winter 2024 Juxtapoz

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George Condo AprilBey Lola Gil Shepard Fairey

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‘Freedom’(Fri da Kahl o)

Learn From ThoseW ho Do Academ y FacultyAreW orking Professionals.Academ yofArt U n i versi ty's Execu ti ve Di rectorofV i su alDevel op m en t an d T radi ti on alAn i mati on ,N i col asV i l l areal ,teaches that the best w ayto l earn i sbydoi ng. H i san i m ated short fi l m,ON/OFF,hol dsthe G u i n ess W orl d R ecord form ost aw ardsw on bya short fi l m. W hat w i llyou do?

“Dove’(Pabl o Pi casso)

M ai n : 1.415.274.2222

In tern ation al: 1.800.544.2787

ACADEM Yo/ART UNIVERSITY DE FY TH E O R DI NAR Y .CR E ATE TH E E X TR AO R DI NAR Y

APPLY T O DAY.

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R Y A NB U B N I S G U E S T

A R T IS T

S T A N C E .C O M

FO R

S T AFF

FO U N D E R

P R E SI D E N T* PU B LI SH E R

A D V E R TI SI N G + SALE S DI R E CTO R

R obert W i l ham §

G w yn n ed V stelIo

M ike S tal ter mi ke© ju xl ap dz .com

E DI TO R

CFO

Evan Prcco

JeffR afn son

A D V E R TI SI N G SALE S

Eben S termg AR T D I R E C TO R

A C C O U N TI N G M AN AG E R

R osem ary Pi n kham

Kel l yM a

AD O PE R A TI O N S M AN AG E R

M ike Bresl i n CH I E F TE C H N I C A L O FFI CE R

C O N TR I B U TI NG W R I TE R S

Ni ck Lattn er

T ri n a C alderon

M A R K E TI NG

S aH yV :teilo

DE PU TY

S hi rC ohen Kri st=n Farr Dou g G ill en

M AI L O R D E R * CU STO M E R SE R V I CE

S haqu dl e H eath

M addie M an son

C harl es M oore

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E DI TO R

Kri sti n Farr C O -FO U N D E R

G reg Escal an te

Al ex N .cholson

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Evan Pricco C O -FO U N D E R

C harlotte Pyatt

S u zan n e W illams

Mi chaelS i eben G w yn n ed V .tel lo

C O N TR I B U TI N G E DI TO R S C O N TR I B U TI N G PH O TO G R A PH E R S

Dou g G i l l en S haqu i l l e H eath

Jo Brooks

Al ex N i chol son

M eg an C erm in aro Bryn eyO du Davi es Dou g G i len

PH O TO G R A PH Y E D I TO R

S haqu ille H eath M atthew H errm an n

Al ex N i chol son

G raham H ol och Lau ra Ju n e Ki rsch

PR O D U C T SALE S M AN AG E R

Ri ck R otsaert 415-S 52-41& 9

PR O D U C TPR O C U R E M

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John Du jm ovic SH I PPI NG

Ken n y E byba M addie M an son C harl i e Pravel Ian S eag er Adam Y i m

Patri ck Lee B ai r M eadow s

TE C H N I C A L LI AI SO N

S an tos El yAg u stin

O n Art S tu dio H eatherQ u ercio Dan i e a R eg a Jon athan R oberts An drea R ossetti Jeffrey R ovn er M ike S talter Ki m S tep hen s W ille T

Juxtapoz I SSN #1077-8411 W inter2024 V olum e 31,Num b er01 Pu blishedq u arterly by H ig h S p eed Produ ction s,In c.,1303 U n oerw ood Ave. S an Fran cisco,C A 94124 3300. 0 2016 H 'g h S p eed Produ ction s,In c. A llrig hts reserved Prin ted i n U S A. Ju xtap oz i s a reg i ste red t rase m a rk ofH g h $ p eed Produ ction s,In c. R ep roa u ction i n w hole ori n p a rt w it hou t w ritten p e rm i ssi on i s p rohibrted O p in i on s exp ressed i n articl esa re t hose of the au t hor. AII ri g hts rese rved on en t i re con te n t s. An ve rt i smg in qu in es zhou Id be directec to:adve rt i smg ® ju xtap oz.com . S u bscri p ti on s: U $ $29.99 (on e year. 4 i ssu es);Can aoa,$ 75 .00; Fore i g n . 5 BO .O C p e ryear. S mg l e cop y. U 5. 5 9.99;C an ada,510.9 9. S u bscri pti on rate5 g i ven re p resen t sta n da rd rate an d shcu l a n ot be con fu sen w i t h sp ecl aIsu bscri p ti on offe rsacve rt i zea m the m ag azin e. Periodicals Postag e Pai d at S an Fran cisco,CA. an d at addition alm ailin g offices. C an aoa Post Pu blication s M ailAg reem en t N o. O 96 O O 6 5lCh an g e ofaddress:Allow si xw eeks advan ce n ot i ce an d sen d old aon ress l abe Ia l on g w rth you rn ew adore ss Post m aster:S en d c han g e ofadd resstoeJuxtap o? PO

Box 302. C on g e r5,N Y 10920-9714. T he p u bl11hersw ou Id!i ke

t o t han k eve ryon e w ho has fu rn i shed 1n torm at i on an d m ate rtaistor th i s issu e. U n l essot he rw ise n oted,artist steat u red in Ju xtao oz retai n cop yri g ht to t he i rw ork. Eve ry eftort has been m ade to reachcop yrig ht cw n ersortheir rep resen tatives. T he p u blisherw illbe p leased t o correct an y m istakes orom ission s m ou r n ext i ssu e Ju xtap oz w elcom e 5 editorialsu bm i ssion s;how ever,retu rn p ostag e m u st accom p an y alIu n solicited m an u scrip ts,art,draw in g s,an d p hotog rap hic m aterials i t they are to be retu rn ed. N o resp on sibility can ba assu m ed toru n solicited m aterials Allletters w iII ba t rsated as u n con oition allyassig n aa torp u bl i ca tion an d cop yri g ht p u rp osesa n d su bject to Ju xtapoz'ri g ht t o e-cit an d cc m m e n t ed i ton all y.

Juxtapoz Is Pu blished by H ig h S p eed Produ ction s, In c. 415 ■B22 3G B3 e m ai lto:editor(:-\ iu xta p oz com ju xtap oz.com

STATE M E N T Q F O W N E R S H I P, M A N A G E M E N T A N D C I R C U LA TI O N : R ezo 1red by iti e 39. U n i teciS tates C ooes 36 051 Date offilin g

9fl/23 Pu blication ii tl e JU X T APO Z Pu blication N u m ber 1077- B4E Issu e Frequ en cy Q u arterly An n u alS u bscrip tion p rize $ 2999 Address of K n ow n O tbce of Pu bicat 10n 1303 U n derw ood Aven u e. S an Fran cisco,C A 94124 3306 H eaoa u artersofthe Pu bl ishers S am e asabove Pu bl isher G w yn n ed V rtelb,PO Box B04570, S an Fran ci sco,C A 9416 8 4570 Editor Evan PrccQ PO Box BB457O . S an Fran cisco C A 95180-4 570 M an ag in g Editor Alex N icholson ,PO Box 6 6 4 570. S an Fran ci sco,C A94108-457O O w n er H ig h S p eed Produ ction ^ In c. PO Box 004570. S an Fran ci sco. C A 95 16 6 -45 70 S tockholders ow n in g on e p ercen t orm ore ofthe totalam ou n t ofstocks Ere S w en son tru st 59 R hode Isl an d. S an Fran ci sco,C A 94107,G w yn n ed V ite H o,PG Box 004570,S an Fran ctsco C A9418B 4570. Edw ard R ig g in s i i y PO Box 804570. S an Fran ctsco C A 9516 0 4570. Kevin T hatche r . 14975 LosG atos Bl vd,LosG atos,C A 95 032 G reg Escalan te A-20,S u rfsi de. C A 90743,R obert W illiam s 10900 S eg u roD r. C hatsw orth. C A 9131'. C rag S tecyk 26 20 Arm acost Ave. Los An g eles C A 9006 4. Lyn n C olem an . 22010 Aven itoS an Lu i s. W oodlan d H i l l s,C A 9136 4 Kn ow n bon dholders,m ortg ag es,an d other secu rity holders ow n in g orholdin g on e p ercen t orm ore ofthe totalam ou n t ofbon os m ortg ag es,orothersecu rities N on e Exten t an d n atu re ofcircu iatar Averag e N o C op ies Eazh Issu e D u rin g Precedin g 12 M on ths T otalN u m berofC op ies 30.791 Paa an d/orR ea jested C ircu lation (1)Paid/R sdu estedO u tside-C ou n ty M ailS u bscrip tan s 10.6 6 1 (2j Pai n r In C ou n ty S u bscrip tion s 197 (3)S al as T hrou g h Deal ers an d C arn e s S treet V en dors. C ou n terS al es,an d O therN or U S PS Pad D istribu tion 74.018 (4)O therC l ass M ailed T hrou g h the U S PS 496 Fz-talPaicV R eou estedC ircu lation 93,372 Free D istribu tion by M ail (1)O u tside C ou n ty r bu t bn O u ts de the M ai l 105 totalFree D istribu tion 499 totalD istribu tion 93.071 C op ies N ot D isbibu teo 490 total9436 2 Percen t Pad an o ^jrR eau ested C ircu lation 99% N u m berofC op ies ofS i ngl e 231 (2)In -C ou n ty 51 (3)O therC l asses M ail ed T hrou g h the U S PS 33 Free Dtst i Issu e Pu blshed N ea rest to Fi l ln g Date T ota IN u m be rofC op ie s 03039 Paa an d/zr R equ ested C i rcu l ati em ( 1)Pai d/R ecru ested O u t si de-G ou n ty M aiIS u bscn p t c n z 8,890 (2JPai d In -C ou n ty S u bscn Dti on s 100.(3)S al esT hrou g h Deal e rsan o C a rrl ers,S treet V en dors. C o u n te rS al es, an a O therN on -U S PS Pai d D istribu tion B2.0F (4)O ther C l asses M ailed throu g h the U S PS 513 totalPaa an d/orR equ ested C i rcu Iatan 102.394 Free D i st r-bu tion by M ai l (1)O u ts de-C ou n ty 176 . (2)In -C ou n ty 53 (3)O therC l asses M ailed throu g h the U S PS 16 Free D istribu tion O u tside the M ail226 . totalFree D istribu tion 472 T otalD istribu tion 102.06 6 - C op ies N ot D istribu ted 173 total 103.039 Percen t Pai d an d/orR ea u esteo C ircu lation 99% Icertify that the statem en ts m ade by m e a re correct an a com p lete G w yn n ed V ite l b. Pu bltshep 9/"/23

