254 59 4MB
English Pages 40 [22] Year 2002
$5.95 in USA
More Snare Drum Books from Alfred
CJ ......
c:
3 :::u c: a. 3
Alfred's Drum Method (Feldstein/Black) 138 Bookl (Feldstein/Black/Wanamaker) 238 Book 2 300 VHS Video, Book 1 302 VHS Video, Book 2
ID ::::l
...+
CJ
a: 0
::::l OJ
-
::+; ......
Corps-Style Snare Drum Dictionary (Wanamaker) 2023 00 -
0
Alfre d Publishi 16320 Roscoe Bl P.O. Box 10003 Van Nuys, CA 91
www.alfred.co1
27737
ID
a.
us $9.95
11111111 111111 38081 30290
4
ISBN-10: 0-7390-4617-9 ISBN-13: 978-0-7390-4617-3
.11J1~11[IJI11~i!I~[I
11111iili!11111
~
INCLUDES:
Practice Patterns Rudimental Snare Drum SolO~
INCLUDES:
Practice Patter~s Rudimental Snare Drum Solos
Cover photograph by Karen Miller Copyright © MMll by Alfred Publishing Co., Inc. All Rights Reserved. Printed in USA. ISBN 0-7390-2732-8
3
2
CONTENTS SEVEN ESSENTIAL RUDIMENTS . . . .... .. ...... 4
ROLL RUDIMENTS . . .. . .. ...... ..... . . ..... 6
DRAG RUDIMENTS . .. .. ........... . .. .. .. 28
Single Stroke Roll ........... ................. • ...• . 6 Single Stroke Four (Four Stroke Ruff) ....... . .. •. .....•.• 6 Single Stroke Seven ................... . . • . • • . ...... 7 Multiple Bounce Roll (Buzz, Orchestral, and Press Rolls) . ... . 7 Triple Stroke Roll .................................. 7 Double Stroke Open Roll (Long Roll) .................... 8 Five Stroke Roll. ........................ ........... 8 Six Stroke Roll ............................... ..... 9 Seven Stroke Roll .................................. 9 Nine Stroke Roll .................................. 10 Ten Stroke Roll ................................... 10 Eleven Stroke Roll. ..................... . .......... 10 Thirteen Stroke Roll ............................... 10 Fifteen Stroke Roll .......................... ...... 11 Seventeen Stroke Roll .............................. 11 Rollin' (Summary Solo) ............................ 12
Drag ........................................... 28 Single Drag Tap .................................. 28 Double Drag Tap .................................. 29 Lesson 25 ....................................... 30 Single Dragadiddle ................................ 30 Drag Paradiddle No. 1......................... . .... 31 Drag Paradiddle No. 2.............................. 31 Single Ratamacue ................................. 32 Double Ratamacue ...................... . ......... 32 Triple Ratamacue ................................. 33 It's a Drag (Summary Solo) ...................... ·... 34 Chops (Final Rudimental Solo) ...................... 36
PERCUSSIVE ARTS SOCIETY INTERNATIONAL DRUM RUDIMENTS . .. . .. .. .. 38 DIDDLE RUDIMENTS . ..... .. . .. . . .. ....... 14 Single Paradiddle ................................. 14 Double Paradiddle ................................ 16 Triple Paradiddle .................................. 16 Single Paradiddle-Diddle ............................ 16 Diddlin' (Summary Solo) ............... . ...... . .... 18
FLAM RUDIMENTS .. . . .. .. . . .. . ..... . . ... 20 Flam ........................................... 20 Flam Accent .................................... . 20 Flam Tap ....................................... 20 Flamacue ....................................... 21 Flam Paradiddle .................................. 21 Single Flammed Mill ............................... 22 Flam Paradiddle-Diddle ............................. 22 Pataflafla ....................................... 23 Swiss Army Triplet. ............... .'... . ............ 24 Inverted Flam Tap ................................. 25 Flam Drag ...................................... 25 Flam It (Summary Solo) ........................... 26
..
4
5
SEVEN ESSENTIAL RUDIMENTS
SINGLE PARADIDDLE
Knowledge of the Seven Essential Rudiments is necessary in order to perform all t he other rudiments. ~are lisClld bek>w, in suggested teaching order. All rudiments should be~ in the following manner: open (slow), todalld . . . 111>-opetii (slow), and/or at an even, moderate mard\ tempo.
I J J J J R
L
R
I
L
R L R
>
I J .J: J J 1J J J J L
A
n fi~ I
>
II
R
R
>
L
>
R
>
L
>
L
>
JJJJJJJJ l- :11 R LR R LR LL
RLRRLRLLRLRRLRLL
L . ;.11~·:.' .. :vJl !' L
., :. ' : ~ · \ .
II
11
. ZTMlMlOUH i>ARG
SINGLE STROKE ROLL
11
>
~·
Jm/ //I JJJ33333/ /.~;II RL RL
R L RL R L RL
FLAM
MULTIPLE BOUNCE ROLL
111iii1 1DBDB1 R
L
R
z7
.. ~
R L R L R L R L
L
LR
LR
z7
R L R L
1J J R
LR
RL
R
II
2
J J 1
L
L
z7
R R L L
LR
nnnn
LR
RL
1'""a
JB!J J~ '-"
'-"
'-"
)a ,f)J '-"
'-"
)~
RL
LR
RL
LR
RL
LR
RL
RL
LR
RL
'-"
RL
LR
RL
=I
I
DRAG
z7 R
nnJ * .mJ SJ I j;J jj Jj jj =I R R L L R
RRLLR
LR
1
LLR RRL LLR RRL
II
RL
R R L L R R L L
FIVE STROKE ROLL >
111
LR
R
DOUBLE STROKE OPEN ROLL
11
RL
LLRRL
L
L
R
R
II
L
R R L L R R L L
a_J g3 gfil it[J it[J a_fil I L L R RRL
II
LLR RRL LLR RR L
LLR
RRL
LLR
RRL
LLR
RRL
a,@llfil a_fil llfil LLR RRL
LLR RRL
LLR RRL
LLR
RRL
=II
7
6 3. SINGLE STROKE SEVEN
ROLL RUDIMENTS
3
1illillJ ~
Single Stroke Roll Rudiments R L R L R L R ..:-
I I
1. SINGLE STROKE ROLL
L
II
3
3
JJJJJJJ
JJJJJJJ
R L R L R l
L R L R L R l
II
1
RLRLRLRLRLR LRLRL
R
6
JJJJJJJJJJJJJ
3
R LR LR L R LR LR L
6
6
RLRLRLRL
L
mmmm .mia.a.mi 3
11
R
L R L R L R L
6
Hf J J J J 1£J£J£J£l 1 R
3
I
=I
R L R L R L R L R L R l R 1
Multiple Bounce Roll Rudiments
II R
>
II
~
~.
