EGYPTIAN HEALING STATUES IN THREE MUSEUMS IN ITALY

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CATALOGO DEL MUSEO EGIZIO DI TORINO SERlE PRIMA - MONUMENTI E T ESTI VOLUME IX

EGYPTIAN HEALING STATUES IN THREE MUSEUMS IN ITALY (Turin, Florence, Naples)

a cura di

Lasz16 Kakosy

1...-.

~II~ISTERO PER 1BE;..II E LE ATIIVIT ACULTURAL! - $OPR1:-''TENOE:''Z.o\ AL ;-.IUSEO DELLE ANTICHITAEGIZIE TORINO IoM.b In Ih" l i""'~'~ on ELI!"u ~~aon.,1 ~rocod;I(,. Ijun. anLl r"pl!l c~ I /:."r/(..., III ..IJ7·JJl'I l "'C'" ob\",,>u~l l' "I r"I; ~""", ~I"J m:O~I"al d':oracle,. "fik: m ..... ""' ....." "I II", "'~Ih "I'T" "" 1'1'1.1 I ~ I ," . 11.11-"5 anLl pCh""cr [Jeal1Y XI. ,IU I. rll' Ihe Iran,bl;"n anLll h" . • 1 ,,' '""""e' ,~~ J F. n '''~h''lIl' . A,,,·,,.,,, E~\'JII1"" . IJ"~,, ·,,J f.·.H.'·. LelLl"n t'J7~. ~I·~~. I~ ~ . \1.:0.: . r,>J. Jt.:.\ ~.~II'J.I'II ..sed below. /)1 Bt!liefs ill Ihe Iil(lgic:af power "f l·laIllI!J. It is be~ond the scope of this book to d~al with [he concepl~ concem ing: Ihe supern:ltural powers of staUles ;n d':l:lil . w~ have [0 limit our cursory 1I\· ~r ... il!w on some Egyptian phenomcn:l . Undoubledly. such bdids wcre widesp~:ld as e:lrly as in prehistoric Egypt as shown hy the )talut:Hes placed in Ih.: tombs. The reliefs of Ihe Old Kingdom also had magical funClion~ to guaran[':': to Ihe deceased the presence of Ihl! members of his household in the neth.:rworJd. The same function wa.~ laler l:lken over by Ihe funt:rnry modds of th.: groups of servolll statues depicting activities uf d:lily life. They hOld to sust:lin the owner of the 10mb in the re:l lm of fhe dead. The: so-caJ kd re s..: rve heads of the ..t[ h Dyn:lsty IGizal are also wOrlh mentioning. The ears of .~ ome of Ihem arc delib.:rately CUt uff probably in order to make the:m deaf to Ih.: words of the demons or [he: ene:mies of the dec.:ased. The mod.:l workshops:ls well os the individual servant slatues were sup posed to I"!rfonn various dulic:s for the d.: cea)oCd :lnd it W:lS [he ir lask 10 rdense him from m:lking work in the Il.:[he:rworld. The ~habtis - although occasio na lly c:lllcd se:rvaots - .;annOI be regurd.:d as mere sl aves. for the ;.bcar the na llle llf Ihe dec.:a.\ .:d and are occasionally portrayed after his likenc::.:>. As workers they :lre s ubstitutes of Ihe deceased thus fulfilling inste:ld uf him the duty uf work in Ihe h.:re:lfter. Another function was ;mached to thc: slatues of Amenhot.:p, .~on of Hapu in Karn:lk. [n [heir in~criptions he proclaims hims.:lf to be an inh~rmeuinry betwee n the people and Am un who can tr:lns mit their requcst!> [0 God,· A remarkable exampk of the mu ll iplicity o f magical func[ion~ attributed 10 S[illUeS prese11lS itsdf in case of the "dOl)rkee:p¢r' slatue:s. thc owners o f which hoped to se:rvc the ir goJs ;1:> guardians of gates in the image of StalUes. '" They wi ll be discussed laler, To ~ondude thi.~ shan outline about the magic:l! functions of [he sr:ttues. one interesting e:pisode in thc hi~ tory ul diplomilcy should be re:caJled whi~h:lt the same: time represcnt!> the ri rs[ ,lppearance uf iI hC:lli ng slatu.: in Egy pl. In one of his [':I!ers to .l"menholcp III Tusr:lua. ki ng of .\o1ilann i speaks o f the impending v i .~il of thot miraculous S[:ltue of Istar 1Sau~k:l I of :-.Iinive to E~ypl. (lbviously to rc~lore the heOllth of Ihe old Pharauh. [n the leller Ihere is a n allusion on a former visit of this godek,., tn Egypl." Si nce the Shed sie las appear tirst in Amarna. \1n.: is led to conclude that it W:lS the I ~[h ccnlllry. when th.: relig ious atmo~pher'" was mature "'nough 10 givc rise to wonder-wnrking ~tclae :lOd :.talU lh" \1 "rJ n .I~,.I•.".... , ,1'.·I .,\"'''n'".L~ ,

10

THRn:

Gons .. ~GAI."'ST S~;RI·F.~TS

HU/ws

Throughout th.: history of Egyptian religion it was Ihe Horus·child who was Ihe protagonist in th.: warding off of ~n ak.:s and scorpions. HI! ri rst OIppears in this function as early;ls in Ihe Pyramid Te.xts.ln on.: of the carlil!SI snake charms the yuu ng Horus "wi[h his tinger in his mouth" tramples Ihc Illy snu ke undotrfont.'~ Ebewh.:re :lg:lin Horus treads duwn different snakes' ·' or dse it i .~ asserled thilt he did escape th.: ,til! snak e." Horus ilpp¢ars :llso in Middle Kingdom m:lgic as adv':fSilry of Ihe snakes. IS It may have been prim:lrily [he vigorous youthfu l power commonly :llIrihuted 10 c hild· gods which made him apt (0 :lssume this function. W.: can quOtc :IS :l parallel the inf:lnt H.:r:tcles who strangled tht: two s.:rpenls s.:nt by Hera to kill him and his tw in brolher.'~ His mythologica[ role of the triumpham young hero who overcame S.:th. the murderer of his fathcr. may have sHonsly contributed to his role 10 s ubjugate dangerous an imals. At [he same tim.: th.: Horus-child was regarded as :l victim himself of a scorpion-sting (cf. Mwernich Stcla) from which he W:lS healed by That. The lesson oflhi~ mythical p recedence was Ihat th.: suff.:rcr. identified with Horus. will recover in the same w:ty as th.: god. By way of analogy we C:lll rel'er to O.~iris who DcC:lme the patron nnd rule r of the de:ld a f[~r ha \'in~ himself ~uifer~d tle ath. It is well in accordance with the rol e of sav iour tha t Horus ::Ippe:lrs al~o as phys ician. In a ~p¢ll :tgaima scorpions h.: ca lls himself "I am Horus. The phy s;ciao".' l and this nOtion is attested in other te.'(ls too.'" In Diadorus's version Horus was inslruc[ed bv his mother in buth medicine and divinat i on.'~ Horus mostl:-- appe:l~s on the cippi in fron[ul po:-ition which has to enh:lnce the emanation of his magical po ....·er. His nakedness .~eems to have pl:lyed :In addit ional part in the apocrop:lic effect of Ihe Sld:t.:. The C:lrlv Christian boo k kilO" n as Pfll·.fillfm:r/S relal':s th:ll th~ ~erpent is afraid o f a nak.:d m:ln :lod IUrns ·back. \\'hen he sel!s him.)' T his lIlutif is of rele\'ance since [he P/rYl';ofo:::IIS displays remarkable Egyptian intlu':l1ce!' dsewhen: too.