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C overart: By

Can do,Lrrte .ffei n .yA;ryhc oi l ,an d p i g men t sti ck on l i n en . 78 x82. ZU 19 © 2023 G eorg e Con da/Art i stsR i g ht sS oci ety(ARS iN ew York

U ni qu e Exp eri en ces at Every T u rn

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EDIT O R 'S LET T ER

Issue N ° 228 “Onceyoufindyourselfi nanothercivil izati on,you' re forcedt oexamineyourown. "—JamesBaldwin

There is a routine that w e perform that en capsulat esour3 0 y earsofpublish in g : webeg in work in g on apart icularissuewit h asetofcert ain expect at ion san dan edit orialoverview oft h eart s t h atisrepresen t at iveoft h emomen t sweareal l curren t ly sh arin g .An dt h en somet h in g complet ely upen dsfocus: t h eworldsh ift s,t h epeoplespeak , an dt h emovemen t sch an g e.W h aty ou assumed on eday isn olon g erfat h omablet h en ext .Durin g t h emak in g oft h isissue,amassivewarbrok e out ,an dourfrien dson opposit esidesoft he con flicteach calledforpeacean dun derst an din g , ceasefires,t h een dt odecadesan dcen t uriesof t en sion ,an djustt h ech an cet ositatt h esamet able an dmak esomet h in g t og et h er.Tocreat esomet h in g last in g .W h ich iswh atartt riest odo,rig h t ? Soweask edourselvesh ow wewouldlik et o approach t h isW in t er20 24 Q uart erly,wh ich is, in fact ,t h ebeg in n in g ofour3 0 t h an n iversary of bein g an in depen den t ly own edpublicat ion ,on e t h atservesan in t ern at ion alreadersh ip ofallsort s

10 W IN T ER 2024

ofraces,relig ion s,g en ders,passion s,an d opin ion s.W h atdoy ou dowh en t h eworldis in con flictan dt urn st oartt omak esen seofa sh at t eredan dbat t eredcult urallan dscape? It h in k t h ean swerish ow weh aveapproach edsoman y momen t sofcivilun restan dpolit icalt urmoil overt h epastt h reedecades: sh ow readerst h at freedom ofexpression an dafocuson t h eart sare way sofh ealin g an dun derst an din g h ow ot h ers livean dexist .W eexamin eh ow peoplewan tt o beseen an dh ow t h ey desiret ocreat ework sofart t h atspeak bey on dt h eirborders.Itprovideslig h t wh eret h ereisdark n essan dh opewh eret h ereisa deep absen ceofcon fiden ce.Joh n Berger,wh ooft en locat edt h eh eartofseein g art ,wrot eon ce, "Ican 'tt elly ou wh atartdoesan dh ow itdoesit , butIk n ow t h atarth asoft en judg edt h ejudg es, pleadedreven g et ot h ein n ocen tan dsh own t ot he fut urewh att h epasth assuffered,sot h atith as n everbeen forg ot t en ." Th isiswh y wepublish ,t h is iswh y t h esecon versat ion swit h art ist sremain so vit al,an dwh y weuset h isplat form t osh owcase wh atcan beexpressedon alllevelsoft h eart world,week aft erweek ,sh ow aft ersh ow,g en re t og en re,medium t omedium.

Fort h efirstoffour3 0 t h an n iversary coverst h is y ear,weh aveG eorg eCon dot ok ick usoff,evera mast er,evert h eevocat ivepain t er,an din t erview. W h en h et ellsus,“My perspect ive... ist h att h ereis n orealmean in g fullin earit y orch ron olog y wh en itcomest oart ," itfeelslik eafamilialmission st at emen t .Artisn 'taboutalin earst ory orh ist ory ; it 'sbroadan devolvin g ,malleablean domn ipresen t . Sh epardFairey ,Ol iviaSt erlin g ,AprilBey ,Mik e Lee,Jon Key,LolaG il ,an dSarah Lee,t h eart ist swe speak t oon t h isan n iversary ,speak aboutartast h is vit allifebloodofh uman it y ,oft imet urn in g in on it self,offin din g in spirat ion in t h econ t emporary , classic,an dfut ureatallt imesin t h eirprocess. W eleaveourcomfortzon es,push t ocon n ect ,an d ch allen g et ofin dacommun it y an dcommon alit y in t h eexpression sofmark -mak in g ,even wh en t h ereiscon flictallaroun dus.Artisacollect ive, permeableh ist ory ,y oursan dours. En joy W in t er20 24

Above:S hep ard Fai rey,AnotherDayi n the CoalM i ne,S i l kscreen an d mi xed medi a col l ag e on p ap er,H PM ,Edi ti on of12,45"x26 ",2023

NOV 18,2023 - APR 14,2024

ENDURING LIFEAND AFTERLIFE IN THE RAINFOREST

RICHARD M OSSE BEN FROST DAVID BROOKS SUSANNAH SAYLER EDW ARD M ORRIS

IM M ERSE YOURSELF IN THE DRAM A,ALLURE, AND INTERCONNECTED LIFE OF THE AM AZON Through w ide-spectrum photography,m usic,light,flora,and fauna, five artists callus to pay close attention to the delicate balance oflife in the rainforest— pinpointing connections ofcause and effectthat are atonce beautiful,m oving,and w orrying. FREE,no tickets required.

ENDURING AM AZON: LIFEAND AFTERLIFE OF THERAINFOREST IS S PO N S O R ED BY

JU X TAPDZ

KAT E AN D G R EG S CH AFFER

PLAN Y O U R V IS IT AN D LEAR N M O R E AT T H EM O M EN T AR Y .O R G

Y R A T N E M O M

STUDIOTIME

An O rganic Scientist Shepard Fairey in Los Angeles In my studio and works, I think that a

lotoft h edifferen taest h et ic direct ion st h atI’ ve been developin g fort h elastfivet osix y ears camewh en Iexpan dedmy colorpalet t ean dg ot moresoph ist icat edabouth ow Iwasweavin g in t y pog raph y pat t ern san dg eomet ric elemen t s. Th ere’ sarealjoy in explorin g h ow t omak eall t h oset h in g sfun ct ion t og et h ersy mbiot ically. Butt h en ,asIfeellik eI’ verefin editan drefin edit , itst art st ofeellik eitcouldbeg et t in g in t oaculde-sac an djustredoin g t h esamet h in g s.An dt h ere areplen t y ofart ist st h ath avemoreorlessredon e t h esamet h in g t h eirwh olecareer,an ditwas appealin g becauseitwasag oodformula,ag ood t ech n ique,ButIg etalit t lebitrest lesswit h t h at an dg o,“Ok ay ,ifI’ veg ot10 differen tvariablesI’ m excit edabout ,h ow can Iin cludeh oweverman y of t h osein away t h atfun ct ion sh armon iously an d t h atpeoplemig h tbeexpect in g ? Butt h en wh at ’ s t h en ew t wistI’ m addin g ?” Soallofasudden ,t h ere’ san ew variable.W h en Ilook atalotofmy oldwork ,especially wh en Ist art edt oh itmy st ridewit h t h eRussian Con st ruct ivist -in spiredst uff,itwaslik e,ok ay , y ou’ reg oin g t oseeareally st ark ,bold,st y lized, black an dwh it eimag eofaperson orat h in g . You’ reg oin g t omay beseeast ar,an exclamat ion poin t ,an arrow,an dy ou’ reg oin g t oseeredan d black ,an dt h atcouldbet h emax in g redien t sy ou’ d lik ely see.An dt h en ,asIfeltlik eIh adrefin ed t h att ot h epoin toffeelin g lik eIcoulddoitin my sleep an ditwasalit t ledry ,an dt h att h osepieces work edwellon t h est reetbecauset h ey t ook on alit t lebitoft h eorg an ic,ch aot ic ch arm oft he

14 W IN T ER 2024

en viron men t ,t h en wh atdoIdot omovet h ose in t ot h eg allery ?

Sot h atprocessbecomesaresultt h aty ou n ever would’ veexpect ed,h appen in g org an ically rig h t un dery ourn oseallt h et ime.Butt h roug h outmy career,t h ere’ sbeen avery in t en t ion alprocessof An dt h en in t h est udio,Ist art edt oplay aroun d look in g att h et h in g st h atIt h in k work visually wit h rips,drips,an dcollag e,an dt h ein t eract ion an dcon cept ually an dt h en expan din g based bet ween t h eimag et h atproject st ot h efron t — on t h oseprin ciples,t ry in g an ew t h in g ,an d t h at ’ sreally bold;t h at ’ sin st an t ly read: n otlosin g alotoft h in g s,justaddin g . Idot h in k t h ere’ st he experimen t in g .An dt h en y ou say ,“Ah ,n ow t h at erst h et oolk itn ow!Th aton e,It h oug h t , possibilit y ofg et t in g t ooambit iouswit h an umber on een t ofin g redien t san dt h in g sbecomin g t oomuddy wasreally g reatwh en itwasn ew an dexcit in g !” an dch aot ic. Sosomet imesI’ l lsay ,“Oh ,Ih avet o —ShepardFai rey st ep back an ddecidewh atI ’ m g oin g t on otin clude an dwh atIam g oin g t oin clude.”Butit ’ salway sa Readourfullinterview withShepardonpag e8 8 . back -an d-fort h experimen t .

