The Disciples in the Fourth Gospel: A Narrative Analysis of their Faith and Understanding 3161505832, 9783161505836
Using the method of narrative analysis, Nicolas Farelly examines the characterisation of the disciples in the Fourth Gos
279 18 1MB
English Pages 273 [275] Year 2010
Cover
Preface
Table of contents
Abbreviations
Chapter 1. Introduction
Chapter 2. The Faith and Understanding of the Disciples as a Group in the Sequence of the Fourth Gospel's Narrative
Introduction
A. The Prologue: 1:1-18
B. The Book of Signs: 1:19-12:50
1. The Opening Days and the Revelation of Jesus (1:19-1:51)
2. From Carra to Cana (2:1-4:54)
3. Jesus and the Principal Feasts of the Jews (5:1-10:42)
4. Jesus Moves Toward the Hour of Death and Glory (11:1-12:50)
C. The Book of Glory: 13:1-20:31
1. The Last Supper (13:1-17:26)
2. The Passion Narrative (18:1-19:42)
3. The Risen Jesus (20:1-29)
4. Conclusion (20:30-31)
D. The Epilogue: 21:1-25
Chapter 3. The Faith and Understanding of Key Individual Disciples
A. Peter
1. "You shall be called Cephas" (1:40-42)
2. "You have the words of etemallife" (6:67-69)
3. "Not my feet only, but also my hands and my head!" (13:6-11)
4. "Simon Peter motioned to him to ask Jesus" (13:23-26)
5. "Till you have denied me three times" (13:36-38)
6. "Put your sword into its sheath" (18:10-11)
7. "And at once the rooster crowed" (18:15-18, 25-27)
8. "Simon Peter ... went into the tomb" (20:2-10
9. "Feed my lambs" (21:2-22)
B. Judas
1. "One of you is a devil" (6:64, 70-71)
2. "He said this ... because he was a thief' (12:4-8)
3. "You are clean, but not every one of you" (13:1-20)
4. "What you are going to do, do it quickly" (13:21-30)
5. "Not one ofthem has been lost, except the son of destruction" (17:12)
6. "Judas, who betrayed him, was standing with them" (18:1-5)
C. Thomas
1. "Let us go also, that we may die with him" (11:16)
2. "Lord, we do not know where you are going" (14:5)
3. "My Lord and my God!" (20:24-29)
4. "By the sea of Tiberias" (21:1-2)
D. The Beloved Disciple
1. "Reclining at the table close to Jesus" (13:21-26)
2. "He entered with Jesus into the court of the high priest" (18:15-16)
3. "Standing nearby" (19:25-27)
4. "His testimony is true" (19:35-36)
5. "He saw and believed" (20:1-10)
6. "It is the Lord!" (21:7)
7. "If it is my will that he remain until I come back ... " (21:20-25)
E. Mary Magdalene
1. "But standing by the cross ... Mary Magdalene." (19:25)
2. "Mary Magdalene came to the tomb early" (20:1-2)
3. "I have seen the Lord!" (20:11-18)
Chapter 4. An Evaluation of the Disciples' Faith and Understanding in Narratological Perspective
A. Of Disciples, Plot, and Purpose in the Fourth Gospel
1. The Place of the Disciples within the Plot of the Fourth Gospel
a. Plot Definitions and Basic Plot Structures
b. Plot and Characterisation
c. The Plot of the Fourth Gospel
d. The Disciples' Faith and Understanding within the Plot
2. The Rhetorical Functions of the Disciples' Faith and Understanding
a. The Rhetorical Purpose of the Fourth Gospel
b. The Role of the Disciples' Misunderstandings within the Purpose
c. The Relation between the Disciples' Characterisation and Implied Readers: The State of the Research
d. A Way Forward: The Disciples as Figures for Identification
B. Temporality and the Disciples'Faith and Understanding
1. A Brief Overview of Theological and Historical Perspectives on the Faith and Understanding of the Disciples
2. Retrospection and the Merging of Time Perspectives
3. Retrospection and Order
4. Literary and Theological Functions of Time in the Fourth Gospel
5. Realised Eschatology and the Disciples' Faith and Understanding
6. Conclusion
Chapter 5. Conclusion: Johannine Faith and Understanding
Bibliography
Index of Sources
Old Testament
New Testament
Index of Authors
Index of Subjects
Recommend Papers
- Author / Uploaded
- Nicolas Farelly
File loading please wait...
Citation preview
Wissenschaftliche Untersuchungen zum Neuen Testament · 2. Reihe Herausgeber / Editor Jörg Frey (Zürich) Mitherausgeber / Associate Editors Friedrich Avemarie (Marburg) Markus Bockmuehl (Oxford) Hans-Josef Klauck (Chicago, IL)
290
Nicolas Farelly
The Disciples in the Fourth Gospel A Narrative Analysis of their Faith and Understanding
Mohr Siebeck
Nicolas Farelly, born 1978; 2009 PhD, University of Gloucestershire, UK; since 2005 director of the Forum Culturel Protestant, Compiègne, France; instructor in New Testament Theology, Faculté Libre de Théologie Réformée, Aix-en-Provence, France; instructor in New Testament Theology, Institut Biblique, Nogent-sur-Marne, France.
e-ISBN 978-3-16-151633-7 ISBN 978-3-16-150583-6 ISSN 0340-9570 (Wissenschaftliche Untersuchungen zum Neuen Testament, 2. Reihe) Die Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliographie; detailed bibliographic data are available on the Internet at http://dnb.d-nb.de. © 2010 by Mohr Siebeck, Tübingen, Germany. This book may not be reproduced, in whole or in part, in any form (beyond that permitted by copyright law) without the publisher’s written permission. This applies particularly to reproductions, translations, microfilms and storage and processing in electronic systems. The book was printed by Laupp & Göbel in Nehren on non-aging paper and bound by Buchbinderei Nädele in Nehren. Printed in Germany.
Preface The present monograph is a slightly revised version of my thesis, which was submitted in 2009 to the University of Gloucestershire for the degree of Ph.D. More people than can be mentioned here have contributed to my research by providing academic insight, support, inspiration, or encouragement. I owe a special dept of gratitude to my supervisors, Professor Andrew T. Lincoln and Dr. Angus Paddison. I am particularly thankful that, at a time when professional and family responsibilities overwhelmed me and made me question the very rationale for pursuing my research interests, they found the appropriate words of encouragement to help me carry on this project. So many of their ideas on the Fourth Gospel have enriched my understanding of it. Their gracious guidance and insightful suggestions have rendered this thesis better than it could have ever been without them. I would also like to express my gratitude to the editor of this series, Professor Dr. Jörg Frey, for accepting this thesis for publication, and to Dr. Henning Ziebritzki and his wonderful editorial staff for their able assistance. As I worked on the monograph in preparation for publication, I also received the support of Rev. Robert Fossett, a dear friend who accepted to read I am very thankful to my parents, Paul and Danielle Farelly, and to my grandparents, Jean and Janine Farelly, for their constant encouragement throughout Two dear friends deserve to be mentioned here as well. Alexander Bukovietski and Rodrigo de Sousa have accompanied me with their friendship during most of my theological and biblical training. Throughout our numerous conversations, their ideas and faith have impacted me more than they will ever know. I am so fortunate to count them as my friends. Last, but by no means least, my deepest appreciation goes to my wife Alison.
much that is worthwhile in my life would exist. Together with our three chil ! " # encouragement in the past several years, even when so much of my time was spent physically or emotionally away from them. It is with love and gratitude that I dedicate this monograph to them. Margny-lès-Compiègne, September 2010
Nicolas Farelly
$ % & $ % !
