The Ultimate Guitar Chord & Scale Bible 0739092693, 9780739092699
This exhaustive study of chords and scales is a must-own for any improvising guitarist. Published in collaboration with
275 25 20MB
English Pages 336 [338] Year 2009
Introduction
Contents
The Ultimate Guitar Chord Bible • Buck Brown
Contents
About the Author
Introduction
Chord Name Abbreviations and Reading Chord Diagrams
Chords Listed by Key
A
D
G
C
F
B♭/A♯
E♭/D♯
A♭/G♯
D♭/C♯
G♭/F♯
B
The Ultimate Guitar Scale Bible • Mark Dziuba
Contents
How to Use this Book
Recommend Papers
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THE ULTIMATE GUITAR
CHORD & SCALE BIBLE OVER 5,000 CHORDS AND 130 SCALES F EATU R E S: • Instantly increase your chord and scale knowledge • Thousands of easy-to-read diagrams • 62 different types of chords in all 12 keys • 12 to 15 fingerings for each scale • Standard music notation and TAB
BUCK BROWN / MARK DZIUBA
THE ULTIMATE GUITAR
CHORD & SCALE BIBLE OVER 5,000 CHORDS AND 130 SCALES
BUCK BROWN / MARK DZIUBA Alfred, the leader in educational music publishing, and the National Guitar Workshop, one of America’s finest guitar schools, have joined forces to bring you the best, most progressive educational tools possible. We hope you will enjoy this book and encourage you to look for other fine products from Alfred and the National Guitar Workshop.
Alfred Music Publishing Co., Inc. P.O. Box 10003 Van Nuys, CA 91410-0003 alfred.com No part of this book shall be reproduced, arranged, adapted, recorded, publicly performed, stored in a retrieval system, or transmitted by any means without written permission from the publisher. In order to comply with copyright laws, please apply for such written permission and/or license by contacting the publisher at alfred.com/permissions.
Copyright © MCMXCIX, MMXII by Alfred Music Publishing Co., Inc. All rights reserved. Printed in USA.
ISBN-10: 0-7390-9269-3 ISBN-13: 978-0-7390-9269-9 Cover photograph: Fender Stratocaster courtesy of Fender Musical Instruments.
2
Introduction You hold in your hands the most comprehensive resource for chords and scales available. Every chord or scale you will ever need to know can be found in these pages. For the first time ever, the best-selling books The Ultimate Guitar Chord Bible and The Ultimate Guitar Scale Bible have been combined to form The Ultimate Guitar Chord and Scale Bible—over 330 pages of information that can increase your musical knowledge and make you a better guitar player. The Ultimate Guitar Chord Bible will show you the most useful variations and inversions of every major, minor, dominant 7th and altered dominant 7th chord on different sets of strings and in various inversions. The fingerings shown are the easiest, and if you give them a chance you’ll probably come to see why they were chosen. There are even some fingerings that include your thumb! Try them all out and see why they work. They are, however, just suggestions; you can make your own fingering decisions if you like. This books starts with all the E chords and moves by key through the cycle of 4ths. E /D A /G D /C G /F E A D G C B /A
The Ultimate Guitar Scale Bible is a vast scale and chord/scale relationship reference tool. To get the most out of this book, a basic knowledge of music theory and improvisation will be helpful. All the scales in this book were chosen because of their usefulness in improvisational or compositional contexts. Use this book to supplement your existing scale knowledge and further your melodic and harmonic universe. Remember, these scales don’t make the music. You do!
The Ultimate Guitar Chord and Scale Bible is not only a groundbreaking combination of two best-selling books, it is the only resource for chords and scales you will ever need. What are you waiting for? Dig in!
CONTENTS The Ultimate Guitar Chord Bible.......................................................3 The Ultimate Guitar Scale Bible..................................................... 189
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THE ULTIMATE GUITAR
CHORD BIBLE Buck Brown
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4
Contents About the Author.........................................7 Introduction...................................................7 Chord Name Abbreviations and Reading Chord Diagrams....................7 Chords Listed by Key A.................................................................... 23 Maj, sus2, sus4, no 3rd, 6.......................... 23 Maj7, Maj9, 6/9........................................... 24 add9, Maj11, Maj13, Maj13add9, Maj13 11, Maj7 5............................... 25 Maj7 11, Maj9 11, aug................................ 26 min, min6, min7.......................................... 27 # minMaj7, min7 5, minadd9, min6/9, minadd9/11........................................ 28
Contents—Chords Listed by Key
B /A ............................................................. 98
Maj, sus2, sus4, no 3rd, 6.......................... 98 Maj7, Maj9, 6/9........................................... 99 add9, Maj11, Maj13, Maj13add9, Maj13 11, Maj7 5..............................100 Maj7 11, Maj9 11, aug ..............................101 min, min6, min7.........................................102 # minMaj7, min7 5, minadd9, min6/9, minadd9/11...................................... 103
Easy Guide to Keys G ..............53 E...............8 C ..............68 A ..............23 F ...............83 D ..............38
B /A ........98 E /D ........113 A /G .......128
D /C .......................................................... 143 Maj, sus2, sus4, no 3rd, 6........................ 143 Maj7, Maj9, 6/9......................................... 144 add9, Maj11, Maj13, Maj13add9, Maj13 11, Maj7 5............................. 145 Maj7 11, Maj9 11, aug.............................. 146 min, min6, min7........................................ 147 minMaj7, min7 5, minadd9, min6/9, minadd9/11...................................... 148
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min9, min9Maj7, min9add11, min11.... 104 min13, min13add9, min7 5, min9 5....... 105 7, 9 ........................................................... 106 9sus4, 11(7sus4), 13, 13add9................. 107 13sus4, 13add9sus4, 7 5, 7 5, 7 9, 7 9............................................... 108 7 9 5, 7 9 5, 7 5 9, 7 5 9, 9 5, 9 5, 11 5..... 109 13 5, 13 9, 13 9, dim9, dim11, dim......... 110
dim7 ........................................................... 111 Three-Note Voicings Maj7, 7, min7, 6............................... 112
min9, min9Maj7, min9add11, min11.... 179 min13, min13add9, min7 5, min9 5............................................... 180 7, 9 ........................................................... 181 9sus4, 11(7sus4), 13, 13add9................. 182 13sus4, 13add9sus4, 7 5, 7 5, 7 9, 7 9............................................... 183
7 9 5, 7 9 5, 7 5 9, 7 5 9, 9 5, 9 5, 11 5..... 184 13 5, 13 9, 13 9, dim9, dim11, dim......... 185 dim7 .......................................................... 186 Three-Note Voicings Maj7, 7, min7, 6............................... 187
min9, min9Maj7, min9add11, min11...... 74 min13, min13add9, min7 5, min9 5................................................. 75 7, 9 ............................................................. 76 9sus4, 11(7sus4), 13, 13add9................... 77 13sus4, 13add9sus4, 7 5, 7 5, 7 9, 7 9................................................. 78
7 9 5, 7 9 5, 7 5 9, 7 5 9, 9 5, 9 5, 11 5....... 79 13 5, 13 9, 13 9, dim9, dim11, dim........... 80 dim7 ............................................................. 81 Three-Note Voicings Maj7, 7, min7, 6................................. 82
min9, min9Maj7, min9add11, min11.... 149 min13, min13add9, min7 5, min9 5............................................... 150 7, 9 ........................................................... 151 9sus4, 11(7sus4), 13, 13add9................. 152 13sus4, 13add9sus4, 7 5, 7 5, 7 9, 7 9............................................... 153
7 9 5, 7 9 5, 7 5 9, 7 5 9, 9 5, 9 5, 11 5..... 154 13 5, 13 9, 13 9, dim9, dim11, dim......... 155 dim7 ........................................................... 156 Three-Note Voicings Maj7, 7, min7, 6............................... 157
min9, min9Maj7, min9add11, min11...... 44 min13, min13add9, min7 5, min9 5................................................. 45 7, 9 ............................................................. 46 9sus4, 11(7sus4), 13, 13add9................... 47 13sus4, 13add9sus4, 7 5, 7 5, 7 9, 7 9................................................. 48
7 9 5, 7 9 5, 7 5 9, 7 5 9, 9 5, 9 5, 11 5....... 49 13 5, 13 9, 13 9, dim9, dim11, dim........... 50 dim7 ............................................................ 51 Three-Note Voicings Maj7, 7, min7, 6................................. 52
D ............................................................... 38 Maj, sus2, sus4, no 3rd, 6.......................... 38 Maj7, Maj9, 6/9........................................... 39 add9, Maj11, Maj13, Maj13add9, Maj13 11, Maj7 5............................... 40 Maj7 11, Maj9 11, aug................................ 41 min, min6, min7.......................................... 42 minMaj7, min7 5, minadd9, min6/9, minadd9/11........................................ 43
7 9 5, 7 9 5, 7 5 9, 7 5 9, 9 5, 9 5, 11 5.............................................. 34 13 5, 13 9, 13 9, dim9, dim11, dim........... 35 dim7 ..............................................................36 Three-Note Voicings Maj7, 7, min7, 6................................. 37
C ............................................................... 68 Maj, sus2, sus4, no 3rd, 6.......................... 68 Maj7, Maj9, 6/9 .......................................... 69 add9, Maj11, Maj13, Maj13add9, Maj13 11, Maj7 5............................... 70 Maj7 11, Maj9 11, aug................................ 71 min, min6, min7.......................................... 72 minMaj7, min7 5, minadd9, min6/9, minadd9/11........................................ 73
min9, min9Maj7, min9add11, min11...... 29 min13, min13add9, min7 5, min9 5................................................. 30 7, 9 ............................................................. 31 9sus4, 11(7sus4), 13, 13add9................... 32 13sus4, 13add9sus4, 7 5, 7 5, 7 9, 7 9................................................. 33
B ............................................................. 173 Maj, sus2, sus4, no 3rd, 6........................ 173 Maj7, Maj9, 6/9 ........................................ 174 add9, Maj11, Maj13, Maj13add9, Maj13 11, Maj7 5............................. 175 Maj7 11, Maj9 11, aug............................. 176 min, min6, min7........................................ 177 minMaj7, min7 5, minadd9, min6/9, minadd9/11...................................... 178
D /C .......143 G /F ........158 B ..............173
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5 E /D ........................................................... 113 Maj, sus2, sus4, no 3rd, 6........................ 113 Maj7, Maj9, 6/9......................................... 114 add9, Maj11, Maj13, Maj13add9, Maj13 11, Maj7 5............................. 115 Maj7 11, Maj9 11, aug.............................. 116 min, min6, min7........................................ 117 minMaj7, min7 5, minadd9, min6/9, minadd9/11...................................... 118
min9, min9Maj7, min9add11, min11.... 119 min13, min13add9, min7 5, min9 5....... 120 7, 9 ........................................................... 121 9sus4, 11(7sus4), 13, 13add9................. 122 13sus4, 13add9sus4, 7 5, 7 5,7 9, 7 9.... 123 7 9 5, 7 9 5, 7 5 9, 7 5 9, 9 5, 9 5, 11 5..... 124 13 5, 13 9, 13 9, dim9, dim11, dim......... 125
dim7 ........................................................... 126 Three-Note Voicings Maj7, 7, min7, 6............................... 127
min9, min9Maj7, min9add11, min11...... 14 min13, min13add9, min7 5, min9 5......... 15 7, 9 ............................................................. 16 9sus4, 11(7sus4), 13, 13add9................... 17 13sus4, 13add9sus4, 7 5, 7 5, 7 9, 7 9..... 18 b 7 9 5, 7 9 5, 7 5 9, 7 5 9, 9 5, 9 5, 11 5....... 19 13 5, 13 9, 13 9, dim9, dim11, dim........... 20
dim7 ............................................................. 21 Three-Note Voicings Maj7, 7, min7, 6................................. 22
min9, min9Maj7, min9add11, min11...... 89 min13, min13add9, min7 5, min9 5......... 90 7, 9 ............................................................. 91 9sus4, 11(7sus4), 13, 13add9................... 92 13sus4, 13add9sus4, 7 5, 7 5, 7 9, 7 9..... 93 7 9 5, 7 9 5, 7 5 9, 7 5 9, 9 5, 9 5, 11 5....... 94 13 5, 13 9, 13 9, dim9, dim11, dim........... 95
dim7 ............................................................. 96 Three-Note Voicings Maj7, 7, min7, 6................................. 97
min9, min9Maj7, min9add11, min11... 164 min13, min13add9, min7 5, min9 5...... 165 7, 9 .......................................................... 166 9sus4, 11(7sus4), 13, 13add9................ 167 13sus4, 13add9sus4, 7 5, 7 5, 7 9, 7 9.............................................. 168 7 9 5, 7 9 5, 7 5 9, 7 5 9, 9 5, 9 5, 11 5.... 169 13 5, 13 9, 13 9, dim9, dim11, dim........ 170
dim7 .......................................................... 171 Three-Note Voicings Maj7, 7, min7, 6.............................. 172
min9, min9Maj7, min9add11, min11...... 59 min13, min13add9, min7 5, min9 5................................................. 60 7, 9 ............................................................. 61 9sus4, 11(7sus4), 13, 13add9................... 62 13sus4, 13add9sus4, 7 5, 7 5, 7 9, 7 9................................................. 63
7 9 5, 7 9 5, 7 5 9, 7 5 9, 9 5, 9 5, 11 5....... 64 13 5, 13 9, 13 9, dim9, dim11, dim........... 65 dim7 ............................................................. 66 Three-Note Voicings Maj7, 7, min7, 6................................. 67
min9, min9Maj7, min9add11, min11... 134 min13, min13add9, min7 5, min9 5...... 135 7, 9 .......................................................... 136 9sus4, 11(7sus4), 13, 13add9................ 137 13sus4, 13add9sus4, 7 5, 7 5, 7 9, 7 9.............................................. 138 7 9 5, 7 9 5, 7 5 9, 7 5 9, 9 5, 9 5, 11 5........................................... 139
13 5, 13 9, 13 9, dim9, dim11, dim........ 140 dim7 .......................................................... 141 Three-Note Voicings Maj7, 7, min7, 6.............................. 142
E ..................................................................8 Maj, sus2, sus4, no 3rd, 6.............................8 Maj7, Maj9, 6/9..............................................9 add9, Maj11, Maj13, Maj13add9, Maj13 11, Maj7 5.........................................10 Maj7 11, Maj9 11, aug.................................11 min, min6, min7.......................................... 12 minMaj7, min7 5, minadd9, min6/9, minadd9/11........................................ 13
F ............................................................... 83
G /F .......................................................... 158 Maj, sus2, sus4, no 3rd, 6....................... 158 Maj7, Maj9, 6/9........................................ 159 add9, Maj11, Maj13, Maj13add9, Maj13 11, Maj7 5............................ 160 Maj7 11, Maj9 11, aug............................. 161 min, min6, min7....................................... 162 minMaj7, min7 5, minadd9, min6/9, minadd9/11..................................... 163
G ............................................................... 53 Maj, sus2, sus4, no 3rd, 6.......................... 53 Maj7, Maj9, 6/9........................................... 54 add9, Maj11, Maj13, Maj13add9, Maj13 11, Maj7 5............................... 55 Maj7 11, Maj9 11, aug................................ 56 min, min6, min7.......................................... 57 minMaj7, min7 5, minadd9, min6/9, minadd9/11........................................ 58
A /G ......................................................... 128 Maj, sus2, sus4, no 3rd, 6....................... 128 Maj7, Maj9, 6/9........................................ 129 add9, Maj11, Maj13, Maj13add9, Maj13 11, Maj7 5............................ 130 Maj7 11, Maj9 11, aug,............................. 131 min, min6, min7....................................... 132 minMaj7, min7 5, minadd9, min6/9, minadd9/11..................................... 133
40140 Ultimate Chord Scale Bible.indb 5
Contents—Chords Listed by Key
Maj, sus2, sus4, no 3rd, 6.......................... 83 Maj7, Maj9, 6/9........................................... 84 add9, Maj11, Maj13, Maj13add9, Maj13 11, Maj7 5............................... 85 Maj7 11, Maj9 11, aug................................ 86 min, min6, min7.......................................... 87 minMaj7, min7 5, minadd9, min6/9, minadd9/11........................................ 88
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Contents—Chords Listed by Type
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Chords Listed by Type
A B /A B Maj 23 98 173 6 23 98 173 6(TNV)* 37 112 187 Maj7 24 99 174 Maj7(TNV) 37 112 187 Maj9 24 99 174 Maj11 25 100 175 Maj13 25 100 175 sus2 23 98 173 sus4 23 98 173 add9 25 100 175 6/9 24 99 174 Maj7 5 25 100 175 Maj7 11 26 101 176 Maj9 11 26 101 176 Maj13add9 25 100 175 Maj13 11 25 100 175 min 27 102 177 min6 27 102 177 min7 27 102 177 min7(TNV) 37 112 187 minMaj7 28 103 178 min9 29 104 179 min9Maj7 29 104 179 min11 29 104 179 min13 30 105 180 min7 5 30 105 180 min7 5 28 103 178 min9 5 30 105 180 minadd9 28 103 178 minadd9/11 28 103 178 min9add11 29 104 179 min6/9 28 103 178 min13add9 30 105 180 7 31 106 181 7(TNV) 37 112 187 9 31 106 181 11(7sus4) 32 107 182 13 32 107 182 7 5 33 108 183 7 5 33 108 183 7 9 33 108 183 7 9 33 108 183 7 9 5 34 109 184 7 9 5 34 109 184 7 5 9 34 109 184 7 5 9 34 109 184 9 5 34 109 184 9 5 34 109 184 9sus4 32 107 182 11 5 34 109 184 13add9 32 107 182 13sus4 33 108 183 13add9sus4 33 108 183 13 5 35 110 185 13 9 35 110 185 13 9 35 110 185 aug 26 101 176 dim 35 110 185 dim7 36 111 186 dim9 35 110 185 dim11 35 110 185 no 3rd 23 98 173 A B /A B
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C D /C D E /D E 68 143 38 113 8 68 143 38 113 8 82 157 52 127 22 69 144 39 114 9 82 157 52 127 22 69 144 39 114 9 70 145 40 115 10 70 145 40 115 10 68 143 38 113 8 68 143 38 113 8 70 145 40 115 10 69 144 39 114 9 70 145 40 115 10 71 146 41 116 11 71 146 41 116 11 70 145 40 115 10 70 145 40 115 10 72 147 42 117 12 72 147 42 117 12 72 147 42 117 12 82 157 52 127 22 73 148 43 118 13 74 149 44 119 14 74 149 44 119 14 74 149 44 119 14 75 150 45 120 15 75 150 45 120 15 73 148 43 118 13 75 150 45 120 15 73 148 43 118 13 73 148 43 118 13 74 149 44 119 14 73 148 43 118 13 75 150 45 120 15 76 151 46 121 16 82 157 52 127 22 76 151 46 121 16 77 152 47 122 17 77 152 47 122 17 78 153 48 123 18 78 153 48 123 18 78 153 48 123 18 78 153 48 123 18 79 154 49 124 19 79 154 49 124 19 79 154 49 124 19 79 154 49 124 19 79 154 49 124 19 79 154 49 124 19 77 152 47 122 17 79 154 49 124 19 77 152 47 122 17 78 153 48 123 18 78 153 48 123 18 80 155 50 125 20 80 155 50 125 20 80 155 50 125 20 71 146 41 116 11 80 155 50 125 20 81 156 51 126 21 80 155 50 125 20 80 155 50 125 20 68 143 38 113 8 C D /C D E /D E
F G /F 83 158 83 158 97 172 84 159 97 172 84 159 85 160 85 160 83 158 83 158 85 160 84 159 85 160 86 161 86 161 85 160 85 160 87 162 87 162 87 162 97 172 88 163 89 164 89 164 89 164 90 165 90 165 88 163 90 165 88 163 88 163 89 164 88 163 90 165 91 166 97 172 91 166 92 167 92 167 93 168 93 168 93 168 93 168 94 169 94 169 94 169 94 169 94 169 94 169 92 167 94 169 92 167 93 168 93 168 95 170 95 170 95 170 86 161 95 170 96 171 95 170 95 170 83 158 F G /F
G A /G 53 128 53 128 67 142 54 129 67 142 54 129 55 130 55 130 53 128 53 128 55 130 54 129 55 130 56 131 56 131 55 130 55 130 57 132 57 132 57 132 67 142 58 133 59 134 59 134 59 134 60 135 60 135 58 133 60 135 58 133 58 133 59 134 58 133 60 135 61 136 67 142 61 136 62 137 62 137 63 138 63 138 63 138 63 138 64 139 64 139 64 139 64 139 64 139 64 139 62 137 64 139 62 137 63 138 63 138 65 140 65 140 65 140 56 131 65 140 66 141 65 140 65 140 53 128 G A /G
* TNV = Three-Note Voicings
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3 5 6 8) Ake Bonothe (1 2Author About
7
Buck Brown plays guitar and keyboards with The Nils Lofgren Band and Robert Lee Castleman as well as performing his own solo act. He has been fortunate to be able to play with these great artists and many others, teach at the National Guitar Workshop, and write numerous instructional books for the National Guitar Workshop and Alfred. As a composer, he has written music for America’s Most Wanted, has won an Emmy Award in Cleveland, a Bronze medal at the New York Film Festival and has been nominated twice for Helen Hayes Awards in Musical Theatre. When he is not on the road, Buck plays and teaches in the Washington D.C. area, is married to the fabulous chanteuse Rebecca Davis, plays with his son Will and their three dogs, bats right, throws right, plays loud.
Introduction To become a better guitar player, it is important to spend some time learning how to play all chords in various places on the guitar. This book will show you the most useful variations and inversions of every major, minor, dominant 7th and altered dominant 7th chord on different sets of strings and in various inversions.
About the Author
The fingerings shown are the easiest, and if you give them a chance you’ll probably come to see why they were chosen. There are even some fingerings that include your thumb! Try them all out and see why they work. They are, however, just suggestions; you can make your own fingering decisions if you like. The most common and useful chord voicings are highlighted and numbered according to their comparative usefulness. Otherwise, the chords are arranged from the lowest positive to the highest, making it easy for you to find the voicing best for the context in which it will be used. This books starts with all the E chords and moves by key through the cycle of 4ths. E A D G C B /A E /D A /G D /C G /F B I hope this helps you get a good handle on chords. At the very least, you can use it as a reference for finding fingerings for any chords you might have to play. See you at the gig. Buck
Chord Name Abbreviations and Reading Chord Diagrams Reading Chord Diagrams
o
aug..........Augmented, often indicated with “+.” dim..........Diminished, often indicated with “ .” maj..........Major. The chord symbol usually has no suffix. For example, “C” is C Major. min..........Minor, often indicated with a lowercase “m.” sus...........Suspended.
Fingerings
3
5
6th string
6 7 (R) R 11 5 7
R = Root
40140 Ultimate Chord Scale Bible.indb 7
Mute this string
Barre
4
Root
For a thorough explanation of how all of the chords in this book are created, see Theory for the Contemporary Guitarist, by Guy Cappuzo (National Guitar Workshop/Alfred #16755).
(0) 3 4 1 1 x
1st string Chord tones
(0) = Optional
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8
E
E 1
Maj
1, 3, 5
2 x 1 3 4 x
0 1 1 2 4 3
0 2 3 1 0 0
5
x x 1 2 4 3
0 4 3 1 2 x
0 4 3 1 2 1
1
1
1
1
3
3
2
2
2
2
4
4
3
3
3
3
5
5
4
4
4
4
6
6
5
5
5
5
7
2
R 5 R 3 5 R
R 5 R 5 R 3
3
0 1 3 3 3 x
x x x 2 3 1
x 1 3 3 3 4
R 5 R
7
R 5 R 3
4
R R 3 5 R
3
4 3 1 1 1 x
1 3 4 2 1 1
R R 3 5 R 3
6
x x 3 2 1 1
7
8
11
11
8
9
12
12
8
9
10
13
13
9
9
10
11
14
14
10
10
11
12
15
6
6
7
7
8
R R 5 R 3
R 3 5
15 R 5 R 3 5 R
R 3 5 R 3
12
R 3 5 R
R 5 R 3 R
sus2
1, 2, 5
3
0 1 2 3 0 0
1
0 1 1 2 4 1
1, 4, 5
no 3rd 1,5
6
1, 3, 5, 6
0 1 3 4 1 1
x x x 3 1 1
0 1 1 1 x x
1
3
6
6
2
2
4
7
7
9
3
3
5
8
8
10
8
4
4
6
9
9
11
5
5
7
10
10
12
1
0 2 3 4 0 0
R 5 R 5 R 2
3
R R 2 5 R
0 1 1 3 4 4
1
6
2
2
3
3
4 5
1
R 2 5
R R 5 R 2 5
0 1 3 3 4 x
1
0 x 1 1 2 4
2 11
7
9
12
8
10
13
4
9
11
14
5
10
12
15
R 5 R 4 5 R
R 5 R 5 R 4
0 1 2 4 0 0
0 1 1 3 4 x
3
R R 5 R 4
R
x 1 3 3 x x
0 1 3 4 0 0
5 R 4 R
R 5 R 4 5 R
2
1
1
6
6
11
2
7
7
12
3
3
8
8
13
4
4
9
9
15
5
5
10
10
1
R 5 R 5 5 R
R 5 R 5 r
0 2 3 1 4 (0)
0 4 2 1 0 0
R 5 R
4
0 1 1 3 1 4
1 3 4 x x x
16 R R 5 R 5 R
3
R 2 5 R
1 2 3 4 1 1
8
2
0 4 2 3 1 x
R 5 R
2
0 1 4 4 4 4
6
0 1 4 2 3 1
1
1
1
4
6
6
2
2
2
5
7
7
3
3
3
6
8
8
4
4
4
7
9
9
5
5
5
8
10
10
5
R 5 R 3 6 (R)
R 6 R 3 5 R
R 5 R 5 6 3
R R 3 6 R
2 x 1 4 3 x
2 4 1 3 x x
x 3 x 2 4 1
1 3 x 2 4 1
R R 5 R 3 6
11 R R 6 R 3 5
10
10
11
11
11
11
12
12
12
12
13
13
13
13
14
14
14
14
15
R
40140 Ultimate Chord Scale Bible.indb 8
2
1
R 5 2 5 5 R
sus4
0 4 1 1 2 x
6 3 5
R 5 6 3
15 5
3 6 R
5
3 6 R
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9 0 x 2 3 0 x
0 2 3 1 4 x
2 x 1 3 4 x
3
x x 1 4 4 4
5
x x 2 4 1 3
0 4 3 1 1 x
1
1
1
1
3
4
2
2
2
2
4
5
3
3
3
3
5
6
4
4
4
4
6
7
5
5 R
R 5 R 3 7
3 x 2 4 1 x
x 1 x 3 4 2
3
1
0 1 3 2 4 1
x 2 x 1 4 3
x x 1 1 1 4
0 1 3 3 3 4
4
6
6
7
8
8
5
7
7
8
9
9
6
8
8
9
10
10
7
9
9
10
11
11
8
10
10
11
12
5
3 7 R
x 2 4 1 3 x
R
4
x x 4 3 2 1
2
1 x 3 4 2 x
6
9
10
11
11
11
12
12
11
12
13
13
12
13
14
14
13
14
15 R 3 5 7
0 2 3 1 4 0
1
0 1 1 3 4 1
7 3 5
0 1 4 2 3 1
R 5 7 3
2
0 2 1 4 3 x
3
0 1 3 2 1 1
5
0 4 3 2 1 x
1
1
1
5
6
7
2
2
2
6
7
8
3
3
3
7
8
9 10
4
4
4
8
9
5
5
5
9
10
R 5 R 5 7 9
R 5 9 3 7 R
R 5 7
15 R
6
3
1 4 2 3 x x
10
3 7 R 5
12 5 R 3 7
R 5 R 3 7
R 5 7 3 5
7 3 5
E
3 7 R 5
R 3 5 7
R 5 7 3
R 5 7
1, 3, 5, 7
8
7
5
5
7 3 5
Maj7
R 3 7 9
6
Maj9
1, 3, 5, 7, 9
11 3 5 7 9
R 5 7 9 5
R 5 3 5 7 9 0 X 1 3 1 4
2 1 4 1 3 x
4
1 2 4 4 4 x
0 1 4 1 2 1
8
10
10
12
9
11
11
13
10
12
12
14
11
13
13
15
12
14
14
R
6
5 9 3 7
R 3 7 9 5
x x 2 1 3 4
0 2 3 1 4 4
16 3 R 9 5 7
5
0 1 1 1 2 x
R 5 9 5 7
3
x x 1 1 2 3
1
0 2 1 1 3 4
4 x 1 3 1 1
1
1
3
5
5
2
2
4
6
6
9
3
3
5
7
7
10
4
4
6
8
8
11
5
5
7
9
9
12
R 3 6 9 0 1 1 1 2 x
6 9 5 R
R 5 R 3 6 9
2
2 1 1 1 3 x
4
3 6 9 5
x x 1 1 2 3
10
10
10
11
11
11
11
12
12
12
12
13
13
13
13
14
14
14 R 3 6 9 5
40140 Ultimate Chord Scale Bible.indb 9
R 3 6 9 5
6/9
1, 3, 5, 6, 9 R
5 9 3 6
2 1 1 1 3 4
10
3 6 9 5
8
14 6 9 5 R
R 3 6 9 5 R
6/19/12 12:41 PM
10 1
add9
E
1, 3, 5, 9
0 2 4 1 0 0
0 3 2 1 4 1
2
x x 1 3 1 4
0 1 2 4 3 1
x x 3 2 1 4
3
1 3 4 2 1 1
1
3
7
8
11
11
2
4
8
9
12
12
3
5
9
10
13
13
4
6
10
11
14
14
5
7
11
12
15
R 5 9 3 5 R
R 3 5 9 3
R 5 9 3 5
15
5 9 3 R
R 3 5 9
16 R 5 4 3 5 R
Maj11
1, 3, 5, 7, 11
1
x x 1 3 3 4
2
0 3 4 1 1 x
1, 3, 5, 7, 13
1, 3, 5, 7, 9, 13
6
6
11
2
4
7
7
12
3
5
8
8
13
4
6
9
9
14
5
7
10
10
R R 11 5 7
0 x 1 2 4 x
x x 1 4 2 3
R R 5 7 11
3
0 4 2 3 1 x
1, 3, 7, 11, 13
1, 3, 5, 7
40140 Ultimate Chord Scale Bible.indb 10
0 1 x 2 4 4
R
1
3
6
11
3
4
7
12
3
4
5
8
13
4
5
6
9
14
5
6
7
10
15
7 3 13
0 x 1 1 2 3
R 13 7 3
3
R R 3 13 7
3 x 4 2 1 1
0 1 1 1 2 3
R R
2
7 3 13
2 1 1 1 3 1
R
1
10
11
6
9
11
12
7
10
12
13
4
8
11
13
14
5
9
12
14
5
2 3
7 3 13 9
R 7 3 13 9 5
0 x 1 2 4 x
x x 1 4 2 3
15 R 3 13 9 5 7
13
3
R
0 4 2 3 1 x
2
0 1 x 2 4 4
1
1 x 2 3 4 x
2
3
6
11
2
3
4
7
12
3
4
5
8
13
4
5
6
9
14
5
6
7
10
15
x x 1 4 2 3
R 13 7 3
1
R R 3 13 7
(0) 4 3 2 1 x
7 3 13 9
7 9 3 13
1
7 3 13
7 3 13
1 x 2 3 4 4
8
1
7 11 5
1 x 2 3 4 x
2
R
Maj7 5
2
7 11 5
2
R
15 R R
1
R
Maj13 11
1 x 3 4 2 x
0 1 x 3 4 2
3
R
Maj13add9
0 1 3 2 4 x
1
R 5 7 11
Maj13
3
(0) 1 4 2 3 x
R R
3
7 3 13
(0) 1 x 2 4 3
R
2
7 3 13
1 x 3 3 3 x
4 3 2 1 x x
1
3
6
6
7
11
2
4
7
7
8
12
3
5
8
8
9
13
4
6
9
9
10
14
5
7
11
15
R 5 7 3
8 (R) R 3 5 7
10 (R) R 5 7 3
10 (R) R
7 3 5
12
R
7 3 5
R 3 5 7
6/19/12 12:41 PM
x x 1 2 4 4
3 x 1 2 4 x
0 2 x 3 4 1
1
0 1 2 3 4 x
3
2 x 3 4 1 x
2
(2) x 4 3 1 1
1
1
5
6
10
10
2
2
6
7
11
11
3
3
7
8
12
12( ) 13
4
4
8
9
13
5
5
9
10
14
R 11 7 3
R 11 7
3
5
10
10
6
11
11
7
12
12
8
13
13
9
14
14
R R 3 7 9 11
x x 4 2 3 0
7 9 11
R
1
4 3 2 1 x x
4
1
1
2
2
2
3
3
3
4
4
4
R 3 5 R
5
x x 4 2 3 1
3 5 R 3
x 3 2 1 1 x
5
2
3
4
4
4
5
5
5
6
6
6
7
7
7
8
3
5 R 3
x R 3
1, 3, 5
5 R 3 5
4 3 2 1 x x
5 R
9
3
5 R 3 5 x x 4 2 3 1
4 3 2 1 x x
8
11
9
9
12
9
10
10
13
10
11
11
14
11
12
12
15
3
5 R 3
13 R 3
40140 Ultimate Chord Scale Bible.indb 11
E
R 3 11 7
Augmented (aug)
8
5
(R)
R 3 7 9 11
8
5 R 3
14
1, 3, 7, 9, 11
7
7 3 11
1, 3, 7, 11
8
x 3 2 1 1 x
x x 4 2 3 1
R
Maj7 11
Maj9 11
x 3 2 1 1 x
1
5
R 11 7 3
2 1 3 1 1 x
2 x 3 1 1 x
0 2 1 4 3 1
7 3 11
R
11
R 3 5 R
5 R
6/19/12 12:41 PM
12
1
min
1, 3, 5
E
2 x 1 3 4 x
0 2 3 0 0 0
1
3
3
3
2
4
4
4
3
3
3
5
5
5
4
4
4
6
6
6
5
5
5
7
7
7
R 5 R 3 5 R
5
3
R 5 R 3
R 5 R
x x x 1 2 3
2
x 1 3 4 2 1
3
R 3 5
R R 3 5 R
x x 3 1 1 x
1 3 4 1 1 1
6
6
11
11
11
4
7
7
12
12
12
5
8
8
13
13
13
6
9
9
14
14
14
7
10
10
15
15
R 3 5
0 2 3 0 4 0
4
R 5 R 3 5
(0) x 1 3 1 2
R 5 R 3 5 R
0 4 3 2 1 x
15
R 3 5
0 2 4 1 3 x
0 2 x 1 4 3
2
1
1
5
5
10
2
2
2
6
6
11
3
3
3
7
7
12
4
4
4
8
8
13
5
5
5
9
9
R 5 6 3
(R)
3 10
11
11
12
12
12
13
13
13
14
14
14 3
6
0 2 0 0 0 0
1
15
14 R
0 2 3 0 4 0
2 x 1 4 3 x
x x 1 4 2 3
0 4 3 2 1 x
4
1
1
1
2
4
2
2
2
2
3
5
3
3
3
3
4
6
4
4
4
4
5
7
5
5
5
5
6
8
R 5 R 3 7 R
3 5
R 5 R 3 6
3 5 R
1
R 5 7 3 5 R
6
1 2 3 1 4 x
11
R 5 6 3
R R 3 5 6
x x 1 3 3 3
10
R 5 6
6 3 5
R R
6
R 3 5 R
2 x 1 3 4 x
1
R 5 R 3 6 R
3 5 R 3
x x 3 1 1 1
3
2 4 1 3 x x
1, 3, 5, 7
x x 3 2 4 1
0 4 2 1 3 x
1
7
min7
x 4 2 1 x x
2
1
1, 3, 5, 6
6
2
3 5 R 5
x x 1 3 4 2
1
x x 2 1 3 4
min6
4
3
R 5 7
R 5 7 3
7
0 2 1 3 4 x
R R 3 7 3
R R 3 5 7 0 3 1 4 1 x
2 x 1 3 1 x
0 1 3 1 2 4
2
0 1 3 1 2 1
0 1 x 2 4 3
0 1 3 1 2 x
4
4
6
6
6
6
5
5
7
7
7
7
6
6
8
8
8
8
7
7
9
9
9
9
8
8
10
10
10
10
5
3 7 R
x x 4 2 3 1
3
R R 3 7 R
R R 5
2 x 3 3 3 x
7 3 7
R R 5
1 3 1 1 4 1
7 3 5
R R 5
7 3
1 3 1 1 x x
1 2 3 1 4 1
x x 1 1 1 1
9
11
11
11
11
11
10
12
12
12
12
12
11
13
13
13
13
13
12
14
14
14
14
14
13
15
15
15
15
14
R
7 3 5
R 5 7 3 7 R
R 5 R 3 7 R
R 5 7 3
7 3 5
R R
15
7 3 5 R
R 3 5 7
40140 Ultimate Chord Scale Bible.indb 12
6/19/12 12:41 PM
1
0 x 1 0 0 x
2
0 2 1 0 0 x
3
0 1 2 0 4 x
0 1 1 3 4 2
(0) 4 2 1 1 x
5
(0) 1 x 3 4 2
1
1
1
1
3
6
2
2
2
2
4
7
3
3
3
3
5
8
4
4
4
4
6
9
5
5
5
5
7
10
R
4 (0)
7
3 5
R 5 7
3 5
x x 2 1 1 x
x x 4 2 3 1
1 4 2 3 x
R 5 R 3 7
R 5 R 5 7 3 1 x 4 2 3 x
6
10
11
11
11
7
11
12
12
12
8
12
13
13
13
9
13
14
14
14
10
14
15
15
x x 1 4 2 3
R 3 5 7
3
0 1 4 1 2 x
7
1
3 5
R
7
15 3 5
1 4 1 1 x x
0 1 x 2 3 4
R 5 7
2
6
6
11
11
2
7
7
12
12
3
8
8
13
13
4
9
9
14
14
5
10
10
15
1
0 1 4 0 0 0
R R 5 7 3
2
0 2 3 0 0 4
7 3 5
R R
3
x x 4 0 0 0
R 5 7 3
(R) R
min75
1, 3, 5, 7
15 R
7 3 5
1 3 4 1 1 1
4 2 1 3 x x
0 1 3 4 2 1
1
6
8
11
2
2
2
7
9
12
3
3
3
8
10
13
4
4
4
9
11
14
5
5
5
10
12
3 5 R
R 5 R 3 5 9
1 2 3 1 1 4
x x 3 1 1 4
9
11
11
12
12
12
13
13
13
14
14
14
15
15
R 3 5 9
1
11
R 5 9 3 5
R 3 5 9
16 R 5 9
16
3 5 R
x x 4 3 1 1
0 1 2 0 3 4
2 x 1 4 1 1
2
0 3 1 2 4 x
0 3 1 2 4 4
1
1
4
4
2
2
2
2
5
5
3
3
3
3
6
6
4
4
4
4
7
7
5
5
5
5
8
8
R 5 R 3 6 9
3 6
0 1 2 3 4 4
3
2 x 1 3 3 4
4
9
10
11
11
12
11
12
13
12
13
14
13
14 R
1
11
2
12
3
13
4
14
R 5 9
15
3 5 9
1 2 3 1 1 4
0 1 3 0 0 4
5
6
3 5 6 9
10
R 3 6 9 5 R
3 5 R
1
1, 3, 5, 9
15
1
R 5 9
minadd9
15 9
0 1 4 0 2 x
3 5 R
x x 4 1 1 1
11
R 5 R 3 5 9
E
3
1
7 3 5
1
R 5 9
1, 3, 5, 7
2 x 3 3 4 x
1
R 5 7 3
minMaj7
1 3 2 1 x x
6
(R) R 5 7 3
(R) R 3 5 7
13
3
R 5 6 9
R 3 6 9
min6/9
1, 3, 5, 6, 9 R 3 6 9 5
x x 2 1 3 4
R 3 6 9
minadd9/11 1, 3, 5, 9, 11
15
3 5 11
16 17 R 5 9
40140 Ultimate Chord Scale Bible.indb 13
3 5 11
6/19/12 12:41 PM
14
min9
1, 3, 5, 7, 9
E
x x 2 0 4 3
0 2 0 0 0 3
0 1 4 0 3 x
1
1
1
1
1
2
2
2
2
2
3
3
3
3
3
3
4
4
4
4
4
4
5
5
5
5
5
R 5 7 3 5 9 0 2 1 3 4 x
R 3 7 9 0 x 1 3 3 3
R 5 9
6
min11
1, 3, 5, 7, 11
40140 Ultimate Chord Scale Bible.indb 14
3 7
R 5 R 3 7 9 0 x 2 4 1 3
R 5 3 5 7 9 3 1 4 2 x x
R
2
4
6
7
9
11
5
5
7
8
10
12
6
6
8
9
11
13
7
7
9
10
12
14
8
8
10
11
13
R R 3 7 9
R
3 7 9 5
R 3 5 7 9 1 2 4 1 3 x
1 2 1 1 4 3
5
11
11
11
11
12
12
12
12
13
13
13
13
14
14
14
14
15
15
15
15
R 5 7 3 5 9
R 5 7 3 7 9
16
0 2 1 0 0 4
1
0 1 4 2 3 1
2
5 9 3 7
R
R 3 7 9
0 x 4 3 2 1
5
4
R
0 2 1 4 3 x
3
1 3 2 1 1 4
0 4 3 2 1 x
x x 2 1 1 4
4
6
11
11
5
7
12
12
3
3
6
8
13
13
4
4
7
9
14
14
5
5
8
10
15
15
0 1 4 1 2 1
3 5 7 9
0 1 1 3 4 1
9
1
R
R R 3 7 9
0 2 1 3 4 1
2
4
4
11
2
5
5
12
3
6
6
13
4
7
7
14
5
8
8
0 1 0 0 0 4
3
R 7 3 7 9 11
0 1 1 1 2 3
R R 3 7 9 11
0 3 1 4 1 1
3 5 7 9
R 5 7
3 5 9
7
15
2
0 2 x 3 4 1
0 1 1 1 2 1
1
1
4
4
6
9
2
2
5
5
7
10
3
3
6
6
8
11
4
4
7
7
9
12
5
5
8
8
10
R 5 R 11 7 3
R R 3 7 R 11
3 5 9
R 11 7 3 5 9
1
R 5 7 3 5 11
1 1 1 1 1 4
1
R 5 3 11 7 9
7 3 5 9
3 7
2
R 5
R 3 7 9
1
3 5 9
3 5 7 9
x x 2 1 4 3
2
2 x 3 3 3 4
15
1
R 5 7
1, 3, 5, 7, 9, 11
0 4 3 1 1 x
R 5 9
min9add11
3
1
1 3 1 1 1 4
1, 3, 5, 7, 9
0 1 4 3 2 1
0 1 2 0 4 3
2
1
min9Maj7
4
R
7 3 11
R R 11 7 3 5
2 x 3 4 1 x
13 R
7 3 11
6/19/12 12:41 PM
15 0 2 0 0 4 0
1
1 4 1 1 x x
0 1 x 2 3 4
2
1 x 3 3 4 x
1 3 1 1 4 (1)
1
6
11
11
11
2
7
12
12
12
3
8
13
13
13
4
9
14
14
14
5
10
15
15
R 5 7 3 13 R
0 2 0 0 3 4
7 3 13
R R
2
16
0 1 1 2 3 4
R
R 13 7 3
0 2 1 3 3 4
1
7 3 13
15
1 x 3 3 4 4
4
4
11
11
2
5
5
12
12
3
6
6
13
13
4
7
7
14
14
5
8
8
15
4
x x 1 3 3 3
R 7 3 13 9 5
9
0 4 2 1 1 x
R
R R 3 7 9 13
x x 1 3 1 2
2
7 3 13 9
0 2 x 3 4 1
1, 3, 5, 7, 13
R 5 7 3 13 (R)
15
1
1, 3, 5, 7, 9, 13 R 5 7 3 13 9
0 1 3 2 4 x
x x 1 3 2 4
1
2
4
5
6
7
2
3
5
6
7
8
3
4
6
7
8
9
4
5
7
8
9
10
6
8
5
R 5 7 3
x x 4 3 2 1
7
3
R R 3 5 7
9
10
10
11
11
11
12
12
12
13
13
13
14
R
7 3 5
3 7 R 5
9
R R
7 3 5
10
R R 5 7 3
11
min7 5
1, 3, 5, 7 5 R 3 7
x x 2 3 1 4
2 x 3 4 1 x
10
14
E
min13add9
1 2 1 1 3 4
1
R 5 7 3 13 9
min13
( )
14
7 3 5 R
R 3 5 7
3
2 x 1 3 4 1
2
0 x 4 2 3 1
x x 1 3 4 2
2 x 1 3 4 x
1
x x 2 3 1 4
0 4 2 1 1 x
1
1
4
4
6
10
2
2
5
5
7
11
3
3
6
6
8
12
4
4
7
7
9
13
5
5
8
8
10
14
3
R 5 7 9
R
40140 Ultimate Chord Scale Bible.indb 15
3 5 7 9
3 7 9 5
5
3 7 9
R 3 5 7 9
min95
1, 3, 5, 7, 9
7 3 5 9
6/19/12 12:41 PM
16
7
E
1, 3, 5, 7
1
0 2 0 1 0 0
0 3 2 4 1 x
x x 2 3 1 4
1
1
1
4
4
2
2
2
5
5
3
3
3
3
6
6
4
4
4
4
7
7
5
5
5
5
8
8
R 5 7 3 5 R
3
R 5 R 3 7 R 0 1 3 1 4 1
R 5 7 3 0 1 x 2 4 3
R 5 7
3
6
R R 3
x x 1 1 1 2
7 R
3
2 x 1 1 1 x
6
6
8
8
7
7
7
9
9
9
8
8
8
10
10
10
8
9
9
9
11
11
11
10
10
10
12
12
12
R R 5 R 3 7 1 3 1 2 1 1
R R 5
5
7 3 5
R
1 3 1 2 4 1
5 R 3 7
7 3 5
x x 3 2 4 1
1 x 2 4 3 x
7
5 R 3
1 3 1 2 x x
11
11
11
11
11
11
12
12
12
12
12
13
13
13
13
13
13
14
14
14
14
14
14
15
15
15
15
15
15
0 2 0 1 0 3
R 5 7 3 7 R
0 2 4 1 3 x
3
R 3 7 R
R
x x 2 1 4 3
7 3 5
R 5 7 3
x 2 1 3 4 x
1
1
1
2
3
5
2
2
2
3
4
6
3
3
3
4
5
7
4
4
4
5
6
8
5
5
5
6
7
9
R 5 7 3 5 9 0 2 1 3 3 3
R 5 9 3 7 0 4 2 1 1 x
6
5
6
6
7
9
7
8
10
8
9
11
9
10
12
R R 3
2
7 9 5
R 3 5
5
9 5 7 3 3 x 4 2 1 x
8
5 9 3 7
R R
7 9 3
x x 3 2 1 4
R 3
4
8
10
9
9
11
10
10
12
11
11
13
12
12
R
7 9 3
14
7 9 3 R
7 9
3 1 4 2 x x
R 3 7 9
7 9
(0) 1 3 2 4 4
x x 1 2 1 4
10
10
11
11
11
12
12
12
13
13
13
14
14
14 (R) 3 7 9 5 R
15
R 3 7 9 5
x x 1 3 1 2
8
11
0 1 3 2 4 x
R 3 7 9
7 3 5 R
0 2 x 3 4 1
x x 2 3 1 4
3 7 R 5 x x 1 2 1 1
12
R 5 7 3 5 R
7 R 5
0 2 3 1 4 x
6
1
40140 Ultimate Chord Scale Bible.indb 16
2
2
4
1, 3, 5, 7, 9
3 x 1 4 2 x
x x 1 3 2 4
1
0 1 3 3 3 4
9
0 2 3 1 4 0
7 3 5 9
6/19/12 12:41 PM
17
1
0 1 1 1 2 1
2
x x 1 1 2 1
3
0 2 x 3 4 1
4
0 1 1 1 1 1
0 1 1 1 2 3
0 x 1 4 2 3
1
1
4
6
8
8
2
2
5
7
9
9
3
3
6
8
10
10
4
4
7
9
11
11
5
5
R 5 R 4 7 9 3 x 4 2 1 x
R 4 7 9
8
x x 3 2 1 4 9
11
10
10
12
11
11
13
12
12
14
13
13
7 9 4
0 2 0 3 0 0
1
15 7 9 4 R
R 5 7 4 5 9
0 1 1 1 2 x
x x 1 3 2 4
10
12
7 9 5
R 9 5 R 4 7
0 1 1 3 2 4
0 2 3 4 1 x
R R 4
12 R
4
2
1
1
1
1
4
6
2
2
2
2
5
7
3
3
3
3
6
8
4
4
4
4
7
9
5
5
5
5
8
10
R 5 7 11 5 R 0 1 3 3 4 4
R 5 R 11 7 x x 1 1 2 3
3
8
11
7
9
12
8
10
13
9
11
14
10
12
0 2 0 1 3 x
5 R 11 7
x x 0 1 3 0
R 5 7 11
R 5 R 5 7 11
R R 11 7 R
15
3
0 1 3 4 2 x
4
0 2 1 3 4 4 5
6
8
2
2
5
6
7
9
3
3
6
7
8
10
4
4
7
8
9
11
5
5
8
9
1 x 2 3 4 x
2
11
11 12
13
13
14
14 R
15
7 11 5
7 3 13 R
R 7 3 13 R
R R 3
7 3 13
10 (R) R
1, 3, 5, 7, 13
12
7 3 13
13
R
7 R 3 13
7 3 13
7 3 13 R
0 2 0 1 3 4
0 1 2 3 4 x
2
0 2 1 3 3 4
3
3 x 4 2 1 1
1
1 x 2 3 4 4
x x 1 3 4 4
1
4
5
8
11
11
2
5
6
9
12
12
3
6
7
10
13
13
4
7
8
11
14
14
5
8
9
12
15
R 5 7 3 13 9
x x 1 3 4 2
12
15
11(7sus4) 1, 5, 7, 11
3 x 4 1 1 1
(0) 1 x 2 4 4
4
1
0 1 3 1 4 1
R 5 7 11 5 R
1
5 9 4 7
R R 5
1
R 5 7 3 13
E
1 3 1 4 1 1
6
R R 5 R 11 7
1, 4, 5, 7, 9
1 2 1 3 1 4
9
R
7 9 4
R R
9sus4
R 7 3 13 9
40140 Ultimate Chord Scale Bible.indb 17
R R 3
7 9 13
R
7 9 3 13
R
15
7 3 13 9
13add9
1, 3, 5, 7, 9, 13
7 3 13 9
6/19/12 12:41 PM
18
13sus4
E
1, 4, 5, 7, 13
0 x 0 3 4 x
6
2 3
7
9
12
8
10
13
4
9
11
14
5
10
12
7 4 13
1, 3, 5, 7
1, 3, 5, 7
79
1 x 2 4 4 4
0 x 1 4 4 4
11
11
12
12
3
8
10
13
13
4
9
11
14
14
5
10
12
15
7 4 13 9
7 9 13
R R 4
3
2 x 3 4 1 x
R
2
7 9 4 13
R
0 2 x 3 4 1
15
7 4 13 9
0 1 2 1 4 x
R
1
7 4 13 9
2 x 3 4 1 x
1 2 1 3 x x
1
4
5
6
10
11
2
5
6
7
11
12
3
6
7
8
12
13
4
7
8
9
13
14
5
8
9
10
14
R 5 7 3
5
3
3
7 R
7 3 5
R R
0 1 2 1 1 x
R R 5 7 3
(0) 1 x 2 4 3
0 1 4 1 3 x
R
1
7 3 5
1 x 2 3 4 x
15
2
3
4
6
6
11
11
4
5
7
7
12
12
5
6
8
8
13
13
6
7
9
9
14
14
7
8
10
15
5 7
0 x 0 3 0 4
R 7 3 5 R
10 (R) R
7 3 5
x x 2 1 4 1
0 2 3 1 4 x
3
R R 5 7 3
R
(0) x 1 3 2 4
7 3 7
x 2 3 1 4 x
1
1
0
2
3
5
2
2
1
3
4
6
3
3
2
4
5
7
4
4
3
5
6
8
5
5
4
6 (R)
7
4
7 3 5 9
(0) x 1 3 2 4
R 5 9 3 7 x 2 3 1 4 x
5
R 3 7 9
9 5 7 3
3 x 4 2 1 x
(0) x 1 3 2 4
7 3 5 9 x 2 3 1 4 x
8
8
9
11
7
9
9
10
12
7
8
10
10
11
13
8
9
11
11
12
14
10
12
12
13
9 5
0 2 3 1 4 4
7 3
0 x 1 2 4 3
(R)
1
5
9 3 7
0 2 1 3 4 x
R
2
7 9 3
1 2 3 4 x x
3 7 9 5
(R)
5
10
10
11
2
6
6
11
11
12
3
7
7
12
12
13
4
8
8
13
13
14
5
9
9
14
14
3
7 9 5
R R 3
7 9
R 3 7 9
R 3 7 9 5
7 9
x 1 3 2 4
7 3 5 9
1 3 1 2 4 4
0 1 3 3 3 x
5
R
0 2 1 3 1 x
15
1
R 5 R 3 7 9
7 3 5 R
6 (0)
6
7 9 5
R R 3
6
3
x x 1 3 4 2
9
5
9 (R)
R 5 7 3
15
1
R
40140 Ultimate Chord Scale Bible.indb 18
3
7 4 13
9
1, 3, 5, 7, 9
1, 3, 5, 7, 9
0 x 4 3 2 1
8
79
2
R
7
2
0 1 1 1 1 4
7 R 4 13
6
R R 3
1
15
7 4 13
2
0 4 3 2 1 x
7 5 (+7)
R R 5
1
x x 1 2 3 4
75
1 x 2 4 4 x
11
R
1
8
0 x 0 1 1 1
1, 5, 7, 9, 13
x x 4 1 2 1
0 1 2 1 4 3
1
R
13add9sus4
2
15
R 5 7 3 7 9
6/19/12 12:41 PM
19
x x 1 2 1 1
1
3 x 4 1 2 x
0 2 1 3 1 1
5
5
0
9
6
6
10
10
7
7
11
11
8
8
12
12
9 3
9
7 9 5
x x 1 3 4 2
R R 3
1
7 9 5
13
R
0 2 1 3 4 1
7 9 5
0 1 3 4 2 x
13
5
10
10
6
6
11
11
7
7
12
12
8
8
13
13
9
9
14
7 9 5
0 x 0 1 1 1
R R 3
3
7 9 5
0 1 3 2 4 x
1
R 3 7 9 5
1, 3, 5, 7, 9
14
795
2 1 3 4 1 x
1, 3, 5, 7, 9 R 3 7 9 5
0 x 1 2 1 4
0 2 1 3 1 4
0 2 3 1 4 x
2
1
4
5
5
9
11
2
5
6
6
10
12
3
6
7
7
11
13
4
7
8
8
12
14
5
8
9
9
13
R
3
7 3 5 9
0 x 0 1 1 4
2
R 7 3 5 7
0 x 4 3 1 1
R R 3
1
7 9 5
R
0 2 1 3 4 4
3
7 9 5
R 3 7 9 5
5
10
11
11
2
3
6
11
12
12
3
4
7
12
13
13
4
5
8
13
14
14
5
6
9
14
15
2
7 3 5 9
0 x 1 3 4 2
R
1
3
5 7 9
R R 3
0 2 1 3 4 1
7 9 5
3 7 9 5
2 1 3 1 1 x
x 2 x 3 4 1
R
3
7 3 5 9
R
2 x 3 1 1 x
9
10
10
10
6
6
10
11
11
11
7
7
11
12
12
12
8
8
12
13
13
13
9
9
13
14
14
7 9 5
0 x 0 1 1 3
R R 3
3
7 9 5
0 1 2 1 4 x
3
1
9 5 7
0 2 1 3 3 4
R 3 7 9 5
0 1 2 1 4 3
R
2
7 9 5
14
1 x 2 3 3 4
4
5
10
11
11
2
5
6
11
12
12
3
6
7
12
13
13
4
7
8
13
14
14
5
8
9
14
15
R
2
7 3 5 9
x x 1 3 3 4
3
R 7 3 5 9
0 2 4 3 1 1
R R 3
1
7 9 5
0 1 2 1 4 x
R 3 7 9 5 R
R
7 3 5 9
6
7
11
10
2
5
7
8
12
11
3
6
8
9
13
12
4
7
9
10
14
13
5
8
10
11
15
R R 5 7 R 11
40140 Ultimate Chord Scale Bible.indb 19
R R 5 7 11
7
5 R 11
R 5 7 11
95
1, 3, 5, 7, 9
7 3 5 9
2 x 3 4 1 x
4
R 5 7 11
R 3 7 9 5
R
1
95
1, 3, 5, 7, 9
15
1 2 1 4 x x
3 x 1 2 4 x
7 3 5 9
0 x 1 3 3 4
1
759
0 1 2 1 1 x
5
3
7 3 5 9
1, 3, 5, 7, 9
15
5
R
0 x 1 3 3 4
2
759 (+79) 1, 3, 5, 7, 9
R
1 x 1 2 3 4
0 1 2 3 4 x
1 x 2 3 4 4
15
1
R
E
R 3 7 9 5
2
5
3
795
0 2 4 1 3 x
115
1, 11, 5, 7
14 R
7 11 5
6/19/12 12:41 PM
20
13 5
E
1, 3, 5, 7, 13
1, 3, 7, 9, 13
13 9
1, 3, 7, 9, 13
1, 3, 5, 7, 9
1, 5, 7, 11
dim
1, 3, 5
2
7
12
3
8
13
4
9
14
5
10
R 5 7 3 13
1
R R 5 7 3 13
15
0 x 1 2 1 4
( )
R 5 7 3 13 R
0 2 1 3 1 4
3
3 x 4 2 1 1
x 2 3 1 4 x
2
4
5
5
8
9
11
5
6
6
9
10
12
6
7
7
10
11
13
7
8
8
11
12
14
8
9
9
12
13
15
R 7 3 13 9
R
0 x 0 1 2 4
3
7 9 13
x x 1 2 3 4
R R 3
2
7 9 13
2 1 3 3 4 x
R
1
7 9 3 13
14
1 x 1 2 3 4
5
10
11
11
2
6
11
12
12
3
7
12
13
13
4
8
13
14
14
5
9
14
15
1
7 3 13 9
3
0 x 1 2 4 3
7 9 13
2 x 1 3 4 x 4
9
5
5
10
6
6
11
7
7
12
8
8
13
1
x x 1 2 1 4
5
2
3
R
7 3 13 9
15
7 9
2 3 1 4 x x
x 2 x 1 4 1
x 2 3 1 4 x
5
5
10
10
6
6
11
11
3
7
7
12
12
4
8
8
13
13
5
9
9
14
10
10
2
x 4 2 1 x x
x x x 4 2 1
R
1
7 11 5
5
7
10
3
6
8
11
4
7
9
12
5
8
10
13
6
9
11
14
R 3 5
7 3 13 9
12
R 3 5
R 5 7 11
14 R
7 11 5
x x 4 2 1 x
4 2 1 x x x
2
R 3 5
7 3 13 9
2 x 1 4 1 x
2
R 5 7 11
R 3 7 9 5
1
R 5 7 11
R
0 1 3 3 3 x
4
3 7 9 5
R 3 7 9 13
3 7 9 13
1 x 1 2 4 3
x x 1 2 3 4
1
7
40140 Ultimate Chord Scale Bible.indb 20
1 2 1 3 4 (x)
11
R
dim11
1
6
R
dim9
0 1 2 1 3 4
1
0 1 3 3 3 x
13 9
0 1 0 2 3 x
R 3 5
6/19/12 12:41 PM
2 x 1 3 1 x
x 2 3 1 4 x
x x 1 3 2 4
x 2 x 1 3 1
x x 4 3 2 1
2 4 1 3 x x
1
2
2
1
1
2
2
3
3
2
2
3
3
4
4
3
3
4
4
5
5
4
4
5
5
3
R 5 7
6
7 3 5 R
6
7
5 R 3
5
R 5 7 3
5
3 7 R 5
dim7 ( 7) 1, 3, 5, 7
6
5
x 2 3 1 4 x
x x 1 3 2 4
x 2 x 1 3 1
4
5
5
4
4
5
6
6
5
5
6
6
7
7
6
6
7
7
8
8
7
7
8
8
9
9
8
5
3
R 5 7 3
7 R
R
7 3 5
3
7 R 5
8
5 R 3 7
x 2 3 1 4 x
x 2 x 1 3 1
x x 1 3 2 4
9
7
8
8
7
7
9
9
8
8
9
9
10
10
9
9
10
10
11
11
10
10
11
11
12
12
11
11
5 R 3
3 7 R 5
3
R 5 7
5 R 3 7
x 2 3 1 4 x
x x 1 3 2 4
x 2 x 1 3 1
7 3 5 R
12 13
10
11
11
10
10
11
12
12
11
11
12
12
13
13
12
12
13
13
14
14
13
13
14
14
15
15
14
14
7 3 5
5 R 3 7
5
3 7 R
7 3 5 R
R 5 7 3
15 16 17
40140 Ultimate Chord Scale Bible.indb 21
R 3 5 7
x x 4 3 2 1
2 4 1 3 x x
11
R
7 R 3 5
8
14 2 x 1 3 1 x
x x 4 3 2 1
2 4 1 3 x x
8
7
7 R 3
10 11
2 x 1 3 1 x
x x 4 3 2 1
2 4 1 3 x x
5
E
7 8
2 x 1 3 1 x
21
3 5 7 R
6/19/12 12:41 PM
22
Three-Note Voicings Maj7
E
0 x 0 1 x x
6
0 x 0 0 x x
x x 2 1 3 x
1
1
1
1
2
2
2
2
3
3
3
3
4
4
4
4
5
5
5
R
7 3
R
x x 2 1 4 x
7 3
7 3
R
x x 2 1 4 x
5 R 3 6 2 x 1 4 x x
x 2 1 3 x x
1
1
4
10
2
2
5
11
3
3
6
12
4
4
7
13
5
5
8
R 3 7
R 3 7 x 2 1 4 x x
R 3 7
14 R
x 1 x 2 3 x
x 2 1 3 x x 5
6
5
6
6
7
6
7
7
8
7
8
8
9
8
9
9
10
R 3
x 1 x 3 4 x
7 3
R
7
x 1 x 2 4 x
9 R 3 6
x x x 2 1 3
x 2 x 1 4 x
6
6
7
5
7
7
8
6
8
8
9
7
9
9
10
8
10
10
11
R
7 3
R
x x x 1 1 4
R 3 7
7 3
x x x 1 1 2
9 R
2 1 3 x x x
8
9
9
9
10
9
10
10
11
10
11
11
12
11
12
12
13
R 3 7
2 1 4 x x x
2 1 3 x x x
8
R 3 7
12 R 3 6 2 1 1 x x x
2 x 3 3 x x
10
10
11
10
11
11
12
11
12
12
13
12
13
13
14
13
14
14
15
R 3 7
R 3 7
1 x 2 3 x x
1 x 2 3 x x
R
11
11
12
12
12
13
13
13
14
14
14
15
15 7 3
R
15 7 3
7 3
14 R 3 6
x x 2 1 4 x
11
R
6 3
x x x 1 1 1
8
R 3 7
6 3
x 2 1 1 x x
5
R 3 7
40140 Ultimate Chord Scale Bible.indb 22
min7
7
0 x 2 3 x x
R 3 7
6/19/12 12:41 PM
23
A 1
x 0 2 3 4 0
2
x 0 1 1 1 4
3
4 3 1 1 1 x
4
1 3 4 2 1 1
5
x x 3 2 1 1
2 x 1 3 4 x
1
1
1
4
4
6
2
2
2
5
5
7
3
3
3
6
6
8
4
4
4
7
7
9
5
5
5
8
8
10
R 5 R 3 5
R 5 R 3 R
x x 1 2 4 3
x 4 3 1 2 x
R 3 5 R 3
R 5 R 3 5 R
R 3 5 R
x 4 3 1 2 1
x 1 3 3 3 x
x 1 3 3 3 4
8
8
11
11
11
9
9
12
12
12
8
10
10
13
13
13
9
11
11
14
14
14
10
12
12
15
15
15
R 5 R 3
R 3 5 R 3
A
R 5 R
x x x 2 3 1
6
R 3 5 R
1, 3, 5 3
7
R 5 R 3
Maj
R 3 5
16 17 R 5 R 3 R
1
x 0 2 3 0 0
2
x 0 1 3 4 x
x (0) 1 2 4 1
x 4 1 1 2 x
x 1 3 4 1 1
x x x 3 1 1
1
1
6
8
11
11
2
2
7
9
12
12
3
3
8
10
13
13
4
4
9
11
14
14
5
5
10
12
15
R 5 R 2 5
1
x 0 2 3 4 (x)
(R) R 5 R 2
R 5 2 5
2
x 0 1 1 2 4
3
R 2 5 R
1 2 3 4 1 1
1
4
6
11
2
2
5
7
12
3
3
6
8
13
4
4
7
9
14
5
5
8
10
1
R 5 R 4 R
x 0 2 3 x x
x 0 1 1 4 4
2
R 5 R 4
1 3 4 x x x
x 1 1 3 4 x
3
4
6
11
2
2
5
7
12
3
3
6
8
13
4
4
7
9
14
5
5
8
10
x 0 4 1 2 0
1
2 4 1 3 x x
5 R 5 R
2
no 3rd
x 1 3 4 x x
1,5
15
R 5 R
x 0 1 1 1 1
1, 4, 5 R 5 R 4
1
R 5 R 5 R
sus4
15
R 5 R 4 5 R
1
R 5 R
R 2 5
x 1 3 3 4 x
1
R 5 R 4 R
R 5 R
2 x 1 4 3 x
x 3 x 2 4 1
3
1
1
3
3
4
5
2
2
4
4
5
6
3
3
5
5
6
7
4
4
6
6
7
8
5
5
7
7
8
R 6 R 3 5
R 5 R 3 6
x (0) 1 3 1 4
x 4 2 3 1 x
R 5 6 3
R
x 1 4 4 4 4
x 1 4 2 3 1
6
9
11
12
7
10
12
13
8
11
13
14
9
12
14
15
10
13
15
(R) R 5 6 3
40140 Ultimate Chord Scale Bible.indb 23
R 3 6 R
1, 2, 5
15 R 5 R 2 5
x x 1 3 4 4
sus2
6 3 5
x 2 3 1 4 x
6
1, 3, 5, 6
9 5
3 6 R
5 R 3 6
16 R 5 R 3 6
R 6 R 3 5
6/19/12 12:41 PM
24 1
Maj7
1, 3, 5, 7
A
x 0 2 1 3 0
2
x 0 1 1 1 4
x 2 x 1 4 3
3
x 0 4 3 2 1
6
1 4 2 3 x x
3
1
1
1
3
4
4
2
2
2
4
5
5
3
3
3
5
6
6
4
4
4
6
7
7
5
5
5
7
8
R 5 7 3 5
R 5 R 3 7
x (0) 1 4 4 4
2 x 1 3 4 x
R 5 7
R R 3 5 7
x 4 3 1 1 x
x x 2 4 1 3
3
8 R 5 7 3
R
3 x 2 4 1 x
x 1 x 3 4 2
6
6
8
9
9
11
7
7
9
10
10
12
8
8
10
11
11
13 14
9
9
11
12
12
10
10
12
13
13
3
R R 5 7 3
4
R 5 7
R 3 5 7
1 x 3 4 2 x
7 3 5
15 5
3 7 R 5
3 7 R
R
7 3 5
x 1 3 3 3 4
x 1 3 2 4 1
11
11
12
12
13
13
14
14 15
15 R 5 7 3 5
16 R 5 R 3 7
1
Maj9
1, 3, 5, 7, 9
x 0 2 1 0 0
2
x 0 1 3 1 4
2 1 4 1 3 x
x 1 4 1 2 1
1 2 4 4 4 x
3
x 0 2 3 0 0
1
1
3
3
4
5
2
2
4
4
5
6
3
3
5
5
6
7
4
4
6
6
7
8
5
5
7
7
8
9
R 3 7 9 5
R 5 9 3 7
R 5 7 9 5
x (0) 1 3 4 1
x (0) 4 2 3 1
4
x 2 1 4 3 x
3 R 9 5 7
R 5 9 5 7
5
x 1 3 2 1 1
6
6
10
11
7
7
11
12
8
8
12
13
9
9
13
14
10
10
14
(R) R 5 7 9
15 R 3 7 9
11
R 7 3 9 5
9
R 5 7 9 5
(R) 3 5 7 9
x 0 1 3 1 1
6/9
1, 3, 5, 6, 9
4 x 1 3 1 1
x 0 1 1 2 3
x 1 1 1 2 x
2
2 1 1 1 3 x
2 1 1 1 3 4
1
1
3
3
3
3
2
2
4
4
4
4
3
3
5
5
5
5
4
4
6
6
6
6
5
5
7
7
7
R 5 9 3 6
4
R
x x 2 1 3 4 5
R 6 9 5 R
5 9 3 6
x 1 1 1 2 x
3
3 6 9 5
x 2 1 1 3 4
10
10
6
9
11
11
7
10
12
12
8
11
13
13
9
12
14 6 9 5 R
7 R 3 6 9 5
R 3 6 9 5 R
x x 1 1 2 3
8
R 3 6 9
40140 Ultimate Chord Scale Bible.indb 24
1
14 R 3 6 9 5
3 6 9 5
6/19/12 12:41 PM
25 1
x 0 1 3 1 0
2
x 0 1 3 1 4
3
x (0) 3 2 1 4
x 1 2 4 3 1
x 3 2 1 4 1
1 3 4 2 1 1
1
1
4
4
8
11
2
2
5
5
9
12
3
3
6
6
10
13
4
4
7
7
11
14
8
12
5
5
8
R 5 9 3 5
R 5 9 3 R
R R 3 5 9
x 0 2 1 4 x
2
1 x 3 4 2 x
3
x x 1 3 3 4
16 R 5 9 3 5
x 3 4 1 1 x
x 1 3 2 4 x
x 1 x 3 4 2
1
4
6
8
11
11
2
5
7
9
12
12
3
6
8
10
13
13
4
7
9
11
14
14
5
8
10
12
15
R 5 7 11
1
x 0 2 1 3 4
R
2
7 11 5
R 5 7 11
1 x 2 3 4 x
x 4 2 3 1 x
R 5 7 11
3
4
6
8
11
2
5
7
9
12
3
6
8
10
13
4
7
9
11
14
5
8
10
12
R
7 3 13
Maj11
1, 3, 5, 7, 11 R
7 11 5
x 1 x 2 4 4
1
R 5 7 3 13
A
15
R 11 5 7
x x 1 4 2 3
1, 3, 5, 9
15 R 3 5 9 3
9 R 5 9 3 5 R
1
add9
Maj13
1, 3, 5, 7, 13
15 R 3 13 7
11
R
7 3 13
R 13 7 3
3
x 0 2 3 1 4
3 x 4 2 1 1
x 0 4 2 1 1
1
1 x 2 3 4 4
2
2 1 1 1 3 1
x 1 1 1 2 3
1
1
1
4
3
10
2
2
2
5
4
11
3
3
3
6
5
12
4
4
4
7
6
13
5
5
5
8
7
6
6
R 13 9 3 7
R 7 9 3 13
2
x 0 1 1 2 3
3
R
3
5
2
4
3
5
4 5
7 3 13 9
x 3 4 2 1 1
1 11
6
9
12
7
10
13
6
8
11
14
7
9
12
15
13 3 11 7
14 R 3 13 9 5 7
8
R
1, 3, 5, 7, 9, 13
7 3 13 9 5
7 9 3 13
x 1 1 1 2 x
2 x 1 3 1 1
1
R 11 7 3 13
R
Maj13add9
11 7 3 13
13
Maj1311
x 1 2 3 4 4
1, 3, 7, 11, 13 R 11 7 3 13
R 11 13 7 3
4 3 2 1 x x
x 0 2 1 1 4
1
1 x 3 3 3 x
x x 1 4 2 3
2
x 4 3 2 1 x
3
1
1
4
6
8
11
2
2
5
7
9
12
3
3
6
8
10
13
4
4
7
9
11
14
5
5
8
10
12
R 3 5 7
40140 Ultimate Chord Scale Bible.indb 25
R 5 R 3 7
R
7 3 5
R 5 7 3
R 3
5 7
x 1 x 2 4 3
Maj75
1, 3, 5, 7
15 R
7 3 5
6/19/12 12:41 PM
26
x 0 1 1 2 x
Maj7 11
1, 3, 7, 11
A
Maj9 11
1, 3, 7, 9, 11
1, 3, 5
1
x 0 4 3 1 1
3
x x 1 2 4 4
x 2 x 3 4 1
x 1 2 3 4 x
1
3
3
6
10
11
4
4
7
11
12
3
5
5
8
12
13
4
6
6
9
13
14
5
7
7
10
14
1
R 11 7 3
7 3 11
R
2 x 3 1 1 x
2 1 3 1 1 x
3
3
10
4
11
5
5
12
6
6
13
7
7
7 9 11
x x 4 2 3 1
R 3 7 9 11
x 3 2 1 1 x
14
1
1
1
1
2
2
2
3
3
3
4
4
4
5
5
5
3
x x 4 2 3 1
x 3 2 1 1 x
2
5
5
6
6
6
7
7
7
8
8
8
9
5 R 3 5
x 3 2 1 1 x
x x 4 2 3 1
9
3
8
9
9
9
10
10
10
11
11
11
12
12
12
13
13
3
5 R 3
R 3
5 R
R
7 3 11
15
R 11 7 3
4 3 2 1 x x
R 3
5
R 11 7 3
R 3 7 9 11
5 5 R 3
4
R 3 5 R
R R 3 11 7
x 2 1 4 3 1
4
5 R 3
40140 Ultimate Chord Scale Bible.indb 26
2 x 3 4 1 x
2
R
Augmented (aug)
2
5 R
4 3 2 1 x x
3 5 R 3
4 3 2 1 x x
5 R 3
5
6/19/12 12:41 PM
27 1
x 0 2 3 1 0
2
1 3 4 1 1 1
6
x x 3 1 1 x
4
x x 3 1 1 1
2 x 1 3 4 x
5
1
4
4
4
6
6
2
5
5
5
7
7
3
6
6
6
8
8
4
7
7
7
9
9
5
8
8
8
10
10
R 5 R 3 5 x 4 2 1 x x
R 5 R 3 5 R x 4 2 1 3 x
R 3 5 x x 2 1 3 4
3
R 3 5 R
8
8
11
11
9
9
9
12
12
10
10
10
13
13
11
11
11
14
14
12
12
12
15
1
x 0 2 3 1 4
2
R 3 5 R
R 5 R 3 5
3 5 R 5
2 x 1 3 4 x
2 4 1 3 x x
3
x (0) 1 3 3 3
3
15
4
R 3 5
1 2 3 1 4 x
x x 1 3 1 2
3
3
3
4
6
4
4
4
5
7
3
5
5
5
6
8
4
6
6
6
7
9
5
7
7
7
8
10
6
3 5
R 5 6
6
10
10
7
11
11
8
12
12
9
13
13
10
14
R 5 6 3
11 12
1
(0) 6
3
3 5 R
R 5 R 3 6
min6
1, 3, 5, 6 R 5 6 3
x 2 x 1 4 3
x 2 4 1 3 x
x 4 3 2 1 x
R 5 R 3
A
2
R
1, 3, 5
R 5 R
1
R 5 R 3 6
min
x x x 3 2 1
x 1 3 4 2 1
8
R 3 5
x x 1 3 4 2
14
6 3 5
R
R 3 5 6
x 0 2 0 1 0
2
x x 4 2 3 1
x 0 2 3 1 4
3
2 x 3 3 3 x
1 3 1 1 x x
41
1
1
2
4
4
4
2
2
3
5
5
5
3
3
4
6
6
6
4
4
5
7
7
7
5
5
6
8
8
R 5
7 3 5
1 2 3 1 4 1
R 5 R 3 7
7
x x 1 1 1 1
R 3 5 7 2 x 1 4 3 x
5
R
7 3 5
8
R 5 7 3
x 4 3 2 1 x
x x 1 4 2 3
4
6
6
7
9
5
5
7
7
8
10
6
6
8
8
9
11
7
7
9
9
10
12
8
8
10
10
11
13
2 x 1 3 1 x
7 3 5 R
3
R 5 7
x 1 3 1 2 x
x 3 1 4 1 x
6
R 5 7 3
12
x 1 3 1 2 1
R 3 5 7
9
9
11
11
11
11
10
12
12
12
12
11
11
13
13
13
13
12
12
14
14
14
14
13
13
15
15
15
3 7 R
40140 Ultimate Chord Scale Bible.indb 27
R 3 7 R
R 5
7 3
R 5
7 3 5
R
7 3 5
1, 3, 5, 7 R 5 7 3 7 R
R 3 7 3
x 1 3 1 2 4
x 1 x 2 4 3
10
5
min7
x 2 1 3 4 x
4
R 5 R 3 7 R
3 1 1 4 1
15
R 5
7 3 7
6/19/12 12:41 PM
28
x 0 2 1 1 x
minMaj7 1, 3, 5, 7
1, 3, 5, 9
4
2
2
4
5
5
5
3
3
5
6
6
6
4
4
6
7
7
7
5
5
7
8
8
R 5 7 3 x x x 1 3 4 2
R 5 R 3 7
4
R 3 5 7
x 4 2 1 1 x
R 7
x 1 4 2 3 x
8
11
11
9
12
12
8
10
13
13
9
11
14
14
10
12
15
R 5 7 3
R 3 5 7
2
2 x 3 3 4 x
3
R 5 7 3
3 5
R
7
8
3 5
R 5 7
15
1 4 1 1 x x
x x 1 4 2 3
x 1 4 1 2 x
1
4
4
6
11
11
2
5
5
7
12
12
3
6
6
8
13
13
4
7
7
9
14
14
5
8
8
10
15
x 0 1 4 0 0
R
2
7 3 5
R 5 7 3
4 2 1 3 x x
x 0 2 4 1 0
3
R 5 7 3
1 3 4 1 1 1
R 5 7 3
1 2 3 1 1 4
x x 3 1 1 4
1
1
4
4
4
2
2
5
5
5
3
3
3
6
6
6
4
4
4
7
7
7
5
5
5
8
8
R 3 5 9
9 R 5 9
x 0 3 1 0 0
x 1 2 4 2 1
x x 4 1 1 1
4
4
11
5
5
12
6
6
13
7
7
14
8
8
15
R R 3 9 5
9
16
1
8
R 5 R 3 5 9
3 5 R
2 x 1 3 3 4
x 1 2 3 4 4
x x 2 1 3 4
2
1
1
3
2
4
4
2
2
4
3
5
5
3
3
5
4
6
6
4
4
6
5
7
7
5
5
7
6
8
R 6 9
4
3 5
R 5 9
2 x 1 3 1 1
x (0) 4 3 1 1
R
3 6
6
3 5 9
6
9
9
7
10
10
8
8
11
11
9
9
12
12
10
10
13 3
R 5 6 9
3 6 9 5 R
x 3 1 2 4 4
x 3 1 2 4 x
7
R 3 6 9
1 2 4 1 3 x
8 9 R 5 9
3
6
(R) 3 5 6 9
R 3 5 9
R 5 9 3 5
3 5 R
x 0 2 4 1 3
7 3 5
R
1
R 5 9 3 5
x 1 x 2 3 4
15
2
R 5 3 9 5
3
7 3 5
R
1
R 5 7 3
x 1 x 3 4 2
7
x 0 3 4 1 0
1, 3, 5, 6, 9
1 3 2 1 x x
4
9
1 x 4 2 3 x
4
4
min6/9
x 0 2 1 1 x
3
1
minadd9
1
1
x 0 3 0 1 x
1, 3, 5, 7
x x 4 2 3 1
6
A
min7 5
2
1
3
x 0 2 3 1 4
R 3 6 9
13
3 6
R 3 6 9 5
1 2 3 1 1 4
minadd9/11
1, 3, 5, 9, 11
4 5 6 7 8 9 10 R 5 9
40140 Ultimate Chord Scale Bible.indb 28
3 5 11
6/19/12 12:41 PM
29 5
3 1 4 2 x x
x 0 2 4 1 3
1
x 0 2 3 0 0
2
2 x 3 3 3 4
1 2 4 1 3 x
x (0) 2 1 4 3
1
2
1
4
4
4
2
3
2
5
5
5
3
4
3
6
6
6
4
5
4
7
7
7
5
6
5
8
8
R 5 9 3 7
R 3 7 9
R 7 3 9 5
7 3 5 9
R
(R) R 3 7 9
1, 3, 5, 7, 9
8 9 R 5 9
1 3 1 1 1 4
1 2 1 1 4 3
3
x 0 4 3 2 1
4
x 2 1 3 4 x
4
6
9
9
5
5
7
10
10
6
6
8
11
11
7
7
9
12
12
8
8
10
13
x 3 2 1 0 x
R 5 7 3 7 9
x x 2 1 1 4
1
R 3 5 7 9
1 3 2 1 1 4
2
R 3 7 9
x 0 4 2 3 1
13
3
(R) 3 7 9 5
x 2 1 4 3 x
x 4 3 2 1 x
4
4
6
9
11
2
5
5
7
10
12
3
6
6
8
11
13
4
7
7
9
12
14
5
8
8
10
13
3 5 7 9
x 0 2 3 1 4
7
3
1 1 1 1 1 4
3 5 9
R 3 5 7 9
x 0 4 1 2 1
x 0 1 3 4 1
R 5 7
3 5 9
2
1
2
4
6
9
9
3
5
7
10
10
4
6
8
11
11
5
7
9
12
12
6
8
10
13
7
R 11 7 3 5 9
R 3 11 7 9
R 3 7 9 11
3 7
A
1
x (0) 1 3 3 3
4
R 5 7 3 5 9
min9
13
R 3 7 9
15
min9Maj7 1, 3, 5, 7, 9
3 5 7 9
x 2 1 3 4 1
min9add11
1, 3, 5, 7, 9, 11 R 3 7 9 11
R 7 3 11 9
1
2 x 3 4 1 x
1 2 1 1 1 4
4
x 3 1 4 1 1
2
x 2 x 3 4 1
3
x (0) 1 1 2 3
x 1 1 1 2 1
2
4
9
9
6
11
3
5
10
10
7
12
4
6
11
11
8
13
5
7
12
12
9
14
6
8
13
13
10
R
7 3 11
9 10
R 3 7 R 11
R
7 3 11
(R) R 11 7 3
15
min11
1, 3, 5, 7, 11 R 11 7 3 5
R 5 7 3 5 11
40140 Ultimate Chord Scale Bible.indb 29
6/19/12 12:41 PM
30 3
min13
1, 3, 5, 7, 13
x 0 2 0 1 3
2
2 x 3 3 4 x
1 3 1 1 4 (1)
1
4
4
2
5
5
3
6
4 5 R 5
7 3 13
x 0 1 1 3 1
1 4 1 1 x x
1
4
4
11
5
5
12
6
6
6
13
7
7
7
7
14
8
8
8
8
R
7 3 13
( )
R 5 7 3 13 (R)
9
R 7 3 13 R
x 1 x 2 3 4
15 R
7 3 13
R 13 7 3
A 1 2 1 1 3 4
min13add9
1, 3, 5, 7, 9, 13
min7 5
1, 3, 5, 7
2 x 3 3 4 4
x 2 1 3 3 4
4
4
9
5
5
10
6
6
11
7
7
12
8
8
R 5 7 3 13 9
R
x 0 2 0 3 x
7 3 13 9
13 14
R 3 7 9 13
x x 4 3 2 1
x (0) 1 3 2 4
1
2 x 3 4 1 x
x (0) 2 3 1 4
4
1
1
2
3
3
6
2
2
3
4
4
7
3
3
4
5
5
8
4
4
5
6
6
9
5
5
6
7
7
10
R 5 7 3