~s Ih~ nnly 1~~"lIle iurcrprCl"I ;un. Th~re i~ nu hin. "hal~'(r Ihallh.:: ,'~IU~ "';IS ,cnt!O la!.:c r;JrI ~1 the '~'cdtJin~ ';~r(" ...n i,,~ ur' 11k: Ph~r.o"h wnll T",/,,,,,'IH•. cr. ~ I.'" R. Slatldmann. S\:u.·" ·I",I,,"i"...... iJ. :.~ G..uh.." .." i" .".:.,'/UC LI f.!,!;/ju ,JI T.llIn". Til",," PHU ~~ ILI~); pit3IUc>...:um lX ~n,J X. ,\ .H. G:lN in~r. R"m".' ltUIII P"II.rri. O",wj 1955. 11. • Ocl KI"",~ P:lul! II. 105n. AI'"n"•.irU, . .L('·"I. II. ~)\ . · 1.('hcM~r 1l"~Il! \ II. nu. ~.t.

n,..

· W. Spicgdt>crS. lAS ~7. ~O t'f: A.H. G~IIlin~I.lfi.·r"t" · I'"I'\·" ill ,I... Hr", .11 .If""·,,,,.. Th,N 'eric •. (,hc,r~r IkaLly Oit't T..:~l. L,,,,,j'''1 1'1 .15.56: R.K. KIl,,,: r. flu' .I/~d",,,,,· . ,,(:I"n"m £~."IItU'" .L1"~h·"ll'r'''·,;,· ... Chi~ag" I'I'J~. ~o on ,he 1"11,,"·"'~ .11..lf.'JIP1. ' I.

~5 .

{·h..". I I. 1',. S"",Il.. n~ . 1'1", "I"~",, . K,,,,,a 1'1.11>: () 5..:cl. Orr /'/"-"""'~I'" zuroch. Sruu~a-'1'1 Ln" ell:,I" II: ')(,.l i. h~lIt. Th~ rchel .'n Ih~ "..:Ic '" lhe '1c1~ in COl .... l~ Jep'~t~llln a Ilr~win~ In l . LClh"'"cll ' , Jrllck ,HIt: -"XV. l'.Iol .1. 1')7. lig. (" . He 'pn{"' m~! i,'n ~l. ("il", . J h~'·e r~ ~c" "J ph"[.,, h' {hc '·"u(le" "f :he "';::o:otlol.·h.: \lu,ce n . . \'h>!hcr !'''gm,'n!: 0. O~fI:'.'~ .. IS.I£": ~ I I'!~;l. eM·1M>. . . •• (""I. Trau "".: ~ef. J.IH("/o" :';X {1'I1!.1!. -.'i .

HF.ALlNG ST,\TUES l!'l I.ATE-EGYPTIMI RELlGION

An y ullempt to trace the his tory of this group of Egyptian sculpture has to face considerable difficulties. The first statue of this kind represen ts R:lmesses III seated o n:l throne together with a badly damuged femule figure, prob:lbly a queen."' The st ","',,"'( IEPRO 71>1. LCIJ~n 1'1;'( pa>'''"' . "",,~IS IIlUlo..Icr.:tJ. ,- E . ~. CG ~J IIJ "IJ:.~ : W D. \"In l\'ijngaard.:n·II.H. Sn,der. nllRO .xXII! [ears the archaic ti tle "the seal-beare r of the King uf Lower-Egypt" {s{i:w ('!l hjty). I·~ Although ill;:lnnOI bl;' eSI:lblishcu whlll dUlks or privileges this fUnl;tion h:ld entaileu in the ..llh century B.C.. one can a.~sum.: th:Lt he W:lS one of the uignitarit!s Hnked to Ihe personnel of the t.:mple in Bubastis. A magIcal ltt:Hue in Flon:nl;e (1788) was a ponrait of a priest of Khemy. kh.:ty. This representS one _!h7_

, " ,.."'u. I:.O'\ . \\". BuoJre. Til1:, rf: a..-Il .• -' . ... ,.. 1-'1. ; ' Clemen., ,>..le'anoJrrnu,. Pm'''''I''IJ,:",~. IV ·n ITh~ t.~t'> cra>sj... ~1 Lll>rar~. E., h"f('U,,'n In 11\( Grccbl. .., hckplu>. ~-' Tr-~n>b""n!>~ B.P. ('"pcnh~'·~n ,n; H..rm,""·". Cam!>rrJ;!" 1'J'l2. St.

.11)

.' I

HORU~

CIPrr

,~"'I) .\rAGIC,~1.

STATn:s ,\/JROAD

The widc-ro.

1=

i!1 00

''\I' 1=

1,A::2::>. ~Itj ~ Q '! 1

II. The Horus cippus. Front part FLOluo.-.:CE S708 {Pl.. VII)

~

1 I1 ~O ~

CO;\I;\IE";TAK\" ON THE TRANSLAT ION

'~

In the tWO parallel te:us tlanking the youthfu l Horus the two gods represented on both sides. that is Horu,; (111 the papyrus and Nofo.:rtum. an: invoked for protection . This inscripnon is to :l certain deg.ree rel1l1niscent of Text A of the Horus cippi (d. e.g. JR 56 lin 1151'0· L.::fl side TR. \NS.L~TI()/'I

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I

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~ ,ill" op 'h ~

= -="

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9 0,\ t ~

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llr;I!! r r.~

= "t":

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=&

=,

1iM

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011

= 01 a

COllie In liS Oil lite clIl'th ill compiillllcl! witit Ihe IlIterwtce of HO/"llsllhe jllslifil'd 1m;'

"This is hu,. the hUlld. 111/ WII rl'cil illg lover it), IIIIII H()fIIJ tile jlt.f/ifil'd, Ihl! c/wrllle/' 0/ Seltl"l." I fllll/1" [mill Shedellll. I nlme fortI! 1:!1 Of /lCI\I'1I /H lire \'(lice of Ihe Lord aj A.lllrimsei/ ml tlW l t/(t,\' 131 0/1111'11111.f(. Ihe fl,,·e lagainst) Ihl' jieltflsr" ill colJIl'liclltCl! I\';th IIII! utll'f(lIf('e ojAlum" Spell o/I'wlectioll ojtlte S(lII. v I U'(/J ~r,.,.ted ('!lY 141 iVl'lt-ollle. ill tllis his' millIe "TIle ,h'ellger of Iris Fmller" . f ,~(l\'el.! mY1I/l1(f'rt 15/lIlId my arms bC!/liml Re. I My) hlllld is 011 him \l'ith /~rr prospe/,i ty ai/(l/tl'lI/tlr, f 1Illl'e (/"l!lll;'dr~ls llis liltlh~', I h(/\'I' delighted 161 Iris /JOlly, {/IIIVI.' Ilmnf" (IIi aI/ bi.'· "11.1"1', fluII 'e dril'ell cllmy al/lti.\· IlIIrllls. 171 His i"juries ego) to fhl' 1'(lflh! I IU/I'(' eS{ll'lIe(/ his

{tann.\" IC;Juseul by AfJof!Iti.l" .. "Ithe rest h. losn,

m,

~

~&Wfl,

!f/,f, J///I,

'0/1..,"

if//f,

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bl Very unclear sign, cI A t is missing. df Apophis is written trilllstixcd with tIVO knives. el The second n is supernuous. rJ An r and OJ ~troke under it was intended. gl Lin,e 18, some indistinct traces,

bn,".

