123 57 3MB
English Pages 32 Year 1984
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•
Frontiers Hiuh ^*
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Zes/y Albert Nofmenn
Zippy
Jack Szrfatti
Andrew Wet'/
PaulSega II
Terence McKenn*
Peter Stafford
Bruce £/sner •»»
Afco
*3«ft>i
u goI*' A S.F. Bay Area Publication
\
High Frontiers
1
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TABU OF COA/T£A/TS - Donna Bo 1 ton 1 Little Girl On T Table of Contents Pg.3 Editorial Page Pg.4 Access Codes and Carnival Blasts - Timothy Leary interview Pg.5 Everybody Has Co smogonic Potency - Albert Hofmann interview Pg.6 Jack Sarfatti's Future Ma chine - Alex Cain Pg. 7 The Monkey Is Be ing Shed - Terence McKenna interview Pg.8 Understanding Mi nd-Active Drugs - Andrew Weil interview Pg.9 High Longevity - in conve rsation with Paul Segall Pg.10 Book Reviews - New books by William S. Burroughs and Robert Anton Wil son Pg.il A Galactic Tapp ing In To The Information Field - Terence McKen na interv iew //2 Pg. 15 Multiple Media Maniacs - Malcolm McCluhan and Marshall McClaren Pg.16 Neo-Psychedelic Party 7-Point Pop Plan
PG.
Special thanks are due Shared Visions for the use of the 4 Psychedelic interviews, and especially to Will Nofke for having the courage to broadcast several programs on psychedelics over KPFA-FM culminating with the 6 hour program " A Day On Drugs - More Sacred Than Profane," an inspiration to all of us
,
Also to Timothy Leary, Terence and Kat Mckenna for inspiration and co-operation, and to Peter Stafford and Bruce Eisner for their help and interest, THANKS,
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Ching
by Terence &. Dennis McKenna This book represents the psychedelic head
"...
-
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Anyone who is interested and own this book.
distributors of this important work.
psychedelics and time should read
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Orphaned
physics
modern
that corresponds to your
ideas
disappears.
think
I
it's more
the flow of time
backward,
the flow of time forward.
No.
tm>
Not very much.
physics
modern
description
is
its spin,
concerned
I'm
concerned
the
matter
its veloc-
its charge, all
that
with
the behavior of
of
and its momentum, ity,
think
I
these things.
with is
What
operational
an
And
like
con-
it
clusions similar to raagickal or shamanic traditions, and serves
it
it
seems that,
well
us
to
it's clear that there are
causality
that run from
or by me,
thought
that
doesn't
evolution of advance toward them
it
much to the
edifice
of
It's
sort of a
parallel
that are not temporally dependent. And
propose the theory, which is
do
display
temporal
which is everything that's
Physics always
a
which deals with those
which
and forms of causality
are in the future,
directing in
past. So I'd run it both ways to keep
the
the it
edifice.
explain the interactions of matter
time,
past
trans-
is
works slowly up
easy
to
the
So we've almost reached some
We're
you know.
on the brink of asking some very
interesting questions, like how does the brain relate to the mind?
relate
to
How
is
These
the
How does
world?
the
What
that possible?
is
What
are very modern
is
ques-
tions, you know, and interesting. But we to do the shit-work over
had
the
past
five or six hundred years to get to this
place, develop the mathematical, analyt-
technological
and
ical,
tools
for
dealing with that kind of thing.
isometric.
modern physics. They
forms
the
this
begins with the
interesting questions, almost
language?
of
and
hard ones.
I
moving wave front through the medium.
by orthodox physics,
relate
questions
memory?
think
way,
western
can lead
it
a
importance
think science
I
Science
a
which is then itself
into the future,
be a physical quantity,
the
yes.
Oh,
forming.
form
pattern,
in
maintain
to maintain the
science so that
mind
Since time is not,
really
meeting so,
description of time.
to
priestcraft,
present is like an interference pattern, where these two wave-systems collide and a
of
seems
tm)
interesting
kind of interference pattern caused
is a
Siberia,
matter
a
It
trying to model a timeless universe. And part of my theory says that the present
by
about time?
time
the
at
fades from the equation, you know.
think.
