154 13 47MB
English Pages 464 Year 2022
Aalto in Detail
Aalto in Detail A Catalog of Components
Céline Dietziker Lukas Gruntz
Birkhäuser Basel
6 9
Preface Essay
23 47 57 77 103 115 181 197 209
Porches Ceilings Pillars Stairs Balconies Windows Skylights Garage Doors Exterior Doors
259 285 293 309 339 373 393 401 413 439
Interior Doors Lift Doors Socle Door Handles Handrails Railings Drainage Fireplaces Fixtures Exterior Lamps
460 Index
6
Keuruu at the Lake “ohra ahonlahti”, June 2019
“My name is Aalto, like the architect,” he told us in a friendly way. He had caught us while we were sneaking around his apartment building, taking photos of the garage doors. We were in the middle of the National Pensions Institute apartment complex, which the Aaltos built in the early 1950s not far from their own house. This was one of the special encounters that we experienced during our journey through Finland in the summer of 2019, on a hunt for traces of the Aaltos. “What are you looking for here?” asked Mr. Aalto—who then insisted on showing us his apartment. In this simple two-bedroom worker’s apartment, the Aaltos’ talent for solving spatial and tectonic problems could be seen and felt. Within a small space, the transition between the kitchen and the dining room was skillfully resolved by means of a pantry with a built-in cupboard. Of course, there had to be a communal sauna in the lower level of the main structure. After Mr. Aalto dropped off his son at soccer practice, he immediately took us to two unknown houses in nearby Espoo that were built during World War Two—simple, unpretentious wooden houses. On arrival, we started a conversation with one of the
7 owners who invited us on a quick tour through her house. In the detailed design of the stair banisters and the curved wooden ceiling under the roof, the Aaltos’ hand was clearly recognizable. This approach is present everywhere in the building: construction problems were handled with a passion and joy for design. Wood was bent. Metal was covered in leather. Glazed ceramic tubes direct light into the depths of the room. Our extensive catalog of details is the result of this journey, when we visited and documented almost fifty of the Aaltos’ buildings from Helsinki, to Jyväskylä, to Turku. Our catalog is not intended to be exhaustive; rather, as a photographic collection, it demonstrates our love of details, which we rediscovered through the work of the Aaltos—Aino ( 1894–1949 ), Alvar ( 1898–1976 ), and Elissa ( 1922–94 ). This catalog of building elements serves as inspiration for our own architectural work. In a world of digitalized architecture, we should not forget the roots of architectural culture: handcraft. Céline Dietziker and Lukas Gruntz
Essay
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Alvar, 14 years, 1912
“( ... ) Architecture and its details are in some way all part of biology. Perhaps they are, for instance, like some big salmon or trout. They are not born fully grown; they are not even born in the sea or water where they normally live. They are born hundreds of miles away from their home grounds, where the rivers narrow to tiny streams, in clear rivulets between the fells, in the first drops of water from the melting ice, as remote from their normal life as human emotion and instinct are from our everyday work. Just as it takes time for a speck of fish spawn to mature into a fullygrown fish, so we need time for everything that develops and crystallizes in our world of ideas. Architecture demands even more of this time than other creative work.” 1 Alvar Aalto’s essay, “The Trout and the Stream,” first appeared in the fall of 1947 with the Italian title, “Architettura e arte concreta,” in the architecture and design journal, DOMUS. For this issue, then editor-in-chief Ernesto Nathan Rogers asked his Finnish friend and colleague Aalto to share his thoughts on the relationship between architecture and art. The result is a very personal text. Using compelling metaphors, Aalto recounts his own experiences with architectural projects as well as experiments with wooden furniture designs and sculptural work, which he carried out with his first wife, Aino. In a conversational tone, he describes the Ionic column capital and his love of Italian architectural culture.
11
Sun terrace, Sanatorium in Paimio ( 1930s )
He names three “essential” arts—sculpture, painting, and architecture—and discusses how the fields of architecture and abstract art mutually inspire one another. Most significantly, however, he writes about architecture in respect to time, and the importance of having enough of it to be able to develop an architectural idea. At that point, Alvar Aalto had long been part of the international architectural scene. Within a few years, he had evolved from a young architect influenced by Nordic classicism into a staunch advocate of functionalist modernism. However, the best-known buildings from this early period, the Viipuri Library ( 1927–35 ) and the Paimio Sanatorium ( 1928–33 ), were already more than a decade old, and in the interim he had become critical of pure functionalism.2 During this time, his focus shifted to a humanistic architecture that responded to the needs of people and the natural environment. With great sensitivity, he and his first wife Aino put this approach into practice in the Villa Mairea in Noormarkku ( 1937–39 ). The town hall in Säynätsalo ( 1949–52 ), and Alvar’s own experimental summer house built with his second wife, Elissa, in Muuratsalo ( 1952–54 ), indicate further moves toward the development of a Finnish regionalism employing traditional materials and historical references.3
12
Site plan, Villa Mairea in Noormarkku ( 1938–39 )
These buildings created over a period of three decades are great examples of Aino, Elissa, and Alvar Aalto’s openness to current trends, as well as their constant search for distinctive themes. As different as these buildings are, they all exhibit a love of constructive detail. They are based not only on an interest in natural materials and organic forms but also on a general understanding of architecture as a comprehensive design task, first demonstrated by the Defense Corps Building in Jyväskylä ( 1926–29 ). The Aaltos’ intense engagement with interior design did not emerge until the late 1920s with the winning of the Paimio competition. Due to a lack of commissions during the Great Depression, Aino and Alvar were forced to lay off almost all their staff.4 Since they scarcely had any other commissions, they put all their time and energy into detailing and designing the interiors and furniture. The result was an impressive total work of art that became a model for their later buildings and design objects. An organic design concept had already been realized by the Aaltos in Viipuri. Through the circular skylights and undulating ceiling, the natural lighting and acoustics were improved upon, and a more human atmosphere created. Bright colors, often applied in
13
Steps towards the courtyard, Townhall in Säynätsalo ( ca. 1952 )
Sample wall, Experimental House in Muuratsalo ( 1960s )
amorphous figures, and a diverse palette of materials for the building elements served the same ends. Aino and Alvar Aalto’s furniture and interior design elements were usually created in conjunction with a building project. In their designs for lighting fixtures, hardware, and glass objects, the same themes and solutions run throughout their careers. Their passion for native wood species was as much a part of this as their eagerness to experiment with a wide variety of construction methods. By using
14
Entrance side, Defence Corps Building in Jyväskylä ( 1920s )
Auditorium, Library in Viipuri ( 1935 )