% '( % )$* + / 3 45 * 3 6 7 ( '8 A. The Prologue: 1:1–18 ............................................................................ B. The Book of Signs: 1:19–12:50 ............................................................. ' $ / : ; ?'=@'E)' ) *% % 8 @ ^$ `K K ^4 &| ` ^* `XX'>[QE'=}
) ;& The Quest for the Messiah: The History, Literature and Theology of the Johannine Community) KOE''X?'K ^; 6
` 8 $ & Quest8'8=^| ; } `*&
; & ;
)
Chapter 1: Introduction
6 6 ! ^ ` ^ ` 6 6
$ (
*3 * V ^% ; `@ * % *3 ^ ; `X ; ^ `[ % 3 5 5 K$ @ 3V The Christocentric Literary Structure of the Fourth Gospel! ''[ @@E! / ^Y # 5 `NRThK'XQE='O'?@8!] ^7 6 5 " `NRThKXX@E=)'@?8':4 The Gospel according to John \4O W$\7$(]'?OK)E '=@@K?[@ Y ^* " " 4 ; `[XE4 ^3 + ; `ColT8X[[E '[[?)O@ / V Études johanniques & / '> KOE=')K?KO :Y! ^!} % 3 ;`>)E ! ^$ * V ;6 3 = ! 7 ! `
Introduction
O
*3 _ > % 6 '>KO ^ ;
V `'Q % *3 V 5 } 6 *3 $ 'O'V ;Jesus, Stranger from Heaven and Son of God: Jesus Christ and the Christians in Johannine Perspective ;44 Y4 4''KOE ( The Implied Reader: Patterns of Communication in Prose Fiction from Bunyan to Beckett [KE4% Story and Discourse: Narrative Structure in Fiction and FilmKOE&: Temps et récit. Tome I: L’intrigue et le récit historique& K8E&: Temps et récit. Tome III: Le temps raconté& KKE '[ 4 7:& Literary Criticism for New Testament CriticsK'E/: /V Mark as Story: An Introduction to the Narrative of a Gospel KXE : %$ The Narrative-Unity of Luke-Acts: A Literary Interpretation) * * K>E4/VLiterary Criticism and the Gospels: The Theoretical Challenge[QE ; Stranger
Chapter 1: Introduction
X
'>$ ; '>>Q Semeia The Fourth Gospel from a Literary Perspective)Q 4 6 John as Storyteller The Gospel of John as Literature)' / 6 Rhetoric and Reference in the Fourth Gospel))$6 Narrative Art and Act in the Fourth Gospel)O : 6 The Strange Gospel)8V $ V *3 # 3 )@ $ )X )[$ } % } K@E3:6/ Revelation in the Fourth Gospel: Narrative Mode and Theological ClaimKKE )Q :!% **4 The Fourth Gospel from a Literary Perspective 4 @'>)EV 34 The Gospel of John as Literature: An Anthology of Twentieth-Century Perspectives7$$4'[>)E )O /$Narrative Art and Act in the Fourth Gospel;47$4 '@'>EO'?8X )X 4 % Story } W } )X[4 % ^ `?)' V* Aspects of the NovelX@E% Story>X?'8@$/ Reading (Absent) Character: Towards a Theory of Characterization in Fiction K@E;& Reading People, Reading Plots: Character, Progression, and the Interpretation of Narrative>?'8K O) / : The Discipleship Paradigm: Readers and Anonymous Characters in the Fourth Gospel (4)[>OE!* The Women in the Life of the Bridegroom: A Feminist Historical-Literary Analysis of the Female Characters in the Fourth Gospel $ OO
% Encountering Jesus: Character Studies in the Gospel of John E 4 W Imperfect Believers: Ambiguous Characters in the Gospel of JohnE O8 VW! A Glossary of Literary TermsO
[)E)QO?)'' ^ `< ^ }` ^ "`E 8' % Anatomy)O(
individual : } ; ; 6 ( ; $ _;
; 6 =OK?8)E4 ')'[?'K)>8OE } 3 $ öëùòüƿÏ öëùòüëǀ *3 ! ; 6
=)''=[ K')@8')=8'X'O=@)))O'X='[)>'K=')'>=)X)Q='K'>)Q=)@)XE =)[)K'K='['> )@'>=OKE [>E@>?>' 'Q !
V Personnages)Q[?'O 6 *3 = @XE)X )X % John')K =^(} we 6 % ; ` % Anatomy )'O=^('='8 6 6 6$6 6 * $ >QE='K@?>) OQ 6 % Discipleship)O ')@ } V&^Y / =W $}% ( V `PT'% John'@Q W\7 ^;6 + / ; ` New Readings in John: Literary and Theological Perspectives. Essays from the Scandinavian Conference on the Fourth Gospel in Aarhus 1997 ;7 4& ;47$4 4'K)=^$ ; âǀāòüïŦüï =E *3 OX( ; $ ; 6 ! O@
John>>?'QQ=^( ; 6 ; @OE'KX ; 6 e.g. O=)'@=8QX=O@O[8@ ; 6 X=8Q O[ 4 & Baptême[);% L’énigme du disciple que Jésus aimait>@EO)X?OQ % DiscipleshipOO
Chapter 2: The Disciples as a Group
)8
4 ; =^% >@E= )X[ & 6
; ^; 7 ; ` 7 6 John'='K8 7 6 } } ( 7 ; = ^ ( ` [)E * $ Miracle)OQ?OO
B. The Book of Signs: 1:19–12:50
OO
; 6 KXW 6 )='' *3 = $ ; 6E>Q '
} ; ^ `E )=)) ^ ` $5 )='[ )=)) 6 $ 4 6 5 * : )='[= $ < )=)) ')='XE } | ; 6 ? } 8( )=)) ; 6 } ^ 4 ; `>@$ >Q John'=''@ ; V!V ^$ $ ( =!( *3 6 7 ` Jesus in Johannine Tradition :$* $$ ; 8 VJohn[> >@ VJohn[>
B. The Book of Signs: 1:19–12:50
O@
6 # = )='[ & X>=> )=)) ; ^4 ` ^ ; ` 4 * } )='[ i.e. ; 6 5 :
)='[in light of)=)) >X$ 6 )='[ 6 )='[4 } ^4 ` )=)) & X> )='[>[ ^ ; ` )='> ( & X> % } ; 6 4 >K* ; 4 6 =^ will `$W >> * 5 $ ; 6^ ` i.e. 'QQ( 5 >X 4: W ^: 4 Y : ` The Art of Reading Scripture */ : W )?>O8> 4 )=)) ; 6 & X>=> _W ; 6 *3 ; 6
>K Y John'OK4 & X>=8 ;'@=)@ & X>=)' '>=)K?)>V )[=O88KV'@=OX Y)O=OX >> 4;W A Critical and Exegetical Commentary on the Gospel according to St. John) (%%) Y~~6 &4X>=> & Sociology of LightO>& =^! 'Q=OK |4 6 6 ` ''Q ! % Anatomy''X ''' $ } ^ ` '='O O='K 5 [KE='O>?@) 7* ^;)=)O?)@= \ * $ `PresbOQ ċ ƽûüïóõë 8=OK 3 6 8 ( ; already 'OX \ Missions 'K8 = ^$ '8=') } ; $ ; } ; ` 'O[ Y Symbolic K>?>Q 4
Chapter 2: The Disciples as a Group
8)
; 6 ; 4 4 `RTL)'E ^ `=OQ )Q=))`E 'KK * 4 4 Q$ } '>'; ^; 6`)*; >8E'K[?K>( 6 } *3 Discipleship'Q'?) *3 ^ } *3
`>[E '@[ ^ ; 6 3 6 |4 6 ; & 6 3 # `4/'O='?'' 'K=)' $