~ ~ ~ ~ ~
R
R
L
L
R
R
L
4. MULTIPLE BOUNCE ROLL (Buzz, Orchestral, and Press Rolls) Duple Pulsation
=I I
z
:
II
fi
Interpreted?
l l ff l l ff fl f (ii f
=II
R L R L R L R L R L R L R L R L Triple Pulsation
z 2. SINGLE STROKE FOUR (Four Stroke Ruff) 3
11f
3
3
3
mJ mJ m:JJ m:JJ 1
RLRL
RLRL
RLRL R
R
LRLR
3
LRL
3
1
RLRLR
l
R
l
R
L
R
L
R
l
R
l
1
5. TRIPLE STROKE ROLL
LRLR L
. JmJ m JmJ JmJ 3
R
3
=II
L RLRL
II
f
JJ J JJ J JJ J JJ J R
R
R
l
l
L
R
R
R
l
l
:·11
l
Orchestral Interpretation
.. 1 mmcmmmJuu:>11 33
=11 RLRL LRLR
RLRL LRLR
RLRL LRl.,R
RLRL LRLR
~
3333
~
RRRLLl RRRLl l RRRl LLRRRLLL
8
9
Double Stroke Open Roll Rudiments
8. SIX STROKE ROLL
6. DOUBLE STROKE OPEN ROLL (Long Roll)
R
L
R
L
R
LLRR L
R
L
R
L
R
L
RRLL R
=II
L
Duple Pulsation
~ __.
i rrrt rrrt rrr t rrr
j
11
=II
=II
Interpreted:
RR LL RR LL RR LL RR LL RR LL RR LL RR LL RR LL
R
L
Variation No. 1
Practice Procedure
6
R R R R L L L L
L L L L L L R R R R R R
>>6
>>
>>6
i-sn J-n J--tJ Jsn
111 R R R R R R L L L L L L
>>6
L L L L R R R R
RRLL R
L
RRLL R
L
RRLL R
L
RRLL R
=I I
L
>>
. mmqnm1Wqnmn=11 RRRRRR L L L L L L
RRRRR L L L L L
RRR L L L
Variation No. 2
>>6
11
RRRRRRR L L L L L L L
.. , ,-
R
Interpreted: RR
=11
rr rr rr rr rrr LL RR
LL RR
LL RR
LL RR
LL RR
L
RR LL R
II RRLLRRLLRRLL
JJJJJJJJJJJJJJJJ R
3
II
L
L
r4-,
R
R
3
L
L
R
3
R
L
L
R
R
L
I
11
RRLL R
L
RRLL
R L
R L
R
L
R L
R
L R
L
>7
11
7. FIVE STROKE ROLL
1 1 R L R L R L R L R L R L RRLLR LLRRL RRLLR LLRRL
>7
>7
>
>7
Tap Seven Stroke Roll
>7
>7
>7
1 D.==B.==D.==B.==11 R
LLRRLL R
LLRRLL R
LL RRLL R
LLRRLL
Triple Pulsation
II
II R LLRRL RRLLR LLRRL
L
RRLLRR L RRLLRR L RRLLRR L RRLLRR L
>
1.m.m.mm nnJ5Xi
R
I J.= J J.=J J.=J J.=J =I I
L
mmm-m1~ =II
R L R L R L R L R L R L
L
Duple Pulsation
RRLLRFILLRRLLRRLLRFILLRRLL RRLLRFILLRRLLRFILLRRLLRRLLR
11
RRLL R
I J J J J J J J J J J J J J J JJ =I I 7
R
L
9. SEVEN STROKE ROLL
R L
II
>>6
LL
Practice Procedure
RR LL RR LL
>>6
I JJ J-JJ J.-JJ J.-ID-:11
Triple Pulsation
~
>>6
3 >
3 >
3 >
3 >
R LR L
R L R L
R LR L
R L R L
J::3
~
J=3
~
RRLLRRL L
RRLLRRL
RRLLRRL
RRLLRRL
I mJ mJ mJ mJ I =I
I
=II
10
11
10. NINE STROKE ROLL
14. FIFTEEN STROKE ROLL
>
>
RLRLR
LRLRL
>
9
>
9
I SJ SJ IJ--J J--J =II
11
RRLLRRLLR LLRRURRL
R L R L R L R L R L R L R L R L
11. TEN STROKE ROLL >>
= = = >>
II
JJJJfj,
' -==--l. =J 4-==-J. =J =I
=II RRLLRRLL R
L
R l
l
R
------RRLLRRLLRR
R L R L R L R L R
17
=II
RRLLRRLLRR
L
L RRLLRRLLRRLLRRL
.. 1 JJJJJ=wo==wJ I JJJJJJJJJ
R L R L
i? 'i I
J
R LLRRLLRRLLRRLLR
11
>
11
II
L
>
15
>
JJJJfj , R
>
15. SEVENTEEN STROKE ROLL >
L
>
15
111 D.- bJ I D.~J =II
L
12. ELEVEN STROKE ROLL
R
RRLLRRLLRRLLRR L
Tap Fifteen Stroke Roll
>
RRLLRRLL R
>
M
RRLLRRLLRRLLRR L
R L R L R L
R L R L R L
>
n
•.'
