क़ҏ = Antecedents of distribution intensity and box-office in Taiwan’s film industry: Insights from transaction cost analysis, agency theory, and network perspective. 133 leaves. Note: Thesis (Ph.D.)—National Taiwan University, 2005. Uses movie distribution data collected from Taiwan’s film industry to show that asset specificity has a negative relationship in relation to distribution intensity; in contrast, information gathering and social networks have a positive relationship on distribution intensity, which in turn has a significant positive relationship on box office performance. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Eng

Liao, Yifan. ᴰϣఅ. Taibei shi dian ying shi chang zhi qu ge ji Taiwan dian ying zhi ding wei yan jiu—yi Taibei shi da xue sheng wei li. ‫صܚݡ‬Ӈ‫صؙ‬Ծҏ߅ഭߵ‫ݡ‬ஹӇ‫ؙ‬ҏӡ֧୳ૢ—й‫صܚݡ‬ϽѹТ Њຎ. 118 leaves. Note: Thesis (M.A.)—Tamkang University, 2000. Using college students in Taipei’s municipal area as a case study, discusses the negative perception toward Taiwanese films in terms of film reviews, audience’s dissatisfaction, marketing, ticket prices, directing, acting, and film narratives. Includes a Chinese abstract and a bibliography. NCL/NDLTD Chi

2606 Lin, Bolong (Lin, Po-Long). ৆ᐑह. Taiwan dian ying jia zhi lian yu mai zuo an li zhi tan tao: yi “Hai jiao qi hao” wei li = The value chain of Taiwan movie and blockbuster䩭a case study on “Cape No. 7.”

438

Film Market, Marketing, and Box Office

2611

‫ݡ‬ஹӇ‫ؙ‬٢ߚషӿࢀӏଈຎҏ෬क़: й “֋ࡠࢳ‫”ى‬Њຎ = The value chain of Taiwan movie and blockbuster䩭a case study on “Cape No. 7.” 134 leaves. Note: Thesis (M.A.)—National Yunlin University of Science & Technology, 2008. By describing the process of making the film Cape No. 7 (2008), this paper explores the main reasons for the film’s box office success. Includes a Chinese and English abstract, a bibliography, and an appendix, including guidelines for applying for the 2009 government domestic film subsidy, a filmmaking budget management example, the cast and personnel of Cape No. 7, and box office records for Cape No. 7 in Taipei. NCL/NDLTD (FT) Chi

in watching American movies in the Taipei area. Concludes that this cross-section of university students can be categorized as follows: “self-improvement,” “fashionable,” and “social and entertainment” (the third group was largest at 56.2 percent). Includes a Chinese abstract and a bibliography. NCL/NDLTD (FT) Chi

2609 Lu, Meihui (Lu, Mei-huei). ᡭѤ௑. Taiwan dian ying jin jun da lu shi chang guan jian cheng gong yin su zhi tan tao = The Taiwanese movie industry entering the Chinese market: a discussion of critical success factors. ‫ݡ‬ஹӇ‫ؙ‬Ք‫ݲ‬Ͻ૔‫ص‬ԾԬඟю‫ۋ‬ӹঈҏ෬क़ = The Taiwanese movie industry entering the Chinese market: a discussion of critical success factors. 90 leaves. Note: Thesis (M.A.)—Chinese Culture University, 2009. This theses focuses on the challenges and opportunities faced by Taiwanese movie companies that attempt to enter the Chinese market. An analysis of the key strategies commonly adopted for entering the Chinese market is provided. Concludes that government policy, film quality, and innovation are the most critical factors for success in the Chinese market. Includes a Chinese and English abstract, a bibliography, and an Appendix (including survey sample, results from interviews, and an introduction to film distribution). NCL/NDLTD Chi

2607 Liu, Xianghuan (Liu, Hsiang-huan). ฀‫⇱ז‬. Shi chang fen qun mo shi yu gu ke jia zhi mo shi yan tao—yi dian ying shi chang wei li = A study on market segmentation and customer value—taking movie market for example. ‫ص‬Ծдळথܴӿઆ‫ۺ‬٢ߚথܴ୳क़—йӇ‫صؙ‬ԾЊຎ = A study on market segmentation and customer value—taking movie market for example. 95 p. Note: Thesis (M.A.)—National Taiwan University, 2008. Based on a study of Taipei’s box office records, the paper divides customers into these categories: highest contribution, regular contribution, and low-contribution customers, accounting for 7.3 percent, 25 percent, and 67.7 percent of the market respectively. Notes that the high-contribution customers focus on innovation, diversity, and information acquisition; regular customers pay more attention to entertainment factors; and low contributors are most intrigued by the overall visual experience. Distinctive differences among the groups include viewing companions, whether or not films would be watched on impulse, and when films were watched. Includes an English abstract, a bibliography, and survey samples. NTUL Chi

2610 Lu, Zhenglin (Lu, Cheng-lin). ᧛ूᷖ. Taiwan xiao cheng ben dian ying de sheng cun zhi dao—yi “Shi qi sui de tian kong,” “Sheng xia guang nian” he “Ci qing” deng san bu tong zhi ti cai dian ying wei li. ‫ݡ‬ஹЩюӆӇ‫ؙ‬ϡТࡖҏѬ—й “֐ࢳ‫ۈ‬ϡϳ‫׺‬,” “ഄॼ‫ׇ‬ё” ф “଱‫ ”ݙ‬ҳѧ‫ח‬ӎ࢑֤୰Ӈ‫ؙ‬Њຎ. 130 leaves. Note: Thesis (M.A.)—National Chung Cheng University, 2008. Using three low-budget but successful gay movies as examples, and by studying their production methods, subject selection, and marketing strategies, the paper provides four suggestions for rejuvenating the Taiwan film industry in terms of understanding the market size, establishing the director’s reputation, despecifying marketable content, and diversifying the market. Includes a Chinese abstract and a bibliography. NCL/NDLTD Chi

2608 Liu, Youjing. ฀ҍ᪦. Cong yu qiu li yi guan dian tan tao Taiwan dian ying zhi shi chang qu ge—yi Meiguo dian ying wei yan jiu dui xiang = A study of Taiwan’s movies market segmentation from a benefit-seeking perspective: a case study of American movies. ԩ௰ؒ۱೯޲ѡ෬क़‫ݡ‬ஹӇ‫ؙ‬ҏ‫ص‬Ծ߅ഭ—йѤлӇ‫ؙ‬Њ୳ૢх ࢣ= A study of Taiwan’s movies market segmentation from a benefitseeking perspective: a case study of American movies. 82 leaves Note: Thesis (M.A.)—National Chiao Tung University, 2003. Considering the dominance of Hollywood cinema in Taiwan in the 1990s, this study considers Taiwan college and graduate students’ high level of interest

2611 Ma, Yaqi (Ma, Ya Chi). ެ઩⓭. Jin ma jiang dui Taiwan Hua yu ying pian xiao shou piao fang ying xiang zhi tan tao. ‫ެؖ‬؉х‫ݡ‬ஹ‫ؙܭܓ‬әઍତ‫ؙࠚܯ‬৘ҏ෬क़. 170 leaves.

439

Others

2612 Note:

Thesis (M.A.)—National Taiwan Normal University, 2002. Focuses on the economic relationship between the Golden Horse Awards and market data, and takes into account the box office records of 440 Chinese films shown in Taipei movie theaters from1996 to 2000. Concludes that Golden Horse success does not necessarily correlate to success at the box office for domestically produced Chinese films, unless successful marketing tactics link movie stars to both the Golden Horse Awards and their films. Includes a Chinese abstract and a bibliography. NCL/NDLTD Chi

Note:

Thesis (M.A.)—National Taiwan Normal University, 2009. Publishing movie blogs on Blog Service Provider has become a common e-marketing practice for Taiwanese film companies in recent years. By assessing film blogs for three Taiwanese films: Cape No. 7, Orz boys, and Drifting Flowers as a case studies, the paper explores the advantages, disadvantages, and potentiality of this new marketing tool. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

2614 2612

Wei, Di (Wei, Ti). ᪭万. Dang qian Taiwan dian ying gong ye de Zheng zhi jing ji fen xi = The Taiwan film industry (1989—1993): a political economic perspective. Ԅӓ‫ݡ‬ஹӇ‫׬ؙ֞‬ϡू੽Ҭ௵д໯ = The Taiwan film industry (1989—1993): a political economic perspective. 181 leaves. Note: Thesis (M.A.)—National Chengchi University, 1995. Describes the decline of Taiwan’s film industry, starting in the mid-1970s, even as current domestically produced Taiwanese films received international film festival recognition and the government had intensified its support for the local film industry. Considers the following interrelated topics: politics, economic trends, government film policy, and film market trends. Includes a Chinese abstract and a bibliography. NCL/NDLTD Chi

Stalens, Alizee (Shi, Aili). ੗⏣ᰆ. After Hou Hsiao Hsien and Tsai Ming Liang: A case study of promotion of Taiwan cinema in France = Hou Xiaoxian yu Cai Mingliang zhi hou: Taiwan dian ying yu Faguo xing xiao zhi yan jiu fen xi. After Hou Hsiao Hsien and Tsai Ming Liang: A case study of promotion of Taiwan cinema in France = ᢡᖮᐊӿᓥҴ݊ҏћ: ‫ݡ‬ஹӇ ‫ؙ‬ҿ֚лҲઍҏ୳ૢд໯. 106 p. Hou Hsiao-Hsien and Tsai Ming-Liang’s films have been warmly received by the French public; however, films directed by Taiwan film directors of the early 2000s have not fared as well. The paper provides interviews with French film distributors and points out that “observations of Taiwan distributors and the Taipei Film Commission at Le Marché du Film de Cannes revealed a lack of effort to attract French or European buyers” (abstract). In addition, “Taiwan, and Asian Cinema in general, is facing a great opponent as French distributors are now being attracted to more emergent cinemas coming from South America and Africa. Furthermore, interviews with French distributors shows that the type of films French distributors are more likely to buy is an art house type of cinema as opposed to the rather commercial type of cinema that regained Taiwanese audience attention since 2008” (abstract). including Cape No.7, a hugely successful film in Taiwan’s domestic market. Includes a bibliography and an English and Chinese abstract. NCL/NDLTD Eng

2615 Wu, Jialun. ྶ૟ൔ. Dian ying 0 xing xiao. Ӈ‫ ؙ‬0 Ҳઍ. Taibei: Shu lin chu ban you xian gong si, 2007. 211 p. ISBN 9789574451739 Series title: Dian ying gong chang; 2 Ӈ‫ؙ֞‬Ծ; 2 Note: An excellent introductory text and industry resource for film marketing strategies in Taiwan. Includes four parts: Part I introduces Hollywood film marketing models globally and in Taiwan; Part II explores the eight biggest American Hollywood companies’ marketing strategies and procedures in Taiwan; Part III explains and analyzes the local Taiwan film production and marketing models; and Part IV deals with digital film marketing tools. The appendix includes local Taiwan websites that can be used for film marketing, government regulations for subsidizing domestic film marketing, samples of film marketing plans, preview announcements, audience surveys, advertisements, and information for movie theaters in the greater Taipei area. NTUL Chi

2613 Su, Weiling. ಩ᬕᎈ. Taiwan dian ying bu luo ge xing xiao zhi yan jiu—yi “Hai jiao qi hao,” “Jiong nan hai,” yi ji “Piao lang qing chun” wei li = The study of Taiwanese Movie Blog Marketing䩭a case study of “Cape No. 7,” “Orz Boys” and “Drifting Flowers” movie blogs. ‫ݡ‬ஹӇ‫޻חؙ‬۴Ҳઍҏ୳ૢ—й “֋ࡠࢳ‫ى‬,” “ߐԲ‫י‬,” йߵ “੆ ‫ ”ࡇݙع‬Њຎ = The study of Taiwanese Movie Blog Marketing䩭a case study of “Cape No. 7,” “Orz boys” and “Drifting flowers” movie blogs. 228 leaves.

440

Film Market, Marketing, and Box Office

2620 Note:

2616 Wu, Tingyun. ྶ៴ུ. Yi shu dian ying mi yu Taiwan dian ying xiao fei jie ceng hua xian xiang zhi yan jiu: yi Budi’e (Bourdieu) wen hua she hui xue wei yan jiu qu jing. ਲफӇ‫ؙࣿ‬ӿ‫ݡ‬ஹӇ‫ٮ۽ؙ‬႓ৡ٩୳ૢ: й޿ၔᵹ (Bourdier) ҹ ٩घϾѹЊ୳ૢԼዒ. 149 leaves. Note: Thesis (M.A.)—Tamkang University, 2006. Analyzes the formation of art film consumer culture in Taiwan as well as the social characteristics and cultural practices of art film fans by using in-depth interviews. The author employs French sociologist Pierre Bourdieu’s cultural theories and concludes that Taiwan film consumption is stratified because economic and cultural capital is distributed unequally. The appendix includes the names and background information of interviewees and the survey sample. Includes a Chinese and English abstract and a bibliography NCL/NDLTD Chi

Thesis (M.A.)—National Taiwan University, 2007. Uses economic statistics to consider why Hollywood movies succeed in Taiwan’s market. Concludes that Hollywood’s rating system, higher production budgets, quantity of theaters showing films, and release times result in better box office results compared with Taiwan films. Includes a Chinese and English abstract, a bibliography, and various box office records in Taiwan film market. NCL/NDLTD Chi

2619 Yin, Jialian (Yin, Chia-lien). ᦜဓၬ. Taiwan dian ying huo guo ji ying zhan jiang xiang yu piao fang xiao shou zhi guan xi = The relationship between the award-winning films of Taiwan and the box office. ‫ݡ‬ஹӇ‫ؙ‬Ԡлগ‫ࣁؙ‬؉࣯ӿ‫ࠚܯ‬ઍତҏԬ਽ = The relationship between the award-winning films of Taiwan and the box office. 117 leaves. Note: M.A. thesis—National Sun Yat-sen University, 2007. Analyzes the filmic relationship between international recognition and success at the Taiwan box office. Notes that The City of Sadness achieved both international recognition (as it won the Golden Lion Award at the International Venice Film Festival) and success at the Taiwan box office, as did two of Ang Lee’s films that won Oscars and attracted Taiwan audiences. Although The City of Sadness was an anomaly and Ang Lee’s films had good stories, overall, most Taiwan films that garnered international acclaim do not perform well in Taiwan. Thus, the author recommends that Taiwan’s government should not only encourage winning international film festival competitions but also should encourage the development of interesting narrative content for the Taiwan film market. Includes a bibliography. NTUL Chi

2617 Xie, Caimiao. ‫ిࠡه‬. Xun zhao qing min jian: cong “Wo hu cang long” tan Hua yu dian ying guo ji hua = Globalization of Chinese language cinemas: a case study of Crouching Tiger, Hidden Dragon. ଵ‫ݙװ‬ᙛ঺: ԩ “၃ഝেह” ড‫ܭܓ‬Ӈ‫ؙ‬лগ٩= Globalization of Chinese language cinemas: a case study of Crouching Tiger, Hidden Dragon. Taibei: Ya Tai tu shu, 2004. 244 p. ISBN 9867809297 Series title Chuan bo jiao yu cong shu ‫ة‬৚‫ڌ‬ड़ᜣ‫ڣ‬ Note: A book based on the author’s master’s thesis at the National Taiwan University. Studies Crouching Tiger, Hidden Dragon (2000) as a blueprint for the success of Chinese cinema in the global marketplace. Analyzes the film’s production, distribution, and marketing as well as the current film production environment in Taiwan, Hong Kong, mainland China, and the United States. Includes in-depth interviews with the film’s producers and scholars in Taiwan, Hong Kong, and mainland China and uses an immersion and crystallization method to reach its conclusion. Includes a bibliography and an appendix. NTUL Chi

2620 Ying yin mei xue yu chuang yi xing xiao yan tao hui = Seminar on digital aesthetics and creative marketing / Li Tianduo, Fan Shengbao, Qiu Zhiyong zong zhu bian. ‫ٸؙ‬ѤѹӿࡶҺҲઍ୳क़Ͼ = Seminar on digital aesthetics and creative marketing / ଽϳ⟢, ౒ഄ‫خ‬, ᆥ௨ରրҰഹ. Taibei: Jiao yu bu, 2007. 210 p. ISBN 9789860101904 Note: Conference proceedings organized into twelve sessions, including lectures and panel discussions, focusing on the emergent multimedia, digital technology, film production, and marketing trends involving Hollywood marketing strategies in Taiwan and Taiwan film production and marketing, as well as the cooperation of animated film production between Taiwan and mainland China. CTFAL Chi

2618 Yan, Zhilong (Yen, Chih-lung). ୶࢑ह. Meiguo dian ying zai Taiwan = American movie in Taiwan. ѤлӇ‫ؙ‬Ϩ‫ݡ‬ஹ = American movie in Taiwan. 60 leaves.

441

Others

2621

Includes a Chinese and English abstract, a bibliography, an appendix, and interviews. NCL/NDLTD Chi

2621 You, Shangmin. ղϼ‫ھ‬. “Shang dian ying yuan = kan Haolaiwu dian ying?”: Meiguo hua xia Taiwan guan zhong de dian ying xiang xiang. “ϼӇ‫ = ࡨؙ‬ЃϮᒀᩕӇ‫”?ؙ‬: Ѥл٩Ў‫ݡ‬ஹ޲ੁϡӇ‫ؙ‬ЂՌ. 200 leaves. Note: Thesis (M.A.)—National Taiwan Normal University, 2008. Studies the domination of Hollywood films in Taiwan’s film market and the Americanization of Taiwan movie theaters from an audience perspective. Defines movie theaters as sites of technology, consumption, and entertainment for Taiwanese society and concludes that Hollywood films best match the requirements of these three spaces. In addition, Taiwan’s art films, which are only shown in film festivals, and commercial films, which include elements of Hollywood style, have further Americanized Taiwan’s film viewing experience and audience. Includes a Chinese abstract and a bibliography. NCL/NDLTD Chi

2624 Zhang, Yinting. ‫פ‬᱘ᑢ. Ying yong fen liang hui gui mo xing fen xi dian ying piao fang zhi ying xiang yin su = Apply quantile regression model to investigate the influential factors to box office of motion pictures. ‫׎‬ѓд֝፯஑থࡿд໯Ӈ‫ࠚܯؙ‬ҏ‫ؙ‬৘ӹঈ = Apply quantile regression model to investigate the influential factors to box office of motion pictures. 81 leaves. Note: Thesis (M.A.)—National Taiwan University, 2009. This study uses a “quantile regression” model to determine factors that influence the box office of Hollywood films. This thesis also proposes marketing concepts and future research directions for the Taiwan film market. Includes a bibliography and Chinese and English abstracts. NTUL/AIRITI Library Chi

2622 2625

Zeng, Xiba. ߲՝ພ. Wo ai dian ying. ϢДӇ‫ؙ‬. Taibei: Da han chu ban she, 1979. 204 p. Series title: Da han wen ku; 8 Ͻఈҹᆞ; 8 Note: A collection of film-related articles originally published in various newspapers and journals. Articles on Taiwan film, in Parts 1 and 3, deal with film theory, box office results, and censorship issues. CTFAL Chi

Zhang, Zhewei (Chang, Che-Wei). ‫פ‬Ꮋ‫ۆ‬. Wen hua chuang yi chan ye guo ji xing xiao ce lue zhi yan jiu—yi Taiwan dian ying chan ye wei li = The study of international marketing strategies for creative cultural industries: “A case analysis of movie industry in Taiwan.” ҹ٩ࡶҺ‫׬ݗ‬лগҲઍ೫ଯҏ୳ૢ—й‫ݡ‬ஹӇ‫׬ݗؙ‬Њຎ = The study of international marketing strategies for creative cultural industries: “A case analysis of movie industry in Taiwan.” 289 p. Note: Thesis (M.A.)—National Taipei University, 2010. Considering the movie industry as one of the most important creative cultural industries in Taiwan, the author compares related government policies from Taiwan, the United States, Hong Kong, Korea, and India. Analyzes in-depth interviews with four related stakeholders, described as governmental, organizational, community, and audience. Recommends the so-called 4C international marketing strategies, which cover core values, creativity, customers, and cross-boundary governance. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD (FT) Chi

2623 Zhan, Weiqi (Chan, Wei-Chi). ᴐᬕ⓭. Hua yu dian ying de Haolaiwu shi xing xiao—yi “Ying xiong” “Shuang tong” zai Taiwan de xing xiao wei li = The Hollywood marketing of Chinese movies—taking “Hero” and “Double vision” as Examples. ‫ܭܓ‬Ӈ‫ؙ‬ϡϮᒀᩕܴҲઍ—й “߭೰” “‫ ”᧢ד‬Ϩ‫ݡ‬ஹϡҲઍЊຎ = The Hollywood marketing of Chinese movies—taking “Hero” and “Double vision” as examples. 130 leaves. Note: Thesis (M.A.)—Tamkang University, 2003. Using two Chinese films—Hero (China, 2002) and Double vision (Taiwan, 2002)—as examples, the paper studies Hollywood-style marketing methods in Taiwan, including the following: marketing packaging, marketing communication, and nonmarketing communication. Proposes the establishment of a new framework for marketing partnerships for Chinese films.

2626 Zheng, Jiashi. ቼဓஉ. Cong Zhongguo dian ying fa zhan ce lue kan Taiwan dian ying jin ru Zhongguo shi chang zhi ji hui yu tiao zhan. ԩЅлӇ‫ؙ‬чࣁ೫ଯЃ‫ݡ‬ஹӇ‫ؙ‬ՔՊЅл‫ص‬ԾҏҚϾӿख‫ڕ‬. 117 leaves.

442

Film Music and Songs

Note:

2631

Thesis (M.A.)—National Chengchi University, 2009. Considers the opportunities and challenges facing Taiwan’s film industry vis-à-vis mainland China’s film regulations and development. Concludes that Taiwan should coproduce films with China’s film industry to increase its market reach and enable competition in light of the Closer Economic Partnership Arrangement signed by China and Hong Kong. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

10.10.1

Trailers

2629 Li, Peipei. ଽഷഷ. 2000–2010 nian Taiwan dia ying yu gao pian yan jiu yu mo shi tan qiu = The study of 2000–2010 Taiwan movie trailers and model exploration. 2000–2010 ё‫ݡ‬ஹӇ‫ؙ‬ভ‫ݍ‬ә୳ૢӿথܴ෬ؒ = The study of 2000–2010 Taiwan movie trailers and model exploration. 167 p. Note: Thesis (M.A.)—National Cheng Chi University, 2009. Compares Taiwanese movie trailers with Hollywood movie trailers. Categorizes Hollywood movie trailers into four types: narrative, visual, audial, and stars. Categorizes Taiwanese movie-trailers into three types: quasi- Hollywood, Hollywood-like, and a local Taiwan model. The purpose of the study is to help Taiwan’s film industry maximize the marketing impact of its movie trailers. Includes a bibliography and Chinese and English abstracts. NCL/NDLTD Chi

2627 Zheng, Yifang (Cheng, Yi-Fang). ቼፐᇙ. Taibei shi dian ying ying yan zhi tong lu cheng yuan guan xi yan jiu—jiao yi cheng ben li lun guan dian. ‫صܚݡ‬Ӈ‫ࠟྱؙ‬ҏ֡բю‫؂‬Ԭ਽୳ૢ—‫ډے‬юӆԑ‫޲ں‬ѡ. 138 leaves. Note: Thesis (M.A.)—National Taiwan Normal University, 2003. Studies the channels in Taiwan’s film submarket between distributors and exhibitors of movies in Taipei to explore the relationship between transaction-specific assets, channel power, channel dependence, and channel conflict. Concludes that the Hollywood majors are the major distributors for exhibitors, some of which use vertical integration to form movie conglomerates, and that asset specificity of distributors is positively related to the channel dependence of exhibitors. Therefore, distributors might have bargaining power over exhibitors because they own specific assets. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

10.11

FILM MUSIC

AND

SONGS

2630 Chen, Dieyi. ಴Ⴕ‫ژ‬. You lai qian zhong yi bing shi tao hua yuan. ‫ۥ‬ϰ࡛҆Һ࢚ϥಱՐ੅. Taibei: Hai yang chu ban she, 1992. 286 p. Note: As a song lyric composer, the author describes his career and experience of working with famous film directors, stars, and music composers. Includes songs in Chinese musical notation. CTFAL Chi

2628 Zhuo, Youcong (Cho, Yu-tsang). ᅤᏖㆊ. Wang lu kou bei de sheng ming zhou qi: yi Taiwan dian ying bu luo ge wei li = Life cycle of online word-of-mouth: the movie blog in Taiwan. ӻբ‫ט‬ᗍϡТ‫׈ڬܞ‬: й‫ݡ‬ஹӇ‫޻חؙ‬۴Њຎ = Life cycle of online word-of-mouth: the movie blog in Taiwan. 58 leaves. Note: Thesis (M.A.)—National Taiwan University of Science and Technology, 2009. Cape No. 7 (Wei, 2008) successfully used the Internet film blog platform to publicize the film. The official blog of the film received more than 10 million visitors and produced more than 6,000 posts; eventually, the box office of the film in Taiwan reached NT$400 million (ca. $13 million), the second-highest film in the history of the Taiwan film market. This paper examines the life cycle of word-of-mouth messages on three Internet film blogs: Cape No. 7, Orz boys, and 1895. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

2631 Dai, Hongxuan. ඕᤃ጗. Tan dian ying pei yue. ডӇ‫ࡈؙ‬Ӏ. Taibei: Wen kai yin yue yi shu gong si, 1975. 115 p. Note: Describes how to compose affective soundtracks and the relationship between film and music; includes several Taiwan films with accompanying film scores as case studies. Includes a section of Tchaikovsky’s Piano Concerto No. 1. CTFAL Chi

443

Others

2632

by Li Linqiu and an appendix with published song lyrics, film stories, screenplays, a chronology, and a bibliography. CTFAL Chi

2632 Hong, Rongxuan (Hung, Jung-hsuan). ᖻѽึᘌ Wen hua gong ye xia de Taiwan dian ying yin yue fa zhan xian kuang yu zheng zhi jing ji fen xi: 1960–2005 = The current situation of film music of Taiwan under the industry and the analysis of the politics and economics: 1960–2005. ҹ٩֞‫׬‬Ўϡ‫ݡ‬ஹӇ‫ٸؙ‬Ӏчࣁѳୄӿू੽Ҭ௵д໯: 1960–2005 = The current situation of film music of Taiwan under the industry and the analysis of the politics and economics: 1960–2005. 90 leaves. Note: Thesis (M.A.)—Tainan National University of the Arts, 2006. By interviewing three film music composers who represent different periods in Taiwan film history, and using their work as examples, the author explores interesting historical correlates between Taiwan’s film music and government policies. For example, 1970s film music contained messages of anti-Communism and resistance against Japan, while in the 1990s, aboriginal and folk music was included in film soundtracks. The appendix includes the interviews with Weng Qingxi, Li Xing, Shi Jieyong, and Zhang Yuwei. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD (FT) Chi Eng

2635 Lin, Jiaoshuang. ৆⋢ዪ. Yi zhi wen hua yu ji yi—jie yan hou Taiwan dian ying zhong de ge qu. ஫‫ڰ‬ҹ٩ӿ֮শ—യଲћ‫ݡ‬ஹӇ‫ؙ‬Ѕϡ‫ॽܮ‬. 140 leaves. Note: Thesis (M.A.)—National Tsing Hua University, 2008. By analyzing songs in seven films directed by three Taiwan directors after martial law was lifted in 1987, this thesis the paper links those film songs with so-called Japanese memories in Taiwan, American memories in Taiwan, and Chinese memories in Taiwan. Includes a Chinese abstract and a bibliography. NCL/NDLTD Chi

2636 Liu, Xing. ฀լ. Zhongguo liu xing ge qu yuan liu. ЅлԵҲ‫੅ॽܮ‬Ե. Taibei: Taiwan sheng zheng fu xin wen chu, [1985] 172 p. Note: A work on Chinese popular music that explores the close relationship between film and their popular songs. Includes songs in Chinese musical notation. CTFAL Chi

2633 Huai nian jin qu jiu shi qing I: cong Shanghai Xianggang dao Danshui he / Fang Di, Chen Jiufei bian zhu. ॕ݉‫ॽؖ‬଒ЖєI: ԩϼ֋‫ܫ‬୯Ϻࡎһ૯ / Ҥᫍ, ಴॰๘ഹЯ. Taibei: Cang jie chu ban she, 1994. 255 p. ISBN 9579051151 Series title: Shi yong bian dang; 07 Ӣѓ۬Ԅ; 07 Note: A collection of famous film songs and biographies of the stars who sang the songs. Organized by region: Shanghai, Hong Kong, and Danshui River (representing Taiwan). Four stars and nine songs are listed under the Danshui River category. All song are presented in Chinese musical notation. CTFAL Chi

2637 Liu, Xiuting. ฀ഫ೛. Zeng Zhongying de yin yue sheng ya. ߲ᓶ‫ؙ‬ϡ‫ٸ‬ӀТᄇ. Yilan: Guo li chuan tong yi shu zhong xin, 2002. 140 p. ISBN 9570125624 Series title: Chuan tong yin yue ji lu, ge zai xi juan ‫ٸࢃة‬Ӏফ࠷, ‫ܮ‬௩ۚඵ Note: A biography of Zeng Zhongying, a ge zai xi (Local Taiwanese Opera) and film music composer. Consists of nine chapters; Chapter 7 focuses on Zeng’s career as a film music composer. The appendix includes a chronology, a family tree, song lists, and music scores. Includes a bibliography. CTFAL Chi

2634 Huang, Xinzhang. ࢶҞᔛ. Li Linqiu yu Wang Chun Feng de nian dai. ଽெ‫ڠ‬ӿֳࡇգϡё‫ڊ‬. Taibei: Taibei shi wen xian wei yuan hui, 2009. 185 p. ISBN 9789860181555 Note: A biography of Li Linqiu, a popular composer, screenwriter, and producer of Taiwanese-dialect films; his famous works include the Taiwanese-dialect popular song “Wang Chun Feng” (written in 1933) and the film of the same title (released in 1937). Includes lyrics from 186 Taiwanese-dialect popular songs written

2638 Shi guang liu ying—Gaoxiong shi dian ying tu shu guan cang wen wu zhuan ji er = Time flow & steaming shadow / Lan Zuwei zhuan gao; Chen Yixuan ying wen fan yi. Ж‫ׇ‬Ե‫—ؙ‬ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖেҹ‫֟׉‬ফԏ = Time flow & steaming shadow / ঢྥ᝛᫃፻; ಴ፐ጗߭ҹࢬፆ. Gaoxiong: Gaoxiong shi dian ying tu shu guan, 2008.

444

Film Music and Songs

2643

249 p. ISBN 9789860155990 Series title: Gaoxiong shi dian ying tu shu guan dian ying cong shu; 10 ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖӇ‫ؙ‬ᜣ‫ ;ڣ‬10 Note: This bilingual work presents film-related artifacts collected by the Kaohsiung Municipal Film Archives. It includes five parts: Part 1, Stills and Posters; Part 2, Ads and Flyers; Part 3, Music and Records; Part 4, Synopses, Movie Tickets; and Part 5, Film Equipment and Technology. Many materials are specifically related to Taiwan films of the 1970s and 1980s. NTUL Chi Eng

Note:

An introduction to fifty film stars in mainland China, Hong Kong, and Taiwan and to 100 movie songs performed by these stars. All songs are in Chinese musical notation. Includes photos, film posters, and stills. CTFAL Chi

2642 Wei, Qiren. ᪭ൠწ. Shi ji ge ying xing san jiao ding: Zhou Xuan, Li Xianglan, Bai Guang. Ԓઔ‫ؙܮ‬լѧऍᑾ: ‫⋍ر‬, ଽ‫ܫ‬୪, Ձ‫ׇ‬. Taibei: Nan tian shu ju, 2001. 184 p. ISBN 9576385822 Series title: Nan tian ying xiang xi lie; 2 ۪ϳ‫ؙ‬Ռ‫ ;࠶ڍ‬2 Note: A biographical work on three Chinese film and singing stars: Zhou Xuan, Li Xianglan, and Bai Guang. Although their careers were mainly involved with the Hong Kong and mainland China scenes, the text provides their Taiwan-related stories. All film songs listed are in Chinese musical notation. Includes photos, film posters, and stills. CTFAL Chi

2639 Taiwan dian ying jin ge / [Zhongguo dian ying chu ban she bian]. ‫ݡ‬ළӈ‫ؙ‬བྷ‫ ܮ‬/ [Ѕмӈ‫ؙ‬о‫ؗ‬घ൜]. Beijing: Zhongguo dian ying chu ban she, 1986. 112 p. Series title: “Dian ying ge qu xuan” 27, 28 he kan “ӈ‫”שॽܮؙ‬27 28 ׁᑂ Note: A collection of seventy songs from forty Taiwanese films from 1937 to 1984. Duxiu Chi

2640 Wang, Jie’an. ࣼೀԥ. Dian ying yin yue fa shao shu = Movie music. Ӈ‫ٸؙ‬Ӏч਩‫ = ڣ‬Movie music. Taipei: Ping shi chu ban you xian gong si, 1996. 255 p. ISBN 9578031165 Series title: Ping shi cong shu; di san shi si zhong ‫כ‬ᖐᜣ‫ ;ڣ‬ҷѧ֐‫҆ף‬ Note: Considers the relationship between film and music, and discusses world film music composers. Chapter 5 presents Chinese film music, including the music in Tian Zhuangzhuang, Ang Lee, and Lan Shengchuan’s films, and introduces the composers Zhao Jiping (mainland China), Shi Jieyong (Taiwan), Tan Dun (mainland China), Xiaochong (Taiwan), and Chen Mingzhang (Taiwan). The appendix includes the best-selling records of film music in Taiwan from 1995 to 1996 and Golden Horse Film Music Award–winning films. CTFAL Chi

2643 Ye, Yueyu (Yeh, Emilie Yueh-yu). ౕ֊ᒶ. A national score: popular music and Taiwanese cinema. 263 leaves. Note: Thesis (Ph.D.)—University of Southern California, 1995. An interesting study of the relationship between popular music, cinema, and national identity in Taiwan from the 1970s to the 1990s. Explores multiple relevant interrelationships between popular music and Taiwan cinema, including the inclusion of popular songs in the 1970s policy films and romantic melodramas, the exclusion of pop music in Taiwan New Cinema in the 1980s, and the return of popular music in commercial films of the 1990s, thus revealing “a national identity characterized by shifting loci of commerce, politics, and art” (abstract). As a serious academic work, it provides many interesting perspectives based on in-depth research and substantial evidence. It states, however, that “A huge massacre occurred in 1945 when many Taiwanese rose up against the semi-colonial governance of the National Party” (p. 2), which is possibly miswritten, for if Dr. Yeh is referring to the February 28 Incident, this event occurred in 1947. Includes a filmography (p. 243–247) and bibliography (p. 248–263). WorldCat Eng

2641 Wei, Qiren. ᪭ൠწ. Yi qu nan wang. ϣॽԢ۲. Taibei: Huang guan za zhi she, [1981] 299 p. Series title: Huang guan cong shu di liu ba er zhong ෦ഃᜣ‫ڣ‬ҷࡏࡂԏ҆

445

Others

2644 2644

2646

Zhongguo dian ying bai nian jing dian ge qu / Zhu Tianwei bian. Ѕмӈ‫ښؙ‬ёҮਹ‫ ॽܮ‬/ ᗌϳᮄ൜. Beijing: Ren min yin yue chu ban she, 2005. 817 p. ISBN 7103029644 Note: A comprehensive classical film song collection organized by film genre; however, Taiwan and Hong Kong film songs are listed under separate categories. Includes the categories: “Songs Used In Films” and “Songs Used in Un-published Films.” Each entry includes the song in Chinese musical notation, film synopsis, and film stills. Songs from films produced by studios controlled by the Japanese or by the puppet Chinese government in Japanese-occupied Chinese areas during the Second Sino-Japanese War (1937–1945) are not included. Includes a bibliography and an index. CTFAL Chi

Zhongguo ying shi ge qu / Nie Rong bian. Ѕм‫ؙ‬؇‫ ॽܮ‬/ ℺᫤൜. Beijing: Zhongguo qing nian chu ban she, 1997. 428 p. ISBN 750062090X Series title: Ge qu jing pin xi lie ‫ؘॽܮ‬Ԙ‫࠶ڍ‬ Note: A collection of 427 selected Chinese film and television songs, including forty-three songs from Taiwan films and television series. All songs are presented in Chinese musical notation. CTFAL Chi

2647 Zhongguo ying shi ge qu, ge ju xuan qu / Binghe, Wang Xuanmai zhu bian. Ѕм‫ؙ‬؇‫ॽܮ‬䩟‫ܮ‬ঃ‫ ॽש‬/ ઄૯䩟ࣼ២ጞҰ൜. Wuhan: Wuhan chu ban she, 1998. 551 p. ISBN 754301763 Series title: Shi ji zhi sheng—xi lie ge qu xuan (10 ji); 3 Ԓઓҏ‫( שॽܮ࠶ڍ—ل‬10ओ); 3 Note: A collection of 484 selected songs from films and television soap opera series produced in mainland China, Taiwan, and Hong Kong; organized by publishing date of the respective films and television soap operas. All songs are presented in Chinese musical notation. Includes the complete list of the songs in the series, but no index. CTFAL Chi

2645 Zhongguo dian ying: li shi, wen hua yu zai xian = Chinese cinemas: history, culture and representation: Hai xia liang an ji Xiang Gang dian ying fa zhan yu wen hua bian qian yan tao hui lun wen ji / Liu Xiancheng bian. ЅлӇ‫ؙ‬: ࣵ੗, ҹ٩ӿӐѳ = Chinese cinemas: history, culture and representation: ֋ᒘҔ࿝᠕‫ܫ‬୯Ӈ‫ؙ‬чࣁӿҹ٩Ժቜ୳क़Ͼ ‫ں‬ҹओ / ฀ѳюഹ. Taibei: Taibei shi Zhongguo dian ying shi liao yan jiu hui, Zhonghua Minguo shi jue chuan bo yi shu xue hui, 1996. 335 p. Note: A collection of the papers from a film symposium in Taiwan attended by scholars from Taiwan, Hong Kong, mainland China, and the United States on September 13–15, 1995. Twenty-three papers were presented during the symposium, nineteen of which are published here. Themes include “Chinese Film History,” “Relationship between Chinese Film with Society,” Political and Economic Development,” “Chinese Film and Gender Study,” “Chinese Film Genre Study,” and “Chinese Film and Culture Representation.” Eight papers touch on the subject of Taiwan film, including Li Tianduo’s paper on Taiwan film under the colonial system; Liu Xiancheng’s essay on the history of Taiwan color film development in terms of social issues as well as scientific and technical practice; Huang Yingfen’s article on the aesthetic trends of contemporary Taiwan film; Roland B. Tolentino’s (in English) comparative study of the Chinese “city film” from Taipei, Hong Kong, and Beijing; Qi Longren’s essay on Qiongyao’s films during the 1970s; Zhang Yupei’s analysis of the social and cultural meanings of Taiwan film during the 1990s; and Ye Yueyu’s paper on the relationship between nationality and popular songs in Taiwan films produced from the mid-1970s to the early 1990s. NTUL Chi Eng

10.12

FILM POSTERS

2648 Chen, Yawen. ಴઩ᝉ. Chen Zifu dian ying hai bao yan jiu. ಴ж‫׫‬Ӈ‫ૢ୳ڻ֋ؙ‬. 92 leaves. Note: Thesis (M.A.)—National Central University, 2003. The paper presents the historical background, style, films, interpretation, and artistic methods of the film posters designed by Chen Zifu, dated from the 1950s to the 1970s when Taiwanese-dialect films and martial art films were thriving. Includes a Chinese and English abstract, a bibliography, illustrations, and an appendix (including Chen Zifu Film Poster Database, Interview Records, and List of Chen Zifu’s Film Posters). NCL/NDLTD Chi

446

Film Posters

2655 Note:

2649 Chen Zifu shou hui dian ying hai bao ji = Poster artist Chen Zi Fu / Xue Huiling, Yao Liqun zhi xing zhu bian. ಴ж‫׫‬ѲዻӇ‫ڻ֋ؙ‬ओ = Poster artist Chen Zi Fu / ṟ௑ጘ, ᝻߹ ळవҲҰഹ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 2000. 176 p. ISBN 9570259310 Note: A folio-size work of Taiwan film posters hand drawn by Chen Zifu. Includes 150 Taiwan film posters selected from more than 5,000 posters by Chen during his fiftyyear career, a biography of Chen by Wan Peilin, and an essay on Chen’s film posters by Huang Handi. CTFAL Chi

Includes selected Chinese film posters from Hong Kong, Taiwan, and mainland China. CTFAL Chi

2653 Hong, Shutang. ᖻ਎Ἑ. Zhonghua dian ying xi ju hai bao jing xuan = A collection of Chinese movie and opera posters / bian yi Hong Shutang. Ѕ‫ܓ‬Ӈ‫ = קؘڻ֋ঁؙۚ‬A collection of Chinese movie and opera posters / ഹፆᖻ਎Ἑ. Taibei: Zhonghua Minguo dian ying xi ju xie hui, 2002. 196 p. Series title: Zhonghua Minguo dian ying xi ju xie hui ying ju cong shu; 2 Ѕ‫ھܓ‬лӇ‫ঁؙۚ‬൒Ͼ‫ঁؙ‬ᜣ‫ ;ڣ‬2 Note: A collection of 196 Chinese film and theatrical posters produced from 1962 to 2000 in Taiwan. Each poster is presented with its Chinese and English title; film posters in the volume are also presented with production dates, but some of the theatrical posters do not include production dates. WorldCat Chi

2650 Dian cang dian ying wen wu zhang ji / Lin Yuru zong bian ji. ਹেӇ‫ؙ‬ҹ‫֟׉‬ফ / ৆ड़Ғրഹফ. Gaoxiong: Gaoxiong shi dian ying tu shu guan, 2005. 184 p. ISBN 9860007713 Series title: Gaoxiong shi dian ying tu shu guan dian ying song shu; 6 ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖӇ‫ؙ‬ᜣ‫ ;ڣ‬6 Note: Kaohsiung Film Archive has digitized 1,500 film artifacts, more than 100 of which are selected and displayed in this book, including film posters, cameras, projectors, costumes, and more. Includes nine parts: Part 1, Essays; Part 2, Film Equipment; Part 3, Film Posters Hand-drawn by Chen Zifu; Part 4, Japanese Film Artifacts; Part 5, Hollywood Film Artifacts; Part 6, European and American Film Posters; Part 7, Taiwanese-Dialect Film Artifacts; Part 8, Hong Kong Film Artifacts; and Part 9, Mandarin Film Artifacts. Includes an index. NTUL Chi

2654 Huang, Guihua. ࢶᄉ‫ܓ‬. Taiwan dian ying hai bao feng ge zhi yan jiu: 1950–2000 = A study of content analysis of Taiwanese cinema posters: 1950–2000. ‫ݡ‬ஹӇ‫ڻ֋ؙ‬գ۴ҏ୳ૢ: 1950–2000 = A study of content analysis of Taiwanese cinema posters: 1950–2000. 182 leaves. Note: Thesis (M.A.)—Taipei Municipal Normal College, 2004. Adopting Heinrich Wolfflin’s method of comparing and analyzing the styles of artwork in categories, the paper attempts to explain the evolution of Taiwanese film posters. Presents the stylistics of Taiwan film posters by the style of the period, the style of the region, the style of the font, the style of techniques used, and the style of arrangement. Includes an English abstract, a bibliography and an appendix. NCL Chi

2651 Dian ying hai pao guan = Movie poster archive / Dian ying shuang zhou kan bian ji bu. Ӈ‫ڻ֋ؙ‬ఖ = Movie poster archive / Ӈ‫ڬדؙ‬ᑂഹফ‫ח‬. Xianggang: Dian ying shung zhou kan chu ban she you xian gong si, 2004. 6 v. ISBN 9628114883, 9628114972, 9628114859, 9628114964 Note: Collections of film posters divided into three groups: Foreign Cinema, Chinese Cinema, and Archive. CTFAL Chi

2655 Lin, Yishan (Lin, Yi-Shan). ৆ជᦸ. Chen Zifu shou hui dian ying hai bao shi ji zhi yan jiu = Research on the design of hand-drawn posters of Tzu-Fu Chen. ಴жࣥѲዻӇ‫ذޗڻ֋ؙ‬ҏ୳ૢ = Research on the design of handdrawn posters of Tzu-Fu Chen. 209 leaves. Note: Thesis (M.A.)—National Kaohsiung Normal University, 2005. The paper focuses on the visual lexicon and iconography used in the hand-drawn film posters by Chen Zifu (Tzu-Fu Chen) from 1942 to 1980.

2652 Dian ying hai bao jing xuan, 12 / Dian ying shuang zhou kan bian ji bu. Ӈ‫קؘڻ֋ؙ‬, 12 / Ӈ‫ڬדؙ‬ᑂഹফ‫ח‬. Xianggang: Dian ying shuang zhou kan chu ban she you xian gong si, 2000. 63 p. ISBN 9628114565

447

Others

2656 Includes a Chinese and English abstract, a bibliography, and a list of Chen’s posters. NCL/NDLTD Chi

Series title: Shi jie jing dian dian ying hai bao shou cang xi lie cong shu Ԓ֎Үਹӈ‫ּۏ֋ؙ‬ে‫࠶ڍ‬ᜥ‫ڪ‬ Note: A collection of more than 200 Asian film posters, including Taiwan film posters such as The Wedding Banquet. Duxiu Chi

2656 Shi guang liu ying—Gaoxiong shi dian ying tu shu guan cang wen wu zhuan ji er = Time flow & steaming shadow / Lan Zuwei zhuan gao; Chen Yixuan ying wen fan yi. Ж‫ׇ‬Ե‫—ؙ‬ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖেҹ‫֟׉‬ফԏ = Time flow & steaming shadow / ঢྥ᝛᫃፻; ಴ፐ጗߭ҹࢬፆ. Gaoxiong: Gaoxiong shi dian ying tu shu guan, 2008. 249 p. ISBN 9789860155990 Series title: Gaoxiong shi dian ying tu shu guan dian ying cong shu; 10 ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖӇ‫ؙ‬ᜣ‫ ;ڣ‬10 Note: This bilingual work presents film-related artifacts collected by the Kaohsiung Municipal Film Archives. It includes five parts: Part 1, Stills and Posters; Part 2, Ads and Flyers; Part 3, Music and Records; Part 4, Synopses, Movie Tickets; and Part 5, Film Equipment and Technology. Many materials are specifically related to Taiwan films of the 1970s and 1980s. NTUL Chi Eng

2659 Ye, Longyan, 1940– ౕहᴧ, 1940– Zheng zong Tai yu dian ying shi 1955–1974 (dian cang ban). Ԝᅓ‫ܭݡ‬Ӈ‫ؙ‬੗ 1955–1974 (ਹে‫)ؗ‬. Taibei: Taiwan kuai le xue yan jiu suo, 2005. 143 p. ISBN 9574130223 Series title: Happy 01 Note: As the author states in the preface, the work both reviews the history of Taiyu pian (Taiwanese-dialect film) and explores the close relationship between Japanese culture and Taiyu pian. Introduces the private film studios that produced Taiyu pian; important Taiyu pian producers, screenwriters, directors, and posters; its distribution system; and explanations of Taiyu pian’s fall and complex relationship with Japanese culture. Includes film posters, stills, and photos. CTFAL Chi

2657 Sun, Mingde (Sun, Mi-te). ྒ᎘ख़. Taiwan Jin Ma jiang dian ying hai bao tu xiang fu hao fen xi = Study of image and symbol applied in analyzing the film posters of the Golden Horse Awards in Taiwan (1982–2008). ‫ݡ‬ஹ‫ެؖ‬؉Ӈ‫֖ڻ֋ؙ‬Ռላ‫ى‬д໯ = Study of image and symbol applied in analyzing the film posters of the Golden Horse Awards in Taiwan (1982–2008). 122 leaves. Note: Thesis (M.A.)—National Taiwan University of Arts, 2010. Assesses potential meanings conveyed by the posters of twelve films awarded best film in Taiwan’s Golden Horse Awards. The author uncovers cultural and artistic changes in posters created during the rise of Taiwan New Cinema. Includes a Chinese and English abstract, a bibliography, and interviews with the film poster designers and curator of the film poster collection at the Chinese Taipei Film Archive. NCL/NDLTD Chi

2660 Zhongguo dian ying hai bao jing cui: 1905–1995 = Selected posters of China’s films / Guangzhou shi dui wai wen hua jiao liu xie hui, Zhongguo dian ying zi liao guan bian. Ѕмӈ‫ؘۏ֋ؙ‬ᖗ䩭1905–1995 = Selected posters of China’s films / ܲ߮‫ص‬ц֔ҹ٩‫ے‬Ե൓Ͽ䩟Ѕмӈ‫ࢧޝؙ‬క൜. Guangzhou: Guangzhou chu ban she, 1995. 139 p. ISBN 7805923086 Note: A selection of the best Chinese film posters from 1905 to 1995 collected by the Chinese Film Archive in Beijing. Duxiu Chi

10.13

FILM PRODUCTION AND MANAGEMENT

2661 2008 he zuo zhi pian hui yi = Film & TV co-production meeting / Zong ce hua: You Xuru. 2008 ׁӑ३әϾ৶ = Film & TV co-production meeting / ր೫੿: ‫ౌۥ‬Ғ. Taibei: Taibei Jin Ma ying zhan zhi xing wei yuan hui, 2008. 54 p. Note: A bilingual publication for the Film & TV Coproduction Meeting, a conference held in Taipei in 2008. Includes the conference program and twenty-four film and television projects discussed during the meetings. CTFAL Chi Eng

2658 Yazhou jing dian dian ying hai bao shou cang = Collection of Asian classic movie posters / Liu Yunong zhu bian. ਒ರҮਹӈ‫ּۏ֋ؙ‬ে = Collection of Asian classic movie posters / ข‫఻ە‬Ұ൜. Kunming: Yunnan da xue chu ban she, 2001. 158 p. ISBN 7810683063

448

Film Production and Management

2667 Taibei: Wu nan tu shu chu ban gong si, 2000. 412 p. ISBN 9571122521 Note: A comprehensive work on the technical terms and aspects of film production. The appendix includes an introduction to notable films produced by professional cinematographers. Includes a bibliography. NTUL Chi

2662 Chen, Jingfeng. ಴࢓๢. Guo fu dui Taiwan dian ying chan ye de chu li ce lue (1945–1949). л௞х‫ݡ‬ஹӇ‫׬ݗؙ‬ϡ‫؛‬ԑ೫ଯ (1945–1949). 250 leaves. Note: Thesis (M.A.)—National Central University, 2001. This paper studies how Taiwan’s film industry was managed during the political struggle between Taiwan Governor Chen Yi and the KMT CC Clique after retrocession from 1945 to 1949. The author points out that Chen Yi’s aim was to manage the film industry with a profit-oriented, loss-control policy, in contrast to the CC Clique’s intention to manage the film industry with absolute control, using film as an arm of the government’s propaganda, education, and ideological machinery. Thus, it is apparent that Taiwan’s film industry developed from the beginning as a site of political struggle, dependent on government policy. Includes five chapters: Chapter 1, Government’s Attitude Towards Taiwan Film Industry; Chapter 2, Process of Appropriating the Taiwan Film Industry; Chapter 3, Factional Struggle in Taiwan Film Industry; Chapter 4, Management and Censorship in Film Industry; and Chapter 5, Profit and Propaganda of Film Industry. Includes a bibliography and official documents. NCL Chi

2665 Dian ying O zhi pian / Ye Rufen, Wu Fan zhu. Ӈ‫ؙ‬O३ә / ౕҒᐇ, ྶఅЯ. Taibei: Shu lin chu ban you xian gong si, 2007. 229 p. ISBN 9789574451555, 9574451550 Note: A practical guide to understanding film production in Taiwan. Includes the authors’ firsthand experiences in film production in Taiwan and a detailed introduction to Taiwan’s film production system, team organization, workflow, culture, customs, and relevant legal contracts, as well as an explanation of the partnerships between film producers and directors. The attached DVD provides samples of all related contracts and government documents. NTUL Chi

2666 Dian ying zhi pian ren yu chuang yi guan li: hua yu dian ying zhi pian shi wu zhi nan = Film producer and producing management / Liu Tianduo, Liu Xiancheng bian zhu. Ӈ‫ؙ‬३әϪӿࡶҺ‫܉‬ԑ: ‫ܭܓ‬Ӈ‫ؙ‬३әӢࠔ‫ = ۪܋‬Film producer and producing management / ଽϳ⟢, ฀ѳюഹЯ. Taibei: Xing zheng yuan xin wen ju, 2009. 318 p. ISBN 9789860189011 Note: A practical guideline for Chinese film producers in Taiwan, Hong Kong, and mainland China. Includes three parts: Part I, practical information regarding Chinese film production; Part II, interviews regarding training received by Taiwan producers in the United States; and Part III, interviews with successful Chinese film producers in Taiwan, Hong Kong, and mainland China. Includes a bibliography and samples of film production budgets, box office records, distribution systems, profit sharing, and production teams. CTFAL Chi

2663 Chen, Junji (Chen, Chun-chi). ಴ᒺแ. Taiwan shi shi dian ying yin mu pei ji zhi de ke xing xing = The feasibility of the implements of the silver screen quota system in Taiwan. ‫ݡ‬ஹӢැӇ‫ࡈ௷ુؙ‬Ѱ‫ء‬ϡНҲԛ = The feasibility of the implements of the silver screen quota system in Taiwan. 120 leaves. Note: Thesis (M.A.)—Shi Hsin University, 2009. Since 1980, the Taiwanese government has implemented a domestic film subsidy system; however, the subsidy policy did not entirely alter Hollywood’s colonization of Taiwan’s domestic film market in which 90 percent of Taiwan’s box office was taken by Hollywood films, with local Taiwanese films usually contributing less than 1 percent of the box office. This study uses quantitative research, interviews, and the lens of Edward Said’s theory of culture and imperialism to study the feasibility of a screen quotas system in Taiwan to protect Taiwan’s domestic film industry and enable it to prosper. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

2667 Gu, Shuxun (Gu, Shushiun). ࣲᎂ៨. Taiwan dian ying sheng chan chang yu fen xi, 1998–2003 = Analysis of the field of film production in Taiwan, 1998–2003. ‫ݡ‬ஹӇ‫ؙ‬Т‫ݗ‬Ծ෢д໯, 1998–2003 = Analysis of the field of film production in Taiwan, 1998–2003. 136 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 2004. Based on Pierre Bourdieu’s field theory, this paper explores structural changes within the field of film

2664 Chen, Qinghe. ಴֜૯. Dian ying zhi zuo. Ӈ‫ؙ‬३ӑ.

449

Others

2668 production in Taiwan from 1998 to 2003 by interviewing twelve local Taiwan film directors. Politically, Taiwan’s film industry inherits a legacy of censorship and propaganda; economically, Hollywood films dominate Taiwan’s market after limits on imported foreign films were lifted. As the result of these conditions, and various solutions proposed by film directors, the paper suggests that the government should intervene by being more involved in film production and establishing improved film policies. Includes a Chinese abstract, a bibliography, and an appendix (including past import quotas on foreign films and a list of government subsidized domestically produced films from 2002 and 2003). NCL/NDLTD (FT) Chi

From the perspective of a film producer, the paper explores the auteur-centered mode of short film production. Two short films Wu zhang ai = Let Off and Qiubite nu hai = Ms. Cupid, which differ from each other in terms of content and style, are used as case studies. Proposes an audience-oriented, communicative, conceptual short film production mode known as: MEED (manager, executer, experienced people, and dreamer). Includes a Chinese abstract, a bibliography, case study film scripts, case study film production budgets, and case study film promotion materials. NCL/NDLTD Chi

2671 Ji, Weiguo. ઔ໖л. Dian ying zhong de xian dai mo shu. Ӈ‫ؙ‬Ѕϡѳ‫ڊ‬ತफ. Xinzhu: Fan yi chu ban she, 2000. 150 p. ISBN 9576944295 Series title: Xian dai ke xue ji shu cong shu ѳ‫॓ڊ‬ѹ৔फᜣ‫ڣ‬ Note: A basic introduction to film history, theory, production, and special effects. CTFAL Chi

2668 Hua yu dian ying 2005 / Wei Xidi zhu bian. ‫ܬܗ‬ӈ‫ ؙ‬2005 / ਛ՝ᪿҰ൜. Guangzhou: Hua cheng chu ban she, 2006. 323 p. ISBN 7563359680, 9787563359684 Note: A collaborative work by film critics, directors, and scholars from mainland China, Hong Kong, and Taiwan that provides a film production summary of, and introduction to, important films of 2005. WorldCat Chi

2672

2669

Lee, Tai-Dow. Performing film study at the level of high education in Taiwan, the Republic of China. 173 leaves. Note: Thesis (Ph.D.)—Ohio State University, 1986. A study on film studies education, including film production and directing, in Taiwan. Includes a bibliography. WorldCat Eng

Hua yu dian ying 2006 / Yu Xiaoyi zhu bian. ‫ܬܗ‬ӈ‫ ؙ‬2006 / ᷇༿ᗥҰ൜. Guangzhou: Hua cheng chu ban she, 2007. 373 p. ISBN 9787536050297 Note: A collaborative work by film critics, directors, and scholars from mainland China, Hong Kong, and Taiwan that provides a film production summary of, and introduction to, important films of 2006. Part 3 (pp. 262–296) deals with Taiwan films. Written by Liang Liang, it summarizes the Taiwan film industry in 2006. Seven films, with accompanying synopses and reviews, are selected to represent Taiwan cinema in 2006. Includes a list of the ten best-selling films in mainland China, Hong Kong, and Taiwan. WorldCat Chi

2673 Li, Youning (Lee, You-ning), 1951– ଽᏖો. Ru he pai she dian ying: ying meng ren sheng (chu ban). Ғ‫ޛح‬଄Ӈ‫ؙ‬: ‫ؙْ‬ϪТ (२‫)ؗ‬. Taibei: Shan zhou chu ban she, 2000. 413 p. ISBN 9576677580, 9789576677588 Series title: Dian ying chuang zuo gai nian shu; 1 Ӈ‫ࡶؙ‬ӑม݉‫ ;ڣ‬1 Note: This is the most comprehensive work, from a local Taiwan perspective, of film production in Taiwan. The author presents his experience as both film director and educator in this text organized in ten chapters: Chapter 1, “From Pre-Production to Post-Production”; Chapter 2, “Writing the Proposal”; Chapter 3, “Writing the Screenplay”; Chapter 4, “Financing the Film”; Chapter 5, “The Producer”; Chapter 6, “The Director”; Chapter 7, “The Production Crew”; Chapter 8, “The

2670 Huang, Qidi (Huang, Chi-Ti). ࢶᐚ෌. Taiwan duan pian zhi zuo mo shi yan jiu—yi “Qiubite nu hai” yu “Wu zhang ai” wei li = An empirical study on the production mode of Taiwanese short films: taking Ms. Cupid and Let off as examples. ‫ݡ‬ஹߦә३ӑথܴ୳ૢ—й “ᆥԝ‫ئ‬ѽ‫ ”י‬ӿ “ѩᅣዏ” Њຎ = An empirical study on the production mode of Taiwanese short films: taking Ms. Cupid and Let off as examples. 135 leaves. Note: Thesis (M.A.)—National Taiwan University of Arts, 2009.

450

Film Production and Management

2677

Technical Personnel”; Chapter 9, “The Talent”; and Chapter 10, “Setting Up the Pre-Production Team.” The appendix includes a bibliography, film-related institutions and organizations, websites, training classes, casting agencies, equipment rentals, related film laws and regulations, sample forms, contracts, and budgets. WorldCat Chi

laws, regulations, sample forms, contracts, and budget information. WorldCat Chi

2676 Liang, Hongzhi (Liang, Hung-chih). ᅯᒩ࢑. Guo jia yu dian ying: Taiwan dian ying zheng ce yan jiu = State and film: Taiwan film policy study. лрӿӇ‫ؙ‬: ‫ݡ‬ஹӇ‫ूؙ‬೫୳ૢ = State and film: Taiwan film policy study. 137 leaves. Note: Thesis (M.A.)—National Sun Yat-sen University, 2001. By using theories of New Marxism, the paper explores Taiwan’s poor film production output by looking at three major links in Taiwan’s film industry—production, distribution and marketing, and exhibition—and discusses the government’s role in forming, managing, and supporting the Taiwanese film industry. American, French, and Canadian government film policies are used as examples in the paper. Includes a Chinese abstract, a bibliography and three appendixes. Appendix 1 is a table comparing original and current film laws; Appendix 2 is a government subsidy evaluation committee member list; and Appendix 3 is a list of Taiwan films that participated in international film festivals. NCL/NDLTD (FT) Chi

2674 Li, Youning (Lee, You-ning), 1951– ଽᏖો. Ru he pai she dian ying: ying meng ren sheng (di er ban). Ғ‫ޛح‬଄Ӈ‫ؙ‬: ‫ؙْ‬ϪТ (ҷԏ‫)ؗ‬. Taibei: Shan zhou chu ban, Cheng bang wen hua shi ye gu fen you xian gong si, 2004. 407 p. ISBN 9576677580 Series title: Dian ying chuang zuo gai nian shu; 1 Ӈ‫ࡶؙ‬ӑม݉‫ ;ڣ‬1 Note: This is the most comprehensive work, from a local Taiwan perspective, of film production in Taiwan. The author presents his experience as both film director and educator in this text organized in ten chapters: Chapter 1, “From Pre-Production to Post-Production”; Chapter 2, “Writing the Proposal”; Chapter 3, “Writing the Screenplay”; Chapter 4, “Financing the Film”; Chapter 5, “The Producer”; Chapter 6, “The Director”; Chapter 7, “The Production Crew”; Chapter 8, “The Technical Personnel”; Chapter 9, “The Talent”; and Chapter 10, “Setting Up the Pre-Production Team.” The appendix includes a bibliography, film-related institutions and organizations, websites, training classes, casting agencies, equipment rentals, related film laws and regulations, sample forms, contracts, and budgets. CTFAL Chi

2677 Liang, Liang, 1954– ᅯમ, 1954– Lun liang an san di dian ying. ‫ں‬Ҕ࿝ѧсӇ‫ؙ‬. Taibei: Mao lin chu ban she, 1998. 350 p. ISBN 9579860955 Series title: Dian ying lun tan Ӈ‫ںؙ‬Ⴋ Note: Recognizing that a similar problem affects Taiwan, Hong Kong, and mainland China, namely declining domestic film markets and an increasing quantity of films from Hollywood, the author provides a general overview of film production history in Taiwan (1945–1991), Hong Kong (1896–1995), and mainland China (1946–1994); analyzes current film production trends and problems; and also provides suggestions for cooperation among Taiwan, Hong Kong, and China. Includes four parts: Taiwan, Hong Kong, mainland China, and combined studies. CTFAL Chi

2675 Li, Youning (Lee, You-ning), 1951– ଽᏖો. Ru he pai she dian ying: dian ying qi hua zhi zuo shi zhan shou ce (di san ban). Ғ‫ޛح‬଄Ӈ‫ؙ‬: Ӈ‫ؙ‬ఌ੿३ӑӢ‫ڕ‬Ѳೠ (ҷѧ‫)ؗ‬. Taibei: Shan zhou chu ban she, 2010. 431 p. ISBN 9861202587, 9789861202587 Series title: Dian ying chuang zuo gai nian shu; 1 Ӈ‫ࡶؙ‬ӑม݉‫ ;ڣ‬1 Note: The third edition of the original book first published in 2000 with many additions and updates. From the local Taiwanese perspective, this is the most comprehensive and practical handbook on film production in Taiwan. The author combines his experiences both as a film director and as educator. The appendix includes a bibliography, film-related institutions and organizations, websites, training classes, casting agencies, equipment rentals, related

451

Others

2678

The Impact and Transformation to Film Production and Distribution”; “The Interaction Among Chinese and Korean film industry in Asia”; “Creative Industry: The Development of Animation in Japan”; “Creative Industry: Development of Animation in Korea”; “Aesthetics and Marketing: Dialectic Position on Chinese Film”; “Creation and Innovation: Filmmakers’ Prospects on Taiwan Film”; “New Faces of Animation: The Rise of Digital Technology”; “The Practices and Cases of Chinese Film and International Co-financing and Co-production”; “The Operation of Financing and Venture Capital to Film Production”; and “Toward a New Face of Taiwanese Film: Localization, Greater Chinese Region and International Cooperation.” Includes background documents and a “Summary of Chinese Film Production and Transformation of Taiwan Film Production After Martial Law.” CTFAL Chi

2678 Lin, Tzuhui. Grandpa!? 52 leaves Note: Thesis (M.F.A)—Rochester Institute of Technology, 2010. Describes the making of the short film Grandpa!? (2009), filmed and produced in Taiwan. Provides an account of the film’s production, filming, and postproduction, all as part of the director’s studentfilm project at R.I.T. Includes the film script, proposal, timeline, budget, film stills, and behind-the-scenese photos. Full-text access is available at R.I.T Digital Media Library Repository. WorldCat Eng

2679 Liu, Shangyun. ฀࣑⽐. Taiwan dian ying chan ye zheng ce yu qi dong tai fa zhan li cheng yan jiu: “quan qiu, zai di, guo jia” san zhe gong mou guan dian = The cooperation by triple alliance: the study of Taiwan film policy and industry development process. ‫ݡ‬ஹӇ‫ू׬ݗؙ‬೫ӿԷҁ‫ݯ‬чࣁࣵࡄ୳ૢ: “Ҫ‫ܧ‬, Ϩс, лр” ѧ ‫࢕ٷ‬ጚ޲ѡ = The cooperation by triple alliance: the study of Taiwan film policy and industry development process. 215 leaves. Note: Thesis (M.A.)—National Taiwan Normal University, 2007. Describes the government’s involvement in the Taiwan film industry and proposes ways the government should manage the film industry locally and internationally in the age of globalization. Includes a Chinese abstract and a bibliography. NCL/NDLTD Chi

2681 Taiwan dian ying ying pian sheng chan tong ji, fu: song jian ying pian ji duan pian pian mu (1949–1993) / Xing zheng yuan xin wen ju Zhonghua Minguo dian ying nian zhi wei hui. ‫ݡ‬ஹӇ‫ؙؙ‬әТ‫ذࢃݗ‬, ป: ‫؟‬ഛ‫ؙ‬ә᠕ߦәә۵ (1949–1993) / ҲूࡨЈࢨ঵Ѕ‫ھܓ‬лӇ‫ؙ‬ёవణϾ. Taibei: Xing zheng yuan xin wen ju Zhonghua Minguo dian ying nian zhi wei hui, 1994. 2 v. (950 p.) Note: A complete filmography and statistical record of Taiwan films submitted to the government for censorship approval from 1949 to 1993. Includes 3,478 fictional films, 2,227 news and documentary films, and 323 short films. The filmography is organized by film title. Although the text is primarily based on films submitted for government approval, it includes a few additions from other resources. In principle, the text lists only films produced in Taiwan; however, jointly produced Taiwan and Hong Kong films are also included. CTFAL Chi

2680 Quan qiu Hua yu dian ying chuang zuo ren ji zhi pian lun tan ji shi lu = The International Forum on Creative Production and Global Marketing for Chinese Film 2004 in Taiwan, Memorabilia / Li Tianduo bian. Ҫ‫ܭܓܧ‬Ӈ‫ࡶؙ‬ӑϪ᠕३ә‫ں‬ႫઔѨ࠷ = The International Forum on Creative Production and Global Marketing for Chinese Film 2004 in Taiwan, Memorabilia / ଽϳ⟢ഹ. Tainan xian Yongkang shi: Kunshan ke ji da xue, 2005. 274 p. ISBN 9868148014 Note: Conference proceedings from the International Forum on Creative Production and Global Marketing for Chinese Film sponsored by the Office of News Affairs, Executive Yuan at the National Central Library in Taipei, April 21–23, 2004. Includes the forum agenda and schedule as well as eleven forum sessions: “Impact and Competition: The Situation and Tendency of Current Chinese Film”; “Prospectives on Chinese Film Market: The Integration and Complement of Financing, Production and Distribution”; “Digital Technology:

2682 Taiwan song jian ying pian ji duan pian pian mu (1949–1994) / Lu Feiyi zhu bian. ‫ݡ‬ஹ‫؟‬ഛ‫ؙ‬ә᠕ߦәә۵ (1949–1994) / ᡭۘ‫ډ‬Ұഹ. Taibei: Xing zheng yuan xin wen ju Zhonghua Minguo dian ying nian zhi wei hui, 1994. 472 p. Series title: Dian ying zi liao ku cong shu; 5 Ӈ‫ࢧޞؙ‬ᆞᜣ‫ ;ڣ‬5 Note: This is a complete filmography and statistical record of Taiwan films submitted to the government for censorship approval from 1949 to 1994. Includes 3,500 fictional films, 2,227 news and documentary films, and 342 short films. The filmography is organized by film title and is primarily based on film applications submitted to the government. Beginning in 1950, every film produced in Taiwan required state approval. Contains statistical charts of Taiwan film production from 1949

452

Film Production and Management

2687

to 1994, a filmography of the films submitted for censorship approval from 1949 to 1993 with an accompanying index, and a filmography of the films submitted for government approval in 1994, divided into the following categories: Taiwan, Hong Kong, other, and short films. CTFAL Chi

2685 Xie, Caimiao. ‫ిࠡه‬. Xun zhao qing min jian: cong “Wo hu cang long” tan Hua yu dian ying guo ji hua = Globalization of Chinese language cinemas: a case study of Crouching Tiger, Hidden Dragon. ଵ‫ݙװ‬ᙛ঺: ԩ “၃ഝেह” ড‫ܭܓ‬Ӈ‫ؙ‬лগ٩= Globalization of Chinese language cinemas: a case study of Crouching Tiger, Hidden Dragon. Taibei: Ya Tai tu shu, 2004. 244 p. ISBN 9867809297 Series title Chuan bo jiao yu cong shu ‫ة‬৚‫ڌ‬ड़ᜣ‫ڣ‬ Note: A book based on the author’s master’s thesis at the National Taiwan University. Studies Crouching Tiger, Hidden Dragon (2000) as a blueprint for the success of Chinese cinema in the global marketplace. Analyzes the film’s production, distribution, and marketing as well as the current film production environment in Taiwan, Hong Kong, mainland China, and the United States. Includes in-depth interviews with the film’s producers and scholars in Taiwan, Hong Kong, and mainland China and uses an immersion and crystallization method to reach its conclusion. Includes a bibliography and an appendix. NTUL Chi

2683 Wang, Chuanzong (Wang, Chuan-tzung) ࣼ‫ة‬ᅓ. Yi “Wen hua lao dong de xin guo ji fen gong” jia gou fen xi kua guo he zhi guo pian de qian jing yu wei lai—yi guo pian “Qiao ke li zhong ji” wei ge an yan jiu. й “ҹ٩ఫҁϡЈлগд֞” ବภд໯ቄлׁ३ләϡӓ࢓ӿ‫۔‬ ϰ—й “ಌࡽҨԳ‫ ”܂‬Њϫଈ୳ૢ. 37 leaves. Note: Thesis (M.A.)—National Taiwan University, 2005. By adopting the structure of NICL (New International Division of Cultural Labour) developed by Toby Miller and using the film production of Chocolate Rap (2005), jointly produced and distributed by both Taiwan and the United States, as a case study, the author explores a new transnational film production and distribution model for Taiwan film production, which was previously dependent on government subsidies and whose distribution channels are controlled by U.S. companies. Includes a bibliography. NTUL Chi

2686 Xing zheng yuan wen hua jian she wei yuan hui wei tuo ban li ji lu pian zhi zuo ren da lu fang wen tuan cheng guo bao gao / Wang Weici, Li Daoming, Li Guizhi deng. Ҳूࡨҹ٩ࠃ‫ޗ‬ణ‫؂‬Ͼణኅ‫ދ‬ԑઔ࠷ә३ӑϪϽ૔භ՛ࣗюҝ‫ڻ‬ ‫ ݍ‬/ ࣼ໓፦, ଽѬҴ, ଽᄉᆙҳ. Taibei: Guo jia dian ying zi liao guan, 1998. Various pagination. Note: Internal reports of the Taiwan Documentary Film Producer Delegation’s visit to mainland China on May 27–June 7, 1998. Includes impressions and experiences of documentary film production in mainland China as well as a comparison of Taiwan and mainland China’s documentary film production. CTFAL Chi

2684 Wu, Lixue (Wu, Li-hsueh). ྶ‫ܡ‬ઞ. Zhi pian bian shen me ba xi = What kind of tricks does a producer play? ३әԺѮВөۚ = What kind of tricks does a producer play? Taibei: He ma wen hua, 2004. 281 p. ISBN 9864156586 Series title: Dian ying chu chuang xi lie; 1 Ӈ‫ؙ‬បੳ‫ ;࠶ڍ‬1 Note: A comprehensive work on the expectations of a film producer in Taiwan in terms of what a producer is required to accomplish and has the potential to accomplish. The text is divided into ten chapters: Chapter 1, “Approach”; Chapter 2, “Development”; Chapter 3, “Financing”; Chapter 4, “Pre-production”; Chapter 5, “Production”; Chapter 6, “Post-production”; Chapter 7, “Marketing”; Chapter 8, “Distribution”; Chapter 9, “Festival”; and Chapter 10, “Law.” The accompanying CD includes sample application forms for government subsidies, international film festival applications, film production applications, and contracts. CTFAL Chi

2687 Ying yin mei xue yu chuang yi xing xiao yan tao hui = Seminar on digital aesthetics and creative marketing / Li Tianduo, Fan Shengbao, Qiu Zhiyong zong zhu bian. ‫ٸؙ‬ѤѹӿࡶҺҲઍ୳क़Ͼ = Seminar on digital aesthetics and creative marketing / ଽϳ⟢, ౒ഄ‫خ‬, ᆥ௨ରրҰഹ. Taibei: Jiao yu bu, 2007. 210 p. ISBN 9789860101904 Note: Conference proceedings organized into twelve sessions, including lectures and panel discussions, focusing on the emergent multimedia, digital technology, film production, and marketing trends involving Hollywood marketing strategies in Taiwan and Taiwan

453

Others

2688 film production and marketing, as well as the cooperation of animated film production between Taiwan and mainland China. CTFAL Chi

production, distribution, and exhibition in the Taiwan film industry. Offers three strategies for the struggling Taiwan film industry. Includes a Chinese abstract and a bibliography. NCL/NDLTD Chi

2688 Zheng, Jiashi. ቼဓஉ. Cong Zhongguo dian ying fa zhan ce lue kan Taiwan dian ying jin ru Zhongguo shi chang zhi ji hui yu tiao zhan. ԩЅлӇ‫ؙ‬чࣁ೫ଯЃ‫ݡ‬ஹӇ‫ؙ‬ՔՊЅл‫ص‬ԾҏҚϾӿख‫ڕ‬. 117 leaves. Note: Thesis (M.A.)—National Chengchi University, 2009. Considers the opportunities and challenges facing Taiwan’s film industry vis-à-vis mainland China’s film regulations and development. Concludes that Taiwan should coproduce films with China’s film industry to increase its market reach and enable competition in light of the Closer Economic Partnership Arrangement signed by China and Hong Kong. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

10.13.1

Digitalization, Preservation, and Restoration

2691 2006 Dao dai jiu ying chong xian: Ying pian bao cun xiu hu guo ji yan tao hui ji ren cai duan qi pai xun ji hua yan xi shou ce = International symposium and short-term training for film preservation and restoration compilation of essays / Cheng ban dan wei: Guo jia dian ying zi liao guan. 2006 ࡒծ଒‫ؙ‬Գѳ: ‫ؙ‬ә‫ࣆࢗࡖخ‬лগ୳क़Ͼ᠕Ϫҥߦ‫׈‬ഷਗ‫ذ‬ ޫ୳‫܄‬Ѳೠ = International symposium and short-term training for film preservation and restoration compilation of essays / ઌ‫֧؁ދ‬: лрӇ‫ࢧޞؙ‬ఖ. Taibei: Guo jia dian ying zi liao guan, 2006. 430 p. Note: Conference proceedings from the International Symposium and Short-term Training for Film Preservation and Restoration hosted by the Chinese Taipei Film Archive in 2006. Includes the symposium and workshop schedule, English abstracts of the papers, an introduction to the films screened and partnerships, and a list of participants. CTFAL Chi Eng

2689 Zheng, Wanxiang. ቼ։‫ܫ‬. Zhan hou Taiwan dian ying guan li ti xi zhi yan jiu (1950–1970). ‫ڕ‬ћ‫ݡ‬ஹӇ‫܉ؙ‬ԑՂ‫ڍ‬ҏ୳ૢ (1950–1970). 177 Leaves. Note: Thesis (M.A.)—National Central University, 2001. The author assesses the KMT policy of managing the Taiwan film industry in the 1950s and 1960s and studies the details of the government’s film policy during these two respective decades. Issues surrounding anti-Communism, counterattack, and recovering the mainland were central to film policy; the government also enacted detailed management plans and regulations, including censorship, subsidies, control of Taiwanese-dialect film production, and the encouragement of Mandarin film production. Includes a bibliography. NCL Chi

2692 2008 dian ying tu wen bao cun wei hu shou ce / Xu Changye, Chen Yingjie, Xiao Yixia bian. 2008 Ӈ‫ؙ֖‬ҹ‫ࣆۆࡖخ‬Ѳೠ / ጝቾ‫׬‬, ಴ᙀ೓, ᖆ࣊ᎇഹ. Taibei: Guo jia dian ying zi liao guan, 2008. 68 p. Note: A technical manual for the preservation and conservation of film-related pictorial and print materials. Divided into five categories: picture, photograph, film, word, and object. Publication based on the Digital Archive Workshop hosted by the Chinese Taipei Film Archive in 2008. Includes a bibliography. CTFAL Chi

2690 Zhuo, Shan. ᅤᦸ. Chuang xin yu guan li: Taiwan dian ying chan ye de jie gou tan suo = Innovation and management 䩭 A structural analysis of Taiwan’s film industry. ࡶЈӿ‫܉‬ԑ: ‫ݡ‬ஹӇ‫׬ݗؙ‬ϡְภ෬౱ = Innovation and management 䩭 A structural analysis of Taiwan’s film industry. 169 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 2004. Considering different perspectives regarding structural reorganization and industrial competition, the paper tries to understand the relationship between

2693 2008 nian ying pian yu fang xing bao hu shou ce / Xie Lihua deng bian. 2008 ё‫ؙ‬әভࣃԛ‫ࣆخ‬Ѳೠ / ‫ܓܡه‬ҳഹ. Taibei: Guo jia dian ying zi liao guan, 2008. 64 p. Note: A technical manual for the preservation and conservation of movies, based on the AV Copyright and Film Management Practice Workshop hosted by the Chinese Taipei Film Archive in June 2008. Includes an evaluation report on the condition of movies housed in the Chinese Taipei Film Archive. CTFAL Chi

454

Film Production and Management

2701 methodology, targeted materials, discoveries, recommendations, and a bibliography. Appendix 1 and appendix 2 include interviews and catalogs of the film artifacts collected by the library. CTFAL Chi

2694 2008 ying yin shu wei hua gong zuo shou ce / Pan Xiuling, Liu Xinmei, Wang Zupei bian. 2008 ‫ُ֧ٸؙ‬٩֞ӑѲೠ / ᕤ㆑ᦚ, ฀ಶᄮ, ࣼྥⳍഹ. Taipei: Guo jia dian ying zi liao guan, 2008. 62 p. Note: A technical manual for the audio and video digitalization process in Taiwan based on the Digital Archive Workshop hosted by the Chinese Taipei Film Archive. CTFAL Chi

2698 “Ben guan dian cang wen wu yan jiu” wei tuo yan jiu an (fu lu san: guan cang wen wu dang an) / Ji hua zhu chi ren: Chen Linghui; Xie tong zhu chi ren: Lin Qishou. “ӆఖਹেҹ‫ ”ૢ୳׉‬ణኅ୳ૢଈ (ป࠷ѧ: ఖেҹ‫׉‬းଈ) / ‫੿ذ‬ Ұ‫ف‬Ϫ: ಴෗༫; ൒ӎҰ‫ف‬Ϫ: ৆ൠႎ. Gaoxiong: Gaoxiong dian ying tu shu guan, 2007. 452 p. Note: An attachment to the research report on film-related artifacts collected by the Kaohsiung Film Library. Appendix 3 is a detailed catalog of the film artifacts collected by Kaohsiung Film Archive organized by film, soundtrack, movie propaganda materials, posters, photos, equipment, books, and series. CTFAL Chi

