Builders' Hardware Catalog No. A-3 [A-3 ed.]

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CATALOG A 3 F o r th e U se o f

fr o m President

E A R L E h a r d w a r e

MFG. COMPANY

EX L I B R I S

E.R.

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u t l e r

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Research Library C.O|>Y 1

C o p y r i g h t 1925 b y E a r l e H a r d w a r e M a n u f a c t u r i n g C o m p a n y ^

EARLE HA R D W A R E M A N U F A C T U R IN G CO. [

in c o r p o r a t e d

1913]

cTVIanufacturers of

B u ild e r s’ H ardw are Door Handles, Door Knockers, Push Buttons, H inge Straps and H in ges, Bosses, Rosettes, Shutter Holders, Chimney Ornam ents, Door Guards, Levers and Escutcheons, Cremorne Bolts, Latches, Knobs, C asem en t Fasteners and Adjusters, and other Builders Hardware

Catalog No. A-3

O F F IC E a nd FACTORY

2369 East Fifty-First Street Los Angeles, Calif.

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^ FO R EW O R D ^ H E N man first made his dwelling place a permanent home, hardware had its origin. In that dim day when violence stalked on every hand, man’s life often depended on his crude door and its fastenings. W ith the medieval feudal castles came a great development in the use and utility of hardware. Smiths who made the swords and armor for protection of men, also made hinges and hasps, drawbolts and rough locks on which the defense of the castle relied. In the middle ages, the smiths and metal workers formed trade guilds, and artistic craftsmanship and still higher standards of quality were brought to hardware making. They gave design and ornamentation to the crude hardware of the earlier smiths and armorers. Hardware was made to grace buildings as well as serve a purpose of utility. Craftsmen vied with each other in producing work in which beauty and artistry predominated. Hardware from the forges of these guildsmen is to be seen in many of the showplaces of Europe today, striking in its beauty, and still unimpaired by time or use. This heritage of skill in workmanship and design left us by the early smiths is reflected in the best hardware of the present day.

W h e r e O ld Id e a ls S till P re v a il T he ideals of the m edieval gu ild s­ men are cherished today by the makers of Earle H ardware. Earle products are executed by artisans w ho, unhurried in their work, do each thin g the best w a y it p o ssi­ bly can be done. N o one is e m ­ ployed on a piece-work basis in the Earle s h o p s ; nothing is done to conflict w ith the natural in cen ­ tive of a craftsman to put into his work the enduring elem ents of strength and grace. IV

A n A r t a lw a y s M ost modern hom es and buildings receive their style tr u e to i t s JPeriod inspiration from the architecture of earlier periods, and hardware is a conspicuous elem ent in interpreting a building’s architectural style. If the expression is to be faithful, the quality, craftsmanship and design of the hardware m ust blend w ith or even accent all the other period features. H ardware by Earle that is based on the design of an earlier period is al­ w a ys a faithful reproduction of that design, modified only w hen neces­ sary for adaptation to modern use. W hether the structure is English, Italian, Spanish, Colonial or any other period, Earle hardware will authoritatively aid in expressing the motif. Its intrinsic beauty and craftsmanship lend to the structure a grace and dignity that is alw ays a source of pride and satisfaction.

T h e S a ti s f a c ti o n Fine hardware is an absolute n ecessity to hom es t h a t c o m e s w i t h th e of distinction. In building, the cost of finished C o n sc io u sn e ss hardware is but seldom more than five per cent of o f Q u a litv total cost. Little difference is made in the ^ final amount w hether superior or quite com m on­ place hardware has been used. But a vast difference is made in the effect achieved. Fem inine good taste in the choosing of the elem ents of the home, naturally inclines w om en to articles of true merit and beauty. T o a wom an, the grace and charm of Earle Hardware alw ays appeals. For her it has the individual touch w h ich makes further search unnecessary. In hardware in w hich quality and beauty predominate there is greater profit for e v e r y o n e : the hardware merchant, the builder and the owner. W ith the sale, purchase or use of anything of inherent quality, com es a sense of satis­ faction that is never derived from things that are common.

E x e c u tio n o f T he Earle Hardware M anufacturing Company not only S p e c ia l d e s ig n s Produces its ow n distinctive designs of hardware, but also gives cordial cooperation to patrons in the develop­ m ent of original designs. From ideas and su ggestion s furnished us, w e sub­ mit sketches and specific estim ates of the hardware desired. Special orders are executed by craftsmen w h o are adept both in originating new conceptions and in interpreting the ideas of others.

DEDICATION T h e E a rle H a rd w a re M a n u f a c t u r i n g C o m p a n y dedicates this catalog to the a rc h ite ct w h o specifies fine hardw are, to the m e r ­ c h a n t w h o sells fine hardw are, to the builder w ho b u y s fine h a rd ­ ware, a n d to the o w n e r w h o u se s fine hardw are, w ith the hope th a t the catalog m a y be o f s e r v ic e to th em in th e ir am b ition to m a k e w o r th y in e v e r y w a y the buildings th e y create.

v

C o m p le te

INFORMATION

f o r O r d e r in g

i n i s h hardware has been arranged in the catalog in the sequence in w hich it w ou ld be seen during the inspection of a building or hom e, beginning w ith Front D oor fittings and progressing through the vari­ ous hardware details for the interior. The arrangem ent groups together all articles of like description, D oor H andles being placed in one grouping, Levers in another, and so on, each grouping taking the space necessary to give an adequate display of the complete line.

F

S y s t e m o f N u m b e r in g

Each design is given a number, 348 or 754 or 862 as the case m ay be, and this number is used on all articles made in that design. T h e follow in g list of suffixes are used to designate the article and the m etal of w h ich it is m a d e ;

F ro n t D oor H an d les......... P u sh B u tto n s...................... K nockers............................... T hu m b L atch es.................. Lever H an dles............. ......

Suffix for Brass or Bronze

Suffix for Wrought Iron

-1

-11

-2

-2 2

-3 -4 -5

-33 -44 -55

Suffix for Brass or Bronze

H inge S tra p s......................... K ey E scu tch eo n s................ D oor K n o b s........................... C asem ent F a ste n e rs......... T ee T u r n s ............................

Suffix for Wrougtt Iron

-6

-6 6

-7 -8 -9 -0

-77 -88 -99 -00

W hile but one suffix is used for brass or bronze, w hen either of these finishes are ordered, they are supplied in solid brass or bronze. E xam ple of use: 777-1 would m ean a brass or bronze door handle m ade in design 777. 544-11 would m ean a w ro u g h t iron door handle m ade in design 544. 544-55 w ould m ean a w ro u g h t iron lever handle m ade in design 544. By m eans of this m an n er of n u m b e r­ ing w hen a design has been chosen the various item s o ' hardw are w anted in th a t design can be designated by sim ply adding the suffix for the article w anted to the design num ber. -10 is the suffix used for the E arle P a te n t P u sh B u tto n D oor H andle. T h is handle is not ordinarily m ade in w ro u g h t iron and for th a t reason has b u t the one suffix.

ORDERS

In ordering the number, size and finish of the article as show n in this catalog, together w ith any inform ation necessary as contained in footnotes on various pages, should be given. T h is w ill avoid errors and delay in filling orders. All orders will receive our prompt and careful attention and w ill be billed at the low est price ruling on the day order is received. T h is rule should work to mutual advantage. All orders are accepted contingent upon strikes or other causes of delay that are beyond our control.

E R R O R S and C L A IM S

Claims for corrections and deductions m ust be made w ithin five days after receipt of goods. Errors of any kind should be prom ptly reported that th ey m ay receive our imm ediate attention. Telephone orders are accepted subject to custom er’s liability for corrections and errors.

Q U O T A T IO N S

Because of constantly fluctuating prices in the market for materials, all prices quoted are subject to change ten days after dating, unless a price has previously been quoted in w riting w ith a tim e limit set. All prices are F. O. B. Los A ngeles.

T E R M S Term s are 2% first of m onth; after the fifteenth, net.

After ninety days, on past due accounts, interest will be charged at the rate of 8% per annum. N e w custom ers should send references w ith first order, unless th ey are satisfactorily rated by comm ercial agencies. VI

S H I P M E N T S Instructions as to route, packing and etc., should accompany all orders. O therwise w e w ill use our best judg­ m ent in m aking shipm ents. A ll parcel post shipm ents will be insured against loss. Freigh t or express shipm ents insured at buyers request and expense.

I f in D o u b t W h e n in doubt or any complication exists, air mail afW^rite o r W i r e ^o^ds a rapid m eans of com m unication w ith the full opportunity of the written letter to give explicit details and information. If the m atter is of greater urgency, wire to us. In either case you w ill have our imm ediate action. G E N E R A L /

IN F O R M A T IO

S C R E W S — The proper screw s are supplied w ith all N require them.

S P E C I A L S C R E W S — W h en special sized screw s are ordered, an additional charge of 5% on the cost of the articles is made. P A C K IN G — A ll stock hardware is appropriately wrapped or boxed, labeled and packed w henever feasible, in units of ten.

P A T E N T S and Mechanical features of m any Earle products are T R A D E - M A R K S protected by letters patent. M any of the external designs and ornamentations are covered by design patents. Earle trade-marks are registered. All persons are cautioned against infringem ent of our patents, and against using Earle trade-marks or symbols, except for the purpose of indicating that the article w ith which they are used, w as manufactured by us. L egal process w ill be resorted to by us in all cases where necessary to protect these rights.