'>' W Fourth Gospel OOK = ^$ } `Pace John'O)?OO óûüïǂþïūÏ K=OQ óûüïǂþ K=O' K=OQ K=O'; 4 ^$V ï óûüïýôǁüëÏ ;KO'`BibX' ï óûüïýôǁüëÏ $ ; K=O' ^ ? ` '>) $ ; 6 3 ( ; ` ; 6 >>E
B. The Book of Signs: 1:19–12:50
@O
; K=OQ '>8 ( ; 6 K=O'O@?O@^ = " 5 " / " " "`'>@$ 6 ^ ` X=XQ ( > '>X 5 ; '>[$5 ^ ` ; =^: `=)E 5 ^ `'>K '>>; K=')=^ ` ^ ` =O>8'E$ 65 >=O 3 6 =^( 3 `)Q' ; =X?[E
6 =K?')E & )Q)* 6 '>8 4;W7^; ; =* & ;K)'?@>`BibXK@ / Saga''@4 Y Truth>Q '>X $ X=[Q '>[ 4 ; W ^4 Y ! 7 : ; > & (= & `ETLX>K8E=@[KK 5 } '>K ! / ^* " Y6" 5 6 # 5 `RTP'O'> $ ;
& < Y"/ Lecture)=OO8?O@ E ; 6 6 6 )QQ 4 ^& `K8 )Q' $ 4 ^& `K8 ; =O?@E ^
` )Q) * W ^4
` XO?[K
@8
Chapter 2: The Disciples as a Group
& =)[E)QO } =O8 Ġÿěìëõø÷E
; ^4 V `=O@?O>E$ ^ ` X?'Q@;Y4 ^4 / : Y =: Y % ;@ >`Semeia@O=OKV ''=)[E 6 ; 6 6 ''=[?')@8 'K=')$ *3 ; ; ` )Q@ VJohn)>' =^$ ; ` )QX VJohn)>'?>)/ Saga'8[ )Q[ * 5 : JohnOO8?O@ )QK $ \ Missions V ; 6 '[='K )Q> ;Y ] ^$4 *`Neot)=8=^ `$ ; 3 6
Chapter 2: The Disciples as a Group
@K
$ ; 'VJohnO[K?[>E e.gV Textual Commentary)Q8 $ Footwashing'>?)@$ V =^ ïūöĥüøŵÏ ǁîëÏ =O8
Chapter 2: The Disciples as a Group
XX
ôëùëúøǀ 5 % )X) W ; 6 'O='Q ; already )XO$ )X8 *3 6 )X@$ ŀõïõøýöƽ÷øÏ
; ! 'O=K ; } )XX$ $ )
C. The Book of Glory: 13:1–20:31
X[
} 4 6 =^( `; ; 6 >'E=)88 =^$ ; 6 QE= O[> ^ ;'O ; 6
6 ` ^ ; 6 6 'O`
C. The Book of Glory: 13:1–20:31
X>
( ; 6 '8=')[K } =^ 3 `)[>$ ; * 3 ; 3 vice versa)KQ ^ `)K'$ 6 3 ; )K) } ; } ; $ inclusion ^ ` '8=' )[ )KQ Y JohnOK> )K' 4 FarewellK) )K) VGloryO)?OO )KO Y JohnO>Q )K8 '8=X ( & La vérité dans Saint Jean) ! [O?[8 Q$ * Q Y JohnO>'?>)PaceVGloryO[ 6 ;
C. The Book of Glory: 13:1–20:31
['
5 };
'8=')?'8 ( ; )>' ; * )$ *
4 ; 6 ; ; 8; ! )>@ ^4 ` $ ; &
)>X! & ^ 3 6 `)>[$
>@E=OX?8@ 6 )>O Y JohnO>O ^$ ; 6 V ; 6 ` )>8 4 '8=)X'@=)X'X=[?'@ )>@ Y Truth''' Y JohnO>O?>8 ^! ` e.g.^ `^}` V *3 )>X 4: ^$& *3 `NTS'O> *; * $ *
} V } & OQQ ( & ^ ( `8@'' '8=)K '8=[ ïū Č÷ 5 } 4 Greek-
C. The Book of Glory: 13:1–20:31
[O
$ ^ ; # for Jesus * `OQ8 Y ; : ; $ ; 6 =^Y ; `OQ@ ( 'E='X) O)@ 6/ ^7 $ `'XOContra$ Farewell))' ^
; O))
C. The Book of Glory: 13:1–20:31
[[
; = & * |$ O)X
( ; )Q?)XE ; W 3 6 =^ `( ;
Y John8OX OOQ % Discipleship'O)?OO
Chapter 2: The Disciples as a Group
[K
( < E E ; % 3 OKK ! \ Missions'@>?XQ =^: ; W '='8'X }< Y Truth)Q?)'E OK[
% O
$* + \( / !& ! *3 6 &( ; &
*3 'W = &'O=)8'O=OX?OK'K='Q?'''K='@?'K)@?)[)Q=)?'Q )'=)?)) ) '=8)88'O=KO['K='''X)[@E K % Anatomy')Q > V Personnages8K &6 *3 ^Y6 6 " " `
>Q
Chapter 3: Key Individual Disciples
` !V ^Y 4 & 6" ; ` Raconter, interpréter, annoncer. Parcours de Nouveau Testament. Mélanges offerts à Daniel Marguerat pour son 60° anniversaire 4 _ 5 V 8[
\ John[[?[K )Q ! & Sociology of Light )X ^ `$ ; 4 &6
4 John[)) )' % Men and Women'X@ )) % John'@X
Chapter 3: Key Individual Disciples
>)
OQ Figures'XO O' $ % Men and Women'X> ; 6
^ 5 ` )8
A. Peter
>O
3. “Not my feet only, but also my hands and my head!” (13:6–11) (^ 3`& ( * ^ `O) ; /
A. Peter
>@
@K VJohn8K8
>K
Chapter 3: Key Individual Disciples
; * &6 ; ; @>! &6 5 7. “And at once the rooster crowed” (18:15–18, 25–27) $} & 5 &6 ; ; 6 &6 'O=OK! ; ! 6 =^! 6 ` [@ \ John@X) [X Cf. Y John8K> Figures'''?'O [[ V ^4 & `'>) [K $ W Fourth Gospel@8'=^ } `4 Figures''O?'X / & [> EastertimeXKK' KQ Y John8>' John)=>K[ JohnO)@
'Q)
Chapter 3: Key Individual Disciples
( & ; &6
& # / ; 6 $ ; 6 V V 6 &6 ^ `K' &6
; 6 } =^W # $ `K)$ &6 $ & 9. “Feed my lambs” (21:2–22) $ &6 6 *3 KO$
% JohnX[X=^ ; ` >Q $ ^% ` ; & ; E >' & ; ; [$ &6 >K 5 >O *% Men and Women'[X?[[ & } ^ # * 3 `*% & ^ ` )' contra % &6 ^ ` ! 6 6 >8 Y John@'K >@ : Strange'@@ >X Y John@'>?)Q >[ /*$ ^$ & ; }} 'QQ K'
'QK
Chapter 3: Key Individual Disciples
} ^ ` ; ^; 4 ( $ `$ X=X8
& ; ^$`'') $ ; 6 _ ; ^ `( X=X8['
'K=); 6 ''O & ^ ;6
`''8 $& ; 6 ; ''@ ^ $` } % ; ( } ; ''X; 6 } 6 ; 6 ''[(} ; 6 ^ ` 2. “He said this … because he was a thief” (12:4–8) ( ; V 6 ; } ( *3 ; := 4)QQ)E'OQ '') ! \ Apostasy'@8?@@ ; 6
^ ` *3 7 $
6 ^ ` ; 6 ''K ^; ( ')8 & JudasO8 ')@ YSymbolic'>Q ''>
''Q
Chapter 3: Key Individual Disciples
; 6 ')X; 6 ^ `')[; V 6 ; = ; 6 ')K; ; % >XE=88) =^; ; V 4 ` ')> *YSymbolic)'>V 6 ^ ` 'OQ $3} ^ ` VJohnO[K/5Évangile de Jean. Texte traduit et annoté% : )O' ! Y John@Q)=^! ; 6 5 )Q|$ 6 Y 7 $ ` '>) Resurrection>8 '>O 4 Resurrection>'?>K! && Heureux celui qui croit. Lecture de l’évangile de Jean ; $ } ( )Q='>?)O ; )Q=)8?)> )Q[
Y John@QO \ Symbolism[) =^ ; Y 6$ Y ` ; 3 6 ; ; 3 ` )Q> *: Strange'X8=^$ $ ` )'Q Discipleship)Q@ )'' 4 Discipleship)'@[O\ ^W `O8X Y^ * ` 8[?8KPacee.g. JohnXK[?>X ( ; 6 ''='@ )') \ Symbolism[)?[O )QK
C. Thomas
')[
$ 6
6 4. “By the sea of Tiberias” (21:1–2) * $ ; 6 $ ?)X )'@ : JohnO>O% Anatomy')8 )'X Pace % Anatomy')8=^: $ V V ; % ` )'8
')K
Chapter 3: Key Individual Disciples
( $ % Y 6 )'[( $ 6 6 ; 4 $ ^ " 5¡ # 6 {`)'K
/$ / $ / W )'>_ X _ 4 Selon Jean O ($ '[ $Narrative')8?)@ / 6 ^ ` )@Q Pace% Son of ZebedeeX) W John)='[O! #
^ ` ^ / `[KE=OKQ / ; W & & } )@) $ &4V ^$ / 3 ;=4% %# ` The Composition of John’s Gospel: Selected Studies from Novum Testamentum /> / & ^ ` < / E