2695 2009 Guo ji shu wei xiu fu ying zhan ji guo ji yan tao hui xue yuan shou ce = 2009 Digital restoration film screenings & symposium / Zhi xing dan wei: guo jia dian ying zi liao guan. 2009 лগُ֧ࢗ࣢‫ࣁؙ‬᠕лগ୳क़Ͼѹ‫؂‬Ѳೠ = 2009 Digital restoration film screenings & symposium / వҲ‫֧؁‬: лрӇ‫ޞؙ‬ ࢧఖ. Taibei: Guo jia dian ying zi liao guan, 2009. 175 p. Note: A symposium manual for the 2009 Digital Restoration Film Screenings & Symposium hosted by the Chinese Taipei Film Archive. Includes the symposium schedule, list of participants, and lectures by the scholars. Specifically, the lectures by Taiwan scholars Liao Keshi, Li Daoming, Lu Feiyi, and Huang Tingfu provide an overall picture of digital film restoration and rescreening projects in Taiwan. The restoration and rescreening of Li Xing’s film Jie tou xiang wei (Our neighbors) is used as an example. The appendix includes the list of the films restored and shown during the symposium with descriptions of each film’s restoration process. CTFAL Chi Eng

2699 Chuan yue shi kong de ying xiang: ren shi cai tuan far en guo jia dian ying zi liao guan = Chinese Taipei Film Archive / cai tuan far en guo jia dian ying zi liao guan. ‫ܕ‬քЖ‫׺‬ϡ‫ؙ‬Ռ: ‫ࡦگ‬੠֚ࣗϪлрӇ‫ࢧޞؙ‬ఖ = Chinese Taipei Film Archive /੠֚ࣗϪлрӇ‫ࢧޞؙ‬ఖ . Taibei: Guo jia dian ying zi liao guan, [2004] 8 p. Note: An introduction to the Chinese Taipei Film Archive, including a brief history and list of the archive’s achievements, as well as a description of the archive’s donation process and methods. CTFAL Chi

2696

2700

Asian cinema—yesterday, today and tomorrow / edited by Myungkyu Park. Seoul: Korea Film Archive, 2002. 348 p. Note: Proceedings from the Fifty-Eighth Congress of the International Federation of Film Archives, Seoul, 2002. Includes papers introducing film archive works in various Asian countries, including the paper “Films Well-Made and Kept in Taiwan: A Brief Introduction to the Film Industry, Film Databases and Film Archive in Taipei” by Feiyi Lu. WorldCat Kor Eng

Da jia lai kan lao dian ying: dian ying zi liao guan bao hu ying pian cheng guo xun hui zhan / Dian ying zi liao guan. ϽрϰЃҡӇ‫ؙ‬: Ӈ‫ࢧޞؙ‬ఖ‫ؙࣆخ‬әюҝ፶፯ࣁ / Ӈ‫ࢧޞؙ‬ఖ. Taibei: Dian ying zi liao guan, 1992. 76 p. Note: An introduction to a touring exhibition of restored films presented by the Chinese Taipei Film Archive. WorldCat Chi

2701 Li, Daoming. ଽѬҴ. “Guo jia dian ying zi liao ku” wei tuo gui hua an jie an bao gao / Ji hua zhu zhi ren: Li Daoming. “лрӇ‫ࢧޞؙ‬ᆞ”ణኅ੺੿ଈְଈ‫ ݍڻ‬/ ‫੿ذ‬Ұ‫ف‬Ϫ: ଽѬҴ. Taibei: Xing zheng yuan wen hua jian she wei yuan hui, 2002. 34 p. Note: The national film archive planning committee’s final report. Includes the archive’s background, structure, progress in terms of its film digitization project, and an estimated budget for the archive. CTFAL Chi

2697 “Ben guan dian cang wen wu yan jiu” wei tuo yan jiu an / Ji hua zhu chi ren: Chen Linghui; Xie tong zhu chi ren: Lin Qishou. “ӆఖਹেҹ‫ ”ૢ୳׉‬ణኅ୳ૢଈ / ‫੿ذ‬Ұ‫ف‬Ϫ: ಴෗༫; ൒ӎҰ‫ف‬ Ϫ: ৆ൠႎ. Gaoxiong: Gaoxiong dian ying tu shu guan, 2007. 106 p. Note: A research report on film-related artifacts collected by the Kaohsiung Film Library. Includes purpose,

455

Others

2702 10.13.2

2702 Shu wei dian cang ji shu dao lun = Introduction to digital archives technology / Cai Yongcheng, Huang Guolun, Qiu zhiyi deng zhu. ُ֧ਹে৔फ࣒‫ = ں‬Introduction to digital archives technology / ᓥ‫ݖ‬ᒅ, ࢶлൔ, ᆥ࢑चҳЯ. Taibei: Tai da chu ban zhong xin, 2007. 385 p. ISBN 9789860109382 Note: An introduction to digital archiving technology. Chapter 6, “Video/Audio Management” underscores digital film preservation and archiving issues. Includes bibliographies. CTFAL Chi

Independent Filmmaking

2705 Dan dao shuang bu da—yi bu lai zi Jinmen de bai xing dian ying / Ying huo chong ying xiang ti zuo. ‫؁‬Ӌ‫ד‬ϤӋ—ϣ‫ח‬ϰІ‫ؖ‬՞ϡ‫ښ‬࿲Ӈ‫ ؙ‬/ ⁒‫ڮ‬າྱՌՂӑ. Taibei: Wan xiang tu shu go fen you xian gong si, 1995. 193 p. ISBN 9576696321 Series title: Yi shu fang; 7 ਲ‫ ;ࠚڣ‬7 Note: An introduction to the independent film Every Odd Numbered Day (1994), including commentary by the director, producer, and related personnel, as well as interviews and reviews. The film, a mixture of documentary and fiction, describes the residents of Jinmen Island, the location of the last ground battle between Nationalist and Communist troops in 1949 and site of more than 20 years of artillery fire between the two sides. CTFAL Chi

2703 Ying xiang sui yue: 2005 ying pian bao cun xiu hu guo ji yan tao hui ji gong zuo fang lun wen gao ji = 2005 International forum and workshop for film preservation and conservation / Cheng ban dan wei: Guo li Tainan yi shu da xue, yin xiang yi shu guan li yan jiu suo. ྱՌ‫֊ۈ‬: 2005 ‫ؙ‬ә‫ࣆࢗࡖخ‬лগ୳क़Ͼ᠕֞ӑᗝ‫ں‬ҹ፻ফ = 2005 International forum and workshop for film preservation and conservation / ઌ‫֧؁ދ‬: л߹‫۪ݡ‬ਲफϽѹ, ‫ٸ‬Ռਲफ‫܉‬ԑ୳ૢӛ. Tainan: Guo li Tainan yi shu da xue, 2005. 192 p. Note: Conference proceedings from the 2005 International Forum and Workshop for Film Preservation and Conservation hosted by the National Tainan Arts University in 2005. Features six lectures: (1) “Visual History and Collective Memory: The Preservation of Film Archive in Taiwan— Past and Now”; (2) “Policies and Philosophies of the Film Archiving in France”; (3) “Movie Film: Structure, Deterioration and Preservation”; (4) “Digitalizing Film Preservation and Policy of Conservation”; (5) “Statistical Assessment of the Deterioration State of an Acetate Film Collection”; and (6) “Film Reproduction and Media Transformation.” Also features two workshops: (1) “Property Examination and Registration” and (2) “Basic Preservation and Safeguarding Methods.” Includes French abstracts of all papers. CTFAL Chi Fre Eng

2706 Dong, Zeping (Dong, Tse-ping). ᔇ෹‫כ‬. Xin chuang feng xian shi ye chuang ye cai wu ce lue zhi yan jiu: yi du li zhi pian ren dian ying zhuan an chou zi wei li = The study of entrepreneurial financial strategy in new venture initiating: a case of independent producer in film project fundraising. ЈࡶգঔѨ‫׬ࡶ׬‬੠ࠔ೫ଯҏ୳ૢ: й‫߹ݻ‬३әϪӇ‫ؙ֟‬ଈቺ‫ޞ‬ Њຎ = The study of entrepreneurial financial strategy in new venture initiating: a case of independent producer in film project fundraising. 116 leaves. Note: Thesis (Ph.D.)—National Taiwan University, 2006. Provides financial recommendations for independent film producers. The author has not given full-text access permission in the National Digital Library of Theses and Dissertations hosted by the National Central Library in Taiwan. NTUL Chi

2704 2707

Zao qi Taiwan dian ying huo dong ying xiang shu wei dian cang ji tui guang ji hua, dian ying shu wei hua gong zuo fang / Guo jia dian ying zi liao guan shu wei dian cang zhong xin. Չ‫ݡ׈‬ஹӇ‫ؙ҅‬ҁ‫ؙ‬Ռُ֧ਹেߵԐܰ‫ޫذ‬, Ӈ‫ُؙ֧‬٩֞ӑᗝ / лрӇ‫ࢧޞؙ‬ఖُ֧ਹেЅК. Taibei: Guo jia dian ying zi liao guan, 2007. Various pagination. Note: Program from the Film Digitalization Workshop hosted by the Chinese Taipei Film Archive in November 2007. Includes workshop schedule, an introduction to the lecturers and participating partners, and lecture content in print or PowerPoint format. Includes a list of participants. CTFAL Chi

Du li zhi pian zai Taiwan: “Xi bu lai de ren” / Huang Mingchuan deng zhu. ‫߹ݻ‬३әϨ‫ݡ‬ஹ: “՝‫ח‬ϰϡϪ” / ࢶҴඇҳЯ. Taibei: Qian wei chu ban she, 1990. 200 p. Series title: Xin Taiwan ren cong shu; 22 Ј‫ݡ‬ஹϪᜣ‫ ;ڣ‬22 Note: A work on independent filmmaking in Taiwan and the first such film produced in Taiwan in 1989. The author and the director of the film declare that this film achieved the following firsts in Taiwan film history: (1) the film was made in the Taiwan eastern mountainous tribe area; (2) the film used the local tribe language Taiya in many parts of the film; (3) the film crew was self-organized;

456

Film Production and Management

2712

(4) the film depicts harmony between the male body and nature; (5) the film started production before signing the distribution contract; (6) the director raised funds from non-film-related sources; (7) the cast consisted entirely of nonprofessionals; and (8) the film’s distribution and marketing only used an art film model. Includes papers on independent filmmaking, film reviews, interviews, screenplay writer’s diary, an introduction of the eastern mountain tribes’ legendary stories, and synopsis and screenplay of The Man from West Island (1990). CTFAL Chi

2710 Xin dian ying zhi si—cong “Yi qie wei ming tian” dao “Bei qing cheng shi” / Mizou, Liang Xinhua bian. ЈӇ‫ؙ‬ҏӚ—ԩ “ϣܷЊҴϳ” Ϻ “঳є‫”صڵ‬/ ࣿҵ, ᅯЈ‫ܓ‬ഹ. Taipei: Tang shan chu ban she, 1991. 236 p. Series title: Zhan zheng ji qi cong kan; 3 ‫ڕ‬ৎҚॆᜣᑂ; 3 Note: A collection of essays critical of Taiwan New Cinema director Hou Hsiao-hsien and his acclaimed film A City of Sadness (1989). Several essays declare that the death of Taiwan New Cinema occurred in 1988 when Hou Hsiao-hsien and other Taiwan New Cinema directors delivered a “Taiwan Film Memoratum” in 1987 and then agreed to make the government policy film Everything for the Events of Tomorrow for Taiwan’s Defense Department in 1988. Most of the film reviews of Hou Hsiao-hsien’s film A City of Sadness (1989) take both a negative view of the director’s portrayal of the February 28 Incident and the film as a whole. Also includes a negative review of Taiwan’s socalled first independently made film, The Man from the Island West (1990). Includes a bibliography. CTFAL Chi

2708 Lan, Shuxuan. ঢ‫⋍ڣ‬. Cong chuan tong zhong du li—fen xi Taiwan ji lu pian nu dao yan de chuang zuo huan jing. ԩ‫ࢃة‬Ѕ‫—߹ݻ‬д໯‫ݡ‬ஹઔ࠷әѽ࣒ࠟϡࡶӑࢰ॒. 123 leaves. Note: Thesis (M.A.)—National Taiwan University, 2005. The paper engages the following question: What is Taiwan’s current independent filmmaking environment for women documentary directors? It then responds from five different angles: education, science and technology, subjects, profession, and family economic situation. Notes that from 1984 to 2004, 130 of the 343 documentary films produced in Taiwan were directed by women. Includes Filmography of Male and Female Directors 1984–2004 and a bibliography. NTUL Chi

2711 Xin dian ying zhi wai / hou / Mizou, Liang Xinhua bian. ЈӇ‫ؙ‬ҏ֔ / ћ / ࣿҵ, ᅯЈ‫ܓ‬ഹ. Taipei: Tang shan chu ban she, 1994. 240 p. ISBN 9578900090 Series title: Zhan zheng ji qi cong kan; 13 ‫ڕ‬ৎҚॆᜣᑂ; 13 Note: Following in sequence with a work of the same title “Xin dian ying zhi si,” published in 1991, this text analyzes Taiwan cinema movements that occurred concurrently with Taiwan New Cinema, such as the Taiwan Nonmainstream and Alternative Media, Independent Filmmaking, and Documentary Film movements. Also contains the latest works of the time by Taiwan New Cinema directors, including Edward Yang, Lan Shengchuan, Tsai Ming-liang, Xu Xiaoming, and Wang Tung. Includes a bibliography. CTFAL Chi

2709 Li, Yunping (Lee, Yun-Ping). ଽ᭲ᙞ. Taiwan du li dian ying zhi pian zhi guan cha—yi Huang Mingchuan dian ying she wei ge an yan jiu = An observation on Taiwan independent film production—A case study of HMC Film Productions. ‫ݡ‬ஹ‫߹ݻ‬Ӈ‫ؙ‬३әҏ޲ൌ—йࢶҴඇӇ‫ؙ‬घЊϫଈ୳ૢ = An observation on Taiwan independent film production—A case study of HMC Film Productions. 170 leaves. Note: Thesis (M.A.)—Chinese Culture University, 1999. During a period of decline in commercial film production in Taiwan, the paper takes three films produced by Huang Mingchuan Film Studio as case studies to explore the spirit, characteristics, and methods of independent film production in Taiwan. Claims that independent film production shows signs for the future direction of Taiwan film production. Includes a Chinese abstract, a bibliography, and an appendix (including Filmography of Huang Mingchuan, 10 Best Box Office Taiwan Domestic Films 1990–1998, Records of In-Depth Interviews, Award-Winning Taiwan Films from International Film Festivals, and a List of the Domestically Produced Films That Received Government Subsidies). NCL/NDLTD Chi

2712 You, Tingjing. ղᑢ෧. Ning shi yu dui wang: duan ni jiu shi nian dai Taiwan nu xing dian ying yuan mao = To gaze and be gazed at: Rediscovering the true faces of Taiwanese woman-made films in the 1990s. ፝؆ӿхֳ: ઉ❖॰֐ё‫ݡڊ‬ஹѽԛӇ‫֍ؙ‬൯ = To gaze and be gazed at: Rediscovering the true faces of Taiwanese woman-made films in the 1990s. Taibei: Xinzhu shi wen hua ju, 2005. 207 p. ISBN 9860042152

457

Others

2713 Series title: Zhu qian wen hua zi chan cong shu; 281 ኵ∔ҹ٩‫ݗޞ‬ᜣ‫ ;ڣ‬281 Note: Based on the author’s master’s thesis, this work reviews Taiwan films (including fiction, documentary, experimental, and animation) directed by women directors in the 1990s. Includes both image analysis and a discussion of film content in terms of aesthetics, auteur theory, and feminist literary theory. Divided into two parts: Part 1 describes women who have directed commercial films since the 1980s and analyzes their films; Part 2 focuses on independent Taiwan women directors and their films since the 1990s as well as the independent filmmaking environment in Taiwan. The author points out that independent female filmmakers enjoy a greater freedom in creation than their female colleagues directing commercial films and that a high percentage of films directed by women are independently produced. Includes a bibliography and an appendix containing a list of female directors who directed commercial films and received government’s subsidies; a list of female directors, each of whom has at least two films entered into women’s film festivals; information about the hosting organizations of Women Make Waves Film Festival; statistical charts of documentary, fiction, animated, and experimental films shown during women’s film festivals, the list of interviewees, and a filmography. NTUL Chi

441 p. ISBN 9576694841 Series title: Taiwan dian ying shi cong shu; 3 ‫ݡ‬ஹӇ‫ؙ‬੗ᜣ‫ ;ڣ‬3 Note: A most comprehensive work on the relationship between film and politics in Taiwan. Includes eleven chapters: Chapter 1, General Introduction; Chapter 2, Film Policy and Public & Private Film Studios; Chapter 3, Anti-Communist Films; Chapter 4, AntiJapanese Films; Chapter 5, “Search-Roots” (Nativism) and Nationalist Films; Chapter 6, Military Education Films; Chapter 7, Character-Building and Educational Films; Chapter 8, Agricultural Reform, Economic Development, and Unity-Building Films; Chapter 9, National Revolution Films; Chapter 10, Biographies of Film Professionals; and Chapter 11, Interviews. NTUL Chi

2715 Ji lu Taiwan: Taiwan ji lu pian yan jiu shu mu yu wen xian xuan ji / zhu bian Zhang Changyan, Li Daoming ; zhi xing bian ji Hong Yawen, Han Xu’er, Zhang Qinyun. ઔ࠷‫ݡ‬ஹ: ‫ݡ‬ஹઔ࠷ә୳ૢ‫ڣ‬۵ӿҹຶ‫ק‬ओ / Ұഹ‫פ‬ቾᴧ, ଽѬҴ ; వҲഹফᖻ઩ҹ, ठ᯾ঌ, ‫פ‬ቦ᭲. Taibei: Xing zheng yuan wen hua jian she wei yuan hui wei tuo cai tuan fa ren guo jia dian ying zi liao guan, 2000. 2 v. ISBN 9570265478 (v. 1), 9570262486 (v. 2) Series title: Taiwan dian ying shi liao cong shu ‫ݡ‬ஹӇ‫ؙ‬੗ࢧᜣ‫ڣ‬ Note: This is the first and most comprehensive bibliography and collection of essays on Taiwan film documentaries. Vol. 1 covers the colonial period and includes sixty-five essays and articles written by three contemporary Taiwan scholars as well as colonial-era Japanese authors whose articles were initially published in Japanese before being translated into Chinese for the purposes of this book. Contains eight parts: (1) Film History; (2) Documentary, News, and Education Films; (3) Film Show Activities; (4) Film Propaganda; (5) Film Censorship; (6) Film Affairs; (7) Film Reviews and Introduction; and (8) a Bibliography of Taiwan Documentary Film Studies During the Colonial Period, which includes monographs (in both Chinese and Japanese), dissertations, and journal articles (in both Chinese and Japanese, dated and undated). There is also a bibliography at the end of the book. Vol. 2 covers Taiwan documentary film studies after 1945 and includes eighty-one essays, articles, interviews, film reviews, and news reports. Similar to Vol. 1, it also contains eight parts: (1) Anthropology Films; (2) Introduction and Review of Taiwan Documentary Films; (3) Theory and Aesthetics of Documentary Film; (4) Documentary Film and Social Movements; (5) Documentary and Indigenous People; (6) Documentary Film Directors and Workers; (7) Documentary Film History, and Analysis; and (8) a Bibliography of Taiwan Documentary Film Studies

2713 Zhu, Wenjun. ࢇҹᅿ. Mei li shi guang: Zhang Zuoji ji qi du li zhi pian = The best of times / Zuo zhe Zhu Wenjun; she ying Jin Chengcai. Ѥ‫ܡ‬Ж‫ׇ‬: ‫פ‬ӑ┫ߵԷ‫߹ݻ‬३ә = The best of times / ӑ‫ࢇٷ‬ҹᅿ; ଄‫ؙؖ‬ю੠. Taibei: Ying xiang dian ying za zhi she, 2000. 149 p. ISBN 9868045118, 9789868045118 Series title: Dian ying mu hou zhi zuo zhuan ji xi lie Ӈ‫௷ؙ‬ћ३ӑ֟ফ‫࠶ڍ‬ Note: Taking the film The Best of Times (2001) as a case study, the book focuses on Chang Tso-chi and his independent filmmaking in Taiwan. WorldCat Chi

10.14

FILM PROPAGANDA

2714 Huang, Ren, 1925– ࢶწ, 1925– Dian ying yu zheng zhi xuan chuan. Ӈ‫ؙ‬ӿू੽ୌ‫ة‬. Taibei: Wan xiang tu shu go fen you xian gong si, 2004.

458

Film Screen Quota / Film Stills / Film Subsidies

2720

after 1945, which is organized under the following subjects: anthropology films, China (including Hong Kong) documentary films, review and introduction to Taiwan documentary films, review and introduction to foreign documentary films, documentary filmography and others, documentary film theory and aesthetics, documentary films and social culture, documentary film and social movements, documentary film and indigenous people, documentary film directors and workers (domestic), documentary film directors and workers (abroad), documentary film history (domestic), and documentary film history (abroad). The materials collected in the bibliography include monographs, dissertations, journal and newspaper articles, handbooks, and manuals. WorldCat Chi

with local Taiwanese films usually contributing less than 1 percent of the box office. This study uses quantitative research, interviews, and the lens of Edward Said’s theory of culture and imperialism to study the feasibility of a screen quotas system in Taiwan to protect Taiwan’s domestic film industry and enable it to prosper. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD Chi

10.16 2718

Zhu, Tianwen (Chu, T’ien-wen), 1956– ᗌϳҹ, 1956– Ju zhao hui shuo hua. ঁؕϾМҧ. Taibei xian Zhonghe shi: INK yin ke chu ban you xian gong si, 2008. 162 p. ISBN 9789866873546, 9866873544 Series title: Zhu Tianwen zuo pin ji; 9 ᗌϳҹӑԘओ; 9 Note: Presents film narratives from Hou Hsiao-hsien’s films, written by Chu T’ien-wen, by way of film stills. WorldCat Chi

2716 Ou, Shumin. ଟᎂ์. Ri zhi shi qi Taiwan dian ying de zheng jiao gong neng. я੽Ж‫ݡ׈‬ஹӇ‫ؙ‬ϡू‫ۋڌ‬Ќ. 145 leaves. Note: Thesis (M.A.)—National Taiwan Normal University, 2004. A serious work on the political and educational function of film in Taiwan during the Japanese colonial period. The paper follows three key phases of Japanese colonial rule in Taiwan, discusses the colonial film censorship system, and explains the relationship between official cultural and educational policies and movie theaters, “narrators” (benshi), and the general development of film in Taiwan. Concludes by describing how particular political conditions lead to the creation of Japanese film policies with different intended functions for film in political and educational arenas. Includes an abstract and a bibliography in Chinese. NCL/NDLTD Chi

10.15

FILM STILLS

10.17

FILM SUBSIDIES

2719 Chen, Huiying (Chen, Huei-Ying). ಴༫⑵. Wo guo dian ying fu dao jin zhi du zhi yan jiu = A study of the Guidance Fund for domestically produced films. ϢлӇ‫ؙ‬ᔆ࣒‫֏ءؖ‬ҏ୳ૢ = A study of the Guidance Fund for domestically produced films. 97 leaves. Note: Thesis (M.A.)—Shih Hsin University, 1996. A study of the Taiwan government’s Guidance Fund (a film subsidy fund) data from 1989 to 1995 to assess the effectiveness of the film subsidy system in light of a declining film industry. Includes a Chinese abstract. NCL/NDLTD Chi

FILM SCREEN QUOTA

2717 Chen, Junji (Chen, Chun-chi). ಴ᒺแ. Taiwan shi shi dian ying yin mu pei ji zhi de ke xing xing = The feasibility of the implements of the silver screen quota system in Taiwan. ‫ݡ‬ஹӢැӇ‫ࡈ௷ુؙ‬Ѱ‫ء‬ϡНҲԛ = The feasibility of the implements of the silver screen quota system in Taiwan. 120 leaves. Note: Thesis (M.A.)—Shi Hsin University, 2009. Since 1980, the Taiwanese government has implemented a domestic film subsidy system; however, the subsidy policy did not entirely alter Hollywood’s colonization of Taiwan’s domestic film market in which 90 percent of Taiwan’s box office was taken by Hollywood films,

2720 Da zao ying yin chan ye 101: mei ti wen hua chan ye / tou zi jiang li yu fu dao cuo shi / Weng Guitang cong bian ji. Ӌ߃‫ ׬ݗٸؙ‬101: ෪Ղҹ٩‫ ׬ݗ‬/ ‫ޞۄ‬؉ಽӿᔆ࣒ᇯැ / ᙋᄉஇ ๻ഹফ. Taibei: Xing zheng yuan xin wen ju, 2004. 124 p.

459

Others

2721 ISBN Note:

9570197021 Part I of this document explains seventeen advisory and subsidy measures for the film industry. The document’s purpose is to present official updates regarding advisory and subsidy measures and regulations. It is published by the Government Information Office, part of the Executive Yuan, which oversees Taiwan’s film, television, radio, and audiovisual publication industry. NTUL Chi

paper next suggests a plan for future development. Interviews with Cape No. 7 director Wei Te-sheng and other two film professionals were conducted for the paper. Includes a Chinese abstract, a bibliography, and an appendix. NCL/NDLTD Chi

2724 Pai Taibei: ying shi kan jing zhi nan = Taipei cinema location guide / Rao Zijuan zhu bian. ‫ܚݡޛ‬: ‫ؙ‬؆ ࢓‫ = ۪܋‬Taipei cinema location guide / ᓔཎᥱҰ ഹ. Taibei: Taibei shi dian ying wei yuan hui, 2009. 199 p. ISBN 9789868468603 Note: A bilingual (Chinese and English) guidebook to Taipei’s cultural areas, scenic spots, and filming sites. Important information is included in the appendix, including Production Subsidies in Taipei, Directions for Funding Foreign Motion Picture Production Enterprises to Produce Motion Pictures in Taiwan, Regulations Governing Tax Credit for Businesses Investing in Motion Picture Production Enterprises for the Production of Domestically Produced Motion Pictures, Current Preferential Taxation Policies on Films, and Directory of Motion Picture Industry in Taiwan. NTUL Chi Eng

2721 Guang ying ji xing: Gaoxiong xian ying shi kan jing shou ce = Journey to cinema: a guide book for film-makers on locations in Kaohsiung county / Zhou Jiarong zhu bian; Huang Zhengyue she ying. ‫ׇؙ‬ઔҲ: ҙ೰້‫ؙ‬؆ ࢓Ѳೠ = Journey to cinema: a guide book for film-makers on locations in Kaohsiung county / ‫ر‬рึҰഹ; ࢶ Ԝៈ଄‫ؙ‬. Gaoxiong: Gaoxiong xian zheng fu, 2009. 183 p. ISBN 9789860191172 Note: This is a bilingual, pictorial guidebook prepared by the Kaohsiung County Government for filmmakers who may want to choose Kaohsiung as their film’s setting. Presents comments from directors who have used Kaohsiung’s natural, historical, and cultural landmarks in their films. Includes directions for Kaohsiung County film subsidies and Kaohsiung County accommodation information. CTFAL Chi Eng

2725 Wang, Baomin. ࣼ‫ھخ‬. Chu ban fa guang bo dian shi fa dian ying fa shi lun. о‫֚ܰؗ‬৚Ӈ؆֚Ӈ‫ؙ֚‬ౠ‫ں‬. Taibei: Taiwan Zhonghua shu ju, 1985. 257 p. Note: An interpretation of the Publishing, Radio Broadcasting and Television, and Film Law in Taiwan. Describes the film review process and legislative principles applied. The appendix includes these titles: Implementation Guiding of Film Law, Film Export/Import Permission Processing Methods, and Film Subsidies Application Processing Methods. NCL Chi

2722 Hong, Cilin. ᤃ፦ㆇ. Wo guo dian ying fu dao jin jin zhi du gai jin fang shi zhi yan jiu. ϢлӇ‫ؙ‬ᔆ࣒‫ۨ֏ءؖ‬ՔҤܴҏ୳ૢ. Taibei: Xing zheng yuan xin wen chu, 2003. 73 p. Note: This is the government’s report on potential ways to improve Taiwan’s film subsidy system. Includes a list of films that received government film subsidies in the past, and past film subsidy guidelines. CTFAL Chi

2723 Lu, Jian’an (Lu, Chien-An). ᡭࠃԥ. Taiwan dian ying zi jin yi zhu guan dao zhi chu tan = The preliminary study on Taiwan’s film industry fund shifting methods. ‫ݡ‬ஹӇ‫܉ڀ⪜ؖޞؙ‬Ѭҏ२෬ = The preliminary study on Taiwan’s film industry fund shifting methods. 183 leaves. Note: Thesis (M.A.)—Chang Jung Christian University, 2009. The paper claims that the Taiwan film industry faces the following funding problems: government subsidies, bank loans, contract fulfillment, internal and external fundraising, exhibition and box office systems. The

2726 Wang, Chuanzong (Wang, Chuan-tzung) ࣼ‫ة‬ᅓ. Yi “Wen hua lao dong de xin guo ji fen gong” jia gou fen xi kua guo he zhi guo pian de qian jing yu wei lai—yi guo pian “Qiao ke li zhong ji” wei ge an yan jiu. й “ҹ٩ఫҁϡЈлগд֞” ବภд໯ቄлׁ३ләϡӓ࢓ӿ‫۔‬ ϰ—й “ಌࡽҨԳ‫ ”܂‬Њϫଈ୳ૢ. 37 leaves. Note: Thesis (M.A.)—National Taiwan University, 2005. By adopting the structure of NICL (New International Division of Cultural Labour) developed by Toby Miller

460

Film Subtitles

2731 10.18

and using the film production of Chocolate Rap (2005), jointly produced and distributed by both Taiwan and the United States, as a case study, the author explores a new transnational film production and distribution model for Taiwan film production, which was previously dependent on government subsidies and whose distribution channels are controlled by U.S. companies. Includes a bibliography. NTUL Chi

FILM SUBTITLES

2729 Honda, Momo. ӆ೧ಱ. Cong “Jie shou li lun” tan tao Taiwan dian ying zhi zi mu fan yi: yi “Yin shi nan nu” wei li = An exploration of the subtitle translation of Taiwanese movies using the Reception Theory: using “Eat Drink Man Woman” as an example. ԩ “‫ב‬իԑ‫ ”ں‬෬क़‫ݡ‬ஹӇ‫ؙ‬ҏ‫ࢬ௷ܒ‬ፆ: й “ୗ‫ې‬Բѽ” Њຎ = An exploration of the subtitle translation of Taiwanese movies using the Reception Theory: using “Eat Drink Man Woman” as an example. 79 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 2004. Analyzes the subtitle translation of Taiwanese films by using Ang Lee’s Eat Drink Man Woman (1994) and reception theory. The paper is written in Japanese, with a Chinese and English title. Includes a Chinese abstract, a bibliography, and appendix. NCL/NDLTD (FT) Jpn

2727 Zhen xing wo guo dian ying shi ye fu dao fang an / Xing zheng yuan xin wen ju bian yin. ዄࣱϢлӇ‫ؙ‬Ѩ‫׬‬ᔆ࣒Ҥଈ / ҲूࡨЈࢨ঵ഹ୅. Taibei: Xing zheng yuan xin wen ju, 1990. 41 p. Note: This is the government-issued, official plan for supervising and supporting the Taiwan film industry, issued by the Office of News Affairs, Executive Yuan in 1990. Based on the Motion Picture Act-Article 39, the plan lists the requirements necessary for budget support (ten items) and the administrative coordination necessary for domestic film production in Taiwan. The appendix includes a list of major countries in the world that provide film subsidies, and guidelines for applying for government subsidies. CTFAL Chi

2730 Yang, Meiying (Yang, Mei-ying). ໷Ѥᓜ. Cong Taiwan dian ying zhi fang yan yu wen hua ci de ying yi jian shi zi mu yi zhe de jue se: yi Hou Xiaoxian de dian ying wei li = The role of a subtitler in the translations of dialects and cultural terms in Taiwan Cinema: a case study of Hou Hsiao-hsien’s films. ԩ‫ݡ‬ஹӇ‫ؙ‬ҏҤߞӿҹ٩୬ϡ߭ፆഛ؆‫௷ܒ‬ፆ‫ٷ‬ϡࡠա: йᢡᖮ ᐊϡӇ‫ؙ‬Њຎ = The role of a subtitler in the translations of dialects and cultural terms in Taiwan Cinema: a case study of Hou Hsiaohsien’s films. 125 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 2008. Focuses on the role of film subtitlers in the translation of dialects (including Taiwanese and Hakka) and cultural terms in seven Hou Hsiao-hsien films. The paper introduces director Hou and four of his subtitlers to explore the subtitling difficulties inherent to Hou’s films by considering the perspectives of the author, text, and audience. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD (FT) Eng

2728 Zou, Nianzu (Tzou, Nian-tsu). ề݉ྥ. Guo pian fu dao jin zhi du yan jiu = Research on the subsidiary Policy of Taiwan Cinema. ләᔆ࣒‫ = ૢ୳֏ءؖ‬Research on the subsidiary Policy of Taiwan Cinema. 177 leaves. Note: Thesis (M.A.)—National Chiao Tung University, 2001. Hollywood has dominated the international film markets, including Taiwan market, for decades and many countries implement different policies to support their own national cinemas. After studying these policies, the paper suggests that Taiwan should not copy the policies of other countries; rather, it should position its subsidiary grant clearly as a cultural policy and spend the grant more appropriately in the areas of producing art-oriented films and investing in new directors. Includes a Chinese and English abstract, a bibliography, and an appendix (including List of the Films Received the Subsidiary Grants, a chronology of Taiwan Film Subsidiary System, and Name List of the Subsidiary Grant Evaluation Committee Members). NCL/NDLTD Chi

2731 Yang, Yaqi (Yang, Ya Chi). ໷઩ᔂ. Zi mu fan yi de yu yan ji fei yu yan ming lang hua mo xing—yi Li An de san bu Zhong wen dian ying wei li = Verbal and non-verbal explication model for movie subtitling—taking Ang Lee’s three Chinese movies as examples. ‫ࢬ௷ܒ‬ፆϡ‫ߞܭۘߵߞܭ‬Ҵྦྷ٩থࡿ—йଽԥϡѧ‫ח‬ЅҹӇ‫ؙ‬Њ ຎ = Verbal and non-verbal explication model for movie subtitling— taking Ang Lee’s three Chinese movies as examples.

461

Others

2732 91 leaves. Note: Thesis (M.A.)—The Evergreen University, 2010. Presents a model to analyze verbal and nonverbal information in Chinese movies and describes how such an explication strategy might aid in the subtitling process. Uses three of Ang Lee’s Chinese films as examples. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD (FT) Eng

10.19

2734 Feng cheng ying hua: Xinzhu shi dian ying, xi yuan da shi tu lu / Pan Guozheng deng zhu, zhu bian Pan Guozheng. գ‫ؙڵ‬ҧ: Јኵ‫ص‬Ӈ‫ؙ‬, ۚࡨϽѨ֖࠷ / ᕤлूҳЯ, Ұഹᕤлू. Xinzhu: Xinzhu shi wen hua zhong xin, 1996. 225 p. ISBN 9570070013 Note: A pictorial film history of Hsinchu containing photos, film stills, posters, drawings, and a photocopy of a newspaper clip reporting the earliest evidence of a film screening in Hsinchu: Eight Country Troops attacking Peking during the Boxer Rebellion, which was screened in Hsinchu at 6:00 p.m., November 17, 1901. The appendix contains interesting historical stories, such as a recollection of the conflict between the local military and the film industry in Hsinchu regarding whether or not to allow military personnel free or discounted tickets for film showings after the February 28 Incident in 1947. NTUL Chi

FILM AND MOVIE THEATERS

2732 Chen, Guilan. ಴ᄉ୪. Nanying xi yuan zhi / Chen Guilan, Wang Chaosi zhu. ۪↡ۚࡨ࢑ / ಴ᄉ୪, ࣼசᐥЯ. Tainan Xian Xinying shi: Tainan Xian zheng fu, 2009. 481 p. ISBN 9789860178128 Series title: Nanying gu zao wen hua zhuan ji ۪↡ࣲՉҹ٩֟ফ Note: A comprehensive work on the history of theaters in Tainan County used for local operas, movies, and plays. Includes a bibliography, an author introduction, photos, and a chronology of theaters in Tainan County. CTFAL Chi

2735 Li, Shengjie (Li, Sheng-Chieh). ଽ๦ီ. Taiwan dian ying ying cheng jing zheng ce lue zhi yan jiu = Competitive strategy of cinemas center in Taiwan. ‫ݡ‬ஹӇ‫ڵؙؙ‬ჟৎ೫ଯҏ୳ૢ = Competitive strategy of cinemas center in Taiwan. 137 leaves. Note: Thesis (M.A.)—National Taiwan University of Arts, 2008. Compares the competitive tactics used by cinema centers in Taiwan alongside historical data to identify the most successful financial strategies. Notes that distributors typically have more bargaining power compared with exhibitors. Concludes the following: (1) cinema center location determines the intensity of competition; (2) consumers demand high-quality film projectors and sound systems; (3) different managerial models result in different competitive strategies; (4) most cinema centers in Taiwan use simple and elastic organizational structures; and (5) the cinema center industry in Taiwan is in a mature period. Includes a Chinese and English abstract and a bibliography. NCL/NDLTD (FT) Chi

2733 Chuan qi ji yi de zhen zhu: guo min xi yuan ji Xinzhu dian yang ye kou shu li shi fang tan lu / Liu Jiawen, Chen Yijun bian zhuan, Lin Song zong bian ji. ၌в֮ᏻϡੵ෿: л‫ࡨۚھ‬᠕ЈኵӇ‫ט׬ؙ‬਎ࣵ੗භড࠷ / ฀ဓ ᝉ, ಴ជᅿഹ᫃, ৆ग़րഹফ. Xinzhu: Xinzhu shi wen hua ju, 2008. 159 p. ISBN 9789860137040 Series title: Zhu qian wen hua zi chan cong shu; 366 ኵ∔ҹ٩‫ݗޞ‬ᜣ‫ ;ڣ‬366 Note: An oral history of the Guomin Xi Yuan movie theater and film history in Hsinchu city, Taiwan. The work consists of two parts: Historical Records from the People’s Perspective and Guomin Theatres and the History of Hsinchu Film Industry Development. In 1933, the Japanese colonial government built Taiwan’s first theater with air-conditioning, Youle Guan, in Hsinchu, which was renamed Guomin Da Xi Yuan after Taiwan retrocession in 1945. The theater closed in 1991. In 2000, the Hsinchu Image Museum opened in the original Guomin Xi Yuan location. Memories from the local community, film directors, artists, theater staff, and managers regarding Guomin Xi Yuan provide a unique perspective on the film history of Hsinchu. Includes a bibliography. NTUL Chi

2736 Lin, Meiling. ৆ᄮᮃ. Wo jia kai xi yuan. Ϣрыۚࡨ. Taibei: Min sheng bao, 2001. 182 p. ISBN 9572009109 Series title: Min sheng bao er tong tian di cong shu ‫ھ‬Т‫ڻ‬ճুϳсᜣ‫ڣ‬

462

Film and Movie Theaters

Note:

2742

The author’s memories of her family’s movie theater in the small town of Meinong, Gaoxiong. The theater was established in 1969 and closed down after twenty years. CTFAL Chi

2740 Yan, Zenhui (Yen, Jen Hui). ୶ℭ༫. Ti yan xiao fei shi dai xia Taibei shi dian ying yuan de jing ying xing xiao zhi yan jiu = The research of management of movie theaters in Taipei from the perspective of experiential marketing. Ղࡐ‫ٮ۽‬Ж‫ڊ‬Ў‫ܚݡ‬Ӈ‫ࡨؙ‬ϡҬॺҲઍҏ୳ૢ = The research of management of movie theaters in Taipei from the perspective of experiential marketing. 116 leaves. Note: Thesis (M.A.)—Fu Jen Catholic University, 2009. A historical overview and current snapshot of Taiwan movie theater management with a focus on marketing. Includes a Chinese abstract and a bibliography. NCL/NDLTD Chi

2737 Lin, Shengwei (Lin, Sheng-wei). ৆๦໖. Tainan shi dian ying yuan shang ye kong jian zhi yan jiu. ‫ص۪ݡ‬Ӈ‫׺׬࠱ࡨؙ‬Ҽҏ୳ૢ. 102 leaves. Note: Thesis (M.A.)—National University of Tainan, 2004. The paper analyzes the business models, commercial space, management characteristics, and consumer perspectives of traditional movie theaters and cinema centers in Tainan in light of the influx of large-scale cinema complexes and decline of traditional theatres in Tainan city. Its purpose is to provide a reference point for those selecting commercial locations and business models for movie theaters in Tainan. Includes a Chinese abstract, a bibliography, and an appendix. NCL/NDLTD (FT) Chi

2741 Ye, Longyan, 1940– ౕहᴧ, 1940– Guang fu qian hou Gaoxiong shi de xi yuan yu dian ying. ‫࣢ׇ‬ӓћҙ೰‫ص‬ϡۚࡨӿӇ‫ؙ‬. Gaoxiong: Gaoxiong shi wen xian wei yuan hui, 1996. 37 p. ISBN 9570063696 Series title: Taiwan guang fu wu shi zhou nian ji nian cong kan (wu) ‫ݡ‬ஹ‫࣢ׇ‬ٚ֐‫ڬ‬ёઔ݉ᜣᑂ (ٚ) Note: A special publication commemorating the fiftieth anniversary of Taiwan retrocession in 1945. Focuses on Kaohsiung’s film history, specifically Kaohsiung’s theaters from 1900 through the 1950s. NTUL Chi

2738 Taibei dian ying yuan = Movie theaters in Taipei-a city tour in films / Li Qingzhi zhu bian. ‫ܚݡ‬Ӈ‫ = ࡨؙ‬Movie theaters in Taipei-a city tour in films / ଽ֜ ࢑Ұഹ. Taibei: Yuan zun wen hua qi ye go fen you xian gong si, 1998. 138 p. ISBN 9578286449 Series title: Feng xing guan, yi kong jian գҲఖ, ஫‫׺‬Ҽ Note: A free publication for the Taipei Film Festival. Includes two parts: the history of movie theaters in Taipei and images of Taipei in film. Includes photos, film stills, and maps of movie theaters in Taipei and Ximending. NTUL Chi

2742 Ye, Longyan, 1940– ౕहᴧ, 1940– Taiwan de lao xi yuan. ‫ݡ‬ஹϡҡۚࡨ . Taibei xian Xindian shi: Yuan zu wen hua shi ye you xian gong si, 2006. 205 p. ISBN 9789867630858 Series title: Taiwan di li bai ke; 83 ‫ݡ‬ஹсԑ‫ ;॓ښ‬83 Note: The third version of a history of movie theaters in Taiwan. The first version of the book was published in 2001 and the second was published in 2004 with a similar title. Consists of eight chapters dealing with the relationship between the development of movie theaters and films in Taiwan. Includes a chronology of important film events related to the development of movie theaters in Taiwan, and a bibliography. CTFAL Chi

2739 Xinzhu shi xi yuan zhi / Ye Longyan bian. Јኵ‫ࡨۚص‬௨ /ౕहᴧഹ. Xinzhu: Xinzhu shi wen hua zhong xin, 1996. 24 p. Note: A pictorial work that shows the history of Hsinchu’s theaters, including the first theater built during the colonial period in 1908. Includes a map of Hsinchu movie theaters, photos, foldouts, film stills, and posters. NTUL Chi

463

Others

2743 2743

2744

Ye, Longyan, 1940– ౕहᴧ, 1940– Taiwan lao xi yuan = Antique movie house. ‫ݡ‬ஹҡۚࡨ = Antique movie house. Taibei xian Xindian shi: Yuan zu wen hua shi ye you xian gong si, 2004. 159 p. ISBN 9867630238 Series title: Taiwan wen hua bai ke; 2 ‫ݡ‬ஹҹ٩‫ ;॓ښ‬2 Note: A review of the history of movie theaters in Taiwan from 1933 to 2001. Consists of seven chapters. Chapter 7 presents movie theaters that have survived since the Japanese colonial period. Includes a chronology of important film events related to the development of movie theaters in Taiwan and a bibliography. CTFAL Chi

Ye, Longyan, 1940– ౕहᴧ, 1940– Taiwan xi yuan fa zhan shi. ‫ݡ‬ஹۚࡨчࣁ੗. Xinzhu: Xinzhu shi li ying xiang bo wu guan, 2001. ISBN 9570292504 Note: An analysis of the relationship between the development of Taiwan theaters and film. Two updated versions of the text were published in 2004 and 2006. Consists of ten chapters, including photos, film posters, and film stills. Includes a bibliography. CTFAL Chi

464

Bibliography

Online Databases AIRITI Library (http://www.airitilibrary.com/Home/Index) Bibliography of Asian Studies, by Association for Asian Studies (http://ets.umdl.umich.edu/b/bas/) Chinese Taipei Film Archive Library Online Catalog (http://www.ctfa.org.tw/library2e.htm) Duxiu / ࢴഫ (http://edu.duxiu.com/) HKUSH: The HKU (University of Hong Kong) Scholars Hub (http://hub.hku.hk/) Google (http://www.google.com/) National Central Library Online Catalog (http://aleweb.ncl.edu.tw/F/SN6QTT1HCP9D223JNK5AUHPV355LVLMDQIY256A82Y3348BE6C -38981?func=find-b-0&local_base=top01&CON_LNG=ENG) National Digital Library of Theses and Dissertations in Taiwan (http://ndltd.ncl.edu.tw/cgi-bin/gs32/gsweb.cgi/ccd=N74857/webmge? Geticket=1) National Taiwan University Library Online Catalog (http://www.lib.ntu.edu.tw/catalog/webpac/webpac_new_enguni.asp) OCLC WorldCat (restricted to FirstSearch subscribers) ProQuest (Free trial and paid subscriptions) Taiwan dian ying wang = Taiwan Cinema / Office of News Affairs ‫ݡ‬ஹӇ‫ؙ‬ӻ = Taiwan Cinema / Јࢨ঵ (http://www.taiwancinema.com/welcome.htm) Taiwan dian ying zi liao ku = The Database of Taiwan Cinema / Guo li zheng zhi da xue ‫ݡ‬ஹӇ‫ࢧޞؙ‬ᆞ = The Database of Taiwan Cinema / л߹ू੽Ͻѹ (http://cinema.nccu.edu.tw/) Wanfang Data / ‫ݚ‬Ҥّࣝ (http://c.g.wanfangdata.com.cn/Thesis.aspx) Wikipedia / ‫ۆ‬ऴ‫( ॓ښ‬http://zh.wikipedia.org)

Monographs Baskett, Michael. “The Attractive Empire: Colonial Asia in Japanese Imperial Film Culture, 1931–1953.” Ph.D. dissertation, Department of East Asian Languages and Cultures, University of California, Los Angeles, 2006. 336 leaves. Huang, Ren, 1925–. [ࢶწ, 1925–.] Taiwan dian ying bai nian shi hua / Huang Ren, Wang Wei bian zhu. [‫ݡ‬ஹӇ‫ښؙ‬ё੗ҧ/ࢶწ,ࣼଂഹ Я].Taipei: Zhonghua ying ping ren xie hui, 2004. 2 v. Ji lu Taiwan: Taiwan ji lu pian yan jiu shu mu yu wen xian xuan ji / zhu bian Zhang Changyan, Li Daoming ; zhi xing bian ji Hong Yawen, Han Xu’er, Zhang Qinyun. [ઔ࠷‫ݡ‬ஹ: ‫ݡ‬ஹઔ࠷ә୳ૢ‫ڣ‬۵ӿҹຶ‫ק‬ओ / Ұഹ‫פ‬ቾᴧ, ଽѬҴ ; వҲഹফᖻ઩ҹ,ठ᯾ঌ, ‫פ‬ቦ᭲.] Taibei: Xing zheng yuan wen hua jian she wei yuan hui wei tuo Cai tuan fa ren guo jia dian ying zi liao guan, 2000. 2 v. Zhang, Yingjin. Chinese National Cinema. New York: Routledge, 2004. 328 p.

465

Subject Index

2.28 Incident, 1947 See February 28 Incident, 1947 5.20 Incident, 1988 and Social Movement Documentary, 1980s–1990s See May 20 Incident, 1988 and Social Movement Documentary, 1980s–1990s 8.23, The Second Taiwan Strait Crisis, 1958 See August 23, The Second Taiwan Strait Crisis, 1958 20: 30: 40 (2004) 0809 “A,” Restricted, and Pornographic Films 0515–0517 Aboriginal People See Film and Aboriginal People Acting 0960–0966 Actors and Actresses 1946–2023 Aesthetics 0967–0977 Ai de fa sheng lian xi = So Called Love (2008) Дϡч‫ك‬୚‫( ܄‬2008) 0810 Ai qing wan sui = Vive L’amour (1994) Дє‫( ۈݛ‬1994) 0811–0812 Animal See Film and Animal An lian Taohuayuan = The Peach Blossom Land (1992) ମߧಱՐ੅ (1992) 0813 And She Wasn’t (2000) See Mei can jia = And She Wasn’t (2000) Animated Films 0518–0541 Anti-Communist Films 0542 Anthropology See Film and Anthropology Area See Film and Sociology: Area, Audience, City, Culture, and Society Archive See Film and Archive Art Films 0543–0546

Artifacts See Film Artifacts Asia Film Corporation (Yazhou Ying Ye Gong Si), 1952– 0492 Asia Pacific Film Festival, 1953– 2475 Audience See Film and Sociology: Area, Audience, City, Culture, and Society August 23, The Second Taiwan Strait Crisis, 1958 0482 Awards See Film Festivals and Awards Bai, Jingrui, 1931–1997 Ձ࢓ᇳ, 1931–1997 1722 Bai, Ke, 1913–1964 Ձࡽ, 1913–1964 1723 Bai, Xianyong, 1937– Ձ܏ର, 1937– 2056a–2056d Bao dao da meng = Bodo (1993) մޯϽْ (1993) 0814–0815 Bao dao man po = Formosa Mambo (2011) մޯࢿம (2011) 0816 Bei qing cheng shi = A City of Sadness (1989) ঳є‫( صڵ‬1989) 0817–0827 Bibliographies and Filmographies 0001–0029 Blue Gate Crossing (2002) See Lan se da men = Blue Gate Crossing (2002) Bodo (1993) See Bao dao da meng = Bodo (1993) A Borrowed Life (1994) See Duosang = A Borrowed Life (1994) Box Office See Film Market, Marketing, and Box Office A Brighter Summer Day (1991) See Guling jie shao nian sha ren shi jian = A Brighter Summer Day (1991) Brokeback Mountain (2005) 0828–0831

467

Subject Index

Chou, Jay See Zhou, Jielun (Chou, Jay), 1979– Chou, Tien-su See Zhou, Tiansu (Chou, Tien-su), 1910– Chou, Zoru See Zhou, Meiling (Chou, Zoru), 1969– Ci Ling = The Treasure Hunter (2009) / ଱ᒆ (2009) 0834 Cinematographers 2024–2042 Cinematography 0978–0983 City See Film and Sociology: Area, Audience, City, Culture, and Society A City of Sadness (1989) See Bei qing cheng shi = A City of Sadness (1989) Colonialism See Film and Colonialism Comedy Films 0549 Commercial Films and MTVs 0550–0551 Comparative Film Study 1081–1266 Contemporary Taiwan Film, 1980– 0321–0478 Copyright See Film Copyright, Piracy, and Intellectual Property Critics and Scholars 2043–2052 Crouching Tiger, Hidden Dragon (2000) See Wo hu cang long = Crouching Tiger, Hidden Dragon (2000) Culture See Film and Sociology: Area, Audience, City, Culture, and Society Cultural Criticism 0984–0985 Dai shu nan ren = Kangaroo Man (1994) ೂ࿿ԲϪ (1994) 0835 Dan dao shuang bu da = Every Odd Numbered Day (1994) ‫؁‬Ӌ‫ד‬ϤӋ (1994) 0836 Dan, Hanzhang (Tan, Fred), 1949–1990 Ԕఈ‫א‬, 1949–1990 1743, 2045 Di Yi Ying Ye Ji Gou You Xian Gong Si See First Motion Pictures Co., Ltd (Di Yi Ying Ye Ji Gou You Xian Gong Si), 1967– Dialogue 0986–0988 Dictionaries 0033–0043 Digital Filmmaking 2407–2419 Digitization, Preservation, and Restoration 2691–2704

Bu jian = The Missing (2003) ϤԊ (2003) 0832 Bu san = Goodbye, Dragon Inn (2003) Ϥ્ (2003) 0833 Café Lumière (2003) See Ka fei shi guang = Café Lumière (2003) Cai, Guoxian ᓥлࣶ 1724–1727 Cai, Mingliang (Tsai, Ming-liang), 1957– ᓥҴ݊, 1957– 1728–1742 Cai Tuan Fa Ren Guo Jia Dian Ying Zi Liao Guan See Chinese Taipei Film Archive (Cai Tuan Fa Ren Guo Jia Dian Ying Zi Liao Guan), 1991– Camera See Movie Camera, Projector, and Related Equipment Campus Films See Teenage-Campus Films Cao, Jian, 1922–2002 ᢳ࡬, 1922–2002 1971 Cape No. 7 (2008) See Haijiao qi hao = Cape No. 7 (2008) Catch (2006) See Guo shi wu shuang = Catch (2006) Catalogs, Guides, Handbooks, Factfinders, and Manuals 0049–0069 Censorship See Film Censorship Central Motion Picture Corporation (Zhong Yang Dian Ying Shi Ye Gu Fen You Xian Gong Si / Zhong ying), 1954– 0496–0508 Chang, Cheh See Zhang, Che (Chang, Cheh), 1923–2002 Chang, Tso-chi See Zhang, Zuoji (Chang, Tso-chi), 1961– Chang, Yi See Zhang, Yi (Chang, Yi), 1951– Cheng, Wun-hui See Zheng, Wenhui (Cheng, Wun-hui), 1981–2007 Chiayi (Chia-i) See Kaohsiung (Gaoxiong) and Southern Taiwan, Including Pingtung (Pingdong or P’ing-tung), Tainan (T’ai-nan), and Chiayi (Jiayi or Chia-i), 1900– Chi-lung See Keelung (Jilong or Chi-lung), 1908– China Motion Picture Studio (Zhongguo Dian Ying Zhi Pian Chang /Zhong zhi), 1933– 0486–0487 Chinese Taipei Film Archive (Cai Tuan Fa Ren Guo Jia Dian Ying Zi Liao Guan), 1991– 0513 Children’s Films 0547–0548 Chiu, Ming-chong See Qiu, Mingcheng (Chiu, Ming-chong), 1952–

468

Subject Index

Ding, Boshen, 1916– ౨ᐑ捡, 1916– 1744 Directing 0989–1000 Directories 0044–0045 Distribution See Film Distribution Documentary Films 0552–0608 Dong = The Hole (1998) / ၻ (1998) 0837 Double Vision (2002) See Shuang tong = Double Vision (2002) Doubles / Giddens (2009) See San sheng you xing = Doubles / Giddens (2009) Doyle, Christopher (Du, Kefeng), 1952– ᖯНգ, 1952– 2026–2041 Drama See Film and Drama and Opera Drama Films See Opera and Drama Films Drop Me a Cat (2002) See Gei wo yi zhi mao = Drop Me a Cat (2002) Du, Kefeng See Doyle, Christopher (Du, Kefeng), 1952– Duosang = A Borrowed Life (1994) Єᇤ1994 0838 Dust in the Wind (1986) See Lian lian feng chen = Dust in the Wind (1986) Early Period after Taiwan Retrocession, 1945–1949 0280–0284 Economy See Film and Economics Editing See Montage and Editing Education See Film and Education Education Films See Science and Education Films Encyclopedias 0046–0048 Environmental Protection See Film and Environmental Protection Ethnographic Films 0609–0611 Ethnology See Film and Ethnology The Everlasting Glory (1974) See Ying lie qian qiu = The Everlasting Glory (1974) Every Odd Numbered Day (1994) See Dan dao shuang bu da = Every Odd Numbered Day (1994) Everything for the Events of Tomorrow (1988) See Yi qie wei le ming tian = Everything for the Events of Tomorrow (1988) Execution in Autumn (1972) See Qiu jue = Execution in Autumn (1972)

Face (2009) See Lian = Face (2009) Factfinders See Catalogs, Guides, Handbooks, Factfinders, and Manuals Fall . . . in Love (2004) See Lian ren = Fall . . . in Love (2004) Family See Film and Sociology: Area, Audience, family, City, Culture, and Society February 28 Incident, 1947 0479–0481 Festivals See Film Festivals and Awards Film and Aboriginal People 1267–1279 Film and Animal 1280 Film and Anthropology 1281–1282 Film and Archive 1283–1284 Film and Colonialism 1285–1292 Film and Drama and Opera 1293–1307 Film and Economics 1308–1318 Film and Education 1319–1332 Film and Environmental Protection 1333–1334 Film and Ethnology 1335–1340 Film and Globalization 1341–1366 Film and Hakka 1367–1370 Film and Law 1371–1373 Film and Literature 1374–1403 Film and Mainlanders 1404–1405 Film and Management 1406–1407 Film and Medicine and Mental Illness 1408–1410 Film and Movie Theaters 2732–2744 Film and Music 1411–1427 Film and Newspaper and Journals 1452–1455 Film and Painting 1456–1457 Film and Patients 1458 Film and Politics 1459–1513

469

Subject Index

Film and Psychology 1514–1517 Film and Railway 1518 Film and Religion 1519–1521 Film and Sexuality and Homosexuality 1522–1536 Film and Sociology: Area, Audience, Family, City, Culture, and Society 1537–1603 Film and Technology 1604–1605 Film and Television, Internet, and Multimedia 1606–1622 Film and Videotape 1623–1626 Film and Women 1627–1653 Film and Youth 1654–1656 Film Artifacts 2433–2437 Film Censorship 2438–2452 Film Copyright, Piracy, and Intellectual Property 2453–2459 Film Distribution 2460–2466 Film Education 2467–2470 Film Festivals and Awards 2471–2517 Film Grammar 1001 FILM HISTORY 0070–0514 General 0070–0193 Special Regions, Periods, and Events 0194–0485 Ximending (Ximenting), 1896– 0194–0195 Hsinchu (Xinzhu), 1900– 0196–0207 Kaohsiung (Gaoxiong) and Southern Taiwan, Including Pingtung (Pingdong or P’ing-tung), Tainan (T’ai-nan), and Chiayi (Jiayi or Chia-i), 1900– 0208–0224 Keelung (Jilong or Chi-lung), 1908– 0225 Taichung (Taizhong or T’ai-chung), 1910– 0226–0228 Taipei (Taibei), 1950– 0229–0234 Japanese Colonial Period, 1895–1945 0235–0279 Early Period after Taiwan Retrocession, 1945–1949 0280–0284

Taiwanese-Dialect Film, 1955–1982 0285–0305 Mandarin Film, 1963–1970 0306–0311 Healthy Realism Film, 1963–1980 0312–0320 Contemporary Taiwan Film, 1980– 0321– 0478 Taiwan New, New-New, and Post-New Cinema, 1982– 0385–0478 February 28 Incident, 1947 0479–0481 August 23, The Second Taiwan Strait Crisis, 1958 0482 Ten Worst Films Incident, 1977 0483 May 20 Incident, 1988 and Social Movement Documentary, 1980s–1990s 0484–0485 Film Institutions and Studios 0486–0514 China Motion Picture Studio (Zhongguo Dian Ying Zhi Pian Chang /Zhong zhi), 1933– 0486–0487 Xinhua Film Corporation (Xinhua Ying Ye Gong Si), 1935–1984 0488 Taiwan Provincial Film Production Studio (Taiwan sheng Dian Ying She Zhi Chang / Taiwan Sheng Zheng Fu Xin Wen Dian Ying Zhi Pian Chang / Taiwan Dian Ying Zhi Pian Chang / Taiwan Dian Ying Wen Hua Shi Ye Gu Fen You Xian Gong Si / Tai ying or Tai zhi), 1945–1999 0489–0491 Asia Film Corporation (Yazhou Ying Ye Gong Si), 1952– 0492 Union Film Co., Ltd. (Lian Bang Ying Ye You Xian Gong Si / Lian bang), 1953–1980 0493–0495 Central Motion Picture Corporation (Zhong Yang Dian Ying Shi Ye Gu Fen You Xian Gong Si / Zhong ying), 1954– 0496–0508 Tiensheng and Tienhua Film Company (Tian Sheng, Tian Hua Ying Ye Gong Si), 1960–1978 0509 Grand Motion Pictures Co., Ltd. (Guo Lian Dian Ying Gong Si / Guo lian), 1963–1967 0510–0511 First Motion Pictures Co., Ltd (Di Yi Ying Ye Ji Gou You Xian Gong Si), 1967– 0512 Chinese Taipei Film Archive (Cai Tuan Fa Ren Guo Jia Dian Ying Zi Liao Guan), 1991– 0513

470

Subject Index

Taiwan Film and Culture Association (Taiwan Dian Ying Wen Hua Xie Hui), 2001– 0514 Film Industry 2518–2562 Film Institutions and Studios 0486–0514 Film Investment 2563–2566 Film Law, Policy, Regulation, and Legal Cases 2567–2593 Film Market, Marketing, and Box Office 2595–2629 Film Movements and Theory 1002–1048 Film Music and Songs 2630–2647 Film, Nationalism, Nationality, Identity, and Localization 1428–1451 Film Posters 2648–2660 FILM PRODUCERS, DIRECTORS, ACTORS, ACTRESSES, CINEMATOGRAPHERS, CRITICS, SCHOLARS, SONG AND MUSIC COMPOSERS, AND SCREENWRITERS (INCLUDING BIOGRAPHIES AND AUTOBIOGRAPHIES) 1657–2085 General 1657–1695 Producers and Directors 1696–1945 General 1696–1721 Individual Producers and Directors 1722–1945 Bai, Jingrui, 1931–1997 Ձ࢓ᇳ, 1931–1997 1722 Bai, Ke, 1913–1964 Ձࡽ, 1913–1964 1723 Cai, Guoxian ᓥлࣶ 1724–1727 Cai, Mingliang (Tsai, Ming-liang), 1957– ᓥҴ݊, 1957– 1728–1742 Dan, Hanzhang, 1949–1990 Ԕఈ‫א‬, 1949–1990 1743 Ding, Boshen, 1916– ౨ᐑ捡, 1916– 1744 Gong, Hong, 1915–2004 ₳ᮜ, 1915–2004 1745–1746 Guo, Nanhong (Kuo, Joseph), 1933– ᔕ۪ᒩ (Kuo, Joseph), 1933– 1747 He, Feiguang, 1913–1997 ‫ׇۘح‬, 1913–1997 1748–1749

Hou, Xiaoxian (Hou, Hsiao-hsien), 1947– ᢡᖮᐊ, 1947– 1750–1778 Hu, Jinquan (Hu, King), 1932–1997 ഐ‫ؖ‬⠌, 1932–1997 1779–1787 Huang, Zhuohan (Huang, Cho-han), 1920– ࢶᅤఈ, 1920– 1788 Jiubadao (Ke, Jingteng and Ko, Giddens), 1978– ॰өఋ (ᛊ࢓౵), 1978– 1789 Ke, Shuqing ᛊᎂ᥮ 1790–1791 Lai, Shengchuan (Lai, Stan), 1954– ໰‫ك‬ඇ, 1954– 1792–1793 Lan, Tianhong, 1924–2007 ঢϳᅋ, 1924–2007 1794 Li, An (Lee, Ang), 1954– ଽԥ, 1954– 1795–1831 Li, Ding ଽᑾ 1832 Li, Gang, 1957– ଽᐻ, 1957– 1833 Li, Hanxiang (Li, Han-hsiang), 1926–1996 ଽᲆፖ, 1926–1996 1834–1849 Li, Kangsheng (Lee, Kang-sheng), 1968– ଽࣉТ, 1968– 1850 Li, Xing, 1930– ଽҲ, 1930– 1851–1857 Liang, Xiushen (Liang, Slim), 1948– ᅯࢗӱ, 1948– 1858 Liao, Xiangxiong, 1933– ᴰፖ೰, 1933– 1859 Lin, Tuanqiu, 1920–1998 ৆Ⲥ‫ڠ‬, 1920–1998 1860 Lin, Zhengsheng, 1959– ৆Ԝഄ, 1959– 1861–1863 Liu, Na’ou, 1905–1940 ฀໭ᾥ, 1905–1940 1864–1874 Long, Fang, 1915–1964 हᇙ, 1915–1964 1875–1876 Lu, Sushang, 1915–1970 ᧛पϼ, 1915–1970 1877–1878

471

Subject Index

Luo, Xuelian, 1902–2000 ஛ѹ⻋, 1902–2000 1879 Ming, Ji, 1939– Ҵ┫, 1939– 1880 Ou, Wei, 1937–1973 ଟ୺, 1937–1973 1881 Qiu, Mingcheng (Chiu, Ming-chong), 1952– ᆥ᎘஧, 1952– 1882 Sha, Rongfeng, 1921– ૶ึ๢, 1921– 1883–1884 Tong, Yuejuan (Wan, Xiuying; Liang, Ruiying), 1914– ু֊ᥱ (‫ݛ‬ഫ߭, ᅯᇳ߭), 1914– 1885–1886 Toyojirö, Takamatsu, 1872–1952 ҙग़ஶҋᅦ, 1872–1952 1887 Wang, Feilin, 1956–1992 ࣼ๘৆, 1956–1992 1888 Wang, Shengshan, 1921–2003 ࣼТ৖, 1921–2003 1889 Wang, Tong (Wang, Tung), 1942– ࣼু, 1942– 1890–1891 Wang, Xiaodi, 1953– ࣼЩ➅, 1953– 1892 Wang, Tong (Wang, Tung), 1942– ࣼু, 1942– 1891–1892 Wang, Zhengfang ࣼԜҤ 1893–1894 Wei, Desheng (Wei, Te-sheng), 1969– ᪭ख़๦, 1969– 1895–1896 Weng, Dacheng, 1944– ᙋϽю, 1944– 1897 Wu, Misen (Wu, Mi-sen), 1967– ྶܶာ, 1967– 1898 Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ, 1952– 1899–1902 Xiao, Juzhen (Hsiao, Chu-chen), 1972– ᖆᏕᢾ, 1972– 1903 Xin, Qi (Hsin, Chi), 1924– ొ࡞, 1924– 1904 Xu, Ligong (Hsu, Li-kong), 1943– ጝ߹‫ۋ‬, 1943– 1905

Yang, Dechang (Yang, Edward), 1947–2007 ໷ख़ቾ, 1947–2007 1906–1930 Yao, Fengpan (Yao, Feng-pan), 1932–2004 ᝻ང῟, 1932–2004 1931–1932 Yi, Wen (Yang, Evan), 1920–1978 ‫ډ‬ҹ, 1920–1978 1933 Yuan, Congmei (Yuan, Tsung-mei), 1905– ᭛ᜣѤ, 1905– 1934 Zhang, Che (Chang, Cheh), 1923–2002 ‫פ‬๜, 1923–2002 1935–1936 Zhang, Yi (Chang, Yi), 1951– ‫פ‬ᗥ, 1951– 1937–1938 Zhang, Ying, 1913– ‫߭פ‬, 1913– 1939 Zhang, Zengze, 1930– ‫߲פ‬෹, 1930– 1940 Zhang, Zuoji (Chang, Tso-chi), 1961– ‫פ‬ӑ┫, 1961– 1941–1942 Zheng, Wenhui (Cheng, Wun-hui), 1981–2007 ቼҹ௑, 1981–2007 1943 Zhou, Meiling (Chou, Zoru), 1969– ‫ر‬Ѥጘ, 1969– 1944 Zhou, Tiansu (Chou, Tien-su), 1910– ‫ر‬ϳঈ, 1910– 1945 Actors and Actresses 1946–2023 General 1946–1970 Individual Actors and Actresses 1971–2023 Cao, Jian, 1922–2002 ᢳ࡬, 1922–2002 1971 Gong, Jianong, 1902–1993 ₳⅒హ䩟1902–1993 1972–1974 Gu, Minglun, 1948–1978 ໥Ӝൔ, 1948–1978 1975 Hong, Mingxue, 1936– ᖻҴઞ, 1936– 1976 Hu, Die, 1907–1989 ഐႵ, 1907–1989 1977–1996 Jiang, Qing, 1946– ࢖‫ݙ‬, 1046– 1997

472

Subject Index

Lan, Tianhong, 1924–2007 ঢϳᅋ, 1924–2007 1998 Li, Kangsheng (Lee, Kang-sheng), 1968– ଽࣉТ, 1968– 1999 Li, Ying, 1923–2005 ଽ‫ؙ‬, 1923–2005 2000 Liang, Xiushen (Liang, Slim), 1948– ᅯࢗӱ, 1948– 2001 Lin, Qingxia (Lin, Brigitte Ching Hsia), 1954– ৆‫ݙ‬ᎇ, 1954– 2002–2014 Ou, Wei, 1937–1973 ଟ୺, 1937–1973 2015 Tang, Baoyun, 1944–1999 ࿔մࠥ, 1944–1999 2016 Wei, Ping’ao, 1929–1989 ᪭‫כ‬ᆹ, 1929–1989 2017–2018 Yang, Huishan, 1952– ໷௑ᦸ, 1952– 2019 Yang, Lihua, 1944– ໷‫ܡ‬Ր, 1944– 2020 Xu, Buliao (Pu-liao Hsu), 1951–1985 ‫ܛ‬ϤϦ, 1951–1985 2021 Zhang, Meiyao, 1941– ‫פ‬Ѥᴽ, 1941– 2022 Zhou, Jielun (Chou, Jay), 1979– ‫ီر‬ൔ, 1979– 2023 Cinematographers 2024–2042 General 2024–2025 Individual Cinematographers 2026–2042 Doyle, Christopher (Du, Kefeng), 1952– ᖯНգ, 1952– 2026–2041 Hua, Huiying, 1925– ‫ܓ‬༫߭, 1925– 2042 Critics and Scholars 2043–2052 General 2043–2044 Individual Critics and Scholars 2045–2052 Dan, Hanzhang (Tan, Fred), 1949–1990 Ԕఈ‫א‬, 1949–1990 2045

Lu, Sushang, 1915–1970 ᧛पϼ, 1915–1970 2046–2047 Luo, Xuelian, 1902–2000 ஛ѹ⻋, 1902–2000 2048 Wang, Feilin, 1956–1992 ࣼ๘৆, 1956–1992 2049 Yang, Shiqi ໷ࡲᔂ 2050 Yao, Yiwei, 1922–1997 ᝻ϣἹ, 1922–1997 2051–2052 Music and Song Composers and Song Lyric Writers 2053–2056 Individual Music and Song Composers and Song Lyric Writers 2053–2056 Li, Linqiu, 1909–1979 ଽெ‫ڠ‬, 1909–1979 2053 Yi, Wen (Yang, Evan), 1920–1978 ‫ډ‬ҹ, 1920–1978 2054 Zeng, Zhongying, 1924– ߲ᓶ‫ؙ‬, 1924– 2055 Zhang, Hongyi, 1950–2006 ‫פ‬ᮜᗥ, 1950–2006 2056 Screenwriters 2057–2085 Individual Screenplay Writers 2057–2085 Bai, Xianyong, 1937– Ձ܏ର, 1937– 2056a–2056d Gong, Min, 1931– ᕠ์, 1931– 2057 Li, Gang, 1957– ଽᐻ, 1957– 2058 Li, Linqiu, 1909–1979 ଽெ‫ڠ‬, 1909–1979 2059 Lin, Tuanqiu, 1920–1998 ৆Ⲥ‫ڠ‬, 1920–1998 2060 Lu, Sushang, 1915–1970 ᧛पϼ, 1915–1970 2061–2062 Ma, Sen, 1932– ެာ, 1932– 2063 Wang, Shengshan, 1921–2003 ࣼТ৖, 1921–2003 2064

473

Subject Index

Xiaoye, 1951– Щఀ, 1951– 2065–2070 Yao, Yiwei, 1922–1997 ᝻ϣἹ, 1922–1997 2071–2073 Yi, Wen (Yang, Evan), 1920–1978 ‫ډ‬ҹ, 1920–1978 2074 Zhang, Mingyu ‫פ‬Ҵർ 2075–2076 Zhao, Qibin, 1929–1986 ᕿ⓭ᝯ, 1929–1986 2077 Zhu, Tianwen (Chu, T’ien-wen), 1956– ᗌϳҹ, 1956– 2078–2085 Film Production and Management 2661–2713 Film Propaganda 2714–2716 FILM REVIEWS 0681a–0926 General 0682–0808 Individual Film Reviews 0809–0926 20: 30: 40 (2004) 0809 Ai de fa sheng lian xi = So Called Love (2008) Дϡч‫ك‬୚‫( ܄‬2008) 0810 Ai qing wan sui = Vive L’amour (1994) Дє‫( ۈݛ‬1994) 0811–0812 An lian Taohuayuan = The Peach Blossom Land (1992) ମߧಱՐ੅ (1992) 0813 Bao dao da meng = Bodo (1993) մޯϽْ (1993) 0814–0815 Bao dao man po = Formosa Mambo (2011) մޯࢿம (2011) 0816 Bei qing cheng shi = A City of Sadness (1989) ঳є‫( صڵ‬1989) 0817–0827 Brokeback Mountain (2005) 0828–0831 Bu jian = The Missing (2003) ϤԊ (2003) 0832 Bu san = Goodbye, Dragon Inn (2003) Ϥ્ (2003) 0833 Ci Ling = The Treasure Hunter (2009) ଱ᒆ (2009) 0834

Dai shu nan ren = Kangaroo Man (1994) ೂ࿿ԲϪ (1994) 0835 Dan dao shuang bu da = Every Odd Numbered Day (1994) ‫؁‬Ӌ‫ד‬ϤӋ (1994) 0836 Dong = The Hole (1998) ၻ (1998) 0837 Duosang = A Borrowed Life (1994) Єᇤ䩛1994䩜 0838 Gei wo yi zhi mao = Drop Me a Cat (2002) ѰϢϣ‫( ࢈ݒ‬2002) 0839 Gong fu guan lan = Kung Fu Dunk (2008) ‫ۋ‬ਜ਼ᓲႨ (2008) 0840 Grandpa!? (2009) 0841 Gu Lian Hua = Love’s Lone Flower (1985, 2005) વߧՐ (1985, 2005) 0841a Guling jie shao nian sha ren shi jian = A Brighter Summer Day (1991) ⚯ᗬঅվё৵ϪѨխ (1991) 0842 Guo shi wu shuang = Catch (2006) лࡲѩ‫( ד‬2006) 0843 Haijiao qi hao = Cape No. 7 (2008) ֋ࡠࢳ‫( ى‬2008) 0844–0847 Hai shang hua = Flowers of Shanghai (1998) ֋ϼՐ (1998) 0848–0849 Hao nan hao nu = Good Men, Good Women (1993) ϮԲϮѽ䩛1993䩜 0850 He liu = The River (1997) ૯Ե (1997) 0851–0852 Hong qi qiu de lu xing = Flight of the Red Balloon = Le Voyage du Ballon Rouge (2006) ‫ی‬Ӡ‫ܧ‬ϡ߫Ҳ (2006) 0853–0854 Ji mo fang xin ju le bu = Lonely Hearts Club (1995) ఘದᇙК༤Ӏ‫( ח‬1995) 0855 Ka fei shi guang = Café Lumière (2003) ౹೑Ж‫( ׇ‬2003) 0856 Kong bu fen zi = Terrorizers (1986) ౦࿙‫ڤ‬ж (1986) 0857 Lan se da men = Blue Gate Crossing (2002) ঢաϽ՞ (2002) 0858

474

Subject Index

Lian = Face (2009) ࠙ (2009) 0859 Lian lian feng chen = Dust in the Wind (1986) ߧߧգຳ (1986) 0860–0862 Lian lian wu = Step by Step (2009) ୚ߧଢ (2009) 0863 Lian ren = Fall . . . in Love (2004) ߧϪ (2004) 0864 Lian xi qu = Island Etude (2007) ୚‫( ॽ܄‬2007) 0865 Liu li dao ying = Floating Islands (2000) Ե‫( ؙޯڐ‬2000) 0866 Lu gang qing shen = Wind Within (1999) ࿇୯є‫( ٹ‬1999) 0867 May 20 Incident, 1988 and Social Movement Documentary, 1980s–1990s 0484–0485 Mei can jia = And She Wasn’t (2000) Э‫۾‬Ӹ (2000) 0868 Mengjia = Monga (2010) ⛑➩ (2010) 0869 Mo fa a ma = Grandma and Her Ghosts (1998) ತ֚०֒ (1998) 0870 Nan fang ji shi zhi fu shi guang ying = The Strait Story (2005) ۪Ҥ֮ѨҏൿԒ‫( ׇؙ‬2005) 0871 Ni na bian ji dian = What Time Is It There? (2001) ϧъ‫נ‬ӫѡ? (2001) 0872–0873 Po lun tai = Flat Tire (1998) ਋ਈნ (1998) 0874 Qi mao qiu le = Fluffy Rhapsody (2000) вࢂ‫ܧ‬Ϧ (2000) 0875 Qian xi man bo = Millennium Mambo (2001) ࡛Ẽᅸம (2001) 0876–0878 Qiao ke li zhong ji = Chocolate Rap (2005) ಌࡽҨԳ‫( ܂‬2005) 0879 Qing shao nian Nezha = Rebels of the Neon God (1992) ‫ݙ‬վё‫ڃ‬ᢁ (1992) 0880 Qiu jue = Execution in Autumn (1972) ‫( ݺڠ‬1972) 0881 Ren yu Duoduo = The Shoe Fairy (2006) Ϫ‫־‬౤౤ (2006) 0882–0883

Saideke—Balai = Seediq Bale (2011) ॴख़ࡽ—࣬ᒀ (2011) 0884–0885 San sheng you xing = Doubles / Giddens (2009) ѧТϩ؄ (2009) 0886 Se Jie = Lust, Caution (2007) ա,യ (2007) 0887–0890 Shuang tong = Double Vision (2002) ‫( ᧢ד‬2002) 0891 Taiwan hei dian ying = Taiwan Black Movies (2005) ‫ݡ‬ஹ‫ܪ‬Ӈ‫( ؙ‬2005) 0892 Tang shan guo Taiwan = The Heroic Pioneers (1986) ࿔‫ځ‬О‫ݡ‬ஹ (1986) 0893 Tui shou = Pushing Hands (1991) ԐѲ (1991) 0894–0895 Wang Xiang = Homesick Eyes (1997) ֳ൅ (1997) 0896 Wo de mei li yu ai chou = The Peony Pavilion (1995) ϢϡѤ‫ܡ‬ӿඅེ (1995) 0897–0898 Wo de yi piao xuan zong tong = The Tofu Maker Had a Dream (1994) Ϣϡϣ‫קܯ‬րࢃ (1994) 0899 Wo hu cang long = Crouching Tiger, Hidden Dragon (2000) ၃ഝেह (2000) 0900–0904 Wu yue zhi lian = Love of May (2004) ٚ֊ҏߧ (2004) 0905 Wu zi tian shu = The Phoenix (1978) ѩ‫ܒ‬ϳ‫( ڣ‬1978) 0906 Xi bu lai de ren = The Man from Island West (1990) ՝‫ח‬ϰϡϪ (1990) 0907–0909 Xi meng ren sheng = The Puppetmaster (1995) ْۚϪТ (1995) 0910–0911 Xi yan = The Wedding Banquet (1993) ㏵ᑱ (2003) 0912–0913 Xia nu = A Touch of Zen (1969) ཱུѽ (1969) 0914 Xiang fei = Princess D (2002) Ђٞ (2002) 0915 Xiao zhen chun hui = Gain Sons, Not Losing Daughters (1968) Щ๰ࡇҘ (1968) 0916