~

-

?'IlKh.

31 Line I, The inscriplion !>larts on the midrift of the statue and continues up to the shoulder, The !'igns are indistinct. ;lnu many of them are harel to identify,

jiJll(l'rJ'.

}

(~J WI), =...

't'~

COMMEt.'T,\I!:Y ON THE TEXT

II,. The S(lI'iour swwe (Jet!)'\ o/Osiris 'he scribe. Ille priest, 11 the I'der Pswllmelik.()enebl, Tllis here '!of is flJe halfd oj~ Awm "'hieh [dd,'es ;Jway the siormf ill Ihe sky tmd 'he "prOllr ilZ ~I Helio/wlis, (I I';c/(/rioll$ "·,,rriur (det'endingID irs (ord. Tile Power}irf Orr~c who pro(~l'IS Rr I'll (his do,\' 51 0/ ",e grrat /Jatlle to tlte Iwrt/I-west of Ihe lemple of the Uraeus-/uJ'cws. r 61 1..111.'11 Re IraJIJjo/'med himsel/ iltto (/11 ic!mel/IIIOII oj.J6 fuMts (m~) 10 IlIro,\' down Ap()(lflis ill Iris ra~e. Mu.}· H f" peri,flr", III,/\' his juCt: It/Ii dOIl'I/! .'vItIY Iris face he S/1(I1 UpOII! He C/lllle Wid expel/ed ul/ htld harlllS. illf had impurities (lnd poisull of aI/ male serpel/ts 'JIamlllll Il!llIait' SCfprlllS ull I'eptiles wul u/l scorpions 11/(11 lire ill C/II.\' limb of an:, mWI ulld lilly wtimlll ('wt) who ure umkr 111.\' 10/

H = 1" ;

V. Text o n t he right ar m a nd ::.dj ace nt to it TURIN SUPPl. 9 (PL. :%"~"~~'~ ~

fOA~nn5~~\~~~~~~O I ~~":--'-~~""~-'--

-

.

'Ii

]~~

:I

well

a/ T~e 'II~-s; gn has been defectively en~raved_ bj ~ncenliin [races, cl ;m/!.· is h3rdly recognizable. dl The sign is undou[edly sri 'although the artisan fuikd 10 give i[ a distinct shope. It is probobly IUJ[ G;lrdiner V ; leoil of rop!: combined with the boltl. but the lote. jackal-headed form of

the sign. el A longish thin sig n. simi lar to a snake, olher than rj. fl k or a knife il/m.ll. gl Uncertain. Perhaps ;J deformed SIP s i~n, TRA~SlAT!ON

II TII~ d.ief IIi fll,. t"i/~·{?)··. fire d:i!!r PSl/JIIII/,.,ik-sell,.lJ .. ' 11 Re. Fire ('Oilles /01'11. u~ail/.H the hole." [Fromt whal will III£' gods Iii'''?'' 31 YOllr houS/! is pmlectl!ti, Till! mo/is nfgold. .1'0111' cOI'em is offilll! lurquoise. J./ (0) ",.110111 of Re' (IIul of fire 111(111 in ,,·lrose Imdy yllll lI"e('!).~ 51 Go 10 Ille ('art"! ,--I.lIoth,.,. .~/Jt'II. Tlris IIl1il6( 1.1/ Awmlrerl!. tire Ur(l ellS wlrich is Oil RI!. ({lfWI! Ii/ltc/III' 7/ .urips lof cloth) Ihelll."; f lun'e dl"ll.' Ihcre I' ,111 111 bcl{>re F•.,'I. dR :!S . Turin Cal. .~030 left arm l. :! ::!1. Thc "1'CI\\IIll of Rc" b an ,;,liJik

..

-.~

57

MI:, 12.

Reg-'Mer III (Florence

Regis ter III. (Florence 8708) lIThe I1rst god in the group;s a ram-headed figu re with a crown Icombina[ion or" the red-crown ;lnd the ht"mhl.'m-crown). In one hOlnd he holds a n"w'("!i sl'ep[re in the other (In indi~tinci object (a Slick. mace or l1;[il:). The god·~ name is Ijry_,t {··Herishet" . Y Standing god gr.lsping two snakes crossi ng each uther in X-form. He wears his n:une on his he;[d on a smndard. The god is named 1:11.:: IIh (Ik: ... --Hdrt. the Lord of magic". 31 ;>.1ummiform god with a scarJb upun his head. ! was unable \0 h.lentify the first sign of his name with certainty. KW!j -It _,WISU' lor \1"1") (IPI" (fsf "Thc Ka("~) uf the Eldt:~1 (or: of the Greal} who came in[o being of himsdr'. J,( Godde.~s wearing the red-(.:fown. Her n:lmt.: is N.I wr.l IIlw./II[r n/)(.I) S;.,.t"?) "Neith. the Great. [he mother of god. rhe mistress of Sais("!f'. The n:lme uf the city is wriHen defeclivd~ (ef. Gauthier DC y, 2). Two vertical lin~s between her arms and bod~ m:ly indic:lte th:lt she is represented as suck ling twO crocodiles (cf. RARG 5 \4: Ramadan d-Sayed. Ul clt!tsu Neill! tie Su!'s, BdE 86/1-2, Le Caire 19li"2, pI. X doc. 644 m:lgical statue in Naples inv. Nr. \065. The rel:ltions of Neilh and Sobek, 101 -1 06. Cf. Metternich Sida reverse, r~g. XIII). 51 F:llcon with double-crown standing on the lib-sign. His Mme is I:Irw ;! obviou~Jy did not comprehend his source wel[ and tried to ~;ve a new ~

~ = ~

I"

I~

The

wri tin~ of ""

is f:lulty, In place of the rwo rushel> (Gardiner M :!2) one meets two

~lf

signs or:l ilr and :l. Siroke. bl ,\ven!;er W:lS omined: on its pl:l.ce the surface remained blank.

