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English Pages 116 Year 2002
BasicArmouring—APracticalIntroductiontoArmourMaking,SecondEdition ByPaulBlackwell PublishingHistory March1986: FirstEdition March2002: SecondEdition
Copyright©2002PaulBlackwell. Thisdocumentmaybecopiedandprintedforpersonaluse.Itmaynotbe distributedforproitinwholeorpart,ormodiiedinanyway.Electronic copiesmaybemadeforpersonaluse.Electroniccopiesmaynotbepublished. TherightofPaulBlackwelltobeidentiiedastheAuthorandIllustratorof thisworkhasbeenassertedinaccordancewiththeCopyright,Designsand PatentsAct1988. Thelatestelectronicversionofthisbookmaybeobtainedfrom: http://www.brighthelm.org/
YeSmallPrint—CautionaryNoteandDisclaimer Combatre-enactmentinanyformcarriesanelementofrisk(heytheyusedtodothisforreal!) Evenmakingarmourcanbehazardous,ifyoudropahammeronyourfoot,cutyourselfona sharppieceofmetalordosomethingevenmoredisastrous!Itmustbepointedout,therefore, thatifyoupartakeinsillyhobbiessuchastheseyoudosoatyourownrisk! Theadviceandinformationinthisbookletisgiveningoodfaith(mosthavingbeentriedout bytheauthor)howeverasIhavenocontroloverwhatyoudo,orhowyoudoit,Icanacceptno liabilityforinjurysufferedbyyourselforotherswhilemakingorusingarmour.
YeNiceNote HavingsaidallthatI’lljustaddthatI’vebeenplayingforagesandamstillinonepieceand havingfun. Cheers,Paul
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TableofContents Introduction ...........................................................................1 Materials .................................................................................3 Tools........................................................................................7 Saftey .................................................................................... 13 LeatherWorkingTechniques .............................................. 15 MetalWorkingTechniques.................................................. 17 MoreAdvancedMetalWorkingTechniques ...................... 19 Padding.................................................................................23 Head .....................................................................................29 Neck ......................................................................................41 Body ......................................................................................45 Arms .....................................................................................53 Hands....................................................................................65 Legs.......................................................................................77 Shields...................................................................................87 MaintainingArmour ...........................................................93 Authenticity ..........................................................................95 FightingStyles ......................................................................97 Aftermath ........................................................................... 101 MoreBits............................................................................. 103 iii
TABLEOFCONTENTS
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Chapter1—Introduction Steppingoutintotheworldofmedievalcombatrecreationcan,likeanyother sport,besomewhatdaunting.Tostartwithwheredoyougetalltheequipment youneed,especiallyallthatniceshinyarmour?Wellhereareyouroptions: 1. Borrowit(agoodwaytostartifsparestuffisavailable) 2. Buyitnew(canbeexpensive) 3. Buyitsecondhand(cheaperbutwillititorbewornoutalready?) 4. Makeityourself. 5. Anycombinationoftheabove! This booklet is a primer for those who wanttotrythefourthoption;itsetsoutto showyouhowtomakesimple,butpractical, armour. Beware though, armour making can become a hobby in its own right and this book is but an introduction! In time you may want to make even fancier, more complexandmoreauthenticarmour,inthe meanwhilethisbookshouldgetyououton theield!Enjoy.
Beforeyoubeginarmouring Decidewhatyouneed!Thismayseemobvious but experience has shown that people canrushout,makesomethingentirelyinappropriate, then wonder why no one will let them play in it! Sad but true. To avoid this irst check out what the local armour requirements are — read the rules, ask a marshal or another ighter, people like to help(moreightersequalsmorefun).Alotcanbelearntbysimplytalkingto experienced ighters. “Oh you don’t want one of those — they weigh a ton — stopsyourunningabout!Wanttobuymyoldone?”Tryanddecideonastylethat willsuitboththewayyouwanttolookandthewayyouwanttoightthenstart 1
INTRODUCTION thinkingabouthowtoachieveit.Thesketchtotherightshowswhatisgenerally required.(FormoreinformationseeChapters18and20.)
Fitting Obviouslyyourarmourshouldityou.Thismeanspatternsetc.willneedadjusting.Thereforedon’tjustgo outandcopyanexistingpieceandexpectittoit— itprobablywon’t.Ifyouhavebeenborrowingarmour youwillprobablyhavenoticedthiseffectalready;universalitmeansthatituniversallydoesn’tquiteitanybody.Whatisnotsoobviousisthatyourarmourshould ityouandwhateverelseyouarewearing.Paddingcan changeyoursizeandshapeconsiderablysobuildyour armour around it, not the tee shirt you wear in the workshop.Armourshouldalsoallowyoutomove;ifit catches,rubspainfullyorjamsthenyou’vedonesomethingwrong—ixit.
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Chapter2—Materials Worldwideperiodarmoursweremadeoutofjustaboutanything;cloth,metal, leather, bone, horn, bamboo; basically if it was available and it worked it was used!Europeanarmourstendtobelessesotericandgenerallysticktometaland leatherovercloth.Whenlookingformaterialsshoparound,lookforoffcuts, remnants,orconsiderbuyinginbulk.Armourdoesn’thavetocostafortune. Steel Sheetsteeliseasilyobtainablethesedays;lookintheYellowPagesunderMetal Stockists. In the 1800s Sir Henry Bessemer invented a new process for making steel. Modern steel is therefore very different to period stuff; in fact it’s a lot better!MildSteelistheeasiestandcheapesttogetholdofandthemostconvenienttowork.Foronethingyoucaneasilycoldworkit-whichmeansyoudon’t needaforge.Mildsteelcontainslessthan0.25%carbon,hasanon-ibrousstructureandwilltakeahighpolish-itdoesrusthowever.Itcomesaseitherbright rolledsheetswhichareshinyandhenceeasiesttopolishorhotrolled,whichare marginallyeasiertoworkandcomeinablackcolour.Galvanisedsteelismildsteel withacoatingonittostopitrustingwhichisineuntilyouscratchit;itisanasty greycolourandisn’tsuitableforanythingthatinvolvesalotofshapechanging.I tendtoavoidthestuff!Stainlesssteelcomestoavarietyofspeciications;it’smore expensivethanmildandmoredificulttowork,however,ifyougettherightstuff itwon’trust.Ifyouplantodoanythingdramatictostainlessyouwillneedto annealit,whichwillrequireheat,moreofwhichlater. Mildsteelisthebeststufftostartoffwith.Itissoldinsheets(generally2x3 meters) of various thicknesses. To be confusing these are often referred to as gauges—ofcoursetherearedifferentgaugesystemsfromaroundtheworldand MildSteelforArmour Thickness(mm)
Gauge(UK)
UsedFor
Notes
1.0
20
Edgingshields,bodyplates
Lightweight,dentseasily
1.2
18
Arms,legs
1.5–1.6
16
Elbows,knees,helms
2.0
14
Helms
Willdent,butisn'ttooheavy Nicefordishing,canbeused forarmsandlegs Startingtogetheavy!
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M ATERIALS theBritishgaugesystemchangedwhenwewentmetric!Bestwayroundthisis to tell the stockist what thickness you want and let him sort out the rest! The tablebelowgivesyouanideaofwhatissuitable;the1.5to1.6mmfor16gaugeis becausetheoldimperialstuffwas1.6mmandthenewmetricis1.5.Youcanstill getstuffrolledtotheoldsizeifyouarelucky!Toughnesswisestainlessisroughly equivalenttothenextgaugeupofmildsteel. Leather Leatherisawonderfulmaterialformakingarmouroutof.Itcanbeshaped,left softtoactasapad,madehardsoastobearmourinitsownrightorjustcut intostrapstoholdeverythingtogether!Leathercanbepurchasedfromleather factors,warehouses,re-enactorsmarkets(goodcheapsupplies)orthroughcraft outlets.Aswitheverythingelseshoparound. LeatherforArmour Type Rawhide
ExplanationandUse Untanned,makesgoodshieldedging(dogchewsareagoodsource). Soakinwatertomakepliablethenallowittodrytomakeithardagain.
Vegetabletanned
‘Periodstyle’leathertannedusingnaturaltanninfromtreebark. Straps,coatsofplatesetc.Canbedyed. Goodideatogiveitawaterproofingfinish(wax,oil).
Chrometanned
Moderncuringprocessusingchromiumsalts. Straps,coatsofplatesetc.Comesinavarietyofcolours.
SuedeandSplit
Nosmoothface-notverystrong-avoid!
Toolingleather Soleleather
Vegetabletannedleatherwithoutwaterproofingfinish. Whenwettedbecomessoftandpliable.Canbemouldedtoshapewhenwet. Thickleather;oftencompressedforextrarigidity. Goodforplatesetc.Expensive
Rivets Thevastmajorityofyourarmourisgoingtobeheldtogetherbyrivets.Lookin YellowPagesunderfasteners.Ironmongers,DIYcentres,craftshopsandleather ittingsretailersmayalsosellcertaintypes.Rivetscomeverycheapifyoubuyin bulk(50plus)ratherthaninlittlepackersof10orso. Mildsteelrivetscomeinavarietyofsizesandlengths—I’veendedupwitha hugevariety!Imainlyuse3/16inchdiameter,that’s4.8mmforyoumetrictypes. LengthwiseIkeeplotsof1/4inchforrivetingtwopiecesofmetaltogetherand 3/8inchforrivetingthreebits,articulationsandthelike.It’salsoworthkeeping afewreallylongones,youcancutdown,forthatannoyingjobwheretheones youhavedon’tquitereach.TheonlyotherdiameterIuseasigniicantnumber ofis1/8inch(2.4mm),foringersongauntletsandotherinework. Tubularrivetswithaheadsizeofaround1/2inch(13mm)areuseful.Thereis aspecialtoolforsettingthesethings—Iindthatputtingthemontosomething latandhittingthemwithahammerworksine!Thedoubleheadedtypeshown abovearesuperiortothethinbacktypeastheylastlongerandyoucanputthem inupsidedownwithoutgoing,“Darn,thatlookswrong!” 4
M ATERIALS RivetsforArmour Type
Material
Use
FlatHead
MildSteel
Helms ('costheywreckrattanswordsless!)
RoundHead
MildSteel
Articulations ('costheylooknice!)
Flat/Round
Brass
Decoration
Tubular
LooksLike
Alaminium,often Rivetingontoleatherorcloth. coatedtogive Notauthenticbutgreatforstraps, Brasseffect) buckels,etc.
Nails
MildSteel
Can'tfindarivet? Cutanaildown!
RoofingNails
MildSteel
Rivitingontoleatherorcloth —verycheap!
Wood Plywood makes good shields — obtainable from any DIY shop, builders merchantorthelike. Brass Expensive,heavyandnotstrongenoughforimportantpieces;brassishowever greatfordecoration. Aluminium Not at all period. However sometimes turns up as scrap and can be used to makelightweightbodyplatesorthelike.Dural,aircraftgradealuminiumalloy, ismuchtougherandcanbeusedtomakeshields. Thermoplastic Notperiod,surprise!Idealforlightweightbodyplatesorhiddenstiffenersunder leather or cloth; sort of inauthentic hard leather. Great for keeping your total armourweightdownsoastoavoidexcessbaggagechargeswhenlyingtoevents around Europe. Can shatter if it gets too cold, for exaple, Finland in winter. GuesshowIfoundthatout? Cloth Usedtomakeundergarmentsortoholdarmourtogetherasincoatofplatesand the like. Markets, material remnant shops, re-enactors markets, charity shops, sewing shops and the like are good places to look for materials at reasonable prices.Ifyouarelookingforcanvasyoucanalsotryatentmakerorcamping shop.
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M ATERIALS
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Chapter3—Tools Youaregoingtohavetoacquireafewbasictools,asyouprogressyouwillprobably acquire a few more! New tools can be expensive so start looking around secondhandtoolshops,junkshops,steamrallies,agriculturalorengineering auctionsortoolsales.Youwillalsoneedaplacetowork,somewherewherethe noise won’t drive the neighbours mad. You are also going to need somewhere withagoodloororyouwillhammerthroughit!Ashedorgarageisine.
Hammers Youwillneedahammertorivetwith;asmallballpein,aboutapoundweight,is ideal.Youwillalsoneedasofthammertobendthingswith,lookforarelatively heftyrubberorrawhidemallet.Theseyoushouldbeabletoindeasily.It’salso usefultohaveathumpingstickforbashingthingslikenailsorcoldchisels;basicallyafairlyheavyhammerwhosefaceyoudon’tmindchewingup!
Forshapingworkyouwillneedhammerswithpolishedfaces.Anymarksyouput intothemwillbetransferredtoyourworksokeepthemseparatefromthegeneralusehammers.Adishinghammer(formakingelbows,kneesetc.)isamust; anythingrelativelyheftywithacurvedfacewilldo.Alargeroundendballpein canbeused,althoughthecurvewillbeabitextreme,oryoucouldalwaysgrind alatfacedhammerdownabit.Itisprobablybetterthoughtolookforapurposemadedishinghammer.Purchasingonenewisagoodinvestmentalthough indingonesecond-handshouldn’tbetoomuchofaproblem.Collectingavariety of dishing hammers will be very useful. A planishing hammer is used to 7
TOOLS smoothsurfacesandremovehammermarks;anylat-facedhammerwilldo.If youneedtodoanyraisingyouwillneedahammerforthis;alargepurposeraisinghammerisbestbutthebackofacrosspeincanbeused.
Formers You will now need something to hammer onto.Nodon’trushoutandbuyananvil— theycanbehelpfulbutarehardlyessential, unless you want to be a blacksmith as well. Insteadindyourselfatreestump.Ifyoucut aslighthollowintoonepartofthetopthis willformadishingblock.Therestcanbeused forhammeringonto.Alsolookforpiecesof hardwoodasthesecanbecutintoveryuseful shapes for forming things around. Other thingstokeepyoureyesopenforarelengths of metal tube (for bending things over or around),bowlingballsandoddchunksofmetal.Beinventive,failingthatbuy somestakes—thesecomeinavarietyofshapesandsizes,themushroomshaped beingprobablythemostuseful.Unlessyouarerichbuythemsecondhand.
RivetingBlock Youwillneedasmooth,lat,hard,surfacetorivetonto.Ifyouwanttouseround headrivetsyouwillneedarivetsnapofthecorrectsize.Iuseanoldlumpof stainlesssteelwithcurvedholesdrilledintoit.
Workbench Somethingformarkingthingsouton,holdingaviceorclamps,bashingthings onetc.Getsomethingtherightheight.(Workmatestendtobeverylow.)Imade mineoutofanoldbedframeandscrapwood.
Vice For holding things like formers, what you’re iling, what you want to thump and a hundred other jobs. The easiest to getisanengineersvice;unfortunatelythesedon’tlikebeing thumped! Instead try to get a leg vice, some times called a blacksmiths vice, they are fairly common second hand and aredesignedtobehammeredonto.Mountitontoyourworkbench.
