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Pages [195] Year 2005
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This book is a major new study - dealing with notions of film music as a device that desires to control its audience, us
326 46 36MB Read more
The seemingly effortless integration of sound, movement, and editing in films of the late 1930s stands in vivid contrast
145 97 3MB Read more
Despite their name, the silent films of the early cinematic era were frequently accompanied by music and other sound ele
393 99 7MB Read more
New York Times, Spin, and Vanity Fair contributor Marc Spitz explores the first great cultural movement since Hip Hop: a
177 78 506KB Read more
Sound and Music in Film and Visual Media: A Critical Overview is a comprehensive work defining and encapsulating concept
143 98 87MB Read more
Tracing the connections between music making and built space in both historical and contemporary times, Music, Sound, an
112 65 57MB Read more
Viewing more than two hundred films from the American film industry's early sound era (1926–1934), Michael Slowik l
167 56 4MB Read more
The first book-length study of meta-phenomena in film and television series Works discussed include: Sunset Blvd., Felli
116 62 13MB Read more
Fifty years after its release, The Sound of Music (1965) remains the most profitable and recognisable film musical ever
182 33 26MB Read more
Examines representations of ancient epic and epic conventions in film and television Demonstrates how adaptation and rev
121 103 5MB Read more