110 46 27MB
English Pages 36 [38] Year 2000
VIOLA PART
VIOLA SCHOOL Volume 6 Viola Part Revised Edition
I VOL. 6
VIOLA PART
VIOLA SCHOOL Volume 6 Viola Part Revised Edition
AMPV:: 1.01 1.00 AMPV © 1993, 2000 Dr. Shinichi Suzuki Sole publisher for the entire world except Japan: Summy-Birchard, Inc. Exclusive print rights administered by Alfred Music Publishing Co., Inc. All rights reserved.
ISBN 0-87487-491-2 The Suzuki name, logo and wheel device are trademarks of Dr. Shinichi Suzuki used under exclusive license by Summy-Birchard, Inc. Any duplication, adaptation or arrangement of the compositions contained in this collection requires the written consent of the Publisher. No part of this book may be photocopied or reproduced in any way without permission. Unauthorized uses are an infringement of the U.S. Copyright Act and are punishable by law.
I VOL. 6
2
INTRODUCTION FOR THE STUDENT: This material is part of the worldwide Suzuki Method ®of teaching. The companion recording should be used along with this publication. A piano accompaniment book is also available for this material. FOR THE TEACHER: In order to be an effective Suzuki teacher, ongoing education is encouraged. Each regional Suzuki association provides teacher development for its membership via conferences, institutes, short-term and long-term programs. In order to remain current, you are encouraged to become a member of your regional Suzuki association, and, if not already included, the International Suzuki Association. FOR THE PARENT: Credentials are essential for any Suzuki teacher you choose. We recommend you ask your teacher for his or her credentials, especially those related to training in the Suzuki Method®.The Suzuki Method®experience should foster a positive relationship among the teacher, parent and child. Choosing the right teacher is of the utmost importance . In order to obtain more information about the Suzuki Association in your region, please contact:
International Suzuki Association www.internationalsuzuki.org
3
CONTENTS Tonalization and Intonation Exercises, S. Suzuki..................................................... 4 Exercises in Octaves and Sixths, D. Preucil............................................................ 5
[iJ
La Folia, M. Marais...................................................................................... 6
rn
Allegro, G. H. Fiocco....................................................................................10
[1]
Suite in G Major (unaccompanied), J. S. Bach Allemande.................................................................................................. 12 Minuets I and II ......................................................................................... 14
~
Arioso, J. S. Bach ..........................................................................................15
Chromatic Scale Exercises, D. Preucil .................................................................... 16 Three Octave Scales and Arpeggios in D major and D minor, D. Preucil. ............. 17
[I]
Adagio and Rondo in D, W.A. Mozart Adagio ........................................................................ ,.............................. 18 Rondo ........................................................................................................ 19
~
Hungarian Dance No. S, J. Brahms.............................................................22
Position Etudes, S. Suzuki ........................................................................................
24
[1] Country Dances, L. van Beethoven..............................................................25 []]
Concerto for Two Violins (violin II arr. for viola), J. S. Bach Vivace ........................................................................................................
[]]
28
Concerto in C minor, J. C. Bach/Casadesus I. Allegro molto ma maestoso ............... .......................... ................ ......... 32 II. Adagio molto espressivo....................................................................... 34
The compositions in this volume were arranged for viola and piano by Doris Preucil. The viola parts were edited by William and Doris Preucil with the approval of the Americas Viola Committee. Suzuki Association of the
4
Tonalization
S. Suzuki
Tonalization exercises should be practiced at each lesson. Exercise for beautiful tone and vibrato.
G---D-----------G--------1
1
3
IIR ~ ~ J J Ir
4
3
2
3
2
r Ir r Ir
C
3
L Ir
G 1
1
3
4
3
1
r Ir
1
J I
o
II
c~~~~--
3
2
4
3
2
3
4
3
1
1
c-----a----------c--------Exercises for finding exact intonation 4
CD 2
~
6
1
2r;o
4
~o
3~
2
E E E If F ft
Ir
I~-
* =II
G string - - - - - - - _ _ - _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
®
1
2
IIBel?