"--

,

:II~

;J]

d Only 'If and I were wrinen, JI Probably the sign of the ~3il (Gardiner P 5) as determinative: or !rm,",. eI In spite of th¢ de{cnn in:ltive afler 1m. the composer had probably a compound divine n:lme in his mind here, 11 is really a uillography of I. 2..\.·25. but 1m "entire" would be senseless at

'0",

the head of the sentence,

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=

TV.:':SL"lTlON • .'1.

II m",,{s .",mkell by fflt ",{ltchflll I)n~ 10 "'''I'd olT::!:.1 t1is(I,~/er", Hor, Ille justified..V Tlds frer/.' is Ifte IWII([ of Atulll whirll llfil't'S aII'll)' 5/1he Jwrm' ill Ihe sk:1I fllld Ihl! liprclilf 6/ ill HeliopfJlis. A

o =,;,...,... .;::,. l

\'i('l(/rioll.~ lI'urri fi/' defeuding 71 ils" Lord. The Power/Ill Olle'

0

IJ";b~ P ~ ~I:i:

...

,

--'"

!rlro pI'Qle("ls Re un I/JIII day ufl/re 'M

,f(relilluJflil! 10 Ihl! Hurl/Hrest of tile remple of the Un/eus 9/·/usfllu . n'hl'll Re rfal/sjurm!!d himself illlu 10/1/11 idllleummllif -16 cubilS (m!r) to Ihrow :\(lrJplris ill his mge, 111 ,Wa,'· lie perish. 111(1)' his/un! / 1l/11/01I'1I! .I4tty his/lla be IIpUU! Slll!r (·om e 1/111/ expelled 121 (II/ bud Iwrms. rfle I!JJ11t\~' 1I1l111lre n'/lOln II/ aI/male sefPf'/HS (IIld /el/wle SefPl!lIlS 131 all repliles /fI1I[ till ,H'urpions f Idru ell?;11 (m), Ijm" oj lilly lIIallllllll llll)'(l/Iilll(l/ ('\I'll 141 who dre lIuder myjiuger. , Come /I) lire H f!orllr lin ';\lmpliance wilh) IIrf' I/ltel'lll1ce of Horus ,(rl! jlwjfied. 151 Tllis is here my U"-" fI

999

L

t l~lIIdor

the

SI~lIllC

=

l' '*"' "

I

1J := ,E...

"'"

"

W o. "

'"

fj

It mus t be the :11"1\' (la[er :1111) fi~h. but thc firs t sign has :l pecul iar form, ;1 looks like slim, The form of thl! ~i gn is inJiSlinct. Perhaps an III combined wilh' and M!I, g-hl Read bill, In the [l. knernich Sleia bmk IIj jllk Illr (IA6, SH 31). In the leXI of Djtl/,Hor ~Imrk

11

IIj juk pl.lM;rj, JR .l'> I. 110·111 , il

;\1m presenl in Ihe main version. On Ihe grounJ Orilll! determimllive it mil~ be ~n abbreviation

for ~r "J:>e silem !" (f Ihe ind istinct signs are re all y 0". the re was a confusion Ndj.t -D/I, kJ Onl~ a few \igns can be conjL'ctured on the top ot' Ihe cippus, 11 T here is :tn in \'ersin n in [he u~u;11 seq uence o f goJs l N The reference to the water in these texts mainly directed ag:l.lnst ~n:l.ke s Jnd scorpions ~tresses the: uanger pll,ed by the ~roctldilcs. 8 1 It is unl ikdy that we must n:au nus :IS :In indirect genitive ..V,Il· ....:ems to 0\:. :.r~ ,huwn by the ueterrninative and the context. [he natTle oJf a da ngerous animal. It 1lI11y originate in [he

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\ : ',j '" .:

TUIII.'/" C.\T. 3031 Ri!;ht siue lines: 1-4 on the fOp of the cippus: 5·12 on the Pl=ucstal: 13·1 4 on the back siue of the cippus: 15·18 bchinu Ihe cippus.

·1: ·I··,i. , !" \!! I I : ,':'"

'[

stem/.f preeetkd by an n preformOlti\"e. Cf. [he verb I.n ·'grind. crush. !'>pl iC ( Wh . V.3291. The mosl likdy solulion seems 10 be Ihal ntli is an augmcnled form. Ihough without redu. plic.uion. of I.~fj the winged fabulous animal of Ihe Middle Kingdom Cd. \Vb. v. 33. 12). CI This mus t b.: the meaning of 'Ill here.

II. Right s iue ur the statue {PL. XXIX . .,(xx)

The columns 1·-1 ~tart on [he top orlhe Horus cippus. Columns 5·12 are on the pedc:stal 01 Ihe ci ppus·. .The rest is engraved on the back side of Ihe cippus anu on Ihe g:umenl of the ligure of Ihe man. Although mos t si!;ns were carefully engraved. one is faced with some uil"ficu llies. panicu. I,uly ill the lines un the top of the cippus. This siue of the statue is covered with Standard Texr B. For its translation cf. Ihe chaptcr about Ihis suoject. The versions a~ discussed in Commentary on the Text. CO.I.tME:-.TAII;Y O.~THE TEXT

:J! Only uncertain traces can be ~e en on the top of Ihe cippus. bl [n the standaru versionjll' Wsjr. cI [n the standard version without II. ul [n Ihe .'itandll rd version nt( br mlV. here nil iJry dill. I. d There is no I/Ijll in lhe standard [elt[. fI There is no III! in the standard version. '!! The legs belonged 10 Ihe III in mtt. hI Turin Cal. 30-'[ reads: '"Cdo nOl) I":tise ~'o ur face againsl lhe one who is the sufferer". The IWO /I befo~ ~11)·'/III.1 show that the car\,ererroneously mingled IWO \'ersions. The Mellernich Stda read~ : "Do not raise your faces against those who are on the waler" lor: "against the one who is on Ihe water"). ii This is an impunanl \'uriance with regaru 10 tile mYlhological content of the lext. While in the standard n.'r.~ion it is Re who t:mbarks on his bO;Jt. Ihe pre~t:n t leu says Ih;n "Osiris emba rks on hiS bo~lt in o rder 10 ~ee the Ennead of Kheraha"

jl

~Ir.

kl /lfd. l! jill 1111 One wuuld expectjl:l Hr\\,. but the plncl! of the falcon is occupied by a sign like a ring. One may wonder whelher jr.1 R'w was meant. nl II is missing. 01 One /I is missing.

pI

/lrsll.

rl As usually. Ihe present SlatUI! inserts bry dlll.l. sI "IJrj II/I ... ~J/· IIII>' "until comes forth who is ... on the waler" is an extension of the standard version. II 11 is il11po .~sihle to say precisely. how many ~ig n s ure missing. ul Cf. nole r. '" \'1 1/1 1111"1 ' It j ill ': i~ btok!;:n awa y. wI IIh /:Ir..... U'r:: ilo missing. ~I Here 111.:111.:. in Ihe ~Iandard vl!Tsion IIkll. ';II Thcre is nll.-l; in the slantlanl ~·t:rsi\ln. Ii Here O(nl'lj. in Ihc .\ ·It:tlernich Sida IIC" whidt may. however. be a rlli~lakt: tor j. a l;Jle form of tho: name or TIH)til . a;il !n Ihe .';kuernieh Stela brl!' .\'gb .: elC.

