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Abstract The book focuses on the relationship between the music and the text in Saint Thomas Aquinas’s med!ieval offces:
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In his preface to ST. THOMAS AQUINAS, Jacques Maritain writes: This work is not an exposition of Thomist doctrine. Rath
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Acclaimed by a top Aquinas scholar as "the best book ever written on St. Thomas," this concise, readable narra
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Leaving so few traces of himself behind, Thomas Aquinas seems to defy the efforts of the biographer. Highly visible as a
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St. Thomas Aquinas enables the reader to appreciate both Thomas's continuity with earlier thought and his creative
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