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THE INFLUENCE OF WALTER SCOTT ON THE WORKS OF BALZAC BY
H. J. GARNAND
O r i g i n a l l y p u b l i s h e d in
1926
Printed in the United States of America
This volume is dedicated to my BLY PICKETT
wife,
GARNAND,
in appreciation of her encouragement and co-operation during the period of its preparation.
CONTENTS CHAPTER
PACE
PREFACE INTRODUCTION I II III
11 _
O E U V R E S DE J E U N E S S E T H E COMÉDIE H U M A I N E BALZAC VERSUS SCOTT
13 37 90 135
BIBLIOGRAPHY
ISO
INDEX
153
PREFACE My attention was first called to this subject by Professor J. L. Gerig of Columbia University. Whatever there is of interest in my treatment of it is due, in large measure, to his many valuable suggestions and encouragement as the work has progressed. I wish to express my deep gratitude to him and the other members of the Romance Faculty of Columbia, who have frequently been helpful with friendly criticism. Thanks are especially due to Professors Carré and Laumonier, visiting French Professors at Columbia during the sessions of 1922 and 1924, for much valuable aid. I am also greatly indebted to Dr. Irving Brown for his assistance to me in preparing the work for the press, and attending to the details of publication.
INTRODUCTION Practically all students of Balzac have had more or less to say in regard to the sources of his work. These statements are at great variance with each other, ranging from a flat denial of any indebtedness to a charge of rank plagiarism. The statement is made by Barbey d'Aurevilly that "Balzac ne procède de personne. Il procède de lui-même et de l'esprit universel." 1 At the other extreme we find conclusions such as those of J. H. Retinger, who writes as follows: "Les premières influences qui ont beaucoup inpiré Balzac semblent être les romans fantastiques de l'école de Madame Radcliffe, de Monk Lewis et de Maturin Le Centenaire est une traduction de Melmoth de Maturin Le Vicaire des Ardennes doit au Moine plus que le sujet La Dernière Fée rappelle beaucoup ¡'Explained supernatural de Madame Radcliffe." 2 It cannot be denied that the influence of Ann Radcliffe and the "school of horror" is very pronounced in the early works of Balzac, but it may be said with equal justice, that the traces of Chateaubriand, Bernardin de Saint-Pierre, Rabelais, and various writers of the French classical school are also very much in evidence. Never1
Romanciers (Titter et 2 n .
Fille
D e a n s , K f f i e , 25
Fortunes of N i g e l , 25, 38, 85,
Deans, J e n n y , 22. 25, 27 Deans, Davie, Début
dans
d'Eve,
86,
25
78, 93
109f f., 115., 129, 135 f f.
86
la
Vie,
Un.,
18,
G a m b a r a , 25 Gil Bias, 22
93, 116
G l e n a l l a n , L o r d , 67
D e n n i s o n , J e n n v , 146 D é p u t é d ' A r c i s , Le, 28, 93, 116
G o b s e c , 93
Dernière
G o z l a n , 20
Fée, L a ,
13, 68,
73,
G r e n a d i é r e , L a , 93, 98f..
83 Gigadas,
133
G u r t h , 20, 26
D o d d s , M e g , 143 Dom
Une,
70,
77,
83ff.,
G u s t a v u s A d o l p h u s , 38 Guy
133
Mannering, 38, 43n., 64,
67, 107, 110, 113n., 141
D o n Q u i x o t e , 22 D o u b l e Famille, U n e , 93 D o u s t e r s w i v e l , 34
H a r l o w e , Clarisse, 31
Duchesse de L a n g e a i s , L a , 88,
H e a d r i g g , Cuddir, Heart
98ff.
67,
D u m a y , 28
34, 145
of Midlothian, The 45, 86,
114
H e i n e , 15 E n f a n t M a u d i t , L ' , 92 Envers de l'Histoire poraine, L ' , 26, 92
Contem-
Héritière
de
Birague,
L',
3 7 f f . 56, 78, 87, 132, I +1 Hermione, L a d y ,
142f.
16,
155
INDEX Herriot, George,
M a n f r e d , 22
143
Maasimilla Doni, 92
H o f f m a n , 16, 25, 29
Illustre Gaudissart, L ' , 93 Illusions Perdue«,
14, 21, 29,
32, 51, 114, 116, 120n., 140, 145 Israélite, L', 53, 80, 87, 133 Ivanhoe,
14,
17, 20,
22,
25,
52f., 90, 92, 93, 102
Maturin,
13
Mc'Turk,
Captain,
143
Médecin de Campagne, L e , 16, 93, 9 4 f f . 110, 116 Mémoires de D e u x Jeunes M a riées, Ménage
120n. de
146
Garçon,
Un,
29,
120n. Michu, 113, 123 M o b r a y , Clara, 143f.
