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English Pages 240 Year 2015
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The category of theatrical character has been swiftly dismissed in the academic reception of no-longer-dramatic texts an
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Literature, film, and television have become obsessed with the intersection of survival and choice. Jane Elliott analyze
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This book marks a significant methodological shift in studies of black British women’s theatre: it looks beyond publishe
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A critical intervention in contemporary theoretical debates on history, politics and aesthetics With the aim of rethink
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A collection of essays that engage Jacques Rancière's theories in a re-examination of the relationship between cont
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Monologue is to be found across the spectrum of modern and postmodern theatre and drama, from Samuel Beckett and Harold
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Reconsiders the path of German philosophy from Kant to Nietzsche, in relation to consciousness, aesthetics and language.
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Contemporary Scenography investigates scenographic concepts, practices and aesthetics in Germany from 1989 to the presen
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Over the past 20 years European theatre underwent fundamental changes in terms of aesthetic focus, institutional structu
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The contemporary study of film is dominated by narrative theory – yet films include scenes and images which do not perfo
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