Italian Manuscript Sources of 17th Century Keyboard Music 0835710750, 9780835710756

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=italian Kianuscrpt. -Sources of 17th Century Keyboard Music

ML 128 H35 $5

86-07810

ROESCH LIBRARY UNIVERSITY OF DAYTON DAYTON, OHIO

45469

47.99 Ok

UNIVERSITY OF DAYTON ROESCH LIBRARY

Italian Manuscript Sources of 17th Century Keyboard Music

Studies in Musicology, No. 18 George Buelow, Series Editor Professor of Musicology Indiana University

Other Titles in This Series

No. 10 Theories of Chromatic and Enharmonic Music

in Late 16th Century Italy

Karol Berger

No. 11. French Harpsichord Music of the 17th Century: A Thematic Catalog of the Sources with Commentary

Bruce Gustafson

No. 12 The Genesis of Schumann’s DICHTERLIEBE:

A Source Study No. 13. The Formation of Opera: The Influence of Humanist Thought and Italian Renaissance Poetry

Rufus E. Hallmark

Barbara Russano Hanning

No. 14 Kurt Weill in Europe

Kim H. Kowalke

No. 15 TON UND WORT: The Lieder of Richard Strauss

Barbara A. Petersen

No. 16 Italian Opera in London, 1760-1800

Fred C. Petty

No. 17 German Music Theory in the Early 17th Century: The Treatises of Johannes Lippius

Benito V. Rivera

Z Italian Manuscript Sources of 17th Century Keyboard Music _

by

Alexander Silbiger ‘|

@

QOL RESEARCH PRESS

ARY BR LI H C S E O R N O T Y A D F O TY IVERSI

Copyright © 1976, 1980 Alexander Silbiger All rights reserved Produced and distributed by UMI Research Press an imprint of University Microfilms International Ann Arbor, Michigan 48106

Library of Congress Cataloging in Publication Data Silbiger, Alexander, 1935Italian manuscript sources of 17th century keyboard music. (Studies in musicology

; ser. 2, 18)

Bibliography: p. Includes index. 1. Harpsichord music—Bibliography. 2. Music, Italian —Bibliography. 3. Music—Bibliography—Manuscripts. |. Title. Il. Series.

ML128.H35S5 ISBN 0-8357-1075-0

016.7864

79-25558

a

TABLES

Vil

MUSICAL EXAMPLES

1X

ABBREVIATIONS

AND OTHER CONVENTIONS

KEY TO MANUSCRIPT SHORT TITLES

Xill XV

KEY TO SHORT TITLES OF FRESCOBALDI EDITIONS

X1X

PREFACE

XX1

ACKNOWLEDGMENTS

XXlil

INTRODUCTION

1

PART ONE: THE ITALIAN MANUSCRIPT I. I. Il. IV. Vy. VI. VII. VIII. IX. x: XI.

XI.

SOURCES

The Printed Source Tradition The Manuscript Sources Before 1600 The Seventeenth-Century Manuscripts: A Preliminary Survey Format, Binding, Collation, and Paper Notation Instrumentation The Repertory Organization of the Contents Concordances Attributions

2) 7 11 tS 17 19 25 29 45 49 i

Parody, Pasticcio, and Partial Concordance

63

Provenance and Function

71

PART TWO: ANNOTATED

CATALOGUE OF THE MANUSCRIPTS — 79

Introductory Note Table of Manuscripts

81 83

Contents

PART THREE:

STUDIES

ON INDIVIDUAL

COMPOSERS

149 15 152 12 165 171 175 178 186

Introductory Note Giovanni Battista Ferrini Girolamo Frescobaldi Giovanni de Macque Tarquinio Merula Bernardo Pasquini Ercole Pasquini Michel’ Angelo Rossi NOTES

187

BIBLIOGRAPHY

209

INDEX

215

vi

Tables la.

lb.

10. at: 12; TS. 14.

16a.

16b.

The Number of Publications of Italian Keyboard Music (Excluding Reprints) Between 1500 and 1700 in 50-year Intervals The Number of Publications of Italian Keyboard Music (Excluding Reprints) Between 1590 and 1680 in 30-year Intervals The 16th-Century Manuscripts Staff Systems Used in 17th-Century Italian Keyboard Manuscripts Some Specifications of Instruments in 17th-Century Italian Keyboard Publications The Abstract Genres in the Manuscript Sources Settings of Traditional Arie and Balli in the Manuscript Sources Dances in the Manuscript Sources Concordances to 17th-Century Italian Publications Concordances Among the Manuscripts Concordances Among Variation Sets Passaggi for the Viola Bastarda in London 30491 Summary of the Contents of London 30491 Structure and Content of Chigi 25 Compositions Attributed to Frescobaldi in Italian Manuscript Sources Compositions Attributed to de Macque in Italian Manuscript Sources Compositions Attributed to Ercole Pasquini in Italian Manuscript Sources Sources for the Canzona, Shindle No. 16-17

Vil

23

Zi 33 42 43 50 52 54 89 91 124 154

169 180 182

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Musical Examples la. lb.

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3b.