Cutters Making armour will involve cutting lots of devious shapes frompiecesofmetal;adecentcutteristhereforeagoodinvest8
TOOLS ment.Adecentcutterisperhapsthemostawkwardtooltoindatareasonable price. ThecheapesttoolI’veeverseenusedwasacoldchisel.Simplychiseltheshapes outonananvil,thengrindthemintosomethinguseable.Verynoisyandtime consuming—notrecommended. Atthebottomendofthemorepracticalrangeoftoolsisthehumblehacksaw— cheap,cheerfulbutwilltakeyouforever.Youcanuseanelectricjigsawbutthey tendtobeverynoisyandrathertimeconsumingaswell.Makesureyouusethe correctbladeandsupportthesteeltopreventitbouncingaround. Snips,sometimessoldasTinsnipsorShearswillcutthinsteelbutyouwillneed agiganticpairtocut1.2mmorabovewithanyease.Thisisactuallyveryperiod. CompoundactionsnipsorAviationsnipsgiveyouamechanicaladvantagewhen cutting;theyonlyhandleupto1.2mmsteelthough. OnceuponatimejustabouteveryengineeringshopinBritainhadapairofRecordwheel cutters—thensomeoneinventedpowertools. You can still occasionally ind them second hand, though as one dealer said “They are ascommonasrockinghorseshit.”Theyoperatelikeagiantcanopenerandcancutlines, curvesorcomplexshapesinto1.6mmorthinner steel. They are supposed to mount into a special block, though I’ve never seen one, butaviceworksine.Theyalsocomewithan extrahandlesoyoucanusethemhandheld; great for cutting sheets in half. If you see a pair buy them! A similar machine is a Sykes PickavantMiniCutterwhichcanalsohandle upto16gaugemildsteel. Modern workshops use loor or benchmountingshears,powernibblers or power shears — yep they all sound expensive. The benchmounted shears are giant guillotines, which cut straight lines very well; they aren’t so hot on curves. Nibblers work by punching lots of smalllumpsoutofyoursheet,rather messy and very noisy. Power shears aregreatifyouaffordthem(around £300) and aren’t left handed like me.Dependingontheinputpower they can handle thick plates (for example,aBoschGSC2.8willcutup to 2.8mm steel). I have seen a nibblerattachmentforanelectricdrill 9
TOOLS madebyFalconToolsthatclaimstocutupto1.5mmsteelbuthavenevertried one.Goodhunting!
HoleMaker Toputrivetsinyouneedholes.Forclothpushasharppointthrough,thuscutting as few ibres as possible. For leather get a punch — belt punches are far superiortothehandpunches,withtherotatinghead,whichtendtobendifused alot.Formetalagoodoldelectricdrilldoesine;useHSSdrillsnotwoodworkingones,orifyouwanttodrillstainlessuseBoronCarbinetippeddrills.Ifyou putaleatherwasheronthedrillnexttothechuckyouwillpreventitscratching ifyoupushyourdrillintoofar.Periodarmourersprobablypunchedtheirholes, themodernequivalentistouseahandpunchsuchasa‘Whitneymetalpunch’.I investedinoneoftheir“No.5juniorhandpunch”setsafewyearsagoandfound itsavedalotoftimeandeffort!Itpunches3/32to9/23inchholesinupto16 gaugesteel.Youwillalsoneedacentrepunchtomarkwhereyourholeswillgo (andgiveadrilltipsomethingtostartoffon).AfteryearsofcursingtheautomaticspringloadedpunchesIgaveupandwentovertousingagoodoldsolid punchandahammer.Somuchformoderntechnology.
Files A hand ile will remove rough edges, inish or shaping your piece or remove thatawkwardlittlebitthatisjammingthings—asmallroundilewillcorrect thatholethatisn’tquiteintherightplace.Filescomeinavarietyofshapesand degreesofcoarseness—it’sworthhavingaselection.Keepthemcleanwithaile brush(tostoptheteethclogging)andalwaysusethemwithahandle.
Polishing Asimplepolishingandinegrindingmachinecanbemadebymountingafoam sandingwheelonthefrontofanelectricdrill.Ifyoumountthedrillinastand thingsworkevenbetter!150gritinebeltswillremovesharpedgesanddoine shaping;whentheygetworntheycanbeusedtopolish.DIYshopsonlysell150 or less grit. The less the number the coarser the paper. Tool shops sell iner gradesnormalyforbeltsandersbuttheyitwheels,justcheckthediameterwhen youbuy.Iind220or280gritgiveaniceinish. Ainepolishingmachinecanbemadefromacheapbenchgrinder.Takethe grindingwheelsoffandreplacethemwithmops.OKtheydon’trunuptothe samespeedasaproperpolishingmachinebuttheycostatenthofthepriceand don’tneedathreephaseelectricsupply!IfyouputaSisalmopononeside,a stitchedclothinishingmopontheotherandusestainlesssteelpolishingcompoundyoucangetamirrorinishwithabitofeffort.
Otherusefulbits Finefelttippenformarkingthingsout,scissors,cardboardandstickytapefor templates,nutsandboltstoholdbitstogetherbeforeyourivetthem,coldchisel 10
TOOLS forgettingthingsapartwhenyourivettheminthewrongplace,G-clamptogive youthatextrahand(evolvingwithoutatailwasdeinitelyamistake),washers, trimmingknifeforcuttingleather,pliers,evenmorehammers.
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TOOLS
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Chapter4—Safety Ifyouaregoingtodosomethingdoitwellanddoitsafely.Wearleathergloves wheneverpossibletostopyougettingcuts;heytheyevenmakeoneswithKevlar inthesedays.Throwawaysharpedgedoffcuts,swarf,etc.somewheresafe;not the loor or the bench you are about to put your hand. Remove sharp edges beforeholdingbitswithyourhandsandbeforewearingit!Weareyeprotection especiallywhendrilling,grinding,sandingorpolishing.Wearadustmaskwhen polishing, sanding, grinding, etc. When drilling make sure the item is held irmlyandremoveanyswarfcausedbythedrilling.Earprotectorsareagood ideaespeciallywhendishingorusinganoisycutter.Weartoeprotectionfootwearandwearsensibleclothing. Armouring is fun; injuring yourself isn’t! DIY shops and industrial clothing/ safetyshopswillsellprotectivebits—theyareagoodinexpensiveinvestment, Honest !
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SAFETY
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Chapter5—LeatherWorkingTechniques Lotsofbookshavebeenwrittenonsewing,leatherandmetalworksoitdoesn’t reallymakesensetorepeatallthatinformationhere!Popdowntothelibrary andhaveabrowse-thebitsinthenextfewsectionsarereallyjustnotestoget youstarted.ForausefulbooklistseeChapter20.
Shaping Leather is a lexible material and can generally just be bent to shape. Hard leather such as sole leather needs to be made lexible by wetting it. When wet tooling leather can, surprise-surprise, be tooled (pressed down on to give interestingpatterns).Whenmakingstrapsandthelikerememberthatleather stretches—addafewextraholes!
CuirBouilli Ifyousoakvegetable(natural)tanleather,stretchitaroundaformer,woodis good,thendryitslowlyinalowovenitgoesrockhard.Polishitontheoutside tokeepwateroutandyouhaveanicepieceofarmour.
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LEATHERWORKINGTECHNIQUES
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Chapter6—MetalWorkingTechniques Riveting Therearetwopurposestoriveting.Theirstistoholdthings irmlytogether,asonahelmet,theotheristoformapivot,as inanarticulatedknee. Forairmitdrillaholeinbothpiecesthesamediameteras yourrivetthenpeintherivetfullydowntotheinnerplate. Foranarticulationmaketheholeonesizebiggerthantherivet andpeintheheadoverlightly.Awasherontheinsideishelpful.Aleatherwasherbetweenthetwoplatessurfaceshasseveral purposes, it holds the two moving surfaces apart giving themroomtomove,stopstherivetfallingout(ifitsatightit ontheshank)whenyouturneverythingoverforpeiningand allowsyoutokeeptherivetloosewithoutrattling. Peiningsimplyinvolveshammeringtheendoftherivettoform a second head — bring on the ball pein hammer! Place the rivetthroughtheholesinyourpieceswiththeheadontheoutside.Placetheheaddownontoahardlatsurface,intoarivet snaporintoacutoutthatmatchesitshead.Nowusingtheball endofthehammerhitthetopoftheexposedshanktomushroomit.Smooth outthepeinusingthelatfaceofthehammer.Rememberthisistheinsideof yourarmour—youwantsomethingsmoothandrelativelylatpointingatyour skindon’tyou?
Bending It’sveryeasytopushabitametalandbenditatthatpoint;whatistrickieristo getacurveovertheentirelength.Longbendsarebestachievedbyhammering downoveraformer;abitofmetaltube,alog,pipe,stake,whatever—provided it’s curved. Start by curving the entire length. Don’t worry unduly about how muchjustgetthemetalmoving.Nowhammeritsomemore,pushitwithyour hand,andhammeritbackifyouhavegonetoofar,untilyoureachthedesired shape.Useasoftmallettoavoidmarkingthemetal. 17
METALWORKINGTECHNIQUES
Dishing Thinkofapieceofclay;ifyoupushyourthumbintoitanumberoftimesyou cansqueezeitoutintoabowlshape.Ifyoupushitintoabowlshapedformeritis eveneasiertoformit.Thisisinessencewhatyouaregoingtodowithyourpiece ofsteelusingahammerandadishingblock. TherearetwotheoriesofdishingdependingonwhetheryouareaTinsmithor aSilversmith.Onesaysworkfromtheoutsidein,theothersaysworkfromthe middleout;Iinditmakesnodifference. Todishapieceirstmarksomeguidelines;whenyoustartyoumaywanttodraw lots of concentric lines, when you get more experienced you may just want to mark the centre. Place the piece over your dishing hole and start hammering aroundyourguidelines.Holdingthepieceinaglovecutsdownthevibrationsto yourhand,eardefenderscutdownthenoisetoyourears.Whateveryoudodon’t putyourhandbetweentheblockandthebityouareabouttohit.I’veseenitdone— ouch!Workevenlyaroundtheshape.Oneachpass(timeroundtheentirepiece) trytoevenoutthehammermarksfromthepreviouspass.Ifthepiecestartsto benddramatically,inafashionyoudon’twant,straightenitouteitherbyputting itintheviceandpullingorbyhittingitoverastakewithalat-facedhammer.If theedgesstarttocrinkle,lattenthemoutimmediatelyoveraformerwithalatfacedhammer(otherwisethemetalmaycrack).Ifyoursurfaceisuneveneither inishitoffbydoingainalpassonalatsurfaceorbyplanishing(seelater).A selectionofhammers,withdifferentcurvestotheirfacesmakeslifeeasier.Dishingcanbedoneontoalatmetalsurface,suchasthefaceofananvil.Thisisvery noisy!
Polishing Evenbrightmildsteelcomeswithaprotectivecoating,tostopitinstantlyrusting,whichhastoberemovedtoachievethatbrightpolishedlook.Youcaneither polishbyhandorbymachine.Startwiththecoarsestgradeworkinginonedirection.Continuewithainergradeworkingacrossthedirectionofthelastgrade, soyoucanseewhenallthemarkshavegone.Keepgoingwithprogressivelyiner grades of grit then polishing compound until you reach the inish you need. Doingabitofinitialpolishingonthingswhiletheyarestilllatwillsavealotof time!Keepthingsshinywithcoatingsofcarbodypolishorwax(neutralshoe polish)andavoidrain.Ha!Fatchance!
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Chapter7—AdvancedMetalWorkingTechniques Annealing Thisisheatingmetaltostressrelieveit.Ifyouhammerrepeatedlyonapieceof metalitwillworkhardenandbecomelesspliableandmorebrittle.Mildsteelis remarkablyresistanttothis—stainlesssteelisn’t!Forsteel,torelievethestressing,heattheoffendingpiecetoredheatusingaforge,orblowtorchthenallowit tocoolslowly.Notethatbrassandothermaterialsworkdifferently—lookthem upbeforeyoustart.
Raising Thinkofthepieceofclayagain,thistimefolditdownoveryour thumbsqueezingthefoldslatasyougo.Raisingcanbeconsideredthesuperiorformingtechniquebecause,unlikedishing,it doesnotthinthepieceoutasyougo.Italsorequiresthemost work; lots of hammering leads to work hardening, even on a relatively small piece, so annealing may well be required. You dishontheinsideandraiseontheoutsideofthepiece.Most periodpieceswereprobablyraised;mostmodernpiecesareprobablydished. Forraisingyouwillneedastakethatisabit ofbarstockorthelikeyoucanholdinthe vice to fold your metal down onto. Before youstart,marktheareatoberaised;aswith dishing the number of lines you use will depend on your experience with the technique.Thereareseveralwaysofworkingall ofwhichusethesamepremise—placethe pieceatanangleagainstthestake,strikethe portionprojectingabovethestaketodrive itdown.Youcanstartatthetoporbottom oftheareatoberaised.Youcanalsostart by crimping the edge (bit like a bottle cap) byhammeringitintoaVshapedformer,in whichcaseyoustartraisingfromtheinner 19
A DVANCEDMETALWORKINGTECHNIQUES edge.Workincirclesdrivingthemetalevenlydown.Aftereachcompletepass annealthemetalandstartagaindrivingitfurtherdown.Finishbyplanishing.
EdgeRolling&Wireedging Oneoftheprimarywaysofstrengtheningpieces andpersuadingthemtostayinshapewhileothers cloutthemwithswords,axesandthelike.There aretwowaysofrolling,withtherollontheoutside orinside,andwireedgingisjustarollwithsomethingsolidinthemiddle;whichyouusedepends onpersonalchoiceandwhatperiodyouaretrying toreproduce.Allthreemethodsstartoffthesame wayfold/raisealipontothetopofthepiece;about 1cm is good but it will vary depending on wire thickness,effectyouwant.Theimportantthingis thatitisevenandlatespeciallyattheends,which foldeasily,andaroundcurvesinthemiddle,which requiremoreraising.Asalwaysworkinstagesand workevenly.Nextbendthelipoverinacurve;if you are wire edging, trap the wire under the lip asyoubringitdown.Againthetrickistoworkin stagesandworkevenly.Ifyoupushasectiondown onitsownit’sliabletocreaseandruintheeffect.Forarollontheoutsidethat’s it.Forarollontheinsideyouhavetopushtherollback.Todothisinishyour rollonaformerwithanotchcutinitthesamesizeasyourroll.
Planishing Orhowtopolishwithahammer.Planishinggivesyouaniceevensurfacewithout grindingorthelike.Usefulforgettingsurfaceslat,blendinghammermarksin orgettingridoftheoddmistake.Simplyplaceyourpiece,outsidefacingup,over aformerofthesameshapeandhititwithalatpolishedhammer.Dothistothe entiresurface,workingevenly,toachievethedesiredeffect.Thinklotsoflittle strikesnotonehugeone.Whatyouhitontoonlyhastomatchtheshapewhere youhititsoabarwithitstopgroundcanbeusedforalargepiece.Domestakes havevariouscurvesonthemsoyoucanmoveyoupieceabouttogetamatch.