novel methods of bending wood, they were able to produce their cantilever chairs.5 The transfer of a construction method previously used only for steel tubes to a natural material seems only logical when one considers the Aaltos’ careers in retrospect. Their breakthrough in furniture design came in 1932 with “Number 41,” commonly known as the Paimio chair. When the new sanatorium building was completed, enthusiastic articles appeared in several major professional journals. Aino and Alvar Aalto were celebrated as the ideal architect couple and invited to events at home and abroad. Various architecture and design
15
Wooden mold and vase from the glass series “Savoy”, 1936
exhibitions solidified not only their reputation in professional circles but also their fame beyond. Their modern designs and the corresponding production capabilities made it possible to fabricate good, affordable furniture for everyday use. An essential goal and distribution company, Artek, which they cofounded in 1935, played an important role in the emergence of a modern domestic culture in Helsinki and the rest of Finland. The fact that Artek’s advertising slogan for quality furniture, “Buy Now Keep Forever,” still holds true today speaks for itself. Much has been written and even more has been speculated about Alvar Aalto’s two marriages and his collaborations with his wives. One of the first publications about Alvar Aalto was the —still today—remarkable three-volume edition by Artemis Verlag, published in Zurich in 1963.6 The introduction to the first volume includes a lengthy, heartfelt note of thanks from Aalto to his current and former collaborators. Along with a brief curriculum vitae, the introduction explicitly states that he ran his office as a
16
Aino with Paimio-Chair, photographic experiment, ca. 1932
partnership with Aino Aalto from 1924 to 1949, and then with Elissa Aalto from 1952 onward. This statement is confirmed by the recollections of numerous employees and further supported by the repeated observation that Alvar and Aino, and later Elissa, complemented each other particularly well in the office setting, both personally and professionally. Despite this, all built projects continue to be attributed to Alvar Aalto alone. It is astonishing that, to this day, the achievements of his partners have not been better researched and appropriately recognized. The universal interest in the architecture of the three Aaltos over generations is truly impressive. With their combination of regional and international elements and use of traditional building materials, their buildings have even become more contemporary. Alvar Aalto himself considered the transition from a reinforced concrete aesthetic to wood and natural materials to be the crucial turning point in the development of their architecture.7 The engagement with established construction methods and the focus on typically Finnish building materials were probably the decisive factors behind the authentic uniqueness of their buildings. Göran Schildt, who was on friendly terms with Alvar Aalto and wrote several biographies of him, surmised that “the basic essential of his achievement is that his roots are deep
17
Elissa and Alvar in the office in Helsinki, 1959
down in the Finnish soil.” 8 In an age that is increasingly marked by generic projects, their authenticity is undoubtedly one reason why the buildings of Alvar, Aino, and Elissa Aalto still have such a strong impact. Alvar Aalto always preferred that people experience his architecture directly rather than just write about his buildings and the ideas behind them.9 Since he and his partners worked on the designs until the end, often making changes at the last moment on the construction site, this is not surprising.10 Furthermore, the relationship between inside and outside, which is so typical for them, and the subtle mood of the spaces achieved through direct and indirect lighting can only be perceived on location. The same is true for the colors and the often lighthearted, playful components. Only through close examination does it become clear just how much passion went into the development and execution of every single detail. This is even more impressive in comparison with the situation today, when many architects delegate their responsibility to specialists, which results in a corresponding decrease in architectural quality. That the Aaltos would have handed over control of their designs or the execution of their projects is simply unthinkable.
18
Experiment with plywood, 1934
In his essay mentioned above, Alvar Aalto also describes his preferred way of working. He presents his method of developing an idea into a project as a meandering, unconscious process that begins after he has ascertained the essential facts: “I then move on to a method of working that is very much like abstract art. I simply draw by instinct, not architectural syntheses, but what are sometimes quite childlike compositions, and in this way, on an abstract basis, the main idea gradually takes shape, a kind of universal substance that helps me to bring the numerous contradictory components into harmony.” 11 This almost poetic description corresponds with his comments about the time factor in creative work. No one would deny that it takes a lot of time as well as creative space to develop convincing architectural ideas. Talking about the intelligence of the fingers may sound strange at a time when pencils and sketch
19
Sketch for Library in Viipuri (1920s)
paper are hardly used anymore and work is increasingly done digitally. By contrast, the topics and projects described here clearly show the opportunities and also the qualities of the analog manner of working. The built work of Aino, Alvar, and Elissa Aalto is truly multifaceted, joyfully exuberant in design, and at the same time authentic. The Aaltos felt as much responsibility for the context as for the exterior and interior of their buildings. But the strong relationship between the various elements of their architecture is most clearly revealed in their love for the smallest building components—the details. This catalog demonstrates that these are the very soul of their total works of art. Through intense commitment, careful selection of materials, and use of their own photographs, Céline Dietziker and Lukas Gruntz have thoroughly explored this aspect of the work of the three Aaltos. They deserve full recognition and heartfelt thanks for this valuable, groundbreaking study. Annette Helle Zurich, Spring 2022
20
1 2
3 4 5
6 7 8 9 10 11
Alvar Aalto, “The Trout and the Stream,” [ 1948 ] in: G. Schildt, ed., Alvar Aalto in His Own Words ( Helsinki: Otava, 1991 ), 108–9. “Aalto’s lifelong attempt to satisfy social and psychological criteria effectively set him apart from the more dogmatic Functionalists of the 1920s, whose careers were already established when he designed his first significant works.” Kenneth Frampton, Modern Architecture: A Critical History ( London: Thames and Hudson, 1996 ), 202. Ibid. Göran Schildt, Moderna tider. Alvar Aaltos möte med funktionalismen ( Stockholm: Wahlström & Widstrand, 1985 ), 85. This new method for manufacturing bentwood was developed with the help of the Korhonen furniture factory, and patented in 1933. See exhibition catalog: Enrico Baleri, Marco Meneguzzo, and Comitato organizzatore salone del mobile italiano, eds., Alvar Aalto ( Milan: Cosmit, 1998 ), 30. Karl Fleig, ed., Alvar Aalto Band I 1922–62 (Zürich: Artemis–Verlag für Architektur, 1963), 6–7. Frampton, Modern Architecture, 202. Göran Schildt, “Alvar Aalto,” in: Fleig, Alvar Aalto, 15. Michael Trencher, The Alvar Aalto Guide ( New York: Princeton Architectural Press, 1996 ), 23. Pallasmaa, “From Tectonics,” 39. Aalto, “The Trout and the Stream.”