475

Subject Index

Ya pian zhan zheng = The Opium War (1997) ᛃә‫ڕ‬ৎ (1997) 0917 Yan guang si she ge wu tuan = Splendid Float (2004) ᇗ‫ףׇ‬थ‫ܮ‬ଢࣗ (2004) 0918 Yangzi jiang feng yun = Storm Over the Yang-Tse River (1969) เж࢖գࠥ (1969) 0919 Yi ba jiu wu = The Legend of Formosa in 1895 (2008) ϣࡂ॰ٚ (2008) 0920 Yi qie wei le ming tian = Everything for the Events of Tomorrow (1988) ϣܷЊϦҴϳ (1988) 0921 Yin shi nan nu = Eat Drink Man Woman (1994) ୗ‫ې‬Բѽ (1994) 0922–0923 Ying lie qian qiu = The Everlasting Glory (1974) ߭૆࡛‫( ڠ‬1974) 0924 Zui hao shi guang = Three Times (2005) зϮЖ‫( ׇ‬2005) 0925–0926 Film Screen Quota 2717 Film Still 2718 FILM STORIES, SCREENPLAYS, AND SCRIPTS 2086–2405 Film Subsidies 2719–2728 Film Subtitles 2729–2731 FILM TECHNOLOGY 2406–2432 General 2406 Digital Filmmaking 2407–2419 Movie Camera, Projector, and Related Equipment 2420–2429 Movie Content Management 2430–2431 Movie Sound Recording 2432 FILM THEORY AND TECHNIQUE 0927–1080 General 0927–0959 Acting 0960–0966 Aesthetics 0967–0977 Cinematography 0978–0983

Cultural Criticism 0984–0985 Dialogue 0986–0988 Directing 0989–1000 Montage and Editing 0999–1000 Film Grammar 1001 Film Movements and Theory 1002–1048 Healthy Realism 1002–1005 Taiwan New Cinema 1006–1048 Historiography 1049 Music and Song Composition 1050–1055 Postcolonial Theory 1056–1061 Scenery and Set Design 1062–1067 Screenplay Writing 1068–1077 Special Effects 1078–1080 Filmographies See Bibliographies and Filmographies Films in Taiwan and Japan 1212–1233 Films in Taiwan and Korea 1234–1237 Films in Taiwan, Hong Kong, and Mainland China 1092–1211 First Motion Pictures Co., Ltd (Di Yi Ying Ye Ji Gou You Xian Gong Si), 1967– 0512 Flat Tire (1998) See Po lun tai = Flat Tire (1998) Flight of the Red Balloon = Le Voyage du Ballon Rouge (2006) See Hong qi qiu de lu xing = Flight of the Red Balloon = Le Voyage du Ballon Rouge (2006) Floating Islands (2000) See Liu li dao ying = Floating Islands (2000) Flowers of Shanghai (1998) See Hai shang hua = Flowers of Shanghai (1998) Fluffy Rhapsody (2000) See Qi mao qiu le = Fluffy Rhapsody (2000) Foreign Laborers 1366 Formosa Mambo (2011) See Bao dao man po = Formosa Mambo (2011) Gay Films See Homosexual, Gay, and Lesbian Films Gain Sons, Not Losing Daughters (1968) See Xiao zhen chun hui = Gain Sons, Not Losing Daughters (1968)

476

Subject Index

Gaoxiong See Kaohsiung (Gaoxiong) and Southern Taiwan, Including Pingtung (Pingdong or P’ing-tung), Tainan (T’ai-nan), and Chiayi (Jiayi or Chia-i), 1900– Gei wo yi zhi mao = Drop Me a Cat (2002) ѰϢϣ‫( ࢈ݒ‬2002) 0839 Ghost Films See Horror and Ghost Films Globalization See Film and Globalization Golden Harvest Awards for Outstanding Short Films, 1978– 2491 Golden Horse Film Festival and Awards, 1962– 2476–2490 Gong fu guan lan = Kung Fu Dunk (2008) ‫ۋ‬ਜ਼ᓲႨ (2008) 0840 Gong, Hong, 1915–2004 ₳ᮜ, 1915–2004 1745–1746 Gong, Jianong, 1902–1993 ₳⅒హ䩟1902–1993 1972–1974 Gong, Min, 1931– ᕠ์, 1931– 2057 Good Men, Good Women (1993) See Hao nan hao nu = Good Men, Good Women (1993) Goodbye, Dragon Inn (2003) See Bu san = Goodbye, Dragon Inn (2003) Grand Motion Pictures Co., Ltd. (Guo Lian Dian Ying Gong Si / Guo lian), 1963–1967 0510–0511 Grandpa!? (2009) 0841 Grandma and Her Ghosts (1998) See Mo fa a ma = Grandma and Her Ghosts (1998) Gu Lian Hua = Love’s Lone Flower (1985, 2005) વߧՐ (1985, 2005) 0841a Gu, Minglun, 1948–1978 ໥Ӝൔ, 1948–1978 1975 Guides See Catalogs, Guides, Handbooks, Factfinders, and Manuals Guling jie shao nian sha ren shi jian = A Brighter Summer Day (1991) ⚯ᗬঅվё৵ϪѨխ (1991) 0842 Guo lian See Grand Motion Pictures Co., Ltd. (Guo Lian Dian Ying Gong Si / Guo lian), 1963–1967 Guo Lian Dian Ying Gong Si See Grand Motion Pictures Co., Ltd. (Guo Lian Dian Ying Gong Si / Guo lian), 1963–1967 Guo, Nanhong (Kuo, Joseph), 1933– ᔕ۪ᒩ (Kuo, Joseph), 1933– 1747

Guo shi wu shuang = Catch (2006) лࡲѩ‫( ד‬2006) 0843 Haijiao qi hao = Cape No. 7 (2008) ֋ࡠࢳ‫( ى‬2008) 0844–0847 Hai shang hua = Flowers of Shanghai (1998) ֋ϼՐ (1998) 0848–0849 Hakka See Film and Hakka Handbooks See Catalogs, Guides, Handbooks, Factfinders, and Manuals Hao nan hao nu = Good Men, Good Women (1993) ϮԲϮѽ (1993) 0850 He, Feiguang, 1913–1997 ‫ׇۘح‬, 1913–1997 1748–1749 He liu = The River (1997) ૯Ե (1997) 0851–0852 Healthy Realism 1002–1005 Healthy Realism Film, 1963–1980 0312–0320 The Heroic Pioneers (1986) See Tang shan guo Taiwan = The Heroic Pioneers (1986) Historiography 1049 The Hole (1998) See Dong = The Hole (1998) Homesick Eyes (1997) See Wang Xiang = Homesick Eyes (1997) Homosexual, Gay, and Lesbian Films 0612–0626 Homosexuality See Film and Sexuality and Homosexuality Hong, Mingxue, 1936– ᖻҴઞ, 1936– 1976 Hong qi qiu de lu xing = Flight of the Red Balloon = Le Voyage du Ballon Rouge (2006) ‫ی‬Ӡ‫ܧ‬ϡ߫Ҳ (2006) 0853 Horror and Ghost Films 0627–0629 Hou, Hsiao-hsien See Hou, Xiaoxian (Hou, Hsiao-hsien), 1947– Hou, Xiaoxian (Hou, Hsiao-hsien), 1947– ᢡᖮᐊ, 1947– 1750–1778 Hsiao, Chu-chen See Xiao, Juzhen (Hsiao, Chu-chen), 1972– Hsin, Chi See Xin, Qi (Hsin, Chi), 1924– Hsinchu (Xinzhu), 1900– 0196–0207 Hsu, Li-kong See Xu, Ligong (Hsu, Li-kong), 1943–

477

Subject Index

Hu, Die, 1907–1989 ഐႵ, 1907–1989 1977–1996 Hu, Jinquan (Hu, King), 1932–1997 ഐ‫ؖ‬⠌, 1932–1997 1779–1787 Hu, King See Hu, Jinquan (Hu, King), 1932–1997 Hua, Huiying, 1925– ‫ܓ‬༫߭, 1925– 2042 Huang, Zhuohan (Huang, Cho-han), 1920– ࢶᅤఈ, 1920– 1788 Huang, Cho-han See Huang, Zhuohan (Huang, Cho-han), 1920– Identity See Film, Nationalism, Nationality, Identity, and Localization Independent Films 0630–0639 Indexes 0030–0032 Individual Actors and Actresses 1971–2023 Individual Cinematographers 2026–2042 Individual Critics and Scholars 2045–2052 Individual Film Reviews 0809–0926 Individual Music and Song Composers and Song Lyric Writers 2053–2056 Individual Producers and Directors 1722–1945 Individual Screenplay Writers 2057–2085 Industry See Film Industry INTERDISCIPLINARY STUDIES 1081–1656 Comparative Film Study 1081–1266 Films in Taiwan, Hong Kong, and Mainland China 1092–1211 Films in Taiwan and Japan 1212–1233 Films in Taiwan and Korea 1234–1237 Taiwan and Bollywood Films 1238 Taiwan and Hollywood Films 1239–1266 Film and Aboriginal People 1267–1279 Film and Animal 1280 Film and Anthropology 1281–1282 Film and Archive 1283–1284

Film and Colonialism 1285–1292 Film and Drama and Opera 1293–1307 Film and Economics 1308–1318 Film and Education 1319–1332 Film and Environmental Protection 1333–1334 Film and Ethnology 1335–1340 Film and Globalization 1341–1366 Foreign Laborers 1366 Film and Hakka 1367–1370 Film and Law 1371–1373 Film and Literature 1374–1403 Film and Mainlanders 1404–1405 Film and Management 1406–1407 Film and Medicine and Mental Illness 1408–1410 Film and Music 1411–1427 Film, Nationalism, Nationality, Identity, and Localization 1428–1451 Film and Newspaper and Journals 1452–1455 Film and Painting 1456–1457 Film and Patients 1458 Film and Politics 1459–1513 Film and Psychology 1514–1517 Film and Railway 1518 Film and Religion 1519–1521 Film and Sexuality and Homosexuality 1522–1536 Film and Sociology: Area, Audience, City, Culture, and Society 1537–1603 Film and Technology 1604–1605 Film and Television, Internet, and Multimedia 1606–1622 Film and Videotape 1623–1626 Film and Women 1627–1653 Film and Youth 1654–1656

478

Subject Index

Intellectual Property See Film Copyright, Piracy, and Intellectual Property Internet See Film and Television, Internet, and Multimedia Investment See Film Investment Island Etude (2007) See Lian xi qu = Island Etude (2007) Japanese Colonial Period, 1895–1945 0235–0279 Ji mo fang xin ju le bu = Lonely Hearts Club (1995) ఘದᇙК༤Ӏ‫( ח‬1995) 0855 Jiang, Qing, 1946– ࢖‫ݙ‬, 1046– 1997 Jiayi See Kaohsiung (Gaoxiong) and Southern Taiwan, Including Pingtung (Pingdong or P’ing-tung), Tainan (T’ai-nan), and Chiayi (Jiayi or Chia-i), 1900– Jilong See Keelung (Jilong or Chi-lung), 1908– Jiubadao (Ke, Jingteng and Ko, Giddens), 1978– ॰өఋ (ᛊ࢓౵), 1978– 1789 Journal See Film and Newspaper/Journal Ka fei shi guang = Café Lumière (2003) ౹೑Ж‫( ׇ‬2003) 0856 Kangaroo Man (1994) See Dai shu nan ren = Kangaroo Man (1994) Kaohsiung (Gaoxiong) and Southern Taiwan, Including Pingtung (Pingdong or P’ing-tung), Tainan (T’ai-nan), and Chiayi (Jiayi or Chia-i), 1900– 0208–0224 Ke, Jingteng See Jiubadao (Ke, Jingteng and Ko, Giddens), 1978– Ke, Shuqing ᛊᎂ᥮ 1790–1791 Keelung (Jilong or Chi-lung), 1908– 0225 Ko, Giddens See Jiubadao (Ke, Jingteng and Ko, Giddens), 1978– Kong bu fen zi = Terrorizers (1986) ౦࿙‫ڤ‬ж (1986) 0857 Kung Fu Dunk (2008) See Gong fu guan lan = Kung Fu Dunk (2008) Kung Fu Films See Martial Arts and Kung Fu Films Kuo, Joseph See Guo, Nanhong (Kuo, Joseph), 1933– Lai, Shengchuan (Lai, Stan), 1954– ໰‫ك‬ඇ, 1954– 1792–1793 Lai, Stan See Lai, Shengchuan (Lai, Stan), 1954–

Lan se da men = Blue Gate Crossing (2002) ঢաϽ՞ (2002) 0858 Lan, Tianhong, 1924–2007 ঢϳᅋ, 1924–2007 1794, 1998 Law See Film and Law See Film Law, Policy, Regulation, and Legal Cases The Legend of Formosa in 1895 (2008) See Yi ba jiu wu = The Legend of Formosa in 1895 (2008) Lee, Ang See Li, An (Lee, Ang), 1954– Lee, Kang-sheng See Li, Kangsheng (Lee, Kang-sheng), 1968– Legal Case See Film Law, Policy, Regulation, and Legal Cases Lesbian Films See Homosexual, Gay, and Lesbian Films Li, An (Lee, Ang), 1954– ଽԥ, 1954– 1795–1831 Li, Ding ଽᑾ 1832 Li, Gang, 1957– ଽᐻ, 1957– 1833 Li, Han-hsiang See Li, Hanxiang (Li, Han-hsiang), 1926–1996 Li, Hanxiang (Li, Han-hsiang), 1926–1996 ଽᲆፖ, 1926–1996 1834–1849 Li, Kangsheng (Lee, Kang-sheng), 1968– ଽࣉТ, 1968– 1850, 1999 Li, Linqiu, 1909–1979 ଽெ‫ڠ‬, 1909–1979 2053, 2058 Li, Xing, 1930– ଽҲ, 1930– 1851–1857 Li, Ying, 1923–2005 ଽ‫ؙ‬, 1923–2005 2000 Lian = Face (2009) ࠙ (2009) 0859 Lian bang See Union Film Co., Ltd. (Lian bang ying ye you xian gong si / Lian bang), 1953–1980 Lian Bang Ying Ye You Xian Gong Si / Lian bang See Union Film Co., Ltd. (Lian Bang Ying Ye You Xian Gong Si / Lian bang), 1953–1980 Lian lian feng chen = Dust in the Wind (1986) ߧߧգຳ (1986) 0860–0862 Lian lian wu = Step by Step (2009) ୚ߧଢ (2009) 0863

479

Subject Index

Lian ren = Fall . . . in Love (2004) ߧϪ (2004) 0864 Lian xi qu = Island Etude (2007) ୚‫( ॽ܄‬2007) 0865 Liang, Slim See Liang, Xiushen (Liang, Slim), 1948– Liang, Ruiying See Tong, Yuejuan (Wan, Xiuying; Liang, Ruiying), 1914– Liang, Xiushen (Liang, Slim), 1948– ᅯࢗӱ, 1948– 1958, 2001 Liao, Xiangxiong, 1933– ᴰፖ೰, 1933– 1859 Lin, Brigitte Ching Hsia See Lin, Qingxia (Lin, Brigitte Ching Hsia), 1954– Lin, Qingxia (Lin, Brigitte Ching Hsia), 1954– ৆‫ݙ‬ᎇ, 1954– 2002–2014 Lin, Tuanqiu, 1920–1998 ৆Ⲥ‫ڠ‬, 1920–1998 1860 Lin, Zhengsheng, 1959– ৆Ԝഄ, 1959– 1861–1863 Literature See Film and Literature Literary Films 0640–0643 Liu li dao ying = Floating Islands (2000) Ե‫( ؙޯڐ‬2000) 0866 Liu, Na’ou, 1905–1940 ฀໭ᾥ, 1905–1940 1864–1874 Localization See Film, Nationalism, Nationality, Identity, and Localization Lonely Hearts Club (1995) See Ji mo fang xin ju le bu = Lonely Hearts Club (1995) Long, Fang, 1915–1964 हᇙ, 1915–1964 1875–1876 Love of May (2004) See Wu yue zhi lian = Love of May (2004) Love’s Long Flower (1985, 2005) See Gu Lian Hua = Love’s Lone Flower (1985, 2005) Lu gang qing shen = Wind Within (1999) ࿇୯є‫( ٹ‬1999) 0867 Lu, Sushang, 1915–1970 ᧛पϼ, 1915–1970 1877–1878, 2046–2047, 2061–2062 Luo, Xuelian, 1902–2000 ஛ѹ⻋, 1902–2000 1879, 2048 Lust, Caution (2007) See Se Jie = Lust, Caution (2007)

Ma, Sen, 1932– ެာ, 1932– 2063 Mainlanders See Film and Mainlanders The Man from Island West (1990) See Xi bu lai de ren = The Man from Island West (1990) Management See Film and Management See Film Production and Management Mandarin Film, 1963–1970 0306–0311 Manuals See Catalogs, Guides, Handbooks, Factfinders, and Manuals Market See Film Market, Marketing, and Box Office Marketing See Film Market, Marketing, and Box Office Martial Arts and Kung Fu Films 0644–0663 Medicine See Film and Medicine and Mental Illness Mei can jia = And She Wasn’t (2000) Э‫۾‬Ӹ (2000) 0868 Melodrama Films See Qiongyao’s Melodrama Films Mengjia = Monga (2010) ⛑➩ (2010) 0869 Mental Illness See Film and Medicine and Mental Illness Millennium Mambo (2001) See Qian xi man bo = Millennium Mambo (2001) Ming, Ji, 1939– Ҵ┫, 1939– 1880 The Missing (2003) See Bu jian = The Missing (2003) Mo fa a ma = Grandma and Her Ghosts (1998) ತ֚०֒ (1998) 0870 Monga (2010) See Mengjia = Monga (2010) Montage and Editing 0999–1000 Movie Camera, Projector, and Related Equipment 2420–2429 Movie Content Management 2430–2431 Movie Sound Recording 2432 Movie Theater See Film and Movie Theater MTVs See Commercial Films and MTVs Music See Film and Music See Film Music and Songs Music and Song Composition 1050–1055

480

Subject Index

Music and Song Composers and Song Lyric Writers 2053–2056 Musical Films 0671–0672 Multimedia See Film and Television, Internet, and Multimedia Nan fang ji shi zhi fu shi guang ying = The Strait Story (2005) ۪Ҥ֮ѨҏൿԒ‫( ׇؙ‬2005) 0871 Nationalism See Film, Nationalism, Nationality, Identity, and Localization Nationality See Film, Nationalism, Nationality, Identity, and Localization New Talents, Young Cinema Film Festival, 2004– 2517 Newspaper See Film and Newspaper and Journals Ni na bian ji dian = What Time Is It There? (2001) ϧъ‫נ‬ӫѡ? (2001) 0872–0873 Opera See Film and Drama and Opera Opera and Drama Films 0664–0670 The Opium War (1997) See Ya pian zhan zheng = The Opium War (1997) OTHERS 2433–2744 Film Artifacts 2433–2437 Film Censorship 2438–2452 Film Copyright, Piracy, and Intellectual Property 2453–2459 Film Distribution 2460–2466 Film Education 2467–2470 Film Festivals and Awards 2471–2517 Asia Pacific Film Festival, 1953– 2475 Golden Horse Film Festival and Awards, 1962– 2476–2490 Golden Harvest Awards for Outstanding Short Films, 1978– 2491 Women Make Waves Film Festival, 1993– 2492–2494 Taipei Film Festival, 1998– 2495–2501 Taiwan International Documentary Festival, 1998– 2502–2508 Taiwan International Ethnographic Film Festival, 2001– 2509–2511 Taiwan International Animation Festival, 2003– 2512–2516 New Talents, Young Cinema Film Festival, 2004– 2517

Film Industry 2518–2562 Film Investment 2563–2566 Film Law, Policy, Regulation, and Legal Cases 2567–2593 Film Market, Marketing, and Box Office 2595–2629 Trailers 2629 Film Music and Songs 2630–2647 Film Posters 2648–2660 Film Production and Management 2661–2713 Digitization, Preservation, and Restoration 2691–2704 Independent Filmmaking 2705–2713 Film Propaganda 2714–2716 Film Screen Quota 2717 Film Still 2718 Film Subsidies 2719–2728 Film Subtitles 2729–2731 Film and Movie Theater 2732–2744 Ou, Wei, 1937–1973 ଟ୺, 1937–1973 1881, 2015 Painting See Film and Painting Patients See Film and Patients The Peach Blossom Land (1992) See An lian Taohuayuan = The Peach Blossom Land (1992) The Peony Pavilion (1995) See Wo de mei li yu ai chou = The Peony Pavilion (1995) The Phoenix (1978) See Wu zi tian shu = The Phoenix (1978) Pingtung (Pingdong or P’ing-tung) See Kaohsiung (Gaoxiong) and Southern Taiwan, Including Pingtung (Pingdong or P’ing-tung), Tainan (T’ai-nan), and Chiayi (Jiayi or Chia-i), 1900– Po lun tai = Flat Tire (1998) ਋ਈნ (1998) 0874 Policy See Film Law, Policy, Regulation, and Legal Cases Politics See Film and Politics Pornographic Films See “A,” Restricted, and Pornographic Films Posters See Film Posters

481

Subject Index

Postcolonial Theory 1056–1061 Preservation See Digitization, Preservation, and Restoration Princess D (2002) See Xiang fei = Princess D (2002) Producers and Directors 1696–1945 Production See Film Production and Management Projector See Movie Camera, Projector, and Related Equipment Propaganda See Film Propaganda Psychology See Film and Psychology The Puppetmaster (1995) See Xi meng ren sheng = The Puppetmaster (1995) Pushing Hands (1991) See Tui shou = Pushing Hands (1991) Qi mao qiu le = Fluffy Rhapsody (2000) вࢂ‫ܧ‬Ϧ (2000) 0875 Qian xi man bo = Millennium Mambo (2001) ࡛Ẽᅸம (2001) 0876–0878 Qiao ke li zhong ji = Chocolate Rap (2005) ಌࡽҨԳ‫( ܂‬2005) 0879 Qing shao nian Nezha = Rebels of the Neon God (1992) ‫ݙ‬վё‫ڃ‬ᢁ (1992) 0880 Qiongyao’s Melodrama Films 0679–0681 Qiu jue = Execution in Autumn (1972) ‫( ݺڠ‬1972) 0881 Qiu, Mingcheng (Chiu, Ming-chong), 1952– ᆥ᎘஧, 1952– 1882 Railway See Film and Railway Rebels of the Neon God (1992) See Qing shao nian Nezha = Rebels of the Neon God (1992) REFERENCE MATERIALS: 0001–0069 Bibliographies and Filmographies 0001–0029 Indexes 0030–0032 Dictionaries 0033–0043 Directories 0044–0045 Encyclopedias 0046–0048 Catalogs, Guides, Handbooks, Factfinders, and Manuals 0049–0069 Regulation See Film Law, Policy, Regulation, and Legal Cases

Religion See Film and Religion Ren yu Duoduo = The Shoe Fairy (2006) Ϫ‫־‬౤౤ (2006) 0882–0883 Restoration See Digitization, Preservation, and Restoration Restricted Films See “A,” Restricted, and Pornographic Films The River (1997) See He liu = The River (1997) Saideke—Balai = Seediq Bale (2011) ॴख़ࡽ—࣬ᒀ (2011) 0884–0885 San sheng you xing = Doubles / Giddens (2009) ѧТϩ؄ (2009) 0886 Science and Education Films 0673–0674 Screenplay Writing 1068–1077 Screenplays See FILM STORIES, SCREENPLAYS, AND SCRIPTS Screenwriters 2057–2085 Scripts See FILM STORIES, SCREENPLAYS, AND SCRIPTS Se Jie = Lust, Caution (2007) ա,യ (2007) 0887–0890 Seediq Bale (2011) See Saideke—Balai = Seediq Bale (2011) Set Design See Scenery and Set Design Sexuality See Film and Sexuality and Homosexuality Sha, Rongfeng, 1921– ૶ึ๢, 1921– 1883–1884 The Shoe Fairy (2006) See Ren yu Duoduo = The Shoe Fairy (2006) Short Films 0675–0677 Shuang tong = Double Vision (2002) ‫( ᧢ד‬2002) 0891 So Called Love (2008) See Ai de fa sheng lian xi = So Called Love (2008) Social Movement Documentary See May 20 Incident, 1988 and Social Movement Documentary,1980s–1990s Society See Film and Sociology: Area, Audience, City, Culture, and Society Sociology See Film and Sociology: Area, Audience, Family, City, Culture, and Society Song See Film and Music See Film Music and Songs

482

Subject Index

Song Composers and Song Lyric Writers See Music and Song Composers and Song Lyric Writers Song Composition See Music and Song Composition Sound Recording See Movie Sound Recording Southern Taiwan See Kaohsiung (Gaoxiong) and Southern Taiwan, Including Pingtung (Pingdong or P’ing-tung), Tainan (T’ai-nan), and Chiayi (Jiayi or Chia-i), 1900– Special Effects 1078–1080 SPECIFIC FILM GENRES 0515–0681 “A,” Restricted, and Pornographic Films 0515–0517 Animated Films 0518–0541 Anti-Communist Films 0542 Art Films 0543–0546 Children’s Films 0547–0548 Comedy Films 0549 Commercial Films and MTVs 0550–0551 Documentary Films 0552–0608 Ethnographic Films 0609–0611 Homosexual, Gay, and Lesbian Films 0612–0626 Horror and Ghost Films 0627–0629 Independent Films 0630–0639 Literary Films 0640–0643 Martial Arts and Kung Fu Films 0644–0663 Opera and Drama Films 0664–0670 Musical Films 0671–0672 Science and Education Films 0673–0674 Short Films 0675–0677 Teenage-Campus Films 0678 Qiongyao’s Melodrama Films 0679–0681 Special Regions, Periods, and Events –0485 Splendid Float (2004) See Yan guang si she ge wu tuan = Splendid Float (2004) Step by Step (2009) See Lian lian wu = Step by Step (2009)

Still See Film Still Storm Over the Yang-Tse River (1969) See Yangzi jiang feng yun = Storm Over the Yang-Tse River (1969) The Strait Story (2005) See Nan fang ji shi zhi fu shi guang ying = The Strait Story (2005) Subsidy See Film Subsidies Subtitle See Film Subtitles Tai ying See Taiwan Provincial Film Production Studio (Taiwan sheng Dian Ying She Zhi Chang / Taiwan Sheng Zheng Fu Xin Wen Dian Ying Zhi Pian Chang / Taiwan Dian Ying Zhi Pian Chang / Taiwan Dian Ying Wen Hua Shi Ye Gu Fen You Xian Gong Si / Tai ying or Tai zhi), 1945–1999 Tai zhi See Taiwan Provincial Film Production Studio (Taiwan sheng Dian Ying She Zhi Chang / Taiwan Sheng Zheng Fu Xin Wen Dian Ying Zhi Pian Chang / Taiwan Dian Ying Zhi Pian Chang / Taiwan Dian Ying Wen Hua Shi Ye Gu Fen You Xian Gong Si / Tai ying or Tai zhi), 1945–1999 Taichung (Taizhong or T’ai-chung), 1910– 0226–0228 Tainan (T’ai-nan) See Kaohsiung (Gaoxiong) and Southern Taiwan, Including Pingtung (Pingdong or P’ing-tung), Tainan (T’ai-nan), and Chiayi (Jiayi or Chia-i), 1900– Taipei (Taibei), 1950– 0229–0234 Taipei Film Festival, 1998– 2495–2501 Taiwan and Bollywood Films 1238 Taiwan and Hollywood Films 1239–1266 Taiwan and Hong Kong See Films in Taiwan, Hong Kong, and Mainland China Taiwan and Japan See Films in Taiwan and Japan Taiwan and Korea See Films in Taiwan and Korea Taiwan and Mainland China See Films in Taiwan, Hong Kong, and Mainland China Taiwan Black Movies (2005) See Taiwan hei dian ying = Taiwan Black Movies (2005) Taiwan Dian Ying Wen Hua Shi Ye Gu Fen You Xian Gong Si See Taiwan Provincial Film Production Studio (Taiwan sheng Dian Ying She Zhi Chang / Taiwan Sheng Zheng Fu Xin Wen Dian Ying Zhi Pian Chang / Taiwan Dian Ying Zhi Pian Chang / Taiwan Dian Ying Wen Hua Shi Ye Gu Fen You Xian Gong Si / Tai ying or Tai zhi), 1945–1999 Taiwan Dian Ying Wen Hua Xie Hui See Taiwan Film and Culture Association (Taiwan Dian Ying Wen Hua Xie Hui), 2001– Taiwan Dian Ying Zhi Pian Chang See Taiwan Provincial Film Production Studio (Taiwan sheng Dian Ying She Zhi Chang / Taiwan Sheng Zheng Fu Xin

483

Subject Index

Wen Dian Ying Zhi Pian Chang / Taiwan Dian Ying Zhi Pian Chang / Taiwan Dian Ying Wen Hua Shi Ye Gu Fen You Xian Gong Si / Tai ying or Tai zhi), 1945–1999 Taiwan Film and Culture Association (Taiwan Dian Ying Wen Hua Xie Hui), 2001– 0514 Taiwan hei dian ying = Taiwan Black Movies (2005) ‫ݡ‬ஹ‫ܪ‬Ӈ‫( ؙ‬2005) 0892 Taiwan International Animation Festival, 2003– 2512–2516 Taiwan International Documentary Festival, 1998– 2502–2508 Taiwan International Ethnographic Film Festival, 2001– 2509–2511 Taiwan New Cinema 1006–1048 Taiwan New, New-New, and Post-New Cinema, 1982– 0385–0478 Taiwan Provincial Film Production Studio (Taiwan sheng Dian Ying She Zhi Chang / Taiwan Sheng Zheng Fu Xin Wen Dian Ying Zhi Pian Chang / Taiwan Dian Ying Zhi Pian Chang / Taiwan Dian Ying Wen Hua Shi Ye Gu Fen You Xian Gong Si / Tai ying or Tai zhi), 1945–1999 0489–0491 Taiwan Sheng Dian Ying She Zhi Chang See Taiwan Provincial Film Production Studio (Taiwan sheng Dian Ying She Zhi Chang / Taiwan Sheng Zheng Fu Xin Wen Dian Ying Zhi Pian Chang / Taiwan Dian Ying Zhi Pian Chang / Taiwan Dian Ying Wen Hua Shi Ye Gu Fen You Xian Gong Si / Tai ying or Tai zhi), 1945–1999 Taiwan Sheng Zheng Fu Xin Wen Dian Ying Zhi Pian Chang See Taiwan Provincial Film Production Studio (Taiwan sheng Dian Ying She Zhi Chang / Taiwan Sheng Zheng Fu Xin Wen Dian Ying Zhi Pian Chang / Taiwan Dian Ying Zhi Pian Chang / Taiwan Dian Ying Wen Hua Shi Ye Gu Fen You Xian Gong Si / Tai ying or Tai zhi), 1945–1999 Taiwanese-dialect Film, 1955–1982 0285–0305 Taizhong See Taichung (Taizhong or T’ai-chung), 1910– Tan, Fred See Dan, Hanzhang (Tan, Fred), 1949–1990 Takamatsu, Toyojir䲖, 1872–1952 ҙग़ஶҋᅦ, 1872–1952 1887 Tang, Baoyun, 1944–1999 ࿔մࠥ, 1944–1999 2016 Tang shan guo Taiwan = The Heroic Pioneers (1986) ࿔‫ځ‬О‫ݡ‬ஹ (1986) 0893 Technology See Film and Technology Teenage-Campus Films 0678 Television See Film and Television, Internet, and Multimedia Ten Worst Films Incident, 1977 0483

Terrorizers (1986) See Kong bu fen zi = Terrorizers (1986) Theater See Film and Movie Theater Three Times (2005) See Zui hao shi guang = Three Times (2005) Tian Sheng, Tian Hua Ying Ye Gong Si See Tiensheng and Tienhua Film Company (Tian Sheng, Tian Hua Ying Ye Gong Si), 1960–1978 Tiensheng and Tienhua Film Company (Tian Sheng, Tian Hua Ying Ye Gong Si), 1960–1978 0509 The Tofu Maker Had a Dream (1994) See Wo de yi piao xuan zong tong = The Tofu Maker Had a Dream (1994) Tong, Yuejuan (Wan, Xiuying; Liang, Ruiying), 1914– ু֊ᥱ (‫ݛ‬ഫ߭, ᅯᇳ߭), 1914– 1885–1886 A Touch of Zen (1969) See Xia nu = A Touch of Zen (1969) Trailers 2629 The Treasure Hunter (2009) See Ci Ling = The Treasure Hunter (2009) Tsai, Ming-liang See Cai, Mingliang (Tsai, Ming-liang), 1957– Tui shou = Pushing Hands (1991) ԐѲ (1991) 0894–0895 Union Film Co., Ltd. (Lian Bang Ying Ye You Xian Gong Si / Lian bang), 1953–1980 0493–0495 Videotape See Film and Videotape Vive L’amour (1994) See Ai qing wan sui = Vive L’amour (1994) Le Voyage du Ballon Rouge (2006) See Hong qi qiu de lu xing = Flight of the Red Balloon = Le Voyage du Ballon Rouge (2006) Wan, Xiuying See Tong, Yuejuan (Wan, Xiuying; Liang, Ruiying), 1914– Wang, Feilin, 1956–1992 ࣼ๘৆, 1956–1992 1888, 2049 Wang, Shengshan, 1921–2003 ࣼТ৖, 1921–2003 1889, 2064 Wang, Tong (Wang, Tung), 1942– ࣼু, 1942– 1890–1891 Wang, Tung See Wang, Tong (Wang, Tung), 1942– Wang Xiang = Homesick Eyes (1997) ֳ൅ (1997) 0896 Wang, Xiaodi, 1953– ࣼЩ➅, 1953– 1892

484

Subject Index

Wang, Zhengfang ࣼԜҤ 1893–1894 The Wedding Banquet (1993) See Xi yan = The Wedding Banquet (1993) Wei, Desheng (Wei, Te-sheng), 1969– ᪭ख़๦, 1969– 1895–1896 Wei, Ping’ao, 1929–1989 ᪭‫כ‬ᆹ, 1929–1989 2017–2018 Wei, Te-sheng See Wei, Desheng (Wei, Te-sheng), 1969– Weng, Dacheng, 1944– ᙋϽю, 1944– 1897 What Time Is It There? (2001) See Ni na bian ji dian = What Time Is It There? (2001) Wind Within (1999) See Lu gang qing shen = Wind Within (1999) Wo de mei li yu ai chou = The Peony Pavilion (1995) ϢϡѤ‫ܡ‬ӿඅེ (1995) 0897–0898 Wo de yi piao xuan zong tong = The Tofu Maker Had a Dream (1994) Ϣϡϣ‫קܯ‬րࢃ (1994) 0899 Wo hu cang long = Crouching Tiger, Hidden Dragon (2000) ၃ഝেह (2000) 0900–0904 Women See Film and Women Women Make Waves Film Festival, 1993– 2492–2494 Wu, Mi-shen See Wu, Misen (Wu, Mi-sen), 1967– Wu, Misen (Wu, Mi-sen), 1967– ྶܶာ, 1967– 1898 Wu, Nien-chen See Wu, Nianzhen (Wu, Nien-chen), 1952– Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ1952– 1899–1902 Wu yue zhi lian = Love of May (2004) ٚ֊ҏߧ (2004) 0905 Wu zi tian shu = The Phoenix (1978) ѩ‫ܒ‬ϳ‫( ڣ‬1978) 0906 Xi bu lai de ren = The Man from West Island (1990) ՝‫ח‬ϰϡϪ (1990) 0907–0909 Xi meng ren sheng = The Puppetmaster (1995) ْۚϪТ (1995) 0910–0911 Xi yan = The Wedding Banquet (1993) ㏵ᑱ (2003) 0912–0913

Xia nu = A Touch of Zen (1969) ཱུѽ (1969) 0914 Xiang fei = Princess D (2002) Ђٞ (2002) 0915 Xiao, Juzhen (Hsiao, Chu-chen), 1972– ᖆᏕᢾ, 1972– 1903 Xiao zhen chun hui = Gain Sons, Not Losing Daughters (1968) Щ๰ࡇҘ (1968) 0916 Xiaoye, 1951– Щఀ, 1951– 2065–2070 Ximending (Ximenting), 1896– 0194–0195 Ximenting See Ximending (Ximenting), 1896– Xin, Qi (Hsin, Chi), 1924– ొ࡞, 1924– 1904 Xinhua Film Corporation (Xinhua Ying Ye Gong Si), 1935–1984 0488 Xinhua Ying Ye Gong Si See Xinhua Film Corporation (Xinhua Ying Ye Gong Si), 1935–1984 Xinzhu See Hsinchu (Xinzhu), 1900– Xu, Buliao (Pu-liao Hsu), 1951–1985 ‫ܛ‬ϤϦ, 1951–1985 2021 Xu, Ligong (Hsu, Li-kong), 1943– ጝ߹‫ۋ‬, 1943– 1905 Ya pian zhan zheng = The Opium War (1997) ᛃә‫ڕ‬ৎ (1997) 0917 Yan guang si she ge wu tuan = Splendid Float (2004) ᇗ‫ףׇ‬थ‫ܮ‬ଢࣗ (2004) 0918 Yang, Dechang (Yang, Edward), 1947–2007 ໷ख़ቾ, 1947–2007 1906–1930 Yang, Edward See Yang, Dechang (Yang, Edward), 1947–2007 Yang, Evan See Yi, Wen (Yang, Evan), 1920–1978 Yang, Huishan, 1952– ໷௑ᦸ, 1952– 2019 Yang, Lihua, 1944– ໷‫ܡ‬Ր, 1944– 2020 Yang, Shiqi ໷ࡲᔂ 2050 Yangzi jiang feng yun = Storm Over the Yang-Tse River (1969) เж࢖գࠥ (1969) 0919

485

Subject Index

Yao, Feng-pan See Yao, Fengpan (Yao, Feng-pan), 1932–2004 Yao, Fengpan (Yao, Feng-pan), 1932–2004 ᝻ང῟, 1932–2004 1931–1932 Yao, Yiwei, 1922–1997 ᝻ϣἹ, 1922–1997 2051–2052, 2071–2073 Yazhou Ying Ye Gong Si See Asia Film Corporation (Yazhou Ying Ye Gong Si), 1952– Yi ba jiu wu = The Legend of Formosa in 1895 (2008) ϣࡂ॰ٚ (2008) 0920 Yi qie wei le ming tian = Everything for the Events of Tomorrow (1988) ϣܷЊϦҴϳ (1988) 0921 Yi, Wen (Yang, Evan), 1920–1978 ‫ډ‬ҹ, 1920–1978 1933, 2054, 2074 Yin shi nan nu = Eat Drink Man Woman (1994) ୗ‫ې‬Բѽ (1994) 0922–0923 Ying lie qian qiu = The Everlasting Glory (1974) ߭૆࡛‫( ڠ‬1974) 0924 Youth See Film and Youth Yuan, Congmei (Yuan, Tsung-mei), 1905– ᭛ᜣѤ, 1905– 1934 Yuan, Tsung-mei See Yuan, Congmei (Yuan, Tsung-mei), 1905– Zeng, Zhongying, 1924– ߲ᓶ‫ؙ‬, 1924– 2055 Zhang, Che (Chang, Cheh), 1923–2002 ‫פ‬๜, 1923–2002 1935–1936 Zhang, Hongyi, 1950–2006 ‫פ‬ᮜᗥ, 1950–2006 2056 Zhang, Meiyao, 1941– ‫פ‬Ѥᴽ, 1941– 2022 Zhou, Jielun (Chou, Jay), 1979– ‫ီر‬ൔ, 1979– 2023

Zhang, Mingyu ‫פ‬Ҵർ 2075–2076 Zhang, Yi (Chang, Yi), 1951– ‫פ‬ᗥ, 1951– 1937–1938 Zhang, Ying, 1913– ‫߭פ‬, 1913– 1939 Zhang, Zengze, 1930– ‫߲פ‬෹, 1930– 1940 Zhang, Zuoji (Chang, Tso-chi), 1961– ‫פ‬ӑ┫, 1961– 1941–1942 Zhao, Qibin, 1929–1986 ᕿ⓭ᝯ, 1929–1986 2077 Zheng, Wenhui (Cheng, Wun-hui), 1981–2007 ቼҹ௑, 1981–2007 1943 Zhong Yang Dian Ying Shi Ye Gu Fen You Xian Gong Si / Zhong ying See Central Motion Picture Corporation (Zhong Yang Dian Ying Shi Ye Gu Fen You Xian Gong Si / Zhong ying), 1954– Zhongguo Dian Ying Zhi Pian Chang See China Motion Picture Studio (Zhongguo Dian Ying Zhi Pian Chang / Zhong zhi, 1933– ) Zhong ying See Central Motion Picture Corporation (Zhong Yang Dian Ying Shi Ye Gu Fen You Xian Gong Si / Zhong ying), 1954– Zhong zhi See China Motion Picture Studio (Zhongguo dian ying zhi pian chang / Zhong zhi), 1933– Zhou, Meiling (Chou, Zoru), 1969– ‫ر‬Ѥጘ, 1969– 1944 Zhou, Tiansu (Chou, Tien-su), 1910– ‫ر‬ϳঈ, 1910– 1945 Zhu, Tianwen (Chu, T’ien-wen), 1956– ᗌϳҹ, 1956– 2078–2085 Zui hao shi guang = Three Times (2005) зϮЖ‫( ׇ‬2005) 0925–0926

486

Author Index

A Tu (Xu, Rentu), 1949– ०֖ (‫ܛ‬წ֖), 1949– 2087, 2088, 2345, 2346 American Film Institute 0063, 0361 An, Yixin ԥশК 2197, 2206 Anderson, John, 1955– 1906, 0384a, 0681a Andrew, Geoff 1697, 1698 Ao, Ran ⇓ᇮ 1977 Armanet, François 0644 Are Light Films See Ji guang dian ying gong si Assayas, Olivier 0697, 0698, 1756, 1757, 1763 Ba, Ruiling, 1977– ࣬ᇳ෗, 1977– 1267 Bai, Hua Ձṡ 2100 Bai, Jingrui, 1931–1997 Ձ࢓ᇳ, 1931–1997 2354, 2374 Bai, Ke, 1913–1964 Ձࡽ, 1913–1964 0989 Bai, Ruiwen See Berry, Michael (Bai, Ruiwen), 1974– Bai, Shen Ձ਻ 1946 Bai, Xianyong, 1937– Ձ܏ର䩟1937– 0664, 2056a, 2102–2104 Balemi, Andreas, 1968– 0325 Baskett, Michael 0235–0237, 1093–1085

Baskett, Michael Dennis See Baskett, Michael Bauer, Matthias 1795 Benoit, James 0385, 1907 Berry, Chris 0131, 0418, 0693, 0694, 1016, 1096, 1164, 1428, 1699 Berry, Michael (Bai, Ruiwen), 1974– Ձᥧҹ, 1974– 1699, 1700 Bi, Lina ഋ߹ฤ 2107 Bi, Ming ഋҴ 0682 Binghe ઄૯ 2647 Bloom, Michelle 0147 Benoit, James 0385 Braester, Yomi 0327, 1097, 1375, 1429, 1459, 1539 Browne, Nick 0360, 1580a Bu ke wen hua bian ji shi ޿ࡽҹ٩ഹফॣ 0920 Bum, Al See Chi, Robert Yee-sin (Bum, Al) Burdeau, Emmanuel 1796 Bürkle, Christoph 1797, 1823 Cai, Chonglong ᓥྕᇐ 0605 Cai, Deming ᓥख़Ҵ 2110

487

Cai, Dongxiong ᓥᗏ೰ 0232 Cai, Dujian ᓥỵߗ 0386, 1006, 1540, 1607 Cai, Guangrui ᓥ‫ׇ‬ᇳ 1966 Cai, Guorong ᓥлึ 0122, 0640, 0683, 1376, 1693, 1947, 2289 Cai, Guoxian ᓥлࣶ 1724 Cai, Hongsheng, 1940– ᓥᖻ‫ل‬, 1940– 0073, 1098, 1948 Cai, Huipin (Tsai, Hui-pin) ᓥ௑ࠐ 1404 Cai, Kangyong (Tsai, Kang-yung), 1962– 1377 Cai, Kunfen (Tsai, Kun-fen) ᓥᐒ୒ 0549, 2021 Cai, Mengjian, 1905–2001 ᓥ፽ߗ, 1905–2001 0496, 1725–1727 Cai, Mingliang (Tsai, Ming-liang), 1957– ᓥҴ݊, 1957– 0811, 0837, 0851, 0859, 0872, 0880, 1728–1730, 1733–1735, 2111–2114, 2175, 2176, 2198, 2332 Cai, Peijuan (Tsai, Pei Chung) ᓥႬᥱ 0817, 2594 Cai, Rongfeng ᓥึழ 0840, 2023 Cai tuan far en dian ying tui guang ji jin hui ੠֚ࣗϪӇ‫ؙ‬Ԑܰऴ‫ؖ‬Ͼ 0443, 1030

Author Index

Cai tuan fa ren guo jia dian ying zi liao guan ੠֚ࣗϪлрӇ‫ࢧޞؙ‬ఖ 0007, 0009, 0024, 0025, 0086, 0100, 0285, 0298, 0304, 0322, 0368, 0384, 0489, 0502, 0532–0536, 0537, 0579, 0594, 0595, 0642, 0677, 0786, 1193, 1504, 1683, 1746, 1786, 1971, 2472, 2484, 2491, 2495, 2501, 2512–2516, 2549, 2691, 2695, 2699, 2700, 2704 Cai tuan fa ren liu li fang wen jiao ji jin hui ੠֚ࣗϪ᧑ᅏࠚҹ‫ڌ‬ऴ‫ؖ‬Ͼ 2056 Cai tuan far en Taiwan dian ying wen hua xie hui ੠֚ࣗϪ‫ݡ‬ஹӇ‫ؙ‬ҹ٩൒Ͼ 0070, 0226, 0375, 0514, 0627, 1238, 1537, 2471, 2517 Cai, Xiaowei (Tsai, Hsiao-Wei) ᓥ➐ᑤ 0543, 1541 Cai, Xinxin ᓥಶಶ 1976 Cai, Yangming ᓥเӜ 2087, 2259, 2261, 2317, 2321 Cai, Yongcheng ᓥ‫ݖ‬ᒅ 2702 Cai, Zhaocheng ᓥᘻ஧ 0684, 1371 Cai, Zhengbin ᓥԜᝯ 2404 Cajnko, Borut 0130 Cao, Qingyun ᢳ‫ࠥݙ‬ 2407 Cao, Zhiwei ᢳ࢑໖ 0848 Carruthers, Lee 1082, 1731 Carter, David 1083 Central Motion Picture Corporation See Zhong yang dian ying shi ye gu fen you xian gong si Ceretto, Luisa 1750 Chan, Evans Yiu Shing See Chen, Yaocheng (Chan, Evans Yiu Shing) Chan, Shuen-yan 0387, 0818, 1100, 1751 Chan, Wei-Chi See Zhan, Weiqi (Chan, Wei-Chi)

Chang, Che-Wei See Zhang, Zhewei (Chang, Che-Wei) Chang, Cheh See Zhang, Che (Chang, Cheh), 1923–2002 Chang, Chia-Ni See Zhang, Jiani (Chang, Chia-Ni) Chang, Chih-ching See Zhang, Zhijing (Chang, Chih-ching) Chang, Ching-yi See Zhang, Jingyi (Chang, Ching-yi) Chang, Eileen See Zhang, Ailing (Chang, Eileen), 1920–1995 Chang hong ying shi ӕᒩ‫ؙ‬؆ 0834 Chang, Jui Lan See Zhang, Ruilan (Chang, Jui Lan) Chang, Shih-lun See Zhang, Shilun (Chang, Shih-lun) Chang, Yi See Zhang, Yi (Chang, Yi), 1951– Chen, Aini ಴ዐᔾ 0685 Chen, Biyue, 1969– ಴ካ֊, 1969– 0686 Chen, Bosheng ಴ᓱТ 0731, 1150, 2043 Chen, Cailuan ಴ࠡ○ 0726, 0752 Chen, ChenHao See Chen, Zhenhao (Chen, ChenHao) Chen, Conghan (Chen, Tsung-Han) ಴ⰲᲆ 1542 Chen, Decan ವख़໾ 0388a, 1908 Chen, Deling ಴ख़෗ 0577 Chen, Dieyi ಴Ⴕ‫ژ‬ 2630 Chen, Duanci ಴ઉ፦ 1341, 1543, 1798, 2595 Chen, Edwin W. See Chen, Weizhi (Chen, Edwin W.) Chen, Feibao ವٟն 0074–0076, 0990, 1694 Chen, Frank See Chen, Yifan (Chen, Frank)

488

Chen, Guanhua (Chen, Kuan-hua) ಴ഃṡ 0077, 2596 Chen, Guilan ಴ᄉ୪ 0210, 2732 Chen, Guofu, 1958– ಴лࣥ, 1958– 0382, 0687, 0897, 0927, 1205, 2118, 2303, 2490 Chen, Hongmi (Chen, Hung-mi) ಴ᅋܶ 1342, 2518 Chen, Hongmin ಴ᖻ‫ھ‬ 2115, 2116 Chen, Hu ಴॥ 2320 Chen, Huei-Ying See Chen, Huiying (Chen, Huei-Ying) Chen, Huiyang ಴ሓเ 0689 Chen, Huiying (Chen, Huei-Ying) ಴༫⑵ 2459, 2592, 2719 Chen, Hung-mi See Chen, Hongmi (Chen, Hung-mi) Chen, Jiandao ಴ࠃѬ See Chen, Wenquan (Wenquan) Chen, Jiazhen ಴ဓዄ 1984 Chen, Jimin ಴௵‫ھ‬ 0153, 0591, 0976 Chen, Jing ವ‫ݔ‬ 0388b, 1626a, 1909 Chen, Jingfeng ಴࢓๢ 0280, 1460, 2519, 2567, 2662 Chen, Jingliang ವ࢓݊ 0001 Chen, Jiufei ಴॰๘ 2633 Chen, Junji (Chen, Chun-chi) ಴ᒺแ 1239, 2568, 2663, 2717 Chen, Junliang ಴ᒺમ 2352 Chen, Junxiong ಴ᒺ೰ 2117

Author Index

Chen, Junzhe ಴ᒺᎻ 0365, 1490 Chen, Kehua ಴ࡽ‫ܓ‬ 0688 Chen, Kuan-Hua See Chen, Guanhua (Chen, Kuan-Hua) Chen, Kunhou ಴ᓍധ 2143, 2163, 2405 Chen, Laiqi ವϱ࡞ 1834 Chen, Liangfeng (Chen, Liang Feng) ಴݊ழ 0556 Chen, Lifang (Chen, Li-fang) ಴ᾭҤ 0518, 1240 Chen, Linghui ಴෗༫ 0208, 0209, 0349, 1134, 2433, 2434, 2697, 2698 Chen, Lizhu ಴‫ܡ‬෿ 1268, 1336 Chen, Luyang (Chen, Lu-Yang) ಴߫เ 0557, 2600 Chen, Meijing ಴Ⴐᨎ 0999 Chen, Meng ವ⤐ 0578 Chen, Mingzhu ಴Ҵ෿ 1627, 1695 Chen, Mo ವၢ 0078–0080, 0645–0647, 1101, 1343 Chen, Nan ವ۪ 0312, 0388, 1002, 1007 Chen, Nianxuan ಴݉ἒ 0690 Chen, Pei-ching 0613, 1522, 1628 Chen, Qinghe ಴֜૯ 0978, 2408, 2664 Chen, Rui ವᥧ 0388c, 1543a, 1910 Chen, Ru-shou Robert See Chen, Ruxiu (Chen, Ru-shou Robert)

Chen, Ruxiu (Chen, Ru-shou Robert) ಴ᭉࢗ 0048, 0157, 0169, 0234, 0316, 0328, 0331, 0369, 0371, 0389–0391, 0450, 0503, 0749, 0759, 0783, 0819, 0967, 1008, 1056, 1285, 1405, 1408, 1458, 1462, 1497, 1514, 1550, 1645, 2483, 2492 Chen, Shaozhou ವվዲ 0006 Chen, Shilong ಴Ԓह 2119 Chen, Shuli, 1966– 1084 Chen, Sufen ಴ঈᐇ 0019 Chen, Suyi ಴ṅသ 1799 Chen, Tsung-Han See Chen, Conghan (Chen, Tsung-Han) Chen, Tzu-Ying See Chen, Ziying (Chen, Tzu-Ying) Chen, Weizhi (Chen, Edwin W.) ಴⤇޺ 0665, 1295 Chen, Wengui ಴ҹਰ 2120 Chen, Wenhui ಴ҹᲉ 2409 Chen, Wenquan (Wenquan) ಴ҹ໩ (ҹ໩) 0555, 0558, 0944–0946, 0991 Chen, Xuanwei ಴ἒᬕ 1001, 2410, 2430 Chen, Yaocheng (Chan, Evans Yiu Shing) ಴႙ю 0691 Chen, Yaoqi ಴႙⧃ 2326 Chen, Yaoxing ಴⁢ࣱ 0067 Chen, Yapeng (Chen, Ya-peng) ಴઩▧ 0392, 1545, 1608, 1911 Chen, Ya-peng See Chen, Yapeng (Chen, Ya-peng) Chen, Yawen ಴઩ᝉ 2648 Chen, Yifan (Chen, Frank) ಴သఅ 2460, 2597

489

Chen, Yijing ಴ជ᪦ 0519, 1696 Chen, Yijun ಴ជᅿ 0197 Chen, Yin-chin 0614, 1546, 1944 Chen, Yingjie ಴ᙀ೓ 0050, 2692 Chen, Yingzhen ಴ྱѐ 2051, 2071 Chen, Yiwen ಴йҹ 2121 Chen, Yongfeng ಴‫ݖ‬ஶ 0339, 1466 Chen, You ಴Ҏ 2221 Chen, Yuan-chiu See Chen, Yuanqiu (Chen, Yuan-chiu) Chen, Yuanqiu (Chen, Yuan-chiu) ಴ᤨ‫ڠ‬ 0479, 0820, 1461, 1752 Chen, Yuxun ಴ർ࢐ 1892, 2122 Chen, Zhaoru ಴ᢘҒ 0605 Chen, Zhenhao (Chen, ChenHao) ಴ዄΆ 1212, 1319 Chen, Zhengxun ಴Ԝ㡼 0196, 0238, 0559, 1547, 1887 Chen, Zhong ಴Ѕ 1548, 2598 Chen, Zhou ಴ዲ 2123 Chen, Zhuhuang ಴ᗌᑟ 2220 Chen, Ziying (Chen, Tzu-Ying) ಴༙ᔏ 0393, 1009, 1732 Cheng, Jian ࡄ࡬ See Cheng, Jim Cheng, Jihua ࡄࡵ‫ܗ‬ 0040 Cheng, Jim 0002, 1102

Author Index

Cheng, Shu’an ࡄஔԥ 0043, 1968 Cheng, Yi-Fang See Zheng, Yifang (Cheng, Yi-Fang) Cheng, Yucheng ࡄ໹஧ 2599 Cheshire, Ellen 1800 Chi, Robert Yee-sin (Bum, Al) 0394, 0821 Chiang, Chi-yun See Jiang, Jiyun (Chiang, Chi-yun) Chiang, Huey-hsien See Jiang, Huixian (Chiang, Huey-hsien) Chiang, Joanne 0192 Chiao, Peggy See Jiao, Xiongping (Chiao, Peggy) Chiesi, Roberto 0395, 1753 Chihan စఈ 0515, 0692, 1523 Chin, Jush䲚 See Chen, Ruxiu (Chen, Ru-shou Robert) China Film Archive See Zhongguo dian ying zi liao guan China Film Press See Zhongguo dian ying chu ban she China Motion Picture Studio See Zhongguo dian ying zhi pian chang Chinese Film Artist Association See Zhongguo dian ying jia xie hui Chinese Taipei Film Archive See Cai tuan fa ren guo jia dian ying zi liao guan Chiu, Chi-ming 0329, 1549, 2601 Chiungyao See Qiongyao (Chiungyao) Cho, Hwei-cheng 2078 Cho, Yu-tsang See Zhuo, Youcong (Cho, Yu-tsang) Chou, Chu-fan See Zhou, Jufang (Chou, Chu-fan) Chou, Peggy 0330, 0520, 0560, 0641 Chow, Eileen Cheng-yin 0064a, 0440a, 1167a Chu, C-M 0399, 1431 Chu, Shih-yu See Zhu, Shiyu (Chu, Shih-yu) Chu, T’ien-wen See Zhu, Tianwen (Chu, T’ien-wen), 1956–

Chung, Jack 1320 Ciecko, Anne Tereska 1085 Coppola, Antonie 0085 Council of Indigenous Peoples, Executive Yuan See Xing zheng yuan yuan zhu min wei yuan hui Council on Cultural Affairs, Executive Yuan, See Xing zheng yuan wen hua jian she wei yuan hui Cui, Guangzhou ᮫‫ׇ‬ዚ 0724, 1325 Curtin, Michael 1108, 1243, 1551, 2520 Da kuai wen hua Ͻࡰҹ٩ 0846 Dai, Che ඕ๜ 2214 Dai, Hongxuan ඕᤃ጗ 1050, 1413, 2631 Dai, Lixin ඕ߹Ј 0043, 1968 Dai, Ning ඕો 0648, 0900, 1109, 1780, 1801, 2432 Dalla Gassa, Marco 0087, 1110 Dan, Hanzhang, 1949–1990 Ԕఈ‫א‬, 1949–1990 0695, 1699, 2133, 2375 Davis, Darrell Williams 0053, 0331, 0337, 0967, 1117, 1462, 1550, 2522 DeBoer, Stephanie 1214, 1378, 1864 Dellai, Naji 0403, 1552, 1754 Deng, Jingsheng ᛨ࢓Т 2135 Deng, Youli ᛨϩ߹ 0521 Department of Multimedia and Animation Art, National Taiwan University of Arts See Guo li Taiwan yi shu da xue, she ji xue yuan, duo mei ti dong hua yi shu xue xi Desser, David 0400, 1106, 1213, 1457

490

Di, Rongjun ⌃ึ‫ݲ‬ 0789 Dian ying shuang zhou kan bian ji bu Ӈ‫ڬדؙ‬ᑂഹফ‫ח‬ 2651, 2652 Dian ying zi liao guan See Cai tuan fa ren guo jia dian ying zi liao guan Dilley, Whitney Crothers 1321, 1803, 1804 Ding, Boshen, 1952– ౨ᐑ捡, 1952– 0492, 1744 Ding, Shanxi ౨৖ᮑ 0482, 2137–2142, 2291 Ding, Shijie ౨Ԓီ 1433, 1558 Ding, Yamin ౨ਐ‫ھ‬ 2143, 2405 Ding, Ye ౨‫ސ‬ 0404a, 1552a, 1913 Dissanayake, Wimal 0239, 0370, 0401, 0760, 1107, 1269, 1286, 1432, 1463, 1714 Dong, Tse-ping See Dong, Zeping (Dong, Tse-ping) Dong, Zeping (Dong, Tse-ping) ᔇ෹‫כ‬ 0631, 2706 Dou, Jiangming 扻࢖Ҵ 0038, 0175, 1194, 1691 Dou, Xinping ᷲЈ‫כ‬ 1805 Dou, Yingtai ᷲ‫׏‬೉ 1835, 1978, 2003, 2004 Doyle, Christopher, (Du, Kefeng) ᖯНգ 1660, 2026–2041 Du, Kefeng ᖯНգ See Doyle, Christopher, (Du, Kefeng) Du, Yunzhi, 1923– ᖯࠥҏ䩟1923– 0091–0094, 0241, 0287, 0567, 0667, 1294, 1467 Dun, Cheng ᆼ஧ 0326, 0484, 0554, 1538 Durafour, Jean-Michel 0876, 1755 Eberhard, Wolfram, 1909– ዐᓱ‫ܓ‬, 1909– 0004, 1120, 1296, 1379, 1553

Author Index

Eder, Klaus 0359, 1160 Ehrlich, Linda C. 0400, 1106, 1213, 1457 Fan, Mingde ⍬Ҵख़ 1322 Fan, Shengbao ౒ഄ‫خ‬ 0540, 1262, 1620, 2620, 2687 Fang, Di Ҥᫍ 2633 Fang, Lingzheng ҤਘԜ 2128, 2221 Fang, Xiang Ҥጕ 2146 Fang, Yongquan Ҥ‫ݖ‬໩ 0724, 1325 Fang, Zheng ҤԜ 0568, 1609 Farquhar, Mary 1950, 1951 Fend, Yunda 1806 Feng, Guangyuan ᫄‫׼ׇ‬ 0895, 0913, 2129, 2273 Feng, Jishi ᫄গ䉕 1068 Feng, Li ᫅ᰆ 1985 Feng, Peter X. 1103, 1241, 1430 Feng, Pinjia ᫄Ԙ૟ 0956, 1596 Feng, Ruixiong ᫄ᇳ෣ 2147 Feng, Yanshuo ᫄ᴧ፩ 0869, 1654 Fisflsa Media See Mu su mei ti Frodon, Jean-Michel 0405–0407, 0697, 0698, 1756, 1757, 1914 Fu, Changfeng ዑቾᅷ 2172 Fu, Huimin ૳௑์ 1819

Fu, Jialing 1865 Fu, Weide ዑ‫ۆ‬ख़ 2304 Fu, Zhenghui ዑԜሓ 2150 Fu, Zhiying ላᆙ⑵ 1937, 2019 Fujii, Sh䲖z䲖, 1952– ᗳቯ૸ѧ, 1952– 0095, 0341 Funnell, Lisa 0847, 1090, 1229 Gallagher, David 0853 Gan, Longqiang ಣह‫ל‬ 2453, 2454 Gan, Quan ಣ໩ 2215, 2217 Gao, Guanghai ҙ‫֋ׇ‬ 0214 Gao, Ruiyang (Kao, Ray-young) ҙᇳ‫ݷ‬ 0857, 1554 Gao, Shanzhun ҙ‫ߪځ‬ 0483 Gao, Zhihao ҙ࢑ൻ 0906, 1080 Gates, Philippa 0847, 1090, 1229 Ge, Bi ᛻દ 2326 George, Phillip 1618, 2417 Goble, Alan 0030 Gong, Jianong, 1902–1993 ₳⅒హ䩟1902–1993 0097, 1661, 1972–1974 Gong, Hong, 1915–2004 ₳ᮜ, 1915–2004 0497, 1745 Gong, Min ᕠ์ 2152 Goodridge, Mike 1807 Gormley, Kirstie 0147 Gossele, Isabell 1808

491

Gu, Biling ࣲካጘ 0485, 0606 Gu, Dan ࣲ‫؁‬ 2195 Gu, Jitang ࣲߓஇ 0098, 1954 Gu, Shushiun See Gu, Shuxun (Gu, Shushiun) Gu, Shuxun (Gu, Shushiun) ࣲᎂ៨ 1244, 1308, 1469, 1556, 2667 Gu, Yingde આ߭ख़ 1962 Guan, Guan ‫܉܉‬ 2216 Guan, Qingcheng ‫ܥ‬দю 2523 Guang dian bu, dian ying ju ܲӈ‫ח‬ӈ‫ؙ‬঵ 1970 Guangzhou shi dui wai wen hua jiao liu xie hui ܲ߮‫ص‬ц֔ҹ٩‫ے‬Ե൓Ͽ 2660 Guo, Dongyi (Kuo, Tong-yi) ᔕֆ೯ 0891, 1345 Guo fang bu Zhongguo dian ying zhi pian chang See Zhongguo dian ying zhi pian chang Guo, Hua ᔕ‫ܗ‬ 1953 Guo jia dian ying zi liao guan лрӇ‫ࢧޞؙ‬ఖ See Cai tuan fa ren guo jia dian ying zi liao guan Guo jia dian ying zi liao guan kou shu dian ying shi xiao zu лрӇ‫ࢧޞؙ‬ఖ‫ט‬਎Ӈ‫ؙ‬੗Щ६ See Cai tuan fa ren guo jia dian ying zi liao guan Guo li Taibei yi shu da xue dian ying xi л߹‫ܚݡ‬ਲफϽѹӇ‫ڍؙ‬ 1943 Guo li Tainan yi shu da xue л߹‫۪ݡ‬ਲफϽѹ 0553, 2703 Guo li Taiwan mei shu guan л߹‫ݡ‬ஹѤफఖ 0590, 2508 Guo li Taiwan mei shu guan л߹‫ݡ‬ஹѤफఖ 0590

Author Index

Guo li Taiwan yi shu da xue, she ji xue yuan, duo mei ti dong hua yi shu xue xi л߹‫ݡ‬ஹਲफϽѹ, ‫ذޗ‬ѹࡨ, Є෪Ղҁޫ ਲफѹ‫ڍ‬ 0528 Guo li zhengchi da xue л߹ू੽Ͻѹ 0285 Guo, Shufeng ᔕ‫ڣ‬ང 0606 Guo, Xiaolu ᔕЩⲉ 1216, 1758 Guo, Youlong (Kuo, Yuo-long) ᔕෂह 1557 Guo, Yue, 1975– ᔕք䩟1975– 0409, 1012, 1122 Guo, Yujun ᔕఛᅿ 0809 Guo, Zhen ᔕੵ 2005 Guo, Zheng ᔕᝫ 2156, 2304 Ha, Gong Հԍ 0928, 0960, 0961 Han, Xu’er ठ᯾ঌ 0008, 0245, 0281, 0571, 0674, 0718, 0968, 1270, 1281, 1324, 1475, 1563, 1702, 2440, 2715 Hasumi, Shigehiko, 1936– ၬӢԳᴧ, 1936– 0701, 1087, 1759 He, Fang ‫ح‬Ҥ 2359 He, Huixiang ‫ح‬༫‫ܫ‬ 0700, 1468, 1555 He, Lin ‫ح‬ᕻ 1749 He, Ping ‫כح‬ 2197 He, Shihuang ‫ح‬Ԓᑟ 0381, 0477, 1048, 1206, 2557 He, Weikang ‫ح‬໖ࣉ 2158 He, Xinming ‫ح‬ᾞҴ 2157

He, Yingjie ‫ီ߭ح‬ 0702 Heshan xian di fang zhi bian zhuan wei yuan hui ban gong shi ᡪ‫໋ځ‬сҤ࢑൜᫃ణ‫؃‬Ͽ‫ފ‬ԍॣ 1992 Hino, K䲖ichi, 1929– яఀࣉϣ, 1929– 0650, 1123, 1955 Hjort, Mette 0083, 1086 Hoare, Stephanie Alison 0342, 1124, 1381 Honda, Momo ӆ೧ಱ 0922, 2729 Hong, Chengxiao ᖻ஧ᖮ 2455, 2524 Hong, Cilin ᤃ፦ㆇ 2571, 2722 Hong, Guo-Juin 0099, 0410, 0411, 0703, 1058, 1125, 1287, 1434, 1435, 1470 Hong, Hong ᜞᜞ See Yan, Hongya Hong Kong Film Archive 0754, 1886 Hong Kong Film Critics Society 0754 Hong, Pinli ᖻԘᰆ 0026, 1329 Hong, Qianmei (Hung, Chien-Mei) ᖻ࡛ኣ 0343, 1559 Hong, Rongxuan (Hung, Jung-hsuan) ᖻѽึᘌ 1309, 1414, 1471, 2632 Hong, Shutang ᖻ਎Ἑ 2653 Hong, Yawen ᖻ઩ҹ 0008, 0245, 0281, 0571, 0674, 0718, 0968, 1270, 1281, 1324, 1475, 1563, 1702, 2440, 2715 Hong, Yueqing (Hung, Yueh-ching) ᖻ֊᥮ 0704, 1560, 0229 Hong, Zhiwen (Hung, Chih-wen) ᖻঊҹ 1518 Hou chang yin xiang ji lu gong zuo shi ћԾ‫ٸ‬Ռઔ࠷֞ӑॣ 1063

492

Hou, Chi-jan See Hou, Jiran (Hou, Chi-jan) Hou, Gangben ᢡӃӆ 0705, 0706, 1519, 1520 Hou, Jiran (Hou, Chi-jan) ᢡࡵѼ 0570, 0892 Hou, Li ᢡ᳄ 2161 Hou, Xiaoxian (Hou, Hsiao-hsien), 1947– ᢡᖮᐊ, 1947– 0412, 0413, 0707–0709, 0849, 1013, 1014, 1760–1762, 2162, 2163, 2296, 2298 Hsiao, Chu-chen See Xiao, Juzhen (Hsiao, Chu-chen), 1972– Hsieh, Wen-yu See Xie, Wenyu (Hsieh, Wen-yu) Hsieh, Yi-ping See Xie, Yiping (Hsieh, Yi-ping) Hsin, Chi See Xin, Qi (Hsin, Chi), 1924– Hsu, Li-kong See Xu, Ligong (Hsu, Li-kong), 1943– Hsu, Tzu-yi 0414, 1015, Hu, Brian 1126, 1436 Hu, Caihe ഐಈᷣ 1879, 2046 Hu, Die, 1907–1989 ഐႵ䩟 1907–1989 1979, 1983 Hu, Han ഐఈ 2108 Hu, Jason C. 2525 Hu, Jinquan (Hu, King), 1932–1997 ഐ‫ؖ‬⠌, 1932–1997 1781, 1782, 2164, 2165 Hu, King See Hu, Jinquan (Hu, King), 1932–1997 Hu, Minna See Farquhar, Mary Hu, Qin 1809 Hu, Weiyao ഐ‫⁢ۆ‬ 0652, 1784, Hu, Xingliang ഐլ݊ 0189 Hua, Huiying, 1925– ‫ܓ‬༫߭, 1925– 0979, 2042, 2391

Author Index

Huang, Ailing ࢶДጘ 1836 Huang, Bingyao ࢶẅ႙ 2169 Huang, Chi-Ti See Huang, Qidi (Huang, Chi-Ti) Huang, Chien-Fen See Huang, Qianfen (Huang, Chien-Fen) Huang, Chunming ࢶࡇҴ 2166, 2298, 2308 Huang, Guihua ࢶᄉ‫ܓ‬ 2654 Huang, Guolun ࢶлൔ 2702 Huang, Huimin ࢶ௑์ 0749, 1645, 2492 Huang, Jianye, 1954– ࢷࠃ‫׬‬, 1954– 0138, 0348, 0382, 0415, 0468, 0710– 0712, 1043, 1131, 1170, 1205, 1226, 1915, 1916, 1926, 2490 Huang, Jinfu ࢶ‫ࣥؖ‬ 2167 Huang, Junqi (Huang, Yun-chi) ࢶ୐⓱ 1323, 2468, 2527 Huang, Li-hsiang See Huang, Lixiang (Huang, Li-hsiang) Huang, Ling-Huei 0416, 1561 Huang, Liming ࢶሑҴ 2168 Huang, Lixiang (Huang, Li-hsiang) ࢶውጕ 1407 Huang, Meixu ࢶѤਡ 2057 Huang, Mingchuan ࢶҴඇ 0632, 0814, 0907, 2144, 2707 Huang Mingchuan dian ying shi xun you xian gong si ࢶҴඇӇ‫ؙ‬؆ళϩࡳԍ‫ޅ‬ 0635, 0815, 0867, 0874, 0908 Huang, Mucun ࢶަభ 0523, 0525 Huang, Peijun ࢶⳍᅿ 2223

Huang, Qianfen (Huang, Chien-Fen) ࢶ࡛ᐇ 0547 Huang, Qidi (Huang, Chi-Ti) ࢶᐚ෌ 0675, 2670 Huang, Ren, 1925– ࢶწ, 1925– 0041, 0097, 0102–0105, 0138, 0242, 0289–0291, 0493, 0511, 0524, 0542, 0569, 0653, 0673, 0713, 0716, 1132, 1133, 1170, 1218, 1226, 1245, 1382, 1472, 1473, 1634, 1661–1663, 1692, 1701, 1722, 1723, 1748, 1785, 1810, 1837, 1849, 1853, 1904, 1934, 1974, 2024, 2406, 2439, 2469, 2528, 2572, 2714 Huang, Shikai ࢶஉᏎ 1246, 1310, 1474, 2529 Huang, Shuxian ࢶᎂᢎ 1383, 1633 Huang, Ting ࢶᑢ 0840, 0877, 0878, 2023 Huang, Weixiong ࢶ໖೰ 0915 Huang, Wenying ࢶҹ߭ 0848 Huang, Wulan ࢶ循ᘈ 0332, 0336, 1111–1116, 2496–2550 Huang, Xianwen ࢷຸҹ 0101 Huang, Xiaoyang ࢷ༿‫ݵ‬ 2006 Huang, Xinzhang ࢶҞᔛ 1051, 1415, 2053, 2059, 2634 Huang, Xiuru ࢶഫҒ 0292, 0668, 1297 Huang, Yaomin ࢷ႙‫ھ‬ 1952 Huang, Yi-chen See Huang, Yizhen (Huang, Yi-chen) Huang, Yiguan ࢶသഃ 1384, 1635 Huang, Yingxiong ࢶ߭೰ 0544, 0717 Huang, Yixin ࢶϣᰧ 2170

493

Huang, Yizhen (Huang, Yi-chen) ࢶជ♴ 0901, 1346 Huang, Yu-Chieh See Huang, Yujie (Huang, Yu-Chieh) Huang, Yujie (Huang, Yu-Chieh) ࢶఛီ 0654, 1636 Huang, Yun-chi See Huang, Junqi (Huang, Yun-chi) Huang, Yushan ࢶർᦸ 0522, 0871, 2157, 2194, 2311 Huang, Yuwen ࢶ◢ҹ 1804 Huang, Zhengyue ࢶԜៈ 0059, 0217, 1062, 2721, Huang, Zhongyu ࢶЅཡ 1939 Huang, Zhuohan (Huang, Cho-han), 1920– ࢶᅤఈ, 1920– 0512, 1788 Hubei sheng dian ying ping lun xue hui ઀‫૸ܚ‬ӈ‫ڹؙ߯‬ѺϿ 0043, 1968 Hung, Chien-Mei See Hong, Qianmei (Hung, Chien-Mei) Hung, Christine Yu-Ting 0417, 0822, 1562 Hung, Jung-hsuan See Hong, Rongxuan (Hung, Jung-hsuan) Hung, Yueh-ching See Hong, Yueqing (Hung, Yueh-ching) Ichikawa, Sai ‫ص‬ඇࠡ 0243, 0244 Ji guang dian ying gong si แ‫ׇ‬Ӈ‫ؙ‬ԍ‫ޅ‬ 0905 Ji, Weiguo ઔ໖л 1078, 2671 Ji, Weiran ઔ໓Ѽ 2172 Ji, Yalan ઔ઩୪ 1064 Jia, Leilei ᯉᲁᲁ 0184, 0655, 0656 Jia, Xinxu ᯉЈᷠ 1965

Author Index

Jia, Yidi ᯊඩ➅ 0962 Jian, Guangming ߢ‫ׇ‬Ҵ 0298, 0307, 1274, 1369, 1396, 1495, 1587 Jian, Zhen ߢ㱠 0788, 0954, 1888, 2049 Jian, Zhengzhen ߢूੵ 0969–0971 Jiang, Huixian (Chiang, Huey-hsien) ឣ༫࿁ 0419, 0842, 1017, 1438, 1476 Jiang, Jiyun (Chiang, Chi-yun) ࢖ࡵ᭲ 2461, 2602 Jiang, Lang ࢖‫ع‬ 2173 Jiang, Lizhen ࢖‫⦽ܡ‬ 2352 Jiang, Longzhao ዕहᢘ 0719, 0720, 0929, 1298, 1299, 1477 Jiang, Pengsheng (Jon, Ben-son) ዕ᧨Т 1564 Jiang, Qing, 1946– ࢖‫ݙ‬, 1946– 1997 Jiao, Xiongping (Chiao, Peggy) ဖ೰๔ 0108, 0109, 0130, 0314, 0340, 0364, 0420–0425, 0466, 0510, 0671, 0672, 0721–0723, 0837, 0851, 1003, 1018, 1019, 1040, 1135–1137, 1186, 1207, 1416, 1425, 1665–1667, 1698, 1733, 1734, 1764, 1765, 1839, 1854, 2175, 2176 Jiao yu bu wen hua ju ‫ڌ‬ड़‫ח‬ҹ٩঵ 0187, 0305, 0311, 0320, 2558 Jin, Aoxun ‫ؖ‬⍘࢐ 2088, 2250, 2299, 2355 Jin, Bao ‫ؖ‬մ 2177 Jin, Bingxing ‫ؖ‬ẅࣱ 0725 Jin, Guanjun ‫ؖ‬ഃ‫ݳ‬ 1138, 1439 Jin Wu bian ju qun ‫ેؖ‬ഹঁळ 2160 Joyard, Olivier 1737, 1738

Kinema Junp䲖sha 1119 Jing qun guo ji gui hua she ji gu fen you xian gong si ॒ळлগ੺੿‫ذޗ‬੦‫ڤ‬ϩࡳԍ‫ޅ‬ 0199 Jing, Yingrui ቯࣽᇳ 0672, 0788, 0954, 1207, 1425, 1888, 2049 Jing, Yingzhao ቯࣽᘻ 1000 Jiubadao (Ke, Jingteng and Ko, Giddens), 1978– ॰өఋ (ᛊ࢓౵), 1978– 0886, 1789 Kang, Laixin ࣉϰЈ 0250–0255, 1866–1871 Kang, Qianru ࣉᝤҒ 0426a, 0842a, 1917 Kao, Ray-young See Gao, Ruiyang (Kao, Ray-young) Kawase, Ken’ichi ඇⰗ࡬ϣ 0110, 0111, 0246, 0246a, 0427, 0428, 0838, 1021, 1022, 1140, 1140a, 1219, 1219a, 1668, 1669 Ke, Jingteng See Jiubadao (Ke, Jingteng and Ko, Giddens), 1978– Ke, Jinyi ᛊ‫ؖ‬သ 0215 Ke, Shouliang ᛊիમ 2169 Ke, Shuqing ᛊᎂ᥮ 1790, 1861 Ke, Yizheng ᛊϣԜ 2153, 2339, 2340 Khoo, Olivia 0408, 1604 Kim, Ji-soek 0446 Ko, Giddens See Jiubadao (Ke, Jingteng and Ko, Giddens), 1978– Koyama, Sabur䲖, 1952– Щ‫ځ‬ѧᅦ, 1952– 0112, 0249, 0293, 1141, 1478 Kramer, Stefan 0113, 0114, 1142, 1143 Kuo, Tong-yi See Guo, Dongyi (Kuo, Tong-yi) Kuo, Yuo-long See Guo, Youlong (Kuo, Yuo-long)

494

Lai, Chengying ໰ю߭ 2161, 2297 Lai, Hanchu ໰ఈ२ 2181 Lai, Huilan ໰┰୪ 0545, 1565 Lai, Mingtang ໰᎘இ 2182, 2350 Lai, Patricia See Lai, Yujing (Lai, Patricia) Lai, Terrence Ying-Tai See Lai, Yingtai (Lai, Terrence Ying-Tai) Lai, Xiaoweng ໰឴⤳ 2183 Lai, Yingtai (Lai, Terrence Ying-Tai) ໰߭೉ 0844, 0884, 1440 Lai, Yi-chu See Lai, Yizhu (Lai, Yi-chu) Lai, Yizhu (Lai, Yi-chu) ໰ᧂဘ 0894, 0912, 1566 Lai, Yujing (Lai, Patricia) ໰⡹ဗ 2530 Lan, Hai ঢ֋ 2374, 2376 Lan, Shuxuan ঢ‫⋍ڣ‬ 0351, 0573, 0633, 1637, 1703, 2708 Lan, Tianhong, 1924–2007 ঢϳᅋ, 1924–2007 1794, 1998 Lan, Zuwei ঢྥ᝛ 0137, 0211, 0222, 1052, 1417, 2429, 2436, 2638, 2656 Lao, Jiahua ҡဓ‫ܓ‬ 0031, 0856 Lee, Ang See Li, An (Lee, Ang), 1954– Lee, Chu-chun 0429, 1918 Lee, David Tawei 2531 Lee, Daw-ming See Li, Daoming Lee, Leo See Li, Oufan Lee, Tai-Dow 0992, 1326, 2470, 2672 Lee, Vivian P Y 1144, 1347