Above:Photo byKi m S tep hen s

Takuya Y oshida KAW Al L.bu t p ai n terl y

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255 Bow ery N ew

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Nobuhito Nishigaw ara ArtificialNature:Flora January 13-February 10

® je W r o pfjp M o o m 4134 V erdugo R d.Los Angeles, CA 90065 thetrop hyrooml a.com Ii n fo@ thetrop hyrooml a.com

®r o pBp JRo o tn W 41^V erdugo R d.Los Angeles, CA 90065

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TheAllSeeing Seneca A Little Cosmic Horror and Candyland "I think, in its purest form, my art is a visually

t an g ibleexpression ofin n eremot ion san dmy way sofcopin g wit h l ifean dexperien ce/Sen eca t ellsmeoverZoom on emorn in g ,an dt h efirst t h in g t h atIt h oug h tt omy selfwast h est rug g le sh emusth avefoun dh erselfin wh ilebalan cin g commercialartwit h ambit ion sofst udiopract ice. Prag mat ically speak in g ,Sen ecawason t op oft he world.G arn erin g illust rat ion awardsan dlead desig n in g t h ein famousNFT,BoredApeYach t Cl ub,t h eCh in ese-American wasrepresen t at iveof an ew worldofartan daccessibilit y .Butsitdown wit h collect orsoft h eBAYCNFTsan dask t h em t o n amet h edesig n er.W ouldt h ey k n ow wh oSen eca is? Th atist h econ un drum ofdesig n in g on eoft he mostfamousicon soft h edecade: itwasjustt h at ,a desig n project .Sen ecawan t ssomet h in g more.

n omat t ert h eplat form.W espok ewit h t h eAl l Seein g Sen eca(asdescribedon h erwebsit e) an d learn edaboutg rowin g up in Sh an g h ai,ch aract er desig n ,an dh ow somet h in g sjustfizzleout . EvanPri cco:W esho uld sta r t w ith thed ir ectio n yo ur ca r eer ha s ta ken ,fr o m co m m er cia l illustr a tio n w o r k to yo ur cur r en t fo cus o n a m o r eper so n a l,fin ea r t pr a ctice. Seneca: Iwen tt oRISD an dst udiedillust rat ion becauseevery bitofwork t h atIh addon ebefore t h en slot t edin t ot h atg en re.Ig uess,in my h ead, pract ically speak in g ,t h efin eart sin dust ry was somet h in g t h atwasvery daun t in g . Butin order t omak ealivin g ,It h in k commercialartwast he rig h trout et og oan dpursue. Ireally lovedesig n ch allen g esan dartdirect ion , soIwan t edt owork in t h atfield.An dt oy ourpoin t ,h on est ly ,ifIcould h avejustmadealivin g an dbeen ablet ojustdraw fort h erestofmy l ife,perfect . How couldIask for more? You k n ow wh atImean ?

Perh apst h ish idden n ot oriet y g aveh ersomet h in g lessaccessible: t ime. In t h elastfew y ears, Sen eca h asbeen ablet obuildamoret radit ion alpract ice, placin g h eron t h eforefron tofmult ipleworldsof h et h in g is,Ih adn ot icedt h atevery t ime fin eartpain t in g ,dig it alpract ices,an dcommercial Butt Icon t in uedt opush my person alwork ,Iwouldg et desig n smorein lin ewit h h erin t erest san d morean dmoreopport un it ies.Ih adsol osh ows won derfully t wist eddream worldst h atreson at e

18 W IN T ER 2024

back wh en Iwasacommercialillust rat or,an d t h atsh ock edme.An dofcourse,n oon ecould purch aset h ework becauseit 'sdig it alart ,t h oug h n ow t h atst uffh asch an g edan dt h ere'sacooln ew t ech n olog y n amedNFTs.Butitwasalway sin t he back ofmy h ead.W ork in g asan illust rat orwas difficult ,an dIh addefin it ely g ain edsomesuccess in t ermsofrecog n it ion an dcareeraccolades. G reat ,butmon ey wast oug h .Ididn 'th aveasavin g s accoun tun t ilt woy earsag o,basicall y .An dt h en wh en t h isopport un it y arosewh ereIcouldg oallin on my person alwork ,Ijumpedon it .Defin it ely a risk ierrout e,butit 'son cein alifet ime. So w hen w esa y d igita l pr a cticein th is in ter view ,50% o fthea ud ien cew ill kn o w exa ctly w ha t yo u m ea n ,a n d Iw o uld a r guetha t 50% w o uld b ea littlein thed a r k,so to spea k. W hy d o n 't yo u,in thesim plest w a y,expla in w ha t yo ur d igita l pr a cticeis? It 'svery similart ojustsk et ch in g on paperan d applyin g t h att ocan vas.On ly y ou'redoin g every t h in g dig it ally n at ive.Sowh en peopleg o, "Doy ou h aveph y sicalsk et ch es?" I'm l ik e,"Th ere aresk et ch es.Th ey 'rejustin Ph ot osh op,an dt h ey

Above:Portrai t byLau raJ u n e Ki rsch

REPORT

sh ouldbeviewedt h esameway ." Ijustpreferusin g Ph ot osh op t odoitbecauset h en Ican man ipulat e an dexperimen twit h itan dt h en uset h atasa g uidefrom my main piece.An dalso,bein g on t he in t ern et ,y ou'reexposedt osoman y in spirat ion s, justlik ey ou wouldin alibrary ofartbook s.So wh en Isay dig it alpract ice,it 'sjustbrin g in g t h is n ew worldoft ech n olog y in t oartcreat ion . W ha t is yo ur fa vo r itepr o gr a m to usefo r d igita l a r t? Ph ot osh op.Al lt h eway .Idefin it ely sk ew more t owardt radit ion alillust rat ion . IdespiseVect or. I'm sorry . BecauseIh avet og ot h roug h itall . W ha t w o uld b ethego ld sta n d a r d o fa n illustr a tio n pr o ject tha t yo u w o uld seek o ut? Th ecoveroft h eN ew Yorker?Edit orialst uff, It h in k ,ish ug ein ourin dust ry .G et t in g asubway campaig n —t h at 'sh ug e.G et t in g ag oldmedalfrom t h eSociet y ofIllust rat orsish ug e.On cey ou are k n own forast y le,lik edoin g fash ion an dg et t in g y ourillust rat ion sprin t edon product satamass l evel ,It h in k itisalsopret t y k il ler.Th at 'swh en peoplearel ik e,"Oh ,wow,y ou madeit ." ButIwill say wh at 'sun iquein ourin dust ry ist h atsomet imes peopleg ett h ecoveroft h eN ew Yorker,an dt h en it justk in doffizzlessomeh ow.Idon 'tk n ow. Let's go b a ck to yo un g Sen eca in Sha n gha i, w hich is w her eyo u gr ew up.In thela st 10o r 15 yea r s,theChin esea r t m a r ket ha s gr o w n ,a n d ther e's b een m o r ea ccess to tha t m a r ket in ter m s o fjust view er ship a n d eyeb a lls.But w ha t w a s lifelikefo r yo u gr o w in g up ther e? My paren t sreally madean effortt ot ak emet o museums,an dt h atwaspartofmy l ife.Iwasreally drawn t oan imat ion an dst ory book illust rat ion , obviously,butan imat ion wask in dofararit y for me.Firstofal l,t h isisCh in a, soit 'sdifficultt o accessmediaout sideoft h ecoun t ry . Iwouldh avescrat ch edup CDs.Th erewason et h at wasaPok emon .Every t imeIwouldplug itin t o my PC,Iwouldpray itwouldwork . Itwouldh ave t woepisodesofPok emon in Japan ese,soIdidn 't un derst an dan y t h in g . ButIat et h atsh itup. Iwas lik e,"Th isissoprecious,an dIwat ch editsoman y t imes." W h en everwewouldg ot oHon g Kon g ,I wouldbuy k n ock offDisn ey becauset h ey would h avek n ock -offversion s,wh ich ish ilarious. But t h en Ien dedup collect in g t h eact ualDisn ey t apes an dsuch .An dexposuret omusic wast h ebig on e. My dadisah ug eclassicalmusic g uy ,an dh ewould play in st rumen t alsforme,wh ich wasreall y ,really quit esig n ifican tin h ow Idevelop my work n ow, aswellash ow itflexedmy imag in at ion asak id.It exercisedit .Iwouldimag in emoviesin my h ead wit h cin emat ic soun dt rack s.Iwouldsay itwas

limit ed,butt h atmadememoreappreciat iveoft he art san dch allen g edmet ocreat emy own st ories. IfIcouldn 'taccesswh aty ou g uy scouldouth ere, t h en Iwouldmak eup my own .ButIwillalson ot e t h atIwouldt ravelback t oNew York durin g t he summers.W at ch in g TV was,h on est ly,sofun . Iwouldt urn on PBSKidsan dbesojealous.