D. The Beloved Disciple
'O@
" # 6 `)@O! / )@8 3. “Standing nearby” (19:25–27) ( } =)X = ; / )@[$ ; = =)@ * Jean (13–21))8K=^( 6 | "6 " " % ""6 Y 5 %
" 6 6 } } ` )@K 4 V!% ^Y 6 5 =;'> )@?OQ`ETR@K)?>> )X) Jean (13–21))@Q Y"/ =^$ };" 5 ` =)X?OQ Codex evangelii Johannei Templariorum=^W /6( * Y? { $ 6$ Y?{6$
4 ` < :;V The Complete Gospels: Annotated Scholars Version=)[ / ; ^ ` / =^ ;" " 6 "" `)X>( / ; ^ ` ( / ; =; ; ; ; & ; 6 ; 6
$ Y ^* 6 ; 6
6`[ 4 $ Imaginative Love in John (4)=O8E$ * =O8$ ('>=O@ =^W ? ? ` ^ `O'?O[`FZPhTh )O )[O Jean (13–21))@> )[8 4e.g. John)=>OXY"/ Lecture8='X@contra &4V ^/ + !; % 4 ` Die Mitte des Neuen Testaments: Einheit und Vielfalt neutestamentlicher Theologie: Festschrift für Eduard Schweizer zum siebzigsten Geburtstag +Y W
W 5
* / ; 6 =O)?OOcf. '>='KE $ ; 6 &
=O@ )[X 4Y Truth )[[ % / ^ ` Eyewitnesses OK8?8'' ; 6
)[K Y John)O )[> Y John8K)
'8Q
Chapter 3: Key Individual Disciples
V 5 ; 6 ( ; 6 ^ ` =O@E$ 5 ^ ` / ^ ` $ 5 '>=)@); OW ; 6 ; 6 )>8$ & } X 6/ / % ; )KK
4% Men and Women'K>?>Q Y John8>Q )>Q Cf.%$ Voir Jésus et le Père en Lui selon l’Évangile de Saint JeanO Cf 4 ^* ] ` >@?>[ ^ ` KK?K> * Jean (13–21))[))Q^Y# } = 5Y "" 6 6 6 5% ; 6 "" ` )>8 4 Jean (13–21))[) ^ "|( 6 % |( 5 """ % $ E 5 ` )>@ $ JohnXK8 & )>X ! } * 4Antidocetic'X?'[ ^( &( )=)) ')='X)Q=> / 4 $ 5 / ( /
=^$ `Pace ;&W Blood and Water: The Death and Resurrection of Jesus in John 18–21% V4)[
4 OQQ Y John8>' )>K
'88
Chapter 3: Key Individual Disciples
_ $ / ; & =)X?)[E $ / OQ' 5 5
; 6. “It is the Lord!” (21:7) ( / $ ; K@E )O)= ^$ = & %`4 ^& `@'?@) 4 * In Memory of Her: A Feminist Theological Reconstruction of Christian OriginsK[E= X8@ V Testimony))@?OO
'@8
Chapter 3: Key Individual Disciples
V V 6 ; O8@ ^ `V ^ ` $ V 6 O8X O8[W ^ ` ^$ ` O8K$ * & W 6 *3 ( ; ( 6O@Q ( {O@'$ ^ `
O@) O8@ *Y^ * `8'=^| 6 ; 6
` O8X V Études'OX?O[=^; " |Y V 6" " Y 56 ` O8[ 4; ^/V V V 6 5` Variations johanniques / 5%% !Y & " =OK''=O'))')[O)O8O>'O=X>)@ OXO['8=@K)) V V )Q='@ E OXO % Men and Women'K[ O@>
E. Mary Magdalene
'@[
; ! W OX8 3. “I have seen the Lord!” (20:11–18) $ V V ()Q='' V & 8 OK@ Y John8>O% Discipleship'@)?@O
'XQ
Chapter 3: Key Individual Disciples
( * * 3 3 `4 ; 6 * & ; 6 V
; Q! V ; 6^ `
; 6
Y * ^ `O>'
OKX * ; 4 % Men and Women'K[=^4
} V 6 ĽôǂúóøÏ `4 Y John8>8 ^$ ; } ? Y ?; 6 'O='O=_ $ Y ( 6` O>Q & ^* `O@ O>' V V '[ V]] ^V " " ~](( `FoiVie>Q4 4% Life Together: Family, Sexuality and Community in the New Testament and Today) O>O
Y^$ `''[ Gospel of Mary'[K
% 8
! / 6* +
7 & $ * 3 $
6 *3 $ 6
6 4
} ( 6 *W =^( } } }`OQV^$ constitute signify % } } }`O' $ ficelles W 6
Helper 3 6 ! / ^ ` ^ `O) % ^ 5
`OO$ } 6
6 6
(*3 }
)> W Character88 OQ W CharacterO' O' W Character O) >OE='[K?K@ O) / Character Building8[/ =^% # >@E=O@[ : Strange'[Q % 6 *3 6 ^anagnorisis motif `! } * *Code'X> + = OX Y Truth)>?OO'@>?X)4 !$Y ^$ & 7 *3 `JSNT@X
; < E ; 3 6 4 # * ; } = ^$ $ 6 ; # =OQE 3
; 6
6 ; 6 ?)O)8?)K)'='?)OE ; 4
$ ; 6 } / = ^* 4 `E7 6 ; 6
; 6 _ ; 6 4 >=)[?)K* Jean (13–21))'' 6/ = ^Y 5 "! " " Y6 Y6 "" W ;" 5 "" " ` @@ / ! % ^+ V * 3 ` TynBul OO ?OQE_ 6 O % Anatomy'X8?X@ KK 4 6/ Revelation'Q8?Q>4 ! UnderstandingO>[?>K } ; Q( ; '_ # ? $ `Q % Anatomy'X8% *3 ^# `; $ * Johannes'='O@?OX ^ ` ^ `* ^ ` ^ ` ^ `
$ *3 ; >OE=))Q?)8 'OX DiscipleshipOO 'O[ Discipleship'O[ 'OK * Discipleship 'Q'?[ ?8Q ; ^ ` $ & E ! $ = ^
& 6 ; ` '@@ / Character Building@>
B. Temporality
'>@
$ * 3 6 (
^ `}! ( 6 ; 6
; 6 Y ^ ` =^* on its own `X
Chapter 4: Narratological Perspective
* *3 ^$ 4 E 4 ; * } [} }OQ}}))E`$ ^ ; Y 3 [QE'[K?K)( & ^& 4; ` L’Évangile de Jean: Sources, rédaction, théologie V ; $Y88 '>'?>)=^$ ; $ ; ; (
; ; `Y ^ | % `'[Q 'XO
& Quest8'8=^* ; 6 `& & ; 6
$ Die Erhöhung und Verherrlichung Jesu im JohannesevangeliumO 7$!)'E')>E '[Q Y Christology')K?)>
'>K
Chapter 4: Narratological Perspective
* Y 4 [=O[?O>< *3 E '['V ; 6 ; 6 5 ; ; 6 '[) * *3 % 6
* & 4 * ; 6
4 ; 6
4 '[O$6 } * ; 6 ^ `^} ` '[8_ ; 6
=^$ 4 ; & 4 `'[@V '[XW '[[ 5 '[O *& Pneuma und Wort: Ein exegetischer Beitrag zur Pneumatologie des Johannesevangelium*$4'X>KEXQ?[@ '[@ $Holy Spirit[@ '[X % The Power of Saving Wisdom: An Investigation of Spirit and Wisdom in Relation to the Soteriology of the Fourth Gospel +7$)'8K@?)'O '[[ Cf Saving Wisdom )?'[ ! '=)> X=@''Q='@ )Q=)O # 43Y% ^$Y 3 !$ `TynBulO)[?'))\ Missions[X?K'V$^! / ; ;=4 * `EvQX)>
^ ?OQE ; * ^ ` 4 ^ 6
; * ` ; 6 'KQ 6 $ & * 3 < 5 E'K' $
; 5 ; $
'[K
Saving Wisdom'8) Saving Wisdom'88 'KQ Saving Wisdom'88
=^ 4 ; E ; 6
4 * 4 $ * 4 4 5 ?>8 'K8 % Anatomy)K=^ 6
` 'K@ +4^:] ;6 3 `WW)'Q ( } 6 6 ! ) ; V [4 & Y W ^: : = $ W 3
; 3 ;` Israel’s God and Rebecca’s Children, Christology and Community in Early Judaism and Christianity: Essays in Honor of Larry W. Hurtado and Alan F. Segal / % !//% W\ Y TruthO8 '>Q Y TruthO@ '>' & ^* `8> )( 5 5 * 3 6 6 ; 6 6 '>O $ V
_
5 * 3
^ `'>8(} 6 } 3. Retrospection and Order ! 3 * = ! 3 * |W } * X } ^ # }`'>[ *3 $ *3 '>) John'='Q' =^| ; ; 64
O> ;
