Cinema, Law, and the State in Asia [First Edition] 1403977518, 9781403977519

This book crosses the conventional border between the analysis of on-screen and off-screen intersections of law and cine

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English Pages 252 [251] Year 2007

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Table of contents :
Cover......Page 1
Contents......Page 6
Acknowledgments......Page 8
List of Contributors......Page 10
Introduction: Cinema, Law, and the State in Asia......Page 14
Part 1 India......Page 22
1 Cinema, Citizenship, and the Illegal City......Page 24
2 Bombay Bhai: The Gangster in and behind Popular Hindi Cinema......Page 42
3 Sex in the Transnational City: Discourses of Gender, Body, and Nation in the “New Bollywood”......Page 58
4 Islamic “Terrorism” and Visions of Justice in Khalid Mohamed’s Fiza......Page 76
Part 2 Southeast Asia......Page 96
5 The Poverty of Justice: Postcolonial Condition and Representations of Justice in Contemporary Philippine Cinema......Page 98
6 Shadowboxing with the Censors: A Vietnamese Woman Directs the War Story......Page 114
Part 3 Northeast Asia......Page 134
7 Oshima Nagisa’s Ai no korida Reconsidered: Law, Gender, and Sexually Explicit Film in Japanese Cinema......Page 136
8 Freedom of Thought and National Security Law in Recent South Korean Cinema: The Road Taken (Seontaek) and Its Genre......Page 154
Part 4 China......Page 172
9 Did Qiu Ju Get Good Legal Advice?......Page 174
10 Blood in the Bathroom: Shanghai Triad as Gangster Noir......Page 188
11 Chinese Lawyers on the Silver Screen......Page 208
12 Playing with Intertextuality and Contextuality: Film Piracy On and Off the Chinese Screen......Page 226
B......Page 244
D......Page 245
I......Page 246
M......Page 247
P......Page 248
S......Page 249
Y......Page 250
Z......Page 251

Cinema, Law, and the State in Asia [First Edition]
 1403977518, 9781403977519

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