(R) 5 R 3 7
7
R
7 3 5
(R) 7 3 5 R
x x 1 3 3 3
R 5 7 3
R 3 5 7 x 4 2 1 1 x
min9 5
1, 3, 5, 7, 9
40140 Ultimate Chord Scale Bible.indb 30
x 2 x 3 4 1
2
x 1 3 2 4 x
7
9
10
11
8
10
11
12
9
11
12
13
10
12
13
14
11
13
14
12
x (0) 1 3 1 2
3
R 3 5 7
x 3 1 0 0 x
1
(R) 3 7 R 5
R
x 0 2 3 1 4
7 3 5
2 x 1 3 4 1
15
2
R 5 7 3
x 0 4 2 3 1
3
x (0) 1 3 4 2
x 4 2 1 1 x
1
3
6
6
9
11
2
4
7
7
10
12
3
5
8
8
11
13
4
6
9
9
12
14
5
7
10
10
13
3 5 7 9
R 7 3 5 9
3
R 5 7 9
R 3 5 7 9
(R) 3 7 9 5
15
3 5 7 9
6/19/12 12:41 PM
31 1
x 0 2 0 3 0
2
x 0 1 1 1 2
2 x 1 1 1 x
x x 4 3 2 1
x 2 3 1 4 x
1 3 1 2 x x
1
1
1
1
2
4
2
2
2
2
3
5
3
3
3
3
4
6
4
4
4
4
5
7
5
5
5
5
6
8
R 5
7 3 5
1 x 2 4 3 x
R 5 R 3 7
3
7
1 3 1 2 1 1
3 7 R 5
5 R 3
1 3 1 2 4 1
7
R 3 5 7 3 x 1 4 2 x
x x 3 2 4 1
5
4
4
4
6
6
5
5
5
5
7
7
6
6
6
6
8
8
7
7
7
7
9
9
8
8
8
8
10
10
6
7 3 5
R 5 7 3 5 R x x 2 3 1 4
x 3 2 4 1 x
4
R 5 7 3 7 R x 1 3 1 4 1
R 3 7 R
9
9
11
11
11
10
12
12
12
11
11
13
13
13
12
12
14
14
14
13
13
15
15
4
3
7 R
3 x 4 2 1 x
7 R 5
R 5
x (0) 3 2 1 4
7 3 5
R
15
7 3 5
3 1 4 2 x x
x 0 1 3 1 2
2
x 1 3 2 4 x
3
1
1
1
3
2
2
2
4
4
4
3
3
3
5
5
5
4
4
4
6
6
6
5
5
5
7
7
7 9 3
x 0 1 2 1 4
(R) 7 9 3 R x 2 4 1 3 x
5
R 5 9 3 7
R 3 7 9 x 0 2 3 1 4
x (0) 2 1 4 3
3 7 9 5 x 2 x 3 4 1
3
7
1
4
5
5
7
8
10
5
6
6
8
9
11
6
7
7
9
10
12
7
8
8
10
11
13
8
9
9
11
12
R 7 3 5 9
40140 Ultimate Chord Scale Bible.indb 31
5 9 3 7
(R) R 3 7 9
R 9 5 7 3
A
R 5 7 3
R 5 R 3 7
3
R
R 5 7 3
x 1 3 3 3 4
x 1 x 2 4 3
10
R 3
R 5 7
3
1, 3, 5, 7
x x 1 3 2 4
4
R
7
R
x 1 3 2 4 4
9
1, 3, 5, 7, 9 3 7 9 5 R x 2 1 3 3 3
14 7 9 3
R 3
7 9 5
6/19/12 12:41 PM
32 2
9sus4
1, 4, 5, 7, 9
A
1, 5, 7, 11
1 2 1 3 1 4
x 0 3 2 1 4
3
x 0 1 1 2 1
x 2 x 3 4 1
2
4
6
9
2
3
3
5
7
10
3
4
4
6
8
11
4
5
5
7
9
12
5
6
6
8
10
R 5 9 4 7
x 0 2 0 4 0
R
2
R 7 9 4 R
7 9 4
x 0 1 1 2 3
3
7 4 5 9
R R 4 7 9
x 0 1 1 2 x
x 0 1 3 2 4
R 5
1 3 1 4 1 1
13 R
1
4
6
6
9
2
2
5
7
7
10
3
3
6
8
8
11
4
4
7
9
9
12
5
5
8
10
10
7 11 5
R 5 R 11 7
x 0 2 0 3 4
x 0 4 1 1 1
1
R 5 7 11 5 R
1 x 2 3 4 x
3
R R 11 7 x
x 0 1 3 4 2
R R 5 7 11
13
x 1 3 4 2 x
1
4
4
9
10
2
2
5
5
10
11
3
3
6
6
11
12
4
4
7
7
12
13
5
5
8
8
13
R 7 R 3 13
7 3 13
R
7 3 13
0 R 7 3 13 R
R 11 7 R
x 2 1 3 4 4
1
R 5
14
7 3 13 R
7 9 4
x 2 3 4 1 x
1
2
1, 3, 5, 7, 13
3 x 4 2 1 x
2
R 5
13
1
1
1
11(7sus4)
x 0 1 4 2 3
R 3
7 3 13
x 1 x 2 4 4 11 12 13 14 15
R
3
13add9
1, 3, 5, 7, 9, 13
3 x 4 2 1 1
1
1 x 2 3 4 4
x 0 1 3 4 4
x 1 2 3 4 x
2
1
4
4
9
10
2
5
5
10
11
3
6
6
11
12
4
7
7
12
13
5
8
8
13
R
40140 Ultimate Chord Scale Bible.indb 32
7 3 13
7 9 3 13
R
7 3 13 9
R 7 3 13 9
x 2 1 3 3 4
14
7 3 13 9
R 3
7 9 13
6/19/12 12:41 PM
33 x 0 1 0 4 2
x 0 4 1 2 1
1
1 x 2 4 4 x
x 1 2 1 4 3
2
x 0 1 3 4 1
3
x 1 4 3 2 x
1
1
4
11
4
9
2
2
5
12
5
10
3
3
6
13
6
11
4
4
7
14
7
12
5
5
8
15
8
13
R 5
R 7 R 4 13
7 4 13
x 0 0 0 0 2
1
x 0 4 3 2 1
R
2
1 x 2 4 4 4
R 7 4 13 R
x 0 1 4 4 4
x 1 1 1 1 4
R 5
3
7 4 13
7 4 13
1
1
4
4
11
2
2
5
5
12
3
3
6
6
13
4
4
7
7
14
5
5
8
8
R 4
1
R 7 9 4 13
7 9 13
2 x 3 4 1 x
R
1 2 1 3 x x
R 7 4 13 9
7 4 13 9
x (0) 1 2 3 4
2
2 x 3 4 1 x
R 4
7 9 13
x 2 x 3 4 1
x 1 2 1 4 x
6
9
10
11
4
5
7
10
11
12
5
6
8
11
12
13
6
7
9
12
13
14
7
8
10
13
14
7 3 5
x 0 2 0 3 1
1
R 5 7 3
1 x 2 3 4 x
2
R 5 7 3
x (0) 1 3 4 2
5
3
7 R
x 4 3 2 1 x
R
3
7 3 5
15
x 1 2 1 1 x
4
4
7
9
11
2
5
5
8
10
12
3
6
6
9
11
13
4
7
7
10
12
14
5
8
8
11
13
7 3 5
R
7 3 5 R
12 R 3
1
x (0) 1 3 2 4
6
3 x 4 2 1 x
3 2 4 1 x x
7 3
x 2 3 1 4 x
2
x (0) 1 3 2 4
x 2 3 1 4 x
1
2
4
5
2
3
2
3
5
6
3
4
3
4
6
7
4
5
4
5
7
8
5
6
5
6
8
9 3 7
x (0) 2 1 4 1
R 3 7 9 x 2 3 1 4 x
R
3
7 9 3
x (0) 1 3 2 4
5
3 7 9 5 x 2 1 3 1 x
4
(R) 7 3 5 9
5
x (0) 1 3 2 4
8
7
10
10
12
9
8
11
11
13
7
10
9
12
12
14
8
11
10
13
13
15
9
12
11
14
14
3
2 1 3 4 x x
3
7 3 5 9
x 1 3 3 3 x 3
2
9 5 7 3
R 3
1 3 1 2 4 4
4
7 9
x 0 4 2 1 1 7
1
3 7 9 5
x 2 1 3 4 x
16
4
10
10
4
4
5
8
11
5
5
6
9
12
12
6
6
7
10
13
13
7
7
8
11
14
40140 Ultimate Chord Scale Bible.indb 33
3 7 9 5
R 5 7 3 7 9
R 3 5 7 9
R 3
7 9
9 3 7
9 5
11
R 3 7 9
x 2 3 1 4 x
6
7 9
1, 3, 5, 7, 9
9
5
R 3 7 9
7 3 5
5 7
2
75 (+7) 1, 3, 5, 7
R
1
5
R 5 7 3
15 5 R
7 5
1, 3, 5, 7
x 1 x 2 4 3
1
R 5 7 3 5
A
1, 5, 7, 9, 13
4
7 4 13 R
3
R
1, 4, 5, 7, 13
13add9sus4
15
3
13sus4
7 3
x 0 1 2 4 3
79
1, 3, 5, 7, 9
14 R 3
7 9 5
6/19/12 12:41 PM
34
x 2 4 1 3 x
7 95
1, 3, 5, 7, 9
A
7 5 9 (+7 9) 1, 3, 5, 7, 9
1, 3, 5, 7, 9
95
10
10
11
11
4
4
12
12
5
5
13
13
6
6
14
3 7 9 5
R
1, 3, 5, 7, 9
1, 3, 5, 7, 9
11 5
1, 11, 5, 7
7 9 5
x 0 1 3 4 2
14 R 3
1
10
10
11
11
5
5
12
12
6
6
13
13
7
7
14
R 3 7 9 5
x 2 3 1 4 x
1
3 7 9 5
R 3
1 x 2 3 4 4
7 9 5
x 2 1 3 4 1
4
14
7 9 5
R 3
x 1 3 2 4 x
7 9 5
x 0 1 2 1 4
2
2
4
9
10
10
3
5
10
11
11
4
6
11
12
12
5
7
12
13
13
6
8
13
14
3 7 9 5
R
7 3 5 9
2 1 3 3 4 x
7 3
5 9
x (0) 1 3 3 4
R 3
1
7 9 5
x 2 1 3 1 4
14 R 3
1 x 1 2 3 4
7 9 5
x 0 4 3 1 1
2
3
3
4
4
7
10
4
4
5
5
8
11
5
5
6
6
9
12
6
6
7
7
10
13
7
7
8
8
11
3 7 9 5
R 3 7 9 5
x 1 2 1 1 x
2
7 3 5 9
R
2 1 3 1 1 x
7 3 5 9
x 0 1 3 4 2
R 3
1
3
3
10
10
3
4
4
11
11
4
5
5
12
12
5
6
6
13
13
6
7
7
14
9 5 7
2
3 7 9 5
1 x 2 3 3 4
R 3 7 9 5
x 1 2 1 4 x
R 3
1
3
4
9
10
4
5
10
11
5
6
11
12
6
7
12
13
7
8
13
3 7 9 5 R
R
7 3 5 9
2 x 3 4 1 x
7 3 5 9
1 2 1 4 x x
7 9 5
5 7 9
14 R 3
14 R 3
7 9 5
R 3
7 9 5
x 0 1 3 3 4
x 2 4 3 1 1
1
1
3
4
6
9
11
2
4
5
7
10
12
3
5
6
8
11
13
4
6
7
9
12
14
5
7
8
10
13
5 R 11
R
7 11 5
R 5 7 11
7 9 5
x 2 1 3 3 4
14
2
x 2 1 3 4 4
x 2 1 3 4 1
2
7
40140 Ultimate Chord Scale Bible.indb 34
3
3 x 1 2 4 x
R 3
3
x 1 2 1 4 3
95
7 9 5
4
3
x 1 3 4 2 x
2 1 3 4 1 x
x 2 x 3 4 1
x 2 1 3 1 1
2
x 1 2 3 4 x
759
1
3
x 0 1 2 1 1
3
1, 3, 5, 7, 9
2
2
2
795
3 x 4 1 2 x
R R 5 7 11
R 5 7 R 11
15
x 1 2 1 4 x
R 5 7 11
6/19/12 12:41 PM
35 x 0 1 0 3 4
1 2 1 3 4 (1)
1
4
2
5
3
6
13
4
7
14
5
8
1
R 5 7 3 13
3 x 4 2 1 1
135
x 1 2 1 4 4 11
( )
R 5 7 3 13 (R)
x 2 3 1 4 x
1, 3, 5, 7, 13
12
15
2
R 5 7 3 13
1 x 1 2 4 3
x 1 3 3 3 x
3
x 0 1 2 1 4
1
3
4
9
10
10
2
4
5
10
11
11
3
5
6
11
12
12
4
6
7
12
13
13
5
7
8
13
14
7 9 3 13
R
1
2 1 3 3 4 x
2
3 7 9 13
R
1 x 1 2 3 4
7 3 13 9
x x 1 2 3 4
3
3
9
3
4
4
10
4
5
5
11
5
6
6
12
6
7
7
R
x 1 3 3 3 x
7 3 13 9
2 x 1 3 4 x 9
9
3
10
10
4
11
11
5
12
12
6
13
13
1
3 7 9 5
2 3 1 4 x x
2
5
3
7 9
7 3 13 9
13 3
7 9 13
7 9 5
x 2 3 1 4 x
x x 1 2 1 4
x 2 x 1 4 1
6
10
10
7
11
11
5
5
8
12
12
6
6
9
13
13
7
7
10
14
14
4 2 1 x x x
x x 4 2 1 x
2
R 5 7 11
15
x 4 2 1 x x
3
7
10
2
4
8
11
3
5
9
12
4
6
10
13
5
7
11
14
R 3 5
12
R 5 7 11
x x x 4 3 1
1
R 3 5
dim9
1, 3, 5, 7, 9
3
1
7 9 13
4
7 11 5
R 3
1, 3, 7, 9, 13
4
14
3
2 x 1 4 1 x
R
7 9 13
13#9
3
R 5 7 11
1, 3, 7, 9, 13
x x 1 2 4 3
2
R 3
13 9
x x 1 2 3 4
2
R 3 7 9 13
7 3 13 9
A
x 2 1 3 1 4
dim11
1, 5, 7, 11
15 R
7 11 5
dim
1, 3, 5 R 3 5
R 3 5
40140 Ultimate Chord Scale Bible.indb 35
6/19/12 12:41 PM
36
dim7 ( 7) 1, 3, 5, 7
2 x 1 3 1 x
x 2 3 1 4 x
x x 1 3 2 4
x 2 x 1 3 1
x x 4 3 2 1
2 4 1 3 x x
1
1
1
1
1
1
2
2
2
2
2
2
3
3
3
3
3
3
4
4
4
4
4
4
5
5
5
5
5
7
5 R 3
3 7 R 5
3
R 5 7
5 R 3 7
7 3 5 R
5 6 7
A
x 2 3 1 4 x
2 x 1 3 1 x
x 2 x 1 3 1
x x 1 3 2 4
x x 4 3 2 1
2 4 1 3 x x
3
4
4
3
3
4
4
5
5
4
4
5
5
6
6
5
5
6
6
7
7
6
6
7
7
8
8
7
7
R
7 3 5
5 R 3 7
5
3 7 R
7 3 5 R
R 5 7 3
8 9 10
x 2 3 1 4 x
2 x 1 3 1 x
x 2 x 1 3 1
x x 1 3 2 4
6
7
7
6
6
7
8
8
7
7
8
8
9
9
8
8
9
9
10
10
9
9
10
10
11
3
R 5 7
1
7 3 5 R
7
10
5 R 3
10
R 5 7 3
3 7 R 5
3 5 7 R
x x 4 3 2 1
2 4 1 3 x x
7
R 3 5 7
11 12 13
5
x 2 3 1 4 x
2 x 1 3 1 x
x 2 x 1 3 1
10
9
10
10
9
9
10
11
11
10
10
11
11
12
12
11
11
12
12
13
13
12
12
13
13
14
14
13
13
5
3
7 R
R 5 7 3
R
7 3 5
3
7 R 5
5 R 3 7
14 15 16
40140 Ultimate Chord Scale Bible.indb 36
7 R 3
x x 4 3 2 1
2 4 1 3 x x
x x 1 3 2 4
7 R 3 5
6/19/12 12:41 PM
37
Three-Note Voicings Maj7
7
x x x 1 1 4
6
x x x 2 1 4
x x x 1 1 1
1
1
1
1
2
2
2
2
3
3
3
3
4
4
4
4
5
5
5
R 3 7
R 3 7
2 1 4 x x x
2 1 3 x x x
R 3 7
5 R 3 6
2 1 3 x x x
3
2
3
4
4
3
4
5
5
4
5
6
6
5
6
7
7
6
R 3 7
R 3 7
1 x 2 3 x x
1 x 2 3 x x
7
R 3 7
R 3 6
2 x 3 3 x x
2 x 1 4 x x
4
4
4
3
5
5
5
4
6
6
6
5
7
7
7
6
8 R
x x 2 1 4 x
8
R
7 3
7 3
7 3
R
x x 2 1 4 x
7 R
x x 3 1 4 x
5
4
5
6
6
5
6
7
7
6
7
8
8
7
8
9
R 3 7
R 3 7 x 2 1 4 x x
8
x 2 1 3 x x
R 3 7
9 R 3 6 x 2 1 1 x x
x 2 1 3 x x
10
10
9
10
11
11
10
11
12
12
11
12
13
13
12
13
14
14
13
R 3
R 3 7 x 1 x 3 4 x
7
x 1 x 2 4 x
R 3 7
14 R 3 6
x 1 x 2 3 x
x 2 x 1 4 x
11
11
11
10
12
12
12
11
13
13
13
12
14
14
14
13
15
15
15
R
7 3
R
7 3
R
7 3
6 3
x x 2 1 3 x
5
9
A
2 1 1 x x x
3
8
40140 Ultimate Chord Scale Bible.indb 37
min7
x x x 1 1 2
14 R
6 3
6/19/12 12:41 PM
38
D 1
Maj
1, 3, 5
x x 0 1 3 2
2
x 4 3 1 2 1
x 4 3 1 2 x
T x 0 1 3 x
3
x 1 3 3 3 x
x x x 3 4 1
1
1
1
1
4
4
2
2
2
2
5
5
3
3
3
3
6
6
4
4
4
4
7
7
5
5
5
5
8
D
R 5 R 3
R 3 5 R 3
x x 0 3 4 1
x 1 3 3 3 4
3
4
R 5 R
4 3 1 1 1 x
8
R 3 5 R
R 5 R 3
x x 3 2 1 1
x x 0 4 2 3
R 3 5
5
1 3 4 2 1 1
4
4
6
9
9
9
5
5
7
10
10
10
6
6
8
11
11
11
7
7
9
12
12
12
8
8
10
13
13
R R 3 5
R 3 5 R 3
9
13
R 3 5 R
R 3 5 R
x x 0 3 1 1
2 3 4 1 x x
R 5 R 3 5 R
10 R 5 R 3 R
1
sus2
1, 2, 5
x x 0 1 3 0
x 4 1 1 2 x 1
4
4
8
8
2
5
5
9
9
3
3
6
6
10
10
4
4
7
7
11
11
5
5
8
8
12
x x 0 1 3 4
R 2 5 R
2
x 1 3 3 4 x
1 2 3 4 1 1
R 2 5 R
x x 0 3 1 2
x x 1 3 4 4
4
9
9
11
5
5
10
10
12
3
6
6
11
11
13
4
7
7
12
12
14
5
8
8
13
13
x x 0 1 2 4
R R 4 5
R 5 R 4
2
x 1 3 4 x x
x x 0 1 4 4
3
R 4 5 R
1 3 4 x x x
x 1 1 3 4 x
4
6
9
11
2
5
7
10
12
3
6
8
11
13
4
7
9
12
14
5
8
10
13
R 5 R
x x 0 2 0 3
2
x 4 2 3 1 x
3
x 1 4 4 4 4
4
R 5 R 4
15 R 5 R
R R 5 R
15
R 5 R 4 5 R
1
1
1, 3, 5, 6
x x 0 3 4 1
x 1 4 2 3 1
5 R 5 R
5
x x 0 1 1 1
2 4 1 3 x x
1
2
4
4
6
2
3
5
5
7
9
3
4
6
6
8
10
4
5
7
7
9
11
5
6
8
8
10
12
R 3 6 R
R 5 6 3
R 5 R 3 6
x x 0 1 2 3
12 R 5 R 2
4
R 5 R 5
6
R R 2 5
2
1
1,5
3
R 5 R 2 5
1
R 5 R 4
no 3rd
3
2
1
1, 4, 5
x 1 3 4 1 1
1
R 5 R 2
sus4
2
8
R R 3 6
9
R 5 6 3
R 6 R 3 5 x x 0 2 3 1
2 x 1 4 3 x
x 2 3 1 4 x
x x 1 3 1 4
8
9
9
10
11
9
10
10
11
12
10
11
11
12
13
11
12
12
13
14
12
13
13
14
R
40140 Ultimate Chord Scale Bible.indb 38
x 3 x 2 4 1
6 3 5
R 3 6 R
5
3 6 R
15 5 R 3 6
R 5 6 3
6/19/12 12:41 PM
39 1
x x 0 1 1 1
1 x 0 2 3 x
3
x 4 3 1 1 x
x x 2 4 1 3
3 x 2 4 1 x
2 3 1 4 x x
1
1
1
2
2
3
2
2
2
3
3
4
3
3
3
4
4
5
4
4
4
5
5
6
5
5
5 R 5 7 3 x x 0 2 3 1
3
2
x 1 3 2 4 1
6
6
6 R 3 5 7
R 5 7
5
3 7 R 5
5 R 3 7
x 2 x 1 4 3
x x 1 1 1 4
4
4
4
4
6
6
5
5
5
5
7
7
6
6
6
6
8
8
7
7
7
7
9
9
8
8
8
8
10
10
R
R 5 7 3 5
R 7 3 5
7 3 5
3
9
1, 3, 5, 7
7
3 7 R
x 1 3 3 3 4
x 1 x 3 4 2
Maj7
R 5 7
5 R 3 7
D
R 5 R 3 7
5
x x 4 3 2 1
1 4 2 3 x x
4
1 x 3 4 2 x
x 2 3 1 4 4
x x 1 4 4 4
2 x 1 3 4 x
8
9
9
10
11
11
9
10
10
11
12
12
10
11
11
12
13
13
11
12
12
13
14
14
12
13
13
14
15
R 3 5 7
1
x x 0 2 3 0
R
R 5 7 3
2
x 2 1 4 3 x
3
7 3 5
x 1 3 2 1 1
4
15
5 R 3 7 3
R 5 7 3
x x 0 1 3 0
2 1 4 1 3 x
3
x 1 4 1 2 1
1
3
4
5
8
8
2
4
5
6
9
9
3
5
6
7
10
10
4
6
7
8
11
11
5
7
8
9
12
12
R 3 7 9
R 5 7 9
R 5 7 9 5
R 7 3 9
x 2 1 1 3 4
4 x 1 3 1 1
R 5 7
R 3 7 9 5
Maj9
1, 3, 5, 7, 9 3 R 9 5 7
x x 1 3 4 1
1 2 4 4 4 x 9
11
10
12
11
13
12
14
13
15 R 5 7 9
14 R 5 9 5 7
x 1 1 1 2 x
x x 1 1 2 3
1
2
2 1 1 1 3 x
3
1
3
3
6
8
8
2
4
4
7
9
9
3
5
5
8
10
10
4
6
6
9
11
11
5
7
7
10
12
6 9 5 R
3 6 9 5
x 1 1 1 2 x
x x 1 1 2 3
R 3 6 9 5
4
8
8
10
9
9
11
10
10
12
11
11
13
12
12 3 6 9 5
40140 Ultimate Chord Scale Bible.indb 39
R
5 9 3 6
2 1 1 1 3 4
6/9
1, 3, 5, 6, 9
12 R 3 6 9 5
R 3 6 9 5 R
x x 2 1 3 4
14 6 9 5 R
R 3 6 9
6/19/12 12:41 PM
40 1
add9
1, 3, 5, 9
x x 0 1 4 1
x 3 2 1 4 1
2
x 1 2 4 3 1
x x 0 3 1 4
x x 3 2 1 4
3
1
1
4
6
9
9
2
2
5
7
10
10
3
3
6
8
11
11
4
4
7
9
12
12
5
5
8
10
13
R 5 9 3
R 3 5 9 3
13
R 9 3 R
9
R 3 5 9
14
R 5 9 3 5
1
Maj11
D
1, 3, 5, 7, 11
x x 0 1 1 2
2
x 3 4 1 1 x
x 1 3 2 4 x
x 1 x 3 4 2
1 x 3 4 2 x
x x 1 3 3 4
1
4
4
9
11
2
2
5
5
10
12
3
3
6
6
11
13
4
4
7
7
12
14
5
5
8
8
13
R 11 5 7
x x 0 3 1 1
1, 3, 5, 7, 13
R 5 9 3 5 R
1
R 5 7 11
Maj13
3
x 4 2 3 1 x
R 5 7 11
2
x 1 x 2 4 4
R
1
7 11 5
1 x 2 3 4 x
1
4
9
11
2
5
10
12
3
3
6
11
13
4
4
7
12
14
5
5
8
13 R
7 3 13
7 11 5
R 5 7 11
x x 1 4 2 3
2
R 3 13 7
15 R
1
R 13 7 3
1 3 4 2 1 1
15 R
7 3 13
16 R 13 7 3
3 x 4 2 1 1
x 1 1 1 2 3
Maj13add9 1, 3, 5, 7, 9, 13
3
6
4 5
1, 3, 7, 11, 13
1
1 x 2 3 4 4
9
7
9
10
8
10
11
6
9
11
12
7
10
12
13
11 R
Maj13 11
2 1 1 1 3 1
8
7 3 13 9 5
2
x 3 4 2 1 1
1
R 3 13 9 5 7
R
x 1 2 3 4 4
2
2 x 1 3 1 1
x 1 1 1 2 x
1
4
8
10
2
5
9
11
3
6
10
12
4
7
11
13
5
8
12
6
7 3 13 9
7 9 3 13
R 11 7 3 13
R
13 3 11 7
14
11 7 3 13
R 11 13 7 3
Maj7 5
1, 3, 5, 7
x x 0 2 1 1
2
x 4 3 2 1 x
x 1 4 2 3 x
3
4 3 2 1 x x
x 1 x 2 4 3
1
1
1
4
4
5
9
2
2
5
5
6
10
3
3
6
6
7
11
4
4
7
7
8
12
5
5
8
8
9
13
R 5 7 3
R 3
5 7
R 5 7 3
R
7 3 5
10
1 x 3 3 3 x
R
7 3 5
R 3 5 7 x x 1 4 2 3 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 40
R 5 7 3
6/19/12 12:41 PM
41 x x 0 1 2 3
x 2 x 3 4 1
2
x 1 2 3 4 x
2 x 3 4 1 x
(2) x 4 3 1 1
x x 1 2 4 4
1
3
4
2
4
5
9
3
5
6
10
10( )
13
4
6
7
11
11
14
5
7
8
12
12
R 11 7 3
7 3 11
R
x 2 1 4 3 1
2 x 3 1 1 x
3
8
8
9
9
5
10
10
6
11
11
7
12
12
x x 4 2 3 1
R
1
7 9 11
2
2
2
3
3
3
4
4
4
5
5
3
6
5 R 3
x x 4 2 3 1
2
5 R 3 5
R 3
6
6
6
7
7
7
8
8
8
9
9
9
10
10
5 R 3
5
x x 4 2 3 1
R 3
3
3
5 R
9
10
10
11
11
11
12
12
12
13
13
13
14
3 5 R 3
40140 Ultimate Chord Scale Bible.indb 41
12
(R)
R 3 11 7
15
1, 3, 7, 11
R 11 7 3
Maj911
5 R
D
Augmented (aug) 1, 3, 5
5 R 3
x 3 2 1 1 x
4 3 2 1 x x
10
R 3 5 R
9
Maj711
x 3 2 1 1 x
5
7 3 11
11
R 3 7 9 11
6
4 3 2 1 x x
R
8
1, 3, 7, 9, 11
x 3 2 1 1 x
4 3 2 1 x x
1
5
R 11 7 3
2 1 3 1 1 x
4
R 3 7 9 11
8
1
14
5 R 3 5
6/19/12 12:41 PM
42 1
min
1, 3, 5
x x 0 2 3 1
1 x 0 2 3 x
2
1
1
1
1
4
2
2
2
2
5
3
3
3
3
3
6
4
4
4
4
4
7
5
5
5
5
5
R 5 R 3 x x (0) 3 2 1
3
3
R 3 5
R 5 R
1 3 4 1 1 1
x x 3 1 1 x
5
R 3 5 R
x x 3 1 1 1
8
R 5 R 3 5
2 x 1 3 4 x
x x 1 3 4 2
9
9
9
11
11
5
10
10
10
12
12
6
11
11
11
13
13
7
12
12
12
14
14
8
13
13
13
15
(R) R 3 5
min6
1, 3, 5, 6
R 5 R 3 5 R
x x 0 2 0 1
x 4 2 1 0 x
R 3 5
5
x 2 4 1 3 x
R 3 5 R
4
x 1 3 4 2 1
3 5 R 5
4
1
15 3
x 2 x 1 4 3
R 5 R 3
R 5 R
x x 0 2 3 1
2
2 x 1 3 4 x
1
1
3
3
5
8
2
2
4
4
6
9
3
3
5
5
7
10
4
4
6
6
8
11
5
5
7
7
9
R 5 6 3 2 4 1 3 x x
3
8
R 3 5 6 x x 1 3 3 3
R 5 6 3 1 2 3 1 4 x
9
11
9
10
12
10
11
13
11
11
12
14
12
12
13
1
3
6
x x 0 2 1 1
3 5 R
x 4 3 2 1 x
5
R 5 R 3 6
R R 3 6
12 R
15
x 2 1 3 4 x
x 3 1 4 1 x
6
x x 0 2 4 1
2
x 1 3 1 2 1
1
2
2
4
4
2
2
3
3
5
5
3
3
4
4
6
6
4
4
5
5
7
7
5
5
6
6
8
4
R 3 5 7 x 1 3 1 2 4
x 1 x 2 4 3
R 3 7 3
R 3 7 R x x 4 2 3 1
x 1 3 1 2 x
3
R 3 7 5
8
2 x 3 3 3 x
4
4
7
9
9
5
5
5
8
10
10
6
6
6
9
11
11
7
7
7
10
12
12
8
8
8
11
13
7 3 5
x x 1 1 1 1
R 5
7 3 7
1 3 1 1 4 1
R 5
7 3
12
R 3 5 7 2 x 1 4 3 x
1 2 3 1 4 1
9
9
9
11
11
10
10
12
12
11
11
11
13
13
12
12
12
14
14
13
13
13
15
7 3 5 R
R 5 7 3 7 R
R 5 R 3 7 R
3
R 5 7
7 3 5
7 3 5
13
R 5 7 3
x x 1 4 2 3
10
R
R 5
1 3 1 1 x x
4
R
3 5
R 5 6 3
1
R 5 7 3
6
x x 1 3 1 2
8
9
6 3 5
R
10
R 5 6
40140 Ultimate Chord Scale Bible.indb 42
x x 2 1 3 4
2
D
1, 3, 5, 7
x 4 3 1 2 x
x 4 2 1 x x
1
4
min7
6
15
R 5 7 3
6/19/12 12:41 PM
43 4
x x 0 2 3 1
5
x 4 2 1 1 x
2
x 1 4 2 3 x
x x 0 2 3 1
1
x 1 x 3 4 2
x x 4 2 3 1
1
1
4
4
4
8
2
2
5
5
5
9
3
3
6
6
6
10
4
4
7
7
7
11
5
5
8
8
8
R 5 7 3
3
1 3 2 1 x x
R 3 5 7 1 x 4 2 3 x
R 5 7 3
9
9
9
11
10
10
12
11
11
11
13
12
12
12
14
13
13
13
3
x x 0 4 1 1
R
3
7
3 5
x 1 4 1 2 x
7
1
15
7 3 5
R
12
x 1 x 2 3 4
1 4 1 1 x x
D 2
2 x 3 3 4 x
x x 1 4 2 3
4
4
9
9
11
2
5
5
10
10
12
3
6
6
11
11
13
4
7
7
12
12
14
5
8
8
13
13
1
x x 0 3 2 0
R 5 7 3
3
7 3 5
R
R 5 7 3
x x 4 1 1 1
x 1 3 4 2 1
7 3 5
R
x x 3 1 1 4
1 2 3 1 1 4
2
4
9
9
9
9
6
5
10
10
10
10
7
6
11
11
11
11
8
7
12
12
12
12
9
8
13
13
13
9
14
1 x 0 3 0 0
R 5 9 3 5
x x 3 2 0 0
9
2
R 3 5 9
R 5 R 3 5 9
1
x 3 1 2 4 x
x 3 1 2 4 4
5
1
2
2
7
2
2
3
3
8
3
3
3
4
4
9
4
4
4
5
5
10
5
5
5
6
6
11
3
3 5 6 9
2 x 1 3 3 4
1 2 4 1 3 x
4
R 3 5 6 9 x x 2 1 3 4
R 3 6 9
8
9
9
11
11
10
10
12
12
10
11
11
13
13
11
12
12
14
14
12
13
13
15
6
3 5 9
14 R 5 9
1 2 3 1 1 4
3 6
R 3 6 9
15 3
R 5 6 9
3 5 R
min6/9
1, 3, 5, 6, 9
3 6 9 5 R
x x 4 3 1 1
2 x 1 4 1 1
9
R
R 3 6 9 5
x 1 2 3 4 4
1
R 5 6 9
minadd9 1, 3, 5, 9
R 5 9
2
3
1 3 4 1 1 1
14
1
R 5 7 3
13
3 5 R
x 4 2 1 0 0
min75
1, 3, 5, 7
15
5
R R 3 9
R 3 5 7
R 5 7 3
3 5
1
R 5 7 3
1, 3, 5, 7
x x 1 3 4 2
x x 2 1 1 x
10
R 5 7
R 7 3 5
minMaj7
3 5 6 9
minadd9/11 1, 3, 5, 9, 11
9 10 11 12 13 14 15 R 5 9
3 5 11
40140 Ultimate Chord Scale Bible.indb 43
6/19/12 12:41 PM
44
min9
1, 3, 5, 7, 9
x 4 3 2 1 0
7
9
2
3
3
5
8
10
3
4
4
6
9
11
4
5
5
7
10
12
5
6
6
8
11
R 3 5 7 9
4
1, 3, 5, 7, 11
1 2 1 1 4 3
3 7 9 5
R 7 3 9
2 x 3 3 3 4
x x 2 1 4 3
9
9
9
11
10
10
12
11
11
11
11
13
12
12
12
12
14
13
13
13
13
1
R 5 7 3 7 9
13 14
7 3 5 9
R
x 2 1 4 3 x
x 4 3 2 1 x
3
R 3 7 9
x x 0 2 3 0
15
2
3 5 7 9
1 3 2 1 1 4
x x 2 1 1 4
2
4
4
9
9
2
3
5
5
10
10
3
4
6
6
11
11
4
5
7
7
12
12
5
6
8
8
13
13
1
R 3 7 9
x 2 1 3 4 1
R 7
3 5 7 9
2
1 1 1 1 1 4
2
9
11
2
3
10
12
3
4
11
13
4
5
12
14
5
6
13
3 11 7 9
x x 0 0 1 1
2
R 3 7 9 11
x 2 x 3 4 1
4
R 11 7 3 5 9
3 9
R 5 7
3 5 9
7
15
x 3 1 4 1 1
x 1 1 1 2 1
1
1 2 1 1 1 4
2 x 3 4 1 x
2
2
4
7
9
2
3
3
5
8
10
3
4
4
6
9
11
4
5
5
7
10
12
5
6
6
8
11
R
7 3 11
R 3 7 R 11
R 11 7 3 5
R
7 3 11
13 14 15
40140 Ultimate Chord Scale Bible.indb 44
3 5 9
5 3 11 7 9
1
R 11 7 3
x 1 4 1 2 1
1
3 7
1
x x 4 3 2 1
10
R 5 7 3 5 9
R 3 7 9
R 5 9
2
9
3
min11
R 3 7 9
10
x x 3 0 1 0
1, 3, 5, 7, 9, 11
1 2 4 1 3 x
3 1 4 2 x x
x x 0 1 3 0
4
3 5 7 9
min9add11
3
2
x x 3 1 2 0
1, 3, 5, 7, 9
x x 1 3 3 3
2
D
x 2 1 3 4 x
1
1 3 1 1 1 4
min9Maj7
1
R 5 7 3 5 11
6/19/12 12:41 PM
45 1
x 1 x 2 3 4
1 4 1 1 x x
2
2 x 3 3 4 x
1 3 1 1 4 (1)
4
9
9
9
5
10
10
10
6
11
11
11
7
12
12
12
8
13
13
13
R
7 3 13
14
R
7 3 13
min13
1, 3, 5, 7, 13
( )
R 5 7 3 13 (R)
R 13 7 3
2
1 2 1 1 3 4
x 2 1 3 3 4
2 x 3 3 4 4
3
9
9
3
10
10
4
11
11
5
12
12
6
13
13
7
3
R 3 7 9 13
R 5 7 3 13 9
x 4 2 1 1 x
x x 0 1 1 1
min13add9
1, 3, 5, 7, 9, 13
7 3 13 9
R
4
x x 0 2 3 1
x x 1 3 1 2
5
x 2 x 3 4 1
1
1
1
2
3
3
4
2
2
3
4
4
5
3
3
4
5
5
6
4
4
5
6
6
7
5
5
6
7
7
R 5 7 3 x x 1 3 2 4
R 3 5 7
2
2 x 3 4 1 x
3 7 R 5
x x 4 3 2 1
6
R 7 3 5
R
x x 2 3 1 4
8
7
8
11
6
9
8
9
12
7
10
9
10
13
8
11
10
11
14
9
12
11
12
4
R
1 x 0 2 3 0
7 3 5
12
2 x 1 3 4 x
R 3 5 7
x x 1 3 4 2
1
7 3 5 R
7 3 5
15
x 1 3 2 4 0
x 4 2 1 1 x
2
2
4
4
2
3
3
5
5
9
3
4
4
6
6
10
4
5
5
7
7
11
5
6
6
8
8
x x 2 3 1 4
5
3
8
11
9
12
10
13
11
14
12
7 3 5 9
15
3 7 9
3 7 9 5
R 5 7 3 9
R 5 7 3
R 5 7 3
2
R 5 7 9
min75
1, 3, 5, 7
8
1
3
x 1 3 2 4 x
x x 1 3 3 3
5
5 R 3 7
D
2 x 3 4 1 0
8
3 5 7 9
min95
1, 3, 5, 7, 9
12 R
7 3 5
2 x 1 3 4 1
3
40140 Ultimate Chord Scale Bible.indb 45
R 5 7 9
6/19/12 12:41 PM
46 1
7
1, 3, 5, 7
x x 0 2 1 3
2 x 0 3 1 x
1, 3, 5, 7, 9
x 1 3 1 4 1
x 1 x 2 4 3
2
3
4
4
2
3
4
5
5
3
3
4
5
6
6
4
4
5
6
7
7
5
5
6
7
8
R 5 7 3
3
R 5 7
2 x 1 1 1 x
3
7 R 5
x x 1 1 1 2
R 3
7 R
R 5
7 3 5
8
x x 4 3 2 1
x 2 3 1 4 x
6
6
6
7
9
5
7
7
7
8
10
6
8
8
8
9
11
7
9
9
9
10
12
8
10
10
10
11
13
R 5 R 3 7
1 3 1 2 1 1
5
7
5 R 3
1 3 1 2 4 1
5 R 3 7
1 x 2 4 3 x
6
3 7 R 5
12
R 3 5 7 3 x 1 4 2 x
x x 3 2 4 1
9
9
9
9
11
11
10
10
10
12
12
11
11
11
11
13
13
12
12
12
12
14
14
13
13
13
13
15
R 5 7 3 7 R
R
7 3 5
x 2 x 3 4 1
x x 0 3 4 1
3
R 3 7 R
x 3 2 4 1 0
1
3
R 5 7
15
x 2 1 3 3 3
1
1
2
3
4
2
2
2
3
4
5
3
3
3
4
5
6
4
4
4
5
6
7
5
5
5
6
7
4
R 7 9 3 x x 1 3 1 2
3 x 4 2 1 x
R
5
7 9 3
x x 3 2 1 4
2
R 3 7 R 5 x 1 3 2 4 x
R 7 3 9
x 1 3 2 4 4
x x 1 2 1 4
6
6
6
8
8
9
7
7
7
9
9
10
8
8
8
10
10
11
9
9
9
11
11
12
10
12
10 R
10
7 9 3
5 9 3 7
7 9 3 R
3 1 4 2 x x
x 2 4 1 3 x 8
10
11
9
11
12
10
12
13
11
13
14
12
R 3 7 9
3 7 9 5
12
3 7 9 5 R
13
7 3 5 9
x x 2 1 4 3
10
5 9 3 7
R 5 7 3
7 9 5
R 3
6
8
R 5 7 3
x x 0 1 3 0
1
R 5 7 9
7 3 5
x x 1 3 2 4
10
R 5 7 3 5 R
R
1 3 1 2 x x
4
3
40140 Ultimate Chord Scale Bible.indb 46
3
1
2 x 0 3 1 0
x 3 2 4 1 x
2
4
9
2
1
x 1 3 3 3 4
D
x x 2 3 1 4
14
R 3 7 9
6/19/12 12:41 PM
47 3
x 2 x 3 4 1
x x 0 0 1 0
1
x 1 1 1 1 1
2
x x 3 2 1 4
3 x 4 2 1 x
x x 1 1 2 1
1
2
4
7
7
11
2
3
5
8
8
12
3
4
6
9
9
13
4
5
7
10
10
14
5
6
8
11
11
1
R 4 7 9
R
7 9 4
x 2 3 4 1 x
x x 0 2 1 4
R 4
2
7 9 5
R
x 1 3 1 4 1
x 1 3 3 4 4
3
1 3 1 4 1 1
x x 1 3 2 4
2
4
4
9
11
2
3
5
5
10
12
3
4
6
6
11
13
4
5
7
7
12
14
5
6
8
8
13
x 1 3 4 2 x
2
R 11 7 R
x 2 1 3 4 4
7 11 5
R 5 R 11 7
x 1 x 2 4 4
3 x 4 1 1 1
R 5
3
1
R 5 7 11 5 R
15
1 x 2 3 4 x
3
4
6
9
9
3
4
5
7
10
10
4
5
6
8
11
11
5
6
7
9
12
12
6
7
8
10
13
13
7 3 13 R
R 3
x 1 2 3 4 x
7 3 13
x 2 1 3 0 0
R
2
7 3 13
x 2 1 3 3 4
R
3
7 R 3 13
3 x 4 2 1 1
R
1
7 3 13
1 x 2 3 4 4
3
3
6
9
9
4
4
7
10
10
4
5
5
8
11
11
5
6
6
9
12
12
6
7
7
10
13
13
40140 Ultimate Chord Scale Bible.indb 47
R 3
7 13 9
R 3
7 9 13
R
7 9 3 13
R
7 3 13 9
D
R 5 7 11
13
1, 3, 5, 7, 13
x x 1 3 4 4
3
7 3 13 9
1, 5, 7, 11
7 3 13 R
2
11(7sus4)
x x 1 3 4 2
2
R 4 7 9
7 9 4 R
1
R 5 7 11
1, 4, 5, 7, 9
15
7 9 4
9sus4
13add9
1, 3, 5, 7, 9, 13
7 3 13 9
6/19/12 12:41 PM
48
13sus4
1, 4, 5, 7, 13
x 1 2 1 4 3 6
9
5
7
10
6
8
11
7
9
12
8
10
D
1, 3, 5, 7
7 5 (+7)
1, 3, 5, 7
79
1, 3, 5, 7, 9
x x 4 3 2 1
1
1 x 2 4 4 4
x x 1 4 4 4
6
9
9
5
7
10
10
6
6
8
11
11
7
7
9
12
12
8
8
10
13
R 4
7 13 9
2 x 3 4 1 x
3
7 9 13
x 2 x 3 4 1
x 1 2 1 4 x
1
13
R
7 9 4 13
7 4 13 9
7 4 13 9
2 x 3 4 1 x
1 2 1 3 x x
x x 1 2 3 4
2
3
4
8
9
11
3
4
5
9
10
12
4
5
6
10
11
13
5
6
7
11
12
14
6
7
8
12
13
3
7 R
R
x 4 3 2 1 x
7 3 5
x 1 2 1 1 x
R 5 7 3
x 1 4 1 3 x
7 3 5
R
3
x 1 x 2 4 3
R 5 7 3
1
1 x 2 3 4 x
15
2
2
4
4
9
9
2
3
5
5
10
10
3
4
6
6
11
11
4
5
7
7
12
12
5
6
8
8
13
5
5 7
x x 1 3 2 4
7 3 5 R
x 2 3 1 4 x
1
R 5 7 3
x 2 1 3 1 x
7 3 5
R
4
7 3 5
R
x x 1 3 2 4
13
1
3
3
4
6
2
2
4
4
5
7
3
3
5
5
6
8
4
4
6
6
7
9
5
5
7
7
8
10
3
x x 1 3 2 4
6
7 3 5 9
R 3
3 2 4 1 x x
7 9
x 2 3 1 4 x
3
2
7 9 5
9 5
T* x 1 3 2 4
7 3
7
7
9
10
10
8
8
10
11
11
8
9
9
11
12
12
9
10
10
12
13
13
10
11
11
13
14
9 3 7
R 3 7 9
3 7 9 5
R
7 3 5 9
5 9 3 7
7 9 3
x x 2 1 4 1
x 2 3 1 4 x
6
7 3 5 R
R
7
5
3 x 4 2 1 x
x 2 3 1 4 x
1
9 5 7 3
R 5 7 3
x x 1 3 4 2
1
R 3
x 1 1 1 1 4
7 4 13
4
5
2
R
5
2
75
7 R 4 13
4
R 4
13
7 4 13
x 2 3 4 0 0
1, 5, 7, 9, 13
1 x 2 4 4 x
4
R 5
13add9sus4
x x 4 1 2 1
14
R 3 7 9
* T = Thumb
79
1, 3, 5, 7, 9
40140 Ultimate Chord Scale Bible.indb 48
x x 4 2 1 1
1
x 2 1 3 4 x
1
3
2
4
3
5
4
6
5
7
3 5 7 9
3
2 1 3 4 x x
7 9
2
x x 1 2 4 3
1 3 1 2 4 4
8
9
1
9
9
10
2
10
10
11
3
11
11
12
4
12
12
13
8
R 3
x 1 3 3 3 x
R 3 7 9
3 7 9 5
R 5 7 3 7 9
5 3
7 9 5
6/19/12 12:41 PM
49 1
x 2 1 3 1 1
x x 1 2 1 1
2
3 x 4 1 2 x
3
3
7
7
4
4
8
8
5
5
9
9
6
6
10
10
7
7
11
11
R 3
1
7 9 5
3
x 2 1 3 4 1
7 9 5
R
x x 1 3 4 2
7 9 5
x 1 3 4 2 x
2
4
4
9
9
5
5
10
10
6
6
11
11
7
7
12
7 9 5
x 1 3 2 4 x
8
3
2
7 9 5
3 7 9 5
795
8
3
1, 3, 5, 7, 9
2 1 3 4 1 x
3
R 3
795
x 2 4 1 3 x
3 7 9 5
x 2 1 3 1 4
12
x x 1 2 1 4
1, 3, 5, 7, 9
D
R 3 7 9 5
x 2 3 1 4 x
1
2
3
3
7
9
3
4
4
8
10
4
5
5
9
11
5
6
6
10
12
6
7
7
11
7 3
5 9
x x 4 3 1 1
R 3
1
1
3
2
4
3
5
4
6
5
7
3
1
5 7 9
7 9 5
x 2 1 3 4 4
3
2
7 9 5
2 1 3 3 4 x
x 1 2 3 4 x
8
R 3
x 2 1 3 4 1
7 9 5
3 7 9 5
R
9
9
10
10
10
11
11
11
11
12
12
12
12
13
R 3 7 9 5
x 2 x 3 4 1
2
3 7 9 5
R
2 1 3 1 1 x
4
8
9
9
5
5
9
10
10
6
6
10
11
11
7
7
11
12
1
x 2 1 3 3 4 2
4 5 6 7
1
7 9 5
9 5 7
3
x 1 2 1 4 3
2
8
9
3
9
10
4
10
11
5
11
12
6
12
x 1 2 1 4 x
7 3 5 9
x 1 2 3 4 4
3 7 9 5 R
3 x 1 2 4 x
4
4
5
5
5
6
6
7 8
R 5 7 11
8
x 1 2 1 4 x
3
R 3
7 9 5
7 3 5 9
13
R 3 7 9 5
12
1, 3, 5, 7, 9 3 7 9 5
95
1 x 2 3 3 4
1, 3, 5, 7, 9
7 3 5 9
R
2 x 3 4 1 x
3
1 2 1 4 x x
x x 1 3 3 4
9
11
6
9
10
12
7
10
11
13
7
8
11
12
14
8
9
12
13
40140 Ultimate Chord Scale Bible.indb 49
7
5 R 11
7 3 5 9
95
8
R 5 R 11 7
8
13
2
759
1, 3, 5, 7, 9
x 1 2 1 1 x
4
x x 1 3 2 4
10
x x 1 3 4 2
3
1 x 1 2 3 4 9
7
7 9 5
7 3 5 9
9
3
8
3
R 3
1, 3, 5, 7, 9
13
3
759 (+79)
1 x 2 3 4 4
R
7 11 5
R 5 7 11
15
115
1, 11, 5, 7 R 5 7 11
6/19/12 12:42 PM
50
x 1 2 1 4 4
13 5
1, 3, 5, 7, 13
4
9
5
10
6
11
7
12
8
13 9
1, 3, 7, 9, 13
D
1 2 1 3 4 (1)
R 5 7 3 13
x 1 3 3 3 x
13
1
( )
R 5 7 3 13 (R)
x 2 1 3 1 4
x x 1 2 1 4
2
3 x 4 2 1 1
x 2 3 1 4 x
3
2
3
3
6
7
9
3
4
4
7
8
10
4
5
5
8
9
11
5
6
6
9
10
12
6
7
7
10
11
13
7 3 13 9
R 3
7 9 13
3
7 9 13
R
7 9 3 13
12
1 x 1 2 4 3
R
7 3 13 9
3 7 9 13
x x 1 2 3 4
13 9
1, 3, 7, 9, 13
3
1
2 1 3 3 4 x
1, 3, 5, 7, 9
9
4
9
10
10
5
10
11
11
6
11
12
12
7
12
13
7 9 13
x x 1 2 4 3 7
3
8
4
4
9
5
5
10
3
6
7 9
3
x x 0 2 0 4
1, 5, 7, 11
1, 3, 5
40140 Ultimate Chord Scale Bible.indb 50
7 9 5
13
7 3 13 9
11
3 7 9 5
x 2 x 1 4 1
x 2 3 1 4 x
3
2 3 1 4 x x
1
2 x 1 4 1 x
2
1
3
3
8
8
11
2
4
4
9
9
12
3
5
5
10
10
13
4
6
6
11
11
14
5
7
7
12
12
8
8
2
dim
7 3 13 9
x 1 3 3 3 x
2
R
2
5
R 3 7 9 13
3
6
dim11
x x 1 2 3 4
9
2 x 1 3 4 x
dim9
1 x 1 2 3 4
8
3
2
R 5 7 11
x 4 2 1 x x
R 5 7 11
x x x 4 2 1
R
1
7 11 5
3
5
2
4
6
9
3
5
7
10
4
6
8
11
5
7
9
12
R 3 5
10
R
7 11 5
15
R 5 7 11
x x 4 2 1 x
4 2 1 x x x
1
R 3 5
R 5 7 11
x x 1 2 1 4
8
R 3 5
R 3 5
6/19/12 12:42 PM
51
x 2 3 1 4 x
2 x 0 3 0 x
x 2 x 1 3 1
2 4 0 3 x x
x x 0 3 0 4
x x 4 3 2 1
1
1
1
1
1
1
2
2
2
2
2
2
3
3
3
3
3
3
4
4
4
4
4
4
5
5
5
5
5
3
R 5 7
7 3 5 R
7
5 R 3
R 5 7 3
3 7 R 5
1, 3, 5, 7
5 6
5
2 x 1 3 1 x
x 2 3 1 4 x
x 2 x 1 3 1
2 4 1 3 x x
x x 1 3 2 4
2
3
3
2
2
3
4
4
3
3
4
4
5
5
4
4
5
5
6
6
5
5
6
6
7
7
6
6
5
3
R 5 7 3
7 R
R
7 3 5
3
7 R 5
5 R 3 7
x 2 3 1 4 x
x 2 x 1 3 1
6
6
5
6
7
7
6
7
8
8
8
9
9
9
10
10
7
5 R 3
3 7 R 5
7 8
3
R 5 7
9
6
6
7
7
8
8
9
9
10
7 3 5 R
x 2 3 1 4 x
x x 1 3 2 4
x 2 x 1 3 1
2 4 1 3 x x
8
9
9
8
8
9
10
10
9
9
10
10
11
11
10
10
11
12
11
11
12
13
12
12
12
12 R
7 3 5
13
5 R 3 7
5
3 7 R
7 3 5 R
R 5 7 3
13 14 15
x x 1 3 2 4
2 x 1 3 1 x
2 4 1 3 x x
11
11
11
12
12
12
13
13
13
14
14
14
15
15
3
R 5 7
40140 Ultimate Chord Scale Bible.indb 51
R 5 7 3
15
R 3 5 7 x x 4 3 2 1
9
11
7 R 3 5
11 12
2 x 1 3 1 x
x x 4 3 2 1
5
5 R 3 7
D
8
2 4 1 3 x x
x x 1 3 2 4
5
7 R 3
7
9 2 x 1 3 1 x
x x 4 3 2 1
3
dim7 ( 7)
3 5 7 R
3 7 R 5
6/19/12 12:42 PM
52
Three-Note Voicings Maj7
7
x 2 1 4 x x
x 2 1 1 x x
3
3
2
3
4
4
3
4
5
5
4
5
6
6
5
6
7
7
6
R 3
x 1 x 3 4 x
R 3 7
7
7 R 3 6
x 1 x 2 3 x
x 1 x 2 4 x
x 2 x 1 4 x
4
4
4
3
5
5
5
4
6
6
6
5
7
7
7
6
8
8
8
R
7 3
R
x x x 1 1 4
7 3
R
7 3
7 R
x x x 2 1 4
x x x 1 1 2 6
5
6
7
7
6
7
8
8
7
8
9
9
8
9
10
10
9
10
R 3 7
R 3 7
2 1 4 x x x
2 1 3 x x x
R 3 7
R 3 6
2 1 3 x x x
2 1 1 x x x
8
8
7
9
9
8
9
10
10
9
10
11
11
10
11
12
12
11
12
1 x 2 3 x x
R 3 7
8
R 3 7
R 3 6
2 x 3 3 x x
1 x 2 3 x x
2 x 1 4 x x
9
9
9
10
10
10
9
11
11
11
10
12
12
12
11
13
13
13
R
7 3
R
x x 2 1 4 x
8
R
7 3
7 3
12 R
x x 3 1 4 x
x x 2 1 4 x 10
9
10
11
11
10
11
12
12
11
12
13
13
12
13
14
14
13
R 3 7
R 3 7
6 3
x x 2 1 3 x
10
R 3 7
6 3
x x x 1 1 1
6
R 3 7
40140 Ultimate Chord Scale Bible.indb 52
6
x 2 1 3 x x
x 2 1 3 x x
R 3 7
D
min7
14 R 3 6
6/19/12 12:42 PM
53
G 1
3 x 0 0 0 4
2 1 0 0 0 3
2
1 3 4 2 1 1
6
x x 3 2 1 1
2 x 1 3 4 x
5
x x 1 2 4 3
1
1
2
2
4
4
2
2
3
3
5
5
3
3
4
4
6
6
4
4
5
5
7
7
5
6
5 R
4
5 R 3 R
R 3 5 R 3 R
x 4 3 1 2 x
x 4 3 1 2 1
6
8
R 5 R 3 5 R
R 3 5 R
x 1 3 3 3 x
x 1 3 3 3 4
3
R 5 R
R 5 R 3
x x x 2 3 1
4 3 1 1 1 x
6
9
9
9
11
7
7
10
10
10
12
8
8
11
11
11
13
9
9
12
12
12
14
10
10
13
13
13
R 5 R 3
R 3 5 R 3
1, 3, 5
8 3
6
R 3 5 R
Maj
15 R 3 5
14
R 3 5 R 3
15 R 5 R 3 R
2 3 4 1 x x
1
2 x 0 1 3 4
2
x x 1 2 4 1
x 4 1 1 2 x
3
x 1 3 4 1 1
x x x 3 1 1
1
1
4
6
9
9
2
2
5
7
10
10
3
3
6
8
11
11
4
4
7
9
12
12
5
5
8
10
13
13
R
R 5 R 2
1
3 x 0 0 1 4
2
5 2 5 R
R 5 R 2
1 2 3 4 1 1
R 2 5 R
x x 1 3 4 4
2
4
9
11
2
3
5
10
12
3
4
6
11
13
4
5
7
12
14
5
6
8
13
R
1
5 R 4 R
R 5 R 4 5 R
2 x 0 0 3 4
T 3 4 0 1 x
x 1 1 3 4 x
5 R 4 R
3
x 1 3 4 x x
1
1
2
4
9
2
2
3
5
10
3
3
4
6
11
4
4
5
7
12
5
5
6
8
R
1
5 R 5 R
R 5 R R 5
2 4 1 3 x x
no 3rd 1,5
13
R 5 R
3 x 2 0 0 4
3 x 0 0 0 0
1, 4, 5
R 5 R 4
1 3 4 x x x
sus4
15
R 5 R 4
2
R 2 5
x x 1 1 2 4
1
5 R 5 R
2
2 x 1 4 3 x
R 5 R
5
T* 3 4 2 1 0
x 3 x 2 4 1
1
1
1
1
1
2
2
2
2
2
2
3
3
3
3
3
3
4
4
4
4
4
4
5
5
5
5
5
5
R
R
5 R 3 6
6 R 3 R
sus2
1, 2, 5
R 5 R 2 5
x 1 3 3 4 x
G
R
R 5 6 3
6 3 5
6
1, 3, 5, 6
6 R 5 R 3 5 6
5
3 6 R
* T = Thumb x 2 3 1 4 x
x x 1 3 1 4
4
x 1 4 2 3 1
x 4 2 3 1 x
3
3
4
7
9
9
4
5
8
10
10
5
6
9
11
11
6
7
10
12
12
7
8
11
13
13
5 R 3 6
R 5 6 3
R 3 6 R
x 1 4 4 4 4
R 5 R 3 6
14 R 6 R 3 5
40140 Ultimate Chord Scale Bible.indb 53
6/19/12 12:42 PM
54 5
Maj7
1, 3, 5, 7
x x 4 3 2 1
3 x 0 0 0 1
4
2
2
3
3
5
5
3
3
4
4
6
6
4
4
5
5
7
7
5
5
6
6
8
5 R 3 7
R 3 5 7
x 4 3 1 1 x
3 x 2 4 1 x
R
R 5 7 3 x x 2 4 1 3
4
7 3 5
x 1 x 3 4 2
2
R 5 7 3
R 5 7
x 1 3 3 3 4
x 1 3 2 4 1
7
7
9
9
9
7
8
8
10
10
10
8
9
9
11
11
11
9
10
10
12
12
12
10
11
11
13
13
5
3 7 R 5
3 7 R
R
13
7 3 5
R 5 7 3 5
14 R 5 R 3 7
x x 1 1 1 4
11
11
12
12
13
13
14
14 15 R 5 7
2 x 4 1 0 x
5 R 3 7
4
2 1 4 1 3 x
3 x 0 2 0 1
x 1 4 1 2 1
1 2 4 4 4 x
x x 1 3 4 1
1
1
1
1
2
4
2
2
2
2
3
5
3
3
3
3
4
6
4
4
4
4
5
7
5
5
5
5
6
8
R
1
7 9 3
x 2 1 4 3 x
R
R 3 7 9 5
5 9 3 7
3 R 9 5 7
R 5 7 9
7 R 5 9 5 7
2
x 1 3 2 1 1
8
9
9
10
10
11
11
12 13
12 R 3 7 9
3
R 5 7 9 5
3 x 0 2 0 0
3 x 1 2 0 4
2
2 1 1 1 3 x
5
x 1 1 1 2 x
2 1 1 1 3 4
x x 1 1 2 3
1
1
1
1
1
1
2
2
2
2
2
2
3
3
3
3
3
3
4
4
4
4
4
4
5
5
5
5
5
R
4
x x 1 4 4 4
8 3
6
3
5 9 3 6
R
x x 2 1 3 4
6 9 3 R
x 1 1 1 2 x
1
R 3 6 9 5 R
3 6 9 5
x 2 1 1 3 4
x x 1 1 2 3
4 x 1 3 1 1
6
8
8
11
4
7
9
9
12
5
8
10
10
13
6
9
11
11
14
7
10
12
12
6 9 5 R
5
R 3 6 9 5
3
R 3 6 9
40140 Ultimate Chord Scale Bible.indb 54
3
4
3
1, 3, 5, 6, 9
2 x 1 3 4 x
2
15
6/9
1 x 3 4 2 x
2
x 2 x 1 4 3
1, 3, 5, 7, 9
1
1
R 3 5 7
Maj9
1 4 2 3 x x
1
R
G
6
R 3 6 9 5
6 9 5 R
15 3 6 9 5
R
5 9 3 6
6/19/12 12:42 PM
55 1
3 x 0 2 0 4
2
x x 3 2 1 4
1 3 4 2 1 1
x 1 2 4 3 1
x 3 2 1 4 1
x x 1 3 1 4
1
2
2
6
9
11
2
3
3
7
10
12
3
4
4
8
11
13
4
5
5
9
12
14
5
6
6
10
13
15
R
5 9 3 R
R 3 5 9
7
R 3 5 9 3
1 x 3 4 2 x
2
5 9 3 R R 5 9 3 5
x x 1 3 3 4
x 3 4 1 1 x
x 1 3 2 4 x
x 1 x 3 4 2
2
4
6
9
9
3
5
7
10
10
4
6
8
11
11
5
7
9
12
12
6
8
10
13
R
7 11 5
R 5 7 11
1 x 3 0 0 0
3 x 2 0 0 1
1
Maj11
1, 3, 5, 7, 11
13
R 11 5 7
R 5 7 11
1 x 2 3 4 x
x x 1 4 2 3
R
7 11 5
x 4 2 3 1 x
2
1
2
4
6
9
2
2
3
5
7
10
3
3
4
6
8
11
4
4
5
7
9
12
5
5
6
8
10
7 R 3 13
R
13 R 3 7
R
7 3 13
G
x 1 x 2 4 4
1
R
1, 3, 5, 9
14
R 5 9 3 5 R
1
add9
Maj13
1, 3, 5, 7, 13
13 R 3 13 7
9
R
7 3 13
R 13 7 3
2 x 4 1 0 0
1
2 1 1 1 3 1
2
1 x 2 3 4 4
x 1 1 1 2 3
3 x 4 2 1 1
1
1
2
8
11
2
2
3
9
12
3
3
4
10
13
4
4
5
11
14
5
5
6
12
R
7 9 3 13
R 3 13 9 5 7
R
7 3 13 9
1, 3, 5, 7, 9, 13
15 7 3 13 9 5
16 R
2 x 3 4 1 0
2
x 1 1 1 2 x
2 x 1 3 1 1
1
1
3
2
2
3
3
4
4
5
5
R
1
7 3 11 13
1 x 3 3 3 x
R
2
13 3 11 7
x x 1 4 2 3
x 3 4 2 1 1
1
6
9
4
7
10
5
8
11
6
9
12
7
10
13
3
11 7 3 13
11
R 11 13 7 3
x 1 4 2 3 x
x 4 3 2 1 x
Maj13add9
7 9 3 13
Maj1311
x 1 2 3 4 4
1, 3, 7, 11, 13 R 11 7 3 13
4 3 2 1 x x
x 1 x 2 4 3
2
4
6
9
9
10
3
5
7
10
10
11
4
6
8
11
11
12
5
7
9
12
12
13
6
8
10
13
13
R
7 3 5
R 5 7 3
11 R 3
40140 Ultimate Chord Scale Bible.indb 55
5 7
R 5 7 3
R
7 3 5
Maj75
1, 3, 5, 7
14 15
R 3 5 7
6/19/12 12:42 PM
56
2
Maj7 11
1, 3, 7, 11
2 x 3 4 1 x
(2) x 4 3 1 1
4
8
9
5
5
9
10
3
3( )
6
6
10
11
4
4
7
7
11
12
5
5
8
8
12
13
7 3 11
R 3 11 7
(R)
3
2 1 3 1 1 x
1
1 2
9
3
3
10
4
4
11
5
5
1
7 9 11
3 2 1 0 x x
4
R 3 7 9 11
12
1
2
2
3
3
3
4
4
4
5
5
5
2
5 R
3
4 3 2 1 x x
5 R 3
6
x 3 2 1 1 x 3
6
4
4
7
5
5
8
6
6
9
7
7
10
3
4 3 2 1 x x
5 R 3 5
x 3 2 1 1 x 7
10
8
11
9
9
12
10
10
13
11
11
5
R 3
14
5 R
R 3 5 R
5 R 3
x x 4 2 3 1
8
5 R 3
R 11 7 3
R 3 7 9 11
3
7
7 3 11
x x 4 2 3 1
3
3 5 R 3
R
x x 4 2 3 1
x 3 2 0 0 x
2
R 11 7 3
8
1
R 3
R 11 7
x 2 1 4 3 1
2
R
40140 Ultimate Chord Scale Bible.indb 56
x 1 2 3 4 x
4
1, 3, 7, 9, 11
1, 3, 5
x 2 x 3 4 1
1
x x 1 2 4 4
2
Maj9 11
Augmented (aug)
3
2
2 x 3 1 1 x
G
3 x 1 2 4 x
1
R
1
5 R 3
5
6/19/12 12:42 PM
57 x x 3 1 1 x
3
x x 3 1 1 1
1
1 3 4 1 1 1
2 x 1 3 4 x
4
x x 1 3 4 2
x 4 2 1 x x
2
2
2
4
4
6
3
3
3
5
5
7
4
4
4
6
6
8
5
5
5
7
7
9
6
6
6
8
8
10
R 3 5 x 4 2 1 3 x
R 3 5 R x x 2 1 3 4
2
R 5 R 3 5 R
3
x 1 3 4 2 1
6
9
9
7
7
10
10
8
8
11
11
9
9
12
12
10
10
13
2
R 5 R 3 5
3 5 R 5
2 x 0 3 4 0
2 4 1 3 x x
1
2 x 1 3 4 x
R 5 R
R 5 R 3
13
4
x x 1 3 3 3
3
1 2 3 1 4 x
x 4 3 2 1 x
1
1
1
2
4
2
2
2
2
3
5
3
3
3
3
4
6
4
4
4
4
5
7
5
5
5
5
6
5
3 5 6
3
R 5 6
x x 1 3 1 2
R
8
8
5
9
9
6
10
10
7
11
11
8
12
x x 4 2 3 1
R 5 6 3
1 3 1 1 x x
3 5
6
3 5 R
12
2 x 3 3 3 x
3
1 3 1 1 4 1
2
2
2
2
2
3
3
3
3
3
3
4
4
4
4
4
4
5
5
5
5
5
5
6
6
6
6
2 x 1 4 3 x
6
R
7 3 5
x 4 3 2 1 x
x x 1 4 2 3
R 5 7 3 7 R 2 x 1 3 1 x
R 5 R 3 7 R x 3 1 4 1 x
6
4
4
4
5
7
7
7
5
5
6
8
8
8
6
6
7
9
9
9
7
7
8
10
10
10
9
11
8
3
R 5 7
8
R 5 7 3
10
R 3 5 6
x x 1 1 1 1
1 2 3 1 4 1
2
R 5 7 3
G
9 10
1
R 3 5 7
1, 3, 5, 6
6 3 5
R
1
min6
8
R 5 R 3 6
x 2 x 1 4 3
x 2 4 1 3 x
4
R 5 6 3
6
R 3 5
R 3 5
1
R
1, 3, 5
x x x 3 2 1
6
R 3 5 R
min
3 7 R
5
11
R 3 7 R
11
min7
1, 3, 5, 7
7 3 5 R
x 2 1 3 4 x
R 3 7 3
R 3 5 7 x 1 3 1 2 x
2
x 1 3 1 2 1
x 1 3 1 2 4
5
9
9
9
9
10
10
10
10
11
11
11
11
12
12
12
12
13
13
13
R 5
7 3
40140 Ultimate Chord Scale Bible.indb 57
R 5
7 3 5
R 5
7 3 7
x 1 x 2 4 3
13 R
7 3 5
6/19/12 12:42 PM
58 x x 4 2 3 1
minMaj7
1, 3, 5, 7
G
1, 3, 5, 7
1, 3, 5, 9
1, 3, 5, 6, 9
x x 2 1 1 x
x 4 2 1 1 x
x x 1 3 4 2
2
1
4
6
3
2
5
7
3
3
4
3
6
8
4
4
5
4
7
9
5
5
6
5
8
10
R 3 5 7
R
9
9
10
10
11
11
12
12 R 5 7 3
1 4 1 1 x x
3 5
7
R 5 7
7
3
13
2
2 x 3 3 4 x
x x 1 4 2 3
x 1 4 1 2 x
1
x 1 x 2 3 4
2
4
9
9
3
3
5
10
10
4
4
6
11
11
5
5
7
12
12
6
6
8
13
1 3 4 1 1 1
R
2
7 3 5
R 5 7 3
1 2 3 1 1 4
R 5 7 3
x x 3 1 1 4
x x 4 1 1 1
13 R
3
7 3 5
4 2 1 3 x x
x 1 3 4 2 1
2
2
2
2
9
11
3
3
3
3
10
12
4
4
4
4
11
13
5
5
5
5
12
14
6
6
6
6
13
15
R 5 R 3 5 9
7
9
3 5 R
x 1 2 3 4 4
1
2 x 1 3 3 4
3
R 3 5 9
14
3 5 R
1 2 4 1 3 x
2
x x 2 1 3 4
x x 4 3 1 1
2 x 1 4 1 1
1
2
2
4
4
2
2
3
3
5
5
3
3
4
4
6
6
4
4
5
5
7
7
5
5
6
6
8
3 6 9 5 R
R
6
3 5 9
7 R 5 9
x 3 1 2 4 x 7
8
8
9
9
10
10 R 3 6 9
R 3 6 9
8
3
R 5 6 9
3 5 6 9
3 6
x 3 1 2 4 4
7
11
R 3 5 9
R 5 9 3 5
1
R 3 5 7
7 3 5
R
2
R 5 7 3
R 5 7 3
3 5
x 1 x 3 4 2
x 1 4 2 3 x
R 5 9
2
1
7
min6/9
1 3 2 1 x x
2
1
minadd9
3
2
13
min7 5
1 x 4 2 3 x
1
4
1
11
R 3 6 9 5
1 2 3 1 1 4
minadd9/11 1, 3, 5, 9, 11
2 3 4 5 6 7 8 R 5 9
40140 Ultimate Chord Scale Bible.indb 58
3 5 11
6/19/12 12:42 PM
59 3 1 4 2 x x
1
2 x 3 3 3 4
2
1 3 1 1 1 4
1 2 1 1 4 3
x x 2 1 4 3
1 2 4 1 3 x
1
2
2
2
2
2
2
3
3
3
3
3
3
4
4
4
4
4
4
5
5
5
5
5
5
6
6
6
6
6
4
R 3 7 9 x x 4 3 2 1
R
3
7 3 5 9
R 5 7 3 5 9 x x 1 3 3 3
x 4 3 1 1 x
4
7
7
9
8
8
10
6
9
9
11
7
10
10
12
8
11
11
1
3 5 7 9
1 3 2 1 1 4
7 R 5 9
x 2 1 3 4 x
5
R 5 7 3 7 9
R 3 7 9
x x 2 1 1 4
2
3 7 9 5
13
3 5
x x 4 2 3 1
x 2 1 4 3 x 7
9
3
3
5
8
10
4
4
6
9
11
5
5
7
10
12
6
6
8
11
2
1 1 1 1 1 4
3 5 9
x 1 4 1 2 1
1
2
4
7
3
5
8
4
6
9
5
7
10
6
8
11
1
R 11 7 3 5 9
2 x 3 4 1 x
5 3 11 7 9
3 5 7 9
R 3 7 9
13
min9Maj7 1, 3, 5, 7, 9
3 5 7 9
min9add11
1, 3, 5, 7, 9, 11 R 3 7 9 11
2
x 2 x 3 4 1
3
x 3 1 4 1 1
x 1 1 1 2 1
1
2
4
7
7
9
2
3
5
8
8
10
3
4
6
9
9
11
4
5
7
10
10
12
5
6
8
11
11
13
R
7 3 11
7 8
G
x 2 1 3 4 1
x x 1 1 2 3
1 2 1 1 1 4
3 7
x 4 3 2 1 x
4
R 3 7 9
7 9
2
7
1, 3, 5, 7, 9
2
R 5 7 3 5 9
min9
R 11 7 3
R
7 3 11
R 3 7 R 11
min11
1, 3, 5, 7, 11 R 11 7 3 5
R 5 7 3 5 11
40140 Ultimate Chord Scale Bible.indb 59
6/19/12 12:42 PM
60 2
min13
1, 3, 5, 7, 13
2 x 3 3 4 x
1 3 1 1 4 (1)
1 4 1 1 x x
1
x 1 x 2 3 4
2
2
2
3
3
3
4
4
4
11
5
5
5
12
6
6
6
7 3 13
R
7
9 ( )
R 5 7 3 13 (R)
10
13
7 3 13
R
R 13 7 3
2 x 3 3 4 4
min13add9
1, 3, 5, 7, 9, 13
7
3
3
8
4
4
9
5
5
10
7 3 13 9
x x 4 3 2 1
1, 3, 5, 7
1, 3, 5, 7, 9
40140 Ultimate Chord Scale Bible.indb 60
2 x 3 4 1 x
R 3 7 9 13
x x 2 3 1 4
4
x x 1 3 3 3
x 4 2 1 1 x
x x 1 3 1 2
1
1
4
5
7
2
2
5
6
8
3
3
3
6
7
9
4
4
4
7
8
10
9
11
5
R 3 5 7 x 2 x 3 4 1
R
2
7 3 5
5
9
10
9
10
11
10
11
12
11
12
13
12
13
1
7 3 5
x x 2 3 1 4
2
R 5 7 3
7 3 5 R
8
R 5 7 3
10
x x 1 3 2 4
x 1 3 2 4 x
8
R
1
11 12
2
3
min9 5
R 5 7 3 13 9
1
5
6
R
min7 5
x 2 1 3 3 4
2
6
G
1 2 1 1 3 4
2
14
2 x 1 3 4 1
3 7 R 5
R 3 5 7
5 R 3 7
x x 4 2 3 1
2 x 1 3 4 x
x x 1 3 4 2
x 4 2 1 1 x
1
4
4
7
7
9
2
5
5
8
8
10
3
6
6
9
9
11
4
7
7
10
10
12
5
8
8
11
11
13
7 3 5 9
3
R 5 7 9
3 5 7 9
5
3 7 9
3 7 9 5
3 5 7 9
6/19/12 12:42 PM
61 1 x 0 0 0 x
x x 0 0 0 1
1
3 2 0 0 0 1
x x 4 3 2 1
x 2 x 0 4 1
3 x 4 0 0 x
1
1
1
1
1
1
2
2
2
2
2
2
3
3
3
3
3
3
4
4
4
4
4
4
5
5
5
5
5
7
5 R 3
5 R 3
2 x 3 0 0 4
7
1 3 1 2 x x
R 3 5 R 3 7
2
1 3 1 2 1 1
3
31
R 5
R 3 5 7
7
3 1 2 4 1
1 x 2 4 3 x
6
2
2
2
2
2
3
3
3
3
3
3
4
4
4
4
4
4
5
5
5
5
5
5
6
6
6
6
7 R 3 R
R 5 7 3 x x 1 3 2 4
3 x 1 4 2 x
5
R 5 7 3 5 R
R 5 7 3 7 R x x 2 3 1 4
x 3 2 4 1 x
7 3 5
R
x 1 x 2 4 3
4
4
4
7
7
9
9
5
8
8
10
10
6
6
9
9
11
11
7
7
10
10
12
12
8
8
11
11
13
R 5 7
x 1 3 3 3 4
R 5 7 3
R 3
2 x 1 1 1 x
3
7 R
9
11
11
11
12
12
12
11
13
13
13
12
14
14
14
13
15
15
4
7
3 x 0 2 0 1
5 R 3 7
5 R 3
x 2 x 3 4 1
3
7 R 5
15
3 1 4 2 x x
3 x 4 2 0 x
6
2 x 3 1 0 4
2
1
1
1
1
1
2
2
2
2
2
3
3
3
3
3
3
4
4
4
4
4
4
5
5
5
5
5
9 5 7
3
x 1 3 2 4 4
R
x x 1 2 1 4
7 9 3
x 2 4 1 3 x
5
R 3 7 9
R
5 7 9 3 R
x x 2 3 1 4
x x 2 1 4 3
2
3
3
5
6
2
3
4
4
6
7
3
4
5
5
7
8
4
5
6
6
8
9
5
6
7
7
9
10
1
7 3 5 9
x 2 1 3 3 3
5 9 3 7
8
11
11
11
9
12
12
12
10
13
13
13
11
14
14
14
12
15
15
R 3
7 9 5
R
40140 Ultimate Chord Scale Bible.indb 61
7 9 3
5 9 3 7
R 3 7 9
9 5 7 3
x 1 3 2 4 x
9
1, 3, 5, 7, 9 3 7 9 5
R
7 9 3
x x 3 2 1 4
x x 1 3 1 2
3 x 4 2 1 x
G 7 3 5
x 2 x 3 4 1
1
3 7 9 5 R
3 7 R 5
1
5 9 3 7
x 1 3 1 4 1
R 5
7 3 5
2
R
R 3 7 R
13
R
x x 3 2 4 1
x 2 3 1 4 x
x x 1 1 1 2
10
R 5 R 3 7
7 R 3
6
5
3
R
2
1, 3, 5, 7
5
1
R
7
15
7 9 3 R
6/19/12 12:42 PM
62 3
9sus4
1, 4, 5, 7, 9
3 x 0 2 1 1
1, 5, 7, 11
4
7
9
5
8
10
3
3
3
6
9
11
4
4
4
7
10
12
5
5
5
8
11
5 9 4
7
3 x 0 0 1 1
2
7 9 4 R
1 3 1 4 1 1
R 4 7 9
x 1 1 1 2 x
R
4
13 7 9 4
R 4
x x 1 3 2 4
1
2
4
4
7
2
3
5
5
8
3
3
4
6
6
9
4
4
5
7
7
10
7 R 11
5 R
3
5 R 11 7
6
9
9
11
10
12
11
11
13
12
12
14
13
13
R 5 R 11 7
7 11 5
3 x 4 0 0 0
2
1 x 2 3 4 x
8
5 R 11 7
8
R 5 7 11
11
15
3
x x 1 3 4 2
x 1 3 4 2 x
x 2 1 3 4 4
x 1 x 2 4 4
1
2
2
7
8
9
3
3
8
9
10
3
4
4
9
10
11
4
5
5
10
11
12
5
6
6
11
12
13
R
7 R 3 13
3 x 4 1 0 0
2
7 3 13
7 3 13 R
1 x 2 3 4 4
x x 1 3 4 4
2
2
7
2
3
3
3
4
4
4
5
5
6
7 9 3 13
R
7 3 13 9
7 3 13 R
x 1 2 3 4 x
1
R
R 11 7 R
5 R 11 7
2
7 9 5
x x 1 1 2 3
x 1 3 3 4 4
10
R 5 7 11 5 R
x 2 3 4 1 x
2
1
40140 Ultimate Chord Scale Bible.indb 62
7 9 4
1
R
1, 3, 5, 7, 9, 13
R
3 x 4 0 1 x
1
13add9
x 1 1 1 1 1
2
R 5
1, 3, 5, 7, 13
x 2 x 3 4 1
1
x 1 3 1 4 1
2
2
R
13
x x 1 1 2 1
1
5
G
x x 3 2 1 4
2
1
3 x 4 2 1 x
1
R
11(7sus4)
1
R 3
3
7 3 13
R
x 2 1 3 3 4
3 x 4 2 1 1
8
11
8
9
12
9
10
13
5
10
11
14
6
11
12
7 3 13 9
7 3 13 9
R 3
7 9 13
7 3 13
15 R
7 9 3 13
6/19/12 12:42 PM
63 1
3 x 4 0 1 0
2
x 1 2 1 4 3
x x 4 1 2 1
1
2
9
11
2
3
10
12
3
4
11
13
4
5
12
14
5
6
13
R
1
1 x 2 4 4 x
7 R 4 13
3 x 4 2 1 0
R
2
7 4 13
1 x 2 4 4 4
1, 4, 5, 7, 13
15
R 5
13sus4
7 4 13
7 R 4 13
x x 1 4 4 4
x 1 1 1 1 4
x x 4 3 2 1
1
2
2
9
11
2
3
3
10
12
3
4
4
11
13
4
5
5
12
14
5
6
6
13
R
1
7 9 4 13
R
2 x 3 4 1 x
7 4 13 9
7 4 13 9
1 2 1 3 x x
x x 1 2 3 4
R 4
2
13add9sus4 1, 5, 7, 9, 13
15
7 9 13
2 x 3 4 1 x
7 9 4 13
3
x 2 x 3 4 1
x 1 2 1 4 x
1
2
4
7
8
9
2
3
5
8
9
10
3
4
6
9
10
11
4
5
7
10
11
12
5
6
8
11
12
7 3 5
R
1
R 5 7 3
2
1 x 2 3 4 x
R 5 7 3
3
x x 1 3 4 2
5
3
7 R
x 1 2 1 1 x
x 4 3 2 1 x
7 3 5
R
13
x 1 4 1 3 x
x 1 x 2 4 3
7
9
9
3
3
6
8
10
10
4
4
7
9
11
11
5
5
8
10
12
12
6
6
9
11
13
13
7 3 5
7 3 5 R
10
x x 0 1 0 2
2
R 5 7 3
5 R
3
T* x 1 3 2 4
1
2
3
3
2
2
2
3
4
4
3
3
3
4
5
5
4
4
4
5
6
6
5
5
5
6
7
9 3 7
7 9 3
R
x 2 3 1 4 x
x x 1 3 2 4
1
3 7 9 5
R
7 3 5 9
5
9 3
7 7
x 2 3 1 4 x
x x 1 3 2 4
6
8
8
9
11
7
9
9
10
12
7
8
10
10
11
13
8
9
11
11
12
14
9
10
12
12
13
2 1 3 4 x x
7 3 5 9
x 1 3 3 3 x
R 3
2
7 9
3
1 3 1 2 4 4
7 9 5
x x 4 2 1 1
9 5
1
7 3
x 2 1 3 4 x
3
5
2
2
3
6
9
9
3
3
4
7
10
10
4
4
5
8
11
11
5
5
6
9
12
R 5 7 3 7 9
8
3 5 7 9
9 3 7
x x 1 2 4 3
8
2
40140 Ultimate Chord Scale Bible.indb 63
R 3 7 9
5
1
3 7 9 5
1, 3, 5, 7, 9
15
1
R 3 7 9
7 9
x x 1 3 2 4
6
9 5 7 3
7 3 5
* T = Thumb x 2 1 3 1 x
5
x x 2 1 4 1
x 2 3 1 4 x
1
1, 3, 5, 7
R
1
5
75 (+7)
5 7
x 2 3 1 4 x
3 x 4 1 0 x
7 3
G
R 5 7 3
5
1, 3, 5, 7
2
R 3
4
2
R
7 5
R 3
7 9
79
1, 3, 5, 7, 9
12 3
7 9 5
6/19/12 12:42 PM
64
7 95
3 x 4 1 2 x
1, 3, 5, 7, 9
1, 3, 5, 7, 9
G
7 5 9 (+7 9)
1, 3, 5, 7, 9
759
1
8
2
9
9
3
3
10
10
4
4
11
11
5
5
12
12
1, 3, 5, 7, 9
1, 3, 5, 7, 9
2 1 3 4 1 x
1, 3, 5, 7, 9
11 5
1, 11, 5, 7
3
x 2 1 3 4 1 8
9
3
3
10
10
4
4
11
11
5
5
12
3 7 9 5
x 2 3 1 4 x
1
R 3 7 9 5
7 9 5
x x 1 3 4 2
9
8
R 3
1 x 2 3 4 4
7 9 5
x 1 3 2 4 x
12 3
2
7 9 5
x 2 1 3 1 4
x x 1 2 1 4
1
2
7
8
2
3
8
9
9
3
4
9
10
10
4
5
10
11
11
5
6
11
12
12
3 7 9 5
R
7 3 5 9
x 1 2 3 4 x
7 3
1
5 9
8
R 3
1 x 1 2 3 4
7 9 5
3
x x 1 3 2 4
7 9 5
x x 4 3 1 1
2
1
1
2
2
5
2
2
3
3
6
9
3
3
4
4
7
10
4
4
5
5
8
11
5
5
6
6
9
R 3 7 9 5
2
3 7 9 5
7 3 5 9
R
2 1 3 1 1 x
x 1 2 1 1 x
1
7 3 5 9
x 2 1 3 4 1
1
1
8
2
2
9
9
3
3
3
10
10
4
4
4
11
11
5
5
5
12
1 x 2 3 3 4
R 3 7 9 5
x 1 2 1 4 3
3 7 9 5
x 1 2 1 4 x
2
1
7
2
8
9
4
3
9
10
5
4
10
11
6
5
11
12
1
7 3 5 9
2 x 3 4 1 x
2
3 7 9 5 R
1 2 1 4 x x
3
12 R 3
7 9 5
12 3
7 9 5
8
7 3
5 9
R 3
x x 1 3 3 4
7 9 5
x 1 2 1 4 x
x 1 2 3 4 4
3 x 1 2 4 x
1
2
4
9
9
10
2
3
5
10
10
11
3
4
6
11
11
12
4
5
7
12
12
13
5
6
8
13
13
7 11 5
R 5 7 11
7 9 5
x 2 1 3 3 4
3
5 7 9
8
R 3
2
x x 1 3 4 2
2
9 5 7
x 2 1 3 4 4
8
3
1
R
40140 Ultimate Chord Scale Bible.indb 64
7 9 5
1
R
2
1
95
R 3
2
3
3 7 9 5
8
1
x 2 x 3 4 1
95
7 9 5
2 1 3 3 4 x
x x 1 2 1 1
1
x 1 3 4 2 x
795
x 2 1 3 1 1
2
R
x 2 4 1 3 x
R 5 7 11
R 5 7 11
R 5 R 11 7
14
7
5 R 11
6/19/12 12:42 PM
65 1 2 1 3 4 (1) 9 ( )
3
11
5
12
1
R 5 7 3 13 (R)
1, 3, 5, 7, 13
10
4
6
135
x 1 2 1 4 4
2
13
R 5 7 3 13
x 2 3 1 4 x
3 x 4 1 0 0
2
1 x 1 2 4 3
x 1 3 3 3 x
3
x 2 1 3 1 4
1
1
2
7
2
2
3
8
9
9
3
3
4
9
10
10
4
4
5
10
11
11
5
5
6
11
12
R
1
7 9 3 13
2 1 3 3 4 x
2
3 7 9 13
R
1 x 1 2 3 4
7 3 13 9
x x 1 2 3 4
2
2
2
3
3
9
3
4
4
10
4
5
5
11
5
6
6
7 3 13 9
R
x 1 3 3 3 x
2 x 1 3 4 x 7
7
2
8
8
3
9
9
4
10
10
5
11
1
2 3 1 4 x x
5
2
3
7 9
7 3 13 9
R 3
7 3 13 9
11
13 3
x x 1 2 1 4
x 2 3 1 4 x
x 2 x 1 4 1
8
8
9
9
3
3
6
10
10
4
4
7
11
11
5
5
8
12
12
13
13
x 4 2 1 x x
R 5 7 11
x x x 4 3 1
1
1
5
8
10
2
6
9
11
3
7
10
12
4
8
11
13
5
9
12
10
R 3 5
40140 Ultimate Chord Scale Bible.indb 65
dim9
7 9 5
5
R 3 5
G
1, 3, 5, 7, 9
4
2
7 9 13
7 9 13
1
x x 4 2 1 x
2
7 11 5
3
1, 3, 7, 9, 13
2
12
3
2 x 1 4 1 x
R
1, 3, 7, 9, 13
139
8
1
R 5 7 11
7 9 13
139
x x 1 2 4 3
1
3 7 9 5
8
x x 1 2 3 4
1
R 3 7 9 13
8
x x 1 2 1 4
R 3 5
R 5 7 11
dim11
1, 5, 7, 11
R
7 11 5
4 2 1 x x x
dim
1, 3, 5
14 15
R 3 5
6/19/12 12:42 PM
66
dim7 ( 7) 1, 3, 5, 7
2 x 1 3 1 x
x 2 3 0 4 x
x 2 x 0 3 0
2 4 1 3 x x
x x 1 3 2 4
x x 4 2 1 0
1
1
1
1
1
1
2
2
2
2
2
2
3
3
3
3
3
3
4
4
4
4
4
4
5
5
5
5
5
R
7 3 5
3 7 R 5
x 2 3 1 4 x
2 x 1 3 1 x
3
R 5 7
x 2 x 1 3 1
7 3 5 R
x x 1 3 2 4
R 5 7 3
5
x x 4 3 2 1
2 4 1 3 x x
4
2
2
4
4
2
5
3
3
5
5
3
6
4
4
6
6
4
7
5
5
7
7
5
8
6
3
R 5 7
6
5 R 3 7
5
8
R 5 7 3
3 7 R
8
3 7 R 5
6 7 8
2 x 1 3 1 x
G
x 2 3 1 4 x
x 2 x 1 3 1
7
5
5
8
6
6
9
7
7
10
8
8
11
9
9
5
3
7 R
7 3 5 R
7
5 R 3
2 4 1 3 x x
x x 1 3 2 4 7
5
8
8
6
9
9
7
10
10
8
11
11
3
7 R 5
5 R 3 7
3 5 7 R
x x 4 3 2 1
7
R 3 5 7
9 10 11
5
2 x 1 3 1 x
x 2 3 1 4 x
x 2 x 1 3 1
10
8
8
10
10
11
9
9
11
11
9
12
10
10
12
12
10 11
13
11
11
13
13
14
12
12
14
14
7
5 R 3
R 5 7 3
R
7 3 5
5 R 3 7
8
7 3 5 R
12 13 14
x 2 3 1 4 x 11
11
12
12
12
13
13
13
14
14
14
15
15
3 7 R 5
3
R 5 7
7 R 3 5
15 16 17
40140 Ultimate Chord Scale Bible.indb 66
x x 4 3 2 1
x 2 x 1 3 1
11
7 R 3
x x 4 3 2 1
2 4 1 3 x x
x x 1 3 2 4
R 3 5 7
6/19/12 12:42 PM
67
Three-Note Voicings Maj7
7
2 1 4 x x x
2 1 3 x x x
6
2 1 3 x x x
2 1 1 x x x
1
1
1
1
2
2
2
2
3
3
3
3
4
4
4
4
5
5
5
R 3 7
R 3 7
1 x 2 3 x x
1 x 3 4 x x
5
R 3 7
R 3 6
2 x 3 3 x x
2 x 1 4 x x
2
2
2
1
3
3
3
2
4
4
4
3
5
5
5
4
6
6
6
R
7 3
R
x x 2 1 4 x
7 3
7 3
R
x x 2 1 4 x
5 R
x x 2 1 3 x
3
2
3
4
4
3
4
5
5
4
5
6
6
5
6
7
7
6
R 3 7
x 2 1 4 x x
x 2 1 3 x x
R 3 7
7 R 3 6
x 2 1 3 x x
x 2 1 1 x x
8
8
7
9
9
8
9
10
10
9
10
11
11
10
11
12
12
11
R 3 7
R 3
x 1 x 3 4 x
7
x 1 x 2 4 x
8
R 3 7
12 R 3 6
x 1 x 3 4 x
x 2 x 1 4 x
9
9
9
10
10
10
9
11
11
11
10
8
12
12
12
11
13
13
13
12
R
7 3
R
x x x 1 1 4
7 3
R
x x x 1 1 2
7 3
R
x x x 2 1 4
11
10
11
12
12
11
12
13
13
12
13
14
14
13
14
15
15
14
R 3 7
R 3 7
6 3
x x x 1 1 1
11
R 3 7
6 3
G
x x 3 1 4 x
3
R 3 7
40140 Ultimate Chord Scale Bible.indb 67
min7
15 R 3 6
6/19/12 12:42 PM
68
C 1
Maj
1, 3, 5
x 4 2 0 1 0
2
3 4 2 0 1 0
3
x 1 3 3 3 x
x x x 2 3 1
x 1 3 3 3 4
4 3 1 1 1 x
1
1
2
2
2
4
2
2
3
3
3
5
3
3
4
4
4
6
4
4
5
5
5
7
5
5
6
6
6
R 5 R 3
5 R 3 5 R 3
R 3 5 R 3
8 R 3 5
7
R 3 5 R 3
8 1 3 4 2 1 1
x x 3 2 1 1
C
7
9
9
11
11
8
10
10
12
12
9
9
11
11
13
13
10
10
12
12
14
14
11
11
13
13
15
R 3 5 R
2
1
x 1 3 4 1 1
x 4 1 1 2 x
R 3 5 R 3
3
1
2
2
11
9
2
3
3
12
10
3
3
4
4
13
11
4
4
5
5
14
12
5
5
6
6
15
x 3 4 0 1 x
R
2
5 2 5
R 2 5
R 5 R 2 5
x 1 3 3 4 x
x x 1 1 2 4
1 2 3 4 1 1
2
4
7
9
3
5
8
10
3
4
6
9
11
4
5
7
10
12
5
6
8
11
R 5 R 4
x 3 x 0 1 4
x 1 3 4 x x
1 3 4 x x x
2
7
9
3
8
10
3
4
9
11
4
5
10
12
5
6
11 R 5 R
x 4 2 3 1 x
x 1 4 2 3 1
13 R 5 R
3
R 5 R 4
x 1 1 3 4 x
2
5 R 5
R 5 R 2
13 R 5 R 4 5 R
1
R
1
5 R 4 R
13
x x 1 3 4 4
2
R 4 5 R
5 R 5 R
x 1 4 4 4 4
2 4 1 3 x x
2
2 x 1 4 3 x
x 3 x 2 4 1
1
2
2
6
6
7
2
3
3
7
7
8
3
4
4
8
8
9
4
5
5
9
9
10
6
6
5 R 3 6 R
10 R 5 R 3 6
7
x x 1 2 4 1
R 2 5 R
1
1,5
1, 3, 5, 6
x x x 3 1 1
15 R 3 5 R
R 5 R 3
2
no 3rd
6
R 5 R
1
1
1, 4, 5
3
x 2 x 0 3 4
R 2 5 R
sus4
x 4 3 1 2 1
7
x 3 0 0 1 x
1, 2, 5
x 4 3 1 2 x
8
R 5 R 3 5 R
sus2
R 5 R 3 R x x 1 2 4 3
2 x 1 3 4 x
10 R 5 6 3
11 R
6 3 5
5
3 6 R
R 6 R 3 5 x 2 3 1 4 x 9
9
10
10
11
11
12
12
13 5 R 3 6
40140 Ultimate Chord Scale Bible.indb 68
x x 1 3 1 4
8
R 5 6 3
6/19/12 12:42 PM
69 x 4 2 0 0 0
1
3 4 2 0 0 0
x x 2 4 1 3
3 x 2 4 1 x
2
x 1 3 3 3 4
x 1 3 2 4 1
1
1
1
1
2
2
2
2
2
2
3
3
3
3
3
3
4
4
4
4
4
4
5
5
5
5 R 3 5 7 3
5
R 5 7 3 5
3 7 R 5
3 7 R
1, 3, 5, 7
6
6
5
5 5 R 3 5 7 3
Maj7
7 R 5 R 3 7
4
x 1 x 3 4 2
x 2 x 1 4 3
x x 1 1 1 4
5
x x 4 3 2 1
1 4 2 3 x x
3
2
4
4
6
7
7
3
5
5
7
8
8
4
6
6
8
9
9
5
7
7
9
10
10
6
8
8 R
7 3 5
2 x 1 3 4 x
6
3
x x 1 4 4 4
9
9
11
10
12
11
11
13
12
12
14
13
13
1
1
11 R 3 5 7
11 R 5 7 3
R
1 2 4 4 4 x
x x 1 3 4 1
7 3 5
15 R 5 7 3
R 5 7
x 2 1 4 3 x
R 5 7
x 4 3 1 1 x
10
3
10
5 R 3 7
1 x 3 4 2 x
x 1 3 2 1 1
R 3 5 7
1
2 1 4 1 3 x
x 1 4 1 2 1
1
2
6
6
7
9
2
3
7
7
8
10
3
4
8
8
9
11
4
5
9
9
10
12
5
6
10
10
11
13
R 3 7 9
R 5 7 9 5
R 3 7 9 5
3 R 9 5 7
C Maj9
1, 3, 5, 7, 9 R 5 7 9
12 R 5 9 5 7
x x 1 1 2 3
1
x 2 1 1 3 4
3
4 x 1 3 1 1
2
2 1 1 1 3 x
x 1 1 1 2 x
2 1 1 1 3 4
1
1
4
6
6
6
2
2
5
7
7
7
3
3
6
8
8
8
4
4
7
9
9
9
5
5
x x 1 1 2 3
R 3 6 9 5
4
10
8
3 6 9 5
R
x x 2 1 3 4
8
11
7
9
12
8
10
13
9
11
14
10
12
40140 Ultimate Chord Scale Bible.indb 69
10
10 R 3 6 9 5
1, 3, 5, 6, 9
R 3 6 9 5 R
3 6 9 5
1 1 1 2
6
6 9 5 R
5 9 3 6
6/9
15 R 3 6 9
6 9 5 R
6/19/12 12:42 PM
70
add9
1, 3, 5, 9
1
x 2 x 0 3 0
2
x 1 2 4 3 1
x 2 1 0 3 4
x x 1 3 1 4
x x 3 2 1 4
1
1
2
4
7
7
2
2
3
5
8
8
3
3
4
6
9
9
4
4
5
7
10
10
6
8
5
5 R
5 9 3
R 3 5 9 5
11
11 5 9 3 R
7
R 3 5 9
R 5 9 3 5
1
Maj11
1, 3, 5, 7, 11
Maj13
C
1, 3, 5, 7, 13
1 3 4 2 1 1
x 2 3 0 0 x
2
x 1 3 2 4 x
12 R 5 9 3 5 R
x 1 x 3 4 2
1 x 3 4 2 x
x x 1 3 3 4
x 3 4 1 1 x
1
2
2
7
9
11
2
3
3
8
10
12
3
4
4
9
11
13
4
5
5
10
12
14
5
6
6
11
13
R 11 5 7
R 5 7 11
x 3 1 2 0 x
x 1 x 2 4 4
R
7 11 5
R
1 x 2 3 4 x
R 5 7 11
2
7
9
11
2
3
8
10
12
3
4
9
11
13
4
5
10
12
14
5
6
11
13
15
R
7 3 13
R
7 3 13
R 11 5 7
x 4 2 3 1 x
x x 1 4 2 3
1
R 3 13 7
15
7 11 5
R 3 13 7
14 R 13 7 3
x 1 1 1 2 3
Maj13add9 1, 3, 5, 7, 9, 13
3 x 4 2 1 1
Maj7 5
1, 3, 5, 7
6
7
5
7
8
3
6
8
9
4
7
9
10
8
10
1
x 2 3 1 0 0
9
2
11 R 3 13 9 5 7
R
7 3 13 9
2 x 1 3 1 1
x 1 1 1 2 x
7 9 3 13
x 1 2 3 4 4
x 3 4 2 1 1
1
2
6
8
2
3
7
9
12
3
4
8
10
13
4
5
9
11
14
5
6
10
12
1
R 11 13 7 3
x 3 2 1 0 x
2
R 11 7 3 13
13 3 11 7
R
x 1 4 2 3 x
11
15
11 7 3 13
16
4 3 2 1 x x
x 1 x 2 4 3
R 11 13 7 3
1 x 3 3 3 x
x x 1 4 2 3
1
2
2
3
7
9
2
3
3
4
8
10
3
4
4
5
9
11
4
5
5
6
10
12
5
6
6
7
11
R 3
40140 Ultimate Chord Scale Bible.indb 70
1 x 2 3 4 4
4
R
1, 3, 7, 11, 13
1
2
7 3 13 9 5
Maj13 11
2 1 1 1 3 1
1
5
2
5 7
R 5 7 3
R
7 3 5
8
R 3 5 7
R
7 3 5
13
R 5 7 3
6/19/12 12:42 PM
71
x 2 3 0 0 0
1
x 2 x 3 4 1
2
x 1 2 3 4 x
2 x 3 4 1 x
3 (2)
x 4 3 1 1
3 x 1 2 4 x
1
1
2
6
6
9
2
2
3
7
7
10
3
3
4
8
8( )
11
4
4
5
9
9
12
5
5
6
10
10
R 11 5 7 3
7 3 11
R
R 11 7 3
R
7 3 11
(R)
R 3 11 7
Maj711 1, 3, 7, 11
13 3
R 11 7
x x 1 2 4 4 9 10 11 12 13
R 11 7 3
x 2 1 4 3 1
2 1 3 1 1 x
1
6
6
2
7
7
3
8
8
4
9
9
5
10
10
R 3 7 9 11
R 3 7 9 11
Maj911
2 x 3 1 1 x
1, 3, 7, 9, 11 7 9 11
R
C 1
x 3 2 1 1 x
4 3 2 1 x x
x x 3 1 2 0
1
1
1
2
2
2
3
3
3
4
4
4
5
5 R 3
5
R 3
5
x 3 2 1 1 x
5 R
3
x x 4 2 3 1
2
4
3
4
4
5
6
5
6
7
6
7
8
7
5 R 3
x x 4 2 3 1
3
5 R 3
R 3
5
4 3 2 1 x x
8
7
8
5 R 3
4 3 2 1 x x
5
3
1, 3, 5
5
Augmented (aug)
5 R
x 3 2 1 1 x
x x 4 2 3 1
8
11
8
9
9
12
9
10
10
13
10
11
11
14
11
12
12
R 3 5 R
40140 Ultimate Chord Scale Bible.indb 71
3 5 R 3
5 R 3 5
15 3
5 R 3
6/19/12 12:42 PM
72
min
1, 3, 5
x 4 1 0 2 x
1
x 1 3 4 2 1 2
7
7
7
3
8
8
8
3
4
4
9
9
9
4
5
5
10
10
10
6
R 3 5 R
6
R 5 R 3 5
R 3 5
11
x 4 2 1 x x
x x 1 3 4 2
R 5 R 3 5 R
11
x 4 2 1 3 x
9
9
11
11
11
10
12
12
12
11
11
13
13
13
12
12
14
14
14
13
13
15
15
R 5 R 3
R 5 R
x 2 4 1 3 x
2
x 2 x 1 4 3
R 3 5
1
2 x 1 3 3 x
R 3 5 R
R 3 5
11
15
3 5 R 5
x x 1 3 3 3
1 2 3 1 4 x
x x 1 3 1 2
1
6
6
7
9
2
2
7
7
8
10
3
3
8
8
9
11
4
4
9
9
10
12
5
5
10
10
11
6 3 5
R
2 x 1 3 1 x
x 3 1 4 1 x
R
3
6
3 5
x 2 1 3 4 x
6
1
3 5 R
x 1 3 1 2 x
R 5 R 3 6
x 1 3 1 2 1
13
5
1
1
1
2
2
2
2
2
2
3
3
3
3
3
3
4
4
4
4
4
4
5
5
5
5
5
5
6
6
5
3 7 R
R 3 7 R x x 4 2 3 1
x 1 3 1 2 4
R 3 7 3 1 3 1 1 x x
R 5
4
7 3
R 5
1 3 1 1 4 1
7 3 5
1 2 3 1 4 1
2
7
7
7
7
3
6
8
8
8
8
4
7
9
9
9
9
5
8
10
10
10
10
9
11
7 3 7
10
R 5 7 3
11
R 5 7 3 7 R
11
R 5 R 3 7 R
x 1 x 2 4 3
7 3 5
R
5
R 5
R 5 6 3
6
2
6
R 3 5 R
1
R 5 6 3
x x 3 1 1 1
x x 2 1 3 4
10
C 1, 3, 5, 7
3
3
3
min7
x x 3 1 1 x
2
3
1, 3, 5, 6
1 3 4 1 1 1
2
2 x 1 3 4 x
2
1
5
min6
x x x 3 2 1
2 x 3 3 3 x
11 R
7 3 5
R 3 5 7 x x 1 1 1 1
40140 Ultimate Chord Scale Bible.indb 72
2 x 1 4 3 x
x x 1 4 2 3
7
9
9
8
10
10
9
11
11
10
12
12
11
13
7 3 5 R
3
R 5 7
13
R 5 7 3
6/19/12 12:42 PM
73 3
x 3 1 0 0 x
x 1 4 2 3 x
x 1 x 3 4 2
1
1 x 4 2 3 x
2
x x 2 1 1 x
x x 4 2 3 1
1
1
1
7
7
6
2
2
2
8
8
7
3
3
3
9
9
8
4
4
4
10
10
9
5
5
5
11
11
10
R 3 5 7
1 3 2 1 x x 7
9 10
9
11
10
12
11
13
7 3 5
R
7 3 5
7
1
x 1 x 2 3 4
1 4 1 1 x x
2
2 x 3 3 4 x
3 5
2
7
7
9
3
3
8
8
10
4
4
9
9
11
5
5
10
10
12
6
6
11
11
R 5 7 3
R
2
7 3 5
R 5 7 3
R
1 3 4 1 1 1
x 1 3 4 2 1
7 3 5
1 2 3 1 1 4
min75
13
1
1, 3, 5, 7 R 5 7 3
C
x x 4 1 1 1
x x 3 1 1 4
1
2
7
7
7
7
2
3
8
8
8
8
3
4
9
9
9
9
4
5
10
10
10
10
5
6
11
11
11
11
7
12
R 3 5 9
R 5 9 3 5
2
x 3 1 2 4 x
x 3 1 2 4 4
R 5 9
4
R 5 R 3 5 9
12 9
3 5 R
x 1 2 3 4 4
1
2 x 1 3 3 4
1 2 4 1 3 x
3
1
5
6
7
7
2
2
6
7
8
8
3
3
7
8
9
9
4
4
8
9
10
10
5
5
9
10
11
11
R 3 6 9 5
3 6 9 5 R
R
6
3 5 9
12 R 5 9
x x 4 3 1 1
2 x 1 4 1 1 9
9
10
10
11
11
12
12
13
13
3
R 5 6 9
minadd9 1, 3, 5, 9
R 3 5 9
3 5 R
1
R 3 6 9
R 3 5 7
x x 1 4 2 3
2
x 3 1 0 4 x
R 5 7 3
3
x 1 4 1 2 x
R
1, 3, 5, 7
x x 1 3 4 2
8
R 5 7
R 5 7 3
minMaj7
x x 2 1 3 4
min6/9
1, 3, 5, 6, 9 R 3 6 9
3 6
3 5 6 9
1 2 3 1 1 4
minadd9/11
7
1, 3, 5, 9, 11
8 9 10 11 12 13 R 5 9
3 5 11
40140 Ultimate Chord Scale Bible.indb 73
6/19/12 12:42 PM
74 1
min9
1, 3, 5, 7, 9
x 2 1 3 4 x
x x 1 3 3 3 2
5
7
7
2
3
6
8
8
3
3
4
7
9
9
4
4
5
8
10
10
5
R 3 7 9
3 7 9 5
6
3 5
x x 2 1 4 3
1, 3, 5, 7, 9, 11
1 2 4 1 3 x
7
8
9
9
10
9
9
10
11
10
10
11
12
11
11
12
13
R 5 7 3 7 9
R 3 7 9
13
x 2 1 4 3 x
1, 3, 5, 7, 11
2
x 4 3 2 1 x
R 3 7 9
11 R
x x 4 2 3 1
x x 2 1 1 4
2
7
7
9
3
8
8
10
3
4
9
9
11
4
5
10
10
12
5
6
11
11
13
x 2 1 3 4 1
2
1 1 1 1 1 4
7
9
2
8
10
3
9
11
4
10
12
5
11
x 3 1 4 1 1
2
R 11 7 3 5 9
R 5 7 3 5 9
7
13
x 2 x 3 4 1
5 3 11 7 9
x 1 1 1 2 1
1
x x 1 1 2 3
1 2 1 1 1 4
2 x 3 4 1 x
1
1
2
5
7
9
2
2
3
6
8
10
3
3
4
7
9
11
4
4
5
8
10
12
5
5
6
9
11
13
R 3 7 R 11
R
7 3 11
R 11 7 3 5
R
7 3 11
12 13
40140 Ultimate Chord Scale Bible.indb 74
3 5 7 9
3 5 9
x 1 4 1 2 1
1
R 3 7 9 11
R 5 7 3 5 9
3 7
1 3 2 1 1 4
3 5 7 9
11
3 5 7 9
2
7 3 5 9
1
R 3 7 9
1 3 1 1 1 4
x x 4 3 2 1
8
3
min11
9 7 9
8
1
min9add11
7
1
C
3
1
R 5 9
1, 3, 5, 7, 9
2 x 3 3 3 4
2
1 2 1 1 4 3
2
1
5
min9Maj7
3 1 4 2 x x
x 4 3 1 1 x
R 11 7 3
R 5 7 3 5 11
6/19/12 12:42 PM
75 1
x 1 x 2 3 4
1 4 1 1 x x
2
2 x 3 3 4 x
1 3 1 1 4 (1)
2
7
7
7
3
8
8
8
4
9
9
9
5
10
10
10
6
11
11
7 3 13
12
x 2 1 3 3 4
2
R
1
R 13 7 3
2 x 3 3 4 4
7
7
2
8
8
3
9
9
4
10
10
5
11
x x 1 3 1 2
7 3 13 9
R
3
x 2 x 3 4 1
7 3 13
11
1, 3, 5, 7, 13
R 5 7 3 13 (R)
1 2 1 1 3 4
1
R 3 7 9 13
R
min13
( )
11
1
min13add9
1, 3, 5, 7, 9, 13 R 5 7 3 13 9
x x 4 3 2 1
x x 1 3 2 4
x 1 3 2 4 x
22
1
1
2
3
5
6
2
2
3
4
6
7
3
3
4
5
7
8
4
4
5
6
8
9
5
5
6
7
9
10
3 7 R 5
R
7 3 5
R 5 7 3
5 R 3 7
10
min7 5
1, 3, 5, 7 R
x 3 4 1 x
C
7 3 5
R 3 5 7 x x 2 3 1 4
x x 1 3 3 3
6
9
7
10
8
11
9
12
10
7 3 5 R
13
2 x 1 3 4 x
R 5 7 3
x x 1 3 4 2
x 4 2 1 1 x
2
x x 2 3 1 4
1
2 x 1 3 4 1
x x 4 2 3 1
1
1
2
6
9
9
2
2
3
7
10
10
3
3
4
8
11
11
4
4
5
9
12
12
5
5
6
10
13
5
3 7 9
40140 Ultimate Chord Scale Bible.indb 75
3 7 9 5
3 5 7 9
7 3 5 9
3
R 5 7 9
13
min95
1, 3, 5, 7, 9
3 5 7 9
6/19/12 12:42 PM
76 1
7
1, 3, 5, 7
x 3 2 4 1 x
x x 2 3 1 4
x 1 x 2 4 3
2
x 1 3 3 3 4
x 1 3 1 4 1
x 2 3 1 4 x
1
1
2
2
2
4
2
2
3
3
3
5
3
3
4
4
4
6
4
4
5
5
5
7
5
5
6
6
6
R 3
7 R
3
2 x 1 1 1 x
R
7 R 5
