Drum Rudiment Dictionary: A Complete Reference Guide Containing the Percussive Arts Society's 40 International Drum Rudiments 0739027328, 9780739027325

This guide, containing the Percussive Arts Society's 40 International Drum Rudiments, begins by addressing the seve

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$5.95 in USA

More Snare Drum Books from Alfred

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Alfred's Drum Method (Feldstein/Black) 138 Bookl (Feldstein/Black/Wanamaker) 238 Book 2 300 VHS Video, Book 1 302 VHS Video, Book 2

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Alfre d Publishi 16320 Roscoe Bl P.O. Box 10003 Van Nuys, CA 91

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ISBN-10: 0-7390-4617-9 ISBN-13: 978-0-7390-4617-3

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INCLUDES:

Practice Patterns Rudimental Snare Drum SolO~

INCLUDES:

Practice Patter~s Rudimental Snare Drum Solos

Cover photograph by Karen Miller Copyright © MMll by Alfred Publishing Co., Inc. All Rights Reserved. Printed in USA. ISBN 0-7390-2732-8

3

2

CONTENTS SEVEN ESSENTIAL RUDIMENTS . . . .... .. ...... 4

ROLL RUDIMENTS . . .. . .. ...... ..... . . ..... 6

DRAG RUDIMENTS . .. .. ........... . .. .. .. 28

Single Stroke Roll ........... ................. • ...• . 6 Single Stroke Four (Four Stroke Ruff) ....... . .. •. .....•.• 6 Single Stroke Seven ................... . . • . • • . ...... 7 Multiple Bounce Roll (Buzz, Orchestral, and Press Rolls) . ... . 7 Triple Stroke Roll .................................. 7 Double Stroke Open Roll (Long Roll) .................... 8 Five Stroke Roll. ........................ ........... 8 Six Stroke Roll ............................... ..... 9 Seven Stroke Roll .................................. 9 Nine Stroke Roll .................................. 10 Ten Stroke Roll ................................... 10 Eleven Stroke Roll. ..................... . .......... 10 Thirteen Stroke Roll ............................... 10 Fifteen Stroke Roll .......................... ...... 11 Seventeen Stroke Roll .............................. 11 Rollin' (Summary Solo) ............................ 12

Drag ........................................... 28 Single Drag Tap .................................. 28 Double Drag Tap .................................. 29 Lesson 25 ....................................... 30 Single Dragadiddle ................................ 30 Drag Paradiddle No. 1......................... . .... 31 Drag Paradiddle No. 2.............................. 31 Single Ratamacue ................................. 32 Double Ratamacue ...................... . ......... 32 Triple Ratamacue ................................. 33 It's a Drag (Summary Solo) ...................... ·... 34 Chops (Final Rudimental Solo) ...................... 36

PERCUSSIVE ARTS SOCIETY INTERNATIONAL DRUM RUDIMENTS . .. . .. .. .. 38 DIDDLE RUDIMENTS . ..... .. . .. . . .. ....... 14 Single Paradiddle ................................. 14 Double Paradiddle ................................ 16 Triple Paradiddle .................................. 16 Single Paradiddle-Diddle ............................ 16 Diddlin' (Summary Solo) ............... . ...... . .... 18

FLAM RUDIMENTS .. . . .. .. . . .. . ..... . . ... 20 Flam ........................................... 20 Flam Accent .................................... . 20 Flam Tap ....................................... 20 Flamacue ....................................... 21 Flam Paradiddle .................................. 21 Single Flammed Mill ............................... 22 Flam Paradiddle-Diddle ............................. 22 Pataflafla ....................................... 23 Swiss Army Triplet. ............... .'... . ............ 24 Inverted Flam Tap ................................. 25 Flam Drag ...................................... 25 Flam It (Summary Solo) ........................... 26

..

4

5

SEVEN ESSENTIAL RUDIMENTS

SINGLE PARADIDDLE

Knowledge of the Seven Essential Rudiments is necessary in order to perform all t he other rudiments. ~are lisClld bek>w, in suggested teaching order. All rudiments should be~ in the following manner: open (slow), todalld . . . 111>-opetii (slow), and/or at an even, moderate mard\ tempo.