r
1
4
f1 L
I
4
2
3
2
1
r?~IJ
I#[)
* =II
G string _ _ _ _ . _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
0
4
4
4~3
3
IIBcJqL 1JHL 1r F #fj 1F· * :II Shifting exercises for #4
t1J l
IIB
I---
1
4
L
I~
IJ' 1-----
t
II
5
Exercises in Octaves
D. Preucil
Keep fingers I and 4 down when shifting
-ttt:,----?~~~----::::;;::.=::;::---11E--~-..---+-----=+1. ....II.U.L--..-~+-+-+--+-+-.fllE-4--4-~~~~~~---1.9·
Also practice #3 with this variant:
c IIH 42
d ~ a c12 I eG 3
4
3
,
=------
I
t! : e ~F EF hactice as rouows:
f
f Ff
2
1
0
Exercises in Sixths
~
If CD~
f
4
1
2
3
0
1
f
~ ~ S
h~ t ~ F f F 3
2
I
IF
~.~ ~ I ~ IB f
f
~ ~ ~
5 ~ II m~ ~ ~ j ~ j Hdj Q f tfl___,fi_JatJl
5
pS P
IIR
I
f f
IS
6
[IJ La Folia M. Marais Realized and arranged by Doris Preucil AIJegro moderato
(J= 76)
v
i-,
-============ f VAR.I - Dolce
11 ~ 7
p 21
(J= 76)
j·s=tu1•f rzj Ir j-fti?@, r or ~ 4
Q .
,
I
Jc::::
~
4
2
I
cresc. ----------------------------------------------
. 11ff
rit.
=======P
7
de tache 44
attacca
VAR. III Energico
cJ= 104)
s
tr
o~Orr p !§·~ ~ ~V ~ 2~ ~;~ IEr ~EJ:::1± E S=l~JLF I~ ~ f@ 9
~
f 53
V•
~ V
f lEr
IIB
f
V•
IC
~ l
V
V
1f f
I[
fr
~ V
ft
V
F If
v
~
...._
• & b œ b œ œ œ œ # œ œ œ œ œ. œ . 19
1
2
0
4
4
0
1 2 3 2 4 3 2
œ #œ œ nœ œ nœ #œ œ œ œ
≤ . œ œ œ. . œ b œ œ œ œ œ #œ œ œ œ œ œ œ ‰ j ˙ & b nœ œ œ F 15
3
œ #œ œ nœ #œ œ œ œ . 1
2
> œ œ # œ œ œ œ œ œ œ œ œ œ œJ œ # œ. œ Œ J
* Violin I part can be found in Suzuki Violin School, Volume 5.
1
2 3 4
2
3
œ n œ. œ œ œ œ œ œ
3
2
0
1
0
1
0
2
≤ œ ‰ J œ œ #œ nœ œ œ œ œ ˙
≥ œ œ. # œ n œ œ œ œ œ œ nœ bœ œ œ œ œ œ œ œ œ >
˙ &b 12
œo
2
1
# ≥œ œJ≤ J œ #œ œ nœ œ œ p
4
1
2
œ œ. # œ n œ œ œ œ œ ˙
œ œ œœ˙ & nœ œ œ œ F
≤ œ œ œ j œ œ œ . œ œ œ œ œ œ œ nœ œ œ #œ œ &b 7
3
1
1
1
2
0
A
1
3
≤ œ œ œœœœ œ œ œ œ œœœ œ œœœœ œ ŒB≈œœ œ œ œ œ œ œ f
25
&b Ó
Solo
4
4
0
œ œ œ œ œ œ œ œ œ œ œ œ œ œ nœ #œ œ œ œ œ œ œ œ œ œ œ nœ œ Bb #œ 28
3
4
0
œ œ œ 1
30
Bb œ F
≥ >œ
0
2
>ϳ
3
œ nœ nœ œ œ .
