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Table of contents :
Schlobin, Roger C. - THE LITERATURE OF FANTASY (Garland, 1979)
Front Cover (Hardcover Binding)
Half-Title Page
Title Page
Copyright Page
Dedication Page
Table Of Contents
Preface
Purpose Of The Work
Scope Of The Work
Arrangement Of The Work
Acknowledgments
Notes
Introduction: Fantasy And Its Literature
Notes
NOVELS AND COLLECTIONS
A
B
C
D
E
F
G
H
I
J
K
L
M
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P
Q
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W
X (No Listings)
Z
ANTHOLOGIES
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E
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H
I (No Listings)
J (No Listings)
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S
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V
W
X (No Listings)
Y (No Listings)
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AUTHOR, COMPILER, EDITOR, AND TRANSLATOR INDEX
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B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X (No Listings)
Y
Z
TITLE INDEX
A
B
C
D
E
F
G
H
I
J
K
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M
N
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Back Cover (Hardcover Binding)
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THE LITERATURE OF FANTASY

GARLAND REFERENCE LIBRARY OF THE HUMANITIES (VOL. 176)

THE LITERATURE OF FANTASY A Comprehensive, Annotated Bibliography of Modern Fantasy Fiction

Roger C. Schlobin

GARLAND PUBLISHING, INC.

1979



NEW YORK & LONDON

© 1979 Roger C. Schlobin All rig.hts reserved

Library of Congress Cataloging in Publication Data Schlobin, Roger C The literature of fantasy. (Garland reference library of the humanities ; v. 176) Includes bibliographical references and indexes. 1. Fantastic fiction, English- Bibliography. fiction, American- Bibliography. Z20 14.F4S33

[PR830.F3]

2. Fantastic

I. Title.

0 16.823'0876

ISBN 0-8240-9757-2

Printed on acid-free, 250-year-life paper Manufactured in the United States of America

78-68287

To Eugene B. Cantelupe, Mentor, Muse, Friend: "... stand me now and ever in good stead."

CONTENTS Preface Purpo se ofthe Work Scope ofthe Work

ix x

Arran ge ment ofthe Work Acknowled g ment s

x

xi

Introduction Fanta sy and It s L iterature

. .

XVll

Annotated Bibliography Novel s and Collect ion s Antholo g ie s

1

269

Indices Author, Co mp iler, Ed itor, and Tran slator T itle

331

313

PREFACE Purpose of the Work Despite the vast popular success of adult fantasy literature among the reading public, until ten years ago the only major studies of modern fantasy literature were E.M. Forster's chapter on fantasy in

Aspects of the Novel and Related Writings (1927) and J. R. R. Tolkien's often-cited essay, "On Fairy-Stories" (1947).1 Fortu­ nately, beginning with Tzvetan Todorov's The Fantastic: A Structural Approach to a Literary Genre2 in 1970, there have been a number of serious studies published. The important con­ tributions of Robert Crossley, L. Sprague de Camp, W. R. Irwin, Colin N. Manlove, Jane Mobley, Eric S. Rabkin, and Gary K. Wolfe 3 indicate that the examination of fantasy in fiction has be­ come an important preoccupation among academics. Bibliographic study has lagged even further behind popular acclaim and critical examination. Most of the existing checklists and bibliographies have concentrated on juvenile fantasy 4 or on fantasy as part of science-fiction, horror, and/or weird literature. 5 To date, adult fantasy as an area of bibliographic attention has been neglected. 6 This volume is an attempt to fill the biblio­ graphic void that currently exists. I hope that it can serve as a touchstone for all those who are interested in pursuing the litera­ ture of fantasy, be they scholars, librarians, teachers, students, and/or fans. While this volume does not pretend to be a substitute for individual author bibliographies, I have attempted to com­ prehensively list and annotate all major modern fantasy authors and works. An introduction, "Fantasy and Its Literature, " precedes the bibliographic sections. It sets forth the principles used in selecting the

titles

included

in

the

bibliography

and

examines

the

psychological nature of fantasy and its manifestation in literature.

Preface

x

Scope of the Work For the purpose of this volume, "modem fantasy fiction" is chronologically defined as beginning with the publication of George ·MacDonald's

Phantastes: A Faerie Romance for Men

and Women in 1858 (a small number of significant earlier works are cited, e.g., Sara Coleridge's Phantasmion in 1837 and George Meredith's The Shaving of Shagpat in 1856). Listings include titles published through April, 1979. The titles selected are re­ stricted to adult fantasy and juvenile fantasy with strong adult appeal. The citations are primarily limited to prose works origi­ nally publfshed in book form in the English language; the only foreign-language authors and titles included are those that have conspicuously contributed to the Anglo-American literary tradi­ tion (e. g. , Italo Calvino, E.T.A. Hoffmann, and Isaac Bashevis Singer). Horror, science-fiction, and weird literature is excluded unless it contains material that would be of particular interest to the fantasy reader. Over

800 authors, 100 editors, 721 novels, 244 collections, 100 anthologies, 3610 short stories, and 165 author bibliographies are cited and indexed here, and, except as indicated, all have been directly examined.

Arrangement of the Work The Literature of Fantasy is divided into two sections: (1) Novels and Collections and (2) Anthologies. The first section is arranged alphabetically by author, and the second alphabetically by editor. In all cases, works are listed by the author's or editor's true name; pseudonyms are cross-referenced both in the bibliographic sections and in the Author, Compiler, Editor, and Translator In­ dex. In both sections, works are cited by first edition, unless otherwise noted, with additional citation of reprints appropriate for library acquisition. The form of each citation follows the guidelines set forth by the Modern Language Association. Each citation includes, as appropriate, author, pseudonym, full title, variant titles, variant editions, translator and/or editor, place of

Xl

Preface

publication, publisher, and date of publication. If the title was originally published in paperback, this information is also in­ cluded. Each author entry in the novel and collection section is ar­ ranged as follows: Listed first, in alphabetical order, are indi­ vidual novels and/or collections, each with its own annotation. Second, series are identified, with novels and collections in the series listed

in reading order, and with a single annotation pre­

sented for the entire series. Third, author bibliography or bibliog­ raphies are cited, when available, for those readers who would like to further explore each author's canon. Within each individual editor listing in the anthology section, titles are listed alphabetically; when anthology selections are ex­ cerpts from larger works, these larger works have been noted. The novel annotations are primarily descriptive and only sec­ ondarily critical, and, where necessary, publishing details and background information are provided. The collection and anthol­ ogy annotations, because of the frequent variation among the collection and anthology contents, are primarily restricted to the listing of contents. However, when certain generalizations are possible, they are included. Individual short stories in collections and anthologies are designated by letter for ease of access through the title index. The two indices appended to the volume access its entire con­ tents. The first index includes the names of authors, compilers, editors, and translators; it also cross-references names mentioned in the annotations and pseudonyms. The second index accesses the titles of all individual volumes and all short story titles, as well as cross-referencing all substantive references to titles in the an­ notations and all title variations. It should be noted that this is the first time the contents of this many fantasy collections and an­ thologies have been indexed.

Acknowledgments The Literature of Fantasy has been formally in progress for over three years, and informally under way for a much longer period of time. Many, many more titles have been discarded than included,

Preface

Xll

and much of this selection process has been the result of the support of colleagues and friends, of book dealers who have been far more helpful than mercenary, of a number of publishers who have generously supplied review copies of their publications, and of various libraries and their staffs. While it would be impossible to mention all those who have helped with this volume, there are a number of people whose contributions should be acknowl­ edged. Miss Andre Norton loaned her entire fantasy library and gave freely of her substantial knowledge of fantasy. The Director of the Lilly Library at Indiana University, William R.' Cagle, and his staff, most particulary Susan God­ lewski and Stephen H. Cape, went well beyond the mandates of normal service in making their significant holdings in fantasy accessible. John J. Pappas, Chairman of the Department of English at the North Central Campus of Purdue University, has been consis­ tently supportive, and his continual confidence has been an inspi­ ration. Marshall B. Tymn of the English Department of Eastern Michigan University was instrumental in the conception of this project and has generously given of his bibliographic expertise. Ann M. Berg, Donna E Williams, and Charles M. Schaeve of the Purdue University Library System have readily and gracious­ ly responded to the most obscure and esoteric requests. A

number

of

colleagues

have

shared

their

significant

knowledge of specific authors and topics. Robert A. Collins, Florida Atlantic University, helped with Thomas Burnett Swann, and Kathy Spencer, Wright State University, with Charles W. S. Wi lliams. Gary K. Wolfe, Roosevelt University, not only helped with George MacDonald and David Lindsay, but also acquainted me with many of the psychological studies that are cited in the introduction. I have also drawn on

A Research Guide to Science Fiction

Studies (New York and London: Garland, 1977), compiled by Marshall B. Tymn, L.W. Currey, and this author, and "The Year's Scholarship in Science Fiction and Fantasy" (annually in

Preface

Xlll

Extrapolation), edited by Marshall B. Tymn and this author, for some of the author bibliographies cited in this volume. I am grate­ ful for the shared expertise and on-going and quality companion­ ship of my collaborators. Miss Susan E.Howard, my typist and friend, has labored long over the camera-ready copy and portions of the indices. Without her diligence and sacrifice, this volume would never have been completed. Finally, while I have tried to make

The Literature of Fantasy

as comprehensive and useful as possible, my bibliographic explo­ rations of fantasy will not cease here. I would welcome the assis­ tance of anyone who thinks that valuable titles have been omitted or that others have been inappropriately included. Such informa­ tion is necessary for the success of future bibliographies.

ROGER c. SCHLOBIN Department of English Purdue University North Central Campus Westville, Indiana 4639 1

Notes 1. E.M. Forster, "Fantasy," in Aspects of the Novel and Related Writ­

ings (1927; rpt. London: Edward Arnold, 1974), pp. 73-85; J. R. R. Tol­ kien, "On Fairy-Stories," in Essays Presented to Charles Williams, ed. C. S. Lewis (London: Oxford University Press, 1947), pp. 38-89. 2. Tzvetan Todorov, The Fantastic: A Structural Approach to a Liter­ ary Genre, trans. Richard Howard (Cleveland and London: The Press of Case Western Reserve University, 1973). Originally published as Intro­ duction a la litterature fantastique' 1970. 3. Robert Crossley, "Education and Fantasy," College English, 37, No. 3 (1975), 281-293; L. Sprague de Camp, Literary Swordsmen and Sor­

cerers: The Makers of Heroic Fantasy (Sauk City, WI: Arkham House, 1976); W.R. Irwin, The Game of the Impossible: A Rhetoric of Fantasy

XlV

Preface

(Urbana: University of Illinois Press, 1976); C. N. Manlove, Modern Fantasy: Five Studies (Cambridge: Cambridge University Press, 1976); Jane Mobley, "Toward a Definition of Fantasy Fiction." Extrapolation, 15, No. 2 (1974), 117-128; Eric S. Rabkin, The Fantastic in Literature (Princeto1_1: Princeton University Press, 1976); Gary K. Wolfe, "Sym­ bolic Fantasy," Genre, 8 (1975), 194-209. 4. Among the bibliographies and checklists that cite primarily juvenile fantasy, the following specific and general works are noteworthy: Naomi Lewis, Fantasy Books for Children (London: National Book League, 1975); D.L. Kirkpatrick, ed. , Twentieth-Century Children's Writers (N·ew York: St. Martin's Press, 1978); and Diana Waggoner, The Hills of Faraway: A ,Guide to Fantasy (New York: Atheneum, 1978). 5. A number of bibliographies and checklists that include both science fiction and fantasy are important to note: Everett F. Bleiler, The Checklist of Fantastic Literature: A Bibliography of Fantasy, Weird and Science Fiction Books Published in the English Language (Chicago: Shasta, 1948; rpt. West Linn, OR: FAX Collector's Editions, 1972; [2nd rev. ed.] as The Checklist of Science-Fiction & Supernatural Fiction, Glen Rock, NJ: Firebell Books, 1978); Joseph H. Crawford, "333": A Bibliography of the Science-Fiction Novel (Providence, RI: Grandon, 1953); Bradford M. _Day, The Supplemental Checklist of Fantastic Liter­ ature (Denver, NY: Science-Fiction & Fantasy Publications, 1963; rpt. New York: Arno, 1975); Robert Reginald, pseud. [Michael Burgess], Stella Nova: The Contemporary Science Fiction Authors ( Los Angeles: Unicom & Son, 1970; [2nd ed.] as Contemporary Science Fiction Au­ thors, New York: Arno, 1975) and Science Fiction and Fantasy Litera­ ture, with Contemporary Science Fiction Authors II (Detroit: Gale Re­ search, forthcoming [1979]); Donald H. Tuck, T he Encyclopedia of Sci­ ence Fiction and Fantasy Through 1968, 2 vols. (Chicago: Advent, 1974, 1978); Marshall B. Tymn, American Fantasy and Science Fiction: To­ ward a Bibliography of Works Published in the United States, 1948-1973 (West Linn, OR: FAX Collector's Editions, 1979); and Stuart W. Wells III, The Science Fiction and Heroic Fantasy Author Index (Duluth, MN: Purple Unicom Books, 1978). Readers who choose to consult these works will find additional in­ formation concerning some of the authors cited in The Literature of Fantasy. In addition, readers desiring more information than cited above should consult the following research and reference works: Thomas

Preface

xv

Clareson, Science Fiction Criticism: An Annotated Checklist (Kent, OH: Kent State University Press, 1972); Marshall B. Tymn, Roger C. Schlo­ bin, and L.W. Currey, A Research Guide to Science Fiction Studies: An Annotated Checklist of Primary and Secondary Sources for Fantasy and Science Fiction (New York and London: Garland, 1977); and Roger C. Schlobin and Marshall B. Tymn, "The Year's Scholarship in Science Fiction and Fantasy: 1974- ," annually in Extrapolation, 1976-, and its first cumulation in book form as The Year's Scholarship in Science Fic­ tion and Fantasy, 1972-1975 (Kent, OH: Kent State University Press, 1979). 6. There are some indications that the bibliographic neglect of adult fantasy is being corrected. In addition to the Waggoner bibliography (see note 4 above), which does include some adult titles, Robert H. Boyer and Kenneth J. Zaborski published a brief guide, An Annotated- Bibliography of Fantasy Literature, in 1978 (River Falls, WI: Wisconsin Council of Teachers of English Service Bulletin No. 35), that briefly annotates eighty-five works of fantasy fiction and also lists a variety of scholarly and support publications and services. The January, 1978, issue of the CEA Critic is also devoted to fantasy, and in addition to a number of scholarly essays, it contains two bibliog­ raphies of fantasy fiction and reference materials by this author and Marshall B. Tymn, respectively. In June, 1978, Paul Allen began publishing the Fantasy Newsletter. 'fhis is an invaluable tool for keeping aware of new publications in the field. It is available from Paul Allen ( 1015 West 36th St. , Loveland, CO 80537) at a rate of five dollars for twelve issues in the United States, six dollars in Canada, and nine dollars elsewhere. In the Summer of 1979, Marshall B. Tymn and the aforementioned Professors Boyer and Zaborski will be publishing Fantasy Literature: A Core Collection and Reference G uide ( New York: R.R. Bowker). This volume is reported to annotate three hundred "all-ages" titles and to provide an annotated guide to secondary resources.

INTRODUCTION Fantasy and Its Literature Fantasy was born neither in literature nor art. It is one of the original qualities that distinguished man from the flora and fauna of his first beginnings. In some dark cave-perhaps in Africa, perhaps in Asia-an odorous organism felt the first stirrings of that mental activity that was to metamorphose him from survivor into creator. Much has been made of his fellows who discovered fire and wheel, but his nascent discoveries of self, mind, and idea relegate their mechanistic achievements to the level of simple crudities. It was for this primitive caveman-understanding so little of himself-to create and develop man's most precious characteristic: the power of fantasy, the power to create

ex

nihilo, out of nothing. It is difficult for the modern mind to com­ prehend the measureless achievement of his primitive forebear. Concepts such as "I," "you," "mate," "friend," and "time" are so automatic as to be allied with breathing. Yet for anyone who has ever watched a baby begin to stir to self-awareness and consciousness, some small empathy may exist with primitive man's triumphant movement from organism to cave painter, from single entity to social being, from existence to consciousness. It must have been an agonizing process, one conceived in necessity, forged in isolation. Fortunately, man progressed from necessary preoccupation with externals to awareness of the internal and began to shape and interrelate his world. He distinguished be­ tween the inner and outer, between inner reality and outer ap­ pearance, and it was upon inner reality that he built himself and his relationships, societies, civilizations, and, most importantly, his cultures. Man lives in this inner awareness. Besieged by externals and simultaneously shaping these externals through his mind, he is constantly the creator, and in the eons that have passed since that first burgeoning of awareness, he has distinguished himself as

XVlll

I ntrodu ction

"homo fantasia, the visionary dreamer and myth-maker." 1 In this role, he has populated the cosmos with spirits and demons, religions and philosophies, social orders and political systems, rituals and myths, laws and mores, boundaries and belongings, hopes and expectations-all created first in the mind. And these vitally important involvements have arisen from the inner man, all without initial external actuality. Erich Neumann, in

Depth

Psychology and a New Ethic, accurately summarizes the enor­ mity of these activities: The decisive part played by psychic reality-as depth psychology is just beginning to discover-is a more powerful influence behind the scenes than the naive consciousness of average Western man has ever dreamt of. Individuals and groups-and nations, too, and movements of history-are conditioned by the power of inner psychic realities which often enough appear in the first place as fantasies in the mind of an individual. This influence of the inner world is to be found at work in such diverse spheres as politics and religion, technology and art. War and destruction are repeatedly let loose to devastate the world at the behest of men driven by fan­ tasies of power; at the same time, the inner images of creative artists become the cultural possession of the whole human race. 2 Although Neumann perceptively elevates fantasy to a grand level, this is not to say that its creative power is not present on the mundane plane. By means of perception, "Fantasy helps deter­ mine what we consider to be fact just as surely as the other way around.'' 3 It is an essential quality, along with some sense of identity and place, in every man, but unlike the sense of identity and place that maintains existence, fantasy is the characteristic that creates existence: Fantasy-images are both the raw materials and finished products of psyche, and they are the privileged mode of access to knowledge of soul. Nothing is more primary. Every notion in our minds, each perception of the world and sensation in ours�lves must go through a psychic organization in order to "happen" at all. Every single feeling or observation occurs as a psychic event by first forming a fantasy-image. 4

XIX .

Introduction

Thus, no one stands alone. Through participation in what C.G. Jung has labeled the "collective unconscious," 5 every man in­ herits the sum total of the species' experience.Occasionally con­ fused or identified with instinct, this legacy is inherited and man­ ifests itself through archetypes visible through major symbols that characterize the natures and activities of all societies and all cul­ tures and that are coordinated in patterns. Whether they be the patterns of rites of passage and initiation or the persuasive symbol of the "Great Mother," 6 they work through the activity of fantasy to create myth, art, religion, and behavior: Just as the archetypes occur on the ethnological level as myths, so also they are found in every individual, and their effect is always strongest, that is, they anthropomorphize reality most, where con­ sciousness is weakest and most restricted, and where fantasy can overrun the facts of the outer world. 7 Fantasy, then, is an everyday, natural activity that summons and creates images and converts them into external manifesta­ tions. As imaginative activity, it is the "direct expression of psychic life. " 8 Fantasy recognizes all possibilities in man's na­ ture. 9 Mankind's capacities for tool-making and system-making have been legitimately applauded, but if these activities had not been conceived internally first and if the external world of mean­ ing had not evolved, mankind would be indistinguishable from highly sophisticated social insects. The visible world is simply the "subcreation" of the inner, for fantasy gives "form to thought" and is the ''richest source of human creativity.'' 10 As a social activity, it is the well-spring of myth, ritual, religion, and play; as a cultural activity, it is the source of art. Universally, it supplies the will with needed content, purpose, and focus. On one hand, fantasy brings man closest to his oldest self 11 through the collec­ tive unconscious and archetypes, but on the other, it is the es­ sence of imaginative culture, which "transcends the limits of both the naturally possible and of the morally acceptable." 12 When individuals participate in their fantasies or share the most disci­ plined imaginings of artists, they travel, as gods, on a road where the world is created

ex

nihilo. They experience rare dreams or

Introduction

xx

sensations for the first time; break traditions and violate ritual; open non-empirical, visionary doors; and find that, as the journey continues,

their

minds

expand

and

are

enriched

by

their

capacities and their links with the most essential past.13 Moreover, as the mythopoetic force that it is, fantasy shares myth's capacity to impinge upon "that awesome ultimate mys­ tery which is both beyond and within himself [man] and all

things. . . ." Intellectually, it is the state from which words tum

back, where ''mythological symbols touch and exhilarate centers of life beyond the reach of the vocabularies of reason and coer­ cion." 14 Fantasy, as a personal and artistic experience, involves its practitioners in a quest in which archetypes and primordial images come alive. In this process, they participate in the collec­ tive unconscious 15 and the suspension of everyday concerns and preoccupations.Thus, fantasy lures its followers into an examina­ tion of their own natures, the seminal truths of their existences, and an extension of the frontiers of their futures. 16 For the fanta­ sist, life is psychological, and its purpose is to find the connection between life and soul. This activity is not the foolishly esoteric; rather it is ''the activity that makes events esoteric.'' 17 Yet fantasy as a valid and truthful mode is in peril. It produces a truth of pure forms 18 that is antithetical to contemporary, mate­ rialistic, empirical, phenomenological, and technological society. Despite its formalized support of the arts, twentieth-century Western society ''has consistently been antagonistic to the flow­ ering of the life of fantasy.'' 19 Anyone who has had the misfor­ tune to laud a fantasy work or express a fantasy before one of the all-too-frequently ''realistic'' audiences knows the crippled snobbery that is summoned. Anyone who has taught fantasy probably will sympathize with Eric S. Rabkin's description of his uninitiated students:

Before they ever enter the classroom, our students "know" the following about fantasy: fantasy is for kids (so it's· got to be sim­ ple); fantasy is unreal (so life's problems won't bother us here); and fantasy is popular (so we don't need to learn anything from the teacher). 20

Introduction

XXl

Sadly, even though ''fantasy is a self-justifying biological function,'' it is brought into question, on the grounds of useful­ ness, only by those who mistakenly believe in the absolute exis­ tence of a ''concrete reality.'' 21 In its appropriate frame, its au­ tonomy from everyday makes it the final "refuge of dignity, " 22 and the charge that fantasy is ''escape'' only reinforces man's need for the ability to disengage the mind from the mundane. Yet today the right to fantasy is clearly being challenged by philosophies and orientations that would prefer security to ad­ vancement, technology to invention, and acceptance to thought. Numerous warnings have been sounded against the empirical stance. Harvey Cox, in

The Feast of Fools, dramatically states

that ''without fantasy a society cuts itself off from the visceral fonts of renewal" and that "the survival of mankind also has been placed in jeopardy by the repression of festivity and fantasy.'' 23 Erich Neumann, in

Depth Psychology and a New Ethic, exam­

ines the Judeo-Christian dualism's inability to cope with man's nature. He assesses the modern age as follows:

The modern age is an epoch in human history in which science and technology are demonstrating beyond doubt the capacity of the conscious mind to deal with physical nature and to master it to a very great extent-at any rate, to a greater degree than in any earlier period in human history. But it is also an epoch in which man's incapacity to deal with psychic [adj. from psyche] nature, with the human soul, has become more appallingly obvious than ever before [p. 25].

Ursula K. Le Guin, the noted science-fiction and fantasy writer, may be correct when she says that Americans fear fantasy because it is too true and threatens "all that is false,

phony,

unnecessary and trivial in the life they [adults] have let them­ selves be forced into living. They are afraid of dragons, because they are afraid of freedom." 24 It would be interesting to see what the American public would do if it were stripped of its con­ dominiums and Cadillacs and had to rely on some non-economic system of immaterial values as a measure of success, or if there

.

Introduction

XXll .

were a general understanding that history demonstrates that wealth is a very poor method of seeking immortality. Certainly material wealth generates security, but at a high price, for it se­ verely limits psychological freedom and growth. Security and stability attempt to negate change and produce a static, rather than a dynamic, society. The signs of such general stagnation are clear. Secularization, socialization, and nominalism have reduced the invigorating rebirth of the mythic experience and the liberat­ ing mind-play of festivity and games to socially acceptable and "inferior" portions of the "superior " utilitarian world. Art is subordinated to "real " waking experience. 25 Ideas, visions, truths, and rigorous concepts have been reduced to ideologies and fads, which depend mort: on slogans and ephemeral appeal than on important, articulated systems. 26 Everywhere, marketing glorifies the consumable and caters to the uneducated and su­ perficial. This is no surprise: mass participation requires a collec­ tive with as few distinctive qualities as possible, one that does as little by itself as possible. The creative individual, the mind that accepts fantasy as a viable and major portion of life, simply does not conform to the collective; he or she leads it: '

. . . the archetypal canon is always created and brought to birth by "eccentric" individuals. These are the founders of religions, sects, philosophies, political sciences, ideologies, and spiritual movements, in the security of which the collective man lives with­ out needing to come into contact with the primordial fire of direct revelation, or to experience the throes of creation . 2 7 It is one of the functions of society, by definition, to foster uniformity of behavior and thought, and this is the major reason why society and culture are inherently antagonistic. Socialized religion, for example, is not prepared to accept any new prophets, and the established faiths will rise wrathfully and right­ eously against any ''new'' systems of belief. Closed systems of religion ''have an undoubted tendency to suppress the uncon­ scious in the individual as much as possible, thus paralyzing his fantasy activity.'' 28 This is because the original fantasy creations of religions have been placed in the category of inviolate fact and have been socialized into the realm of empirical data. Thus,

Introduction

XXlll

every-Christian has no fantasies; other people have fantasies. Every-Christian's world is rigidly ruled by externals he or she has been taught to accept as actuality. This is why fantasy is inacces­ sible to the socialized Christian writer. He cannot achieve the Keatsian "negative capability" necessary to respond to, and em­ pathize with, fantasy's often amoral, asocial, and mysterious qualities, especially in its pagan, heroic form.29 The few excep­ tions to this-such authors as Charles Williams, C.S. Lewis, and James Blish-clearly are able to write Christian fantasies because their understandings return to religion in its mythic essence rather than in its social form. Such reliance on the seemingly actual and on rational empiri­ cism creates a hierarchy of values that considers the intellect and science supreme and that, like all established systems, is self­ protective and self-perpetuating: The intellect remains imprisoned in itself just so long as it does not willingly sacrifice its supremacy by recognizing the value of other aims. It shrinks from the step which takes it out of itself and which denies its universal validity, since from the standpoint of the intel­ lect everything else is nothing but fantasy. But what great thing ever came into existence that was not first fantasy? Inasmuch as the intellect rigidly adheres to the absolute aim of science it cuts itself off from the springs of life. For it [the intellect] fantasy is nothing but a wish dream, and herein is expressed all that deprecia­ tion of fantasy which for science is so welcome and so necessary. Most of all, fantasy threatens personal and social compla­ cency through its apparently uncontrollable quality. It is "an irra­ tional, instinctive function" 3 0 that-like its child, art-leads mankind away from reason to intuition and graphically illumi­ nates all that is shallow, superficial, and conventional in rational or scientific truth. 3 1This can be a disquieting and world-shaking experience. James Hillman, the contempory humanistic psychol­ ogist, expresses this at length: Fantasies are incompatible with my usual ego, and because they are uncontrollable and "fantastic"-that is, away from the relation to ego reality-we feel them alien. We are not embarrassed in the

.

XXlV

Introduction

same way by our will and intelligence; indeed, we proudly exhibit their accomplishments . But what breeds in the imagination we tend· to keep apart and to ourselves. Imagination is an inner world-not spatially inside, but kept in, esoteric, the inn_er aspect of con­ sciousness . These affections and fantasies are the imaginal or un­ conscious aspect of everything we think and do . This part of the soul that we keep to ourselves is central to analysis, to confession, to prayer, central between lovers and friends, central in the work of art, central to what we mean by "telling the truth," and central to our fate. What we hold close in our imaginal world are [sic] not just images and ideas but living bits of soul; when they are spoken, a bit of soul is carried with them. When we tell our tales, we give away our souls . The shame we feel is less about the content of the fantasy than it is that there is fantasy at all, because the revelation of the imagination is the revelation of the uncontrollable, spon­ taneous spirit, an immortal, divine part of the soul, the memoria Dei. Thus the shame we feel refers to a sacrilege: the revelation of fantasies exposes the divine, which implies that our fantasies are alien because they are not ours. They arise from the transpersonal background, from nature or spirit or the divine, even as they be­ come personalized through our Iives, moving our personalities into mythic enactme!1ts. 32 Fantasy, like creative mythology, "springs not, like theology, from the dicta of authority, but from the insights, sentiments, thought, and vision of an adequate individual, loyal to his own experience of value." 3 3 It is infortunate that this loyalty to, and dignity of, self is so distasteful to the modern mind, for fantasy does represent an effort to make sense of areas of experience that "have not been lived through directly to any great extent." 3 4 This vicarious experience is, of course, the key to art, and fantasy is the prime progenitor of art, just as fantasy is the inner world of the artist, and artistic manifestation is the outer symbol of fantasy's inner activity. As a symbol, art is not simply a nominalistic representation. Art is, rather, the symbol that "must be understood in an immanent-not in a transcendant sense.'' 3 5 It represents a mode of thought that "takes an inside event and puts it outside, at the same time making this content alive, per­ sonal, and even divine.'' 3 6 Creative fantasy produces symbols of

Introduction actuality-fantasms that are

xxv idees-forces and represent the sum of

the libido-that ''touch and exhilarate centers of life beyond the vocabularies of reason and coercion,'' and that are products of a mode that recognizes that all realities are ''primarily symbolic or metaphorical. 3 7 Within this mode, the role of the creative artist and fantasist is well described by Joseph Campbell in

The Masks

of God: Creative Mythology: Creative artists are mankind's wakeners to recollection: summoners of our outward mind to conscious contact with ourselves, not as participants in this or that morsel of history, but as spirit, in the consciousness of being. Their task, therefore, is to communi­ cate directly from one inward world to another, in such a way that an actual shock of experience will have been rendered: not a mere statement for the information or persuasion of a brain, but an effec­ tive communication across the void of space and time from one center of consciousness to another [pp. 92-93]. Fantasy, then, occupies a very elemental place in literary art and art in general. It is, however, incorrect to identify it as a literary genre. Such an edict is far too constrictive. While a number of recent critics have supported the view that fantasy must not be seen as a genre, most notably Eric S. Rabkin in

The Fantastic in Literature and W.R. Irwin in The Game of the Im­ possible , 38 the initial and definitive statement of fantasy's perva­ sive quality belongs to E.M. Forster: There is more in the novel than time or people or logic or any of their derivatives, more even than fate. And by "more" I do not mean something that excludes these aspects nor something that includes them, embraces them. I mean something that cuts across them like a bar of light, that is intimately connected with them at one place and patiently illumines all the problems, and at another place shoots over or through them as if they did not ex_i st. We shall give that bar of light two names, fantasy and prophecy.39 While fantasy can occur as an element in any literary work, regardless of genre, the literature that can be identified as fantasy

Introduction

XXVl

is that corpus in which the impossible is primary in its quantity or centrality. A fantasv work must present ''the persuasive estab­ lishment and development of an impossibility, an arbitrary con­ struct of the mind .. . ."40 Within these limits, fantasy literature, the ''clearest expression of the specific activity of psyche,'' 4 1 is what could never have been, cannot be, and can never be within the actual, social, cultural, and intellectual milieu of its creation. The impossibilities of fantasy must be recognized within their social, cultural, and historical context, or there is the danger of turning fantasy literature into a panacea, offering perspectives on, and solutions to, whatever the twentieth-century mind finds unbe­ lievable, regardless of its origins.The creation of fantasy in litera­ ture is non-accidental; fantasy does demand an intellectual rejec­ tion of the experiential, external world. 4 2The criteria for fantasy are not dependent on the sophistication of the individual reader, but on the sophistication of ''the culture which a work of art simultaneously reflects and is received by. . . . '' If this context were avoided, a modem reader would view the unicorns, drag­ ons, basilisks, and other creatures included in the classical and medieval encyclopedias and bestiaries as products of fantasy rather than as examples of the periods' perceived natural his­ tories.Thus, one of the essential characteristics of fantasy litera­ ture is that "it contradicts our experience, not the limited experi­ ence we can attain as individuals,

but the totality of our

knowledge of what our culture regards as real." 4 3 Obviously, such a movement away from the experiential world makes a special demand. As an asocial and non-causal mode, fantasy literature compels its readers to make an adjust­ ment that is required by all art: For art arises from other and deeper sources [than logical ones]. In

order to discover these sources we must first forget our common standards, we must plunge into the mysteries of our unconscious life.4 4 However, the appreciation and apprehension of fantasy re­ quire an additional adjustment beyond that of art. 4 5 This neces­ sary and

a priori departure from the actual world of data and

XXVll

Introduction

measurable phenomena has been variously labelled. Samuel Taylor Coleridge called it ''the willing suspension of disbelief,'' a term adopted by T. S. Eliot and one which has gained wide ac­ ceptance; J . R. R. Tolkien named it the "literary belief' in "sub­ creation" ; E.M. Forster, "acceptance" ; Tzvetan Todorov, ra­ tional

"uncertainty"

or

"hesitation" ;

and

W. R.

Irwin,

"credence." 4 6 All of these labels or tags point to a rigorous de­ tachment from the ordinary and to a union with fiction, which Harvey Cox amplifies by saying that ''In fantasy, our physical body is left behind and an imaginary body, often differing mark­ edly from the physical one, takes over. " 4 7 Through this shift, fantasy as literature demands that its readers enter into a "com­ plex and dynamic relationship'' 48 in which creative inner realities are paradoxically made manifest and the internal is externalized and made visible through art as symbol. 4 9 In this effort ''to make non-fact appear as fact, " the "writer and reader knowingly enter upon a conspiracy of intellectual subversiveness.

'' 50

The immediate result of the game of "non-fact" that the reader and writer engage in is the evocation of wonder. This wonder may range from crude astonishment at the marvellous, to a sense of "meaning-in-the-mysterious" or even the numinous. Wonder is of course generated by fantasy purely from the presence of the super­ natural or impossible, and from the element of mystery and lack of explanation that goes with it. This is a wonder generated by the admiration for the human mind, and fantasy is the animate symbol of the mind's creative function. This is why fantasy literature is distinct from horror literature. Horror inspires "numinous rage"

51

and fear because it

maims and distorts creation. Fantasy celebrates creation, and, like romance, turns fear at a distance, or terror, into the adventurous; fear at contact, or horror, into the marvellous, and fear without object, or dread (Angst), into a pensive melancholy. It turns pity at a dis­ tance, or concern, into the theme of chivalrous rescue; pity at contact, or tenderness, into a languid and relaxed charm, and pity

XXVlll

Introduction

without an object (which has no name but is a kind of animism, or treating everything in nature as though it had human feelings) into creative fantasy. 52 Often, this wonder is produced through the devices of the supernatural, the numinous, and the mysterious. Paradoxically, fantasy does this in its capacity as a bridge spanning the gap between the known and the unknown. And it is this giving of concrete form to the unknown that gives fantasy a portion of its delightful appeal and its verisimilitude. For while a literature like science fiction always runs the risk of its science and technology becoming' obsolete, magic never grows old and acquires "a unique place in a [positivistic] world from which all supernatural forces are excluded.'' 5 3 Moreover, the movement away from the actual, be it through the supernatural or through other means, which makes fantasy elemental rather than moral, frequently gives it the form of the mythic psychomachia and allows fantasy to confront the non-effectable and to transcend mundane limita­ tions and causality. As a result, the fictive setting that fantasy creates ''is more than a backdrop; it is integral to the events themselves, a kind of spiritual landscape in which even the least element might carry a moral meaning.'' 5 4 This event-oriented, temporarily non-causal fantasy realm, along with fantasy's often picaresque and es­ tranged characters, fantasy shares in common with its intimate mate, myth: The world of myth is a dramatic world-a world of actions, of forces, of conflicting powers. In every phenomenon of nature it sees the collision of these powers. Mythical perception is always impregnated with these emotional qualities. Whatever is seen or felt is surrounded by a special atmosphere-an atmosphere of joy or grief, of anguish, of excitement, of exultation or depression. Here we cannot speak of "things" as a dead or indifferent stuff. All objects are benign or malignant, friendly or inimical, familiar or uncanny, alluring and fascinating or repellerit and threatening. We can easily reconstruct this elementary form of human experience, for even in the life of the civilized man it has by no means lost its original power. 55

Introduction

.

XXlX

As extreme in their departure from the actual as the worlds of fantasy may seem in their mythopoetic magnitude, they are not a full denial of, or departure from, the "normal, " work-a-day world. Dependent on the empirical and causal expectations of the actual world for its impossibilities, fantasy is also bound by semantics and perspective. A complete fantasy world can no more exist than a purely empirical one could. "Even the wildest and most wanton fantasy" is governed by "inflexible universal laws." 56 In addition, fantasy creation is not quite the 180-degree reversal from the ground rules of everyday which Eric S. Rabkin depicts. 5 7 Fantasy's laws, even though they are impulsive rather than factual, are often more internally consistent,

"conven­

tionalized,'' 58 rigorous, and ethical than those of the mundane world, especially when fantasy is allied with the epic and pro­ duces heroic or sword & sorcery fantasy. Fantasy must be this way. Without an internally lawful system, it would have no credibility, the willing suspension of disbelief notwithstanding. The lack of internal order would disrupt the intellectual game of the new set of ''continuous and coherent'' facts that the reader has ''willfully and speculatively accepted, against the established facts, which he only pretends to reject. " 5 9 Such lawlessness would destroy the mental play that allows the reader to accept the new world of the fantasy. 6 0 Thus, just as the involvement in the release of festivity and holiday operates by the lawful reversal of everyday, so too fantasy literature conforms to its own strictures, and the resultant liberation from actuality generates purposeful and joyful play, allowing the reader's mind to seek and explore its own capacities for appreciation. Fantasy literature, through its rejection of the mundane world, its wonder, and its coherent and liberating new worlds, creates a fantastic duality for the reader. Quality fantasy "may by virtue of the strength and skill with which it is created make us feel simul­ taneously that it does and does not have reality." 6 1 The reader is aware that he or she still exists in the world of accepted actuality but, at the same time, ventures into another, impossible place. Within this duality, the reader's mind is free to play upon both the actual and fictive experiences. And while it is not necessary for the existence of the fantasy experience, the fantasy writer "may

Introduction

xxx

really hope that his story will have some lasting effect of modify­ ing the way in which his readers accept the norm that he has playfully violated.'' 6 2Robert Scholes calls this possible cognitive return ''fabulation'' and defines it as ''fiction that offers us a world clearly and radically discontinuous from the one we know, yet returns to confront that known world in some cognitive way.'' 6 3 Apart from the great pleasure that fantasy literature bestows upon its reader, this cognitive reflection is its most utilitarian benefit.In the conflict between creation and social, religious, and cultural restrictions, fantasy as thought and art maintains man­ kind's sense of itself and its capacities, denying the separation from self that must result from purely external determinants of behavior and thought. As C.G. Jung vividly explains: It [fantasy] is, pre-eminently, the creative activity from which the answers to all answerable questions come; it is the mother of all possibilities, where, like all psychological opposites, the inner and outer worlds are joined together in living union. Fantasy it was and ever is which fashions the bridge between the irreconcilable claims of subject and object, introversion and extraversion. In fantasy alone both mechanisms are united. 64 Within the state of enchantment and wonder it creates through its embodiment of psychic unity, fantasy ignores the inconse­ quential distraction of the immediate and embraces the elemental and the whimsical, rejects the social and the moralistic, and con­ fronts the essential and universal potentialities of art and mind. Since its reality is formed in the mind but bound to the external world, fantasy confronts, materializes, and unifies the paradoxi­ cal, the ambiguous, and the non-effectable common to the human condition. As it transcends mundane limitations, it becomes more and more irreducible, frequently promoting growth and enhanc­ ing existence, forming �n interface with basic historical and human realities. What would the world be like without fantasy? Since it is such a basic element of humanity, such a question is as difficult to

Introduction

XXXl

entertain as the reality of our own inevitable deaths. However, J.B. Priestley, in his short story "The Grey Ones," comes very close to stating the consequences of such a world. One character, Mr. Patson, has become aware of a conspiracy by the "Evil Prin­ ciple" and its minions, the "grey ones," to gain control of man­ kind. Not knowing that he is talking to one of the grey ones, Priestley's character captures the nature of a world without fan­ tasy: "The main object, I gathered from what Firbright said," Mr. Patson replied earnestly, "is to make mankind go the way the social insects went, to turn us into automatic creatures, mass be­ ings without individuality, soulless machines of flesh and blood.'' The Doctor seemed amused, "And why should the Evil Princi­ ple want to do that?" "To destroy the soul of humanity," said Mr. Patson, without an answering smile. ''To eliminate certain states of mind that be­ long essentially to the Good. To wipe from the face of this earth all wonder, joy, deep feeling, the desire to create, to praise life. '' 65

Notes 1. Harvey Cox, The Feast of Fools: A Theological Essay on Festivity and Fantasy (Cambridge, MA: Harvard University Press, 1969), p. 11. 2. Erich Neumann, Depth Psychology and a New Ethic, trans. Eugene Rolfe (1949; rpt. New York: Harper & Row, 1973), p. 107. 3. Cox, p. 79. 4. James Hillman, Re-Visioning Psychology (New York: Harper & Row, 1975), p. xi. 5. C.G. Jung, The Archetypes and the Collective Unconscious, 2nd ed., trans. R.F. C. Hull, The Collected Works of C.G. Jung, Vol. 9, pt. I (Princeton: Princeton University Press, 1968), p. 155. 6. Cf. Erich Neumann, The Great Mother: An Analysis of the Ar­

chetype, 2nd ed., trans. Ralph Manheim (Princeton: Princeton Univer­ sity Press, 1963).

..

XXXll

Introduction

7. Jung, The Archetypes and the Collective Unconscious, p. 67. 8. C.G. Jung, Psychological Types, trans. H.G. Baynes, rev. R. F .C. Hull, The Collected Works of C.G. Jung, Vol. 6 (Princeton: Princeton University Press, 1971), p. 433. 9. Hillman, Re-Visioning Psychology, p. xi. 10. J.R. R. Tolkien, ''On Fairy-Stories,'' in Essays Presented to Charles Williams, ed. C.S. Lewis (London: Oxford University Press, 1947; rev. ed. in The Tolkien Reader, New York: Ballantine, 1966), p. 47 [74]; George MacDonald, ''The Imagination. Its Functions and Its Culture,'' in The Imagination and Other Essays (Boston: Lothrop, [1883], p. 2; Cox, p. 59. 11. Jung, Psychological Types, p. 115; C.G. Jung, Symbols of Trans­ formation: An Analysis of the Prelude to a Case of Schizophrenia, 2nd ed., trans. R.F.C. Hull, The Collected Works of C.G. Jung, Vol. 5, pt. I (Princeton: Princeton University Press, 1967), p. 29. 12. Northrop Frye, The Anatomy of Criticism: Four Essays (Princeton: Princeton University Press, 1971), p. 127. 13. C.S. Lewis, "On Science Fiction," in Of Other Worlds: Essays and Stories, ed. Walter Hooper (New York: Harcourt, Brace & World, 1966), p. 70; RoBert Scholes and Robert Kellogg, The Nature of Narra­ tive (London: Oxford University Press, 1966), p. 14; Cox, p. 12; Joseph Campbell, The Masks of God: Creative Mythology (1968; rpt. New York: Penguin, 1976), p. 649. 14. Campbell, pp. 6, 609, 4. 15. Jung, The Archetypes and the Collective Unconscious, pp. 66-67; Jung, Psychological Types, p. 52; The Archetypes and the Collective Unconscious, p. 155. 16. Cox, p. 8. 17. Hillman, Re-Visioning Psychology, pp. ix, 154. 18. Ernst Cassirer, An Essay on Man: An Introduction to a Philosophy

of Human Culture (1944; rpt. New Haven: Yale University Press, 1962), p. 164. 19. Herbert Fingarette, The Self in Transformation: Psychoanalysis, Philosophy, and the Life of the Spirit (1963; rpt. New York: Harper & Row, 1965), p. 190.

Introduction

XXXlll

20. Eric S. Rabkin, "Fantasy Literature: Gut with a Backbone," The CEA Critic, 40, No. 2 (January 1978), 6-7. 21. C. G. Jung, "Forward to Wickes: 'Von der inneren Welt des Menschen' (1953), rpt. in The Symbolic Life: Miscellaneous Writings, trans. R.F.C. Hull, The Collected Works of C.G. Jung, Vol. 18 (Prince­ ton: Princeton University Press, 1976), p. 527. "

22. Hillman, Re-Visioning Psychology, p. 39. 23. Cox, pp. 69, 12. 24. Ursula K. Le Guin, "Why Are Americans Afraid of Dragons?" P[acific] N[orthwest] L[ibrary] A[ssociation] Quarterly, Winter 1974, p. 18. 25. Fingarette, p. 189. 26. Hillman, Re-Visioning Psychology, p. 119. 27. Erich Neumann, The Origins and History of the Consciousness, trans. R.F.C. Hull (1954; rpt. Princeton: Princeton University Press, 1970), p. 376. 28. Jung, Psychological Types, p. 53. 29. Charles Moorman, Kings & Captains: Variations on a Heroic Theme (Lexington: University Press of Kentucky, 1971), p. 132. 30. Jung, Psychological Types, pp. 59, 115. 31. Cassirer, p. 161. 32. James Hillman, The Myth of Analysis: Three Essays in Archetypal

Psychology ( Evanston, IL: Northwestern University Press, 1972), p. 182. 33. Campbell, pp. 6-7. 34. Jerome L. Singer, The Inner World of Daydreaming (New York: Harper & Row, 1976), p. 185. 35. Cassirer, p. 157. 36. Hillman, Re-Visioning Psychology, p. 1 2; also discussed by Neumann, The Origins and History of the Consciousness, p. 369. 37. Jung, Psychological Types, p. 433; Campbell, p. 4; Hillman, Re­ Visioning Psychology, p. x.

.

XXXlV

Introduction

38. Eric S. Rabkin, T he Fantastic in Literature (Princeton: Princeton University Press, 1976), p. 29; W.R. Irwin, The Game of the Im­ possible: A Rhetoric of Fantasy (Urbana: University of Illinois Press, 1976), pp. 8-9. 39. E.M. Forster, Aspects of the Novel and Related Writings (1927; rpt. London: Edward Arnold, 1974), p. 74. 40. Irwin, p. 9. 41. Jung, Psychological Types, p. 52. 42. Irwin, p. 60. 43. Rudolf B. Schmerl, "Fantasy as Technique," in SF: The Other Side of Realism: Essays on Modern Fantasy and Science Fiction, ed. Thomas D. Clareson ( Bowling Green, OH: Bowling Green University Popular Press, 1971), p. 106. 44. Cassirer, pp. 160-161. 45. Forster, p. 75. 46. Tolkien, pp. 36-37 [63-64]; Forster, p. 75; Tzveton Todorov, The Fantastic: A Structural Approach to a Literary Genre, trans. Richard Howard (Ithaca,. NY: Cornell University Press, 1975), pp. 25, 31; Irwin, p. 66. 47. Cox, p. 73. 48. Irwin, p. 55. 49. Neumann, The Origins and History of the Consciousness, p. 369. 50. Irwin, p. 9. 51. C. N. Manlove, Modern Fantasy: Five Studies (Cambridge: Cam­ bridge University Press, 1975), pp. 7, 9. 52. Frye, The Anatomy of Criticism, p. 37. 53. Julius Kagarlitski, "Realism and Fantasy," in SF: The Other Side of Realism: Essays on Modern Fantasy and Science Fiction, ed. Clareson, p. 39. 54. Gary K. Wolfe, "Symbolic Fantasy," G enre, 8 (1975), 201. 55. Cassirer, pp. 76-77.

Introduction

xxxv

56. C.G . Jung, Two Essays on Analytical Psychology, 2nd ed. , trans . R.F .C. Hull, The Collected Works of C.G. Jung, Vol. 7 (Princeton : Princeton University Press, 1966), p. 201. 57. Rabkin, The Fantastic in Literature, pp. 12, 41. 58. Northrop Frye, The Secular Scripture: A Study of the Structure of

Romance (Cambridge, MA : Harvard University Press, 1976), p. 36 . 59 . Irwin, pp. 9, 67. 60. Cassirer, p. 164. 61. Manlove, p. 2. 62. Irwin, p. 183. 63. Robert Scholes, Structural Fabulation: An Essay on Fiction of the

Future, University of Notre Dame Ward-Phillips Lectures in English Language and Literature, Vol. 7 (Notre Dame and London: University of Notre Dame Press, 1975), p. 29. 64. Jung, Psychological Types, p . 52. 65. J. B . Priestley, "The Grey Ones," in The Other Place and Other Stories of the Same Sort (Melbourne, London, and Toronto: William Heinemann, 1953); rpt. in The Unknown, ed . Marvin Allen Karp (New York: Popular Library, 1965), p. 26.

NOVELS AND COLLECTIONS EDWIN ABBOTT ABBOTT 1.

Square , A . , pseud . F l a t l a n d : A R o m a n c e o f Ma n y Di m e n s i o n s . London : S e l ley , 1 8 8 4 . A two-d imens ional being ponders the pos s ib i l i ty of a one-dimens iona l realm and attempts to share hi s knowledge o f the three -dimens ional " spac e l and " wi th h i s doubting fel lows . The c l as s ica l mathematical fantasy and a biting sat ire on women and education . Bibliography

2.

Watson , George , ed .

Th e N e w C a mb r i d g e B i b l i o gr a ph y o f En gl i s h L i t e r a t u r e . Cambridge : C ambridge

Univer s i ty Pre s s , 1 9 6 9 , I I I

( 1800-1900 ) , 1611 .

RICHARD ADAMS 3.

Sha rd i k .

London : Al len Lane , 1 9 7 4 .

The pr incipal character , Kelderick , i s s aved He bel ieves that the from death by a bear . bear is a god , name s it Shardik , and adopts i t Through thi s and other c ircum­ a s hi s totem . stanc e s , he become s h i s people ' s leader and spends mo s t of the nove l as a pawn to pol i tical and soc ial forc e s . Ul timate ly , ne e scapes the s e externa l pre s s ures and d i scovers that his meta­ phy s ic a l and r e l i g ious bel ie fs are not true perspective s on hims e l f or his soc i e ty . In­ stead , he adopts a more succe s s ful rational and rea l i stic view in his search for s e l f and truth . 4.

wa t e r s h i p D o wn .

London : Rex Col l ings , 1 9 7 2 .

In thi s bea st epic , a group of rabbits , terror­ i z ed by man ' s imper sona l progr e s s and at odds with other groups o f thei r own kind , searches for utopia and the ir particular j oys . F i l led with exc e l lent anecdotal and epic d i gres s ions as the '' rabb i t ' s eye " view lends unusual per-

1

RICHARD ADAMS continued spectives and iden t i fi e s i ts own spe c; i a l brands of heroes and v i l lains . ROBERT ADAMS The Horsec l an S eries 5.

Hors ecl a n s Ody s s e y .

6.

T h e Comi n g o f t h e H o r s e c l a n s .

7.

Swo r d s o f t h e H o r s e c l a n s .

8.

R,e v e n g e o f t h e H o r s e e l a n s .

9.

A ca t of Si l very H u e .

1975

197 7

1977

In progre s s .

[paper ] .

[ paper ] .

New York : P i nnac le ,

[ paper ] .

Th e S i l v e r G o d d e s s .

11 .

Th e Pa t r i mo n y .

Library .

Los Ange l e s : P innac l e ,

Forthcoming from New Ameri c an

Library .

10 .

New York : P innac le ,

Forthcoming from New American

Forthcoming .

Whi le not as barbar i c a s Treece ' s Th e G r e e n Ma n ( see be low ) , thi s twenty- s eventh century , sword and'- sorcery series has more than i ts share of b lood and battle s . The action centers on the mi l i tar i st i c and po li tical conque s t s of Mi lo , an immortal warrior , a s the series explores man ' s attempts to share h i s world wi th tele­ pathic anima l s and to rebu i ld s hattered c ivi l i­ zation . Throughout , Mi lo and h i s companions are opposed by the machinations o f the la s t vestiges o f the scient i fi c commun i ty . The characteri zation of Mi lo ' s mi stres s , Mara , i s particular ly strong a s she come s to terms with her own newly d i s covered immorta l i ty and a s s erts hers e l f in a vio lent and masculine wor l d . A . E . , pseud .

S e e GEORGE WI LLIAM RUS SELL

BRIAN [WILSON ] ALD I S S 12 .

London : Faber & Faber , 1 9 7 6 .

Th e Ma l a c i a T a p e s t r y .

A hi ghly descriptive and picare sque tale that

2

BRIAN [ WILSON ] ALD I S S continued i s set in the fanta s t i c c i ty , Ma lac i a , where humans , soothsayers , strange be ings , and dino­ saurs roam about amid splendor and squa lor . The nove l focus es on the career of an it inerant actor , Perion de Chirolo ; his que s t for love , fame and wea l th ; and his fina l confrontation with a " devi l j aw " on h i s paramour ' s e s tate , the reso lution o f a l l hi s que s t s . Strongly reminis cent of the e i gh teenth-century p i ca­ resque novel and the engravings of Hogarth . Bib l iography 13 .

Ald i s s , /�argaret .

I t e m E i gh t y - T h r e e :

Bri a n w .

Oxford : Bocardo Pre s s ,

Al di s s , 1 9 5 4 - 1 9 7 2 . 1 9 7 3 [ pape r ] .

KINGSLEY AMI S 14 .

London :

Th e A l t e r a t i o n .

Jonathan Cape , 1 9 7 6 .

An al ternate h i s tory in which the Re formation

did not take p lace . Martin Luther ha s been Pope , and a Machi ave l l ian P9pe from Yorks h i re The now rules Eng land and mo$ t o f the wor ld . nove l focuses on Herbert Anvi l , the be s t boy soprano in memory , who flees castration ( to preserve h i s vo ice ) into a world where piety i s rampant and s c ience condemned .

15 .

Th e G r e e n Man .

London : Jonathan Cape , 1 9 6 9 .

Bibliography 16 .

Gohn , Jack Beno i t . K i n gs l e y A m i s : A Ch e c k l i s t . Kent , OH : Kent S t ate Univers i ty Pre s s , 1 9 7 6 . POUL ANDERS ON

17 .

New York : Abe lard-Schuman , 1 9 5 4 . New York : Bal lant�ne , 1 9 7 1 [ paper ] .

Th e B r o k e n Swo r d .

Rev . ed .

S e t in E l f land and i t s neighboring ki ngdoms , th.is c l a s s i c f antasy involves a change l i ng ' s attempt to reconc i le hi s humanity with h i s training and condi tioning as an e l f prince . Va lgard the change ling- -or iginal ly s to l en by Imr i e , e l f ear l , and replaced by a necromanti­ q a l ly conce ived e l f-tro l l - - cont inua l ly doubts h i s own va lue as he j udges hims e l f in re l ation

3

POUL ANDERSON continued to the graceful and magi c a l e lves . ijowever , he doe s d i s cover h i s true worth when he mus t confront the evi l and perverse e l f-tro l l who replaced him in the human realm . 18 .

H i gh C r u s a d e .

New York : Doubl eday , 1 9 6 0 .

In thi s comi c , pseudo-hi stor ical work , a group of Medi eva l knights capture an al ien space ship in 1 3 4 5 A . D . Arr iving at the center o f the a l iens ' c ivi l i zation , they use the ir force o f arms t o conquer the exi sting order and ins ti­ tute Eng l i sh feudal i sm throughout the galaxy . 19 .

Hr o l f Kra k i ' s Sa ga .

[ pape r ]

New York : B a l l ant ine , 1 9 7 3



A robus t imi tation and recon struction o f the ear ly Norse and I ce landi c s agas , s e t in the rnid­ s ixth century , A . D . Hro l f Kraki , mentioned in B e o wu l f and King o f the Geats , and the heroe s o f h i s court--B j arki , with hi s mag ic sword , Lavi ; Svipelag , who s l ays berserker s ; and the youthful H j alti , with h i s magic b lade Go ldhi lt- ­ are featured in thi s interlocking series o f bruta l adventures . 20 .

Garden C i ty , NY : Doub leday ,

A M i d s u m m e r T e mpe s t .

1974 .

Another o f Anderson ' s ps eudo-hi stori c a l nove l s , based on the princ iple that Shakespeare was a h i s tori an recording actua l events and per s on­ ages in h i s plays . Pr ince Rupert o f the Rhine battles aga inst Char l e s I o f England , Oberon and T i tani a lament the corning of s c i ence and Chr i s t i an i ty , Puck sorrows under the "wintry " faith o f Pur i tan i sm , Ari e l and Cal iban continue their conf lict a s the aging C a l iban searche s for h i s lost Mir anda , and Ander s on adds hi s patent " creative anachron i sms " ( e . g . , Rupert avoids a con f l i c t with the Puri tans by e s caping on a s team engine ) in thi s styl i s t i c t o u r d e fo r c e that captures the content and flavor o f Shakespeare ' s plays . 21.

Op e r a t i o n Ch a o s .

Garden C i ty , NY : Doub l eday , 1 9 7 1 .

In a rea lm where magi c i s rea l i ty , a werewo l f and a army during wartime whi le spe c i a l ta lents t o combat 4

an eve ryday , mundane witch meet in the they are using the i r an equa l ly magical

POUL ANDE RSON continued enemy . After the conf l ict is over , they are mus tered out of the special " corps " and marry . S hortly after , they mus t harrow he l l to recover their sto len child . A humorous and ingenious fanta sy with a very we l l -conce ived setting that conta ins such things as " rune keys " to start Many o f the minor charac­ cars · and open lock s . ters , particular ly the deni zens of he l l , are del ightful ly drawn . 22 .

Th r e e H e a r t s a n d Th r e e Li o n s .

Doub l eday , 1 9 6 1 .

Garden C i ty , NY :

One of the better examples o f the sword and sorcery sub-genre of fantasy and yet another example of Ander son ' s a f fection for pseudo­ hi s torical settings . Drawn from Medi eva l French , Dani s h , and Authur ian legends and us­ ing the concepts o f the par a l l e l univer se and the immortal hero , thi s is the tale of a 2 0 th­ century man who become s a knight i n a Med i eval realm; a l l i e s himse l f wi th a were swan and a dwar f ; and battl e s a werewo l f , a dragon , and the evi l Morgan le Fay . Sadly , when h i s tasks are done , he mus t re turn to his own mundane wor ld , leaving behind a legend promi s ing his return . For a comparab le work , see Robert A . Heinlein ' s G l o r y R o a d ( below ) . Bibliography 23.

" Poul Ande rson : Bibl iography . "

Th e Ma ga z i n e o f F a n t a s y a n d S c i en c e F i c t i o n , Apr i l 1 9 7 1 , pp .

56-6 3 .

S TELLA BENS ON [ANDERSON ] (Mrs . J . c . O ' Gorman ) 24 .

25 .

Benson , S t e l la , pseud . Th e A wa k e n i n g : A F a n t a s y . S an Franc i sco : J . W . Arrowsmi th , 1 8 8 9 [ paper-­ not s een ] . Rpt . San Franc i s co : Latern Pres s , 19 2 5 . L i vi n g A l o n e .

London : Macmi l lan , 1 9 1 9 .

The qua int tale o f a wi tch wi th a sentimental weaknes s for col lecting s tray anima l s and beings .

s

STELLA BENSON [ANDERSON ] cont inued Bibl iography 26 .

[ Terence I an Fytton Arm­ Gawsworth , John , ps eud . s trong ] . Ten Co n t empo r a r i e s : N o t e s T o wa r d Th e i r D e f i n i t i ve B i b l i o gr a ph y . Second Series . London : Jo iner and Stee le , 1 9 3 3 . ANONYMOUS

27 .

0 . Henry ' s Gho s t , pseud . My T u s s l e Wi t h t h e De vi l a n d Other S tori es . New York : I . M . Y . , 1 9 1 8 . a. b. c. d. e. f. g. h. i. j. k. 1. m. n. o. p. q.

"My Tuss le With the Devi l " " The Conte s t " " S leeping " " Yearning " "Anima l s " " Flowers " " Jewe l s " " Remembrances " "Muni tions " " Going Home " "My Hearth " " The Three H ' s " " The Sense s " " Fancies " " Ye s terday- -Today " "Action--Reaction " " A Vi s ion "

F . ANSTEY , pseud . PI ERS ANTHONY , pseud . MARTIN 28 .

See THOMAS ANSTEY GUTHRIE See PIERS ANTHONY DILLINGHAM JACOB

[ DON I STHORPE ] ARMSTRONG

Th e F i e r y Di v e a n d O t h e r S t o r i e s .

Gol lanc z , 1 9 2 9 . a. b. c. d. e. f.

London : Vi c tor

" The F iery Dive " " The Widow o f Ephe sus " " Portrai t o f the Mi s se s Harlowe " " Sombrero " " In the Wi l d s " " Saiµt Hercul e s "

6

MART IN [ DON I STHORPE ] ARMSTRONG continued Bibliography 29 .

Bri s tol Pub l i c Librar i e s .

Ma r t i n A rms t ro n g : P o e t a n d No v e l i s t : A B i b l i o gr a ph y . B r i s tol : [ Pub l i c

Librar i e s , 1 9 3 7 ] . 30 .

Megro z , R . L . F i v e No v e l i s t Po e t s . Jo iner and Steele , 1 9 3 3 .

London :

ELEANOR ARNASON 31 .

New York : Condor , 1 9 7 8

Th e swo r d Smi t h .

[ paper ] .

A l i ght tale concerning a smi th who flees the frivo l i ty and tyranny of the King of E s hgorin . Limper the Smi th and hi s companion , a baby dragon named Nargr i , endure canniba l s , e s cape a seductive temptre s s , and are j oined by a young girl as Limper tri e s to find freedom and the mys t i c a l truth of hi s craft . EDWIN LESTER [ LINDEN ] ARNOLD 32 .

Phra

3 vo ls . London : Chatto & [ i s sued in 1 8 9 0 ] .

33 .

Th e S t o r y o f Ul l a .

t h e Ph o e n i c i a n .

Windus , 1 8 9 1

London : Longmans , 1 8 9 5 .

Bibli ography 34 .

Wats on , George , ed .

T h e N e w C a mb r i d g e B i b l i o gr a ph y o f En gl i s h L i t e r a t u r e . Cambridge : Cambridge

Univers i ty Pre s s , I I I

( 1800-190 0 ) , 6 07-6 0 8 .

FRANK ATKINS 35 .

Aubrey , Frank , pseud .

A Q u e e n of A t l a n t i s : A Roma n c e o f t h e C a r i b b e a n S e a . London : Hutch­

inson , 1 8 9 9 [ i s sued in 1 8 9 8 ? ] . Arno P re s s , 1 9 7 5 .

Rpt . New York :

A group o f marooned Amer icans red i s cover Atlan­ tis . A woman in the group , Vanina , i s identi­ fied as the long-awai ted queen of Atlant i s . The Ameri cans j o in forces wi th Vanina ' s support­ ers and Mone l la , a strange godlike figure , to overcome the Karanda and the king , Kara . How­ n ever , the de feated King Kara bewi tche s Va ina . Mone l l a , Vanina ' s boyfr iend , and a race o f

7

FRANK ATKINS cont inued winged e lve s mus t again come to the res cue . 36 .

T h e De vi l

Tr e e o f E l

Dora do : A No vel .

London : Hutchinson , 1 8 9 6 . Pres s , 1 9 7 8 [ not seen ] .

Rpt . New York : Arno

Al though pub l i shed ear l i er , thi s i s the s eque l to A Q u e en o f A t l a n t i s ( see above ) . The enigmatic Mone l la reappe ars and gathe rs a group In to red i s cover the lost c i ty of El Dorado . fact , she leads the group to the Ki ngdom of Manca where she overthrows a tyrannical govern­ ment and des troys a c arnivorous tree . Fina l ly , i t i s learned that Monel la i s the two- thous and­ year-old Queen of Manca who has returned to re sume her reign . •

FRANK AUBREY , pseud .



See FRANK ATKINS

MICHAEL AYRTON 37 .

Ti t t i v u l u s or t h e Verbi a ge Col l e c t or .

Max Reinhardt , 1 9 5 3 .

London :

A s atire in whi ch T i ttivulus , a minor demon , i s a s s i gned to co l le c t a l l the neg l i gences , pompo s i ti e s , and vani t i e s uttered throughout the world . H i s col lection is quoted for the reader ' s amus ement from actual pol i tical speeches , arguments , phi losophi e s , and l i terary opinions . JOHN KENDRICK BANGS ( S ee a l s o ANONYMOUS ANTHOLOGIES : BARON MUCHAUSEN ) 38 .

A l i ce i n Bl u n de r l a n d � An Iri des cen t Drea m .

New York :

Doubleday , P age , 1 9 0 7 . One o f the many parod i e s o f Dodgson ' s A l i c e i n Wo n d e r l a n d ( s ee be low ) . 39 .

Over t h e Pl um- P u d d i n g .

& Brother s , 1 9 0 1 .

a. b. c. d. e.

New York and London : Harper

" ' Over the P lum- P udding ' " " Bi l l s , M . D . " " The Flunking o f Watkin ' s Gho s t " "An Urimai led Letter " " The Amalgamated Brotherhood of S pooks "

8

JOHN KENDRICK BANGS continuen £.

g. h. i. j. k. 1. 40 .

" A Glance Ahead " " Hans Pumperni cke l ' s Vigi l " " The Af f l i c t ion of Baron Humpfe lhimme l " " The Great Composer " " How Fr i tz Became a Wi z ard " " Ri s e and fa l l o f Pope Gregory " " The Los s o f the ' Gretchen B ' "

T h e Wa t e r G h o s t a n d O t h e r s .

Brothers , 1 8 9 4 .

a. b. c. d. e. f. g. h.

New York : Harper &

" The Water Gho st o f Harrowby Ha l l " " The Spectre Cook of Bangletop " " The Speck on the Lens " " A Midn i ght Vi s i tor " " A Qui cksi lver Cas sandra " " The Ghos t C l ub " "A P sychical Prank " " The Li terary Remains o f Thomas Bragdon "

The Hous eboat Books 41 .

A H o u s e - B o a t on t h e S t y x : B e i n g S o m e A c c o u n t o f t h e Di v e r s Do i n gs o f t h e A s s o c i a t e d Sh a d e s .

New York : Harper & Brothers , 1 8 9 6 .

42 .

T h e P u r s u i t o f t h e Ho u s e - B o a t : B e i n g S o m e F u r t h e r A c c o u n t o f t h e D i v e r s Do i n gs o f A s s o c i a t e d S h a d e s , Un d e r t h e L e a d e r s h i p o f S h e r l o ck H o l me s , Esq . New York : Harper & Brother s , 1 8 9 7 .

Account s o f the mee tings , gos s iping , and inter­ actions o f the gho s ts of famous personages as they mee t in a c l ub based in a house boat on the r iver S tyx . Characters inc luded , among other s in the s e de l ightful book s , are Baron Muchausen , Char l e s Darwin , Hamlet , Wi l l iam Shakespeare , Nero , Samuel Johnson , C i c ero , Jonah , Napo leon Bonaparte , Diogene s , Chr i s topher Columbus , George Washington , Confucius , Queen E l i zabeth , Wa l ter Ra leigh , Demosthenes , Cas s i us , Artemus Ward , Ophe l ia , Xanthippe , Adam , Home r , O l iver Goldsmi th , Robert Burns , Shem , Shy lock , Captain Kidd , Sherlock Holme s , and Cas s andra . Bibl iography 43 .

Bangs , Fran c i s H . " John Kendrick Bang s , Humor i s t o f the Nineti es . " Ya l e Un i v e r s i t y L i b r a r y G a z e t t e , 7 ( January 1 9 3 3 } , 5 3 - 7 6 .

9

MAURI CE BARING 44 .

Th e Gl a s s Men d e r a n d O t h e r S t o r i e s .

Nisbet , 1 9 1 0 . a. b. c.

d. e. f. g. h. i. j. k. 1. 45 .

" The Glass Mender " " The B lue Ro se " " The S tory o f Vox Angelica and L i eb l i ch Gedacht " " The Vagabond " " The Mins tre l " " The Hunchback , the Poo l , and the Mag i c Ring " The S i lver Mounta in " " The Ring " u The Merchant ' s Daughter " " The Cunning Apprentice " " Oreste s and the Dragon " " The Wi se P rince s s "

Ha l f , a M i n u t e ' s S i l e n c e .

1925 .

a. b. c. d. e. f. g. h. i. j. k. 1. rn . n. o. p. q. r. s. t. u. v. w. x. y.

London : James

London : Wi l li am H e inemann ,

" Ha l f a Minute ' s S i lence " " Pogrom" " The Antichr i s t " " ' Dirge in Marri age ' " " The Governor ' s N i e ce " " ' What i s Truth? ' " " A Police O f f i cer " " Rus s a lka " " The F lute of Chang L i ang " " Chun wa " " �Habent Sua Fata Libe l l i ' " " The Alternative " " A Luncheon-Party " " The I s l and " " The Shadow o f a Midni ght " " F@te Ga lante " " The Gar land " "Venus " " Dr . Faust ' s Last Day " " The I kon " " The Thi e f " " The Cricket Match " " The Man Who Gave Good Advice " " The Prodigal Who Carne Back Too Late " " The Bra s s Ring "

Bibliography 46 .

Chaundy , Le s l i e .

A B i b l i o gr a ph y o f t h e F i r s t E d i t i on s o f t h e W o r k s o f Ma u r i c e B a r i n g .

London : Dulac , 1 9 2 5 .

10

LESLIE BARRINGER The Neus trian Cyc le 47 .

G e r fa l c on .

New York : Doub leday , Page ; London : Wi l l i am He inemann , 1 9 2 7 . Rpt . Van Nuys , CA : Newcas tle , 1 9 7 6 [ paper ] .

48 .

J o r i s o f t h e R o ck .

49 .

Sh y L e op a r d e s s .

London : Wi l l i am Heinemann , 192 8 . Rpt . North Hol lywood , CA : Newca s t le , 1 9 7 6 [ paper ] .

London : Methuen , 1 9 4 8 . Rpt . North [ paper ] . Hol lywood , CA : Newcastle , 1 9 7 7

Set geograph i c a l ly in Neustria , onc e a p l ace in early medieva l , Meroving i an France , and set chrono logica l ly during the 1 0 0 Year s War in the 1 4 th and 1 5 th centur i e s , thi s tri logy reconstruc ts much o f the per i od wi th fanci ful charac ters . The Neus trian Cyc le is mos t interesting for the over­ lapping coverage o f event s among the three vo l­ ume s and the variety of narrative perspective s that result . In G e r fa l c o n , Raou l , a young baron wi th a f fections for swordsmanship , mus i c , and exc e s s ive mor a l i ty , become s invo lved with a wi tche s ' coven and i t s leader , Red Anne ; recover s hi s ti tle ; fa l l s i n love ; de feats a band o f robbe rs ; and i s bes ieged in a church tower by the rogue and robber Jori s of the Rock . Jor i s , along wi th Red Anne and his i l legi timate son , Juba l , are the main character s o f Jo r i s o f t h e R o ck , whi ch begins earlier and ends later than G e r fa l c on . I t begins with Jor i s ' b iography and hi s e ar ly murder o f a prie st and h i s mother ' s burning as a wi tch . Be fore he i s s lain by hi s son , who doe sn ' t know o f their re lat ionship , Jor i s and Red Anne are embroi led in a s truggle between two a spirants to the throne , Thori smund and Conrad . I t i s most i nteres ting to read the s iege of Raoul in the tower from the oppos ing point of view . S h y L e o p a r d e s s i s the h i s tory o f a young woman , Yo l ande , who become s a pawn in her unc le ' s po l i ti c a l machinations and is the victim of an arranged marri age to her uncle ' s s ad i s ti c s on , Balthasor . After adventures and con f l icts , she i s s aved by two pages , Lione l and D i omede , wi th the he lp o f Raoul o f the f i r s t vo lume in the cyc le , and a l l comb ine to thwart a plot against the king . Both squires become Yolande ' s lover s , a d i lemma Barringer reso lves wi th devi ces that echo Chaucer ' s " Knight ' s T a le . "

11

JOHN BARTH 50 .

Chimera .

New York : Random House , 1 9 7 2 .

Divided into thr e e sections , thi s nove l uses Th e T h o u s a n d Ni gh t s a n d On e N i gh t and the two Greek myths of Perseus and B e l l erophon as i t s points o f departure . The f i r s t section , " Dunya zadiad , " fol lows Th e Tho u s a n d N i g h t s a n d On e N i gh t a s S cheherez ade ' s s i s ter , after whom the s ection i s titled , s i t s at the foot o f the bed and l i s ten s to her e lder s i ster te l l ta l e s t o King Shahryar and watches them make love . In Barth ' s ver s i on of the anc i ent tale c o l l e c ­ tion , Schehere zade i s a n ardent de fender o f her sex and needs the he lp of a l i te rary gen ie to continue the tales . She and her s i s te r even­ tual ly marry the King and hi s brother on a l iteral ra zor ' s edge . S ection two , " Perseid , " focus es on Perseus , a s tar in the heavens , a s he re lates hi s youthful exploits t o Medu s a , another star . Hi s tale i s told from the d i s ­ i l lus ionment o f middle age , and the original myth ' s content and Perseid ' s succes s e s are mark­ edly a l tered by h i s bi tter perspective . " B e l lerophoni ad , " the third section , cont inue s Barth ' s theme o f middle-age perspective . Sur­ rounded by loving fami ly and s ubj ects , Be l le ­ rophon rules h i s k ingdom in peace . However , Pegasus can no longer f ly , and Be l lerophon que s ­ tions h i s s tatus a s a myth i c a l hero . In an at­ tempt to re cover hi s pas t , he leaves hi s Ama z on lover and j ourneys to d i s cover a drug that wi l l restore fl ight t o hi s aged , winged s teed . Gain­ ing the drug from Me lan ippe , an Ama zon spy , he f l i es to Olympus to rece ive immorta l i ty from the gods , but he i s thwarted and doomed to eterna l ly Th i s conc lus ion re l ive the s tory o f his li fe . re f lects a ma j or theme of the nove l : the e f fe c t o f f i ction on the nature o f l i fe and myth . Bibliography 51 .

52 .

Wa l sh , Thomas P . , and Cameron Northous e . J e r z y Ko s i n s ki , Gui de . Bos ton :

J o hn B a r t h , a n d Thoma s P y n c h o n : A R e fe r e n c e

G . K . Hall , 1 9 7 7 .

We ixlmann , Jo seph John .

J o h n B a r t h : A D e s cr i p t i v e P r i ma r y a n d S e c o n d a r y B i b l i o gr a ph y , I n c l u d i n g a D e s c r i p t i v e Ca t a l o g o f Ma n u s c r i p t H o l d i n gs i n un i t e d S t a t e s L i b r a r i e s . New York : Gar l and ,

1976 .

12

H [ ERBERT ] E [ RNEST] BATES 53 .

The S e ek e r s .

London : John and Edward Bumpus , 1 9 2 6 .

54 .

S e ve n Ta l e s a n d A l e x a n d e r .

Pre s s , 1 9 2 9 .

a. b. c. d. e. f. g. h.

London : Scho l art i s

"Alexander " " The Barber " " The Chi l d " "A Comic Actor " " The Peach Tree : A Fantasy " "A Tinker ' s Donkey " " The King Who Lived on Ai r : A Chi ld ' s Tale ._ " Lanka ' s White Mare "

Bib l iography 55 .

[ Arms trong , Terence I an Fytton ] . Gawsworth , John , pseud . T e n C o n t emp o r a r i e s : No t e s T o w a r d Th e i r D e fi n i t i ve B i b l i o g r a ph y . London : Joiner and Steele , 1 9 3 3 . L [ YMAN ] FRANK BAUM

56 .

The P u r p l e D r a go n a n d O t h e r F a n t a s i e s .

GA : Fictioneer Book s , 1 9 7 6 .

Lakemont ,

A col lection o f the shorter fanta s i e s , pub l i s hed from 1 8 9 2 to 1 9 0 5 . a. b. c. d. e. f. g. h. i. j. k. 1. m. n. o.

" The King ' s Head and the Purple Dragon " " The Ruby Casket " " The Wicked Wi zard and the Pr ince s s True l l a " " Pr ince F iddlecumdoo and the Gi ant " " Old K ing Cole " " The Wondrous Wise Man " " Three Wise Men o f Gotham " " The G l a s s Dog " " The Queen o f Quok " " The Magic Bonbons " " The D ummy That Lived " " The King Who Changed H i s Mind " " The Forest Orac le " " The Tran s formation o f Bayal the Porcupine " " The Enchanted Buf f a lo "

The Oz Series 57 .

Chicago and New York : Geo M . H i l l , 1 9 0 0 [ la ter reprinted , without change , as a " revi s ed edi t ion " as Th e N e w Wi z a r d of oz . Indianapo l i s : Bobb s -Merr i l l , 1 9 0 3 ] .

T h e Wo n d e r f u l

Wi z a r d o f O z .

13

L [ YMAN ] FRANK BAUM continued 58 .

Th e Ma r v e l o u s L a n d o f O z .

59 .

O z ma o f o z .

60 .

Do r o t h y a n d t h e Wi z a r d o f O z .

61 .

Th e R o a d t o o z .

62 .

Th e Em e r a l d C i t y o f O z .

63.

Th e Pa t c h wo rk G i r l o f O z .

64 .

Ti k -Tok o f o z .

65 .

Th e S c a r e c r o w o f O z .

66 .

R i nki t i nk i n O z .

67.

Th e L o s t Pr i n c e s s o f O z .

68 .

Th e T i n Wo o dm a n o f O z .

69 .

Th e Ma gi c o f o z .

70 .

Gl i n da o f O z .

Chicago : Re i l ly ' & Bri t­

ton , 1 9 0 4 .

Chicago : Rei l ly & B r i tton , 1 9 0 7 .

Bri tton , 1 9 0 8 .

Chicago : Re i l ly & Britton , 1 9 0 9 . Chi cago : Rei l ly & Bri tton ,

1910 .

Chicago : Re i l ly & Bri tton ,

1913 .

Chicago : Re i l ly & Britton , 1 9 1 4 . Chicago : Re i l ly & Bri tton ,

1915 .

Chicago : Re i l l� & Bri tton , 1 9 1 6 . Chicago : Re i l ly & Brit­

ton , 1 9 1 7 . 1918 . '

Chicago : Re i l ly &

Chicago : Re i l ly & Bri tton ,

Ch icago : Rei l ly & Bri tton , 1 9 1 9 .

Chicago : Rei l ly & Bri tton , 1 9 2 0 .

Strictly , Baum ' s O z book s should not appear in a vo lume devoted to adu l t fantasy , as thi s one is . They are c learly j uven i le . However , a s America ' s f i r s t maj or f antasy wri ter , Baum ' s influence on and contr ibution to the deve lop� ment of contemporary fantasy cannot be s l i ghted . H i s work s and Judy Gar land ' s rend i t ion have made the Oz adventures an Ameri can fixture that has done much for the acceptance of fantasy li terature and c i nema i n thi s country . Partial evidence o f thi s is the number o f author s , fully c i ted in Peter F . Hanf f and Doug las G . Greene ' s B i b l i o gr a ph i a O z i a n a ( see be low ) , who continued the Oz book s : Ruth P lumly Thompson , John R . N ei l l , Jack Snow , Rach e l R . Cosgrove , E l o i s e Jarvi's McGraw and Lauren McGraw Mi l ler , W . W . Den s low , and Frank [ Jo s lyn ] Baum . •

14





L [ YMA:� ]

FRANK BAUM cont inued Bibliography

71 .

Gardner , Mart i n , and Rus s e l B . Nye . Th e Wi z a r d o f O z a n d Wh o H e Wa s . E a s t Lan s ing : Michigan S tate Unive r s i ty Pres s , 1 9 5 7 .

72 .

Han f f , Peter E . , and Doug las G . Greene .

Bi b l i o ­ gr a ph i a O z i a n a : A C o n c i s e B i b l i o gr a ph i c a l C h e c k ­ l i s t o f t h e O z B o o k s b y L . F r a n k B a um a n d H i s S u c c e s s o r s : F o u n d e d o n a n d C on t i n u i n g t h e " B a u m B u gl e Ch e ck l i s t " b y Di ck Ma r t i n , J a m e s E . H a ff , a n d Da v i d L . G r e e n e . [ Demores t , GA] : Interna­ tional Wi z ard of Oz C lub , 1 9 7 6 [ paper ] .

PETER S [ OYER] BEAGLE 73 .

Th e F a n t a s y Wo r l d s o f P e t e r B e a gl e .

Viking , 1 9 7 8 . a. b. c. d.

74 .

New York :

A F i n e a n d P r i va t e Pl a c e T h e L a s t Un i c o rn

" Li la the Werewo l f " " Come , Lady Death "

A F i n e a n d P r i va t e P l a c e .

New York : Viking , 1 9 6 0 .

An unusual variation on the theme o f ete rnal love in which the barrier between l i fe and death vani shes in a Bronx cemetery . A spec i a l comi c role i s p l ayed by a wor ld-wi se and caus­ tic raven . 75 .

T h e L a s t Un i c o rn .

New York : Viking , 1 9 6 8 .

The poignant que s t o f the l a s t uni corn for her ensorcered f e llows that is fi l led with wonder , magi c , and emotion . The character i zation o f the unicorn ' s companions--Mo l ly Grue and Schmendri c k the mag i c i an- - i s particular ly note­ worthy . 76 .

Capra Chapbook Series , No . 1 7 . S anta Barbara , CA : Capra , 1 9 7 4 .

Li l a

t h e we r e wo l f .

A young l iberal tries to ma inta in a tolerant pos i t ion when he di s covers that the young girl he i s l iving wi th i s a werewo l f . Frequently antho logi zed ; s ee the ti tle index .

15

PETER S [ OYER] BEAGLE cont inued Bibliography 77 .

Brucco l i , Mathew J . , and C . E . Frazer C lark , eds . F i r s t P r i n t i n gs o f A m e r i c a n A u t h o r s : C o n t r i b u ­ t i o n s T o wa r d D e f i n i t i v e Ch e ck l i s t s . Detro i t :

Gale Re search , 1 9 7 8 , I I ,

33 .

HENRY N . BEARD AND DOUGLAS C . KENNEY 78 .

B o r e d o f t h e R i n gs : A P a r o d y o f J . R . R . To l k i e n ' s Th e L o r d o f t h e R i n gs . New York : New American

Library , 1 9 6 9

[ paper ] .

The H a r va r d L a mp o on ' s p arody of J . R . R . To lkien ' s c las s ic tri logy ( s ee be low ) , featur i ng s uch characters a s Frito the Boggie , Di ldo Bugge r , Goodgul f the Wi z ard , Sorhed w i th h i s dread Narcs , Spam the f a i thful , and Arrowroo t the King . Not for thos e who take the i r fantasy too serious ly . CHARLES BEAUMONT 79 .

T h e H u n ge r a n d O t h e r S t o r i e s .

Putnam ' s Sons , 1 9 5 7 .

a. b. c. d. e. f. g. h. i. J .

k. 1. m. n. o. p. q.

New York : G . P .

"Mi s s Genti lbe l le " " The Vani shing Ameri can " , " A Point of Honor " " Fa i r Lady " " Free Dirt " " Open Hous e " " The Tra i n " " The Dark Mus i c " " The Cus tomers " " La s t Night the Rai n " " The Crooked Man " " Nursery Rhyme " " The Murderers " " The Hunge r " " Tears o f the Madonna " " The Infernal Boui l l aba i s s e " " B lack Country " L [ ILLY MORESBY ] ADAMS BECK

80 .

Th e N i n t h Vi b r a t i o n a n d O t h e r S t o r i e s .

Dodd , Mead , 1 9 2 2 .

16

New York :

L [ ILLY MORESBY ] ADAMS BECK continued a. b. c. d. e. f. g. h. 81.

" The Ninth Vibration " " The Interpreter : A Romanc e o f the Eas t " " The Incomparab le Lady : A S tory o f China With a Moral " " The Hatred o f the Queen : A S tory o f Burma " " Fire o f Beauty " " The Bui lding of the Taj Maha l " " How Great i s the Glory of Kwannon ! " " The Round-Fac ed Beauty "

Th e P e r f u m e o f t h e R a i n b o w a n d O t h e r S t o r i e s .

York : Dodd , Mead , 1 9 2 3 . a. b. c. d. e. f. g. h. i. j. k. 1. m. n. o. p.

New

" The Man and the Le s ser Gods " " Juana " " The Courte s an o f Vai s a l i " " The F lute o f Kri shna " " The Emperor and the S i lk Godde s s " " The Lov�l i e s t Lady o f China " " The Ghos t P l ays of Japan " " The Marve l s o f Xanadu " " From the Ape to the Buddha " " The Sorrow o f the Queen " " The Perfect One " " The Way o f Attainment " " The Day Book o f a Court Lady o f Old Japan " " The Courtesan Prince s s " " The Happy S o l i tude s " " The Desolate C i ty " WILLIAM BECKFORD

82 .

An A r a b i a n Ta l e f r o m a n Unp u b l i s h e d Ma n u s c r i p t w i t h N o t e s C r i t i c a l a n d Expl a n a t o r y [ later t i t l e s : Th e H o u s e o f t h e C a l i ph Va t h e k and va t h e k ] . London : J . Johnson , 1 7 8 6 .

Vathek , a c a l iph , commi ts the s in o f exc e s s ive pr ide , s u p e rb i a , and s eek s wea l th in the sub­ terranean f ire . H i s s i n causes him to be sum­ moned by E lbi s , the f ire god , and Vathek i s condemned to have h i s heart eterna l ly enshroud­ ed in f l ame . Or igina l ly pub l i shed in French . Bibliogr aphy 83 .

Chapman , Guy , and J . Hodgkin .

A B i b l i o gr a p h y o f London : Con­ Wi l l i a m B e c k f o r d o f F o n t h i l l .

s tab le , 1 9 3 0 .

17

WILL IAM BECKFORD continued 84 .

Gennett , Robert . "An Annotated Check l i s t o f the Works of Wi l l i am Beck ford . " Papers o f the B i b l i o gr a p h i c S o c i e t y o f A m e r i c a , 6 1 ( 1 9 6 7 } , 2 4 3- 2 5 8 .

85.

Graham , Kenne th W .

" va t h e k in Eng l i s h and French . " S t u d i e s i n B i b l i o g r a ph y , 2 8 ( 1 9 7 5 } , 1 5 3 - 1 6 6 .

[ S I R HENRY ] MAX [ IMILLIAN ] BEERBOHM 86 .

Th e D r e a d f u l Dra gon o f H a y H i l l .

Heinemann , 1 9 2 8 .

London : Wi l l i am

A comic and far c i ca l fantasy in whi c h a dragon is revived , s l a in , and impersonated . Thi s work a l s o ha s s trong e lements of the didact i c fab le �s it shows mank ind ' s ba sic antagon i s tic nature . 87 .

Th e H a pp y H y po c r i t e : A Fa i r y T a l e fo r T i r e d Me n .

Bodley Book lets , No . 1 . New York and London : John Lane , The Bod l ey Head , 1 8 9 7 [ paper ] .

A mock fairy ta le that i l lustrates the be l i e f that i f someone adopts the appearance or s e em­ ing o f goodnes s , the pos e can lead to inner goodne s s . 88 .

London : John Lane , The Bodley Head ; New York : John Lane , 1 9 0 7 .

More .

a. b. c. d. e. f. g. h. i. j. k. 1. m. n. o. p. q. r. s. t.

" Some Words on Roya lty " " Punch " "Actors " " Madame Tus s aud ' s " " Groups o f Myrmidons " " Pretending " " An Infamous Brigade " " The Sea-S ide in Winter " " I f I Were lEdi le " " S ign-Boards " " Ouida " " The B l i ght on the Mus i c Hal l s " " Prang ley Va l ley " "Ar i se , S ir ! " " Fashion and Her B i cyc l e " " Go ing Back to S choo l " " 'A. B. ' " "A C loud of Pinafores " "At Covent Garden " " The Case o f Prometheus � -

18

-

[ S IR HENRY ] MAX [ IMILLIAN ] BEERBOHM continued 89 .

Z u l e i k a D o b s o n or An O x fo r d L o v e S t o r y .

Wi l l iam Heinemann , 1 9 1 1 .

London :

In thi s tale o f the preposterous , the mos t beauti fu l woman in the world ( so beauti ful s ta­ tues sweat when she pas se s ) comes to Oxford where she entranc e s a l l the undergraduates to such an extent that they a l l drown themse lves for her at the con c lus ion o f the crew race s . Bibl iogr aphy 90 .

-

Gal latin , A . E . , and L . M . Olive r . o f t h e W o r k s o f Ma x B e e rb o hm .

Hart-Davi s , 1 9 5 2 . 91 .

A B i bl i ography

London : Ruper t

Riewa ld , J . G .

S i r Ma x B e e rb o h m : Ma n a n d Wr i t e r . A Cri t i c a l An a l y s i s wi th a Bri e f L i fe a n d a B i b l i o gr a ph y . Bratt leboro , VT : S tephen Greene

Pre s s , 1 9 5 2 .

JOHN BELLAI RS 92 .

Th e Fa c e i n t h e F r o s t .

London : Macmi l lan , 1 9 6 9 .

Roger Bacon and Prospero seek to ward o f f evi l and protect the ori ginal spe l l that bound the four e lements and whi ch maintains order in the world . S e t in the 2 0 th century and sui table for j uveni le s . ,,.

STEPHEN VINCENT BENET 93 .

Th e D e v i l a n d Da n i e l

We bs t e r .

Countryman Pres s , 1 9 3 7 .

We s ton ,

VT :

The c la s s ic tale o f how Daniel Webs ter outwi tted the Devi l . 94 .

Thi r t e en O ' Cl o ck :

S to r i e s o f S e vera l

York and Toronto : Farrar & Rinehart ,

a. b. c. d. e. f. g. h.

" By the Waters o f Babylon " " The Blood o f the Martyr s " � The King of the Cats " " A S tory by Angela Poe " " The Tre a sure o f Vasco Gome z " " The Curfew To l l s " " The S obbin ' Women " " The Dev i l and Dani e l Webster "

19

New [ 19 3 7 ] .

Wo r l d s .

,.

STEPHEN VINCENT BENET continued i. j. k. 1. m.

" Dani e l Webster and the Sea Serpent " " Glamour " " Everybody Was Very Nice " "A Death in the Country " " Blos som and Frui t "

Bibli ography 95 .

Maddocks , Gl adys Loui s e . " Stephen Vincent Ben�t : A Bibli ography . " B u l l e t i n o f B i b l i o g r a ph y , 2 0 ( September-December 1 9 5 1 ) , 1 4 2- 1 4 6 ; 2 0 ( Jan­ uary-Apri l 1 9 5 2 ) , 1 5 8 - 1 6 0 . GERTRUDE BARROWS BENNETT

96 .

Stevens , Franci s , pseud . Th e C i t a d e l o f F e a r . New York : Paperback Library , 1 9 7 0 [ paper ] [ not seen ] . Origina l ly pub l i s hed in A r go s y , S eptember 1 4 0ctober 1 9 , 1 9 1 8 .

97 . 98 .

Cl a i me d .

New York : Ava lon , 1 9 6 6 .

Reading , PA : Polar i s Pre s s , 1 9 5 2 [ probably wri tten in 1 9 1 7 ] . Rpt . New York : Arno Pres s , 1 9 7 8 [ not seen ] . Th e H e a d s o f C e r b e r u s .

Andrew Powers i s transported by the " Dust of Purgatory " through " Ul i thia and the Gateway of the Moon " into the rea lm o f U l ith i a with i t s wraith- l ike r iders , moon gate , r i tua l dancer s , and godde s s - - the white Weave r . He i s then transported to a twenty- second century Phi la­ de lphia , which is dra s ti c a l ly tran s formed into a re l igious dictatorship by the great god Penn . After rebe l l ing agains t the tyranny , Powers and hi s f e l lows are re turned to the i r original and norma l wor ld . P IERRE BENOIT 99 .

L ' Atl anti de .

Pari s : Alb i n Miche l , 1 9 1 9 .

A we l l-wr itten imi tation o f H . Rider Haggard ' s Sh e ( s ee below ) . STELLA BENSON , pseud .

See STELLA BENSON ANDERSON

20

MICHEL BERNANOS 100 .

Trans . E laine P . Halperin . New York : De l l , 1 9 7 0 [ pape r ] . Ori­ gina l ly pub l i shed as La Mon t a gn e mor t e de l a vi e . Par i s : Jean-Jacque s Pauvert , 1 9 6 7 [ not seen ] .

Th e O t h e r S i d e o f t h e Mo u n t a i n .

A macabre work , thi s s hort nove l begins with what s eems to be a s traight- forward account of a n ineteenth - century shanghai . However , a fter the ship i s beca lmed and its crew become drunk­ en cannibal s , the young protagon i s t and h i s protector , the cook , fina lly gain what they think i s s a lvation on a b lood-red i s land . After j ourneying for many days and undergoing great privation , they come to a mounta in , de­ corated with the a larming ly l i fe - l ike human s tatue s they have observed throughout their The exi s tentia l ending marks the cul­ trave l s . mination o f a phy s io logi ca l change both men have been only vague ly notic ing amid their thirs t and hunger : they turn to stone and become part o f the moun tain . WALTER BESANT AND JAMES RICE 101 .

L u cr a f t a n d O t h er Ta l e s . Library [An 1 8 8 6 , ed . New York : Dodd , Mead , [ 1 8 8 8 ] . 2 vo l . , London edi tion has been c i ted in other bibliograph i es . ]

Th e C a s e o f Mr .

a. b. c. d. e. f. g.

" The Case o f Mr . Lucra ft " " The Mys te ry o f Joe Morgan " "An Old , O ld S tory " " Lady Ki tty " " The O ld Four-Poster " "My Own Expe r i ence " " T i tani a ' s Farewe l l "

P lus five pieces of non- f i c tion . DAVI D B I SCHOFF 10 2 .

N i gh t wo r l d .

New York : Bal lantine , 1 9 7 9

[ paper ] .

Like Chr i s topher S ta s he f f ' s Gramarye series ( s ee below ) and Poul Anderson ' s " The Queen of Air and Darknes s , " thi s i s an example o f the use of fantasy devi ces in the s c i ence- f i c ti on genre . A young noble accompani es a mandroid , a be ing made in the image o f H . G . We l l s by a

21

DAVI D B I SCHOFF continued fa l len galactic empire , to overthrow S atan and h i s n i ght creatures on a forgotten and backward planet ca l led S tyx . Actual ly Satan is the old governor o f the planet , gone quite mad a fter he engineered the cons truction o f the p l anet ' s imi tation o f Vi ctori an England for the pleasure o f the galaxy ' s ruling c la s s e s . Satan create s vampires , werewo lve s , dragon s , gr i f fins , demons , and various other creatures with the he lp of the p lanet ' s computer and terror i z e s the degen­ erated population . He i s fina l ly de feated by the 5 0 0- year- old Wel l s , h i s young companion , and a spo i led daughter of the new galactic empire . ODD BJERKE AND MEREDITH MOTSON 103 .

T h e S e a r ch f o r T r o l l h a v e n .

Book , 1 9 7 7

[ paper ] .

Bo i s e , I D : Beatty

A charming and de l ightful j uven i l e , we l l i l lus­ trated by Marvin Wood , that chron i c l e s in pro se and poetry the Tro l l s ' search for an utopi a they have seen in a dream . Fo l lowing a voice borne on the we s t wind , they are aided and de ­ layed by the creature s o f the de so l ate Arc t i c as they s eek thei r dream . CHRI STOPHER BLAYRE , pseud .

See E DWARD HERON-ALLEN

JAMES BLI S H The After S uch Knowledge Tetra logy 104 .

Do c t or Mi r a bi l i s .

New York : Dodd , Mead , 1 9 7 1 .

105 .

B l a ck E a s t e r o r Fa u s t A l e ph - N u l l .

106 .

Th e D a y A f t e r J u d gm en t .

107 .

A Ca s e of Consci ence .

NY : Doub leday , 1 9 6 8 . day , 1 9 7 1 . [ paper ] .

Garden C i ty ,

Garden C i ty , NY : Double­ New York : Bal l antine , 1 9 5 8

In the "Afterword " to Th e Da y A f t er J u d gm e n t , B l i s h points to a speech i n the nove l whi ch explains the rationa le o f h i s loose ly connected tetra logy : " ' maybe , ' Baines said , ' A large part o f the mys t i c tradi tion says that the po s se s s ion

22

JAMES BLI SH continued and use of s ecular knowledge--or even the de­ s i re for i t- - i s in i t s e l f evi l . . . " ( p . 1 0 3 ) . Wi thin th i s phi losophi c premi s e , the s e r i e s operate s within a wide variety o f s e tt ings and c i rcums tanc e s . Dr . Mi r a b i l i s i s a f i c t ional biography of Roger Bacon that is a vivid por­ tra it of thirteenth - century atti tudes and be­ l ie f s . B l a c k E a s t e r focuses on the activi ties o f a master sorcerer and h i s c l i ent , a mater­ ia l i stic indu s tr i a l i s t . Toge ther , they con­ spire to release a number of devi l s and demons upon the wor ld and , as a r e s ult , bring about Armageddon . In Th e Da y A f t e r J u d gm e n t , the di rec t sequel to B l a ck E a s t e r , the wor ld ha s ended and the r emnants of mank ind and i ts armies s trugg le aga inst S atan and h i s minions In A c a s e as the c i ty o f Di s come s to earth . o f C o n s c i e n c e , a space- faring Jesui t pr i e s t mus t dec ide i f a n al ien race i s tota l ly good or tota l ly evi l s ince i t appears that the a l i ens have avoided origina l s i n . B ib l iography 108 .

Owings , Mark .

" James B l i sh : Bibliogr aphy . "

Ma ga z i n e o f F a n t a s y a n d S c i e n c e F i c t i o n , Apri l 1 9 7 2 I PP 7 8 - 8 3 •



ROBERT BLOCH 109 .

Dra g o n s a n d N i gh t ma r e s :

Fo u r S h o r t N o ve l s .

more : Mirage Pres s , 1 9 6 8 .

Ba l t i ­

A co l lec tion of humorous and fantas t i c ta l e s o f necromancy that combine the everyday wi th fantasy : a. b. c.

"A Good Knight ' s Work " " The Eager Dragon " " ' Nursemaid to Nightmare s ' inc lud i ng ' B lack Barter ' "

Bibl iography 110 .

Ha l l , Graham . R o b e r t B l o ch B i b l i o gr a ph y . Tewk e s ­ bury , Glouc e s tershire : Graham M . Ha l l , 1 9 6 5 [ paper ] .

23

HANNES BOK* See a l so A [ BRAHAM ] MERRITT AND HANNE S BOK 111 .

Th e B l u e Pa g o d a .

112 .

Th e S o r c e r e r ' s S h i p .

New York : New Co l lector s ' Group , 1946 . A completion o f and bound with A . Merr i tt ' s Th e F o x Woma n . S ee the A . MERRITT entry for the annotat ion . [paper ] .

New York : Ballantine , 1 9 6 9

Highly indebted to A . Merr i t t ' s Sh i p o f I s h t a r ( see be low ) , a lthough not a s e f fective i n tech­ nique or plot . Nonethe le s s , thi s is a good i l lus tration of the use of a l ternate wor lds in f antasy l i terature . The character i z ation o f the f i sh creature wi zard , Yanuk , and the god , Orcher , are intr iguing . Unfortunate ly , the conception of the romance between Gene , the 'twent i e th-century transpo sed man , and S iwara , the prince s s , i s pede s tr i an and over ly s ty l i z ed . This tale was origina l ly publ i s hed in Un k n o wn Wo r l d s in 1 9 4 2 . Bok ' s o ther nove l , B e y o n d t h e Go l d e n s t a i r , f i r s t pub l i shed i n Lin Car ter and Bal lantine Books ' Adult Fantasy Series in 1 9 7 0 , i s an example o f the combination of los t-race li terature and s c i ence fic tion . *N . B .

S tuart W . We l l s I I I , in hi s Th e S c i e n c e F i c t i o n a n d H e r o i c F a n t a s y A u t h o r In d e x ( Duluth ,

MN :

Purple Uni corn Book s , 1 9 7 8 ) , c i te s Hannes Bok as a pseudonym for Wayne Woodward , a conten­ tion that I have been unable to ver i fy .

ANTHONY BOUCHER , pseud .

See WILLIAM ANTHONY PARKER WH I TE

ELI ZABETH [ DOROTHRA COLE ] BOWEN (Mrs . A . C . C ameron )· 113 .

Th e D r e a m L o ve r a n d O t h e r S t o r i e s .

Jonathan Cape , 19 4 5 . a. b. c. d. e. f. g. h. i. J .

" In the Square " " Sunday Afternoon " " The Inheri ted C lock " " The Cheery Soul " " Songs My Father S ang to Me " " The Demon Lover " " Care l e s s Talk " " The Happy Aut umn Fie lds " " Ivy Gripped the S teps " " Pink May "

24

London :

ELI ZABETH [ DOROTHRA COLE ] k. 1.

BOWEN continued

" Green Ho l ly " "Mysterious K8r "

Bibli ography 114 .

Heath , Wi l li am Webster . t r o d u c t i on

E l i z a b e t h B o w e n : An In ­ t o H e r No vel s . Madi son , WI : Un i ­

ver s i ty o f Wi s cons i n Pre s s , 1 9 6 1 , pp . 1 7 0 - 3 . 115 .

" E l i zabeth Bowen : A Check L i s t . " B u l l e t i n o f t h e N e w Y o rk P u b l i c L i b ra r y , 7 4 ( 1970) , 219-274 .

Se l lery , J ' nan .

MARJORIE BOWEN , ps eud . See GABRI ELLE MARGARET VERE [ CAMPBELL ] LONG EDWARD P � BRADBURY , ps eud .

See MICHAEL MOORCOCK

RAY [MOND DOUGLAS ] BRADBURY 116 .

Da rk c a r n i va l .

a. b. c. d. e. f. g. h. i. j. k. 1. m. n. o. p. q. r. s. t. u. v. w. x. y. z. aa .

S auk C i ty , WI : Arkham House , 1 9 4 7 .

" The Homecomin g " " Skeleton " * " The Jar " * " The Lake " * " The Ma iden " " The Tombs tone " " The Smi ling People " " The Emi s s ary " * " The Traveler " " The Sma l l As s a s s in " * " The Crowd " * " Reunion " " The Handler " " The Co ffin " " Interim " " Jack- in-the-Box " * " The S cythe " * " Le t ' s P lay ' Poison ' " " Uncle Einar " * " The Wind " * " The Night " " There Was an Old Woman " * " The Dead Man " " The Man Ups ta ir s " * " The N i ght S e t s " " C i s tern " * " The Next in Line " *

25

RAY [MOND DOUGLAS ] BRADBURY continued * For revi s ions of thes e short s tories, see Th e O c t o b e r C o u n t r y be l ow . 117 .

D a rk C a rn i va l .

London : Hamish Hami l ton , 1 9 4 8 .

The f i r s t Br i ti sh edition that omi t s the fo l low­ ing stories that wer e included in the f i r s t and Ameri can edi tion above : a. b. c. d. 118 .

" The Ma iden " " Reunion " " The Co ff in " " I nterim"

Th e D a y It R a i n e d F o r e v e r .

Davi s , 1 9 5 9 .

London : Rupert Hart­

S upposedly a repr int o f A M e d i c i n e fo r M e l a n ­ c h o l y ( see below ) , but thi s edition adds and omi ts a number of short s tories and changes one title : Addi t ions : a. " Re feren t " b. "Almost the End o f the Wor l d " c. " Perchance to Dream " d. " And the Rock Cried Out " Omi s sions : e. " The Fir s t Ni ght o f Lent " " A l l S umme r in a Day " f. " The Great Co l l i s i on o f Monday Las t " g. Title Change : h. " The Shore Line at S uns et " i s c a l led " The S unset Harp " in thi s col lection . 119 .

Th e G o l d e n Appl e s o f t h e S u n .

Doubleday , 1 9 5 3 .

a. b. c. d. e. f. g. h. i. J ·

k. 1.

Garden C i ty , NY :

" The Fog Horn " " The Pede s tr i an " " The Apr i l Witch " " The Wi lderne s s " " The Fruit a t the Bottom o f the Bowl " " Invi s ible Boy " " The F lying Machine " " The Murderer " " The Go lden K i te , the S i lver Wind " " I See You Neve r " " Embroidery " " The Big B lack and Whi te Game "

26

RAY [MOND DOUGLAS ] B RADBURY continued m. n. o. p. q. r. s. t. u. v.

" A Sound o f Thunder " " The Great Wide World Over There " " Powerhouse " " En la Noche " " S un and Shadow " " The Meadow " " The Garbage Co l lector " " The Great Fire " " Ha i l and Farewe l l " " The Golden App l e s o f the S un "

According to Nolan ' s Bradbury bibli ography ( s ee be low ) , the British f i r s t edi tion ( London : Rupert Hart- Davi s , 1 9 5 3 ) i s s l ight ly abridged . 12 0 .

Garden C i ty , NY : Doub leday ,

Th e I l l u s t r a t e d M a n .

1951 .

a. b. c. d. e. f. g. h. i. J .

k. 1. m. n. o. p. q. r. s. t.

" Pro logue : The I l lustrated Man " " The Ve ldt " " Kale idoscope " " The Other Foot " " The Highway " " The Man " " The Long Rain " " The Rocke t Man " * " The Fire Ba l loons " * " The Las t Night o f the Wor ld " " The Exi les " * "No Particular N i ght or Morn ing " " The Fox and the Fore s t " " The Vi s i tor " " The Concrete Mixer " * " Marionette s , Inc . " " The C i ty " " Z ero Hour " " The Rocket " " Epi logue "

The B r i t i s h edition ( London : Ruper t Hart-Davi s , 1 9 5 2 ) omi ts the stor i e s that are a s terisked above and adds one s tory : u. 121 .

" Usher I I "

Garden C i ty , NY : Double­ day , 1 9 5 0 [ Br i t i sh ti tle : Th e S i l v e r L o c u s t s . See below ] .

Th e Ma r t i a n C h r o n i c l e s .

a. b. c.

" January 1 9 9 9 : Rocket Summer " " February 1 9 9 9 : Y l l a " "Augus t 1 9 9 9 : The Summer Night "

27

RAY [MOND DOUGLAS ] BRADBURY continued d. e. f. g. h. i. j. k. 1. m. n. o. p. q. r. s. t. u. v. w. x. 122 .

"Augus t 1 9 9 9 : The Earth Men " "March 2 0 0 0 : The Tax P ayer " " June 2 0 0 1 : And the Moon Be S t i l l a s Bright " "August 2 0 0 1 : The Settler s " " December 2 0 0 1 : The Green Morning " " February 2 0 0 2 : The Locus t s " "August 2 0 0 2 : Night Meeting " " October 2 0 0 2 : The Shore " " February 2 0 0 3 : Interim" "Apri l 2 0 0 3 : Way in the Middle o f the Ai r " " 2 0 0 4 - 2 0 0 5 : The Naming o f Name s " "Apr i l 2 0 0 5 : Usher I I " " August 2 0 0 5 : The Old Ones " " Septembe r 2 0 0 5 : The Martian " "Novembe r 2 0 0 5 : The Luggage Shore " " November 2 0 0 5 : The O f f Season " " November 2 0 0 5 : The Watchers " " De cember 2 0 0 5 : The S i len t Towns " " Apr i l 2 0 2 6 : The Long Year s " "Augus t 2 0 2 6 : There Wi l l Come Soft Rains " " Oc tober 2 0 2 6 : The Mi l li on-Year P i cnic " -

Garden C i ty , NY : [ Se e the revi sed and a l tered

A M e d i c i n e fo r Me l a n c h o l y .

Doub leday , 1 9 5 9 Br iti sh editi on above ] .

a. b. c. d. e. f. g. h. i. j. k. 1. m. n. o. p. q. r. s. t. u. v.

-

Th e Da y I t R a i n e d F o r e v e r

" In a S ea son o f C a lm Weathe r " " The Dragon " "A Medi cine for Me lancholy " " The End o f the Beginn ing " " The Wonderful I ce Cream Sui t " " F�ver Dream" " The Marriage Mender " " The Town Where No One Got Of f " "A S cent o f S ar s apar i l la " " I carus Montgo l f i er Wr ight " " The Headpi ece " " Dark They Were , and Go lden-eyed " " The Smi le " " The F i r s t N i ght o f Lent " " The T ime o f Going Away " "Al l S unune r in a Day " " The Gift " " The Great Co l l i s ion o f Monday Last " " The Li ttle Mice " " The Shore Line at S uns et " " The S trawbe rry Window " " The Day I t Rained Forever "

28

RAY [MOND DOUGLAS ] BRADBURY conti nued 123 .

New York : Ba l lantine , 1 9 5 5 .

Th e O c t o b e r Co u n t r y .

Revi s ions of se lected short s tories from Da rk C a rn i va l ( as asteri sked above ) p lus five addi­ t iona l t i t l e s : a. b. c. d. e. 124 .

" The Dwarf " " The Watchful Poker Chip o f H . Mat i s se " " Touched wi th F ire " " Homecoming " " The Wonder ful Death o f Dud ley Stone "

London : Rupe rt Hart-Davi s , [ F i r s t and American edi tion : Th e Ma r t i a n Chron i c l e s . See above . ]

Th e S i l v e r L o c u s t s .

1951 .

Thi s B r i t i s h f i r s t edi tion adds stor i e s and omi ts others that were in Th e Ma r t i a n C h r o n i c l e s : Addi t ions : " Apr i l 2 0 0 0 : The Third Expedition " a. b. "November 2 0 0 2 : The Fire Bal loon s " "Apri l 2 0 0 3 : The Mus i c ians " c. Omi s s ions : d. "Apri l 2 0 0 3 : Way in the Midd le o f the Air " e. "Apr i l 2 0 0 5 : Usher I I " 125 .

S o m e t h i n g Wi ck e d Th i s Wa y C om e s .

and Schuster , 1 9 6 2 .

New York : S imon

In thi s tale , two boys encounter a s trange , ma­ c abre , trave ling carnival that has appeared eve ry October for at leas t one hundred years . The carnival a f fects the boys and the people around i t in peculiar and unusual ways as Mr . Dark weaves his spe l l of evi l amid l i ghtning rods and s hape changing . Bibliography 12 6 .

Nolan , Wi l l i am F .

Th e R a y B r a d b u r y Compa n i on : A L i f e a n d C a r e e r H i s t o r y , P h o t o l o g , a n d Comp r e h e n ­ s i ve Ch e ck l i s t o f Wr i t i n gs wi t h Fa c s i m i l e s f r o m R a y B r a d b u r y ' s Un p u b l i s h e d a n d Un c o l l e c t e d Wo rk i n A l l Medi a . Detroi t : Gale Re search , 1 9 7 5 .

J . S . BRADFORD 127 .

E ve n A Wo rm .

London : Arthur Barker , 1 9 3 6 .

The an imal k ingdom uni te s to f i ght i t s common 29

J . S . BRADFORD continued enemy , Man , and freely s acri fice s individua l s t o the greater good of the many spe c i es . ERNEST BRAMAH , pseud .

See ERNEST BRAMAH SMITH

E [ DITH ] NESBIT [ BRAND ] 128 .

Nesbi t , E . , ps eud . Th e S t o r y o f t h e A m u l e t . London : T . Fi sher Unwin , 1 9 0 6 . Although Edith Nesbi t Brand ' s book s are c learly j uveni les , she doe s appear to have a fol lowing In thi s nove l , the seque l to among adul t s . F i ve C h i l d r e n a n d I t ( 1 9 0 2 ) , five chi ldren are again a l lied with the lovab le and irascible S and Fairy , P s ammead , and trave l through t ime to anci ent Egypt and Babylon to complete a magic amulet . Othe r j uveni le ti tles are li sted below wi thout annotation .

129 . 130 . 131 .

Fi ve Ch i l d r en a n d I t .

Unwin , 1 9 0 2 .

H a r d i n g ' s L u ck .

ton , 1 9 0 9 .

London : Hodder & S tough­

Th e H o u s e o f A r d en : A S t o r y f o r Ch i l d r e n .

London : T . Fi sher Unwin , 1 9 0 8 .

132 . 133 .

London : T . F i sher

T h e Ma g i c C i t y .

London : Macmi l lan , 1 9 1 0 .

T h e Ph o e n i x a n d t h e C a r pe t .

George Newnes , 1 9 0 4 .

London :

MARY CHAVELITA CLAI RMONTE BRI GHT 134 .

Egerton , George , pseud . Fa n t a s i a s . London and New York : John Lane : Bodley Head , 1 8 9 8 . a. b. c. d. e. f.

" The " The " The " The " The " The

S tar-Worshiper " E lus ive Me lody " Mandrake Venus " Fut i le Que s t " Kingdom of Dreams " We l l o f Truth "

30

MARY CHAVELITA CLAI RMONTE BRIGHT continued Bibl i ography 135 .

Gawsworth , John , ps eud . [ Terence I an Fytton Arm­ s trong ] . T e n C o n t e mp o r a r i e s : N o t e s To wa r d Th e i r D e fi n i t i v e B i b l i o gr a ph y . London : E . Benn , 1 9 3 2 . DAMIEN BRODERICK

136 .

S o r c e r e r ' s Wo r l d .

New York : S i gnet , 1 9 7 0

[ paper ] .

A hero i s transported to a para l le l wor ld a s a s ide e f fect o f an experiment conduc ted by three super beings attempting to trans form and revive E arth in the far di stant future . H e becomes thei r tool . Pretty average stuf f . TERRY BROOKS 137 .

New York : B a l l antine ; New York : Random Hous e , 1 9 7 7 .

Th e S w o r d o f S h a n n a r a .

A d i s appo inting post-holocaust , Tolki en- l ike tale o f the que s t for a magical sword by a company o f heroe s amid a s trugg le between the dark powers and the e lve s . JEAN BRULLER 138 .

Vercor s , p seud . S y l va . 1 9 6 1 [ paper ] .

Pari s : Bernard Gras se t ,

A fox , f leeing from the hunt , i s trans formed into a woman . As the fox , Sylva , becomes more human , another woman , Dorothy , becomes l e s s and l e s s human as a result o f drug addicti on . Thus , thi s novel i s an examination o f the val i d i ty o f humani ty regardl e s s o f shape and the nature o f the d i stinct i on between man and anima l . JOHN BRUNNER 139 .

Th e D e v i l ' s wo rk .

New York : W . W . Norton , 1 9 7 0 .