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So in tha t sen se,yo u'd go b a ck b etw een Sha n gha ia n d New Yo r k a s a kid ,so yo u w er e a w a r eo fper ha ps a littleb it o f... W h atIwasmissin g outon .Iwasborn in New York,an dwemovedaway wh en Iwasfourt o Asia.Th ere'ssomet h in g aboutin dividualism h ere,butin Ch in a,bein g weirdan dquirk y is

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much aboutit .Iwaslik e,"W el l,t h ebot t om lin e ist h atit 'sach aract erdesig n job,an d t h at 'swh at Ido. Soletmeh elp y ou." Iten dedup bein g a collaborat iveprocess, an d Imadet h atch aract er, an d itk in d ofwen t ... It h in k it 'sfairt osay t h atwh at everwecreat e,even ifit 'sforsomeon eelse,isourin t erpret at ion oft he st ory .So,forexample,t h eBoredApech aract er, t h ey basically k ey wordedpun k apes.An dIt h oug h t t omy self,"Wel l ,I'm amet alh ead.Iloveg rimy bars. I'm very self-deprecat in g ." Ih adjustimag in edt h is apewh owassuperwealt h y an dh adallt h et imein t h eworldbutdidn 'tfeelt h epassion fort h iswork . Hewask in dofl ik e,"W h att h efuck am Idoin g ?" An dh e'ssit t in g atamet albar.Th at 'sh ow Isaw t he ch aract eran dwasl ik e,"Ok ay ,ifIwereaboredape, Ig uesscry pt omillion aire,wh atwouldIlook l ik e?" Do r ea l peo ple,likepeo pleyo u kn o w ,sho w up in yo ur cha r a cter d esign s? Ican t h in k ofan examplewh erean ot h erart ist woulddot h is: MauriceSen dak (wh om Il ove) said t h ath iswildt h in g sin W heret heW ildT hi ng sA reare act ually h isfamily relat ives!Hesaidh isaun t swere lik emon st erst ry in g t osqueezey ourch eek ork iss y ou wh en h edidn 'tlik eit .Ican t ellin t erviewers squirm aroun dt h isan swerbecauset h ey 'reun sure ift h ey sh ouldg etin t ot h atwit h h im orn ot ,wh et h er itwast raumaorifh ejustlik edt obeat roll .

n otascelebrat ed.You'remorepressuredt oplay n icean dn otst ick outt oomuch .Ofcourse,t h at 's ch an g edovert ime;Sh an g h ai h asbecomek in dof t h eNew York ofCh in a.ButIk n ew t h atin t ermsof developin g artan ddesig n ,itsh ouldbeouth ere, an dmay beon eday Iwouldbrin g itback h ome. W eco uld pr o b a b ly ta lk fo r ho ur s a b o ut this sub ject,b ut w hy n o w sta r t pa in tin g in a m o r e tr a d itio n a l sen se? W ha t w a s thecha n geyo u w a n ted to seein yo ur self? I'vealway spain t ed.Th at 'sn everbeen ast opan d-st artk in dofdeal. It h in k t h atwh en y ou are sodeep in t h eh ust le,y ou don 'th avet h een erg y t odoot h ert h in g s.An dalso,wh en y ou livein a smallNew York apart men t ,h avin g alarg ecan vas in y ourplaceisn ott h emostpract icalt h in g . But t h et h in g is,Ig uess,itwasdurin g COVID an d quaran t in et h atIreally reig n it edmy t radit ion al work becauseIg otreally sick .Ig uesst h atwassort oft h ecat aly st . Ig ott iredoft h eh ust lean dfeelin g alit t lebith elpless,even t h oug h I'dg on esofar,but y etitwasn 'tprog ressin g t h eway Iwan t edt o. Ireally missbein g messy ,an dIn eedt oexperimen t morean dg oback t omy craft y root s,bein g an art st uden tan dn otworry in g aboutperfect ion .An d

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soatt h atpoin t ,Iwaslik e,"Ish ouldprobably st art pain t in g ag ain ." Alt h oug h t h at 'salway sin my h ead, I'ven everreally st opped,act ually. Ithin k it w o uld b er em iss to go this fa r in to a co n ver sa tio n a n d n o t m en tio n so m ethin g yo u cr ea ted tha t is,liter a lly,w o r ld -fa m o us— the Bo r ed Apecha r a cter .This co uld a r gua b ly b ethe m o st fa m o us NFT co llectio n ever . Sodurin g my career,Ik n ew Ih adt ok eep push in g wh at everport folioIh adan dk eep in t roducin g n ew sk illssot h atmy pot en t ialemploy ersk n ew Icoulddoalot .SoIcon sidereddabblin g in t he an imat ion in dust ry ,wh ich Ih adn oten t ered before.Iwan t edt odevelop avisualdevelopmen t port folio,wh ich mean st h aty ou'redevelopin g ch aract ers,en viron men t s,an dpart soft h est ory lik east ory art ist . Icreat edach aract erdesig n port folio, an d t h en alon g t imeclien twh om I'dwork edwit h forover fivey earsdecidedt o st arth irin g mefort h at . Ien ded up g et t in g referredt ot h osefoun ders, wh ich isYug a,an d t h ey presen t ed mewit h t h is idea,t owh ich Iwaslik e, “W el l,I..." Th ey said NFT an d un derst ood t h eg ist . Ididn 'tk n ow t oo

It h in k t h ere'sn odoubtt h att h ere'ssomesemblan ce ofrealpeoplein my work,butIprefert orepresen t t h em moreabst ract l y ,perh apsl esswillin g t oexplain itsobl ack -an d-wh it e,an daway t odot h atist ot ak e t h eh uman form away .Iusually mak et h em plan t l ifeformsorsomet h in g org an ic,justn oth uman oid. Sorat h ert h an met ellin g y ou,"Oh ,t h eserepresen t my family t h atmademefeelburden edwit h t h eir expect at ion s," it 's"t h eplan t ssh ouldfeeloverbearin g an dt remen dousan dalmostclaust roph obic." W e're focusin g on t h efeel in g mostoft h et ime. W ith co m m er cia l a r t,fin ea r t,a n d even theNFT pr o jects yo u ha veb een pa r t o f,ther eis n o lim it to thea ccessib ility a n d a ppr o a ch a co llecto r o r view er ca n ha vew ith yo ur a r t.But w her ea r e yo u m o st ha ppy to seeyo ur w o r k? You k n ow wh at ? Iwouldlik emy work t o becomemoreaccessibleatsomepoin t . Havin g on epain t in g ,t h ere'son ly on eversion ofit , butI'drat h erh avek idsseemy work in abook somewh ereoron aproductt h att h ey really t reasure. It h in k alotoft h atislook edatas low-brow ormorecommercial,butIst illh ave an appreciat ion fort h at .Justmak in g artt h at 's in t eg rat edmorein t ot h ecult uret h an somedust y pain t in g in someon e'sbasemen t .D Al l Seei ng Seneca. com

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M U DW I TCH Planter Vi vi an a M atsu da,AKA M u dW i tch,ru n san i n di e cerami csstu di oi n S an Fran ci sco,crafti n g beau ti fu l ,w on ky tabl ew are that i ssp eckl ed an d sp otted i n al lthe ri g ht p l aces. C ol l ect objects from thi ssel f-descri bed "chu bby p ottermaki ng chu bby p ottery"vi a herw ebsi te,i n cl u di n g "bu i l d-a-m u g " besp oke orders. M atsu da makes ramen bow l s,matcha mu g s, an d fu n kyfl ow erp l ates,an d w e p erson al l yw i sh forthi s "Ban an a S u n dae T ri p p y"p l an ter,w hi ch w i l lcertai nl y make ou rherbsg row stron g er.

U m arR ashid x K instler"Battle ofM alibu (I n Three Parts)1795..." Puz z le W e di d the research. H ou rsofresearch,to be exact (edi tor's n ote:on e G oog l e search)to fi n d ou t i fthe Battl e ofM al i bu actu al l y hap p en ed. It di dn 't. Bu t i n the w orl d ofU marR ashi d, maybe i t di d. An d asap u zzl e,you are p i eci n g tog etherR ashi d's w orl d an d the hi storythat w asmaybe al w ays i n ten ded. As Ki n stl ern otes,"Ifthe Chu mash,T on g va,G abri el i n o,an d other i n di g en ou s LA typ es had,i n fact,g on e on to fi g ht the S p an i sh, armed w i th al i ttl e red C orvette dri ven by Bl ack J esu s,then ,w el l , w e'd have l i ked to have seen that. S o here i ti s."G et the eg g n og an d g et g ran dm a becau se you 've g ot ahol i day p u zzl e to do. H el l oKi n stl er.com

E d R uscha x M oM A O O F H oodie W hethervol u n tari l y u ttered (orm u ttered),there i sn ot adate that g oesbyw hen O O F i sn ot an ap p rop ri ate resp on se to the everyday. T he cozi est w ayto abi di ngl y refl ect on the cu rren t cl i mate i n si mp l e sartori al an d sati ri calcom fort,asw el las exp ressyou rl oveforl eg en dary Cal i forn i a p ai n terEd R u scha,ju st m i g ht beto en vel op you rsel fi n thi s royalbl u e Champ i on hoodi ew i th hi s196 2 statem en t p i ece from M oM A's col l ecti on fron t an d cen ter. S tore.M oM A.org

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M ikiko H ara invisible M oments “ . . . beyondanyoft hos edet ai l soft her e al ,t he r ear e dr e ams .Ande ve r yone ’ sl i vi ngi nt he m. ”

—Haruk i M urak ami,Kaf kaont heShor e O ne m om entto the next,to the next,except may bein aph ot og raph . May be,because,can a momen treally existin isolat ion ? Lifeisrarely experien cedin real-t ime;it 'ssooft en acon t in uous blen dofpresen t ,past ,an dfut ureperspect ives. Th oug h t sracet oplay cat ch -up wit h t imeasour brain sprocessan dfilt ert h ecomplexit iesofbein g alivein t h eworld. Every t h in g overlaps.W e're h ere,butwe'realsoelsewh ere.

M ik ik oHara'sph ot og raph smirrort h is un predict ableebb an d flow of experien ce. Th esearemomen t sn otext ract ed from t he worldbutreflect ion sof it srh y t h m. People appearsuspen ded, asift imemig h tun expect edly sh iftdirect ion s, n otlostin t h oug h tsomuch as float in g , carried alon g in it scurren t . A small ch ild st an ds, ey esclosed, in t h ewarm g low of sun lig h t . A woman 'sat t en t ion iscaug h t by somet h in g justoff-frame. Out sideat rain win dow,g olden flowersfl y by .A k oi fish presses it sfaceag ain stt h ewallofit ssmallworld. A man t urn s;h isst aremeet st h ecamera. In side look in g out , out sidelook in g in ,allun awareof an y precisein st an tillumin at ed by t h eclick ofa sh ut t er. On emomen tt ot h elast ,t ot h epast , t ot h en ext ;usually , mostoft h et ime.

con t rollin g t h eimag ewit h my own ideas.Perh aps itisfairt osay ," sh econ cludes,"t h atIh ave in t en dedt h eun in t en t ion al."