2
4
3
4
3
œ œ œ >≥ >œ≥ œ œ b œ. œ œ œ
œ
≤ œ œ œ œ œ œ œ œ œ œ œ nœ Bb # œ œ œj & œ b œ œ œ œ œ œ œ œ p 32
0
4
#œ œ œ œ œ œ œ œ œ œ œ œ #œ nœ œ œ œ œ œ œ #œ œ œ œ œ œ b n œ œ n œ œ & F 34
2
1
3
œ œ œ œ œ œœ œ &b 36
2
4
1
œ 4 0
39
&b œ
4
1
œ
1
œ 4
1
3
4
2
4
3
2
4
3
3
4
1
2
3
1
3
1
0
1
3
1
B
≥ œ œ œ œ nœ œ œ œ œ œ œ nœ #œ œ œ œœœ œ nœ œ nœ œ f 2
0
œ œ œ œ œ nœ œ nœ œ œ œ œ œ œ #œ œ œ œ œ œ œ œ #œ œ 0
4
3
2
2
3
2
1
0
4
0
4
3
œ œ #œ #œ œ œ œ œ œ nœ œ œ B & b #œ 41
2
0
>œ ≤ . œ œ œ œ œ œ œ œ œ #œ . . F 4
2
1
2
4
2
29
30
œ œ. œ œ œ œ œ≤. . œ Bb #œ œ 43
≥ >œ
œ
3
≥ ˙ œ & b œ nœ œ œ œ œ œ f 46
n œ. œ # œ œ 1 2
≥ œ œ œ nœ œ œ œ œ œ 0
&
œ œ. n œ œ œ œ œ œ œ œ œ œ œ œ œ #œ 1
C œ # œ œ n ≥œ œ œ œ #œ œ œ œ nœ œ œ œ nœ œ œ œ œ #œ œ œ œ J F Solo
4
1
œ. œ œ œ
>œ≥ œ
œ œ. # œ n œ œ œ œ œ ˙≤
Tutti
j œ b & œ 49
œ. œ n œ œ 0
>œ≥ œ
1
3
2
1
≥ œ œ # œ œ œ nœ œ œ œ œ œ bœ œ œ œ œ ‰ œ &b œ œ œ œ œ œ œ œ œ #œ œ œ œ J œ F P 51
1
3
1
4
4
≥œ . œ b & œ 54
œ œ
1
3
0
1
3
4
1
1
œ œ œ œ œ œ œ œ ˙ f
œ
Tutti
0
3
4
2
3
œ œ. n œ œ œ œ œ œ ˙≤
j œ . œ œ œ œ bœ œ œ œ œ œ œ œ œ b b œ & œ #œ œ 4
57
1
2
# œ. œ J
≤ B ≈ bœ œ œ Solo 1
0
œ œ œ nœ œ œ œ œ œ≤ b œ œ œ #œ œ œ œ œ b œ œ œ nœ œ œ œ œ œ œ Bb œ œ œ œ ≈ œ œ F P 59
D
4
1
2
0
3
4
bœ œ œ œ nœ œ œ œ œœ jJ œ B b œbœ œ 62
2
1
1
3
1
2
œ ≤ bœ œ œ œ œ œ .œ . J œ œ. œ œ œ œ œ nœ 2
31
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ bœ œ œ œ œ B b #œ nœ œ œ œ œ œ œ œ œ 65
67
Bb 70
Bb
4
0
4
≤. n ≥œ œ ≤. ≥œ œ œ œ. œ œ.
0
œ œ #œ œ œ nœ œ œ œ œœœ œœ œœœ œ œ œ #œ œ œ œ F
0
≥
2 2 2
4
œ
82
Bb œ
œœœ
œ
0
œœ œ
4
#œ
œ‰ œ œ œ J 0
3
2
B
Ó
1
1
œ œ. # œ œ œ œ œ œ ˙ 3
œœ œœœœœœœ œ 2 0 1
0 2
≤ œ œ œœœ œœœœ Œ ≈œœ œ œ œ œ f 4
4
3
0
3
4
œ
œœ
œœœ
0
œ œ œ œ œ œ œ œ œ œ œ œ œ œ #œ œ œ œ œ œ œ œ nœ œ
B b # œ œ œ œ œ œ œ œ œ œ œ n œ œj ‰ Bb
1 3
3
0
& b œœœ
86
3
1
3
0
0
76
84
1
œ œ œ œ œ œ œ œ b œ œ œ œ œœ œœœœ œœœœ œœœ œ & œ œ œ œ œ œ bœ œœœ œœ p
2 1 0 1
≥ ≤ ≥ ≤ ≥ ≥ ≤ ≥ ≤ œ œ œœœ œ œ œ #œ œ œ & b œ œ œ œ œ œ œ. œ œ n œ F 73
1
0
P
œ
4
0
3
0
Tutti
‰
≤ œ 2
f
œ
4
0
œ
œ #œ
4
œ
≤ U ≥ œ ˙ # œ œ n œ. œ œ œ œ œ œ œ œ œ œ œ œ œ # œ œ J J 2
1
3
4
rit.