'' ; ` '>O $NarrativeOX 5 ; '>8 * e.g.! Understanding8)@?O8Y TruthO@8?>[! Y >4 =^ * #} * 6 `)QQ $ K
Temporal'8X Temporal'@'% 5 * ; )QQ Temporal'X)?XO )Q' $NarrativeO8 )Q) $ } 5 )QO 3Figure III[[?')' '>>
)Q8
Chapter 4: Narratological Perspective
^ ` ^ `)Q8* = 6 6" 6 6 "" 6 "" 6 56 } 5" " 56 6 " )Q@
*3^ ` ^ ` ^ ` 3 ^" ` ^ ` )QX ^ ` # ^ ` # ! ?8Q *3 ^ ` ^ 5 ` '8 \ Maverick>Q?>) 6 5 _ *3 * ^ ` W
Johannine Faith and Understanding
))O
# `'@ 6 6
^ ` *3
(
K[E)'QE 'K John')K)8X[?XK Faith'[8 ; 6 *3 * Y * ; \ The Testament of Jesus: A Study of the Gospel of John in the Light of Chapter 17 3\ K>E)K>?>'} *3 4 % ^\ `8[O?KQ ;^ ` 8K'?K[* ; *Eschatologie1–3 )Q 4 Faith'X@?KO>Q ! 4^& ; *3 `(Studia Evangelica IV: Papers Presented to the Third International Congress on New Testament Studies held at Christ Church, Oxford, 1965 *Y% O?[ =! ] '>XK ! ;7L’art de raconter Jésus Christ.& / & =4 '>K> !:The Art of Biblical Narrative.7_7_= '>K' ! The Poetics.$ W* Y%Y% V!=W + & '>@O ! ;Understanding the Fourth Gospel.} =} + & '>>O VNarratology. Introduction To the Theory of Narrative.$=+ $ & '>>8 /V‘I Am’ in John’s Gospel. Literary Function, Background and Theological Implications.;47$4 ')84 =4 ! & '>>X 4Narrative Art in the Bible. Y4'[4 =! '>K> V^Y 4 ; `BVCK) [K /Y^;'O=)'?OQ`Int8O8 =$
$ % '>>K ? Life Together: Family, Sexuality and Community in the New Testament and Today. 7_7_=$
$% )QQ' !^$* V ;6 3 =!7 ! `+ &/$ ! =+ ! )QQQ :^$ / ( !`JSNT8>>> * / *! * 3 Greek-English Lexicon of the New Testament and Other Early Christian Literature. O % = + % & )QQQ
)O)
Bibliography
V 3:John. %OX $~= '>K[ ; ^/ V V V 6 5` ( Variations johanniques / 5%% !Y '@[?[O& " & =% %:($'>K> /:^$7 * ! *3 % `SemeiaXOK' VVWomen and Men in the Fourth Gospel. A Genuine Discipleship of Equals.;4 7$4 )8)4 =4 ! & )QQO %Encountering Jesus: Character Studies in the Gospel of JohnV \ % 4 %W =& )QQ> ?^$3 4 ;6 3 ? 7& `EvQ[8KO ;WA Critical and Exegetical Commentary on the Gospel according to St. John.) (%% =$
$% '>@O V*Oeuvres de Saint Augustin 72: Homélies sur l’Evangile de Saint Jean XVII– XXXIII. !& =/ " '>[[ "3^Y6 6 ; [O[?O>`RTL)'K[ ; Peter in the Gospel of John: The Making of an Authentic Disciple.! )[ ! 3!=4 Y)QQ[ _VDes signes pour croire? Une lecture de l’évangile de Jean.Y 'QX & =% '>>@ ;Krisis: Untersuchungen zur johanneischen Christologie und Eschatologie.*
=Y ] '>X8 5 *Le premier jour. Études sur Jean 20.Y/'8X& =% '>>' YThe First Easter Morning: The Gospel Accounts of the Women’s Visit to the Tomb of Jesus.! 8@:= ( & '>[Q VDu baptême à Cana (Jean 1:19–2:11).Y/'K& =% '>@X ?^: 6" ; `ETL@K@@ %The Rhetoric of Fiction.) % (Y=+ % & '>KO ?The Company We Keep: An Ethics of Fiction. %!Y ! %!Y =+ % & '>KK YLe quatrième évangile. Introduction à l’évangile de Jean, traduction et commentaire. ]%X$ & =% V '>@@ *^Y V V `NTSOQ>XE=)Q@?)O *VLa mère des fidèles: esssai de théologie johannique.%!:$ =% '>@O
Bibliography
)OO
?Jean le théologien.O & =3 '>@>?[) $YThe Gospel according to John: A Literary and Theological Commentary.} 7_7_=} + & '>>O &Reading for the Plot.} =% '>K8 % The New International Dictionary of New Testament Theology.3 : V(= '>[X :^$& *3 `NTS'OXX '>[Q ?The Community of the Beloved Disciple: The Life, Loves, and Hates of an Individual Church in the New Testament.7_7_V 7;=& & '>[> ?A Risen Christ in Eastertime: Essays on the Gospel Narratives of the Resurrection.% V7=$Y & '>>Q ?The Death of the Messiah, From Gethsemane to the Grave: A Commentary on the Passion Narratives in the Four Gospels.) 7_7_Y $4 ! = / '>>8 :\&/ ;W&: Peter in the New Testament: A Collaborative Assessment by Protestant and Roman Catholic Scholars. V V7= ! '>[O **The Gospel of John. Introduction, Exposition and Notes.3 : V(= '>KO :Theology of the New Testament.) $ \37_7_= 4 '>@''>@@ ? ^ óûüïǂþ` ( Theological Dictionary of the New Testament 3 \ 3 * 'Q $ 3 '[8?))K3 : V(= '>X8?[X ?Faith and Understanding.$ Y&4 7_7_=W
:'>X> ?The Gospel of John: A Commentary.$ 3: V } = '>[' 3 V The Anointed Community: The Holy Spirit in the Johannine Tradition. 3 : = '>K[ * ^% : % % 3 `SemeiaXOK@E= KO?>[ % % % ^$ \ 3 ; 4 = : & ` ( John and the Synoptics ! / } 8[O?KQ $Y 'Q' Y=Y+ & '>>) ?^$\ 3 =% / ; 4 ` (Jesus in Johannine Tradition :$* $$ ')@?O8Y \_Y Y = ;\})QQ' % 3Y^$Y 3 !$ `TynBulO)[?')) % /!Divine Sovereignty and Human Responsibility: Biblical Perspectives in Tension. 7*$Y! 3!=;\}'>K': := 4)QQ) ?^+ V *3 `TynBulOO>QE=O@?@K
)O8
Bibliography
% :;Four Times Peter: Portrayals of Peter in the Four Gospels and at Philippi.( % V7=Y & )QQ[ % ;WThe Beloved Disciple: Whose Witness Validates the Gospel of John.] *&!=$ '>>@ % 4 Story and Discourse: Narrative Structure in Fiction and Film. ( Y = %+ & '>[K % :V^ / )@?OQ`ETR @KK@E=)K?O@ % %^$: ;)'=/ : : `(New Currents in John: A Global Perspective * Y ; $$ @@?XK 4 Y: 4@8! 3!=4 Y)QQX % :*^$: * *3 `DRev>8>Q ? ^* ; / =! ; % ` Int 8> % %VMen and Women in the Fourth Gospel. Gender and Johannine Characterization.4 Y/4'X[! 3!=4 Y'>>> ?^4 $! =V % *3 `BibInt'QX[E=[@?KX % La chaîne des témoins selon l’évangile de Jean: De Jean-Baptiste au disciple bien-aimé.Y '8)& =% )QQ@ %*&^$7 % =!* ! `ExpTim>XXX % ;/^(( =!4 ! ;X`Semeia)X@) ?Early Christian Worship.$ !4$ ; $ Y =4%V'>@O % :!Anatomy of the Fourth Gospel: A Study in Literary Design.& &!= * '>KO ?^$; W =!: ;'O`Semeia@O>8 ?^$& ;6 4 ; `Int8>>) !The Gospel of Mary: Beyond a Gnostic and a Biblical Mary Magdalene.;47$ 4 )XQY 7_7_=$