A haunting , poi gnant nove l , wri tten parti a l ly in the stream o f consc i ousne s s , in whi ch a young Eng l i sh boy i s seduced by the devi l and a succuba . Stephen , suf fering the death o f h i s

31

JOHN BRUNNER continued e legant mother and the crud i ty of h i s father , comes to a sma ll town after graduating h i gh Confused about hi s future and yearning school . for the grac iousne s s o f his mothe r , he is easy prey for the devi l ' s mater i a l inducements . A noteworthy feature i s Brunner ' s fun w i th the name s of the character s : the devi l i s Mr . Some­ body ; the s uccuba , Mo ira Morgan ; S tephen ' s father ' s crude housekeeper-mi stre s s , Mrs . Lowe ; the e f feminate curate , Jimmy Lavender ; the avar­ i c ious parson , Mr . Unthank ; the town tough , Jack Wi ldspin ; and the r i pe , young protagoni s t , S tephen Green . 140 .

New York : Be lmont , 1 9 6 8 [ paper ] . Bound with Bruce Duncan ' s Mi r r o r Ma g i c .

Fa t h e r o f L i e s .

An emotion a l ly cr ippled chi ld uses mind power to create an Arthuri an rea lm complete with dragons , kni ghts , and maidens . He rules i t with a dement­ ed hand unt i l he is outwi tted . 141 .

T i m e s Wi t h o u t N u mb e r .

New York : Ace , 1 9 6 9

[ paper ] .

Wh i le thi s appears to be a typical , s c i ence­ fi ction , time-paradox adventure , in actua l i ty i ts setting i s in an unreal time frame that has never exi s ted , one in which the Spani s h Armada wa s victor ious and the Catho l i c Church has re­ mained a ma j or pol i tical power . Howeve r , a group o f conspirators i s attempting to a lter thi s " present " by manipulating the past . They are s ucce s s ful and the wor ld returns to norma l · Revi s ed hi story , based on the Armada ' s de feat . from a ser i a l that appeared in S c i e n c e F i c t i o n A d ven t u r e s in 1 9 6 2 . 142 .

T h e T r a ve l e r i n B l a c k .

New York : Ace , 1 9 7 1

[ paper ] .

A series o f stories centered on the trave ler in black , a mysterious , god- l ike f i gure who move s His about the land bringi ng order out of chao s . phy s i ca l identity var i e s , but h i s nature i s a l ­ way s the s ame : in bringing order , h i s pronounce­ ments and actions are both j ust and ironi c , o f fer ing surpri s ing truths to the mis taken ly s e l f-righteous . a. b. c. d.

" Impr int of Chao s " " Break the Door o f He l l " " The Wager Lost by Winni ng " " Dread Empire "

32

JOHN BRUNNER continued Bibliography 143 .

DeBol t , Joe , and Den i s e DeBo l t . "A Brunner Bibl iography . " In Th e H a pp e n i n g Wo r l d s o f J o h n Brunn er : Fi c t i on . Ed .

C r i t i c a l E xp l o r a t i o n s i n S c i e n c e

Joe DeBolt . Port Washington , NY and London : Kennikat Pre s s , 1 9 7 5 , pp . 1 9 5 209 . JOHN BUCHAN 144 .

Edinburgh and London : Wi l liam B l ackwood and S ons , 1 9 1 2 .

Th e M o o n En d u r e t h :

Ta l e s a n d F a n c i e s .

Tal e s a l te rnating wi th poems a. b. c. d. e. f. g. h. i. J .

k. 1. m. n. o. p. q.

r. s. t.

(*) :

" From the Pentlands Looking North and S outh " * " The Company o f the Mar j o laine " "Avi gnon , 1 7 5 9 " * "A Lucid I nterva l " " The Shorter C atechi sm ( Revi sed Ver s ion ) " * " The Lernn i an " "Atta ' s S on " * " Spac e " " S tock s and Stones " * " S treams o f Water in the S outh " " The Gypsy ' s Song to the South " * " The Grove o f Ashtaroth " "Wood Magi c " * " The Riding o f Ninemi leburn " " P lain Folk " * " The K i ngs o f Or ion " " B abylon " * " The Green Glen " " The Wi s e Year s " * " The Rime o f True Thoma s "

Bibliography 145 .

Archib a ld , Hanna , Jr . John B u chan : 1 8 7 5 - 1 9 4 0 : A B i b l i o gr a p h y . Harnden , CT : Shoe S tr ing Pres s , 195 3 . [ HENRY ] KENNETH BULMER

146 .

S w o r d s o f t h e B a rb a r i a n s .

New York : Be lmont , 1 9 7 0 .

A sword and sorce ry nove l invo lving twins : a brother who i s a mixture o f thinker and bar ­ bar i an and a s i s ter who mus t s trip naked to

33

[HENRY ] KENNETH BULMER continued per form her magi c . The nove l contains a number o f we l l- contri ved vi l lains and some spe c i a l moments that invo lve Fre lgar the Pragmati s t , a wi zard who has forsworn mag i c . 147 .

Ka n d a r .

New York : Paperback Library , 1 9 6 9 .

A mediocre tale in whi ch a young s cholar-prince is forced into action by the capture and en­ sorcering o f hi s beloved and his c i ty . He mus t find a number o f magi c a l tomes that contain the in formation needed to break the spe l l . EDWARD GEORGE EARLE BULWER-LYTTON 148 .

2 vo l s . London : S ampson Low , Son , 1 8 6 2 . [An ear l i er edition--Leip z i g : Tauchn i tz , 1 8 6 1 - - i s c i ted in a numbe r o f bibl io­ graphie s . ]

A S tr a n g e S t ory .

A strange ly vita l man , Margrave , attempts to draw a pastor , Fenw i ck , into the dark wor ld o f wi tchcraft . Margrave hope s t o use Fenwick t o However , Fenwi ck renew a n evi l e l ixir o f l i fe . gains a magi c wand that he lps h im temporar i ly halt Margrave who has k idnapped Fenwick ' s Fenwick and the g i r l flee to Aus tr i a f i ancee . t o s tart a new l i f e , but Margrave pur sues them in h i s search for the e l ixir . At the moment that Margrave d i scove r s the couple , he s uddenly begins to degenerate and i s se i z ed by the dark powers he has served . Bibliography 149 .

S tevenson , L ione l , ed . Vi c t o r i a n F i c t i o n : A G u i d e t o R e s e a rch . C ambridge , MA : Harvard Univers i ty Pre s s , 1 9 6 4 . KAY [ KATHERINE ] BURDEKIN

150 .

London : Butterworth , 1 9 2 7 ; New York : Wi l l i am Morrow , 1 9 2 9 .

Th e B u r n i n g R i n g .

An eternal l i fe s tory s imi lar in a number o f respects to H . Warner Munn ' s M e r l i n ' s R i n g ( see A youth uses a magi c ring to cont inue be low ) . to l ive through s ever a l centuri es .

34

ANTHONY BURGES S , pseud .

See JOHN ANTHONY BURGE S S WILSON

JOSEPH BURGO 151 .

Th e L i gh t s o f B a r b r i n .

1978

[ pape r ] .

New York : Pocket Books ,

Character deve lopment i s usua l ly one of the weake s t aspects of works that are predominantly fantasy . Such i s not the case with thi s unusua l work . Ehred , a young boy l iving in the squa lor of a vi l lage in a dying land , has hi s unusua l nature identi fi ed in a remote haven cal led Nabr i lehr . I n thi s place , humani ty is s t i l l nob le and recogni z e s the p sychic power o f the Ehred and three other young "mi s f i t s " mind . mus t form a Ha z i ad , a four- per s on mind web in which each member repre s ents and has power over one of the four e lements , to fu l ly real i z e them­ se lves . E ach membe r mus t overcome hi s or her per s onal tragedy and flaws to find union ; wi th­ out thi s union and personal evo l ut ion , the ir world , the i r haven , and mankind ' s hope wi l l fa l l be fore the dread power o f the evi l Rand , Ehred ' s boyhood fri end , and their own we akne s s . JOHN BURKE 152 .

Th e D e vi l ' s F o o t s t ep s .

N i co l son , 1 9 7 6 .

London : We iden fe ld and

An occult mys te ry that mi ght appea l to fantasy reader s for i t s s upernatura l content . The enig­ mati c Dr . Caspian and the love ly Bronwen Powys are uni ted in love as they con front an anc i ent evi l that pos s e s s e s the inhab i tants of a late Compares very nineteenth- century B r i t i sh town . favorab ly wi th the works of Denn i s Wheatley and Char l e s Eve lyn Vivian ( see be low ) . S eque l : Th e B l a ck Ch a r a d e : A Dr . Ca s pi a n S t o r y . London : We iden feld and N i c o l son , 1 9 7 7 . EDGAR RICE BURROUGHS The Mars of Barsoom S e r i e s 153 .

A Pr i n c e s s o f Ma r s .

Chicago : A . C . Mcc lurg , 1 9 1 7 .

154 .

Th e G o d s o f Ma r s .

155 .

T h e wa r l o r d o f Ma r s .

Chi cago : A . C . Mcc lurg , 1 9 1 8 . Chi cago : A . C . Mcc lurg , 1 9 1 9 .

35

EDGAR RICE BURROUGHS continued 156 .

Th u vi a , Ma i d o f Ma r s .

Chicago : A . C . Mcc lurg , 1 9 2 0 .

157 .

Th e Ch e s sm a n o f Ma rs .

Chi cago : A . C . Mcclurg , 1 9 2 2 .

158 .

Th e Ma s t e r Mi n d o f Ma r s .

159 .

A Fi gh t i n g Ma n o f Ma r s .

16 0 .

S w o r d s o f Ma r s .

161 .

S y n t h e t i c Men o f Ma r s .

162 .

J o h n C a r t e r o f Ma r s .

16 3 .

L l an a o f G a t h o l .

19 2 8 . 1931 .

Chi c ago : A . C . Mcc lurg , New York : Metropo l i tan ,

Tar zana , CA : E . A . Burrough s , 1 9 3 6 .

1940 .

Tar z ana , CA : E . A . Burroughs , New York : Canaver a l , 1 9 6 4 .

Tar z ana , CA : E . A . Burrough s , 1 9 4 8 .

Although tradi tional ly con s i dered s c i ence f i c ­ tion , thi s series lacks the nece s s ary ingred i ent o f extrapo lation that would make i t part of that genre . Rather , it is a rationa l i z ed fanta sy , and Burroughs has used occas iona l s c i ent i f i c preten s e s t o e a s e the reader ' s wi l l ing s uspen­ s ion o f di sbel i e f . Moreove r , i t would be im­ pos s ib l e to mea s ure the inf luence o f thi s series on the deve lopment o f contemporary sword and sorcery fantasy . I n the series , an earth­ man , John C arter , is astral ly transported i n He an swer t o a beauti ful pr ince s s ' s appe a l . use s hi s superior e arthly mus c le s and his cun­ ning to become war lord o f Mar s and marr i e s the prince s s� Throughout the serie s , John Carter , h i s wi fe , f ami ly , and companions are continua l ly invo lved in bi zarre adventures , mo st of which invo lve the divergent rac e s and constan t war­ fare of Mar s . B ib l iography 16 4 .

Harwood , John .

Th e L i t e r a t u r e o f B u r r o u gh s i a n a : A L i s t i n g o f Ma ga z i n e A r t i c l e s , B o o k C ommen t ­ a r i e s , N e w s I t e m s , B o o k R e v i e ws , Mo vi e R e vi e ws , Fa n z i n e s , A m a t e u r P u b l i c a t i on s , a n d R e l a t e d I t e m s C o n c e rn i n g t h e L i fe A n d / O r W o r k s o f E d g a r R i c e B u r r o u gh s . Baton Rouge , LA : C ami l le

C a z ede s sus , 1 9 6 3

165 .

[ paper ] .

He in s , Henry Hardy .

A G o l d en A n n i ve r s a r y B i b l i o ­ g r a ph y o f E d g a r R i c e B u r r o u gh s . Wes t Kingston ,

RI : Donald M . Grant , 1 9 6 4 .

36

·

EDGAR RICE BURROUGHS continued 166 .

Porges , I rwin .

E d ga r R i c e B u r r o u gh s : Th e Ma n Wh o Cr e a t e d T a r z a n . Provo , UT : Brigham Young

Unive r s i ty Pres s , 1 9 7 5 .

ALI CE EL I ZABETH BURTON 167 .

Kerby , Susan Al i c e , pseud . Mi s s C a r t e r a n d t h e I fr i t . London : Hutchinson , ( 1 9 4 5 ] . Rpt . New York : Arno Pre s s , 1 9 7 8 [ not seen ] . An old spinste r burns a log in her f irep lace

and releases a Mus l im demon , an I fr i t , who had been impr i soned there by King Sulayman . In grati tude , the I fr i t enthu s i a s t i ca l ly and magica l ly re sponds to the woman ' s every whim . Whi le her needs are s imp le and she i s s omewhat overwh e lmed , the I fr i t doe s reun i te her with a past paramour , she is married , and releases the I fr i t from h i s bondage to mankind . JAMES BRANCH CABELL The B iography of the Life of Manuel 168 .

Be yond Li fe :

New York :

169 .

F i g u r e s o f E a r t h : A C o m e d y o f App e a r a n c e s .

170 .

Th e S i l v e r S t a l l i o n :

171 .

Th e Wi t c h Woma n :

Di z a i n e d e s Demi u r ges .

McBride , 1 9 1 9 .

York : McBr ide , 1 9 2 1 .

New

A Com e d y o f R e d emp t i o n .

York : McBride , 1 9 2 6 . A

Tri l o gy Abo u t Her .

Farrar , S traus , 1 9 4 8 . a. b. c. d.

New

New York :

"A Note a s to Ettarre " " The Mus ic from Behind the Moon " " The Way o f Ecben " " The Whi te Robe "

172 .

The s o u l

New York : Frederick A . Rev . ed . as Domn e i : A Com e d y o f woma n - Wo r s h i p . New York : McBride , 1 9 2 0 .

173 .

Ch i va l r y .

of Mel i cen t .

S tokes , 1 9 1 3 .

New York : Harper , 1 9 0 9 . York : McBride , 1 9 2 1 . a. b.

Rev . ed . New

" The Prologue " " The S tory o f the S e s tina { 1 9 0 6 ) "

37

JAMES BRANCH CABELL continued c. d. e. f. g. h. i. J.

k. 1.

" The " The " The " The " The " The " The " The " The " The

S tory o f the S tory o f the S tory of the S tory o f the S tory of the S tory o f the S tory o f the S tory o f the S tory of the Epi logue "

174 .

J u rgen :

175 .

Th e L i n e o f L o ve .

1919

Tenson ( 1 9 0 6 ) � Rat-Trap ( 1 9 0 7 ) " Choices ( 1 9 0 8 ) " Housewi fe ( 1 9 0 6 ) " S atraps ( 1 9 0 9 ) " Heri tage " S cabbard ( 1 9 0 8 ) " Navarre se ( 1 9 0 7 ) " Fox-Brush ( 1 9 0 5 ) "

A Come d y o f J u s t i c e .

[ paper ] .

New York : McBr ide ,

New York : Harper , 1 9 0 5 . ed . New York : McBr i de , 1 9 2 1 .

a. b. c. d. e. f. g. h.

" The Epi sode " The Epi sode Fa l s ta f f " " The Epi sode " The Epi sode " The Epi sode Arnaye " " The Epi sode " The Epi sode " Envoi "

C a l l�d Adhe lmar at Puy sange " C a l led Love Letters o f Cal led ' Sweet Ade l a i s ' " Cal led In Nece s s i ty ' s Mortar " C a l led the Conspiracy at Cal led the Ca stle of Content " Cal led In Ursula ' s Garde n "

176 .

Th e H i gh Pl a c e :

177 .

G a l l a n t r y : A n E i gh t e e n t h C e n t u r y C om e d i e,s wi t h a n A f t e rp i e c e . 19 07 . Rev . ed . a s G a l l a n t r y : Ga l a n t es . New York : McBride ,

A C o m e d y o f Di s e n c h a n t m e n t .

Yor� : McBride , 1 9 2 3 .

a. b. c. d. e. f. g. h. i. j. k. 1. m. n.

Rev .

" The Epi s t le Dedicatory " " The Prologue " " S imon ' s Hour " " Love at Martinrna s " " The Casual Honeymoon " " The Rhyme to Porr inger " "Ac tors Al l " " Apri l ' s Me s sage " " In the Second Apr i l " " He art of Go ld " " The S capegoats " " The Ducal Audi ence " " Love ' s Alumni " " The · Ep i logue "

38

New

Di z a i n i n T e n

New York : Harper ,

Di z a i n e d e s F e t e s

1922 .

JAMES BRANCH CABELL continued 178 .

Some t h i n g Abo u t Eve :

179 .

Th e C e r t a i n Ho u r

New

A C om e d y o f F i g - L e a v e s .

York : McBride , 1 9 2 7 .

McBride , 1 9 1 6 .

a. b. c. d. e. f. g. h. i. j. k. 1. m.

( D i z a i n e d e s Po e t e s ) .

New York :

" Bal lad o f the Double-Sea l " " Auctori a l I nduc t i on " " Be lh ' s Cava l i er s " " Ba l tha zar ' s Daughter " " Judi th ' s Creed " " Concerning Cor i nna " " Ol ivia ' s- Pottage " " A Brown Woman " " Pro Honoria " " The I rre s i s tible Ogle " " A Prince s s on Grub S tree t " " The Lady o f A l l Our Dre ams " " ' B a l l ad o f Plagiary ' "

180 .

Th e C o r d s o f Va n i t y : A Com e d y o f Sh i rki n g .

181 .

F r o m t h e H i d d e n Wa y :

B e i n g S e v en t y - fi ve A d a p t a t i o n s .

182 .

The J ewel Mercha n t s :

A C o m e d y i n On e A c t .

183 .

Th e R i ve t i n G r a n d fa t h e r ' s N e ck : A C om e d y o f L i mi t a t i on s . New York : McBride , 1 9 2 3 .

184 .

Th e E a gl e ' s S h a d o w .

185 .

Th e C r e a m o f t h e J e s t : A Com e d y o f E va s i on s .

186 .

Th e L i n e a g e o f L i c h fi e l d : A n E s s a y i n E u g e n i c s .

187 .

S t ra ws a n d P r a y e r B o ok s :

York : Doubleday , Page , 1 9 0 9 . York : McBr ide , 1 9 2 0 .

New York : McBride , 1 9 1 6 . McBride , 1 9 2 4 .

New Rev . ed . New

Rev . ed . New York :

York : McBride , 1 9 2 1 .

1904 .

New

New York : Doubleday , Page , Rev . ed . New York : McBride , 1 9 2 3 .

York : McBride , 1 9 1 7 . McBride , 1 9 2 2 .

Rev . ed . New York :

New

New York : McBride , 1 9 2 2 .

D i z a i n d e s Di v e r s i on s .

New York : McBr ide , 1 9 2 2 . a. b. c. d. e.

" The Author o f Jurgen " " A Note on Alcove s " " The Way o f Wi zardry " "Minion s of the Moon " " The Thin Queen o f E l fhame "

39

JAMES BRANCH CABELL continued f. g. h. i. J·

k. 1.

" Ce le s t i a l Architec ture " " Romantics About Them" " Divers ions o f the Anchori te " " The De lta o f the Anchorite " " A Theme wi th Var i ations " " Flaws in the Spur " " The Author o f the Eagle ' s Shadow "

Cabe l l ' s twenty-volume Li fe o f Manue l i s the mos t mas s ive ser i e s in a genre that has a great a f fection for mul t i -volume works . Combining poetry and prose , the s e r i e s has three ma j or theme s : chiva l ry , ga l lantry , and poetry i t se l f . S e t in the mythic , neo-medieval k ingdom Poicte sme and o ften s tarkly rea l i s tic in i ts treatment o f human nature , the maj or focus i s on the r i s e , l i fe , fa l l , and de i fi cation o f i ts - central f i gure . The mos t acclaimed vo lume s are F i g u r e s of E a r t h , concerning the ear ly adven­ ture s o f Manue l and the formation o f a group of comrade s , the Fel lowship of the S i lver S ta l l ion ; Th e S i l ve r S t a l l i o n , examin ing the reactions o f the var ious members o f the F e l lowship o f the S i lver S ta l l ion to Manue l ' s death and h i s de i fi cation ; and J u r g e n , concerning a j ourney through various bi zarre environments and var­ ious amorous encounter s with unusual women , s uch a s Mr s . S atan . Bibl iog :r:: aphy 188 .

Brewer , Frances Joan .

Ja m e s B r a n c h C a b e l l : A B i b l i o gr a p h y o f H i s Wr i t i n gs , B i o gr a ph y a n d Cri t i ci sm . Char lottesvi l le , VA : Univers i ty

of Vi rginia P re s s , 1 9 5 7 . 189 .

Brucco l i , Matthew J . t i on a t

N o t e s on t h e C a b e l l C o l l e c ­ t h e Un i ve r s i t y o f Vi r g i n i a . Char lotte s­

vi l le , VA : Univers i ty o f Virginia P re s s , 1 9 5 7 . 190 .

Hal l , James N . B i b l i o gr a ph y .

1974 .

191 .

J a me s B r a n c h C a b e l l : A Compl e t e

New York : Revi s ioni s t Pres s ,

Ho lt , Guy .

A B i b l i o gr a ph y o f t h e Wr i t i n g s o f James Branch Cabel l . Phi lade lphia : Centaur

Book Shop , 1 9 2 4 . 1972 .

Rpt . New York : Haske l l Hous e ,

40

MOYRA CALDECOTT 192 .

Th e T a l l S t on e s .

New York : H i l l and Wang , 1 9 7 7 .

Two chi ldren , Kyra and Karne , be fr iend the town pri e s t , Maa l , in Bron ze -Age Bri ta in . Maa l draws h i s power s from a circle o f s tanding s tones , much l ike Stonehenge , and i s a member o f a group o f n umi n a who are highly trained and However , Maal who operate for the good of a l l . is dying and prepar ing to j oin a type of Jung­ i an " over s oul . " When hi s replacement arrives , he and the chi ldren real i z e that the new pries t , Wardyke , i s evi l and ha s never been Using prope r ly sealed to the power s of good . her own burgeoning powers , Kyra communicates wi th Maa l ' s compani ons through the circle of s tone s and aids Maa l in the defeat o f Wardyke and the s a lvation of the vi l lage . Sui table for j uven i l e s . Second in thi s proposed tri logy : Th e Templ e o f t h e S u n ( 1 9 7 7 ) . ITALO CALVINO 193 .

Il

Ca va l i e r e In e s i s t e n t e a n d Il Vi s c on t e D i me z z a t o [Amer i can title : Th e Non e x i s t e n t Kn i gh t and Th e C l o ve n Vi s c o u n t ] . Torino : Giul io E i nandi ,

1957 .

The being Agi luf i s a whi te suit o f armor with nothing ins ide i t . A paladin in Char lemagne ' s army , he exi s ts be­ cause he remains constant ly aware of hims e l f In j uxtapo s i tion , hi s s q uire , and h i s virtue . an idiot , i s cons tantly in per s ona l per i l be­ cause he is comp letely unaware of hims e l f . For examp le , he near ly drowns in a bowl of s oup because he ' s not sure i f he ' s to eat the s oup or i f the soup i s to eat him . Thi s far c i c a l adventure i s loosely uni fied by Agi lulf ' s ab surd que s t to confirm the virgi n i ty o f a woman he s aved from rape many years pr ior . I l C a va l i e r e In e s i s t e n t e :

Il

Vi s c o n t e D i m e z z a t o : A vi s count i s ha lved by

a cannonbal l . One ha l f , a fter being s ealed wi th p i tch , returns to h i s e s tate and e s tab li sh­ es a re ign o f macabre terror . The other hal f , containing a l l the virtuous qua l i ti e s , arrive s later , s ave s a young maiden from the evi l ha l f , and f i ghts a fantas tic due l wi th the evi l ha l f . A de l i ghtful parody of the p sychomachia tradi ­ tiona l ly a s s oc i ated wi th the fantasy genre .

41

ITALO CALVINO continued 194 .

Il

B a r on e R a mp a n t e [American t i tle : Th e B a r on i n t h e Tr e e s ] . Torino : Gi ulio E i uandi , 1 9 S 7 .

A young I ta l i an nob leman rebe l l s again s t hi s parents and spends the r e s t o f h i s l i fe in the tre e s . He adj us t s we l l , invents appropri a te games and pursui ts , engages i n love a f fa i r s , and writes phi losophy . BERNARD [ EDWARD JOSEPH ] CAPES 195 .

From Door to Do o r : A Book of R o ma n c e s , Fa n t a s i e s , Wh i ms i e s a n d L e vi t i e s . New York : Frede r i ck A .

S tokes , 1 9 0 0 . a.

b.

c. d. e. f. g. h. i. j. k. 1. rn . n. o. p. q.

" The Sword o f Corporal Lacoste " " An Ug ly Customer " " The Cur s i ng Be l l ( A Dream S tory ) " "A Coward " " The Foot o f Time " " The Meek S ha l l I nhe r i t the Earth " " The Chapter ' s Doorn " " Jemmy Je s s arna , the Runner " " The S catter l i ng and the Aur e l i an " " The Wri te r and the Prince " " S olomon ' s Sea l " "A True Pr ince s s " " The Widow ' s C lock " " Above Proo f " 11 6ofia Pol lonia ' s Cor se t " " The Lady-Ki l le r " "A Dol l and A Moral " CHRI S CARLSEN

Berserker Series 196 .

Bers erke r :

S h a d o w o f t h e Wo l f .

19 7 .

B e r s e rk e r :

The B u l l Chi e f .

Books , 1 9 7 7 1977

[ paper ] .

[ paper ] .

London : Sphere

London : Sphere Book s ,

The f i r s t and second in an expec ted s e r i e s that i s d i stinguished primari ly by its gore and vio lence . Young Hara ld Swi ftaxe or Harald the Innocent is pos s e s s ed by the god Odin and be­ come s a berserker : a warr ior o f s uper-human s trength and vita l i ty who cannot d i s t inguish between friend or foe . After ravaging his

42

CHRI S CARLSEN cont inued young betro thed and savaging h i s fami ly , he j oi ns with a group o f berserkers who hate him and com­ mi ts a variety o f sense les s bruta l i t i e s . Sadly , he doe s enj oy moment s of san i ty o f varying dura­ tion , and he doe s a l so que st for release from h i s hideous burden . The second volume i s parti ­ cularly characte r i z ed by the introduction o f an I r i sh and We l sh s etting , i t s imi tation of the chron ic le form , and i t s characteri z ations o f King Arthur and N i a l l of the Nine Tai l s . [ JAMES CARNEGIE ] [N INTH ] EARL OF SOUTHESK 19 8 .

S u omi ri a :

A Fa n t a s y .

1899 .

Edinburgh :

[ By the Author ] ,

A man save s a sphinx from evi l subterranean crea­ tures and returns with her to the underwor ld . Her father a l lows her to become human , and she and the man are mar r i ed . However , he mi s s e s h i s former l i fe too much and returns t o the s ur­ face where he f a l l s in love and marr i e s again . Later , the sphinx , in an act o f s e l f le s s love , re s cues the man and his new wi fe , but through thi s act , the sphinx for fei ts her humani ty . LEWI S CARROLL , pseud .

S ee CHARLES LUTWI DGE DODGSON

ANGELA CARTER 199 .

New York : S imon & S chuster ,

H e r o e s a n d Vi l l a i n s .

1969 .

A post-holocaus t , sword and sorcery nove l con­ cerning a pro fes sor ' s daughter who become s the mi s tre s s of a leader of a wandering tribe of no­ mads . An inter e s t ing examination of the inte l l­ ectual ver sus the phy s i ca l in a surviva l-orient­ ed , s hattered environment , whi ch is o ften bruta l in i t s vivid de scription s and event orientation . 200 .

T h e In f e rn a l D e s i r e Ma ch i n e s o f Do c t o r Ho ffm a n [Ameri can t i t le : Th e Wa r o f D r e a m s ] . London :

Ruper t Hart-Davi s , 1 9 7 2 .

Machines dr iven by sexual des ire create macabre and total de lus ion for an entire population in thi s grotesque fanta sy . The protagon i s t , a

43

ANGELA CARTE R cont inued civi l servant , fina l ly de s troys the machines and his own innocence amid a ka leidosc ope of shi f t­ ing identities and a l legiance s . 201 .

Th e Pa s s i o n o f N e w E ve .

1977 .

London : Vi ctor Go l lanc z ,

LIN [WOOD VROOMAN ] CARTER See also ROBERT E [ RVIN ] HOWARD : Conan S e r i e s 202 .

New York : Berk­ [ paper ] . Abr . ed . as The Wi z a r d o f New York : Ace , 1 9 6 5 [ paper ] .

T h o n g o r a n d t h e Wi z a r d o f L e m u r i a .

ley , 1 9 6 9

L em u r i a .

The f i r s t volume in Carter ' s s i x-volume Thongor serie s . Thongor i s a l l i ed wi th Shara j s ha , the Wi zard of Lemuri a , in thi s run- of- the-mi l l sword Together , they confront the and sorcery nove l . attempted vengeance of the last remnants of the evi l and a l i en Dragon Kings and save mankind . Certainly , Carter mus t be r ecogni zed a s one o f the ma j or , i f not the ma j or , reason why fantasy has en j oyed a rena i s s ance in the last twenty year s . H i s edi torship of the Ba l lantine Adult Fantasy series and h i s many antho logi e s ( s ee Antho logy Section ) have populari zed and ga ined acceptance for numerous authors who might ea s i ly have been unnoti ced by many readers . However , a s ,i s the danger o f editing , hi s f i ction too often on ly imi tates other author s and never at­ ta ins i t s own distinctive or attract ive identi ty In ad di ti on to the Thongor series , Carter ' s large output inc l ude s the fo l lowing other series : Green Star ( f ive vo lumes as of 1 9 7 6 ) , Z arkon : Lord o f the Unknown ( three volume s a s o f 1 9 7 6 ) , and Godwane ( five vo lumes as o f 1 9 7 7 ) . 203 .

Th on g o r a n d t h e D r a gon C i t y .

New York : Berkley , 1 9 7 0 [ paper ] . Abr . ed . a s Th o n g o r o f L e m u r i a . New York : Ace , 1 9 6 6 [ paper ] .

204 .

Th o n g o r A g a i n s t

205 .

Th o n g o r i n

206 .

T h o n g o r F i g h t s t h e P i r a t e s o f Ta rk a k u s .

Library , 1 9 6 7

t h e G o ds .

[ paper ] .

New York : Paperback

t h e C i t y o f t h e Ma gi c i a n s .

Paperback Library , 1 9 6 8 Berkley , 1 9 7 0

[ paper ] .

44

[ paper ] .

New York : New York :

LIN [ WOOD VROOMAN ] CARTER continued 207 .

Th o n go r a t

t h e En d o f Ti m e .

Library , 1 9 7 0

[ paper ] .

New York : Paperback

ROBERT W [ I LLIAM] CHAMBERS 208 .

New York : Harper and Rpt . We stpor t , CT : Hyperion ,

In S e a r ch o f t h e Un k n o wn .

Brothers , 1 9 0 4 . 1974 .

A time- lost nove l by the author o f the c la s s i c horror short s tory col lection T h e K i n g i n Y e l l o w ( 1895) . A young s c i ent i s t enters a realm where prehi s tori c creatures have survived and have maintained thei r de l i ghtful and bi z arre per­ sonal i t i e s . Bibliography 209 .

Hornberger , Theodore . "Ameri can F i r s t Editions at Texas Univers i ty : Robert Wi l l i am Chambers ( 18 6 5-19 3 3 ) . " L i b r a r y C h r o n i c l e of t h e Un i ­ ve r s i t y o f T e xa s , 2 ( Spring 1 9 4 7 ) , 1 9 3- 1 9 5 . JOY CHANT

2 10 .

Th e G r e y Ma n e o f M o rn i n g .

& Unwin , 1 9 7 7 .

London : George Allen

S e t in the same f antasy envi ronment a s R e d M o o n a n d B l a ck Mo u n t a i n ( s ee be low ) and preceding i t i n chrono logical sequenc e , thi s i s the tale o f the f i r s t hero i n Chant ' s fantasy cosmo s . The tribes of the " Great P l ai n " are ruled by the " Go l den Peop l e " o f the ci ties . Thi s dic tator­ ial s i tuation continue s unque stioned unti l the Golden People s te a l the s i ster of a young war­ r i on , Mor ' anh , of the Alnei . Whi le thi s i s a common practice , Mor ' anh refuses to accept i t , and in a quickly moving and of ten poignant nar­ rative with l e s s magical content than R e d M o o n a n d B l a ck Mo u n t a i n , he overthrows the rule of the oppres sors and creates a new l i fe for the people of hi s wor ld . 211 .

R e d Mo o n a n d B l a c k M o u n t a i n : Th e E n d o f t h e Ho u s e o f K en d r e t h . London : Al len & Unwin , 1 9 7 0 .

Ol iver Powe l l and h i s younger brother and s i s ­ ter are s wnrnoned t o " The S tar l i t Land " to con­ c�ont Fendra l , the f e l l enchanter and perverter

45

JOY CHANT continued of the ethereal s tar magic . O l iver becomes Li ' vanh , Lord o f Warr ior s , and i s a l l i ed with the High King Kiron , the Prince s s I n ' serinna , and the ir human and animal fol lowing . An ex­ cel lent epic fantasy that conc lude s with Ol iver facing the nece s s i ty of human sacr i f i ce with him a s the vi ctim . S u i tab le for j uveni les . VERA CHAPMAN The Three Damo s e l s or Arthur ian Tri logy 2 12 .

Th e G r e e n Kn i gh t .

London : Rex C o l l ings , 1 9 7 5 .

213 .

Th e K i n g ' s D a mo s e l .

214 .

K i n g A r t h u r ' s Da u gh t e r .

London : Rex Co l l ings , 1 9 7 6 . London : Rex C o l l ing s , 1 9 7 6 .

Much of Chapman ' s mate r i a l i s e laborated from S i r Thomas Malory ' s accoun t o f the Arthur ian legend , with the exception of her own creati on , Urs ulet , in K i n g A r t h u r ' s Da u gh t e r . However , to indicate that her tri logy i s another mere rete l l­ In ing o f the legend would be a serious error . the first p lace , a l l her tales are narrated by female charac ters : Vivian , grand-daughter o f Merlin ' s N imue , i n Th e G r e e n Kn i gh t ; Lyne tt , King Arthur ' s me s senge r , i n T h e Ki n g ' s Da m o s e l ; and Urp ulet , the sma l l bear and princ e s s o f a l l England , i n K i n g A r t h u r ' s Da u gh t e r . The ta le s are s e t generations apar t , but are uni fied by characters who age and reappear and by the ever­ boding per s onage of Arthur ' s arch-enemy , Mor gan le Fay . Throughout , they are marked by the magi­ cal events of the Arthurian legend- -e . g . , Berti­ lak ' s shape-changing beneath the wand of Morgan , Ursulet ' s achi evement of the Holy Grai l , the s leep ing Arthur , and many more-- and by Chapman ' s vivid portrayal s of young women growing , learning , and loving in comp lex , try ing , and sorcerous times . G [ ILBERT ] K [ E I TH ] CHESTERTON 215 .

T h e Ma n Wh o Wa s Th u r s d a y : A N i gh tma r e .

J . W . Arrowsmi th , 1 9 0 8 .

London :

A very atypical work that succe s s fully treads the fine line between absurdi ty and ser iousne s s . Mutab i l ity and the nature o f the cosmos are the

46

G [ ILBERT ] K [ E ITH ] CHE STERTON continued theme s as s ix phi losophic London spies unwi tting­ ly form a counc i l of anarchi sts that they be l i eve they are actua l ly infi ltrating . Little do they rea l i ze that the seventh and final member o f the ir group i s the only true anarchi s t , the awe some ly enigmati c Sunday . Bibli ography 216 .

Sull ivan , John . G . K . Ch e s t e r t o n : A B i b l i o gr a p h y . London : Univers i ty o f London Pre s s , 1 9 5 8 . Rpt . We s tport , CT : Greenwood Pres s , 1 9 7 4 .

217 .

S u l l ivan , John .

C h e s t e r t on Co n t i n u e d . A Bibl i o ­ g r a ph i ca l S u ppl e m e n t . London : Univers i ty of

London Pre s s ; New York : Barne s and Nob le , 1 9 6 8 . 218 .

Sull ivan , John . " Che s terton Bib l i ography Contin­ ued . " Ch e s t e r t o n R e v i ew , 2 ( 1 9 7 5 ) , 9 4 - 9 8 ; 2 ( 19 7 6 ) 2 6 7 - 2 7 2 ; 3 ( 19 7 6-19 7 7 ) 1 4 1- 1 4 7 ; 4 (1978) 269-284 . I

I

I

ARTHUR C [HARLES ] CLARKE 219 .

Ta l e s o f t h e Wh i t e H a r t .

New York : Bal lant ine ,

1957

[ paper ]

a. b. c. d. e. f. g. h. i. j. k. 1. m. n. o.

" S i lence P l ea s e " " B i g Game Hunt " " Patent Pending " "Armaments Race " " Cr i ti c a l Mas s " " The Ultimate Me lody " " The P a c i fi s t " " The Next Tenant s " "Moving Spir i t " " The Man Who P loughed the Sea " " The Re luctant Orchid " " Co ld War " " What Goe s Up " " S leeping Beauty " " The De fenes tration o f Ermintrude Inch "



REGOR CLARKK 220 .

Th e L a s t o f t h e S o r c e r e r - Dra gon s .

the We l sh ] Phi lip D . Baugher . NY : Gra i l Pre s s , 1 9 4 4 .

Trans . [ from Wes t Hemps tead ,

In thi s poignant and bi ttersweet love s tory , a

47

REGOR CLARKK continued young profes sor , on leave in the Gobi De sert , d i s covers the last o f a race o f sorcerbus dra­ gons . The dragons have guarded manki nd s ince its beginnings . The beauti ful and compas s ionate repti le te l l s the young man the s tory of man ' s beginning- -a tale s tripped o f i ts Chr i st ian over­ ton e s that is i n f luenced by the medieval love story , T r i s t a n a n d I s e u l t , and whi ch rete l l s the Eden myth in a tota l ly new and de l i ghtful way . Throughout , the tragedy o f the s lowly dying race of benevo lent dragons is intertwined , and their powers are gradua l ly explained and tran s ­ ferred t o the young profes sor . As s h e end s her ta le , the dragon d i e s and the man suddenly real i ze s that he i s now the one with the power to aid mankind . One of the least read and lea s t noti ced of a l l fantasy works . SAMUEL LANGHORNE CLEMENS 221 .

222 .

Twain , Mark , pseud . T h e M y s t e r i o u s S t ra n g e r : A New York and London : Harper & Bro­ Roman ce . thers , 1 9 1 6 . Th e My s t e r i o u s S t r a n g e r a n d O t h e r S t o r i e s .

New York and London : Harper & Brother s , 1 9 2 2 . a. b. c. d. e. f. g.

" The My sterious S trange r " "A Hor se ' s Tale " " Extract From Captain S tormf i e ld ' s Vi s i t to Heaven " "A Fable " "My P latonic Sweetheart " " Hunting the Dece i t ful Turkey " " The McWi l l i ams e s and the Burglar Alarm "

Bibliography 223 .

Johnson , Merle Devore .

A B i b l i o gr a p h y o f t h e Wo rks o f Ma rk T wa i n , S a m u e l L a n gh o r n e C l e m en s .

Rev . and enl . ed . New York : Harper , 1 9 3 5 . We stport , CT : Greenwood Pre s s , 1 9 7 2 .

�pt .

SARA COLERI DGE 224 .

Ph a n t a s m i on .

London : Wi l li am Pi ckering , 1 8 3 7 .

A heroic fantasy whos e scope i s later echoed in Tolkien ' s L o r d o f t h e R i n gs ( see be low) .

48

SARA COLERI DGE continued Bib l iography 225 .

Watson , George , ed .

Th e N e w C a mb r i d g e B i b l i o gr a ph y o f En g l i s h L i t e r a t u r e . Cambr idge : Cambr idge

Univers i ty Pre s s , 1 9 6 9 , I I I JOHN

( 1 8 0 0-19 0 0 ) , 5 1 5 .

[HENRY NOYES ] COLLIER

226 .

D e fy t h e Fo u l F i en d or the Mi s a d ven t u r e s o f t h e Hear t . London : Macmi l lan , 1 9 3 4 .

227 .

Th e D e v i l a n d A l l .

a. b. c. d. e. f. 228 .

n . p . : Nonesuch Pre s s , 1 9 3 4 .

" Po s s e s s ion o f Angela Bradshaw " " The Right S i de " " Ha l f Way to Hel l " " Af ter the Ba l l " " The Devi l , George , and Ros i e " " H e l l Hath No Fury "

Fa n c i e s a n d G o o d n i gh t s .

day , 1 9 5 1 .

a. b. c. d. e. f. g. h. i. J .

k. 1. m. n. o. p. q. r. s .

t. u. v. w. x. y.

Garden C i ty , NY : Double­

" Bott le Party " " De Mortui s " " Evening P r imrose " "Wi tchs Money " "Are You Too Late or Wa s I Too Ear ly " " Fa l len S tar " " The Touch o f Nutmeg Makes I t " " Three Bear s Cottage " " Pi ctur e s i n the F i re " " We t S aturday " " Squirre l s Have Bright Eye s " " Ha l fway to He l l " " The Lady on the Grey " " Inc ident on a Lake " " Over Ins urance " " O l d Acquaintance " " The Frog Pr i nce " " Sea son o f Mi s t s " " Great Pos s ibi l i ties " " Wi thout Benef i t o f Gal sworthy " " The Devi l George and Ros ie " "Ah the Univer s i ty " " Back for Chr i s tma s " "Another Amer i can Tragedy " " Co l laboration "

49

JOHN

[ HENRY NOYES ] COLLIER z. aa . bb . cc . dd . ee . ff . gg . hh . ii . jj . kk . 11 .

mm . nn . oo . pp . qq . rr . SS .

tt . uu . vv .

ww .

xx . 229 .

continued

" Midnight B lue " " Gavin 0 Leary " " I f Youth Knew Age Could " " Thus I Re fute Bee l zy " " S pecial De l ivery " " Rope Enough " " Li tt l e Memento " " Green Thoughts " " Romance L ingers Adventure Live s " " B i rd o f Prey " " Variation on a Theme " " Night Youth Par i s and the Moon " " The S tee l Cat " " S leeping Beauty " " Interpretation o f a Dream " " Mary " " H e l l Hath No Fury " " In the Cards " " The Invi s ib l e Dove Dancer o f S trathpheen I s land " " The Right S i de " " Spring Fever " " Youth from Vienna " " Po s s e s s ion o f Ange la Bradshaw " " Cance l Al l I Said " " The Chaser "

H i s Mo n k e y Wi fe O r , Ma r r i e d To A Ch i mp . Peter Davi s , 1 9 3 0 .

London :

In thi s mockery o f pretense , Co l l ier extends to its logical end the traditional loya lty of anima l � whi le providing an on-going and comic commentary on the trivial i ty of fashion and soci ety . 230 .

N o Tr a v e l l e r R e t u rn s . 19 3 1 .

London : White Owl Pre s s ,

231 .

Pi c t u r e s i n t h e F i r e . 19 5 8 .

London : Rupert Hart-Davi s ,

a. b. c. d. e. f. g. h. i. j.

" Interpretat ion o f a Dream" " And Who , Wi th Eden " " Little Moments " "Are You Too Late or Was I Too E ar ly ? " " Think No Evi l " " Inc ident on a Lake " " O ld Acquaintance " "Mademoi s e l le Kiki " "Wi thout Benef i t o f Galsworthy " " Spring Fever " .

50

.



JOHN

[ HENRY NOYES ] COLLIER continued k. 1.

m. n. o. p. q. r. s. t. u. v. w. 232 .

P r e s e n t i n g Mo o n s h i n e .

a. b. c. d. e. f. g. h. 1 .

j. k. 1.

m. n. o. p. q. r. s. t. u. v. w. x. 233.

" Back for Chri s tmas " " Pi c ture s in the Fire " " Romance Linger s , Adventure Lives " " The Steel Cat " " I n the Cards " "Wet S aturday " " Season of Mi s t s " " Over Insurance " " De Mor tu i s " "Ah , the Unive r s i ty " " Three Bears Cottage " " Gavin O ' Le-ary " " The Tender Age " New York : Viking , 1 9 4 1 .

" Evening Primrose " "Witch ' s Money " " Gr een Thoughts " " Mary " " Rope Enough " " Thus I Re fute Bee l z y " " Var iation on a Theme " " O ld Acquaintance " " The Frog P r inc e " " Spec i a l De l ivery " " Ha l f -Way to H e l l " " Bird o f Prey " " Co l laborat i on " " The Ri ght S ide " " N i ght ! Youth ! Pari s ! And the Moon " "Another American Tragedy " " Bottle Party " " I f Youth Knew I f Age Could " " The Devi l , George , and Ros i e " " Squirre l s Have Bright Eye s " " S l eeping Beauty " " Po s s e s s ion o f Ange la Bradshaw " " The Invi s ible Dove Dancer o f S trathpheen I s l and " " The Chaser "

Th e T o u ch o f N u t m e g a n d Mo r e Un l i k e l y S t o r i e s . New York : The P re s s o f the Reade rs C lub , 1 9 4. 3 .

a. b. c. d. e. f. g.

" The Touch o f Nutmeg Mak e s I t " " De Mor tu i s " " We t S at urday " " Li tt l e Moments " " Mary " " Midn i ght B lue " " Back for Chr i s tma s "

51

JOHN

[ HENRY NOYES ] COLLI ER continued h. i. J



k.

1.

m. n. o. p. q. r. s. t. u. v. w. x. y. z. 234 .

" Even ing Primr o se " " The Frog Prince " " Rope Enough " " The Chas er " " The Devi l , George , and Ro s i e " " Great Poss ibi l i ti e s " " Ha l f-Way to He l l " " Po s se s s ion o f Angela Bradshaw " " The Right S ide " " Another Ameri c an Tragedy " " Bird of Prey " " Thus I Re fute Bee l z y " " N i ght ! Youth ! Pari s ! And the Moon ! " "Var iation on a Theme " " O ld Acquaintance " "Ah , the Univer s i ty ! " "After the B al l " " He l l H ath No Fury " " Green Thought s "

Wi t c h ' s Mo n e y .

New York : Viking , 1 9 4 0 .

Bibl iography 235 .

Gawsworth , John , pseud . [ Terence I an Fytton Armstrong ] . Ten C o n t e m p o r a r i e s : N o t e s T o wa r d Th e i r D e fi n i t i ve B i b l i o g r a ph y . Second Serie s . London : Joiner and S teele , 1 9 3 3 . EDMUND COOPER

236 .

" The Fi rebird " in Do u b l e Ph o e n i x . Ed . Lin Carte r . New York : B a l l antine , 1 9 7 1 [ paper ] . A s l ight nove l l a , that Carter pre sents a s an a l­ legory , that concerns a young boy ' s pursuit o f The the phoenix into a n a lternate wonder-world . boy mus t overcome various temptations and rej ect various kinds of love to confront the phoenix in an irritatingly vague c l imax that seems to sym­ bo l i z e the ambigui t i e s of wi sdom , age , innocence , youth , and pur i ty . Roger Lance lyn Green ' s " From the Wor ld ' s End " i s the companion nove l la in thi s vo lume . LOUISE COOPER

237 .

New York : De l l , 1 9 7 5 [ paper ] ; New York : De lacorte Pres s , 1 9 7 3 [ not seen ] .

Th e Book of P a r a d o x .

Based on the Maj or Arcana o f the Tarot , thi s 52

LOUI SE COOPER continued d i s appointing and s low-moving fantasy chron i c le s the s upernatur a l pursuit o f hi s beloved Aloe the by Varka wi th a l l the attendant parapherna l i a and happening s . S USAN COOPER The Dark is Ri s ing S e r i e s 238 .

Over Sea ,

Un d e r S t o n e .

239 .

Th e Da rk i s R i s i n g .

240 .

Gr e e n w i t c h .

241 .

Th e G r e y Ki n g .

242 .

S i l v e r on

& Wor ld , 1 9 6 5 .

New York : Harcourt , Brace

New York : Atheneum , 1 9 7 3 .

Atheneum , 1 9 7 5 . New York : Athen e um , 1 9 7 5 .

t h e Tr e e .

New York : Athen e um , 1 9 7 7 .

Like Ursula K . LeGuin ' s Wi z ard o f Earthsea ser­ i e s ( s ee be low ) , thi s is one of those marve lous " j uveni le " s e r i e s that seems to be read more by adults than chi ldren . In Cornwa l l , a young boy , Wi l l S tanton , d i s covers that he is the l a s tborn of the " O ld One s , " a con­ federation of sorcere r s . As an Old One , he mus t use h i s speci a l power s and the " High Mag i c " to recover the anc ient -trea sures o f Britain and to Amid an batt le the evi l Dark and i t s minions . interweaving o f Ce ltic , We l sh , and Arthuri an legends , Wi l l ' s wor l d become s a dua l one in whi ch the mundane is over laid with wondrous vi s ion s of a more e lementa l s trugg le , one that supersede s even Chr i s t i anity . Wi l l i s j oined , at various time s in the ser i e s , by h i s brother and s i ster and various fr iends- -inc luding hi s unc le Merriman ( Mer l i n ) and a s trange Albino boy , Bran ( the B le s sed ) --be fore he can find the time le s s " Lo s t Land " and recover the crys t a l sword so King Arthur may r i se a g a i n and Herne the Hunter thwar t the Dark Rider . ROBERT COOVER 243 .

Pri cks on gs

Dutton ,

a.

&

Des can t s : 1969 .

Fi c t i on s .

New York : E . P .

" The Door : A P ro l ogue o f Sorts "

53

ROBERT COOVER conti nued b. c. d. e.

f. g. h. i. J .

k.

1.

m. n. o.

" The Magi c Poker " " Morri s in Cha in s " " The Gingerbre ad House " " Seven Exemp lary Fictions " " P ane l Game " 1. 2. " The Marker " " The Brother " 3. 4. " In a Train Stat ion " 5. " Klee Dead " 6. " J ' s Marri age " 7. " The Wayfarer " " The E levator " " Romance o f the Thin Man and the Fat Lady " " Quenby and O l a , Swede and Car l " " The S enti ent Lens " " Scene for ' Winter ' " " The Mi lkma id of S amaniego " " The Leper ' s H e l ix " "A Pede s tr i an Acc i dent " " The Babys i tter " " The Hat Act "

B ib l iography 244 .

Brucco l i , Mathew J . and C . E . Frazer Clark , eds . F i r s t P r i n t i n gs o f A m e r i c a n A u t h o r s : t i on s To wa r d D e fi n i t i ve Ch e ck l i s t s . Gale Re search , 1 9 7 7 , I , 7 1 - 7 4 .

Con t r i b u ­

Detroit :

A [ LFRED ] E [ DGAR ] COPPARD 245 .

& Eve & P i n ch M e . Wal tham , S a int Lawrence , Berkshire : Go lden Cockere l Pres s , 1 9 2 1 .

A dam

a. b. c. d. e. f. g. h. i. j. k. 1.

246 .

" Marching to Z i on " " Dusky Ruth " "Weep Not My Wanton " " P i f fingcap " " The King of the Wor ld " "Adam & Eve & P i nch Me " " The Prince s s o f Kingdom Gone " " Commun ion " " The Quiet Women " " The Trumpeters " " The Ange l & the Sweep " "Arabe sque : The Mouse "

T h e B l a c k Do g a n d O t h e r S t o r i e s . Cape , 1 9 2 3 .

a.

" The Bl ack Dog "

54

London : Jonathan

A [LFRED ] E [ DGAR] COPPARD continued b. c. d. e. f. g. h. i. j. k. 1.

m. n. o. p. q. r. 247 .

Wa lthem , S a int Lawrence , Berk shi re : Golden Cocker e l Pres s , 1 9 2 2 .

C l o r i n d a Wa l k s i n H e a ven .

a. b. c. d. e. f. g. h. i. 248 .

" Al a s , Poor Bol l i ngton ! " " The B a l l e t Gi r l " " S imple S imon " " The T i ge r " "Mordecai and Cock i ng " " The Man from Ki l shee l an " " Tr ibute " " The Hands ome Lady " " The Fancy Dre s s Ba l l " " The Cat , the Dog , and the Bad Old Dame " " The Wife o f Ted Wickham " " Tani l " " The Dev i l in the Churchyard " " Huxley Rus tem " " B i g Game " " The Poor Man " " Luxury "

" The Hurly-Bur ly " " C l or inda Walks in Heaven " " The Cherry Tree " " The E l ixir o f Youth " " Fe l ix Tine ler " "Craven Arms " "A Broadsheet Bal l ad " " Cotton " " Pomona ' s B abe "

D a rk - E y e d L a d y : 194 7 .

a. b. c. d. e. f. g. h. i. j. k. 1.

m. n.

F o u r t e en T a l e s .

" The Ring o f Troub l e " " The K i s s truck Bogey " " Ape s Don ' t S have " " Ha i l C o lumb i a ! " "Not Wanted " " The Name le s s One " " Dark-Eyed Lady " " Woman Ver s u s Women " "No Oats for Jos eph " " The Sul lens S i sters " " The Go ld Watch " " P o l ly and the P ik ey s " " A S tudy in Chalk " " Taps te r s ' Tapestry "

55

London : Methuen ,

A [ LFRED ] E [ DGAR] COPPARD continued 249 .

D unky Fi tl ow :

a. b. c. d. e. f. g. h. i .

j. k. 1.

m. n. o. 250 .

London : Jonathan Cape , 1 9 3 3 .

Ta l es .

" The Smi th o f Pretty Peter " " P a ste Re s tante " "Ahoy ! S a i lor Boy " " Crotty Shinkwin " " The Watchman " " The Beauty Spot " " ' Chee fou ' " " Corr idors " " Perfect Foo l " " Vincent ' s Pr ide " " Dunky Fi t low " " The Foggy Foggy Due " " Groggo ' s Chimney " "Abe l S taple D i s approves " " Due "

Fearful Pl eas ures . 1946 .

Sauk C i ty , WI : Arkham House ,

The col lected fantas i e s a. b. c. d. e. f. g. h. i� j. k. 1.

m. n. o. p. q. r. s. t. u. v. 251 .

" Adam and Eve and P inch Me " " C lorinda Wa lks i n Heaven " " The E lixir o f Youth " " S imp le S imon " " Old Martin " " The Bog i e Man " " Po l ly Morgan " " The Go l lan " " The Post O f f i ce and the Serpent " " C rotty Shinkwin " "Ahoy , S a i lor Boy ! " " Gone Away " " Rocky and the Bai l i f f " "Ale C e l e s ti a l ? " " The Fair Young Wi l l owy Tree " " Father Raven " " The Drum " " Chee s e " " The Home l e s s One " " The Ki s s truck Bog i e " " The T i ger " " The Gruesome F i t "

N i x l e y ' s Ha r l e q u i n : 1931 .

a. b. c.

Ta l e s .

" The · Green Drake " " Count Ste fan " " The Limp ing Lady "

56

London : Jonathan Cape ,

A [ LFRED ] E [ DGAR] COPPARD continued d. e. f. g. h. i. j. 252 .

Pol l y Ol i ver :

a. b. c. d. e. f. g. h. i. j. k. 1.

253 .

London : Jonathan Cape , 1 9 3 5 .

Tal es .

" Gone Away " " The Two Nur s e s " " Old Ras c al " " Look Be fore You Leap " " Ring the Be l l s of Heaven " " Ha l lo , Beaver ! " " What Can I Do? " " Uncle Hobart " " Cr ipp led B l oom " " The B ann s " " Emergency Exi t " " The Counc i l o f S even "

U g l y A n n a a n d O t h e r Ta l e s .

a. b. c. d. e. f. g. h. i. j. k. 1.

m. n. o. p. q. r. 254 .

"Wi lt Thou Leave Me Thus ? " " The Go l l an " " The I d le Frumk i n " " The Post O f f ice and the Serpent " "My Hundredth Tale " "Nix ley ' s Harlequin " " Dark Knowledge "

" Fa ther Raven " " Ug ly Anna " " Coat o f Many Colour s " " The Cream o f Creation " " Return March " " Home Guard " "Amy , Agatha , and Ruth " " The Three C aptains " " Juba l and Jack son " " Smulvey at the Junction " " The Drum" " Cobb ler Butticas s " " Sweet Enemy " " The Fami ly Tree " " Chinfeather " " The Other Woman ' s S tory " " Ba rber ' s Ra sh " " Chee s e "

Yo u N e v e r Kn o w , Do Methuen , 1 9 3 9 .

a. b. c. d. e.

London : Methuen , 1 9 4 4 .

Yo u ? a n d O t h e r Ta l e s .

" You Never Know , Do You? " " The Che e s e-Cutter Hat Man " " Prompt P ayment " " The Gruesome Fi t " " Rocky and the Bai l i f f "

57

London :

A [ LFRE D ] E [ DGAR ] COPPARD continued f. g. h. i. J .

k. 1.

m. n. o. p. q. r. s. t. u. v. w.

" Mi s s Mi l ly " " The Prince ' s Portr ai t " " I Know a Bank " " Keeper Cuf f l ey " " S ecret Bus ine s s " " A Dev i l o f a Cook " " The C laudy Affair " " Knight-Errant " " Pede s tr i an Fancy " " The Fair Young Wi l lowy Tre e " " Homeward Bound " " Ale Ce lestria l " " Cheque-Mate " " P i t- a-P a t " " Time ' s Sweet Use " " Ti gers Al ive " " P roud Ro l lo " " Ki s s - the-Book Beez er "

B i b l iography 255 .

Fabes , Gi lbert Henry .

256 .

S chwartz , Jacob .

Th e F i r s t E d i t i on s o f A . E . Copp a r d , A . P . H e rb e r t a n d C h a r l e s Mo r ga n , w i t h Va l u e s a n d B i b l i o g r a ph i c P o i n t s . London : Myers , 1 9 3 3 . Th e Wri t i n gs o f A l fr e d E d ga r Coppa r d : A B i b l i o gr a p h y . London : Uly s s e s Bookshop , 1 9 3 1 .

DONALD CORLEY 257 .

Th e F i f t h S o n o f t h e S h o em a k e r . M . McBride , 1 9 3 0 .

New York : Robert

I t i s d i f f i cu l t to categor i z e Cor ley ' s g l owing prose . Th e F i f t h S o n of t h e S h o ema k e r contains no magi c , and from a pure ly obj ective viewpoint , the nove l i s j us t the s tory o f the ri se o f a Mus covite fami ly o f shoemakers from obs cur i ty in a cel lar on New York ' s Orchard S treet to wor ld-wide fame and fortune . Yet , Cor ley en­ dows the everyday with a sorcery that transports the reader into a rea lm of beauty , creation , art , and love . I van , the fami ly ' s patr iarch and the mas ter shoemaker , seemingly becomes Dedaleus ; Alexey , the capita l i st , i s the foi l to the sen s i t ive Pyotr , virtuo s o , growing arti s t , ana the creative center o f the nove l . The enigmatic Ni schka , actres s and goddes s , i s the fami ly ' s spiritua l matr i arch , and the

58

DONALD CORLEY continued dancing Cindere l la and the si lver Alti erce are Pyotr ' s inspiration as he explores a world o f love rich beyond experience . In a l l ways , thi s nove l i s a ce lebration o f nobi l i ty and the e lementa l origins o f art . 258 .

T h e Ha u n t e d J e s t e r . 1931 .

a. b. c. d. e. f. g. h. i. j. k.

" Seven Kni ghts in S i lver " " The God from the S he l f " " The Dance o f the Drowned " " The Red Lacquer Box of Nirr-Lo-Fan " " The Br ide ' s Fea s t " " The Lama , the Lady , and the Topa z " " The Road to Benachie " " The Troub l ed Promi ses of Kings " " The Eye s o f Compa s s ion "

m. n.

" Fi fteen Annas i n the Rupee " " The B ird wi th the Go lden Beak "

1.

259 .

New York : Robert M . McBride ,

" Q u e l e Di a b l e ! "

" The Daughter o f the Moon " " D r o i t d e S e i gn e u r "

Intro . James Branch New York : McBr ide , 1 9 2 7 .

Th e Ho u s e o f L o s t I d e n t i t y .

Cabe l l .

A fine collection o f charming and wh ims i c a l tales that a r e paragons o f Cabe l l ' s a s s e s sment in the introduction : the unique " property o f mag i c i s i t s pleas ing abi l i ty to coerce ' nature ' " a. b. c. d. e. f. g. h. i. j. k.

" The House o f Los t Identity " " The Price o f Re f lection " " The D aimyo ' s Bowl " " F igs " " The Mana c l e s o f Youth " " The Gho st-Wedding " " The G l a s s Eye of Throgmorton " " The Legend of the Little Hors e s " " The T a le that the Ming Be l l Told " " The Book o f Debt s " " The Song of the Tombelaine "

BARON CORVO , pseud .

See FRE DERICK WILLIAM ROLFE

59

JUANITA COULSQN 260 .

New York : B a l l antine Book s ,

Th e W e b o f Wi z a r d r y . 1 9 7 8 [ pape r ] .

In thi s sword and sorcery epic , an evi l wi z ard unleashes h i s zomb i e - l ike armies upon the d i s ­ I t fal l s to a young uni f ied land o f Krantin . desert nomad , Danaer , to be the agent of harmony among his people ' s var i ed ways of l i fe , re l i ­ gions , bel ie f s , and hatreds . Through h i s love of the young Lira , a nub i l e young apprentice sorcere s s and a member o f a web o f wi z ardry that attempts to combat the fe l l wi z ard , Danaer and his people are vic torious and the way i s e s tab l i shed for the r i s e o f the leader who w i l l unite a l l the d ivergent e l ements o f Krantin . F [ RANCI S ] MARION CRAWFORD 261 .

Kh a l e d :

A Ta l e o f A r a b i a .

Col l ier , 1 8 9 0 .

2 vo l s .

New York :

A d j inn i s al lowed to be come a man but c an only gain a soul and the true parad i s e of A l l ah i f he wins the love o f a s e l f-centered and petu­ lant pr inc e s s . Interes ting for i t s action and pseudo-oriental i sm . MICHAEL CRICHTON 262 .

E a t e r s o f t h e D e a d : Th e Ma n u s c r i p t o f I b n F a d l a n , R e l a t i n g H i s E x p e r i e n c e s wi t h t h e N o r t hm en i n A . D . 922 . New York : Al fred E . Knopf , 1 9 7 6 [ not seen ] . Rpt . New York : B antam , 1 9 7 7 [ p aper ] .

A sometimes comi c and often brutal recreation of the trave l s of the emi s s ary of the Ca l iph o f Bagdad , an exce s s ive ly c ivi l i zed man , among the Ibn " feroc ious hairy demons of the Northland . " Fadlan ' s incredul ity at the r e l ig ious and soci a l cus toms o f h i s " ho s ts " and hi s often iron i c nar­ The Bantam ration provide much o f the intere s t . ed i t ion features I an Mi l ler ' s s uperb ly detai l ed i l lus trations . JOHN KE IR CROSS 263 .

Phi l ade lphia and New York :

Th e O t h e r Pa s.s en g e r .

60

JOHN KE I R CROSS continued J . B . Lippincott , 1 9 4 6 . a. b. c. d. e. f. g. h. i. j. k. 1.

m. n. o. p. q. r.

" The G l a s s Eye " " Petrone l l a Pan " " The La s t o f the Romanti c s " " C la i r de Lune " " Abs ence of Mind " " Hands " " Another P lane t " " Liebes traurn" " Mi s s Thing and the S urrea l i s t " " Va l demo s a " " Amateur Gardening " " The Little Hous e " " E smerald a " " Mus ic , When Soft Voices Die " " Cyc lamen Brown " " Couleur de Rose " " The Lovers " " The Other P a s s enger " BRIAN DALEY

264 .

Th e D o o m fa r e r s o f C o r a mon d e . tine , 1 9 7 7 [ paper ] .

New York : B a l l an­

An uneven , nee-medieval , sword and s orcery nove l , with a touch o f a lternate wor lds . A young Viet­ nam veteran , transported to a fantasy realm , aids P rince S tarbuck in recovering h i s throne and di scover ing his manhood . The h ighpoint o f the adventure i s the battle between the f e l l dragon , Chaf fi nch , and an armored personne l carri er . 265 .

Th e S t a r fo l l o w e r s o f C o r a m o n d e . antine , 1 9 7 9 [ paper ] .

New York : Ba l l ­

The s eque l to Th e Do o m fa r e r s o f C o r a mo n d e and the further adventure s of Prince S tarbuck and Gi l MacDonald , the transported soldier . MacDonald , whi l e seeking a mag i c sword , con fronts Yardi f f Bey , the ma s ter sorcerer who attempted t o usurp S tarbuck ' s throne . Even a f ter a due l of magi c i s won , Gi l i s c aptured , and S tarbuck mus t bat­ tle the " Ho s t o f the Dead " to rescue h i s friend .

61

AVRAM DAVIDSON 266 .

Peregri n e :

Pr i m u s .

New York : Walker , 1 9 7 1 .

A picaresque sword and sorcery nove l tha t wa s to be the f i r s t in a tri logy that has yet to be con­ tinued . It is the epi sodic and loosely connec ted que s t by the young bas tard of a pagan king for S e t i n a soc i e ty gone dogma t i c a l ly his brother . Chr i s tian , the nove l i s chie fly d i s t ingui shed by the protagon i s t ' s trave l i ng companions : Ati l la the Fourth , k ing of a horde o f about e le ­ ven warriors ; S t ingy Gus , caesar o f a c i ty - s ta te ; Eudoxi a , a madame ; C laude , who acts the idiot ; and App ledor e , phi losopher and sorcerer . 267 .

Th e Ph o e n i x a n d t h e Mi r r o r [ or Th e En i gma t i c Spec u l um] . Garden C i ty , NY : Doub leday , 1 9 6 9 .

·Vergi l Magus , a sorcerer , i s commi s s ioned to cons truc t a ma j or speculum-- a virgin mirror that reveals more than j us t re flection--to dis­ cover the whereabouts o f a k idnapped maiden . The excel lent a lchemical adventure of the cons­ truc tion of the speculum a lmos t overshadows Vergi l ' s love que s t for the maiden and h i s fina l confrontation wi th the legendary Phoenix . 268 .

Th e I s l a n d Un d e r t h e E a r t h .

[ pape r ] .

New York : Ace , 1 9 6 9

Between Earthf lux and S tarf lux l i e s the i s land unde r the earth , a chaot ic realm that was to be presented in a tri logy wi th other yet unpub­ l i shed ti tles : " The S ix-Limbed Folk " and " The Cap o f Grace . " I ts ma in characters inc lude an eunuch , a sea c aptain and h i s s l ave wife , an old centaur , a merchant , and a thi e f . Thei r fortunes a r e s ub j ec t t o the eternal conf l i c t between centaur and man and the c atastrophi c arriva ls o f earthflux and s tar f lux w i t h thei r di sori enting e f fects . 269 .

Urs u s o f Ul t i ma Th u l e .

[ paper ] .

New York : Avon , 1 9 7 3

In some ways as e lemental and as violent a s Treece ' s Th e G r e e n M a n ( s ee be low ) and concern­ ed wi th the same archetypal , primitive force s , thi s i s the tale of shape changers and , more spec i fi c a l ly , o f Arnten the Bear as he s earches for his true father and hi s own destiny .

62

L [ YON ] S PRAGUE DE CAMP S ee a l so ROBERT E [ RVIN ] HOWARD , Conan S e r i e s , and FLETCHER PRATT AND L [ YON ] S PRAGUE DE CAMP 270 .

The Cl ocks o f Ira z .

New York : Pyramid , 1 9 7 1

[ paper ] .

The seque l to Th e G o b l i n T o w e r ( se e be low ) and the continued adventures of the fugi tive king He s ti l l c annot and j ack-of- a l l -trade s Jorian . overcome h i s attrac tion to the least a ttrac tive member o f h i s former harem and cont inue s to s e arch for her . As is expected in de Camp ' s f i c t ion , there are many fi ne moments o f magi c , action , and cha+acteri zation . 271 .

Th e Fa l l i b l e F i e n d .

New York : S i gnet , 1 9 7 3

[ paper ] .

A f i end from a para l le l plane i s summoned by magi c . De l i ghtful epi s odes occur a s the f i end mi s under s tands h i s commands and tr i e s to func­ t i on i n a total ly a l ien environment , whi ch i s , o f cour s e , quite normal for the reader . Deter­ iorates somewhat at the end as the fi end become s a hero and save s c ivi l i zation . 272 .

Th e G o b l i n T o w e r .

New York : Pyramid , 1 9 6 8

[ paper ] .

A highly epi sodic sword and sorcery fantasy that is part of de Camp ' s loo s e ly connec ted nove l s that focus on the devi ce o f a l ternate p lanes of exi s tence . As is typical o f de Camp ' s f i c ti on , this i s f i l led wi th fine s econdary character s : a lus ty gir l , a doddering sorcerer , and a s trong lout . The nove l reaches an e ffec­ tive denouement a s the young k ing who has f led hi s ki ngdom to avoid a r i tua l beheading and h i s companions de l iver a che s t o f magic scro l l s that h a s become inc identa l in l i ght of the happen ings a long the way . 273 .

Th e R e l u c t a n t S h a m a n a n d O t h e r Fa n t a s t i c Ta l e s . New York : Pyramid , 1 9 7 0 [ paper ] .

a. b. c. d. e. f. g. 274 .

" The Re luctant Shaman " " The Hardwood P i le " " Nothing in the Rul e s " " The Ghos t o f Me lvin Pye " " The Wi sdom o f the East " " Mr . Arson " " Ka the Appa l l i ng "

Th e T r i t on i a n R i n g .

New York : Twayne , 1 9 5 3 .

An above-average sword and sorcery , que s t fan-

63

L [ YON ] SPRAGUE DE CAMP continued tasy about the con f l ict between a prince and the gods that compares favorably with Leiber ' s Fafhrd and the Gray Mouser series ( see be low ) •

275 .

" The Undes ired Princ e s s . " I n Th e Fa n t a s y Twi n s . Los Angeles : Fantasy Pub l i shing , 1 9 5 1 [ Bound wi th Stanley Weinbau.m ' s " The Dark Other " and de Camp ' s "Mr . Arson " ] . Ro l l in Hobart , " the mos t unwi l l ing knight-er­ rant that thi s world of nob le heroe s and das­ tardly v i l lains had ever s een " ( p . 1 0 0 ) , i s transported into a medieva l rea lm that has only extreme mora l s or e thic s . He is persuaded by a talking and vio lently fa i thful l i on to re s c ue h i s mi stre s s , a prince s s ; lead the prince s s ' s father ' s armi e s ; and de feat an " andro- s phinx " and an evi l sorcerer . After h i s re luc tant succes ses , Hobart is of fered the opportun i ty to replace the Greek Z eno of E le a as the pre s iding god of the two-va lue realm ( j us t good and evi l ) , but he dec ides to return to the mixed va lues o f the mundane wor l d .

276 .

T h e Vi r g i n

&

t h e Wh e e l s .

Library , 1 9 7 6

[ paper ] .

New York : Popul ar

A reprint o f two ear l i er nove l ettes . " The Virgin " ( 1 9 6 2 in T h r i l l i n g Wo n d e r S t o r i e s a s " Th� Vi rgin o f Z e sh " ) i s a pede s t r i an sword and sorcery ta le in which a warrior repeatedly saves a lush maiden from danger . " The Whee l s " ( 1 9 4 0 in Unkn o wn as " The Whe e l s o f I f " ) i s a far better e f fort and i s ba sed on the premi s e s that the S outh won the Civi l War and that America developed under the influence o f Vin­ land . L [ YON ] S PRAGUE DE CAMP AND FLETCHER PRATT See a lso FLETCHER P RATT AND L [ YON ] SPRAGUE DE CAMP 277 .

Th e C a rn e l i a n C u b e : A H u m o r o u s Fa n t a s y . Gnome Pre s s , 1 9 4 8 .

New York :

A marble cube - - a dream s tone - - a l lows the prota­ gonist to j ourney to what he b e l i eves to be the be st of a l l pos s ible wor lds , a l l of whi ch are uns a t i s factory . A panorama o f varied egot i s t i ­ c a l attempts at utopi a .

64

L [ YON ]

SPRAGUE DE CAMP AND FLETCHER PRATT cont inued The Incomplete Enchanter Series

278 .

Th e In c ompl e t e En c h a n t e r .

279 .

Th e Ca s t l e o f I r o n : A S c i e n c e Fa n t a s y A d v e n t u r e .

280 .

Th e Wa l l

19 4 1 .

New York : Henry Holt ,

New York : Gnome Pres s , 1 9 5 0 . of Serpen t s .

New York : Ava lon , 1 9 6 0 .

H arold Shea and h i s companions learn that they can transport thems elves to vari ous l i terary rea lms through a combination of magic and mathe­ mati c s . In Th e In c ompl e t e En c h a n t e r , the characters j ourney f ir s t into Norse mytho logy and then into Edmund Spenser ' s Fa e r i e Q u e e n e . In Th e Ca s t l e o f I r o n , the setting i s Ariosto ' s Th e Wa l l o f S e r p e n t s co l lects Orl a n d o F u r i o s o . two ear l i er short s tor i e s - - "Wa l l of S erpents " ( 1 9 5 3 ) and " The Green Magic i an " ( 1 9 5 4 ) . They are s e t in the rea lms of the Ka l e va l a and I r i s h mythology , respectively . Throughout the series , a comic tone i s ma intained as characters lose their memor i e s , inadvertently change into wo lves , confront awe some sorcerers and beas ts , and , in Th e In c ompl e t e En ch a n t e r , are even pre s ent for Ragnarok , the final battle of Norse mytho logy whe n the gods and all things are de s ­ troyed . An omn i bus vo lume , Th e Compl e a t En ­ ch a n t e r :

Th e Ma gi c a l A d ve n t u r e s o f H a ro l d S h e a

( Garden C i ty , NY : Ne l son Doubleday [ The S c i ence Fiction Book C l ub ] , 1 9 7 5 ) , conta ins Th e I n c o m ­ p l e t e E n c h a n t e r and Th e C a s t l e o f I r o n but omi ts Th e Wa l l o f S e r p e n t s . ALEXANDER DE COMEAU 281 .

Fi r e s o f Is i s .

282 .

M o n k ' s Ma gi c .

London : A . H . S tockwe l l ,

[ 192 7 ] .

London : Methuen , 1 9 3 1 . Rpt . New York : Arno Pres s , 1 9 7 8 [ from a 1 9 3 1 New York edition that , a long with this reprint , has not been seen ] . D i smas , a Medi eval monk , i s ordered by h i s abbot t o s e arch for the el ixer o f l i fe . His s earch i s f i l led wi th fanta stic adventures , s trange and f a i thful he lpers , and mir aculous When he befri ends a young orphan , tali smans . he doesn ' t rea l i z e tha t what he think s i s a boy is actua l ly a gir l . Rescuing she/he from a

65

ALEXANDER DE COMEAU conti nued coven ' s b lack mas s in the l and of the dead , D i smas mus t struggle wi th hi s own " love " for the orphan and , a f ter fruitles s ly s earching for the el ixer , mus t return to face the dark e s t o f a l l cha l lenge s , the Devi l hims e l f . I

WARWICK DEEP ING 28 3 .

New York : Al fred A . Knop f , [ f ir s t Ameri c an edi tion ] .

Th e Ma n Wh o We n t B a ck .

1940

A c l a s s i c a l legor i c a l fantasy nove l i n whi ch a modern Eng l i shman i s transported back to Roman B r i tain , which faces an invas ion by barbari c German tribe s , t o l ive as a s o ldier , love r , and adventur er , who f ina l ly returns to h i s own t ime wi th a new perspective . 284 .

Uther

&

I gr a i n e .

London : Grant Richards , 1 9 7 3 .

A rete l l ing of the Arthuri an love story , in­ volving Pe l le a s , Uther , and I graine , that relates the conception of K i ng Arthur . Bibl iography 285 .

Watson , George , ed .

T h e N e w C a mb r i d g e B i b l i o Cambridge : Cam­ gr a ph y o f E n g l i s h L i t e r a t u r e .

bridge Univers i ty Pres s , 1 9 7 2 , IV ( 1 9 0 0 - 1 9 5 0 ) , 559-560 . WALTER [ JOHN ] DE LA MARE 286 .

A P e n n y A Da y .

a. b. c. d. e. f. 287 .

New York : Al fred A . Knop f , 1 9 6 0 .

" A Penny A Day " " The Three S leeping Boys o f Warwi ckshire " " The Love ly Myfanwy " " The Dutch Che es e " " Dick and the Beans talk " " The Lord F i sh "

Th e C o l l e c t e d Ta l e s o f Wa l t e r d e l a Ma r e .

Edward Wagenknecht . Knop f , 1 9 5 0 .

a. b. c. d.

New York : Al fred A .

" The Ri ddle " " The Almond Tree " " In the Fore s t " " The Tal i sman "

66

Ed .

WALTER [ JOHN ] DE LA MARE cont inued e. f. g. h. i. j. k. 1. m. n. o. p. q. r. s. t. u. v. w. x. 288 .

Th e C o n n o i s s e u r a n d O t h e r S t o r i e s .

Co l l ins Sons , 1 9 2 6 .

a. b. c. d. e. f. g. h. 289 .

" Mi s s Duveen " " The Bowl " " The Tree " " An Ideal Craftsman " " S eaton ' s Aunt " " Limpet , L i s pett and Va ine " " The Three Friends " " W i l lows " "Mi ss ing " " The Conno i s s eur " " The Nap " "Al l Hallows " " The Whar f " " The Orgy : An I dyl l " " C ape Rac e " " Phys i c " " The Trumpe t " " The Creature " " The Vat s " " S trangers and P i lgrims " London : W .

" Mr .

Kempe " " Mi s s i ng " " The Conno i s s eur " " The Nap " " Pretty Pol l " " Al l Hal lows " " The Whar f " " The Los t Track "

H e n r y B r o c k e n : H i s Tra ve l s & A d v e n t u r e s i n t h e R i c h , S t r a n g e , S c a r c e - Ima gi n a b l e R e gi o n s o f R oma n c e . New York : Al fred A . Knop f , 1 9 2 4 .

A young man goes on an imagi nary j ourney and mee ts the characters of l i terature , inc luding Lucy Gray , Jane Eyre , E lectra , Bottom , T itani a , S leeping Beauty , Lemuel Gul l iver , La Be l l e Dame s ans Merc i , Annabe l Lee , and Cri s eyde . 290 .

L i mp e t ,

291 .

On

Li spe t t ,

Pre s s ] , 1 9 2 3 . the Edge :

a n d Va i n e .

Shor t S tori es .

Faber , 1 9 3 0 . a. b. c.

"A Rec luse " " Wi l lows " " Crewe "

67

London :

[ The Mor land

London : Faber and

WALTER [ JOHN ] DE LA MARE continued d. e. f. g. h. 292 .

" At First S ight " " The Green Room " " The Orgy : An I dy l l " " The Pi cnic " " The Ideal Craftsman "

Th e R i d d l e a n d O t h e r S t o r i e s .

B lount , 1 9 2 3 .

a. b. c. d. e. f. g. h. i. j. k. 1. m. n. o.

London : Se lwyn

&

" The Almond Tree " " The Count ' s Courtship " " The Looking Glas s " " Mi s s Duveen " " Se lina ' s Parable " " Seaton ' s Aunt " " The Bird o f Trave l " " The Bowl " " The Thre e Fri ends " " Limpet , L i spett , and Vaine " " The Tree " " Out o f the Deep " " The Creature " " The Riddle " " The Vats "

293 .

S n o w - Wh i t e .

London : Hul ton Pres s , 1 9 5 2 .

294 .

The Three M u l l a -M u l gars .

London : Duckworth , 1 9 1 0 .

A be a s t fable in whi ch three personi f i ed anima l s have ' the ir pur i ty and courage rewarded when they return to the ir homes and kingships a fter a long que s t . Th i s i s typical of a l l of de la Mare ' s fiction with i ts empha s i s on dreams and chi ldren to create . porta l s into imaginary rea lms and s i tuations and his contention that imaginative ta l e s are more rea l for the reader than unimaginative ones . 295 .

London : Faber and Faber ,

Th e Wi n d B l o w s O v e r .

1 9 36 .

a. b. c. d. e. f. g. h. i.

" What Dreams May Come " " Cape Rac e " " P hys ic " " The Ta l i sman " " In the Fore s t " " ' A Froward Chi ld ' " " Mi s s Mi l ler " " The Hous e " " A Revenant "

68

WALTER [ JOHN ] DE LA MARE continued j. k.

" ' A Nes t of S inging B i rds ' " " The Trumpe t "

Bibliography 296 .

297 .

"A Hand l i s t o f the Wri tings in C lark , Leonard . Book Form , 1 9 0 2 - 1 9 5 3 , of Wa lter de la Mare . " S t u d i e s i n B i b l i o gr a ph y , 6 ( 1 9 5 4 ) , 1 9 7 - 2 1 8 . " Addendum : A Check l i st o f Wa l ter de la Mare . " S t u d i e s i n B i b l i o gr a ph y , 8 ( 1 9 5 6 ) , 2 6 9- 2 7 0 . SAMUEL R . DELANY

298 .

Abr . ed . New York : Ace [ bound dos -a-do s wi th James Whi te ' s S e c o n d En d i n g ] , 1 9 6 2 [ paper ] . Cmpl . ed . New York : Ace , 1 9 6 8 [ paper ] . Rpt . Bos ton : Gregg , 1 9 7 6 .

Th e J e w e l s o f A p t o r .

An intere sting sword and sorcery , ques t nove l in whi ch a high pr i e s tes s , a young thie f , a poet , and a s o ldier s earch for the j ewe l s that f i gure prominently in an atyp i c a l con f l i c t bet­ ween two culture s in a post-holocaust environ­ ment . GRAHAM DIAMOND Haven Series 299 .

Th e Ha v e n .

Chicago : P layboy Pres s , 1 9 7 7

300 .

L a d y o f t h e Ha v e n : A d v e n t u r e s o f t h e Emp i r e Pr i n c e s s .

301 .

Dun geons of Kuba .

Chicago : P layboy Pres s , 1 9 7 8 coming .

[ paper ] .

[paper ] .

Chi cago : P layboy Pre s s , forth­

In the far d i s tant future , mankind has with­ drawn to a sma l l , dying emp i re centered around the fortre s s known as the Haven . The i r numbe r s shr inking , they batt le talking dogs , fur ious beasts who have f i n a l ly been uni ted under the leade r s hip of the Mas ter , To land , and who have a l l ied thems e lve s wi th the Night-Bi rds ( vampire bats ) . Whi le mankind struggles against the ir foe s , the Lord Nige l endure s hardship to find h i s way through the Endle s s Fores t to the New Lands and s a lvat ion . A l l i ed with t a lk ing birds ,

69

GRAHAM DIAMOND continued wolve s , and snake s , mankind i s temporar i ly suc­ c e s s ful in thi s s trong examp le o f actidn and description with i t s strikingly e f fective characteri zations o f man , anima l s , and love . Although L a d y o f t h e H a ven ha s been bi l led a s a seque l t o Th e H a v e n , i t i s actua l ly a b i t more . Re lating the youth o f Lady Ana s ta s i a , N i ge l ' s daughte r , who i s rai sed by the wo lve s , i t i s the f i r s t vol ume i n what i s a pro j ected tri logy . Fascina ted by the t a le o f an old whi te wo l f , Anas t a s i a decides to lead an ex­ pedi tion acro s s the sea to find a new land , but first she must convince her father and the ruling counc i l . PETER D I CKINSON 302 .

London : Vi c tor Gol lanc z , 1 9 7 6 [ s imultaneous pub l i cation : Boston : Little , Brown ? ]

Th e B l u e Ha wk . •

A young boy becomes the center of a mys t i c and po l i t i c a l s truggle in a country l i ke anc ient E gypt by befr i ending a blue hawk , the symbo l of kingly power , and by ful f i l l ing the archetypa l role of the " nay- s ayer " in a r i tual o f succe s ­ H i s r i te of pas sage and his o ften tor­ s i on . tured dec i s ions that fol low make for an intri ­ guing ' search for s e l f and truth . 303 .

Th e W e a t h e rm on g e r .

London : Vi ctor Go l lanc z , 1 9 6 8 .

Two chi ldren , Geof frey ( a young wea thermonger ) and S a l ly , are driven out o f England by un­ usual changes in the country , much of i t having been returned to the Middle Ages . S ent back from France and u s i ng a 1 9 0 9 Ro l l s Royce for transportation to inve s t i gate , they d i scover that the changes are being produced by the mind of a reawakened , but drugged , Mer l i n . The chi ldren persuade Mer lin to deny the drug and re turn to h i s r i ghtful r e s t . Two other o f Dickinson ' s nove l s a r e a l so nove l s concerned wi th r egre s s ive " changes " and can be read se­ parate ly or in con j unct ion with Th e We a t h e r ­ m o n g e r : H e a r t s e a s e [ London : Vi ctor Go l lanc z ; Bos ton : Little , Brown , 1 9 6 9 ] and T h e D e vi l ' s Ch i l d r e n [ London : Victor Go l lanc z ; Bos ton : Li ttle , Brown , 1 9 7 0 ] .

70

GORDON R [ UPERT ] DICKSON 304 .

Garden C i ty , NY : Nel son Doubleday [ The S c i ence Fiction Book C lub ] , 1 9 7 6 .

Th e D r a gon a n d

the George .

A fine fantasy romp concerning a ma iden who i s lost in an oppr e s s ively mundane everyday and found in a world of magic , wonder , and knight­ hood . Her boyfri end ' s mind i s pro j ec ted into the body o f a talking dragon to e f fec t her r e s ­ cue , and the company h e accumulates on h i s que s t and the ir often bur le sque adventures make thi s one o f the mos t pleas ing examples o f rational­ i z ed fantasy . Bibliography 305 .

" Gordon R . Dickson Bibliography . " In G o r d o n R . Di ckson ' s SF Bes t . Ed . James R . Frenke l . New York : De l l , 1 9 7 8 , pp . 2 2 3 - 2 3 6 [ paper ] . CHARLES LUTWIDGE DODGSON

306 . 307 .

Carrol l , Lewi s , ps eud . Al i ce ' s A dven t ures i n Wo n d e r l a n d . London : Macmi l l an , 1 8 6 5 . Th r o u gh t h e L o o k i n g - G l a s s , a n d Wh a t A l i c e Fo u n d Th e r e . London : Macmi l l an , 1 8 7 2 [ actual ly

relea sed in 1 8 7 1 ] . 308 .

Th e Wa s p i n a Wi g : A " S u ppr e s s e d " Epi s o d e o f Th r o u gh t h e L o o k i n g G l a s s a n d Wh a t A l i c e Fo u n d Th e r e . Ed . Martin Gardner . Carro l l

S tudies No . 2 . New York : The Lewi s Carrol l Society o f North Amer i c a , 1 9 7 7 .

Through the arti s try o f Wal t Di sney , the adven­ tures of Al ice have become enormous ly popular , and i t i s rare to f ind someone who i s not aware o f her j ourneys through Dodg son ' s " fa i ry tale " settings . However , examination of the two books from an adu l t and/or s cho lar ly point of view reve a l s that Alice ' s adventures o ften are excur s ions into the darker por tions o f human consc iousne s s , and that A l i c e ' s A d v en t u r e s i n Wo n d e r l a n d with i t s maj or theme o f change and Th r o u gh t h e L o o k i n g G l a s s with i ts s truc tural model of the che s s game are dark narra tives focus ing on a repre s s ed Vic torian chi ld over­ whelmed and intimidated by c apr ic ious and i l logical adults and authori ty f i gure s . Dodgson us e s thi s r epre s s ive s i tuation to i l lus ­ trate the e s s en t i a l hone sty and straightfor-

71

CHARLES LUTWIDGE DODGSON continued wardne s s of chi ldren . Bibliography 309 .

Wi l l iams , S idney Herber t , and Fal coner Maden . T h e L e wi s C a r r o l l H a n db o o k : B e i n g a N e w Ve r s i o n o f t h e L i t e r a t u r e o f t h e R e v . C . L . Do d gs o n . . . N o w R e vi s e d , A u gm e n t e d a n d B ro u gh t Up t o 1 9 6 0 .

Rev . Roger Lance lyn Green . Univer s i ty Pre s s , 1 9 6 2 .

London : Oxford

STEPHEN R . DONALDSON The Chroni c l e s o f Thomas Covenant , the Unbe l i ever 310 .

L o r d Fo u l ' s B a n e : T h e C h r o n i c l e s o f Tho m a s C o ve n a n t , t h e Unb e l i e v e r . B o o k On e . Garden

C i ty , NY : Ne l son Doubleday [ S cience F i c tion Book Club ] , 1 9 7 7 .

311 .

Th e C h r o n i c l e s o f T h o m a s C o v e n a n t , t h e Un b e l i e ve r : Th e I l l e a r t h Wa r . New York : Holt , Rinehart

and Wins ton , 1 9 7 7 .

312 .

Th e C h r o n i c l e s o f Th o ma s Co ve n a n t , t h e U n b e l i e v e r : Th e P o w e r Tha t P r e s e r v e s . New York : Holt ,

Rinehart and Wins ton , 1 9 7 7 .

A twentieth-century leper i s transported into the midst of a ti tantic psychomachia in a fanta sy realm where magic functions and the inhabi tants are deeply bound to the hea l th of the sentient land . He mus t overcome h i s own doubts , find the courage to try to do more than survive h i s leprosy ( which initia l ly d i s ­ appear s in the fantasy environ ) , and come to terms with h i s own s ceptic i sm and despondency before he can aid the people who become so dear to h im . The ser i es i s d i s tingui s hed by i ts characteri zation , the del ineations o f evi l and i t s repre sentative s , i ts s e ttings and de scr ip­ tions , and its depic tion of the protagon i s t ' s One o f the be s t o f the recent inner torment . fantasy ser i e s . NORMAN DOUGLAS 313 .

Neri nda

(1 9 01 ) .

Florenc e : G . Florence , 1 9 2 9 .

A young man seeks a de s truc tive reunion wi th

72

NORMAN DOUGLAS

continued

h i s s oul mate , who was ki l led when Pompe i i was de stroyed . 314 .

So u th Wi n d .

London : Martin S ecker , 1 9 1 7 .

S e t in the imaginary Medi terranean realm o f Nepenthe , thi s i s a tale of dark convers ion . A young bishop of the Church o f England , exhaus ted from h i s evange li stic e f forts in Africa , f i nds the pagan natives of Nepenthe irre s i s tible . The ir amora l ity and pagani sm convince the b i shop that he wi l l not return to the church , · but wi l l embrace the c l a r i ty o f the native s ' panthei sm . Bibliography 315 .

McDona ld , Edward David .

A B i b l i o gr a p h y o f t h e Wr i t i n gs o f N o rma n Do u gl a s , Wi t h N o t e s b y N o rm a n Do u gl a s . Phi lade lphia : Centaur Book­

shop , 1 9 2 7 .

DIANE DUANE 316 .

T h e Do o r In t o F i r e .

New York : De l l , 1 9 7 9

[ paper ] .

Despite an overly cute " Overture , " by David Gerra ld , Duane ' s first book publi cation e f fe c ­ t ively combines a d iverse number o f e lements wi thin a sword and sorcery frame . Herewi s s i s the f i r s t man i n eons to po s s e s s an internal , magical f l ame o f enormous power . However , the various ins truments that women use to focus and control the ir flames shatter whenever Herewi s s attempts to use them . Futi l e ly , he attempts to forge a sword that wi l l focus and deve lop the nascent f l ame , and when thi s fai l s , he f i nds aid through the carna l vi s i tation o f a godde s s and the company o f a fire e l ementa l , S un spark . Ultimate ly , i t i s the porta l s into o ther wor lds contained i n a fortres s bui l t by a long- for­ gotten race that resolve his d i lemma . Through h i s tamper ing , he releases an a l i en and e l emen­ ta l evi l and mus t find his power to save hi s friend s from a horrible death . Interwoven into the p lot are Duane ' s exce l lent descriptions of settings ; her ski l l ful handling o f the homo- and he terosexual triang le among Herewi s s , h i s friend Princ e Free lorn , and S egnbor a , a woman who i s trying to control her f l ame a l s o ; and her de ft characteri zation o f S un spark , the

73

DIANE DUANE conti nued f i re elementa l , who become s incre as ingly human through his contact wi th Herewi s s . LORD DUNSANY , ps eud . S ee EDWARD JOHN MORETON DRAX PLUNKETT EARL OF SOUTHESK , pseud .

S ee JAMES CARNE GIE

GEORG [ MORI T Z ] EBERS 317 .

Trans . Edward Hami l ­ ton Be l l . New York : w . s . Gottsberger , 1 8 9 0 [ fi r s t Eng l i sh trans lation o f the original German ] .

Th e E l i x i r a n d O t h e r Ta l e s .

a.

b. c.

" The E l ixir " " The Greylock , A Fairy Tale " " The Nuts , A Chr i s tmas S tory " E [ RI C ] R [ UCKER] EDDISON

318 .

Th e Worm O u r o b o ro s : A Roma n c e . Cape , 1 9 2 2 .

London : Jonathon

A psychomachia that i s s e t on an imaginary Mercury and fought by the forces of Demon land and W� tchland . King Gorice X I I , a necromancer , o f Witchland i s in conf l i c t wi th the Lords o f Demon land : three brothers--Lord Jus s , Go ldry Glus zco , and Spitfine--and the ir cous i n , Lord Brandoch Daha . Gor ice k idnaps Go ldry through sorcery and impri sons him on a d i s tant moun­ ta in ; h i s kinsmen mus t attempt to rescue him whi le Gor i ce attacks the ir home l and . Jus s and Brandoch Daha seek the aid of the immortal ly youthful Queen Sophoni sba , whose c a s t l e had been s acked by one of Gor i ce ' s ance s tors . From her , Juss learns that he can res cue Goldry on ly by f lying to the mountain on a hippogr i f f . After the fai lure o f a land res cue , the Lord s recover a hippogri f f egg from the bottom of a l ake in Demonland . In the meantime , Gor ice ' s forc e s are laying waste to Demonland , and Brandoch Daha ' s s i ster , Mevr i an , e s c apes cap­ ture only with the he lp o f a trai tor to Gorice ' s cause , Lord Gro . After Go ldry i s res cued with the he lp o f · the hippogr i f f , the reuni ted Lords drive Gor i ce ' s forces out of Demon land , c ap ture

74

E [ RIC ] R [ UCKER] EDD I SON continued hi s c a s t le , and k i l l the wi tch lords . Thi s work i s cons ider � d by many to b e a n a l legory o f the f a l l of Luc i fer ( the sorcerer-king o f Wi tchland ) and t o b e one o f the be s t examp l e s of a non-extrapo lated environment . A s i ts t i tle--a maj or symbol of the eternal cyc l e - ­ indicates , the nove l has n o resolut ion but ends wi th the reali zation that struggle mus t continue for e tern i ty . The Z imi amv i an Nove l s 319 .

Mi s t r e s s o f Mi s t r e s s e s . 1935 .

320 .

A F i s h Di n n e r i n Memi s on . 194 1 .

321 .

M e z e n t i a n Ga t e . 1958 .

New York : E . P . Dutton , New York : E . P . Dutton ,

P l a i s tow , Engl and : Curwen Pres s ,

S e t in Z imiamv i a_ , a paradise mentioned by Lords Jus s and Brandoch Daha in Chapter 1 2 of T h e Worm o u r o b o r o s ( see above ) , thi s incomp l e te tri logy draws he avi ly from Orkn e y i n ga S a ga , Virgi l , and the Homeric Hymns . Mi s t r e s s o f Mi s t r e s s e s beg i ns wi th the dea th o f Edward Le s s ingham at age ninety . He i s rein­ carnated in Z imiamvia a s a young captain and becomes active in pol i t i c s a fter the death o f King Me zentius . Despi te his honorable nature , Le s s ingham s upports hi s Machi ave l li an cous i n , Horius Parry , the regent to the l a te king ' s daughter , Antiope , against the king ' s ba stard Through­ son and the honorable Duke Barganax . out the nove l lurks the dreadful and beaut i ful Aphrodi te . Typ i c a l o f the nove l ' s ruth l e s s and a r i s tocrat i c characters , she operates through a number of gui ses : F lor inda , Barganax ' s mi stre s s ; Queen Antiope ; Barganax ' s mother , the Duches s of the K ingdom o f Memi son ; and Le s s ingham ' s dead wife , Mary . I t i s Aphrodi te who has a l lowed Le s s ingham to enter Z imiamvia a s her l over and who , in fac t , created it for him to occupy . A F i s h Di n n e r i n Memi s on , a lthough wri tten l a te r than Mi s t r e s s of M i s t r e s s e s , take s p lace

ear l ier i n Z imiamv i a during the l i fe time o f King Me zentius . I t concerns Barganax ' s court­ s hip of F lor inda/Aphrod i te ; King Me z entius '

75

E [ RIC ] R [ UCKER] EDD I S ON continued early invo lvement wi th Amal ie/Aphrod i te , Duche s s o f Memi son ; and Edward Le s s ingham ' s invo lvement wi th hi s wi fe , Mary S carn s ide/Aphro­ d i te . The relationships are treated in a lter­ nation wi th Florinda ' s awarene s s o f the godde s s At the ban­ within her the uni fying e lement . quet the nove l draws i ts t i t l e from , a que s t ion is posed : I f any of the partakers were gods , what kind o f a world would they creat e ? The answer i s , o f cour s e , created by Eddi son in Mi s t r e s s of Mi s t r e s s e s . Me z e n t i a n G a t e was unpub l i shed and only two­

thirds comp lete when Eddison d i ed , but Eddi son did have the entire book outl i ned and s umma ri zed . The s e s umma ries are substi tuted for the mi s s ing chapters . Whi le the other two vo lume s cover �elative ly short lengths o f time , M e z e n t i a n G a t e spans three-quarters o f a c entury and chronicles the dome s t i c and po l i tical i n tr i gues o f three k ingdoms : Me s zr i a , Rerek , and Fingi s ­ wo ld . Featured are Le s s ingham ' s reco l lection of h i s chi ldhood , adulthood , and death ; o f e i ghteenth and nine teenth century Britain ; the member s of the Parry C lan of Rerek and the Roya l House of Fingi swold ; and the murder o f Mary A highly complex s e r i e s S carns ide ' s fathe r . that should b e read i n reverse order of pub l i ­ cation to maintain interna l chronology . H . M . EGBERT , pseud .

See VICTOR ROSSEAU EMANUEL

GEORGE EGERTON , pseud . S ee MARY CHAVELITA CLAI RMONTE BRIGHT PHYLLIS EI SENSTEIN 322 .

Sorcerer ' s Son .

[ paper ] .

New York : Bal lantine , 1 9 7 9

Del ivev , a sorcere s s , admi ts what appears to be a wounded knight to Cas t le Spinweb . However , the knight , Gi ldrurn , i s actual ly a demon , and , a fter a brief and pas s ionate a f fai r , he leave s her pregnant , and unaware tha t he had f a l len in love with her . When the chi l d , Cray , i s grown , he goes i n search of h i s father , not knowing that Gi ldrurn has been ens laved by the evil sorcerer , Re zhyk , and has been prevented

76

PHYLLI S E I SENSTE IN continued from returni ng . When Cray attempts to use sorcery to find his father , he f a l l s under Re zhyk ' s sway , and Re zhyk i s h i s mother ' s sworn enemy . GORDON EKLUND 323 .

" The Twi l i ght River . " In B i n a r y S t a r N o . 2 . New York : Del l , 1 9 7 9 [ paper ] . Bound with F . P aul Wi lson ' s s c ience- fiction nove l la , " The Tery . " Earth in the far future has been invaded and conquered by a l iens known as the Range ls ; towns are ruled by puppet governor s c a l led War lock s . Sam , one of a few remaining free men , live s a wandering l i fe unt i l he s ave s the beauti ful Tr ina , a war lock ' s daughter , from the wrath o f the Range l s a fter she ha s s la in one o f them . They attempt to j ourney to the realm of the Free Men , a seemingly mythic place , but are de l ayed when they meet a true wi z ard ( actua l ly S am ' s f athe r ) who helps them and must de s troy S am ' s mother , a vampire . When they fina l ly do f i nd the ir goa l , they are di smayed to find i t i s peop led by man ' s s ucces sor on earth , hi ghly evolved and inte l l i gent dogs . PAUL ELDRI DGE See GEORGE SYLVE STER VI ERECK AND PAUL ELDRI DGE HARLAN ELLISON

324 .

Th e B e a s t Th a t S h o u t e d L o ve a t t h e H e a r t o f t h e Wo r l d . New York : Avon , 1 9 6 9 [ paper ] .

a. b. c. d. e. f. g. h. i. j. k.

" Introduction : The Waves o f Rio " " The Beast That Shouted Love at the Heart of the Wor l d " "Along the S cenic Route " ( or iginal t i t le : " Dogfight on 1 0 1 " ) " Phoenix " ( or i gi nal ti t le " Phoenix Land " ) "As leep : Wi th S t i l l Hands " " S anta C laus vs . S . P . I . D . E . R . " " Try a Dul l Kni fe " " The P i t l l Pawob Divi s i on " " The P lace With No Name " "Whi te on Whi te " " Run for the S tar s "

77

HARLAN ELLI SON continued 1. rn . n. o. p. 325 .

Dea thb i rd S t or i es :

York : Harper

a. b. c. d. e. f. g. h. i. j. k. 1. rn . n. o. p. q. r. s. t. 326 .

" Are You Li s ten ing ? " "S . R.O. " "Wor lds to K i l l " " Shattered Like a G l a s s Goblin " " A Boy and H i s Dog " &

a p a n t h eon o f mod ern gods .

Row , 1 9 7 5 .

New

" Introduction : Obl ations at Al i en Altar s " " The Whimper o f Whipped Dogs " " Along the S cenic Route " " On the Downhi l l S ide " " O Ye o f Li ttle Faith " " Neon " " Bas i l i s k " " Pretty Maggie Moneyeye s " " Corp s e " " Shattered Like a G l a s s Gob l in " " De lus ion for a Dragon S layer " " The Face o f He lene Bournouw " " Bleeding S tone s " "At the Mouse Ci rcus " " The P lace wi th No Name " " Pa ingod " " Erne s t and the Machine God " " Rock God " " Adri ft Just O f f the I s l ets o f Langerh ans :­ Lat i tude 3 8 ° 5 4 ' N , Lqngi tude 7 7 ° O O ' W " " The Deathb i rd "

S t r a n g e Wi n e : F i f t e en N e w S t o r i e s F r o m t h e N i gh t ­ s i d e o f t h e Wo r l d . New York : Harper & Row ,

19 7 8 .

a. b. c. d. e. f. g. h. i. j. k. 1. rn . n. o.

" Croa toan " " Working Wi th the Little Peop le " " K i l l ing Bern s te i n " "Morn" " I n Fear o f K " " Hi t ler Painted Ro ses " " The Wine Has Been Left Open Too Long and the Memory Has Gone F l at " " From A to Z , in the Chocolate Alphabe t " " Lone ly Women Are the Ves se l s o f Time " " Emi s sary from Hame l i n " " The New York Review o f Bird " " Seeing " " The Boulevard o f Broken Dreams " " S tr ?- nge Wine " " The Diagnos i s o f Dr . D a r q u e Ange l " '

78

HARLAN ELLISON continued B i b l iography 3 27 .

Swigart , Les l i e Kay .

3 28 .

Swigart , Le s l ie Kay . " Harlan E l l i son : An F & SF Check l i s t . " Th e Ma g a z i n e of Fa n t a s y a n d S c i en c e F i c t i o n , July 1 9 7 7 , 8 0 - 8 9 .

i ca l Checkl i s t .

Ha r l a n E l l i s o n : A B i b l i o gr a ph ­

Da llas : Wi l l iams , 1 9 7 3

[ paper ] .

VI CTOR ROUSSEAU EMANUEL 3 29 .

Egbert , H . M . , pseud . E r i c o f t h e S t ro n g H e a r t . London : John Long , 1 9 2 5 . S e t in a tropical land at the North Pole , thi s i s both a lost- race and sword and sorcery nove l . EVANGELINE WALTON ENSLEY The Mabi nogion S e r i e s

3 30 .

Wa l ton , Evange l ine , pseud .

P r i n c e o f A n n wn : Th e F i r s t B r a n c h o f t h e Ma b i n o g i on . New York :

Bal l antine , 1 9 7 4 331 .

[ paper ] .

T h e C h i l d r e n o f L l y r : Th e S e c o n d Br a n c h o f t h e Ma b i n o gi o n . New York : Bal lantine , 1 9 7 1

[ paper ] .

3 32 .

The Song o f Rhi a nnon : t h e Ma b i n o g i o n . New York :

[ paper ] .

333 .

T h e Th i r d B r a n ch o f

Bal lantine , 1 9 7 2

Th e Vi r g i n a n d t h e S w i n e : Th e Fo u r t h B ra n ch o f t h e Ma b i n o g i o n . Chicago and New York : Wi l le t , C lark , 1 9 3 6 . Rpt . as Th e I s l a n d o f t h e Mi gh t y : Th e Fo u r t h B r a n c h o f t h e Ma b i n o g i o n . New York : B a l lantine , 1 9 7 0 [ paper ] .

A rete l ling o f the We l sh Ma b i n o g i on . Whi le thi s ver s ion i s eas i e r , more coherent reading than the origina l , the original ' s rough and vital prose ; its event , rather than character or plot orienta tion ; and i t s o f ten barbar ic power o f human interac tion , pol i tic s , and love are re­ ta ined .

79

HANNS HE IN Z EWERS 334 .

Th e S o r c e r e r ' s Appren t i c e .

New York : John Day , 1 9 � 7 .

Trans . Ludwi g Lewisohn .

S e t in a sma l l I ta l i an v i l l age , thi s work was highly thought of by H . P . Lovecraft and i s cons idered a c las s i c b lack art s nove l . PAUL W . FAI RMAN 335 .

Jorgensen , Ivar , pseud . * Wh om t h e G o d s Wo u l d Sl a y . New York : Be lmont , 1 9 6 8 [ paper ] . A brie f , una s s umi ng sword and sorcery nove l concerning an anc ient viking ' s mag ical ques t to des troy an a l ien space craft . *N . B . Thi s pseudonym has a l so been connec ted with Robert S i lverburg and/or Harlan E l l i son by various sources . Fairman s eems to be the bes t po s s ib i l i ty . ELEANOR FARJEON

336 .

Th e Fa i r o f S t .

James : A Fan ta s i a .

and Faber , 1 9 3 2 .

London : Faber

In thi s l i ght and fanc i ful tale , two young vi s i tors to a French cathedral town become so enthral led by the fes t ive a tmosphere that they enter ' the land of dreams and partic ipate in a fair . Whi l e there , they obs erve and are in­ vo lved with royalty , a crys tal ga z e r , various beggar s , 'and many internal fantasy tal e s . 337 .

H u mmi n g B i r d : A N o ve l .

New York : Freder i ck A .

33 8 .

Th e S o u l

London : Co l l ins , 1 9 2 3 .

Stokes , 1 9 3 7 .

o f Ko l N i kon .

A young boy grows up a s an outcast becaus e h i s mother has l abe l led h im as a fa iry change l ing . Be l i eving i t h ims e l f , he spends much o f the novel in a bittersweet que st to steal a soul , thus mak ing hims e l f human and hoping to gain An interes ting exploration hi s mother ' s love . into the nature o f iden t i ty and s e l f-knowledge . Bibliography 339 .

Z eeman , Den i se Avr i l .

80

El e a n o r Fa r j e o n : A B i b l i o -

ELEANOR FARJEON continued Johanne sburg : Unive r s i ty of Wtwater s ­ rand , Department o f Bibliography , Librar ianship and Typography , 1 9 7 0 . g r a ph y .

,.

PH ILIP JOSE FARMER 340 .

Fl e s h .

Garden C i ty , NY : Doub leday , 1 9 6 8 .

What begins as a seeming sc ience - f ic tion story , in which a group of a s tronauts return to Earth e i ght -hundred years a fter the ir departure , i s qui ckly trans fo:rmed into a primi tive and so­ c i a l ly expans ive fantasy invo lving the r i tes of pas s age , kingship , and godhood . In the future , post-ho locaus t world , the popul ation has commi tted i t se l f to an orgas tic cult that trans forms one o f the astronauts into a human s tag , the s un hero , who become s subj ect to the bruta l and e l ementa l l aws of procreation and rebirth . 341 .

In s i d e O u t s i d e .

New York : B a l l antine , 1 9 6 4

[ paper ] .

An inhab i tant o f H e l l and his companion e s c ape from the ir damnat ion , explore the nature o f the ir environment , and discover what exi s ts beyond the a f ter l i fe . 342 .

New York : Berk ley , 1 9 6 6 Rpt . New York : Gar l and , 1 9 7 5 .

N i gh t o f L i gh t .

[ paper ] .

John Carmody , a vic ious criminal , i s trans formed into a p r i e s t by the mi raculous " night of l i ght " ( a periodic s olar f lar e ) and fathers a new god to replace the one he ' d s lain in h i s previous evi l exis tence . Thi s , l ike other Farmer nove l s , is d i s t ingui shed by the mixture of the real and the unreal , the mys t i c a l and the mundane . The Riverworld Series 343 .

To Yo u r S c a t t e r e d B o d i e s G o : A S c i e n c e Fi c t i o n Novel . New York : G . P . Putnam ' s Sons , 1 9 7 1 .

344 .

Th e F a b u l o u s R i v e rb o a t : A S c i e n c e F i c t i o n N o v e l i n t h e R i v e r wo r l d S e r i es . New York : G . P .

Putnam ' s Sons , 1 9 7 1 .

345 .

T h e Da rk D e s i gn : Th e T h i r d N o v e l i n t h e R i v e r wo r l d Seri es . New York : Berkley , 1 9 7 7 .

81

,.

PH ILIP JOSE FARMER continued 346 .

Forthcoming .

Th e Ma g i c L a b y r i n t h .

In the unfinished Riverwo r ld s eri e s ( a t least one more volume is promi s ed ) , earth ' s dead are reborn along the shores of a s eemingly endles s river , and personages from a l l geographic areas and t ime periods are brought toge ther to begin new l ives and e s tab l i s h new societie s . The Riverworld has been created and i s maintained by a group o f s uper beings c a l le d the Ethical s , and much o f the ac t ion o f the series focuses on the attempt by the character s to sail to the head waters of the r iver and d i s cover the nature of the Ethic al s ' dark tower that i s located there . Farmer ' s expert use o f h i s tori­ c a l f i gure s ( Ri chard Burton and Mark Twain are the protagon i s ts o f the f i r s t two book s ; the enigmatic Peter Jairus Fri gate -- the Farmer persona - - o f the third ) and h i s understanding of human motivations and soc iety are two o f the mos t noteworthy aspects o f the series . The Wor ld of Tiers Series 347 .

M a k e r o f Un i v e r s e s .

New York : Ace , 1 9 6 5 Rpt . New York : Gar l and , 1 9 7 5 .

348 .

G a t e s o f C r e a t i on .

349 .

A Pri va t e Cosmos .

350 .

B e h i n d t h e Wa l l s o f T e r r a .

351 .

Th e L a va l i t e Wo r l d .

New York : Ace , 1 9 6 6 New York : Ace , 1 9 6 8

[ paper ] .

[ paper ] . [ paper ] .

[ paper ] .

New York : Ace , 1 9 7 0

New York : Ace , 1 9 7 7

[ paper ] .

The World of Tiers ser i e s , a l so known as the Pocket Universe serie s , focus e s on a race of superior be ings who create tota l ly new uni ­ ver ses for the i r persona l toys . Jadawin , a l so known a s Robert Wo l f f , has c re ated the pocket universe that mos t of the action takes place in . Humani zed by h i s contact wi th mankind , Jadawin i s converted from a typi cal , s cheming , arrogant , and uncaring " Lord " to a more invo l ­ ved and compas s i onate individua l . Much o f the ac tion of the ser i e s is generated by Jadawi n ' s con f l i cts wi th Kickaha the Trick s ter , a l so known a s Paul James Finnegan and probably a Farmer sel f-portra i t , as the two s truggle for contro l of Jadawin ' s des irable pocket univer se . Thi s i s a comp l i cated and fasc inating series

82

,

PHILIP JOSE FARMER continued in whi ch Farmer explores the nature of ar t i s t i c and l i terary creation , o ften expr e s s ing his views through the fema le Lord Anana , Jadawin ' s s i s te r . Bibliogr aphy 352 .

Bri z z i , Mary . A R e a d e r ' s G u i d e t o Ph i l i p J o s e Fa rm e r . Wes t Linn , OR : S tarmont Hous e , 1 9 7 9 [ paper ] .

353 .

Knapp , Lawrence . Jo s e Fa r m e r .

19 7 6

354 .

[ paper ] .

Th e F i r s t E d i t i on s o f P h i l i p

Menlo Park , CA : David G . Turner ,

Wymer , Thomas . " S peculat ive F i c tion , Bibliograph­ i e s , & Phi l ip Jos ' Farmer . " Ex t r a p o l a t i o n , 1 8 ( 1 9 7 6 ) ' 6 5- 7 2 . HENRY F I ELDING

355 .

to t h e N e x t . London : Harr i s on , 1 7 8 3 . Rpt . New York : Arno , 1 9 7 6 , from the 1 9 3 0 Golden Cockere l Pre s s edition .

A J o u r n e y F r o m T h i s Wo r l d

In a mock memo i r , the soul of a dead man i s e scorted , a long wi th other soul s , t o E ly s i um by the god Mercury . As they trave l in a coach , s tops are made and homage paid at the C i ty o f D i s ea s e s and the P a l ace of Death . When the sou l s arrive at the River Cocytus , they are pa s s ed by many p i t i able souls , j udged unf i t for the a fter l i fe , and sent back to Earth for another exi s tence , new l ives s e lected by the whee l of fortune . The narrator , fortunate ly , i s accepted by Minos , the great j udge , for entry into E lys i um . In E lys ium , he mee t s and conver s e s with numerous famous fi gure s from h i s tory . This was origina l ly intended a s a contemporary satire of Bri t i s h cus toms and soc i e ty . Bibliography 356 .

Henley , Wi l l i am Ernes t , ed . Th e C omp l e t e Wo rk s o f Henry Fi e l d i n g . New York : Cro s s cup & S te r l i n g , 1 Y 0 2 , XVI , xlvi i - lx i i .

357 .

Dudden , Freder i ck Ho ines .

Hen r y Fi e l di n g ,

Hi s

Wo r k s a n d T i m e s . Oxford : Oxford Un iver­ s i ty Pre s s , 1 9 5 2 , I I , 1 1 2 6 - 1 1 5 1 .

Li fe ,

83

CHARLES G [ RANDISON ] FINNEY 358 .