Porches Vordächer
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Cultural Centre Helsinki, Finland 1952–1958
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Public Pensions Institute Helsinki, Finland 1953–1956
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Housing Area Sunila Paper Mill Kotka, Finland 1936–1938, 1947, 1951–1954
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Housing Area Sunila Paper Mill Kotka, Finland 1936–1938, 1947, 1951–1954
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Student Union Building Jyväskylä, Finland 1961–1964
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Student Union Building Jyväskylä, Finland 1961–1964
30
Architect’s House Helsinki, Finland 1935–1936
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Architect’s House Helsinki, Finland 1935–1936
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Theatre Seinäjoki, Finland 1961–1987
33
Villa Mairea Noormarkku, Finland 1937–1939
34
Villa Mairea Noormarkku, Finland 1937–1939
35
Lohiluoma Residential Building Kauttua, Finland 1942
36
Pedagogical University Jyväskylä, Finland 1952–1954
37
Tuberculosis Sanatorium Paimio, Finland 1929–1933
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Tuberculosis Sanatorium Paimio, Finland 1929–1933
39
Tuberculosis Sanatorium Paimio, Finland 1929–1933
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Villa Kokkonen Järvenpää, Finland 1967–1969
41
Housing Area Sunila Paper Mill Kotka, Finland 1936–1938, 1947, 1951–1954
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Villa Mairea Noormarkku, Finland 1937–1939
43
Tuberculosis Sanatorium Paimio, Finland 1929–1933
44
Library of the Institute of Technology Espoo, Finland 1964–1970
45
Church Seinäjoki, Finland 1951–1960
Ceilings Decken
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University of Jyväskylä Main Building Jyväskylä, Finland 1954–1956
49
Church Seinäjoki, Finland 1951–1960
50
Concert and Convention Hall Helsinki, Finland 1967–1971
51
Cultural Centre Helsinki, Finland 1952–1958
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Maison Louis Carré Bazoches-sur-Guyonne, France 1956–1959, 1961–1963
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Cultural Centre Helsinki, Finland 1952–1958
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Public Pensions Institute Helsinki, Finland 1953–1956
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Architect’s Studio Helsinki, Finland 1954–1955, 1962–1963
Pillars Stützen
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Villa Mairea Noormarkku, Finland 1937–1939
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Villa Mairea Noormarkku, Finland 1937–1939
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Enso Gutzeit Housing Hamina, Finland 1951–1953
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Maison Louis Carré Bazoches-sur-Guyonne, France 1956–1959, 1961–1963
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Faculty of Sport and Health Jyväskylä, Finland 1971
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Library of the Institute of Technology Espoo, Finland 1964–1970
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University of Jyväskylä Main Building Jyväskylä, Finland 1954–1956
65
Theatre Seinäjoki, Finland 1961–1987
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Architect’s House Helsinki, Finland 1935–1936
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Main Building of the Institute of Technology Espoo, Finland 1955–1964
68
Architect’s House Helsinki, Finland 1935–1936
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Concert and Convention Hall Helsinki, Finland 1967–1975
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Public Pensions Institute Helsinki, Finland 1953–1956
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Main Building of the Institute of Technology Espoo, Finland 1955–1964
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Concert and Convention Hall Helsinki, Finland 1967–1975
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Administration Building for the City Electic Co. Helsinki, Finland 1965–1976
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Headquarters of Enso-Gutzeit Helsinki, Finland 1959–1962
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Library Seinäjoki, Finland 1960–1965
Stairs Treppen
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Concert and Convention Hall Helsinki, Finland 1967–1975
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Town Hall Säynätsalo, Finland 1949–1952
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Town Hall Säynätsalo, Finland 1949–1952
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Maison Louis Carré Bazoches-sur-Guyonne, France 1956–1959, 1961–1963
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University of Jyväskylä Main Building Jyväskylä, Finland 1954–1956
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Villa Mairea Noormarkku, Finland 1937–1939
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Administration Building for the City Electric Co. Helsinki, Finland 1965–1976
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Rautatalo Office Building Helsinki, Finland 1951–1955
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Public Pensions Institute Helsinki, Finland 1953–1956
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Architect’s House Helsinki, Finland 1935–1936
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Architect‘s Studio Helsinki, Finland 1954–1955, 1962–1963
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Architect’s House Helsinki, Finland 1935–1936
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Public Pensions Institute Helsinki, Finland 1953–1956
91
Main Building of the Institute of Technology Espoo, Finland 1955–1964
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Library of the Institute of Technology Espoo, Finland 1964–1970
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University of Jyväskylä Main Building Jyväskylä, Finland 1954–1956
94
Town Hall Säynätsalo, Finland 1949–1952
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University of Jyväskylä Main Building Jyväskylä, Finland 1954–1956
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Pedagogical University Jyväskylä, Finland 1952–1954
97
Library Seinäjoki, Finland 1960–1965
98
Church Seinäjoki, Finland 1951–1960