Con n ect ion smak et h emselves.W elearn somet h in g n ew an dbeg in t on ot iceitevery wh ere. M ay beitwasevery wh ere,t obeg in wit h . It 'san illusion offrequen cy ,acog n it ivebias;wh atwe seeisn everen t irely object ive. Butt h atn ot quit e-art iculablesen sat ion ofn ot icin g —t h at out -of-n owh erefeelin g ofan ideaemerg in g ,of M ik ik o'sey esan dt h ecamera'sviewfin derrarely, ifever,meet . Th eircon n ect ion ismorepercept ual in t uit ion g limmerin g —carriesacert ain dept h t h an ocular—arelat ion sh ip born from coin ciden ce ofaut h en t icit y foun dn owh ereel se.In aworld butboun dby in st in ct ."Iam t h eon eoperat in g t h e ofreadily availablean swers,it 'san arg umen t forun cert ain t y ,forcuriosit y ,an dcoin ciden ce. camera," sh esay s,"butwh ich partoft h eimag e "Th ecameraissomewh atlik eablack box for Iwaslook in g atan dwh ich partt h ecamerawas look in g atremain sun differen t iat edforme." me," Harasay s."Ifeelt h atitbrin g ssomet h in g It 'sacollaborat ion wit h ch an ce,an in st an tt h at t h atg oesbey on dme,wit h outmebein g ablet o clearly g rasp wh atish appen in g ." Look in g ath er exist sbet ween seein g an dfeelin g ,decision an d owan derin amy st eriousday dream. seren dipit y ,on est h att ran scen dt h eph ot og raph er, imag esist subject ,an dviewer. "Iwan tt oescapefrom Sh eist h isdream'saut h or,y etit 'sn oten t irely

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h ers,n ordoesitreally belon g t ot h osewh ose livesweobserve.Ph ot og raph sarerecollect ion sof in visiblemomen t s,on eslivedbutn otn ecessarily experien ced. M ay bet h ey mak emoresen set h an t h eworldt h ey 'recollect edfrom. It 'srareeviden ce, n otofan y on eperson 'srealit y butoft h isst ran g e set t in g wh ereweallh appen t oin t ersect —aplace ofmag ic,miracle,an dofmy t h .—Al exNi c hol s on Mi ki koH ar a’ sl at e s tbook,Smal lMyt hs ,i sp u bl i s hed byChos eCommu neandw asr e c e nt l ys hor t l i s t e df or Par i sPhot o’ s20 23 Phot obookoft heY e ar .

7p hot ogr ap ht hi ngsI e nc ou nt e ri nmydai l yl i f e ,s o e ve ni fmyp hot ogr ap hsar edr aw nf rom myp e r s onal dai l yl i f e ,myp er s onalr e all i f ei snoti mp or t ant ,i na w ay.I am t r yi ngt of i ndaki ndofc i r c ui tt hatmi ght ap p e ari nt hep hot ogr ap hst ake ni nf rom mye ve r yday l i f e ,bu tt hatl e adsu st os ome w he r ebe yondl i f e . ”

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Streets ofSan Francisco Lauren D'Amato's Preservation of Culture Thepin -str ipin g a n d s ign -pa in t in g w o r k o f Lauren D'Amat oh asdist in g uish ed coun t less corn ersan d carsof San Fran cisco.W emet fivey earsag oatt h eJuxtapozClubh ouse in Den ver,wh en , overn ig h t , severalart ist s flippedawareh ousein t o an artext ravag an za. Corrug at ed met alh erback drop, D'Amat owas out sidedilig en t ly work in g h erwon derson t he cust om sig n ag e. Sin cet h en , in n umerableart ist s h avecit ed D'Amat o asan in fluen ce, an d h er pract iceh aspivot ed.Asrowboat s, buildin g s, an d Ch evy Impalasproudly g ran dst an d allover San Fran cisco, emblazon ed by h erh an d, sh e's ret reat ed t ot h eh illsabovet h eG olden G at eBridg e t o refin eh ermission . Kristin Farr:Beyo n d yo ur m id d len a m e,d o r o ses ha vea per so n a l sign ifica n cefo r yo u? LaurenD ' A mat o: Complet ely.Iam act ually t he n amesak eoft wodifferen twomen on each side ofmy family n amedRose.Ibelievet h erearereal

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et ern alt iest ot h eimag eoft h eRose.Ith asbeen carriedasavisualsy mbolforph y sicaladorn men t an dsh owman sh ip,from t radit ion sofCh arros, embroidery ,an dpot t ery ,t ocon t emporary lowridin g , pin st ripin g ,an dt at t ooin g .Bein g apin st riperissuch an in t imat eway t opart icipat ein t h eset radit ion s, an dIfin dt h eroleIplay isreally h elpin g ot h ersmak e t h eseun iquevisualst at emen t sofin dividualism an dresilien ce.Tocallsomet h in g aRoseist osay t h atitst an dsoutabovet h erest ,an dformet opain t t h em forot h erson t h eirprizedpossession sin t h ese t radit ion alt ech n iquesisalsoaph y sicalway forme t osh arepridean dpart icipat ein my own lin eag es. Descr ib eyo ur b a ck gr o un d a s a sign pa in ter a n d h o w it's in yo ur gen es. My Un cleHowiest art ed asig n sh op in New Jersey in t h elat e'70 san d early '80 s, an d h eg otmy pops an d my ot h erUn cleJoet o moveoutt h erefrom LA an d work forh im. Het rain ed t h em bot h , an d t h ey h ad areally dream y family barn sh op set up.

Th ey did alotofcarved woodan d g oldleaf sig n s in amoreruralarea. By t h et imeIwasat ween , my Un cleHowieh ad relocat edan d st art ed ash op in Arizon awit h h isson . My paren t sused t o sen d meoutt h ereon lit t lesolot ripsan d Ispen tsome really in format ivet imein t h eirsh op. My Un cle t aug h tmeaboutdrawin g let t ersan d Ig otmy basic k n owledg eoft h eirday -t o-day rout in e—pain t in g sig n sin t h eoldwest ern t own s, big saloon sig n s, an d h ug ecut -outcowboy s. Irememberon et rip,specifically,wh en my Un cle Howieh adbeen work in g on sig n sforalocalrodeo, an d aft ert h ejob wasdon e,wewen tdown atn ig h t t owat ch t h eridin g . Irememberack n owledg in g t h en t h ath eg ott reat edwit h somuch respect(g ood seat s,freebeer,an d food),allbecauseoft h ework h e'ddon e.Th iswasvery in spirin g t ome. Ho w d id yo ur sign -pa in tin g pr a cticeevo lve o ver tim e?

Above: Lauren D'Amato's work was made possible in part with the support of Headlands Center for the Arts. La Reyna, Acrylic on canvas, 48"x72", 2023.

DESIGN

From t h atin it ialfamily in t roduct ion , ith ash eld t h isplacein my h eartt h at 'svery deart o me. My family en courag ed met opursuedesig n or somet h in g elset h atwouldbemoreprofit able; t h ey wan t ed moret h an formet o bet ied down t o t h emoreblue-collaraspect sof sig n pain t in g . So, aft erg oin g t h roug h artsch oolatSFAIan d bein g exposedt o an en t irely differen tworldofart , Ih ad t opieceback t og et h ermy art ist ic iden t it y. Idecidedt o sh iftt owardsembracin g t h islin eag e moreopen ly , ag ain stt h eiradvicean d t ook an appren t icesh ip atNew Boh emiaSig n sin San Fran cisco. Iwork edan d learn ed somuch t h ere forseveraly earsan d wasin very g oodcompan y wit h soman y in crediblepain t ers. Itwasdurin g my t imet h eret h atIbeg an t ot ry t o develop my own st y lean d t ry t o dist in g uish alook formy self asapin st riper. I'veh ad ag ood st in tof run n in g my own smallsig n busin essin San Fran cisco, pin st ripin g an d also t each in g h an d-let t erin g at CCA fort h epastfoury ears. I'm n ow atast ag eof re-en vision in g wh atalloft h ish asm ean tt o me. Tell m ea b o ut yo ur K usto m Sun d a y pa r ties. Itwassomet h in g Ist art edpret t y casually out ofmy wareh ouseg arag ein Bern alHeig h t sasa way t obuildup my ch opsan dg etmy selft opain t morecon fiden t ly aroun dot h erpeople.Irealized wh ileIwaswork in g atNew Boh emiat h atIwould experien cesomeperforman cean xiet y on jobs. Ifoun dmy selfin t h esecrucialmomen t swh ere clien t swereen t rust in g met omak et h eirmost preciousbelon g in g slook even bet t er,sot h atfeltlik e pret t y h ig h st ak es!Iopen edt h eg arag eroll-up on t h eseSun day aft ern oon s,offeredveh iclelet t erin g an dsomesimplest ripin g ,an din vit edmy frien ds t oDJoldies.Ih adag oodfrien d,Ren e,wh ost art ed t h eSuavecit oSouldiesn ig h t sin Oak lan d,an dh e wast h efirstperson Iin vit edt ojoin me.Iusedt o g ooutt oh isDJn ig h t srelig iously in Oak lan dan d dan ceon Friday n ig h t satt h eG olden Bul l .Itwasso memorable,an dh earin g t h atmusic alsog avemea sen seofcomfortt h atallowedmet opain tbet t er. Kust om Sun day g rew in t oafun even t .Th ere'dbe lin esofpeoplewh o'dsh ow up in t h eiroldsch ools. W ewouldbarbecuean dpeoplewouldwat ch me pain t . From t h eg arag e,Ien dedup movin g aroun d t h ecit y an d h avin g t h em wit h t h elowridercoun cil atLaRazaPark ,G olden G at ePark ,an d even on ein LA.Iin vit edot h erpain t ersan d DJsan d I'vemade someofmy closestfrien dsan d clien t st h roug h t he in t roduct ion smadeon t h eseSun day s. Co n gr a tula tio n s o n yo ur r esid en cy a t The Hea d la n d s.Ho w is it go in g,a n d w ha t m a d eyo u w a n t to w o r k ther e? I'm att h e beg in n in g of my Tourn esolAward period att h eHeadlan dsan d focused on mak in g an ew body ofwork in pain t in g th atreferen ces