D ISP L A Y BOARDS

To enable dealers to make an appropriate display of hardware, the Earle M anufacturing Company can furnish D isplay Boards in the sizes and prices listed below. The cost of these boards is greatly in excess of the nominal charge made for them and dealers will find them to be excellent counter and w indow displays. T h ese boards can be had in any of the follow ing fin ish e s: W hite, Ivory, Spanish Grained, Natural Redwood, Scorched Pine, M ahogany and Oak. Board No. 1 m akes an attractive display for Knobs, Levers and Latches, and etc.

Board No. 2 is appropriate for Knockers, Drawer Knobs, and similar hardware. Board No. 3 m akes a distinctive sh o w in g for Front D oor H an­ dles, Straps and other large pieces. No. 1. 5 "x l6 ".....

$ .50 each, N et

No. 2. 9 " x l2 "...................50 each, N et No. 3. 5"x26"...................75 each, Net T he above prices include m ounting if desired. VI I

A s s i s t a n c e in th e P r e p a r a t io n o f S p^ e c if ic a tio n s ,’ B i d s a n d E s t i m a t e s

O wners, architects and c o n -

the Earle H ardware M anufac­ turing Com pany for any assistance w ith specifications, bids or estim ates, or for any advice or su ggestion s that w e can give pertaining to hardware.

E x c lu siv e W h en hardware is made in designs that are to be excluS o e c ia l D e s i g n s purchaser, a charge is made for the patterns and tem plates used in producing it. T h ese patterns are either broken up or returned to the purchaser, g iv in g assurance that the designs will be available to no one else.

P r e l i m i n a r y Complete data as to dim ensions and m echanical requireS k e tc h e s m ents should accom pany all requests for preliminary sketches of hardware of original design. for rough preliminary sketches.

N o charge is made

S p e c u la tiv e P a tte rn s

For complete patterns or designs, made up on the order and specifications of patrons and subject to their approval, a nom inal charge is made for the labor and material involved in designing, m odeling and drafting. This charge is cancelled w h en an order is placed for the material designed.

V a r ia tio n s in Variations in stock patterns needed to fill the requireS to c k P a tte rn s of our patrons m ay be had at the nom inal cost of m aking the necessary changes.

Shipping and Assembling Room

T o p la c es fa r a n d n e a r, a t h o m e a n d a b r o a d , g o e s h a r d w a r e t h a t h a s b e c o m e k n o w n f o r its m e r it. E v e r y ite m is c a r e f u lly i n s p e c te d a n d th e n p a c k e d to w i t h s t a n d p o s sib le r o u g h t r e a t m e n t in t r a n s p o r t a t i o n .

VIII

X

X

1

A LL works of quality must bear a price in proportion to the tim e , s k i l l , e x p e n s e and r i s k attending their m an­ ufacture. Those things cal­ led dear, are, when justly esti­ mated, the cheapest: they are attended w ith le s s profit to the artist than those things which everybody calls cheap. Beautiful forms and compos­ itions are not made by chance, nor can they ever in any med­ ium be made at small expense. — John R u s k in

X

X

Distinctive H om es with Hardware b y ' Earle

A fe w g lim p s e s of th e b e a u t if u l T hom as H. In c e re s id e n c e . T h is hom e i s a p e rfect e x a m p l e o f M e x ic a n a rc h ite c t u r e . R o y S h e ld o n P ric e , A r c h ite c t

m

A . K . B o u r n e R es id e n c e, S p a n is h D e s ig n W a l t e r N eff. A r c h ite c t

t

C h as. S ey ler, J r . S p a n is h T y p e R e s id e n c e Stiles O . C le m e n ts A r c h ite c t

A n E n g l i s h T y p e of R e s id e n c e J o h n s o n , K a u f m a n n & C o ate, A r c h ite c ts

B e n j. H a r w o o d R es id e n c e, E n g l i s h D e s ig n E v e r e t t H . M e r rill, A r c h ite c t

XI

^

T H E SH O PS W H E R E E A R L E

O U IID R Y

G e n e r a l V ie w o f M a i n F a c to ry -

P la tin g Shop

F o u n d ry Room

XII

H A R D W A R E IS F A S H IO N E D

L a c q u e r in g

T h e M ac h in e Shop

M e ta l C a s tin g

Bench

Shop

P o li s h in g S h o p

XIII

r

FINISH INFORMATION n y of our ornamental designs can be hand chased, EngHsh or French style, at an additional cost. Prices upon application.

A

Special F in is h e s ; Earle Hardware prices are based upon any standard finish suitable to the article. Polychrom e, Silver and Gold are special finishes and are charged for as f o ll o w s : Silver or P olychrom e or Antiquing, 25 per cent of the list price ad d ition al; Gold, 250 per cent of the list price additional. A ll of our plated finishes, except w h en otherw ise stated, bear a coating of lacquer. T h is coating of lacquer w ill be left off w h en so ordered. A n y W ro u g h t Iron H ardware can be duplicated in B rass or Bronze, if desired, at a discount of 25 per cent off net price. Bronze is som etim es desired in preference to Iron on account of its non-rusting qualities, especially in locations close to sea level or close to the ocean or large bodies of water. W e can duplicate Iron finishes on Brass or Bronze. F inish es on W ro u g h t Iron: O n W ro u g h t Iron m any people prefer the natural forge finish, and, w hile all Earle W ro u g h t Iron is given a coating of lacquer w hich leaves a slight gloss, this glo ss soon dulls to the natural forge finish that is preferred. Likew ise, m any people desire W rou gh t Iron H ardware to attain a natural rust finish and for this reason Earle W r o u g h t Iron H ardware is not rustproofed in manufacture. W h e n rust-proofing is desired, it w ill be supplied at no extra cost. This rust-proofing does not detract from the natural iron finish in any w a y and has no effect upon any other type of finish that m ay be desired.

DESCRIPTION OF F IN ISH E S KEY N U M BERS O F M ETALS 1— B r a s s 2— B ro n z e 3— C o p p e r 4— I r o n o r Steel 5— N ic k e l 6— S ilv er 7— G o ld

KEY LE TT ER S O F F IN IS H E S A — A n tiq u e , M o ttle d , o r S h a d e d . B — B la c k . C— C ry s ta lliz e d , o n C a s t B r a s s o r B r o n z e only . D — D u ll o r D e a d L u s t e r . E — L i g h t , o r N a t u r a l C olo r. F — D a r k , g e n e r a lly o x id iz e d . G— G o ld F i n i s h L a c q u e r e d , o n B r a s s O n ly . H — R a is e d s u rfa c e o r e d g e s P o lis h e d , a n d c e n t e r re lieved .

I — R aised su rface or edges D u ll an d L ig h te r and c e n t e r re liev ed . J — A ged. K — S t a t u a r y c o lo r o n B r o n z e o n ly . L — E v en Shade. M — W h e e l o r S h ip F in i s h . N — U n p o lis h e d , N a t u r a l t e x t u r e of M e ta l. O — Sm oked. P — P o li s h e d a n d B u ffe d , h i g h c o lo r. Q — A c id . R — R u sty . S— S a n d e d . T — G a lv a n iz e d . U — U n la c q u e r e d . V — V e rd e , G re e n . W — W axed. X — E l e c t r o P la te d . Y — E n a m e le d . Z — P o ly c h r o m e . S t a t e c o lo rs d e sire d .

Earle Hardware Mfg. Co. Symbols of Finishes BRASS I N — U n p o lis h e d n a t u r a l t e x t u r e of b r a s s , b r ig h t d ip p e d . I P — P o li s h e d b ra s s , h i g h color. I P U — P o li s h e d b r a s s , h ig h co lo r, u n l a c q u e r e d . I C — C r y s ta lliz e d b r a s s , o n c a s t m e ta l on ly . I D — D u ll b r a s s , la c q u e r e d . I D U — D u ll b ra s s , u n l a c q u e r e d . I X — E l e c tr o b r a s s p la te d , b r i g h t , u n p o lis h e d . 1 0 — S m o k e d b ra s s . I J — A g e d b ra s s . I M — B r a s s , w h e e l o r s h ip finish. l A — A n t i q u e b ra s s , o x id iz e d , s h a d e d . l A H — A n tiq u e b ra s s , o x id iz e d , s h a d e d , ra is e d s u r fa c e o r e d g e s p o lish e d , c e n t e r re liev ed . l A I — A n tiq u e b r a s s , o x id iz e d , s h a d e d , ra is e d s u r ­ fa c e o r e d g e s d u ll a n d lig h te r , c e n t e r relieved.

XI V

l Y — B r a s s e n a m e le d . SA N D ED BRASS I S — P l a i n s a n d e d b r a s s , n a t u r a l c o lo r. I D S — D u ll b r a s s , s a n d e d , lig h t. I I S — S a n d e d b r a s s , s l i g h t l y o x id iz e d , l i g h t c e n te r , ra is e d s u r f a c e o r e d g e s d u ll a n d l ig h t. I H S — S a n d e d b r a s s , s l i g h t l y o x id iz e d , l i g h t c e n te r , ra is e d s u r f a c e o r e d g e s p o lis h e d . I A S — A n tiq u e b r a s s , s a n d e d , s h a d e d . l A L S — A n tiq u e b r a s s , s a n d e d , e v e n s h a d e . l A I S — A n t i q u e b r a s s , s a n d e d , s h a d e d , c e n t e r re ­ lieved, ra is e d s u r f a c e o r e d g e s d u ll a n d l ig h t. l A H S — A n tiq u e b rass, sanded, sh ad ed , c en ter re ­ lieved, r a is e d s u r f a c e o r e d g e s p o lis h e d . I A N S — A n t i q u e b ra s s , s a n d e d , shaded, n a tu ra l t e x t u r e of m e ta l.