II ~ ~
L
L R L R L R L R L
>
>
17
~ -~
~~
~
I
RRLLRRLLRRLLRRLLR
~
I
=I
LLRRLLRRLLRRLLRRL
Tap Eleven Stroke Roll
.. 1 n.=Q
Double Stroke Open Roll Combination
n.=ci
R LLRRLLRRLLR
=II
L RRLLRRLLRRL
.. 1 n n n n n n n n R
RR
f-mp 13. THIRTEEN STROKE ROLL
JJJJJJJJJ--LJJ~!J I R
R L R L R l
>
II
J ~.Je==>J RRLLRR LLRRLL R
>
13
R
J J J J J~ J R
II
R L R l
> _ . . -1_3
.:===--- ·=11
LLRR LLRRLLRRL
7---.
RRLL RRLLRRLL
L
R
L
J
R
R
R L
J----1-=-,-==- J if:::::: J R
R
=II
LLRRLLRRLLRR L
L R L R L R L 13
R
7
J ~ J;;J
II >
R
L R L R L R L
R
9
R
1
5;.--~
5
II
13
RR
17
.. -JWJWJ71.J .SJ JJJ =I I R
R
RR
RRRRR
......
Rollin'
I\)
(Summary Solo)
= 120>
>
5
nJ >
5
I ~@ R . ._, . ._,
II
R
RLR
RLRL
>
5
5
I &0--JiJ .._, ...,,
LR
R
R
L
L
i=D-sN
nJ
R
RLR
R
L
L
11
D.=J J i4=J R
>
6
>
H • • --• • • • L
R
L
R
L
L
>
3
• .------. • •
R
R
L
§
3
m3
I
3
J JJn J J
n
L
R
RRRLLLR
LLRRRL
mf
3
R
L
>
>
11. •
R
R
L
L
R
3
p· • • • •
L
R
I
R
J
1
~-
6
---=--- .------. --- •
>
R
1 R
>>
6
f
0
-
>
5
J::g.B---@ J-J J BJ ._.. . . .,.
RLR
f
>
f
>
11
R
m;p
R
-..
>
9
R
mf
f 11
>
Jay Wanamaker
L
L
R
3
3
~--"-~
• • • • •
R
L
L
R
R
L
R
R
J_l
_L
I
• • • • R
L
L
R
I
L
m;p
>
>
7
n •r ••
~.-- =-=
R
>
>
• • •
•
• _ ==i_La' ____
R
R
R
L
f
>
17
_ ~__J::j_:J
1
-=-
~
7
_
___
R
mid-way >5
I
I
1.
I
I
t
I
t _J
I _1
I
I
1
11 • " " • . -., • • • • • • • • • • RR
mp
LL
RR
RR
LL
RR
•1 •1 •1 I . . I
R
mf
edge .t
.•.r
I
>6
>
IO
>>>
5
>
>
>
10
' -
•Fi• '
•'---- •Fi•
R
R
R
6
>>
L
center >5>6
R
R
mf
"I J:.
L
Fl F l
R
L
R
"I J:.
L
Fl
R
Fl
L
R
f
"I J:.
L
If
I.
L
R.S. * AA
1•rs• rs• ••«-• •- • • f?_~•_ F5J J J F Ji
>
1=11'1 A
R
ff
L
l
I
R
*Rim Shot
......
c..>
15
14
Diddle Rudiments Paradiddle Shifting Accent and Inversion Study
16. SINGLE PARADIDDLE
II
J= 126
>
>
i ~ ~ ~ ~ ~ ~ ~ ~ l
R
R
l
R
l
R
~
l
>
>
>
>
1
JJJJJJJJJnu~=w=w=u
.. 1
R l
R R l
R l
l
R
l
R R l
R l
l
mf >
II
>
>
>
J J J J J J J J J J J J J J J J =11 R
l
R R l
R
l
l
R l
R R
l
R
l
.. JJJJJJJJJJJJJ=o=w=u
l
1
R
Paradiddle Inversions J = 126
>
111
>
>
> ======
JJJJJJJJJJJJJJJJ I R l
R R l
R l
l
R l
R R
l
R l
l
R
R
l
R
l
l
R
l
R
R
l
R
L
L
.. JJJJJJJJJJJJJJJJ 1 R
l
R
l
l
R
l
R
R
l
R
l
l
R
l
R
l
mf >
>
>
>
.. JJJJJJJJJJJJJJJJ1 R
l
R
l
l
R
>
l
R
R
l
>
R
l
l
R
l
>
l
R
l
R
R
l
>
II
R
l
l
>
R
l
R R
l
>
R R l
R l
l
R
l
R
R l
l
l
l
R
l
l
R
l
R
R
l
R
l
l
R
l
R
R
=II
>>
>>
>>
.. JJJJJJJJJJJJJJJJ1
>
R
R
>>
>
J==J-uJ J J J J J J J J J J J J l
R
R
.. JJJJJJJJJJJJJJJJ 1 R
.. JJJJJJJJJJJJJJJJ 1
R
l
R
>>
l
l
R
l
R
>>
R
l
R
>>
l
l
R
l
>>
.. JJJJJJJJJJJJJJJJ 1
R RLLRLRRLRLLRLRRL
(L-simile)
>>
II
>>
>>
,
>>
J J J J J J J J J J J J J J J J =II R l
R R l
R l
l
R
L R
R l
R l
l
17
16 17. DOUBLE PARADIDDLE
Paradiddle Accent Study
11g
>
>,........................~
>
>
>
>
J J J J J J IJ J J J J J I R
L
R
L
R
L
R
R
L
R
L
R L R R L R L L R L R R L R L L
L
mf..JfTJP
II
JJJJJJJJJJJJ JJJJJJJJJJJJ I
RLRLRRLRLRLL