Welding Youwantoneofthoseniceopenfacedhelmswithabarredgrillorafancybasket hilt? Then you are going to need to weld it. Welders aren’t cheap but can be hired,alongwiththenecessaryeyeshield,fromtoolhireshops.Somepeoplecutand-weldtoachievecomplexforms—periodarmourersusedahammerwhich, incidentally, also works well for the starting armourer. Period craftsmen also usedtoforgeweldbutwearedeinitelynotgoingtogetintothat.Evenmodern arcweldingisnotreallyintheremitofBasicArmouringsoconsultyourlibraryor
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A DVANCEDMETALWORKINGTECHNIQUES localtechcollegecoursetolearnmore.Failingthataskafriendwithawelderto doitforyou;Hey,whosaidyouhadtodoallthework?
Articulations You will need articulations to make all those nice shoulders,gauntlets,elbowsandkneeswiththeneatly itting lames. However many starting armourers shy awayfromthemasbeing,“horriblycomplicated!”This islargelyduetoamisconceptionofwhatanarticulationis;consider“Articulate,(a)Havingjoints;connectby,dividewith,joints.” Soanythingholdingtwoplatesapartandallowingthemtomovecanbeconsideredanarticulation.Rivetingapieceofleatherbetweentwoplatesarticulates them—andyoucan’tgetmuchsimplerthatthatcanyou?Wellactuallyyoucan! Lacing the pieces of your arm armour onto your gamberson controls the distance between them and their relative movements—who said this was complicated?
LeatherStraps Leatherstrapsprovidemovementonawidevarietyofperiodarmours.Consider thefollowingwhenusingthem: 1. Rivets pull through leather—use a washer next to the leathertospreadtheload. 2. Don’tmakeyourstrapstonarrowortheywillbreak! 3. Don’tmakeyourstrapsoutofverythinleatherortheywill break! 4. Onelongstrapiseasierthanlotsoflittleones! 5. Theplateswillneedroomtomove;iftheedgeoftheplate ismillimetresawayfromtherivetinthenextplateitwill onlybeabletomovemillimetres!
Slidingrivets Theseprovidea‘sidetoside’or‘upanddown’typeofmovement.Toproducea slidingrivetsimplyileonerivethole(generallytheinsideone)intoaslotthem looselyrivettheplatesinplace;yougenerallyneedaslidingjointonbothsides thegettheplatestomove.Usefulhints: 1. Theslotgoesinthedirectionofmovement-itcanbea curveifnecessary. 2. For‘sidetoside’movementtheslotsneedtobecloseto thefrontoftheinnerplateoreverythingwilllockupand jam.
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A DVANCEDMETALWORKINGTECHNIQUES
Rotatingjoints Theseareparticularlyusefulonelbowsandknees.Thetrickistogettheplates toarticulatesmoothlytoacertainpointthenlockagainsteachotherandstop. Iftheydon’tlocktheywillkeepmovingandgap;gapsallowweaponstogetin. Gapsarebad! The diagram to the right shows how the lames work;theupperlameisshownrotatedfullyout, theloweronerotatedfullyin.Notehowthecurvatureofthelamematchesthatofthecopwhen itisinthefullyoutposition. Everythingdependsonwhereyouplacetherivet holes: 1. Rivetholesaresymmetrical;iftheholeon therightsideofthelameis1cminthehole ontheleftshouldbe1cmin. 2. Notehow,withthelowerplatefullyin,the line of rivet holes are on a curve not a straightline. 3. In the fully in position the lame project belowthesurfaceofthecop,thereforeyou needtoallowroomforitbetweenyouandthecop,thatisthecopisn’t askintightittothejoint. 4. Remembertomaketherivetholesonesizelargerthantherivetor elsetherivetshankwillcompress,asyoupeinit,lockingeverything inplace!
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Chapter8—Padding Becauseyouneedtobuildyourarmouraroundyourpaddingyouneedtoknow howtomakeitirst!
Gamberson Thissuppliesbasicpaddingunderthe bodyarmourandsomethingtohang your arm armour off. Some people rely on their gamberson (with a few minoradditionssuchasakidneybelt) as their torso protection. This gives themexcellentmobilityattheexpense of protection. If you are learning to ight,aswellasarmour,youareliable togethitalotsobodyarmourmight notbeabadidea—yourchoice! Makingagambersonisasewingjob; gogetaneedleandthreadorborrow a sewing machine. The material you make it from should be relatively tough (it’s going to take a beating), adsorbent(youaregoingtosweatintoit),colourfast(unlessyouwanttostarta newfashioninoddlycolouredlesh)andwashable(seesweatingabove).Period gambersonsweremadefrommultiplelayersofclothstitchedtogetherorpadded with raw wool or similar material, modern ones often use an internal ill of cottonorpolyesterbattingtoachievethesamelookwithlessweight.Adescriptionofanarmingdoubletofthe15thcenturyis“adowbeletofffustean(atypeof heavywoollenbroadcloth)lynedwithsatenecuttefullofhoolis”.Aheavyouter material,suchascanvasorcalico,isthereforeappropriatewithasofterlining nexttotheskin.Forextraventilationyoucanaddbuttonholesdownthequilting seams. Theshapeofyourgamberson(seeillustrationsabove)dependsontheperiod youaretryingtoportray.Fromapracticalpointofviewitshouldallowyouto 23
PADDING move. Arm movement is especially important; if you can’t cross your arms in frontofyouormoveyourarmaboveyourheadthedesignistooconstricting. Apatternthatwillworkwellformostgambersonsisasfollows: 1. Takemeasurementsasshowntotheleft. A= 1/2upperchest(armtoarm) A’= 1/2upperback(armpittoarmpit) B= 1/4chestmeasurement C= 1/4waistmeasurement D= 1/4hipsmeasurementplus2to5cm E= collarbonetowaistline F= waistlinetobottomofskirt G= backofnecktowaistline H= waistlinetobottomofskirt(back) Note that the waistline in the late medieval periodtendedtobehigherthantoday’sandwas measuredjustundertheribs.Thiswillgiveyouthebasictorso. ForearlierperiodgambersonsthemeasurementCshouldbeabout the same as measurement D giving a tubular trunk. Later period tended to have a more pronounced waistline following the whims of fashion, in which case measurement C should be a rather snug it. For a lared skirt increase measurement D. Remember to keep thearmholeslargefor easeofmovement. 2. Cut out one set of panels, baste together (long,easilyremovable stitches)andtryiton. Gothroughyourrange ofightingmotionsand makesurethatitdoes notpinchorbind.Cut andmodifytosuitthen remove the stitches, add5to8cmextra(2-3inches)tothemeasurementstoallowforthe quiltingthenusetheadjustedpiecesaspatternstocuttherestofthe cloth. 3. You can make gambersons out of pre-quilted cloth, or you can sew yourownquilting-simplycuttwoidenticalpanels,oneoftheouter and one of the inner fabric, machine stitch rows down them then stufftherowswithwhateveryouhaveathand. 4. Cut out, sew and pad arms in the same manner. These can be attachedtothebodyeitherbyhandstitchingorbypointsandties, which have the advantage of leaving the armpits open and ventilated. 5. Addclosuresdownthefront(lacesorbuttons)andarmingpoints; lacestoattachyourarmandshoulderarmour. 24
PADDING Sewinganarmingpoint 1. Workfromtheright(outer)sideofthefabric.Makeacircleof stab stitching round the eyelet position; inish by bringing the needleupjustoutsidethecircle. 2. Now push a sharp point (scalpel, scissors point, stiletto...) into the centre of the circle and start forcing it through, working frombothsidesalternatelyuntiltheholeisalmostasbigasthe outlinestitching. 3. Puttheneedledownthroughtheholeandbackoutalittlefurtherround,whippingovertheedgeoftheholeandtheoutline stitching.Pulleachstitchtightlyasyougoround.Thestitches shouldjusttouchastheypassthroughtheholeandradiateout alittle. 4. Toinishoffmakeoneortwosmallstabstitchesfrombackto front,thenlosetheendinthestitchingattheback.Youshould haveairmslightlyraisedring. Thebestthreadtouseisirmcottonorlinenthread,40gaugeorthicker;syntheticthreadsfraytoomuchforhandsewing.
LimbPadding Armour, by itself, will absorb a portion of any blow hitting it. The purpose of padding it to reduce what remains to an acceptable level; where you don’t get hideousbruisesbutyoucanstillfeeltheblows;yesyoucanoverpadthings!You havetwochoices;eitheryouallowwhatisbelowthearmour(gamberson,padded hose,lesh)toabsorbtheremainingimpact;oryouaddextrapaddingtothe insideofthearmour.Felt,leather,orclosedcell(backpackers’sleepingmattype) foamcanallhelp,experimentuntilyouindwhatsuitsyou. 25
PADDING
JointPadding Jointsaresusceptibletodamageandshouldthereforebewellprotected.Extra protectioncanbebuiltintoyourundergarment;anextrapadwornunderthe armour, such as one from a sport like hockey or skate boarding; or padding addedtotheinsideofthearmour,suchassleepingmatfoam.Againexperiment untilgoodprotectionandmobilityareachieved.
HelmetPadding Theamountofpaddingrequireddependsonhowhardandhowoftenyouexpect tobehitonthehead.(ForfurtherinformationseeChapter18.)Thewayyoupad itdependsonpersonalchoice,therearethreebasicways;lineitwithfoamorfelt, buildthepaddingintoacoif(closeittingcap)orelsebuildaleathersuspension ringliketheinsideofamoderncombathelmet.Ofcourseyoucanalwaysuse combinationsoftheabove.TokeepthingssimpleI’lljustdescribepaddingfor themostextremecase,tourneyighting.Forthisyouneedalayerofclosedcell (backpackingsleepingmat)foamwitheither,extrareinforcingpads(madeof lessdensefoam)oracoif. PaddingthePotandGreatHelmsisfairlystraightforward.Cutthefoamtothe shapeoftheindividualpanelsofmetalandittheminside.Firstputinalayerof closedcellfoamagainstthesteel.Thenaddopencell(mattressorpackingtype) foamwhereneededtomakeasnugit. Topadacurvedtophelmmakealinerasfollows: 1. Measurethecircumferenceofyourhelm at about brow level. This gives you your baseline.Nextmeasureupfromthebrow tothecrownofthehelmet(thetopmost point). This gives the height. Divide the baselineintofoursegmentsandturneach segment into a triangle with rounded edges. Measure the depth of the rest of the helm and add this to the bottom of thetriangles.Allowaholefortheface. 2. Cut the resulting shape from closed cell foam. Trim as necessary to get a good it inside your helmet then duct tape together. 3. Take strips of open cell foam and put a strip across the brow, at the back of the head,ateachsideandputadiskoffoam atthetop.Leaveplentyofroombetween stripsforaircirculation. 4. Trythehelmonandseehowitfeels.Trim paddinguntilasnugandcomfortableit isachieved 26
PADDING Don’tglueyourpaddingfullyin-youmayneedtotightenyourrivetsortakea dentout—tryaremovablelinerorDuctTapeinstead.
GauntletPadding Gauntletstendtobefairlytightittingleavinglittleroomforpadding.Gauntlets, however,don’tneedmuchpaddingastheyachievealotoftheireffectbyspreadingtheforceofablow—alongthehand,ontothearmandontothehiltorhaft of your weapon. Start with a good pair of leather gloves; quantity welding or gardeningglovesworkine.Holdontoaconvenienthaftandtapyourgauntlets. Stingortouchanywhere?Thenaddathinlayeroffeltorbackpackingfoamto thispoint.Goodareastopadaretheingertips,knucklesandaroundthewrist guard.Keeppaddinguntilitfeelsright.
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PADDING
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Chapter9—Head When designing helms beware of gaps between head and neck armour and swordsizedholesatthethroat!Helmetsshouldbemadefromatleast16-gauge steel.Makingacardboardtemplateandadjustingthistoityourhead,rather thanplayingwithbitsofsteel,savesalotoftimeandeffort!
PotHelm I designed this helm as an exercise in minimalist cutting—itonlyhasthreeplates 1. Cut the front and back plates asshownonthepattern,igure 9-1. To cut the eyeholes drill a series of holes around the insideoftheslots.Cutbetween the holes with a hacksaw or coldchiseltheniletheremainingpointsbacktothemarked line. 2. Curvetheplatesasshown.The crease at the front is simply achievedbybendingtheplateoveralatedge. 3. Bend the top of the face plate down so that tab B covers tab A. Rivet them together, on both sides,usingtheholesnearesttotheeyeslot(don’t rivet the other hole yet). Pein rivets on inside of helmet. 4. Rivetthefrontplateoverthebackplate.Thefront plateshouldreachthelinelabelledoverlaponthe template.Don’trivettheverytopofthehelm,or youwon’tbeabletogetthetopplateon!Youcan useoneofthelowerrivetsoneachsidetoholda chinstrapinplace. 5. Turnthehelmoverontothesteelsheetandtrace aroundtheoutsideofthehelm.Addabout2cm 29
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Figure9-1:PotHelmPattern
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6.
7.
8. 9. 10.
overlaptothisandcuttheresultantshapeout.Thisisthetopplate forthehelm. Make a series of evenly spaced holes, 1 cm from the edge, approximately 3.5 cm apart around the circumference of the topplate.Cutaroundtheseholes,uptotheedgemarkline,so astoturntheoverlapareaintotabs.Usingasoftfacehammer bendthetabsdownsothetouchthesidesofthehelm. Place the top plate on the bottom plate and rivet them together throughthetabnearestthefrontcrease.Nextrivetthetabattherear andthenonetaboneithersideofthehelmtherebyholdingthetop plateevenlyinplace. Rivettherestofthetabs.TheTabmethodistheeasiestwaytoitthe topplate;analternatemethod,usinglesscuttingbutmorehammering,istoraisetheoverlapdown(seeRaisedHelmTop). Curlthebackedgeandsidesofthehelmtopreventthemhittingyour shoulders. Padinsideofhelm-especiallythetop,thesehelmsmadegreat“mace landingpads!”
RaisedHelmTop Wantevenlesscutting?Thenraisethetopplateedgeover: 1. Turnthehelmoverontothesteelsheetandtrace around the outside of the helm. Add about 2 cm overlaptothisandcuttheresultantshapeout.This isthetopplateforthehelm. 2. Mark the overlap onto both sides of the plate. Draw a few intermediate linesontheoutersurface. 3. Cuta2.5cmwidegroveintoathick pieceofwood.Usingthisasaformer beat the overlap into V shaped crinkles. 4. Takearaisinghammer(acrosspein withthebacksmoothedwilldo)and a convenient stake (ideally with a curvedfaceandalatend).Placethe top plate onto the stake so that the markededgeisatthelipofthestake. Strike the overlap, immediately next tothemarkedline,soastoforcethe metal at this point down onto the surface of the stake.Thiswillforcethemetalinwards.Strikeinan identicalmannerevenlyallaroundthetopofthe overlapuntilyoucomebacktowereyoustarted. 5. Movethetopplatefurtherout(thisiswherethose intermediatelineshelp)andhammeranothercircle down.Repeatthisprocesshammeringfurtherout 31
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Figure:
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HEAD eachtimeuntilyoureachthefaredgeoftheoverlap.Thisisonepass; nowannealthepiece. 6. Starting at the inner edge each time do enough passestobringtheoverlapintothecorrectshapeto itthehelmettop.Note:youhavetoraisemoreat thebackthanatthefront. 7. When the plate is the right shape planish the hammermarksoutbyplacingthelipoverthestake and striking it evenly with a lat faced hammer. If thetopplateisnotentirelylat,alikelyeventespeciallyonyourirsttry,placeitupsidedownontoa latwoodensurfaceandbeatitintoabettershape. Hammeroriletheloweredgeuntilitiseven. 8. Rivetinplace.Enjoy.