Y5

" .• .,1

Ill. Left side of the statue (PL. XXXI .

.'(X~II)

q)

a

Tt:RIN

C-\T. 303!

Lcft side lines: 1-1- started on the top of the cippus: 5· J I on the pedes!al: 12·(3 on the back side of the cippus: 14-16 beh ind the cippus.

Cotumn~ 1--1 :JgJ in ~ Iart on the top of the cippus. 5·11 wefe wrillt:n on the pedestal. The rest W.:IS carved o n the back of the cippus 'IIlU the garmem of Ihe man. Th..: in~cripliun inclulks SwnuanJ reX! A (col. 1-13) and (WO other spells (col. 13-16). BOlh of them ui~pJa y :J rather unusual ch;J(:Jc ter. The second 11:1$ p:Jrcating"' etc. nl dll'i is n~is:'lng . 01 '"{Gl)d1 i:. iEI"llkcd like your counterpart tm;r.tk! '. Cf. JR 57. pI "You are invoked by yourself Ijmkl on thi~ Jay'. J R. 62 n. J suggests that jmk is an early

' .

*

i r1.~ t;lnet! llf ~I MOK. rI There i~ a tall narrow sign and tr;lces of ~

'"

~

"""" 113

112

fll · \1.1." ;

FLORE.'ICE

[II. Left side of the .statue

r 788

Text 8 - Left side

CD

®g

41-

7#~

17.&

Like (he inscription on the right side of the stame. [his onr agai n stans ill Ihl! middk of the top of the Horus cippus. The main part is on the doak of Ihe man.

%1

.,

Zl"n

ne.

= ,,,

~

0

' :?J 1. 'x ~

CD

=

"--

~

The line is interrupted by the hand of the statue after QWI!. In this word [he second sign is uncert' . the trans lation could be "Lord of Fire against whom (or: because of whom['?]) one comes fo rth .... which would make the conlext ralhe r obso.: ure . KJ ct'. nOle I. U Prohably Old Perfective prrj. Cf. noto: 1. !u can bo: here both the fire as a weapon of the god or Ihe poison comi ng out from the palient. .\ddo/-s~

wilh vul!\lre heaJ

/."

=

Re gis ter X. II Fragment Of a god with s un disk. Inso.:ription: ... lib p.t ..... Lord of heaven" . 21 Isis g i~'i ng suck 10 a o.:rocod ilc: . :.1".1 11"r;1 IIIW.I IIlr 11(1:1 ·· Is is. the Grcat. the: mother uf God, the Divine" 31 Siand in g Is is. in ha hand U fako n which is probubly also pun of the ins;;ription. JS.I /;In" mr lor mr[f] /;Ir.... l " Isis be:lovc:r.lC?l uf Horus .. ". The /III" sign ma~ refe r also to Ihe fakon . If \0. Ihe lHlme of Horus n::ads H(l(mert~ (cf. Metternil'h Stela reg. III. XXIV). This rc:gisto:r as \~ elJ as the lowc:r part of Regi-"ter IX came 10 li ght in 19:-12. when a mudern g~p,um layu was relllo~'ed fro m this pilrt of the statue. On pholOs maue before thai (lilte nothing can De sec:n of RegiMer X.

Register II . Recu mben t lion a nu il falcon placed on a chest. The ornament of Ihe chesl consists of (/Ilkh ilnu 11"3)' .~i!! l\ s placed on Ihe hieroglyph of lib. Unuer Ihc frie ze tWO a mll hetic crocodiles. probabl~ impri soned in the chest.

his e,~c:

V a · ~~

~7

Register III. Lion-headed goddess ho lding a huge serpelll. She h:b the hieroglyphic sig n of Ihe !lame on her he:tu. The goddess may be Sakhmet or Tc fnut. inscriplil)n: II h(.!) lI.I"r.1 .fb r ~(lft·() " bl.t) jln.r 1'. 1 jllll.f) fl jml.l) 11111" '"The ~ i .'>lre ss of name who uefealS all Ihe reptiles which are in the s ky. in Ihe earth and in th.: water".

. ' '/

~~ . 't.,

J:l

=1 '::::

L

L:.

~

~

:q~

;,",

" I-C.

\.

• . ,. . ','

d

~ c::::?

~

~

Register V. II Mummiform li(\n-headed ithyphaHic god wi th a snake on his head. His raised arm I in the gesture of Min) holds a knife. Sidc II I of the present ~tatue l .

of

I,,.

~ .~

'''\.

.:-.)/.

Re!! istl:r X. Jackal·headed gClud~s!> with the body a ..:rl)eooilc. She hnll,b a km fe.

I)f

a prcgnalll woman.

Jjtln · .~ leg~

and tail of

Fak"n·""'",-",LI ~ooJ ~lanLlin¥ on ~ bull

RcJtistcr XI. Linm ·.'I·hcaucU JClty IWlding a _cq)o.:nL On the hcau there

!:'iO

i~

a ",:nrpwn .

. ,- 6.'. l"I... ~

151

( \f·· J 11(.[ J.

R~g i ster

V. II Panlhl!is til; god with ram-head and the tail of:l bird. T he kft arm is raised in the of Min. The right ha nd ho lds a bow and three :lrrows. On the hl!ud:l feather crown. The god stands on an eJlipt;!;:!1 o.:urtout:ht!. It is nOI indicall!d whether it wus (mended to rep resent :In ouruboros. Inscription: lmy 51111'.1 ··Jmy·Shl!nu,'". This udty is prob:lbly a form of Horus imy$ho.:nut. A mm-heatkd ilhyph:lllic Horu .~ imy-Shenul :lp~ars in Hibis .TtO:-l

AI lJr written :IS gr: cf. I. 10.

Ol~.~er~~~t~~·t

61 lJSfy regain its power.. h Pyr Texts (Pyr. 521) fer. also M.Th. Derchain CI The POtS n b ' ouested as early as In t e . DI IIlltn. The ver tS .P)

40

Urtel. CM.6. 1973. - - . . f C mrnentary on the text e). Ef I.e. Ihe poIson. d'ne remains uncertain (c.' 0 1 've meaning "renew yourF/ p""m,bly b',,/. b""th~ '~~,: ,;,,,, (W " " ""d hm '"' "t '" ,

GI wl,m

~M,

f" It" """kor ' . .. during his illness":. HI self!" The condItion of t.he Ph'tICient h althy condition (c t. when Wb.. d here wtth IS e contraste . f the b::tck pill::tr.

[I

'"'''bI''o ",)k by hlm"If",

~e5;~l). Cr. a simi lar text on Tunn .

'030 "ght SIde 0 . " Cat. . J . d ith this senlencc. hand nOI "rectte . Horus takes up the wor . V:live th is must be the sense ere. III nb

i~

ble~s.