=II
II
JJJJJJJJJJJJJJJJ 1 R L R L
RLRLRRLRLRLL
R R L R L R L L R L R R
11JJJJJJJJJJJJJJJJ 1 L R
18. TRIPLE PARADIDDLE
>
11
>,........,~
>
111 JJJJJJJJ I JJJJJJJJ RLRLRLRR
>
II
L R L R L
>
L R L R L
>
R L R R
>
>
JJJJJJJJJJJJJ=w=w=u 1
L R L R L L R
L R L R R L R L L
LRLRLRLL
>
J J J J J J J J J J J J J J J J =II
>
>
>
>
>
>
11JJJJJJJJJJJJJJJJ 1
R L R L R L R R L R L R L R L L
R L R L
>
11
R L R R L R L R L R L L
>
>
>
>
JJJJJJJJJJJJJ=u=w=u 1
R L R L R R L
R L R L
L R L R R
19. SINGLE PARADIDDLE-DIDDLE >
>
11 eJJJJJJ R L
>
II
L R
R L
R L
L R
>,.........~
1JJJJJJ I
L R
>
R
L
L
R
>
R
L
R
L
L
R
RLRRLLRLRRLL LRLLRRLRLLRR
RLRRLLR LRLLRRL
>
>
>
>
llJJJJJJJJJJJJJJJJ 1 L R L R L R L L R L R L R L R R
L
R
>
>
JJJJJJJJJJJJ IJJJJJJJ.
>
II =II
>
>
>
>
JJJJJJJJ~JJ~J L
R
L
R
L
L
R
L
R
L R
R
L
=I I
...
Diddlin' II
BJ 3333 J 3 3 I J J J J J J J J I J 3 3 3 J J 3 3 3 J I ffJ J J J J J I tnf R
L
R
>
R
L
R
L
>> :::r-i I
R
L
R
L
L
>
R
L
R
L
>>
L
R
L
L
R
L
0>
I
R
L
R
>
L
R
R
L
R
R
L
R
L
R
R
L
R
>>
L
R
R
L
R
L
>>
R
>
I J J 3 3 3 3 J 3 3 3 3 3 IJ 3 3 3 3 3 J.
R
>
L
>>
J 33 33 J 3 J I J 33 J 3 J
II
I
R
L
R
fl
>
R
l
R
L
L
>
R
L
R
L
R
R
L
>
R
L
R
L
>
L
I
R
> _ __
JJJJJJJ 3 3 1J33333J J J 1J33333J333JJ 1BJJJJJ J JI
11
ef R
L
R
L
R R
L
>
R
L
R
>
L
R
L
R R
L
>
R
L
R
L
>
R
L
R
R
L
>
R
L
R
L
L
R
L
>
R
L
R
R
L
R
>
L
>
J J 33J J J J J I J 33 J J J J J 3 IJ J 3 3 3 3 J 3 3 3 3 3 IJ 3 3 3 3 J J.
II
L
R
L
R
R
R
L
R
L
R
R
L
R
L
L
R
L
R
fR
l
R
L
R
R
L
R
L
R
L
R
L
R
L
R
R
L
I
L
~.
[£]>
>
I I I I I I I
> :r:: l ____L 1££ E±
>
>
l_J __J
>
>
J _ __J I I I I I I I I I I I
> 111
----------
1--..:-- 1 1111
e • • " " " " " " I " " " " " " " " . " I " " " " " " " " " " " " I " " " " " ~-__! • tnfR L
R
R
L
L
>
R
L
R
L
>
IF • -- --------- • • L
R
L
L
R
R
R
L
L
R
> I
--= --.--- • L
L
R
R
L
R
L
R
>
L_____l
R
L
L
~-i:::=::
R
I_ - L
R
L
I
L
L
L
L _ I
I _
f
R
>
I~~-~~~ ~ - ~ _I~
I - --1
R R
=-i:::::--:-_i=:-J
=r--~-
R
L
L
R
L
R
R
L
R
L
>
L
L
R
R
R
L
J_ I _J I I L
L
R
L
L
R
f
R L R R L L R L R R L L
>
R L R R L L R L R R L L
mp
R
L
R
L
l
R
R
I
L
>====
J_J_LI _Li
R
L
R
R
L A L L -- --
R
L
R
L
R
II II
> f_
R
L
L R R L R L L R R
I I I I I c::i= I
>
>
l
II :r:::::L_ I I L:::r::::::I_ I I r= I IL
>
L R L L R L R R L R L L
=:=:=:
1:1
A A A A ~.
A
R L R L
R
.
I •••••••••••• I •••••••••••• I •••••••••••• I •. R L R R L R L L R L R R
cresc.
t
_I
I • • • • • • • • • • • • I •• ~-~ •__! -~~ ._ • L. • • • • • • •. • • • • I
> > > > > Fl I I I I I I I I 33_Ll2£J LJ f_L I LJ L_ l I -1 - I r=I- r==I - r:=r=c=r= I I I I I I I I I I I I I I I I
II • • • • • • • • • • • •
>
R
I • • • • • • •.
~> > > > > > > > > __J~r:~~~~~L...i:=:1~:t::l~r~--~~~~1-~~=:1~1-J~r~~l-~~=~~=~~=:1-...c=:1=~~=r:~- _L] ±§_LJ II • • • • • • • • • • • •
L
R
L
>
• • • • • • • • • • • R
R
L
I
I
L R L L R L R R L R L L
ef
L::I_ L I I_ L
R L R R L R L l
f
ff
L
LI
I_
,.