Symbols of Finishes—Continued BRONZE 4 R — R u s t y iro n o r s te e l, n a tu r a l. 4 P — P o li s h e d iro n o r steel, h ig h color. 4 X R — E l e c tr o ir o n p la te d o r e n a m e le d , r u s t y oi\ a n y m e ta l. 4 0 — S m o k e d iro n , old E n g l i s h iro n , old iro n, h ig h lig h ts relieved. 4 L — B o ile d iro n , e v e n s h a d e , n o t relieved. 4 X 0 — E l e c tr o p la te d , o r e n a m e le d o n a n y m e ta l to im i t a t e s m o k e d iro n . 4 X N — E l e c t r o p la te d b la c k iro n , n a t u r a l t e x t u r e of m e ta l.

2 N — U n p o lis h e d , n a t u r a l t e x t u r e of b ro n z e , b rig h t d ip p e d . 2 M — W h e e l o r s h ip fin ish e d b ro n z e . 2 D — D u ll b ro n z e , la c q u e r e d . 2 D U — D u ll b r o n z e , u n l a c q u e r e d . 2C — C ry s ta l liz e d b ro n z e , o n c a s t m e ta l on ly . 2 P — B ro n z e , p o lis h e d a n d b u ffe d h i g h color. 2 X — E l e c tr o b r o n z e p la te d , b r i g h t u n p o lis h e d . 2 0 — S m o k e d b ro n z e . 2 J — A g e d b ro n z e . 2 W — W a x e d b ro n z e . 2 K — S t a t u a r y b ro n z e , s l i g h t l y a n tiq u e . 2 K F — S t a t u a r y b ro n z e , d a r k a n tiq u e . 2 K F H — S t a t u a r y b r o n z e , d a r k a n tiq u e , ra is e d s u rfa c e o r e d g e s p o lish e d , c e n t e r re liev ed . 2 K I F — S t a t u a r y b r o n z e , d a r k a n tiq u e , ra is e d s u r f a c e o r e d g e s d u ll a n d lig h te r , c e n t e r re liev ed . 2 J V — A g e d b r o n z e a n d v e rd e b a c k g r o u n d . SANDED

P L A IN

BRONZE

2 K H S — S t a t u a r y b r o n z e , a n tiq u e , s a n d e d , ra is e d s u r ­ f a c e o r e d g e s p o lish e d , c e n t e r relieved. 2 K I S — S t a t u a r y b r o n z e , a n tiq u e , s a n d e d , ra is e d s u r ­ fa c e o r e d g e s d u ll a n d lig h te r, c e n t e r reliev ed .

N IC K E L P L A T E

5 A I S — A n tiq u e s a n d e d n ick el, s h a d e d , ra is e d s u r ­ face o r e d g e s d u ll a n d lig h te r , c e n t e r relieved. P L A IN AN D SA N D E D S IL V E R P L A T E 6 P — P o lis h e d a n d b u ffe d s ilv e r p la te , h ig h color.

COPPER

H a n d c h a s e d a rtic le s b u rn is h e d . 6 D — D u ll silv e r, all lig h t. 6A — A n tiq u e silv e r, o x id iz e d , sh a d e d . 6 U — U n l a c q u e r e d silver, w ill o x id iz e a n d a g e n a tu r a lly . 6 0 — S m o k e d silver, old E n g l i s h effect. 6 A H — A n tiq u e silv er, o x id iz e d , s h a d e d ra is e d s u r ­ fa c e o r e d g e s p o lished , c e n t e r re lie v e d . 6 A I — A n tiq u e s ilv e r o x id iz e d , s h a d e d , ra is e d s u r ­ face o r e d g e s d u ll a n d lig h te r , c e n t e r relieved. 6 S— S a n d e d silv e r, all lig h t. 6 A S — S a n d e d silv e r, o x id iz e d , sh a d e d . 6 A H S — A n t i q u e s ilv e r o x id iz e d , s h a d e d , sa n d e d , ra is e d s u r f a c e o r e d g e s p olish e d , center relieved. 6 A I S — A n tiq u e s ilv e r o x id iz e d , s h a d e d , san d e d , ra is e d s u r f a c e o r e d g e s d u ll a n d lig h te r, c e n t e r relieved.

3 P — P o li s h e d c o p p e r, h ig h color. 3 E — N a t u r a l c o p p e r , lig h t. 3 D — D u ll c o p p er. 3 W — W a x e d c o p p er. 3 0 — S m oked copper. 3 X — E l e c tr o c o p p e r p la te d , b r i g h t u n p o lis h e d . 3 J — A g e d c o p p er. 3 J V — A g e d c o p p e r a n d v erd e. 3A — A n tiq u e c o p p e r m o ttl e d , o r s h a d e d ( O ld C opper) 3 A N — A n tiq u e c o p p e r , s h a d e d , n a t u r a l t e x t u r e of m e ta l. 3 A H — A n tiq u e copper, sh ad ed ra is e d s u r f a c e or e d g e s p o lish e d , c e n t e r re liev ed . 3 A I— A n tiq u e copper, sh aded ra is e d surfa«re or e d g e s d u ll a n d lig h te r , c e n t e r relieved. 3 A L — A n tiq u e copper, even shade, g u n m e ta l finish.

P L A IN

COPPER

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copper, san d ed , shaded. c o p p e r, s a n d e d , e v en s h ad e . c o p p e r , s a n d e d , s h a d e d , ra is e d s u r ­ e d g e s p o lis h e d , c e n t e r relieved. c o p p e r , s a n d e d , s h a d e d , raided s u r ­ e d g e s d u ll a n d lig h te r , c e n t e r re liev ed . c o p p e r , u n p o lis h e d , s h a d e d , s a n d e d .

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* 4 N — R u s tl e s s o r r e g u l a r ir o n u n p o lis h e d . * 4 P S — R u s tle s s o r r e g u l a r iro n p o lis h e d a n d s a n d e d . 4 X S B — S a n d e d iro n , e le c tr o p la te d , d e a d b la c k , im i­ t a t i o n B a r r BarfF. 4 X B — I r o n e le c tr o p la te d , d e a d b la c k , n o t s a n d e d .

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A V — A n tiq u e v e rd e , g lazed . A V I — A n tiq u e v e rd e , g la z e d , ra is e d s u r f a c e o r e d g e s reliev ed . Q V — A c id v e rd e , o n b r a s s o r b r o n z e on ly . Q V I — A c id v e rd e , on b r a s s o r b r o n z e o n ly , ra is e d s u r f a c e o r e d g e s re liev ed .

4 T — G a lv a n iz e d o r s h e r a r d iz e d iro n . 4 Z — P o ly c h r o m e iro n , s t a t e c o lo rs d e sired . steel,

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4 B Y — I r o n , d e a d b la c k e n a m e le d .

4 D W — P o lis h e d ir o n o r (A rm o r B rig h t).

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7 P — P o lis h e d gold , h ig h color, h a n d ch ase d a rtic le s b u r n is h e d . 7 D — D u ll gold, lig h t. 7 D A — A n tiq u e d u ll gold , sh a d e d . T D A H — A n t i q u e d u ll go ld, s h a d e d , h ig h lig h ts b u r n is h e d . 7 Y — G o ld e n am ele d . 7 A Y — ^Gold e n a m e le d , a n tiq u e d . 7 S— S a n d e d gold , lig h t. 7 S A — A n tiq u e d u ll go ld , s h a d e d , sa n d e d . 7 S A H — A n tiq u e s a n d e d g o ld , s h a d e d , h i g h lig h ts b u r n is h e d . G— G o ld finish, la c q u e r e d o n b r a s s on ly .

3 S— S a n d e d c o p p e r , n a t u r a l color.

IR O N

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5 N — U n p o lis h e d n ic k e l p la te , n a t u r a l t e x t u r e of m e ta l, w h ite n ick el. SD — D u ll n ic k e l p la te . 5A — A n tiq u e n ic k e l p la te , s h a d e d . S A H — A n tiq u e n ic k e l p la te , s h a d e d ra is e d s u rfa c e o r e d g e s p o lish ed, c e n t e r relieved. 5 B — B la c k n ic k e l, s te e l p la te d , d a r k g r e y m e ta llic c ast. 5 S— S a n d e d n ic k e l, plain . 5 A S — A n tiq u e s a n d e d n ick el, sh a d e d . 5 A H S — A n tiq u e s a n d e d n ic k e l, s h a d e d , ra is e d s u r ­ fa c e o r e d g es p o lis h e d , c e n t e r re liev ed .

2 S— U n p o lis h e d n a t u r a l b r o n z e s a n d e d . 2 D S — D u ll s a n d e d b r o n z e , lig h t. 2 K S — S t a t u a r y b ro n z e , s l i g h t l y a n tiq u e , s a n d e d . 2 K F S — S t a t u a r y b r o n z e , d a r k a n tiq u e , s a n d e d .