JI T As shown by the determln d presumably missing before An :llternative to the K/ he le,t t is corrupt. One wor d' "g man after 11111 creates ) th. [m"ic spells] of b f I The 5t:ln [" . n t (UII( wr . U The sense is dou t. u . Id be ··Behold. you huge gLa dd - ss Ihe poison or the snake:lS prcsenl interp.relal1on"w(~~Ould be. however. unusual to a re HOrUS :Ire :lgarnst you .

pr~

nlu wr.

MI WriHen as r grt.

Fig. 32

,1>1

165

L INDEXES

1. DONORS OF THE STATUES TURIN SUPPL. 9 + FLORENCE 8708

Righi side of tho;: cippus. (Ii no;: J I: the prim:/!. ,he c/li!:! the dil·j,u jarl!er. the j"'l.~e, rhl! I'i:iu Psalllmefi/.: ·st!lIeb. Lel'[ siu~~~ the cippus Cline 1): lire prince, th e dlief the tlil'ille.jatllu. till! O\'r:r.fur (Jf the six

great pa/nees who IIl(1kes t'onrel/llhe helfl'l(sj illlhe T,,'o !muh in their entin.:ty. the d:.ier PSCllnme/ik· selleh. TeX! on the right arm (lines [-2); th e scribe. the priest. (ire ~'i:il!f Pswnmfnik·.f(!neb. Text on [he left arm (line I): 'he chit:! of flu dry (?), the viZier Psammetik-selleb. Right side of the SI31ue (illuslr.uions. reg. 0: the chief of Ihe city. tile vi:it:r Psammelik-seneb. Lefl side of the Statue (i llustr:Jtions. reg. I); the ellie! of the cit,\'•.rhe \'i~ier "s.a~nm erik·selleb. On ~~e.othcr titles :md monumenlS oflhe vizier cf. Ramad:lm el-Soyed. B/FAD S:!.( (982). 1~~.2~.

.. >~; ~'

TURIN C:lt. 3030

Text on [he let"! :lrm fline 2): Ihe scribe 01 the army, Hor. Throughout [he inscriptions of [he sla!Ue the leu seems 10 pl :ly with the na me of the donor and [hat o f Horus.

FLORE NCE 1738

Text on the back s uppOrt /li ne II: Ihe prophet Tj1wel1emllerimu the justified, witlr the S(lme tilles.

0/

Kheu/y-Kh"ty, Merllor;u:/' son

0/

BASE T URIN Suppl. 18356

Front face Hine 1): Djedklw/I.mill/clllkh. Ihe justified. SO/I 0/ Nespemeh. Back side {line 131: Ille did/It fal litffl ?!. lire fOllrth prophet of ,-11111111 DjedkflCJ/lSlliu/cmth. (he j Jlslijied. Righi side (l ine 6-7): rile jiJUl"/1r p rof,hel of ..\1111111 Djedklu)/I.willlallkh {SOli 0/ Nes/perellneb. Left side: .lim: 7-8 \: lite 100mh prophet a/A/Jum-Re. Ihe Kill., of tile Gods. the JlIsrified. SOli of Ne.lpere/Illeb.

On the other lilies of Djedkhonsuiufnnkh d. K. lansen-Winkeln. Ag.rPlische Biograpllien der 2"2. IlIId 23. D.I'/Io.f/i e I. Wiesbaden 1985. 10- 1J.

169

2. GODS IN THE ILLUSTRATIONS Th~ f()lIowing li~t indudes only gods identified by name. The numerous idiosyncrasies :Ind unusual fe:lIures of the iconogr3phy of these statues make any attempt futile to determine many of . ih ~ rJi\"ine t1,gllres without dj~[illl;li ... e marks. Otherwise. we would run the riik of l1li~rep re senting ~ by spe~ul''\li\' e Ic.kntiticalions the popularity or certain l;ods. Sometimes it is hard to draw the line betw:eeffl!l'e names :nltl epithets. and there are rarely attested divine beings bearing names which . have Iii/form of epithets. In the first and second columns the ntlmes :IOU e pithets ;lfe given in tf::anslileration. In rhe LOCATION th.; tirs! number rcfer~ to lhe SI'Hue (cf. ubbreviatio ns ): the next heading inc1ic:l1es Ihe part of the statue bearing the illustration (back pillar. right side of the body. efC.). The marking of the e:tac{ place consists of the numho!r or {he regisler and that of the figure w ithin (he regi·ster. E.g. V bp XLI::: SlalUe in Naples 1065. back pilillr. eleventh register. lirst figure. Under the colum n ICONOGI\AP'HY the reader will tind a short char:J.cterization of the figures wilhoUl details. A more elaborated description is to be found in the relevam chapter about the statue in question.

ABBREVIATIONS

bp

back pillar

Is

Jeft side tof the statue); bp Is::: back pillar. left side cighl side IOf the s tatue); bp rs= back pillar. righl side

The rirs t Roman numerals are indicating the !>t.ltue

Turin Supp!. 9 + Florence 870S II

Turin Cat. 3030

[II

Turin Cae. 3031

[V

Florence

V

~aples

Ins (without

illustrations)

1065

Ii J

•

(.oo!'>!' ·IIIL II.U"'TI.: \1 U I"':..,

ICONOG RAPHY

II jmn

I front side

god in adoration

"

II front side

god in adora tion

If

II bp X.I

box with falcon :lnd j:lckal hC:ld. In the box animals

ICONOGRAPHY

SAME

III b:lsis of the cippus, I

goddess in the geslUre of aclorotion

"

"'f.t /IIW,IU{f

I bp IV.2

standing goddess

JI

U"r.t Ink: ' /I{r nb(.ll p.l

II bp X III . I

goddess giving fo a crococlile'!

II [s VLI

seated goddess

(lI! f) ubl .1) p. 1

III rs X+iV.5

goddess on crocodile

/:It:w

11115 X+III.1

goddess with snakes

EPITHETS

1/ I.f.t

"'

EPITHETS

~ u ck

"

Rrw nsw n{nY

lIs 11.1

Amun trampli ng un a serpent

;1

R'w

V rs II LI

body of .. crocodile. winged

Sbm .t{,!)

Ills VII!. I

Amun-Min with four wings

R'wlamw.l!

!II Is X+V[1.4

standing Amun-Min

I froni side

de ity in ador:l.Iion

II front side

deity in adoration

I bp 11 .2

crocodile crocodile wilh f:llconhead

;1

1I·r., mW.l

01

u'r.l 11/11'.1 lI(f IIb(.')