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Tuberculosis Sanatorium Paimio, Finland 1929–1933
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Tuberculosis Sanatorium Paimio, Finland 1929–1933
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Turun Sanomat Newspaper Office Turku, Finland 1928–1929
Balconies Balkone
104
Housing Area Sunila Paper Mill Kotka, Finland 1936–1938, 1947, 1951–1954
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Housing Area Sunila Paper Mill Kotka, Finland 1936–1938, 1947, 1951–1954
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Housing Area Sunila Paper Mill Kotka, Finland 1936–1938, 1947, 1951–1954
107
Housing Area Sunila Paper Mill Kotka, Finland 1936–1938, 1947, 1951–1954
108
Tuberculosis Sanatorium Paimio, Finland 1929–1933
109
Aira Building Jyväskylä, Finland 1924–1926
110
Tuberculosis Sanatorium Paimio, Finland 1929–1933
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Tuberculosis Sanatorium Paimio, Finland 1929–1933
112
Villa Mairea Noormarkku, Finland 1937–1939
113
Housing for the Personnel of the Public Pensions Institute Helsinki, Finland 1952–1954
Windows Fenster
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Town Hall Säynätsalo, Finland 1949–1952
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Summer House Muuratsalo, Finland 1952–1954
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Architect’s Studio Helsinki, Finland 1954–1955, 1962–1963
119
Farmers Co-operative Building Turku, Finland 1927–1928
120
Headquarters of Enso-Gutzeit Helsinki, Finland 1959–1962
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Administration Building for the City Electric Co. Helsinki, Finland 1965–1976
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Rautatalo Office Building Helsinki, Finland 1951–1955
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Administration Building of the Scandinavian Bank Helsinki, Finland 1960–1965
124
Housing for the Personnel of the Public Pensions Institute Helsinki, Finland 1952–1954
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Harjuviita Apartment Houses Espoo, Finland 1962–1964
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Town Hall Säynätsalo, Finland 1949–1952
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Town Hall Säynätsalo, Finland 1949–1952
128
Tuberculosis Sanatorium Paimio, Finland 1929–1933
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Tuberculosis Sanatorium Paimio, Finland 1929–1933
130
Student Union Building Jyväskylä, Finland 1961–1964
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Summer House Muuratsalo, Finland 1952–1954
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Terrace Housing Kauttua, Finland 1937–1938
133
Terrace Housing Kauttua, Finland 1937–1938
134
Tuberculosis Sanatorium Paimio, Finland 1929–1933
135
Tuberculosis Sanatorium Paimio, Finland 1929–1933
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Architect’s Studio Helsinki, Finland 1935–1936
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Villa Kokkonen Järvenpää, Finland 1967–1969
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Villa Skeppet / Villa Schildt Tammisaari, Finland 1969–1970
139
Maison Louis Carré Bazoches-sur-Guyonne, France 1956–1959, 1961–1963
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Building of the Association of Finnish Engineers Helsinki, Finland 1948–1952
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Main Building of the Institute of Technology Espoo, Finland 1955–1964
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Town Hall Säynätsalo, Finland 1949–1952
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Student Union Building Jyväskylä, Finland 1961–1964
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Town Hall Säynätsalo, Finland 1949–1952
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Town Hall Säynätsalo, Finland 1949–1952
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Cultural Centre Helsinki, Finland 1952–1958
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Library Seinäjoki, Finland 1960–1965
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Main Building of the Institute of Technology Espoo, Finland 1955–1964
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Tuberculosis Sanatorium Paimio, Finland 1929–1933
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Architect’s Studio Helsinki, Finland 1954–1955, 1962–1963
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Architect’s Studio Helsinki, Finland 1954–1955, 1962–1963
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Theatre Jyväskylä, Finland 1964–1982
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Theatre Seinäjoki, Finland 1964–1968
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Town Hall Säynätsalo, Finland 1949–1952
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Town Hall Säynätsalo, Finland 1949–1952
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Architect’s Studio Helsinki, Finland 1935–1936
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Architect‘s Studio Helsinki, Finland 1935–1936
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Architect‘s Studio Helsinki, Finland 1954–1955, 1962–1963
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Architect’s Studio Helsinki, Finland 1954–1955, 1962–1963
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Architect’s Studio Helsinki, Finland 1954–1955, 1962–1963
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Villa Mairea Noormarkku, Finland 1937–1939
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Maison Louis Carré Bazoches-sur-Guyonne, France 1956–1959, 1961–1963
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Maison Louis Carré Bazoches-sur-Guyonne, France 1956–1959, 1961–1963
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Church Seinäjoki, Finland 1951–1960
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Library Seinäjoki, Finland 1960–1965
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Architect’s Studio Helsinki, Finland 1935–1936
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Maison Louis Carré Bazoches-sur-Guyonne, France 1956–1959, 1961–1963
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Theatre Jyväskylä, Finland 1964–1982
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Theatre Seinäjoki, Finland 1964–1968
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Theatre Jyväskylä, Finland 1964–1982