Jane la Pâle, 70, 73ff., 83
Modeste Mignon, 28, 93, 116,
Jean Louis, 44ff., 52, 56, 78
120n. Mohicans, Les, 20
Kenilworth, 17, 27, 29, 52, 59
Molière, 27, 29, 148 Monastery, The, 62n., 109 129ff.
L a n g l e y , Sir F r e d e r i c k , 50 L e Breton, 17, 52, l l l n . , 113 Legend of Montrose, A . 38
Louis
XIV,
Muse d u Département, L a , 26, 93, 104, 120n.
L e S a g e , 32 Lewis, Monk,
Morton, Henry, 86, 105, 115,
13 N e v i l l e , E v e l i n e , 67
19
N a p o l e o n , 28
L o u s t e a u , 26 L y s dans la Vallée, Le, 65 I . o v e n j o u l , Spoelberch de 37n., 77n„ 84
O c h i l t r e e , E d d i e , 34, 58, 145 O l d b u c k , Jonathan, 114 O l d Mortality, 26, 29, 34, 40,
Mac-Ivor,
Flora,
17,
34,
66,
60n., 86, 104, 105f. 109, 114, 129, 141,
71, 113
145f.
Osbaldistone, F r a n c i s , 75, 82
M a d a m e Firmiani, 85n. M a i g r o n , 16, 87, 90n. Maison du chat qui pelote, L a , 23n., 35, 93, 135ff., 144 Cornélius,
93, 104, 108
19, 25,
93
Paysans, Les, 29, 92, 103, 104,
Maison Nucingen, La, 25 Maître
Paix du Ménage, L a 115, 118, 120n.
35,
P e a u de Chagrin, L a , 104, 115n., 116
15, 70,
156 Père
INDEX
Goriot, L e ,
93,
111,
27,
116n.,
51,
120n.,
70, 145,
Saddletreet,
67
S a i n t e - B e u v e , 14n., 88 S a i n t - P i e r r e , B e r n a r d i n de, 13,
147 Petites Misère* de la V i e Con-
64, 68, 89 Saint Ronan's W e l l , 29, 35, 52,
jugale, 25 Petits Bourgeois, Les, 29, 35, 92, 122n.
9 3 f f . 132, 143 Saltus,
Peveril o f the Peak, 6 4 f f . , 104, 125
16n.
Séraphita, 93, 104, 120n. Shakespeare, 15, 148
Pierette, 93
S o m m e r v i l l e , T h e o d o r e de, 136
Plessis-les-Tours, 25, 108
Splendeurs
Proscrits, L e s 35, 93, 109 Quentin
Durward,
19,
et
Misères
des
C o u r t i s a n e s , 51, 92, 110f.,
107f.,
110
120n. Stendhal, 20 S t e r n e , 32 S u r v i l l e , M a d a m e I.aure de, 19
R a b e l a i s , 13
S w e d e n b o r g , 27
R a d c l i f f e , A n n , 13, 68 Ramsev, David,
Ramsey, Margaret, Rastigne
Ténébreuse
135ff.
Eugène
147 de,
27,
A f f a i r e , Une,
17,
27, 93, 109, 111, 113, 117n., 34,
71, 80
121n.,
123
T o u c h w o o d , P e r e g r i n e , 144 T r a p b o i s , M a r t b a , 111, 141
R a v e n s w o o d , 3i), 47, 53, 72
Tvrel,
K e b e c c a , 71
Frank,
144
Recherche de l'Absolu, L a , 93, 1 0 9 f f . , 120n., 147 Récits Mérovingiens, Les, 14 R e d g a u n t l e t , 25
Ursule
Mirouet,
93, 109, 114f.,
18,
27,
35,
120n.
René, 22 Robinson Cr.usoe, 29
V a r n e y , 27
R o b Roy, 14, 17, 27, 38f. 75,
Vautrin
76n.
lllff.
113n.,
143,
145
(Jacques Collin),
R o b s a r t , A m v , 27
V i n c e n t , J e n k i n , 139, 143
R o m a n Historique à l ' E p o q u e
Vendetta, L a , 93
Romantique, Le, 17
Véronique,
26
R o w e n a , L a d y , 71
V e r n e u i l , M a r i e de, 88, 90
R u b e m p r é , L u c i e n de, 21, 2 9 f f ,
Vernon,
145
17,
34, 111
Diana,
75, 113f.
88,
26f.,
34,
INDEX V e r n o n , Sir F r e d e r i c k , 14-2 V i c a i r e de» A r d e n n e s , Le, 13, 64, 71, 83 V i e i l l e - K o c h e s , 39 V o l t a i r e , 32
W a r d o u r , Miss, 59 W a v e r l y , ü 7 n „ 112, 11 + Wedtnore, U n . W i l s o n , M r s . Allie, I H W o o d s t o c k , 104
W a l k e r , II. H . ,
Zola, 15
Un.
157