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IN D E X A A D JU S T E R S ^— Pages C a s e m e n t W i n d o w .................................................... 126-127 P a t e n t e d H i n g e ................................................................ 128 W r o u g h t I r o n ................................................................. [ 127 A la r m B o x L o c k ....................................................................... 7 8 A s t r a g a l S lid in g D o o r P u U s ................................................. 137 A u to m o b ile D o o r F a s t e n e r ......................................... ....... 133 A u x i l i a r y S p r i n g s f o r L e v e r H a n d l e s .......................... 8 6 A w n in g R o p e C l e a t s .................................................. 140

B B a r S a s h L i f t s .......................................................................... 148 BARS— P u s h ................................................................................... 56*5^ S h u t t e r , B r a s s o r B r o n z e ......................................... 105 S h u t t e r , W r o u g h t I r o n .............................................. 120 B a s e K n o b s ........................................................................... 134-136 B ell B u t t o n s ............................................................................... 36-39 B i r d C a g e B r a c k e t s ............................................................... 144 B lin d H i n g e s .............................................................................. 74 B lin d H o l d b a c k s ................................................................... 63-64 B lin d S p in d l e s ........................................................................... 130 B o lt, M a c h in e ........................................................................... 74 B O L T S ..................................................................................109-118 C a n e ...................................................................................... I l l C h a in .................................................................................... I l l C r e m o r n e .................................................................... 109-1101 C r e m o r n e B o l t S t r i k e s .............................................. 109 C u p b o a r d ............................................................................ 113 E x t e n s i o n F l u s h , K n o b .............................................. 112 E x t e n s i o n F l u s h , L e v e r T h r o w ............................. 112 E x t e n s i o n F lu s h , T e e H a n d l e ............................... 112 F l u s h .................................................................................... 115 F l u s h , T w o - W a y T h r o w ............................................ I l l F o o t ...................................................................................... I l l J a m b .................................................................................... I l l K n o b F l u s h .......................................................................... 115 L e v e r T h r o w F l u s h ...................................................... 115 R i m ..................................................................... 113, 116, 117 Slide, L a v a t o r y ............................................................... 143 Slide, W r o u g h t I r o n ............................................ 117, 118 S p r i n g ................................................................................. 115 S u r fa c e ....................................................................... 113, 116 S u r fa ce , W r o u g h t I r o n .............................................. 116 B O S S E S , N a ils, R o s e tte s , S t u d s ..................................60-62 ( W ro u g h t Ir o n , B ra ss a n d B ro n ze) B o x L o c k , A l a r m .................................................................... 78 B o x es , M ail, W r o u g h t I r o n .............................................. 68 BRACKETS— B i r d C a g e ............................................................................ 144 F i r e p l a c e ............................................................................ 144 G la ss S h e lf......................................................................... 144 H a n d R a i l ............................................................................ 145 R o p e a n d R a i l .................................................................. 145 S helf ...................................................................................... 144 W r o u g h t I r o n .................................................................. 144 B r e a d B o a r d P u l l s .................................................................. 149 B u m p e r s , D o o r .............................. 134-136 B u t t e r f l y S p e c ia l H i n g e s ...................................................... 75 B u t t o n S p in d l e s ......................................................................... 130 BUTTONS— B ell ......................................................................................36-39 D o o r ...................................................................................... 138 P u s h ....................................................................................36-39 BUTTS— D o o r , L o o s e P i n ............................................................. 75 D o o r, E x t r a H e a v y L o o s e P i n ............................. 75 O r n a m e n t a l T i p s f o r ..................................................... 73 P a r l i a m e n t .....................................................................71, 75

C C a b i n D o o r H o o k s .................................................................. 129 C a b i n e t E s c u t c h e o n ................................................................ 91 C a b i n e t P u l l s ........................................................... 91 C a b i n e t P u l l P l a t e s .................................................................. 150 C a g e B ra c k e t, B i r d .................................................................. 144 C a n e B o l t ...................................................................................... I l l C a r W i n d o w C a t c h .................................................................. 133 C a r d H o l d e r s ............................................................................... 151 C a s e m e n t F a s t e n e r s ........................................................... 119-125 (W r o u g h t Iro n , B rass o r B ro n ze) C a s e m e n t F a s t e n e r s , S p e c ia l.............................................. 125 C a s e m e n t F a s t e n e r S t r i k e s ..........................................122-125 C a s e m e n t W i n d o w A d j u s t e r s .....................................126-127 C a tc h . C a r W i n d o w ................................................................ 133 C a tc h , C u p b o a r d ..................................................................... 133 C atch , R e f r i g e r a t o r ................................................................ 133 C a tc h , S h o w c a s e ..................................................................... 138 C a tc h e s , T r a n s o m ..............................................................131-132 C eilin g S w iv e l H o o k ............................................................. 140

Pages C e n te r s, S a s h ............................................................................... 133 C h a i n B o lts ............................................................................ " m C h a i n D o j r G u a r d ..................................................................... 138 131-132 C h a in s , T r a n s o m ................... C h e s t H a n d l e s ........................................................91, 149, 150 C h e s t P u ll s ..........................................................................149-150 C h im n e y O r n a m e n t s ................................................................ 65 C le ats , R o p e ............................................................................... 140 C lo se t S p i n d l e s ......................................................................... 130i C lo th e s R o d ................................................................................. 57 C o a t a n d H a t H o o k s .....................................................139-141 C o m b in a tio n L a b e l H o l d e r a n d P u l l .......................... 151 C r e m o r n e B o lts ................................................................ 109-110 C r e m o r n e B o lt S t r i k e s ........................................................ 109 C u p E s c u t c h e o n s .................................................................. 137 C u p S a s h L i f t s ......................................................................... 130 C u p b o a r d B o l t ......................................................................... 113 C u p b o a r d C a t c h ..................................................................... 133 C y lin d e r, D u m m y .................................................................... 138

D D ia m o n d P l a t e ......................................................................... 150 DOOR— F a s t e n e r , A u to m o b ile ................................................... 133 B u m p e r s ....................................................................... 134-136 B u t t o n s .............................................................................. 138 B u t t s , L o o s e P i n .......................................................... 75 D u t c h , Q u a d r a n t , W r o u g h t I r o n .......................... 120 G u a r d s .............................................................................. 56-59 G u a r d , C h a i n .................................................................... 138 H a n d le s , F r o n t ................................................................ 1-27 H a n d le s , S to r e ................................................................1-27 H a n d s o f.............................................................................. 7C? H i n g e s ....................................................................... 71-75 H o l d e r s ..........................................................................134-136 H o o k s , C a b i n .................................................................... 129 K n o b s a n d R o s e s .......................................................... 90-94 P u ll s ...................................................................................... 51 P u ll s , O ffs e t .................................................................... 51 P u lls, T r a p ....................................................................... 150' R in g s .................................................................................95-96 S lid in g , C u p E s c u t c h e o n s ......................................... 137 S lid in g , H a n d l e s .......................................................... 137 S lid in g , P u l l s ......... 137 S to p s ...............................................................................134-136 D r a w e r K n o b s .................................................................. 152-153 D r a w e r K n o b s , W r o u g h t I r o n ......................................... 91 D r a w e r P u ll s ............................. 146-149 D r a w e r PuU s, D r o p ............................................................... 149 D r a w e r P u ll s , O f f s e t ......................................................147-149 D r a w e r P u ll s , P e n d a n t .................................................. 154-155 D r a w e r P u lls, R i n g ......................................................... 154-155 D r o p D r a w e r P u l l s .................................................................. 149 D r o p R i n g s .............................................................................. 95-96 D r o p R i n g H a n d l e s ............................................................... 137 D u m m y C y lin d e r .................................................................... 138 D u m m y C y lin d e r T h u m b T u r n ...................................... 101 D u m m y K e y h o le .................................................................... 99

E E s c u tc h e o n , C a b i n e t ........................................J...................... 91 E s c u t c h e o n a n d L e v e r ........................................................ 77 E s c u t c h e o n a n d R i n g .......................................................... 77 ESCUTCHEONS— / C u p ........................................................................................ 137 I n s i d e ................................................ 100 K e y ......................................................................................97-99 L e v e r ................................................................................. 79-80 S lid in g D o o r C u p ........................ 137 E x t e n s io n F l u s h B o l t s .......................................................... 112 E x t r a H e a v y L o o s e P i n D o o r B u t t s .......................... 75 E y e , T r a n s o m ............................. 131 E y e s a n d H o o k s ....................................................................... 129 E y e s , P a d l o c k ............................................................................ 138

F F a l s e S t r a p s .............................................................. 43-45, 49-50 FASTENERS— A u to m o b ile D o o r ............................................................. 133 C a s e m e n t ........................................... ;....................... 119-125 C a s e m e n t, S p e c ia l ........................................................ 125 C a s e m e n t, S tr ik e s ................................................. 122-125 C a s e m e n t, S tr ik e s , S p e c i a l ....................................... 125 S a s h .................................................................... 122-12S, 130 F i n g e r P u U s ..........................................................................149-150 F ir e p l a c e B r a c k e t .................................................................... 144 F l u s h B o lt, T w o W a y T h r o w ........................................ I l l F l u s h B o lts .............................................................................. 115 F l u s h B o lts , K n o b ........................................................... 115 F l u s h B o lts, K n o b E x t e n s i o n ............................................. 112