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Alvar Aalto Museum Jyväskylä, Finland 1971–1973
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Town Hall Seinäjoki, Finland 1958–1960
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Main Building of the Institute of Technology Espoo, Finland 1955–1964
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Student Union Building Jyväskylä, Finland 1961–1964
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Town Hall Säynätsalo, Finland 1949–1952
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Harjuviita Apartment Houses Espoo, Finland 1964–1970
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Town Hall Säynätsalo, Finland 1949–1952
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Town Hall Säynätsalo, Finland 1949–1952
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Town Hall Säynätsalo, Finland 1949–1952
Skylights Oberlichter
182
Student Union Building Jyväskylä, Finland 1961–1964
183
Headquarters of Enso-Gutzeit Helsinki, Finland 1959–1962
184
Administration Building of the Scandinavian Bank Helsinki, Finland 1960–1965
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Library of the Institute of Technology Espoo, Finland 1964–1970
186
Rautatalo Office Building Helsinki, Finland 1951–1955
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University of Jyväskylä Main Building Jyväskylä, Finland 1954–1956
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Public Pensions Institute Helsinki, Finland 1953–1956
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Architect’s Studio Helsinki, Finland 1954–1955, 1962–1963
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Administration Building for the City Electric Co. Helsinki, Finland 1965–1976
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Public Pensions Institute Helsinki, Finland 1953–1956
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Academic Bookshop Helsinki, Finland 1961–1969
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Church Lahti, Finland 1969–1979
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Architect’s Studio Helsinki, Finland 1954–1955, 1962–1963
195
Architect’s Studio Helsinki, Finland 1954–1955, 1962–1963
Garage Doors Garagentore
198
Summer House Muuratsalo, Finland 1952–1954
199
Library Seinäjoki, Finland 1960–1965
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Architect’s Studio Helsinki, Finland 1954–1955, 1962–1963
201
Architect’s House Helsinki, Finland 1935–1936
202
Alvar Aalto Museum Jyväskylä, Finland 1971–1973
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Villa Kokkonen Järvenpää, Finland 1967–1969
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Enso Gutzeit Housing Hamina, Finland 1951–1953, 1970–1972
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Housing Area Sunila Paper Mill Kotka, Finland 1936–1938, 1947, 1951–1954
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Headquarters of Enso-Gutzeit Helsinki, Finland 1959–1962
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Housing for the Personnel of the Public Pensions Institute Helsinki, Finland 1952–1954
Exterior Doors Außentüren
210
Church Seinäjoki, Finland 1951–1960
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Architect’s Studio Helsinki, Finland 1954–1955, 1962–1963
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Architect’s Studio Helsinki, Finland 1954–1955, 1962–1963
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Architect’s House Helsinki, Finland 1935–1936
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Architect’s House Helsinki, Finland 1935–1936
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Architect’s House Helsinki, Finland 1935–1936
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Enso Gutzeit Housing Hamina, Finland 1951–1953, 1970–1972
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Harjuviita Apartment Houses Espoo, Finland 1962–1964
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Church Seinäjoki, Finland 1951–1960
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Enso Gutzeit Housing Hamina, Finland 1951–1953, 1970–1972
220
Student Union Building Jyväskylä, Finland 1961–1964
221
Main Building of the Institute of Technology Espoo, Finland 1955–1964
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Summer House Muuratsalo, Finland 1952–1954
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Summer House Muuratsalo, Finland 1952–1954
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Villa Mairea Noormarkku, Finland 1937–1939
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Maison Louis Carré Bazoches-sur-Guyonne, France 1956–1959, 1961–1963
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Sauna and Laundry Kauttua, Finland 1940–1941
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Sauna and Laundry Kauttua, Finland 1940–1941
228
Defence Corps Building Seinäjoki, Finland 1924–1926
229
Villa Mairea Noormarkku, Finland 1937–1939
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Administration Building for the City Electric Co. Helsinki, Finland 1965–1976
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Public Pensions Institute Helsinki, Finland 1953–1956
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Church Lahti, Finland 1969–1979
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Workers Club Jyväskylä, Finland 1924–1925
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Church Seinäjoki, Finland 1951–1960
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Alvar Aalto Museum Jyväskylä, Finland 1971–1973
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Church Seinäjoki, Finland 1951–1960
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Church Seinäjoki, Finland 1951–1960
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Housing for the Personnel of the Public Pensions Institute Helsinki, Finland 1952–1954
239
Housing for the Personnel of the Public Pensions Institute Helsinki, Finland 1952–1954
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Main Building of the Institute of Technology Espoo, Finland 1955–1964
241
Cultural Centre Helsinki, Finland 1952–1958
242
Harjuviita Apartment Houses Espoo, Finland 1962–1964
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Villa Kokkonen Järvenpää, Finland 1967–1969
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Housing Area Sunila Paper Mill Kotka, Finland 1936–1938, 1947, 1951–1954
