37 vereinfachte klassische Stücke für Klavier: Einfache Partituren zeitloser Stücke für Anfänger. Spielen Sie die Stücke und verbessern Sie Ihre Fähigkeiten nach und nach! (German Edition)

EINE SAMMLUNG VON PARTITUREN, UM SELBST DAS KOMPLEXESTE STÜCK EINFACH ZU MACHEN! Suchen Sie nach vereinfachten Klavierno

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MAURO COSTA
Einfache Partituren zeitloser Stücke für Anfänger.
Voraussetzung:
Wie man sich die Audio-Tracks anhört:
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37 vereinfachte klassische Stücke für Klavier: Einfache Partituren zeitloser Stücke für Anfänger. Spielen Sie die Stücke und verbessern Sie Ihre Fähigkeiten nach und nach! (German Edition)

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MAURO COSTA

37 vereinfachte klassische Stücke für Klavier Einfache Partituren zeitloser Stücke für Anfänger. Spielen Sie die Stücke, die Geschichte geschrieben haben, und verbessern Sie Ihre Fähigkeiten nach und nach!

Voraussetzung: Diese Partituren sind vereinfachte Klaviertranskriptionen berühmter klassischer Stücke. Diese 37 Stücke sind nicht für Anfänger gedacht, sondern für diejenigen, die bereits musikalische Grundkenntnisse haben, sowohl in der Lektüre als auch in der Technik. Die Stücke sind nach Schwierigkeitsgrad geordnet, um das Lernen allmählicher und reibungsloser zu gestalten. Alle Stücke in dieser Sammlung sind kurz und überschreiten nicht zwei Seiten, um die Realisierung des Stückes zu beschleunigen und folglich mehr Zufriedenheit zu geben. Sie haben die Fingersätze, die dem Schüler das Studium des Stückes erleichtern. Ich unterrichte seit 20 Jahren Klavier und ich liebe es. Das Schreiben der Lieder ist auch das Ergebnis der gemeinsamen Erfahrungen und auch Dank meiner Schüler. Geeignet für Musikinstitute, Vereine und Musikhochschulen. Wie man sich die Audio-Tracks anhört: Es ist möglich, alle mp3-Audiotracks anzuhören oder herunterzuladen, indem Sie den folgenden Link aufrufen: https://urly.it/3n-1y oder durch Scannen des QR-Codes:

Layout : Mauro Costa © 2021 Mauro Costa Unabhängige Veröffentlichung Alle Rechte vorbehalten. Jede nicht autorisierte Vervielfältigung ist eine Verletzung des Urheberrechts.

Inhaltsverzeichnis 1 Der Frühling, Die vier Jahreszeiten, Op. 8 ....................... 2 An der schönen blauen Donau, Op. 314 ............................ 3 An die Freude, Sinfonie Nr. 9 ............................................ 4 Wiegenlied ........................................................................... 5 Forellenquintett D.667 ....................................................... 6 Gymnopedie Nr. 1 .............................................................. 7 Sinfonie Nr. 5 in c-Moll, Op. 67 ........................................ 8 Liebesträume Nr. 3, S. 541 ................................................ 9 Für Elise WoO 59 ............................................................... 10 Sonate Nr. 11, K. 331 / 300 .............................................. 11 Der Schlittschuhläufer-Walzer Op. 183 ......................... 12 Ungarische Tanz, WoO 1 ................................................. 13 Menuett in g-Dur .............................................................. 14 Pomp and Circumstance Marches Op. 39 Nr.1 ............. 15 Klaviersonate Nr. 14, "Mondschein".............................. 16 In der Halle des Bergkönigs, Op. 46 ............................... 17 Habanera - Carmen .......................................................... 18 Die Fledermaus Ouverture .............................................. 19 Das Adagio in g-Moll ........................................................ 20 Der Tanz der Stunden ...................................................... 21 Das Nocturne, Op. 9 Nr. 2 ............................................... 22 Menuett .............................................................................. 23 Serenade Nr. 13 in G-Dur, K. 525 .................................. 24 Capriccio Nr. 24 in a-Moll .............................................. 25 Ave Maria (D839) ............................................................. 26 Morgenstimmung ............................................................. 27 Klavierkonzert K 488, 2nd movement............................ 28 La Campanella .................................................................. 29 Die Sinfonie g-Moll K. 550 ............................................... 30 Schwanensee ...................................................................... 31 Klaviersonate Nr. 8, 2nd movement................................ 32 Kanon in D-Dur ............................................................... 33 Der Schwan (Le Cygne), Der Karneval der Tiere ......... 34 Der Nussknacker, Op. 71 ................................................. 35 Der Can-can ...................................................................... 36 Suite Nr. 3 D-Due, BWV 1068 ........................................ 37 Mondglanz, Die Suite bergamasque ...............................