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Diddle Rudiments Paradiddle Shifting Accent and Inversion Study

16. SINGLE PARADIDDLE

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J_ I _J I I L

L

R

L

L

R

f

R L R R L L R L R R L L

>

R L R R L L R L R R L L

mp

R

L

R

L

l

R

R

I

L

>====

J_J_LI _Li

R

L

R

R

L A L L -- --

R

L

R

L

R

II II

> f_

R

L

L R R L R L L R R

I I I I I c::i= I

>

>

l

II :r:::::L_ I I L:::r::::::I_ I I r= I IL

>

L R L L R L R R L R L L

=:=:=:

1:1

A A A A ~.

A

R L R L

R

.

I •••••••••••• I •••••••••••• I •••••••••••• I •. R L R R L R L L R L R R

cresc.

t

_I

I • • • • • • • • • • • • I •• ~-~ •__! -~~ ._ • L. • • • • • • •. • • • • I

> > > > > Fl I I I I I I I I 33_Ll2£J LJ f_L I LJ L_ l I -1 - I r=I- r==I - r:=r=c=r= I I I I I I I I I I I I I I I I

II • • • • • • • • • • • •

>

R

I • • • • • • •.

~> > > > > > > > > __J~r:~~~~~L...i:=:1~:t::l~r~--~~~~1-~~=:1~1-J~r~~l-~~=~~=~~=:1-...c=:1=~~=r:~- _L] ±§_LJ II • • • • • • • • • • • •

L

R

L

>

• • • • • • • • • • • R

R

L

I

I

L R L L R L R R L R L L

ef

L::I_ L I I_ L

R L R R L R L l

f

ff

L

LI

I_

,.

__,

II II

...

I

•..

\

=I LR

L

R

LR

L LR

mp

LR

111 t~

L

>

>

J J

1tJ

R

RL

J J .trJ

J J

L

R

'-'

LR

R

RL

llf ~ R

LR

L LR

LR

>

>

I

=I

RL

L

'\

R

RL

L

LR

L

>

R

L

LR

R

LR

L

)~

J JJ~

LR

R

I

'-'

L

L

=I

LR

24. FLAM PARADIDDLE

=I

L

I

II

>

f ~ ~ ~ ~ tJ ~ ~ ~ '-'

LR

L

R

>

L R RRL L LR RRL

LR

>

'-'

LR

R

=II

L

>

'-'

)~ fj )~

L

L

LLR

>

>

LR

l~ ~ l~ '-'

LR

'-'

22. FLAM TAP >

LR

=I I

L

R

>

etiJ

II

R

>

J J

LR

tJ J J JJ~

L

21 . FLAM ACCENT

I

L LR

L RRLLRRLLRRLLRRL

cresc.

>

R

>

> LRRL L RR L LRRL

L

11

LLR RRL LLR R R L L

R

>

R

RL

L

>

=II

L

>

f ~ JJJl!J JJJt~ JJJtJJ==J J =II ==w

LR

Variation

L

R

RRL

R

L

LLR

L

R

RRL

R

L

L

>

II

BtJJ

Practice Procedure

LR

R RL

L

R RL

LR

L

II !