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Housing Area Sunila Paper Mill Kotka, Finland 1936–1938, 1947, 1951–1954
246
Enso Gutzeit Housing Hamina, Finland 1951–1953, 1970–1972
247
Town Hall Säynätsalo, Finland 1949–1952
248
Student Union Building Jyväskylä, Finland 1961–1964
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Summer House Muuratsalo, Finland 1952–1954
250
Church Seinäjoki, Finland 1951–1960
251
Villa Schildt (Villa Skeppet) Tammisaari, Finland 1969–1970
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Defence Corps Building Seinäjoki, Finland 1924–1926
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Farmers Co-operative Building Turku, Finland 1927–1928
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University of Jyväskylä Main Building Jyväskylä, Finland 1954–1956
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Central Finnish Museum Jyväskylä, Finland 1956–1961
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Standard Apartment Building Turku, Finland 1927–1928
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Standard Apartment Building Turku, Finland 1927–1928
Interior Doors Innentüren
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Rautatalo Office Building Helsinki, Finland 1951–1955
261
Public Pensions Institute Helsinki, Finland 1953–1956
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Main Building of the Institute of Technology Espoo, Finland 1955–1964
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Maison Louis Carré Bazoches-sur-Guyonne, France 1956–1959, 1961–1963
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Church Seinäjoki, Finland 1951–1960
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Maison Louis Carré Bazoches-sur-Guyonne, France 1956–1959, 1961–1963
266
Town Hall Säynätsalo, Finland 1949–1952
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Maison Louis Carré Bazoches-sur-Guyonne, France 1956–1959, 1961–1963
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University of Jyväskylä Main Building Jyväskylä, Finland 1954–1956
269
Housing for the Personnel of the Public Pensions Institute Helsinki, Finland 1951–1953, 1970–1972
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Theatre Seinäjoki, Finland 1961–1987
271
University of Jyväskylä Main Building Jyväskylä, Finland 1954–1956
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Main Building of the Institute of Technology Espoo, Finland 1955–1964
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Faculty of Sport and Health Jyväskylä, Finland 1971
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Tuberculosis Sanatorium Paimio, Finland 1929–1933
275
Library of the Institute of Technology Espoo, Finland 1964–1970
276
Church Lahti, Finland 1969–1979
277
Main Building of the Institute of Technology Espoo, Finland 1955–1964
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Main Building of the Institute of Technology Espoo, Finland 1955–1964
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Church Seinäjoki, Finland 1951–1960
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Main Building of the Institute of Technology Espoo, Finland 1955–1964
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Church Seinäjoki, Finland 1951–1960
282
Town Hall Seinäjoki, Finland 1958–1960
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Town Hall Säynätsalo, Finland 1949–1952
Lift Doors Aufzugstüren
286
Rautatalo Office Building Helsinki, Finland 1951–1955
287
Public Pensions Institute Helsinki, Finland 1953–1956
288
Church Lahti, Finland 1969–7199
289
Academic Bookshop Helsinki, Finland 1961–1969
290
Administration Building for the City Electric Co. Helsinki, Finland 1965–1976
291
Rautatalo Office Building Helsinki, Finland 1951–1955
Socle Sockel
294
Summer House Muuratsalo, Finland 1952–1954
295
Architect’s Studio Helsinki, Finland 1954–1955, 1962–1963
296
Aira Building Jyväskylä, Finland 1924–1926
297
Defence Corps Building Seinäjoki, Finland 1924–1926
298
Cultural Centre Helsinki, Finland 1952–1958
299
Villa Mairea Noormarkku, Finland 1937–1939
300
Church Lahti, Finland 1969–1979
301
Villa Kokkonen Järvenpää, Finland 1967–1969
302
Student Union Building Jyväskylä, Finland 1961–1964
303
Alvar Aalto Museum Jyväskylä, Finland 1971–1973
304
Housing Espoo, Finland 1940
305
Church Muurame, Finland 1926–1929
306
Public Pensions Institute Helsinki, Finland 1953–1956
307
Main Building of the Institute of Technology Espoo, Finland 1955–1964
Door Handles Türgriffe
310
Sauna and Laundry Kauttua, Finland 1940–1941
311
Student Union Building Jyväskylä, Finland 1961–1964
312
Housing for the Personnel of the Public Pensions Institute Helsinki, Finland 1952–1954
313
Cultural Centre Helsinki, Finland 1952–1958
314
Public Pensions Institute Helsinki, Finland 1953–1956
315
Faculty of Sport and Health Jyväskylä, Finland 1971
316
Maison Louis Carré Bazoches-sur-Guyonne, France 1956–1959, 1961–1963
317
Viitatorni Highrise Apartment House Jyväskylä, Finland 1960–1961
318
Town Hall Säynätsalo, Finland 1949–1952
319
Villa Mairea Noormarkku, Finland 1937–1939
320
Town Hall Säynätsalo, Finland 1949–1952
321
Housing for the Personnel of the Public Pensions Institute Helsinki, Finland 1952–1954
322
Headquarters of Enso-Gutzeit Helsinki, Finland 1959–1962
323
Concert and Convention Hall Helsinki, Finland 1967–1975
324
Public Pensions Institute Helsinki, Finland 1953–1956
325
Workers Club Jyväskylä, Finland 1924–1925
326
Farmers Co-operative Building Turku, Finland 1927–1928
327
Defence Corps Building Seinäjoki, Finland 1924–1926
328
Villa Mairea Noormarkku, Finland 1937–1939
329
Villa Mairea Noormarkku, Finland 1937–1939
330
Architect’s Studio Helsinki, Finland 1954–1955, 1962–1963
331
Villa Mairea Noormarkku, Finland 1937–1939
332
Architect’s House Helsinki, Finland 1935–1936
333
Tuberculosis Sanatorium Paimio, Finland 1929–1933
334
Concert and Convention Hall Helsinki, Finland 1967–1975
335
Church Lahti, Finland 1969–1979
336
Church Lahti, Finland 1969–1979
337
Academic Bookshop Helsinki, Finland 1961–1969
Handrails Handläufe
340
Main Building of the Institute of Technology Espoo, Finland 1955–1964
341
Main Building of the Institute of Technology Espoo, Finland 1955–1964
342
Town Hall Säynätsalo, Finland 1949–1952
343
Library Seinäjoki, Finland 1960–1965
344
Architect’s House Helsinki, Finland 1935–1936
345
