Table of contents : Contents Introduction 1. Form and Fragmentation: Romantic Legacies 2. The Book of the World: Form and Intent in New Criticism, Revisited 3. Tyranny of the Possible: Blanchot 4. A Genesis of the New: Deleuze 5. From Figure to Fissure: Self-Correction in Beckett’s Molloy, Malone Dies, and The Unnamable 6. Hyperbole in Proust’s A la recherche du temps perdu 7. “How Anything Can Be Different from What It Is”: Tautology in Stein’s The Making of Americans Conclusion Appendix Notes Bibliography Index Acknowledgments