Practice Procedure

J

1 R

II

J L

R

R

R

R

R

R

R

R

R

L

R

R

n J n J .n J uuu

=1 1

L

L

L

L

L

L

L

L

L

R

L

L

~ ~ ~. ~ ~ ~. R L

R L

R L

R L

R L

R L

R L

R L

R L

L L

=11

23

22 27.PATAFLAFLA

25. SINGLE FLAMMED MILL >

>

>

~ ~ ~ l~ ~ ~ ~ =II .._,

Ht~ LR

R

L

A

AL

L

A

j

>

~ ~ l~ l~ ~ ~ ;j .._,

t~

II

>

>

LR

L

A

.._,

.._,

AL

LR

L

=11

AL

R

L ... j

> LR

A L

RRL

L

R LLR

R

L RRL

L

R

>>

=1 1

L LR

L

AL

RRLLR

R

LLRRL

Practice Procedure

RR RR R RR RR R

L L LL

LL

L LL

111 ~ Jum~ wJJJJtJJ u®tJJ JJ&

L

LR

L RRLL R L RRLLR

L RRLLR

=11

L RRL

Single Flammed M ill Summary

>

>

>

> Variation

LR

R

L

RRL

LR

>

II

LLR

AL

>

RRL

LR

>

L

=11

>

JJtJ J JJi J JJ4l JLJiJ R

LLR

R

L

RRL

L

R

LLR

R

L

A L

=II

RRL

LLRRL A RL LR

26. FLAM PARADIDDLE-DIDDLE

L

R

R

L

L

11

RL

>

>

R

L

A

R

L

L

R

A

R

L

RL

L RL

L AL

iJ

J

iJ

JJI

R

L

L

R

R

RR

R A

R

L

L

R

R

A R

RR

1

L L L

L L

LLRRL

R

LLRRL

LL: .

LL L

L L

R L

A L

A L

A L

R L

A L

R L

R

. n, na, n'i na'I L L

R

R

L

L

Practice Procedure

II # RR

LLRR L

R

Practice Procedure

A

>>= = =

11 ~ J JtJt;J J J@~ J J4J~ J J J =II

A

A L

>>

I tJ JJtJ~ JJ~ JJtJtJ 3JJ I

L

LR

>>

-----

.. guJ J J J J Jfii LR

L

LLRRL RRLLR

Pataflafla Summary

>

LR

A L

RR

=1 1

R

R

L

L

~J

j

R L

R L

j



R L

R L

~J

• R L

A L

j R L

R L

R L

L R

A L

R L

>

J J JJ =II' A L

L A

R L

R L

24

25

28. SWISS ARMY TRIPLET >

29. INVERTED FLAM TAP >,...._.~

>

>

L LR R >3

L LR R >3

11 1~ J.J ~ J Jt;J J Jt;J J J =II LR R > 3

LR

R

L LR

R

L LR

L LR R >3

R

L LR

L

R

> >-

>

LR

L

RL

R

LR

L

>

>

>

>

>

>

L

L

R

R

>

L

R

L

R

R

L

R

L

R

L

R

>

L

L

R

L

>

R

L

>

II

R

L LR

R

L LR

>

R

L LR

>

>

=II

L

RL

L

L

R RL

R

....,,,

R

....,,,

....,,,

>

LR

L

RL

'""'

LR

R

=11

RL

L

Inverted Flam Tap Summary

LR

J.JtJ J J~ J JtJ J J =II R RL

>

i ~ ..~ ~ l~ ~ l~ ~ ~

II

R

~

L

>

>

111 ~ JJJJ J~ Ji 3tJ J~ J~ JJJI

>,.....,..~

>

R RL

R

>>>>>>>J::=~

> ,...."'""".....

.. ~ J J~ J Jt~ J Jl~ J J LR

RL

LR LAL RLR LAL RLR LAL R L R LAL R

.. JJJJJJJJJJJJ I L

ta

11I~®3tJ Ji 3tJ Ji 3tJ Ji J= II

L

Variation

R

>

111B tB tfl

Practice Procedure

R

>

>

LRL RLR

LRL

RLR LAL

RLR

>

>

>

>======

>

>

L R R

11 ~ JiiJ J~ J4J J~ J@ JtJJJJ= I

L

RL

RLR LRL

RLR LAL

RLR LRL

R L L

Swiss A rmy Triplets with Accents

>

>

>

Practice Procedure

>

.. w6J J J J J Jd J J J J J LR

>

ntg LR

R

L

R

R

>

L LR

R

L



....,,,

L

>3>

R

11 1 J R L

L

>

~ ~ ~ ~ ~ ~~. R

R

1

R

3

R

>3>

=II

3

>3>

>

3

.. 1 6JJJmtJJ3W-OJJJmt~ RRLRRL

II

L LR

RRLRRL

RR L RRL

nJ R R R L L L

R R R L L L

R R R L R R L L L R L L

wfjJ

JJJ

nJ

R R R L L L

R R L L

R

R

R

L

L

L

R L

>

J==o==uu

=11

R L R R L R L L

=11

R

30. FLAM DRAG Swiss Army Triplet Summary

>

>

>

>

>

11 t d .r:J LR

>

II LR

LR

R LLR

R LLR

R LLR

R LLR

gtJ LR

L

L

J R

>

1tJ .r:J J RL

R

R

L

>

:tj

J )g ,fj J

L

R

L

....,,,

RL

R

R

L

=11

26

..... Q)

~

ro

IC

Ii)

E

Ii)

IC~

ro

c:

~

...I

>. ro ......

