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Why do we enjoy artworks that depict disasters and suffering? Is this a hangover from the Modernist impulse to break the
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A rigorous and many-layered study of the works of Blanchot and Adorno in terms of the relation between negativity and au
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Reading philosophy through the lens of Alfred Hitchcock’s Vertigo, Andrea Cavalletti shows why, for two centuries, major
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In Germany the end of World War II calls forth images of obliterated cities, hungry refugees, and ghostly monuments to N
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This is a rare view of Gandhi as a hard-hitting political thinker willing to countenance the greatest violence in pursui
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