71

U'r./mw.llI{fn(r.r

V bp X.2

Isis g iving s uck to a crocotlile

61

"

Irr., /:Itlll'

Ills V1.2

goddess on serpent and crocodile

71

91

11"1:1 (It/\\'

V bp rs 1.3

goddess suckling. 0, her head a ~corp i on

jml1.t

101

mr./

V bp X.3

gOlJdess wi th falcon on her hand

II jmn

III

I/b(.l) 1!lbj.l

II bp i.l

isi~ in the mar~hland of the Della

"

II Is VII I.2

1"21

SI",,{.n

II bp XI!.I

goddess with scorpion·s body

3/

[IJ

131

S,.q.t

V bp IX.I

o n her head scorpion

"'

V bp X.2

/j '11'\ '~l

I rs 1.2

standing goddess

jmy \\'

II rs VJ.5·6

crocodile

]m.\'\r-nsl"!l

Ills VI II . I

lion- hl.!aded goddess

V bp r:-> lX."2

,..:utecl god, on hi s head a scurpion

jl/II ;1111'1

V rs V.I

ram-he aded bin.I

jll/I' II

111 Is :'\,

I rs I.!

R'III

COW

god with uouble crown

, 173

IT:!

~

god. mrn-

head

\, p ll, I\, fP I !I I.l ,, "

"HI ',1 ,

~AME

EP ITH ETS

"

Ilfr '! lib

'r pbry

plpt

LOCATIO N

".f

IIIsVI.3

NAME

EPITHETS

LOCATION

decan-.~erpent

61

nb.ll:wy

I bp IX.I

with

ICO NOG RAPHY goddess !rumpling on crocodile

;J

sun d isk pamheistic god

II WJjr

PI!I -Skr-Wljr

! rs IV.J

dwarf

PI~

V bp Is IV.:!

dwarf

V bp V.:!

ithyphall ic god

" Wd

V bp rs VIII. I

seated god wi lh knife

'mwllj.r

II Is VI!.:!

falcon-headed grypho n

B!wfdw(?)

V bp V[1.2

ra m with four heads

I Is [I.:!

r.l.m-headed god

III Is X+I1.5

god with three snake-

118.' if Od.r

' .H (rnv

"

III Is X+VI.3

"m

V rs vr.:!

lion-heudcd serpent

V r.;lck of th~

bl,r. WI

II" pbly

'Iy

h~ads

l op VI.J

' J: bprw

" Wltj.r d. Ifr.t wf(i

III rs X+VA

",r.r lib. 1 p .f

goddess tr::lmpling on :J crocodile

81st.r

-Skr- lVsjr

Sbtn.f-8~.u.t-Tfi r l\".r

:1.1

R'w

serpent

V bp rs VI!.:!

Bmv

seated bird-headed

,od V bp VII.3

wingl!d S¢TpI!nt

II Plb

V rs 1.1

?Iah in a chapl!l

VbplsL!

hum:m-headed bl in iront of il Wadje!

21

VI'S II.I

Plah in a chapel

W:(irN·t

III Is X+VI.2

!alcon-headed god

II IVr ' ; pbr."

[Is V I.:!

dwarf

"

[II b X+VIII.I

dwarf

VbprsVL!

ithyphal1ic crocodile· headed god

I rs VI.I

hippopo tamus

"

lim::

.il

Wlg.r

]1

bp,.gJ!

[bp 111.1-2

scar.l.b with human head

.1

bp" "4

III rs X+V11.2

scarolb with human head

51

[lpr "51

V bp VI.:!

sC:Jrab with human

61

Ptb-Skr- WJjr

Irs IV.3

dwa rf

godd~ss

1i

Ptb-Skr-W5jr

V bp Is IV.:!

dwarf

"

III rs X+IV.2

hippopo tamus goddess

81

Till/I (nT)

I rs VA

scarab with human(?) head

.~I

III Is X+VIIl.5

l:'oddl!ss. in front of h~r a raised cobr:J

91

nl1l1l1'l'

HI rs X+/V.I

goddess on snake and ,curpiun

II ,HI'.I

III rs X+VJl.I

.Vlaal in adu ration

"

V hp VI.!

:\1:.1:11 in aumatinn

V bp VII . I

~eated

IVr

n .1)

II Wr.t

\.....

, .... ,

ICONOGRAPHY

~houlders

-

'd ~ ,

~Ik:w

r.~

.1

:.U IV,:! bk:,,'

V bp

51

1Ii1(.{) R-II/J:l

Vb 1.1

1.3

h~ad

~carab

with hum:JO

head

nn a ..:nlL·odile gl1dde~;,

31

".

175

\-

Maal

(,()P~

i '\I)I",I:'>

I:"> .: IlL 11.1 .1· ... TR \ 110" "

E P ITHETS

LOC AT ION

IC O NOGRA P HY

III basis of Ihe cippus 6

hippopOlamus goddt!ss

I rs V.'!.

hi ppopOlamus

LOC AT IO N

I C O N OGRAPHY

NA ME

Vbpl s VLJ

woman wi lh (Iouble crow n

II NII'.t

[ bp IV. I

woman wi lh dou ble crown

OJ

11 rs V1.5-6

crocodi le

3/

wr.tllls(.r}//rrw

11 1 rs X+[IIA

hippopotamus glXldt!ss

II Mnw

Ills VIA

ithyphallic Min

4/

Mw,t-Nw.1

V bp Is Vl. l

seated goddess with do uble crown

"

IH (s X+VI.5

ithyphallic Min V bp Is IV.2

IH bp X+I I.'!.

falcon- headed god killing a snake

god wilh crocodilehead holding a serpent

V front side

panthdslic g od

II! rs X+V.'!.

fa lcon- headed('"!) composi te god. seah:d

III Is X+IU

Onuris with spear

[ bp VII.I

Onu ri s spearing a

NAM E

E PITHETS

II Mw.r-NII'.I

~M1\·.tll{r

IIh.II)·t

,wl/j('"!)

1111:1/11 .... (.1) /I/nv

godd ~ss

( '\'·( II{ W·?)

[I Mn{w

Nh j bll

/lb IVls.t I/(r ' ~ nb p.t III)

$'

sb.,·w

" J/.\.1I1(II'( ?)

cf. ,Iflljl? ) II N.t

111.1 ms.t R' w

V bp 1X.2

cow with red crown : her horn has Ihe fo rm of a .~t!rpent wil h (t!d crOwn

III rs X+IL I

Ndlh giving suck to tWO crocodiles

"

li'r.r IIIh'. r II( r

3/

It"r.t (1II,,:tl 11tI1'?) IIbU l fU {111,,".r 1I!r(II') 1Ib/,,")

V bp VilLI

~eith giving suck 10 IWO crocodiles

4/

u'r.IIllH'.r /I f I" IIhe .n 51\\'

I rs !IlA

Neilh giving ~ uck 10 IWO crocodiks[ '"! )

51

6/

Irs IV.6

"h,fIU

sl;!d rlwy mjrr:.f

II Nhlll'bi

11/'

"

~w.:1 R'

31

S' d,.

goddess grasping a snake ~ei t h

g ra~p1n£

a

.~nake

I/,Ywll'

[[s V.3

god

21

II fronl sid>!

god in udoralion

III bX+V IU

animal- heatkd gud grasplll g :l .,erpt!nl

lis !l 1.3

god w ilh double crown

1/ Nh 11/"'''

lis V.2

tWO cats

"

III [s X+ IVS

(WO eals

[I Nh(.lj IIh .r

I Is [VA

goddess \\filh cowhorns grasping a

21

III Is X+IV.:!