Antonio Vivaldi Johann Strauss Ludwig van Beethoven Johannes Brahms Franz Schubert Erik Satie Ludwig van Beethoven Franz Liszt Ludwig van Beethoven Wolfgang Amadeus Mozart Émile Waldteufel Johannes Brahms Johann Sebastian Bach Edward Elgar Ludwig van Beethoven Edvard Grieg Georges Bizet Johann Strauss Tomaso Albinoni Amilcare Ponichelli Frédéric Chopin Luigi Boccherini Wolfgang Amadeus Mozart Niccolò Paganini Franz Schubert Edvard Grieg Wolfgang Amadeus Mozart Franz Liszt Wolfgang Amadeus Mozart Pëtr Il'ič Čajkovskij Ludwig van Beethoven Johann Pachelbel Camille Saint-Saëns Pëtr Il'ič Čajkovskij Jacques Offenbach Johann Sebastian Bach Claude Debussy

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 

  

  

   

33



37



 2

  



1 2





 1





2



1 3



 



 

 1



 



 





5



     1 4

15

 1 3

 

  5





2









1





1

5

25

5



5

2



 

5

1 3

   

  1 2











 



 





    

5 1



1 2



 1

 

 

  2 4





  

Sinfonie Nr. 5 in c-Moll Op. 67

 

 

6



                       Allegro

5

1

             

1 2

       

11

   5

  

16

                       

21

4

2

       5

     1





1 3

   

5

 

    

cresc.

 





 



5

   

 

   2

     3

 



16



3

2 1





      

    

     

 

             

Ludwig van Beethoven

 



   5 1

 

     1



 

  



           

26



 

31

     

3

      

          



      5

1

         

    



cresc.

     



    

                                     

36

          

2 5

         

  

    1 5





          

51

2

1

41

46

2

 

 

 

 







1 5

 



    

1 3 5

5



     

 17

 





5 2

2 1

   1





  4 2

 



    5 3 1



3 1

  5

 

 



Liebesträume Nr. 3 S. 541

  



5



       



1

  

5

5

3

1





()

   

 5

  

     1

       

11

  

14

       

5



 4

       5

3

1

cont. pedale





        1

2



Franz Liszt

                



       8



Allegretto, con affetto

5

3

1

       

      18





2

1



      

        



       



      

 

 





  



17



          

3



2

5

 

1





 2











               

20



23

5

1

 2

       





       dim.

               

26

1

  



29

 

      





 rall.          

                

32

 5

1

3

3

5

1

19

   5 1

  1 5





      5



2

1



cont. pedale

     

       

     



           



Für Elise WoO 59



                                         

Moderato

  



5

9

5

Ludwig van Beethoven

4

1

4

5

3

1

2

2

1

3

5

4

1

                                             



5

1

5

                                             





                                            



13







                                          

17

4

1

5

3 1



1

5

3





20

     

                                         

22

5

                                              cont. pedale

26

                                           

30

 

34





                               

  

    

                                            

38

                                  

42

21

 

Sonate Nr. 11, K. 331 / 300



 



4

7



           Allegretto 4

4









   

2

1

 3



       

  

11

3

    

5

14

 















3



  1



 2





3









  5





     

 

 1

 



 



 









 



     3

22



     

 

1



5



        4

Wolfgang Amadeus Mozart

  





  1

4





5

1





1





 







2











    

 

 





     



17















 

  

20



  

23

 1

3

   

 

   

      5

34





      

 











 1





           



  



4

 

4









 







 



       





    1

4



1

26

31



    



1





3

3













4



































5

23



1





3



 4

 1

 



        3







2









 



  





 3



 

 

Der Schlittschuhläufer Walzer Op. 183

  



7



                                      Allegro

Émile Waldteufel

1

5

 

1

1 3

4







1 2

5

                                5

4

1

3

2

1 2

5

5

1 3

                                            

15



1

4

1

2

3

5

                                                         

21

1

5

1

2

4

                                        rall.                  