R 5
7 3 5
x x 4 3 2 1
x x 1 1 1 2
7 3 5
1 3 1 2 4 1
1 3 1 2 x x
8
R 5 R 3 7
6
1 x 2 4 3 x
4
4
5
7
7
7
5
5
6
8
8
8
6
6
7
9
9
9
7
7
8
10
10
10
9
11
8
3
7
8
5 R 3 7
5 R 3
1 3 1 2 1 1
4
10
R 3 5 7 3 x 1 4 2 x
x x 3 2 4 1
5
7
7
9
9
8
10
10
9
9
11
11
10
10
12
12
11
11
13
R 3 7 R
3
R 5 7
11
R 5 7 3 7 R
11 R
7 3 5
x x 1 3 2 4
8
R 5 7 3 5 R
R 5 7 3
3 7 R 5
13
R 5 7 3
C 1
9
1, 3, 5, 7, 9
x 2 1 3 3 3
x 2 x 3 4 0
4
3 x 4 2 1 x
x x 1 3 1 2
5
x x 3 2 1 4
3 1 4 2 x x
1
1
4
4
4
6
2
2
5
5
5
7
3
3
6
6
6
8
4
4
7
7
7
9
5
5
8
8
8
10
R 3
3
40140 Ultimate Chord Scale Bible.indb 76
2
7 9 5
R
x 1 3 2 4 x
7 9 3
R
x 1 3 2 4 4
7 9 3
x x 1 2 1 4
5 9 3 7
7 9 3 R x x 2 1 4 3
x 2 4 1 3 x
x x 2 3 1 4
6
6
7
8
8
10
7
7
8
9
9
11
8
8
9
10
10
12
9
9
10
11
11
13
10
10
11
12
12
3 7 9 5
3 7 9 5 R
7 3 5 9
5 9 3 7
R 3 7 9
R 3 7 9
14
9 5 7 3
6/19/12 12:42 PM
77 1
x 2 x 3 4 1
3
x 1 1 1 1 1
x 1 1 1 2 3
2
3 x 4 2 1 x
x x 3 2 1 4
1
2
4
5
5
9
2
3
5
6
6
10
3
4
6
7
7
11
4
5
7
8
8
12
5
6
8
9
9
13
R
3
7 9 4
x 2 3 4 1 x
R 4
1
7 9 5
x 1 3 1 4 1
9 5 R 4 7
R
x 1 3 3 4 4
7 9 4 R
7 9 4
2
x x 1 1 2 3
2
2
4
7
9
3
3
5
8
10
3
4
4
6
9
11
4
5
5
7
10
12
5
6
6
8
11
x 1 3 4 2 x
R 5
3
R 5 R 11 7
7 11 5
x 2 1 3 4 4
2
x 1 x 2 4 4
5 R 11 7
1
3 x 4 1 1 1
1 x 2 3 4 x
1
2
4
7
7
2
3
5
8
8
3
3
4
6
9
9
4
4
5
7
10
10
5
5
6
8
11
11
x 1 2
3 4 x
2
x 2 1
7 3 13
R
3 3 4
7 3 13
3 x 4
2 1 1
R
R
7 R 3 13
1
1 x 2
3 4 4
x x 1
1
4
7
7
2
2
5
8
8
3
3
6
9
9
4
4
7
10
10
5 7 3 13 9
40140 Ultimate Chord Scale Bible.indb 77
R 3
8 7 9 13
R
11
7 9 3 13
R
11
7 3 13 9
1, 5, 7, 11
R 5 7 11
7 3 13
1
11(7sus4)
x x 1 3 4 2
2
R 3
R 4 7 9
13
R 5 7 11 5 R
1
7 3 13 R
1, 4, 5, 7, 9
x x 1 3 2 4
2
R
9sus4
1 3 1 4 1 1
1
R 11
5
x x 1 1 2 1
3 4 4
13
1, 3, 5, 7, 13
C
7 3 13 R
13add9
1, 3, 5, 7, 9, 13
7 3 13 9
6/19/12 12:42 PM
78 x 1 2 1 4 3
13sus4
1, 4, 5, 7, 13
x x 4 1 2 1 4
7
3
5
8
4
6
9
5
7
10
6 R 5
8
13add9sus4 1, 5, 7, 9, 13
7 R 4 13
1, 3, 5, 7
C
1, 3, 5, 7
x x 1 4 4 4
7
7
5
8
8
4
6
9
9
5
7
10
10
8
11
7 9 13
7 9 4 13
1
x 2 x 3 4 1
11
R
7 4 13 9
x 1 2 1 4 x
7 4 13 9
2
2 x 3 4 1 x
1 2 1 3 x x
x x 1 2 3 4
1
1
2
6
7
9
2
2
3
7
8
10
3
3
4
8
9
11
4
4
5
9
10
12
5
5
6
10
22
5
3
7 R
7 3 5
R
x 1 2 1 1 x
7 5 (+7)
1 x 2 4 4 4
4
2 x 3 4 1 x
x x 4 3 2 1
7 4 13
3
R 4
R
2
6
75
11
7 4 13
x 1 1 1 1 4
1 x 2 4 4 x
2
x 1 4 1 3 x
R 5 7 3
x 1 x 2 4 3
R
1
7 3 5
1 x 2 3 4 x
2
R 5 7 3
13
x x 1 3 4 2
x 4 3 2 1 x
1
2
2
7
7
10
2
3
3
8
8
11
3
4
4
9
9
12
4
5
5
10
10
13
5
6
6
11
11
7 3
R 5 7 3
5 R
7 3 5
R
R
7 3 5
7 3 5 R
R 5 7 3
14 15 R 3
79
1, 3, 5, 7, 9
1
x 2 1 3 1 x
2
x 2 3 1 4 x
x x 1 3 2 4
3
x x 1 3 2 4
1
2
4
4
5
2
2
3
5
5
6
3
3
4
6
6
7
4
4
5
7
7
8
5
5
6
8
8
7 9
x 2 3 1 4 x
3
4 T*
7 9 5
9 5
x 1 3 2 4
7 3
5
9 3 7
x x 2 1 4 1
x 2 3 1 4 x
R
5
5
7
8
8
10
6
8
9
9
11
7
9
10
10
12
8
10
11
11
13
9
11
12
12
3 7 9 5
R
7 3 5 9
5
9 3 7
R 3 7 9
14
7 9 3
5 7
3 2 4 1 x x
3 x 4 2 1 x
1
R 3
9
R 3 7 9
x x 1 3 2 4
9 5 7 3
* T = Thumb
79
1, 3, 5, 7, 9
1
2
2 1 3 4 x x
x 1 3 3 3 x
3
1 3 1 2 4 4
x x 4 2 1 1
1
1
6
6
7
10
2
2
7
7
8
11
3
3
8
8
9
12
4
4
9
9
10
13
5
5
10
10
11
R 3
40140 Ultimate Chord Scale Bible.indb 78
x x 1 2 4 3
x 2 1 3 4 x
7 9
3
7 9 5
R 3 7 9
3 7 9 5
R 5 7 3 7 9
14
3 5 7 9
6/19/12 12:42 PM
79 1
x 2 1 3 1 1
2
x x 1 2 1 1
3 x 4 1 2 x
1
1
5
5
2
2
6
6
3
3
7
7
4
4
8
8
5
5
9
R 3
7 9 5
x x 1 3 4 2
3
1
7 9 5
x 2 1 3 4 1
R
2
7 9 5
6
6
2
2
7
7
3
3
8
8
4
4
9
9
5
5
10
10
7 9 5
x 1 3 2 4 x
7 9 5
R 3
1
x 2 1 3 1 4
R 3 7 9 5
3 7 9 5
795
x 1 3 4 2 x
2 1 3 4 1 x
1
1, 3, 5, 7, 9
9
1
3
7 95
x 2 4 1 3 x
x x 1 2 1 4
1, 3, 5, 7, 9 3 7 9 5
x 2 3 1 4 x
2
1
1
1
5
7
2
2
2
6
8
3
3
3
7
9
4
4
4
8
10
5
5
5
9
7 3
1
5 9
x 2 1 3 4 4
R 3
2
7 9 5
3
2 1 3 3 4 x
7 9 5
x 1 2 3 4 x
3 7 9 5
R
6
6
7
7
2
7
7
8
8
3
8
8
9
9 10
9
9
10
5
10
10
11
R 3
1
7 9 5
x 2 1 3 4 1
2
R 3 7 9 5
x x 1 3 4 2
3 7 9 5
R
2 1 3 1 1 x
1
6
6
2
2
7
7
3
3
8
8
4
4
9
9
5
5
19
10
7 9 5
x 1 2 1 4 x
3
1
7 9 5
x 2 1 3 3 4
R 3 7 9 5
x 1 2 1 4 3
2
1
1
6
7
2
2
7
8
3
3
8
9
4
4
9
10
5
5
10
1
7 3 5 9
R 3
x 1 2 1 4 x
7 9 5
3 7 9 5 R
3 x 1 2 4 x
x 1 2 3 4 4
7 3 5 9
7 3 5 9
C 759
11
1, 3, 5, 7, 9
7 3 5 9
95
x 1 2 1 1 x
1
R 3
x x 1 3 2 4
1
4
1, 3, 5, 7, 9
11
1 x 1 2 3 4
759 (+7 9)
1 x 2 3 4 4
1, 3, 5, 7, 9 3 7 9 5
1, 3, 5, 7, 9
11 R
2
95
1 x 2 3 3 4
7 3 5 9
2 x 3 4 1 x
1 2 1 4 x x
3
2
2
3
6
7
9
3
3
4
7
8
10
4
4
5
8
9
11
5
5
6
9
10
12
6
6
7
10
11
R 5 7 11
R 5 R 11 7
40140 Ultimate Chord Scale Bible.indb 79
7
5 R 11
R
7 11 5
R 5 7 11
13
x x 1 3 3 4
115
1, 11, 5, 7 R 5 7 11
6/19/12 12:42 PM
80
135
x 1 2 1 4 4
1, 3, 5, 7, 13
2
7
3
8
4
9
5
10
6
13 9
1, 3, 7, 9, 13
1 2 1 3 4 (1)
R 5 7 3 13
x 1 3 3 3 x
11
1
( )
R 5 7 3 13 (R)
x 2 1 3 1 4
x x 1 2 1 4
2
1 x 1 2 4 3
x 2 3 1 4 x
3 x 4 2 1 1
1
1
1
4
5
7
2
2
2
5
6
8
3
3
3
6
7
9
4
4
4
7
8
10
9
11
5
5
7 3 13 9
R 3
7 9 13
5 3
7 9 13
8 R
7 9 3 13
10
R
7 3 13 9
3 7 9 13
13 9
1, 3, 7, 9, 13
C
x x 1 2 3 4
7
7
8
8
3
8
9
9
4
9
10
10
1, 3, 5
40140 Ultimate Chord Scale Bible.indb 80
11
R 3 7 9 13
x x 1 2 4 3 5 6
3
3
7
4
4
8
5
5
3
7 9
x 2 3 1 4 x
3
2
7 3 13 9
7 9 5
11
7 3 13 9
x 1 3 3 3 x
2
R
1
9
3 7 9 5
2 3 1 4 x x
x 2 x 1 4 1
2 x 1 4 1 x
x x 1 2 1 4
1
1
6
6
9
2
2
7
7
10
3
3
8
8
11
4
4
9
9
12
5
5
10
10
6
6
R 5
10
1
1
dim
7 9 13
2
5
1, 5, 7, 11
2 x 1 3 4 x
x x 1 2 3 4
7
1, 3, 5, 7, 9
1 x 1 2 3 4
6
dim9
dim11
1
1
3
2 1 3 3 4 x
2
5
2
7 11
x x x 4 3 1
R
1
R 5 7 11
R
x x 4 2 1 x
4 2 1 x x x
2
1
3
6
10
4
7
11
3
5
8
12
4
6
9
13
5
7
10
8
R 3 5
7 11 5
13
R 5 7 11
7 11 5
2
R 3 5
R 3 5
x 4 2 1 x x
14 15
R 3 5
6/19/12 12:42 PM
x 2 3 1 4 x
2 x 1 3 1 x
x 2 x 1 3 1
x x 4 3 2 1
2 4 1 3 x x
x x 1 3 2 4
1
1
1
1
1
1
2
2
2
2
2
2
3
3
3
3
3
3
4
4
4
4
4
4
5
5
5
5
5
5
3
7 R
R 5 7 3
R
7 3 5
3
7 R 5
5 R 3 7
x 2 3 1 4 x
x x 1 3 2 4
x 2 x 1 3 1
2 4 1 3 x x
4
4
3
3
4
5
5
4
4
5
5
6
6
5
5
6
6
7
7
6
6
7
7
8
8
7
7
5 R 3
3 7 R 5
3
R 5 7
5 R 3 7
7 3 5 R
x 2 3 1 4 x
x 2 x 1 3 1
x x 1 3 2 4
9
2 4 1 3 x x
6
7
7
6
6
7
8
8
7
7
8
8
9
9
8
8
9
9
10
10
9
9
10
10
11
11
10
10
7 3 5
5 R 3 7
5
3 7 R
7 3 5 R
R 5 7 3
x 2 3 1 4 x
x 2 x 1 3 1
x x 1 3 2 4
12
9
10
10
9
9
10
10
11
11
10
10
11
11
12
12
11
11
12
12
13
13
12
12
13
13
14
14
13
3
R 5 7
7 3 5 R
7
5 R 3
R 5 7 3
3 7 R 5
3 5 7 R
x x 4 3 2 1
2 4 1 3 x x
13
C
11
13
2 x 1 3 1 x
R 3 5 7
x x 4 3 2 1
7
R
7 R 3 5
8
10
2 x 1 3 1 x
x x 4 3 2 1
3
7
1, 3, 5, 7
6
4
dim7 ( 7)
5
7
2 x 1 3 1 x
14 15 16
5
40140 Ultimate Chord Scale Bible.indb 81
81
7 R 3
6/19/12 12:42 PM
82
Three-Note Voicings Maj7
7
x 2 1 4 x x
x 2 1 1 x x
1
1
1
2
2
2
2
3
3
3
3
4
4
4
4
5
5
5
R 3
x 1 x 3 4 x
R 3 7
7
x 1 x 2 4 x
5 R 3 6
x 1 x 3 4 x
x 2 x 1 4 x
2
2
2
1
3
3
3
2
4
4
4
3
5
5
5
4
6
6
6
R
7 3
R
x x x 1 1 4
7 3
R
7 3
x x x 1 1 2
5 R
x x x 2 1 4
4
3
4
5
5
4
5
6
6
5
6
7
7
6
7
8
8
7
R 3 7
R 3 7
2 1 4 x x x
2 1 3 x x x
R 3 7
8 R 3 6
2 1 3 x x x
2 1 1 x x x
6
6
5
6
7
7
6
7
8
8
7
8
9
9
8
9
10
10
9
10
R 3 7
R 3 7
1 x 2 3 x x
1 x 3 4 x x
R 3 7
R 3 6
2 x 3 3 x x
2 x 1 4 x x
7
7
7
6
8
8
8
7 8
9
9
9
10
10
10
9
11
11
11
10
7 3
R
x x 2 1 4 x
R
7 3
x x 2 1 4 x
7 3
R
x x 3 1 4 x
8
7
9
9
8
9
10
10
9
10 11
11
10
12
12
11
R 3 7
R 3 7
6 3
x x 2 1 3 x
8
11
6 3
x x x 1 1 1
4
R
40140 Ultimate Chord Scale Bible.indb 82
6
x 2 1 3 x x
1
R 3 7
C
min7
x 2 1 3 x x
8
R 3 7
12 R 3 6
6/19/12 12:42 PM
83
F 1
T 3 4 2 1 x
1
1 3 4 2 1 1
x x 3 2 1 1
2 x 1 3 4 x
6
x x 1 2 4 3
4
x 4 3 1 2 x
1
1
1
2
2
4
2
2
2
3
3
5
3
3
3
4
4
6
4
4
4
5
5
7
5
5
5
6
6
R 5 R 3 5 x 4 3 1 2 1
3
R 5 R 3 5 R
R 3 5 R
x 1 3 3 3 x
x 1 3 3 3 4
3
5
4 3 1 1 1 x
7
7
7
9
5
8
8
8
10
6
9
9
9
11
7
10
10
10
12
8
11
11
11
R 5 R 3
R 3 5 R
R 5 R 3
4
R 3 5 R 3
1, 3, 5
8
R 5 R
x x x 2 3 1
Maj
13 R 3 5
12
R 3 5 R 3
13 R 5 R 3 R
1
T 3 4 0 1 x
2
x x 1 2 4 1
3
x 4 1 1 2 x
x 1 3 4 1 1
x x x 3 1 1
2 3 4 1 x x
1
2
4
7
7
11
2
3
5
8
8
12
3
4
6
9
9
13
4
5
7
10
10
14
5
6
8
11
11
R 5 R 5 2
1
1 2 3 4 1 x
R 5 R 2
2
R 2 5 R
1 2 3 4 1 1
R 2 5
x 1 3 3 4 x
1
2
7
9
2
2
3
8
10
3
3
4
9
11
4
4
5
10
12
5
5
6
11
13
R 5 R 4 5 R
1
1 3 4 x x x
2
x 1 1 3 4 x 2
7
2
3
8
3
4
9
4
5
10
5
6
11
x x 1 3 1 4
5 R 5 R
2
1 x 0 3 2 x
sus4
1, 4, 5
R 5 R 4
5 R 4 R
no 3rd 1,5
R 5 R
3
1 3 0 2 x x
4
T x 3 2 4 x
5
x 2 3 1 4 x
x 3 x 2 4 1
2
1
1
1
1
1
3
2
2
2
2
2
4
3
3
3
3
3
5
4
4
4
4
4
6
5
5
5
5
R 5 6 3
R
x 4 2 3 1 x
6 3 5
R 5 6 3
R
x 1 4 4 4 4
x 1 4 2 3 1
2 4 1 3 x x
7
11
11
6
8
8
12
12
7
9
9
13
13
8
10
10
14
14
9
11
11
15 R 5 R 3 6
1, 3, 5, 6 5
3 6 R
2 x 1 4 3 x
7
12
6
5 5 R 3 6
R 3 6
5
R 3 6 R
F
x 1 3 4 x x
1
R 5 R
1
R 5 R 4
R 5 R 2
x x 1 1 2 4
1
R 5 R 4 5
1, 2, 5
15
R 5 R 2 5
x x 1 3 4 4
sus2
15 R 5 6 3
R
6 3 5
R 6 R 3 5
40140 Ultimate Chord Scale Bible.indb 83
6/19/12 12:42 PM
84 1 4 2 3 x x
Maj7
1, 3, 5, 7
1
1 x 3 4 2 x
T 3 4 2 1 0
x x 3 2 1 0
2 x 1 3 4 x
5
1
1
1
1
2
2
2
2
2
2
3
3
3
3
3
3
4
4
4
4
4
4
5
5
5
5
5
5
6
R 5 7 3
R
x 4 3 1 1 x
3 x 2 4 1 x
R 5 R 3 5 7
7 3 5
x x 2 4 1 3
4
x 1 3 3 3 4
x 1 x 3 4 2
5
7
7
7
5
6
6
8
8
8
6
7
7
9
9
9
7
8
8
10
10
10
6
11
9
9 5
3 7 R
11
11 R 5 7 3 5
3 7 R 5
R
7 3 5
12 R 5 R 3 7
x 2 x 1 4 3
x x 1 1 1 4
x x 4 3 2 1
9
9
11
10
10
12
11
11
13
12
12
14
13
13
15 R 5 7
R 3 5 7
T* 3 4 0 1 0
x x 1 3 4 1
5 R 3 7
x x 3 0 1 0
1, 3, 5, 7, 9
x 1 3 2 4 1
R 5 7 3
R 5 7
5
R 3 5 7
Maj9
3
x x 1 4 4 4
6 3
R 3 5 7
4
8
F
2
3
1
3
x 2 1 4 3 x
2
x 1 3 2 1 1
2 1 4 1 3 x
1
1
2
6
7
11
2
2
3
7
8
12
3
3
4
8
9
13
4
4
5
9
10
14
5
5
6
10
11
R 9 5 7
R 5 R 9 5 7
R 3 7 9
R 5 7 9
15 R 3 7 9 5
R 5 7 9 5
* T = Thumb x 1 4 1 2 1
1 3 4 4 4 x
11
1
12
2
13
3
14
4
15
5 3 R 9 5 7
x x 0 0 1 1
6/9
1, 3, 5, 6, 9
R 5 9 5 7
1
2
1 0 0 0 2 3
5
x x 1 1 2 3
1 1 1 2
x x 2 1 3 4
1
1
1
1
4
6
2
2
2
2
5
7
3
3
3
3
6
8
4
4
4
4
7
9
5
5
5
5
8
10
6 9 5 R
3
R 3 6 9 5
x 2 1 1 3 4
4 x 1 3 1 1
4
R 3 6 9 5 R
R 3 6 9
2 1 1 1 3 x
2 1 1 1 3 4
6 9 5 R
3 6 9 5
x 1 1 1 2 x
x x 1 1 2 3
6
9
11
11
11
11
7
10
12
12
12
12
8
11
13
13
13
13
9
12
14
14
14
14
10
13
15
15
15
R 3 6 9 5
40140 Ultimate Chord Scale Bible.indb 84
1 0 0 0 2 x
R
5 9 3 6
R 3 6 9 5
R 3 6 9 5 R
15 3 6 9 5
6 9 5 R
6/19/12 12:42 PM
85 x x 3 2 1 4
1 3 4 2 1 1
2
x 3 2 1 4 1
1
x x 1 3 1 4
x 1 2 4 3 1
1
1
4
7
9
2
2
5
8
10
3
3
6
9
11
4
4
7
10
12
5
5
8
11
13
R 3 5 9
R 5 9 3 5 R
R 3 5 9 3
add9
1, 3, 5, 9 5 9 3 R
12 R 5 9 3 5
1
1 x 3 4 2 x
2
x x 1 3 3 4
x 1 3 2 4 x
x 3 4 1 1 x
x 1 x 3 4 2
1
2
4
7
7
2
3
5
8
8
3
4
6
9
9
4
5
7
10
10
5
6
8
11
R
1
7 11 5
T x 3 2 4 0
1 x 2 3 4 x
1, 3, 5, 7, 11
11
R 11 5 7
R 5 7 11
x x 1 4 2 3
x 4 2 3 1 x
R 5 7 11
Maj11
R
2
x 1 x 2 4 4
1
1
2
4
7
2
2
3
5
8
3
3
4
6
9
4
4
5
7
10
5
5
6
8
11
R
R
7 3 13
R 3 13 7
Maj13
1, 3, 5, 7, 13
R 3 13 7
7
7 11 5
R
7 3 13
R 13 7 3
1
1 x 0 0 2 0
2
1 0 0 0 2 0
1 x 2 3 4 4
x 1 1 1 2 3
1
1
1
6
11
2
2
2
7
12
3
3
3
8
13
4
4
4
9
14
5
5 R
1
5
13 9 5 7
1 x 0 3 0 0
10
R 3 13 9 5 7
2
1 x 2 3 0 x
R
3
x 3 4 2 1 1
x 1 2 3 4 4
2 x 1 3 1 1
5
8
12
6
9
13
4
4
7
10
14
5
5
8
11
3
4 5
R
2
7 3 11
x 4 3 2 1 x
R 5 R 3 11 7
3
1
4
2
5
3
3
6
4
4
7
5
8
7 3 5
T 3 4 2 0 0
3
2
3
R
R 3 13 9 5 7
2
2
1 x 3 3 3 x
7 3 13 9 5
11
1
1
15
7 3 13 9
7
1
13 3 11 7
1, 3, 5, 7, 9, 13
4
1
R
Maj13add9 F
2 1 1 1 3 1
40140 Ultimate Chord Scale Bible.indb 85
x x 1 4 2 3
2
R 3
5 7
9
R 11 13 7 3
x 1 4 2 3 x 7
R 11 7 3 13
1, 3, 7, 11, 13
15 R
8
8
8
9
9
9
10
5
10
10
11
6
11
11
R 5 7 3
R
7 3 5
13 3 11 7
4 3 2 1 x x
x 1 x 2 4 3 7
R 5 7 3
Maj1311
Maj75
1, 3, 5, 7
12 13
R 3 5 7
6/19/12 12:42 PM
86 1 x 2 3 0 0
Maj711 1, 3, 7, 11
1 x 3 2 0 0
1, 3, 7, 9, 11
1, 3, 5
3
1
2
2
6
2
3
3
7
3
3
3
4
4
8
4
4
4
5
5
9
5
5
5
6
6
10
7 3 11 7
R
R 3 11 7
2 x 3 4 1 x
R 5 R 3 11 7
11
11
8
12
12
9
13
13( )
10
14
14
11
15
R 11 7 3
R
1 x 3 0 0 x
2
7 3 11
3
R 11 7
15
1 x 2 3 0 4
x 2 1 4 3 1
2 1 3 1 1 x
1
6
11
11
2
7
12
12
3
3
8
13
13
4
4
9
14
14
5
5
10
15
x x 4 2 3 1
1
7 3 11 9
1
1
2
2
2
3
3
3
4
4
4
5
5
2
3 5 R 3
5
4 3 2 1 x x 5
5
5
6
6
6
7
7
7
8
8
8
9
5 R 3
5 R 3
3 x x 4 2 3 1 8 9 10 11 12
5 R 3
5
5
9
9 10
11
11
12
12 13
5 R
7 9 11
5 R
x 3 2 1 1 x
10
R 3
R
5 R 3 5
R 3
4 3 2 1 x x
13
15
9
R 3 7 9 11
x 3 2 1 1 x
4
3
R 3 7 9 11
x 3 2 1 1 x
4 3 2 1 x x
1
R 3 5 R
7 3 11
2 x 3 1 1 x
2
R
R
R 3 11 7
(R)
1
7 9 11
R 11 7 3
x 2 x 3 4 1
(2) x 4 3 1 1
7
x x 4 2 3 1
40140 Ultimate Chord Scale Bible.indb 86
x x 1 2 4 4
2
R
Augmented (aug) F
2
1
1
3 x 1 2 4 x
2
x 1 2 3 4 x
Maj9 11
T 3 4 2 0 0
1
R
1
3
5 R 3
6/19/12 12:42 PM
87 x x 3 1 1 x
4
x x 3 1 1 1
1
1 3 4 1 1 1
2 x 1 3 4 x
3
x x 1 3 4 2
x 4 2 1 x x
1
1
1
2
2
4
2
2
2
3
3
5
3
3
3
4
4
6
4
4
4
5
5
7
5
5
5
6
6
R 3 5 x 4 2 1 3 x
R 3 5 R x x 2 1 3 4
R 5 R 3 5 R
2
x 1 3 4 2 1
5
4
7
7
5
5
8
8
6
6
9
9
7
7
10
10
1
R 3 5 R
1 x 0 2 3 x
8
2
11
R 5 R 3 5
3 5 R 5
x x 0 1 1 1
3
3
R 5 R
R 5 R 3
8
11
1 2 3 1 4 x
x 4 3 2 1 x
4
x x 1 3 1 2
x 2 4 1 3 x
1
1
2
2
6
2
2
2
3
3
7
3
3
3
4
4
8
4
4
4
5
5
9
5
5
5
6
6
10
6
3 5
6
3 5 R
R 5 R 3 6
2 x 1 3 4 x
2 4 1 3 x x
6
11
11
11
12
12
12
8
13
13
13
9
14
14
14
10
15
15
15
6 3 5
3
R 5 6
1 3 1 1 x x
R
1 3 1 1 4 1
6
6
1
3 5 R
x x 1 1 1 1
2 x 3 3 3 x
2 x 1 4 3 x
1
1
1
1
1
2
2
2
2
2
3
3
3
3
3
3
4
4
4
4
4
4
5
5
5
5
5
5
4
x x 1 4 2 3
R 5 7 3 7 R
R 5 R 3 7 R 2 x 1 3 1 x
x 4 3 2 1 x
R
6
7 3 5
x 3 1 4 1 x
5
7 3 5 R
6
x 2 1 3 4 x
3
5
5
5
7
4
6
6
6
8
4
5
7
7
7
9
5
6
8
8
8
10
7
9
2
x 1 3 1 2 1
8
3
5
R 3 5 7
3 7 R
9
7
7
7
10
8
8
8
11
9
9
9
12
10
10
10
13
11
11
11
R 5
7 3 5
R
40140 Ultimate Chord Scale Bible.indb 87
7 3 5
R 5
7 3 7
9
R 3 7 3
R 5 7
11 R 5
7 3
x x 4 2 3 1
x 1 3 1 2 4
x 1 x 2 4 3
R 3 7 R
1, 3, 5, 7
x 1 3 1 2 x
3
R 5 7 3
min7
3
2
6
R 5 6 3
F
2
R 5 7 3
1, 3, 5, 6
R 3 5 6
3 5
1 2 3 1 4 1
min6
x x 1 3 3 3
7
R
R 5 6 3
7 8
x 2 x 1 4 3
R 3 5
R 3 5
1
R
1, 3, 5
x x x 3 2 1
4
8
min
14 15
R 3 5 7
6/19/12 12:42 PM
88 1 3 2 1 x x
minMaj7 1, 3, 5, 7
1
1
2
2
3
3
4 5
4
2
3
5
3
3
4
6
4
4
4
5
7
5
5
5
6
R
4
7
3 5
7
R 3 5 7
3 5
7 8
9
9
10
10 11
2
1 x 2 3 4 x
x 1 4 1 2 x
x x 1 4 2 3
1
1
2
7
7
2
3
8
8
3
3
4
9
9
4
4
5
10
10
minadd9 1, 3, 5, 9
1 3 4 1 1 1
5
7 3 5
R
2
1 2 3 1 1 4
6
3
R 5 7 3
11
R 5 7 3
11
x x 4 1 1 1
x x 3 1 1 4
7 3 5
R
4 2 1 3 x x
x 1 3 4 2 1
1
1
1
1
7
9
2
2
2
2
8
10
3
3
3
3
9
11
4
4
4
4
10
12
5
5
5
5
11
13
R 5 9
R 3 5 7
x 1 x 2 3 4
2
1
8
7 3 5
R
1
R 5 7 3
R 5 7 3
x 1 x 3 4 2
8
5
x 4 2 1 1 x
1
7
R 5 7 3
x x 1 3 4 2
x x 4 1 2 0
x x 2 1 1 x
2
3
1 4 1 1 x x
1, 3, 5, 7
F
x 1 4 2 3 x
11
2
2
3
min7 5
1 x 4 2 3 x
1
R 5 7
1
3 5 R
R 5 R 3 5 9
R 3 5 9
9
3 5 R
12
R 3 5 9
R 5 9 3 5
3
min6/9
1, 3, 5, 6, 9
1 2 4 1 3 x
1 x 0 2 3 4
1, 3, 5, 9, 11
x x 4 3 1 1
2 x 1 4 1 1
3
1
1
2
2
5
2
2
2
3
3
6
3
3
3
4
4
7
4
4
4
5
5
8
5
5
5
6
6
6
R 5 9
3 5 9
x 3 1 2 4 4
x x 2 1 3 4
1
R
minadd9/11
2
x 1 2 3 4 4
4
5
10
11
6
11
12
7
12
13
8
13
14
9
14
R 3 6 9 5
R 3 6 9
3 6
3 6 9 5 R
3
R 5 6 9
9
3 5 6 9
R 3 6 9
2 x 1 3 3 4
15
x 3 1 2 4 x
R
6
3 5 9
1 2 3 1 1 4 1 2 3 4 5 6 R 5 9
40140 Ultimate Chord Scale Bible.indb 88
3 5 11
6/19/12 12:42 PM
89 1
2 x 3 3 3 4
3
1 3 1 1 1 4
1 2 4 1 3 x
1 2 1 1 4 3
4
x x 4 3 2 1
2
1
1
1
1
2
5
2
2
2
2
3
6
3
3
3
3
4
7
4
4
4
4
5
8
5
5
5
5
6
R
7 3 5 9
x x 1 3 3 3
R 5 7 3 5 9
R 5 9
3 7
3 1 4 2 x x
x 4 3 1 1 x
2
5
7
10
1
6
8
11
2
7
9
12
3
8
10
13
4
9
11
14
1
3 7 9 5
1 3 2 1 1 4
2
3 5 7 9
x x 4 2 3 1
x 2 1 4 3 x 6
7
2
3
7
8
3
4
8
9
4
5
9
10
5
6
10
11
2
3 5 7 9
1 1 1 1 1 3
x 1 4 1 2 1
1
1
2
5
2
3
6
3
4
7
4
5
8
5
R 11 7 3 5 9
6
5 3 11 7 9
x x 1 1 2 3
1 2 1 1 1 4
9
2
R 3 7 9
9
3 5 7 9
min9Maj7 1, 3, 5, 7, 9
3 5 7 9
x 2 1 3 4 1
min9add11 1, 3, 5, 7, 9
x 2 x 3 4 1
3
x 3 1 4 1 1
x 1 1 1 2 1
1
2
5
5
7
10
3
6
6
8
11
3
4
7
7
9
12
4
5
8
8
10
13
5
6
9
9
11
F
R 3 7 9 11
2
R 11 7 3
R 3 7 9
R 3 7 9
1
6
1, 3, 5, 7, 9
x 4 3 2 1 x
2
3 5 9
min9
x x 2 1 4 3
5
R 3 7 9
1
R 5 7
R 5 7 3 7 9
x 2 1 3 4 x
R
7 3 11
R 3 7 R 11
R 11 7 3 5
2 x 3 4 1 x
min11
1, 3, 5, 7, 11
14 R
7 3 11
R 5 7 3 5 11
40140 Ultimate Chord Scale Bible.indb 89
6/19/12 12:42 PM
90 1 4 1 1 x x
min13
1, 3, 5, 7, 13
2
1, 3, 5, 7, 9, 13
min7 5
1, 3, 5, 7
2
3
3
3
9
4
4
4
10
R 13 7 3
5 R
min9 5
1, 3, 5, 7, 9
7 3 13
5
1
6
2
2
7
3
3
8
4
4
9
5
5
10
4
7 3 13 9
2 x 3 4 0 x
5
R 5 7 3 13 9
x x 1 3 3 3
x 1 x 2 3 4
8
R 5 7 3 13 (R)
11
7 3 13
R
x 2 1 3 3 4
1
6
R 3 7 9 13
x 4 2 1 1 x
x x 1 3 1 2
3
x 2 x 3 4 1
1
1
2
3
5
6
7
2
3
4
6
7
8
3
4
5
7
8
9
4
5
6
8
9
10
7
9
R
7 3 5
6
R 5 7 3
x x 4 3 2 1
8
2
11
11
11
12
12
10
13
13
13
11
14
14
14
12
15
15
1
x x 1 2 0 4
2
R 3 5 7
2 x 1 3 4 1
R
7 3 5
10
7 3 5
R
11
15
x x 4 2 3 1
7 3 5 R
2 x 1 3 4 x
x x 1 3 4 2
x 4 2 1 1 x
1
2
2
5
5
7
3
3
6
6
8
3
4
4
7
7
9
4
5
5
8
8
10
7 3 5 9
6
3
R 5 7 9
6
3 5 7 9
R 5 7 3
2
x 1 3 2 4 x
x x 2 3 1 4
12
5 R 3 7
3 7 R 5
2 x 3 4 1 x
9
R 3 5 7
8
5
40140 Ultimate Chord Scale Bible.indb 90
1 2 1 1 3 4
x x 1 3 2 4
7
1
5
F
( )
1 2
R
1
2
1 x 2 3 4 4
1 3 1 1 4 (1)
1
5
min13add9
1 x 2 3 4 x
9
5
3 7 9
9
3 7 9 5
11
3 5 7 9
6/19/12 12:42 PM
91 1 3 1 2 x x
1
1 3 1 2 1 1
4
1 3 1 2 4 1
x x 3 2 4 1
6
3 x 1 4 2 x
1 x 2 4 3 x
1
1
1
1
1
2
2
2
2
2
2
3
3
3
3
3
3
4
4
4
4
4
4
5
5
5
5
5
5
5
R 5 7 3 x x 1 3 2 4
4
R 5 7 3 5 R x 3 2 4 1 x
R 5 7 3 7 R x x 2 3 1 4
R 3 7 R x 1 x 2 4 3
2
3
7 3 5
x 1 3 1 4 1
5
5
7
7
7
3
6
6
8
8
8
4
7
7
9
9
9
5
8
8
10
10
10
R 5 7 3
9 R 3
2 x 1 1 1 x
7 R
9 3
9
9
10
10
10
11
11
11
12
12
12
13
13 7
5 R 3 7
5 R 3
1 (0) 2 0 3 (4)
x 2 4 1 3 x
7 R 5
R
7 3 5
11 R 5
11
7 3 5
13
3
3 7 R 5
x x 2 1 4 3
x x 2 3 1 4
6
x 2 x 3 4 1
1
1
1
1
3
4
6
2
2
2
4
5
7
3
3
3
5
6
8
4
4
4
6
7
9
5
5
5
7
8
10
5
(R) 3 7 9 5 (R)
5 9 3 7 x x 1 3 1 2
3 x 4 2 1 x
4
R 3 7 9 x x 3 2 1 4
9 5 7 3 3 1 4 2 x x
R
2
x 1 3 2 4 x
9
11
11
11
10
10
10
12
12
12
11
11
11
13
13
13
12
12
12
14
14
14
13
13
13
15
15
40140 Ultimate Chord Scale Bible.indb 91
5 9 3 7
7 9 3 R
R 3 7 9
3 7 9 5 0
9
1, 3, 5, 7, 9
F
7 9 5
x 1 3 2 4 4
9
7 9 3
x 2 1 3 3 3
R 3
7 9 3
9
R
R 5 R 3 7
x 2 3 1 4 x
x x 1 1 1 2
9
11
R 5 7
x 1 3 3 3 4
2
6
1, 3, 5, 7
6
R
7
15
3 7 9 5 R
6/19/12 12:42 PM
92
9sus4
1, 4, 5, 7, 9
x x 1 1 2 1
1, 5, 7, 11
1, 3, 5, 7, 13
1, 3, 5, 7, 9, 13
3 x 4 2 1 x
3
7
9
10
10
8
10
11
11
4
7
9
11
12
12
5
8
10
12
13
13
6
9
11
13
14
R 4 7 9
1 3 1 4 1 1
R
3
7 9 4
R 4
x x 1 3 2 4
7 9 5
x 2 3 4 1 x
2
9 5 R 4 7
R
x 1 3 1 4 1
14
x x 1 1 2 3
x 1 3 3 4 4
2
5
7
7
9
3
6
8
8
10
3
4
7
9
9
11
4
5
8
10
10
12
5
6
9
11
11
1 x 2 3 4 x
2
R 5 7 11
x x 1 3 4 2
3
R 11 7 R
R 5
x 1 3 4 2 x
R 5 R 11 7
7 11 5
x 2 1 3 4 4
13
x 1 x 2 4 4
1
1
5
6
7
9
2
6
7
8
10
3
3
7
8
9
11
4
4
8
9
10
12
5
5
9
10
11
13
7 3 13
7 3 13 R
1 x 2 3 4 4
x x 1 3 4 4
7 3 13 R
x 1 2 3 4 x
R 3
2
7 3 13
x 2 1 3 3 4
1
1
5
6
9
2
6
7
10
3
3
7
8
11
4
4
8
9
12
5
5
9
10
7 3 13 9
7 3 13 9
7 3 13 9
R 3
13
7 9 13
7 3 13
R
7 R 3 13
3 x 4 2 1 1
2
R
5 R 11 7
3 x 4 1 1 1
2
7 9 4 R
1
R 5 7 11 5 R
x x 3 2 1 4
7 9 4
2
R
40140 Ultimate Chord Scale Bible.indb 92
1
6
1
13add9
x 1 1 1 2 3
5
R
F
x 1 1 1 1 1
3
1
13
x 2 x 3 4 1
2
1
11(7sus4)
2
R
7 9 3 13
6/19/12 12:42 PM
93 1 x 2 4 4 x
x 1 2 1 4 3
x x 4 1 2 1
1
7
9
2
8
10
3
9
11
4
10
12
5
11
R
1
7 4 13
R 5
1 x 2 4 4 4
1, 4, 5, 7, 13
13
7 4 13
x x 1 4 4 4
13sus4
7 R 4 13
2
x 1 1 1 1 4
x x 4 3 2 1
1
1
7
9
2
2
8
10
3
3
9
11
4
4
10
12
5
5
11
13
R
1
7 4 13 9
7 4 13 9
1 x 2 3 0 x
x x 1 2 3 4
R 4
3
13add9sus4 1, 5, 7, 9, 13
7 9 13
7 9 4 13
2 x 3 4 1 x
x 2 x 3 4 1
x 1 2 1 4 x
2
1
2
5
6
7
11
2
3
6
7
8
12
3
4
7
8
9
13
4
5
8
9
10
14
5
6
9
10
11
R
1
7 3 5
1 x 2 3 4 x
1
2
R 5 7 3
x x 1 3 4 2
3
5
7 R
3
7 3 5
R
x 1 2 1 1 x
x 4 3 2 1 x
R 5 7 3
5
7
7
2
2
4
6
8
8
3
3
5
7
9
9
4
4
6
8
10
10
5
5
7
9
11
11
7 3 5
7 3 5 R
8 R 3
2
T* x 1 3 2 4
x 2 3 1 4 x
6
7 3 5 R
5 7
x x 2 1 4 1
3
x x 1 3 2 4
R 5 7 3
x 2 3 1 4 x
1
1
1
3
4
6
2
2
2
4
5
7
3
3
3
5
6
8
4
4
4
6
7
9
5
5
5
7
8
10
7 3 5 9
5
9 3 7
R 3 7 9
9 5 7 3
7 3 5 9
75 (+7) 1, 3, 5, 7
R
1
R
7 3 5
x 1 x 2 4 3
3
R
x 1 4 1 3 x
7 5
1, 3, 5, 7
15
1
R
2 x 3 4 1 x
F
7 3 5
x 2 1 3 1 x
7 9
1, 3, 5, 7, 9 R 3
7 9
* T = Thumb
4
x 2 3 1 4 x
x x 1 3 2 4
5
x x 1 3 2 4
x 2 3 1 4 x
3 x 4 2 1 x
3 2 4 1 x x
6
7
9
9
10
10
7
8
10
10
11
11
8
9
11
11
12
12
9
10
12
12
13
13
10
11
13
13
14
3
2
7 9 5
9 5
1 3 1 2 4 4
7 3
x x 4 2 1 1
5
1
9 3 7
x 2 1 3 4 x
R
3
7 9 3
3 7 9 5
14
x 1 3 3 3 x
x x 1 2 4 3
2 1 3 4 x x
1
3
6
6
11
11
2
4
7
7
12
12
3
5
8
8
13
13
4
6
9
9
14
14
5
7
10
10
15
R 5 7 3 7 9
40140 Ultimate Chord Scale Bible.indb 93
3 5 7 9
R 3
7 9
3
7 9 5
3 7 9 5
R 3 7 9
15
79
1, 3, 5, 7, 9 R 3 7 9
6/19/12 12:42 PM
94
x x 1 2 1 1
7 95
7
7
11
11
8
8
12
12
9
9
13
13
10
10
14
8
13
13
9
9
14
14
10
10
15
1
7 9 5
1 x 2 3 4 4
x 1 3 2 4 x
2
3 7 9 5
15
x 2 1 3 1 4
R 3 7 9 5
x x 1 2 1 4
x 2 3 1 4 x
5
6
6
10
6
7
7
11
3
7
8
8
12
4
8
9
9
13
5
9
10
10
7 3 5 9
5 9
7 3
1 x 1 2 3 4
7 9 5
R 3
x x 1 3 3 4
x x 4 3 1 1
3
2
7 9 5
x 2 1 3 4 4
14
3
3 7 9 5
2 1 3 3 4 x
x 1 2 3 4 x
1
1
3
6
11
11
2
2
4
7
12
12
3
3
5
8
13
13
4
4
6
9
14
14
5
5
7
10
15
7 3 5 9
x 2 1 3 4 1
7 3 5 9
3
x x 1 3 4 2
5 7 9
R 3
x 2 x 3 4 1
7 9 5
x 1 2 1 1 x
2
6
6
10
11
11
7
7
11
12
12
8
8
12
13
13
9
9
13
14
14
10
10
14
15
7 9 5
3
1 x 2 3 3 4
7 9 5
x 1 2 1 4 x
3
1
9 5 7
x 2 1 3 3 4
5
6
11
2
6
7
12
3
7
8
13
4
8
9
14
5
9
10
7 3 5 9
1 x 2 4 0 x
3
7 3 5 9
R 3
x x 1 3 3 4
7 9 5
3 7 9 5
15
R 3 7 9 5
15
2 1 3 1 1 x
R 3 7 9 5
15
x 2 4 3 1 1
3 7 9 5 R
x 1 2 3 4 4
2x
1 2 1 4 x
1
1
2
5
7
7
11
2
3
6
8
8
12
3
4
7
9
9
13
4
5
8
10
10
14
5
6
9
11
11
R
7 11 5
R 5 7 11
R 5 7 R 11
3 7 9 5
x 1 2 1 4 3
1
R
40140 Ultimate Chord Scale Bible.indb 94
7 9 5
1
2
1, 11, 5, 7
2
R 3
3
3 7 9 5
2 1 3 4 1 x
8
1
2 11
R
11 5
x 1 3 4 2 x
12
1, 3, 5, 7, 9
x x 1 3 4 2
14
11
759
1, 3, 5, 7, 9
7 9 5
12
1
95
R
7
R
7 9 5
6
1, 3, 5, 7, 9
1, 3, 5, 7, 9
R 3
6
7 5 9 (+7 9)
95
7 9 5
x 2 1 3 4 1
R 3
7
1, 3, 5, 7, 9
F
x 2 4 1 3 x 10
795
3 x 4 1 2 x
10
1
2
6
3
x 2 1 3 1 1
6
1, 3, 5, 7, 9
1
R 5 R 11 7
R 5 7 11
2 x 3 4 1 x
15 R
7 11 5
6/19/12 12:43 PM
95
1 2 1 3 4 (1) ( )
1
7
2
8
3
9
4
10
5
3
R 5 7 3 13 (R)
135
x 1 2 1 4 4
11
1 x 1 2 4 3
1, 3, 5, 7, 13 R 5 7 3 13
x 1 3 3 3 x
1
x 2 1 3 1 4
x x 1 2 1 4
2
3 x 4 2 1 1
1
5
6
6
9
11
2
6
7
7
10
12
3
7
8
8
11
13
4
8
9
9
12
14
5
9
10
10
13
R
1
7 3 13 9
1 x 1 2 3 4
2
7 3 13 9
R 3
x x 1 2 3 4
7 9 13
3
1
6
11
2
2
7
12
3
3
8
13
4
4
9
14
5
5
10
7 3 13 9
2 x 1 3 4 x
7 3 13 9
3
x x 1 2 4 3
5
5
10
6
11
7
7
12
8
8
13
5
1
3
9
7 9
1 x 0 4 0 x
3
2
7 9 5
x x 1 2 1 4
R
7 9 3 13
15
139
15
1, 3, 7, 9, 13 R 3 7 9 13
14
3
x 2 3 1 4 x
2 3 1 4 x x
x 2 x 1 4 1
2 x 1 4 1 x
2
6
6
11
11
3
7
7
12
12
3
4
8
8
13
13
4
5
9
9
14
14
5
6
10
10
15
11
11
7 11 5
x x 4 2 0 x
2
R 5 7 11
x 4 3 1 x x
R 5 7 11
x x x 4 2 1
R
1
3
6
8
2
4
7
9
3
5
8
10
4
6
9
11
5
7
10
8
R 3 5
40140 Ultimate Chord Scale Bible.indb 95
R 3 5
7 11 5
4 2 1 x x x
1
R 3 5
F
3 7 9 5
2
dim9
1, 3, 5, 7, 9
1
R
3 7 9 13
x 1 3 3 3 x
6
9
7 9 13
7 9 13
1, 3, 7, 9, 13
2 1 3 3 4 x
x x 1 2 3 4
1
R
139
x 2 3 1 4 x
R 5 7 11
dim11
1, 5, 7, 11
15 R
7 11 5
dim
1, 3, 5
12 13
R 3 5
6/19/12 12:43 PM
96
dim7 ( 7) 1, 3, 5, 7
2 x 0 3 0 x
x 2 3 1 4 x
x 2 x 1 3 1
x x 0 3 0 4
2 4 0 3 x x
x x 4 3 2 1
1
1
1
1
1
1
2
2
2
2
2
2
3
3
3
3
3
3
4
4
4
4
4
4
5
5
5
5
5
R
7 3 5
5 R 3 7
x 2 3 1 4 x
2 x 1 3 1 x
5
3 7 R
7 3 5 R
x x 1 3 2 4
x 2 x 1 3 1
R 5 7 3
5 6
2 4 1 3 x x
2
3
3
2
2
3
4
4
3
3
4
4
5
5
4
4
5
5
6
6
5
5
6
6
7
7
6
6
3
R 5 7
7 3 5 R
7
5 R 3
R 5 7 3
3 7 R 5
3 5 7 R
x x 4 3 2 1
3
7 8 9
5
2 x 1 3 1 x
x 2 3 1 4 x
x 2 x 1 3 1
5
6
6
5
5
6
6
7
7
6
6
7
7
8
8
7
7
8
8
9
9
8
8
9
9
10
10
9
9
10
5
3
7 R
R 5 7 3
R
7 3 5
3
7 R 5
5 R 3 7
11 12
2 x 1 3 1 x
F
x 2 3 1 4 x
8
9
9
8
8
9
9
10
10
9
9
10
10
11
11
10
10
11
11
12
12
11
11
12
12
13
13
12
12
7
5 R 3
3 7 R 5
3
R 5 7
5 R 3 7
7 3 5 R
11
11
11
12
12
12
13
13
13
14
14
14
15
15
R
40140 Ultimate Chord Scale Bible.indb 96
2 4 1 3 x x
x x 1 3 2 4
7 3 5
7 3 5 R
15
7 R 3 5
13 14 15
2 x 1 3 1 x
x x 4 3 2 1
2 4 1 3 x x
x x 1 3 2 4
x 2 x 1 3 1
7 R 3
x x 4 3 2 1
2 4 1 3 x x
x x 1 3 2 4
R 3 5 7
R 5 7 3
6/19/12 12:43 PM
97
Three-Note Voicings Maj7
7
1 0 3 x x x
min7
6
2 x 3 3 x x
1 0 2 x x x
1 0 0 x x x
1
1
1
1
2
2
2
2
3
3
3
3
4
4
4
4
5
5
5
R 3 7
R 3 7
1 x 2 3 x x
1 x 2 3 x x
R
7 3
5 R 3 6 1 x 0 3 x x
x x 3 1 4 x
1
1
1
1
2
2
2
2
3
3
3
3
4
4
4
4
5
5
5
R
R
7 3
x x 2 1 4 x
R 3 7
7 3
x x 2 1 4 x
5 R
x x 2 1 3 x
x 2 1 3 x x
1
1
5
1
2
2
6
2
3
3
7
3
4
4
8
4
5
5
9
R 3 7
R 3 7 x 2 1 4 x x
x 2 1 3 x x
R 7 3
5 R 3 6 x 2 1 1 x x
x 1 x 2 3 x
6
6
7
6
7
7
8
7
8
8
9
8
9
9
10
9
10
10
11
10
R 3
R 3 7 x 1 x 3 4 x
7
R
x 1 x 2 4 x
7 3
x 2 x 1 4 x
x x x 2 1 4
7
8
6
8
8
9
7
9
9
10
8
10
10
11
9
11
11
12
10
R
R
7 3
R 3 7
7 3
x x x 1 1 2
R
9
9
10
9
10
11
10
11
11
12
11
12
12
13
12
13
13
14
13
R 3 7
2 1 4 x x x
2 1 3 x x x
R 3 7
R 3 6 2 1 1 x x x
11
11
11
12
12
12
13
13
13
14
14
14
15
15 R 3 7
R 3 7
6 3
x x x 1 1 1
2 1 3 x x x
10
R 3 7
F R 3 6
7
x x x 1 1 4
6 3
15 R 3 6 2 x 1 4 x x 11 12 13 14 15 R
40140 Ultimate Chord Scale Bible.indb 97
6 3
6/19/12 12:43 PM
B /A
98
x x x 2 3 1
Maj
1, 3, 5
2
x 1 3 3 3 x
x 1 3 3 3 4
5
4 3 1 1 1 x
1
1 3 4 2 1 1
x x 3 2 1 1
1
1
1
2
5
5
2
2
2
3
6
6
3
3
3
4
7
7
4
4
4
5
8
8
5
5
5
6
9
R 3 5
R 5 R 3
R 3 5 R 3
6
9 R 5 R 3 5 R
R 3 5 R
R 5 R 3 R 2 x 1 3 4 x
x x 1 2 4 3
7
9
9
8
10
10
9
9
11
11
10
10
12
12
11
11
13
R 5 R
x x x 3 1 1
1, 2, 5
B A
R 5 R 3
1
x 1 3 4 1 1
2
x x 1 2 4 1
x 4 1 1 2 x
4
7
9
2
5
8
10
3
3
6
9
11
4
4
7
10
12
5
5
8
11
13
R 2 5
R 5 R 2 5
x 1 3 3 4 x
x x 1 1 2 4
R 5 R 2
2
R 5 R 2
1 2 3 4 1 1
2
5
7
2
3
6
8
3
4
7
9
4
5
8
10
6
9 5 R 4 R
x 1 3 4 x x 5
7
2
6
8
3
7
9
4
8
10
9
3
x 1 3 0 4 x
11 R 5 R
1
R 5 R 4
x 1 1 3 4 x
1
R 5 R
11 R 5 R 4 5 R
1 3 4 x x x
R 2 5 R
x x 1 3 4 4
1
5
5 R 5 R
x 1 4 4 4 4
2 4 1 3 x x
x 1 4 2 3 1
2
2 x 1 4 3 x
x 2 3 1 4 x
1
1
1
4
4
6
2
2
2
5
5
7
3
3
3
6
6
8
4
4
4
7
7
9
5
5
5
8
8
10
R 5 6 3 x 3 x 2 4 1
R 5 R 3 6
R 6 R 3 5
x x 1 3 1 4
x 4 2 3 1 x
5
7
10
6
8
11
7
9
12
8
10
13
9
11 5
40140 Ultimate Chord Scale Bible.indb 98
2 3 4 1 x x
1
R 5 R 4
1, 5
R 3 5 R 3
2
5
no 3rd
13 R 3 5 R
1
1
1, 4, 5
1, 3, 5, 6
x 4 3 1 2 1
x 4 3 1 2 x
8
sus2
6
3
7
3
sus4
4
3 6 R
R 5 6 3
R
6 3 5
5 R 3 6
14 R 5 6 3
R 3 6 R
6/19/12 12:43 PM
99
3
x 1 x 3 4 2
2
x 1 3 2 4 1
x x 1 1 1 4
x 1 3 3 3 4
4
x x 4 3 2 1
1 4 2 3 x x
1
1
1
2
4
5
2
2
2
3
5
6
3
3
3
4
6
7
4
4
4
5
7
8
5
5
5
6
8
R
1
R 5 7 3 5
R 5 R 3 7
x x 1 4 4 4
2 x 1 3 4 x
7 3 5
1 x 3 4 2 x
2
5
R 3 5 7
x 4 3 1 1 x
3 x 2 4 1 x
R 5 7 3 x x 2 4 1 3
5
7
7
9
10
10
8
8
10
11
11
7
9
9
11
12
12
8
10
10
12
13
13
9
11
11
13
14
7 3 5
x 1 0 3 2 x 1 2 3 4 5 R 3 7 9
R 5 7 3
1
3
x 1 3 2 1 1
R 5 7
R 3 5 7
2 1 4 1 3 x
14 5
x 1 4 1 2 1
3 7 R 5
3 7 R
1 2 4 4 4 x
3
x x 1 3 4 1
1
4
4
5
7
2
5
5
6
8
3
6
6
7
9
4
7
7
8
10
5
8
8
9
11
R 5 7 9 5
R 3 7 9 5
3 R 9 5 7
1, 3, 5, 7
9
5 R 3 7
6
R
Maj7
Maj9
1, 3, 5, 7, 9 R 5 7 9
10 R 5 9 5 7
2
x 2 1 4 3 x
11 12 13 14 15 R 3 7 9
3
x 1 0 0 2 3
x x 1 1 2 3
4 x 1 3 1 1
1
2 1 1 1 3 x
x 1 1 1 2 x
2 1 1 1 3 4
1
2
4
4
4
4
2
3
5
5
5
5
3
4
6
6
6
6
4
5
7
7
7
7
5
6
8
8
8
R 3 6 9 5
5 9 3 6
6 9 5 R
x x 2 1 3 4
x 1 1 1 2 x
R
4
R 3 6 9 5
2
9
11
11
7
10
12
12
8
11
13
13
9
12
14
14
10
13
15
40140 Ultimate Chord Scale Bible.indb 99
6 9 5 R
3 6 9 5
x x 1 1 2 3
6
R 3 6 9
1, 3, 5, 6, 9
8 R 3 6 9 5 R
x 2 1 1 3 4
6/9
B A
15 R 3 6 9 5
3 6 9 5
6/19/12 12:43 PM
100 2
add9
1, 3, 5, 9
x 1 2 4 3 1
x x 1 3 1 4
1
x x 3 2 1 4
1 3 4 2 1 1
x 3 2 1 4 1
1
3
5
5
9
2
4
6
6
10
3
5
7
7
11
4
6
8
8
12
5
7
9
9
R 5 9 3 5
5 9 3 R
13 R 3 5 9
10
R 3 5 9 3
R 5 9 3 5 R
1
Maj11
1, 3, 5, 7, 11
x 1 3 2 4 x
2
x 1 x 3 4 2
x 3 4 1 1 x
5
7
9
2
2
6
8
10
3
3
7
9
11
4
4
8
10
12
5
5
9
11
1
1, 3, 5, 7, 13
x x 1 3 3 4
1
R 5 7 11
Maj13
1 x 3 4 2 x
1
x 1 x 2 4 4
R
2
7 11 5
R
1 x 2 3 4 x
R 5 7 11
5
7
9
2
6
8
10
3
7
9
11
4
8
10
12
5
9
11
13
7 3 13
R
7 3 13
R 11 5 7
x 4 2 3 1 x
x x 1 4 2 3
1
R
13
7 11 5
R 3 13 7
12 R 13 7 3
Maj13add9 1, 3, 5, 7, 9, 13
B A
3 x 4 2 1 1
2
1, 3, 7, 11, 13
Maj7 5
1, 3, 5, 7
40140 Ultimate Chord Scale Bible.indb 100
1 x 2 3 4 4
x 1 1 1 2 3
4
5
11
3
5
6
12
4
6
7
13
5
7
8
14
6
8
9
R
Maj13 11
1
2
7
2 1 1 1 3 1
1
15
R 3 13 9 5 7
R
7 3 13 9
7 3 13 9 5
2 x 1 4 1 1
x 1 1 1 2 x
x 3 4 2 1 1
7 9 3 13
x 1 2 3 4 4
2
1
4
6
9
2
5
7
10
3
6
8
11
4
7
9
12
5
8
10
1
R 11 7 3 13
x 1 4 2 3 x
13 3 11 7
R
2
x 1 x 2 4 3
13
11 7 3 13
3
14
4 3 2 1 x x
R 11 13 7 3
1 x 3 3 3 x
x x 1 4 2 3
x 4 3 2 1 x
1
1
1
5
7
9
2
2
2
6
8
10
3
3
3
7
9
11
4
4
4
8
10
12
5
5
5
9
11
R 5 7 3
R
7 3 5
6
R 3 5 7
R
7 3 5
R 5 7 3
13 14 R 3
5 7
6/19/12 12:43 PM
101 x 1 x 3 4 0
1
x 1 3 2 4 0
x 1 2 3 4 x
2
2 x 3 4 1 x
3 (2)
x 4 3 1 1
3 x 1 2 4 x
1
1
1
4
4
7
2
2
2
5
5
8
3
3
3
6
6( )
9
4
4
4
7
7
5
5
5
8
8
7 3 11
R
R 5 7 3 11
7
11
8
12
9
13
10
14
1
R 11 7 3
x 1 0 3 2 0
R
15
2
2 x 3 1 1 x
2 1 3 1 1 x
x 2 1 4 3 1
4
4
11
2
5
5
12
3
6
6
13
4
7
7
14
5
8
8
R 3 7 9 11
7 9 11
R
1
4 3 2 1 x x
4
1
2
2
2
3
3
3
4
4
4
5
5
5
5 R 3
6
R 3
5
x x 4 2 3 1
2
5 R
6
7
7
7
8
8
8
9
9
9
10
10
3 5 R 3 4 3 2 1 x x
9
10
10
11
11
11
12
12
12
13
13
13
14
5 R 3
R 3 11 7
11 3
R 11 7
5 R 3
40140 Ultimate Chord Scale Bible.indb 101
5
15
Maj911
1, 3, 7, 9, 11 R 3 7 9 11
Augmented (aug)
5 R 3
B A
5 R 3 5
x 3 2 1 1 x
10
3
(R)
1, 3, 5
x 3 2 1 1 x
4 3 2 1 x x
6
3
x 3 2 1 1 x
3
6
x x 4 2 3 1
R 3 7 9 11
6
5
R 3 5 R
10
7 3 11
R
1
x x 4 2 3 1
7 3 11
1, 3, 7, 11
x 2 x 3 4 1
x x 1 2 4 4
11
R 11 7 3
Maj711
14 R 3
5 R
6/19/12 12:43 PM
102 5
min
1, 3, 5
x x x 3 2 1
1
x 1 3 4 2 1
5
5
5
7
6
6
8
3
3
7
7
7
9
4
4
8
8
8
10
5
R 3 5 x x 1 3 4 2
R 5 R 3 5 x 4 2 1 x x
10
10
10
11
11
11
10
12
12
12
11
13
13
13
R 5 R 3
3
R 3 5
x 1 x 0 3 2
R 3 5 R
2 4 1 3 x x
R 3 5
9
R 3 5 R
11
3
3 5 R 5
1
2 x 1 3 4 x
4
x x 1 3 3 3
2
1
4
4
4
5
2
2
5
5
5
6
3
3
6
6
6
7
4
4
7
7
7
8
5
5
8
8
8
6 3 5
R
R 5 6
x 4 3 2 1 x
x x 1 3 1 2
R
3
x 2 4 1 3 x
7
11
11
8
8
12
12
9
9
13
13
10
10
14
14
11
11
15
12
3 5
6
9
3 5 R
15
6 3 5
R
2
x 1 3 1 2 1
x x 4 2 3 1
x 1 3 1 2 4
1
1
1
1
1
3
5
2
2
2
2
4
6
3
3
3
3
5
7
4
4
4
4
6
8
5
5
5
5
7
9
R
7 3 5
1 3 1 1 x x
R 5
3
7 3
R 5
1 3 1 1 4 1
7 3 5
R 5
7 3 7
8
2 x 1 4 3 x
x x 1 1 1 1
1 2 3 1 4 1
R 3 5 7
4
5
5
5
5
7
7
6
6
6
8
8
7
7
7
7
9
9
8
8
8
8
10
10
R 5 7 3
9
x 4 3 2 1 x
R 5 7 3 7 R
9
x 3 1 4 1 x
2 x 1 3 1 x
9
R 5 R 3 7 R
6
8
10
10
10
9
11
11
11
10
12
12
12
11
13
13
13
12
14
14
13
R 3 5 7
5
3 7 R
R 3 7 R
14
7 3 5 R
11
3
R 5 7
2 x 3 3 3 x
R
6
9
R 5 R 3 6
R 3 5 6
x 1 3 1 2 x
x 1 x 2 4 3
R 5 6 3
6
1 2 3 1 4 x
x 2 x 1 4 3
7
R 5 6 3
R 5 R
1
R 5 6 3
x x 2 1 3 4
9
5
40140 Ultimate Chord Scale Bible.indb 102
x 4 2 1 3 x
8
13
1, 3, 5, 7
9
R 5 R 3 5 R
9
5
9
9
1, 3, 5, 6
2 x 1 3 4 x
6
9
x x 3 1 1 1
2
7
min6
4
1
x 1 3 0 2 x
x x 3 1 1 x
2
3
min7
1 3 4 1 1 1
1
5
B A
2
11
7 3 5
x x 1 4 2 3
R 5 7 3
x 2 1 3 4 x
R 3 7 3
6/19/12 12:43 PM
103 x 1 4 2 3 x
x 1 x 3 4 2
x x 4 2 3 1
3
1 3 2 1 x x
1
1 x 4 2 3 x
2
x x 2 1 1 x
1
1
4
5
5
5
2
2
5
6
6
6
3
3
6
7
7
7
4
4
7
8
8
8
5
5
8
9
9
R 5 7 3
x x 1 3 4 2 9
8
10
9
11
10
12
11
13
x 1 4 1 2 x
R 3 5 7
R 5 7
3
R
7
9
3 5
1
x 1 x 2 3 4
1 4 1 1 x x
2
2 x 3 3 4 x
5
5
7
2
2
6
6
8
3
3
7
7
9
4
4
8
8
10
5
5
9
9
11
R 5 7 3
7 3 5
R
x 1 3 4 2 1
4 2 1 3 x x
R 5 7 3
1 2 3 1 1 4
R
1
7 3 5
1 3 4 1 1 1
min75
2
1, 3, 5, 7 R 5 7 3
x x 3 1 1 4
3
1
2
5
5
5
5
2
3
6
6
6
6
3
4
7
7
7
7
4
5
8
8
8
8
5
6
9
9
9
R 5 9 3 5
R 3 5 9
R 5 R 3 5 9
10 R 5 9
1
2 x 1 3 3 4
1 2 4 1 3 x
2
R 3 5 9
3 5 R
4
5
5
7
7
6
6
8
8
5
6
7
7
9
9
6
7
8
8
10
10
7
8
9
9
11
x 3 1 2 4 x
4
10
10
11
11
12
12
13
13
14
R 3 6 9
14
6
3 5 9
10 R 5 9
x 3 1 2 4 4
R 3 6 9
11
3
R 5 6 9
B A
3 5 R
x x 4 3 1 1
2 x 1 4 1 1
5
R
1, 3, 5, 9
9
x x 2 1 3 4
minadd9
9
4
3 6 9 5 R
x x 4 1 1 1
10
3
3
3 5
x x 1 4 2 3
1
7
R 3 5 7
1
x 1 2 3 4 4
1, 3, 5, 7
x 4 2 1 1 x
7
R 5 7 3
7 3 5
R
minMaj7
min6/9
1, 3, 5, 6, 9
3 5 6 9
3 6
R 3 6 9 5
1 2 3 1 1 4 5
minadd9/11 1, 3, 5, 9, 11
6 7 8 9 10 11 R 5 9
3 5 11
40140 Ultimate Chord Scale Bible.indb 103
6/19/12 12:43 PM
104
min9
1, 3, 5, 7, 9
1, 3, 5, 7, 9, 11
B A
1, 3, 5, 7, 11
1 2 1 1 4 3
1 2 4 1 3 x
5
5
5
5
6
6
6
6
3
5
7
7
7
7
4
6
8
8
8
8
5
7
9
9
9
3 5 7 9 x x 2 1 4 3
4
R 3 7 9 x x 4 3 2 1
R
7 3 5 9
x 2 1 3 4 x
5
7
10
10
8
11
11
7
9
12
12
8
10
13
13
9
11
14
1
3 5 7 9
1 3 2 1 1 4
2
R 3 7 9
14
x x 4 2 3 1
x x 2 1 1 4
5
5
7
10
6
6
8
11
3
7
7
9
12
4
8
8
10
13
5
9
9
11
R 5 7
3 5 9
7
1 4 1 2 1
5
7
10
8
11
7
9
12
8
10
13
9
11
x 1 1 1 2 1
1
5 3 11 7 9
3 5 9
14 3 5 7 9
15
R 3 7 9
14
2 x 3 4 1 x
R 3 7 9 11
x 3 1 4 1 1
x x 1 1 2 3
1 2 1 1 1 4
3
1
3
5
7
10
10
2
4
6
8
11
11
3
5
7
9
12
12
4
6
8
10
13
13
5
7
9
11
14
R 11 7 3 5
R
7 3 11
3 7
x 2 1 3 4 1
6
R 11 7 3 5 9
x 2 1 4 3 x
2
3 5 7 9
9 10
3 7 9 5
1
R 5 7 3 7 9
x x 1 3 3 3
6
R 3 7 9
R 5 7 3 5 9
R 5 9
2
10 11
40140 Ultimate Chord Scale Bible.indb 104
1 3 1 1 1 4
4
2
min11
3
3
1 1 1 1 1 3
min9add11
2 x 3 3 3 4
2
x 4 3 2 1 x
1, 3, 5, 7, 9
1
1
5
min9Maj7
3 1 4 2 x x
x 4 3 1 1 x
R 11 7 3
R 3 7 R 11
x 2 x 3 4 1
14 R
7 3 11
R 5 7 3 5 11
6/19/12 12:43 PM
105 1
x 1 x 2 3 4
2
2 x 3 3 4 x
1 3 1 1 4 (1)
1 4 1 1 x x
1
5
5
5
2
6
6
6
3
7
7
7
4
8
8
8
5
9
9
9
7 3 13
R
7 3 13
R
10
min13
1, 3, 5, 7, 13
( )
R 5 7 3 13 (R)
R 13 7 3
2 x 3 3 4 4
1 2 1 1 3 4
x 2 1 3 3 4
5
5
10
6
6
11
7
7
12
8
8
13
9
9
7 3 13 9
R
5
x 1 x 2 3 0
1
R 5 7 3 13 9
min13add9
1, 3, 5, 7, 9, 13
14 15
x 1 3 2 4 x
R 3 7 9 13
x x 4 3 2 1
x x 1 3 2 4
2
2 x 3 4 1 x
x x 2 3 1 4
1
1
1
3
4
4
2
2
2
4
5
5
3
3
3
5
6
6
4
4
4
6
7
7
5
5
5
7
8
R
14
7 3 5
x x 1 3 3 3
R 5 7 3
x 4 2 1 1 x
5 R 3 7
x x 1 3 1 2
8
3
7
8
10
11
8
9
11
12
9
10
12
13
10
11
13
14
11
12
14
3
R 5 7 3
x 4 2 1 1 x
13
1
3 7 R 5
R 3 5 7
x x 2 3 1 4
2
R 3 5 7
7 3 5
8
x x 4 2 3 1
2 x 1 3 4 x
x x 1 3 4 2
4
7
7
10
10
2
5
8
8
11
11
3
6
9
9
12
12
4
7
10
10
13
13
5
8
11
11
14
40140 Ultimate Chord Scale Bible.indb 105
7 3 5 9
3
R 5 7 9
7 3 5 R
7 3 5
R
1
3 5 7 9
1, 3, 5, 7
x 2 x 3 4 1
15
2 x 1 3 4 1
R
min7 5
3 5 7 9
5
3 7 9
14
min95
B A
1, 3, 5, 7, 9
3 7 9 5
6/19/12 12:43 PM
106 x 1 x 2 4 3
7
1, 3, 5, 7
2
2
2
2
2
3
3
3
3
3
3
4
4
4
4
4
4
5
5
5
5
5
5
6
6
R 5
7 3 5
R 5 R 3 7
7 3 5
1 3 1 2 x x
5
5 R 3 7
1 x 2 4 3 x
1 3 1 2 4 1
1
6 7
5 R 3
1 3 1 2 1 1
6
3
5
5
5
5
5
4
6
6
6
6
6
5
7
7
7
7
7
6
8
8
8
8
8
7
9
9
9
9
R 3 5 7
4
R 5 7 3 x x 1 3 2 4
R
3
7 3 5
x 3 2 4 1 x
7
7
10
10
8
11
11
9
9
12
12
10
10
13
13
11
11
14
R 5 7
x 1 0 2 3 x
2
R 5 7 3
x 2 0 3 3 3
R 3
4
R 5 7 3 7 R
14
R 5 7 3 5 R
9
7 R
3
3 x 4 2 1 x
x x 3 2 1 4
x x 1 3 1 2
3 1 4 2 x x
1
2
2
2
4
2
3
3
3
5
3
3
4
4
4
6
4
4
5
5
5
7
5
5
6
6
6
3
R 3
7 9
x 1 3 2 4 x
7 9 5
R
x 1 3 2 4 4
7 9 3
5 9 3 7
7 9 3 R
x 2 x 3 4 1
x x 2 1 4 3
x x 1 2 1 4
8
1
4
4
5
6
9
11
5
5
6
7
10
12
6
6
7
8
11
13 14
7
7
8
9
12
8
8
9
10
13
3 7 9 5
3 7 9 5 R
7 3 5 9
R 3 7 R
7 R 5
1
x x 3 2 4 1
2
R 3
3 7 R 5
x x 2 3 1 4
8
3
40140 Ultimate Chord Scale Bible.indb 106
x 2 3 1 4 x
2
3 x 1 4 2 x
A
2 x 1 1 1 x
2
8
B
x x 1 1 1 2
1
x x 4 3 2 1
1, 3, 5, 7, 9
x 1 3 3 3 4
1
R
9
x 1 3 1 4 1
1
R 3 7 9
R
R 3 7 9 x 2 1 3 3 3
15
7 9 3
R 3
7 9 5
6/19/12 12:43 PM
107 2
x 1 1 1 1 1
x 1 1 1 2 3
1
3 x 4 2 1 x
x x 3 2 1 4
x x 1 1 2 1
x 2 x 3 4 1
1
2
3
3
7
10
2
3
4
4
8
11
3
4
5
5
9
12
4
5
6
6
10
13
5
6
7
7
11
7 9 5
9 5 R 4 7
x 1 3 1 4 1
x 1 3 3 4 4
R 4
2
R
7 9 4
x x 1 1 2 3
1
7 9 4 R
1 3 1 4 1 1
3
R 4 7 9
R
x x 1 3 2 4
1
2
5
7
10
2
3
6
8
11
3
3
4
7
9
12
4
4
5
8
10
13
5
5
6
9
11
7 11 5
R 5 R 11 7
3
x 1 x 2 4 4
3 x 4 1 1 1
1
5 R 11 7
1 x 2 3 4 x
2
R 5 7 11 5 R
x x 1 3 4 2
R 5 7 11
14
x 1 3 4 2 x
2
5
5
10
11
2
3
6
6
11
12
3
4
7
7
12
13
4
5
8
8
13
14
5
6
9
9
14
7 3 13
3 x 4 2 1 1
R
1
7 R 3 13
R
1 x 2 3 4 4
7 3 13
7 3 13 R
x x 1 3 4 4
x 1 2 3 4 x
2
2
5
5
10
11
3
6
6
11
12
4
7
7
12
13
5
8
8
13
14
6
9
9
14
R
7 9 3 13
R
40140 Ultimate Chord Scale Bible.indb 107
7 3 13 9
7 3 13 9
x 2 1 3 3 4
7 3 13 9
R 11 7 R
13
1, 3, 5, 7, 13 R 3
7 3 13
13add9
1, 3, 5, 7, 9, 13
15
1, 5, 7, 11
15 7 3 13 R
11(7sus4)
x 2 1 3 4 4
1
R
7 9 4
x 2 3 4 1 x
2
1, 4, 5, 7, 9
14
1
R 5
9sus4
R 3
7 9 13
B A
6/19/12 12:43 PM
108
x 1 2 1 4 3
13sus4
1, 4, 5, 7, 13
2
5
2
3
6
3
4
7
4
5
8
5
6
1
13add9sus4
1, 5, 7, 9, 13
7 R 4 13
x x 4 3 2 1
1, 3, 5, 7
2
7 4 13
1 x 2 4 4 4
x x 1 4 4 4
2
5
5
2
3
6
6
3
4
7
7
4
5
8
8
5
6
9
7 9 13
7 9 4 13
x 1 2 1 4 x
1
9
7 4 13 9
7 4 13 9
2 x 3 4 1 x
x x 1 2 3 4
R
2
2 x 3 4 1 x
1
1
4
7
10
11
2
5
8
11
12
3
3
6
9
12
13
4
4
7
10
13
14
5
5
8
11
14
15
7 3 5
3
R 5 7 3
x 1 x 2 4 3
R
1
7 3 5
1 x 2 3 4 x
2
R 5 7 3
5
x x 1 3 4 2
3
1
5
5
8
10
2
6
6
9
11
3
3
7
7
10
12
4
4
8
8
11
13
5
5
9
9
12
14
R
7 3 5
R
7 3 5
7 3 5 R
13
1, 3, 5, 7, 9
x 2 0 3 0 x
5 7
1, 3, 5, 7, 9
40140 Ultimate Chord Scale Bible.indb 108
5
3 2 4 1 x x
3 x 4 2 1 x
2
2
3
3
2
3
3
4
4
3
3
4
4
5
5
4
4
5
5
6
6
5
5
6
6
7
R 3 7 9 T x 1 3 2 4
9 5 7 3
x 2 3 1 4 x
5
3
6
6
6
7
7
8
8 9
7 3 5 9
R
x x 2 1 4 1
5
9 3 7
7 9 3
x x 1 3 2 4
1
R 3 7 9
7
x 2 1 3 1 x
11
11
7
9
12
12
8
10
13
13
9
9
11
14
14
10
10
12
15
3
2 1 3 4 x x
R 3 7 9
x 1 3 3 3 x
2
9 5 7 3
1 3 1 2 4 4
R 3
1
7 9
3
x 2 1 3 4 x
4
4
5
11
11
5
5
6
12
12
3
6
6
7
13
13
4
7
7
8
14
14
5
8
8
9
15
3 7 9 5
R 5 7 3 7 9
R 3
7 9
7 9 5
x x 1 2 4 3
2
R 3 7 9
3 7 9 5
15
1
R 3 7 9
5 R
x x 1 3 2 4
8
5 9 3 7
x 2 3 1 4 x
1
x 2 0 3 4 x
x x 1 3 2 4
2
R
79
6
7 3
1
4
x 2 3 1 4 x
7 3 5
x 1 2 1 1 x
2
R 5 7 3
x 2 x 3 4 1
R
1
2
79
7 R
x 4 3 2 1 x
R 3
B A
3
2
x 1 4 1 3 x
R
1
R
7 5 (+7)
9
7 4 13
x 1 x 2 4 0
1, 3, 5, 7
x 1 1 1 1 4
R 4
75
1 x 2 4 4 x
1
R 5
x x 4 1 2 1
15 3
7 9 5
6/19/12 12:43 PM
109 2
x 2 0 3 0 0
3 x 4 1 2 x
x 2 4 1 3 x
1
x 2 1 3 1 1
1
3
3
11
11
2
4
4
12
12
3
5
5
13
13
4
6
6
14
14
5
7
7
15
R 3
2
7 9 5
7 9 5
R
x 2 0 3 4 0
3 7 9 5
x 1 3 4 2 x
2 1 3 4 1 x
R 3
1
7 9 5
3
x 2 1 3 4 1
4
11
11
2
5
5
12
12
3
6
6
13
13
4
7
7
14
14
5
8
8
15
7 9 5
x 1 0 2 0 4
R 3 7 9 5
x 2 3 1 4 x
3 7 9 5
1
R 3
1 x 2 3 4 4
7 9 5
x 1 3 2 4 x
7 9 5
795
x x 1 3 4 2
4
1, 3, 5, 7, 9
15
1
R 3
795
x x 1 2 1 1
1, 3, 5, 7, 9
15
3
2
7 9 5
x 2 1 3 1 4
x x 1 2 1 4
1
3
5
10
11
11
2
4
6
11
12
12
3
5
7
12
13
13
4
6
8
13
14
14
5
7
9
14
15
7 9 5
R 3
x 1 0 2 3 4
2
3 7 9 5
2 1 3 3 4 x
R
1
7 3 5 9
7 3
1 x 1 2 3 4
4
5
5
2
5
6
3
6
7
4
7
8
5
8
9
1
7 9 5
x 1 0 2 3 0
R 3 7 9 5
x 2 x 3 4 1
7 3 5 9
R
3
5 9
R 3
x x 1 3 3 4
1
R 3
7 9 5
x x 4 3 1 1
3
3
6
9
12
7
10
13
8
11
14
9
12
2 1 3 1 1 x
7 3 5 9
x 1 2 1 1 x
3
2
5 7 9
R 3
3
4
4
11
11
2
4
5
5
12
12
3
5
6
6
13
13
4
6
7
7
14
14
5
7
8
8
15
3
7 9 5
3
x 1 0 2 3 4
9 5 7
x 1 2 1 4 3
R 3 7 9 5
1
1 x 2 3 3 4
3 7 9 5
x 1 2 1 4 x
R 3
2
4
5
10
11
2
5
6
11
12
3
6
7
12
13
4
7
8
13
14
5
8
9
14
1
7 9 5
x 1 2 1 4 x
2
3 7 9 5 R
x 1 2 3 4 4
1
1
2 3
R
3
7 3 5 9
7 3 5 9
15 3
R 3
7 9 5
1 2 1 4 x x
x x 1 3 3 4
1
5
7
2
2
5
6
8
3
3
6
7
9
4
4
4
7
8
10
5
5
5
8
9
R 5 R 11 7
40140 Ultimate Chord Scale Bible.indb 109
7
5 R 11
R
7 11 5
7 9 5
95
4
R 5 7 11
B A
1, 3, 5, 7, 9
15
2 x 3 4 1 x
3 x 1 2 4 x
7 9 5
95
1, 3, 5, 7, 9
x 2 1 3 3 4
1
R 3
759
7 9 5
x x 1 3 4 2
1
R 3
7 9 5
1, 3, 5, 7, 9
15
x 2 1 3 4 1
x 2 1 3 4 4
11
1, 3, 5, 7, 9
15
8
759 (+7 9)
R 5 7 11
11
115
1, 11, 5, 7 R 5 7 11
6/19/12 12:43 PM
110
135
x 1 2 1 4 4
1, 3, 5, 7, 13
1
5
2
6
3
7
4
8
5
1, 3, 7, 9, 13
1, 3, 7, 9, 13
1, 3, 5, 7, 9
B
A
1, 5, 7, 11
dim
1, 3, 5
40140 Ultimate Chord Scale Bible.indb 110
3
1 x 1 2 4 3
x 1 3 3 3 x
1
x 2 1 3 1 4
x x 1 2 1 4
5
10
11
11
2
3
6
11
12
12
3
4
7
12
13
13
4
5
8
13
14
14
5
6
9
14
15
7 9 13
2 1 3 3 4 x
R
2
7 9 3 13
R
1 x 1 2 3 4
7 3 13 9
x x 1 2 3 4
5
5
11
5
6
6
12
6
7
7
13
7
8
8
14
8
9
9
R 3 7 9 13
R
7 3 13 9
2 x 1 3 4 x 10
10
4
11
11
5
12
12
6
13
13
7
14
3 7 9 5
x 1 2 0 4 x
5
2
3
7 3 13 9
14
7 9
2 3 1 4 x x
7 3 13 9
R 3
7 9 13
15 3
15 3
3
3
7 9 5
2 x 1 4 1 x
x 2 3 1 4 x
x x 1 2 1 4
x 2 x 1 4 1
4
4
7
11
11
2
5
5
8
12
12
3
6
6
9
13
13
4
7
7
10
14
14
5
8
8
11
15
15
x x x 2 1 0
1
R 5 7 11
R
4 2 1 x x x
7 11 5
x x 4 2 1 x
2
1
1
4
2
2
5
9
3
3
6
10
4
4
7
11
5
5
8
R 3 5
6
R 3 5
7 9 13
7 9 13
1
R 5 7 11
x x 1 2 4 3
3
x x 1 2 3 4
4
1
dim11
3 x 4 2 1 1
x 1 3 3 3 x
dim9
R 5 7 3 13 (R)
2
1
13 9
2
( )
1
R 3
9
R 5 7 3 13
x 1 0 2 0 4
13 9
1 2 1 3 4 (1)
R 5 7 11
16
R 5 7 11
16 R
7 11 5
x 4 2 1 x x
8
R 3 5
12 13
R 3 5
6/19/12 12:43 PM
2 x 1 3 1 x
x 2 3 0 4 x
x 2 x 0 3 0
x x 1 3 2 4
2 4 1 3 x x
x x 4 2 1 0
1
1
1
1
1
1
2
2
2
2
2
2
3
3
3
3
3
3
4
4
4
4
4
4
5
5
5
5
5
7
5 R 3
2 x 1 3 1 x
R 5 7 3
R
x 2 3 1 4 x
7 3 5
x 2 x 1 3 1
5 R 3 7
7 3 5 R
5
4
2
2
4
4
2
5
3
3
5
5
3
6
4
4
6
6
4
7
5
5
7
7
5
8
6
6
8
8
R
7 3 5
3 7 R 5
3
R 5 7
7 3 5 R
R 5 7 3
x 2 3 1 4 x
x 2 x 1 3 1
x x 1 3 2 4
5
5
7
7
5
6
6
8
8
6
9
7
7
9
9
7
10
8
8
10
10
8
11
9
9
11
11
R 5 7
5 R 3 7
5
3 7 R
R 5 7 3
3 7 R 5
x 2 3 1 4 x
9
2 4 1 3 x x
x x 1 3 2 4
x 2 x 1 3 1
10
8
8
10
10
9
9
11
11
9
12
10
10
12
12
10
13
11
11
13
13
11
14
12
12
14
14
5
3
7 R
7 3 5 R
7
5 R 3
3
7 R 5
3 5 7 R
x x 4 3 2 1
11
R 3 5 7
10 11
2 x 1 3 1 x
7 R 3 5
x x 4 3 2 1
2 4 1 3 x x
7
3
7
8
1, 3, 5, 7
6
8
2 x 1 3 1 x
dim7 ( 7)
x x 4 3 2 1
2 4 1 3 x x
x x 1 3 2 4
8
5 R 3 7
12 13 14
5
x 2 3 1 4 x 11
10
12
12
11
13
13
12
14
14
13
15
15 R
7 3 5
7 R 3
B A
14 15 16
40140 Ultimate Chord Scale Bible.indb 111
x x 4 3 2 1
x 2 x 1 3 1
11
R 5 7 3
111
1 7 R 3 5
6/19/12 12:43 PM
112
Three-Note Voicings Maj7
7
x 1 0 3 x x
6
x 1 x 2 4 x
x 1 0 0 x x
1
1
1
1
2
2
2
2
3
3
3
3
4
4
4
4
5
5
5
R 3 7
R 3
x 1 x 3 4 x
7 3
R
7
x 1 x 2 4 x
5 R 3 6 x 1 x 0 4 x
x x x 2 1 4
1
1
1
1
2
2
2
2
3
3
3
3
4
4
4
4
5
5
5
R
R
7 3
x x x 1 1 4
B A
min7
x 1 0 2 x x
R 3 7
7 3
x x x 1 1 2
5 R
2
2
3
2
3
3
4
3
4
4
5
4
5
5
6
5
6
6
7
R 3 7
R 3 7
2 1 4 x x x
2 1 3 x x x
R 3 7
6 R 3 6 2 1 1 x x x
2 x 3 3 x x
4
4
5
4
5
5
6
5
6
6
7
6
7
7
8
7
8
8
9
R 3 7
R 3 7
1 x 2 3 x x
1 x 2 4 x x
R
7 3
8 R 3 6 2 x 1 4 x x
x x 3 1 4 x
5
5
5
4
6
6
6
5
7
7
7
6
8
8
8
7
9
9
9
R
R
7 3
x x 2 1 4 x
7 3
x x 2 1 4 x
R 3 7
8 R
6
10
6
7
7
11
7
8
8
12
8
9
9
13
9
10
10
14
10
x 2 1 4 x x
R 3 7
R 3 7
R 3 6
x 2 1 3 x x
x 2 1 1 x x
11
11
11
12
12
12
13
13
13
14
14
14
15
15 R 3 7
R 3
6 3
x x 2 1 3 x
x 2 1 3 x x
6
R 3 7
6 3
x x x 1 1 1
2 1 3 x x x
15
7
R 3 6 x 2 x 1 4 x 11 12 13 14 15 R
40140 Ultimate Chord Scale Bible.indb 112
6 3
6/19/12 12:43 PM
2 x 1 3 4 x
3
x x 1 2 4 3
4
E /D
x 4 3 1 2 x
x 4 3 1 2 1
1
113
x 1 3 3 3 x
x 1 3 3 3 4
1
1
2
2
5
5
2
2
3
3
6
6
3
3
4
4
7
7
4
4
5
5
8
8
5
5
6
6
9
3
R 5 R
R 3 5 R
R 5 R 3
x x x 2 3 1
4 3 1 1 1 x
3
1 3 4 2 1 1
7
10
10
6
8
11
11
7
9
12
12
8
10
13
13
9
11
14
R 3 5
2
R 3 5 R 3
x x 1 2 4 1
x 4 1 1 2 x
1
R 5 R 3 R
14 R 5 R 3 5 R
R 3 5 R
x 1 3 4 1 1
x x x 3 1 1
2 3 4 1 x x
1
2
5
5
9
2
3
6
6
10
3
4
7
7
11
4
5
8
8
12
5
6
9
9
R 5 R 2
x x 1 3 4 4
R 2 5 R
1
R 5 R 2 5
x 1 3 3 4 x
x x 1 1 2 4
2
5
7
10
2
6
8
11
3
7
9
12
4
8
10
13
9 R 5 R 4
11 R 5 R 4
x 1 1 3 4 x 1
5
10
6
11
3
7
12
4
8
13
5
9
x 2 3 0 4 x
1 2 3 4 1 1
sus4
1, 4, 5 R 5 R 4 5 R
no 3rd 1, 5
E D
14 R 5 R
3
R 5 R 2
1 3 4 x x x
2
5 R 5 R
1, 2, 5
14 5 R 4 R
x 1 3 4 x x
sus2
13 R R 2 5
1
5
10 11
x x 3 2 1 1
5
1, 3, 5
9 R 5 R 3
R 3 5 R 3
Maj
x x 1 3 1 4
R 5 R
2
x 4 2 3 1 x
1
x 1 4 4 4 4
2 4 1 3 x x
x 1 4 2 3 1
1
1
3
5
5
9
2
2
4
6
6
10
3
3
5
7
7
11
4
4
6
8
8
12
5
5
7
9
9
13
R 5 6 3
5 R 3 6
R 3 6 R
R 5 R 3 6
6
1, 3, 5, 6 R 5 6 3
10 R 6 R 3 5
4
2 x 1 4 3 x
x 3 x 2 4 1
x 2 3 1 4 x
9
10
11
10
11
12
11
12
13
12
14
14
13
15 R
6 3 5
15 5
40140 Ultimate Chord Scale Bible.indb 113
3 6 R
5 R 3 6
6/19/12 12:43 PM
114
2 x 1 3 4 x
Maj7
1, 3, 5, 7
5
x x 1 4 4 4
x 4 3 1 1 x
3 x 2 4 1 x
x x 2 4 1 3
3
1
1
2
3
3
5
2
2
3
4
4
6
3
3
4
5
5
7
4
4
5
6
6
8
5
5
6
7
7
3
1
R 5 7 3
R 5 7
x 1 3 2 4 1
6
R 3 5 7
x 1 3 3 3 4
x x 1 1 1 4
5
4
9
3 7 R
R
3 7 R 5
x x 4 3 2 1
1 4 2 3 x x
2
5
5
7
9
10
10
6
6
8
10
11
11
7
7
9
11
12
12
8
8
10
12
13
13
9
9
11
13
14
R 5 7 3 5
5 R 3 7
10
x 1 x 3 4 2
R 3 5 7
7 3 5
1 x 3 4 2 x
14 R 5 7 3
R
x 1 4 1 2 1
1 2 4 4 4 x
7 3 5
R 5 R 3 7
x x 1 3 4 1
Maj9
1, 3, 5, 7, 9
2
x 2 1 4 3 x
1
x 1 3 2 1 1
3
2 1 4 1 3 x
1
4
5
9
9
10
2
5
6
10
10
11
3
6
7
11
11
12
4
7
8
12
12
13
5
8
9
13
13
R 5 7 9
R 3 7 9
R 5 7 9 5
14
R 3 7 9 5
3 R 9 5 7
15 R 5 9 5 7
3
6/9
1, 3, 5, 6, 9
x 1 1 1 2 x
x x 1 0 2 3
5
x x 1 1 2 3
4 x 1 3 1 1
4
2
4
4
7
9
2
3
5
5
8
10
3
4
6
6
9
11
4
5
7
7
10
12
5
6
8
8
11
x 1 1 1 2 x
6 9 5 R
2
R 3 6 9 5
2 1 1 1 3 x
3 6 9 5
2 1 1 1 3 4
9
9
11
10
10
10
12
11
11
11
13
12
12
12
14
13
13
13 R 3 6 9 5
x x 1 1 2 3
13 R
5 9 3 6
6 9 5 R
x x 2 1 3 4
9
3 6 9 5
40140 Ultimate Chord Scale Bible.indb 114
x 2 1 1 3 4
1
R 3 6 9
E D
1
15 R 3 6 9 5 R
R 3 6 9
6/19/12 12:43 PM
115 x 3 2 1 4 1
1
x 1 2 4 3 1
x x 1 3 1 4
2
x x 3 2 1 4
1 3 4 2 1 1
2
5
7
10
10
3
6
8
11
11
4
7
9
12
12
5
8
10
13
13
9
11
14
14
6 R 3 5 9 3
5 9 3 R
10
x x 1 3 3 4
2
R 3 5 9 R 5 9 3 5 R
x 3 4 1 1 x
x 1 3 2 4 x
x 1 x 3 4 2
1 x 3 4 2 x
1
2
5
5
10
2
3
6
6
11
3
4
7
7
12
4
5
8
8
13
5
6
9
9
R 5 7 11
R 11 5 7
x x 1 4 2 3
x 4 2 3 1 x
2
x 1 x 2 4 4
R
1
2
5
10
2
3
6
11
3
4
7
12
4
5
8
13
5
6
9
3 x 4 2 1 1
R
2
7 3 13
2 1 1 1 3 1
1
9
10
5
8
10
11
6
9
11
12
7
10
12
13
8
11
13
1
x 3 4 2 1 1
2
1, 3, 5, 7, 13 7 3 13
Maj13add9 1, 3, 5, 7, 9, 13
R
x 1 2 3 4 4
7 3 13 9
9
11
3
6
10
12
4
7
11
13
5
8
12
14
6
9
13
R 11 7 3 13
R
13 3 11 7
Maj1311
x 1 1 1 2 x
2 x 1 3 1 1
5
Maj13
7 9 3 13
2
7
7 11 5
14 R 3 13 9 5 7
R
R
1 x 2 3 4 4
7
12
7 11 5
1 x 2 3 4 x
R
4
7 3 13 9 5
1, 3, 5, 7, 11
14
R 3 13 7
x 1 1 1 2 3
Maj11
14
R 5 7 11
1
R 13 7 3
1, 3, 5, 9
15
R 5 9 3 5
1
add9
15
1, 3, 7, 11, 13
E D
11 7 3 13
R 11 13 7 3
x x 1 4 2 3
x 4 3 2 1 x
1
x 1 4 2 3 x
3
4 3 2 1 x x
x 1 x 2 4 3
2
1
2
5
5
6
10
2
3
6
6
7
11
3
4
7
7
8
12
4
5
8
8
9
13
5
6
9
9
10
14
R 5 7 3
R 3
40140 Ultimate Chord Scale Bible.indb 115
5 7
R 5 7 3
R
7 3 5
11
R 3 5 7
1 x 3 3 3 x
Maj75
1, 3, 5, 7 R
7 3 5
6/19/12 12:43 PM
116
Maj7 11
1, 3, 7, 11
Maj9 11
1, 3, 7, 9, 11
x x 1 2 4 4
1, 3, 5
0 1 2 3 4 x
3
2 x 3 4 1 x
2
(2) x 4 3 1 1
1
5
6
10
10
2
6
7
11
11
3
3
7
8
12
12( )
4
4
8
9
13
13
5
5
9
10
14
R 11 7 3
R 11 7
3
x 2 1 4 3 1
2 x 3 1 1 x 9
5
10
10
6
11
11
7
12
12
8
13
13
x 2 1 0 0 x
7 9 11
R
1
3 2 1 0 x x
2
4 3 2 1 x x
1
3
3
2
4
4
3
3
5
5
4
4
6
6
5
5
7
3
3 5 R 3
5 R 3
4 3 2 1 x x
7
5
R 3
7
7
6
3
8
8
7
4
9
9
8
5
10
10
9
6
11
11
10
4
R 3
5 R 3
4 3 2 1 x x
5 R
3
11
10
12
12
11
13
13
12
14
14
13
15
15
5 R 3 5
(R)
R 3 11 7
5 R 3
5 R
5 R 3 5
x x 4 2 3 1
x 3 2 1 1 x
11
3 5 R 3
14
x x 4 2 3 1
x 3 2 1 1 x
2
7 3 11
x 3 2 1 1 x
2
5 R 3 5
R
R 3 7 9 11
1
R 11 7 3
2 1 3 1 1 x
9
R 3 7 9 11
7 3 11
R
4
3
40140 Ultimate Chord Scale Bible.indb 116
1
2
x x 4 2 3 1
E D
0 2 x 3 4 1
1
5
Augmented (aug)
3 x 1 2 4 x
14
R 3 5 R
6/19/12 12:43 PM
117 4
2 x 1 3 4 x
3
x x 1 3 4 2
x 4 2 1 3 x
x 4 2 1 x x
x x 2 1 3 4
1
x 1 3 4 2 1
1
1
2
2
2
5
2
2
3
3
3
6
3
3
4
4
4
7
4
4
5
5
5
8
5
5
6
6
6
3
R 5 R 3
R 5 R
x x x 3 2 1
2
R 3 5 x x 3 1 1 x
1 3 4 1 1 1
5
10
10
10
6
11
11
11
7
12
12
12
8
13
13
13
9
14
14
x 4 3 2 1 x
3
R 5 R 3 5 R
R 3 5
x x 1 3 1 2
9
14
x 2 4 1 3 x
R 3 5 R
x 2 x 1 4 3
2 4 1 3 x x
1
1
4
4
9
9
2
2
5
5
10
10
3
3
6
6
11
11
4
4
7
7
12
12
5
5
8
8
13
R 5 6 3
R 3 5 6
2
x x 1 3 3 3 9
10 11
11
12
12
13 6
14 3 5 R
R
6 3 5
R 5 6
2 x 1 3 4 x
min6
1, 3, 5, 6
13
R
3
R 5 R 3 6
x 4 3 2 1 x
x x 1 4 2 3
6
x 3 1 4 1 x
3
x 2 1 3 4 x
x 1 3 1 2 x
4
1
1
3
3
5
5
2
2
4
4
6
6
3
3
5
5
7
7
4
4
6
6
8
8
5
5
7
7
9
1
R 5 7 3
6
R 3 5 7 x x 4 2 3 1
x 1 3 1 2 1
2
R 3 7 R
R 3 7 3 1 3 1 1 x x
2 x 3 3 3 x
R 5
6
7 3
1 3 1 1 4 1
10
10
10
10
9
11
11
11
11
7
10
12
12
12
12
8
11
13
13
13
13
9
12
14
14
14
13
R
7 3 5
R 5 7 3
R 5 7 3 7 R
E D
7 3 5
x x 1 1 1 1
8
7 3 5
min7
1, 3, 5, 7 R
6
x 1 x 2 4 3
9
5
R 5
3 5
6
1 2 3 1 4 x
10
13
R 5 6 3
R 5 R 3 5
3 5 R 5
1
6
1, 3, 5
x x 3 1 1 1
5
R 3 5
R 3 5 R
min
14
7 3 5 R
R 3 5 7
40140 Ultimate Chord Scale Bible.indb 117
6/19/12 12:43 PM
118
minMaj7
1, 3, 5, 7
x x 1 3 4 2
5
9
10
6
10
11
3
4
7
7
11
12
4
5
8
8
12
13
5
6
9
9
13
R 5 7 3
1 x 4 2 3 x
10 11
12
12
13
13 14
3 5
1, 3, 5, 9
7 3 5
R
R 3 5 7
R 5 7
1
2
x 1 x 2 3 4
2 x 3 3 4 x
5
5
10
10
2
6
6
11
11
3
7
7
12
12
4
8
8
13
13
5
9
9
14
R 5 7 3
4 2 1 3 x x
x 1 3 4 2 1
R
3
7 3 5
1 2 3 1 1 4
R
1
7 3 5
14
R 5 7 3
x x 3 1 1 4
1 3 4 1 1 1
x x 4 1 1 1
5
7
10
10
10
6
8
11
11
11
11
7
9
12
12
12
12
8
10
13
13
13
13
9
11
14
14
14
R 5 9 3 5
R 3 5 9
R 5 R 3 5 9
15 R 5 9
x x 4 3 1 1
2 x 1 4 1 1
1
x 3 1 2 4 x
2
10
14
R 3 5 9
15
3 5 R
9
x 1 2 3 4 4
x 3 1 2 4 4
3
1
3
3
8
9
2
2
4
4
9
10
3
3
5
5
10
11
4
4
6
6
11
12
5
5
7
7
12
R 5 6 9
0 0 3 5 6 9
x x 2 1 3 4
1 2 4 1 3 x
3
10
10
11
11
12
12
13
13
14
R 3 6 9
R 3 6 9
R 3 6 9 5
13
3 6 9 5 R
3 5 R
2 x 1 3 3 4
1
3
1 4 1 1 x x
1
10
3 5
x 1 4 1 2 x
R 5 7 3
14
7
x x 1 4 2 3
minadd9
R 5 7 3
x x 2 1 1 x
10
7
R 3 5 7
2
11
2
1, 3, 5, 6, 9
1 3 2 1 x x
6
1, 3, 5, 7
3
5
min6/9
x x 4 2 3 1
3
min7 5
E D
x 1 x 3 4 2
2
R
x 1 4 2 3 x
2
14
4
1
1
x 4 2 1 1 x
R
6
3 5 9
14 15 R 5 9
3 6
1 2 3 1 1 4
minadd9/11
1, 3, 5, 9, 11
10 11 12 13 14 15 16 R 5 9
40140 Ultimate Chord Scale Bible.indb 118
3 5 11
6/19/12 12:43 PM
119 x x 4 3 2 1
1
x 2 1 3 4 x
x x 1 3 3 3
x 4 3 1 1 x
4
3 1 4 2 x x
2
1
3
3
5
8
10
2
4
4
6
9
11
3
5
5
7
10
12
4
6
6
8
11
13
5
7
7
9
12
3 5 7 9
1 2 4 1 3 x
R 3 7 9
3
1 3 1 1 1 4
3 7 9 5
1 2 1 1 4 3
3 5
5
10
10
10
11
11
11
11
12
12
12
12
13
13
13
13
14
14
14
R 5 9
R 5 7 3 5 9
3 7
x x 4 2 3 1
R 5 7 3 7 9
x 2 1 4 3 x
x 4 3 2 1 x
7 9
14
1
1 3 2 1 1 4
2
3
5
10
10
4
6
11
11
3
5
7
12
12
4
6
8
13
13
5
7
9
14
x 1 4 1 2 1
1
R 3 7 9
x 2 1 3 4 1
3 5 7 9
2
1
3
10
2
4
11
3
5
12
4
6
13
5
7
5 3 11 7 9
x 3 1 4 1 1
R 3 7 9 11
2
14
R 5 7
1, 3, 5, 7, 9
14
min9Maj7
3 5 9
7
3 5 9
R 11 7 3 5 9
x 1 1 1 2 x
3
5
5
4
4
6
5
5
7
6
6
7
7
7 3 11
x 1 1 1 2 1
1
2 x 3 4 1 x
1 2 1 1 1 4
8
10
6
9
11
7
10
12
8
8
11
13
9
9
12
R 11 7 3
R 11 7 3 5
R
7 3 11
min11
1, 3, 5, 7, 11
E D
14 15 16
40140 Ultimate Chord Scale Bible.indb 119
7 3 5 9
min9add11
3
1, 3, 5, 7, 9, 11
x 2 x 3 4 1
R
R
1 1 1 1 1 4
3
R 3 7 R 11
14
x x 2 1 1 4
2
3 5 7 9
1, 3, 5, 7, 9
R 3 7 9
1
R 3 7 9
min9
x x 2 1 4 3
10
15
2 x 3 3 3 4
R 5 7 3 5 11
6/19/12 12:43 PM
120
min13
1, 3, 5, 7, 13
1
x 1 x 2 3 4
6
11
11
7
12
12
12
8
13
13
13
9
14
14
1, 3, 5, 7, 9, 13
7 3 13
11
11
5
12
12
6
13
13
7
14 R 3 7 9 13
x 4 2 1 1 x
4
R 5 7 3 13 9
10 ( )
R 5 7 3 13 (R)
2
4
14 15
R 13 7 3
2 x 3 3 4 4
14
7 3 13 9
R
x x 1 3 3 3
11
x x 1 3 1 2
3
x 2 x 3 4 1
1
x 1 3 2 4 x
x x 1 3 2 4
1
1
3
4
5
6
2
2
4
5
6
7
3
3
5
6
7
8
4
4
6
7
8
9
5
5
7
8
9
10
2
R 5 7 3 2 x 3 4 1 x
9
9
9
10
10
10
11
11
11
12
12
12
13
2
R
R 3 5 7
2 x 1 3 4 1
7 3 5
3 7 R 5
7 3 5
R
R 5 7 3
13
x x 4 2 3 1
7 3 5 R
2 x 1 3 4 x
x x 1 3 4 2
x 4 2 1 1 x
1
1
1
3
3
5
9
2
4
4
6
10
3
3
5
5
7
11
4
4
6
6
8
12
5
5
7
7
9
R 5 7 9
3 5 7 9
5 R 3 7
2
x x 2 3 1 4
8
3
40140 Ultimate Chord Scale Bible.indb 120
1 2 1 1 3 4
10
13
1, 3, 5, 7, 9
7 3 13
10
R 3 5 7 x x 4 3 2 1
min9 5
3
6
R
x 2 1 3 3 4
8
E D
1 4 1 1 x x
10
min13add9
1, 3, 5, 7
1 3 1 1 4 (1)
10
1
min7 5
2 x 3 3 4 x
5
R
2
5
3 7 9
3 7 9 5
3 5 7 9
13
x x 2 3 1 4
7 3 5 9
6/19/12 12:43 PM
121 3 x 1 4 2 x
4
x x 1 3 2 4
3
x 3 2 4 1 x
x x 2 3 1 4
1
x 1 3 1 4 1
x 1 x 2 4 3
1
1
3
3
5
5
2
2
4
4
6
6
3
3
5
5
7
7
4
4
6
6
8
8
5
5
7
7
9
3
5
R 5 7
x 1 3 3 3 4
R 5 7 3
R 3
2 x 1 1 1 x
7 R
x 2 3 1 4 x
3
6
R 5
7 R 5
9
1 x 2 4 3 x
7
7
7
8
10
6
8
8
8
9
11
7
9
9
9
10
12
8
10
10
10
11
13
9
11
11
11
12
14
1 3 1 2 x x
7
5 R 3
x x 3 2 4 1
3 7 R 5
2
1 3 1 2 1 1
10
10
10
11
11
11
12
12
12
12
13
13
13
13
14
14
14
4
x x 2 3 1 4
x x 1 0 3 2
R
1 3 1 2 4 1
11
R 3 7 R
13
6
R 5 7 3 5 R
x 2 x 3 4 1
14
1
x 2 1 3 3 3
3
3 x 4 2 1 x
5
x x 3 2 1 4
1
1
2
4
7
7
2
3
5
8
8
3
3
4
6
9
9
4
4
5
7
10
10
5
5
6
8
11
9 5 7 3 3 1 4 2 x x
x x 1 3 1 2
R
2
7 9 3
R 3
x 1 3 2 4 x
7 9 5
x 1 3 2 4 4
11
R
7 9 3
9
9
9
10
11
8
10
10
10
11
12
9
11
11
11
12
13
10
12
12
12
13
14
11
13
13
13
14
R 3 7 9
40140 Ultimate Chord Scale Bible.indb 121
3 7 9 5
3 7 9 5 R
15 7 3 5 9
9
1, 3, 5, 7, 9
7 9 3 R
x x 2 1 4 3
x x 1 2 1 4
7
5 9 3 7
7 3 5
R 5 7 3 7 R
2
R 3 7 9
R 3 5 7
10
R 5 7 3
5 R 3 7
7 3 5
R
5
R 5 R 3 7
1, 3, 5, 7
7 3 5
x x 4 3 2 1
x x 1 1 1 2
7
R 3 7 9
E D
6/19/12 12:43 PM
122
9sus4
1, 4, 5, 7, 9
x x 1 1 2 1
1, 5, 7, 11
13
1, 3, 5, 7, 13
x 1 1 1 1 1
x 1 1 1 2 3
1
5
7
8
4
6
8
9
9
3
5
7
9
10
10
4
6
8
10
11
11
5
7
9
11
12
R 4 7 9
R
3
7 9 4
R 4
x x 1 3 2 4
9 5 R 4 7
7 9 5
x 2 3 4 1 x
1
x 1 3 1 4 1
7 9 4
x 1 3 3 4 4
2
1
3
5
5
10
2
2
4
6
6
11
3
3
5
7
7
12
4
4
6
8
8
13
5
5
7
9
9
x 1 3 4 2 x
R 5 7 11
x 2 1 3 4 4
R 11 7 R
R 5
x 1 x 2 4 4
R 5 R 11 7
7 11 5
3 x 4 1 1 1
1
1 x 2 3 4 x
14
2
3
4
5
7
10
10
4
5
6
8
11
11
5
6
7
9
12
12
6
7
8
10
13
13
7
8
9
11
14
x 1 2 3 4 x
R 3
2
7 3 13
R
x 2 1 3 3 4
7 3 13
3 x 4 2 1 1
R
1
7 R 3 13
1 x 2 3 4 4
10
10
1, 3, 5, 7, 9, 13 5
8
11
11
6
9
12
12
6
7
10
13
13
7
8
11
14
7 3 13 9
R 3
7 9 13
R
7 9 3 13
R
14 7 3 13 9
7 3 13
7 9 4 R
1 3 1 4 1 1
R 5 7 11 5 R
x x 1 3 4 2
7 3 13 R
x x 1 3 4 4
7
4
14
R
5
40140 Ultimate Chord Scale Bible.indb 122
12
1
5 R 11 7
x x 3 2 1 4
8
R
4
E D
3
3
3
3 x 4 2 1 x
2
7 3 13 R
13add9
2
1
x 1 1 1 2 x
11(7sus4)
x 2 x 3 4 1
7 3 13 9
6/19/12 12:43 PM
123 x 1 2 1 4 3
x x 4 1 2 1
1 x 2 4 4 x
5
7
10
6
8
11
7
9
12
8
10
13
9
11
R 5
1
7 R 4 13
x 1 1 1 1 4
1, 4, 5, 7, 13
14
7 4 13
13sus4
x x 4 3 2 1
R
2
7 4 13
1 x 2 4 4 4
x x 1 4 4 4
5
7
10
10
6
8
11
11
7
9
12
12
8
10
13
13
9
11
14
7 9 13
R 4
x x 1 2 3 4
2
7 9 4 13
2 x 3 4 1 x
3
1, 5, 7, 9, 13
14
R
13add9sus4
7 4 13 9
7 4 13 9
x 2 x 3 4 1
x 1 2 1 4 x
1
2 x 3 4 1 x
1 2 1 3 x x
1
3
4
5
9
10
2
4
5
6
10
11
3
5
6
7
11
12
4
6
7
8
12
13
5
7
8
9
13
R 5 7 3
5
3
7 R
x 1 2 1 1 x
x 4 3 2 1 x
7 3 5
R
3
x 1 x 2 4 3
R 5 7 3
x 1 4 1 3 x
R
1
7 3 5
1 x 2 3 4 x
5
5
10
10
2
4
6
6
11
11
3
5
7
7
12
12
4
6
8
8
13
13
5
7
9
9
14
R 3 5 7
6
x x 1 3 2 4
7 3
5 R
R
1
x 2 3 1 4 x
7 3 5
R 5 7 3
5
x 2 1 3 1 x
R
x x 1 3 2 4
7 3 5
R 5 7 3
2
3
6
1, 3, 5, 7
14
1
x x 1 3 4 2
14
7 3 5 R
4
x 2 3 1 4 x
2
4
4
5
7
2
3
5
5
6
8
3
4
6
6
7
9
4
5
7
7
8
10
5
6
8
8
9
9 5 7 3
3 2 4 1 x x
7 3 5 9
R 3
2
x 2 3 1 4 x
7 9
3
3 T*
3 x 4 2 1 x
7 9 5
x 1 3 2 4
9 5
7 3
8
8
10
11
11
9
9
11
12