IC

IC

...I ...I

IC

·-

IC ...I

IC

..:· 2

...I

A

IC ...I

...I

IC ...I

IC

IC

IC ...I

IC

...I

...I

IC

-

...I

0 ...., 0

-

en

E

~

LL

-

IC

-ta EE"'

IC ...I

:J

...I

V\

...I

IC

...I

IC'

...I ...I

IC

IC ...I

IC

IC

IC

...I

IC

IC

...I

IC

IC ...I

...I

IC IC ...I

IC IC

...I



IC ...I

IC IC

...I

IC

...I ...I

IC ...I

0 C'l

II

--,

.., •

~

IC~

IC~

~

IC

/\

IC

28

29

Drag Rudiments Depending on the interpretation, all grace notes in the following examples can be played in either an open or closed manner.

Variation

• \.''l

>

>

J~ra I J nJ - J -

II

R

31. DRAG

LLR

RRL

L

=I I

R

Alternate Notation

nJ II I -

nJ

nJ -

-

LLR

RRL

nJ -

LLR

>

>

=II

RRL

II

I J R

4

J J

LL

R

>

J

L

L

RR

I

=I

R

Non-Alternating Drags

II

I nJ -

nJ -

LLR

nJ -

LLR

nJ -

LLR

LLR

33. DOUBLE DRAG TAP

aJ nJ - nJ - aJ

II

RRL

RRL

RRL

=I

RRL

I II

LLR

L

>

t ~~ LLR

RRL

>

~

~~

L

RRL

J nJ - nJ- J

>

~

-

LLR

l

LLR

RRL

RRL

>

=II

R

>

Variation No. 1

>

11 f (!B~Bef](!B =I LLR

L RR L

R LL R

l

RR l

II

>

g i/1J. nJ - J nJ. LLR

LLR

L

11 f

>

J. (!OJ J. ~j J. R

LLR

L

RRL

~ >

>

11

>

R

wJ. ~j =II >,....__~

LLR

>

l

=II RRL

RRL

R

R

>

Variation No. 2

>

RRL

111

J ~J M J ~-Ji J R

LLR

LLR

l

Alternate Notation

>

>

RRL

RRL

llR

l

RRL

R

LLR

l

RRL

R

LL

R

LL

R

L

=II·

R

>

>

nJ w J ffiJl 1J i1P J @ =II 111JJJJJJ R

=II

R

>

>

=11

R

RRL

>

32. SINGLE DRAG TAP

II

- ~ I ~~ - ~~

~

I ~~ - ~~ LLR

>

>

I

=I RR

l

RR

L

R

30

31

34. LESSON 25

36. DRAG PARADIDDLE NO. 1 >

II

i

>

~~ ~ .._

~~ ~

LLR RRL

LLR RRL

L R

.._

R L

L R

1 J aJ J J J J mJ J J >

=II .;,

II

>

1

R

R L

LLR

L

R

R

L

RRL

R

L

=11

L

Variation

>

II

>

~

i

~~ .._

R L

LLR RRL

J ~

~ ~

L R

LLR RRL

R L

>

II =II

>

II

i

R

>

~ ~ ~ ~ ~ ~

~

R

LL

R

L

R

LL

R

II =11

11

>

R R LL R L

R

L RR L

R R LL R

II

t

nnnnnn R

>