INDEX—Continued Pages F l u s h B o lts , L e v e r T h r o w ................................................ 115 F l u s h B o lts , L e v e r T h r o w E x t e n s i o n ........................... 112 F l u s h B o lts , E x t e n s i o n T e e H a n d l e ........................... 112 F l u s h L i f t s .................................................................................... 150 F l u s h P u l l s ................................................................................. 150 F l u s h S a s h L i f t s ....................................................................... 130 F o o t B o l t ...................................................................................... I l l F r e n c h H i n g e s ............................................................................. ^ 1 F r o n t D o o r H a n d l e s ................................................................ 1-27 F u l l a n d H a l f S u r f a c e S t r a p H i n g e s ........................ 45-48

G G la s s S h e lf B r a c k e t ................................................................ 144 G rille s , W i c k e t W i n d o w , W r o u g h t I r o n .................40-41 G u a r d , C h a i n D o o r ................................................................ 138 G u a r d s , D o o r ............................................................................. 56-59 G u a r d s , S c r e e n .......................................................................... 56-59 G u e s t R o o m K n o c k e r s ........................................................... 35

H H a l f a n d F u l l S u r f a c e S t r a p H i n g e s ........................ 45-48 H a n d R a i l B r a c k e t s ................................................................ 145 H a n d l e , L e v e r , A u x i l i a r y S p r i n g s ............................... 86 HANDLES— C h e s t ....................................................................... 9 1 , 149-150 D r o p R i n g .......................................................................... 137 F r o n t D o o r .......................................................................... 1-27 L e v e r .......................................................................... 77, 79-89 S li d in g D o o r ..................................................................... 137 S t o r e D o o r ...........................................................................1-27 T r a y ....................................................................................... 149 H a n d s of D o o r .......................... 70 H a r d w a r e , L a v a t o r y ......................................................... 142-143 H a r n e s s H o o k ............................................................................ 140 H a s p a n d S t a p l e ............................................................... 138 H a t a n d C o a t H o o k s .......................................................139-141 H i n g e A d j u s t e r , P a t e n t e d ................................................... 128 H i n g e a n d S t r a p I n f o r m a t i o n ......................................... 42 H I N G E S .................................................................................... 71-75 B lin d .................................................................................... 74 D o o r ..................................................................... 71-72, 74-75 F r e n c h ........................................... 71 F u l l a n d H a l f S u r f a c e S t r a p .....................................45-48 O ff s e t ..................................................................................74-75 O r n a m e n t a l W r o u g h t I r o n .............................45-48, 72 R e f r i g e r a t o r ..................................................................... 75 S h ip ........................................................................... 75 S p e c ia l ...............................................................................74-75 S p e c ia l B u t t e r f l y ............................................................. 75 H o l d b a c k s , B l i n d ..................................................................... 63-64 HOLDERS— C a r d ................................................................................ 151 D o o r ............................................................................... 134-136 L a b e l .................................. ^ ............................................... 151 L a b e l a n d P u ll , C o m b i n a t i o n .................................. 151 S h u t t e r ............................................................................... 63-64 H o o d s , L e t t e r S l o t ................................................................ 69 H o o k S a s h L i f t ......................................... 130 H o o k s a n d E y e s ....................................................................... 129 HOOKS— C a b i n D o o r ......................................................................... 129 C eilin g , S w iv e l.................................................................. 140 C o a t a n d H a t ..............................................................139-141 H a r n e s s ............................................................................... 140 R a z o r S t r o p ....................................................................... 140 R o p e ............................................... 140 T o w e l ................................................................. 140

I I n f o r m a t i o n , H a n d s o f D o o r ............................................ 70 I n f o r m a t i o n , K n o b S p in d l e a n d L o c k .......................... 76 I n f o r m a t i o n . S t r a p a n d H i n g e ........................................... 42 I n s i d e E s c u t c h e o n s .................................................................. lOd

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K K e y E s c u t c h e o n s .................................................................. 97-99 K e y P l a t e s ...............................................................................97-99 K e y h o le . D u m m y .................................................................... 99 K ic k P l a t e s ................................................................................. 53-54 K n o b E x t e n s i o n F l u s h B o l t ............................................. 112 K n o b F l u s h B o l t ........................... 115 K n o b S p in d le, L o c k I n f o r m a t i o n ................................. 76 KNOBS— B a s e ...............................................................................134-136 D o o r ...................................................... 90-94 D r a w e r ..................................................................91. 152-153

Pages K n o c k e r s .....................................................................................28-35 K n o c k e r s , G u e s t R o o m ........................................................K n o c k e r s , W r o u g h t I r o n .................................................... 28*30

L a b e l H o l d e r s ....................................... ............................. — }f} L a b e l H o l d e r s a n d P u l l s , C o m b i n a t i o n ................... 151 L a g S c r e w B lin d H o l d b a c k s .......... :................................ 64 L a g S c re w S h u t t e r H o l d e r s ....................................... ....... 64 LATCHES— L i f t ......................................................................................... 108 P l a t e ................. 80, 106-107 P la te , W r o u g h t I r o n .....................................80, 106-107 T h u m b .......................................................................... 102-105 T h u m b , W r o u g h t I r o n ..........................................102-104 S w in g ................................................................................. 143 L a v a t o r y H a r d w a r e ........................................................... 142-143 L e t t e r S lo t s a n d H o o d s ...................................................... 69 L e t t e r s ............................................ 67 L ever E scu tch eo n s ....................................... 77, 79-80 L e v e r H a n d l e A u x i l i a r y S p r i n g s .................................. 8 6 L e v e r H a n d l e s ................................................................77, 79-89 L e v e r R o s e s ...................... 80-89 L e v e r T h r o w E x t e n s i o n F l u s h B o l t s ........................... 112 L e v e r T h r o w F l u s h B o l t s ................................................ 115 L e v e r s ................................................ L ev ers, W r o u g h t I r o n ............................................. 79-84 L i f t, H o o k S a s h ....................... 130 L i f t L a t c h e s , W r o u g h t I r o n ........................................... 108 L IF T S — B a r S a s h .............................................................................. 148 C u p S a s h ............................................................................ 130 F l u s h ................................................................................... 150 F l u s h S a s h ......................................................................... 130 S a s h ...................................................................................... 130 L o c k , A l a r m B o x .................................................................... 78 L o c k S p a c in g , E t c .............................................. - ................ 76 L o c k , S p in d le , K n o b , I n f o r m a t i o n ............................... 76 L o c k S t r i k e s .............................. 78 L o c k e r R i n g P u l l .................................................................... 150 LOCKS— R im ......................................................................................77-78 S a s h ..................................................................................... 130 S h ip .............................................. - .................................... 78 L o o s e P i n D o o r B u t t s ..................................- ...........- ........ 75 L o o s e P i n D o o r B u t t s , E x t r a H e a v y .......................... 75

M M a c h in e B o l t f o r H i n g e s ..................................................... 74 M a g a z in e a n d N e w s p a p e r S l o t s ....................................... 69 M a il B o x e s , W r o u g h t I r o n . _ ............................................. .. 68

N N a ils, W r o u g h t I r o n , B r a s s o r B r o n z e ...................60-62 N e w s p a p e r a n d M a g a z i n e S lo t s ....................................... 69 N u m e r a l s ....................................................................................66-67

O ffs e t D o o r P u l l s ..................................................................... 51 O ffs e t D r a w e r P u l l s ......................................................... 147-149 O ffse t H i n g e s .......................................................................... 74-75 O r n a m e n t s , C h im n e y , W r o u g h t I r o n .......................... 65 O r n a m e n t a l B o s s e s , N a ils, R o s e tte s , S t u d s ............60-62 O r n a m e n t a l K n o c k e r s .........................................................28-35 O r n a m e n t a l T i p s f o r B u t t s ................................................. 73 O r n a m e n t a l B r a s s o r B r o n z e H i n g e s . .. . ................... 71 O r n a m e n t a l W r o u g h t I r o n H i n g e s . .. . ........................ 72

P a d l o c k E y e s ............................................................................... 138 P a r l i a m e n t B u t t s ...................................................................7 1 , 75 P a t e n t e d H i n g e A d j u s t e r .................................................... 128 P e n d a n t D r a w e r P u l l s .................................................... 154-155 P e n d a n t P u l l s ........................................................................ 154-155 P in . S a s h ....................................................................................... 130 P iv o t s . S a s h ................................................................................. 133 P l a t e L a t c h e s , W r o u g h t I r o n ...........................80, 106-107 P la te , S t a t i o n a r y ........................................................................ 75 PLATES— C a b i n e t P u l l ..................................................................... 150 K e y ................................................................................. .■.."9 7 - 9 9 K i c k .................................................................................... 53-54 M a r k e d P u s h a n d P u l l ........................................ 54 P u s h ..................................................................................5 2 . 54 S w itc h , W r o u g h t I r o n ................................................. 3 g