12
10
10
10
12
13
13
11
11
11
13
14
14
12
12
12
14
15
7 9 3
R
R
7 3 5 9
E D
9 3 7
x x 2 1 4 1
x 2 3 1 4 x
9
3 7 9 5
7 9
1, 3, 5, 7, 9 5
8
R 3 7 9
x x 1 3 2 4
11
75 (+7) 1, 3, 5, 7
1
7 5
15
5 9 3 7
R 3 7 9
* T = Thumb
x x 4 2 1 1
1
x x 1 2 4 3
x 2 1 3 4 x
3
2 1 3 4 x x
x 1 3 3 3 x
2
1
4
4
9
9
10
2
5
5
10
10
11
3
6
6
11
11
12
4
7
7
12
12
13
5
8
8
13
13
3 5 7 9
R 3
40140 Ultimate Chord Scale Bible.indb 123
7 9
3
7 9 5
R 3 7 9
3 7 9 5
14
1 3 1 2 4 4
79
1, 3, 5, 7, 9 R 5 7 3 7 9
6/19/12 12:43 PM
124
1
795
1, 3, 5, 7, 9
x 2 1 3 1 1
4 5
9
9
6
6
10
10
7
7
11
11
8
8
12
1, 3, 5, 7, 9
7 9 5
7 5 9 (+7 9)
1, 3, 5, 7, 9
1, 3, 5, 7, 9
E D
1, 3, 5, 7, 9
95
1, 3, 5, 7, 9
11 5
1, 11, 5, 7
40140 Ultimate Chord Scale Bible.indb 124
2 1 3 4 1 x 9 10
6
6
11
11
7
7
12
12
8
8
13
7 9 5
x 1 3 2 4 x
7 9 5
3
2
x 2 1 3 1 4
R 3 7 9 5
7 9 5
x 1 3 4 2 x
9
13
x x 1 2 1 4
3 7 9 5
x 2 3 1 4 x
1
3
4
4
8
10
4
5
5
9
11
5
6
6
10
12
6
7
7
11
13
7
8
8
12
5 9
R 3
1
7 9 5
x 2 1 3 4 4
3
3
7 9 5
2 1 3 3 4 x
3 7 9 5
x 1 2 3 4 x
1 x 2 3 4 4
14 R
2
7 3 5 9
1 x 1 2 3 4
x x 1 3 3 4
1
4
9
9
10
10
2
5
10
10
11
11
3
6
11
11
12
12
4
7
12
12
13
13
5
8
13
13
14
5 7 9
R 3
x 2 1 3 4 1
7 9 5
x x 1 3 4 2
R 3 7 9 5
x 2 x 3 4 1
3 7 9 5
x 1 2 1 1 x
R
2
4
4
8
9
9
5
5
9
10
10
6
6
10
11
11
7
7
11
12
12
8
8
12
13
7 9 5
x 1 2 1 4 x
R
10
R 3
2
12
5
1
95
x x 1 3 4 2
3 7 9 5
4
3
7 9 5
4
x x 4 3 1 1
759
5
7 3
3
x 2 1 3 4 1
R 3
3 x 4 1 2 x
8
8
5
1
795
2
4
R 3
x 2 4 1 3 x
x x 1 2 1 1
3
1
7 9 5
3
x 2 1 3 3 4
9 5 7
x 1 2 1 4 3
2
3
4
9
10
4
5
10
11
5
6
11
12
6
7
12
13
7
8
13
3
7 3
5 9
R 3
x x 1 3 3 4
7 9 5
x 2 4 3 1 1
1
3 7 9 5 R
3 7 9 5
7 3 5 9
14
R 3 7 9 5
R
7 3 5 9
x 1 2 3 4 4
2
2 x 3 4 1 x
1 2 1 4 x x
3
5
5
9
10
2
4
6
6
10
11
3
5
7
7
11
12
4
6
8
8
12
13
5
7
9
9
13
R 5 7 R 11
R 5 7 11
7 3 5 9
2 1 3 1 1 x
1
R 5 7 11
1 x 2 3 3 4
14
x 1 2 1 4 x
13
R 5 R 11 7
R
7 11 5
14
R 5 7 11
6/19/12 12:43 PM
125 x 1 2 1 4 4 5
10
6
11
7
12
8
13
9
R 5 7 3 13
135
1 2 1 3 4 (1)
14
x 1 3 3 3 x
1, 3, 5, 7, 13
( )
R 5 7 3 13 (R)
x x 1 2 1 4
1
x 2 1 3 1 4
2
3 x 4 2 1 1
4
4
7
10
4
5
5
8
11
5
6
6
9
12
6
7
7
10
13
7
8
8
11
7 3 13 9
x x 1 2 3 4
3
1
7 9 13
2 1 3 3 4 x
R 3
2
7 9 13
R
1 x 1 2 3 4
9
10
10
5
10
11
11
6
11
12
12
7
12
13
13
8
13
14
7 9 13
x x 1 2 4 3
R 3 7 9 13
2 x 1 3 4 x 3
8
4
4
9
5
5
10
6
6
11
7
7
3
1
7 9 5
x x 1 2 1 4
5
2
3
12
7 3 13 9
14 R
139
14
1, 3, 7, 9, 13 7 3 13 9
7 9
3 7 9 5
x 2 x 1 4 1
x 2 3 1 4 x
2 3 1 4 x x
2 x 1 4 1 x
4
4
9
9
2
5
5
10
10
3
6
6
11
11
4
7
7
12
12
5
8
8
13
9
9
R 5
2
x 4 2 1 x x
7 11
x x x 4 3 1
R
1
4
6
9
5
7
10
3
6
8
11
4
7
9
12
5
8
10
13
R 3 5
40140 Ultimate Chord Scale Bible.indb 125
11
1, 5, 7, 11
13 R
7 11 5
x x 4 2 1 x
4 2 1 x x x
2
R 3 5
R 5 7 11
dim11
E D
7 11 5
1
6
dim9
1, 3, 5, 7, 9
1
R 5 7 11
7 3 13 9
x 1 3 3 3 x
3
R
7 9 3 13
1, 3, 7, 9, 13
x x 1 2 3 4
4
3
139
1 x 1 2 4 3
3
dim
1, 3, 5 R 3 5
R 3 5
6/19/12 12:43 PM
126
dim7 ( 7) 1, 3, 5, 7
2 x 1 3 1 x
x 2 3 1 4 x
x x 1 3 2 4
x 2 x 1 3 1
x x 4 3 2 1
2 4 1 3 x x
1
1
1
1
1
1
2
2
2
2
2
2
3
3
3
3
3
3
4
4
4
4
4
4
5
5
5
5
5
3
R 5 7
7 3 5 R
7
5 R 3
R 5 7 3
3 7 R 5
5 6 7
5
2 x 1 3 1 x
x 2 3 1 4 x
x 2 x 1 3 1
x x 1 3 2 4
4
4
3
3
4
4
5
5
4
4
5
5
6
6
5
5
6
6
7
7
6
6
7
7
8
8
7
7
5
3
7 R
R 5 7 3
R
7 3 5
3
7 R 5
5 R 3 7
8 9 10
x 2 3 1 4 x
2 x 1 3 1 x
x x 1 3 2 4
x 2 x 1 3 1
6
7
7
6
6
7
8
8
7
7
8
8
9
9
8
8
9
9
10
10
9
9
10
10
11
7
5 R 3
11
3 7 R 5
3
10
R 5 7
10
5 R 3 7
7 3 5 R
11
40140 Ultimate Chord Scale Bible.indb 126
x 2 x 1 3 1
9
10
10
9
9
10
11
11
10
10
11
11
12
12
11
11
12
12
13
13
12
12
13
13
14
14
13
13
7 3 5
5 R 3 7
5
3 7 R
7 3 5 R
R 5 7 3
R 3 5 7 x x 4 3 2 1
2 4 1 3 x x
x x 1 3 2 4
10
R
E D
x 2 3 1 4 x
7 R 3 5
12 13
2 x 1 3 1 x
x x 4 3 2 1
2 4 1 3 x x
7
7 R 3
x x 4 3 2 1
2 4 1 3 x x
3
14 15 16
3 5 7 R
6/19/12 12:43 PM
127
Three-Note Voicings Maj7 x x 1 0 4 x
7
min7
x x 1 0 3 x
x 2 1 3 x x
1
1
3
1
2
2
4
2
3
3
5
3
4
4
6
4
5
5
7
R 3 7
R 3 7
x 2 1 4 x x
x 2 1 3 x x
R 7 3
5 R 3 6
x 2 1 1 x x
x 1 x 2 3 x
4
4
5
4
5
5
6
5
6
6
7
6
7
7
8
7
8
8
9
R 3
R 3 7 x 1 x 3 4 x
7
7 3
R
x 1 x 2 4 x
8 R 3 6 x 2 x 1 4 x
x x x 2 1 4
5
5
6
4
6
6
7
5
7
7
8
6
8
8
9
7
9
9
10
R
R
7 3
x x x 1 1 4
R 3 7
7 3
x x x 1 1 2
8 R
7
8
7
8
8
9
8
9
9
10
9
10
10
11
10
11 R 3 7
R 3 7
2 1 4 x x x
2 1 3 x x x
12
R 3 7
11 R 3 6 2 1 1 x x x
2 x 3 3 x x
9
9
10
9
10
10
11
10
11
11
12
11
12
12
13
12
13
13 R 3 7 1 x 2 3 x x
R 3 7
14 R
1 x 2 3 x x
7 3
13 R 3 6 2 x 1 4 x x
x x 3 1 4 x
10
10
10
9
11
11
11
10
12
12
12
11
13
13
13
12
14
14
14
R
R
7 3
x x 2 1 4 x
7 3
R 3 7
R
x x 2 1 4 x
6 3
x x 2 1 3 x
11
11
12
12
12
13
13
13
14
14
14
15
15
R 3 7
E D
13
11
R 3 7
6 3
x x x 1 1 1
2 1 3 x x x
7
11
40140 Ultimate Chord Scale Bible.indb 127
6 x x 2 0 3 x
15 R 3 6
6/19/12 12:43 PM
A /G
128
3
Maj
1, 3, 5
4 3 1 1 1 x
1
1 3 4 2 1 1
5
x x 3 2 1 1
2 x 1 3 4 x
4
x 4 3 1 2 x
x x 1 2 4 3
1
3
3
5
5
7
2
4
4
6
6
8
3
5
5
7
7
9
4
6
6
8
8
10
5
7 R 3 5 R 3 x 4 3 1 2 1
2
7
9
R 5 R 3 5 R
R 3 5 R
x 1 3 3 3 x
x 1 3 3 3 4
10
10
10
8
11
11
11
9
12
12
12
10
13
13
13
11
14
14
14
R 5 R 3
R 5 R
R 3 5 R
R 5 R 3
x x x 2 3 1
7
R 3 5 R 3
11
9 3
R 3 5
15 16 R 5 R 3 R
2 3 4 1 x x
sus2
1, 2, 5
2
x x 1 2 4 1
1, 4, 5
A
no 3rd 1, 5
G
x 1 3 4 1 1
x x x 3 1 1
5
7
10
10
6
8
11
11
4
7
9
12
12
5
8
10
13
13
6
9
11
14
R 5 R 2
x x 1 1 2 4
R 2 5 R
1 2 3 4 1 1
x x 1 3 4 4 5
10
2
4
6
11
3
5
7
12
4
6
8
13
5
7
9 R 5 R 4 5 R
1 3 4 x x x
x 1 1 3 4 x
14 R 5 R 4
R 5 R 4
x 1 3 4 x x
3
5
10
4
6
11
5
7
12
6
8
13
7
9
14 5 R 5 R
1
R 2 5
x 1 3 3 4 x
3
5 R 4 R
14 R 5 R 2 5
1
2 4 1 3 x x
1, 3, 5, 6
1
2
R 5 R
6
x 4 1 1 2 x
3
R 5 R 2
sus4
3
2 x 1 4 3 x
R 5 R
3
x 3 x 2 4 1
4
x 2 3 1 4 x
2
x x 1 3 1 4
x 4 2 3 1 x
2
2
3
4
5
3
3
4
5
6
9
4
4
5
6
7
10
5
5
6
7
8
11
6
6
7
8
9
R 5 6 3
R
x 1 4 4 4 4
x 1 4 2 3 1
10
10
11
11
12
12
13
13
6 3 5
5
3 6 R
5 R 3 6
8
12 R 5 6 3
R 3 6 R
14
14 R 5 R 3 6
15 R 6 R 3 5
40140 Ultimate Chord Scale Bible.indb 128
6/19/12 12:43 PM
129 x x 1 1 1 4
5
x x 4 3 2 1
1 4 2 3 x x
1
1 x 3 4 2 x
2 x 1 3 4 x
x x 1 4 4 4
1
2
3
3
5
5
2
3
4
4
6
6
3
4
5
5
7
7
4
5
6
6
8
8
5
6
7
7
9
3
5 R 3 7
R 3 5 7
x 4 3 1 1 x
3 x 2 4 1 x
R
R 5 7 3 x x 2 4 1 3
2
7 3 5
4
R 5 7
R 5 7 3 x 1 3 3 3 4
x 1 x 3 4 2
7
8
8
10
10
10
8
9
9
11
11
11
9
10
10
12
12
12
10
11
11
13
13
13
11
12
12
14
14
5
R 3 5 7
3 7 R
14 R
R 5 7 3 5
3 7 R 5
1, 3, 5, 7
9 3
x 1 3 2 4 1
Maj7
7 3 5
15 R 5 R 3 7
1
2 1 4 1 3 x
x 1 4 1 2 1
x x 1 3 4 1
1 2 4 4 4 x
3
x 2 1 4 3 x
2
2
2
3
5
9
10
3
3
4
6
10
11
4
4
5
7
11
12
5
5
6
8
12
13
6
6
7
9
13
R 3 7 9 5
3 R 9 5 7
R 5 7 9
8
x 1 3 2 1 1
Maj9
1, 3, 5, 7, 9
14 R 3 7 9
R 5 7 9 5
R 5 9 5 7
4 x 1 3 1 1
1
2 1 1 1 3 x
4
x x 1 1 2 3
2 1 1 1 3 4
x 1 1 1 2 x
3
1
2
2
2
2
4
2
3
3
3
3
5
3
4
4
4
4
6
4
5
5
5
5
7
5
6
6
6
6
R
5 9 3 6
x 1 1 1 2 x
2
R 3 6 9 5
R 3 6 9 5 R
x 2 1 1 3 4
x x 1 1 2 3
7
9
9
8
10
10
9
11
11
10
12
12
11
13 6 9 5 R
40140 Ultimate Chord Scale Bible.indb 129
13 R 3 6 9 5
3 6 9 5
6 9 5 R
x x 2 1 3 4
6/9
1, 3, 5, 6, 9
8 3 6 9 5
R 3 6 9
A G
6/19/12 12:43 PM
130 x x 1 3 1 4
add9
1, 3, 5, 9
1
1 3 4 2 1 1
x x 3 2 1 4
x 3 2 1 4 1
2
1
3
3
7
2
4
4
8
11
3
5
5
9
12
4
6
6
10
13
5
7
7
11
5 9 3 R
R 3 5 9
8
10
14 R 3 5 9 3
15
R 5 9 3 5 R
1
Maj11
1, 3, 5, 7, 11
1 x 3 4 2 x
2
R 5 9 3 5
x x 1 3 3 4
x 3 4 1 1 x
x 1 3 2 4 x
x 1 x 3 4 2
3
5
7
10
10
4
6
8
11
11
5
7
9
12
12
6
8
10
13
13
7
9
11
14
R
1
Maj13
1, 3, 5, 7, 13
7 11 5
R 5 7 11
1 x 2 3 4 x
R 11 5 7
x 4 2 3 1 x
x x 1 4 2 3
2
3
5
7
10
6
8
11
5
7
9
12
6
8
10
13
7
9
11
7 3 13
14 R 5 7 11
4
R
x 1 2 4 3 1
R
7 11 5
x 1 x 2 4 4
14 R 3 13 7
10
R
7 3 13
R 13 7 3
3 x 4 2 1 1
Maj13add9 1, 3, 5, 7, 9, 13
Maj13 11
A
1, 3, 7, 11, 13
2 1 1 1 3 1
1
1 x 2 3 4 4
x 1 1 1 2 3
1
2
3
9
2
3
4
10
3
4
5
11
4
5
6
12
5
6
7
13
R
2
1
7 9 3 13
2 x 1 3 1 1
2
4
3 4
R 3 13 9 5 7
R
7 3 13 9
x 1 1 1 2 x
x 3 4 2 1 1
7 3 13 9 5
2
x 1 2 3 4 4
7
10
5
8
11
6
9
12
5
7
10
13
6
8
11
14
R
G
13 3 11 7
11 7 3 13
12
R 11 7 3 13
R 11 13 7 3
Maj7 5
1, 3, 5, 7
40140 Ultimate Chord Scale Bible.indb 130
4 3 2 0 x x
1
1 x 3 3 3 x
x x 1 4 2 3
2
x 4 3 2 1 x
x 1 4 2 3 x
x 1 x 2 4 3
1
3
5
7
10
10
2
4
6
8
11
11
3
5
7
9
12
12
4
6
8
10
13
13
5
7
9
11
14
R 3 5 7
R
7 3 5
R 5 7 3
R 3
5 7
R 5 7 3
14 R
7 3 5
6/19/12 12:43 PM
131 1
2 x 3 4 1 x
2
(2) x 4 3 1 1
3 x 1 2 4 x
3
x x 1 2 4 4
x 1 2 3 4 x
x 2 x 3 4 1
2
2
5
5
10
9
3
3
6
6
11
10
4
4( )
7
7
12
11
5
5
8
8
13
12
6
6
9
9
14
7 3 11
R
R 3 11 7
(R)
2 x 3 1 1 x
R 11 7
3
2 1 3 1 1 x 2
9
3
3
10
4
4
11
5
5
12
6
6
13
1
7 9 11
4 3 2 1 x x
R 3 7 9 11
x x 3 1 2 0
4
1
1
1
2
2
2
3
3
3
4
4
4
5 R 3
2
5
5 R
5 R 3
5
3
4
5
4
5
6
5
6
7
6
7
8
7
3
R 3 5 R
8
x x 4 2 3 1
4 3 2 1 x x
x 3 2 1 1 x
Augmented (aug) 1, 3, 5
5 R 3
5 R 3 5
x 3 2 1 1 x
x x 4 2 3 1
8
7
8
11
9
8
9
12
10
9
10
13
11
10
11
14
12
11
12
5 R 3
5
40140 Ultimate Chord Scale Bible.indb 131
3
5 R 3
7 3 11
x 3 2 1 1 x
4
3 5 R 3
R
R 3 7 9 11
3
x x 4 2 3 1
4 3 2 1 x x
13
1, 3, 7, 9, 11
5
R 11 7 3
1, 3, 7, 11
Maj911
x 2 1 4 3 1
2
R
R 11 7 3
Maj711
R 3
15
5 R
5 R 3
5
A G
6/19/12 12:44 PM
132 1
min
1, 3, 5
1 3 4 1 1 1
x 4 2 1 3 x
5
5
7
7
6
6
8
8
5
5
7
7
9
9
6
6
8
8
10
10
R 5 R 3 5 R
7
2
R 3 5 R x 1 3 4 2 1
9
4
10
10
8
11
11
9
12
12
10
13
13
11
14
3 5 R 5
2 x 1 3 4 x
4
R 5 R 3 5
R 5 R 3
9
3
11
R 3 5
R 5 R
11
14
x x 1 3 3 3
R 3 5
2 4 1 3 x x
2
1 2 3 1 4 x
x 4 3 2 1 x
3
x x 1 3 1 2
2
2
2
3
5
5
3
3
3
4
6
6
4
4
4
5
7
7
5
5
5
6
8
8
6
6
6
7
9
9
6
3 5
6
9
9 10
11
11
12
12
1
min7
1, 3, 5, 7
R 5 6 3
3 5 R
R 5 6
3
R 5 R 3 6
13 R
2 x 3 3 3 x
10 11
x 2 x 1 4 3
10
13
6 3 5
1 3 1 1 x x
3
1 3 1 1 4 1
x x 1 1 1 1
2 x 1 4 3 x
4
x x 1 4 2 3
3
3
3
3
5
5
4
4
4
6
6
5
5
5
5
7
7
6
6
6
6
8
8
7
7
7
7
9
6
7 3 5
x 3 1 4 1 x
5
R 5 7 3 x 2 1 3 4 x
R 5 7 3 7 R
7 3 5 R
x 1 3 1 2 x
x 4 3 2 1 x
9
R 5 7
3
x 1 x 2 4 3
2
8
8
6
10
10
10
9
9
7
11
11
11
10
10
8
12
12
12
11
11
9
13
13
13
12
12
10
14
14
R 3 7 R
R 5 6 3
R 3 5 6
4
R
R 3 5 R
x x x 3 2 1
7
x 2 4 1 3 x
A G
x 4 2 1 x x
4
R
2 x 1 3 4 x
3
1
1, 3, 5, 6
x x 1 3 4 2
3
x x 2 1 3 4
3
4
7
min6
x x 3 1 1 1
R 3 7 3
11
R 5
7 3
R
7 3 5
R 5 7 3 x 1 3 1 2 1
14 R 5
7 3 5
R 3 5 7
40140 Ultimate Chord Scale Bible.indb 132
6/19/12 12:44 PM
133
x x 4 2 3 1
3
1 3 2 1 x x
1
2
1 x 4 2 3 x
x x 1 3 4 2
x x 2 1 1 x
x 4 2 1 1 x
2
3
3
3
5
7
3
4
4
4
6
8
4
5
5
5
7
9
5
6
6
6
8
10
6
7
7
7
9
4
R 3 5 7
R 5 7
x 1 4 2 3 x 10
11
11
12
12
13
13 R 5 7 3
1 4 1 1 x x
3
R
7
3 5
7
11
R 5 7 3
3 5
1, 3, 5, 7
R 3 5 7
x 1 x 3 4 2
10
14
14
7 3 5
R
1
2 x 3 3 4 x
x x 1 4 2 3
x 1 4 1 2 x
2
3
3
5
10
10
4
4
6
11
11
5
5
7
12
12
6
6
8
13
13
7
7
9
14
R 5 7 3
7 3 5
R
3
4 2 1 3 x x
R 5 7 3
1
1 2 3 1 1 4
1, 3, 5, 7
14
R 5 7 3
R
7 3 5
x x 3 1 1 4
1 3 4 1 1 1
min75
x 1 x 2 3 4
2
x x 4 1 1 1
1
3
3
3
3
10
2
4
4
4
4
11
3
5
5
5
5
12
4
6
6
6
6
13
5
7
7
7
7
14
R 3 5 9
R 5 R 3 5 9
8 R 5 9
x 1 2 3 4 4
1
2 x 1 3 3 4
1 2 4 1 3 x
R 3 5 9
8 9
3 5 R
4
x x 2 1 3 4
3 5 R
x x 4 3 1 1
2 x 1 4 1 1
2
3
3
5
5
2
3
4
4
6
6
3
4
5
5
7
7
4
5
6
6
8
8
5
6
7
7
9
9
3 6 9 5 R
R
6
3 5 9
8 R 5 9
x 3 1 2 4 x 8
3
R 3 6 9
3
R 5 6 9
minadd9 1, 3, 5, 9
R 5 9 3 5
min6/9
1, 3, 5, 6, 9
A G
3 5 6 9
3 6
x 3 1 2 4 4
8
9
9
10
10
11
11
12
x 1 3 4 2 1
15
1
2
minMaj7
R 3 6 9
12
R 3 6 9 5
1 2 3 1 1 4
minadd9/11
3
1, 3, 5, 9, 11
4 5 6 7 8 9 R 5 9
3 5 11
40140 Ultimate Chord Scale Bible.indb 133
6/19/12 12:44 PM
134 3 1 4 2 x x
min9
1, 3, 5, 7, 9
A G
1, 3, 5, 7, 11
3
3
3
2
4
4
4
4
4
3
5
5
5
5
5
4
6
6
6
6
6
5
7
7
7
7
7
R 3 7 9 x x 4 3 2 1
R
2
7 3 5 9
R 5 7 3 5 9 x x 1 3 3 3
8
10
9
9
11
7
10
10
12
8
11
11
13
9
12
12
1
3 5 7 9
1 3 2 1 1 4
2
R 3 7 9
3
5
4
4
5
5
6 7
3 7 9 5
14
3 5
x 2 1 4 3 x
9
11
7
10
12
6
8
11
13
7
9
12
1 1 1 1 1 4
x 1 4 1 2 1
2
3
5
4
6
9
5
7
10
6
8
11
7
9
2 x 3 4 1 x
3 5 7 9
3 5 9
3 7
R 3 7 9
14
3 5 7 9
x 2 1 3 4 1
8
5 3 11 7 9
12
R 3 7 9 11
x x 1 1 2 3
1 2 1 1 1 4
3
x 3 1 4 1 1
2
x 1 1 1 2 1
x 2 x 3 4 1
1
3
5
8
8
10
2
4
6
9
9
11
3
5
7
10
10
12
4
6
8
11
11
13
5
7
9
12
12
R
7 3 11
R 3 7 9
x 4 3 2 1 x
6
7 9
10
7
x x 2 1 4 3
8
3 5 9
R 11 7 3 5 9
x x 4 2 3 1
x x 2 1 4 3
3
8
x 4 3 1 1 x
8
R 5 7 3 7 9
R 5 9 x 2 1 3 4 x
5
8 9
40140 Ultimate Chord Scale Bible.indb 134
1 2 4 1 3 x
3
1
1 2 1 1 4 3
3
1
min11
1 3 1 1 1 4
3
R 5 7
1, 3, 5, 7, 9, 11
5
6
1, 3, 5, 7, 9
min9add11
2 x 3 3 3 4
1
4
min9Maj7
1
R 11 7 3
R 3 7 R 11
R
7 3 11
14
R 11 7 3 5
R 5 7 3 5 11
6/19/12 12:44 PM
135
1 3 1 1 4 (1)
1 4 1 1 x x
3
1
2
2 x 3 3 4 x
x 1 x 2 3 4
3
3
10
4
4
11
5
5
5
12
6
6
6
13
7
7
7
( )
4
R 5 7 3 13 (R)
1 2 1 1 3 4
8
1
R 13 7 3
2 x 3 3 4 4
2
3
3
8
4
9
5
5
10
6
6
11
7
7
7 3 13 9
R
x x 4 3 2 1
x x 0 1 0 3
7 3 13
R
7 3 13
x 2 1 3 3 4
4
R 5 7 3 13 9
1, 3, 5, 7, 13
14
R
min13
min13add9
1, 3, 5, 7, 9, 13
12 13
R 3 7 9 13
1
2 x 3 4 1 x
x x 2 3 1 4
4
x x 1 3 3 3
x 4 2 1 1 x
1
1
2
2
5
6
2
2
3
3
6
7
3
3
4
4
7
8
4
4
5
5
8
9
5
5
6
6
9
10
5 R 3 7
6
R
7 3 5
7 3 5 R
R 5 7 3
11
R 3 5 7
5
x x 1 3 1 2
3
x 2 x 3 4 1
2
x 1 3 2 4 x
8
9
10
11
10
11
12
10
11
12
13
11
12
13
14
12
13
14
2
3 7 R 5
x x 2 3 1 4
R
1
7 3 5
2 x 1 3 4 1
R 5 7 3
15
x x 4 2 3 1
5 R 3 7
x 4 2 1 1 x
2 x 1 3 4 x
5
10
3
6
6
11
9
9
4
7
7
12
10
10
5
8
8
13
11
11
6
9
9
14
12
3
40140 Ultimate Chord Scale Bible.indb 135
R 5 7 9
3 5 7 9
8
x x 1 3 4 2
5
7 3 5 9
R 3 5 7
2
1, 3, 5, 7
x x 1 3 2 4
9
min7 5
3 5 7 9
8
5
3 7 9
12
min95
1, 3, 5, 7, 9
A G
3 7 9 5
6/19/12 12:44 PM
136 2 x 1 1 1 x
7
1, 3, 5, 7
x x 1 1 1 2
2
2
4
4
3
3
5
5
4
4
4
6
6
5
5
5
7
2
2
3
3
4 5
1 x 2 4 3 x
R 3 5 7 3 x 1 4 2 x
x 3 2 4 1
3
R 5 7 3
7
3
5
5
4
6
6
9
5
5
5
7
7
10
6
6
6
8
8
11
7
7
7
9
9
R 5 7 3 7 R x x 2 3 1 4
R
2
7 3 5
x 1 3 1 4 1
R 3 7 R x 1 3 3 3 4
10
10
10
9
11
11
11
10
12
12
12
11
13
13
13
12
14
14
7 R 5
R 5
3
7 3 5
3 x 4 2 1 x
4
R 5 R 3 7
8
R 5 7 3
12 R 3
14 R
x x 3 2 1 4
7 3 5
3 1 4 2 x x
2
x 1 3 2 4 4
x 1 3 2 4 x
1
1
1
2
2
2
2
2
2
3
3
3
3
3
3
4
4
4
4
4
4
5
5
5
5
5
5
6
6
5 9 3 7
R
7 9 3
x 2 4 1 3 x
7 9 3 R
6
x x 2 1 4 3
R 3 7 9 x x 2 3 1 4
5
3 7 9 5 x 2 x 3 4 1
6
1
3
4
4
6
7
9
4
5
5
7
8
10
5
6
6
8
9
11
6
7
7
9
10
12
7
8
8
10
11
7 3 5 9
5 9 3 7
R 3 7 9
7 R
x 1 x 2 4 3
8
R 5 7
3
R 5 7 3 5 R x 3 2 4 1 x
x x 1 3 2 4
4
x x 1 2 1 4
40140 Ultimate Chord Scale Bible.indb 136
5x
6
3
x x 1 3 1 2
A G
3 7 R 5
3
3
1, 3, 5, 7, 9
5 R 3 7
5 R 3
4
6
1 3 1 2 1 1
3
1
1 3 1 2 4 1
9
1
3
1
7
1 3 1 2 x x
1
1
x x 4 3 2 1
x 2 3 1 4 x
9 5 7 3
R
7 9 3
3 7 9 5 R x 2 1 3 3 3
13 R 3
7 9 5
6/19/12 12:44 PM
137
x 1 1 1 2 3
1
3 x 4 2 1 x
3
x x 3 2 1 4
x x 1 1 2 1
x 2 x 3 4 1
2
1
1
1
5
8
10
2
2
2
6
9
11
3
3
3
7
10
12
4
4
4
8
11
13
5
5
5
9
12
1
9 5 R 4 7
R
1 3 1 4 1 1
7 9 4
x 1 1 1 2 x
3
7 9 4 R
R 4 7 9
x x 1 3 2 4
x 2 3 4 1 x
R
2
7 9 4
R 4
x 1 3 1 4 1
5
5
8
10
10
6
6
9
11
11
5
7
7
10
12
12
6
8
8
11
13
13
7
9
9
12
14
3 x 4 1 1 1
1
5 R 11 7
1 x 2 3 4 x
2
R 5 7 11
x x 1 3 4 2
R 11 7 R
x 1 3 4 2 x
14
x 2 1 3 4 4
x 1 x 2 4 4
3
3
8
9
10
2
4
4
9
10
11
3
5
5
10
11
12
4
6
6
11
12
13
5
7
7
12
13
7 R 3 13
3 x 4 2 1 1
R
1
7 3 13
1 x 2 3 4 4
7 3 13 R
7 3 13 R
x x 1 3 4 4
x 1 2 3 4 x
R 3
2
1
3
3
8
9
2
4
4
9
10
3
5
5
10
11
4
6
6
11
12
5
7
7
12
13
R
7 9 3 13
R
7 3 13 9
7 3 13 9
7 3 13 9
7 3 13
13
1, 3, 5, 7, 13
14
11(7sus4) 1, 5, 7, 11
R 5 R 11 7
1
R
7 9 5
7 11 5
R 5
x 1 3 3 4 4
3
9sus4
1, 4, 5, 7, 9
14
4
R 5 7 11 5 R
x 1 1 1 1 1
R
7 3 13
x 2 1 3 3 4
13add9
1, 3, 5, 7, 9, 13 R 3
7 9 13
A G
40140 Ultimate Chord Scale Bible.indb 137
6/19/12 12:44 PM
138 x x 4 1 2 1
13sus4
1, 4, 5, 7, 13
1, 5, 7, 9, 13
10
2
4
11
3
5
12
4
6
13
5
7
7 R 4 13
1, 3, 5, 7
1, 3, 5, 7
7 4 13
R 5
1 x 2 4 4 4
x x 1 4 4 4
10
4
11
3
5
5
12
4
6
6
13
5
7
7
7 9 4 13
R
2 x 3 4 1 x
14
7 4 13 9
1, 3, 5, 7, 9
A
7 4 13 9
1 2 1 3 x x
x x 1 2 3 4
R 4
2
7 9 13
2 x 3 4 1 x
3
x 2 x 3 4 1
x 1 2 1 4 x
2
3
5
8
9
10
4
6
9
10
11
4
5
7
10
11
12
5
6
8
11
12
13
6
7
9
12
13
7 3 5
1 x 2 3 4 x
2
R 5 7 3
x x 1 3 4 2
3
6
4
4
5
5
6 7
7 3 5
R 5 7 3
5
3
7 R
x 1 2 1 1 x
x 4 3 2 1 x
3
R
3
7 3 5
14
x 1 x 2 4 3
10
10
7
9
11
11
8
10
12
12
6
9
11
13
13
7
10
12
14
7 3 5 R
11
3 2 4 1 x x
7 3 5 R
R
7 3 5
14
x 2 3 1 4 x
3
T* x 1 3 2 4
x x 2 1 4 1
x 2 3 1 4 x
1
1
1
3
4
4
2
2
4
5
5
3
3
3
5
6
6
4
4
4
6
7
7
5
5
5
7
8
R 3 7 9
R 5 7 3
5 7
2
9 3 7
R 5 7 3
x 1 4 1 3 x
8
x x 1 3 2 4
5
G
x 1 1 1 1 4
3
1
2
3
R 3
79
7 4 13
3
R
4
1
7 5 (+7)
1
14
2
R
R
1
1
75
x 1 2 1 4 3
3
x x 4 3 2 1
13add9sus4
1 x 2 4 4 x
1
3 7 9 5
R
7 3 5 9
5 9 3 7
8
R 3 7 9
* T = Thumb
2
3 x 4 2 1 x
79
1, 3, 5, 7, 9
40140 Ultimate Chord Scale Bible.indb 138
x 2 3 1 4 x
1
x 2 1 3 1 x
5
x x 1 3 2 4
x 2 3 1 4 x
1
6
7
9
9
10
7
8
10
10
11
3
8
9
11
11
12
4
9
10
12
12
13
5
10
11
13
13
3
x x 1 3 2 4
2
R
4
7 9 3
2 1 3 4 x x
9 5 7 3
x 1 3 3 3 x
2
7 3 5 9
R 3
1 3 1 2 4 4
7 9
x 0 4 2 1 1
3
1
7 9 5
x 2 1 3 4 x
14
9 5
4
3
3
4
7
10
10
4
4
5
8
11
11
5
5
6
9
12
12
6
6
7
10
13
13
7
7
8
11
14
R 3 7 9
3 7 9 5
R 5 7 3 7 9
R 3 5 7 9
R 3
7 9
7 3
x 0 1 2 4 3
14 R 3
7 9 5
6/19/12 12:44 PM
139 1
3 x 4 1 2 x
x 2 1 3 1 1
1
9
9
2
2
10
10
3
3
11
11
4
4
12
12
5
5
13
7 9 5
3 7 9 5
x 1 3 4 2 x
2 1 3 4 1 x
2
7 9 5
x 2 1 3 4 1
9
9
3
3
10
10
4
4
11
11
5
5
12
12
6
6
13
x 2 3 1 4 x
1
1
3
2 3
7 9 5
R 3
1 x 2 3 4 4
x 1 3 2 4 x
7 9 5
795
x x 1 3 4 2
2
3 7 9 5
3
2
R 3 7 9 5
1, 3, 5, 7, 9
13
R 3
795
x x 1 2 1 1
1
R
1
2
x 2 4 1 3 x
1, 3, 5, 7, 9
13
7 9 5
3
2
x 2 1 3 1 4
8
9
9
4
9
10
10
5
10
11
11
4
6
11
12
12
5
7
12
13
13
3 7 9 5
7 3 5 9
R
2 1 3 3 4 x
x 1 2 3 4 x
7 3
1
5 9
R 3
1 x 1 2 3 4
7 9 5
x x 1 3 3 4
759 (+7 9)
x x 1 2 1 4
1, 3, 5, 7, 9
7 9 5
3
3
x x 4 3 1 1
2
2
2
3
3
6
9
3
3
4
4
7
10
4
4
5
5
8
11
5
5
6
6
9
12
6
6
7
7
10
R 3 7 9 5
x 2 x 3 4 1
1
3 7 9 5
7 3 5 9
R
2 1 3 1 1 x
x 1 2 1 1 x
7 3 5 9
x x 1 3 4 2
2
1
2
2
9
9
2
3
3
10
10
3
4
4
11
11
4
5
5
12
12
5
6
6
13
13
9 5 7
3
x 1 2 1 4 3
1
2
3
3 4
R 3 7 9 5
1 x 2 3 3 4
3 7 9 5
x 1 2 1 4 x
3
2
8
9
4
9
10
5
10
11
5
6
11
12
6
7
12
1
3 7 9 5 R
2 x 3 4 1 x
R
2
7 3 5 9
1 2 1 4 x x
7 3
3
2
3
5
3
4
4
5
5
6
6
7
R
7 11 5
R 5 7 11
40140 Ultimate Chord Scale Bible.indb 139
13 R 3
7 9 5
95
x 2 1 3 4 1
1, 3, 5, 7, 9 R 3
7 9 5
95
A G
7 9 5
x 2 4 3 1 1
x 1 2 1 4 x
x 1 2 3 4 4
8
10
10
6
9
11
11
7
10
12
12
8
11
13
13
9
12
14
R 5 7 11
1, 3, 5, 7, 9 R 3
x x 1 3 3 4
7 9 5
5 7 9
759
1, 3, 5, 7, 9
x 2 1 3 3 4
13 5 9
3
x 2 1 3 4 4
R 5 7 R 11
R 5 7 11
14
115
1, 11, 5, 7 R 5 R 11 7
6/19/12 12:44 PM
140
135
1 2 1 3 4 (1) 3
1, 3, 5, 7, 13
10 ( )
4
11
5
12
6
13
7
1
x 1 2 1 4 4
13 9
1, 3, 7, 9, 13
R 5 7 3 13 (R)
14
3 x 4 2 1 1
R 5 7 3 13
x 2 3 1 4 x
2
1 x 1 2 4 3
x 1 3 3 3 x
3
x 2 1 3 1 4
x x 1 2 1 4
1
1
3
8
9
9
2
2
4
9
10
10
3
3
5
10
11
11
4
4
6
11
12
12
5
5
7
12
13
7 9 3 13
R
6
R
7 3 13 9
7 3 13 9
R 3
7 9 13
13 3
7 9 13
3 7 9 13
1
13 9
1, 3, 7, 9, 13
1, 3, 5, 7, 9
1, 5, 7, 11
A G
1, 3, 5
40140 Ultimate Chord Scale Bible.indb 140
x x 1 2 3 4
x x 1 2 3 4
3
3
9
3
4
4
10
4
5
5
11
5
6
6
12
6
7
7
R 3 7 9 13
R
7 3 13 9
x x 1 2 4 3 8
8
2
9
9
3
10
10
4
11
11
5
12
3 7 9 5
2 3 1 4 x x
3
2
7 9 5
7 3 13 9
13 3
7 9 13
2 x 1 3 4 x
1
12
5
2 x 1 4 1 x
3
7 9
x 2 3 1 4 x
x x 1 2 1 4
x 2 x 1 4 1
2
2
5
9
9
3
3
6
10
10
4
4
7
11
11
5
5
8
12
12
6
6
9
13
13
1
dim
1 x 1 2 3 4
2
1
dim11
2
x 1 3 3 3 x
dim9
2 1 3 3 4 x
R 5 7 11
R
4 2 0 x x x
7 11 5
x x 4 2 1 x
2
R 5 7 11
14
x 4 2 1 x x
2
6
9
2
3
7
10
3
4
8
11
4
5
9
12
5
6
10
13
R 3 5
11
R 3 5
14 R
7 11 5
x x x 4 2 1
1
R 3 5
R 5 7 11
R 3 5
6/19/12 12:44 PM
141
2 x 0 3 0 x
x 2 3 1 4 x
x x 0 3 0 4
x 2 x 1 3 1
1 3 0 2 x x
x x 4 3 2 1
1
1
1
1
1
1
2
2
2
2
2
2
3
3
3
3
3
3
4
4
4
4
4
4
5
5
5
5
5
7
5 R 3
3 7 R 5
3
x 2 3 1 4 x
2 x 1 3 1 x
R 5 7
x 2 x 1 3 1
5 R 3 7
x x 1 3 2 4
7 3 5 R
6
3
3
5
2
3
4
4
6
3
4
4
5
5
7
4
5
5
6
6
8
5
6
6
7
7
9
6
7 3 5
5 R 3 7
5
3 7 R
R 5 7 3
R 5 7 3
7 8 9
x 2 3 1 4 x
2 x 1 3 1 x
x 2 x 1 3 1
x x 1 3 2 4
5
6
6
8
5
6
7
7
9
6
7
7
8
8
10
7
8
8
9
9
11
8
9
9
10
10
12
9
10
3
R 5 7
7 3 5 R
7
5 R 3
3
7 R 5
3 7 R 5
3
5
5
x 2 3 1 4 x
x 2 x 1 3 1
x x 1 3 2 4
2 4 1 3 x x
9
9
11
8
9
9
10
10
12
9
10
10
11
11
13
10
11
11
12
12
14
11
12
12
13
13
15
12
5
3
7 R
R 5 7 3
R
7 3 5
5 R 3 7
5 R 3 7
x x 1 3 2 4
2 4 1 3 x x
11
2
11
12
3
12
13
4
13
14
5
14
15
6
7
5 R 3
40140 Ultimate Chord Scale Bible.indb 141
7 3 5 R
15
7 3 5 R
7 R 3
13 14 15
2 x 1 3 1 x
x x 4 3 2 1
8
7 R
11 12
2 x 1 3 1 x
x x 4 3 2 1
2 4 1 3 x x
6
R 3 5 7 x x 4 3 2 1
2 4 1 3 x x
2
1, 3, 5, 7
5
3
R
dim7 ( 7)
7 R 3 5
A G
6/19/12 12:44 PM
142
Three-Note Voicings Maj7
7
x x x 1 1 4 1
1
1
2
2
2
3
3
3
3
4
4
4
4
5
5
5
R 3 7
R 3 7
5 R 3 6
2 1 3 x x x
2 1 3 x x x
2 1 1 x x x
2
2
1
2
3
3
2
3
4
4
3
4
5
5
4
5
6
6
5
R 3 7
R 3 7
1 x 2 3 x x
1 x 2 3 x x
6
R 3 7
R 3 6
2 x 3 3 x x
2 x 1 4 x x
3
3
3
2
4
4
4
3
5
5
5
4
6
6
6
5
7
7
7
R
7 3
R
x x 2 1 4 x
R
7 3
7 3
6 R
x x 3 1 4 x
x x 2 1 4 x 4
3
4
5
5
4
5
6
6
5
6
7
7
6
7
8
8
7
R 3 7
x 2 1 4 x x
R 3 7
8 R 3 6
x 2 1 3 x x
x 2 1 3 x x
x 2 1 1 x x
9
9
8
9
10
10
9
10
11
11
10
11
12
12
11
12
13
13
12
13
R 3 7
R 3
x 1 x 3 4 x
7
R 3 7
R 3 6
x 1 x 2 3 x
x 1 x 2 4 x
x 2 x 1 4 x
10
10
10
9
11
11
11
10
12
12
12
11
13
13
13
12
14
14
14
R
7 3
R
7 3
R
7 3
6 3
x x 2 1 3 x
4
R 3 7
40140 Ultimate Chord Scale Bible.indb 142
x x x 1 1 1
2
2 1 4 x x x
G
6
x x x 1 0 3
1
R 3 7
A
min7
x x x 1 1 2
13 R
6 3
6/19/12 12:44 PM
5
x 4 3 1 2 x
x x x 2 3 1
x 4 3 1 2 1
D /C
1
x 1 3 3 3 x
143
x 1 3 3 3 4
3
1
1
3
3
3
5
2
2
4
4
4
6
3
3
5
5
5
7
4
4
6
6
6
8
5
5
7
7
7
9
R 3 5 R
2
1 3 4 2 1 1
8
R 3 5 R 3
R 3 5
x x 3 2 1 1
2 x 1 3 4 x
R 5 R 3
4
x x 1 2 4 3
8
10
10
9
9
11
11
10
10
12
12
11
11
13
13
12
12
14
R 5 R 3 5 R
x 4 1 1 2 x
R 3 5 R
1
R 5 R
9 R 5 R 3 R
R 5 R 3
x x x 3 1 1
2 3 4 1 x x
2
3
3
7
10
2
4
4
8
11
3
5
5
9
12
4
6
6
10
13
5
7
7
11
1
R 5 R 2 5
x 1 3 3 4 x
x x 1 1 2 4
R 2 5
2
1 2 3 4 1 1
5
8
10
6
9
11
5
7
10
12
6
8
11
13
7
9
12 R 5 R 4 5 R
1 3 4 x x x
x 1 1 3 4 x
8
10
4
9
11
5
10
12
6
11
13
7
12 R 5 R
1
x 4 2 3 1 x
R 5 R 2
sus4
1, 4, 5 R 5 R 4
no 3rd 1, 5
14 R 5 R
2
1, 2, 5
14
5 R 4 R
3
sus2
x x 1 3 4 4
4
x 1 3 4 x x
x x 1 2 4 1
14 R 5 R 2
3
R 5 R 4
5 R 5 R
x 1 4 4 4 4
x 1 4 2 3 1
3
2 x 1 4 3 x
4
x 2 3 1 4 x
2 4 1 3 x x
1
3
3
7
9
7
2
4
4
8
10
8
3
5
5
9
11
9
4
6
6
10
12
10
7
11
5
1, 3, 5 R 3 5 R 3
8
1
R 2 5 R
Maj
14 3
x 1 3 4 1 1
4 3 1 1 1 x
7 R 3 6 R
R 5 R 3 6
13 R
8
6 3 5
6
1, 3, 5, 6
D C
11 5 R 3 6
R 5 6 3
R 6 R 3 5 x 3 x 2 4 1
x x 1 3 1 4
8
10
9
11
10
12
11
13
12
14 5
3 6 R
40140 Ultimate Chord Scale Bible.indb 143
R 5 6 3
6/19/12 12:44 PM
144
Maj7
1, 3, 5, 7
3 x 2 4 1 x
5
x 4 3 1 1 x
x x 2 4 1 3
1
x 1 3 2 4 1
x 1 x 3 4 2
x 1 3 3 3 4
1
1
1
3
3
2
2
2
4
4
4
3
3
3
5
5
5
4
4
4
6
6
6
5
5
5
7
7
5
R 3 5 7
3 7 R
3
7
R 5 7 3 5
3 7 R 5
R
7 3 5
8 R 5 R 3 7
4
x x 1 1 1 4
6
x x 4 3 2 1
2 x 1 3 4 x
x x 1 4 4 4
7
8
8
10
10
6
8
9
9
11
11
7
9
10
10
12
12
8
10
11
11
13
13
9
11
12
12
14
1
1, 3, 5, 7, 9
1 x 3 4 2 x
3
5
R 3 5 7
5 R 3 7
Maj9
1 4 2 3 x x
2
x 2 1 4 3 x
2
x 1 3 2 1 1
R
R 5 7 3
3
2 1 4 1 3 x
7 3 5
14 3
x 1 4 1 2 1
R 5 7 3
R 5 7
1 2 4 4 4 x
x x 1 3 4 1
2
3
7
7
8
10
3
4
8
8
9
11
4
5
9
9
10
12
5
6
10
10
11
13
6
7
11
11
12
14
R 3 7 9
R 5 7 9 5
R 3 7 9 5
3 R 9 5 7
R 5 7 9
13 R 5 9 5 7
x 1 1 1 2 x
6/9
1, 3, 5, 6, 9
1
x x 1 1 2 3
4 x 1 3 1 1
2
2 1 1 1 3 x
2 1 1 1 3 4
2
2
5
7
7
2
3
3
6
8
8
3
4
4
7
9
9
4
5
5
8
10
10
6 6 9 5 R
6 R 3 6 9 5
x 1 1 1 2 x
40140 Ultimate Chord Scale Bible.indb 144
4
1
5
D C
x 2 1 1 3 4
x x 1 1 2 3
3
7
7
9
8
8
10
9
9
11
10
10
12
11
11 3 6 9 5
11
9 3 6 9 5
R
5 9 3 6
11 R 3 6 9 5
R 3 6 9 5 R
x x 2 1 3 4
13 6 9 5 R
R 3 6 9
6/19/12 12:44 PM
145 x 3 2 1 4 1
1
x x 1 3 1 4
x 1 2 4 3 1
2
1 3 4 2 1 1
x x 3 2 1 4
1
3
5
8
8
2
4
6
9
9
3
5
7
10
10
4
6
8
11
11
7
9
12
12
5 R 3 5 9 3
5 9 3 R
8
x 3 4 1 1 x
2
R 3 5 9 R 5 9 3 5 R
x 1 3 2 4 x
x 1 x 3 4 2
1 x 3 4 2 x
x x 1 3 3 4
1
3
3
8
10
2
4
4
9
11
3
5
5
10
12
4
6
6
11
13
5
7
7
12
R 11 5 7
x 4 2 3 1 x
R 5 7 11
1
x 1 x 2 4 4
R
2
7 11 5
1 x 2 3 4 x
3
8
10
4
9
11
3
5
10
12
4
6
11
13
5
7
12 7 3 13
1, 3, 5, 7, 11
7 11 5
R 5 7 11
x x 1 4 2 3
2
R
Maj11
14 R
1
R 3 13 7
1, 3, 5, 9
13
R 5 9 3 5
1
add9
Maj13
1, 3, 5, 7, 13
14 R
7 3 13
15 R 13 7 3
x 1 1 1 2 3
3 x 4 3 1 1
2
2 1 1 1 3 1
1
1 x 2 3 4 4
2
5
7
8
3
6
8
9
4
7
9
10
5
8
10
11
9
11
6 7 3 13 9 5
R
x 3 4 2 1 1
1
R
x 1 2 3 4 4
2 7
9
2
4
8
10
3
5
9
11
4
6
10
12
5
7
11
13
x 4 3 2 1 x
2
R 11 7 3 13
x 1 4 2 3 x
13 3 11 7
R
3
Maj1311
x 1 1 1 2 x
2 x 1 3 1 1
3
1
7 3 13 9
7 9 3 13
1
R 11 13 7 3
1, 3, 5, 7, 9, 13
12 R 3 13 9 5 7
10
Maj13add9
1, 3, 7, 11, 13
11 7 3 13
x 1 x 2 4 3
1 x 3 3 3 x
4 3 2 1 x x
x x 1 4 2 3
1
3
3
4
8
10
2
4
4
5
9
11
3
5
5
6
10
12
4
6
6
7
11
13
5
7
7
8
12
R 3
5 7
R 5 7 3
40140 Ultimate Chord Scale Bible.indb 145
R
7 3 5
9
R 3 5 7
R
7 3 5
14
Maj7 5
1, 3, 5, 7
D C
R 5 7 3
6/19/12 12:44 PM
146
1
Maj7 11
1, 3, 7, 11
x 2 x 3 4 1
Maj9 11
1, 3, 7, 9, 11
1, 3, 5
2 x 3 4 1 x
(2) x 4 3 1 1
3 x 1 2 4 x
x x 1 2 4 4
3
7
7
10
10
4
8
8
11
11
4
5
9
9( )
12
12
5
6
10
10
13
13
6
7
11
11
14
7 3 11
x 2 1 4 3 1
R 11 7 3
R
2 x 3 1 1 x 7
7
3
8
8
4
9
9
5
10
10
R 3 7 9 11
4 3 2 1 x x
11
7 9 11
R
4
11
x 3 2 1 1 x
1
1
2
2
2
3
3
3
4
4
4
5
5
2
R 3
4 3 2 1 x x
5 R
3
5
4
6
6
5
7
7
6
8
8
7
9
9
3
5 R
3
4 3 2 1 x x
8
R 11 7
14
R 11 7 3
5 R 3
5 R 3
5 R 3
5
x x 4 2 3 1
x 3 2 1 1 x
9
9
10
10
9
11
11
10
12
12
11
13
13
3 5 R 3
3
x x 4 2 3 1
x 3 2 1 1 x
5
R 3
R 3 11 7
R 3 7 9 11
5
(R)
x x 4 2 3 1
1
5 R 3 5
7 3 11
2 1 3 1 1 x
2
1
3
3
6
Augmented (aug)
x 1 2 3 4 x
2
R
2
8
5 R 3 5
12
R 3 5 R
D C
40140 Ultimate Chord Scale Bible.indb 146
6/19/12 12:44 PM
147 x 4 2 1 3 x
x 4 2 1 x x
x x 2 1 3 4
1
x 1 3 4 2 1
x x x 3 2 1
21
1
1
1
3
3
8
2
2
2
4
4
9
3
3
3
5
5
10
4
4
4
6
6
11
5
5
5
7
7
4
R 3 5 x x 3 1 1 1
R 3 5 R x x 3 1 1 x
3 5 R 5 2 x 1 3 4 x
3
8
8
10
10
9
9
11
11
10
10
12
12
11
11
13
13
12
12
14
R 3 5 R
x 2 4 1 3 x
3
R 3 5
x 2 x 1 4 3
14
3
1
R 5 R
2 x 1 3 4 x
2
R 5 R 3 5
R 3 5
12
x x 1 3 3 3
x x 1 3 1 2
2
7
7
8
10
8
8
9
11
4
4
9
9
10
12
5
5
10
10
11
13
6
6
11
11
12
x 4 2 1 0 x
x 3 1 4 1 x
R
3
6
3 5
6
x 2 1 3 4 x
3 5 R
x 1 3 1 2 x
4
R 5 R 3 6
x 1 x 2 4 3
14
1
1
1
1
3
3
3
2
2
2
4
4
4
3
3
3
5
5
5
4
4
4
6
6
6
5
5
5
7
7
R 3 5 7 x x 4 2 3 1
2
R 3 7 R 2 x 3 3 3 x
R 3 7 3 1 3 1 1 x x
R 5
5
R 5 R 3 5 R
1 2 3 1 4 x
3
6 3 5
1, 3, 5
R 5 R 3
3
R
min
x x 1 3 4 2
2
R 5 6 3
7 3
R
1 3 1 1 4 1
7 3 5
x x 1 1 1 1
6
8
8
8
8
10
9
9
9
9
11
8
10
10
10
10
12
9
11
11
11
11
13
10
12
12
12
12
R 3 5 7
7 3 5
R 5 7 3
R 5 7 3 7 R
7 3 5 R
1, 3, 5, 6 R 5 6 3
x 1 3 1 2 1
14
min7
1, 3, 5, 7 R 5
7
R
min6
7
6
11
3 4 1 1 1
7 3 5
x x 1 4 2 3
R 5 7 3
D C
40140 Ultimate Chord Scale Bible.indb 147
6/19/12 12:44 PM
148
minMaj7
1, 3, 5, 7
x 4 2 1 1 x
1, 3, 5, 7
x x 4 2 3 1
1 x 4 2 3 x
7
8
8
4
8
9
9
3
5
5
9
10
10
4
6
6
10
11
11
5
7
7
11
12
R 3 5 7
R 5 7 3
x x 2 1 1 x
8
10 11
10
12
11
13 14
7 3 5
R 3 5 7
R 5 7
1
x 1 x 2 3 4
1 4 1 1 x x
2
2 x 3 3 4 x
3
8
8
10
4
4
9
9
11
5
5
10
10
12
6
6
11
11
13
7
7
12
12
1, 3, 5, 9
12 R
R
7 3 5
4 2 1 3 x x
x 1 3 4 2 1
R 5 7 3
3
1 2 3 1 1 4
R
1
7 3 5
14
1 3 4 1 1 1
5
8
8
8
6
9
9
9
9
5
7
10
10
10
10
6
8
11
11
11
11
7
9
12
12
12
12
R 3 5 9
R 5 R 3 5 9
13
R 5 9 3 5
x 3 1 2 4 4
4
x 1 2 3 4 4
1
8
13
R 5 9
x 3 1 2 4 x
3 5 R
2 x 1 3 3 4
9
3
x x 2 1 3 4
1 2 4 1 3 x
1
6
7
8
2
2
7
8
9
9
3
3
8
9
10
10
4
4
9
10
11
11
5
5
10
11
12
R 3 6 9 5
3 6 9 5 R
R
6
3 5 9
R 3 5 9
3 5 R
1
R 3 6 9
8
R 3 6 9
12 13 R 5 9
x x 4 3 1 1
2 x 1 4 1 1
D C
10
10
11
11
12
12
13
13
14
3
14 R 5 6 9
3 5
x x 3 1 1 4
x x 4 1 1 1
4
2
R 5 7 3
3
8
7
x x 1 4 2 3
3
R 5 7 3
3
R 5 7 3
3 5
x 1 4 1 2 x
R
x x 1 3 4 2
9
1, 3, 5, 6, 9
1
3
minadd9
1 3 2 1 x x
4
2
min6/9
3
3
7
x 1 x 3 4 2
2
12
min7 5
x 1 4 2 3 x
1
2
4
3 6
3 5 6 9
1 2 3 1 1 4
minadd9/11
1, 3, 5, 9, 11
8 9 10 11 12 13 14 R 5 9
40140 Ultimate Chord Scale Bible.indb 148
3 5 11
6/19/12 12:44 PM
149 1
x 2 1 3 4 x
x x 1 3 3 3
3 1 4 2 x x
x 4 3 1 1 x
1 2 4 1 3 x
3
1
1
3
6
8
8
2
2
4
7
9
9
3
3
5
8
10
10
4
4
6
9
11
11
5
5
7
10
12
12
2
R 3 7 9 2 x 3 3 3 4
3 7 9 5
1 2 1 1 4 3
2
3 5
7 9
x x 2 1 4 3
5
8
8
8
10
9
9
9
11
10
10
10
12
11
11
11
13
12
12
12
R
7 3 5 9
x 2 1 4 3 x
R 5 7 3 7 9
x 4 3 2 1 x
1
R 3 7 9
1 3 2 1 1 4
14
2
R 3 7 9
13 R 5 9
x x 4 3 2 1
8
8
10
2
4
9
9
11
3
5
10
10
12
4
6
11
11
13
5
7
12
12
3 5 7 9
x 2 1 3 4 1
R 5 7
1 1 1 1 1 4 8
10
2
9
11
3
10
12
4
11
13
5
12
2
x 3 1 4 1 1
4
R 11 7 3 5 9
3 5 9
7
14
min9Maj7 1, 3, 5, 7, 9
3 5 7 9
3 5 9
14
x 2 x 3 4 1
min9add11
1, 3, 5, 7, 9, 11 5 3 11 7 9
x 1 1 1 2 x
3
x 1 1 1 2 1
x 1 1 1 2 4
1
1
1
3
3
3
6
2
2
4
4
4
7
3
3
5
5
5
8
4
4
6
6
6
9
5
5
7
7
7
10
R 3 7 R 11
R
1 2 1 1 1 4
7 3 11
R 11 7 3
R 11 7 3 5
R 11 7 3 7
2 x 3 4 1 x
min11
1, 3, 5, 7, 11 R
7 3 11
x x 1 1 2 3
8
10
9
11
10
12
11
13
12
14
13 14
R 5 7 3 5 9
x 1 4 1 2 1
1
R 3 7 9 11
1, 3, 5, 7, 9
x x 4 2 3 1
x x 2 1 1 4
3
3 7
min9
3 5 7 9
1
R 3 7 9
1 3 1 1 1 4
R 11 7 3
D C
R 5 7 3 5 11
40140 Ultimate Chord Scale Bible.indb 149
6/19/12 12:44 PM
150
min13
1, 3, 5, 7, 13
1
x 1 x 2 3 4
3
2
2 x 3 3 4 x
8
1 3 1 1 4 (1)
1 4 1 1 x x 8
8
4
9
9
9
5
10
10
10
6
11
11
11
7
12
12
12
R
7 3 13
R
7 3 13
13
( )
R 5 7 3 13 (R)
R 13 7 3
min13add9
1, 3, 5, 7, 9, 13
1 2 1 1 3 4
x 2 1 3 3 4 8
1
2 x 3 3 4 4 8
2
9
9
3
10
10
4
11
11
5
12
6
R 5 7 3 13 9
12
7 3 13 9
R
R 3 7 9 13
4
min7 5
1, 3, 5, 7
x 4 2 0 0 x
x x 1 3 1 2
3
x 2 x 3 4 1
1
x 1 3 2 4 x
x x 1 3 2 4
2
1
1
2
3
4
7
2
2
3
4
5
8
3
3
4
5
6
9
4
4
5
6
7
10
5
R 3 5 7
5
x x 2 3 1 4
3 7 R 5
6 R
6
10
8
7
11
9
8
12
10
9
13
11
10
14
7 3 5 R
11
7 3 5
7
R 5 7 3
8
5 R 3 7
11 R
7 3 5
x x 1 3 3 3
x x 4 3 2 1
7
2 x 3 4 1 x
R 5 7 3
R 3 5 7
min9 5
1, 3, 5, 7, 9
3
2 x 1 3 4 x
x x 1 3 4 2
x 4 2 1 1 x
1
x x 2 3 1 4
2
2 x 1 3 4 1
x x 4 2 3 1
1
1
3
7
10
10
2
2
4
8
11
11
3
3
5
9
12
12
4
4
6
10
13
13
5
5
7
11
14
5
3 7 9
3 7 9 5
3 5 7 9
7 3 5 9
3
R 5 7 9
14
3 5 7 9
D C
40140 Ultimate Chord Scale Bible.indb 150
6/19/12 12:44 PM
151 3
x 3 2 4 1 x
x x 2 3 1 4
x 1 x 2 4 3
1
x 1 3 1 4 1
x 1 3 3 3 4
2 x 1 1 1 x
1
1
3
3
3
5
2
2
4
4
4
6
3
3
5
5
5
7
4
4
6
6
6
8
5
5
7
7
7
7 R
R 3
6
3
x x 1 1 1 2
7 R 5
R
x 2 3 1 4 x
x x 4 3 2 1
7 3 5
R 5 R 3 7
1 3 1 2 x x
1 x 2 4 3 x
R 5
7 3 5
9
5
5
6
6
6
7
9
9
9
7
7
8
10
10
10
8
8
9
11
11
11
9
9
10
12
12
5 R 3 7
3 7 R 5
8
11
R 3 5 7
5
x x 3 2 4 1
1 3 1 2 4 1
3 x 1 4 2 x
4
8
8
10
10
9
9
11
11
10
10
12
12
11
11
13
13
12
12
14
R 3 7 R
x 2 x 3 4 1
1
R 5 7 3 7 R
x 2 1 3 3 3
R 5 7
3
3
3 x 4 2 1 x
R
12
7 3 5
x x 3 2 1 4
x x 1 3 1 2
6
2
5
5
5
7
2
3
6
6
6
8
3
4
7
7
7
9
4
5
8
8
8
10
5
6
9
9
9
2
R 3
7 9 3
x 1 3 2 4 x
5
7 9 5
R
x 1 3 2 4 4
7 9 3
x x 1 2 1 4
7 9 3 R
5 9 3 7
x 2 4 1 3 x
x x 2 1 4 3
11
7
7
8
9
9
11
8
9
10
10
12
9
9
10
11
11
13
10
10
11
12
12
14
11
11
12
13
13
3 7 9 5 R
7 3 5 9
R 5 7 3 5 R
5 9 3 7
R 3 7 9
3 1 4 2 x x
9
1, 3, 5, 7, 9 R 3 7 9 x x 2 3 1 4
8
3 7 9 5
1 3 1 2 1 1
R 5 7 3
1
R
5 R 3
x x 1 3 2 4
14
4
8
8
R 5 7 3
1, 3, 5, 7 7
2
7
15
9 5 7 3
D C
40140 Ultimate Chord Scale Bible.indb 151
6/19/12 12:44 PM
152
x 2 x 3 4 1
9sus4
1, 4, 5, 7, 9
1, 3, 5, 7, 13
x x 3 2 1 4
5
6
6
10
6
7
7
11
3
5
7
8
8
12
4
6
8
9
9
13
5
7
9
10
10
7 9 5
9 5 R 4 7
x 1 3 1 4 1
x 1 3 3 4 4
7 9 4
x 2 3 4 1 x
R 4
1
3
5
2
4
4
3
5
5
4
6
5
7 R 5
14
2
1 3 1 4 1 1
x x 1 3 2 4 10
6
9
11
7
10
12
6
8
11
13
7
9
12
3
R 5 R 11 7
x 1 x 2 4 4
5 R 11 7
2
3 x 4 1 1 1
14
R 5 7 11 5 R
1
x x 1 3 4 2
1
2
3
5
8
8
2
3
4
6
9
9
3
4
5
7
10
10
4
5
6
8
11
11
5
6
7
9
12
3 4 x
R 3
2
7 3 13
x 2 1
R
7 3 13
3 3 4
3 x 4
R
2 1 1
7 R 3 13
1
7 3 13 R
1 x 2
3 4 4
5
8
1, 3, 5, 7, 9, 13 3
3
6
9
9
4
7
10
10
4
5
8
11
11
5
6
9
12
12
7 3 13 9
R 3
7 9 13
R
7 9 3 13
1 x 2 3 4 x
R
x x 1
2
R 5 7 11
12
1 2
R 4 7 9
7 9 4 R
8
7 11 5
x 2 1 3 4 4
7 9 4
x x 1 1 2 3
3
R 11 7 R
R
1
x 1 2
x x 1 1 2 1
3
7 3 13 R
13add9
3
3 x 4 2 1 x
4
x 1 3 4 2 x
13
2
x 1 1 1 2 3
2
3
1, 5, 7, 11
x 1 1 1 1 1
1
R
11(7sus4)
1
7 3 13
3 4 4
8
R
7 3 13 9
7 3 13 9
D C
40140 Ultimate Chord Scale Bible.indb 152
6/19/12 12:44 PM
153 x 1 2 1 4 3
x x 4 1 2 1
1 x 2 4 4 x
3
5
8
4
6
9
5
7
10
6
8
11
7
9
R 5
1
7 R 4 13
7 4 13
x 1 1 1 1 4
x x 4 3 2 1
13sus4
1, 4, 5, 7, 13
12 R
2
7 4 13
1 x 2 4 4 4
x x 1 4 4 4
3
5
8
8
4
6
9
9
5
7
10
10
6
8
11
11
7
9
12
12
R 4
2
7 9 13
2 x 3 4 1 x
7 9 4 13
3
R
x 2 x 3 4 1
x 1 2 1 4 x
1
3
7
2
3
4
3
4
5
4
5
5
6
3
7 R
R
x 1 2 1 1 x 1
7 3 5
x 3 2 1 0 x
7 4 13 9
2 x 3 4 1 x
2
5
1, 5, 7, 9, 13
7 4 13 9
1
13add9sus4
1 2 1 3 x x
x x 1 2 3 4
8
10
8
9
11
9
10
12
6
10
11
13
7
11
12
3
R 5 7 3
R
x 1 4 1 3 x
7 3 5
x 1 x 2 4 3
1
1 x 2 3 4 x
1
3
2
2
4
4
9
9
3
3
5
5
10
10
4
4
6
6
11
11
5
5
7
7
12
7 3
6
5 R
R 3
x x 0 1 0 2
5 7
x 2 3 1 4 x
1
R 5 7 3
x 2 1 3 1 x
8
2
3
7 3 5
R
5
7 3 5
x 2 3 1 4 x
2
1
2
2
3
5
2
2
3
3
4
6
3
3
4
4
5
7
4
4
5
5
6
8
5
5
6
6
7
4
7 3 5 9
R 3
3 2 4 1 x x
x x 1 3 2 4
7 9
x 2 3 1 4 x
3
3
7 9 5
9 5 3
T* x 1 3 2 4
6
8
9
9
7
7
9
10
10
7
8
8
10
11
11
8
9
9
11
12
12
9
10
10
12
13
R 3 7 9
3 7 9 5
R
7 3 5 9
5 9 3 7
7 3 5 R
3 x 4 2 1 x
79
1, 3, 5, 7, 9
7 9 3
x x 2 1 4 1
x 2 3 1 4 x
6
9 3 7
R
5
75 (+7) 1, 3, 5, 7
9 7
6
5
x x 1 3 4 2
12
1
9 5 7 3
R 5 7 3
8
R
x x 1 3 2 4
1, 3, 5, 7
14
R 5 7 3
7 5
13
D C
R 3 7 9
* T = Thumb
x 4 3 1 0 0
1
x 2 1 3 4 x
x x 1 2 4 3
3
2 1 3 4 x x
x 1 3 3 3 x
2
1
2
2
7
7
2
3
3
8
8
9
3
4
4
9
9
10
4
5
5
10
10
11
5
6
6
11
11
R 3 5 7 9
R 3
40140 Ultimate Chord Scale Bible.indb 153
7 9
3
7 9 5
R 3 7 9
1 3 1 2 4 4
8
3 7 9 5
12
79
1, 3, 5, 7, 9 R 5 7 3 7 9
6/19/12 12:44 PM
154
1
7 95
1, 3, 5, 7, 9
x 2 1 3 1 1
1, 3, 5, 7, 9
6
6
3
7
7
4
4
8
8
5
5
9
9
6
6
10
10
7 9 5
7 5 9 (+7 9)
1, 3, 5, 7, 9
1, 3, 5, 7, 9
1, 3, 5, 7, 9
D C
1, 3, 5, 7, 9
7
4
4
9
9
5
5
10
10
11 5
7 9 5
1, 11, 5, 7
40140 Ultimate Chord Scale Bible.indb 154
R 3
1
7 9 5
11
x 2 1 3 1 4
3 7 9 5
11
x x 1 2 1 4
3 7 9 5
2 1 3 4 1 x
R 3 7 9 5
x 2 3 1 4 x
2
1
2
2
6
8
2
3
3
7
9
3
4
4
8
10
4
5
5
9
11
5
6
6
10
5 9
R 3
1
7 9 5
x 2 1 3 4 4
3
3
7 9 5
2 1 3 3 4 x
3 7 9 5
x 1 2 3 4 x
1 x 2 3 4 4
12
7 3 5 9
R
2
1 x 1 2 3 4
x x 1 3 3 4
1
2
7
7
8
8
2
3
8
8
9
9
3
4
9
9
10
10
4
5
10
10
11
11
5
6
11
11
12
5 7 9
R 3
x 2 1 3 4 1
7 9 5
x x 1 3 4 2
2
R 3 7 9 5
2 1 3 1 1 x
3 7 9 5
x 1 2 1 1 x
2
7
7
6
3
8
8
7
4
4
9
9
8
5
5
10
10
9
6
6
11
11
10
7 9 5
3
1
7 9 5
x 2 1 3 3 4
R 3 7 9 5
x 1 2 1 4 3
2
1
2
7
8
2
3
8
9
3
4
9
10
4
5
10
11
5
6
11
5 9
R 3
1
7 9 5
x 1 2 1 4 x
3 7 9 5 R
3 7 9 5
12
R
7 3 5 9
3 x 1 2 4 x
2
2 x 3 4 1 x
1 2 1 4 x x
3
3
4
7
2
4
4
5
8
9
3
5
5
6
9
10
4
6
6
7
10
11
5
7
7
8
11
R 5 7 11
R 5 R 11 7
7 3 5 9
9 5 7
3
1
R 5 7 R 11
1 x 2 3 3 4
12
x 1 2 3 4 4
7 3 5 9
x 2 x 3 4 1
3
R
2
x 2 4 3 1 1
6
x 1 3 2 4 x
7 3
2
8
x 1 2 1 4 x
95
x 1 3 4 2 x
8
R 3
7 9 5
7
1
95
x 2 1 3 4 1
2
R 3
1
R
3
x 3 2 1 0 0
759
7 9 5
3
7 3
3
2
3
x 2 4 1 3 x
2
6
3 x 4 1 2 x
3
x x 1 3 4 2
795
2
2
R 3
x x 1 2 1 1
7
5 R 7
8
R
7 11 5
12
R 5 7 11
6/19/12 12:44 PM
155
x 1 2 1 4 4
135
1 2 1 3 4 (1)
3
8
4
9
5
10
6
11
7
R 5 7 3 13
x 1 3 3 3 x
1, 3, 5, 7, 13
( )
12
R 5 7 3 13 (R)
1
x 2 1 3 1 4
x x 1 2 1 4
2
3 x 4 2 1 1
x 2 3 1 4 x
3
1
2
2
5
6
2
3
3
6
7
9
3
4
4
7
8
10
4
5
5
8
9
11
5
6
6
9
10
12
7 3 13 9
R 3
7 9 13
3
7 9 13
7 9 3 13
R
11
139
1 x 1 2 4 3
8
1, 3, 7, 9, 13 R
7 3 13 9
3 7 9 13
x x 1 2 3 4
1
2 1 3 3 4 x
2
1 x 1 2 3 4
2
7
3
8
9
9
4
9
10
10
5
10
11
11
6
11
12
3
7 9 13
2 x 1 3 4 x
8
R 3 7 9 13
1
1
6
2
7
3
3
8
4
4
9
5
5
10
5
1
3
7 9
x 2 3 1 4 x
3
2
7 9 5
7 3 13 9
1, 3, 7, 9, 13
12
7 3 13 9
x 1 3 3 3 x
2
8
R
x x 1 2 4 3
139
x x 1 2 3 4
1, 3, 5, 7, 9
3 7 9 5
2 3 1 4 x x
x 2 x 1 4 1
2 x 1 4 1 x
x x 1 2 1 4
2
2
7
7
10
3
3
8
8
11
4
4
9
9
12
5
5
10
10
13
6
6
11
11
7
7
2
R 5 7 11
R
x 4 2 0 x x
7 11 5
x x x 4 3 1
1
R 5 7 11
R
2
4
7
2
3
5
8
3
4
6
9
4
5
7
10
5
6
8
11
40140 Ultimate Chord Scale Bible.indb 155
R 3 5
9
R 3 5
7 11 5
14
dim11
1, 5, 7, 11 R 5 7 11
x x 4 2 1 x
4 2 1 x x x
1
R 3 5
dim9
dim
1, 3, 5
D C
R 3 5
6/19/12 12:44 PM
156
dim7 (7) 1, 3, 5, 7
x 2 3 0 4 x
2 x 1 3 1 x
x 2 x 0 3 0
x x 1 3 2 4
x x 4 3 2 0
2 4 1 3 x x
1
1
1
1
1
1
2
2
2
2
2
2
3
3
3
3
3
3
4
4
4
4
4
4
5
5
5
5
5
5
3
7 R
2 x 1 3 1 x
7 3 5 R
x 2 3 1 4 x
7
5 R 3
3
7 R 5
5 R 3 7
5
4
2
2
4
4
3
3
3
5
5
4
6
4
4
6
6
5
7
5
5
7
7
6
6
8
8
7
5 R 3
2 x 1 3 1 x
R 5 7 3
R
x 2 3 1 4 x
7 3 5
5 R 3 7
x x 1 3 2 4
x 2 x 1 3 1
7 3 5 R
7 8
5
5
7
7
5
6
6
8
8
6
9
7
7
9
9
7
10
8
8
10
10
8
11
9
9
11
11
7 3 5
3 7 R 5
3
R 5 7
7 3 5 R
R 5 7 3
x 2 3 1 4 x
x x 1 3 2 4
x 2 x 1 3 1
9
8
10
8
8
10
10
9
9
11
11
9
12
10
10
12
12
10
13
11
11
13
13
11
14
12
12
14
14
3
R 5 7
5 R 3 7
5
3 7 R
R 5 7 3
3 7 R 5
12 13 14
x 2 3 1 4 x
x 2 x 1 3 1 11
11
12
12
12
13
13
13
14
14
14
15
15
7 3 5 R
7
5 R 3
3 5 7 R
x x 4 3 2 1
11
R 3 5 7 x x 4 3 2 1
2 4 1 3 x x
11
7 R 3 5
10 11
2 x 1 3 1 x
x x 4 3 2 1
2 4 1 3 x x
7
7 R 3
6
8
R
x x 4 3 2 1
5
8
5
2 4 1 3 x x
x x 1 3 2 4
x 2 x 1 3 1
15 16 17
5
7 R 3
D C
40140 Ultimate Chord Scale Bible.indb 156
6/19/12 12:44 PM
157
Three-Note Voicings Maj7
7
x 2 1 4 x x
6
x 2 1 3 x x
x 2 1 1 x x
2
2
1
2
3
3
2
3
4
4
3
4
5
5
4
5
6
6
5
R 3 7
R 3
x 1 x 3 4 x
R 3 7
7
x 1 x 2 4 x
6 R 3 6
x 1 x 2 3 x
x 2 x 1 4 x
3
3
3
2
4
4
4
3
5
5
5
4
6
6
6
5
7
7
7
R
7 3
7 3
R
x x x 1 1 4
7 3
R
x x x 1 1 2
6 R
x x x 2 1 4
5
4
5
6
6
5
6
7
7
6
7
8
8
7
8
9
9
8
R 3 7
R 3 7
2 1 4 x x x
2 1 3 x x x
R 3 7
9 R 3 6
2 1 3 x x x
2 1 1 x x x
7
7
6
7
8
8
7
8
9
9
8
9
10
10
9
10
11 R 3 7
R 3 7
1 x 2 3 x x
1 x 2 3 x x
10
R 3 7
11 R 3 6
2 x 3 3 x x
2 x 1 4 x x
8
8
8
7
9
9
9
8
10
10
10
9
11
11
11
10
12
12 R
7 3
R
x x 2 1 4 x
12
R
7 3
x x 2 1 4 x
7 3
11 R
x x 3 1 4 x
9
9
8
9
10
9
10
11
11
10
11
12
12
11
12
13
13
12
13
R 3 7
R 3 7
6 3
x x 2 1 3 x
10
R 3 7
6 3
x x x 1 1 1
5
11
40140 Ultimate Chord Scale Bible.indb 157
min7
x 2 1 3 x x
D C
R 3 6
6/19/12 12:44 PM
158
1
Maj
1, 3, 5
1 3 4 2 1 1
2
x x 3 2 1 1
G /F
4
x x 1 2 4 3
2 x 1 3 4 x
5
x 4 3 1 2 x
x 4 3 1 2 1
1
1
3
3
5
5
2
2
4
4
6
6
3
3
5
5
7
7
4
4
6
6
8
8
5
5
7
7
9
3
R 5 R 3 5 R
R 3 5 R
R 5 R 3
x 1 3 3 3 x
x 1 3 3 3 4
x x x 2 3 1
3
R 3 5 R 3
4 3 1 1 1 x
8
8
8
10
9
9
9
11
10
10
10
12
11
11
11
13
12
12
12
R 5 R 3
9 R 3 5 R
R 5 R
14 R 3 5
13
R 3 5 R 3
14 R 5 R 3 R
2 3 4 1 x x
sus2
1, 2, 5
2
x x 1 2 4 1 5
8
4
6
9
9
3
5
7
10
10
4
6
8
11
11
5
7
9
12
1, 4, 5
1 2 3 4 1 1
R 5 R 2
2 3
8
10
4
9
11
3
5
10
12
4
6
11
13
5
7
12
3
2
4
9
3
5
10
4
6
11
5
7
8
12 5 R 5 R
2 x 1 4 3 x
5 R 4 R
x 1 3 4 x x
1
1
R 2 5
14 R 5 R 4
x 1 1 3 4 x
12
x x 1 1 2 4
1
R 5 R
R 5 R
x 2 3 1 4 x
x 3 x 2 4 1
2
x x 1 3 1 4
3
x 4 2 3 1 x
x 1 4 4 4 4
1
1
2
3
6
8
2
2
3
4
7
9
3
3
4
5
8
10
4
4
5
6
9
11
5
5
6
7
10
R
40140 Ultimate Chord Scale Bible.indb 158
x 1 3 3 4 x
R 5 R 4
8
R 5 R 2 5
2
1 3 4 x x x
1, 3, 5, 6
R 2 5 R
x x 1 3 4 4
R 5 R 4 5 R
6
x x x 3 1 1
3
sus4
G F
x 1 3 4 1 1
1
1
1,5
1
2
R 5 R 2
no 3rd
x 4 1 1 2 x
6 3 5
5
3 6 R
5 R 3 6
R 5 6 3
12 R 3 6 R
R 5 R 3 6
6/19/12 12:44 PM
159
1 4 2 3 x x
1
1 x 3 4 2 x
4
x x 4 3 2 1
2 x 1 3 4 x
3x
x 1 4 4 4
5
1
1
1
3
3
5
2
2
2
4
4
6
3
3
3
5
5
7
4
4
4
6
6
8
5
5
5 R
R 5 7 3 3 x 2 4 1 x
x x 2 4 1 3
R 3 5 7
6
x 1 x 3 4 2
3
2
Maj7
1, 3, 5, 7
9
7
7
7 3 5
x 4 3 1 1 x
R 3 5 7
R 5 7 3
R 5 7
x 1 3 2 4 1
x x 1 1 1 4
x 1 3 3 3 4
6
6
8
8
8
10
7
7
9
9
9
11
8
8
10
10
10
12
9
9
11
11
11
13
10
10
12
12
12
14
5
3 7 R 5
3 7 R
R
7 3 5
R 5 7 3 5
5 R 3 7
13 R 5 R 3 7
2 1 4 1 3 x
x 1 4 1 2 1
4
1 2 4 4 4 x
3
x x 1 3 4 1
1
x 2 1 4 3 x
2
x 1 3 2 1 1
1
1
1
3
7
8
2
2
2
4
8
9
3
3
3
5
9
10
4
4
4
6
10
11
5
5
5
7
11
R 3 7 9 5
3 R 9 5 7
1, 3, 5, 7, 9
12
R 5 7 9
6
Maj9
R 3 7 9
R 5 7 9 5
R 5 9 5 7
1
2 1 1 1 3 x
x 1 1 1 2 x
2 1 1 1 3 4
4
x x 1 1 2 3
3
x x 2 1 3 4
2
1
1
1
1
2
7
2
2
2
2
3
8
3
3
3
3
4
9
4
4
4
4
5
10
5
5
5
5
R 3 6 9 5
R 3 6 9 5 R
3 6 9 5
x 1 1 1 2 x
x x 1 1 2 3
4 x 1 3 1 1
5
7
10
6
8
11
7
9
12
8
10
13
9
11 6 9 5 R
6 6 9 5 R
x 2 1 1 3 4
6/9
1, 3, 5, 6, 9
11 R 3 6 9
R 3 6 9 5
14 3 6 9 5
R
5 9 3 6
G F
40140 Ultimate Chord Scale Bible.indb 159
6/19/12 12:44 PM
160 1
add9
1, 3, 5, 9
x x 3 2 1 4
1 3 4 2 1 1
x 3 2 1 4 1
1
1
5
2
2
3
3
4 5
2
x 1 2 4 3 1 10
6
9
11
7
10
12
4
8
11
13
5
9
12
14
R 3 5 9
6
R 3 5 9 3
5 9 3 R
13
R 5 9 3 5 R
1
Maj11
1, 3, 5, 7, 11
1 x 3 4 2 x
2
x x 1 3 3 4
x 3 4 1 1 x
x 1 3 2 4 x
x 1 x 3 4 2
1
3
5
8
4
6
9
9
3
5
7
10
10
4
6
8
11
11
5
7
9
12
1
1, 3, 5, 7, 13
R 5 9 3 5
2
R
Maj13
x x 1 3 1 4
8
7 11 5
R 5 7 11
1 x 2 3 4 x
x 4 2 3 1 x
x x 1 4 2 3
R 5 7 11
2
3
5
4
6
9
3
5
7
10
4
6
8
11
5
7
9
7 11 5
8
12 R 3 13 7
8
R
x 1 x 2 4 4
1
7 3 13
12
R 11 5 7
2
R
8
R
7 3 13
R 13 7 3
1
Maj13add9 1, 3, 5, 7, 9, 13
2 1 1 1 3 1
2
1 x 2 3 4 4
x 1 1 1 2 3
3 x 4 2 1 1
1
1
7
10
2
2
8
11
3
3
9
12
4
4
10
13
5
5
11
R 3 13 9 5 7
R
7 3 13 9
14 7 3 13 9 5
15 R
1
Maj13 11
1, 3, 7, 11, 13
Maj7 5
G
1, 3, 5, 7
F
40140 Ultimate Chord Scale Bible.indb 160
x 3 4 2 1 1
2
1
2
5
8
2
3
6
9
3
4
7
10
4
5
8
11
5
6
9
12
R
x 1 1 1 2 x
2 x 1 3 1 1
1
13 3 11 7
1 x 3 3 3 x
11 7 3 13
2
x x 1 4 2 3
10
3
R 11 13 7 3
x 4 3 2 1 x
7 9 3 13
x 1 2 3 4 4
R 11 7 3 13
x 1 4 2 3 x
x 1 x 2 4 3
4 3 2 1 x x
1
3
5
8
8
9
2
4
6
9
9
10
3
5
7
10
10
11
4
6
8
11
11
12
5
7
9
12
12
R
7 3 5
R 5 7 3
R 3
5 7
R 5 7 3
R
7 3 5
13 14
R 3 5 7
6/19/12 12:44 PM
161 1
2 x 3 4 1 x
2
(2) x 4 3 1 1
3 x 1 2 4 x
x x 1 2 4 4
x 2 x 3 4 1
3
1
1
3
3
7
2
2( )
4
4
8
9
3
3
5
5
9
10
4
4
6
6
10
11
5
5
7
7
11
12
R
7 3 11
(R)
2 1 3 1 1 x
R 3 11 7
2 x 3 1 1 x
x 2 1 4 3 1
1
1
7
2
2
8
3
3
9
4
4
10
5
5
R 3 7 9 11
R
x x 4 2 3 1
1
7 9 11
11
4 3 2 1 x x
2
2
2
3
3
3
4
4
4
5
5
R 3 5 R
x x 4 2 3 1
6
2
3 5 R 3
6
4 3 2 1 x x
6
6
6
7
7
7
8
8
8
9
9
9
10
10
5 R 3
x x 4 2 3 1
5 R 3
3
5
4 3 2 1 x x
10
10
11
11
11
12
12
12
13
13
13
14
5
R 3
5 R
Maj911
Augmented (aug) 1, 3, 5
5 R 3 5
14
R 11 7 3
5 R
x 3 2 1 1 x
9
5 R 3
7 3 11
1, 3, 7, 11
R 3 7 9 11
R 3
10
R
Maj711
x 3 2 1 1 x
5
3
R 11 7 3
8
1, 3, 7, 9, 11
x 3 2 1 1 x
1
5
R 11 7
3
x 1 2 3 4 x
3
5 R 3
G F
40140 Ultimate Chord Scale Bible.indb 161
6/19/12 12:44 PM
162 x x 3 1 1 x
min
1, 3, 5
4
x x 3 1 1 1
x x 1 3 4 2
x 4 2 1 x x
1
3
3
5
2
2
4
4
6
3
3
3
5
5
7
4
4
4
6
6
8
5
5
5
7
7
R 3 5
R 3 5 R x x 2 1 3 4
5
R 5 R 3 5 R x x x 3 2 1
2
5
8
6
6
9
9
7
7
10
10
8
8
11
11
9
9
12
R 3 5 R
1
3
R 5 R 3
R 5 R
9
R 3 5
2 x 1 3 4 x
12
2
R 5 R 3 5
x x 1 3 3 3
x 4 3 2 1 x
3
x x 1 3 1 2
1
1
1
1
3
3
2
2
2
2
4
4
3
3
3
3
5
5
4
4
4
4
6
6
5
5
5
5
7
7
3
7
8
8
9
9
10
10
1
R 5 6 3
R
6
3 5
6
3 5 R
11 R
2 x 3 3 3 x
R 5 6 3
8 9
x 2 x 1 4 3
7
11
R 5 R 3 6
R 3 5 6
6 3 5
1 3 1 1 x x
2
1 3 1 1 4 1
x x 1 1 1 1
6
x x 4 1 2 0
4
1
1
1
1
1
3
2
2
2
2
2
4
3
3
3
3
3
5
4
4
4
4
4
6
5
5
5
5
5
R
7 3 5
x 4 3 2 1 x
5
R 3 5
8
3 5 R 5
1 2 3 1 4 x
x 1 3 4 2 1
5
x 2 4 1 3 x
1, 3, 5, 7
3
1
R 5 6
min7
2 x 1 3 4 x
2
2 4 1 3 x x
1, 3, 5, 6
1 3 4 1 1 1
1
x 4 2 1 3 x
min6
1
R 5 7 3
R 5 7 3 7 R x 2 1 3 4 x
x 3 1 4 1 x
3
7 3 5 R
x 1 3 1 2 x
R 3 5 7
7
x 1 x 2 4 3
4
6
8
8
5
7
7
9
9
9
6
8
8
10
10
10 11
9
9
11
11
8
10
10
12
12
9
R 3 7 R
R 3 7 3
R 5
7 3
R 5 7 3 x 1 3 1 2 1
6
7
x x 1 4 2 3
8
R
7 3 5
12 R 5
7 3 5
R 3 5 7
G F
40140 Ultimate Chord Scale Bible.indb 162
6/19/12 12:44 PM
163 3
1
1 3 2 1 x x
1 x 4 2 3 x
2
x x 4 2 3 1
x x 2 1 1 x
x x 1 3 4 2
x 4 2 1 1 x
1
1
1
1
3
5
2
2
2
2
4
6
3
3
3
3
5
7
4
4
4
4
6
8
5
5
5
5
7
R 5 7
4
3
R
x 1 4 2 3 x
7
3 5
7
R 3 5 7
3 5
R 3 5 7
8
9
9
10
10
11
11
12
12
R 5 7 3
1 4 1 1 x x
7 3 5
R
2
2 x 3 3 4 x
x x 1 4 2 3
x 1 4 1 2 x
1
2
4
9
9
3
3
5
10
10
4
4
6
11
11
5
5
7
12
12
6
6
8
13
13
R 5 7 3
7 3 5
R
1 2 3 1 1 4
1
R 5 7 3
1 3 4 1 1 1
R 5 7 3
x x 3 1 1 4
x x 4 1 1 1
min75
x 1 x 2 3 4
2
1, 3, 5, 7
7 3 5
R
2
4 2 1 3 x x
x 1 3 4 2 1
1
1
1
1
8
10
2
2
2
2
9
11
3
3
3
3
10
12
4
4
4
4
11
13
5
5
5
5
12
14
6
6
R 5 R 3 5 9
R 5 9
1
1, 3, 5, 7
x 1 x 3 4 2
8
3
9
R 5 7 3
minMaj7
2 x 1 3 3 4
2
3 5 R
1 2 4 1 3 x
9
4
R 3 5 9
13
3 5 R
x x 2 1 3 4
R 5 9 3 5
x x 4 3 1 1
2 x 1 4 1 1
3
1
1
1
3
3
6
2
2
4
4
7
3
3
3
5
5
8
4
4
4
6
6
9
5
5
5
7
7
10
6
3 5 9
6 R 5 9
11
7
12
8
13
9
14 R 3 6 9 5
15
1 x x 2 0 4 1
2
2
3
3
4
4 R
3 11 9
3
R 5 6 9
3 5 6 9
min6/9
1, 3, 5, 6, 9 R 3 6 9
3 6
3 6
9 5 R
1 2 3 1 1 4
1
5
R 3 6 9
R 3 5 9
x 1 2 3 4 4
x 3 1 2 4 4 6
10
1, 3, 5, 9
x 3 1 2 4 x
2
R
minadd9
minadd9/11
G F
1, 3, 5, 9, 11
5 6 7 R 5 9
40140 Ultimate Chord Scale Bible.indb 163
3 5 11
6/19/12 12:45 PM
164 1 2 4 1 3 x
min9
1, 3, 5, 7, 9
1, 3, 5, 7, 11
x x 4 3 2 1
x x 2 1 4 3
2
2
2
2
2
4
3
3
3
3
3
5
4
4
4
4
4
6
5
5
5
5
5
R
7 3 5 9
R 5 7 3 5 9
R 5 7 3 7 9
x 2 1 3 4 x
x x 1 3 3 3 6
7 8
x 4 3 1 1 x
7
11
7
9
12
8
10
13
9
9
11
14
10
10
12
R 3 7 9
1 3 2 1 1 4
2
3 7 9 5
3 5
15
7 9
x x 4 2 3 1
x x 2 1 1 4
R 3 7 9
x 2 1 4 3 x
x 4 3 2 1 x
1
1
3
6
2
2
4
7
9
3
3
5
8
10
4
4
6
9
11
5
5
7
10
3 5 9
7
1 1 1 1 1 4
3 5 7 9
3 5 9
x 1 4 1 2 1
x 1 1 3 4 1
2
1
3
6
6
2
4
7
7
3
5
8
8
4
6
9
9
5
7
10
10
R 11 7 3 5 9
5 3 11 7 9
7 3 7 9 11
x x 1 1 2 3
1 2 1 1 1 4
2 x 3 4 0 x
2
8
R 3 7 9
12
3 5 7 9
x 2 1 3 4 1
R 3 7 9 11
x 3 1 4 1 1
3
x 2 x 3 4 1
x 1 1 1 2 x
1
1
3
6
6
2
2
4
7
7
9
3
3
5
8
8
10
4
4
6
9
9
11
5
5
7
10
10
12
7 3 11
6 7
4
x 1 1 1 2 1 11
9
12
10
13
11
14 R 11 7 3 5
R 11 7 3
R 3 7 R 11
8
R
7 3 11
R 11 7 3
R 5 7 3 5 11 2 x 3 4 1 x
8
12
3 5 7 9
3 1 4 2 x x
8
1
R 3 7 9
3 7
6
R
G
5
3
1
min11
1 2 1 1 4 3
1
R 5 7
1, 3, 5, 7, 9, 11
4 1
1
min9add11
1 3 1 1 1 4
1
2
1, 3, 5, 7, 9
3
1
R 5 9
2 x 3 3 3 4
1
6
min9Maj7
1
15 R
7 3 11
F
40140 Ultimate Chord Scale Bible.indb 164
6/19/12 12:45 PM
165 1
2 x 3 3 4 x
1 3 1 1 4 (1)
1 4 1 1 x x
2
x 1 x 2 3 4
1
1
1
2
2
2
3
3
3
10
4
4
4
11
5
5
5
7 3 13
R
1
R 5 7 3 13 (R)
R 13 7 3
2 x 3 3 4 4
2
1 2 1 1 3 4
1
1
6
2
2
7
3
3
8
4
4
9
5
5
10
7 3 13 9
R
1
6
2 x 3 4 1 x
min13
1, 3, 5, 7, 13
8 ( )
R 5 7 3 13 9
11
x x 2 3 1 4
9
12
R
7 3 13
x 2 1 3 3 4
min13add9
1, 3, 5, 7, 9, 13 R 3 7 9 13
x x 4 2 1 0
4
x 4 2 1 1 x
x x 1 3 3 3
x x 1 3 1 2
1
1
1
3
4
6
2
2
2
4
5
7
3
3
3
5
6
8
4
4
4
6
7
9
5
5
5
7
8
10
7 3 5
R
3
x 2 x 3 4 1
2
7 3 5 R
x 1 3 2 4 x
8
9
8
9
10 11
9
10
10
11
12
11
12
13
7 3 5
1
R 5 7 3
x x 4 2 3 1
x x 2 3 1 4
R 5 7 3
9
x x 1 3 2 4
7
R
R 3 5 7
2
2 x 1 3 4 1
2 x 1 3 4 x
x x 1 3 4 2
x 4 2 1 1 x
3
6
6
2
4
4
7
7
9
3
5
5
8
8
10
4
6
6
9
9
11
5
7
7
10
10
3 5 7 9
3 7 R 5
5 R 3 7
3
7 3 5 9
1, 3, 5, 7
R 3 5 7
1
min7 5
3
R 5 7 9
5
3 7 9
8
3 7 9 5
12
min95
1, 3, 5, 7, 9
3 5 7 9
G F
40140 Ultimate Chord Scale Bible.indb 165
6/19/12 12:45 PM
166
1 3 1 2 x x
7
1, 3, 5, 7
1 x 2 4 3 x
x x 3 2 1 0
6
1
1
1
1
1
2
2
2
2
2
3
3
3
3
3
3
4
4
4
4
4
4
5
5
5
5
5
R 5 7 3
2
R 5 7 3 5 R x x 1 3 2 4
3
R 5 7 3 7 R
R
x 3 2 4 1 x
R 3 5 7
7 3 5
x x 2 3 1 4
x 1 x 2 4 3
5
2
3
3
6
6
8
4
4
7
7
9
9
5
5
8
8
10
10
6
6
9
9
11
11
7
7
10
10
12
5
R 5 7
x 1 3 3 3 4
R 5 7 3
R 3
2 x 1 1 1 x
3
7 R
x 2 3 1 4 x
10
10
10
9
11
11
11
10
12
12
12
11
13
13
13
12
14
14
R 5 R 3 7
2
7
5 R 3
3 7 R 5
14
x 1 3 2 4 4
x 1 3 2 4 x
7 R 5
R
R 5
7 3 5
x x 1 2 1 4
x 2 4 1 3 x
6
1
1
1
2
2
2
2
3
3
3
3
3
3
4
4
4
4
4
4
5
5
5
5
5
5
6
x x 2 3 1 4
5
x 2 x 3 4 1
1
x 2 1 3 3 3
3
7 3 5 9
3 x 4 2 1 x
5 9 3 7 x x 1 3 1 2
6
4
4
5
7
10
10
10
5
6
8
11
11
11
6
7
9
12
12
12
7
8
10
13
13
13
8
9
11
14
14
9 5 7 3
R
7 9 3
R 3
7 9 5
7 3 5
5 R 3 7
2
3 7 9 5 R
x 1 3 1 4 1
12
2
3 7 9 5
R 3 7 R
8
1
R 3 7 9
x x 3 2 4 1
x x 1 1 1 2
8
3 1 4 2 x x
1, 3, 5, 7, 9
1 3 1 2 4 1
2
3
1 3 1 2 1 1
1
3 x 1 4 2 x
9
1
R
7 9 3
5 9 3 7
14
x x 2 1 4 3
R 3 7 9 x x 3 2 1 4
7 9 3 R
G F
40140 Ultimate Chord Scale Bible.indb 166
6/19/12 12:45 PM
167
x x 1 1 2 1
3 x 4 2 0 x
3
x 2 x 3 4 1
1
x 1 1 1 1 1
2
3 x 4 2 1 x
x x 3 2 1 4
1
3
6
8
11
11
2
4
7
9
12
12
3
5
8
10
13
13
4
6
9
11
14
14
5
7
10
12
15
R
1
R 4 7 9
7 9 4
1 3 1 4 1 1
x 1 1 1 2 x
R
3
7 9 4
R 4
x x 1 3 2 4
7 9 5
x 2 3 4 1 x
2
7 9 4 R
x 1 3 1 4 1
x 1 3 3 4 4
1
3
3
6
8
8
4
4
7
9
9
3
5
5
8
10
10
4
6
6
9
11
11
5
7
7
10
12
1
1 x 2 3 4 x
2
5 R 11 7
x x 1 3 4 2
3
R 5 7 11
x 1 3 4 2 x
R 11 7 R
R 5 R 11 7
x 1 x 2 4 4
3 x 4 1 1 1
1
1
6
7
8
10
2
7
8
9
11
3
3
8
9
10
12
4
4
9
10
11
13
5
5
10
11
12
1
7 3 13
7 3 13 R
1 x 2 3 4 4
7 3 13 R
x x 1 3 4 4
x 1 2 3 4 x
R 3
2
7 3 13
x 2 1 3 3 4
1
1
6
7
10
2
2
7
8
11
3
3
8
9
12
4
4
9
10
13
5
5
10
11
R
7 3 13 9
7 3 13 9
7 3 13 9
R 3
7 9 13
13
1, 3, 5, 7, 13
14
R
3
1, 5, 7, 11
12
2
R
11(7sus4)
7 11 5
R 5
x 2 1 3 4 4
7 9 4
2
R 5 7 11 5 R
1, 4, 5, 7, 9
15
R
9sus4
7 3 13
R
7 R 3 13
3 x 4 2 1 1
13add9
1, 3, 5, 7, 9, 13
14 R
7 9 3 13
G F
40140 Ultimate Chord Scale Bible.indb 167
6/19/12 12:45 PM
168 1 x 2 4 4 x
13sus4
1, 4, 5, 7, 13
1
8
10
9
11
3
10
12
4
11
13
5
12
1
1, 5, 7, 9, 13
1, 3, 5, 7
1, 3, 5, 7
2
14
7 4 13
x x 1 4 4 4
7 R 4 13
x 1 1 1 1 4
1
8
10
2
9
11
3
3
10
12
4
4
11
13
5
5
12
7 4 13 9
1
7 4 13 9
R 4
2 x 3 4 1 x
7 9 4 13
2
2 x 3 4 1 x
3
x 2 x 3 4 1
x 1 2 1 4 x
1
3
6
7
2
2
4
7
8
9
3
3
5
8
9
10
4
4
6
9
10
11
5
5
7
10
11
R 5 7 3
1 x 2 3 4 x
7 3 5
R
2
x x 1 3 4 2
3
R 5 7 3
5
3
7 R
R
x 1 2 1 1 x
x 4 3 2 1 x
8
7 3
12 5
x 1 4 1 3 x
1
1
4
6
8
2
5
7
9
9
3
3
6
8
10
10
4
4
7
9
11
11
5
5
8
10
12
12
7 3 5
7 3 5 R
9
1, 3, 5, 7, 9
T* x 1 3 2 4
x 2 3 1 4 x
3
x x 2 1 4 1
7 3
5 7
5
5 R
x x 1 3 2 4
8
R 5 7 3
x 2 3 1 4 x
1
x 2 1 3 1 x
1
2
2
4
5
7
3
3
5
6
8
3
4
4
6
7
9
4
5
5
7
8
10
R
7 3 5 9
6
6
5 9 3 7
R 3 7 9
8
9
9 5 7 3
7 3 5 9
7 3 5
R
2
5
R 5 7 3
x 1 x 2 4 3
2
4
14 7 9 13
x x 1 2 3 4
R 3
79
1
R
x x 4 3 2 1
1
1
7 5 (+7)
R 5
2
1 2 1 3 x x
75
7 4 13
1 x 2 4 4 4
R
x x 4 1 2 1
2
R
13add9sus4
x 1 2 1 4 3
11 R 3
7 9
* T = Thumb
6
G F
x x 1 3 2 4
1, 3, 5, 7, 9
3 2 4 1 x x
x 2 3 1 4 x
8
10
10
11
11
9
11
11
12
12
9
10
12
12
13
13
10
11
13
13
14
14
11
12
14
14
15
7 9 5
2 1 3 4 x x
9 5
7 3
x 1 3 3 3 x
R
2
7 9 3
5
1 3 1 2 4 4
9 3 7
x x 4 2 1 1
1
R 3 7 9
15
x 2 1 3 4 x
1
1
4
7
7
2
2
2
5
8
8
3
3
3
6
9
9
4
4
4
7
10
10
R 3 7 9
5
3 7 9 5
5
R 5 7 3 7 9
8
3 5 7 9
11 R 3
7 9
3 7 9 5
x x 1 2 4 3
1
5
40140 Ultimate Chord Scale Bible.indb 168
x x 1 3 2 4
3 x 4 2 1 x
8
3
79
2
7
3
x 2 3 1 4 x
11 3
7 9 5
6/19/12 12:45 PM
169 1
2 x 3 0 1 x
x x 1 2 1 1
2
x 2 1 3 1 1
3
3 x 4 1 2 x
1
7
7
11
11
2
8
8
12
12
3
9
9
13
13 14
4
10
10
14
5
11
11
15
R
1
7 9 5
3
7 9 5
R 3
x 1 3 4 2 x
2 1 3 4 1 x
7 9 5
x x 1 3 4 2
R
2
1
7
7
2
2
8
8
3
3
9
9
4
4
10
10
5
5
11
1
1 x 2 3 4 4
3 7 9 5
7 9 5
3
x 1 3 2 4 x
x x 1 2 1 4
7 9 5
15
1, 3, 5, 7, 9
11 R 3
2
7 9 5
x 2 1 3 1 4
7
7
11
2
7
8
8
12
3
8
9
9
13 14
4
9
10
10
5
10
11
11
7 3 5 9
7 3
2 1 3 3 4 x
5 9
x 1 2 3 4 x
3
1
7 9 5
R 3
1 x 1 2 3 4
7 9 5
x x 1 3 3 4
759 (+7 9)
x 2 3 1 4 x
6
3 7 9 5
795
1
R
1, 3, 5, 7, 9
x 2 1 3 4 1
1
R 3 7 9 5
795
x 2 4 1 3 x
15
3
1, 3, 5, 7, 9
3 7 9 5
x x 4 3 1 1
2
1
1
1
1
4
7
2
2
2
2
5
8
3
3
3
3
6
9
4
4
4
4
7
10
5
5
5
5
8
R 3 7 9 5
x 1 2 1 1 x
2
3 7 9 5
7 3 5 9
R
2 1 3 1 1 x
x x 1 3 4 2
1
7 3 5 9
3
x 2 1 3 4 1
1
7
7
11
2
2
8
8
12
3
3
9
9
13
4
4
10
10
14
5
5
11
11
x 1 2 1 4 3
2
R 3 7 9 5
3
1 x 2 3 3 4
7 9 5
x 1 2 1 4 x
R 3
1
1
1
6
7
2
2
7
8
3
3
8
9
4
4
9
10
5
5
10
1
3 7 9 5 R
2 x 3 4 1 x
R
2
7 3 5 9
1 2 1 4 x x
7 3
3
1
1
3
2
2
4
3
3
5
4
4
6
5
5
7
R
7 11 5
R 5 7 11
40140 Ultimate Chord Scale Bible.indb 169
7 9 5
95
1, 3, 5, 7, 9
15 3
9 5 7
95
7 9 5
x 1 2 1 4 x 8
R 5 7 11
R 3
1, 3, 5, 7, 9 R 3
x x 1 3 3 4
7 9 5
11
x 2 1 3 3 4
11 5 9
5 7 9
759
1, 3, 5, 7, 9
x 2 x 3 4 1
1
3 7 9 5
x 2 1 3 4 4
x 1 2 3 4 4
3 x 1 2 4 x
8
9
9
9
10
10
10
11
11
11
12
12
12
R 5 7 11
R 5 R 11 7
13
115
1, 11, 5, 7
7
G F
5 R 11
6/19/12 12:45 PM
170
1 2 1 3 4 (1)
13 5
1
1, 3, 5, 7, 13
8 ( )
2 3
1, 3, 7, 9, 13
4
11
5
12
R 5 7 3 13 (R)
1, 3, 7, 9, 13
x 1 3 3 3 x
1, 3, 5, 7, 9
1, 5, 7, 11
G
1, 3, 5
F
40140 Ultimate Chord Scale Bible.indb 170
x 2 3 1 4 x
10
11
8
11
12
3
8
9
9
12
13
4
9
10
10
13
14
5
10
11
11
14
7 3 13 9
2 1 3 3 4 x
2
7 3 13 9
R 3
1 x 1 2 3 4
7 9 13
3
x x 1 2 3 4
1
1
7
2
2
2
8
3
3
3
9
4
4
4
10
R 3 7 9 13
5 R
7 3 13 9
5
x x 1 2 4 3 6
11
7
7
12
8
8
13
9
9
14
10
10
3
7 9
2 x 1 4 1 x
3
2
7 9 5
7 3 13 9
7 9 13
R
11 3
15
x 2 3 1 4 x
x x 1 2 1 4
x 2 x 1 4 1
2 3 1 4 x x
7
3
1
8
4
2
3
9
9
5
3
4
10
10
6
4
5
11
11
7
12
12
x x 4 2 1 x
2
7 11
R
x 4 2 1 x x
x x x 4 3 1
1
4
6
9
2
5
7
10
3
6
8
11
4
7
9
12
5
8
10
13
9
11
R 3 5
R 5 7 11
5
R 5 7 11
7 11 5
1
R 3 5
3 7 9 13
3 7 9 5
8
16
7
15
7 9 13
1
7 11 5
7 9 3 13
2
x 1 3 3 3 x
6
x x 1 2 3 4
1
R 5
3 x 4 2 1 1
7
R
dim
3
8
1
x x 1 2 1 4
7
5
dim11
2
7
2 x 1 3 4 x
dim9
x 2 1 3 1 4
6
5
1
1
1
13 9
R 5 7 3 13
2
R
9 10
1 x 1 2 4 3
13 9
x 1 2 1 4 4
R 3 5
14
4 2 1 x x x
R 3 5
6/19/12 12:45 PM
171
2 x 1 3 1 x
x 2 3 1 4 x
2 4 1 3 x x
x x 1 3 2 4
x 2 x 1 3 1
x x 4 3 2 1
1
1
1
1
1
1
2
2
2
2
2
2
3
3
3
3
3
3
4
4
4
4
4
4
5
5
5
5
5
R
7 3 5
5 R 3 7
5
3 7 R
7 3 5 R
R 5 7 3
x 2 3 1 4 x
x x 1 3 2 4
x 2 x 1 3 1
6
2 4 1 3 x x
3
4
4
3
3
4
5
5
4
4
5
5
6
6
5
5
6
6
7
7
6
6
7
7
8
8
7
7
3
R 5 7
7 3 5 R
7
5 R 3
R 5 7 3
3 7 R 5
3 5 7 R
x x 4 3 2 1
4
1, 3, 5, 7
5
7
2 x 1 3 1 x
8 9 10
5
2 x 1 3 1 x
x 2 3 1 4 x
x 2 x 1 3 1
6
7
7
6
6
7
7
8
8
7
7
8
8
9
9
8
8
9
9
10
10
9
9
10
10
5
3
11
7 R
R 5 7 3
11 R
7 3 5
10
3
7 R 5
10
5 R 3 7
x 2 3 1 4 x
x x 1 3 2 4
x 2 x 1 3 1
12
9
10
10
9
9
10
10
11
11
10
10
11
11
12 13
12
12
11
12
13
13
12
12
13
14
14
13
13
7
5 R 3
3 7 R 5
3
R 5 7
5 R 3 7
7 3 5 R
7 R 3 5
x x 4 3 2 1
2 4 1 3 x x
11
7 R 3
11
13
2 x 1 3 1 x
x x 4 3 2 1
2 4 1 3 x x
x x 1 3 2 4
dim7 ( 7)
14 15 16
R 3 5 7
G F
40140 Ultimate Chord Scale Bible.indb 171
6/19/12 12:45 PM
172
Three-Note Voicings Maj7
7
2 1 4 x x x
min7
2 1 3 x x x
1
1
2
2
3
3
4
4
5
5
1 2
2
3
3
4
4 R 3 7
1 x 2 3 x x
1 x 2 3 x x
2 1 1 x x x
2 0 3 x x x 1
R 3 7
6
5
5
R 3 7
R 3 6
2 x 3 3 x x
2 x 1 4 x x
1
1
1
1
2
2
2
2
3
3
3
3
4
4
4
4
5
5
5
R
7 3
R
x x 2 1 4 x
7 3
R
7 3
5 R
x x 3 1 4 x
x x 2 1 4 x
x x 2 1 3 x
2
2
1
2
3
3
2
3
4
4
3
4
5
5
4
5
6
6
5
R 3 7
R 3 7
x 2 1 4 x x
R 3 7
6 R 3 6
x 2 1 3 x x
x 2 1 3 x x
x 2 1 1 x x
7
7
6
7
8
8
7
8
9
9
8
9
10
10
9
10
11
11 R 3 7
R 3
x 1 x 3 4 x
10
7
R 3 7
11 R 3 6
x 1 x 2 3 x
x 1 x 2 4 x
x 2 x 1 4 x
8
8
8
7
9
9
9
8
10
10
10
9
11
11