Town Hall Seinäjoki, Finland 1958–1960
346
University of Jyväskylä Main Building Jyväskylä, Finland 1954–1956
347
Maison Louis Carré Bazoches-sur-Guyonne, France 1956–1959, 1961–1963
348
Pedagogical University Jyväskylä, Finland 1952–1954
349
University of Jyväskylä Main Building Jyväskylä, Finland 1954–1956
350
Administration Building of the Scandinavian Bank Helsinki, Finland 1960–1965
351
Main Building of the Institute of Technology Espoo, Finland 1955–1964
352
Main Building of the Institute of Technology Espoo, Finland 1955–1964
353
Main Building of the Institute of Technology Espoo, Finland 1955–1964
354
University of Jyväskylä Main Building Jyväskylä, Finland 1954–1956
355
University of Jyväskylä Main Building Jyväskylä, Finland 1954–1956
356
Concert and Convention Hall Helsinki, Finland 1967–1975
357
Church Seinäjoki, Finland 1951–1960
358
Architect’s Studio Helsinki, Finland 1954–1955, 1962–1963
359
University of Jyväskylä Main Building Jyväskylä, Finland 1954–1956
360
Academic Bookshop Helsinki, Finland 1961–1969
361
Alvar Aalto Museum Jyväskylä, Finland 1971–1973
362
Theatre Seinäjoki, Finland 1961–1987
363
Administration Building for the City Electric Co. Helsinki, Finland 1965–1976
364
Turun Sanomat Newspaper Office Turku, Finland 1928–1929
365
Tuberculosis Sanatorium Paimio, Finland 1929–1933
366
Tuberculosis Sanatorium Paimio, Finland 1929–1933
367
Turun Sanomat Newspaper Office Turku, Finland 1928–1929
368
Cultural Centre Helsinki, Finland 1952–1958
369
Theatre Jyväskylä, Finland 1964–1982
370
Concert and Convention Hall Helsinki, Finland 1967–1975
371
Concert and Convention Hall Helsinki, Finland 1967–1975
Railings Geländer
374
University of Jyväskylä Main Building Jyväskylä, Finland 1954–1956
375
Pedagogical University Jyväskylä, Finland 1952–1954
376
Main Building of the Institute of Technology Espoo, Finland 1955–1964
377
Church Lahti, Finland 1969–1979
378
Maison Louis Carré Bazoches-sur-Guyonne, France 1956–1959, 1961–1963
379
University of Jyväskylä Main Building Jyväskylä, Finland 1954–1956
380
Town Hall Seinäjoki, Finland 1958–1960
381
Pedagogical University Jyväskylä, Finland 1952–1954
382
Library Seinäjoki, Finland 1960–1965
383
Tuberculosis Sanatorium Paimio, Finland 1929–1933
384
Tuberculosis Sanatorium Paimio, Finland 1929–1933
385
Town Hall Säynätsalo, Finland 1949–1952
386
Lohiluoma Residential Building Kauttua, Finland 1942
387
Terrace Housing Kauttua, Finland 1937–1938
388
Architect’s House Helsinki, Finland 1935–1936
389
Villa Mairea Noormarkku, Finland 1937–1939
390
Villa Kokkonen Järvenpää, Finland 1967–1969
391
Maison Louis Carré Bazoches-sur-Guyonne, France 1956–1959, 1961–1963
Drainage Entwässerung
394
Town Hall Seinäjoki, Finland 1958–1960
395
Summer House Muuratsalo, Finland 1952–1954
396
Maison Louis Carré Bazoches-sur-Guyonne, France 1956–1959, 1961–1963
397
Villa Mairea Noormarkku, Finland 1937–1939
398
Maison Louis Carré Bazoches-sur-Guyonne, France 1956–1959, 1961–1963
399
Maison Louis Carré Bazoches-sur-Guyonne, France 1956–1959, 1961–1963
Fireplaces Kamine
402
Architect’s House Helsinki, Finland 1935–1936
403
Architect’s House Helsinki, Finland 1935–1936
404
Student Union Building Jyväskylä, Finland 1961–1964
405
Student Union Building Jyväskylä, Finland 1961–1964
406
Summer House Muuratsalo, Finland 1952–1954
407
Summer House Muuratsalo, Finland 1952–1954
408
Villa Mairea Noormarkku, Finland 1937–1939
409
Tuberculosis Sanatorium Paimio, Finland 1929–1933
410
Maison Louis Carré Bazoches-sur-Guyonne, France 1956–1959, 1961–1963
411
Maison Louis Carré Bazoches-sur-Guyonne, France 1956–1959, 1961–1963
Fixtures Einbauten
414
Faculty of Sport and Health Jyväskylä, Finland 1971
415
Tuberculosis Sanatorium Paimio, Finland 1929–1933
416
Cultural Centre Helsinki, Finland 1952–1958
417
University of Jyväskylä Main Building Jyväskylä, Finland 1954–1956
418
Alvar Aalto Museum Jyväskylä, Finland 1971–1973
419
Tuberculosis Sanatorium Paimio, Finland 1929–1933
420
Alvar Aalto Museum Jyväskylä, Finland 1971–1973
421
University of Jyväskylä Main Building Jyväskylä, Finland 1954–1956
422
Tuberculosis Sanatorium Paimio, Finland 1929–1933
423
Tuberculosis Sanatorium Paimio, Finland 1929–1933
424
Maison Louis Carré Bazoches-sur-Guyonne, France 1956–1959, 1961–1963
425
Architect’s House Helsinki, Finland 1935–1936
426
Terrace Housing Kauttua, Finland 1937–1938
427
Maison Louis Carré Bazoches-sur-Guyonne, France 1956–1959, 1961–1963
428
Architect’s Studio Helsinki, Finland 1954–1955, 1962–1963
429
Architect’s Studio Helsinki, Finland 1954–1955, 1962–1963
430
Town Hall Säynätsalo, Finland 1949–1952
431
Church Seinäjoki, Finland 1951–1960
432
Church Lahti, Finland 1969–1979
433
Church Seinäjoki, Finland 1951–1960
434
Town Hall Seinäjoki, Finland 1958–1960
435
Town Hall Säynätsalo, Finland 1949–1952
436
Library Seinäjoki, Finland 1960–1965
437
Church Seinäjoki, Finland 1951–1960
Exterior Lamps Außenleuchten
440
Theatre Seinäjoki, Finland 1961–1987
441
Villa Mairea Noormarkku, Finland 1937–1939
442
Concert and Convention Hall Helsinki, Finland 1967–1975
443
Villa Mairea Noormarkku, Finland 1937–1939
444
Enso Gutzeit Housing Hamina, Finland 1951–1953, 1970–1972
445
Main Building of the Institute of Technology Espoo, Finland 1955–1964
446
Villa Kokkonen Järvenpää, Finland 1967–1969
447
Villa Mairea Noormarkku, Finland 1937–1939
448
Concert and Convention Hall Helsinki, Finland 1967–1975
449
Church Lahti, Finland 1969–1979
450
Architect’s Studio Helsinki, Finland 1954–1955, 1962–1963
451
Cultural Centre Helsinki, Finland 1952–1958
452
Public Pensions Institute Helsinki, Finland 1953–1956
453
Church Seinäjoki, Finland 1951–1960
454
University of Jyväskylä Main Building Jyväskylä, Finland 1954–1956
455
Cultural Centre Helsinki, Finland 1952–1958
456
Academic Bookshop Helsinki, Finland 1961–1969
457
Cultural Centre Helsinki, Finland 1952–1958
458
Town Hall Säynätsalo, Finland 1949–1952
459
Theatre Seinäjoki, Finland 1961–1987
460
Index
BAZOCHES-SUR-GUYONNE Villa Louis Carré 52, 61, 81, 139, 162, 163, 167, 225, 263, 265, 267, 316, 347, 378, 391, 396, 398, 399, 410, 411, 424, 427 ESPOO Harjuviita Apartment Houses 125, 217, 242 Housing 304 Library of the Institute of Technology 44, 63, 92, 176, 185, 275 Main Building of the Institute of Technology 67, 71, 91, 141, 148, 173, 221, 240, 262, 272, 277, 278, 280, 307, 340, 341, 351, 352, 353, 376, 445