GreatHelm This helm can use either of the last two methods of attaching thetopplateorthemethodgivenbelow.Isn’tchoiceawonderful thing? 1. Scaleupthetemplatesoverpagetoityourhead,transfer themtosteelthencutthemout. 2. Crease the centre line of plate 4; curve the plates to the shapesshownbellow.
3. Maketheupperhalf;placeplate1overplate2witha20mmoverlap andrivetthemtogetherwithfourrivets.Leaveroomforrivetsatthe top(forthetopplate)andatthebottom(forplates4&5). 4. Checkthattheupperhalfitsyourhead;itwillbedificulttochange afterthenextstage!Itshouldbeslightlyeggshaped(I’veyettomeet anyonewitharoundhead.) 5. Markacircle20mmdownfromthetopoftheupperhalfthenraise/ bendthisinalittle.
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HEAD 6. Turntheupperhalfoverontothesteelsheetandtracearoundthe outsideofthehelm.Addabout2cmoverlaptothisandcuttheresultantshapeout.Thisisthetopplateforthehelm. 7. Dishthetopplatetomeettheraisedcurveontheupperhalf.This shouldn’tbeanextremebowlshape,justagentlecurve.Rivetthetop plateinsidetheupperhalf.
8. Takeplate3andcurvetheupperedgeinwardsalittlebyhammering itoverasuitableformer. 9. Rivetplate3totherearoftheupperhalf.Don’trivetattheveryend becauseyouwillneedthisspacetorivetthefrontplateon!Ifyourivet thetwoendsthenthemiddleyoucanadjusttheshapeoftheoverlap, withasuitablylargehamme,toensureagooditallroundfortherest oftherivets. 10. Bendthetwotabsonplate4inwardssothattheymatchthecurveon thebottomofplate1thenrivettheplatetotherestofthehelmet. 11. Ifnecessaryiletheeyeslottogiveanevengap.Cutasmallnasalbar andrivetitacrossthecentreoftheeyeslot.Padandenjoy.
Variationsonthe‘GreatHelm’design
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BreathsandEyeSlots Thebreaths,beingtheholes/slotsinthefrontofthehelmet,serveseveralpurposes;theprimaryonebeingtoallowyoutobreath!Breathsalsoallowyoutosee downwardswithoutmovingyourheadandgiveyoursweatachancetoescape. Periodhelmsoftenhadthebreathsononlyoneside,usefulforpreventinglances gainingagripduringatourneybutdetrimentaltoventilationandvision.Iwould suggestholesonbothsides,undertheeyeslotandaroundthenoseandmouth area. The cheek and chin areas will more than likely be covered by padding sodon’textendtheholestoofararound.Whendrillingbreathsrememberto remove the burrs from the inside of the helm! You can drill/cut the breaths beforeyourivetthefaceplateon.
DomeToppedHelm Variationsindesignwillallowthistypeofhelmtobeusedforawidevarietyof periodsandightingstyles. Two basic frame designs are described below - many more are possible,however,thelogicbehindthemremainsthesame.Abrowband goes around the head. Strips are attached to this, which pass over theheadfrombacktofrontandfromsidetoside,toformaframe. Dishedsideplatesaretheninsertedintotheframetoformthedome. Additionalpiecesarethenaddedtogiveface,cheekandorneckprotection
CrusaderStyle Thisframedesignhasarelativelyshallowbrowbandandnarrowframestrips. Thetopoftheframecomprisesabackandfrontstripandtwosidestrips,which arejoinedatthetopbyanothersmallplateatthetop. 1. Decideonthedetailsofthedesign. 2. Measurearoundyourhead,addabitforpadding(see Chapter 18) and use this to make a template for the browband. 3. Measureacrossthetopofyourhead,andagainallowing forpadding,cuttemplatesforthebackandfrontstrips andthejoiningpiece.Tapethetemplatestogether,bend intoaneggshapetoityourheadthenusethistoworkoutthesizeofthesidepieces.Hereareafewusefultips: a) A2cmoverlapgivesspaceforriveting.Thestrips allneedthisatbothends. b) Because your head is oval, not round, the side stripswillbeshorterthanthefront/backones. c) Havingallthestripsthesamewidthmakescuttingaloteasier! d) Makethestripslongertoachieveamorepointylook. 4. Transfer,thencut,thepatternsfromsteel.
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HEAD 5. Mark the back point and centre side points on the brow band; use thesetomarktherivetholepositionsforattachingtheframestrips thendrilltheholes.Bendthebrowbandtoshape. 6. Bendtheframestripstoshape;iftheyarewideyouwillhavetodish themabit.Dishthejoiningplate. 7. Matchtheframeup,usetheholesinthebrowbandtomarktherivet holepositionsinthestrips.Drillholesinthestripsandjoiningplate. 8. Bolteverythingtogether.Younowhavethebasicframeshape. 9. Placeapieceofcardinsideoneoftheholesin theframeanddrawroundthehole.Removethe card, add enough space all round for rivets (a coupleofcentimetresorso)andyounowhave a template for your iller plates. Note that the sides of the iller plate are not identical, this meansafrontplateisthemirrorimageofaback plate. 10. Cutfourillerplatesthendishthemtoittheholes.Makesureyou dishtherightsidefortheplatetoit,seenoteabove!Ithelpsifyou numberthem—thiswaytheydon’tgetmixedup. 11. Foreachplate: a) Removeboltsfromaroundholethenplaceplateinside.Check theit;re-dish/planishuntilhappy. b) Mark the rivet hole positions through the frame. Remove the platethemchecktheholesareinsensibleplacesi.e.notright nexttotheedge!Ifnecessaryreit. c) Whensatisiedwithitcutoffanyexcessmetalfromtheiller plate(morethan1cmfromtherivetline)thendrillafewofthe holes(acoupletopandbottomisgood). d) Rivettheplateinplace. e) Drillandrivettheotherholes.Youcantryanddrillalltheholes beforeyouittheplatebutIindinaccuraciesinmarkingand drilling move things enough so that after riveting a few holes therestnolongerquitelineup. f) Thedomeisnowinished. 12. Cut out a back plate, if required—the illustration this comesfromshowsafrontplateandmailwornoverthe restoftheheadtoprotectthebackandneck.Curvethe back plate then dish out the bottom to give the shape shown. Rivet this in place. If you want an early period lookcoverthebackplatewithleather. 13. Cutoutthefrontplateanddrillbreathholes.Curvethe platethendishthetop(beloweye)sectionin. 14. Cutnasalbar.Rivetfrontandbackplatesinplace.Doing themtogetherallowsyoutosortoutrelativepositions, overlap and other such problems. Rivet nasal bar in place,addchinstrap,padandwear.
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CoppergateStyle Thisframedesignhasadeepbrowbandwitheye holes cut into it, a single strip passing from front to back and two side strips which rivet under the front-backone. Domeconstructionisthesameasfortheprevious helmexcept: 1. Measureacrossthetopofyourhead,and allowingforpadding,cutatemplatefor thetopstrip.Tapethetopstripandbrow bandtemplatestogetherthenusethisto workoutthesizeofyoursidepieces.Note that the mid point, where thesidestripsjointthetop strip,isnotinthemiddle of the top strip! This is because the front, especially if it has a nasal overlaps the brow band more than the back. If you mark the positionsofthetopofthebrowbandontothetopstrip thenthemidpointishalfwaybetweenthem. 2. Thestripsarewideronthisdesignandsowillneedto belightlydish/bendtoshape. 3. Thefrontofthetopstripgoesoverthebrowband;everythingelsegoesunder. Theoriginalhelmhassomeveryornatebrassworkoverthetopandonthenasal, hingedcheekplatesandmailattherear.Ifyouwantedsomethinglessopenyou couldaddafaceplateandneckguardintheSuttonHoostyle.
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Figure9-3:CheekPieceTemplate
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Figure9-4:DomeToppedHelmTemplates
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Hingedcheeks
1. Cutoutandlightlydishthecheekpieces. 2. Take a strip of metal (about 3.5 cm wide), cut in half then fold each half in two over arod.Hacksaw/ileasshown.Drilltworivet sizedholesthrougheachhalf. 3. Cutapieceofrodthesamewidthasthestrip toformapin.Cutaslotintothetopofcheek piece and the brow rim to it the hinge. Join the two halves of the hinge,insertthepinthenrivetontohelmandcheekpiece.Youdon’t needtopeinthepinastheslotspreventthepinfallingout.
ChinStrap Thechinstrapisaveryimportantpartofthehelmet—itkeepsyou fromeatingthefaceplatewhenaspearhitsyou!Italsokeepsyour helmfromdoingembarrassingthingslikepoppingoffinamelee! Asplitchinstrapisthemostcomfortabletowear;foranchoringita doublestrapismosteffective.Thestrapsshouldbeattachedtothe helmetjustbehindandabovetheear.
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Chapter10—Neck Thereareseveralvulnerableareasaroundtheneck.Thefrontofthethroatis opentospears,halberdsandotherthrustingweapons,thesideoftheneckmay takeamisaimedheadshotandthereisalittlebumpattheback oftheneckthatcanleaveyouparalysedifitgetshithard.Body armour, including a gamberson with a collar, can help protect someoftheseareasbutspeciicarmourisbest.
LeatherGorget Thisisasimpleneckbandwithaddedprotectionfrontandback. 1. Size then cut out the shapes shown from thick leather. Theneckbandgoesallthewayaroundtheneck—onlya smallbitisshownonthetemplatetosavespace! 2. Rivetthethreepartstogetherandaddabuckle. 3. If you don’t have a collar on your gamberson pad the neckarea. 4. Wearunderyourbodyarmour.
Bevoir A popular style from the ifteenth century. A bevoir shouldbeshapedtoityourneck,faceandnose(which it should miss!) and the lower part of your helm. Designsvaryfromonesthatcovermostofthefaceto therelativelysmalloneasdescribedbelow. 1. Cuttheneckplatefromsteel;don’tworryabout theotheroneyet! 2. Dishthefront,intheareashown.Bendthesides aroundtoityourneck,thenbendtheminalittle moreasformingtheliptendstostraightenthem outabit.Asyoudishthemetalbelowthemarked areaitwillbegintocrease;don’tattempttolattenit,justpushitdowntostartformingthelip. 41
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Figure10-1:TemplateForGorget
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Figure10-2:TemplateForBevoir
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NECK 3. Raisetheliptoityourshoulders/topofchest.Don’traiseittoofar soitsticksupintheair!Dishthesidesoftheneckplatetogivethe proileshown. 4. Now take a piece of card and make a template for thelowerplate.Takenoteofhowthecardbendsto accommodate both the neckpiece and your chest - because you are about to copy this in steel. If your bending/raisingwasalittleunevenmarkwhichway upthelowerplateitsonthetemplate! 5. Cutthelowerplatefromsteelthenbendtoittheneckplate. 6. Looselyrivetthetwopiecestogetherthenaddastrapandbuckle.
Notes AddinganadditionalupperplatecanincreasethefacecoverageoftheBevoir.If youtakethistotheextremeyoucanevencutaneyeslotinit!Thelexibilityof thelowerplatecanbeimprovedbymakingitintwoparts.
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Chapter11—BodyArmour Particularlyvulnerableareasonthebodyarethekidneys,groin,spine,collarboneandribs.UnderthearmpithurtstoobutI’veyettoindawayofarmouring there!
Kidneybelt Thisissimplyawideleatherbeltthatcoversthekidneys andsomeofthelowerbackandstomach.Alesswideversioncanbewornunderotherbodyarmourtoactasextra protection over the kidneys. It also makes a convenient thingtohangyourlegarmouroff.
CoatofPlates Excavation of graves from the battle of Wisby in 1361 revealed a number of Coats of Plates; a popular fourteenth centurystyleofbodyarmouroftenwornasre-enforcement overmail.ThedesigngivenhereisbasedonWisbynumber 6(thesimplest)withthetieloopsfromnumber1tomake it more comfortable to wear. If you look up the reference in Chapter 20 you can get a lot more patterns! The plates mountontotheinsideofacoat,shapedabitlikeaPoncho, which goes over the head and buckles at the back. This simplestyleleavesthetopofthespineexposedbutyoucould alwaysaddanextraplateortwotocoverthingsthere! 1. Makethecoat.Thiscanbecutfromleatherorsewn from canvas with a material covering on the outside. The coat should be fairly sturdy—its going to take a beating! 2. Cut out and shape the plates. These can be made from thin steel, thick or Cuir Bouilli leather or thermo plastic. Note how the indi45
BODYA RMOUR
Figure11-1:CoatofPlates
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BODYA RMOUR vidualplatesandtherowsoverlap,coatsofplatesworkbyspreading theforceofanimpactoverseveralplates. 3. Drillrivetholesinplates.Rivettheplatestotheinsideofthecoatin numericalorder.Remember,iftherivetholesonaplatewillbecoveredtheplateneedstoberivetedonbeforethecoveringplate!The rivetscanbeplateorasornateasthoseonarmournumber7. 4. Rivetthestrapsandtieloopsinplace;akeyringmakesagoodcircularattachmentpointforthelaces.
Brigandine Afrontopeningstyleofbodyarmourpopularinthe15C.Ifyou arenotwearingmailit’sagoodideatoaddtassets,platescovering thehips,usingthediagraminigure11-2.Thisdesignisbasedon onefoundatChalcisandgivesverygoodoverallprotection.Aswith theCoatofPlates,theplatescanbemadefromthinsteel,thickor CuirBouillileatherorthermoplastic.Makingtheshoulderplates ofleathermakesitmorecomfortabletowear.RatherthanshowpatternsforlotsofverysimilarplatesI’vesimplygivenaninternalview ofthecompletedcoatthenthedimensionsandshapesofafewof theplates.Tosizethecoattoitirstmeasureyourbodylengthand circumferencethenscaleupthediagram,inigure11-3,tothese dimensions.Fromthis,andthediagrams,inigure11-4,youshould beabletoworkoutthevariousplatesizes. 1. Sewthecoatfromclothandcanvasorcutfromleather.Itopensatthe frontandatbothshoulders. 2. Cutandshapetheplatesthendrillouttherivetholes;theoriginal hassixrivetsperplate,fourwilldo.Notethatmanyoftheplatesare the same size. Numbering them after shaping saves a lot of confusion! 47
BODYA RMOUR 3. Nowrivettheplatestothecoatintheorderthattheyarenumbered. 4. Addbucklesatfrontandatshoulders. 5. Sew covers for tassets if required. Cut plates to it then rivet into covers.RivetcoverstoBrigandine.