Compound bass clef Compound treble clef

22 oe

Frescobaldi, RECERCARI (1615), p. 7: Recercar (mm. 1-2); Chigi 24, f. 15: Recercare (mm. 1-2); f. 13: Recercare (mm. 1-2) Ravenna 545, f. 42: Canzon di Cesare Argentino Ravenna 545, f. 49’: Canzon (mm. 1-3); Ravenna

Secondo Chigi 29,

36 (mm. 1-3); 545, f. 71:

Canzon di Tarquinio Merula (mm. 1-3)

36

Bologna 53, f. 58: Sonata p*, p° Tuono, Pollaroli (mm. 1-2); Bologna 53, f. 60’: Sonata 2%, 2° Tuono, Pollaroli (mm. 1-2)

oi

London 30491, f. 11: Canzon d’Ippolito (mm. 1-3); London 30491, f. 14: Canzon di Stella (mm. 1-2); London 30491, f. 27’: Canzon di Rinaldo (mm. 1-3) Sa. 5b. 6a. 6b. Hide De

Chigi 27, f. 63: Corrente (mm. 1-3) Frescobaldi, TOCCATE II (1627), p. 83: Corrente Prima (mm. 1-8) Venice 1299, p. 50: [Frescobaldi], Toccata (mm. 1-4) Frescobaldi, TOCCATE I (1615), p. 7: Toccata Terza

a7 65 65 65

65 (mm. 1-2) 67 Chigi 205, f. 114: Corrente (mm. 1-7) Frescobaldi, TOCCATE I (1615), p. 66: Corrente Prima 67 (mm. 1-11) London 40080, f. 14: [Frescobaldi?] Canzon Sesta (mm. 53-74); London 40080, f. 25’: [Frescobaldi?] Canzon Nona (mm. 53-78);

London 36661, f. 28’: Del Sigl. Freses Baldi, Toccata 9a. Ob. 10. lla.

ELD. A: 13:

(mm. 58-80) Bologna 53, f. 102: [untitled composition] (mm. 1-14) Bologna 53, f. 103’: [untitled composition] (mm. 1-8) Naples 48, f. 30’: Pastorale Chigi 24, f. 15: Recercare (mm. 1-2); Chigi 24, f. 16’: Canzona (mm. 1-2); Chigi 24, f. 22: Recercare (mm. 1-2); Chigi 24, f. 23’: Canzona (mm. 1-2) Chigi 24, f. 7': Recercare (mm. 1-2); Chigi 24, {7 19"

Canzona (mm. 1-2) Chigi 27, f. 37’: [untitled composition] (mm. 21-25) Chigi 27, f. 19’: [untitled composition] (mm. 1-4) ix

68 98 98 108

122 122 vied 127

List of Musical Examples 14a. 14b.

13: 16.

Chigi 27, f. 36’: [untitled composition] (mm. 1-5) D’Anglebert, Piéces de Clavecin (Paris, 1689), p. S51: Passacaille (mm. 1-5) Chigi 28, f. 41: Colascione London 40080, f. 2: [Frescobaldi?], Canzona Prima (mm. 1-8)

17a. 17b. ACE

Ravenna 545, f. 35: Capriccio di G. F. (mm. 1-2, 29-31) Ravenna 545, f. 39’: Capriccio di G. F. (mm. 1-2)

18a. 18b. Sc: 19a. 19b. 20a. 20b. 20c. 20d. 20e. 20 f.

Chigi 25, f. 5’: Toccata per organo (mm. 1-2) Chigi 25, f. 13: Toccata per organo (mm. 1-2) Chigi 25, f. 31: Toccata Per organo con Pedali (mm. 1-2)

20g. 20h. Dia

Ravenna 545, f. 60’: Canzon di Girolamo Frescobaldi (mm. 1-2)

Chigi 25, f. 20: Capriccio (mm. 9-10) Palestrina, ‘‘Vestiva i colli,’’ alto part (mm. 2-5)

Chigi 25, f. 51: Toccata p* (m. 20) Froberger, Toccata IV (m. 16)

Chigi 25, f. 56: Toccata 2% (mm. 36-38) Froberger, Toccata IX (mm. 31-33)

Chigi 25, f. 56: Toccata 2“ (mm. 64-65) Froberger, Toccata XVIII (mm.

12-14)

Chigi 25, f. 63: Toccata 3% (mm. 86-87) Froberger, Toccata VII (mm. 35-36)

12 127 129

158 160 160 160 163 163 163 163 163 166 166 166 166 166 167 167 167

London 30491, f. 23: Capriccio di Gio: de Macque sopra re, fa, mi, sol (mm.

1-3)

21b.

Trabaci, RICERCATE I (Sa. 1603), p. 63: Capriccio sopra

Dae 22b.

la, fa, sol, la (mm. 1-4) Florence 106b, f. 9’: P[rimo] del Macque (mm. 1-4) Trabaci, RICERCATE I (Sa. 1603c), p. 1: Primo Tono con tre fughe (mm. 105)

23a.

Naples 73, f. 121: Durezze, e ligature di Gio. macque (mm.

1-4)

23b.

Naples 48, f. 55: Intrata d’organo di Giov. Macque

23Gs

(mm. 1-6) London 30491, f. 19: Prime s[t]ravaganze di Gio: de Macque (mm. 1-4)

24. Daas

Naples 48, ff. 55-57’: Intrata d’organo di Giov. de Macque Vat. mus. 569, pp. 45-46: Bernardo [Pasquini?], Tastata arpeggiata longa

25b. 26a.

Vat. mus. 569, p. 47: Bernardo [Pasquini?], Tastata a

168 168 168 168 172 Va2

172 172 176 Ti

Ravenna 545, f. 98’: Pass’e mezzo d’Hercol Pasquini (mm.

1-2)

185

List of Musical Examples 26b. 26c. Dae 27b. DNC.

Same as 26a: reconstruction of original Trent, f. 86’: [untitled composition] (mm. 1-2) Torchi, Arte, p. 254: Ercole Pasquini, Canzona Frazese per cembalo (mm. 49-53) Naples 48, ff. 11’-12: Canzona francese d’Ercole Pasquini. 1600 (mm. 42-45) Naples 48, ff. 8’-9: Intrata in G sol, re, ut (mm.

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