I
light,
the
Egypt,
science is finding its way towards
of
own lives,
from
fashion, too, very, very much.
speed
their
cul-
cultural
different
mythologies of ancient
know.
in
science.
in a
or the shamanic mythologies of
you
^J
discovering
elaborating
culture into this new focus.
because
is
the
is a
it
We're not
of
be there,
what just
is
just
of
reason,
primacy,
would
control
the
another
is
some
episteraological
and
ability to take
self-
a
one. Voodoo is another one.
tudes toward authority, their own lives, their
of
describing
of
point of view of the observer. From your own experience it would be instant. You
the other 50,888 people. How their atti-
sort
this
controversy
and speeding-up
that
and there are several such self-
funerary
There would be no such thing as time. If you were made of photons and you decided
drugs.
consistent world,
and
science is simply
touch with the bedrock of truth than any
means
it
objects
But
priestcraft of science. It is no more
slowing-down
psychedelic
lost
thing.
all,
physi-
theorem,
whether
in
technology. But
a
cor-
theorem
the
When you hear
differ totally
that
can
control political acts. This is the real
about
find
Science
with
com-
and exer-
like magic,
claimed
mythology, and political acts are closely
are
are
diet,
because they're able to divine, and predict weather, and
with
and
looks
bizarre aspects of quantum mechanics.
it's
Well,
the
it
So he seems to take time very
seriously.
rectly tm)
cise; and it's clearly
theoretically,
can deal with the future
where people drugs,
you
which would mean that
highly mathematical;
lack
a
as
the Amazon,
bining plants,
time.
possible for information to travel
it's
chaotic
and
in
The faster you're going,
somehow, this will dissolve us into more
violence
tied
is
with time - that's how we measure
all,
compassion.
definitely agree with
I
ciently different technology will appear as magic. You meet shamanic technologies
ularly that time is related to the speed
the
nothing
yeah.
of light. Sarfatti deals a lot with time
you hf>
Oh,
him, and not only... Well, advanced is a sort of linear word, but just a suffi-
lot
from the perspective of physics; partic-
faster than time,
very close to my own approach.
tm)
and Uolf's Space, Time,
they deal with time a
,
theory of
processes variance,
interesting.
can only describe events
happen the same way,
I
which
given
the
hf) hf)
Uhen you spoke at Shared Visions on •Psychedelic Time', toward the end of the
lecture,
you
got
into
something
about science as opposed to magic or shamanism or alchemy. You sort of placed magic or alchemy as somewhere beyond the
reach of science, quote
from
and
Arthur C.
I
thought of that Clarke,
that
a
get some
You've spoken about voices that you during visionary experiences, and of
them are not
genuine
voices,
they are voices there to deceive and...
Well,
tm) in
I
think you deal with voices
the head the way you deal with anyone
anywhere.
You have to realize, the uni-
verse
swarming with
is
intelligences,
> f
-
High
Frontiers
14 person
who TAKES then who is the magician, it's the person who MAKES then who
with their own purposes, drives, and
all
You just have to determine who
desires.
allies and who are
are
resisting
of
laboratory
experience
irrelevant to you.
is
it
the
And then much
want to have happen.
you
the nagician.
is
what
plant
How do you personally validate the
hf>
sensitivity,
infomation they
the
voices?
their
humaneness,
can
the
their
convey.
the abuse problen that
diet,
and the social perceptions of his group. He has to be an exenplary person.
of
And
And
this
pressure isn't on people
use synthetic drugs.
must
They must be humane and they
tm)
and they nust
reasonable
be
life-
be
'
aff inning.
— Spiral Bound
hf>
One other thing
you
about
is your
1
preference
referred
at one point you actually
to
chemicals as coming from the
of
the
laboratory.
1
a
little
of
bit
with
know to be comfortable
1
idea
was
demons
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demon
of the demon artificer as
think in
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Hue.
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llyad
f
The demon artificer
And
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Then
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I
referred
QuickTrodingCo^
a
that
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It
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then it's very frightening to inagine where we nust be headed. I often say in ny public lectures that the real question that
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You know, a shaman is like a yogin. His life is very reginented and ordered and constrained by taboo, exercise,
on
and the depth
there's
see with so nany synthetic drugs.