Th e C i r c u s o f Dr .

Lao .

New York : Vik ing , , 1 9 3 5 .

The inhabi tants of Aba lone , Ari z ona , are enter­ tained by the wonders o f Dr . Lao ' s c i rcus : a medusa , a chimera , a werewo l f , and a satyr , a l l authent ic . The c i rcus ' s fina le i s a r i tual o ffering to an anc i ent and unknown god , and each spectator experiences an iron i c , personal , and horr ible vi s ion o f s e l f dur i ng the ceremony . Long con s i dered a c la s s i c o f we i rd fanta sy . 359 .

T h e Gh o s t s o f Ma n a c l e .

[ paper ] .

a. b. c. d. e. f. g. h. 360 .

" The " The " The · " The " The " The " The " The

New York : Pyramid , 1 9 6 4

Iowan ' s Curse " Horsenapping of Hotspur " Life and Death o f a Wes te rn Gladiator " Gi lashrikeys " B lack Retr iever " Capt ivity " Door " End o f the Ra inbow "

" The Magic ian Out of Manchur i a . "

a n d M a g i c i a n O u t o f Ma n c h u r i a .

Pyramid , 1 9 6 8

[ paper ] .

In Un h o l y C i t y New York :

Finney ' s magic ian i s a lazy and di shone s t br i ­ gand and con man who s heds his skin at var i ous inopportune interva ls becaus e of h i s serpent lineage . Along wi th a queen made beauti ful by magi c , an a s s , and an a s s i s tant , the mag i c i an i s invo lved in adventure s and ha ir -br eadth e scapes . Hi s dal l i ances and rescue o f the Queen of Lust are among the be s t moments in thi s nove l ette , whi c h a l s o inc lude s s uch i tems as the magic ian ' s paraphrase of Jame s Joyce ' s A P o r t r a i t o f t h e A r t i s t a s a Yo u n g M a n to the ass . Funny , often esoteri c , and a heavy-handed cri t i c i sm of soc i a l i sm . 36 1 .

Th e Un h o l y C i t y .

New York : Vanguard , 1 9 3 7 .

Though not as succe s s ful a s Th e C i r c u s o f Dr . La o or " The Mag i c i an Out of Manchuri a , " T h e Un h o l y C i t y i s a repre s entative example of Finney ' s creat ion o f the pi caresque and del ight­ ful rasca l . In thi s tale , the only s urvivor of a plane .crash and a res ident of Aba lone , Ar i zona ( the se tting for Th e C i r c u s o f Dr . L a o ) , i s taken in hand by a free - spending inhab i tant of the unho ly c i ty of He i lar-wey . Much o f the

84

CHARLES G [ RANDI S ON ] FINNEY cont inued nove l i s devoted to the ir adventure s in thi s futur i s t i c c i ty as Finney sustains a cons tant parody of soc ial materi a l i sm . Bibliography 362 .

Burke , W . J . , Wi l l D . Howe , I rving Wei s s , and Anne Wei s s . A m e r i ca n A u t h o r s a n d B o o ks : 1 6 4 0 t o t h e P r e s en t . 3 rd rev . ed . New York : Crown , 1 9 7 2 , p . 212 . [ARTHUR ANNESLE Y ] RONALD FI RBANK

363 .

Th e A r t i f i c i a l

364 .

Capri ce .

365 .

Th e F l o w e r B e n e a t h t h e Fo o t : B e i n g a R e co r d o f t h e E a r l y L i f e o f S t . La ura d e Na z i a n z ; a n d t h e T i m e s i n Wh i ch S h e L i v e d . London : Grant

Pri n c es s .

London : Duckworth , 1 9 3 4 .

London : Grant Ri chards , 1 9 1 7 .

Richards , 1 9 2 3 .

In this bur le sque parody o f court ly l i fe , a young woman , Laura L i ta Carmen Etoi le de Na z i an z i , i s d i s appointed in love when her be­ loved , Hi s Wearine s s Prince Youse f , marr i e s another . S h e returns to the convent o f her youth , the Convent of the F l aming-Hood , and , after lamenting her mi s fortune , she embark s upon a l i fe devoted to sanc t i ty and the pur­ sui t o f sainthood . Thi s de l i ghtful parody i s further d i s tingu i s hed by i ts c r i t i c i sms o f Roman Catho l ic piety and by the names of i ts character s : Her Gaudine s � the Mi stre s s o f the Robe s ( Laura ' s mother ) ; Her Dreamine s s ( the Queen ) ; the Marques a Pi z z i- Parma ; Lord Limpnes s ; Apri l Flowers ; Count C abinet ; Mr s . Ch i l leywater ; Fa ther No s trad amn s , etc . 36 6 .

O d e t t e D ' A n t r e v e r n e s a n d A S t u d y i n T e mp e r a m e n t .

367 .

Th e P r i n c e s s Z o u b a r o ff : A Com e d y .

368 .

va i n g l o r y .

369.

Va l m o u t h :

London : E lk i n Matthews , 1 9 0 5 . Richards , 1 9 2 0 .

London : Grant

London : Grant Richards , 1 9 1 5 . A Roma n t i c Novel .

ards , 1 9 1 9 .

85

London : Grant Rich­

[ARTHUR ANNESLEY ] RONALD FI RBANK cont inued B ib l iography 370 .

Benkowi t z , Mir i am Jeanette . A B i b l i o gr a ph y o f Ron a l d Fi rban k . London : Rupert Hart-Davi s , 196 3 . VI OLET MARY F I RTH

371 .

Fortune , Dion , pseud . Th e S e c r e t s o f Do c t o r Ta v e rn e r . London : Noe l Dougla s , 1 9 2 6 . A col lection o f fantasy-oc cult ta le s featuring Dr . Taverner , an al turi stic initiate into the arcane myste r i e s of antiquity . Like F irth ' s other work s , thi s ref lects her intense interest in the unseen , the mys t i ca l , and the psycho­ ana lyt i c . " B lood Lus t " " The Re turn o f the Ri tua l " " The Man Who Sought " " The Soul That Would Not Be Born " " The Scented Poppi e s " " The Dea th Hound " " A Daughter of Pan " " The Sub le tting o f the Man s i on " " Recal led " " The Sea Lure " " The Power Hous e "

a. b. c. d. e. f. g. h. i. j. k.

A number o f Firth ' s other works fo llow , wi th the c a�tion that they may conta in too much horror and occult to be truly con s idered fan­ tasy . 372 . 373 . 374 .



--1-92 7 .

Th e D emon L o v e r .

Th e G o a t Fo o t G o d .

Norgate , 1 9 3 6 .

London : Noe l Douglas , London : Wi l l i ams

&

M o o n Ma g i c : B e i n g t h e M e m o i r s o f a Mi s ­ t r e s s o f Tha t A r t . London : Aquari an Pres s ,

1956 .

The po s thumous ly pub l i shed seque l to Th e S e a P r i e s t e s s { see be low ) . 375 .

Th e S e a P r i e s t e s s .



---=-1-=-93 8



86

London : By the Author ,

VIOLET MARY F I RTH continued 376 .

1935 .

London : Wi l l i ams

Wi n g e d B u l l .

&

Norgate ,

GENE FI SHER The Godk i l ler S e r i e s . 377 .

Lancour , Gene , pseud . Th e L e r i o s M e c ca . C i ty , NY : Doub leday , 1 9 7 3 .

Garden

A young man , Dir shan , accepts a que s t from the maj or re l igion , " The Orde r, " to e scape a dea th s entence , and pur s ues a renegade pr i e s t . In h i s que s t , h e fa l l s in love with a warrior-pr in­ ce s s , Karinth , and goe s to a hidden va l l ey where he d i s covers the s ecret o f a rel i gious prophet , older and wi s er than any member o f The Orde r . 378 .

Th e Wa r Ma c h i n e s o f Ka l i n t h .

NY : Doubleday ,

19 7 7 .

Garden C i ty ,

The s eque l to T h e L e r i o s M e c c a and the con­ tinued adventur e s of Dir shan as he batt l e s the Kalinthian Horde . 379 .

S wo r d f o r

t h e Empi r e .

Doub leday , 1 9 7 8 .

GEORGE U . FLETCHER , p s eud .

Garden C i ty , NY :

S ee FLETCHER PRATT

E [ DWARD ] M [ ORGAN ] FORSTER 380 .

Th e C e l e s t i a l Omn i b u s a n d O t h e r S t o r i e s .

Sedgwick

a. b. c. d. e. f. 381.

&

Jackson , 1 9 1 1 .

" The S tory o f a Panic " " The Other S ide o f the Hedge " " The Ce l e s t i a l Omnibus " " Other K ingdom " " The Curate ' s Fri end " " The Road from Co lonus "

Th e E t e rn a l M o m e n t a n d O t h e r S t o r i e s .

Harcourt , Brace , 1 9 2 8 . a. b. c.

London :

" The Machine S top s " " The Point o f I t " " Mr . Andrews "

87

New York :

E [ DWARD ] M [ ORGAN ] FORS TER continued d. e. f. 382 .

" Co-ordination " " The S tory o f the S iren " " The E ternal Moment " London : Edward Arnold , 1 9 0 8 .

A R o o m Wi t h a Vi e w .

B ibl iography 38 3 .

Kirkpatr ick , Brownlee Jean . A B i b l i o g r a ph y o f E . M . Fors t er . London : Rupert Hart-Davis , 1 9 6 5 . S ee VIOLET MARY F I RTH

DION FORTUNE , ps eud .

GARDNER F [ RANC I S ] FOX The Llarn S e r i e s 384 .

wa r r i o r o f L l a rn .

385 .

Th i e f o f L l a rn .

New York : Ace , 1 9 6 4 New York : Ace , 1 9 6 6

[ paper ] .

[ paper ] .

Both o f the s e novel s are heavi ly inf luenced by Edgar Rice Burrough s ' Mars s e r i e s ( see above ) , a lthough they u s e para l l e l univer s e s a s the ir setting . The Kothar Series 386 .

387 .

Ko t h a r B a rb a r i a n S wo r d s ma n .

New York : Be lmont ,

1969

[ paper ] .

a. b. c.

" The Sword o f the Sorcerer " " The Trea s ure of the Labyrinth " " The Woman in the Witch-Wood "

Ko t h a r o f t h e Ma g i c S wo r d l

New York : Be lmont ,

1969

[ paper ] .

a. b.

" The He l ix From Beyond " " A P lague o f Demons "

388 .

Ko t h a r a n d t h e D e m o n Q u e e n .

389 .

Ko t h a r a n d t h e C on j u r e r ' s C u r s e .

1969

[ paper ] .

Belmont , 1 9 7 0

[ paper ] .

88

New York : Tower , New York :

GARDNER F [ RANC I S ] FOX continued 390 .

Ko t h a r a n d

1970

t h e Wi z a r d S l a y e r .

[ paper ] .

New York : Be lmont ,

Fox ' s Kothar s e r i e s i s very much in the blood­ thir s ty tradition of Robert E . Howard ' s Conan serie s ( s ee be low ) in i ts swordp lay , wi zard s , I t i s d i s tinguished , and hero ic endeavor s . however , by the charac ter i z a tion of the sor­ cere s s , Red Lori , who ma intains a love -hate relationship with Kothar . Kyr ik S e r i e s 391 .

Kyri k :

392 .

K y r i k F i gh t s

393 . 394 .

1975

New York : Le i s ure Books ,

Wa r l o c k Wa r r i o r .

[ paper ] .

t h e D e m o n Wo r l d .

New York : Le i sure

Kyri k and

t h e Wi z a r d ' s S wo r d .

New York : Le i s ure

Kyrik a n d

the Los t Q u e en .

Books , 1 9 7 5

Book s , 1 9 7 6

Books , 1 9 7 6

[ paper ] . [ paper ] . [ paper ] .

New York : Le i sure

A sword and sorcery s eries set in pre- h i s tory tha t chron i c l e s the adventures of Kyr ik , war­ rior and wi zard . Returning after a thousand years of enchanted s leep , Kyr ik strugg les to regain h i s kingdom , wie ld s the sword Blue fang , and i s invo lved with I l l i s , the seduc tive demon- godde s s he loved and worshipped . MARY E . WILKINS 395 .

[ FREEMAN ]

Th e Wi n d i n t h e R o s e B u s h a n d O t h e r Ta l e s o f t h e Superna t u ra l . Garden C i ty , NY : Doub leday ,

Page , 1 9 0 3 .

a. b. c. d. e. f.

" The Wind in the Ro se-Bus h " " The Shadows on the Wa l l " " Lue l la Mi l ler " " The Southwe st Chamber " " The Vacant Lot " " The Lo s t Gho s t " ARTHUR

396 .

Ti g e r R i v e r .

0.

FRI EL

New York : Harper , 1 9 2 3

89

[ not seen ] .

CTHUR

0.

FRIEL cont inued Rpt . New York : Centaur · Pres s , 1 9 7 1

[ p ar er ] .

In a que s t for a vast hoard o f go ld , a group o f Amer icans and a Peruvian outlaw venture into the South American j ungles and , particularly , to an area known as Ti gre Yacu , " the River o f Mi s s ing Men . " After con fronting races o f whi te Indian s and green men , they are turned into beasts by the wine o f a " C irce " in a va l ley in the Andes be fore they gain unexpected he lp , are freed , and f i nd the gold . F r i e l ' s other ma j or nove l , Th e Pa t h l e s s Tr a i l ( 1 9 2 2 . Rpt . New York : Centaur Pre s s , 1 9 6 9 [ paper ] ) i s a los t-race , adventure story . GANP�T , pseud .

S ee MARTIN LOU I S ALAN GOMPE RT Z

JOHN [ CHAMPLIN ] GARDNER , 397 .

Grend e l .

[ JR . ]

New York : Al fred E . Knopf , 1 9 7 1 .

A rete l ling o f the B e o w u l f epic from the mon ­ s ter ' s point of view . An interes ting tour -de­ force of sympathetic character i z a tion a s the s h i f t to Grende l ' s per spective puts Hrothgar and Beowu l f in a d i f ferent , more modern l i ght . Grende l gains hwnani ty through i ts admiration and envy o f hwnanki nd . 398 .

In

t h e S u i c i d e Mo u n t a i n s .

Knopf , 19 7 7 .

New York : Al fred A .

Three people meet i n the Suic ide Mountains . Each i s intent on s e l f-destruction : a black­ smi th ' s daughter , Amanda , who ha s committed unfortunate acts for the sake of a fa l s e role of weak maidenhood ; an ugly dwarf , Chudu the Goat ' s S on , whos e magic powers have made him suspec t of horrible acts unti l he f ina l ly be l ieve s hims e l f capab le o f them ; and a crown prince , Chri s topher the Sul len , who prefers At the poetry and mus i c to being a knight . conc lus ion of the tale , they a l l gain and learn from each other ' s tol e rance , from a battle with a dragon , and from the tales o f an enig­ Thi s work draws heavi ly on var­ matic abbot . ious Rus s ian fo lk tales .

90

JOHN 399 .

[ CHAMPLIN ] GARDNER , Ja s o n a n d Me d e i a .

[ JR . ] continued New York : Al fred A . Knopf , 1 9 7 3 .

An epic retell ing o f the Jason and Medeia myth , in ver s e and in imi tation of Homer and Virg i l , that s pans a per iod of time from the c la s s i c A age t o New York to the end of the wor ld . rol l ick ing account as Jason i s portrayed as a po l i tic ian and an inte l l ec tual from the we s t , and Medeia i s character i z ed as the intuitive and pa s s ionate figure from the east . Among thi s nove l ' s wonder s are Jason ' s talking ship and Medeia ' s s in i s ter ravens . 400 .

Th e K i n g ' s In d i a n �

S t o r i e s a n d Ta l e s .

Al fred A . Knop f , 1 9 7 4 . a. b. c. d. e. f. g. h. i.

New York :

" Pa s toral Care " " The Ravage s o f Spring " " The Temptation o f S t . Ivo " " The Warden " " John Napper , S a i l i ng Through the Univers e " " Queen Loui s a " " King Gregor and the Foo l " "Mur i e l " " The King ' s Indian : A Tale "

Bibliography 401 .

Brucco l i , Mathew J . , and C . E . Fra zer C l ark , eds .

F i r s t P r i n t i n g s o f A m e r i ca n A u t h o r s : C o n t r i b u ­ t i o n s T o wa r d D e f i n i t i v e Ch e ck l i s t s . Detro i t :

Ga le Re s earch , 1 9 7 8 , I I , 1 1 7 - 1 2 3 . ALAN GARNER 402 .

El i dor .

London : Wi l l i am Col l ins

&

Sons , 1 9 6 5 .

Thi s work i s not a s otherworldly as Th e Mo on of Gamra t h and Th e We i r d s t o n e o f B r i s i n ga m en . Mos t o f the action takes p lace in th i s wor ld and revo lve s around the keeping of the four The treasures of E l idor by four children . ma j or theme is the conf l ic t among the chi ldren between rational i sm and wonde r . 403 .

London : Wi l liam Co l l ins

Th e M o o n o f G amra t h .

Sons , 1 9 6 3 .

&

The s eque l to T h e We i r d s t o n e o f B r i s i n ga m e n which continue s Garner ' s excel lent ama lgamation of Wes tern and Northern European mytho logy and

91

ALAN GARNER cont inued the geography of hi s hometown , Alderley in Che shire . Susan , one of the young protagon i s t s , f inds her s e l f the focus o f the yet unde feated evi l force s due to a mag i c a l brace l e t she wear s . The epi sode s invo lving the Wild Hunt and the " Old Magic , " the seeming ly i l l-advi sed power s that the chi ldren s ummon , compr i s e two o f the mos t e f f ec tive port ions of the book . 404 .

Th e Owl S e r v i c e .

196 7 .

London : Wi l l i am Co l l ins Sons ,

Darker and l e s s narratively cogent than Garne r ' s other fantas ies , thi s i s nonethe les s intere s ting for i ts use of material from the We l s h Ma b i n o g i o n ( s ee Evange line Wa lton Ens ley above ) A va l ley ho lds the res idue and accumulated power of a .myth focusing on Lleu , B lodenwedd , and Gronw The myth Pebyr-- f igure s from We l s h legend . mus t be re-enacted over and over again unt i l three modern young people are able to break the spe l l . •

405 .

The We i r d s t o n e o f B r i s i n ga m en :

A Ta l e o f A l d e r l e y .

London : Wi l l iam Co l l ins Son s , 1 9 6 0 . London : Penguin , 1 9 6 3 .

Rev . ed .

Although cons idered primari ly a s a j uveni le , thi s i s one of the few books that evoke s a sense of wonder comparable to To lkien ' s Tri logy ( see be low ) . Two 2 0 th- century chi ldren and the immorta l Mer l in seek a ta l i sman that i s e s s en­ tial to the s a fety of the world and to the pre servation of the s leeping King Arthur . Sequel : Th e M o o n o f G a mr a t h ( see above ) . DAVID GARNETT 406 .

L a d y In t o F o x .

London : Chatto & Windus , 1 9 2 2 .

An attractive young wi fe unexpectedly begins to turn into a vixen , a fema le fox , and her hus ­ band , baff led , attempts to dea l wi th her re­ maining ve s t i ge s o f humani ty unti l he too begins to lose his humanity . For a comparab le work , see Jean Brul ler ' s S y l va above . 407 .

the Z oo . London : Chatto & Windus , 1 9 2 4 . [ s imul taneous pub l ication in New York by Al fred

A Man i n

92

DAVID GARNETT cont inued A . Knopf ? ] . A young man thwarted in love donates hims e l f to a zoo as an example of homo sapiens unt i l h i s young l ady recogn i ze s hi s va lue and a l l ows h i s l ove . 408 .

London : Longmans , Green , 1 9 6 3 [ simul taneous pub l i cation in New York by Atheneurn? ] .

Two b y Two : A S t o r y o f S u r vi va l .

Bibli ography 409 .

Wat s on , George , ed..

Th e N e w C a mb r i d ge B i b l i o gr a p h y o f En gl i s h L i t e r a t u r e . Cambridge : Cambridge

Un ivers i ty Pres s , 1 9 7 2 , IV ( 1 9 0 0 - 1 9 5 0 ) , 5 8 6 . RI CHARD GARNETT 4 10 .

Th e Twi l i gh t o f t h e G o d s a n d O t h e r Ta l e s .

T . F i sher Unwin , 1 8 8 8 .

a. b. c. d. e. f. g. h. i. j. k. 1. m. n. o. p.

London :

" The Tw i l i ght o f the Gods " " The Potion of Lao-T s z e " "Abda l lah the Adi te " " Ananda the Mirac le-Worker " " The C i ty o f Philosopher s " " The Demon Pope " " The Cupbeare r " " The Dumb Orac le " " Duke Virgi l " " Madam Luc i fer " " The El ixir of L i fe " " The Poet of Panopo l i s " " The Purp le Head " " The B e l l o f S t . Euschemon " " B i shop Add s and Bi shop Gadds " " The Po i son-Maid "

B i b l iography 411 .

Pol lard , Al fred Wi l l i am .

" Richard Garnett . " En gl i s h I l l u s t r a t ed Ma ga z i n e , New Series , 3 0 ( February 1 9 0 4 ) , 5 5 3 - 5 5 5 , 5 5 9 .

412 .

Texas Univer s i ty Humanities Re s earch Center . G a rn e t t s ,

A L i t e r a r y Fa m i l y : A n Ex h i b i t i o n .

Aus t i n : Texa s Univers i ty , 1 9 5 9 .

93

Th e

[ GORDON ] RANDALL [ PH I LI P DAVI D ] GARRETT 413 .

New York : Ace Book s , 1 9 7 9

M u r d e r a n d Ma gi c .

[ paper ] .

The further adventures o f the detective Lord Darcy and hi s s idek ick , Mas ter Sean O Lochlainn , a forens ic sorcerer , in a rea lm where magic exi s t s and the Bri t i sh Empire s ti l l rules mos t of the wor ld and s trugg l e s agains t the ins idious Po l i sh Empire . P sychic and s orcerous myster i e s at the ir be s t : a. b. c. d. 414 .

" The Eye s Have I t " " A Case of I denti ty " " The Muddle of the Woad " "A S tretch o f the Imagination "

New York : Doub leday , 1 9 6 6 . Rpt . Bos ton : Gregg Pres s , 1 9 7 8 .

T o o Ma n y Ma gi c i a n s .

An excel lent whoduni t , featur ing the perceptive Lord Darcy , s e t in an a l ternate Bri tain where the P lantagenets sti l l rule and magi c is a rea l i ty , which in i t s appropriate usage exi s ts in harmony wi th the church . The main thrus t o f t h i s Darcy adventure i s the so lution o f a seemingly sorcerous murder that take s p lace a t a magicians ' and sorcerers ' convention . For a s imi lar work , see Jame s Gunn ' s Th e Ma g i c i a n s ( be low ) •

JANE GASKELL , pseud .

S ee JANE DENVIL LYNCH

FRANC I S GERARD 415 .

S e c r e t S c ep t r e .

New York : E . P . Dutton , 1 9 3 9 .

A Bri ti sh detec tive d i s covers and j o ins an an­ c i ent order of Knights in the B lack Mountains of Wa le s . Their re spon s ibi l i ty is to guard the Holy Gra i l and prevent it and other re l ique s that ma intain Br itain from fa l l ing into the hands of an anti-Chr i s t . MARK S . GESTON 416 .

Garden C i ty , NY : Doub leday ,

Th e S i e g e o f Wo n d e r .

19 7 6 .

An end-o f-time , pos t- ho locau s t s truggle i s be-

94

MARK S . GESTON cont inued ing waged between the proponents of magi c and s c i enc e . A s c i ence spy is corrupted when he attempts to penetrate the wi zard ' s inner cycle and p lace an electronic eye in a unicorn . Ultimate ly , he mus t con front the fact and fancy of h i s own mixed nature . W [ I LLIAM ] S [ CHWENCK ] GI LBERT 417 .

F o g g e r t y ' s Fa i r y a n d O t h e r Ta l e s .

Rout ledge and Sons , 1 8 9 0 . a. b. c. d. e. f. g. h. i. j. k. 1. m. n. o. p. q. r. s.

London : George

" Foggerty ' s Fa iry " " An E l ixir o f Love " " Johnny Pounce " " Little Mim " " The Triumph of Vice " "My Maiden Br i e f " " Creature s o f Impulse " "Maxwe l l and I " " Actor s , Authors , and Audience s " " Ange la " "Wide Awake " " A S tage P l ay " " The Wicked Wor ld " " The Finger o f Fate " " A Tale of a Dry P late " " The Burglar ' s Story " " Unapprec i ated S hakespeare " " Comedy and Tragedy " " Ro sencrantz and Gui ldenstern "

Bibliography 418 .

S earle , R . Townley .

S i r Wi l l i a m S c h w e n c k G i l b e r t : A T o ps y - T u r v y A d v en t u r e . London : Alexander­

Ouse ley , 1 9 3 1 . 419 .

Duboi s , Ar thur Edwin . " Addi tion s to the Bibl io­ graphy o f W . S . Gi lbert ' s Contr ibutions to Maga z i ne s . " M o d e r n L a n g u a ge N o t e s , 4 7 ( May 19 3 2 ) , 3 0 8 - 3 14 . WILL IAM GOLDMAN

420 .

Th e Pr i n c e s s B r i d e : S . Mo r g e n s t e rn ' s C l a s s i c T a l e o f T r u e L o v e a n d H i gh A d ve n t u r e . The " G o o d Pa r t s " ve r s i o n , A b r i d g e d . New York :

95

WILLIAM GOLDMAN cont inued Harcourt Brace Jovanovich , 1 9 7 3 . Thi s nove l , by a popu lar ma instream author ( B u t c h C a s s i d y a n d t h e S u n d a n c e Ki d , l 9 6 9 i S o l d i e r i n t h e R a i n , 1 9 6 0 ; Ma r a t h o n M a n , 1 9 7 4 ) , manage s to succe s s fu l ly j am almo s t every con­ ce ivable fantasy device and d i lemma between its cover s . Al l is for naught , however , for in the time-honored trad i t i on o f 1 8 th-century dome s t i c comedy , the hero , Wes tley , and the heroine , Buttercup , are reuni ted . They even manage to overcome Goldman ' s t iresome textual comment s as he " revi s e s " the text . MART IN LOU I S ALAN GOMPERT Z 421 .

Ganpat , pseud .

Th e Vo i c e o f D a s h i n : A R o ma n c e o f Wi l d Mo u n t a i n s . London : Hodder & S toughton ,

1926 .

Gompertz i s be s t known as a wri ter o f lost-race adventure tales . Th e Vo i c e o f D a s h i n , however , has a number o f fantasy e lements as , in true los t-race fa shion , the intrepid Briti sher and h i s comrade s aid the Tibe tan Peop l e of the Hand in recaptur ing the ir lost C i ty of Fairy Tower s by introduc ing the mi rac l e s of modern war fare . Fantasy content inc lude s cry s ta l s that show the past and future plus var ious mythopoetic and magi c e l ements surrounding the return o f a long-dead pr ince and h i s now-aged be loved . For those reader s with an affection for l o s t ­ race f i c t i on who would l ike t o search some other Gompertz works for fantasy e lements , a se lection fo l lows : 422 . 423 . 424 .

Da i n r a .

London : Hodder and S toughton , 1 9 2 9 .

Fa i r y S i l v e r ,

a

Tra v e l l e r ' s Ta l e .

Hodder and S toughton , 1 9 3 2 .

London :

Ha r i l ek : A R o m a n c e o f M o d e r n C e n t r a l A s i a .

Edinburgh and London : Wi l l iam Blackwood , 1 9 2 3 . Rpt . in a omn ibus vo lume wi th Wr e x h a m ' s R o ma n c e : A d ve n t u r e s i n S a k a e l a n d , Compr i s i n g Ha r i l ek : A R o ma n c e [ from the 1 9 2 3 Bo s ton , Houghton Mi f f l i n edit ion ] a n d Wr e x h a m ' s R o ma n c e , B e i n g a Con t i n ­ u a t i o n o f " H a r i l ek . " New York : Arno , 1 9 7 8 [ not

seen ] .

96

MARTIN LOU I S ALAN GOMPERTZ continued 425 . 426 . 427 . 428 . 429 .

Mi r r o r o f D r e a m s : A Ta l e o f O r i e n t a l My ­ s t ery . Garden C i ty , NY : Doub leday , Doran , 1 9 2 8 . •

---1-2-9 5 .

Th e S n o w R u b i e s .

Boston : Houghton Mi f f l in ,

Th e Sp e a k e r s i n S i l e n c e .

and S toughton , 1 9 2 9 .

Wa l l s H a v e E y e s .

S toughton , 1 9 3 0 .

London : Hodder

London : Hodder and

London : Hodder and Rpt . as noted above in the

Wr e x h a m ' s R om a n c e .

S toughton , 1 9 3 5 .

Ha r i l e k entry .

KENNETH GRAHAME 430 .

New York and London : John Lane : The Bodley Head , 1 8 9 9 .

D r e a m Da y s .

a. b. c. d. e. f. g. h. 431 .

" The Twenty-Fir s t o f Oc tober " '' D i e s Irce " " Mutabi le Semper " " The Mag i c Ri ng " " I ts Wa l l s Were a s o f Jasper " " A Saga o f the S e a s " " The Re luc tant Dragon " " A Departure "

London : John Lane ; Chicago : S tone and Kimba l l , 1 8 9 5 .

Th e G o l d e n A ge .

a. b. c. d. e. f. g. h. i. J.

k. 1. m. n. o. p. q. r.

" Prologue : The Olympians " " A Ho l i day " " A Whi tewas hed Unc le " " Al arums and Excurs ions " " The F inding o f the Prince s s " " Sawdus t and S in " " ' Young Adam Cupid ' " " The Burg lars " " A Harve s t ing " " Snowbound " " What They Ta lked About " " The Argonauts " " The Roman Road " " The Secret Drawe r " " ' Ex i t Tyrannus ' " " The B l ue Room " " A Fa l l ing Out " " ' Lus i s ti S a t i s ' "

97

KENNETH GRAHAME continued 432 .

London : E lkin Mathews and John Lane ; Chicago : S tone and Kimba l l , 1 8 9 41.

P a ga n P a p e r s .

a. b. c. d. e. f. g. h. i. j. k. 1. m. n. . o. p. q. r. s. t. u. v. w. x. 433 .

" The Romance o f the Road " " The Romance o f the Ra i l " " Non Libri Sed Liberi " " Loaf ing " " Cheap Knowledge " " The Rural Pan " "Margina l i a " " The Eterna l Whi ther " " Deus Terminus " " Of Smoking " "An Aut umn Encounter " " The Whi te Poppy " " A Bohemian in Exi le " " Just i f iab le Homi c ide " " The Fa iry Wicket " " Aboard the Gal ley " " The Los t Centaur " " Orion " " The Olympians " '"A Whi te-Wa shed Unc l e " " The Finding o f the Prince s s " " ' Young Adam Cupid ' " " The Burg lar s " " Snowbound "

Th e Wi n d i n t h e Wi l l o ws .

London : Methuen , 1 9 0 8 .

A c la s s ic among contemporary beast fab les wi th an adventuresome toad , a mo le , a water rat , and a badger a s i ts we l l characteri zed protagoni s t s . In a vari e ty o f way s , the nove l i s the ce lebra­ tion of the Engl i s h countrys ide and an examina­ tion of the re lationships be tween the wor lds o f man and nature . Whi le the Toad ' s adventures have been more frequently remembered than the other protagoni s ts ' , such epi sode s as how Mo le learns to love the river , Rat ' s in fatuation with the l i fe o f a s a i lor , Mo le ' s night i n the Wi ld Wood , and the vi s ion o f Pan on the river bank are of equa l , i f not greater , value . Interes ted readers should a l so s ee T h e F i r s t Wh i s p e r o f " Th e Wi n d i n t h e Wi l l o ws . " Ed . E l speth Grahame . London : Methuen , 1 9 4 4 . Bibliography 434 .

Green , Peter

[Morri s ] .

A S t u d y o f Hi s L i fe ,

98

Kenn e th Grahame , Work , a n d Ti mes .

1 8 59-1 932 :

London :

KENNETH GRAHAME continued John Murray , 1 9 5 9 , pp .

3 7 7-38 0 .

ROBERT [ RANKE ] GRAVES 435 .

New York : Creative Age Pre s s , 1 9 4 9 . Bri ti sh ti tle : S e ven Da y s i n N e w Cre te . London : Ca s s e l l , 1 9 4 9 [ fol lows the Ameri can edi tion by s i x months ] .

Wa t c h t h e N o r t h Wi n d R i s e .

Bib l iography 436 .

Hi gginson , Fred H .

A B i b l i o gr a ph y o f t h e Works o f

Hamden , CT : Archon Book s , 1 9 6 6 .

Rober t Graves .

NICHOLAS S TUART GRAY 437 .

Th e S t on e Ca ge .

London : Denni s Dobson , 1 9 6 3 .

An amp l i fi cation o f the Brothers Grimm tale o f Rapun z e l . The chi ld Rapun z e l i s taken b y gui le from her parents by a wi tch who a ttempts to Wi th the protection rai s e the chi ld as a wi tch . o f a cyni c a l cat , Tomlyn , and an ide a l i s tic raven , Marsha l l , Rapun z e l grows to womanhood una f fec ted by the spe l l s and machinations o f the wi tch , Mother Gothe ! . However , be fore the beauti ful maiden can be uni ted wi th her be loved prince , she , Tomlyn , and Marsha l l , with the aid of the wi z ard Macpherson , mus t defeat the wi tch and endure a necromantic exile to the dark s ide of the moon . Whi le Gray ' s nove l s are intere s ting , they may be too j uven i l e for many adult readers . The t i tl e s that fol low are l i s te d wi thout annota­ tion wi th thi s caution . 438 .

Th e A pp l e - S t o n e .

439 .

D o wn i n

440 .

G r i mb o l d ' s O t h e r Wo r l d .

441 .

Ma i n l y b y Mo o n l i gh t .

442 .

Over the Hi l l s to Fab y l on .

London : Denni s Dobson , 1 9 6 5 .

the Cel l a r .

London : Denn i s Dobson , 1 9 6 1 .

196 3 .

London : Faber and Faber ,

London : Faber and Faber , 1 9 6 5 .

s i ty Pre s s , 1 9 5 4 .

99

London : Oxford Un iver­

NICHOLAS STUART GRAY continued 443 .

London :

Th e S e v e n t h S wa n : A n A d ve n t u r e S t o r y .

Denn i s Dobs on , 1 9 6 2 .

ROGER [ GILBERT ] I,.ANCELYN GREEN 444 .

F r o m t h e Wo r l d ' s En d : A Fa n t a s y .

Edmund Ward , 1 9 4 8 .

Le i c e s ter , U . K . :

A dark tale of two love r s who spend a night in the hou s e on the edge of the world . They are s eparated and drawn into the unac ceptab le ex­ tremes o f c a r i t a s and c u pi d i t a s by vi s i tations from the fairy folk . The book para l le ls C . S . Lewi s ' us e o f the c e l e s t i a l and earthly Venus in Th a t H i d e o u s S t r e n g t h ( s ee be low ) and i s d i s tingui shed by Green ' s knowledge o f Ce ltic and We l s h mytho logy , a s we l l as hi s knowledge of the Engl i sh l i terary tradi tion and Eng l i s h mytho l ogy . I t culminates i n the real i z at ion o f the neces s i ty o f the co-ex i s tence o f both spir i tual and phy s ic a l love . From t h e Wo r l d ' s En d i s inc luded with Edmund Cooper ' s Th e Fi r e b i r d in Do u b l e P h o e n i x , ed .

Lin Carter .

445 .

Th e L a n d B e y on d t h e N o r t h .

1958 .

London : Bodley Head ,

Me l a s ; the heredi tary guardi an o f the Golden F l eece , j oins Jason and the Argonauts a s they voyage to free themse lves of the curse that has resulted from Medea ' s s laying of her brot­ They j ourney to the Kingdom o f the North her . Wind and beyond to the Land Beyond the North . The tale culminate s wi th a mid- summer sacri­ f i ce at S tonehenge . ROLAND GREEN Wandor Series 446 .

Wa n d o r ' s R i d e .

New York : Avon , 1 9 7 3

447 .

Wa n d o r ' s J o u rn e y .

448 .

Wa n d o r ' s Vo y a g e .

[ paper ] .

New York : Avon , 1 9 7 5

[ paper ] .

New York : Avon , forthcoming 1 9 7 9 .

Wandor i s an orphan who has grown to be a Mas ter of Due l i s t s . Hi s hor i zons expand very quick ly

100

ROLAND GREEN cont inued as he become s a King ' s mes s enger and begins to j ourney throughout hi s medieva l - l ike wor ld . Soon he d i s cover s that he might be the ful f i l l ­ ment o f a prophecy and sorcerous expectations . He i s charged by a spiri t , the Guardian o f the Mountain , to pur sue a number of ques t s , mos t notab ly , the a l l i ances of a Conan - l ike warrior and a red-haired sorcere s s . He is to be a ff irmed the King of F ive Crown s when hi s que s t s are achi eved . JAMES 449 .

T h e Ma gi c i a n s .

1976 .

[ EDWIN ] GUNN

New York : Charl e s Scribner ' s Sons ,

A fanta sy-mys tery s e t in the 2 0 th century in which a de tective j oins force s with a fetching sorcere s s and a mathematical wi zard to di s cover the true name of the leader of a magical " con­ vention . " Only by ga ining the control o f the true name can the three protagoni s t s defeat the evi l wi zard ' s p l an to un leash S atan and hi s mi nions on the wor ld . NE I L [MILLER ] GUNN 450 .

Th e G r e e n I s l e o f t h e G r e a t D e e p .

and Faber , 1 9 4 4 .

London : Faber

A boy and an old man des cend into a s ubterranean world , d i scover the Green I s le , and recover the immortal fruit for mankind . Seque l to Yo u n g A r t a n d O l d H e c t o r ( see be low ) . 451 .

Th e S i l v e r B o u gh .

452 .

Th e We l l a t

London : Faber and Faber , 1 9 4 8 .

t h e Wo r l d ' s En d .

Faber , 1 9 5 1 .

London : Faber and

A man and a woman , touring the Scott i s h high­ land s , di scover a we l l that leads him on a que s t for the we l l at the Wor ld ' s End where a vi s ionary uni on of ma le and female i s revealed . 453 .

Yo u n g A r t a n d O l d H e c t o r .

1942 .

101

London : Faber and Faber ,

NE IL [ MI LLER] GUNN 454 .

Ai tken , Wi l l i am Rus se l l . B i b l i o t h e c k , 3 , No . 3

"Ne i l Mi l ler Gunn . " ( 1961) , 89-95 . /

THOMAS ANSTEY GUTHRIE 455 .

Ans tey , F . , pseud .

H u m o r & F a n t a s y : Vi c e V e r s a , Th e T i n t e d Ve n u s , A F a l l en I d o l , T h e Ta l k i n g H o r s e , S a l t e d A l mo n d s , T h e B r a s s B o t t l e . Lon­

don : John Murray , 1 9 3 1 . Rpt . New York : Arno Pre s s , 1 9 7 8 [ from a 1 9 3 1 New York edition tha t , a long wi th thi s reprint , has not been s een ] . An inf luent i a l c o l le ction o f six humorous fan­ tasy nove l s , as l i s ted above in the t i t le , wri tten from 1 8 8 2 to 1 9 0 6 . Bibliography 456 .

Turner , Mar tin John . B i b l i o gi:a p h y o f t h e Wo r k s o f F . An s t ey . London : private ly pri nted , 1 9 3 1 . H [ ENRY ] RIDER HAGGARD Also see H [ ENRY ] RIDER HAGGARD AND ANDREW LANG

457 .

A l l a n a n d t h e I c e - G o d s : A Ta l e o f B e g i n n i n gs .

[ London ] : Hutchinson , [ 1 9 2 7 ] . Rpt . New York : Arno Pres s , 1 9 7 6 [ reprinted from the Garden C i ty ,_ NY : Doubleday , P age , 1 9 2 7 , edi tion ] .

One of Haggard ' s numerous nove l s featuring Al lan Quarterma in ( for another , see S h e a n d A l l a n in the S he s e r i e s be low ) . Al lan i s mys terious ly transported back through time by the use of a s trange drug and awakens in the body of Wi , a hunte r . Defeating the crue l leader o f a primi tive , Ice Age tribe , Al lan becomes i ts leader and introduce s many o f the advan tages o f " c ivi l i z ation . " Be fr i ending a member o f the tribe , Pag , and gaining the friendship of a wi tch , the beauti ful Laleela , he a ttempts to s ave the tribe from a des cend­ ing g lacier . However , h i s attempts are doomed to fai lure when , a s he i s trying to prevent the tribe from indulging in its annual blood s acri fice , the tip of the glacier fal l s and k i l ls mos t of the tribe . Wi , Pag , La lee l a , and a few others e s cape , but short ly thereafter Al lan awakens in h i s own time as the drug wears off .

102

H [ ENRY ] RIDER HAGGARD continued 458 .

Th e Ma h a tma a n d t h e Ha r e : A D r e a m S t o r y .

Longmans , Green , 1 9 1 1 .

London :

S uppos edly inspired by a dream Haggard had , thi s dream fanta sy i s a strong condemnati on o f hunting and blood sports . A depre s sed wri ter is saved from sui c i de by an occult adept , who teaches him to love hims e l f through vari ous occult phi lo sophi e s . The wri ter has a dream and i s told by a s lain hare of the terrors and agon i e s of the hunt . 459 .

P e o p l e o f t h e Mi s t .

London : Longmans , Green , 1 8 9 4 .

A lost-race nove l in which a young Eng l i sh adventurer res cue s a Caucas i an g i r l and d i s ­ cover s a ruby- rich , l o s t cul ture in Centra l Africa . H i s and hi s be loved ' s sa lvat ion i s ultimate ly the result o f the h e lp o f the pygmy Otter . Incorre c t ly con s i dered a fantasy s ince its inc lus ion in the Bal lantine Adult Fantasy series in 1 9 7 3 . 460 .

London : Longmans , Rpt . Hol lywood , CA : Newca s t l e ,

Th e S a ga o f E r i c B r i gh t e y e s .

Green , 1 8 9 1 . 1 9 7 4 [ paper ] .

A high ly s ty l i zed attempt to dup l ic ate an I c e­ landic s aga that focuses on love and the func­ tions and ro le s o f the I ce l andic bard or s k a l d . The Newc a s t le reprint contains a noteworthy h i s tory o f Haggard ' s career by Dougl a s Menvi l le . The She S e r i e s 461 .

Wi s d o m ' s Da u gh t e r : Th e L i fe a n d Lo v e S t o r y o f S h e ­ Wh o - M u s t - B e - Ob e y e d . London : Hutchinson , [ 1 9 2 3 ] .

Rpt . New York : Arno Pres s , 1 9 7 8 [ from the 1 9 2 3 Doub leday Page edi tion that , along with the re­ print , has not been seen ] .

462 .

S h e : A H i s t o r y o f A d v en t u r e .

Harper ' s Frankl in Square Library No . 5 5 8 . New York : Harpe r & Brothers , 1 8 8 6 [ paper ] . Thi s edi tion precede s the London 1 8 8 7 one , from Longmans , Gre en , by e i ght days : December 2 4 , 1 8 8 6 , versus January 1 , 1887 .

463 .

A y esha :

1905 .

Th e R e t u r n o f S h e .

103

London : Ward Lock ,

H [ ENRY ] RIDER HAGGARD continued 464 .

New York : Longmans , Green , 1 9 2 1 . Rpt . Van Nuy s , CA : Newc a s t l e , 1 9 7 6 [ paper ] .

She and Al l an .

Whi le the s tyle and devi c e s o f thes e 1 9th-cen­ tury , lost-race romanc e s are a bit di fficult for the 2 0 th-century reader , the She seri e s continues t o maintain a n unusual appeal and li terary inf luence through i t s immortal whi te godde s s and her s earch for the reincarnation o f her long dead lover , Ka l l ikrate s , plus i t s invariable true-b lue , con fused male protagon i s t s . Whi le W i s d o m ' s Da u g h t e r i s pub l i shed last , i t i s the background nove l for the series and re ­ counts Aye sha ' s origin , youth , and murder o f her lover . A re lated nove l i s S h e a n d A l l a n . In th i s combination o f two o f Haggard ' s mo s t popular protagon i s ts , Al lan Quartermain j ourneys into the sp i r i t wor ld in s earch of h i s dead wife and meets Ayesha . Although he rej ects Aye sha ' s o f fer of immorta l i ty , he does aid her in putting down a revo l t against her rule . Bibli ography 465 .

Scott , J . E .

A B i b l i o g r a ph y o f t h e Wo rks o f S i r H e n r y R i d e r Ha g ga r d 1 8 5 6 - 1 9 2 5 . Take ley ,

B i shop ' s S tortford , Herts . , England : E lkin Matthews , 1 9 4 7 . 466 .

Day , Bradford M . B u r ro u g h s ,

B i b l i o gr a ph y o f A d v e n t u r e : M u n d y , R o h m e r , Ha g ga r d . Denver , NY : S c ience

Fi ction and Fantasy Pub l i cations , 1 9 6 4 Rpt . New York : Arno Pre s s , 1 9 7 8 .

[ paper ] .

H [ ENRY ] RI DER HAGGARD AND ANDREW LANG 467 .

Th e Wo r l d ' s D e s i r e .

1890 .

New York : Longman s , Green ,

A continuation o f the O d y s s e y in which Ody s s eus , finding everyone at home dead of a plague , trave l s to Egypt in search o f the world ' s des ire , the immortal Helen o f Troy . Ody s seus ' cunning is overcome by Pharaoh ' s wi fe and s i ster--the sorcere s s Meriamun- -and by court intrigue . He and He len find the i r love thwarted by death and the fate s .

104

I S IDORE HAIBLUM 468 .

Th e T s a d d i k o f t h e S e v e n Won d e r s .

B a l l antine , 1 9 7 1 [ paper ] .

New York :

A farc i c a l Yidd i sh fanta sy that mus t contain every c l iche ever a s soc i ated with the Jewish s tereotype . A Hebrew wi s e man and time traveler , the tsadd ik , and h i s homuncu lus , Greenburg , j oin forc e s wi th a d imens iona l c ivi l servant and comb ine the ir magic and techno logy to c lose an interdimens iona l rift caus ed by a greedy , interplane tary rea l e s tate agent . LINDA HALDEMAN 469 .

Th e L a s t b o rn o f E l vi n wo o d .

Doub leday , 1 9 7 8 .

Garden C i ty , NY :

After a s eemingly autobiographical and unf or­ tuna tely s l ow beginning , thi s ta le of fa i r i e s and chang e ling s doe s generate some interes t . To s ave the fairy folk , Mompen , a cros s -eyed and unsucce s s fu l fairy , agrees to change p l ac e s wi th a human c h i ld , a g ir l . Aided by a group of humans , par ticular ly the ac tor I an James , the tr.ans fer i s accomp l i shed despite the ne­ ce s s i ty for the human chi ld ' s approval . How­ ever , I an mus t confront and cha l lenge Mer l in , the archimage , to accomp l i sh the f ina l mas ter s pe l l that wi l l a l low the human change l ing ful l acceptance by the fair i e s and the ra scal fairy pr inc e , Puck . E [ DWARD ] E [ LTON ] Y [ OUNG ] HALES 470 .

Ch a r i o t of F i r e .

Garden C i ty , NY : Doub l ed ay , 1 9 7 7 .

The pub l i sher ' s notes f ic t iona l ly identi fy thi s as the d i ary of Henry Brock , a Br i ti s h rai lway worker , begun after h i s death in a sea d i s a s ter and recounting h i s exper ienc e s in a terminal where the dead are i s sued ticke t s to Heaven or Hell . Schedu led to go to the second c ir c le of He l l , Brock exchange s h i s ticket for one held by a doz ing c l er i c and goe s to Heaven ins tead . Complete ly uncomfortable in Heaven , he requ e s t s and g e t s a re turn t i cket t o H e l l where h e j oins a conspiracy led by Marc Anthony and C leopatra and invo lving S a tan and the Archang e l Michae l . Thi s fanta sy of the a f ter l i fe draws heavi ly on Mi l ton , Virgi l , and Dante . S ome of i ts de-

105

E [ DWARD ] E [ LTON ] Y [ OUNG ] HALE S conti nued vices--e . g . c e l e s t i a l airpor ts and a rai lroad c a l led the Limbo Line--are s trong ly remi n i s cent o f Poul Ander son ' s Op e r a t i o n C h a o s ( s ee above ) . EDWARD EVERETT HALES 471 .

H Ls

L e ve l Bes t a n d O th e r S t or i es .

R . O s good , 1 8 7 3 . a. b. c. d. e. f. g. h�

Bos ton : James

" H i s Leve l Be s t " " The Br ick Mas on " "Water Talk " " Mouse and Lion " " The Modern S inbad " " A Tale of a S a l amander " " The Queen o f Cal i forni a " " Confidenc e "

Bibliography 472 .

Hol loway , Jean . " A Check l i s t of the Wr i tings o f Edward Evere tt Hales . " B u l l e t i n o f B i b l i o gr a ­ ph y , 2 1 ( May-Augu s t 1 9 5 4 ) , 8 9 - 9 2 ; 2 1 ( S eptember­ December 1 9 5 4 ) , 1 1 4 - 1 2 0 ; 2 1 ( January-May 1 9 5 5 ) , 1 4 0-14 3 .

M . Y . HALIDOM , p s eud . See ANONYMOUS . ANTHOLOGIES : Ta l e s o f t h e Wo n d e r C l u b EDMOND [MOORE ] HAMI LTON 473 .

Th e Va l l e y o f C r e a t i on .

[ pape r ]

New York : Lancer , 1 9 6 4



A lost-race and creation nove l that begins a s a fantasy and turns into s c i ence fic tion . In thi s rational i z ed fanta sy , Eric Ne l son , an American mercenary , is drawn into the val ley of L ' Lan and a di spute between a human group and the Brotherhood , a mixture o f humans , eagle s , hor s e s , tigers and wo lve s --al l inte l l i ­ gent and telepathic . U ltimate ly , it i s d i s ­ covered that a l l l i fe o n earth i s derived from an a l i en mind transference originating i n the d i s tant past .

106

NIEL HANCOCK 4 74 .

D r a gon Wi n t e r .

[ paper ] .

New York : Popu lar Library , 1 9 7 8

A group o f personi f i ed anima l s--otters , beavers , badgers , and squirre l s - -mus t f lee k i l ler wo lve s , man , a wi zard commi tted to conquer ing a l l creation , and the i r own doubts and weakne s s e s to escape the coming of the dread " Dragon Win­ ter . " Guided by a " H igh Lord , " one of the anima l gods , they mus t endure hard ship and fear to find the ir way to Old Bark , a virtuous wi zard who often takes the shape o f a s i lver bear , to find peace i n the idy l l i c realm " Be low the Fal l s . " The Circ le o f L i ght Tetralogy 475 .

C i r c l e of L i gh t

476 .

C i r c l e o f L i gh t

477 .

C i r c l e o f L i gh t

478 .

C i r c l e o f L i gh t

-

1 :

G r e y fa x G r i mwa l d .

2 :

Fa r a go n Fa i r i n ga y .

Popular Library , 1 9 7 7 -

Popular Library , 1 9 7 7 -

3 :

4 :

[ paper ] .

Ca l i x S t a y .

Popular Library , 1 9 7 7 -

[ paper ] .

New York :

[ paper } .

New York :

Squari ng the Circl e .

York : Popul ar Library , 1 9 7 7

New York :

[ paper ] .

New

A bear , an otter , an e l f , a dwarf , and two rus­ tic men hold the future of Atlanton Earth in their hands as they become the beare r s o f a tal i sman , the Arkenches t , and i ts five secrets . Broce , the dwar f , i s the pr inc ipa l beare r , and l ike the One Ring i n Tolkien ' s L o r d o f t h e R i n gs , the Arkenche s t poi s ons the mental i ty o f i ts owner . The s i x companions , a ided by the wi z ards of the Circ le of Light , par ticular ly by Grey fax Grimwald and Paragon Fair ingay , mus t de feat the Queen of the Dark , Dorini , and s ave the ir world and i ts inhabi tants for the final j oy ful union wi th the creator , the High Lord of Windameir . Fate play s a ma j or role as the actions of the main charac ters are predetermined by divine wi l l , and the series i s marred by the fai lure of i ts potent i a l ly exc e l l ent s etting s - ­ the world acros s the r iver C a l i x S tay , the edenic " Home , " and " The World Be fore Time " -- to ever rea l ly materia l i ze for the reader . The s ub-plot of the love of Cybe l l e and Fairingay doe s add intere s t to thi s Tolkien imi tation a s doe s the anima l per soni fication .

107

M . JOHN HARRI SON 479 .

Th e Pa s t e l c i t y .

New York : Doubleday , 1 9 7 1 . I

In the far future , a medi eva l c i vi l i z ation r i s es from the ho locaus t o f past techno logy . Tegeus ­ Cromi s , a member of a chivalric order named a fter Methvon , their dead leader , reunites the order to aid in the power s truggle between the two women who c laim to be queen . An exce l l ent mixture of sword , sorcery , and pol i tic s . FRAN Z HARTMANN 480 .

A m o n g t h e G n o m e s : An O c c u l t Ta l e o f A d v e n t u r e i n t h e Un t e r s b e r g . London : Occult Pub l i shing ,

1896 . Rpt . New York : Arno Pres s , 1 9 7 8 [ the reprint , which has not been seen , is reported 'to be o f an 1 8 9 5 edi tion that could not be ver i fied ] . Herr S chne ider enters the Unter sberg in the Aus trian Alps , an area reported to be i nhabi ted In a cave by various good and evi l spiri ts . he encounters the Princ e s s Adalga , the daughter of the Gnome King . Both he and the inhabi tants regard each other as spiri ts , a fac t that quickly lo s e s credibi l i ty as S chne ider becomes embroi led in a confl i c t between the gnome s and the e l ementa l spir i ts of the air . After a frog ido l � s des troyed , evi l is vanqu i s hed and S chne ider is res tored to the wor ld , wondering if it all ever real ly happened . LAFCADIO HEARN

481 .

Ed . Char les Wood­ ward Hutson . Boston and New York : Houghton Mi f f l in , 1 9 1 4 . Rpt . New York : Arno , 1 9 7 9 [ no t seen ] .

F a n t a s t i c s a n d O t h e r Fa n c i e s .

a. b. c. d. e. f. g. h. i. j. k.

"Al l in Whi te " " The L i tt l e Red Ki tten " " The Night o f All S aints " " The Devi l ' s Carbunc le " " Le s Coul i s s e s " " The S tranger " " Y Porque? " " A Dream o f K i te s " " Heredi tary Memori e s " " The Gho s t ly K i s s " " The B l ack Cupid "

108

LAFCADIO HEARN continued 1. m. n. o. p. q. r. s. t. u. v. w. x. y. z. aa . bb . cc . dd . ee . ff . gg . hh . ii . jj .

" When I Was a Flower " "Me tempsycho s i s " " The Undying One " " The Vi s ion o f the Dead Creo le " " The Name on the S tone " " Aphrodi te and the King ' s Pri soner " " The Fountain o f Gold " " A Dead Love " " At the Cemetery " " ' Aida ' " " E l Vomi to " " The I dy l o f a French Snuff-Box " " Spring Phantoms " " A Ki s s Fanta s tical " " The B i rd and the Gir l " " The Tale o f a Fan " " A Legend " " The Gipsy ' s S tory " " The One P i l l -box " " A River Reveri e " " Hi s Heart i s Old " "MD CCCLI I I " " Hi ouen- Th s ang " " L ' Amour apre s l a Mort " " The Pos t-Of fice "

B i b l iography 482 .

Perkins , P . D . , and I one Perkins . A B i b l i o g r a ph y o f H i s Wr i t i n gs ,

New York : Burt Frank l in , 1 9 6 8 .

L a fc a d i o H e a r n :

1934 .

Rpt .

BEN HECHT 483 .

A B o o k o f Mi r a c l e s .

a. b. c. d. e. f. g.

New York : Viking , 1 9 3 9

[ paper ] .

" A Los t S oul " " The Little Candl e " " The M i s s ing I do l " " Death o f E leazer " " Remember Thy Crea tor " " The Heaven ly Choir " " The Adventures of Profes sor Emmett "

Bibl iography 484 .

Burke , W . J . , Wi l l D . Howe , Irving Wei s s , and Anne Wei s s . Ameri can A u thors a n d Books : 1 6 4 0 to the P r e s en t . 3rd rev . ed . New York : Crown , 1 9 7 2 , p. 288 .

109

ROBERT A [ NSON ] HE INLE IN 485 .

G l o r y Ro a d .

New York : G . P . Putnam ' s , 1 9 6 3 .

In thi s robus t sword and sorcery adventure , a di senchanted and purpo s e le s s Oscar Gordon i s recrui ted by the deva s tatingly attractive em­ pres s of the twenty univers e s and take s to hero­ ing and the glory road . The characters are fro l i c s ome , and there i s a constant interchange between the pr actical and the phi lo sophi cal , the flesh and the spiri t . The flesh wins fre­ quently . Unique ly Heinlein in i ts combinations of romanti c i sm and s cepti c i sm , mag i c and s c i ence , gruf fne s s and sentimenta l i ty . 486 .

" Magi c , Inc . " I n Wa l d o a n d Ma gi c , In c . C i ty , NY : Doubleday , 1 9 5 0 .

Garden

A matter-o f- fact look at magic a s a bus ine s s in a realm that accepts magic shops as e a s i ly a s supermarkets . A s in any bus i ne s s commun i ty , there i s compe ti tion and crime . The protagoni s t mus t dea l with a protec tion racket run by the devi l , and to do so , he enl i st s the he lp of an erudi te Afr ican witch doctor , a charming o ld wi tch , and a government agent . Bibliography 487 .

OWings , Mark . R o b e r t A . H e i n l e i n : A B i b l i o gr a ph y . Bal timore : Croatan Hous e , 1 9 7 3 [ paper ] . FRANK HERBERT

488 .

Th e Go d Ma k e r s .

New York : G . P . Putnam ' s , 1 9 7 2 .

What begins as a s trai ght- forward s c i ence fic­ tion nove l soon become s a mys t i c a l and re l i gious fantasy as a young exp lorer dies , undergoe s r i te s of p a s s age , and i s reborn as a god o f awe some power . EDWARD HERON-ALLEN 489 . 490 .

B l ayre , Chr i stopher , ps eud . Th e Pr i n c e s s D a p h n e . London : H . J . Drane , [ 1 8 8 5 ] . London : [ see note at the end o f

Th e S t r a n g e P a p e r s o f Dr B l a y r e .

Phi lip Al lan , 1 9 3 2

110

EDWARD HERON-ALLEN continued annotation for an ear l i er c i tation ] . a. b. c. d. e. f. g. h. i. j. k. 1.

" The Purp le S apphire (Mineralogy ) " " The House on the Way to Hel l " "Aal i la { P sycho logy ) " " The Mirror that Remembered {Mathematic s ) " " Purpura Lap i l lus { H i s tory ) " " Mano Pantea ( Fine Arts ) " " The Thing that Sme l t ( Zoo logy ) " " The B lue Cockroach ( Chemi s try ) " " The Man Who K i l led the Jew " " The Demon " " The Book " The Cosmic Dust ( Chemi s try ) " •J

Thi s c o l lection--al leged to contain i tems " o f too fantas t ic and inexpli cable a nature to be pub l i shed " that were l e f t in the fi les of a " Regi s trar in a great univers i ty " - -has a l s o been c i ted , by George Medhur s t in F e r r e t Fa n ­ t a s y ' s C h r i s t m a s A n n u a l for 1 9 7 3 ( London : Ferret Fantasy , 1 9 7 4 ) , a s Th e P u rp l e S a pph i r e ,

a n d O t h e r P o s t h u mo u s P a p e r s : S e l e c t e d from t h e Un o ff i c i a l R e c o r d s o f t h e Un i ve r s i t y o f C o s m o ­ p o l i b y Ch r i s t oph e r B l a y r e , s o m e t i m e R e g i s t ra r o f t h e Un i ve r s i t y . London : Phi l ip Allan , 1 9 2 1 .

Thi s edi tion , as reported , contains four fewer tales but has re s i s ted a l l e fforts toward veri ficati on . JAMES H ILTON 491.

New York : Wi l l i am Morrow ; London : Macmi l lan , 1 9 3 3 .

Los t Hori zons .

A c l a s s i c among los t-race fanta s i e s and the s ub j e c t o f two feature-length fi lms ( 1 9 3 7 , 1 9 7 8 ) that ha s made the term " Shangri-La " part of the lexi con of the language through i ts exp lorations o f T ibetan mys teries and the lure of eterna l youth and peace . B i b l iography 492 .

" Checkl i s t Bibliographi e s o f Modern Authors : James H i l ton . " B o o k T r a d e J o u r n a l , 6 2 ( July 1 9 3 6 ) , 20 .

111

HAROLD HOBSON 493 .

Th e D e vi l i n Wo o d f o r d We l l s : A Fa n t a s t i c N o v e l .

London : Longmans , Green , 1 9 4 6 .

Drawing on the fictions o f Max Beerbohm and h i s character Enoch S oame s , thi s i s a dome s ti c fan­ tasy set i n a sma l l vi l lage on the northeast edge of London and concerns the reaction s o f the v.l_l lage folk to a vi s i t by S atan . WILLIAM HOPE HODGSON 494 .

Th e B o a t s o f t h e ' G l e n C a r r i g ' : B e i n g a n A c c o u n t o f t h e i r A d ven t u r e s i n t h e S t ra n ge Pl a c e s o f t h e Ea r t h , A f t e r t h e Fo u n d e r i n g o f t h e G o o d S h i p G l e n Ca rr i g Th r o u gh S t r i k i n g u p o n a H i d d e n R o ck i n t h e Un k n o wn S e a t o t h e S o u t h wa r d . As , T o l d b y J o h n Wi n t e r s t r a w , G e n t . , t o H i s S o n J a m e s Wi n t e r s t r a w , i n t h e Y e a r 1 7 5 7 , a n d b y H i m C o mm i t t e d V e r y P r o p e r l y t o Ma n u s c r i p t . London :

Chapman & Ha l l , 1 9 0 7 . Rpt . We s tport , CT : Hyperion , 1 9 7 6 [ from a 1 9 2 0 edi tion ] .

A s igni ficant nove l in the contemporary red i s ­ covery o f Hodgson ' s canon : A s h ip ' s boa t s dri ft to an uncharted i s l and where the crew confronts a series of ski l l fu l ly drawn mons tro s i ti e s . 495.

D e ep Wa t e r s .

a. b. c. d. e. f. g. h. i. j. k. 1. 496 .

S auk C i ty , WI : Arkham Hous e , 1 9 6 7 .

· " The Sea Hors e s " " The Dere l ic t " " The Thing in the Weeds " " F:r:om the Tide le s s Sea " " The I s land o f the Ud " " The Voice in the N i gh t " " The Adventure o f the Headland " " The Mys tery o f the Dere l i c t " " The S hamraken Homeward-Bounder " " The Crew o f the Lanc ing " " The Habi tants o f Middle I s le t " " The C a l l in the Dawn "

London : S tanley Paul , 1 9 0 9 . Rpt . We s tport , CT : Hyperion , 1 9 7 6 .

Th e Gh o s t P i r a t e s .

On ly one s a i lor e s c apes to te l l the ta le o f a cur sed s hip , the Mort z e s tus , that s eems to draw The ship and i ts horror and evil from the s ea . crew mee t ±heir fina l doom at the hand o f the " ghos t pirates , " terrible sea demons . A hi ghly de s criptive and s uspens eful work .

112

WILL IAM HOPE HODGSON continued 497 .

Th e Ho u s e on t h e B o r d e r l a n d ; fr o m t h e Ma n u s c r i p t , di s co ve r e d i n 1 8 7 7 b y Mesors . Tonn i s on a n d B e r r o g gn o g , i n t h e R u i n s t h a t L i e t o t h e S o u t h o f t h e Vi l l a g e o f K r a i gh t e n i n t h e We s t o f Irel and . S e t O u t H e r e wi t h N o t e s . London :

Chapman & Ha l l , 1 9 0 8 . Hyperion , 1 9 7 6 .

Rpt . We s tport , CT :

The protagoni st-narrator d i s c overs a hidden cavern behind the wa l l of hi s home . After en­ tering and winning h i s way past pig- l ike mon­ s ters , he finds a bottomle s s p i t . H i s soul i s then transported throughout the cosmos , and he w i tne s s es the final des truction of the s o l ar sys tem . He returns home and awa i t s hi s own horrible end . 498 .

A L o v e Ta l e . London : Nash , 1 9 1 2 . Rpt . We s tport , CT : Hyperion , 1 9 7 6 .

Th e Ni gh t l a n d :

A far- future nove l centered on the dying rem­ nants o f humani ty and the que s t of a s trang e ly transported 1 9 th- century man to rescue a g i r l who i s the re incarnation o f hi s previous lost love . His j ourney between the only two rema in­ ing havens o f humani ty in a land gone dark and evi l i s the mos t e f fective por tion of the book ; the re turn trip with the gir l di s s o lve s into an expos e o f Vic torian s exua l inhibi tions and urges . There is a revi sed and condensed vers ion , ti t led T h e Dr e a m of x , whi ch wa s printed in paperback by Harold Page of New York to protect Hodgson ' s American copyr i ght ( 1 9 1 2 ) . I t inc lude s thirteen o f Hodgson ' s poems that were not in the f ir s t edi tion and has been re­ printed by Donald Grant ( We s t Kingston , RI , 1977) . 499 .

O u t o f t h e S t orm :

Un c o l l e c t e d Fa n t a s i e s

Ed . S am Mo skowi t z . M . Grant , 1 9 7 5 . a. b. c. d. e. f. g.

Wes t King ston , RI : Dona ld

"A Trop i cal Horror " " Out o f the Storm" " The Finding o f the Gra iken " " E lo i E lo i Laura S abachthani " " The Terror o f the Water Tank " " The Albatros s " " The Haunting o f the Lady S hannon "

113

E [ RNS T ] T [ HEODOR] A [ MADEUS'] HOFFMANN ( born : Ernst Theodor Wi l he lm Hof fmann ) 500 .

a. b. c. d. e. f. g. h. i. j. 501 .

I

Ed . E . F . B l e i ler . New York : Dover Pub l i c ations , 1 9 6 7 [ various trans la­ tors ] [ paper ] .

Th e B e s t Ta l e s o f H o f fma n n .

" The Golden Flower Pot " " Automata " "A New Year ' s Eve Adventure " " Nutcracker and the King o f Mic e " " The Sand-Man " " Rath Krespe l " " Tobi a s Martin , Ma s ter Cooper , and H i s Men " " The Mines o f Falun " " S i gnor Formica " " The King ' s Betrothed "

Ed . Hermann Leber . Band I. S a l zburg/S tuttgart : Das Bergland Buch , [1965] .

E . T . A . Ho ffma n n s W e rk e .

a.

Ph a n t a s i e s t U c k e i n C a l l o t s Ma n i e r

1. 2. 3. 4. 5. 6. 7. 8. 9.

" Hinwei s e " " Ri tter Gluck " " Krei s leriana " " Don Juan " " Nachr i cht von den neue s ten Schi cks a len de s Hunde s Bergan za " " Der Magnet i s eur " " Der goldne Topf " " Die Abenteuer der S i lve s ternacht " " Krei s ler i ana "

b.

Di e E l i x i e r e d e s T e u f e l s

c.

Na c h t s t U c k e

d.

K l e i n Z a c h e s G en a n n t Z i n n o b e r

e.

Di e S e r a p i on s b r U d e r

1. 2. 3. 4. 5. 6.

1. 2. 3. 4. 5.

" Hinwe i s e " " Der S andmann " " Das Sanctus " " Das 5de Haus " " Da s Maj orat " " Da s Ge liibde "

" Der he i l ige Serpion " " Rat Kre spe l " ." Die Fermate " " Der Dichter und der Komponi s t " " Ein Fragment aus · dem Leben drei er Freunde "

114

E [ RNST ] T [ HEODOR] A [MADEUS ] HOFFMANN continued 6. 7. 8. 502 .

" Der Artusho f " " Di e Bergwerke zu Falun " " Nus sknacker und Mau s ek6nig "

Ed . Hermann Leber . Band II . S a l z burg/S tuttgart : Das Bergland Buch , [ 19 6 5 ] .

E.T.A.

a.

H o f fm a n n s We r k e .

( c ontinued } " Der Kampf der Sanger " " Di e Automate " " Doge und Dogare s sa " " Me i ster Martin der Kufner und s eine Ges e l len " " Das fremde Kind " " Di e Brautwahl " " Der unhe iml i che Ga s t " " Da s Fraulein von Scuderi " " Sp i e lergluck " " S i gnor Formica " " Die Konigsbraut "

Di e S e r a p i o n s b r U d e r

9. 10 . 11 . 12 .

13 . 14 . 15 . 16 . 17 . 18 . 19 . b.

P r i n z e s s i n B r a mb i l l a

c.

L e b e n s a n s i c h t e n d e s Ka t e r M u r r

d.

L e t z t e E r z a h l u n g e n /Me i s t e r F l o h

1. 2.

" De s Vetters Eck fen s ter " " Der E lementarge i s t "

503 .

Th e K i n g ' s B r i d e .

Tran s . Paul Turner . John Ca lder , 1 9 5 9 .

504 .

S e l e c t e d Wr i t i n gs o f E . T . A .

Vo l . I : Tales . Ed . and trans . Leonard J . Kent and E l i z abeth c . Knight . Chi cago & London : The Univers i ty of Chicago Pres s , 1 9 6 9 . a. b. c. d. e. f. g.

505 .

London :

H o ffm a n n .

" Ri tter Gluck " " The Golden Pot " " The Sandman " " Counc i l lor Kre spe l " " The Mines o f Falun " "Mademo i s e l le de Scud�ri " " The Doub l e s "

Trans . Char l e s E . P a s s age . Co lwnbia , SC : Un iver s i ty o f S outh Carol ina Pres s , 1 9 7 1 .

Th r e e MM r c h en o f E . T . A .

a. b.

Ho ffma n n .

" Li tt l e Z aches , S urnamed Z i nnober " " Pr i nc e s s Bramb i l la "

115

E [ RNST ] T [ HEODOR] A [MADEUS ] HOFF.MANN conti nued c.

"Ma s ter F lea "

Bibl iography 506 .

S a lomon , Gerhard . E . T . A . Ho ffma n n : B i b l i o gr a ph i e . H i lde she im , Germany : Georg Olms Ver lagsbuch­ handlung , 1 9 6 3 .

CLAUDE HOUGHTON , p seud .

See CLAUDE HOUGHTON OLDFIELD

LAURENCE HOUSMAN 507 .

G o d s a n d Th e i r M a k e r s .

508 .

S t r a n g e En d s a n d Di s c o v e r i e s : Ta l e s o f t h i s Wo r l d a n d t h e Ne x t . London : Jonathan C ape , 1 9 4 8 .

Bodley Head , 1 8 9 7 .

a. b. c. d. e. f. g. h. i. J.

k. 1. m. n. o. p. q. r. s. t. u. v. w. x.

London : John Lane , The

" The Di s torting Mirror " " The Great Adventure " " The Return Journey " " The Impos s ible P en i ten t " " The F ini sh Touch " " The Fa l l of the Sparrow " " The New Di spensat ion " "Ve s s e l s o f C lay " " The Catch o f the Cherub " " Improved Re lation s " " The Cry o f the Parrot " " An Unexpec ted Mirac le " " The F lag o f Peace " " A S triking Incident " " Hidden Iden t i ty " "We i ghed in the Ba lanc e " " Changa-Ranga " " De ad Man ' s Lane " " The Widow " " The Return of the Prod i ga l " " Orange s and Lemon s " " Maggie ' s B i te " " Camouf lage " " Li ttle Pear-Bl o s s om "

Bibliography 509 .

Rudo l f , Anna . D i e D i ch t u n g Vo n L a u r e n c e H o u s m a n . Bre s lam : Priebatschs , 1 9 3 0 , pp . 8 5 - 8 9 .

116

ROBERT E [ RVIN ] HOWARD 510 .

S auk C i ty , WI : Arkham Hous e , 1 9 6 3 [ no t s een ] . Rpt . New York : Lancer , n.d. Ti tle change : P i g e o n s f r o m H e l l . New York : Z ebra , 1 9 7 6 [ paper ] .

Th e D a r k Ma n a n d O t h e r s .

a. b. c. d. e. f. g. h. i. j. k. 1. m. 511 .

" P i geons from He l l " " The Gods o f Bal- Sagoth " " People o f the Dark " " The Chi ldren o f the Night " " The Dead Remember " " The Man on the Ground " " The Garden Fear " " The Hyena " " Di g Me No Grave " " The Dream Snake " " In the For e s t o f Vi l l� fere " " Old Gar f i e ld ' s Heart " " The Voi c e o f E l -L i l "

We s t Warwick , R . I . : Necronomicon Pres s , 1 9 7 7 [ paper ] . Ori ­ ginal ly appea�ed i n the March , 1 9 3 4 , F a n t a s y

Th e I l l u s t r a t e d G o d s o f t h e No r t h .

Fan .

512 .

S k u l l - Fa c e .

a. b. c. d.

New York : Berkley , 1 9 7 8

[ paper ] .

" Skul l -Face " " Lord o f the Dead " "Names in the Black Book " " Tavere l Manor "

Inc ludes an introduction by Richard A . Lupo f f and should not be confused with S k u l l - F a c e a n d O t h e r s ( Sauk C i ty , WI : Arkham Hous e , 1 9 4 6 [ not seen ] ) , a much l arger c o l lection . 513 .

T h e S wo r d Wom a n .

New York : Zebra , 1 9 7 7

[ paper ] .

The adventure s o f Agnes de Chas t i l lon , woman warrior in the trad i t ion o f C . L . Moore ' s J i r e l o f Jorey ( s ee below ) . a b. c. d. e. •

" Sword Woman " " B lade s for France " " Mi s tres s o f Death " (wi th Gerald W . Page ) " The King ' s S ervi ce " " The Shadow o f the Hun "

The Conan Ser i e s and Re lated Vo lumes by Other Author s 514 .

Conan t h e Con q u er e r :

Th e H y b o r e a n A g e .

117

New York :

ROBERT E [ RVIN ] HOWARD continued Gnome , 1 9 5 0 . 515 .

Th e Swo rd o f C o n a n .

a. b. c. d. 516 .

Ki n g Conan .

a. b. c. d. e. 517 .

" The " The " The " Red

New York : Gnome , 1 9 5 2 .

Peop le of the Bl ack C i rc le " S l i ther ing S hadow " Poo l o f the B l ack One " Na i l s " New York : Gnome , 1 9 5 3 .

" Jewe l s o f Gwahlur " " Beyond the Black Rive r " " The Treasure of Tranicos " " The Phoenix on the Sword " " The Scarlet C i tade l "

Th e C o m i n g o f Co n a n .

a. b. c. d. e. f. g. h.

New York : Gnome , 1 9 5 3 .

" The Shadow K ingdom " " The Mirrors o f Tuzun Thune " " The King and the Oak " " The Tower o f the E l ephant " " The God in the Bowl " " Rogues in the Hous e " " The Fros t-Giant ' s Daughter " " Queen of the B lack Coa s t "

Thi s col lec tion also inc lude s a letter from Howard to P . S chuy ler Mi l ler , a letter from H . P . Lovecraft to Donald A . Wo l lhe irn , an in forma l biography o f Howard by J . D . C lark and P . S chuyle+ Mi l ler , and a running commentary on the tales by L . Sprague de Camp . 518 .

a. b. c. d. e. 519 .

New York : Gnome Pre s s , 1 9 5 4 .

Co n a n t h e B a rb a r i a n .

" B lack Co los s us " " Shadows in the Moon l i ght " " A Wi tch S ha l l Be Born " " Shadows in Z amboula " " The Devi l in I ron "

Ta l e s o f C o n a n with L .

Gnome ,

a. b. c. d.

1955 .

Sprague de Camp .

" The B lood- S tained God " " Hawks Over Shern " " The Road o f the Eagle s " " The F lame-Kn i fe "

118

New York :

ROBERT E [ RVIN ] HOWARD continued 520 .

C o n a n wi th L .

Sprague de Camp and Lin Car ter . New York : Lancer � 1 9 6 7 [ paper ] . a.

b. c. d. e. f. g.

" The Thing in the Cryp t " { Carter and de Camp ) " The Tower of the E l ephant " { Howard ) " The Ha l l of the Dead " { Howard and de Camp ) " The God in the Bowl " { Howard ) " Rogue s in the Hous e " { Howard ) " The Hand of Nerga l " { Howard and Carter ) " The C i ty of Skul l s " { Carter and de Camp )

Thi s collection a l s o inc l udes a letter from Ho­ ward to P . Schuyler Mi l ler , an introduction by de Camp , and part one of Howard ' s e s s ay " The Hybor ian Age . " 521 .

C o n a n o f C i mm e r i a with L .

Carter .

a. b. c. d. e. f. g. h. 522 .

Co n a n

e. Con an

t h e Fr e e b o o t e r wi th L .

Con a n

Sprague de Camp . [ paper ] .

" Hawks Over Shem " { Howard and de Camp ) " B lack Co los s u s " { Howard ) " Shadows in the Moon l i ght " { Howar d ) " The Road o f the Eagles " { Howard and de Camp ) " A Wi tch Sha l l Be Born " { Howard ) t h e wa n d e r e r wi th L .

Carter . a. b. c. d.

524 .

" The Cur s e o f the Monol i th " { de Camp and Carter ) " The B lood s ta i ned God " { Howard and de Camp ) " The Fro s t Giant ' s Daughter " { Howard ) " The Lair o f the Ice Worm" { de Camp and Car ter ) " Queen o f the B l ack Coa s t " { Howard ) " The Va le o f Los t Women " { Howard) " The C a s t l e o f Terror " { de Camp and Carter ) " The Snout in the Dark " { Howard , de Camp and Carter )

New York : Lancer , 1 9 6 8

a. b. c. d.

523 .

Sprague de Camp and Lin New York : Lancer , 1 9 6 9 [ paper ] .

Sprague de Camp and Lin New York : Lancer , 1 9 6 8 [ paper ] .

" B lack Tear s " { de Camp and Carter ) " Shadows o f Z amboul a " { Howard ) " The Dev i l in I ron " { Howard ) " The F l ame Kni fe " { Howard and de Camp ) t h e A d ve n t u r e r wi th L .

119

Sprague de Camp .

ROBERT E [ RVIN ] HOWARD continued New York : Lancer , 1 9 6 6 a. b. c. d. 525 .

Carter .

" Pro logue : Dream o f B lood " " An Old Z ingaran Custom" " A Kni fe i n the Dark " " Death o f the S e a Q u e e n " " The Name l e s s I s le " " At the World ' s Edge " " F laming Eye s " " The Toad-Thing " " The Cobra Crown " "Wind in the Rigging " " The B lack Coas t " "Web o f Doom" " C i ty o f the Warrior Women " " The Queen o f the Ama zon s " " Under the Lash " " The B l ack Labyrinth " " The Devour ing Tree " " The Wreak o f the Wa s t r e l " " A Kingdom in the Ba lance " '" King Thoth-Amon " " Red B lood and Co ld Stee l "

Ed . L . S prague de Camp . York : Lancer , 1 9 6 7 [ paper ] .

New

" Red Nai l s " " Jewe l s o f Gwahl ur " " Beyond the B lack River "

C o n a n t h e U s u rp e r w i th L .

York : Lancer , 1 9 6 7 a. b. c. d.

528 .

Sprague de Camp and Lin New York : Lancer , 1 9 7 1 [ paper ] .

C o n a n t h e Wa r r i o r .

a. b. c. 527 .

" The Peop le of the B lack Circle " ( Howard ) " The S l i thering Shadow " ( Howard ) " Drums o f Tornba lku " ( Howard , edited by de Camp ) " The Poo l of the B l ack One " ( Howard)

Co n a n t h e B u c ca n e e r by L .

a. b. c. d. e. f. .g . h. i. j. k. 1. m. n. o. p. q. r. s. t. u. 526 .

[ paper ] .

Conan

Sprague de Camp . [ paper ] .

New

" The Trea sure o f Tran ico s " ( by Howard , but or ig inally publ i shed and revi sed by de Camp as " The B l ack S tranger , " 1 9 5 3 ) " Wo lves Beyond the Border " ( Howard , edited by de Camp ) " The Phoenix on the Sword " ( Howard ) " The Scar let Ci tade l " ( Howard ) the Conqueror .

Ed . L . Sprague de Camp .

120

New

ROBERT E [ RVIN ] HOWARD continued York : Lancer , 1 9 6 7 529 .

[ paper ] .

t h e A v en g e r by B j orn Nyberg . New York : Gnome , 1 9 5 7 . Rev . ed . wi th L . Sprague de Camp . New York : Lancer , 1 9 6 8 [ paper ] .

Conan

Contains Howard ' s e s s ay " The Hyborian Age , Part 2 . " 530 .

C o n a n o f A q u i l on i a by L .

C arter .

a. b. c. d. 531 .

Sprague de Camp and Lin New York : Ace , 1 9 7 7 [ paper ] .

" The Wi tch o f the Mi s t s " " Black Sphinx o f Nebthu " " The Moon o f Z ernbabwei " " Shadows in the Skul l "

C o n a n o f t h e I s l e s by L .

Carter .

a. b. c. d. e. f. g. h. i. j. k. 1. rn . n. o. p. q. r.

Sprague de Camp and Lin New York : Lancer , 1 9 6 8 [ paper ] .

" Red S hadows " " The B l ack Heart o f Go larnira " " The Cup and Trident " " Scarlet Tortage " " The B lack Kraken " " Magic Fire " " The Phantom Warri or s " " The Casket from Atlant i s " "Voyage on an Unknown Sea " " Lo s t C i ty " " Thi eves o f P tahuacan " " The B lack Labyrinth " " Dungeon o f Despair " " In the Dragon ' s La i r " " A Day o f B lood and Fir e " " Gates o f Doorn " " The Crys ta l Ta l i sman " " Gods o f Light and Darkne s s "

Or iginal Conan Series from We i r d Ta l e s 532 .

Conan :

Th e H o u r o f t h e D r a gon .

533 .

Con a n :

Th e P e o p l e o f t h e B l a c k C i r c l e .

Wagner .

Ed . Kar l Edward New York : Berk ley , 1 9 7 7 [ paper ] .

Edward Wagner . a. b. c. d.

Ed . Kar l New York : Berkley , 1 9 7 7 [ paper ] .

" The Devi l in I ron " " The Peop le o f the Black Circ le " " A Witch S ha l l Be Born " " Jewe l s o f Gwah lur "

121

ROBERT E [ RVIN ] HOWARD continued 534 .

Ed . Karl Edward Wagner . York : Berk ley , 1 9 7 7 [ paper ] .

Co n a n :

a. b. c. d.

New

R e d Na i l s .

" Beyond the B l ack River " " Shadows in Z amboula " " Red Nai l s " " The Hyborian Age " { es say )

Immens e ly popular , Howard ' s sword and s orcery nove l s and col lections featur ing Conan the Bar­ barian have had a s igni ficant inf luence on the deve lopment of contemporary fanta sy . The se ad­ ventures p i t the barbar i c and gui l e l e s s warri or aga ins t wi zards , ghou l s , mad k i ng s , sorcere s s e s , Mos t o f Howard ' s beasts , gods and mere morta l s . tales were wri tten in the late 1 9 4 0 ' s and appeared or igina l ly in We i r d Ta l e s , but s i nce the 1 9 5 0 ' s other authors - -mos t notab ly L . Sprague de Camp and Lin Carter--have completed un fin i s hed Howard manus cripts or adopted the barbarian for their own imi tative creation s . There i s even a parody o f Howard by Poul Ander­ son , '·' The Barbarian , " in the May , 1 9 5 6 , i s s ue of Th e Ma ga z i n e o f F a n t a s y a n d S c i e n c e F i c t i o n . Mos t recently , Kar l Edward Wagner has been edit­ ing the tales as they origina l ly appeared in We i r d Ta l e s for Berkley Pub l ications , 1 9 7 7 [ paper ] . The So lomon Kane Ta les 535 .

Th e M o o n o f Sk u l l s .

a. b. c. 536 .

5 37 .

New York : Centaur , 1 9 7 0

[ paper ] .

" The H i l l s of the Dead " " Hawk of Bas ti " "Wings in the N i ght " " The Chi ldren o f As shur "

S o l o m o n Ka n e .

a. b. c. d. e. f.

[ paper ] .

" The Moon of Skul l s " " Skul l s in the Star s " " The Footfa l l s Wi thin "

Th e H a n d o f Ka n e .

a. b. c. d.

New York : Centaur , 1 9 6 9

New York : Centaur , 1 9 7 1

[ paper] .

" The Ri ght Hand o f Doom " " Red Shadows " " Rattle of Bone s " " The Cas tle o f the Devi l " " Blade s o f the Brotherhood " " The Return of S i r Richard Grenvi l le "

122

ROBERT E [ RVIN ] HOWARD continued g.

" Solomon Kane ' s Homecoming "

P ub l i s hed i n the late 1 9 2 0 ' s and the ear ly 1 9 3 0 ' s in We i r d Ta l e s , thes e are the ta les o f Howard ' s other heroi c protagoni s t : Solomon Kane , an oppre s s ive ly puri tan f i gure and Howard ' s f i r s t sword and sorcery hero . The stor i e s are set in a s ixteenth-century locale complete with black magi c , f i ends , mons ter s , sorcerer s , and , for the virtuous Kane , maidens -that-must-be­ den ied . Many o f thes e s torie s , i f not a l l , appeared in R e d S h a d o ws . We s t Kings ton , R . I . : Donald M . Grant, 1 9 6 8 [ not seen] . Bibl iography 538 .

Lord , Glenn .

Th e L a s t C e l t : A B i o - b i b l i o gr a p h y o f R o b e r t E r vi n H o wa r d . We s t King s ton , R . I . :

Dona ld M . Grant , 1 9 7 6 . 539 .

Mil ler , P . Schuyl er , and John D . C l ark . " A Pro­ bable Outl ine of Conan ' s Career . " In Th e Los Angele s : Los Angeles -New Hybori a n Age . York Cooperative Pub l i cations , 1 9 3 8 [ paper ] ; revi sed and enlarged by Clark for the paragraphs between ta l e s in the Gnome Pre s s Conan books , 1 9 5 0 - 1 9 5 4 ; further rev i s ed and enlarged by C lark , Mi l ler , and L . Sprague de Camp for " An Informa l B iography o f Conan o f Cirnmer ia . " A m r a , 2 , No . 4 ( 1 9 5 9 ) ; further enlarged by de Camp for the paragraphs between the tales in the Lancer Conan books , 1 9 6 6 - 1 9 6 9 ; rpt . de Camp , L . Sprague , and George S c i ther s , eds . Th e C o n a n S wo r db o o k : 2 7 E x a mi n a t i o n s o f H e r o i c Fi c t i on . Baltimore : Mirage , 1 9 6 9 , pp . 2 2 7 - 2 5 5 .

FERGUS HUME 540 .

Phi l ade lphia and London : J . B . Lippencott , 1 9 1 1 [ ear l i er edi tion : London : Gri f f i th , Farrar , 1 8 9 2 ? ] .

C h r o n i c l e s o f Fa i r y L a n d .

a. b. c. d. e. f. g. h. i.

" King Oberon ' s Library " " The Red E l f " " Shadow land " " The Water-Wi tch " " Moon Fanc i e s " " The Ro se-Princes s " " Sorrow- S inging " " The Go lden Gob l in " " The Enchanted Fore s t "

12 3

FERGUS HUME continued 541 .

Th e Dwa r f ' s C h a mb e r a n d O t h e r S t o r i e s . Ward , Lock & Bowden , 1 8 9 6 .

a. b. c. d. e. f. g. h. 1 .

" The Dwar f ' s Chamber " " Mi s s Jonathon " " The Dead Man ' s Di amond s " " ' The Tale o f the Turquo i s e Sku l l ' " " The Green- S tone God and the S tockbroker " " The Je suit and the Mexican Coin " " The Rainbow C ame l l i a " " The Ivory Leg and the Twenty-Four D iamonds " " My Cous in from France " JAMES

542 .

London :

[ GIBSON ] HUNEKE R

New York : Char l e s Scribner ' s Sons ; ,London : T . Laurie , 1 9 0 5 [ s imultaneous pub l i ­ cation ? T . Laurie edi tion not s een ] .

Vi s i on a r i e s .

a. b. c. d. e. f. g. h. i. J .

k. 1.

m. n. o. p. q. r. s. t.

" A Mas ter o f Cobwebs " " The E i ghth Dead ly S in " " The Purse o f Aho l ibah " " Rebe l s o f the Moon " " The Spiral Road " " A Mock S un " " Anti chr i s t " " The E terna l Due l " " The Enchanted Yodl er " " The Third Kingdom " ·" The Haunted Harp s i chord " " The Tragic Wa l l " " A Sentimental Rebe l l ion " " Ha l l o f the Mi s s ing Footsteps " " The Cur sory Ligh t " "An Iron Fan " " The Woman Who Loved Chopin " " The Tune o f Time " " Nada " " Pan "

Bibliography 543 .

De C a s s eres , Benj amin . Ja m e s G i b s o n H u n e k e r . York : Jo s eph Lawren , 1 9 2 5 , pp . 4 1 - 6 2 . C [ HARLES ] J [ OHN ] C UTCLIFFE [ WRIGHT ] HYNE

544 .

Th e L o s t Con t in en t .

New York : Harper ; London :

124

New

C [ HARLES ] J [ OHN ] C UTCLIFFE [ WRI GHT ] HYNE continued Hutchinson , 1 9 0 0

[ s imultaneous pub l i cation ? ] .

A young Atlantean returns to h i s home land to find a heartle s s and evi l us urper on the throne . H i s ini tia l attempt at revo l t fai l s and h i s be­ Seven year s later he loved i s bur ied a l i ve . returns , tries to lead another revo l t , and re s tores hi s beloved to l i fe . However , the virtuous pri e s thood real i z es that the evi l queen , P horenice , cannot be des troyed by force and that they mus t de s troy the entire i s land A few o f the to rid the wor ld of her insan i ty . va l i ant rebe l s are s ent o f f on an ark wi th the accumulated wi s dom of Atlanti s to found a new wor l d . A hi ghly descriptive work that enj oyed s i gn i f i cant popular i ty when i t was seri a l i zed in P e a r s on ' s in 1 8 9 9 . Bibl iography 545 .

Wat s on , George , ed .

T h e N e w C a mb r i d g e B i b l i o gr a ph y o f En g l i s h L i t e r a t u r e . Cambr idge : Cambridge Univers i ty Pres s , 1 9 6 9 , I I I ( 1 8 0 0 - 1 9 0 0 ) , 1 1 0 5 .

DAHLOV I P CAR 546 .

A Da r k H o rn B l o wi n g .

New York : Vik ing , 1 9 7 8 .

To ld from the v i ewpo ints o f four characte r s - ­ Nora , a mother ; Eben , a father ; Owen , the ir son ; and E e l i e , the Princ e o f Erland--and based in par t on bal l ad s s e l ec ted from Franc i s James Chi ld ' s Th e En g l i s h a n d S c o t t i s h Pop u l a r B a l l a d s and Nor s e mytho logy , thi s i s a tale o f identity and d i s covery . Nora i s s to len by the magi ca l , elvin folk o f Er land to nurs e the young pr inc e . Vic timi z ed by the witch Bab Ma-g ga , Nora i s l o s t to her husband and child , and Bab pos se s s e s and torment s them both . After the Queen of Erland d i e s , never having been able to care for her own chi ld , the King of Er land covets Nora . Through tr ickery , he near ly conquers her , but Nora i s s aved by her own wi t and E lver ' s ( the young pr inc e ) d i scovery o f h i s true nature and shape : a golden eagle . Nora i s res tored to the normal wor ld and her fami ly ; her husband Eben , having been changed into a goat by Bab Magga , i s r e s tored through E lver ' s e f forts as the new king of Erland , following h i s lecherous father ' s de ath . The f inal tria l , however , i s E lver ' s a s h e mus t dominate the spirit gho s t o f h i s father ,

125

DAHLOV IPCAR continued blow the dark horn , and lead the Wi ld Hunt . 547 .

Th e wa r l o ck o f N i gh t .

New York : Viking , 1 9 6 9 .

Much l e s s succ e s s ful than the later A D a rk H o rn B l o w i n g and based on a c la s s ic che s s match play­ ed in 1 9 4 9 by two grandmaster s . The force s o f the Land o f Day s truggle agains t the armie s o f the Land of Night . The pivotal p l ac e s in thi s psychomachia be long to P loy , apprentice to the powerful War lock of Night ; h i s in forma l tutor , the wanderer Magaw ; and a raven , Corbie . After P loy has succeeded in conquer ing one of the ma j or s trongholds of the Land of Day , he too quickly rea l i z e s the futi l i ty of conf l i c t . ERIC IVERSON The Ger in the Fox S er i e s 548 .

we r e b l o o d .

New York : Be lmont Tower , 1 9 7 9

[ paper ] .

549 .

We r e n i gh t .

New York : Be lmont Tower , 1 9 7 9

[ paper ] .

A sword and sorcery s er i e s featur ing Ger in , ca l l ed the Fox , as he s truggl e s to save hi s em­ pire from the barbar ic Trokmo and their evi l Wi th the giant Van sorcerer-king , Balamung . and the beaut i ful E l i s e , he f i ghts h i s way to th e C i ty of E labon in a futi le attempt to defeat the werebe a s t s and find a wi zard powe r fu l enough to de feat Balamung . PIERS ANTHONY DI LLINGHAM JACOB 550 .

P iers Anthony , pseud . Hasan . Borgo Pre s s , 1 9 7 7 [ paper ] .

S an Bernardino , CA :

An Eas tern f antasy remi n i s cent of the A r a b i a n N i gh t s . Hasan , a gul lible young man , i s tr i cked by an evi l merchant into be l ieving that he can make go ld . Kidnapped , Hasan encounters numerous adventures in thi s s low-moving narrative that culminate s in h i s search for h i s prince s s -bride in a matr iarcha l country where men are usua l ly s l ain . The Chame leon Series 5 51 .

A Sp e l l for C h a m e l e o n .

126

New York : Bal lan-

P I ERS ANTHONY DILLINGHAM JACOB continued tine , 1 9 7 7 552 .

Th e S o u r c e o f Ma gi c . 1979

553 .

[ paper ] .

[ paper ] .

New York : Bal lantine ,

C a s t l e R o o gn a . New York : Bal lantine , scheduled for release in July , 1 9 7 9 [ paper ] .

Everyone in the magica l realm o f Xanth has a sorc erous ta lent except Bink o f the North Vi l lage . B i nk , c le ar ly a devi ant , i s exi led and hi s further s earch for hi s own true spe l l - ­ the y e t unsuspec ted immuni ty from a l l magic harm- -ernbroi l s him and h i s comrade s in a que s t for the evil mag i c i an Trent and i n numerous con f l ic t s w i th elve s , dwarve s , krakans , dragons , In Bink ' s further adventures in and a sphinx . T h e S o u r c e of Ma gi c , he goe s in s e arch o f the source of Xanth ' s magic . In the company o f Che s ter the Centaur and Crombi e , a s o ld i er trans formed into a gr i f fin , and wi th the aid o f Humfrey , the good magic i an , Bink i s harr ied by an uns een enemy . Fina l ly , abandoned by hi s comrade s , Bink does d i s cover the " s ource o f a l l magic , " only t o l e t i t be des troyed . The s e r i e s i s d i s tingui shed by three of the better fema le character i zations in contemporary fan­ tasy : I r i s , Chame leon , and Franchon . JOHN [WILLIAM] JAKES 554 .

Th e L a s t M a g i c i a n s .

New York : S ignet , 1 9 6 9

[paper ] .

A tale o f wonder and psychomach i a that center s on Cham , the l a s t o f the evi l red magi c i ans , who has denounced h i s f ina l vows to the fe l l god o f h i s order , " The Unborn . " Trapped wi thin a new order that i s anti the t i c a l to mag i c and to h im , he i s forced to confront h i s p a s t mas ­ The character­ ter to survive in the new wor ld . i zation o f Cham and his di lemma is unu s ual ly we l l done . For comparable works that feature an evi l protagon i s t , s ee Michael Moorcock ' s E l r i c s e r i e s and Kar l Edward Wagner ' s Kane s e r i e s be low . 555 .

M e n t i o n My N a m e i n A t l a n t i s . 1 9 7 2 [ paper ] .

New York : DAW ,

Hoptor the Vintner , a whims ical conniver , j oins force s wi th the barbarian Conax o f Chimeria

127

JOHN [ WILLIAM ] JAKES continued { c learly a relative of Howard ' s Conan } to br ing chaos to Atlant i s . Both Hoptor ' s uproar iou s machinations and Jakes ' unusua l expl anation for the d i sappearanc e of Atl antis comb ine we l l to make thi s a good example of comic , sword and sorcery fantasy . Brak the Barbar ian Ser i e s 556 .

Bra k t h e B a rb a r i a n .

a. b. c.

New York : Avon , 1 9 6 8

" The Unspeakable Shrine " " Flame-Fac e " " The Courts of the Conj urer " { or igina l ly : " S i lk of Sha i tan " } " Gho s t s of S tone " { origina l ly : " P i l lars of Chamba lor " ) " The Barge of Souls "

d. e. 557 .

B r a k Ve r s u s

558 .

B r a k t h e B a rb a r i a n V e r s u s

t h e Ma rk o f t h e D em o n s .

Paperback Library , 1 9 6 9

York : 559 .

Bra k :

[ paper ] .

New York :

the Sorceres s . Paperback Library , 1 9 6 9 [ paper ] .

Wh en

Book s ,

[ paper ] .

t h e I d o l s Wa l k e d . 1 9 7 8 ? [ not s een] .

New

New York : Pocket

Al though indebted to Howard ' s Conan , Brak i s bas� cally an innoc ent good guy , quick t o he lp , quick to suffer for h i s na ive approach to l i fe . The series i s highly epi sod i c and i s loo s e ly uni f i ed by Brak ' s attempt to trave l to a c i ty , Khurd i san the Golden . The s e r i e s ' main appea l s are in i t s und i sgu i s ed bruta l i ty , lus ty women , and exce l l ently conceived v i l lains and mons ters . Bibl iography 560 .

" Of Swords & Sorcery No . 3 . " F a n t a s y Cr o s s ro a d s , No . 1 0 - 1 1 {March 1 9 7 7 ) ,

Al len , Paul C . 42-46 .

G . JEFFERY 561 .

Eri nord .

London : Rex Co l l ing s , 1 9 7 6 .

Er inord , prince of the magical kingdom o f S o l ar i s , · loses h i s memory through the machina­ tions o f a wi tch and her woodcutter husband . Their mi splaced need for a son de lays Er inord ' s

128

G . JEFFERY continued que s t for the Orb of Light , the nec e s s ary weapon against an enigmatic and f e l l sorcerer , the Shadow S e eker . Erinord ultimate ly recovers hi s memory wi th the help of the leader o f a S hangri La- l ike kingdom , and he and hi s companion , the commoner Quinu , comp lete their que s t . WILLIAM FITZ GERALD JENKINS 562 .

Le ins ter , Murray , pseud .

S i d e wi s e i n T i m e a n d O t h e r S c i e n t i f i c A d ve n t u r e s . Chic ago : Sha s ta Pub l i shers , 1 9 5 0 .

Thi s co l lec tion i l lus trates how s c ience fiction can eas i ly become f antasy when the cruc i a l e le­ ment o f extrapo lation i s wi thdrawn and the author a l l ows h i s mind to move beyond the res ­ traints o f natur a l law . a. b. c. d. e. f.

" S idewi s e in Time " " Proxima Centaur i " " A Logi c Named Joe " " De Profund i s " " The Four th-Dimens iona l Demonstrator " " The Power " NORMA N . JOHNS

56 3 .

B o d o m a n o f S o r : [ b e i n g Th e S a ga o f Da m R a b a t from t h e G r o a n i c l e s of S o r ] . [ E s s ex , Eng land ] : B [ r i ti sh ] F [ antasy ] S [ oc i ety ] , 1 9 7 7 [ paper l .

A parody o f John Lange ' s Chroni c l e s o f Counter Earth ( see be low ) . A heavy-handed treatment that explo i t s the original ' s e l ements o f sexi sm and s adomasochi sm . DIANA WYNNE JONES The Dalemark S e r i e s 56 4 .

ca r t a n d Cwi d d e r .

565 .

Dr own e d Am u l e t .

London : Macmi l l an , London : Macmi l l an ,

197 5 .

1977 .

Thes e f ir s t two in a pro j ec ted five -vo lume j uveni le/adult s e r i e s , are s e t in a Medieval realm of Dalemark where the vir tuous North s trugg les aga i n s t the repre s s ive South . The

129

D IANA WYNNE JONES continued protagoni s t of C a r t � n d Cwi d d e r i s aided in h i s escape from the South b y the s trange powers o f a l arge harp , a legacy from hi s recently mur­ dered father , and i s accompanied in h i s f l ight by h i s brother , s i s ter , and a young nob le , a l l o f whom mus t b e brought t o the s a fe ty o f the North . In D r o wn e d A m u l � t , three youngsters d i s ­ cover that the folk gods , O l d Amme t and Libby Beer , are not j us t the r i tua l i s ti c symbo l s that everyone think s . Aided by the awesome powers of the god and goddes s and in s earch o f a magical amulet , the chi ldren be come embro i l ed in a conf l ic t o f enormous scope . The Dalemark s er i e s i s unusua l ly rea l i s tic and has an ex­ cel lent blend o f the numinous and everyday , be they agon i z ing or j oyous . IVAR JORGENSON , pseud .

S e e PAUL W . FAI RMAN

JAAN KANGILASKI 566 .

Th e S e e k i n g Swo r d .

[ paper ] .

New York : Ba l lantine , 1 9 7 7

An unusual comb ination of fantasy and horror featuring a s tone age shaman who has p l aced h i s soul in a sword . Control l ing a l l who handl e it � the sentient sword ha s survived through the age s succe s s ful ly s e ek ing revenge on a l l the descendants of an enemy tr ibe . The action in the nove l is set shortly after the shootings at Kent S tate Univers i ty and contains many topical al lus ions . The modern charac ter s are parti­ c ularly rea l i s tic , and the ir attempts to cope wi th the sword ' s b loody acts are we l l de l ineated and pointedly human . WALTER KARIG 567 .

zotz !

New York : Rinehart , 1 9 4 7 .

A timid profes sor , John Jone s , teaching a t a southern theolog i c a l s eminary , d i s covers that an anc ient spe l l a l lows h im to point h i s f in­ ger , say " zo t z , " and generate awe some , death­ dealing results . Much o f thi s comic and s at­ iric fantasy concerns Jone s ' i nterac tion with a young l ady , whos e c lo th�s were s tripped o f f by h i s f i r s t z o t z l ightning bo l t , and the s o -

130

WALTER KARI G continued c i a l , pol i t i c a l , r e l igious , and mi l i tary e s ta­ b l i shment s ' attempts to cope wi th Jones ' unus ­ ua l g i f t . MARVIN KAYE 568 .

Th e In c r e d i b l e Umb r e l l a . day , 1 9 7 9 .

Garden C i ty , NY : Double­

Very much in the vein o f L . Sprague de Camp and F l e tcher Pratt ' s Incomplete Enchanter ser­ ies ( see above )" , thi s highly regarded , comic fantasy is about a banal Eng l i s h profe s sor , J . Adri an F i l lmore , who buys a magic umbre l la . Be fore he even rea l i z e s i t , the bumber shoot transpor ts him to the l i terary rea lms of Gi l ­ bert and Sul l ivan and beyond t o con front Mikado ' s daughter- in- law-elect , Pickwick , Dracula , Mor i arty and Sher lock Holme s , Franken­ s tein , an army of evi l tr iangle s , tro l l s , wi ­ zards , and more . JOSEPH E [VERI DGE ] KELLEAM 569 .

Wh en t h e R e d K i n g W o k e . 1966 .

New York : Ava lon Book s ,

A young man , Tom B l ake , and h i s f i ancee , F lo DeLee , are transported to a realm where e i ther sorcery or s uper sc ienc e ( i t ' s never made c le ar ) re igns . A group o f the inhab i tants c an communi­ cate with a mys ter ious be ing from space , the Red King , who i s eng lobed in a s trange bubble . Even though the Red K ing s leeps , he communicate s with thi s spec i a l group and teache s them how to use the power o f the ir minds to hea l and create . Unfortunate ly , the remainder o f the inhabi tants res ent the powers o f their fel lows and become barbarians , even though the g i f ted attempt to provide for their les s fortunate fel lows . A war ensue s , Flo suc cumb s to greed and i s one o f the antagon i s t s , and the kingdom o f the Red Tom i s re­ King f a l l s as he awakens and dies . turned to the everyday wor ld but i s fol lowed by the woman he f e l l in love wi th in the fan­ ta sy realm .

131

DAVI D H [ ENRY ] KELLER 570 .

Th e L a s t Ma gi c i a n : N i n e S t o r i e s from We i r d Ta l e s .

Ed . Patr ick H . Adk i ns . Vo l . I . The D avid H . New Orleans , LA : Kel ler Memori a l Library . P . D . A . Enterpr i s e s , 1 9 7 8 [ paper ] . a.

b. c. d. e. f. g. h. 1 .

j.

" Ha l f a Century o f Wr i ting " i c a l e s s ay ] " The Las t Magi c ian " " Va l ley of Bone s " " The Dogs o f S a lem" " Lords o f the Ice " " The Damse l and Her Cat " " The Li ttle Husband s " " Death o f the Kraken " " The Godde s s o f Z ion " " B ind i ngs De l uxe "

[ autobiograph-

Further vo lume s are promised i n thi s s e r i e s : Th e C o n q u e r o r s , Th e E v e n i n g S t a r , and S e e d s o f D e a t h : Ta l e s o f Fa n t a s y a n d H o r r o r among others . 571 .

L i fe E v e r l a s t i n g a n d O t h e r Ta l e s o f S c i e n c e , F a n ­ t a s y , a n d Horror . Comp . S am Mos kowi t z and Wi l l Sykora . Newark , NJ : Ava lon , 1 9 4 7 . Rpt . We s t­ port , CT : Hyper i on , 1 9 7 4 .

a. b. c. d. e. f. g. h. i. j. k. 572 .

" Li fe Everl a s t i n g " " The Bone l e s s Horror " " Unto U s a Chi ld i s Born " ." No More Tomorrows " " The Thing i n the C e l lar " " The Dead Woman " " Heredi ty " " The Face i n the Mi rror " " The Cerebral Library " " A P i ece o f Linoleum" " The Thirty and One "

Th e S i gn o f t h e B u rn i n g H e a r t . S a int-Lo Impr imer i e de La Marche , 1 9 3 8 .

[ France ] :

A utopi an fantasy , compos ed o f four loo s e ly connec ted tales , that i s wr i tten very much in the s tyle o f James Branch Cabe l l . Recogn i zed by many as Kel ler ' s bes t work . 573 .

New York : Pub l i shed for Arkham House by P e l legr i n i & Cudahy , 1 9 5 2 .

Ta l e s from Un d e r wo o d .

a. b. c.

" The Worm" " The Revo lt o f the Pede.s tr i ans " " The Yeast Men "

132

DAVID H [ ENRY ] KELLER continued d. e. f. g. h. i. j. k. 1.

m. n. o. p. q. r. s. t. u. v.

" The Doorbe l l " " The F lying Foo l " " The P sychophoni c Nur s e " " A Bio logi c a l Exper iment " " Free a s the Air " " The Bridle " " T iger Cat " " The God Whe e l " " The Go lden Bough " " The Je l ly Fi s h " " The Opium Eater " " The Thing in the Ce l lar " " The Moon Arti s t " " Creation Unforgivable " " The Dead Woman " " The Door " " The Per fumed Garden " " The L i terary Cork s crew " " A Piece o f Linoleum"

DOUGLAS C . KENNEY See HENRY R . BEARD AND DOUGLAS C . KENNEY SUSAN ALICE KERBY , pseud .

S ee ALICE ELI ZABETH BURTON

GERALD KERSH 574.

On a n O d d N o t e .

[ paper ] .

a. b. c. d. e. f. g. h. i. j. k. 1.

m.

New York : Bal lantine , 1 9 5 8

" S eed o f Des truc t i on " " Fro zen Beauty " " Re f lections in a Tablespoon " " The Crewe l Needle " " The Sympathe tic Souse " " The Queen o f P i g I s land " ( origina l title : "Mi s tre s s o f Porcos i to " } " Prophe t Wi thout Honor " " The Beggar s ' S tone " " The Brighton Mon s ter " ( or i. ginal t i t le : " The Mon s ter " } " The Extraordinar i ly Horrible D ummy " ( or i ginal t i t l e : " The Whi s per " } " Fantasy o f a Hunted Man " " The Gent l eman A l l in B lack " " The Eye " ( or i g i na l ti tle : " The Murderer ' Eye " )

133

CHARLES KINGSLE¥ 575 .

T h e Wa t e r B a b i e s : A Fa i r y Ta l e fo r a L a n d B a b y . . London : Macmi l l an , 1 8 6 3 . Rpt . New York : Gar­ l and , 1 9 7 6 .

A young chimney sweep i s aided by the fairy queen in e s caping h i s tormentors and hi s dirt . He i s trans formed into a water-baby ( a water spr i te ) and is gradua l ly purged of h i s rough humani ty through the wonder o f h i s experience s Particularly noteworthy and h i s new friend s . for i ts setting s , characters , and invo lved in­ c idents that re flect Kings ley ' s abi l i ty to create a we ll-deve loped fantasy realm . Bibliography 576 .

Stevenson , Lione l , ed . Vi c t o r i a n Fi c t i o n : A G u i d e t o R e s e a r ch . Cambr idge , MA : Harvard Univers i ty Pres s , 1 9 6 4 .

577 .

Thorp , Margaret [ Farrand ] . Ch a r l e s Ki n gs l e y , 1 8 1 9 -1 8 7 5 . Pr inceton , NJ : Princeton Univers i ty Pre s s , 1 9 3 7 , pp . 1 9 1 - 2 0 4 .

578 .

Parri sh , Morr i s Longs treth , and Barbara Ke l s ey Mann . C h a r l e s Ki n g s l e y a n d T h o ma s H u gh e s F i r s t

E d i t i o n s ( Wi t h a F e w E x c ep t i o n s ) i n t h e L i b r a r y a t D o r m y H o u s e , P i n e Va l l e y , N e w J e r s e y . De s ­ c r i b e d Wi t h No t e s . London : Cons table , 1 9 5 1 .

LEONARD KIP 579 .

H a n n i b a l ' s M a n a n d O t h e r Ta l e s . 1878 .

a. b. c. d. e. f.

Albany : Argus ,

" Hanniba l ' s Man " " In Three Head s " " The Gho s t o f Grantl ey " " The S ecret o f Appo lonius Septro " " Prior Polycarp ' s Portra i t " " St . Nicholas and the Gnome " VERNON KNOWLES

580 .

London : R . Holden , 1 9 2 6 Rpt . New York : Arno Pres s , 1 9 7 8

H e r e a n d O t h e r wh e r e .

[ not s een ] . [ not s een ] .

134

VERNON KNOWLES continued 581.

T h e La d de r .

London : The Mandrake Pres s , 1 9 2 9 .

In thi s whims ical nove lette , typical o f Knowle s ' fi ction , a young man re leases a magical ladder sent by hi s seafar i ng brother from a far-off land . Both he and hi s chum ascend into the un­ known and are soon fo l lowed by a l l the inhabi­ tants o f their vi l lage , Finchincombe . The ladder r a i s e s the de s erted town to national prominence , but col l apses be fore a curious nation can learn where i t leads , and Knowles never reve a l s where it does go . London : R . Holden , 1 9 2 7 [ not Rpt . New York : Arno Pre s s , 1 9 7 8 [ not

582 .

S i l v e r N u t m e gs .

583 .

Th e S t r e e t o f Q u e e r H o u s e s a n d O t h e r T a l e s . New York : Boul l ion , Biggs , 1 9 2 4 . Rpt . of the Lon­ don : We l l s Gardner , Darton , 1 9 2 5 , edi tion by Arno Pres s , New York , in 1 9 7 8 [ not s een ] .

s een ] . s een ] .

a. b. c. d. e. f. g. h. i .

j. k. 1.

m. n. o.

" The S treet o f Queer Houses " " The Weeping God " " A Matter o f Charac teri zation " " The House o f Yes terdays " " The Three Gods " " The Pendant " " The Author Who Entered H i s MS . " " The Ma sk " " The Man Who Was Troubled by H i s S hadow " " The Book o f the Thousand Answers " " The I de a l i s t " " The Broken S tatue " " The House That Took Revenge " " The E l i zabethan Gown " " Honeymoon Cottage " DEAN R [AY ] KOONTZ

584 .

T h e C r i m s o n Wi t ch .

New York : Curti s , 1 9 7 1

[ paper ] .

A rational i zed fantasy , in whi ch a young Amer i ­ can " hippie , " having r e j ected the f amily for­ tune , takes an overdo s e of a mind-expand ing drug , PBT , and i s proj e c ted into a sword and H e i s befriended by a talking s orcery realm . dragon and becomes the paramour of the Crimson Wi tch , a re lationship born in hate and continu­ Aided by the dragon and the witch , ed in love . Cheryn , the protagon i st , Jake Turnet , invades

135

DEAN R [AY ] KOONTZ continued the palace of the dark sorcerer , Le lar , and returns to h i s own wor l d wi th hi s comrades through a time- space porta l . However , the three find contemporary Amer i c an culture too much even for the dragon ' s s trength and the wi tch ' s magic . They return to the fantasy realm , dea l Lelar h i s final defeat , and e s ta­ b l i sh the benevolent r e i gn o f Jake . 585 .

T h e Ha u n t e d E a r t h .

New York : Lancer , 1 9 7 3

[ paper ] .

In thi s comi c detective s tory , the Mas eni , an a l i en race , have come to E arth and d i s solved the barr ier between the natural and the s uper ­ natura l . S tereotypes , mythi c and re l i gious f i gure s , n u m i n a , and supernatur al personages a l l come into being and share the Earth with mankind . In the d i s torted lega l and soci a l morays o f thi s polyglot culture , Je s s e B l ake , a private inve s tigator , and Brutus , h i s He l l ­ Hound partner , indulge i n var ious sexua l fan­ ta s i e s , so lve cr imes i nvo lving the interaction between norma l and supernatura l creature s , and are ultimately confronted with a menace that could on ly exi s t in thi s de l i ghtful , hybr id realm . FREDERICK ARNOLD KUMMER 586 .