.::ow-headed goddel's wilh spear

II Nh,t-(II1'.t

III bas is of the dppus ~

goddess in utlofulion

"

"h(.t ) pot bnll:r rlll'Y

[Ills X+ 1I 1.'2

goddess wilh serpt! nts

1I

,Vbb.1

III rs X+V. I

.' Ianding goddess

"bprslll.l

woman wilh n,UlI~ un her heau. holding a

,Vh( .tJ 11.1'/:1

176

serp~nt

with two

~corrions

)J

dsw.\'.

~ nuke

! Is V II.:!

IIIII'.tl '!) /!{ " "b.rS:w

;Vbp.1

."bl' (lfflillil! .f) jlll(.f)

/l ,1

j lll l .t l r:jml .l) III,,"

~ na J.:t!

177

(,,111'> 1'

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I CONOGRAPHY

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V Is IV.

recumbent lioness, befon: her two lion cubs

Ill:f'py

[ Is Y.-I

frog!"n

lI{r' :

!II Is X+YI.6

frog on .....

I/I;III.:Jlungen de T ~eHemichs tel~ . Ein Neuansa tz lU ihfer Interp retation als Ekmente cines Koni inuiI.3tsm!dells". GM 97 (1987). 25-70.

STEil.N8ERG-EL HOTASI. H .. " Ho russtelc des An chpac hered, Sohn des Djedheriufanch. Muse um of Fine Arts Boston (N r, 05 ,90)", SAK 16 / 1989). 275-287.

W U:-lG ...... RDE:-I. W.O. \ AN- STRICKER. B.H .. "Magische stclcs·'. OMRO 2.2 (194 1). 6-38.

YOYOTT.E. L Les pi:/erill(lges daliS l'£gypte anc:it/me, (Sources Orien tal es J), Paris 1960.

.

z.,.,SOeE. J.;'·BiOr 20 ( 1963),232-254 (Review of DERCH.-'lN, Le sacrifice d 'oryx ... ).

.

STERNBERG·El HOTA81. H.. "Ein vorlii u figer Kutulog der sog. Hurusslelen·'. GM 142 (J 994),27-54.

ZtVIE, A :, "Un fragm en! de sl3 tue mugiq u~", Studia Atgyptillca 14. Budapest 1992.627-63 I,

STERNBERG-El HOTAUI, H .. "Die verscholle ne H o rus.~lelc aus Aksum", in: Qu"aellus .~cientianr ... Fnt.,abt fU r W(}/jlrart WeSltlldorj:;'1I seilll:m 70. Gt!lmrtsll.l.r:. Gon ingen 1994. I H9-191.

ZIVIE. CUR. ~ ., Gi:1I1I1I deuxih ll e mi/Jiltllire IBdE 70). Le Cui re 1976.

STRICKER, B.H., "Aanteke:ning~n op egypllsche: liueral ur en godsd ie nslj;eschiedenis·' . OMRO 25 11944), II he releva nt page: to our subject: 52) . STRICKER. B.H .. "Magische

gemm~n·' .

SUYs. E .. "Le papyrus magiq ue d u

OMRO 24 (1943), 15-30.

VlIti c~n" .

Oriell,,,f;(I 3 (1934), 63-87.

_ Too. M.N., "The Scorpion in Graeco-Roman Egypt" . lEA 251 19391. 55-6 1. TRAU.'1ECKER. Ct. , "Manifeslation tie la piere

pcr.~on e ll e

11 Karnak".

BSFE 85 (j uin 1979).

TRA USECKER. Ct., "Une cha pel Ie de magie guerisseuse ,ur Ie parvis du lemple de Maul

~2-31 .

a Karnak".

lARCE 20'( 1')83). 75-92. TUL'"'I ECKER. CL.. "Vne pralique popuillire dans Ies lem p 1es de Karnak" in: 0.1 magia ill EgittQ IIi tl.'mpi dei Fllrt/uni. Verona 1987. 221 - 1~ 2 . VII l'iidt de J()fIiflts jnll1~tI;us

fir

Egypte led. DESROCHES-No8LECOlJRT. CItR.). Le Caire 198 1.

VANOIER. J .. " Vne stal ueue de Toueris". Ltl Re"ue dll W UI're 12 (1962). 197-104. V-":-IOIER. J .. M(llI/lld d'urcl!;o/IJ8ie ;g,,'ptleI1l1e I. Les if)oques (Ie jormatioll. La pni lristoirf!, Poris 195~.

VAI'OlER . J .. " Ius:ias ("I (Htllhorl-Nebcl-Helepet". RdE 16 (1964), 55-1 46: 17 C1965), 89·176: 18

11966).67·142: .:!O ( 1968). J 35-1 ..(.8.

L

\I,{I.~T, G,.. L"£.~ .\·fJle (It: Mll rtUl!i . Paris 1953. . W'lOUNG. D .. El~yptic/f/ Sltillts, :-lew York 1977.

STERNBERG-EL HOTMI. H., " Magische Ste le" . lSS£A 18 (1988\. 14·/8.

.-

B. VAl' DE., "L'ostracon E 3209 des Mu~ces Roytlu.t d 'Art el d' HislOlre menlionnuntitl deesse .corpion Tu·B ithct'·. Cdt ..(.2 no. 83 (J 967) . 13-19.

WAI.LE, B. V,\N DE .. "Une base de slUlUe-guerisseuse 3vec une nou velle merllion de la deess~ ­ sco rp ion Ta- Bil hc"'. IN£S 3 1 (1 97:!). 67·82.

Srl/lCElB ERG. W.. " Horus :lIs Am", lAS 57. ( 1912),70-7 1. STAnEU"'S~, S.I·'·isdl-P(diiSlillt/l.~i.,·cI,t.' Go"lie;ttfll ill A.r:)"pttfl. Ldd(!n 19(;7.

L

W~LLE,

VElOE, H. TE. "The God Heka in Egypt!:!n TheoJog.y-. lEOL 21 (19701. 17 5-186. VELOE. H. TE, "Sume Egyp tian Deilies and their

Pi ggishm!.~s·'.

Simlill Ae,!(l"pliuca 14. Budapest

1992,571-518. V~R NUS. P.. Atl1ri/Ji.~ ISd E 7..(.). Le Caire 11)78. VrrTMM~ .\:.

G .. "Eine bemcrkenswerte $chreibung ties Narncn~ de rGiiu in Ncphlhys", GM 11 ( 1974).

~ 9 -52.

V'THHS\:. G .. "~ach lrug l U ' Einc he me rkc n~ werle Schreihu ng des N;lInen ~ deT Gouin Ncph!hys'" GM II. ..(.9-;2: GM 17(11)751. ..(.5 . Vyntillo W., "Pi'e lfurmcn im .:\gypli.~chen untl 1m Kuplbchen" JIIO 5 ( 19;7). 10-25. W ~LI.I; .

8 . V~S Df. .. " Le cippl! tI'Hnru~ dtcl)u \'crt par 1. BrU~' e;i Allum". CdE 2M no. 55 41953),

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