The Novel of Neronian Rome and its Multimedial Transformations: Sienkiewicz's Quo vadis (Classical Presences) 9780192637598, 9780198867531, 0192637592

The Novel of Neronian Rome and its Multimedial Transformations: Sienkiewicz's Quo vadis (Classical Presences) 9780198867531, 0198867530

The Polish writer Henryk Sienkiewicz was awarded the Nobel Prize for literature in 1905 largely on the basis of his hist

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Quo vadis Europa (Pamphlet) (Italian Edition) 9788868268893

L'Europa non è mai esistita come singola entità, e gli europei ne hanno cominciato a parlare solo quando è scivolat

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Ancient Rome and the Construction of Modern Homosexual Identities (Classical Presences) 9780199689729, 0199689725

Much has been written about the contribution of ancient Greece to modern discourses of homosexuality, but Rome's si

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David Jones and Rome: Reimagining the Decline of Western Civilisation (Classical Presences) 9780192638595, 2021943245, 9780198868194, 0192638599

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Corporate Governance in Russia: Quo Vadis? 9783110695816, 9783110695700

This book explores discussions and practice around corporate governance in Russia from the early 1990s until 2018. 　It c

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Quo Vadis Common Fisheries Policy? 9781119576860, 1051051061, 1119576865

Offers a guide and provides an analysis of how a public European fisheries policy should be evaluated, implemented, and

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25 Jahre Bastille-Entscheidungen: Quo vadis Anwaltschaft? 9783504383992

Das Buch dokumentiert die Ringvorlesung „25 Jahre Bastille-Entscheidungen“ der Leibniz Universität Hannover. Aus untersc

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Quo vadis elektronika '88 : Vývojové tendence vybraných elektronických oborů

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Masculinity and Ancient Rome in the Victorian Cultural Imagination (Classical Presences) [Illustrated] 9780198833031, 0198833032

Masculinity and Ancient Rome in the Victorian Cultural Imagination examines Victorian receptions of ancient Rome, with a

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Greece and Rome at the Crystal Palace: Classical Sculpture and Modern Britain, 1854-1936 (Classical Presences) [Illustrated] 9780199596461, 0199596468

The marble halls of the British Museum might seem the natural habitat for classical sculpture, but in the nineteenth cen

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