27

2 3

5

1 2

5

1 3

5

24

1 2



  





                               

33

1

                                   

38

1 5

    

  

  

  

  

  

                                   subito                           

44

4 5

5 1

1 2

1

                                  

4

5

50

                                       

57

 



5 3

                                   5 1

65

1

2

3

5

25

1 5

                 

   

Ungarische Tanz WoO 1



 



4

5

1



 3

1

  

7



         Allegro



 









          1

5





 5





2



4

10









 





  



 

  

  

   





 

 

1



  





5



 1

 

Johannes Brahms

 

1

2

1

2

1

26





  2









                            

13

 

4





 

  

  

   

   



   

19

5

 

 1

 

25





 5





 poco ritard.

     

28





   

31





1 2

      











  

2



4



   

22

 

5 1

16









 









 

















 a tempo

 5



 

 

 

        27











  





  

       





1



 







 



      2

4

 







  2



   

 



 

Menuett in g-Dur



  

3



         

Moderato

5

  

   

  

 

    



5

 



 

   

12

1





 2



 4











 

3

   9

1

   

 

   6



5

  1

 

    3







    28

Johann Sebastian Bach







   







   



    

4







 



   

 

 

 



15





  

18

 

   

21



    

      1

   

  

27



5

    

30

 









   



 







 





   2

    1

 3



    

 1



1

5

1



  

     

     

29

3



3

 



2

1

5







   

5

  



1

24





   

  



 1

2



1

1

 5

  2

  1

 

Pomp and Circumstance Marches Op. 39 Nr.1



 



7



         

Largamente 4





13

 

 

    1 5

 

   

19

 1 4

3 5

     

  



25

    3 5

  

  

 



  

           1 3

  2 4



   3

  

2 4

1 5

3

   

 

          4 5

 

  2 5



   

1 5

30

 

1 5





      

            4 5



1

 

1 5



  3 5

  

 5

   



  

Edward Elgar

 

 

 

1 2



 

   



 



        



 

  



31

 

  

37



1



  

dim.

1 3

 

   

43

  

 1

  

49

    

55

 

 

 

  3

2





       1 5

 



 

   1 2

  



  3 5

 

              



 



         

       

   

1 3

31

4



1 3

4

 

  



 

   



     

  

   

   1 5



 



        

              rall.             

61



1 2







 



         

   

  



3

5

7

9





Klaviersonate Nr. 14 "Mondschein"

  

Ludwig van Beethoven

Adagio

                  3

3

1

3

5

3

3

3

   

3

3

3



simile

 1

                              3

1

 

3

3

3

5

1

3



3

3

5



1

2

5

2

 

3

1

3

3

5

1

3

3

4

1



3

5





           



                       

5

 

3

3

1

5

3

2



3





3

3

1

4

  

3



3

2

3



5

3

2

3

3



3

32

3



1

3

 

1

3

3

1

2

5

2

3

5

1

            3

            3

4



3

3

3

1



            5

3

2

3

1

3

3



    



 



11







2

                          cresc.

3

  

13

3

3

2

5

3





3

1

3

3

5

4



5

3

3

3

1



3

2

                          3

3

5

  

15

3



1



r. h.

2

5

4

2

4

3

3

1

 



2

3

3

3

3

5

1



3

                             5

3

2

3



1



r. h.

17

3



3





3

3

3



3

                            

3

3

3



19

3



4

3

3



3



3



                         5

 

3

2

3

1

3

2

21



3







1

3

2

5

3

1

3



1

3

2

3

2 1

5

3

5

3

3



4

33

3

3

3

5

   1

                       

cresc.

1

3

3

3



 

1

In der Halle des Bergkönigs Op. 46



 



5

9



 

      

    

      

    

                sempre staccato              1

5

4 2

4



     

             

5

1

5

5

3

    1

3

5

3

1

     

            

13

   

             

17

   







 

poco a poco cres. e accel.