against
based
of the consciousness of
drugs,
ethical
Ny prejudice drugs is one
then
-P\
'
High Frontiers
Multiple Media Malcolm McCluhan and Marshall McClaren When High Frontiers asked us to review most of the other newsprint tabloids in the bay area, we seriously questioned the editor's sanity. It seemed to us somehow arrogant, tacky, and downright dangerous to criticise your sister publications on your first time out. Which is why we took the assignment. I suppose that's why we were asked. Bad choice. We're the wrong crowd. We like to make fun. We're really asking for it. So here goes... THE EAST BAY EXPRESS - Grade: BThis paper is loaded down with snot from a to b and back again. Anybody with a new idea, some hope, or who happens to like cappucino and croissants can expect to be subjected to a stream of caustic, colorfullyworded, off-handed and, quite frankly, ill-informed put-downs. Naturally, we kinda like it. At least it's colorful enough to make us mad, not like that bland Bay Guardian. Also, Norman Dog is great! And the free personals on the back pages bring out little tidbits of Berkeley eccentricity at its best. We should give this paper a B but we downgraded it half-a-step for having lots of stuff in it which we disagree with. We're sure they'd do the same. THE BAY GAURDIAN - Grade: CBland! Predictable left-liberal politics attatched to predictable reviews and unimaginative features. This sort-of reminds us of The Village Voice in its general point-ofview, except The Village Voice has -many undeniably good writers, Lucy Lippard, Cockburn and Ridgeway, and stand out as examples. J. Hoberman We've upgraded the Bay Gaurdian halfa-step because we happen to agree passionately with left-liberals on approximately 75% of the issues, and we're sure the intention is good. THE PACIFIC SUN - Grade: BSomehow, this doesn't anger or disappoint us each week, as does the East Bay Express and the Bay Guardian. It must be a case of lower expectations, o_f exp ecting something light, friendly, and liberal out of Marin, and accepting it as such- Upgraded half-a-step for strongly decrying the monoculturalization of KTIM-FM.
OTHER ROOMS - Grade: A We've seen 3 issues so far, 2 of which were great. You can read this for reviews of industrial and other extreme music which you have very little chance of actually hearing, unless you actively seek it out (which if you don't do already, you definitely should) You also get intelligent interviews with the likes of John Cage, Steve Reich and Peter Gordon. In the last issue, they even had a transcription of a lecture on psychoactive substances, given by Ralph Metzner! This is a paper worth going out of your way to find. .
TWISTED IMAGE - Grade: AThis punk paper from Bezerkeley has a strong, humanistic heart beating just beneath its twisted-image surface. Really. The East Bay Express could take some lessons. Articles about street people as human beings, or features about San Francisco's heroic bicycle messengers as same, streetwise and heartfelt, speak well for the flowers in the dustbin of the corporate state.
Maniacs
APPEAL TO REASON - Grade: BThis updated version of a "new left" counterculture paper possibly deserves our support. But it's such a total downer. Really. This has such a depressing tone to it, I don't know how they ever expect to inspire anyone to spend 50 cents, never mind revolution. Editor John Bryant apparently can't see an inch past his face as regards technology and science. Since bad guys use it, it must be bad stuff. What's good about this paper is much of the culturally-oriented "Open City" section. Here, we find a mix of personal, experiential story-telling, reviews, political commentary, satire, and outrage, all of it coming from a street-level, left-anarchist perspective. We wish we could say that we were thrilled by contributions from the likes of Harold Norse and Laurence Ferlinghetti, but apparently the beat's been going on a little bit too long. We upgraded this half-a-step because editor John Bryant is such a vehement critic of our friend, Tim Leary, that we didn't want to feel that we were downgrading his paper for the same reason. UTOPIAN CLASSROOM - Grade: DA wierd little paper by a wlerd little tribe with wierd little names. I suppose your wondering, then, why we don't like this paper. Well, something about the way they present their peculiar psychological tunnel-reality presses our mindfucker-avoidance buttons. Downgraded a step-and-a-half for getting sucked into cold-war myopia. If you don't know already, these people support Reagan's militaristic escapades. Hey, folks. The torture and slaughter of entire families in El Salvador and Guatemala is a pretty wierd form of gestalt-o-rama, if you get our drift. Painless punk, my -ss.
efforts as such. Listen. As anarchists, upwingers, and mutant- individualists, we agree. But maybe you better cool back just a bit, because in a pure Darwinian media jungle, you schmucks are goners!
ReSEARCH - Grade: A We're not sure if this will ever return to tabloid form, but we wanted to talk about this, anyhow. This appeared first as an excellent punk interview paper called Search and Destroy in 1977, when the energy of that scene was still pretty revolutionary. It ran some wellwritten and informative articles on such themes as anarchism, surrealism, and black humor. Dropped out as punk became predictable, and re-emerged as Research, a paper dedicated to "survival information." This included lots of interviews with, and articles about, peoples of all cultures and sub-cultures, including our own, seemingly, in search of some kind of wisdom, or information, to help us survive the coming wierd times. All of it made for some great reading. We're not terribly hot on the last 2 book-sized issues, however. The first one, a special issue devoted to William Burroughs, dwelt excessively on terror and other morbid subject matter, apparently, the obsession of the interviewers, but just one of the areas explored by the
cont.
pj
22
OUR CONSCIOUS LOVE - GRADE: F Our self-conscious crap. Bad poetics linked to Ayn Randish diatribes. The couple who publishes this spends too much verbal effort arguing their case, which is basically that they have the right to be individual, creative artists, without fitting into the liberal/socialist morality system which dominates much of the bay area art and print media, and that they have the right to get rich by their
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