Author Index

Lee, Wen-feng See Li, Wenfeng (Lee, Wen-feng) Lee, You-ning See Li, Youning (Lee, You-ning), 1951– Lee, Yungchuan See Li, Yongquan (Lee, Yungchuan), 1953– Lee, Yun-Ping See Li, Yunping (Lee, Yun-Ping) The Legislative Yuan of the Republic of China, the Secretary-General See Li fa yuan mi shu chu Lent, John A. 0116, 0526, 0527, 2532 Lew, Marie Saulino 0065 Li, An (Lee, Ang), 1954– ଽԥ, 1954– 0913, 0923, 2185, 2277, 2361 Li, Chao ଽս 1966 Li, Chuan ଽඇ 2186–2188 Li, Chunsheng ଽࡇТ 0088 Li, Dahan ଽܺᲆ 0828, 0888, 1812, 1813 Li, Daoming ଽѬҴ 0007–0009, 0017, 0018, 0024, 0025, 0060, 0107, 0245, 0281, 0571, 0572, 0581, 0582, 0594, 0595, 0604, 0674, 0718, 0968, 1187, 1270, 1281, 1324, 1475, 1563, 1664, 1702, 1743, 2045, 2440, 2686, 2701, 2715 Li, Daoxin ଽѬЈ 0117, 1145, 1567 Li, Dawei ሑϽ໖ 2189 Li, De’an ଽख़ԥ 0727, 0728, 1670–1672 Li, Ding ଽᑾ 0810, 1832 Li, Duoyu ଽЄ⢇ 0185, 0186 Li fa yuan mi shu chu ߹֚ࡨ੶‫؛ڣ‬ 2438, 2569 Li, Gang, 1957– ଽᐻ, 1957– 0729, 1814, 1833, 2058

Li, Guizhi ଽᄉᆙ 0604, 1187, 2686 Li, H. C. 0010 Li, Han-hsiang See Li, Hanxiang (Li, Han-hsiang), 1926–1996 Li, Hanxiang (Li, Han-hsiang), 1926–1996 ଽᲆፖ, 1926–1996 1673–1676, 1840–1846 Li, Jen-yi See Li, Zhenyi (Li, Jen-yi) Li, Jia ଽဓ 2207, 2314, 2319, 2374, 2378, 2379 Li, Jie ሑီ 2189 Li, Juyuan ଽै੅ 2129 Li, Kangnian ଽࣉё 1889, 2064, 2190–2192 Li, Li ଽሑ 0835, 2193 Li, Ling ଽᾐ 1079, 2412 Li, Lingyi ଽਘသ 0504, 1905 Li, Mei-jung See Li, Meirong (Li, Mei-jung) Li, Meirong (Li, Mei-jung) ଽѤ๎ 0430, 1023, 1766 Li, Oufan ଽଟ᰼ 0889, 1385, 1815 Li, Peipei ଽഷഷ 1247, 2629 Li, Qinxian ଽᯃᐊ 0871, 2194 Li, Qingzhi ଽ֜࢑ 0233, 2738 Li, Shengjie (Li, Sheng-Chieh) ଽ๦ီ 2735 Li, Taifang ଽཅᇙ 1638

495

Li, Tianduo ଽϳ⟢ 0118, 0352, 0540, 1147, 1167, 1262, 1348, 1353, 1568, 1620, 1851, 2533, 2574, 2620, 2666, 2680, 2687 Li, Wenfeng (Lee, Wen-feng) ଽඌᅷ 0574, 1327, 1610 Li, Xing, 1930– ଽҲ, 1930– 2372–2374, 2377, 2382–2384 Li, Xinyi ଽಶជ 0230, 0353, 1569 Li, Ying, 1923–2005 ଽ‫ؙ‬, 1923–2005 2000, 2195 Li, Ying ଽᔏ 2195 Li, Yongquan (Lee, Yungchuan), 1953– ଽᄈ໩, 1953– 0119, 0485, 0606 Li, Youning (Lee, You-ning), 1951– ଽᏖો, 1951– 0061, 0120, 0218, 1065, 2196, 2197, 2301, 2673–2675 Li, Youxin ଽෂЈ 0089, 0404, 0616, 0696, 0699, 1011, 1524, 1699 Li, Youzhi ଽҎҏ 2422, 2423 Li, Yunping (Lee, Yun-Ping) ଽ᭲ᙞ 0634, 2709 Li, Yuxuan (Lee, Yu-shiuan) ଽℯἒ 1249, 1372 Li, Zhenlin, 1965– ཯౜৆, 1965– 0431, 0993, 1311, 1655, 2603 Li, Zhenya ଽዄਐ 0461, 0781, 1035, 1773 Li, Zhenyi (Li, Jen-yi) ଽᢾသ 0550, 2413 Li, Zhiqiang, 1966– ଽ࢑ᨋ, 1966– 0615, 0866, 0918, 1374, 1611 Li, Zhuotao ଽ⮣ಱ 0730, 1928 Li, Zuonan ଽӑᔜ 2150 Lian, Min’an ‫ھۀ‬ԥ 0736, 1678

Author Index

Liang, Bingjun ᅯ᳉ῢ 0651, 0652, 1783, 1784 Liang, Chiung-fang See Liang, Qiongfang (Liang, Chiung-fang) Liang, Honghua ᅯ᜞‫ܓ‬ 2330 Liang, Hongzhi (Liang, Hung-chih) ᅯᒩ࢑ 1480, 2441, 2534, 2573, 2676 Liang, Hung-chih See Liang, Hongzhi (Liang, Hung-chih) Liang, Jiawei (Liang, Jia-wei) ᅯр໖ 1066, 2414 Liang, Jia-wei See Liang, Jiawei (Liang, Jia-wei) Liang, Liang, 1954– ᅯમ, 1954– 0029, 0043, 0069, 0121, 0516, 0732, 0733, 0805, 1151, 1152, 1211, 1245, 1481, 1497, 1570, 1663, 1810, 1968, 2044, 2442, 2535, 2677 Liang, Qiongfang (Liang, Chiung-fang) ᅯᬆᇙ 1386, 1639 Liang, Ruzhou ᅯ὎ರ 1680 Liang, Slim See Liang, Xiushen (Liang, Slim), 1948– Liang, Xinhua ᅯЈ‫ܓ‬ 0464, 0465, 0481, 0636, 0637, 0825, 0909, 0921, 1038, 1039, 2710, 2711 Liang, Xiushen (Liang, Slim), 1948– ᅯࢗӱ, 1948– 1858, 2001 Liao, Jinfeng ᴰ‫ؖ‬ང 0003, 0157, 0169, 0234, 0294, 0316, 0371, 0450, 0503, 0575, 0734, 0783, 1315, 1405, 1485, 1497, 1571, 2483 Liao, Gene-fon See Liao, Jinfeng Liao, Huiying ᴰሓ߭ 2258 Liao, Ping-Hui 0268, 1060, 1873, Liao, Qingsong ᴰদग़ 2333 Liao, Shuhua (Liao, Shu-Hua) ᴰᎂ‫ܓ‬ 2604

Liao, Xiangxiong ᴰፖ೰ 0943, 0994, 1859, Liao, Yifan ᴰϣఅ 1572, 2605 Lie, Fu ࠶⅃ 0043, 1968 Li’er Ѧ঒ 1146, 2478 Lim, Janurary Yee Hiong 1816 Lim, Song Hwee 0081, 0313, 0396, 0431a, 0616a, 1147a, 1524a, 1735a Lin, Baocheng ৆‫خ‬ю 0475, 1891 Lin, Baoyuan ৆ᷰׄ 0154, 0592 Lin, Bolong (Lin, Po-Long) ৆ᐑह 0845, 2606 Lin, Brigitte Ching Hsia See Lin, Qingxia (Lin, Brigitte Ching Hsia), 1954– Lin, Chaoling ৆சጘ 2411 Lin, Chi-fan 0432, 1024, 1387, 1573 Lin, Chia-Yi See Lin, Jiayi (Lin, Chia-Yi) Lin, Chongguang ৆Գ‫ׇ‬ 2188 Lin, Daiman ৆ᒗ㲅 1856 Lin, Fangmei ৆ᇙᄮ 0679, 1388, 1640 Lin, Fuzhen ৆≂ѐ 2352 Lin, Guanghui ৆‫ׇ‬Ͼ 2190 Lin, Guiying ৆ᄉ⑵ 2199 Lin, Hsien Ju See Lin, Xianru (Lin, Hsien Ju) Lin, Hsin See Lin, Xing (Lin, Hsin) Lin, Hsuan-hsiao See Lin, Xuanxiao (Lin, Hsuan-hsiao)

496

Lin, Huangkun ৆ᑟᓍ 2200–2203 Lin, Huei-Ju See Lin, Huiru (Lin, Huei-Ju) Lin, Huijun ৆௑ᅿ 1148, 2479 Lin, Huiru (Lin, Huei-Ju) ৆༫Ғ 0219, 1574 Lin, Jiaoshuang ৆⋢ዪ 1418, 1441, 2635 Lin, Jiayi (Lin, Chia-Yi) ৆૟჆ 0617 Lin, Jingsu ৆࢓಩ 0751 Lin, Kangrong ৆ࣉึ 0735, 0736, 1677, 1678 Lin, Kehuan ৆ࡽӧ 2073 Lin, Kuei-chang See Lin, Kuizhang (Lin, Kuei-chang) Lin, Kuizhang (Lin, Kuei-chang) ৆⇙‫א‬ 0295 Lin, Liangzhe ৆મᎻ 0227, 0296 Lin, Lin ৆ᕻ 9432a, 1816a, 1919 Lin, Liyin ৆‫ٸܡ‬ 2204 Lin, Meiling ৆ᄮᮃ 2736 Lin, Meise ৆Ѥ亯 0297, 2020 Lin, Meixiu ৆Ѥഫ 0096, 0216 Lin, Po-Long See Lin, Bolong (Lin, Po-Long) Lin, Qingjie ৆֜ೀ 2119, 2200, 2201, 2203, 2205, 2206, 2264 Lin, Qingxia (Lin, Brigitte Ching Hsia), 1954– ৆‫ݙ‬ᎇ, 1954– 2007 Lin, Qishou ৆ൠႎ 0208, 0209, 2433, 2434, 2697, 2698

Author Index

Lin, Shengwei (Lin, Sheng-wei) ৆๦໖ 0220, 2737 Lin, Sheng-wei See Lin, Shengwei (Lin, Sheng-wei) Lin, Shikun ৆ԒⲦ 2206, 2207 Lin, Song ৆ग़ 0197, 0204, 0205, 2733 Lin, Sylvia Li-chun 0566 Lin, Tuanqiu ৆Ⲥ‫ڠ‬ 2208, 2209 Lin, Tzuhui 0676, 0841, 2210, 2678 Lin, Wanjin (Lin, Wan-chin) ৆ᬉṲ 1525 Lin, Wan-chin See Lin, Wanjin (Lin, Wan-chin) Lin, Wenqi ৆ҹᚉ 0461, 0577, 0781, 1035, 1453, 1684, 1773 Lin, Xianru (Lin, Hsien Ju) ৆ᢌҒ 1250a, 1312, 1482, 2536 Lin, Xing (Lin, Hsin) ৆լ 1271, 1334, Lin, Xinghong ৆ᕭ᜞ 0551, 0593, 0758, 1641, 1648, 1704, 1713 Lin, Xuanxiao (Lin, Hsuan-hsiao) ৆ୌᖮ 0841a, 1388a, 2056b Lin, Xudong ৆᯾և 0578 Lin, Yang ৆ଥ 1313, 1314, 2537, 2538, 2539, 2575 Lin, Yihua ৆ᖼ‫ܓ‬ 1679 Lin, Ying-chia 0433 Lin, Yi-Shan See Lin, Yishan (Lin, Yi-Shan) Lin, Yishan (Lin, Yi-Shan) ৆ជᦸ 2655 Lin, Yiyun ৆ॢࠥ 2211 Lin, Yuefeng ৆ք๢ 2212

Lin, Yuehui ৆֊௑ 0813, 1306 Lin, Yuezhen ৆֊ੵ 0212 Lin, Yunmei ৆᏾Ⴐ 0737 Lin, Yupeng ৆ർអ 1251, 1349, 1575 Lin, Yuru (Lin, Yu-ru) ৆ड़Ғ 0221, 0240, 0286, 0288, 0306, 0649, 1328, 1747, 2421, 2435, 2650 Lin, Yu-ru See Lin, Yuru (Lin, Yu-ru) Lin, Zanting ৆ლ೛ 0980, 0981, 2025 Lin, Zhengsheng, 1959– ৆Ԝഄ, 1959– 1791, 1861–1863 Lin, Zhixiang ৆޺ፖ 0897, 0898, 2118 Lingnan da xue yi wen she ᗬ۪Ͻѹਲҹघ 0324 Liu, Changping ฀ቾᢼ 2443, 2576 Liu, Chenghan ฀юఈ 0738, 0739, 0936, 0937, 1153 Liu, Guanlun ฀ഃൔ 0629, 1932 Liu, Haodong ขᒲև 0323 Liu, Hongquan ฀᜞Ҫ 0203 Liu, Hsien-cheng See Liu, Xiancheng (Liu, Hsien-cheng) Liu, Jianwei ฀ࠃ໖ 0868 Liu, Jiawen ฀ဓᝉ 0197 Liu, Jixiong ฀แ೰ 0868 Liu, Lili ฀߹߹ 2240

497

Liu, Ling ฀ວ 2390 Liu, Lixing ฀߹Ҳ 0930, 0972 Liu, Na’ou, 1905–1940 ฀໭ᾥ, 1905–1940 0250–0255, 1866–1871 Liu, Qing ฀෷ 1956, 1957 Liu, Senyao ฀ာ⁢ 0740, 0741, 1705, 1706 Liu, Shangyun ฀࣑⽐ 1350, 2540, 2577, 2679 Liu, Shibing ขஈഈ 0963 Liu, Shu ขⶹ 1986 Liu, Songbo ᑗग़ᓱ 2213, 2214 Liu, Wanli ฀ᙙᰆ 1053, 1419 Liu, Wanqing ฀‫ݙݛ‬ 1433, 1558 Liu, Wenzhou ฀ҹ‫ر‬ 1069 Liu, Wuxiong See Qidengsheng (Liu, Wuxiong), 1939– Liu, Xiancheng (Liu, Hsien-cheng) ฀ѳю 0123, 0124, 0136, 0279, 0681, 0977, 1169, 1208, 1484, 1513, 1851, 2578, 2645, 2666 Liu, Xianghuan (Liu, Hsiang-huan) ฀‫⇱ז‬ 1576, 2607 Liu, Xing ฀լ 2636 Liu, Xinmei ฀ಶᄮ 0049, 2694 Liu, Xiuting ฀ഫ೛ 1054, 2055, 2637 Liu, Yalun ฀ਐൔ 0499, 1975 Liu, Yi, 1930–1990 ฀ਲ, 1930–1990 0742, 0931, 0938, 0939, 0995, 2215–2219

Author Index

Liu, Yibing ขϣഈ 1070, 2079 Liu, Yi-chu See Liu, Yizhu (Liu, Yi-chu) Liu, Yimin ฀ϣ‫ھ‬ 1681, 2541 Liu, Yiming ฀ជҴ 0835, 2193 Liu, Yizhu (Liu, Yi-chu) ฀ፐኵ 0576, 1272, 1338 Liu, Youjing ฀ҍ᪦ 1577, 2608, 1252 Liu, Yunong ข‫఻ە‬ 2658 Liu, Zhengqian ฀Ԝᕩ 2220 Liu, Zhihua ฀࢑‫ܓ‬ 1300 Long Fang xian sheng ji nian ce bian ji wei yuan hui हᇙ܏Тઔ݉ೠഹফణ‫؂‬Ͼ 0490, 1875 Longjiang wen hua shi ye you xian gong si ह࢖ҹ٩Ѩ‫׬‬ϩࡳԍ‫ޅ‬ 0178 Lu, Beibei ᧛ᲅᲅ 1642, 1848 Lu, Cheng-lin See Lu, Zhenglin (Lu, Cheng-lin) Lu, Chien-An See Lu, Jian’an (Lu, Chien-An) Lu, Feii See Lu, Feiyi Lu, Feiyi ᡭۘ‫ډ‬ 0011, 0012, 0023–0025, 0125, 0418, 0155, 0594, 0595, 0973, 1016, 1315, 1485, 2445, 2682 Lu, Hong ᡭ₽ 0354, 0843, 1707, 2542 Lu, Jian’an (Lu, Chien-An) ᡭࠃԥ 2564, 2723 Lu, Jishang ᧛ߔ࣑ 2222 Lu, Kuang բୄ 0743

Lu, Meihui (Lu, Mei-huei) ᡭѤ௑ 1154, 2609 Lu, Runtang ૔ඏஇ 1391 Lu, Shaoyang ૖ཾ‫ݵ‬ 0355 Lu, Sheldon H. See Lu, Sheldon Hsiao-peng Lu, Sheldon Hsiao-peng 0082, 0159, 0397, 0666, 1010, 1057, 1104, 1242, 1280, 1293, 1333, 1498, 1629, 1630 Lu, Sushang, 1915–1970 ᧛पϼ, 1915–1970 0126, 0669, 1877, 2047, 2061 Lu, Tonglin ᧛‽ረ 0356, 0357, 0434, 0435, 1025, 1026, 1155, 1156 Lu, Wanying (Lu, Wan-ying) ᧛ᙙᙀ 0829, 0974 Lu, Wan-ying See Lu, Wanying (Lu, Wan-ying) Lu, Yongxiang ᡭ‫ݖ‬ፖ 2221 Lu, Zhenglin (Lu, Cheng-Lin) ᧛ूᷖ 0618, 2610 Lu, Zhennian ૔ੵё 1962 Lu, Zhifang ᡭ޺ᇙ 1578, 2543, 2579 Lu, Zhizi ჁᎴж 0744, 0932–0934, 0996 Luhr, William 0167 Luo, Ka ஛१ 1658 Luo, Meiying ஛Ѥ߭ 1958 Luo, Qing ஛‫ݙ‬ 0745 Luo, Zhuoyao ஛ᅤᴽ 2128 Ma, Jean 0436, 0746, 1157, 1351, 1442, 1486, 1579, 1708, 1767 Ma, Jean Yen-chun See Ma, Jean

498

Ma, Sen ެာ 0940 Ma, Sheng-mei 1817 Ma, Theresa 0058, 0340 Ma, Yaqi (Ma, Ya Chi) ެ઩⓭ 2480, 2611 Ma, Youcheng ެϩю 0358, 1284 MacCann, Richard Dyer 0032 Mai, Dajie ๤Ͻီ 2302 Maike ፪ࡽ 0747 Mao, Yiling 0060 Marchetti, Gina 1103, 1241, 1430 Martin, Fran 0619, 0620, 1158, 1526, 1527, 1643 Meden, Jurij 0130 Mei, Changling Ⴐӕ෗ 0935 Mello, Cecilia 0440, 1028 Metzger, Seen 0408, 1604 Meyers, Ric 0046, 0660 Mi, Jiayan 1280, 1333, 1629 Mills, Cliff 1818 Ming, Ji Ҵ┫ 0500, 1880 Mintz, Marilyn D., 1950– 0657, 1159, 1220 Misawa, Mamie ѧ෹ѐѤ௑ 0256–0260, 0269, 1273, 1330, 1443, 1487, 1488, 1872, 2580, Mizou ࣿҵ 0464, 0465, 0481, 0636, 0637, 0748, 0825, 0909, 0921, 1038, 1039, 2710, 2711 Mo, Wa ၢ෈ 1819 Monma, Takashi, 1964– ՞Ҽਰ࢑, 1964– 0128

Author Index

Moon, Sung Hee 0438, 1768 Mossin, Ulla 1392, 1820 Mostra internazionale del nuovo cinema 0106 Mu, Lan ަ୩ 1995 Mu su mei ti ۵௔෪Ղ 1394 Muller, Marco 0129 Nagib, Lucia 0440, 1028 Nam, Jongsuk Thomas 0446 National Taiwan Museum of Fine Arts See Guo li Taiwan mei shu guan Neri, Corrado 0147, 1736 Nguyen, Uyen 1059, 1088, 1161 Ni, Jun ᫻Ằ 0659 Ni, Youchun ᫻ϩয় 2008 Nie, Hongfeng ℸᒩգ 2228 Nie, Rong ℺᫤ 2646 Nie, Yangxian ℸ࿰ᐊ 2229 Nishizawa, Haruhiko, 1954– ՝䘕੽ᴦ, 1954– 1162, 1282, 1581 Ngo, Nightingale 0658, 1644 Old Wah See Lao, Jiahua Ou, Guizhi ߅ᄉᆙ 0150, 0314, 0757, 1003, 1712, 1854 Ou, Nier ଡ৸঒ 2009 Ou, Shumin ଟᎂ์ 0261, 1331, 1489, 1582, 2716 Ou, Wei ଡ୺ 2170 Palmer, Bill, 1947– 0046, 0660

Palmer, Karen 0046, 0660 Pan, Guozheng ᕤлू 0198, 2734 Pan, Suhui (Pan, Su-Hui) ᕤঈ༫ 0362, 0678 Pan, Su-hui See Pan, Suhui (Pan, Su-hui) Pan, Xiuling ᕤ㆑ᦚ 0049, 2694 Pareti, Silvia 0364 Park, Myung-kyu 0513, 1081, 1283, 2696 Partie, Duncan 0083, 1086 Pekler, Michael 1821 Peng, Chang ᣴซ 1969 Peng, Guangzhao ᣴ‫ׇؕ‬ 2424, 2425 Peng, Guangwei (Peng, Kuang-wei) ᣴ‫ׇ‬໖ 0750, 1163, 1253, 1352, 1709, 2581 Peng, Hsiang Ke See Peng, Xiangge (Peng, Hsiang Ke) Peng, Kuang-wei See Peng, Guangwei (Peng, Kuang-wei) Peng, Xiangge (Peng, Hsiang Ke) ᣴ‫ܫ‬۴ 1613 Peng, Zhaohong ᣴᘻᒩ 0964 Ping, Lieh-wei See Ping, Liewei (Ping, Lieh-wei) Ping, Liewei (Ping, Lieh-wei) ‫૆כ‬໖ 0621, 1528 Powley, Kathryn Anne 0439, 0812 Pratt, Geraldine 1366, 1632 Qi, Longren, 1952– ಞᇐ〣, 1952– 0262, 0941, 0942, 1288 Qiao, Qiong’en ᑑᬆ൛ 0501, 1682 Qiao, Ye ᑑఀ 2240 Qidengsheng (Liu, Wuxiong), 1939– ࢳҳТ (฀ે೰), 1939– 2362

499

Qin, Dingchang ቦᑾቾ 0864, 0882, 0982, 2415 Qin, Han ቦఈ 2262 Qin, Hongliang ቦᖻ݊ 0439a, 1920 Qin, Tiannan ቦϳ۪ 2241 Qiongyao (Chiungyao) ᬆᴽ 2219, 2372, 2373, 2377, 2394, Qiu, Chuida ᆥᎾܺ 0606, 0485 Qiu, Gangjian ᆥӃ࡬ 2241 Qiu, Guohua ᆥл‫ܓ‬ 2426 Qiu, Huadong ᆥ‫ܓ‬ᗏ 1657, 1710 Qiu, Kunliang ᆥᓍમ 0263, 1301, 1878, 2048, 2062 Qiu, Mingcheng, 1952– ᆥ᎘஧, 1952– 0899, 1882, 2263, 2286, 2331, 2345, 2346, 2347 Qiu, Shichun ᆥஉ᳝ 1165, 1221, 1235, 2462 Qiu, Shuting (Yao, Kinnia Shuk-ting) ᆥᎂᑢ 1166, 1215, 1217, 1234 Qiu, Sufen ᆥঈᐇ 0202 Qiu, Zhiyi ᆥ࢑च 2702 Qiu, Zhiyong ᆥ௨ର 0540, 1262, 1620, 2387, 2620, 2687 Qu, Meifeng ㎆Ѥང 0201 Quan, Jiali Ҫဓው 1409 Rao, Zijuan ᓔཎᥱ 0044, 0064, 0231, 1067, 2724 Rawnsley, Ming-Yeh 1302, 1491, 1583

Author Index

Rayns, Tony 0132 Rehm, Jean-Pierre 1737, 1738 Reynaud, Bérénice 0366, 0823 Riviere, Daniele 1737 Rojas, Carlos 0064a, 0440a, 1167a Rosner, Victoria 1366, 1632 Rossell, Deac 0359, 1160 Roth Li, Gertraude 0065 Ruan, Qing ∜‫ݙ‬ 0379, 1202 Ruolin, Zhengchang See Wakabayashi, Masahiro (Ruolin, Zhengchang) Ry䲖, Kinh䲖 See Liao, Jinfeng Sakai, Naoki 0852, 0873, 0910, 1236 Sang, Deborah Tze-lan 0566, Sanmao ѧࢂ 2248 Sanze, Zhenmeihui See Misawa, Mamie Sat䲖, Tadao, 1930– ᩊᗳᇝԲ, 1930– 0133, 0134, 0264–0266, 1222–1225 Schamus, James 0923, 2289, 2361 Server, Lee 1089 Sha, Rongfeng, 1921– ૶ึ๢, 1921– 0135, 0494, 0495, 1883, 1884 Shahulu Tongmeng ૪॥ᖠӎჂ 0529 Shalu dian ying yi shu guan ૶࿇Ӈ‫ؙ‬ਲफఖ 0228 Shan, Wa ᦈ෈ 1987 Shao, Mujun ἗ᖥᅿ 0139 Shao, Qimai ἗⓱፪ 0622, 1529 Shantian Hongyi ‫ځ‬೧ᒩϣ, 1938– See Yamada, K䲖ichi, 1938–

She tuan far en Taiwan nu xing ying xiang xue hui घ֚ࣗϪ‫ݡ‬ஹѽԛ‫ؙ‬ՌѹϾ 0362, 1646, 2493 Shen, Shiao-ying 0441, 1584, 1769, 1792, 1921, 1938 Shen, Xiaoyin ਻ཁ᱘ 0461, 0781, 0896, 1035, 1773 Shen, Xiuzhen ਻ഫ▗ 0753 Shen, Yamin ਻ਐ‫ھ‬ 2154 Shi, Fangyu ੘Ҥឨ 0986 Shi, Guangsheng ੘‫ׇ‬Т 2063 Shi jue chuan bo yi shu xue hui ؆ң‫ة‬৚ਲफѹϾ 1580, 1595, 1605, 1612, 1619, 1624, 1626 Shi, Sheng ੘Т 2251 Shi, Wansun ੘ᙙ‚ 1860, 2060 Shi, Zuosheng ੗ӑ๦ 0975 Shiau, Hong-Chi 0530, 0531, 1316, 1317, 1354, 1355, 1493, 1494 Shu, Tan স໐ 0755, 0756, 1393 Shu wei ren bian ji bu ُ֧Ϫഹফ‫ח‬ 0787 Shu, Zonghao সᅓᒲ 2254 Sibergeld, Jerome 1171, 1255 Sima, Fen, 1929– ‫ެޅ‬ᐇ䩟1929– 0141, 0142 Sima, Zhongyuan ‫ެޅ‬Ѕ֍ 2259 Skafar, Vlado 0130 Sklar, Robert 0143 Slide, Anthony 0036, 2545

500

Song, Cunshou ᓠࡖႎ 2335 Song, Fulin ᓠ‫׫‬ெ 2257 Song, Hong ᓠァ 2283 Song, Huizhong ᓠ௑Ѕ 1433, 1558 Song, Xiangru ᓠ࣯Ғ 2258–2261 Song, Zhongfeng ᓠЅ๢ 2262 Song, Ziwen ᓠжҹ 0144 Sorokin, V. F. 1389, 1390 Sotooka, Hironaga ֔ᐻᒩӕ 0840, 2023Stalens, Alizee (Shi, Aili) ੗⏣ᰆ 2463, 2612 Su, Wei ಧ‫ۅ‬ 1967 Su, Weiling ಩ᬕᎈ 2613 Su, Xiawei ಩ॼ᝛ 2016 Su, Yingxue ಩ྱઞ 2268 Suen, Pak-kin 0623, 1172, 1585 Sun, Caimin ྒҥ์ 2263 Sun, Caisu ྒ୰ᑜ 2251 Sun, Lifeng ྑ߹๢ 0145, 0267 Sun, Mingde (Sun, Mi-te) ྒ᎘ख़ 0442, 1029, 2481, 2657 Sun, Mi-te See Sun, Mingde (Sun, Mi-te) Sun, Rongguang ྒึ‫ׇ‬ 1367, 1614

Author Index

Sun, Weichuan ྑ໓ඇ 0146 Sun, Xiantao ྑຸ⁰ 0186 Sun, Yang ྒ‫ݷ‬ 1303 Sun, Yi ྑᗥ 2486 Sun, Zhengguo ྒԜл 2264, 2299 Sun, Zhengzhong ྒूЅ 2265 Sun, Zijun ྑІ⡮ 1949 Sze, Siu Sin Jean 1356, 1586, 1922 Szeto, Kin-Yan 0661, 1254, 1824 Tai shi wen hua shi ye gong si chu ban bu ‫ݡ‬؆ҹ٩Ѩ‫׬‬ԍ‫ޅ‬о‫חؗ‬ 1963 Tai ying See Taiwan dian ying zhi pian chang Tai zhi See Taiwan dian ying zhi pian chang Taibei dian ying xie hui ‫ܚݡ‬Ӈ‫ؙ‬൒Ͼ 0552 Taibei jin m aguo ji ying zhan zhi xing wei yuan hui ‫ެؖܚݡ‬лগ‫ࣁؙ‬వҲణ‫؂‬Ͼ 0445, 1031, 1685, 1802, 1811, 1890, 1899, 1912, 2002 Taibei shi ying pian shang ye tong ye gong hui ‫׬࠱׬ؙصܚݡ‬ӎ‫׬‬ԍϾ 0068, 2466, 2553 Taibei shi zheng fu ‫ूصܚݡ‬௞ 0054, 0322, 0384, 2475, 2495, 2501 Tainan National University of the Arts See Guo li Tainan yi shu da xue Taipei Film Association See Taibei dian ying xie hui Taipei Golden Horse Film Festival Executive Committee See Taibei jin ma guo ji ying zhan zhi xing wei yuan hui Taipei National University of the Arts, Department of Filmmaking See Guo li Taibei yi shu da xue dian ying xi

Taiwan Association of Visual Ethnography See Taiwan min zu zhi ying xiang xue hui Taiwan dian ying wen hua gong si ‫ݡ‬ஹӇ‫ؙ‬ҹ٩ԍ‫ޅ‬ 0021, 0152, 0583 Taiwan dian ying wen hua xie hui See Cai tuan far en Taiwan dian ying wen hua xie hui Taiwan dian ying zhi pian chang ‫ݡ‬ஹӇ‫ؙ‬३әྃ 0916 Taiwan Documentary Development Association See Zhonghua Minguo ji lu pian fa zhan xie hui Taiwan Film and Culture Association See Taiwan dian ying wen hua xie hui Taiwan Kejia yan jiu hui ‫ݡ‬ஹ‫ۺ‬р୳ૢѹϾ 1368 Taiwan min zu zhi ying xiang xue hui ‫ݡ‬ஹ‫ھ‬ఓ௨‫ؙ‬ՌѹϾ 0055, 0564, 0609–0611a, 1335, 1337, 1339, 1339a, 2509–2511a Taiwan nu xing ying xiang xue hui See She tuan far en Taiwan nu xing ying xiang xue hui Taiwan Provincial Film Production Studio See Taiwan dian ying zhi pian chang Taiwan Women’s Film Association See She tuan far en Taiwan nu xing ying xiang xue hui Taiwan xing bie ren quan xie hui ‫ݡ‬ஹԛԇϪ੸൒Ͼ 0612 Tam, Kwok-kan, 1952– 0370, 0760, 1714, Tam, Siu-yan Xavier 0624, 1530 Tamura, Shizue, 1944೧భ࢑ဋብ, 1944– 0270, 0447, 0448, 0824, 1227, 1770 Tan, Chunfa ᭂࡇт 1988 Tan, Jiaming ᭃрҴ 2182 Tan, See-kam 1103, 1241, 1430 Tanaka, Hideo, 1952– ೧Ѕഫ೰, 1952– 0156, 1228 Tang, Albert Wei-Min See Tang, Weimin (Tang, Albert Wei-Min) Tang, Jiming ࿔ऴҴ 2120

501

Tang, Mingzhi ௡Ҵ޺ 2268 Tang, Mingzhu ࿔Ҵ෿ 0045, 1721 “Tang shan guo Taiwan” bian ji wei yuan hui “࿔‫ځ‬О‫ݡ‬ஹ” ഹফణ‫؂‬Ͼ 0893 Tang, Shaohua ࿔ཿ‫ܓ‬ 0997, 0998, 1616 Tang, Weimin (Tang, Albert Wei-Min) ࿔‫์ۆ‬ 0315, 1004, 1496, 2582 Tang, Wenbiao ࿔ҹ࠳ 0761 Tang, Yiteng ௡‫ډ‬౵ 2268 Tao, Dechen ᑀख़ᜳ 2153, 2269 Tao, Qingmei, 1974– ᑀদႰ, 1974– 1793 Teo, Stephen 0420, 0422, 0457, 0662, 0914, 1377, 1174, 1764, 1787 Tesson, Charles 1397, 1825, 1256, 1397 Tetsuya, Akiko 庿൙ᔛж 2010, 2011 Thompson, Emma 0890, 1398, 1826 Tian, Feng ೧ஶ 2275 Tian, Jiaqi (Tien, Chia-Chi) ೧рᔂ 1257, 2464 Tien, Chia-Chi See Tian, Jiaqi (Tien, Chia-Chi) Tobari, Haruo, 1938– ‫פݏ‬ֆਜ਼, 1938– 0157, 0316, 0371, 0450, 0503, 1175, 1405, 1497 Tomasi, Dario 0087, 1110 Tong, Yuejuan ু֊ᥱ 0484, 1885 Toroptsev, S. A. (Sergei Arkadevich) 0158 Tsai, Hsiao-Wei See Cai, Xiaowei (Tsai, Hsiao-Wei)

Author Index

Tsai, Hui-pin See Cai, Huipin (Tsai, Hui-pin) Tsai, Kang-yung See Cai, Kangyong (Tsai, Kang-yung), 1962– Tsai, Kun-fen See Cai, Kunfen (Tsai, Kun-fen) Tsai, Ming-liang See Cai, Mingliang (Tsai, Ming-liang), 1957– Tsai, Pei Chung See Cai, Peijuan (Tsai, Pei Chung) Tseng, Wen-chun See Zeng, Wenjun (Tseng, Wen-chun) Tseng, Tzu-hao See Zeng, Zihao (Tseng, Tzu-hao) Tsou, Charlyne Chien-lin 0372, 0451 Tu, Ming ຂ᎘ 2546, 2565 Tu, Mingjun ຂҴᅿ 2050 Tu, Shujun ຂᎂᅿ 0509, 1945 Tu, Xiangwen ກጕҹ 0762, 1687 Tu, Zhongxun ᛅᇝਗ 2108, 2260 Tzou, Nian-tsu See Zou, Nianzu (Tzou, Nian-tsu) Udden, James 0452, 0453, 0763, 1771, 1772 Vick, Tom 0160, 1091 Vitali, Valentina 0449, 1444 Wakabayashi, Masahiro (Ruolin, Zhengchang) ઎৆Ԝ࿆ 0269, 1332 Wan, Ren, 1950– ‫ݛ‬წ, 1950– 2274 Wang, Baomin ࣼ‫ھخ‬ 2446, 2583, 2725 Wang, Chang’an ࣼӕԥ 0764, 0765 Wang, Chialan Sharon 0373, 1399, 1445 Wang, Chong ࣼ৳ 2275 Wang, Chris 1588

Wang, Chuan-tzung See Wang, Chuanzong (Wang, Chuan-tzung) Wang, Chuanzong (Wang, Chuan-tzung) ࣼ‫ة‬ᅓ 0879, 1357, 2683, 2726 Wang, Dakong ࣼϽ‫׺‬ 0568, 1609 Wang, David Der-Wei 0268, 1060, 1380, 1873 Wang, Dulu ࣼ֏ᡭ 2289 Wang, Fei ٟࣼ 0161, 1617 Wang, Gengyu ࣼᩋᒶ 1394, 1925 Wang, Haizhou ࣼ֋ರ 0350, 0426, 1020, 1139 Wang, Hao ࣼൻ 2390 Wang, Hongzhang ࣼᖻᔛ 2106 Wang, Huiling, 1964– ࣼ┰ጘ, 1964– 0923, 2276–2278, 2289, 2358, 2361 Wang, Jie’an ࣼೀԥ 1055, 1421, 2640 Wang, Jinchuan ࣼቆඇ 0453a, 1772a, 1924 Wang, Jingrong ࣼ‫ݕ‬ᕣ 0766 Wang, Kai ming 0308, 1176 Wang, Lingzhen 0398, 1105, 1344, 1631 Wang, Lingling ࣼጘጘ 2056c Wang, Meiling ࣼѤጘ 1649 Wang, Meiyu ࣼѤർ 1656 Wang, Mingtai, 1966– ࣼҴ‫ݡ‬, 1966– 2279 Wang, Mingwo ࣼҴϢ 1500, 2447, 2584

502

Wang, Mingxia ࣼҴᎇ 2276, 2358 Wang, Molin ࣼၢ৆ 0767, 1304, 1715 Wang, Pu ࣼ⊝ 0596, 1400 Wang, Rong ࣼᕣ 0011, 0012 Wang, Shihong ࣼࡲᮜ 2378, 2379 Wang, Shujen 2456 Wang, Shuai ࣼળ 2363 Wang, Ta ࣼᓛ 2201 Wang, Tong (Wang, Tung), 1942– ࣼু, 1942– 2100, 2283, 2332, Wang, Tzu-Ting See Wang, Ziting (Wang, Tzu-Ting) Wang, Wei ࣼଂ 0104, 0524, 0569, 1133, 1382, 2024, 2406, 2469, 2528 Wang, Wei ࣼᬕ 0115, 0768, 2280 Wang, Weici ࣼ໓፦ 0024, 0025, 0057, 0107, 0148, 0563, 0565, 0572, 0580, 0594, 0595, 0597–0601, 0604, 1177, 1178, 1187, 1664, 2686 Wang, Weining ࣼ୺ો 2050 Wang, Weitsy See Wang, Weici Wang, Wen ࣼҹ 2427 Wang, Wenling ࣼҹጘ 0271 Wang, Xiangqi ࣼᙓ⓭ 2199 Wang, Xiaodi ࣼЩ➅ 0870, 1892, 2112, 2168, 2281–2283 Wang, Xuanmai ࣼ២ጞ 2647

Author Index

Wang, Xuanru (Wang, Xuan-ru) ࣼ២Ғ 0625, 0830, 1531 Wang, Xuan-ru See Wang, Xuanru (Wang, Xuan-ru) Wang, Yibai ࣼፐՁ 2223 Wang, Ying ࣼᙀ 2107 Wang, Ying ᑓᙀ 0759 Wang, Youhui ࣼҎሓ 2052, 2072, 2281 Wang, Yunman ࣼ࠭㓧 0042, 0072, 0163, 1694 Wang, Yunru ࣼ᏾Ғ 0256, 1872 Wang, Yuya ࣼ┗઩ 2180 Wang, Yuyan ࣼർᆜ 0369, 0759, 1453, 1684 Wang, Zhengfang ࣼԜҤ 1893, 1894 Wang, Zhenhe ࣼℭф 2284–2286 Wang, Zhicheng, 1961– ࣼ࢑ю, 1961– 0067, 0162, 0770, 1589 Wang, Zhongzheng ࣼԳԜ 2370 Wang, Zilong ࣼжᑹ 0164, 0300, 0670, 1305 Wang, Ziting (Wang, Tzu-Ting) ༙ࣼᑢ 2547, 2585 Wang, Zupei ࣼྥⳍ 0049, 2694 Ward, Julia 0081, 0313, 0396 Weakland, John H. 1179, 1501, 1590 Wei, Desheng (Wei, Te-sheng), 1986– ᪭ख़๦, 1986– 0885, 1895, 1896, 2287 Wei, Di (Wei, Ti) ᪭万 1318, 1502, 2614

Wei, Jiesheng ᰡီТ See Wicks, James Anthony Wei, Ping’ao, 1929–1989 ᪭‫כ‬ᆹ, 1929–1989 2017, 2018 Wei, Qiren ᪭ൠწ 1959, 1960, 2641, 2642 Wei, Te-sheng See Wei, Desheng (Wei, Te-sheng), 1986– Wei, Ti See Wei, Di (Wei, Ti) Wei, Xidi ਛ՝ᪿ 0344, 0714, 1127, 2668 Wen, Tianxiang ࢨϳፖ 0067, 0140, 0165, 0602, 0773–0776, 0855, 1739, 1740, 2482 Weng, Dacheng, 1944– ᙋϽю, 1944– 1897, 2288 Weng, Guitang ᙋᄉஇ 1464, 2521, 2563, 2720 Wicks, James Anthony 0166, 0309, 0317, 0456, 1181, 1503 Willemen, Paul 0449, 1444 Wong, Edmond 0457, 1923 Wu, Chia-chi 1183 Wu, Diing-wuu Vale See Wu, Dingwu-Walisi (Wu, Diingwuu Vale) Wu, Dingwu-Walisi (Wu, Diing-wuu Vale) ྶᑾે-ᐩࣵট 0538, 2416 Wu, Dongquan ྶֆ੸ 0947, 0948 Wu, Fan ྶఅ 2473, 2665 Wu, Guanping ྴഃ‫כ‬ 0005 Wu, Hao ྶ⑤ 0367, 1168 Wu, I-fan 0458, 1741 Wu, Jialun ྶ૟ൔ 2615 Wu, Jinfa ྶቇч 2395

503

Wu, Junrong ྶᒺ๎ 0777, 1183 Wu, Li-hsueh See Wu, Lixue (Wu, Li-hsueh) Wu, Liqing ྶ‫ܡ‬᥮ 2320 Wu, Lixue (Wu, Li-hsueh) ྶ‫ܡ‬ઞ 2293, 2684 Wu, Mengqiao ྶ፽⃊ 0778 Wu, Micha ྶ઼ൌ 0269, 1332 Wu, Misen (Wu, Mi-sen), 1967– ྶܶာ, 1967– 0839, 0875, 1898 Wu, Nien-chen See Wu, Nianzhen (Wu, Nien-chen), 1952– Wu, Nianzhen (Wu, Nien-chen), 1952– ྶ݉ѐ1952– 0459, 0826, 0860, 1900–1902, 2080, 2259, 2294–2319 Wu, Peici ྶⳍ፦ 0949 Wu, Qilong ྶ࡞ᇐ 2297 Wu, Qiyan ྶԷ᷀ 0374, 0460, 0779, 1034, 1515 Wu, Rongshan ྶึ‫ځ‬ 2320 Wu, Ruozhi ྶ઎≮ 1373, 2448, 2586 Wu, Tingyun ྶ៴ུ 0546, 1593, 2616 Wu, Wenqin ྶҹᯃ 2321 Wu, Yelan ેⴲầ 0780 Wu, Yifeng ྶᒬ๢ 2281 Wu, Yuexiu ྶៈࢗ 0107, 0572, 1664 Wu, Yusen ྶཡာ 2323

Author Index

Wu, Zhaohui ྶᢘ༫ 0223, 1688 Wu, Zhenmin ྶዄ‫ھ‬ 2324 Xi, Han Ӎ៲ 0816 Xi, Ke ຟ॓ 2325 Xi, Qiran ‫ޤ‬ᜟѼ 2330 Xi, Song ⒉ℨ 2326 Xia, Peng ॼអ 0965 Xia, Yan ॼ᎚ 2291 Xiang lu wen hua shi ye you xian gong si ұੑҹ٩Ѩ‫׬‬ϩࡳԍ‫ޅ‬ 0200 Xianggang lin shi shi zheng fu ‫ܫ‬୯ெЖ‫ूص‬௞ 1779 Xianggang yi shu zhong xin ‫ܫ‬୯ਲफЅК 0324 Xiao, Juzhen (Hsiao, Chu-chen), 1972– ᖆᏕᢾ, 1972– 0603, 1903 Xiao, Sa ᖆᴉ 2329 Xiao, Xueren ᖆѹწ 0225, 2437 Xiao, Yixia ᖆ࣊ᎇ 0050, 2692 Xiao, Zhang ន‫א‬ 0168 Xiao, Zhiwei 0048 Xiaoye, 1951– Щఀ, 1951– 0462, 0463, 1036, 1037, 2065–2070, 2303, 2331–2341 Xie, Caimiao ‫ిࠡه‬ 0902, 1185, 1361, 2465, 2548, 2617, 2685 Xie, Dinghua ‫ه‬ӡ‫ܓ‬ 2342

Xie, Jiaxiao ‫ه‬рᖮ 1689 Xie, Lihua ‫ܓܡه‬ 0051, 2693 Xie, Pengxiong ‫ه‬អ೰ 0950, 2343 Xie, Renchang ‫ه‬წቾ 0321, 1092, 2476 Xie Wenyu (Hsieh, Wen-yu) ‫ه‬ᝉ㙻 0783, 1941 Xie, Yiping (Hsieh, Yi-ping) ‫ه‬च‫כ‬ 0626, 0831, 1532 Xin hua chu ban she Ј‫ܗ‬о‫ؗ‬घ 1970 Xin, Qi (Hsin, Chi), 1924– ొ࡞, 1924– 2116, 2177, 2186 Xin xian wen hua К৬ҹ٩ 0863 Xing zheng yuan wen hua jian she wei yuan hui Ҳूࡨҹ٩ࠃ‫ޗ‬ణ‫؂‬Ͼ 0056, 0552, 0562, 0585, 0587–0589, 1374, 1504, 2086, 2503, 2505–2507, 2549 Xing zheng yuan yuan zhu min zu wei yuan hui Ҳूࡨ֍֙‫ھ‬ఓణ‫؂‬Ͼ 1275, 2431 Xing zheng yuan xin wen ju ҲूࡨЈࢨ঵ 0020, 0151, 1149, 2091–2099, 2178, 2179, 2234–2237, 2364, 2444, 2472, 2566, 2570, 2587–2590, 2681, 2727 Xing zheng yuan xin wen ju Zhonghua Minguo dian ying nian zhi wei hui ҲूࡨЈࢨ঵Ѕ‫ھܓ‬лӇ‫ؙ‬ёవణϾ 0020, 0151, 2444, 2681 Xiong, Tingwu ෣៴ે 2344 Xu, Anhua ‫ܛ‬ᴂ‫ܓ‬ 2305, 2315 Xu, Canlu ‫۾ܛ‬૔ 0213 Xu, change ጝቾ‫׬‬ 0050, 2692 Xu, Changhui ‫׶ܛ‬௑ 0568, 1609

504

Xu, Fuming ጝൿҴ 2056c Xu, Gary Gang 1188, 1362 Xu, Jiankun ‫ࠃܛ‬Ỏ 1401 Xu, Jielin ‫ܛ‬ೀᗗ 0701 Xu, Jingliang ጝՔમ 2199 Xu, Ligong (Hsu, Li-kong), 1943– ጝ߹‫ۋ‬, 1943– 0034, 0382, 0504, 1205, 1905, 2276, 2358, 2490 Xu, Mulan ጝަ୪ 1406 Xu, Qinzhen, 1972– ‫ܛ‬ቦ♴, 1972– 0255, 1871, 1874 Xu, Rentu See A Tu (Xu, Rentu), 1949– Xu, Shuzhen ‫ܛ‬ᎂѐ 2405 Xu, Tianrong ጝϳึ 1071, 2160 Xu, Xiangxi ‫ܛ‬ፖᙜ 2347 Xu, Xiaoming, 1955– ጝЩҴ, 1955– 2156, 2293 Xue, Daosheng ṟѬ‫ك‬ 2229 Xue, Huiling ṟ௑ጘ 1855, 1857, 1881, 2015, 2649 Yamada, K䲖ichi, 1938– ‫ځ‬೧ᒩϣ, 1938– 1781 Yan, Chunjun ୵৞ῥ 1180 Yan, Cunlin Ἠࡖ৆ 1994 Yan, Hongya Ἡ᜞ਐ 0067, 0813, 1306, 2350 Yan, Huizeng ୶௑Ҷ 0784, 0951, 1041

Author Index

Yan, Shikai ୶ࡲᏎ 0467, 0785, 1042, 1189, 1505, 1533 Yan, Zenhui (Yen, Jen Hui) ୶ℭ༫ 2740 Yan, Zhilong (Yen, Chih-lung) ୶࢑ह 1258, 2618 Yan, Zhongxian ୶ᇝᐊ 0952 Yang, Ch’ingch’u See Yang, Qingchu (Yang, Ch’ingch’u), 1940– Yang, Dahe ໷Ͻф 1276, 1625 Yang, Dechang (Yang, Edward), 1947–2007 ໷ख़ቾ, 1947–2007 2153, 2350 Yang, Dunli ໷ᆼٗ 1230, 1259 Yang, Edward See Yang, Dechang (Yang, Edward), 1947–2007 Yang, Fan ໷అ 2348, 2349 Yang, Haiming ໶֋Ҵ 0047 Yang, Huanhong (Yang, Huan-hong) ໷ᢵ᜞ 0170, 0272, 1277, 1289, 1506 Yang, Huan-hong See Yang, Huanhong (Yang, Huan-hong) Yang, Jeff 0171, 1190 Yang, Jingshen ໷‫ݕ‬ຳ 2167 Yang, Liguo ໷߹л 2244, 2310, 2338, 2341 Yang, Meiying (Yang, Mei-ying) ໷Ѥᓜ 0301, 1370, 2730 Yang, Mei-ying See Yang, Meiying (Yang, Mei-ying) Yang, Qingchu (Yang, Ch’ingch’u), 1940– ໷‫ݙ‬Å, 1940– 2351 Yang, Shaobo ໷վம 1657, 1710

Yang, Shifan ໷Ԓఅ 0469, 1044, 1594, 1690 Yang, Shixian (Yang, Shih-hsien) ໷ࡲᐊ 1358, 2550 Yang, Shih-hsien See Yang, Shixian (Yang, Shih-hsien) Yang, Shunqing ໷ॄ֜ 2350 Yang, Wanyu (Yang, Woan-yuh) ໷ᕫ᠅ 1534, 1827 Yang, Ya Chi See Yang, Yaqi (Yang, Ya Chi) Yang, Yaqi (Yang, Ya Chi) ໷઩ᔂ 2480, 2611, 2731 Yang, Zhengxian ໷ूᬊ 2154 Yang, Zhongfan ໷ᓶ౯ 0339, 0365, 1446, 1490, 2559, 2560 Yang, Zuiying (Yueng, Tsui Ying) ໷௴‫ؙ‬ 2428 Yao, Feng-pan See Yao, Fengpan (Yao, Feng-pan), 1932–2004 Yao, Fengpan (Yao, Feng-pan), 1932–2004 ᝻ང῟, 1932–2004 0628, 1931 Yao, Kinnia Shuk-ting See Qiu, Shuting (Yao, Kinnia Shuk-ting) Yao, Liqun ᝻߹ळ 0037, 0488, 1686, 1855, 1881, 1885, 1961, 2015, 2649 Yao, Qingkang ᝻দࣉ 2352 Yao, Rongling ᝻ึ෗ 2449 Yao, Yiwei ᝻ϣἹ 0953, 2073, 2353 Yao, Zhihua ᝻ᆙ‫ܓ‬ 0629, 1932 Ye, Bingqiang ౕẅ‫ל‬ 1410, 1516 Ye, Hongwei ౕ᜞໖ 2223

505

Ye, Junjie ౕᒺီ 0517 Ye, Longyan, 1940– ౕहᴧ, 1940– 0172, 0173, 0194, 0195, 0206, 0207, 0224, 0273, 0274, 0282–0284, 0302, 0303, 0318, 1191, 1192, 1231–1233, 1260, 1261, 1454, 2450, 2659, 2739, 2741–2744 Ye, Qianqi (Yeh, Chien-Chi) ౕ࡛ᴟ 0275, 1455 Ye, Qiao ౕ⃊ 2262 Ye, Rufen ౕҒᐇ 2665 Ye, Siyan ౕ‫ڽ‬ᢌ 1401a, 2056d Ye, Xuanchen ౕ጗ந 1359, 2551 Ye, Yandou ౕߞЁ 2096 Ye, Yunqiao ౕࠥ⃊ 2356, 2357 Yee, Chih-yen 0470 Yeh, Chien-Chi See Ye, Qianqi (Yeh, Chien-Chi) Yeh, Emilie Yueh-yu See Ye, Yueyu (Yeh, Emilie Yueh-yu) Yeh, Jean 0058, 0340 Yeh, Yueh-yu See Ye, Yueyu (Yeh, Emilie Yueh-yu) Ye, Yueng ౕड़൛ 0539, 2418 Ye, Yueyu (Yeh, Emilie Yueh-yu) ౕ֊ᒶ 0053, 0082, 0174, 0310, 0319, 0337, 0397, 0471, 0643, 0666, 0681, 1005, 1010, 1045, 1057, 1061, 1104, 1117, 1168, 1290, 1293, 1422–1424, 1507, 1630, 1927, 2522, 2526, 2643 Yen, Jen Hui See Yan, Zenhui (Yen, Jen Hui) Yi, Chuan ኄඇ 2301 Yi, Wen (Yang, Evan), 1920–1978 ‫ډ‬ҹ, 1920–1978 1933, 2054, 2074, 2359 Yi, Zhiyan ‫ߞ޺ډ‬ 0472, 1716

Author Index

Yin, Chia-lien See Yin, Jialian (Yin, Chia-lien) Yin, Hong ẚ᜝ 0323 Yin, Jialian (Yin, Chia-lien) ᦜဓၬ 2474, 2619 Yin, Taipeng ẚ‫᧨ݡ‬ 0088 Ying huo chong ying xiang ti ⁒‫ڮ‬າྱՌՂ 0561, 0630, 0836, 1465, 2132, 2705 Ying xiang du shu hui ‫ؙ‬Ռࢵ‫ڣ‬Ͼ 0726, 0752 Yip, June Chun, 1962– 0473, 0474, 1046, 1195, 1291, 1360, 1402, 1403, 1450, 1508, 1509, 1597, 1598, 1774, 1775 Yomota, Inuhiko, 1953– ‫ף‬Ҥ೧ᐴᴦ, 1953– 0071, 0277, 0278, 1693a Yoo, Hyon Joo 0852, 0873, 0910, 1236 You, Huizhen ղ௑ᢾ 1647 You, Shangmin ղϼ‫ھ‬ 1263, 1599, 2621 You, Tingjing ղᑢ෧ 0377, 0638, 1650, 2494, 2712 You, Wenxing ղҹࣱ 2287 You, Xinren දЈწ 1196, 1535, 2451 You, Xuru ‫ౌۥ‬Ғ 1606, 2661 Yu, Gwo-chauo 1197 Yu, Jiwei ӊ֮໖ 2363–2365 Yu, Kanping ᷇⬠‫כ‬ 2308, 2316 Yu, Qianru ൑圎Ғ 0791 Yu, Ruji ൑Ғࡵ 0022, 0491

Yu, Weizheng ൑Њू 0177, 0522, 0955, 1618, 2351, 2417 Yu, Xiaoyi ᷇༿ᗥ 0345, 0715, 1128, 2669 Yu, Yeying ཡ‫⁒׬‬ 0179, 0505, 0511, 0792, 1198, 1691a, 1837, 1849, 1964, 2485 Yu, Zhengchun ఛԜࡇ 2335 Yuan, Jinlin ᭛ቇᰕ 0915 Yuan, Qiongqiong ᭛ᬆᬆ 1717 Yueng, Tsui Ying See Yang, Zuiying (Yueng, Tsui Ying) Zeng, Boren ߲ᓱწ 1718 Zeng, Lianrong ߲‫ึۀ‬ 2154 Zeng, Weizhen ߲໖ℭ 0793, 2112 Zeng, Wenjun (Tseng, Wen-chun) ߲ҹᒺ 1199, 1265, 1363 Zeng, Xiba ߲՝ພ 0180, 0797–0800, 0957, 2452, 2622 Zeng, Yanbin ߲ᴦᭌ 0346, 0347, 1129, 1130 Zeng, Zhaoxu ߲ᢘ᯾ 0751, 0794, 0795 Zeng, Zheng ߲⇜ 0474a, 1775a, 1929 Zeng, Zhicheng ߲࢑ю 0796 Zeng, Zihao (Tseng, Tzu-hao) ߲жൻ 1364, 1600, 2457 Zha, Zhiyao ‫ݓ‬ҏ⁢ 0029 Zhan, Weiqi (Chan, Wei-Chi) ᴐᬕ⓭ 2623 Zhang, Aijia ‫פ‬ዐဓ 0915

506

Zhang, Aijun ‫פ‬Дᅿ 2202 Zhang, Ailing (Chang, Eileen), 1920–1995 ‫פ‬Дጘ 2133 Zhang, Baojun ‫צ‬նᅿ 2012 Zhang, Boqing ‫א‬ᓱ‫ݙ‬ 0184 Zhang, Changyan ‫פ‬ቾ໏ 0008, 0024, 0025, 0245, 0281, 0475, 0571, 0594, 0595, 0674, 0718, 0968, 1270, 1281, 1324, 1475, 1565, 1702, 1891, 2440, 2715, Zhang, Che (Chang, Cheh), 1923–2002 ‫פ‬๜, 1923–2002 1200, 1510, 1935, 1936 Zhang, Chonggeng ‫פ‬Գน 2117, 2366 Zhang, Dachun ‫פ‬Ͻࡇ 2367 Zhang, Guoqing ‫פ‬лদ 0801 Zhang, Guangdou ‫ׇפ‬૓ 2368 Zhang, Guangzhi ‫޺ܰפ‬ 0917, 1049 Zhang, Jian ‫࡬פ‬ 0176, 0802, Zhang, Jiani (Chang, Chia-ni) ‫פ‬ဓ᫻ 0378, 1651 Zhang, Jingbei ‫פ‬ᑽᲅ 0779, 0803, 0832, 0833, 1719, 1720, 1742, 1829, 1830, 1850, 1999 Zhang, Jingyi (Chang, Ching-yi) ‫ݕפ‬ជ 1601, 1621, 2458 Zhang, Juemin ‫פ‬ң‫ھ‬ 1073–1075 Zhang, Junxiang ‫צ‬Ằፖ 0040 Zhang, Kerong ‫ิࡽצ‬ 1828 Zhang, Li ‫צ‬Ҩ 0663

Author Index

Zhang, Liqun ‫߹פ‬ळ 2369 Zhang, Manjuan ‫פ‬ᅸᥱ 2333 Zhang, Meiyao, 1941– ‫פ‬Ѥᴽ, 1941– 2022 Zhang, Min ‫ھצ‬ 1070, 2079 Zhang, Mingyu ‫פ‬Ҵർ 1076, 1077, 2075, 2076, 2370 Zhang, Naxin ‫צ‬ᅡᰧ 1989, 1990 Zhang, Qinyun ‫פ‬ቦ᭲ 0008, 0107, 0245, 0281, 0571, 0572, 0674, 0718, 0968, 1270, 1281, 1324, 1475, 1563, 1664, 1702, 2440, 2715 Zhang, Qiuli ‫ܡ␒פ‬ 2393 Zhang, Ruilan (Chang, Jui Lan) ‫פ‬ᇳ୪ 0548, 1602 Zhang, Ruilin ‫צ‬ᇳᰕ 0189 Zhang, Shenzhi ‫פ‬ዌҏ 0966 Zhang, Shilun (Chang, Shih-lun) ‫פ‬Ԓൔ 0476, 1047 Zhang, Shufen ‫פ‬ᎂᐇ 0381, 0477, 1048, 1206, 2557 Zhang, Shusheng ‫᠁פ‬Т 2258 Zhang, Weiguo ‫פ‬໖л 1928 Zhang, Wugong ‫ેפ‬௫ 0958 Zhang, Xiaohong ‫פ‬Щᅋ 0903, 1365 Zhang, Xinyi ‫פ‬Ҟच 2371 Zhang, Xuan ‫⬰צ‬ 2013

Zhang, Yi (Chang, Yi), 1951– ‫פ‬ᗥ, 1951– 2153 Zhang, Yinghui ‫׏צ‬ሒ 1180 Zhang, Yingjin 0048, 0084, 0181, 0402, 1201, 1950, 1951, 1201 Zhang, Yinting ‫פ‬᱘ᑢ 2624 Zhang, Yiyang ‫צ‬၍෾ 0476a, 1602a, 1930 Zhang, Yongxiang, 1929– ‫ݖפ‬ፖ, 1929– 0881, 2372–2385 Zhang, Yupei (Chang, Yu-pei) ‫פ‬ർႬ 1451, 1603, 1652 Zhang, Yutian ‫ەפ‬೧ 0182, 1511, 2556 Zhang, Zengze, 1930– ‫߲פ‬෹, 1930– 1940 Zhang, Zhewei (Chang, Che-Wei) ‫פ‬Ꮋ‫ۆ‬ 2625 Zhang, Zhichao ‫޺פ‬ս 2222 Zhang, Zhijing (Chang, Chih-ching) ‫פ‬ᆙ᪦ 1278 Zhang, Zhiliang ‫פ‬ҏ݊ 2386 Zhang, Zhiyong ‫࢑פ‬ର 2387 Zhang, Zilhong ‫פ‬жᮜ 2388 Zhang, Zongxiong ‫פ‬ᅓ೰ 0525 Zhao, Guohong ᕿлᒩ 0541, 2419 Zhao, Liangjun ᕿમẮ 2389 Zhao, Mei ᖀᄮ 1991 Zhao, Qibin ᕿ⓭ᝯ 2390

507

Zhao Qibing ji nian wen ji bian ji wei yuan hui ᕿ⓭ᝯઔ݉ҹओഹফణ‫؂‬Ͼ 2077 Zhao, Shiguang ᕿࡲ‫ׇ‬ 0214 Zhao, Tinghui ᕿ៴ሓ 0858, 0883, 1203, 1264, 1536, 1653 Zhao, Xueyong ᖀѺର 0379, 1202 Zhao, Yugang ᕿർᐻ 2391 Zheng, Binghong ቼ᳉᜞ 0380, 0804 Zheng, Deqing ቼख़দ 0096, 0216, 0288, 0649, 1747 Zheng, Fang ቼӵ 2014 Zheng, Guijin ቼਰѵ 0608, 1279, 1292, 1340 Zheng, Jiashi ቼဓஉ 1204, 2591, 2626, 2688 Zheng, Peikai ችഷᏐ 0887, 1822 Zheng, Peipei, 1946– ቼႬႬ, 1946– 0904, 1831 Zheng, Shengfu ቼ਱ਜ਼ 2173, 2191 Zheng, Shusen ቼகာ 0454, 0455, 0771, 0772, 0984, 0985, 1032, 1033, 1591, 1592 Zheng, Taicheng ቼ೉ᵮ 1517, 1521 Zheng, Wanxiang ቼ։‫ܫ‬ 1512, 2689 Zheng, Xuelai ችઞϱ 0013–0016 Zheng, Yifang (Cheng, Yi-Fang) ቼፐᇙ 2627 Zheng, Yujing ቼർ᪦ 0749, 1645, 2492

Author Index

Zheng, Zhaoqiang ቼᘻ‫ל‬ 2330 Zhong, Lei ፼๥ 0183 Zhong, Ling ፼ጘ 1782 Zhong, Qiao ߀ᑑ 0090, 1659 Zhong yang dian ying gong si See Zhong yang dian ying shi ye gu fen you xian gong si Zhong yang dian ying shi ye gu fen you xian gong si Ѕ႑Ӈ‫ؙ‬Ѩ‫׬‬੦‫ڤ‬ϩࡳԍ‫ޅ‬ 0028, 0498, 0502, 0506–0508, 0923, 0924, 1746, 2361 Zhong yang yan jiu yuan wen zhe yan jiu suo Ѕ႑୳ૢࡨҹᎻ୳ૢӛ 0437, 1027 Zhong ying See Zhong yang dian ying shi ye gu fen you xian gong si Zhong ying zhi pian qi hua bu Ѕ‫ؙ‬३әఌ੿‫ח‬ 0924 Zhong zhi See Zhongguo dian ying zhi pian chang Zhongguo dian ying chu ban she Ѕмӈ‫ؙ‬о‫ؗ‬घ 2639 Zhongguo dian ying jia xie hui Ѕмӈ‫ؙ‬р൓Ͽ 1209, 1695, 1852 Zhongguo dian ying jia xie hui dian ying shi yan jiu bu Ѕмӈ‫ؙ‬р൓Ͽӈ‫ؙ‬੗୳ૢ‫ח‬ 1695 Zhongguo dian ying ping lun xue hui Ѕмӈ‫ڹؙ߯‬ѺϿ 0043, 1968 Zhongguo dian ying tu shi bian ji wei yuan hui ЅлӇ‫ؙ֖‬੗ഹফణ‫؂‬Ͼ 0190 Zhongguo dian ying yi shu yan jiu zhong xin ЅлӇ‫ؙ‬ਲफ୳ૢЅК 0191 Zhongguo dian ying zhi pian chang ЅлӇ‫ؙ‬३әྃ 0486, 0487, 0919 Zhongguo dian ying zi liao guan Ѕмӈ‫ࢧޝؙ‬క 0191, 1970, 2660

Zhongguo Tai Gong dian ying yan jiu hui Ѕм‫ݡ‬୯ӈ‫ૢ୳ؙ‬Ͽ 1184 Zhongguo ying ping ren xie hui bian ji wei yuan hui Ѕл‫ؙ߰‬Ϫ൒Ͼഹফణ‫؂‬Ͼ 0790 Zhonghua Minguo dian ying nian guo ji tui guang zu Ѕ‫ھܓ‬лӇ‫ؙ‬ёлগԐܰ६ 0150, 0757, 1395, 1712 Zhonghua Minguo dian ying shi ye fa zhan ji jin hui Ѕ‫ھܓ‬лӇ‫ؙ‬Ѩ‫׬‬чࣁऴ‫ؖ‬Ͼ 0188, 0382, 1205, 1711, 2487, 2490 Zhonghua Minguo dian ying xi ju xie hui Ѕ‫ھܓ‬лӇ‫ঁؙۚ‬൒Ͼ 0054, 2475 Zhonghua Minguo ji lu pian fa zhan xie hui Ѕ‫ھܓ‬лઔ࠷әчࣁ൒Ͼ 0584, 2502 Zhonghua Minguo ying xiang yun dong xie hui Ѕ‫ھܓ‬л‫ؙ‬Ռ‫ػ‬ҁ൒Ͼ 0585, 0586, 2503, 2504 Zhonghua xue shu yuan Ѕ‫ܓ‬ѹफࡨ 0983, 2552 Zhou, Beiji ‫ر‬ᲅᮮ 0019 Zhou, Bin ‫ر‬ᭌ 1210 Zhou, Fumei ‫ࣥر‬Ѥ 0605 Zhou, Jiarong ‫ر‬рึ 0059, 0217, 1062, 2721 Zhou, Jufang (Chou, Chu-fan) ‫ر‬Ꮥᇙ 1426, 2488 Zhou, Lijun ‫ݲ߹ر‬ 0988 Zhou, Liming ‫ر‬ሑҴ 0069, 0805, 1211 Zhou, Naizhong ‫ر‬ᑏᇝ 2244 Zhou, Qixing ‫ر‬ൠҲ 0806 Zhou, Teng ‫ر‬౵ 2254, 2392

508

Zhou, Tianwang ‫ر‬ϳᆑ 2187 Zhou, Xujiang ‫ر‬᯾࢖ 2393, 2394 Zhou, Yanmou ‫ر‬ᆜጚ 1307 Zhou, Yanzi ‫ر‬Ἳж 0807, 2110, 2395 Zhou, Yichang ‫ر‬ፐቾ 2369 Zhou, Yingxiong ‫߭ر‬೰ 0956, 1596 Zhou, Zhiping 0192 Zhu, Jian ᗌহ 1993 Zhu, Liying ᗌው߭ 0062, 1329 Zhu, Shiyu (Chu, Shih-yu) ᗌஉ⡹ 0865 Zhu, Tianwei ᗌϳᮄ 2644 Zhu, Tianwen (Chu, T’ien-wen), 1956– ᗌϳҹ, 1956– 0459, 0478, 0826, 0827, 0849, 0850, 0854, 0860–0862, 0911, 0925, 0926, 1776– 1778, 1900, 1901, 2081–2085, 2163, 2295, 2296, 2307, 2397–2403, 2405, 2718 Zhu, Wenjun ࢇҹᅿ 0639, 1942, 2713 Zhu, Xiaocang ᗌ឴ፄ 0987 Zhu, Yu ᗌሞ 2275 Zhuang, Ling ບࢼ 0193, 0959 Zhuang, Yongjian ບ᳀ࠃ 2150 Zhuang, Yongkang ນ‫ࣉݖ‬ 0808 Zhuo, Bojia ᅤᐑဓ 0367, 1168

Author Index

Zhuo, Botang ᅤᐑἙ 0412, 0413, 0708, 0709, 1013, 1014, 1761, 1762 Zhuo, Hongshun 懖ᒩॄ 2404

Zhuo, Shan ᅤᦸ 2562, 2690 Zhuo, Youcong (Cho, Yu-tsang) ᅤᏖㆊ 1622, 2628 Zou, Jianwen ểࠃҹ 0001

509

Zou, Nianzu (Tzou, Nian-tsu) ề݉ྥ 1266, 2593, 2728 Zou, Xinning ềಶો 0383 Zuo, Guifang ਅᄉᇙ 0488, 1885

Title Index

1989–2006 Di shi ni jing dian tong hua zai Taiwan de xiao fei yu yun yong = The consumption and application of Disney classical animation between 1989 and 2006 in Taiwan 1989–2006ၔࡲ৸ҬਹҁޫϨ‫ݡ‬ஹϡ‫ٮ۽‬ӿ‫ػ‬ѓ = consumption and application of Disney classical animation between 1989 and 2006 in Taiwan 0518, 1240 1993 National Film Year Taiwan, ROC: Hou Hsiao-Hsien 0420, 1764 1994 Taibei Jin Ma ying zhan zhuan ti te kan; “duan lie” yu “fu he”: zhan wang jiu shi nian dai zhongguo dian ying = 1994 Taipei Golden Horse Film Festival special programs: perspective of Chinese cinemas of the 90s 1994 ‫ئ֤֟ࣁؙެؖܚݡ‬ᑂ; “ऄი” ӿ “࣢ׁ”: ࣁֳ90ё‫ڊ‬Ѕл Ӈ‫ = ؙ‬1994 Taipei Golden Horse Film Festival special programs: perspective of Chinese cinemas of the 90s 0321, 1092, 2476 1997 Tamaki Ogawa = Ogawa Tamaki “1997” 1997 Tamaki Ogawa = 叛ඇ䫐䫯䪾䦯1997䦰 2039 2000–2010 nian Taiwan dia ying yu gao pian yan jiu yu mo shi tan qiu = The study of 2000–2010 Taiwan movie trailers and model exploration 2000–2010 ё‫ݡ‬ஹӇ‫ؙ‬ভ‫ݍ‬ә୳ૢӿথܴ෬ؒ = The study of 2000–2010 Taiwan movie trailers and model exploration 1247, 2629 2000–2010 Taiwan nu dao yan yan jiu: ta, ju qing pian, tan hua lu 2000–2010 ‫ݡ‬ஹѽ࣒ࠟ୳ૢ: ԧ, ঁєә, ডҧ࠷ 1627, 1697a 2000 Taiwan dian ying wen hua di tu 2000 ‫ݡ‬ஹӇ‫ؙ‬ҹ٩с֖ 0322, 2495 2000 wen hua ji lu pian guan mo yan tao ying zhuan kan / Xing zheng yuan wen hua jian she wei yuan hui zhu ban; Taibei dian ying xie hui ce hua zhi xing 2000 ҹ٩ઔ࠷ә޲ಎ୳क़ॺ֟ᑂ / Ҳूࡨҹ٩ࠃ‫ޗ‬ణ‫؂‬ϾҰ‫;ދ‬ ‫ܚݡ‬Ӈ‫ؙ‬൒Ͼ೫੿వҲ 0552 2001 du li zhi pian yu ji lu pian guo ji xue shu yan tao hui ji nan fang ying zhan lun wen ji / Zhu ban dan wei: Guo li Tainan yi shu xue yuan yin xiang yi shu ke ji duo mei ti zhong xin 2001 ‫߹ݻ‬३әӿઔ࠷әлগѹफ୳क़Ͼ᠕۪Ҥ‫ںࣁؙ‬ҹओ / Ұ ‫֧؁ދ‬: л߹‫۪ݡ‬ਲफѹࡨ‫ٸ‬Ռਲफ॓৔Є෪ՂЅК 0553

2002–2007 Taiwan dian ying wen hua xie hui ji shi = Chronicle of the Taiwan Film & Culture Association 2002–2007‫ݡ‬ஹӇ‫ؙ‬ҹ٩൒Ͼઔ࠷ = Chronicle of the Taiwan Film & Culture Association 0514 2005 International forum and workshop for film preservation and conservation See Ying xiang sui yue: 2005 ying pian bao cun xiu hu guo ji yan tao hui ji gong zuo fang lun wen gao ji = 2005 International forum and workshop for film preservation and conservation 2005 nu tong zhi de sheng xia pai dui Yazhou La Zi ying zhan = Asian Lesbian Film and Video Festival / Taiwan xing bie ren quan xie hui 2005 ѽӎ࢑ϡഄॼ൨хਐರࠁж‫ = ࣁؙ‬Asian Lesbian Film and Video Festival 0612 2005 Taiwan guo ji min zu zhi ying zhan: jia de bian zou = Taiwan international ethnographic film festival; Family Variations 2005 ‫ݡ‬ஹлগ‫ھ‬ఓ௨‫ ࣁؙ‬: рϡԺᄊ = Taiwan international ethnographic film festival ; Family Variations 0609, 1335, 2509 2006 Dao dai jiu ying chong xian: Ying pian bao cun xiu hu guo ji yan tao hui ji ren cai duan qi pai xun ji hua yan xi shou ce = International symposium and short-term training for film preservation and restoration compilation of essays 2006 ࡒծ଒‫ؙ‬Գѳ: ‫ؙ‬ә‫ࣆࢗࡖخ‬лগ୳क़Ͼ᠕Ϫҥߦ‫׈‬ഷਗ‫ذ‬ ޫ୳‫܄‬Ѳೠ = International symposium and short-term training for film preservation and restoration compilation of essays 2691 2007 Taizhong xue yan tao hui: dian ying wen hua pian lun wen ji 2007‫ݡ‬Ѕѹ୳क़Ͼ: Ӈ‫ؙ‬ҹ٩ࢡ‫ں‬ҹओ 0070, 0226, 1537 2008 dian ying tu wen bao cun wei hu shou ce 2008 Ӈ‫ؙ֖‬ҹ‫ࣆۆࡖخ‬Ѳೠ 0050, 2692 2008 he zuo zhi pian hui yi = Film & TV co-production meeting 2008 ׁӑ३әϾ৶ = Film & TV co-production meeting 1606, 2661 2008 nian ying pian yu fang xing bao hu shou ce 2008 ё‫ؙ‬әভࣃԛ‫ࣆخ‬Ѳೠ 0051, 2693 2008 ying yin shu wei hua gong zuo shou ce 2008 ‫ُ֧ٸؙ‬٩֞ӑѲೠ 0049, 2694

511

Title Index

After Hou Hsiao Hsien and Tsai Ming Liang: A case study of promotion of Taiwan cinema in France = ᢡᖮᐊӿᓥҴ݊ҏћ: ‫ݡ‬ஹӇ‫ؙ‬ҿ֚лҲઍҏ୳ૢд໯ 2463, 2612 Ai de yu mao zai piao ДϡሞࢂϨ൳ 2090 Ai kan dian ying de ren ДЃӇ‫ؙ‬ϡϪ 0778 Ai, li xiang, yu lei guang: wen xue dian ying yu tu di de gu shi / Li Zhiqiang deng zhuang shu; Xing zheng yuan wen hua jian she wei yuan hui ce hua zhu ban Д, ԑЂ, ӿौ‫ׇ‬: ҹѹӇ‫ؙ‬ӿगсϡ‫ݞ‬Ѩ / ଽ࢑ᨋҳ᫃਎; Ҳूࡨ ҹ٩ࠃ‫ޗ‬ణ‫؂‬Ͼ೫੿Ұ‫ދ‬ 1374 Ai qing gu shi dian ying ji (nan ren pian) Дє‫ݞ‬ѨӇ‫ؙ‬ओ (ԲϪࢡ) 0685 Ai qing gu shi zhi Дє‫ݞ‬Ѩҏ 0685 Ai qing shi zi lu Дє֐‫ܒ‬բ 2212 Ai qing wan sui: Cai Mingliang de dian ying = Vive l’amour Дє‫ۈݛ‬: ᓥҴ݊ϡӇ‫ = ؙ‬Vive l’amour 0811, 1728, 2111 Ai qing yi er san Дєϣԏѧ 2089 Ai yao zen me zuo: jin nian zui ju zheng yi xing de jin jiang ying pian Дϴ՘В҂: ‫ײ‬ёзࡢৎ৶ԛϡ‫ؖ‬؉‫ؙ‬ә 0755 Ai zai bie xiang de ji jie (di san gao) ДϨԇ൅ϡࡵ‫( ڞ‬ҷѧ፻) 2128 Ajia eiga = Asian movie 䬑䬧䬑ྱࡌ = Asian movie 0071, 1693a Ajia eiga ni miru Nihon 䬑䬧䬑ྱࡌ䫜䫰䫼яӆ 0128 Ajia eiga no s䲖z䲖 oyobi kensetsu (1941) 䬑䬧䬑ྱࡌ䫟ࡶ߃ߵࠃ‫( ޗ‬1941) 0243 Ajia eiga no s䲖z䲖 oyobi kensetsu (2003) 䬑䬧䬑ྱࡌ䫟ࡶ߃ߵࠃ‫( ޗ‬2003) 0244 An ye zhong de zhang deng zhe—Yao Yiwei xian sheng de ren sheng yu xi ju ମ١Ѕϡ௢୥‫—ٷ‬᝻ϣἹ܏ТϡϪТӿۚঁ 2051, 2071 Ang Lee (by Bauer) 1795 Ang Lee (by Chelshire) 1800 Ang Lee (by Mills) 1818

2009 Guo ji shu wei xiu fu ying zhan ji guo ji yan tao hui xue yuan shou ce = 2009 Digital restoration film screenings & symposium 2009 лগُ֧ࢗ࣢‫ࣁؙ‬᠕лগ୳क़Ͼѹ‫؂‬Ѳೠ = 2009 Digital restoration film screenings & symposium 2695 2010 Zhongguo dian ying yi shu bao gao = A report on Chinese film art 2010 Ѕмӈ‫ؙ‬਴भ‫ = ݍۏ‬A report on Chinese film art 0323 2012 8th Taiwan international documentary festival See Taiwan guo ji ji lu pian shuang nian zhan (di 8 jie) = 2012 8th Taiwan international documentary festival 203040 Dian ying quan shu / Guo Yujun zhuan gao 203040 Ӈ‫ؙ‬Ҫ‫ ڣ‬/ ᔕఛᅿ᫃፻ 0809 3ds max 8 dong hua li lun yu she ji 3ds max 8 ҁޫԑ‫ں‬ӿ‫ذޗ‬ 0541, 2419 The 51st Asia-Pacific Film Festival See Di wu shi yi jie Ya Tai ying zhan jie mu shou ce = The 51st Asia-Pacific Film Festival 74, 75 nian you liang dian ying gu shi de jiang zuo pin ji, xi ju cong shu, di si ji 74, 75 ё‫ݿ‬મӇ‫ݞؙ‬ѨЏ؉ӑԘओ, ۚঁᜣ‫ڣ‬, ҷ‫ף‬ফ 2086 A ba de qing ren: ju ben, pai she ji shi ०ࠜϡєϪ: ঁӆ, ‫ޛ‬଄ઔӢ 2280 A chao, qing se dian ying da sou mi A ଎, єաӇ‫ؙ‬Ͻഎ઼ 0517 A Dai ०ഗ 2294 A san ge chu ma ०ѧࢯоެ 2208 A Tai de zi wei ying pan ०೉ϡཎᑤ‫࣪ܞ‬ 2392 Aboluo wen cong ०ம஛ҹᜣ 0932 Action movies segmentation and summarization based on tempo analysis See Yi jie zou fen xi wei ji chu de dong zuo dian ying fen ge yu zhai yao = Action movies segmentation and summarization based on tempo analysis Adapting nineteenth century novels for film and television in the nineteen nineties 1392, 1820 The aesthetics of film editing: art of speech See Dian ying jian jie mei xue: shuo de yi shu = The aesthetics of film editing: art of speech After Hou Hsiao Hsien and Tsai Ming Liang: A case study of promotion of Taiwan cinema in France = Hou Xiaoxian yu Cai Mingliang zhi hou: Taiwan dian ying yu Faguo xing xiao zhi yan jiu fen xi