4

5

1

                  





 





 

4

       

              

34

Edvard Grieg

5 1 2 5

1

1



1



2

                       



  

         

Andante

   

   



             

21

 

25

 

29





   

       



 





 



 



               

      

   

             

33



   





 



       

     

       



 





 

      

        

        

   

         

   

   

                           

37



5 1 2

   

        5

35

5

3

1

5 4 3



   5

2

    5 1

 



1 5

Habanera - Carmen





 

6





  



Moderato





3

4

5

2

             2 1

              

16

2 1



3

4

3



2

3

3 1

5

11

 

2

               5

3 1

2 1

5

  1

       3       

          

 

               

            

 

5

3                       3                        

             3              

                        

4

                                     

3                                                 

21

          Georges Bizet

5

            36

3

             5

1

5

1

           

 



 









            

26

1

 

          2 1

5

                                  

31



1 3

            1 2

              5

                          5

3                    3 cresc.                1

2

1

3

 

1

 

                                 

37

5

                                                           

43

        

         

48

                                                              4 3

                            



cresc.



1

37

5

2 1

 

                    3

1

      



5

1

5

Die Fledermaus Ouverture



  

5



                                Allegro

Johann Strauss

3

  











cres. molto

     

                       cont. staccato                      2

5

1 3

2

1

4

5 3

5

4

3

  



1 2

                     

     

10

2

3

        

  





      

  





                                               

15



5 3

5

       

20

2

2

2

1 2

   



3





  5

38

1

3

1 3

5

     4









 1

    4

  

  



25





   



                                

3





3

               

31



       

 

 

        

5

                

        

                                   

        

36

41

3

1



                                           5

      

2

5 1 3

1 2

                                            

47

5

       

55

   1 5 2

5

2

5 1 3

1 2

5

                     39

        1

2

     

Das Adagio in g-Moll



  

6





     1

   



 

       

1

  



       

11

 

3

3

 

 4

3 2

   



      5

2

  



1

5

               5

5

3



  

3

1

 

3

 

     

4

3



cont. staccato

  

3



3

 

1

3



   

3

3

    

                  

16

  

Tomaso Albinoni

  

1

 

     

  

  

       

 

4

   



Adagio



                                                  

21

2

3

2

1 3

1

3

5

1 2

3

40

5

1

4

2

 



 



   

26

   

  

  

  

5

  

      

31

   



        

36

    

  

  

 

        

 

     

    





1

1

  

 

   



2

3

  

 

    

    







3

                          

41

     

  

3

3

  

46

  

            

       



  

3

3

  

3

              

                  dim.               

51

41

Der Tanz der Stunden

   

4



      

Moderato 1

    

 

 

5





     5







 

  

3



1 3

1

 











4

 1



5





1 2

 







 





1 2

4

  1

                 accel.           1

5

1

1 3

      

10

      

13

        5

legature simili

  7

2

Amilcare Ponchielli

5

1

5

4

3

4









     

 1







   5

 5



  

  1 2



 42

            4



   5



 1 2







 1



 5

  

a tempo

  

  4





    

                   

16

1

5

5

1

2

2.       



1.

5

2

2

1



 5





Fine







                             5

19

    

5

1 2





  



 

  

                      

22



25

 



    

3

1



 



 5



 5



1 3



5

3

1

1

2

2

5

  

 5

1 2

                                 5

2

4



5

1 2



                                     

28



1

  



1

43

5 1 3 1 5

4





    

D. C. al Fine



rall.

1 2

Das Nocturne, Op. 9 Nr. 2

 





6



  

Andante 1

5

  

   





5



1

3



            

11

5

2

3

 5

1

2



1

5

 

16

    5

 

21



  





5

2

1



 



 

2





2

5

     

     

poco ritatd.

5

3

2

1



1

5





   5

3

5



2

  2

1

5

44



2

1



1



 









5

  2



1

1

   5

5

1

     

 

  

     

5

 

1

3



1

  



   

   5

1

      1



1



Frédéric Chopin

  

  

5

cont. pedale



    5

5

1



3

1

   5

    



26





5

    2

1

            

    

41





     

46



 

  

2



3

  

cont. pedale



2

1

  



    



   3





1

5

  





45



  

     

1

  

 a tempo



 

   

  

2

  

5

        



5

  

5

4

  

5

4



   





  

1

1

3





3

5

2

 1

 

    poco rall.   

31

36



 



 a tempo

5



 

  





    



Menuett

   

5

8



                                       Allegretto

Luigi Boccherini

4

1

5

1

1

5

5

3

3

                                              5

1

1

2

5

4

               1

5

5

    

 



                      

11

        

        

           

                                  

14

46

   



                                                       

17

5

1

5

3

5

1

4

3

1

1

2



                                            

21



                       

24

 

        

4





5

                                    

27

5

                           cresc.                    

