Table of contents : Title Page Copyright Page Contents Figures Introduction Chapter 1: Durée The poetics of philosophical argument The theory of durée Between metaphysics and aesthetics Bergson’s influence on the avant-garde Conclusion Chapter 2: Gesture Introspection, corporeality and the aesthetic feelings Aesthetics, movement and decorporealization Following the line between touch and vision Material gestures and the resistance of matter Conclusion Chapter 3: Life Life and the extension of consciousness The apprehension of life and art’s unforeseeability Life: Materiality and flexibility Creation as variation Conclusion Chapter 4: Perception Utilitarian perception and the logic of solid bodies From perceptual utility to the processual real The perception of difference and the contraction of quality Conclusion Notes Introduction Chapter 1 Chapter 2 Chapter 3 Chapter 4 Bibliography Index