The Place of Many Moods: Udaipur’s Painted Lands and India’s Eighteenth Century 0691201846, 9780691201849
A look at the painting traditions of northwestern India in the eighteenth century, and what they reveal about the politi
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English Pages 232 Year 2020
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The Place of Many Moods
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The Place of Many Moods udaipur’s painted lands and india’s eighteenth century Dipti Khera
princeton university press Princeton and Oxford
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For Puneet, who makes my worlds possible. In memory of Allison Busch, who inspired inimitable moods for learning and listening.
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Contents
i nt r o du ct i o n .
Medium of Moods and Picturing of Place
1
ch ap t e r 1 .
Enlarging Painted Places and Imagining Moods Anew 27 ch ap t e r 2 .
Passionate Monsoons and Monumental Paintings
61
ch ap t e r 3 .
Worlds of Pleasure and Politics of Connoisseurship
89
ch ap t e r 4 .
Modes of Knowing and Skills of Drawing 117 ch ap t e r 5 .
Charismatic Places and Colonial Spaces 147 co nc lus i o n .
Memorializing Moods and Recovering Histories 173
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Acknowledgments
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Note on Transliteration
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Medium of Moods and Picturing of Place
agra, 1610
A 3
udaipur, 1715–20
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udaipur, 1820
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the place of many moods
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emotion, imagination, sensation
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picture, land, place
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Œ
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historicizing india’s eighteenth century
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plan of the book
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Enlarging Painted Places and Imagining Moods Anew
wondrous immersion
O
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epic places
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building a city of lakes
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maps and moods
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pictorial translations— the mood of kota palace
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describing, inscribing, dwelling
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Passionate Monsoons and Monumental Paintings
the mood of the monsoon
A
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1
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2
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intermediality and monsoons
the poetry of rains
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the history of rains and lakes
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the place of rains and lakes
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urban, material, and emotional expansions
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Worlds of Pleasure and Politics of Connoisseurship
mood of a party
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the aesthetics, ethics, and spaces of pleasure
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building the “world of pleasure”
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mobilizing pleasures, idealizing abodes
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iterating moods and memories
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Modes of Knowing and Skills of Drawing
court artist/native artist 1
B
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tod’s annals and ghasi’s drawings
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map of rajasthan: “the blank the author filled up”
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imagining “the aid of the natives”
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elevation of devotion, c. 1830
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optics of the first indo-british durbar, c. 1832
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mobility, moods, modernity
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Charismatic Places and Colonial Spaces
circulating pictures, letters, and people
I 1
2
.
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3
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merchants, monks, travelers in the bazaar
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praising cities as charismatic places
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epistolary desires
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panegyric echoes
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unscrolling moods, contesting maps
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Memorializing Moods and Recovering Histories
moods, materiality, and potentiality
T 1
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2
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the immersion of the spectator and the scholar
the independence of architecture
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Appendix
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Notes
introduction. medium of moods and picturing of place
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Œ
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chapter 1. enlarging painted places and imagining moods anew .
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chapter 2. passionate monsoons and monumental paintings
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chapter 3. worlds of pleasure and politics of connoisseurship
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Œ
chapter 4. modes of knowing and skills of drawing
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chapter 5. charismatic places and colonial spaces
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conclusion. memorializing moods and recovering histories appendix
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Bibliography
manuscript sources
printed primary sources
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secondary sources
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Œ
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Index
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.
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Image Credits
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