30



1

4

2

5

5

1

4

47

5

Serenade Nr. 13 in G-Dur K. 525

 

 

5

7

9



                               2



  

  

4

1

3

2

5

           1

1 3 5

  3

 

1

     

 

 

5

1

  1 2 5

 

 

                    Wolfgang Amadeus Mozart

Allegro

  2

5

3

1

2

 

3

1

48

3

   

3

                              

13

1

   

                                3

3

2

 4

 2

  4

 



 

 

2

 

5

2

 

 

  







  3

5

3

        

3



    

                      

17

3

1

1

5

                 

2

3

                          

20



                        

23





   

25



         

 

          

 

     

 

 

 

 

                              1

2

4

5

2

2 4

3 5

                                                     

28

3

1

2

3

49

Capriccio Nr. 24 in a-Moll

  



5

9



                                              

Niccolò Paganini (Johannes Brahms)

Vivace 1

1

1

1

                                                1 3 5

1 3 5

1



                          3

1

             1 3 5

13

1

2 4



                     3

1

                              1 2 5

2

4

1 5

3                                          

17

3

5

3

1

3

5

1

3

3

5

3

1

1

3

5

3

50

3

    

3 3 3                                       

21

3

3

3

                         3        3       3      3

25

5

3

1

1

1

3

5

3

5

2

3

5

5

1

3

3

3

3 3                         3                        

29

5

3

2

1

2

3

3

3

3

  3                       3        3       3     

33

3

3

3

3

3 3                       3                         

37

3

3

51

3

Ave Maria (D839)

  



3



3                         

Molto Lento 3 3

1

  

9

1



3



3

5

3

3



3

5

3

1

3

3

3                          1

 

2

3

1

5



3

3

2

3 3

5

1

5



3

1

2

5

3



3



 

3



 



                         5

7

5

1

  5



Franz Schubert

 

3

3

3

3

1

2

5

3

1





3

3

3

2

3

1

     5



                       



                    

  5

5

3

3

3

1

3

2

3

3





3

5

3

 5

3

1

5

52

3

2

3

1

3

3

1

      5

3

5

4

3

2

3

3

1

5

3

3

1

  

 



11







5



        3

3

1

3

3

3

3

1

3

3

3

1

5

3

3

3

1

4

3

5



3





         3 3 1

4

2

5

                        5

 

15



 

3

                       

 

13

 

3

3

3

1

3

1

3

5

3

3

2

1

3

33

3

1

3

1

2

                  1

1

             5

3

5

3

3

3

3

1

3

5

3

3

3

1

3



1

2

5

3

4

2

5

5

3

                        

17



3

1

3

3

1

5

3

5

3

3

1



3

1



3

5





Rall.



3

5

3

3

1



2

53

5

3

3

1

3

            

19

2

  5 2 1





2

5

3

Morgenstimmung









5

9



                                            Allegretto

Edvard Grieg

5

5

2

4

1 5

5

1

2

1 5

                                         5

1

1 5

3

4

                                           5

2

1

2

1 5

                                          

13

5

2

2

              

17

   

 

 

cresc.

54

         1

3

5

1 5



    

                                      

21

5

2

          

      

25

2

   

28

 

1

1

 

           

32

           

 

35

 

38

   

     5 1

 

  

cresc.

           

  

1

  

     l. h.      r. h.     1 5

5

2

1

1 5

1

2

4

2

                

           5 1

  55

           

Klavierkonzert K 488 2nd movement



 



4

7



                   1



5

3

3 5

                 



Adagio

2

 

    1

5

1 5

Wolfgang Amadeus Mozart

            2

5

1 5

1 5

2 5

3

1

2

   

1

2

1

5

3



10



2 4

3



5

1

3



       1 3

2



  

1 3

5 3

1

1

1

1 5



3

2

                                   1 5

1 2

1

3 5

  

5

                        5

                  1 5

2

4 2

1



1

   



3 5



 1

1 3 5



     

 

5

3

1

l. h. legato









                             

13

2

3

4

5

5

56

3

1

 

 

 

  



15





19









 

            

            5

 

 

17



1

3



 

1

5



5

2





5



3

5

1

2



1

1



4

                        2

4







1

3





5



2

1





 5

                           

 

21



23

4

1



1

5

4



      

3

1

2

4

  

5

5

2



                        