Concert and Convention Hall 50, 69, 72, 78, 323, 334, 356, 370, 371, 442, 448 Cultural Centre 24, 51, 53, 146, 241, 298, 313, 368, 416, 451, 455, 457 Headquarters of Enso-Gutzeit 74, 120, 183, 206, 322 Housing for the Personnel of the Public Pensions Institute 113, 124, 207, 238, 239, 269, 312, 321 Public Pensions Institute 25, 54, 70, 86, 90, 188, 191, 231, 261, 287, 306, 314, 324, 452 Rautatalo Office Building 85, 122, 186, 260, 286, 291
HAMINA Enso Gutzeit Housing 60, 204, 216, 219, 246, 444
JÄRVENPÄÄ Villa Kokkonen 40, 137, 203, 243, 301, 390, 446
HELSINKI Academic Bookshop 192, 289, 337, 360, 456
JYVÄSKYLÄ Aira Building 109, 296
Administration Building for the City Electic Co. 73, 84, 121, 190, 230, 290, 363
Alvar Aalto Museum 171, 202, 235, 303, 361, 418, 420
Administration Building of the Scandinavian Bank 123, 184, 350
Central Finnish Museum 255
Architect’s House 30, 31, 66, 68, 87, 89, 136, 156, 157, 166, 201, 213, 214, 215, 332, 344, 388, 402, 403, 425 Architect’s Studio 55, 88, 118, 150, 151, 158, 159, 160, 189, 194, 195, 200, 211, 212, 295, 330, 358, 428, 429, 450 Building of the Association of Finnish Engineers 140
Faculty of Sport and Health 62, 273, 315, 414 Pedagogical University 36, 96, 348, 375, 381 Student Union Building 28, 29, 130, 143, 174, 182, 220, 248, 302, 311, 404, 405 Theatre 152, 168, 170, 369 University of Jyväskylä Main Building 48, 64, 82, 93, 95, 187, 254, 268, 271, 346, 349, 354, 355, 359, 374, 379, 417, 421, 454
461 Viitatorni Highrise Apartment House 317 Workers Club 233, 325 KAUTTUA Lohiluoma Residential Building 35, 386
SÄYNÄTSALO Town Hall 79, 80, 94, 116, 126, 127, 142, 144, 145, 154, 155, 175, 177, 178, 179, 247, 266, 283, 318, 320, 342, 385, 430, 435, 458
Sauna and Laundry 226, 227, 310
SEINÄJOKI Church 45, 49, 98, 164, 210, 218, 234, 236, 237, 250, 264, 279, 281, 357, 431, 433, 437, 453
Terrace Housing 132, 133, 387, 426
Defence Corps Building 228, 252, 297, 327
KOTKA Housing Area Sunila Paper Mill 26, 27, 41, 104, 105, 106, 107, 205, 244, 245 LAHTI Church 193, 232, 276, 288, 300, 335, 336, 377, 432, 449 MUURAME Church 305 MUURATSALO Summer House 117, 131, 198, 222, 223, 249, 294, 395, 406, 407 NOORMARKKU Villa Mairea 33, 34, 42, 58, 59, 83, 112, 161, 224, 229, 299, 319, 328, 329, 331, 389, 397, 408, 441, 443, 447 PAIMIO Tuberculosis Sanatorium 37, 38, 39, 43, 99, 100, 108, 110, 111, 128, 129, 134, 135, 149, 274, 333, 365, 366, 383, 384, 409, 415, 419, 422, 423
Library 75, 97, 147, 165, 199, 343, 382, 436 Theatre 32, 65, 153, 169, 270, 362, 440, 459 Town Hall 172, 282, 345, 380, 394, 434 TAMMISAARI Villa Schildt ( Villa Skeppet ) 138, 251 TURKU Farmers Co-operative Building 119, 253, 326 Standard Apartment Building 256, 257 Turun Sanomat Newspaper Office 101, 364, 367
462
About the Authors Annette Helle Born and raised in Oslo, Annette Helle is a graduate of ETH Zurich and TU Delft. She lives in Zurich, where she has run the office of Helle Architektur since 2001. She has held the position of professor for design and construction in the Architecture Institute of FHNW Muttenz since 2010, and she has institute director since 2019. Céline Dietziker After training as a draftsperson, Céline Dietziker received her degrees from FHNW Muttenz and the École Nationale Supérieure d‘Architecture de Paris-Belleville. She has worked in numerous architecture offices in Basel. Currently, she is an editor at Architektur Basel and a trustee at the Architektur Dialoge Basel Foundation. Together with Lukas Gruntz, she has run the office of Atelier Atlas Architektur in Basel since 2021. Lukas Gruntz Lukas Gruntz is a graduate of FHNW in Muttenz and Basel, as well as of the École Nationale Supérieure d‘Architecture de Paris-Belleville. He has worked in architecture offices in Basel, Zurich, and Tokyo. An editor at Architektur Basel, he is also a regular contributor to various architectural journals. Together with Céline Dietziker, he has run the office of Atelier Atlas Architektur in Basel since 2021.
463
Acknowledgments We would like to thank everyone who was involved with this book project, especially Annette Helle for her factual, conceptual, and inspirational support, as well as her insightful text, which contextualized our research. Alexander Felix and Katharina Kulke deserve our gratitude for the stimulating, productive collaboration; they made it possible for the book to appear in this form. We also thank Philipp Möckli and Adrian Schnegg for their fantastic graphic design, which provided the ideal framework for the content. We would especially like to thank Anita Hede and Bruno Trinkler for their generous support. In addition, we are grateful to all the people we met in Finland while visiting the Aaltos’ buildings. With the kind support of
Picture Credit Alvar Aalto Foundation: p. 8, 9 ( Photo: Gustaf Welin ), 10, 11 top ( Photo: Eino Mäkinen ), 11 bottom ( Photo: Heikki Havas ), 12 bottom ( Photo: Gustaf Welin ), 13 ( Photo: Martti Kapanen ), 14 ( Photo: Artek Collection / Alvar Aalto Foundation ), 15 ( Photo: propably Christian Leclerc ), 16 ( Photo: Kolmio, Artek Collection / Alvar Aalto Foundation) The Museum of Central Finland: p. 12 top ( Photo: Valokuvaamo Päijänne ) Aalto family collection: p. 17 All other photographies are by Céline Dietziker and Lukas Gruntz. Translation from German into English: David Haney Copy editing: John Sweet Project management: Alexander Felix, Katharina Kulke Production: Heike Strempel Layout, cover design and typesetting: Début Début, Philipp Möckli and Adrian Schnegg Image Editing: LVD Gesellschaft für Datenverarbeitung mbH, Berlin Printing: Grafisches Centrum Cuno GmbH & Co. KG, Calbe Paper: 120 g/m² Amber Graphic Library of Congress Control Number: 2022930843 Bibliographic information published by the German National Library The German National Library lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. This work is subject to copyright. All rights are reserved, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, re-use of illustrations, recitation, broadcasting, reproduction on microfilms or in other ways, and storage in databases. For any kind of use, permission of the copyright owner must be obtained. ISBN 978-3-0356-2332-1 e-ISBN ( PDF ) 978-3-0356-2334-5 German Print-ISBN 978-3-0356-2331-4 © 2022 Birkhäuser Verlag GmbH, Basel P.O. Box 44, 4009 Basel, Switzerland Part of Walter de Gruyter GmbH, Berlin / Boston 987654321
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