$% )QQ8 ;VJesus, Stranger from Heaven and Son of God: Jesus Christ and the Christians in Johannine Perspective.$ ;44 Y4 4''V V$=4 & '>[[ ?^$: *3 4 =4 4 `(John and the Synoptics !/ } 8K'?K[ $Y'Q'Y =Y+ & '>>) & (^& 4; `(L’Évangile de Jean: Sources, rédaction, théologie V ; $Y883}Y=;/Y+ & '>[@ ?La vérité dans Saint Jean.) ! [O?[8:= ( & '>[[ ?^3 6 ;)Q`NTSOQKX ?^Y" 5 = 5;" `BibX[XKE / !^Y # 5 `NRThK'>@E=)XX?K8 / !Die Gegenwart des Erhöhten. Eine exegetische Studie zu den johanneischen Abschiedsreden (Joh 13,31–16,33) unter besonderer Berücksichtigung ihres Relecture-Charakters.*:Y!7$'X>3 =]
: '>>@ ?^* " Y6" 5 6 # 5 `RTP'O' > / %^Y " `(Et vous, qui dites-vous que je suis? La gestion des personnages dans les récits bibliques &Y" V$ ''?@'4 'XV" & =V" )QQX /$Reading (Absent) Character: Towards a Theory of Characterization in Fiction. } =% '>KO / %WThe Interpretation of the Fourth Gospel.% =% + & '>@O / :^$% & ;X=X>`TynBul88 >QE=OX[?K> ? ^& ; / * / ` Neot )@ [Q ?^$ / 6* ;'O='?)Q`ZNWX'K>
)OX
Bibliography
?Christianity in the Making, volume 1: Jesus Remembered.3 : V(% = )QQO : ^$% ; * `(Jesus of Nazareth: Lord and Christ. Essays on the Historical Jesus and New Testament Christology ; 3 V$ OX[?KO3 : V(% = & '>>8 Y^; 3 =$ % 3 ;`JSNT[[)Y V!= )QQK %! ^; 6! $ = % & / ` CBQ @' [[ *3/^$} V ;)Q)Q?O'`(The Four Gospels 1992: Festschrift Frans Neirynck *] 4%$3] ;] O O=)'>O?))Q@ $Y'QQY=Y+ & '>>) * !The Women in the Life of the Bridegroom: A Feminist Historical-Literary Analysis of the Female Characters in the Fourth Gospel.% V7=Y & '>>K * ;$The Word of the Cross: Salvation as Revelation in the Fourth Gospel.! @[ := ( & '>[8 * VAspects of the Novel.4 / %!7_7_Y =W ( '>@@ * :$^*% 4 =!: % 4 4 *3 `Int)[>' *;Die johanneische Eschatologie. Vol. 1: Ihre Probleme im Spiegel der Forschung seit Reimarus. +7$>X$ =V4 '>>[ ?Die johanneische Eschatologie. Vol. 2: Das Johanneische Zeitverständnis. +7$''Q$ =V4 '>>K ? Die johanneische Eschatologie. Vol. 3: Die eschatologische Verkündigung in den johanneischen Texten. +7$''[$ =V4 )QQQ ?^ ; % `(Theology and Christology in the Fourth Gospel 3] ;3 &;V 8[?K) $Y'K8Y= Y+ & & )QQ@ * 7^* &`(The Theory of the Novel &4 '8@?XX 7_7_=$*& '>X[ *7The Great Code: The Bible in Literature.7_7_=W ; '>K) 3 ;^ \ *3 `TS)XXQE='O'?@8 3;;^$: / $`TZO[OK8 W :^!% : =Y *3 ! `(Characterization in the Gospels. Reconceiving Narrative Criticism /: \ 4 ))O?XO;47$4 4'K84 =4 ! & '>>> W 3^$3 ; Y `(New Readings in John: Literary and Theological Perspectives. Essays from the Scandinavian Conference on the Fourth Gospel in Aarhus 1997 ;7 4& O'?8X;47$4 4'K)4 = 4 ! & '>>> W 4Moses as a Character in the Fourth Gospel. A Study of Ancient Reading Techniques.;47$4 ))>4 =4 ! & )QQ) ?^+/ $ =: 4 ! `PRStOO[[E='O@?@Q W 3*^$% * *3 `BSac''XK' ?Blood and Water: The Death and Resurrection of Jesus in John 18–21.% V4)[
/%=% ! ! '>>@ W & Faith and Understanding. : : = + & '>>[ W 4 Christology and Discipleship in the Gospel of Mark.47$4V4'O@% =% + & )QQX WV^V V * `(Abraham unser Vater: Juden und Christen im Gespräch über die Bibel. Festschrift für Otto Michel zum 60 VW &4 )8O?@X!3;+@Y = '>XO W V:^$ W =/ ; $ `(Patterns of Discipleship in the New Testament :7Y [[?>[VV7$4 3 : V(= '>>X W Character in Literature.( 7_Y =%+ & '>K@ W %^&& 3 ;& )=+ ?; )=)O?)@`BSac'O@?@)
)OK
Bibliography
W ; ^4 Y !7 : ;>& (= & `ETLX>>) W &VJesus as the Fulfillment of the Temple in the Gospel of John.& VV \ 3!=& )QQX W %The Fourth Gospel.: Y =* * '>8[ W ;V^$4
V % 3 ;`BSac'XOO'E=OK@?8)' W Y ^: : =$W 3
; 3 ;` ( Israel’s God and Rebecca’s Children, Christology and Community in Early Judaism and Christianity: Essays in Honor of Larry W. Hurtado and Alan F. Segal / % !//% W\ '>@?)'O $~= + & )QQK W4Imperfect Believers: Ambiguous Characters in the Gospel of JohnY \_= ;\)QQ> ( _^] 6?! 3 ; `AJBI>[K ; WV^! 4 : % $ ( ! ( 3 ;^JTS@QXKE=@[?X> \ The Testament of Jesus: A Study of the Gospel of John in the Light of Chapter 17. $ 3\ Y =4%V'>XK \ W^$ `Semeia@)X[ \ &!^;'>)@?)[ Y ; $ $ `Anton O@[8E=OXK?KK Y/!The Symbolic Narratives of the Fourth Gospel: The Interplay of Form and Meaning. ;47$4 >@4 =4 ! & '>>8 ?^& * =$: V V $ ;)Q`JSNT @KK@E=8>O?@QO Y"/ ~^Y ;" ; `(Les miracles de Jésus selon le Nouveau Testament ~Y"/ )X>?KX& =4 '>[[ ?Lecture de l’évangile selon Jean.8 & =4 '>KK?'>>X YWRätsel und Missverständnis; ein Beitrag zur Formgeschichte des Johannesevangeliums. OQ =&W '>XK Y" & V$ Et vous, qui dites-vous que je suis? La gestion des personnages dans les récits bibliques.4 'XV" & =V" )QQX Y" 4 %Anthropologie structurale.& =&'>@K Y :WSt. John’s Gospel: A Commentary.} =} + & '>XO Y !$^$ & 7 *3 `JSNT@XX'E='8)?8[ ?The Gospel of John.7% 3 : V(= '>K' Y :3The Christology of the Fourth Gospel: Structure and Issues. $)O* =] &Y '>K> ?^;'=@Q?@' 3 $ 6 ; % `(Anfänge der Christologie: Festschrift für Ferdinand Hahn zum 65. Geburtstag % W& )@@?[83 =]