 





2





  2

1

      

           

  

 5

3

1

            

                                          

25

5

  5



3

1

2

1



5

3

1

4

5 1

1 3

2

57

1 5

2

1

 

La Campanella



  

4

7



 

Allegretto

                                    

                

5

      

         

                                                                                                                                                1

5

3

1

3

2

1 5

1

                   

13

1

1 4

1 5

1 5

10

5

1 3

3

1

1 3

3

2

4

2

1

3

                          5

4

5

58

 

Niccolò Paganini (Franz Liszt)

1

3



 

 

 

       2

1

    

                                        

16

                     

19

1 3

    

22

     

4

 

                  2

3

1 5

      1 2

     

           

                  3

             

           

   3

       3

                    

25

5

3

                                          

28

              

                   5 1

59

    

Die Sinfonie g-Moll K. 550

  





4

7



    





                 Allegro molto

 

Wolfgang Amadeus Mozari



5

2

1

4

                                           5

1

3

l. h. legato 3

                                    

5

1

4

4

5

2

1

2

                                         5

1

4

2

10

2

3

2

5

5

4

1

                                    2

1

4 2

13

2

              1 3

18

1

3

1

     1 3

2

1 2 5

   



  

  60

1

2



1

    5 1

    2

   4

  

  



  

                                         

22

                                          

25



  

   





 



                              

28

                                           2

31



                  5

34

2

1

5

1

                          1

3

5

2

4

3

5

                                         

37

61

3

1

2

1

4

          5 1

2

Schwanensee

 





4

7



       

  

 





Moderato

5

  

 

Pëtr Il'ič Čajkovskij

                5

3



1

1

2

                                           l. h. legato 5

  

  

3

4

1

  

1

2

                                 cont. pedale

1

                                         

10

2

    5

3

1

 5

1

       5

4

13

 



1

2

2

1

2

1

2

1

2

1

5

3

1

3

1

 1

5



 

3



1

5

 

2

1

 1

                              5

3

1

2

62

  

 



   

16

  

 

 

3

2

1

  

   

4

 

1

5

                                 cresc.

5

2

1

                                        

19

     



 

5

2

1

5

3

1

5

1

5

2

1

                                  5

     

     1

1

22

  

                                        

25



28



   





     

  

  

 

                       

  

31

   







        63







 

 

Klaviersonate Nr. 8 2nd movement



  

5

9





  

Adagio cantabile



   





5 1

2

2

   

Ludwig van Beethoven





1



4

 2

                            

3

5

5

1

2

1 3

2 1

5

                            3

1

  

5 1 3

 

13

5

2







 

5 2

cont. pedale

5 2

5 1

1 2

    5 1



2 1

3

4

5 1



1 5



                              



 

 



             1

                                     

  

17

4

4



 

5

2 4

4

1 4

64

4

1

2 5

1 5





  



                                 

20

4

2

1 5

1 4

1 5



4



1

5

3

1 4

2 4

      cresc.      

24



27



1

2

1

2

       

 

5

2

2

1

1 2

3

4

3

1

4

3

1

2



 2



2

5

                    5

1

3

         cresc.          

1

1 5

  

1

4

1 5

                          

22

2

1

2



 

5

                                          

30



34



cont. pedale





 rall.                               65

Kanon in D-Dur

   

5

9



         tutto legato      Andante 5

2

1

    4



  

3

3





1

   

Johann Pachelbel

2

4

1



3

4 2



 2

                                       5

5 1 3 5 4 1 2 4

     5

  

4

5

4 1 2 4

             2

2 5 2 1

4





2 3

4

3





4







                            5

13



  

15

1

1

2

                 3





1

1



66



1



    

                    

17

  







  

  21





























                



19





4 2

                             2 1

      

3 1

3

   

5

 

     

                                  

25

5

      

     

30

  





         

  

    



67

    3

 2

  5 1

 5

 

 

6



Der Schwan (Le Cygne) Der Karneval der Tiere

  

 

                               



Adagio

5



4

Camille Saint-Saënsi

5

1

4

1

5 3 1

5 2 1

                                       

l. h. legato

1

1

1

5 4 2

cont. pedale

                                                    

11

2



        

16

1

        

20

 





5



1

2

2 1

5

3 1

5 2 1







5

4

 2

         

  





5

1

3

 

5

4

2

                           1

5

3

2

1

4

2

1

5

68

3

1



 

 



                                              

24

1

5

1

 

1

          poco cres. rall.                                  1

5 3

29



5

3

1

5

2 1

5 3 1

5

 

5 2 1

1

                 a tempo       4 2 1

5 2

34



39

5 2

1

5

2

1

4



2 1 3



      



4

   5

4

1

                      

                            rall.                   5 2

44

5

4

1

5

4

    

1

5 2 1

3

1



5 3 1

1 3 5



2 1

   lento          rall.                     