G e n t l e m e n i n Ha d e s : Th e S t o r y o f a D a mn e d De b u t ­ ante . London : John Long , 1 9 3 2 . Rpt . wi th L a d i e s i n Ha d e s : A S t o r y o f H e l l ' s Sma r t S e t - ­ New two volumes in one- - a s S h a d e s o f H a d e s . York : Arno Pre s s , 1 9 7 8 [ repr inted from a 1 9 3 0

New York edi tion that , a long wi th thi s repr int , has not been seen ] .

A humorous fantasy concern i ng the activi t i e s o f the inhabi tants of He l l that i s much in the ve in of John Kendr i ck Bangs ' works ( s ee above } and the s eque l to L a d i e s i n Ha d e s ( s ee be low } . A young lady i s ki l led , goe s to He l l , and be­ comes the bedmate of many of h i s tory ' s mos t famous men . 587 .

L a d i es i n H a d e s : A S t o r y o f Hel l ' s Sma r t Se t . London : John Hami lton , 1 9 2 8 . Rpt . with G e n t l e ­ men i n H a d e s : T h e S t o r y o f a D a mn e d D e b u t a n t e - ­ two vo lumes i n one--as S h a d e s o f H a d e s . New York : Arno Pre s s , 1 9 7 8 [ repr inted from a 1 9 3 0

New York edi tion tha t , l ike ' the reprint , has

136

FREDERICK ARNOLD KUMMER continued not been s ee n ] . A number o f hi s tory ' s mos t famous women form a c lub and recount h i s tory from the ir points o f view . S atan , i n thi s humorous fantasy echoing the works o f John Kendrick Bangs , ultimate ly mus t d i s s o lve the d i sruptive gathering . KATHERINE KURT Z The Camber and Deryni Ser i e s 588 .

C a mb e r o f C u l d i : Vo l u m e I V i n t h e C h r o n i c l e s o f Deryni . New York : Ba l lanti ne Books , 1 9 7 6

[ paper ] .

589 .

S a i n t C a m b e r : Vo l u m e I I i n t h e L e g e n d s o f C a mb e r of C u l di . New York : Bal lantine Book s , 1 9 7 8 .

590 .

C a mb e r t h e H e r e t i c : Ca m b e r o f C u l d i .

591 .

D e r y n i R i s i n g : Vo l u m e I i n t h e C h r o n i c l e s o f Deryni . New York : Bal lantine Books , 1 9 7 0

592 .

D e r y n i C h e c kma t e : Vo l um e I I i n t h e C h r on i c l e s o f De r y n i . New York : B a l lantine Books , 1 9 7 2 [ paper ] .

593 .

H i gh D e r y n i : Vol u m e I I I i n t h e C h r o n i c l e s o f De r y n i . New York : Bal lantine Books , 1 9 7 3

Vo l u m e I I I i n

In progre s s .

the Le gends of

[ paper ] .

[ paper ] .

In the Deryni s er ies ( numbers 5 9 1- 5 9 3 above ) , a royal house de fended by a young king , Ke l s on , and h i s dead father ' s trusted advi sor , Morgan , a member o f the ha l f-human , persecuted , and sorcerous Deryni race , mus t battle riva l Deryni (who attempt to recover the rule over humans they once en j oyed ) through powers arcane , mus t resolve the r i ft between the human and Deryni races through soc i a l and p sycholog i c a l re form , mus t uni fy the church and s tate through po l i ­ tical manipulation , and must cooperate in ad­ j us ting Ke l son to his own , unknown Deryni powers . Whi l e the affairs of state do dominate a large por tion o f thi s epi c s eri e s , there are a l s o a number o f poignant ly human moments . The wedding ni ght of Kelson ' s ances tor , the only survivor of the royal Ha ldene line who has been l iving the c e l ibate l i fe of a monk , is accom­ p l i shed wi th great beauty in C u l d i o f C a mb e r . Also , the tragic love a f fair between Bronwyn

137

KATHERINE KURT Z continued and Kevi n in D e r y n i Ch e ckma t e high l i ghts Kurtz ' s abi l i ty to de l ineate human emotion and per sona l sorrow . I t should be noted that the Legends o f Camber of Culdi ( numbers 5 8 8 - 5 9 0 above ) occur two hun­ dred years be fore Ke l son ' s coronation and tha t C u l d i o f c a m b e r , despite i ts mi s leading s ub­ ti tle , wa s original ly o f fered as the background The Legends o f nove l to the Deryni s eries . Camber of Culdi , the Deryni patron s aint whos e spectral power and gui dance i s evident through­ out the Deryni vo lumes , i s the biography o f Camber ; the hi story o f the reins tatement o f the Haldene ( Ke l son ' s ) roya l hous e ; and the over­ throw o f the Deryni rule . Thi s is one o f the better series in a l l of modern fanta sy and s uc­ ce s s fu l ly r iva l s the achi evement o f Andre Norton ' s Wi tch World and Roger Z e la zny ' s Amber seri e s . It is complex wi thout being confusing , e f fective ly narrated , and ba sed on the theme o f the reso luti on o f pre j udice through r i te s o f pas sage . HENRY KUTTNER 594 .

Th e Da rk Worl d .

New York : Ace , 1 9 6 5

[ paper ] .

Many o f Kuttner ' s nove l s appear to be fanta sy unti l the fina l chapter when a s c i ence - f i ction resolution i s o f fered . For much o f i ts length , Th e Da rk Wo rl d i s a sword and sorcery fantasy focus ing on the con f l i c t between normal men and a lost race in which wolves , hor s e s , and eagles are as inte l l i gent as man and do co­ operate wi th virtuous humans . I n the fina l chapter , it i s revea led that the anima l s a re the product o f radiation emanating from a crashed al ien space ship . For those readers who l ike their fantas ies trans formed into s c i ence f i c tion , two s imi lar t i t les are l i s ted be low . 595 .

Th e Ma s k o f C i r c e .

596 .

Va l l e y o f t h e F l a m e .

New York : Ace , 1 9 7 1

[ paper ] .

New York : Ace , 1 9 6 4

138

[ paper ] .

R [APHAEL ] A [ LOYS I US ] LAFFERTY 597 .

New York : Avon , 1 9 7 1 Rpt . Bos ton : Gregg , 1 9 7 7 .

Th e D e vi l

i s Dea d .

[ paper ] .

A meander ing and d i f ficult narrative o f a sea j ourney on a ship c aptained by what appears to be the devi l . The prose and plot are invo lved and convo luted , and the ma j or theme of appear­ ance and rea l i ty cons tantly di storts the mean­ ing of the ac t ion , making it d i f f icult to under­ stand . The ultimate ques tion the nove l r a i s e s i s n o t whe ther the captain i s the devi l or , when the captain dies , i f the devi l i s rea l ly dead . Rather , i t i s the fol lowing paradox : i f the devi l should die , then , would not evi l be unrestrained and be far worse than i t nor­ ma l ly i s ? 598 .

Does A n y o n e El s e Ha ve Some thi n g t o A d d ? S tori es Abo u t S e c r e t Pl a c e s a n d Mea n Men . New York : Char l e s S c ribner ' s S ons , 1 9 7 4 .

a. b. c. d. e f. g. h. i. j. k. •

1.

m. n. o. p.

" About a Secret Crocodi le " " Mad Man " " Nor Limes tone I s lands " " The Man Underneath " " Boomer F l a ts " " Thi s Grand Carcas s Yet " " In the Garden " " Growing Hinges o f the Wor ld " " Go lden Traban t " " How They Gave I t Back " " Maybe Jones and the Ci ty " " S even S tory Dream " " Adam Had Three Brothers " " Pig in a Pokey " " The We irde s t Wor ld " " The U 1 tima te Creature "

JOHN [ BATTERSBY CROMPTON ] LAMBOURNE 599 .

Th e K i n gd o m Th a t Wa s .

London : John Murray , 1 9 3 1 .

An e f fective condemnation o f bruta l i ty among man and anima l s , which can a l so be cons idered a satirical beast fable . J im Burne t t , a noted hunter , finds hims e l f mys ter ious ly transported to a pre-Edenic rea lm after he has k i l led an e lephant . In thi s pre-his tory , he finds him­ s e l f wi thout h i s gun amid ta lking anima ls who cons ider humans to be at the bottom of the ladder of be ing . Coping wi th hi s inte l lectual

139

JOHN

[ BATTERSBY CROMPTON ] LAMBOURNE continued conce i t as a modern man , Burnett must come to terms wi th h i s own inadequac i e s , man ' s ' role in thi s world , and the vic ious regent o f the anima l ki ngdom , the Leopard . Aided by h i s new­ found wi fe , Brown Eye s , and Mapa the Owl , he is s aved by the return of Elephant , the God­ King , and wi tne s s es the fa l l from innocence in An appendix , thi s once utopian anima l kingdom . " The Persona l Narrative o f Pro fes sor F . B . E l l i s , D . S c . , F . R . S . E . , F . E . S . , " recounts Burnett ' s return to the modern world . GENE LANCOUR , pseud .

See GENE F I SHER

ANDREW LANG Al so see H [ ENRY ] RIDER HAGGARD AND ANDREW LANG 600 .

In

t h e Wr o n g Pa r a d i s e a n d O t h e r S t o r i e s .

Kegan Paul , Trench , 1 8 8 6 . a. b. c. d. e. f. g. h. i.

London :

" The End o f Phceac ia " " In the Wrong Paradi se " " A Cheap Nigger " " The Romance o f the F i r s t Radi cal " " A Duches s ' s S ecre t " " The House o f S trange S tor i es " " In Cas t le Peri lous " " The Great Glads tone Myth " "My Fri end the Beach-Comber "

Bri s to l : J . W . Arrowsmi th and London : S impkin , Marsha l l , 1 8 8 9 .

601 .

P r i n c e P r i gi o .

602 .

P r i n c e R i c a r d o o f P a n t o u fl i a : B e i n g t h e A d ve n t u r e s o f P r i n c e P r i gi o ' s S o n . Br i s tol : J . W . Arrow­

smi th and London : Mar s ha l l , Hami l ton , Kent , 189 3 .

Bibliography 6 03 .

Green , Roger Lance lyn . Andrew La n g . ley Head , 1 9 6 2 , pp . 7 8 - 8 4 .

604 .

Green , Roger Lance lyn .

London : Bod­

Andrew Lan g : A Cri t i ca l B i o gr a ph y wi t h a Sho r t T i t l e I n d e x o f t h e W o r k s o f An d r e w L a n g . Le ices ter : Edmund Ward , 1 9 4 6 .

140

[ANDREW LANG ] AND W [ALTER ] H [ ERRI ES POLLOCK ] 605.

He .

London : Longmans , Green , 1 8 8 7

[ paper ] .

One o f the many parod i e s o f H . Rider Haggard ' s S h e ( see above ) . JOHN F . LANGE , JR . ( Al so s ee NORMA N . JOHNS ) The Chron i c l e s o f Counter Ear th Series 606 .

607 .

608 ·

609.

610 .

Norman , John , ps eud . Tarn sman of Gor . Ba l l antine , 1 9 6 6 [ paper ] . •

19 6 7

New York : Bal lantine ,

O u t l a w o f Go r .

[ paper ] .

P r i e s t - K i n gs o f G o r . 196 8

[ paper ] .

New York : Ba l l ant ine ,

New York : Ba l lantine , 1 9 6 9

Noma d s o f G o r .

[ pape r ] .

. A s s a s s i n o f Gor 19 7 0 [ paper ]

New York :

New York : Ba l l antine ,





611 · 1971 612 ·

19 7 2

613 . 614 .

615 ·

6 16 .

617 .

.

R a i ders of Gor .

New York : Ba l l anti�e ,

C a p t i ve o f G o r .

New York : Bal l antine ,

H u n t er s of Gor .

New York : DAW , 1 9 7 4

[ paper ] .

[ paper ] .

Ma r a u d e rs o f G o r .

[paper ]

[ paper ] .

New York : DAW , 1 9 7 5



T r i b e sm e n o f G o r .

[paper ] .

S l a ve G i rl o f Gor .

[ paper ] .

B ea s t s o f Go r .

New York : DAW , 1 9 7 6 New York : DAW , 1 9 7 7

New York : DAW , 1 9 7 8

[ paper ] .

Lange ' s swa shbuck l ing series of sword and sor­ cery adventur e s are both highly popular and frequently vi l i fi ed . Renamed " Buckets o f Gore " by one reviewer , the series has been critici zed as sexi s t and violent . Showing ma j or inf luence from Burroughs ' Mar s s eries ( see above ) , the Gor s e r i e s i s a c e l ebrati on of bruta l i ty and

141

JOHN F . LANGE , JR . continued adventure in i ts mos t unequivocal mascul ine form . STERLING E . LANIER 618 .

Th e Wa r F o r

t h e L o t : A Ta l e o f Fa n t a s y a n d T e r r o r . Chicago and New York : Fo l lett , 1 9 6 9 .

A young boy i s se lected by an ancient wood spirit to lead the anima l kingdom agains t the Commun i cating invas ion of an army of c i ty rats . telepathic a l ly , the boy and the anima l s are able to protect the " Lot , " a trac t o f virgin wi lderne s s . We l l -p lotted and sui table for j uveni les . SANDERS ANNE LAUBENTHAL 619 .

Exc a l i b u r .

New York : Bal lantine , 1 9 7 3

[ paper ] .

A modern Arthur ian romance in which the Pen­ dragon comes to 2 0 th - century Mobi l e , Alabama , to recover Exc a l ibur from a pre-Columb i an ruin . Includes a l l the trappings o f the legend , in­ c luding a grai l ques t , and an exc e l lent c a s t of good and evi l fema le . character s , inc luding Morgan le Fey and Morgaus e o f Orkney . MARGERY LAWRENCE , ps eud .

See MRS . ARTHUR E DWARD TOWLE

TANI TH LEE 620 .

C ompa n i on s on

t h e R oa d .

London : Macmi l lan , 1 9 7 5 .

In a tale remini s cent o f Geof frey Chaucer ' s " Pardoner ' s Tale , " three men--Kachi l the thi ef , Fe luce the arrogant soldier , and Havor the worthy captain-- s te a l a sorcerous go ld goblet from a s acked c i ty . Pur sued by the spi r i ts o f an evi l count , h i s son , and h i s awesome ly po­ werful daughter , f i r s t Kachi l and then Fe luce are k i l led whi le they s leep by the power o f their own macabre dreams . Havor , spurned by al l , i s fina l ly s aved by the spirits o f a young soldier and hi s fami ly , for whom he has done a good turn . '

14 2

TANI TH LEE continued 621 .

D e a t h ' s Ma s t e r .

New York : DAW , 1 9 7 9

[ paper ] .

A companion vo lume to N i gh t ' s Ma s t e r { s ee below) which is s e t in the s ame environment and which However , doe s include appearances by Azhrarn . thi s vo lume revo lve s around the god Uhlum e , Death ' s Ma ster . I n pur s ui t o f happine s s and immorta l i ty , ma j or human characters embrace or chal lenge death . Narasen , Queen of Merh , s l ays a wi zard , i s s ubj ect to a horr ible and carna l curse , bear s a hermaphrodi tic shape ­ changer and demon child by a dead man , and ul ­ timately becomes Queen and ruler of the under­ wor ld . S immu/Shel l , the unknowing hermaphro­ d i te , become s an adept adventurer , vio lates the Garden of the Go lden Daughters , dr inks from the We l l of Immorta l i ty , e s tabl i s hes a c i ty o f im­ mortals only to d i s cover the dread of l i fewi thout-death , and is remade by Uh lume . Z hi rek/ Z hi rem , an outcas t nomad chi ld , becomes invulnerable a fter being dipped into a we ll o f immortal fire and become s S immu ' s companion and lover , but he grows hate ful of S immu and i s later , as a mas ter wi zard , the prime agent in des troying the c i ty o f immorta l s . Whi l e thes e characters fi l l much o f the act ion , many other minor ones - - i . e . , Ka s s a feh , S immu ' s wi fe , and Hhaba i d , pr inces s of the sea people--have s igni­ fi cant invo lvement in the action of thi s highly complex , darkly gothic , markedly eas tern , and exc e l lent work . 622 .

N i gh t ' s Ma s t e r .

New York : DAW Books , 1 9 7 8

[ paper ] .

A loo s e ly connected ser i es o f tales divided into three book s - - " Li fe Underground , " " Tr i ck s ters , " and " The Wor ld ' s Lure " - -al l interconnec ted by the o f ten s trange and inhuman interests of A z hrarn , P rince o f Demons and Night ' s Mas ter . Among the tales , the mos t s triking are the chron i c l e s of S ivesh , a mortal child rai sed in the C i ty of Demons , Druhim Vanashta , who longs to return to the mundane wor ld and loses the grace of Azhrarn ; the tale of Ka z ir , a mins tre l , whos e charac teri zat ion captures the myth of Orpheus in a new and original way ; the bi tter­ sweet h i s tory o f Z oraya s , who Azhrarn turns from h ideous to s upernatura l ly beauti ful and who leads b loody conques ts and per forms s e l f ­ s erving s eductions ; and the ma ster ta le o f the work , the death and reb irth of Azhrarn , him­ I n i ts cons truction o f a l ien setting , self .

143

TAN I TH LEE continued character , and tone , thi s work compare s very favorably with Sylvia Townsend Warner ' s , Ki n g ­ d o ms o f E l f i n and Jack Vance ' s ta l e s o f the Dying Ear th ( see below ) . 623 .

Th e S t orm L o r d .

New York : DAW , 1 9 7 6

[ paper ] .

An exc e l lent portrai t o f a c re ated wor ld that suffers from extreme rac i sm and s exi sm . Thes e faults are confronted and conquered by the protagoni st , Ra ldnor , ba stard son of a h i gh pri e s t e s s and the H i gh King o f a s uperior race . 624 .

Vo l k h a va a r .

New York : DAW , 1 9 7 7

[ paper ] .

An exc e l lent and highly descriptive nove l ref lecting Lee ' s continuing themes o f l i fe , death , and rebirth a s a fema le s lave and a mas ter o f dark i l lus ion contend for the favor of a god . S he , driven by love , f inds a greater truth than mere s upremacy . The i l lu s i on i s t returns t o the bi tternes s o f h i s squa l id or igins and the darkne s s o f hi s inner se l f . The Birthgrave Tr i logy New York : DAW , 1 9 7 5

625 .

Th e B i r t h gr a v e .

626 .

Va zk o r ,

627 .

Q u e s t fo r t h e Wh i t e Wi t c h .

Son o f Va z k o r .

[ paper ] .

[ paper ] .

New York : DAW , 1 9 7 8

[ paper ] .

New York : DAW , 1 9 7 8

A two generation , mother and son , fantasy . A young woman awake s in a vol cano suf fering from amnes i a in Th e B i r t h g r a v e . Forced i nto a wor ld she nei ther knows nor understand s , s he exper i ­ ences l i fe a s the mate o f Va zkor , a sorcerer and conqueror . She f inal ly d i scovers her true identi ty as an immortal and is ab le to use her magical powers . In va z ko r , Son o f va z k o r , her son , who she abandoned to be rai s ed a s the son o f a nomad chief , d i s covers his or i gin and goes in s earch o f hi s a lbino mother , who he b e l i eves The s earch i s has ruthle s s ly s la i n hi s father . completed i n Q u e s t fo r t h e Wh i t e Wi t ch , as the s on comes to his ful l power as an immorta l . The series ends wi th one o f the few examples o f j us t i f i able ince s t in all o f l i terature . VERNON LEE , pseud .

144

See VIOLET PAGET

URSULA K [ ROEBER] LE GUIN 628 .

Th e Wi n d ' s Twe l v e Q u a r t er s . Row , 1 9 7 5 .

New York : Harper

&

The c o l lection i s parti cular ly notewor thy s ince it contains the two seed s tor i e s for Le Guin ' s Earthsea Tr i logy ( * ) . a. b. c. d. e. f. g. h. i. j. k. 1.

m. n. o. p. q.

" Semley ' s Necklace " " Apr i l in P ari s " " The Mas ters " " Darknes s Box " " The Word of Unb inding " * " The Rule of Names " * " Winter ' s King " " The Good Trip " " N ine Lives " " Things " " A Trip to the Head " " Vas ter than Empires and More S low " " The Stars Be low " " The F i e ld o f Vi sion " " Direction o f the Road " " The Ones Who Wa lk Away from Orne las " " The Day Be fore the Revolution "

The Earthsea Tri logy Berke ley : Parnas sus , 1 9 6 8 . Rev . ed . London : Vi ctor Gol lanc z , 1 9 7 1 .

629 .

A Wi z a r d o f E a r t h s e a .

630 .

Th e Tomb s o f A t u a n .

New York : Atheneurn , 1 9 7 1 .

6 31 .

Th e Fa r t h e s t S h o r e .

New York : Atheneurn , 1 9 7 2 .

Le Guin ' s tales o f the w i z ard Ged are among the mos t high ly acc laimed of contemporary fanta s i e s . Her epi c and human chron i c l e · o f the training , maturat ion , and f inal days o f the archimage i s a we l l-paced narrative f i l led with we l l -re s earch­ ed magical lore and marked by s erious explora­ tions o f the ques tions o f identi ty , power , and ethi c s . In add i tion , her character i zation o f the sorcerous and wor ld-wi s e dragons i s one o f the best i n a l l f antasy . S u i table for j uven i le s . Bibl iography 6 32 .

Bi ttner , James W . " A Survey o f Le Guin Critic i sm . " In Urs u l a K . L e G u i n : Vo y a g e r t o I n n e r L a n d s a n d t o O u t e r Sp a c e . Ed . Joe DeBol t . Port Washington , NY , and London : Kennikat Pres s , 19 7 8 .

145

URSULA K [ ROEBER] LE GUIN continued 633 .

" Ursula K . Le Guin : A Se lect Bibl io­ Levin , Je ff . graphy . " s c i en c e - F i c t i o n S t u d � e s , 2 ( 1 9 7 5 } , 204-20 8 .

FRI T Z 634 .

[ REUTER] LE I BER ,

[JR . ]

" Con j ure Wi fe . " In Wi t ch e s Th r e e . New York : Twayne , 1 9 5 2 , pp . 1 9 - 1 6 8 . First separate book pub l ication : New York : Twayne , 1 9 5 3 . Rpt . Bos ton : Gregg , 1 9 7 7 . A highly suspenseful nove l about a young co l l ege profe ssor and his wi tch wi fe . The tale begins wi th hi s d i scovery and de s truction o f her pro­ tective charms and moves from there to an ex­ c e l lent c l imax as the young couple become the Or i gina l ly . focus o f a darkly sorcerous s torm . pub l i shed i n the Apri l , 1 9 4 3 , i s s ue o f Un k n o wn , and the source o f a feature length fi lm , en­ ti tled B u rn Wi t c h B u rn in the Uni ted S tates and N i gh t o f t h e E a gl e in Britain .

635 .

New York : Ace , Bound do s - a-dos wi th Leiber ' s

T h e M i n d Spi d e r a n d O t h e r S t o r i e s .

1961

[ paper ] .

Th e B i g T i m e .

a. b. c. d. e. f. 6 36 .

" The Haunted Future " ( origina l t i t le : " Tranqui l i ty , or E l se ! " } " Damnation Morning " '" The O lde s t Soldier " " Try and Change the P a s t " " The Number of the Bea s t " " The Mind Spider "

New York : Ace , 1 9 6 9 [ paper ] . Bound dos -a-dos wi th Leiber ' s T h e G r e e n

N i gh t Mo n s t e r s . Mi l l e n n i u m .

a. b. c. d. 6 37 .

" The B lack Gondo l ier " "Midnight in the Mirror Wor ld " " I ' m Looking for Je f f " " The Casket-Demon "

T h e N i gh t o f t h e Wo l f .

1966

[ paper ] .

a. b. c. d.

" The Lone Wo l f " " The Wol f Pair " " Crazy Wol f " " The Wo l f Pack "

146

New York : Bal lantine ,

FRIT Z 638 .

[ REUTER] LE I BER ,

[ JR . ]

continued

Ni gh t ' s B l a ck A g en t s . Hous e , 1 9 4 7 .

S auk C i ty , WI : Arkham

Thi s col lection i s Le iber ' s first book , and , whi le i ts f antasy content i s restricted to three of i t s ten short s tori es - - ( a ) " The Man Who Never Grew Young " and two Fafhr:d and the Gray Mouser ta l e s , ( b ) The S unken Land " and (c) "Adept ' s Gamb i t " -- i t is important for the· o f ten c lumsy , but very enli ghtening , s tatements For exam­ o f Le iber ' s phi losophy and op inions . p le , hi s contempt for the insulating and re s ­ trict ive nature- �£ exc e s s ive civi li zation i s made very c l ear . The other stori e s in the co l l ec tion are qui te correc tly labe l led horror in the table of contents : d. e. f. g. h. i. j.

" Smoke Ghos t " " The Automatic P i s to l " " The Inheri tance " " The Hi ll and the Hole " " The Dr eams o f Albert More land " " The Hound " " Diary in the Snow "

The 1 9 7 8 paperback repr int ( New York : Berkley ) adds two horror s tor i e s that did not appear i n the f i r s t edition : k. 1.

" The Girl wi th the Hungry Eye s " "A B i t o f the Dark Wor ld "

Both editions contain an intere s ting foreword in wh ich Leiber explains the b irth of the Fa fred and the Gray Mouser ser i e s ( see below) . 639 .

Sha dows Wi t h E y e s .

[ paper ] .

a. b. c. d. e. f.

New York : Ba l l antine , 1 9 6 2

"A B i t o f the Dark Wor ld " " The Dead Man " " The Power o f the Puppe t s " " Schi zo J immie " " The Man who Made Fr iends with E le c tr i c i ty " " A Deskful o f Gir l s "

The Fa fred and the Gray Mouser Series 640.

Two S o u gh t A d v e n t u r e : E x p l o i t s o f Fa fh r d a n d t h e G r a y Mo u s e r . New York : Gnome , 1 9 5 7 . Expanded

14 7

FRIT Z

[ REUTER] LE I BER ,

[JR. ]

continued

edi tion : see Swo r d s A g a i n s t D e a t h ( be low ) . a. b. c. d. e. f. g. 641.

Rpt . Boston : Gregg , 1 9 7 7 .

" Induction " " The Snow Women " " The Unho ly Gra i l " " I l l Met in Lankhmar "

New York : Ace , 1 9 7 0 [ paper ] . Rpt . Boston : Gregg , 1 9 7 7 . An expans ion of T wo So u gh t A d v en t u r e { see above ) . " The Circ le Cur s e " " The Jewe l s i n the Fore s t " " The Thi eve s ' House " " The Bleak Shore " " The Howling Tower " " The Sunken Land " " The Seven B l ack Pries t s " " C laws from the N i ght " " Ba z aar o f the B i zarre"

New York : Ace , 1 9 6 8 Rpt . Boston : Gregg , 1 9 7 7 .

S wo r d s i n t h e M i s t .

a. b. c. d. e. f. 644 .

[ paper ] .

S wo r d s A ga i n s t D e a t h .

a. b. c. d. e. f. g. h. i. 643 .

New York : Ace , 1 9 7 0

S wo r d s a n d D e v i l t r y .

a. b. c. d. 6 42 .

" The Jewe l s in the Fore s t " ( original ti tle : " Two Sought Adventure " ) " Thieve s ' House " " The B leak Shore " " The Howling Tower " " The Sunken Land " " The Seven B l ack P r i e s t s " " C l aws from the N i ght " { or i g inal t i t le : " Dark Vengeanc e " )

[ paper ] .

" The C loud o f H ate " " Lean Time s in Lankhmar " " Their Mi s tre s s , the Sea " " When the Sea-King ' s Away " " The Wrong Branch " "Adept ' s Gamb i t " New York : Ace , 1 9 6 8 Rpt . Bos ton : Gregg , 1 9 7 7 .

Swo r d s A g a i n s t Wi z a r d r y .

[ paper ] .

a. b. c. d.

" In the Wi tch ' s Tent " " S tardock " " The - Two Bes t Thi eves i n Lankhmar " " The Lords o f Quarma l l " { wi th Harry Otto Fi scher )

148

FRIT Z 64 5 .

[ REUTER] LE IBER ,

[ JR . ] continued

Th e S w o r d s of L a n k h m a r .

New York : Ace , 1 9 6 8

Rpt . Bos ton : Gregg , 1 9 7 7 .

[ paper ] .

The nove l - l ength expans i on o f " Scy l l a ' s Daughter , " Fa n t a s t i c S t o r i e s , May 1 9 6 1 . 646 .

New York : Ace , 1 9 7 7 Rpt . Bos ton : Gregg , 1 9 7 7 .

S w o r d s a n d I c e Ma gi c .

a. b. c. d. e. f. g. h. 647 .

[ paper ] .

" The Sadne s s o f the Execut ioner " " Beauty and the Beasts " " Trapped in the Shadowl and " " The B a i t " " Under the Thumb s o f the Gods " " Trapped in the Sea o f Stars " " The Frost Monstreame " " Rime I s le "

R i me I s l e .

Chape l H i l l , NC : Wh i spers Pre s s , 1 9 7 7 .

Nove l- length vers i on o f " The Fros t Mon streame " and " Rime I s l e " wi th i l lustrat ions by T im Kirk . These c o l lec t ions and two nove l s are among the mos t popular examp l e s of sword and sorcery fan­ ta sy . The series i s pure fun a s the northern barbar i an Fa fhrd and the diminutive thi e f the Gray Mouser f i ght , connive , and love the i r way s through que s t s , adventure s , and di lemma s . Leiber o f fers the best description o f the s e r i e s i n "Adept ' s Gamb i t " ( see N i gh t ' s B l a ck A g en t s above ) : " Mater i a l relating to them has , on the whole , been s cattered by annal i s t s , s ince they were heroes too d i s reputable for c l a s s i c myth , too crypt i ca l ly independent ever to let them­ se lves be t i ed to a folk , too shi fty and im­ probab l e in their adventur e s to please the h i s ­ torian , too o ften involved with a r i f f-raff o f dubious demons , unfrocked s orcerers , and d i s ­ credi ted d e i t i e s - -a ver i tab le underworld o f the supernatura l . " B ib l i ography 648 .

Al len , Paul C . " Of Swords and Sorcery : Fafhrd & the Gray Mouser . " F a n t a s y C ro s s r o a d s , No . 8 (May 1 9 7 6 ) , 4 0 - 4 1 .

649 .

Al len , Paul c . , and Mike Barre t t . " Bib l iography " Th e S i l v e r [ Fa fhrd & Gray Mouser s tor i e s ] . Ee l . Evensvi l le , TN : Robert P . Barger , 1 9 7 8 [ paper ] .

149

FRI T Z 6 50.

[ REUTER] LE IBER , Lewis , Al .

[ JR . ]

continued

" Fr i t z Leiber : A B ib l iograp � y . "

Ma ga z i n e o f F a n t a s y a n d S c i e n c e Fi c t i on ,

1 9 6 9 ' pp . 6 3 - 6 8 .

MURRAY LEINSTER , pseud . C [ LIVE ] 651 .

a. b. c. d. e. f. 652 .

See WILLIAM F I T ZGERALD JENKINS S [ TAPLES ] LEWIS

Th e D a r k To we r a n d O t h e r S t o r i e s .

Hooper .

July

London : Co l l ins , 1 9 7 7 .

Ed . Wa l ter

" The Dark Tower " " The Man Born B l i nd " " The Shoddy Lands " "Min i s tering Ange l s " " Forms o f Things Unknown " "After Ten Years " London : Geo f frey [ not seen ] . Rpt . [New York ] : 1 9 6 9 [ paper ] .

T h e G r e a t Di v o r c e : A D r e a m .

Bles , 1 9 4 5 Macmi l lan ,

At interva l s , the inhabi tants o f He l l are a l lowed a bus trip to the outskirts of Heaven and are there approached by mini s ter ing fr iends , Each now inhabitants o f the divine rea lm . fa l len soul is given the opportun i ty to under­ s tand and recant the s in he or she committed on earth . For the fal len , the l ands cape o f Heaven ' s suburb seems to b e a s hard a s g l a s s , but a s the fortunate few rea l i z e their error s , the fauna and f lora become correc t ly soft . Lewi s con s tant ly uses h i s exc e l lent irony and h i s knowledge of theo logy as many of the s e l f­ ri ghteous s inners refuse to s ee beyond them­ se lves and choose to return to He l l . 653 .

Th e S cr e w t a p e L e t t e r s .

1942 .

London : Geo ffrey B l e s ,

Lewi s ' de l i ght ful creat ion of the correspondence between a greater devi l in H e l l wi th a les s er The l e s ser devi l i s in the pro­ devi l on earth . ces s of ineptly s educ ing a young man into a l i fe He seeks the continual advi ce o f h i s o f s in . superior a s his selected victim re lentles s ly s ink s into the throe s o f virtue . The s enior devi l ' s i�advertent shape shi ft into the form of a centipede , as the re sult o f h i s frus tra­ tion wi th his demonic pup i l , is one of the out-

150

C [ LIVE ]

S [ TAPLES ] LEWIS continued s tanding comic scenes in a l l of fanta sy . The Spac e Tr i logy

6 54 .

O u t o f t h e S i l en t P l a n e t .

London : Lane , 1 9 3 8 .

655 .

P e r e l a n d r a [ occa s ional ly t i t led Vo y a ge t o Ve n u s : P e r e l a n d r a in later edi tions ] . London : Lane ,

194 3 .

6 56 .

Th a t H i d e o u s S t r e n g t h : A Mo d e r n Fa i r y - Ta l e f o r G r o wn - Up s . London : Lane , 1 9 4 5 . Abridged ed i ­ tion a s Th e To r-t u r e d P l a n e t . New York : Avon ,

[ 1958 ]

[ paper ] .

S ometimes c a l l ed the Ransom Tr i logy a f ter i ts protagon i s t , thi s i s an examination o f the nature of creation , l i fe , and eth ic s . In the f i r s t two volume s , Ransom trave l s to Mars and Venus to wi tne s s the advent of l i fe and inte l l ­ igenc e . In the third volume , Ransom r e turns to Earth , and , as the Arthur ian pendragon , he succe s s fu l ly confronts a ma j or threat to Man , God , and exi s tenc e . The ser i e s i s d i s tingu i s h­ ed by i ts extens ive mythologi cal and theo logi ­ c a l content a s Lewi s g ives h i s s ub s tantial I ts ma j or theme i s tha t inte l lect ful l rein . Man mus t b e in accord wi th divine creation and e l ementa l l aw i f he i s to be suc c e s s ful and happy , and throughout the series , i t i s made qui te c lear that s c i ence and techno logy lead Man away from h i s individual and cosmic d e s tiny . The Chron i c l e s o f Narni a London : Rpt . New York : Mac�

657 .

Th e L i o n ,

65 8 .

Th e Vo y a g e o f t h e

659 .

Th e S i l v e r Ch a i r .

660 .

Th e Ma g i c i a n ' s N e ph e w .

661 .

Th e H o r s e a n d H i s B o y .

66 2 .

Th e L a s t B a t t l e : A S t o r y f o r C h i l d r e n .

t h e Wi t c h ,

Geoffrey Bles mi l lan , 1 9 5 0 . Bles , 1 9 5 2 .

a n d t h e Wa r d r o b e .

[ no t seen ] .

" D a wn Tr e a d e r . "

London : Geo f frey

London : Geo f frey Bles , 1 9 5 3 .

New York : Macmi l lan ; London : The Bodley Head , 1 9 5 5 . London : Geo f frey B l e s , 1 9 5 4 .

The Bodley Head , 1 9 5 6 .

151

London :

C [ LIVE ]

S [ TAPLES ] LEWI S continued The Chron i c l e s of Narni a are among the c la s s i c s of chi ldren ' s and j uveni le l i terature , ' and have charmed many an adul t . They focus on a group o f chi ldren who f ind an enchanted realm of talking anima l s through the back of a wardrobe . They a l ly themse lve s with the good king o f Narnia , As lan , and the power s o f vir tuous magic in a ti tanic psychomachia that has s trong al legor i ca l , Chr i s t i an e l ements . Bibliography

663 .

Hooper , Walter . " A B i b l iography o f the Wr i tings I n L i gh t o n c . s . L e wi s . Ed . o f C . S . Lewi s . " Joce lyn Gibb . London : Geo f frey B le s , 1 9 6 5 , pp . 1 2 1- 1 4 8 . DAVID LINDSAY

664 .

London : G . P . Putnam ' s S ons , 1 9 3 2 . Rpt . New York : Arno Pres s , 1 9 7 8 [ not seen ] .

D e vi l ' s T o r .

Whi l e Lindsay ' s A Vo y a g e t o A r c t u r u s ( s ee below ) has rece ived mos t o f the c r i t i c a l attenti on , there are those who cons ider D e v i l ' s T o r h i s ma sterwork . In Scotland , Hugh Drapier and Ingr id Fletcher d i scover a tomb beneath a l arge s tone demon ' s head on Devi l ' s Tor . They di s ­ cover s eparate ha lve s o f a s tone wi th occult and ex tra-dimens ional powers . However , Drapi er i s k i l l ed and one Henry S a l tf l e e t mus t complete the s tone ' s union wi th b i ttersweet results . Much o f the ac tion i s pre s ided over by vi s ions o f a giant goddes s and anc i ent f i gures . Ed . J . B . P ick . Chicago : Chic ago Review Pres s , 1 9 7 6 [ paper ] . &

665 .

Th e Vi o l e t Appl e

t h e Wi t c h .

666 .

A Vo y a ge t o A r c t u r u s .

London : Me thuen , 1 9 2 0 . Rpt . Bos ton : Gregg , 1 9 7 7 .

A vivid and d i f f icult nove l that a t times seems to de fy unders tanding . However , i t never denie s wonder , and i t s par a l l e l be tween biological a l terations and perceptions is one of the mos t unusua l i n a l l fantasy . The exc e l lent descr ip­ tion o f the p l anet Tormance , a place where phy­ s ical change i s a way o f l i fe , and the protagon­ i s t Masku i l , an Earth l i ng who has been persuaded to trave l to thi s metamorphic environment , are we l l integrated as a l i en vi s i tor and a l i en

152

DAVID LINDSAY continued place try to come to terms in the arena of truth and perception , godhood and human i ty . A c l as s ic o f macabre imagination wi th a unique ending as Ma sku l l dies and i s reborn . ERI C LINKLATER 667 .

C r i s i s i n H e a ven : A n E l y s i a n Come d y .

668 .

A Spe l l

Macmi l lan , 1 9 4 4 .

London :

London : Jonathon Cape , 1 9 4 9 . Rpt . New York : Arno Pres s , 1 9 7 8 [ reprinted from a 1 9 5 0 New York edi tion that , like the repr int , ha s not been s een ] . f o r Ol d B o n e s .

A young was tre l i n anc ient S cotland , Albyn , decides that i n s tead of working he would l ike to be a poe t . Whi le hi s powers o f verse are never much to speak o f , he doe s manage to seduce the king ' s daughter and thus cure her of her speech l e s sne s s . However , Albyn ' s seemingly idy l l i c world is darkened by the presence o f the true ruler of the kingdom , the irrecusab le g iant Furb i s ter . After Albyn finds a wi fe for Furbi s ter , a ne ighboring giant , Od McGarnrnon , become s j ea lous and war results . After a pyrrhic vic tory for both s i de s , Albyn returns to his wi fe and hi s daydreams . B i b l iography 669 .

Temple , Ruth

z . ,

and Martin Tucker .

C en t u r y Bri t i sh Li t era t ur e : a n d B i b l i o gr a p h y . New York :

1 9 6 8 , pp . 1 9 5 - 1 9 6 .

Twen t i e t h ­ A R e fe r e n c e G u i d e

Frederick Ungar ,

JOHN URI LLOYD 670 .

E t i d o r h p a o r t h e En d o f E a r t h : Th e S t r a n g e H i s t o r y o f a Mys t e r i o u s B e i n g a n d t h e A cc o u n t o f Hi s Cinc innati : By the Author , R e ma r k a b l e J o u r n e y .

1 8 9 5 [ not s een ] . Mead , 1 9 0 1 .

1 1th ed . New York : Dodd ,

Llewe llyn Drury narrates the j ourney of the protagoni s t , known on ly as I -Am-The-Man . Vio­ lating the rules of an occult order , I -Arn-The­ Man i s ex i led and goes on a ho l low-earth j our­ ney beginning at Paducah , Kentucky . Guided by a name l e s s vurb l ind humanoid , he pa s s e s through

153

JOHN URI LLOYD continued vas t fungi fore s t s and over an enormops under­ ground lake . The two trave l lers discuss a var­ iety o f e thi c , mora l , ab stract , and metaphys ical i s sues , all o f which are uni fi ed at the c enter o f the Earth . The s e i s sues were to be more fully c lari fi ed in a seque l tha t wa s never wri t ten . (Aphrodi te spel led backwards ) wa s probably an inf luence on Lovecraft ' s A t t h e E t i d orhpa

Mo u n t a i n s o f Ma d n e s s .

Bibliography 671 .

Burke , W . J . , Wi l l D . Howe , Irving We i s s , and Anne Wei s s . Ameri c a n A u t h o rs a n d Books 1 640 to t h e Pr e s e n t . 3 r d rev . ed . New York : Crown , 1972 , p. 385 . JACK [ CHANEY ] LONDON

672 .

B e fo r e A da m . 1907 .

New York and London : Macmi l lan ,

A novel of reincarnation in whi ch a man remem­ bers his former l i fe a s a paleo l i th i c man . London admi tted tha t hi s ta le of rac i a l memory was s trongly derived from S tan ley Water loo ' s S tory o f Ab

673 .

( 1897 ) .

C u r i o u s Fr a gm e n t s : Ja c k L o n d o n ' s Fi c t i on . Ed . Dale L . Wa lker .

Ta l e s o f Fa n t a s y

Port Washing ton ,

NY , and London : Kennkat Pres s , 1 9 7 5 . . a. b. c. d. e. f. g. h. i. j. k. 1.

m. n. o. 674 .

"Who Bel ieve s i n Ghosts ! " " A Thous and Deaths " " The Re j uvenation o f Ma j or Rathbone " " Even Unto Dea th " " A Re l i c o f the P l iocene " " The Shadow and the Flash " " The Enemy o f A l l the Wor l d " " A Curi ous Fragment " " Go l iah " " The Unpar a l l e led Inva s ion " "When the Wor ld Wa s Young " " The Strength of the S trong " " War " " The Scarlet P lague " " The Red One "

The S t a r Ro ver .

New York : Macmi l l an , 1 9 1 5 .

154

Rpt .

JACK [ CHANEY ] LONDON continued as Th e J a ck e t & Boon , 1 9 1 5 .

( Th e S t a r R o v e r ) .

London : Mi l l s

A nove l o f s oc i a l re form , thi s concerns a pr i son inmate who e s cape s inhuman tre atment by freeing h i s soul from h i s body . In interconnec ted epi­ sodes , he roams the s tars , re l iving previous l ive s . Bibl iography 675 .

Wa lker , Dale L . , and James E . S i s son I I I .

676 .

Woodbridge , Hen s l ey C . , John London , and George H . Tweney . J a c k L o n d o n : A B i b l i o gr a p h y . Georgetown , CA : Ta l i sman Pre s s , 1 9 6 6 ; Enl . ed . Mi lwood , NY : Kraus Repr int , 1 9 7 3 .

Th e Fi c t i o n o f Ja e � L o n d o n : A C h r o n o l o gi c a l B i b l i o ­ gr a ph y . El Paso , TX : Texas We s tern Pre s s , 1 9 7 2 .

GABRIELLE MARGARET VERE 677 .

[ CAMPBELL ] LONG

Bowen , Mar j orie , ps eud . Th e La s t B o u q u e t : S o m e Twi l i gh t Ta l e s . London : John Lane , The Bodley Head , 1 9 3 3 . a. b. c. d. e. f. g. h. i. j. k. 1.

m. n.

" The Last Bouque t " " Madam Spitf ire " " The Fair Hair o f Ambro s i ne " " The H idden Ape " " The Avenging of Ann Leek " " The Crown Derby P late " " The Perscription " " E l s ie ' s Lone ly Afternoon " " The Lady C lodagh " " A P la s ter S a i n t " " F lorence F lannery " " Keck s i es " " The S i gn-Painter and the Crysta l Fishes " " Raw Mater i a l "

B i b l iography 678 .

Wagenknecht , Edward . " Bowen , Preedy , Shear ing & Co . : A Note in Memory and a Check l i s t . " Bos ton Un i v e r s i t y S t u d i e s i n En gl i s h , 3 , No . 3 ( 1 9 5 7 ) , 1 8 1-1 8 9 .

ROBERT LORY 679 .

M a s t e r o f t h e E t ra x .

New York : De l l , 1 9 7 0

155

ROBERT LORY continued [ paper ) . In thi s whims i c a l sword and s orcery tale , Hamper , the However o f B a l ik , searche s for Re lying more magical tal i sman , the Etrax . h i s nimb l e wits than h i s d iminutive frame , braves sorcery and mons ters to s tumble h i s to succes s . JANE 6 80 .

Th e M u mmy ! 3 vo l s .

a on he way

[WEBB ) LOUDON

A Ta l e o f t h e

London :

Tw e n t y - S e co n d C e n t u r y . Henry Colburn , 1 8 2 7 .

In a future , matri archa l soc i e ty o f s uper sc ience , Edr ic reanimates the mummy of Cheops . The mummy e scape s and involves i t se l f in the court intrigue of London . U ltimate ly , the mummy reveals that i t had been brought to l i f e by supernatur a l force s , no t Edric ' s e f forts . To a tone for i t s evi l career as pharoah , the mummy mus t do good deeds and punish evi l doers . H [ OWARD ) P [ H ILLI PS ) LOVECRAFT 681 .

T h e D r e a m - Q u e s t o f Un k n o wn Ka d a t h . Shroud , 1 9 5 5 [ paper ) .

Buf fa lo , NY :

Or igina l ly wri tten in 1 9 2 6 and not pub l i shed separately unt i l thi s edi tion , thi s is one o f Lovecraft ' s rare excurs ions outs i de o f the rea lm of the horror genre , a l though i t does contain e l ements of horror and certainly use s portions o f the Cthulhu mythos . I t i s wri tten very much in the s ty l e of Lord Dunsany ( s ee P lunkett be low ) and uti l i z e s Lovecraft ' s fre­ It con­ quent protagoni s t , Rando lph Carter . cerns C arter ' s " dream-que s t " through a fantas ­ tic me tropo l i s where h e meets a number of horrible and pleas ing creatures . Ul timately , the trave ler confronts one o f the mos t despic­ able of the Cthulhu d e i t i e s , Nyar lathotep , eventua l ly f a l l s back into h i s waking wor ld , and d i scovers that he has been trave l i ng through h i s native Bos ton . Bibliogr aphy 682 .

Owings , Mark , wi th Jack L . Cha lker . Th e R e vi s e d H . P . L o v e c r a f t B i b l i o gr a ph y· . Baltimore :

156

H [ OWARD ] P [H I LLIPS ] LOVECRAFT continued Mirage Pres s , 1 9 7 3 . MARK M . LOWENTHAL 683 .

Cr i s p a n Ma gi ck e r .

New York : Avon , 1 9 7 9

[ paper ] .

In this d i s appointingly non-de scr iptive sword and sorcery nove l , Cri span , the younges t and greates t of an Order of Wi z ards , mus t go out into a medieval realm to con front a fal len Cri span has spent mos t member o f the order . o f h i s l i fe s tudying and , whi le h e i s recogni zed as perhap s the greatest wi zard to ever l ive , h i s doubts a r e foremos t i n h i s mind a s h e j ourneys out into an a l ien wor ld to confront Vladur , a S truggl ing wi th h i s fear s foul necromancer . and con fused by his fasc ination for the sword and war fare , Cri span fina l ly does defeat Vladur in a poorly des cribed arcane due l and re turns to the Order Vladur has de s troyed to find that even i ts energeti c a l ly pres erved neutr a l i ty could not protect i t . He wanders o f f from the wor l d of men in h i s continuing a ttempt to f ind hims e l f as the nove l ends . SAM J . LUNDWALL 684 .

New York : Ace Books , 1 9 7 1 [ paper ] . Bound dos - a-dos with Lundwa l l ' s N o Ti m e f o r

A l i c e ' s Wo r l d . Heroes .

A space ship lands on Earth , long abandoned in man ' s leap to the s tars , and i ts crew di scovers a wor ld of fairy-tale and mytho logi c a l creation s , inc l uding Medea , O i s tros , Venus , the Phoenix , the Sphinx , the Va lkyries , Pegasus , Yggdra s i l , the Mad Tea Party , Captain Nemo , Herac les , and Lundwa l l ' s interes ting compo s i te , " Anyc i ty . " Al l seems to be contro l led and generated by the enigmatic Alice , and a l l the mani fes tations deny the crew ' s de s i re to re turn to rationa l phenomenon . RICHARD A [ LLEN ] LUPOFF 685 .

L i s a La n e .

New York : Bobbs -Merri ll , 1 9 7 6 .

A young g i r l come s to puberty and finds that she i s one of a number of " c lose t " werewo lve s .

157

RI CHARD A [ LLEN ] LUPOFF continued She seeks her own iden.t i ty as her minor i ty group " comes out . " 686 .

S w o r d o f t h e Demon .

New York : Harper

&

Row , 1 9 7 7 .

A metaphy s i c a l odyssey ba sed in part on Japan­ e s e mytho logy in whi ch the adventure s of Ai zen and Kishimo , as they seek the land of Tsuna , are combined wi th the activi ties o f two god­ l ike fi gures , nei ther man nor woman , as they seek an obscure goa l . A highly d i f f icult nove l that in i ts myriad impre s s ions and vivid s en­ s ua l i ty can be more e as i ly fe lt than unders tood . ERIC VAN LUSTBADER S unset Warrior Tri logy 687 .

Th e S u n s e t Wa r r i o r . 1977 .

688 .

S h a l l o ws o f N i gh t . 1978 .

689 .

Da i - S a n .

Garden C i ty , NY : Doubleday , Garden C i ty , NY : Doubleday ,

Garden C i ty , NY : Doubl eday , 1 9 7 8 .

In a subterranean and mechani zed wor ld o f the far-di s tant future , the seeming r emains o f hwnqn i ty s eek surviva l and power under one of the po lar caps . Ronin , bl ademas ·i:er and combat adept , avo ids the a l legiances of the under­ ground power structure , despi te the fact that he is the most highly tra ined s tudent of the combat-master , the enigmatic and antagon i s ti c S a l amander . Ronin , however , e scape s and d i s ­ covers a world of men and magic s ti l l exists on the sur face , but that the entire wor ld i s threatened by the coming of the incarnation o f evi l , the Do lman , and i s immedi ate ly being de­ va stated by the pres ence o f the Do lman ' s four mons trous heralds , the Makkon . I t i s Ronin ' s re spons ibi l i ty to transport a magical scro l l to the fabled i s le of Ama-no-mor i . I n the fina l vo lwne , more obs c ure and mythi c than the f i r s t two , Ronin i s trans formed into a god : the fina l god of man , D a i - S an , the Sunset Warrior . In thi s incarnation , he a s s imi lates h i s ear l ier companions and their qua l i ti e s and becomes the swn tota l of forces needed to de feat the Dolman . Lus tbader ' s tri logy i s d i s tingui shed from run­ o f- the-mi ll sword and sorcery through i t s pos i -

158

ERIC VAN LUSTBADER continued tive echoes of Jack Vance ' s Dying Earth , by its exce l lent characteri z ation , and i t s use of Ronin ' s oriental phi losophy and mythology . inadvertent s laying o f h i s s i s ter , at the end of vo lume one , is an example of Lustbader ' s abi l i ty to bring both the pos i tive and negative qua l i ti e s o f h i s characters to ful l l i fe . JANE DENVIL LYNCH The At lantis Series 690 .

Ga ske l l , Jane , pseud . T h e S e rp e n t . and S toughton , 1 9 6 3 .

6 91 .

A tl a n .

6 92 .

London : Ho lder and S toughton , 1 9 6 5 .

The Ci t y . 1966 .

London : Ho lder

London : Holder and S toughton ,

An invo lved series wi th s igni f i cant pol i ti c a l content and intrigue . A l l the vo lumes are c l i ff-hangers , as the Atlantean princes s , C i j a , spends her f i r s t seventeen year s in c lo i s tered i s o la tion and then s trikes out into the wor l d . She becomes i nvo lved in whi te and b l ack magi c , marri age to a semi-human overlord , many war s and battle s , court po l i tic s , and numerous re­ lati onships . After many years as a wanderer , she d i s covers her semi -human over lord , fa l l s in love wi th him , and shares hi s conques t o f Atl an­ tis . Rewarding for the reader who wi l l pers e ­ vere in spi te o f the o ften overly den s e prose and excess ive melodrama . RICHARD K . LYON See ANDREW J . OFFUTT AND RICHARD K . LYON EDWARD BULWER LYTTON See EDWARD GEORGE EARLE BULWER-LYTTON COLUM MacCONNELL 693·

Ta rk a n d t h e G o l d e n Ti d e . Books , 1 9 7 7 [ paper ] .

New York : Le i sure

Although adverti sed " in the trad ition o f Conan , " thi s run-of- the-mi l l sword and sorcery adven-

159

COLUM MacCONNELL cont inued ture i s in imi tation of Leiber ' s Fa fhrd and the Gray Mouser s eries ( see above ) as a gi ant bar­ bar ian wi th hi s broad sword and a diminutive swordsman wi th his rapier f i ght the i r ways through b lood and beauty . GEORGE MacDONALD 694 .

A t t h e B a ck o f t h e N o r t h W i n d .

1871

[ i s sued in 1 8 7 0 ] .

London : S trahan ,

Juveni le . 6 95 .

[ Ed . Lin Carter ] . New York and London : Bal lantine , 1 9 7 2 [ paper ] .

E ven o r .

a. b. c.

" The Wi s e Woman " " The Carasoyn " " The Go lden Key "

2 vo ls . London : Sampson Low Mar ston , S ear le , and Rivington , 1 8 8 2 [ not s een ] .

696 .

G i f t s o f t h e C h i l d C h r i s t a n d O t h e r Ta l e s .

697 .

G i ft s o f the Chi l d Chri s t : fo r t h e Ch i l d l i k e . Ed .

Fa i r y ta l es a n d S to r i es

Glenn Edward Sadler . 2 vo l s . Grand Rapids , MI : Wi l l iam B . Eerdman s , 1 9 7 3 [ paper ] .

Wi th the exceptions o f A t t h e B a ck o f t h e No r t h Wi n d , Th e P r i n c e s s a n d t h e G o b l i n , Th e P r i n c e s s a n d C u r d i e , P h a n t a s t e s , and L i l i t h , thes e omni ­

bus vo lumes col lect and reprint a l l o f Mac­ Dona ld ' s fairy ta les and short s tor i e s , a long wi th an e s s ay , " The Fant a s t i c Imagination , " and two poems , " The Girl that Lo st Things " and " That Holy Thing . " a. b. c. d. e. f. g. h. i. j.

" The Gi f t s o f the Chi ld Chr i s t " " The H i s tory o f Photogen and Nyc ter i s " [ a l ternate t i t le : " The Day Boy and the Night Boy " ] " The Shadows " " Li tt l e Dayli ght " " The Go lden Key " " Cros s Purposes " " The Wi se Woman , or The Los t Pr ince s s : A Doub le S tory " " Th� Cas t le : A P arab le " " Port in a S torm " " Papa ' s Story [A S cot ' s Chr i s tmas S tory ] "

160

GEORGE MacDONALD continued k. 1. m. n. o. p. q. r. s. t.

" The Light Prince s s " " The Giant ' s Heart " " The Carasoyn " " The Gray Wo l f " " The Crue l Painter " " The Broken Swords " " The Wow O ' Rivven [ The Be l l ] " " Unc le Corne lius , His Story " " The Butcher ' s B i l l s " " Birth , Dre aming , Death [ The S choolmaster ' s S tory ] "

69 8 .

Th e G o l d e n K e y .

New York : Farrar , S traus and Gi roux , 1 9 6 7 [ fi r s t pub l i s hed in 1 8 6 7 ; first s eparate book pub l ication ? ] .

699 .

T h e Li gh t Pri n c e s s . London : B lackie & Son , 1 8 9 0 [ rpt . from D e a l i n g Wi t h t h e Fa i r i � s , 1 8 6 7 ] .

70 0 .

Li l i th .

London : Chatto & Windus ; New York : Dodd , Mead , 1 8 9 5 . Rpt . in Ph a n t a s t e s a n d L i l i t h . Grand Rapids , MI : Wm . B . Eerdmans , 1 9 6 4 [ paper ] with an introduction by C . S . Lewis .

An al legor ical j ourney through fairyland that was a ma j or inf luence on c . s . Lewi s ' Narn i an Chron i c l e s ( see above ) and that concentrates on the archetypa l theme s of death , re surrect ion , and mutab i l i ty . Vane , the protagon i s t , fol lows the mys terious Raven , the supposed gho s t of an old l ibrar i an but actua l ly Adam , into the " region of the s even dimen sion s . " Vane becomes a pr imary f i gure , both through h i s foo l i shne s s and inte l l i genc e , in the psychomachi a between the " lovers " -- a race of innocent chi ldren- -and Dur ing h i s the " bags " --wi cked and fe l l giant s . adventures , h i s maj or foe i s the evi l shape ­ changer , Li l i th , who i s ultimat e ly redeemed through the e f forts of the vi rtuous characters . 701 .

Ph a n t a s t e s :

A F a e r i e R oma n c e for M e n a n d Wo m e n .

London : Smi th , E lder , 1 8 5 8 . Rpt . in Ph a n t a s t e s a n d Li l i th . Grand Rapids , MI : Wm . B . Eerdmans , 1 9 6 4 [ paper ] wi th an introduction by C . S . Lewi s .

Wondrous cha l l enges and temptations mark thi s a l legor i c a l ques t for love and s e l f in the land of the fairies . Anodos , the protagon i s t , wan­ ders in a fantasy l and governed by mag ic and various n u m i n a . In the cour s e of h i s trave l s , he i s threatened by the ogre of the ash , suc­ cored by the l ady o f the birch , accompanied by

161

GEORGE MacDONALD continued the dread shadow o f rea l i ty , nearly de s troyed by the archetypal wasteland , avoided by the a l abas ter maiden he s aves wi th a song , k i l led , and reborn into hi s ori gina l mundane wor ld wi th a far greater appreci a ti on o f the harmony of l i fe . Despi te numerous opinion s to the con­ trary , MacDonald ' s pro s e i s not that d i fficult , and thi s adventure doe s o f f er the reader an exc e l lent sense o f partic ipation . 702 .

Th e P o r t e n t : A S t o r y o f t h e I n n e r Vi s i o n o f t h e H i gh l a n d e r s , C ommo n l y C a l l e d t h e S e c o n d S i gh t .

London : Smi th , E l der , 1 8 6 4 .

703 .

London : Chatto [ i s sued in 1 8 8 2 ] .

Th e Pr i n c e s s a n d C u r d i e .

1883

[ not seen ]

&

Windu s ,

· Juven i l e . 7 04 .

London : [ i s sued in 1 8 7 1 ] .

Th e P r i n c e s s a n d t h e G o b l i n .

1872

[ not s een ]

[ Strahan ] ,

Juven i le . 7 05 .

Th e Wi s e Woma n .

A Parabl e .

London : S tr ahan , 1 8 7 5 .

Bibliography 7 06 .

Bul loch , John Ma lcolm .

A C en t en n i a l B i b l i o gr a ph y

Aberdeen : Aberdeen Uni ­ 1 ver s ty Pres s , 1 9 2 5 . Rpt . with correcti on s in the A b e r d e e n L i b r a r y B u l l e t i n , 5 ( February 192 5 ) ' 6 79-7 4 7 . o f G e o r ge Ma cDo n a l d .

PATRIC IA A . McK I LL I P 7 07 .

T h e F o r g o t t en B e a s t s o f E l d .

1974 .

New York : Atheneum ,

A high ly imagi st i c and descriptive s e tting surrounds the i nnocen t Sybe l , the ch i ld and protege of a wi z ard who , at h i s p a s sing , l e f t her a company of s emi - legendary beas ts , a l l exce l lent creatur e s . Ultimate ly , s h e must con­ front harsh rea l i ti e s and is torn between a fosterling chi ld and the knight who loves her . 7 08 .

Th e Th r o m e o f t h e E r r i l o f S h e r i l l .

Atheneum , ·1 9 7 3 .

New York :

In thi s charming and appeallng j uveni le , a

162

PATRI CIA A . MCKI LLIP continued young man goe s in s earch of a non-exis tent " throme , " a song of great beauty , to win a Knowing a l l a long that he i s quest­ pr ince s s . ing a wi ll-of-the-wi sp , he trave l s to non­ exi s tent places and fina l ly generates the throme from hims e l f and hi s experience s a fter he d i s ­ cards the trad i ti onal garb o f war fare for c lothes and "we apons " that a l ly him with nature . The Hed Tri logy 709 .

Th e R i d d l e - Ma s t e r o f H e d . 1976 .

710 .

Hei r of Sea a n d F i r e .

711 .

H a rp i s t i n

New York : Atheneum ,

New York : Atheneum , 1 9 7 7 . New York : Atheneum , 1 9 7 9 .

t h e Wi n d .

Torn between h i s duty a s the ruler o f a peace­ ful , s leepy province and his destiny a s a trained seeker of wi sdom and magi c , a riddle­ ma ster , Morgan , ventures out into a land where each portion of the land is ruled by a " keeper " who i s in communion wi th the " land-magi c " o f h i s o r her rea lm . Morgan must undergo f i erce tri a l s as he grows in his power and magi c and attempts to meet the de stiny imposed upon him by the three s tars on h i s forehead and the magical harp he come s to po s s e s s . He i s par­ t i a l ly aided by hi s be loved , Raederle (who i s the focus o f the s econd volume ) . S he contin­ ual ly s eeks h im as he wi thdraws to Erlenstar Mountain to confront the enigmatic H igh One , the f i gure who bestowed and controlled the Morgan earth-magic that each ruler pos se s s e s . f inds only fa l sehood in the Mountain and dis­ covers that the H i gh One has van i s hed and h i s place usurped b y a f e l l s orcerer . He a l s o mee ts the High One ' s Harper , Deth , who appears a fr i end a t one moment and an enemy at another . In the final vo lume , Morgan endure s many arche­ typal t e s t s and pur i f i cations , ra i se s the dead , harps the wind , learns the true ident i ty o f the Harper and the maj e s ty o f hi s own powers , and as sume s the mante l of the H i gh One ' s heir . A powerful s e r i e s that i s among the b e s t in contemporary fantasy ! FIONA MacLEOD , ps eud .

163

See WILLIAM S HARP

ARTHUR MACHEN 712 .

Th e Ch i l d r e n o f t h e P o o l a n d O t h e r S t o r i e s . don : Hutchinson , [ 1 9 3 6 ] .

a. b. c. d. e. f. 713.

Lon­

" The Exa l ted Omega " " The Chi ldren o f the Poo l " " The Br ight Boy " " The Tree of Life " " Out of the P i c ture " " Change "

Th e G r e a t G o d Pa n a n d t h e Inmo s t L i gh t . London : John Lane , 1 8 9 4 . Rpt . as Th e G r e a t G o d Pa n . New York : Rober ts Brother s , 1 8 9 4 .

A young woman i s pos s e s s ed by Pan , indulges in many o f the god ' s typical activities , and , as a result , attempts suic ide a number of time s . 714 ·

Th e Thr e e Impo s t e r s o r t h e Tra n s m u t a t i o n s . don : John Lane , 1 8 9 5 .

a. b. c. d. e. f. g. h. i. j. k. 1.

m. n.

Lon­

" Prologue " " Adventure of the Go ld Tiberius " " The Encounter of the Pavement " " Nove l of the Dark Va l ley " " Adventur e o f the Mi s s ing Brother " " Nove l of the B l ack Seal " " I ncident o f the Pr ivate Bar " " The Decorative Imagination " "Nove l of the Iron Ma i l " " The Rec luse o f Bayswater " " Nove l of the Wh i te Powder " " S trange Occurrence in Clerkenwe l l " " Hi s tory o f the Young Man wi th Spectac l e s " " Adventure of the Deser ted Re s idence "

Bibliography 715 .

Dan i e l s on , Henry .

716 .

Go lds tone , Adr i an , and We s ley Sweetser . A Bi bl i o ­ gr a p h y o f A r t h u r Ma c h e n . Aus tin : Univers i ty of Texas , 1 9 6 � .

A r t h u r Ma c h e n : A B i b l i o gr a p h y Wi t h No t e s , B i b l i o gr a p h i c a l a n d C r i t i c a l . London : Henry Dan i e l son , 1 9 2 3 . Rpt . Ann Arbor : P lutarch Pre s s , 1 9 7 1 .

JACK MANN , ps eud .

See E [VELYN ] CHARLES VIVIAN

164

DON MARQUI S 717 .

a r ch y a n d m e h i t a b e l . Page , 1 9 2 7 .

Garden C i ty , NY : Doub leday ,

The del ightful and charming tale of the friend­ ship and adventures of archy the cockroach ( who types wi thout capita l s ) and mehi tabe l the cat . JOHN 718 .

[ EDWARD ] MAS EF I ELD

Th e B o x o f D e l i gh t s o r Wh e n

t h e Wo l ve s We r e R u n n i n g .

London : Wi l l i am Heinemann , 1 9 3 5 .

Seque l to Th e M i dn i gh t Fo l k ( see below ) . Both t i t l e s are j uveni l e excurs ions into fairy land and magic that may be o f interes t . 719 .

Th e M i dn i gh t Fo l k : A No v e l . He inemann , 1 9 2 7 .

London : Wi l l i am

Bibliography 720 .

Hand ley-Taylor , Geof frey .

J o h n Ma s e fi e l d , O . M . : Th e Q u e e n ' s P o e t L a u r e a t e . A B i b l i o gr a ph y a n d E i gh t y - Fi r s t B i r t h d a y T r i b u t e . London : Cran­ brook Tower Pre s s , 1 9 6 0 .

DAVID MASON 721 .

Th e D e ep G o d s .

New York : Lanc er , 1 9 7 3

[ paper ] .

The mind and per sona l i ty o f a twentieth-century man are transmi gra ted into the dead body of a man who exi s ted long before recorded his tory . Thi s pre-Edenic world of the far d i s tant pas t i s tee ter ing on the edge of des truc tion , and the commona l i ty that binds a l l nature together be­ The protagon­ fore the Fa l l is in grave danger . i s t mus t confront the tragedy and dea l wi th the deep god s - -whal e s - - a s one of the ir wi s e s t fel lows ha s gone mad and threatens a l l creation . 722 .

Th e S o r c e r e r ' s S k u l l .

[ paper ] .

New York : Lancer , 1 9 7 0

The sorcerer Myrdin Ve l i s bargains suc ce s s ful ly with Owen of Marrda le , warrior and thi e f , to return a s trange wi zard ' s sku l l to its pl ace of origin . After a j ourney character i zed by the excel lent use of ma j or and minor events ( i . e . , Owen ' s dre am o f an idyl lic land ) , Owen and his

165

DAVID MASON conti nued we l l -de l ineated companion s - -Khi tai , a " sma l l " wi zard , and Z e l s a , a beaut i ful tavern wench- ­ de feat armi e s o f vampires and the inunortal Vryho l , when Owen des troys the true soul o f Myrdin , who i s revea led as a true lord of evi l . The Kavin Series 723 .

K a vi n ' s wo r l d .

724 .

Th e R e t u r n o f Ka v i n .

[ paper ] .

New York : Lancer , 1 9 6 9

[ paper ] .

New York : Lancer , 1 9 7 2

A paral le l univer s e , sword and sorcery pair o f nove l s concerning the heroic and magi c a l ex­ ploits of Kavin and h i s anc e s tors . Mason ' s creation o f Thuramon the magic ian and the wi s e dragon folk are exc e l l ent examples of imagina­ tive ski l l . Bibliography 725 .

Boardman , John . 1974 ] . "

" In Memori am : David Mason [ 1 9 2 4 -

S c i e n c e F i c t i o n R e v i ew ,

4

( 19 7 5 ) ,

13 .

BRANDER MATTHEWS 726 .

Ta l e s o f F a n t a s y a n d F a c t . Brother s , 1 8 9 6 .

New York : Harper

&



a. b. c. d. e. f. g. 727 .

" A Pr imer of Imaginary Geography " " The K inetos cope o f Time " " The Dream-Gown o f the Japane se Amba s s ador " " The Rival Ghos ts " " S ixteen Year s Without a Birthday " " The Twinkl ing o f an Eye " " A Conf identi a l Postscrip t "

Wi t h My Fri e n d s :

York : a.

b. c. d. e. f.

Ta l e s To l d i n P a r t n e r s h i p . Longrnans , Green , 1 8 9 1 .

New

" The Art and Mys tery o f Co l laboration " ( e s say ) " The Document in the Cas e " with H . C . Bunner " Seven Conversat ions o f Dear Jones and Baby Van Ren s s e laer " wi th H . C . Bunner " Edged Tool s : A Ta le in Two Chapters " wi th Wal ter Herri e s Po l lock " Mated by Magic : A S tory w i th a P o s t­ script " with Wal ter Herr i e s Pol lock " One S tory i s Good T i l l Another i s Tol d "

166

BRANDER MATTHEWS cont inued g.

wi th George H . Jes s op " Three Wishes " wi th F . An stey , pseud . [ Thomas Ans tey Guthr ie ]

Bibl iography 728 .

Howson , Roger . Th e B o o k s h e l f o f B r a n d e r Ma t t h e ws . New York : Co lumbia Un ivers i ty Pres s , 1 9 3 1 . W [ I LLIAM ]

729 .

Th e Ma gi c i a n .

SOMERS ET MAUGHAM

London : Wi l l iam Heinemann , 1 9 0 8 .

Bibliography 730 .

Too le , S tott R . A . w.

A B i b l i o gr a ph y o f t h e Wo r k s o f S o m e r s e t Ma u gh a m . London : Kaye & Ward , 1 9 7 3 . �

ANDRE MAUROI S 731 .

Trans . Hami sh Mi l e s . York and London : D . Appleton , 1 9 3 1 .

Th e We i gh e r o f S o u l s .

New

A scienti s t seeks to i so late and capture the human soul through a s eries of experiments that end in his own frus tration and a tragic and partial s ucce s s . WILLIAM MAYNE 732 .

A Game of Dark .

London : Hami sh Hami l ton , 1 9 7 1 .

A psycho logical fantasy in whi ch a boy , haunted by a dream o f a des tructive dragon , f lees h i s own lack of sympa thy for hi s i l l father and his d i s intere s t in h i s parents ' mora l i ty . In h i s medieva l dream wor ld , h e i s trained by a lord and f ina l ly faces the dreaded whi te worm ( dragon ) . Violating his chivalric training , he des troys the worm by rea son r ather than by combat . I t i s thi s commi tment to reason that a l l ows him to leave h i s dream wor ld and return to cope wi th h i s a c tua l l i fe . RI CHARD MEADE 7 33 .

Exi l e ' s Q u es t .

New York : S ignet , 1 9 7 0

[ paper ] .

In thi s average sword and sorcery nove l , a

167

RICHARD MEADE continued young lord , Ga l l t , leads an expedi tion o f thi eves and murderers into unknown l ands to avoid the headsman ' s axe and res cue a queen , Thayna . Un fortunate ly , Thayna i s the only character in the wor ld that is we ll deve loped , and two other e lement s - - the immorta l wi zard and a mag ic ta l i sman--do not l ive up to their imagin­ ative potential . I



734 .

Th e S w o r d o f Mo rn i n g S t a r . 1 9 6 9 [ paper ] .

New York : S i gnet ,

A young boy endure s tr i a l s to s ecure a magi c b l ade and f i ghts " ha l f-wolve s " t o ful f i l l hi s d e s t iny in thi s e f fective sword and sorcery work tha t contains interes ting subplots o f court and fami ly intr i gue . GEORGE MEREDI TH 7 3 5.

Th e S h a vi n g o f S h a gpa t : A n A ra b i a n A d ven t u r e . Lon­ don : Chapman and Ha l l , 1 8 5 6 . Rev . ed . We s t­ minster : Archibald Constable , 1 8 9 8 .

Shib l i Bagarag , or iental barber and hero , goes on a que st to achieve the greate s t o f g lorie s : to shave the hairy gentleman Shagpat . Aided by a sorceres s and shape changer , Noorna bin Noor lea , Shib l i s aves prince s s e s , vi s i ts oriental palaces and underground ki ngdoms , and e s capes with h i s wi t intact in thi s high ly descriptive , comi c , and ironic examp le o f p seudo­ orienta l fantasy . Bibl iography 736.

Co l l i e , M . G e o r g e M � re d i�h� A B i b l i o g r a p h y . Dawsons , 1 9 7 4 .

737.

Forman , Maurice Buxton .

738 .

Forman , Maur i ce Buxton .

739 .

O lms ted , John Char le s .

London :

A B i b l i o gr a ph y o f t h e Wr i t i n gs i n Pr o s e a n d V e r s e o f G e o r g e M e r e d i t h . Edinburgh : Dunedin Pre s s , 1 9 2 2 . Rpt . New York : Haske l l House , 1 9 7 1 .

M e r e d i t h i a n a : B e i n g a S up ­ p l e m e n t t o t h e B i b l i o gr a p h y o f Me r e d i t h . Edin­ burgh : n . p . [ Dunedin Pre s s ? ] , 1 9 2 4 . Rpt . New York : Haske l l Hous e , 1 9 7 1 . G e o r g e Me r e d i t h : A n A n n o t ­

a t e d B i b l i o gr a p h y 1 9 2 5 - 1 9 7 5

168

. .

New York : Gar land ,

GEORGE MEREDITH continued 1978 .

A [ BRAHAM ] MERRI TT See a l so A [ BRAHAM] MERR! TT AND HANNES BOK 740 .

C r e ep , Sh a d o w . 1934 .

Garden C i ty , NY : Doubleday , Doran ,

An ac tion- laden los t-race fantasy wi th strong e l ements of horror that is s imi lar to many o f Merri tt ' s works in tone and theme . In thi s tale of vampir i c reincarnation , the action re­ vo lves around an unusual eterna l triangle compo s ed o f the reincarnation o f the Druid whi te wi tch Ys ; the reincarnation of Y s ' lover , Caranac ; and Caranac ' s true love , He len . 741.

Dwe l l e r s i n

t h e Mi r a ge .

New York : Liveri gh t , 1 9 3 2 .

Another lost-rac e fantasy in which the protagon­ i s t s truggl e s with hi s s trange cons c iousne s s of a previous l i fe as the long-dead hero Dwayanu . Ini tia l ly enthra l led by an evi l being from another dimen s ion who demands human s acri f i c e s , Le i f Langdon/Dwayanu overcomes the pos se s s i on and s lays the monster . 74 2 .

Th e F a c e i n

the Abyss .

New York : Liveright , 1 9 3 1 .

Deep in the Ande s , a group o f greedy Amer ican adventurers are tran s formed into drops o f go ld when they attempt to viol ate the pr i s on o f The protagon i s t avoids a Nimir , Lord o f Evi l . l ike fate and j oins in the s uc c e s s ful s truggle to end N imir ' s power . Despi te Merr i tt ' s pseudo­ s ci ent i fi c explanation s , events and characters ar e s imp ly too fantastic , too al ien , to be accepted as the produc ts of extrapol ation or s c i ence fic tion . 743 .

T h e F o x Woma n [ a n d O t h e r S t o r i e s ] . New York : Avon , 1 9 4 9 . Rpt . New York : Arno Pre s s , 1 9 7 8

[ no t s een ]

a. b. c. d. e. f. g.



" The Fox Woman " " The People of the P i t " " Through the Dragon Glas s " " The Drone " " The Las t Poet and the Robots " " Three Lines o f Old French " " The Whi te Road "

16 9

A [ BRAHAM ] MERRITT conti nued h. i. 74 4 .

"When Old Gods Wake " " The Women of the Wood "

Th e Fox Wo ma n . New York : New Co l l ectors ' Group , 1946 . Bound with Hannes Bok ' s T h e B l u e P a g o d a , a completion o f the unfinished T h e F o x Wom a n .

A girl i s born , pos s e s sed by the fox woman , and rai sed in the woman ' s temple a fter her father has been k i l led in an attack directed by her uncle . When she is grown , the girl j ourneys to America where the fox woman again a s s erts her control and forces the girl to k i l l her unc l e . The girl a l so dies in an ensuing fire , but the fox woman restores her to l i fe . 745 .

The Moon Pool . -1 9 1 9 .

New York and London : G . P . Putnam ' s ,

The search for " The Shining One , " a f e l l mons ­ ter that steals people , leads a group o f ex­ p lorers into an underground k ingdom . There the protagoni s t f a l l s in love wi th a high pri e s te s s , and their love des troys the Shining One and i ts power . However , the protagon i s t i s ultimat e ly marooned in the norma l s urface wor ld and cannot return to h i s beloved . 746 .

Sh i p o f I s h t a r .

New York : G . P . Putnam ' s Son s , 1 9 2 6 .

A tour-de- force by one o f the early mas ters o f fantasy . De scription , event , s ett ing , and character i z ation are we l l -hand led as an Ameri­ can adventurer i s drawn into a para l l e l world whi l e s tar ing at what s e ems to be an intricate and detai led ship mode l . On board the s trange " F lying Dutchman , " the Ship of I s htar , he f inds the deck even ly divided into black and whi te and di scover s an eternal battle between the forces of good and evi l as they each try to ex­ tend the i r portion of the ship and achi eve Poor ly imitated by complete sovereignty . Hanne s Bok ' s T h e S o r c e r e r ' s S h i p (New York : Bal lantine , 1 9 6 9 ) , and ori gina l ly pub l i s hed in 1 9 2 4 in Un k n o wn Wo r l d s . 7 47 .

Th r u t h e Dra gon Gl a s s . 1917 .

Jama i ca , NY : ARRA Printers ,

Bibliography 748 .

Wentz , Wa lter J .

A. M e r r i t t : A B i b l i o gr a p h y o f

170

A [ BRAHAM ] MERRITT continued Fa n t a s t i c Wri t i n g s .

Bibby , 1 9 6 5

[ paper ] .

Ro sevi l l e , CA : George A .

A [ BRAHAM ] MERRITT AND HANNES BOK 749 .

Th e B l a ck Wh e e l .

194 7 .

New York : New Co l lectors ' Group ,

HOPE MIRRLE S S 750 .

L u d - i n - t h e - Mi s t .

1926 .

London : Wi l l i am Co l lins Son s ,

The s low-wi tted and weak-wi l led inhab i t ants o f Lud- in- the-Mi st are near ly des troyed b y the evi l fa i r i es and their narcoti c frui t . J [ OHN ] A [MES ] MITCHELL 7 51 .

T h a t F i r s t A ffa i r a n d O t h e r Sk e t c h e s .

Char l e s S c r ibner ' s S ons , 1 8 9 6 .

a. b. c. d. e.

New York :

" That F i r s t Affa i r " " Mr s . Lofter ' s Ride " " Two Portra i t s " " The Man Who Van i s hed " " A Bache lor ' s S upper "

Bibliography 752 .

Burke , W . J . , Wi l l D . Howe , I rving We i s s , and Anne We i s s . Ameri can A u thors a n d Books : 1 6 4 0 t o the Pr e s e n t . 3rd rev . ed . New York : Crown , 1 9 7 2 , p. 434 . RICHARD MONACO

753 .

Pa r s i va l o r a Kn i gh t ' s

1977

[ paper ] .

Ta l e .

New York : Macmi l lan ,

A rete l l ing o f Chretien de Troye s ' 1 2 th century French romance about a foo l i sh boy who become s a kni ght and proceeds to make a s hamb l e s out of chiva l ry and the Gra i l que st . MICHAEL [ JOHN ] MOORCOCK 7 54 .

Gl ori a na ,

o r t h e Un f u l fi l l ' d Q u e e n :

171

Bei ng a Ro-

MICHAEL [ JOHN ] MOORCOCK cont inued ma n c e . London : Al l i s�n & Busby , 1 9 7 8 [ the 1 9 7 8 Avon reprint adds i l lustrations by E l i za­

beth Malczynski ] .

In thi s audac ious imi tation of the e i ghteenth­ century picaresque nove l , Moorcock paints a highly embroidered portrai t o f Queen Gloriana , ruler of Albion , an area that contains America and mos t o f As ia . Gloriana s truggles to main­ tain her re ign against the connivances o f Chance l lor Montfal lcon . She i s in great danger because Montf a l lcon ha s un leashed h i s mos t dreaded weapon , Captain Arturus Quire : Quire the seducer , Quire the wi cked , Qui re the crue l . Gloriana i s espec i a l ly vulnerable because she , l ike her Br i ti sh prototype , indulges every debauchery in pursuit o f the orgasm tha t s e ems to forever escape her . However , wi th the fu­ ture of the empire and i ts go lden age in the ba lance , Quire i s es tranged from Montfallcon , and he and Glor iana f ina l ly find the union she des ire s so deeply . Quire i s , then , revea led to be o f unsuspected roya l b lood ( he is tru ly Prince Arthur ) and the realm i s s aved through Qui re ' s e f forts , and he and Gloriana-- the " King of Vice " and the " Queen of Virtue " --are uni ted by l aw as we l l as body . 755 .

Sojan .

Manches ter [ England ] : Savoy , 1 9 7 7

[ paper ] .

A c o l lection of Moorcock ' s early sword and sor­ cery , whi ch appeared in Ta r z a n A d v e n t u r e s , fea­ turing So j an , Klan the Spoi ler , Dek o f Noothar , and Reris Karto o f Bersno l , p lus four e s s ays by Moorcock exp laining the ori gins o f two o f hi s protagon i s t s - - E lric o f Me ln ibone and Jerry Cornel ius--and a s e l f parody , " The S tone Thing : A Tale of S trange Par ts . " a. b. c. d. e. f.

g. h. i. j. k.

" The S tone Thing : A Tale o f Strange Parts " " The Dying Castles : A Vignette " " So j an the Swordsman " " Soj an , Swordsman of Zy lor " " So j an and the S ea o f Demons " " So j an and the P lain o f Mys tery " " So j an and the Sons o f the Snake-God " " So j an and the Devi l Hunters o f Norj " " Klan the Spoi ler : Ur j oh l o f Civ and the Edge of the World " " Dek' of Noothar : The Sword o f L i fe " (with John Wi sdom) . " Rens Karto of Bersno l : In Whi ch So j an

172

MICHAEL [ JOHN ] MOORCOCK continued 1.

m. n. o.

Re turns " (wi th Dick E l l ingsworth ) " The S ecret Li fe o f Elric of Me lnibon� " " E lric " " New Worlds- -Jerry Corne l i us " " In Lighter Ve in : A Note on the Jerry Corne l ius Tetralogy "

Dorian Hawkmoon I : The H i s tory o f the Rune staff ( The Chron i c l e s o f Count Bra s s i s a sequel to this serie s -- see be low) . in

th e Sk u l l . New York : Lancer , 1 9 6 7 Rev . ed . New York : DAW , 1 9 7 7 [ paper ] .

756 .

Th e J e w e l

757 .

Sorcerer ' s Amul e t . New York : Lancer , 1 9 6 8 [ paper ] . Rpt . as Th e Ma d G o d ' s Am u l e t . Frogmore , Eng­ land : Mayf lower , 1 9 6 9 [ paper ] . Rev . ed . [ us ing Bri tish title ] New York : DAW , 1 9 7 7 [ paper ] .

758 .

S w o r d o f t h e Da wn .

759 .

Th e S e c r e t o f t h e R u n e s t a ff . New York : Lancer , 1 9 6 9 [ paper ] . Rpt . as Th e R u n e s t a ff . Frogmore , England : May f lower , 1 9 6 9 [ paper ] . Rev . ed . [ us ing Briti sh t i tl e ] New York : DAW , 1 9 7 7 [ paper ] .

[ paper ] .

New York : Lancer , 1 9 6 8 Rev . ed . New York : DAW , 1 9 7 7 [ paper ] .

[ paper ] .

S e e Dorian Hawkmoon I I : The Chron i c le s of Count Bras s for annotation . N.B. Al l four vo lume s o f The H i s tory o f the Rune staff have been reis sued in s l ightly re ­ The revi s ions inc lude vised form by DAW Books . addi tional mater ial that c l ar i f i es Moorcock ' s Eternal Hero theme . Dorian Hawkmoon I I : The Chron i c l e s o f Count Bras s ( seque l to The Runestaff ser i e s - - see above ) . Frogmore , Eng land : Mayflower , 1 9 7 3

760 .

co u n t B r a s s .

761 .

Th e C h a mp i o n o f Ga r a t h orm . May f lower , 1 9 7 3 [ paper ] .

762 .

Th e Q u e s t f o r T a n e l o r n . f lower , 1 9 7 5 [ paper ] .

[ paper ] .

Frogmore , England : Al so the third book in the Ericose series -- see below .

Frogmore , England : May­ Also the culminating vol ­ ume for a l l o f Moorcock ' s sword and sorcery , eter­ na l champion ser i e s .

Moorcock ' s four sword & sorcery s e r i e s - - featuring Dori an Hawkmoon ( Count Bra s s and Rune s ta f f ) , E l r ic , 17 3

MICHAEL [ JOHN ] MOORCOCK continued Erekose , and Prince Corum--are a l l interrelated within the concepts of al ternate plane s o f exi s ­ tence and the eterna l hero , many heroes who are actua l ly one f i ghting to pre s erve the virtues o f Law and the eternal balance .and who are a l s o sent off t o struggles in other dimens i on s . The champion eterna l ' s foes are the exponents o f Chaos . Needless to say , the se interre lation­ ships make for bibl iographic ni ghtmares , and various notes are added here to c lari fy the s e high ly mythic and action-ori ented serie s . The protagoni s t of the Count Bra s s series and i ts seque l series , The H i s tory o f the Runes t a f f , is Dori an Hawkmoon , or Duke von Koln . His wor ld i s somewhere in a far- future , post-holo­ caus t France . Hawkmoon is trying to protect the Kamarg , an enc lave against the forces o f Chao s ( the dread anima l -masked people o f Granbre­ tan ) that i s ruled by Count Bra s s . Hawkrnoon i s captured by the Granbretans and ha s a j ewe l I f the j ewe l i s imp lanted in hi s forehead . activated , i t wi l l destroy hi s brain . Thus , he becomes their pawn unti l Count Bra s s can devi s e a shi eld that moderate s the activation o f the j ewe l . Much of the series is concerned with protecting the Kamarg ; trying to remove the j ewe l ; Hawkmoon ' s love a f fair wi th and marri age to Y i s se lda , Count Bra s s ' s daughter , who i s abducted late i n the s e r ie s ; and h i s pursuit of an evi l sorcerer . N.B.

The f inal vo lume in the Count Bras s series -­ Th e Q u e s t for Ta n e l o rn - - i s a l so the culminating nove l o f a l l four o f Moorcock ' s sword and s or­ In thi s volume , a l l four heroes-­ cery series . Hawkmoon , Ereko s e , E l r i c , and Corum- - are brought together for the mixed b l e s s ing of the di scovery of their ultimate goa l , the eterna l c i ty o f Tane lorn , and for the resolution o f the B lack Sword (Elric ) , the Runes ta f f , and the Co smic Balance .

E lric : Or i gina l Series London : Hutchinson , 1 9 7 2 . Altered edi tion pub l i s hed a s T h e Dr e a mi n g C i t y . New York : Lancer , 1 9 7 2 [ paper ] .

763 .

E l r i c o f Me l n i b o n e .

76 4 .

Th e S t e a l e r o f S o u l s a n d O t h e r S t o r i e s . Nevi l le Spearman , 1 9 6 3 .

a.

" The Dreaming C i ty "

174

London :

MICHAEL [ JOHN ] MOORCOCK continued b. c. d. e. 765 .

Th e S l e e p i n g S o r c e r e s s . London : New Eng l i sh Li ­ brary , 1 9 7 1 . Rpt . as T h e va n i s h i n g T o w e r . New York : DAW , 1 9 7 7 . Abr . ed . New York : Lancer , 1 9 7 2 [ paper ] .

a. b. c. 766 .

" Wh i l e the Gods Laugh " " The S tea ler of Soul s " " Kings in Darkne s s " " The F l ame Bringers "

" The Torment o f the Last Lord " [ a lternate t i t l e : " The S leeping Sorcere s s " ] " To Snare the Pale Prince " " Three Heroe s wi th a S ingle Aim "

Th e S i n g i n g C i t a d e l . Frogmore , UK : Mayflower , 1 9 7 0 [ paper ] ; New York : Lancer , 1 9 7 0 [ paper ] .

a. b. c. d.

" The S inging Ci tade l " "Ma ster o f Chao s " " To Res cue Tanelorn . . " The Greater Conqueror " The R e t urn t o Mel n i bon e . Br ighton-Seatt le , Unicorn Book s , 1 9 7 3 [ paper ] [ not s een ] .

76 7 .

El ri c :

768 .

T h e J a d e Ma n ' s E y e s . Brighton- S eattle , WA : Uni ­ corn Books , 1 9 7 3 [ p aper ] . Later incorporated into Th e S a i l o r o n t h e S e a s of Fa t e ( see below ) .

769 .

S t o rm b r i n g e r .

WA :

a. b. c.

London : Herbert Jenkins , 1 9 6 5 .

" The Coming o f Chaos " " Sad G iant ' s Shield " " Doomed Lord ' s P a s s i n g "

E lr ic : Revised Series New York : DAW , 1 9 7 6

[ paper ] .

770 .

E l r i c o f M e l n i bo n e .

771 .

Th e S a i l o r on t h e S e a s o f F a t e . New York : DAW , 1 9 7 6 [ paper ] ; inc ludes revi s ion o f T h e J a d e Ma n ' s E y e s ( see above ) .

772 .

T h e We i r d o f t h e Wh i t e Wo l f . 1 9 7 7 [ paper ] .

a. b. c. d.

New York : DAW ,

" The Dream o f Ear l Aubec " " Ma s ter o f Chao s " ] " The Dreaming C i ty " " Whi le the Gods Laugh " " The Singing C i tade l "

175

[ or i ginal t i t l e :

MICHAEL [ JOHN ] MOORCOCK continued 773.

Th e Va n i s h i n g T o we r . New York : DAW , 1 9 7 7 [ paper ] . Rpt . o f Th e S l e e p i n g S o r c e r e s s ( see above ) .

774.

Th e B a n e o f t h e B l a ck Swo r d .

[ pape r ] .

a. b. c. d. 775 .

" The S tealer o f Souls " " Kings in Darkne s s " " The Flamebr ingers " " To Re scue Tane lorn "

S t o rmb r i n g e r .

a. b. c. d.

New York : DAW , 1 9 7 7

New York : DAW , 1 9 7 7

[ paper ]



" Dead God ' s Homecoming " " B lack Sword ' s Brothers " " Sad Giant ' s Shi eld " " Doomed Lord ' s Pas s ing "

Moorcock ' s ori g inal Elric s eries grew wi thout too much attention to series ' coherency , and the reader s hould appreciate that the or igina l E lric books l i s ted above do not nece s s ar i ly reflect a read ing order bas ed on interna l chronology , nor can they s ince the original s eries doe s skip about and over lap . Unle s s the reader is a very serious Moor cock fan or scholar , the revi sed and c l a r i fied DAW series i s recom­ mended . However , Moorcock ' s E lric should not be neglected ; he is one of the mo st unusual charac ter s in all of fanta sy , not j ust of sword and s'o rcery fanta sy . E lr i c , the last in the l ine of a race of e ldrich sorcerer-kings , wanders about in a world increas ingly dominated by man , a race he views as s hort- l ived and con­ temptible in thei r magic and ambi tions . An a lbino and congen i ta l ly weak , E lric must depend on S tormbr inger , h i s b lack rune b l ade , to dr ink souls and give him s trength . Elric ' s powers , adventures , dark me lancho ly , fata l i sm , and tendency to drink the souls of thos e he loves best make him both a tragic and an a l i en fi gure , at once admirable and repuls ive . Erekose Series New York : De l l , 1 9 7 0 Rev . ed . New York : Harper & Row , 1 9 7 8 . C h a m p i on .

[ paper ] .

776 .

Th e E t e rn a l

777 .

Ph o e n i x i n Ob s i d i a n . Frogmore , England : Mayflower , 1 9 7 0 [ pape� ] . Rpt . a s T h e S i l v e r Wa r r i o r s . New York : De l l , 1 9 7 3 [ paper ] .

176

MICHAEL [ JOHN ] MOORCOCK conti nued 778.

Frogmore , England : A l so volume two in Hawkmoon I I : The Chron i c l e s o f Count Bras s ( see above ) .

T h e C h a mp i o n o f G a r a t h o rm . Mayf lower , 1 9 7 5 [ paper ] .

Erekose i s , in a number o f ways , the mos t en­ Unl ike Hawk­ l i ghtening of Moorcock ' s heroe s . moon , E lric , and Corum who are frustrated by their i gnorance of the ir de s t ini e s , Erekose knows that he i s to be continua l ly s ummo ned to f ight batt l e s for mankind and Law--a task he dreads . Moreover , he is the only one o f the heroes who remember s hi s incarnations as the Eterna l Champion . For h im , time as a l ine ar s erie s of events has ceased to exi st , and he dwe l l s in a limbo of event-or i ented summoning s . For examp l e , in T h e C h a mp i on o f G a r a t h r o m , he i s uni ted wi th h i s incarnation of Dorian Hawk­ moon to become I li an , Queen of Garathrom . When a group o f foreign invaders are defeated , Hawkmoon returns to h i s proper frame , but Erekos e is doomed to go back to h i s shadow exi s tence unti l he i s s ummo ned again . Thus , Ereko se i s a l l o f Moorcock ' s heroe s , and he i s the uni fying fac tor i n Th e Q u e s t f o r T a n e l o rn ( s ee Dor i an Hawkmoon I I : The Chroni cles o f Count Bra s s above ) , which i s the final vo lume in thi s series , as we l l as a l l of Moorcock ' s Champion Eternal series ( Hawkmoon , E lric , and Prince Corum ) •

Michae l Kane Ser i e s 779 .

780 .

781.

Bradbury , Edward P [ owys ] , pseud . Wa r r i o r s o f Ma r s . London : Compac t Books , 1 9 6 5 [ paper ] . Rpt . as C i t y o f t h e B e a s t . New York : Lancer , 1 9 7 1 [ paper ] . B l a d e s o f Ma r s .

London : Compact Books ,

1 9 6 5 [ paper ] . Rpt . as L o r d o f t h e Spi d e r s . New York : Lancer , 1 9 7 0 [ paper ] . B a rb a r i a n o f Mars .

London : Compact Books ,

[ paper ] . Rpt . a s Ma s t e r s o f t h e P i t . New York : Lance r , 1 9 7 0 [ paper ] . 1965

An un fortunate reworking o f Edgar Ri ce Bur­ rough s ' Mar s s e r i e s ( see above ) . Prince Corum Jha len Irsei or the Prince o f the Scarlet Robe Ser i e s 782 .

Th e Kn i gh t o f S wo r d s .

177

New York : Berk l ey , 1 9 7 1

MICHAEL [ JOHN ] MOORCOCK continued [paper ] . Rpt . in Th e S wo r d s T r i l o g y . Berk ley , 1 9 7 7 [ paper ] .

New York :

78 3.

Q u e e n o f S wo r d s . New York : Berkley , 1 9 7 1 [ paper ] . Rpt . in Th e Swo r d s Tr i l o g y . New York : Berkl ey , 1 9 7 7 [ paper ] .

78 4.

Th e K i n g o f S wo r d s .

78 5.

The B u l l 1973 .

78 6.

Th e O a k a n d t h e R a m . 19 7 3 .

78 7 .

Th e- S wo r d a n d t h e S t a l l i o n . Busby , 1 9 7 4 .

New York : Berk ley , 1 9 7 1 [paper ] . Rpt . in T h e S wo r d s T r i l o gy . New York : Berkley , 1 9 7 7 [ paper ] . a n d the Spea r .

London : A l l i son and Busby ,

London : A l l i son and Busby , London : Al l i son and

In a pre-h i s tory , B r i t i sh I s l e s setting , Corum , the last s urviving member of a near ly immora l and contemplative race c a l l ed the Vadhagh , d i scovers that a more primi tive race ( the Mabden ) have been systema t i ca l ly e liminating the Vadhagh . Swearing vengeance , he must s lay the three Chaos lords who are s upporting the Mabden and who rule the various planes o f exi s tence o f h i s world . I t i s intere sting t o note that the Chaos lord , known as the Kn i ght of Swords , i s Lord �rioch , E lr i c ' s patron ( see above } . In the cour s e of his de feat o f the three Chaos lords , chronic led in the f i rst three volumes of thi s seri es , Corum loses hi s le ft hand and r i ght eye . Thes e are rep laced by a sorcerer wi th the s i x- fingered hand of one god and the j ewe l eye of another ; Corum us e s these " new s ens es " in h i s succe s s against the Chaos lords . I t i s interesting to note that in K i n g o f S wo r d s , Moorcock first uses the devi ce o f a repeated episode to uni fy the four eterna l champion serie s . I t again te l l s the ta le of the res cue o f Jhary-a-Cone l ( the heroes ' var ied- form s idekick} that f i r s t appeared in the E lr i c ad­ venture , The S l e ep i n g S o r c e r e s s ( see above } . In the s econd o f the three volumes o f thi s series , whi ch take s p lace some e i ghty years later , Corum has retreated into contemplation and has become a god to the Mabden . He answers their s ummo nings and helps them de feat the Fhoi Myore and renew their lands ·by using the tal i s -

178

MIC HAEL [ JOHN ] MOORCOCK cont inued mans ment ioned in the ti tles . The vo lumes are set in about 2 0 0 0 B . C . and mention both the Druids and S tonehenge . Bibliography 788 .

Al len , P aul C .

" O f Swords and Sorcery 5 . " C r o s s r o a d s , No . 1 3 ( June 1 9 7 8 ) , 3 1 - 4 0 .

789 .

Cal low , A . J . graph y .

790 .

Fan t a s y

T h e C h r o n i c l e s o f Mo o r c o c k : A B i b l i o ­

London : By the Author , 1 9 7 8

[ paper ] .

Moorcock , Michae l . " The Eternal Champion Cyc le . " I n Th e E t e rn a l C h a m p i on : A F a n t a s t i c R o m a n c e . New York : Harper & Row , 1 9 7 8 , pp . 1 8 0- 1 8 1 . C [ATHERINE ] L [ UC ILE ] MOORE

791 .

Ed . Lester del Rey . Garden C i ty , NY : Nel son Doub leday [ S c ienc e F i c ­ tion Book C l ub ] , 1 9 7 5 .

Th e B e s t o f C . L .

a. b. c. d. e. f. g. h. i. j. k. 1.

Moor e .

" Introduc t ion : Forty Year s of C . L . Moore " ( Les ter del Rey ) " Shambleau " * * " Black Thi r s t " * * " The Bright I l lus ion " " Black God ' s K i s s " * " Trys t in Time " " Greater than Gods " " Frui t o f Knowledge " " No Woman Born " " Daemon " " Vintage Sea son " Footnote to ' Shamb l eau ' " A f t e r wa r d : and Other s "

* J ire l o f Jorey s tor i e s ( see below ) ; * *North­ we s t Smi th s tor ie s . 792 .

Ji r e l of Joi ry . 1 9 6 9 [ paper ] .

New York : Paperback Library ,

Thi s c o l lec tion would be noteworthy i f only for the occurrence of one of the few female prota­ gon i s t s in fantasy in general and sword and s or­ cery fantasy in particular . I t i s , however , more than j us t tha t . Jirel ' s admi rable courage in the face of horror and he lples sne s s make her an exci ting and dynamic f i gure , and Moore ' s description , s ettings , and dark devices are s triking and original . " The B lack God ' s K i s s , "

179

C [ATHERINE ] L [ UC I LE ] MOORE continued in which Jirel carr i e s a very ironic ges ture of affec tion for an enemy , i s a particular ly fine example of Moore ' s abi l i ty to endow her char­ acter with both htunan and s uperhuman character­ i s t ic s . Al l o f the short s tories in thi s vo l ­ tune origina l ly appeared in We i r d Ta l e s from 1 9 3 4 to 1 9 3 9 and f i r s t appeared in book form in Sh a mb l e a u a n d O t h e r s ( see be low ) and N o r t h ­ we s t o f Ea r t h ( s ee be low) . The one Jire l o f Jorey s tory not repr inted here , " Ques t o f the S tars tone , " was wr i tten in c o l l aboration wi th her husband , Henry Kuttner . a. b. c. d. e. 793 .

" Jirel Meets Magi c " " B lack God ' s Ki s s " " B lack God ' s Shadow " " The Dark Land " " He l l s garde " New York : Gnome , 1 9 5 4 .

Nor thwes t o f Ea r th :

a. b. c. d. e. f. g.

" Dust of the Gods " * * " Lo s t Paradi se " * * " The Dark Land " * " Julhi " * * " He l lsgarde " * " The Cold Grey God " * * " Yva la " * *

*Jirel of Jorey tales Smi th tales . 794 .

S h a mb l e a u a n d O t h e r s .

a. b. c. d. e. f. g.

( s ee above ) ; * *Northwe s t

New York : Gnome , 1 9 5 3 .

" The B lack God ' s Ki s s " * " The B l ack God ' s Shadow " * " Jirel Meets Magi c " * " Shambleau " * * " B l ack Thirs t " * * " Scar l e t Dream " * * " The Tree o f L i fe " * *

* Jirel of Jorey ta l e s ( see above ) ; * *Northwes t Smi th s tor i e s ( see above ) . CHRI STOPHER MORLEY 795 .

Th e A r r o w . 1927 .

Garden C i ty , NY : Doub leday , Page ,

A young man finds an arrow tha t s e ems to change

180

CHRI STOPHER MORLEY continued in s i ze to a point where it dec ides . I t un ites him with his lady love in a union rec a l l ing the myth of Psyche and Cupid . Bibl iography 796 .

S argent , Ral ph M . " Dear Chr i s . " vi e w , 3 ( Winter 1 9 4 4 ) , 2 2 - 2 5 .

Ha verford R e ­

KENNETH MORRI S 797 .

Th e B o o k o f Th r e e D r a go n s . Longmans , Green , 1 9 3 0 . Pre s s , 1 9 7 8 [ not s een ] .

New York and Toronto : Rpt . New York : Arno

The seque l to Th e Fa t e s o f t h e Pr i n c e s o f D y fe d ( s ee be low ) and , l ike i ts predec es sor , based on the branches o f the We l sh Ma b i n o g i o n ( al s o s e e Evangl ine Wa l ton Ens ley above ) . Manawyddan fai ls in h i s a ttempt to bring the head o f Bran the Bles sed to London because two protective ta l i smans are s to len . Manawyddan and h i s com­ panions bury the head , and Manawyddan begins a search for the ta l i smans that leads him to the underworld and pits him aga inst a ful l comple­ ment o f magi c and monster s . 798 .

Morus , Cenydd [ We l sh for Kenneth Morri s ] , pseud . Th e Fa t e s o f t h e P r i n c e s o f D y f e d . Point Lorna , CA : Aryan Theosophical Pre s s , 1 9 1 4 [ not seen ] . Rpt . North Hol lywood , CA : Newc a s t le Pub l ishing , 1 9 7 8 [ paper ] . Based on the f i r s t book of Th e Ma b i n o gi o n . a. b. c. d. e. f. g. h. i.

" The Sovere ignty o f Annwn " " The S tory o f Pwy l l and Rhianon , or The The Book of the Three Trials " " The Corning o f Rhianon Ren Ferch He feydd " " The Basket of Gwaedd fyd Newynog , and Gwaeddfyd Newynog Himse l f " " The Corning o f Ab C i l coed , and The Three Tria l s o f Pwyl l Pen Annwn " " The S tory o f Rh ianon and Pryderi , or The Book of the Three Unusual Arts o f P ryderi Fab Pwyl l " " The S tory o f Dienw ' r Anf fodion " " The S tory o f Rhianon and Pryder i " " The Three Unusual Arts o f Teyrnion and Gwr i Gwa l l t Euryn and the Freeing of the B ird s o f Rhianon "

181

KENNETH MORRIS continued J.

799 .

" The Return of Pryder i "

Th e S e c r e t Mo u n t a i n , a n d O t h e r Ta l e s . Faber & Gwyer , 1 9 2 6 .

a. b. c. d. e. f. g. h. i. j.

London :

" The Secret Mountai n " " Red-Peach-B los som Inle t " " The La st Adventure o f Don Quixote " " S lon ap S i encyn " " The Ro se and the Cup " " Daffodi l " " The King and the Three Ascetics " " The S a int and the Forest-Gods " " The Divina Commed i a of Evan Leyshon " " The Apples o f Knowledge " WILLIAM MORRI S

800 .

Ch i l d C h r i s t o ph er a n d G o l d i l i n d t h e Fa i r . smi th , Engl and : Kelms cott Press , 1 8 9 5 .

801 .

G o l d e n Wi n gs a n d O t h e r S t o r i e s . Newcastle , 1 9 7 6 [ paper ] .

H amme r­

Van Nuys , CA :

A repr inting o f Morri s ' shorter fic tion that appeared in O x fo r d a n d C a mb r i d g e Ma ga z i n e , 1 8 5 6 . a. b. c. d. e. f. g. h. i.

j.

k. 802 .

" Introduction " ( Al fred Noye s ) " Publ i shed Works " " The S tory o f the Unknown Church " " Lindenberg Pool " " A Dream " " Gertha ' s Lover s " " Svend and H i s Bre thren " " The Hol low Land " " Golden Wi ngs " " Frank ' s Sealed Le tter " "Afterward " ( Richard B . Mathews )

Th e S t o r y o f t h e G l i t t e r i n g P l a i n Wh i ch H a s B e e n A l s o C a l l e d t h e L a n d o f L i vi n g M e n o r t h e A c r e o f t h e un d y i n g . Hammersmi th , Eng land : Kelmscott Pres s , 1 8 9 1 .

The protagoni s t , attempting to res cue h i s be­ loved , is lured into the realm o f immortal i ty . Ultimate ly , he mus t choose be tween eterna l l i fe without her or a norma l ex i s tence with her . 803 .

Hammer smi th , England : Ke lms cott Pres s , printed 1 8 9 7 , i s s ued 1 8 9 8 .

Th e S u n d e r i n g F l o o d .

182

WILLIAM MORRI S continued Thi s i s Morri s ' l a s t novel . I t is edi ted from a unique manuscript ( probab ly an early draf t ) by Morri s ' daughter , Mary Morri s . Two young chi ldren f a l l in love by looking at and talking to e ach other acro s s a river c a l led the S under ing F lood . The boy , Osberne , comes to age in a t ime of tumult , growing to nobi l i ty as a fr iend o f the dwarve s and wi e lding the magi c sword Boardc leaver , given to him wi th h i s heroic manhood by a mys teriou s pi lgr im . After his battles and tri a l s are over , he tr iumphant­ ly returns to El fhi ld , his first love . 804 .

Th e Wa t e r o f t h e Wo n d r o u s I s l e s . Hammersmi th , Engl and : Ke lmscott Pres s , 1 8 9 7 .

Birdalone was s to len by a w i tch when she wa s a chi l d . When she come s to her mai denhood , she s teals an enchanted boat and s a i l s to a number o f enchanted i s lands . On one of them , she mee t s three maidens who are captive s and who lament the l o s s o f the ir true love s , three kni ghts . U l t imate ly , a fter numerous battles and sorcerous danger s , Birdalone reache s the f inal enchanted desti na tion , and a l l four wo­ men are f ul f i l led in love . 805 .

Th e We l l

at

t h e Wo r l d ' s En d .

cott Pres s , 1 8 9 6 .

Hammersmi th : Ke lms­

Long cons idered Morri s ' mas terpiece and con­ s idered by many one of the greate s t fantasy novel s ever wri tten . A young boy flees h i s home and come s t o manhood as a ruler and a warr ior i n a med i eva l realm . Along the way , he love s two women : one gives him suffering , the other j oy . H i s greate s t chal lenge comes at the end o f the book when he mus t confront the power that can be his if he drinks from a magical we l l . 806 .

Th e wo o d B e y o n d t h e Wo r l d . Ke lmscott Pre s s , 1 8 9 4 .

Hammer smi th , England :

Morri s ' f ir s t fantasy nove l and some thing o f a d i sappointment for anyone fami l i ar with the inter laced and descriptive art i s try of Th e We l l at

t h e Wo r l d ' s En d .

Th e Wo o d B e y on d t h e W o r l d

i s a los t-race nove l in a number of ways . A young man s e e s a love ly girl who immediate ly d i s appe ar s . Later , he s a i l s to a s trange i s ­ land and f inds the g i r l ens l aved by a w i tch 183

WILLIAM MORRI S cont inued in a hidden val ley . They f a l l in love,, she s lays the witch , and they become King and Queen of another land through the ful f i l lment of a prophecy . Bibliography 807 .

" Wi l l iam Morri s and H i s Fredeman , Wi l l i am Evan . Circle : A S e lect Bibliography . " Jo u rn a l o f t h e Wi l l i a m Mor r i s S o c i e t y , 1 , No . 4 ( 1 9 6 4 ) , 2 3- 3 3 .

" Wi l liam Morr i s and H i s C irc le : A S e l ect Bibliography o f Pub l i cations , 1 9 6 3 - 1 9 6 5 . " Jo u r n a l o f t h e Wi l l i a m M o r r i s S o c i e t y , 2 , No .

808 .

1 .

( 19 66 ) ,

13-26 .

809 .

Forman , Harry Buxton .

810 .

[ I saac , J . H . ] Scott , Temple , pseud .

B o ok s o f Wi l l i a m M o r ri s D e s cr i b e d Wi t h S o m e A c c o u n t o f H i s Do i n gs i n Li t era t ure and i n the Al l i ed A r t s . London : F . Holl ings , 1 8 9 7 . Rpt . New York : Burt Frank l in , 1969 . A B i b l i o gr a ph y

o f t h e Wo r k s o f Wi l l i a m Mo r r i s . London : Be l l & Sons , 1 8 9 7 . Rpt . Ann Arbor , MI : Gryphon [ d i s tributed by Gale Res earch ] , 1 9 7 1 .

CENYDD · MORUS , ps eud .

See KENNETH MORRIS

MEREDI TH MOTSON See ODD BJERKE AND MEREDITH MOTSON TALBOT MUNDY The Jimgrim S eries Ind ianapo l i s : Bobbs -Merri l l ,

811 .

Th e N i n e U n k n o wn . 1924 .

812 .

Th e D e v i l ' s G u a r d . Ind ianapo l i s : Bobbs -Merr i l l , 1926 . Br i t i sh ed i t ion : R a m s d e n . London : Hutchi nson , 1 9 2 6 [ not s een ] .

8 13 .

J i m gr i m . New York , Century , 1 9 3 1 . Rpt . in A l l Fo u r Wi nd � : Fo u r No v e l s o f I n d i a . London : Hutchi son , 1 9 3 4 , with K i n g - - o f t h e Kh y b e r R i fl e s ( 1 9 1 6 ) , Om : t h e S e c �e t o f A r b o r Va l l e y

184

TALBOT MUNDY continued (1924 ) ,

and B l a ck L i gh t

( 19 3 0 ) .

Jame s Schuy ler Grim ( " Jimgr im " ) , the intrepid Br i t i sh adventurer and prototype of such f i ­ gures as Doc S avage , j o ins forces with a group of mul ti-talented comrades--Je f f Ramsden , Chul lunder , Ma j or Robert Cro sby , Jeremy Ro s s , and Narayan S i ngh- - to battle the secret forces of the occult in India , the Gobi , and Egypt . Wi th unrelenting stalwartne s s , they a lways manage to thwar t the s e mys t i c a l and anc i ent plots to dominate the world . There are many more books by Mundy tha t chroni c le the adven­ tures o f the se character s , all l i s ted in Brad­ ford M . Day ' s bibli ography ( see be low ) for the inter e s ted reader and a l l f i l l ed with exce l lent examples o f ori ental magi c , mys tic i sm , and machination . Bibl iography 814 .

Day , Bradford M .

Ta l b o t M u n d y B i b l i o : Ma t e r i a l s To wa r d a B i b l i o gr a ph y o f t h e Wo rk s o f Ta l b o t Mundy . New York : S c i ence-Fi c tion & Fantasy Pub l i c ations , 1 9 5 5 [ paper ] . Rev . ed . in B i b l i o ­ gra p h y o f A d v e n t u r e : M u n d y , B u r r o u gh s , R o h m e r , H a g ga r d . Denver , NY : S c i ence Fiction & Fantasy Pub l ications , 1 9 6 4 [ paper ] . Rpt . New York : Arno , 19 7 8 .

H [AROLD ] WARNER MUNN 815 .

K i n g o f t h e Wo r l d ' s E d g e .

816 .

Th e S h i p From A t l a n t i s .

[ paper ] . [ paper ] .

New York : Ace , 1 9 6 6

New York : Ace , 1 9 6 7 Bound dos -a-dos with Emi l Petaj a ' s

Th e S t o l e n S u n . 817 .

Merl i n ' s R i n g .

New York : Ballantine , 1 9 7 4

[ paper ] .

Th e Sh i p f r o m A t l a n t i s i s the seque l to Ki n g o f t h e Wor l d ' s E d g e and M e r l i n ' s R i n g uti l i zes

the same charac ters wi thout s us ta ining the f i r s t two nove l s ' plot . In Ki n g o f t h e Wor l d ' s E d g e , Myrdh inn and a few Br i tains escape the f a l l of the Round Tab l e , j ourney to the New Wor ld ( North America ) , and e s tab l i s h a settle­ ment in oppo s i tion to the To ltec s and Mayans . In Th e Sh i p F r o m A t l a n t i s , Myrdhinn ' s (Merlin ' s ) godson s a i l s o f f in an Odys sey- l ike adventure and d i s covers a ship from des troyed Atlanti s .

185

H [AROLD ] WARNER MUNN continued On the ship i s one of the more unusual femal e protagoni s ts i n fantasy , Corenic e , a s6rceres s made o f meta l . Both Ki n g o f t h e Wo r l d ' s E d g e and Th e Sh i p F r o m A t l a n t i s are reprinted in an omnibus vo lume , M e r l i n ' s G o d s o n ( New York : Bal l ant ine , 1 9 7 6 [ paper ] ) , and i t should be noted that Ki n g o f t h e Wo r l d ' s Edge made i ts first appearance in maga z ine form i n 1 9 3 9 , s ome Me r l i n ' s twenty-e i ght years be fore i ts seque l . R i n g is a vas t epic fantasy that spans the age of Atl antis to the s ixteenth century . Mer l i n ' s god son , Gwal achma i , uses h i s unc le ' s r ing to endure through time and continua l ly be reuni ted with his be loved , Corenic e . JOHN MYERS MYERS 818 .

New York : Dutton , 1 9 4 9 .

S i l ve r l o c k .