__,
II II
...
I
•..
\
=I LR
L
R
LR
L LR
mp
LR
111 t~
L
>
>
J J
1tJ
R
RL
J J .trJ
J J
L
R
'-'
LR
R
RL
llf ~ R
LR
L LR
LR
>
>
I
=I
RL
L
'\
R
RL
L
LR
L
>
R
L
LR
R
LR
L
)~
J JJ~
LR
R
I
'-'
L
L
=I
LR
24. FLAM PARADIDDLE
=I
L
I
II
>
f ~ ~ ~ ~ tJ ~ ~ ~ '-'
LR
L
R
>
L R RRL L LR RRL
LR
>
'-'
LR
R
=II
L
>
'-'
)~ fj )~
L
L
LLR
>
>
LR
l~ ~ l~ '-'
LR
'-'
22. FLAM TAP >
LR
=I I
L
R
>
etiJ
II
R
>
J J
LR
tJ J J JJ~
L
21 . FLAM ACCENT
I
L LR
L RRLLRRLLRRLLRRL
cresc.
>
R
>
> LRRL L RR L LRRL
L
11
LLR RRL LLR R R L L
R
>
R
RL
L
>
=II
L
>
f ~ JJJl!J JJJt~ JJJtJJ==J J =II ==w
LR
Variation
L
R
RRL
R
L
LLR
L
R
RRL
R
L
L
>
II
BtJJ
Practice Procedure
LR
R RL
L
R RL
LR
L
II !
Practice Procedure
J
1 R
II
J L
R
R
R
R
R
R
R
R
R
L
R
R
n J n J .n J uuu
=1 1
L
L
L
L
L
L
L
L
L
R
L
L
~ ~ ~. ~ ~ ~. R L
R L
R L
R L
R L
R L
R L
R L
R L
L L
=11
23
22 27.PATAFLAFLA
25. SINGLE FLAMMED MILL >
>
>
~ ~ ~ l~ ~ ~ ~ =II .._,
Ht~ LR
R
L
A
AL
L
A
j
>
~ ~ l~ l~ ~ ~ ;j .._,
t~
II
>
>
LR
L
A
.._,
.._,
AL
LR
L
=11
AL
R
L ... j
> LR
A L
RRL
L
R LLR
R
L RRL
L
R
>>
=1 1
L LR
L
AL
RRLLR
R
LLRRL
Practice Procedure
RR RR R RR RR R
L L LL
LL
L LL
111 ~ Jum~ wJJJJtJJ u®tJJ JJ&
L
LR
L RRLL R L RRLLR
L RRLLR
=11
L RRL
Single Flammed M ill Summary
>
>
>
> Variation
LR
R
L
RRL
LR
>
II
LLR
AL
>
RRL
LR
>
L
=11
>
JJtJ J JJi J JJ4l JLJiJ R
LLR
R
L
RRL
L
R
LLR
R
L
A L
=II
RRL
LLRRL A RL LR
26. FLAM PARADIDDLE-DIDDLE
L
R
R
L
L
11
RL
>
>
R
L
A
R
L
L
R
A
R
L
RL
L RL
L AL
iJ
J
iJ
JJI
R
L
L
R
R
RR
R A
R
L
L
R
R
A R
RR
1
L L L
L L
LLRRL
R
LLRRL
LL: .
LL L
L L
R L
A L
A L
A L
R L
A L
R L
R
. n, na, n'i na'I L L
R
R
L
L
Practice Procedure
II # RR
LLRR L
R
Practice Procedure
A
>>= = =
11 ~ J JtJt;J J J@~ J J4J~ J J J =II
A
A L
>>
I tJ JJtJ~ JJ~ JJtJtJ 3JJ I
L
LR
>>
-----
.. guJ J J J J Jfii LR
L
LLRRL RRLLR
Pataflafla Summary
>
LR
A L
RR
=1 1
R
R
L
L
~J
j
R L
R L
j
•
R L
R L
~J
• R L
A L
j R L
R L
R L
L R
A L
R L
>
J J JJ =II' A L
L A
R L
R L
24
25
28. SWISS ARMY TRIPLET >
29. INVERTED FLAM TAP >,...._.~
>
>
L LR R >3
L LR R >3
11 1~ J.J ~ J Jt;J J Jt;J J J =II LR R > 3
LR
R
L LR
R
L LR
L LR R >3
R
L LR
L
R
> >-
>
LR
L
RL
R
LR
L
>
>
>
>
>
>
L
L
R
R
>
L
R
L
R
R
L
R
L
R
L
R
>
L
L
R
L
>
R
L
>
II
R
L LR
R
L LR
>
R
L LR
>
>
=II
L
RL
L
L
R RL
R
....,,,
R
....,,,
....,,,
>
LR
L
RL
'""'
LR
R
=11
RL
L
Inverted Flam Tap Summary
LR
J.JtJ J J~ J JtJ J J =II R RL
>
i ~ ..~ ~ l~ ~ l~ ~ ~
II
R
~
L
>
>
111 ~ JJJJ J~ Ji 3tJ J~ J~ JJJI
>,.....,..~
>
R RL
R
>>>>>>>J::=~
> ,...."'""".....