11
10
12
12 R
7 3
R
x x x 1 1 4
12
R
7 3
7 3
11 R
x x x 2 1 4
x x x 1 1 2 10
9
10
11
11
10
11
12
12
11
12
13
13
12
13
14
14
13
R 3 7
R 3 7
6 3
x x x 1 1 1
10
R 3 7
6 3
14 R 3 6
2 1 3 x x x 11
G F
40140 Ultimate Chord Scale Bible.indb 172
12 13 14 15
R 3 7
6/19/12 12:45 PM
173
B 1
x 1 3 3 3 x
2
x 1 3 3 3 4
3
x x x 2 3 1
4
4 3 1 1 1 x
5
x x 3 2 1 1
6
1
1
1
3
6
6
2
2
2
4
7
7
3
3
3
5
8
8
4
4
4
6
9
9
5
5
5
7
10
10
R 5 R 3
R 3 5
6
R 3 5 R 3
1 3 4 2 1 1
Maj
1, 3, 5 R 5 R 3 5 R
R 3 5 R
7 R 5 R 3 R x 4 3 1 2 x
2 x 1 3 4 x
x x 1 2 4 3
x 4 3 1 2 1
10
8
8
10
11
9
9
11
12
10
10
12
13
11
11
13
14
12
12 3
R 3 5 R
1
x x x 3 1 1
2
14
R 5 R
R 5 R 3
x 1 3 4 1 1
2 3 4 1 x x
R 3 5 R 3
3
x x 1 2 4 1
x 4 1 1 2 x
1
1
5
8
10
2
2
6
9
11
3
3
7
10
12
4
4
8
11
13
5
5
9
12
R 2 5
1
x 1 3 3 4 x
R 5 R 2 5
2
R 5 R 2
1 2 3 4 1 1
3
6
8
2
4
7
9
3
5
8
10
4
6
9
11
5
7
10
x 1 3 4 x x
R 5 R 4 5 R
1 3 4 x x x
x 1 1 3 4 x
6
8
2
7
9
3
8
10
4
9
11
5
10 R 5 R
1
x 3 1 2 0 x
1, 4, 5 R 5 R 4
no 3rd 1, 5
12 R 5 R
2
sus4
12
5 R 4 R
1
R 2 5 R
x x 1 3 4 4
1
R 5 R 4
1, 2, 5
14
R 5 R 2
x x 1 1 2 4
sus2
x 1 4 4 4 4
5 R 5 R
3
x 1 4 2 3 1
4
2 4 1 3 x x
2 x 1 4 3 x
x 3 x 2 4 1
1
1
1
5
5
6
2
2
2
6
6
7
3
3
3
7
7
8
4
4
4
8
8
9
5
9
5
5
R 5 R 3 6
R 3 6 R
9 R 5 6 3
6
6
1, 3, 5, 6
10 R
6 3 5
5
3 6 R
R 6 R 3 5 x 2 3 1 4 x
x x 1 3 1 4
x 4 2 3 1 x
7
8
11
8
9
12
9
10
13
10
11
14
11
12 5 R 3 6
40140 Ultimate Chord Scale Bible.indb 173
B
15 R 5 6 3
R 3 6 R
6/19/12 12:45 PM
174
Maj7
1, 3, 5, 7
2 x 1 4 0 x
x x 1 4 0 2
x 1 x 3 4 2
2
x 1 3 2 4 1
x 1 3 3 3 4
x x 1 1 1 4
1
1
1
1
1
3
2
2
2
2
2
4
3
3
3
3
3
5
4
4
4
4
4
6
5
5
5
5
5
7
5
3 7 R
3 7 R 5
R
R 5 7 3 5
7 3 5
5 R 3 7
6 R 5 R 3 7
3
x x 4 3 2 1
1 4 2 3 x x
1
5
6
6
6
7
7
7
8
8
8
9
9
9
10
10
R 3 5 7
3 x 2 4 1 x
12
12
13
13
14
14
x x 1 4 4 4
5
x 4 3 1 1 x
8
10
9
9
11
10
10
12
11
11
13
12
12
7 3 5
3
14
R 5 7
R 5 7 3
x 1 4 1 2 1
x x 1 3 4 1
R 3 5 7
15 5
1
1, 3, 5, 7, 9
R
4
x x 2 4 1 3 11
Maj9
2 x 1 3 4 x 8
R 5 7 3
11
15
1 x 3 4 2 x
3 7 R 5
3 7 R
2
x 2 1 4 3 x
3
x 1 3 2 1 1
2 1 4 1 3 x
1 2 4 4 4 x
1
1
5
5
8
6
2
2
6
6
9
7
3
3
7
7
10
8
4
4
8
8
11
9
5
5
9
9
12
10
R 3 7 9
R 5 7 9 5
R 3 7 9 5
3 R 9 5 7
R 5 7 9
11 R 5 9 5 7
1
6/9
1, 3, 5, 6, 9
x 2 1 1 3 4
2
x x 1 1 2 3
3
4 x 1 3 1 1
4
x 1 1 1 2 x
2 1 1 1 3 x
x x 1 1 2 3
1
1
3
5
5
5
2
2
4
6
6
6
3
3
5
7
7
7
4
4
6
8
8
8
5
5
7
9
9
R 3 6 9 5
3 6 9 5
2 1 1 1 3 4
x x 2 1 3 4
R
3 6 9 5
9 6 9 5 R
R 3 6 9 5
x 1 1 1 2 x
5
7
10
6
8
11
7
9
12
8
10
13
9
11 R 3 6 9 5 R
5 9 3 6
14 R 3 6 9
6 9 5 R
B
40140 Ultimate Chord Scale Bible.indb 174
6/19/12 12:45 PM
175 1
x 1 2 4 3 1
2
x x 1 3 1 4
x x 3 2 1 4
1 3 4 2 1 1
x 3 2 1 4 1
1
3
6
6
10
2
4
7
7
11
3
5
8
8
12
4
6
9
9
13
5
7
10
10
5 9 3 R
6
1
x 1 3 2 4 x
R 3 5 9 3
R 5 9 3 5 R
2
x 1 x 3 4 2
1 x 3 4 2 x
x x 1 3 3 4
x 3 4 1 1 x
1
1
6
8
10
2
2
7
9
11
3
3
8
10
12
4
4
9
11
13
5
5
10
12
R 5 7 11
1
x 1 x 2 4 4
R
2
7 11 5
R
1 x 2 3 4 x
R 5 7 11
8
10
2
7
9
11
3
8
10
12
4
9
11
13
5
10
12
14
R
7 3 13
1, 3, 5, 7, 11 R 11 5 7
x 4 2 3 1 x
x x 1 4 2 3
6
7 3 13
Maj11
14
7 11 5
1
R
1, 3, 5, 9
14 R 3 5 9
11
R 5 9 3 5
add9
Maj13
1, 3, 5, 7, 13 R 3 13 7
13 R 13 7 3
1
x 1 1 1 2 3
2
2 1 1 1 3 1
3 x 4 2 1 1
1 x 2 3 4 4
1
3
5
6
2
4
6
7
3
5
7
8
4
6
8
9
5
7
9
10
7 3 13 9 5
8 R
1
x 1 2 3 4 4
2
R 3 13 9 5 7
R
2 x 1 3 1 1
x 1 1 1 2 x
x 3 4 2 1 1
5
7
2
6
8
11
3
7
9
12
4
8
10
13
5
9
11
1
x 1 4 2 3 x
13 3 11 7
R
2
7 3 13 9
x 1 x 2 4 3
15
2
6
2
2
3
3
3
4
4
4
5
5
7 3 5
R 11 13 7 3
1 x 3 3 3 x
4 3 2 1 x x
1
R
1, 3, 7, 11, 13
14
11 7 3 13
3
Maj1311
10
1
R 5 7 3
1, 3, 5, 7, 9, 13
7 9 3 13
1
R 11 7 3 13
Maj13add9
x x 1 4 2 3
x 4 3 2 1 x
8
10
7
9
11
8
10
12
5
9
11
13
6
10
12
7
R
7 3 5
R 5 7 3
Maj75
1, 3, 5, 7
14 R 3
5 7
R 3 5 7
B
40140 Ultimate Chord Scale Bible.indb 175
6/19/12 12:45 PM
176
1
Maj7 11 1, 3, 7, 11
x 2 x 3 4 1
Maj9 11
1, 3, 7, 9, 11
1, 3, 5
1
2 x 3 4 1 x
(2) x 4 3 1 1
3 x 1 2 4 x
5
5
2
2
6
6
9
9
3
3
7
7( )
10
10
4
4
8
8
11
11
5
5
9
9
12
12
7 3 11
x 2 1 4 3 1
R 11 7 3
2 x 3 1 1 x 5
5
2
6
6
3
7
7
4
8
8
5
9
x 2 1 0 0 x
7 9 11
R
2
3 2 1 0 x x
R 3 11 7
(R)
9
3
x x 4 2 3 1
4
1
2
3
2
2
3
4
3
3
4
5
4
4
5
6
R 3
5
5
5 R
5 R 3
6
5
5 R 3 5
8
3
7
6
7
8
7
8
5
9
8
9
6
10
9
10
11
10
3 5 R 3
12
R 11 7 3
R 3 5 R
4 3 2 1 x x
R 3 5 R x 3 2 1 1 x
4
7
R 11 7
7
x x 4 2 3 1
4 3 2 1 x x
x 3 2 1 1 x
3
R 3 7 9 11
1
5
8
2 1 3 1 1 x
1
R 3 7 9 11
7 3 11
R
8
x x 1 2 4 4
1
1
Augmented (aug)
x 1 2 3 4 x
1
R
1
11
5 R 3 5
3 5 R 3 x x 4 2 3 1
x 3 2 1 1 x
4 3 2 1 x x
10
11
11
11
12
12
12
13
13
13
14
14
14 3
15
5 R 3
R 3
15
5 R
16
5 R 3
5
B
40140 Ultimate Chord Scale Bible.indb 176
6/19/12 12:45 PM
177 1
x x x 3 2 1
2
x 1 3 4 2 1
3
x x 3 1 1 1
4
x x 3 1 1 x
5
1 3 4 1 1 1
2 x 1 3 4 x
1
1
6
6
6
8
2
2
7
7
7
9
3
3
8
8
8
10
4
4
9
9
9
11
5
5
10
10
10
R 3 5
R 5 R 3 5
x x 1 3 4 2
R 3 5 R x 4 2 1 3 x
x 4 2 1 x x 10
10
10
9
11
11
11
10
12
12
12
11
13
13
13
12
14
14
1
R 3 5
2
x 2 4 1 3 x
x 2 x 1 4 3
R 3 5 R
3
2 4 1 3 x x
R 5 R 3 5 R
12
14
4
2 x 1 3 4 x
x x 1 3 3 3
1 2 3 1 4 x
1
5
5
5
6
2
6
6
6
7
3
3
7
7
7
8
4
4
8
8
8
9
5
5
9
9
9
10
6 3 5
x x 1 3 1 2
R 5 6
R 5 R
3 5 R 5
2
R
3
1
R 5 6 3
1, 3, 5
x x 2 1 3 4
8
R 5 R 3
R 3 5
min
R
3
6
3 5
6
3 5 R
min6
1, 3, 5, 6 R 5 R 3 6
x 4 3 2 1 x
8
8
9
9
10
10
11
11
12
R 5 6 3
12 13 14
1
x 2 0 3 4 x
R 3 5 6
2
x 1 3 1 2 x
3
x 1 0 2 0 3
4
x 1 x 2 4 3
5
x 1 3 1 2 1
6
1
1
1
1
1
1
2
2
2
2
2
2
3
3
3
3
3
3
4
4
4
4
4
4
5
5
5
5
5
R 3 7 3
R 5
7 3
2 x 3 3 3 x
x x 4 2 3 1
R 3 7 R 5
R
1 3 1 1 x x
7 3 5
R 5
1 3 1 1 4 1
7 3 5
R 5
6
6
6
6
6
7
7
7
7
7
6
8
8
8
8
8
7
9
9
9
9
9
8
10
10
10
10
10
R
7 3 5
R 5 7 3
R 5 7 3 7 R
R 5 R 3 7 R
7 3 7
x x 1 1 1 1
1 2 3 1 4 1
5
min7
1, 3, 5, 7
5
4
9
x 1 3 1 2 4
7 3 5 R
R 3 5 7 x x 1 4 2 3
x 4 3 2 1 x
2 x 1 4 3 x
2 x 1 3 1 x
x 3 1 4 1 x
x 2 1 3 4 x
8
8
9
11
11
11
9
9
10
12
12
12
10
10
11
13
13
13
11
11
12
14
14
14
12
12
13
15
15
R 5 7 3
3
R 5 7
14
R 3 5 7
40140 Ultimate Chord Scale Bible.indb 177
5
3 7 R
R 3 7 R
15
R 3 7 3
B
6/19/12 12:45 PM
178
x 1 4 2 3 x
minMaj7
1, 3, 5, 7
1, 3, 5, 7
1 x 4 2 3 x
6
6
6
7
7
7
3
3
7
8
8
8
4
4
8
9
9
9
5
5
9
10
10
10
R 5 7 3
R
x x 1 3 4 2 10
9
11
10
12
11
13
x 1 x 2 3 4
R 3 5 7
R 5 7
3
R
14
2
x 1 4 1 2 x
2 x 3 3 4 x
1 4 1 1 x x
1
6
6
8
2
7
7
9
3
3
8
8
10
4
4
9
9
11
5
5
10
10
x 1 3 4 2 1
7
3 5
2
R 5 7 3
4 2 1 3 x x
R
3
7 3 5
x x 3 1 1 4
R 5 7 3
12
x x 4 1 1 1
1 2 3 1 1 4
1 3 4 1 1 1
3
6
6
6
2
4
7
7
7
7
3
5
8
8
8
8
4
6
9
9
9
9
5
7
10
10
10
10
2 x 0 1 3 x
R 3 5 9
R 3 5 9
R 5 R 3 5 9
6
11 9
2
x 2 0 1 3 x
3
x 2 0 1 3 4
4
x 1 2 3 4 4
5
11
3 5 R
R 5 9
2 x 1 3 3 4
1
1
4
5
6
2
2
2
5
6
7
3
3
3
6
7
8
4
4
4
7
8
9
5
5
5
8
9
10
3 6 9
1 2 4 1 3 x
R 3 6 9 x x 4 3 1 1
R 3 6 9 5
3 6 9 5 R
R
x 3 1 2 4 x
2 x 1 4 1 1
8
8
11
11
7
9
9
12
12
8
10
10
13
13
9
11
11
14
14
10
12
12
15
R 5 9
3 5 6 9
3
R 5 6 9
R 3 6 9
3 5 9
3 5 R
R 3 6 9
x 3 1 2 4 4
6
11
6
x x 2 1 3 4
1
5
3 5
R 5 7 3
1
1
x x 1 4 2 3
1
7 3 5
R 3 5 7
2
7
x 4 2 1 1 x
8
R 5 7 3
7 3 5
R 5 9 3 5
1, 3, 5, 6, 9
x x 2 1 1 x
6
6
min6/9
2
5
1
1, 3, 5, 9
1
2
R
minadd9
1 3 2 1 x x
1
1
3
2
12
min7 5
x x 4 2 3 1
1
4
x 1 x 3 4 2
15
R 3 6 9 5
3 6
1 2 3 1 1 4
minadd9/11 1, 3, 5, 9, 11
B
6 7 8 9 10 11 12 R 5 9
40140 Ultimate Chord Scale Bible.indb 178
3 5 11
6/19/12 12:45 PM
179 1
x 2 0 3 4 x
2
x 4 3 1 1 x
3
3 1 4 2 x x
4
2 x 3 3 3 4
5
1 3 1 1 1 4
6
1
1
4
6
6
6
2
2
5
7
7
7
3
3
6
8
8
8
4
4
7
9
9
9
5
5
8
10
10
10
R 3 7 9
3 5
7 9
R 3 7 9
7 3 5 9
R
R 5 7 3 5 9
1 2 4 1 3 x
1, 3, 5, 7, 9
11 R 5 9
x x 2 1 4 3
1 2 1 1 4 3
x 1 4 3 2 1
x 2 1 3 4 x
x x 4 3 2 1
6
8
8
11
11
7
7
9
9
12
12
8
8
10
10
13
13
9
9
11
11
14
14
10
10
12
12
15
1
x 1 0 3 2 x
2
R 3 7 9
x 4 3 2 1 x
3
5 3 5 7 9
3 5 7 9
x x 2 1 1 4
1 3 2 1 1 4
R 3 7 9
15
x x 4 2 3 1
1
6
6
8
11
2
2
7
7
9
12
3
3
8
8
10
13
4
4
9
9
11
14
5
5
10
10
12
1
x 2 0 3 4 0
3 5 7 9
2
R 5 7
1 1 1 1 1 4
7
3 5 9
x 1 4 1 2 1
3 5 9
x 1 1 3 4 1
6
8
11
11
7
9
12
12
3
8
10
13
13
4
9
11
14
14
5
10
12
15
1
x 2 x 3 4 0
2
x 2 0 3 0 0
3
5 3 11 7 9
x 1 1 1 2 x
4
7 3 7 9 11
x 1 1 1 2 4
15
5
R 3 7 9 11
x 1 1 1 2 1
2 x 3 4 1 x
1
1
1
1
4
2
2
2
2
5
3
3
3
3
3
6
4
4
4
4
4
7
5
5
5
5
5
7 3 11
1 2 1 1 1 4 6
R 3 7 R 11 x x 1 1 2 3
R 11 7 3 x 2 x 3 4 1
11
11
7
9
12
12
8
10
13
13
9
11
14
14
10
12
15
12
R 11 7 3
R
7 3 11
R 11 7 3 5
min11
1, 3, 5, 7, 11
8 R
7 3 11
x 3 1 4 1 1
8
11
R 11 7 3 7
R 3 7 9
1, 3, 5, 7, 9, 11
2
1, 3, 5, 7, 9
min9add11
1
R
min9Maj7
x 2 1 3 4 1
2
R 11 7 3 5 9
3 7 9 5
3 5 7 9
1
R 3 7 9 11
15
3 7
x 2 1 4 3 x
1
R 3 7 9
x x 1 3 3 3
6
R 5 7 3 7 9
min9
15
R 3 7 R 11
R 5 7 3 5 11
B
40140 Ultimate Chord Scale Bible.indb 179
6/19/12 12:45 PM
180 1
min13
1, 3, 5, 7, 13
x 1 x 2 3 4
6
6
6
7
7
7
3
8
8
8
4
9
9
9
5
10
10
10
7 3 13
7 3 13
11
1 2 1 1 3 4 6
11
7
7
12
8
8
13
9
9
14
10
10
R
1
7 3 13 9
x x 0 2 0 1
2
R 5 7 3 13 9
x 1 3 2 4 x
R 13 7 3
( )
R 5 7 3 13 (R)
x 2 1 3 3 4
6
1, 3, 5, 7, 9, 13
1, 3, 5, 7
R
2 x 3 3 4 4
min7 5
1 3 1 1 4 (1)
1 4 1 1 x x
2
min13add9
2 x 3 3 4 x
1
R
2
15 16
3
R 3 7 9 13
x 2 x 3 4 1
4
x x 1 3 2 4
5
2 x 3 4 1 x
x x 4 3 2 1
1
1
1
2
4
5
2
2
2
3
5
6
3
3
3
4
6
7
4
4
4
5
7
8
5
5
5
6
8
9
3 7 R 5
R 5 7 3
7 3 5
R
5 R 3 7
9
R
7 3 5
R 3 5 7
min9 5
1, 3, 5, 7, 9
x 4 2 1 1 x
x x 1 3 3 3
x x 2 3 1 4
x x 1 3 1 2
5
8
9
11
6
9
10
12
7
10
11
13
8
11
12
14
9
12
13
15
1
7 3 5 R
x x 0 2 3 1
2
R 5 7 3
x 2 0 3 4 1
14
3
R 3 5 7
x 4 2 1 1 x
4
3 7 R 5
2 x 1 3 4 1
x x 2 3 1 4
x x 4 3 2 1
1
1
1
5
8
2
2
2
6
9
9
3
3
3
7
10
10
4
4
4
8
11
11
5
5
5
9
12
12
3 7 9 5
2 x 1 3 4 x 11
12
12
13
13
14
14
5
3 7 9
3 5 7 9
7 3 5 9
3
R 5 7 9
3 5 7 9
x 1 3 4 2
11
15
R 3 7 9 5
8
15
3 7 9 5
B
40140 Ultimate Chord Scale Bible.indb 180
6/19/12 12:45 PM
181 1
x 2 1 3 0 4
2
x x 1 2 0 3
3
x 1 x 2 4 3
4
x 1 3 1 4 1
5
x 1 3 3 3 4
6
1
1
1
1
1
3
2
2
2
2
2
4
3
3
3
3
3
5
4
4
4
4
4
6
5
5
5
5
5
R 3
7 R 5
3
x 2 3 1 4 x
7 R 5
R
x x 1 1 1 2
x x 4 3 2 1
7 3 5
R 5 R 3 7
1 3 1 2 x x
1 x 2 4 3 x
R 5
7 3 5
7
3
4
6
6
6
4
5
7
7
7
5
5
6
8
8
8
6
6
7
9
9
9
7
7
8
10
10
10
1 3 1 2 1 1 6
7
7
8
8
9
9
10
10
1
x 2 1 3 3 3
2
R 3 5 7 3 x 1 4 2 x
1 3 1 2 4 1
6
R 5 7 3 5 R
9
8
R 5 7 3 7 R
3 x 4 2 1 x
R 5 7 3
R
11
11
9
9
12
12
10
10
13
13
11
11
14
14
12
12
15
3
R 5 7
x x 1 3 1 2
4
R 5 7 3
x x 3 2 1 4
R 3
5
15 3
3
3
3
5
5
4
4
4
6
6
3
5
5
5
7
7
4
6
6
6
8
8
5
7
7
7
9
7 9 5
R
x 1 3 2 4 4
7 9 3
x x 1 2 1 4
5 9 3 7
7 9 3 R
x x 2 1 4 3
x 2 4 1 3 x
R 3 7 9
9
5
6
7
7
9
10
7
8
8
10
11
7
8
9
9
11
12
8
9
10
10
12
13
9
10
11
11
13
7 3 5 9
5 9 3 7
R 3 7 9
9 5 7 3
7 R 5
9
1, 3, 5, 7, 9 3 7 9 5 x 2 x 3 4 1
x x 2 3 1 4
6
3 7 9 5 R
x 1 3 2 4 x
3 1 4 2 x x
1
R 3 7 R
7 R
2
R 3
5 R 3
x x 2 3 1 4
8
3
7 3 5
x 3 2 4 1 x
x x 1 3 2 4
1, 3, 5, 7
x x 3 2 4 1
4
5 R 3 7
7
7
3
3 7 R 5
2 x 1 1 1 x
14 R
7 9 3
B
40140 Ultimate Chord Scale Bible.indb 181
6/19/12 12:45 PM
182 1
9sus4
1, 4, 5, 7, 9
x 2 x 3 4 0
2
x 1 1 1 1 1
3
x 1 1 1 2 3
3 x 4 2 1 x
x x 3 2 1 4
x x 1 1 2 1
1
1
3
4
4
2
2
4
5
5
9
3
3
5
6
6
10
4
4
6
7
7
11
5
5
7
8
8
R
R 4
7 9 4
9 5 R 4 7
7 9 5
R
8
7 9 4 R
7 9 4
12
R 4 7 9
x 2 x 3 4 1 11 12 13 14 15 R
11(7sus4) 1, 5, 7, 11
1
7 9 4
x 2 3 4 0 x
2
x 1 4 2 0 0
4
x 1 3 3 4 4
1 3 1 4 1 1
x x 1 1 2 3
1
1
1
3
6
2
2
2
2
4
7
3
3
3
3
5
8
4
4
4
4
6
9
5
5
5
5
7
10
R 11 7 R
R 5
R 5
7 R 11
8
11
9
9
12
10
10
13
11
11
14
12
12
5 R 11 7
x 0 2 3 0 x
2
R 5 7 11
x 2 1 3 4 4
R 5 R 11 7
7 11 5
5 R 11 7
15
3
R 11 7 R
x 1 x 2 4 4
3 x 4 1 1 1
1 x 2 3 4 x
x x 1 3 4 2
1
1
1
3
6
6
2
2
2
4
7
7
3
3
3
5
8
8
4
4
4
6
9
9
5
5
5
7
10
10
R 3
7 3 13 R
R 5 7 11 5 R
x 2 3 4 1 x
x x 1 3 2 4
8
1
1, 3, 5, 7, 13
x 1 3 1 4 1
1
x 1 1 1 2 x
13
3
7 3 13
R
7 3 13
R
7 R 3 13
R
7 3 13
7 3 13 R
x 1 3 4 2 x 11 12 13 14 15
7 3 13 R
1
13add9
1, 3, 5, 7, 9, 13
x 0 1 1 2 x
2
x 2 1 3 3 4
3
3 x 4 2 1 1
1 x 2 3 4 4
x x 1 3 4 4
x 1 2 3 4 x
1
1
3
6
6
11
2
2
4
7
7
12
3
3
5
8
8
13
4
4
6
9
9
14
5
5
7
10
10
7 3 13 9
R 3
7 9 13
R
7 9 3 13
R
7 3 13 9
7 3 13 9
15
7 3 13 9
B
40140 Ultimate Chord Scale Bible.indb 182
6/19/12 12:45 PM
183
x 1 2 1 4 3
x x 4 1 2 1
1 x 2 4 4 x
1
3
6
2
4
7
3
5
8
4
6
9
5
7
10
R 5
1
7 4 13
x 1 1 1 1 4
7 R 4 13
2
1, 4, 5, 7, 13
R
x x 4 3 2 1
13sus4
7 4 13
x x 1 4 4 4
1 x 2 4 4 4
1
3
6
6
2
4
7
7
3
5
8
8
4
6
9
9
5
7
10
10
R 4
1
7 9 13
x 2 x 3 4 1
7 9 4 13
2
x 1 2 1 4 x
7 4 13 9
3
1
5
6
2
2
6
3
3
7
4
4
5
5
1
7 3 5
x 1 4 1 3 x
R 5 7 3
2
x 1 x 2 4 3
9
12
8
10
13
8
9
11
14
9
10
12
7 3 5
R
3
1 x 2 3 4 x
R 5 7 3
x x 1 3 4 2 6
2
2
7
3
3
8
4
4
5
5
7 3 5
R 5 7 3
x 2 1 3 1 x
2
x x 1 3 2 4
15
9
11
7
10
12
8
11
13
9
9
12
14
10
10
13
15
7 3 5
R
7 3 5 R
14
3
x 2 3 1 4 x
4
3 x 4 2 1 x
5
x x 1 3 2 4
6
1
3
3
4
2
2
2
4
4
5
3
3
3
5
5
6
4
4
4
6
6
7
5
5
5
7
7
7 9
3
x 2 3 1 4 x
7 9 5
T* x 1 3 2 4
9 5 7 3
R
7 9 3
5
x x 2 1 4 1
x 2 3 1 4 x
9 3 7
8
x x 1 3 2 4
6
7
7
9
10
5
7
8
8
10
11
6
8
9
9
11
12
7
9
10
10
12
13
8
10
11
11
13
1
x 2 1 3 4 x
R 7 3 5 9 * T = Thumb
2
2 1 3 4 x x
3
5 9 3 7
x 1 3 3 3 x
R 3 7 9
1 3 1 2 4 4
9 5 7 3
14
x x 4 2 1 1
5
5
6
9
12
2
6
6
7
10
13
3
7
7
8
11
14
4
8
8
9
12
15
5
9
9
10
13
R 3 7 9
40140 Ultimate Chord Scale Bible.indb 183
3 7 9 5
R 5 7 3 7 9
7 R
75 (+7) 1, 3, 5, 7
7 3
5 R
3 5 7 9
7 9
1, 3, 5, 7, 9 R 3 7 9
7 3 5 9
x x 1 2 4 3
1
R 3 7 9
3
x 2 3 1 4 x
4
3 7 9 5
5
3 2 4 1 x x
1
5 7
1
R 3
7 5
1, 3, 5, 7
x 1 2 1 1 x
x 4 3 2 1 x
R 3
1
2 x 3 4 1 x
7
6
x x 1 2 3 4 11
1
R
7 4 13 9
8
1
R 5 7 3
1 2 1 3 x x
1
R
1, 5, 7, 9, 13
R
2 x 3 4 1 x
13add9sus4
79
1, 3, 5, 7, 9
16 3
B
7 9 5
6/19/12 12:45 PM
184
1
795
1, 3, 5, 7, 9
x 2 1 3 4 x
1, 3, 5, 7, 9
1, 3, 5, 7, 9
5
6
9
6
7
10
3
7
7
8
11
4
8
8
9
12
5
9
9
10
13
1, 3, 5, 7, 9
1, 3, 5, 7, 9
1, 3, 5, 7, 9
4
5
5
6
3
3
6
6
7
4
4
7
7
8
5
5
8
8
11 5
1, 11, 5, 7
B
7 9 5
x x 1 2 1 4
3
2
7 9 5
7 9 5
R
x 2 1 3 1 4
x 2 3 1 4 x
3 7 9 5
9
1 x 2 3 4 4
1
4
6
11
2
2
5
7
12
3
3
6
8
13
4
4
7
9
14
5
5
8
10
7 9 5
x 2 1 3 4 4
R 3
2
7 9 5
x 1 2 3 4 x
3
3 7 9 5
7 3 5 9
R
2 1 3 3 4 x
R 3 7 9 5
x 1 3 2 4 x
1
3 5 7 9
2 1 3 4 1 x
4
15
x x 1 3 3 4
7 3 5 9
1 x 1 2 3 4
x x 4 3 1 1
1
5
5
6
6
9
2
6
6
7
7
10
3
7
7
8
8
11
4
8
8
9
9
12
5
9
9
10
10
7 9 5
x x 1 3 4 2
2
3 7 9 5
x 2 1 3 4 1
R 3 7 9 5
x 2 x 3 4 1
7 3 5 9
R
x 1 2 1 1 x
1
4
5
5
2
2
5
6
6
3
3
6
7
7
4
4
7
8
8
5
5
8
9
7 9 5
x 2 1 3 3 4
R 3
2
7 9 5
9 5 7
3
x 1 2 1 4 3
1 x 2 3 3 4
5
6
11
2
6
7
12
3
7
8
13
4
8
9
14
5
9
10
1
7 9 5
x 1 3 2 0 0
2
3 7 9 5 R
x 1 2 1 4 x
R
3
7 3 5 9
7 3 5 9
13 3
9
15
7 3
x 1 2 3 4 4
5 9
2 x 3 4 1 x
1 2 1 4 x x
x x 1 3 3 4
1
1
5
6
2
2
2
6
7
9
3
3
3
7
8
10
4
4
4
8
9
11
5
5
5
9
10
12
R 5 7 11
R 5 R 11 7
5 7 9
R 3 7 9 5
1
R 5 7 R 11
x 1 2 1 4 x
1
3 7 9 5
2 1 3 1 1 x
1
R 3
x 2 4 1 3 x
5
1
95
3 x 4 1 2 x
R 5 7 3 7 9
2
3
x x 1 2 1 1
3 7 9 5
1
1
95
2
R 3 7 9
2
R 3
7 9
1
1
759
x 2 1 3 1 1
3
x x 4 2 1 1
6
1
7 5 9(+7 9)
1 3 1 2 4 4
5
R 3
x 1 3 3 3 x
2
1
795
2 1 3 4 x x
1
R 3
2
R
7 11 5
8
R 5 7 11
R 5 7 11
x 2 4 3 1 1 11 12 13 14 15
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R 5 7 R 11
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185 x 1 2 1 4 4 1
6
2
7
3
8
4
9
5
10
1
R 5 7 3 13
x x 1 2 1 4
135
1 2 1 3 4 (1)
1, 3, 5, 7, 13
( )
R 5 7 3 13 (R)
2
x 2 1 3 1 4
3
3 x 4 2 1 1
1 x 1 2 4 3
x 2 3 1 4 x
1
1
3
4
6
11
2
2
4
5
7
12
3
3
5
6
8
13
4
4
6
7
9
14
5
5
7
8
10
3
7 9 13
R 3
7 9 13
7 9 3 13
R
9
R
7 3 13 9
139
x 1 3 3 3 x
15
1, 3, 7, 9, 13 7 3 13 9
3 7 9 13
x x 1 2 3 4
1
2 1 3 3 4 x
2
x x 1 2 3 4
1
5
6
6
2
6
7
7
3
7
8
8
4
8
9
9
5
9
10
10
3
1
7 9 13
x x 0 1 3 2
2
R 3 7 9 13
1 x 0 2 3 x
7 3 13 9
139
1 x 1 2 3 4
1, 3, 7, 9, 13 R
x 1 3 3 3 x
7 3 13 9
2 x 1 3 4 x
x x 1 2 4 3
1
1
4
11
11
2
2
5
12
12
3
3
6
13
13
4
4
7
14
14
5
5
8
15
3
1
7 9 5
x 2 3 1 4 x
2
5
3
7 9
x 2 x 1 4 1
3 7 9 5
5
2 3 1 4 x x
3
15
7 9
2 x 1 4 1 x
1
5
5
8
2
6
6
9
3
3
7
7
10
4
4
8
8
11
5
5
9
9
12
1
x x x 4 2 1
R
2
7 11 5
R 5 7 11
R
1
2
5
9
2
3
6
10
3
4
7
11
4
5
8
12
5
6
9
R 3 5
7
R 3 5
R 3 5
7 11 5
7 9 5
dim11
1, 5, 7, 11 R 5 7 11
x 4 2 1 x x
x x 4 2 1 x
4 2 1 x x x
x x 1 2 1 4
2
dim9
1, 3, 5, 7, 9 3
1
R 5 7 11
dim
1, 3, 5
13 14
R 3 5
B
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dim7 ( 7) 1, 3, 5, 7
x 2 3 1 4 x
2 x 0 3 0 x
x 2 x 1 3 1
2 4 0 3 x x
x x 0 3 0 4
x x 4 3 2 1
1
1
1
1
1
1
2
2
2
2
2
2
3
3
3
3
3
3
4
4
4
4
4
4
5
5
5
5
5
5
3
7 R
2 x 1 3 1 x
R 5 7 3
R
x 2 3 1 4 x
7 3 5
3
7 R 5
x x 1 3 2 4
x 2 x 1 3 1
5 R 3 7
5 6
2
3
3
2
2
3
3
4
4
3
3
4
4
5
5
4
4
5
5
6
6
5
5
6
6
7
7
6
6
7
5 R 3
3 7 R 5
3
R 5 7
5 R 3 7
7 3 5 R
x 2 3 1 4 x
x 2 x 1 3 1
x x 1 3 2 4
8
2 4 1 3 x x
6
6
8
5
6
6
7
7
9
6
7
7
8
8
10
7
8
8
9
9
11
8
9
9
10
10
12
9
10
7 3 5
5 R 3 7
5
3 7 R
R 5 7 3
R 5 7 3
11 12
x 2 3 1 4 x
2 x 1 3 1 x
x 2 x 1 3 1
x x 1 3 2 4
8
9
9
11
8
9
10
10
12
9
10
10
11
11
13
10
11
11
12
12
14
11
12
12
13
13
15
12
3
R 5 7
7 3 5 R
7
5 R 3
3
7 R 5
3 7 R 5
3 5 7 R
x x 4 3 2 1
2 4 1 3 x x
9
R 3 5 7 x x 4 3 2 1
5
R
7 R 3 5
7
9
2 x 1 3 1 x
x x 4 3 2 1
2 4 1 3 x x
13 14 15
5
x x 1 3 2 4
2 x 1 3 1 x
2 4 1 3 x x
11
5
11
12
6
12
13
7
13
14
8
14
15
9
5
3
7 R
7 3 5 R
15
7 R 3
5 R 3 7
B
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187
Three-Note Voicings Maj7
7
x 1 x 3 4 x
min7
6
x 2 0 3 x x
x 2 1 3 x x
x 2 1 1 x x
1
1
1
1
2
2
2
2
3
3
3
3
4
4
4
4
5
5
5
R
7 3
R 3
x 1 x 3 4 x
R 3 7
7
x 1 x 2 4 x
5 R 3 6
x 1 x 2 4 x
x 2 x 1 4 x
1
1
1
1
2
2
2
2
3
3
3
3
4
4
4
4
5
5
5
R
7 3
R
x x x 1 1 4
7 3
7 3
R
x x x 1 1 3
5 R
x x x 2 1 4
x x x 1 1 1
3
3
2
3
4
4
3
4
5
5
4
5
6
6
5
6
7
7
6
R 3 7
R 3 7
2 1 4 x x x
2 1 3 x x x
R 3 7
7 R 3 6
2 1 3 x x x
2 1 1 x x x
5
5
4
5
6
6
5
6
7
7
6
7
8
8
7
8
9
9
8
R 3 7
R 3 7
1 x 2 3 x x
1 x 2 4 x x
R 3 7
9 R 3 6 2 x 1 4 x x
2 x 3 3 x x
6
6
6
5
7
7
7
6
8
8
8
7
9
9
9
8
10
10
10
R
7 3
R
x x 2 1 4 x
R
7 3
x x 2 1 4 x
7 3
9 R
x x 3 1 4 x
7
7
6
7
8
7
8
9
9
8
9
10
10
9
10
11 R 3 7
R 3 7
10
R 3 7
6 3
x x 2 1 3 x
8
11
6 3
11 R 3 6
x 2 1 3 x x 11 12 13 14 15
R 3 7
B
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THE ULTIMATE GUITAR
SCALE BIBLE Mark Dziuba
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Contents
Contents—Scales Listed Alphabetically
How to Use this Book............................192 SCALES LISTED ALPHABETICALLY Aeolian........................................................193 Aeolian 11.................................................194 Aeolian Major...........................................195 Ake Bono...................................................196 Altered Dominant....................................197 Altered Dominant 7..............................198 Augmented................................................199 Augmented 9............................................200 Augmented 9.............................................201 Augmented Dominant............................ 202 Augmented Dominant 9........................ 203 Augmented Domniant 9........................ 204 Augmented Minor/Major 7.................... 205 Auxiliary Diminished, Whole/Half........ 206 Banshiki-Cho............................................. 207 Bebop Dominant...................................... 208 Bebop Dorian........................................... 209 Bebop Major.............................................. 210 Bebop Melodic Minor............................. 211 Bhairon....................................................... 212 Buzurg......................................................... 213 Chromatic.................................................. 214 Chromatic Augmented............................ 215 Darbari....................................................... 216 Diminished Blues...................................... 217 Diminished Tritonic.................................. 218 Dominant 5.............................................. 219 Dominant 5 9 9..................................... 220 Dominant 9 9.......................................... 221 Dominant 9 9 13.................................... 222 Dominant 9.............................................. 223 Dominant 13 Pentatonic......................... 224 Dominant 9 11........................................ 225 Dominant 9 11 13................................. 226 Dominant sus4 13 Pentatonic.............. 227 Dominant 9 Pentatonic........................... 228 Dominant 13............................................. 229 Dominant 13 sus4 Pentatonic............... 230 Dorian......................................................... 231 Dorian 4.................................................... 232 Dorian 5.................................................... 233 Dorian Pentatonic.................................... 234 Egyptian...................................................... 235 Four-Semitone Tritone............................ 236 Goonkali..................................................... 237 Harmonic Major....................................... 238 Harmonic Minor....................................... 239 Harmonic Minor 5.................................. 240 Harmonic Sus4......................................... 241 Hungarian Major....................................... 242 Ionian 5...................................................... 243
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Ionian Augmented.................................... 244 Iraq ............................................................. 245 Iwato........................................................... 246 Jazz Minor/Melodic Minor...................... 247 Kokin-Choshi............................................ 248 Kumoi......................................................... 249 Leading-Tone Blues.................................. 250 Locrian........................................................ 251 Locrian 7.................................................. 252 Locrian 2................................................... 253 Locrian 6................................................... 254 Lydian.......................................................... 255 Lydian 3..................................................... 256 Lydian 7..................................................... 257 Lydian 9..................................................... 258 Lydian 6/9 Pentatonic.............................. 259 Lydian Augmented.................................... 260 Lydian Augmented 2............................... 261 Lydian Augmented 3............................... 262 Lydian Augmented Pentatonic............... 263 Lydian Diminished.................................... 264 Lydian Dominant 13 Pentatonic........... 265 Lydian Dominant 9 Pentatonic.............. 266 Lydian Harmonic Major 9..................... 267 Lydian Harmonic Major.......................... 268 Lydian Pentatonic..................................... 269 Lydian Sus2 Pentatonic........................... 270 Lydiphrygian 6.......................................... 271 Major (Ionian)........................................... 272 Major 2 6 Pentatonic............................. 273 Major 2 Pentatonic................................. 274 Major 6 Pentatonic................................. 275 Major 6 Diminished................................. 276 Major 7 Augmented Pentatonic............ 277 Major 13 Pentatonic................................ 278 Major 13 sus4 Pentatonic....................... 279 Major Pentatonic...................................... 280 Major Pentatonic Blues........................... 281 Marwa......................................................... 282 Min/Maj 11 Pentatonic............................ 283 Minor 6/11 Pentatonic........................... 284 Minor 3rd/Minor 2nd ............................. 285 Minor 6 Diminished................................. 286 Minor 6 9 Pentatonic.............................. 287 Minor 7 5 Pentatonic.............................. 288 Minor 13 Pentatonic................................ 289 Minor Pentatonic...................................... 290 Minor Pentatonic Blues........................... 291 Minor/Major 11 Pentatonic................... 292 Mixolydian.................................................. 293 Mixolydian 9............................................. 294
Noh..............................................................295 Pelog.............................................................296 Phrygian.......................................................297 Phrygian 4..................................................298 Phrygian Major...........................................299 Phrygian 6..................................................300 Phrygian Pentatonic..................................301 Phrygilydian................................................302 Purvi.............................................................303 Sho ..............................................................304 Sho #2.........................................................305 Sus4 13 Pentatonic....................................306 Sus4 Pentatonic.........................................307 Sus4 9 5 Pentatonic................................308 Symmetrical Diminished, Half/Whole....309 Tetratonic....................................................310 Three-Semitone Tritone..........................311 Todi ..............................................................312 Tritone.........................................................313 Tritonic........................................................314 Tritonic 1st Inversion...............................315 Tritonic 2nd Inversion..............................316 Two-Semitone Tritone..............................317 Whole Tone................................................318 Whole Tone Chromatic...........................319 Yo..................................................................320 Zirafkand.....................................................321 Zokuso........................................................322
Appendix A—Theory and Improvisation Concepts................. 323 Appendix B—Scale Study....................... 327
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191 SCALES LISTED BY TYPE
Symmetric Augmented............................................... 199 Auxiliary Diminished, Whole/Half...... 206 Chromatic................................................. 214 Chromatic Augmented........................... 215 Diminished Blues..................................... 217 Four-Semitone Tritone........................... 236 Minor 3rd/Minor 2nd............................. 285 Symmetrical Diminished, Half/Whole.... 309 Tetratonic.................................................. 310 Three-Semitone Tritone........................ 311 Tritone....................................................... 313 Two-Semitone Tritone............................ 317 Whole Tone.............................................. 318 Whole Tone Chromatic......................... 319
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Hybrid Aeolian 11................................................. 194 Augmented 9........................................... 200 Augmented 9............................................ 201 Augmented Dominant........................... 202 Augmented Dominant 9....................... 203 Augmented Dominant 9....................... 204 Augmented Minor/Major 7................... 205 Bebop Dominant..................................... 208 Bebop Dorian.......................................... 209 Bebop Major............................................. 210 Bebop Melodic Minor............................ 211 Diminished Tritonic................................. 218 Dominant 5............................................. 219 Dominant 5 9 9....................................... 220 Dominant 9 9.......................................... 221 Dominant 9 9 13..................................... 222 Dominant 9............................................. 223 Dominant 9 11......................................... 225 Dominant 9 11 13.................................... 226 Dominant 13............................................ 229 Harmonic Minor 5................................. 240 Harmonic Sus4........................................ 241 Ionian 5..................................................... 243 Lydian Augmented 3.............................. 262 Lydian Diminished................................... 264 Lydian Harmonic Major 9.................... 267 Lydian Harmonic Major......................... 268 Lydiphrygian 6......................................... 271 Major 6 Diminished................................ 276 Major Pentatonic Blues.......................... 281 Minor 6 Diminished................................ 286 Minor Pentatonic Blues.......................... 291 Phrygilydian.............................................. 302 Tritonic...................................................... 314 Tritonic 1st Inversion............................. 315 Tritonic 2nd Inversion............................ 316
Exotic Ake Bono.....................................................196 Banshiki-Cho...............................................207 Bhairon.........................................................212 Buzurg...........................................................213 Darbari.........................................................216 Egyptian........................................................235 Goonkali.......................................................237 Hungarian Major.........................................242 Iraq ...............................................................245 Iwato.............................................................246 Kokin-Choshi..............................................248 Kumoi...........................................................249 Marwa...........................................................282 Noh...............................................................295 Pelog..............................................................296 Purvi..............................................................303 Sho ...............................................................304 Sho ( #2).......................................................305 Todi ..............................................................312 Yo...................................................................320 Zirafkand......................................................321 Zokuso.........................................................322
Contents—Scales Listed by Type
Harmonic System Aeolian........................................................ 193 Aeolian Major .......................................... 195 Altered Dominant .................................. 197 Altered Dominant 7.............................. 198 Dorian......................................................... 231 Dorian 4 ................................................... 232 Dorian 5.................................................... 233 Harmonic Major....................................... 238 Harmonic Minor....................................... 239 Ionian Augmented.................................... 244 Jazz Minor/Melodic Minor ..................... 247 Locrian........................................................ 251 Locrian 7.................................................. 252 Locrian 2................................................... 253 Locrian 6................................................... 254 Lydian.......................................................... 255 Lydian 3..................................................... 256 Lydian 7..................................................... 257 Lydian Augmented.................................... 260 Lydian Augmented 2............................... 261 Lydian 9..................................................... 258 Major (Ionian)........................................... 272 Mixolydian.................................................. 293 Mixolydian 9............................................. 294 Phrygian...................................................... 297 Phrygian 4................................................. 298 Phrygian Major ........................................ 299 Phyrgian 6.................................................. 300
Pentatonic Dominant 13 Pentatonic....................... 224 Dominant sus 4 13 Pentatonic............. 227 Dominant 9 Pentatonic......................... 228 Dominant 13 sus4 Pentatonic............. 230 Dorian Pentatonic.................................. 234 Leading-Tone Blues................................ 250 Lydian 6/9 Pentatonic............................ 259 Lydian Augmented Pentatonic............. 263 Lydian Dominant 13 Pentatonic......... 265 Lydian Dominant 9 Pentatonic............ 266 Lydian Pentatonic................................... 269 Lydian Sus2 Pentatonic......................... 270 Major 2 6 Pentatonic........................... 273 Major 2 Pentatonic............................... 274 Major 6 Pentatonic............................... 275 Major 7 Augmented Pentatonic.......... 277 Major 13 Pentatonic.............................. 278 Major 13 sus4 Pentatonic..................... 279 Major Pentatonic.................................... 280 Min/Maj 11 Pentatonic.......................... 283 Minor 6/11 Pentatonic......................... 284 Minor 6 9 Pentatonic............................ 287 Minor 7 5 Pentatonic........................... 288 Minor 13 Pentatonic.............................. 289 Minor Pentatonic.................................... 290 Minor/Major 11 Pentatonic................. 292 Phrygian Pentatonic............................... 301 Sus4 13 Pentatonic................................. 306 Sus4 Pentatonic...................................... 307 Sus4 9 5 Pentatonic............................... 308
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6 8) Ake Bono 2 3 5Book How to Use(1This
The Ultimate Guitar Scale Bible is a vast scale and chord/scale relationship reference tool. To get the most out of this book, a basic knowledge of music theory and improvisation will be helpful. All the scales in this book were chosen because of their usefulness in improvisational or compositional contexts. Use this book to supplement your existing scale knowledge and further your melodic and harmonic universe. Remember, these scales don’t make the music. You do!
How to Use This Book
Each page includes: • A brief description of the scale, including type, origin, construction and uses. • A one-octave expression of the scale in standard music notation with tablature, always beginning with the note C as the root. • An open position fingering with the note C as the root (the root is always shown as a black circle). • A single-string fingering using the B (2nd) string with the note C as the root. • Position fingerings in all twelve keys through the
circle of 4ths. In most cases, a large variety of different fingerings is offered in this section (rather than just the same fingering transposed around the fretboard). For an explanation of the circle of 4ths, see Appendix A on page 323. • A two-note-per-string fingering, usually with an E root. • A two-measure chord vamp over which to practice the scale (in standard notation with tablature and chord symbols).
The unique, two-measure vamps were created to help express the character of each scale. They were designed to be recorded or sequenced by you to use as backgrounds for exploration. Keep in mind that most of these vamps are based on the root of the scale described. All of the scales in this book may be superimposed over a variety of non-root based chord vamps. See page 325, “Diatonic Scale Superimposition.” I strongly suggest you read the appendices several times after paging through the book. They include important information on: • Scale and chord superimposition • Major scale construction and scale to “parallel • Practice techniques and suggestions major” comparison (used to determine the • Melodic harmony and how to create your own “flavor” of a scale). chord vamps • The circle of 4ths (the twelve keys) • Definitions of important terms Each scale in this book can be classified into one of the following five types: 1. Harmonic System There are four harmonic systems (parent scales) used in Western music: major, harmonic minor, melodic minor (jazz minor) and harmonic major. Each one of these systems produces distinct modes that are derived by emphasizing different starting places within the scale. Each of these modes has its own unique tonality or sound. 2. Symmetric Symmetric scales are constructed from a repeating interval or set of intervals that equally divides the octave. These scales do not produce modes. A good example of this type of scale is the whole tone scale, constructed entirely of whole steps (for example, C-D-E-F -G -A -C). 3. Hybrid Hybrid scales may contain elements of two or more common scales or may contain one or more “passing” or “chromatic” tones. For example, the bebop dominant scale (page 208) can be described as the Mixolydian mode (page 293, the 5th mode of the major scale, page 272) with a chromatic tone between the 7 and the root (C-D-E-F-G-A-B-B-C). In this book, hybrid also refers to any non-harmonic system or non-pentatonic variation. 4. Pentatonic Pentatonic usually refers to a five-note variation of the major scale and its relative minor. In this book, however, pentatonic scales include any five-note scale. 5. Exotic Any scale that is derived from a non-Western tradition. In this book, exotic scales are applied in a Western context. For example, Kumoi (page 249), a traditional Japanese scale, is applied in a minor/Major 9 harmonic context. This book provides you with a wealth of musical scales or “flavors” but more importantly, it will help you learn ways of opening new creative pathways. Enjoy!
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Aeolian (1 2 3 4 5 6 7 8) The Aeolian mode is the 6th mode of the major scale. It is commonly referred to as natural minor, the relative minor scale of the major scale. Diatonically, it works with ii, iii, or vi. In a modal context, Aeolian lends itself to a minor triad or the min7 13 chord. The vamp at the bottom right corner of the page includes a minor triad and a min7 13 chord.
Open Position
Single-String Fingering
C Aeolian
C Aeolian
Aeolian
& T A B
œ 1 3
œ bœ 2
b3
œ
0
1
3
œ
œ bœ bœ
4
5
b6
b7
0
1
3
8 1
1 2 3 4
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
5 6
Aeolian
Position Fingerings Through the Circle of 4ths C Aeolian
5 6 7 8 9 10 11 12
Ab Aeolian
5 6 7 8 9 10 11 12
E Aeolian
5 6 7 8 9 10 11 12
F Aeolian
5 6 7 8 9 10 11 12
Db Aeolian
5 6 7 8 9 10 11 12
Gb Aeolian
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
A Aeolian
D Aeolian
5 6 7 8 9 10 11 12
Two-Note-per-String Fingering
E Aeolian
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 193
Bb Aeolian
5 6 7 8 9 10 11 12
Eb Aeolian
5 6 7 8 9 10 11 12
B Aeolian
5 6 7 8 9 10 11 12
G Aeolian
5 6 7 8 9 10 11 12
F Aeolian Vamp b
j b œ œ œ 4 & 4 .. Œ b b œœ ‰ œœ œœ ˙ ˙ F min7 13
T A B
2 1 1 1
2 1 1 1
(2) (1) (1)
Fmin
Œ b ˙˙˙ ... œ. œ ˙ J
..
1 1 3
1
1
1
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194
Aeolian 11 (1 2 3 4 5 6 7 8)
The Aeolian 11 scale is an interesting, seven-note hybrid scale that can be thought of as a combination of Lydian and Aeolian (the 4th and 6th modes of the major scale). Aeolian 11 contains elements of both. The vamp at the bottom right corner of the page accents all the key elements of Aeolian 11. Also try using Aeolian 11 within an altered dominant context (remember, 3 = 9).
Open Position
C Aeolian #11
Aeolian 11
& T A B
œ 1
3
2
b3
#4
0
1
4
œ
œ bœ bœ
œ bœ #œ
5
b6
b7
0
1
3
8 1
Single-String Fingering
C Aeolian #11
1 2 3 4
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
Aeolian 11
5 6
Position Fingerings Through the Circle of 4ths # C Aeolian 11
5 6 7 8 9 10 11 12
# Ab Aeolian 11
5 6 7 8 9 10 11 12
# E Aeolian 11
5 6 7 8 9 10 11 12
# F Aeolian 11
5 6 7 8 9 10 11 12
# Db Aeolian 11
5 6 7 8 9 10 11 12
# Gb Aeolian 11
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
# A Aeolian 11
# D Aeolian 11
5 6 7 8 9 10 11 12
Two-Note-Per-String Fingering
E Aeolian #11
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 194
# Bb Aeolian 11
5 6 7 8 9 10 11 12
# Eb Aeolian 11
5 6 7 8 9 10 11 12
# B Aeolian 11
5 6 7 8 9 10 11 12
# G Aeolian 11
5 6 7 8 9 10 11 12
A Aeolian 11 Vamp A min
A
˙ & 44 .. Œ ˙˙ T A B
o
b œœ œ œ. œ œ. œ J J 0
5 5 7
0
0
4 5 7
0
(4 ) (5 ) (7 )
6 5 7
0
o
˙˙ b œœ . ˙ œ . œ œ. œ J J
œœ œ œ.
F/A
0
A
0
4 5 7
0
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195
Aeolian Major (1 2 3 4 5 6 7 8)
The Aeolian major scale is the 5th mode of the jazz minor scale (page 247). It is also referred to as Mixolydian 6. Functionally, or modally, it can substitute for a dominant sus-type scale. It can also be used as an altered dominant sound. Aeolian major’s altered dominant application is illustrated in the vamp at the bottom right corner of the page. The particular chords being emphasized are the 7 13 and 7 9.
Open Position
Single-String Fingering
C Aeolian Major
C Aeolian Major
Aeolian Major
& T A B
œ 1 3
œ 2
œ
œ
0
2
3
3
4
œ
œ bœ bœ 5
b6
b7
0
1
3
8 1
1 2 3 4
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
Aeolian Major
5 6
Position Fingerings Through the Circle of 4ths C Aeolian Major
5 6 7 8 9 10 11 12
Ab Aeolian Major
5 6 7 8 9 10 11 12
E Aeolian Major
5 6 7 8 9 10 11 12
F Aeolian Major
5 6 7 8 9 10 11 12
Db Aeolian Major
5 6 7 8 9 10 11 12
Gb Aeolian Major
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
A Aeolian Major
D Aeolian Major
5 6 7 8 9 10 11 12
Two-Note-per-String Fingering
E Aeolian Major
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 195
Bb Aeolian Major
5 6 7 8 9 10 11 12
Eb Aeolian Major
5 6 7 8 9 10 11 12
B Aeolian Major
5 6 7 8 9 10 11 12
G Aeolian Major
5 6 7 8 9 10 11 12
E Aeolian Major Vamp b
E 7 13
& 44 .. Ó T A B
w 0
˙ # ˙˙˙ 5 5 6 5
j œœ œœ .. Œ ‰ # œ œ . Œ .. w #
E7 9
8 7 6
( 8) ( 7) ( 6)
0
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196
Ake Bono (1 2 3 5 6 8)
Ake Bono is a traditional five-note Japanese scale. In a Western context, it can be thought of as a pentatonic version of the Aeolian mode (page 193, the 6th mode of the major scale, page 272). This scale works particularly well with a minor triad or a min7 13 chord. The vamp at the bottom right corner of the page is the same as the one for Aeolian. Emphasize the scale’s lowered 6th degree over the Fmin7 13 chord in the first measure.
Open Position
Single-String Fingering
C Ake Bono
C Ake Bono
Ake Bono
& T A B
œ 1
b3
2
0
3
b6
5 0
1
œ
bœ
œ
bœ
œ
8 1
1
1 2 3 4
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
5
Ake Bono
6
Position Fingerings Through the Circle of 4ths F Ake Bono
C Ake Bono
5 6 7 8 9 10 11 12
Ab Ake Bono
5 6 7 8 9 10 11 12
Db Ake Bono
5 6 7 8 9 10 11 12
E Ake Bono
5 6 7 8 9 10 11 12
Bb Ake Bono
5 6 7 8 9 10 11 12
Gb Ake Bono
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
A Ake Bono
D Ake Bono
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Eb Ake Bono
5 6 7 8 9 10 11 12
B Ake Bono
5 6 7 8 9 10 11 12
G Ake Bono
5 6 7 8 9 10 11 12
F Ake Bono Vamp Two-Note-per-String Fingering
E Ake Bono
5
6
7
8
40140 Ultimate Chord Scale Bible.indb 196
9 10 11 12 13 14 15 16 17 18 19
b
j b œ œ œ 4 & 4 .. Œ b b œœ ‰ œœ œœ ˙ ˙ F min7 13
T A B
2 1 1 1
2 1 1 1
(2) (1) (1)
Fmin
Œ b ˙˙˙ ... œ. œ ˙ J
..
1 1 3
1
1
1
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197
Altered Dominant (1 2 3 4 5 6 7 8)
The altered dominant scale is the 7th mode of the jazz minor scale Altered Dominant (page 247). It is also known as the Super Locrian mode, Locrian 4 and the diminished whole tone scale (scale degrees 1-5 form a symmetrical diminished scale (page 309) and scale degrees 4-1 form a whole b6 b7 b2 b3 b4 b5 1 8 tone scale (page 318). In a dominant 7 context, this scale contains T 1 the root, 3rd and 7 of the dominant chord and includes all of the 1 3 A 1 2 4 available altered tensions: 9, 9, 11 and 13. The altered dominant 3 4 B scale is commonly used in functional harmony to give tension to the V7 chord. The vamp at the bottom right corner of the page uses a variety of altered dominant sounds to illustrate the effectiveness of this scale. This scale is a very important part of the jazz vocabulary. Keep in mind that you don’t have to emphasize all of the altered tensions in this scale when soloing.
Open Position
Single-String Fingering
C Altered Dominant
C Altered Dominant
œ
bœ bœ bœ b œ b œ b œ œ
&
Altered Dominant
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths F Altered Dominant
C Altered Dominant
5
6
7
8
9 10 11 12
5
Ab Altered Dominant
5
6
7
8
6
7
9 10 11 12
8
7
8
9 10 11 12
Db Altered Dominant
5
E Altered Dominant
5
6
6
7
8
9 10 11 12
A Altered Dominant
9 10 11 12
5
6
7
8
9 10 11 12
Two-Note-per-String Fingering
E Altered Dominant
1
2
3
4
40140 Ultimate Chord Scale Bible.indb 197
5
6
7
8
9 10 11 12 13 14 15
Bb Altered Dominant
5
6
7
8
9 10 11 12
Gb Altered Dominant
5
6
7
8
9 10 11 12
D Altered Dominant
5
6
7
8
9 10 11 12
Eb Altered Dominant
5
6
7
8
9 10 11 12
B Altered Dominant
5
6
7
8
9 10 11 12
G Altered Dominant
5
6
7
8
9 10 11 12
D Altered Dominant Vamp #
b
D ˚j D7 9 ˚j œ œ œ œ b œ œ & 68 .. œ≈ . #œœ œœ œ œœ. ‰œ . œœ œœ œ≈ . # b œœ D7 9
T A B
5
6 (6) 6 5 (5) 5 4 (4) 4 5
5
b
+
4 5 4
4 5 4
5
3 3 4
D7 9
œœ œœ ‰ b œœ œœ .. œ œ œ. œ . œ œ ( 3) ( 3) ( 4)
5
3 3 4
5
4 5 4
4 5 4
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198
Altered Dominant 7 (1 2 3 4 5 6 7 8)
The altered dominant 7 scale (or Locrian 4 7) is the 7th mode of the harmonic minor scale (page 239). This scale sounds dominant because it is an extension of the 5th mode of the harmonic minor (Phrygian major, page 299). It contains the major 3rd and all the altered tensions ( 9, 9, 11 and 13). Since the scale contains a diminished 7 chord, it makes an interesting substitute for the symmetrical diminished scale (page 309). The chords of the vamp at the bottom right corner of the page are built on 2 (B min, ii) and the root (A 7, I) of the scale. Altered dominant 7 can also be used over an altered dominant sound, even though the 7 is absent (the altered tensions make up for the 7’s absence).
Altered Dominant 7
& T A B
o
Open Position
Altered Dominant 7
C Altered Dominant bb7
œ
bœ bœ ∫œ œ bbœ b bœ bbœ b b bb 1
2
3
4
3
4
5
1
2
4
6
7
1
2
8 1
Single-String Fingering
C Altered Dominant bb7
1 2 3 4
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths C Altered Dominant bb7
5 6 7 8 9 10 11 12
F Altered Dominant bb7 Bb Altered Dominant bb7 Eb Altered Dominant bb7
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Ab Altered Dominant bb7 Db Altered Dominant bb7 Gb Altered Dominant bb7 B Altered Dominant bb7
5 6 7 8 9 10 11 12
E Altered Dominant bb7
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
A Altered Dominant bb7 D Altered Dominant bb7 G Altered Dominant bb7
5 6 7 8 9 10 11 12
Two-Note-per-String Fingering
E Altered Dominant bb7
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
A Altered Dominant 7 Vamp b B min/A A o7
j j j œ œ b œ & 44 .. ‰ b b œœ ‰ œœ Œ ‰ b œœ œ. œ œœ J T A B
0
6 6 8
6 6 8 0
0
0
4 5 4
ww .. w œ œ œ œ (4) (5) (4)
0
0
0
0
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
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199
Augmented (1 2 3 5 5 7 8)
The augmented scale is a symmetrical scale (it is built from a repeating set of intervals) constructed by alternating augmented 2nds and half steps. It can be viewed as two augmented triads an augmented 2nd apart from each other. Normally, this scale is used over augmented chords. It can, however, be used with a major 7 5 chord. In the vamp at the bottom right corner of the page, the Maj7 5 sound is explored. The 2nd and 4th scale degrees tend to act like non-chord tones (approach or leading tones) that lead us to the 3 and the 5 of the Maj7 5 chord.
Open Position
Single-String Fingering
C Augmented
C Augmented
Augmented
& T A B
œ
#œ
œ
#2
1
3
1
3
œ 5
0
2
#œ #5
œ
œ
7
8
0
1
1
1 2 3 4
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
5
Augmented
6
Position Fingerings Through the Circle of 4ths C Augmented
5 6 7 8 9 10 11 12
Ab Augmented
5 6 7 8 9 10 11 12
E Augmented
5 6 7 8 9 10 11 12
F Augmented
5 6 7 8 9 10 11 12
Db Augmented
Bb Augmented
5 6 7 8 9 10 11 12
Gb Augmented
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
A Augmented
D Augmented
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Eb Augmented
5 6 7 8 9 10 11 12
B Augmented
5 6 7 8 9 10 11 12
G Augmented
5 6 7 8 9 10 11 12
B Augmented Vamp Two-Note-per-String Fingering
E Augmented
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 199
b
#
B Maj7 5
& 34 .. Œ . b˙ .
T A B
# œœ .. œ.
Œ b˙.
7 7 7 6
# œœ œ
œœ œ
7 7 7
7 7 7
..
6
6/19/12 12:46 PM
200
Augmented 9 (1 2 3 3 4 5 6 6 7 8)
The augmented 9 scale is a nine-note hybrid scale that produces augmented triads built on every scale degree. It contains nine augmented triads. Augmented 9 also resembles the altered dominant scale (page 197, the 7th mode of the jazz minor scale, page 247) in that it contains all the altered tensions except the 5 and does not include the 7. This scale is called augmented 9 to differentiate it from the augmented 9 scale, page 201). Obviously, the augmented 9 can be applied to an augmented harmony, but it also works effectively in a min/Maj7 harmonic context. The vamp utilizes a V-I progression in melodic or harmonic minor (G7alt. to Cmin/Maj7). The augmented 9 scale contains pitches that work specifically for both chords.
Augmented 9
& T A B
bœ nœ œ œ œ œ b œ n œ œ bbœ b b 1
3
2
3
1
4
3
4
2
5
6
0
3
1
6 2
7
8
0
1
Single-String Fingering
Open Position
C Augmented b9
C Augmented b9
1 2
Augmented 9
3 4
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths C Augmented b9
5 6 7 8 9 10 11 12
Ab Augmented b9
F Augmented b9
5 6 7 8 9 10 11 12
Db Augmented b9
5 6 7 8 9 10 11 12
E Augmented b9
b B Augmented b9
5 6 7 8 9 10 11 12
Gb Augmented b9
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
A Augmented b9
D Augmented b9
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Eb Augmented b9
5 6 7 8 9 10 11 12
B Augmented b9
5 6 7 8 9 10 11 12
G Augmented b9
5 6 7 8 9 10 11 12
C Augmented 9 Vamp b
j b œ œ 3 & 4 .. ‰ œœ Œ œœ œ. œ. G 7 13
Two-Note-per-String Fingering
E Augmented b9
T A B
4 4 3 3
4 4 3 3
C min/Maj7
Œ b œœœ œœœ œ. œ. 3
4 4 5
3
..
4 4 5
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 200
6/19/12 12:46 PM
201
Augmented 9 (1 2 3 3 4 5 6 7 7 8)
The augmented 9 scale is a nine-note hybrid scale. An augmented triad can be constructed on every scale degree. It contains nine augmented triads. The scale also resembles the altered dominant scale (page 197) in that it contains all of the altered tensions except the 9. Obviously, this scale can be applied to an augmented harmony, but it also works effectively in an altered dominant context. To emphasize the unaltered 9th and the altered possibilities of this scale, the vamp at the bottom right corner of the page utilizes a dom9 5 without the 3rd.
Open position
Single-String fingering
C Augmented 9
C Augmented 9
Augmented 9
& T A B
bœ bœ nœ œ œ # œ b œ n œ œ œ b b b # 1
2 0
3
3
1
3
4
2
4
5
6
0
7
1
3
7
8
0
1
1 2 3 4
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
Augmented 9
5 6
Position Fingerings Through the Circle of 4ths C Augmented 9
5 6 7 8 9 10 11 12
Ab Augmented 9
5 6 7 8 9 10 11 12
E Augmented 9
5 6 7 8 9 10 11 12
F Augmented 9
5 6 7 8 9 10 11 12
Db Augmented 9
b B Augmented 9
5 6 7 8 9 10 11 12
Gb Augmented 9
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
A Augmented 9
D Augmented 9
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Eb Augmented 9
5 6 7 8 9 10 11 12
B Augmented 9
5 6 7 8 9 10 11 12
G Augmented 9
5 6 7 8 9 10 11 12
C Augmented 9 Vamp Two Note-per-String Fingering
E Augmented 9
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 201
b
j œ # 3 œœ Œ œœœ . ‰ b . &4 . œ œ. C 9 5(no3)
T A B
7 7 8 8
j œ # œœ ‰ b œ Œ œœ œ. œ.