A fantastic j aunt through a realm c a l led The Commonwea lth . The protagon i s t , a transported Earthl ing , ac companied by h i s mul ti -named guide ( Ta l i e s in ) , meets a homos exual Beowu l f , Circe , the Green Kn ight , K ing Arthur , the Houynyhms , and Satan , among others , a s h e j ourneys through a series o f experi ences and realms that s e em to be drawn from al l that i s wondrous in myth , legend and l i terature . ROBERT NATHAN 819 .

S o Love Re t urns .

New York : Al fred A . Knop f , 1 9 5 8 .

EDITH NESBIT , pseud .

S ee EDITH NESB I T BRAND

HENRY WOODD NEVINSON 820 .

F i l m s o f Ti m e :

Routledge

a. b. c. d. e. f. g. h.

&

Twe l ve F a n t a s i e s .

Sons , 1 9 3 9 .

London : George

" The D i vine Ri tes o f King s " " ' Fame Doub le-Mouthed ' " " H i s Own Obi tuary " " Great i s Diana ! " " On the Blue Danube " " How It S trikes a Contemporary " " Old Caspar " " Each i s I "

186

HENRY WOODD NEVINSON cont inued i. j. k.

" A Change ful Night " " Cry o f the Soul " " Next Time ! " " Judgment ' s Di lemma "

1.

HENRY NEWBOLT 821 .

Edinburgh and London : Wi ll iam B lackwood and Sons , 1 9 1 4 . Rpt . Van Nuys , CA : Newca s t le , 1 9 7 5 [ paper ] .

A l a dore .

In a medieva l realm , S ir Ywa in meets the love ly sorcere s s , Ai thne , in the c i ty of Paladore . She has been granted the opportunity to vi s i t Aladore , the magica l ly created and enchanted counterpart of P aladore . The two find peace and love in Aladore , but they are recalled to the mundane c i ty to de fend i t from invaders . They are seemingly s lain , but late arriva l s to the battle ' s aftermath find the two lovers apparent ly s leeping as bron z e statue s in the c i ty ' s chapel . Bibliography 822 .

" Bibliographi es o f Modern Authors : Sir Henry John Newbo l t . " L o n d o n M e r c u r y , 2 , No . 1 (May 1 9 2 0 ) , 114-115 .

" LARRY " 823 .

[ LAURENCE VAN COTT ] N IVEN

Th e Ma gi c G o e s A wa y .

New York : Ace , 1 9 7 8

[ paper ] .

In thi s br i e f , albe i t heavi ly i l lus trated ( by Es teban Maroto ) , nove l la , two wi zards--C lubfoot and Warlock-- form a company made up of the talking sku l l of a vanqui shed wi zard ; a volup­ tuous sorcere s s ; and the last survivor of the Greek des truct ion o f At lant i s . They go in search o f the last l iving god to attempt to re s tore mana , the source of magica l energy , to the wor l d . Thwarted by the nature o f the god they di �cover , their futures and fortune s make th i s a fantasy o f poignant characteri za­ tion , tragic in i ts final resolution . The Maroto i l lustrations are superb and we l l coor­ dinated wi th the text . JOHN NORMAN , pseud .

See JOHN F . LANGE , JR .

187

ANDRE NORTON ( born : ALICE , MARY NORTON ) 824 .

H e r e A b i d e Mo n s t e r s .

New York : Atheneum , 1 9 7 3 .

An interes ting mixture o f fantasy and s c ience fict ion that uti l i zes the phenomena o f the Bermuda Triangle and Char les Fort ' s collections Two young people pas s of unexp lained events . through a gate be tween wor lds and j oin a group of World War I I Bri ti sh and other peoples from various times and p lace s . The world i s ruled by a seemingly magi c people who o f fer the earth­ l ings spec ial powers . Much of the action s ur­ rounds a battle between the i nhabi tants and the saucer people and the internal struggl e w i thin the earth l ings as to whether or not they wi l l acc ept the power s the inhab i tants offer . 825 .

H u o n o f t h e H o r n , B e i n g a Ta l e o f Th a t D u k e o f B o r d e a u x Wh o C a m e t o S o r r o w a t t h e H a n d o f Ch a r l ema gn e a n d Ye t Won t h e Fa vor o f O b e r o n , t he E l f Ki n g , t o Hi s La s t i n g Fame a n d Grea t Gl ory . New York : Harcourt , Brace , 1 9 4 9 .

A nove l i zation o f the C ar lovingi an legend o f the youthful Duke of Bordeaux : h i s que s t s in S aracen realms and other fel l place s , hi s ga ining o f a fair wife , and the nob le pos i tion he gained in the ki ngdom o f Faer i e . 826 .

Th e Ma n y Wo r l d s o f A n d r e N o r t on . Ed . Roger E lwood . Radnor , PA : Chi l ton , 1 9 7 4 . Rpt . a s Th e B o o k o f An dre N o r t o n . New York : DAW , 1 9 7 5 [ paper ] .

a. b. c. d. e. f. g. h. i.

827 .

"All Cats Are Grey " " T,he Gi fts o f As ti " " Long Live Lord Kor ! " " The Long Night o f Wai ting " " London Bridge " " Mousetrap " " On Wr i ting Fantasy " ( e s say ) " Andre Norton : Los s o f Fa i th " ( e s s ay by Rick Brooks ) "Norton Bibliography " ( in the DAW reprint , thi s has been revi sed by Helen-Jo Jakus z Hewi tt )

Mo on o f Th r e e R i n gs .

New York : Viking , 1 9 6 6 .

An interes t ing interp l anetary fantasy o f s hape changing and moon magi c in which a young sor­ ceress a ids a young ear thl ing by sharing her abi l i ty to communicate wi th anima l s and to As wi th p lace human souls in anima l bodi e s .

18 8

ANDRE NORTON continued many of Mi s s Norton ' s books , her al lusions to a mys terious and wondrous past add a continual b e l l - l ike echo to her work that lends depth and nurninous i ty to the action . S eque l : E x i l e s o f the Stars . New York : Viking , 1 9 7 1 . 828 .

Q u a g Keep .

New York : Atheneurn , 1 9 7 8 .

A war -game enthu s i a s t i s transported into hi s own game and becomes Mi lo Jagon , a merc enary whos e sword is sworn to Law in i ts s trugg le wi th He meets a number of other ensorcered Chaos . garner s who mus t serve the unknown ma s ter play­ er ' s moves : a l i z ard-man , a bard , a cleri c , a warrior ma id , an e l f , and a were-boar . A native wi z ard , Hys taspe s , uni te s the group , d e sp i te their d i s trust o f each other , in an attempt to destroy the mas ter player ' s contro l . When they do deve lop a spir i t of fri endship , they break the mas ter p l ayer ' s control , and a l though they are unab le to leave Greyhawk , they dec ide to maintain their fr i endship . 829 .

wr a i t h s o f T i m e .

New York : Atheneurn , 1 9 7 6 .

Ta l l ahas s ee , a young Bl ack archaeolog i s t , i s thrown into a n a lternate wor ld by a psychi c b l a s t from an ancient ankh . She recovers next to the dead body of her double in a realm where the Egyptian empire and the matriarcha l empire of Meroe are uni ted into a vas t Afr i can empire . Ta l laha s see must a s s ume the burden o f her dead doub l e , Princes s Ashake , and enter into a psychic batt le against the evi l Kha s t i , who i s trying to destroy the empi re . The Wi tch Wor ld S er i e s : S imon Tregarth and Fami ly New York : Ace , 1 9 6 3 Boston : Gregg , 1 9 7 7 .

830 .

Wi t c h wo r l d .

831 .

Web o f t h e Wi t c h Wo r l d .

[ paper ] .

[ paper ] .

Rpt .

New York : Ace , 1 9 6 4 Rpt . Bos ton : Gregg , 1 9 7 7 .

832 .

Th r e e A g a i n s t t h e Wi t c h Wo r l d : [ B e y o n d t h e Mi n d B a rr i e r ] . New York : Ace , 1 9 6 5 [ paper ] . Rpt . Bos ton : Gregg , 1 9 7 7 .

833 .

Wa r l o ck o f t h e Wi t c h Wo rl d .

834 .

S o r c e r e s s o f t h e Wi t c h Wo r l d .

[ paper ] .

New York : Ace , 1 9 6 7 Rpt . Boston : Gregg , 1 9 7 7 .

189

New York : Ace ,

ANDRE NORTON cont inued 196 8

[ paper ] .

Rpt . Bos ton : Gregg , 1 9 7 7 .

The Wi tch World Serie s : Wereriders Th e C r y s t a l

836 .

Th e Y e a r o f t h e Un i c o rn .

837 .

Th e J a r g o o n P a r d .

[ paper ] .

G r y p h on .

New York : Atheneum , 1 9 7 2 .

835 .

New York : Ace , 1 9 6 5 Rpt . Bo ston : Gregg , 1 9 7 7 . New York : Atheneum , 1 9 7 4 .

The Wi tch Wor ld Series : Misce l laneous 838 .

[ paper ] . a. b. c. 839 .

" Dragon Scale S i lver " " Dream Smith " "Amber Out o f Quayth "

Tr e y o f Swo r d s .

a. b. c. 840 .

New York : DAW , 1 9 7 2 Rpt . Bos ton : Gregg , 1 9 7 7 .

Sp e l l o f t h e Wi t c h Wo r l d .

New York : Gro s se t

&

Dunlap , 1 9 7 7 .

" Sword of Los t Battles " " Sword o f I ce " " Sword o f Shadow "

Z a r s t h o r ' s Ba n e .

New York : Ace , 1 9 7 8

[ paper ] .

Andre Norton ' s Wi tch Wor ld series i s one o f the mos t ce lebrated in contemporary fantasy . Set in a matriarcha l wor ld governed by a c u l t o f witches , i t explores the human e l ements o f fear , s e l f-concept , ambi tion , greed , and power . Whi le a l l of the ta l e s are s e t in thi s realm , the series i s subdivided into three categori e s . The ma j or one , compri s ed o f five nove l s , focu s ­ e s on the transported Earth l ing S imon Tregarth and h i s fami ly . Saved by the S i ege Peri lous , a magical transporter , from certain deat� on Earth , he marries one of the norma lly virginal wi tches , and they di scover to their de l i ght that her powers unexpec tedly remain intac t . Battl ing resurrec ted adepts from the past of Wi tch World , struggl ing against the dreaded s c i enti f ic Ke lder , and dar ing the threat of the w i tches thems elve s , they and their two sons and daughter defend themse lves and their world and , at the s ame time , unrave l many o f i t s long­ The Werer ider or shape.­ buri ed mys ter i e s . changer s ubd ivis ion i s more romance or love oriented than the ma in Tregarth d ivis ion , and i t i s principa l ly concerned wi th the d i scovery

190

ANDRE NORTON continued of s e l f and the to lerance of uniquene s s . The two mi scel laneous short s tory col lections and one nove l deal wi th i so lated activities outside the concerns o f the other two divis ions . Throughout the s er i e s , the wide and vari ed character o f Norton ' s we l l conceived world i s continua l ly demon s trated . We l l plotted and humanly characteri zed , a l l the works have an excel lent spir i t o f adventure and romance , ma­ g i c and s c ienc e , and humani ty and nece s s i ty . Bibliography 841 .

Schlobin , Roger C . A n d r e N o r t o n : A B i b l i o gr a ph y . Bo s ton : G . K . Ha l l , forthcoming 1 9 7 9 . ALFRED NOYES

842 .

Th e De vi l 1955 .

Ta k e s a H o l i d a y .

London : John Murray ,

The devi l , as a Mr . Balliol , an internationa l financer , goes to Santa Barbara for a vacation and finds that man has become so evi l that , as devi l , he may be out o f a j ob . B i b l i ography 843 .

Tobin , James Edward . "Al fred Noyes : A Correc ted Bibl iography . " C a t h o l i c L i b r a r y Wo r l d , 1 5 ( 1945) ,

1 81-18 4 .

CHARLES NUET ZEL 844 .

Swo r dm en of Vi s t a r .

[ paper ]

Re seda , CA : Powe l l , 1 9 6 9



A be low average sword and sorcery nove l con­ cerning the love between a princ e s s and a s im­ p l e warrior . Their tri a l s are und i s tingui s hed with the pos s ible exception of the ir encounter wi th the B l ack Wi zard and his come ly daughter . BJORN NYBERG .

See ROBERT E [ RVIN ] HOWARD : Conan S e r i e s FRIT Z -JAMES O ' BRI EN

845 .

Th e D i a mo n d L e n s wi t h O t h e r S t o r i e s .

191

Ed . Wi l l i am

FRI T Z -JAMES O ' BRIEN continued Winter . New York : Char les Scribner ' s Sons , 1 8 8 5 [ paper ] . J

a. b. c. d. e. f. g. h. i. j. k. 1.

m.

" The Diamond Lens " " The Wonder smi th " " Tornrnatoo " "Mother o f Pear l " " The Bohemian " " The Los t Room " " The Pot of Tul ips " " The Go lden Ingot " " My Wife ' s Tempter " " What Was I t ? " " Dake Humphrey ' s Dinner " "Mi l ly Dove " " The Dragon Fang "

'

846 .

Ed . Bos ton : James R . Osgood , 1 8 8 1 .

Th e P o ems a n d S t o r i e s o f F i t z - Ja m e s O ' B r i e n .

Wi l l i am Winter .

Conta ins the s ame short s tories as reprinted in Th e Di a mon d L e n s wi t h O t h e r S t o ri e s ( se e above ) plus forty-three poems and autob iograph ical reco l l ec tions . WILLIAM DOUGLAS O ' CONNOR 847 .

Th r e e Ta l e s : Th e G h o s t , Th e B ra z e n A n d r o i d , Th e c a rp e n t e r .. Bos ton and New York : Houghton , Mi f f l i n , 1 8 9 2 .

LIAM O ' FLAHERTY 84 8 .

Th e E c s t a s y o f A n g u s . London : Joiner and S teele , 1931 . Rpt . Dublin : Wol fhound Pres s , 1 9 7 8 .

Drawing on anc ient Ce ltic myth and Druidic lore , thi s i s an unusua l and highly imagi s t i c rete l l ing o f the creation myth , so unusual that i t wa s ca l led heretic when it was f i r s t pub l i shed in a l imi ted edi ti on in 1 9 3 1 . Angus , the god of love and creation , has ove r f i l led the wor ld wi th fecundi ty , and a fter a conf l i c t with the god o f the sea over domains , h e i s s educed b y the w i ly Fand , an irres i st ib le earth fa iry . Al though Angus ha s been warned that he hims e l f �us t never indulge in the act of pro­ The chi ld creation , he c anno t re s i st Fand . Genius i s born of their coupling , and Angus and a l l the gods immedi ate ly grow old and d i e

192

LIAM O ' FLAHERTY continued as good and evi l knowledge enter the B ib l iography 849 .

[Arms trong , Terence I an Fytton ] . Gawsworth , John , pseud . Ten C o n t emp o r a r i e s . 2nd S eries . Lon­ don : Joiner and S teele , 1 9 3 3 . ANDREW J . OFFUTT

8 50 .

A r d o r on A r o s .

New York : De l l , 1 9 7 3

[ paper ] .

An erotic spoof of Burroughs ' Mar s series ( see above ) in which a s tudent i s transported to a primi tive , low-gravi ty realm and mus t use h i s unusua l abi l it i e s and cunning t o de feat vari ous wi zard s , s trange beings , and odd p l ants . Much of the c ause of hi s troubles and h i s amorous di f fi culties ari se s from violating trad i tion when he s ave s a young pr inc e s s from rape and then unknowingly shame s her by fai l ing to ava i l hims e l f of her generous charms . 851 .

Th e B l a ck S o r c e r e r i n t h e B l a ck Ca s t l e . MD : H a l l Pub l ication s , 1 9 7 6 [paper ] .

Aberdeen ,

A sword and sorcery parody with particul ar emphas i s on the works o f Robert E . Howard . It original ly appeared in I f , December 1 9 6 6 , a s " The Forgotten Gods of Earth . " 852 .

Ch i eft a i n of An dor .

New York : De l l , 1 9 7 6

[ paper ] .

A sword and sorcery nove l w i th a larger-than­ usua l do se of s exua l i ty . The hero i s a con­ temporary man whose mind is tran sported into the body o f an i nhabi tant of a barbarian p l anet . 853 .

M e s s e n g e r o f Z h u va s t o u .

[ paper ] .

New York : Berk ley , 1 9 7 3

A l ight-hear ted , r o l l icking , and carna l sword and sorcery fantasy whi c h i s very remini scent o f S tasho f f ' s Gramarye series ( see be low ) . A young was tre l s earches for h i s brother ' s s laye r , a young woman o f cunning and evi l , on a wor ld where modern techno logy is proh i b i ted . During h i s ques t , he i s , o f cour s e , invo lved in a l l the mechani sms of the sword and sorc ery tale . The references to contemporary s c i ence- f i ction wr i ters should not be over looked , espec i a l ly

193

ANDREW J . OFFUTT cont inued the one to Rober t A . Heinlein on pag� 1 4 4 . ANDREW J . OFFUTT AND RICHARD K . LYON 854 .

New York : Pocket Books ,

Demon i n t h e Mi rro r . 1 9 7 8 [ paper ] .

The daughter o f a pirate captain consorts with roya lty and wi zards to rea s s emb le the body of a necromancer , a task she has undertaken to s ave her brother . To fully succeed , she mus t finally confron t a creature that i s only ha l f-human and that survive s by drinking soul s . CLAUDE HOUGHTON OLDF IELD 855 .

Houghton , C l aude , pseud . Th r e e Fa n t a s t i c Ta l e s . London : Frederick c . Jo iner , 1 9 3 4 . a. b. c.

856 .

" The Man Who Hated Everybody " " The Madne s s o f Chr i s topher Cur lew " " The S trange Case o f Mr . Anato le P i ckering "

Th e F a n t a s t i c A d v e n t u r e . Nobody , 1 8 8 1 .

Mob i le , AL :

JOHN OLDREY 857 .

Th e D e v i l ' s H e n chma n .

London : Methuen , 1 9 2 6 .

A lost-race fantasy wi th s trong elements o f the occult and s ome o f s uper sc ience , thi s i s the h i s tory o f the f ina l psychomachia between the earthly repre sentative s of the evi l god S e t and those of the vir tuous goddes s I s i s . Many contemporary evi ls are attributed to S et , inc luding Kar l Marx . FRANK OWEN 858 .

Th e P o r c e l a i n Ma gi c i a n : A C o l l e c t i o n o f O r i en t a l Fa n t a s i e s . New York : Gnome Pres s , 1 9 4 8 .

a. b. c. d. e. f.

" The " The " The " The " The " The

Fan " Inverted Hous e " Latern Maker " Porce lain Magic ian " Purple Sea " Old Man Who Swept the Sky " 194

FRANK OWEN continued g. h. i. j. k. 1.

m. n.

" Doctor Shen Fu " " Pale Pink Porc e l ain " " The Rice Merchant " " The B lue C i ty " " The Fountai n " "Monk ' s B lood " " The Go lden Hour o f Kwah Fan " " The Wind That Tramps the World " NORVELL W . PAGE

859 .

New York : Berkley , 1 9 6 9

F l a m e Wi n d s .

[ paper ] .

Thi s novel and its seque l , S o n s o f t h e B e a r - G o d ( see below ) , were origina l ly pub l i shed i n 1 9 3 9 They focus on the explo i ts o f the i n Un k n o wn . swashbuck l i ng figure of Pre s tor John and hi s con f l i cts with men and wi z ards . F l a m e Wi n d s has a p seudo-h i s torical introduction that d i s ­ c u s s e s the f ir s t-century myths o f Pre s tor John and the po s s ibi l i ti es of h i s actua l e x i s tence . 860 .

Sons of the Bea r-God .

[ pape r ]

New York : Berkley , 1 9 6 9



Bibliography 861 .

" Of Swords & Sorcery No . 3 . " Fa n ­ t a s y C r o s s ro a d s , No . 1 0 - 1 1 [March 1 9 7 7 ) , 4 2 - 4 6 .

Al len , P aul C .

VI OLET PAGET 862 .

Lee , Vernon , pseud .

P o p e J a c y n t h t o Wh i c h A r e A d d e d A r i a d n e i n M a n t u a a n d o t h e r R oma n c e In ­ ven t i ons . Co l lection o f Bri tish Authors , Vo l . 3866 . Le ip z ig : Bernhard Tauchni t z , 1 9 0 6

[ paper ] .

a. b. c. d. e. f. g. 863 .

A reprint edi tion .

" Pope Jacynth " " Pr ince Alberic and the Snake Lady " "A Wedding Ches t " " The Lady and Death " " St . Eudcemon and H i s Orange Tree " " The Featur e l e s s Wisdom " "Ar i adne in Man tua " Th e S n a k e L a d y a n d O t h e r S t o r i e s .

Horace Gregory . [ pape r ]

Ed .

New York : Grove Pre s s , 1 9 5 4



This i s a repr int edi tion .

195

Mo st of Paget ' s

VIOLET PAGET continued works were wri tten and � i r s t pub l i shed in the late-ni neteenth century . a. b. c. d. e. f. g. h.

" Prince Alberic and The S nake Lady " " A Wedding Che s t " "Amour Dure " " Dionea " " A Wi cked Voice " " The Legend o f Madame Kras inska " "A S eeker o f Pagan Perfection " " The Virgin o f the S even Daggers " ALEXE I AND CORY PANSHIN

864 .

E a r t h Ma gi c .

New York : Ace Book s , 1 9 7 8

[ paper ] .

Origina l ly pub l i s hed in F a n t a s t i c S t o r i e s , 1 9 7 3 , a s " Son o f Black Morea , " thi s i s a s low-moving heroic fantasy tha t focus es on the brutal ly orphaned son o f the barbar i c chi e ftain , Black Morea . Wi th the bumb l ing wi zard Ol iver , Morca ' s son , Haldene , s eeks to avenge h i s father ' s death , but i s pos s e s s ed by the goddes s Libera and becomes her agent and consort . [ LUCY PEACOCK ] 865 .

Anonyrnoup .

Th e A d v e n t u r e s o f t h e S i x P r i n c e s s e s o f B a b y l o n , i n t h e i r Tra ve l s t o t h e T e mp l e o f Vi r t u e : A n A l l e g o r y . London : Pr inted for the Author by T . Bens ley , 1 7 8 5 .

Bibliography 866 .

Watson , George , ed .

Th e N e w C a mbr i d g e B i b l i o ­ gr a p h y o f En gl i s h L i t e r a t u r e . Cambridge : Cambridge Un ivers i ty Pres s , 1 9 7 1 , I I ( 1 6 6 0 180 0 ) , 100 7 , 1010 , 1025 .

MERVYN [ LAURENCE ] PEAKE The Gormengha s t Tri logy 867 .

Ti t u s Groan .

London : Eyre and Spott i swoode , 1 9 4 6 .

868 .

G o rm e n gh a s t .

London : Eyre and Spottiswoode , 1 9 5 0 .

869 .

T i t u s A l on e .

London : Eyre and Spotti swoode , 1 9 5 9 .

Peake ' s Gormengha s t Tri l ogy , long one o f the more 196

MERVYN [ LAURENCE ] PEAKE conti nued cur ious fantas i e s , centers on the labyrinth of Castle Gormenghas t , i ts inhabi tants , and i ts 7 7 th Lord , T i tus . Dark ly Gothi c , fata l i s t i c , and r i tua l i s ti c , i t chronic les T i tus ' s youth , rebe l l ion , adventur e s and ri te o f pas s age as he d i scovers that , no matter how far he trave l s , he cannot e s cape hi s birthplace and domain . The 1 9 6 8 Eyre and Spotti swoode edi tion o f Ti t u s G r o a n has a br i e f introduc tion by Anthony Burges s . B i b l iography 870 .

Batche lor , John .

M e r v y n P e a k e : A B i b l i o g r a ph i c a l a n d C r i t i c a l E xp l o r a t i o n . London : Geral d Duck­

worth , 1 9 7 4 .

EDWARD PEARSON 871 .

Ch a m i e l .

New York : Pocket Books , 1 9 7 4

[ paper ] .

A rete l l ing of Luc i fer ' s rebe l l ion and of the great battle between hi s armi es and the forces o f Heaven . MARIO [ ANDREW ] PE I 872 .

Swords o f Anj o u .

New York : J . Day ,

[1953] .

A ret e l l ing o f the Ch a n s o n d e R o l a n d by a we l l ­ known l ingui s t i c s s cho l ar . Two sons o f Geo f frey of An j ou , fol lowers of Ro land , accompany Gane lon during h i s treacherous par ley with the S aracens . They both f a l l in love with fore i gn women , one a S aracen , the other a Vi s i goth . Thrown into prison because of their invo lvement wi th the S arac en woman , they are reported dead . However , they es cape and one o f the women goes to Charlemagne to warn him o f Gane lon ' s treachery . Un fortunate ly , Char lemagne be l i eves Gane lon ' s tale that the two paladins are dead and j udges the woman insane . P e i ' s obj ective in thi s ta le was to add love to the otherwi se mi l i ta r i s t i c Ch a n s o n d e R o l a n d .

EMI L PETAJA The Ka leva l a S eries 873 .

S a ga

of Los t Ea r th s .

New York : Ace , 1 9 6 6

197

[ paper ] .

EMIL PETAJA continued 874 .

Th e S t a r Mi l l .

New York : Ace ,

875 .

Th e S t o l e n S u n .

19 6 6

[ paper ] .

New York : Ace , 1 9 6 7 [ paper ] . Bound dos - a-dos with H . Warner Munn ' s T h e S h i p From A t l a n t i s .

876 .

New York : Ace , 1 9 6 7 [ p aper ] . Bound dos -a-dos wi th Mi chae l Moorcock ' s Th e Wr e a k s

Tr a mo n t a n e . o f Ti m e .

877 .

Th e T i m e Twi s t e r .

New York : De l l , 1 9 6 8

[ paper ] .

Us ing gene tic memory , the Jungian collec tive unconsc ious , and the Finni s h legends of the Ka l e va l a , Petaj a creates an intere sting com­ bination o f s c ience f i ction and fantasy a s the characters take on the identi ties of the Ka l e va l a ' s main f i gure s - -Lemmi nkainen , I lmar inen , Wainomoinen , Kul lervo , Ukko , Louhi , and H i i s i -­ and are invo lved in psychomachias that span ages , soc i eties , and ga laxies . ALEXANDER M [ OORE ] PHILLIPS 878 .

Th e Mi s l a i d C h a rm .

1947 .

Phi l ade lphia : Prime Pre s s ,

A "Wa lter Mi tty " type , Henry A . P ickett , become s the unknowing bearer o f the charm that be longs to a' group of opinionated gnome s from Northern Pennsylvania . Whi le the gnomes s earch , the charm deve lops a persona l i ty of i ts own , albe i t a hal f-wi tted one , and begins to te s t i ts powers wi th Henry the victim of i t s humorous hedonism and whim . In the proces s , he becomes tot a l ly drunk and i s trapped in a bar wi th an Afri can mot i f when the senti ent charm brings a l l the decorations to l i fe . Fortunat e ly � he is saved by a beauti ful , s tatuesque woman who the gnomes " cur se " him to marry when they re­ cover the charm . EDEN PH I LLPOTTS 879 .

Al cyone

880 .

Th e A p e s .

881 .

A r a ch n e .

1930 .

(A Fa i r y S t o r y ) .

London : Ernest Benn ,

London : Faber and Faber ,

[ 1929 ] .

London : Faber and Gwyer , 1 9 2 7 .

198

EDEN PH ILLPOTTS continued 882 .

C i r c e ' s I s l a n d a n d Th e G i r l & t h e F a u n . London : Grant Ri chards , 1 9 2 5 [ actua l ly i s s ued in 1 9 2 6 ] .

883 .

E va n d e r .

884 .

Th e F l i n t Ha r t : A Fa i r y S t o r y . E lde r , 1 9 1 0 .

885 .

Th e G i r l a n d t h e Fa u n . Hayward , 1 9 1 6 .

886 .

Th e L a v e n d e r Dra go n . 192 3 .

London : Grant Richards , 1 9 1 9 . London : Smi th ,

London : Cec i l Palmer and London : Gran t Ri chards ,

A dragon f l i e s about the countrys ide res cuing the downtrodden from the ir wre tched l ives . He brings them to a utopian commun i ty he ha s created and benevo lently rul e s . When he dies a f ter a batt le wi th a wicked dragon who has threatened his k ingdom , he is deeply mourned by h i s " sub j ects " who he has taught to be s e l f ­ sufficient . London : Watts , 1 9 2 6 .

887 .

Th e Mi n i a t u r e .

888 .

P a n a n d t h e Twi n s .

889 .

Th e Tr a n s i t o f t h e R e d Dra gon a n d O t h e r Ta l e s .

Bri s to l : J . W . Arrowsmith and London : S impkin , Marsha l l , Hami lton , Kent , 1 9 0 3 . a. b. c.

890 .

London : Grant Richards , 1 9 2 2 .

" The Heart o f the Scorpion " " The Tran s i t o f the Red Dragon " " The Mys tery o f the Toads tone "

Th e Tr e a s u r e s o f T y p h o n . 1924 .

London : Grant Ri chards ,

Bibliography 891 .

Hinton , Perc ival .

E d e n Ph i l l po t t s : A B i b l i o ­ gr a p h y o f F i r s t E d i t i o n s . Bi rmingham : Gre ­ vi l le Worthing ton , 1 9 3 1 .

EDWARD JOHN MORETON DRAX PLUNKETT , LORD DUNSANY 892 .

Lord Duns any .

Th e B l e s s i n g o f P a n .

199

London and

EDWARD JOHN MORETON DRAX PLUNKETT , LORD DUNSANY continued \

New York : G . P . Putnam ' s Sons , 1 9 2 7 . The magic o f Pan draws upon and gives magic to a country vi l lage unti l even the pastor i s drawn to a pagan s i te and per forms a s a Druid pries t . 893 .

Th e B o o k o f Wo n d e r : A C h r o n i c l e o f L i t t l e A d v e n t u r e s a t t h e E d g e o f t h e Wo rl d . London : Wi l l iam Heinemann , 1 9 1 2 .

a. b. c. d. e. f. g. h. i. j. k. 1.

m. n. 894 .

" The Bride o f the Man-Horse " " The D i s tre s s ing Ta le o f Thangobr ind the Jewe l ler , And of the Doom that Befe l l H im " " The House o f the Sphinx " " The Probab le Adventure o f the Three Li terary Men " " The In j udic ious Prayers o f Pombo the I do later " " The Loot o f Bombasharna " " Mi s s Cubbidge and the Dragon o f Romance " " The Que s t o f the Queen ' s Tears " " The Hoard o f the Gibbe li ns " " How Nuth Would Have Pract i s ed H i s Art Upon the Gno l e s " " How One Came , as was Foretold , to the C i ty o f Never " " The Coronation o f Mr . Thomas S hap " " Chu-bu and Sheemi sh " " The Wonderful Wi ndow "

Th e C h a r woma n ' s S h a d o w . London and New York : G . P . Putnam ' s Sons , 1 9 2 6 .

A young sorcerer frees a charwoman ' s shadow , which has been magi ca l ly taken from he� and re s tores her opportuni ty to lead a fruitful l i fe . Thi s is an exc e l lent trans formation of a mundane idea into a glowing fantasy that occurs in the s ame s et t ing as Th e C h r o n i c l e s o f D o n R o d r i g u e z ( see be low ) . 895 .

London Th e C h r o n i c l e s o f D o n R o d r i g u e z . and New York : G . P . Putnam ' s Sons , 1 9 2 2 . Later Ameri c an ti tle : Don R o dr i g u e z : C h r o n i c l e s o f S h a d o w Va l l e y .

A picaresque ta le s e t in a fic tiona l Spanish Go lden Ag� . I ts pr inc ip a l characters are an innocent , energetic , and amorous adventurer ; h i s servant ; and a pro fe s s0r of magi c .

200

EDWARD JOHN MORETON DRAX PLUNKETT , LORD DUNSANY conti nued 896 .

Th e C u r s e o f t h e Wi s e Woma n . Wi l l i am Heinemann , 1 9 3 3 .

London :

S e t i n the I r i sh countryside , thi s i s the tale o f a young gentleman and the my stic e f fect the love and fear of the I r i s h bog has on him , h i s servants , grooms , and nei ghbors . Among other things , i t leads them a l l to an animo s i ty to­ ward strangers and outs iders . 897 .

A Dreamer ' s Tal es .

and Son s , 1 9 1 0 . a. b. c. d. e. f. g. h. i. j. k. 1.

m. n. o. p. 898 .

London : George Al len

" Po ltarnee s , Beholder o f Ocean " " B lagdaros s " " The Madnes s o f Andel sprut z " " Where the Tides Ebb and Flow " " Be thmoora " " I dle Days on the Yann " " The Sword and the Ido l " " The I d l e C i ty " " The Hashi sh Man " " Poor Old Bi l l " " The Beggars " " Carcas sonne " " In Zaccarath " " The Field " " The Day of the Po l l " " The Unhappy Body "

F i f t y - On e Ta l e s . London : E lkin Mathews , Rpt . as Fo o d o f D e a t h : F i f t y - On e Ta l e s . Ho l lywood , CA : Newcastle , 1 9 7 4 [ pape r ] . 1915 .

a. b. c. d. e. f. g. h. i. j. k. 1.

m. n. o. p. q. r.

" The As s i gnation " " Charon " " The Death o f Pan " " The Sphinx at Gi zeh " " The Hen " " Wind and Fog " " The Ra f t-Bui lders " " The Workman " " The Gue s t " " Death and Ody s s eus " " Death and the Orange " " The Prayer o f the Flowers " " T ime and the Tradesman " " The L i tt le C i ty " " The Unpas turable Fields " " The Worm and the Ange l " " The Song l e s s Country " " The Lates t Th ing "

201

EDWARD JOHN MORETON DRAX PLUNKETT , LpRD DUNSANY continued s. t. u. v. w. x. y. z. aa . bb . cc . dd . ee . ff . gg . hh . ,ii . jj . kk . 11 . mm . nn . oo . pp . qq . rr . ss . tt . uu . vv .

ww .

xx . yy .

" The Demagogue and the Demi-Monde " " The Giant Poppy " " Ros e s " " The Man wi th the Golden E ar-rings " " The Dream of King Karna-Vootra " " The S torm " " A Mi s taken I denti ty " " The True H i s tory o f the Hare and the Torto i s e " " Alone the Immorta l s " " A Moral Li ttle Tale " " The Return o f Song " " Spring in Town " " How the Enemy Came to Thlunrana " " A Los ing Gaine " " Taking Up P iccad i l ly " " After the Fire " " The C i ty " " The Food o f Death " " The Lonely I s l e " " The Sphinx in Thebes ( Ma s s achusett s ) " " The Reward " " The Trouble in Leafy Green S treet " " Furrow-Maker " " Lobster S a lad " " The Return o f the Exi le s " " Nature and Time " " The Song o f the B l ackbird " " The Mes senger s " " The Three Ta l l Son s " · " Compromis e " "What We Have Come To " " The Tomb o f P an " " The Poet Speaks wi th Earth "

" The Poet Speaks wi th Earth " i s omi tted from the Newcastle repr int . 899 .

London : S auk C i ty , WI :

Th e Fo u r t h B o ok o f J o rk en s .

Jarro lds , [ 1 9 4 7 ? ] [ no t s een ] . Arkham Hous e , 1 9 4 8 . a. b. c. d. e. f. g. h. i. j.

"Making F ine Weather " " Mgamu " " The Haunting o f Hal ahans town " " The Pale-Green Image " " Jorkens Leaves Pri son " " The Warning " " The S acred C i ty of Krakovli tz " " Jorkens Pract i ses Medic ine and Magic " " Jarton ' s Diseas e " " On the Other S ide o f the Sun "

202

EDWARD JOHN MORETON DRAX PLUNKETT , LORD DUNSANY cont inued k.

1.

rn . n. o. p. q. r. s.

t. u. v. w. x. y. z. aa . bb . cc . dd . ee . ff . gg . 9 00 .

" The Rebuf f " " Jorkens ' Ride " " The S ecret o f the Sphinx " " The Kharnseen " " The Expuls ion " " The We l come " " By Command o f Pharaoh " " A Cricket Problem" " A Li fe ' s Work " " The Ingratiating Smi le " " The Last Bul l " " The S trange Drug o f Dr . Caber " " A Deal with the Devi l " " Strategy at the B i l la�ds C lub " " Jorkens in Wi tch Wood " " Los t " " The Eng l i sh Magni fico " " The C l everne s s o f Dr . Caber " " Fairy Go ld " " A Royal Dinner " " A F i ght wi th Knives " " Out Wes t " " In A Dim Room "

T h e Go d s o f P e ga n a . London : Elkin Mathews , 1 9 0 5 [ not s ee n ] . Rpt . London : Pegana Pre s s , 1911 .

a. b. c. d. e. f. g. h. i. j. k. 1.

rn . n. o. p. q.

" The Gods o f Peg�na " " O f the Making o f the Worlds " " O f the Game o f the Gods " " The Chaunt o f the Gods " " The Sayings o f Kib " " Concerning S i sh ( The Destroyer o f Hours ) " " The S ay ings o f S l id ( Who se Soul i s by the Sea ) " " The Deeds o f Mung ( Lord of Al l Deaths Between Pegana and the Rim) " " The Chaunt o f the Priests " " The Sayings o f Lirnpang-Tung ( The God o f Mirth and o f Melodious Mins tre l s ) " " Of Yoharneth-Lahai (The God o f Little Dreams and Fanc ies ) " " Of Roon , the God o f Going and the Thou­ s and Horne Gods " " The Revo l t o f the Horne Gods o f Dorozhand ( Whos e Eyes Regard the End ) " " The Eye in the Waste " " O f the Thing that I s Ne i ther God nor Beas t " " Yonath the Prophe t " " Yug the Prophet "

203

EDWARD JOHN MORETON DRAX PLUNKETT , LORD DUNSANY continued

u. v. w. x. y. z.

"Alhireth-Hotep the Prophet o f the Calami ty that Befe l l Yti'n- I l ara by the Sea , and o f �he Bui lding of the Tower of the Ending of Days " " Of How the Gods Whe lmed S idi th " " O f How Irnbaun Became H igh Prophet in Aradec o f All the Gods S ave One " " O f How Irnbaun Met Z odrak Pegana " " The Sayings o f Irnbaun " " O f How Irnbaun Spake of Death to the King " " O f Ood " " The Rive r " " The Bird of Doorn and the End "

G.P.

Th e Ki n g o f E l fl a n d ' s Da u gh t e r . Putnam ' s Sons , 1 9 2 4 .

r.

s. t.

901 .

London :

A ma j or inf luence on many contemporary fantasy authors--notab ly L . Sprague de Camp , Fr i tz Leiber , and H . P . Lovecraft--and con s idered Duns any ' s greate s t nove l . Alveric , an adven­ turous prince from the Va le of Erl , take s an el f-prince s s as hi s bride . However , she c an no more remain in the land s o f men than a flower can l ive in ice . After bearing Alveric a s on , Orion , she returns to the land o f fairy . Alveri c , armed wi th a mag i c a l sword formed from seventeen thunderbo lts , pursues her . Thwarted by e l fin magic , his love nonethe l e s s proves to be the greater power , and final ly hi s father­ in- iaw reunite s the lovers by making E � l part o f fairy land . Whi le Dunsany ' s pro se is o f ten d i f f i cul t , there are moments o f glowing des­ cr iption , and the themes o f a li enation , love , and the e f fect o f al ien knowledge are given e f fective shape through the language and the characters . 902 .

T h e L i t t l e Ta l e s o f S m e t h e r s a n d O t he r S tori es . London : Jarro ld s , 1 9 5 2 .

a. b. c. d. e. f. g. h. i. j. k.

" The Two Bottl e s o f Re l i sh " " The Shooting o f Cons tab l e S lugger " " An Enemy o f Scot land Yard " " The Second Front " " The Two Assas s ins " " Kr i egb lut 1 s Di sgui se " " The Mug in the Gamb l i ng He l l " " The C lue " " Once Too Often " "An A l leged Murder " " The Wa i ter ' s Story "

204

EDWARD JOHN MORETON DRAX PLUNKETT , LORD DUNSANY cont inued " A Trade Di spute " :: The P i rate o f the Round Pond " " A Vic t im o f Bad Luck " " The New Ma ste r " "A New Murder " " A Tale o f Revenge " " The Speech " " The Los t S c i enti st " " The Unwri tten Thr i l ler " " In Ravancore " " Among the Bean Rows " " The Death-Watch Bee t le " "Murder by Li ghtning " " The Murder in Netherby Gardens " " The Shield of Athene "

1.

m. n. o. p. q. r. s. t. u. v. w. x. y. z. 903 .

Jo r k e n s R ememb e r s A fr i c a . London and Toronto : Wi l l iam He inemann , 1 9 3 4 . American title : J o rk e n s R em emb e r s A fr i c a . Mr .

" The Los t Romance " " The Cur s e o f the Wi tch " " The Pearly Beach " " The Walk to Lingham " " The E s cape From the Val ley " " One Augus t in the Red Sea " " The Bare Truth " "What Jorkens Has to Put Up Wi th " " O zymandi a s " " At the End of the Universe " " The Black Mamba " " In the Garden o f Memori e " " The S lugly Beas t " " E arth ' s Secre t " " The Per s i an Spel l " " S tranger Than F i c t ion " " The Go lden Gods " " The Correct Ki t " " How Ryan Got Out o f Rus s i a " " The C lub S ecre tary " " A Mys tery o f the East "

a. b. c. d. e. f. g. h. i. j. k. 1.

m. n. o. p. q. r. s. t. u. 904 .

Th e S t o r y o f M o n a Sh e e h y . London and Toronto : Wi l l iam He i nemann , 1 9 3 9 . •

---

The fa iry f a i th o f Ireland inspires Mona Sheehy to b e l i eve the rumor that she i s the daughter of the fairy queen of Shee . Whi le o thers lock the ir door s , Mona takes her great­ e s t pleasures i n be ing out and about in the dusk and dark .

205

EDWARD JOHN MORETON DRAX PLUNKETT , �ORD DUNSANY continued 905 .

Th e S wo r d o f Wel l e r a n a n d O t h e r S t o r i e s . London : George Al len and Sons , 1 9 0 8 .

a. b. c. d. e. f. g. h. i. j. k. 1.

906 .

" The Sword of We l leran " " The Fall of Babbulkund " " The Ki th o f the E l f- Fo lk " " The Hi ghwaymen " " I n the Twi l ight " " The Ghosts " " The Wh ir lpoo l " " The Hurricane " " The Fortre s s Unvanqui shab le , S ave for S acnoth " " The Lord of C itie s " " The Doom o f La Traviata " " On the Dry Land "

Boston : Luce , 1919 . Rpt . Phi lade lphi a : Owl swick Pre s s , 1 9 7 6 , from a 1 9 2 2 edi tion wi th an introduc tion by H . P . Lovecra ft . Ta l e s o f T h r e e H em i s p h e r e s .

a. b. c. d. e. f. g. h. i. j. k. 1.

" The Last Dream o f Bwona Khub l a " " The Postman o f Ot ford " " The Prayer o f Boob Aheera " " E a s t and We s t " "A Pretty Quarre l " " How the Gods Avenged Meoul K i Ning " " The Gi fts o f the Gods " " The Sack o f Emera lds " - " The Old Brown Coat " "An Archive of the Older Mys ter i es " " A C i ty of Wonder " " Beyond the F i e lds We Know : Pub l i sher s ' [ s ic ] Note " 1. " Fi r s t Tale : I d le Days on the Yann " 2. " Second Ta le : A Shop on Go- By S tree t " 3. " Third Tale : The Avenger o f Per­ dondar i s " London : E lkin Matthews , Ameri can t i tle : Th e L a s t B o o k o f Wo n d e r .

Ta l e s o f Wo n d e r .

907 . 1916 .

a. b. c. d. e. f. g. h.

" A Tale of London " " Th irteen at Tab l e " " The C i ty on Mal l ington Moor " "Why the Mi lkman Shudders When He Perceives the Dawn " " The Bad Old Woman in B l ack " " The Bird o f the Di f f icult Eye " " The Long Porter ' s Tale " " The Bureau D ' Echange de Maux "

206

EDWARD JOHN MORETON DRAX PLUNKETT , LORD DUNSANY continued i. j. k.

1.

rn . n. o. p. q. r. s.

" A S tory o f L and and Sea " " The Loot o f Lorna " " A Tale o f the Equator " " A N arrow E s c ape " " The Watch-Tower " " The Secret o f the Sea " " How P la s h- Goo Carne to the Lane of None ' s De s i re " " The Three S a i lor s ' Garnb i t " " How Al i Carne to the B lack Country " " The Exi le ' s C lub " " The Three Infernal Joke s "

B i b l i ography 908 .

Amory , Mary . B i o gr a ph y o f L o r d D u n s a n y . Co l l ins , 1 9 7 2 .

London :

WALTER HERRI ES POLLOCK . See ANDREW LANG AND W [ALTER] H [ ERRI ES POLLOCK ] ELI ZABETH MARIE POPE 909 .

Th e P e r i l o u s G a r d .

Bos ton : Houghton Mi f f l in , 1 9 7 4 .

A young gir l , Kate Sutton , i s exi led by her beauti ful s i s te r to Elvenwood Hal l , a keep wi th dark , supernatural as soci ations . She encoun­ ters a young man enduring a s e l f - impo s ed exi le o f gui lt : he had lost hi s s i s ter to a fairy we l l . After o f fer ing hims e l f in exchange a s a wi l l ing human s a cr i fice , h i s s i s ter i s recovered , but Kate accepts the bondage of the fai ry fo lk Dur ing in the " ho l low hi l l " to re s cue him . thei r time underground , Kate and her young man , Chri s topher Heron , d i scover each other and thems e lves , and Kate f inds a new beauty to replace her awkwardnes s and insecur i ty . T IM POWERS 910 .

Th e Dr a wi n g o f t h e D a r k . 1 9 7 9 [ paper ] .

New York : Bal lantine ,

In s ix teenth-century Vienna , an aging s o ldier o f fortune i s drawn away from h i s j ob a s a bouncer in an inn by Mer l in to aid in bringing back the spir i t o f King Arthur .

207

JOHN COWPER POWYS 911 .

London : MacDona ld , 1 9 5 4 .

Atl an ti s .

A continuation o f the adventures o f Homer ' s Odys seus . After the s e ige o f Troy , Ody s s eus ' innate restle s snes s drive s him to fur ther ad­ He s eeks and d i s covers venture s in the wes t . Atl ant i s and then goes on to d i s cover the New World . 912 .

A G l a s t o n b u r y R oma n c e . S chus ter , 1 9 3 2 .

913 .

Mo r wy n :

or ,

Cas s e l l ,

New York : S imon and

T h e Ven g e a n c e o f G o d . London : 1937 . Rpt . New York : Arno , 1 9 7 6 .

A retired army capta in f a l l s in love w i th the daughter of a vivisector . When a l l three are s truck by a divine ly directed meteor , the f a ther is k i l led and the two lovers are transported to He l l . Whi le in He l l , the two lovers are be­ fr i ended by the anc ient We l s h poet , Ta l i e s i n . They need h i s protection a s they are accos ted by f i r s t the gho s t of the father and then the spiri ts of a l l the s ad i s t s and vivi s e c tors in He l l . The ons laught become s so dire that they mus t awaken Mer l i n , who v i s i t s thei r own s in s They are then j oined by So­ o n the ghos t s . crate s and one of the anc ient j udge s o f the Go lden Age , free one o f the anc i ent Ti tans One of from h i s suf fering , and return home . the f�w examples o f didactic fantasy . Bibl iography 914 .

Thoma s , Dante .

A B i b l i o gr a p h y o f t h e Wr i t i n g s o f J o h n C o wp e r P o wy s , 1 8 7 2 - 1 9 6 3 . Mamaroneck , NJ : Paul P . Appe l , 1 9 7 5 .

T [ HEODORE ] F [ RANC I S ] POWYS 915 .

Mr .

London : Chatto

W e s t o n ' s G o o d Wi n e . 19 2 7 .

&

Windus ,

God goes incogn i to a s an agreeab le wine merchant . 916 .

Un c l a y .

London : Chatto

&

Windus , 1 9 3 1 .

John Death lo s e s hi s t a l i sman , a parchment that enables him to c la im l ives , " to unc lay . " With­ out i t , he becomes mere ly an irre stible s educer o f young women in the Eng l i sh v i l l age he has

208

T [ HEODORE ] F [ RANC I S ] POWYS conti nued retired to for the time that he i s indi spo s ed . B i b l iography 917 .

Ri ley , Peter . A Bi b l i o gr a p h y o f T . F . P o wy s . Has tings [ England ] : R . A . Brimme l l , 1 9 6 7 .

Al so see L [ YON ] 918 .

FLETCHER PRATT SPRAGUE DE CAMP AND FLETCHER P RATT

" B lue Star . " In Wi t c h e s Th r e e . [ Ed . Fletcher Pratt . ] New York : Twayne , 1 9 5 2 , pp . 2 2 5 - 4 2 3 . F i r s t separate pub l ication : New York : B a l lan­ tine , 1 9 6 9 [ paper ] . Three men dream and the ir dreams become the s etting for thi s po l i ti ca l ly ori ented fantasy . Rodva rd and the wi tch La le tte become embroi led in various po l i ti c a l and revolutionary activi­ La lette pos s e s s e s a tali sman , the blue ties . s tar , which wi l l al low her lover to d i s t ingui sh the emotion s o f other s . Rodvard i s encouraged by a po l i tical group to fa l s e ly court La lette . However , he fa l l s in love wi th her i n s p i te o f hims e l f and h i s comrade s , and they both flee from numerous groups that de s ire their power .

919 .

Fletcher , George U . , p seud . Th e We l l o f t h e Un i ­ c o rn . New York : Wi l l i am S loan , 1 9 4 8 . Rpt . New York : Gar land , 1 9 7 5 . Cons idered one of the c l a s s i c s o f contemporary fanta sy , in thi s sword and sorcery adventure , Airar Avarson and the enchanter Me l iboe toget­ her we ld the free f i shers , the star captains , and the Imperial Chi ldren of the We l l into a s trong force that repe l s the invading Vulkings and pres e rves democ ratic rule . At the end o f the book , Airar and Mel iboe come to the magical we l l and mus t decide i f the peace a dra f t o f i ts water promi s e s i s worth the p r i c e that i t demands : the lo s s o f free wi l l and aggre s s ion .

FLETCHER PRATT AND L [ YON ] SPRAGUE DE CAMP Also see L [ YON ] SPRAGUE DE CAMP AND FLETCHER PRATT 920 .

L a n d o f un r e a s o n .

New York : Henry Ho lt , 1 9 4 2 .

Fred Barber , an Amer i can diplomat , becomes a " changel ing " a f ter he leaves scotch whi skey ,

209

FLETCHER PRATT AND L [ YON ]

SPRAGUE D� CAMP continued

rather than mi lk , out for the " l i ttle people . " I n thi s humorous adventure , he later d i s covers that he is the re incarnation o f Freder i ck Bar ­ baros s a i n the e ternal batt l e between good and the mu ltiple gui s e s o f evi l . Barber ' s princ ipal The 1 9 7 9 weapon in the tale i s a magic ros e . De l l paperback edi tion reprints Edd Cartier ' s original i l lustrations for the shortened vers ion that appeared in the October , 1 9 4 1 , i s s ue o f Un k n o wn W o r l d s . The f i r s t edi tion , a s c i ted above , inc l ude s a tease at the end : the f i r s t e i ghteen pages o f the In c om p l e t e En ch a n t e r . 921.

New York : Twayne , 1 9 5 3 . Enl . ed . Phi lade lphi a : OWlswi ck , 1 9 7 8 .

Ta l e s from G a v a ga n ' s B a r .

a.

�.

c. d. e. f. g. h. i. J .

k. 1.

m. n. o. p. q. r. s. t. u. v.

" The G i f t o f God " " Corpus De lectab l e " " The Better Mousetrap " " E lephas Frumenti " " Be a s t s of Bourbon " " The Love-Nes t " " The Stone of the S ages " " ' Where to , P le a s e ? ' " " The P a l imps e s t o f S t . Augustine " " More Than Skin Deep " " No Forwardi ng Addre s s " "When the Ni ght Wind Howl s " " My Brother ' s Keeper " " A D ime Brings You Succe s s " -" The Rape of the Lock " " Here , Putz i ! " " Gin Comes in Bottle s " " The B lack Bal l " " The Green Thumb " " Caveat Emptor " " The Eve o f St . John " " The Ancestral Amethyst "

The en larged 1 9 7 8 edi tion adds a previous ly unpub l i shed s tory-- ( w ) " There ' d Be Thousands in I t " - - and an e s s ay by de Camp explain ing the gene s i s of the s torie s . E [ DGAR] HOFFMAN PRICE 922 .

Far L a n d s O t h e r Da y s . 1975 .

a. b.

Chapel Hi l l , NC : Carcosa ,

" The Word o f Santiago " " The Peacock ' s S hadow "

210

E [ DGAR] HOFFMAN PRICE continued c. d. e. f. g. h. i. J.

k.

1.

m. n. o. p. q. r. s. t. u. v. w. x. y. z. aa . bb . cc . dd . ee . 92 3 .

" Gray Sphinx " " Makeda ' s Cou s i n " " Satan ' s Garden " " Queen o f the Li l i n " " The Dreamer o f At l&naa t " "A Je s t and a Vengeance " "Wo lves o f Kerak " " The Hand o f Wrath " " One S tep from He l l " " Web of Wi z ardry " " Sa l adin ' s Throne-Rug " "Al l ah Sends a Reaper " " Khos ru ' s Garden " " Ha s hee s h Wi sdom " " Snake Godde s s " " House of the Monocero s " " You C an ' t Eat Glory " "Woman i n the Cas e " " Heart o f a Th i e f " " Ki s s o f Sekhrnet " " Vengeance in S amarra " " S e lene Wa lks by Night " " Prayer to S atan " " A King i s Next to God " " Shadow Capta i n " " Peach Blos som Parad i s e " " The Hands of Janos " " The Shadow o f Saturn " " The I n f idel ' s Daughter "

S t r a n g e Ga t e wa y s . 1967 .

a. b. c. d. e. f. g. h. i. J .

k.

1.

Sauk C i ty , WI : Arkham Hous e ,

" The Fire and the Flesh " " Gr aven Image " " The Stranger from Kurd i s tan " " The Ra j ah ' s Gi f t " " The Girl from S amarcand " " Tarb i s o f the Lake " " Bone s for China " "We l l o f the Ange l s " " Strange Gateway " " Apprentice Magi c ian " " One More River " " Pa l e Hand s "

CHARLES HARRY CLINTON PRICE-GORDON S ee FRE DERICK WILLIAM ROLFE AND CHARLES HARRY CLINTON PRICE- GORDON

211

J [ OHN ] B [ OYNTON ] PRIESTLY 924 .

T h e O t h e r Pl a c e a n d O t h e r S t o r i e s o f t h e S a m e S o r t .

Me lbourne , London , and Toronto : Wi l l iam1 He ine­ mann , 1 9 5 3 . a. b. c. d. e. f. g. h. i.

" The Other P lace " " The Grey One s " " Uncle Phi l on TV" " Guest o f Honor " " Look After the S trange Gir l " " The S tatue s " " The Leadington Incident " "Mr . S trenberry ' s Tale " " N i ght Sequence "

Bibl iography 925 .

Day , Allen Edwi n .

" J . B . P r i e s t l ey : A Che ck l i s t . " B� l l e t i n o f B i b l i o g r a ph y , 2 8 (Apr i l-June 1 9 7 1 ) , 4 2-48 .

926 .

927 .

J.B.

New York :

P r i e s t l e y : A n A n n o t a t e d B i b l i o gr a ph y . Gar land , forthcoming 1 9 7 9 .

" The F i r s t Edi tions o f J . B . Jone s , I . Alun . Priestley . " B o o km a n , 8 0 ( Apr i l 1 9 3 1 ) , 4 6 . SEABURY

928 .

Is

t h e D e vi l a G e n t l e m a n ? Th e B e s t F i c t i o n o f Seabur� Q u i nn . Bal timore , MD : Mirage , 1 9 7 0 .

a. b. c. d. e. f. g. h. i. 929 .

[ GRANDIN ] QUINN

" Uncanoni zed " " The Globe of Memor ies " " Gl amour " " The Gent le Werewo l f " " The C loth of Madn e s s " " The Merrow " " I s the Devi l a Gentl eman? " " Ma s ked Ba l l " " Bon Voyage , Miche l e " R o a ds .

S auk C i ty , WI : Arkham Hous e , 1 9 4 8 .

A de l ight ful reconstruction o f the origin and l i fe of S anta Claus genera ted from le gend , fact , fancy , and imagination . Bibliography 930 .

A Quinn bibliography , by Mark Owing s , i s appended to Is t h e D e vi l a G e n t l ema n ? '( see above ) .

212

HUGH C . RAE 931.

H a rk fa s t !

London : Con­ Rpt . London : Sphere

Th e Ma k i n g o f t h e Ki n g .

s table , 1 9 7 6 [ no t s e en ] . Books , 1 9 7 7 [ paper ] .

A Druid magi c a l ly s ummo ns a young boy and endows h im with the powers and ski l l s he wi l l need to rep l ace a dead king . Set in po st-Roman Bri tain , thi s i s in many ways a s rea l i s ti c and bruta l a s Henry Treece ' s Th e G r e e n Ma n ( see be low) , and the supernatura l and natural e lements are s k i l l ­ ful ly blended in thi s chron i c le o f the maturat ion of the protagoni s t ' s o ften painfully neces s ary kingly sk i l l s . The nove l ends wi th the youth preparing to gain a throne and hi s gathering o f appropr i ate compan ions and o f f i c er s , seeming to promi s e a s eque l . RUDOLFE RAS PE .

See ANONYMOUS ANTHOLOGI ES : BARON MUHAUSEN QUINN READE

932 .

Q u e s t o f t h e D a rk L a d y . 1 9 6 9 [ paper ] .

New York : Be lmont Towe r ,

An average sword and sorcery nove l with more than i t s share o f gore . A s lave gi r l , a tra i tor , and a king ' s advi sor go in s earch o f an immort a l dark lady , who , when marr i ed to thei r king , wi l l acquire her ful l sorcerous powe r s . JAMES RICE .

S e e WALTER BESANT AND JAMES RI CE

FREDERICK WI LLIAM ROLFE [ BARON CORVO ] AND CHARLES HENRY CLINTON PRICE-GORDON 933 .

Prospero and Ca l iban , pseud .

Hubert ' s Arthur , B e i n g C e r t a i n D o c u m e n t s Fo u n d Amon g t h e L i t e r a r y R ema i n s o f Mr . N . C . , H e r e P r o d u c e d b y P r o s p e r o a n d Ca l i ban . London , Toronto , Me lbourne , and S idney : C a s s e l l , 1 9 3 5 . Rpt . New York : Arno Pres s , 1 9 7 8 [ no t s een ] .

An a l ternate h i s tory nove l that a s s umes tha t Prince Ar thur , the nephew o f Richard the Lion Hearted , i s denied hi s r i ght to the throne o f England by the usurper John Lackl and . After becoming the ruler o f Jerusa lem by mar r i age ,

213

FREDERICK WILLIAM ROLFE

[ BARON CORVO ]

continued

Arthur gains the cooperation o f the Ki�g o f France and conquer s England , regaining hi s r i ghtful p lace . H i s reign i s chal lenged by Pr ince Henry , but Arthur de feats h im and rules for many year s unt i l his epic pas s i ng . B i b l iography 934 .

Woo l fe , Ceci l .

A B i b l i o gr a p h y o f Fr e d e r i c k R o l fe .

B a r o n C o r vo .

Davi s , 1 9 7 2 .

Rev . ed . London : Rupert Hart-

GEORGE WILLIAM RUS S ELL 935 . 936 .

A . E . , pseud . Th e A va t a r s : A F u t u r i s t Fa n t a s y . _London : Macmi l lan , 1 9 3 3 . Th e Ma s k o f A p o l l o a n d O t h e r S t o r i e s .

lin : Whaley , and London : Macmi l lan a. b. c. d. e. f. g.

[ 1904 ] .

Dub­

" The Ma sk o f Apo l lo " " The Cave of Li l i th " " The S tory o f a S tar " " A Dream o f Angus Oge " " The Medi tation o f Ananda " " The Midni ght B los som " " The Chi ldhood o f Apo l lo "

Bibliogr.aphy 937 .

Denson , Alan .

Pr i n t e d Wr i t i n g s o f G e o r g e w . R u s s e l l ( JE ) : A B i b l i o gr a p h y w i t h N o t e s on h i s Pi c t u r e s a n d Por t ra i t s . Evan s ton , IL : North­

we s tern Un ivers i ty Pre s s , 1 9 6 1 . FRED SABERHAGEN The Broken Lands Tri logy 938 .

Th e B r o k e n La n d s .

New York : Ace ,

939 .

Th e B l a c k Mo u n t a i n s .

940 .

Cha n g e l i n g E a r t h .

19 6 8 .

New York : Ace , 1 9 7 1

New York : DAW , 1 9 7 3

[ paper ] .

[ paper ] .

As thi s tri logy opens , sc ienc e and techno logy are suppr e � s ed , and , in fac t , negated by an anc ient device to prevent another nuc lear ho lo­ Magic reigns supreme , and soc i e ty has caus t . re turned to a pre-indu s tr i a l leve l . The con-

214

FRED SABERHAGEN continued f l ic t between s c i ence and magic and the r ed i s ­ covery o f the s c ienti fic pas t form the nuc leus o f mo s t o f the ac tion , and finally the wor ld i s re -en l ightened , the suppr e s s ive device des troy­ ed , and magic bani shed . BLANCE BLOOR SCHLEPPEY 941 .

Th e S o u l

o f a M u mm y a n d O t h e r S t o r i e s .

pol i s ? ] : By the Author , 1 9 0 8 .

a. b. c. d. e. f. g. h. i. j. k.

[ Indi ana-

" The Soul o f a Mummy " " Hearts and Cra f t s " " The Dev i l ' s Sonata " " Ju s t Jake " "Mrs . Ma inwaring ' s Second Marr i age " " The Mad Mas ter " " The Heart o f Esculapius " " The Nec tar of a Thous and Year s " "Marvin ' s Gho s t " " The Gnawbone Culture C lub " " A House and a Re incarnation " OLIVE SCHRE INER

942 .

D r e a ms .

a. b. c. d. e. f. g. h. i. j. k.

Bos ton : Roberts Brother s , 1 8 9 1 . " The Lo s t Joy " " The Hunter " " The Gardens of P l ea s ure " " I n a Far-Off Wor ld " " Three Dreams in a Desert " "A Dream of Wi ld Bee s " " I n a Ruined Chapel " " Li fe ' s G i f t s " " The Art i s t ' s Secret " " I Thought I S tood " " The Sunl ight Lay Acros s My Bed "

Bibliography 943 .

Watson , George , ed .

Th e N e w C a mb r i d g e B i b l i o gr a p h y of Engl i s h Li t er a t u r e . Cambridge : Cambridge

Univers i ty Pre s s , 1 9 6 9 , I I I

( 1 800-190 0 ) , 1 0 7 7 .

G . F I RTH S COTT 944 .

London : Rpt . New York : Arno Pre s s ,

Th e L a s t L e m u r i a n : A We s t r a l i a n R om a n c e .

Jame s Bowden , 1 8 9 8 .

215

G . FIRTH S COTT continued 1978

[ not seen ] .

The Hatter and D i ck Ha lwood trave l to Lemuri a and encounter the l a s t queen , Tor Ymmothe , who ha s been condemned to wander i n a s e r i e s o f c aves for thousand s o f year s t o d o penance for the s ins of her race . She guards a s e aled tomb that conta i ns the body o f a coma tos e prince s s , wai ting for the return o f her beloved . H alwood thinks he recogni z e s the girl , opens the tomb , and as her body f a l l s into dust , she te l l s him to s eek her e ls ewhere in the wor ld . A volcano erupt s , k i l l ing a l l except H a lwood and des troy­ i ng the r emnants of Lemur i a . He return s to c ivi l i z ation , and when he s eeks out the Hatter ' s now orphaned daughter , he find s her the image of the princes s he had d i s covered in Lemur i a . WILLIAM SHARP 945 .

MacLeod , F iona , ps eud . of the Ford ,

Th e S i n - E a t e r , Th e Wa s h e r a n d O t h e r L e g en d a r y Mora l i t i es .

New York : Duf f i e ld , 1 9 1 0 . *

Repr ints s ome of the contents o f Th e wa s h e r o f t h e F o r d ( see below ) . a. b. c. d. e. f. g. h. i. j. k. 1. m. n. o. p. q. r. s. t. u. v.

" Pro logue --From Iona " " The S i n-Eater " " The Ninth Wave " " The Judgment o ' God " " The Harping of Cravetheen " " S i lk o ' the Kine " " U l a and Ur l a " " The Wa sher of the Ford " " S t . Bride o f the I s le s " " The F i sher o f Men " " The La s t Supper " " The Dark Name les s One " " The Three Marvel s of Hy " " The Woman wi th the Net " " Ca tha! o f the Wood s " " The Song o f the Sword " " The F l i ght o f the Culder s " "Mirc ath " " The S ad Queen " " The Laughter of Scathach the Queen " "Ahe z the Pale " " The King o f Ys and Dahut the Red "

*N . B . An ear l i er edi tion has been c i ted which contains some of the contents of thi s vo lume :

216

WILLIAM SHARP continued Th e S i n - E a t e r a n d O t h e r Ta l e s a n d Epi s o d e s .

Chicago : S tone & Kimba l l , 1 8 9 5 . A b ib l i ographi c h i s tory o f the vo lumes , title change s , and con­ tents i s provided on pages 4 4 8 - 9 o f the 1 9 1 0 edi tion c i ted above . 946 .

Th e Wa s h e r o f t h e Fo r d : A n d O t h e r L e g en d a r y Mo r a l ­ i ti es . Edinburgh : Patri ck Geddes and Col le agues

and Chicago : S tone & Kimba l l , 1 8 9 6 l i cation ] .

a. b. c. d. e. f. g. h. i. j k. 1. m. •

[ j oint pub­

" The Washer o f the Ford " "Muime Chriosd " " The F i s her o f Men " " The Las t S upper " " The Dark Name le s s One " " The Three Marve l s o f Hy " " The Anni r-Cho i l le " " The Shadow- S eers " " The S ong o f the Sword " " The F l i ght of the Cu lde rs " " Mircath " " The Laughter of Scathach the Queen " " Ula and Ur l a "

Bibl iography 947 .

Wat s on , George , ed .

Th e N e w C a mb r i d ge B i b l i o gr a ph y of Engl i s h Li t er a t u r e . Cambr idge : Cambr idge

Univers i ty Pre s s , 1 9 6 9 , I I I 1065 .

( 1 8 0 0-190 0 ) , 1 0 6 4 -

RICHARD S [ HARPE ] SHAVER 948 .

I R e m e mb e r L e m u r i a a n d Th e R e t u r n o f S a t h a n a s .

Evans ton , IL : Venture Books , 1 9 4 8 .

A comb i nation o f two highly descriptive s tories : the firs t i s told a s a remini scence of the ad­ vanced s c ience of Lemur i a , and the s econd is a " biography " o f S a tan and hi s minions who are rendered impotent by the fanta s tic s c ience of the " Ae s ir . " I R em emb e r L e m u r i a and related tales f i r s t appeared in A m a z i n g S t o r i e s , 1 9 4 5 1 9 4 7 , and caused qui te a turmoi l by be ing pre­ s ented a s factua l accounts . I R ememb e r L e m u r i a was a l s o reprinted a s " The Hidden Worl d " i n Th e Sha ver My s t ery ( 1 9 6 1 ) . The reprint was a l so presented a s fact , and i t was u s ed a s j usti f i ­ cation by var i ous pseudo- scient i f ic c u l t s both in the 1 9 4 0 ' s and 1 9 6 0 ' s . The July , 1 9 5 8 , i s -

217

RICHARD S [ HARPE ] SHAVER continued sue of F a n t a s t i c featured a f inal tal e , " The Dream Maker s , " and a number o f e s s ays on the Shaver phenomenon . I

MI CHAEL SHEA 949 .

-A Q u e s t fo r S i mb i l i s .

New York : DAW , 1 9 7 4

[ paper ] .

Based on Jack Vance ' s theme o f the dying ear th ( s ee be low) , thi s i s an above average sword and sorcery , que s t nove l . A li ege lord and hi s larcenous companion s eek the mas ter mage S irnbi l i s on ly to f i nd him s trangely turned from the wor ld and invo lved in one o f the degenerate pursui ts of a world tha t has lo s t i ts vi ta l i ty . CARL SHERRELL 950 .

A rca n e .

New York : Jove/HBJ , 1 9 7 8

[ paper ] .

Based on the anc ient Tarot card s , thi s unusual nove l is cyc l ical in s tructure and begins wi th the arr iva l of a fool in a smal l , medi eval town and ends wi th the awakening to wi sdom of I n the the foo l ' s son , h ims e l f an i nnocent . proce s s , there i s a bi t ter pol i ti c a l s trugg l e ; an empire r i s e s and f a l l s ; and the f i r s t foo l becomes a wi s e man , marries a godde s s , bears chi ldren , and is r a i s ed to the god-like status o f a mas ter sorcerer . 951 .

Ra u m .

New York : Avon , 1 9 7 7

[ p aper ] .

Raum , an ear l of He l l , i s s ummo ned by a wi z ard . When the wi zard i s s la i n , Raum i s free to wa lk the earth . Initia l ly cutting a path o f blood and conque s t through the wor ld , he s eeks Came lot and Mer lin to dis cover the true nature o f him­ s e l f , the wor ld , S atan , and He l l . As he ex­ periences the wor ld and l i fe , he become s more As the nove l and more human and le s s demonic . progre s s es , he f i nd s both love and despair a s h i s demonic nature i s tota l ly erased . A swash­ buck l i ng work that i s a l s o marked by a s trong e lement of tragedy and poignancy , and that pro­ mi s e s a s equel .

218

ROBERT S I LVERB ERG 952 .

Th e B o o k o f Sk u l l s .

Sons , 1 9 7 2 .

New York : Char l e s Scribner ' s

Four s tudents , inspired and direc ted by the re­ d i s covery o f a long-lost manus cript , " The Book of Skul l s , " go in s earch of immort a l i ty , know­ ing full we l l that two of them mus t die . B ib l iography 953 .

Tuck , Donald H .

" Robert S i lverb erg : Bibliography . "

Th e Ma g a z i n e o f F a n t a s y a n d S c i e n c e F i c t i o n ,

Apri l 1 9 7 � , pp . 8 1- 8 8 .

CLI FFORD D [ ONALD ] S IMAK 954 .

Th e En ch a n t e d P i l gr i m a g e .

New York : Berkley , 1 9 7 5 .

A pi lgr image o f marve l s and a s e arch for know­ ledge are the frame s as Mark Cornwa l l j o ins forc e s wi th a r a f te r gobl in , a creature cal led the Go s s iper , his true- love Mary , a motorcyc l i st , and var ious other exc e l lent figures to s e arch out the wi s e Old Ones . Whi l e the conclusion i s not what the charac ters antic ipate , o r the read­ er for that matter , the narrat ive o f the que s t and j ourney doe s make good read ing . 955 .

Th e F e l l o w s h i p o f t h e Ta l i s ma n .

tine Book s , 1 9 7 8 .

New York : Bal lan­

S imak ' s s econd fantasy , wh ich ha s marked s imi l­ a r i t i e s to his f i r s t ( s ee above ) in s tructure and plot and which echoes Irving Wa l l ace ' s Th e Wo r d : A No ve l (New York : S imon & Schus ter , 1 9 7 2 ) . S imak ' s protagoni s t , Duncan of the House of S tand i s h , mus t transport a manuscript , thought to be a f i r s t-hand a ccount of the l i f e of Chri s t , to London for ver i f ica tion . S e t in a twentieth­ century England , where progres s has s topped at the Mi ddle Age s , Dunc an mus t cro s s through the dreaded hoard , a communion of demons and f e l l spirits who devastate the countrys ide and r e ­ tard man ' s deve lopment at cyc l i c a l interva l s . Dunc an gathers a f e l lowship--a g i ant man-at­ arms , who grew up wi th him ; a war hors e ; a war dog ; a banshee ; the l i tt l e people ; a home l e s s gho s t ; a friend ly and repentant demon ; and a beauti ful , young sorcere s s and her aged mount , a gri f f i n--but he never doe s discover i f the document ( ta l i sman ) i s genuine a l though he doe s

219

CLIFFORD D [ ONALD ] S IMAK continued use i t to scatter the dread hoard as they swarm in thei r regeneration of evi l . B ibl iography 956 .

Owings , Mark .

C l i ffo r d D .

Th e El e c t r i c B i b l i o gr a ph , Pa r t 1 : S i ma k . Baltimore : Alice & Jay

Haldeman , 1 9 7 1

[ paper ] .

MAY S INCLAIR 957 .

London : Hutchinson , 1 9 2 3 s een ] ; New York : Macmi l lan , 1 9 2 3 .

un c a n n y S t o r i e s .

a. b. c. d. e. f. g.

[ not

" Where The ir Fire i s Not Quenched " " The Token " " The F l aw in the Crys t a l " " The Nature of the Evidence " " I f the De ad Knew " " The Victim" " The Find i ng o f the Absolute " UPTON S INCLAI R

9 58 .

I t H a pp e n e d t o D i d y m u s .

1958 .

New York : S agamore Pres s ,

The di lemmas created when an ange l give s a cont�mporary man the power to perform mirac le s . 959 .

3 vol s . L i tt l e Book Nos . 5 9 0 - 5 9 2 . Girard , KA : Haldeman� Ju lius , 1 9 2 4 [ paper ) ; Pas adena : by the author , 1 9 2 4 [ s imul taneous pub l i cation ? ) .

Th e Mi l e n n i u m : A C om e d y o f t h e Y e a r 2 0 0 0 .

Origina l ly appeared in 1 9 1 4 a s " The Mi lennium : A S tory " in s ix teen ins tal lments in App e a l t o Reason .

960 .

Our Lady : A Story .

London : T . Werner Lauri e , 1 9 3 8 .

A f i c tiona l and compas s ionate biography of Marya , the mother of Je sus . 96 1 .

Bos ton : L . C . P age , Rpt . New York : Arno Pres s , 1 9 7 8 [ not

Pr i n c e Ha g e n : A Ph a n t a s y .

1903 . seen ) .

A s atirical fantasy in which the narrator i s c arried o f f to Nibelheim , the Teutoni c under-

220

UPTON S INCLAI R conti nued world , and is given the unfortuna te chore o f educating Prince Hagen , the King ' s spo i led , 8 0 0 year-o ld son . Hagen proves to be a n apt pupi l , and he puts h i s education to use by becomi ng a po l i tic ian , f i r s t in Tammany Ha l l , ini t i a l ly as a He becomes Democrat , fina l ly as a Repub l ican . the toas t of New York , become s engaged to a soc i a l ly pre s t i gious debutante , but i s k i l led be fore the enormi ty o f h i s pol i tica l machina­ tions can be ful f i l led . Bib l iography 962 .

Gottesman , Rona ld . Up t o n S i n c l a i r : An A n n o t a t e d Ch e c k l i s t . [ Kent , OH ] : Kent State Univers i ty Pres s , 1 9 7 3 . I SAAC BASHEVI S S INGER

963 .

A C r o wn of F e a t h e r s a n d O t h e r S t o r i e s .

Farrar , S traus and Giroux , 1 9 7 3 .

a. b. c. d. e. f. g. h. i. j. k. 1. m. n. o. p. q. r. s. t. u. v. w. 964 .

New York :

" A Crown o f Feathers " " A Day in Coney I s l and " " The Captive " " The B l i z zard " " Property " " The Lantuch " " The Son from Amer ica " " The Briefca s e " " The Caba l i s t of E a s t Broadway " " The B ishop ' s Robe " " A Quotation from Klop s tock " " The Maga z i ne " " Lo s t " " The Prodigy " " The Third One " " The Rec luse " " A Dance and a Hop " " The Egoti s t " " The Beard " " The Dance " " On a Wagon " " Ne i ghbors " " Grand father and Grandson " Trans . I s aac New York : Farrar , S traus and

Th e Fo o l s o f Ch em a n d Th e i r H o l i da y .

Bashevi s S inger . Giroux , 1 9 7 3 .

A group o f wise men , led by Gronam Ox , the f i r s t

221

I SAAC BASHEVI S S INGER continued S age of Chem , bring .civi l i z ation to the ir com­ muni ty and a l so bring a l l the s u f ferings atten­ dant to soc iety . 965 .

A F r i e n d t o Ka fka a n d O t h e r S t o ri e s .

Giroux ] .

New York : Farrar , S traus

[ Ed . Robert Giroux ,

&

1970 .

a. b. c. d. e. f. g. h. i.

j.

k.

1.

m. n. o. p. q. r. s. t. 966 .

" A Friend to Kafka " " Gue s t s on a Winter Night " " The Key " " Dr . Beeber " " Stories from Behind the Stove " " The Cafeteria " " The Mentor " " P igeons " " The Chimney Sweep " " The Ri ddle " " Altele " " The Joke " " The Pr imper " " Schloimele " " The Co lony " " The Blasphemer " " The Wager " " Fate " " Power s " " Something i s There "

Pa s s �o n s a n d O t h e r S t o r i e s . S traus and Giroux , 1 9 7 5 .

a. b. c. d. e. f. g. h. i. j. k. 1.

m. n. o. p. q. r. s. t.

New York : Farrar ,

" Hanka " " Old Love " " Error s " " The Admirer " " S abbath in Portugal " " The Yearning Hei fer " " The Witch " " S am P alka and David Vi shkover " " A Tutor in the Vi l lage " " The New Year Party " " A Tale o f Two S i sters " " A P a ir " " The Fatal i s t " " Two Markets " " The Gravedigger " " The Sorcerer " "Mo i she le " " Three Encounter s " " The Adventure " " Pa s s ions "

222

ISAAC BASHEVI S S INGER continued 967 .

Giroux ] . 1964 .

a. b. c. d. e. f. g. h. i. j. k. 1. m. n. o. p. 968 .

[ Ed . Robert New York : Farrar , S traus and Giroux ,

S h o r t Fr i d a y a n d O t h e r S t o r i e s .

" Taibe le and Her Demon " " Bi g and Little " " B lood " " Alone " " E s ther Kreinde l the Second " " Jachid and Jechidah " " Under the Kni fe " " The Fas t " " The Last bemon " " Yentl the Yeshiva Boy " " Three Tal e s " " Ze i d lus the Pope " " A Wedding in Brownsvi l l e " " I P lace My Re l i ance on No Man " " Cunegunde " " Short Friday "

t h e Goa t a n d O t her S t ori e s . Trans . I saac Ba shevi s S inger and E l i zabeth Shub . New York : Harper & Row , 1 9 6 6 .

Z l a t eh

a. b. c. d. e. f. g.

" Juveni le : Foo l ' s Parad i s e " " Grandmother ' s Tale " " The S now o f Che lm " " The Mixed-up Feet and the S i l ly Bridegroom" " The First Shlemie l " " The Devi l ' s Trick " " Z lateh the Goat " CLARK ASHTON SMITH

969 .

Th e Do u b l e S h a d o w a n d O t h e r Fa n t a s i e s .

Auburn Journal Print , 1 9 3 3 ] a. b. c. d. e. f.

970 .

[n . p . :

" The Voyage o f King Euvoran " " The Ma z e o f the Enchante r " " The Doub le Shadow " " A Night in Ma lneant " " The Devotee o f Evi l " " The Wil low Landscape "

G en i u s L o c i

a n d O t h e r Ta l e s .

ham House , 1 9 4 8 . a. b.

[ paper ] .

" Genius Loci " " The Wil low Landscape "

223

S auk C i ty , WI : Ark­

CLARK ASHTON SMITH cont inued c. d. e. f. g. h. i. j. k. 1. m. 971 .

Ed . Lin Carter . [ pape r ] .

H yperbo r e a .

1971

a. b. c. d. e. f. g. h. i. j. k. 1. m. n. o. p. 972 .

" The Phantoms o f the F ire " " The Eternal Wor ld " "Vulthoom " " A S tar-Change " " The Prima l C i ty " " The Di s interment of Venus " " The S atyr " " The Garden of Adompha " " The Charnel God " " The Black Abbot o f Puthuum " " The Weaver in the vau l t "

" The Muse of Hyperborea , a P r o s e Po e m " " The Seven Gease s " " The Weird of Avoos l Wuthoqquan " " The Whi te Sybi l " " The Te s tament o f Atharrunaus " " The Coming o f the Whi te Worm " " Ubbo-Sathla " " The Door to Saturn " " The I ce-Demon " " The Ta le of Satampra Z e iros " " The The f t o f Thi r ty-Nine Girdle s " " The Abomination s o f Yondo " " The De solation of Soom " " The Pas sing o f Aphrod i te " " The Memnons o f the N i ght " "Note s on the Corrunor iom Myth-Cycle " ( Lin Carter )

L o s t Wo r l ds .

a. b. c. d. e. f. g. h. i. j. k. 1. m. n. o. p. q. r.

New York : Ba l l antine ,

S auk C i ty , WI : Arkham House , 1 9 4 4 .

" The Tale of S atampra Z eiros " " The Door to Saturn " " The Seven Gease s " " The Coming o f the Whi te Worm " " The La s t Incantat ion " " A Voyage to S fanomoe " " The Death o f Malygri s " " The Holine s s of Az edarac " " The Beast of Averoigne " " The Empire o f the Necromancers " " The I s le o f the Torturer s " "Necromancy in Naat " " Xeethra " " The Ma z e of Maal Dweb " " The Flower-Women " " The Demon o f the Flower " " The P lutoni an Drug " " The P lanet of the Dead " 224

CLARK ASHTON SMI TH continued s. t. u. v. w. 973 .

Gorgon " Letter from Mohaun Lo s " Light from Beyond " Hunters from Beyond " Tr eader o f the Dust "

O u t o f Spa c e a n d T i m e .

House , 1 9 4 2 .

a. b. c. d. e. f. g. h. i. j. k. 1. m. n. o. p. q. r. s. t. 974 .

" The " The " The " The " The

S auk C i ty , WI : Arkham

" The End o f the Story " " A Rende zvous i n Averoigne " "A Night in Ma ln�ant " " The C i ty o f the S inging Flame " " The Uncharted I s le " " The Second Interment " " The Doub le Shadow " " The Chai n of Af orgomon " " The Dark E ido lon " " The Las t Hi eroglyph " " S adastor " " The Death o f I la lotha " " The Return o f the Sorcerer " " The Tes tament of Ath arnrnaus " " The We ird o f Avoos l Wuthoqquan " " Ubbo- Sa th la " " The Monster o f the Prophecy " " The Vau lts o f Yoh-Vornb i s " " From the Crypts o f Memory " " The Shadows "

1973

Ed . Lin Carter . [ paper ] .

a. b. c. d. e. f. g. h. i. j. k. 1. m. n. o. p. q. r. s.

" The Mus e o f At l anti s " " The Last Incantat ion " " The Death o f Malygr i s " " Tolometh " " The Doub l e Shadow " "A Voyage to S fanomo� " " A Vintage from Atlant is " " Atlant i s : a poem " " In Lemur i a " " An Offering to the Moon " " The Uncharted I s le " " Lemur ienne " " The Epiphany o f Dea th " " I n Cocai gne " " Sympos i urn of the Gorgon " " The Venus o f Azornbei i " " The I s le o f Saturn " " The Root o f Arnpoi " " The Invisible C i ty "

Po s e i d o n i s .

225

New York : B a l lantine ,

CLARK ASHTON SMITH continued t. u. v. 975 .

Ta l e s o f S c i en c e a n d S o r c e r y .

ham House , 1 9 6 4 .

a. b. c. d. e. f. g. h. i. j. k. 1. m. n. 976 .

977 .

" Ami tha ine " " The Wi l low Land scape " " The Shadows " S auk C i ty , WI : Ark­

"Ma s ter o f the As teroid " " The Seed from the Sepulcher " " The Root o f Ampoi " " The "Immorta l s o f Mer cury " "Murder in the Fourth Dimens ion " " Seedl ing o f Mars " " The Maker o f Gargoy le s " " The Great God Atwo " " Mother of Toads " " The Tomb- Spawn " " Schi zoid Creat o r " " Sympos ium of the Gorgon " " The The ft o f Thirty-Nine Girdles " " Morthy l la "

1972

Ed . Lin Carter . [ paper ]

a. b. c. d. e. f. g. h. i. j.

�" The Ma ze o f Maa l Dweb " " The Flower-Women " " Vulthoom " " The Dwe ller in the Gul f " " The Vaults of Yoh-Vomb i s " " The Doom o f Antarion " " The Demon o f the Flower " " The Mons ter o f the Prophecy " " S adas tor " " From the Crypts o f Memory "

X i c c a rph .

New York : Ball antine ,



1970

Ed . Lin Carter . [ p aper ] .

a. b. c. d. e. f. g. h. i. j. k. 1. m.

" Zothique " " Xeethra " "Necromancy in Naat " " The Empire o f the Necromancers " " The Mas ter o f the Crab s " " The Death of I la lotha " " The Weaver in the vau l t " " The Wi tchcraf t of Ulua " " The Charne l God " " The Dark E ido lon " " Morthy l la " " The B lack Abbot o f Puthuum " " The Tomb- Spawn "

Zothi que .

226

New York : Bal lantine ,

CLARK ASHTON SMI TH conti nued n. o. p. q. r.

" The Las t Hieroglyph " " The I s le o f Torture rs " " The Garden o f Adompha " " The Voyage o f King Euvoran " " Epi logue : The Sequence o f the Zothique Tales " ( Lin C arter )

Bibliography 978 .

Cockcroft , Thomas G . L .

Th e Ta l e s o f C l a rk A s h t o n Smi t h : A B i b l i o g r a p h y . Me l l ing , Lower Nutt ,

New Z ea land : Thomas G . L . Cockcroft , 1 9 5 1

[ paper ] .

ERNEST BRAMAH SMITH 979 . 980 . 981 . 982 . 983 . 984 .

Bramah , Erne s t , pseud . Th e Wa l l e t of Ka i L u n g . London : Grant Richards , 1 9 0 0 . London : Grant

Ka i L u n g ' s G o l d e n H o u r s .

Ri chards , 1 9 2 2 .

Ka i L u n g U n r o l l s H i s Ma t .

Richards , 1 9 2 8 .

T h e R e t u rn o f Ka i L u n g .

dan , 1 9 3 7 .

London : Grant New York : Sheri­

Ka i L u n g B e n e a t h t h e M u l b e r r y - T r e e .

don : Grant Richards , 1 9 4 0 .

Lon­

Ka i L u n g : S i x : Un c o l l e c t e d Ta l e s from Punch . Ed . Wi l li am Wh i le . Tacoma , WA : Non­

Pro f i t Pre s s , 1 9 7 4 . a. b. c. d. e. f. 985 .

" The S tory o f Lam-Hoo and the Reward of Meri t " " The S tory o f Chung Pun and the Miraculous Peacocks " " The S tory o f Yuen Yong and the Empty Soo­ Shong Che s t " " The Story o f S ing Tsung and the Exponent o f Dark Mag i c " " The S tory of Kwey Chao and the Grate ful Song B i rd " " The Story o f Li Pao , Lucky S tar and the Intruding S tranger " Mo o n o f M u c h G l a d n e s s : R e l a t e d b y Ka i

Lung .

London : Cas se l l , 1 9 3 2

[ not seen ] .

A l l of the witty and comi c Kai Lung vol umes

227

ERNEST BRAMAH SMITH conti nued are structurally arranged as ta le co l lections , much like Th e Tho u s a n d N i gh t s a n d On � N i gh t and They are a l l set i n a Th e C a n t e rb u r y Ta l e s . complete ly f ict iona l China inhabi ted by dragons , maidens , adventurers , and magic ians . Much o f the charm of the t a l e s i s c reated by the con­ vers ion of s uppos ed oriental home l i e s , tales , and parables into the Engl i s h idiom . Bibl iography 986 .

987 .

" Ernes t Bramah : A F i r s t Check l i st . " B u l l e t i n o f B i b l i o gr a p h y , 2 2 ( May/August 1 9 5 8 ) , 127-131 .

Whi te , Wi l l i am .

" Some Unc o l lected Author s XXXVI I : Erne s t Bramah , 1 8 6 9 ? - 1 9 4 2 . " B o ok Co l l e c t o r , 1 3 , No . 1 ( 19 6 4 ) 54-6 3 . I

988 .

" Erne st Bramah [ Smi th] in Periodica l s , 1 8 9 0- 19 7 2 . " B u l l e t i n o f B i b l i o g r a ph y , 3 2 ( 1975) 3 3- 3 4 , 4 4 . I

NANCY S PRINGER 989 .

Th e B o o k o f S u n s .

[ p aper ] .

New York : Pocket Books , 1 9 7 7

A we l l - told narrative in which two youths , a prince and a peasant , become blood brothers in a magi ca l , medieval s et ting . They become the leaders of the fairy folk and scattered bands of virtuous peop l e i n a tyranni zed and poi soned kingdom and overthrow the pr ince ' s evi l father . In the proce s s , they come to terms wi th the ir own mys tical de stini e s , thei r loves , and the ir unexpected conunon parentage . A . SQUARE , pseud .

S ee EDWIN ABBOTT ABBOTT

CHRI STOPHER STASHE FF The Gramarye S e r i e s 990 .

New York : Ace Rpt . New York : Garl and ,

Th e Wa r l o c k In S p i t e o f H i m s e l f .

Books , 1 9 6 9 1975 .

[ paper ] .

228

CHRISTOPHER STASHEFF cont inued 991 .

K i n g Ko bo l d .

New York : Ace Books , 1 9 7 1

[ paper ] .

Like Poul Ander s on ' s award-winning short s tory , " The Queen o f Air and Darkne ss , " and David B i scho ff ' s N i gh t wo r l d ( see above ) , Stashe f f ' s ser i e s i s an example o f the use o f fantasy de­ vice s and characters w i thin a s c i ence- f iction Rodney d ' Armand ( later Rod Ga l lowglas s ) work . i s an interga lact i c agent sent to the planet o f Gramarye to return the p lanet to a benevo ­ lent s tar empire . Accompanied by hi s cybernetic and epi l eptic hor s e , Fes s , he encounters what appear to be witche s , were- creature s , elves , and a young sorcerous queen in a series of out­ rageous , humorous , and wondrous con tact s . All i s accounted for through extra- sensory talents in this spoo f of space opera . A third vo lume was to appear from Granada Pub l i shing in England in late 1 9 7 7 . CHRI ST INA [ELLEN ] STEAD 992 .

Th e S a l z b u r g Ta l e s .

ton-Century , 1 9 3 4 .

a. b. c. d. e. f. g. h. i. J .

k. 1. m. n. o. p. q. r. s. t. u. v. w. x. y. z .

New York and London : Apple­

" The Personages " " The Mar i onett i s t " " Guest of the Red shie lds " " Don Juan i n the Arena " " The Go ld Bride " " The Centenar i st ' s Tales ( I ) " " The Deacon o f Rottenh i l l " " The Death o f Svend " " In Doulcemer " " S i lk-Shirt " " The Centenari s t ' s Ta l e s ( I I ) " " The Mirror " " The Sparrow i n Love " " The Divi ne Avenger " " The Tri sk e l ion " " Lemonias " " The Centenari st ' s Tales ( I I I ) " " The Sensi t ive Go ldfi s h " " The Amen iti es " "A Rus s i an Hear t " " Fair Women " " The C entenar i s t ' s Tales ( IV) " " The Prodi gy " " Ga spard " "Morpeth Tower " " S appho "

229

CHRI STINA [ ELLEN ] STEAD conti nued aa . bb . cc . dd . ee . ff . gg . hh . ii . jj . kk . 11 . mm . nn . oo .

" The L i ttle Old Lady " " The Centenar i s t ' s Tales ( V) " "Antinoi.is " " To the Mountai n " " On the Road " "A Co l in , a Chlo� " " The Centenari s t ' s Ta l e s ( VI ) " " Speculation in Los t Caus e s " " The Death o f the Bee " " Day o f Wrath " " Poor Anna " " The Wunder Gotte s " " Overcote " " The Centenar i s t ' s Tales ( VI I ) " " The Epi logue "

Bibl iography 99 3 .

Watson , George , ed .

T h e N e w C a mb r i d � e B i b l i o g r a p h y of Engl i sh Li tera t ure . Cambr idge : Cambridge

Univers i ty , 1 9 7 2 , IV ( 1 9 0 0 - 1 9 5 0 ) , 7 4 2 . JAMES STEPHENS 994 .

Th e C r o c k of Go l d .

London : Macmi l lan , 1 9 1 2 .

I r i sh myths and imaginary creature s are com­ bined in thi s magical romp that was the inspira­ tion for the mus ical F i n i a n ' s R a i n b o w . 995 .

Th e Demi - Go d s .

London : Macmi l l an , 1 9 1 4 .

Bibliography 996 .

Bramsback , B i rg it .

J a m e s S t eph e n s : A L i t e r a r y a n d B i b l i o gr a ph i c a l S t u d y . Uppsala : A-B Lunde­

qui s ta , 1 9 5 9 . 997 .

Pyle , H i lary A .

J a m e s S t e p h e n s : H i s Wo rk a n d A n A c co u n t o f H i s L i f e . London : Routledge &

Kegan Paul , 1 9 6 5 , pp . 1 8 3- 1 9 1 .

FRANC I S STEVENS , pseud . " FRANK " 998 .

See GERTRUDE BARROWS BENNETT

[ FRANC I S ] R [ ICHARD ]

STOCKTON

Th e B e e - Ma n 9 f Orn a n d O t h e r Fa n c i f u l

Ta l e s .

York : Char les Scr ibner ' s Sons , 1 8 8 7 . a.

" The Bee-Man o f Orn " 230

New

" FRANK "

[ FRANC I S ] R [ ICHARD ] b. c. d. e. f. g. h. i.

999 .

York : Char l e s S c ribner ' s Sons , 1 8 8 4 .

Scribner ' s Sons , 1 9 0 7 .

New York : Charles

" The Mag i c Egg " " H i s Wi fe ' s Deceased S i ster " " The Widow ' s Crui se " " Captain E l i ' s Best Ear " " Love Before Breakfast " " The Staying Power of S i r Rohan " "A Piece o f Red Ca lico " " The Chri stmas Wre c k " "My We l l and Wha t Came Out o f I t " " Mr . To lman " "My Unwi l l ing Ne i ghbor " " Our Archery C lub "

Th e S t o r y - t e l l e r ' s Pa c k .

ner ' s Sons , 1 8 9 7 .

a. b. c. d. e. f. g. h.

New

" The Lady , or the T iger? " " The Trans ferred Gho s t " " The Spec tral Mortgage " " Our Archery Club " " That Same Old ' Coon " " H i s Wife ' s Deceased S i s ter " " Our S tory " " Mr . To lman " " On the Training o f Parents " " Our F i re-S creen " "A P iece o f Red C a l i co " " Every Man H i s Own Letter-Wr i ter "

Th e Ma g i c E g g a n d O t h e r S t o r i e s .

a. b. c. d. e. f. g. h. i. j. k. 1. 100 1 .

" The Gr i f f i th and the Minor Canon " " Old P ipes and the Dryad " " The Queen ' s Mus eum" " Chri s tmas Be fore Last ; or , the Fruit o f the Frag i le Pa lm " " Pr i nc e Has sak ' s March " " The Battle o f the Third Cous ins " " The Ban i shed King " " The Phi lopena "

Th e L a d y o r t h e T i g e r ? a n d O t h e r S t o r i e s .

a. b. c. d. e. f. g. h. i. j. k. 1. 1000 .

S TOCKTON cont inued

New York : Charles Scrib­

" A Few Word s to Begin Wi th " " The Mag ic Egg " " The S taying Power o f S ir Rohan " " The Widow ' s Crui s e " " Love Before Breakfas t " " The B i shop ' s Gho s t and the Pr inter ' s Baby " " Captain E l i ' s Be st Ear " " As One Woman to Another " 231

" FRANK "

[ FRANC I S ] R [ I CHARD ] S TOCKTON continued i. j. k.

"My We l l and Wha t Came Out o f I t " " S tephen S karridge ' s Chr i s tmas " " My Unwi l l ing Ne ighbor "

B ib l iography 1002 .

Gr i f fin , Martin Ignatius Jo seph .

Frank R .

S t o ck ­

Phi lade l phia : Univers i ty o f Pennsylvani a Pre s s , 1 9 3 9 , pp . 149-173 . t o n : A C r i t i c a l B� b l i o gr a ph y .

HUBERT S TRAS SL Magira-War Game Seri e s 10 0 3 .

Wa lker , Hugh , pseud . R e i t er i n d er F i n s t e r n i s . Ras tatt , We s t Germany : Er i ch Pabe l Ver lag , 1 9 7 5 [ not seen] . Rpt . as Wa r - G a m e r s ' Wo rl d : [ Ma g i r a I] . Trans . Chri s tine Pr i es t . New York : DAW Books , 1 9 7 8 [ paper ] .

1004 .

Ras tatt , Wes t Germany : Er ich Pabe l Ver l ag , 1 9 7 5 [ not seen] . Trans lated and pub l i shed by DAW Books a s A r m y o f Da rkn e s s . Trans . Chr i s tine Prie s t . New York : DAW Books , 1 9 7 8 [ paper ] .

1005 .

Ras tatt , We st Germany : Erich P abel Ver lag , 1 9 7 6 [ not seen ] . Rpt . as M e s s e n g e r s o f D a rk n e s s . Trans . Chr i s tine Pries t . New York : DAW Book s , 1 9 7 9 [ paper ] .

Da s H e e r d e r F i n s t e r n i s .

B o t en d e r F i n s t e r n i s .

A series o f nove l i z ations of the fantasy war games that are popular in many c l ubs and gather­ ings in both the Uni ted S tates and Europe . A war-gamer become s a par t o f h i s own fantastic creation as S tras s l recreates a war -game tha t grew out o f the meetings o f a German-Austrian fan c l ub cal led " FOLLOW . " For a simi lar work , see Andre Norton ' s Q u a g K e e p ( above ) . THEODORE S TURGEON ( born EDWARD HAMI LTON WALDO ) 1006 .

ca vi a r .

a. b. c. d.

New York : Bal l antine , 1 9 5 5 . " Bright Segment " "Microcosmic God " " Gho s t o f a Chanc e " " Pro d igy "

232

THEODORE STURGEON continued e. f. g h. •

1007 .

" Medusa " " Blabbermouth " " Shadow , Shadow on the Wa 1 1 " " Twink "

E P l u r i b u s Un i c o r n : A C o l l e c t i o n o f S h o r t S t o r i e s .

New York : Abe lard , 1 9 5 3 . a. b. c. d. e. f. g. h. i. j. k. 1. m.

" The S i lken- Swi f t " " The Profes sor ' s Teddy-Bear " �B i anca ' s Hands " " A S aucer o f Lone l ines s " " The World We l l Los t " " I t Wasn ' t Sy zygy " " The Mus ic " " Scars " " F lu f fy " " The S ex Oppos i te " " Die , Maes tro , Die ! " " Ce l lmate " " A Way o f Thinking "

Al so includes an appendix l i s t i ng S turgeon ' s s c i ence fic tion and fantasy in anthologi es . 1008 .

S t u r g e on i s A l i ve a n d We l l Sh o r t S t o r i e s . New York :

1971 .

a. b. c. d. e. f. g. h. i. j. k. 1. 1009 .

A Col l ec t i on o f

G . P . Putnam ' s Son s ,

" To Here and the Ease l " s low Sculpture " " I t ' s You ! " " Take Care o f Joey " " Crate " " The Girl Who Knew What They Meant " " Jorry ' s Gap " " I t was Nothing- -Rea l ly ! " " Brownshoe s " Uncle Fremmi s " " The Patterns of Dorne " " S ui c ide " 11

11

Th u n d e r a n d R o s e s : S t o r i e s o f S c i e n c e - F i c t i o n a n d Fa n t a s y . Ed . Grof f Conk l i n . London : Michae l

Jos eph , 1 9 5 7 .

a. b. c. d. e. f.

" Mewhu ' s Je t " . And My Fear i s Great " " Minor i ty Report " " The Hurkle i s a Happy Beas t " Thunder and Ros e s " " Bulkhead " 11

233

THEODORE STURGEON continued g. h.

" Tiny and the Mon s ter " " A Way Horne "

( s ee be low ) of thi s collection .

A wa y H o m e

1010 .

A Wa y H o m e :

S t o r i e s o f S c i en c e F i c t i o n a n d Fa n t a s y .

Ed . Gro f f Conk l in . New York : Funk & Wagna l l s , 1955 . Abr . ed . see Th u n d e r a n d R o s e s above .

a. b. c. d. e. f. g. h. i. J.

k. 1011 .

i s an expanded ver s ion

" Unite and Conquer " " Spec ial Apti tude " "Mewhu ' s Je t " " Hurr i cane Trio " " ' . . . And My Fear i s Great "Minor i ty Report " " The Hurk le i s a Happy Beas t " " Thunder and Rose s " " Bulkhead " " Tiny and the Mons ter " " A Way Horne "

[ Phi lade lph i a ] : Th i r t e e n Ta l e s . Prime Pre s s , 1 9 4 8 . Abr . ed . as No t Wi t h o u t Sorcery . New York : Bal lantine , 1 9 6 1 [ paper ] - ­ cohtents as asteri sked .

Wi t h o u t S o r c e r y :

a. b. c. d. e. f. g. h. i. j. k. 1. rn .

" The Ul tirnate Egoi s t " " It " * " Poker Face " * " Shettle Bop " " Artnan Proce s s " * "Memor ial " " Ether Breather " * " Bu ty 1 and the Breaker " * " Brat " * " Two Percent Inspiration " * " Cargo " * ".Matur i ty " "Microcosmic God "

Bibl iogr aphy 1012 .

Moskowi t z , Sam . " Fantasy and S c ience F i c tion by Theodore S turgeon . " T h e Ma ga z i n e o f Fa n t a s y a n d S c i en c e F i c t i o n , S eptember 1 9 6 2 , pp . 5 6 - 6 1 . JA [ME ] S F [ RANK ]

1013 .

Q u e er S i de S tori es .

S ULLIVAN

London : �owney , 1 9 0 0 .

234

JA [ME ] S F [ RANK ] a. b. c. d. e. f. g. h. i. j. k. 1. m. n. o. p. q. r.

SULLIVAN continued " The S tory o f the King ' s Idea " " Impo s s ib i l i ty " " The End o f War " " Moo z eby " " The Identi ty o f Mr . Push " " Old Joe ' s P icnic " " The B i rth-Rate " " Mr . Hay " " The Beau ty Col lege Co . " " The Unbe l i evers ' C l ub " " The Judge ' s Penance " " The Man with a Malady " " A Use for Genius " " The Thinner Out " " The Dwindl ing Hour " " The D i s advantage s o f Mind " "Abraham Fleeter ' s Wearine s s " " The As tr a 1 Thruppe " THOMAS BURNETT SWANN

1014 .

Th e D o l ph i n a n d t h e D e ep .

[ paper ] .

a. b. c. 1015 .

" The Dolphin and the Deep " " The Manor o f Rose s " " The Murex "

Th e G o a t Wi t h o u t H o r n s .

1971

New York : Ace , 1 9 6 8

[ paper ] .

New York : . Bal l antine ,

Narrated by a dolphin , the protagoni s t ' s be st friend , thi s i s the pseudo-hi stori c a l tale o f a n Eng l i sh woman , E l i z abeth , who marri e s a barbaric " Carib " king in the Wes t I ndie s , bear s h im a daughter , and retires to her bed a s an inva l id . Charl e s Sorley , the protagon i s t , i s brought from England to tutor the daughter , Ji l l , and becomes E l i z abeth ' s lover . E l i z abeth ' s husband and the king , Curt , i s a member o f a shark cult and pos se s s e s an e l ixir o f youth with whi ch he ha s bought hi s wi fe ' s love . Curt and the cult members are " devolving , " and in the final c l imat i c scene , Curt changes into a shark to de s troy Char le s . Charles , however , i s s aved when hi s do lphin f r iend k i l l s the were- shark . E l i z abeth and J i l l return to England , but Charl e s chooses to remain wi th h i s dolphin friend on the i s l and .

235

THOMAS BURNETT SWANN continued 1016 .

Th e G o d s A b i d e .

New York : DAW , 1 9 7 6

[ paper ] .

In a fourth-century , Chri s t i ani zed Medi terranean , Ashtoreth/Stella , the mother godde s s , i s mak ing her l a s t attempts to s ave her fol lowers and creatures from the ho sti le Yahweh , the Chr i s t i an " Des ert King . " The three protagon i s t s --Tute­ l in� , Nod , and Dyland- -di scover they are corn sprites and f lee Chr i s t i an tyranny to Britain , but find that the i r adversaries have prec eded them . Fortunate ly , Astore th creates a s anc­ tuary , a "Not-World , " where they wi l l be s a f e from even Yahweh . 1017 .

G r e e n Pho e n i x .

New York : DAW , 1 9 7 2

[ paper ] .

Me l loni a , a dryad , f a l l s i n love wi th Aenea s , who , a long wi th his fol lowers and son , ha s fled the Troj ans . Aeneas , hoping to found a new Troy , runs afoul o f Vo l urnn a , Queen o f the Dryads . After expo s i ng Vo l urnn a ' s dec e i t - - she has convinced the dryads that if they take a certain drug and go to a certain tree they wi l l mate with a god when , in actua l i ty , the ma le ( s ) i s a foul faun ( s ) - -Aeneas i s s la i n . Vo l urnn a , however , i s re j ected by her fol lowers a fter she tries to s lay Aeneas ' son , Ascanius . Me l loni a i s e lected the new queen and an a l l i­ ance i s formed with the Greeks . The seque l to L a d y of t h e B e e s ( see below) , whi ch contains Swartn ' s short story " Love is a Dragonfly " ( Ma ga z i n e o f Fa n t a s y a n d S c i en c e F i c t i o n , March 19 7 2 ) . 1018 .

H o w A r e t h e Mi gh t y F a l l e n .

[ paper ] .

New York : DAW , 1 9 7 4

In a fictional Biblical I srae l , King S aul has denounced h i s immorta l and beautiful queen , Ah inoam , who i s a winged S i ren and a wor s hipper of Ashtoreth . Whi le Saul f i l l s h i s t ime wi th the more orthodox Ri zpah , Ahinoam ' s son , Jona­ than ( actua l ly fathered secre tly by a S iren drone ) , has been accepted as S aul ' s heir . Jona than , however , s ecre t ly has re j ec ted the god Yahweh ( see Th e G o d s A b i d e above ) and wor­ ships Ashtoreth . Jonathan is condemned to death by breaking S au l ' s edict not to eat or drink a f ter a battle . However , Nathan , Jona­ than ' s armor bearer and friend , i s s la i n instead as a scapegoat . Meanwhi le , the gui lt fos tered by Yahweh ' s prophets is s lowly driving S aul mad ,

236

THOMAS BURNETT SWANN cont inued and Jonathan i s becoming the lover of David , S au l ' s harpi s t , and tra ining David to be a war­ r i or , a fortunate move s ince David mus t act in Jonathon ' s s tead against the gi ant Go li ath . Jonathon remains wi th the cra zed S aul , partia l ly out o f loya l ty and mos t ly to protect h i s mother and s i s ters , but i s s lain by the Phi l i st i ne s . David c an on ly watch s ince Ri zpah ' s reve lation of h i s and Jonathon ' s homosexual relationship ha s caused his exi le . Ahinoam and David plead wi th the Wi tch o f Endor to ra i se Jonathon from the dead , but h i s spi r i t can on ly ca l l for David to uni fy I srael and re fuse s to return . However , David i s g iven a s ign that Jonathon ' s spirit has been c l a imed by Ashtore th . 1019 .

La d y o f t h e B e e s .

New York : Ace , 1 9 7 6

[ paper ] .

S e t in f ictiona l Lat i um , thi s i s the tale o f how the dryad Me l lonia ( the eterna l dryad who appears wi th Aeneas in Swann ' s G r e e n Ph o e n i x [ see above ] ) and her companion , the young faun Sy lvan , a s s i st Remus and Romulus in regaining their usurped throne . An enlargement o f the nove le tte "Where i s the Bird o f Fire ? " ( see be low ) •

1020 .

Th e M i n i k i n s o f Y a m .

New York : DAW , 1 9 7 6

[ paper ] .

F i l led with the marve lous creatures and con s ­ truct s that are s o typical o f Swann ' s work s , thi s i s a pseudo-hi stor i c a l nove l about a young pharaoh whos e father had ban i shed magi c from the realm . He j oins with the minikin Immorte l l e , who protidly announces that she holds the rank o f "whore , " to d i scover the source of droughts and p l agues that have descended on h i s kingdom . He discovers that i t was his father ' s anti­ magi c edict that is the cause through · i ts re­ j ec t ion of hi s s uccubus mother and the fema le pri nc ip l e o f generation . 1021 .

Mo on d u s t .

New York : Ace , 1 9 6 8

[ paper ] .

Rahab-Moondus t , a femal e winged spr ite whose race has been ens l aved by the subterranean Fennec s , is sent to the B ib l ic a l c i ty o f Jericho as a change l i ng t o b e impregnated . After s he has intercour s e wi th an I srae l i te spy , she d i s appears and her human brother , Bard , and h i s friend , Z eb , s e ek her in the Fennec s ' underground world . Bard i s c aptured and

237

THOMAS BURNETT SWANN conti nued threatened with cas tration , but Rahab s aves him . She i s , however , sentenced to compete in a mortal battle c a l led "wind war . " Even though she emerges triumphant , Z eb ' s pet hyena k i l l s the leader o f the Fenne c s , and a l l mus t flee . As they escape , they co l lapse the Fennec tunne l s , making the wal l s o f Jericho " tumbl e down . " 1022



.

Th e No t - Wo r l d .

New York : DAW , 1 9 7 5

[ p aper ] .

Dierdre , an inva l id and a nove l i st , f inds un­ expected adventures in the Not-World , a wooded remnant of the Celtic past peopled wi th things and creature s anc i en t and magica l . Her ques t for the impri soned and seemingly youth ful ad­ venturer Dyl an leads her to reve la t ions of the mind and soul , the active versus the p a s s ive l i fe , in this l a s t bastion against the creeping mechani z at ion of the oncoming Industrial Revo­ lution . As always in Swann ' s f i c t ion , s c i ence , techno logy , and c ivi l i z ation are s een as evi l threats to wonder and magi c . 10 2 3 .

Q u e e n s Wa l k i n t h e D u s k .

tage Press , 1 9 7 7 .

Fores t Park , GA : Heri ­

In many ways , the background s tory for G r e e n r e l ates the tale o f P h o e n i x ( se e above ) tha t the tragic dea th o f Dido , Aenea s ' mi stre s s and Queen of Carthage . Mixed in thi s tale o f vi­ c iou$nes s and crue lty are Nere id E l ectra , Dido ' s twi s ted mother , and I arbus , the E lephant King , whose deep j ea lousy i s the immedi a te Thi s vo lume inc lude s a cause o f Dido ' s death . memoir by Gera ld Page . 10 2 4 .

T h e To u rn a m e n t o f Thor n s .

[paper ] .

New York : Ace , 1 9 7 6

In three interconnec ted adventure s -- " Stephen , " " John , " and " Lady Mary " - - three chi ldren f lee a feudal manor and s e ek adventure . After encoun­ ters wi th the dread mandrakes and the bles s ed unicorn , they arrive f ina l ly at the Manor o f Ros e s . When they leave t h e lady o f the manor and her graciousnes s , she d i s covers tha t she , too , i s a mandrake and opens her doors to the strange ly human creatur e s . Incorporate s " The Manor o f Ros e s " ( see Th e Do l ph i n a n d t h e De ep above ) and " The Stalking Tree s " ( M a ga z i n e o f Fa n t a s i a n d S c i e n c e F i c t i on , January 1 9 7 3 ) .

238

THOMAS BURNETT SWANN continued 1025 .

Th e We i r wo o d s .

New York : Ace , 1 9 6 7

[ paper ] .

A cont inuing example o f Swann ' s e legant use of mytho logy , description , and sensua l i ty as the weir-man Ve l is res cued from h i s human ens lavers by the sorcere s s Vegoia and an army of cats . In the proce s s a town i s destroyed ; the Etrur i an princes s Tanaqui l loses her father and finds real i ty and love ; and the gi fted mus i c i an Arnth d i s covers the d i f ference between supernatural and mortal love , confronts the rea l i ty of muta­ bi l i ty , and end s hi s cea s e l e s s wanderings . 1026 .

Wh e r e i s t h e B i r d af F i r e ?

[ p aper ] .

a. b. c.

New York : Ace , 1 9 7 0

" Where i s the Bird o f Fire ? " * " Vashti " " Bear "

*Expanded into L a d y o f t h e B e e s 102 7 .

Wi l l - o - t h e - Wi s p .

10 2 8 .

Wo l fwi n t e r .

( s ee above ) .

London : Corg i , 1 9 7 7

[ not seen ] .

New York : B a l l ant ine , 1 9 7 2

[ paper ] .

A highly complex nove l that centers on Erinna , one o f S appho ' s young compan ions on the I s le o f Erinna i s seduced by a satyr , but i s Lesbo s . married to a Sybar i te b y her father . Her hus ­ band expo s e s the obvious ly a l ien chi ld , and she runs away to recover i t . After be ing saved from a whi te wo l f by a whi te - sk inned trader ( actua l ly a zomb i e who hunts souls for Hades ) , she sets up house -keeping wi th the faun ( Skim­ mer ) who recovered her chi ld . Meanwh i le , her first s atyr lover reappears , a l though he i s aged , and the qui ckly maturing Sk immer begins to fos ter a mutua l de s ire between he and Erinna . However , as soon as Erinna accept s Skimmer , the whi te trader reappear s , demanding the soul o f Er inna and the child . I f he i s denied , he threatens to de s troy a race of healers , the Tele sphori , who are friend s to the fauns . Des­ p i te warn ings , Erinna goes wi th him but substi­ tute s her soul for the chi ld ' s . She i s s aved from Cerberus and Hade s when Aphrod i te admire s her s e l f le s s love , and she returns to Sk immer for a few poignant years be fore he dies ; she ultimate ly becomes a sybi l .

239

THOMAS BURNETT SWANN cont inued The Minotaur Nove l s 1029 .

Cry S i l ver Bel l s .

New York : DAW Books , 11 9 7 7

[ paper ] .