.. ~ J J~ J Jt~ J Jl~ J J LR
RL
LR LAL RLR LAL RLR LAL R L R LAL R
.. JJJJJJJJJJJJ I L
ta
11I~®3tJ Ji 3tJ Ji 3tJ Ji J= II
L
Variation
R
>
111B tB tfl
Practice Procedure
R
>
>
LRL RLR
LRL
RLR LAL
RLR
>
>
>
>======
>
>
L R R
11 ~ JiiJ J~ J4J J~ J@ JtJJJJ= I
L
RL
RLR LRL
RLR LAL
RLR LRL
R L L
Swiss A rmy Triplets with Accents
>
>
>
Practice Procedure
>
.. w6J J J J J Jd J J J J J LR
>
ntg LR
R
L
R
R
>
L LR
R
L
!·
....,,,
L
>3>
R
11 1 J R L
L
>
~ ~ ~ ~ ~ ~~. R
R
1
R
3
R
>3>
=II
3
>3>
>
3
.. 1 6JJJmtJJ3W-OJJJmt~ RRLRRL
II
L LR
RRLRRL
RR L RRL
nJ R R R L L L
R R R L L L
R R R L R R L L L R L L
wfjJ
JJJ
nJ
R R R L L L
R R L L
R
R
R
L
L
L
R L
>
J==o==uu
=11
R L R R L R L L
=11
R
30. FLAM DRAG Swiss Army Triplet Summary
>
>
>
>
>
11 t d .r:J LR
>
II LR
LR
R LLR
R LLR
R LLR
R LLR
gtJ LR
L
L
J R
>
1tJ .r:J J RL
R
R
L
>
:tj
J )g ,fj J
L
R
L
....,,,
RL
R
R
L
=11
26
..... Q)
~
ro
IC
Ii)
E
Ii)
IC~
ro
c:
~
...I
>. ro ......
IC
IC
...I ...I
IC
·-
IC ...I
IC
..:· 2
...I
A
IC ...I
...I
IC ...I
IC
IC
IC ...I
IC
...I
...I
IC
-
...I
0 ...., 0
-
en
E
~
LL
-
IC
-ta EE"'
IC ...I
:J
...I
V\
...I
IC
...I
IC'
...I ...I
IC
IC ...I
IC
IC
IC
...I
IC
IC
...I
IC
IC ...I
...I
IC IC ...I
IC IC
...I
•
IC ...I
IC IC
...I
IC
...I ...I
IC ...I
0 C'l
II
--,
.., •
~
IC~
IC~
~
IC
/\
IC
28
29
Drag Rudiments Depending on the interpretation, all grace notes in the following examples can be played in either an open or closed manner.
Variation
• \.''l
>
>
J~ra I J nJ - J -
II
R
31. DRAG
LLR
RRL
L
=I I
R
Alternate Notation
nJ II I -
nJ
nJ -
-
LLR
RRL
nJ -
LLR
>
>
=II
RRL
II
I J R
4
J J
LL
R
>
J
L
L
RR
I
=I
R
Non-Alternating Drags
II
I nJ -
nJ -
LLR
nJ -
LLR
nJ -
LLR
LLR
33. DOUBLE DRAG TAP
aJ nJ - nJ - aJ
II
RRL
RRL
RRL
=I
RRL
I II
LLR
L
>
t ~~ LLR
RRL
>
~
~~
L
RRL
J nJ - nJ- J
>
~
-
LLR
l
LLR
RRL
RRL
>
=II
R
>
Variation No. 1
>
11 f (!B~Bef](!B =I LLR
L RR L
R LL R
l
RR l
II
>
g i/1J. nJ - J nJ. LLR
LLR
L
11 f
>
J. (!OJ J. ~j J. R
LLR
L
RRL
~ >
>
11
>
R
wJ. ~j =II >,....__~
LLR
>
l
=II RRL
RRL
R
R
>
Variation No. 2
>
RRL
111
J ~J M J ~-Ji J R
LLR
LLR
l
Alternate Notation
>
>
RRL
RRL
llR
l
RRL
R
LLR
l
RRL
R
LL
R
LL
R
L
=II·
R
>
>
nJ w J ffiJl 1J i1P J @ =II 111JJJJJJ R
=II
R
>
>
=11
R
RRL
>
32. SINGLE DRAG TAP
II
- ~ I ~~ - ~~
~
I ~~ - ~~ LLR
>
>
I
=I RR
l
RR
L
R
30
31
34. LESSON 25
36. DRAG PARADIDDLE NO. 1 >
II
i
>
~~ ~ .._
~~ ~
LLR RRL
LLR RRL
L R
.._
R L
L R
1 J aJ J J J J mJ J J >
=II .;,
II
>
1
R
R L
LLR
L
R
R
L
RRL
R
L
=11
L
Variation
>
II
>
~
i
~~ .._
R L
LLR RRL
J ~
~ ~
L R
LLR RRL
R L
>
II =II
>
II
i
R
>
~ ~ ~ ~ ~ ~
~
R
LL
R
L
R
LL
R
II =11
11
>
R R LL R L
R
L RR L
R R LL R
II
t
nnnnnn R
>
R LL R
L
LL
~ ~ ~ ~ R
L
R
R
L
RRL
R
L
L
>
J J J J J J =I I L
RR
L
R
L
L
>
RLLRLLR
L L
LR R
>
>
RR L
R
I Ja_Ja_J J J J I J~__Ja_J J J J =II
Single Dragadiddle Summary
11
R
>
>
1 n n n n n n n n =II >
L
37. DRAG PARADIDDLE NO. 2
>
RR L
gJi
L
35. SINGLE DRAGADIDDLE >
LLR
=II
Alternate Notation
>
~
g J a_J 3 3 3 J a_J J 3 J
L R
Alternate Notation
>
L RR L
R
>
111
J==u==n
L RRL RRL
R
L
L
>
..rmm uuu..rmm uuu
=11
RLLRLLR
LR
R
LRRLRRL
R
LL
1
R LL R
L
L
Alternate Notation
>
II
>
>
JJJJJJJJJJJJ/jJ R
L RR L
R
R LL R
L
L RR L
>
>
R
R
L
=11
11
>
f J JJ; JJ JJJ JJi JJ JJ =I I R LL R LL R
L
R R L RR L RR L
R
L
L
32
33
38. SINGLE RATAMACUE
40. TRIPLE RATAMACUE
>
3
.
