Musical Form and Transformation: Four Analytic Essays 0195317122, 9780195317121
Distinguished music theorist and composer David Lewin (1933-2003) applies the conceptual framework he developed in his e
322 63 750KB
English Pages 184 [185] Year 2007
Table of contents :
Contents......Page 8
Foreword......Page 7
Introduction......Page 10
CHAPTER 1 Serial Transformation Networks in Dallapiccola's "Simbolo"......Page 18
CHAPTER 2 Making and Using a Pcset Network for Stockhausen's Klavierstück III......Page 33
CHAPTER 3 Set Theory, Derivation, and Transformational Structures in Analyzing Webern's Opus 10, Number 4......Page 85
CHAPTER 4 A Transformational Basis for Form and Prolongation in Debussy's "Feux d'artifice"......Page 114
References......Page 178
C......Page 180
F......Page 181
K......Page 182
P......Page 183
T......Page 184
Z......Page 185
Contents......Page 8
Foreword......Page 7
Introduction......Page 10
CHAPTER 1 Serial Transformation Networks in Dallapiccola's "Simbolo"......Page 18
CHAPTER 2 Making and Using a Pcset Network for Stockhausen's Klavierstück III......Page 33
CHAPTER 3 Set Theory, Derivation, and Transformational Structures in Analyzing Webern's Opus 10, Number 4......Page 85
CHAPTER 4 A Transformational Basis for Form and Prolongation in Debussy's "Feux d'artifice"......Page 114
References......Page 178
C......Page 180
F......Page 181
K......Page 182
P......Page 183
T......Page 184
Z......Page 185