7 7 8 8
7 7 8 8
..
7 7 8 8
6/19/12 12:46 PM
202
Augmented Dominant (1 2 3 4 5 6 7 8)
The augmented dominant scale is a seven-note hybrid scale that resembles the Mixolydian mode (page 293, the 5th mode of the major scale, page 272) with an augmented 5th scale degree. The scale yields a dominant 7 chord with the 5 altered tension and can be applied to any altered dominant context. The vamp at the bottom right corner of the page shows how the augmented dominant scale, as specific as it may be, can be used successfully with a variety of altered dominant chord-types.
Open Position
Single-String Fingering
C Aug.Dom.
C Aug.Dom.
Augmented Dominant
&
œ 1
T A B
œ 2
œ
œ #œ
0
2
3
3
3
#5
4
œ
œ bœ
1
6
b7
2
3
8 1
Augmented Dominant
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths F Aug.Dom.
C Aug.Dom.
5
6
7
8
9 10 11 12
5
Ab Aug.Dom.
5
6
7
8
6
7
9 10 11 12
8
7
8
9 10 11 12
Db Aug.Dom.
5
E Aug.Dom.
5
6
6
7
8
9 10 11 12
A Aug.Dom.
9 10 11 12
5
6
7
8
9 10 11 12
Bb Aug.Dom.
5
6
7
8
9 10 11 12
Gb Aug.Dom.
5
6
7
8
9 10 11 12
D Aug.Dom.
5
6
7
8
9 10 11 12
Eb Aug.Dom.
5
6
7
8
9 10 11 12
B Aug.Dom.
5
6
7
8
9 10 11 12
G Aug.Dom.
5
6
7
8
9 10 11 12
D Augmented Dominant Vamp Two-Note-per-String Fingering
E Aug.Dom.
1
2
3
4
5
40140 Ultimate Chord Scale Bible.indb 202
6
7
8
9 10 11 12 13 14 15
#
b
D7 9 D ˚j ˚j œ œ œ œ b œ œ & 68 .. œ≈ . #œœ œœ œ œœ. ‰œ . œœ œœ œ≈ . # b œœ D7 9
T A B
5
6 ( 6) 6 5 (5) 5 4 (4 ) 4 5
5
4 5 4
b
+
4 5 4
5
3 3 4
D7 9
œœ œœ ‰ b œœ œœ .. œ œ œ. œ . œ œ (3 ) (3 ) (4 )
5
3 3 4
5
4 5 4
4 5 4
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203
Augmented Dominant 9 (1 2 3 4 5 6 7 8)
The augmented dominant 9 scale is a seven-note hybrid scale that contains an augmented dominant 7 chord with the 9 altered tension. It works specifically with the 7 9 chord. Like the other hybrid altered dominant scales, it can be substituted for any altered dominant scale. The vamp at the bottom right corner of the page uses an augmented 7 9 chord that reflects both of the alterations found in the scale ( 5 and 9).
& T A B
œ bbœ 1
2
3
4
œ
œ #œ
2
3
3
4
œ
œ bœ
#5 1
6
b7
2
3
8 1
Single-String Fingering Single-String Fingering b
Open Position Open Position
C Aug.Dom.bb9 C Aug.Dom. 9
C Aug.Dom.b9 C Aug.Dom. 9
54
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
Augmented Dominant 9
1 21 3 2 4 3
Augmented Dominant 9
65 6
Position Fingerings Through the Circle of 4ths Position Fingerings Through the Circle of 4ths F Aug.Dom.b9 F Aug.Dom.b9
C Aug.Dom.b9 C Aug.Dom.b9
Bb Aug.Dom.b9 Bb Aug.Dom.b9
Eb Aug.Dom.b9 Eb Aug.Dom.b9
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
Ab Aug.Dom.b9 Ab Aug.Dom.b9
Db Aug.Dom.b9 Db Aug.Dom.b9
E Aug.Dom.b9 E Aug.Dom.b9
A Aug.Dom.b9 A Aug.Dom.b9
Two-Note-per-String Fingering Two-Note-per-String Fingering
E Aug.Dom.b9 E Aug.Dom.b9
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 203
Gb Aug.Dom.b9 Gb Aug.Dom.b9
D Aug.Dom.b9 D Aug.Dom.b9
B Aug.Dom.b9 B Aug.Dom.b9
G Aug.Dom.b9 G Aug.Dom.b9
E Augmented Dominant 9 Vamp b
E7 9
& 34 .. Π. T A B
˙. 0
# œœ .. œœ .. 4 3 4 3
Œ. ˙.
b
E +7 9
œ .. œœ . #œ .
..
8 6 7 6
0
6/19/12 12:46 PM
204
Augmented Dominant 9 (1 2 3 4 5 6 7 8)
The augmented dominant 9 scale is a seven-note hybrid scale that contains an augmented dominant 7 chord with the 9 altered tension. It works specifically with this chord. Like the other hybrid altered dominant scales, it can be substituted for any altered dominant situation. The vamp at the lower right corner of the page uses an augmented dom7 9 chord that reflects both of the alterations found in the scale ( 5 and 9).
Augmented Dominant 9
&
œ ##œ 2
œ
œ #œ
1
2
3
1
T A B
3
3
4
œ
œ bœ
#5 1
6
b7
2
3
8 1
Single-String Fingering
Open Position
1 2 31 2 4
Augmented Dominant 9
# C Aug.Dom. Open Position 9 C Aug.Dom.#9
#9 Single-String Fingering C Aug.Dom. C Aug.Dom.#9
3 5 4 6 5
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
6
Position Fingerings Through the Circle of 4ths Position Fingerings Through the Circle of 4ths F Aug.Dom.#9
C Aug.Dom.#9
F Aug.Dom.#9
C Aug.Dom.#9 5
6
7
8
9 10 11 12
5 6 7 8 9 10 Ab Aug.Dom.#9
5
6
7
8
7
8
5
6
7
8
9 10 11 12 11 12
E Aug.Dom.#9
5
6
7
8
Eb Aug.Dom.#9
9 10 11 12
5 6 7 8 9 10 Gb Aug.Dom.#9
11 12
Gb Aug.Dom.#9
9 10 11 12
5 6 7 8 9 10 A Aug.Dom.#9
11 12
Eb Aug.Dom.#9
Bb Aug.Dom.#9
Db Aug.Dom.#9
9 10 11 12
5 6 7 8 9 10 E Aug.Dom.#9
6
5 6 7 8 9 10 Db Aug.Dom.#9
11 12
Ab Aug.Dom.#9 5
Bb Aug.Dom.#9
11 12
A Aug.Dom.#9
5
6
7
8
6
7
8
9 10 11 12
5 6 7 8 9 10 B Aug.Dom.#9
11 12
B Aug.Dom.#9
9 10 11 12
5 6 7 8 9 10 D Aug.Dom.#9
5
11 12
D Aug.Dom.#9
5
6
7
8
9 10 11 12
5 6 7 8 9 10 G Aug.Dom.#9
11 12
G Aug.Dom.#9
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
Two-Note-per-String Fingering Two-Note-per-String E Aug.Dom.#9 Fingering
E Aug.Dom.#9
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 204
E Augmented Dominant 9 Vamp #
E7 9
& 34 .. Π. T A B
˙. 0
# œœ .. n œœ .. 4 3 4 5
Œ. ˙.
#
E +7 9
. n œœœ .. #œ .
..
8 6 7 6
0
6/19/12 12:46 PM
205
Augmented Minor/Major 7 (1 2 3 4 5 6 7 8)
The augmented minor/major scale is a seven-note hybrid scale that resembles the jazz minor (page 247) scale with a 5. It can also be thought as a variation of the bebop melodic minor (page 211) which has a chromatic passing tone between the 5th and 6th degrees. The 5 in this scale acts as a chromatic approach tone to the 6th scale degree. Augmented minor/major can be used within any minor/major 7 chord application. The harmony outlined in this vamp is the minor/major 9 chord (it is the same vamp as for melodic minor). The 5 of the scale should be used as a quick chromatic approach to the 6. Hanging on that pitch for too long results in a great deal of dissonance. Try substituting thisPosition scale for any minor/major 7 application. Single-String Fingering Open
Single-String Fingering C AugMin/Maj7
C AugMin/Maj7
C AugMin/Maj7
3 5 4 6 5
& T A B
œ 1
3
œ #œ
œ bœ b3
2 0
#5
4
1
1
3
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
œ 6 2
œ
œ
7
8
0
1
Augmented Minor/Major 7
1 2 31 24
C AugMin/Maj7 Open Position
Augmented Minor/Major
6
Position Fingerings Through the Circle of 4ths Position Fingerings Through the Circle of 4ths C AugMin/Maj7
F AugMin/Maj7
C AugMin/Maj7
F AugMin/Maj7
5 6 7 8 9 10 11 12
Ab AugMin/Maj7
5 6 7 8 9 10 11 12
Ab AugMin/Maj7 5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Db AugMin/Maj7
5 6 7 8 9 10 11 12
Db AugMin/Maj7 5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
Bb AugMin/Maj7 Bb AugMin/Maj7 5 6 7 8 9 10 11 12
Gb AugMin/Maj7
5 6 7 8 9 10 11 12
Gb AugMin/Maj7 5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
Eb AugMin/Maj7 Eb AugMin/Maj7 5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
B AugMin/Maj7 B AugMin/Maj7
5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
E AugMin/Maj7
A AugMin/Maj7
D AugMin/Maj7
G AugMin/Maj7
E AugMin/Maj7
A AugMin/Maj7
D AugMin/Maj7
G AugMin/Maj7
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Two-Note-per-String Fingering Two-Note-per-String Fingering
E AugMin/Maj7 E AugMin/Maj7
5 6 7 8 9 10 11 12
D Augmented Minor/Major 5 6 7 8 9 10 11 12
Dmin/Maj9
œ œ & 44 .. # œœœ œœœ T A B
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
5 6 3 5
5 6 3 5
œœ œœ
œœ œœ
œœ œœ
œœ œœ
˙˙ ˙˙
(5 ) (6 ) (3 ) (5 )
5 6 3 5
( 5) ( 6) ( 3) ( 5)
5 6 3 5
(5) (6) (3) (5)
˙
..
5
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 205
6/19/12 12:46 PM
206
Auxiliary Diminished, Whole/Half (1 2 3 4 5 6 6 7 8)
Auxiliary Diminished, Whole/Half
The auxiliary diminished scale alternates between whole and half step intervals and contains eight tones. Each degree of the scale produces a diminished 7 chord which, because of the scale’s symmetry, can substitute for each other. This whole-step/halfstep scale is a perfect choice for playing over a diminished 7 chord. The half-step/whole-step version of this scale is known as the symmetrical diminished scale (page 309) and is usually used over an altered dominant 7 chord. The vamp at the bottom right corner of the page uses the diminished 7 chord to illustrate the auxiliary diminished sound. Single-String Fingering Open Position
1 2 31 2 4
C Dim. Whole/Half Open Position
C Dim. Whole/Half Single-String Fingering
C Dim. Whole/Half
C Dim. Whole/Half
53 64
Auxiliary Diminished, Whole/Half
&
œ 1
T A B
œ bœ bœ nœ
œ bœ
b3
2 0
3
4
1
3
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
b5
b6
6
1
4
2
œ
œ 7
8
0
1
5 6
Position Fingerings Through the Circle of 4ths Position Fingerings Through the Circle of 4ths
C Dim. Whole/Half
F Dim. Whole/Half
Bb Dim. Whole/Half
Eb Dim. Whole/Half
C Dim. Whole/Half
F Dim. Whole/Half
Bb Dim. Whole/Half
Eb Dim. Whole/Half
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5 6 7 8 9 10 11 12 Ab Dim. Whole/Half
Db Dim. Whole/Half
9 10 11 12
Gb Dim. Whole/Half
B Dim. Whole/Half
Ab Dim. Whole/Half
Db Dim. Whole/Half
Gb Dim. Whole/Half
B Dim. Whole/Half
5
6
7
8
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
E Dim. Whole/Half
5
6
7
8
9 10 11 12
A Dim. Whole/Half
5
6
7
8
9 10 11 12
D Dim. Whole/Half
5
6
7
8
9 10 11 12
G Dim. Whole/Half
5
6
7
8
9 10 11 12
E Dim. Whole/Half
A Dim. Whole/Half
D Dim. Whole/Half
G Dim. Whole/Half
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
Two-Note-per-String Fingering Two-Note-per-String Fingering
E Dim. Whole/Half E Dim. Whole/Half
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 206
A Auxiliary Diminished, Whole/Half Vamp A o7
j ‰ œ œ bœ œ œ. œ œ. œ J J
4 & 4 .. Œ b œœ T A B
0
5 4
0
0
2 1
( 2) ( 1)
0
ww œ.
(2 ) (1 )
0
œ œ œ J 0
0
..
0
6/19/12 12:46 PM
207
Banshiki Cho (1 3 4 5 7 8)
Banshiki-Cho is a traditional, five-note Japanese scale. In a Western context, it can be thought of as a pentatonic version of the Dorian mode (page 231, the 2nd mode of the major scale, page 272) with an added 5. This scale can be applied used over minor 7 5 chord or in a natural minor harmonic context. The vamp at the bottom right corner of the page is the same as for the Minor 6/11 Pentatonic scale (page 284). Banshiki-Cho, however, emphasizes the 7, making it a perfect choice for this progression.
Open Position
Single-String Fingering
C Banshiki-Cho
C Banshiki-Cho
Banshiki-Cho
& T A B
œ
bœ
œ
1
3
b3
1
3
#5
4
œ
bœ
#œ
b7
1
8 1
3
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
Banshiki-Cho
5 6
Position Fingerings Through the Circle of 4ths C Banshiki-Cho
5
6
7
8
9 10 11 12
Ab Banshiki-Cho
5
6
7
8
9 10 11 12
E Banshiki-Cho
5
6
7
8
9 10 11 12
F Banshiki-Cho
5
6
7
8
9 10 11 12
Db Banshiki-Cho
5
6
7
8
9 10 11 12
A Banshiki-Cho
5
6
7
8
9 10 11 12
Bb Banshiki-Cho
5
6
7
8
9 10 11 12
Gb Banshiki-Cho
5
6
7
8
9 10 11 12
D Banshiki-Cho
5
6
7
8
9 10 11 12
Eb Banshiki-Cho
5
6
7
8
9 10 11 12
B Banshiki-Cho
5
6
7
8
9 10 11 12
G Banshiki-Cho
5
6
7
8
9 10 11 12
C Banshiki-Cho Vamp Two-Note-per-String Fingering
E Banshiki-Cho
5
6
7
8
40140 Ultimate Chord Scale Bible.indb 207
9 10 11 12 13 14 15 16 17 18 19
#
j b œ œœ b b œœ Œ 3 . œ ‰ &4 . . . œ œ C min7 5
T A B
9 8 8 8
C min11
˙ Œ b b ˙˙ ˙.
9 8 8 8
..
6 8 8 8
6/19/12 12:46 PM
208
Bebop Dominant (1 2 3 4 5 6 7 7 8)
The bebop scales are the traditional Ionian (major, page 272) Dorian (page 231) and Mixolydian (page 293) modes of the major and jazz minor (page 247) scales with an added chromatic passing tone. The bebop dominant scale is the Mixolydian mode (the 5th mode of the major scale) with a chromatic passing tone between the 7 and the root. This scale works well over dominant 7 chords and over I7 - IV7 progressions. In the vamp at the bottom right corner of the page, the I7 - IV7 progression provides a background for improvising with this scale. Also try using it over an unaltered, stationary dominant chord.
Open Position
Single-String Fingering
C Bebop Dominant
C Bebop Dominant
Bebop Dominant
&
œ 1
T A B
3
œ 2
3
0
œ
œ
œ
4
2
5
0
3
œ bœ nœ
œ
7
8
0
1
b7
6 2
3
1 2
Bebop Dominant
3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths F Bebop Dominant
C Bebop Dominant
5
6
7
8
9 10 11 12
5
Ab Bebop Dominant
5
6
7
8
6
7
9 10 11 12
8
7
8
9 10 11 12
Db Bebop Dominant
5
E Bebop Dominant
5
6
6
7
8
9 10 11 12
A Bebop Dominant
9 10 11 12
5
6
7
8
9 10 11 12
Two-Note-per-String Fingering
E Bebop Dominant
1
2
3
4
5
40140 Ultimate Chord Scale Bible.indb 208
6
7
8
9 10 11 12 13 14 15
Bb Bebop Dominant
5
6
7
8
9 10 11 12
Gb Bebop Dominant
5
6
7
8
9 10 11 12
D Bebop Dominant
5
6
7
8
9 10 11 12
Eb Bebop Dominant
5
6
7
8
9 10 11 12
B Bebop Dominant
5
6
7
8
9 10 11 12
G Bebop Dominant
5
6
7
8
9 10 11 12
B Bebop Dominant Vamp b
j œ 4 & 4 .. ‰ b œ Œ b œÓ n œ œ bœ B7
T A B
7 6 6
3
4
5
b
E7
bœ Œ Ó .. b œœ œ bœ nœ 6 5 6
3
4
5
6/19/12 12:46 PM
209
Bebop Dorian (1 2 3 3 4 5 6 7 8)
The bebop Dorian scale is the Dorian mode (page 231, the 2nd mode of the major scale, page 272) with a chromatic passing tone between the 3rd and the 4th degrees of the scale. This scale works well over stationary minor 7 chords or within a I - IV progression. In the vamp at the bottom right corner of the page, a stationary min7 chord provides the background for improvising with the bebop Dorian scale. Also try using it over a iimin7 - V7 progression.
Open Position
Single-String Fingering
C Bebop Dorian
C Bebop Dorian
Bebop Dorian
&
œ 1
T A B
œ
œ bœ nœ b3
2 0
3
3
1
4
2
3
œ bœ
œ 5
b7
6
0
2
œ 8 1
3
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
Bebop Dorian
5 6
Position Fingerings Through the Circle of 4ths F Bebop Dorian
C Bebop Dorian
5
6
7
8
9 10 11 12
5
Ab Bebop Dorian
5
6
7
8
6
7
8
7
8
9 10 11 12
Db Bebop Dorian
9 10 11 12
5
E Bebop Dorian
5
6
6
7
8
9 10 11 12
A Bebop Dorian
9 10 11 12
5
6
7
8
9 10 11 12
Two-Note-per-String Fingering
E Bebop Dorian
1
2
3
4
5
40140 Ultimate Chord Scale Bible.indb 209
6
7
8
9 10 11 12 13 14 15
Bb Bebop Dorian
5
6
7
8
9 10 11 12
Gb Bebop Dorian
5
6
7
8
9 10 11 12
D Bebop Dorian
5
6
7
8
9 10 11 12
Eb Bebop Dorian
5
6
7
8
9 10 11 12
B Bebop Dorian
5
6
7
8
9 10 11 12
G Bebop Dorian
5
6
7
8
9 10 11 12
E Bebop Dorian Vamp E min7
˙˙ 4 . . &4 ˙ T A B
œ
j œœ œœ ‰ œ œ œ œ œ
8 7 7 0
10 9 9 0
0
j œœ œœ ‰ œ œ .. œ œ œ œ
˙ # # ˙˙
(10 ) (9 ) (9 )
12 11 11
0
0
10 9 9 0
0
(10 ) ( 9) ( 9)
0
6/19/12 12:46 PM
210
Bebop Major (1 2 3 4 4 5 6 7 8)
The bebop major scale is the Ionian mode (page 272, 1st mode of the major scale) with a chromatic passing note between the 4th and the 5th degrees of the scale. Another variation on the bebop major, perhaps a more traditional approach, would be to place the chromatic passing tone between the 5th and 6th degrees. This scale works well over major 7th and major 6th chords or a major triad. Like all the bebop scales, the chromatic passing tone adds a bit of tension to the situation which is quickly resolved. In the vamp at the bottom right corner of the page, a stationary Maj9 chord provides the background for improvising Single-String Fingering Open Position with the bebop major scale.
Bebop Major
1 2 31 241
C Bebop Major Open Position Open Position C Bebop Major C Bebop Major
532 643 54 65
Bebop Major
& T A B
œ 1
3
œ #œ
œ
œ 2
3
0
#4
4
2
3
4
œ
œ
œ 5
6
0
2
œ
7
8
0
1
Single-String Fingering C Bebop Major Single-String Fingering
C Bebop Major C Bebop Major 1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
6
Position Fingerings Through the Circle of 4ths Position Fingerings Through the Circle of b4ths F Bebop Major C Bebop Major Bebop Major Position Fingerings Through the Circle ofB 4ths
Eb Bebop Major
C Bebop Major
F Bebop Major
C Bebop Major
F Bebop Major
b B Bebop Major b B Bebop Major
Db Bebop Major
Gb Bebop Major
B Bebop Major
Db Bebop Major Db Bebop Major
Gb Bebop Major Gb Bebop Major
B Bebop Major
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 Ab Bebop Major
12
5 6 7 8 9 10 11 12
Ab Bebop Major Ab Bebop Major
5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
E Bebop Major
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
A Bebop Major
5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
D Bebop Major
Eb Bebop Major Eb Bebop Major
5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
B Bebop Major 5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
G Bebop Major
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
E Bebop Major
A Bebop Major
D Bebop Major
G Bebop Major
5 6 7 8 9 10 11 12
E Bebop Major
A Bebop Major
D Bebop Major
G Bebop Major
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Two-Note-per-String Fingering Two-Note-per-String E Bebop Major Fingering Two-Note-per-String Fingering
E Bebop Major E Bebop Major
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
E Bebop Major Vamp C Maj9
j
œ 4 & 4 .. ‰ œœ Œ Ó œ T A B
œ œ #œ
3
∑
œ bœ œ œ
3 4 2 0
1
2
3
2
5
..
4
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
UCSB_202-211.indd 210
6/28/12 8:48 AM
211
Bebop Melodic Minor (1 2 3 4 4 5 6 7 8)
The bebop melodic minor scale is the 1st mode of the jazz minor scale (page 247) with a chromatic passing tone between the 4th and the 5th degrees of the scale. This scale works well over a min/ Maj7 (min 7) chord. In the vamp at the bottom right corner of the page, a stationary min/Maj9 chord provides the background for improvising with the bebop major scale.
±
Bebop Melodic Minor
& T A B
Open Position
Single-String Fingering
C Bebop Melodic Minor
C Bebop Melodic Minor
œ 1
3
œ #œ
œ bœ
b3
2 0
#4
4 3
1
4
œ
œ
œ 5
6
0
2
œ
7
8
0
1
1 2 4
1
2
3
4
5
6
7
8
Bebop Melodic Minor
3 9 10 11 12 13 14 15 16 17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths C Bebop Mel. Min.
5 6 7 8 9 10 11 12
Ab Bebop Mel. Min.
5 6 7 8 9 10 11 12
E Bebop Mel. Min.
5 6 7 8 9 10 11 12
F Bebop Mel. Min.
5 6 7 8 9 10 11 12
Db Bebop Mel. Min.
b B Bebop Mel. Min.
5 6 7 8 9 10 11 12
Gb Bebop Mel. Min.
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
A Bebop Mel. Min.
D Bebop Mel. Min.
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Eb Bebop Mel. Min.
5 6 7 8 9 10 11 12
B Bebop Mel. Min.
5 6 7 8 9 10 11 12
G Bebop Mel. Min.
5 6 7 8 9 10 11 12
C Bebop Melodic Minor Vamp Two-Note-per-String Fingering
E Bebop Mel. Min.
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 211
j
Cmin/Maj9
œ 4 & 4 .. ‰œ b œœ œŒ œÓ œ T A B
3
3 4 1
5
6
3
∑
œ œ œ bœ 5
7
5
..
4
6/19/12 12:46 PM
212
Bhairon (1 2 3 4 5 6 7 8)
Bhairon is a seven-note Indian raga (scale) which is also known as the Persian scale. In a Western context, it resembles harmonic major (page 238) with a 2 altered tension. Bhairon can also be applied in a Phyrgian mode (page 297, the 2nd mode of the major scale, page 272) context with the natural 7 scale degree acting as a leading tone. The vamp at the bottom right corner of the page illustrates using Bhairon as a Phrygian substitute. Try using it as an alternative to the various Phrygian-type scales (pages 297-302).
Open Position
Single-String Fingering
C Bhairon
C Bhairon
Bhairon
& T A B
1
2
3
3
4
2
4
œ bœ
œ
œ
œ bbœ
5
0
3
b6 1
œ
œ
7
8
0
1
1 2 3 4
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
5
Bhairon
6
Position Fingerings Through the Circle of 4ths C Bhairon
5 6 7 8 9 10 11 12
Ab Bhairon
5 6 7 8 9 10 11 12
E Bhairon
5 6 7 8 9 10 11 12
F Bhairon
5 6 7 8 9 10 11 12
Db Bhairon
Bb Bhairon
5 6 7 8 9 10 11 12
Gb Bhairon
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
A Bhairon
D Bhairon
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Eb Bhairon
5 6 7 8 9 10 11 12
B Bhairon
5 6 7 8 9 10 11 12
G Bhairon
5 6 7 8 9 10 11 12
A Bhairon Vamp Two-Note-per-String Fingering
E Bhairon
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 212
j 3 & 4 .. ‰ # œœœ œœœ œœœ œ. œ. A
T A B
0
2 2 2
( 2) ( 2) ( 2)
0
2 2 2
b
B /A
œœ b œœ œœ œœ .. œ . œ œ .œ œ œ ( 2) ( 2) ( 2)
0
3 3 3
(3) (3) (3)
0
3 3 3
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213
Buzurg (1 2 3 4 4 5 6 7 8) Buzurg
Buzurg is an eight-note Arabian scale. It can substituted for an altered dominant scale (page 197, the 7th mode of the jazz minor scale, page 247) or in a minor pentatonic blues context (see page 291). If the 5th scale degree is emphasized, Buzurg takes on an altered dominant sound (see page 197). With the focus on the 5th degree as the root, this scale could be interpreted as: 1-9-3-11- 5-13- 7-7-8. The natural 7th scale degree acts as a chromatic passing tone (as in the bebop scales, pages 208-211). The vamp at the bottom right corner of the page explores the altered dominant application of this scale.
Open Position
Single-String Fingering
C Buzurg
C Buzurg
& T A B
œ bb œ 1
2
3
4
œ #œ
œ 3
4
2
3
#4
4
œ 5
0
œ
œ
œ
7
8
0
1
6 2
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5 6
Buzurg
Position Fingerings Through the Circle of 4ths
5
6
7
8
9 10 11 12
5
Ab Buzurg
5
6
7
8
6
7
6
7
8
9 10 11 12
Db Buzurg
9 10 11 12
5
E Buzurg
5
Bb Buzurg
F Buzurg
C Buzurg
6
7
8
9 10 11 12
5
6
7
8
6
7
8
9 10 11 12
Gb Buzurg
9 10 11 12
A Buzurg
8
5
Eb Buzurg
5
6
7
8
5
6
7
8
6
7
8
9 10 11 12
B Buzurg
9 10 11 12
D Buzurg
9 10 11 12
5
5
6
7
8
9 10 11 12
G Buzurg
9 10 11 12
5
6
7
8
9 10 11 12
C Buzurg Vamp Two-Note-per-String Fingering
E Buzurg
1
2
3
4
5
40140 Ultimate Chord Scale Bible.indb 213
b
G7 5
& 34 .. Œ . ˙.
6
7
8
9 10 11 12 13 14 15
T A B
b œœ .. œ.
Œ. ˙.
2 4 3 3
b œœ .. œ.
..
2 4 3 3
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214
Chromatic (1 2 2 3 3 4 4 5 6 6 7 7 8)
The chromatic scale contains all twelve pitches of an octave arranged in consecutive half steps. Music that is said to contain chromaticism makes extensive use of the chromatic scale. The chromatic scale (or portions of it) can be applied in any circumstance. It is simply a matter of resolving the chromatic motion or activity to a stable, diatonic tonality. To play chromatically means to emphasize halfstep activity. In the vamp at the bottom right corner of the page, the chord progression encourages chromaticism because of its half step motion. Try playing small portions of the scale over this vamp and learn to resolve to chord tones.
C Chromatic
Chromatic
& bœ n œ bœ n œ œ #œ œ bœ n œ bœ nœ œ œ T A B
1
3
b2
2
b3
3
1
2
0
4
4 3
#4
4
5 0
b6
6
1
2
b7 3
7
8
0
1
C Chromatic
1 2 3 4
1
Chromatic
5
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
6
C Chromatic
5 6 7 8 9 10 11 12
Ab Chromatic
5 6 7 8 9 10 11 12
E Chromatic
5 6 7 8 9 10 11 12
F Chromatic
5 6 7 8 9 10 11 12
Db Chromatic
b B Chromatic
5 6 7 8 9 10 11 12
Gb Chromatic
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
A Chromatic
D Chromatic
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Eb Chromatic
5 6 7 8 9 10 11 12
B Chromatic
5 6 7 8 9 10 11 12
G Chromatic
5 6 7 8 9 10 11 12
E Chromatic Vamp
#
4 .. Œ b œ ‰ œj ‰ œj ‰ n œj‰ œj‰ œj ‰ œj .. &4 ˙ œ œ œ #˙ # œ œ œ œ C7
E Chromatic
˙
T A B 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 214
C7
3
3 2
#˙
3 2 3
3 2
4
4 3
4 3
4 3
4 3
4
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215
Chromatic Augmented (1 2 2 3 4 4 5 6 7 8)
The chromatic augmented scale is a nine-note scale that alternates between two half steps and one whole step (H-H-W-H-H-W and so on). You can create an augmented triad and a Maj7 5 11) chord from the root of this scale. As with the semitone tritone scales (pages 236, 311 and 317), the half steps in the chromatic augmented scale can be viewed as passing or leading tones to certain chord tones. The vamp at the bottom right corner of the page outlines some of the particular harmonies found in this scale.
Chromatic Augmented
& T A B
œ bœ œ # œ œ # œ œ œ bbœ n œ # # b 1
3
2
2 0
4
3
2
4
3
4
5
6
1
4
2
7
8
3
1
Single-String Fingering Single-String Fingering
Open Position Open Position
C Chromatic Augmented C Chromatic Augmented C Chromatic Augmented C Chromatic Augmented
34 54
1 1
2 2
3 3
4 4
5 5
6 6
7 7
8 8
Chromatic Augmented
1 21 23 9 10 11 12 13 14 15 16 17 18 19 20 21 9 10 11 12 13 14 15 16 17 18 19 20 21
65 6
Position Fingerings Through the Circle of 4ths Position Fingerings Through the Circle of 4ths C Chromatic Aug. C Chromatic Aug.
5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
Ab Chromatic Aug. Ab Chromatic Aug.
5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
E Chromatic Aug. E Chromatic Aug.
5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
F Chromatic Aug. F Chromatic Aug.
5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
Db Chromatic Aug. Db Chromatic Aug.
5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
A Chromatic Aug. A Chromatic Aug.
5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
Two-Note-per-String Fingering Two-Note-per-String Fingering
E Chromatic Augmented E Chromatic Augmented
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 215
b Bb Chromatic Aug. B Chromatic Aug.
5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
Gb Chromatic Aug. Gb Chromatic Aug.
5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
D Chromatic Aug. D Chromatic Aug.
5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
Eb Chromatic Aug. Eb Chromatic Aug.
5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
B Chromatic Aug. B Chromatic Aug.
5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
G Chromatic Aug. G Chromatic Aug.
5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
A Chromatic Augmented
& 34 .. Π.
#
A Maj7 5
˙.
T A B
0
# # # œœœ ... 6 6 6
#
Œ . # # # œœœ.. . ˙.
A Maj7 11
0
..
4 6 6
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216
Darbari (1 2 3 4 5 6 7 7 8)
Darbari is as eight-note Indian raga (scale). In a Western context, it could be considered a bebop version of the Aeolian mode (page 193, the 6th mode of the major scale, page 272) because of the passing tone between 7 and 8. Darbari makes an interesting substitution for the Aeolian mode. The harmony outlined in the vamp at the bottom right corner of the page supports the Aeolian nature of this scale. The passing tone between 7 and 8 gives Darbari a jazz sound.
Open Position
Single-String Fingering
C Darbari
C Darbari
Darbari
&
œ bœ
œ 1
T A B
b3
2 0
3
1
œ
4 3
œ bœ bœ nœ
œ
7
8
0
1
5
0
b6
b7
1
3
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5
Darbari
6
Position Fingerings Through the Circle of 4ths
5
6
7
8
9 10 11 12
5
Ab Darbari
5
6
7
8
6
7
6
7
8
9 10 11 12
Db Darbari
9 10 11 12
5
E Darbari
5
Bb Darbari
F Darbari
C Darbari
6
7
8
9 10 11 12
5
6
7
8
6
7
8
9 10 11 12
Gb Darbari
9 10 11 12
A Darbari
8
5
Eb Darbari
5
6
7
8
5
6
7
8
6
7
8
9 10 11 12
B Darbari
9 10 11 12
D Darbari
9 10 11 12
5
5
6
7
8
9 10 11 12
G Darbari
9 10 11 12
5
6
7
8
9 10 11 12
C Darbari Vamp Two-Note-per-String Fingering
E Darbari
1
2
3
4
40140 Ultimate Chord Scale Bible.indb 216
5
6
7
8
9 10 11 12 13 14 15
b
j b œ œœ b œ 3 . & 4 . ‰ . bœ Œ . œ œ œ C min7 13
T A B
8
9 8 8
8
9 8 8
C min11
˙ Œ b b ˙˙ ˙. 8
..
6 8 8
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217
Diminished Blues (1 2 3 3 5 6 7 8)
The diminished blues scale is a symmetrical scale that resembles the symmetrical diminished scale (page 309) except that it is divided by the interval of a major 3rd (H-W-H-major 3rd-H-H-W). It contains the dominant 7th chord accompanied by “blues-oriented” tensions, the 9 and 9. The vamp at the bottom right corner of the page is the same as the Phrygian 6 scale vamp (page 300)—an altered dominant-type situation. Try altering between the two scale choices.
Open Position
Single-String Fingering
C Dim. Blues
C Dim. Blues
Diminished Blues
& T A B
#œ œ bbœ bbœ n œ # 1
2
3
4
3
3
1
2
5 1
œ
œ bœ 6
b7
2
3
8 1
1 2 3 1
2
3
4
5
6
7
8
Diminished Blues
4
9 10 11 12 13 14 15 16 17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths C Dim. Blues
5 6 7 8 9 10 11 12
Ab Blues
5 6 7 8 9 10 11 12
E Dim. Blues
5 6 7 8 9 10 11 12
F Dim. Blues
5 6 7 8 9 10 11 12
Db Dim. Blues
Bb Dim. Blues
Eb Dim. Blues
5 6 7 8 9 10 11 12
Gb Dim. Blues
B Dim. Blues
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
A Dim. Blues
D Dim. Blues
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
G Dim. Blues
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
E Diminished Blues Vamp Two-Note-per-String Fingering
E Dim. Blues
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 217
4 &4 T A B
b
j j œ œ œ œ .. œ œ ‰ œ ‰ œ œ œ œ œ ˙ ˙
E sus7 9
3 2 3 0
3 2 3
3 2 3 0
3 2 3
ww w ˙
˙
..
( 3) ( 2) ( 3)
0
0
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218
Diminished Tritonic (1 3 4 5 8)
The diminished tritonic scale is a four-note hybrid that can be considered a variation on the tritonic scale (page 314). A tritonic scale is built with three pitches arranged in ascending order from root to octave root. This form has a lowered 5th ( 5) and an added pitch, the 3. These two variations together with the root produce a diminished sound. This tritonic scale consists of: Root, 3, 4, 5 and an octave root, and is particularly useful for min7 5 applications. Like triads, tritonic scales can be used as harmonic or non-harmonic sources for improvisation.
Open Position
Single-String Fingering
C Dim.Tritonic
C Dim.Tritonic
Diminished Tritonic
& T A B
œ 1
bœ
b3
œ
4
bœ
1
3
4
œ
b5
8 1
3
1 2
Diminished Tritonic
3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths F Dim.Tritonic
C Dim.Tritonic
5
6
7
8
9 10 11 12
5
Ab Dim.Tritonic
5
6
7
8
6
7
8
7
8
9 10 11 12
Db Dim.Tritonic
9 10 11 12
5
E Dim.Tritonic
5
6
6
7
8
9 10 11 12
A Dim.Tritonic
9 10 11 12
5
6
7
8
9 10 11 12
Bb Dim.Tritonic
5
6
7
8
9 10 11 12
Gb Dim.Tritonic
5
6
7
8
9 10 11 12
D Dim.Tritonic
5
6
7
8
9 10 11 12
Eb Dim.Tritonic
5
6
7
8
9 10 11 12
B Dim.Tritonic
5
6
7
8
9 10 11 12
G Dim.Tritonic
5
6
7
8
9 10 11 12
D Diminished Tritonic Vamp
E Dim.Tritonic
1
2
3
4
5
6
40140 Ultimate Chord Scale Bible.indb 218
7
8
9 10 11 12 13 14 15
b
Dmin7 5
& 34 .. Œ˙ .. T A B
5
œœ .. bœ .
bœ
6 5 6 4
œ 3
Ó
Two-Note-per-String Fingering
œ
..
7
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219
Dominant 5 (1 2 3 4 5 6 7 8)
The Dominant 5 scale is a seven-note hybrid scale that closely resembles the Mixolydian mode (page 293, the 5th mode of the major scale, page 272) with an altered 5 ( 5). This scale works specifically with a 7 5 chord. It can also be used in other altered dominant contexts. The vamp in the lower right corner of this page is the same as for the Lydian 7 scale (page 257, the 4th mode of the jazz minor scale, page 247). Both choices work particularly well with the 7 5 chord.
Dominant 5
& T A B
œ
œ 1
2 0
3
œ bœ
œ
3
b5
4
2
3
4
œ
œ bœ 6 2
b7
8 1
3
Single-String Fingering
Open Position
C Dominant b5
C Dominant b5
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5
Dominant 5
6
Position Fingerings Through the Circle of 4ths F Dominant b5
C Dominant b5
5
6
7
8
9 10 11 12
5
Ab Dominant b5
5
6
7
8
6
7
9 10 11 12
8
7
8
9 10 11 12
Db Dominant b5
5
E Dominant b5
5
6
6
7
8
9 10 11 12
A Dominant b5
9 10 11 12
5
6
7
8
9 10 11 12
Two-Note-per-String Fingering
E Dominant b5
1
2
3
4
5
40140 Ultimate Chord Scale Bible.indb 219
6
7
8
9 10 11 12 13 14 15
Bb Dominant b5
5
6
7
8
9 10 11 12
Gb Dominant b5
5
6
7
8
9 10 11 12
D Dominant b5
5
6
7
8
9 10 11 12
Eb Dominant b5
5
6
7
8
9 10 11 12
B Dominant b5
5
6
7
8
9 10 11 12
G Dominant b5
5
6
7
8
9 10 11 12
F Dominant 5 Vamp b
˙
j œœ Œ œ œ œ
0 2 1
0 2 1
& 34 .. bb œœœ ...
F7 5
T A B
1
b˙ b ˙˙ œ
œ
0 2 1 ( 1)
1
( 1)
1
Œ bœ
..
2
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220
Dominant 5 9 9 (1 2 3 4 5 6 7 8)
The dominant 5 9 9 scale is a seven-note hybrid scale that can be applied specifically to a dominant 7th chord with 5, 9 and 9 altered tensions. It is very similar to the altered dominant scale (page 197, the 7th mode of the jazz minor scale, page 247), so it can also be applied to any altered dominant situation. The vamp at the bottom right corner of the page switches between two specific altered dominant chords that the scale addresses (A7 5 and A7 9 9). Try using this scale over any altered dominant chord.
Dominant 5 9 9
&
1
T A B
2
3
3
4
1
4
5
2
œ
œ bœ
bœ œ bbœ bbœ bbœ b
b7
6 2
4
8 1
3
Single-String Fingering
Open Position
C Dominant b5
C Dominant b5
1 2 3
Dominant 5 9 9
4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths F Dominant b5
C Dominant b5
5
6
7
8
9 10 11 12
5
Ab Dominant b5
5
6
7
8
6
7
9 10 11 12
8
7
8
9 10 11 12
Db Dominant b5
5
E Dominant b5
5
6
6
7
8
9 10 11 12
A Dominant b5
9 10 11 12
5
6
7
8
9 10 11 12
Two-Note-per-String Fingering
E Dominant b5
1
2
3
4
5
40140 Ultimate Chord Scale Bible.indb 220
6
7
8
9 10 11 12 13 14 15
Bb Dominant b5
5
6
7
8
9 10 11 12
Gb Dominant b5
5
6
7
8
9 10 11 12
D Dominant b5
5
6
7
8
9 10 11 12
Eb Dominant b5
5
6
7
8
9 10 11 12
B Dominant b5
5
6
7
8
9 10 11 12
G Dominant b5
5
6
7
8
9 10 11 12
A Dominant 5 9 9 Vamp b
j 3 .. ‰ # b œœ Œ œœ &4 œ œ œ. œ. A7 5
T A B
0
4 6 5
0
4 6 5
b #
A7 9 9
˙ Œ b ˙˙ œ. œ. 0
8 5 8
..
0
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221
Dominant 9 9 (1 2 3 4 5 6 7 8)
The dominant 9 9 scale is a seven-note hybrid scale that can be applied specifically to a dominant 7 chord with the 9 and 9 altered tensions. It can also be applied to any altered dominant scale (page 197) situation. The vamp at the bottom right corner of the page alternates between a non-altered dominant and the specific altered dominant chord that the scale addresses—A7 9 9. Try using the dominant 9 9 scale over any altered dominant chord.
Dominant 9 9
&
1
T A B
2
3
3
4
1
4
5
b7
6
0
2
œ
œ bœ
œ
œ bbœ bbœ bbœ
2
8 1
3
Single-String Fingering
Open Position
C Dom.b9#9
C Dom.b9#9
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
Bb Dom.b9#9
Eb Dom.b9#9
17 18 19 20 21
Dominant 9 9
5 6
Position Fingerings Through the Circle of 4ths F Dom.b9#9
C Dom.b9#9
5
6
7
8
9 10 11 12
5
Ab Dom.b9#9
5
6
7
8
6
7
8
7
8
9 10 11 12
Db Dom.b9#9
9 10 11 12
5
E Dom.b9#9
5
6
6
7
8
9 10 11 12
A Dom.b9#9
9 10 11 12
5
6
7
8
9 10 11 12
E Dom.b9#9
2
3
4
5
6
40140 Ultimate Chord Scale Bible.indb 221
6
7
8
9 10 11 12
Gb Dom.b9#9
5
6
7
8
9 10 11 12
D Dom.b9#9
Two-Note-per-String Fingering
1
5
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
B Dom.b9#9
5
6
7
8
9 10 11 12
G Dom.b9#9
5
6
7
8
9 10 11 12
A Dominant 9 9 Vamp
j 3 . # œ &4 . ‰ œ Œ A7
œ.
7
8
9 10 11 12 13 14 15
T A B
0
6 5
œ. 0
b #
A7 9 9
œœ
˙ Œ b ˙˙ œ. œ.
6 5
8 5 8
0
..
0
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222
Dominant 9 9 13 (1 2 3 4 5 6 7 8)
The dominant 9 9 13 scale is a seven-note hybrid scale that contains a dominant 7 chord (remember 4=3) with the 9, 9 and 13 ( 6) altered tensions. It is very similar to the altered dominant scale (page 197, the 7th mode of the jazz minor scale, page 247) except that it does not contain the 11 altered tension. It can, however, be used in any altered dominant situation, so the vamp at the bottom right corner of the page is the same as for the altered dominant. If a dominant 7 chord contains an altered tension, numerous altered dominant-type scales may be used, even if a particular tension is not in the harmony. The result will be tension where tension is required.
Dominant 9 9 13
&
1
T A B
2
3
4
3
4
1
2
œ
œ bœ bœ
œ bbœ bbœ bbœ
5
b6
b7
0
1
3
8 1
Single-String Fingering
Open Position
# C Dom.b9 9b13
# C Dom.b9 9b13
Dominant 9 9 13
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths # F Dom.b9 9b13
# C Dom.b9 9b13
5
6
7
8
9 10 11 12
5
# Ab Dom.b9 9b13
5
6
7
8
6
7
9 10 11 12
8
7
8
9 10 11 12
# Db Dom.b9 9b13
5
# E Dom.b9 9b13
5
6
6
7
8
9 10 11 12
# A Dom.b9 9b13
9 10 11 12
5
6
7
8
9 10 11 12
# Bb Dom.b9 9b13
5
6
7
8
9 10 11 12
# Gb Dom.b9 9b13
5
6
7
8
9 10 11 12
# D Dom.b9 9b13
5
6
7
8
9 10 11 12
# Eb Dom.b9 9b13
5
6
7
8
9 10 11 12
# B Dom.b9 9b13
5
6
7
8
9 10 11 12
# G Dom.b9 9b13
5
6
7
8
9 10 11 12
D Dominant 9 9 13 Vamp #
b
Two-Note-per-String Fingering
# E Dom.b9 9b13
T A B 1
2
3
4
5
40140 Ultimate Chord Scale Bible.indb 222
6
7
8
b
D D7 9 ˚j D7 9 ˚j #œ œ œ b œ œ œ œ œ bœ œ & 68 .. œ≈ . #œœ œœ œ œœ. ‰œ . œœ œœ œ≈ . # # œœ œœœ œœ. ‰œ . œœ œœ .. D7 9
5
6 ( 6) 6 5 ( 5) 5 4 ( 4) 4 5
5
4 5 4
4 5 4
5
+
3 3 4
(3) (3) (4)
5
3 3 4
5
4 5 4
4 5 4
9 10 11 12 13 14 15
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223
Dominant 9 (1 2 3 4 5 6 7 8)
The dominant 9 scale is a seven-note hybrid scale with a specific 7 9 application. It can be thought as the Mixolydian mode (page 293, the 5th mode of the major scale, page 272) with an added 9 altered tension. This scale can be substituted for any altered dominant scale choice. The vamp is the same as for the Four-Semitone Tritone on page 236. It utilizes the 7 9 chord to illustrate the scale’s specific application.
Dominant 9
& T A B
œ ##œ 1
3
2
3
1
4
2
5
b7
6
0
3
œ
œ bœ
œ
œ
œ
2
8 1
3
Single-String Fingering
Open Position
C Dominant #9
C Dominant #9
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5
Dominant 9
6
Position Fingerings Through the Circle of 4ths F Dom. #9
C Dom. #9
5
6
7
8
9 10 11 12
5
Ab Dom. #9
5
6
7
8
6
7
7
8
9 10 11 12
Db Dom. #9
9 10 11 12
5
E Dom. #9
5
6
Bb Dom. #9
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
9 10 11 12
E Dominant #9
2
3
4
5
40140 Ultimate Chord Scale Bible.indb 223
6
7
8
7
8
9 10 11 12
5
6
7
8
9 10 11 12 13 14 15
5
6
7
8
5
6
7
8
9 10 11 12
B Dom. #9
9 10 11 12
D Dom. #9
Two-Note-per-String Fingering
1
6
Gb Dom. #9
A Dom. #9
8
5
Eb Dom. #9
5
6
7
8
9 10 11 12
G Dom. #9
9 10 11 12
5
6
7
8
9 10 11 12
C Dominant 9 Vamp #
C7 9
4 #œ . & 4 .. b œœ ... œ T A B
4 3 2 3
œœ œœ
œœ œœ b œ œ
4 3 2 3
4 3 2 3
3
1
b # œœ ... œœ . 4 3 2 3
œœ œœ
œœ . œœ b œ . œ
4 3 2 3
4 3 2 3
3
1
6/19/12 12:46 PM
224
Dominant 13 Pentatonic (1 3 5 6 7 8)
The dominant 13 pentatonic scale is five-note scale that works specifically with a 7 13 chord. It can be considered a pentatonic version of the Aeolian Major scale (page 195, the 6th mode of the jazz minor scale, page 247). Along with its altered dominant application, dominant 13 pentatonic may also be used in a Phrygian context (pages 297-302). The vamp at the bottom right corner of the page uses the 7 13 chord to illustrate this scale’s specific application. Try substituting this scale in any altered dominant or Phrygian context.
Dominant 13 Pentatonic
& T A B
œ
œ 1
3
bœ
bœ
0
1
3
5
2
3
œ
b6
œ
b7
8 1
Single-String Fingering
Open Position
C Dom.b13 Pent.
C Dom.b13 Pent.
Dominant 13 Pentatonic
1
2 3 4
1
5
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
6
Position Fingerings Through the Circle of 4ths C Dom.b13 Pent.
5
6
7
8
9 10 11 12
Ab Dom.b13 Pent.
5
6
7
8
9 10 11 12
E Dom.b13 Pent.
5
6
7
8
9 10 11 12
F Dom.b13 Pent.
5
6
7
8
9 10 11 12
Db Dom.b13 Pent.
5
6
7
8
9 10 11 12
A Dom.b13 Pent.
5
6
7
8
9 10 11 12
Two-Note-per-String Fingering
E Dom. b13 Pent.
5
UCSB_222-231.indd 224
6
7
8
9
10 11 12 13 14 15 16 17 18 19
Bb Dom.b13 Pent.
5
6
7
8
9 10 11 12
Gb Dom.b13 Pent.
5
6
7
8
9 10 11 12
D Dom.b13 Pent.
5
6
7
8
9 10 11 12
Eb Dom.b13 Pent.
5
6
7
8
9 10 11 12
B Dom.b13 Pent.
5
6
7
8
9 10 11 12
G Dom.b13 Pent.
5
6
7
8
9 10 11 12
E Dominant 13 Pentatonic Vamp b
E 7 13
& 44 .. Ó T A B
w 0
˙ # ˙˙˙ 5 5 6 5
j Œ ‰ # œœœ ˙˙˙ w w 3 0
3 5 6
..
( 3) ( 5) ( 6)
6/28/12 8:56 AM
225
Dominant 9 11 (1 2 3 4 5 6 7 8)
The dominant 9 11 scale is a seven-note hybrid scale that contains a dominant 7 chord with the 9 and 11 altered tensions. It is very similar to the altered dominant scale (page 197, the 7th mode of the jazz minor scale, page 247), except that it does not contain the 9 or the 13 altered tensions. Like the other hybrid altered dominant scales, it can be substituted for any altered dominant scale application. The vamp at the bottom right corner of the page uses two altered dominant chord voicings that reflect both of the altered tensions found in the scale—the 9 and the 11.
C Dom.b 9 #11
Dominant 9 11
& T A B
œ bbœ 1
2
3
4
œ #œ #4
3
2
œ
4
5 0
œ
œ bœ
b7
6 2
8 1
3
C Dom.b 9 #11
1 2 3
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
Dominant 9 11
4
5
6
F Dom.b9#11
C Dom.b9#11
5
6
7
8
9 10 11 12
5
Ab Dom.b9#11
5
6
7
8
6
7
9 10 11 12
8
7
8
9 10 11 12
Db Dom.b9#11
5
E Dom.b9#11
5
6
6
7
8
9 10 11 12
A Dom.b9#11
9 10 11 12
5
6
7
8
9 10 11 12
Bb Dom.b9#11
5
6
7
8
9 10 11 12
Gb Dom.b9#11
5
6
7
8
9 10 11 12
D Dom.b9#11
5
6
7
8
9 10 11 12
Eb Dom.b9#11
5
6
7
8
9 10 11 12
B Dom.b9#11
5
6
7
8
9 10 11 12
G Dom.b9#11
5
6
7
8
9 10 11 12
A Dominant 9 11 Vamp b #
j b œ œ . œj . #œ & 44 .. Œ ‰ # # œœœ œœœ .. b œœ w A7 9 11
E Dom.b 9 #11
1
2
3
4
5
40140 Ultimate Chord Scale Bible.indb 225
6
7
8
9 10 11 12 13 14 15
T A B
0
6 4 6 5
( 6) ( 4) ( 6) ( 5)
3 4 3 2
ww w w œ ( 3) ( 4) ( 3) ( 2)
0
˙.
..
0
6/19/12 12:46 PM
226
Dominant 9 11 13 (1 2 3 4 5 6 7 8)
The dominant 9 11 13 scale is a seven-note hybrid scale that contains a dominant 7 chord with the 9, 11 and 13 altered tensions. It is very similar to the altered dominant scale (page 197, the 7th mode of the jazz minor scale, page 247) except that it does not contain the 9 altered tension. It can, however, be substituted in any altered dominant scale application. The vamp at the bottom right corner of this page uses three altered dominant chords that reflect each of the altered tensions found in the scale—the 9, 11 and 13.
Dominant 9 11 13
& T A B
œ bbœ 1
2
3
#4
3
2
4
œ
œ bœ bœ
œ #œ
b6
5 0
4
b7
1
8 1
3
Single-String Fingering
Open Position
C Dom. b 9 #11b13
C Dom. b 9 #11b13
1 2
Dominant 9 11 13
3 4
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths C Dom.b 9 #11 b13
5 6 7 8 9 10 11 12
Ab Dom.b 9 #11 b13
5 6 7 8 9 10 11 12
E Dom.b 9 #11 b13
5 6 7 8 9 10 11 12
F Dom.b 9 #11 b13
5 6 7 8 9 10 11 12
D b Dom.b 9 #11 b13
5 6 7 8 9 10 11 12
G b Dom.b 9 #11 b13
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
A Dom.b 9 #11 b13
D Dom.b 9 #11 b13
5 6 7 8 9 10 11 12
Two-Note-per-String Fingering
E Dom. b 9 #11b13
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 226
Bb Dom.b 9 #11 b13
5 6 7 8 9 10 11 12
E b Dom.b 9 #11 b13
5 6 7 8 9 10 11 12
B Dom.b 9 #11 b13
5 6 7 8 9 10 11 12
G Dom.b 9 #11 b13
5 6 7 8 9 10 11 12
A Dominant 9 11 13 Vamp #
b
j œ #œ œ & 44 .. # œœ œœ ‰ b œœ ‰ ˙ ˙ A 7 11
T A B
4 6 5 0
A7 9
4 6 5
0
5 3 5
b
A7 13 j j œœ ‰ # œœ ‰ œ œ ˙
j œœ œ ‰ ˙
j œœ œ ‰
j œœ . œ .
5 3 5
6 6 5
6 6 5
6 6 5
0
6 6 5
0
6/19/12 12:46 PM
227
Dominant sus4 13 Pentatonic (1 2 4 6 7 8)
The dominant sus4 13 pentatonic scale is a five-note scale that can be used over a dominant 7 chord with a suspended 4 and an added 13 altered tension (7sus 13). It can be substituted for other 7sus 13-type scales, including the major 6 pentatonic scale (page 275) and the Aeolian Major scale (page 195, the 5th mode of the jazz minor scale, page 247). The vamp uses two altered dominant suspended chords. Try using the dominant sus4 13 pentatonic scale for Phrygian applications (pages 297-302) as well.
& T A B
œ
œ
œ 1
2
4
0
3
3
bœ
bœ
1
3
b6
œ
b7
8 1
Single-string Fingering
Open position Open position
Fingering b13 Pent. C Dom.sus4 bb13 Pent. Single-string C Dom.sus4 C Dom.sus4 13 Pent. C Dom.sus4 b13 Pent.
54
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
Dominant sus4 13 Pentatonic
1 21 32 43
Dominant sus4 13 Pentatonic
65 6
Position Fingerings Through the Circle of 4ths Position Fingerings Through the Circle of 4ths
b 13 Pent. b 13 Pent.
b b E Dom.sus4 13 Pent. b b E Dom.sus4 13 Pent.
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
b C Dom.sus4 13 Pent. b C Dom.sus4 13 Pent.
b F Dom.sus Dom.sus4 13 Pent. b F Dom.sus4 Dom.sus 13 Pent.
5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
b B Dom.sus4 b B Dom.sus4
b b A Dom.sus4 13 Pent. b b A Dom.sus4 13 Pent.
b b D Dom.sus4 13 Pent. b b D Dom.sus4 13 Pent.
b b G Dom.sus4 13 Pent. b b G Dom.sus4 13 Pent.
b B Dom.sus4 13 Pent. b B Dom.sus4 13 Pent.
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
b G Dom.sus4 13 Pent. b G Dom.sus4 13 Pent.
b E Dom.sus4 13 Pent. b E Dom.sus4 13 Pent.
b A Dom.sus4 13 Pent. b A Dom.sus4 13 Pent.
b D Dom.sus4 13 Pent. b D Dom.sus4 13 Pent.
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Two-Note-per-String Fingering Two-Note-per-String b Fingering
E Dom.sus4 b13 Pent. E Dom.sus4 13 Pent.
5 6 7 8 9 10 11 12 13 14 15 16 17 18 19
E Dominant sus4 13 Pentatonic Vamp b
E7sus 13
& 44 .. Ó T A B
w 0
˙˙ ˙ ˙ 5 5 7 5
j œœ œœ Œ ‰ œ œ w #
E 7sus 9
0
8 7 7
Π..
( 8) ( 7) ( 7)
5 6 7 8 9 10 11 12 13 14 15 16 17 18 19
40140 Ultimate Chord Scale Bible.indb 227
6/19/12 12:46 PM
228
Dominant 9 Pentatonic (1 2 3 5 7 8)
The dominant 9 pentatonic scale is a five-note scale which may be applied to a dominant 7 chord with an added 9. It can be considered a pentatonic version of the Mixolydian mode (page 293, the 5th mode of the major scale, page 272). The vamp at the bottom right corner of the page is the same as for the Mixolydian mode. Try altering between the two scale choices.
Dominant 9 Pentatonic
& T A B
œ 1
3
œ 2
œ
0
2
œ
3
œ
bœ
5
b7
0
3
8 1
Single-String Fingering
Open Position
Dominant 9 Pentatonic
C Dominant 9 Pentatonic C Dom. 9 Pent. 1 2 3 4
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths C Dom. 9 Pent.
5 6 7 8 9 10 11 12
Ab Dom. 9 Pent.
5 6 7 8 9 10 11 12
E Dom. 9 Pent.
5 6 7 8 9 10 11 12
F Dom. 9 Pent.
5 6 7 8 9 10 11 12
Db Dom. 9 Pent.
5 6 7 8 9 10 11 12
A Dom. 9 Pent.
5 6 7 8 9 10 11 12
Two-Note-per-String Fingering
E Dominant 9 Pentatonic
5 6
7
8
9 10 11 12 13 14 15 16 17 18 19
40140 Ultimate Chord Scale Bible.indb 228
b B Dom. 9 Pent.
5 6 7 8 9 10 11 12
Gb Dom. 9 Pent.
5 6 7 8 9 10 11 12
D Dom. 9 Pent.
5 6 7 8 9 10 11 12
Eb Dom. 9 Pent.
5 6 7 8 9 10 11 12
B Dom. 9 Pent.
5 6 7 8 9 10 11 12
G Dom. 9 Pent.
5 6 7 8 9 10 11 12
B Dominant 9 Pentatonic Vamp b
b b
B9
A /B
œœœ b œœœ bœ œ œ œ
˙. & 44 .. b ˙˙ .. T A B
3 5 6 6
( 3) ( 5) ( 6)
6
6
6
4 5 6
ww .. w bœ œ œ œ (4 ) (5 ) (6 )
6
6
6
6
6/19/12 12:46 PM
229
Dominant 13 (1 2 3 5 6 7 8)
The dominant 13 scale is a six-note hybrid scale with a specific dominant 13 chord or dominant 9/13 chord application. It can be considered a six-note version of the Mixolydian mode (page 293, the 5th mode of the major scale, page 272). The omission of the 4th scale degree gives this scale its specific emphasis on the 9 and 13 tensions. The harmony outlined in the vamp at the bottom right corner of the page is a dominant 7 chord with an added 13 tension. Use the dominant 13 scale to emphasize the essence of this type of harmony.
Open Position
Single-String Fingering
C Dominant 13
C Dominant 13
Dominant 13
&
œ 1
T A B
3
œ 2
œ
0
2
3
œ
œ
bœ
6
b7
0
2
3
5
œ 8 1
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
Dominant 13
5 6
Position Fingerings Through the Circle of 4ths F Dominant 13
C Dominant 13
5
6
7
8
9 10 11 12
5
Ab Dominant 13
5
6
7
8
6
7
9 10 11 12
8
7
8
9 10 11 12
Db Dominant 13
5
E Dominant 13
5
6
6
7
8
9 10 11 12
A Dominant 13
9 10 11 12
5
6
7
8
9 10 11 12
Bb Dominant 13
5
6
7
8
9 10 11 12
Gb Dominant 13
5
6
7
8
9 10 11 12
D Dominant 13
5
6
7
8
9 10 11 12
Eb Dominant 13
5
6
7
8
9 10 11 12
B Dominant 13
5
6
7
8
9 10 11 12
G Dominant 13
5
6
7
8
9 10 11 12
E Dominant 13 Vamp Two-Note-per-String Fingering
E Dominant 13
1
2
3
4
5
40140 Ultimate Chord Scale Bible.indb 229
6
7
8
9 10 11 12 13 14 15
j œ & 44 .. Œ ‰ # # œœœ ˙. E 13
T A B
0
5 6 6 5
œœ œœ ( 5) ( 6) ( 6) ( 5)
œœ œœ œ
j Œ ‰ # # œœœ ‰ œ œ w
5 6 6 5 ( 0) 0
0
5 6 6 5
j œœ œœ 5 6 6 5
œœ . œœ . ( 5) ( 6) ( 6) ( 5)
6/19/12 12:46 PM
230
Dominant 13 sus4 Pentatonic (1 2 4 6 7 8)
The dominant 13 sus4 pentatonic scale is a five-note scale that can be played over a dominant 7 chord with a suspended 4 and an Dominant 13 added 13 tension (13sus). It has a very specific application. It can be substituted for other unaltered dominant-type scales including: the Mixolydian mode (page 293, the 5th mode of the major scale, 1 2 page 272) and the dominant 9 pentatonic scale (page 228). The T vamp at the bottom right corner of the page is the same as for A 0 3 the Mixolydian mode. In the context of this progression, this scale B emphasizes the 11 and 13 tensions. Single-String Fingering Open Position Open Position C Dom. 13 sus4 Pent. Single-String C Dom. 13Fingering sus4 Pent.
Dominant 13 sus4 Pentatonic
&
1 2 1 3 2 4 3 5 4 6 5
œ
œ
œ
4
3
œ
bœ
6
b7
2
3
œ 8 1
C Dom. 13 sus4 Pent. C Dom. 13 sus4 Pent. 1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
6
Position Fingerings Through the Circle of 4ths Position Fingerings Through the Circle of 4ths C Dom. 13 sus4 Pent.
F Dom. 13 sus4 Pent.
C Dom. 13 sus4 Pent.
F Dom. 13 sus4 Pent.
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
Ab Dom. 13 sus4 Pent. Ab Dom. 13 sus4 Pent. 5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
Db Dom. 13 sus4 Pent. Db Dom. 13 sus4 Pent. 5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
b B Dom. 13 sus4 Pent. b B Dom. 13 sus4 Pent. 5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
Gb Dom. 13 sus4 Pent. Gb Dom. 13 sus4 Pent. 5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
Eb Dom. 13 sus4 Pent. Eb Dom. 13 sus4 Pent. 5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
B Dom. 13 sus4 Pent. B Dom. 13 sus4 Pent. 5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
E Dom. 13 sus4 Pent.
A Dom. 13 sus4 Pent.
D Dom. 13 sus4 Pent.
G Dom. 13 sus4 Pent.
E Dom. 13 sus4 Pent.
A Dom. 13 sus4 Pent.
D Dom. 13 sus4 Pent.
G Dom. 13 sus4 Pent.
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
Two-Note-per-String Fingering Two-Note-per-String Fingering
E Dom. 13 sus4 Pent. E Dom. 13 sus4 Pent.
UCSB_222-231.indd 230
sus4 Pentatonic
5 6
7
8 9 10 11 12 13 14 15 16 17 18 19
5 6
7
8 9 10 11 12 13 14 15 16 17 18 19
B Dominant 13 sus4 Pentatonic Vamp b b
b
B9
A /B
œœœ b œœœ bœ œ œ œ
˙. & 44 .. b ˙˙ .. T A B
3 5 6 6
( 3) ( 5) ( 6)
6
6
6
4 5 6
ww .. w bœ œ œ œ ( 4) ( 5) ( 6)
6
6
6
6
6/29/12 5:35 PM
231
Dorian (1 2 3 4 5 6 7 8)
The Dorian mode is the 2nd mode of the major scale (page 272). The Dorian mode generates a min7 chord, which is very common, found in both functional and modal harmonic settings. Many players will superimpose the Dorian mode over other chords, for example: D Dorian over a G7 chord. This emphasizes desirable chord tensions or color tones of the G7. A good example of the use of Dorian can be found in the tune So What from Miles Davis’ “Kind of Blue.” The vamp at the bottom right corner of the page below illustrates Dorian over three minor-type chords. The Amin6 in the last measure emphasizes the very colorful 13 tension.
Open Position
Single-String Fingering
C Dorian
C Dorian
Dorian
& T A B
œ 1
3
œ bœ 2
b3
œ
0
1
3
4
œ
œ bœ 6
b7
0
2
3
5
œ 8 1
1 2 3 4
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
5 6
Dorian
Position Fingerings Through the Circle of 4ths C Dorian
5 6 7 8 9 10 11 12
Ab Dorian
5 6 7 8 9 10 11 12
E Dorian
5 6 7 8 9 10 11 12
F Dorian
5 6 7 8 9 10 11 12
Db Dorian
Bb Dorian
5 6 7 8 9 10 11 12
Gb Dorian
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
A Dorian
D Dorian
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Eb Dorian
5 6 7 8 9 10 11 12
B Dorian
5 6 7 8 9 10 11 12
G Dorian
5 6 7 8 9 10 11 12
A Dorian Vamp Two-Note-per-String Fingering
E Dorian
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 231
j 4 . œ œ . & 4 . œ . œ ˙˙ œ œ œ A min
T A B
5 7 0
A min7
0
5 ( 5) 5 ( 5) 0
Amin6
œ 0
w #w œ œ 5 4 0
0
œ
œ
0
0
..
6/19/12 12:46 PM
232
Dorian 4 (1 2 3 4 5 6 7 8)
The Dorian 4 scale is the 4th mode of the harmonic minor scale (page 239). Dorian 4 is a rather specific sound. It can be used as a substitute for the Dorian mode (page 231), which produces a brighter sound, or the Locrian mode (page 251). If the 5 is omitted in the voicing, the sound is half diminished. The first measure of the vamp at the bottom right corner of the page demonstrates how Dorian 4 works within a minor context. The second measure utilizes the 4 in the voicing itself.
Dorian 4
&
œ 1
T A B
3
œ bœ #œ 2
b3
#4
0
1
4
œ
œ bœ 6
b7
0
2
3
5
œ 8 1
Single-String Fingering
Open Position
C Dorian #4
C Dorian #4
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
# Bb Dorian 4
# Eb Dorian 4
17 18 19 20 21
5
Dorian 4
6
Position Fingerings Through the Circle of 4ths # F Dorian 4
# C Dorian 4
5
6
7
8
9 10 11 12
5
# Ab Dorian 4
5
6
7
8
6
7
8
7
8
9 10 11 12
# Db Dorian 4
9 10 11 12
5
# E Dorian 4
5
6
6
7
8
9 10 11 12
# A Dorian 4
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
# Gb Dorian 4
5
6
7
8
9 10 11 12
# D Dorian 4
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
# B Dorian 4
5
6
7
8
9 10 11 12
# G Dorian 4
5
6
7
8
9 10 11 12
E Dorian 4 Vamp Two-Note-per-String Fingering
E Dorian #4
1
2
3
4
5
40140 Ultimate Chord Scale Bible.indb 232
6
7
8
9 10 11 12 13 14 15
j œ œœ ˙˙ 4 . ‰ œ œ œ ˙ . &4 Emin
T A B
˙
˙
9 0
9
(9 )
8
(9) (9)
#
j #œ ˙ ‰ # œ œœ œœ ˙˙ ˙ ˙
F 7/E
( 8) ( 9) ( 9)
0
8 0
9
( 8)
7
(9) (8)
..
( 7) ( 9) ( 8)
0
6/19/12 12:46 PM
233
Dorian 5 (1 2 3 4 5 6 7 8)
The Dorian 5 scale is the 2nd mode of the harmonic major scale (page 238). The scale contains a min7 5 chord, which makes it a good substitute for the various Locrian modes: Locrian (page 251), Locrian 2 (page 253) and Locrian 6 (page 254). The vamp at the bottom right corner of the page uses the min7 5 chord to illustrate the specific application of Dorian 5. Use this scale as a substitute for the various Locrian-type sounds.
Dorian 5
&
œ 1
T A B
3
2
b3
0
1
4
b5
3
4
œ
œ bœ
œ bœ
œ bœ
6
b7
2
3
8 1
Single-String Fingering
Open Position
C Dorian b5
C Dorian b5
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
Bb Dorian b5
Eb Dorian b5
17 18 19 20 21
5 6
Dorian 5
Position Fingerings Through the Circle of 4ths F Dorian b5
C Dorian b5
5
6
7
8
9 10 11 12
5
Ab Dorian b5
5
6
7
8
6
7
8
7
8
9 10 11 12
Db Dorian b5
9 10 11 12
5
E Dorian b5
5
6
6
7
8
9 10 11 12
A Dorian b5
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
Gb Dorian b5
5
6
7
8
9 10 11 12
D Dorian b5
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
B Dorian b5
5
6
7
8
9 10 11 12
G Dorian b5
5
6
7
8
9 10 11 12
D Dorian 5 Vamp
E Dorian b5
1
2
3
4
5
40140 Ultimate Chord Scale Bible.indb 233
6
7
8
9 10 11 12 13 14 15
b
Dmin7 5
& 34 .. Œ˙ .. T A B
5
œœ .. bœ .
bœ
6 5 6 4
œ 3
Ó
Two-Note-per-String Fingering
œ
..
7
6/19/12 12:46 PM
234
Dorian Pentatonic (1 2 3 5 7 8)
The Dorian pentatonic scale is a five-note version of the Dorian mode (page 231, the 2nd mode of the major scale, page 272). It is also known as the Pygmy scale from Rwanda, Africa. The scale forms a min7 chord with an added 9, making it useful for any Dorian situation. The vamp at the bottom right corner of the page is the same as for the Dorian mode. The chords clearly emphasize the various flavors of the scale (min, min7 and min6).
Open Position
Single-String Fingering
C Dorian Pent.
C Dorian Pent.
Dorian Pentatonic
& T A B
œ 1 3
œ 2
bœ
0
1
b3
œ
bœ
œ 5
b7
0
3
8 1
1 2
Dorian Pentatonic
3 4
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths C Dorian Pent.
5 6 7 8 9 10 11 12
Ab Dorian Pent.
5 6 7 8 9 10 11 12
E Dorian Pent.
5 6 7 8 9 10 11 12
F Dorian Pent.
5 6 7 8 9 10 11 12
Db Dorian Pent.
Bb Dorian Pent.
5 6 7 8 9 10 11 12
Gb Dorian Pent.
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
A Dorian Pent.
D Dorian Pent.
5 6 7 8 9 10 11 12
Eb Dorian Pent.
5 6 7 8 9 10 11 12
B Dorian Pent.
5 6 7 8 9 10 11 12
G Dorian Pent.
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
A Dorian Pentatonic Vamp Two-Note-per-String Fingering
E Dorian Pent.
5 6
7
8 9 10 11 12 13 14 15 16 17 18 19
40140 Ultimate Chord Scale Bible.indb 234
j 4 . œ œ . & 4 . œ . œ ˙˙ œ œ œ œ T A B
A min
Amin7
5 7 0
5 5
0
( 5) ( 5)
0
0
A min6
w .. #w œ œ œ œ 5 4 0
0
0
0
6/19/12 12:46 PM
235
Egyptian (1 2 3 4 5 6 7 8)
The Egyptian scale is an interesting seven-note hybrid that resembles the harmonic minor scale (page 239) with an added 11 altered tension. The name comes from its unique North African sound. This scale can be applied as a substitute for the altered dominant scale (page 197). The harmony outlined in the vamp at the bottom right corner of the page is an altered dominant 7 chord, A 7 5. Building the Egyptian scale starting on the 3rd of this chord produces the following chord/scale relationship: C=3rd of the chord, D= 5, E =5, G = 7, G=7 (which acts as a passing or leading tone, as in the bebop scales), A =root and B= 9. In this context, the Egyptian scale provides important chord tones, altered tensions and passing tones.
Open Position
Single-String Fingering
C Egyptian
C Egyptian
Egyptian
& T A B
œ bœ #œ
œ 1
b3
2
0
3
#4
1
4
œ bœ b6
5 0
1
œ
œ
7
8
0
1
1 2 3 4
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
5
Egyptian
6
Position Fingerings Through the Circle of 4ths C Egyptian
5 6 7 8 9 10 11 12
Ab Egyptian
5 6 7 8 9 10 11 12
E Egyptian
5 6 7 8 9 10 11 12
F Egyptian
5 6 7 8 9 10 11 12
Db Egyptian
Bb Egyptian
5 6 7 8 9 10 11 12
Gb Egyptian
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
A Egyptian
D Egyptian
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Eb Egyptian
5 6 7 8 9 10 11 12
B Egyptian
5 6 7 8 9 10 11 12
G Egyptian
5 6 7 8 9 10 11 12
C Egyptian Vamp Two-Note-per-String Fingering
E Egyptian
b b
j
j
œ œ œ & 44 .. Œ b œœ ‰ œœ ‰ œœ A 7 5
b˙
T A B
˙
3 5 4 4
3 5 4 4
3 5 4
www .. bœ . œ ˙ J ( 3) ( 5) ( 4)
4
4
4
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 235
6/19/12 12:46 PM
236
Four-Semitone Tritone (1 2 2 3 3 4 5 6 6 7 8)
The four-semitone tritone scale is a eleven-note scale consisting of a pattern of four semitones (half steps) followed by a major 2nd interval (two half steps) that is repeated. It is a relatively new symmetrical scale that improvisers have been experimenting with recently. Depending on the application, the half steps in this scale could be viewed as passing or leading tones to certain chord tones. The chord built off the root of this scale is a dominant 7. Used in a dominant application, this scale provides the following natural and altered tensions: 9, 9, 9, 11, 13 and 13. The vamp at the bottom right corner of the page centers around the scale’s altered dominant capacity. Single-String Fingering Open Position
Four-Semitone Tritone
& T A B
bœ nœ bœ œ œ # œ n œ b œ œ bbœ n œ b # b b 1 3
2
4
2
3
3
4
0
1
2
4
5
6
6
7
0
1
2
3
8 1
Four Semitone Tritone
C C Four-Semitone Four-Semitone Tritone Single-String Tritone Fingering Open Position 1 2
C Four-Semitone Tritone C Four-Semitone Tritone
31 42 53
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
64
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths Position Fingerings Through the Circle of 4ths C Four-Semitone Tritone F Four-Semitone Tritone Bb Four-Semitone Tritone
Eb Four-Semitone Tritone
b B Four-Semitone Tritone
Eb Four-Semitone Tritone
C Four-Semitone Tritone 5 6 7 8 9 10 11 12
F Four-Semitone Tritone 5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
6 7 8 9 10 11Tritone 12 6 7 8 9 10 11Tritone 12 6 7 8 9 10 11Tritone 12 A5b Four-Semitone D5b Four-Semitone G5b Four-Semitone
6 7 8 9 10 11 12 B5 Four-Semitone Tritone
Ab Four-Semitone Tritone Db Four-Semitone Tritone Gb Four-Semitone Tritone
B Four-Semitone Tritone
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
6 7 8 9 10 11Tritone 12 E5 Four-Semitone
6 7 8 9 10 11Tritone 12 A5 Four-Semitone
6 7 8 9 10 11Tritone 12 D5 Four-Semitone
6 7 8 9 10 11Tritone 12 G5 Four-Semitone
E Four-Semitone Tritone
A Four-Semitone Tritone
D Four-Semitone Tritone
G Four-Semitone Tritone
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12 C Four-Semitone Tritone Vamp
#
C7 9
Two-Note-per-String Fingering Two-Note-per-String E Four-SemitoneFingering Tritone
E Four-Semitone Tritone
#œ . œ & 44 .. b œœ .. œœ œ œ T A B
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
4 3 2 3
4 3 2 3
œœ œœ b œ œ 4 3 2 3
3
1
b # œœ .. œœ . 4 3 2 3
œœ œœ
œœ . œœ b œ . œ
4 3 2 3
4 3 2 3
3
1
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 236
6/19/12 12:46 PM
237
Goonkali (1 2 4 5 6 8)
Goonkali is a traditional five-note Indian raga (scale). In a Western context, Goonkali translates into a sus4 9 13 pentatonic scale, which makes it an excellent substitution for any Phrygian (pages 297-302) or altered dominant-type choice. Goonkali emphasizes the 4th degree, giving it a suspended quality, and includes the 9 and 13 altered tensions found in many dominant 7 applications. The vamp at the bottom right corner of the page is the same as for Phrygian (page 297). It emphasizes both Phrygian and sus4 altered uses.
Open Position
Single-String Fingering
C Goonkali
C Goonkali
Goonkali
&
bœ
œ
b2
1
T A B
œ
3
4
bœ
0
1
5
3
4
œ
œ
b6
8 1
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
Bb Goonkali
Eb Goonkali
17 18 19 20 21
5 6
Goonkali
Position Fingerings Through the Circle of 4ths F Goonkali
C Goonkali
5
6
7
8
9 10 11 12
Ab Goonkali
5
6
7
8
6
7
9 10 11 12
8
6
7
8
9 10 11 12
Db Goonkali
E Goonkali
5
5
5
6
7
8
9 10 11 12
A Goonkali
9 10 11 12
5
6
7
8
5
6
7
8
9 10 11 12
Gb Goonkali
5
6
7
8
9 10 11 12
D Goonkali
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
B Goonkali
5
6
7
8
9 10 11 12
G Goonkali
5
6
7
8
9 10 11 12
A Goonkali Vamp Two-Note-per-String Fingering
E Goonkali
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19
40140 Ultimate Chord Scale Bible.indb 237
A
& 68 .. # œœœ
œ.
T A B
2 2 2 0
b
j œ b œœ
B /A
3 3 3
œœ .. œ. œ œ œ ( 3) ( 3) ( 3)
0
b
A sus 9
.. b ˙˙˙ ... œ. œ œ œ 0 3 3
0
0
0
0
0
0
6/19/12 12:46 PM
238
Harmonic Major (1 2 3 4 5 6 7 8)
The harmonic major scale is constructed by the following sequence Harmonic Major of whole (W) and half (H) steps: W-W-H-W-H-W+H (augmented 2nd)-H. Like the harmonic minor scale (page 239), the augmented 2nd interval ( 6-7) gives this scale its characteristic sound. The b6 harmonic major scale provides seven interesting modes that are 2 3 1 4 5 7 8 T found in a variety of contexts. They are: 1st mode=Harmonic 0 1 0 1 A 0 2 3 Major 9 (Ionian 6), 2nd mode=Dorian 5, 3rd mode=Phrygian 4, 3 B 4th mode=Lydian 3, 5th mode=Mixolydian 9, 6th mode=Lydian Augmented 2 and 7th mode=Locrian 7. These modes may be thought of as “exotic” or altered versions of their unaltered counterparts. In the vamp at the bottom right corner of the page, harmonic major is superimposed over a chord with a different root. G Harmonic Major over the chord B/C produces a B Altered Dominant sound (G= 13, A= 7, B=root, C= 9, D= 9, E =3 and F =5).
&
Open Position
Single-String Fingering
C Harmonic Maj.
C Harmonic Major
œ
œ
œ
œ
œ
œ
œ bœ
Harmonic Major
1 2 3 4
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths C Harmonic Major
5 6 7 8 9 10 11 12
Ab Harmonic Major
5 6 7 8 9 10 11 12
E Harmonic Major
5 6 7 8 9 10 11 12
F Harmonic Major
5 6 7 8 9 10 11 12
Db Harmonic Major
Bb Harmonic Major
5 6 7 8 9 10 11 12
Gb Harmonic Major
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
A Harmonic Major
D Harmonic Major
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Eb Harmonic Major
5 6 7 8 9 10 11 12
B Harmonic Major
5 6 7 8 9 10 11 12
G Harmonic Major
5 6 7 8 9 10 11 12
G Harmonic Major Vamp Two-Note-per-String Fingering
E Harmonic Major
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 238
B /C
3 # # œœœ ... . . &4 œ. T A B
œ ‰ œœ œ.
2 4 4 3
œœ #œ Œ # œœ œ œ. œ. 2 4 4
2 4 4 3
3
..
2 4 4 3
6/19/12 12:46 PM
239
Harmonic Minor (1 2 3 4 5 6 7 8)
The harmonic minor scale is constructed by the following sequence Harmonic Minor of whole (W) and half (H) steps: W-H-W-W-H-W+H (augmented 2nd)-H. The augmented 2nd ( 6-7) gives this scale its characteristic sound. The harmonic minor scale also produces seven interesting modes that can be useful in a variety of contexts. They are: 1st mode=harmonic b3 b6 2 1 4 5 7 8 T minor (Aeolian 7), 2nd mode=Locrian 6 (page 254), 3rd mode=Ionian 0 1 0 1 A 0 1 3 augmented (page 244), 4th mode=Dorian 4 (page 232), 5th 3 B mode=Phrygian major (page 299), 6th mode=Lydian 9 (page 258) and 7th mode=altered dominant 7 (page 198). Because of its leading tone, the harmonic minor scale works well over a ii-V progression (iimin7 5-V7alt.). The vamp below illustrates this scale’s use within a minor ii-V progression. The leading tone (raised 7th degree) is actually 3 of the V7 chord, which makes this scale a great choice for this progression.
&
Open Position
Single-String Fingering
C Harmonic Minor
C Harmonic Minor
œ
œ
œ bœ
œ
œ bœ
œ
Harmonic Minor
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths F Harmonic Minor
C Harmonic Minor
5
6
7
8
9 10 11 12
5
Ab Harmonic Minor
5
6
7
8
6
7
9 10 11 12
8
7
8
9 10 11 12
Db Harmonic Minor
5
E Harmonic Minor
5
6
6
7
8
9 10 11 12
A Harmonic Minor
9 10 11 12
5
6
7
8
9 10 11 12
Bb Harmonic Minor
5
6
7
8
9 10 11 12
Gb Harmonic Minor
5
6
7
8
9 10 11 12
D Harmonic Minor
5
6
7
8
9 10 11 12
Eb Harmonic Minor
5
6
7
8
9 10 11 12
B Harmonic Minor
5
6
7
8
9 10 11 12
G Harmonic Minor
5
6
7
8
9 10 11 12
C Harmonic Minor Vamp b
j G7 13 œœ b˙ œ Œ ˙˙ œ. œ.
6 5 6
6 5 6
j œ & 34 .. ‰œ .b œœ Œ œ . ‰ Dmin7 5
Two-Note-per-String Fingering
E Harmonic Minor
T A B 1
2
3
4
40140 Ultimate Chord Scale Bible.indb 239
5
6
7
8
5
5
b
..
4 4 3 3
3
9 10 11 12 13 14 15
6/19/12 12:47 PM
240
Harmonic Minor 5 (1 2 3 4 5 6 7 8)
The harmonic minor 5 scale is a seven-note hybrid scale that resembles a harmonic minor scale (page 239) with a 5. It can be superimposed in an altered dominant context. The harmony outlined in the vamp at the bottom right corner of the page is quite specific to the scale. The chord E/E was formed by spelling a major triad built on the 7th degree of the E Harmonic Minor 5 scale (D -G-B = E -G-B ). The bass line contains pitches from the scale. The end result is a dissonant, altered dominant sound. With the 2nd scale degree, F as the root, this chord could be construed as F 13 9 (E /D =13, G= 9, B /A =3rd, E= 7).
Harmonic Minor 5
& T A B
œ bœ
œ
b3
2
1
0
3
4
1
œ
œ bœ bœ 3
b5
b6 1
4
œ
7
8
0
1
Single-String Fingering
Open Position
C Harm. Min.b5
C Harm. Min.b5
1 2
Harmonic Minor 5
3 4
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths C Harm. Min. b5
5 6 7 8 9 10 11 12
Ab Harm. Min. b5
5 6 7 8 9 10 11 12
E Harm. Min. b5
5 6 7 8 9 10 11 12
F Harm. Min. b5
5 6 7 8 9 10 11 12
Db Harm. Min. b5
5 6 7 8 9 10 11 12
Gb Harm. Min. b5
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
A Harm. Min. b5
D Harm. Min. b5
5 6 7 8 9 10 11 12
Two-Note-per-String Fingering
E Harm. Min. b5
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 240
Bb Harm. Min. b5
5 6 7 8 9 10 11 12
Eb Harm. Min. b5
5 6 7 8 9 10 11 12
B Harm. Min. b5
5 6 7 8 9 10 11 12
G Harm. Min. b5
5 6 7 8 9 10 11 12
E Harmonic Minor 5 Vamp
& 44 T A B
b
˙ .. Œ bb ˙˙ œ. E /E
7
8 8 8
œ J
˙
0
( 0)
Œ
˙ Œ bb ˙˙ œ . bœ J
˙
Π..
8 8 8
8
6
( 6)
6/19/12 12:47 PM
241
Harmonic Sus4 (1 2 4 5 6 7 8)
The harmonic sus4 scale is a six-note hybrid scale that resembles the harmonic minor scale (page 239) with the 3rd scale degree omitted. The harmonic sus4 scale can be construed as a suspended 4th version of the harmonic minor scale, and so it can be applied to harmonic minor situations. It can also be viewed as a substitute for the altered dominant scale (page 197). The scale degrees are: 1, 2, sus4 (11), 5, 13, 7 (which acts as a leading tone to the root), 8. The vamp at the bottom right illustrates the scale’s altered dominant application. The harmony outlined reflects the special tones of the scale (sus4 and 13). Try using this scale in any altered dominant context.
Open Position
C Harm. sus4
Harmonic sus4
& T A B
œ
œ
œ
2
1
4
0
3
3
œ 5
bœ b6
0
1
œ
œ
7
8
0
1
Single-String Fingering
C Harm. sus4
1 2 4
1
5
2
3
4
5
6
7
8
Harmonic sus4
3
9 10 11 12 13 14 15 16 17 18 19 20 21
6
Position Fingerings Through the Circle of 4ths C Harm. sus4
5 6 7 8 9 10 11 12
Ab Harm. sus4
5 6 7 8 9 10 11 12
E Harm. sus4
5 6 7 8 9 10 11 12
F Harm. sus4
5 6 7 8 9 10 11 12
Db Harm. sus4
Bb Harm. sus4
5 6 7 8 9 10 11 12
Gb Harm. sus4
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
A Harm. sus4
D Harm. sus4
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Eb Harm. sus4
5 6 7 8 9 10 11 12
B Harm. sus4
5 6 7 8 9 10 11 12
G Harm. sus4
5 6 7 8 9 10 11 12
G Harmonic sus4 Vamp Two-Note-per-String Fingering
E Harm. sus4
G11
& 34 .. Œ . ˙.
T A B
œœœ ...
b
G 7 13
Œ. ˙.
1 4 3 3
b œœ .. œ.
..
4 4 3 3
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
UCSB_232-241.indd 241
6/28/12 10:30 AM
242
Hungarian Major (1 2 3 4 5 6 7 8)
The Hungarian major scale is an interesting seven-note scale that can be applied in various Locrian (pages 251-254) or min7 5 contexts. It contains both the 6 and natural 6 ( 7) scale degrees, which makes it a particularly colorful choice. The vamp at the bottom right of the page is the same as for the Locrian 2 scale (page 253, the 6th mode of the jazz minor scale, page 247). Experiment with the two types of 6th scale degrees.
Open Position
Hungarian Major
& T A B
œ 1
3
œ
œ bœ bœ ∫œ
œ bœ 2
b3
4
b5
0
1
3
4
b6
∫7
1
2
8 1
Single-String Fingering
C Hungarian Maj. C Hungarian Major 1 2
Hungarian Major
3 4
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths C Hungarian Major
5 6 7 8 9 10 11 12
Ab Hungarian Major
5 6 7 8 9 10 11 12
E Hungarian Major
5 6 7 8 9 10 11 12
F Hungarian Major
5 6 7 8 9 10 11 12
Db Hungarian Major
Bb Hungarian Major
5 6 7 8 9 10 11 12
Gb Hungarian Major
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
A Hungarian Major
D Hungarian Major
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Eb Hungarian Major
5 6 7 8 9 10 11 12
B Hungarian Major
5 6 7 8 9 10 11 12
G Hungarian Major
5 6 7 8 9 10 11 12
A Hungarian Major Vamp Two-Note-per-String Fingering
E Hungarian Major
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 242
œœ b œœ œ œ œ œ œ
& 44 .. ΠT A B
6 7 7 5
5
b
Amin7 5
D min/A
( 5)
(4) (5) (5)
˙˙ ˙ œ œ
(4 ) (5 ) (5 )
5
b
D min/A Amin7 5
œœ œ œ œ ( 4) ( 5) ( 5)
5
5
œœ b œœ œ œ œ 6 7 7
5
( 5)
4 5 5
˙˙ . ˙ . œ œ (4) (5) (5)
5
5
6/19/12 12:47 PM
243
Ionian 5 (1 2 3 4 5 6 7 8)
The Ionian 5 scale is a hybrid scale that resembles the Ionian mode (page 272, the 1st mode of the major scale) with a flatted 5th degree. Ionian 5 is similar in applications to the Lydian augmented scale (page 260, 3rd mode of the jazz minor scale, page 247). It can be used with a Maj7 5 or Maj7 11. Within these applications, consider the 4th scale degree a passing tone to the 5. The vamp at the bottom right corner of the page uses the Maj7 5 sound to explore the Ionian 5 scale.
Open Position
C Ionian b5
Ionian 5
& T A B
œ
œ
2
1
3
0
3
œ
œ bœ
œ
b5
4
2
3
6 2
4
œ
œ
7
8
0
1
Single-String Fingering
C Ionian b5
1 2 3 4
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
5 6
Ionian 5
Position Fingerings Through the Circle of 4ths C Ionian b5
5 6 7 8 9 10 11 12
Ab Ionian b5
5 6 7 8 9 10 11 12
E Ionian b5
5 6 7 8 9 10 11 12
F Ionian b5
5 6 7 8 9 10 11 12
Db Ionian b5
b B Ionian b5
5 6 7 8 9 10 11 12
Gb Ionian b5
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
A Ionian b5
D Ionian b5
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Eb Ionian b5
5 6 7 8 9 10 11 12
B Ionian b5
5 6 7 8 9 10 11 12
G Ionian b5
5 6 7 8 9 10 11 12
E Ionian 5 Vamp Two-Note-per-String Fingering
E Ionian b5
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 243
b
b
˙˙ 4 . Œ & 4 . bœ . ˙ E Maj7 5
T A B
6
8 7 7
œ ˙ J 5
5
œœ œ
˙ Œ ˙˙ bœ .
8 7 7
8 7 7
6
œ œ J 5
5
Œ . nœ . 7
6/19/12 12:47 PM
244
Ionian Augmented (1 2 3 4 5 6 7 8)
The Ionian augmented scale is the 3rd mode of the harmonic minor scale (page 239). It can be substituted for the Lydian augmented scale (page 260) resulting in a softer, less harsh sound. Its functional and modal usage is similar to Lydian augmented. The two chords in the vamp below emphasize the 5 (AMaj7 5) and the natural 11 (B /A) scale degrees. Remember to avoid the natural 11 in Maj7th voicings (the 11 right next to the 3 produces an unwanted minor 2nd dissonance).
o
Open Position
Single-String Fingering
C Ionian Augmented
C Ionian Augmented
Ionian Augmented
& T A B
œ
œ
2
1
0
3
œ 3
#5
4
2
œ
œ #œ
6
1
3
2
œ
œ
7
8
0
1
1 2
Ionian Augmented
3 4
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths C Ionian Augmented
F Ionian Augmented
b B Ionian Augmented
Eb Ionian Augmented
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Ab Ionian Augmented
Db Ionian Augmented
Gb Ionian Augmented
B Ionian Augmented
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
E Ionian Augmented
A Ionian Augmented
D Ionian Augmented
G Ionian Augmented
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Two-Note-per-String Fingering
E Ionian Augmented
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 244
A Ionian Augmented Vamp # A Maj7 5 B o/A
& 44 .. Ó
˙.
T A B
0
### ˙˙˙ 6 6 6
Ó œ œ ˙.
( 0)
0
0
˙˙ ˙ 6 7 9
œœ (0 )
..
0
6/19/12 12:47 PM
245
Iraq (1 2 3 4 5 6 7 7 8)
Iraq is an eight-note Arabian scale. In a Western context, Iraq can be viewed as a bebop version of the Locrian mode (page 251, the 7th mode of the major scale, page 272). Remember that the bebop-type scales add passing tones. The passing tone in this scale acts as the leading tone to the root. The vamp at the bottom right is the same as for the Locrian mode. Iraq makes an excellent alternative in any Locrian context. The passing tone imparts a jazz quality to the scale.
Open Position
Single-String Fingering
C Iraq
C Iraq
Iraq
&
œ bbœ bbœ 2
1
T A B
3
3
œ
7
8
0
1
4
1
4
œ bœ bœ bœ nœ 3
b5 4
b6 1
b7 3
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5 6
Iraq
Position Fingerings Through the Circle of 4ths
6
7
8
9 10 11 12
5
Ab Iraq
5
6
7
6
7
8
9 10 11 12
Db Iraq
8
9 10 11 12
5
E Iraq
5
6
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
8
9 10 11 12
E Iraq
2
3
4
5
40140 Ultimate Chord Scale Bible.indb 245
6
7
8
7
8
9 10 11 12
5
6
7
9 10 11 12 13 14 15
5
6
7
5
6
7
8
9 10 11 12
8
9 10 11 12
8
9 10 11 12
B Iraq
8
9 10 11 12
D Iraq
Two-Note-per-String Fingering
1
6
Gb Iraq
A Iraq
7
5
Eb Iraq
5
6
7
G Iraq
8
9 10 11 12
5
6
7
E Iraq Vamp b
Œ. & 34 .. b ˙ .
b
E min7 5
T A B
6
b b œœœ ...
œ
7 6 7 5
bœ 4
Ó
5
Bb Iraq
F Iraq
C Iraq
bœ
..
7
6/19/12 12:47 PM
246
Iwato (1 2 4 5 7 8) Iwato
Iwato is a traditional five-note Japanese scale. In a Western context, Iwato translates into a dominant sus 5 9 pentatonic scale, which may be applied to an altered dominant sound. Iwato emphasizes the 4th degree, giving it a suspended quality. Even though the 3 is not in the scale, the presence of the 7, with the 5 and 9 altered tensions, makes Iwato a good altered dominant pentatonic choice.The vamp at the bottom right illustrates how Iwato can be used in an altered dominant context. Both chords emphasize the important aspects of this scale: the 4, 5, 7 and 9.
Open Position
Single-String Fingering
C Iwato
C Iwato
&
bœ
œ
b2
1
T A B
3
œ
bœ
3
4
4
4
œ
bœ
b5
b7
8 1
3
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5
Iwato
6
Position Fingerings Through the Circle of 4ths
5
6
7
8
9 10 11 12
Ab Iwato
5
6
7
6
7
5
6
7
8
9 10 11 12
Db Iwato
8
9 10 11 12
E Iwato
5
Bb Iwato
F Iwato
C Iwato
5
6
7
9 10 11 12
5
6
7
6
7
8
9 10 11 12
Gb Iwato
8
9 10 11 12
A Iwato
8
5
Eb Iwato
5
6
7
9 10 11 12
5
6
7
6
7
8
9 10 11 12
8
9 10 11 12
8
9 10 11 12
B Iwato
8
9 10 11 12
D Iwato
8
5
5
6
7
G Iwato
8
9 10 11 12
5
6
7
A Iwato Vamp Two-Note-per-String Fingering
E Iwato
5 6
7 8
b
A11 9
& 44 .. Π. w
9 10 11 12 13 14 15 16 17 18 19
40140 Ultimate Chord Scale Bible.indb 246
T A B
b
A 13 9 j b œ œ . œj # œœ œœ .. b b œœ œ 6 3 6
0
(6 ) (3 ) (6 )
3 4 3 2
ww w w œ ( 3) ( 4) ( 3) ( 2)
0
˙.
..
0
6/19/12 12:47 PM
247
Jazz Minor/Melodic Minor (1 2 3 4 5 6 7 8)
The jazz minor (or melodic minor, ascending*) is constructed by the Jazz Minor following sequence of whole (W) and half (H) steps: W, H, W, W , W, W, H. The jazz minor scale produces seven interesting modes found in a variety of contexts. They are: 1st mode=jazz minor b3 (Ionian 3), 2nd mode=Phrygian 6, 3rd mode=Lydian Augmented, 4th 2 4 5 6 7 1 8 T 0 1 mode=Lydian 7, 5th mode=Aeolian major , 6th mode=Locrian 2 and 0 2 A 0 1 3 7th mode=altered dominant. As you can see, the names of these 3 B modes are variations on the names of the major (page 272) scale modes. Three of these modes are altered dominant-oriented (Lydian dominant,Open Aeolian major and altered dominant) and work well over dominant 7 chords containing altered tensions ( 9, 9, 5, 13). Single-String Fingering Position Fingering Position The vampOpen below demonstrates howSingle-String jazz minor can be used in a min/Maj9 chord context.
&
C Jazz Minor C Jazz Minor
œ
œ
C Jazz Minor C Jazz Minor
Open Position
Single-String Fingering
C Jazz Minor
C Jazz Minor
3 4 1 54 2 65 3 6 4
1 1
2 2
3 3
4 4
5 5
6 6
7 7
8 8
9 9
10 11 12 13 14 15 16 10 11 12 13 14 15 16
17 18 19 20 21 17 18 19 20 21
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5
* In a classical context, the melodic minor scale ascends just as shown here for the jazz minor, but it descends differently, as a natural minor (Aeolian) scale (page 193).