77

IND EX —Continued Pages P o le S o c k e t ................................................................................. 138 P u ll, L o c k e r R i n g ........................................................................150 P u l l P la te s , C a b i n e t ................................................................ 1 5 0 P U L L S ........ 146-150 C a b in e t, W r o u g h t I r o n .............................................. 91 B r e a d B o a r d ........................................................ 149 C h e s t ...................................................................... ;Z .'.1 4 9 -1 5 tt D o o r ...................................................................................... 51 D o o r, M a r k e d P u s h a n d P u i l .....................................51 D o o r, O f f s e t .................................. 51 D r a w e r .......................................................................... 146-150 D r a w e r , O f f s e t ........................................................... I 4 7 . I 49 X49 D r o p D r a w e r .................................... F i n g e r ....................................................................... Z i '4 9 - 1 5 0 F l u s h .................................................................................... 150 P e n d a n t ............................................ 154-155 P e n d a n t D r a w e r ...................................................... 154-155 R i n g D r a w e r ................................................................ 154-155 S lid in g D o o r ..................................................................... I 37 S li d in g D o o r, A s t r a g a l .............................................. 137 T e a r d r o p ..................................................................... *154-155 T r a p D o o r .......................................................................... 150 P u l l s a n d L a b e l H o ld e r s , C o m b i n a t i o n ................... 151 P u s h B a r s ................................................................................. 56-59 P u s h B u t t o n s ....................................................................... 36-39 P u s h a n d P u l l P l a t e s ................................................................ 54 P u s h P l a t e s ............................................................................ ..52-54

Pages S p e c ia l C a s e m e n t F a s t e n e r s a n d S t r i k e s ................... 125 S p e c ia l H i n g e s ....................................................................... 74-75 S p e c ia l L e t t e i ^ a n d N u m e r a l s ......................................... 66-67 S p in d le, K n o b , L o c k I n f o r m a t i o n ............................... 76 S P IN D L E S — B lin d .................................................................................... 1 3a B u t t o n ................................................................................. 130 C lo s e t ................................................... ;............................... 130 W a s h e r s ............................................................................ 76 S p r i n g B o l t ................................................................................. 115 S p r in g s , A u x i l i a r y f o r L e v e r H a n d l e s ........................ 8 6 S t a p l e a n d H a s p ....................................................................... 138 S t a t i o n a r y P l a t e ....................................................................... 76 S to p s , D o o r ...........................................................................134-136 S to r e D o o r H a n d l e s ................................................................1-27 S t r a p a n d H i n g e I n f o r m a t i o n ......................................... 42 S t r a p H in g e s , F u ll a n d H a l f S u r f a c e ......................45-48 S t r a p s ...........................................................................................43-50 S t r a p s , F a l s e ................................................................43-45, 49-50 S tr ik e s, C a s e m e n t F a s t e n e r ..........................................122-125 Strikes^ C r e m o r n e B o l t ........................................................ 109 S tr ik e s, L o c k ............................................................................ 78 S t r o p H o o k s , R a z o r ............................................................. 140 S tu d s ........................................................................................... 60-62 S u r fa c e B o l t s ................................................... 113-114, 116-117 S w i n g L a t c h e s ......................................................................... 143 S w i t c h P l a t e s ............................................................................... 36 S w iv e l C eilin g H o o k ............................................................. 140

Q Q u a d r a n t , D u t c h D o o r , W r o u g h t I r o n ..................... 120

R R ail B r a c k e ts , H a n d ............................................................. 145 R a il a n d R o p e B r a c k e t s ...................................................... 145 R a z o r S t r o p H o o k s ................................................. 140 R e f r i g e r a t o r C a t c h .................. 133 R e f r i g e r a t o r H i n g e ....................................... 75 R im B o l t s .................................................................. i i s - i l i " 116 R im L o c k s ...............................................................................77-78 R i n g a n d E s c u t c h e o n .................................................................. 77 R i n g H a n d le s , D r o p ............................................................ ] 137 R i n g P u ll , L o c k e r .................................................................. 150 R i n g P u l l s , D r a w e r .........................................................154-155 R IN G S — D o o r ................................................................................. 95-96 D r o p ....................................................................................95-96 S h ip ...................................................................................... 95 R o d , C l o t h e s .............................................................................. 57 R o o m K n o c k e r s , G u e s t ............................................................. 35 R o p e C le a ts ............................................................................... 140 R o p e a n d R a i l B r a c k e t s ..................................................... 145 R o ses, K n o b ............................................................................ 90-94 R o ses, L e v e r ............................................................................ 80-89 R o ses, R i n g ...............................................................................95-96 R o s e tte s ...................................................................................... 60-62

s

SASH— C e n t e r s ................................................................................. 133 F asten ers ...................................................... 122-125, 130 L i f t, H o o k ......................................................................... 130 L i f ts ...................................................................................... 130 L i f ts , B a r ......................................................................... 148 L ifts , C u p ......................................................................... 130 L ifts , F l u s h .................................................................... 130 Locks ................................................................................ 130 P i n ........................................................................................ 130 P i v o t s ................................................................................... 133 S c re e n G u a r d s ..........................................................................56-59 S helf B r a c k e t s ......................................................................... 144 S helf B r a c k e t s , G la s s ............................................................. 144 S h ip H i n g e s .......... 75 S h ip L o c k s ................................................................................. 78 S h ip R in g s ................................................................................. 95 S h o w c a s e C a t c h ....................................................................... 138 S h u t t e r B a r s , B r a s s o r B r o n z e ....................................... 105 S h u t t e r B a r s , W r o u g h t I r o n ............................................ 1 2 0 S h u t t e r H a i d e r s ..................................................................... 63-64 S lid e B o lts , L a v a t o r y ....................................................... 143 S lid e B o lts , W r o u g h t I r o n ............................................ 117-118 S L ID IN G D O O R — C u p E s c u t c h e o n s ............................................................. H a n d l e s ............................................................................... P u l l s ...................................................................................... P u ll s , A s t r a g a l .................................................................. S lo ts a n d H o o d s . L e t t e r ...................................................... S o c k e t, P o l e ................................................................................. S p a c in g . L o c k . E t c ................................................................. S p e c ia l B u t t e r f l y H i n g e s ......................................................

137 137 137 137 69 138 76 75

T e a r d r o p P u l l s .....................................................................154-155 T e e H a n d l e E x t e n s i o n F l u s h B o l t ............................... 112 T e e T u r n s ................................................................................... 101 T h r e s h o ld s ................................................................................. 55 T h u m b L a t c h e s .................................................................. 102-105 T h u m b L a tc h e s , W r o u g h t I r o n ................................102-104 T h u m b T u r n s ......................................................................... 101 T h u m b T u r n s , D u m m y C y lin d e r .................................. 101 T ip s, O r n a m e n t a l f o r D o o r B u t t s .............. 73 T o w e l H o o k s .............................................................................. 140 T r a n s o m C a t c h e s ................................................................131-132 T r a n s o m C h a in s ................................................................131-132 T r a n s o m E y e ............................................................................ 131 T r a p D o o r P u l l s ....................................................................... 150 T r a y H a n d l e s .............................................................................. 149 T u r n s , T e e ................................................................................... 101 T u r n s , T h u m b ........................................................................... 101 T u r n T h u m b , D u m m y C y lin d e r .................................... 101 T w o W a y T h r o w F l u s h B o l t ......................................... H I

W W a s h e r S p in d l e s ...................................................................... 76 W i c k e t W i n d o w G rilles......................................................40-41 W i n d o w A d ju s te r s , C a s e m e n t .....................................126-127 W i n d o w C a tc h , C a r ............................................................... 133 W i n d o w G r i l l e s ....................................................................... 40-41 W R O U G H T IR O N — A d j u s t e r s ........................................................................... 127 B a s e K n o b s ....................................................................... 136 B ell B u t t o n s ...................................................................... 36 B lin d H o l d b a c k s ...........................................................63-64 B o sses, N a ils, R o s e tte s , S t u d s ............................... 60-62 B r a c k e t s ........................................................................... 144 C a b i n e t P u l l s .................................................................... 91 C a s e m e n t F a s t e n e r s ................................................. 119-120 C h e s t H a n d l e .................................................................... 91 C h im n e y O r n a m e n t s ..................................................... 65 C o a t a n d H a t H o o k s ................................................... 139 C r e m o r n e B o l t s ............................................................... 109 D o o r B u m p e r s .................................................................. 136 D o o r H a n d l e s ................................................................ 1-11 D o o r H o l d e r s .................................................................. 136 D o o r K n o b s ..................................................................90-91 D o o r R i n g s .................................................................... 95-96 D o o r S t o p s ......................................................................... 136 D r a w e r K n o b s ............................................................ 91 D r a w e r P u l l s .................................................................. 146 D r o p R iiig s .......................................................................95-96 D u t c h D o o r Q u a d r a n t ................................................. 120 E s c u t c h e o n ....................................................................... 91 F r o n t D o o r H a n d l e s ...................................................... 1-11 G rilles ................................................................................. 40-41 H i n g e s . O r n a m e n t a l ............................................45-48, 72 K ic k P l a t e s ....................................................................... 53 K n o c k e r s ......................................................................... 28-30 L e v e r s ................................................................................. 79-84 L i f t L a t c h e s ........................ 108 M a il B o x e s .......................................................................... 68 N a ils , B o sse s, R o s e tte s , S t u d s ............................. 60^62 N u m e r a l s ............................................................................ 66 O r n a m e n t a l H i n g e s ............................................45-48, 72

INDEX—Continued _ W R O U G H T IR O N - - C o n t i n u e d Pages Pages P l a t e L a t c h e s .........................................................80,106-107 S h u t t e r H o l d e r s ...................................................... P u s h B a r s ....................................................................... 59 Slide B o l t s ..................................................................... is P u s h B u t t o n s ................................................................. 35 S t r a p s ........................................ Ml t? S tu d s , N a ils , R o s e t t e s , B o s s e s ...........................- OU, 0 ^ P u s h P l a t e s ..................................................................... 52 R i m B o l t s ................................................................... 116-117 S u r f a c e B o l t s .............................................................. « R i m L o c k s ....................................................................... 77 S w i t c h P l a t e s ..................................................................... R o se s , K n o b ..................................................................... 90-91 T e e T u r n s ...................................................................... . R o s e t t e s , B o ss e s, N a ils , S t u d s .......................... 60, 62 T h u m b L a t c h e s ...................................................... S h u t t e r B a r s ..................................................................... 120 T h u m b T u r n s ................................................................