: '>>' Y ^V *3 `(What About the New Testament? V W %W X8?[@Y =4%V'>[@ V :3Her Testimony Is True. Women as Witnesses according to John.;47$4 ')@ 4 =4 ! & '>>X V 4 ^$} %} = ( / V ` Semeia X) >O V !^Y 4 & 6" ; `(Raconter, interpréter, annoncer. Parcours de Nouveau Testament. Mélanges offerts à Daniel Marguerat pour son 60° anniversaire 4 _ 5 'KO?>8V 8[3=Y * )QQO ?Les personnages dans l’évangile de Jean: miroir pour une christologie narrative.Y 'O>& =% )QQ8 V /^Y6}" 56 `(La Bible en récits: L’exégèse biblique à l’heure du lecteur /V 'O?8QV 8K3=Y * )QQO V / _ 5 Pour lire les récits bibliques. Initiation à l’analyse narrative. O & 3=% Y * )QQ8 V (WNew Testament Theology: Many Witnesses, One Witness./ 3(Y 7 =(] & ! )QQ8 V ;YHistory and Theology in the Fourth Gospel.O 7$YY \_Y = ;\})QQO V *;^;)Q='?'K`Int8OK8E=@O'?8K V3 ! Doubting: Growing Through the Uncertainties of Faith. ) / 3(Y=(] & )QQX VW;The Mother of Jesus in the New Testament.Y =/ Y
$ '>[@ V !W^$ìëûóõóôļÏ ;88X?@O`JSNT)O>8 V :; The Complete Gospels: Annotated Scholars Version.4 %!=& & '>>) V &4^ /6\ 6;)Q=)`IntOQ ?^/ + !; % 4 `(Die Mitte des Neuen Testaments: Einheit und Vielfalt neutestamentlicher Theologie: Festschrift für Eduard Schweizer zum siebzigsten
Bibliography
)8'
Geburtstag +Y W 'X)?[@3 =]
: '>KO ?^$ / 3 ;=4% %# `(The Composition of John’s Gospel: Selected Studies from Novum Testamentum / K@?>KY = '>>> V 3The Christocentric Literary Structure of the Fourth Gospel.! ''[:= &
( '>K[ V: Y^W% \$!4 ;[='8?'K`(The Art of Reading Scripture */ : W )O>?@[3 : V( % = )QQO V /Études johanniques.& /'>& =4 '>[> V*;^*% % [KE=K'[?8O ?^;)Q=!;% `ACR@>>'E=)O[?@X ?Belief in the Word: Reading the Fourth Gospel, John 1–4.V V7=* '>>O ?^$* V V !7 ! ;'''[?8Q`Bib[@O ?Glory not Dishonor: Reading John 13–21.V V7=* '>>K ?The Gospel of John.4&8% V7=Y & '>>K ?^% !: ;'''?')K`NTS8>>@ ?Reflections on the Gospel of John.& V!=W )QQQ V 3 Doubting Thomas.% V!Y =W + & )QQ@ V4Your Father the Devil? A New Approach to John and ‘the Jews’.& V% = & '>>[ V%*/^!7+ * $6 ;'=8K@Q`JTS@>QE=@?O[ 7 YThe Light Has Come: An Exposition of the Fourth Gospel.3 : V( = W & '>K) 7;W^$; ! ;'=@'`CBQ88`BibXK[) 7 W\^;6 + / ; `(New Readings in John: Literary and Theological Perspectives. Essays from the Scandinavian Conference on the Fourth Gospel in Aarhus 1997 ;7 4& )O)?@8;47$4 4'K) 4 =4 ! & '>>> 6 \ 4 ^ $ _ V = ; )Q 7 : ` CBQ X[ >@ 4VChrist Without Myth: A Study Based on the Theology of Rudolf Bultmann.7 _7_=W
'>X' $The Johannine Approach to Mission: A Contextual Study of John 4:1–42. +7$ )O'$ =V4 '>KK Commentary on the Gospel according to John.'Q $ :W $ * %K' /%=% + & ! '>K> & \Judas: Images of the Lost Disciple.Y \_= ;\} )QQ' & ; ^ * 3 ;` ( Reconciliation and Hope: New Testament Essays on Atonement and Eschatology Presented to L. L. Morris on his 60th Birthday :; OX?@)}=& '>[8 ?Theology as Hermeneutics: Rudolf Bultmann’s Interpretation of the History of Jesus.W$( 44 =4 ! & '>K[ ?^$ ( ;X`NTSO@>O & V^$*3 6 / `ExpTim>8[@ & 3Y^7Y 6>QE=''?O' & VV^7 4 =% V / ` BTB'[[K ?The Gospel of John and the Sociology of Light. Language and Characterization in the Fourth Gospel.] *&!=$ & ( '>>O & ;Reading People, Reading Plots: Character, Progression, and the Interpretation of Narrative.% (YY =+ % & '>K> & $^$: Y >Q & &Heureux celui qui croit. Lecture de l’évangile de Jean.Y= " )QQX & ]Morphologie du conte.% & & =4 '>[Q &; ^; ( *3 ;'''`NovTO)K> : /Overcoming the World: Politics and Community in the Gospel of John.Y = 4&%\'>K> : ;YThe Strange Gospel: Narrative Design and Point of View in John. (4@X Y V!= )QQ' ?Narrative Criticism of the New Testament: An Introduction.3 : V(= ! )QQ@ : / /V Mark as Story: An Introduction to the Narrative of a Gospel.& &!=* '>K) : / \ 4 Characterization in the Gospels: Reconceiving Narrative Criticism.;47$4 'K84 =4 ! & '>>> : & Interpretation Theory: Discourse and the Surplus of Meaning. * $~= $} % + & '>[X ?Temps et récit. Tome I: L’intrigue et le récit historique.& & =4 '>KO ?Temps et récit. Tome II: La configuration dans le récit de fiction.& & =4 '>K8 ?Temps et récit. Tome III: Le temps raconté.& & =4 '>K@ ?Du texte à l’action. Essais d’herméneutique.& =4 '>KX : W7The Gospel of John: A Theological Commentary.$ ;] 3 : V(= '>>[ : ;!$The Roots of a Radical.7_7_=% '>K' : 4Maria von Magdalena im Johannesevangelium. Jüngerin-Zeugin-Lebensbotin. 7$!8QV =! )QQ) 4 &Jesus and Judaism.Y & &!=4%V* '>K@ 4Y^; 4 $6 (4))Y 7_7_\= '>>[ 4 !Der Glaube in Neuen Testament.4 =% ] '>)[ 4 :The Gospel according to John.O $ \4W$\7$ (]'?OY 7_7_=