Although the l a s t wri tten , the chrono logi c a l setting of thi s nove l i s the ear l i e s t o f Swann ' s "Minotaur " nove l s ( see Da y o f t h e M i n o t a u r and A young brother The Fo r e s t of F o r e v e r be low) . and s i s ter , thi e f and whore by profes s ion , are bani shed from Egypt to the Land of the Beasts ( Crete ) . There they meet and are a l l i ed wi th Zoe the Dryad and S i lver Be l l s the Centaur . When the group i s exi led to the s e a by the cen­ taur king , the two young people are c aptured by the Tri ton s , the sea peop le , and S i lver Be l l s i s a l s o ens laved when h e tries to rescue them . Z oe leads a force-- inc luding Eunos tos , S il ver B e l l s ' son-- and saves a l l three from the dread Sphynx . S i lver Bel l s , however , is poi soned by the Sphynxe s at the vi c tory banquet , paving the way for Eunos to s ' role a s the l a s t centaur . 10 30 .

New York : Ace Book s , 1 9 7 1

Th e Fo r e s t o f Fo r e v e r .

[ pape r ] .

S econd o f Swann ' s Minotaur nove l s and probab ly h i s bes t s ta tement of h i s " be a s t- folk " and h i s be l i e f i n the uni ty o f nature , thi s i s composed of two interconnected ta l e s featuring the young Euno s tos , the l a s t mi notaur ; Z oe , the vo luptuous dryad of Crete ; and K�ra , the e therea l dryad . In the first tale , " Euno s tos , " the young mino­ taur courts Kora , who is d i s tracted by her wondrous dreams o f a f a ir prince and his c i ty , and res cues her and Z oe from the evi l bee queen , S a f fron , who has kidnapped the two dryads to draw Euno s to s into her fatal love embrace . In the s econd part , " Aeacus , " Euno stos and Kora are to be wed . However , Kora rescue s a young brother of the King of Crete , Aeacus , and whi le nurs ing h im b ack to health , she rea l i zes that he i s the young man o f her dreams , they marry , and Kora bears two chi ldren . Aeacus , however , rea l i z e s that h i s chi ldren are the only heirs to the throne of Crete , and he flees wi th them and returns to Crete . Zoe and Euno s to s attempt to rescue the chi ldren , but fa i l , and Kora per­ i she s with her tree in a f ire she herse l f has set . 1031 .

Da y o f t h e Mi n o t a u r .

New York : Ace , 1 9 6 6

Origina l ly pub l i shed in S c i e n c e F a n t a s y

240

[ paper ] . (Nos .

THOMAS BURNETT SWANN conti nued 6 7 - 6 9 ) as " The B lue Monkeys , " in 1 9 6 4 - 5 , thi s i s the l a s t tale in Swann ' s Minotaur nove l s . Eunostos , the l a s t centaur , re scues two Cretan chi ldren , Thea and Icarus , from the Achaeans and the ir b lood sacrif ice . In love wi th the prud i sh Thea and a father to the vital I c arus , Eunos to s s aves I carus from the e ldrich lust o f the Queen o f the Bees , but the B e e peop le lead the Achaens into the fore s t , a l low them to des troy i t , capture The a , and s lay a l l the centaurs s ave Eunos tos . Whi le I c arus and Eunos to s are ab le to defeat the Achaens with the poi sonous b lue monkey s and save Thea , they rea l i z e they can no longer s tay in the fore s t , and they s a i l for the I s l a n d s o f t h e B l e s t . RABINDRANATH TAGORE 10 3 2 .

[ Trans . C . F . London : Macmi l lan , 1 9 1 6 .

H u n gr y S t o n e s a n d O t h e r S t o r i e s .

Andrews and others ] .

" The Hungry S tones " " The Victory " " Once There Was a King " " The Home-corning " "My Lord , the Baby " " The Kingdom of Cards " " The Devotee " " Vi s ion " " The Babus o f Nayan j ore " " Living or Dead? " " ' We Crown Thee King " " The Renunc i ation " " The Cabul iwa l l ah "

a. b. c. d. e f. g. h. •

1 .

j. k. 1. rn .

'

Bibliography 1033 .

Anon .

A C e n t e n a r y Vo l u m e .

1 8 61 -1 961 .

pp .

504-519 .

R a b i n d r a n a t h Ta go r e ,

New Delhi : S ahi tya Akadmi , 1 9 6 1 ,

JAMES THURBER 1034 .

Th e wo n d e r f u l o .

1957 .

New York : S imon and S chus ter ,

Thurber ' s ama z i ng combination o f wit , nonsen s e , wisdom and i n s i ght in thi s tale o f pirate s , a non-exi s tent trea s ure , an is land , gentle peo ­ ple , a prince s s , and the e l imination o f the

241

JAMES THURBER cont inued letter " o . " Two o ther col lections o f Thurber ' s un i que f i c ­ tion that should b e o f interest to fantasy enthus i a sts are Fa b l e s fo r O u r T i m e a n d F a m o u s Po ems I l l u s t r a t e d . New York and London : Harper and Brothers [ 1 9 4 0 ] , and F u r t h e r Fa b l e s f o r O u r Time . New York : S imon and Schu s ter , 1 9 5 6 . 'Bibl iography 1035 .

Bowden , J ame s T . Ja m e s Th u r b e r : A B i b l i o g r a ph y . Co lumbus , OH : Ohio State Univer s i ty Pre s s , 1 9 6 9 . PETER VALENTINE T IMLETT The Atl antis Series

10 3 6 .

Th e S e e db e a r e r s .

1037 .

Th e P o w e r o f th e S e r p e n t .

[ pape r ] . 1976

London : Quartet Books , 1 9 7 4

[ paper ] .

New York : Bantam Books ,

The first two books in what i s b i l led a s a tr i logy that centers on the nature and f a l l o f Atlanti s and move s t o the s e ttlement of Great The ac tion i s marked throughout by Bri tain . the s truggle between good and evi l , the spirit­ ual and the temporal , and among various power groups and re l i g ions . The content tends toward the sens ational , whi le the narrat ive tends to­ ward the s low . J [ OHN ] R [ ONALD ] R [ EUEL ] TOLKI EN ( al so see HENRY N . BEARD AND DOUGLAS C . KENNEY ) 10 3 8 .

Fa rm e r G i l e s o f H a m : [ a quote i n E l f i n ] o r i n t h e Vu l g a r T o n g u e : T h e R i s e a n d Won d e r f u l A d v e n ­ t u r e s o f Fa rm e r Gi l e s , L o r d o f T a m e , C o u n t o f Wo rm i n gh a l l a n d Ki n g o f t h e L i t t l e K i n g d om .

London : George Allen and Unwin , 1 9 4 9 . JEgidius Ahenobarbus Julius Agr icola de Harnrno , or Farmer Gi les o f Harn in the vul gar tongue , is be l i eved to have chased a g i ant from hi s vi l l age in thi s l i ght tale . He even rece ives a g i f t of a sword , Caudirnordax ( " vulgarly Ta i lb i ter " ) , from the k ing . When a dragon , Chrysophyl ax the Ri ch , finds the tales o f the

242

J [ OHN ] R [ ONALD ] R [ EUEL ] TOLKIEN continued s uppos edly frightened g i ant attractive { de sp i te the f l i es - -Gi l e s ' b l underbus s ) , he too dec ides to j ourney to the land o f men to s a ti s fy h i s hunger . G i l e s i s dra fted t o f i ght the dragon and is s ucce s s ful primari ly becaus e of Ta i lb i te r ' s sentient reaction to dragons and h i s own blind luck . Ultimat e ly , Gi l e s makes h i s dog proud o f him and force s the cowed Chrysophylax to y i e ld mos t o f h i s hoard to Gi l e s and h i s neighbor s . 1039 .

Tr e e a n d L e a f .

a. b. 1040 .

London : G . Al len and Unwin , 1 9 6 4 .

" Le a f by N i ggle " " On Fairy- S tor i e s "

[ e s s ay ]

Ed . Chr i s topher Tolkien . ton : Houghton Mi f f l i n , 1 9 7 7 .

Th e S i l m a r i l l i o n .

Bos ­

Thi s po s thumous col lection o f tales and legends provides the h i story of the Fir s t Age in To lkien ' s cosmo s , the age that precede s the Middle Earth o f Th e H o bb i t and The Lord o f the Rings Tri logy . As such , i t i s the hi story o f the E lve s rather than of the intermingl ed rac es of Middle Earth . I t i s the h i s tory o f Morgoth , the f i r s t Dark Lord , and the H i gh E lves as they s truggle to recover the S i lmar i ls from Morgoth . The S i l ­ mar i l s ho ld the l i ght of the Tre e s o f Va l inor Yet , thi s and are keys to the power o f good . volume conta ins far more than the con f l i c t bet­ ween Morgoth and the Hi gh E lves , and thos e who have ga ined admi ttance to Tolkien ' s fan tasy rea lm through the Rings Tr i logy wi l l f ind many que s tions answered { i . e . , why Ga lad r i e l and E l rond rema in on Midd l e Earth a fter thei r com­ panions have long pas s ed on) and more than a few left as mys t er i e s . Addi tional sections , bes ide { a ) " Quenta S i lmari l l ion , " inc lude { b ) " The Ainu l i ndale , " a creation myth ; { c ) " The Valaquenta , " a description of the nature o f the gods ; { d ) " The Aka l l ab@th , " the ta le o f the f a l l o f Niimenor ( an At lantis myth ) ; and { e ) " Of the Rings of Power and the Third Age , " the chron i c l e of the making of the rings of power that f igure so prominently in Middle Earth . 104 1 .

Smi t h o f Wo o t t o n Ma j o r .

Unwin , 1 9 6 7 .

London : George Al len and

A l i ght tale in whi ch a mas ter cook j ourneys into the rea lm of faery , re turns wi th a s i lver s tar , and leaves i t as a legacy when he vani sh-

243

J [ OHN ] R [ ONALD ] R [ EUEL ] TOLKI EN continued es . The s tar is passed on to a new pe rson every twenty- four years by way o f a spec i a l cake and wi th the he lp o f the King o f Faery , who pos e s as f i r s t an apprentice cook and later as the mas ter cook . Mos t of the tale is devoted to a blacksmi th and hi s f ami ly who are enriched by the s tar , but who must pas s i t on at the end o f the tale . Smi t h o f Wo o t t o n Ma j o r i s espe­ c i a l ly interesting for i ts antic ipation o f the pass ing of the One Ring in The Lord o f the Rings Tri logy . 1042 .

New York : B a l l antine , 1 9 6 6

Th e To l k i e n R e a d e r .

[ pape r ]

a. b. c. d. e.



Pe ter s . Beagle . " Tolkien ' s Magic Ring " [ e s s ay ] " The Homecoming o f Beorhtnoth Beorhthelm ' s Son " [ p l ay ] " Tree and Lea f " 1. " On Fairy- S tories " [ es say ] 2. " Le a f by N iggl e " " Farmer G i l e s of Ham " " The Adventures o f Tom Bombad i l and Other Verses from The Red Book " [ poem]

The Lord o f the Rings 1043 .

T h e H o bb i t o r Th e r e a n d B a ck A ga i n .

1044 .

Th e F e l l o w sh i p o f t h e R i n g : B e i n g t h e Fi rs t P a r t o f t h e L o r d o f t h e R i n gs . London : Al len and

London : Al len and Unwin , 1 9 3 7 . Rev . ed . London : Al len and Unwin , 1 9 5 1 . 2nd Rev . ed . London : Al len and Unwin , 1 9 6 6 .

Unwin , 1 9 5 4 . 2nd ed . Bo s ton : Houghton Mi f f l i n , 1967 . Rev . ed . New York : Bal lantine , 1 9 6 5 [ p aper ] .

104 5 .

T h e Two To we r s : B e i n g t h e S e c o n d Pa r t o f t h e L o r d o f t h e R i n gs . London : Al len and Unwin , 1 9 5 4 .

2 nd ed . Bos ton : Houghton Mi f f l in , 1 9 6 7 . ed . New York : B a l l antine , 1 9 6 5 [ paper ] .

10 4 6 .

Rev .

Th e R e t u rn o f t h e Ki n g : B e i n g t h e Th i r d Pa r t o f t h e Lord of the R i n gs . London : Al len and Unwin ,

1955 . 2 nd ed . Boston : Houghton Mi f f l i n , 1 9 6 7 . Rev . ed . New York : Ba l lantine , 1 9 6 5 [ paper ] . Tolkien ' s Lord o f the Ring s s eries s tands a s the unconte s ted mas terpiece o f contemporary fantasy . I t s s truggle between good and evi l ;

244

J [ OHN ] R [ ONALD ] R [ EUEL ] TOLKIEN cont inued i ts focus on the diminutive heroes Fredo and S amwi se ; its bri l l i antly drawn sorcerer , Gan­ dal f , and mas ter necromancer , Sauron ; and i ts many vi l lains , noble k ing , magi c a l character s , geography , des cript ion , characteri z ation , and created language s and songs make the seri es a work o f high moment and rich experience . The H o bb i t i s the background work for the Tri l ogy that compri s e s the main ac tion . In i t , Bi lbo d i scovers the one ring , the powerful t a l i sman that is the s take in the l a ter s truggle between the fe l l and the virtuous . Bibli ography 1047 .

Carpenter , Humphrey . To l k i en : A B i o gr a p h y . ton : Houghton Mi f f l i n , 1 9 7 7 .

Bos­

104 8 .

We s t , Richard C . To l k i en C r i t i c i s m : An A n n o t a t e d C h e ck l i s t . [Kent , OH ] : Kent S tate Univers i ty Pres s , 1 9 7 0 . MRS . ARTHUR EDWARD TOWLE The Dr . Mi l e s Pennoyer S tories

1049 .

Lawrence , Margery , pseud .

N u mb e r S e v e n , Q u e e r S t r e e t : B e i n g S o m e S t o r i e s T a k e n fr om t h e P r i ­ va t e Ca s e b o o k o f Dr . M i l e s Pen n o y e r , R e c o r d e d b y H i s Fr i en d a n d O c c a s i o n a l A s s i s t a n t , J e r om e La t i m er . London : R . Hale , 1 9 4 5 [ not s e en ] .

Rpt . Sauk C ity , WI : Mycro ft

a. b. c. d. e. 1050 .

" The " The " The " The " The

Case Case Case Case Case

&

Moran , 1 9 6 9 .

the Bron z e Door " the H aunted Cathedra l " E l la McLeod " the Whi te Snake " the Moonchi ld "

of of of of of

Ma s t e r o f S h a d o ws : [ B e i n g Fo u r S t r a n g e S t o r i e s fr o m t h e Ca s e b o o k o f Dr . M i l e s P en n o y e r , P s y ch i c D o c t o r . R ecorded b y Hi s Fri end a n d Occa s i on a l A s s i s t a n t Je rome La t i mer] . London :

Robert Hale , 1 9 5 9 . a. b. c. d.

" Sa loo zy " " C i rcus Ch i ld " " The Woman on the Stairs " " The Twi s ted Chr i s t "

Along wi th John Burke ' s Dr . Caspian and Bromwen

245

MRS . ARTHUR EDWARD TOWLE cont inued Powy s and Randal l Garrett ' s Lord Darcy , among others , Towle ' s Dr . Pennoyer is a psychic de­ tective who fol lows the tradi tional pattern : super , gi fted individual i s aided by s idekick in penetrating mystery , usua l ly with occult content . The evi l force s are unknown to the wor ld- at- large , but wi e ld enormous power . The detective , wi th the s upport of the powers o f good , s ave s the wor ld . For a n interesting de­ parture from thi s formula , see James Gunn ' s Th e Ma gi c i a n s ( above ) . Other notab le col lec­ tions , by Towle , that demon strate the intrus ion of fantasy into the mys tery form , are N i gh t s o f t h e R o u n d Ta b l e ( 1 9 2 6 ) ; i ts seque l , Th e T e r r a c e s o f N i gh t ( 1 9 3 2 ) ; and Th e F l o a t i n g C a fe a n d O t her S t or i e s ( 1 9 3 6 ) . HENRY TREECE 1051 .

Th e G r e e n Ma n .

London : Bod ley Head , 1 9 6 6 .

S e t in s ixth-century Northern Europe and in­ spired by Dani sh chron i c le , thi s is one o f the mos t bruta l , barbaric , and savage fanta s i e s ever wr i tten . Much of the reason for thi s i s that Treece rej e c ts the symbo l i sm o f r i tual and For example , instead returns to actua l i ti e s . of a ferti l i ty r i tual i n which the queen b l e s s es the ' f i e lds , in thi s work the queen i s str ipped nude and dragged acros s the f i e lds by hors e s . D i s tinctive feature s , a s ide from the blood and brutal �ty , are the appearance s of the s en i le Beowu l f and King Arthur and a mos t unusual conclus ion . LOUIS AND JACQUELYN TRIMBLE 1052 .

G u a r d i a n s o f t h e Ga t e .

New York : Ace , 1 9 7 2

[paper ] .

An average sword and sorcery nove l in whi ch the male and fema le protagon i s t s ful f i l l a prophecy and s ummon the forces nece s s ary to good ' s con­ que s t of evi l . JOHN TURMAN 1053 .

Aus tin , TX : Morgan l and [ the Author ] , 1 9 7 8 [ paper ] .

Sa x o n a n d t h e S o r c e r e s s .

Pre s s

A private ly-printed , sword and sorcery nove l 246

JOHN TURMAN continued that i s des tined to be pub l i shed by a ma j or pre s s . S axon , a di scontented young man , i s transported into a magical realm by the evi l sorcere s s Ly lora , who i s a ided by her medium or fami l i ar , Wi tha , a Doberman P ins cher . An innocent , Saxon doe s not rea l i z e that Lylora expects that he wi l l become an archimage and S axon , unlike the other her wi l l ing servant . adepts in thi s world , doe s not po s s e s s magi c , Thus , in thi s but extrasensory perception . post- holocau s t s etting where s c i ence and pro­ j ec t i l e we apons· have been prohibi ted by a group o f s ix departed mas ter adepts , Saxon ' s powers are not unders tood . Finally , S axon a l l i e s him­ s e l f w i th the virtuous forces a fter he has gained menta l communication with a large and c aus tic cat , Oskar , and been aided by the virtuous sorceres s , Shyla . Turman e ffec tive ly characteri zes the minor fi gures , both human and anima l , and hand l e s both the mi l i tari s t i c and magical a spects of the nove l we l l . I ts endi ng i s an e f fective c l i ff h anger a s S axon fa l l s fully under the power o f Lylora . Two more vol ­ umes a r e promi s ed in thi s evo lving ser i e s . AMOS TUTUOLA 1054 .

Th e Pa l m - Wi n e Dr i n ka r d a n d H i s D e a d Pa l m - Wi n e T a p s t e r i n t h e D e a d ' s To wn . London : Faber ,

1952

[ not s een ] .

Rpt . New York : Grove , 1 9 5 3 .

Tutuola i s parti cular ly interes t ing becaus e o f h i s u s e o f African folklore . In the vo lume , he draws upon Yoruba myths and legends a s the young protagoni s t i s invo lved in a cyc l ic pat­ tern o f epi sodes a f ter he has gone into the underwor ld to f i nd a dead friend . Other works of i nteres t to the fant a s i s t are A b a i y i a n d h i s I n h e r i t e d P o v e r t y ( 1 9 6 7 ) , Th e B r a v e A fr i c a n H u n t r e s s ( 1 9 5 8 } , Th e F e a t h e r Wo m a n o f t h e J u n gl e ( 1 9 6 2 ) , M y L i f e i n t h e B u s h wi t h G h o s t s ( 1 9 5 4 ) , and S i m b i a n d t h e Sa t y r o f t h e Da rk J u n g l e ( 1 9 5 5 ) - - a l l f i r s t pub l i shed in London by Faber and Faber . Bibliography 1055 .

Col l ins , Harold R . Twayne , 1 9 6 9 .

Amos

247

Tu t u ol a .

New York :

S ee SAMUEL LANGHORNE CLEMENS

MARK TWAIN , pseud .

JOHN UPD I KE 1056 .

New York : Al fred A . Knop f , 1 9 6 3 .

Th e C e n t a u r .

A modern rendi tion o f the myth o f Chiron , the wi s e s t of centaurs , who , morta l ly wounded but unable to die because of h i s immor t a l i ty , sacri ficed eternal li fe to s ave Prometheus . In th i s rete l l ing , Chiron i s a teacher of s c i ence at Ol inger High Schoo l ; Prometheus i s his f i f­ teen-year-old son . S e t in Pennsylvania during the winter of 1 9 4 7 and narrated by the son , Chiron ' s torment i s a we l l -b l ended combination o f myth and rea l i sm . Bibl iography 1057 .

O l ivas , Michael A .

An A n n o t a t e d B i b l i o gr a ph y o f J o h n Upd i k e C r i t i c i sm , 1 9 6 7 - 1 9 7 3 , a n d a Ch e ck ­ l i s t o f H i s Wo r k s . New York : Garl and Pre s s ,

1975 .

1058 .

Soko lo f f , B . A . , and David E . Arna son , eds . Updi k e :

A Compr e h en s i v e B i b l i o g r a ph y .

PA : Norwood , 1 9 7 3 . 1059 .

John

Norwood ,

Taylor , C . C l arke . J o hn Up d i k e : A B i b l i o gr a ph y . Kent � OH : Kent Sta te Univers i ty Pre s s , 1 9 6 8 . DAVE VAN ARNAM

106 0 .

New York : Be lmont , 1 9 6 8 Bound with Wi l l iam Tenn ' s A L a mp f o r

Th e P l a y e r s o f H e l l .

[ paper ] .

Med u sa .

An unusua l ly s tr ik ing fantasy-- invo lving a thie f , a profe s s ional soldier , and a reawakened god--that is di stingui shed by its exce l lent mythi c and mag i c a l e lements . 10 6 1 .

New York : Be lmont , 1 9 7 0 [ paper ] Rpt . Manchester , Engl and : PBS L i ­ [ paper ] .

Wi z a r d o f S t o rms .

[ not seen ] . mited , 1 9 7 2

The seque l to Th e P l a y e r s o f H e l l al though i t does not susta in the qual i ty o f i ts predeces sor due to weak characteri z a t ion . Z antain , the re­ awakened , immortal sorc ere4. has mandated a search for magic ta l i smans to re s tore and ampli­ fy h i s powers . Much of the nove l is occupied

248

DAVE VAN ARNAM continued by thi s quest and by the s truggle between Qurve l , the Wi z ard of Storms , and Zantain ' s three unusual servants . HENRY VAN DYKE 106 2 .

Th e B l u e Fl o we r .

Sons , 1 9 0 2 .

a. b. c. d. e. f. g. h.

New York : Charles Scribner ' s

" The Blue Flowe r " " The Source " " The Mi l l " " Spy Rock " " Wood-Mag i c " " The Other Wi s e Man " " A Handful o f C l ay " " The Lo s t Word " " The First Chr i s tmas -Tree "

i .

Bibliography 1063 .

Van Dyke , Tertius . H e n r y Va n D y k e : A B i o g r a ph y . New York and London : Harper & Brother s , 1 9 3 5 , pp . 4 2 7 - 4 3 3 . A [ LFRED ] E [ LTON ] VAN VOGT

1064 .

Re ading , PA : Fantasy Pres s , Rpt . New York : Garl and , 1 9 7 5 .

Th e B o o k o f P t a t h .

1947 .

An army captain , transported to Gondwana l and in the d i s tant future , be come s a demigod . He f a l l s under the evi l contro l of the godde ss Ineznia , but a f ter comple ting seven magical tasks , his full powers are awakened and he des­ troys her . Origina l ly pub l i shed in Unkn o wn ( Oc tober 1 9 4 3 ) , thi s edition i s the first book relea sed by the Fantasy Pre s s . B i b l iography 1065 .

Van Vogt , A . E .

R e fl e c t i o n s o f A . E . Va n Vo g t : Th e A u t o b i o gr a p h y o f a S c i e n c e F i c t i o n G i a n t , Wi t h a C ompl e t e B i b l i o gr a ph y . Lakemont , GA :

Fictioneer Books , 1 9 7 5 . [ JOHN ] 1066 .

II

JACK

Th e D y i n g E a r t h .

II

[ HOLBROOK ] VANCE

New York :

249

[ H i l lman Periodicals ] ,

[ JOHN ]

" JACK "

[ HOLBROOK ] VANCE continued

1 9 5 0 [ paper ] - -the f i r s t two " chapters � are re­ ver sed in thi s edition and corrected in the 1 9 6 2 Lancer and subs equent edi t ions . A collection o f s ix loo s e ly connected tales , uni f i ed by their common sett i ng : Vance ' s vi s ion of the earth in the far-dis tant future when the sun is going dark and mankind has lost i t s vi ta­ l i ty . Each story focuses on various protagon­ i sts as they move through thi s e ldri tch environ­ ment a s s ured of the ir dooms . Indulgent and de­ c adent , they seek their pleasures and l ive out the ir point l e s s l ives amid sorcery , degenerate sc ience , mons tros i t ie s , beauty , and crue l ty . For a related work , see Michae l Shea ' s A Q u e s t for S i mb i l i s above . a. b. c. d. e. f. 1067 .

"Ma z irian the Magic i an " " Tur j an o f Mi ir " " T ' sai s " " L i ane the Way f arer " " Ul an Dhor " " Guy a l of S f ere " New York : Ace Books , Rpt . Bo s ton : Gregg Pre s s , 1 9 7 6 .

Th e E y e s o f t h e O v e r w o r l d .

1966 .

Linked by i t s setting to Th e D y i n g E a r t h , this " s emi- seque l " i s compos ed o f seven interre l a ted short stor i e s tha t have as their protagon i s t Cuge l , a mas ter thi e f and Cugel the C l ever . sorcerer , s eek s a mag ic lens and do l e s out suf­ fering and crue l ty to a l l he encounters as he trave l s to his own goal . I ronic a l ly , he con­ s iders everyone a dupe unt i l h i s own appropri ate end . a. b. c. d. e. f. g.

" The Overwor ld " "Ci l " " The Mountains o f Magnat z " " The Sorcerer Phare sm " " The P i lgrims " " The Cave in the Fore st " " The Manse o f Iucounu "

For Vance ' s other Dying Earth ta les-- " The Bag­ ful of Dreams , " " The Seventeen Vi rgins , " and "Morreion " -- see the title index to thi s vo lume . B ib l iography 106 8 .

Al len , Paul C .

" O f Swords and Sorcery . "

250

Fan t a s y

[ JOHN ]

" JACK "

[ HOLBROOK ] VANCE cont inued

Cro s s ro a d s ,

1069 .

9

( August 1 9 7 6 ) , 2 5 - 2 7 .

Levack , [ Danie l ] J H [ s ic ] , and Tim Underwood , comps . Fa n t a s m s : A B i b l i o gr a ph y o f t h e L i t e r a ­ San Franci sco and Columbia , t u r e o f J a ck Va n c e . PA : Underwood/Mi l l er , 1 9 7 8 . VERCORS , pseud .

S ee JEAN BRULLER

GORE VIDAL 1070 .

Ka l k i : A No v e l .

New York : Random Hous e , 1 9 7 8 .

Kalk i , the Hindu god who se arriva l on Earth means the des truc tion of a l l mankind except his fol lowers , appear s to have materi a l i zed in the gui s e of an ex-G . I . , and a spec i a l i s t in germ war fare , Ke l ly . Teddy Ottinger , the world ' s best fema le p i lot and j ourna l i st , i n f i ltrates Kalki ' s inner c ircle to di scover his true na­ ture . Through a combination of soc ial satire and mytho logy , the nove l unrave l s Ka lki ' s true nature and reve a l s that Kalki is indeed S iva the Des troyer . Bibliography 1071 .

Brucco l i , Mathew J . , and C . E . Frazer C l ark , eds .

F i r s t P r i n t i n gs o f A m e r i ca n A u t h o r s : C o n t r i b u ­ t i o n s To wa r d D e fi n i t i v e Ch e ck l i s t s . De tro i t :

Gale Re search , 1 9 7 8 , I I , 3 2 1- 3 3 3 .

GEORGE SYLVE STER VIERECK AND PAUL ELDRI DGE The Wandering Jew Tril ogy 1072 .

My F i r s t Two T h o u s a n d Y e a r s : T h e A u t o b i o gr a ph y o f t h e wa n d e r i n g J e w . New York : Macaulay , 1 9 2 8 .

10 7 3 .

S a l o m e : Th e Wa n d e r i n g J e w e s s : My Fi r s t Two T h o u ­ s a n d Ye a r s o f L o v e . New York : Horace Live­

r i ght , 1 9 3 0 .

107 4 .

Th e In vi n c i b l e A d a m .

1932

[ no t seen ] .

New York : Horace Liver i ght ,

F i l led with f i ctional portra i ts o f hi s torica l character s - -Jesus , Mary Magdelene , Nero , Pre stor John , Atti la , Moh anuned , Char lemagne , Don Juan , Leonardo de Vinc i , Spino z a , Einstein , Lenin , 251

GEORGE SYLVESTER VIERECK AND PAUL ELDRI DGE continued and others--thi s is a f i c tional autobiography of the Jew that Chr i s t cur sed to wander through eternity . However , Cartaphi lus or I sa ac Laguedam i s not the trad i tional suf fering peni­ tent ; rather , he is an e legant young rake in the tradi tion o f Don Juan and C a sanova , whose love affair wi th the equally unusual Sa lome uni fies thi s chron i c le . EVELYN CHARLES H . VIVIAN The Gees Series 1075 .

Mann , Jack , pseud . Ma k e r o f Sh a d o w s . London : Wright & Brown , [ 1 9 3 8 ] . Rpt . New York : Arno , , 1 9 7 6 [ not seen ] . One o f a number o f novel s under the Mann pseud­ onym featur ing the occul t detec tive Gregory " Gees " ( pronounc ed " G ' s " ) George Gordon Green and an example of a work that occupies the shadowy area between fantasy and horror . " Ge e s " i s direc ted by a friend to vi s i t Margaret Aylenar , whose daughter is under the spe l l o f an immortal and anc i ent pr i e s t , Game l MacMorn . MacMorn , having bui l t h i s house wi thin an anc ient stone ring and about an a ltar o f b lood sacri­ fice , renews hi s l i fe through the ages with the blood of h i s victims , turning them into p i t i able shadows who must do hi s b idding . Before " Ge e s " defeats MacMorn and hi s evi l dark godde s s , he exper iences an evening wi th a l amia that i s not­ able for its sensuous detai l . M a k e r of S h a d o ws i s notable for i t s use o f anc i ent mytho logies , espec i a l ly Wel sh , and for i ts portrait o f the aging , but beauti ful , Margaret Ay lenar , the last bastion against the evi l of MacMorn , who l ive s with in a rectangle o f Rowan trees , the Ygdra s i l o f Nor se mythology . S eque l : Th e G l a s s T o o Ma n y ( see be low) .

1076 .

The N i n t h L i fe .

[1939] .

London : Wri ght

&

Brown ,

Another of Vivian ' s horror- fantasy nove l s con­ cerning the occult detective Gregory " Gee ' s " George Gordon Green . In thi s case , " Gees , " in trying to s ave a friend from a " s l inky " woman , becomes invo lved with her himse l f . C l eo Ke fra i s one o f the original Egyptian pri e s te s s e s o f the c at godde ss S ekhme t and h a s l ived and re-

252

EVELYN CHARLES H . VIVIAN continued mained beauti ful through the age s as a result o f a compac t she made wi th the godde s s . Given nine l ive s through per iodic s acri fices that she is unaware of , she has gathered mag i c a l lore through al l her li fetimes . The brutal dea ths of two chi ldren by what appears to be the c l aws of a large cat are what draws " Gees " further into the adventure and to i ts s trong conc lus i on when i t become s c lear tha t C leo i s not the v i l l a in and the goddes s S ekhmet makes an appearanc e . Other Gees ' nove ls fol low : 1077 .

Gees '

London : Wri ght

Firs t Case .

Brown , 1 9 3 6 .

&

A s tra ight- forward , non- fantastic mys tery . 107 8 .

G r e y Sh a p e s .

London : Wright

&

Brown , 1 9 3 7 .

" Gees " battles werewo lves . 1079 . 1080 . 1081 .

Ni gh t m a r e Fa rm .

[ 1937 ] .

London : Wri ght

Th e K l e i n e r t Ca s e .

Brown , 1 9 3 8

[ not seen ] .

H e r Wa y s A r e D e a t h .

Brown ,

[ 19 3 9 ] .

&

Brown ,

London : Wright & London : Wright

&

London : Wri ght

&

" Ge e s " confronts a witch . 1082 .

Th e G l a s s T o o Ma n y .

Brown ,

[1940]



The s eque l to Ma k e r o f S h a d o w s . Bibliography 1083 .

Hagen , Ordean A .

Wh o D o n e I t ? A G u i d e t o De t e c ­ t i ve , M y s t e r y a n d S u s p e n s e Fi c t i o n . New York

and London : R . R . Bowker , 1 9 6 9 , pp . 2 6 1 Jack Mann , pseud . ) , 3 8 7 .

(as

KARL EDWARD WAGNER The Kane Series 1084 .

Da rkn e s s We a v e s Wi t h Ma n y S h a d e s .

253

Abr . ed . Re s e -

KARL EDWARD WAGNER continued da , CA : Powe l l , 1 9 7 0 [ paper ] . York : Warner , 1 9 7 8 [ p aper ] . 1085 .

Dea th Angel ' s Sha dow :

York : Warner , 1 9 7 3 a. b. c.

[ Th r e e Ta l e s o f Ka n e ] .

[ paper ] .

New

" Ref lections for the Winter o f My Soul " " Cold Light " "Mirage "

1086 .

B l o o ds t on e .

108 7 .

Da rk C r u s a d e .

1088 .

N i gh t Wi n d s .

a. b. c. d. e. f.

empt . ed . New

New York : Warner , 1 9 7 5

[ paper ] .

New York : Warner , 1 9 7 6 New York : Warner , 1 9 7 8

[ paper ] . [ paper ] .

" Under tow " " Two S uns Setting " " The Dark Muse " " Raven ' s Eyrie " " Lynorti s Repr i se " " S ing a La st Song of Valde s e "

Like Michae l Moorcock ' s E lr i c and Carl Sherre l l ' s Raum ( see above ) , Wagner ' s protagoni s t Kane i s at l e a s t partial ly evi l . In these sword and sorcery adventure s , his redemptive qua l i ty i s that his s e l f i shne s s and greed bring about the des truction of greater evi l s than hims e l f . Bibliography 10 8 9 .

" Of Swords & Sorcery . " Fan t a s y C r o s s ro a d s , No . 9 ( August 1 9 7 6 ) , 2 5 - 2 7 .

Al len , Paul C .

ARTHUR EDWARD WAI TE 1090 .

Th e Q u e s t o f t h e Go l d e n S t a i r s : A My s t e r y o f Ki n g ­ h o o d i n Fa e r i e . London : Theosophical Hous e ,

1927 1974

[ not seen ] . [ paper ] .

Rpt . Hol lywood , CA : Newca s t l e ,

An a l legorical dream fantasy that ha s s i gni f i ­ cant s imi lar i t i e s to George MacDona ld ' s Th e Go l d e n K e y ( see 6 9 8 above ) and Edmund Cooper ' s Th e Fi r e b i r d ( see 2 3 6 above ) and that i s a pop­ ulari z at ion of Wai te ' s mys t i c and c abal i s t i c philosophy . A young prince , Starbeam , j ourneys through a fairy land to d i s cover h i s lady , crown , fame , fortune , and ,. mos t s igni fi cantly , his inner se l f .

254

ARTHUR EDWARD WAITE con tinued Thi s is a high ly imagi s t i c and de scr iptive tale tha t exp lore s the ful l soc i a l , pol i tical , and magical aspects o f " Fa�rie " as they are d i s ­ c losed through S tarbeam ' s tria l s and reve la tions . See HUBERT STRAS S L

HUGH WALKER , pseud . EVANGELINE WALTON , ps eud .

S e e EVANGELINE WALTON ENSLEY

SYLVIA TOWNSEND WARNER 1091 .

K i n g d o m s o f E l fi n .

New York : Viking , 1 9 7 7 .

A collection o f s ixteen short s tories that chronic les the h i s tory , geography , and l i fe o f the o f ten cruel and c apr ic ious e lve s and the i r human change l ings . A f i ne example o f the crea­ tion o f " un-hurnan " and al ien beings . a. b. c. d. e. f. g. h. i. j. k. 1. m. n. o. p. 1092 .

" The One and the Other " " The Five Black Swans " " E lphenor and Wease l " " The B l ame l e s s Tri angle " " The Revolt a t Broc� l i artde " " The Mortal Mi lk " " Be l iard " " Vi s i tors to a Ca s t l e " " The Power o f Cookery " " Winged Creatures " " The Search for an Ance s tre s s " " The C l imate o f Exi le " " The La te S ir Glamie " " Ca s tor and Po l lux " " The Occupation " " Foxca s t l e "

L o l l y Wi l l o w s ;

o r t h e L o v i n g H u n t s ma n .

Chatto and Windus , 1 9 2 6 .

London :

The charming b iography o f Lo l ly Wi l lows , a wo ­ man who wi l l fully dec ides to become a wi tch . After Lo l ly breaks free from her fami ly , she move s to Gre at Mop in Buckinghamshire , drawn a s though by some faint and love ly mus i c . She is content there among the beech-woods , but her happine s s is threatened by the arrival o f nephew T i tus , a young man from Oxford who h a s come t o wr i te a book . C a l l ing on a con s i derate and unders tanding S atan , she become s a wi tch .

255

SYLVIA TOWNSEND WARNER continued With a ki tten for a fami l iar and the power to curd le the mi lk Ti tus use s for h i s n i ghtly Ova ltine , she soon has him d i s s a t i s f ied , engaged , and packed o f f to London . Wi th T i tus ' departure , she i s again independent and g lories wi th S atan in h i s numerous dome s t i c gui se s . Bibl iography 1093 .

Watson , George , ed .

T h e N e w C a m b r i d g e B i b l i o gr a p h y o f En gl i s h L i t e r a t u r e � Cambridge : C ambridge

Univer s i ty Pre s s , 1 9 7 2 , IV ( 1 9 0 0 - 1 9 5 0 ) , 7 6 2 - 7 6 3 . MANLY WADE WELLMAN 10 94 .

Wh o F e a r s t h e D e v i l ? '

196 3 .

S auk C i ty , WI : Arkham House ,

A collection o f loosely connec ted short s tories , mos t o f whi c h were pub l i shed in Th e Ma ga z i n e o f F a n t a s y a n d S c i e n c e Fi c t i o n in " somewhat di ffer­ ent form , " tha t are set in the North C aro l ina mountains and feature that group commonly known as " hi l lb i l l i e s . " The protagoni s t , identi fied only as John , uses hi s s i lver- s tringed gui tar to conquer overt and terri fying evi l and magi c . Al l the s tories have a heroi c and wh ims ical charm , espec i a l ly in the i r female character s , that. b lends we l l wi th their s i gn i f icant e l ements o f horror . a. b. c. d. e. f. g. h. i. j. k. 1. m. n. o. p. q. r. s.

" John ' s My Name " * " O Ug ly B i rd ! " " Why They ' re Named That " * " One Other " " Then I Wasn ' t Alone " * " Shiver in the P i ne s " " You Know the Ta le o f Hoph " * " Old Devlins was A-Wa i t i ng " " Find the P lace Your s e l f " * " The Desrick on Yandro " " The S tars Down There " * "Vandy , Vandy " " Blue Monkey " * " Dumb Supper " [ ori ginal ti tle : From the Va lley " ] " I Can ' t C l a im That " * " The Little Black Tra i n " " Who E l s e Could I Count On " * " Wa lk Like a Mountain �' "None Wi ser for the Trip " *

256

" Ca l l Me

MANLY WADE WELLMAN continued t. u. v.

" On the H i l l s and Everywhere " " Nary S pe l l " * " N ine Yards o f Othe r C loth"

*Brief introductions spoken by John the Min s tre l to each t a le that fo l lows . H [ ERBERT ] G [ EORGE ] WELLS 1095 .

Th e S e a L a d y :

London : Rpt . Wes tport , CT :

A Ti s s u e o f Moon sh i n e .

Me thuen , 1 9 0 2 [ not seen ] . Hyperion , 1 9 7 6 [ paper ] .

A young Bri ti s h ari stocrat , Fred Bunting , res ­ cues a young girl who appear s t o b e drown ing . The However , she turns out to be a merma i d . fami ly adopts her wi th comic results a s the young " girl " views staid , middle-c l a s s Bri t i s h li fe from her free and pagan perspective . Fred f a l l s in love wi th her . As a result , he begins to see a vi s ionary and s ensual wor ld beyond hi s own experience , and he abandon s h i s tradi tional plan s for a new l i fe a s the nove l ends and the mermaid returns to the s e a . 1096 .

Vi s i t . London : J . M . , Dent , 1 8 9 5 . Rpt . New York : Arno Pre ss , 1 9 7 8 [ not seen ] .

Th e Wo n d e r f u l

Inexp l icab ly , an ange l f a l l s to earth into a sma l l Eng l i sh town . He c annot ad j us t to earth­ ly va lues and c ircumst ances , and h i s actions and appe arance draw the increa s ing hatred of the townspeople . Befri ended only by the town vicar ( who origina l ly shot him down whi le hunting ) , he becomes increas ing ly human , fa l l s i n love wi th a servant girl , and i s consumed in f l ames when he tries to save her from a burn ing house . However , the ir souls are uni ted , and th i s combination o f tragedy and comedy doe s have a happy ending . For an inte re s t ing contra s t , see Carl Sherre l l ' s R a u m above . Bibl iography 10 9 7 .

H ammo nd , J . R .

H e r b e r t G e o r g e We l l s : An A n n o t a t e d B i b l i o g r a ph y o f H i s wo r k s . New York : Gar l and ,

1977 .

1098 .

Mul len , R . D . " An Annotated Survey o f Books and Pamphlets by H . G . We l l s . " In H . G . W e l l s a n d M o d e r n S c i e n c e F i c t i on . Ed . Darko Suvin with

257

H [ ERBERT ] G [EORGE ] WELLS continued Robert Phi lmus . Lewi sburg , NJ : Buckne l l Uni ­ vers i ty Pre ss and London : A s soci ated Un iver s i ty Pres se s , 1 9 7 7 , pp . 2 2 3 - 2 6 8 . DENN I S WHEATLEY 109 9 .

London : Hutchin son , 1 9 3 4 [ not seen ] . Rpt . London : Arrow Books , 1 9 5 4 , with a new edition in 1 9 6 9 [ paper ] .

Th e De v i l R i d e s O u t .

Al l o f Wheatley ' s books are more occult and we ird f i ction than fant a sy , but hi s canon con­ tains enough s orcerous lore to be of intere s t to some fantasy readers and h i s books have been lauded as c la s s i c s of their type . In much the s ame manner as Eve lyn Char l e s H . Vivian ' s " G ' s " series and John Burke ' s Dr . Caspian books ( see above ) , Wheatley ' s f i c t ion focuse s on the psychic detective , hi s faithful retainers , exotic environments , and macabre vi l lains and s i tuations . Th e D e vi l R i d e s O u t , whi ch uti l i ze s the same characters as G a t e wa y t o H e l l ( see be low ) , p i ts thr�e protagon i sts aga inst a S atan­ i c coven and e lemental evi l . Be fore everyone i s threatened with the los s of soul and be fore the dread Tal i sman of Set i s des troyed , a beaut­ i ful young woman i s re surrected , an angel i c child i s s aved from being the principal sacri­ fice . in a B lack Mas s , and a treasured comrade i s s aved from the Devil ' s work--a l l in an unex­ Other t i tl e s in Wheat­ pected d e u s ex ma c h i n a . ley ' s l arge c anon are c i ted be low wi thout annot­ at ion . 1100 .

Ga t e wa y

11 0 1 .

Th e H a u n t i n g o f To b y J u gg .

1102 .

Th e I r i s h Wi t c h .

110 3 .

Th e Ka o f G i ffo r d H i l l a r y .

1 10 4 .

Th e s a t a n i s t .

1948 1959

London : Hutchinson , 1 9 7 0 [ no t Rpt . London : Arrow Books , 1 9 7 2 [ paper ] .

to Hel l .

seen ] .

[ not s e e n ] . [ paper ] .

seen ] .

London : Hutchinson , Rpt . London : Arrow Books ,

London : Hutchinson , 1 9 7 3 [ not Rpt . London : Arrow Book s , 1 9 7 5 [ paper ] .

London : Hutchinson , 1 9 6 5 [ not seen ] . Rpt . London : Arrow Book s , 1 9 6 1 , with a new edition i n 1 9 6 9 [ paper ] .

London : Hutchinson , 1 9 6 0 [ not seen ] . Rpt . London : Arrow Book s , 1 9 6 2 , with a new edi­ tion in 1 9 6 9 [ paper ] .

258

DENNI S WHEATLEY continued 110 5 .

S t r a n ge Co n fl i c t .

London : Hutchin son , 1 9 4 1 [no t seen ] . Rpt . London : Arrow Books , 1 9 5 9 , with a new edit ion in 1 9 6 9 [ paper ] .

1106 .

Th e y Us e d D a rk F o r c e s .

110 7 .

To t h e D e v i l - -A Da u gh t e r .

London : Hutchinson , 1 9 6 4 [ no t s een ] . Rpt . London : Arrow Books , 1 9 6 6 , with a new edi t ion in 1 9 6 9 [ paper ] . London : Hutchinson , 1 9 5 3 [ not s een ] . Rpt . London : Arrow Book s , 1 9 5 6 , with a new edit ion in 1 9 6 9 [ paper ] . EDWARD LUCAS WHI TE

110 8 .

Lukundoo and O ther Stori es .

Doran , 1 9 2 7 .

a. b. c. d. e. f. g. h. i. j. 11 0 9 .

New York : George H .

" Lukundoo " " Floki ' s B lade " " The P i c ture Puz z le " " The Snout " "Al fandega " " The Mes s age on the S l ate " " Amina " " The P ig-Skin Bel t " " The House o f the Ni ghtmare " " Sorce ry I s land "

Th e S o n g o f t h e S i r e n s a n d O t h e r S t o r i e s .

York : E . P . Dutton , 1 9 1 9 . a. b. c. d. e. f. g. h. i. j.

New

" The Song of the S irens " " I arbas " " The Right Man " " Dodona " " The E lephant ' s Ear " " The Fasces " " The Swimmers " " The Skewba ld Panther " " Disvo la " " The Flambeau Brackett "

Bib l iography 1110 .

Burke , W . J . , Wi l l D . Howe , Irving Wei s s , and Anne Wei s s . Ameri can A u t h ors a n d Books : 1 6 4 0 t o t h e Presen t . 3rd rev . ed . New York : Crown , 1972 ' p. 687 .

259

T [ ERENCE J H [ANBURY ] WH I TE 1111 .

Th e E l e p h a n t a n d t h e Ka n ga r o o .

Putnam ' s Sons , 1 9 4 7 .

New York : , G . P .

A humorous and l i ght fantasy based on an impend­ ing second f lood , and featur ing the Archange l Michae l , who arrive s down the chimney o f the O ' Cal laghan ' s farm in Ire l and and announce s to Mr . Whi te , a free- think i ng bachelor , and Mr . and Mr s . O ' C a l l aghan that they are to repopulate the earth . 1112 .

M i s t r e s s Ma s h a m ' s R ep o s e .

Sons , 1 9 4 6 .

New York : G . P . Putnam ' s

A group of Li l l iputians , origin a l ly brought as freaks to Engl and a f ter Gul l iver ' s voyage , are . protec ted by a ten-year-old heires s , Mari a , from her wicked govern e s s and the overly pious vicar . However , i t i s the " l i ttle people " who ultimat e ly s ave Mar ia , and she f i na l ly learn s to let them l ive the ir own l ives . The Once and Future King Series 1113 .

Th e S wo r d i n

1114 .

Th e Wi t c h i n

t h e S t on e .

Sons , 1 9 3 8 .

New York : G . P . Putnam ' s

t h e Wo o d [ reti tled " The Queen o f Air New and Darknes s " in Th e On c e a n d F u t u r e K i n g ] .

York : G . P . Putnam ' s Sons , 1 9 3 9 . 1115 .

Th e I l l -Ma d e K n i gh t .

11 1 6 .

Th e On c e a n d F u t u r e Ki n g .

11 1 7 .

T h e B o o k o f M e r l yn : T h e Un p u b l i s h e d Co n c l u s i on t o " Th e On c e a n d F u t u r e K i n g . " Austin : Univers i ty

1940 .

New York : G . P . Putnam ' s Sons , London : Co l l ins , 1 9 5 8 .

o f Texas Press , 1 9 7 7 .

The be st contemporary treatment o f the Arthuri an legend , far exceeding the pseudo-hi s tor i c a l treatment by Mary S tewart i n Th e C r y s t a l C a v e and Th e Ho l l o w H i l l s . Whi te ' s characteri zation and modern view of the live s o f Arthur , Mer l i n , and a l l the other f i gures o f Camelot are f i l led with humor , j oy , sadne s s , crue lty , pathos , and trag­ edy . H i s use of contemporary psychologi c a l explanations and h i s introduct ion o f modern ana­ chroni sms give a unique perspec tive , none more s trik ing than Mer l in , the wi zard who i s l iving backwards , remembering the future and forgetting

260

T [ ERENCE ] H [ANBURY ] WHI TE cont inued the pas t . Th e On c e a n d F u t u r e Ki n g is an omni ­ b u s vo lume , co l lecting revi s ions o f T h e s wo r d i n t h e S t on e (with two new chapters ) , Th e Wi t ch i n t h e Wo o d ( reti tled " The Queen o f Air and Darkne ss " ) , Th e I l l -Ma d e Kn i gh t , and adding a new section , " The C and le in the Wind . " The Book o f M e r l yn wa s wri tten in 1 9 4 0- 1 9 4 1 and supposedly not pub l i shed because o f paper shortage s dur ing However , there i s more credenc e World War I I . to the vi ew that nei ther Whi te nor h i s pub l i sher thought enough of hi s heavi ly po l i t i c a l and bi tter attack on mank ind to pur sue i ts pub l ica­ tion . B i b l iography 1118 .

Crane , John K . T . H . Wh i t e . Pub l i s hers , 1 9 7 4 .

New York : Twayne

WILL IAM ANTHONY PARKER WHITE 1119 .

Boucher , Anthony , pseud .

Th e compl e a t We r e wo l f a n d Other S tori es o f Fan t a s y and Sci ence Fi c ­ t i on . New York : S imon and Schuster , 1 9 6 9 .

" The Complea t Werewo l f " " The P i nk Caterp i l l ar " "Q . U . R. " " Robine " " Snulbug " "Mr . Lupescu " " They B ite " " Exped ition " " We Pr int the Truth " " The Gho s t o f Me "

a. b. c. d. e. f. g. h. i. j.

Bibliography 1120 .

O fford , Lenore Glen , comp .

A Bo u ch e r Po r t r a i t : A n t h o n y B o u c h e r a s S e en b y H i s F r i e n d s a n d Col l ea ges . A n d A . [ s ic ] B o u c h e r B i b l i o gra ph y C ompi l e d b y J . R . Ch r i s t o p h e r wi t h D . W . Di c k e n s h e e t a n d R . E . B r i n e y . Whi t e Bear Lake ,

MN :

The Armcha ir De tec t ive , n . d . LEONARD WIBBERLEY

1121 .

Th e Q u e s t o f E x c a l i b u r .

Sons ,

1959 .

New York : G . P . Putnam ' s

A l i ght and witty nove l concerning the return 261

LEONARD WIBBERLEY continued of King Arthur , C ibber Brown and h i s co�panion ' s search for Exc a l ibur in a Rol l s Royce , and an attempt to cure a l l the i l l s of modern-day Engl and . MARY E . WILKINS , pseud .

See MARY E . WILKINS

[ FREEMAN ]

CHARES W . S . WILLIAMS 1 12 2 .

A l l Ha l l o w � s E v e .

London : Faber

&

Faber , 1 9 4 5 .

S e t in a dual environment o f post-World War I I London and the c i ty o f the dead , thi s nove l ' s ac tion i s pr imari ly concerned wi th the inter­ face of the s e two places--one real , one meta­ phys ic a l --that are uni f ied by a painting by Jonathon Dayton , one o f the charac ters . The nove l i s dominated by S imon the Clerk , seemingly a re l igious fana t i c , but actua l ly a mas ter sor­ cerer who ha s other images of hims e l f scattered throughout the wor l d . H i s goa l s are wor ld domination and control of the c i ty of the dead . S imon seeks to gain thi s domination through the s acri f ice of h i s daughter , Betty , but the in­ tervention o f the spir i t o f a dead woman , Le s ter Furn iva l , through her husband and Dayton , his brother , brings S imon ' s p lans to an e l aborate end on Al l Ha l low ' s Eve . Love , ba lance , and uni ty are res tored in thi s , the l a s t of Wi l l iams ' pub l i shed nove l s . 1123 .

London : Faber & Faber , 1 9 3 7 . Rpt . Grand Rapids , MI : Wi l l i am B . Eerdmans , 1 9 6 5 [ paper ] .

D e s c e n t In t o H e l l .

Wi l l iams explores the var i e ty o f love , both s e l f les s and se l f i sh , in thi s study of the overlap be tween the worlds of l i fe and death . Set in Battle H i l l , an o ld Roman battle ground , two peop l e - - the young Paul ine Anstruther and the midd le-aged Lawrence Wentworth--are the focus of a s truggle that spans time as i t exa­ mines the vul gar i ti e s and s ub l imi ties o f human pa s s ions , fears , and interre lationships . 1124 .

London : Vi c tor Go l l anc z , 1 9 3 2 [ not seen] . Rpt . Grand Rapids , MI : Wi l l iam B . Eerdmans , l 9 7 6 [ paper ] .

Th e G r e a t e r Tr u mp s .

The di scovery o f the original deck of Tarot

262

CHARLES W . S . WILL IAMS continued cards caus es Henry Lee , a young lawyer , to at­ tempt to un ite them wi th a set of go lden figures he owns tha t move in the Great Dance o f the Wor ld . As the guardian of the f i gure s , Lee and hi s beloved Nancy Con ingsby try to take the cards from her father , Lo thair . Wi th the c ards and figure s j oined , Lee expects to be able to see and control the future . After creating a storm to cause Lothai r ' s de ath and gain the cards , Lee loses control o f the s torm , and Sybi l , a woman of great power due to her commi tment to the divinity of love and Lotha ir ' s s i s ter , mus t re scue Lo tha ir and recover the cards . Un i ting Henry Lee and Nancy , Syb i l become s a curat ive vis ion of Joanna , another character who has been ins ane ; the s torm is que l led ; and the cards are s cattered and peace is res tored . 1125 .

London : Vi ctor Go l lanc z , 1 9 3 1 [ not s een ] . Rpt . Grand Rapids , MI : Wi l l i am B . Eerdmans , 1 9 6 5 [ paper ] .

Ma n y Di m e n s i on s .

A young Eng l i shman , S ir Gi l e s Tumulty , ha s man­ aged to obt ain the crown of Suleiman ben Daood from a member of the fami ly that ha s been guard­ ing it in Per s i a for several hundred years . The crown contains a miraculous stone , which conta ins the letters of the tetragrammaton , and ha s the power to cure and move peop le through t ime and space . Mos t s i gn i f i can tly , the s tone has the power to reproduce i tse l f , wi th each reproduction havi ng the powers of the ori ginal . The d i s a s ters and grac e s that fo l low demons trate the danger of the supernatural in the natura l world as Chloe Burnett , a young woman , accepts the ge i s o f reuni ting the s tone wi th i ts repro­ duc tions , but only at gre at pr ice as she i s tran s f i gured and f inal ly dies , no longer having a p lace in the mundane wor ld . 11 2 6 .

A New Novel . London : Vi c tor Go l lanc z , 1 9 3 1 [ paper ] . Rpt . Grand Rapids , MI : Wi l l i am B . Eerdmans , 1 9 6 5 [ paper ] .

Th e P l a c e o f t h e L i o n :

A s tudent o f the Principles of Cre ation succeeds in drawing the person i f i ed and e lemental forms o f emot ions into the world : the Lion o f Strength , the Butter f ly o f Beauty , the Serpent o f S ubtlety , the Eagle o f Knowledge , the Lamb o f Innocenc e , the Pterodactyl o f F a l s e Knowledge , etc . The se Elementa l s are uncontro l lable and begin to draw the ir qua l i ti e s from any person or subs tance

263

CHARLES W . S . WI LLIAMS continued that is not in complete harmony . As a 1 resul t , both people and things are absorbed , and much o f the immedi ate environment i s des troyed . Anthony Durrant , the only charac ter who i s in balance and who pos se s s e s s e l f-knowledge and s e l f-mas ­ tery , goe s t o the sour ce o f the e l ements and , in a re inac tmen t o f Adam ' s naming o f anima l s and things in Eden , gains control o f the E lemen­ ta l s and re turns them to the ir proper pl aces in cosmic order . 1127 .

London : Vic tor Go l l anc z , 1 9 3 3 [ not s een ] . Rpt . Grand Rapids , MI : Wi l l i am B . Eerdrnans , 1 9 6 5 .

Sha dows o f Ecs t a c y .

The first nove l that Wi l l i ams wrote , even though ,i t was pub l i shed fi fth , i s a con f l i c t between the forces of ec s tasy , championed by Nigel Cons idine , and the forces o f reason , led by Sir Bernard Travers . Cons idine gathers the forces o f Afr ica to overthrow Europe , the bas tion of reason , and to f i nd immor ta l i ty through rebirth Cons idine , a fter having cons ider­ for hims e l f . able succe s s , i s k i l led by a greedy henchman , and both the characters and the reader are l e f t wondering what the world would have been l ike i f Cons idine had lived and gained the succe s s he seemed to be capable of achieving . 11 2 8 .

London : Victor Go l lanc z , 1 9 3 0 . Rpt . Grand Rapids , MI : Wi l l i am B . Eerdmans , 1 9 6 5 [ paper ] .

wa r i n Ue a ve n .

The Gra i l i s d i s covered in a church in Cas tra P arvulorurn and become s the center .of a s truggle between a group o f S atan i sts and a group of s a intly and pious men . After the chao s of pos se s s ions , bl ack magi c , and a vari e ty o f r i ­ tua l s , the guardi an o f the Grai l , Pres tor John , appears ( a s he has several time s be fore ) in the ful l g lory of h i s powers , destroys the necro­ mancers , and s ave s the virtuou s . The next morning , a mas s is s a i d us ing the Gra i l , and a s i t ends , the Grai l pas s e s from the wor ld . Bibliography 1129 .

Glenn , Loi s . Ch a r l e s w . s . Wi l l i a m s : A Ch e ck l i s t . [ Kent , OH ] : Kent S tate Univers i ty Pre s s , 1 9 7 5 .

264

JAY WILLIAMS 1130 .

Th e H e r o fr om O t h e r wh e r e .

[paper ] .

New York : De l l , 1 9 7 2

An interes t ing j uveni le i n which two totally d i f ferent young boys are cal led to the princ i ­ pal ' s o f f ice only t o b e con fronted by two wi ­ The boy s are told that they have been z ards . cho s en to con front the dread wo l f Fenri s , the incarnation of fear mater i a l i zed through the s inging of a mas ter poe t , Wading . Journeying to " Otherwhere , " the boys b ecome invo lved wi th the ir own mutual animo s i ties , a demon ic s hape changer , a pro fes sor of screaming , and a good w i tch be fore they mus t confron t the total evi l o f Fenri s . " JACK " 1131 .

[ JOHN STEWART ] WILLI AMSON

Da r k e r Th a n Y o u

Pre s s , 1 9 4 8 .

Reading , PA : Fantasy Rpt . New York : Garland , 1 9 7 5 .

Th i n k .

Probably the best werewo l f tale ever told . The young and con fused protagoni s t , the s tartl ing ly a l luring heroine , and the gothi c a l lus ions to an anc i ent battle between mankind and a race o f sorcerous shape changers give th is nove l con­ s i derab le impact as the shape changers--homo s uperiors --begin to r i s e again . First pub l i shed in Un kn o wn , December 1 9 4 0 . 1132 .

R e i gn o f Wi z a r d r y .

New York : Lancen. 1 9 6 4

[ paper ] .

A rete l l ing o f Theseus ' s ingle -handed conque s t o f Cre te i n the form o f an only average sword The seus must not on ly phys i ­ and sorcery tale . ca l ly conquer the forc e s o f Crete and Talcs , i ts bron ze guardian , but he must a l so de feat its dre ad b lack magi c and its shape changing king , Mino s . He does thi s with the he lp o f Ariadne , Minos ' daughter , who has fal len i n love wi th him . JOHN ANTHONY BURGESS WILSON 113 3 .

Burge s s , Anthony , pseud . Th e E v e o f s t . Ve n u s . London : S edgewick and Jackson , 1 9 6 4 . Venus interrupts a wedding and c laims the groom . He pos se s s e s her bri e f ly before her power a s the goddes s o f love come s to the fore , and she

265

JOHN ANTHONY BURGESS WILSON continued conse crate s the ori ginal union . In a !oreword to the American edi tion (New York : W . W . Norton , 1 9 7 0 ) , Wi lson explains the use o f Burton ' s A n a ­ t om y o f M e l a n c h o l y ( part 3 , s ec tion 2 ) a s a source for the nove l and indicates that i t wa s first wr itten in 1 9 5 0 . Bibliography 1134 .

Boytinck , Paul .

An t h on y B u r g e s s : An En u m e r a t i v e B i b l i o g r a p h y Wi t h S e l e c t e d A n n o t a t i o n s . Nor­

wood , PA : Norwood Edi tion� 1 9 7 4 . 1135 .

Ros a , Al fred F . , and Paul A . E schhlo z .

C o n t empo r a r y F i c t i o n i n Ame r i c a a n d E n gl a n d , 1 9 5 0 - 1 9 7 0 : A G u i d e t o In forma t i o n S o u r c e s . Detroi t : Gale

,Res earch , 1 9 7 6 , pp . 1 0 1 - 1 0 2 . GENE WOLFE 1136 .

Th e D e vi l

Chi cago : Fol lett , 1 9 7 6 Rpt . New York : Ace , 1 9 7 7 [ paper ] .

i n the Fores t .

[ not seen ] .

A highly intro spec tive and strange s tory in which a boy ' s j ourney through the fores t and his encounters with Wat the Hi ghwayman , Mother Cloot the Wi tch , and the Barrow Man , among others , are paral l e l s or r e f lec tions of h i s own �nner deve lopment and maturation . ELINOR [ HOYT ] WYLI E 1137 .

Th e O r p h a n A n g e l .

1926 .

New York : Al fred A . Knopf ,

Based on the premi se that the poe t Percy She l l ey did not die in the Bay of Spe z z i a but was saved from drowning and taken to Ameri c a aboard the ship Wi tch o f the Wes t . Renamed Shi loh by hi s re scuer , David Butternut , She l ley become s an able seaman and trave l s about Ameri c a aiding David in hi s search for the s is ter o f a man he k i l led . 113 8 .

Th e Ve n e t i a n G l a s s N e p h e w .

Doran , 1 9 2 5 .

New York : George H .

Bib liography 1139 .

B l anck , Jacob .

Mer l e John s on ' s Amer i c a n F i r s t Edi -

266

ELINOR [ HOYT ] WYLIE continued Rev . and enl . ed . Pres s , 1 9 6 5 , pp . 5 5 1 - 5 5 3 . t i on s .

114 0 .

Wal tham , MA : Mark

Burke , W . J . , Wi l l D . Howe , Irving We i s s , and Anne We i s s . Ameri c a n A u thors and Books : 1 6 4 0 to the P r e s e n t Da y . 3 rd rev . ed . New York : Crown , 1972 , p . 713 . ROGER Z ELAZNY

114 1 .

New York : Ace Book s , 1 9 6 9 Rpt . Bos ton : Gregg , 1 9 7 6 [ no t seen ] .

Is l e o f t h e De a d .

[ paper ] .

What begins as a seeming s c i ence fict ion nove l about a wor ld-scaper or planet-maker turns ultimate ly to divine pos s e s s ion and mani fes ta­ t ion . Franc i s S andow , his l i fe pro longed through cryo s ta s i s , is the only Earthman trained by the a l ien and anc ient Pe i ' ans to use the P art of power o f his mind to create wor lds . h i s f inal initiation i s the se lec tion o f a pat­ ron deity from Pei ' an pantheon of gods . S andow se lec ts Shirnbo of Darktree , Shrugger o f Thunders . Whi le S andow has been aware o f some empathy wi th the god dur ing h i s acts o f creation and has wondered why Shirnbo ' s image s glow whenever he enter s a P e i ' an shire , S andow has never thought too much of the shadowy and numinous pre s ence . H i s reac tions change marked ly , however , when a Pei ' an enemy , a fai lure as a wor ld scaper , seeks revenge by re storing a number o f S andow ' s pas t friend s , h i s wife , and h i s greate s t enemy to l i fe by us ing sto len rec a l l tapes , methods of recording a person ' s persona l i ty and ce l l s When S andow goe s to a pl anet he a f ter death . has created , I l lyri a , to confron t the Pei ' an , he d i s covers that the wor ld i s po l luted and his enemy has been pos s e s sed by Be l ion , the enemy o f h i s patron , Shirnbo . In a clash o f enormous powers , the two gods use the bodies of the ant­ agon i s ts to resolve the ir own con f l i c t . As i s typica l wi th Z e la zny , Shadow emerges a s a s ar­ donic and human protagon i s t who chooses hi s own fu ture a f ter the god has had his way . 1142 .

J a c k o f S h a d o ws .

New York : Walker , 1 9 7 1 .

A highly mythic work that comb i ne s mag ic and sc ience as Jack of Shadows , a sorcerer or " power " and a darks ide dwe l ler on a wor ld wi th no rotation , uses both computers and sorcery to gain revenge aga ins t his f e l l ow dark s iders . 267

ROGER ZELAZNY continued Des troying the machinery and mag i c that ho lds the wor ld s t i l l , he dramat i c a l ly changes the world order . The Amber Series 1 14 3 .

N i n e P r i n c e s i n Amb e r .

New York : Doubleday , 1 9 7 0 .

1144 .

Th e G u n s o f A va l o n .

1145 .

Th e S i gn o f t h e Un i co rn .

1146 .

Th e H a n d o f O b e r o n .

1147 .

Th e Co u r t s o f Ch a o s .

New York : Doubleday , 1 9 7 2 . New York : Doubleday , 1 9 7 5 .

New York : Doubleday , 1 9 7 6 . New York : Doubleday , 1 9 7 8 .

Z e l a zny ' s popular Amber Series focus es on myth­ i c a l patterns , magi c , pol i t i c a l intr igue , and the nature of rea l i ty . The only true rea l i ty is Amber , whose rul ing fami ly creates a l l other places , " shadow , " with the ir minds . When Oberon , the fami ly ' s patr iarch , d i s appear s , the var ious chi ldren plot against each other for the c rown . Corwin , the protagon i s t , f i nds h im­ s e l f one of the prime candidates and s truggles against hi s kin . However , it soon becomes c lear that Amber ' s struggle i s not wi th in but wi thout as the mys ter ious Courts of Chaos threaten Amber ' s order and the pr imeva l p attern that i s i ts UQi fying e s sence . The s er i e s draws heav i ly on the Tarot cards and the Gra i l legend ( from Je s s e Wes ton ' s F r o m R i t u a l t o R o ma n c e ) for much of i ts mater ia l . Bibliography 1 14 8 .

Yoke , Carl . A Rea der ' s G u i d e t o R o ger Z e l a zn y . Wes t Linn , OR : S tarmont House , 1 9 7 9 [ paper ] .

268

ANTHOLOGIES BRIAN W. ALD I S S , ed . 1149 .

B e s t Fa n t a s y S t o r i e s .

1962 a. b. c. d. e. f. g. h. i. j.

[ paper ] .

London : Faber and Faber ,

Michae l Joyc e . '' Perchance to Dream " Ray Bradbury . " In a Season o f Calm Weather '' Al exander Lernet-Ho leni a . " Baron B agge " John Co l l ier . " Inc ident on a Lake " Angus Wil son . " Mwnmy to the Re scue " Brian W . Ald i s s . " Intangib les Inc . " Jack F i nney . " Cous in Len ' s Wonderfu l Ad­ j ec tive C e l l ar " Char les Beaumont . " You Can ' t Have Them Al l " " S aki " [ H . H . Munro ] . " The S tory-Te l ler " Robert Lindner . " The Jet-Prope l led Couch " ANONYMOUS

11 5 0 .

Some t i mes ,

Never :

don : Eyre

a. b. c.

&

Th r e e Ta l e s o f Ima g i n a t i o n .

Spotti swoode , 1 9 5 6 .

Lon­

Wi l l i am Golding . " Envoy Extraordinary " John Wyndham , pseud . [ John Beynon Harr i s ] . " Cons ider the Ways " Mervyn Peake . " Boy in Darkne s s " ANONYMOUS : BARON MUCHAUSEN

1151 .

Bangs , John Kendr ick .

Mr . M u n c h a u s e n : B e i n g a Tr u e A c c o u n t o f S o m e o f t h e R e c e n t A d ve n t u r e s B e y o n d t h e S t y x o f t h e L a t e H i e ro n y m u s Ca rl Fr i e d r i c h , s o m e t i m e B a r o n Mu n ch a u s e n of B a d e n ­ w e r d e r , a s O r i gi n a l l y R e p o r t e d f o r t h e S u n d a y E d i t i o n o f t h e G e h e n n a G a z e t t e b y i t s Sp e c i a l In t e r v i e w e r t h e L a t e M r . A n a n i a s fo r m e r l y o f J e r u s a l em a n d n o w F i r s t T r a n s c ri b e d f r o m t h e Col umns o f t h a t Jo u rna l . Bos ton : Noye s , P latt ,

1901 .

1152 .

Th e S i n g u l a r A d v e n t u r e s o f B a r o n M u n c h a u s e n b y

269

ANONYMOUS : BARON MUCHAUSEN continued R u d o l fe Ra s p e a n d O t h e r s : A D e fi n i t i v e T e x t .

Ed . John Car swe l l . 2nd & en l . ed . Limi ted Edi tions C lub , 1 9 5 2 . a. b.

New York :

" The S ingular Adventures of Baron Munchau­ sen " " A Seque l to the S i ngular Adventur es o f Baron Munchausen "

plus a de scriptive bib l iography . 115 3 .

Th e S i n g u l a r Tra v e l s , C a mpa i gn s , Vo y a g e s , a n d S p o r t i n g A d v en t u r e s o f B a r o n M u n n i k h o u s o n , C ommon l y P r o n o u n c e d M u n c h a u s e n : A s H e R e l a t e s t h em O v e r a B o t t l e , wh e n S u r r o u n d e d b y H i s Fri e n d s : A N e w E d i t i o n C o n s i d e r a bl y En l a r ge d , a n d Or n a m e n t e d wi t h Fo u r Vi e ws , En gr a v e d fr om t h e Ba r o n ' s D r a wi n gs . Oxford [ England ] : The

Un ivers i ty Pres s , 1 7 8 6 .

Bibliography 1154 .

Wackermann , Erwin .

M U n c h h a u s i a n a : B i b l i o gr a ph i e d e r M U n c h h a u s e n - A u s ga b e n u n d M U n c h h a u s i a d e n m i t e i n e n B e i t r a g z u r G e s ch i c h t e d e r fr U h e n A u s ga b en . Stuttgart : Ver l ag Fri t z Egger t ,

1969 .

ANONYMOUS : WONDER CLUB 115 5 .

Hal idom , M . Y . , pseud . Ta l e s o f t h e Won d e r C l u b . Rev . ed . London : Thomas Bur le i gh , 1 9 0 3 [ a l ­ though thi s i s c a l l ed a revi sed edi tion o n the ti tle page , i t is the first edi tion of a work that i s mos t probab ly the work o f a number o f authors ] . a. b. c. d. e. f. g. h. i.

" A Peep at the Wonder C lub " " The Phantom F lea- -The Lawyer ' s S tory " " The Spir i t Lovers--The Doctor ' s S tory " " The Mermaid P lace ; or Captain Though­ yard ' s Dream " " The Headless Lady--The Art i s t ' s F i r s t Story " " The Demon Guide ; or , The Gnome o f the Mounta in- -The Geologi st ' s S tory " " The Land lord ' s Daughter ' s Ta l e --The P i gmy Queen : A Fairy Ta le " " The Haunted S tage Box- -The Tragedian ' s S tory " " The Spir i t Leg--The Ana lyti c a l Chemi s t ' s

270

ANONYMOUS : WONDER CLUB continued S tory " " Lo s t in the Catacomb s - -The Antiquary ' s S tory "

j. 1156 .

Dryasdust , pseud . Ta l e s o f t h e Wond e r C l u b . Lon­ don : Harri son & Son s , [ 1 8 9 9 , 1 9 0 0 ? ] [ not seen ] .

1 15 7 .

Halidom , M . Y . , pseud . Ta l e s o f t h e Wo n d e r C l u b . Second Series . New & Rev . ed . London : Thomas Bur le igh , 1 9 0 4 [ not seen ] .

1158 .

Th e L a s t o f t h e Wo n d e r C l u b [ Ta l e s o f t h e Wo n d e r C l u b . Third Series } . London : Thomas

Bur l e i gh , 1 9 0 5

[ no t seen ] .

JONATHON BACON AND STEVE TROYANOVICH , eds . 1159 .

Omn i u m ga t h u m : A n A n t h o l o g y o f Ver s e b y Top A u t h o rs i n t h e F i e l d o f Fa n t a s y . Lamoni , IA : S tygian

I s le Pre s s , 1 9 7 6

[ paper ] .

Thi s fan pub l ic ation i s the only volume o f co l ­ lected fantasy vers e . I nc l udes poetry b y Man ly Wade We l lman , A . Merri tt , H . P . Lovecr a f t , H . Warner Munn , Hannes Bok , Mervyn Peake , S tanley We i nbaum , Andre Norton , Robert E . Howard , Mich­ ae l Moorcock , Poul Anderson , C l ark Ashton Smi th , Wi l li am Hodgson , Frank Belknap Long , Emi l Petaj a , August Derleth , Roger Z e l a zny , and Brian Lumley . D [ ONALD ] R [ OYNOLD ] BENSON , ed . 1160 .

Th e Un k n o wn :

1963

a. b. c. d. e. f. g. h. i. j. k.

S t ori es .

11

[ paper ]

New York : Pyramid Books ,



Henry Kuttner . " The Mi sguided Halo " Nel son S . Bond . " Pre s c i ence " Theodore Sturgeon . "Yes terday Was Monday " L . Sprague de Camp . " The Gnarly Man " F r i t z Le iber . " The Bleak Shore " H . L . Go ld . " Trouble wi th Water " Ma lcolm Jame son . " Double and Redoub led " Man ly Wade We l lman . " When I t Was Moonl i ght " Robert Ar thur . " Mr . Jinx " Anthony Boucher . " Snulbug " Frederic Brown . "Armageddon "

S tories origina l ly pub l i s hed in Unkn o wn and Un ­ k n o wn Wo r l d s .

271

D [ ONALD ] 1 16 1 .

R [ OYNOLD ] BENSON continued

Unkn o wn F i v e .

a. b. c. d. e.

New York : Pyramid , 1 9 6 4

Isaac As imov . "Author ! Author ! " C l eve Car tmi l l . " The Bargai n " Theodore S turgeon . " The Hag S � l een " Al fred Bes ter . " He l l is Forever " Jane Ric e . " The Cre s t o f the Wave "

ROBERT H . BOYER AND KENNETH J . 11 6 2 .

[ Baper ] .

ZAHORSKI , eds .

Da rk Ima g i n i n g s : A Co l l e c t i o n o f G o t h i c F a n t a s y .

New York : De l l , 1 9 7 8

[ paper ] .

A c las sroom oriented antho logy tha t treads the fine line between horror and fantasy . It is d ivided into two sec tions : Goth i c high fantasy and Gothic low fantasy . a. b. c. d. e. f. g. h. i. j. k. 1. m. n. o. p. 11 6 3 .

George MacDonald . " Cros s Purpos es " A . Merr itt . " The Woman o f the Wood " Rober t E . Howard . " The Mirror s o f Tu zun Thune " C . L . Moore . " Werewoman " Clark Ashton Smi th . " The Enchantr e s s o f Sylaire " Fri t z Le iber . " The Unho ly Grai l " Pou l Ander son . Excerpt from Th r e e H e a r t s a n d Th r e e L i o n s .

, Ur sula K . Le Guin . " Darknes s Box " Arthur Conan Doyle . " The Brown Hand " Wi l l iam H . Hodgson . " The Inhabi tants o f the Middle I s le t " H . Rider Haggard . " Smith and the Pharaohs " Algernon Blackwood . " The Dance of Death " H . P . Lovecraf t . " The Haunter o f the Dark " T.H. Whi te . " The Tro l l " Ray Bradbury . " The Crowd " Peter Beagle . " Li la the Werewo l f "

Th e Fa n t a s t i c Ima g i n a t i o n : A n An t h o l o g y o f H i gh Fa n t a s y . New York : Avon , 1 9 7 7 [ paper ] .

A we l l-conce ived se lection of " High Fantasy " -­ fantasy deal ing with cosmic i s sues and charac­ ters of high s tature - - that contains both short stori e s and s e l f-contai ned excerpts from nove ls . Each s e l ection i s prec eded by a brief biograph­ ica l-bib l �ographic a l introduction . a. b. c.

Johann Ludwig Tieck . " The Elves " Lord Duns any . " The Sword o f We l l eran " George MacDona ld . " The �ight Princes s " 272

ROBERT H . BOYER AND KENNETH J . ZAHORSKI continued d. e. f. g. h. i. j. k. 1. m. n. o. p. 1164 .

John Buchan . " The Grove of Ashtaroth " J . B . Cabe l l . " The Mus ic From Behind the Moon " Frank R . S tockton . " The Accommodating Circums tance " H . E . Bates . " The Peach Tree " Alexander Grin . " The Loquac i ous Gob lin " J . R . R . To lkien . " Ridd l e s in the Dark " [ from Th e H o b b i t ] C . S . Lewi s . " The Magician ' s Book " [ from Th e Vo y a g e o f t h e " D a wn T r e a d e r " ] c . s . Lewis_ . " The Duf fl epud s Made Happy " [ from Th e Vo y a g e o f t h e " D a wn Tr e a d e r " ] Mark Van Doren . " The Ta l l One " Lloyd Alexander . " The Found l i ng " P e ter s . Beag l e . " Come Lady Death " Ursula Le Guin . " The Rule of Names " [ s eed s tory for The Wi z a r d o f E a r t h s e a ] Sylvia Towns end Warner . " Bel iard "

Th e Fa n t a s t i c Ima g i n a t i o n I I : A n A n t h o l o g y o f H i gh Fa n t a s y . New York : Avon , 1 9 7 8 [ paper ] . a.

b. c. d. e. f. g. h. i. j. k. 1. m. n. o. p.

George MacDona ld . " The Go lden Key " Barry Pain . " The Glas s o f Supreme Moments " Frank R . S tock ton . " Old Pipe s and the Dryad " Lord Dunsany . " The K i th o f the E l f - fo lk " Kenneth Morr i s . " Red-Peach-Blos som I n le t " S e lma Lagerl6f . " The Legend of the Chr i s t­ mas Ro se " Evange l i ne Wa l ton Ens ley . "Above Ker-I s " Eric Link later . " The Abomi nab le Imprec c a tion " C . L . Moore . " Jirel Meets Magic " David H . Ke l ler . " The Th irty and One " Ursula K . Le Guin . " Apr i l in Pari s " Joan Aiken . " A Harp o f F i s hbones " Lloyd Alexander . " The Smi th , the Weaver , and the Harper " Patr i c i a McKi l l ip . [ from ] " The Throme of the Err i l of Sher i l l " Sylvia Towns end Warner . " Elphenor and Wea se l " Vera Chapman . " Crus ader Damos e l " RAY [MOND DOUGLAS ] BRADBURY , ed .

L l6 5 .

Th e C i r c u s o f D r .

L a o a n d O t h e r Imp r o b a b l e S t o r i e s .

New York : Bantam , a.

1956

Char l e s G . Finney . 273

[ paper ] . " The Circus o f Dr . Lao "

RAY [MOND DOUGLAS ] BRADBURY continued b. c. d. e. f. g. h. i. j. k. 1. 116 6 .

Nige l Kneale . " The Pond " E . B . Whi te . " The Hour o f Letdown " Roa ld Dahl . " The Wi sh " Shir ley Jackson . " The S umme r People " Na than i e l Hawthorne . " Ear th ' s Ho locaus t " Loren E i s e ley . " Bu zby ' s Petr i fied Woman " Ol iver LaFarge . " The Re s ting P lace " Henry Kuttner . " Thre shold " James H . Schmi tz . " Greenface " John Seymour Sharnik . " The Limi ts of Wa lter Horton " Robert Coate s . " The Man Who Vani shed "

Ti m e l e s s S t o r i e s fr om To d a y a n d T o m o r r o w .

York : Bantam Books , 1 9 5 2

,a. b. c. d. e. f. g. h. i. j. k. 1. m. n. o. p. q. r. s. t. u. v. w. x. y. z.

[ paper ] .

New

Robert M . Coates . " The Hour After Wes te rly " Henry Kuttner . " Hous ing Prob lem" Wal ter Van Ti lburg Clark . " The Portable Phonograph " S i dney Carro l l . "None Before Me " Ludwig Beme lmans . " Put z i " Shir ley Jackson . " The Demon Lover " Chr i s tine Nob le Govan . " Mi s s Winters and the Wind " Helen Eus ti s . �Mr . Death and the Redhead­ ed Woman " [ or iginal t i tle : " The Rider on the Pale Horse " ] Nige l Knea le . " Jeremy in the Wind " • John Kier Cros s . " The Glas s Eye " John S te i nbeck . " Saint Katy the Virgi n " Josephine W . Johnson . " N i ght F l i ght " John B . L . Goodwin . " The Cocoon " We s s e l Hyatt Smi tter . " The Hand " Roald Dahl . " The Sound Machine " J . C . Furnas . " The Laocoon Complex " Chr i s topher I sherwood . " I am Wai ting " W i l l iam S ansom . " The Wi tne s se s " John Cheever . " The Enormous Radio " Hortense Cal i sher . " Heartburn " E . B . Whi te . " The S upremacy o f Uruguay " Ray Bradbury . " The Pede strian " S idney Carro l l . " A Note for the Milkman " Jean Hrolda . " The E i ght Mi s tre s ses " Fran z Ka fka . " In the Pena l Co lony " Rus s e l l Maloney . " In f lex ible Logic "

WH IT BURNETT AND MARTHA FOLEY , eds . 1167 .

Th e F l y i n g Y o rk s h i r em a n : N o v e l l a s .

274

New York and

WH IT BURNETT AND MARTHA FOLEY cont inued London : Harper a. b. c. d. e.

E l e v en Ta l e s o f Ima gi n a t i o n .

Nashvi l l e , Camden , New York : Thoma s Ne l son , 1973 .

h. i. j. k.

Ray Bradbury . " McGi l lahec ' s Brat " Robert S i lverberg . "As I s " John Wyndham . " Technical S l ip " Vance Aandah l . " Beyond the Game " Terry Carr . " Touchs tone " Har lan E l l i son . "Are You Li s tening ? " Jorge Lui s Burges . " The Lottery in Babylon " H i l ary Bai ley . " Dogman o f I s l ington " J . G . Bal l ard . " The Drowne d Gian t " Carol Carr . " Ins ide " Jame s E . Gunn . " The Old Fo lks " New York : Ace , 1 9 6 7

N e w Wo r l ds o f F a n t a s y .

a. b. c. d. e. f. g. h. i. j. k. 1. m. n. o. 117 0 .

[ GENE ] CARR , ed .

In t o t h e Un k n o wn f

a. b. c. d. e. f. g.

1169 .

Brothers , 1 9 3 8 .

Eric Kni ght . " The F lying York shireman " He len Hul l . " Snow in S umme r " Albert Ma l t z . " S ea son of Ce lebration " Rache l Maddux . " Turnip ' s Blood " I . J . Kapste in . " The Song the Summer Even­ ing S ings " TERRY

116 8 .

&

Roger Z e l a zny . " Divine Madne s s " John Brunner . " Break the Door o f He l l " Jorge Lui s Borge s . " The Immortal " R . A . Laffer ty . " Narrow Val l ey " Ray Rus s e l l . " Come t Wine " Katherine MacLean . " The Other " Mi ldred C l i ngerman . " A Red Heart and B l ue Ros e s " Terry Carr . " S tan ley Toothbrush " Thoma s M . D i s ch . " The Squirrel Cage " Peter S . Beag l e . " Come Lady Death " "Nackles " Curt C l ark . J . G . Ba l lard . " The Los t Leonardo " Ke i th Roberts . " Timothy " Avram Davidson . " Bas i l i sk Al fred Gi l l espie . " The Evi l Eye " 11

N e w Wo r l d s o f Fa n t a s y

#2 .

[ paper ] .

a.

[ p aper ] .

Rober t Sheckley .

275

New York : Ace , 1 9 7 0 " The Petri fied Wor l d "

TERRY

[ GENE ] CARR continued b. c. d. e. f. g. h. i. J.

k. 1. m. n. o. p. q. r. 117 1 .

#3 :

N e w Wo r l d s o f F a n t a s y .

[ paper ] . a. b. c. d. e. f. g. h. i. j. k. 1. m.

1172 .

.

Greenwich , CT : Fawcett , 1 9 6 9

[ paper ] .

Phi l ip K . Dick . " Roog " Daphine Du Maur ier . " The Blue Lense s " Richard Mathe son . " Shipshape Home " Ray Ne l s on . " Eight O ' C lock in the Morning " R . A . Lafferty . " The S i x Finger s o f Time " Damon Knight . " Be My Gue s t " Robert A . Heinl e i n . " They "

S t e p o u t s i d e Yo u r M i n d .

196 7 .

a.

New York : Ace , 1 9 7 1

Peter s . Beagle . " Farre l l and Li l a the Werewol f " R . A . La fferty . "Adam Had Three Brothers " Avram Davidson . " B ig S am " Edgar Pangborn . " Longtooth " Fri t z Leiber . " The Inner Ci rc les " Victor Contoshi . " Von Goom ' s Gamb i t " Zenna Hender son . " Through a Gla s s - Darkly " Roger Ze lanzy . " The S ta i n l e s s Steel Leech " Terry Carr . " S leeping Beauty " Robert B loch . " The P lot i s the Thing " Jorge Lui s Borges . " Funes the Memorious " J . G . Bal lard . " S ay Goodbye to the Wind " Wi l l iam M . Lee . " A Mes s age from Cha r i ty "

Th e O t h e r s .

a. b. c. d. e. f. g. 117 3 .

Ke i th Roberts . " The S carlet Lady " Avram Davidson . " They Loved Me in Utica " Jorge Lui s Borge s . " The Library . o f Babe l " B . J . Bayley . " The Ship o f D i s a s ter " Joanna Rus s . " Window Dre s s ing " Harry Harr i s on . " By the Fa l l s " Kri s Nevi l le . " The Night o f the Nickel Beer " David Redd . " A Quiet Kind o f Madne s s " Roger Z e l a zny . " Museum P i ece " Terry Carr . " The Old Man of the Mountains " B r i tt S chwe i t z er . " En Pas s ant " Wi lmar H . Shira s . " Backward , Turn Backward " Thomas M . D i s ch . " Hi s Own Kind " Katherine MacLean . " Perchance to Dream " Leonid Andreye ff . " La zarus " R . A . Lafferty . " The Ugly S e a " Robert B loch . " The Movie Peop le "

Roger Z e l azny . 276

London : Denn i s Dobson , " Divine Madne s s "

TERRY [ GENE ] CARR continued b. c. d. e. f. g. h. i. J.

k. 1.

rn .

n. o. 1174 .

John Brunner . " Break the Door o f He l l " Jorge Lui s Borges . " The Immorta l " R . A . La f ferty . " Narrow Va l l ey " Ray Rus s e l l . " Cornet Wine " Katherine MacLean . " The rOther " Mi ldred C l i ngerman . " A Red Heart and B l ue Ros es " Terry Carr . " S tanley Toothbrush " Thoma s M . D i s ch . " The Squirrel Cage " Peter S . Beagl e . " Corne Lady De ath " " Nackle s " Curt C l ark . J . G . Ba l lard . " The Lost Leonardo " Ke i th Roberts . " Timothy " " Bas i li sk " Avram Davidson . Al fred Gi l l e sp i e . " The Evi l Eye "

Y e a r ' s F i n e s t Fa n t a s y .

[ paper ]

a. b. c. d. e. f. g. h. i. j.

New York : Berkley , 1 9 7 8



Har l an E l l i son . " Je f f ty i s Five " Jack Vance . " The Bag ful o f Dreams " S tephen K i ng . " The Cat from He l l " Steven Ut ley and Howard Wa ldrop . " Bl ack as the P i t , From Po l e to Pole " Woody Allen . " The Kugelrnass Epi sode " Avram Davidson . " Manatee Ga l Ain ' t You Corni ng Out Ton i ght " Ray lyn Moore . " Getting Back to Before It Began " T . Corghe s san Boy le . " Descent o f Man " Jul ian Re id . " Probab i l i ty S torm " Robert Ackerman . " Growing Boys " LIN [WOOD VROOMAN ] CARTER , ed .

11 7 5 .

Di s c o v e r i e s i n F a n t a s y .

1972

[ paper ] .

New York : B a l l antine ,

A hi s tori c a l antho logy of neglec ted fantasy origina l ly pub l i shed from 1 9 0 0 to 1 9 3 1 . a. b. c. d. e. f. g.

" The Vi s ion of Y i n " Ernest Brarnah [ Smi th ] . " The Dragon of Erne st Bramah [ Smi th ] . Chang Tao " Richard Garnett . " The Poet o f Panopo l i s " Ri chard Garne tt . " The City o f Phi losopher s " Donald Corley . " The Bird w i th the Go lden Beak " Donald Cor ley . " The Song o f the Tornbe­ laine " Eden Phi l lpotts . " The Mini ature "

277

LIN [ WOOD VROOMAN ] CARTER continued 117 6 .

Dra go n s ,

19 6 9

El v e s ,

[ paper ] .

and Heroes .

New York : Ballantine ,

Excerpts from the fol lowing epic s , sagas , and romances , except as noted : a. b. c. d. e. f. g. h. i. ] .

k. 1. �·

n. o. p. q. r. s.

1177 .

Beowul f Th e Vo l s u n ga S a ga T h e Ma b i n o gi o n

Rudyard Kipl ing .

" Puck ' s Song "

Th e G r e t t i r S a ga Th e Po ems o f O s s i a n L e Ma r t e d ' A r t h u r Tom O ' B e d l a m ' s S o n g Th e Ki e v C y c l e Th e Ka l e va l a Ma u n d e r v i l e ' s Tra v e l s

Wi l l i am Shakespeare . T h e Temp e s t Edmund Spens er . Th e Fa e r i e Q u e e n e Th e G e s t a R o ma n o r u m Pa l m e r i n o f En gl a n d Th e S h a h - N a ma h

Robert Browning . " Chi ld Ro l and to the Dark Tower Carne " The Roma n c es Vo ltaire . Al fred Lord Tennyson . " The Horns o f E l f land " Garden C i ty , NY : Nel son [ Sc i ence F ic tion Book Club ] , 1 9 7 3 .

Fl a sh i n g Swords !

Doubleday

#1 .

Thi s series contains s tories wr i tten by an in­ forma l co l lection of wri ters known as The Swords­ men and Sorcerer s ' Gui l d of America , " S . A . G . A . " Whi le Andrew Of futt ' s S wo r d s A ga i n s t Da rkn e s s ser i e s contains more sword and sorcery tales , the se vo lumes contain more qua l i ty . a. b. c. d. 117 8 .

Fr i t z Leiber . " The S adne s s o f the Execut ioner " Jack Vance . "Morrei on " Poul Anderson . " The Merman ' s Chi ldren " Lin Carter . " The H i gher Here s i e s o f Ool irnar "

Garden C i ty , NY : Ne l son Doubleday [ Sc ience Fic tion Book C lub ] , 1 9 7 3 .

F l a s h i n g S wo r d s !

a. b. c. d.

#2 .

L . Sprague de Camp . " The Rug and the Bul l " Michae l Moorcock . " The Jade Man ' s Eyes " Andre Norton . " The Toads o f Grinunerdale " John Jake s . " Ghou l ' s Garden "

278

LIN [ WOOD VROOMAN ] CARTER continued 1179 .

F l a s h i n g S wo r d s !

York : De l l , 1 9 7 6

a. b. c. d. e. 1180 .

[ paper ] .

#4 :

[ paper ] .

Jack Vance-. " The Bagful o f Dreams " Poul Ander s on . " The Tup i l ak " John Jakes . " Storm in a Bottle " Katherine Kur t z . " Swords Against the Mar luk " Michae l Moorcock . " The Land s Beyond the World "

G r e a t Sh o r t N o ve l s o f A d u l t Fa n t a s y .

New York : Bal lantine , 1 9 7 2 a.

b. c. d.

New

B a rb a r i a n s a n d B l a ck Ma g i c i a n s .

New York : De l l , 1 9 7 7

e.

11 8 2 .

Wa r r i o r s a n d Wi z a r d s .

L . Sprague de Camp . " Two Yards o f Dragon " Andre Norton . " Spider S i lk " Fri t z Leiber . " The Fro s t Monstreme " Lin Carter . " The Curious Cus tom o f the Tur j an Seraad " Avram Davidson . " Caravan to I l l i e l "

F l a s h i n g S wo r d s !

a. b. c. d.

118 1 .

#3 :

[ paper ] .

Vol . I .

Fletcher Pratt and L . Sprague de Camp . " Wal l o f Serpents " [ see de Camp and Pratt , Th e I n c ompl e t e En c h a n t e r , above ] Anato le France . " The Kingdom o f the Dwar fs " Robert W . Chambers . " The Maker of Moon s " Wi l l i am Morr i s . " The Hol low Land "

G r e a t S h o r t N o ve l s o f A d u l t F a n t a s y .

New York : Ba l l antine , 1 9 7 3

[ pape r ] .

Vo l . I I .

Four nove l l a s publ i shed from 1 8 5 8 to 1 9 2 3 . a. b. c. d. 1183 .

George MacDona ld . " The Woman in the Mirror " Rober t w . Chambers . " The Repairer o f Reputations " [ from Th e K i n g i n Y e l l o w ] Erne s t Bramah Smi th . " The Transmutation o f Ling " Eden Phi l lpotts . " The Lavender Dragon "

K i n gd o m s o f S o r c e r y .

1976 .

Garden Ci ty , NY : Doubleday ,

The Forerunner s o f Fantasy a. b.

Vo l ta ire . " The H i s tory o f Babouc the S cythian " Wi l l iam Beck ford . " The Palace o f S ubter­ ranean Fire " 279

LIN [ WOOD VROOMAN ] CARTER continued c.

George MacDona ld .

" The Wi tch Woman "

Fantasy a s S aga d. e. f. g.

W i l l i am Morr i s . " The Fol l a of the Mountain Door " E . R . Edd ison . "A N i ght-Piece o f Arnbre ­ merine . " [ from M i s t r e s s o f Mi s t r e s s e s ] F le tcher Pratt . " Dr . Me liboe the Enchanter " [ from Th e We l l o f t h e Un i c o rn ] Fri tz Leiber . " The Two Be s t Thi eves in Lankhrnar " [ from S wo r d s A g a i n s t Wi z a r d r y ]

Fantasy as Parable h. i. j.

Edgar Al l an Poe . " Shadow and S i l ence " Clark Ashton Smi th . " Fables from the Edge of Night " Robert H . Bar low . " The Tomb o f the God "

Fantasy a s Anecdote k.

T . H . Whi te .

" Merlyn vs . Madame Mim "

[ from

1. m.

L . Sprague de Camp . " The OWl and the Ape " Lin Carter . " The Twe lve Wi zards o f Ung "

T h e On c e a n d F u t u r e K i n g ]

Fantasy as Epic n.

c.s.

o.

J . R . R . To lkien . " The Bridge o f Kha z ad­ Durn " [ from Th e F e l l o ws h i p of t h e R i n g ] Richard Adams . " The S tory o f the Bles s ing o f E l-Ahraihad " [ from Wa t e r s h i p D o wn ]

p. 1184 .

Lewi s . " Deep Magic from the Dawn o f Time " [ from Th e L i o n , t h e W i t c h , a n d

,

t h e Wa r d r o b e ]

Th e Ma g i c o f A t l a n t i s .

[ paper ] .

New York : Lance r , 1 9 7 0

A group o f short s tories that focuses on the many wonders of Atlantis as i t l i ved and died . a. b.

c. d. e. f. g.

Robert E . Howard . " The Mi rror s o f Tuzun Thune " Henry Kuttne r . " The Spawn .of Dagon " L . Sprague de Camp . " The Eye o f Tandyla " Lin Carter . " The Seal o f Zoan S athla " Edmond Hami lton . " The Vengeance o f U l i o s " C lark Ashton Smi th . " The Death o f Malygr i s " N i c t z i n Dyalh i s . " The Heart of Atlantan "

280

LIN [WOOD VROOMAN ] CARTER continued 1185 .

New York : Bal lantine , 1 9 7 1

N e w Wo r l d s f o r O l d .

[ paper ] .

A gathering o f late nineteenth and twentieth ­ century makers o f imaginary worlds . a. b. c. d. e. f. g. h. i. J.

k. 1. m. n. o. 1186 .

Wi ll iam Beck ford . " Zulkais and Kali lah " Edgar A l l an Poe . " S i lence : A Fabl e " George MacDona ld . " The Romance o f Photogen and Nyc teri s " Oscar Wi lde . " The Sphinx " Lord Duns any . " The Fa l l o f Babbulkund " H . P . Lovecra f t . " The Green Meadow " Gary Myers . " The Fea s t in the House o f the Worm " Lin Carter . " Z inga z ar " George Ster l ing . "A Wine o f Wi zardry " Robert E . Howard . " The Garden o f Fear " C . L . Moore . " Jire l Mee t s Magic " C l i f ford B a l l . " Duar the Accursed " C lark Ashton Smi th . " The Hashish-Eater " Mervyn Peake . " The Party at Lady Cusp­ Can i ne ' s " Lin Carter . " The Sword o f Power " Garden C i ty , NY : Doub leday ,

R e a l m s o f Wi z a r d r y .

1976 .

Fantasy as Legend a. b. c. d.

Lord Dunsany . " The Hoard o f the Gibbel ins " H . P . Lovecraft . " The Doom that Came to Sarna th " Robert Bloch . " B lack Lotus " Gary Myers . " The Gods of Earth "

Fantasy a s Satire e. f. g.

Richard Garnett . " The Ci ty of Phi losophers " James Branch Cabe l l . " Some Ladies and Jurgen " Donald Cor ley . " The Book of Lul l ume "

Fantasy a s Romance h. i. j.

H . Ri der Haggard . " The Des cent Beneath Kor " A . Merr i tt . " The Whe lming o f Cherk i s " [ from Th e M e t a l Mo n s t e r ] Hannes Bok . " How Orche r Broke the Koph " [ from T h e S o r c e r e r ' s Sh i p ]

281

LIN [ WOOD VROOMAN ] CARTER conti nued Fantasy as Adventure S tory k. 1. m.

Robert E . Howard . " Swords o f the Purple Kingdom " [ from K i n g K u l l ] C l i f ford Ba l l . " The Goddes s Awakes " C . L . Moore and Henry Kuttner . " Quest o f the S tarstone " I



New D i rections in Fantasy

1187 .

n.

Jack Vance .

" Li ane the Way farer "

o. p.

Michae l Moorcock . " Ma s te r o f Chaos " Roger Z e la zny . " Thel i nde ' s Song "

The Dyi n g Earth ]

Th e Y e a r ' s B e s t Fa n t a s y S t o ri e s .

1 97 5

[ from

[ paper ] .

New York : DAW ,

An annual series wi th a sword and sorcery empha' s i s ; reader s should be cautioned that the s e l ec­ tions only parti a l ly repres en t a s e l ec t i on of the " year ' s best . " A number of the s tori e s in each vo lume are spec i a l ly commi s s i oned and have not appeared e l s ewhere . Each volume contains an appendix surveyi ng the year ' s best fantasy . a. b. c. d. e. f. g. h. i. j. k. 1188 .

Mar ion Z immer Bradley . " The Jewel o f Arwen " Lloyd Alexander . " The Sword Dyrnwyn " Robert E . Howard . " The Temp l e o f Abominat ion " :c lark Ashton Smi th . " The Doub le Towe r " Fri t z Leibe r . " Trapped in the Shadowland " Lin Carter . " B lack Hawk o f Valkarth " Hannes Bok . " Jewe l Que s t " L . Sprague de Camp . " The Emperor ' s Fan " Pat Mc intosh . " Fa l con ' s Mate " Char les R . Saunders . " The Ci ty o f Madnes s " Jack Vance . " The Seventeen Virgins "

Th e Y e a r ' s B e s t F a n t a s y S t o r i e s :

DAW , 1 9 7 7

a. b. c. d. e. f.

[ paper ] .

2.

New York :

Tani th Lee . " The Demones s " Thomas Burnett Swann . " The Night o f the Unicorn " " Cry Wo l f " Pat Mc intosh . " Under the Thumb s o f the Fri t z Leiber . Gods " " The Guardian of the Vault " Paul Spencer . " The Lamp from L . Sprague de Camp . Atlantis "

282

LIN [ WOOD VROOMAN ] CARTER cont inued g. h. i. j. k. 1. 118 9 .

Th e Y e a r ' s B e s t Fa n t a s y S t o r i e s :

1977

a. b. c. d. e. f. g. h. i. j. k. 119 0 .

d. e. f. g. h. i. j. k.

New York : DAW ,

L . Sprague de Camp . " Eudoric ' s Uni corn " Gardner F . Fox . " Shadow o f a Demon " Pat Mc into sh . " Ring o f Black S tone " George R . R . Martin . " The Lonely Songs o f Laren Dorr " Kar l Edward Wagner . " Two Suns Setting " C l ark Ashton Smi th . " The S tair s in the Cryp t " Raul Garc i a Cape l l a . " The Goblin Blade " C . J . Cherryh . " The Dark King " Lin Carter . " Black Moon l i ght " Gary Myer s . " The Snout in the Alcove " George R . Saunders . " The Poo l o f the Moon "

DAW , 1 9 7 8

c.

3.

[ paper ] .

Th e Y e a r ' s B e s t Fa n t a s y S t o r i e s :

a. b.

119 1 .

Gary Myers . " Xiurhn " Lin Carter . " The C i ty in the Jewe l " Walter C . DeBi l l , Jr . " In ' Ygiroth " Clark Ashton Smi th and Lin Carter . " The Scro l l of Morlee " C . A . Cader . " Payment in Kind " Avram Davidson . "Mi lord S ir Smiht , the Eng l i sh Wi zard "

4 .

[ paper ] .

New York :

Poul Ander son . " The Tale o f Hauk " Grai l Undwin [ p s eud . ? ] . "A Farmer on the Clyde " C lark Ashton Smi th . " Prince Alcouz and the Magic ian " Robert E . Howard and Andrew J . Of futt . " Nekht Semerkeht " Lin Carter . " The P i l lar s o f He l l " Phi l ip Coakley . " Lok the Depres sor " Avram Davidson . " Hark ! Was That the Squea l of an Angry Thoat ? " Pat Mc into sh . " The C loak o f Dreams " Phy l l i s E i senstein . " The Land o f Sorrow " Tan i th Lee . " Odds Again s t the Gods " Ramsey Campbe l l . " The Changer of Name s "

T h e Y o u n g Ma gi c i a n s .

[ paper ] .

New York : B a l lantine , 1 9 6 9

An exc e l lent repr e s enta tion o f contemporary heroi c fan ta sy wri ters . a.

Wi l l i am Morr i s .

283

" Rapun z e l "

LIN [WOOD VROOMAN ] CARTER continued b. c. d. e. f. g. h. i. j. k. 1. m. n. o. p. q.

Lord Dunsany . " The' Sword o f We l leran " E . R . Eddi son . " In Va lha l la " Jame s Branch Cabe l l . " The Way q f E cben " H . P . Lovecraft . " The Que st o f I ranon " H . P . Lovecra ft . " The Cats o f Ulthar " C l ark Ashton Smi th . " The Ma ze o f Maa l Dweb " Lin Carter . " The Whe lming o f Oom " Lin Carter . "Az lon " A . Merr i tt . " Through the Dragon Gla s s " Robert E . Howard . " The Val ley o f the Worm " L . Sprague de Camp . " He ldendammerung " L . Sprague de Camp . " Ka the Appa l l ing " Jack Vance . " Tur j an o f Mi ir " [ from Th e D y i n g E a r t h , see above ) J . R . R . To lkien . " Once Upon a Time " J . R . R . To lkien . " The Dragon ' s Vi s i t " c . s . Lewi s . " Narnian Sui te " M . L . CARTER , ed .

11 9 2 .

Demon L o v e r s a n d S t r a n g e S e d u c t i o n s .

CT : Fawcett , 1 9 7 2

a. b. c. d. e. f. g. h. i. j.

[ paper ] .

Greenwich ,

J . Sher idan LeFanu . " Ul tor de Lacy " Arthur Machen . " The Great God Pan " Marion Z [ immer ] Brad l ey . " The Wind People " Jerome B ixby . " Can Such Beauty Be ? " Algernon Blackwood . " The G lamour o f the Snow" Robert H ichens . " How Love Came to Profes sor Gui ldea " Robert B loch . " The Think ing Cap " Fredric Brown . " Too Far " Wins ton Marks . " The Naked People " Theodore S turgeon . "A Touch o f S trange " JOHNATHAN COTT , ed .

1193 .

B e y o n d t h e L o o k i n g G l a s s : Ex t r a o r d i n a r y Wo r k s o f F a n t a s y a n d Fa i r y T a l e [ from the Nine teenth

Century ] . a. b. c. d. e.

New York : S tonehi l l ,

1973 .

Le s l ie F i edler . " Introduction " John Rusk in . " The King o f the Gol den River or The B l ack Brother s " Tom Hood . " Pe tseti l l a ' s Posy " Mrs . C l i f ford . " Wooden Toby : An Anyhow s tory " Mary de Morgan . " Through the Fire " 284

JOHNATHAN COTT continued f. g. h. i. j. k.

Mary de Morgan . " The Wanderi ngs o f Ara s mon " Maggie Brown . " Wanted--A King " Mark Lemon . " Tinyk in ' s Trans formation s " George MacDona ld . " The Go lden Key " George MacDona ld . " The Day Boy and the Nigh t Gir l " Chri s tina Ros s etti . " Gobl in Market " [WILL IAM L . CRAWFORD , ed . ]

1194 .

Th e G a r d e n o f F e a r a n d O t h e r S t o r i es o f t h e B i ­ z a r r e a n d Fa n t a s t i c . Los Angeles , CA : Craw­

ford , 1 9 4 5

a. b. c. d. e.

Robert E . Howard . " The Garden o f Fear " L . A . E s hbach . " The Man wi th the Hour Glas s " H . P . Lovecra f t . " Ce lephai s " Mi les J . Breuer . "Mars Coloni zes " David H . Kel ler . " The Go lden Bough " L [ YON ]

119 5 .

SPRAGUE DE CAMP , ed .

Th e F a n t a s t i c S wo r ds m e n .

[ p aper ] .

a. b. c. d. e. f. g. h. 11 9 6 .

[ paper ] .

Robert B loch . " B lack Lotus " Lord Dunsany . " The Fortre s s Unvanqui shab le S ave for S acnoth " Robert E . Howard and L . Spr ague de Camp . " Drums o f Tomba lku " John Jake s . " The Girl in the Gem " Henry Kuttner . " Dragon Moon " H . P . Lovecraf t . " The Other God s " Michael Moorcock . " The S i ng i ng Ci tade l " Luigi de Posca i l i s . " The Tower "

Th e S p e l l o f S e v e n :

S t o r i e s o f H e r o i c Fa n t a s y .

New York : Pyramid , 1 9 6 5

a. b. c. d. e. f. g.

New York : Pyramid , 1 9 6 7

[ paper ] .

Fri t z Leiber . " Ba zaar o f the B i z arre " C lark Ashton Smi th . " The Dark Eido lon " Lord Duns any . " The Hoard o f the Gibbe l ins " L . Spr ague de Camp . " The Hungry Hercyn ian " Michae l Moorcock . " Kings in Darkne s s " Jack Vance . " Ma z i r i an the Mag i c ian " [ from Th e D y i n g E a r t h ] Robert E . Howard . " Shadows in Z amboula "

285

L [ YON ] SPRAGUE DE CAMP continued 119 7 .

S wo r d s a n d S o r c e r y : S t o r i e s

New York : Pyramid , 1 9 6 3

a. b. c. d. e. f. g. h. 1198 .

I

Sons , 1 9 7 0 .

i. j.

H e r o i c Fa n t a s y .

Poul Anderson . " The Va lor o f Cappen Varra " Lord Dunsany . " Di s tre s s ing Tale of Thango­ brind the Jewe l ler " Robert E . Howard . " Shadows i n the Moonl i ght " Henry Kuttner . " The Ci tade l o f Darkne s s " Fri t z Le iber . " When the Sea King ' s Away " H . P . Lovecraft . " The Doorn That Carne to S arnath " C . L . Moore . " He l l sgarde " C lark Ashton Smi th . " The Tes tament o f Atharnrnaus "

Wa r l o ck s a n d wa r r i o rs .

a. b. c. d. e. f. g. h.

of

[ paper ] .

New York : G . P . Putnam ' s

Ray Cape l la . " Turuta l " Lin Carter . " The Gods o f N i orn Parma " Robert E . Howard . " The H i l l s o f the Dead " Henry Kuttner . " Thunder in the Dawn " Fri t z Le iber . " Thieves ' House " C . L . Moore . " B l ack God ' s Ki s s " Lord Duns any . " Chu-bu and Sheerni sh " C lark Ashton Smi th . " The Mas ter o f the Crabs " H . G . We l ls . " The Va l l ey o f Spiders " Roger Z e l a zny . " The Be l l s o f Shoredan "

THOMAS M [ ICHAEL ] DI SCH AND CHARLES NAYLOR , eds . 1199 .

S t ran gen es � :

A Col l e c t i on o f C u ri o u s

Ta l e s .

York : Char les Scr ibner ' s Sons , 1 9 7 7 . a. b. c. d. e. f. g. h. i. j. k. 1. rn . n.

New

Shir ley Jackson . " The Beauti ful S tranger " Virginia Woo l f . " So l id Obj ects " Brian Aldi s s . "Where the Lines Converge " I talo Calvi no . "All at One Point " Sarah Orne Jewett . " The Wai ting P lace " Phi l ip Jos e Farmer . " Sketches Among the Ruins of My Mi nd " Joan Aiken . " Elephant ' s Ear " Joyce Carol Oates . " Bodies " M . John Harr ison . " Running Down " Thomas M . Disch . " The Roaches " Rus s e l l Fi tzgerald . " The Last Supper " Wi l l iam Sansom . " Among the Dah l i as " Pame la Zol ine . " The Ho l l and o f the Mind " John � ladek . " E lephant with Wooden Leg "

286

THOMAS M [ ICHAEL ] D I S CH AND CHARLES NAYLOR continued o.

Thomas Mann .

" The Wardrobe "

GEORGE ERNSBERGER , ed . See DONALD A [ LLEN ] WOLLHEIM AND GEORGE ERNSBERGER , eds . EDMUND J . FARRELL , THOMAS E . GAGE , JOHN PFORDRESHER , AND RAYMOND J . RODRIGUES , eds . 1200 .

Fan ta s y :

S h a p e s o f Th i n g s Un kn o wn .

S cott , Fore sman ,

a. b. c. d. e. f. g. h. i. J.

k. 1. m. n. o. p. q. r. s. t. u. v.

1974

[ paper ] .

Glenview , I L :

John Col li€r . " Thus I Re fute Bee l z y " J . C . Furnas . " The Laoco6n Complex " Daphne du Maurier . " The Blue Lens e " Mary Chas e . " Harvey " E . F . Benson . "Mrs . Amworth " S aki , pseud . [ H . H . Munro ] . " Gabr i e l Erne s t " Man ly Wade We l lman . " Oh Ugly Bird " A . M . Burrage . " The Green S c ar f " Richard Mathe son . " Born of Man and Woman " George Lange l aan . " The Fly " Theodore Sturgeon . " Ta lent " Hortense Cali sher . " Heartburn " Jack Conroy . " The H i gh Divers " Phi l Squire s . " Pecos Bi l l " Whi tf ield Cook . " The Portab le Mrs . Ti l l s on " H . L . Go ld . " The Man wi th Engl i s h " Charles Beaumont . " Free Dirt " John Co l l ier . " The Cha s er " Edgar Al l an Poe . " The Mas que of the Red Death " Richard Mathe son . " Prey " Vladimir Gri gor i ev . " The Horn o f P l enty " H . G . We l l s . " The Magic Shop " JULIUS FAST , ed .

1201 .

O u t o f t h i s Wo r l d : A n A n t h o l o g y .

guin Books , 1 9 4 4

a. b. c. d. e. f.

[ paper ] .

New York : Pen­

John Co l l i er . " Evening Primrose " Saki [ H . H . Munro ] . " Laura " Eric Kn i ght . " Sam Sma l l ' s Tyke " Robert Arthur . " S atan and Sam Shay " John Kendrick Bangs . "A D i s puted Author­ shi p " Ne l s on s . Bond . "Mr . Mergenthwirker ' s

287

JULIUS FAST continued g. h. i. J.

k. 1. m. n.

Lobb l i es " H . G . We l l s . " A Vi sion o f Judgment " John Co l l i er . " Thus I Re fute Bee � zy " S tephen Vincent Ben� t . " The King o f Cats " Oscar Wi lde . " The Cantervi l le Gho s t " Juli us Fas t . " My Fr iend Merton " Arch Oboler . "And Adam Bego t " Lord Dunsany . " The Club Secretary " Jack London . " The S c arle t P lague "

MARJORI E FI SCHER AND ROLFE HUMPHRI ES , eds . 12 0 2 .

P a u s e t o Wo n d e r : S t o r i e s o f t h e Ma r v e l o u s , M y s t e r ­ i o u s , a n d S t r a n ge . New York : Jul ian Me s sner ,

1944 .

a. b.

b.

d. e. f. g. h. i. j. k. 1. m. n. o. p. q. r. s. t. u. v. w. x. y. z.