alllet t erin g from sig n sin San Fran cisco, usin g my sen sibilit iesasapin st ripert o addresscolor an d composit ion . A lotoft h esig n st h atwerein it ialin spirat ion sfor meareh ere,butalsoh an g in g outon alimb in such afrag ilest at e,soreferen cin g t h eirformsin my work is,in away ,amean st odocumen tan dh oldon t o t h eirmemory .In t h esepain t in g s,Iam ut ilizin g al l t h edifferen tt ech n iquesI'velearn edovert h ey ears, lik elet t erin g ,airbrush ,an dpin st ripin g ,aswell asallowin g my selft omovefreely t h roug h t h ese pain t in g st oreally reflectan dh on ort h eroadt h at 's broug h tmet ot h ispoin t .

Th roug h t h isjourn ey ofwan t in g t obecomeabet t er sig n pain t er,Ih avedevelopedan in t en sein t ern al n eedt ok n ow t h at ,att h een doft h eday ,Ican sust ain an dsupportmy selfsolely wit h t h ebrush .I'm g oin g t h roug h at ran sformat iveperiodan dlearn in g t o mit ig at et h atby repriorit izin g my own creat ivit y. Let's ta lk a b o ut yo ur r ecen t CompleteM achine exh ib it a t th eHo useo f Seiko G a ller y. Th eC ompl et eM achi nesh ow wasamajorpoin tfor me.Irealizedsomet h in g aboutt h eway sIwork an d h ow sh ift in g bet ween pain t in g processesan dusin g abst ract ion couldact ually creat ean imag et h atfel t wh olet ome.Aft ert h esh ow,In ot icedat h readin t he

Top: Complete Machine exhibition at House of Seiko. Installation photo by Graham Holoch, 2023. Bottom right: Detail of La Dona's La Nina Mala ('65 Impala), Installed at SFM OM A, 2022. Photo by Natalie Aleman. Bottom left: Elwell Trucking, work in progress at Headlands Center for the Arts, 2023. Photo by Natalie Aleman.

JU X TAPO Z.CO M

35

DESIGN

g roup ofpain t in g st h atIh adoverlook ed.Th esig n s Ih adcomet oreferen cein t h ework h adall ,in t h at respect ivemomen t ,been n on -fun ct ion in g sig n s. It 'ssomet h in g IsupposeIam reg ularly drawn t o, sig n st h ath avet ran scen dedt h eirorig in alusebut main t ain t h eirvisualpresen cein an en viron men t . Removedfrom t h eirin t en dedfun ct ion ,t h ey ask us t ocon sidersomet h in g el se,may besomet h in g t h at relat est ot h ememoriest h ey 'veh eld,ort olook in t o t h eirsurfacesan dseet h elan g uag eofblue-collar laboran dt ech n icalabilit yt h atpersist san dpresen t s it selft h ere. Tell m ea b o ut th esculptur ea t tha t sho w . Th atwork wasawh oleexperien ce— in t en t ion ally so,t oo! Iwasfeelin g really in spired by bein g in t h ish ug ein dust rialspacewh eremy part n er St eph en doesalotof met alwork an d fabricat ion , an d k in d oft h oug h taboutt h atsculpt ureasbein g aplacet obrin g t og et h erallt h eph y sicalmat erials t h atIwould in t eractwit h in my day -t o-day work , creat in g t h isg lowin g , spark ly , spin n in g , t im e­ k eepin g objectt o pain tin act ion . W edocum en t ed itin 8mm an d in cluded foot ag eofusbot h

36 W IN T ER 2024

work in g in t h esh op. St eph en h elpedweldan d put t h esespin n in g h ubcapsin t o alig h t box sig n an d Ipain t ed it , surroun ded by allt h emot orcy cles an d mach in ery . Somet h in g aboutdocum en t in g it in t h e8mm film issospecialt o me,becausealot of my firstmemoriesof even seein g an y t h in g lik e t h isrepresen t ed in museumsorin st it ut ion swere from seein g oldKen n et h An g erfilms,an d t h ey werecomplet ely exh ilarat in g .

alsoatacrazy poin tin t imewh en t h eseh ierarch ies bet ween desig n an dartarebeg in n in g t oun ravel t osomedeg reebecauseoft h escarcit yt ech n olog y h ascreat edforpeoplean dobjectmak erst ooperat e in t h eph y sicalrealm.W e'vealsoseen soman y periodsovert h ecourseofarth ist ory ,t h atIt h in k n eg at et h eselin esofseparat ion ,such asperiodsl ik e t h eRen aissan ce,wh ereamajorit y ofwork swere commission edsolely basedon t ech n icalabilit y.

Do yo u ha vefeelin gs a b o ut th eim a gin ed lin e b etw een d esign a n d a r t? Iwen tt h roug h alon g period offeelin g lik emy perceived iden t it y wascompromisedby t he way t h eseworldsareh ist orically separat ed or t h ein h eren th ierarch iesatplay bet ween t h em. Comically ,t h ey each carry such h arsh st ig mas ag ain steach ot h er. I'vecomet ot h isext remely liberat in g poin tin my life,t h oug h ,wh ereI've realized t h eselin esact ually aret h esubjectm at t er att h eforefron tof my work .

W e'veseen “de-sk illin g " in abst ractpain t in g , an d t h eresurg en ceoft h e"craft s" ag ain .Yet ,t h ere rem ain st h iscon versat ion ofwh atsh ould be excluded in art .

Iam curren t ly at t empt in g t oen g ag ealloft h emixed iden t it iesIcarry visually in pain t in g .Ifeelweare

Person ally,Iseeawealt h ofart ist ic valuein sig n s asasubjectmat t er.Th erearebot h con cept ualan d t ech n icalareast ost udy ,from t h efluct uat in g polit ics ofourvisuallan dscapet ot h et ech n icallin eag esof pain t in g ,sot h ereisalotIfeeladesiret odocumen t . I'dloveformy roleasapain t ert obecomeaforcet h at delin eat est h eseboun daries.D @ Sp ooky_O r bi s on

Above left:S tu di oi mag escou rtesyofthe arti st. Above right:S tag i ' s on 76 th,Acryl i con can vas,48"x6 6 ",2023. Photog rap hed at H eadl an dsCen terforthe Arts byN atal i eAl eman .

Futures of

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awalletcompan y ,an d,amon g ot h erin n ovat ion s, usin g h ardwaret rim an d con ceivin g t h ebuck et bag . ClaireM cCardellwasan ot h erAmerican wrh o en joy edg eomet ric sh apes.Th in k of lour t rian g lescuton t h ebias,each dissect ed in t ot h ree part san dreun it ed asah alt erdress. Sh ewas prag mat ic, creat in g t h eNadafrock — may beh er sig n at ure.Loat h in g h ow desig n ers“Lacedwomen t o breat h less,leavin g t h em un able t ocrosst h est reet wit h outh elp",sh ewast h eult imat eprag mat ist , creat in g t h eNadafrock ,also calledt h eM on ast ic. 1’ h epressravedabouth ow it“offeredAmerican women somet h in g t h ey 'dn everh ad: in depen den ce in t h eform ofawash able,ready -t o-weardresst h at couldbebelt edwh ereverforcomfort ,capableof fit t in g an y body size/Assh eon cewrot e,“M ostof my desig n sseem st art lin g ly self-eviden t . Iwon der wh y Ididn 'tt h in k of t h em before."

I'm afash ion desig n er, itg ivesmeavoice,wh ich isreally g ood/Kat h erin eHamn et tch ampion ed t h eslog an t ee: "Log ot -sh irt saredesig n ed t o put ideasin y ourbrain . You can 'tn otread t h em. Th ey mak ey ou t h in k , an d h opefully , do t he rig h tt h in g .”M iucciaPradamoved on from a doct orat ein polit icalscien ce,reject in g t h eidea t h at“y ou h avet o beadollt o bebeaut iful. Iwan t t obemoreclever,ormoredifficult ,ormore com plic at ed/Of Han ac M ori scross-cult ural desig n s, journ alistSuzy M en k eswTrot ct h at“n o on eh ascrossed t h ec ult uraldividewit h more sk illan d subt let y /Don n aKaran con ceived h er predom in an t ly black “Seven Easy Pieces/ offerin g day -t o-n ig h tmin imalism. JilSan der, t h e“Q ueen of Less," wen tfort h emin imal:

M ovin g Horizon s, coverin g 1968 t ot h epresen t , h ig h lig h t sdesig n erswit h in ourmemory , orat leastt h osewh o mig h tbemorefamiliar, an d it bearssomen ot ablen ug g et s, such asSon y aRy k iel, wh o st art ed t o desig n durin g h erfirstpreg n an cy , st art in g wit h an arrow-sh ouldered sn ug jersey dresst h ataccen t uat est h e form of t h epreg n an t body . Bet sey Joh n son isst illdoin g cart wh eels in colorfulcost umey wh imsey . NormaKamali's bout iquewasan artan d fash ion apex, aplacefor con versat ion an d g en der-fluidg armen t s. Dian e von Furst en berg in t roduced t h eaffordablewrap dressbecause “women g ravit at et oward jersey s becauset h ey careaboutwearabilit y an d h ow itfeelson t h ebody rat h ert h an h ow itwork s." Vivien n eW est wood declared, “1justusefash ion asan excuse t ot alk aboutpolit ics. Because

Ok uma, k n own forh erbeadwork , craft sart -t o­ wear, asin h erparflech edressin spired by t he folded rawh idebag smadeby t h e Plain sIn dian s. Adapt in g t o c urren tt imes,An ifaM vuemba premiered h erdesig n son In st ag ram durin g COVID on 3 -D models. “W h en 1open up a3 -D prog ram, Ist artwit h ablan k can vas, an d I'm lik e, "W h atam Ifeelin g ? W h eredoIwran tt o g o?’ " Her pleat ed Con g olesedressh asbeen worn by bot h TraceeEl lisRossan d Z en day a.