>
3
1a:---..t-.r~"J3li----J--J--..Jt--:J...~h.1-J--J----J1--..J.J.---~=11
-..-II
LLR
L
R
L
R
>
3
II
RRL
L
LLR
L
R
RRL
111
3>
1
LLR L LRLLRLRL
=11
RRLRRLRRLRLR
>
3
L
•
R
J J J nJ J J J
j "2,J
mmmJJ J ~J ~ &W J 3>
R
L
I
=I
R
LLR LLR LLR LR L RRL RRL RRL R LR
Variation
>
II
i
>
3
3
~
Jj~ ~ ~ ~
~~ ~ ~
R
LLR
RRL
-
L
R
-
L
R
Variation
>
3
>
3
111 ®m~m@;J..J;J.,m =11
=11
L
R LLR LLR L LR LR L RRL RRL RRL R L
3
3
JJ R
LL
R
J J J =11
L
R
L
RR
L
R
L
.. I
R LL R LL R LL R L R L RR L RR L RR L R L
I ~
39. DOUBLE RATAMACUE Ratamacue Summary
>
3
111 J~ffiJ
=11 LLR LLR L R L
LLR
LLR
L
RRL RRL R L R
R
L
RRL
RRL
R
L
R
R
R
LLR
LLR
L
>
3
JnmJ R
L
R
L
R
L
RRL
RRL
LLR
R
L
L
R
L
R
L
Variation
>
>
3
.. g J .qJ ~m J -rtJ ~m =11 R
LLR
LLR
L
R
L
_ _ _3...,. >
3
RRL
RRL
R
L
•
-II
-
>
3
3
>
nJnffiJrunffiJnffiJ - - - - -...._..
.._..
..._......
.._..
...._..
LLR LLR LR L RRL RRL R LR LLR LR L
I
·
Alternate Notation
>
>
3
3
.. g nnmnnm =l l R
LL
R
LL
R
L
R
L
RR
L
RR
L
R
L
11
~;m
3
>
3
>
Jlm J~m J
RRL RRL R R L R L R L L R LR L
>
J R
=1 1
~
It's a Drag (Summary Solo)
1•• •••••••••
= 120 >
>
>
>
> >
111••••••••••••1 R
R
R
L
mf >
H •
f >
>
>>
11111 illfi I I I-
-------------=-- .- ----=-=------"l
R
"l
l
_ L______L___"l -
, -
>
-
e:s
R
> E!S
RR
L
3
E2l!!!!S
L
L
-~-·
R
R
LL
>
~
R
L
L
1 1••••••••••••• I
R
t_=
R
L
l
L
L
R
>
1 L _ - ==:::J
~_::_·
RR
R
>
L
LL
R
R
mf
R
>
3
L
>
Ft F+=i i
R
l
R
R
R
L
l
R
L
R
R
L
R
R
L
L
R
L
L
-\:~
3
>
>
R
L
1-V e)JJJ 0l @JJJJ
R
>
>~=~-
>
3
>
3
R
Fl FF1 1 1 r=="J - - J_::-L_l__ I ===:::i- -
>====~-
=> = ===
L
L
I • • • • • •. • • • • • • • L-=~=l.:.:.T-1
f 0 >
L
mp
.. JJJJJJJ3JJJJJ RR
L
>
>
f
>
R
L
Jay Wanamaker
> >
mp
• >
'>
L
L _l
R
L
R
mf
1
• •
L
l
l
f
>
0 Li I I L i I I L i I I I • • • • • • •c=• • • • •c=•
>
n L____L_ _:-r:::::=::==::r:_" l _
.,
R
>
L
I
J
f
mf r.;i
>
>
>
R
L
R
3>
11J#JJJ1J t;J ffiJ L
L
ff
~
>
>
R
RL
>
>
L
LR
RL
1 JJJJ~JJSJJ
1J1J 0J &J JJ R
>
LR
R
.;.~'., · :·
>
L
>
R
>
L
>
R
>
R
cresc.
JJ
I
LR
mf
mp
= = ~JJJJJJJiJJJJJJJJ tJJJJJJiJJ3JJJJ3JJ 1J 1 >
>
>
L
>
R
>
L
>
R
6
A
i
-
11
R
ff
w
01
Chops
(J.)
O>
(Final Rudimental Solo)
J. =72 >
>
.. eJ m J R
R
mJ
>
J J J &.J J J J 1J.
LR
R
L
LR
LL
0
mf >
>
>
>
>
R
L
R
L
R
J.
R
f
mJ
>
>
1J ;[J
R
Jay Wanamaker
u u u J mu u u 1 >
R
R
LR
R
L
LR
LL
mf >
>
>
5
>
5
>
5
5
.JiJJJJJ.orJJJJ 1J eJ J 33JmJJJ1J22u2JJ.or1u1; 1 f
R
L
LR
LL
R
LR
R
L
mf >
II •
>
3
>
LL
f
=iii
I
>
R
L
R
>
=iii!
1
L
L
L
L
R
R
R
R
L
R
R
L
R
cresc.
L
L
.
R
mf
>
L
R
R
L
L
L
>
=iiil i
L
1
L
L
R
L
R
L
R
>
R
L
>
R
L
f
R
L
R R
L
L
L
R
L
R
R
L
L
.
3
>
3
I
• •.
n ,
J, J
n ,~,
J
R
L
R
L
L
L
L
R
L
L
L
R
R
L
1
L
R.S.*
::: >-
cresc.