512

Title Index

Ang Lee und seine filme 1821 Ang Lee und sein Kino Poesie im Grossformat 1797, 1823 Angel talk 2027 Anguang dao ମ‫ޯׇ‬ 2186 Animating the cute, the mean and the beautiful: the production and consumption of animation: Taiwan’s struggles in the age of globalization 0530, 1316, 1354, 1493 Animation in Asia and the Pacific 0526 An annotated bibliography for Chinese film studies = Zhongguo dian ying yan jiu shu mu ti yao An annotated Bibliography for Chinese Film Studies = Ѕмӈ‫ؙ‬ ୳ૢ‫ڪ‬۵٤ϴ 0002, 1102 Antecedents of distribution intensity and box-office in Taiwan’s film industry: Insights from transaction cost analysis, agency theory, and network perspective See Taiwan dian ying ye pei xiao mi du zhi jue ding yin su yu piao fang biao xian: yi jiao yi cheng ben, dai li li lun yu she hui wang luo guan dian tan tao zhi = Antecedents of distribution intensity and box-office in Taiwan’s film industry: Insights from transaction cost analysis, agency theory, and network perspective The antecedents of Taiwan New Cinema: the state of Taiwan film in the 1960s and 1970s 0166, 0309, 0317, 0456, 1181, 1503 Art and new media See Xin mei ti, xin yi shu = Art and new media Ashes of time 2028 Asian cinema: a field guide 0160, 1091 Asian cinema—yesterday, today and tomorrow 0513, 1081, 1283, 2696 The Asian film industry 0116, 2532 Asian folklore and social life monographs = Yazhou min su, she hui sheng huo zhuan kan Asian folklore and social life monographs = ਐರ‫ھ‬ཞ.घϾТ҅ ֟ᑂ 0004, 1120, 1296, 1379, 1553 Asian Lesbian Film and Video Festival See 2005 nu tong zhi de sheng xia pai dui Yazhou La Zi ying zhan = Asian Lesbian Film and Video Festival2005 nu tong zhi de sheng xia pai dui Yazhou La Zi ying zhan = Asian Lesbian Film and Video Festival Asian pop cinema: Bombay to Tokyo 1089 L’Asie à Hollywood 1256, 1397, 1825 The attractive empire: colonial Asia in Japanese imperial film culture, 1931–1953 0235, 1093

The attractive empire: transnational film culture in imperial Japan 0236, 1094 Ba ba, wo hai xiang wan ࠜࠜ, ϢУЂ։ 2066 Ba ba, wo yao xiu xue / Xiaoye, Li Ya ࠜࠜ, Ϣϴࣤѹ 2065 Ba er san pao zhan ࡂԏѧᛤ‫ڕ‬ 0482, 2137 Ba mi li dian ying ࡂܶᐸӇ‫ؙ‬ 2424 Ba mi li dian ying she zhi jing yan tan ࡂܶᐸӇ‫ؙ‬଄३Ҭࡐড 2422 Ba mi li she ying ji qiao ࡂܶᐸ଄‫ؙ‬৔ಌ 2420 Ba shi ba nian du you liang dian ying ju ben ࡂ֐ࡂё֏‫ݿ‬મӇ‫ঁؙ‬ӆӑԘ 2091 Ba shi jiu nian du you liang dian ying ju ben ࡂ֐॰ё֏‫ݿ‬મӇ‫ঁؙ‬ӆӑԘ 2093 Ba shi liu nian du you liang dian ying ju ben ࡂ֐ࡏё֏‫ݿ‬મӇ‫ঁؙ‬ӆӑԘ 2092 Ba shi nian dai Taiwan dian ying zhan ࡂ֐ё‫ݡڊ‬ஹӇ‫ࣁؙ‬ 0324 Ba shi nian dian Taiwan dian ying shi ࡂ֐ё‫ݡڊ‬ஹӇ‫ؙ‬੗ 0376 Ba shi nian you liang dian ying ju ben ࡂ֐ё‫ݿ‬મӇ‫ঁؙ‬ӆӑԘ 2094 Ba shi qi nian du you liang dian ying ju ben ࡂ֐ࢳё֏‫ݿ‬મӇ‫ঁؙ‬ӆӑԘ 2095 Ba shi san nian du you liang dian ying ju ben ࡂ֐ѧё֏‫ݿ‬મӇ‫ঁؙ‬ӆӑԘ 2096 Ba shi si nian du you liang dian ying ju ben ࡂ֐‫ף‬ё֏‫ݿ‬મӇ‫ঁؙ‬ӆӑԘ 2097 Ba shi wu nian du you liang dian ying ju ben ࡂ֐ٚё֏‫ݿ‬મӇ‫ঁؙ‬ӆӑԘ 2098 Ba shi yi nian du you liang dian ying ju ben ࡂ֐ϣё֏‫ݿ‬મӇ‫ঁؙ‬ӆӑԘ 2099 Ba shi zai cang sang hua jiu ࡂ֐ՙፄᇤҧ଒ 1794, 1998 Ba zai zhuang yuan: Cai Guoxian de qian wan chuan qi ဣ௩૬ׄ: ᓥлࣶϡ࡛‫࡞ةݛ‬ 1724

513

Title Index

Backlit by the moon 2029 Backward glances: contemporary Chinese cultures and the female homoerotic imaginary 0619, 1158, 1526, 1643 Bai ge wu yu Ձ៬‫ܭ׉‬ 0462, 1036, 2067 Bai hua piao xue hua piao ՁՐ൳ઞՐ൳ 2101 Bai Ke dao yan ji nian wen ji ji yi zuo xuan ji Ձࡽ࣒ࠟઔ݉ҹओ᠕୾ӑ‫ק‬ফ 1723 Bai nian dian ying shan hui ‫ښ‬ёӈ‫ؙ‬రҘ 0078 Bai nian dian ying shan hui = Film retrospect of a century ‫ښ‬ёӇ‫ؙ‬మҘ = Film retrospect of a century 0079 Bai nian Zhongguo cong shu: 1901–2000 ‫ښ‬ёЅмᜥ‫ڪ‬: 1901–2000 0078 Bai nian Zhongguo dian ying jing xuan ‫ښ‬ёЅмӈ‫שؘؙ‬ 0001 Bai nian Zhongguo dian ying yan jiu shu xi ‫ښ‬ёЅмӈ‫ڍڪૢ୳ؙ‬ 0646 Bai nian Zhongguo shi hua ‫ښ‬ёЅм੗Ҧ 0145, 0267 Bai se zha jiang cao Ձա幉ቤस 2331 Bai wan ge wei shen me: dian ying dian shi ju ‫ݚښ‬ϬЋѮА䩭ӈ‫ؙ‬ӈ؇ঃ 0072 Bai Xianyong wen ji: di wu juan: xi ju, dian ying Ձ܏ରҹओ䩭ҷٚඵ䩭ۜঃ䩟ӈ‫ؙ‬ 0664 Bai Xianyong zi xuan ji Ձ܏ରІ‫ש‬ओ 2056a Bai xue piao xue hua piao Ձઞ੆ઞՐ൳ 2105 Ban shi ji dian ying qing ‫ٻ‬ԒઔӇ‫ؙ‬є 0501, 1682 Bao dao da meng: Taiwan dian ying de qi huan bian jing մޯϽْ: ‫ݡ‬ஹӇ‫ؙ‬ϡ࡞ୀ‫॒נ‬ 0814 Bao dao man po = Formosa Mambo մޯࢿம = Formosa Mambo 0816 Bao gao ban zhang ‫ڡݍڻ‬ӕ 2355

Bao Longtu (you ming: Bai zhi gao qin fu) ‫د‬ह֖ (ҍӜ: Ձௌ‫֪ݍ‬ਜ਼) 2106 Bei qing cheng shi ঳є‫صڵ‬ 0478, 0827, 0850, 0861, 0911, 1776, 2081, 2397 Bei qing cheng shi = A city of sadness ঳є‫ = صڵ‬A city of sadness 2296 “Bei qing cheng shi” de lun shu jian gou—Shi chang xing xiao, lei xing yu li shi xu shi = The construction of “A city of sadness”: Marketing, genre and narrative “঳є‫ ”صڵ‬ϡ‫ں‬਎ࠃภ—‫ص‬ԾҲઍ,ढࡿӿࣵ੗ᡳѨ = The construction of “A city of sadness”: Marketing, genre and narrative 0817, 2594 Bei qing cheng shi: Hou Xiaoxian de yu hui que wu gui bi ঳є‫صڵ‬: ᢡᖮᐊϡᯩ፯‫׌‬ѩ੺೬ See A City of Sadness: Hou Hsiao-Hsien’s elusiveness without evasiveness Bei qing cheng shi: Wu Nianzhen Zhu Tianwen zuo pin ঳є‫صڵ‬: ྶ݉ѐᗌϳҹӑԘ 0459, 0826, 1900, 2080, 2295 Bei qing Tai yu pian ঳є‫ܭݡ‬ә 0289 Bei ying ࠧ‫ؙ‬ 2288 Beitou zui hou yi ban lie che ‫ۄܚ‬зћϣ‫࠶ڡ‬ӝ 2173 “Ben guan dian cang wen wu yan jiu” wei tuo yan jiu an “ӆఖਹেҹ‫ ”ૢ୳׉‬ణኅ୳ૢଈ 0208, 2433, 2697 “Ben guan dian cang wen wu yan jiu” wei tuo yan jiu an (fu lu san: guan cang wen wu dang an) “ӆఖਹেҹ‫ ”ૢ୳׉‬ణኅ୳ૢ ଈ (ป࠷ѧ: ఖেҹ‫׉‬းଈ) 0209, 2434, 2698 Ben niu man fei ෆ఩ߝٞ 2297 Ben tu wen hua shi jian xi lie ӆगҹ٩Ӣᒂ‫࠶ڍ‬ 0386, 1006, 1540, 1607 Ben tu you xian dian shi dian ying pin dao jie mu nei rong gui hua ce lue zhi yan jiu—yi Dong sen, Wei lai wei li = Toward a systematic study of managing movie channels in CATV-Using ETTV and KG’s movie channels as examples ӆगϩ۷Ӈ؆Ӈ‫ࠐؙ‬Ѭ‫ڞ‬۵ֶ‫੿੺ب‬೫ଯҏ୳ૢ—й “ֆာ,” “ᮆϰ” Њຎ = Toward a systematic study of managing movie channels in CATV-Using ETTV and KG’s movie channels as examples 1613 Beng xiang cai hong, Lin Qingxia ౶‫ࠡז‬ᅋ, ৆‫ݙ‬ᎇ 2014 Between penumbrae and shadow: contextualizing transnational queer Chinese cinemas 0624, 1530

514

Title Index

Beyond Orientalism: Identity politics of Asian American diasporic literature 1816 Bian cheng xia ying ‫ؙཱུڵנ‬ 2108 Bian di fa sheng—fan zhu liu ying xiang mei ti yu she yun ji lu ‫נ‬сч‫ބ—ك‬ҰԵ ‫ؙ‬Ռ෪Ղӿघ‫ػ‬ઔ࠷ 0326, 0484, 0554, 1538 Bian yuan bian zheng: dian ying, wen xue yu wen hua pi ping ‫ࢊנ‬ᗙࢮ: Ӈ‫ؙ‬, ҹѹӿҹ٩౓߰ 0801 Bian yuan shi jiao: Wu Qiyan wen ji ‫ࢊנ‬؆ࡠ: ྶԷ᷀ҹओ 0779 Biao yan lun ԣࠟ‫ں‬ 0960 Biao yan yi shu ԣࠟਲफ 0962 Bin fen ban xi lei ᠷ໧‫࠶ڍؗ‬ 0791 Bin fen dian ying si shi chun: Sha Rongfeng hui yi lu ᠷ໧Ӈ‫ࡇ֐ףؙ‬: ૶ึ๢Ҙশ࠷ 0135, 0494, 1883 Bing leng de tai yang ઄ߤϡѿ‫ݷ‬ 2366 Bu gui lu Ϥ஑բ 2258 Bu jian bu san—Cai Mingliang yu Li Kangsheng ϤԊϤ્—ᓥҴ݊ӿଽࣉТ 0832, 0833, 1742, 1850, 1999 Bu jie zi Ϥְ௩ 2109 Bu tu xin shu ӆगЈ‫ڣ‬ 0274, 1192, 1231, 1261 Bu tui se de mai shan: yang ya gong zhu Tang Baoyun Ϥ௕աϡѤ৖: ‫ޘ‬ቑԍҰ࿔մࠥ 2016 Bu tuo wa de ren Ϥ௲ᐞϡϪ 2221 Bu yi yang de jing guan: Gang Tai dian ying yan jiu Ϥϣ҈ϡ࢓޴䩭୯‫ݡ‬ӈ‫ૢ୳ؙ‬ 1210 Bu zhuo ying xiang de ren: Hua Huiying she ying but u wu shi nian ቫ፬‫ؙ‬ՌϡϪ: ‫ܓ‬༫߭଄‫܌ؙ‬ಬٚ֐ё 0979, 2042 Buenos Aires 2030 Cai Mingliang = Tsai Ming-liang ᓥҴ݊ = Tsai Ming-liang 1737

Cai Mengjian xing su ji ᓥ፽ߗ‫ة‬Ҳঈओ 1725 Cai Mengjian zhuan zhen ji ᓥ፽ߗ‫ة‬ѐओ 0496, 1726 Cai Mengjian zhuan zhen xu ji ᓥ፽ߗ‫ة‬ѐ‫۝‬ओ 1727 Cai Mingliang yan jiu = The study of Tsai Ming-liang ᓥҴ݊୳ૢ = The study of Tsai Ming-liang 1740 Cai xia man tian ࠡᎇ‫ٴ‬ϳ 2240 Cai yun fei ࠡࠥٞ 2372 Cang hai cong kan ፄ֋ᜣᑂ 0761 Ce ma ru lin: xie shi wu xia da zhan di yi bu—Lu lin pian ೫ެՊ৆: ܎ӢેཱུϽࣁҷϣ‫—ח‬ੑ৆ࢡ 2332 Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese Cinemas 0616a, 1147a, 1524a A century of Chinese cinema: look back in glory: the 25th Hong Kong International Film Festival, 6–21.4.2001 See Shi ji hui mou: Zhonghua dian ying jiang dian zhan: Di nian wu jie Xianggang guo ji dian ying jie = A century of Chinese cinema: look back in glory: the 25th Hong Kong International Film Festival, 6–21.4.2001 Chambers film factfinder 0052 Chang gong ӕ֞ 2393 Chang qing wan lu / Liu Yi bian ju ӕє‫ݛ‬ᓼ 2215 Chao ba hao mi dian ying = Super 8 CINE ABC սࡂශܶӇ‫ = ؙ‬Super 8 CINE ABC 2428 Chao ba mi li dian ying pai she ji zhi zuo = Super 8 movie սࡂܶᐸӇ‫ޛؙ‬଄ߵ३ӑ = Super 8 movie 2427 Chao qian yu kua yue: Hu Jinquan yu Zhang Ailing = Transcending the times: King Hu and Eileen Chang սӓӿቄք: ഐ‫ؖ‬⠌ӿ‫פ‬Дጘ = Transcending the times: King Hu and Eileen Chang 1779 Chen Zifu dian ying hai bao yan jiu ಴ж‫׫‬Ӈ‫ૢ୳ڻ֋ؙ‬ 2648 Chen Zifu shou hui dian ying hai bao ji = Poster artist Chen Zi Fu ಴ж‫׫‬ѲዻӇ‫ڻ֋ؙ‬ओ = Poster artist Chen Zi Fu 2649

515

Title Index

Chen Zifu shou hui dian ying hai bao shi ji zhi yan jiu = Research on the design of hand-drawn posters of Tzu-Fu Chen ಴жࣥѲዻӇ‫ذޗڻ֋ؙ‬ҏ୳ૢ = Research on the design of hand-drawn posters of Tzu-Fu Chen 2655 Cheng ‫ڵ‬ 2189 Cheng shi zhan shi ‫ࡲڕصڵ‬ 2124 Cheng shi zhan zheng ‫ڕصڵ‬ৎ 2125 Chi jiao tian shi Ꭼऑϳٍ 2281 Chi kuang lao bao bei စ৛ҡմर 2068 Chi zha ying tan shi er xing ᓅᚎ‫ؙ‬ႊ֐ԏլ 1949 China, Hong Kong, and Taiwan: The convergence and interaction of Chinese film 1197 China, my native land See Yuan xiang ren: zuo jia Zhong Lihe de gu shi = China, my native land China on screen: cinema and nation 1096, 1428 The Chinese cinema book 0081, 0313, 0396 Chinese cinema: five bibliographies 0010 Chinese cinemas: history, culture and representation See Zhongguo dian ying: li shi, wen hua yu zai xian = Chinese cinemas: history, culture and representation: Hai xia liang an ji Xiang Gang dian ying fa zhan yu wen hua bian qian yan tao hui lun wen ji Chinese connections: critical perspectives on film, identity, and diaspora 1103, 1241, 1430 Chinese ecocinema: in the age of environmental challenges 1280, 1333, 1629 Chinese film stars 1950 Chinese films in focus: 25 new takers / edited by Chris Berry 0693 Chinese films in focus II 0694 Chinese language cinemas in transnational flux 1182, 1448 Chinese-language film: historiography, poetics, politics 0082, 0397, 0666, 1010, 1057, 1104, 1242, 1293, 1630 Chinese national cinema 0181, 1201 The Chinese patriarch and evolving national identities: Ang Lee’s “Father Knows Best” thematic trilogy 1806

The Chinese silver screen; Hong Kong and Taiwanese motion pictures in the 1960s = Zhongguo dian ying ti yao : yi jiu liu ling nian Taiwan, Xianggang de ying pian The Chinese silver screen; Hong Kong and Taiwanese motion pictures in the 1960s =ЅлӇ‫ؙ‬٤ϴ; ϣ॰ࡏജё‫ݡ‬ஹ,‫ܫ‬୯ϡ‫ؙ‬ә 0004, 1120, 1296, 1379, 1553 Chinese women’s cinema: transnational contexts 0398, 1105, 1344, 1631 Chong tan 80 nian dai xin dian ying Գ෬ࡂ֐ё‫ڊ‬ЈӇ‫ؙ‬ 0389 Chronicle of the Taiwan Film & Culture Association See 2002–2007 Taiwan dian ying wen hua xie hui ji shi = Chronicle of the Taiwan Film & Culture Association Chu ban fa guang bo dian shi fa dian ying fa shi lun о‫֚ܰؗ‬৚Ӈ؆֚Ӈ‫ؙ֚‬ౠ‫ں‬ 2446, 2583, 2725 Chu ban jia cong shu о‫ؗ‬рᜣ‫ڣ‬ 0120 Chu T’ien-wen: writing dedecadence in contemporary Taiwan context 2078 Chuan bo jiao yu cong shu ‫ة‬৚‫ڌ‬ड़ᜣ‫ڣ‬ 0797, 2599 Chuan bo xue yan jiu xi lie ‫ة‬৚ѹ୳ૢ‫࠶ڍ‬ 0858, 0883, 0902, 1185, 1203, 1264, 1361, 1536, 1653, 2465, 2548, 2617, 2685 Chuan qi ji yi de zhen zhu: guo min xi yuan ji Xinzhu dian yang ye kou shu li shi fang tan lu ၌в֮ᏻϡੵ෿: л‫ࡨۚھ‬᠕ЈኵӇ‫ט׬ؙ‬਎ࣵ੗භড࠷ 0197, 2733 Chuan tong yin yue ji lu, ge zai xi juan ‫ٸࢃة‬Ӏফ࠷, ‫ܮ‬௩ۚඵ 1054, 2055, 2637 Chuan yue shi kong de ying xiang: ren shi cai tuan far en guo jia dian ying zi liao guan = Chinese Taipei Film Archive ‫ܕ‬քЖ‫׺‬ϡ‫ؙ‬Ռ: ‫ࡦگ‬੠֚ࣗϪлрӇ‫ࢧޞؙ‬ఖ = Chinese Taipei Film Archive 2699 Chuang jian ta men de kong jian: Li An dian ying Duan Bei Shan zhong de kong jian xing yu xing bie ren tong = Constructing a space of their own: spatiality and gendered identification in Ang Lee’s Brokeback Mountain ࡶࠃјИϡ‫׺‬Ҽ: ଽԥӇ‫ؙ‬ऄࠧ‫ځ‬Ѕϡ‫׺‬Ҽӿԛԇ‫گ‬ӎ = Constructing a space of their own: spatiality and gendered identification in Ang Lee’s Brokeback Mountain 0626, 0831, 1532 Chuang shi ji ࡶԒઔ 0875, 1898 Chuang xin yu guan li: Taiwan dian ying chan ye de jie gou tan suo = Innovation and management 䩭 A structural analysis of Taiwan’s film industry ࡶЈӿ‫܉‬ԑ: ‫ݡ‬ஹӇ‫׬ݗؙ‬ϡְภ෬౱ = Innovation and management 䩭 A structural analysis of Taiwan’s film industry 2562, 2690

516

Title Index

Le cinema taiwanais See Taiwan cinema = Le cinema taiwanais Cinemas and the cities: spatiality in Taiwanese, Mexican, and Iranian urban films 1084, 1544 Cinematic landscapes: observations on the visual arts and cinema of China and Japan 0400, 1106, 1213, 1457 Cinematograph of history: post/colonial modernity in 1930s Shanghai and New Taiwan Cinema since 1982 0410, 1125, 1287, 1434 Cinematography in Taiwan 1945–1970: History and technical development See Taiwan dian ying she ying ji shu fa zhan gai shu 1945–1970 = Cinematography in Taiwan 1945–1970: History and technical development Cinephilie 1755 A city of sadness = ঳є‫صڵ‬ 0823 A City of Sadness: Hou Hsiao-Hsien’s elusiveness without evasiveness 0479, 0820, 1461, 1752 Close/d encounters with Orchid Island: A study of “Voice of Orchid Island,” “Libangbang,” and “Deliver Us from Evil” 0576, 1272, 1338 A cloud in trousers 2031 Collection Essais 0406, 1756 Colonialism and its counter-discourses: On the uses of “nation” in modern Taiwanese literature and film 0473, 1046, 1291, 1402, 1508, 1774 Colonialism and nationalism in Asian cinema 0239, 0401, 1107, 1269, 1286, 1432, 1463 A companion to Chinese cinema 0084, 0402 Concise Chinese film chronicle: through still photographs See Zhongguo dian ying jian shi—ju zhao pian / Di 26 jie Taibei Jin Ma guo ji ying zhan = Concise Chinese film chronicle: through still photographs Conflicts between love and family relationships in Chinese films 1179, 1501, 1590 Confronting modernity in the cinemas of Taiwan and Mainland China 0356, 0434, 1025, 1155 Cong chuan tong zhong du li—fen xi Taiwan ji lu pian nu dao yan de chuang zuo huan jing ԩ‫ࢃة‬Ѕ‫—߹ݻ‬д໯‫ݡ‬ஹઔ࠷әѽ࣒ࠟϡࡶӑࢰ॒ 0351, 0573, 0633, 1637, 1703, 2708 Cong dian ying de quan qiu hua sheng chan yu xiao fei jie gou fan dao ban de mi si yu kun jing—yi Taiwan de dian ying shang pin shi chang wei li = From Global Production and Consumption to deconstruct the difficultly and confusion of Anti-piracy—the assumption of movie product of Taiwan market ԩӇ‫ؙ‬ϡҪ‫ܧ‬٩Т‫ݗ‬ӿ‫ثٮ۽‬ภ‫ބ‬ᅟ‫ؗ‬ϡࣿ‫ڽ‬ӿ੡॒—й‫ݡ‬ஹϡ Ӈ‫࠱ؙ‬Ԙ‫ص‬ԾЊຎ = From Global Production and Consumption to deconstruct the difficultly and confusion of Anti-piracy—the assumption of movie product of Taiwan market 1364, 1600, 2457

Ch䲚goku eiga no 100-nen Ѕмྱࡌ䫟100ё 0133 Ch䲚goku eiga no bunka jinruigaku Ѕмྱࡌ䫟ҹ٩ϪढѺ 1162, 1282, 1581 Ch䲚goku eiga o yomu hon Ѕмྱࡌ䬃媠䫱ӆ 0095, 0341 “Ch䲚goku, Honkon, Taiwan” Ch䲚ka den’ei: yomimono d䲎 ta bukku : Ajia-teki den’ei sekai 䦫Ѕмί‫ܫ‬୯ί‫ݡ‬ළ䦬Ѕ‫ܓ‬Ӈ‫ؙ‬: 媠䫰‫׉‬䬶䴈䬮䭅䬲䬞: 㙔࢜㙔 ϡӇ‫ؙ‬Ԓ֎ 1119 Chun hua meng lu wu shi nian—Tai yu pian xue shu yan tao hui lun wen yi ࡇՐْਗ਼ٚ֐ё—‫ܭݡ‬әѹफ୳क़Ͼ‫ں‬ҹओ 0285 Chun hua meng lu: zheng zong Tai yu dian ying xing shuai lu ࡇՐْਗ਼: Ԝᅓ‫ܭݡ‬Ӈ‫ࣱؙ‬ᆽ࠷ 0302 Chun hui cong shu ࡇᲉᜣ‫ڣ‬ 0950 Chungguk yonghwasa 0113, 1142 Ci Ling ying xiang gai nian shu: liu dong yu sha mo de guang, ying, chuan qi ଱ᒆ‫ؙ‬Ռม݉‫ڣ‬: Եҁӿ૶ဴϡ‫ׇ‬, ‫ؙ‬, ‫࡞ة‬ 0834 Ci man wang ଱໲ࣼ 2126 Ci wen hua ying xiang wen hua xi lie ҋҹ٩‫ؙ‬Ռҹ٩‫࠶ڍ‬ 0730 Ciné kung fu 0644 Cinedossier: The 34th Golden Horse Award-winning films See Dian ying dang an: di san shi si jie Jin Ma Jiang de jiang ying pian = Cinedossier: The 34th Golden Horse Award-winning films Le cinema asiatique: Chine, Coree, Japon, Hong Kong, Taiwan 0085 Le cinema d’Edward Yang 0405, 1914 Il cinema dell’Estremo Oriente: Cina, Corea del Sud, Hong Kong, Taiwan dagli anni Ottenta a oggi 0087, 1110 Le Cinéma japonais 0264, 1222 The cinema of Ang Lee: the other side of the screen 1803 The Cinema of small nations 0083, 1086 The cinema of Taiwan: national identity and political legitimacy 1449, 1492 Cinema Taiwan: politics, popularity and state of the arts 0331, 0967, 1462, 1550

517

Title Index

Cong dian ying kan ren sheng ԩӇ‫ؙ‬ЃϪТ 0794 Cong “Jie shou li lun” tan tao Taiwan dian ying zhi zi mu fan yi: yi “Yin shi nan nu” wei li = An exploration of the subtitle translation of Taiwanese movies using the Reception Theory: using “Eat Drink Man Woman” as an example ԩ “‫ב‬իԑ‫ ”ں‬෬क़‫ݡ‬ஹӇ‫ؙ‬ҏ‫ࢬ௷ܒ‬ፆ: й “ୗ‫ې‬Բѽ” Њຎ = An exploration of the subtitle translation of Taiwanese movies using the Reception Theory: using “Eat Drink Man Woman” as an example 0922, 2729 Cong Min Sheng Zhu Yi Yu Le liang pian bu shu lun wo guo dian ying shi ye—xian jie duan dian ying zheng ce zhi yan jiu ԩ‫ھ‬ТҰचड़ӀҔࢡਣ਎‫ں‬ϢлӇ‫ؙ‬Ѩ‫—׬‬ѳ႓‫ݫ‬Ӈ‫ूؙ‬೫ҏ ୳ૢ 1500, 2447, 2584 Cong Taiwan dian ying zhi fang yan yu wen hua ci de ying yi jian shi zi mu yi zhe de jue se: yi Hou Xiaoxian de dian ying wei li = The role of a subtitler in the translations of dialects and cultural terms in Taiwan Cinema: a case study of Hou Hsiao-hsien’s films ԩ‫ݡ‬ஹӇ‫ؙ‬ҏҤߞӿҹ٩୬ϡ߭ፆഛ؆‫௷ܒ‬ፆ‫ٷ‬ϡࡠա: йᢡ ᖮᐊϡӇ‫ؙ‬Њຎ = The role of a subtitler in the translations of dialects and cultural terms in Taiwan Cinema: a case study of Hou Hsiao-hsien’s films See The role of a subtitler in the translations of dialects and cultural terms in Taiwan Cong Tangmu Qiongsi dao tiao hui—Zhang Jian ying ping ji ԩ௡ᏛᬆটϺ੩ී—‫ؙ߰࡬פ‬ओ 0802 Cong xin kan dian ying ԩКЃӇ‫ؙ‬ 0793 Cong xin lang chao zhi hou xian dai = From the new wave to the postmodern ԩЈ‫ع‬଎۠ћѳ‫ = ڊ‬From the new wave to the postmodern 0691 Cong yu qiu li yi guan dian tan tao Taiwan dian ying zhi shi chang qu ge—yi Meiguo dian ying wei yan jiu dui xiang = A study of Taiwan’s movies market segmentation from a benefitseeking perspective: a case study of American movies ԩ௰ؒ۱೯޲ѡ෬क़‫ݡ‬ஹӇ‫ؙ‬ҏ‫ص‬Ծ߅ഭ—йѤлӇ‫ؙ‬Њ୳ૢ хࢣ= A study of Taiwan’s movies market segmentation from a benefit-seeking perspective: a case study of American movies 1252, 1577, 2608 Cong Zhongguo dian ying fa zhan ce lue kan Taiwan dian ying jin ru Zhongguo shi chang zhi ji hui yu tiao zhan ԩЅлӇ‫ؙ‬чࣁ೫ଯЃ‫ݡ‬ஹӇ‫ؙ‬ՔՊЅл‫ص‬ԾҏҚϾӿख‫ڕ‬ 1204, 2591, 2626, 2688 Contemporary Asian cinema: popular culture in a global frame 1085 Crossing waves: documenting Taiwan in the 1990s 0060 Cui can guang ying sui yue: Zhong yang dian ying gong si ji shi ᪋ᩴ‫֊ۈׇؙ‬: Ѕ႑Ӈ‫ؙ‬ԍ‫ޅ‬ઔѨ 0505 Cui gu qing tian ᘓ໥෷ϳ 2190

Cultural and social change in Taiwan: society, cinema, and theater 1302, 1491, 1583 Cultural hybridity in the age of globalization: a case study of Ang Lee’s “Crouching Tiger, Hidden Dragon” 0901, 1346 The current situation of film music of Taiwan under the industry and the analysis of the politics and economics: 1960–2005 See Wen hua gong ye xia de Taiwan dian ying yin yue fa zhan xian kuang yu zheng zhi jing ji fen xi: 1960–2005 = The current situation of film music of Taiwan under the industry and the analysis of the politics and economics: 1960–2005 Da dao yan—Li An de gu shi Ͻ࣒ࠟ—ଽԥϡ‫ݞ‬Ѩ 1799 Da dao yan Li Hanxiang Ͻࣔࠟଽᲆፖ 1835 Da di niu lang Ͻсܵᅦ 2391 Da gui jiu fu Ӌ૤ષਜ਼ 2259 Da han wen ku Ͻఈҹᆞ 0957, 2452, 2622 Da jia lai kan lao dian ying: dian ying zi liao guan bao hu ying pian cheng guo xun hui zhan ϽрϰЃҡӇ‫ؙ‬: Ӈ‫ࢧޞؙ‬ఖ‫ؙࣆخ‬әюҝ፶፯ࣁ 0086, 2700 Da jiao niang zi Ͻऑਔж 2138 Da lu Taiwan wen hua lun tan: xin dian ying yu xian dai xing Ͻ૔‫ݡ‬ஹҹ٩‫ں‬Ⴋ: ЈӇ‫ؙ‬ӿѳ‫ڊ‬ԛ 0357, 0435, 1026, 1156 Da luo san xiang bao de xing (Zhang Ying ju zuo ji)—Zhang Ying dui Taiwan ying ju de gong xian Ӌᨇѧ৘‫د‬ЏҲ (‫ঁ߭פ‬ӑओ)—‫߭פ‬х‫ݡ‬ஹ‫ঁؙ‬ϡᕠຶ 1939 Da tong qi ling Ͻ֡᳑ਘ 2170 Da tou zai ϽӰ௩ 2130 Da xue cong shu Ͻѹᜣ‫ڣ‬ 0998, 1616 Da zao ying yin chan ye 101: mei ti wen hua chan ye / tou zi jiang li yu fu dao cuo shi Ӌ߃‫ ׬ݗٸؙ‬101: ෪Ղҹ٩‫׬ݗ‬/ ‫ޞۄ‬؉ಽӿᔆ࣒ᇯැ 1464, 2521, 2563, 2720 Da zhang fu chu chai (Zhong Ying wen dui bai ben); Long de xin Ͻ࿆ਜ਼оई (Ѕ߭ҹхՁӆ); हϡК 2127 Da zhong chuan bo cong shu Ͻੁ‫ة‬৚ᜣ‫ڣ‬ 0088

518

Title Index

Da zhong chuan bo lun cong Ͻੁ‫ة‬৚‫ں‬ᜣ 1367, 1614 Dai Li yu Hu Die qing shi feng yun ඕ╕ԁഐႵє੗ը࠭ 1978 Dai shu nan ren: dian ying ju ben yu mu hou ren yu ೂ࿿ԲϪ: Ӈ‫ঁؙ‬ӆӿ௷ћϪ‫ܭ‬ 0835, 2193 Dai zhe dian ying qu san bu = Walking with the movies ծЯӇ‫ؙ‬Ч્‫ = ܌‬Walking with the movies 0734 Dan che yu wo ‫؁‬ӝӿϢ 2269 Dan dao shuang bu da—yi bu lai zi Jinmen de bai xing dian ying ‫؁‬Ӌ‫ד‬ϤӋ—ϣ‫ח‬ϰІ‫ؖ‬՞ϡ‫ښ‬࿲Ӈ‫ؙ‬ 0561, 0630, 0836, 1465, 2132, 2705 Dang dai Gang Tai dian ying: 1988–1992 Ԅ‫ڊ‬୯‫ݡ‬Ӈ‫ؙ‬: 1988–1992 0335, 1111, 1116, 2496 Dang dai Gang Tai dian ying: 1993 Ԅ‫ڊ‬୯‫ݡ‬Ӈ‫ؙ‬: 1993 0336, 1112, 2497 Dang dai Hua yu dian ying lun shu Ԅ‫ܭܓڊ‬Ӈ‫ںؙ‬਎ 0352, 1147 Dang dai shi jie dian ying dao yan Ӿ‫ڊ‬Ԓ֎ӈ‫ؙࠟࣔ‬ 1700 Dang dai Taiwan dian ying: 1949–2007 = Contemporary Taiwanese film studies Ӿ‫ݡڊ‬ළӈ‫ؙ‬䩭1949–2007 = Contemporary Taiwanese film studies 0146 Dang dai xiao shuo jia Ԅ‫ڊ‬ЩМр 2083 Dang dai Zhongguo bai xing Ӿ‫ڊ‬Ѕм‫ښ‬լ 1952 Dang dai Zhongguo dian ying: 1994 Ԅ‫ڊ‬ЅлӇ‫ؙ‬: 1994 0332, 1113, 2498 Dang dai Zhongguo dian ying: 1995–1997 Ԅ‫ڊ‬ЅлӇ‫ؙ‬: 1995–1997 0333, 1114, 2499 Dang dai Zhongguo dian ying: 1998 Ԅ‫ڊ‬ЅлӇ‫ؙ‬: 1998 0334, 1115, 2500 Dang dai Zhongguo dian ying xuan du: Zhongguo ce ying: xian dai han yu gao ji du ben Ӿ‫ڊ‬Ѕмӈ‫ࢴשؙ‬䩭Ѕмᄬ‫ؙ‬䩭Ѵ‫ڊ‬ఉ‫ܬ‬ҙٛࢴӆ 0192 Dang dian ying ai shang gu dian yue ԄӇ‫ؙ‬ДϼࣲਹӀ 1420 Dang dian ying yu shang jue shi ԄӇ‫߁ؙ‬ϼᡯࡲ 1411

Dang qian Taiwan dian ying gong ye de Zheng zhi jing ji fen xi = The Taiwan film industry (1989—1993): a political economic perspective Ԅӓ‫ݡ‬ஹӇ‫׬ؙ֞‬ϡू੽Ҭ௵д໯ = The Taiwan film industry (1989—1993): a political economic perspective 1318, 1502, 2614 Dao guang xia ying meng tai qi: Zhongguo wu xia dian ying lun ఋ‫ྤؙྣׇ‬ѿ࡞䩭Ѕмેྣӈ‫ڹؙ‬ 0645 Dao wen ఋ⊛ 2134 Dao yan—Balai: Te you zhong Wei Desheng “Saideke—Balai” shou ji = Director—Bale ࣒ࠟ—࣬ᒀ: ‫ئ‬ϩ҆᪭ख़๦ “ॴख़ࡽ—࣬ᒀ” Ѳ֮ = Director—Bale 0885, 1895, 2287 Dao yan de lu dong: hua yu dian ying, shi yan ying xiang he zuo zhe dian ying yan jiu ࣔࠟϡಋ҃䩭‫ܬܗ‬ӈ‫ؙ‬䩟 ӥࡑ‫ؙ‬Ռфӑ‫ٷ‬ӈ‫ؙ‬ϡ୳ૢ 0431, 0993, 1311, 1655, 2603 Dao yan shi ye—yu jian 250 wei shi jie zhu ming dao yan = Directors A-Z: a concise guide to the art of 250 great film-makers ࣒ࠟ؆ఀ—߁Ԋ250֧Ԓ֎ЯӜ࣒ࠟ = Directors A-Z: a concise guide to the art of 250 great film-makers 1694a Dao yan yu dian ying: dang dai shi wei dai biao xing dian ying ling hun ren wu (1977) ࣒ࠟӿӇ‫ؙ‬: Ԅ‫ڊ֧֐ڊ‬ԣԛӇ‫ࢼؙ‬ฆϪ‫( ׉‬1977) 1705 Dao yan yu dian ying: dang dai shi wei dai biao xing dian ying ling hun ren wu (1987) ࣒ࠟӿӇ‫ؙ‬: Ԅ‫ڊ֧֐ڊ‬ԣԛӇ‫ࢼؙ‬ฆϪ‫( ׉‬1987) 1706 Dao yan yu zuo pin ࣒ࠟӿӑԘ 0767, 1715 DC, DV bian xiu, jian ji, shao lu quan neng tong: huisheng hui ying 9 + pai pai shao 4 DC, DV ഹࢗ, යফ, ਩࠷ҪЌ֡: Ͼ‫ك‬Ͼ‫ ؙ‬9 + ‫ޛޛ‬਩ 4 2407 A descriptive analysis of the development and decline of New Taiwan Cinema, 1982–1986 0433 Di 31 jie jiang li you liang ying xiang chuang zuo Jin Sui Jiang ru wei zuo pin te kan = The 31st Golden Harvest Awards for Outstanding Short Films ҷ31โ؉ಽ‫ݿ‬મ‫ؙ‬Ռࡶӑ‫ؖ‬‱؉ՊࣹӑԘ‫ئ‬ᑂ = The 31st Golden Harvest Awards for Outstanding Short Films 2491 Di du kai fa de hui yi, yi zhong yi lei ying ping ࠍ֏ычϡҘশ, ϣ҆஫ढ‫ؙ߰‬ 0374, 0460, 1034, 1515 Di er jie wen hua zi chan ji lu pian xun hui guan mo yan xi ying: chu jie ke cheng xue yuan shou ce ҷԏโҹ٩‫ݗޞ‬ઔ࠷ә፶፯޲ಎ୳‫ॺ܄‬: २႓ࠆࡄѹ‫؂‬Ѳೠ 0056, 0562

519

Title Index

Di san ge shi qi de Zhongguo dian ying: Beijing, Taibei, Xianggang xue sheng dian ying lu xiang hui zhan ҷѧϫЖ‫׈‬ϡЅлӇ‫ؙ‬: ‫ߟܚ‬, ‫ܚݡ‬, ‫ܫ‬୯ѹТӇ‫࠷ؙ‬Ռအࣁ 0338, 2467 Di san jie wen hua zi chan ji lu pian xun hui guan mo cheng guo bao gao ҷѧโҹ٩‫ݗޞ‬ઔ࠷ә፶፯޲ಎюҝ‫ݍڻ‬ 0057, 0563 Di “Se, jie”—wen xue, dian ying, li shi ⷺ “ա, യ “—ҹѹ, Ӈ‫ؙ‬, ࣵ੗ 0889, 1385, 1815 Di wu shi yi jie Ya Tai ying zhan jie mu shou ce = The 51st AsiaPacific Film Festival ҷٚ֐ϣโਐѿ‫ڞࣁؙ‬۵Ѳೠ= The 51st Asia-Pacific Film Festival 0054, 2475 Di yi ci yue hui ҷϣҋएϾ 2136 Di yi jie min zu zhi ying zhan xun yan ji “Ying xiang zhong de zu qun wen hua” yan xi ying yan xi shou ce ҷϣโ‫ھ‬ఓ௨‫ࣁؙ‬፶ࠟ᠕ “‫ؙ‬ՌЅϡఓळҹ٩”୳‫܄୳ॺ܄‬Ѳೠ 0055, 0564, 1337, 2510 Di yi jie wen hua zi chan ji lu pian xun hui guan mo yan tao hui cheng guo bao gao ҷϣโҹ٩‫ݗޞ‬ઔ࠷ә፶፯޲ಎ୳क़Ͼюҝ‫ݍڻ‬ 0565 Dian cang dian ying wen wu zhang ji / Lin Yuru zong bian ji ਹেӇ‫ؙ‬ҹ‫֟׉‬ফ 0240, 0286, 0306, 2421, 2435, 2650 Dian cang Taizhong xi lie ਹে‫ݡ‬Ѕ‫࠶ڍ‬ 1749 Dian guang cheng shi—kan dian ying you Gaoxiong = Imaging city—Kaohsiung Ӈ‫—صڵׇ‬ЃӇ‫ׂؙ‬ҙ೰ = Imaging city—Kaohsiung 0211 Dian nao dong hua ji chu = The fundamental of computer animation Ӈ‫ݴ‬ҁޫऴኝ = The fundamental of computer animation 0538, 2416 Dian nao dong zuo kong zhi she ying xi tong de guang gao ying xiang biao xian yan jiu = The image expression of commercial films made by motion control camera system Ӈ‫ݴ‬ҁӑସ‫ء‬଄‫ࢃڍؙ‬ϡܰ‫ؙݍ‬Ռԣࠟ୳ૢ = The image expression of commercial films made by motion control camera system 0550, 2413 Dian shi dian ying, ou xiang ju = TV-film, trendy drama; yan guang si she ge wu tuan: yi bu dian ying de wan cheng = Drag queen: from dream to film Ӈ؆Ӈ‫ؙ‬, ઢՌঁ = TV-film, trendy drama; ᇗ‫ףׇ‬थ‫ܮ‬ଢࣗ: ϣ ‫ח‬Ӈ‫ؙ‬ϡԟю = Drag queen: from dream to film 0615, 0918, 1611 Dian ying 0 xing xiao Ӈ‫ ؙ‬0 Ҳઍ 2615 Dian ying 100 ming ren tang Ӈ‫ؙ‬100 ӜϪஇ 1657

Dian yin A ka—kai mai la ӇᎥA౹—ы๤ࠁ 0762, 1687 Dian ying a lang—Bai Jingru Ӈ‫ؙ‬०ᅦ—Ձ࢓ᇳ 1722 Dian ying bai nian jia pian shang xi ӈ‫ښؙ‬ё૟әೄ໯ 0780 Dian ying bei wo pao kua le Ӈ‫ؙ‬ҩϢާቄϦ 0179, 0792, 1691a Dian ying bi ji: Wang Chang’an kan dian ying Ӈ‫ؙ‬દ֮: ࣼӕԥЃӇ‫ؙ‬ 0764 Dian ying bian ju (1992) Ӈ‫ؙ‬ഹঁ (1992) 1073 Dian ying bian ju = The playwright of movies (1997) Ӈ‫ؙ‬ഹঁ = The playwright of movies (1997) 1074 Dian ying bing fen lu Ӈ‫ؙ‬ᠷ໧࠷ 0735, 1677 Dian ying chang jing yu yi fu hao de kong jian wen hua yu quan qiu shi chang hua: Li An zao qi dian ying ge an fen xi = An Analysis of the Early Films of Ang Lee and study of the Sight of Film, the Culture of Meaning and Film Symbols of Sight Ӈ‫ؙ‬Ծ࢓‫ܭ‬Һላ‫ى‬ϡ‫׺‬Ҽҹ٩ӿҪ‫صܧ‬Ծ٩: ଽԥՉ‫׈‬Ӈ‫ؙ‬ϫଈ д໯ = An Analysis of the Early Films of Ang Lee and study of the Sight of Film, the Culture of Meaning and Film Symbols of Sight 1341, 1543, 1798, 2595 Dian ying chen si ji Ӈ‫ؙ‬ਭ‫ڽ‬ओ 0941 Dian ying cheng gong xing xiao mo shi tan tao—yi 2006 nian Taiwan wai pian fa xing shang wei li = A study on film Marketing models—Taking 2006 Taiwan foreign film distributors as examples Ӈ‫ؙ‬ю‫ۋ‬Ҳઍথܴ෬क़—й2006 ё‫ݡ‬ஹ֔әчҲ࠱Њຎ = A study on film Marketing models—Taking 2006 Taiwan foreign film distributors as examples 2460, 2597 Dian ying chu chuang xi lie Ӈ‫ؙ‬បੳ‫࠶ڍ‬ 2684 Dian ying chuang zuo gai nian shu Ӈ‫ࡶؙ‬ӑม݉‫ڣ‬ 0061, 2673, 2674, 2675 Dian ying ci dian Ӈ‫ؙ‬Ᏸਹ 0034 Dian ying cong shu ӈ‫ؙ‬ᜥ‫ڪ‬ 0656, 0942 Dian ying cong shu, dian ying dang an = Cinedossier Ӈ‫ؙ‬ᜣ‫ڣ‬, Ӈ‫ؙ‬းଈ = Cinedossier 1811

520

Title Index

Dian ying dang an: di san shi si jie Jin Ma Jiang de jiang ying pian = Cinedossier: The 34th Golden Horse Award-winning films Ӈ‫ؙ‬းଈ: ҷѧ֐‫ף‬โ‫ެؖ‬؉Џ؉‫ؙ‬ә = Cinedossier: The 34th Golden Horse Award-winning films 1118, 2477 Dian ying dang an: Li An = Cinedossier: Li An Ӈ‫ؙ‬းଈ : ଽԥ = Cinedossier: Li An 1802 Dian ying dang an: Lin Qingxia = Cinedossier: Lin Brigitte Ching Hsia Ӈ‫ؙ‬းଈ : ৆‫ݙ‬ᎇ = Cinedossier: Lin Brigitte Ching Hsia 2002 Dian ying dang an: Wang Tong = Cinedossier: Wang Tung Ӈ‫ؙ‬းଈ : ࣼু = Cinedossier: Wang Tung 1890 Dian ying dang an: Wu Nianzhen = Cinedossier: Wu Nien-chen Ӈ‫ؙ‬းଈ : ྶ݉ѐ = Cinedossier: Wu Nien-chen 1899 Dian ying dang an: Yang Dechang = Cinedossier: Edward Yang Ӈ‫ؙ‬းଈ: ໷ख़ቾ = Cinedossier: Edward Yang 1912 Dian ying dao yan Ӈ‫ؙ࣒ࠟ‬ 0989 Dian ying dao yan de yuan li yu jing yan jiang yi Ӈ‫ؙ࣒ࠟ‬ϡ֍ԑӿҬࡐ‫܈‬च 0997 Dian ying dao yan, dian ying guan Ӈ‫ؙ࣒ࠟ‬, Ӈ‫ܥؙ‬ 1859 Dian ying dao yan yu dian shi dao bo Ӈ‫ؙ࣒ࠟ‬ӿӇ؆࣒৚ 0998, 1616 Dian ying de gu shi Ӈ‫ؙ‬ϡ‫ݞ‬Ѩ 0120 Dian ying de guo qu xian zai wei lai Ӈ‫ؙ‬ϡОЧѳϨ‫۔‬ϰ 0088 Dian ying de yi dai Ӈ‫ؙ‬ϡϣ‫ڊ‬ 0732 Dian ying di guo, ling yi zhong zhu shi: dian ying wen hua yan jiu Ӈ‫ؙ‬෌л, ࡔϣ҆‫ڀ‬؆: Ӈ‫ؙ‬ҹ٩୳ૢ 0328, 0819, 1056, 1285, 1408, 1514 Dian ying, dian shi bian ju de yi shu Ӈ‫ؙ‬, Ӈ؆ഹঁϡਲफ 1069 Dian ying, dian ying ren, dian ying kan wu Ӈ‫ؙ‬, Ӈ‫ؙ‬Ϫ, Ӈ‫ؙ‬ᑂ‫׉‬ 0089, 0404, 0696, 1011 Dian ying fa an: “dian ying jian cha fa” yu yi fei zhi Ӈ‫ؙ֚‬ଈ: “Ӈ‫ؙ‬ഛ‫ ”֚ݓ‬໹йಖঝ 2438, 2569 Dian ying fu bi xing ji (Taibei) Ӈ‫ؙ‬ᔽԝࣱओ 0739, 0937, 1153 Dian ying fu bi xing ji (Xianggang) Ӈ‫ؙ‬ᔽԝࣱओ 0738, 0936

Dian ying fu hao xue Ӈ‫ؙ‬ላ‫ى‬ѹ 0942 Dian ying gai lun Ӈ‫ؙ‬ม‫ں‬ 0945 “Dian ying ge qu xuan” “ӈ‫”שॽܮؙ‬ 2639 Dian ying gong chang Ӈ‫ؙ֞‬Ծ 2473, 2615 Dian ying gong ye sheng si yi ling jian—Taiwan yu Xibanya dian ying fa ling zhi bi jiao Ӈ‫׬ؙ֞‬ТӚϣਘҼ—‫ݡ‬ஹӿ՝‫ڡ‬ஏӇ‫ؙ֚‬ਘҏԝࢺ 2537, 2575 Dian ying gong zuo lin chang lu Ӈ‫ؙ֞‬ӑெԾ࠷ 0938, 0995 Dian ying guan Ӈ‫ؙ‬ఖ 0108, 0125, 0294, 0322, 0348, 0384, 0421, 0424, 0522, 0598, 0671, 0710, 0711, 0723, 0739, 0749, 0773, 0784, 0813, 0835, 0849, 0855, 0880, 0895, 0897, 0923, 0937, 0951, 0973, 1018, 1041, 1061, 1131, 1136, 1137, 1153, 1178, 1306, 1315, 1416, 1424, 1485, 1571, 1645, 1647, 1666, 1730, 1915, 2114, 2118, 2193, 2273, 2361, 2492, 2495, 2501 Dian ying guan shang—xian shi de zong jiao yi han xing xin li jing yan = Film viewing: a secular psychological experience with religious implications Ӈ‫޲ؙ‬೘—ѳԒϡᅓ‫ڌ‬ҺଭԛКԑҬࡐ = Film viewing: a secular psychological experience with religious implications 1517, 1521 Dian ying hai bao jing xuan, 12 Ӈ‫קؘڻ֋ؙ‬, 12 2652 Dian ying hai pao guan = Movie poster archive Ӈ‫ڻ֋ؙ‬ఖ = Movie poster archive 2651 Dian ying ji wu tai ju gou cheng: ying ju chuan bo chuang yi guan = The creative perspective on cinema and drama Ӈ‫ߵؙ‬ଢ‫ঁݡ‬ภю: ‫ةঁؙ‬৚ࡶҺ޲ = The creative perspective on cinema and drama 1303 Dian ying jia xi lie Ӈ‫ؙ‬р‫࠶ڍ‬ 0488, 0495, 1748, 1884, 1885 Dian ying jia xin jue shi pai Ӈ‫ؙ‬࿓Кᡯࡲ൨ 1412 Dian ying jian jie mei xue: shuo de yi shu = The aesthetics of film editing: art of speech Ӈ‫ؙ‬ය‫ב‬Ѥѹ: Мϡਲफ= The aesthetics of film editing: art of speech 1000 Dian ying jian shang yu chuang yi Ӈ‫ؙ‬ᅹ೘ӿࡶҺ 0958 Dian ying li lun bi ji ӈ‫ؙ‬ԑ‫ڹ‬ધ֭ 1216 1758

521

Title Index

Dian ying li lun yu pi ping Ӈ‫ؙ‬ԑ‫ں‬ӿ౓߰ 0930 Dian ying lu tan Ӈ‫ںؙ‬Ⴋ 0939, 1168 Dian ying lun ji Ӈ‫ںؙ‬ओ 0797 Dian ying lun tan Ӈ‫ںؙ‬Ⴋ 0121, 0367, 0733, 1151, 1152, 2535, 2677 Dian ying ming yan de zhi hui Ӈ‫ؙ‬Ӝߞϡ޺༫ 0988 Dian ying mu hou zhi zuo zhuan ji xi lie Ӈ‫௷ؙ‬ћ३ӑ֟ফ‫࠶ڍ‬ 0639, 1942, 2713 Dian ying o ying zhan Ӈ‫ؙ‬o ‫ࣁؙ‬ 2473 Dian ying o zhi pian Ӈ‫ؙ‬o ३ә 2665 Dian ying qing huai Ӈ‫ؙ‬єॕ 0807 Dian ying ren sheng: Huang Zhuohan hui yi lu Ӈ‫ؙ‬ϪТ: ࢶᅤఈҘশ࠷ 0512, 1788 Dian ying ren wu xiao xiang Ӈ‫ؙ‬Ϫ‫׉‬នՌ 1658 Dian ying sheng huo Ӈ‫ؙ‬Т҅ 0740 Dian ying shi dai Ӈ‫ؙ‬Ж‫ڊ‬ 0798 Dian ying shi hua ӈ‫ؙ‬੗Ҧ 0145, 0267 Dian ying shi ye kao cha xin de bao gao Ӈ‫ؙ‬Ѩ‫ߎ׬‬ൌКЏ‫ݍڻ‬ 2556 Dian ying shou zha = 2003 film reader’s diary Ӈ‫ؙ‬Ѳ∝ = 2003 film reader’s diary 1719 Dian ying shuang zhou kan cong shu Ӈ‫ڬדؙ‬ᑂᜣ‫ڣ‬ 2033 Dian ying si kao Ӈ‫ߎڽؙ‬ 0950 Dian ying su miao Ӈ‫ؙ‬ঈᆡ 0702 Dian ying sui bi Ӈ‫ڨؙ‬દ 0777, 1183

Dian ying sui yue zong heng tan Ӈ‫֊ۈؙ‬྾ืড 0090, 1659 Dian ying wei si—101 tao hao hao xi Ӈ‫۔ؙ‬Ӛ—101 ࠇϮϮۚ 0682 Dian ying wen ti, wen ti dian ying: xing, bao li, dian jian Ӈ‫ؙ‬՛֤, ՛֤Ӈ‫ؙ‬: ԛ, ફҨ, Ӈഛ 1196, 1535, 2451 Dian ying wen xuan Ӈ‫ؙ‬ҹ‫ק‬ 0089, 0404, 0696, 1011 Dian ying xi ju lun ji Ӈ‫ںঁؙۚ‬ओ 0719, 0929, 1298, 1477 Dian ying xiao xing qiu: shi jie zhu ming dao yan fang tan lu ӈ‫ؙ‬Щլ‫ܧ‬䩭Ԓ֎ЯӜࣔࠟබঠ࠹ 1698a Dian ying xin chao Ӈ‫ؙ‬Ј଎ 0695 Dian ying xing zhe—Li Xing cong ying wu shi zhou nian hui gu wen xuan Ӈ‫ؙ‬Ҳ‫—ٷ‬ଽҲԩ‫ؙ‬ٚ֐‫ڬ‬ёҘઆҹ‫ק‬ 1851 Dian ying xiu lian mo fa Ӈ‫ؙࢗ‬୚ತ֚ 0766 Dian ying xue yuan Ӈ‫ؙ‬ѹᮛ 0775, 1074, 1075 Dian ying yan yuan ji ben lian xi—zi xiu jiang yi Ӈ‫؂ؙࠟ‬ऴӆ୚‫—܄‬Іࢗ‫܈‬च 0966 Dian ying yi shu gai lun Ӈ‫ؙ‬ਲफม‫ں‬ 0928 Dian ying yi shu lun Ӈ‫ؙ‬ਲफ‫ں‬ 0943 Dian ying yi shu lun ji Ӈ‫ؙ‬ਲफ‫ں‬ओ 0931 Dian ying yi shu man tan = A look at movie art Ӈ‫ؙ‬ਲफࢿড = A look at movie art 0932 Dian ying yi shu za tan = Talks on cinematic art Ӈ‫ؙ‬ਲफ૝ড = Talks on cinematic art 0193, 0959 Dian ying yi shu zong heng tan = A look at movie art Ӈ‫ؙ‬ਲफ྾ืড = A look at movie art 0933 Dian ying yin yue di tu Ӈ‫ٸؙ‬Ӏс֖ 1427 Dian ying yin yue fa shao shu = Movie music Ӈ‫ٸؙ‬Ӏч਩‫ = ڣ‬Movie music 1055, 1421, 2640 Dian ying yu chuan bo Ӈ‫ؙ‬ӿ‫ة‬৚ 0947

522

Title Index

Dian ying yu jian cha Ӈ‫ؙ‬ӿഛ‫ݓ‬ 2449 Dian ying yu jiao yu—yi Riben wen hua jiao yu wei zhong xin = Film and education—Core by Japan cultural education See Nihon eiga to ky䲖iku : Nihon bunka ky䲖iku o ch䲚shin ni = Dian ying yu jiao yu—yi Riben wen hua jiao yu wei zhong xin = Film and education—Core by Japan cultural education Dian ying yu wen xue (1984) Ӈ‫ؙ‬ӿҹѹ (1984) 1391 Dian ying yu wen xue (1992) Ӈ‫ؙ‬ӿҹѹ (1992) 1393 Dian ying yu wo Ӈ‫ؙ‬ӿϢ 2022 Dian ying yu zheng zhi xuan chuan Ӈ‫ؙ‬ӿू੽ୌ‫ة‬ 0542, 0673, 1472, 2439, 2572, 2714 Dian ying yuan Ӈ‫ؙ‬ᮛ 0362, 0380, 0804, 0949, 0956, 1453, 1596, 1646, 1684, 2493 Dian ying yuan li de guan li zhi hui Ӈ‫ࡨؙ‬Ѷϡ‫܉‬ԑ޺༫ 1406 Dian ying yuan li yu zhi zuo Ӈ‫֍ؙ‬ԑӿ३ӑ 0935 Dian ying yue du mei xue Ӈ‫ؙ‬་ࢵѤѹ 0969 Dian ying yue du mei xue (zeng ding er ban) Ӈ‫ؙ‬་ࢵѤѹ (Ҷ๓ԏ‫)ؗ‬ 0970 Dian ying yue du mei xue (zeng ding san ban) Ӈ‫ؙ‬་ࢵѤѹ (Ҷ๓ѧ‫ؗ‬ 0971 Dian ying zai Gaoxiong = Cinema Kaohsiung Ӈ‫ؙ‬Ϩҙ೰ = Cinema Kaohsiung 0212 Dian ying zheng ce yu yuan jing Ӈ‫ूؙ‬೫ӿ݃࢓ 2570 Dian ying zhi ai: cong dian ying hui yi dao dian ying nian Ӈ‫ؙ‬ҏД: ԩӇ‫ؙ‬Ͼ৶ϺӇ‫ؙ‬ё 0339, 1466 Dian ying zhi nan = Movie guide Ӈ‫ = ۪܋ؙ‬Movie guide 0003 Dian ying zhi pian ren yu chuang yi guan li: hua yu dian ying zhi pian shi wu zhi nan = Film producer and producing management Ӈ‫ؙ‬३әϪӿࡶҺ‫܉‬ԑ: ‫ܭܓ‬Ӈ‫ؙ‬३әӢࠔ‫ = ۪܋‬Film producer and producing management 2666 Dian ying zhi zuo Ӈ‫ؙ‬३ӑ 2664 Dian ying zhong de gu shi mai dian Ӈ‫ؙ‬Ѕϡ‫ݞ‬Ѩࢀѡ 1548, 2598

Dian ying zhong de xian dai mo shu Ӈ‫ؙ‬Ѕϡѳ‫ڊ‬ತफ 1078, 2671 Dian ying zhong de yi xue shi jie Ӈ‫ؙ‬ЅϡࣦѹԒ֎ 1410, 1516 Dian ying, Zhongguo, Meng Ӈ‫ؙ‬, Ѕл, ْ 0940 Dian ying zhu zuo quan (Beijing, 1991) ӈ‫ؙ‬Яӑ੹ (Beijing, 1991) 2454 Dian ying zhu zuo quan (Taibei, 1988) Ӈ‫ؙ‬Яӑ੸ (Taibei, 1988) 2453 Dian ying zi liao cong shu Ӈ‫ࢧޞؙ‬ᜣ‫ڣ‬ 0012, 0023, 2445, 2682 Dian ying zi liao ku cong shu Ӈ‫ࢧޞؙ‬ᆞᜣ‫ڣ‬ 0149, 0155 Dian zi she lu ying shi wu Ӈж଄࠷‫ؙ‬Ӣࠔ 0978, 2408 Die wu hong chen Ⴕଢ‫ີێ‬ 1987 Die xue shuang xiong ᷅߱‫ד‬೰ 2323 Directing 1807 Directors A-Z: a concise guide to the art of 250 great film-makers 1694 Dispersion, ambivalence, hybridity: a cultural-historical investigation of film experience in Taiwan in the 1980s 0390 Documenting Taiwan on film: issues and methods in new documentaries 0566 Doing time: timeliness and temporal rhetorics in contemporary cinema 1082, 1731 Il dolore del tempo: il cinema di Hou Hsiao-hsien 1750 “Dong bu zhu yi”—21 shi ji chu Taiwan dian ying zhong de huan bao lun shu yu lu xing shen hua = Journey to the East environmental discourse and travel stories in Taiwan films of the early 21st century “ֆ‫ח‬Ұच”—21Ԓઔ२‫ݡ‬ஹӇ‫ؙ‬Ѕϡࢰ‫ںخ‬਎ӿ߫Ҳ‫ظ‬ҧ = Journey to the East environmental discourse and travel stories in Taiwan films of the early 21st century 1271, 1334 Dong da xue shu; 31 she hui ke xue lei ֆϽѹफ; 31 घϾ॓ѹढ 1267 Dong: dian ying ju ben yu ping lun ၻ: Ӈ‫ঁؙ‬ӆӿ߰‫ں‬ 0837, 1733, 2175

523

Title Index

Dong fang dian ying = East film ևҤӈ‫ = ؙ‬East film 0101 Dong fang ye tan ֆҤ١ড 2195 Dong hua chuang yi xian chang: Taiwan dong hua dao yan ming zuo da po xi ҁޫࡶҺѳԾ: ‫ݡ‬ஹҁޫ࣒ࠟӜӑϽ៖໯ 0519, 1698 Dong hua dian ying tan suo ҁޫӇ‫ؙ‬෬౱ 0522 Dong man 2000 = Animation comic ҁࢿ2000 = animation comic 0529 Dong zhi ji பҏ់ 2363 Dossier 1160 Doyle on Doyle 2032 Du Kefeng Chun guang zha xie she ying shou ji = Happy together: Christopher Doyle photographic journal ᖯНգࡇ‫ׇ‬ᨀᓒ଄‫ؙ‬Ѳ֮ = Happy together: Christopher Doyle photographic journal 2033 Du li zhi pian zai Taiwan: “Xi bu lai de ren” ‫߹ݻ‬३әϨ‫ݡ‬ஹ: “՝‫ח‬ϰϡϪ” 0632, 0907, 2144, 2707 Duo bao ge Єմ䑧 1401 Duo mu de yuan li: Zheng Wenhui ying zhan ᅘ۵ϡ‫ڐ׼‬: ቼҹ௑‫ࣁؙ‬ 1943 DV@Home: shu wei sheng huo, zi ji zuo dao yan DV@Home: ُ֧Т҅, Іѝ҂࣒ࠟ 2411 E sheng—Chen Kehua dian ying bi ji ॱ‫—ك‬಴ࡽ‫ܓ‬Ӈ‫ؙ‬દ֮ 0688 e shi dai dian ying nan nu shuang ren ya zuo—zou ru “Qian xi man bo” de Taibei bu ye cheng e Ԓ‫ڊ‬ϡӇ‫ؙ‬Բѽ‫ד‬Ϫ઩ӏ—ҵՊ”࡛Ẽᅸம” ϡ‫ܚݡ‬Ϥ١‫ڵ‬ 0877 East Asian cinema 1083 East Asian cinema and cultural heritage: from China, Hong Kong, and Taiwan to Japan and South Korea 1121, 1215, 1234 East Asian cinemas: regional flows and global transformations 1144, 1347 East Asian screen industries 0053, 0337, 1117, 2522 Edward Yang (by Anerson) 0384a, 0681a, 1906 Edward Yang (by Wong) 0457, 1923

Eiga de kataru Ch䲚goku Taiwan Honkon ྱࡌ䫘‫ܭ‬䫼Ѕмί‫ݡ‬ළί‫ܫ‬୯ 1175 Eiga ni miru Higashi Ajia no kindai ྱࡌ䫜Ԋ䫼ֆ䬑䬧䬑䫟‫ڊײ‬ 0156, 1228 Electric shadows: 45 years of Chinese cinema 0132 Elvis, allow me to introduce myself: American music and neocolonialism in Taiwan cinema 1290, 1422, 1927 Encyclopedia of Chinese film 0048 The encyclopedia of martial arts movies 0046, 0660 Envisioning Taiwan: fiction, cinema, and the nation in the cultural imaginary 1195, 1360, 1403, 1450, 1509, 1597 Er er ba dian ying ju ben ԏԏࡂӇ‫ঁؙ‬ӆ 0480, 2145 Er shi shi ji de dian ying: shi jie dian ying jing dian: 1900–2000 = Films of the century: 1900–2000 ԏ֐Ԓઓϡӈ‫ؙ‬䩭Ԓ֎ӈ‫ؙ‬Үਹ䩭1900–2000 = Films of the century: 1900–2000 0005 Er shi shi ji Zhongguo wen yi tu wen zhi, dian ying juan ԏ֐ԒઓЅмҹ਴֘ҹ࢑䩟ӈ‫ؙ‬ඵ 0006 Er shi shi ji Zhonghua qi ren cong shu ԏ֐ԒઓЅ‫࡞ܗ‬Ϫᜥ‫ڪ‬ 1949 Er shi yi shi ji chu qi Taiwan dian ying li the lun shu yu ren tong—yi Wei Desheng dao yan de “Haojiao 7 hao” yu “Shaidekebalai” wei li = Discourse and identity of Taiwan film in during early 21st century—Director Wei Te-Shen’s film Cape No. 7 and Seediq Bale as examples ԏ֐ϣԒઔ२‫ݡ׈‬ஹӇ‫ؙ‬Ѷϡ‫ں‬਎ӿ‫گ‬ӎ—й᪭ख़๦࣒ࠟϡ “֋ࡠࢳ‫”ى‬ӿ “ॴख़ࡽ࣬ᒀ”Њຎ 0844, 0884, 1440 Er ya cong shu ঌ઩ᜣ‫ڣ‬ 0741, 0778 Er zi de da wan ou ճжϡϽ։ઢ 2298 Etudes asiatiques suisses. Cahiers 0325 Fa lu an zhuan ji ֚ಋଈ֟ফ 2438, 2569 Fa lu dian ying yuan—Jing pi jie xi 18 bu jing dian fa lu dian ying ֚ಋӇ‫ؘ—ࡨؙ‬᭽‫ث‬໯18‫ח‬Ҭਹ֚ಋӇ‫ؙ‬ 0684, 1371 Fa lu ren wen guan ֚ಋϪҹఖ 0684 , 1371 Fa shao xing ч਩լ 2180

524

Title Index

Fan mu an kao ᗜআଈߎ 2120 Fang cao bi lian tian ᇙसካၬϳ 2321 Fang se hai wai: Du fei Zhongguo dian ying bi ji ӵա֋֔: ᖯНգۘЅлӇ‫ؙ‬દ֮ 2034 Fei ju qing pian quan pian mu (Dian ying zi liao ku gui hua an fu jian) ۘঁєәҪә۵ (Ӈ‫ࢧޞؙ‬ఖ੺੿ଈปխ) 0007 Fei xiao shuo wen cong ۘЩМҹᜣ 0497, 1745 Fei yue de guang pu ٞቷϡ‫ׇ‬ഊ 0756 Fei yue yin yan jie ٞቷ೾‫֎ݷ‬ 2139 Feng cheng ying hua: Xinzhu shi dian ying, xi yuan da shi tu lu գ‫ؙڵ‬ҧ: Јኵ‫ص‬Ӈ‫ؙ‬, ۚࡨϽѨ֖࠷ 0198, 2734 Feng ge guan. Feng ge ren wen գ۴ఖ. գ۴Ϫҹ 0748 Feng gu ངಪ 2216 Feng hua xue yue Li Hanxiang գՐઞ֊ଽᲆፖ 1836 Feng huang wang zi ངᄣࣼж 2150 Feng xing guan, Li Gang zuo pin գҲఖ, ଽᐻӑԘ 1814, 1833, 2058 Feng xing guan, yi kong jian գҲఖ, ஫‫׺‬Ҽ 0233, 2738 Feng yu cao chang գ‫ە‬୙Ծ 2299 Feng yu zhao yang գ‫ە‬ச‫ݷ‬ 2146 Feng yun գࠥ 2148 Feng yun dian ying xi lie գࠥӇ‫࠶ڍؙ‬ 0079, 0080, 0647, 1101, 1343 Feng yun ji hui: yu Zhongguo dang dai dian ying dui hua գࠥগϾ: ӿЅлԄ‫ڊ‬Ӈ‫ؙ‬хҧ 0421 Feng yun ming ren zhuan ji գࠥӜϪ‫֮ة‬ 2056c

Feng yun sui yue գࠥ‫֊ۈ‬ 2149 Fiction and film in Taiwan, 1960s to 1980s: narratives, politics, and aesthetics 0432, 1024, 1387, 1573 Fight and flight: the Wuxia film in Chinese cinema: Ph.D. thesis 0662, 1174 Film and culture series 1096 Film & TV co-production meeting See 2008 he zuo zhi pian hui yi = Film & TV co-production meeting Film as political bridge to promote unification: an examination of the film production industry in Mainland China and Taiwan 1479 Film space and the Chinese visual tradition 1099, 1456 Filming gay representations: male homosexuality in Hong Kong and Taiwanese cinema 0623, 1172, 1585 Films for Chinese studies 0065 Films: made in Taiwan 0420, 0422, 1764 Films very well made in Taiwan, 1994 0058, 0340 Floating in Taipei?: the cultural landscape and film aesthetics in Tsai Ming-liang’s trilogy 0458, 1741 Focus on Taipei through cinema 1950–1990 See Xun zhao dian ying zhong de Taibei = Focus on Taipei through cinema 1950–1990 Framing piracy: globalization and film distribution in greater China 2456 From May fourth to June fourth: fiction and film in twentiethcentury China 1380 Fu yi ke dian ying dan: “Ji mo fang xin ju le bu” dian ying shu ₿ϣੀӇ‫ؙࠠ‬: “ఘದᇙК༤Ӏ‫ ”ח‬Ӈ‫ڣؙ‬ 0773, 0855 Furikushonaru firumu-dokuhon 䭄䭙䬞䬦䭖䬹䭚ί䭄䬒䭚䭏媠ӆ 0128 Futures of Chinese cinema: technologies and temporalities in Chinese screen cultures 0408, 1604 G pian gong chang G ә֞Ծ 0622, 1529 Gai bian li shi de wu nian: Guo Lian dian ying yan jiu ۨԺࣵ੗ϡٚё: лࡀӇ‫ૢ୳ؙ‬ 0510, 0721, 1665 Gan en sui yue Ҁ൛‫֊ۈ‬ 2300 Gan jiang de shui yi jiu zai liu ᭅ࢖ϡһ࣊଒ϨԵ 2151

525

Title Index

Gang du kua shi ji dian ying shi = Kaohsiung’s historical century of movies ୯ЁቄԒઔӇ‫ؙ‬੗ = Kaohsiung’s historical century of movies 0213 Gang du ye yu ୯Ё١‫ە‬ 2301 Gang Ri dian ying Gan jiang de shui yi jiu zai liu ᭅ࢖ϡһ࣊଒ϨԵguan xi: xun zhao Yazhou dian ying wang luo zhi yuan ୯яӇ‫ؙ‬Ԭ਽: ଵ‫װ‬ਐರӇ‫ؙ‬ӻ౪ҏ੅ 1166, 1217 Gang Tai dian ying shuang jin dang an ୯‫ݡ‬ӈ‫့ؖהؙ‬ଈ 1146, 2478 Gang Tai liu da dao yan ୯‫ࡏݡ‬Ͻ࣒ࠟ 0699, 1699a Gaoxiong dian ying ji shi = Kaohsiung cinema memorandum ҙ೰Ӈ‫ؙ‬ઔѨ = Kaohsiung cinema memorandum 0096, 0216 Gaoxiong dian ying tu shu guan wen hua xing su yu guan nei ren yuan ren tong zhi yan jiu ҙ೰Ӈ‫ڣؙ֖‬ఖҹ٩ࡿᄽӿఖֶϪ‫گ؂‬ӎҏ୳ૢ 0219, 1574 Gaoxiong shi dian ying tu shu guan = Kaohsiung Municipal Film ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖ = Kaohsiung Municipal Film Archives 0214 Gaoxiong shi dian ying tu shu guan dian ying cong shu ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖӇ‫ؙ‬ᜣ‫ڣ‬ 0096, 0137, 0211, 0216, 0222, 0223, 0240, 0286, 0288, 0306, 0649, 0758, 1648, 1688, 1713, 1747, 2421, 2429, 2435, 2436, 2638, 2650, 2656 Gaoxiong shi dian ying tu shu guan te kan ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖ ‫ئ‬ᑂ 0215 “Gaoxiong shi dian ying tu shu guan zhi dian ying zhan shi yan jiu”—yi liu ge zhan chu zhuan ti wei an li = The study on Film Exhibitions of Kaohsiung Film Archive “ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖҏӇ‫—”ૢ୳ܾࣁؙ‬йࡏϫࣁо֤֟Њଈຎ 0221, 1328 Ge bi ban de nan sheng ഭຍ‫ڡ‬ϡԲТ 2200 Ge men de qiu shi ࢯИϡᡖѨ 2131 Ge qu jing pin xi lie ‫ؘॽܮ‬Ԙ‫࠶ڍ‬ 2646 Ge sheng mei ying: ge qu xu shi yu Zhong wen dian ying = Phantom of the music: song narration and Chinese –language cinema ‫كܮ‬ຓ‫ؙ‬: ‫ॽܮ‬ᡳѨӿЅҹӇ‫ = ؙ‬Phantom of the music: song narration and Chinese –language cinema 1061, 1424 Ge wang ge hou: shi zhuang hao hua ge ju da xi ju ‫ܮࣼܮ‬њ: Ж‫آ‬ൻ‫ঁܮܓ‬ϽӍঁ 2140 Ge wu dian ying zong heng tan ‫ܮ‬ଢӇ‫ؙ‬྾ืড 0671, 1416

Ge zai xi huang di: Yang Lihua ‫ܮ‬௩ۚ෦෌:໷‫ܡ‬Ր 0297, 2020 Gei wo yi zhi mao ѰϢϣ‫࢈ݒ‬ 0839 Geschichte des Chinesischen films 0114, 1143 Girl power : Chinese women warriors in swordplay films 0658, 1644 Globalization and Edward Yang’s films 1356, 1586, 1922 The global and intimate: feminism in our time 1366, 1632 Gong fu pian de mi mi: dong zuo dao yan yi shu = The secret of Kong Fu movie: the arts of action directors ‫ۋ‬ਜ਼әϡ੶઼䩭҃ӑࣔࠟ਴भ = The secret of Kong Fu movie: the arts of action director 0663 Gong Jianong cong ying hui yi lu (1967) ₳⅒హԩ‫ؙ‬Ҙশ࠷ (1967) 1972 Gong Jianong cong ying hui yi lu (1969) ₳⅒హԩ‫ؙ‬Ҙশ࠷ (1969) 1973 Gong Jianong cong ying sheng ya yu ju zhao quan ji: dian ying tu zhi ₳⅒హԩ‫ؙ‬ТᄇӿঁؕҪओ䩭Ӈ‫ؙ֖‬௨ 0097, 1661, 1974 Gong Min: Gong Min ping zhuan ᕠ์: ᕠ์߰‫ة‬ 2057 Gong ren kan dian ying ֞ϪЃӇ‫ؙ‬ 0700, 1468, 1555 Good morning, Taipei See Zao an Taibei = Good morning, Taipei Grandpa!? 0676, 0841, 2210, 2678 Gu lian hua વߧՐ 2264 Gu lian hua = Love’s lone flower વߧՐ = Love’s lone flower 2102 Gu zao fa lu ren fu gui ੦㕅чტϪࣥਰ 2268 Guan bing zhuo qiang dao ‫ܥ‬ഈ፬‫ל‬ᅟ 2254 Guan ni ji, Zhong wai dian ying pian ޲ဵओ, Ѕ֔Ӈ‫ࢡؙ‬ 0730 Guang bo, dian shi, dian ying ܰ৚, Ӈ؆, Ӈ‫ؙ‬ 0568, 1609 Guang fu chu qi Taiwan dian ying shi ‫࣢ׇ‬२‫ݡ׈‬ஹӇ‫ؙ‬੗ 0283, 1191, 1260, 2450

526

Title Index

Guang fu qian hou Gaoxiong shi de xi yuan yu dian ying ‫࣢ׇ‬ӓћҙ೰‫ص‬ϡۚࡨӿӇ‫ؙ‬ 0224, 0273, 0282, 2741 Guang guan cong shu ෦ഃᜣ‫ڣ‬ 0497, 1745 Guang yin de gu shi ‫ׇ‬೾ϡ‫ݞ‬Ѩ 2153 Guang ying ding ge—Cai Mingliang de xin ling chang yu ‫ׇؙ‬ӡ۴䦡ᓥҴ݊ϡКࢼԾ෢ 1739 Guang ying ji xing: Gaoxiong xian ying shi kan jing shou ce = Journey to cinema: a guide book for film-makers on locations in Kaohsiung county ‫ׇؙ‬ઔҲ: ҙ೰້‫ؙ‬؆ ࢓Ѳೠ = Journey to cinema: a guide book for film-makers on locations in Kaohsiung county 0059, 0217, 1062, 2721 Guang ying yan yu, dang dai hua yu pian dao yan fang tan lu = Speaking in images, interviews with contemporary filmmakers (Guilin) ‫ܬߞׇؙ‬, Ӿ‫ܬܗڊ‬әࣔࠟබঠ࠹ = Speaking in images, interviews with contemporary filmmakers (Guilin) 1696 Guang ying yan yu, dang dai hua yu pian dao yan fang tan lu = Speaking in images, interviews with contemporary filmmakers (Taibei) ‫ܭߞׇؙ‬, Ԅ‫ܭܓڊ‬ә࣒ࠟභড࠷ = Speaking in images, interviews with contemporary filmmakers (Taibei) 1695a Guang yu re ‫ׇ‬ӿչ 2154 Guang zhi su ji: Du Kefeng Zhongguo dian ying ying xiang ‫ׇ‬ҏ‫֮ݬ‬: ᖯНգЅлӇ‫ྱؙ‬Ռ 1660, 2035 Guangdong sheng Heshan xian di fang zhi cong shu ܲև૸ᡪ‫໋ځ‬сҤ࢑ᜥ‫ڪ‬ 1992 Gui guan xin zhi cong shu ᄉഃЈҌᜣ‫ڣ‬ 1517, 1521 Gui mei ying zhan = Chinese Phantom Film Festival ૤ຓ‫ = ࣁؙ‬Chinese Phantom Film Festival 0627 Gui zai huo tang de shi ban shang ᇭϨ‫ڮ‬ႅϡ੘५ϼ 2155 Guide to motion pictures See Zhong yang dian ying go Guling jie shao nian de gu shi = Guling jie shao nian sha ren shi jianu Guling jie shao nian de gu shi = Guling jie shao nian sha ren shi jian ⚯ᗬঅվёϡ‫ݞ‬Ѩ = ⚯ᗬঅվё৵ϪѨխ 2350 Guo fang bu Zhongguo dian ying zhi pian chang chang shi лࣃ‫ח‬ЅлӇ‫ؙ‬३әྃྃ੗ 0486 Guo fu dui Taiwan dian ying chan ye de chu li ce lue (1945–1949) л௞х‫ݡ‬ஹӇ‫׬ݗؙ‬ϡ‫؛‬ԑ೫ଯ (1945–1949) 0280, 1460, 2519, 2567, 2662