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Figure11-2:PatternsforTassets
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Figure11-3:Brigandine
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Figure11-4:BringandinePlates
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Chapter12—Arms Yourarmsmoveintotargetrangeeverytimeyouattacksomeone!Armouring them is therefore a good idea, especially if you favour two-handed weapons. Whenmakingpatternsforforearmsbecarefultoallowroomforwristrotation; acommonproblemismakingthemtoolong.Likewisewiththeupperarmallow roomforthebiceps;yourupperarmchangesshapewhenyoulexit—ifnotgo tothegym.
SplintVanbrace Anearlydesignforprotectingtheforearm. 1. Scalethencutthesplintsfromsteel. 2. Rivetsplintsontotwoleatherstrapsthatboth keep the plates in place and hold them on yourarm. 3. Addbucklesandwear.
CuirBouilliForearmGuard Thisdesignprotectstheforearmandpartoftheelbow. 1. Carveablockofwoodintoaformertheshapeofyourpadded forearm. 2. Scaletemplatetoyourarmthencutfromapieceofthick naturaltan/toolingleather.Don’tmakeittoocloseittingor youwon’tbeabletogetyourarminitafterhardening! 3. Soakleatherinwateruntilitbecomesmalleablethenstretch it around the wooden former. Hold in place with carpet pins.Ifyouwantyoucannowmakeprettypatternsallover it;lookupcarvinginaleatherworkingbook! 4. Placeintoawarmovenandallowtodryslowly. 5. Remove from former. Either shave off area with pinholes, use them for decorative stitching or to stitch a lining in place.Drillholesforlaces. 6. Coverwithwaxtowaterproof. 53
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ArticulatedElbow Anarticulatedelbowwilljointheforearmandupperarmprotectionwhileallowing the elbow to lex. When working out how to get articulations to work it is easiertouseaseparatewing(onelessbittogetintheway).Oncethetechnique isestablishedthecopandwingcanbemadeinonepiece.Aftermakingacouple oftheseyouwillgetaneyeforwherethearticulationpointsshouldbe,andall willbeeasy. 1. Sizetheelbowcopasshownthencutitoutfrom steel. 2. If cop and wing are one piece then shape the wingpart,seedetailslater. 3. Mark the bend and centre working lines onto theinsideofthecop.Notethatasthecopgoes further around the outside of the arm than the inside, the bend line is not in the midway betweentheends. 4. Start dishing the cop around where the two workinglinesmeet. 5. Once a reasonable depression has been producedcommencehammeringfurtheroutsoas tocurvethesidesofthecop.Trytoworkevenly andmethodicallysoastogiveasmoothinish.
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A RMS 6. Continueworking,dishingthemetalandbendingbyhandasnecessaryuntilthecorrectshapetoityourelbowisformed. 7. Planishtheedges,andanywhereelsethatisabituneven,togivea smoothinish. 8. Drillfourarticulationpoints.Notehowtheyareatthesameheight onbothsides. 9. Cuttwolames.Ifyoucutthemfromcardboardirstyouwillbeable toadjustthesizetoityourcopwithease.Youwillalsobeabletosee howtheyarticulateorwheretheymightcatch.Tryingthingsoutwith cardboard irst saves a lot of time. Once satisied with the size and howtheymovetransferthedesigntosteel. 10.Foreachlame: a) Dishthelametoitthecop. b) Markthearticulationpointsthroughtheholesinthecop. c) Checkformovement;watchingyourmarksthroughtheholesin thecopasyourotatethelameinandout. d) Adjustuntilasmooth,nongapingmovementisobtained. e) Drillonehole,placeaboltthroughit,thenrecheckthesecond hole.Oncesatisieddrillthesecondandboltinplace. 11. Matethecopwiththeupperandlowerarmguards.Drilltwoholes ineachlamethenarticulatethearmpiecestothecopinthesame mannerasyouarticulatedthelamestothecops. 12. Oncesatisiedwiththearticulationreplacetheboltswithrivets.Don’t worryifyougetalamewrongirsttimearound;unboltitthrowitaway and try again! This way you can ensure everything works beforeyourivetonalamethat won’t it the rest of your arm ordecidestogap.Ifusingseparate wings shape then rivet in place. Depending on how well your articulation works/ its you may need to rivet a strapacrossthecentretohold itinplace.
Wings Thesecanbemadeinavarietyofstyles,twoareshowninigure12-1.PatternA, thetwincircles,simplyrequiresthecentreofeachcircletobedishedinwards. ForpatternB,theoval,constructaformerbymakingtwocutsintoapieceof wood.Hammerthehashedareaintoa‘V’shapedgrovethusformed.Forminga ‘V’herewillpullthetwosidesupalittle;accentuatethisshapeslightlybyhammeringontheinside.Finallyhammerthedottedoutsideareaslightlydownwards toproducethecrosssectionshown.
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Figure12-1:TemplatesforElbows
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HiddenElbow This is simply a metal cop that can be worn behind a shield or under clothing to protect theelbow. Itismadeinanidenticalfashiontothearticulatedoneaboveandheldinplace byaleatherstrap.
FloatingElbowCop Thisisanelbowprotectorthatislacedto thegambersonindependentlyoftheforearmandupperarmprotection. 1. Scale then cut the cop from steel (yesitisbasicallyarectangle). 2. Dish the hashed area of cop to it elbow;itneedstobedishedmorein thecentrethantheedges. 3. Continuedishinguntilacurvedcop shape is formed. As you work the outer edges will be forced out to formwings.Accentuatethisshapeby planishing them on a stake. Try to get a crisp fold edge between the dishedpartandtheouterwings. 4. Roll the edges of the wings to strengthenthecop. 5. Drill lacing holes, two sets in the outersideandoneintheinner. 6. Hold in place, on gamberson, with threesetsofpoints.
SplintedUpperandLowerArmGuards. Thesearemadeofleatherreinforcedwithsteelstrips.Thetwopiecesareheld togetherbyanarticulatedelboworpointedindividuallytothearmunderaloatingcop.Theygivegoodlightweightprotection. 1. Scalepatternstoitarmthencutfrom heavyweightleather. 2. Work out attachment points for straps and points. The straps should hold it to your arm without restricting movement;theupperpartlacestoyourgambersonsotheholesinitshouldlineup withyourarmingpoints. 3. Cutstripsofsteelforsplints.Failingthat buythemetalinastripthencuttosize; stainlesssteelstrip,forexample,isused 57
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Figure12-2:PatternsforSplintedArmGaurds
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Figure12-3:PatternsforPlateArmGaurds
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A RMS as box packaging. Remember to allow space for your elbow protection. 4. Drillholesforrivets—it’seasiertodostrapandstripholesatthesame time—thenrivetstripsandstrapsinplace 5. Rivettoelbowand/orlacetopointsongamberson.
PlateArms Full plate arms offer excellent protection but are rather heavy and prone to takingdents!CuirBouilliarmscanbeconstructedtosimilarpatterns(noedge roll). They work in the same way as the splinted arms above but, because the materialtheyaremadeofislesslexible,theyrequireahingedopeningtoit aroundyourarm. 1. Scalepatternstoarmthencutfromsteel.Allowforedgerollatcuff butensurewristcanstillmove. 2. Curveplatestoitarm. 3. Rollwristedgeonbothhalvesofforearmplates.Fileedgestoensure bothhalvesittogetherwell. 4. Makeandithinges;thesearesimplyapieceofleatherrivetedtothe backoftheplatesoryoucouldmakeametalhingeaspertheCoppergatehelmdesignifyouprefer. 5. Addclosurestrapsandbuckles. 6. Rivettoelboworlacetopointsongamberson. Ifyouwantsomethinglighter,whilstgivingequivalentprotection,youcouldsubstitutethermoplasticforthesteel.Leaveofftheedgerollandthencoverinthin leatherorfabricbeforeaddingtheclosurestraps.
UpperSleeve Thisformsanextraprotectionfortheupperpartofthearmandtheshoulder. Padded 1. Make three layers, a tough outer one, an inner one of quilted paddingandaliner. 2. Sew them together thenattachtoshoulder withpoints. Brigandine 1. Makeclothouterasshown. 2. Linewithsmallplates. 3. Attachtoshoulderwithpoints.
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ShoulderGuard This design works equally well with steel, Cuir Bouilli or thermoplastic. The descriptionbelowusessteel;adaptasnecessary.Shoulderguardscaneitherbe lacedtothegambersonorstrappedtothebodyarmourorneckguard. 1. Scalepatternstoitthencutfromsteel. 2. Bendplatestoityourarm.Thetopplateneedstobelightlydished toittheshoulder. 3. Drillholesasshownthenrivetleatherstrapsinplacetoallowplates toarticulate.Thebottomplatesarejoinedwithtwostraps.Theyjoin totheshoulderplatewithasinglestrap. 4. Rivetbucklestrapinplacetoholdshoulderguardtoupperarm. ShoulderWithSlidingRivets Alaterperioddesignusingslidingrivets(seeChapter7)toprovidethenecessary articulation.Remembertheholesneedtobeonedrillsizelargerthantherivets andtheslotsneedtobethesamewidthastheholes.
1. Scalepatternstoitthencutfromsteel. 2. Bendplatestoityourarm.Plate1needstobelightlydishedtoitthe shoulder. 3. Note how the plates go together; plate 2 goes over plates one and three.Plate4goesunderplate3.Nextnotethepositionoftheslidingrivets;theslotsforarticulationarecutinthecoveredplate.Drillingaholethenilingmakestheslots,togivethecorrectamountof articulation.Ifyousimplybolttheplatestogetheryouwillbeableto checkthearticulationasyougo. 4. Once you are satisied with the it/movement rivet everything together. 5. Drillholesasshowninlowerplatethenrivetstrapsinplace.
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Figure12-4:UpperSleeve
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Figure12-5:ShoulderGuard
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Figure12-6:Shoulderwithslidingrivets
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Chapter13—Hands Yourhandsaredelicateandvulnerabletoimpact duringcombat;itthereforemakessensetoprotect them!Tobefullyeffectivetheprotectionshould coverthethumb,ingertips,ingers,backandside of hand, thumb and wrist. If the edges of the gauntletareincontactwiththeweaponthenthe forceofanyblowstrikingthehandwillbespread ontotheweaponratherthanthehanditself—this isagoodthing!
WisbyFingeredGauntlet Thisisbasedupon14thcenturyremainsunearthed inGotland.Thecuff,whichismissingontheoriginal, is my own design. The entire gauntlet consistsof29plates,whicharerivetedontotheoutside of a leather glove. In fact the most dificult part of the construction is making the padded glove!Ifyouareluckyenoughtohavesmallhands then ind two pairs of gloves that it inside each other.Buildthegauntletsonthelarger,outerpair and use the inner pair to adsorb the impact of any blow that strikes home. If however,youhavelargehandsyouwilleitherhavetoattachalayerofleatherto thetopofanexistinggloveorelsesewalargeouterglove. Assemblingthegauntletisverysimple. 1. Mark out all the bits, bar the knuckle platesontoyoursteelandcutthemout. 2. Mark,dish,thencutouttheknuckles. 3. Bend everything to shape and raise the ingertipplatesoverattheends 4. Riveteverythingtogether.
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Figure13-1:PatternsforWisbyFingeredGauntlets
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HourglassGauntlet Adesigninwhichthefoldedandraisededgesimpartalotof strength. 1. Cut out the templates for the three main pieces and adjust to it your hand. Check that, with glove on and padding in place, your hand can it through the wrist holeandthatthegauntletitsyoursword. 2. When satisied with the it, cut the various pieces from steel. 3. Roll the hand plate into an oblong-based cone (as shown on the diagram in igures 13-2to13-4). 4. ForthenextpieceyouwillneedaformerwithaVnotch in it. Place the plate over this and hammer down the area shown. This should then match the shape of the
handbetweenthethumbandbaseoftheforeinger. 5. Rollthewristplate,againintoanoblongcone,and then raise the bottom out to match the base of the hand plate. This is fairly tricky and must be done correctly or else the gauntlet will not have its full strength. Check the shape of the two plates in relation to each other and your hand. Remember that youmustbeabletogetyourhandintothegauntlet! Iftheopeningisnowtoosmallbendtheplatesout intolargerovalsanduseabiggerjoiningplate.You willindalittledishingaroundthebaseofthethumb helpsthegauntletgoon. 6. Temporarily bolt the two plates together. Then shapethejoinerpiece(which isfunasitbendsineveryconceivable direction at once!). Finallyrivetthethreepieces together. 7. Roll the cuff of the wrist plate. 8. Shape the guard plate and thenraisetheendofthehandplatetomatch it. Rivet the guard plate in position and then rolltheendofittoprovideextrastrength.
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H ANDS 9. Nowcuttheingerplates.Therearetwoperingerandanother two for the thumb. The plate size will, of course, vary from ingertoinger;thesizesshownarejustaguide. 10. Curvetheplatestoittheingers,raisethebackoftheingertipplate togivetheshapeshownabove,andthendrilltherivetholes.Nextcut apieceofleathertogooverthetopofeachingerandlinetheinside oftheingerplateswithfelt(orotherpadding).
11. Rivettheplatestotheleatherandglove asillustrated. Therivetsareittedasfollows: (1) Finger plate to leather strip next to overlapofplates (2)&(3) Tipplatetoleatherstripatjoint (4) Fingertipthroughleatherstriptoendofglove (5) FingerPlatethroughleathertoglove.
SimpleGauntlet Thisisadesignthatgivesgoodmobilityandprotectionwithoutbeingtoohard toconstruct. Themaintrickistobuildthegauntletstoitthehandintheclosedposition; thatiswhenholdingontoaweapon.Thearticulationsthenallowthehandto open.Asyouareunlikelytobeightingwithyourhandopen,anygapsorbad coverage in this position will have little effect. Also take note how your hand curvesaroundwhenitcloses.Becauseyouringersjointsareofdifferentlengths it doesn’t fold neatly into a cylinder when you clench it! You have to allow for thisslight‘conical’movementtogetthegauntlettoarticulatewithyourhand. Alsonoteyourrangeofwristmotions;yourgauntletshouldnotimpedethese! Small(1/8inch)rivetsworkwellforgauntlets.It’sagoodideatobolteverything together until you complete a gauntlet then try out the range of movements beforeyourivet.Inthiswayyoucanadjustthemovementswithouthavingtodrill outrivets.Youmayindthefollowingadjustmentsuseful: a) Ifthingswon’tlineuptryturningthehole into a slot or oval, preferably on the inner plate, with a ile; turning it into a sliding rivet. b) Ifyougetbiggapstryre-bendingtheplate or remaking it with the holes in a slightly different place; otherwise known as learn68
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Figure13-2:PatternsforHourglassGauntlet
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Figure13-3:PatternsforHourglassGauntlets(cont.)