“Ilik ewomen cool,n everoverdecorat ed.”An n Demculcmeest er, ag ood frien d of Pat t i Smit h s, adm it st o con t in uously re-in ven t in g t h e suit , “adjust in g t h ebalan ce, accen t uat in g movemen t , imbuin g t h e g armen twit h n on c h alan c e/’ Aut umn Ran dolph 'sNo Sosso'scommun it y -based ag en der labelisa“bran d forevery body ". Rei KawTak ubo desig n s“familiarsh apeswrc seeevery day : abik e messen g erwit h abag overt h esh oulder, ababy on amot h er'sarm /’ G abrielaHearstst art ed h er own sust ain able ready -t o-wearbran d forclimat econ sciouswomen . W it h Brit ish Jamaican desig n er G raceW alesBon n er,Dior'sM ariaG raziaCh iuri is “t ry in g t o creat eabran d t h atcan h aveadialog ue wit h est ablish ed bran dsbutcomin g from aBl ack c ult uralperspect ive/’ Nat iveAmerican famic

42 W INTER 20 24

Th eexh ibit ion wouldn 'tbecomplet ewit h out addressin g Absen ce/Omission ,an dperh apsn on eis asst rik in g asAn n Lowe,wh odesig n edt h eweddin g dressfort h efut ureFirstLady Jacquelin eKen n edy , adet ailn otg iven t ot h epressatt h et ime. Furt h er back in h ist ory ,itwasn 'tdiscoveredun t ilrecen t ly t h atdressescollect edby M ary ToddLin coln wrerc desig n edby Elizabet h Keck l ey,on eofman y Bl ack desig n ersan ddressmak ersn otg iven at t ribut ion . Rich mon d,Virg in ia'sFan n ieCrissdesig n edfor an d dressedman y wealt h y wh it ewomen ,wh o don at edt h oseg own st oh ist oric preservat ion ,but wit h outcredit in g t h ecreat or.In t h e20 t h cen t ury , Black n ewspapers,mag azin es,an d ot h ermedia out let s(Ebon y Fash ion Fair!) beg an t odocumen t an d h on ort h eirart ist san d mak ers,followedby “awak en ed”main st ream media.An exh ibitsuch as W omen Dressin g IVomen may st artwit h An on y mit y an d en dwit h Omission ,butitaddressest h eissues, documen t st h eascen sion oft h esedesig n ers,in spires t h eimport an ceoleven moreresearch ,an d, in t he en d,h on orst h ebeaut y of t h esework sof art .El W omen Dressin gkJW omen willb eon view otT heM et fn A'ew Yorkfrom D ecemb er7„ 2 0 2 3 -M arch 3,2024.

B ottom left: En sem ble,M aria G razi a C hi u ri(Ital i an ,bo n i196 4)an d G race W ales Bon n er (Bri ti sh,born 1992)fori'O u seof D ior(Fren ch,fou n ded 1947) cru ise 2020 edit i on 2022 G i ft ofC h ri st i an D i orC o u t u ie. 2023 Phot o byA n n a -M ario KeIIen C ert fo r C l ai re M eCardelIw ea iin g herFc/iu re dress,1945 Photo by Eiv/in Blu m e n fel d Im ag e cou rtesy ofT he M etrop olitan M u seu m ofA it Photo © T he Estate ofEiw in Elu m en feld 2023 T op rig ht: K i ns h d ress An ifa M vu em ba (Am eri can . born Ken ya. 1990)forFan i fa (Am erican fou n ded 2012). faI|/w i n ter2020 -21 P.-rtk L C on g g Pu rehase. M i lIi a Daven p ort an d Zip p oran FleisherFu n d. 2 02 3 Photo byAn n a-M ari e Kell en

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t ocreat in g t h atcommun it y , soIen g ag ewit h t he art ist s.W h en Icreat et h eg roup sh owsorg ofor st udiovisit s,Ialready k n ow wh ot h ey are. I'm pay in g at t en t ion t ot h ework an d I'm h eret oh ave adialog uewit h t h em becauseforitt owork ,we're g oin g t oh avet obeablet obreak breadan d h aveme h elp y ou.Th isisafamily. Freedom Port al s,t h esh ow wit h Pat risseCullors an dn oeolivas,wasimport an tn oton ly from apoin t ofdecolon izat ion butalsoin commun it y h ealin g an dun it y .Th atsh ow isaperfectexampleofh ow spirit ualcon n ect ion play sin t ot h ework Ido.Ifirst metPat rissein person durin g my iy aboraje(elder in it iat ion y earin wh it e.) Ik n ew sh ewasan elderso Icamet osalut eh erproperly.Soon aft ermy spirit ual y ear,weopen edash ow wit h Rash uan Ruck ert h at , t ot h isday ,h oldsaspecialplaceforme.Iask ed Ch arliet oin vit ePat rissean dsh ecamewit h t he Cren sh aw Dairy M art(CDM) family. W eexpressedwan t in g t owork t og et h eran d sch eduledFreedom P ortals.Th en t h em urderof Pat risse'scousin by t h eLAPD h appen ed. Our n um beron efocuswast o mak esurePat risse wasok ay .W emet , an d t h est ren g t h sh esh owed t h atday an d every day aft erissomet h in g Ican 't describe. Sh est illwan t ed t o dot h esh ow an dwe leftitatt h at . Ifeltitwould beaspirit ualsh ow,we n eeded t o bepat ien tan d itwouldbebeaut iful. Ih ad fait h in t h espirit swalk in g wit h met h att h is t imewasat imeofh ealin g forh eran d allofus. Freedom P ortalsdeliveredt h atan d somuch more. Is ther ea "type" o f a r tist th a t sh o w s a t CJG ? It 'saboutmak in g work t h atwillst an d t h et estof t ime. W h en itwasmadean dwh atwash appen in g ish ow itwillbepartof arth ist ory . W h en y ou look back ,wh ataret h eart ist soft h ist imemak in g ? W h o aret h ey ? W h atweret h ey t alk in g about ? W h atweret h eircon versat ion s? W h en itcomest o t h eprog ram atCJG ,every body 'sdoin g t h atwork . W ha t's yo ur m eth o d fo r b r in gin g in n ew a r tists? Forme,an dwit h Ch arlie,y ou comet ot h eg allery an d it 'sadifferen tvibe.W esay h i t oy ou.W e're h appy t oseey ou.W e'reexcit edt ot alk aboutt he art ,wh erein mostplaces,it 'slik e(sh emak esa frown in g face),You'reluck y ift h ey look overaty ou. Th at 'simport an t ,an dt obeablet ospeak open ly ,all t h eart ist sh avebeen ablet ospeak open ly. Och a,an dJack ieAmezquit a. I'm alsoexcit edby t h ework ofPat ssi Valdez,Joey Terrill,Ch rist in a Fern an dez,G uadalupeRosales,M ariaM aea,Soph ie W h o sea r tw o r k excites yo u r ight n o w ? St ark ,an d M asieLove... Ican k eep g oin g . I'm excit edaboutt h ework an dt h ecommun it y t h atCJG ,RafaEsparza,Summaevery t h an g (Lauren W ha t's yo ur fa vo r iteth in g a b o ut go in g in to w o r k? Halsey ),CDM,OzzieJuarez,an d Tlaloc St udios Lowk ey ,buildin g ag reatcom m un it y wit h art ist s. con t in uet ocreat e.W eg ott osh ow ElmerG uevara Ilovebein g in Ch in at own . I'm t h an k fulforevery an d NarcisoM art in ez solosatt h eArmory ,an d day I'm ablet owak eup an d It h an k t h espiritfor Sh izu Saldaman do soloatArtBasel.Comin g in t o g ivin g met h atbreat h t h atI'm n otg uaran t eed. '24 we'reg oin g t obesh owin g Jerry Pen a,Loren a

48 W IN T ER 2024

Iam t h an k fult o beablet o dot h ework ,an d It alk t o allt h eeldersin t h ecommun it y .Yeah ,t h ere's alan g uag ebarrier, Idon 'treally k n ow t h eir lan g uag e;someoft h em don 'tk n ow min e, butwe g reeteach ot h erevery morn in g . W ecan say h i. Th ey comet o seet h esh ows, an d Ilovebein g in t h ecommun it y .D Follow E verat@ ever. a. k. a. theg irlab outtown or cjamesg allery. com

T op:R oberto G u ti errez,Eas tLA. M arket#3 from the exhi bi ti on ,R os tro.Cou rtesyofthe arti st. Photo © 2022 Yu bo Don g Bo tto m : Narsiso M artinez at T heArm oryS how 2023. Cou rtesyofCharlieJamesG allery,LosAn g eles. Photo © 2023 S hark S en esac