Guo jia yu dian ying: Taiwan dian ying zheng ce yan jiu = State and film: Taiwan film policy study лрӿӇ‫ؙ‬: ‫ݡ‬ஹӇ‫ूؙ‬೫୳ૢ = State and film: Taiwan film policy study 1480, 2441, 2534, 2573, 2676 “Guo jia dian ying zi liao ku” wei tuo gui hua an jie an bao gao “лрӇ‫ࢧޞؙ‬ᆞ”ణኅ੺੿ଈְଈ‫ݍڻ‬ 2701 Guo jiang = Jam ҝල = Jam 2121 Guo min xi yuan ji shi: 2003–2006 lin yi ge jiao du kan dian ying = P.O.P cinema: a new perspective on film festivals л‫ࡨۚھ‬ઔѨ: 2003–2006 ࡔϣϫࡠ֏ЃӇ‫ = ؙ‬P.O.P cinema: a new perspective on film festivals 2471 Guo Nanhong de dian ying shi jie = The world directed by Joseph Kuo ᔕ۪ᒩϡӇ‫ؙ‬Ԓ֎ = The world directed by Joseph Kuo 0288, 0649, 1747 Guo pian de can lan shi guang: Xiaoye, Wang Tong, Li An, Li Pingzhen, Wu Nianzhen, Hou Xiaoxian, Yang Dechang, Yang Guimei, Cai Mingliang, Chen Zhaorong, Liao Qingsong de dian ying shi jian bu ләϡༀಉЖ‫ׇ‬: Щఀ, ࣼু, ଽԥ, ଽ๔ѐ, ྶ݉ѐ, ᢡᖮᐊ, ໷ख़ ቾ, ໷ਰኣ, ᓥҴ݊, ಴ᢘึ, ᴰদग़ϡӇ‫ؙ‬ѨխṠ 0383 Guo pian dian ying shi hua: kua shi ji hua yu dian ying chuang yi de xian xing zhe ләӇ‫ؙ‬੗ҧ: ቄԒઔ‫ܭܓ‬Ӈ‫ࡶؙ‬Һϡ܏Ҳ‫ٷ‬ 0102, 1132 Guo pian fu dao jin zhi du yan jiu = Research on the subsidiary Policy of Taiwan Cinema ләᔆ࣒‫ = ૢ୳֏ءؖ‬Research on the subsidiary Policy of Taiwan Cinema 1266, 2593, 2728 Guo shan = Long men ke zhan О‫ = ځ‬ह՞‫ᦧۺ‬ 2164 Guo shi wu shuang zhi dian ying chu sheng ri ji лࡲѩ‫ד‬ҏӇ‫ؙ‬оТя֮ 0843 Guo si ying xiong zhuan л‫߭ף‬೰‫ة‬ 2302 Guo zhong nu sheng лЅѽТ 2303 Guo zu, xiang xiang, li san, ren tong: cong dian ying wen ben zai xian yi min she hui лఓ, ЂՌ, ‫્ڐ‬, ‫گ‬ӎ: ԩӇ‫ؙ‬ҹӆӐѳ௄‫ھ‬घϾ 1433, 1558 Hai di she ying ji shu ֋݄଄‫ؙ‬৔फ 2426 Hai jiao qi hao he ta men de gu shi: yi duan cong kun jing zou xiang meng xiang de lu cheng = Cape No. 7: the marking of dreams ֋ࡠࢳ‫ى‬фјИϡ‫ݞ‬Ѩ: ϣ‫ݫ‬ԩ੡॒ҵ‫ْז‬Ђϡ߫ࡄ = Cape No. 7: the marking of dreams 0846

527

Title Index

Hai ou fei chu ֋ᾥٞ‫؛‬ 2373 Hai shan quan shi: Taiwan dian ying pai she jing dian ji zhi zuo dao lan II = Imaging a paradisal landscape: cinema location and production guide in Taiwan II ֋‫ځ‬໩੘: ‫ݡ‬ஹӇ‫ޛؙ‬଄࢓ѡߵ३ӑ࣒ऋ II = Imaging a paradisal landscape: cinema location and production guide in Taiwan II 1063 Hai shang fan hua lu: “Hai shang hua” de ying xiang mei gan ֋ϼ໪‫࠷ܓ‬:”֋ϼՐ”ϡ‫ؙ‬ՌѤҀ 0848 Hai shang hua ֋ϼՐ 2398 Hai shang ying shi wen cong ֋ϼ‫ؙ‬؇ҹᜥ 1138, 1439 Hai shui zheng lan ֋һԜঢ 2333 Hai yang chu fa, shui de wen lu: Taiwan dian ying pai she jing dian ji zhi zuo dao you = Proceed from the sea, follow the waves: cinema location and production guide in Taiwan ֋ଥоч, һϡඌբ: ‫ݡ‬ஹӇ‫ޛؙ‬଄࢓ѡߵ३ӑׂ࣒ = Proceed from the sea, follow the waves: cinema location and production guide in Taiwan 1064 Die haipai-Ezahlliteratur 1865 Hajime ni eiga ga atta: shokuminchi Taiwan to Nihon 䫠䫉䫲䫜ྱࡌ䪽䪳䫔䫐 : ယ‫ھ‬с‫ݡ‬ළ䫙яӆ 0270 Han guang cong shu ఈ‫ׇ‬ᜣ‫ڣ‬ 0794, 0795 Hao ge qiao ke tian ϮϫᲝࠆϳ 2304 Happy 1233, 2659 He Feiguang tu wen zi liao hui bian ‫ׇ֖ۘح‬ҹ‫ࢧޞ‬ᓫഹ 1748 He liu: Cai Mingliang de dian ying ૯Ե: ᓥҴ݊ϡӇ‫ؙ‬ 0851, 1734, 2176 Hei an zhi guang: Zhang Zuoji feng ge yan jiu = Light in darkness: Stylistics of Chang Tso-chi ‫ܪ‬ମҏ‫ׇ‬: ‫פ‬ӑ┫գ۴୳ૢ = Light in darkness: Stylistics of Chang Tso-chi 0782, 1941 Hei pi yu bai ya ‫ޔܪ‬ӿՁஏ 2159 , 2334 Hei se tai yang ‫ܪ‬աѿ‫ݷ‬ 2160 Hei shou dang chuan shuo ‫ܪ‬Ѳཙ‫ة‬М 2347

Hen ming mo yuan tian ௤‫଼ܞ‬൧ϳ 2187 Hij䲖j䲖-shi no hitobito: Taiwan to Nihon no uta ঳є‫صڵ‬䫟Ϫ䫤䫙 : ‫ݡ‬ළ䫙яӆ䫟䪷䫐 0824, 1227 Hikari o megutte: eiga intavy䲚-sh䲚 ‫ׇ‬䬃䫲䫁䫔䫗 : ྱࡌ䬓䭢䬮䭣䭔䴈ओ 1087, 1759 History and memory in Hou Hsiao-hsien’s A City of Sadness and Tian Zhuangzhuang’s The Blue Kite 0387, 0818, 1100, 1751 A history and thematic analysis selected Chinese fictional motion pictures produced in Hong Kong and Taiwan (1968–1970) 0308, 1176 Hitchcock with a Chinese face: cinematic doubles, Oedipal triangles, and China’s moral voice 1171, 1255 HKIFF Society Series See Xianggang guo ji dian ying jie cong shu = HKIFF Society Series “Hong bi zi” de wu tai yi shu “‫ێ‬຋ж”ϡଢ‫ݡ‬਴भ 2073 Hong gu ‫⚡ی‬ 2229 Hong Kong here I come 1886 Hong lou xun xing meng, Ximending de gu shi ‫࣍ی‬ଵլْ, ՝՞⍆ϡ‫ݞ‬Ѩ 0194 Hong qi qiu de lu xing: Hou Xiaoxian dian ying ji lu xu bian ‫ێ‬Ӥ‫ܧ‬ϡ߫Ҳ䩭ᢡᖮᐉӈ‫ؙ‬ઓ࠹۟൜ 0854, 1777, 2082, 2399 Hou Hsiao-Hsien 0406, 0697, 1756 Hou Hsiao-hsien and the aesthetics of historical experience 0452, 1771 Hou Hsiao-hsien: cinema delle memorie nel corpo del tempo 0395, 1753 Hou Hsiao-hsien Master Class (Guilin) See Hou Xiaoxian dian ying jiang zuo = Hou Hsiao-hsien Master Class (Guilin) Hou Hsiao-hsien Master Class (Xianggang) See Hou Xiaoxian dian ying jiang zuo = Hou Hsiao-hsien Master Class (Xianggang) Hou Hsiao-Hsien, overview 0422 Hou jie ren sheng ћঅϪТ 2115 Hou Xiaoxian = Hou Hsiao-Hsien (by Frodon) 0407, 0698, 1757 Hou Xiaoxian = Hou Hsiao-hsien (by Hou) ᢡᖮᐊ = Hou Hsiao-hsien (by Hou) 0707, 1760 Hou Xiaoxian = Hou Hsiao-hsien (by Oiver, et al.) ᢡᖮᐊ = Hou Hsiao-hsien (by Oiver, et al.) 1763

528

Title Index

Hou Xiaoxian dian ying jiang zuo = Hou Hsiao-hsien Master Class (Guilin) ᢡᖮᐉӈ‫܇ؙ‬ӏ = Hou Hsiao-hsien Master Class (Guilin) 0413, 0709, 1014, 1762 Hou Xiaoxian dian ying jiang zuo = Hou Hsiao-hsien Master Class (Xianggang) ᢡᖮᐊӇ‫܈ؙ‬ӏ = Hou Hsiao-hsien Master Class (Xianggang) 0412, 0708, 1013, 1761 Hou Xiaoxian: Taiwan xin dian ying de dai biao ren wu ᢡᖮᐊ: ‫ݡ‬ஹЈӇ‫ؙ‬ϡ‫ڊ‬ԣϪ‫׉‬ 0423, 1765 Hou Xiaoxian yu Cai Mingliang zhi hou: Taiwan dian ying yu Faguo xing xiao zhi yan jiu fen xi See After Hou Hsiao Hsien and Tsai Ming Liang: A case study of promotion of Taiwan cinema in France = Hou Xiaoxian yu Cai Mingliang zhi hou: Taiwan dian ying yu Faguo xing xiao zhi yan jiu fen xi Hou Xiaoxian yu Yang Dechang dian ying bi jiao yan jiu ᢡᖮᐉԁ໶ख़ቾӈ‫ؙ‬ԝࢹ୳ૢ 0453a, 1772a, 1924 Hsing Retrospective: Selected Film Screenings / Complete Screenings See Li Xing ba shi: Li Xing zuo pin jing xuan zhan / Dian ying liu shi: Li Xing zuo pin quan zhan = Li Hsing Retrospective: Selected Film Screenings / Complete Screenings Hu Die ഐႵ 1991 Hu Die chuan qi ഐႵ‫࡞ة‬ 1989 Hu Die: dian ying huang hou ഐႵ䩭ӈ‫ؙ‬෦њ 1993 Hu Die hua zhuan ഐႵࡌ‫ت‬ 1986 Hu Die hui yi lu (Beijing, 1987) ഐႵҘষ࠹ (Beijing, 1987) 1980 Hu Die hui yi lu (Beijing, 1988) ഐႵҘষ࠹ (Beijing, 1988) 1981 Hu Die hui yi lu (Taibei, 1986) ഐႵҘশ࠷ (Taibei, 1986) 1979 Hu Die nu shi Ou you ji nian ce / Chen Jiazhen bian ഐႵѽࡲଟղઔ݉ೠ 1984 Hu Die nu shi Ou you za ji ഐႵѽࡲଟղ૝֮ 1983 Hu Die qing shi ഐႵєѨ 1994 Hu Die xian wei ren zhi de gu shi ഐႵ৲ЋϪҌϡ‫ݞ‬Ѩ 1988 Hu Die zhuan ഐႵ‫ت‬ 1977

Hu Die zi zhuan ഐႵІ‫ة‬ 1982 Hu Jinquan de shi jie ഐ‫ؖ‬⠌ϡԒ֎ 0653, 1785 Hu Jinquan de yi shu shi jia ഐ‫ؖ‬⠌ϡਲफԒ֎ 0651, 1783 Hu Jinquan dian ying chuan qi ഐ‫ؖ‬⠌Ӈ‫࡞ةؙ‬ 0652, 1784 Hu Jinquan wu xia dian ying zuo fa = A touch of King Hu ഐ‫ؖ‬⠌ેཱུӇ‫ؙ‬ӑ֚ = A touch of King Hu 1781 Hua hun ޫฆ 2204 Hua ji Ր់ 2368 Hua ren wen hua chan ye ying yun mo shi zhi yan jiu: yi Ma Youyou, Li An, Jimi zhi ge an wei li ‫ܓ‬Ϫҹ٩‫ػॺ׬ݗ‬থܴҏ୳ૢ: йެҎҎ, ଽԥ, ӫܶҏϫଈЊຎ 1407 Hua ren zong heng tian xia = The world is not enough ‫ܗ‬Ϫ࿀่ϳЎ = The world is not enough 1828 Hua xin xue shu cong shu ‫ܓ‬ಶѹफᜣ‫ڣ‬ 0928 Hua yi qian shen Րশӓӱ 2083 Hua yu dian ying 10 dao yan ‫ܬܗ‬ӈ‫ؙ‬10ࣔࠟ 1700 Hua yu dian ying 2000 bu “Die zhong die” xi lie ‫ܬܗ‬ӈ‫ؙ‬2000‫”ח‬ᖦЅᖦ”‫࠶ڍ‬ 0069, 0805, 1211 Hua yu dian ying 2005 ‫ܬܗ‬ӈ‫ ؙ‬2005 0344, 0714, 1127, 2668 Hua yu dian ying 2006 ‫ܬܗ‬ӈ‫ ؙ‬2006 0345, 0715, 1128, 2669 Hua yu dian ying 2007 ‫ܬܗ‬ӈ‫ ؙ‬2007 0346, 1129 Hua yu dian ying 2008–2009: dian ying ren ying ping ren yan li de ling ba ling jiu hua yu dian ying fa zhan qu xiang ‫ܬܗ‬ӈ‫ ؙ‬2008–2009䩭ӈ‫ؙ‬Ϫ‫ؙ߯‬ϪՒѦϡജࡂജ॰‫ܬܗ‬ӈ‫ؙ‬т ࣁࠌ‫ז‬ 0347, 1130 Hua yu dian ying de ba she zhe—Li Xing dao yan dian ying zuo pin yan tao hui lun wen ji ‫ܬܗ‬ӈ‫ؙ‬ϡ᡿ᇎ‫—ٷ‬ଽҲࣔࠟӈ‫ؙ‬ӑԘ୳ॗϿ‫ڹ‬ҹओ 1852

529

Title Index

Hua yu dian ying de Haolaiwu shi xing xiao—yi “Ying xiong” “Shuang tong” zai Taiwan de xing xiao wei li = The Hollywood marketing of Chinese movies—taking “Hero” and “Double vision” as examples ‫ܭܓ‬Ӈ‫ؙ‬ϡϮᒀᩕܴҲઍ—й “߭೰” “‫ ”᧢ד‬Ϩ‫ݡ‬ஹϡҲઍЊຎ = The Hollywood marketing of Chinese movies—taking “Hero” and “Double vision” as examples 2623 Hua yu dian ying de mei xue ge ming yu wen hua hui liu: Dalu, Xianggang, Taiwan “xin dian ying” yan jiu ‫ܬܗ‬ӈ‫ؙ‬ϡѤѺཪ‫ܞ‬ԁҹ٩ཹԵ䩭Ͻ૖䩟‫ܫ‬୯䩟‫ݡ‬ළ”Јӈ‫”ؙ‬ ୳ૢ 0409, 1012, 1122 Hua yu dian ying gong ye: fang fa yu li shi de xin tan suo ‫ܬܗ‬ӈ‫׭ؙ֞‬䩭Ҥ֚ԁࣄ੗ϡЈ෬౱ 2526 Hua yu dian ying: kua di jiao liu yu shen fen ren tong ‫ܬܗ‬ӈ‫ؙ‬䩭ቄс‫ے‬Եԁӱ‫ڶڤ‬ӎ 1138, 1439 Hua yu dian ying li shi yan tao hui lun wen ji = Symposium on Chinese film history ‫ܭܓ‬Ӈ‫ؙࣵ‬੗୳क़Ͼ = Symposium on Chinese film history 0100 Hua yu dian ying ming xing: biao yan, yu jing, lei xing ‫ܬܗ‬ӈ‫ؙ‬Ҵլ䩭ԣࠟ䩟‫॒ܬ‬䩟णࡿ 1951 Hua yu pian die zhong die ‫ܬܗ‬әᖦЅᖦ 0069, 0805, 1211 Hua yue zheng chun feng Ր֊Ԝࡇգ 2260 Huai nian jin qu jiu shi qing I: cong Shanghai Xianggang dao Danshui he ॕ݉‫ॽؖ‬଒ЖєI: ԩϼ֋‫ܫ‬୯Ϻࡎһ૯ 2633 Huan wo he shan, you ming: Tian Dan fu guo ji УϢ૯‫ځ‬, ҍӜ: ೧‫࣢؁‬л֮ 2374 Huang guan cong shu ෦ഃᜣ‫ڣ‬ 0688, 0851, 0931, 1734, 1936, 1960, 2066, 2176, 2248, 2641 Huang pao jia shen ࢶᤓӸӱ 2346 Huang se gu shi ࢶա‫ݞ‬Ѩ 2112 Hui gu yu zhan Wang: Zhong ying 1998 jing dian te kan Ҙઆӿࣁֳ: Ѕ‫ؙ‬1998Ҭਹ‫ئ‬ᑂ 0498 ICLE Taiwan gong ren wen hua xi lie ICLE ‫ݡ‬ஹ֞Ϫҹ٩‫࠶ڍ‬ 0700, 1468, 1555 The image of America delivered by American TV programs and movies to the Chinese in Taiwan 1248 Images of Asia 0370, 1714

Immigrant subjectivities in Asian American and Asian Diaspora literatures 1817 Innovation or recycling: Mandarin classics and the return of the wenyi tradition 0310, 0643 The interactive relationship among “body,” “space” and “city” in five “New New Taiwan Films” of the 1990s 0416, 1561 International film guide 1988 0033 The international Film Index 1895–1990 0030 The international film industry: a historical dictionary 0036, 2545 International film, television and video acronyms 0035 International symposium and short-term training for film preservation and restoration compilation of essays See 2006 Dao dai jiu ying chong xian: Ying pian bao cun xiu hu guo ji yan tao hui ji ren cai duan qi pai xun ji hua yan xi shou ce = International symposium and short-term training for film preservation and restoration compilation of essays La investigacion economica de la industria cinematografica de Taiwan See Taiwan dian ying shi ting chan ye zhi jing ji diao cha = La investigacion economica de la industria cinematografica de Taiwan La investigacion economica de la industria cinematografica de Taiwan: archivos See Taiwan dian ying shi ting chan ye zhi jing ji diao cha: tian ye diao cha ri zhi = La investigacion economica de la industria cinematografica de Taiwan: archivos Island on the edge: Taiwan New Cinema and after 0418, 1016 Iwanami bukkuretto ᎚ம䭅䬲䬞䭛䬲䬷 0447, 1770 Japanese colonial film enterprise 1937–1945: imagining the imperial Japanese subject 0237, 1095 Ji de dang shi ֮ЏԄЖ 2171 “Ji lu guan dian” jiu jing ji lu shui de guan dian? Qie kan gong shi jiao gai xi lie ji lu pian = Whose viewpoint was “Viewpoint” documenting? Documentaries of Education Reform “ઔ࠷޲ѡ” ૢफ़ઔ࠷Ոϡ޲ѡ? ॸЃԍ؆‫࠶ڍۨڌ‬ઔ࠷ә = Whose viewpoint was “Viewpoint” documenting? Documentaries of Education Reform 0574, 1327, 1610 Ji lu pian she zhi zhi li lun yu shi jian ઔ࠷ә଄३ҏԑ‫ں‬ӿӢᒂ 0558, 0946 Ji lu pian sheng chan de ping min hua: 95–98 nian di fang ji lu she ying gong zuo zhe xun lian ji hua de jing yan yan jiu = The Accessibility of Making People Documentary ઔ࠷әТ‫ݗ‬ϡ‫ھכ‬٩: 95–98ёсҤઔ࠷଄‫ؙ֞‬ӑ‫ٷ‬ਗ୚‫ޫذ‬ϡ Ҭࡐ୳ૢ = The Accessibility of Making People Documentary 0556

530

Title Index

Ji lu pian zhi zhi zuo ઔ࠷әҏ३ӑ 0555, 0944 Ji lu Taiwan: Taiwan ji lu pian yan jiu shu mu yu wen xian xuan ji ઔ࠷‫ݡ‬ஹ: ‫ݡ‬ஹઔ࠷ә୳ૢ‫ڣ‬۵ӿҹຶ‫ק‬ओ 0008, 0245, 0281, 0571, 0674, 0718, 0968, 1270, 1281, 1324, 1475, 1563, 1702, 2440, 2715 Ji lu Taiwan: Taiwan ji lu pian yu xin wen pian ying ren kou shu ઔ࠷‫ݡ‬ஹ: ‫ݡ‬ஹઔ࠷әӿЈࢨә‫ؙ‬Ϫ‫ט‬਎ 0107, 0572, 1664 Ji lu yu tan suo: 1990 -2000 da lu ji lu pian de fa zhan yu kou shu ji lu ઔ࠷ӿ෬౱: 1990–2000Ͻ૔ઔ࠷әϡчࣁӿ‫ט‬਎ઔ࠷ 0597, 1177 Ji lu yu tan suo: yu da lu ji lu pian gong zuo zhe de shi ji dui hua ઔ࠷ӿ෬౱: ӿϽ૔ઔ࠷ә֞ӑ‫ٷ‬ϡԒઔхҧ 0598, 1178 Ji shang zhi meng: “Hai shang hua” dian ying quan ji lu ࡗϼҏْ: “֋ϼՐ” Ӈ‫ؙ‬Ҫઔ࠷ 0849 Ji yi zai xian de fu diao yu dui hua: lun Yang Dechang dian ying “Guling jie shao nian sha ren shi jian” = The polyphony and dialogue of the reproduction of memories: A Bright Summer Day ֭ষӐѴϡߒ݆ԁцҦ䩭‫ڹ‬໶ख़ቾӈ‫⚯“ ؙ‬ᗮঅվё৹ϪѨխ” = The polyphony and dialogue of the reproduction of memories: A Bright Summer Day 0426a, 0842a, 1917 Ji zhe 25 xiao shi xi lie ֮‫ٷ‬25ЩЖ‫࠶ڍ‬ 0179, 0792, 1691a Ji zhe cong shu di san zhong ֮‫ٷ‬ᜣ‫ڣ‬ҷѧ҆ 0568, 1609 Jia bian рԺ 2375 Jia quan qiu hua = Fake globalization ޳Ҫ‫ܧ‬٩= Fake globalization 0903, 1365 Jia ting jiao yu zhong xin zhuan ye xi lie gong zuo shou ce р೛‫ڌ‬ड़‫ࠔע‬ЅК֟‫࠶ڍ׬‬Ѳೠ 0062, 1329 Jia zhi de zhui xun: liang an chuan bo yu wen hua lun ji ٢ߚϡ৪ଵ: Ҕ࿝‫ة‬৚ӿҹ٩‫ں‬ओ 0349, 1134 Jia zhuang yi niu che (dian ying ju ben) ผೳϣܵӝ (Ӈ‫ঁؙ‬ӆ) 2284 Jian dan pian de ren ᄝ೵әϡϪ 2376 Jian kang shu ࡬ࣉ‫ڣ‬ 1409 Jian ying da qiao ᕢ⑵Ͻ൮ 2352 Jiang Qing de wang shi, wang shi, wang si ࢖‫ݙ‬ϡ‫܊‬Ж, ‫܊‬Ѩ, ‫ڽ܊‬ 1997

Jiang xie sheng jian ԕ࿕‫঺ظ‬ 2367 Jiao han “Kai mai la” de nu xing—Taiwan shang ye pian nu dao yan ji qi zuo pin yan jiu ‫چ‬ஃ “ы๤ࠁ” ϡѽԛ—‫ݡ‬ஹ࠱‫׬‬әѽ࣒ࠟߵԷӑԘ୳ૢ 0551, 1641, 1704 Jiao juan li de miu si: 2002 nian “Xinzhu shi li ying xiang bo wu guan” guan zhong guan ying xing wei yu sheng huo jing tai diao cha bao gao ᄶᒹѶϡ‘‫ڽ‬: 2002 ё “Јኵ‫ؙ߹ص‬Ռѕ‫׉‬ఖ” ޲ੁ޲‫ؙ‬ҲЊӿ Т҅ࡿ‫ݍڻݓ݇ݯ‬ 0196, 1547 Jiao Xiongping kan dian ying: Tai Gang xi lie ဖ೰๔ЃӇ‫ؙ‬: ‫ݡ‬୯‫࠶ڍ‬ 0722, 1135 Jiao yu ying ping ji ‫ڌ‬ड़‫ؙ߰‬ओ 0724, 1325 Jie du Qiongyao ai qing wang guo ‫ࢵث‬ᬆᴽДєࣼл 0679, 1388, 1640 Jie gou ba shi nian dai xiao yuan xue sheng dian ying: Lei xing, xing bie, guo zu ren tong = Deconstruction of Teenager-Campus Films in the 80’s: Genre, gender and national identity ‫ث‬ภࡂ֐ё‫ࡩޥڊ‬ѹТӇ‫ؙ‬: ढࡿ, ԛԇ, лఓ‫گ‬ӎ = Deconstruction of Teenager-Campus Films in the 80’s: Genre, gender and national identity 0363, 0678 “Jie jin Ai Jing” she ying ji “‫ײב‬ዐ෧” ଄‫ؙ‬ओ 2026 Jie yan hou Taiwan dian ying zhong qing shao nian cheng zhang / bang pai jing yan yi qi wen hua fen xi യଲћ‫ݡ‬ஹӇ‫ؙ‬Ѕ‫ݙ‬վёюӕ / ‫ݧ‬൨Ҭࡐйߵҹ٩д໯ 1656 Jie yi fu ren ‫ڞ‬चਜ਼Ϫ 2174 Jilong wen xin cong kan ऴᇐҹКᜣᑂ 0225, 2437 Jin bu cong shu Ք‫܌‬ᜣ‫ڣ‬ 0326, 0484, 0554, 1538 Jin da ban de zui hou yi ye ‫ؖ‬Ͻ‫ڡ‬ϡзћϣ١ 2103 Jin Ma jiang de zai xian fen xi (1962–2000) ‫ެؖ‬؉ϡӐѳд໯ (1962–2000) 1148, 2479 Jin ma jiang dui Taiwan Hua yu ying pian xiao shou piao fang ying xiang zhi tan tao ‫ެؖ‬؉х‫ݡ‬ஹ‫ؙܭܓ‬әઍତ‫ؙࠚܯ‬৘ҏ෬क़ 2480, 2611 Jin Ma xing zong san shi nian: li jie Jin Ma ying di hou de cang sang ‫ެؖ‬լᏈѧ֐ё: ࣵโ‫ؙެؖ‬෌њϡፄᇤ 1198, 1964, 2485

531

Title Index

Jin sheng xiang sui: Yang Huishan, Zhang Yi yu Liu li gong fang ѵТԚ‫ڨ‬: ໷௑ᦸ, ‫פ‬ᗥӿ᧑ᅏ֞ࠚ 1937, 2019 Jin wen cong shu; 108 ‫ؖ‬ҹᜣ‫ڣ‬ 0727, 1671 Jing shen xue mai de ying xiang biao zheng: Yang Dechang, Li An dian ying de chuan tong wen hua jie du ‫߱ظؘ‬ኼϡ‫ؙ‬Ռԣ෥䩭໶ख़ቾ䩟ଽԥӈ‫ؙ‬ϡ‫ࢅت‬ҹ٩‫ࢴث‬ 0432a, 1816a, 1919 Jing tou xia de ai qing ஗ӰЎϡДє 0803 Jing xiang yu wen hua: Gang Tai dian ying yan jiu ஖Ռԁҹ٩䩭୯‫ݡ‬ӈ‫ૢ୳ؙ‬ 0350, 0426, 1020, 1139 Jinshui shen qin qing si hai ‫ؖ‬һᣊ֪єঐ֋ 2201 Jiu ge wen ku ॰‫ܮ‬ҹᆞ 1893, 2343 Jiu shi nian dai nü shi wen ku ॰֐ё‫ڊ‬ѽࡲҹᆟ 1965 Jiu shi nian dai Taiwan dian ying zhong de Taibei cheng shi tu xiang yi “Ai qing wan sui,” “Shao nian ye, an la,” “Du li shi dai” wei li ॰֐ё‫ݡڊ‬ஹӇ‫ؙ‬Ѕϡ‫֖صڵܚݡ‬Ռй”Дє‫ۈݛ‬,” “վёЇ, ԥ ֯!” “‫߹ݻ‬Ж‫”ڊ‬Њຎ 0230, 0353, 1569 Jiu shi nian dai zheng jing bian qian zhong de Taiwan dian ying gong ye ॰֐ё‫ूڊ‬ҬԺቜЅϡ‫ݡ‬ஹӇ‫׬ؙ֞‬ 1250a, 1312, 1482, 2536 Jiu shi nian du you liang dian ying ju ben ॰֐ё֏‫ݿ‬મӇ‫ঁؙ‬ӆӑԘ 2178, 2279 Jiu shi yi nian du you liang dian ying ju ben ॰֐ϣё֏‫ݿ‬મӇ‫ঁؙ‬ӆӑԘ 2179 Journey to cinema: a guide book for film-makers on locations in Kaohsiung county See Guang ying ji xing: Gaoxiong xian ying shi kan jing shou ce = Journey to cinema: a guide book for film-makers on locations in Kaohsiung county Ju qing pian quan pian mu (Dian ying zi liao ku gui hua an fu jian) ঁєәҪә۵ (Ӈ‫ࢧޞؙ‬ఖ੺੿ଈปխ) 0009 “Ju ren—Zhao Qibin” ji nian wen ji “ঁϪ—ᕿ⓭ᝯ” ઔ݉ҹओ 2077 Ju zhao hui shuo hua ঁؕϾМҧ 2718 Jue di fan ji = Striking back ߺс‫ = ܂ބ‬Striking back 2172

Jun yong de dian ying dui bai ℚ‫ݖ‬ϡӇ‫ؙ‬хՁ 0987 Ka fei shi guang, suo yin ౹೑Ж‫ׇ‬, ౱৉ 0031, 0856 Ka tong dian ying: ka tong dong hua de shi ji zhi zuo ji fa = Cartoon animation art १֡Ӈ‫ؙ‬: १֡ҁޫϡӢগ३ӑ৔֚ = Cartoon animation art 0523, 0525 Ka tong ying pian zhi zuo १֡‫ؙ‬ә३ӑ 0521 Kai mai la ы๤ࠁ 0803 Kai te wen hua xing sheng huo Ꮞ‫ئ‬ҹ٩լТ҅ 0834 Kai tuo Tai yu pian de nu xing xian qu ыᓛ‫ܭݡ‬әϡѽԛ܏ᒠ 0290, 1634, 1662 Kan bu dao de dian ying—bai nian jin pian da guan ЃϤϺϡӇ‫ښ—ؙ‬ё๫әϽ޲ 0516, 1481, 1570, 2442 Kan dong Li An: di yi ben cong xi fang guan dian po xi Li An zhuan shu = Ang Li: The Cinema of Ang Lee: the other side of the screen Ѓ‫ګ‬ଽԥ: ҷϣӆԩ՝Ҥ޲ѡ៖໯ଽԥ֟‫ =ڣ‬Ang Li: The Cinema of Ang Lee: the other side of the screen 1804 Ke tu qiu hen ‫ۺ‬ಬ‫ڠ‬௤ 2305 Kejia, mei ti, zai xian ‫ۺ‬р, ෪Ղ, Ӑѳ 1367, 1614 King Hu’s A Touch of Zen 0914, 1787 Kinematografiia Taivania = T’ai-wan tien ying 0158 Das Kino des Ang Lee: im Atem des verborgenen Drachen 1808 Das Kino von Ang Lee: von der chinesischen Philosophie, Kunstauffassung und Kultur zu filmästhetischen Prinzipien 1809 “Kong bu fen zi” de fen lie cheng shi—Dian ying de du shi xiang zheng yan jiu = The urban schizophrenia within “Terrorizers”: the symbolic analysis of cinematics “౦࿙‫ڤ‬ж” ϡдი‫—صڵ‬Ӈ‫ؙ‬ϡЁ‫ࢣص‬ၹ୳ૢ = The urban schizophrenia within “Terrorizers”: the symbolic analysis of cinematics 0857, 1554 Kong shou dao shao nu zu = Karate girls ‫׺‬ѲѬվѽ६ = Karate girls 2180 Ku lian ܿߧ 2100

532

Title Index

Kua guo zhi zuo dui Taiwan dian ying zhi zuo ying xiang zhi tan tao: yi “shuang tong” wei li = An examination on international co-production in Taiwanese film production: a case study on “Double vision” ቄл३ӑх‫ݡ‬ஹӇ‫ؙ‬३ӑ‫ؙ‬৘ҏ෬क़: й”‫”᧢ד‬Њຎ = An examination on international co-production in Taiwanese film production: a case study on “Double vision” 0891, 1345 Kua shi ji Taiwan dian ying shi lu = The chronicle of Taiwan cinema, 1898–2000 ቄԒઔ‫ݡ‬ஹӇ‫ؙ‬Ӣ࠷ = The chronicle of Taiwan cinema, 1898–2000 0115 Kua yue jiang jie: lun Li An “Tui shou” ji “Xi yan” zhong de wen hua han hun yu chong xin ding wei = Crossing borders: Cultural ambivalence and relocation in Ang Lee’s Pushing Hands and The Wedding Banquet ቄքቨ֎: ‫ں‬ଽԥ “ԐѲ” ߵ “㏵ᑱ” Ѕϡҹ٩ଭౢӿԳЈӡ֧ = Crossing borders: Cultural ambivalence and relocation in Ang Lee’s Pushing Hands and The Wedding Banquet 0894, 0912, 1566 “Kua yue tong zhi yu jia ting de hong gou”: tan tao Li An “Duan bei shan” zhong de tong zhi yu jia ting zhi jian de zheng zha = “Family that hurts”: Struggle between family and homosexuality in Ang Lee’s Brokeback Mountain “ቄքӎ࢑ӿр೛ϡ᜞ཻ”: ෬क़ଽԥ “ऄࠧ‫ ”ځ‬Ѕӎ࢑ӿр೛ ҏҼϡᄋႹ= “Family that hurts”: Struggle between family and homosexuality in Ang Lee’s Brokeback Mountain 0625, 0830, 1531 Kuang tu ri ji ৛ၵя֮ 2018 Kunfu doragon daizensh䲚: Bur䲚su R䲒 kara Jakk䲒 Chen KUNG FU!䬸䭘䬣䭢ϽҪओ : 䭅䭚䴈䬨ί䭙䴈䪼䫺䬧䭒䬲䬜 䴈ί䬰䬖䭢 0650, 1123, 1955 Lai kan dian ying: Ping Zhen Shi Min Da Xue 93 nian she qu ying xiang du shu hui cheng guo fen xiang ϰЃӇ‫ؙ‬: ‫כ‬๰‫ھص‬Ͻѹ93ё‫ؙ‬Ռࢵ‫ڣ‬Ͼюҝдұ 0726 Lan deng zhi shi fen zi cong shu zhi ঢ୥Ҍࡦ‫ڤ‬жᜣ‫ڣ‬ҏ 0483 Lang hua ‫ع‬Ր 2377 Lao Ke de zui hou yi ge qiu tian ҡ॓ϡзћϣϫ‫ڠ‬ϳ 2306 Lao shao wu ge ban ҡվٚϫ‫ٻ‬ 2181 Lao ying xing, lao ying pian ҡ‫ؙ‬լ䩟ҡ‫ؙ‬ә 1953 Lei bao feng yun ๥ณգࠥ 2184

Leng yan guan ying ߤՒ޲‫ؙ‬ 0799 Li An (by Taibei Jin Ma guo ji ying zhan zhi xing wei yuan hui) ଽԥ (by Taibei Jin Ma guo ji ying zhan zhi xing wei yuan hui) 1811 Li An (by Zhang) ଽԥ (by Zhang) 1828 Li An de cheng gong fa ze: cong Google dao Anteng Zhongxiong dou shi zhe yang cheng gong de! = Ang Lee’s key to success ଽԥϡю‫֚ۋ‬छ: ԩGoogleϺԥᗳᇝ೰Ёϥ϶Ҋю‫ۋ‬ϡ! = Ang Lee’s key to success 1812 Li An de shi jie ଽԥϡԒ֎ 1805 Li An dian ying zhong de xing bie xing xiang = The gender images in Ang Lee’s movies ଽԥӇ‫ؙ‬Ѕϡԛԇ࣏ࢣ = The gender images in Ang Lee’s movies 1534, 1827 Li An “Duan bei shan” yu Zhnag Yimou “Shi mian mai fu” dian ying mei xue guan zhi bi jiao yan jiu = A comparative study of movie aesthetics between Ang Lee’s “Brokeback Mountain” and Yimou Zhang’s “House of flying daggers” ଽԥ “ऄࠧ‫ ”ځ‬ӿ‫פ‬ਲጚ “֐ӌႲቛ” Ӈ‫ؙ‬Ѥѹ޲ҏԝࢺ୳ૢ = A comparative study of movie aesthetics between Ang Lee’s “Brokeback Mountain” and Yimou Zhang’s “House of flying daggers” 0829, 0974 Li Bai wen cong ଽՁҹᜣ 1717 Li Gang pei ni kan dian ying ଽᐻোϧЃӇ‫ؙ‬ 0729 Li Han-hsiang, storyteller = Feng hua xue yue Li Hanxiang Li Han-hsiang, storyteller = գՐઞ֊ଽᲆፖ 1847 Li Hanxiang “Liang Zhu” dian ying yan jiu: yi nu xing guan zhong ning shi jiao du fen xi ଽᲆፖ “ᅯࢇ” Ӈ‫ૢ୳ؙ‬: йѽԛ޲ੁ፝؆ࡠ֏д໯ 1642, 1848 Li Hanxiang—Taiwan dian ying de kai tuo xian feng ଽᲆፖ—‫ݡ‬ஹӇ‫ؙ‬ϡыᓛ܏ᅷ 1839 Li kai dian ying yuan zhi hou ‫ڐ‬ыӇ‫ࡨؙ‬ҏћ 0748 Li Linqiu yu Wang Chun Feng de nian dai ଽெ‫ڠ‬ӿֳࡇգϡё‫ڊ‬ 1051, 1415, 2053, 2059, 2634 Li ming wen cong ሑҴҹᜣ 0742 Li shi de jiao zong: Tai ying wu shi nian ࣵ੗ϡऍᏇ: ‫ؙݡ‬ٚ֐ё 0489 Li shi yu xian chang ࣵ੗ӿѳԾ 1198, 1964, 1997, 2485

533

Title Index

Li Xing ba shi: Li Xing zuo pin jing xuan zhan / Dian ying liu shi: Li Xing zuo pin quan zhan = Li Hsing Retrospective: Selected Film Screenings / Complete Screenings ଽҲࡂ֐: ଽҲӑԘ‫ ࣁקؘ‬/ Ӈ‫֐ࡏؙ‬: ଽҲӇ‫ؙ‬ӑԘҪࣁ = Hsing Retrospective: Selected Film Screenings / Complete Screenings 1855 Li Xing de ben shi ଽҲϡӆѨ 1856 Li Xing—yi jia zi de hui huang ଽҲ—ϣപжϡሓᑟ 0314, 1003, 1854 “Li xing” yu “gan xing” de dui yi : Yang Decang Hou Xiaoxian dian ying bi jiao yan jiu = Sense and sensibility of the unity of opposites: the comparative study on film of Edward Yang and Hou Hsiao-Hsien “ԑԛ”ԁ “Ҁԛ”ϡцᷓ䩭໶ख़ቾԁᢡᖮᐉӈ‫ؙ‬ԝࢹ୳ૢ= Sense and sensibility of the unity of opposites: the comparative study on film of Edward Yang and Hou Hsiao-Hsien 0474a, 1775a, 1929 Lian = Face ࠙ = Face 0859, 1735, 2198 Lian bang dian ying shi dai ࡀᕹӇ‫ؙ‬Ж‫ڊ‬ 0493 Lian he bao cong shu ࡀׁ‫ڻ‬ᜣ‫ڣ‬ 1979 Lian he wen cong ࡀׁҹᜣ 0903, 1365, 1790, 1791, 1861, 1862, 1863 Lian he wen xue ࡀׁҹѹ 1862 Lian lian feng chen: ju ben ji yi bu dian ying de kai shi dao wen cheng ߧߧգຳ: ঁӆߵϣ‫ח‬Ӈ‫ؙ‬ϡы‫״‬Ϻԟю 0860, 1901, 2307 Lian lian Sanchong xi lie ߧߧѧԳ‫࠶ڍ‬ 0232 Lian lian wu ying xiang tu wen quan ji lu = Step by step ୚ߧଢ‫ؙ‬Ռ֖ҹҪ ઔ࠷ = Step by step 0863 Lian ya cong kan ࡀਐᜣᑂ 0767, 1715, 1962 Liang an da zhong chuan bo jiao liu xian kuang yu fa zhan Ҕ࿝Ͻੁ‫ة‬৚‫ے‬Եѳୄӿчࣁ 1149 Liang an san di ying ping ren yan tao hui lun wen ji Ҕ࿝ѧс‫ؙ߰‬Ϫ୳क़Ͼ‫ں‬ҹओ 0731, 1150, 2043 Liang ge you qi jiang ൝ϫ‫ܟ‬Ꮖ᪢ 2308

Lianshi Zhongyan te ji: yi ci yu dian ying de bei ju xing jiao wang / Xu Jielin zhu bain ၬӢԳᴧ‫ئ‬ओ: ϣҋӿӇ‫ؙ‬ϡ঳ঁԛ‫܊ے‬ 0701 Liao Tianding ᴰྔ౨ 2309 Lin Qingxia Dunhuang li xian ji ৆‫ݙ‬ᎇᆼᑟࣵঔ֮ 2008 Lin Qingxia hua zhuan ৆‫ݙ‬ᎇࡌ‫ت‬ 2006 Lin Qingxia jin xi ৆‫ݙ‬ᎇѵᘎ 2012 Lin Qingxia zai da lu ৆‫ݙ‬ᎇϨϽ૖ 2005 Lin Qingxia zhuan ৆‫ݙ‬ᎇ‫ت‬ 2013 Lin Qingxia zi shu ৆‫ݙ‬ᎇІ਎ 2007 Lin tou zi ৆‫ۄ‬ᐕ 2141 Lin Tuanqiu ৆Ⲥ‫ڠ‬ 1860, 2060 Ling yi zhong dian ying shi xue: Hou Xiaoxiang dian ying li de huo che—ying xiang = Towards alternative cinematic poetics ࡔϣ҆Ӈ‫ؙ‬உѹ: ᢡᖮᐊӇ‫ؙ‬Ѷϡ‫ڮ‬ӝ—‫ؙ‬Ռ = Towards alternative cinematic poetics 0430, 1023, 1766 “Ling yi zhong qing ting”—jia ting jiao yu dian ying xin shang tao lun shou ce “ࡔϣ҆෵ԯ”—р೛‫ڌ‬ड़Ӈ‫ؙ‬ಶ೘क़‫ں‬Ѳೠ 0062, 1329 Ling yi zhong zhu shi: Taiwan dian ying zhong de bing ren ࡔϣ҆‫ڀ‬؆: ‫ݡ‬ஹӇ‫ؙ‬Ѕϡ࠴Ϫ 1458 Ling yu zhi lu ࢼ௰ҏբ 2261 Literatura i iskusstvo KNR, 1976–1985 1390 Literatura i iskusstvo KNR nachala 90-x godov 1389 Liu li dao ying Ե‫ؙޯڐ‬ 0866 Liu li wen xue ᧑ᅏҹѹ 0793 Liu mang shi jia ԵᎼԒр 2222

534

Title Index

Liu Na’ou guo ji yan tao hui lun wen ji = International Conference on the Works of Liu Na’ou ฀໭ᾥлগ୳क़Ͼ‫ں‬ҹओ 0256, 1872 Liu Na’ou quan ji, dian ying ji ฀໭ᾥҪओ, Ӈ‫ؙ‬ओ 0250, 1866 Liu Na’ou quan ji, li lun ji ฀໭ᾥҪओ, ԑ‫ں‬ओ 0251, 1867 Liu Na’ou quan ji, ri ji ji ฀໭ᾥҪओ, я֮ओ 0252, 1868 Liu Na’ou quan ji, wen xue ji ฀໭ᾥҪओ, ҹѹओ 0253, 1869 Liu Na’ou quan ji, ying xiang ji ฀໭ᾥҪओ, ‫ؙ‬Ռओ 0254, 1870 Liu Na’ou quan ji, zeng bu ji ฀໭ᾥҪओ, Ҷਣओ 0255, 1871 Liu shi nian dai guo pian ming dao ming zuo xuan ࡏ֐ё‫ڊ‬ләӜ࣒Ӝӑ‫ק‬ 0122 Liu Yi dian ying cong shu ฀ਲӇ‫ؙ‬ᜣ‫ڣ‬ 0931 Liu yi xiong ࡏ௅᥷ 2209 Loft 006 0863 Long Fang xian sheng ji nian ce हᇙ܏Тઔ݉ೠ 0490, 1875 Long Fang xian sheng li nan nian zhou nian ji nian zhuan ji हᇙ܏Т∿Ԣ⃖‫ڬ‬ёઔ݉֟ओ 1876 Lu Binghua Ⴡ઄Ր 2310 Lu du yu cong shu ੑ⤲‫־‬ᜣ‫ڣ‬ 2102 Lu ge = Shan nian zu Ⴡࢯ = վё६ 2088 Lu Sushang: yin hua piao luo ᧛पϼ: ુ‫ܓ‬൳޻ 1878, 2048, 2062 Lubinxun piao liu ji Ⴡඐᖱ੆Ե֮ 1862 Lun dao yan dui yu dian ying te xing ying you de ren shi yu kong zhi ‫࣒ࠟں‬хҿӇ‫ئؙ‬ԛ‫׎‬ϩϡ‫ࡦگ‬ӿସ‫ء‬ 0994 Lun liang an san di dian ying ‫ں‬Ҕ࿝ѧсӇ‫ؙ‬ 0121, 1151, 2535, 2677

Lun wo guo dian ying jian cha zhi du zhi he xian xing—yi dian ying fa die r shi liu tiao zhi shi liu tiao zhi shi qian shen cha wei zhong xin ‫ں‬ϢлӇ‫ؙ‬ഛ‫֏ءݓ‬ҏׁᬊԛ—йӇ‫ؙ֚‬ҷԏ֐ࡏָҏѨӓᅭ ‫ݓ‬ЊЅК 2443, 2576 Luo gong Xueliang shi shi wu zhou nian ji nian ji ஛ԍѹ⻋ᅴԒٚ‫ڬ‬ёઔ݉ओ 1879, 2046 Luo Qing kai dian ying: yuan xing yu xiang zheng ஛‫ݙ‬ЃӇ‫ؙ‬: ֍ࡿӿࢣၹ 0745 Luo shan feng ޻‫ځ‬գ 2311 Ma Sen ެာ 2063 Made in China 0127 Mai tian ren wen ๤೧Ϫҹ 0454, 0461, 0771, 0781, 0984, 1032, 1035, 1591, 1773 Mai tian wen xue ๤೧ҹѹ 1902, 1695a, 2059, 2609 Mai tian ying yin guan ๤೧‫ٸؙ‬ఖ 1052, 1417, 1694a Mai xiang er shi yi shi ji de Taiwan lu ying wen hua ji wei lai lu ying fa zhan de shi jie qu shi ፪‫ז‬ԏ֐ϣԒઔϡ‫ݡ‬ஹ࠷‫ؙ‬ҹ٩ߵ‫۔‬ϰ࠷‫ؙ‬чࣁϡԒ֎ࠊۢ 1623 Maruzen bukkusu ᐣ৖䭅䬲䬞䬨 0157, 0316, 0371, 0450, 0503, 1405, 1497 Maruzen raiburariȀ ᐣ৖䭘䬓䭅䭘䭙䴈 1175 The martial arts cinema of the Chinese diaspora: Ang Lee, John Woo, and Jackie Chan in Hollywood 0661, 1254, 1824 The martial arts film 0657, 1159, 1220 MAYA jing hua lun III: dong hua she ding yu fen zi te xiao = The evolution III of MAYA: animation and dynamic effect MAYA Ք٩‫ں‬III: ҁޫ‫ޗ‬ӡӿдж‫ = ݌ئ‬The evolution III of MAYA: animation and dynamic effect 0539, 2418 Mei gui, bai he, qian niu hua ᄮჃ, ‫ׁښ‬, ౻ܵՐ 2167 Mei gui mei gui wo ai ni ᄮჃᄮჃϢДϧ 2285 Mei hao sheng huo xi lie ѤϮТ҅‫࠶ڍ‬䦘 0383

535

Title Index

Mei jie yu ke ji: tou shi chuan bo wen hua yu she hui: di si jie dian ying dian shi lu ying guo ji xue shu hui yi lun wen ji = Mass communication and technology: a cultural and critical view: Proceedings of the fourth international symposium on film, television and video ෪ೀӿ॓৔: ਧ؆‫ة‬৚ҹ٩ӿघϾ: ҷ‫ף‬โӇ‫ؙ‬Ӈ؆࠷‫ؙ‬лগѹ फϾ৶‫ں‬ҹओ = Mass communication and technology: a cultural and critical view: Proceedings of the fourth international symposium on film, television and video 1580, 1605, 1612, 1624 Mei li, huai, nu ren = Not such a bad thing Ѥ‫ܡ‬, श, ѽϪ = Not such as bad thing 2036 Mei li shi guang: Zhang Zuoji ji qi du li zhi pian = The best of times Ѥ‫ܡ‬Ж‫ׇ‬: ‫פ‬ӑ┫ߵԷ‫߹ݻ‬३ә = The best of times 0639, 1942, 2713 Mei luan tou jia Э᠚Ӱр 2199 Mei ti zai xian yu dang dai Taiwan min zu ren tong xing gou de gong gong lun shu fen xi ෪ՂӐѳӿԄ‫ݡڊ‬ஹ‫ھ‬ఓ‫گ‬ӎ࣏ภϡԍ࢕‫ں‬਎д໯ 0386, 1006, 1540, 1607 Mei xue yi shu lei Ѥѹਲफढ 0103, 0242, 0686, 1218, 1473 Mei xue yu shu min: 2008 Taiwan “Hou xin dian ying” xian xiang guo ji xue shu yan tao hui lun wen ji Ѥѹӿ⋚‫ھ‬: 2008 ‫ݡ‬ஹ “ћЈӇ‫”ؙ‬ѳࢣлগѹफ୳क़Ͼ‫ں‬ҹओ 0437, 1027 Meiguo dian ying zai Taiwan = American movie in Taiwan ѤлӇ‫ؙ‬Ϩ‫ݡ‬ஹ = American movie in Taiwan 1258, 2618 Melancholy drift: marking time in Chinese cinema 0746, 1157, 1708 Melodrama and innovation: literary adaptation in contemporary Chinese film 0342, 1124, 1381 Men zhen shi de chun tian: ming yi kan dian ying ՞ᑮॣϡࡇϳ: ӜࣦЃӇ‫ؙ‬ 1409 Meng huan qi shi: Yang Shiqi ji nian ji / Wang Weining, Tu Mingjun bian ji ْୀ್ࡲ: ໷ࡲᔂઔ݉ओ 2050 Meng li qing ren Lin Qingxia ٓѦєϪ৆‫ݙ‬ᎇ 2003 Meng suo Lan he ْྠ୪૯ 2223 Meng tai qi ji fa jian yan yi xiang xing cheng guo cheng zhi yan jiu = Proving the process of image formation through montage technic ྤѿ࡞৔֚ഛࡐҺࢣ࣏юОࡄҏ୳ૢ = Proving the process of image formation through montage technic 0999

Meng xiang de ding ge: shi wei yue shang shi jie ying tan de hua ren dao yan ْЂϡӡ۴: ֐֧ቷϼԒ֎‫ؙ‬Ⴋϡ‫ܓ‬Ϫ࣒ࠟ 1720 Meng ying ji—Zhongguo dian ying yin xiang ْ‫ؙ‬ओ—ЅлӇ‫ؙ‬୅ࢣ 0689 Meng yuan xing xi: Zhongguo ming xing ying shi ْ‫׼‬լ็: ЅлҴլ‫ؙ‬੗ 1947 Mengjia: jing zhuan xie zhen yu mu hou ji shi = Monga ⛑➩: ‫܎آؘ‬ѐӿ௷ћ֮Ӣ = Monga 0869, 1654 Mi hun zhen = Spellbound ࣿฆಔ = Spellbound 0747 Mian hua tang de zi wei ྡྷՐਫ਼ϡ༸‫ڏ‬ 2224, 2335 Miao ji le (52 leaves) ిࡗϦ(52 leaves) 2378 Miao ji le (17 leaves) ిࡗϦ(17 leaves) 2379 Millennium mambo 0876, 1755 Min sheng bao cong su ‫ھ‬Т‫ڻ‬ᜣ‫ڣ‬ 1956 Min sheng bao er tong tian di cong shu ‫ھ‬Т‫ڻ‬ճুϳсᜣ‫ڣ‬ 2736 Min zhong cong shu ‫ੁھ‬ᜣ‫ڣ‬ 0802 Min zhong dui Taiwan dian ying de ping jia yu dian ying xiao fei xing wei zhi guan xi yan jiu = Interrelationship between personal evaluations and consumer behaviors in Taiwan film ‫ੁھ‬х‫ݡ‬ஹӇ‫ؙ‬ϡ߰٢ӿӇ‫ٮ۽ؙ‬ҲЊҏԬ਽୳ૢ = Interrelationship between personal evaluations and consumer behaviors in Taiwan film 1557 Min zhong ri bao cong shu ‫ੁھ‬я‫ڻ‬ᜣ‫ڣ‬ 1958 Ming cheng yu jia zhi: Jin Ma jiang (1962–2003) yin yue jiang xiang bian qian zhi yan jiu = Name and value: the study of the transition of the music award of Golden Horse Award (1962–2003) Ӝिӿ٢ߚ: ‫ެؖ‬؉ (1962–2003)‫ٸ‬Ӏ؉Ժቜҏ୳ૢ = Name and value: the study of the transition of the music award of Golden Horse Award (1962–2003) 1426, 2488 Ming xing, dao yan zong heng tan Ҵլ, ࣒ࠟ྾ืড 1670 Ming xing, ge xing, si sheng huo Ҵլ, ‫ܮ‬լ, ೙Т҅ 1680

536

Title Index

Ming xing yi hen lu: li nian lai dian ying ming xing ge xing de yi ben lan zhang Ӝլ୾௤࠷: ࣵёϰӇ‫ؙ‬Ҵլ‫ܮ‬լϡϣӆಉு 1946 Ming xing zhi si ҴլҏӚ 0499, 1975 Minguo ren wu da xi ‫ھ‬мϪ‫׉‬Ͻ‫ڍ‬ 1993 Mo deng, Shanghai, xin gan jue: Liu Na’ou, 1905–1940 ಎࠪ, ϼ֋, ЈҀң: ฀໭ᾥ, 1905–1940 1874 Mo fa a ma ತ֚०֒ 2168 Mo fa a ma: wo ba a ma bian ka tong le ತ֚०֒: Ϣө०֒ᔨ१֡Ϧ 0870 Mo gong = A battle of wits ၢແ = A battle of wits 2386 A modernist auteur, Edward Yang: the first decade of his film career (1982–1991) 0429, 1918 Motel Cactus 2037 Mu niu yi tiao আܵϣָ 2225 Mu qian mu hou ටӓ௷ћ 1076, 2075 Mu yu nu আӿѽ 2226 Multiculturalism as Cultural Policy and Hybridity as Creative Practice in the Australian Cinema: The Works of Clara Law, Christopher Doyle and Tony Ayres 2041 Muzhi Longyao de Pingpu zu qun ji lu pian zhi quan shi feng ge yu zai xian zheng shi ަብ.ᑹ⮡ϡ‫כ‬ᰎఓळઔ࠷әҏ᙮ౠգ۴ӿӐѳू੽ 0608, 1279, 1292, 1340 Na nian han jia you gou chang ъёຘ޳ϩ‫ޡ‬ӕ 2312 Na yi nian wo men qu kan xue ъϣёϢИЧЃઞ 2336 Nan bei ge wang ۪‫ࣼܮܚ‬ 2177 Nan fang ji shi zhi fu shi guang ying ۪Ҥ֮ѨҏൿԒ‫ׇؙ‬ 0871, 2194 Nan Taiwan: dian ying dao yan zhen cang de pai pian chang jing = Zoom in Southern Taiwan ۪‫ݡ‬ஹ: Ӈ‫ੵؙ࣒ࠟ‬েϡ‫ޛ‬әԾ࢓ = Zoom in Southern Taiwan 0218, 1065

Nan tian ying xiang xi lie ۪ϳ‫ؙ‬Ռ‫࠶ڍ‬ 1959, 2642 Nan tong xing lian dian ying… ԲӎԛߧӇ‫…ؙ‬ 0616, 1524 Nan wang de san chang dian ying: huai jiu dian ying wen wu ji sheng huo qi wu zhan = Exhibition of memorial movie artifact & living implement Ԣ۲ϡ્ԾӇ‫ؙ‬: ॕ଒Ӈ‫ؙ‬ҹ‫׉‬᠕Т҅ॆ‫ = ࣁ׉‬Exhibition of memorial movie artifact & living implement 0225, 2437 Nan wang de yi tian Ԣ۲ϡϣϳ 2202 Nan yan zhi yin / Nan yan zhi ying: lun Li An dian ying zhong nan xing xing xiang de xing / bie zhan yan yu ren tong jian gou = Gender performativity and identity construction of male images in Ang Lee’s films Ԣߞҏೆ / Բߞҏ‫ؙ‬: ‫ں‬ଽԥӇ‫ؙ‬ЅԲԛ࣏ࢣϡԛ / ԇࣁࠟӿ ‫گ‬ӎࠃภ = Gender performativity and identity construction of male images in Ang Lee’s films 0621, 1528 Nanjing da xue xi ju ying shi xue cong shu ۪ߟϽѺۜঃ‫ؙ‬؇Ѻᜥ‫ڪ‬ 0189 Nantou xian wen hua zi chan cong shu ۪‫້ۄ‬ҹ٩‫ݗޞ‬ᜣ‫ڣ‬ 0798 Nanying gu zao wen hua zhuan ji ۪↡ࣲՉҹ٩֟ফ 0210, 2732 Nanying wen hua cong shu ۪↡ҹ٩ᜣ‫ڣ‬ 0250, 0251, 0252, 0253, 0254, 1866, 1867, 1868, 1869 Nanying xi yuan zhi / Chen Guilan, Wang Chaosi zhu ۪↡ۚࡨ࢑ 0210, 2732 A nation of sadness? Reading history, culture, and gender in Hou Hsiao-hsien’s A City of Sadness 0417, 0822, 1562 National Cinemas 0181, 1201 A national score: popular music and Taiwanese cinema 0174, 0319, 0471, 0680, 1005, 1045, 1423, 1507, 2643 Der neue taiwanische Film der 80er Jahre 0325 New Chinese cinema (1998) 0370, 0760, 1714 New Chinese Cinema = Zhongguo xin dian ying (1993) New Chinese Cinema = ЅлЈӇ‫( ؙ‬1993) 1160 New Chinese Cinema = Zhongguo xin dian ying (2010) New Chinese Cinema = ЅлЈӇ‫( ؙ‬2010) 0359 New Chinese cinemas: forms, identities, politics 0360, 1580a New discoveries: the second new wave 0470

537

Title Index

The new film index: a bibliography of magazine articles in English, 1930–1970 0032 New films from Taiwan 0063, 0361 New Taiwanese cinema: a critical analysis 0372, 0451 New Taiwanese cinema, the year 1986, an identity in the making 0411, 0703 Ni bu ke bu zhi dao de gai bian dian ying li shi de 100 wei ming ren = The 100 most influential persons in film history ϧϤНϤҌѬϡۨԺӇ‫ؙࣵ‬੗ϡ100 ֧ӜϪ = The 100 most influential persons in film history 1710 Ni na bian ji dian: Cai Mingliang zuo pin ϧъ‫נ‬ӫѡ: ᓥҴ݊ӑԘ 0872, 1729, 2113 Nian yu Guanyin ᨑർ޲‫ٸ‬ 2353 Nie Xiaoqian: dian ying fen chang dui bai ju ben ℸЩᝤ: Ӈ‫ؙ‬дԾхՁঁӆ 2230 Nie yuan ᚊࢊ 2227 Nihon eiga to ky䲖iku : Nihon bunka ky䲖iku o ch䲚shin ni = Dian ying yu jiao yu—yi Riben wen hua jiao yu wei zhong xin = Film and education—Core by Japan cultural education ྱࡌ䫙‫ڌ‬ड़:яӆҹ٩‫ڌ‬ड़䬃ЅК䫜 = Ӈ‫ؙ‬ӿ‫ڌ‬ड़—йяӆҹ ٩‫ڌ‬ड़ЊЅК = Film and education—Core by Japan cultural education 1212, 1319 Nihon eigaron gensetsu taikei яӆྱࡌ‫ߞں‬МϽ‫ڍ‬ 0244 Nihon eigashi яӆྱࡌ੗ 0265, 1223 Nihon eigashi (Z䲖hoban) яӆྱࡌ੗ (㬱ਣ‫)ؗ‬ 0266, 1224 Nihon eigashi 100-nen яӆྱࡌ੗100ё 0277 Niluo he nu er ৸஛૯ѽճ 2400 Ning shi nu xiang: 56 zhong yue du nu xing ying zhan de fang fa ፝؆ѽՌ: 56҆་ࢵѽԛ‫ࣁؙ‬ϡҤ֚ 0749, 1645, 2492 Ning shi xin ling: wen xue dian ying yu ren sheng ፝؆Кࢼ: ҹѹӇ‫ؙ‬ӿϪТ 0686 Ning shi yu dui wang: duan ni jiu shi nian dai Taiwan nu xing dian ying yuan mao = To gaze and be gazed at: Rediscovering the true faces of Taiwanese woman-made films in the 1990s ፝؆ӿхֳ: ઉ❖॰֐ё‫ݡڊ‬ஹѽԛӇ‫֍ؙ‬൯= To gaze and be gazed at: Rediscovering the true faces of Taiwanese woman-made films in the 1990s 0377, 0638, 1650, 2494, 2712

Niuyue guan xing ji ኯए޲լ֮ 1956 No man an island: the cinema of Hou Hsiao-Hsien 0453, 0763, 1772 Nostalgia for the future to come: national consciousness in post-87 Taiwanese Literature and Cinema 0373, 1399, 1445 Not such a bad thing See Mei li, huai, nu ren = Not such a bad thing Nouvelles Chines, nouveaux cinemas 0366 Novi novi tajvanski film: retrospektiva 0130 Nu ming xing de chu lian ѽҴլϡ२ߧ 1958 Nu nu xiang xi de lao jie: Taiwan dian ying zhi mu nu guan xi yan jiu (1983–2005) = Knots between women: investigation of mother-daughter relationships in Taiwan cinema (1983–2005) ѽѽԚ಻ϡ቏ְ: ‫ݡ‬ஹӇ‫ؙ‬ҏআѽԬ਽୳ૢ (1983–2005) = Knots between women: investigation of mother-daughter relationships in Taiwan cinema (1983–2005) 0378, 1651 Nu ren feng qing hua ѽϪգєҧ 2231 Nu tong zhi shu xie: Bai Xianyong xiao shuo “Gu lian hua” ji qi gai bian dian ying yan jiu = Writing the image of lesbian: A Study on Bai Hsienyung’s Novel “Ku Lien Hua” and Its Film Adaptation ѽӎ࢑‫܎ڣ‬: Ձ܏ରЩМ “વߧՐ” ࡗԷۨഹӇ‫ = ૢ୳ؙ‬Writing the image of lesbian: A Study on Bai Hsienyung’s Novel “Ku Lien Hua” and Its Film Adaptation 0841a, 1388a, 2056b Nu xing de tiao jian ѽԛϡָխ 2232 Nu xing dian ying li lun = Theory of women’s cinema ѽԛӇ‫ؙ‬ԑ‫ = ں‬Theory of women’s cinema 1638 Nu xing shu xie: Dian ying yu wen xue = Feminine writing in cinema and literature ѽԛ‫܎ڣ‬: Ӈ‫ؙ‬ӿҹѹ = Feminine writing in cinema and literature 1383, 1633 Nu xing, ying xiang, shu: cong nu xing yang zhan kan nu xing ying xiang zhi zai xian ѽԛ, ‫ؙ‬Ռ, ‫ڣ‬: ԩѽԛ‫ࣁؙ‬Ѓѽԛ‫ؙ‬ՌҏӐѳ 0362, 1646, 2493 Nu xing yu ying xiang—nu xing dian ying de duo jiao du yue du ѽԛӿ‫ؙ‬Ռ—ѽԛӇ‫ؙ‬ϡЄࡠ֏་ࢵ 1647 Il nuovo cinema Taiwanese: Pesaro, 11–19 guijno, 1988 0106 Ogawa Tamaki “1997” See 1997 Tamaki Ogawa = Ogawa Tamaki “1997”

538

Title Index

Oh mei jun Amazing: Guo li Taiwan yi shu da xue, she ji xue yuan, duo mei ti dong hua yi shu xue xi di yi jie bi ye zuo pin ji = 1st Graduation Exhibition, Department of Multimedia and Animation Art, National Taiwan University of Arts ᄠ෪ጶ Amazing: л߹‫ݡ‬ஹਲफϽѹ, ‫ذޗ‬ѹࡨ, Є෪Ղҁޫਲ फѹ‫ڍ‬ҷϣโഋ‫׬‬ӑԘओ = 1st Graduation Exhibition, Department of Multimedia and Animation Art, National Taiwan University of Arts 0528 Once upon a time in China: a guide to Hong Kong, Taiwanese, and Mainland Chinese cinema 0171, 1190 The one and only Edward Yang See Yi yi chong xian Yang Dechang = The one and only Edward Yang Orientalist visuality in a postcolonial context: a critical interrogation of theoretical positions advanced in Rey Chow’s primitive passions, with discussions of pertinent films made in China, Hong Kong, Taiwan, Australia, France & Vietnam 1059, 1088, 1161 Ou Wei ଟ୺ 1881, 2015 An overview of the Chinese film industry (by Guan) See Zhonghua Minguo dian ying she ye gai kuang = An overview of the Chinese film industry An overview of the Chinese film industry (by Hu) 2525 An overview of the Chinese film industry (by Lee) 2531 An overview of the Chinese film industry (by Taiwan government) 2544 The Oxford Handbook of Chinese Cinemas 0064a, 0440a, 1167a Pai pian man huo ji qu ‫ޛ‬әࢿޫ֮ঙ 1892 Pai Taibei: ying shi kan jing zhi nan = Taipei cinema location guide ‫ܚݡޛ‬: ‫ؙ‬؆ ࢓‫ = ۪܋‬Taipei cinema location guide 0044, 0064, 0231, 1067, 2724 Pai xing bang ٕҲ౽ 2356 Painting the city red: Chinese cinema and the urban contract 1097, 1539 Pang luo de jiang hu: Zhongguo wu xia dian ying de li shi yu shen mei ೨޻ϡ࢖઀䩭Ѕмેྣӈ‫ؙ‬ϡࣄ੗ԁᅮѤ 0659 Passion xi lie Passion ‫࠶ڍ‬ 0516, 1481, 1570, 2442 People 1724 Performing diaspora: cultural identities in contemporary Taiwan theatre 1447

Performing film study at the level of high education in Taiwan, the Republic of China 0992, 1326, 2470, 2672 Permutations of the foreign/er: a study of the works of Edward Yang, Stan Lai, Chang Yi, and Hou Hsiao-Hsien 0441, 1584, 1769, 1792, 1921, 1938 Perspectives on Chinese cinema 0131, 1164 Phantom of the music: song narration and Chinese –language cinema See Ge sheng mei ying: ge qu xu shi yu Zhong wen dian ying = Phantom of the music: song narration and Chinese –language cinema Pian mian zhi yan-Chen Guofu dian ying wen ji әӌҏߞ-಴лࣥӇ‫ؙ‬ҹओ 0687, 0927 Piao lang wu tai: Taiwan da zhong ju chang nian dai ੆‫ع‬ଢ‫ݡ‬: ‫ݡ‬ஹϽੁঁԾё‫ڊ‬ 0263, 1301 Ping shi cong shu ‫כ‬ᖐᜣ‫ڣ‬ 1055, 1421, 2640 Playing to the world’s biggest audience: the globalization of Chinese film and TV 1108, 1243, 1551, 2520 Popular history as mosaic: Hou Hsiao-Hsien’s Taiwan trilogy 0403, 1552, 1754 Premiere Pro 2.0 ying pian jian ji shi wu jiang zuo Premiere Pro 2.0 ‫ؙ‬әයফӢࠔ‫܈‬ӏ 2409 Proceed from the sea, follow the waves: cinema location and production guide in Taiwan See Hai yang chu fa, shui de wen lu: Taiwan dian ying pai she jing dian ji zhi zuo dao you = Proceed from the sea, follow the waves: cinema location and production guide in Taiwan Production and consumption of animation in Taiwan: the interplay of global political and economic forces 0531, 1317, 1355, 1494 Project 8 2038 Pu tao cheng shu shi ໡໴ю়Ж 2217 Pursuing the cinematic in modern literature: a comparative study of Yokomitsu Riichi and Liu Na’ou 1214, 1378, 1864 “Qi bu ban” de ying xiang shi jie—Yang Dechang dao yan yan jiu “ࢳ‫ ”ٻח‬ϡ‫ؙ‬ՌԒ֎—໶ख़ቾࣔࠟ୳ૢ 0388a, 1908 Qi fu jiang ࢳ‫׫‬ԕ 2233 Qi ji ࡞ቶ 2135 Qi mao qiu le вࢂ‫ܧ‬Ϧ 0875, 1898 Qi miao ying cheng ࡞ి‫ڵؙ‬ 0705, 1519

539

Title Index

Qi shi ba nian you liang dian ying ju ben de jiang zuo pin ࢳ֐ࡂё‫ݿ‬મӇ‫ঁؙ‬ӆЏ؉ӑԘ 2234 Qi shi jiu nian you liang dian ying ju ben de jiang zuo pin ࢳ֐॰ё‫ݿ‬મӇ‫ঁؙ‬ӆЏ؉ӑԘ 2235 Qi shi liu nian zheng xuan you liang dian ying ju ben de jiang zuo pin ࢳ֐ࡏёၹ‫ݿק‬મӇ‫ঁؙ‬ӆЏ؉ӑԘ 2236 Qi shi nian dai cong sh ࢳ֐ё‫ڊ‬ᜣ‫ڣ‬ 1957 Qi shi qi nian you liang dian ying ju ben de jiang zuo pin ࢳ֐ࢳё‫ݿ‬મӇ‫ঁؙ‬ӆЏ؉ӑԘ 2237 Qi shi si nian zheng xuan you liang dian ying ju ben de jiang zuo pin ࢳ֐‫ף‬ёၹ‫ݿק‬મӇ‫ঁؙ‬ӆЏ؉ӑԘ 2238 Qi shi wu nian zheng xuan you liang dian ying ju ben de jiang zuo pin ࢳ֐ٚёၹ‫ݿק‬મӇ‫ঁؙ‬ӆЏ؉ӑԘ 2239 Qian xi man bo dian ying bi ji: Hou Xiaoxian de dian ying ࡛ẼᅸமӇ‫ؙ‬દ֮: ᢡᖮᐊϡӇ‫ؙ‬ 0878 Qiang dao de er zi ‫ל‬ᅟϡճж 2282 Qin shao nu bo pi shu ‫ڳ‬վѽ૗‫ڣޔ‬ 2069 Qing chun de tian kong ‫ࡇݙ‬ϡϳ‫׺‬ 1717 Qing chun wu hui ‫ࡇݙ‬ѩന 2110 Qing chun xi lie—cong lei xing guan dian kan 2002–2008 Taiwan tong zhi dian ying = Young line—a genre analysis of 2002–2008 Taiwan gay and lesbian movies ‫—࠶ڍࡇݙ‬ԩढࡿ޲ѡЃ2002–2008 ‫ݡ‬ஹӎ࢑Ӈ‫ = ؙ‬Young line—a genre analysis of 2002–2008 Taiwan gay and lesbian movies 0617 Qing ding Weinisi єӡ୺৸ট 2313 Qing shao nian Nezha ‫ݙ‬վё‫ڃ‬ᢁ 0880, 1730, 2114 Qing yu fa єӿ֚ 2242, 2337 Qiu fu ᯷ਜ਼ 2243 Qiu ju ‫ڠ‬Ꮥ 2395

Qiu jue ‫ݺڠ‬ 0881, 2380 Qiu qian shang de xiao jing ling ᴍᴋϼϡЩ‫ࢼؘ‬ 2257 Qiu shui chang tian ‫ڠ‬һӕϳ 2161 Qu nian dong tian = Heartbreak island Чёபϳ = Heartbreak island 2156 Qu wei ren sheng xi lie ঙ‫ڏ‬ϪТ‫࠶ڍ‬ 0515, 0692, 1523 Quan guo dian ying hui yi shi lu ҪлӇ‫ؙ‬Ͼ৶Ӣ࠷ 0365, 1490 Quan qiu hua qu shi xia kua guo Hua yu dian ying de fa zhan = A Progress of international Chinese cinemas in the global age Ҫ‫ܧ‬٩ࠊۢЎቄл‫ܭܓ‬Ӈ‫ؙ‬ϡчࣁ = A Progress of international Chinese cinemas in the global age 1199, 1265, 1363 “Quan qiu hua ren dian ying dao yan jiang zuo” xi lie “Ҫ‫ܓܧ‬ϪӇ‫܈ؙ࣒ࠟ‬ӏ”‫࠶ڍ‬ 0412, 0708, 1013, 1761 Quan qiu hua shi dai de wen hua rou za: yi Li An de “Wo hu cang long” wei li Ҫ‫ܧ‬٩Ж‫ڊ‬ϡҹ٩ᚥ૝: йଽԥϡ “၃ഝেह” Њຎ See Cultural hybridity in the age of globalization: a case study of Ang Lee’s “Crouching Tiger, Hidden Dragon” Quan qiu hua shi dai xia de min zu guo jia dian ying: wen hua gong min quan shi ye de fen xi = National cinema in the global age: an analysis in perspective of cultural citizenship Ҫ‫ܧ‬٩Ж‫ڊ‬Ўϡ‫ھ‬ఓлрӇ‫ؙ‬: ҹ٩ԍ‫੸ھ‬؆ఀϡд໯ = National cinema in the global age: an analysis in perspective of cultural citizenship 1251, 1349, 1575 Quan qiu Hua yu dian ying chuang zuo ren ji zhi pian lun tan ji shi lu = The International Forum on Creative Production and Global Marketing for Chinese Film 2004 in Taiwan, Memorabilia Ҫ‫ܭܓܧ‬Ӈ‫ࡶؙ‬ӑϪ᠕३ә‫ں‬ႫઔѨ࠷ = The International Forum on Creative Production and Global Marketing for Chinese Film 2004 in Taiwan, Memorabilia 1167, 1353, 2680 Quan qiu hua yu Haolaiwu Hua yi dao yan—zuo pin tan tao yu xing tai fen xi Ҫ‫ܧ‬٩ӿϮᒀᩕ‫ܓ‬ᶜ࣒ࠟ—ӑԘ෬क़ӿࡿ‫ݯ‬д໯ 0750, 1163, 1253, 1352, 1709, 2581 Quan qiu hua zhi xia de Taiwan dian ying chan ye fa zhan ce lue = The development strategy of Taiwanese film industry under globalization Ҫ‫ܧ‬٩ҏЎϡ‫ݡ‬ஹӇ‫׬ݗؙ‬чࣁ೫ଯ = The development strategy of Taiwanese film industry under globalization 1342, 2518 “Quan qiu jing zheng shi dai Taiwan ying shi mei ti fa zhan de ce lue yu zheng ce gui hua” zhuan an yan jiu ji hua: qi mo bao gao “Ҫ‫ܧ‬ჟৎЖ‫ݡڊ‬ஹ‫ؙ‬؆෪Ղчࣁϡ೫ଯӿू೫੺੿” ֟ଈ୳ૢ ‫ޫذ‬: ‫׈‬ઃ‫ݍڻ‬ 1348, 2533, 2574

540

Title Index

Rang wo men zai ai yi ci: Xu Ligong de dian ying shi jie џϢИӐДϣҋ: ጝ߹‫ۋ‬ϡӇ‫ؙ‬Ԓ֎ 0504, 1905 Raymond Zhou’s Film Guide 0069, 0805, 1211 Re dai yu չծ‫־‬ 2122 Re xue nan er չ߱Բճ 2245 Readings in contemporary Chinese cinema: a textbook of advanced modern Chinese = Dang dai Zhongguo dian ying xuan du: Zhongguo ce ying: xian dai han yu gao ji du ben Readings in contemporary Chinese cinema: a textbook of advanced modern Chinese = Ӿ‫ڊ‬Ѕмӈ‫ࢴשؙ‬䩭Ѕмᄬ‫ؙ‬䩭Ѵ ‫ڊ‬ఉ‫ܬ‬ҙٛࢴӆ 0192 Realism and the audiovisual media 0440, 1028 Ren jian cong shu ϪҼᜣ‫ڣ‬ 0332, 0335, 0336, 0425, 0462, 0463, 0913, 0940, 1019, 1036, 1037, 1111, 1112, 1113, 1116, 1660, 1667, 2035, 2067, 2070, 2496, 2497, 2498 Ren jian nan nu ϪҼԲѽ 2351 Ren jian shi yu li xiang guo: cong dian ying kan ren sheng di san ji ϪҼԒӿԑЂл: ԩӇ‫ؙ‬ЃϪТҷѧফ 0751 Ren jian zi you wen qing zai ϪҼІϩ‫ޜ‬єϨ 2244 Ren sheng ru meng: Ping Zhen Shi Min Da Xue 94 nian she qu ying xiang du shu hui cheng guo fen xiang ϪТҒْ: ‫כ‬๰‫ھص‬Ͻѹ94ё‫ؙ‬Ռࢵ‫ڣ‬Ͼюҝдұ 0752 Ren sheng ru xi ϪТҒۚ 1077, 2076 Ren wen dian ying de zhui xun ϪҹӇ‫ؙ‬ϡ৪ଵ 0348, 0710, 1131 Ren wu xi lie Ϫ‫࠶ڍ׉‬ 0652, 1784 Ren wu yan shuo yu Taiwan xin dian ying—yi xiang zhi shi she hui xue de yan jiu Ϫ‫ߞ׉‬Мӿ‫ݡ‬ஹЈӇ‫—ؙ‬ϣ࣯ҌࡦघϾѹϡ୳ૢ 0469, 1044, 1594, 1690 Rethinking the film critics’ role of Taiwan New Cinema in the 1980s 0414, 1015 The rhythmic journey: early films of Hou Hsiao-Hsien: an analysis of Summer at grandpa’s and Boys from Fengkuei 0438, 1768 Ri ju shi qi Taiwan dian ying huo dong zhi yan jiu яࣞЖ‫ݡ׈‬ஹӇ‫ؙ҅‬ҁҏ୳ૢ 0271