Use This Chart for Quick Reference to Period Designs N u m b e r s In d ic a te P a i e s in T h is Catalog P ic tu rin g I te m "W anted

A R T IC L E F ro n t Door H a n d les

K nockers P u s h B u tto n s G rilles S trap s

D o o r P u ll s P u s h P la te s & K ic k P la te s P u sh B ars B o s s e s , N a ils & R o se tte s S h u tter H o ld e rs C h im n e y O rn a m e n ts M ail B o x e s H in g e s R im L o c k s L ev ers, E s c u t­ cheons & Roses

COLO­ N IA L 7 ,8,12, 14,15,16, 18,20,21, 2 2 ,2 3 ,2 4 2 9 ,3 2 ,3 3 , 35 3 6 ,3 7 ,3 9

ENG­ GREEK & L I S H & F R E N C H R O M A N ­ IT A L IA N G O T H IC ESQUE

4 3 ,4 5 ,4 6 , 4 9,50

1,3,5,9, 10,12,13, 1 7,18,25, 26 2 8 ,3 0 ,3 1 , 3 2 ,34,35 3 6 ,3 8 ,3 9 41 4 3 ,4 4 ,4 8 , 49,50

51 5 2 ,53,54

52,53

56,5 7 ,5 9 61

59 61,62

65

65

68

68

72 78 83,8 6 ,8 7 , 88,89

D oor K nobs

9 0 ,9 3 ,9 4

M is c e lla n e o u s W ro u g h t Iro n H ard w are— D r a w e r P u U s, C h e s t H a n d le , F a s t e n e r s , etc. D o o r R in g s K e y P la te s In sid e E sc u t­ cheons T hum b T urns T h u m b L a tc h e s

120

95 98,99

95 97,98

L ift L a tc h e s C rem om e B o lts Su rface or R im B o lts Slid e B o lts C asem ent F a sten e rs A d ju sters D o o r S to p s & H o ld e r s C oat & H a t Hooks B ra ck e ts D r a w e r P u ll s D raw er K nobs

15,16,19, 21,25,27

32,35 37,39

37

51

51 54

6 1,62

63,64

72 77 79,80,81, 82,8 3 ,8 4 , 85.86,87, 8 8,89 90,9 2 ,9 3 , 94 91,120

P la te L a tc h e s

13,15,17, 19

101

101

102,103, 105 106,107

117 119,120,

2 ,3 ,7 , 8 , 12,14,21, 26

3 1 ,3 2 ,3 4

34,35

36 41

36

51 52

52 59 61,62

56 61

63

64

56,57

68

68

85,87

85

79,81,82, 83,86

86,88,87

9 2,94

93

90,91,92, 93

92

98

98

95 97

59 60,61, 62 63

72 77 79,80, 81,82, 83,84, 85,86 90,93, 94 91,120

95,96 97,98

99

100

103,104, 105 80,106, 107 108

^113

1,3,5

S P A N ISH M ODERh MOOR­ & BUN­ IS H G A LO W & AZTEC 16,18,23 1,4,5,6, 7,8,9,11 12,14,17 18 30,34 28,29 30,34 37,38 36,38 40,41 43,44, 45,47, 48,49 50

71

100

110

M IS S IO N

101

103,105

102,103

109

80,106, 107 108 109

108 109

110

113,116

113

113,116

121

117,118 119,120

119,121

121

110

119

122,123 124,125

121

127 136

136

140,141

139

141

144 146,147 153

146,147 152

152,153

140

152

152

146,147 152,153

139 144 146

726-11

729-11 727-11

W rought Iron N um ber

726-11 727-11 729-11

S iz e O v e r A ll, I n c l u d i n g C y lin d e r C o lla r

31/4x171^ 31^x20 3 :^ x l9

W e i g h t , lbs.

3 33/4 S P E C IF Y

F IN IS H

P r ic e

D e s ig n

Spanish E nglish Italian

3H

j l

.- L

D E S IR E D

E A R L E H A R D W A R E M A N U F A C T U R I N G C OM PA N Y

L O S AN GE LE S, C A L I F O R N I A

Page 2

HANDLES

341-11

778-1

779-11

W rought Iron N um ber

341-11 (i

«

778-11 779-11

S ize O v e r All, I n c l u d i n g C y lin d e r C o lla r

21^x15 31^x19 234x151^ 21^x15

W e i g h t , lbs.

D e s ig n

P r ic e

M ission 5

..

2 V2 S P E C IF Y

F IN IS H

D E S IR E D

E A R L E H A R D W A R E M A N U F A C T U R I N G CO M PA N Y

LOS ANGELES,

CALIFORNIA

Page

HANDLES

3

780-11

718-li

78 M l

W rought Iron N um ber

718-11 780-11 781-11

S iz e O v e r A ll, I n c l u d i n g C y lin d e r C o lla r

3 % x l7 2^x17 2^x16

W e i g h t , lbs.

Italian M ission E nglish

1% S P E C IF Y

F IN IS H

P r ic e

D e s ig n

2% 2

51.0.

D E S IR E D

E A R L E H A R D W A R E M A N U F A C T U R I N G CO M PA N Y

L O S AN GE LE S. C A L I F O R N I A

Page

H A N D LE S

4

775-1 (

777-11

776-11

W rought Iron N um ber

775-11 777-11 776-11

S iz e O v e r A ll, I n c l u d i n g C y lin d e r C o lla r

3 x l5 j4 3^x15^ 3^x16

W e i g h t , lb s .

D e sig n

2 2 2 S P E C IF Y

P r ic e

Spanish “ F IN IS H

I. ............

D E S IR E D

E A R L E H A R D W A R E M A N U F A C T U R I N G CO M PAN Y

L O S A N G E LE S. C A L I F O R N I A

H A N D LE S

5

678-n

754-11

569-11

W rought Iron N um ber

754-11 678-11 569-11

S iz e O v e r A ll, I n c l u d i n g C y lin d e r C o lla r

4 x l5 H 2^x14^ 4^x17

W e i g h t , lbs.

D e s ig n

234 2^ 23/^

Spanish Italian E nglish

S P E C IF Y

F IN IS H

P r ic e

D E S IR E D

E A R L E H A R D W A R E M A N U F A C T U R I N G CO M PA N Y

LO S AN GE LE S, C A L I F O R N I A

Page

HANDLES

6

788-11

65 6-M

786-11

W rought Iron N um ber

788-11 656-11 786-11

S iz e O v e r A ll, I n c l u d i n g C y lin d e r C o lla r

3 x l6 } i 4^x19 3 x l6

W e i g h t , lb s .

D e s ig n

2 2 S P E C IF Y

P rice

Spanish A ztec Spanish F IN IS H

D E S IR E D

E A R L E H A R D W A R E M A N U F A C T U R I N G C OM PA N Y

L O S A N G E LE S,

CALIFORNIA

Page

HANDLES

575-1

519-11

347-11

7

Wrought Iron N um ber

577-11 653-11 343-11 347-11 519-11 575-11

S ize O v e r A ll, I n c l u d i n g C y lin d e r C o lla r

4

x l4

D e s ig n

2^/4

Colonial Mission Colonial Spanish Colonial

23/b x 1 5 %

2

3

3S/ b x 1 8

2^4 5

4 3 /8 x lS y 2

2V'2.

4

3

x l6

x l5 ^

P r ic e

W e i g h t , lbs.

S P E C IF Y

(( F IN IS H

... ,/ ............-

.. Ti.i...

D E S IR E D

EARLE HA R DW AR E MA NUFAC TU R ING COMPANY

LOS ANGELES,

CALIFORNIA

Page 8

H A N D LES

394-11

401-1

340-

344-

5 7 6 -11

7 4 6 - 11

3 4 2 -i

W rought Iron N um ber

401-11 394-11 340-11 746-11 576-11 344-11 342-11

Size O v e r A ll, I n c l u d i n g C y lin d e r C ollar

W e i g h t , lb s.

D e s ig n

33^

P r ic e

s V A x ie y ^

3V 4

M ission Spanish Colonial

3^x15 21/8x16^ 4 x l5 ^ 3 xl3

iy 2

“

1V2

“ ((

4 % x l6 %

2^x12%

m

F IN IS H

'

“

2V z S P E C IF Y

_

D E S IR E D

EARLE HA RDW ARE MANUFACTURING COMPANY

L OS A N G E L E S ,

CALIFORNIA

659-1

772-11 568-1! W rought Iron N um ber

659-11 772-11 568-11

S ize O v e r A ll I n c l u d i n g C y lin d e r C o lla r

4

W e i g h t , lbs.

x l8

D e s ig n

P r ic e

Spanish

....... ;........

