Making Waves: Traveling Musics in Hawai‘i, Asia, and the Pacific 9780824874872
Musical sounds are some of the most mobile human elements, crossing national, cultural, and regional boundaries at an ev
209 84 2MB
English Pages 228 Year 2018
Table of contents :
CONTENTS
Acknowledgments
Sounding Waves–Introduction
CHAPTER 1. From the Rice Harvest to “Bohemian Rhapsody”: Diachronic Modernity in Angklung Performance
CHAPTER 2. Soundtracks for the Masses: Transmediating India in Dangdut Films of Indonesia
CHAPTER 3. Localizing Global Sound Worlds in Bali and Lombok
CHAPTER 4. “Molihua”: Culture and Meaning of China’s Most Well-Traveled Folksong
CHAPTER 5. Finding a Niche for the Avant-Garde Outside the Academy in the Early 2000s: A Radical Moment in Korea’s Fusion Music
CHAPTER 6. Singing Policemen, Dancing Firemen: Alliance Building and Interethnic Remasculinization in Post–World War II Hawai‘i
CHAPTER 7. Kenny Endo and a Dream: From Interzones to Solidarities
CHAPTER 8. Performing Paradise: Hawaiian ‘Ukulele in Japanese Settings
CHAPTER 9. Hawaiian and American Pasts Confronting a Native Hawaiian and a Globalized Present: Reworking Harold Arlen’s “Over the Rainbow” by Israel Kamakawiwo‘ole
Contributors
Index
CONTENTS
Acknowledgments
Sounding Waves–Introduction
CHAPTER 1. From the Rice Harvest to “Bohemian Rhapsody”: Diachronic Modernity in Angklung Performance
CHAPTER 2. Soundtracks for the Masses: Transmediating India in Dangdut Films of Indonesia
CHAPTER 3. Localizing Global Sound Worlds in Bali and Lombok
CHAPTER 4. “Molihua”: Culture and Meaning of China’s Most Well-Traveled Folksong
CHAPTER 5. Finding a Niche for the Avant-Garde Outside the Academy in the Early 2000s: A Radical Moment in Korea’s Fusion Music
CHAPTER 6. Singing Policemen, Dancing Firemen: Alliance Building and Interethnic Remasculinization in Post–World War II Hawai‘i
CHAPTER 7. Kenny Endo and a Dream: From Interzones to Solidarities
CHAPTER 8. Performing Paradise: Hawaiian ‘Ukulele in Japanese Settings
CHAPTER 9. Hawaiian and American Pasts Confronting a Native Hawaiian and a Globalized Present: Reworking Harold Arlen’s “Over the Rainbow” by Israel Kamakawiwo‘ole
Contributors
Index
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