R LL R

L

LL

~ ~ ~ ~ R

L

R

R

L

RRL

R

L

L

>

J J J J J J =I I L

RR

L

R

L

L

>

RLLRLLR

L L

LR R

>

>

RR L

R

I Ja_Ja_J J J J I J~__Ja_J J J J =II

Single Dragadiddle Summary

11

R

>

>

1 n n n n n n n n =II >

L

37. DRAG PARADIDDLE NO. 2

>

RR L

gJi

L

35. SINGLE DRAGADIDDLE >

LLR

=II

Alternate Notation

>

~

g J a_J 3 3 3 J a_J J 3 J

L R

Alternate Notation

>

L RR L

R

>

111

J==u==n

L RRL RRL

R

L

L

>

..rmm uuu..rmm uuu

=11

RLLRLLR

LR

R

LRRLRRL

R

LL

1

R LL R

L

L

Alternate Notation

>

II

>

>

JJJJJJJJJJJJ/jJ R

L RR L

R

R LL R

L

L RR L

>

>

R

R

L

=11

11

>

f J JJ; JJ JJJ JJi JJ JJ =I I R LL R LL R

L

R R L RR L RR L

R

L

L

32

33

38. SINGLE RATAMACUE

40. TRIPLE RATAMACUE

>

3

.

>

3

1a:---..t-.r~"J3li----J--J--..Jt--:J...~h.1-J--J----J1--..J.J.---~=11

-..-II

LLR

L

R

L

R

>

3

II

RRL

L

LLR

L

R

RRL

111

3>

1

LLR L LRLLRLRL

=11

RRLRRLRRLRLR

>

3

L



R

J J J nJ J J J

j "2,J

mmmJJ J ~J ~ &W J 3>

R

L

I

=I

R

LLR LLR LLR LR L RRL RRL RRL R LR

Variation

>

II

i

>

3

3

~

Jj~ ~ ~ ~

~~ ~ ~

R

LLR

RRL

-

L

R

-

L

R

Variation

>

3

>

3

111 ®m~m@;J..J;J.,m =11

=11

L

R LLR LLR L LR LR L RRL RRL RRL R L

3

3

JJ R

LL

R

J J J =11

L

R

L

RR

L

R

L

.. I

R LL R LL R LL R L R L RR L RR L RR L R L

I ~

39. DOUBLE RATAMACUE Ratamacue Summary

>

3

111 J~ffiJ

=11 LLR LLR L R L

LLR

LLR

L

RRL RRL R L R

R

L

RRL

RRL

R

L

R

R

R

LLR

LLR

L

>

3

JnmJ R

L

R

L

R

L

RRL

RRL

LLR

R

L

L

R

L

R

L

Variation

>

>

3

.. g J .qJ ~m J -rtJ ~m =11 R

LLR

LLR

L

R

L

_ _ _3...,. >

3

RRL

RRL

R

L



-II

-

>

3

3

>

nJnffiJrunffiJnffiJ - - - - -...._..

.._..

..._......

.._..

...._..

LLR LLR LR L RRL RRL R LR LLR LR L

I

·

Alternate Notation

>

>

3

3

.. g nnmnnm =l l R

LL

R

LL

R

L

R

L

RR

L

RR

L

R

L

11

~;m

3

>

3

>

Jlm J~m J

RRL RRL R R L R L R L L R LR L

>

J R

=1 1

~

It's a Drag (Summary Solo)