Ri zhi shi qi Taiwan bao kan zhi dian ying chuan bo xian xiang yan jiu = Taiwanese news and periodicals under Japanese colonization: a study on film communication я੽Ж‫ݡ׈‬ஹ‫ڻ‬ᑂҏӇ‫ةؙ‬৚ѳࢣ୳ૢ = Taiwanese news and periodicals under Japanese colonization: a study on film communication 0275, 1455 Ri zhi shi qi Taiwan dian ying de zheng jiao gong neng я੽Ж‫ݡ׈‬ஹӇ‫ؙ‬ϡू‫ۋڌ‬Ќ 0261, 1331, 1489, 1582, 2716 Ri zhi shi qi Taiwan dian ying shi = The history of Taiwanese movies during the Japanese colonization я੽Ж‫ݡ׈‬ஹӇ‫ؙ‬੗= The history of Taiwanese movies during the Japanese colonization 0274, 1192, 1231, 1261 Riben dian ying dui Taiwan de ying xiang 1945–1972 яӆӇ‫ؙ‬х‫ݡ‬ஹϡ‫ؙ‬৘ 1945–1972 0172, 0284, 1232 Riben dian ying shi 100 nian яӆӈ‫ؙ‬੗ϣ‫ښ‬ё 0278 Riben dian ying zai Taiwan яӆӇ‫ؙ‬Ϩ‫ݡ‬ஹ 0103, 0242, 1218, 1473 Riben shi dai Taiwan dian ying zheng ce zhi yan jiu: 1895–1942 = A study of policy about movies in Taiwan at Japanese period 1895–1942 яӆЖ‫ݡڊ‬ஹӇ‫ूؙ‬೫ҏ୳ૢ: 1895–1942 = A study of policy about movies in Taiwan at Japanese period 1895–1942 0257, 2580 The role of a subtitler in the translations of dialects and cultural terms in Taiwan Cinema: a case study of Hou Hsiao-hsien’s films 0301, 1370, 2730 Routledge research on Taiwan 0566 Ru he pai she dian ying: dian ying qi hua zhi zuo shi zhan shou ce (di san ban) Ғ‫ޛح‬଄Ӈ‫ؙ‬: Ӈ‫ؙ‬ఌ੿३ӑӢ‫ڕ‬Ѳೠ (ҷѧ‫)ؗ‬ 0061, 2675 Ru he pai she dian ying: ying meng ren sheng (chu ban) Ғ‫ޛح‬଄Ӈ‫ؙ‬: ‫ؙْ‬ϪТ (२‫)ؗ‬ 2673 Ru he pai she dian ying: ying meng ren sheng (di er ban) Ғ‫ޛح‬଄Ӈ‫ؙ‬: ‫ؙْ‬ϪТ (ҷԏ‫)ؗ‬ 2674 Ru zhe de kun huo—Yang Dechang dian ying zhong de Taibei jing xiang = A Confucian confusion-mirror image of Taipei in Edward Yang’s films ᭉ‫ٷ‬ϡ੡༜—໶ख़ቾӈ‫ؙ‬Ѕϡ‫ܚݡ‬஖Ռ = A Confucian confusion-mirror image of Taipei in Edward Yang’s films 0476a, 1602a, 1930 Ryumi䲎ru s䲖sho 䭙䭔䭎䬗䴈䭚ᜣ‫ڣ‬ 1087, 1759 San di chuan qi: Hua yu dian ying er shi nian = Romance of three cities: Studies of Chinese cinemas ѧс‫࡞ة‬: ‫ܭܓ‬Ӈ‫ؙ‬ԏ֐ё = Romance of three cities: Studies of Chinese cinemas 0367, 1168

541

Title Index

San lang qi an ѧ࿟࡞ଈ 2246 San Min Zhu Yi yan jiu so bo shi, shuo shi lun wen jiang zhu chu ban cong shu, di ba ji ѧ‫ھ‬Ұच୳ૢѕࡲ, ፩ࡲ‫ں‬ҹ؉ࡾо‫ؗ‬ᜣ‫ڣ‬ 1500, 2447, 2584 San qing kong jian ѧє‫׺‬Ҽ 0517 San san nian ѧѧё 2247 San shan cong shu ѧ‫ځ‬ᜣ‫ڣ‬ 0943 San sheng you xing = Doubles ѧТϩ؄ = Double 0886, 1789 San shi nian xi shuo cong tou (Taibei) ѧ֐ё࢜МԩӰ (Taibei) 1840 San shi nian xi shuo cong tou (Xianggang) ѧ֐ё࢜МԩӰ(Xianggang) 1841 San yue hou de wu juan—Ai yu bian zheng yu dian ying mei xue ѧ֊ћϡٚඵ—Д௰ᗙࢮӿӇ‫ؙ‬Ѥѹ 0975 Sanchong chang pian, xi yuan, ge ying xing shi = The history of Sanchong’s record industries, theatres, singers, & movie stars ѧԳ‫ݝ‬ә, ۚࡨ, ‫ؙܮ‬լ੗ = The history of Sanchong’s record industries, theatres, singers, & movie stars 0232 Sanmao ѧࢂ 2248 Schweizer asiatische Studien. Studienhefte 0325 “Se, jie” de shi jie “ա,യ”ϡԒ֎ 0887, 1822 Se qing pian ዸєә 0515, 0692, 1523 Sense and sensibility: the screenplay & diaries : bringing Jane Austen’s novel to film 0890, 1398, 1826 Sha na zhong: Lai Shengchuan de ju chang yi shu ᏹъЅ: ໰‫ك‬ඇϡঁԾਲफ 1793 Sha Rongfeng hui yi lu ji tu wen zi liao hui bian ૶ึ๢Ҙশ࠷᠕֖ҹ‫ࢧޞ‬ᓫഹ 0495, 1884 Sha shou hu die meng ৵ѲᅍႵْ 2249 Sha yao na le, zai jian ᒊ຾ᅡ֯, ӐԊ 2166

Shalu dian ying yi shu guan 2006 cheng guo zhuan ji ૶࿇Ӈ‫ؙ‬ਲफఖ 2006 юҝ֟ফ 0228 Shan dian qi shi మӇ್ࡲ 2188 Shan hai li ‫֋ځ‬Ѧ 2286 Shan he sui yue ‫ځ‬૯‫֊ۈ‬ 2314 Shan ke ji ‫ۺځ‬ओ 1782 Shan mao yu hai gou ‫࢈ځ‬ӿ֋ࠂ 2211 “Shang dian ying yuan = kan Haolaiwu dian ying?”: Meiguo hua xia Taiwan guan zhong de dian ying xiang xiang “ϼӇ‫ = ࡨؙ‬ЃϮᒀᩕӇ‫”?ؙ‬: Ѥл٩Ў‫ݡ‬ஹ޲ੁϡӇ‫ؙ‬ЂՌ 1263, 1599, 2621 Shang xin dian ying yuan ،КӇ‫ࡨؙ‬ 0791 Shanghai jia qi ϼ֋޳‫׈‬ 2315 Shao nian A Xin վё०ొ 2357 Shao nian ye, an la վёЇ, ԥ֯ 2293 Shao nu ri ji վѽя֮ 2348 Shaw in blue, women in nude: Li Han-Hsiang’s fengyue films in 1970s 1838 She hui ren wen घϾϪҹ 0504, 1905 She qu wen hua cong shu घ߅ҹ٩ᜣ‫ڣ‬ 0200 She ying ji yu jiao rou ji—Hua yu dian ying 1990–1996 ଄‫ؙ‬Қӿ᧷‫ރ‬ӫ—‫ܭܓ‬Ӈ‫ ؙ‬1990–1996 0774 Shen hua 3 bu qu: Huang Mingchuan dian ying ji shi = Huang Mingchuan trilogy ‫ظ‬ҧ3 ‫ॽח‬: ࢶҴඇӇ‫ؙ֮‬Ѩ = Huang Mingchuan trilogy 0635, 0815, 0867, 0874, 0908 Shen sheng yu shi su: cong dian ying de biao mian jie gou dao shen ceng jie gou ‫ظ‬๦ӿԒཞ: ԩӇ‫ؙ‬ϡԣӌְภϺ‫ٹ‬ৡְภ 0784, 0951, 1041

542

Title Index

‫ص‬Ծдळথܴӿઆ‫ۺ‬٢ߚথܴ୳क़—йӇ‫صؙ‬ԾЊຎ = A study on market segmentation and customer value—taking movie market for example 1576, 2607 Shi da lan pian feng bo ֐Ͻಉәգம 0483 Shi dai xian ying: Zhong xi dian ying lun shu Ж‫ؙࣶڊ‬: Ѕ՝Ӈ‫ںؙ‬਎ 0108, 1136 Shi dai zhi feng = L’Air du Temps (xiu ding ben) Ж‫ڊ‬ҏգ = L’Air du Temps (ࢗ๓ӆ) 2369 Shi di zhuan ji; PC0034 Shi ji ying xiang cong shu ੗с‫ ;֮ة‬PC0034 ԒઔྱՌᜣ‫ڣ‬ 1874 Shi duo san luo de guang ying: Hua yu dian ying de li shi, zuo zhe yu wen hua zai xiang ༺␜્޻ϡ‫ׇؙ‬: ‫ܭܓ‬Ӈ‫ؙ‬ϡࣵ੗, ӑ‫ٷ‬ӿҹ٩Ӑѳ 0136, 1169 Shi er ting: dian ying yu dang an de chu xie hou: tan xun guo jia bao zang = The national treasure exploration Жᾄ೏: Ӈ‫ؙ‬ӿးଈϡ२᝱ᝳ: ෬ଵлрմে = The national treasure exploration 0358, 1284 Shi guang liu ying—Gaoxiong shi dian ying tu shu guan cang wen wu zhuan ji er = Time flow & steaming shadow Ж‫ׇ‬Ե‫—ؙ‬ҙ೰‫ص‬Ӈ‫ڣؙ֖‬ఖেҹ‫֟׉‬ফԏ = Time flow & steaming shadow 0137, 0222, 2429, 2436, 2638, 2656 Shi ji ge ying xing san jiao ding: Zhou Xuan, Li Xianglan, Bai Guang Ԓઔ‫ؙܮ‬լѧऍᑾ: ‫⋍ر‬, ଽ‫ܫ‬୪, Ձ‫ׇ‬ 1959, 2642 Shi ji hui gu : tu shuo Hua yu dian ying = Spectrums of the century : Chinese cinemas, 1896–1999 ԒઔҘઆ: ֖М‫ܭܓ‬Ӈ‫ = ؙ‬Spectrums of the century : Chinese cinemas, 1986–1999 0138, 1170, 1226 Shi ji hui mou: Zhonghua dian ying jiang dian zhan: Di nian wu jie Xianggang guo ji dian ying jie = A century of Chinese cinema: look back in glory: the 25th Hong Kong International Film Festival, 6–21.4.2001 ԒઔҘ : Ѕ‫ܓ‬Ӈ‫ؙ‬Ҭਹࣁ: ҷ⃖ٚโ‫ܫ‬୯лগӇ‫ڞؙ‬, 6–21.4.2001 = A century of Chinese cinema: look back in glory : the 25th Hong Kong International Film Festival, 6–21.4.2001 0754 Shi ji wen ku: zhuan ji Ԓઔҹᆞ: ‫֮ة‬ 1856 Shi ji zhi sheng—xi lie ge qu xuan Ԓઓҏ‫שॽܮ࠶ڍ—ل‬ 2647 Shi jie dian ying bai ke quan shu Ԓ֎ӈ‫॓ښؙ‬Ҫ‫ڪ‬ 0047 Shi jie dian ying jian shang ci dian Ԓ֎ӈ‫ؙ‬პೄ᏷ਹ 0013

Shen ti dian ying: Cai Mingliang dian ying zhong de shen ti ying xiang = Corporeal movies: the cinematic body in Tsai Mingliang’s films ӱՂӇ‫ؙ‬: ᓥҴ݊Ӈ‫ؙ‬ЅϡӱՂ‫ؙ‬Ռ = Corporeal movies: the cinematic body in Tsai Ming-liang’s films 0393, 1009, 1732 Shen xian lao shi ‫ظ‬࿁ҡؓ 2250 Shen xing tai bao ‫ظ‬Ҳѿ‫خ‬ 2389 Shen yong Guan Gong ‫ظ‬ରԬԍ 2183 Sheng guang mei ying: Taiwan ying shi ‫ׇل‬ຓ‫ؙ‬䩭‫ݡ‬ළ‫ؙ‬؇ 0161, 1617 Sheng hua zhi Т҅௨ 0238, 0559, 1887 Sheng huo yue du Т҅་ࢵ 0878 Sheng jing te xing, zu qun guan xi yu zu qun sheng cun ce lue zhi dong tai yan jiu—yi Taiwan dian ying chan ye wei li = A dynamic study about environmental characteristics, population relationships and survival strategies Т॒‫ئ‬ԛ, ఓळԬ਽ӿఓळТࡖ೫ଯҏҁ‫—ૢ୳ݯ‬й‫ݡ‬ஹ‫׬ݗ‬Њ ຎ = A dynamic study about environmental characteristics, population relationships and survival strategies 2530 Sheng ming de ying xiang: Taiwan ji lu pian de qi tang ke = Images of life: seven lessons on Taiwan documentary films / Lin Wenqi, Chen Deling bian Т‫ܞ‬ϡ‫ؙ‬Ռ: ‫ݡ‬ஹઔ࠷әϡࢳஇࠆ = Images of life: seven lessons on Taiwan documentary films 0577 Sheng ming xian chuan qi Т‫ܞ‬۷‫࡞ة‬ 2381 Sheng se zhi mi: dian ying xing shi yu feng ge jie du ‫ك‬աҏຮ: Ӈ‫ؙܴ࣏‬ӿգ۴‫ࢵث‬ 0770 Sheng yu ying: 20 wei zuo qu jia tan Hua yu dian ying yin yue chuang zuo = Film music composers ‫ك‬ӿ‫ؙ‬: 20֧ӑॽрড‫ܭܓ‬Ӈ‫ٸؙ‬Ӏࡶӑ = Film music composers 1052, 1417 Shi ba ֐ࡂ 2252 Shi bao shu xi Ж‫ڍڣڻ‬ 0333, 0334, 0695, 1114, 1115, 2499, 2500 Shi chang fen qun mo shi yu gu ke jia zhi mo shi yan tao—yi dian ying shi chang wei li = A study on market segmentation and customer value—taking movie market for example

543

Title Index

Shi jie dian ying jian shang ci dian (xu bian) Ԓ֎ӈ‫ؙ‬პೄ᏷ਹ䩛۟൜䩜 0014 Shi jie dian ying jian shang ci dian (san bian) Ԓ֎ӈ‫ؙ‬პೄ᏷ਹ䩛ѧ൜䩜 0015 Shi jie dian ying jian shang ci dian (si bian) Ԓ֎ӈ‫ؙ‬პೄ᏷ਹ䩛‫ף‬൜䩜 0016 Shi jie dian ying quan ji lu = Die chronik des films Ԓ֎ӈ‫ؙ‬Ҫઓ࠹ = Die chronik des films 0139 Shi jie jing dian dian ying hai bao shou cang xi lie cong shu Ԓ֎Үਹӈ‫ּۏ֋ؙ‬ে‫࠶ڍ‬ᜥ‫ڪ‬ 2658 Shi jie ming dao xi lie = Masters Ԓ֎Ӝ࣒‫ = ࠶ڍ‬Masters 1804 Shi jie ying zhan quan ji = International film festival guide Ԓ֎‫ࣁؙ‬Ҫओ = International film festival guide 2472 Shi lian yu chong sheng: 2011 Taiwan guo ji min zu zhi ying zhan te kan = Suffering and rebirth : Taiwan international ethnographic film festival ՅᐱӿԳТ : 2011‫ݡ‬ஹлগ‫ھ‬ఓ௨‫ئࣁؙ‬ᑂ = Suffering and rebirth : Taiwan international ethnographic film festival 0610 Shi mian mai fu ֐ӌႲቛ 2275 Shi nian yi jue dian ying meng (Taibei) ֐ёϣңӇ‫( ؙْ‬Taibei) 1829 Shi nian yi jue dian ying meng: Li An zhuan (Beijin) ֐ёϣҢӈ‫ؙٓ‬䩭ଽԥ‫( ت‬Beijin) 1830 Shi shang zhi you ma ma hao Ԓϼђϩ֒֒Ϯ 2220 Shi sheng hua mei ‫ޫك׹‬ᆠ 2191 Shi ting chan pin / fu wu mao yi guan zhi zhi yan jiu—yi dian ying ye wei zhong xin = The study of the trade regulations upon audiovisual products / services—focusing on film industries ؆ԯ‫ݗ‬Ԙ / ‫ࠔע‬ᆓ‫܉ډ‬ԑ‫ء‬ҏ୳ૢ—йӇ‫׬ؙ‬ЊЅК = The study of the trade regulations upon audiovisual products / services—focusing on film industries 2547, 2585 Shi yong bian dang Ӣѓ۬Ԅ 2633 Shi yong dian ying bian ju = Screen writing for film ӢѓӇ‫ؙ‬ഹঁ = Screen writing for film 1075 Shine arubamu 䬦䬼䬑䭚䬿䭏 0650, 1123, 1955 Shirarezaru eiga o motomete Ҍ䫺䫽䫇䫼ྱࡌ䬃ؒ䫲䫗 0134, 1225

Shis䲖-dokuhon ‫ڽ‬Ђ媠ӆ 0071, 1693a Shokuminchi Taiwan de j䲖ei sareta eiga (2010–2013) ယ‫ھ‬с ‫ݡ‬ළ䫘ϼࠟ䫆䫽䫐ྱࡌ (2010–2013) 0246, 1140, 1219 Shokuminchi Taiwan de j䲖ei sareta eiga (2014) ယ‫ھ‬с ‫ݡ‬ළ䫘ϼࠟ䫆䫽䫐ྱࡌ (2014) 0246a, 1140a, 1219a Shokuminchiki Taiwanjin ni yoru eiga katsud䲖 no kiseki: k䲖sh䲖 to ekky䲖 no poritikusu ယ‫ھ‬с‫ݡ׈‬ළϪ䫜䫹䫼ྱࡌ҅ҁ䫟ፋ࿑ : ‫ے‬ᇎ䫙ք॒䫟䭌䭙䬵䬒 䬞䬨 0258, 1487 Shou ji Beijing guo ji ji lu pian xu shu hui yi wen jian hui bian ۰ไ‫ߟܚ‬мকઓ࠹әѺभϿ৷ҹຸཹ൜ 0578 Shu jian tian ya fu sheng xian ying: da jian shi Hu Jinquan xing zhe de gui ji ‫঺ڣ‬ϳᄇൿТࣶ‫ؙ‬: Ͻ঺ؓഐ‫ؖ‬⠌Ҳ‫ٷ‬ϡፋ࿑ 1786 Shu wei dian cang ji shu dao lun = Introduction to digital archives technology ُ֧ਹে৔फ࣒‫ = ں‬Introduction to digital archives technology 2702 Shu xie Taiwan dian ying ‫ݡ܎ڣ‬ஹӇ‫ؙ‬ 0140 Shui niu xin kan һܵЈᑂ 1672 Shuo huang de nu ren МဿϡѽϪ 2253, 2255 Si chao wen cong ‫ڽ‬଎ҹᜣ 1564 Si guang biao Ӛ‫ׇ‬ᐛ 2116 Si lao ri zi Ӛ቏яж 2256 Silence, emptiness and love in Ts’ai Ming-liang’s film Vive l’amour 0439, 0812 Sinascape: contemporary Chinese cinema 1188, 1362 Situating sexualities: queer representation in Taiwanese fiction, film, and public culture 0620, 1527 Song Cunshou, Bai Jingrui, Hu Jinquan dian ying hui gu zhan ᓠࡖႎ, Ձ࢓ᇳ, ഐ‫ؖ‬⠌Ӈ‫ؙ‬Ҙઆࣁ 1711 Sophia 0975 Speaking in images, interviews with contemporary filmmakers 1695 Spectrums of the century : Chinese cinemas, 1986–1999 See Shi ji hui gu : tu shuo Hua yu dian ying = Spectrums of the century : Chinese cinemas, 1896–1999

544

Title Index

Spider lilies: Taiwanese tongzhi aesthetic, female same-sex desires, and the critique of modernization 0614, 1546, 1944 A study of Taiwanese cinema: cultural policy, marketing and the issues of postmodernity (the late 1980s–2000) 0329, 1549, 2601 Suffering and rebirth : Taiwan international ethnographic film festival See Shi lian yu chong sheng: 2011 Taiwan guo ji min zu zhi ying zhan te kan = Suffering and rebirth : Taiwan international ethnographic film festival Sukur䲒n no muk䲖 ni mieru Taiwan 䬨䬞䭙䴈䭢䫟‫ז‬䪷䫜Ԋ䪹䫼‫ݡ‬ළ 0448 Suo wei yi ren, Lin Qingxia zhuan ӛ஼၍Ϫ䩟৆‫ݙ‬ᎇ‫ت‬ 2004 Super Star Ϫ‫׉‬ 1739 Ta men zai dao yu xie zuo: wen xue da shi xi lie dian ying = Inspired Island јИϨޯᓊ܎ӑ: ҹѹϽؓ‫࠶ڍ‬Ӈ‫ =ؙ‬Inspired Island 1394 Ta zhe bu xian ying: Taiwan dian ying zhong de yuan zhu min ying xiang ј‫ٷ‬Ϥࣶ‫ؙ‬: ‫ݡ‬ஹӇ‫ؙ‬Ѕϡ֍֙‫ؙھ‬Ռ 0170, 0272, 1277, 1289, 1506 Tai chan yuan xian lu ying dai zhong, Gaoshan zu yu fei Gaoshan zu su xiang zhi yan jiu—She hui xin li yu wen hua qing xiang de tan tao ཅ‫ࡨݗ‬۷࠷‫ؙ‬ծЅ, ҙ‫ځ‬ఓӿۘҙ‫ځ‬ఓᄽՌҏ୳ૢ—घϾКԑӿ ҹ٩෵‫ז‬ϡ෬क़ 1276, 1625 Tai Gang dian ying cong shu ‫ݡ‬୯ӈ‫ؙ‬ᜥ‫ڪ‬ 2007 Tai Gang dian ying yu ming xing ‫ݡ‬୯ӈ‫ؙ‬ԁҴլ 0073, 1098, 1948 Tai Gang dian ying zhong de zuo zhe yu lei xing ‫ݡ‬୯Ӈ‫ؙ‬Ѕϡӑ‫ٷ‬ӿढࡿ 0723, 1137 Tai Gang ji hai wai Hua yu zuo jia zi xuan wen ku ‫ݡ‬୯᠕֋֔ӑрІ‫ש‬ҹᆟ 0478, 0827, 0850, 0861, 0911, 1776, 2081, 2397 Tai ping tian guo ϳ‫כ‬ϳл 2266 Tai yu pian de xing shuai qi luo ‫ܭݡ‬әϡࣱᆽв޻ 0292, 0668, 1297 Tai yu pian shi dai ( 1 ) ‫ܭݡ‬әЖ‫( ڊ‬ϣ) 0298, 1683 Tai yu pian wu shi zhou nian ji nian ji ‫ܭݡ‬әٚ֐‫ڬ‬ёઔ݉ফ 0290, 0291, 0716, 1634, 1662

Taibei dian ying yuan = Movie theaters in Taipei-a city tour in films ‫ܚݡ‬Ӈ‫ = ࡨؙ‬Movie theaters in Taipei-a city tour in films 0233, 2738 Taibei gui ling—dian ying zhong de Taibei chen xian = City zero ‫ܚݡ‬஑ജ—Ӈ‫ؙ‬Ѕ‫ܚݡ‬ᅲѳ = City zero 0229 Taibei Jin Ma ying zhan cong shu ཅ‫ࣁؙެؖܚ‬ᜣ‫ڣ‬ 0314, 0468, 0651, 1003, 1043, 1783, 1839, 1854, 1926 Taibei shi dian ying shi chang zhi qu ge ji Taiwan dian ying zhi ding wei yan jiu—yi Taibei shi da xue sheng wei li ‫صܚݡ‬Ӈ‫صؙ‬Ծҏ߅ഭߵ‫ݡ‬ஹӇ‫ؙ‬ҏӡ֧୳ૢ—й‫صܚݡ‬Ͻѹ ТЊຎ 1572, 2605 Taibei shi dian ying ying yan zhi tong lu cheng yuan guan xi yan jiu—jiao yi cheng ben li lun guan dian ‫صܚݡ‬Ӈ‫ࠟྱؙ‬ҏ֡բю‫؂‬Ԭ਽୳ૢ—‫ډے‬юӆԑ‫޲ں‬ѡ 2627 Taibei tong hua ‫ুܚݡ‬ҧ 2316 Taibei xian zi shen yi wen ren shi kou shu li shi, min su yi shu lei ‫ٹޞ້ܚݡ‬ਲҹϪࡲ‫ט‬਎ࣵ੗, ‫ھ‬ཞਲफढ 1976 Taibei Ximending dian ying shi 1896–1997 ‫ܚݡ‬՝՞⍆Ӈ‫ؙ‬੗ 1896–1997 0195 Taidong Xian ji zuo jia zuo pin ji ‫ݡ‬ֆ້ጭӑрӑԘओ 0737 Tainan shi dian ying yuan shang ye kong jian zhi yan jiu ‫ص۪ݡ‬Ӈ‫׺׬࠱ࡨؙ‬Ҽҏ୳ૢ 0220, 2737 Taipei cinema location guide See Pai Taibei: ying shi kan jing zhi nan = Taipei cinema location guide Taipei International digital TV, broadcasting & film forum, 2005, 11/10–11/11 = 2005 Taibei guo ji shu wei guang dian ying shi lun tan Taipei International digital TV, broadcasting & film forum, 2005, 11/10–11/11 = 2005 ‫ܚݡ‬лগُ֧ܰӇ‫ؙ‬؆‫ں‬Ⴋ 1615 Taiwan cinema = Le cinema taiwanais 0147 Taiwan cinema 2000–2002: short fictions, documentaries, animations, experimentals 0368, 0537, 0579, 0642, 0677 Taiwan cinema: a contested nation on screen 0099, 1058, 1435, 1470 Taiwan: cinema degli anni ‘90 0364 Taiwan cinema: fictions, documentaries, animations 0330, 0520, 0560, 0641 Taiwan dang dai ying xiang: cong ji shi dao shi yan 1930–2003 = A retrospective collection of documentary films from Taiwan ‫ݡ‬ஹԄ‫ؙڊ‬Ռ: ԩઔ࠷ϺӢࡐ 1930–2003 = A retrospective collection of documentary films from Taiwan 0148, 0580

545

Title Index

‫ݡ‬ஹӇ‫׬ݗؙ‬лগჟৎҨӿҪ‫ܧ‬٩೫ଯє॒੺੿: ம‫໌“ ئ‬ ੘Ղ‫ ”ڍ‬ҏ‫׎‬ѓ = The scenario planning for the international competitiveness and global strategy of Taiwan film industry: an analysis with Poter’s “diamond” system 1358, 2550 Taiwan dian ying chan ye huan jing yu jing zheng li yan jiu = The study of Taiwan film industry environment and its competitiveness ‫ݡ‬ஹӇ‫॒ࢰ׬ݗؙ‬ӿჟৎҨ୳ૢ = The study of Taiwan film industry environment and its competitiveness 1359, 2551 Taiwan dian ying chan ye sheng cun ce lue: 2004–2006—cong Hanguo dian ying shi chang jie xi Taiwan xian zhuang ‫ݡ‬ஹӇ‫׬ݗؙ‬Тࡖ೫ଯ: 2004–2006—ԩठлӇ‫صؙ‬Ծ‫ث‬໯‫ݡ‬ஹ ѳୄ 1237, 2554 Taiwan dian ying chan ye zheng ce yu qi dong tai fa zhan li cheng yan jiu: “quan qiu, zai di, guo jia” san zhe gong mou guan dian = The cooperation by triple alliance: the study of Taiwan film policy and industry development process ‫ݡ‬ஹӇ‫ू׬ݗؙ‬೫ӿԷҁ‫ݯ‬чࣁࣵࡄ୳ૢ: “Ҫ‫ܧ‬, Ϩс, лр” ѧ‫࢕ٷ‬ጚ޲ѡ = The cooperation by triple alliance: the study of Taiwan film policy and industry development process 1350, 2540, 2577, 2679 Taiwan dian ying chan ye zhi zhi shi cai chan shang pin hua yan jiu = A study on the commercialization of the intellectual property of Taiwan film industry ‫ݡ‬ஹӇ‫׬ݗؙ‬ҏҌࡦ੠‫࠱ݗ‬Ԙ٩୳ૢ = A study on the commercialization of the intellectual property of Taiwan film industry 2455, 2524 Taiwan dian ying chuan tong ying xiang yu shu wei ying xiang zhi chan zhi yan jiu: yi “Lian ren,” “Ren yu duo duo” wei li = A study of traditional cinematography production and digital cinematography production for filmmaking in Taiwan: using “Fall . . . in love” & “The shoe fairy” as examples ‫ݡ‬ஹӇ‫ؙࢃةؙ‬Ռӿُ֧‫ؙ‬Ռҏ‫ݗ‬३୳ૢ: й “ߧϪ,” “Ϫ‫־‬౤ ౤” Њຎ = A study of traditional cinematography production and digital cinematography production for filmmaking in Taiwan: using “Fall . . . in love” & “The shoe fairy” as examples 0864, 0882, 0982, 2415 Taiwan dian ying dao yan yi shu ‫ݡ‬ஹӇ‫ؙ࣒ࠟ‬ਲफ 0990, 1697 Taiwan dian ying de Riben zhi min ji yi ‫ݡ‬ஹӇ‫ؙ‬ϡяӆᜊ‫֮ھ‬শ 0262, 1288 Taiwan dian ying de sheng yin: Fang ying zhou bao VS Taiwan ying ren ‫ݡ‬ஹӇ‫ؙ‬ϡ‫ٸك‬: ӵྱ‫ ڻڬ‬VS ‫ݡ‬ஹ‫ؙ‬Ϫ 1453, 1684 Taiwan dian ying de tuo huang zhe: Gong Hong zuo tan hui yu ji nian zhan ‫ݡ‬ஹӇ‫ؙ‬ϡᓛᄯ‫ٷ‬: ₳ᮜӏডϾӿઔ݉ࣁ 0502, 1746 Taiwan dian ying gao deng jiao yu yu dian ying chan ye hu dong zhi yan jiu: yi Shixin da xue yu Guo li Taiwan yi shu da xue wei li = A study of correlation between Taiwan’s film high education and film industry: using Shih Hsing and National Taiwan University of Arts as study cases

Taiwan de dian ying yu ming xing ‫ݡ‬ළϡӈ‫ؙ‬ԁҴլ 0098, 1954 Taiwan de lao xi yuan ‫ݡ‬ஹϡҡۚࡨ 2742 Taiwan di li bai ke ‫ݡ‬ஹсԑ‫॓ښ‬ 2742 Taiwan di qu ji lu pian pian mu zi liao ku ji lu pian li shi ji ji lu zi shen ying ren kou shu li shi ji hua di er nian cheng guo bao gao ‫ݡ‬ஹс߅ઔ࠷әࢡ۵‫ࢧޞ‬ᆞઔ࠷әࣵ੗ߵઔ࠷‫ؙٹޞ‬Ϫ‫ט‬਎ࣵ੗ ‫ޫذ‬ҷԏёюҝ‫ݍڻ‬ 0018, 0582 Taiwan di qu ji lu pian pian mu zi liao ku ji lu pian li shi ji ji lu zi shen ying ren kou shu li shi ji hua di yi nian cheng guo bao gao ‫ݡ‬ஹс߅ઔ࠷әࢡ۵‫ࢧޞ‬ᆞઔ࠷әࣵ੗ߵઔ࠷‫ؙٹޞ‬Ϫ‫ט‬਎ࣵ੗ ‫ޫذ‬ҷϣёюҝ‫ݍڻ‬ 0017, 0581 Taiwan dian ying ‫ݡ‬ஹӇ‫ؙ‬ 0814 Taiwan dian ying 90 xin xin lang chao = New new wave of Taiwan cinema 90s ‫ݡ‬ஹӇ‫ؙ‬90 ЈЈ‫ع‬଎ = New new wave of Taiwan cinema 90s 0424, 1018, 1666 Taiwan dian ying ai yu si: guan yu dian ying, wo lue zhi yi er = The love and death of Taiwan Cinema ‫ݡ‬ஹӇ‫ؙ‬ДӿӚ: ԬӿӇ‫ؙ‬, ϢଯҌϣԏ = The love and death of Taiwan Cinema 0380, 0804 Taiwan dian ying bai nian shi hua ‫ݡ‬ஹӇ‫ښؙ‬ё੗ҧ 0104, 0524, 0569, 1133, 1382, 2024, 2406, 2469, 2528 Taiwan dian ying bu luo ge xing xiao zhi yan jiu—yi “Hai jiao qi hao,” “Jiong nan hai,” yi ji “Piao lang qing chun” wei li = The study of Taiwanese Movie Blog Marketing䩭a case study of “Cape No. 7,” “Orz boys” and “"Drifting flowers” movie blogs ‫ݡ‬ஹӇ‫޻חؙ‬۴Ҳઍҏ୳ૢ—й “֋ࡠࢳ‫ى‬,” “ߐԲ‫י‬,” й ߵ “੆‫ ”ࡇݙع‬Њຎ = The study of Taiwanese Movie Blog Marketing䩭a case study of “Cape No. 7,” “Orz boys” and “Drifting flowers” movie blogs 2613 Taiwan dian ying chan ye chui zhi zheng he ce lue zhi yan jiu—yi Zhonghuan gong si wei ge an fen xi ‫ݡ‬ஹӇ‫׬ݗؙ‬Ꮎ‫ׁݱׯ‬೫ଯҏд໯: йЅࢰԍ‫ޅ‬Њϫଈд໯ 2546, 2565 Taiwan dian ying chan ye fa zhan ce lue zhi yan jiu = A study on the film industry develop strategy: a case of Taiwan ‫ݡ‬ஹӇ‫׬ݗؙ‬чࣁ೫ଯҏ୳ૢ = A study on the film industry develop strategy: a case of Taiwan 2555 Taiwan dian ying chan ye guo ji jing zheng li yu quan qiu hua ce lue qing jing gui hua: Bote “zhuan shi ti xi” zhi ying yong = The scenario planning for the international competitiveness and global strategy of Taiwan film industry: an analysis with Poter’s “diamond” system

546

Title Index

‫ݡ‬ஹӇ‫ؙ‬ҙҳ‫ڌ‬ड़ӿӇ‫׬ݗؙ‬ૠҁҏ୳ૢ: йԒЈϽѹӿл߹‫ݡ‬ ஹਲफϽѹЊຎ = A study of correlation between Taiwan’s film high education and film industry: using Shih Hsing and National Taiwan University of Arts as study cases 1323, 2468, 2527 Taiwan dian ying, guo zu xu shi yu xing bie zheng zhi—tan “Guling jie shao nian sha ren shi jian” ‫ݡ‬ஹӇ‫ؙ‬, лఓᡳѨӿԛԇू੽—ড “⚯ᗬঅվё৵ϪѨխ” 0419, 0842, 1017, 1438, 1476 Taiwan dian ying hai bao feng ge zhi yan jiu: 1950–2000 = A study of content analysis of Taiwanese cinema posters: 1950–2000 ‫ݡ‬ஹӇ‫ڻ֋ؙ‬գ۴ҏ୳ૢ: 1950–2000 = A study of content analysis of Taiwanese cinema posters: 1950–2000 2654 Taiwan dian ying huo guo ji ying zhan jiang xiang yu piao fang xiao shou zhi guan xi = The relationship between the award-winning films of Taiwan and the box office ‫ݡ‬ஹӇ‫ؙ‬Ԡлগ‫ࣁؙ‬؉࣯ӿ‫ࠚܯ‬ઍତҏԬ਽ = The relationship between the award-winning films of Taiwan and the box office 2474, 2619 Taiwan dian ying ji shi chu gao (1949–1994) ‫ݡ‬ஹӇ‫ؙ‬ઔѨ२፻ (1949–1994) 0149 Taiwan dian ying jia zhi lian yu mai zuo an li zhi tan tao: yi “Hai jiao qi hao” wei li = The value chain of Taiwan movie and blockbuster䩭a case study on “Cape No. 7” ‫ݡ‬ஹӇ‫ؙ‬٢ߚషӿࢀӏଈຎҏ෬क़: й “֋ࡠࢳ‫”ى‬Њຎ = The value chain of Taiwan movie and blockbuster䩭a case study on “Cape No. 7” 0845, 2606 Taiwan dian ying jin ge ‫ݡ‬ළӈ‫ؙ‬བྷ‫ܮ‬ 2639 Taiwan dian ying jin jun da lu shi chang guan jian cheng gong yin su zhi tan tao = The Taiwanese movie industry entering the Chinese market: a discussion of critical success factors ‫ݡ‬ஹӇ‫ؙ‬Ք‫ݲ‬Ͻ૔‫ص‬ԾԬඟю‫ۋ‬ӹঈҏ෬क़ = The Taiwanese movie industry entering the Chinese market: a discussion of critical success factors 1154, 2609 Taiwan dian ying jing xuan = Films: made in Taiwan ‫ݡ‬ஹӇ‫ = קؘؙ‬Films: made in Taiwan 0150, 0757, 1712 Taiwan dian ying jing xuan xi lie ‫ݡ‬ஹӇ‫࠶ڍקؘؙ‬ 0162, 0423, 0472, 0475, 1395, 1589, 1716, 1765, 1891 Taiwan dian ying mu lu, 2003–2004: ju qing pian ji lu pian dong hua pian shi yan pian ‫ݡ‬ஹӇ‫ؙ‬, 2003–2004: ঁєәઔ࠷әҁޫәӢࡐә 0019 Taiwan dian ying piao fang mo xing zhi jian gou = The model creation of box office in Taiwan ‫ݡ‬ஹӇ‫ࠚܯؙ‬থࡿҏࠃภ= The model creation of box office in Taiwan 2604 Taiwan dian ying ru he li yong guo ji ying shi shi chang jin xing guo ji fa xing zhi tan tao—yi Fushan yu Xianggang shi chang wei li = Exploration of International distribution for Taiwan cinema via international market: case studies of Asia film market & HK filmart

‫ݡ‬ஹӇ‫ؙ‬Ғ‫ح‬۱ѓлগ‫ؙ‬؆‫ص‬ԾՔҲлগчҲҏ෬क़—й᷶‫ځ‬ ӿ‫ܫ‬୯‫ص‬ԾЊຎ = Exploration of International distribution for Taiwan cinema via international market: case studies of Asia film market & HK filmart 1165, 1221, 1235, 2462 Taiwan dian ying san shi nian ‫ݡ‬ළӈ‫ؙ‬ѧ֐ё 0144 Taiwan dian ying, she hui yu guo jia = Taiwanese cinema, society and state ‫ݡ‬ஹӇ‫ؙ‬, घϾӿлр = Taiwanese cinema, society and state 0123, 1483 Taiwan dian ying, she hui yu li shi = Taiwanese cinema, society and history ‫ݡ‬ஹӇ‫ؙ‬, घϾӿࣵ੗= Taiwanese cinema, society and history 0118, 1568 Taiwan dian ying she ying ji shu fa zhan gai shu 1945–1970 = Cinematography in Taiwan 1945–1970: History and technical development ‫ݡ‬ஹӇ‫ؙ‬଄‫ؙ‬৔फчࣁม਎ 1945–1970 = Cinematography in Taiwan 1945–1970: History and technical development 0980, 2025 Taiwan dian ying sheng chan chang yu fen xi, 1998–2003 = Analysis of the field of film production in Taiwan, 1998–2003 ‫ݡ‬ஹӇ‫ؙ‬Т‫ݗ‬Ծ෢д໯, 1998–2003 = Analysis of the field of film production in Taiwan, 1998–2003 1244, 1308, 1469, 1556, 2667 Taiwan dian ying shi cong shu ‫ݡ‬ஹӇ‫ؙ‬੗ᜣ‫ڣ‬ 0195, 0289, 0391, 0510, 0542, 0673, 1008, 1472, 1665, 2439, 2572, 2714 Taiwan dian ying shi hua ‫ݡ‬ළӈ‫ؙ‬੗Ҧ 0074 Taiwan dian ying shi hua: xiu ding ban ‫ݡ‬ළӈ‫ؙ‬੗Ҧ: ࢗ๒‫ؗ‬ 0075 Taiwan dian ying shi jian bian ‫ݡ‬ළӈ‫ؙ‬੗ߢഹ 0076 Taiwan dian ying shi liao cong shu ‫ݡ‬ஹӇ‫ؙ‬੗ࢧᜣ‫ڣ‬ 0008, 0090, 0135, 0245, 0281, 0283, 0298, 0489, 0494, 0571, 0674, 0718, 0721, 0968, 1191, 1260, 1270, 1281, 1324, 1475, 1563, 1659, 1683, 1702, 1883,2440, 2450, 2715 Taiwan dian ying shi ting chan ye zhi jing ji diao cha = La investigacion economica de la industria cinematografica de Taiwan ‫ݡ‬ஹӇ‫ؙ‬؆ԯ‫׬ݗ‬ҏҬ௵݇‫ = ݓ‬La investigacion economica de la industria cinematografica de Taiwan 1313, 2538 Taiwan dian ying shi ting chan ye zhi jing ji diao cha: tian ye diao cha ri zhi = La investigacion economica de la industria cinematografica de Taiwan: archivos ‫ݡ‬ஹӇ‫ؙ‬؆ԯ‫׬ݗ‬ҏҬ௵݇‫ݓ‬: ೧ఀ݇‫ݓ‬я௨= La investigacion economica de la industria cinematografica de Taiwan: archivos 1314, 2539 Taiwan dian ying tui guang ce lue yan jiu = A study of promotion strategies among Taiwan cinema ‫ݡ‬ஹӇ‫ؙ‬Ԑܰ೫ଯ୳ૢ = A study of promotion strategies among Taiwan cinema 0077, 2596

547

Title Index

‫ݡ‬ஹӇ‫صࠟྱؙ‬Ծҏ‫ٍٷٮ۽‬ѓӻբЎՙҏҲЊ୳ૢ = A study on consumer behavior of downloading files in Taiwan cinema exhibition market 1601, 1621, 2458 Taiwan dian ying yu she hui bian qian ‫ݡ‬ஹӇ‫ؙ‬ӿघϾԺቜ 0162, 1589 Taiwan dian ying yu wen xue ‫ݡ‬ஹӇ‫ؙ‬ӿҹѹ 1395 Taiwan dian ying yue lian = Taiwanese cinema: An illustrated history ‫ݡ‬ஹӇ‫ؙ‬་ऋ = Taiwanese cinema: an illustrated history 0119 Taiwan dian ying zai xian de she hui gui fan yu jia zhi guan—yi xi ju wu yin fen xi Jin Ma jiang zui jia ju qing pian = Social norms and values as represented in Taiwan’s movies: a pentadic analysis ‫ݡ‬ஹӇ‫ؙ‬ӐѳϡघϾ੺౯ӿ٢ߚ޲—йۚঁٚӹд໯‫ެؖ‬؉з ૟ঁєә = Social norms and values as represented in Taiwan’s movies: a pentadic analysis 1451, 1603, 1652 Taiwan dian ying zhen gui ying xiang shi liao mu lu (Di yi ji 35 nian -58 nian) ‫ݡ‬ஹӇ‫ੵؙ‬ਰ‫ؙ‬Ռ੗ࢧ۵࠷ (ҷϣফ 35ё—58ё) 0021, 0152, 0583 Taiwan dian ying: zheng zhi, jing ji, mei xue (1949–1994) ‫ݡ‬ஹӇ‫ؙ‬: ू੽,Ҭ௵,Ѥѹ (1949–1994) 0125, 0973, 1315, 1485 Taiwan dian ying zhong de du shi cheng xian—yi Li Xing he Wan Ren de dian ying wei li = The urban representation of Taiwanese movies—an example for Li hsing and Wan Jen ‫ݡ‬ஹӇ‫ؙ‬ЅϡЁ‫ص‬ᅲѳ—йଽҲф‫ݛ‬წϡӇ‫ؙ‬Њຎ = The urban representation of Taiwanese movies—an example for Li hsing and Wan Jen 0704, 1560 Taiwan dian ying zhong de “Nan bu”—yi ge fu hao xue de guan dian = “The south” in Taiwanese movies: a semiotic analysis ‫ݡ‬ஹӇ‫ؙ‬Ѕϡ “۪‫—”ח‬ϣϫላ‫ى‬ѹϡ޲ѡ = “The south” in Taiwanese movies: a semiotic analysis 1542 Taiwan dian ying zhong de nu bing xing xiang yan jiu ‫ݡ‬ஹӇ‫ؙ‬Ѕϡѽഈ࣏ࢣ୳ૢ 1649 Taiwan dian ying zhong guo zu lun shu de zhuan bian = Nationalism in Taiwan’s film ‫ݡ‬ஹӇ‫ؙ‬Ѕлఓ‫ں‬਎ϡ‫ׅ‬Ժ = Nationalism in Taiwan’s film 1446, 1499 Taiwan dian ying zhong yuan zhu min xing xiang zhi yan jiu: lun shu gong ye xia de ta zhe tu xiang ‫ݡ‬ஹӇ‫ؙ‬Ѕϡ֍֙‫ࢣ࣏ھ‬ҏ୳ૢ: ‫ں‬਎֞‫׬‬Ўϡ‫ࢣ֖ٷؚ‬ 1268, 1336 Taiwan dian ying zi jin yi zhu guan dao zhi chu tan = The preliminary study on Taiwan’s film industry fund shifting methods ‫ݡ‬ஹӇ‫܉ڀ⪜ؖޞؙ‬Ѭҏ२෬ = The preliminary study on Taiwan’s film industry fund shifting methods 2564, 2723 Taiwan documentary aesthetic series See Taiwan ji lu pian mei xue xi lie = Taiwan documentary aesthetic series

Taiwan dian ying xi ju shi = A history of cinema and drama in Taiwan ‫ݡ‬ஹӇ‫ঁؙۚ‬੗ = A history of cinema and drama in Taiwan 0126, 0669, 1877, 2047, 2061 Taiwan dian ying xiang yan: bai nian dao lan ‫ݡ‬ஹӇ‫ؙ‬⡕ᑱ : ‫ښ‬ё࣒ऋ 0111, 0248, 0428, 1022, 1669 Taiwan dian ying xin wei lai—yi qi nian ji dao yan xian xiang lai tan tao Taiwan dian ying de wei lai ‫ݡ‬ஹӇ‫ؙ‬Ј‫۔‬ϰ—йࢳёٜ࣒ࠟѳࢣϰ෬क़‫ݡ‬ஹӇ‫ؙ‬ϡ‫۔‬ϰ 0354, 1707, 2542 Taiwan dian ying xin wu tai she ji an ‫ݡ‬ஹӇ‫ؙ‬Јଢ‫ذޗݡ‬ଈ 1437 Taiwan dian ying xin xin lang chao = New Taiwan cinema in the 1990s ‫ݡ‬ஹӇ‫ؙ‬ЈЈ‫ع‬଎ = New Taiwan cinema in the 1990s 0443, 1030 Taiwan dian ying xu jing zhong suo jian gou zhi er tong shi jia = Construction of Children’s world in Taiwan cinema ‫ݡ‬ஹӇ‫ؙ‬ᡳ॒ЅӛࠃภҏճুԒ֎ = Construction of children’s world in Taiwan cinema 0548, 1602 Taiwan dian ying yan jiu cong shu ‫ݡ‬ஹӇ‫ؙ‬傘ૢᜣ‫ڣ‬ 0105, 0118, 0123, 0136, 0290, 0291, 0653, 0713, 0716, 0990, 1071, 1169, 1245, 1483, 1568, 1634, 1662, 1663, 1697, 1722, 1723, 1785, 1810, 1934 Taiwan dian ying yan jiu ji wen xian chu ban gai kuang ‫ݡ‬ஹӇ‫ߵૢ୳ؙ‬ҹຶо‫ؗ‬มୄ 0011 Taiwan dian ying yan jiu ji wen xian chu ban gai kuang: fu lu Taiwan dian ying yan jiu wen xian fen lei mu lu (1949–1993) ‫ݡ‬ஹӇ‫ߵૢ୳ؙ‬ҹຶо‫ؗ‬มୄ: ป࠷‫ݡ‬ஹӇ‫ૢ୳ؙ‬ҹຶдढ۵࠷ (1949–1993) 0012 Taiwan dian ying ye pei xiao mi du zhi jue ding yin su yu piao fang biao xian: yi jiao yi cheng ben, dai li li lun yu she hui wang luo guan dian tan tao zhi = Antecedents of distribution intensity and box-office in Taiwan’s film industry: Insights from transaction cost analysis, agency theory, and network perspective ‫ݡ‬ஹӇ‫ࡈ׬ؙ‬ઍ઼֏ҏ‫ݺ‬ӡӹঈӿ‫ࠚܯ‬ԣѳ: й‫ډے‬юӆ, ‫ڊ‬ ԑԑ‫ں‬ӿघϾӻ౪޲ѡ෬क़ҏ = Antecedents of distribution intensity and box-office in Taiwan’s film industry: Insights from transaction cost analysis, agency theory, and network perspective 2461, 2602 Taiwan dian ying ying cheng jing zheng ce lue zhi yan jiu = Competitive strategy of cinemas center in Taiwan ‫ݡ‬ஹӇ‫ڵؙؙ‬ჟৎ೫ଯҏ୳ૢ = Competitive strategy of cinemas center in Taiwan 2735 Taiwan dian ying ying pian sheng chan tong ji, fu: song jian ying pian ji duan pian pian mu (1949–1993) ‫ݡ‬ஹӇ‫ؙؙ‬әТ‫ذࢃݗ‬, ป: ‫؟‬ഛ‫ؙ‬ә᠕ߦәә۵ (1949–1993) 0020, 0151, 2444, 2681 Taiwan dian ying ying yan shi chang zhi xiao fei zhe shi yong wang lu xia zai zhi xing wei yan jiu = A study on consumer behavior of downloading files in Taiwan cinema exhibition market

548

Title Index

Taiwan documentary aesthetic series II See Taiwan ji lu pian mei xue xi lie (er) = Taiwan documentary aesthetic series II Taiwan du li dian ying zhi pian zhi guan cha—yi Huang Mingchuan dian ying she wei ge an yan jiu = An observation on Taiwan independent film production—A case study of HMC Film Productions ‫ݡ‬ஹ‫߹ݻ‬Ӈ‫ؙ‬३әҏ޲ൌ—йࢶҴඇӇ‫ؙ‬घЊϫଈ୳ૢ = An observation on Taiwan independent film production—A case study of HMC Film Productions 0634, 2709 Taiwan duan pian zhi zuo mo shi yan jiu—yi “Qiubite nu hai” yu “Wu zhang ai” wei li = An empirical study on the production mode of Taiwanese short films: taking Ms. Cupid and Let off as examples ‫ݡ‬ஹߦә३ӑথܴ୳ૢ—й “ᆥԝ‫ئ‬ѽ‫ ”י‬ӿ “ѩᅣዏ” Њຎ = An empirical study on the production mode of Taiwanese short films: taking Ms. Cupid and Let off as examples 0675, 2670 Taiwan eiga e no sh䲖tai: ichiya ni shite Ch䲚gokujin ni natta t䲖san (t䲖san) ‫ݡ‬ළྱࡌ䫩䫟੷‫ۉ‬: ϣ١䫜䫈䫗ЅмϪ䫜䫛䫔䫐Єᇤ (୊䫆䬄) 0110, 0247, 0427, 0838, 1021, 1668 Taiwan eiga no subete ‫ݡ‬ළྱࡌ䫟䫊䫪䫗 0157, 0316, 0371, 0450, 0503, 1405, 1497 Taiwan eiga: Taiwan no rekishi, shakai o shiru madoguchi ‫ݡ‬ළྱࡌ: ‫ݡ‬ළ䫟䖉੗ί घϿ䬃Ҍ䫼凵‫ט‬ 0112, 0249, 0293, 1141, 1478 Taiwan films and literature 1377 Taiwan films and social change; translated by Sam Ho 1588 Taiwan guang fu wu shi zhou nian ji nian cong kan (wu) ‫ݡ‬ஹ‫࣢ׇ‬ٚ֐‫ڬ‬ёઔ݉ᜣᑂ 0224, 0273, 0282, 2741 Taiwan guo ji dong hua ying zhan (di er, san jia) = Taiwan International Animation Festival (2004–2005) ‫ݡ‬ஹлগҁޫ‫( ࣁؙ‬ҷԏ, ѧโ) = Taiwan International Animation Festival (2004–2005) 0533, 2513 Taiwan guo ji dong hua ying zhan (di si jia) = Taiwan International Animation Festival (2006) ‫ݡ‬ஹлগҁޫ‫( ࣁؙ‬ҷ‫ף‬โ) = Taiwan International Animation Festival (2006) 0535, 2515 Taiwan guo ji dong hua ying zhan (di si, wu jia) = Taiwan International Animation Festival (2006–2007) ‫ݡ‬ஹлগҁޫ‫( ࣁؙ‬ҷ‫ף‬, ٚโ) = Taiwan International Animation Festival (2006–2007) 0534, 2514 Taiwan guo ji dong hua ying zhan (di wu jia) = Taiwan International Animation Festival (2007) ‫ݡ‬ஹлগҁޫ‫( ࣁؙ‬ҷٚโ) = Taiwan International Animation Festival (2007) 0536, 2516 Taiwan guo ji dong hua ying zhan (di yi, er jia) = Taiwan International Animation Festival (2003–2004) ‫ݡ‬ஹлগҁޫ‫( ࣁؙ‬ҷϣ, ԏโ) = Taiwan International Animation Festival (2003–2004) 0532, 2512

Taiwan guo ji ji lu pian shuang nian zhan (1–2 jie) = Taiwan international documentary festival (1998–2000) / Zhonghua minguo ji lu pian fa zhan xie hui ‫ݡ‬ஹлগઔ࠷ә‫ד‬ёࣁ (1–2 โ ) = Taiwan international documentary festival (1998–2000) / Ѕ‫ھܓ‬лઔ࠷әчࣁ൒Ͼ 0584, 2502 Taiwan guo ji ji lu pian shuang nian zhan (2002): “Zai jian, Taiwan ji qing nian dai” zhuan an jie an bao gao shu / Xing zheng yuan wen hua jian she wei yuan hui zhu ban; Zhonghua minguo ying xiang yun dong xie hui xie ban ‫ݡ‬ஹлগઔ࠷ә‫ד‬ёࣁ (2002): “ӐԊ, ‫ݡ‬ஹࢫєё‫֟ ”ڊ‬ଈְଈ ‫ ڣݍڻ‬/ Ҳूࡨҹ٩ࠃ‫ޗ‬ణ‫؂‬ϾҰ‫ ;ދ‬Ѕ‫ھܓ‬л‫ؙ‬Ռ‫ػ‬ҁ൒Ͼ൒ ‫ދ‬ 0585, 2503 Taiwan guo ji ji lu pian shuang nian zhan (3 jie) = Taiwan international documentary festival (2002) / Zhonghua minguo ying xiang yun dong fa zhan xie hui ‫ݡ‬ஹлগઔ࠷ә‫ד‬ёࣁ (3 โ ) = Taiwan international documentary festival (2002) / Ѕ‫ھܓ‬л‫ؙ‬Ռ‫ػ‬ҁчࣁ൒Ͼ 0586, 2504 Taiwan guo ji ji lu pian shuang nian zhan (4–5 jie) = Taiwan international documentary festival (2004–2006) / Xing zheng yuan wen hua jian she wei yuan hui zhu ban ‫ݡ‬ஹлগઔ࠷ә‫ד‬ёࣁ (4–5 โ ) = Taiwan international documentary festival (2004–2006) / Ҳूࡨҹ٩ࠃ‫ޗ‬ణ‫؂‬ϾҰ‫ދ‬ 0587, 2505 Taiwan guo ji ji lu pian shuang nian zhan (6 jie) = Taiwan international documentary festival (2008) / Xing zheng yuan wen hua jian she wei yuan hui zhu ban ‫ݡ‬ஹлগઔ࠷ә‫ד‬ёࣁ (6โ ) = Taiwan international documentary festival (2008) / Ҳूࡨҹ٩ࠃ‫ޗ‬ణ‫؂‬ϾҰ‫ދ‬ 0588, 2506 Taiwan guo ji ji lu pian shuang nian zhan (7 jie) = Taiwan international documentary festival (2010) ‫ݡ‬ஹлগઔ࠷ә‫ד‬ёࣁ (7โ ) = Taiwan international documentary festival (2010) / Ҳूࡨҹ٩ࠃ‫ޗ‬ణ‫؂‬ϾҰ‫ދ‬ 0589, 2507 Taiwan guo ji ji lu pian shuang nian zhan (di 8 jie) = 2012 8th Taiwan international documentary festival ‫ݡ‬ஹлগઔ࠷ә‫ד‬ёࣁ (ҷ8โ ) = 2012 8th Taiwan international documentary festival 0590, 2508 Taiwan guo ji ji lu pian shuang nian zhan te kan ‫ݡ‬ஹлগઔ࠷ә‫ד‬ёࣁ‫ئ‬ᑂ 0066 Taiwan guo ji min zu zhi ying zhan: 2001 dao yu lian xian = Taiwan International Ethnographic Film Festival: 2001 Island Odyssey ‫ݡ‬ஹлগ‫ھ‬ఓ௨‫ࣁؙ‬: 2001ޯᓊ‫ۀ‬۷ = Taiwan International Ethnographic Film Festival: 2001 Island Odyssey 0611, 1339, 2511 Taiwan guo ji min zu zhi ying zhan: 2003 qian xi de gu shi = Taiwan International Ethnographic Film Festival: Migration story ‫ݡ‬ஹлগ‫ھ‬ఓ௨‫ࣁؙ‬: 2003ቜ⃼ϡ‫ݞ‬Ѩ = Taiwan International Ethnographic Film Festival: Migration story / ‫ݡ‬ஹ‫ھ‬ఓ௨‫ؙ‬Ռѹ ϾҰ‫ދ‬ 0611a, 1339a, 2511a “Taiwan Hei Dian Ying” ji lu pian zhi chuang zuo yu yi yi = “Taiwan Black Movies”—The Making and Meaning of a Documentary

549

Title Index

“‫ݡ‬ஹ‫ܪ‬Ӈ‫ ”ؙ‬ઔ࠷әҏࡶӑӿҺच = “Taiwan Black Movies”— The Making and Meaning of a Documentary 0570, 0892 Taiwan Honkon shin eiga sengen = Taiwan Hong Kong new cinema ‫ݡ‬ළ‫ܫ‬୯Јྱࡌୌߞ = Taiwan Hong Kong new cinema 0444, 1173 Taiwan Hua shang fa Xing Ou Mei wai pian zhi li shi fa zhan yan jiu = A historical research of the development of domestic distributors of imported foreign films ‫ݡ‬ஹ‫࠱ܓ‬чҲଟѤ֔әҏࣵ੗чࣁ୳ૢ = A historical research of the development of domestic distributors of imported foreign films 1257, 2464 Taiwan International Animation Festival (2003–2004) See Taiwan guo ji dong hua ying zhan (di yi, er jia) = Taiwan International Animation Festival (2003–2004) Taiwan International Animation Festival (2004–2005) See Taiwan guo ji dong hua ying zhan (di er, san jia) = Taiwan International Animation Festival (2004–2005) Taiwan International Animation Festival (2006) See Taiwan guo ji dong hua ying zhan (di si jia) = Taiwan International Animation Festival (2006) Taiwan International Animation Festival (2006–2007) See Taiwan guo ji dong hua ying zhan (di si, wu jia) = Taiwan International Animation Festival (2006–2007) Taiwan International Animation Festival (2007) See Taiwan guo ji dong hua ying zhan (di wu jia) = Taiwan International Animation Festival (2007) Taiwan international documentary festival (1998–2000) See Taiwan guo ji ji lu pian shuang nian zhan (1–2 jie) = Taiwan international documentary festival (1998–2000) Taiwan international documentary festival (2002) See Taiwan guo ji ji lu pian shuang nian zhan (3 jie) = Taiwan international documentary festival (2002) Taiwan international documentary festival (2004–2006) See Taiwan guo ji ji lu pian shuang nian zhan (4–5 jie) = Taiwan international documentary festival (2004–2006) Taiwan international documentary festival (2008) See Taiwan guo ji ji lu pian shuang nian zhan (6 jie) = Taiwan international documentary festival (2008) Taiwan international documentary festival (2010) See Taiwan guo ji ji lu pian shuang nian zhan (7 jie) = Taiwan international documentary festival (2010) Taiwan International Ethnographic Film Festival: 2001 Island Odyssey See Taiwan guo ji min zu zhi ying zhan: 2001 dao yu lian xian = Taiwan International Ethnographic Film Festival: 2001 Island Odyssey Taiwan international ethnographic film festival ; Family Variations See 2005 Taiwan guo ji min zu zhi ying zhan: jia de bian zou = Taiwan international ethnographic film festival ; Family Variations Taiwan International Ethnographic Film Festival: Migration story See Taiwan guo ji min zu zhi ying zhan: 2003 qian xi de gu shi = Taiwan International Ethnographic Film Festival: Migration story

Taiwan ji lu pian mei xue xi lie ‫ݡ‬ஹઔ࠷әѤѹ‫࠶ڍ‬ 0575 Taiwan ji lu pian mei xue xi lie = Taiwan documentary aesthetic series ‫ݡ‬ஹઔ࠷әѤѹ‫ = ࠶ڍ‬Taiwan documentary aesthetic series 0153, 0591, 0976 Taiwan ji lu pian mei xue xi lie (er) = Taiwan documentary aesthetic series II ‫ݡ‬ஹઔ࠷әѤѹ‫( ࠶ڍ‬ԏ) = Taiwan documentary aesthetic series II 0154, 0592 Taiwan ji lu pian nu dao yan bi ji shu = The female directors of Taiwan Documentary ‫ݡ‬ஹઔ࠷әѽ࣒ࠟદ֮‫ = ڣ‬The female directors of Taiwan Documentary 0593, 0758, 1648, 1713 Taiwan ji lu pian “qian shi”: ji shi ying xiang, jia ting dian ying dao ji lu pian = A pre-history of Taiwanese documentary filmmaking: actualities, home movies and documentary ‫ݡ‬ஹઔ࠷ә “ӓ੗”: ઔӢ‫ؙ‬Ռ, р೛Ӈ‫ؙ‬Ϻઔ࠷ә = = A prehistory of Taiwanese documentary filmmaking: actualities, home movies and documentary 0575 Taiwan Jin Ma jiang dian ying hai bao tu xiang fu hao fen xi = Study of image and symbol applied in analyzing the film posters of the Golden Horse Awards in Taiwan (1982–2008) ‫ݡ‬ஹ‫ެؖ‬؉Ӈ‫֖ڻ֋ؙ‬Ռላ‫ى‬д໯ = Study of image and symbol applied in analyzing the film posters of the Golden Horse Awards in Taiwan (1982–2008) 0442, 1029, 2481, 2657 Taiwan Ke jia yan jiu xue hui 2009 nian hui ji “Ke jia shu xie yu quan shi: fang zhi, lun shu, mei ti yu dian ying” xue shu lung wen ji ‫ݡ‬ஹ‫ۺ‬р୳ૢѹϾ2009ёϾ᠕ “‫ۺ‬р‫܎ڣ‬ӿ⠌ౠ: Ҥ࢑, ‫ں‬਎, ෪ ՂӿӇ‫”ؙ‬ѹफ୳क़Ͼ‫ں‬ҹओ 1368 Taiwan lao xi yuan = Antique movie house ‫ݡ‬ஹҡۚࡨ = Antique movie house 2743 Taiwan nu xing xiao shuo yu dian ying zhi hu wen yan jiu ‫ݡ‬ஹѽԛЩМӿӇ‫ؙ‬ҏૠҹ୳ૢ 1384, 1635 Taiwan: nuove ombre elettriche 0129 Taiwan ny䲚 shinema no kishu K䲖 K䲖ken no sekai ‫ݡ‬ළ䬺䭔䴈䬦䬼䭍䫟෇Ѳᢡᖮᐊ䫟Ԓ֎ 0447, 1770 Taiwan she xing dian ying zhi se qing xue yan jiu (1982–2007) = The erotological study on Taiwanese films from 1982 to 2007 ‫ݡ‬ஹᇎԛӇ‫ؙ‬ҏաєѹ୳ૢ (1982–2007) = The erotological study on Taiwanese films from 1982 to 2007 1525 Taiwan sheng dian ying zhi pian chang ying pian zong mu lu ‫ݡ‬ஹ૸Ӈ‫ؙ‬३әྃր۵࠷ 0022, 0491 Taiwan shi shi dian ying yin mu pei ji zhi de ke xing xing = The feasibility of the implements of the silver screen quota system in Taiwan

550

Title Index

‫ݡ‬ஹӢැӇ‫ࡈ௷ુؙ‬Ѱ‫ء‬ϡНҲԛ = The feasibility of the implements of the silver screen quota system in Taiwan 1239, 2568, 2663, 2717 Taiwan song jian ying pian ji duan pian pian mu (1949–1994) ‫ݡ‬ஹ‫؟‬ഛ‫ؙ‬ә᠕ߦәә۵ (1949–1994) 0023, 0155, 2445, 2682 Taiwan under Japanese colonial rule 1895–1945: history, culture, memory 0268, 1060, 1873 Taiwan V. S. Yindu ying zhan = The Taiwan V. S. India Film Festival ‫ݡ‬ஹ V. S. ୅֏‫ = ࣁؙ‬The Taiwan V. S. India Film Festival 1238 Taiwan wen hua bai ke ‫ݡ‬ஹҹ٩‫॓ښ‬ 2743 “Taiwan wen xue yu dian ying zhong de mu yu” xue shu yan tao hui lun wen ji “‫ݡ‬ஹҹѹӿӇ‫ؙ‬Ѕϡআ‫ ”ܭ‬ѹफ୳क़Ͼҹओ 0299, 0307, 1274, 1369, 1396, 1495, 1587 Taiwan xi ju guan—zi shen xi ju jia cong shu ‫ݡ‬ஹۚঁఖ䦡‫ঁۚٹޞ‬рᜣ‫ڣ‬ 1860, 1878, 1889, 2048, 2052, 2057, 2060, 2062, 2063, 2064, 2072 Taiwan xi yuan fa zhan shi ‫ݡ‬ஹۚࡨчࣁ੗ 2744 Taiwan xiao cheng ben dian ying de sheng cun zhi dao—yi “Shi qi sui de tian kong,” “Sheng xia guang nian” he “Ci qing” deng san bu tong zhi ti cai dian ying wei li ‫ݡ‬ஹЩюӆӇ‫ؙ‬ϡТࡖҏѬ—й “֐ࢳ‫ۈ‬ϡϳ‫׺‬,” “ഄॼ‫ׇ‬ё” ф “଱‫ ”ݙ‬ҳѧ‫ח‬ӎ࢑֤୰Ӈ‫ؙ‬Њຎ 0618, 2610 Taiwan xin dao yan: di er bo xin lang chao ‫ݡ‬ஹЈ࣒ࠟ: ҷԏமЈ‫ع‬଎ 0472, 1716 Taiwan xin dian ying ‫ݡ‬ஹЈӇ‫ؙ‬ 0425, 1019, 1667 Taiwan xin dian ying de li shi wen hua jing yan ‫ݡ‬ஹЈӇ‫ؙ‬ϡࣵ੗ҹ٩Ҭࡐ 0391, 1008 Taiwan xin dian ying er shi nian = 20th Anniversary of Taiwanese New Cinema ‫ݡ‬ஹЈӇ‫ؙ‬ԏ֐ё = 20th Anniversary of Taiwanese New Cinema 0445, 1031, 1685 Taiwan “Xin dian ying” lun shu xing gou zhi li shi fen xi (1965– 2000) = Discursive formation of “Taiwanese New Cinema” : a historical analysis (1965–2000) ‫ݡ‬ஹ “ЈӇ‫ں ”ؙ‬਎࣏ภҏࣵ੗д໯ (1965–2000) = Discursive formation of “Taiwanese New Cinema”: a historical analysis (1965–2000) 0476, 1047 Taiwan xin wen / ji lu pian pian mu [1999] ‫ݡ‬ஹЈࢨ / ઔ࠷әә۵ [1999] 0024, 0594 Taiwan xin wen / ji lu pian pian mu [2000] ‫ݡ‬ஹЈࢨ / ઔ࠷әә۵ [2000] 0025, 0595

Taiwan ying ping liu shi nian: Taiwan ying ping shi hua = 60 years of film critique in Taiwan ‫ݡ‬ஹ‫֐ࡏؙ߰‬ё: ‫ݡ‬ஹ‫ؙ߰‬੗ҧ = 60 years of film critique in Taiwan 0105, 0713 Taiwan ying shi ge ren wu zhi 1950–1965 ‫ݡ‬ஹ‫ؙ‬؆‫ܮ‬Ϫ‫׉‬௨ 1950–1965 0037, 1686, 1961 “Taiwan yuan zhu min zu wen hua ying yin zi liao ku” fu wu jian ji shu, “Yuan zhu min dian shi ren cai pei xun ji zhi bo jie mu ji jian zhi Taiwan yuan zhu min zu wen hua ying yin zi liao ku” an “‫ݡ‬ஹ֍֙‫ھ‬ఓҹ٩‫ࢧޞٸؙ‬ᆞ” ‫ࠃࠔע‬৶‫ڣ‬, “֍֙‫ھ‬ఓӇ؆Ϫ ҥഷਗߵ३৚‫ڞ‬۵᠕ࠃঞ‫ݡ‬ஹ֍֙‫ھ‬ఓҹ٩‫ࢧޞٸؙ‬ᆞ” ଈ 1275, 2431 Taiwan yue lan shi ‫ݡ‬ஹ་ऋॣ 0194, 0302 Taiwan zhi zao—2008 dian ying bei wang lu = Taiwan cinema observation, 2008 ‫ݡ‬ஹ३߃—2008 Ӈ‫އؙ‬۲࠷ = Taiwan cinema observation, 2008 0369, 0759 Taiwan zhong ceng jin dai hua lun wen ji ‫ݡ‬ஹԳৡ‫ڊײ‬٩‫ں‬ҹओ 0269, 1332 Taiwanese cinema 1982–2002: from new wave to independent 0446 Taiwanese cinema and national identity after 1989 0399, 1431 Taiwanese new cinema and third cinema: post-colonial issues in the films of Hou Hsiao-Hsien 0474, 1598, 1775 Taizhong dian ying chuan qi = Treasure of movies in Taichung ཅЅӇ‫ = ࡞ةؙ‬Treasure of movies in Taichung 0227, 0296 Taizhong shi wen xue jia zuo pin ji ‫ݡ‬Ѕ‫ص‬ҹѹрӑԘ 0744 Tan dian ying pei yue ডӇ‫ࡈؙ‬Ӏ 1050, 1413, 2631 Tan yan ji ডࠟ৔ 0961 Tan ying lun xi ড‫ۚںؙ‬ 0800 Tang chao qi li nan ࿔சᴟ‫ܡ‬Բ 2241 Tang lang diao shou yu san xia ₂ᣥ᭗Ѳ‫ە‬ᄻཱུ 2371 Tang shan guo Taiwan de hui xiang ࿔‫ځ‬О‫ݡ‬ஹϡ፯৘ 0893 Tao chu Xianggang ௺о‫ܫ‬୯ 2267 Teaching English as a second language through the films of Ang Lee 1321

551

Title Index

“Teikoku” to “sokoku” no hazama: shokuminchiki Taiwan eigajin no k䲖sh䲖 to ekky䲖 “෌м”䫙”ྥм”䫟䫠䫇䫯 : ယ‫ھ‬с‫ݡ׈‬ළྱࡌϪ䫟‫ے‬ᇎ䫙ք॒ 0259, 1443 Theorising national cinema 0449, 1444 There is a crack in everything 2040 Ti yan xiao fei shi dai xia Taibei shi dian ying yuan de jing ying xing xiao zhi yan jiu = The research of management of movie theaters in Taipei from the perspective of experiential marketing Ղࡐ‫ٮ۽‬Ж‫ڊ‬Ў‫ܚݡ‬Ӈ‫ࡨؙ‬ϡҬॺҲઍҏ୳ૢ = The research of management of movie theaters in Taipei from the perspective of experiential marketing 2740 Tian guang yun ying gong pai huai: wen xue, dian ying ji qi ta ϳ‫࢕ׇؙࠥ‬᛼᛺: ҹѹ, Ӈ‫ߵؙ‬Էј 0741 Tian liang hao ge qiu ϳधϮϫ‫ڠ‬ 2270 Tian liang hao ge qiu (script in Chinese and English) ϳधϮϫ‫( ڠ‬in Chinese and English) 2271 Tian luo di wang: di si gao ϳ஛сӻ: ҷ‫ף‬፻ 2228 Tian shang ren jian ϳϼϪҼ 1673, 1674, 1675, 1676, 1823, 1842, 1843, 1844, 1845 Tian shang ren jian (script) ϳϼϪҼ (script) 2390 Tian tang di xiong ϳஇ੣಺ 2338 Tian xia cai jing xi lie ϳЎ੠Ҭ‫࠶ڍ‬ 1406 Tian xia di yi ban ϳЎҷϣ‫ڡ‬ 2206 Tian xia wu di ϳЎѩ൹ 2265 Tian zhi jiao zi ϳҏთж 2263 Tianjin long hu dou ϳဋहഝ搲 2142 Tie dao dian ying yuan: dian ying li de huo che shi jie = Railways in cinema ੌѬӇ‫ࡨؙ‬: Ӈ‫ؙ‬Ѷϡ‫ڮ‬ӝԒ֎ = Railways in cinema 1518 Tie niang zi ੌਔж 2272 Tie xue yong tan ੌ߱ର෬ 2262

Tigre et dragon: Ang Lee 1796 Time flow & steaming shadow See Shi guang liu ying—Gaoxiong shi dian ying tu shu guan cang wen wu zhuan ji er = Time flow & steaming shadow Time without measure, sadness without cure: Hou Hsiao-Hsien’s films of history 0436, 1351, 1442, 1486, 1579, 1767 Tong dang wan sui ুཙ‫ۈݛ‬ 2329 Tong nian wang shi ুё‫܊‬Ѩ 2401 Tong xue hui ӎѹϾ 2203, 2339 Tong Yuejuan: hui yi lu ji tu wen zi liao hui pian ু֊ᥱ: Ҙশ࠷᠕֖ҹ‫ࢧޞ‬ᓫഹ 0488, 1885 The trans-Pacific imagination: rethinking boundary, culture and society 0852, 0873, 0910, 1236 Transnational Asian identities in Pan-Pacific cinemas: the reel Asian exchange 0847, 1090, 1229 Transnational Chinese cinemas: identity, nationhood, gender 0159, 1498 Tsai Ming-liang (by Nori) 1736 Tsai Ming-liang (by Rehm) 1738 Tsai Ming-liang and a Cinema of Slowness 0431a, 1735a Tu di xian ying yu shi jian xu shi—yi Taiwan dian ying wei yan jiu chang yu (2000–2010) = A study on phenomenon of land and time narration in Taiwanese films (2000–2010) गсࣶ‫ؙ‬ӿЖҼᡳѨ—й‫ݡ‬ஹӇ‫ؙ‬Њ୳ૢԾ෢ (2000–2010) = A study on phenomenon of land and time narration in Taiwanese films (2000–2010) 0343, 1559 Tu po: Chuang zuo dian feng ߷਋: ࡶӑᠩ๢ 1071 Tu wen Taiwan ֘ҹ‫ݡ‬ළ 0161, 1617 Tui shou ԐѲ 2185 Tui shou: yi bu dian ying de dan sheng ԐѲ : ϣ‫ח‬Ӈ‫ؙؙ‬ϡᅈТ 0895, 2273 Verbal and non-verbal explication model for movie subtitling— taking Ang Lee’s three Chinese movies as examples 2371 Wa wa ෈෈ 2340

552

Title Index

ҹ٩ࡶҺ‫׬ݗ‬лগҲઍ೫ଯҏ୳ૢ—й‫ݡ‬ஹӇ‫׬ݗؙ‬Њຎ = = The study of international marketing strategies for creative cultural industries: “A case analysis of movie industry in Taiwan” 2625 Wen hua cong shu ҹ٩ᜣ‫ڣ‬ 0352, 0679, 1147, 1388, 1853 Wen hua de jiao xiang: Zhongguo dian ying bi jiao yan jiu ҹ٩ϡ‫ے‬ড়䩭Ѕмӈ‫ؙ‬ԝࢹ୳ૢ 1180 Wen hua duo yang xing yu fu wu mao yi zi you hua zhi hu dong guan xi䩭yi WTO jia gou zhi dian ying shi ting fu wu wei zhong xin ҹ٩ЄҊԛӿ‫ࠔע‬ᆓ‫ډ‬٩ҏૠҁԬ਽䩭йWTO ବภҏӇ‫ؙ‬؆ԯ ‫ࠔע‬ЊЅК 1249, 1372 Wen hua gong ye xia de Taiwan dian ying yin yue fa zhan xian kuang yu zheng zhi jing ji fen xi: 1960–2005 = The current situation of film music of Taiwan under the industry and the analysis of the politics and economics: 1960–2005 ҹ٩֞‫׬‬Ўϡ‫ݡ‬ஹӇ‫ٸؙ‬Ӏчࣁѳୄӿू੽Ҭ௵д໯: 1960–2005 = The current situation of film music of Taiwan under the industry and the analysis of the politics and economics: 1960–2005 1309, 1414, 1471, 2632 Wen hua ji lu pian yan tao hui ji (er) ҹ٩ઔ࠷ә୳क़အओ (ᾄ) 0600 Wen hua ji lu pian yan tao hui ji (san) ҹ٩ઔ࠷ә୳क़အओ (㐂) 0601 Wen hua ji lu pian yan tao hui ji (yi) / Wang Weici bian zhu ҹ٩ઔ࠷ә୳क़အओ (Დ) 0599 Wen hua jian she cong shu ҹ٩ࠃ‫ޗ‬ᜣ‫ڣ‬ 0948 Wen hua pi pan yu dian ying yi shi xing tai yan jiu = Research for Culture Criticism and film ideology ҹ٩౓်ӿӇ‫ؙ‬Һࡦ࣏‫ = ૢ୳ݯ‬Research for Culture Criticism and film ideology 1564 Wen hua pi ping yu hua yu dian ying (Guilin) ҹ٩౓߯ԁ‫ܬܗ‬ӈ‫( ؙ‬Guilin) 0455, 0772, 0985, 1033, 1592 Wen hua pi ping yu hua yu dian ying = Cultural Criticism and Chinese cinema (Taibei) ҹ٩౓߰ӿ‫ܭܓ‬Ӈ‫ = ؙ‬Cultural Criticism and Chinese cinema (Taibei) 0454, 0771, 0984, 1032, 1591 Wen hua shi ye cong shu ҹ٩؆ఀᜣ‫ڣ‬ 1383, 1633 Wen hua shou bian ce ҹ٩Ѳ‫נ‬ೠ 0917, 1049, 1638 Wen jing er tong wen ku cheng gong xiao zhuan ji ҹҬճুҹᆞ ю‫ۋ‬Щ‫֮ة‬ 1799 Wen ke zhi shi ҹ॓Ҍࡧ 0072