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Figure13-4:PatternsforHourglassGauntlets(cont.)
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ing from experience! Hey steel is cheap—why waste time on somethingthatobviouslyisn’tgoingtowork? c) Ifyougetsmallgapstryraisingtheedgeoftheinnerplateup ortheedgeoftheouterplatedownorbothuntiltheycatch.
1. Adjusttemplatesrememberingtoallowforpaddinginsidethegauntletandnotingthatbothyourhandsmaynotbethesamesize!Across sectionoftheinalshapeofeachplate,betweenthemarkedpoints,is shownoneachtemplate.Dottedlinesshowwherethemajorityofthe bendingoccurs.Thebestwaytodothisismakeroughpatternsand adjustasyougo;theittingofoneplatemaychangetheshapeofthe next! 2. Cutoutthenshapethebackofhandplate.Thiscurvesaroundthe handmeetingtheweaponononesideandbendingslightlyupwards ontheothertoallowthethumbtomove. 3. Shapethewristplate.Thisitsinsidethepreviousplateandshould articulatetogivefullwristmovement;therougharticulationpoints areshownonthetemplates.Rollthebackedgetostrengthenit. 4. Shape the ingerplate and the ingertip plate and then persuade thesetoarticulate. 5. Shape the two plates that go over the thumb. The thumb tip plate needsraisingdowntoprovidefullprotection;itgoesontopofthe baseofthumbplate.Thethumbisheldtotherestofthegauntletby asmall(about25mm)hingewhichcanbepurposemadeorelsecut downfromacommercialoneasshown.Itisattachedwithtowrivets tothethumbandonetothehandplatetherebyallowingittoactas bothahingeandaswivel. 6. Oncehappywiththeitriveteverythingtogetherthenpadtheinside. Leavespaceswheretheplatesoverlapbareorthepaddingwillpreventthemmoving!Addleatherstrapstoholdthegauntletontoyour handasshown. 72
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Figure13-5:PatternsforSimpleGauntlets
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Figure13-6:PatternsforSimpleGauntlets(cont.)
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LeatherDemiGauntlet Baskethiltsareagoodwayofprotectingthehand.Unfortunatelytheyleavethe wrist and back of hand unprotected. A demi gauntlet provides protection for theseareas. 1. Cutoutthepiecesrememberingtoallowforpadding.Notehowthe handplatedoesnotgoallthewaytothebendlineofthewrist. 2. Punchholesforrivetsinhandplatetabs. 3. Bendtabstoitinsidewristguard(thinningifnecessary). 4. Mark the position of one of the central tab holes, inside the wrist piece,thenpunchoutaholeatthispoint. 5. Temporallyholdthetwopiecestogetherwithanutandboltandmark correctpositionofholesforrestoftabs. 6. Punchholesthenrivetthetwopiecestogether. 7. Stickpaddinginside 8. Fitandrivetpalmstrapinplace 9. Rivetbuckleandstrapinplace. 10. Pickupswordandtrimguardifnecessary.
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Chapter14—Legs Yourlegsarethebitsthatpokeoutfromunderyourshieldandaretherefore primetargets.Theplaceyouaremostlikelytogethitisontheoutersideofyour leading(shieldside)leg,unlessyoumeetanoppositehandedighterinwhich caseyouwillprobablybehitontheinnersideofthisleg(ahthejoysofbeing sinister).Themostdangerousplacetobehitisonthekneeandthisshouldobviouslybewellprotected.Gettinghitonanunarmouredlowerleghurtsalottoo! WhileI’matitI’llmentiontheextremitiesofthelegs.Atthebottomyouwill hopefullyindsomefeet,whicharebestprotectedbyapairofsturdyboots(with ankleprotection)andatthetopyouwillindthegroinareawhichcanbeprotectedbyabox.ThelatCricketstyleboxisprettyuselessforrunningaboutin sobuyabettershapedmartialarts,hockeyorcontactsportsone.Getadecent holdertoowhileyou’reatit.FemaleightersseeadviceinChapter18.
PaddedLegs A style of armour often seen in early 14C illustrationswornovermail.Ashortenedversionoftenhad a decorative border of leather or fabric along the bottom edge. The design is also ideal as hidden armour; see Chapter 18. Thepaddedhoseshouldbemadeofseveral layersofheavycanvasorcalicostuffedwith cotton or other padding. The cuisse, thigh covering, should be quilted vertically and eitherpaddedquitethicklyorbackedwitha rigidmaterial,forexampleleatherorplastic.Theareaofthekneeshouldbequilted into 3-5 sections and stuffed quite full of paddingtoadsorbtheforceofanyimpactonthemetal cop. It is also worth padding the area below the knee quitewelltoprotectfromshotsthatglanceoffthecop. Thepaddingcanbeextendedallthewaydowntheshin, endinginafootstirrup,orendedabout6inchesbelow the knee area. The long version is good if you plan to 77
LEGS weargreaves(lowerlegarmour)theshortversionbetterifyouwanttowearfull maillegs.Thekneecopisavariationontheloatingcop,describedbelow,fastenedontothepaddingbythreesetsofarmingpoints.Thecopshouldbefairly largesothatitcoverstheentireknee,evenwhenbent.
SplintedUpperLegs These are made in the same fashion as splinted arms, see Chapter 12. Adjust the shape shown to it your leg then cut from thick hide. Addsplintstostrengthen.Becausemostre-enactorsightonfoottheir armourcancomefurtherroundtheleg(givingmoreprotection)than periodexamplesdesignedtobeusedonhorseback,whereaconsiderablepartofthelegisprotectedbythesaddle/horse.Theadvantageof alexiblematerialsuchasleatheristhatyoucanwrapthearmouras fararoundthelegasyoulikewithoutworryingabouthowyouwilltake themonandoff!
PlateUpperLegs ThepatterncanalsobeusedforCuirBouilliorthermoplastic;thelattershould be covered with leather or cloth or worn as hidden armour. The instructions belowareforsteel;adaptasnecessary.Becausethesematerialsarelesslexible than the padding and leather types described previously a hinged rear lap is necessarytoprotectthebackoftheleg(andstillletyougetintothearmour!). 1. Adjust the pattern changing the length and width to suit your leg. Remembertoallowenoughgapatthebacktoenableyoutoslipiton yourleg! 2. Transferthepatterntwicetoapieceofsteel(youhavetwolegsdon’t you?) 3. Bendthelegsintothehalfconeshapesshownand thenadjustthisshapingtoitsnuglyaroundyour legwithallowanceforpadding. 4. Cutouttherearlapsbend into a curve to it the back ofyourlegthenilethecontactedgestogiveasmooth jointwiththemainpieceof thelegarmour 5. Rollthetopedgethemainpieceandsideedge ofthelaptogiveadditionalstrength 6. Jointhetwopieces,ofeachleg,withaleather hinge. 7. The legs are now ready for inal assembly as describedinlastsectionofthischapter.
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Figure14-1:SplintedUpperLeg
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Figure14-2:LegArmourPatterns
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Figure14-3:LegArmourPatterns(cont.)
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LowerLegs Thisisarmour,oftenreferredtoasGreaves,toprotecttheshinsand ankles.Thepatterncanbeusedwithleather,steel,CuirBouillior thermoplastic;thelattershouldbecoveredwithleatherorclothor worn as hidden armour. These instructions are for steel; adapt as necessary! 1. Measurethelengthofyourlowerlegand,allowingforupper legarmour,adjustthepatterntoityourleg.Thebottomedge, orlowerplate,ofyourkneecopshouldrestonthetopof yourlowerlegarmour. 2. Transfer pattern to steel and cut two out (one for each leg). 3. Dishoutthetwoanklecoveringareas 4. Bendthemetalintoatube;thetopshouldbe slightlywiderthanthebottom. 5. Placethetubeoveraformerandhammerout the area above the foot. This prevents the edge of the steel from resting on your foot and trying to cut
throughyourboot;whichispainful! 6. Bendouttheanklecoverstoityourfoot. 7. Bend in the top corners with a rubber/rawhide mallet. 8. Addbuckleandstraps.Thebuckleshouldgoto theinsideoftheleg.
FloatingCop This is an early style, one piece, protector for the knee. Simplycutouttheshapeshownthendishtoitaroundyour knee. It can either be laced to your leg padding or hung fromtheupperlegarmour.
ArticulatedCop Thisisalaterdesign,which,whilebeingmoredificultto make than the loating one, gives far better protection. Thearticulatedcopshownconsistsofivepieces,theupper and lower articulation plate’s act in the same fashion as thoseonanelbowandallowyoutolexthekneetositor kneeldown.Thebottomarticulationalsoallowstheknee tolexintheoppositedirection.Thispermitsyoutofully straightenyourlegif,forexample,youwanttoswaybackto avoidabloworputyoufeetintoastirrup.Ifyouhavemade anelbowcopthenakneeshouldbenoproblem—whichis whyIhaven’tgoneintohugedetailsbelow—seeChapter12 82
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Figure14-4:TemplatesforKnees
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LEGS ifyouhaveanyproblems.Rememberitisbesttobolteverythingtogetheruntil youhavegotalltheplatestowork! 1. Cutoutthecopanddishittoshape. 2. Cutandshapetheupperandlowerarticulationplates. 3. Cut and shape the bottom articulation. It articulates to the plate aboveinthenormalfashion. 4. Cutandcurvethebottomplatetoitaroundthetopofyourlowerleg armour.Thisplateneedstoarticulateforward;youdon’tneedmuch movement, just enough to stop it digging in when you straighten your leg fully. When looking for the articulation points make sure theplatecatcheswhenlexedineitherdirection;orelseitwillgap whenyoukneeldownorworsestilljam open.
Fanplate As with elbows the cop can be made with or without a fan plate. The plate illustratedismadeasfollows: 1. Bend the plate to give a curve alongthecentrelineCL . 2. Dish the area marked A inwardswiththeballendofasmall hammer.Bendingthisinwillbend the two wings B out. The curve producedbytheApartwillhelpprotectthebackoftheknee. 3.Bendthetwowingsoutabitfurtherbybeatingthemoveraconvenient former.Takecarenottolosethelengthwisecurvewhilstdoingthis. 4.ShapetheareamarkedCtomatchthesideofthecop(or‘blenditin’for aopenpiececop-fanconstruction). 5.Check the it and adjust as necessary. Area A should curve around the backofthekneebutnotgetinthewaywhenyouarekneelingdown. Thetwowingsshouldstandproudoftherestofthelegarmourwithoutstickingoutataridiculousangle.
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HangingandAssembly Thereareseveralwaystoholdyourlegsup.Themostauthenticistoattacha leatherlaptothetopandusethistopointthemonto yourgamberson.Acommonmethodistobucklethemto akidneybeltforwhichyourequireabuckleonthebelt andastrapatthetopofthelegharness.Anothermethod ittohangoverahipbeltbymeansofastrapandabuckle attachedtotheleg. Youwillalsoneedstrappingtoholdthearmourtothe leg.Youcanuseasinglestrap,ormakeaYstrapasshown intheillustrations.Formorelexiblearmouryoumight want to consider two straps. The buckles should go on theinside/rearofthearmourwheretheyarelesslikely tobestruckandwon’tcatchwhenyourun;hey,youdon’t wanttospendyourentirelifestandinginashieldwalldoyou? A loating cop will require a strap around the back to hold it in place. I ind a strap around the lower plate of my articulated ones holds them well, and a strapatthebackofthe kneemerelygetsinthe waywhenIkneel. Floating cops can be hung from the upper leg by the use of two straps.Alternativelythey canbepointedinplace. Articulated knees are simply riveted to the upperlegarmourwhich is where those long rivetscancomeinhandy!Ifyouarerivetingthecoptoasoftornonhardwearingmaterial(leather,CuirBouilli,thermoplastic,etc.)besuretouseawasher betweenthematerialandthepeinedheadoftherivetorthecopwillsoonfall offtheleg!
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Chapter15—Shields Shieldsaregenerallymadefrom12mm(1/2inch)plywood(marineplyisbest). Lessauthentic,butlongerlasting,shieldscanbeconstructedfromDural,aircraft gradealuminium.Smallbucklerscanalsobefabricatedfromsteel.Shieldsize isverymuchacaseofpersonalchoice.Somebravesoulsdoincrediblethings withtinybucklers,othersprovidesterlingserviceintheshieldwallwiththings thatlooklikebarndoors—therestofushavesomethinginbetween!Experiment untilyouindasizeandshapeyoulike. HandandArmProtection If you have a nice BIG shield no blow can get behind it, right?Sorry—wrong—axeandhalberdheadscomeinsideshields, peoplecanhookyourshieldopenexposingyourhandandarm, andcraftypeoplewillalwaysindwaysofgettinginshotsbehind it!Whilstnotasvulnerableasaweaponholdingarmtheshield arm still needs protecting, in particular the ingers, hand and elbow.
Facings,ShieldEdgingandPadding Thesimplestfacingyoucangiveashieldisnoneatall—yeswood is period! A nice effect for Viking shields, and the like, is to carveafewsmallgrovestogivefakeplanking.Protectingashield against the elements is, however, a good idea and even a ‘wood effect’shieldcanbeneitfromacoatofmattvarnish.Oncethe strapandgripittingholeshavebeendrilledthefaceoftheshield canhavealayerofclothgluedtoit,whichbothprotectsitfrom blowsandgivesagoodsurfaceforpainting.Forheraldryandthe likeyouneedalayerofundercoat(youneedaspecialnon-ferrous metalsoneforDural)followedbyatopcoatofhouseholdenamels orsimilarpaint. Shieldedgescanbeprotected,eithertostopthembeingchewed upwhenstruckor,whennon-steelweaponsarebeingemployed, topadtheshieldtostopitdestroyingweapons!Edgingashield 87
SHIELDS alsomakesitsafertouseasajagged,splinteringedgeisahazardtobothyouand youropponent. The most epic thing you can do to the edge your shield is to cover it with 20-gaugesteel.Simplycutastripasshown,folditaroundtheedgeandrivetit on—ofcoursethiswon’tactuallymakeitlastforeverbutitmayseemthatway afteryou’veluggeditaroundforabit!Alighter,morepracticaledgingcanbe madewithrawhideleather.Thiscanbepurchasedinconvenientstripsasdog chews; but I suggest you avoid the lavoured ones! Simply soak in water until soft,cuttosizethentackonandallowtodry.Acoatingof paintstopsthemgoingsoftagainafterightingintherain, anytimeduringtheBritishsummer. Thereareseveralwaystopadashieldedgebutirstedgeit, evenifit’sDural,withrawhide—thisstopsawoodenshield disintegrating and the hard edge of a Dural one cutting straight through the padding. You now need to add somethingresilientoverthisedgesdon’tneedtobesoftformost combat forms, they just have to have enough give to make weaponslastmorethanoneblow.Stickingalayeroffelton worksasdoessplitrubbertubing,waterhose,thickleatherandthelike.Finally you need to hold everything in place. Felt or soft tubing will need something toughsuchasalayerofleatheroverit,thicktubing(unlessit’sareallyhorrendouscolour)orleathercansimplybelacedinplace.
