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Routledge Revivals
The Epyllion
The Epyllion
From Theocritus to Ovid Thesis approved for the Degree of Doctor of Literature in the University of London
M. Marjorie Crump
First published in 1931 by Basil Blackwell This edition first published in 2018 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN and by Routledge 52 Vanderbilt Avenue, New York, NY 10017 Routledge is an imprint of the Taylor & Francis Group, an informa business ©1931 by Taylor & Francis All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Publisher’s Note The publisher has gone to great lengths to ensure the quality of this reprint but points out that some imperfections in the original copies may be apparent. Disclaimer The publisher has made every effort to trace copyright holders and welcomes correspondence from those they have been unable to contact. A Library of Congress record exists under ISBN: ISBN 13: 978-0-367-19260-0 (hbk) ISBN 13: 978-0-429-20142-4 (ebk)
THE EPYLLION
THE EPYLLION FROM THEOCRITUS TO OVID Thesis approved fo r the Degree of Doctor of Literature in the University of London By M. MARJORIE CRUMP, M.A., D.L it. LATE OF ST. HUGH’ S COLLEGE* OXFORD AND UNIVERSITY COLLEGE, LONDON LECTURER IN LATIN AT GOLDSMITH’ S COLLEGE, LONDON
BASIL
BLACKWELL OXFORD i93i
PREFATORY NOTE I wish to express my gratitude to Professor H. E. Butler for many valuable suggestions and criticisms made in the course o f the work; to Professor M. T. Smiley for his kindness in reading and criticising the chapters dealing with Greek authors; to Dr. R . A . Fisher, f .r.s., whose Statistical test o f the figures for the occurrence o f different types o f hexameter I have used in Note IV .; and to Mr. C. G . Crump for reading the work in Manuscript. The publication o f this work has been aided by a grant from the Publication Fund o f the University o f Lon don.
v
CONTENTS CHAPTER.
PAG E
I. Introductory II. T he G reek
i
and
L atin E pyllia
25
III. T he E pic Idyll. T heocritus, Moschus and B ion
50
IV . T he Hecale of Callimachus
72
V. V I.
VII.
E uphorion of Chalcis and Parthenius of N ic ® a Catullus
and
His School
T he Culex
X.
T he A rist/bus of V ergil T he Metamorphoses
of
T he Metamorphoses
of
Ovid
E fyllion
and
G rand E pic
vii
195
Ovid
II. THE OVIDIAN EPYLLION
X II.
154 178
I. THE CONSTRUCTION OF THE POEM
X I.
115 141
v m . T he Ciris and the School of Cornelius G allus IX.
92
217 243
Contents NOTE
PAGE
I. T he O rder of the Columns Rainer Board
on the
258
II. L ost G reek E pyllia
261
in.
T he Culex
IV.
M etrical T ests of the A uthorship the C ulex a n d Ciris
V.
and the
N arrative E legy
A ristsus
and
263 of
E pyllion
VI. T able of the Construction Metamorphoses
263 271
of the
274
B ibliography
279
Index
281
viii
THE EPYLLION FROM THEOCRITUS TO OVID i IN T R O D U C T O R Y i the general heading o f Greek Epic it is custo mary to include a large number o f poems and fragments o f very various types. They are ah written in the same metre and approximate more or less to the Style con secrated to epic poetry and known as Homeric; they are narrative or partially narrative in form, and deal with persons and events o f remote or legendary ages. But within these limits the scope o f the Greek Epic is extraordinarily wide, embracing, as it does, such widely divergent forms as the Iliad, the Hesiodic Catalogue poems, the Hymns o f Callimachus and the epic Idylls o f Theocritus. While it is impossible to date with certainty every indi vidual example, yet every epic work o f any importance may be ascribed to one o f two groups, the first includ ing all the works attributed by the ancients to Homer, Hesiod and the Cyclic poets, and the second the epics and epyllia o f the Alexandrian Age. Between these two periods lies the great age o f Attic literature which proi U n der
The Epyllion from Theocritus to Ovid duced no epic work o f real importance. Doubtless epics appeared from time to time; indeed a few names o f epic authors and their works have come down to us, the best known being that o f Antimachus o f Colophon, who wrote a Thebais, which obtained a certain reputa tion— o f notoriety perhaps rather than o f genuine fame. But none o f these epics have survived, and even in their own time they probably had little significance. In considering the history o f the epic they may be re garded as negligible. Am ong the many problems connefted with the Ilia d and Odyssey, none is more remarkable than their isola tion. Not only are they infinitely greater than any other ancient epic, but they are totally unlike any o f them in chara&er. It may be safely assumed on consideration o f the evidence that they were as far removed from the lost epics as they are from any extant epic poem. The Cyclic and Hesiodic poets represent indeed a develop ment o f the Homeric tradition; the Alexandrian epic, however, shows a complete and a deliberate change. The Argonautica o f Apollonius Rhodius has nothing in common with the Ilia d and Odyssey except the most general characteristics o f Style. Still later the truth was forcibly Stated by Vergil, who maintained that it was easier to Steal his club from Hercules than a single line from Homer.1 This isolation o f the two great epics was felt all through the Attic period, as is proved by the 1