6
Position Fingerings Through the Circle of 4ths Position Fingerings Through the Circle of 4ths C Jazz Minor
F Jazz Minor
Bb Jazz Minor
C5 Jazz 6 7 Minor 8 9 10
F5 Jazz Minor 6 7 8 9 10
B5b Jazz 6 7 Minor 8 9 10
Eb Jazz Minor Eb Jazz Minor
Position Fingerings Through the Circle of F Jazz Minor C Jazz Minor Bb 4ths Jazz Minor
5
6
7
8
11 12 9 10 11 12
Ab Jazz Minor A5 b Jazz 6 7 Minor 8 9 10
5
6
7
8
11 12
5
E Jazz Minor 6 6
7 7
8 8
9 10 11 12 9 10 11 12
5
6
7
8
9 10 11 12
11 12
6
7
8
11 12 9 10 11 12
A Jazz Minor A Jazz Minor 5 6 7 8 9 10
11 12
5 5
8
D5 b Jazz Minor 6 7 8 9 10
11 12 9 10 11 12
E Jazz Minor E5 Jazz Minor 6 7 8 9 10
7
Db Jazz Minor b D 5 Jazz 6 7 Minor 8 9 10
A5 b Jazz Minor 6 7 8 9 10 5
6
11 12 9 10 11 12
11 12
A Jazz Minor 5 5
6 6
7 7
8 8
9 10 11 12 9 10 11 12
5
6
7
8
9 10 11 12
Two-Note-per-String Fingering Two-Note-per-String Fingering
E Jazz Minor E Jazz Minor Fingering Two-Note-per-String E Jazz Minor
UCSB_242-251.indd 247
1 1
2 2
3 3
4 4
5 5
6 6
7 7
8 8
9 10 11 12 13 14 15 9 10 11 12 13 14 15
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15
5
6
7
8
11 12 9 10 11 12
Gb Jazz Minor G5 b Jazz 6 7 Minor 8 9 10
11 12
G5 b Jazz Minor 6 7 8 9 10 5
6
7
8
11 12 9 10 11 12
D Jazz Minor D Jazz Minor 5 6 7 8 9 10
11 12
D Jazz Minor 5 5
6 6
7 7
8 8
9 10 11 12 9 10 11 12
5
6
7
8
9 10 11 12
E5b Jazz 6 7 Minor 8 9 10 5
6
7
8
11 12 9 10 11 12
B Jazz Minor B5 Jazz 6 7 Minor 8 9 10
Jazz Minor/Melodic Minor
1 21 2 3
œ
œ
œ
œ
œ bœ
11 12
B5 Jazz Minor 6 7 8 9 10 5
6
7
8
11 12 9 10 11 12
G Jazz Minor G5 Jazz Minor 6 7 8 9 10
11 12
G Jazz Minor 5 5
6 6
7 7
8 8
9 10 11 12 9 10 11 12
6 7 8 9 10 11 12 D5 Jazz Minor Vamp
& 44 T A B
Dmin/Maj9 Dmin/Maj9
.. # œœ œœ
œœ œœ
œœ œœ
œœ œœ
œœ œœ
œœ œœ
˙˙ ˙˙
5 6 3 5
5 6 3 5
(5) (6) (3) (5)
5 6 3 5
(5 ) (6 ) (3 ) (5 )
5 6 3 5
(5) (6) (3) (5)
˙
..
5
6/28/12 9:10 AM
248
Kokin-Choshi (1 2 4 5 7 8) Kokin-Choshi
Kokin-Choshi is a traditional five-note Japanese scale. In a Western context, Kokin-Choshi translates into a dominant sus 9 pentatonic scale, which may be applied to a Phrygian (pages 297-302) or altered dominant (page 197) sound. It works particularly well with a 7sus 9 chord. The vamp at the bottom right corner of the page is the same as for the Phrygian (page 297).
Open Position
Single-String Fingering
C Kokin-Choshi
C Kokin-Choshi
&
bœ
œ
b2
1
T A B
3
4
3
4
œ
bœ
œ
œ
5
b7
0
3
8 1
1 2 3
Kokin-Choshi
4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths C Kokin-Choshi
5
6
7
8
9 10 11 12
Ab Kokin-Choshi
5
6
7
8
6
7
8
5
6
7
8
9 10 11 12
Db Kokin-Choshi
9 10 11 12
E Kokin-Choshi
5
F Kokin-Choshi
5
6
7
8
9 10 11 12
A Kokin-Choshi
9 10 11 12
5
6
7
8
9 10 11 12
Bb Kokin-Choshi
5
6
7
8
9 10 11 12
Gb Kokin-Choshi
5
6
7
8
9 10 11 12
D Kokin-Choshi
5
6
7
8
9 10 11 12
Eb Kokin-Choshi
5
6
7
8
9 10 11 12
B Kokin-Choshi
5
6
7
8
9 10 11 12
G Kokin-Choshi
5
6
7
8
9 10 11 12
E Kokin-Choshi Vamp Two-Note-per-String Fingering
E Kokin-Choshi
& 44 T A B
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19
40140 Ultimate Chord Scale Bible.indb 248
b
j j œ œ œ œ .. œ œ ‰ œ ‰ œ œ œ œ œ ˙ ˙
E sus7 9
3 2 3 0
3 2 3
3 2 3 0
3 2 3
ww w ˙
˙
..
( 3) ( 2) ( 3)
0
0
6/19/12 12:47 PM
249
Kumoi (1 2 3 5 6 8) Kumoi
Kumoi is a traditional five-note Japanese scale. In a Western context, Kumoi translates into a minor 6 pentatonic scale, which may be used to play over min6 or a min/Maj7 sounds. The vamp at the bottom right corner of the page is the same as for the jazz minor scale (page 247). Try alternating between the two choices.
&
œ 1
T A B
Open Position
Single-String Fingering
C Kumoi
C Kumoi
3
œ
2
bœ
0
1
b3
œ
œ
0
2
5
œ
6
8 1
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5 6
Kumoi
Position Fingerings Through the Circle of 4ths
5
6
7
8
9 10 11 12
Ab Kumoi
5
6
7
6
7
5
6
7
8
9 10 11 12
Db Kumoi
8
9 10 11 12
E Kumoi
5
Bb Kumoi
F Kumoi
C Kumoi
5
6
7
8
9 10 11 12
5
6
7
8
6
7
8
9 10 11 12
Gb Kumoi
9 10 11 12
A Kumoi
8
5
Eb Kumoi
5
6
7
8
5
6
7
8
6
7
8
9 10 11 12
B Kumoi
9 10 11 12
D Kumoi
9 10 11 12
5
5
6
7
8
9 10 11 12
G Kumoi
9 10 11 12
5
6
7
8
9 10 11 12
D Kumoi Vamp Two-Note-per-String Fingering
E Kumoi
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19
40140 Ultimate Chord Scale Bible.indb 249
Dmin/Maj9
œ œ & 44 .. # œœœ œœœ T A B
5 6 3 5
5 6 3 5
œœ œœ
œœ œœ
œœ œœ
œœ œœ
˙˙ ˙˙
(5) (6) (3) (5)
5 6 3 5
( 5) ( 6) ( 3) ( 5)
5 6 3 5
( 5) ( 6) ( 3) ( 5)
˙
..
5
6/19/12 12:47 PM
250
Leading-Tone Blues (1 4 6 7 7 8) Leading-Tone Blues
The leading-tone blues scale is an interesting five-note scale that resembles a pentatonic version of the Lydian 7 scale (page 257, the 4th mode of the jazz minor scale, page 247) with an added passing tone (the leading tone, a major 7 above the root) between 7 and 8. There is a strong emphasis on the 4 and the 7, which gives the scale a distinctive 7 11 application. The vamp at the bottom right corner of the page is the same as for Lydian 7. The passing tone between the 7 and 8 helps provide a stronger resolution to the root. Try substituting the this scale for any 7 11 or in any minor pentatonic blues (page 291) context.
&
œ
#4
1
T A B
œ
#œ
b7
6 2
4
3
bœ 3
nœ
œ
7
8
0
1
Single-String Fingering
Open Position
C Leading-Tone Blues C Leading-Tone Blues
Leading-Tone Blues
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths F Leading-Tone Blues
C Leading-Tone Blues
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
Bb Leading-Tone Blues Eb Leading-Tone Blues
5
6
7
8
9 10 11 12
Ab Leading-Tone Blues Db Leading-Tone Blues Gb Leading-Tone Blues
5
6
7
8
9 10 11 12
5
E Leading-Tone Blues
5
6
7
8
6
7
8
9 10 11 12
A Leading-Tone Blues
9 10 11 12
5
6
7
8
9 10 11 12
Two-Note-per-String Fingering
E Leading-Tone Blues
1
2
3
4
5
40140 Ultimate Chord Scale Bible.indb 250
6
7
8
9 10 11 12 13 14 15
5
6
7
8
9 10 11 12
D Leading-Tone Blues
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
B Leading-Tone Blues
5
6
7
8
9 10 11 12
G Leading-Tone Blues
5
6
7
8
9 10 11 12
F Leading-Tone Blues Vamp b
˙
j œœœ Œ œ œ
0 2 1
0 2 1
F7 5
& 34 .. b œœœ ... T A B
1
˙ b ˙˙ œ œ 0 2 1
( 1)
1
( 1)
1
Œ œ
..
2
6/19/12 12:47 PM
251
Locrian (1 2 3 4 5 6 7 8)
The Locrian mode is the 7th mode of the major scale (page 272). It is interpreted as a min7 5 (half-diminished) sound. Locrian is the diatonic chord scale for the vii chord in a major key, but Locrian 2 (page 253) is a better choice for the ii chord in a minor key (also a min7 5). Both will work in the context of ii7 5-V-I progression. The vamp at the bottom right corner of the page uses the min7 5 chord to illustrate the use of the Locrian mode. The original bebop musicians seemed to prefer Locrian in a min7 5 context.
Open Position
Single-String Fingering
C Locrian
C Locrian
Locrian
& T A B
2
1 3
4
œ
œ bœ bœ bœ
œ bbœ bbœ
3
1
4
b5
3
4
b6
b7
1
3
8 1
1 2 3 4
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
5 6
Locrian
Position Fingerings Through the Circle of 4ths C Locrian
5 6 7 8 9 10 11 12
Ab Locrian
5 6 7 8 9 10 11 12
E Locrian
5 6 7 8 9 10 11 12
F Locrian
5 6 7 8 9 10 11 12
Db Locrian
Bb Locrian
5 6 7 8 9 10 11 12
Gb Locrian
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
A Locrian
D Locrian
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Eb Locrian
5 6 7 8 9 10 11 12
B Locrian
5 6 7 8 9 10 11 12
G Locrian
5 6 7 8 9 10 11 12
E Locrian Vamp
E Locrian
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 251
b
b
E min7 5
Œ. & 34 .. b ˙ . T A B
6
b b œœœ ...
œ
7 6 7 5
bœ 4
Ó
Two-Note-per-String Fingering
bœ
..
7
6/19/12 12:47 PM
252
Locrian 7 (1 2 3 4 5 6 7 8) Locrian 7
& T A B
2
1 3
3
b5
4
1
4
œ
œ bœ bœ ∫œ
œ bbœ bbœ
3
b6
∫7
1
4
8 1
2
Locrian 7
The Locrian 7 scale is the 7th mode of the harmonic major scale (page 238). This scale is a variation on the Locrian mode (page 251, the 7th mode of the major scale, page 272) and can be used as a substitute for the various Locrian modes (Locrian, Locrian 2, page 253 and Locrian 6, page 254). The absence of a “real” 7th scale degree, in combination with the augmented 2nd interval from 7 to 1, makes this Locrian variation particularly melodic. The vamp at the bottom right corner of the page captures the Locrian 7 sound by using the min7 5 and accenting the scale’s 7 (A) found in the F+/E chord.
E Locrian 7 Vamp b
œœ œœ 5 . Œ b & 4 . œ œ Œ # œœœ Emin7 5
T A B
40140 Ultimate Chord Scale Bible.indb 252
œ.
œ.
8 7 8 0
˙
8 7 8 0
F +/E
b
œ œ Œ b œœ œœ Œ # œœœ .. œ. œ. ˙
2 2 3 0
F +/E
Emin7 5
8 7 8 0
8 7 8 0
2 2 3 0
6/19/12 12:47 PM
253
Locrian 2 (1 2 3 4 5 6 7 8)
The Locrian 2 scale is the 6th mode of the jazz minor scale (page 247). The natural 9 (2) gives this mode a bit more stability as compared to the Locrian mode (page 251), which has a 2 degree. Locrian 2 can be used with any min7 5 chord in a functional progression. This particular variation on the Locrian mode is popular among jazz musicians. The vamp at the bottom right corner of the page uses all the pitches in the scale except the natural 2. If you emphasize the 2, you’ll really hear the special quality of that pitch. Try substituting this scale for any Locrian application.
Open Position
C Locrian n2
Locrian 2
& T A B
œ
b3
2
1
0
3
œ
œ bœ bœ bœ
œ bœ
b5
4
1
3
b6
b7
1
4
8 1
3
Single-String Fingering
C Locrian n2
1 2 3 4
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
5 6
Locrian 2
Position Fingerings Through the Circle of 4ths n C Locrian 2
5 6 7 8 9 10 11 12
n Ab Locrian 2
5 6 7 8 9 10 11 12
n E Locrian 2
5 6 7 8 9 10 11 12
n F Locrian 2
5 6 7 8 9 10 11 12
n Db Locrian 2
5 6 7 8 9 10 11 12
n Gb Locrian 2
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
n A Locrian 2
n D Locrian 2
5 6 7 8 9 10 11 12
Two-Note-per-String Fingering
E Locrian n2
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 253
n Bb Locrian 2
5 6 7 8 9 10 11 12
n Eb Locrian 2
5 6 7 8 9 10 11 12
n B Locrian 2
5 6 7 8 9 10 11 12
n G Locrian 2
5 6 7 8 9 10 11 12
A Locrian 2 Vamp
œœ b œœ œ œ œ œ œ
4 & 4 .. ΠT A B
0
0
b
Amin7 5
D min/A
6 7 7 ( 0)
4 5 5
˙˙ ˙ œ œ
( 4) ( 5) ( 5)
0
0
b
D min/A Amin7 5
œœ œ œ œ ( 4) ( 5) ( 5)
0
0
œœ b œœ œ œ œ
6 7 7 ( 0)
4 5 5
˙˙ . ˙ . œ œ
(4 ) (5 ) (5 )
0
0
6/19/12 12:47 PM
254
Locrian 6 (1 2 3 4 5 6 7 8)
The Locrian 6 scale is the 2nd mode of the harmonic minor scale (page 239). Locrian 6 produces a min7 5 (half diminished) chord with a natural 13th tension. This scale is not as common as the other Locrian choices, but it will work as a substitute. The vamp in E at the bottom right corner of the page illustrates Locrian 6’s min7 5 application but also includes a chord (F+/E) that is specific to this scale because it includes the natural 6, C .
Open Position
C Locrian n6
Locrian 6
& T A B
2
1
3
3
1
4
b5
4
œ
œ bœ
œ bœ
œ bbœ bbœ
b7
6 2
3
4
F +/E
Emin7 5
8 1
3
Single-String Fingering
C Locrian n6
1 2 3 4
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
5
Locrian 6
6
Position Fingerings Through the Circle of 4ths n C Locrian 6
5 6 7 8 9 10 11 12
n Ab Locrian 6
5 6 7 8 9 10 11 12
n E Locrian 6
5 6 7 8 9 10 11 12
n F Locrian 6
5 6 7 8 9 10 11 12
n Db Locrian 6
5 6 7 8 9 10 11 12
n Gb Locrian 6
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
n A Locrian 6
n D Locrian 6
5 6 7 8 9 10 11 12
Two-Note-per-String Fingering
E Locrian n6
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 254
n Bb Locrian 6
5 6 7 8 9 10 11 12
n E b Locrian 6
5 6 7 8 9 10 11 12
n B Locrian 6
5 6 7 8 9 10 11 12
n G Locrian 6
5 6 7 8 9 10 11 12
E Locrian 6 Vamp b
Emin7 5
œœ œœ 5 . & 4 . Œ b œ œ Œ # œœœ T A B
œ.
œ.
8 7 8 0
˙
8 7 8 0
b
œœ œœ Œ b œ œ Œ # œœœ .. œ. œ. ˙
2 2 3 0
F +/E
8 7 8 0
8 7 8 0
2 2 3 0
6/19/12 12:47 PM
255
Lydian (1 2 3 4 5 6 7 8)
The Lydian mode is the 4th mode of the major scale (Ionian mode, page 272). The 4 of the scale provides a colorful alternative to the Maj7/Ionian sound. Modally, the 4 is usually voiced in the upper structure of the chord as a 11. The sound of the Lydian mode is tense, aggressive and expansive. The vamp at the bottom right corner of the page expresses the essence of the Lydian sound by emphasizing the 3, 7 and 11 of the chord. Try centering around these pitches when improvising with this scale.
Open Position
Single-String Fingering
C Lydian
C Lydian
Lydian
&
œ
œ
2
1
T A B
0
3
œ #œ 3
2
#4 4
œ 5 0
œ 6 2
œ
œ
7
8
0
1
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5 6
Lydian
Position Fingerings Through the Circle of 4ths
5
6
7
8
9 10 11 12
5
Ab Lydian
5
6
7
8
6
7
6
7
8
9 10 11 12
Db Lydian
9 10 11 12
5
E Lydian
5
Bb Lydian
F Lydian
C Lydian
6
7
8
9 10 11 12
5
6
7
8
6
7
8
9 10 11 12
Gb Lydian
9 10 11 12
A Lydian
8
5
Eb Lydian
5
6
7
8
5
6
7
8
6
7
8
9 10 11 12
B Lydian
9 10 11 12
D Lydian
9 10 11 12
5
5
6
7
8
9 10 11 12
G Lydian
9 10 11 12
5
6
7
8
9 10 11 12
G Lydian Vamp Two-Note-per-String Fingering
E Lydian
1
2
3
4
40140 Ultimate Chord Scale Bible.indb 255
5
& 34 .. Œ . ˙.
6
7
8
9 10 11 12 13 14 15
#
G Maj7 11
T A B
. # œœ . 4 4
3
œœ .. ˙. (4 ) (4 )
# œœ ..
..
2 4
3
6/19/12 12:47 PM
256
Lydian 3 (1 2 3 4 5 6 7 8)
The Lydian 3 scale is the 4th mode of the harmonic major scale (page 238). This scale is a variation on the Lydian mode (page 255) of the major scale (page 272) and it works well over a min6/9 chord in either a functional or modal harmonic situation. The 4 acts as a chromatic passing tone to 5. The vamp in A at the bottom right corner of the page utilizes the min6/9 chord (second measure) and a Phrygian-type voicing (page 297) built on the 7th scale degree (G or A ) in measure one (A /A).
Lydian 3
&
œ
b3
2
1
T A B
œ bœ #œ 0
3
#4
1
4
œ
œ 5
6
0
2
œ
œ
7
8
0
1
Single-String Fingering
Open Position
C Lydian b3
C Lydian b3
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5
Lydian 3
6
Position Fingerings Through the Circle of 4ths b F Lydian 3
b C Lydian 3
5
6
7
8
9 10 11 12
5
b Ab Lydian 3
5
6
7
8
6
7
9 10 11 12
8
7
8
9 10 11 12
b Db Lydian 3
5
b E Lydian 3
5
6
6
7
8
9 10 11 12
b A Lydian 3
9 10 11 12
5
6
7
8
9 10 11 12
Two-Note-per-String Fingering
E Lydian b3
1
2
3
4
40140 Ultimate Chord Scale Bible.indb 256
5
6
7
8
9 10 11 12 13 14 15
b Bb Lydian 3
5
6
7
8
9 10 11 12
b Gb Lydian 3
5
6
7
8
9 10 11 12
b D Lydian 3
5
6
7
8
9 10 11 12
b Eb Lydian 3
5
6
7
8
9 10 11 12
b B Lydian 3
5
6
7
8
9 10 11 12
b G Lydian 3
5
6
7
8
9 10 11 12
A Lydian 3 Vamp b
A /A
b ˙˙ 4 . Œ . b ˙ &4 T A B
Amin6/9
œœ œ
œ. œ œ. œ J J
œœœ .. Œ # ˙˙˙ œ. œ œ. œ J J
0
0
4 5 6
0
0
4 5 6
0
0 5 4
0
0
0 5 4
0
6/19/12 12:47 PM
257
Lydian 7 (1 2 3 4 5 6 7)
The Lydian 7 scale is the 4th mode of the jazz minor scale (page 247). It is often referred to as Lydian dominant and is often used over a tritone substitution ( II7-I) context. The vamp in F at the bottom right corner of the page below illustrates the Lydian 7 scale with a 7 5 13 chord. This scale can be used as a substitute for any altered dominant situation.
Lydian 7
&
œ 1
T A B
3
œ 2
œ #œ 3
#4
0
2
4
œ
œ bœ 6
b7
0
2
3
5
œ 8 1
Single-String Fingering
Open Position
C Lydian b7
C Lydian b7
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5 6
Lydian 7
Position Fingerings Through the Circle of 4ths b F Lydian 7
b C Lydian 7
5
6
7
8
9 10 11 12
5
b Ab Lydian 7
5
6
7
8
6
7
9 10 11 12
8
7
8
9 10 11 12
b Db Lydian 7
5
b E Lydian 7
5
6
b Bb Lydian 7
6
7
8
9 10 11 12
b A Lydian 7
9 10 11 12
5
6
7
8
9 10 11 12
Two-Note-per-String Fingering
E Lydian b7
1
2
3
4
40140 Ultimate Chord Scale Bible.indb 257
5
6
7
8
9 10 11 12 13 14 15
5
6
7
8
9 10 11 12
b Gb Lydian 7
5
6
7
8
9 10 11 12
b D Lydian 7
5
6
7
8
9 10 11 12
b Eb Lydian 7
5
6
7
8
9 10 11 12
b B Lydian 7
5
6
7
8
9 10 11 12
b G Lydian 7
5
6
7
8
9 10 11 12
F Lydian 7 Vamp b b
˙
j ˙. œœœ Œ b ˙˙ .. œ œ œ œ
0 2 1
0 2 1
F7 5 13
& 34 .. b œœœ ... T A B
1
0 2 1 (1)
1
(1)
1
#œ
..
4
6/19/12 12:47 PM
258
Lydian 9 (1 2 3 4 5 6 7 8)
The Lydian 9 scale is the 6th mode of the harmonic minor scale (page 239). It can used as a substitute for the Lydian mode (page 255) to produce a brighter sound. The 2 ( 9) acts as a chromatic passing tone to the 3rd degree. Lydian 9 also works well over a VII/I voicing (for example, A /A). In measure one of the vamp in A at the bottom right corner of the page, make sure to use the 9 as a passing tone. In measure two, however, the 9 should be stressed as an important chord tone.
Lydian 9
&
œ ##œ 2
1
T A B
1
3
#4
3
2
5
6
0
4
œ
œ
œ
œ
œ #œ
2
7
8
0
1
Single-String Fingering
Open Position
C Lydian #9
C Lydian #9
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5
Lydian 9
6
Position Fingerings Through the Circle of 4ths # F Lydian 9
# C Lydian 9
5
6
7
8
9 10 11 12
5
# Ab Lydian 9
5
6
7
8
6
7
9 10 11 12
8
7
8
9 10 11 12
# Db Lydian 9
5
# E Lydian 9
5
6
6
7
8
9 10 11 12
# A Lydian 9
9 10 11 12
5
6
7
8
9 10 11 12
Two-Note-per-String Fingering
E Lydian #9
1
2
3
4
40140 Ultimate Chord Scale Bible.indb 258
5
6
7
8
9 10 11 12 13 14 15
# Bb Lydian 9
5
6
7
8
9 10 11 12
# Gb Lydian 9
5
6
7
8
9 10 11 12
# D Lydian 9
5
6
7
8
9 10 11 12
# Eb Lydian 9
5
6
7
8
9 10 11 12
# B Lydian 9
5
6
7
8
9 10 11 12
# G Lydian 9
5
6
7
8
9 10 11 12
A Lydian 9 Vamp #
j b œ œ 4 .. b b œœ œœ ‰ œœœ ‰ &4 ˙ ˙ AMaj7 11
T A B
4 6 6 5
4 6 6
4 6 6 0
b
j A /A j j j œœœ ‰ bb œœœ ‰ œœœ ‰ œœœ ‰ ˙ ˙
j œœ . œ.
4 6 6
4 5 6
4 5 6 5
4 5 6
4 5 6 0
6/19/12 12:47 PM
259
Lydian 6/9 Pentatonic (1 2 4 5 6 8)
The Lydian 6/9 pentatonic scale is a five-note that works well with major (page 272) and Lydian (page 255) sounds. It can be thought of as a pentatonic version of the Lydian mode (the 4th mode of the major scale). Along with the 4 ( 11), this scale emphasizes the 9 and 13 tensions, making it a very colorful pentatonic choice. The vamp at the bottom right corner of the page is the same as for the major 6 diminished scale (page 276). It includes one Maj6 chord. The tensions emphasized in this scale add color to this very stable tonality. Try substituting this scale for Lydian or major 6 diminished.
Lydian 6/9 Pentatonic
&
œ
#4
2
1
T A B
#œ
œ 0
3
œ
œ
0
2
5
4
œ 8
6
1
Single-String Fingering
Open Position
C Lydian 6/9 Pent. C Lydian 6/9 Pent. 1 2 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
Lydian 6/9 Pentatonic
3 17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths C Lydian 6/9 Pent.
5
6
7
8
9 10 11 12
Ab Lydian 6/9 Pent.
5
6
7
8
9 10 11 12
E Lydian 6/9 Pent.
5
6
7
8
9 10 11 12
F Lydian 6/9 Pent.
5
6
7
8
9 10 11 12
Db Lydian 6/9 Pent.
5
6
7
8
9 10 11 12
A Lydian 6/9 Pent.
5
6
7
8
9 10 11 12
Bb Lydian 6/9 Pent.
5
6
7
8
9 10 11 12
Gb Lydian 6/9 Pent.
5
6
7
8
9 10 11 12
D Lydian 6/9 Pent.
5
6
7
8
9 10 11 12
Eb Lydian 6/9 Pent.
5
6
7
8
9 10 11 12
B Lydian 6/9 Pent.
5
6
7
8
9 10 11 12
G Lydian 6/9 Pent.
5
6
7
8
9 10 11 12
A Lydian 6/9 Pentatonic Vamp Two-Note-per-String Fingering
E Lydian 6/9 Pent.
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19
40140 Ultimate Chord Scale Bible.indb 259
j j j j j j œ œ œ œ œ œ œ œ & 44 .. # # œœ œœ ‰ œœ ‰ œœ ‰ # # œœ ‰ œœ ‰ œœ ‰ œœ .. ˙ ˙ ˙ ˙ A6
T A B
5 6 4 0
5 6 4
5 6 4 0
5 6 4
0
5 6 4
5 6 4
5 6 4
5 6 4
0
6/19/12 12:47 PM
260
Lydian Augmented (1 2 3 4 5 6 7 8)
The Lydian augmented scale is the 3rd mode of the jazz minor scale (page 247). It is commonly found in contemporary jazz harmony. Functionally, Lydian augmented may be used for the Maj7 or Maj7 11 sound. It also works well with a dominant 7 chord voiced with the 7th in the bass. In the vamp at the bottom right corner of the page, both of these applications are explored with G+Maj7 and A7 (with the 7 in the bass). Also try using the Lydian augmented scale for augmented ( 5) situations.
Open Position
Single-String Fingering
C Lydian Augmented
C Lydian Augmented
Lydian Augmented
&
œ 1
T A B
3
2
#4
3
0
2
#5
6
1
4
œ
œ
œ
œ #œ #œ
œ
2
7
8
0
1
1 2
Lydian Augmented
3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths F Lydian Augmented
C Lydian Augmented
5
6
7
8
9 10 11 12
5
Ab Lydian Augmented
5
6
7
8
6
7
9 10 11 12
8
7
8
9 10 11 12
Db Lydian Augmented
5
E Lydian Augmented
5
6
6
7
8
9 10 11 12
A Lydian Augmented
9 10 11 12
5
6
7
8
9 10 11 12
Bb Lydian Augmented
5
6
7
8
9 10 11 12
Gb Lydian Augmented
5
6
7
8
9 10 11 12
D Lydian Augmented
5
6
7
8
9 10 11 12
Eb Lydian Augmented
5
6
7
8
9 10 11 12
B Lydian Augmented
5
6
7
8
9 10 11 12
G Lydian Augmented
5
6
7
8
9 10 11 12
G Lydian Augmented Vamp Two-Note-per-String Fingering
E Lydian Augmented
1
2
3
4
5
40140 Ultimate Chord Scale Bible.indb 260
6
7
8
9 10 11 12 13 14 15
B /G
A/G
#w & 44 .. # ww T A B
œ. œ œ. œ J J 4 4 4 3
3
3
3
# ww .. w œ. œ œ. œ J J 2 2 2 3
3
3
3
6/19/12 12:47 PM
261
Lydian Augmented 2 (1 2 3 4 5 6 7 8)
The Lydian augmented 2 scale, another version of the Lydian mode (page 255), is the 6th mode of the harmonic major scale (page 238). However, the raised 2nd scale degree renders this scale unusable in a normal Lydian context. In the vamp at the bottom right corner of the page, this scale is being used in an altered dominant context: B7 9 voiced with the 9 (C) in the bass. This is a rather specific context.
Lydian Augmented 2
&
œ ##œ 2
1
T A B
#4
3
1
3
œ
œ #œ #œ 2
4
#5
6
1
2
œ
œ
7
8
0
1
Single-String Fingering
Open Position
C Lydian Augmented #2 C Lydian Augmented #2
1 2 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
Lydian Augmented 2
3 17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths # F Lydian Aug. 2
# C Lydian Aug. 2
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
8
9 10 11 12
6
7
8
9 10 11 12
# A Lydian Aug. 2
# E Lydian Aug. 2
5
7
# Db Lydian Aug. 2
# Ab Lydian Aug. 2
5
6
9 10 11 12
5
6
7
8
9 10 11 12
# Bb Lydian Aug. 2
5
6
7
8
9 10 11 12
# Gb Lydian Aug. 2
5
6
7
8
9 10 11 12
# D Lydian Aug. 2
5
6
7
8
9 10 11 12
# E b Lydian Aug. 2
5
6
7
8
9 10 11 12
# B Lydian Aug. 2
5
6
7
8
9 10 11 12
# G Lydian Aug. 2
5
6
7
8
9 10 11 12
C Lydian Augmented 2 Vamp b
j œœ œœ œ‰œ ‰ ˙
j j j œœ # # œœ œœ œ ‰ œ ‰œ ‰ ˙ ˙
j j œœ œœ œ ‰ œ ..
9 8 7
9 8 7
9 8 7
B7 9,13/C
Two-Note-per-String Fingering
E Lydian Augmented #2
1
2
3
4
5
40140 Ultimate Chord Scale Bible.indb 261
6
7
8
9 10 11 12 13 14 15
# # œœœ 4 . . &4 ˙ T A B
9 8 7 8
9 8 7 8
9 8 7 8
9 8 7
9 8 7
8
6/19/12 12:47 PM
262
Lydian Augmented 3 (1 2 3 4 5 6 7 8)
The Lydian augmented 3 scale is a hybrid scale that contains six augmented 2nds (scale degrees: 1- 2 or 3, 2- 4, 4- 5, 5-7, 6-8 and 7-2). The 7 chord built from the root spells a min/Maj7aug 11. The vamp at the bottom right corner of the page illustrates two favorite Lydian augmented 3 applications: a major triad with a 2 in the bass and a min6/9 chord.
Open Position
C Lydian Augmented b 3
Lydian Augmented 3
&
œ
T A B
b3
2
1
0
3
#4
1
#5
6
1
4
œ
œ
œ
œ bœ #œ #œ
2
7
8
0
1
Single-String Fingering
C Lydian Augmented b 3
1
Lydian Augmented 3
2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths F Lydian Augmented b 3
C Lydian Augmented b 3
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
Bb Lydian Augmented b 3 Eb Lydian Augmented b 3
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
Ab Lydian Augmented b 3 Db Lydian Augmented b 3 Gb Lydian Augmented b 3 B Lydian Augmented b 3
5
6
7
8
9 10 11 12
5
E Lydian Augmented b 3
5
6
7
8
9 10 11 12
6
7
8
9 10 11 12
A Lydian Augmented b 3
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
D Lydian Augmented b 3 G Lydian Augmented b 3
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
A Lydian Augmented 3 Vamp Two-Note-per-String Fingering
E Lydian Augmented b3
1
2
3
4
5
6
40140 Ultimate Chord Scale Bible.indb 262
7
8
9 10 11 12 13 14 15
b
A /A
b˙ & 44 .. Œ b ˙˙ œ.
T A B
0
4 5 6
œ œ. J 0
0
œœ œ 4 5 6
Amin6/9
œ J
œœœ .. Œ # ˙˙˙ œ. œ œ. œ J J
0
0
0 5 4
0
0
0 5 4
0
6/19/12 12:47 PM
263
Lydian Augmented Pentatonic (1 2 4 5 6 8)
The Lydian augmented pentatonic scale is a five-note scale that works specifically with Lydian (page 255) or Maj7aug 11 sounds. It can be viewed as a pentatonic version of the Lydian augmented scale (page 260, the 3rd mode of the jazz minor scale, page 247). The vamp at the bottom right corner of the page explores the 5 and 11 qualities of the scale by using the following 7 chords: B/G (G+Maj7) and A7/G (A7 with the 7th in the bass). Try using this scale over augmented triads as well.
Open Position Open Position
& T A B
#œ
œ
œ
#4
2
1
0
3
#œ
œ
1
2
#5
4
œ 8
6
1
Single-String Fingering Single-String Fingering
C Lydian Aug. Pent. C Lydian Aug. Pent.
Lydian Augmented Pentatonic
C Lydian Aug. Pent. C Lydian Aug. Pent.
Lydian Augmented Pentatonic
1 21 23 34 54
1 1
2 2
3 3
4 4
5 5
6 6
7 7
8 8
9 10 11 12 13 14 15 16 17 18 19 20 21 9 10 11 12 13 14 15 16 17 18 19 20 21
65 6
Position Fingerings Through the Circle of 4ths Position Fingerings Through the Circle of 4ths F Lydian Aug. Pent. F Lydian Aug. Pent.
b Bb Lydian Aug. Pent. B Lydian Aug. Pent.
5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
Ab Lydian Aug. Pent. Ab Lydian Aug. Pent.
Db Lydian Aug. Pent. Db Lydian Aug. Pent.
Gb Lydian Aug. Pent. Gb Lydian Aug. Pent.
5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
A Lydian Aug. Pent.. A Lydian Aug. Pent..
D Lydian Aug. Pent. D Lydian Aug. Pent.
C Lydian Aug. Pent. C Lydian Aug. Pent.
E Lydian Aug. Pent. E Lydian Aug. Pent.
5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
Eb Lydian Aug. Pent. Eb Lydian Aug. Pent. 5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
B Lydian Aug. Pent. B Lydian Aug. Pent.
5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
G Lydian Aug. Pent. G Lydian Aug. Pent.
5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
G Lydian Augmented Pentatonic Vamp Two-Note-per-String Fingering Two-Note-per-String Fingering
E Lydian Aug. Pent. E Lydian Aug. Pent.
5 5
6 6
7 7
8 8
40140 Ultimate Chord Scale Bible.indb 263
9 10 11 12 13 14 15 16 17 18 19 9 10 11 12 13 14 15 16 17 18 19
4 #w & 4 .. # ww
B /G
T A B
A/G
œ. œ œ. œ J J 4 4 4 3
# ww .. w œ. œ œ. œ J J
3
3
3
2 2 2 3
3
3
3
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264
Lydian Diminished (1 2 3 4 5 6 7 8)
The Lydian diminished scale is the same scale as the Lydian 3 scale (page 256). Its application, however, is quite different. It is called Lydian diminished because the scale contains a diminished 7 chord (built on the root) and a Major 7 11 Lydian chord (built on the 3rd degree). The vamp at the bottom right corner of the page provides a diminished chord situation for the use of this scale.
Lydian Diminished
& T A B
Open Position
Single-String Fingering
C Lydian Diminished
C Lydian Diminished
œ
b3
2
1
0
3
1
œ
œ
œ bœ #œ #4
5
6
0
4
2
œ
œ
7
8
0
1
1 2
Lydian Diminished
3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths F Lydian Diminished
C Lydian Diminished
5
6
7
8
9 10 11 12
5
Ab Lydian Diminished
5
6
7
8
6
7
9 10 11 12
8
7
8
9 10 11 12
Db Lydian Diminished
5
E Lydian Diminished
5
6
6
7
8
9 10 11 12
A Lydian Diminished
9 10 11 12
5
6
7
8
9 10 11 12
Two-Note-per-String Fingering
E Lydian Diminished
1
2
3
4
40140 Ultimate Chord Scale Bible.indb 264
5
6
7
8
9 10 11 12 13 14 15
Bb Lydian Diminished
5
6
7
8
9 10 11 12
Gb Lydian Diminished
5
6
7
8
9 10 11 12
D Lydian Diminished
5
6
7
8
9 10 11 12
Eb Lydian Diminished
5
6
7
8
9 10 11 12
B Lydian Diminished
5
6
7
8
9 10 11 12
G Lydian Diminished
5
6
7
8
9 10 11 12
C Lydian Diminished Vamp b b Co E o G o
bœ. œ ‰ bœ ˙ 4 . & 4 . b œ .. œ b œœ ˙˙ œ œ J T A B
4
4
4 3
4 3
2
( 2)
2 1
( 2) ( 1)
bo
œ . œ bœ ˙ b œœ .. œœ ‰ b œœ ˙˙ .. J E
5
5
2
( 2)
5 4
5 4
2 1
( 2) ( 1)
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265
Lydian Dominant 13 Pentatonic (1 3 4 6 7 8) Lydian Dominant 13 Pentatonic
The Lydian dominant 13 pentatonic scale is a five-note scale that can be thought of as a pentatonic version of the Lydian 7 (page 257, the 4th mode of the jazz minor scale, page 247). This scale differs from other Lydian 7 pentatonic types by emphasizing the 3rd scale degree, which makes this version the most obvious Lydian dominant choice. The vamp at the bottom right corner of the page below clearly outlines the dominant 13 11 harmony and how this specific scale is applied.
&
Single-String Fingering
Open PositionDom.13 C Lydian
Single-String Fingering Pent. C Lydian Dom.13
2
4
3
#4
œ
bœ
5
b7
2
3
œ 8 1
C Lydian Dom.13 Pent. 1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
Lydian Dominant 13 Pentatonic
2 1 3 2 4 3 5 4 6 5
#œ
3
1
T A B
Open Position
Pent. C Lydian Dom.13 Pent. 1
œ
œ
6
Position Fingerings Through the Circle of 4ths Position Fingerings Through the Circle of 4ths
C Lydian Dom.13 Pent. F Lydian Dom.13 Pent. Bb Lydian Dom.13 Pent. Eb Lydian Dom.13 Pent. C Lydian Dom.13 Pent. F Lydian Dom.13 Pent. Bb Lydian Dom.13 Pent. Eb Lydian Dom.13 Pent. 5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
Ab Lydian Dom.13 Pent. Db Lydian Dom.13 Pent. Gb Lydian Dom.13 Pent. B Lydian Dom.13 Pent. Ab Lydian Dom.13 Pent. Db Lydian Dom.13 Pent. Gb Lydian Dom.13 Pent. B Lydian Dom.13 Pent. 5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
E Lydian Dom.13 Pent. A Lydian Dom.13 Pent. D Lydian Dom.13 Pent. G Lydian Dom.13 Pent. E Lydian Dom.13 Pent. A Lydian Dom.13 Pent. D Lydian Dom.13 Pent. G Lydian Dom.13 Pent. 5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
E Lydian Dominant 13 Pentatonic Vamp Two-Note-per-String Fingering Two-Note-per-String Fingering
E Lydian Dom.13 Pent. E Lydian Dom.13 Pent.
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19
40140 Ultimate Chord Scale Bible.indb 265
#
E13 11
& 34 .. Π. T A B
˙. 0
# # # œœœ .... œ 9 11 13 12
œœœ # # # œœœ œ œ ˙.
(9) ( 11 ) (13 ) (12 )
9 11 13 12
œœœ œ
..
9 11 13 12
0
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266
Lydian Dominant 9 Pentatonic (1 2 4 6 7 8) Lydian Dominant 9 Pentatonic
Lydian Dominant 9 Pentatonic
The Lydian dominant 9 pentatonic scale is a five-note scale that works well with Lydian dominant (7 5) tonalities. It can be thought of as a pentatonic version of the Lydian 7 scale (page 257, the 4th mode of the jazz minor scale, page 247). Even considering the absence of the 3rd degree, this scale clearly defines the Lydian dominant sound. The vamp at the bottom right corner of the page is the same for Lydian 7. The harmony is 7 5 ( 5 can be viewed as the 4—the Lydian altered tension). This pentatonic version is a poignant substitute for Lydian 7. Single-String Fingering Open Position
1 2 1 3 2 4 3 5 4 6 5
Open Position C Lydian Dom.9 Pent.
Single-String Fingering C Lydian Dom.9 Pent.
C Lydian Dom.9 Pent.
C Lydian Dom.9 Pent.
&
œ
#4
2
1
T A B
0
3
œ
#œ
œ
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
b7
6
2
4
bœ
œ 8 1
3
6
Position Fingerings Through the Circle of 4ths Position Fingerings Through the Circle of 4ths C Lydian Dom.9 Pent.
F Lydian Dom.9 Pent.
C Lydian Dom.9 Pent.
F Lydian Dom.9 Pent.
5 6 7
8 9 10 11 12
5 6 7 8 9 10 11 12 Ab Lydian Dom.9 Pent.
Ab Lydian Dom.9 Pent. 5 6 7
8 9 10 11 12
5 6 7
8 9 10 11 12
5 6 7 8 9 10 11 12
Db Lydian Dom.9 Pent. 5 6 7 8 9 10 11 12
Db Lydian Dom.9 Pent. 5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
b B Lydian Dom.9 Pent. Eb Lydian Dom.9 Pent. b B Lydian Dom.9 Pent. Eb Lydian Dom.9 Pent. 5
6
7
8
9 10 11 12
Gb Lydian Dom.9 Pent. 5
6
7
8
9 10 11 12
Gb Lydian Dom.9 Pent. 5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
B Lydian Dom.9 Pent. B Lydian Dom.9 Pent. 5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
E Lydian Dom.9 Pent.
A Lydian Dom.9 Pent.
D Lydian Dom.9 Pent.
G Lydian Dom.9 Pent.
E Lydian Dom.9 Pent.
A Lydian Dom.9 Pent.
D Lydian Dom.9 Pent.
G Lydian Dom.9 Pent.
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
F Lydian Dominant 9 Pentatonic Vamp Two-Note-per-String Fingering Two-Note-per-String Fingering
E Lydian Dom.9 Pent. E Lydian Dom.9 Pent.
5
6
7 8
9 10 11 12 13 14 15 16 17 18 19
5
6
7 8
9 10 11 12 13 14 15 16 17 18 19
40140 Ultimate Chord Scale Bible.indb 266
b
˙
j œœœ Œ œ œ
0 2 1
0 2 1
& 34 .. b œœœ ... F7 5
T A B
1
˙ b ˙˙ œ œ 0 2 1
( 1)
1
(1 )
1
Œ œ
..
2
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267
Lydian Harmonic Major 9 (1 2 3 4 5 6 7 8)
The Lydian harmonic major 9 is an interesting, seven-note hybrid scale that contains elements from various scales. It can be described as a harmonic major scale (page 238) with Lydian characteristics ( 4 and 9). This scale can be applied to the specific harmony that the scale produces. It can also be used in a superimposed altered dominant context. The first measure of the vamp at the bottom right corner of the page was derived from the diatonic harmony of the scale (C/ E and E +). The second measure uses an altered dominant sound (C7 9). This scale contains the leading tone, which can be used as a chromatic passing tone to the tonic (as in some of the bebop scales).
Lydian Harmonic Major 9
& T A B
œ #œ
œ ##œ 2
1
3
1
3
2
#4 4
œ bœ b6
5 0
1
œ
œ
7
8
0
1
Lydian Harmonic Major 9
C Lydian Harmonic Major 9 Vamp b
b+
j E j œ . . œ 6 # . œ . . . & 8 . b ‰œ . œ . ‰œ . œœ .. C /E
T A B
40140 Ultimate Chord Scale Bible.indb 267
6
5 5 5
6
4 4 5
#
C7 9
‰. œ. 3
j b œ b œ ... œ 4 3 2
œœ .. œ. œ.
..
( 4) ( 3) ( 2)
3
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268
Lydian Harmonic Major (1 2 3 4 5 6 7 8)
The Lydian harmonic major scale is a seven-note hybrid scale that can be considered a Lydian ( 4) version of the harmonic major scale (page 238). Since the 4 ( 11) is an acceptable tension on the major 7 chord (the harmony based on the root of the harmonic major), Lydian harmonic major can work in the same contexts as harmonic major. The vamp at the bottom right corner of the page is the same as for the harmonic major scale. It is a superimposed context. The harmony (B/C) defines the essence of the C Lydian Harmonic Major.
Lydian Harmonic Major
&
œ 1
T A B
3
œ 2
0
œ #œ #4
3 2
œ bœ b6
5 0
4
1
œ
œ
7
8
0
1
Single-String Fingering
Open Position
Lydian Harmonic Major
C Lydian Harm.Maj. C Lydian Harm.Maj. 1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths F Lydian Harm.Maj.
C Lydian Harm.Maj.
5
6
7
8
9 10 11 12
5
Ab Lydian Harm.Maj.
5
6
7
8
6
7
9 10 11 12
8
7
8
9 10 11 12
Db Lydian Harm.Maj.
5
E Lydian Harm.Maj.
5
6
6
7
8
9 10 11 12
A Lydian Harm.Maj.
9 10 11 12
5
6
7
8
9 10 11 12
Two-Note-per-String Fingering
E Lydian Harm.Maj.
1
2
3
4
5
40140 Ultimate Chord Scale Bible.indb 268
6
7
8
9 10 11 12 13 14 15
Bb Lydian Harm.Maj.
5
6
7
8
9 10 11 12
Gb Lydian Harm.Maj.
5
6
7
8
9 10 11 12
D Lydian Harm.Maj.
5
6
7
8
9 10 11 12
Eb Lydian Harm.Maj.
5
6
7
8
9 10 11 12
B Lydian Harm.Maj.
5
6
7
8
9 10 11 12
G Lydian Harm.Maj.
5
6
7
8
9 10 11 12
G Lydian Harmonic Major Vamp
# œœ ... 3 # . & 4 . œ. œ
B /C
T A B
œ ‰ œœ œ.
2 4 4 3
œœ . #œ Œ # œœ œ . œ. œ.
2 4 4 3
2 4 4 3
2 4 4 3
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269
Lydian Pentatonic (1 3 4 5 7 8)
The Lydian pentatonic scale is a five-note scale that can be thought of as a pentatonic version of the Lydian mode (page 255, the 4th mode of the major scale, page 272). It is also known as the traditional Japanese scale, Shimo-Chidori. The Lydian pentatonic scale differs from other Lydian pentatonic types by emphasizing the 3rd scale degree, which makes this version the most obvious Lydian choice. The vamp at the bottom right corner of the page is the same as for the Lydian mode. This scale clearly outlines the Maj7 11 harmony in the progression.
Open Position
Single-String Fingering
C Lydian Pent.
C Lydian Pent.
Lydian Pentatonic
&
œ
#4
3
1
T A B
#œ
œ 2
3
4
œ 5 0
œ
œ
7
8
0
1
1 2 3 1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
Lydian Pentatonic
4 5 6
Position Fingerings Through the Circle of 4ths C Lydian Pent.
5
6
7
8
9 10 11 12
Ab Lydian Pent.
5
6
7
8
9 10 11 12
E Lydian Pent.
5
6
7
8
9 10 11 12
F Lydian Pent.
5
6
7
8
9 10 11 12
Db Lydian Pent.
5
6
7
8
9 10 11 12
A Lydian Pent.
5
6
7
8
9 10 11 12
Bb Lydian Pent.
5
6
7
8
9 10 11 12
Gb Lydian Pent.
5
6
7
8
9 10 11 12
D Lydian Pent.
5
6
7
8
9 10 11 12
Eb Lydian Pent.
5
6
7
8
9 10 11 12
B Lydian Pent.
5
6
7
8
9 10 11 12
G Lydian Pent.
5
6
7
8
9 10 11 12
G Lydian Pentatonic Vamp Two-Note-per-String Fingering
E Lydian Pent.
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19
40140 Ultimate Chord Scale Bible.indb 269
#
G Maj7 11
3 & 4 .. Œ . ˙.
T A B
. # œœ . 4 4
3
œœ .. ˙. (4 ) (4 )
# œœ ..
..
2 4
3
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270
Lydian Sus2 Pentatonic (1 2 4 6 7 8)
The Lydian sus2 pentatonic scale is a five-note scale that works specifically with a Maj7sus2 11 sound. It can be thought of as another pentatonic version of the Lydian mode (page 255, the 4th mode of the major scale, page 272). The emphasis on the 2nd scale degree (or the 9) is what makes this a scale with such a highly specific application. The vamp at the lower right corner of the page uses the specific harmony generated by this scale (Maj7sus2 11). This scale can also be used for any Lydian (or major) context.
Open Position
Lydian Sus2 Pentatonic
C Lydian sus2 Pent.
Lydian Sus2 Pentatonic
& T A B
#œ
œ
œ
#4
3
1
0
3
œ
6
2
4
œ
œ
7
8
0
1
Single-String Fingering
C Lydian sus2 Pent.
1 2 3 4
1
5
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
6
Position Fingerings Through the Circle of 4ths C Lydian sus2 Pent.
F Lydian sus2 Pent.
b B Lydian sus2 Pent.
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Ab Lydian sus2 Pent.
Db Lydian sus2 Pent.
Gb Lydian sus2 Pent.
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
A Lydian sus2 Pent.
D Lydian sus2 Pent.
E Lydian sus2 Pent.
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Eb Lydian sus2 Pent.
5 6 7 8 9 10 11 12
B Lydian sus2 Pent.
5 6 7 8 9 10 11 12
G Lydian sus2 Pent.
5 6 7 8 9 10 11 12
E Lydian Sus2 Pentatonic Vamp Two-Note-per-String Fingering
E Lydian sus2 Pent.
5
UCSB_262-271.indd 270
6
7
8
9 10 11 12 13 14 15 16 17 18 19
#
j # œ œœ ˙˙ .. 5 # œ . ‰ & 4 . œ . # œ œ œ .˙ . E Maj7sus2 11
T A B
7
7 8 8
(7) (8) (8)
7
œ #œ
7 8 8 0
6
j # œ œ ˙ ‰ .# # œœ œœ . ˙˙ œ œ 7
7 8 8
( 7) ( 8) ( 8)
7
Œ .. #œ #œ
7 8 8 6
9
6/28/12 9:14 AM
271
Lydiphrygian 6 (1 2 3 4 5 6 7 8)
The Lydiphrygian scale is an interesting seven-note hybrid scale that can viewed as a combination of the Lydian mode (page 255, the 4th mode of the major scale, page 272) and the Phrygian 6 scale shown on page 300 (the 2nd mode of the jazz minor scale, page 247). The scale contains elements of both. It can also be seen as an altered dominant-type scale without the 3rd scale degree (the 3 is now a 9). The vamp at the bottom right corner of the page outlines a harmonic context that emphasizes elements of this scale. The accidentals in each chord voicing reflect the notes as they appear in the scale. Try using Lydiphrygian in an altered dominant context as well.
Lydiphrygian 6
&
œ bbœ bbœ ## œ 2
1
T A B
3
4
3
4
1
4
œ
œ bœ 6
b7
0
2
3
5
œ 8 1
Single-String Fingering
Open Position
C Lydiphrygian n6
C Lydiphrygian n6
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
Lydiphrygian 6
5 6
Position Fingerings Through the Circle of 4ths F Lydiphrygian n6
C Lydiphrygian n6
5
6
7
8
9 10 11 12
5
Ab Lydiphrygian n6
5
6
7
8
6
7
8
7
8
9 10 11 12
Db Lydiphrygian n6
9 10 11 12
5
E Lydiphrygian n6
5
6
6
7
8
9 10 11 12
A Lydiphrygian n6
9 10 11 12
5
6
7
8
9 10 11 12
Bb Lydiphrygian n6
5
6
7
8
9 10 11 12
Gb Lydiphrygian n6
5
6
7
8
9 10 11 12
D Lydiphrygian n6
5
6
7
8
9 10 11 12
Eb Lydiphrygian n6
5
6
7
8
9 10 11 12
B Lydiphrygian n6
5
6
7
8
9 10 11 12
G Lydiphrygian n6
5
6
7
8
9 10 11 12
A Lydiphrygian 6 Vamp Two-Note-per-String Fingering
E Lydiphrygian n6
b
E /A
& 34 .. Œ . ˙.
T A B 1
2
3
4
5
6
40140 Ultimate Chord Scale Bible.indb 271
7
8
0
œ. b b œœ .. 8 8 8
o
C /A
Œ. ˙. 0
b b œœœ ...
..
7 8 10
9 10 11 12 13 14 15
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272
Major (Ionian) (1 2 3 4 5 6 7 8) The major scale and its harmonic system has been the foundation Major (Ionian) of Western music for over five hundred years. It is constructed with the following sequence of whole (W) and half (H) steps: W, W, H, W, W, W, H. The major scale generates seven modes: 1st mode=Ionian, 2nd mode=Dorian (page 231), 3rd mode=Phrygian 2 3 4 5 6 1 8 7 T (page 297), 4th mode=Lydian (page 255), 5th mode=Mixolydian (page 0 1 0 2 A 0 2 3 293), 6th mode=Aeolian (page 193) and the 7th mode=Locrian (page B 3 251). All seven modes and their corresponding chords are used in functional, modal and many other harmonic contexts. For functional harmony, the 4th degree is an unwanted dissonance which is avoided. The 4 can resolve to the 3 or be raised up a half step to the 4. In the vamp at the bottom right corner of the page, the 4th scale degree has been avoided within the chord structures. Remember to use the 4th degree as a passing tone.
&
Open Position
Single-String Fingering
C Major
C Major
œ
œ
œ
œ
œ
œ
œ
œ
Major (Ionian)
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths
5
6
7
8
9 10 11 12
5
Ab Major
5
6
7
6
7
6
7
8
9 10 11 12
Db Major
8
9 10 11 12
5
E Major
5
b B Major
F Major
C Major
6
7
9 10 11 12
5
6
7
6
7
8
9 10 11 12
Gb Major
8
9 10 11 12
A Major
8
5
Eb Major
5
6
7
9 10 11 12
5
6
7
6
7
8
9 10 11 12
8
9 10 11 12
8
9 10 11 12
B Major
8
9 10 11 12
D Major
8
5
5
6
7
G Major
8
9 10 11 12
5
6
7
C Major (Ionian) Vamp Two-Note-per-String Fingering
E Major
1
2
3
4
5
40140 Ultimate Chord Scale Bible.indb 272
6
7
8
9 10 11 12 13 14 15
& 44 T A B
w .. ww œ. C6
œ˙ J
8 9 7 8
ww w œ.
C Maj9
œ˙ J
..
8 7 9 8
8
8
8
8
6/19/12 12:47 PM
273
Major 2 6 Pentatonic (1 2 3 4 6 8)
The major 2 6 pentatonic is a five-note scale. It can be thought of as a pentatonic version of the Phrygian major scale (page 299, the 5th mode of the harmonic minor scale). This scale will work in the same contexts as the Phrygian major mode, so the vamp at the bottom right corner of the page is the same as for that scale. The scale works well in an altered dominant context as illustrated in measure two. Try substituting the major 2 6 pentatonic scale for other altered dominant choices.
Open Position
Major 2 6 Pentatonic
&
bœ
œ
b2
1
T A B
3
4
3
4
2
3
œ
bœ
œ
œ
b6
8 1
1
Single-String Fingering
C Maj. b2b6 Pent.
C Maj.b2b6 Pent.
1 2
Major 2 6 Pentatonic
3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths C Maj. b2b6 Pent.
5
6
7
8
9 10 11 12
Ab Maj.b2b6 Pent.
5
6
7
8
9 10 11 12
E Maj.b2b6 Pent.
5
6
7
8
9 10 11 12
F Maj. b2b6 Pent.
5
6
7
8
9 10 11 12
Db Maj.b2b6 Pent.
5
6
7
8
9 10 11 12
A Maj.b2b6 Pent.
5
6
7
8
9 10 11 12
b B Maj.b2b6 Pent.
5
6
7
8
9 10 11 12
Gb Maj.b2b6 Pent.
5
6
7
8
9 10 11 12
D Maj.b2b6 Pent.
5
6
7
8
9 10 11 12
Eb Maj. b2b6 Pent.
5
6
7
8
9 10 11 12
B Maj.b2b6 Pent.
5
6
7
8
9 10 11 12
G Maj. b2b6 Pent.
5
6
7
8
9 10 11 12
G Major 2 6 Pentatonic Vamp Two-Note-per-String Fingering
E Major b2b6 Pentatonic
5 6
7
8
9 10 11 12 13 14 15 16 17 18 19
40140 Ultimate Chord Scale Bible.indb 273
b
j 4 . œ & 4 . Œ . b b œœ ˙˙˙ ˙. œ œ A /G
T A B
1 1 1 3
b
G7 13
Œ. ˙.
( 1) ( 1) ( 1) ( 3)
j b œœ ˙˙ œ ˙ 4 4 3
3
3
œ œ
..
( 4) ( 4) ( 3) (3 )
3
6/19/12 12:47 PM
274
Major 2 Pentatonic (1 2 3 5 6 8)
The major 2 pentatonic scale is a five-note hybrid scale which is most commonly applied to a dominant 7 chord with a 9. It substitutes well for many of the altered dominant scale choices and can be considered a pentatonic version of the Mixolydian 9 scale (page 294). The vamp at the bottom right corner of the page is the same as the Mixolydian 9 vamp. Try alternating between the two choices.
Major 2 Pentatonic
& T A B
œ
bœ
œ
b2
1 3
3
2
4
œ
œ
0
2
5
œ 8
6
1
Single-String Fingering
Open Position
C Major b2 Pentatonic C Major b2 Pentatonic
1 2
Major 2 Pentatonic
3 4
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths C Major b2 Pentatonic
F Major b2 Pentatonic
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
b B Major b2 Pentatonic
Eb Major b2 Pentatonic
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Ab Major b2 Pentatonic
Db Major b2 Pentatonic
Gb Major b2 Pentatonic
B Major b2 Pentatonic
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
E Major b2 Pentatonic
A Major b2 Pentatonic
D Major b2 Pentatonic
G Major b2 Pentatonic
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
A Major 2 Pentatonic Vamp b
j b œ # # œœ 4 . Œ ‰ . œ &4 w A 13 9
Two-Note-per-String Fingering
E Major b2 Pentatonic
5
6 7
8
9 10 11 12 13 14 15 16 17 18 19
40140 Ultimate Chord Scale Bible.indb 274
T A B
0
6 7 6 5
œœ .. œœ .. ( 6) ( 7) ( 6) ( 5)
j œ b b œœ œ 3 4 3 2
ww w w . œ ˙ ( 3) ( 4) ( 3) ( 2)
0
..
0
6/19/12 12:47 PM
275
Major 6 Pentatonic (1 2 3 5 6 8)
The major 6 pentatonic scale is a five-note scale that can be thought of as pentatonic version of the Aeolian major scale (page 195, the 5th mode of the jazz minor scale, page 247). Like the Aeolian major, the major 6 pentatonic can be used in an altered dominant context (the scale contains the 13 altered tension). The vamp at the bottom right corner of the page is the same as for Aeolian major. The sound is an altered dominant with an emphasis on the 13 altered tension.
Open Position
C Major b6 Pentatonic
Major 6 Pentatonic
& T A B
œ 1 3
œ 2
œ
0
2
3
œ
bœ
0
1
œ
b6
5
8 1
Single-String Fingering
C Major b6 Pentatonic
1 2 3 1
2
3
4
5
6
7
8
Major 6 Pentatonic
4
9 10 11 12 13 14 15 16 17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths C Major b6 Pentatonic
F Major b6 Pentatonic
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
b B Major b6 Pentatonic
Eb Major b6 Pentatonic
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Ab Major b6 Pentatonic
Db Major b6 Pentatonic
Gb Major b6 Pentatonic
B Major b6 Pentatonic
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
E Major b6 Pentatonic
A Major b6 Pentatonic
D Major b6 Pentatonic
G Major b6 Pentatonic
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
E Major 6 Pentatonic Vamp Two-Note-per-String Fingering
E Major b6 Pentatonic
5 6
7
8
9 10 11 12 13 14 15 16 17 18 19
40140 Ultimate Chord Scale Bible.indb 275
b
E 7 13
& 44 .. Ó T A B
w 0
˙ # ˙˙˙ 5 5 6 5
j œœ œœ Œ # œ œ ‰ Œ .. w #
E7 9
8 7 6
( 8) ( 7) ( 6)
0
6/19/12 12:47 PM
276
Major 6 Diminished (1 2 3 4 5 6 6 7 8)
The major 6 diminished scale is basically a Maj6 chord scale with an added chromatic tone between the 5th and 6th degrees. The addition of this 6 produces a diminished 7 chord built on the 2nd scale degree (D-F-A -C ). Superimposing this diminished 7 chord over the sound of a Maj6 creates some added tension. To play over the vamp in A at the bottom right corner of the page, try using the diminished 7 chord built on the 2nd scale degree (B).
Open Position
Major 6 Diminished
& T A B
œ 1 3
œ
2
œ
œ 3
0
4
2
œ bœ nœ 5 0
3
b6
1
6
œ
œ
7
8
0
1
2
Single-String Fingering
C Maj.6 Diminished C Maj.6 Diminished
Major 6 Diminished
1 2 3 4
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths F Maj.6 Diminished
Bb Maj.6 Diminished
Eb Maj.6 Diminished
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Ab Maj.6 Diminished
Db Maj.6 Diminished
Gb Maj.6 Diminished
B Maj.6 Diminished
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
A Maj.6 Diminished
D Maj.6 Diminished
G Maj.6 Diminished
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
C Maj.6 Diminished
E Maj.6 Diminished
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
A Major 6 Diminished Vamp Two-Note-per-String Fingering
E Maj.6 Diminished
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 276
A6
j
œœ œ & 44 .. # # œœ œœ ‰ œœ T A B
˙ ˙ 5 5 6 6 4 4 0
5 6 4 0
j j j j j œ œ ‰ œœ ‰ # # œœ ‰ œœœ ‰ œœœ ‰ œœœ .. ˙ ˙ 5 6 4
0
5 6 4
5 6 4
5 6 4
5 6 4
0
6/19/12 12:47 PM
277
Major 7 Augmented Pentatonic (1 2 3 5 7 8)
The major 7 augmented pentatonic is a five-note scale that can be thought of as pentatonic version of the Ionian augmented scale (page 244, the 3rd mode of the harmonic minor scale, page 239). Like Ionian augmented, this scale can be used in a Maj7 5 harmonic context (the scale contains the 5 altered tension). The vamp in A at the bottom right corner of the page is the same as for Ionian augmented. The sound is Maj7 5 and ii /I (B /A) with emphasis on the 5 altered tension.
Major 7 Augmented Pentatonic
&
o o
œ
œ
T A B
0
3
#5
3
2
1
#œ
œ
1
2
œ
œ
7
8
0
1
Single-String Fingering Single-String Fingering Single-String Fingering C Maj7 Aug. Pent.
Open Position Open Position C Maj7 Aug. Open Position
1 2 21 3 32 4 43 5 54 6 65
1 1 1
2 2 2
3 3 3
4 4 4
5 5 5
6 6 6
7 7
8 8
7
9 9
8
9
10 11 12 13 14 15 16 10 11 12 13 14 15 16 10 11 12 13 14 15 16
Major 7 Augmented Pentatonic
C Maj7 Aug. Pent. Pent. C Maj7 Aug. Pent. C Maj7 Aug. Pent. C Maj7 Aug. Pent. 1 17 18 19 20 21 17 18 19 20 21 17 18 19 20 21
6
Position Fingerings Through the Circle of 4ths Position Fingerings Through the Circle of 4ths Position Fingerings Through the Circle of b4ths C Maj7 Aug. Pent. C Maj7 Aug. Pent. C Maj7 Aug. Pent. 5 6 7 5 6 7
8 9 10 11 12 8 9 10 11 12
Abb Maj7 Aug. Pent. A Maj7 Aug. Pent. Ab Maj7 Aug. Pent.
F Maj7 Aug. Pent. F Maj7 Aug. Pent. F Maj7 Aug. Pent.
5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
Dbb Maj7 Aug. Pent. D Maj7 Aug. Pent. Db Maj7 Aug. Pent.
5 6 7
8 9 10 11 12
5 6 7 5 6 7
8 9 10 11 12 8 9 10 11 12
5 6 7
8 9 10 11 12
A Maj7 Aug. Pent. A Maj7 Aug. Pent. A Maj7 Aug. Pent.
5 6 7 5 6 7
8 9 10 11 12 8 9 10 11 12
5 6 7
8 9 10 11 12
E Maj7 Aug. Pent. E Maj7 Aug. Pent. E Maj7 Aug. Pent.
5 6 7 8 9 10 11 12
Bb Maj7 Aug. Pent. B Maj7 Aug. Pent. b B Maj7 Aug. Pent. 5 5
6 6
7 7
8 8
9 10 11 12 9 10 11 12
Gbb Maj7 Aug. Pent. G Maj7 Aug. Pent. Gb Maj7 Aug. Pent.
Ebb Maj7 Aug. Pent. E Maj7 Aug. Pent. Eb Maj7 Aug. Pent. 5 5
6 6
7 7
8 8
9 10 11 12 9 10 11 12
5
6
7
8
9 10 11 12
5 5
6 6
7 7
8 8
9 10 11 12 9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
5 5
6 6
7 7
8 8
9 10 11 12 9 10 11 12
5 6 7 8 9 10 11 12
D Maj7 Aug. Pent. D Maj7 Aug. Pent. D Maj7 Aug. Pent.
5
6
7
8
9 10 11 12
5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12
5 5
6 6
7 7
8 8
9 10 11 12 9 10 11 12
5 5
6 6
7 7
8 8
9 10 11 12 9 10 11 12
5 6 7 8 9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
B Maj7 Aug. Pent. B Maj7 Aug. Pent. B Maj7 Aug. Pent.
G Maj7 Aug. Pent. G Maj7 Aug. Pent. G Maj7 Aug. Pent.
A Major 7 Augmented Pentatonic Vamp Two-Note-per-String Fingering Two-Note-per-String Fingering Two-Note-per-String Fingering E Maj7 Aug. Pent.
E Maj7 Aug. Pent. E Maj7 Aug. Pent. 5 5 5
UCSB_272-281.indd 277
6 6 6
7 7 7
8 8 8
9 10 11 12 13 14 15 16 17 18 19 9 10 11 12 13 14 15 16 17 18 19
#
A Maj7 5
& 44 .. Ó
˙.
T A B
0
˙ # # ˙˙ 6 6 6
o
B /A
œ œ ( 0)
0
Ó ˙. 0
˙˙ ˙ 6 7 9
œ œ ( 0)
..
0
9 10 11 12 13 14 15 16 17 18 19
6/28/12 11:14 AM
278
Major 13 Pentatonic (1 3 5 6 7 8) The major13 pentatonic scale is a five-note scale that can be considered another pentatonic version of the major scale (page 272). It differs from the major pentatonic scale (page 280) by emphasizing the 6th (13th) scale degree, making it a good choice within the specific harmonic context of a Maj7add13. The harmonic progression used in the vamp in G at the bottom right corner of the page is an Asus/G (essentially a Gsus9/13) alternating with a GMaj13 chord. The vamp clearly emphasizes the 13. Try substituting this scale for any major pentatonic application.
Open Position
Single-String Fingering
C Maj13 Pent.
C Maj13 Pent.
Major 13 Pentatonic
&
œ
5
3
1
T A B
œ
œ
0
2
3
œ 6 2
œ
œ
7
8
0
1
1 2
Major13 Pentatonic
3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths C Maj13 Pent.
5
6
7
8
9 10 11 12
Ab Maj13 Pent.
5
6
7
8
9 10 11 12
E Maj13 Pent.
5
6
7
8
9 10 11 12
F Maj13 Pent.
5
6
7
8
9 10 11 12
Db Maj13 Pent.
5
6
7
8
9 10 11 12
A Maj13 Pent.
5
6
7
8
9 10 11 12
Bb Maj13 Pent.
5
6
7
8
9 10 11 12
Gb Maj13 Pent.
5
6
7
8
9 10 11 12
D Maj13 Pent.
5
6
7
8
9 10 11 12
Eb Maj13 Pent.
5
6
7
8
9 10 11 12
B Maj13 Pent.
5
6
7
8
9 10 11 12
G Maj13 Pent.
5
6
7
8
9 10 11 12
G Major 13 Pentatonic Vamp Two-Note-per-String Fingering
E Maj13 Pent.
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19
40140 Ultimate Chord Scale Bible.indb 278
Asus4/G
& 34 .. Π. T A B
˙. 3
œœ .. œ. 3 2 2
GMaj13
Œ. ˙. 3
œœ .. #œ .
..
5 4 4
6/19/12 12:47 PM
279
Major 13 sus4 Pentatonic (1 2 4 6 7 8) The major 13 sus4 pentatonic scale is a five-note scale which may be used in a major context. When playing over a major 7 chord, care should be taken with the 4th (11th) degree because it creates unwanted tension (the interval between the 3rd and the 4th degree is a minor 2nd, a sound generally avoided on a Maj7). The vamp at the bottom right corner of the page has two chords that include major 13 sus4 pentatonic’s inherent tensions: the 9, 11 and the 13.
Major13 sus4 Pentatonic
& T A B
œ
œ
œ
2
1
4
0
3
œ 6
2
3
œ
œ
7
8
0
1
Single-String Fingering
Open Position
C Maj. 13 sus4 Pent. C Maj. 13 sus4 Pent.
Major13 sus4 Pentatonic
1 2 3 4
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths C Maj.13 sus4 Pent.
F Maj.13 sus4 Pent.
b B Maj.13 sus4 Pent.
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Ab Maj.13 sus4 Pent.
Db Maj.13 sus4 Pent.
Gb Maj.13 sus4 Pent.
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
A Maj.13 sus4 Pent.
D Maj.13 sus4 Pent.
E Maj.13 sus4 Pent.
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Eb Maj.13 sus4 Pent.
5 6 7 8 9 10 11 12
B Maj.13 sus4 Pent.
5 6 7 8 9 10 11 12
G Maj.13 sus4 Pent.
5 6 7 8 9 10 11 12
A Major13 sus4 Pentatonic Vamp Two-Note-per-String Fingering
E Maj.13 sus4 Pent.
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19
40140 Ultimate Chord Scale Bible.indb 279
A Maj13
& 44 .. Ó
˙.
T A B
0
# ## ˙˙˙ 7 6 6
B min/A
œ œ ( 0)
0
Ó ˙. 0
# ˙˙ ˙ 7 7 9
œ œ ( 0)
..
0
6/19/12 12:48 PM
280
Major Pentatonic (1 2 3 5 6 8) The major pentatonic scale is a five-note scale that does not contain a tritone or half step. This gives the scale a neutral, non-dissonant quality that lends it a natural, melodic quality. If the tonic (1st degree) of the scale is stressed, it suggests a major sound. If the 5 is stressed, it suggests the relative minor (see minor pentatonic, page 290). The major pentatonic scale is formed by joining consecutive 5ths. For example, starting from C: C-G-D-A-E. Structured in alphabetical order, this becomes 1-2-3-5-6 of a major scale (page 272): C-D-E-G-A. The vamp at the bottom right corner of the page illustrates the major pentatonic sound through the use of simple triads and their inversions, which gives it a “gospel” quality.
Open Position
Single-String Fingering
C Major Pentatonic
C Major Pentatonic
Major Pentatonic
& T A B
œ
2
1
3
0
3
6
5 0
2
œ
œ
œ
œ
œ
8 1
2
1 2
Major Pentatonic
3 4
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths C Major Pentatonic
5 6 7 8 9 10 11 12
Ab Major Pentatonic
5 6 7 8 9 10 11 12
E Major Pentatonic
5 6 7 8 9 10 11 12
F Major Pentatonic
5 6 7 8 9 10 11 12
Db Major Pentatonic
b B Major Pentatonic
5 6 7 8 9 10 11 12
Gb Major Pentatonic
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
A Major Pentatonic
D Major Pentatonic
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Eb Major Pentatonic
5 6 7 8 9 10 11 12
B Major Pentatonic
5 6 7 8 9 10 11 12
G Major Pentatonic
5 6 7 8 9 10 11 12
A Major Pentatonic Vamp Two-Note-per-String Fingering
E Major Pentatonic
5 6
7
8
9 10 11 12 13 14 15 16 17 18 19
40140 Ultimate Chord Scale Bible.indb 280
A
A/C
#
& 44 .. Œ # œœœ Œ œœœ #˙
˙
T A B
0
2 2 2
4
2 2 2
A/E D/A
A
# œœ œœ œœ œœ ˙˙ œ #œ œ œ ˙ œ ˙ œ. J 2 2 2 0
3
(2 )
4
(3 ) (2 ) (4 )
2 2 2 0
..
( 2) ( 2) ( 2) ( 0)
6/19/12 12:48 PM
Major Pentatonic Blues (1 2 3 3 5 6 8)
The major pentatonic blues scale is a six-note scale that is a variation on the major pentatonic scale (page 280). It includes the 3 degree, (often called a blue note) which moves to the natural 3rd producing the characteristic “blues” sound. This scale works particularly well in a Mixolydian context (page 293, the 5th mode of the major scale, page 272), where the natural 3 is emphasized. The vamp at the bottom right corner of the page is the same as for the Mixolydian mode. Be sure to resolve the 3 up to the natural 3.
Major Pentatonic Blues
&
œ 1
T A B
3
œ 2
bœ
nœ
0
1
2
b3
3
œ
œ
0
2
œ
6
5
281
8 1
Single-String Fingering
Open Position
C Maj. Pent. Blues C Maj. Pent. Blues
Major Pentatonic Blues
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths F Maj. Pent. Blues
C Maj. Pent. Blues
5
6
7
8
9 10 11 12
5
Ab Maj. Pent. Blues
5
6
7
8
6
7
8
7
8
9 10 11 12
Db Maj. Pent. Blues
9 10 11 12
5
E Maj. Pent. Blues
5
6
6
7
8
9 10 11 12
A Maj. Pent. Blues
9 10 11 12
5
6
7
8
9 10 11 12
Bb Maj. Pent. Blues
5
6
7
8
9 10 11 12
Gb Maj. Pent. Blues
5
6
7
8
9 10 11 12
D Maj. Pent. Blues
5
6
7
8
9 10 11 12
Eb Maj. Pent. Blues
5
6
7
8
9 10 11 12
B Maj. Pent. Blues
5
6
7
8
9 10 11 12
G Maj. Pent. Blues
5
6
7
8
9 10 11 12
B Major Pentatonic Blues Vamp Two-Note-per-String Fingering
E Maj. Pent. Blues
b
2
3
4
5
6
40140 Ultimate Chord Scale Bible.indb 281
7
8
9 10 11 12 13 14 15
A /B
œœœ b œœœ bœ œ œ œ
˙. & 44 .. b ˙˙ .. T A B
1
b b
B9
3 5 6 6
( 3) ( 5) ( 6)
6
6
6
4 5 6
ww .. w bœ œ œ œ ( 4) ( 5) ( 6)
6
6
6
6
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282
Marwa (1 2 3 4 6 7 8)
Marwa is a six-note Indian raga (scale). In a Western context, it resembles the Lydian mode (page 255, the 4th mode of the major scale, page 272) with a 9 altered tension and the 5th scale degree omitted. When used in a superimposed context, Marwa can substitute for any of the minor blues-oriented scales. If the 4 is emphasized, Marwa takes on a rather minor bluesy sound. With the focus on the 4 as the root, the scale could be interpreted as: 1- 3-4- 5- 7-8 (the same formula as the minor pentatonic blues scale, page 291). The vamp at the bottom right corner of the page explores this superimposed blues sound.
Open Position
Single-String Fingering
C Marwa
C Marwa
Marwa
&
bœ
œ
b2
1
T A B
3
#4
3 2
4
œ
#œ
œ
6 2
4
œ
œ
7
8
0
1
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5
Marwa
6
Position Fingerings Through the Circle of 4ths
5
6
7
8
9 10 11 12
5
Ab Marwa
5
6
7
8
6
7
6
7
8
9 10 11 12
Db Marwa
9 10 11 12
5
E Marwa
5
Bb Marwa
F Marwa
C Marwa
6
7
8
9 10 11 12
5
6
7
8
6
7
8
9 10 11 12
Gb Marwa
9 10 11 12
A Marwa
8
5
Eb Marwa
5
6
7
8
5
6
7
8
6
7
8
9 10 11 12
B Marwa
9 10 11 12
D Marwa
9 10 11 12
5
5
6
7
8
9 10 11 12
G Marwa
9 10 11 12
5
6
7
8
9 10 11 12
C Marwa Vamp Two-Note-per-String Fingering
E Marwa
1
2
3
4
5
40140 Ultimate Chord Scale Bible.indb 282
#
& 44 .. Œ ˙˙ F min7
#˙
6
7
8
9 10 11 12 13 14 15
T A B
œ œ
2 2 2
2
2
Œ œ #œ 3
4
Œ ˙ Œ .. ˙ œ #œ #˙ œ œ 2 2 2
2
2
3
4
6/19/12 12:48 PM
Min/Maj 11 Pentatonic (1 3 4 5 7 8)
The min/Maj 11 pentatonic scale is a five-note scale that can be considered a pentatonic version of the jazz minor (page 247) or harmonic minor (page 239) scales. It can be used in min/Maj7 contexts. In the case of playing over min/Maj7 chords, the natural 4th (11th) scale degree is an acceptable tension. (This scale degree is avoided when playing over Maj7 chords; the combination of the 3rd and 4th degrees produces a minor 2nd interval, which is not acceptable in most cases.) The vamp at the bottom right corner of the page uses a min/Maj9 chord to demonstrate the effectiveness of this interesting pentatonic scale. Use it as a substitute for jazz or harmonic minor.
Open Position
Single-String Fingering
C min/Maj 11 Pent.
C min/Maj 11 Pent.
min/Maj 11 Pentatonic
&
œ
b3
1
T A B
4
1
3
œ
œ
bœ
5
0
3
283
œ
œ
7
8
0
1
1 2 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
min/Maj 11 Pentatonic
3 17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths C min/Maj 11 Pent.
5
6
7
8
9 10 11 12
Ab min/Maj 11 Pent.
5
6
7
8
9 10 11 12
E min/Maj 11 Pent.
5
6
7
8
9 10 11 12
F min/Maj 11 Pent.
5
6
7
8
9 10 11 12
Db min/Maj 11 Pent.
5
6
7
8
9 10 11 12
A min/Maj 11 Pent.
5
6
7
8
9 10 11 12
Bb min/Maj 11 Pent.
5
6
7
8
9 10 11 12
Gb min/Maj 11 Pent.
5
6
7
8
9 10 11 12
D min/Maj 11 Pent.
5
6
7
8
9 10 11 12
Eb min/Maj 11 Pent.
5
6
7
8
9 10 11 12
B min/Maj 11 Pent.
5
6
7
8
9 10 11 12
G min/Maj 11 Pent.
5
6
7
8
9 10 11 12
D min/Maj 11 Pentatonic Vamp Two-Note-per-String Fingering
E min/Maj 11 Pent.
5 6
7
8
9 10 11 12 13 14 15 16 17 18 19
40140 Ultimate Chord Scale Bible.indb 283
D min/Maj9
œ œ & 44 .. # œœœ œœœ T A B
5 6 3 5
5 6 3 5
œœ œœ
œœ œœ
œœ œœ
œœ œœ
˙˙ ˙˙
(5 ) (6 ) (3 ) (5 )
5 6 3 5
( 5) ( 6) ( 3) ( 5)
5 6 3 5
( 5) ( 6) ( 3) ( 5)
˙
..
5
6/19/12 12:48 PM
284
Minor 6/11 Pentatonic (1 3 4 5 6 8)
The minor 6/11 pentatonic scale is a five-note scale that can be applied to specific minor contexts that include the 6 scale degree. Therefore, this scale can be thought of as a pentatonic version of the Aeolian mode (page 193, the 6th mode of the major scale, page 272), harmonic minor (page 239) or the Phrygian mode (page 297, the 2nd mode of the major scale). The vamp at the bottom right corner of the page emphasizes the 6 ( 13) and 11 by using min7 chords that include those tensions. Try substituting this scale for the Aeolian, harmonic minor and Phrygian scales.
Minor 6/11 Pentatonic
&
œ
1
3
b3
1
T A B
bœ
œ
3
4
œ
bœ
0
1
b6
5
œ 8 1
Single-String Fingering
Open Position
b
C Minor 6/11 Pent. C Minor b6/11 Pent.
Minor 6/11 Pentatonic
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths C Minor b6/11 Pent.
5
6
7
8
9 10 11 12
Ab Minor b6/11 Pent.
5
6
7
8
9 10 11 12
E Minor b6/11 Pent.
5
6
7
8
9 10 11 12
F Minor b6/11 Pent.
5
6
7
8
9 10 11 12
Db Minor b6/11 Pent.
5
6
7
8
9 10 11 12
A Minor b6/11 Pent.
5
6
7
8
9 10 11 12
Bb Minor b6/11 Pent.
5
6
7
8
9 10 11 12
Gb Minor b6/11 Pent.
5
6
7
8
9 10 11 12
D Minor b6/11 Pent.
5
6
7
8
9 10 11 12
Eb Minor b6/11 Pent.
5
6
7
8
9 10 11 12
B Minor b6/11 Pent.
5
6
7
8
9 10 11 12
G Minor b6/11 Pent.
5
6
7
8
9 10 11 12
C Minor 6/11 Pentatonic Vamp Two-Note-per-String Fingering
E Minor b6/11 Pent.
5 6
7
8
9 10 11 12 13 14 15 16 17 18 19
40140 Ultimate Chord Scale Bible.indb 284
b
j b œ œœ b œ 3 . & 4 . ‰. bœ Œ . œ œ œ C min7 13
T A B
9 8 8 8
C min11
˙ Œ b b ˙˙ ˙.
9 8 8 8
..
6 8 8 8
6/19/12 12:48 PM
285
Minor 3rd/Minor 2nd (1 2 3 5 5 7 8) Minor 3rd/Minor 2nd
The minor 3rd/minor 2nd scale is a symmetric scale composed of alternating minor 3rd and minor 2nd intervals. The scale produces augmented triads built on each scale degree, which makes it an ideal augmented sound resource. This vamp at the bottom right corner of the page is the same as the vamp for Lydian augmented (page 260). Try alternating between both scale choices.
Open Position
Single-String Fingering
C min3rd/min2nd
C min3rd/min2nd
& T A B
œ ##œ
2
1
3
1
3
œ #œ
œ
#5
5 0
2
1
œ
œ
7
8
0
1
1 2 3 1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
Minor 3rd/Minor 2nd
4 5 6
Position Fingerings Through the Circle of 4ths F min3rd/min2nd
C min3rd/min2nd
5
6
7
8
9 10 11 12
5
Ab min3rd/min2nd
5
6
7
8
6
7
8
7
8
9 10 11 12
Db min3rd/min2nd
9 10 11 12
5
E min3rd/min2nd
5
6
6
7
8
9 10 11 12
A min3rd/min2nd
9 10 11 12
5
6
7
8
9 10 11 12
Two-Note-per-String Fingering
E min3rd/min2nd
Bb min3rd/min2nd
5
6
7
8
9 10 11 12
Gb min3rd/min2nd
5
6
7
8
9 10 11 12
D min3rd/min2nd
5
6
7
8
9 10 11 12
Eb min3rd/min2nd
5
6
7
8
9 10 11 12
B min3rd/min2nd
5
6
7
8
9 10 11 12
G min3rd/min2nd
5
6
7
8
9 10 11 12
A Minor 3rd/Minor 2nd Vamp #
2
3
4
5
6
40140 Ultimate Chord Scale Bible.indb 285
7
8
9 10 11 12 13 14 15
j
b
A /A
j
j j j
# œ œ œ œ bœ œ œ œ & 44 .. # # œœ œœ ‰ œœ ‰ œœ ‰ b œœ ‰ œœ ‰ œœ ‰ œœ .. ˙
1
j
A Maj7 11
T A B
4 6 6 5
˙
4 6 6
4 6 6 0
˙
4 6 6
˙
4 5 6 5
4 5 6
4 5 6
4 5 6
0
6/19/12 12:48 PM
286
Minor 6 Diminished (1 2 3 4 5 6 6 7 8) Minor 6 Diminished
The minor 6 diminished scale is basically a nine-note min6 chord scale with an added chromatic tone between the 5th and 6th degrees. The addition of this 6 creates a diminished 7 chord starting on the 2nd scale degree: 2-4- 6-7. In C, that’s D-F-A -B or C . In A, that’s B-D-F-A . Use this chord over the sound of the Amin6 outlined in the vamp in A at the bottom right corner of the page. The result will be some interesting added tension.
& T A B
Open Position
Single-String Fingering
C Minor 6 Diminished
C Minor 6 Diminished
œ 1 3
œ
œ bbœ 2
3
0
4
1
œ bœ nœ b6
5 0
3
1
6 2
œ
œ
7
8
0
1
Minor 6 Diminished
1 2 3 4
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths C Minor 6 Diminished
5 6 7 8 9 10 11 12
F Minor 6 Diminished
5 6 7 8 9 10 11 12
Bb Minor 6 Diminished Eb Minor 6 Diminished
5 6 7 8 9 10 11 12
Ab Minor 6 Diminished Db Minor 6 Diminished Gb Minor 6 Diminished
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
B Minor 6 Diminished
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
E Minor 6 Diminished
A Minor 6 Diminished
D Minor 6 Diminished
G Minor 6 Diminished
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
A Minor 6 Diminished Vamp Two-Note-per-String Fingering
E Minor 6 Diminished
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 286
j j j j j j œœ ‰ œœ ‰ œœ ‰ œœ ‰ œœ ‰ œœ ‰ œœ . œ œ œ #œ œ œ œ . ˙ ˙ ˙
A min6
œ & 44 .. # œœ ˙ T A B
5 5 5 5 4 4 0
5 5 4 0
5 5 4
0
5 5 4
5 5 4
5 5 4
5 5 4
0
6/19/12 12:48 PM
287
Minor 6 9 Pentatonic (1 2 3 4 6 8)
The minor 6 9 pentatonic scale is a five-note scale which can be applied in a Phrygian context (page 297) such as over the 7sus13 9 chord. It also substitutes well for many of the Phrygian- or altered dominant-type scales. It can be considered a pentatonic version of the Phrygian mode. The vamp at the bottom right corner of the page is the same as for Phrygian 6 (page 300). Even though this scale has a lowered 6 ( 13), it also works well over the E7sus 9 chord. Try alternating between the different Phrygian choices.
Open Position
C Minor 6 b 9 Pentatonic
Minor 69 Pentatonic
& T A B
bœ
œ
b2
1 3
bœ
œ
1
3
b3
4
œ
œ 6
4
8 1
2
Single-String Fingering
C Minor 6b 9 Pentatonic
1 2 4
1
2
3
4
5
6
7
8
Minor 6 9 Pentatonic
3 9 10 11 12 13 14 15 16 17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths C Minor 6b 9 Pentatonic F Minor 6b 9 Pentatonic
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
b B Minor 6 b 9 Pentatonic Eb Minor 6 b 9 Pentatonic
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Ab Minor 6 b9 Pentatonic Db Minor 6 b 9 Pentatonic Gb Minor 6b 9 Pentatonic B Minor 6 b 9 Pentatonic
5 6 7 8 9 10 11 12
E Minor 6 b 9 Pentatonic
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
A Minor 6b 9 Pentatonic D Minor 6 b 9 Pentatonic G Minor 6b 9 Pentatonic
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
E Minor 69 Pentatonic Vamp Two-Note-per-String Fingering
E Minor 6 b9 Pentatonic
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19
40140 Ultimate Chord Scale Bible.indb 287
& 44 T A B
b
j j œ œ œ œ .. œ œ ‰ œ ‰ œ œ œ œ œ ˙ ˙
E sus7 9
3 2 3 0
3 2 3
3 2 3 0
3 2 3
ww w ˙
˙
..
( 3) ( 2) ( 3)
0
0
6/19/12 12:48 PM
288
Minor 7 5 Pentatonic (1 3 4 5 7 8)
The minor 7 5 pentatonic scale is a five-note scale which may be applied to the min7 5 chord. It substitutes well for any of the Locrian-type scales (pages 251-254) and can be considered a pentatonic version of the Dorian 5 scale (page 233). The vamp at the bottom right corner of the page is the same as for the Dorian 5. Try alternating between the two choices.
Minor 7 5 Pentatonic
& T A B
œ
bœ
œ
bœ
1
3
4
b2
1 3
3
œ
bœ
b5
b6
8 1
3
Single-String Fingering
Open Position
C Minor7 b5 Pentatonic C Minor7b5 Pentatonic
3 4
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths C Minor7 b5 Pentatonic
F Minor7 b5 Pentatonic
b B Minor7 b5 Pentatonic
E bMinor7 b5 Pentatonic
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Ab Minor7b5 Pentatonic
b D Minor7b5 Pentatonic
b G Minor7b5 Pentatonic
B Minor7 b5 Pentatonic
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
E Minor7 b5 Pentatonic
A Minor7b5 Pentatonic
D Minor7b5 Pentatonic
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
b
Two-Note-per-String Fingering
E Minor7 b5 Pentatonic
5
6 7
8
9 10 11 12 13 14 15 16 17 18 19
40140 Ultimate Chord Scale Bible.indb 288
5 6 7 8 9 10 11 12
G Minor7b5 Pentatonic
5 6 7 8 9 10 11 12
D Minor 7 5 Pentatonic Vamp b
Dmin7 5
& 34 .. Œ˙ .. T A B
5
œœ .. bœ .
bœ
6 5 6 4
œ 3
Ó
Minor7 5 Pentatonic
1 2
œ
..
7
6/19/12 12:48 PM
289
Minor 13 Pentatonic (1 3 5 6 7 8)
The minor 13 pentatonic scale is a five-note scale that works specifically with min7 (Dorian mode, page 231, the 2nd mode of the major scale, page 272) harmonies. Minor 13 pentatonic can be considered another pentatonic version of the Dorian mode. It differs from the Dorian pentatonic scale (page 234) by emphasizing perhaps the most distinctive characteristic of the Dorian sound, the natural 6 (13). The vamp at the bottom right corner of the page is the same as for the Dorian mode. It clearly outlines the Dorian application by progressing from a simple minor triad to the min7 and finally a min6 chord, which emphasizes the 13 tension.
Open Position
Single-String Fingering
C Minor13 Pent.
C Minor13 Pent.
Minor 13 Pentatonic
&
bœ
œ
b3
1
T A B
0
1
3
b6
5
œ
bœ
bœ
œ
b7
1
8 1
3
1 2 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
Minor 13 Pentatonic
3 17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths C Minor13 Pent.
5
6
7
8
9 10 11 12
Ab Minor13 Pent.
5
6
7
8
9 10 11 12
E Minor13 Pent.
5
6
7
8
9 10 11 12
F Minor13 Pent.
5
6
7
8
9 10 11 12
Db Minor13 Pent.
5
6
7
8
9 10 11 12
A Minor13 Pent.
5
6
7
8
9 10 11 12
Bb Minor13 Pent.
5
6
7
8
9 10 11 12
Gb Minor13 Pent.
5
6
7
8
9 10 11 12
D Minor13 Pent.
5
6
7
8
9 10 11 12
Eb Minor13 Pent.
5
6
7
8
9 10 11 12
B Minor13 Pent.
5
6
7
8
9 10 11 12
G Minor13 Pent.
5
6
7
8
9 10 11 12
A Minor 13 Pentatonic Vamp Two-Note-per-String Fingering
E Minor13 Pent.
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19
40140 Ultimate Chord Scale Bible.indb 289
j 4 . œ œ . & 4 . œ . œ ˙˙ œ œ œ œ A min
T A B
5 7 0
Amin7
0
5 5
(5 ) (5 )
0
0
A min6
w .. #w œ œ œ œ 5 4 0
0
0
0
6/19/12 12:48 PM
290
Minor Pentatonic (1 3 4 5 7 8)
The minor pentatonic scale is the relative minor of the major pentatonic scale (page 280). It is built on the 5th degree of the major pentatonic scale (a major 6th above the root) and produces the whole step (W) half step (H) structure of W+H-W-W-W+H-W. This scale works particularly well in a blues context and is the basis for the “blues scale” (minor pentatonic blues, page 291). Much of the music of West Africa is based on this very pure, melodic scale. In the vamp at the bottom right corner of the page, a min7 chord is used to provide the background for this very popular scale. Think B.B. King, The Thrill is Gone.
Open Position
Single-String Fingering
C Minor Pent.
C Minor Pent.
Minor Pentatonic
&
œ 1
T A B
b3
4
1
3
3
œ
bœ
œ
œ
bœ
5
b7
0
3
8 1
1 2
Minor Pentatonic
3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths C Minor Pent.
5
6
7
8
9 10 11 12
Ab Minor Pent.
5
6
7
8
9 10 11 12
E Minor Pent.
5
6
7
8
9 10 11 12
F Minor Pent.
5
6
7
8
9 10 11 12
Db Minor Pent.
5
6
7
8
9 10 11 12
A Minor Pent.
5
6
7
8
9 10 11 12
Bb Minor Pent.
5
6
7
8
9 10 11 12
Gb Minor Pent.
5
6
7
8
9 10 11 12
D Minor Pent.
5
6
7
8
9 10 11 12
Eb Minor Pent.
5
6
7
8
9 10 11 12
B Minor Pent.
5
6
7
8
9 10 11 12
G Minor Pent.
5
6
7
8
9 10 11 12
A Minor Pentatonic Vamp Two-Note-per-String Fingering
E Minor Pent.
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19
40140 Ultimate Chord Scale Bible.indb 290
Amin7
& 44 .. Œ ˙˙ œ.
T A B
0
5 5
Œ Œ .. Œ ˙˙ œ œ. œ œ œ œ œ œ œ J J 0
( 0)
3
5
3
0
5 5
0
(0)
3
6/19/12 12:48 PM
Minor Pentatonic Blues (1 3 4 4 5 7 8)
The minor pentatonic blues scale is very popular among guitarists. It is a variation on the minor pentatonic scale (page 290). This scale contains the 4 (or 5), which moves to the 5. The 4 alteration, along with the 7, are at the heart of this scale’s blues sound. The minor pentatonic blues scale can be applied within a major or minor blues context. The vamp at the bottom right corner of the page illustrates that even though the scale does not include the major 3rd, it will work over a dominant 7 chord.
Open Position
Single-String Fingering
C Minor Pent. Blues
C Minor Pent. Blues
Minor Pentatonic Blues
&
œ 1
T A B
bœ b3
œ
4
#œ
1
3
4
3
4
œ
bœ
œ 5
b7
0
3
291
8 1
1 2
Minor Pentatonic Blues
3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths C Minor Pent. Blues
5
6
7
8
9 10 11 12
Ab Minor Pent. Blues
5
6
7
8
9 10 11 12
E Minor Pent. Blues
5
6
7
8
9 10 11 12
F Minor Pent. Blues
5
6
7
8
9 10 11 12
Db Minor Pent. Blues
5
6
7
8
9 10 11 12
A Minor Pent. Blues
5
6
7
8
9 10 11 12
Bb Minor Pent. Blues
5
6
7
8
9 10 11 12
Gb Minor Pent. Blues
5
6
7
8
9 10 11 12
D Minor Pent. Blues
5
6
7
8
9 10 11 12
Eb Minor Pent. Blues
5
6
7
8
9 10 11 12
B Minor Pent. Blues
5
6
7
8
9 10 11 12
G Minor Pent. Blues
5
6
7
8
9 10 11 12
B Minor Pentatonic Blues Vamp Two-Note-per-String Fingering
E Minor Pent. Blues
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19
40140 Ultimate Chord Scale Bible.indb 291
b
B9
œœ & 44 .. Œ b œœ bœ
Œ
T A B
6
6 7 6 5
œœ œ œ 6 7 6 5
b
B9
œœ œ Œ b œœ œ Œ œ œ Œ bœ nœ bœ Œ (6) (7) (6) (5)
4
5
6
6 7 6 5
œœ œ œ 6 7 6 5
œœ œ Œ .. œ bœ nœ Œ (6) (7) (6) (5)
4
5
6/19/12 12:48 PM
Minor/Major 11 Pentatonic
292
Minor/Major 11 Pentatonic (1 3 4 5 7 8)
The minor/major 11 pentatonic scale is a five-note scale that can be thought of as a pentatonic version of the Lydian 3 scale (page 256, the 4th mode of the harmonic major scale, page 238). This scale is a variation on the Lydian pentatonic scale (page 269) and works well over a min/Maj7 11 chord in a functional or modal situation. The vamp at the bottom right corner of the page is the same as for Lydian 3. Pentatonic versions of larger scales often carry a bit more weight because of their concentrated nature. Minor/major 11 pentatonic emphasizes the 3, 11 and 7, which together clearly Single-String Fingering Open Position define the harmony. Single-String Fingering Open Position# C min/Maj #11 Pent. C min/Maj ##11 Pent. C min/Maj 11 Pent. C min/Maj 11 Pent. Single-String Fingering Open Position 1 # # 1 2 2 3
C min/Maj 11 Pent.