Round,HeaterandKiteShields Flat, round shields are very easy to make; buy a pieceofplywood,markoutacirclethencutitout (ajigsawspeedsthingsup). Heaters and kites can be made either lat or curved. If you can’t work out how to do a lat onethenyouhaven’tbeenpayingattention!Fora curvedonebuytwo(ormore)piecesofplywhose combinedthicknesscometoabout12mm(three layersof4mmworkswell)andsomewaterproof, slowsetting,woodglue(e.g.Cascemite).Gluethe pieces together then either curve the wood over aformerorsimplypullittoshapewithrope.Ply tends to bend better in one direction than the othersoassemblethepiecestocurvetheeasyway! Allowtodrythencuttoinalshape.
CentreGripShields Theserequireabosstoprotectthehandandagauntlettoprotectthewrist.If youarefeelinglazygoandbuyaspunbossatare-enactorsmarket!Failingthat dishoneoutor,forareallydeepone,buildituplikeaminidomedtophelm. Vikingroundsarelargewoodencentrebossshields;woodenbucklersaresimply 88
SHIELDS a mini version! To fabricate cut the wooden round then cut out a hole in the centre to it your hand. Rivet the boss, over the centre hole, using two of the rivetstoholdthehandgripinplace.Analternativewaytomakeabucklerisfrom athickpieceofsteel(14gaugeorso).Dishthecentre,rolltheedgesthenadd ahandgrip.Theshapeofthehandgripwilldependonthedepthofyourboss, the size of your hand and how you like to use your shield. I make mine from barstockwithawoodencoveringforthehand;otherpeoplepreferawrapped leathercovering.
ShieldFittings It should be emphasised that shields are very personal items. How a shield is hungwilldependonthelengthofyourarm,yourpreferredhand/wristangle andtoalargeextenthowyouuseyourshield.Themostimportantpointisthat yourshieldshouldfeelcomfortableinthenormalguardposition.Ifit’sputting astrainonyourarm/wristatthisrestpositionthenitisgoingtocausealotof discomfortattheendoftheday;anywayyouaresupposedtobeightingyour opponentnotyourshield!Additionallyremembertokeeptheelbowfree;straps thatcutintotheelbowareveryannoying!Unfortunatelyindingtheidealpositionislargelyamatteroftrialanderrorkeepexperimentinguntilyouindthat perfectshield. Handgrips For a simple handgrip take a large door handle, raiseittoacomfortableheightabovethebackof theshield(withwoodenspacers)andthenboltit inplace. Cuttingtherequiredshapefromapieceofthick, stiffleathercanmakealexiblegrip. Youcanmakeasolidgripfromapieceofaround 2cm(3/4inch)widestripof14gaugeorheavier bar stock. The approximate size is shown below, howeverasyourhandinunlikelytobethesame sizeasminemakeacardboardtemplateirstthen adjustthesizetoitbeforecuttingthemetalup. Remembertoallowroomforyourgloveorgauntlet.
1. Cutoutthemetalstrip,drilltwoholestotakeyourboltsthenbend intotheshapeshown. 2. Glueapieceofwoodtoeithersideofthemetalthencoverthesewith leathertoensureacomfortable,non-slipgrip.
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SHIELDS ArmStraps Themostbasicformofarmstrapismadebyboltingontwocrossed strapsof4cm(1.5inch)wideleathertotheshield.Anothersimple gripisasinglepieceofleather,shapedtoyourforearm,attachedto thebackoftheshield.Ifyouareusingsuchunadjustablefastenings thenyouwillneedsomewayofholdingtheshieldonyourarm.To thisendyoucaneitherusethick,spongypaddingbehindthestraps orelsehangthemasshowntorighttherebyusingtheweightofthe shieldtoholditinplace. Personally,Imuchpreferadjustablestraps,ifonlybecausetheyare somucheasiertoputonandtakeoff!Theyalsoallowforchangesin padding,armarmourandthehugeincreaseinyourforearmmuscles asyoudiligentlypracticeforseveralhourseveryday!Severalattachmentmethodsareshowninigure15-1—takeyourpick. Padding Shields tend to get thumped pretty hard so unless you have some padding, between it and you, you are going to end up with a sore arm! This padding shouldextendfromjustbehindyourelbowtoeitheryourwristorhanddependingonthetypeofgauntletyouplantouse.Feltorclosecellfoamcoveredin clothorleatherwillmakeaperfectlyadequatepad. Hanging Theinalstageistoattachallthebitstotheshield.Coachboltsaregoodfor this,astheydon’tprotrudeatthefront.Alternativelyyoucouldriveteverything on,themajordisadvantagewiththisbeingthatitisthendificulttotransferthe ittingstoanothershieldwhenthewoodontheoriginalgivesway.Remember tocutoffanyprotrudinglengthofboltlushwiththenut—youdon’twantto impaleyourselfonyourshieldnowdoyou?Itisalsoimportantthatyourhand andelbowaren’ttooclosetotheshieldedgeasaxeandhalberdheadscanstrike overit.Eventhenblowscanstillcomeinsideashield(especiallyifit’shooked byapolearm)sodon’tthrowawayyourhandprotectionandshieldarmelbow cop. For a round shield lay your arm along the diameter with your elbowatleast5cmfromtheedge.Next,withthepaddingunder your arm and holding onto your handgrip, move your wrist aboutuntilitfeelsright.Markthepositionsfortheboltsthrough the holes in the grip. Then lay your straps over your arm and mark their bolthole positions as well. Temporally rough tack or screw everything in place, put the shield on rotate it a few timesandcarefullytryafewblocks. Adjustthegripandstrappositions until the shield feels comfortable, doesnottwistaroundthearmanddoesnotputtoo much strain on the wrist. After adjusting glue the paddinginandbolteverythingelseinplace. 90
SHIELDS To hang a heater you irst need to ind how it balances. Hold the shield, and aplumbline(bitofstringwithaweightontheend),onthecornernearestto whereyourhandwillgo.Allowtheshieldtohangnaturally(asshownbelow) thenmarkthepositionoftheplumblineontotheback oftheshield.Usingthislineisairstestimateofwhere yourarmwillgoroughlyattachthegripandstraps(tacks workquitewell)tothebackoftheshield.Youwillwant your hand to be at least 8 cm from the edge (thereby avoiding axe heads etc.) and your wrist at a natural angle.Nextcarefullymovetheshieldupanddownafew times adjusting the placement of the ittings until they feelcomfortable;don’tdoanythingtoodramaticorthe shieldisliabletofalloffontoyourfoot!Oncetheyare positioned to your satisfaction bolt them in place and glueinthepadding.
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Figure15-1:Shields
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Chapter16—MaintainingArmour Whenarmourgetshititabsorbspartoftheimpactbydeforming.Itshouldthereforebeobviousthatifyoudon’tstraightenitoutitwon’tworkaswellnexttime itgetsstruck. Itisvitallyimportanttoregularlycheckyourarmourfordents,cracks,loserivets, breakingstraps,slippingpaddingandthelike. Theeasywaytoremoveadentfromonesideofyourarmouristohititonthe othersidewithahammer!Legsandthelikecannormallybebeatenbackinto shape,inthismanner,overasuitableformer,abitofwoodworkswell.Remember totakethepaddingoutbeforehammering. Helms can present a problem because it is dificult to wield a hammer inside their narrow conines! A simple way to get around this is to use a metal bar as shown below. Another way is to push thehelmbackintoshapewithacarjack (a small hydraulic one works well). Supporttheundamagedsidewithapieceof wood.Thistechniquecanalsobeusedto reshapehelmsthathavestartedtolatten inwardsatthesides;barrelhelmsareparticularlypronetolosingtheirovalshape. Cracksareworryingastheyindicatematerialfatigue.Ifacrackappearssomewhereimportantreplacethecrackedpiece—atonce!Ifyoucan’treplaceitbin it!Minorcracksinsteelcanbeweldedorbraisedbacktogetheragain,however cracksareadeinitecaseof“ifindoubtthrowitout!” Strapsshouldbereplacedassoonastheyshowanysignofwear;havingastrap break in the middle of a battle is not recommended; been there! Please note thatholdingyourarmourtogetherwithstickytapeisneitherasceticallypleasing, period,norsafe!Ifastrapkeepsbreakingindoutwhy.Forexamplewasitinthe wrongplaceordoesitrequirethickerleather?
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M AINTAININGA RMOUR Rustingwillreducethestrengthofyourarmourandregularpolishingwillgraduallyreduceitsthickness.Paintingtheinsideofyourarmourandcoatingthe outside with oil, wax or polish will help to keep it rust free and make it last longer. Paddingwillgraduallybecomecompressed,andhencelesseficient,itgetsregularlyimpacted.It’sworthchangingyourhelmetpaddingonaregularbasis.
Remember, there is nothing dishonourable in retiring from a ight if your armour becomesunsafe—don’tjustightonandgethurt!
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Chapter17—Authenticity Re-enactors spend an inordinate amount of time arguing about Authenticity; whichisinterestingbecauseIcan’tevenindthewordinmydictionary!Itdoes howeverdeineAuthenticas“genuine,notforged”.Ifyouacceptgenuineas‘made as in period’ and forgery as a modern short cut then Authenticity becomes a measure of how Period your re-construction is. On these grounds wearing an exact copy of a piece of historic armour makes you authentic—or does it? Consider if you had been alive in the middle ages,ratherthantheoriginalowner,wouldthe armour have been made a different shape? Is wearing a set of armour designed for a cavalrymanauthenticforightingonfoot,orworse stillthatofakingcorrectforsomeoneportraying a rank and ile soldier? Is the piece you are copying even in the same state as when it was made? I remember a lovely exhibit, at the Tower, of 16C armours and portraits of peoplewearingthem.Fromtheportraitsitwas clear that the armours were originally black, aneffectthathadlongsincebeenlovinglypolishedaway!Tocomplicatethingsfurtherearly collectors had the habit of altering pieces to makethemintomatchingsuits,sohoworiginal isthepieceyouarecopying? My irst suggestion, therefore, is that it is better to try and understand how andwhyanarmourwasmaderatherthanslavishlycopyoneofthefewsurvivingexamples.Onecanthensetaboutdesigningone’sarmour,astheoriginal armourer would have rather than just making a Chinese copy! This approach alsohasanumberofadvantagesfromthepointofviewofsafety.Rememberthat, throughouthistory,armourhasevolvedtomeetthethreatsposedtoitswearers. Weshouldthereforedesignourarmourtomeetthethreatsposedbyourstyles ofcombat.Unfortunatelythisattitudemayleadtoobviousdifferencesfromthe originalarmours.Forexamplealthoughitisunlikelythatallearlymedievalwarriorshadhelmetsmostre-enactmentsocietiesnowinsistonthembeingworn! 95
AUTHENTICITY If this is the case so be it—authentically you would expect a heroes welcome whenyoustaggeredback,batteredandsoakedingore,fromthebattleield— tryexplainingthistoyourbossonMondaymorningasyoudripbloodonhis carpet! ButwhyalltheinterestinthisrathernebulousconceptofAuthenticityintheirst place?Quitesimplytheidealisattheheartofre-enactment;withoutahistoricalbackgroundthehobbybecomesnothingmorethan“funnypeopleinfancy dress!”Soaseconddeinitionmightbehistoricalaccuracy,somethingthatpeople aspiretoatdifferinglevelsdependingontheirinterestwithinthehobby.Some seektoputonanentertainmentmanywishtobeeducational,otherstocreatea westernmartialart,agloriousfewstrivetogetintothemindsetoftheperiod;all wanttohavefundoingit!Nowforthepracticalpart;howhistoricallyaccurate doyouwishtobe?Atthesimplestlevelthisentailshidinganythingmodern—a tabard works wonders! At the highest level it entails all aspects of your attire, fromthebootsupwards,tobeaccurateportraysofhistoricalitems.Me—Itend toaironthesideofpracticalityespeciallyasItendtolytovariouseventsaround Europeatpresent.MyoldsetofsteelWisbyplateswouldtakeupconsiderably moreofmybaggageallowancethanmycurrentplasticlinedBrigandinedoes. Bothhoweverlookineontheield.Hopefullythenextchapterwillthrowfurtherlightonwhatyouwillneed.
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Chapter18—FightingStyles Asmentionedpreviouslypeoplesaspirations,intheworldofre-enactment,can varywildly.Thisisrelectedinthevariousightingstylesthatcanbeseenonthe ield,which,inturn,governstheamount,andstyleofarmouryouneedtosafely takepart.
ControlledStyles Stylewherecontroloverblowslargelydeterminessafety. StagedCombat Employedbythemoretheatricalgroups.Involveschoreography,setpiecemoves or prearranged sequences. The aim is to entertain the crowd and armour is mainlythereforshow. LiveRolePlaying Usessoftlightweightlatexrubberweaponstoachieveasafefreeformcombat style. Armour supplies atmosphere rather than safety. Degree of ‘realism’ dependsongrouprunningevent;oneofthebestVikingeventsI’vebeentowas aLRPone. TouchCombat Employedbythemajorityofgroupsyouwillseeputtingonshowsathistorical sitesaroundthecountry.Itinvolvestakingrebated(notsharpened)weaponsand swingingtheminacontrolledmanner.Blowsarepulledsothattheytouchrather than strike an opponent. The degree of pulling varies from group to group, lightly armoured early medieval groups tend to use minimal force, later fully armoured ones can get quite epic! Armour requirements vary accordingly! In generalthoughyouarelookingatarmourtoprotectyouwhensomethinggoes wrong.Mostgroupsuseheadarmour(brokenskulls,lostteethandeyesarenot recommended)andhandprotection(becauseyouwillgethittheresomeday).
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FullForceStyles Theemphasisisnowonthearmourtoprovideprotection.Foranearlyperiod lookyouaregoingtoneedtohidearmourunderyouclothing,socalledhidden armour. MartialArts GroupssuchastheAcademyforEuropeanMedievalMartialArtsandtheHistoricalArmedCombatAssociation(checkouttheirwebsites)aretryingtorevive theworksofTalhofferandothermastersasMartialartsinmuchthesameway astheJapanesedidfortheirtraditionalightingarts.InasimilarfashionvarioustourneysocietiesarelookingattheconceptofChivalryinthesamelightas Bushido. Somegroupsusepaddedweapons,inmuchthesamewayasnon-contactKarate clubsuselexiblesplitrattanswords,othersfavourarmourandfullspeedblows toevokeasenseofprowess.Tournamentgroupsareparticularlykeenonauthenticityintheirendeavourstorecreatetheatmosphereofaperiodtourney. BéhourdStyle GroupssuchastheSocietyforCreativeAnachronisms,theFarIslesandmanyof theTournamentSocietiesuseacombatsystemlooselybasedontheBéhourd,a tournamentformusingwoodenweapons.Thisleadstoanapproachsomewhere between a full contact sport and a martial art. Un-pulled blows are employed andarmourisusedtoprotectvitalareasfromdamageandtocutdownonbruising. Armour standards for such groups are high and must be met before you canenterthelist.Authenticityis,however,notnecessarilyapriorityasthemajor concernissafety.