Ra lph Hodgson . " Reason " Virginia Woo l f . " A Haunted House " Frank R . Stockton . " The Phi losophy o f Re lative Exi s tences " Liam O ' Flaherty . " Birth " F . Scott Fi tzgera ld . " The Curious Case of Benj amin Button " I rwin Shapiro . " S trong But Quirky " Frank O ' Conner . " The Man Who S topped " Wi l l i am Butler Yeats . "A Man and H i s Boots " Wa l ter de la Mare . " O f f the Ground " John Buchan . " The Rime o f True Thoma s " Ralph Bate s . " The Haunted Man " Ambrose B ierce . "A Hor seman in the S ky " Arthur Machen . " The Bowman " Livy . " Be fore the Battle a t Lake Tras i menus " Wi l l i am March . " Private Martin P a s sy " Ernes t Rhys . " Ba l lad o f the Bur i ed Sword " G [ i lber t ] K l e i th ] Che sterton . " The Perfec t Game " Os car Wi lde . " The Canterv i l le Ghos t " W . W . Jacobs . " The Riva l Beauti e s " Edward Lear . " The Dong wi th the Luminous Nos e " P l iny . " A Haunted Hous e " Frank R . S tockton . " The Tran s f erred Gho s t " Charles Ersk ine Scott Wood . " A Beauti ful Maiden " Ambros e B ierce . "An Impe r fect Con f l agra ­ tion " Henry Ye lvington . " The Phantom Fence Rider of San Mi gue l " Roy Heiton . " Old Chr i s tmas "

288

MARJORIE F I SCHER AND ROLFE HUMPHRIES con ti nued aa . bb . cc . dd . ee . ff . gg . hh . ii . jj . kk . 11 .

mm .

nn . 00 .

pp . qq .

rr . SS .

tt . uu . vv . WW .

xx . yy . zz . aaa . bbb . CCC .

ddd . eee . fff . ggg . hhh . iii . jjj . kkk . 111 . rnmm .

nnn . 000 .

PPP · qqq .

rrr . SSS .

Henry Jame s . " The Rea l Right Thing " Finley Peter Dunne . " The Quick and the Dead " David Garne t t . " Lady Into Fox " J [ ohn ) M [ i l l i ngton ) Synge . " Charley Lambert " Wa shington I rving . " The Bold Dragoo n " Wi l fr id Wi l son Gibson . " The Vixen " "A B l a z ing S tarre Seene in the Anon . We s t " D . H . Lawrence . " The Las t Laugh " Geo f frey Household . " Di onysus and the Pard � Ovid . " Story o f Pygma l ion " John Co l l i e r . " The Cha s e r " Herodotus . " King Cheops ' Daughter " "Ne l ly Trim" Sylvia Towns end Warner . E . M . For s ter . " The S tory o f the S iren " " The Uni corn in the Garden " Jame s Thurber . "Mount Shasta " Charles Erskine S cott Wood . W . B . Yeats . " The Wis dom o f the King " Virg i l . " Orpheus and Eurydice " Cotton Mather . "A True Accoun t " Robert Fros t . " The Wi tch o f Coo s " Mark Twain . " Extract from Captain S torm­ f i e ld ' s Vi s i t to Heaven " " Co lone l S terett Al fred Henry Lewi s . Re lates Marve l s " Luc i an . "A True Story " T . S . E l iot . " Macavi ty : The Mys tery Cat " Wi l l iam March . " Pr ivate Roger Jone s " " Ta l l Ta les of S ergeant B i l l Davids on . the G . I . s " Jul ius Caesar . " The E lks " Ludwi g Beme lmans . " S acre du Pri ntemps " John S te inbeck . " The E l f i n Alg i er s " Donald Cowie . " Lord De l iver Us " Wi ni fred Holtby . " The Voice of God " w . Somerset Maugham . " The Judgment Seat " Chr i s t ina S te ad . " The S e n s i tive Go ldf i s h " " Panic " Orson We l le s . H . H . Munro [ " S aki " ) . " The Sou l o f Laploshk a " Ludwig Beme lmans . " ' No Trouble At Al l ' " Rober t Grave s . "We l sh Inc iden t " G . K . Ches terton . " The Angry S treet : A Bad Dream " Heywood Broun . " Arti s t Unknown " " A Miracle of St . Scothinus " Anon . " The S a i n t " Antonia Whi te . " The S i lenc e o f God " Osbert S i twe l l . "A Mir a c l e o f St . Goar " Anon . J . M . Synge . " Bui lding the Church " Wi l l i am March . " Pr ivate Edward Romano " 289

MARJORIE FISCHER AND ROLFE HUMPHRIES continued ttt . Lady Gregory . " Bl e � sed Patr i ck o f the Be l l s " uuu . Bede . " How Caedmon Learned to S,i ng " vvv . S amue l Lover . " King O ' Too le and S t . Kevin " www . H . G . We l l s . " The Man Who Could Work Mirac le s " " A Shepherd and A Shep­ xxx . E l i z abeth Goudge . herde s s " " The Case o f Prometheus " yyy . Max Beerbohm . " The Road from Colonus " z z z . E . M . For s ter . aaaa . John Bunyan . " Mr . Val i ant S ummo ned " bbbb . Ovid . " Phi lemon and Bauc i s " cccc . Liam O ' F l aherty . " The Fa iry Goo s e " " The Pas s i ng Strange " dddd . John Mas e f ield . BARTHOLD FLES , comp . 1203 .

T h e Sa t u r d a y E v en i n g P o s t Fa n t a s y S t o r i e s .

' York : Avon , 1 9 5 1 a. b. c. d. e. f. g. h. i.

[ paper ] .

New

D . V . Gal lery , Rear Admiral , USN . " The Enemy P l anet " Grace Amundson . " The Chi l d Who Be l i eved " Noe l Langley . " Scene for Satan " Wi l l F . Jenk ins . " Doomsday De ferred " Wi l lard Temple . " The Eternal Duf fer " Gerald Ker sh . " Note on Danger B " Paul Ga l l ico . " The Terr ib le Answer " Wi lbur S chramm . " The Voi c e in the Ear­ phones " Conrad Richter . " Doc tor Hanray ' s Second Chance " GARRETT FORD , ed .

1204 .

Los Ange les : Fantasy Pub l i sh­ [ 1 9 5 3 ] [ no t s e e n ] . Rpt . New York : Zebra , [ paper ] .

Sci ence a n d sorcery .

ing , 1978

a. b. c. d. e. f. g. h. i.

Cordwainer Smi th , pseud . [ Paul M . A . Line­ barger ] . " S canners Live in Va in " I s aac Asimov and Frederick Pohl . " The L i ttle Man on the Subway " Al fred Coppel , Jr . " What Goes Up " Ed Earl Repp . " Kleon o f the Go lden Sun " Leo Page . " How H i gh on the Ladder ? " Robert Ernest Gi lbert . " Footprints " Ray Bradbury . " The Naming o f Name s " Henry Ha s s e . " The Eye s " Stanton A . Cob lent z . " The Scarlet Lune s "

290

GARRETT FORD continued j. k. 1. m. n. o.

George R . Cowi e . " Demobi l i z ation " John Mar tin Leahy . " Voices From the C l i f f " Sam Mos kowi tz . " The Los t Chord " R . H . Deutsch . " The Watchers " J . T . Ol iver . " The Peace ful Marti an " Arthur J . Burks . " E s cape to Ye s terday "

THOMAS E . GAGE , ed .

See EDMUND J . FARRELL , et a l . , eds . VIC GH IDALIA , ed .

1205 .

Th e D e v i l ' s G e n e r a t i o n .

[ paper ] .

a. b. c. d. e. f. g. h. i. 1206 .

Ray Bradbury . " B lack Ferri s " Henry Kuttner . " Ca l l H im Demon " Richard Matheson . "Mother By Prote s t " Robert Bloch . " F loral Tribute " Augus t Der l e th . " The P l ace i n the Woods " Robert S i lverberg . " Hole in the Air " Anthony Boucher . " Mr . Lupescu " C l i fford D . S imak . " Day of Truce " Algernon B lackwood . " The Other Wing "

Wi z a r d s a n d Wa r l o c k s .

[ paper ] .

a. b. c. d. e. f. g. h. i.

New York : Lancer , 1 9 7 3

New York : Manor , 1 9 7 2

Robert B loch . " The Secret o f S ebek " Mark Scharer and Augus t Derleth . " The Le f t Wing " C l ark Ashton Smi th . " The Necromantic Ta le " L . Ron Hubbard . " Battle o f Wi z ards " Nathan i e l Hawthorne . " Young Goodman Brown " M . R . James . " Cast i ng the Rune s " Richard Mar s h . " The D i s appearance of Mrs . Macrecham " Bruce E l l iott . " So Sweet a s Mag i c . . . " E . Hof fman Price . " Apprentice Magi c ian " [ DONALD M . GRANT , ed . ]

1207 .

S wo r d s m e n a n d S u p e rm e n .

[ paper ] .

New York : Centaur , 1 9 7 2

An outs tanding group o f five new and repri nted examp les of sword and sorcery fantasy . The Cromb i e tale , concerning a que s t i ng shape-

291

[ DONALD M . GRJ),NT ] continued changer , a. b. c. d. e.

is a particular treat .

Robert E . Howard . " Meet Cap ' n Kidd " Jean D ' Esme . " The Death o f a Hero " Darre l Cromb ie . " Wings o f Y ' vrn " Arth,ur D . Howden Smi th . " The S lave o f Marathon " Lin Carter . " How S argoth Lay S i ege to Z arernrn" PETER RAINING , comp .

1208 .

We i r d Ta l e s : A Fa c s i mi l e o f t h e Wo r l d ' s Mo s t F a m o u s F a n t a s y Ma ga z i n e . Jersey , [ London ] :

Nevi l le Spearman , 1 9 7 6 .

a. .b . c. d. e. f. g. h. i. j. k. 1. m. n. o. p. q. r. s. t. u. v. w. x. y. z. aa . bb . cc . dd . ee .

Edmond Hami lton . " The Man Who Returned " Robert E . Howard . " B lack Hound of Death " Augus t W . Der l e th . " The Shuttered Hous e " Seabury Quinn . " Fro zen Beauty " H . P . Lovecra f t . " Beyond the Wa ll o f S leep " C l ark Ashton Smi th . " The Garden o f Adompha " Virg i l Finlay . " The Horns o f E l f land " Henry Kuttner . " Beyond the Phoenix " G . G . Pendarve s . " The Bl ack Monk " Henry s . Whi tehead . " The Pass i ng o f a God " Reader ' s Letters ( 1 9 3 9 ) . " The Eyri e " Manly Wade We l lman . " The Va l ley Was S ti l l " 'Anon . " True P sychic Expe riences : I t Happened to Me " N i c t z in Dyalhi s . " Heart o f At l antan " Anon . " Ca l l ing Al l Fantasy Fans " Fri t z Leiber . " The Phantom S l ayer " Anon . "We ird Ta l e s C lub " Robert B loch . " The Beasts of Barsac " Ray Bradbury . " Bang ! You ' re Dead ! " Anon . " S tay Tuned for Terror " Re ader ' s Letters ( 1 9 5 4 ) . " The Eyr i e " Theodore S turgeon . " C e l lmate " H . P . Lovecraft . " The Fami l i ars " Algernon B lackwood . " Roman Remains " Eric Frank Rus s e l l . " Di splaced Person " H . Rus s e l l Wake f i e ld . " From the vasty Deep " Mary E l i z abe th Coun s e lman . " The Shot Tower Gho s t " Ali son v . H arding . " Take the Z - Tra in " Lee Brown Coye . " We irdi sms " Margaret S t . C l a i r . " The Li ttle Red Owl " Anthony M . Rud . " Oo z e " 292

GEORGE HAY , ed . 1209 .

Hel l Ha th Fury : An

" Un k n o wn " An t h o l o g y .

Nevi l l e Spearman , 1 9 6 3 .

a. b. c. d. e. f. g.

London :

C l eve C artmi l l . " He l l Hath Fury " Fri t z Leiber , Jr . " The Bleak Shore " P . Schuyler Mi l ler . " The Frog " Jane Ric e . " The Re fugee " L . Ron Hubbard . " The Devi l ' s Res c ue " Robert Bloch . " The Cloak " A . M . Phi l l ips . " The Extra Brick layer " ROBERT HOSKINS , ed .

1210 .

Swords Aga i n s t

[ paper ]

a. b. c. d. e.

Tom o r r o w .

Toronto : S ignet , 1 9 7 0



Poul Anderson . " Demon Journey " [ or i ginal ti tle : " Wi tch of the Demon S e a s " ] Fri t z Leiber . " B a z aar o f the B i zarre " Lin Carter . " Vault o f S i lence " John Jake s . " Devi l s in the Wa l l s " Le igh Bracke tt . " C i tadel o f Lost Ships "

ROLFE HUMPHRI ES , ed . See MARJORI E FI SCHER AND ROLFE HUMPHRI ES , eds . MARVIN KAYE , ed . 1211 .

Fi ends a n d Crea t ur e s .

1975 a. b. c. d. e. f. g. h. i. j. k. 1. m. n. o. p.

[ pape r ] .

New York : Popular Library ,

" Enoch " Robert B loch . Donald A . Wo l lheim . " Babylon : 7 0 M . " John Kendr i ck B angs . " A Midn i ght Vis i tor " Tenne s see Wi l l i ams . " The Vengeance o f N i tocri s " Lord Dunsany . " The Three I n fernal Joke s " M . R . James . " An Epi sode o f Cathedral H i s tory " Eugene D . Goodwin . " Damned Funny " Ray Bradbury . " I nter im" La Motte Fouque . " The Bottle Imp " Richard Matheson . " Cres endo " Fr i tz Le iber , Jr . " In the X-Ray " Charl e s Baude l a ire . " The Generous Gambler " Charl e s D ickens . " Captain Murderer " Ivan Turgenev . " Bubnof f and the Devi l " Dick Ba ldwin . " The Shadow Watchers " Edward D . Hoch . " The Face les s Thing "

293

PH I L I P J . KLAS S , ed . 1212 .

Tenn , Wi l l i am , pseud . , ed . Ch i l d r e n o f Wo n d e r . New York : S imon & S chus ter , 1 9 5 3 [ not seen ] . Rpt . as O u t s i d e r s : C h i l d r e n o f Wo n d e r . 21 Re­ ma r ka b l e a n d F a n t a s t i c Ta l e s . Garden C i ty , NY : Perrnabooks [ Doub leday ] , 1 9 5 4 [ p aper ] . a. b. c. d. e. f. g. h. i. j. k. ·l . m. n. o. p. q. r. s. t. u.

D . H . Lawrence . " The Rocking Horse Winner " C . M . Kornbluth . " The Words o f Guru" Theodore S turgeon . " Baby i s Three " Ray Bradbury . " Sma l l Assas s i n " E . M . Fors ter . " The S tory o f a Pan i c " Lewi s Padgett . " The P iper ' s Son " Truman Capote . " Mi r i am" A . E . Coppard . " Adam and Eve and P inch Me " Mary-Alice S chni rring . " Chi ld ' s P l ay " S aki , ps eud . [ H . H . Munro ] . " The Open Window " Grahame Grene . " The End o f the Party " Jane Ri ce . " The I do l o f the F l i e s " Judi th Merri l . " That Only a Mother " Ri chard Mathe son . " Born o f Man and Woman " Murray Le inster . " Keyhole " Poul Anders on . " Termina l Que s t " Katherine MacLe an . " The Or igin o f the Spec ie s " Wi lmar H . Shires . " I n Hiding " [ from Ch i l ­ d r e n o f t h e A t om ] Aldous Huxley . " The Hatchery " [ from B r a v e N e w Wo r l d ] Wi l li am Tenn , ps eud . [ Phi l ip J . Klas s ] . " Errand Boy " 'Stephen Vincen t Benet . " N i ghtmare for Future Re ferenc e : A Narrative Poem " DAMON KNI GHT , ed .

1213 .

Garden C i ty , NY : Doubleday Fi ction Book C lub ] , 1 9 6 5 .

Th e D a rk S i d e .

[ S c i ence

S e l e ctions s tre s s the gothic e lement of heroic fantasy . a. b. c. d. e. f. g. h.

Ray Bradbury . " The Black Ferri s " Robert A . He i n le i n . " They " Jame s B l i s h . "Mi s take I n s ide " H . L . Gold . " Trouble wi th Water " P e ter Phi l lips . " C/O Mr . Makepeace " Avram Davidson . " The Go lem " H . G . We l l s . " The S tory o f the Late Mr . E lve sharn" Theodore S turgeon . " It "

294

DAMON KNI GHT continued i .

J.

k. 1. 1214 .

Anthony Boucher . "Ne l l thu " Richard McKenna . " Casey Agon i s tes " T . L . Sherred . " Eye for Iniqui ty " Fri t z Leiber . " The Man Who Never Grew Youn g "

Th e Go l d e n R o a d : S up erna t ur a l .

1973 .

a. b. c. d. e. f. g. h. i .

j. k. 1. m. n. o. p. q. r. s.

Grea t

Ta l e s o f Fa n t a s y a n d t h e

New York : S imon and S chuster ,

John Col l i er . "Are You Too Late or Was I Too Ear ly " R . A . La f ferty . " Entire and Per fect Chrys o l i te " Kate Wi lhelm . " Jenny wi th Wi ngs " H . G . We l l s . " The Truth About Pyecraft " C . M . Kornb luth . " The Words o f Guru " Robert Arthur . " Po s tpaid to Parad i se " Ar thur Machen . " The Whi te People " Mark Twain . " Extract from Captain S tormf ie l d ' s Vi s i t to Heaven " Al fred Bes ter . " Wi l l You Wai t? " Stephen Vincent Ben�t . " The King of Cats " Urs ula K . Le Guin . " The Word o f Unbinding " Robert A . He inlein . "Magi c , Inc . " Z enna Henderson . " Anything Box " Heywood Broun . " Arti s t Unknown " Venard McLaughlin . " The S i lence " H . P . Lovecraf t . " The Dream Que st o f Unknown Kadath " Algi s Budry s . " The Weeb l i e s " O l iver Onions [ pseud . for George Ol iver ] . " Phanta s " "Not Long Before the End " Larry Niven .

GOGO LEWIS , ed .

See SEON MANLEY AND GOGO LEWI S , eds . [ GEORGE LOCKE , ed . ]

1215 .

At

t h e Mo u n t a i n s o f M u r k i n e s s a n d O t h e r Pa r o d i e s .

[ London ] : Ferret Fantasy , 1 9 7 3

a. b. c. d. e.

[ paper ] .

"Mo l l Bourne : The Mystery o f a Handsome Cad ( Fergus Hume ) " " Mr . M- -- : The Rontgen Ray-der ( Conan Doyle ) " " ' Duds ' The Great Rumg in ( Arthur Machen and Others ) " Arthur A . Syke s . " The Great Pan-Demon (Arthur Machen ) " George Forre s t . " The Dea th l e s s Queen 295

[ GEORGE LOCKE ] continued f. g. h. i. 1216 .

( Rider Haggard ) " Jules Castier . " The Findi ng o f Laura ( H . G . Wel l s ) " " Dodo : The Red Mark ( Conan Doyle ) " Stan ley Hunt ley . "A Trip to the South Pole ( Jules Verne ) " Arthur C . C l arke . "At the Mountains o f Murkines s ( H . P . Lovecra ft ) "

Th e L a n d o f t h e Un s e e n : 1 8 28-1 902 .

[ paper ] . a. b. c. d. ,e. f. g.

L o s t S u p e rn a t u r a l

S tori es ,

[ London ] : Ferre t Fantasy , 1 9 7 3

Anon . " S i r Gawen ; or , the Hag on the Heath " Alexandre Dumas . " The Pale Lady " Abraham Stoker . " The Crys tal Cup " Kate Dodd . " Where Ange ls Fear to Tread " George Temple . " In an Inn " Edwin Les ter Arno ld . " The Sp lendid Dead " Erne s t Favenc . " The Land o f the Un seen " ANNE MCCAFFREY , comp .

1217 .

A l c h em y a n d A c a d e m e : A C o l l e c t i on o f O r i gi n a l S t o r i e s C o n c e rn i n g Th e m s e l ve s w i t h T r a n s m u t a ­ t i o n s , Me n t a l a n d E l e m en t a l , A l c h e m i c a l a n d A c a d em i c . Garden C i ty , NY : Doub leday , 1 9 7 0 .

a. b. c. d. e. f. g. h. i. j. k. 1. m. n. o. p. q. r.

John Updike . " The Dance o f the Sol ids " [ poem] Sonya Dorman . " A Me s s of Porri dge " Carol Emshwi l le r . " The I n s t i tu te " R . A . La fferty . " Condi l lac ' s S tatue " L . Sprague de Camp . " The Sorcerers " [ poem ] Norman Spinrad . " The Weed of Time " S amue l R . Delany . " Ni ght and the Loves of Joe Dicostan z o " Daph ine Ca stel l . " Come Up and See Me " Joe Hens ley . " Shut the Las t Door " Avram Davidson . " Bi g Sam " James B l i sh . "More Light " Joanna Russ . " The Man Who Could No t See Devi l s " Betsy Curt i s . " The Key to Out " Rober t S i lverberg . " Ringing the Change s " David Te l fair . " In a Quart of Water " Gene Wo l fe . "Morning-Glory " Vi rginia Kidd . " Ascens ion : A Workday Arabesque " [ poem ] Ke i th Laurner . " The Deyi l You Don ' t "

296

ANNE MCCAFFREY conti nued s. t.

Josephine S axon . " The Triumphant Head " " Ma inchance " Peter Tate . SEON MANLEY AND GOGO LEWI S , eds .

1218 .

L a d i e s o f Fa n t a s y : T w o C e n t u r i e s o f S i n i s t e r S t o r ­ i es by the Gen t l e Sex . New York : Lothrop , Lee

& Shepard , 1 9 7 5 .

a. b. c. d. e. f. g. h. i. j. 1219 .

E [ d i th ] Nesbi t [ Brand ] . " The Pavi l ion " Joan Aiken . " S earching for S umme r " Mary E l i zabeth Couns e lman . " The Unwanted " Dorothy S a l i sbury Davi s . " The Muted Horn " Gra z i a De ledda . " The Sorcerer " Madame B l avatsky . " The Ensouled Vi ol i n " Jane Roberts . " The Red Wagon " Grena J . Bennett . " The Ti lting I s land " C . L . Moore . " Doorway I nto Time " Lady E l eanor Smi th . "No Ships P a s s "

S i s t e r s o f S o r c e r y : Two C en t u r i e s o f Wi t c h c r a f t Stori es b y the Gen t l e Sex . New York : Lothrop ,

Lee & Shepard , 1 9 7 6 . a. b. c. d. e. f. g. h. i. j. k.

1. m.

Dorothy L . S ayers . " The Cypr i an Cat " Andre Norton . " Through the Needle ' s Eye " E the l Marriot-Wa tson . " The Wi tch o f the Marsh " C lara F lorida Guernsey . " The S i lver Bu llet (A S tory of Old Nantucke t ) " Lady Wi lde . " The Horned Woman " Lady Gregory . " He rb-Healing " Jean S ta f ford . " The War lock " E l i zabeth P . Hal l . " The Wi tch : A Tale o f the Dark Ages " S eon Manley . " Letter from Mas sachusetts : 168 8 " Sarah Good . " The Salem Wi tches and The i r Own Voi ces : Examination o f Sarah Good " Mrs . Vo lney E . Howard . " The Midni ght Voyage of the Seagu l l (A Tradi tion o f S a lem) " Margaret I rwin . " The Book " Dor i s Les s ing . "No Witchcraft for Sale " LEO MARGULIES , ed .

1220 .

Th e G h o u l K e e p e r s .

a.

New York : Pyramid , 1 9 6 1

Robert Bloch .

297

[ p aper ] .

" The Sorcerer ' s Apprentice "

LEO MARGULIES continued b. c. d. e. f. g. h. i. 12 2 1 .

We i r d Ta l e s :

mid , 1 9 6 4

a. b. ,c . d. e. f. g. h. 1222 .

Theodore S turgeon . " The Martian and the Moron " Edmond [Moore ] Hami l ton . " The I s1le o f the S leeper " Helen W . Kas sam . " P l ease Go ' way and Let Me S leep " Ray Bradbury . " The Lake " Harry Alt shuler . " The Wi tch in the Fog " L . Sprague de Camp and Fletcher Pratt . " Where the Night Wind Howl s " Seabury Quinn . " Cl are de Lune " Henry Kuttner . " Spawn o f Dragons " S t o r i e s o f Fa n t a s y .

[ paper ] .

Edmond Hami l ton . " The Man Who Returned " Fri tz Leiber , Jr . " Sp ider Mans ion " Robert B loch . " A Que s tion o f E tiquette " Nic t z in Dyalh i s . " The Sea Wi tch " H . P . Lovecraft . " The S trange H i gh House in the Mist " August W . Derl e th . " The Dr i fting Snow " Frank Belknap Long , Jr . " The Body-Ma s ters " Robert E . Howard . " P igeons From He l l "

Wo rl d s o f We i r d .

a. b. c. d. e. f. g.

New York : Pyra­

New York : Pyramid , 1 9 6 5

[ paper ] .

Seabury Quinn . " Roads " Nict z in Dyalhi s . " The S apphire Godde s s " Robert E [ rwin ] Howard . " The Val ley o f the Worm " Edmond Hami lton . " He That Hath Wings " Clark Ashton Smi th . "Mother of Toads " David H . Ke l ler . " The Thing in the Ce l l ar " Frank Be lknap Long . " Gi ants in the Sky "

DOUGLAS MENVILLE AND MI CHAEL BURGESS , eds . 1223 .

Menvi l l e , Douglas and R . Reginald , pseud . , eds . D r e a m e r s o f D r e a m s : A n A n t h o l o g y o f Fa n t a s y .

New York : Arno Pres s , 1 9 7 8 . a. b. c. d. e. f. g.

John Kendrick Bangs . " The Af f l ic t ion o f Baron Humpfe lhinune l " Laurence Housman . " The B l i nd God " George MacDonald . " The Gray Wo l f " Bram Stoker . " The Invi s ible Giant " Guy Boothby . "A Professor o f Egyptolqgy " Andrew Lang . " The End o f Phaeac i a " Kenneth Morr i s . " The Last Adventures o f Don Quixote " 298

DOUGLAS MENVILLE AND MICHAEL BURGESS continued h. i. j. k. 1. m. 122 4 .

Mervyn Peake . " Same Time , Same P lace " J [ ohn ] A [mes ] Mi tche l l . " That F i r s t Affair " Edward Everett Hale . " The Queen o f Ca l i ­ forn i a " Edwi n Le s tern Arnold . " Ruther ford the Twi ce-Born " Lord Dunsany . " The Journey of the King " H . E . Bate s . Th e S e ek e r s ( London : John and Edward Bumpus , 1 9 2 6 ) . Th e y :

She .

Th r e e P a r o d i e s o f H .

b.

[Andrew Lang and Wa lter Herri es Po l lock ] . He ( London : Longmans , Green , 1 8 8 7 ) . [ John De Morgan ] . He , A C o mpa n i o n t o S h e .

c.

72 . New York : Norman L . Munro , 1 8 8 7 ) . [ John De Morgan ] . "I t . " A Wi l d , We i r d

a.

B e i n g t h e Hi s t o r y o f t h e A d v e n t u r e s o f J . Th e o d o s i u s A r i s t o ph a n o o n t h e Is l a n d o f R a pa N u i i n S e a r c h o f H i s Immo r t a l A n c e s t o r (Munro ' s Library , Vo l . 5 0 , No .

H i s t o r y o f t h e Ma r v e l o u s , Mi r a c u l o u s , Pha n t a sma gori a l A d ven t u r e i n S e a rch o f H e , Sh e , a n d J e s s , a n d L e a d i n g t o t h e F i n d i n g o f " I t " (Munro ' s Library , Vo l .

5 0 , No . 1887 ) .

122 5 .

Ri der H a ggard ' s

New York : Arno Press , 1 9 7 8 .

726 .

Wo r l d s o f N e v e r :

New York : Norman L . Munro , Th r e e Fa n t a s t i c N o v e l s .

New York : Arno Pres s , 1 9 7 8 . a.

John Kendri ck Bangs .

b.

P age , 1 9 0 7 ) . [ Lucy Peacock ] .

c.

( London : By the Author , 1 7 8 5 ) . Bert Leston Taylor and W . C . Gibson .

A n Ir i d es cen t Drea m

Al i ce i n Bl underl a nd :

(New York : Doubleday ,

Th e A d v e n t u r e s o f t h e S i x P r i n c e s s e s o f B a b y l o n , i n Th e i r T r a v e l s t o t h e T empl e o f Vi r t u e : A n A l l e go r y The L o g o f t h e Wa t e r Wa gon o r Th e C r u i s e o f t h e G o o d S h i p " L i t h i a " ( Bo s ton : H . M .

Caldwe l l , 1 9 0 5 ) .

JANE MOBLEY , ed . 122 6 .

Ph a n t a s m a go r i a : Ta l e s o f F a n t a s y a n d t h e S u p e r ­ na t u ra l . Garden C i ty , NY : Anchor-Doub l eday ,

1977

[ paper ] .

The Wondrous Fair : Magical Fanta sy

299

JANE MOBLEY continued a. b. c. d. e. f. g. h. i. j. k.

Anon . " Arthur and Gor lagon " George MacDonald . " The Golden Key " Lord Duns any . " The Fortre s s Unvainqui shable S ave for S acnoth " Theodore S turgeon . " The S i lken Swi ft " Robe rt Bloch . " The Dark I s le " Jorge Lui s Borge s . " The Re j ected Sorcerer " Ni cholas S tuart Gray . "According to Tradi tion " Andre Norton . " The G i f ts of As t i " Ursula K . Le Guin . " The Rule o f Name s " Sylvia Townsend Warner . " Wi nged Creature s " Peter S . Beagle . "Sia"

The Pa s s ing S trange : S upernatural Fic t ion 1. m. n. o. p. q. r.

J . Sheridan Le Fanu . " An Account o f Some S trange Di sturbances in Aungier S tree t " Algernon B lackwood . " Confes s ion " Oliver Onions . " The Beckoni ng Fair One " M . R . James . " Oh , Whi st le , and I ' l l Come to You , My Lad " Peter s . Beagle . "Come Lady Death " E l i zabeth Jane Howard . " Three Mi l e s Up " Dor i s Betts . " Benson Watts i s De ad and in Virginia "

CHARLES NAYLOR , ed . See THOMAS M [ ICHAEL ] D I SCH AND CHARLES NAYLOR , eds . WILLIAM F [ RANCI S ] NOLAN , ed . 12 2 7 .

Thr e e t o t h e H i gh e s t P o we r : B r a db u r y , O l i v e r , S t urgeon . New York : Avon , 1 9 6 8 [ paper ] .

a. b. c.

Ray Bradbury . " The Los t C i ty o f Mar s " Theodore S turgeon . " One Foot and the Grave " Chad Ol iver . " The Marginal Man "

Each s e lec tion i s preceded by an overvi ew o f the author ' s career and fol lowed b y a checkl i st o f h i s s c i ence fi ction and fanta sy . ANDREW J . OFFUTT , ed . 12 2 8 .

S w o r d s A ga i n s t Da rkn e s s .

New York : Z ebra Books ,

19 7 7

[ paper.]

a.

Robert E . Howard and Andrew Of futt .



300

"Ne kht

ANDREW J . OFFUTT continu ed b. c. d. e. f. g. h. i. 1229 .

S wo r d s A ga i n s t Da rkn e s s I I .

Book s , 1 9 7 7

a. b. c. d. e. f. g. h. 1230 .

Sernerkeht " Poul Ander son . " The Tale of Hauk " George W . Proc tor . " The Smi l e of O i s ia " Bruce Jones . " Pr ide of the F l eet " Manly Wade Wel lman . " S traggler from Atlanti s " Richard L . Tierney . " The Ring of S e f " Rau l Garc ia Cape l la . " Largarut ' s Bane " David Drake . " Dragon ' s Teeth " Rams ey C ampbe l l . " The Sus tenance of Hoak " [ paper ] .

New York :

Z ebra

Andre Norton . " Sword of Unbe l i e f " Ramsey Campb e l l . " The Changer of Names " Manly Wade We l lman . " The Dwe l l er in the Temple " David M . Harr i s . " The Corning of Age in Zamora " Richard L . Ti erney . " The Scro l l o f Thoth " Taneth Lee . " Odd s Aga i n s t the Gods " Denn i s More . " On Ske l l i g Micha e l " Andrew J . Of futt . " La s t Que s t "

Swo r d s A ga i n s t D a rkn e s s I I I .

New York : Z ebra ,

1978

[ paper ] .

a. b.

Ramsey Campbe l l . " The P i t of Wing s " Richard L . Ti erney . " The Sword of Spartacus " Wayne Hook s . " Serv i tude " David c . Smi th . " Descales ' Sku l l " Tani th Lee . " In the Balance " David Madi s on . " Tower of Darkne s s " David Drake . " The Mantichore " Kathleen Resch . " Revenant " Jon DeC les . " Ri te of Kings " Robert E . Vardeman . " The Mating Web " Man ly Wade Wel lman . " The Que s t o f D z ing an j i " Darre l l Schwe i t z er . " The Hag " Geo . W . Proc tor . " A Ki ngdom Won " M . A . Washi l . " Swords l inger " Poul Ander son . " On Thud and Blunder "

c. d. e. f. g. h. i. j. k. 1. rn . n. o.

GERALD W . PAGE , ed . 1231 .

Name l e s s P l a c e s .

1975 .

a.

Sauk C i ty , WI : Arkham House ,

A . A . Attana s i o . 301

" Gl imps e s "

GERALD W . PAGE continued b. c. d. e. f. g. h. i. J.

k.

1. m. n. o. p. g.

r. s. t. u. v. w. x. y. z. aa .

Thomas Burnett Swann . " The Night of the Unicorn " Brian Ba l l . " The War lord o f Kul S atu " G . N . Gabbard . " More Things " Robert Aickman . " The Read Road to the Churc h " Gary Myers . " The Gods of Earth " Robert E . Gi lber t . " Wa l l s o f Ye l low C l ay " Scott Ede l ste in . " Businessman ' s Lament " Joseph F . Ptuni l i a . " Dark Vintage " David A . Eng l i sh . " S ima i tha " Stephen Go ldin . " In the Land o f Angra Mainyu" Gera ld W. Page . "Wor ldsong " Brian Ltunl ey . "What Dark God ? " Bob Maurers . " The S tuff o f Heroe s " Jo seph Payne Brennan . " Forringer ' s Fortune " Denys Va l Baker . " Be fore the Event " Wal ter c . DeB i l l , Jr . " In ' Ygiroth " Ramsey Campbe l l . " The Los t Hand " Lin Carter . " Out o f the Ages " David Drake . " Awakening " Lin Carter . " In the Vale of Pnath " Car l Jacobi . " Chame leon Town " Scott Ede l s te i n . " Botch " David Drake . " Black Iron " E . Ho ffman Price . " S e lene " Rams ey Campbe l l . " The Chr i s tmas Pres ent " Arthur Byron Cover . " Li f eguard "

GERALD · W . PAGE AND HANK RE INHARDT , eds . 123 2 .

Heroi c Fan t a s y .

a. b. c. d. e. f. g. h. i. j. k. 1. m. n. o. p.

New York : DAW Books , 1 9 7 9

[ paper ] .

Andre Norton . " Sand S i s ter " Galad E l f lands son . " The Val ley or the Sorrows " Don Wa l sh . " Ghoul ' s Head " " F i r s t Commentary : Swords and Swordpl ay " * Adr i an Cole . " As tra l S tray " E . C . Tubb . " B lood in the Mi s t " " S econd Commentary : Armor " * Tani th Lee . " The Murderous Dove " Charl e s R . Saunder s . " Death in Jukun " H . Warner Munn . " The De Pertriche Rin g " " Third Commentary : Courage and Heroism " * Gerald W . Page . " The Hero Who Re turned " Darre l l Schwe i t zer . " The Ridd l e o f the Horn " Hank R� inhardt . " The Age o f the Warr ior " A . E . S i las . " The Mi staken Orac l e " " Demonsong " F . Paul Wi l son . 302

GERALD W . PAGE AND HANK RE INHARDT continued q.

Manly Wade We l lman . Fortre s s "

" The Seeker in the

* Commentar i es are by Page and Re inhardt . JOHN PFORDRESHER , ed . See EDMUND J . FARRELL , et a l . , eds . ERIC S . RABKIN , ed . 1233 .

My t h s , Ta l e s , a n d S t o r i e s . New York and Ox for� : - Ox ford Un ivers i ty P res s , 1 9 7 9 .

Fa n t a s t i c Wo r l ds :

a. b. c. d. e. f. g. h. i. j. k. 1. m. n. o. p. q. r. s. t. u. v. w. x. y. z .

aa . bb . cc . dd . ee .

" Genes i s " " B lack foot Genes i s " " The Eye o f the Giant " Amo s Tutuo l a . " How I Brought Death Into the Wor ld " Ovid . " The Myth of Ac taeon " Ovid . " The Myth o f Narc i s sus " Ovid . " The Myth o f Ph i lomela " " The Ghos t Wi fe " " The Magic Swan Geese " Chinua Achebe . " Why Tortoise ' s She l l i s Not Smooth " Joe l Chandler Harri s . " How Mr . Rabbi t Was Too Sharp for Mr . Fox " E s ther S hephard . " P aul Bunyon on the Co lumbi a " Jakob and Wi lhe lm Grimm . " L i ttle Red-cap " Jakob and Wi lhelm Grimm . " The S leep ing Beauty " Jakob and Wi lhe lm Grimm . " Hans e l and Gre the l " Hans Chr i s tian Andersen . " The Tinderbox " George MacDona ld . " The Ta le o f Cosmo " J . R . R . Tolkien . " Leaf by Niggle " Jos eph Addi son . " Our Ideas o f T ime " E . T . A . Ho f fmann . " Ri tter Gluck " Edgar Allan Poe . " The Oval Portrai t " Lewi s Carro l l . " The Garden o f Live Flowers " James Thurber . " The Secre t Life of Wa lter Mi tty " Norton Jus ter . " The Roya l Banque t " E . T . A . Hof fmann . " The Sandman " Edgar Al lan Poe . " The Black Cat " H . P . Lovecraf t . " The P i c ture in the House " Jo seph S heridan LeFanu . " The H and " Ambrose Bi erce . " The Moon l i te Road " M . R . James . " Lo s t Hearts " Wi l li am Morri s . " Go lden Wings " 303

ERIC S . RABKIN. continued ff. gg . hh . ii . jj . kk . 11 . mm . nn . oo . pp . qq . rr . ss . tt . uu . vv .

ww .

xx . yy .

" The Sword of Lord Duns any [ P lunkett ] . We l l eran " Sylvia Townsend Warner . " The Five B lack Swans " Edgar Al lan Poe . " The Facts in the Case of M . Va ldemar " Nathan i e l Hawthorne . " The Birthmark " H . G . We l l s . " The S tar " Kurt Vonnegut, Jr . " Epicac " Jack Finney . " The Third Leve l " Arthur c . C larke . " The S tar " Fran z Kafka . " The Judgment " Fran z Ka fka . " A Common Confusion " Bruno Schul z . " Cockroaches " Jorge Lui s Borge s . " P ierre Menard , Author of the Quixo te " Julio Corta zar . " Axo lotl " Tommaso Lando l f i . " Pa s toral " Ita lo Calvino . " Al l at One Poi n t " Peter Bichse l . " There i s No Such P lace as America " Donald Barthe lme . " The P i ano P l aye r " " Homage to the S an . Ri chard Braut igan . Franc i s co YMCA " Robert Coover . " The Marker " Spencer Hols t . " The Z ebra S toryte l l er "

R . REGINALD , p seud . See DOUGLAS MENVILLE AND MI CHAEL BURGESS , eds . HANK RE INHARDT See GERALD M . PAGE AND HANK RE INHARDT , eds . ERNEST RHYS AND C [ATHERINE ] A [MY ] DAWSON SCOTT , eds . 1234 .

Th i r t y a n d On e S t o r i e s b y Th i r t y a n d On e A u t h o r s .

London : Thornton Butterworth , 1 9 2 3 .

a. b. c. d. e. f. g. h. i.

I . Z angwi l l . " The S abbath Breaker " Mary E . Mann . " The B l ue Bead s " H . G . We l l s . " The Door in the Wa l l " Catherine We l l s . " Fe ar " Erne s t Brarnah [ Smith ] . " The S tory o f Chang Tao " E . CE . Somervi l le and Martin Ros s . " The Whi teboys " Arnold Bennett . " The Fortune Tel le r " May S inc l a ir . " The Co l lec tor " A . T . Qui l ler Couch . " S tatement o f Gabr i e l Foot , H ighwayman " 304

ERNEST RHYS AND C [ATHERINE ] A [ MY ] DAWSON SCOTT continued j. k. 1. m. n. o. p. q. r. s. t. u. v. w. x.

y. z . aa . bb . cc . dd . ee .

Grace Rhys . " De s tiny and a Dog " H . D . Lowry . " The Man in the Room " E . Co lburn Mayne . " The Turret Room " John Gal sworthy . " A S trange Thing " Jane Findlater . " The P i c tures " W . W . Jacob s . " Fine Feathers " C . A . Dawson S cott . "My Honoured Ma s te r " A . E . Coppard . " C lor inda Wa lks in Heaven " Rebecca We s t . " I n a Ci ty That is Now P loughed F i e lds " R . B . Cunninghame Graham . "Mektub " George R . Ma l loch . " The F lowe r " E . R. " The Mare Without a Name " F . Tennyson Jes se . " Why Sena th Married " Perceva l Gibbon . " The Conno i s seur " C l emence Housman . " The Drawn Arrow " S tacy Aumonier . " The Great Unimpre s s ionable " E . M . Goodman . " The Las t Lap " E . Grant Watson . " Out There " Vio l e t Hun t . " Hi s Widows " John Rus s e l l . " The Price of the Head " Mary Webb . " B les sed are the Meek " G . K . Che s terton . " The Inv i s ible Man "

RAYMOND J . RODRI GUES , ed . See EDMUND J . FARRELL , et a l . , eds . MAXIMILLAN J [ OSEF ] RUDWIN , ed . 1235 .

De vi l S t o r i e s : A n A n t h o l o g y .

Knop f , 1 9 2 1 . a.

b. c. d. e. f. g. h. i. j.

New York : Al fred A .

Franc i s O scar Mann . " The Dev i l in a Nun­ nery : A Medi aeval Tale " Niccolo Machiave l l i . " Be lphagor , or the Marri age of the Devi l " Wa shi ngton Irving . " The Devi l and Tom Wa lker " Wi lhelm ·Hauf f . " From the Memoirs o f S a tan " Niko la i vas i l�vich G6go l . " S t . John ' s Eve " Wi l l i am Makepeace Thackeray . " The Devi l ' s Wager " Wi l l i am Mak epeace Thackeray . " The Painter ' s Bargain " Edgar Al l an Poe . " Bon-Bon " Anon . " The Pr inter ' s Devi l " Fernan Caba l lero . " The Devi l ' s Mother- in­ Law " 305

MAXIMILLAN J [ OSEF ] RUDWIN continued k. 1. m. n. o. p. q. r. s. t.

Charles P i erre Baude lair� . " The Generous Gamb ler " Alphonse Daude t . " The Three Low Mas s e s " Frederick Beecher Pe rkins . " Devi l - Pu z z lers " Charles Deul in . " The Dev i l ' s Round : A Tale o f F lemi sh Go l f " Guy de Maupas s ant . " The Legend o f Mont S t . -Miche l " Ri chard Garnett . " The Demon Pope " Richard Garne tt . "Madam Luc i fer " " Luc i fer " Anato le Franc e . Maxim G6rky . " The Devi l " John Ma se f i e ld . " The Devi l and the O ld Man " S TUART DAVI S S CHIFF , ed .

1236 .

Wh i s p e r s : A n A n t h o l o g y o f Fa n t a s y a n d H o r ro r .

Garden City , NY : Doubleday , 1 9 7 7 . a. b. c. d. e. f. g. h. i. j. k. 1. m. n. o. p. q. r. s.

Karl Edward Wagner . " S ti cks " David Drake . " The Barrow Trol l " Fri t z Le iber . " The Glove " Robert B loch . " The Closer o f the Way " Wi l li am F . No lan . " Dark Winner " Hugh B . Cave . " Lad i e s i n Wai ting " Denn i s Etchi son . "Wh i te Moon Ris ing " Richard Chr i s tian Mathe son . " Graduation " Ray Rus s e l l . " Mirror , Mirro r " Brian Lumley . " The Hous e o f Cthulhu " John Crowley . " An ti qui ties " Jame s S a l l i s and Davi d Lunde . " The S c a l ­ l ion S tone " Robin Smyth . " The Inglorious Ri se o f the Catsmeat Man " Char l e s E . Fr i tch . " The Pawnshop " Robert Aickman . " Le Miroir " Joseph Payne Brennan . " The Wi l low P latform " Manly Wade Wel lman . " The Dakwa " David Campton . " Goat " Ramsey Campbe l l . " The Chimney " HANS S TEFAN SANTESSON , ed .

1237 .

Th e Mi gh t y Ba rb a r i a n s : G r e a t Swo r d a n d S o r c e r y Heroes . New York : Lancer , 1 9 6 9 [ paper ] .

a. b. c.

Fr i tz Le iber . " When the S ea King ' s Away " L . Sprague de Camp . " The Stronger Spe l l " Henry Kuttner . " Dragon Moon "

306

HANS S TEFAN SANTESSON continued d. e. 1238 .

Lin Carter . " Thieve s o f Zangabol " Robert E . Howard . " A Wi tch Sha l l Be Born "

Th e Mi gh t y S wo r d s m e n .

[ paper ] .

a. b. c. d. e. f.

New York : Lancer , 1 9 7 0

Lin Carter . " Keeper of the Emerald F l ame " Roger Z e l a z ny . " The Be l l s o f Shoredan " John Brunner . " B reak the Door o f He l l " Robert E . Howard . " Beyond the B lack Rive r " Bj orn Nyberg . " The People o f the S umm i t " Michael Moorcock . " The F l ame Bringers "

C [ATHERINE ] A [MY ] DAWSON SCOTT , ed . See ERNEST RHYS AND C [ATHERINE ] A [MY ] DAWSON SCOTT , eds . JEREMY SCOTT , ed . 1239 .

Th e Ma n d r a k e R o o t :

A n A n t h o l o g y o f Fa n t a s t i c Ta l e s .

London : Jarro lds , 1 9 4 6 . a. b. c. d. e. f. g. h. i. j. k. 1.

m.

n. o. p. q. r. s. t. u.

Jame s Joyce . " Everlas ting F ire " Algernon B lackwood . " The Man Who Was Mi l l igan " Richard Hughe s . " The S trange r " Dorothy K . Hayne s . " Change l ing " D . H . Lawrence . " The Las t Laugh " Thoma s Ingo ld sby . " The Leech o f Fo lkes tone " Edward Bulwer-Lytton . " The Haunted and the Haun ter s " Fred Marnau . " The Wrink l ed Women o f S t . Nepomuk " Arthur Calder-Mar sha l l . " Pickle My Bone s " Alex Comfor t . " The Lemming s " Thomas De Quincey . " Conf e s s ions of an Eng l i sh Opium-Eater " Guy de Maupas sant . " The Hor l a " Virginia Woo l f . " The Lady i n the Looking Glas s : A Re f lection " W i l l i am S ansom . " The Peach-House-PottingShed " Wrey Gardiner . " The Whi te House " Ol ive Schre iner . "Who Knocks at the Door " S te l la Benson . " An Air- Raid S e en from Above " H . H . Munro [ " Saki " ] . " The Open Window " Richard Garnett . " The Be l l o f S a i n t Euschemon " E . M . Fors ter . " The S tory of a Pani c " M . R . James . " ' Oh , Whi st le and I ' l l Come , My Lad ' " 307

JEREMY S COTT continued v. w. x .

y. z. aa . bb .

T . F . Powys . " No Room " Pamula Han s ford John son . " Altarwi se by Owl-Light " Wa l ter de l a Mare . " Wi n ter " J . Sher idan Le Fanu . " The Fami l i ar " Jame s Laver . " Mr . Hopk ins and Galatea " John Atkins . " The Diary o f Wi l li am Carpenter " Osbert S i twe l l . " The Greeting " ROBERT S I LVERBERG , ed .

1240 .

L o s t Wo r l d s , Un k n o wn Ho r i z o n s : N i n e S t o r i e s o f S c i e n c e Fi c t i o n . Nashvi l le and New York :

Thomas Ne lson , 1 9 7 8 .

a.

�.

c. d. e. f. g.

h. i.

H . G . We l l s . " The Country o f the B l i nd " Jack Finney . " The Third Level " Clark Ashton Smi th . " The C i ty o f the S i ng i ng F l ame " Fri tz Le iber . " The Sunken Ci ty " Edward Page Mi tche l l . " The Bal loon Tree " H . P . Lovecr a f t . " The Doom Tha t Came to Sarna th " Edgar Al lan Poe . " A Tale o f the Ragged Mountains " " Phanta s " Ol iver Onions . Robert S i lve rberg . " Tr i ps " [ KURT S INGER , comp . )

1241 .

B l o ch a n d B r a d b u r y . Ten Ma s t e rp i e c e s o f S c i e n c e Fi c t i o n . New York : Tower , 1 9 6 9 [ paper ) .

a. b. c. d. e. f. g. h. i. j.

Robert Bloch . Ray Bradbury . Robert Bloch . Rober t Bloch . Ray Bradbury . Robert B loch . Ray Bradbury . Robert B loch . Ray Bradbury . Robert Bloch .

" The Shadow from the S teeple " " The Wa tche r s " " The Grinning Ghoul " " Mannikans o f Horror " " Fever Dream " " The Druidic Dream " " The Dead Man " " A Que s tion o f Etiquette " " The Handler " " The Man Who Cried Wo l f ! "

PH ILIP VAN DOREN STERN , ed . 1242 .

Th e Moo n l i gh t Tr a v e l e r : G r e a t Ta l e s o f Fa n t a s y a n d Ima g i n a t i o n . Garden Ci ty , NY : Doubleday , Doran ,

308

PH ILIP VAN DOREN STERN cont inued 194 3 .

Rpt . as G r e a t Ta l e s o f Fa n t a s y a n d Ima ­ New York : Wash ington Square Pres s , [ paper ] .

gi n a t i on .

1954 a. b. c. d. e. f. g. h. i. j. k. 1. m. n. o. p. q. r. s. t. u.

E . M . Forster . " The Ce l e s t i a l Omnibus " James S tephens . "Des ire " Max Beerbohm . " Enoch Soames " H . G . We l l s . " The Man Who Could Work Mira c l e s " Robert Loui s S tevenson . " The Bottle Imp " A . E . Coppard . " Adam and Eve and P i nch Me " W . Somerset Maugham . " Lord Mountdrago " Wa lter de l a Mare . "All Hal lows " Lord Duns any . " Our Dis tant Cous in s " Jan S truther . " Cobbler , Cobbler , Mend My Shoe " S te l l a Benson . " The Man Who Mi s sed the Bus " Eric Kni ght . " Sam Sma l l ' s Be tter Hal f " Conrad Aiken . " Mr . Arcular i s " F . S cott F i t z gera ld . " Di amonds as B i g a s the Ri tz " Edgar Al lan Poe . "Wi l l iam Wi lson " S tephen Vincent Ben�t . " The Cur few To l l s " Ra lph S traus . " The Mos t Maddening S tory in the Wor ld " O l iver Onions . " Phantas " o . Henry . " Roads o f De s t i ny " Rudyard Kipl ing . " ' Wireless ' " " Saki " [ H . H . Munro ] . " The Mus i c on the Hi l l " PHIL [ IP DUFFIELD ]

1243 .

STONG , ed .

New York : Wi l fred Funk , 1 9 4 1 . A late r edi tion , ti tled Th e O t h e r Wo r l d s : 2 5 M o d e r n S t o r i e s o f M y s t e r y a n d Ima g i n a t i o n , was pub l i shed in New York by the Garden Ci ty Pub­ l i shing Company i n 1 9 4 2 .

Th e O t h e r Wo r l d s .

a. b. c. d. e. f. g. h. i. j.

" The Con s i derate Host s " Thorp McC l us ky . " The Man in the B lack Mi chae l Fes s i er . Hat " Mindret Lord . "Naked Lady " Ra lph Mi lne Far l ey . " The House o f Ecs tacy " Paul Erns t . " Es cape " John Jes se l . " The Adaptive Ultima te " Wa lker G . Everett . " The Woman in Gray " Le ster de l Rey . " The P ipes o f Pan " Virginia Swain . " Aunt Ca s s ie " Theodore S turgeon . " A God in a Garde n "

309

PHIL [ I P DUFFIELD ] k. 1. m. n. o. p. q. r. s. t. u. v. w. x.

y.

STONG conti nued \

Dona ld Bern . " The Man Who Knew Al l the Answers " Eando Binder . " Adam Link ' s Revenge " David Wright O ' Brien . " Truth i s a Plague " Murray Le inster . " The Fourth-Dimens ional Demons trator " Harry Bates . " Ala s , All Think ing ! " Kelvin Kent [ Henry Kuttner ] . " The Comedy o f Eras " Mindred Lord . " A Prob lem for Biographers " H . P . Lovecra f t . " I n the Vault " Manly Wade We l lman . " Schoo l for the Un­ speakab le " S eabury Quinn . " The House Where Time S tood S ti l l " John F l anders , pseud . [ Jean Ray ] . " The Mys tery o f the Los t Gue s t " Manly Wade We l lman . " Song of the S lave s " Augus t Derleth . " The Panelled Room " Henry Kuttner . " The Graveyard Rats " August Derleth and Mark S chorer . " The Return of Andrew B entley "

WILLIAM TENN , pseud . , ed .

S ee PHILIP J . KLAS S , ed .

STEVE TROYANOVI CH , ed . See JONATHAN BACON AND S TEVE TROYANOVI CH , eds . HERBERT VAN THAL , ed . 1244 .

F a m o u s Ta l e s o f t h e F a n t a s t i c .

and Wang , 1 9 6 5 .

a. b. c. d. e. f. g. h. i. j. k.

New York : H i l l

Ray Bradbury . " Invi s ib l e Boy " Mary Coleridge . " The King i s Dead , Long Live the King " S i r Arthur Conan Doy le . " The Speckled Band " Romain Gary . " Comrade Pi geon " Le s lie Po les Hart ley . " The Cros sways " S i r Arthur Qui l le r-Couch { ' Q ' ) . " The Rol l -C a l l of the Ree f " Wi l l iam S ansom . " The Bal lroom " Robert Loui s S tevenson . " The Bottle Imp " Herbert George We l l s . " The Magic Shop " Nathani e l Hawthorne . " Rappaccini ' s Daughter " Wa shi�gton Irving . " The Adventure of the German S tudent "

310

EDWARD WAGENKNECHT , ed . 124 5 .

S i x No v e l s o f t h e S u p e r n a t u r a l .

Press , 1 9 4 4 .

a. b. c. d. e. f.

New Yo rk : Viking

Mrs . O l i phant . " A Beleaguered Ci ty " Wal ter de la Mare . " The Return " France s Hodgson Burnett . " The Whi te Peop l e " Arthur Machen . " The Terror " Mary Johns ton . " Sweet Rocket " Robert Nathan . " Portrait o f Jenni e " GAHAN WILSON , ed .

1246 .

F i r s t Wo r l d F a n t a s y A wa r d s .

Doubleday , 1 9 7 7 .

Garden C i ty , NY :

Fantasy and horror honored by the F i r s t Wor ld Fantasy Awards ( 1 9 7 5 ) , " The Howards " ; a number o f the panel discuss ions and speeches that oc­ curred at the awards convention ; and an e s say , " Toward a Greater Appreciation o f H . P . Love ­ craft , " by Dirk Mo s i g . The fict ion only i s c i ted here . a. b. c. d. e. f. g. h. i. j. k. 1. m. n. o. p.

Robert Bloch . " The Bat i s My Brother " Robert B loch . " Beatle s " Patr i c i a McKi l l ip . Excerpt from Th e F o r ­ go t t e n B e a s t s o f E l d ( see above ) Robert Ai ckman . " Pages from a Young G i r l ' s Journa l " T . E . D . Klein . " The Events at Porath Farm " S ter l ing E . Lanier . " A Father ' s Ta le " Kar l Edward Wagner . " S tick s " Manly Wade We l lman . " Come Into My Par lor " Man ly Wade We l lman . " Fearful Rock " Fr i t z Leiber . " The Bai t " Dave Drake . " The Shorte s t Way " Denn i s Etchi son . " The S o f t Wa l l " Joseph Payne Brennan . " The Abandoned Boudo i r " H . Warner Munn . " Cradle Son for a Baby Werewo l f " Wa l ter Shedlofsky . " Gu i l lotine " David Ri ley . " The Farmhous e " DONALD A . WOLLHE IM , ed .

124 7 .

s wo r d s m e n i n

a. b.

the Sky .

Poul Anderson . Andre Norton .

311

New York : Ace , 1 9 6 4

[ paper ] .

" Swordsman o f Los t Terra " " People o f the Crater "

DONALD A . WOLLHE IM continued c. d. e.

Lei gh Brackett . " Th� Moon That Vani shed " Ot i s Ade lbert K l ine . " A Vi s ion o f Venu s " Edi th Hami lton . "- Kaldar , World o f Antares " I

DONALD A . WOLLHE IM AND GEORGE ERNSBERGER , eds . 1248 .

Th e A vo n F a n t a s y R e a d e r .

[ paper ] .

New York : Avon , 1 9 6 9

Th i s vo lume and i ts suc c e s sor ( see below ) re­ print s e lections from Wo l lheim ' s A von F a n t a s y R e a d e r series ( 1 9 4 7 - 1 9 5 1 ) . a. b. c. d.

e. f. g. 124 9 .

Robert E . Howard . " The Witch from H e l l ' s Ki tchen " C . L . Moore . " B lack Thir st " Algernon B l ackwood . " A Vic tim o f Higher Space " Nict z in Dya lh i s . " The Sapphire S iren " Wi l l i am Hope Hodgson . " A Voice i n the Night " ( from M e n o f D e e p Wa t e r s ) Thorp McClusky . " The Crawl ing Horror " Man ly Wade We l lman . " The Ke lpie "

The 2 n d A v on F a n t a s y R e a d e r .

New York : Avon ,

1969

[ paper ] .

a.

Robert E . Howard . " The B londe Godde s s of B a l - S agoth " C . L . Moore . " Sharnb leau " Z e a l i a Brown B i shop . . " The Cur s e o f Yi g " C lark Ashton Smi th . " Ubbo - S ath l a " Dona ld Wandrei . " The Painted Mirror " Edward Lucas Whi te . " Amin a " Robert B loch . " The B l ack Ki s s " Laurence Manning and F l e tcher Pratt . " The C i ty of the Living Dead " Sax Rohrner . " The Curs e o f a Thousand Kis ses "

b. c. d. e. f. g. h. i.

KENNETH J . ZAHORSKI , ed . See ROBERT H . BOYER AND KENNETH J . ZAHORSKI , eds .

312

AUTHOR , COMP ILER , EDI TOR , AND TRANSLATOR INDEX Thi s Index inc ludes al l authors , compi lers , ed itor s , and tran s l a tors c i ted in the entr i e s . Numbers refer to entry code numbers . Letter s des ignate i tems within the entry . A . E . , pseud . See Rus se l l , George Wi l l iams Aandahl , Vance 1 1 6 8 -d Abbott , Edwin Abbott 1 Achebe , Chinua 1 2 3 3 - j Ackerman , Robert 1 1 7 4 - j Adams , Richard 3 - 4 , 1 1 8 3 -p Adams , Rober t 5 - 1 1 Addi son , Joseph 1 2 3 3 - s Adkins , Patrick H . , ed . 570 Admundson , Grace 1 2 0 3 -b Aickman , Robert 1 2 3 1 - e , 1 2 3 6 -o , 1 2 4 6 -d Aiken , Conrad 1 2 4 2 -m Aiken , Joan 1 1 6 4 - 1 , 1 1 9 9 -g , 1 2 1 8 -b Ai tken , W i l l iam Rus s e l l 454 Aldi s s , Brian 1 2 - 1 3 , 114 9-f , 1 1 9 9-c Aldi s s , Br ian w . , ed . 1149 Aldi s s , Margaret 1 3 Alexander , Lloyd 1 1 6 3 -m , 1 1 6 4 -m , 1 1 8 7 -b Allen , Paul C . 5 6 0 , 6 4 8649 , 788 , 861 , 1068 , 1089 Al len , Woody 1 1 7 4 -e Al t shuler , Harry 1 2 2 0 - f Amis , Kings ley 1 4 - 1 6 Amory , Mary 9 0 8 Ander sen , Hans Chr i s t i an 1 2 3 3-p Ande rson , Poul 17-23 , 102 , 470 , 534 , 991 , 1 1 5 9 , 1 1 6 2 - g , 1 1 7 7 -c , 1 1 8 0 -b , 1 1 9 0 - a , 1 1 9 7 -a ,

Anderson , Poul continued 1 2 1 0 -a , 1 2 1 2 -p , 1 2 2 8 -b , 1 2 3 0 - o , 1 2 4 7 -a Anderson , S te l la Benson 2 4 - 2 6 , 1 2 3 9 -q , 1 2 4 2 -k Andreye f f , Leonid 1 1 7 0 -p An stey , F . , pseud . S ee Guthrie , Thomas Ans tey Anthony , P iers , pseud . See Jacob , Piers Anthony D i l l i ngham Archiba ld , Hanna , Jr . 145 Arms trong , Martin 2 8 - 3 0 Arms trong , Te rence Ian Fytton 2 6 , 5 5 , 1 3 5 , 2 3 5 , 849 Arna son , David E . , ed . 1058 Arnason , E leanor 3 1 Arnold , Edwin Le s ter 32-34 , 1 2 1 6 - f , 1 2 2 3 -k Arthur , Robert 1 1 6 0 - i , 1 2 0 1-d , 1 2 1 4 - f As imov , I s aac 1 1 6 1 - a , 1 2 0 4 -b Atkins , Frank 3 5 - 3 6 Atk ins , John 1 2 3 9 -aa Attan s s ion , A . A . 1 2 3 1 -a Aubrey , Frank , pseud . See Atkins , Frank Aumonier , S tacy 1 2 3 4 -y Ayrton , Michae l 37 Bacon , Jonathan , ed . 1159 Bai ley , H i l ary 1 1 6 8 -h Baker , Deny s Va l 1 2 3 1 -p Baldwin , Dick 1 2 1 1 -o Bal l , Brian 1 2 3 1 -c Ba l l , C l i f ford 1 1 8 5 - 1 , 1186-1

313

Ballard , J . G . 116 8-i , 1169-1 , 1 1 7 1-1 , 1 1 7 3-1 Bangs , Francis H . 43 Bangs , �ohn Kendrick 3 8-4 3 , 5 8 6-5 8 7 , 1151 , 1 2 0 1-e , 1 2 1 1 - c , 1 2 2 3 - a , 1 2 2 5 -a Baring , Maur ice 44-46 Bar low , Robert H . 118 3-j Barrett , Mike 6 4 9 Barringer , Les l ie 47-49 Barth , John 5 0 - 5 2 Barthelme , Dona ld 1 2 3 3 -vv Batche lor , John 8 7 0 Bates , Harry 1 2 4 3 -o Bates , H [ erbert ] E [ rne s t ] 5 3 - 5 5 , 1 1 6 3 -g , 1 2 2 3 -m Bates , Ralph 1 2 0 2 -k Baude laire , Charle s Pierre 1 2 1 1 - 1 , 1 2 3 5 -k Baugher , Phi l ip D . , trans . 220 Baum , L [ yman ] Frank 5 6 - 7 2 Bayley , B . J . 1 1 7 0 -e Beagle , Peter S [ oyer ] 7 3 - 7 7 , 1 0 4 2 0 a , 1 1 6 2 -p , 1 1 6 3 -n , 1 1 6 9 - j , 1 1 7 1 a , 1 1 7 3 - j , 1 1 2 6 -k , p aeard , Henry N . 78 Beaumont , Char les 79 , 1 1 4 9 -h , 1 2 0 0-q Beck , L [ i l ly Moresby ] Adams 80�81 Beckford , Wi l l iam 8 2 - 8 5 , 1 1 8 3 -b , 1 1 8 5-a Bede 1 2 0 2 -uuu Beerbohm , [ S ir Henry ] Max [ imi l l ian ] 86-9 1 , 4 9 3 , 1 2 0 2 -yyy , 1 2 4 2 -c Be l l , Edward Hami lton , trans . 317 Be l lairs , John 9 2 Beme lmans , Ludwig 1 1 6 6 -e , 1 2 0 2 -bbb , j j j Benet , Stephen Vincent 9 3 - 9 5 , 1 2 0 1 - i , 1 2 1 2 -u , 1 2 1 4 - j , 1 2 4 2-p Benkowi tz , Miriam Jeanette 370 Bennett , Arno ld 1 2 3 4 -g Bennett , Gertrude Barrows 96-98 Bennett , Grena J . 1 2 1 8 -h

Benoi t , P i erre 99 Bens on , D [ ona ld ] R [ oyno ld ] , ' ed . 1160-1161 Bens on , E . F . 1 2 00-c Ben s on , Stel la , pseud . See Anderson , S te l la Benson Bern , Donald 1 2 4 3 - k Bernanos , Mi che l 100 Bes ant , Wa l ter 1 0 1 Be s ter , Al fred 1 1 6 1 -d , 121 4-i Be tts , Dor i s 1 2 2 6 -r Bichs e l , Pe ter 1 2 3 3 -uu 1202-1 , x; B i erce , Ambro se 1 2 3 3 -cc B inder , Eando , pseud . See B inder , Earl and Otto B i nder , Ear l and Otto 124 3-1 B i s chof f , David 1 0 2 , 9 9 1 Bi shop , Z e a l i a Brown 1 2 4 9 - c Bi ttner , Jame s W . 632 Bixby , Jerome 1 1 9 2 -d Bj erke , Odd 103 Blackwood , Algernon 1 1 6 2 - 1 , 1 1 9 2 -e , 1 2 0 5 - i , 1 2 0 8 -x , 1 2 2 6 -m , 1 2 3 9 -b , 1 2 4 8 -c B l anck , Jacob 1139 B l avatsky , Madame 1 2 1 8 - f B l ayre , Chr i stopher , pseud . S ee Heron-Allen , Edward B l e i ler , E . F . , ed . 500 B l i sh , Jame s 1 0 4 - 1 0 8 , 1 2 1 3 c , 1 2 1 7 -k Bloch , Robert 1 0 9 - 1 1 0 ; 1 1 7 0 -r ; 1 1 7 1- j ; 1 1 8 6 -c ; 1 1 9 2 - g ; 1 1 9 5 - a ; 1 2 0 5 -d ; 1 2 0 6 -a ; 1 2 0 8 - r ; 1 2 0 9 -f ; 1 2 1 1-a ; 1 2 2 0 -a ; 1 2 2 1 -c ; 1 2 2 6 -e ; 1 2 3 6- d ; 1 2 4 1-a , c , d , f , h , j ; 1 2 4 6 -a , b ; 1 2 4 9 -g Boardman , John 726 Bok , Hannes 1 1 1-112 , 7 4 4 , 746 , 749 , 1159 , 1186-j , 1 1 8 7 -g Bond , Nel son S . 1 1 6 0-b , 1 2 0 1- f Boothby , Guy 1 2 2 3 -e Borge s , Jorge Lui s 1 1 6 8 - g , 1 1 6 9 -c , 1 1 7 0 - d , 1 1 7 1 -k , 1 1 7 3 - c , 1 2 2 6 -f , 1 2 3 3 -qq

314

Boucher , Anthony . See White , Wi l l iam Anthony Parker Bowden , Jame s T . 1035 Bowen , E l i z abeth [ Dorothra Col e ] 113-115 Bowen , E l i zabeth , ps eud . See Long , Gabrie l l e Margaret Vere [ Campb e l l ] Boyer , Robert H . , ed . 1162-1164 Boyle , T . Corghe s s an 1 1 7 4 -h Boytinck , Paul 1134 Brackett , Le igh 1 2 1 0 -e , 1 2 4 7 -c Bradbury , Edward P . , ps eud . See Moorcock , Mi chae l Bradbury , Ray [mond Doug­ las ] 1 1 6 - 1 2 6 ; 1 1 4 9 -b ; 1 1 6 2 - 0 ; 1 1 6 6 -v ; 1 1 6 8 - a ; 1 2 0 4 -g ; 1 2 0 5 -a ; 1 2 0 8 - s ; 1 2 1 1 - h ; 1 2 1 2 -d ; 1 2 1 3 -a ; 1 2 2 0 -e ; 1 2 2 7 - a ; 1 2 4 1-b , e , g , i ; 1 2 44-a Bradbury , Ray [mond Doug­ 1 1 6 5-1166 l as ] , ed . Bradford , J . S . 127 Bradley , Mar ion Z immer 1 1 8 7 -a , 1 1 9 2 - c B raham , Erne s t , ps eud . See Smi th , Erne st Bramah Bramsback , B i r g i t 9 9 6 Brand , E [ di th ] Ne sbi t 1 2 8- 1 3 4 , 12 18-a Brautigan , Ri chard 1 2 3 3 -ww Brennan , Jo seph P ayne 1 2 3 1-o , 1 2 3 6 -p , 1 2 4 6 -m Breuer , Mi l e s J . 1 1 9 4 -d Bright , Mary Chave l i ta C lairmonte 1 3 4 - 1 3 5 Br iney , R . E . 1120 Bri s to l Pub l i c Libraries 29 Bri z z i , Mary 3 5 2 Broderick , Damien 1 3 6 Brook s , Rick 8 2 6 -h Brook s , Terry 1 3 7 Broun , Heywood 1 2 0 2 -mmm , 1-2 1 4 - n Brown , Frederic 1 1 6 0 -k , 1 1 9 2 -h

Brown , Maggie 1 1 9 3-g Browning , Robert 1 1 7 6-g Bruccol i , Mathew J . 77 , 244 , 401 , 1071 Brul ler , Jean 1 3 8 , 4 0 6 Brunner , John 1 3 9 - 1 4 3 , 1 1 6 9 -b , 1 1 7 3 -b , 1 2 3 8 -c Buchan , John 1 4 4 - 1 4 5 , 1 1 6 3 -d , 1 2 0 2 - j Budrys , Algis 1 2 1 4-q Bul loch , John Mal co lm 7 0 6 Bulmer , [ Henry ] Kenneth 146-147 Bulwer-Lytton , Edward George Ear le 1 4 8 - 1 4 9 , 1 2 3 9 -g Bunner , H . C . 7 2 7 -b , 7 2 7 - c Bunyan , John 1 2 0 2 -aaaa Burdek in , Kay [ Katherine ] 150 Burge s s , Anthony , pseud . S ee Wi lson , John Anthony Burge s s Burge s s , Mi chae l , ed . 12231225 Burgo , Jo seph 1 5 1 Burke , John 1 5 2 , 1 0 9 9 Burke , W . J . 362 , 484 , 671 , 752 , 1110 , 114 0 Burks , Ar thur J . 1 2 0 4 -o Burnett , Frances Hodgson 1 2 4 5-c Burnett , Whi t , ed . 1167 Burrage , A . M . 1 2 0 0 -h Burroughs , Edgar Rice 153-166 , 8 5 0 Burton , E l i zabeth Alice 1 6 7

Caba l lero , Fernan 1 2 3 5 - j Cabe l l , Jame s Branch 1 6 8 - 1 9 1 , 2 5 9 , 1 1 6 3 -e , 1 1 8 6 - f , 1 1 9 1 -d Cader , C . A . 1 1 8 8 -k Cae sar , Juli us 1 2 0 2 -aaa d Cal ecott , Moyra 1 9 2 Calder-Marsha ll , Arthur 123 9-i C a l iban , pseud . S e e Ro l fe , Frederick Wi l l i am Cal i sher , Hortense 1166-t , 120 0-1 Callow , A . J . 789

315

Calvino , I ta lo 1 9 3- 1 9 4 , 1 1 9 9 - d , 1 2 3 3-tt C ameron , Mrs . A . C . See Bowen , E l i z abeth [ Doro­ thra Cole ] Campbe l l , Rams ey 1 1 9 0 -k ; 1 2 2 8- i ; 1 2 2 9 -b ; 1 2 3 0 -a ; 1 2 3 1-r , z ; 1 2 3 6 - s Campton , David 1 2 3 6 - r Cape l la , Raul Garci a 1 1 8 9 - g , 1 2 2 8 -g Cape l la , Ray 1 1 9 8 - a Capes , Bernard [ Edward Joseph ] 195 Capote , Truman 1 2 1 2 -g Car l sen , Chr i s 196 -19 7 C arnegie , Jame s 1 9 8 C arpente r , Humphrey 1 0 4 7 Carr , Carol 1 1 6 8- j Carr , Terry [ Gene ] 1 1 6 8e , 1 16 9 -h , 1 1 7 0 -k , 1 1 7 1- i , 1 1 7 3-h Carr , Terry [ Gene ] , ed . 1168-1174 Carro l l , Lewi s , pseud . See Dodgson , Char les Lutwidge Carro l l , S idney 1 1 6 6 - d , w Carswe l l , John , ed . 1152 Carter , Ange la 1 9 9 - 2 0 1 Car ter , Lin 2 0 2 - 2 0 7 ; 5 2 0 ; 5 2 0a , f , g ; 5 2 1 ; 5 2 1-a , d , g , h ; 5 2 3 ; 5 2 3-a; 5 2 5 ; 5 3 0 - 5 11 ; 9 7 1 -p ; 9 7 7 -r ; 1 1 7 7 -d ; 1 1 7 9 -d ; 1 1 8 3 -m ; 1 1 8 4 -d ; 1 1 8 5 -h ; o ; 1 1 8 7 - f ; 1 1 8 8 -h , j ; 1 1 8 9 - i ; 1 1 9 0 e ; 1 1 9 1 -h , i ; 1 1 9 8 -b ; 1 2 0 7 -e ; 1 2 1 0 c ; 1 2 3 1- s , u ; 1 2 3 7 -d ; 1 2 3 8-a Carter , Lin [wood Vrooman ] , ed . 236 , 444 , 695 , 9 7 1 , 9 7 4 , 9 7 6- 9 7 7 , 1175-1191 Carter , M . L . , ed . 1192 Cartmi l l , C leve 1 1 6 1-b , 1 2 0 9-a Castee l , Daphine 1 2 1 7 -h Castier , Jules 1 2 15-f Cave , Hugh B . 1 2 3 6-f Cha lker , Jack L . 682 Chambers , Robert W [ i l l i am ] 2 0 8 - 2 0 9 , 1 1 8 1- c , 1 1 8 2 - b

Chant , Joy 2 1 0 - 2 1 1 Chapman , Guy 8 3 Chapman , Vera 212-214 , 1 1 6 4 -p Chas e , Mary 1 2 0 0 -;d Chaucer , Geof frey 6 2 0 Chaundy , Le s l ie 4 6 Cheever , John 1 1 6 6 - s Cherryh , C . J . 1 1 8 9 -h Che s terton , G [ i lbert ] K [ e i th ] 2 1 5- 2 1 8 , 1 2 0 2 - q , 1 2 0 2 - 1 1 1 , 1 2 3 4 -ee Chi ld , Franc i s James 546 Chr i stopher , J . R . 1120 C lark , C . E . Frazer 7 7 , 2 4 4 , 401 , 1071 C l ark , Curt 1 1 6 9 - k , 1 1 7 3 - k C l ark , John D . 517 , 539 C l ark , Leonard 2 9 6 - 2 9 7 C l ark , Wal ter Van T i lburg 1 1 6 6 -c C l arke , Arthur C [ har le s ] 2 1 9 , 1 2 1 5 - i , 1 2 3 3 -rnm Cl arkk , Regor 2 2 0 Clemens , S amuel Langhorne 2 2 1- 2 2 3 , 1 2 0 2 - uu , 1 2 1 4 -h C l i f ford , Mrs . 119 3-d C l ingerman , Mi ldred 1 1 6 9 - g , 1 1 7 3-g Coak ley , Phi l ip 1 1 9 0 - f Coates , Robert 1 1 6 5 - 1 Coate s , Robert M . 1 1 6 6 -a Coblentz , S tanton A . 1 2 0 4-i Cockcro f t , Thomas G . L . 978 Co le , Adri an . 1 2 3 2 - e Co l er i dge , Mary 1 2 4 4 -b Coleridge , S ara 2 2 4 - 2 2 5 Co l l ie , M . 736 Co l lier , John [ H enry Noye s ] 2 2 6- 2 3 5 ; 1 1 4 9-d ; 1 2 0 0-a , r ; 1 2 0 1- a , h ; 1 2 0 2 -kk ; 12 14-a Co l l ins , Harold B . 1055 Comfort , Alex 1 2 3 9 - j Conk l in , Gro f f , ed . 10091010 Cook , Whi t field 1 2 0 0 - o Cooper , Edmund 2 3 6 , 1 0 9 0 237 Cooper , Loui se 238-242 Cooper , S us an Coover , Robert 2 4 3- 2 4 4 , 1 2 3 3 -xx Conroy , Jack 1 2 0 0-m

316

Contoshi , Victor 1 1 7 1-f Coppard , A [ l fred ] E [ dgar ) 2 4 5 - 2 5 8 , 1 2 1 2 -h , 1 2 3 4 -q , 1 2 4 2 - f Cappel , Al fred , Jr . 12 0 4-c Cor ley , Dona ld 2 5 7 - 2 5 9 ; 1 1 7 5 -e , f ; 1 1 8 6 -g Corta z ar , Jul io 1 2 3 3 -rr Corvo , Baron . See Ro l fe , Frederick Wi l l i am Cott , Johnathan , ed . 1193 Couch , A . T . Qui l ler 1 2 3 4 - i Coul son , Juani ta 2 6 0 Counse lman , Mary E l i z abeth 1 2 0 8 - aa , 1 2 1 8 -c Cover , Arthur Byron 1 2 3 1 - aa Cowie , Dona ld 1 2 0 2 -ddd Cowie , George R . 1 2 0 4- j Coye , Lee Brown 1 2 0 8 -cc Crane , John K . 1118 Crawford F [ ranc i s ] Mar ion 261 Cr awford , Wi l l iam E . , ed . 1194 Cri chton , Michae l 262 Cromb i e , Darre l 1 2 0 7 - c Cro s s , John Ke i r 263 , 1166-j Crowl ey , John 1 2 3 6 -k Curti s , Betsy 1 2 1 7 -rn D ' Esme , Jean 1 2 0 7 -b Dahl , Roald 1 1 6 5 -d , 1 1 6 6 -o Daley , B r i an 2 6 4 - 2 6 5 Dan i e l son , Henry 7 1 5 Daude t , Alphonse 1 2 3 5 - 1 Davidson , Avram 2 6 6 - 2 6 9 , 1 1 6 9 - n , 1 1 7 0 -c , 1 1 7 1 - c , 1 1 7 3 -n , 1 1 7 4 - f , 1 1 7 9 -e , 1 1 8 8- 1 , 119 0-g , 12 13-f , 1217-j Davidson , Sergeant B i l l 1202-zz Dav i s , Dorothy S a l i sbury 1 2 1 8- d Day , A l l en Edward 9 2 5 - 9 2 6 Day , Bradford M . 4 6 6 , 8 14 DeB i l l , Wa l te r C . , Jr . 1 1 8 8 - i , 1 2 3 1-q DeBo l t , Den i s e 143 DeBo l t , Joe 14 3 , 6 3 2

decamp , L [ yon ] Sprague 270280 ; 517 ; 519 ; 520 ; 5 2 0 -a , c , g ; 5 2 1 ; 5 2 1 -a , b , d , g , h ; 5 2 2 ; 5 2 2 -a , d ; 5 2 3 ; 5 2 3-a , d ; 5 2 4 ; 5 2 5 ; 5 2 7 ; 52 7-a ; 5 2 9- 5 3 1 ; 5 3 9 ; 5 6 8 ; 9 0 1 ; 1 1 6 0 -d ; 1 1 7 8 -a ; 1 1 7 9 -a ; 1 1 8 1 - a ; 1 1 8 3 - 1 ; 1 1 8 4 -c ; 1 1 8 7 -h ; 1 1 8 8 -f ; 1 1 8 9 -a ; 1 1 9 1 - 1 , rn ; 1 1 9 5 -c ; 1 1 9 6 -d ; 1 2 1 7 - e ; 1 2 2 0-g ; 1 2 3 7 -b decamp , L [yon ] Sprague , ed . 5 2 4 - c , 5 2 6 , 5 2 7 -b , 5 2 8 , 539 , 1195-1198 De Cas seres , Ben j amin 5 4 3 DeC les , Jon 1 2 3 0 - i de Corneau , Alexander 2 8 1 282 de l a Mare , Walter [ John ] 2 8 6 - 2 9 7 , 1 2 0 2 - i , 1 2 3 9 -x , 1 2 4 2 -h , 1 2 4 5 -b de Maupas s ant , Guy 1 2 3 5 -o , 1239-1 De Morgan , John 1 2 2 4 -b , c de Morgan , Mary 1 1 9 3 - e , f de Poscai l i s , Luigi 1 1 9 5 -h De Quincey , Thomas 1 2 3 9 -k Deeping , Warwick 2 8 3 - 2 8 5 de l Rey , Le s te r , ed . 791 del Rey , Lester 7 9 1 -a , 1 2 4 3-h De lany , Samue l R . 298 , 1 2 1 7 -g De l edda , Gra z i a 1 2 1 8 -e Denson , Alan 9 3 7 Der leth , August 1 1 5 9 ; 1 2 0 5 e ; 1 2 0 6 -b ; 1 2 0 8 -c ; 1 2 2 1 f ; 1 2 4 3 -w , y Deut s ch , R . H . 1 2 0 4 -rn Devl in , Charle s 1 2 3 5 -n Diamond , Graham 2 9 9 - 3 0 1 Dick , Phi l ip K . 1 1 7 2-a Dickens , Charl e s 1 2 1 1 -rn Dickenshee t , D . W . 1120 Dickinson , Pete r 302-303 Dickson , Gordon R [ upert ] 304-305 Disch , Thomas M [ i chae l ] 1 1 6 9 - i , 1 1 7 0 -n , 1 1 7 3 - i , 1199-j Di sch , Thomas M [ i chae l ] , ed . 1199 Dodd , Kate 1 2 1 6 -d

317

Dodgson , Charles Ludwidge 3 0 6 - 3 0 9 , 1 2 3 3 -v Dona ldson , S tephen R . 310-312 Dorman , Sonya 1 2 1 7 -b Dougl a s , Norman 3 1 3 - 3 1 5 Doyle , Arthur Conan 1 1 6 2 - i ; 1 2 1 5 -b , g ; 1 2 4 4 -c Drake , David 1 2 2 8 -h ; 1 2 3 0 - g ; 1 2 3 1- t , x ; 1 2 3 6 -b ; 1 2 4 6 -k Drya sdu s t , pseud . 1156 Du Maurier , Daphine 1 1 7 2 -b , 1 2 0 0-c Duane , Diane 316 Dubo i s , Arthur Edwin 4 1 9 Dudden , Frederick Hoines 357 Duma s , Alexandre 1 2 1 6 -b Duncan , Bruce 1 4 0 Dunne , Finley Peter 1 2 0 2 -ob Dunsany , Lord , p seud . See P lunkett , Edward John Moreton Drax Dyalhi s , Nic t z in 1 1 8 4 -g , 1 2 0 8 -n , 1 2 2 1 -d , 1 2 2 2 -b , 1 2 4 8-d 1 2 3 4 -u E . R. Earl o f Southe sk . See Carnegie , James Eber s , Georg [Mori t z ] 317 Eddi son , E [ r i c ] R [ ucker ] 3 1 8 - 3 2 1 , 1 1 8 3-e , 1 1 9 1-c Ede l s tein , Scott 1 2 3 1-h , w Egbert , H . M . , pseud . See Emanue l , Vic tor Ros seau Egerton , George , pseud . See Bright , Mary Chave­ l i ta C l a irmonte E i s e ley , Loren 1 1 6 5 -g E i s en s te in , Phy l l i s 322 , 1190-i Eklund , Gordon 3 2 3 E ldridge , Paul 1 0 7 2 - 1 0 7 4 E l f land s son , Galad 1 2 3 2 -b E l i ot , T [ homa s ] S [ tern s ] 1 2 0 2 -xx E l l ingsworth , Dick 7 5 5 -k E l l iott , Bruce 1 2 0 6 -h E l l i son , Har lan 3 2 4 - 3 2 8 , 3 3 5 N . B . , 1 1 6 8-f� 1 1 7 4-a

E lwood , Roge r , ed . 826 Emanue l , Vic tor Ros s eau 3 2 9 Emshwil ler , Caro l 1 2 1 7 -c Engl i s h , David A . 1231-j Ens ley , Evange l ine Wal ton 3 30-333 , 404 , 797 , 1 164-g Ernsberger , George , ed . 124 8 , 1249 Erns t , P aul 1 2 4 3 -e E s chhlo z , P aul A . 1135 E shbach , L . A . 1 1 9 4 -b Etchi son , Denni s 1 2 3 6 -g , 1246-1 Eust i s , He len 1 1 6 6 �h Everett , Wa lker G . 1 2 4 3-g Ewe r s , H anns H e i n z 334 Fabe s , Gi lbert Henry 255 Fairman , Paul w . 335 Farj eon , E leanor 3 3 6 - 3 3 9 Far ley , Ralph Mi lne 1 2 4 3 -d Farmer , Phi lip Jos e 3 4 0 - 3 5 4 , 119 9-f Farre l l , Edmund J . , ed . 1200 Fas t , Julius 1 2 0 1-k Fas t , Jul ius , ed . 1201 Favenc , Erne s t 1 2 1 6 -g Fe s s i er , Mi chae l 1 2 4 3-b Fiedler , Les l i e 1 1 9 3 - a Fie lding , Henry 355-357 Findlate r , Jane 1 2 3 4 -n Finlay , Virg i l 1 2 0 8 - g Finney , Char l e s G [ randi son ] 3 5 8- 36 2 , 1 1 6 5-a Finney , Jack 1 1 4 9 -g , 1 2 3 3 - 1 1 , 1 2 4 0 -b Firbank , [Ar thur Annes ley ] Ronald 3 6 3 - 3 7 0 Fi rth , Violet Mary 3 7 1- 3 7 6 F i scher , Harry Otto 6 4 4 -d F i s cher , Mar j orie , ed . 1202 Fi sher , Gene 3 7 7 - 3 7 9 F i t z gera ld , F . S cott 1 2 0 2- e , 1 2 4 2 -n F i t z gerald , Rus s e l l 1 1 9 9 -k Flander s , John , p seud . See Ray , Jean Fles , Barthold , comp . 1203 Fletcher , George u . , p seud . S ee Pratt , F letcher Fo ley , Martha , ed . 1167 Ford , Garre tt , ed . 1204

318

Forman , Harry Buxton 8 0 9 Forman , Maur ice Buxton 737-738 Forre s t , George 1 2 1 5 -e Fors ter , E [ dward ] M [ organ ] 3 8 0 - 3 8 3 ; 1 2 0 2 -nn , z z z ; 1 2 1 2- e ; 1 2 3 9 - t ; 1 2 4 2 - a Fortune , Dion , pseud . See F i r th , Violet Mary Fouque , La Motte 1 2 1 1- i Fox , Gardner F [ ranc i s ] 3 8 4- 3 9 4 , 1 1 8 9-b France , Anatole 1 1 8 1-b , 1 2 3 5 -r Fredeman , Wi l l iam Evan 8 07-808 Freeman , Mary E . Wi lkins 395 Frenke l , James R . , ed . 305 Frie l , Arthur o . 396 Frin , Alexander 1 1 6 3 -h Fri tch , Charl e s E . 1 2 3 6- n Fro s t , Robert 1 2 0 2 - tt Furna s , J . C . 1 1 6 6 -p , 1 2 0 0 -b Gabbard , G . N . 1 2 3 1-d Gage , Thomas E . , ed . 1200 Ga l latin , A . E . 90 Gal lery , D . V . , Re ar Admir a l , USN 1 2 0 3 - a Gal li co , Paul 1 2 0 3-g Ga l sworthy , John 1 2 3 4 -m Ganpa t , pseud . See Gompertz , Martin Loui s Alan Gardiner , Wrey 1 2 3 9 -o Gardner , John [ Champ l in , Jr . ] 3 9 7- 4 0 1 Gardner , Martin 7 1 , 3 0 8 Garner , Alan 4 0 2 - 4 0 5 Garnett , David 4 0 6 - 4 0 9 , 1 2 0 2 -cc Garnett , Ri chard 4 1 0 - 4 1 2 ; 1 1 75-c , d ; 1 1 8 6-e ; 1 2 3 5-p , q ; 1 2 3 9 - s Garrett , [ Gordon ] Randa l l [ Ph i l ip David ] 413-414 Gary , Romain 1 2 4 4 -d Gaskel l , Jane , pseud . See Lynch , Jane Denvi l

Gawsworth , John , pseud . See Arms trong , Terence Ian Fytton Gennett , Robert 84 Gerald , Franc i s 415 Gerro ld , David 3 1 6 Ges ton , Mark s . 416 Ghida l i a , Vic , ed . 12051206 Gibb , Joce lyn 6 6 3 Gibbon , Perc eval 1 2 3 4 -w Gibson , W . C . 1 2 2 5 -c Gibson , Wi l fr id Wi l son 1 2 0 2-ff Gi lbert , Robert E . 1 2 3 1 -g Gi lbert , Robert Ernest 1 2 0 4- f Gi lbert , W [ i l li am ] S [ chwenck ] 417-419 G i l le spi e , Al fred 1 1 6 9 - o , 1 1 7 3 -o Giroux , Robert , ed . 965 , 967 Gl enn , Loi s 1129 Gogo l , Nikol�i vas i levi ch 1 2 3 5 -e Gohn , Jack Beno i t 1 6 Go ld , H . L . 1 1 6 0 - f , 1 2 0 0 -p , 1 2 1 3-d Go lden , S tephen 1 2 3 1-k Go lding , Wi l l i am 1 1 5 0 -a Go ldman , Wi l l i am 4 2 0 Go ldstone , Adr i an 7 1 6 Gomper t z , Martin Loui s Alan 4 2 1- 4 2 9 Good , S arah 1 2 1 9 - j Goodman , E . M . 1234-z Goodwin , Eugene D . 1 2 1 1 -g Goodwin , John B . L . 1 1 6 6 -m Gorky , Max im 1 2 3 5 - s Gottesman , Ronald 9 6 2 Goudge , E l i zabeth 1 2 0 2 -xxx Govan , Chri s ti ne Noble 1 1 6 6 -g Graham , Kenneth W . 85 Graham , R . B . Cunninghame 1234-s Grahame , El speth , ed . 433 Grahame , Kenneth 4 3 0 - 4 3 4 Grant , Dona ld M . , ed . 1207 Grave s , Robert [ Ranke ] 4 3 54 3 6 , 1 2 0 2 -kkk Gray , Ni cholas S tuart 4 3 7 4 4 3 , 1 2 2 6-g

319

Green , Peter [Morri s ] 434 Green , Roger Lance lyn 2 3 6 , 309 , 4 4 4-4 4 5 , 6 0 3- 6 0 4 Green , Ro land 4 4 6 - 4 4 8 Greene , Douglas G . 72 Gregory , Horace , ed . 863 Gregory , Lady 1 2 0 2 - ttt , 12 19-f Grene , Grahame 1 2 1 2 - k Gri f fin , Martin I gnatius Jos eph 1 0 0 2 Grigoriev , Vladimir 1 2 0 0-u Grimm , Jakob 1 2 3 3 -m , n Grimm , Wi lhelm 1 2 3 3-m , n Guernsey , Clara F lorida 1 2 1 9 -d Gunn , James [ Edwi n ] 414 , 4 4 9 , 1 0 5 0 , 1 1 6 8 -k Gunn , Ne i l [Mi l ler ] 4 5 0454 Guthr i e , Thomas Anstey 4 5 5 - 4 5 6 , 7 2 7 -g Hagen , Ordean A . 1083 Haggard , H [ enry ] Rider 4 5 7 - 4 6 7 , 6 0 5 , 1 1 6 2 -k , 1 1 8 6 -h , 1 2 1 5 -e Haibl um , I s idore 468 Haining , Peter , comp . 1208 Haldeman , Linda 4 6 9 Hale s , E [ dwar d ] E [ l ton ] Y [ oung ] 470 Hales , Edward Everett 4 7 1 , 1 2 2 3-j Halidom , M . Y . 1155 , 1157 Hal l , E l i z abeth P . 1 2 1 9-h Hal l , Graham 1 1 0 Halper i n , Ela ine P . 100 Hami l ton , Edith 1 2 4 7 -e Hami l ton , Edmond Moore 4 7 3 , 1 1 8 4-e , 1 2 0 8-a , 1 2 2 0 - c , 1 2 2 1-a , 1 2 2 2 -d H ammo nd , J . R . 1097 Hancock , Niel 4 7 4 - 4 7 8 Hand ley-Taylor , Geo ffrey 720 Han f f , Peter E . 72 Harding , Al i son v . 1 2 0 8 -bb Harr i s , David M . 1 2 2 9 -d Harr i s , Joel Chandler 1 2 3 3-k

Harri s , John Beynon 1 1 5 0 -b , 1168-c Harri son , Harry 1 1 7 0- g Harr i son , M . John 4 7 9 , 1199-i Hart ley , Les l i e Po les 1 2 4 4-e Hartmann , Franz 480 Harwood , John 1 6 4 Hasse , Henry 1 2 0 4 -h Hauff , Wi lhe lm 1 2 3 5 -d Hawthorne , Nathan i e l 1 1 6 5-f , 1 2 0 6-e , 1 2 3 3- i i , 1244-j Hay , George , ed . 1209 Haynes , Dorothy K . 1 2 3 9 -d Hea lth , Wi l l iam Web s ter 1 1 4 Hearn , La fcadio 4 8 1- 4 8 2 Hecht , Ben 4 8 3 - 4 8 4 Heinlein , Robert A [ nson ] 4 8 5- 4 8 7 , 8 5 3 , 1 1 7 2-g , 1 2 1 3 -b , 1 2 1 4 - 1 Heins , Henry Hardy 1 6 5 Hel ton , Roy 1 2 0 2 - z Hender son , Z enna 1 1 7 1-g , 1 2 1 4 -m Henley , Wi l l i am Erne s t , ed . 356 Henry , O . 1 2 4 2-s Hens ley , Joe 1 2 1 7 - i Herbert , Frank 488 Herodotus 1202-11 He ron-Al len , Edward 4 8 9 490 Hewi tt , He len-Jo Jakus z 8 2 6- i Hichen s , Robert 1 1 9 2 - f H i gginson , Fred H . 436 H i l ton , James 4 9 1- 4 9 2 Hinton , Perc ival 891 Hobson , Harold 4 9 3 Hoch , Edward D . 1 2 1 1 -p Hodgkin , J . 83 Hodg son , Ra lph 1 2 0 2 -a Hodgson , Wi l l i am Hope 4 9 44 9 9 , 1 1 5 9 , 1 1 6 2 - j , 1 2 4 8 -e Hof fmann , E [ rns t ] T [ heodor ] A [madeus ] 5 0 0- 5 0 6 ; 1 2 3 3-t , y Ho l loway , Jean 4 7 2 Ho l s t , Spencer 1 2 3 3-yy Hol tby , Wini fred 1 2 0 2 -eee Homer 4 6 7 , 9 1 1 Hood , Tom 1 1 9 3 - c

320

Hooks , Wayne 1 2 3 0- c Hooper , Wa l ter 651 , 663 Hornberger , Theodore 2 0 9 Hoskins , Robert , ed . 1210 Houghton , C laude , ps eud . See Oldfield , C l aude Houghton Household , Geo f frey 1202-ii Housman , Clemence 1 2 3 4 -x Housman , Laurence 5 0 7- 5 0 9 , 1 2 2 3 -b Howard , E l i z abeth Jane 1 2 2 6 -q Howard , Robert E [ rvin ] 510-5 3 8 ; 851 ; 1159 ; 1 1 6 2-c ; 11 84-a ; 1 1 8 5-j ; 1 1 8 6 -k ; 1 1 8 7 -c ; 1 1 9 0 -d ; 1 1 9 1 -k ; 1 1 9 4 -a ; 1 1 9 6 - c , g ; 1 1 9 7 -c ; 1 1 9 8 - c ; 1 2 0 7 - a ; 1 2 0 8 -b ; 1 2 2 1 -h ; 1 2 2 2-c ; 1 2 2 8-a ; 1 2 3 7-e ; 1 2 3 8 -d ; 1 2 4 8 - a ; 1 2 4 9 - a Howard , Vo lney E . 1 2 1 9 -k Howe , Wi l l D . 362 , 484 , 6 7 1 , 7 5 2 , 1 1 10 , 114 0 Howson , Roger 728 Hro lda , Jean 1 1 6 6 -x Hubbard , L . Ron 1 2 0 6 - d , 1 2 0 9-e Hughe s , Ri chard 1 2 3 9 -c Hul l , He len 1 1 6 7 -b Hurne , Fergus 5 4 0 - 5 4 1 , 1 2 1 5 -a Humphr i es , Ro l fe , ed . 1202 Huneker , Jame s [ Gibson ] 54 2-5 4 3 Hunt , Vio let 1 2 3 4 -bb Hunt ley , S tanley 1 2 1 5 -h Huts on , Char l e s Woodward , ed . 481 Hux l ey , Aldous 1212-s Hyne , C [ harles ] J [ ohn ] Cutc l i f fe [Wr i ght ] 544 Ingo ldsby , Thomas 1239-f !pear , Dahlov 5 4 6 - 5 4 7 I rving , Wa shington 1 2 0 2 ee , 1 2 3 5 -c , 1 2 4 4 - k I rwin , Margaret 1 2 1 9 - 1 I s aac , J . H . 810 I sherwood , Chr i s topher 1 1 6 6 -q

Iverson , Eric

5 4 8- 5 4 9

Jackson , Shir ley 1 1 6 5 - e , 1 16 6 - f , 1 1 9 9-a Jacob , P i ers Anthony Di l ling­ ham 5 5 0 - 5 5 3 Jacobi , Carl 1 2 3 1 -v Jacobs , W . W . 1202-s , 1 2 3 4 -o 554Jakes , John [ Wi l l i am ] 5 6 0 , 1 1 7 8 - d , 1 1 8 0 -c , 1 1 9 5-d , 1 2 1 0 -d Jame s , Henry 1 2 0 2 - aa Jame s , M . R . 1 2 0 6-f , 1 2 11-f , 1 2 2 6 -o , 1 2 3 3 -dd , 1 2 3 9 -u Jame son , Ma lcolm 1 1 6 0 -g Je f fery , G . 561 Jenkins , Wi l l iam F i t z gerald 5 6 2 , 1 2 0 3 -d , 1 2 1 2 -o , 1 2 4 3-n Je s s e , F . Tenny son 1 2 3 4 -v Je s se l , John 1 2 4 3 - f Je s sop , George H . 7 2 7-f Jewett , S arah Orne 1 1 9 9 - e Johns , Norma N . 563 John son , Jo sephine W . 116 6-1 Johnson , Merle Devore 223 Johnson , P ame la Hans ford 1 2 3 9 -w John ston , Mary 1 2 4 5 -e Jones , Bruce 1 2 2 8 -d Jones , Diana Wyune 564-565 Jone s , I . Alun 9 2 7 Jorgensen , Ivar , pseud . See Fairman , Paul W . Joyce , Jame s 1 2 3 9 -a Joyc e , Michael 1 1 4 9 -a Juster , Norton 1 2 3 3 -x Ka fka , Fran z 1 1 6 6 -y ; 1 2 3 3 nn , oo Kangi laski , Jaan 5 6 6 Kap s te in , I . J . 1 1 6 7 -e Kar i g , Wal ter 5 6 7 Kas s em , He len W . 1 2 2 0 -d Kaye , Marvin 5 6 8 Kaye , Marvin , ed . 1211 Ke l leam , Jos eph E [ veridge ] 569 Ke l ler , David H [ enry ] 5 7 0- 5 7 3 , 1 1 6 4- j , 1 1 9 4-c ,

321

Ke l ler , David H [ enry ] con­ t inued 1 2 2 2 - f Kenney , Douglas 78 Kent , Ke lvin . S e e Kutt­ ner , Henry Kent , Leonard J . , ed . and trans . 504 Kerby , Susan Al ice , p seud . See Burton , Al ice E l i z abeth Ker sh , Gerald 5 7 4 , 1 2 0 3 - f Kidd , Virginia 1 2 1 7 -q King , S tephen 1 1 7 4 -c Kings ley , Charl e s 5 7 5578 Kip , Leonard 5 7 9 Kipl ing , Rudyard 1 1 7 6 -d , 1 2 4 2-t Kirkpatr ick , Brownlee Jean 3 8 3 Klass , Phi lip J . 1060 , 12 12-t Klass , Phi li p J . , ed . 1212 Kle in , T . E . D . 1 2 4 6 -e Kline , Otis Ade lbert 1 2 4 7-d Knapp , Lawrence 3 5 3 Knight , E l i z abeth c . , ed . and trans . 504 Knowle s , Vernon 5 8 0 - 5 8 3 Koontz , Dean R [ ay ] 584585 Kornbluth , C [ y�i l ] M . 1 2 1 2 -b , 1 2 1 4 -e Kneale , Nigel 1 1 6 5 -b , 1166-i Knight , Damon 1 1 7 2 - f Knight , Damon , ed . 1213-1214 Knight , Eric 1 1 6 7 -a , 1 2 0 1 -c , 1 2 4 2 - 1 K umme r , Freder ick Arnold 5 8 6 -5 8 7 Kurt z , Kather ine 5 8 8 - 5 9 3 , 1 1 8 0 -d Kuttner , Henry 5 9 4 -5 9 6 ; 1 1 6 - -a ; 1 1 6 5 - i ; 1 1 6 6 -b ; 1 1 8 4 -b ; 1 1 8 6 -m ; 1 1 9 5 -e ; 1 1 9 7 -d ; 1 1 9 8 -d ; 1 2 0 5 -b ; 1 2 0 8 -h ; 1 2 2 0 - i ; 1 2 3 7 -c ; 1 2 4 3 -p , x LaFarge , Ol iver

1 1 6 5 -h

Laf ferty , R [ aphae l ] A [ loy­ s ius ] 5 9 7 - 5 9 8 , 1 1 6 9 -d , 1 1 7 0 - q , 1 1 7 1 -b , 1 1 7 2 - e , l l 7 3-d , 1 2 1 4 -b , 1 2 1 7 -d Lager lof , S e lma 1 1 6 4 - f Lambourne , John [ Battersby Crompton ] 599 Lancour , Gene , p seud . S ee F i sher , Gene Lando l f i , Tomrnaso 1 2 3 3 - s s Lang , Andrew 4 6 7 , 6 0 0 - 6 0 5 , 1 2 2 3 - f , 1 2 2 4 -a Lange , John F . , Jr . 563 , 606-617 Langelaan , George 12 0 0-j Langley , Noe l 1 2 0 3-c Lanier , S te r l ing E . 618 , 1 2 4 6 -f Laubenthal , S anders Anne 619 Laurner , Ke i th 1 2 1 7 - r Lave r , James 1239-z Lawrence , D . H . 1 2 0 2 -hh , 1 2 1 2 - a , 1 2 3 9 -e Lawrence , Margery , pseud . S e e Towle , Mrs . Arthur Edward Leaky , John Martin 1 2 0 4 -k Lear , Edward 1 2 0 2 -t Leber , Hermann , ed . 501-502 Lee , Tani th 6 2 0 - 6 2 7 , 1 1 8 8 -a , 1 1 9 0 - j , 1 2 2 9 - f , 1 2 3 0 -e , 1 2 3 2 -h Lee , Vernon , pseud . S ee P age t , Violet Lee , Wi l li am M . 1 1 7 1 -m Le Fanu , Jo seph Sheridan 1 1 9 2 -a , 1 2 2 6 - 1 , 1 2 3 3 -bb , 1 2 3 9 -y Le Guin , Ursula K [ roebe r ] 6 2 8 - 6 3 3 , 1 1 6 2 -h , 1 1 6 3 -o , 1 1 6 4 -k , 1 2 1 4 -k , 1 2 2 6 -i Leiber , Frit z [ Reuter , Jr . ] 6 3 4-65 0 , 6 9 3 , 9 0 1 , 116 0-e , 1 1 6 2 - f , 1 1 7 1 -e , 1 1 7 7 - a , 1 1 7 9 -c , 1 1 8 3 -g , 1 1 8 7 - e , 1 1 8 8 -d , 1 1 9 6 -a , 1 1 9 7 -e , 1 1 9 8 -e , 1 2 0 8 -p , 1 2 0 9 -b , 1 2 1 0 -b , 1 2 1 1 -k , 1 2 1 3 - 1 , 1 2 2 1 -b , 1 2 3 6 -c , 1 2 3 7 -a , 1 2 4 0 -d , 1 2 4 6 - j Le inste r , Murray , pseud . S ee Jenkins , W i l l i am Fit zg'3rald

322

Lemon , Mark 1 1 9 3 -h Lerne t-Holenia , Alexander 1 1 4 9 -c Les s ing , Dor i s 1 2 1 9 -m Levack , [ Danie l ] J . H . 1069 Levin , Jef f 6 3 3 Lewi s , Al 650 Lewi s , Al fred Henry 1 2 0 2 -vv Lewi s , C [ l ive ] S [ taple s ] 4 4 4 ; 6 5 1- 6 6 3 ; 7 0 0 - 7 0 1 ; 1 1 6 3 - j , k ; 1 1 8 3-n ; 1 1 9 1 -q Lewi s , Gogo , ed . 12 181219 Lewi sohn , Ludwig , trans . 334 Lindne r , Robert 1 1 4 9 - j L indsay , David 6 6 4 - 6 6 6 Linebarger , Paul M . A . 1 2 0 4 -a Link later , Eric 667-6 6 9 , 1 1 6 4 -h Livy 1 2 0 2 -n Lloyd , John Uri 6 7 0- 6 7 1 Locke , George , ed . 1215-12 16 London , Jack [ Chaney ] 6 7 2 - 6 7 6 , 1 2 0 1-n London , John 6 7 6 Long , Frank Be lknap , Jr . 1 1 5 9 , 1 2 2 1 -g , 1 2 2 2 - g Long , Gabr ie l le Margaret Vere [ C ampbe l l ] 6 7 7678 Lord , Glenn 5 3 8 Lord , Mindret 1 2 4 3 - c , q Lory , Robert 6 7 9 Loudon , Jane [Webb ] 680 Lovecraft , H [ oward ] P [ hi l ips ] 517 ; 670 ; 6 8 1- 6 8 2 ; 9 0 1 ; 9 0 6 ; 1 1 5 9 ; 1 1 6 2 -m ; 1 1 8 5 - f ; 1 1 8 6 -b ; 1 1 9 1- e , f ; 119 4-c ; 119 5-f ; 119 7-f ; 1 2 0 8 -e , w ; 1 2 1 4 -p , 1 2 1 5- i ; 1 2 2 1 -e ; 1 2 3 3 -aa ; 1 2 4 0 - f ; 1 2 4 3- r Lover , S amuel 1 2 0 2 -vvv Lowentha l , Mark M . 683 Lowry , H . D . 1 2 3 4 -k Luc i an 1 2 0 2 -ww Lumley , Brian 1 1 5 9 , 1 2 3 1 m , 12 3 6 -j

Lunde , David 1 2 3 6 - 1 Lundwa l l , S am J . 684 Lupo ff , Richard A [ l len ] 5 1 2 , 6 8 5- 6 8 6 Lus tbade r , Eric Van 6 8 7 689 Lynch , Jane Denvi l 6 9 0692 Lyon , Ri chard K . 854 Lyt ton , Edward George Earle See Bulwer­ Bulwe r . Lytton , Edward George Earle Mccaf frey , Anne , comp . 1217 McClusky , Thorp 1 2 4 3 -a , 1 2 4 8-f Macconne l l , Colum 6 9 3 McDona ld , Edward David 3 1 5 MacDona ld , George 694-706 , 1 0 9 0 , 1 1 6 2 -a , 1 1 6 3 -d , 1 1 6 4 - a , 1 1 8 2 -a , 1 1 8 3 - c , 1 1 8 5 - c , 1 2 2 3 -c , 1 2 2 6 -b , 1 2 3 3 -q MacDonald , Gregory 1 1 9 3 - i , j Mc intosh , Pat 1 1 8 7- i , 1 1 8 8 -c , 1 1 8 9 -c , 1 1 9 0 -h McKenna , Richard 1 2 1 3 - j McKi l l i p , Patr i c i a A . 7 0 77 1 1 , 1 1 6 4 -n , 1 2 4 6 -c McLaugh l in , Vernard 1 2 1 4 -o MacLean , Katherine 1 1 6 9 - f , 1 1 7 0-o , 1 1 7 3 - f , 1 2 1 2-q MacLeod , Fiona , ps eud . See Sharp , Wi l l i am Machen , Arthur 7 1 2 - 7 1 6 ; 1 1 9 2 -b ; 1 2 0 2 -m ; 1 2 1 4 -g ; 1 2 1 5 - c , d ; 1 2 4 5 -d Machiave l l i , Niccolo 1 2 3 5 -b Maddocks , Gladys Loui se 95 Maden , Fa lconer 309 Madi son , David 1 2 3 0 - f Maddux , Rache l 1 1 6 7 -d Mal loch , George R . 1 2 3 4-t Maloney , Rus s e l l 1 1 6 6 - z Ma l t z , Albert 1 1 6 7 - c Man ley , S eon 1 2 1 9 - i Man l ey , Seon , ed . 1218-1219 Mann , Barbara Ke l s ey 5 7 8 Mann , Franc i s Oscar 1 2 3 5 - a

323

Mann , Jack , pseud . See Vivian , Charl e s E [ ve lyn ] Mann , Mary E . 1 2 3 4 -b Mann , Thomas 1 1 9 9 -o Manning , Laurence 1 2 4 9-h March , Wi l l i am 1 2 0 2 -o , yy , S S S Margulies , Leo , ed . 1220-1222 Marks , Wins ton 1 1 9 2 - i Marnau , Fred 1 2 3 9 -h Marqui s , Don 717 Marriot-Wa tson , Ethe l 1 2 1 9 -c Marsh , Richard 1 2 0 6 -g Martin , George R . R . 1 1 8 9 -d Mas e f i e ld , John [ Edward ] 7 1 8 - 7 2 0 , 1 2 0 2 -dddd , 1 2 3 5 -t Mason , David 7 2 1- 7 2 4 Mather , Cotton 1 2 0 2 - s s Mathe son , Ri chard 1 1 7 2 - c ; 1 2 0 0 - i , t ; 1 2 0 5 -c ; 1 2 1 1 - j ; 1 2 1 2 -n ; 1 2 3 6 -h Mathews , Ri chard B . 8 0 1-k Matthews , Brander 7 2 6 728 Maugham , W [ i l l iarn ] S omer­ set 7 2 9- 7 3 0 , 1 2 0 2-fff , 1 2 4 2-g Maurer s , Bob 1 2 3l-n Mauro i s , Andre 7 3 1 Mayne , E . Co lburn 1 2 3 4 - 1 Mayne , Wi l li am 7 3 2 Meade , Richard 7 3 3 - 7 3 4 Medhurst , George 4 9 0 Megro z , R . L . 30 Menvi l le , Douglas 460 Menvi l le , Douglas , ed . 1 2 2 3- 1 2 2 5 Meredi th , George 7 3 5- 7 3 9 Merr i l , Judith 1 2 1 2 -rn Merr i tt , Abraham 1 1 1 , 1 1 2 , 7 4 0- 7 4 9 , 1 1 5 9 , 1 1 6 2 -b , 1 1 8 6 - i , 1 1 9 1- j Mi l e s , Harni sh , tran s . 731 Mi l ler , P . S chuyler 517 , 5 3 8 , 1 2 0 9-c Mir r le s s , Hope 750 Mitche l l , Edward Page 1 2 4 0 -e Mitche l l , J [ ohn ] A [rnes ] 7 5 1 - 7 5 2 , 1 2 2 3- i

Mobley , Jane , ed . 1226 Monaco , , Richard 7 5 3 Moorcock , Michae l [ John ] 5 5 4 ; 7 5 4-7 9 0 ; 8 7 6 ; 1159 ; 1 1 7 8-b ; 1 1 8 0 -e ; 1 1 8 6 -o ; 1 1 9 6-e , g ; 1 2 3 8-f Moore , C [ a therine ] L [ uc i le ] 5 1 3 , 7 9 1 - 7 9 4 , 1 1 6 2 -d , 1 1 6 4- i , 1 1 8 5 -k , 1 1 8 6 -rn , 1 1 9 7 -g , 1 1 9 8 - f , 1 2 1 8 - i , 1 2 4 8-b , 1 2 4 9 -b Moore , Raylyn 1 1 7 4 -g More , Denn i s 1 2 2 9-g Mor ley , Chr i s topher 7 9 5 796 Morr i s , Kenneth 7 9 7 - 7 9 9 , 1 1 6 4 - e , 1 2 2 3- g Morr i s , Mary 803 Morri s , Wi l l i am 8 0 0 - 8 1 0 , 1 1 8 1- d , 1 1 8 3-d , 1 1 9 1 -a , 1 2 3 3-ee Morus , Cenydd . S ee Morr i s , Kenneth Mos i g , Dirk 1 2 4 6 Mo skowi t z , S am 4 9 9 , 5 7 1 , 1012 , 1204-1 Motson , Meredith 1 0 3 Muchaus en , Baron 1 1 5 1 - 1 1 5 3 Mul len , R . D . 10 98 Mundy , Ta lbot 8 1 1- 8 1 4 Munn , H [ arol d ] Warner 1 5 0 , 8 1 5- 8 1 7 , 8 7 5 , 1 1 5 9 , 1 2 3 2 - j , 1 2 4 6 -n Munro , H . H . 11 4 9 -i , 1 2 0 0-f , 1 2 0 1 -b , 1 2 0 2 - i i i , 1 2 1 2 - j , 1 2 3 9 - r , 1 2 4 2 -u Myer s , Gary 1 1 8 5 -g , 1 1 8 6 - d , 1 1 8 8-g , 1 1 8 9 -j , 1 2 3 1-f Myers , John Myers 818 Nathan , Robert 819 , 1 2 4 5-f Nay lor , Char le s , ed . 1199 Ne l son , Ray 1 1 7 2 - d Nesbi t , Edith , pseud . See Brand , Edith Nes bit Nevi l le , Kris 1 1 7 0 -h Nevinson , Henry Woodd 8 2 0 Newbo l t , Henry 8 2 1 - 8 2 2 Niven , " Larry " [ Laurenc e Van Cott ] 8 2 3 , 12 14-s Nolan , Wi l l i am F [ ranci s ] 1 2 6 , 1 2 3 6-e No l an , Wi l l i am F [ ranc i s ] , ed . 12 2 7 324

Norman , John , ps eud . See Lange , John F . , Jr . Northouse , Cameron 5 1 Nor ton , Andre 82 4-84 1 , 1 0 0 5 , 1 1 5 9 , 1 1 7 8-c , 1 1 7 9 -b , 1 2 1 9 -b , 1 2 2 6 -h , 1 2 2 9-a , 1 2 3 2 -a , 1 2 4 7 -b Noye s , Al fred 8 0 1-a , 842-843 Nue t z e l , Charles 844 Nyberg , Bj orn 5 2 9 Nye , Rus s e l B . 71 0.