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sh opsan dwat ch ast h eart isan smadet h em rig h t beforey ourey es.Exit in g t h eoldt own ,wecame acrossadopesh op calledM o lim a o ,wh ich feat ures lifest y leit emslik esh irt s,h at s,an dartprin t smade by Bosn ian sin t h en ameofart ,cult ure,an dst reet . Th eirmot t ois“Fuck Hat e,Let 'sCreat e,”wh ich is somet h in g Iam 10 0 % in ag reemen twit h .On eof my favorit emomen t sin t h ecit y wash eadin g up t ot h ebeaut ifulSa r a jevska Piva r a b r ew er y fora pin toft h eirlocalbeer,Sarajevsk o.St eppin g in side feelslik eg oin g back in t ime,an ditisabit ,asitwas foun dedin 1864.Th ebrewery alsoservedast he on ly placeforSarajevan st og etclean wat erdurin g t h ewar.In ourdrun k en st upordown ,west opped foraproperBosn ian din n erfeastatarest auran t calledIn a t kuca ,wh ich isrig h tacrosst h est ream from t h ebreat ht ak in g cit y h all.M ostot h ert imes, y ou couldfin dmeeat in g burek orcevapi,wh ich can befoun dpret t y much an y wh ere. Pa r is Parisisk n own ast h ecit y oflig h t s,butIwould arg uet h atitist h ecit y ofart . It sbuildin g sare work sofart . It slan g uag eisart . It sfoodisart . It s people,especially,arework sofart .W est ay ed in t h e18th a r r o n d issem en t,wh ich wast he beaut ifulM on t mart ren eig h borh ood. Ilovedit , part icularly becauseitfeltlik et h equin t essen t ial Fren ch experien ce. On t h ecorn erfrom ourAirbn b wasapat isseriean dboulan g eriecalledPa in Pa in , wh ich h adt h emostdelicioush azeln ut ,pist ach io, an d raspberry cak e.Ig otitatleaston ceaweek for ourmon t h -lon g st ay . On eoft h emostmemorableday st h atIh adwas t ak in g an aft ern oon walk aroun dM o n tm a r tr e Cem eter y.In act ualit y ,wesn uck abot t leofwin e in ourbag an dsaton aben ch t oreadbook s aft erwalk in g aroun dt olook atalloft h eg raves, in cludin g t h atofEdg arDeg as,wh oh adapret t y pin k pairofballetslippersh an g in g from h iscry pt door.On eofmy favorit eg alleriesist h atofM a r ia n e Ib r a him ,an dIh avebeen it ch in g t ovisitt h eir Parislocat ion ,wh ich open edin 20 21.Th erewasa delig h t fulexh ibit ion by ruby on y in y ech i aman ze in wh ich sh eexploredbot h t imean dspace.Bein g ataplacein my l ifewh eret imefeelsambig uous an dspaceist emperamen t al,t h esework sreally g ott ome.It 'sh ardt ot h in k aboutt h ebig pict urein y ourday -t o-day .W h en con st rain t sareremoved, lifefeelslik eswimmin g t h roug h t h ewat eran d float in g t h roug h spaceatt h esamet ime.Lat er,we st oppedby TheFo n d a tio n Hen r iCa r tier -Br esso n an dsaw an amazin g ph ot og raph y exh ibit ion by Carolyn Drak e,M enU nt i t l ed,explorin g h er relat ion sh ip t omy t h sofmasculin it y .Th efemale g azeon vuln erablemen ? Imelt ed. Irealizedquick ly t h atin Parisy ou can mak e n obadch oiceasevery t h in g isamemorable

52 WINTER 2024

sect ion dedicat edt osh owcasin g h ow h iswork s werein fluen cedby African Art . Elsewh erein t h eperman en tcollect ion ,t h ey sh owcasedt he sameparallelwit h Picasso.M useums: moreof t h is,please.Ofcourse,wewerereally h erefor M on et 'swat erlilies.An dy es,itiscrowded.My recommen dat ion ? Th row on apairofh eadph on es an dputon somet h in g lik eSergeG ain sbourg . Facet h epain t in g sdirect ly an d slowly side-st ep y ourway acrosst h eg allery .Trustme,people willg etoutofy ourway .(Even t h eon est ak in g pict ures).On cey ou'vecomplet edt h ecirclein on e direct ion ,doitag ain in t h eopposit edirect ion . Th atisprobably ascloseasy ou areg oin g t og ett o Letuscircleback t owh ereIbeg an ,wh ich wasan h eway M on etdesig n editfory ou. aft ern oon att h eM useed eFOr a n ger ie.Un popular experien cin g itt In fact ,it 'spret t y damn close.An dit 'sawon derful opin ion ,butitismy ideaofaperfect ly sized memory t oh oldon t owh en y ou'reon y ourraftat museum. On view wasan exh ibit ion by Amedeo M odig lian i,an dIpart icularly appreciat edt he t h een doft h eworld.—Shaquil leHeath

escapade. Ilovean artbook fair(an dImissedt he on ein San Fran ciscot h isy ear),soIh adalovely t imeatLEBAL'sRollin g PaperFest ival,wh ich h ad aroun d40 publish ersan dart ist son view.A quick visitt ot h eM useed u Qua iBr a n ly result edin a fun exh ibit ion calledFancy!on commemorat ive African clot h s. My favorit emealwast h est eak frit esfort woatt h eBr a ssier Bella n ger in t he 9t h .An dify ou wan tt oread(orwork ) in t he mostbeaut ifulroom y ou'lleverreadin y ourl ife, mak ean appoin t men tfort h eovalroom att he Bib lio thequeNa tio n a led eFr a n ce.

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Artand Science in Bloom Laguna College of Art + Design Teams with UCI School of Medicine A single bud is lovely and austere, a bouquet

pret t y an d arran g ed, butag arden isfull,free, an d g org eous. PiperHubbellcreat est h atvisual an d more—allin t h en ameof scien ce.W h en t he Un iversit y ofCaliforn iaatIrvin e'sprecision medicin eun itapproach ed Lag un aColleg eof Art+ Desig n t opart n erascollaborat orswit h t h eg oalofcreat in g desig n solut ion st o fost er abet t erdialog ueaboutcan ceran dwh oisat risk , Hubbelljusth appen ed t obeen rolledat t h esch oolin Dan aHerk elrat h 'sclasson Visual Commun icat ion Desig n . Th emission ? Fabricat e visualsy mbolsan d st ruct urest o fash ion a st rat eg y formean in g fuldialog ue, an d asa result , g ain morepart icipan t sin t h eNat ion al In st it ut eofHealt h research plat form, especially amon g un derrepresen t ed commun it ies. Th ere's clearly preceden tforg alvan izin g such an allouteffort . Th eTusk eg eesy ph ilisexperimen t immediat ely comest o min d, asdoesHen riet t a Lack s,wh ose 1951 biopsy g en erat edon eoft he

54 W IN T ER 2024

Th roug h outt h eresearch an ddiscovery process, Iexploredcurren tdesig n an dadvert isin g models. My vision wast obuildan un con ven t ion alan d relat ableapproach t h atwouldprovok ein dividual emot ion alrespon ses. Usin g t oolsorig in ally desig n edforen t ert ain men teffect s,Icust omized at oolt h atusest h eact ualbiomet ric dat apoin t s edfrom h uman part icipan t san dleaves Drawin g sofscien t ific ideasg oback in t imealmost collect h em wit h adist in ctan dbeaut ifulrepresen t at ion aslon g ast h eexist en ceofrig orousscien ce,an dit 's t h eircon t ribut ion t owardt h ebet t ermen tof st illach allen g eformedicalillust rat orst opresen t oft h uman h ealt h . Th issy st em ofdat avisualizat ion complex ideasin arecog n izable,palpableway . isin t en dedt oscalewit h an in fin it en umberof Th eCh rist masoran g est uddedwit h cloves,or part icipan t s,an dovert ime,wewillbeablet o moreproperly,t h eubiquit ousCOVID-19sy mbol, seeh ow t h eg arden ofh uman it y isg rowin g an d wast h ework oft woCen t ersforDiseaseCon t rol h iscommun it y carden t h rive. art ist st obrin g amicroscopic ideat ol ife.Perh aps, livin g ." May t t el l o in spiredby t h epremiset h ath uman san dflowers —G wynnedVi h avesimilarcellsan dcarry outsimilarprocesses ofrespirat ion ,PiperHubbelldidith isway fort h e Lag una C olleg eofA rt+ D esign offersBFA deg rees i nG raphicD esign + D igitalM edia with minors classproject ,ash eexplain s: "Iwan t edt ocreat e and emphasisi n U I/U X,M otion,A ction Sports, at oolt h atwouldmot ivat eabroaddemog raph ic ofpart icipan t swit h in h uman h ealt h research . Illustration andP ackag ing D esign. mostsubst an t ialcelllin esin can cerresearc h cellst ak en wit h outh erk n owledg e.An dy et , Lack 'sg reat -g ran ddaug h t er,Veron icaRobin son , an d h erfamily aret ak in g partin t h eNIH All ofUsproject ,join in g t h iseffortt o span t h eg ap bet ween commun it y an d scien ce.

Above:W orks by Pi p erH u bbel lfrom hi s LCAD V i su alC om m u n i cati on Desi g n cl ass

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Exp eri en ce w orks by over100 arti sts from 40 cou n tri es i n cl u di n g Pi chi Avo,S w oon ,Ban ksy,Kara W al ker,W arhol , YayoiKu sama,CeyAdams,LadyPi n k,W i l l em de Koon i n g ,Barbara Kru g er,W R DS M T H ,W an g echiM u tu ,V hi l s,Kerry J ames M arshal l ,T racey Emi n ,Kei th H ari n g ,S aber,M u ckR ock,Ju dy Chi cag o,CES ,D*Face,AiW ei w ei ,M i ssM e,T he Con n or Brothers, LiH on g bo, M arti n S choel l er, LeDan i a,Cori e M atti e,S hep ard Fai rey,S ofi a Ci an ci ul l i , R ayven n D'Cl ark,M an do M ari e,S ayp e,Jen n yS avi l l e,In vader,Dami en H i rst,M i ckal en e T homas...

VI SI T ■ BI SBE E ■ AR I ZO NA Ar t emi zi aFoundat i on. or g |B| @ artem iziafou n dation

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