0
2
32
[2J
Concerto in C minor J.C. Bach
Allegro molto ma maestoso
v
(d=84)
Reconstituted and harmonized by Henri Casadesus ~
33
r''b&JJJJcfEflFtEfittllff.r. -JJJi~ m
91
;;;.;;;;;;
~
r,
~-
. 2
r, --------..... V -:::.. ,&
dtm.
Pill calmato ed espressivo
~
poco allargando
3
~
r"'!..--..__
--4
ii b'~ ~14e#Oj1cE8iEF1icrgJ r rwIrt=t=~ p
3
.ii&~~ J tfrIfcfiJ'Jlr@tJgjiJT~ It&rriffi
34
mo/to rit.
35
mo/to rit.
AND SUPPLEMENTAL PUBLICATIONS SUZUKI VIOLA SCHOOL: VOLUME 1 (Revised): Book only (00-0241S) • Book & CD (00-40685) • CD only (00-0543) VOLUME 2 (Revised): Book only (00-0242S) • Book & CD (00-40688) • CD only (00-0543) VOLUME 3 (Revised): Book only (00-0243S) • Book & CD (00-40691) • CD only (00-0544) VOLUME 4 (Revised): Book only (00-0244S) • Book & CD (00-40694) • CD only (00-0544) VOLUME 5 (Revised): Book only (00-0249SX) • CD only (00-0545) VOLUME 6 (Revised): Book only (00-0491S) • CD only (00-0546) VOLUME 7: Book only (00-0493) • CD only (00-0548) VOLUME 8: Book only (00-34440) • CD only (00-30444) VOLUME 9: Book only (00-38938) • Book & CD (00-42298) • CD only (00-38940)
TECHNIQUE & PRACTICE Scales for Advanced Violists by Barbara Barber
Book................................................00-8023
SOLOS & ENSEMBLES Solos for Young Violists Volumes 4 and 5 by Barbara Barber
Volume 4 Book.............................00-18750X Volume 4 CD....................................00-8021 Volume 5 Book.............................00-18830X Volume 5 CD....................................00-8022
Playing with Style for Viola Duet by Joanne Martin
Book..............................................00-13600
The “Solos with Orchestra” Series arranged by Doris Preucil
Concerto No. 3 in C Minor F. Seitz/D. Preucil
Book.........................................00-24800
After a Dream G. Fauré/D. Preucil
AD1187B 8/08
Book.........................................00-24990
Suite in A Caix de Hervelois/D. Preucil
Book.........................................00-25020
“Sounds of the Symphony” Series arranged by William and Constance Starr
“Taka Taka” Polka and “Happy Times” Polka Book...........................................00-0614
Intermezzo from “Cavalleria Rusticana” Book...........................................00-0615
The Toreadors from “Carmen” Book...........................................00-0616
Trio Tapestry by Joanne Martin
Book............................................00-17430X
String Player’s Guide to the Orchestra by Susan C. Brown
Score..............................................00-29978 Violin 1..........................................00-30102 Violin 2..........................................00-30103 Viola..............................................00-30104 Cello..............................................00-30105 Bass...............................................00-30106
The Vehicle of Music (Reflections on a Life with Shinichi Suzuki and the Talent Education Movement) by Masaaki Honda
Book................................................00-0683
The Suzuki Approach by Louise Behrend
Book................................................00-0768
In Search of the Japanese Spirit in Talent Education by Susan C. Bauman
Book................................................00-0767
Suzuki Changed My Life by Masaaki Honda
Book................................................00-0084
Nurtured by Love, Revised Edition by Shinichi Suzuki, translated from the Original Japanese Text by Kyoko Selden with Lili Selden
Book..............................................00-39352
ISBN-10: 0-87487-491-2 ISBN-13: 978-0-87487-491-4
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