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English Pages 288 [282] Year 2022
THINKING BODIES
+
Irvine Studies in the Humanities Robert Folkenflik, General Editor
CONTRIBUTORS
+ Peter Brunette Peter Canning Frieda Ekotto Mira Kamdar Jeffrey S. Librett Juliet Flower MacCannell Jean-Luc Nancy Dorothea Olkowski Avital Ronell Benigno Sanchez-Eppler Greg Sarris Peter Schwenger Gary Shapiro Gayatri Chakravorty Spivak Anne Tomiche Laura Zakarin Slavoj Zizek
+ Edited by
Juliet Flower MacCannell and Laura Zakarin
Stanford University Press, Stanford, California
1994
Stanford University Press Stanford, California © 1994 by the Board of Trustees of the Leland Stanford Junior University Printed in the United States of America An earlier version of "Hiroshima in the Morning" by Peter Schwenger appeared in Chapter 3 of his Letter Bomb: Nuclear Holocaust and the Exploding Word, ©The Johns Hopkins University Press, 1992; reprinted with permission of The Johns Hopkins University Press. CIP data appears at the end of the book
A Note on This Series
This is the seventh in a series of volumes on topics in the humanities and the second in the new series published by Stanford University Press. This volume originated in the April 26-28, 1990, meeting of the International Association for Philosophy and Literature held at the University of California at Irvine on the subject "Bodies: Image, Writing, Technology." For help with a broad range of problems, I am indebted to the Editorial Board of Irvine Studies in the Humanities: Ellen Burt, Lucia GuerraCunningham, Anne Friedberg, William J. Lillyman, J. Hillis Miller, Spencer Olin, John Carlos Rowe, and Jon Wiener. Joann McLean and Nancy Tablyn provided secretarial help for Irvine Studies. Robert Folkenflik, General Editor
Acknowledgments
We gratefully acknowledge the following people, and also the offices they represent, who made this volume possible: the Vice Chancellor and Associate Vice Chancellor of the Office of Graduate Studies and Research, the Dean of the School of Humanities at the University of California, Irvine; the Organized Research Initiative in Women and the Image funded by the President's Office of the University of California; Professor Robert Folkenflik, general editor of the Irvine Series, and the Board of Irvine Studies in the Humanities; and Helen Tartar, editor at Stanford Press. All of these offered us not only approval but encouragement. Our thanks also to Nancy Atkinson, our copyeditor, and John Ziemer, who has seen this volume through production. We are ultimately most grateful to the authors who have lent their minds and talents to this crucially important concern. We gratefully acknowledge permission from the Cumberland Packing Corporation for use of their logo and material for "Sugar in the Raw." Finally, infinite thanks go to the Marin Headlands Center for the Arts, for providing Juliet MacCannell space, time, and atmosphere to accomplish the final editing. J.F.M. L.Z.
Contents
Contributors
x1
Introduction Juliet Flower MacCannell
I
Corpus ]ean-Luc Nancy
17
Response to Jean-Luc Nancy Gayatri Chakravorty Spivak
32
Jean-Luc Nancy and the Corpus of Philosophy Gary Shapiro
52
How to Give Body to a Deadlock? Slavoj Zizek
63
Por causa mecanica: The Coupling of Bodies and Machines and the Production and Reproduction of Whiteness in Cecilia Valdes and Nineteenth-Century Cuba Benigno Sanchez-Eppler Finitude's Score Avital Ronell Hiroshima in the Morning Peter Schwenger
78 87
109
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Contents
Writing the Body: The Rhetoric of Mutilation in Marguerite Duras's L'amante anglaise Anne Tomiche Writing (as) the Perverse Body in Friedrich Schlegel's Lucinde jeffrey S. Librett
I 20
132
American Indian Lives and Others' Selves: The Invention of Indian Selves in Autobiography Greg Sarris
141
How to Reinvent Your Body in Cameroonian Women's Writing Frieda Ekotto
149
Corporal Politics: Diderot's Body of Representation MiraKamdar
156
Bodies in the Light: Relaxing the Imaginary in Video Dorothea Olkowski
165
Electronic Bodies I Real Bodies: Reading the Evening News Peter Brunette
181
Transcendental Narcissism Meets the Multiplicity (Lacan: Deleuze) Peter Canning
195
God(')s Wink: The Book of Job, the University's Concern for Its Students, and Other Parables Laura Zakarin
215
Notes
229
Index
259
Contributors
PETER BRUNETTE is Professor of English at George Mason University. He is author of four books on film and visual art: Roberto Rossellini; Screen Play: Derrida and Film Theory (with David Wills); Shoot the Piano Player; and Deconstruction and the Visual Arts: Arts, Media, Architecture. He is working on books on Michelangelo Antonioni, and on the visual representation of bodies. PETER CANNING is Assistant Professor of Comparative Literature at the University of Minnesota. Author of articles on Deleuze, fabulation, Nietzsche, and the Holocaust, he is completing a book on libidinal time and event. FRIEDA EKOTTO is currently completing a study entitled The Relationship of Law and Literature: jean Genet's Melancholic Writing and Legal Discourse. She is at the University of Minnesota. MIRA KAMDAR is Senior Fellow at the World Policy Institute at the New School for Social Research, working on international and domestic policy issues with regard to race and gender; and on cultural issues, especially the conflicts between women's rights and community rights. JEFFREY s. LIBRETT is Assistant Professor of German at Loyola University of Chicago. He has published essays on Kant, Schiller, Nietzsche, Heidegger, and de Man and translated, among other critical works, Of the Sublime: Presence in Question, by Jean-Fran