1•• •••••••••

= 120 >

>

>

>

> >

111••••••••••••1 R

R

R

L

mf >

H •

f >

>

>>

11111 illfi I I I-

-------------=-- .- ----=-=------"l

R

"l

l

_ L______L___"l -

, -

>

-

e:s

R

> E!S

RR

L

3

E2l!!!!S

L

L

-~-·

R

R

LL

>

~

R

L

L

1 1••••••••••••• I

R

t_=

R

L

l

L

L

R

>

1 L _ - ==:::J

~_::_·

RR

R

>

L

LL

R

R

mf

R

>

3

L

>

Ft F+=i i

R

l

R

R

R

L

l

R

L

R

R

L

R

R

L

L

R

L

L

-\:~

3

>

>

R

L

1-V e)JJJ 0l @JJJJ

R

>

>~=~-

>

3

>

3

R

Fl FF1 1 1 r=="J - - J_::-L_l__ I ===:::i- -

>====~-

=> = ===

L

L

I • • • • • •. • • • • • • • L-=~=l.:.:.T-1

f 0 >

L

mp

.. JJJJJJJ3JJJJJ RR

L

>

>

f

>

R

L

Jay Wanamaker

> >

mp

• >

'>

L

L _l

R

L

R

mf

1

• •

L

l

l

f

>

0 Li I I L i I I L i I I I • • • • • • •c=• • • • •c=•

>

n L____L_ _:-r:::::=::==::r:_" l _

.,

R

>

L

I

J

f

mf r.;i

>

>

>

R

L

R

3>

11J#JJJ1J t;J ffiJ L

L

ff

~

>

>

R

RL

>

>

L

LR

RL

1 JJJJ~JJSJJ

1J1J 0J &J JJ R

>

LR

R

.;.~'., · :·

>

L

>

R

>

L

>

R

>

R

cresc.

JJ

I

LR

mf

mp

= = ~JJJJJJJiJJJJJJJJ tJJJJJJiJJ3JJJJ3JJ 1J 1 >

>

>

L

>

R

>

L

>

R

6

A

i

-

11

R

ff

w

01

Chops

(J.)

O>

(Final Rudimental Solo)

J. =72 >

>

.. eJ m J R

R

mJ

>

J J J &.J J J J 1J.

LR

R

L

LR

LL

0

mf >

>

>

>

>

R

L

R

L

R

J.

R

f

mJ

>

>

1J ;[J

R

Jay Wanamaker

u u u J mu u u 1 >

R

R

LR

R

L

LR

LL

mf >

>

>

5

>

5

>

5

5

.JiJJJJJ.orJJJJ 1J eJ J 33JmJJJ1J22u2JJ.or1u1; 1 f

R

L

LR

LL

R

LR

R

L

mf >

II •

>

3

>

LL

f

=iii

I

>

R

L

R

>

=iii!

1

L

L

L

L

R

R

R

R

L

R

R

L

R

cresc.

L

L

.

R

mf

>

L

R

R

L

L

L

>

=iiil i

L

1

L

L

R

L

R

L

R

>

R

L

>

R

L

f

R

L

R R

L

L

L

R

L

R

R

L

L

.

3

>

3

I

• •.

n ,

J, J

n ,~,

J

R

L

R

L

L

L

L

R

L

L

L

R

R

L

1

L

R.S.*

::: >-

cresc.

I

i =iiilili1

R

>

&) ~J

==r_ ..__.._ • • • - • + •_ ;;.-

L

R

>

3

t,

>

3

L

~----------------

i=iiil i

R

R

>

L

«" • • • • «"• • •

>

L

>

3

i

L

R

R

:~~

R

J , J ; 3133l

>

R

R

L

el J J J J

IJ

n ,

R

>

>

L

>

R

mf - - -- . -

3

i

J : 3331l

L

R

--

L

IL• • • • @ • • •ttlJ • • • I•

fR

R

3

=11q1

n ,J,

11'!/}

LR

..

I

R

>

J J 3 J eJ 3 3 3 I J J 3 J J J J.

R

f

0

>

~

J

11

LR

mf

>

II

R

. . ..

>

L

R L

R

L

R

L

R

ff

L

R

L

R

*Rim Shot

~

38

39

PERCUSSIVE ARTS SOCIETY INTERNATIONAL DRUM RUDIMENTS

14. Fifteen Stroke Roll*

R L

All rudiments should be practiced as follows: open (slow), to closed (fast), to open (slow), and/or at an even, moderate march tempo.

2.

Single Stroke Four

J

R

L

L

R

L

R

nnnn RLRL LRLR

Jmlm

>

Single Stroke Seven

R L

R L R R l

R l

R l R l R R l

>

A L R R L L R L R R l l L R L L R R L R L L R R

L R L R R L R L

Flam Rudiments

j

20. Flam*

5. Triple S.troke Roll

21 . Flam Accent* R R R L L L R R R L L L

~ JrJ

J J IJ_J_J

LR

L

7.