FemaleFighters Thedifferencesbetweenarmourformenandwomenarefairlyminor: 1. Womentendtohavelargerhipswithlessfat(naturalpadding)coveringthem.Sincethisisafairlycommontargetareatassetswithgood paddingbehindthemsavealotofgrief! 2. Groinshotsdonotdothepermanentdamagetheydotoamale— theystillhurtalot!Amaleboxisuselesssoseekoutafemaleone designedforKarateorothercontactsportssuchashockey. 3. Thefemalechestcomescompletewithbreasts—presumablytomake upforthelackofbeergutthatsomanymaleightersseemtolike carryingabout!Theeasiestwaytoprotectthemissimplytoobtain a good sports bra or else to wrap a piece of material several times aroundthechest,whichisapparentlywhatpeopleusedtodobefore theinventionofbras,andthenshapethebodyarmourtoit.Single breastcupsoftheRedSonyastyleshouldbeavoidedastheiredges cancutintothechestandplainoldpaddingisn’treallyenough.
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LeftHandedFighters Ussinisterpeoplestandtheoppositewayaroundfromtherest!Inpracticethis means: 1. Your weapon holding hand will be pointing at your opponent’s making mid blow collisions probable and increasing the chance of youbeinghitonthehand,wristorswordarm. 2. Legshotswilltendtobedirectedtowardstheinsideofyourrightleg, as opposed to the outside of the left leg for a right-handed ighter. Legshotsarealsoquitelikelytoslideupandhityouinthegroin.To protectyourselffromthesetendenciesaddinnerwingstoyourknee cops,makesureyourlegarmourwrapsfarenougharoundthesideof yourlegs,andmakeabsolutelycertainyourboxits! 3. Yourshieldisintheperfectpositionforpunchblockingsocheckthat thehandgripissoftenoughtoabsorbtheimpact.Iindastiffleather grip preferable to a solid wood/steel one. You are also going to be hangingyourshieldatadifferentangletoaright-handedighter.
InjuryPrevention Injurypreventionshouldalwaysbetheparamountconsiderationwhenbuilding armour.Firstoffmakesurethatthearmourits!Thereisnothingworse,inthe heatofabattle,thanindingthatyourgreavesarechewingupyouranklesand yourshieldistryingtobendyourwristatanimpossibleangle.Secondlylearnto moveinyourarmour;nomatterhowlittlearmouryouwearsomemobilityand visionwillbelost.Ifyoudon’tgetusedtowearingyourarmouritssheerweight cancausemusclestrain!Thesolution—wearyourarmourwhenpractisingtoget usetoitandwarmupbeforeyouighttoreducethechanceofhurtingyourself. Alsokeepyourarmourwellmaintained;ifit’sbrokenitwon’tprotectyou!
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Chapter19—Aftermath While relaxing with a beer, after running around Edzell Castle in armour all day,GythaandRichardwanderedoverwithareallysimplequestion;couldthey reprint my old guide to making armour? They were starting up a group and havingproblemsgettingthemintoarmour.MuchdiggingathomelaterIuncoveredanancientcopyoftheirsteditionofthistome(didIreallyhandwriteeverythinginthosedays?)andthought“Oops,I’velearntabitsincethen!”,hence thisrewrite!I’vetriedtokeeptotheoriginalideaasmuchaspossible—simple, practicalarmourthatcanbeeasilymadeathome—sothegothicgauntletsand breastplatesdidn’tindtheirwayin!MaybeI’lldoafollowup…
Acknowledgements ThanksgotoGythaNorthandRichardtheRampantwithoutwhomthisbook would never have seen the light of day less alone end up on a web site; Dr Michael Lacey (historian in exile); Dave Cowland (armour denter extra-ordinary);HeatherPhillips(chiefkorrectorofEnglizh);MikeBradford(Danishcorrespondent);DenzilBrown(armourcrashtestdummy);PeteNash(mandatory maninBlack);Steve“Givethathere,Icanixit!”Tanner;andeveryoneelsewho gaveahandinthisprojectwithpatterns,ideasorsimplybringingsanitytowhat I’dwritten!Hopeyouindoureffortsuseful.
TheScribbler ForthoseofyouinterestedinsuchthingsPaulBlackwellisascientist/engineer withaninterestinperiodarmour,ightingstyles,danceandcookingandwhose otherhobbiesincludecaving,folkmusic,Karate,scienceictionroleplayingand drinkinggoodbeer. P.S.ifyouhaveenjoyedthisbookthenmine’sapint!
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Chapter20—MoreBits! Books Aselectionofthingstoreadwhilerelaxingafteraharddayintheworkshop. HistoryofArmour Arms & Armour of the Medieval Knight. D Edge, J Paddock. Defoe: London, 1988. Wellillustratedandwrittenbookonarmour.Highlyrecommended! ArmsandArmour,Pleasures&Treasures.VeseyNorman.Weidenfeld&Nicolson:London,1964&1969. Developmentsfrommailuntilobsolescencein17C.Lotsofphotographs; oftenfoundinsecondhandbookshops. EuropeanArmourCirca1066to1700.CBlair.BTBatsfordLtd:London,last reprint1972. Excellentgeneralstudyonarmour.Alsotobefoundinsecondhandbook shops. LeatherandtheWarrior.JohnWaterer.MuseumofLeathercraft:1981. DescriptionofleatheranditsusebythemilitaryfromtheancientGreeks untilWorldWarII;includesusefulsectiononCuirBouilli. Ospreybooks—MenatArmsandEliteSeries.OspreyPublishing:London. Seriesofreasonablypricedbooksonthehistory,organisation,appearance andequipmentoftroopsthroughtheages.Goodbackgroundinformation andsuperbillustrations. Techniques ButtedMail;AMailMaker’sGuide,4thedition.PBlackwell&TBarker.1997. Instructionsonmakingmailavailableonlineat: http://homepage.ntlworld.com/trevor.barker/farisles/guilds/armour/ mail.htm
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MOREBITS ! MedievalCraftsmen,Armourers.MatthiasPfaffenbichler.BritishMuseumPress: 1992. ThehistoryofArmourers,theirwork,guildsetc.Illustrationsofarmourers atworkandphotographsofmanyineharnesses. MakeyourownGloves.GwenEmlyn-Johnes. Comprehensivebookongloves;usefulforgauntletliners. Metalsmithing for the artist craftsman. Richard Thomas. Chilton Book Company:1960. Whenmypoorattemptstodescribemetalworkingtechniquesfailturnto thisbook;it’sclearpreciseandwellillustrated. Techniques of Medieval Armour Reproduction, the 14th Century. Brian Price. PaladinPress:USA,2000. Quitepossiblythebestbookofmakingarmourprintedtodate! TheArmourerandHisCraft.CharlesFfoulkes.DoverBooks:(reprint)1988. Classicreferencework. TheBestOftheHammer;BFlax(ed.);Raymond’sQuietPress:Alburquerque, USA.http://www.quietpress.com BestmaterialfromSCAjournalonarmouring. ArmourItself Arms and Armour in Britain. Alan Borg. HMSO publications: latest edition 1986. SmallbookletdescribingsomeofthepiecesattheRoyalArmouries Armour from the Battle of Wisby 1361. B. Thordemann. Stockholm, 1939, 2 Vols. Volume1containsmuchinformationon14Carmour,whilstvolume2comprises1/4scaledrawingsofthecoatsofplates. EuropeanArmsandArmouratKelvingrove.J.Scott.GlasgowMuseumsandArt Galleries,1980. Smallbookletdescribingthisinecollection. The Medieval Armour From Rhodes. W.J. Karcheski, T. Richardson. Royal Armouries&HigginsMuseum,2000. 15C & 16C armours discovered on Rhodes, many of which are now at Leeds. The Medieval Soldier, 15C Campaign Life Recreated in Colour Photographs. GerryEmbleton,JohnHowe.Windrow&GreenLtd:London,1994. Seehowothershavereproducedarmour! Wallace Collection Catalogues. J Mann. Trustees of the Wallace Collection: London. DetailsofthecollectionatManchesterPlaceinLondon.
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Museums Thereisnobetterwaytoindouthowarmourworksthantogoandseethereal thing!Lotsofmuseums,castlesandthelikedisplaytheoddbitofarmour—so dropintoyourlocaloneimmediately!HereisarandomselectionofplacesI’ve enjoyedvisiting.IfI’vemissedanythinggoodoutpleaseinvitemeover! Austria KunsthistorischeMuseum,Vienna. Incrediblecollection.Hasmyalltimefavouriteharness;thatofArchduke SigismundofTyrolbyLorenzHelschmied,um,WOW,gothere! TheMuseumofArchdukeFerdinandIIatinSchlossAmbras,nearInnsbruck. Collection founded by Ferdinand II, ruler of Tyrol, housed in the lower castle which was purpose built for it in 1570s. Nice castle; glorious armours! Landeszeughaus,Graz. Onlyexistingperiodtownarsenalinit’soriginalbuilding.Goseewhatthe commonfolkgotissued!Anexperiencenottobemissed! Britain BritishMuseum,London. Sutton Hoo helm and various other pieces. Intriguing place to wander around;give‘emadonationwhenyouleave. CastleMuseum,York. The Coppergate helm—no its not in the Jorvik Centre where you’d expect! KelvingroveGallery,Glasgow. Collectionwithsomeofmyfavouritepiecesof15Carmour.Wellwortha visit! RoyalArmouries,Leeds. Huge, new, ugly, building in the middle of nowhere (even if you live in Leeds)housingexcellentcollection.Needsanentiredaytogetaroundand seethevariousdemonstrationsetc.Notcheapbutworthit! TowerofLondon. The Royal Armouries have moved most of their stuff to Leeds, but the towerstillhasHenryVIII’sarmoursandafewotherpieces.Expensiveto getin! Victoria&AlbertMuseum,London. Some armour and lots of casts from efigies, statues etc. Which saves on travel to little out of the way churches. Now free again so pop in quick beforetheentrychargereturns(andhavealookattheexcelentnewBritish Gallerywhileyouarethere!) WallaceCollection,ManchesterPlace,London(justoffOxfordStreet). ExcellentcollectionofArmsandArmour,helpfulstaffandtheyrunstudy days.Whatmorecouldyouask?OKentranceisfree. 105
MOREBITS ! France MuséedeL’Armee(intheHôteldesInvalides)Paris. MilitaryhistoryfromtheMiddleAgestoWorldWarII.Fineselectionof armourandyouevengetaglimpseoftheirstoragearea,toseealltheother bitstheydon’thaveondisplay! Germany MunchnerStadtmuseum,Munchen. Lotsofsplendid15Carmour,oh—andsomelaterstuff.Biased,me? Italy IlMuseoStibbert,Florence. Gloriousoldcollection,stilldisplayedinitsoriginalform;thepapermache horsesaregreatandwatchoutforthebitsaddedbythebutler!Ifyouask verynicelythemightletyoulookattheirtextilesaswell. MuseodelleArmi,Brescia. Collection ranging from plain 14C helms to highly decorated 17C harnesses. Sweden NationalHistoricalMuseum,Stockholm. ThemajorityoftheWisbycoatsofplates. Livrustkammaren,Stockholm. Fascinatingdisplayoftourneyequipment. GotlandMuseum,Wisby. Various pieces from the battle of 1361, however most of the inds are in Stockholm.
Suppliers Trickyonethis;ifIdon’tgiveanypeoplemoan,ifIdotheycomplaintheyare allinthesouthofEngland!Sorry,butthat’swhereIlive!Goodplacestolookfor bitsaresecondhandtoolshops,clearanceyards,steamrallies,modelengineeringexhibitionsandagriculturalauctions. Re-enactorsmarkets TheseareheldvarioustimesoftheyearinplacessuchasOxfordandCressing Temple.Bigre-enactmenteventssuchasTewkesburyalsotendtohavemarkets (check English Heritage etc. event listings). Good places to get cloth, leather, periodlookingbucklesetc. Companies CalltoArms,1LNGLane,NorthLopham,NorfolkIP222HR. The re-enactors directory, lists groups and specialist suppliers; go buy a copy! http://www.calltoarms.com 106
MOREBITS ! JTBatchelors,9-10CulfordMews,LondonN14DZ. Leathersupplierswhoareusedtodealingwithre-enactors.SellLeatherin allshapesandsizes,buckles,rivets,punches,dyesetc. RivetSupplyCo,PowerRoad,Chiswick,LondonW4. Rivets,rivetsandmorerivets,andgoodprices. J. Hurst & Sons, Bank Top, (up Springhill Lane) St Maryborne, Nr. Andover, Hants,SP116BG. Tool/recovery yard with hammers, anvils, cutters or maybe nothing— dependingwhenyouvisitandifyoucanindwheretheyhavehiddenit!
WebSites There are huge amounts of information on the web; the trick is inding the usefulbits!Hereareafewplacestostartfrom. http://www.arador.com Armourlibrary.Manyusefularticles http://www.armourarchive.org Essaysetc. http://www.baba.org.uk BritishArtistBlacksmithAssociation;tools,courses,booksetc. http://www.battlegames.co.uk Ospreybookreviews. http://www.chronique.com Knighthood, Chivalry & Tournaments resource library—Chalcis armour etc. http://www.forth-armoury.com ForthArmoury;excellentinformationofmakingrivetedmail. http://www.drachenwald.sca.org Society for Creative Anachronisms, European web site. SCA armour & combat regulations; links to other combat, armour and medieval sites including The Isles home page (SCA UK & Ireland) with articles on Béhourds,periodightingtechniquesetc. http://www.angelcynn.org.uk InformationonPioneerHelmetincludingphotosofreproduction. http://www.webring.com/webring?ring=armour&list “TheArmourRing”acollectionofwebsitescontainingusefulinformation onarmourersandarmouring. http://www.livinghistory.co.uk VariousarticlesonhistoricalsubjectsandlinkstoUKre-enactmentsights. http://www.lrp-index.org.uk/How_to_guides/Armour/ Liveroleplayingsitewithlinkstoseveralinterestingarmourpages. 107
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Colophon ThetextofthedocumentwasproducedinMicrosoftWord.Itwasthenedited byGythaNorthandTobyAtkin.Alloftheillustrationsinthebookwereoriginal penandinkworksproducedbyPaulBlackwell.RichardtheRampantscanned eachillustrationandconvertedittoline-artusingAdobeStreamline.TheillustrationweresimpliiedandcleanedbyAndrewPattersonusingAdobeIllustrator9toreducetheilesizewhilemaintainingtheoriginalimagequality. ThebookwastypesetbyAndrewPattersoninAdobeInDesign1.5.Thetextand headingfontsareITCNewBaskerville.AdobeAcrobat5.0wasusedtooptimise andsplitthePDFilereadyforuploadtothewebsite. 109