Minor/Major 11 Pentatonic
&
œ
b3
1
T A B
#4
1
3
5 0
4
œ
œ
œ
#œ
bœ
7
8
0
1
C min/Maj 11 Pent.
3 41 4 52 5 63 64
1 1
2 2
3 3
4 4
5 5
6 6
7 7
8 8
9 9
10 11 12 13 14 15 16 10 11 12 13 14 15 16
17 18 19 20 21 17 18 19 20 21
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths Position Fingerings Through the Circle of 4ths F min/Maj the 11 Pent. C min/Maj Fingerings 11 Pent. min/Maj 11 Pent. Position Through Circle ofB 4ths F min/Maj #11 Pent. C min/Maj #11 Pent. Bb min/Maj #11 Pent.
b
Ebb min/Maj ##11 Pent. E min/Maj 11 Pent.
#
#
#
C min/Maj #11 Pent.
F min/Maj #11 Pent.
Bb min/Maj #11 Pent.
Eb min/Maj #11 Pent.
Abb min/Maj ##11 Pent. 6 7 8 911 10Pent. 11 12 A5 min/Maj
Dbb min/Maj ##11 Pent. 5 min/Maj 6 7 8 9 11 10Pent. 11 12 D
Gbb min/Maj ##11 Pent. 6 7 8 91110Pent. 11 12 G5 min/Maj
B min/Maj ##11 Pent. 6 7 8 91110Pent. 11 12 B5 min/Maj
Ab min/Maj #11 Pent.
Db min/Maj #11 Pent.
Gb min/Maj #11 Pent.
B min/Maj #11 Pent.
E min/Maj ##11 Pent. E5 min/Maj Pent. 6 7 8 91110 11 12
A min/Maj ##11 Pent. A 5 min/Maj 6 7 8 91110Pent. 11 12
D min/Maj ##11 Pent. D 5 min/Maj 6 7 8 91110Pent. 11 12
G min/Maj ##11 Pent. G5 min/Maj 6 7 8 91110Pent. 11 12
E min/Maj #11 Pent.
A min/Maj #11 Pent.
D min/Maj #11 Pent.
G min/Maj #11 Pent.
5 5
5 5
6 6
6 6
7 7
7 7
8 8
8 8
9 10 11 12 9 10 11 12
9 10 11 12 9 10 11 12
5 5
5 5
6 6
6 6
7 7
7 7
8 8
8 8
9 10 11 12 9 10 11 12
9 10 11 12 9 10 11 12
5 5
5 5
6 6
6 6
7 7
7 7
8 8
8 8
9 10 11 12 9 10 11 12
9 10 11 12 9 10 11 12
5 5
5 5
5 5
6 6
7 7
8 8
9 10 11 12 9 10 11 12
5 5
6 6
7 7
8 8
9 10 11 12 9 10 11 12
5 5
6 6
7 7
8 8
9 10 11 12 9 10 11 12
5 5
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
Two-Note-per-String Fingering Two-Note-per-String Fingering E min/Maj ##11 Pent. Two-Note-per-String Fingering E min/Maj 11 Pent. #
6 6
6 6
6 6
6 6
7 8 7 8
9 10 11 12 13 14 15 16 17 18 19 9 10 11 12 13 14 15 16 17 18 19
5
6
7 8
9 10 11 12 13 14 15 16 17 18 19
40140 Ultimate Chord Scale Bible.indb 292
7 7
7 7
8 8
8 8
8 8
9 10 11 12 9 10 11 12
9 10 11 12 9 10 11 12
9 10 11 12 9 10 11 12
A Minor/Major 11 Pentatonic Vamp 6
7
8
9 10 11 12
b
A /A
b˙ & 44 .. Œ b ˙˙ œ.
E min/Maj 11 Pent. 5 5
7 7
T A B
0
4 5 6
œ œ. J 0
0
œœ œ 4 5 6
A min6/9
œ J
œœœ .. Œ # ˙˙˙ œ. œ œ. œ J J
0
0
0 5 4
0
0
0 5 4
0
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293
Mixolydian (1 2 3 4 5 6 7 8)
The Mixolydian mode is the 5th mode of the major scale (page 272). The 7 scale degree gives this mode an unaltered dominant character. Stressing the 3rd scale degree gives a stable, functional dominant quality. Stressing the 4th scale degree creates a suspended quality more typical of a modal context. Check out Herbie Hancock’s Maiden Voyage. In the vamp at the bottom right corner of the page, the dominant sound is expressed with the dominant 9 chord. The suspended or dominant 11 sound is illustrated in the second measure (A /B ). Try using Mixolydian in your blues playing where the minor pentatonic is usually applied.
Open Position
Single-String Fingering
C Mixolydian
C Mixolydian
Mixolydian
&
œ 1
T A B
3
œ
œ 2
œ
3
4
0
2
3
œ
œ
bœ
6
b7
0
2
3
5
œ 8 1
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5
Mixolydian
6
Position Fingerings Through the Circle of 4ths F Mixolydian
C Mixolydian
5
6
7
8
9 10 11 12
5
Ab Mixolydian
5
6
7
8
6
7
9 10 11 12
8
7
8
9 10 11 12
Db Mixolydian
5
E Mixolydian
5
6
6
7
8
9 10 11 12
A Mixolydian
9 10 11 12
5
6
7
8
9 10 11 12
Two-Note-per-String Fingering
E Mixolydian
1
2
3
4
40140 Ultimate Chord Scale Bible.indb 293
5
6
7
8
9 10 11 12 13 14 15
Bb Mixolydian
5
6
7
8
9 10 11 12
Gb Mixolydian
5
6
7
8
9 10 11 12
D Mixolydian
5
6
7
8
9 10 11 12
Eb Mixolydian
5
6
7
8
9 10 11 12
B Mixolydian
5
6
7
8
9 10 11 12
G Mixolydian
5
6
7
8
9 10 11 12
B Mixolydian Vamp b
B 9
b b
A /B
œœœ b œœœ bœ œ œ œ
˙. & 44 .. b ˙˙ .. T A B
3 5 6 6
(3 ) (5 ) (6 )
6
6
6
4 5 6
ww .. w bœ œ œ œ (4 ) (5 ) (6 )
6
6
6
6
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294
Mixolydian 9 (1 2 3 4 5 6 7 8)
The Mixolydian 9 scale is the 5th mode of the harmonic major scale (page 238). Mixolydian 9 is dominant in function. This scale works specifically with a dominant 13 9 chord. It can be used as a substitute for any altered dominant-type scale. The vamp in A at the bottom right corner of the page illustrates the specific altered dominant use of Mixolydian 9. You can use any variation of a dominant chord containing the 9 as a substitute for the A13 9.
Mixolydian 9
&
œ bbœ 2
1
T A B
3
4
œ
œ 3
4
2
3
œ
œ bœ
œ
5
6
7
8
0
2
3
1
Single-String Fingering
Open Position
C Mixolydian b 9
C Mixolydian b 9
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
Mixolydian 9
5 6
Position Fingerings Through the Circle of 4ths F Mixolydian b9
C Mixolydian b9
5
6
7
8
9 10 11 12
5
Ab Mixolydian b9
5
6
7
8
6
7
9 10 11 12
8
7
8
9 10 11 12
Db Mixolydian b9
5
E Mixolydian b9
5
6
6
7
8
9 10 11 12
A Mixolydian b9
9 10 11 12
5
6
7
8
9 10 11 12
Bb Mixolydian b9
5
6
7
8
9 10 11 12
Gb Mixolydian b9
5
6
7
8
9 10 11 12
D Mixolydian b9
5
6
7
8
9 10 11 12
Eb Mixolydian b9
5
6
7
8
9 10 11 12
B Mixolydian b9
5
6
7
8
9 10 11 12
G Mixolydian b9
5
6
7
8
9 10 11 12
A Mixolydian 9 Vamp Two-Note-per-String Fingering
E Mixolydian b9
1
2
3
4
40140 Ultimate Chord Scale Bible.indb 294
5
6
7
8
9 10 11 12 13 14 15
b
j b œ # # œœ 4 . ‰ Œ . œ &4 w A 13 9
T A B
0
6 7 6 5
œœ .. œj œœ .. b b œœ œ
(6 ) (7 ) (6 ) (5 )
3 4 3 2
ww w w . œ ˙ ( 3) ( 4) ( 3) ( 2)
0
..
0
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295
Noh (1 2 4 5 5 6 7 8)
Noh is a traditional seven-note Japanese scale. In a Western context it can be viewed as a variation on the Ionian augmented scale (page 244, the 3rd mode of the harmonic minor scale, page 239). Noh contains no 3 and includes a natural 5. Together, the 5 and the 5 create a passing tone situation to 6. Like the Ionian augmented scale, Noh can be used within a Maj7 5 context. Care should be taken with 4 since it creates tension against 3.
Open Position
Single-String Fingering
C Noh
C Noh
Noh
& T A B
œ
2
1
4
0
3
#5
5 0
3
6
1
œ
œ
œ
œ #œ
œ
œ
2
7
8
0
1
1 2 3 4
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
5 6
Noh
Position Fingerings Through the Circle of 4ths C Noh
5 6 7 8 9 10 11 12
Ab Noh
5 6 7 8 9 10 11 12
E Noh
5 6 7 8 9 10 11 12
F Noh
5 6 7 8 9 10 11 12
Db Noh
b B Noh
5 6 7 8 9 10 11 12
Gb Noh
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
A Noh
D Noh
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Eb Noh
5 6 7 8 9 10 11 12
B Noh
5 6 7 8 9 10 11 12
G Noh
5 6 7 8 9 10 11 12
A Noh Vamp Two-Note-per-String Fingering
E Noh
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 295
#
A Maj7 5
& 44 .. Ó
˙.
T A B
0
˙˙ # # ˙ 6 6 6
o
B /A
œ œ ( 0)
0
Ó ˙. 0
˙˙ ˙ 6 7 9
œ œ ( 0)
..
0
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296
Pelog (1 2 3 5 6 8)
Pelog is a traditional Javanese five-note scale which can be also be applied in a Phrygian context (page 297). It can be considered a pentatonic version of the Phrygian scale and can substitute for many of the Phrygian or altered dominant scale choices. Pelog differs from other Phrygian pentatonic scales by the inclusion of the 5th scale degree instead of the 4th, which gives the sound a more stable or “tonic” feeling. The vamp at the bottom right corner of the page is the same as for Phrygian. It explores the use of Pelog over II/I (in this case, the B /A chord) and a sus4 9 chord. Try alternating between Pelog and the other Phrygian choices.
Open Position
Single-String Fingering
C Pelog
C Pelog
Pelog
&
bœ
œ
b2
1
T A B
3
œ
bœ b3
5
b6
0
1
4
œ
bœ
8 1
1
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5
Pelog
6
Position Fingerings Through the Circle of 4ths
5
6
7
8
9 10 11 12
Ab Pelog
5
6
7
6
8
7
5
6
7
8
9 10 11 12
Db Pelog
9 10 11 12
E Pelog
5
b B Pelog
F Pelog
C Pelog
5
6
7
9 10 11 12
5
6
7
6
7
8
9 10 11 12
Gb Pelog
8
9 10 11 12
A Pelog
8
5
Eb Pelog
5
6
7
9 10 11 12
5
6
7
6
7
8
9 10 11 12
8
9 10 11 12
8
9 10 11 12
B Pelog
8
9 10 11 12
D Pelog
8
5
5
6
7
G Pelog
8
9 10 11 12
5
6
7
A Pelog Vamp Two-Note-per-String Fingering
E Pelog
5
6
7
8
A
& 68 .. # œœœ
œ.
9 10 11 12 13 14 15 16 17 18 19
40140 Ultimate Chord Scale Bible.indb 296
T A B
2 2 2 0
b
j œ b œœ œœœ ... œ œ œ B /A
3 3 3
(3) (3) (3)
0
b
A sus4 9
.. b ˙˙˙ ... œ. œ œ œ 0 3 3
0
0
0
0
0
0
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297
Phrygian (1 2 3 4 5 6 7 8)
The Phrygian mode is the 3rd mode of the major scale (page 272). Because of the 2, the Phrygian sound is often associated with Spanish themes. Keep in mind that the root position diatonic 7 chord produced from this scale does not reflect the Phrygian sound. Functionally, Phrygian is interpreted as II/I or as a dominant 7sus 9. The vamp at the bottom right corner of the page illustrates both the Spanish and altered dominant sounds of Phrygian.
Open Position
Single-String Fingering
C Phrygian
C Phrygian
Phrygian
&
œ bbœ bbœ 3
œ
4
œ bœ bœ
1
3
4
2
1
T A B
3
4
5
b6
b7
1
3
œ 8 1
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5 6
Phrygian
Position Fingerings Through the Circle of 4ths
5
6
7
8
9 10 11 12
5
Ab Phrygian
5
6
7
8
6
7
9 10 11 12
8
6
7
8
9 10 11 12
Db Phrygian
5
E Phrygian
5
Bb Phrygian
F Phrygian
C Phrygian
6
7
8
9 10 11 12
A Phrygian
9 10 11 12
5
6
7
8
5
6
7
8
9 10 11 12
Gb Phrygian
5
6
7
8
9 10 11 12
D Phrygian
9 10 11 12
5
6
7
8
Eb Phrygian
5
6
7
8
9 10 11 12
B Phrygian
5
6
7
8
9 10 11 12
G Phrygian
9 10 11 12
5
6
7
8
9 10 11 12
A Phrygian Vamp Two-Note-per-String Fingering
E Phrygian
1
2
3
4
40140 Ultimate Chord Scale Bible.indb 297
5
6
7
8
9 10 11 12 13 14 15
b
b
j œ œ. 6 b ˙˙˙ ... & 8 .. # œœœ b œœ œœ .. œ. œ œ œ œ. A
T A B
2 2 2 0
B /A
3 3 3
Asus4 9
(3) (3) (3)
0
œ œ œ
..
0 3 3 0
0
0
0
0
0
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298
Phrygian 4 (1 2 3 4 5 6 7 8)
The Phrygian 4 scale is the 3rd mode of the harmonic major scale (page 238). This scale can be thought of as an altered dominant rather than Phrygian scale. The scales contains a dominant 7 chord with the following altered tensions: 9, 9 and 13. The inclusion of a 7 9 in the vamp at the bottom right corner of the page illustrates the altered dominant application of the Phrygian 4 scale. The other altered tensions in the scale provide plenty of color.
Open Position
C Phrygian b4
Phrygian 4
& T A B
œ bbœ bbœ bbœ 2
1 3
4
3
4
1
2
œ
œ bœ bœ 5
b6
b7
0
1
3
8 1
Single-String Fingering
C Phrygian b4
1 2 3 4
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
Phrygian 4
5 6
Position Fingerings Through the Circle of 4ths b C Phrygian 4
5 6 7 8 9 10 11 12
b Ab Phrygian 4
5 6 7 8 9 10 11 12
b E Phrygian 4
5 6 7 8 9 10 11 12
b F Phrygian 4
5 6 7 8 9 10 11 12
b Db Phrygian 4
5 6 7 8 9 10 11 12
b Gb Phrygian 4
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
b A Phrygian 4
b D Phrygian 4
5 6 7 8 9 10 11 12
Two-Note-per-String Fingering
E Phrygian b4
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 298
b Bb Phrygian 4
5 6 7 8 9 10 11 12
b Eb Phrygian 4
5 6 7 8 9 10 11 12
b B Phrygian 4
5 6 7 8 9 10 11 12
b G Phrygian 4
5 6 7 8 9 10 11 12
E Phrygian 4 Vamp #
E7 9
& 44 .. Ó T A B
w 0
b œœ ... œ 4 8 7
j E 7 b13 b9 œœœ ˙˙˙ Ó œ œ ˙ 4 8 7
..
6 7 10 0
0
(0)
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299
Phrygian Major (1 2 3 4 5 6 7 8)
The Phrygian major scale is the 5th mode of the harmonic minor scale (page 239). It is the dominant scale of the harmonic minor system. This is the sound heard in the Jewish folk song, Hava Nagilah. Functionally, Phrygian major works over altered dominant harmonies. The vamp at the bottom right corner of the page demonstrates the use of this scale over both a Phrygian sound (A /G) and an altered dominant sound (G7 13).
Phrygian Major
& T A B
œ bbœ 1
2
3
4
3
4
2
3
œ
œ bœ bœ
œ
œ
5
b6
b7
0
1
3
8 1
Single-String Fingering
Open Position
C Phrygian Major C Phrygian Major 1 2 3 4
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
Phrygian Major
5 6
Position Fingerings Through the Circle of 4ths C Phrygian Major
5 6 7 8 9 10 11 12
Ab Phrygian Major
5 6 7 8 9 10 11 12
E Phrygian Major
5 6 7 8 9 10 11 12
F Phrygian Major
5 6 7 8 9 10 11 12
Db Phrygian Major
Bb Phrygian Major
5 6 7 8 9 10 11 12
Gb Phrygian Major
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
A Phrygian Major
D Phrygian Major
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Eb Phrygian Major
5 6 7 8 9 10 11 12
B Phrygian Major
5 6 7 8 9 10 11 12
G Phrygian Major
5 6 7 8 9 10 11 12
G Phrygian Major Vamp Two-Note-per-String Fingering
E Phrygian Major
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 299
b
b
j j b œ ˙˙ 4 .. Œ ‰ b œœ ˙˙ .. ‰ œ Œ &4 œ ˙ b œ ˙ ˙. œ œ ˙. œ œ A /G
T A B
G7 13
1 1 1 3
(1) (1) (1)
4 4 3 3
3
3
(4) (4) (3)
3
3
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300
Phrygian 6 (1 2 3 4 5 6 7 8)
The Phrygian 6 scale is the 2nd mode of the jazz minor scale (page 247). It is used primarily in modal contexts. It can be interpreted as a sus4 9 13 chord scale and may be substituted for any altered dominant sound. The vamp at the bottom right corner of the page includes a sus4 7 9 to illustrate the effectiveness of this scale. Try using Phrygian 6 over any altered dominant chord.
Phrygian 6
&
œ
œ bbœ bbœ 1
T A B
2
3
4
3
4
1
3
œ
œ bœ 6
b7
0
2
3
5
œ 8 1
Single-String Fingering
Open Position
C Phrygian n6
C Phrygian n6
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
Phrygian 6
5 6
Position Fingerings Through the Circle of 4ths n F Phrygian 6
n C Phrygian 6
5
6
7
8
9 10 11 12
5
n Ab Phrygian 6
5
6
7
8
6
7
8
7
8
9 10 11 12
n Db Phrygian 6
9 10 11 12
5
n E Phrygian 6
5
6
6
7
8
9 10 11 12
n A Phrygian 6
9 10 11 12
5
6
7
8
9 10 11 12
Two-Note-per-String Fingering
n E Phrygian 6
1
2
3
4
5
40140 Ultimate Chord Scale Bible.indb 300
6
7
8
9 10 11 12 13 14 15
n Bb Phrygian 6
5
6
7
8
9 10 11 12
n Gb Phrygian 6
5
6
7
8
9 10 11 12
n D Phrygian 6
5
6
7
8
9 10 11 12
n Eb Phrygian 6
5
6
7
8
9 10 11 12
n B Phrygian 6
5
6
7
8
9 10 11 12
n G Phrygian 6
5
6
7
8
9 10 11 12
E Phrygian 6 Vamp b
j
E sus7 9
j
œ œ œ œ w & 44 .. œœ œœ ‰ œœ ‰ œœ ww T A B
˙ 3 2 3 0
˙
3 2 3
3 2 3 0
3 2 3
˙
˙
0
0
( 3) ( 2) ( 3)
..
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301
Phrygian Pentatonic (1 2 4 6 7 8)
The Phrygian pentatonic scale is a five-note scale most commonly applied over a Phrygian sound such as the 7sus4 13 9 chord. It substitutes well for many of the Phrygian- or altered dominant-type scales and can be considered a pentatonic version of the Phrygian mode (page 297). This vamp is the same as the Phrygian scale vamp. Try alternating between the two choices.
Phrygian Pentatonic
& T A B
bœ
œ
b2
1 3
4
4
6
1
3
œ
bœ
œ
œ
b7
8 1
1
Phrygian Pentatonic
A Phrygian Pentatonic Vamp A
& 68 .. # œœœ
œ.
T A B
40140 Ultimate Chord Scale Bible.indb 301
2 2 2 0
b
j œ b œœ
B /A
3 3 3
œœ .. œ. œ œ œ ( 3) ( 3) ( 3)
0
0
0
b
A sus4 9
.. b ˙˙˙ ... œ. œ œ œ 0 3 3 0
0
0
0
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302
Phrygilydian (1 2 3 4 5 6 7 8)
The Phrygilydian scale is an interesting seven-note hybrid scale that can viewed as a combination of Phrygian and Lydian (pages 297 and 255 respectively, the 3rd and 4th modes of the major scale, page 272). The scale contains elements of both. It can also be seen as an altered dominant-type scale without the 3rd scale degree (the 3 is now a 9). The vamp in C at the bottom right corner of the page outlines a rather odd harmonic context, B Maj7sus4 5/A. It is an interesting sound that can also be construed as an altered dominant chord (A7 9 11 with the 3rd omitted).
Open Position
Single-String Fingering
C Phrygilydian
C Phrygilydian
Phrygilydian
& T A B
œ bbœ bbœ ## œ 1
2
3
4
3
4
1
4
œ
œ bœ bœ 5
b6
b7
0
1
3
8 1
1 2 3 4
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
Phrygilydian
5 6
Position Fingerings Through the Circle of 4ths C Phrygilydian
5 6 7 8 9 10 11 12
Ab Phrygilydian
5 6 7 8 9 10 11 12
E Phrygilydian
5 6 7 8 9 10 11 12
F Phrygilydian
5 6 7 8 9 10 11 12
Db Phrygilydian
Bb Phrygilydian
5 6 7 8 9 10 11 12
Gb Phrygilydian
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
A Phrygilydian
D Phrygilydian
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Eb Phrygilydian
5 6 7 8 9 10 11 12
B Phrygilydian
5 6 7 8 9 10 11 12
G Phrygilydian
5 6 7 8 9 10 11 12
A Phrygilydian Vamp Two-Note-per-String Fingering
E Phrygilydian
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 302
b
b
j b œ œ œ 4 .. Œ b b œœ œœ œœ ‰ œœœ &4 œ. œ. œ B Maj7sus4 5/A
T A B
0
5 8 8
0
5 8 8
5 8 8
0
5 8 8
œœœ b b b œœœ œœœ œœœ Œ œœœ . . œ œ. ˙ J
(5 ) (8 ) (8 ) (0 )
5 8 8 0
(5) (8) (8)
5 8 8
0
5 8 8
6/19/12 12:48 PM
303
Purvi (1 2 3 4 5 6 7 8)
Purvi is a six-note Indian raga (scale). When used in a superimposed context, Purvi can substitute for any of the minor/Major oriented scales such as the jazz minor scale (page 247). If the 4 is emphasized, Purvi takes on a min/Maj7 sound. With the focus on the 2nd degree as the root, the scale could be reinterpreted as: 1- 3-4 4-5 - 7-7-8. The 4 and 7 scale degrees act as passing tones and help to color the scale. The vamp at the bottom right corner of the page explores this superimposed min/Maj7 sound. Use the C Purvi scale over the D harmony. Try using Purvi as a substitute for the jazz minor scale over stationary min/Maj7 chords.
Open Position
Single-String Fingering
C Purvi
C Purvi
Purvi
&
œ bbœ 1
T A B
2
3
#4
3
2
4
b6
5 0
4
œ
œ
œ bœ
œ #œ
1
7
8
0
1
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5 6
Purvi
Position Fingerings Through the Circle of 4ths
5
6
7
8
9 10 11 12
5
Ab Purvi
5
6
7
6
6
7
8
9 10 11 12
Db Purvi
8
9 10 11 12
5
E Purvi
5
Bb Purvi
F Purvi
C Purvi
6
7
8
9 10 11 12
5
6
7
6
7
8
9 10 11 12
Gb Purvi
8
9 10 11 12
A Purvi
7
5
Eb Purvi
5
6
7
9 10 11 12
5
6
7
6
7
8
9 10 11 12
8
9 10 11 12
8
9 10 11 12
B Purvi
8
9 10 11 12
D Purvi
8
5
5
6
7
G Purvi
8
9 10 11 12
5
6
7
C Purvi Vamp Two-Note-per-String Fingering
E Purvi
1
2
3
4
5
40140 Ultimate Chord Scale Bible.indb 303
6
7
8
9 10 11 12 13 14 15
b
b˙ & 44 .. b Œ˙ b ˙˙ bœ D min/Maj7
T A B
4
5 5 6 4
Œ œ 3
b˙ Œ b ˙˙ Œ .. b˙ bœ œ 4
5 5 6 4
3
6/19/12 12:48 PM
304
Sho (1 2 3 4 5 6 8)
Sho is a traditional six-note Japanese scale. In a Western context, Sho is a perfect chord scale for the min6 chord. It can also be applied to Dorian (page 231) or jazz minor (page 247) contexts. The vamp at the bottom right corner of the page includes the min6 chord. Try substituting Sho for other min6-type scales including: Dorian, minor 6 diminished (page 286) and Kumoi (page 249).
Open position
Single-String Fingering
C Sho
C Sho
Sho
&
œ 1
T A B
b3
2 0
3
4
1
5
6
0
3
œ
œ
œ
œ
bœ
œ
8 1
2
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5
Sho
6
Position Fingerings Through the Circle of 4ths
5
6
7
8
9 10 11 12
5
Ab Sho
5
6
7
6
6
7
8
9 10 11 12
Db Sho
8
9 10 11 12
5
E Sho
5
Bb Sho
F Sho
C Sho
6
7
8
9 10 11 12
5
6
7
6
7
8
9 10 11 12
Gb Sho
8
9 10 11 12
A Sho
7
5
Eb Sho
5
6
7
9 10 11 12
5
6
7
6
7
8
9 10 11 12
8
9 10 11 12
8
9 10 11 12
B Sho
8
9 10 11 12
D Sho
8
5
5
6
7
G Sho
8
9 10 11 12
5
6
7
A Sho Vamp Two-Note-per-String Fingering
E Sho
1
2
3
4
5
40140 Ultimate Chord Scale Bible.indb 304
6
7
8
9 10 11 12 13 14 15
j œ œ œ & 44 .. # œœ œœ ‰ œœ ‰ ˙ ˙ A min6
T A B
5 5 4 0
5 5 4
5 5 4 0
j j j j j œœ ‰ œœ ‰ œœ ‰ œœ ‰ œœ . œ #œ œ œ œ . ˙ ˙ 5 5 4
0
5 5 4
5 5 4
5 5 4
5 5 4
0
6/19/12 12:48 PM
305
Sho (#2) (1 2 3 4 5 7 8)
Sho #2 is a traditional six-note Japanese scale. It is a variation on the Sho scale (page 304) but differs in pitch and harmonic quality. In a Western context, it resembles the altered dominant scale (page 197, the 7th mode of the jazz minor scale, page 247) but does not include the 6th scale degree. Sho #2 can be applied in altered dominant situations. Viewed as an altered dominant application, this scale contains the following altered tensions: 9, 9 and 11. The 4 is interpreted as a 3. The chords outlined in the vamp at the bottom right corner of the page are all altered dominant variations.
Open Position
Single-String Fingering
C Sho (#2)
C Sho (#2)
Sho (#2)
& T A B
bœ
œ
b2
1 3
4
b3
b4
1
b7
b5
2
œ
bœ
bœ
bœ
bœ
8 1
3
4
1 2 3 4
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
5 6
Sho (#2)
Position Fingerings Through the Circle of 4ths C Sho (#2)
5 6 7 8 9 10 11 12
Ab Sho (#2)
5 6 7 8 9 10 11 12
E Sho (#2)
5 6 7 8 9 10 11 12
F Sho (#2)
5 6 7 8 9 10 11 12
Db Sho (#2)
Bb Sho (#2)
5 6 7 8 9 10 11 12
Gb Sho (#2)
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
A Sho (#2)
D Sho (#2)
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Eb Sho (#2)
5 6 7 8 9 10 11 12
B Sho (#2)
5 6 7 8 9 10 11 12
G Sho (#2)
5 6 7 8 9 10 11 12
D Sho (#2) Vamp Two-Note-per-String Fingering
E Sho (#2)
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 305
#
b
b b
˚j D7 9 D7 9 5 ˚j œœ œœ œœ b œœ œœ bœ 6 . ≈ . & 8 œ . #œ œ œ œ. ‰œ . œ œ œ≈ . b œœ D7 9
T A B
5
6 (6 ) 6 5 (5 ) 5 4 (4 ) 4 5
5
4 5 4
4 5 4
5
4 5 6
b
D7 9
œœ œœ ‰ œœ œœ . œ œ #œ œ . œ. œ. (4) (5) (6)
5
4 5 6
5
4 5 4
4 5 4
6/19/12 12:48 PM
306
Sus4 13 Pentatonic (1 2 4 5 6 8)
The sus4 13 pentatonic scale is a five-note scale that can be Sus4 13 Pentatonic thought of as pentatonic version of either the Aeolian major scale (page 195, the 5th mode of the jazz minor scale, page 247) or the harmonic major scale (page 238). It is also very similar to the major b6 6 pentatonic scale (page 275) but emphasizes the 4th scale degree 1 2 4 5 8 T 1 instead of the 3rd. This gives it a true sus4 application. The scale 0 1 A 0 3 also contains the 13 altered tension, which makes it an excellent 3 B choice for Phrygian or altered dominant (7 sus 13) situations. The vamp at the bottom right corner of the page explores the suspended and altered dominant side of this scale. Emphasis is placed on the 13 altered tension and the suspended 4th. Sus4 13 pentatonic is a good substitution for any the Phrygian (page 297) or altered dominant (page 197) scale.
&
œ
œ
œ
œ
bœ
Single-String Fingering
Open Position
C sus4 b13 Pent.
Sus4 13 Pentatonic
œ
C sus4 b13 Pent.
1 2 3 4
1
5
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
6
Position Fingerings Through the Circle of 4ths C sus4 b13 Pent.
5
6
7
8
9 10 11 12
Ab sus4 b13 Pent.
5
6
7
8
9 10 11 12
E sus4 b13 Pent.
5
6
7
8
9 10 11 12
F sus4 b13 Pent.
5
6
7
8
9 10 11 12
Db sus4 b13 Pent.
5
6
7
8
9 10 11 12
A sus4 b13 Pent.
5
6
7
8
9 10 11 12
b B sus4 b13 Pent.
5
6
7
8
9 10 11 12
Gb sus4 b13 Pent.
5
6
7
8
9 10 11 12
D sus4 b13 Pent.
5
6
7
8
9 10 11 12
Eb sus4 b13 Pent.
5
6
7
8
9 10 11 12
B sus4 b13 Pent.
5
6
7
8
9 10 11 12
G sus4 b13 Pent.
5
6
7
8
9 10 11 12
E Sus4 13 Pentatonic Vamp Two-Note-per-String Fingering
E sus4 b13 Pent.
5
UCSB_302-311.indd 306
6
7 8
9 10 11 12 13 14 15 16 17 18 19
b
E9 13
& 44 .. Ó T A B
w 0
# ˙˙ # ˙˙ 7 5 6 5
j œœ œœ Œ ‰ œ œ Œ .. w
A sus7/E
8 7 7
( 8) ( 7) ( 7)
0
6/28/12 9:18 AM
307
Sus4 Pentatonic (1 2 4 5 6 8) Sus4 Pentatonic
The sus4 pentatonic scale is a five-note scale that closely resembles the major pentatonic scale (page 280) except that this version emphasizes the 4th scale degree instead of the 3rd. Since this scale contains no 7, it is usually applied over a suspended triad or 6 chord context. The vamp at the bottom right corner of the page is the same as for the tritonic scale (page 314). Both the sus4 pentatonic and tritonic scales can be applied to suspended 4th situations. Dsus4 is used in the progression to accommodate the D Sus4 Pentatonic scale.
Open Position
Single-String Fingering
C sus4 Pent.
C sus4 Pent.
& T A B
œ
œ 1
2
4
0
3
5
6
0
3
œ
œ
œ
œ
8 1
2
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
Sus4 Pentatonic
5 6
Position Fingerings Through the Circle of 4ths F sus4 Pent.
C sus4 Pent.
5
6
7
8
9 10 11 12
Ab sus4 Pent.
5
6
7
8
6
7
9 10 11 12
8
6
7
8
9 10 11 12
Db sus4 Pent.
E sus4 Pent.
5
5
5
6
7
8
9 10 11 12
A sus4 Pent.
9 10 11 12
5
6
7
8
9 10 11 12
b B sus4 Pent.
5
6
7
8
9 10 11 12
Gb sus4 Pent.
5
6
7
8
9 10 11 12
D sus4 Pent.
5
6
7
8
9 10 11 12
Eb sus4 Pent.
5
6
7
8
9 10 11 12
B sus4 Pent.
5
6
7
8
9 10 11 12
G sus4 Pent.
5
6
7
8
9 10 11 12
D Sus4 Pentatonic Vamp Two-Note-per-String Fingering
E sus4 Pent.
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19
40140 Ultimate Chord Scale Bible.indb 307
D sus4
j
j
œ œ ˙ œ œ œ ˙ œ & 45 .. ‰œ . œ œ œ ˙œ ˙ œ ‰œ . œ œ œ ˙œ ˙ œ .. T A B
J
0
3 2
(3 ) (2 )
( 0)
J
3 2 0
0
3 0
0
3 2
( 3) ( 2)
( 0)
3 2 0
0
3 0
6/19/12 12:48 PM
308
Sus4 9 5 Pentatonic (1 2 4 5 6 8)
The sus4 9 5 pentatonic scale is a five-note scale. It can be thought of as a pentatonic version of the Locrian 6 scale (page 254, the 2nd mode of the harmonic minor scale, page 239). Sus4 9 5 pentatonic works in the same contexts as Locrian 6. The vamp at the bottom right corner of the page is the same as for Locrian Nat. 6. The scale works well over a min7 5 chord or II+/I. Try substituting the sus4 9 5 pentatonic for other Locrian-type scale choices.
Open Position
C sus4 b9 b5 Pent.
Sus4 9 5 Pentatonic
& T A B
bœ
œ
b2
1 3
œ
bœ
3
4
b5
4
4
œ
œ 6
8 1
2
Single-String Fingering
C sus4 b9 b5 Pent.
Sus4 9 5 Pentatonic
1 2 3 4
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths C sus4 b9b5 Pent.
5 6 7 8 9 10 11 12
Ab sus4 b9b5 Pent.
5 6 7 8 9 10 11 12
E sus4 b 9b5 Pent.
5 6 7 8 9 10 11 12
F sus4 b9b5 Pent.
5 6 7 8 9 10 11 12
Db sus4 b 9b5 Pent.
b B sus4 b 9b5 Pent.
5 6 7 8 9 10 11 12
Gb sus4 b 9b5 Pent.
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
A sus4 b 9b5 Pent.
D sus4 b9b5 Pent.
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Eb sus4 b 9b5 Pent.
5 6 7 8 9 10 11 12
B sus4 b 9b5 Pent.
5 6 7 8 9 10 11 12
G sus4 b9b5 Pent.
5 6 7 8 9 10 11 12
E Sus4 9 5 Pentatonic Vamp Two-Note-per-String Fingering
E sus4 b9 b5 Pent.
b
œœ œœ 5 . Œ b & 4 . œ œ Œ # œœœ T A B
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19
40140 Ultimate Chord Scale Bible.indb 308
F +/E
E min7 5
œ.
œ.
8 7 8 0
˙
8 7 8 0
F +/E
œ œ Œ b œœ œœ Œ # œœœ .. œ. œ. ˙
2 2 3 0
b
E min7 5
8 7 8 0
8 7 8 0
2 2 3 0
6/19/12 12:48 PM
309
Symmetrical Diminished, Half/Whole (1 2 3 4 5 5 6 7 8)
The symmetrical diminished is an eight-tone scale that alternates between half-step and whole-step intervals. Each degree of the scale produces a diminished 7 chord, which because of the scale’s symmetry, can substitute for each other. This half-step/whole-step scale can be viewed as an altered dominant scale choice (1, 9, 9, 3, 5, 5, 6, 7). The whole-step/half-step version of this scale is often called the auxiliary diminished scale (page 206) and is usually used over a diminished 7 chord. The vamp at the bottom right corner of the Single-String Fingering Open Positionthe altered dominant page demonstrates side of the symmetrical Single-String Fingering Open Position 9, 9 and 5 dominant chords. diminished scale, including C Dim. Half/Whole C Dim. Half/Whole
& T A B
1
2
3
4
3
4
5
1
2
4
œ
œ bœ
bœ nœ œ bbœ bbœ bbœ b 5 0
6
b7
2
3
8 1
Symmetrical Diminished, Half/ Whole
C Dim. Half/Whole
1 Open 2 1 3 2 4 3 51 4 62 5 3 6 4
Symmetrical Diminished, Half/Whole
C Dim. Half/Whole
Single-String Fingering
Position
C Dim. Half/Whole
C Dim. Half/Whole 1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths Position Fingerings Through the Circle of 4ths F Dim. Half/Whole
C Dim. Half/Whole
Position Fingerings Through the Circle F Dim. Half/Whole C Dim. Half/Whole 6 7 8 9 10 11 12 C5 Dim. Half/Whole 5
6
7
8
6 7 8 9 10 11 12 F5 Dim. Half/Whole
9 10 11 12
5
6
7
8
9 10 11 12
Bb Dim. Half/Whole of Bb 4ths Dim. Half/Whole
Eb Dim. Half/Whole Eb Dim. Half/Whole
Bb Dim. Half/Whole
Eb Dim. Half/Whole
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
Ab Dim. Half/Whole Ab Dim. Half/Whole
Db Dim. Half/Whole Db Dim. Half/Whole
Gb Dim. Half/Whole Gb Dim. Half/Whole
9 10 11 12
B5 Dim. 6 7 Half/Whole 8 9 10 11 12
6 7 Half/Whole 8 9 10 11 12 A5 b Dim.
6 7 Half/Whole 8 9 10 11 12 D5 b Dim.
6 7 Half/Whole 8 9 10 11 12 G5 b Dim.
6 7 Half/Whole 8 9 10 11 12 B5 Dim.
5
5
6
7
6
8
7
8
9 10 11 12
5
9 10 11 12
5
6
6
7
7
8
8
9 10 11 12
9 10 11 12
5
5
6
6
7
7
8
8
9 10 11 12
B Dim. Half/Whole
5
6
7
8
9 10 11 12
E Dim. Half/Whole
A Dim. Half/Whole
D Dim. Half/Whole
G Dim. Half/Whole
E Dim. Half/Whole
A Dim. Half/Whole
D Dim. Half/Whole
G Dim. Half/Whole
6 7 Half/Whole 8 9 10 11 12 E5 Dim.
6 7 Half/Whole 8 9 10 11 12 A5 Dim.
6 7 Half/Whole 8 9 10 11 12 D5 Dim.
6 7 Half/Whole 8 9 10 11 12 G5 Dim.
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
E5 6Symmetrical Diminished, Half/Whole Vamp 7 8 9 10 11 12
E Dim. Half/Whole 1
2
3
4
5
6
7
8
9 10 11 12 13 14 15
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 309
8
9 10 11 12
6
E Dim. Half/Whole E Dim. Half/Whole Two-Note-per-String Fingering
7
8
5
Two-Note-per-String Fingering Two-Note-per-String Fingering
6
7
9 10 11 12
b
E7 9
8 7 6
6 7 6
˙˙ 4 . & 4 . #˙ T A B
#
E7 9
˙˙ ˙ œ œ œ œ 0
0
0
b
E7 5
#w .. b ww œ œ œ œ 9 7 8
0
0
0
0
0
6/19/12 12:48 PM
310
Tetratonic (1 4 5 7 8)
The tetratonic scale is a four-note scale that produces the following symmetrical arrangement of pitches: perfect 4th, minor 2nd, perfect 4th, minor 2nd (scale degrees: 1-4- 5-7-8). It is derived from the auxiliary diminished scale (page 206) starting on the root or the symmetrical diminished (page 309) scale starting on the 2nd scale degree and can be applied in similar circumstances. The vamp at the bottom right corner of the page is the same as for the symmetrical diminished scale. Try alternating between the two choices.
Open Position
Single-String Fingering
C Tetratonic
C Tetratonic
Tetratonic
&
œ
b5
4
1
T A B
bœ
œ 3
3
œ
œ
7
8
0
1
4
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
Tetratonic
5 6
Position Fingerings Through the Circle of 4ths F Tetratonic
C Tetratonic
5
6
7
8
9 10 11 12
5
Ab Tetratonic
5
6
7
8
6
7
9 10 11 12
8
7
8
9 10 11 12
Db Tetratonic
5
E Tetratonic
5
6
6
7
8
9 10 11 12
A Tetratonic
9 10 11 12
5
6
7
8
9 10 11 12
b B Tetratonic
5
6
7
8
9 10 11 12
Gb Tetratonic
5
6
7
8
9 10 11 12
D Tetratonic
5
6
7
8
9 10 11 12
Eb Tetratonic
5
6
7
8
9 10 11 12
B Tetratonic
5
6
7
8
9 10 11 12
G Tetratonic
5
6
7
8
9 10 11 12
E Tetratonic Vamp Two-Note-per-String Fingering
E Tetratonic
1
2
3
4
5
40140 Ultimate Chord Scale Bible.indb 310
6
7
8
9 10 11 12 13 14 15
b
E7 9
8 7 6
6 7 6
4 .. # ˙˙˙ &4 T A B
#
E7 9
˙˙ ˙ œ œ œ œ 0
0
0
b
E7 5
#w .. b ww œ œ œ œ 9 7 8
0
0
0
0
0
6/19/12 12:48 PM
311
Three-Semitone Tritone (1 2 2 3 5 5 6 6 8)
The three-semitone tritone scale is an eight-note scale with a pattern of three half steps followed by a minor 3rd interval that is repeated. It is a relatively new symmetrical scale that improvisers have been experimenting with recently. Depending on the application, the half steps in this scale could be viewed as passing or leading tones to certain chord tones. In the vamp at the bottom right corner of the page, the scale defines the important chord tones within the progression ( 3, 5 of the Amin7 5 and the 3rd, 5th and 7 of the B7/A). Open Position Single-String Fingering Open Position Single-String Fingering
Three-Semitone Tritone
& T A B
bœ n œ bœ nœ œ bb œ n œ bb œ b b 1
2
3
4
2
3
5
0
1
4
5
6
6
0
1
2
œ 8 1
C Three-Semitone Tritone C Three-Semitone Tritone C Three-Semitone Tritone C Three-Semitone Tritone Position
Single-String Fingering
Three-Semitone Tritone
1 Open 21 23
C Three-Semitone Tritone C Three-Semitone Tritone
43
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
541 652
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
63 4 5 6
Position Fingerings Through the Circle of 4ths Position Fingerings Through the Circle of 4ths C Three-Semitone Tritone C Three-Semitone Tritone
F Three-Semitone Tritone F Three-Semitone Tritone
b B Three-Semitone Tritone Eb Three-Semitone Tritone b B Three-Semitone Tritone Eb Three-Semitone Tritone
6 7 8 9 10 11 12 C5 Three-Semitone Tritone
6 7 8 9 10 11 12 F5 Three-Semitone Tritone
5b 6 7 8 9 10 11 12 6 7 8 9 10 11 12 B Three-Semitone Tritone E5b Three-Semitone Tritone
Ab Three-Semitone Tritone Ab Three-Semitone Tritone
Db Three-Semitone Tritone Gb Three-Semitone Tritone B Three-Semitone Tritone Db Three-Semitone Tritone Gb Three-Semitone Tritone B Three-Semitone Tritone
6 7 8 9 10 11 12 A5b Three-Semitone Tritone
6 7 8 9 10 11 12 6 7 8 9 10 11 12 6 7 8 9 10 11 12 D5b Three-Semitone Tritone G5b Three-Semitone Tritone B5 Three-Semitone Tritone
E Three-Semitone Tritone E Three-Semitone Tritone
A Three-Semitone Tritone A Three-Semitone Tritone
Position Fingerings Through the Circle of 4ths 5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12 6 7 8 9 10 11 Tritone 12 E5 Three-Semitone
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12 6 7 8 9 10 11 Tritone 12 A5 Three-Semitone
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
6 7 8 9 10 11 Tritone 12 6 7 8 9 10 11 Tritone 12 D5 Three-Semitone G5 Three-Semitone
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
E Three-Semitone Tritone E Three-Semitone Tritone
Two-Note-per-String Fingering
E Three-Semitone Tritone 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Two-Note-per-String Fingering Two-Note-per-String Fingering
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
D Three-Semitone Tritone G Three-Semitone Tritone D Three-Semitone Tritone G Three-Semitone Tritone
5 6 7 8 9 10 11 12
A Three-Semitone Tritone Vamp 5 6 7 8 9 10 11 12 b
j bœ ˙ 4 & 4 .. Œ ‰ œœ ˙˙ ˙. Amin7 5
T A B
0
4 (4) 5 (5) 5 (5)
j # œ Œ ‰ # œœ ˙˙˙ œ œ w B 7/A
( 0)
0
0
..
4 (4) 4 (4) 4 (4)
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 311
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312
Todi (1 2 3 4 5 6 7 8)
Todi is a seven-note Indian raga (scale). When used in a superimposed context, Todi can be substituted for the altered dominant scale (page 197, the 7th mode of the jazz minor scale, page 247) or in minor pentatonic blues (page 291) contexts. If the 6 scale degree is emphasized,Todi takes on a dominant sound. With the focus on 6 as the root, this scale could be reinterpreted as: 1- 9-3-11-5- 7-7-8. The natural 7th scale degree acts as a passing tone to the root (as in the bebop scales, pages 208-211). The vamp at the bottom right corner of the page explores this superimposed dominant 7 application. Use the C Todi scale to play over the A harmony.
Open Position
Single-String Fingering
C Todi
C Todi
Todi
& T A B
œ bœ
œ bbœ bbœ ##œ 1
2
3
3
4
1
4
b6
5 0
4
1
œ
œ
7
8
0
1
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5
Todi
6
Position Fingerings Through the Circle of 4ths
5
6
7
8
9 10 11 12
5
Ab Todi
5
6
7
6
6
7
8
9 10 11 12
Db Todi
8
9 10 11 12
5
E Todi
5
Bb Todi
F Todi
C Todi
6
7
8
9 10 11 12
5
6
7
6
7
8
9 10 11 12
Gb Todi
8
9 10 11 12
A Todi
7
5
Eb Todi
5
6
7
9 10 11 12
5
6
7
6
7
8
9 10 11 12
8
9 10 11 12
8
9 10 11 12
B Todi
8
9 10 11 12
D Todi
8
5
5
6
7
G Todi
8
9 10 11 12
5
6
7
C Todi Vamp Two-Note-per-String Fingering
E Todi
1
2
3
4
5
40140 Ultimate Chord Scale Bible.indb 312
6
7
8
9 10 11 12 13 14 15
b
A7
& 44 .. b œœ .. œœ ‰ b œ b œœ b œœ .. œœ ‰ b œ b œœ .. bœ œ œ bœ œ œ T A B
J
5 4 4
5 4 4
J
6 7
4 4
5 4 4
5 4 4
6 7
4 4
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313
Tritone (1 2 3 4 5 7 8)
The tritone scale is part of the diminished harmonic system. It is a symmetrical scale that combines two augmented triads together a tritone (an augmented 4th, a distance of three whole steps) apart. The tritone scale forms a dominant 7 9 11 chord (1- 9-3- 11-5- 7). The E7 9 11 in the vamp at the bottom right corner of the page is the specific harmony that this scale works over. Try using the tritone scale for any altered dominant application.
Open Position
Single-String Fingering
C Tritone
C Tritone
Tritone
&
bœ
œ
b2
1
T A B
3
œ
#œ
2
4
3
4
œ
#4
œ
bœ
5
b7
0
3
8 1
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5 6
Tritone
Position Fingerings Through the Circle of 4ths
5
6
7
8
9 10 11 12
5
Ab Tritone
5
6
7
8
6
7
6
7
8
9 10 11 12
Db Tritone
9 10 11 12
5
E Tritone
5
Bb Tritone
F Tritone
C Tritone
6
7
8
9 10 11 12
5
6
7
8
6
7
8
9 10 11 12
Gb Tritone
9 10 11 12
A Tritone
8
5
Eb Tritone
5
6
7
8
5
6
7
8
6
7
8
9 10 11 12
B Tritone
9 10 11 12
D Tritone
9 10 11 12
5
5
6
7
8
9 10 11 12
G Tritone
9 10 11 12
5
6
7
8
9 10 11 12
E Tritone Vamp Two-Note-per-String Fingering
E Tritone
1
2
3
4
40140 Ultimate Chord Scale Bible.indb 313
5
6
7
8
9 10 11 12 13 14 15
b #
j b œœ ˙˙ & 44 .. Œ ‰ # œœ ˙˙ ˙. E7 9 11
T A B
6 6 7 6
0
( 6) ( 6) ( 7) ( 6)
b
j # œœ ˙˙ Œ ‰ œœ ˙˙ œ œ w E7 9
4 3 4 3
( 0)
0
..
(4 ) (3 ) (4 ) (3 )
0
6/19/12 12:48 PM
314
Tritonic (1 4 5 8) A tritonic scale is built of three pitches arranged in ascending order from root to octave. Forms not considered tritonic include traditional triads and their inversions or any form comprised of pitches that would be impractical for use in performance. The tritonic scale presented here consists of a root, 4, 5 and octave (8) and is particularly useful for sus4 applications. Like triads, tritonic scales can be used as harmonic or non-harmonic sources for improvisation. The vamp at the bottom right corner of the page uses the suspended 4 sound to illustrate the use of this scale based on the root of the chord. The limited number of scale degrees makes the tritonic scale an excellent scale for superimposition applications.
Open Position
Single-String Fingering
C Tritonic
C Tritonic
Tritonic
&
œ 1
T A B
4
5
8 1
0
3
3
œ
œ
œ
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
Tritonic
5 6
Position Fingerings Through the Circle of 4ths
5
6
7
8
9 10 11 12
5
Ab Tritonic
5
6
7
8
6
7
8
6
7
8
9 10 11 12
Db Tritonic
9 10 11 12
5
E Tritonic
5
b B Tritonic
F Tritonic
C Tritonic
6
7
8
5
6
7
8
6
7
8
9 10 11 12
Gb Tritonic
9 10 11 12
A Tritonic
9 10 11 12
5
Eb Tritonic
5
6
7
8
5
6
7
8
6
7
8
9 10 11 12
B Tritonic
9 10 11 12
D Tritonic
9 10 11 12
5
5
6
7
8
9 10 11 12
G Tritonic
9 10 11 12
5
6
7
8
9 10 11 12
D Tritonic Vamp Dsus4
Two-Note-per-String Fingering
E Tritonic
1
2
3
4
5
6
40140 Ultimate Chord Scale Bible.indb 314
7
8
9
10 11 12 13 14 15 16
j
j
œ œ ˙ œ œ œ ˙ & 45 .. ‰˙ . œ œ œ ˙ œ ‰œ . œ œ œ ˙œ ˙ ˙ J 17 18 19 20 21
T A B
0
3 2
( 3) ( 2)
2
3 2
3 0 0
0
3 2
( 3) ( 2)
(0)
3 2 0
0
œ .. œ 3 0
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315
Tritonic 1st Inversion (1 2 5 8) The tritonic 1st inversion scale is the 1st inversion of the tritonic scale (page 314). The inversion process is the same as for any chord. This scale starts on the 2nd degree of the tritonic scale—the 1st inversion of C-F-G-C is F-G-C-F. On its own, the formula is 1-2-5-8. This scale works well with a triad with an added 9 (or sus2 chord) and no 3, as demonstrated in the vamp at the bottom right corner of the page.
Tritonic 1st Inversion
& T A B
œ
œ 1
2
5
8 1
0
0
3
œ
œ
Single-String Fingering
Open Position
C Tritonic 1st Inversion C Tritonic 1st Inversion 1 2 4
1
2
3
4
5
6
7
8
Tritonic 1st Inversion
3 9 10 11 12 13 14 15 16 17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths F Tritonic 1st Inv.
C Tritonic 1st Inv.
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Ab Tritonic 1st Inv.
D b Tritonic 1st Inv.
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
E Tritonic 1st Inv.
A Tritonic 1st Inv.
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
b B Tritonic 1st Inv.
5 6 7 8 9 10 11 12
Gb Tritonic 1st Inv.
5 6 7 8 9 10 11 12
D Tritonic 1st Inv.
5 6 7 8 9 10 11 12
Eb Tritonic 1st Inv.
5 6 7 8 9 10 11 12
B Tritonic 1st Inv.
5 6 7 8 9 10 11 12
G Tritonic 1st Inv.
5 6 7 8 9 10 11 12
G Tritonic 1st Inversion Vamp Two-Note-per-String Fingering
E Tritonic 1st Inversion
1
2
3
4
5
40140 Ultimate Chord Scale Bible.indb 315
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
j & 45 .. ‰ œœ œœ G(add9)no3
œ.
T A B
2 0 3
( 2) ( 0)
j ˙ œ ‰ œ ˙ œ œ œ œ ˙ œ. J 2 0
3
(3)
0 0
3
2 0
3
œ œ ( 2) ( 0)
˙ œ .. ˙ œ œ œ ˙ J 2 0
3
( 3)
0 0
3
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316
Tritonic 2nd Inversion (1 4 7 8)
Tritonic 2nd Inversion
The tritonic 2nd inversion scale is the 2nd inversion of the tritonic scale (page 314). The inversion process is the same as for any chord. This scale starts on the 3rd degree of the tritonic scale. The 2nd inversion of C-F-G-C is G-C-F-G. On its own, the formula is 1-4- 7-8. This scale works well with a dominant 7 or a dominant 7 sus4 chord. The vamp at the bottom right corner of the page is the same as for the Mixolydian mode (page 293). Try alternating between the two choices. The challenge of the tritonic scales is to be able to cover the entire fretboard (check out the two-note-per-string fingering for each).
Tritonic 2nd Inversion
& T A B
Open Position
Single-String Fingering
C Tritonic 2nd Inversion
C Tritonic 2nd Inversion
œ 1
b7
4
8 1
3
3
3
œ
bœ
œ
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths F Tritonic 2nd Inv.
C Tritonic 2nd Inv.
5
6
7
8
9 10 11 12
5
Ab Tritonic 2nd Inv.
5
6
7
8
6
7
8
7
8
9 10 11 12
Db Tritonic 2nd Inv.
9 10 11 12
5
E Tritonic 2nd Inv.
5
6
6
7
8
9 10 11 12
A Tritonic 2nd Inv.
9 10 11 12
5
6
7
8
9 10 11 12
b B Tritonic 2nd Inv.
5
6
7
8
9 10 11 12
Gb Tritonic 2nd Inv.
5
6
7
8
9 10 11 12
D Tritonic 2nd Inv.
5
6
7
8
9 10 11 12
Eb Tritonic 2nd Inv.
5
6
7
8
9 10 11 12
B Tritonic 2nd Inv.
5
6
7
8
9 10 11 12
G Tritonic 2nd Inv.
5
6
7
8
9 10 11 12
B Tritonic 2nd InversionVamp
œœœ b œœœ bœ œ œ œ
E Tritonic 2nd Inversion
2
3
4
5
6
40140 Ultimate Chord Scale Bible.indb 316
7
8
9
10 11 12 13 14 15 16
A /B
4 ˙. & 4 .. b ˙˙ ..
Two-Note-per-String Fingering
1
b b
b
B9
17 18 19 20 21
T A B
3 5 6 6
( 3) ( 5) ( 6)
6
6
6
4 5 6
ww .. w bœ œ œ œ (4 ) (5 ) (6 )
6
6
6
6
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317
Two-Semitone Tritone (1 2 2 4 5 6 8)
The two-semitone tritone scale is a six-note scale with a pattern of two half steps followed by a major 3rd that is repeated. It is a relatively new symmetrical scale that improvisers have been experimenting with recently. This scale could have an altered dominant or diatonic application. In the vamp at the bottom right corner of the page, the scale is used in a diatonic chord progression from the jazz minor scale (page 247). This scale substitutes for any of the modes of the jazz minor scale.
Two Semitone Tritone
& T A B
œ 1
bœ
nœ
b2
3
2
#œ #4
0
4
œ
bœ
0
1
b6
5
4
œ 8 1
Single-String Fingering
Open Position
C Two-Semitone Tritone C Two-Semitone Tritone
Two-Semitone Tritone
1 2 3 4
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths C Two-Semitone Tritone
5 6 7 8 9 10 11 12
Ab Two-Semitone Tritone
5 6 7 8 9 10 11 12
E Two-Semitone Tritone
5 6 7 8 9 10 11 12
F Two-Semitone Tritone
5 6 7 8 9 10 11 12
Db Two-Semitone Tritone
5 6 7 8 9 10 11 12
A Two-Semitone Tritone
5 6 7 8 9 10 11 12
Bb Two-Semitone Tritone
5 6 7 8 9 10 11 12
Eb Two-Semitone Tritone
5 6 7 8 9 10 11 12
Gb Two-Semitone Tritone B Two-Semitone Tritone
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
D Two-Semitone Tritone
5 6 7 8 9 10 11 12
G Two-Semitone Tritone
5 6 7 8 9 10 11 12
C Two-Semitone Tritone Vamp Two-Note-per-String Fingering
E Two-Semitone Tritone
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 317
# œœ œœ œ œ 4 . bœ œ . &4 ˙ D7
C7
˙
T A B
11 10 10
11 10
9 8 8
9 8
C7 j . # œœ . œ ˙ .. bœ ˙ œ œ œ œ D7
11 10 10
9 8 10
(9) (8)
8
8
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318
Whole Tone (1 2 3 4 5 6 8)
The whole tone scale is a six-tone scale comprised of whole step intervals. This scale contains two augmented triads a whole step apart. In whole-tone scale harmony, there is no change in tonality regardless of which scale degree is functioning as root. The diatonic 7 chord of the whole tone scale is dominant 7 augmented (with the 9 and the sharp 11). The vamp at the bottom right corner of the page demonstrates the altered dominant character of the whole tone scale (highlighting the 5/ 13) and the 4/ 5).
Open Position
Single-String Fingering
C Whole Tone
C Whole Tone
Whole Tone
& T A B
œ 1 3
œ 2
œ
#œ
0
2
4
#4
3
#œ
#œ
1
3
#5
œ
#6
8 1
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
Whole Tone
5 6
Position Fingerings Through the Circle of 4ths F Whole Tone
C Whole Tone
5
6
7
8
9 10 11 12
5
Ab Whole Tone
5
6
7
8
6
7
9 10 11 12
8
7
8
9 10 11 12
Db Whole Tone
5
E Whole Tone
5
6
6
7
8
9 10 11 12
A Whole Tone
9 10 11 12
5
6
7
8
9 10 11 12
Bb Whole Tone
5
6
7
8
9 10 11 12
Gb Whole Tone
5
6
7
8
9 10 11 12
D Whole Tone
5
6
7
8
9 10 11 12
Eb Whole Tone
5
6
7
8
9 10 11 12
B Whole Tone
5
6
7
8
9 10 11 12
G Whole Tone
5
6
7
8
9 10 11 12
G Whole Tone Vamp Two-Note-per-String Fingering
E Whole Tone
1
2
3
4
40140 Ultimate Chord Scale Bible.indb 318
5
6
7
8
9 10 11 12 13 14 15
b
˚j bœ & 68 .. ≈ œœ œ. G 7 13
T A B
4 4 3 3
œœ œœ œœ œ. (4 ) (4 ) (3 )
3
b
b
˚j ‰ b œœœ œœœ ≈ b œœœ œ. œ.
G7 5
4 4 3
G 7 13
2 2 4 4 3 3 3
4 4 3 3
b
G7 5
œœœ œœœ ‰ b œœœ œœœ .. œ. œ. (4) (4) (3)
3
4 4 3
2 2 4 4 3 3 3
6/19/12 12:49 PM
Whole Tone Chromatic (1 2 3 4 5 6 7 7 8) Whole Tone Chromatic
The whole tone chromatic scale is an eight-note symmetrical scale that alternates between pairs of whole and half steps: W-W-H-HW-W-H-H. It can be interpreted as an altered dominant chord scale with a leading tone (natural 7, one half step below 8). It also works well with 7 5 and/or 7 13 chords. The vamp at the bottom right corner of the page is centered around an altered dominant sound. The whole tone chromatic scale works well in any altered dominant situation.
& T A B
œ
œ
œ 1
2
3
0
3
œ bœ bœ bœ nœ
œ
7
8
0
1
4
2
3
b5 4
b6
b7
1
3
319
Single string fingering
Open Position
C Whole Tone Chromatic C Whole Tone Chromatic 1
Whole Tone Chromatic
2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5 6
Position Fingerings Through the Circle of 4ths F Whole Tone Chromatic
C Whole Tone Chromatic
5
6
7
8
9 10 11 12
5
Ab Whole Tone Chromatic
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
7
8
9 10 11 12
5
6
7
8
9 10 11 12
6
7
8
9 10 11 12
A Whole Tone Chromatic
5
6
7
8
9 10 11 12
5
6
7
8
9 10 11 12
6
7
8
6
7
8
9 10 11 12
B Whole Tone Chromatic
5
D Whole Tone Chromatic
5
Eb Whole Tone Chromatic
5
Db Whole Tone Chromatic Gb Whole Tone Chromatic
5
E Whole Tone Chromatic
6
Bb Whole Tone Chromatic
6
7
8
9 10 11 12
G Whole Tone Chromatic
9 10 11 12
5
6
7
8
9 10 11 12
C Whole Tone Chromatic Vamp Two-Note-per-String Fingering
E Whole Tone Chromatic
1
2
3
4
5
6
40140 Ultimate Chord Scale Bible.indb 319
7
8
9 10 11 12 13 14 15
b
b
C9 5
C9 13
b œœ 4 . Œ b &4 . œ Ó ˙
T A B
8
7 7 8
‰ b œJ œ 6
6
bœ .. Œ b œœ Ó ˙ ‰ b œJ œ 8
9 7 8
6
6
6/19/12 12:49 PM
320
Yo (1 2 3 4 5 7 8) Yo
Yo is a traditional six-note Japanese scale. In a Western context, it resembles the Dorian mode (page 231, the 2nd mode of the major scale, page 272) but does not include the 6th scale degree. Yo can be applied in Dorian and other minor 7 chord situations. The exclusion of the 6th scale degree calls more attention the other featured tensions of this scale, the 9 and 11. The chord outlined in the vamp at the bottom right corner of the page is the min11.
Open Position
Single-String Fingering
C Yo
C Yo
&
œ
œ 1
T A B
2
b3
0
3
4
1
b7
5 0
3
œ
bœ
œ
œ
bœ
8 1
3
1 2 3 4
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15 16
17 18 19 20 21
5
Yo
6
Position Fingerings Through the Circle of 4ths
5
6
7
8
9 10 11 12
5
Ab Yo
5
6
6
6
7
8
9 10 11 12
Db Yo
7
8
9 10 11 12
5
E Yo
5
Bb Yo
F Yo
C Yo
6
8
9 10 11 12
5
6
6
7
8
9 10 11 12
Gb Yo
7
8
9 10 11 12
A Yo
7
5
Eb Yo
5
6
8
9 10 11 12
5
6
6
7
8
9 10 11 12
7
8
9 10 11 12
7
8
9 10 11 12
B Yo
7
8
9 10 11 12
D Yo
7
5
5
6
G Yo
7
8
9 10 11 12
5
6
E Yo Vamp Two-Note-per-String Fingering
E Yo
1
2
3
4
5
6
40140 Ultimate Chord Scale Bible.indb 320
7
8
9 10 11 12 13 14 15
j
Emin11
j
œ œ œ œ & 44 .. œœ œœ ‰ œœ ‰ œœ T A B
˙ 3 2 5 0
˙
3 2 5
3 2 5 0
3 2 5
ww w ˙
˙
..
( 3) ( 2) ( 5)
0
0
6/19/12 12:49 PM
321
Zirafkand (1 2 3 4 5 6 7 8)
Zirafkand is a seven-note Arabian scale. When used in a superimposed context, Zirafkand, like the Todi scale (page 312), can be substituted for the Mixolydian mode (page 293, the 5th mode of the major scale, page 272) or the minor pentatonic blues scale (page 291). If the 6 scale degree is emphasized, Zirafkand takes on a dominant sound. For example, with the focus on the A in C Zirafkand, the scale could be interpreted as: 1- 9-3-11-5-13- 7-8. The vamp at the bottom right corner of the page explores this superimposed dominant application. Play C Zirafkand over the A 7.
Open Position
Single-String Fingering
C Zirafkand
C Zirafkand
Zirafkand
& T A B
œ bœ bœ
œ bbœ bbœ 1
2
3
3
1
4
b5
4 3
b6 1
4
œ
œ
7
8
0
1
1 2 3 4
1
2
3
4
5
6
7
8
9 10 11 12 13 14 15 16 17 18 19 20 21
5 6
Zirafkand
Position Fingerings Through the Circle of 4ths C Zirafkand
5 6 7 8 9 10 11 12
Ab Zirafkand
5 6 7 8 9 10 11 12
E Zirafkand
5 6 7 8 9 10 11 12
F Zirafkand
5 6 7 8 9 10 11 12
Db Zirafkand
Bb Zirafkand
5 6 7 8 9 10 11 12
Gb Zirafkand
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
A Zirafkand
D Zirafkand
5 6 7 8 9 10 11 12
5 6 7 8 9 10 11 12
Eb Zirafkand
5 6 7 8 9 10 11 12
B Zirafkand
5 6 7 8 9 10 11 12
G Zirafkand
5 6 7 8 9 10 11 12
C Zirafkand Vamp Two-Note-per-String Fingering
E Zirafkand
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
40140 Ultimate Chord Scale Bible.indb 321
b
A7
& 44 .. b œœ .. œœ ‰ b œ b œœ b œœ .. œœ ‰ b œ b œœ .. bœ œ œ bœ œ œ T A B
J
5 4 4
5 4 4
J
6 7
4 4
5 4 4
5 4 4
6 7
4 4
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Zokuso (1 2 4 5 6 8) Zokuso
& T A B
bœ
œ
b2
1 3
œ
bœ
3
4
4
4
b5
œ
bœ b6
8 1
1
Zokuso
Zokuso a traditional five-note Japanese scale. In a Western context, it can be thought of as a pentatonic version of the Locrian mode (page 251, the 7th mode of the major scale, page 272) or the Phrygian mode (page 297, the 3rd mode of the major scale). This scale can be applied in min7 5, altered dominant or Phrygian contexts. The exclusion of the 3rd scale degree makes Zokuso an interesting alternative choice. The vamp at the bottom right corner of the page is the same as for Locrian. Zokuso is an excellent substitution for any Locrian-type application.
E Zokuso Vamp b
3 Œ. & 4 .. b ˙ . T A B
40140 Ultimate Chord Scale Bible.indb 322
6
b b œœœ ...
œ
7 6 7 5
bœ 4
Ó
b
E min7 5
bœ
..
7
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Appendix A—Theory Appendix A—Theory and Improvisation Concepts This book is a resource for improvisers rather than a method. To get the most out of this book, you should have a good working knowledge of music theory and improvisation. The next few pages will provide some theory background and review, as well as some interesting concepts for improvisation. For a more thorough exploration of the topic, check out Theory for the Contemporary Guitarist by Guy Capuzzo and The Complete Jazz Guitar Method by Jody Fisher, both published by The National Guitar Workshop and Alfred.
The Major Scale The major scale is built with the following sequence of whole steps (two frets) and half steps (one fret): W-W-H-W-W-W-H Here is a C Major scale:
& 44 œ
W
W
H
W
W
W
œ œ œ œ œ œ
H
W
œ
H
The Circle of 4ths or 5ths Knowledge of the twelve keys is essential. A key is the tonal center of a composition. The keys can be arranged in a circle (or cycle) of ascending 4ths or ascending 5ths. 4ths and 5ths are intervals. An interval is the distance between two notes. If we go around the circle, building major scales in each successive key, a new flat or sharp is acquired for each key.
F
2 flats
B
A
7 sharps
G — G A B C D E F G D — D E F G A B C D A — A B C D E F G A E — E F G A B C D E B — B C D E F G A B F — F G A B C D E F
40140 Ultimate Chord Scale Bible.indb 323
1 sharp
G
D
2 sharps
5ths
4ths
E
5 flats
Sharp Keys
C
1 flat
4 flats
= Half step
No Sharps or Flats
3 flats
The Notes in All the Sharp and Flat Major Scales
= Whole step
Add one flat per key
Add one sharp per key
A
3 sharps
E 4 sharps D C
6 flats
G F
6 sharps
B C
5 sharps 7 flats
Flat Keys
F — F G A B C D E F B — B C D E F G A B E — E F G A B C D E A — A B C D E F G A D — D E F G A B C D G — G A B C D E F G
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Comparing a Scale/Mode to Its Parallel Major Scale To define, name and determine the character or “flavor” of a scale, we compare it to its parallel major scale. The parallel major scale is simply a major scale starting on the same root as the scale in question. For example, the parallel major scale of C Lydian 7 (page 257) is C Major. In the example to the right, the C Lydian 7 (the one on top) has a 4 and a 7 when compared to a C Major scale because the 4th note has been altered upward one half step with a sharp and the 7th note has been altered downward one half step with a flat.
C Lydian 7
& 44 œ œ
#4
œ œ
œ œ
#œ œ
b7
œ œ
œ œ
bœ œ
œ œ
C Major
Diatonic Harmony Diatonic means belonging to the key or scale. A diatonic chord is a chord that exists within the scale. In the following example, the C Harmonic Minor scale (page 239) has been harmonized by stacking 3rds on each note in the scale. This creates minor, diminished, augmented and major triads (three-note chords). These comprise the unique diatonic harmony of the harmonic minor scale. i
& b œœ œ
Minor
ii
b œœœ
Diminished
III
b œœœ
Augmented
iv
V
Minor
Major
b œœœ
œœœ
b b œœœ
œœœ
VI
vii
Major
Diminished
Notice that Roman numerals are used to indicate each harmony, Lower case numerals are used for minor and diminished chords; upper case numerals are used for major and augmented chords. Here is a quick review of Roman numerals:
I.......i.......1 II......ii......2 III.....iii.....3 IV....iv.....4
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V.......v......5 VI......vi.....6 VII.....vii....7
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7 Chords and Tensions A 7 chord is a four-note chord built by stacking 3rds. If you stack an additional 3rd on a triad, you have a 7 chord. For each particular kind or “flavor” of 7 chord, there are additional notes that can be added above the 7th called extensions or tensions. The following example shows four common 7 chords and their acceptable tensions. The first four notes comprise the 7 chord. The higher tones—9s, 11s and 13s—are the tensions. Notice that tensions can be altered with a flat or sharp . Also notice that the numbers are used to express the flavor of the chord just as they are used to express the flavor of a scale—by comparing the tones to those of a major scale (this is true of the tensions, too: 9=2, 11=4, 13=6).
Maj 7
Dom7
Altered Dom7
min 7
œ œ bœ œ # œ œ # œ œ b œ # œ œ œ œ œbœ & œ œ œ œ bœ œbœ b œ œ œ œ œ œ œ 1
3
5
7
#
9 11 13
1
3
5
b7
9 11 13
1
3
b b 9 # 9 #11 b13
5 7
1 b3 5 b 7 9 11 13
Maj7 = Major 7 (CMaj7) Dom7 = Dominant 7 (C7) min7 = Minor 7 (Cmin7)
This list is not set in stone, but it does reflect common usage. Remember: • There are other possibilities. Let your ear decide. • A chord can have more than one tension (for example, C7 9 13). • Tensions can occur anywhere in the chord voicing (arrangement of pitches in the chord) but tensions in the bass may completely change the name of the chord and its function.
Diatonic Scale Superimposition
Appendix B—Scale Study
Improvising musicians will often use a scale other than the root-based scale prescribed for a chord. For example, jazz players dealing with a non-altered dominant 7 sound might think Dorian (page 231) a 5th above the root of the chord (e.g. D Dorian over G7). The more typical scale would be G Mixolydian, but by thinking in D Dorian, important chord tensions are naturally stressed.
The Relationships of D Dorian Pitches to a G7 Chord G7
&œ 5
œ
13
œ
b7
œ
Root
œ
œ
œ
œ
9
3
11
5
This is called diatonic superimposition. This technique helps us get away from too much root-oriented thinking.
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Diatonic Chord Superimposition A great way to develop melodic ideas is to organize scale material into chord arpeggios. You can superimpose an arpeggio of any chord from the key you’re in over the chord of the moment. For example, G7 is V in the key of C Major. You may use any of the other 7 chords in the key of C Major (Dmin7, Emin7, F, Amin7 and Bmin7 5) as an arpeggio over G7. This concept is an excellent “melodic springboard,” or device to help inspire ideas for improvisation. The Relationships of Tones of Diatonic Chords in C Major to G7 G7
(CMaj7)
œ
13
œ
G7
11
œ
Root
3
5
b7
G7
(FMaj7)
œ
(Amin7)
b7
œ
G7
9
11
9
11
&œ &œ
œ
(Dmin7)
œ
œ œ
13
œ
œ 9
œ
G7
(Emin7)
œ
11
œ
13
Root
3
œ
œ 13
œ
G7 (Bmin7 b 5)
œ
Root
3
œ 5
œ 5
œ
œ b7
13
Non-Diatonic Superimposition You can superimpose a scale or arpeggio from a different key over a chord. This will create an altered or more tension-oriented sound. For example, to create an altered sound over G7, you can superimpose the E Lydian Augmented scale (page 260). This reinforces certain chord tones and stresses certain altered tensions of G7. The Relationships of Tones of the E Lydian Augmented Scale to G7 G7alt
& bœ
œ
b13 b7 b E Lydian Augmented
40140 Ultimate Chord Scale Bible.indb 326
œ
Root
œ
œ
œ
œ
9
3
11
5
bœ b13
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Appendix B—Scale Study There are many ways to practice scales. Ultimately, as a result of studying scales, you will develop a greater understanding of chord/scale relationships, which will enable greater expression in your improvisation. Following are some guitaristic approaches to learning the scales.
Single-String Studies Practicing a scale along the length of a single string is an extremely effective approach to learning the fretboard. At first, practice at a slow tempo with a simple, consistent rhythm and with strictly stepwise movement. As you gain confidence, begin to vary the tempo, melodic shapes and rhythms. Every scale in the book is presented on one single string. Learn each scale you practice on all six single strings. Next, try changing keys, scales or modes within the exercise. For example, the exercise below is entirely on the 3rd string. It switches from A Dorian (page 231) to A Mixolydian (page 293).
Single-String Study—Switching Modes
A Dorian
A Mixolydian
œœœ œ œ œ œ #œ œ œ œ œ # œ # œ # œ œ 4 œ œ œ œ œ #œ œ œ œ œ œ #œ &4œœœ œ w w w w T A B
0 2 4
5
0
7
9 11 12
14 16 14 12 11 7 0
4
5
6 7 11 12 4 0
6
2
0
2 0
6
7 11 12 16 14 12
Adjacent-String Studies You can learn a lot about how the scale lies on the fretboard by restricting yourself to two adjacent strings. This can be approached as a melodic (single note) or intervallic (two simultaneous notes) exercise. Interval practice will heighten your sense of harmony. Explore one kind of interval for a while (adjacent string study will limit you to just a few technically practical intervals), then move on. The next exercise explores the Mixolydian mode (page 293) on the 2nd and 3rd strings with an added A drone in the bass. It begins melodically and then switches to 3rds in the third measure. As with the single string exercise, start slowly and simply and then speed up and add variations later.
œ #œ œ œ œ œ #œ œ œ 4 # œ œ # œ œ œ œœ # œœ œ œ œ &4œ œ #œ w w w T A B
2 0
6
4
5
4
40140 Ultimate Chord Scale Bible.indb 327
7
6
9
7 0
9
11
12 11 14
12 11
7 9 0
6 7
4 5
2 4
œœ # œœ œœ # œœ w 0 2 0
9 11
11 12
9 11
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Non-Adjacent String Studies Now try restricting yourself to two non-adjacent strings (a two-string combination where the strings are not next to each other, such as the 2nd and 5th strings). This can also be approached melodically or intervallically. The next exercise uses only the 2nd and 5th strings. The scale is E Lydian (page 255). Try different string combinations, different scales and switch keys and flavors.
œœ œ œ #œ # œ # œ #œ œ #œ œ # œ œ œ 4 #œ #œ œ # œ # œ œ # œ #œ &4 #œ #œ T A B
5
7
8
11 9
11 12 7
5
6
4
5
11 12 14
9
13
9
11
7
9
#œ œ œ # œ # œ œ # œœ
5
8
7
6
6
5 4
5 4
4 2
Mini-Position String Studies Using small areas of the fingerboard (“mini positions”) is another very useful exercise for practicing scales. Restricting the amount of fingerboard you use adds an excellent challenge to your practice. Always be conscious of the notes you are playing—don’t just rely on patterns! In the following exercise, D Dorian is practiced on the 1st, 2nd and 3rd strings in 5th position (5th through 8th frets). Dmin7
œ œ œ œ œ œ œ 4 œ &4 T A B
7
5
8
6
7
5
5
5
œ œ œ œ œ œ
œ
7
7
8
5
6
8
7
The following exercise also begins with D Dorian, once again in a mini-position on the top three strings, but it soon modulates (changes keys) to E Dorian. To accommodate the key change, the mini-position is expanded by one fret on either side to include the 4th and 9th frets. Notice that there are some common tones between the two keys, and other notes that are changed. Try practicing over a Dmin7 to E min7 vamp.
œ œ œ œ œ œ œ œ 4 &4 Dmin7
T A B
5
7
5
40140 Ultimate Chord Scale Bible.indb 328
8
5
6
7
5
E bmin7
bœ bœ bœ bœ bœ œ œ œ 6
4
6
7
9
5
6
4
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tHE eNTIRE fRETBOARD—sTEPWISE sTUDIES This idea is a great fretboard exercise and a great ear training workout as well. The concept is to play the scale in a stepwise manner (in half and whole steps, or the smallest intervals present in the scale) over the entire length of the fretboard. When you run out of frets, descend in the same manner. Practice slowly and always be aware of the note you are playing. The style of fingering—how many notes per string, when to shift, etc.—is up to you. Here’s a stepwise exercise for practicing the F Major scale over the entire length of the fretboard:
√
œ œ ˙. œ œ œ œ œ 4 œœœ œœœ œ œ œ œ &b4 œ œ œœ œœœœœ F Major
T A B
1
3
5
6
8
5
7
8
10
7
8 10
7
9 10 12
11 13 15 17
14
18 20 (20)
13 15 17
(√) œœœœ œœœœ œœœœœœœœ b & œœœœœ œœœ w T A B
18 17 15
18 17 15 13
15
14 12 10 9
12 10
8
7
5
8
7
5
3
6
5
3
1
For an additional challenge, try ascending with one scale and descending with another. The exercise below ascends with F Major and descends with F Lydian 7 (page 257). Again, always keep track of which note you are playing. Try combining other scales, keeping in mind that fingerings will change.
√
œ ˙. œ œ œ œ œ œ 4 œœœ œœœ œ œ œ œ &b4 œ œ œœ œ œ œ œ œ F Major
T A B
1
3
5
6
8
5
7
8
10
7
8 10
7
9 10 12
14
11 13 15 17
13 15 17
18 20 (20)
F Lydian b7
(√) nœ œ œ œ bœ œ œ œ bœ œ œ œ œ nœ œ œ œ nœ &b bœ œ œ nœ œ œ w T A B
19 17 15
18 16 15 13
40140 Ultimate Chord Scale Bible.indb 329
16
14 12 10
8
12 10 9
7
5
8
6
5
3
7
5
3
1
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Melodic Harmony Remember that as you improvise melodies you are not restricted to single-note lines. As guitarists, we can explore scales by combining intervals with our single-note expressions. This is called melodic harmony. The harmonies move with a melodic sense of flow. In the next example, EMaj7 is expressed by harmonizing parts of its chord scale, which is E Major. The intervals used are 6ths and 7ths.
# œ # œ # œœ œ 4 #œ #œ #œ œ œ & 4 œ #œ
œ œ
EMaj7
T A B
7
7
8 7
9
11
11
11
9
12
9
11
13
11
œ œ
w #w
7
7
6
8
Below, the same concept is illustrated, but with intervals and single notes combined. The example uses the E Mixolydian mode (page 293). E7
#œ œ 4 & 4 œ œ œœ # œœ # œ œ œ œ œ T A B
9 9
7
7 9
40140 Ultimate Chord Scale Bible.indb 330
6 7
5 6
7
5
6 7
œœ # œœ 7 7
(7) 6
œœ œœœ ˙˙˙ 3 4
0 (3) (4)
(0) (3) (4)
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Creating Vamps Creating vamps to practice over is an essential part of your practice. This book provides a two-measure vamp for each scale, but you will discover much more about the scale by creating your own. Start by including a pedal tone (repeated note) or ostinato (repeated accompaniment pattern). Next, try to emphasize the distinctive characteristics of the scale. For example, to make a B Lydian vamp sound Lydian, emphasize the 4. The 4 alone, however, tells us very little. But, if you combine the 4 with essential tones from the scale, such as 3 (which tells us whether it’s a major or minor sound) and 7 (which gives the flavor of the 7 chord), you will have a much more defined tonality. Simply combine elements. Also, the vamp has to provide groove! Keep your rhythmic ideas simple and repetitive. Here is the B Lydian mode:
#4
3
œ
& bœ
œ
œ
œ
7
bœ
œ
œ
Here is vamp for the B Lydian mode that combines a B pedal and the other defining elements, 3 (D), 4 (E) and 7 (A):
b B Lydian
& 34 Œ b˙ . T A B
j œ ‰ œ œœ 5
6
40140 Ultimate Chord Scale Bible.indb 331
7
(5) (7)
Œ b˙ . 6
j œ ‰ œ œœ 7 7
..
(7) (7)
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More Titles from the NGW/Alfred Catalog Shred Boot Camp • Hurwitz/Smolover
Blues Licks Encyclopedia • Riker
The Book of Six Strings: The Six-Fold Path of Zen Guitar • Sudo/Hurwitz
Chord Progression Encyclopedia • Wallach
30283 • 80 pg Book & CD
07-1135 • 128 pg Book & CD
Sing Your Best: Seven Vocal Exercises That Really Work • Smolover/Bertoli
07-1095 • 48 pg Book & CD 07-1096 • 48 pg Book, CD & DVD
Beginning Guitar for Adults • Vecchio
07-1001 96 pg Book & CD 07-1087 • 96 pg Book & DVD 07-1088 • DVD
Matt Smith’s Chop Shop for Guitar • Smith
07-1033 • 96 pg Book & CD
Intelli-Shred • Dillard
28027 • 96 pg Book & CD
18503 • 96 pg Book & CD 17868 • 96 pg Book only
Fingerpicking Pattern Encyclopedia • Manzi 19399 • 96 pg Book & CD
Guitar Chord Encyclopedia • Hall 4432 • 320 pg Book only
Guitar Mode Encyclopedia • Fisher 4445 • 224 pg Book only
Guitar Technique Encyclopedia • Various 19381 • 224 pg Book & CD
Jazz Licks Encyclopedia • Fisher 19420 • 96 pg Book & CD
Rhythm Guitar Encyclopedia • Fisher 14838 • 96 pg Book & 2 CDs
Rock Licks Encyclopedia • Cataldo 19417 • 96 pg Book & CD
The Total Blues Guitarist • McCumber
World Beat Encyclopedia • Marshall
The Total Jazz Bassist • Overthrow/Ferguson
Guitar Atlas: Africa • Eyre
24420 • 128 pg Book & CD 26063 • 128 pg Book & CD
The Total Jazz Drummer • Jain 24429 • 128 pg Book & CD
The Total Acoustic Guitarist • Natter 24426 • 128 pg Book & CD
The Total Jazz Guitarist • Fisher 24417 • 128 pg Book & CD
The Total Rock Bassist • Bennett 30238 • 128 pg Book & CD
The Total Rock Guitarist • Hurwitz 24423 • 128 pg Book & CD
22594 • 96 pg Book & CD
20450 • 48 pg Book & CD
Guitar Atlas: Brazil • Newman 20453 • 48 pg Book & CD
Guitar Atlas: Celtic • Ernst 22708 • 48 pg Book & CD
Guitar Atlas: Vol. 1 • Various Authors 30903 • 288 pg Book & CD
Guitar Atlas: Cuba • Peretz 26069 • 48 pg Book & CD
Guitar Atlas: Flamenco • Koster 20456 • 48 pg Book & CD
The Blues Guitar Experience • Natter
Guitar Atlas: India • Mishra
The Jazz Guitar Experience • Dempsey
Guitar Atlas: Italy • Manzi
The Rock Guitar Experience • Slone
Guitar Atlas: Jamaica • Green
32650 • 48 pg Book & CD 32656 • 48 pg Book & CD 32653 • 48 pg Book & CD
22851 • 48 pg Book & CD 26073 • 48 pg Book & CD 33486 • 48 pg Book & CD
Guitar Atlas: Japan • Speed Blues Guitar for Beginners • Giorgi 14973 • 48 pg Book & Enhanced CD
Classical Guitar for Beginners • Gunod
26076 • 48 pg Book & CD
Guitar Atlas: Middle East • Peretz 22711 • 48 pg Book & CD
14083 • 48 pg Book & Enhanced CD
Folk Guitar for Beginners • Howard 14970 • 48 pg Book & Enhanced CD
Songwriting for Beginners • Davidson/Heartwood 14840 • 48 pg Book only
UCSB_322-336.indd 332
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333
COMPLETE ACOUSTIC GUITAR METHOD Beginning Acoustic Guitar • Horne 19335 • 96 pg Book & CD 23134 • 96 pg Book & DVD 22888 • DVD
Intermediate Acoustic Guitar • Horne 19338 • 96 pg Book & CD
Mastering Acoustic Guitar • Horne 19341 • 96 pg Book & CD
COMPLETE ACOUSTIC BLUES GUITAR METHOD Beginning Acoustic Blues Guitar • Manzi 22866 • 96 pg Book & CD 26146 • 96 pg Book & DVD 25762 • DVD
COMPLETE ROCK GUITAR METHOD Beginning Rock Guitar • Howard 14199 • 96 pg Book & CD
Beginning Rock Guitar: Lead & Rhythm • Howard 21934 • 96 pg Book & DVD 21916 • DVD
Intermediate Rock Guitar • Howard 14093 • 96 pg Book & CD
Mastering Rock Guitar • Halbig 14096 • 96 pg Book & CD
BASIC BLUES GUITAR METHOD Book 1 • Giorgi 19438 • 48 pg Book & Enhanced CD
Intermediate Acoustic Blues Guitar • Manzi
Book 2 • Hamburger
Mastering Acoustic Blues Guitar • Manzi
Book 3 • Hamburger/Smith
24203 • 80 pg Book & CD 24206 • 80 pg Book & CD
COMPLETE BLUES GUITAR METHOD Beginning Blues Guitar • Hamburger/Smith 8230 • 96 pg Book & CD 20419 • 96 pg Book & DVD 20420 • DVD
Intermediate Blues Guitar • Smith 8233 • 96 pg Book & CD
Mastering Blues Guitar • Smith/Riker 8234 • 144 pg Book & CD 22860 • 144 pg Book & DVD 22861 • DVD
COMPLETE JAZZ GUITAR METHOD Beginning Jazz Guitar • Fisher 14120 • 96 pg Book & CD 20423 • 96 pg Book & DVD 20424 • DVD
19441 • 48 pg Book & Enhanced CD 19444 • 48 pg Book & Enhanced CD
Book 4 • Smith
19447 • 48 pg Book & Enhanced CD
Beginning Theory for Adults • Gunod 07-1077 • 96 pg Book & CD
THEORY FOR YOUNG MUSICIANS Book 1 • Mazer/Gunod 18514 • 48 pg Book & CD
Book 2 • Mazer/Gunod
18517 • 48 pg Book & CD
Notespeller • Ulbrich
18512 • 32 pg Book only
Composition for Young Musicians • Wilson 22913 • 48 pg Book & CD
Intermediate Jazz Guitar • Fisher 14123 • 96 pg Book & CD
Mastering Jazz Guitar: Chord/Melody • Fisher 14126 • 64 pg Book & CD
Mastering Jazz Guitar: Improvisation • Fisher 14129 • 64 pg Book & CD
COMPLETE FINGERSTYLE GUITAR METHOD Beginning Fingerstyle Guitar • Manzi 14099 • 96 pg Book & CD 22909 • 96 pg Book & DVD 22891 • DVD
Intermediate Fingerstyle Guitar • Manzi/Gunod 17825 • 96 pg Book & CD
Mastering Fingerstyle Guitar • Eckels 17814 • 96 pg Book & CD
Beginning Fingerstyle Arranging and Technique for Guitar • Johnson 22869 • 96 pg Book & CD
UCSB_322-336.indd 333
6/28/12 11:22 AM
334 30-Day Guitar Workout • Fisher 17867 • 48 pg Book only 22894 • 48 pg Book & DVD 22893 • DVD
7-String Guitar • Hurwitz/Riley 21892 • 48 pg Book & CD
Beginning Blues & Rock Theory 21962 • 48 pg Book & CD
Beginning Delta Blues Guitar • Jackson 21928 • 48 pg Book & DVD 21917 • DVD
Beginning Electric Slide Guitar • Kelley 21937 • 32 pg Book & DVD 21915 • DVD
Big Book of Jazz Guitar Improvisation • Dziuba 21968 • 144 pg Book & CD
Blues Grooves for Guitar • Fletcher 21895 • 96 pg Book & CD
Blues Lead Guitar Solos • Riker 21939 • 96 pg Book & CD
The Complete Studio Guitarist • Clement 22544 • 96 pg Book & CD
Cutting Edge Blues Guitar • Dziuba 17839 • 48 pg Book & CD
Cutting Edge Rock Guitar • Dziuba 17822 • 48 pg Book & CD
Ear Training for the Contemporary Guitarist • Fisher 19370 • 96 pg Book & CD
Easy Chord Idea Book • Donnelly 19368 • 80 pg Book & CD
Electric Bass for Guitarists 22602 • 48 pg Book & CD
Fretboard Knowledge for the Contemporary Guitarist • Clement 21955 • 96 pg Book only
Guitar Chord & Scale Finder • Fisher 14148 • 96 pg Book only
Guitar Made Easy • Hogg
07-1025 • 48 pg Book & CD
Guitar Theory Made Easy • Gunod 07-1028 • 48 pg Book only
How to Succeed as a Female Guitarist • Clement 26052 • 96 pg Book & CD
I Just Bought My First Guitar 22705 • 48 pg Book & CD 22704 • 48 pg Handy Guide
I Used to Play Guitar • Fisher 22683 • 96 pg Book & CD
Jam Guitar: Rock • Riley
23230 • 48 pg Book & CD
UCSB_322-336.indd 334
Jazz for the Rock Guitarist • Brown 14195 • 48 pg Book & CD
Jazz Guitar Harmony • Fisher 20440 • 96 pg Book & CD
Jazz Lead Guitar Solos • Buono 21956 • 96 pg Book & CD
Jazz Skills: Filling the Gaps for the Serious Guitarist • Fisher 07-1012 • 96 pg Book & CD
Like Red on a Rose • Castleman 07-1134 • 8 pg Sheet Music
Learn How to Transcribe for Guitar • Hurwitz 14948 • 96 pg Book & CD
Martin Simpson Teaches Alternate Tunings 20415 • 48 pg Book & DVD 20416 • DVD
Multi-Instrumental Guitarist, The • Horne/Phillips 21901 • 96 pg Book & CD
Pentatonic Improvisation • Halbig 23208 • 96 pg Book & CD
Pro Guitarist’s Handbook • Lidel 19426 • 96 pg Book & CD
Progressive Rock Guitar • Riley 22547 • 96 pg Book & CD
Quick Start Blues Guitar • Giorgi 22692 • 48 pg Book & CD
Shortcuts for Beginning Guitar • Halbig 07-1090 • 48 pg Book & CD
Shred is Not Dead • Syrek
19324 • 48 pg Book & CD 21936 • 48 pg Book & DVD 21914 • DVD
Sight-Reading for the Contemporary Guitarist • Dempsey 21954 • 112 pg Book only
Teaching Guitar • Fisher
22916 • 96 pg Book & Enhanced CD
Teach Yourself Guitar Repair & Maintenance • Carruthers 22854 • 80 pg Book only 22856 • 80 pg Book & DVD 22855 • DVD
Theory for the Contemporary Guitarist • Capuzzo 16755 • 96 pg Book only 24208 • 96 pg Book & DVD 24207 • DVD (Dempsey)
Ultimate Guitar Scale Bible, The • Dziuba 07-1009 • 144 pg Book only
Ultimate Guitar Chord Bible, The • Brown 07-1083 • 128 pg Book only
Zen and the Art of Guitar • Peretz 21907 • 96 pg Book & CD
6/28/12 11:22 AM
335 No Reading Required: Easy Blues Guitar Licks • Riker 23225 • DVD
PLAY ROCK GUITAR: Getting Started • Hurwitz
07-1101 • 64 pg Book & DVD
No Reading Required: Easy Chords and Strums for Acoustic Guitar • Natter
Beginning Chords, Strums and Riffs • Nolan/Quick
No Reading Required: Metal Guitar Licks • Steiger
Basic Lead and Rhythm Techniques • Quick
Blues Guitar for the Absolute Beginner • Hinman
Scott Tennant’s Basic Classical Guitar Method 1
Guitar for the Absolute Beginner Book 1 • Mazer
Scott Tennant’s Basic Classical Guitar Method 1
26058 • DVD 23224 • DVD
22872 • 48 pg Book & CD
14976 • 48 pg Book & Enhanced CD 20421 • 48 pg Book & DVD 20422 • DVD
Guitar for the Absolute Beginner Book 2 • Mazer 14979 • 48 pg Book & Enhanced CD
Guitar for the Absolute Beginner Complete • Mazer 27815 • 144 pg Book & DVD
4-Chord Songs for the Absolute Beginner • Mazer 30265 • 48 pg Book & CD
Jazz Guitar for the Absolute Beginner • Monaco 22875 • 48 pg Book & CD
Keyboard for the Absolute Beginner • Rodman 20432 • 48 pg Book & CD 22617 • 48 pg Book & DVD 22616 • DVD
Rock Guitar for the Absolute Beginner • Hinman 22878 • 48 pg Book & CD
07-1117 • 32 pg Book & DVD 07-1129 • 32 pg Book & DVD
19487 • 48 pg Book & CD
22613 • 48 pg Book & DVD
Scott Tennant’s Basic Classical Guitar Method 1 22612 • DVD
Scott Tennant’s Basic Classical Guitar Method 2 19490 • 48 pg Book & CD
Scott Tennant’s Basic Classical Guitar Method 3 19493 • 48 pg Book & CD
Easy Soloing for Acoustic Guitar • Mazer 28249 • 48 pg Book & CD
Easy Soloing for Blues Guitar • Bihlman 30257 • 48 pg Book & CD
Easy Soloing for Jazz Guitar • Dempsey 28246 • 48 pg Book & CD
Easy Soloing for Rock Guitar • Kokoszka 30254 • 48 pg Book & CD
GUITAR FIRST STEPS: Chords, Strums and Licks • Manzi 07-1097 • 32 pg Book & DVD
Melody • Manzi
07-1109 • 32 pg Book & DVD
Strums, Fingerstyle and Soloing • Manzi 07-1138 • 48 pg Book & DVD
PLAY ACOUSTIC GUITAR: Getting Started • Mazer 07-1113 • 32 pg Book & DVD
Beginning Chords, Strums and Fingerstyle • Mazer
07-1125 • 32 pg Book & DVD
PLAY BLUES GUITAR: Getting Started • Bihlman/Smith 07-1105 • 32 pg Book & DVD
Chords, Strums and Solos • Smith 07-1121 • 48 pg Book & DVD
UCSB_322-336.indd 335
6/28/12 11:22 AM
40140 Ultimate Chord Scale Bible.indb 336
6/19/12 12:49 PM
The National Guitar Workshop, One of America’s Leading Guitar Schools, Introduces:
THE ULTIMATE GUITAR
CHORD & SCALE BIBLE OVER 5,000 CHORDS AND 130 SCALES
You hold in your hands one of the most comprehensive resources for chords and scales available. Every chord or scale you will ever need to know can be found here. The Ultimate Guitar Chord and Scale Bible features over 330 pages of information that will increase your musical knowledge and make you a better guitar player. The chord section is clearly organized to make finding and learning all the most common chord voicings for major, minor, dominant, and altered chords an easy task. Each chord is shown on different sets of strings and in multiple areas of the fretboard. The most useful chord shapes are highlighted for quick and easy reference. In the scale section, all the essential information you’ll need to incorporate each scale into a solo is covered. Learn how to practice scales, and gain a unique edge by learning exotic scales from all over the world. Keep a copy of this book in your practice room, and never be at a loss for a chord or scale again!
ALSO AVAILABLE:
Guitar Licks Encyclopedia (00-38808)
40140
US $24.99
U(a38081*OOSNSl(V
Chord Progression Encyclopedia (00-17868)
Rhythm Guitar Encyclopedia (00-14838)
Fingerpicking Patterns Encyclopedia (00-19399)
ISBN-10: 0-7390-9269-3 ISBN-13: 978-0-7390-9269-9
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