Five Stroke Roll* R

Six Stroke Roll

L

Seven Stroke Roll*

L R

12. Eleven Stroke Roll *

24. Flam Paradiddle *

>

R L

RL

R

l

>

>

>

RRL

LLR

RRL

- j)j- J1.J- j}j- J

LR

L R

R L

25. Single Flammed Mill

>

R

L

L

10

>>

10

>>

R L

R L LR

R L

RL LR

II

>

II

>

R L

RL LR

R L

RL LR

J j J1.J

LR RL

L R

l

26. Flam Paradiddle-Diddle*

>

1.J

j j J1J=J==j =j ......

""

L

R

RRL

R

L

L

>

t.J j J J~J=J::;::::::;:J=j R

L

RRL

L

R

L

>======

t.J j J j J j~.J j JJ J j LR l RR l l Al R L L RR

>

27. Pataflafla

J_fj ., J__fj.,

28. Swiss Army Triplet

...... LR

30. Flam Drag

>

L

RRLLR

-

l

RRL

~ jj~jj LRRLLRRL RLLRRLLR

>

29. Inverted Flam Tap

>>

;r.J J JJrj1.J - - J j}j >

>

>

JrJ - j)j- J1.J- JJ!:j J LRL

t.J

nJ t.i n J

LR

L l

RLR

....... LRL

LR

>

13. Thirteen Stroke Roll* L

L LR R RL

>

J_Jj., J_Jj.,

R

._,

R L

>

LR

L R

9

1.J ......

>

L R

R

R

......

R

Jr.J

LR

J.--3 J.~3 j_J J-.J L

11. Ten Stroke Roll*

6

JJ- j JJ_._j R

10. Nine Stroke Roll*

L

> >

R L

9.

23. Flamacue*

RRLLRRLL

>6

8.

......

>

>

J R

RL

LR

>

22. Flam Tap*

DOUBLE STROKE OPEN ROLL RUDIMENTS Double Stroke Open Roll*

R l R l

>

.J j j j j j J=J=j=j=j=j

19. Single Paradiddle-Diddle

>

6.

R L R L L

18. Triple Paradiddle

RLRL LRLR

MULTIPLE BOUNCE ROLL RUDIMENTS 4. Multiple Bounce Roll

R l

L

.J J J j J J .J R L L R

>

.J JJ J j J J=J=j=j=j=j

17. Double Paradiddle *

6

3.

L

R L R R L R L L

35J15J155J155J R

L

Diddle Rudiments

SINGLE STROKE ROLL RUDIMENTS

j

>

/7

R

R

16. Single Paradiddle*

Single Stroke Roll*

L R

J --.J J --.J

15. Seventeen Stroke Roll •'

Roll Rudiments 1.

>

17

L R R L

> _ __

R RL

R R L

L

C Copyright MCMLXXXIV by Percussive Arts Society International Copyright Secured. Made In .USA Used by Permission.

* These rudiments are also included in the original Standard 26 American Drum Rudiments.

R

R L l

40

Drag Rudiments 31. Drag*

~ J~ LLR

32. Single Drag Tap*

RRL

Jjn.rjn >

>

LRRL

R

"-"' LLR

...

>

33. Double Drag Tap*

>

nJ.. .-1'J. . . JnJnJ . J ....._, ._...

..._. ...._....

LLRL LR

LRRLRRL

nmnm >

34. Lesson 25 *

R

>

........,

LLRLRLLRLR RRLRLRRLRL

>

35. Single Dragadiddle

jjjj

>

Jr:=j::;:::::;j=j

RR L R R LL R

L

L

36. Drag Paradiddle No. 1* >

37. Drag Paradiddle No. 2*

>

L8Jnlm m.1'Jm -...._ ._..

RLLR LLR LR R

38. Single Ratamacue *

LRRLRRL R LL

nf1nnf1n "-"' LLR L R L RRL R L R

39. Double Ratamacue*

~mnm .._.. ._..

....._

LLR LLR LR L RRL RRL R LR

40. Triple Ratamacue*

~mJjlIDn.mnlID -.__.....__..-

-

LL R LLR LLR LR L RRL RRL RRL R LR

A recordi ng of the International Drum Rudiments as performed by Rob Carson, the three-time World Snare Drum Champion, is available from Alfred Publishing Co.. Inc. (item 18049).