I
i =iiilili1
R
>
&) ~J
==r_ ..__.._ • • • - • + •_ ;;.-
L
R
>
3
t,
>
3
L
~----------------
i=iiil i
R
R
>
L
«" • • • • «"• • •
>
L
>
3
i
L
R
R
:~~
R
J , J ; 3133l
>
R
R
L
el J J J J
IJ
n ,
R
>
>
L
>
R
mf - - -- . -
3
i
J : 3331l
L
R
--
L
IL• • • • @ • • •ttlJ • • • I•
fR
R
3
=11q1
n ,J,
11'!/}
LR
..
I
R
>
J J 3 J eJ 3 3 3 I J J 3 J J J J.
R
f
0
>
~
J
11
LR
mf
>
II
R
. . ..
>
L
R L
R
L
R
L
R
ff
L
R
L
R
*Rim Shot
~
38
39
PERCUSSIVE ARTS SOCIETY INTERNATIONAL DRUM RUDIMENTS
14. Fifteen Stroke Roll*
R L
All rudiments should be practiced as follows: open (slow), to closed (fast), to open (slow), and/or at an even, moderate march tempo.
2.
Single Stroke Four
J
R
L
L
R
L
R
nnnn RLRL LRLR
Jmlm
>
Single Stroke Seven
R L
R L R R l
R l
R l R l R R l
>
A L R R L L R L R R l l L R L L R R L R L L R R
L R L R R L R L
Flam Rudiments
j
20. Flam*
5. Triple S.troke Roll
21 . Flam Accent* R R R L L L R R R L L L
~ JrJ
J J IJ_J_J
LR
L
7.
Five Stroke Roll* R
Six Stroke Roll
L
Seven Stroke Roll*
L R
12. Eleven Stroke Roll *
24. Flam Paradiddle *
>
R L
RL
R
l
>
>
>
RRL
LLR
RRL
- j)j- J1.J- j}j- J
LR
L R
R L
25. Single Flammed Mill
>
R
L
L
10
>>
10
>>
R L
R L LR
R L
RL LR
II
>
II
>
R L
RL LR
R L
RL LR
J j J1.J
LR RL
L R
l
26. Flam Paradiddle-Diddle*
>
1.J
j j J1J=J==j =j ......
""
L
R
RRL
R
L
L
>
t.J j J J~J=J::;::::::;:J=j R
L
RRL
L
R
L
>======
t.J j J j J j~.J j JJ J j LR l RR l l Al R L L RR
>
27. Pataflafla
J_fj ., J__fj.,
28. Swiss Army Triplet
...... LR
30. Flam Drag
>
L
RRLLR
-
l
RRL
~ jj~jj LRRLLRRL RLLRRLLR
>
29. Inverted Flam Tap
>>
;r.J J JJrj1.J - - J j}j >
>
>
JrJ - j)j- J1.J- JJ!:j J LRL
t.J
nJ t.i n J
LR
L l
RLR
....... LRL
LR
>
13. Thirteen Stroke Roll* L
L LR R RL
>
J_Jj., J_Jj.,
R
._,
R L
>
LR
L R
9
1.J ......
>
L R
R
R
......
R
Jr.J
LR
J.--3 J.~3 j_J J-.J L
11. Ten Stroke Roll*
6
JJ- j JJ_._j R
10. Nine Stroke Roll*
L
> >
R L
9.
23. Flamacue*
RRLLRRLL
>6
8.
......
>
>
J R
RL
LR
>
22. Flam Tap*
DOUBLE STROKE OPEN ROLL RUDIMENTS Double Stroke Open Roll*
R l R l
>
.J j j j j j J=J=j=j=j=j
19. Single Paradiddle-Diddle
>
6.
R L R L L
18. Triple Paradiddle
RLRL LRLR
MULTIPLE BOUNCE ROLL RUDIMENTS 4. Multiple Bounce Roll
R l
L
.J J J j J J .J R L L R
>
.J JJ J j J J=J=j=j=j=j
17. Double Paradiddle *
6
3.
L
R L R R L R L L
35J15J155J155J R
L
Diddle Rudiments
SINGLE STROKE ROLL RUDIMENTS
j
>
/7
R
R
16. Single Paradiddle*
Single Stroke Roll*
L R
J --.J J --.J
15. Seventeen Stroke Roll •'
Roll Rudiments 1.
>
17
L R R L
> _ __
R RL
R R L
L
C Copyright MCMLXXXIV by Percussive Arts Society International Copyright Secured. Made In .USA Used by Permission.
* These rudiments are also included in the original Standard 26 American Drum Rudiments.
R
R L l
40
Drag Rudiments 31. Drag*
~ J~ LLR
32. Single Drag Tap*
RRL
Jjn.rjn >
>
LRRL
R
"-"' LLR
...
>
33. Double Drag Tap*
>
nJ.. .-1'J. . . JnJnJ . J ....._, ._...
..._. ...._....
LLRL LR
LRRLRRL
nmnm >
34. Lesson 25 *
R
>
........,
LLRLRLLRLR RRLRLRRLRL
>
35. Single Dragadiddle
jjjj
>
Jr:=j::;:::::;j=j
RR L R R LL R
L
L
36. Drag Paradiddle No. 1* >
37. Drag Paradiddle No. 2*
>
L8Jnlm m.1'Jm -...._ ._..
RLLR LLR LR R
38. Single Ratamacue *
LRRLRRL R LL
nf1nnf1n "-"' LLR L R L RRL R L R
39. Double Ratamacue*
~mnm .._.. ._..
....._
LLR LLR LR L RRL RRL R LR
40. Triple Ratamacue*
~mJjlIDn.mnlID -.__.....__..-
-
LL R LLR LLR LR L RRL RRL RRL R LR
A recordi ng of the International Drum Rudiments as performed by Rob Carson, the three-time World Snare Drum Champion, is available from Alfred Publishing Co.. Inc. (item 18049).