Wai sheng zu qun de zhu ti zhui xun: yi Taiwan dian ying wei tan tao zhong xin (1982–2000) ֔૸ఓळϡҰՂ৪ଵ: й‫ݡ‬ஹӇ‫ؙ‬Њ෬क़ЅК (1982–2000) 1404 Wan chun qing shi ԉࡇєѨ 2326 Wan li xiong feng ‫ݛ‬Ѧ೰գ 2344 Wan yu wen ku Zhao Mei jing dian zuo ping ji ‫ܬݚ‬ҹᆟᖀᄮҮਹӑԘओ 1991 Wang lu kou bei de sheng ming zhou qi: yi Taiwan dian ying bu luo ge wei li = Life cycle of online word-of-mouth: the movie blog in Taiwan ӻբ‫ט‬ᗍϡТ‫׈ڬܞ‬: й‫ݡ‬ஹӇ‫޻חؙ‬۴Њຎ = Life cycle of online word-of-mouth: the movie blog in Taiwan 1622, 2628 Wang Shengshan ࣼТ৖ 1889, 2064 Wang Tong: qi ren qi pian ࣼু: ԷϪԷә 0475, 1891 Wang xiang—dian ying dang an: di san shi si jie Jin Ma Jiang ying pian ֳ൅—Ӈ‫ؙ‬းଈ:ҷѧ֐‫ף‬โ‫ެؖ‬؉‫ؙ‬ә 0896 The way of English teaching and bilingual education through movies = Dian ying Ying yu jiao xue fa yu shuang yu jiao xue The way of English teaching and bilingual education through movies = Ӈ‫ڌܭؙ߭‬ѹ֚ӿ‫ڌܭד‬ѹ 1320 Wei an fu ໓ԥ೥ 2213 Wei Jingsheng ᪭ߟТ 2342 Wei lai, yi zhi lai yi zhi lai ‫۔‬ϰ, ϣ‫ׯ‬ϰϣ‫ׯ‬ϰ 1791, 1863 Wei ming, ming xiang yan jiu cong shu ‫۔‬Ӝ䩟Ҵլ୳ૢᜥ‫ڪ‬ 1951 Wei ren min fu wu ЊϪ‫ࠔעھ‬ 2129 Wei Yesu liu yi zhang dian ying piao—yong jing tou lai shi fang xin tou ya li Њኬᮚ߈ϣ‫פ‬Ӈ‫—ܯؙ‬ѓ஗ӰϰౠӵКӰॠҨ 0706, 1520 Wen hao cong shu ҹൻᜣ‫ڣ‬ 0719, 0929, 1298, 1477, 1640 Wen hua chuang yi chan ye guo ji xing xiao ce lue zhi yan jiu—yi Taiwan dian ying chan ye wei li = The study of international marketing strategies for creative cultural industries: “A case analysis of movie industry in Taiwan”

553

Title Index

Wen shi xin kan zhi ҹ੗Јᑂҏ 1973 Wen xin xiao yuan ‫ޜ‬ရ‫ࡩޥ‬ 2119 Wen xing cong kan ҹլᜣᑂ 0996, 1972 Wen xue chuang zuo ҹѹࡶӑ 0720, 1299 Wen xue feng qing ҹѹգє 0755, 0756 Wen xue ren sheng ҹѹϪТ 2276, 2358 Wen xue, ying xiang, xing bie—ba shi nian dai Taiwan “Wen xue dian ying” zhong de nu shen / nu sheng = Literature, Image and Gender—Female’s role and voice in 1980’s Taiwanese Literature Films ҹѹ, ‫ؙ‬Ռ, ԛԇ—ࡂ֐ё‫ݡڊ‬ஹ “ҹѹӇ‫ ”ؙ‬Ѕϡѽӱ / ѽ‫= ك‬ Literature, Image and Gender—Female’s role and voice in 1980’s Taiwanese Literature Films 1386, 1639 Wen yi cong shu ҹਲᜣ‫ڣ‬ 1069 Wen yi li lun cong shu ҹਲԑ‫ں‬ᜣ‫ڣ‬ 1391 Witness against history: literature, film, and public discourse in twentieth-century China 0327, 1375, 1429, 1459 Wo ai dian ying ϢДӇ‫ؙ‬ 0957, 2452, 2622 Wo ai Huangmei diao: si zhu Zhongguo gu dian yin xiang—Gang Tai Huangmei diao dian ying chu tan ϢДࢶႰ݇: ࡉኵЅлࣲਹ୅ࢣ—୯‫ࢶݡ‬Ⴐ݇Ӈ‫ؙ‬२෬ 0665, 1295 Wo ai shuo dian ying ϢДМӇ‫ؙ‬ 0690 Wo an lian de Taohuayuan ϢମߧϡಱՐ੅ 0813, 1306 Wo de er zi shi tian cai Ϣϡճжϥϳҥ 2341 Wo de mei li yu ai chou: dian ying ju ben ϢϡѤ‫ܡ‬ӿඅེ:Ӈ‫ঁؙ‬ӆ 0897, 2118 Wo de mei li yu ai chou: pai she ji shi ϢϡѤ‫ܡ‬ӿඅེ: ‫ޛ‬଄֮Ӣ 0898 Wo de yi piao xuan zong tong Ϣϡϣ‫קܯ‬րࢃ 2345

Wo de yi piao xuan zong tong: fan ying xiong ren wu de hei se you mo ju Ϣϡϣ‫קܯ‬րࢃ: ‫߭ބ‬೰Ϫ‫׉‬ϡ‫ܪ‬ա྇ࢪঁ 0899, 1882 Wo guo dian ying fu dao jin jin zhi du gai jin fang shi zhi yan jiu ϢлӇ‫ؙ‬ᔆ࣒‫ۨ֏ءؖ‬ՔҤܴҏ୳ૢ 2571, 2722 Wo guo dian ying fu dao jin zhi du zhi yan jiu = A study of the Guidance Fund for domestically produced films ϢлӇ‫ؙ‬ᔆ࣒‫֏ءؖ‬ҏ୳ૢ = A study of the Guidance Fund for domestically produced films 2719 Wo guo yuan xian ji lu pian “Wu mi le,” “Fan gun ba! nan hai,” “Nanfang’ao hai yang ji shi” zhi xing xiao ce lue yan jiu = Marketing strategies study of “Happy rice,” “Jump! Boys,” and “Chronicle of the sea, Nan-Fang-Ao” Ϣлࡨ۷ઔ࠷ә “ѩܶӀ,” “ࢬఁщ! Բ‫י‬,” “۪Ҥᆹ֋ଥઔѨ” = Marketing strategies study of “Happy rice,” “Jump! Boys,” and “Chronicle of the sea, Nan-Fang-Ao” 0557, 2600 Wo hu cang long ၃ഝেह 2289 Wo hu cang long Haolaiwu: Li An yu hua yi ying ren jing ying ၃ഝেहϮᒀᩕ: ଽԥӿ‫ܓ‬ᶜ‫ؙ‬Ϫ‫ؘ߭‬ 1245, 1663, 1810 Wo hu cang long sui bi ၃ഝেह‫ڨ‬દ 0904, 1831 Wo jia chun qiu cha shi Ϣрࡇ‫ॣߖڠ‬ 2143 Wo jia kai xi yuan Ϣрыۚࡨ 2736 Wo kan dian ying ϢЃӇ‫ؙ‬ 0742 Wo kan Zhong wai dian ying ϢЃЅ֔Ӈ‫ؙ‬ 0727, 1671 Wo shi yi ge you gu shi de ren Ϣϥϣϫϩ‫ݞ‬ѨϡϪ 2207 Wo yao zhan qi lai Ϣϴۖвϰ 2317 Wo yong yuan nian qing Ϣ‫׼ݖ‬ё‫ڳ‬ 0761 Wo you hua yao shuo ϢϩҧϴМ 2404 Wo zai hei she hui de ri zi ϢϨ‫ܪ‬घϾϡяж 2290 Wo zhe ren hua duo: dao yan jiang gu shi Ϣ϶ϪҧЄ: ࣒ࠟ‫ݞ܈‬Ѩ 1893

554

Title Index

Wo zhe ren zhang de bie niu Ϣ϶ϪӕЏᬬᇹ 1894 Women’s studies and women’s movement in Taiwan and Lesbianism in mainstream cinema 0613, 1522, 1628 Working paper series (David C Lam Institute for East-West Studies) 0310, 0643, 1290, 1422 Working through the ambiguities of focalization with the films of Edward Yang 0385, 1907 World cinema and the visual arts 0853 World cinema since 1945 0167 A world history of film 0143 A world of sadness 0394, 0821 Worldly desires: cosmopolitanism and cinemas in Hong kong and Taiwan 1126, 1436 Wu bai zhi bu qiang; = Huangpu zhong hun wan gu qing = Huangpu jian jun shi shi zhan zheng wen yi ju pian fen chang dui bai ben ٚ‫܌ݒښ‬ຠ = ࢶᰎᇝฆ‫ࣲݛ‬є = ࢶᰎࠃ‫ݲ‬੗Ӣ‫ڕ‬ৎҹਲயәд ԾхՁӆ 2291 Wu gu ኊ⅓ 2292 Wu shi nian lai de Zhongguo dian ying ٚ֐ёϰϡЅлӇ‫ؙ‬ 0183 Wu tai yi shu cong shu ଢ‫ݡ‬਴भᜥ‫ڪ‬ 2073 Wu xi apian sheng yin gui ze zhi yun yong—Hu Jinquan “Da zui xia” yu Li An “Wo hu cang long” zhi bi jiao ેཱུә‫੺ٸك‬छҏ‫ػ‬ѓ—ഐ‫ؖ‬⠌ “Ͻ௴ཱུ” ӿଽԥ “၃ഝেह” ҏ ԝࢺ 0648, 0900, 1109, 1780, 1801, 2432 Wu xia / Nu xia: Li An Wo Hu Cang Long zhong xing bie pan yan de dian fu = Wuxias / Nuxias: the subversion of gender performativity in Ang Lee’s Crouching Tiger, Hidden Dragon ેཱུ / ѽཱུ: ଽԥ၃ഝেहЅԛԇၣࠟϡኩ࿡ = Wuxias / Nuxias: the subversion of gender performativity in Ang Lee’s Crouching Tiger, Hidden Dragon 0654, 1636 Wu ye ᇑ١ 2324 Wu ye li ren ۹١‫ܡ‬Ϫ 2322 Wu yue zhi lian ying xiang quan ji lu = Love of May movie photography álbum ٚ֊ҏߧ‫ؙ‬ՌҪઔ࠷ = Love of May movie photography álbum 0905

Wu zhi wu: Zhongguo wu xia dian ying de xing tai yu shen hun ેҏଢ䩭Ѕмેྣӈ‫ؙ‬ϡ࣏‫ݮ‬ԁ‫ظ‬ฆ 0655 Wu zi tian shu ѩ‫ܒ‬ϳ‫ڣ‬ 0906, 1080 Wuxias / Nuxias: the subversion of gender performativity in Ang Lee’s Crouching Tiger, Hidden Dragon See Wu xia / Nu xia: Li An Wo Hu Cang Long zhong xing bie pan yan de dian fu = Wuxias / Nuxias: the subversion of gender performativity in Ang Lee’s Crouching Tiger, Hidden Dragon Xi fang dian ying dui wo guo dian ying fa zhan zhi yan jiu ՝ҤӇ‫ؙ‬хϢлӇ‫ؙ‬чࣁҏ୳ૢ 1230, 1259 Xi ju, dian ying yu pang huang = Bewilderment of drama and films ۚঁ䩟Ӈ‫ؙ‬ӿ⠶᥉ = Bewilderment of drama and films 1300 Xi ju lun ji ۚঁ‫ں‬ओ 0953 Xi ju ping lun ji ۚঁ߰‫ں‬ओ 0720, 1299 Xi Ke dian ying ju ben xuan ji ຟ॓Ӈ‫ঁؙ‬ӆ‫ק‬ओ 2325 Xi lian ren sheng: Hou Xiaoxian dian ying yan jiu = Passionate detachment: Films of Hou Hsiao-hsien ۚߧϪТ: ᢡᖮᐊӇ‫ؙ‬傘ૢ = Passionate detachment: Films of Hou Hsiao-hsien 0461, 0781, 1035, 1773 Xi shuo ren sheng ۚМϪТ 1858, 2001 Xi yan ㏵ᑱ 0913 Xi yan: Zhuang Yongkang guan ying bi ji ۜߞ䩭ນ‫ؙ޴ࣉݖ‬ધ֭ 0808 Xi yu chun feng ࢜‫ࡇە‬գ 2382 Xia nu ཱུѽ 2165 Xia tian li guo hai yang ॼϳѶО֋ଥ 2388 Xian dai dian ying dao yan san lun = Studies in current motion picture directing ѳ‫ڊ‬Ӈ‫ = ں્ؙ࣒ࠟ‬Studies in current motion picture directing 0996 Xian dai dian ying yi shu ѳ‫ڊ‬Ӈ‫ؙ‬ਲफ 0934 Xian dai ke xue ji shu cong shu ѳ‫॓ڊ‬ѹ৔फᜣ‫ڣ‬ 1078, 2671

555

Title Index

Xian dai ying shi lu = Cinema apocalypse now ѳ‫ = ࠷ؙܾڊ‬Cinema apocalypse now 0806 Xian dai yu chuan tong zhi jian: Yang Dechang dian ying zhong nu xing xing xiang yan jiu = Between modern and traditional: studies on the images of women in Edward Yang’s films Ѵ‫ڊ‬ԁ‫ࢅت‬ҏҽ䩭໶ख़ቾӈ‫ؙ‬Ѕѽԛ࣏ࢣ୳ૢ = Between modern and traditional: studies on the images of women in Edward Yang’s films 0388b, 1626a, 1909 Xian dai Zhongguo wen yi cong shu ѳ‫ڊ‬Ѕлҹਲᜣ‫ڣ‬ 0183 Xian dou jiang ᙳ࠵ቢ 2279 Xian ren zhang wen ku ࿁Ϫ௢ҹᆞ 0933 Xiang fei Ђٞ 2370 Xiang fei dian ying xie zhen ji shi = Princess D: I believe the day will come ЂٞӇ‫܎ؙ‬ѐ֮Ѩ = Princess D: I believe the day will come 0915 Xiang jian hao ԚԊϮ 2330 Xiang jiao tian tang ‫ܫ‬ᆻϳஇ 2283 Xiang ri kui wen cong ‫ז‬яᕽҹᜣ 0193, 0959 Xianggang dian ying hui gu ‫ܫ‬୯ӈ‫ؙ‬Ҙઈ 1184 Xianggang dian ying ping lun xue hui cong shu ‫ܫ‬୯Ӈ‫ںؙ߰‬ѹϾᜣ‫ڣ‬ 0691, 0725 Xianggang guo ji dian ying jie cong shu = HKIFF Society Series ‫ܫ‬୯лগӇ‫ڞؙ‬ᜣ‫ = ڣ‬HKIFF Society Series 1928 Xianggang wen hua yan jiu cong shu ‫ܫ‬୯ҹ٩୳ૢᜣ‫ڣ‬ 1166, 1217 Xiao ba ba de tian kong Щࠜࠜϡϳ‫׺‬ 2162 Xiao chou yu tian e ЩནӿϳᏞ 2327 Xiao dao yan shi ye ri ji Щ࣒ࠟ‫׬׹‬я֮ 1896 Xiao nan ren ЩԲϪ 2328

Xiao shi de ying xiang: Tai yu pian de dian ying zai xian yu wen hua ren tong ‫۽‬ᅴϡ‫ؙ‬Ռ: ‫ܭݡ‬әϡӇ‫ؙ‬Ӑѳӿҹ٩‫گ‬ӎ 0294, 1571 Xiao shu qing qing ‫ޥ‬க‫ݙݙ‬ 2087 Xiao shuo gai bian yu ying shi bian ju ЩМۨഹӿ‫ؙ‬؆ഹঁ 1068 Xiao xin, ai xin: Li Xianyi ji nian zhuan ji ᖮК, ДК: ଽࣶϣઔ݉֟ফ 1857 Xiao zhen chun hui Щ๰ࡇҘ 0916 Xiao zi li da gong Щж߹Ͻ‫ۋ‬ 2278 Xiaoye zuo pin ЩఀӑԘ 2066 Xiaoye zuo pin ji ЩఀӑԘओ 2065, 2068 Xibei da xue Zhongguo yu yan wen xue cong shu ՝‫ܚ‬ϽѺЅм‫ߞܬ‬ҹѺᜥ‫ڪ‬ 0409, 1012, 1122 Xie hou Lanyu: lun san bu min zu zhi ji lu pian “Lanyu guan dian,” “Qing Wen bu zai jia,” “Mian dui e mo” See Close/d encounters with Orchid Island: A study of “Voice of Orchid Island,” “Libangbang,” and “Deliver Us from Evil” Xin chao cong shu Ј଎ᜣ‫ڣ‬ 0881, 2380 Xin chao wen ku Ј଎ҹᆞ 0180, 0616, 0712, 0740, 1524, 1705 Xin chuang feng xian shi ye chuang ye cai wu ce lue zhi yan jiu: yi du li zhi pian ren dian ying zhuan an chou zi wei li = The study of entrepreneurial financial strategy in new venture initiating: a case of independent producer in film project fundraising ЈࡶգঔѨ‫׬ࡶ׬‬੠ࠔ೫ଯҏ୳ૢ: й‫߹ݻ‬३әϪӇ‫ؙ֟‬ଈቺ ‫ޞ‬Њຎ = The study of entrepreneurial financial strategy in new venture initiating: a case of independent producer in film project fundraising 0631, 2706 Xin dao yan Tailly High ying zhan = New talents, Young cinema Ј࣒ࠟTailly High‫ = ࣁؙ‬New talents, Young cinema 0375, 2517 Xin dian ying zhi si—cong “Yi qie wei ming tian” dao “Bei qing cheng shi” ЈӇ‫ؙ‬ҏӚ—ԩ “ϣܷЊҴϳ” Ϻ “঳є‫”صڵ‬ 0464, 0481, 0636, 0825, 0909, 0921, 1038, 2710 Xin dian ying zhi wai / hou ЈӇ‫ؙ‬ҏ֔/ ћ 0465, 0637, 1039, 2711 Xin gan dong cong shu ЈҀҁᜣ‫ڣ‬ 0766

556

Title Index

Xin High shao nian ЈHigh վё 0165, 0602, 2482 Xin ling zhi lu Кࢼҏ߫ 0706, 1520 Xin mei ti, xin yi shu = Art and new media Ј෪Ղ, Јਲफ= Art and new media 1618, 2417 Xin Qi de chuan qi ొ࡞ϡ‫࡞ة‬ 1904 Xin ren jian te qu ЈϪҼ‫߅ئ‬ 2034 Xin shi ji bai ke zhi shi jin dian ЈԒઓ‫॓ښ‬Ҍࡧ‫ؖ‬ਹ 0168 Xin shi ji dian ying xue lun cong ЈԒઓӈ‫ؙ‬Ѻ‫ڹ‬ᜥ 0350, 0426, 1020, 1070, 1139, 2079 Xin shi ji Taiwan dian ying huo shui lan tu—cong ge guo wen hua zheng ce, fa kui zhi du yu gong ye jie gou zhi dao cha yan jiu jian gou dian ying wen hua zhong xin ji ben guo dian ying zong ti zhen xing fang an ЈԒઔ‫ݡ‬ஹӇ‫ؙ҅‬һঢ֖—ԩ‫ٿ‬лҹ٩ू೫,֚੺‫֏ء‬ӿ֞‫ְ׬‬ ภҏ݇‫ࠃૢ୳ݓ‬ภӇ‫ؙ‬ҹ٩ЅК᠕ӆлӇ‫ؙ‬րՂዄࣱҤଈ 1504, 2549 Xin Taiwan ren cong shu Ј‫ݡ‬ஹϪᜣ‫ڣ‬ 0632, 0907, 2144, 2707 Xin wan you wen ku Ј‫ݛ‬ϩҹᆞ 0806 Xin wan you wen ku = New variety Ј‫ݛ‬ϩҹᆞ = New variety 0102 Xin wen fa gui hui bian (1978) Јࢨ֚੺ᓫഹ (1978) 2587 Xin wen fa gui hui bian (2004) Јࢨ֚੺ᓫഹ (2004) 2588 Xin wen ku = New variety Јҹᆞ = New variety 0732, 1132 Xin wen xie zuo cong shu Јࢨ܎ӑᜣ‫ڣ‬ 1689 Xin Yazhou dian ying mian mian guan ЈਐರӇ‫ؙ‬ӌӌ޲ 0466, 1040, 1186 Xing bie, li san yu kong jian: Bai Xianyong xiao shuo dian ying ha yan jiu = Sex, Diaspora, and Space䵋The study of movies which transferred from Bai Xianyong’s novels ԛԇ, ‫્ڐ‬ӿ‫׺‬Ҽ: Ձ܏ରЩМӇ‫ؙ‬٩୳ૢ = Sex, Diaspora, and Space䵋The study of movies which transferred from Bai Xianyong’s novels 1401a, 2056d

Xing hai mi wen լ֋੶ࢨ 1962 Xing xiao dian ying = Marketing movies ҲઍӇ‫ = ؙ‬Marketing movies 2599 Xing zhe ying ji: Li Xing, dian ying, wu shi nian Ҳ‫ؙٷ‬࿑: ଽҲ, Ӈ‫ؙ‬, ٚ֐ё 1853 Xing zheng yuan wen hua jian she wei yuan hui wei tuo ban li ji lu pian zhi zuo ren da lu fang wen tuan cheng guo bao gao Ҳूࡨҹ٩ࠃ‫ޗ‬ణ‫؂‬Ͼణኅ‫ދ‬ԑઔ࠷ә३ӑϪϽ૔භ՛ࣗюҝ ‫ݍڻ‬ 0604, 1187, 2686 Xingzhu shi li ying xiang bo wu guan: Feng cheng ying shi de jin sheng qian shi Јኵ‫ؙ߹ص‬Ռѕ‫׉‬ఖ: գ‫ؙڵ‬੗ϡѵТӓԒ 0200 Xingzhu shi li ying xiang bo wu guan san zhou nian cheng guo zhuan ji: 2002.06–2003.05Јኵ‫ؙ߹ص‬Ռѕ‫׉‬ఖѧ‫ڬ‬ёюҝ֟ফ: 2002.06–2003.05 0202 Xingzhu shi li ying xiang bo wu guan si zhou nian cheng guo zhuan ji: 2003.06–2004.05 = 4th Anniversary Achievement Edition Јኵ‫ؙ߹ص‬Ռѕ‫׉‬ఖ‫ڬף‬ёюҝ֟ফ: 2003.06–2004.05 = 4th Anniversary Achievement Edition 0203 Xingzhu shi li ying xiang bo wu guan zhou nian cheng guo zhuan ji: 2000.05–2001.05 Јኵ‫ؙ߹ص‬Ռѕ‫׉‬ఖ‫ڬ‬ёюҝ֟ফ: 2000.05–2001.05 0201 Xingzhu shi wen hua ju ying xiang bo wu guan liu zhou nian cheng guo zhuan ji: 2005.06–2006.05 = Image Museum of Hsinchu City 6th Anniversary Achievement EditionЈኵ‫ص‬ҹ٩঵‫ؙ‬ Ռѕ‫׉‬ఖࡏ‫ڬ‬ёюҝ֟ফ: 2005.06–2006.05 = Image Museum of Hsinchu City 6th Anniversary Achievement Edition 0204 Xingzhu shi wen hua ju ying xiang bo wu guan qi zhou nian cheng guo zhuan ji = Image Museum of Hsinchu City 7th Anniversary Achievement EditionЈኵ‫ص‬ҹ٩঵‫ؙ‬Ռѕ‫׉‬ఖࢳ‫ڬ‬ ёюҝ֟ফ = Image Museum of Hsinchu City 7th Anniversary Achievement Edition 0205 Xinying shi shi su jun xiang ji Јॺ‫ص‬㍇௔ळՌফ 0509, 1945 Xinzhu shi dian ying shi Јኵ‫ص‬Ӈ‫ؙ‬੗ 0207 Xinzhu shi guo min ju yuan she zhi ying xiang bo wu guan ji zai sheng li yong ji hua gui hua yan jiu Јኵ‫ص‬л‫ޗࡨঁھ‬ঞ‫ؙ‬Ռѕ‫׉‬ఖߵӐТ۱ѓ‫ૢ୳੿੺ޫذ‬ 0199 Xinzhu shi xi yuan zhi Јኵ‫ࡨۚص‬௨ 0206, 2739 Xiong di, tou ke huai le ಺੣, ӰᎹशϦ 2320

557

Title Index

Xiong di zhen zhong ಺੣ੵԳ 2318 Xiu xian sheng huo ࣤሤТ҅ 0690 Xu Buliao xi ju dian ying zhong de nan xing qi zhi yan jiu = The construction of masculinity in Pu-liao Hsu’s comedy movies ጝϤϦӍঁӇ‫ؙ‬ЅϡԲԛӠ‫ = ૢ୳ڰ‬The construction of masculinity in Pu-liao Hsu’s comedy movies 0549, 2021 Xu gou de zi you: dian ying ju zuo ben ti lun ஢พϡІ‫ۥ‬䩭ӈ‫ؙ‬঵ӑӆՄ‫ ڹ‬/ ขϣഈ䩟‫ھצ‬ 1070, 2079 Xu shi dian ying yu xing bie lun shu = Narrative cinema and gender discourse ᡳѨӇ‫ؙ‬ӿԛԇ‫ں‬਎ = Narrative cinema and gender discourse 0858, 0883, 1203, 1264, 1536, 1653 Xu wu zhu yi shu jian—li shi zhong jie de you mu si kao ஠ѩҰच‫ࣵ—ߢڣ‬੗‫ְٽ‬ϡղᖥ‫ߎڽ‬ 0743 Xu Zhimo yu Lu Xiaoman ጝ࢑ಎӿ૔Щᅸ 2192 Xuan pian zhi nan: 200 bu zui shou huan ying de dian ying ‫ק‬ә‫۪܋‬: 200‫ח‬зիӨࣽϡӇ‫ؙ‬ 0067 Xue ran hong chou ߱ท‫ی‬᠏ 2107 Xue yuan ying zhan cong shu ѹᮛ‫ࣁؙ‬ᜣ‫ڣ‬ 0140 Xue zai shao ઞϨ਩ 2182 Xun meng yuan ଵْࡩ 2394 Xun qiu jia xiang xian de yin mu: dang dai Taiwan dian ying de guan cha ଵؒ޳Ђ۷ϡુ௷: Ԅ‫ݡڊ‬ஹӇ‫ؙ‬ϡ޲ൌ 0768 Xun zhao dian ying zhong de Taibei = Focus on Taipei through cinema 1950–1990 ଵ‫װ‬Ӈ‫ؙ‬Ѕϡ‫ = ܚݡ‬Focus on Taipei through cinema 1950–1990 0169, 0234, 0783, 2483 Xun zhao qing min jian: cong “Wo hu cang long” tan Hua yu dian ying guo ji hua = Globalization of Chinese language cinemas: a case study of Crouching Tiger, Hidden Dragon ଵ‫ݙװ‬ᙛ঺: ԩ “၃ഝেह” ড‫ܭܓ‬Ӈ‫ؙ‬лগ٩= Globalization of Chinese language cinemas: a case study of Crouching Tiger, Hidden Dragon 0902, 1185, 1361, 2465, 2548, 2617, 2685 Xun zhao Tai yu pian de lei xing yu zuo zhe: Cong chan ye do wen ben = Searching for auteur and genre in Taiwanese Dialect Films: An analysis of the industry and text ଵ‫ܭݡװ‬әϡढࡿӑ‫ٷ‬: ԩ‫׬ݗ‬Ϻҹӆ = Searching for auteur and genre in Taiwanese Dialect Films: An analysis of the industry and Text 0295

Xun zhao “Taiping, Tianguo”: Wu Nianzhen de dian ying sheng huo zha ji ଵ‫”װ‬ѿ‫כ‬, ϳл”: ྶ݉ѐϡӇ‫ؙ‬Т҅∝֮ 1902 Ya nu qing shen ᕛѽє‫ٹ‬ 2218 Ya Tai dong hua ਒ѿ҃ࡌ 0527 Ya zhou ping lun ਐರ߰‫ں‬ 1946 Yan po liu ying: nan fang dian ying ren ji shi 䠑ம߈‫ؙ‬: ۪ҤӇ‫ؙ‬ϪઔӢ 0223, 1688 Yan yuan xun lian jiang yi ࠟ‫؂‬ਗ୚‫܈‬च 0964 Yan yun jiu long bei ଔࠥ॰हᗍ 2158 Yan zhi ᶗ༥ 2274 Yang Dechang dian ying bi ji = Notebook on my new film ໷ख़ቾӇ‫ؙ‬દ֮ = Notebook on my new film 1925 Yang Dechang dian ying yan jiu: Taiwan xin dian ying de zhi xing si bian jia ໷ख़ቾӇ‫ૢ୳ؙ‬: ‫ݡ‬ஹЈӇ‫ؙ‬ϡҌԛ‫ڽ‬ᔨр 0711, 1915 Yang Dechang dian ying zhong de du shi wen ti yan jiu = Research of the urban problem in Edward Yang’s films ໶ख़ቾӈ‫ؙ‬ЅϡЁ‫ص‬՜֣୳ૢ = Research of the urban problem in Edward Yang’s films 0388c, 1543a, 1910 Yang Dechang dian ying zhong de “fu zi” ren tong xiang xiang = The identity between “father and son” in Edward Yang’s films ໶ख़ቾӈ‫ؙ‬Ѕϡ”୊ж”‫ڶ‬ӎЂՌ = The identity between “father and son” in Edward Yang’s films 0439a, 1920 Yang Dechang dian ying zhong de mei ti jing xiang = The Images of Media in Edward Yang’s Films ໷ख़ቾӇ‫ؙ‬Ѕϡ෪Ղ࢓ࢣ = The Images of Media in Edward Yang’s Films 0392, 1545, 1608, 1911 Yang Dechang: qi ren qi pian ໷ख़ቾ: ԷϪԷә 0415, 1916 Yang Dechang—Taiwan dui shi jie ying shi de gong xian ໷ख़ቾ—‫ݡ‬ஹхԒ֎Ӈ‫ؙ‬ϡᕠຶ 0468, 1043, 1926 Yang zhi yin yue ting เ޺‫ٸ‬Ӏ೏ 1053, 1419 Yangzi jiang feng yun ying ping ji เж࢖գࠥ‫ؙ߰‬ओ 0919

558

Title Index

Yao Fengpan de gui mei shi jie ᝻ང῟ϡ૤ຓԒ֎ 0629, 1932 Yao wang Sun Simiao—you ming “Yi dai yao wang”: dian ying fen chang dui bai ju ben ੈࣼྒ‫—◞ڽ‬ҍӜ “ϣ‫”ࣼੈڊ‬: Ӈ‫ؙ‬дԾхՁঁӆ 2152 Yao Yiwei ᝻ϣἹ 2052, 2072 Yazhou jing dian dian ying hai bao shou cang = Collection of Asian classic movie posters ਒ರҮਹӈ‫ּۏ֋ؙ‬ে = Collection of Asian classic movie posters 2658 Yazhou min su, she hui sheng huo zhuan kan ਐರ‫ھ‬ཞ.घϾТ҅֟ᑂ See Asian folklore and social life monographs = Yazhou min su, she hui sheng huo zhuan kan Ye ben: dian ying ju ben = Fleeting by night ١౶: Ӈ‫ঁؙ‬ӆ = Fleeting by night 2276, 2358 Ye lu ren ١բϪ 2354 Ye ye tiao chuang de lao ren ١١᪔ੳϡҡϪ 2117 Yi After Effect ruan ti ji shu yun yong yu shi jing he cheng zhi tan tao = Using After Effect as a tool of composition computer graphics to live scenes й After Effect લՂ৔फ‫ػ‬ѓҿӢ࢓ׁюҏ෬क़ = Using After Effect as a tool of composition computer graphics to live scenes 1066, 2414 Yi ba jiu wu dian ying xie zhen bi ji shu ϣࡂ॰ٚӇ‫܎ؙ‬ѐદ֮‫ڣ‬ 0920 Yi dian ying kai qi sheng ming zhi hui—e hua dian ying shi sheng ming jiao yu zhi li lun yu shi jian йӇ‫ؙ‬ыൠТ‫޺ܞ‬༫—e ٩Ӈ‫ؙܴ‬Т‫ڌܞ‬ड़ҏԑ‫ں‬ӿӢᒂ 1322 Yi ge dian ying gong zuo zhe de hui yi ϣϫӇ‫ؙ֞‬ӑ‫ٷ‬ϡҘশ 0492, 1744 Yi ge dian ying zuo jia de dan sheng: Dan Hanzhang ji nian wen ji ϣϫӇ‫ؙ‬ӑрϡᅈТ: Ԕఈ‫א‬ઔ݉ҹओ 1743, 2045 Yi ge ren ke dian ying ϣϫϪḡӇ‫ؙ‬ 0787 Yi ge yun dong de kai shi ϣϫ‫ػ‬ҁϡы‫״‬ 0463, 1037, 2070 Yi ge zhen shi de Hu Die = Beauty and Sadness ϣϬѐӥϡഐႵ= Beauty and Sadness 1995 Yi jiang Dan shui xiang xi liu: wen xue, hui hua, dian ying ϣ࢖ࡎһ‫ז‬՝Ե: ҹѹ, ዻޫ, Ӈ‫ؙ‬ 1897

Yi jie zou fen xi wei ji chu de dong zuo dian ying fen ge yu zhai yao = Action movies segmentation and summarization based on tempo analysis й‫ڞ‬ᄊд໯ЊऴኝϡҁӑӇ‫ؙ‬дኘӿሁϴ = Action movies segmentation and summarization based on tempo analysis 1001, 2410, 2430 Yi jiu ba ling nian dai Taiwan er tong dian ying lei xing yan jiu = Approaches to Children’s Films in Taiwan in the 1980s ϣ॰ࡂ0ё‫ݡڊ‬ஹճুӇ‫ؙ‬ढࡿ୳ૢ = Approaches to Children’s Films in Taiwan in the 1980s 0547 Yi jiu ba jiu Jin Ma guo ji guan mo ying zhan, 12.9–12.22, 1989 ϣ॰ࡂ॰‫ެؖ‬лগ޲ಎ‫ࣁؙ‬, 12.9–12.22, 1989 0304, 0786, 1193, 2484 Yi jiu jiu ling nian dai Taiwan dian ying gong ye de zheng zhi jing ji fen xi ϣ॰॰0ё‫ݡڊ‬ஹӇ‫׬ؙ֞‬ϡू੽Ҭ௵д໯ 1246, 1310, 1474, 2529 Yi jiu liu ling nian dai guo jia ji qi jie ru Taiwan dian ying shi ye zhi yan jiu = Study on the state apparatus’ involvement in Taiwan’s film industry in the 1960’s ϣ॰ࡏ0 ё‫ڊ‬лрೀՊ‫ݡ‬ஹӇ‫ؙ‬Ѩ‫׬‬ҏ୳ૢ = Study on the state apparatus’ involvement in Taiwan’s film industry in the 1960’s 0124, 1484, 2578 Yi li mu xin wan dian qing ϣཇআК‫ݛ‬ѡє 2123 Yi qi can jia, mei can jia dian ying zhu ti shu ϣв‫۾‬Ӹ, Э‫۾‬ӸӇ‫ؙ‬Ұ֤‫ڣ‬ 0868 Yi qu nan wang ϣॽԢ۲ 1960, 2641 Yi qu wei wan dian ying meng—Wang Feilin ji nian wen ji ϣॽ‫۔‬ԟӇ‫ࣼ—ؙْ‬๘৆ઔ݉ҹओ 0788, 0954, 1888, 2049 Yi ren de zu ji: guang ying sui yue—Gaosong Fengcilang = Toyojirö Takamatsu ஫Ϫϡ߿࿑: ‫—֊ۈׇؙ‬ҙग़ஶҋᅦ = Toyojirö Takamatsu 0238, 0559, 1887 Yi san zou guo you yi san—Li An, Se jie, Duan bei san ϣ‫ځ‬ҵОҍϣ‫—ځ‬ଽԥ, աയ, ऄࠧ‫ځ‬ 0828, 0888, 1813 Yi sheng huo xing tai pou xi Taiwan zhi yi shu dian ying xiao fei xing wei = Consumer behaviors analysis in Art House from the life-style viewpoint йТ҅ࡿ‫ݯ‬៖໯‫ݡ‬ஹҏਲफӇ‫ٮ۽ؙ‬ҲЊ = Consumer behaviors analysis in Art House from the life-style viewpoint 0545, 1565 Yi shi xin shang ru men shou ce; dian ying pian ਲफಶ೘Պ՞Ѳೠ; Ӈ‫ࢡؙ‬ 0734 Yi shu da shi ਲफϽؓ 1793 Yi shu dian ying guan shang zhe zhi xiao fei xing wei yan jiu = Consumer behaviors in art films ਲफӇ‫޲ؙ‬೘‫ٷ‬ҏ‫ٮ۽‬ҲЊ୳ૢ = Consumer behaviors in art films 0543, 1541

559

Title Index

Yi shu dian ying mi yu Taiwan dian ying xiao fei jie ceng hua xian xiang zhi yan jiu: yi Budi’e (Bourdieu) wen hua she hui xue wei yan jiu qu jing ਲफӇ‫ؙࣿ‬ӿ‫ݡ‬ஹӇ‫ٮ۽ؙ‬႓ৡ٩୳ૢ: й޿ၔᵹ (Bourdier) ҹ ٩घϾѹЊ୳ૢԼዒ 0546, 1593, 2616 Yi shu dian ying shang xi: Guo li guo fu ji nian guan rang ai fei yang yi shu dian ying jiang zuo, jiu shi er nian du ਲफӇ‫ؙ‬೘໯: л߹л୊ઔ݉ఖџДٞเਲफӇ‫܈ؙ‬ӏ, ॰֐ԏ ё֏ 0544, 0717 Yi shu fang ਲ‫ࠚڣ‬ 0328, 0561, 0630, 0764, 0768, 0770, 0819, 0836, 0837, 0952, 1056, 1285, 1408, 1465, 1514, 1733, 2132, 2156, 2175, 2280, 2705 Yi shu jian shang cong shu ਲफᅹ೘ᜣ‫ڣ‬ 0176 Yi tan zhao yao jing ਲႫؕၝ஗ 2017 Yi “Wen hua lao dong de xin guo ji fen gong” jia gou fen xi kua guo he zhi guo pian de qian jing yu wei lai—yi guo pian “Qiao ke li zhong ji” wei ge an yan jiu й “ҹ٩ఫҁϡЈлগд֞” ବภд໯ቄлׁ३ләϡӓ࢓ӿ‫۔‬ ϰ—й “ಌࡽҨԳ‫ ”܂‬Њϫଈ୳ૢ 0879, 1357, 2683, 2726 Yi xue ren wen cong shu ࣦѹϪҹᜣ‫ڣ‬ 1410, 1516 Yi yi chong xian Yang Dechang = The one and only Edward Yang ϣϣԳѳ໷ख़ቾ = The one and only Edward Yang 1928 Yi ying chun qiu ਲ‫ڠࡇؙ‬ 1672 Yi ying jian wen ਲ‫ؙ‬Ԋࢨ 0728 Yi yuan ren sheng ਲᮛϪТ 1689 Yi zhi hu die fei guo ϣྦᅍႵٞО 1790, 1861 Yi zhi niao zai xiao jiu jiu ϣྦ఩௩ᤁᶕᶕ 2360 Yi zhi wen hua yu ji yi—jie yan hou Taiwan dian ying zhong de ge qu ஫‫ڰ‬ҹ٩ӿ֮শ—യଲћ‫ݡ‬ஹӇ‫ؙ‬Ѕϡ‫ॽܮ‬ 1418, 1441, 2635 Yin hai cong shu ુ֋ᜣ‫ڣ‬ 2018 Yin hai dao hang ુ֋࣒Ҳ 0628, 1931

Yin hai fu chen: He Feiguang hua zhuan ુ֋ൿਭ: ‫ةޫׇۘح‬ 1749 Yin hai qian qiu ુ֋࡛‫ڠ‬ 1673, 1842 Yin he cai wei ુ૯ಈᑤ 0500, 1880 Yin he ren wu xi lie ુ૯Ϫ‫࠶ڍ׉‬ 1881, 2015 Yin he shang xia ુ૯ϼЎ 1674, 1843 Yin jian xiang ma ೾Ҽ⡕ެ 2197 Yin mu qian qiu: qi wei hong xing de zhen shi gu shi ુ௷࡛‫ڠ‬䩭ࢳ֧‫ی‬լϡѐӢ‫ݞ‬Ѩ 1957 Yin mu yu ying mu: dong xi ying xiang wen hua de tan suo: di er jie dian ying dian shi lu ying xue shu yan tao hui lun wen ji = Screen and monitor: a critical investigation of image culture: Proceedings of the second annual symposium on film, television and video ુ௷ӿᝰ௷: ֆ՝‫ؙ‬Ռҹ٩ϡ෬౱: ҷԏโӇ‫ؙ‬Ӈ؆࠷‫ؙ‬ѹफ ୳क़Ͼ‫ں‬ҹओ = Screen and monitor: a critical investigation of image culture: Proceedings of the second annual symposium on film, television and video 1595, 1619, 1626 Yin shi nan nu ୗ‫ې‬Բѽ 2277 Yin shi nan nu: dian ying ju ben yu bai she guo cheng ୗ‫ې‬Բѽ: Ӈ‫ঁؙ‬ӆӿ‫ޛ‬଄Оࡄ 0923, 2361 Yin tai wang shi ુႫ‫܊‬Ѩ 1676, 1845 Yin wei dao yan, suo yi dian ying: dang dai dian ying dao yan qun xiang ӹЊ࣒ࠟ, ӛйӇ‫ؙ‬: Ԅ‫ڊ‬Ӈ‫ؙ࣒ࠟ‬ळՌ 1718 Yin yue guan ‫ٸ‬Ӏఖ 1411 Yin yue ying ju lun ji ‫ٸ‬Ӏ‫ںঁؙ‬ओ 0983, 2552 Yin zhuan zi: zhoug jiu, wo de hui tou kan zi ji = Grandma’s Hairpin ુ⍪ж: ‫ૢٽ‬, ϢЏҘӰЃІѝ = Grandma’s Hairpin 0603, 1903 Ying chen hui yi lu ‫ؙ‬ຳҘশ࠷ 0497, 1745 Ying cheng nei wai ‫ֶ֔ڵؙ‬ 1675, 1844

560

Title Index

Ying chi zi zhu can ‫ؙ‬စІࡾ࠼ 0775 Ying guang mu hou ᝰ‫௷ׇ‬ћ 0948 Ying hai sheng ya: yuan ming san shi nian xi shuo cong tou ‫֋ؙ‬Тᄇ䩭֍Ӝѧ֐ё࢛ЛԪӳ 1846 Ying hai zhai xing ᝰ֋ሁլ 1963 Ying hou Hu Die ‫ؙ‬њഐႵ 1985 Ying hou sheng ya: Hu Die hui yi lu ‫ؙ‬њТᄇ䩭ഐႵҘষ࠹ 1996 Ying hua nan nu = Nuovo cinema paradiso ྱࡌԲѽ = Nuovo cinema paradise 0796 Ying hua zong mu lu ྱޫր۵࠷ 0026, 0276 Ying ju feng yun ren wu ‫ঁؙ‬գࠥϪ‫׉‬ 1681 Ying ju guang chang ‫ܰঁؙ‬Ծ 2044 Ying ju lu n cong ‫ںঁؙ‬ᜣ 1304 Ying ju sheng ya ‫ঁؙ‬Тᄇ 2000 Ying ju yan ji zhi fang ‫ࠟঁؙ‬৔ҏҤ 0965 Ying lao Zhou Tiansu ‫ؙ‬ᤕ‫ر‬ϳঈ 0509, 1945 Ying li shi ye tou zi dian ying pian zhi zuo ye zhi zuo guo chan dian ying pian tou zi di jian ban fa ji dian ying xiang guan xing ge fu dao cuo shi shuo ming hui ॺ۱Ѩ‫ޞۄ׬‬Ӈ‫ؙ‬३әӑ‫׬‬३ӑл‫ݗ‬Ӈ‫ؙ‬ә‫ޞۄ‬௦ः‫ߵ֚ދ‬Ӈ‫ؙ‬ ԚԬࣱཪᔆ࣒ᇯැМҴϾ 2566, 2589 Ying lie qian qiu ying ping ji ߭૆࡛‫ؙ߰ڠ‬ओ 0924 Ying mi cang bao tu ‫ؙࣿ‬েմ֖ 0776 Ying mi de di yi tang ke ‫ؙࣿ‬ϡҷϣஇࠆ 0165, 0602, 2482 Ying mu xia de xi ju ⁒௷ЎϡӍঁ 2343

Ying ping ren de zheng mian mu ‫ؙ߰‬ϪϡԜӌ۵ 2044 Ying san bai ‫ؙ‬ѧ‫ښ‬ 0027, 0038, 0175, 1194, 1691 Ying shi guan jian bao gao ‫ؙ‬؆Ԭඟ‫ݍڻ‬ 0765 Ying shi ju ben zhuan xie ge shi yan tao hui hui yi ji lu ‫ؙ‬؆ঁӆ᫃܎۴ܴ୳क़ϾϾ৶֮࠷ 1072 Ying shi li lun yu pi ping ‫ؙ‬؆ԑ‫ں‬ӿ౓߰ 0972 Ying shi shi xue = ¬Historiophoty ‫ؙ‬؆੗ѹ = ¬Historiophoty 0917, 1049 Ying shi xi ju dao yan ji shu ji chu ‫ؙ‬؆ۚঁ࣒ࠟ৔फऴኝ 0991 Ying shi yi shu xin shang ‫ؙ‬؆ਲफಶ೘ 0176 Ying tu cong shu ‫ؙ֖‬ᜣ‫ڣ‬ 0092, 0241, 0287 Ying xiang: 1979—2005 zui you jia zhi ying ping ‫ؙ‬Ռ䩭1979—2005 зϩ٣ߚ‫ؙ߯‬ 0789 Ying xiang bi ji = The moving image ‫ؙ‬Ռદ֮ 0177, 0955 Ying, Xiang cong shu ‫ؙ‬䩟ড়ᜥ‫ڪ‬ 0109, 0144 “Ying xiang” de ying xiang: qi shi nian dai Taiwan dian ying shi, 1970–1979 “‫ؙ‬৘” ϡ‫ؙ‬৘: ࢳ֐ё‫ݡڊ‬ஹӇ‫ؙ‬੗, 1970–1979 0173, 0318, 1454 Ying xiang di zhi xue: mai xiang dian ying kong jian li lun de jian gou ‫ؙ‬Ռс௨ѹ: ፪‫ז‬Ӈ‫׺ؙ‬Ҽԑ‫ں‬ϡࠃภ 0952 Ying xiang ren jian, jen jian ying xiang ‫ؙ‬ՌϪҼ, ϪҼ‫ؙ‬Ռ 0753 Ying xiang sui yue: 2005 ying pian bao cun xiu hu guo ji yan tao hui ji gong zuo fang lun wen gao ji = 2005 International forum and workshop for film preservation and conservation ྱՌ‫֊ۈ‬: 2005 ‫ؙ‬ә‫ࣆࢗࡖخ‬лগ୳क़Ͼ᠕֞ӑᗝ‫ں‬ҹ፻ফ = 2005 International forum and workshop for film preservation and conservation 2703 Ying xiang, Taiwan ‫ؙ‬Ռ, ‫ݡ‬ஹ 0119 Ying xiang wen hua san lun ྱࢣҹ٩્‫ں‬ 0744

561

Title Index

‫׼ݖ‬ϡ৆‫ݙ‬ᎇ = The last star of the East: Brigitte Lin Ching Hsia and her films 2011 Yong yuan de xia tian ‫׼ݖ‬ϡॼϳ 2362 You dian gan xing you bu shi li xing ϩѡҀԛҍϤ‫׹‬ԑԛ 1814, 1833, 2058 You lai qian zhong yi bing shi tao hua yuan ‫ۥ‬ϰ࡛҆Һ࢚ϥಱՐ੅ 2630 You sheng ba mi li dian ying ϩ‫ܶࡂك‬ᐸӇ‫ؙ‬ 2425 You sheng zhi nian—Yi Wen nian ji = Evan Yang’s autobiography ϩТҏё䩠‫ډ‬ҹё֮ = Evan Yang’s autobiography 1933, 2054, 2074 You shi qi kan cong shu ෂୱ‫׈‬ᑂᜣ‫ڣ‬ 1699 You xi gui ze ׂۚ੺छ 2196, 2197 You xiu Tai yu pian ping lun jing xuan ji / Huang Ren bian; Huang Ren deng zhu ‫ݿ‬ഫ‫ܭݡ‬ә߰‫קؘں‬ओ 0291, 0716 You yi wen yi zhan dou fu sheng, dian ying zheng jing jian kong qi fei, xu shi wen ben mei xue zai xian: Liu shi nian dai Taiwan jian kang xie shi dian ying de jue qi = Recurring right-wing discursive tactics, policing political economy of cinematic production, representing narrative aesthetic syndromes: The rise of Healthy Realistic Cinema in Taiwan ૼॢҹਲ‫ڕ‬ஸ࣢Т, Ӈ‫ूؙ‬Ҭฬସвٞ, ᡳѨҹӆѤѹӐѳ: ࡏ֐ ё‫ݡڊ‬ஹ࡬ࣉ܎ӢӇ‫ؙ‬ϡ៷в = Recurring right-wing discursive tactics, policing political economy of cinematic production, representing narrative aesthetic syndromes: The rise of Healthy Realistic Cinema in Taiwan 0315, 1004, 1496, 2582 [You ying fu ying?]—kan Taiwan dian ying chan ye de kun jing yu zhan wang [ϩ‫ؙ‬㧤‫—]?ؙ‬Ѓ‫ݡ‬ஹӇ‫׬ݗؙ‬ϡ੡॒ӿࣁֳ 1578, 2543, 2579 You yuan jing meng ղࡪइٓ 0664 You zheng—yu du bing cun ‫ܟ‬ೋ—ӿఽ࢚ࡖ 0605 Yu bei, kai mai la!: Zhang Zengze de dian ying si fang bi ji ভ‫އ‬, ы๤ࠁ!: ‫߲פ‬෹ϡӇ‫ؙ‬೙ࠚદ֮ 1940 Yu le da jia: ming xing pian สӀϽр: Ҵլࢡ 1679 Yu le wen hua yan jiu cong shu ษӂҹ٩୳ૢᜥ‫ڪ‬ 0655

Ying xiang xi lie cong shu ‫ؙ‬Ռ‫࠶ڍ‬ᜣ‫ڣ‬ 1433, 1558 Ying xiang xia de xian dai: dian ying yu shi jue wen hua = Visual modern and its other ‫ؙ‬ՌЎϡѳ‫ڊ‬: Ӈ‫ؙ‬ӿ؆ңҹ٩= Visual modern and its other 0956, 1596 Ying xiang yu yin xiang: Zhongguo ying ping ren xie hui chuang hui sa zhou nian ji nian ‫ؙ‬Ռӿ୅ࢣ: Ѕл‫ؙ߰‬Ϫ൒ϾࡶϾⓔ‫ڬ‬ёઔ݉ 0790 Ying xiang Zhongguo ྱࢣЅм 0109 Ying xing Hu Die ‫ؙ‬լഐႵ 1990 Ying yan yin yu: dian ying li de jing dian ming ju ‫ߞؙ‬৉‫ܭ‬: Ӈ‫ؙ‬ѶϡҬਹӜ‫ط‬ 0986 Ying ye shou ce ‫׬ؙ‬Ѳೠ 0068, 2466, 2553 Ying yin mei xue yu chuang yi xing xiao yan tao hui = Seminar on digital aesthetics and creative marketing ‫ٸؙ‬ѤѹӿࡶҺҲઍ୳क़Ͼ = Seminar on digital aesthetics and creative marketing 0540, 1262, 1620, 2620, 2687 Ying ying yan ᒭᒭՒ 0769 Ying yong fen liang hui gui mo xing fen xi dian ying piao fang zhi ying xiang yin su = Apply quantile regression model to investigate the influential factors to box office of motion pictures ‫׎‬ѓд֝፯஑থࡿд໯Ӈ‫ࠚܯؙ‬ҏ‫ؙ‬৘ӹঈ = Apply quantile regression model to investigate the influential factors to box office of motion pictures 2624 Ying yue, yue ying—dian ying pei yue wen lu ‫ؙ‬Ӏ, Ӏ‫—ؙ‬Ӈ‫ࡈؙ‬Ӏҹ࠷ 1053, 1419 Yong yan jing kan de Zhongguo dian ying shi ѓՒ஄ЃϡЅлӇ‫ؙ‬੗ 0178 Yong yuan de Cao ba—huai nian Cao Jian xian sheng ying zhan ji nian zhuan ji ‫׼ݖ‬ϡᢳࠜ—ॕ݉ᢳ࡬܏Т‫ࣁؙ‬ઔ݉֟ফ 1971 Yong yuan de Li Hanxiang (Beijin) ‫׾ݖ‬ϡଽᲆፖ (Beijin) 1834 Yong yuan de Li Hanxiang (Taibei) ‫׼ݖ‬ϡଽᲆፖ (Taibei) 0511, 1837, 1849 Yong yuan de Lin Qingxia ‫׾ݖ‬ϡ৆‫ݙ‬ᎇ 2010 Yong yuan de Lin Qingxia = The last star of the East: Brigitte Lin Ching Hsia and her films

562

Title Index

Yu nu Lin Qingxia, feng yu si shi nian hui shou hong chen ർѽ৆‫ݙ‬ᎇ䩟ը‫֐ףە‬ёҘ۰‫ີێ‬ 2009 Yu Wang du shi de sheng ming zhui wen: Yang Dechang dian ying zhong de sheng tai mei xue jing shen = The requiring of life in the desired city: the ecological aesthetic spirit in Edward Yang’s films ௰ֳЁ‫ص‬ϡТ‫ܞ‬৪՜䩭໶ख़ቾӈ‫ؙ‬ЅϡТ‫ݮ‬ѤѺ‫ = ظؘ‬The requiring of life in the desired city: the ecological aesthetic spirit in Edward Yang’s films 0404a, 1552a,1913 Yu yan wen xueh lei ‫ߞܭ‬ҹѹढ 0726, 0752 Yuan Congmei cong ying qi shi nian hui yi lu: 21 shi ji liang an san di Zhongguo dian ying shi wei yi jin cun jian zheng ren ᭛ᜣѤԩ‫֐ࢳؙ‬ёҘশ࠷: 21ԒઔҔ࿝ѧсЅлӇ‫ؙ‬੗ଂϣ঍ࡖ ԊࢮϪ / ᭛ᜣѤ‫ט‬਎, ࢶწ‫ݱ‬ԑ 1934 Yuan jing cong kan ‫࢓׼‬ᜣᑂ 1782, 2103, 2104, 2284 Yuan nu ൧ѽ 2133 Yuan shen cong shu ࡩ‫ظ‬ᜣ‫ڣ‬ 0729, 0941 Yuan xiang ren: zuo jia Zhong Lihe de gu shi ֍൅Ϫ: ӑр፼ԑфϡ‫ݞ‬Ѩ 2383 Yuan xiang ren: zuo jia Zhong Lihe de gu shi = China, my native land ֍൅Ϫ: ӑр፼ԑфϡ‫ݞ‬Ѩ = China, my native land 2384 Yuan zhu min ying pian zhong de yuan han yi shi ji qu yun yong = Aboriginese Taiwan ֍֙‫ؙھ‬әЅϡ֍ఈҺࡦߵԷ‫ػ‬ѓ = Aboriginese Taiwan 1267 Yuan zhu min yuan sheng dian ying zhi guan cha—yi “Shan zhu, fei shu, Sakenu” wei ge an yan jiu = “The sage hunter”—a case study of an original aboriginal movie ֍֙‫֍ھ‬ТӇ‫ؙ‬ҏ޲ൌ—й “‫ځ‬坴, ٞ࿿, ྺНझ” Њϫଈ୳ૢ 1278 Yue du dian ying shu xi ་ࢵӇ‫ڍڣؙ‬ 0774, 0776 Yue du Li An = Reading Ang Lee ༊ࢴଽԥ = Reading Ang Lee 1819 Yue du xin ling guang cai ་ࢵКࢼ‫ׇࠡ‬ 0737 Yue du xin shi ye: wen xue yu din ying de dui hua ་ࢵЈ؆ఀ: ҹѹӿӇ‫ؙ‬ϡхҧ 1401 Yue Fei zhuan = Jing zhong bao guo ៈٞ‫ؘ = ة‬ᇝ‫ڻ‬л 2359

Yue man xi lou ֊‫ٴ‬՝࣍ 2219 Yue ming bing xue lan: you qing a mo Hong Mingxue de ge zai xi ren sheng ֊Ҵ઄ઞᴷ: ϩє०ᲱᖻҴઞϡ‫ܮ‬௩ۚϪТ 1976 Yun chen wen xuan ኧநҹ‫ק‬ 0689 Yun niang: dian ying ju ben ࠥਔ: Ӈ‫ঁؙ‬ӆ 2251 Yuqing sao ർ᥮៹ 2104 Zai ai zhong cheng zhang ϨДЅюӕ 0795 Zai dian ying si kao de nian dai ϨӇ‫ߎڽؙ‬ϡё‫ڊ‬ 0949 Zai jian de di fang: “Ai de fa sheng lian xi” dian ying er san shi = See you again ӐԊϡсҤ: “Дϡч‫ك‬୚‫”܄‬Ӈ‫ؙ‬ԏѧѨ = See you again 0810, 1832 Zai jian! Guangzhou che zhan ӐԊ! ܰ߮ӝۖ 2364 Zai jian, shi qi sui ӐԊ, ֐ࢳ‫ۈ‬ 2205 “Zai jian, Taiwan ji qing nian dai” zhuan an jie an bao gao shu “ӐԊ, ‫ݡ‬ஹࢫєё‫֟ ”ڊ‬ଈְଈ‫ڣݍڻ‬ 0485, 0606 Zai xian dian ying: yi Zhongguo Shi Bao ji Min Sheng Bao de dian ying zi xun wei li (1996–2004) = Represent films: research news information of Chinese Times Daily newspaper and United Daily newspaper (1996–2004) ӐѳӇ‫ؙ‬: йЅлЖ‫ھߵڻ‬Т‫ڻ‬ϡӇ‫ޞؙ‬ళЊຎ = Represent films: research news information of Chinese Times Daily newspaper and United Daily newspaper (1996–2004) 1250, 1452 Zao an Taibei = Good morning, Taipei Չԥ‫ = ܚݡ‬Good morning, Taipei 2163 Zao qi (1930–1969) Taiwan dian ying she ying ji shu fa zhan shi jie an bao gao Չ‫( ׈‬1930–1969) ‫ݡ‬ஹӇ‫ؙ‬଄‫ؙ‬৔फчࣁ੗ְଈ‫ݍڻ‬ 0981 Zao qi Taiwan dian ying huo dong ying xiang shu wei dian cang ji tui guang ji hua, dian ying shu wei hua gong zuo fang Չ‫ݡ׈‬ஹӇ‫ؙ҅‬ҁ‫ؙ‬Ռُ֧ਹেߵԐܰ‫ޫذ‬, Ӈ‫ُؙ֧‬٩֞ӑᗝ 2704 Zbirka Kinotecni katalog 0130 Zen yang pai hao ba mi li dian ying ՘Ҋ‫ޛ‬ϮࡂܶᐸӇ‫ؙ‬ 2423

563

Title Index

Zeng Zhongying de yin yue sheng ya ߲ᓶ‫ؙ‬ϡ‫ٸ‬ӀТᄇ 1054, 2055, 2637 Zhan di ying hao ‫ڕ‬с߭ൻ 2385 Zhan hou Taiwan dian ying guan li ti xi zhi yan jiu (1950–1970) ‫ڕ‬ћ‫ݡ‬ஹӇ‫܉ؙ‬ԑՂ‫ڍ‬ҏ୳ૢ (1950–1970) 1512, 2689 Zhan long ‫ڕ‬ᑹ 2214 Zhan zhe zuo ai: dian ying yu xing = Stand to make love ۖа҂Д: Ӈ‫ؙ‬ӿԛ = Stand to make love 0467, 0785, 1042, 1189, 1505, 1533 Zhan zheng ji qi cong kan ‫ڕ‬ৎҚॆᜣᑂ 0464, 0465, 0481, 0636, 0637, 0743, 0825, 0909, 0921, 1038, 1039, 2710, 2711 Zhan zheng qian xi ‫ڕ‬ৎӓᅆ 2319 Zhang ba deng tai kan dian ying ࿆ࡂ୥‫ݡ‬ЃӇ‫ؙ‬ 0725 Zhang Che jin zuo ji (1986–1988) ‫פ‬๜‫ײ‬ӑओ (1986–1988) 1200, 1510, 1935 Zhang Che za wen ‫פ‬๜૝ҹ 1936 Zhang Hongyi yin yue ren sheng ‫פ‬ᮜᗥ‫ٸ‬ӀϪТ 2056 Zhen qing kuang ai = Wild love ѐє৛Д = Wild love 2157 Zhen shi yu zai xian: Ji lu pian mei xue guo ji xue shu yan tao jui lun wen ji = Representing reality: International Conference on documentary aesthetics ѐӢӿӐѳ: ઔ࠷әѤѹлগѹफ୳क़Ͼ‫ں‬ҹओ = Representing reality: International Conference on documentary aesthetics 0607 Zhen xing wo guo dian ying shi ye fu dao fang an ዄࣱϢлӇ‫ؙ‬Ѩ‫׬‬ᔆ࣒Ҥଈ 2590, 2727 Zheng zhong wen yi cong shu ԜЅҹਲᜣ‫ڣ‬ 0962 Zheng zong Tai yu dian ying shi 1955–1974 (dian cang ban) Ԝᅓ‫ܭݡ‬Ӈ‫ؙ‬੗ 1955–1974 (ਹে‫)ؗ‬ 0303, 1233, 2659 Zhi min di xia de “yin mu”: Taiwan zong du fu dian ying zheng ce zhi yan jiu (1895–1942) ᜊ‫ھ‬сЎϡ “ુ௷”:‫ݡ‬ஹրᒾ௞Ӈ‫ूؙ‬೫ҏ୳ૢ (1895–1942) 0260, 1273, 1330, 1488 Zhi nan zhen xi lie; A014 ‫܋‬Բఴ‫࠶ڍ‬ 0622, 1529

Zhi pian bian shen me ba xi = What kind of tricks does a producer play? ३әԺѮВөۚ = What kind of tricks does a producer play? 2684 Zhi yi shu wu cong shu ࢑ᗥ‫ڣ‬൙ᜣ‫ڣ‬ 0728 Zhong wai dian ying jie dian ying jiang bo lan Ѕ֔ӈ‫ڝؙ‬ӈ‫ؙ‬؋ѕऊ 2486 Zhong wai ding ying man tan Ѕ֔Ӈ‫ࢿؙ‬ড 0736, 1678 Zhong wai dian ying shi hua Ѕ֔ӈ‫ؙ‬੗Ҧ 0168 Zhong wai ming dao yan ji Ѕ֔Ӝ࣒ࠟओ 1701 Zhong wai nü ming xing mi wu yi yun Ѕ֔ѽҴլࣿᇔ௅࠭ 1965 Zhong wai ying shi da ci dian = Dictionary of cinema and teleplay Ѕ֔‫ؙ‬؇Ͻ᏷ਹ = Dictionary of cinema and teleplay 0039 Zhong wai ying xing Ѕ֔‫ؙ‬լ 1966 Zhong wai ying xing da guan / Su Wei deng bian Ѕ֔‫ؙ‬լϽ޴ 1967 Zhong yang dian ying gong si jian jie Ѕ႑Ӈ‫ؙ‬ԍ‫ߢޅ‬ೀ 0506 Zhong yang dian ying gong si ying pian mu lu = Guide to motion pictures Ѕ႑Ӈ‫ؙ‬ԍ‫ؙޅ‬ә۵࠷ = Guide to motion pictures 0028, 0507 Zhong ying si shi nian ji nian te kan Ѕ‫֐ףؙ‬ё‫ئ‬ᑂ 0508 Zhong ying tong xun cong shu Ѕ‫ؙ֡‬ళᜣ‫ڣ‬ 0924 Zhong ying wen zhou kan cong shu Ѕ߭ҹ‫ڬ‬ᑂᜣ‫ڣ‬ 0800 Zhong zhi liu shi Ѕ३ࡏ֐ 0487 Zhongguo dang dai dian ying fa zhan shi ЅмӾ‫ڊ‬ӈ‫ؙ‬тࣁ੗ 0184 Zhongguo dang dai dian ying shi: 1977 nian yi lai ЅмӾ‫ڊ‬ӈ‫ؙ‬੗䩭1977 ёйϱ 0355 Zhongguo de dian ying ЅлϡӇ‫ؙ‬ 0091, 0567, 0667, 1294, 1467

564

Title Index

ЅлӇ‫ߢؙ‬੗—ঁؕࢡ / ҷ26โཅ‫ެؖܚ‬лগ‫ = ࣁؙ‬Concise Chinese film chronicle: through still photographs 0188, 2487 Zhongguo dian ying: li shi, wen hua yu zai xian = Chinese cinemas: history, culture and representation: Hai xia liang an ji Xiang Gang dian ying fa zhan yu wen hua bian qian yan tao hui lun wen ji ЅлӇ‫ؙ‬: ࣵ੗, ҹ٩ӿӐѳ = Chinese cinemas: history, culture and representation: ֋ᒘҔ࿝᠕‫ܫ‬୯Ӈ‫ؙ‬чࣁӿҹ٩Ժቜ୳क़Ͼ ‫ں‬ҹओ 0279, 0681, 0977, 1208, 1513, 2645 Zhongguo dian ying lun tan cong shu Ѕмӈ‫ڹؙ‬ႊᜥ‫ڪ‬ 1209 Zhongguo dian ying qi shi nian ЅлӇ‫֐ࢳؙ‬ё 0092, 0241, 0287 Zhongguo dian ying qian tu de tan tao ЅлӇ‫ؙ‬ӓಬϡ෬क़ 2541 Zhongguo dian ying san shi nian ЅлӇ‫ؙ‬ѧ֐ё 0141 Zhongguo dian ying shi (Beijin) Ѕмӈ‫ؙ‬੗ 0189 Zhongguo dian ying shi (Taibei) ЅлӇ‫ؙ‬੗ 0093 Zhongguo dian ying shi ye de xian zhuang ji zhan wang: jiao yu bu wen hua ju dian ying shi ye diao cha bao gao shu ЅлӇ‫ؙ‬Ѩ‫׬‬ϡѳ૬ߵࣁֳ: ‫ڌ‬ड़‫ח‬ҹ٩঵Ӈ‫ؙ‬Ѩ‫ڣݍڻݓ݇׬‬ 0187, 0305, 0311, 0320, 2558 Zhongguo dian ying shi ye lun ЅлӇ‫ؙ‬Ѩ‫ں׬‬ 0182, 1511 Zhongguo dian ying si chao ping xi Ѕмӈ‫ࡷؙ‬ӑ‫ڽ‬଎߯໯ 0312, 0388, 1002, 1007 Zhongguo dian ying ti yao : yi jiu liu ling nian Taiwan, Xianggang de ying pian See The Chinese silver screen; Hong Kong and Taiwanese motion pictures in the 1960s = Zhongguo dian ying ti yao : yi jiu liu ling nian Taiwan, Xianggang de ying pian Zhongguo dian ying tu shi (1905–2005) = Chinese film: an illustrated history ЅлӇ‫ؙ֖‬੗(1905–2005) = Chinese film: an illustrated history 0190 Zhongguo dian ying tu zhi ЅлӇ‫࢑ؙ֖‬ 0191 Zhongguo dian ying wen hua shi (1905–2004) = History of Chinese Film Culture Ѕмӈ‫ؙ‬ҹ٩੗ (1905–2004) = History of Chinese Film Culture 0117, 1145, 1567 Zhongguo dian ying wen xue chu ban she dian ying cong shu ЅлӇ‫ؙ‬ҹѹо‫ؗ‬घӇ‫ؙ‬ᜣ‫ڣ‬ 0934

Zhongguo de dian ying yu xi ju ЅлϡӇ‫ؙ‬ӿۚঁ 1304 Zhongguo di yi dai “dian ying huang hou” Hu Die ji Ѕмҷϣ‫”ڊ‬ӈ‫ؙ‬෦њ”ഐႵ֭ 1992 Zhongguo dian ying = Chinese films Ѕл Ӈ‫ = ؙ‬Chinese films 1912 Zhongguo dian ying bai nian 1905–1976 = Chinese movie 100 years Ѕмӈ‫ښؙ‬ё 1905–1976 = Chinese movie 100 years 0185 Zhongguo dian ying bai nian 1977–2005 = Chinese movie 100 years Ѕмӈ‫ښؙ‬ё 1977–2005 = Chinese movie 100 years 0186 Zhongguo dian ying bai nian jing dian ge qu Ѕмӈ‫ښؙ‬ёҮਹ‫ॽܮ‬ 2644 Zhongguo dian ying biao yan bai nian shi hua Ѕмӈ‫ؙ‬ԣࠟ‫ښ‬ё੗Ҧ 0963 Zhongguo dian ying da ci dian = China cinema encyclopedia Ѕмӈ‫ؙ‬Ͻ᏷ਹ = China cinema encyclopedia 0040 Zhongguo dian ying dian shi ming ren lu ЅлӇ‫ؙ‬Ӈ؆ӜϪ࠷ 0041, 1692 Zhongguo dian ying dian shi yi shu jia ci dian = Dictionary of Chinese film-TV artists Ѕмӈ‫ؙ‬ӈ؇਴भр୫ਹ = Dictionary of Chinese film-TV artists 0042, 1692a Zhongguo dian ying, dian ying Zhongguo: Hai xia liang an dian ying xue shu jiao liu yan tao hui lun wen ji ЅлӇ‫ؙ‬, Ӈ‫ؙ‬Ѕл: ֋ᒘҔ࿝Ӈ‫ؙ‬ѹफ‫ے‬Ե୳क़Ͼ‫ں‬ҹओ 0381, 0477, 1048, 1206, 2557 Zhongguo dian ying ge wu yi ЅлӇ‫ܮؙ‬ଢশ 0672, 1207, 1425 Zhongguo dian ying hai bao jing cui: 1905–1995 = Selected posters of China’s films Ѕмӈ‫ؘۏ֋ؙ‬ᖗ䩭1905–1995 = Selected posters of China’s films 2660 Zhongguo dian ying jia lie zhuan Ѕмӈ‫ؙ‬р࠶‫ت‬ 1693 Zhongguo dian ying jian cha wen ti de yan jiu ЅлӇ‫ؙ‬ഛ‫ݓ‬՛֤ϡ୳ૢ 1373, 2448, 2586 Zhongguo dian ying jian shi Ѕмӈ‫ߣؙ‬੗ 0379, 1202 Zhongguo dian ying jian shi—ju zhao pian / Di 26 jie Taibei Jin Ma guo ji ying zhan = Concise Chinese film chronicle: through still photographs

565

Title Index

Zhongguo dian ying wo jian wo si ЅлӇ‫ؙ‬ϢԊϢ‫ڽ‬ 0733, 1152 Zhongguo dian ying wu shi nian ЅлӇ‫ؙ‬ٚ֐ё 0142 Zhongguo dian ying xin bai nian: he zuo yu fa zhan, di shi si jie Zhongguo jin ji bai hua dian ying jie xue shu yan tao hui lun wen ji Ѕмӈ‫ؙ‬Ј‫ښ‬ё䩭ׁӑԁтࣁ䩟ҷ֐‫ף‬ไЅм‫ؖ‬঱‫ښ‬Րӈ‫ڝؙ‬Ѻ भ୳ॗϿ‫ڹ‬ҹओ 1209 Zhongguo dian ying yan jiu shu mu ti yao Ѕмӈ‫ڪૢ୳ؙ‬۵٤ϴ See An annotated Bibliography for Chinese Film Studies = Zhongguo dian ying yan jiu shu mu ti yao Zhongguo dian ying yan yuan ci dian Ѕмӈ‫؃ؙࠟ‬୫ਹ 0043, 1968 Zhongguo dian ying yi shu shi lue Ѕмӈ‫ؙ‬਴भ੗ଯ 0163 Zhongguo jin dai wen yi dian ying yan jiu Ѕл‫ڊײ‬ҹਲӇ‫ૢ୳ؙ‬ 0640, 0683, 1376, 1696a Zhongguo ju ying cong shu Ѕлঁ‫ؙ‬ᜣ‫ڣ‬ 1300 Zhongguo liu xing ge qu yuan liu ЅлԵҲ‫੅ॽܮ‬Ե 2636 Zhongguo nü ying xing ji cui Ѕмѽ‫ؙ‬լओ᫫ 1969 Zhongguo wu xia dian ying shi (Chen, Beijin) Ѕмેྣӈ‫ؙ‬੗ 0646 Zhongguo wu xia dian ying shi (Chen, Taibei) ЅлેཱུӇ‫ؙ‬੗ 0080, 0647, 1101, 1343 Zhongguo wu xia dian ying shi (Jia) Ѕмેྣӈ‫ؙ‬੗ 0656 Zhongguo ying ju shi Ѕл‫ঁؙ‬੗ 0164, 0300, 0670, 1305 Zhongguo ying ju wen xue Ѕл‫ঁؙ‬ҹѹ 1307 Zhongguo ying shi ge qu Ѕм‫ؙ‬؇‫ॽܮ‬ 2646 Zhongguo ying shi ge qu, ge ju xuan qu Ѕм‫ؙ‬؇‫ॽܮ‬䩟‫ܮ‬ঃ‫ॽש‬ 2647 Zhonghua dian ying xi ju hai bao jing xuan = A collection of Chinese movie and opera posters Ѕ‫ܓ‬Ӈ‫ = קؘڻ֋ঁؙۚ‬A collection of Chinese movie and opera posters 2653

Zhonghua Minguo dian ying dao yan xie hui hui yuan ming dan = Directory/ Directors Guide of Taiwan, R.O.C. Ѕ‫ھܓ‬лӇ‫ؙ࣒ࠟ‬൒ϾϾ‫؂‬Ӝ‫ = ؁‬Directory/ Directors Guide of Taiwan, R.O.C. 0045, 1721 Zhonghua Minguo dian ying she ye gai kuang = An overview of the Chinese film industry Ѕ‫ھܓ‬лӇ‫ؙ‬Ѩ‫׬‬มୄ = An overview of the Chinese film industry 2523 Zhonghua Minguo dian ying shi Ѕ‫ھܓ‬лӇ‫ؙ‬੗ 0094 Zhonghua mingguo dian ying shi ye gai kuang (1993) Ѕ‫ھܓ‬лӇ‫ؙ‬Ѩ‫׬‬มୄ (1993) 2559 Zhonghua mingguo dian ying shi ye gai kuang (1995) Ѕ‫ھܓ‬лӇ‫ؙ‬Ѩ‫׬‬มୄ (1995) 2560 Zhonghua mingguo dian ying shi ye gai kuang (1997) Ѕ‫ھܓ‬лӇ‫ؙ‬Ѩ‫׬‬มୄ (1997) 2561 Zhonghua Minguo dian ying xi ju xie hui ying ju cong shu Ѕ‫ھܓ‬лӇ‫ঁؙۚ‬൒Ͼ‫ঁؙ‬ᜣ‫ڣ‬ 1071, 2653 Zhonghua Minguo dian ying ying pian shang ying cong mu: min guo 38 nian zhi 71 nian Ѕ‫ھܓ‬лӇ‫ؙؙ‬әϼྱր۵:‫ھ‬лѧ֐ࡂё۠ࢳ֐ϣё 0029 Zhonghua Minguo qi shi wu nian dian ying Jin Ma jiang = 1986 Golden Horse Awards Ѕ‫ھܓ‬лࢳ֐ٚёӇ‫ެؙؖ‬؉ = 1986 Golden Horse Awards 2489 Zhonghua Minguo qi shi yi nian Jin Ma jiang guo ji dian ying zhan Ѕ‫ھܓ‬лࢳ֐ϣё‫ެؖ‬؉лগӇ‫ࣁؙ‬ 0382, 1205, 2490 Zhonghua xue shu yu xian dai wen hua cong shu, di liu ce Ѕ‫ܓ‬ѹफӿѳ‫ڊ‬ҹ٩ᜣ‫ڣ‬ 0983, 2552 Zhonghua ying xing: 1905–1995 Ѕ‫ؙܗ‬լ䩭1905–1995 1970 Zhou Jielun: gong fu guan lan zhen cang xie zhen ben = Jay Chou: the photo album of Kung Fu Dunk ‫ီر‬ൔ: ‫ۋ‬ਜ਼ᓲႨੵে܎ѐӆ = Jay Chou: the photo album of Kung Fu Dunk 0840, 2023 Zhu fu ࢇ‫׫‬ 2349 Zhu Li ba wai de chun tian ኵ᫗⇊֔ϡࡇϳ 2396 Zhu meng zhe de shi ji mo guang ying: 1999 nian du dian ying guan cha နْ‫ٷ‬ϡԒઔઃ‫ׇؙ‬: 1999ё֏Ӈ‫޲ؙ‬ൌ 0384, 2501

566

Title Index

Zhu qian wen hua zi chan cong shu ኵ∔ҹ٩‫ݗޞ‬ᜣ‫ڣ‬ 0197, 0207, 0377, 0638, 1650, 2494, 2712, 2733 Zhu Tianwen zuo pin ji ᗌϳҹӑԘओ 0862, 0925, 2084, 2402, 2718 Zhu zuo quan fa yu ying ju shi ye zhi jing ying Яӑ੸֚ӿ‫ঁؙ‬Ѩ‫׬‬ҏҬॺ 2459, 2592 Zhuan dong = Rolling ‫ׅ‬ҁ = Rolling 0865 Zhuan dong zhong de dian ying shi jie ‫ׅ‬ҁЅϡӇ‫ؙ‬Ԓ֎ 0712 Zhuan ji wen xue cong kan ‫֮ة‬ҹѹ䒴ᑂ 0496, 1042, 1189, 1726, 1727 Zhuan jia zhi zao ֟р३߃ 0467, 0785, 1505, 1533 Zhuan ye ying shi te xiao zhi zuo da quan = After Effects / Premiere Pro ֟‫ؙ׬‬؆‫݌ئ‬३ӑϽҪ = After Effects / Premiere Pro 1079, 2412 Zhuang zhi hao qing ฃ࢑ൻє 2169 Zhuang zhi xiong xin ฃ࢑೰К 2147 Zi li cong shu І߹ᜣ‫ڣ‬ 0089, 0404, 0696, 0699, 1011, 1699a Zi mu fan yi de yu yan ji fei yu yan ming lang hua mo xing—yi Li An de san bu Zhong wen dian ying wei li See Verbal and non-verbal explication model for movie subtitling—taking Ang Lee’s three Chinese movies as examples

Zong yi chuan zhen ᆩਲ‫ة‬ѐ 2008 Zou ru dian ying tian di ҵՊӇ‫ؙ‬ϳс 0180 Zui hao de shi guang: dian ying ben shi, fen chang ju ben, yi ji suo you guan yu dian ying de 1982 / 2006 зϮϡЖ‫ׇ‬: Ӈ‫ؙ‬ӆѨ, дԾঁӆ, йߵӛϩԬҿӇ‫ؙ‬ϡ 1982 / 2006 0862, 0925, 2084, 2402 Zui hao de shi guang: Hou Xiaoxian dian ying ji lu зϮϡЗ‫ׇ‬䩭ᢡᖮᐉӈ‫ؙ‬ઓ࠹ 0926, 1778, 2085, 2403 Zui hou de gui zu: Bai Xianyong zhuan зћϡਰఓ: Ձ܏ର‫ة‬ 2056c Zui hou yi di xue зћϣਉ߱ 2365 Zui jia pei ou з૟ࡈઢ 2387 Zui xiang nian de ji jie зЂ݉ϡࡵ‫ڞ‬ 2405 Zuo jia dian ying mian mian guan ӑрӇ‫ؙ‬ӌӌ޲ 1699 Zuo jia lu ying zhuan ji shi nian jian ying ӑр࠷‫֐֮ةؙ‬ёය‫ؙ‬ 0596, 1400

567