3^ x 20f^

5^

“

......

3^x22

3^4

E nglish

.................

S p e c ify L o c k S p a c i n g f o r N o . 568-11, A lso F i n i s h D e s ir e d

EARLE HA R DW AR E M A N UFACTURING COMPANY

LOS ANGELES,

CALIFORNIA

Page 10

HANDLES

' # -1

vf

:

r J

773-11

V 787-11

W rought Iron N um ber

773-11 787-11

Siz e O v e r A ll

4

x20

W e i g h t , lb s.

SV 4

3 3 ^x2 0 %

D e s ig n

P rice

E nglish

3 ^

S p e c ify L o c k S p a c in g a n d F i n i s h D e s ir e d

EA R L E HA RDW ARE M ANUFACTURING COMPANY

LOS ANGELES,

CALIFORNIA

745-M W rought Iron N um ber

Size O v e r A ll

745-11 579-11

3^4x22 43/^x201/^

W e i g h t , lbs.

6 33/4

D esig n

P rice

Spanish “

...... ..........

S p e c ify L o c k S p a c in g a n d F i n i s h D e s ir e d

E ARLE HA R DW AR E MANU FA C TUR IN G COMPANY

LOS ANGELES, C AL IFO R NIA

0690-1 Brass or Bronze N um ber

656-1 657-1 774-1 576-1 242-1 0690-1 798-1

Siz e O v e r A ll, I n c l u d i n g C y lin d e r C o lla r

W e i g h t , lbs.

454x19 4 x l9 2^x161/4

D e s ig n

m 2%

2 V 8 K l6 y 2

1 V2

2^x1534 2 % x l3 %

2V 2

2

2 V 8 x l4 y 2

IK S P E C IF Y

F IN IS H

P rice

Aztec E ng lish Spanish Colonial E nglish Mission

m

« D E S IR E D

EAR LE HA RDW ARE MA NUFACTURING COMPANY

LOS ANGELES. C A L IFO R N IA

Page 13

HANDLES

I

239-

768706-1

743-1

0743-

744-

Brass or Bronze N um ber

768-1 239-1 706-1 743-1 0743-1 744-1

Siz e O v e r All, I n c l u d i n g C y lin d e r C olla r

2^x16 3 x l6 % 3 x l8 % 4 x l6 254x16 2 1 ^x 1 6 ^

W e i g h t , lbs.

D e s ig n

m 2%

English French

P r ic e

3%

E nglish

m

((

m

Gothic

m S P E C IF Y

F IN IS H

D E S IR E D

S p e c if y S p a c in g D e s ir e d o n N o . 706-1

EARLE HA R DW AR E MANUFAC TU R ING COMPANY

LOS ANGELES. CALIFO RNIA

HANDLES

717-1

229-

212-1

215-

710-1

2 2 8 - 1

2 1 8 -1

220-1

Brass or Bronze N um ber

215-1 229-1 212-1 717-1 710-1 218-1 «

228-1 220-1

S ize O v e r A ll, I n c l u d i n g C y lin d e r C o lla r

W e i g h t , lbs.

2ysxi6y2 3 xlS

3^/4

2^4

3 x l4 % 2 ^ x l3 ? 4 3^4x14 2 x l3 %

1V2

1V4 2

2^/8x151/4

13/4 23/4 23/4

3%xl6^/i 3%xl7

S P E C IF Y

P rice

F IN IS H

D E S IR E D

EAR LE HA RD W A RE MANUFACTURIN G COMPANY

LOS ANGELES.

CALIFORNIA

Page 15

HANDLES

226-1

713

715-1

-

Brass or Bronze N um ber

Size O v e r A ll, I n c l u d i n g C y lin d e r C o lla r

723-1 231-1 0713-1 0715-1 722-1 226-1

3 xl35^ 2S/^xl3K 2^x12^ 2^x12^ 3 x l3 i^ 2 1 ^x 1 3 ^

2 21-1

2 % x l4 ^

713-1 715-1 223-1

2^x13^ 2^x13^ 3^x14% S P E C IF Y

W e i g h t , lbs.

P r ic e

2^/4

2

1

1 2 1^4

2

1 1 1^/^ F IN IS H

D E S IR E D

EARLE HA R DW AR E MAN UFAC TUR ING COMPANY

LOS ANGELES, CALIFO RNIA

Page 16

HANDLES

203-

202-10

2 0 4-1

204-10

243-10

243-1

351-1

351-10

Brass or Bronze Siz e O v e r All, I n c l u d i n g C y lin d e r N um ber C o lla r W e i g h t , lbs. 202-1 2 0 2 -1 0 « 204-1 2 0 4 -1 0

2 3 /^x 1 3 1 /^

m

33/ 4x 16 3 x l3 ^

4

P r ic e

Num ber

ti

4 3

243-10 tt

214

3^x15^^ 2 3 /^ x 1 3 3 4

3^^ 1:^2

243-1

4

4

351-1 351-10

x l6 ^ 4 2 ^ x 1334

Siz e O v e r All. I n c l u d i n g C y lin d e r C o lla r W e i g h t , lbs.

«

2

S P E C IF Y

F IN IS H

x l5 i^

3^

X13V4

214

2 3 /^ x 1 3 1 4

m

3^x1554

334

3 3

2

x l3 % xl3?4

P r ic e

m

D E S IR E D

-10 A d d e d to N u m b e r D e s i g n a t e s E A R L E P A T E N T E D

EARLE HA RDW ARE MANUFACTURING COMPANY

PUSH

BUTTON

HANDLE

LOS ANGELES.

CALIFORNIA

Page 17

HANDLES

0709-1

7II-I

431-10

725-10

701-10

Brass or Bronze Num ber

0709-1 709-1 709-10 700-10 711-1 431-10 725-10 701-10

S iz e O v e r A ll, I n c l u d i n g C y lin d e r C o lla r

3^x18% 3^x17^ 31^x17 3^x16^ 2 ? 4 x l6 ^ 354x13% 3^x14% 354x14%

W e i g h t , lbs.

3^ 2% 3 2^ 3 2^ 3 2%

D e s ig n

P r ic e

E nglish “

................

Spanish E nglish Louis X V I A ztec Louis X V I

S P E C IF Y F IN IS H D E S IR E D -10 a d d e d t o n u m b e r d e s i g n a t e s E A R L E P A T E N T E D P U S H

EARLE H A R D W A R E M A NUFAC T UR IN G COMPANY

BUTTON

................ ................ ................ .^ HANDLE

L OS A N G E L E S ,

CALIFORNIA

H A N D LE S

734- 1

Number 232-1 232-10 234-1 234-10 734-1 728-1 352-1 352-10

728- 1

352-10

3 5 2 -1

B ra ss o r B ro n ze Size Over All, Including Cylinder Collar Weight, lbs. Design m 3^/gxl434 Colonial 3 H x l4 2Va 1% 27/8x141/^ Mod. Colonial it t( 4" l U " D ia . 2% " H ex. m " H ex. 2% " H ex. 2 x2 " 2 x2 " 25/8x25/^"

D e s ig n M iss io n “ E m b lem M iss io n

Knob P ric e E a c h

P ric e E a c h

“ F rench M is s io n “ “ Ita lia n E n g lish Ita lia n

N u m b e r 909-8 is a n e x a m p le of a n E m b l e m a t i c d e s ig n e d D o o r K n o b . E m b le m s a n d M o n o g r a m s c a n b e a p p lie d o n a n y p la in fa c e d k n o b illu s tr a te d .

P r ic e s o n a p p lic a tio n .

I m p o r t a n t in f o r m a tio n r e g a r d i n g sp in d le s. etc., w ill b e f o u n d o n p a g e n u m b e r 76. S P E C IF Y

F IN IS H

D E S IR E D

EARLE H A R D W A R E 'M A N U F A C T U R IN G COMPANY

LOS ANGELES,

CALIFORNIA

Page 93

DOOR KNOBS

416-8

908-8

9 0 7 -8

4 2 8 -8

4 2 7 -8

0 4 1 6 -8

Brass or Bronze N um ber 901-8 901-8 904-8 902-8 416-8 416-8 416-8 908-8 908-8 907-8

Size K n o b 2 ^ ' D ia . 13/4'' D ia. ' D ia. 2% '" D ia. ' 2 ^ ' D ia. IV 4'' D ia . 2 / 2'' D ia. 25/s'' D ia. 2 ' 2 '' D ia.

Size 23/s" 13^" 2A "

2% "

2iV"

m " 2% " m " is/s"

907-8 428-8 428-8 428-8 427-8 427-8 0416-8

D ia. D ia. D ia . D ia. 2 % ' ' D ia. ' D ia . iV2' ' D ia. 2iV‘

2 " 2 " 21/^" 2^4" 1^/^" H i"

0416-8 0416-8

13/ 4' 'D ia . 2 % ' ' D ia .

i\V ' 2 % ''

IV a " 2V4'' 2 '' 2 % ''

R o se D ia. D ia. D ia. D ia. D ia. D ia. D ia. D ia. D ia. D ia. ( C o n c e a le d screw s) D ia . D ia. D ia. D ia. D ia. D ia. D ia. ( R o u g h S u rface) D ia. D ia.

D e s ig n Ita lia n