Table of contents : Cover Title Copyright Contents List of figures Acknowledgements Notes on Japanese names and the Romanization of Japanese words Introduction: myths about nostalgia The social phenomenon of Shōwa nostalgia What is Shōwa nostalgia? Problems with the Shōwa nostalgia as depicted by journalism Nostalgia as a public threat Myths about nostalgia The main contents of this book 1 Background A path to the past: what is history? Paradigm shift from history to memory: the rise of memory studies Previous studies on Shōwa nostalgia Dilemmas and after-effects of war memories The war and the past in films Theoretical framework: how to approach Shōwa nostalgia 2 Yearning for yesterday: is modernity an unfinished project? – Always: Sunset on Third Street and Tokyo Tower: Mom and Me, and Sometimes Dad Tokyo Tower and its unfinished image Tokyo Tower in films Unfinished images and mourning 3 Technology and nostalgia – Project X: Challengers and Hula Girls Attribution of success to individuals Marginalized Workers Created a Global Standard and its discontent with post-war society Hula Girls: male trouble and the empowered female 4 Conflict between ideal self and real self – Twentieth Century Boys and Crayon Shin-chan: The Storm Called: ‘The Adult Empire Strikes Back’ The ideal and the real: Crayon Shin-chan: The Storm Called: ‘The Adult Empire Strikes Back’ The decline of symbolic consumption and the new reality Ritual of self-examination: the consequences of the past moratorium in Twentieth Century Boys Expo ’70 as the dark side of post-WWII Japanese society Pride of the apathy generation and moratorium generation Conclusions Critical adherence to the recent past Japan Airlines and the ‘post-war’ Shōwa nostalgia and the year of 1968 Filmography Bibliography Index