Henry ' s Ghos t , pseud . See Anonymous --Nove l s and Co l lections - - 2 7 O ' Brien , David Wr ight 1 2 4 3-m O ' Br ien , Fritz -Jame s 8 4 5846 O ' Connor , Frank 1 2 0 2 -g O ' Connor , Wi l l iam Douglas 847 O ' Fl aherty , Liam 8 4 88 4 9 ; 1 2 0 2 -d , cccc O ' Gorman , Mrs . J . C . 24-26 Oate s , Joyce Caro l 1 1 9 9 - h Obole r , Arch 1 2 0 1 - 1 Of ford , Lenore Glen , comp . 1120 Of futt , Andrew J . 8508 5 4 , 1 1 9 0 -d , 1 2 2 8- a , 1 2 2 9 -h Of futt , Andrew J . , ed . 1228-1230 Oldf i e ld , C l aude Houghton 8 55-856 Oldrey , John 8 5 7 Oliphant , Mrs . 1 2 4 5-a Ol ivas , Michae l A . 1057 O l iver , Chad 1 2 2 7 - c Oliver , George 1214-r , 1 2 2 6 -n , 1 2 4 0-h , 1 2 4 2 - r Oliver , J . T . 1 2 0 4-n Ol iver , L . M . 90 Olms tead , John Charl e s 739 Onions , Oliver , pseud . See Ol iver , George Ovid 1 2 0 2 , j j , bbbb ; 1 2 3 3 -e , f , g Owen , Frank 8 5 8 Owings , Mark 1 0 8 , 4 8 7 , 682 ' 930 ' 956

Padgett , Lewi s 1 2 1 2 - f Page , Gera ld W . 5 1 3 -c , 1 2 3 1- 1 , 1 2 3 2 - 1 P age , Gerald w . , ed . 12311232 P age , Leo 1 2 0 4 -e Page , Norve l l w . 8 59-86 1 Paget , Violet 8 6 2 - 8 6 3 Pain , Barry 1 1 6 4 -b Pangborn , Edgar 1 1 7 1 -d Panshin , Alexei and Cory 864 P arrish , Morri s Longs treth 578 P a s s age , Char l e s E . , trans . 505 Peacock , Lucy 8 6 5- 8 6 6 , 1 2 2 5-b Peake , Mervyn [ Laurence ] 8 6 7 - 8 7 0 , 1 1 5 0 -c , 1 1 5 9 , 1 1 8 5 -n , 1 2 2 3-h Pearson , Edward 8 7 1 Pei , Mario [ Andrew ] 872 Pendarves , G . G . 120 8-i Perkins , Frederick Beecher 1 2 3 5-m 482 Perkins , Ione 482 Perk ins , P . O . Petaj a , Emi l 816 , 873-877 , 1159 P fordre she r , John , ed . 1200 Phi l l ip s , A . M . 1 2 0 9 -g Phi l l ip s , Alexander M [ oor e ] 878 Phi l l ips , Peter 1 2 1 3 - e Phi l lpott s , Eden 8 7 9 - 8 9 1 , 1 1 7 5-g , 1 1 8 2-d Phi lmus , Robert , ed . 1098 P ick , J . B . , ed . 665 P l i ny 1 2 0 2 -u P lunkett , Edward John More­ ton Drax 8 9 2 - 9 0 8 , 1 1 6 3 - b , 1 1 6 4 - d , 1 1 8 5 -e , 1 1 8 6 -a , 1 1 9 1-b , 1 1 9 5 -b , 1 1 9 6 -c , 1 1 9 7 -b , 1 1 9 8 -g , 1 2 0 1 -m , 1 2 1 1- e , 1 2 2 3- 1 , 1 2 2 6 -c , 1 2 3 3 - f f , 1 2 4 2- i Poe , Edgar Al l an 1 1 8 3 -h ; 1 1 8 5- b ; 1 2 0 0 - s ; 1 2 3 3-u , z , hh ; 1 2 3 5 -h ; 1 2 4 0 -g ; 1 2 4 2 -o Pohl , Freder i ck 1 2 0 4 -b Pol l ard , Al fred Wi l l iam 4 1 1 Pol lock , W [ a lter ] H [ erries ] 6 0 5 ; 7 2 7 -d , e ; 1 2 2 4 -a 325

Pope , Mary E l i zabeth 9 0 8 Porges , I rwin 1 6 6 Powers , Tim 9 1 0 Powys , John Cowper 9 1 1- 9 1 4 Powy s , T [ heodore ] F [ ranc i s ] 9 1 5 - 9 1 7 , 1 2 3 9 -v Pratt , F letcher 2 7 7- 2 8 0 , 5 6 8 , 9 1 8 - 9 2 1 , 1 1 8 1- a , 1 1 8 3 - f , 1 2 2 0-g , 1 2 4 9 - h Pric e , E [ dgar ] Ho ffman 9 2 2- � 2 3 , 1 2 0 6-i , 1 2 3 1-y Price-Gordon , Charles Henry C l inton 9 3 3 Pries t , Chri st ine , trans . 1 0 0 3-1 0 0 5 Pries tley , J [ ohn ] B [ oynton ] 924-927 Proctor , George w . 1 2 2 8- 1 , 1 2 3 0 -m Prospero , � seud . See Ro lfe , Frederick Wi l l i am Pumi l ia , Jos eph F . 1 2 3 1- i Pyle , H i lary A . 997 Quil ler-Couch ( ' Q ' } , S ir Arthur 1 2 4 4 - f Quinn , S eabury [ Grandin ] 9 2 8- 9 3 0 , 1 2 0 8 - d , 1 2 2 0 -h , 1 2 2 2 - a , 1 2 4 3 - t Rabkin , Eric s . , ed . 1233 Rae , Hugh c . 931 Raspe , Rudol fe 1 1 5 2 Ray , Jean 1 2 4 3-u Reade , Quinn 9 3 2 Redd , David 1 1 7 0 - i Reid , Jul i an 1 1 7 4 - i Reinhardt , Hank 1 2 3 2 -n Re inhardt , Hank , ed . 12 3 2 Repp , Ed Earl 1 2 0 4 -d Res ch , Kathl een 1 2 3 0 -h Rhys , Ernes t 1 2 0 2 -p Rhys , Erne s t , ed . 1234 Rhys , Grace 1 2 3 4 - j Ri ce , James 101 Rice , Jane 1 1 6 1-e , 1 2 0 9-d , 1 2 1 2 - 1 Richter , Conrad 1 2 0 3- i Riewald , J . G . 91 Ri ley , David 1 2 4 6 -p ' Roberts , Jane 1 2 1 8 -g

Roberts , Ke ith 1 1 6 9 -m , 1 1 7 0-b , 1 1 7 3 -m Rodrigue s , Raymond J . , ed . 1200 Rohmer , Sax 1 2 4 9- i ' Ro l fe , Frederick W i l l i am 9 3 3- 9 3 4 Ros a , Al fred A . 1135 Ro s s , Martin 1 2 3 4 -t Ro s setti , Chri s tina 1 1 9 3 - k Rud , Anthony M . 1 2 0 8 - ee Rudo l f , Anna 509 Rudwin , Maximi l lan J [ ose f ] , ed . 12 35 Ruskin , John 1 1 9 3 - b Rus s , Joanna 1 1 7 0 - f , 1 2 1 7 - 1 Rus s e l l , Eric Frank 1 2 0 8 -y Rus se l l , George Wi l l i am 9 3 5- 9 3 7 Rus se l l , John 1 2 3 4 -cc Rus s e l l , Ray 1 1 6 9 - e , 1 1 7 3- e , 1 2 3 6 - i S aberhagen , Fred 9 3 8 - 9 4 0 S adler , Glenn Edward , ed . 697 S t . C l ai r , Margaret 1 2 0 8 -dd Saki , pseud . See Munro , H . H . S a l li s , James 1 2 3 6 - 1 S a lomon , Gerhard 5 0 6 S ansom , Wi l l i am 1 1 6 6 -r , 1 1 9 9 - 1 , 1 2 3 9-n , 1 2 4 4 - g S ante s son , Hans S te fan , ed . 1237 , 1238 Sargent , Ra lph M . 796 S aunders , Charles R . 1 1 8 7- j , 1 1 8 9 -k , 1 2 3 2 - i S axon , Josephine 1 2 1 7 - s Sayers , Dorothy L . 1 2 1 9 -a S c hi ff , S tuart Davi s , ed . 1236 S chleppey , B lanche Bloor 941 S chlob i n , Roger c . 841 S chmi t z , James H . 1 1 6 5- j Schnirring , Mary-Alice 1212-i S charer , Mark 1 2 0 6 -b , 1 2 4 3-y S chramm , Wi lbur 1 2 0 3-h S chre iner , O l ive 9 4 2 , 1 2 3 9 -p S chu l z , �runo 1 2 3 3 -pp

326

S chwart z , Jacob 2 5 6 S c hwe i tzer , Bri tt 1 1 7 0 - 1 S c hwe i tzer , Darre l l 1 2 3 0- 1 , 1 2 3 2 -m S c i ther s , George , ed . 539 S cott , C [ atherine ] A [my ] Dawson 1 2 3 4 -p S cott , C [ atherine ] A [my ] Dawson , ed . 1234 Scott , G . Fi rth 9 4 4 Scott , J . E . 465 S cott , Jeremy , ed . 1239 S cott , Temple , pseud . S ee I s aac , J . H . S earle , R . Townley 4 1 8 S e l lery , J ' nan 1 1 5 Shakespeare , Wi l l i am 1176-1 Shap i ro , I rwin 1 2 0 2 - f S harnik , John Seymour 1 1 6 5 -k Sharp , Wi l l iam 9 4 5 - 9 4 7 Shaver , Richard S [ harpe ] 948 She a , Michae l 949 S heck ley , Robert 1 1 7 0 - a Shedlof sky , Wa l ter 1 2 4 6 -o Shephard , E s ther 1 2 3 3- 1 S herred , T . L . 1 2 1 3-k S herre l l , Car l 9 5 0-9 5 1 , 1096 Shiras , Wi lmar H . 1 1 7 0 -m , 1 2 1 2 -r S hub , E l i z abeth , trans . 968 S i las , A . E . 1 2 3 2-o S i lverberg , Robert 3 3 5 N . B . , 9 5 2 - 9 5 3 , 1 1 6 8-b , 1 2 0 5 - f , 1 2 1 7 -n , 1 2 4 0 - i S i lverberg , Robert , ed . 1240 S imak , C l i fford D [ ona ld ] 9 5 4 - 9 5 6 , 1 2 0 5 -h S inclair , May 1 2 3 4 -h S inclair , Upton 9 5 8 - 9 6 2 S inger , I s aac Ba shevi s 9 6 3- 9 6 8 S i nger , Kur t , comp . 1241 S i s s on , James E . , I I I 675 S i twe l l , Osbert 1 2 0 2 -ppp , 1 2 3 9 -bb S ladek , John 1 1 9 9-n

Smith , Arthur D . Howden 1 2 0 7-d Smith , C lark Ashton 9 6 9 9 7 8 , 1 1 5 9 , 1 1 6 2 -e , 1 1 8 4 - f , 1 1 8 5 -m , 1 1 8 7 -d , 1 1 8 8- j , 1 1 8 9 - f , 1 1 9 0 - c , 1 1 9 1 - g , 1 1 9 6 -b , 1 1 9 7 -h , 1 1 9 8- h , 1 2 0 6 -c , 1 2 0 8 - f , 1 2 2 2 -e , 1 2 4 0- c , 1 2 4 9 -d Smi th , Cordwa iner , p seud . S ee Linebarger , Paul M . A . Smi th , David c . 1 2 3 0 -d Smi th , Ernest Bramah 9 7 9 9 8 8 ; 1 1 7 5 -a , b ; 1 1 8 2 - c ; 1 2 3 4-e Smith , Lady Eleanor 1 2 1 8 - j Smitter , We s s e l Hyatt 1 1 6 6-n Smyth , Robin 1 2 3 6 -m Soko lo f f , B . A . , ed . 1058 Somervi l le , E . CE 1 2 3 4 -f Spencer , Paul 1 1 8 8 -e Spenser , Edmund 1 1 7 6 -m Spinrad , Norman 1 2 1 7 - f Springer , Nancy 9 8 9 Square , A . , pseud . See Abbott , Edwin Abbott Squire s , Phi l 1 2 0 0 -n Sta f ford , Jean 1 2 1 9 - g Stashe f f , Chr i stopher 1 0 2 , 853 , 9 90-991 Stead , Chr i s t ina [ E l le n ] 9 9 2 - 9 9 3 , 1 2 0 2 - ggg S te i nbeck , John 1 1 6 6 -k , 1 2 0 2 - ccc Stephens , Jame s 994-99 7 , 1 2 4 2-b S terl ing , George 1 1 8 5 - i S te rn , Phi l ip Van Doren , 1242 ed . S tevens , Franc i s , pseud . S ee Bennett , Ger trude Barrows S tevenson , Lione l , ed . 149 , 576 S tevenson , Robert Louis 1 2 4 2-e , 1 2 4 4 -h S tewart , Mary 1 1 1 7 S tockton , " Frank " [ Franc i s ] R [ i chard ] 9 9 8-1 0 0 2 ; 1 1 6 3 - f ; 1 1 6 4 - c ; 1 2 0 2 -c , v S toker , Abraham 1 2 1 6 -c

327

S toker , Bram 1 2 2 3 -d S tong , Phi l [ lip Du f f i e ld ] , ed . 1243 S tras s l , Hubert 1 0 0 3 - 1 0 0 5 S traus , Ralph 1 2 4 2 -q S truther , Jan 1 2 4 2 - j S turgeon , Theodore 1 0 0 6 1 0 1 2 , 1 1 6 0-c , 1 16 1-c , 1 2 0 0 -k , 1 2 0 8 -v , 1 2 1 2 - c , 1 2 1 3 -h , 1 2 2 0 -b , 1 2 2 6 -d , 1 2 2 7 -b , 1 2 4 3- j Sullivap , Ja [me ] s F [ rank ] 1013 Sul l ivan , John 2 1 6 - 2 1 8 Suvin , Darko , ed . 1098 Swain , Virginia 1 2 4 3 - i Swann , Thomas Burnett 1 0 1 4 1 0 3 1 , 1 1 8 8 -b , 1 2 3 1 -b Sweetser , Wes ley 71 6 Swigart , Le s l ie Kay 327-328 Sykes , Arthur A . 1 2 1 5 -d Sykora , Wi l l , comp . 571 Synge , J [ ohn ] M [ i l l i ngton ] 1 2 0 2 - dd , rrr Tagore , Rabindranath 10 3 2-10 3 3 Tate , Peter 1 2 1 7 - t Taylor , Bert Le s ton 1 2 2 5 -c Taylor , c . C l ark 1 0 5 9 Tel fair , David 1 2 1 7 -o Temple , George , 1 2 1 6 -e Temple , Ruth Z . 669 Temple , Wi l l ard 1 2 0 3-e Tenn , Wi l l i am , pseud . See Klass , Phi l ip Tennyson , Alfred Lord 1176-s Texas Univers i ty Humani­ ties Research Center 412 Thackeray , Wi l l iam Make­ peace 1 2 3 5 - f , g Thomas , Dante 9 1 4 Thorp , Margaret [ Farrand ] 577 Thurber , James 1 0 3 4 - 1 0 3 5 , 1 2 0 2 -oo , 1 2 3 3 -w Tieck , Johann Ludwig 1 1 6 3-a Tierney , Richard L . 1 2 2 8 - f , 1 2 2 9 - e , 12 3 0 -b

T imlett , Peter Va lentine 1036-1037 Tobin , ' Jame s Edward 8 4 3 To lk ien , Chr i stopher , ed . 1040 To lkien , J [ ohn ] R [ dnald ] R [ eue l ] 7 8 ; 1 0 3 8-1 0 4 8 ; 1 1 6 3 - i ; 1 1 8 3 -o ; 1 1 9 1 -o , p ; 1 2 3 3-r Too le , Scott R . A . 730 Towle , Mrs . Arthur Edward 1 0 4 9- 1 0 5 0 Treec e , Henry 1 0 5 1 Trimb l e , Jacque lyn 1 0 5 2 Trimb l e , Lou i s 1052 Troyanovich , Steve , ed . 1159 Tubb , E . C . 1 2 3 2-f Tuck , Donald H . 953 Tucker , Martin 6 6 9 Turgenev , Ivan 1 2 1 1 -n Turman , John 1 0 5 3 Turner , Martin John 4 5 6 Turner , Paul , trans . 503 Tutuo l a , Amos 1054-1055 , 1 2 3 3- d Twain , Mark , pseud . See Clemens , Samue l Langhorne Tweney , George H . 676 Underwood , Tim 1 0 6 9 Undwin , Grai l , ( pseud . ? ) 1 1 9 0-b Upd ike , John 1 0 5 6 - 1 0 5 9 , 1 2 1 7 -a Ut ley , S teven 1 1 7 4 -d Van Van Van Van Van

Arnarn , Dave 1 0 6 0 - 1 0 6 1 Doren , Mark 1 1 6 3 - 1 Dyke , Henry 1 0 6 2- 1 0 6 3 Dyke , Tertius 1063 Lus tbader , Eric . See Lus tbader , Eric Van Van Taa l , Herbert , ed . 1244 Van Vogt , A [ l fred ] E [ l ton ] 1064-1065 Vanc e , " Jack " [ John Ho lbrook ] 6 2 2 , 949 , 1066-1069 , 1 1 7 4 -b , 1 1 7 7 -b , 1 1 8 0 - a , 1 1 8 6-n , 1 1 8 7 -k , 1 1 9 1-n , 1196-f Vardeman , Robert E . 1 2 3 0- j

328

Vercors , pseud . See Brul ler , Jean Vidal , Gore 1070-1071 Viereck , George Sylves ter 10 7 2-10 7 4 Virgi l 1 2 0 2 -rrr Vivi an , Eve lyn Char les H. 10 7 5-1 0 8 3 , 1 0 9 9 Vo l ta i re 1 1 7 6 - r , 1 1 8 3- a Vonnegut , Kurt , Jr . 1 2 3 3 -kk Wackermann , Erwin 1 1 5 4 Wagenknech t , Edward 287 , 678 , 1245 Wagner , Kar l Edward 1 0 8 4 - 1 0 8 9 , 1 1 8 9 -e , 1 2 3 6 -a , 1 2 4 6 - g Wagner , Kar l Edward , ed . 5 3 2- 5 3 4 , 5 5 4 Wai te , Arthur Edward 1 0 9 0 Wake f i e ld , H . Rus s e l l 1208-z Waldo , Edward Hami l ton See S turgeon , Theodore Waldrop , Howard 1 1 7 4 -d Wa lker , Dale L . 673 , 675 Wa lker , Hugh , pseud . See S tras s l , Hubert Wa l lace , I rving 9 5 5 Wa l sh , Don 1 2 3 2- c Wa l sh , Thoma s P . 51 Wa l ton , Evangel ine , pseud . S e e Ens ley , Evange­ l ine Wa l ton Wandre i , Dona ld 1 2 4 9 -e Warner , Sylvia Townsend 6 2 2 , 1 0 9 1- 1 0 9 3 , 1 1 6 3-p , 1 1 6 4 - 0 , 1 2 0 2 -rnrn , 1 2 2 6 - j , 1 2 3 3 - gg Washi l , M . A . 1 2 3 0-n Water loo , S tanley 6 7 2 Watson , E . Grant 1 2 3 4 -aa Watson , George , ed . 2, 34 , 225, 285 , 409 , 545 , 866 , 943 , 947 , 933 , 1093 Webb , Mary 1 2 3 4 -dd Weinbaurn , S tanley 2 7 5 , 1159 We i s s , Anne 362 , 484 , 6 7 1 , 7 5 2 , 1110 , 1140

We i s s , I rving 3 6 2 , 4 8 4 , 671 , 752 , 1110 , 1140 We ixlmann , Jos eph John 5 2 We l le s , Os car 1 2 0 2 -hhh We l lman , Manly Wade 1 0 9 4 -r ; 1 1 5 9 ; 1 1 6 0 -h ; 1 2 0 0 -g ; 1 2 0 8 - 1 ; 1 2 2 8 -e ; 1 2 2 9 -c ; 1 2 3 0- k ; 1 2 3 2 -g ; 1 2 3 6 -g ; 1 2 4 3- s , v ; 1 2 4 6 -h , i ; 1 2 4 8 -g We l l s , Catherine 1 2 3 4 -d We l l s , H [ erbert ] G [ eorge ] 1 0 9 5 - 1 0 9 8 , 1 1 9 8 - i , 1 2 0 0 -v , 1 2 0 1 -g , 1 2 0 2 -www , 1 2 1 3- g , 1 2 1 4 -d , 1 2 1 5 - f , 1 2 3 3 - j j , 1 2 3 4 -c , 1 2 4 0 - a , 1 2 4 2 -d , 1 2 4 4 -i We l l s , Stuart w . , I I I 1 1 2 -N . B . Went z , Wal te r J . 748 Wes t , Rebecca 1 2 3 4 -r We st , Richard C . 1048 We ston , Jes se 1 1 4 7 Wheatley , Denni s 1099-1107 Whi te , Antonia 1 2 0 2 -ooo Whi te , E . B . 1 1 6 5-c , 1 1 6 6-u Whi te , Edward Luc a s 1 1 0 81110 , 124 9-f Whi te , Jame s 298 Whi te , T [ erence ] H [ anbury ] 1 1 1 1- 1 1 1 8 , 1 1 6 2- n , 1 1 8 3-k Whi te , Wi l l i am 9 8 6 - 9 8 8 Whi te , Wi l l i am Anthony P arker 1 1 1 9 - 1 1 2 0 , 1 1 6 0 - j , 1 2 0 5 -g , 1 2 1 3- i Whi tehe ad , Henry S . 1 2 0 8- j Wibber ley , Leonard 1 1 2 1 Wi lde , Lady 1 2 1 9 - e Wi lde , Oscar 1 1 8 5 - d , 1 2 0 1- j , 1 2 0 2 -r Wi lhe lm , Kate 1 2 1 4 -c Wilkins , Mary E . See Free­ man , Mary E . Wi lkins Wi l l iams , Char l e s W . S . 1122-1129 Wi l l iams , Jay 1 1 3 0 Wi l li ams , S i dney Herbert 309 Wi l l i ams , Tenne s s ee 1 2 1 1-d Wi l l iamson , " Jack " [ John S teward ] 1 1 3 1- 1 1 3 2 Wi l son , Angus 1 1 4 9 -e Wi l son , F . Pau l 3 2 3 , 1 2 3 2 -p

329

Wi l son , Gahan , ed . 1246 Wi l s on , John Anthony Bur­ ges s , 8 6 9 , 1 1 3 3 - 1 1 3 5 Winter , Wi l l iam , ed . 8 4 5- 8 4 6 Wi sdom , John 7 5 5 - j Wol fe , Gene 1 1 3 6 , 1 2 1 7 -p Wol lheim , Dona ld A . 517 , 1 2 1 1-b Wol lhe im , Dona ld A . , ed . 1 2 4 7 -12 4 9 Wood , Char le s Erskine Scott 1 2 0 2 -w , pp Woodbridge , Hens ley c . 676 Woodward , Wayne . See Bok , Hannes Woo l f , Virginia 1 1 9 9 -b , 1 2 0 2 -b , 1 2 3 9 -m Woo l fe , Cec i l 9 3 4 Wyl ie , E l inor [ Hoyt ] 1 1 3 7 -114 0 354 Wymer , Th oma s Wyndham , John , pseud . See Harri s , John Beynon Yeats , Wi l l i am Butler 1 2 0 2 -h , gg Yelvington , Henry 1 2 0 2 -y Yoke , Carl 1 1 4 8 Z ahorsk i , Kenneth J . , ed . 1 16 2 - 1 1 6 4 Z angwi l l , I . 1 2 3 4-a Zeeman , Den i se Avri l 339 Z e l a zny , Roger 1 1 4 1- 1 1 4 8 , 1 1 5 9 , 1 1 6 9 �a , 1 1 7 0 - j , 1 1 7 1-h , 1 1 7 3 -a , 1 1 8 6 -p , 1 1 9 8 - j , 1 2 3 8 -b Z o l ine , Pame l a 1 1 9 9 -m

330

T ITLE INDEX Thi s index inc l udes al l titles o f individual vo l ­ ume s and short s torie s , wi th thei r variants , and cro s s -referenc e s subs tantive referenc e s in the an­ notation s . Numbers refer to entry code number s . Letter s des ignate i terns wi thin the entr i e s . "

I

A.

A.B.

I

"

8 8 -q

Merr i t t :

" Aa l i l a

A B i b l i o gr a p h y o f F a n t a s t i c Wr i t i n g s

( P sycho logy ) "

4 9 0-c

748

a n d h i s In h e r i t e d P o v er t y 1054 " Abandoned Boudo ir , The " 1 2 4 6 -rn "Abdal l ah the Ad i te " 4 1 0 -c " Abel S taple D i sapprove s " 2 4 9 -n "Abenteuer der S i lve s ternacht , Di e " 5 0 0 -c , 5 0 1-a ( 8 ) " Abominable Irnpreccation , The " 1 1 6 4 -h "Abominations o f Yondo , The " 9 7 1-1 5 9 8 -a " About a Secret Crocod i l e " " Above Ker- I s " 1 1 6 4-g 1 9 5 -o " Above Proo f " "Abraham Fletter ' s Wearine s s " 1 0 1 3 -q " Aboard the Ga l ley " 4 3 2 -p " Abs enc e o f Mind " 263-e " Accornodating Circumstance , The " 1 1 6 3 -f " Accord ing to Trad i tion " 1 2 2 6 -h " Account o f Some S trange D i s turbanc e s in Aungier S tre e t , 1226-1 An " " Ac tion-- Reac t i on " 2 7 -p " Ac tor s " 8 8 -c " Ac tors , Author s , and Audienc e s " 4 1 7-i A da m & Eve & Pi nch M e 245 " Adam & Eve & P inch Me " 2 4 5 - f , 2 5 0 -a , 1 2 1 2 -h , 1 2 4 2 - f 5 9 8 -rn , 1 1 7 1 -b " Adam Had Thre e Brothers " " Adam Link ' s Revenge " 1 2 4 3- 1 " Adapt ive Ultimate , The " 1 2 4 3-f "Addendum : A Chec k l i s t o f Walter d e la Mare " 297 " Add i tion to the Bibl iography o f W . S . Gi lbert ' s Contr i butions to Maga z ines " 4 19 " Adept ' s Gamb i t '' 6 3 8 - c , 6 4 3- f , 6 4 7 " Admirer , The " 9 6 6 -d 3 2 5-s " Adr i f t Jus t Off the I s le t s o f Langerhans " " Adventure , The " 9 6 6-s 7 1 4 -n " Adventure o f the Deserted Res idence " 1 2 4 4 -k " Adventure o f the German S tudent , The " 7 1 4 -b " Adventure o f the Gold Tiberius " " Adventure of the Head land , The " 4 9 5-g 7 1 4 -e " Adventure o f the Mi s s ing Brother " 424 , 429 A d ven t u r e s i n Saka e l a n d Aba i y i

331

" Adventure s o f Profe s sor Emmett , The "

4 8 3-g

A d ven t u r e s o f t h e S i x Pri n c e s s e s ' o f B a b y l o n

Th e

8 6 5 , 1 2 2 5-b " Adventure s of Tom Bombad i l . . . " 1 0 4 2 --e " A f f l i c tion of Baron Humpfe lhimme l , The " 3 9 -h , 1 2 2 3 - a " After Ten Years " 6 5 1-f "After the Bal l " 2 2 7 -d , 2 3 3 -x "After the Fire " 8 9 8-hh " Afte rward " (Morri s ) 8 0 1 -k " A f t er wa r d : Footnote to ' Shambl eau ' and Others " 7 91-1 " Age o f the Warr ior , The " 1 2 3 2-n " Ah , the Unive r s i ty " 2 2 8-v , 2 3 1 -t , 2 3 3 -w " Ahe z the Pal e " 9 4 5 -u " Ahoy ! S a i lor Boy " 2 4 9 - c , 2 5 0 -k " ' Aida ' " 4 8 1- u " Ainulindal� , The " 1 0 4 0 -b 1 2 3 9 -q " Ai r - Raid Seen From Above , An " " Aka l lab@th , The " 1 0 4 0 -d A l a do r e 821 4 3 1 -d "Alarums and Excurs ions " " Alas , All Think ing ! " 1 2 4 3 -o " Alas , Poor Bol l ington ! " 2 4 6 -b " Albatros s , The " 4 9 9-f A l c h e m y a n d A ca d e m e 1 2 17 A l c y on e ( A Fa i r y S t o r y ) 879 "Ale Ce l e s tri al " 2 5 4 -q , 2 5 0 -n " Alexande r " 54-a "Al fandega " 1 1 0 8 -e " Al fred Noyes : A Correc ted Bibl iography " 843 " Alhireth the Prophet of the Calamity that Befe l l Yun9 0 0-r " I l ira by the Sea . Al i ce in B l u n d erl a n d 3 8 , 1 2 2 5 -a A l i c e ' s A d v en t u r e s i n W o n d e r l a n d 306 A l i c e ' s Wo r l d 684 " Al l at One Point " 1 1 9 9 -d , 1 2 3 3 - tt 8 2 6 -a "All Cats Are Grey " A l l Fo u r Wi n d s 8 13 "Al l Hal lows " 2 8 7 -p , 2 8 8 - f , 1 2 4 2 -h 112 2 Al l Hal l ow ' s Eve " Al l in Whi te " 4 8 1 -a "All S wmner in a Day " 1 1 8 - f , 1 2 2 -p " A l l ah Sends a Reaper " 9 2 2 -n 457 Al l a n a n d t h e Ice - Gods " Al leged Murder , An " 9 0 2-j "Almond Tree , The " 2 8 7 -b , 2 9 2 -a 1 1 8 -b " Almo s t the End of the World " " Alone " 9 6 7 -d 8 9 8 -aa " Alone the Immorta ls " 3 2 4 -c , 3 2 5 - c " Along the Scenic Route " "Altarwi se by Owl-Light " 1 2 3 9 -w " Alte le " 9 6 5-k A l t e r n a t i o n , Th e 14 " Alternative , The " 4 5-1 •























332

" Ama lgama ted Brotherhood o f Spook s , The " " Amateur Gardening " 2 6 3 -k Ama z i n g S t o r i e s 948 8 3 8 -c "Amber Out o f Quayth " " Amen i t i e s , The " 992-s

Amer i c a n A u thors a n d Books :

1640

3 9 -e

t o t h e Pr e s e n t

362 , 484 ,

6 7 1 , 752 , 1110 , 1140 " Amer ican Firs t Edi tions a t Tex a s Univers i ty : Robert Wi l l iam Chambers ( 1 8 6 5 - 1 9 3 3 ) " 209 " Amina " 1 1 0 8 -g , 1 2 4 9 - f "Arni thaine " 9 7 4 -t 9 0 2 -v " Among the Bean Rows " " Among the Dahl i a s " 1199-1 480 Amo n g t h e G n o m e s 1055 Amos Tu t u o l a " Amour Dure " 8 6 3 -c Amra 539 " Amy , Agatha , and Ruth " 2 5 3-g " Ananda the Mirac le-Worker " 4 1 0 -d A n a t om y o f Me l a n c h o l y 1133 " An ce s tr a l Amethy s t , The " 9 2 1 -v " And Adam Begot " 1 2 0 1-1 " . . . And My Fear i s Great " 1 0 0 9 -b , 1 0 1 0 -e 121-f " --And the Moon Be S t i l l as Bright " 1 1 8 -d "And the Rock Cried Out " " And Who , with Eden " 2 3 1 -b A n d r e No r t o n : A B i b l i o gr a ph y 841 8 2 6 -h " Andre Norton : Los s o f Fa i th " An drew L a n g 603 An d r e w L a n g : A C r i t i c a l B i o gr a p h y 604 " Angel & the Sweep , The " 2 4 5 -k " Angela " 4 1 7-j " Angry S treet : A Bad Dream , The " 1202-111 " An ima l s " 2 7 -e " Annir -Cho i l le , The " 9 4 6-g •



.



A n n o t a t e d B i b l i o gr a ph y o f J o h n Upd i k e Cr i t i c i s m , 1 9 7 3 , a n d a Ch e ck l i s t o f H i s Wo rks , A n 1057

1 967-

" Annotated Check l i s t o f the Works o f Wi l l iam Beck ford , 84 An " " Annotated Survey o f Book s and Pamphlets by H . G . We l l s , An " 1098 " Another Amer i c an Tragedy " 2 2 8 -x , 2 3 2 -p , 2 3 3 -q " Ano ther P l anet " 2 6 3 -g 1134 A n t h o n y B u r g e s s : A n En u m e r a t i ve B i b l i o g r a ph y " An tichr i s t " ( Huneker ) 5 4 2 -g "Antichr i s t , The " ( Baring ) 4 5 -c " An tinoiis " 9 9 2 -cc " An tiqui ti e s " 1 2 3 6-k " Anything :Box " 1 2 1 4 -m A p e s , Th e 880 " Ap e s Don ' t Shave " 2 4 8 -c " Aphrodi te and the King ' s P r i s oner " 4 8 1 -q A pp e a l t o R e a s o n 959 Appl e - S t o n e , Th e 438

333

" Appl e s o f Knowledge , The " 7 99-j " Apprentice Magic ian " 923-j , 1206-i " Apri l in Pari s " 6 2 8 -b , 1 1 6 4-k " Apri l 2 0 0 0 : The Thi rd Expedi tion " 1 2 4 -a "Apri l 2 0 0 5 : Usher I I " 1 2 1-o , 1 2 4 -e " Apr i l 2 0 0 3 : The Mus ic i ans " 1 2 4-c " Apr i l 2 0 0 3 : Way in the Middle o f the World " 1 2 4 -d " Apri l 2 0 2 6 : The Long Year s " 1 2 1 -v " Apr i l Witch , The " 1 19-c " Arabesque : The Mouse " 2 4 5-1 An 82 A r a b i a n Ta l e 881 Arachne 950 Arcane " Archive o f the Older Mysteri es , An " 9 0 6-j a r ch y a n d m e h i t a b e l 717

Ardor o n Aros

1 2 1 -m ,

850

" Are You L i s tening ? " 324-1 , 1168-f " Are You Too Late o r Was I Too Early " 2 2 8 -e , 2 3 1 -d , 1 2 1 4 -a " Argonauts , The " 4 31-1 " Ar iadne i n Mantua " 8 6 2- g " Ar i se , S ir - !" 8 8- n "Armageddon " 1 1 6 0 -k 2 1 9 -d " Armaments Race " A rm y of Da rkn e s s 1004 A r ro w , Th e 795 7 2 7 -a " Ar t and Mys tery o f Col laboration , The " " Arthur and Gor lagon " 1 2 2 6 -a 715 A r t h u r Ma ch e n : A B i b l i o g r a p h y A r t i fi c i a l P r i n c e s s , Th e 363 " Ar t i s t Unknown " 1 2 0 2 -mmm , 1 2 1 4 -n " Ar t i s t ' s Secret , The " 9 42-i 1 0 1 1-e " Artnan Proce s s " " Artusho f , Der " 5 0 1-e ( 6 ) 1 1 6 8 -b " As I s " "As One Woman to Another " 1 0 0 1-h "Ascens ion : A Workday Arabesque " 1 2 1 7 -q " Asleep : With Sti l l Hands " 3 2 4-e Assa s s i n of Gor 6 10 " As s ignation , The " 8 9 8-a "Astral S tray " 1 2 3 2-e " As tral Thruppe , The " 1 0 1 3-r " At Covent Garden " 8 8-s "At First S i ght " 2 9 1-d A t t h e B a c k of t h e No r t h Wi n d 694 " At the Cemetery " 4 8 1- t 9 0 3- j " At the End o f the Univers e " A t t h e Mo u n t a i n s o f Ma dn e s s 6 7 0 , 1 2 1 5-i 1215 A t t h e Mo u n t a i n s o f M u rk i n e s s a n d O t h e r Pa r o d i e s 1 2 1 5-i " At the Mountains o f Murk ine s s ( H . P . Lovecra f t ) " " At the Mouse C i rcus " 3 2 5-n "At the Wor ld ' s Edge " 5 2 5-f A tlan 691 -

334

A t l an t i de , Le 99 Atlantis ( J . C . Powy s )

911 "Atlant i s : a Poem " ( C . A . Smi th ) 9 7 4 -h " Atta ' s Son " 1 4 4 -g " Augus t 1 9 9 9 : The Earth Men " 1 2 1-d " Augu s t 1 9 9 9 : The Sununer Night " 1 2 1 -c " Augu s t 2 0 0 5 : The O ld One s " 1 2 1-p " August 2 0 0 1 : The Settler s " 1 2 1-g " August 2 0 2 6 : There Wi l l Corne Soft Ra ins " 1 2 1-w " Augu st 2 0 0 2 : Night Meet ing " 1 2 1-j 1 2 4 3-i " Aunt Ca s s ie " 1 1 6 1- a " Author ! Author ! " " Author Who Entered H i s MS . , The " 5 8 3-g " Automata " ( " Die Automate " ) 5 0 0 -b , 5 0 2 -a ( l O ) " Automatic P i s tol , The " 6 3 8-e "Autumn Encounter , An " 4 3 2 -k A va t a r s : A F u t u r i s t F a n t as y , The 934 " Avenger o f Perdondar i s , The " 906-1 ( 3) 6 7 7-e " Avenging o f Ann Leete , The " " Avignon , 1 7 5 9 " 1 4 4-c A vo n Fa n t a s y R e a d e r 1248 A von Fa n t a s y R e a d e r , Th e 1248 "A.wakening " 1 2 3 1-t Awa k e n i n g : A Fa n t a s y , Th e 24 " Axolot l " 1 2 3 3-rr Ayesha 463 " Az lon " 1 1 9 1- i •





" Babus o f Nayan j ore , The " 1 0 32-i " Baby i s Three " 1 2 1 2 -c " Baby lon " 1 4 4-q " Babylon : 70 M . " 1 2 1 1-b " B aby s i t te r , The " 2 4 3-n " Bache lor ' s Supper , A" 7 5 1-e " Back for Chri s tmas " 2 2 8 -w , 2 3 1 -k , 2 3 3 -g " Backward , Turn Backward " 1 1 7 0 -rn 9 0 7 -e " Bad Old Woman in B l ack , The " " Badge o f Soul s , The " 5 5 6 -e " Bagful of Dreams , The " 1 1 7 4 -b , 1 1 8 0 - a " Ba i t , The " 6 4 6 -d , 1 2 4 6 - j 1 2 0 2 -p " Ba l l ad o f the Bur ied Sword " " Ba l le t Girl , The " 2 46-c " Bal loon Tree , The " 1 2 4 0-e " Bal lroom , The " 1 2 4 4-g B a n e o f t h e B l a c k S wo r d , Th e 774 " Bang ! You ' re Dead ! " 120 8-s " Bani shed King , The " 9 9 8 -h " Banns , The " 252-j " Barbar i an , The " 534 B a r b a r i a n o f Ma rs 781 " Barbe r , The " 5 4 -b " B arber ' s Rash " 2 5 3 -q " Bare Truth , The " 9 0 3-g

335

" Bargain , The " 1 1 6 1 -b " Baron Bagge " 114 9-c B a ron i n t h e Tr e e s , Ba ron Rampan t e , I l

Th e

194

194 " Barrow Tro l l , The " 1 2 3 6 -b " Ba s i l i sk " 3 2 5 -g , 1 1 6 9 -n , 1 1 7 3-n " Baske t o f Gwaeddfyd , and Gwaedd fyd Newynog H ims e l f , The " 7 9 8-d " Bat i s My Brother , The " 1 2 4 6 -a 9 9 8-g " Battle o f the Third Cous ins , The " 1 2 0 6 -d " Battle of Wi zards " " Baza_a r of the B i zarre " 6 4 2 - i , 1 1 9 6 - a , 1 2 1 0 -b " Be My Gues t " 1 1 7 2-f " Bear " 1026-c " Beard , The " 9 6 3- s " Beast o f Avero igne , The " 972-i

B e a s t Tha t S h o u t e d L o v e a t

t h e H e a r t o f t h e Wo r l d ,

Th e

324 " Beast That Shouted Love a t the Heart o f the Wor ld , The " 3 2 4 -b " Beas ts o f Barsac , The " 1 2 0 8-r " Be a s ts · o f Bourbon " 9 2 1 -e B ea s ts of Gar 6 17 1 2 4 6 -b " Beatles " " Beaut i ful Maiden , A " 1 2 0 2 -w " Beauti ful S trange r , The " 119 9-a " Beauty and the Beas t s " 6 4 6 -b " Beauty Col lege Co . , The " 1013-i " Be auty Spot , The " 2 4 9-f " Beckoning Fair One , The " 1 2 2 6 -n " Bee-Man o f Orn , The " 9 9 8 -a B e e - M a n o f O r n a n d O t h e r Fa n c i f u l Ta l e s , T h e 998 Before A da m 672 1 2 0 2-n " Be fore the �attle at Lake Tras imenus " " Be fore the Event " 1 2 3 1 -p " Beggar s , The " 8 9 7 -k " Beggar s ' S tone , The " 5 7 4 -h B e h i n d t h e Wa l l s o f Te rra 350 " Be leaguered C i ty , A " 1 2 4 5 -a " Be l i ard " 1 0 9 1 -g , 1 16 3-p " B e l l o f S t . Euschemon , The " 4 1 0 -n , 1 2 3 9 - s " B e l l s o f Shoredan , The " 1 1 9 8 - j , 1 2 3 8-b 1 2 3 5 -b " Be lphagor , or the Marriage o f the Devi l " 12 26-r " Benson Watts i s Dead and in Virgin i a " Beowu l f 3 9 7 , 1176-a " Bergwerke z u Fa lun , Die " 5 0 0 -h , 5 0 1 -e ( 7 ) , 5 0 4 -e B e r s e rk e r : Sh a do w o f t h e Wo l f 196 B e r s e r k e r : Th e B u l l C h i e f 197 Bes t Fan t a s y S to r i es 1149 B e s t o f C . L . Mo o r e , Th e 791 B e s t Ta l e s o f H o f fma n n 500 " Bethmoora " 8 9 7 -e " Better Mousetrap , The " 9 2 1 -c 168 B e y o n d L i f e : Di z a i n e d e s D e m i u r g e s

336

" Beyond the B l ack River " 5 1 6 -b , 5 2 6 - c , 5 3 4 - a , 1 2 3 8 -d " Beyond the Field s We Know : Publ i shers ' [ s i c ] Note " 9 0 6-1 " Beyond the Game " 1 1 6 8 -d Beyond the Gol den S ta i r 112 1193 B e yond t h e Look i n g Gl a s s " Beyond the Phoenix " 1 2 0 8 -h 1 2 0 8 -e " Beyond the Wal l o f S leep " 1 0 0 7 -c " Bi anc a ' s Hands " B i b l i o g r a ph i a O z i a n a 72 S ir Henry John " Bibl iographies o f Modern Authors : Newbo l t " 822 •









B i b l i o gr a ph y o f A d v e n t u r e : M u n d y , B u r r o u gh s , R o h m e r , H a gga r d 4 6 6 , 8 14 B i b l i o gr a p h y o f A r t h u r Ma c h e n , A 716 B i b l i o gr a p h y o f E . M . F o r s t e r , A 38 3 B i b l i o g r a p h y o f Fr e d e r i ck R o l fe . B a r o n C o r vo , A 934 B i b l i o gr a ph y o f R o n a l d F i r b a n k , A 370 B i b l i o gr a ph y o f t h e F i r s t E d i t i o n s o f Th e W o r k s o f Ma u r i c e B a r i n g , A 46 B i b l i o gr a p h y o f t h e Wo r k s o f F . A n s t e y 456 B i b l i o g r a p h y o f t h e Wo r k s o f Ma rk Twa i n , S a m u e l L a n gh o rn e C l em e n s , A 223 B i b l i o g r a ph y o f t h e Wo r k s o f Ma x B e e r b o hm , A 90 B i b l i o gr a ph y o f t h e Wo r k s o f R ob e r t G r a v e s , A 4 36 B i b l i o g r a ph y o f t h e Wo r k s o f S i r H e n r y R i d e r Ha g g a r d 1 856-1 925

B i b l i o g r a ph y B i b l i o gr a p h y B i b l i o gr a p h y M e r ed i th

465

o f t h e Wo rks o f W . S o m e r s e t Ma u gh a m , A 730 o f t h e Wo rks o f Wi l l i a m Mo r r i s , A 810 o f t h e Wr i t i n gs i n Pr o s e a n d Ver s e o f G e o r g e

737 " B ib l iography o f the Wr i tings o f C . S . Lewi s , A "

663

B i b l i o gr a p h y o f t h e Wr i t i n g s o f J o h n C o wp e r P o wy s , 1963 , A 9 14 B i b l i o gr a ph y o f t h e Wri t i n g s o f N o r m a n D o u gl a s

315

Bi b l i o g r a p h y o f Wi l l i a m B e ck f o r d

" Big " Big " Bi g " Big " B ig

A

83

and Little " 9 6 7 -b 119-1 Black and Whi te Game , The " Game " 2 4 6 -p Game Hun t " 2 1 9 -b S am " 1 1 7 1 -c , 1 2 1 7 - j Bi g T i m e , Th e 635 "Bills , M . D . " 3 9 -b B i n a r y S t a r No . 2 323 " B indings De luxe " 57 0-j B i o gr a p h y o f L o r d D u n s a n y 9 08 " Bi o logic a l Exper iment , The " 5 7 3 -g 4 81-z " B ird and the Girl , The " " B ird o f Doom and the End , The " 9 0 0- z " B ird o f Prey " 2 2 8 - i i , 2 3 2 - 1 , 2 3 3- r 907-f " Bird o f the D i f f icult Eye , The " " Bird o f Trave l , The " 2 9 2-g " Bird wi th the Go lden Beak , The " 2 5 8 -n , 1 1 7 5 - e

337

1 872-

A

" B i rth " 1 2 0 2 -d 6 9 7 -t " B irth , Dreaming , Death B i r t h gr a v e , Th e 625 " Bi rthmark , The " 1 2 3 3-ii " Birth-Rate , The " 1 0 1 3 -g " B i shop Adds and B i s hop Gadds " 4 1 0 -o " B i shop ' s Ghos t and the Printer ' s Baby , The " 1 0 0 1- f " B ishop ' s Robe , The " 9 6 3- j 6 38-1 , 6 39-a " Bi t o f the Dark World , A " 1006-f " Bl abbermouth " " B lack Abbot o f Puthuurn" 9 7 0-1 , 9 7 7- 1 " Bl ack q. s the P i t , From Po le to Pole " 1 1 7 4 -d " Bl ack Bal l , The " 9 2 1-r 1 0 9 -c " B lack Barter " " B lack Cat , The " 1233-z B l a ck C h a ra d e : A Dr . Ca s p i a n S t o r y , Th e 152 " Black Coas t , The " 5 2 5 -k " Black Colo s s us " 5 1 8 -a , 5 2 2 -b " Black Country " 7 9 -q " B lack Cupid , The " 4 8 1-k " B lack Dog , The " 2 4 6 -a B l a ck Do g � n d O t h e r S t o r i e s , Th e 246 105 B l a ck E a s t e r o r Fa u s t A l eph - N u l l " Bl ack Ferr i s " 1 2 0 5-a , 1 2 1 3 -a " Black God ' s Ki s s " 7 9 1 -e , 7 9 2 -b , 7 9 4 -a , 1 1 9 8 - f 7 9 2 -c , 7 9 4 -b " B l ack God ' s Shadow " " Bl ack Gondo l ier , The " 6 3 6 -a 1 1 8 7 - f. " B lack Hawk o f Valkarth " " Bl ack Heart of Golamira , The " 5 3 1-b " B lack Hound o f De ath " 1 2 0 8 -b 1 2 3 1 -x " B l ack I ron " " B l ack Karken , The " 5 3 1 -e " Black K i s s , The " 1 2 4 9 -g " Bl ack Labyrinth , The " 5 2 5 -p , 5 3 1 - 1 B l a ck L i gh t 814 " Bl ack Lotus " 1 1 8 6 -c , 1 1 9 5 -a " Bl ack Mamba , The " 9 0 3 -k " B l ack Monk , The " 1 2 0 8-i " B lack Moonl i ght " 118 9-i B l a c k Mo u n t a i n s , Th e 9 39 " B lack Retriever " 3 5 9 -e B l a c k S o r c e r e r i n t h e B l a ck C a s t l e , Th e 851 5 3 0 -b " Black Sphinx o f Nebthu " " Black S tranger , The " 5 2 7-a 7 7 5 -b " B lack Sword ' s Brothers " 5 2 3-a " B l ack Tear s " " B lack Thirs t " 7 9 1- c , 7 9 4 - e , 1 2 4 8 -b B l a ck Wh e e l , Th e 749 1 2 3 3-b " B lackfoot Gene s i s " " Bl ade s f o r France " 5 1 3-b 7 8 0 B l a d e s o f Ma r s 5 3 7 -e " B lade s o f the Brotherhood " " B lagdaros s " 8 9 7 -b " B l ame l e s s Triangle , The " 1 0 9 1-d

338

" B l asphemer , The " 9 6 5 -p 1 2 0 2 -gg " Bl a z ing S tarre Seene in the We s t , A " " Bl eak S hore , The " 6 4 0 -c , 6 4 2 -d , 1 1 6 0 -e , 1 2 0 9 -b " Bl eed ing S tone s " 3 2 5 -m " Bl e s sed Are the .Meek " 1 2 3 4 -dd " B l e s sed Patrick o f the B e l l s " 1 2 0 2 - ttt B l e s s i n g o f Pa n , Th e 892 " Bl ight on the Mus i c Hal l s , The " 8 8 -1 " B l ind God , The " l 2 2 3 -b " B l i z zard , The " 9 6 3-d B l o ch a n d B r a d b u r y 1241 1 2 4 9-a " Blonde Godde s s o f Bal-Sago th , The " " Blood " 9 6 7 -c " Blood in the Mi s t " 1 2 32-f 3 7 1 -a " Blood Lus t " " Blood of Martyrs , The " 9-4 -b " B loodstained God , The " 5 1 9 -a , 5 2 1-b B l o o d s t on e 1086 9 4 -m " Blos som and Frui t " 1 2 3 4-b " B lue Beads , The " 111 , 744 B l u e Pa go d a , Th e " B lue Room , The " 4 3 1 -p " B lue Rose , The " 4 4 -b 918 " Blue S tar " Th e 494 Boa t s of t h e ' Gl en Carri g ' 1 1 9 9 -h " Bodies " Bo doman o f Sor 563 " Body-Ma s ters , The " 1 2 2 1 -g " Bogie Man , The " 250-f " Bohemian , The " 8 4 5 -e " Bohemian in Ex i le , The " 4 3 2 -m " Bold Dragoon , The " 1 2 0 2 - ee " Bon-Bon " 1 2 3 5 -h " Bon Voyage , Miche le " 9 2 8- i " Bone l e s s Horror , The " 5 7 1 -b " Bone s for China " 9 2 3-g " Book , The " 4 9 0 -k , 1 2 1 9 - 1 B o o k o f A n d r e N o r t o n , Th e 826 " Book o f Debts , The " 2 5 9- j " Book o f Lul lume , The " 1 1 8 6 -g B o ok o f Me r l y n Th e 1117 B o o k o f M i ra c l e s , A 483 B o o k o f P t a t h , Th e 1064 B o o k o f S k u l l s , Th e 952 Book o f S u n s , The 989 5 8 3-j " Book o f the Thousand Answers , The " B o o k o f Th r e e D r a go n s , Th e 797 B o o k o f Won d e r . , Th e 893 809 B o ok s o f Wi l l i a m M o rr i s 728 B o ok s h e l f o f B r a n d e r M a t t h e w s , Th e 5 9 8-e '' Boomer F l ats " B o r e d o f t h e R i n gs 78 " Born o f Man and Woman " 1 2 0 0 - i , 1 2 1 2 -n " Botch " 1 2 3 1 -w .

.

.







339

1005 " Bottle Imp , The " 1 2 1 1- i , 1 2 4 2 - e , ,1 2 4 4 -h " Bottle Party " 2 2 8 -a , 2 3 2 - q

Bo t en d er F i n s t e rn i s

a n d A B o u c h e r B i b l i o gr a p h y

B o u ch e r Po r t r a i t 1120 A

" Boulevard o f Broken Dreams , The " " Bowen , Preedy , Shearing & Co . " Bowl , The " 2 8 7- f , 2 9 2-h " Bowman , The " 1 2 0 2 -m B o x o f D e l i gh t s Th e 718 3 2 4 -p " Boy and H i s Dog , A " " Boy iri Darkne s s " 1 1 5 0 -c 556 B r a k t h e B a rb a r i a n B r a k Ve r s u s t h e Ma r k o f t h e D em o n B r a k Vers u s t h e S o r c e r e s s 558 B r a k : Wh e n t h e I do l s Wa l k e d 559

" Br a s s Ring , The " " Brat " 1 0 1 1 -i " Brautwah l , Die "

3 2 6 -m A Check l i s t "

678

557

4 5 -y

( " The Choice o f a· Bride " ) 1054

B r a v e A fr i c a n H u n t r e s s , Th e B r a v e N e w, Wo r l d 1212-s B r a z e n A n d r o i d , Th e 847

5 0 2-a ( l4 )

" Break the Door o f He l l " 1 4 2 -b , 1 1 6 9 -b , 1 1 7 3-b , 1 2 3 8 - c " Br i ck Mason , The " 4 7 1-b 8 9 3-a " Bride o f the Man�Horse , The " " Br i de ' s Feast , The " 2 5 8 -e " B lue Ci ty , The " 8 58-j " B lue Cockroach ( Chemi s try ) , The " 4 9 0 -h B l u e F l o we r , Th e 1062 " Blue Flowe r , The " 1 0 6 2 -a B l u e Ha wk , Th e 302 " B lue Lense s , The " 1 1 7 2 -b , 1 2 0 0 - c " Blue Monkey " (We l lman ) 1 0 9 4 -m " Blue Monkeys , ' The " ( Swann ) 1031 " Br idge of Kha z ad-Durn , The " 1 1 8 3-o " Bridle , The " 5 7 3- i " Br i efcas e , The " 9 6 3 -h " Br i ght Boy , The " 7 1 2-c " Br i gh t I l lus ion , The " 7 9 1 -d " Br ight Segment " 1 0 0 6-a " Br i ghton Monster , The " 5 7 4-i " Broadshee t Bal lad , A " 2 4 7- g Broken L a n d s , The 938 " Broken S tatue , The " 5 8 3-1 B r o k e n S w o r d , Th e 17 " Broken Swords , The " 6 9 7 -p " Brother , The " 2 4 3 -e ( 3 ) " Brown Hand , The " 1 1 6 2 -i 100 8-i " Brownshoe s " " Brunner Bibliography , A " 143 1 2 1 1 -n " Bubnof f and the Devi l " " Building o f the Ta j Maha l , The " 8 0-f " Bui lding the Church," 1 2 0 2 -rrr " Bulkhead " 1 0 0 9-f , 101 0-i

340

785 " Bureau D ' Echange de Maux , The " 9 0 7 -h " Burglars , The " 4 3 1 -h , 4 3 2 -w " Burglar ' s S tory , The " 4 1 7 -p 634 B u r n Wi t c h B u r n B u r n i n g R i n g , Th e 150 1 2 3 1 -h " Bus ine s sman ' s Lament " " Butcher ' s B i l l s , The " 69 7-s 1 0 1 1-h " Buty l and the Breaker " " Buzby ' s Petr i f ied Woman " 1 1 6 5-g 8 9 9 -q " By Command of Pharaoh " " By the Fa l l s " 1 1 7 0-g " By the Waters o f Babylon " 9 4 -a Bu l l

and

the Spea r ,

Th e

9 6 3-i " Caba l i s t o f Ea s t Broadway , The " " Cabul iwa l lah , The " 1 0 3 2 -m 96 5-f " Cafeteria " Ca l i x S t a y 477 1 2 0 5 -b " Ca l l Him Demon " " Ca l l in the Dawn , The " 495-1 " Ca l l Me From the Va l ley " 1 0 9 4-n " Ca l l ing Al l Fantasy Fans " 1 2 0 8 -o C a mb e r o f C u l d i 588 Ca mb e r t h e H e r e t i c 590 " C amouf l age " 5 0 8 -w 1 1 9 2 -d " Can Such Beauty Be ? " " Canc el Al l I Said " 2 2 8 -ww " Candle in the Wind , The " 1117 " Cantervi l le Gho s t , The " 1 2 0 1- j , 1 2 0 2 - r " Cap o f Grace , The " 268 " Cape Rac e " 2 8 7 - s , 2 9 5 -b Ca pr i c e 364 1 0 0 0 -d , 1 0 0 1 - g " Captain E l i ' s Be s t Ear " " Captain Murderer " 1 2 1 1-m " Capt ive , The " 9 6 3-c Ca p t i v e o f G o r 612 " Captivi ty , The " 3 5 9-f " Carasoyn , The " 6 9 5-b , 6 9 7 -m " Caravan to I l l ie l " 1 1 7 9-e " Carcas sonne " 89 7-1 " c/o Mr . Makepeace " 1 2 1 3-e " Care l e s s Talk " 1 1 3-g " Cargo " 1 0 1 1 -k Th e 277 Ca rn e l i a n C u b e 847 Ca r p e n t e r , Th e 564 Ca r t a n d C wi d d e r C a s e o f Con s c i ence , A 107 " Case o f E l la McLeod , The " 1049-c " Case o f ldent i ty , A " 4 1 3-b " Case o f Mr . Lucra f t , The " 1 0 1-a •

Ca s e o f Mr .

L u c r a f t a n d O t h e r Ta l e s ,

Th e

" Case o f Prome theus , The " 8 8 -t , 1 2 0 2 -yyy 1 0 49-a " Case o f the Bron z e Door , The "

341

101

" Case o f the Haunted Cathedra l , The " 1 0 4 9 -b " Case o f the Moonchi ld , The " 1 0 4 9 -e " Ca s e o f the Whi te Snak e , The " 1 0 4 9 -d " Casey Agon i s te s " 1 2 1 3- j " Casket from At l ant i s , The " 5 3 1 -h " Ca sket-Demon , The " 6.3 6 - d " Ca s ting the Runes " 12 06-f " Ca s t l e : A Parable , The " 6 9 7 -h Ca s t l e o f Iron . . , Th e 279 " Castle o f Terror , The " 5 2 1-g 5 3 7 -d "Cas tle o f the Devi l , The " Ca s t l e R o o gn a 553 " Ca s tor and Po l lux " 1 0 9 1-n " Cat from He l l , The " 1 1 7 4 -c " Cat , the Dog , and the Bad Old Dame , The " 2 4 6 -k Ca t o f S i l v e r y H u e , A 9 " Catch of the Cherub , The " 5 0 8-i " Catha! o f the Woods " 9 4 5 -o " Cats of Ulthar , The " 119 1-f Ca va l i e r e In e s i s t e n t e , I l 193 1067-f " Cave . in the Fore s t , The " " Cave o f Li l i th , The " 9 3 5-b " Cavea t Emptor " 921-t Ca vi a r 1006 " Ce l epha i s " 1 1 9 4-c " Ce l e s t i a l Omnibus , The " 3 8 0-c , 1 2 4 2-a C e l e s t i a l Omn i b u s a n d O t h e r S t o r i e s , Th e 380 " Ce l lmate " 1 0 0 7 - 1 , 1 2 0 8 -v Cen t a u r , The 1056 " Centenar i s t ' s Ta l e s ( I -VI I ) , The " 9 9 2 - f , k , q , v , bb , gg , nn C e n t e n a r y Vo l u m e .

1033

R a b i n d r a n a t h Ta g o r e ,

1 8 6 1 -1 961 ,

C e n t e n n i a l fi i b l i o gr a p h y o f G e o r g e M a c D o n a l d , A

" Ce rebral Library , The " 5 7 1- i " Chain o f Aforgomon , The " 9 7 3 -h 1 2 3 1-v " Chameleon Town " 871 Ch a m i e l Ch a mp i o n o f G a r a t h o rm , Th e 761 , 778 " Changa-Renga " 5 0 8 -q " Change " 7 12-f " Changeful Night , A " 8 2 0-i " Change l i ng " 1 2 3 9 -d C h a n ge l i n g E a r t h 940 " Changer o f Names , The " 1 1 9 0 -k , 1 2 2 9 -b 872 Ch a n s o n d e R o l a n d " Chapter ' s Doom , The " 1 9 5-g Ch a r i o t o f F i r e 470

706

Ch a r l e s Ki n g s l e y a n d Thoma s H u gh e s F i r s t E d i t i o n s

578

C h a r l e s Ki n gs l e y , 1 8 1 9 - 1 8 7 5 577 C h a r l e s W . S . Wi l l i a m s : A C h e c k l i s t

" Charley Lambert " 1 2 0 2 - dd " Charne l God , The " 9 7 0 -k , 9 7 7 - i

342

112 9

A

" Charon "

8 9 8 -b

Th e 894 " Cha ser , The " 2 2 8 -xx , 2 3 2 -x , 2 3 3 -k , 1 2 0 0- r , 1 2 0 2 -kk 9 0 0 -d " Chaunt o f the Gods , The " " Chaunt o f the P r i e s t s , The " 9 0 0-i " Cheap Knowledge " 4 3 2 -e " Cheap Nigger , A " 6 0 0 -c " Check l i s t Bibl iographies o f Modern Autho r s : James H i l ton " 492 " Check l i s t o f the Wr i tings o f Edward Everett Hales , A " 472 " ' Chee fou ' " 2 4 9 -g " Chee s e " 2 50-r , 2 53-r " Chee se-Cutter H a t Man , The " 2 5 4 -b " Cheque -Mate " 2 54-r " Cherry Soul , The " 1 1 3 -d " Cherry Tree , The " 2 4 7 -c C h e s s m a n o f Ma r s , T h e 157 " Chesterton Bibl iography Continued " 218 Ch e s t e r t o n Co n t i n u e d . A B i b l i o gr a p h i c a l S u p p l e m e n t 217 852 Ch i e f t a i n o f A n d o r " Ch i ld , The " 5 4 -c Ch i l d C h r i s t o ph e r a n d G o l d i l i n d t h e F a i r 800 " Chi ld Ro land to the Dark Tower Came " 1 1 7 6 -q " Ch i l d Who B e l ieved , The " 1 2 0 3 -b " Ch i l dhood o f Apo l lo , The " 9 3 6 -g " Chi ldren o f As shur , The " 5 3 6 -d Ch i 1 dren o f L l yr . . , Th e 331 Ch i l d r e n o f t h e A t om 1 2 1 2 -r " Ch i ldren o f the N i ght " 5 1 0 -d " Chi ldren o f the Pool , The " 7 1 2 -b Ch i l d r e n of t h e Po o l a n d O t h e r S t o r i e s , Th e 712 Ch i l d r e n o f Wo n d e r 1212 " Child ' s P lay " 1 2 1 2-i 50 Ch i m e r a " Ch imney , The " 1 2 3 6 -s " Chimney Sweep , The " 9 6 5-i " Ch infeather " 2 5 3 -o C h i va l r y 173 5 0 2 -a ( l 4 ) " Cho ice of a Bride , The " " Chr i s tma s Before Las t ; or , the Frui t o f the Frag i l e Pa lm " 9 9 8-e " Chr i s tmas Pre sent , The " 1 2 3 1- z " Chr i s tmas Wreak , The " 1 0 0 0 -h Ch r o n i c l e s o f D o n R o d r i g u e z , Th e 894 , 895 Ch r on i c l e s o f Fa i r y L a n d 540 C h r on i c l e s o f Mo o r c o ck : A B i b l i o gr a ph y , T h e 789 " Chu-bu and Sheemis h " 8 9 3 -m , 1 1 9 8 - g " Chun wa " 4 5- j " Ci l " 1 0 6 7 -b C i r c e ' s Is l a n d a n d Th e G i r l & t h e F a u n 882 " Circle Cur s e , The " 6 42-a C i r c l e o f L i gh t 475-478 " C ircus Chi ld " 1 0 5 0 -b Ch a r woma n ' s S h a d o w ,

343

358 " C ircus o f Dr . Lao , The " 1 1 6 5-a

C i r c u s o f Dr .

Lao ,

Th e

C i r c u s o f Dr .

La o a n d O t h e r Imp r o b a b l e S t o r i e s ,

The

" C i stern " 1 16-z , 117 , 123 " C i tade l o f Darkne s s , The " 1 1 9 7 -d C i t a d e l o f Fe a r , Th e 96 1 2 1 0 -e " C i tade l o f Lo st Ships " " C ity , The " ( Bradbury ) 1 2 0 -q C i t y , T h e ( Lynch ) 692 " C ity , The " ( P lunket t ) 89 8-ii 1 1 8 8 -h " C ity i n the Jewel , The " " C i ty o f Madne ss , The " 1187-j " C i ty o f Phi losophers , The " 4 1 0 -e , 1 1 7 5 -d , 1 1 8 6 -e " City o f Skul l s , The " 5 2 0 -g " C i ty o f the Living Dead , The " 1 2 4 9 -h " C ity o f the S i nging Fl ame , The " 9 7 3 -d , 1 2 4 0 -c Ci t y o f the Bea s t 779 5 2 5 -m " Ci ty o f the Warr ior Women " " C i ty of Wonder , A " 9 0 6 -k " C i ty on Ma l l i ngton Moor " 9 0 7-c Cl a i med 97 " C lair de Lune " 2 6 3 -d , 1 2 2 0 -b " Cl audy Affair , The " 254-1 " C laws from the Night " 6 4 0 -g , 6 4 2 -h " C leverne s s o f Dr . Caber , The " 8 9 9 -bb " C l imate o f Ex i le , The " 1 0 9 1- 1 " C loak , The " 12 0 9-f " C loak o f Dreams , The " 1 1 9 0 -h C l o c k s o f I r e. z , T h e 270 C l o r i n d a Wa l k s i n H e a v e n 247 " Clor inda Wa lks in Heaven " 2 4 7 -b , 2 5 0 -b , 1 2 3 4-q " C loser of the Way , The " 1 2 3 6-d " C loth o f Madne s s , The " 9 2 8-e " C loud o f Hate , The " 6 4 3-a " C loud o f Pinafore s , A " 8 8 -r C l o v en Vi s c o u n t , Th e 193 " C lub S ecretary , The " 9 0 3 - t , 1 2 0 1 -m " C lue , The " 9 0 2 -h 2 5 3 -c " Coat o f Many Colour s " 2 5 3-1 " Cobbler Buttic a s s " " Cobbler , Cobb ler , Mend My Shoe " 124 2-j " Cobra Crown , The " 5 2 5-i " Cockroaches " 1 2 3 3-pp " Cocoon , The " 1 1 6 6 -m " Co f f in , The " 1 1 6 -n " Cold Grey God , The " 7 9 3-f " Co ld Light " 1 0 8 5 -b " Cold War " 219-1 " Co l in , a Chlo� , A " 9 9 2-ff " Co l l aboration " 2 2 8 -y , 2 3 2 -m C o l l e c t e d Ta l e s o f Wa l t e r d e l a Ma r e , Th e 287 " Co l lec tor , The " 1 2 3 4 -h " Co lone l S terett Re lates Marve l s " 1 2 0 2 -vv " Colony , The " 9 6 5 -o

344

1165

" Come Into My Par lor " 1 2 4 6 -h " Come Lady Death " 1 1 6 3-n , 1 1 6 9 - j , 1 1 7 3 - j , 1 2 2 6 -p 1 2 1 7 -h " Come Up and See Me " " Comedy and Tragedy " 4 1 7-r " Comedy o f Eras , The " 1 2 4 3-p " Come t Wine " 1 1 6 9-e , 1 1 7 3-e " Comi c Ac tor , The " 5 4 -d " Coming o f Age in Zamora , The " 1 2 2 9 -d " Coming of Chao s , The " 7 6 9-a " Coming o f C i l coed , and the Three Tri a l s o f Pwy l l Pen Annwn , The " 7 9 8-e C o m i n g o f C o n a n , Th e 517 7 9 8 -c " Coming o f Rh i anon Ren Ferch He feydd , The " C o m i n g o f t h e H o r s e c l a n s , Th e 6 " Comi ng of the Whi te Worm , The " 9 7 1- f , 9 7 2 -d " Common Confus ion , A " 1 2 3 3 -oo 2 4 5 -h " Communion " Compa n i o n s on t h e R o a d 620 " Company o f the Mar j o l a ine , The " 1 4 4 -b Comp l e a t En c h a n t e r . , Th e 280 " Compleat Werewo l f , The " 1 1 1 9 -a Comp l e a t We r e wo l f a n d O t h e r S t o r i e s . , Th e 1 1 1 9 C ompl e t e Wo rks o f H e n r y F i e l d i n g , Th e 356 " Compromi se " 8 9 8 -vv " Comrade P igeon " 1 2 4 4 -d 520 Con a n Co n a n o f A q u i l o n i a 530 521 C o n a n o f C i mm e r i a Con a n o f t h e Is l e s 5 3 1 C o n a n : R e d Na i l s 534 . , Th e 5 3 -q Con a n S wo r d b o o k Co n a n t h e A d v e n t u r e r 524 Co n a n t h e A v en g e r 529 Con a n t h e B a rba r i a n 518 525 Co n a n t h e B u c c a n e e r Co n a n t h e C o n q u e r o r 528 Con a n t h e C o n q u e r o r : Th e H y b o r e a n A g e 514 C o n a n t h e Fr e eb o o t e r 522 Co n a n : Th e Ho u r o f t h e Dra gon 532 C o n a n : Th e P e o p l e o f t h e B l a ck C i r c l e 533 Co n a n t h e Us u rp e r 527 Con a n t h e Wa n d e r e r 523 C o n a n t h e Wa r r i o r 526 9 0 0-f " Concern i ng S i sh ( The Des troyer o f Hours ) " 1 2 0 -o " Concrete Mixer , The " 1 2 1 7 -d " Cond i l lac ' s S tatue " " Con f e s s i on " 1 2 2 6 -m " Confe s s ion o f an Eng l i sh Op ium-Eater " 1 2 3 9 -k 4 7 1 -h " Conf idence " ·� con f ident ial Pos ts c r ipt , A" 7 2 6 -g " Con j ure Wi fe " 6 34 " Conno i s s eur , The " 2 8 7 -n , 2 8 8 -c , 1 2 4 3-w C o n n o i s s e u r a n d O t h e r S t o r i e s , Th e 288 Co n q u e r o r s , The 570

345

" Cons ider the Ways " 1 1 5 0-b " Cons iderate Hos ts , The " 1 2 4 3-a

C o n t empora r y Fi c t i o n i n Am e r i c a a n d En gl a n d

" Conte s t , The " 2 7 -b " Conte s t of the Min s tra l s , The " 5 0 2 -a ( 9 ) " Co-ordination " 3 8 1-d " Coronation o f Mr . Thoma s Shap , The " 89 3-1 " Corpse " 3 25-i " Corpus De lectable " 9 2 1 -b " Correc t Ki t , The " 9 0 3-r " Corridors " 2 4 9 -h " Cosmic Dus t ( Chemi stry ) , The " 4 9 0- 1 " Cotton " 2 4 7 -h " Couleur de Ros e " 2 6 3-p " Coul i s s e s , Le s " 4 8 1-e " Counc i l o f S even , The " 2 5 2- 1 " Counc i l lor Kre spel ( Rat Kre spe l ) " 5 0 1-e ( 2 ) , 5 0 4 -d Co u n t B r a s s 760 2 5 1-b " Count S te fan " 124 0-a " Country of the B l i nd , The " " Count ' s Courtship , The " 2 9 2 -b " Courtesan o f Va i s a l i , The " 8 1 -c 6 " C urte san Prince s s , The " 8 1-n C o u r t s of C h a o s , Th e 1147 " Courts o f the Con j urer , The " 556-c " Cous in Len ' s Wonderful Adj ec tive Cel l ar " 1 1 4 9 -g " Coward , A " 1 9 5-d " Cradle Son for a Baby Werewo l f " 1 2 4 6 -n " Crate " 1 0 0 8-e 2 4 7-f " Craven Arms " " Crawling Horror , The " 1 2 4 8- f " Crazy Wo l f " 6 3 7 -c " Cream of Creation , The " 2 5 3 -d " Creat ion Un forgivable " 5 7 3-q " Creature , The " 2 8 7 -v , 2 9 2 -m " Creatures o f Impulse " 4 1 7 -g C r e e p , Sh a d o w 740 " Cre sendo " 12 11-j " Crest o f the Wave , The " 1 16 1-e " Crew o f the Lanc ing , The " 4 9 5-j 2 9 1 -c " Crewe " " Crewe l Needle , The " 5 7 4 -d " Cr i cket Match , The " 4 5 -v " Cr icket Prob lem , A" 8 9 9 -r Cr i m s o n Wi t c h , The 584 " Cr ippled Bloom " 2 5 2-i 667 Cri s i s in Hea ven C r i spa n Ma gi c k e r 683 " Cr i tical Mas s " 2 1 9 -e " Croatoan " 3 2 6 -a " Crock o f Go ld , The " 994 " Crooked Man , The " 7 9-k " Cros s Purpo ses " 6 9 7 - f , 1 1 6 2 -a " Cros sways , The " 1 2 4 4-e

346

1135

" Crotty Shinkwin " 2 4 9 -d , 2 5 0 - j " Crowd , The " 1 1 6 -k , 1 1 7 , 1 2 3 , 1 1 6 2-o " Crown Derby P l ate , The " 6 7 7-f " Crown o f Feathe r s , A " 9 6 3-a

Cr o wn o f F e a t h e r s a n d O t h e r S t o r i e s ,

A

963

" Crue l Painter , The " 6 9 7 -o " Crus ader Damose l " 1 1 6 4 -p 5 0 8 -k " Cry o f the Parrot , The " " Cry of the Soul " 8 2 0-j Cry S i l ver Bel l s 1029 " Cry Wo l f " 1 1 8 8-c " Crys tal Cup , The " 1 216-c C r y s t a l G r y p h o n , Th e 835 " Crys tal Tal i sman , The " 5 3 1-q " Cunegunde " 9 6 7-o " Cunning Apprentice , The " 44-j " Cup and the Trident , The " 5 3 1-c " Cupbe are r , The " 4 1 0 -g " Curate ' s Friend , The " 3 8 0-e " Cur few To l l s , The " 9 4 - f , 1 2 4 2 -p " Cur ious Case o f Ben j amin Button , The " 1 2 0 2 -e " Curious Cus tom o f the Tur j an Seraad , The " 1 1 7 9 -d " Curious Fragment , A " 6 7 3-h C u r i o u s F r a gm en t s 673 " Cur se o f a Thous and K i s s e s , The " 124 9-i " Curse o f the Mono l i th , The " 5 2 1- a C u r s e o f t h e Wi s e Wo m a n 896 " Cur s e o f the Wi tch , The " 9 0 3-b " Cur se o f Yig , The " 1 2 4 9-c " Cur s ing Be l l (A Dream S tory ) , The " 1 9 5-c " Cur s ory Light , The " 5 4 2-o " Cus tomer s , The " 7 9-i " Cyc lamen Brown " 2 6 3-o " Cypr ian Cat , The " 1 2 1 9 -a •

" Daemon " 7 9 1-j 799-f " Daffod i l " 689 Da i - S a n " Daimy� ' s Bowl , The " 2 5 9 -d 422 Da i n r a " Dake Humphrey ' s Dinner " 8 4 5 -k " Dakwa , The " 1 2 3 6 -q " Damnat ion Morn ing " 6 3 5 -b " Damned Funny " 1 2 1 1 -g " Dams el and Her Cat , The " 5 7 0-f " Dance , The " 9 6 3 -t " Dance and a Hop , A" 9 6 3-q " Dance o f Death , The " 1162-1 " Dance o f the Drowned , The " 2 5 8-c " Dance o f the S o l i ds , The " 1 2 1 7 -a " Dani e l Webs ter and the Sea S erpent Da rk C a rn i v a l 116 , 117 , 123 Dark Cru sade 10 8 7

347

9 4-i

345 " Dark Eido lon , The " 9 7 3- i , 9 7 7 - j , 1 1 9 6 - d " Dark-Eyed Lady " 2 4 8-g Da rk - E y e d La d y : Fo u r t e en Ta l e s 248 Da rk H o rn B l o wi n g , A 546 D a r k D e s i gn

.

.

Th e

I

D a rk Ima g i n i n g s : A C o l l e c t i o n o f G o t h i c Fa n t a s y Da rk i s R i s i n g , Th e 239

" Dark " Dark " Dark " Dark

I s le , The " King , The " Knowledge " Land , The "

1162

1 2 2 6-e 1 1 8 9 -h 2 5 1- j 7 9 2 -d , 7 9 3 - c Da rk Ma n a n d O t h e r s , T h e 5 10 " Dark Muse , The " 1 0 8 8-c " Dark Mus ic , The " 7 9 -h " Dark Name l e s s One , The " 9 4 5- 1 , 9 4 6-e " Dark Other , The " 275 D a r k S i d e , Th e 1213 122-1 " Dark They Were , and Go lden-Eyed " " Dark Tower , The " 6 51-a D a rk T o w e r a n d O t h e r S t o r i e s , T h e 651 " Dark Vengeance " 6 4 0 -g " Dark Vintage " 1 2 3 1- i 1 2 3 6-e " Dark Winne r " Da rk Wo r l d , Th e 594 D a rk e r Th a n Yo u Th i n k 1131 " Darknes s Box " 6 2 8 - d , 1 1 6 2 -h Da rkn e s s We a v es Wi t h Ma n y S h a d e s 1084 Da s H e e r d e r Fi n s t ern i s 1004 " Daughter of Pan , A " 3 7 1- g 2 5 8 -k " Daughter o f the Moon , The " Da y A f t e r J u d gm e n t , Th e 106 6 2 8 -q " Day Be fore the Revo lution , The " 8 1-m " Day Book of a Court Lady o f Old Japan , The " 6 9 7 -b , 1 1 9 3 - j " Day Boy and Night Boy , The " " Day i n Cone i I s land , A " 9 6 3-b Da y I t R a i n e d Fo r e ve r , Th e ll8 , 122 " Day I t Rained Forever , The " 1 2 2 -v " Day o f Blood and Fire , A " 5 3 1-o Da y of t h e M i n o t a u r 1031 " Day o f the Po l l , The " 8 9 7 -o " Day o f Truce " 1 2 0 5-h " Day of Wrath " 9 9 2- j j " De Mortui s " 2 2 8 -b , 2 3 1- s , 2 3 3-b " De Pertriche Ring , The " 1 2 3 2- j " De Pro fund i s " 5 6 2-d " Deacon o f Rottenh i l l , The " 9 9 2-g " Dead God ' s Homecoming " 7 7 5-a " Dead Love , A " 4 8 1- s " Dead Man , The " ( Bradbury ) 1 1 6-w , 1 1 7 , 1 2 4 1 - g " Dead Man , The " ( Le iber ) 6 3 9 -b " Dead Man ' s Diamonds , The " 5 4 1-c " Dead Man ' s Lane " 5 0 8-r " De ad Remember , The " 5 1 0 -e " Dead Woman , The " · 5 7 1- f , 5 7 3 - r

348

" Deal wi th the Devi l , A " D e a l i n g Wi t h t h e Fa i r i e s

8 9 9 -w 699

" Dear Chri s " 7 9 -b " Death and Ody sseus " 8 9 8-j " Death and the Orange " 8 9 8 -k Dea t h Angel ' s Sha dow 1085 " Death Hound , The " 371-f " Death i n Jukun " 1 2 3 2 -i " De ath in the Country , A " 94-1 " Death o f a Hero , The " 1 2 0 7 -b " Death o f Elea zer " 4 8 3- d " Death o f I l alotha , The " 9 7 3- 1 , 9 7 7 - f " Death o f Malygr i s , The " 9 7 2-g , 9 7 4-c " Death o f Pan , The " 8 9 8-c " De ath o f Svend , The " 9 9 2 -h " Death o f the Bee , The " 9 92-ii " Death o f the Kraken " 5 7 0 -h " Death o f the S e a Q u e e n " 5 2 5 -d " Death-Watch Beetle , The " 9 0 2 -w " Deathbird , The " 3 2 5- t Dea t hb i r d S t o ri es . 325 " Deathles s Queen ( Rider Haggard ) , The " 1 2 1 5 -e 621 D e a t h ' s Ma s t e r " December 2 0 0 5 : The S i lent Towns " 1 2 1-u " December 2 0 0 1 : The Green Morning " 1 2 1-h " Decorative Imagination , The " 7 1 4 -h " Deeds o f Mung ( Lord o f All Deaths Between Pegana and the Rim ) , The " 9 0 0-h D e ep G o d s , Th e 721 " Deep Magic from the Dawn of Time " 1 1 8 3 -n D e ep Wa t e r s 495 " De fene s tration o f Ermintrude Inch , The " 2 1 9 -o 226 D e fy t h e Fo u l F i e n d " Dek o f Noothar : The Sword o f Life " 7 55-j " De lus ion for a Dragon S layer " 3 2 5 -k " Demagogue and the Demi-Mende , The " 8 9 8-s D e m i - Go q s , Th e 995 " Demob i l i z ation " 12 04-j " Demon , The " 4 9 0- j " Demon Guide ; o r the Gnome o f the Mountain--The Geo log i s t ' s Story , The " 115 5-f D e m o n i n t h e Mi r r o r 854 " Demon Journey " 1 2 1 0-a " Demon Lover , The " ( Bowen ) 113-f D e m o n L o v e r , Th e ( Firth ) 372 " Demon Lover , The " (Jackson ) 1166-f D e m o n L o ver a n d O t h e r S t o r i e s , Th e ( Bowen ) 113 Demon L o v e rs a n d O t h e r S t ra n ge S e d u c t i on s 1192 " Demon o f the Flowe r , The " 9 7 2 -p , 9 7 6 - d " Demon Pope , The " 4 1 0 - f , 1 2 3 5-p " Demone s s , The " 1 1 8 8-a " Demonsong " 1 2 3 2-p " Departure , A" 4 3 0 -h " Dere l ic t , The " 4 9 5-b •

.

349

592 591 " Des Vetters Eckfenster " ( " My Cous in ' s Corner Window " ) 5 0 2 -d ( l ) 1 2 3 0- d " Descale s ' Skul l " " Descent Beneath Kor , The " 1 1 8 6-h D e s c e n t In t o H e l l 1123 " De scent o f Man " 1 1 7 4 -h " De s i re " 1 2 4 2-b " De sk ful of Girls , A " 6 39-f " De solate C i ty , The " 8 1 -p " De so l ation of Scorn , The " 9 7 1-rn " De srick on Yandro , The " 1094-j " De s tiny and a Dog " 1234-j 4 3 2-i " Deus Terminus " " Devi l , The " 1 2 3 5-s D e vi l a n d A l l , T h e 2 27 D e v i l a n d D a n i e l Web s t e r , T h e 93 " Devi l and Dan i e l Web s ter , The " 9 4 -h " Devi l and the Old Man , The " 1 2 3 5- t 1 2 3 5-c " Devi l and Torn Walker , The " " Devi l , George , and Ros ie , The " 2 2 7 -e , 2 2 8 - u , 2 3 2 - s , 2 3 3- 1 " Devi l i n a Nunnery : A Med i aeval Tale , The " 1 2 3 5-a " Devi l in I ron , The " 5 1 8 -e , 5 2 3 - c , 5 3 3 - a " Devi l in the Churchyard , The " 2 4 6- n Devi l in t h e Fores t , The 1136 493 D e v i l i n Wo o d f o r d We l l s . Th e D e vi l i s De a d , Th e 597 2 5 4-k " Devi l o f a Cook , A " 1 2 3 5-rn " Devi l-Puz z lers " D e vi l R i d e s O u t , T h e 1099 , 1100 D e vi l S t o r i e s : A n A n t h o l ogy 1235 D e vi l Ta k e s a H o l i d a y , T h e 842 D e v i l Tr e e o f E l D o r a d o : A N o v e l , T h e 36 " Devi l You Don ' t , The " 1 2 1 7 -r " Devi l ' s Carbunc le , The " 4 8 1-d D e v i l ' s Ch i l d r e n , Th e 303 D e v i l ' s F o o t s t ep s , Th e 1 52 D e vi l ' s Genera t i on , The 1205 D e vi l ' s G u a r d , T h e 812 D e v i l ' s H en c h ma n , Th e 857 " Devi ls in the Wa l l s " 1 2 1 0 -d " Devi l ' s Mother- in-Law , The " 1 2 3 5- j " Devi l ' s Re scue , The " 1 2 0 9 -e 1 2 3 5-n " Devi l ' s Round : A Tale of F lemi sh Go l f , The " " Devi l ' s Sonata , The " 9 4 1- c D e vi l ' s T o r 664 " Devi l ' s Tri ck , The " 9 6 8-f " Devi l ' s Wage r , The " 12 35-f D e v i l ' s Wo rk , Th e 139 " Devotee , The " 1 0 3 2 -g · " Devotee of Evi l , The " 9 6 9-e " Devour ing Tree , The " 5 2 5-q D e r y n i C h e ck ma t e Deryn i Ri s i n g





350

" Di agno s i s o f Dr . D ' a r q u eAnge l , The " 3 2 6 -o " D i amond Lens , The " 8 4 5-a Di a m o n d L e n s wi t h O t h e r S t o r i e s 845 , 846 " Di amonds as Big as the Ri tz " 1 2 4 2-n " D i ary in the Snow " 6 38-j " Di ary o f Wi l l i am Carpenter , The " 1 2 3 9 -aa " Dichter und der Komponi s t , Der " ( " The Poet and the Compo ser " ) 5 0 1- e ( 4 ) Di c h t u n g Von L a u r e n c e Ho u s ma n , Di e 509 2 8 6-e " Dick and the Beans ta lk " " Di e , Mae s tro , Die " 1 0 0 7 -k " Di e s I rce " 4 3 0 -b " Dig Me No Grave s " 5 1 0- i " Dime Brings You Succes s , A " 9 2 1 -n " Dionea " 8 6 3-d " Dionysus and the Pard " 1 2 0 2- i i " Di rection o f the Road " 6 2 8 -o " ' Dirge i n Marri age ' " 4 5 -d " Di s advantage s of Mind , The " 1 0 1 3 -p " Di sappearance of Mrs . Macrecham , The " 1 2 0 6-g Di s c o v e r i e s i n Fa n t a s y 1175 " Di s interment o f Venus , The " 9 7 0-h " Di sp l aced Person " 1 2 0 8 -y " Di sputed Author ship , A " 1 2 0 1-e " Di s torting Mirror , The " 5 0 8-a " Di s tre s s ing Ta le o f Thangobrind the Jewe l ler The " 8 9 3-b , 1 1 9 7 -b " Di svol a " 1109-i " Divina Cornrnedia o f Evan Leyshon , The " 7 9 9-i " Divine Avenger , The " 9 9 2 -n " Divine Madne s s " 1 1 6 9 -a , 1 1 7 3-a " Divine Ri te s o f Kings , The " 8 2 0-a " Dr . Beeber " 9 6 5-d " Dr . Faus t ' s Last Day " 4 5-s " Doctor Hanray ' s Second Chance " 1 2 0 3-i " Dr . Mel ibo� the Enchanter " 118 3-f 104 Doc tor Mi r a bi l i s " Doctor S hen Fu " 8 5 8-g 7 2 7 -b " Document i n the Case , The " " Dodo : The Red Mark ( Conan Doyle ) " 1 2 1 5-g " Dodona " 1 1 0 9-d Do e s An y o n e E l s e H a v e S o m e t h i n g t o A d d ? 598 " Doge und Dogare s s a " 5 0 2 -a ( l l ) " Dogfight on 1 0 1 " 3 2 4-c " Dogman o f I s l ington " 1 1 6 8 -h " Dogs o f Salem , The " 5 7 0-d 1 9 5 -q " Do l l and a Mora l , A " Do l ph i n a n d t h e D e ep , Th e 1014 1 0 1 4 -a " Do lphin and the Deep , The " " Don Juan in the Arena " 9 9 2 -d " Doomed Lord ' s P a s s ing " 7 6 9 - c , 7 7 5-d Domn e i : A C om e d y o f Wom a n - Wo r s h i p 172 " Don Juan " 5 0 1-a ( 4 ) Don R o d r i g u e z : C h r o n i c l e s o f S h a d o w Va l l e y 895

351

1 9 5 -o Pol lonia ' s Corset " wi th the Luminous No se , The ", 1 2 0 2 - t of Antar ion , The " 9 76-f o f L a Travi ata , The " 9 0 5 -k that Came to S arnath , The " 1 1 8 6 -b , 1 1 9 7 � f , 1 2 4 0 - f D o o m fa r e rs o f C o r a mo n d e , T h e 264 " Doomsday Deferred " 1 2 0 3-d " Door , The " ( Finney ) 3 5 9 -g " Door , The " ( Ke l ler ) 5 7 3-s " Door : A Prologue o f Sorts , The " 2 4 3-a " Door in the Wal l , The " 1 2 3 4 -c D o o r in t o F i r e , Th e 316 " Door to Saturn , The " 9 7 1 -h , 9 7 2 -b " Doorbe l l , The " 5 7 3-d " Doorway Into Time " 1218-i " Doppe lg � nger , Dir " 5 0 4 -g D o r o t h y a n d t h e Wi z a r d o f O z 60 " Double and Redoub led " 1 1 6 0 -g D o u b l e Pho en i x 236 , 444 " Double Shadow , The " 9 6 9 - c , 9 7 3- g , 9 7 4 -e Do u b l e Sh a do w a n d O t h e r F a n t a s i e s , Th e 969 " Doub l e Tower , The " 1 1 8 7 -d " Doubl e s , The " ( " Dir Doppelg � nger " ) 5 0 4 -g D o wn i n t h e C e l l a r 439 " Dragon , The " 1 2 2-b Dra gon a n d t h e G e o r g e , T h e 304 " D ragon Fang , The " 8 4 5 -m " Dragon Moon " 1 1 9 5 - e , 1 2 3 7 -c 1 1 7 5 -b " Dragon of Chang Tao , The " " Dragon Scale S i lver " 8 3 8-a D r a gon Wi n t e r 474 D r a g o n s a n d N i gh tma r e s 109 D r a go n s , E l v e s , a n d H e r o e s 1176 " Dragon ' s Tee'th " 1 2 2 8 -h " Dragon ' s Vi s it , The " 1 1 9 1-p Dr a wi n g o f t h e D a r k , Th e 9 10 " Drawn Arrow , The " 1 2 3 4-x " Dread Empire " 1 4 2 -d Dr e a d f u l Dra gon o f H a y H i l l , T h e 86 " Dream , A " 8 0 1-e Dream Da ys 430 7 2 6-c " Dream-Gown of the Japane se .Ambas sador , The " " Dream Makers , The " 948 " Dream o f Angus Oge , The " 9 3 5-d " Dream o f Ear l Aubec , The " 7 7 2-a " Dream o f King Karna-Vootra , The " 8 9 8 -w " Dream o f Kites , A " 4 8 1-h 9 4 2- f " Dream of Wi ld Bees , A " Dream of X , The 498 D r e a m - Q u e s t o f Unknown Ka d a t h , Th e 681 1 2 1 4 -p " Dream Que s t o f Unknown Kadath , The " " Dream Smi th " 8 3 8-b " Dream Snake , The " 510-j " Dreamer o f Atl §.naat , The " 9 2 6 -g " Dofia " Dong " Doom " Doom " Doom

352

D r e a m e r s o f Dr e a m s : D r e a m e r ' s Ta l e s , A Dr e a m i n g C i t y , T h e

A n A n t h o l o g y o f Fa n t a s y

1223

897 763 " Dreaming City , The " 7 6 4 - a , 7 7 2 -b Dreams 942 " Dreams o f Albert More land , The " 6 3 8 -h " Dri fting Snow , The " 1 2 2 1-f " Dr o i t d e S e i gn e u r " 2 5 8-1 " Drone , The " 7 4 3- d D r o wn e d Am u l e t 565 " Drowned Giant , The " 116 8-i " Druidic Dream , The " 1 2 4 1-f " Drum , The " 2 5 0 -q , 2 5 3 -k " Drums of Tomba lku " 5 2 4-c , 1 1 9 3-c 1 1 8 5-1 " Duar the Accursed " " Duche s s ' s S ecret , A " 6 0 0 -e " ' Dud s ' The Great Rumg in (Arthur Machen and Others ) " 1 2 1 5 -c 2 4 9 -o " Due " " Du f f lepuds Made Happy , The " 1 1 6 3-k " Duke Virgi l " 4 10-i " Dumb Orac l e , The " 4 1 0 -h " Dumb Supper " 1 0 9 4 -n " Dummy That Lived , The " 5 6 -k " Dungeon o f Despair " 5 3 1 -m Dungeons o f Kuba 301 " Dunky Fitlow " 2 4 9-k D u n k y F i t l o w : Ta l e s 249 " Dusky Ruth " 2 4 5 -b " Du s t o f the Gods " 7 9 3-a 2 8 6-d " Dutch Chees e , The " " Dwar f , The " 1 2 3-a " Dwar f ' s Chamber , The " 5 4 1- a 541 Dw a r f ' s C h a mb e r a n d O t h e r S t o r i e s , Th e " Dwe l le r in the Gul f , The " 9 7 6-d " Dwe l ler i n the Temple , The " 12 29-c Dwe l l e r s i n t h e Mi r a ge 741 " Dwind l ing Hour , The " 1 0 1 3- o " Dying Cas tles . . , The " 7 5 5 -b Dy i n g E a r t h , The 1 0 6 6 , 1 1 8 6 -n , 1 1 9 1-n , 1 1 9 6 - f E P l u r i b u s Un i c o r n 1007 E . T . A . H o ffma n n : B i b l i o g r a ph i e E . T . A . H o ffm a n s We rk e 5 0 1- 5 0 2 •





" Each i s I " 8 2 0 -h " Eager Dragon , The " 1 0 9 -b Ea r t h Ma g i c 864 " Earth Men , The " 1 2 1-d " Earth ' s Halocau s t " 1 16 5-f 9 0 3-n " Earth ' s Secret " " East and We s t " 9 0 6-d 262 Ea t e r s o f t h e D e a d •

Ecs t a s y of A n gu s ,

Th e

848

3 53

506

E d e n P h i l l p o t t s : A B i b l i o gr a p h y o f F i r s t E d i t i o n s 891 E d ga r R i c e B u r r o u gh s : T h e Ma n Wh o C r e a t e d Ta r z a n 16 6

" Edged Too l s " 7 2 7 -d " Egot i s t , The " 9 6 3-r " E ight Mi s tre s s e s , The " 1 1 6 6 -x " E i ght O ' C lock in the Morn ing " 1 1 7 2 -d " Ei ghth Deadly S i n , The " 5 4 2 -b El e a n o r Fa r j e o n : A B i b l i o g r a ph y 339 .

.



El e c t r i c B i b l i o gr a ph ,

" Elementargei s t , Der "

Pa r t 1 :

C l i ffo r d D .

5 0 2 -d ( 2 )

S i mak

Th e 1111 1 1 9 9 -n " El ephant with Wooden Leg " " Elephant ' s Ear , The " 1 1 0 9-e , 1 1 9 9-g " E lephas Frumenti " 9 2 1 -d " E levator , The " 2 4 3- f " E l f i n Algiers , The " 1 2 0 2 -ccc 402 El i d o r

956

El e ph a n± a n d t h e Ka n ga r o o ,

El i x i e r e d e s T e n fe l s

" E l ixir , The "

3 17-a

( Th e E l i x i r o f t h e D e v i l )

The 317 " El ixir-of-Li fe , The " 4 1 0 -k " E l ixir o f Love , An " 4 1 7 -b 5 0 1-b " E l ixir o f the Devi l , The " " E l ixir o f Youth , The " 2 4 7-d , 2 50-c 115 " E l i zabeth Bowen : A Check Li s t "

5 0 1 -b

El i x i r a n d O t h e r Ta l e s ,

El i z a b e t h B o wen : A n In t r o d u c t i o n t o H e r No v e l s

" E l i z abe than Gown , The " 5 8 3-n " E lks , The " 1 2 0 2 -aaa " E loi E lo i Laura S abachthani " 4 9 9- d " Elphenor and Wease l " 1 0 9 1 -c , 1 1 6 4 - o El r i c o f Me l n i b o n e 763 , 770 El r i c : Th e R e t u r n t o Me l n i b o n e 767 " El s i e ' s Lone ly Afternoon " 6 7 7 -h " E lusive Me lody , The " 1 3 4-b " E lves , The " 1 1 6 3-a " Embroidery " 1 1 9 -k Em e r a l d C i t y o f O z , Th e 62 " Emergency Ex i t " 2 5 2 -k " Emi s s ary , The " 1 1 6 -h , 1 1 7 , 1 2 3 " Emi s sary from Hame l in " 3 26-j " Emperor and the S i l k Godde s s , The " 8 1 -e " Emperor ' s Fan , The " 1 1 8 7 -h " Empi re of the Necromancers , The " 9 7 2 - j , 9 7 7 -d " En la Neche " 1 1 9 -p 1170-1 " En Pas s ant " " Enchanted Fore s t , The " 5 4 0-i En c h a n t e d P i l gr i ma ge , Th e 954 " Enchanted Yodler , The " 542-i " Enchantres s o f Sylaire , The " 1 1 6 2-e " Encounter of the Pavement , The " 7 1 4 -c " End o f Phceac i a , The " 6 0 0-a , 1 2 2 3-f " End of the Beginning , The " 1 2 2-d " End of the Party , The " 1 2 1 2-k " End o f the Ra inbow , The " 3 5 9-h

354

114

9 7 3- a " End o f the S tory , The " 1 0 1 3- c " End o f the War , The " " Enemy o f Al l the World , The " 6 7 3- g " Enemy of Scotland Yard , An " 9 0 3 -c " Enemy P lanet , The " 1 2 0 3 -a En gl i s h a n d S c o t t i s h P o p u l a r B a l l a d s ,

Th e

546

" Engl i sh Magni fico , The " 8 9 9 -aa 1 2 1 1-a " Enoc h " " Enoch Soarne s " 1 2 4 2-c " Enormous Radio , The " 116 6-s "Ensouled Violin , The " 1218-f " Ent ire and Perfect Chryso l ite " 1 2 1 4 -b " Envoy Extraordinary " 115 0-a " Epicac " 1 2 3 3 -kk " Ep i logue " ( Bradbury ) 12 0-t " Epi logue , The " ( Cabe l l ) 173-1 " Ep i logue , The " ( S tead ) 9 9 2 -oo " Epi logue : The Sequence of the Zothique Tales " 9 7 7-r " Epiphany o f Death , The " 9 7 4 -m 12 11-f " Ep i sode o f Cathedral H i s tory , An " Er i c o f t h e S t rong He a r t 329 Er i n o r d 561 " Ernes t and the Machine God " 3 2 5-q " Erne s t Brarnah : A First Check l i s t " 986 " Erne s t Brarnah [ Smi th ] in Periodic a l s , 1 8 9 0 - 1 9 7 2 " 988 " Errand Boy " 1 2 1 2 -t " Error s " 9 6 6-c " E s cape " 1 2 4 3 -e " Es cape From the Val ley , The " 9 0 3-e " Es cape t o Yesterday " 1 2 0 4 -o " Esmer alda " 2 6 3-m " E s ther Kre inde l the Second " 9 6 7 -e E t e r n a l C h a mp i o n , Th e 776 , 790 " Eterna l Champion Cyc l e , The " 790 " E terna l Duel , The " 5 4 2 -h " Eterna l Duffer , The " 1 2 0 3 -e " Eternal Moment , The " 3 8 1-f E t e rn a l M o m e n t a n d O t h e r S t o r i e s , Th e 381 " E ternal Whi ther , The " 4 3 2 -h " Externa l World , The " 9 7 0-d " Ether Breather " 1 0 1 1 -g E t i d orhpa 670 1 1 8 9- a " Eudoric ' s Unicorn " E va n d e r 883 " Eve of S t . John , The " 9 2 1-u 1133 E v e o f S t . Ve n u s , Th e E v e n A Wo rm 127 6 7 3-d " Even Unto Death " 2 2 8 -c , 2 3 2- a , 2 3 3 -h , 1 2 0 1 - a " Evening P rimro s e " 570 Even i n g S t a r , The 695 Even o r " Events a t Porath Farm , The " 1 2 4 6 -e " Ever l as ting F ire " 1 2 3 9-a " Every Man H i s Own Letter-Wr i ter " 9 9 9-1 .





355

" Everybody Wa s Very Nice " 9 4 -k " Evi l Eye , The " 1 1 6 9 -o , 1 1 7 3 - o " Exalted Omega , The " 7 1 2-a E x ca l i b u r 619 " Exi les , The " 1 2 0-k " Exile ' s Club , The " 9 0 7- r Exi l e s o f the S t a r s 827 Ex i l e ' s Q u e s t 733 " ' Exit Tyrannus ' " 4 3 1-o " Expedi tion " 1 1 1 9 -h " Expu1s i on , The " 8 9 9 -o " Extra Br icklaye r , The " 1 2 0 9-g " Extract from Captain S tormfi e ld ' s Vi s i t t o Heaven " 2 2 2 -c , 1 2 0 2 -uu , 1 2 1 4 -h " Extraordinar i ly Horrible Dummy , The " 5 7 4-j " Eye , The " 5 7 4 -m " �ye for Iniqui ty " 1 2 1 3-k " Eye in the Was te , The " 9 0 0 -n " Eye o f Tandyla , The " 1 1 8 4 -c " Eye o f the Giant , The " 1 2 3 3-c " Eye s , The " 1 2 0 4-h " Eyes Have I t , The " 4 1 3 -a " Eye s of Compa s s ion , The " 2 5 8- i E y e s o f t h e O v e r wo r l d , Th e 1067 " Eyrie , The " 1 2 0 8 -k , u " Fabl e , A "

2 2 2 -d

1034 " Fables from the Edge o f Night "

Fa b l e s fo r O u r Ti m e



F a b u l o u s R i v e rb o a t 742 Fa c e i n t h e Ab y s s F a c e i n t h e F� o s t , Th e





Th e

118 3-i 344

92 " Face in the Mirror , The " 5 7 1 -h " Face o f Helen Bournouw , The " ·3 2 5 - 1 " Face le s s Th ing , The " 1 2 1 1 -p " Facts in the Case o f M . Valdemar , The " 1 2 3 3 -hh F a e r i e Q u e e n e , Th e 1 1 7 6 -m " Fair Hair o f Arnbro s ine , The " 6 7 7-c " Fair Lady " 7 9 -d Fa i r of S t . Ja m e s : A F a n t a s i a , Th e 336 9 9 2 -u " Fair Women " " Fair Young Wi l lowy Tree , The " 2 5 4 -o , 2 5 0 -o " Fairy Gol d " 8 9 9 - cc " Fairy Goose , The " 1 2 0 2 -cccc 423 Fa i ry S i l ver " Fa iry Wicket , The " 4 3 2 -o 1 1 8 7- i " Falcon ' s Mate " " Fa l l o f Babbulkund , The " 9 0 5 -b , 1 1 8 5 - e 50 8-f " Fa l l o f the Sparrow , The " 228-f " Fa l len S tar " Fa l l i a b l e F i e n d , Th e 271 " Fa l l ing Out , A " 43 1 -q 8 2 0-b " ' Fame Double-Mouthed ' "

356

" Fami l i ar , The " 1 2 3 9 -y " Fami l i ar s , The " 1 2 0 8 -w " Fami ly Tree , The " 2 5 3-n

F a m o u s Ta l e s o f t h e Fa n t a s t i c

" Fan , The " 8 5 8 -a 2 7 -n " Fanc i e s "

Fa n c i e s a n d G o o d n i gh t s

" Fancy Dre s s Bal l , The " 134 Fa n t a s i a s

1244

228 246-j

Fa n t a s m s : A B i b l i o gr a ph y F a n t a s t i c A d v e n t u r e , Th e

o f J a c k Va n c e

856 " Fantastic Imagination , The " 697

1069

F a n t a s t i c Ima gi n a t i o n : A n An t h o l o g y o f H i gh Fa n t a s y ,

116 3

Th e

Fa n t a s t i c Ima g i n a t i o n I I : A n A n t h o l o g y o f H i gh Fa n t a s y , 1164 Th e Fa n t a s t i c S t o r i e s 645 , 864 , 948 F a n t a s t i c S wo r d s m e n , The 1195 F a n t a s t i c Wo r l d s : My t h s , Ta l e s , a n d S t o r i e s 1233 Fan ta s t i cs a n d Other Fa nc i es 481

" Fantasy and S c i ence Fic tion by Theodore S turgeon " 1012 511 5 7 4-k " Fantasy o f a Hunted Man " F a n t a s y P i e c e s i n t h e Ma n n e r o f C a l l o t 5 01-a 'F a n t a s y : S h a p e s o f Th i n gs Unkn o wn 1200 F a n t a s y Tw i n s , Th e 275 F a n t a s y Wo r l d s o f P e t e r B e a gl e , Th e 73 F a r L a n d s O t h e r Da y s 922 Fa r a g o n Fa i r i n ga y 476 Farmer Gi l es o f Ham 1 0 3 7 , 1 0 4 2 -d 1 1 9 0 -b " Farmer on the C lyde , A " " Farmhouse , The " 1 2 4 6 -p " Farre l l and Li la the Werewo l f " 1 1 7 1 -a - - Also see " Li la the Werewo l f " Fa r th e s t Shore , The 631 " Fasces , The " 1109-f " Fashion and Her B icyc l e " 8 8 -o " Fa s t , The " 9 6 7-h " Fatal i s t , The " 9 6 6 -m " Fate " 9 6 5-r F a t e s o f t h e Pr i n c e s o f D y f e d , Th e 797-798 140 Fa t h e r o f L i e s " Fa ther Raven " 2 5 0 -p , 2 5 3 -a " Father ' s Ta le , A " 12 4 6 -f " Fe ar " 1 2 3 4 -d 2 50 Fea rfu l Pl eas ures " Fearful Rock " 1 2 4 6 -i " Fe a s t in the House o f the Worm , The " 1 1 8 5 -g F e a t h e r Wom a n o f t h e J u n gl e , Th e 1054 " Featur e l e s s Wi sdom , The " 8 6 2- f " February 1 9 9 9 : Y l la " 1 2 1-b " February 2 0 0 3 : I nterim " 12 1-1 " February 2 0 0 2 : The Locus ts " 1 2 1-i 2 4 7 -e " Fe l ix Tineler " F a n t a s y Fa n





357

Fe l l o ws h i p o f t h e R i n g . , Th e 1 0 4 4 , 1 1 8 3 -o F e l l o ws h i p o f t h e Ta l i s ma n , Th e 9 5,5 F e r r e t F a n t a s y ' s Ch r i s tm a s A n n u a l f o r 1 9 7 3 490

" F@ te Gal ante " 4 5 -p " Fever Dream" 1 2 2-f , 1 2 4 1-i " Few Words to Begin Wi th , A "

1 0 0 1-a

F i c t i o n of J a ck L o n d o n : A C h r o n o l o gi c a l B i b l i o gr a ph y ,

675 " Fi e ld , The " 8 9 7 -n " Fi e ld o f Vi s ion , The "

The

6 2 8 -n 1211 Fi ends and Crea t ures " Fi ery 'Dive , The " 2 8 -a

The 28 2 5 8 -m F i f t h S o n o f t h e S h o em a k e r , Th e 257 F i f t y - On e Ta l e s 898 " Fi ght with Knives , A " 8 9 9-ee F i gh t i n g M a n o f Ma r s , A 159 " Figs " 2 5 9-d

Fi ery Di ve a n d O t h e r S to r i e s ,

" F i fteen Annas i n the Rupee "

F i g u r e s of E a r t h : A Com e d y o f A pp e a r a n c e s F i l m s o f T i m e : Twe l v e F a n t a s i e s 820

169

1094-i " Find the P lace Your s e l f " " Finding o f Laura ( H . G . We l ls ) , The " 12 15-f 9 5 7-g " Find ing o f the Abso lute , The " " Finding o f the Gra iken , The " 4 9 9 -c " Finding o f the Prince s s , The " 4 3 1 -e , 4 3 2 -u Fi n e a n d P r i va t e P l a c e , A 7 3 -a , 7 4 " Fine Feather s " 1 2 3 4 -o " Finger o f Fate , The " 4 1 7 -n Fi n i a n ' s R a i nb o w 994 " Fi n i sh Touch , The " 5 0 8 -e 9 2 3-a " Fire and the Flesh , The " " Fire Bal loons , The " 1 2 0 - i , 1 2 4 -b " Fire o f Beaut� " 8 0 -e " Fi rebird , The " 2 36 , 444 , 1090 281 Fi r e s o f I s i s " First Chr i s tma s-Tree , The " 106 2-i 1 2 3 2 -d " First Commentary : Swords and Swordpl ay " F i r s t E d i t i on s o f A . E . Coppa r d . . , Th e 255 " Fi r s t Edi tions o f J . B . Pries tley , The " 927 Fi r s t E d i t i o n s o f P h i l i p Jo s e F a rm e r , Th e 353 " Fi r s t Night o f Lent , The " 1 1 8 -e , 1 2 2 - n 77 , 244 , 401 , Fi r s t P r i n t i n gs o f A m e r i c a n A u t h o r s 1 0 71 " Fi r s t Shlemie l , The " 9 6 8 -e " Fi r s t Ta le : Idle Days on the Yann " 906-1 ( 1 } F i r s t Wh i s p e r o f " Th e Wi n d i n t h e Wi l l ows , " Th e 433 F i r s t Wo r l d Fa n t a s y A wa r d s 1246 F i s h D i n n e r i n Memi s o n , A 320 " Fi sher o f Men , The " 9 4 5 - j , 9 4 6 -c " Five B lack Swans , The " 1 0 9 1-b , 1 2 3 3 -gg Fi ve Chi l dren a n d I t 129 F i v e No v e l i s t Po e t s 30 " Flag o f Peace , The " 5 0 8 -m

358

" Fl ambeau Brackett , The " 1109-j " F lame Bringers , The " 7 6 4 - e , 7 7 4 -c , 1 2 3 8 - f 5 5 6 -b " Flame- Face " " Flame Kni fe , The " 5 1 9 - d , 5 2 3-d 859 Fl a m e Wi n d s " F laming Eyes " 5 2 5 -g

Fl a s h i n g S wo r d s ! # 4 : B a rb a r i a n s a n d B l a c k Ma gi c i a n s F l a s h i n g S wo r d s ! # 1 1177 F l a s h i n g S wo r d s ! # 3 : Wa� r i o rs a n d Wi z a r d s 1179 Fl a s h i n g Swo r d s ! # 2 1178 Fl a t l a n d : A R o m a n c e o f Ma n y D i m e n s i o n s 1

9 5 7 -c " Fl aw in the Crys tal , The " 340 " Fl i ght o f the Cu lder s , The " 9 4 5 -q , 9 4 6 Fl i n t H a r t : A Fa i r y S t o r y , Th e 884 F l o a t i n g Ca fe a n d O t h e r S t o r i e s , Th e 1050 1 1 0 8 -b " Flok i ' s B l ade " 1 2 0 5 -d " Floral Tribute " " Florence Fl annery " 6 7 7- k " Fl ower , The " 1 2 3 4 -k F l o w e r B e n e a t h t h e Fo o t . , Th e 365 " Flower-Women , The " 9 7 2 -o , 9 7 6 -b 2 7-f " Flowers " " Fluffy " 1007-i " Flunking o f Wa tkin ' s Gho s t , The " 3 9 -c " F lute o f Chang Liang , The " 4 5-i " Flute o f Kri shna , The " 8 1 -d " Fly , The " 1200-j " Flying Fool , The " 5 7 3-e " Flying Machine , The " 1 1 9-g " Flying Yorkshireman , The " 1 1 6 7-a F l y i n g Y o r k s h i r em a n : N o v e l l a s , Th e 11 6 7 " Fog Horn , The " 11 9-a " Foggerty ' s Fairy " 4 1 7-a F o g ge r t y ' s Fa i r y a n d O t h e r Ta l e s 417 " Foggy Foggy Due , The " 249-1 1 1 8 3 -d " Fa l la o f the Mountain Door , The " " Food o f Death , The " 898-j j F o o d o f D e a t h : F i f t y - On e Ta l e s 898 Fo o l s o f C h e m a n d Th e i r H o l i d a y , Th e 964 " Foot o f Time , The " 1 9 5 -e " Footfal l s Wi thin , The " 5 3 5 -c " Footpr ints " 1204-f F o r e s t o f Fo r e v e r , Th e 1030 " Fore st Orac le , The " 5 6 -m F o r g o t t en B e a s t s o f E l d , Th e 7 0 7 , 124 6-c 8 5- i " Forgotten Gods o f Earth , The " 6 5 1- e " Forms o f Things Unknown " " Forringer ' s Fortune " 1 2 3 1- o " Fortre s s Unvanqui shab le S ave for Sarnoth , The " 1 1 9 5 -b , 1 2 2 6 - c " Fortune Te l ler , The " 1 2 3 4 -g " Foundl ing , The " 1 1 6 3 -m " Founta in , The " 8 5 8 -k

1180

Fl esh

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9 0 5-i ,

" Fountain o f Gold , The "

4 8 1-r 899 " Fourth-Dimens iona l Demons tra tor , The " 5 6 2 -e , 1 2 4 3-n " Fox and the Fore s t , The " 1 2 0 -m Fox Wom a n , Th e 111 , 744 " Fox Woman , The " 7 4 3 -a Fo x Wom a n [ a n d O t h e r S t o r i e s ] , Th e 743 " Foxcas tle " 1 0 9 1-p " Fragment aus dem Leben dre ier Freunde , Ein " 5 0 1 -e ( 5 ) F r a n k R . S t o ck t o n : A C r i t i c a l B i b l i o g r a ph y 1002 " Frank ' s Sea led Letter " 8 01-j " Fraulein von Scuderi , Das " 5 0 2-a ( l 6 ) , 5 0 4 -f " Free as the Air " 5 7 3 -h " Free Dirt " 7 9 -e , 1 2 0 0 -q 5 0 2 -a ( 1 3 ) " Fremde Kind , Das " ( " The S trange Chi ld " ) " Friend to Kafka , A " 9 6 5-a F r i e n d t o Ka fka a n d O t h e r S t o r i e s , A 965 " Fritz Le iber : A Bibl iography " 650 " Frog , The " 1 2 0 9-c " Frog Prince , The " 2 2 8 -q , 2 3 2 - i , 2 3 3 - i 3 2 6 -h " From A t