50

3

1 2

5 3 1

1

69

5

Der Nussknacker Op. 71



  

5

9



                                



    

Andante

1

2

1 3

1 2

1 2

1 2

                                    5

5

3 1

2

      

2 1

1 3

3 1

2 3

3

5

5

5

3

2 3

5

                          

13



17



 

         

1

1 3

 



    1

1 3

5

          

5



4 2

2 4

2 4

        2

            

4



2 3

1

2

   

        

1 3

      

2

1

     

                1

                  1

70

1 3

3 1

        

                

Pëtr Il'ič Čajkovskij

               

                                              5 3

1

3

1



  



                                            

20

4 5

2

5

4

         

         

                        

         

5

24



 



       

               

         

28

  

 

 

        

          



 

             

                                                           

31



34



  



     

   

        71

                   



1

Der Can-can



  

7



Jacques Offenbach                                                                                                                                                                                                                                                                                                                 

Allegro

14

23

5

1

5 1 3

1 5 2

5 1 3

5

1

1 3

5

1

3

1 3

5 1 3

5

3

2

1

1

2

4

5

5

2 1

                                          

32

                                   



1 3

1 2

72

  







                     

39

                  

4

2

                                    

5 1 3

47

                                    

         

1

5 1 3

3

                                                               

55



                   5

                                   

1

63





       

71

1

 

                     

                    5

78

1 3

4

2 4

1

3 4

3 5

  cresc.   2

1 2

3

2

1

1

  3

 

   

73

 

 

      

   

 





5

           

            

   

        

        

         

 5 3



  3 1

Suite Nr. 3 D-Due, BWV 1068

  

5



             2 1

Johann Sebastian Bach



5

4

       

1

1

   

2

                               5

2 1

5

1

      9

       



Lento

1

2

1

5

3

  

   



5

3

3

1

 

 

2

5

1

3

                                    3 1

3

1

   

13

3 1

1

     

      1



 5

1

       1

4

2

      5

   

    1

4

74

2

1

          1

3

2

    

                     

17



1

2

1

1

     

  

21

3

      





1

5

    1



3



2

   





    

5 3

3

1

     

           

1

1

                                   cresc.                

25

3

2

5

5 4

2

1



2

1

2 3

    

33

2

3

5

 2

      1

1

5



2

2

   1

     

1

3

 



75

4

1

3

       

       

29

1

2 1

 

       2

3

5

   

4 2

1

1 2 1

2

1

   

                1



1

Mondglanz Die Suite bergamasque



       

   

Andante espressivo





 

5

9

5

     

  



1 2

1 3

          

Claude Debussy 2 3

               2

   

 

 

 

cont. pedale

 

2 4

                          2

 

3 4

3 5

2

1 3

    

    

                2 2 2 2 2 2                       

     

     

                       

       

5 4

  

13

 5

5



1 2

5

r. h.

1

  

   

2

2



   1 3

5

1

1 2

            

16

2

2

1 3



   

2 4

 

   5



1 2

    

 

1 3

1

5

5

1

2

3 5

       

1 2

5

4

2 2

2 3

1 2

76

1 2

  

 

      1

2 2

1 2

2 5



 

  

6                                    

19



6

1

1



5 5

6



1 5 3

                

24

2

1 2

1 3

5

 



  

     

legato

 





  

 

   

      



5

1







6

 

4

 

  4 1

5 1 3

 

1

 

1 2

 

  1 3

     2

5

5

3

 



 

6

  

    

     5

4 1 2 4

1

5

3

 

     3

  

 





 r. h.                 5

77

3

1

1

3

5



1 5

1

    

  



 

1 3

   



1 2

  

dim.

   

   

   

  

rall. fino alla fine

  

31





29

   

5 5

4

1 2 5

1 5 3

1 5 3

 



5 1 2

27



                   

      

6

cres. e animato un pò alla volta



2 5 4