% '>XK?'>K) 4 4V^$* ] =!; 4 KOE=>8?>[ ?Written That You May Believe: Encountering Jesus in the Fourth Gospel.) 7_ 7_=% )QQO 4+Antidocetic Christology in the Gospel of John: An Investigation of the Place of the Fourth Gospel in the Johannine School.V V7=* '>>) ?Das Evangelium nach Johannes.$W\7$8Y = ] '>>K ?^:] ;6 3 `WW)'XX 4 \ In Ihm Sein und Bleiben: Die Sprache des Immanenz in den johanneischen Schriften.W 4)'* =W '>>> 4 W^; ;'>)X)[ `(Ursprung und Gestalt: Erörterungen und Besinnungen zum Neuen Testament W4 'O?)K/ = & '>[Q
)88
Bibliography
4 * In Memory of Her: A Feminist Theological Reconstruction of Christian Origins.7_7_=% '>KO 4 **^& (Y _V& (3 _6=/ * 3 `(Discipleship in the New Testament **4 [X?'Q8& &!=* '>K@ ?The Farewell of the Word: The Johannine Call to Abide.V V7=* '>>' ?^$* * ; =!: ;)Q=OQ?)'=)@`Semeia@O>'E= )O?@8 4%^} =* : `JBL''X>?))[ 4 &^Y ) ; )Q''?')`ETRX[Q:= ( & '>K' ?Selon Jean.O ($'[ } = 6( 6 $" 5 '>>[ 4 ;Y“Our Fathers Have Told Us.” An Introduction to the Analysis of Hebrew Narratives. 4 'O:= &
( '>>Q 4 4John: Evangelist and Interpreter.% =& '>[K 4 /V^; 4 `WW)'KK ?^4 / : Y =: % ;@ >`Semeia@O>O ?The Gospel of John as Literature: An Anthology of Twentieth-Century Perspectives.7$$4 '[Y 7_= '>>O ? ^! $ ] = ; '''?88 7 % & ` NTS 8Q [XE=>[? ')' $ :%The Narrative-Unity of Luke–Acts: A Literary Interpretation.) * * & &!=* '>KX?>Q ?^ 4 W3 6`Semeia@)) $V%^$ 3 ;& (]=$3 `BSac'O) >Y \_= ;\})QQ' ?Why John Wrote a Gospel? Jesus-Memory-History.Y \_= ;\} )QQX $ $ 4/V Anatomies of Narrative Criticism: The Past, Present, and Future of the Fourth Gospel as Literature.4 Y: 4@@! 3!=4 Y )QQK $ }:^: : : % `SemeiaXO>' $ VVThe Humanity of Jesus in the Fourth Gospel.& &!=* '>KK ?^ Y 3 ;`ExAud@>OE='[[?)Q8 ? ^W : W 76= ; * W / ` ( The Art of Reading Scripture */ : W )@K?[O3 : V( % = )QQO ?^$ Y =;)Q=))?)OV`(The Holy Spirit and Christian Origins. Essays in Honor of James D. G. Dunn 374 Y 4 % X>?[K3 : V(% = )QQ8 $ The Jesus Debate.7_7_=& & '>K@ $ Die Erhöhung und Verherrlichung Jesu im Johannesevangelium.O 7$! )'V =! '>[> $ /*Jesus’ Farewell To the Disciples: John 13:1–17:26 in Narratological Perspective. (4')Y 7_7_\= '>>@ ?^$% 3 *3 `JSNTX>>[ $ %Voir Jésus et le Père en Lui selon l’Évangile de Saint Jean.:=Y 6+ 3 '>X[ $V^! / ; ;=4 * `EvQX)>> V/3^$ $ + ; / `Neot O'>O ] ! ^7 6 5 " ` NRTh KX O'?O[`FZPhTh)O>'E=OO?8) ] :Personaggi del Quarto Vangelo, fidure della fede in San Giovanni.V =3 '>>8 +%^$ ; ;@=O'?8Q *3 ` CBQ8OK8E=@[@?K8 ] *Le cadre historique et l’intention théologique de Jean. :O& = '>[[ Y^* " " 4 ; `$ & =( % 5 & '>[@ ?L’incroyance des croyants selon saint Jean.Y 8O& =% '>[X /The Literary Devices in John’s Gospel. =* : \ '>[Q *The Gospel according to St. John. The Authorized Version with Introduction and Notes.3 : V(= '>K' $Peter in the Gospels: Pattern, Personality, and Relationship. +7$)')[$ =V4 )QQQ :Resurrection: Interpreting the Easter Gospel.) Y =/ Y
$ )QQ) :^$ % =% Y $`CI[KKE= 'Q8?)Q John’s Wisdom: A Commentary on the Fourth Gospel.Y \_= ;\}'>>@ Y$^44
; * ;X'?)'`JSNT8Q>'E=''O?O) VBiblical Greek Illustrated by Examples.:=&
( '>XO ;^Y6" # 5= " `(Miettes exégétiques )O[?@)V )@3=Y * '>>' ?^V" 6" ; `(La mémoire et le temps. Mélanges offerts à Pierre Bonnard 4! & /V ; '@O?[QV )O3=Y * '>>' ?Miettes exégétiques.V )@3=Y * '>>' ?L’apprentissage de la foi. À la découverte de l’évangile de Jean et de ses lecteurs.& 3 =V '>>O ?^Y " # 5`ETR[O '=8Q '=8Q8) '=8' '=8) '=8)8@ '=8@ '=8[@' '=8> '=8>@' '=@Q )=''' )='') )=) )=8 )=@ )=['Q
)@Q )='' )=') )='O'X )='O)' )='[ )='K )='> )='>)) )=)Q )=))
)=)O )=)O)@ )=)8 O=' O=') O=')' O=) O=@ O='Q O='' O=') O='8 O='8'K O='X'> O='X)' O='K)' O='> O='>)' O=)) O=))OX O=OQ O=O'OX O=O@OX O=OX 8=' 8=') 8='O 8=) 8=8X 8=88) 8=K 8=> 8='Q'@ 8=)) 8=)O 8=)[ 8=)>
Index of Sources
8=O' 8=O'O8 8=O'OK 8=O) 8=O)O8 8=OO 8=O8 8=O8OK 8=O@ 8=O@OK 8=OX 8=OK 8=O>8) 8=8Q 8=8@ 8=8[ 8=8K 8=8>@8 8=@8 @=' @='8[ @=)'[ @=X> @='X'K @='K @='K8[ @=)')X @=)8 @=)8)@ @=)@ @=)X)[ @=)K)> @=OX @=O[ X=''@ X=) X=O X=@> X=[ X=> X='Q X='Q'O X='Q'8 X=')'O X='8'@ X='@ X='> X='>)' X=)' X=))@>
Index of Sources X=)O X=)8 X=)X X=)X)[ X=)[ X=O' X=O@ X=O@@> X=O[ X=O[O> X=OKO> X=O>8Q X=8Q X=8' X=8) X=8[ X=@) X=@O@X X=XQ X=XQX' X=XQXX X=XQ[' X=X' X=XO X=X8 X=X@ X=XX X=XXX[ X=XXX> X=X[ X=X[X> X=XK X=XKO> X=XKX> X=X> X=[Q X=[Q[' X=[' [ [=' [=O [=8 [=@ [=X [='Q [=') [='8 [='@ [=)Q
[=)@)[ [=OQ [=O[O> [=O> [=8O@) [=@Q [=@Q@' K=') K='))> K=)Q K=)O K=)8 K=)[ K=)K K=OQ K=OQO) K=O' K=O)@K K=O@ K=OK K=@' K=@> >='OK >=) >=)8 >=O >=8 >=8@ >=X[ >=> >=') >='OO8 >=)) >=)[ >=)KO8 >=O' >=O8 >=O> >=O>8' >=8) 'Q=' 'Q=''K 'Q='OK 'Q=O8 'Q=8 'Q=@ 'Q=X 'Q=[ 'Q='' 'Q='@
)@'
)@) 'Q=)' 'Q=))O> 'Q=)@ 'Q=)X 'Q=)K 'Q=OQ 'Q=O' 'Q=OK 'Q=O> 'Q=8Q ''='O ''=) ''=O ''=8 ''=[ ''=K ''=> ''='' ''='''X ''=') ''='O ''='8 ''='@ ''='X ''=)O)[ ''=)@ ''=)@)X ''=O[ ''=8) ''=88 ''=8@ ''=8X ''=8K ''=8>@Q ''=@O ''=@8 ')=' ')=) ')=8 ')=@ ')=X ')=[ ')=[K ')=> ')='Q ')='' ')=') ')=')'@ ')='8
Index of Sources
')='X
')='K ')=)) ')=)O ')=)X ')=)[OX ')=O' ')=O) ')=O[ ')=8) ')=8)8O ')=8@ ')=8X ')=8K ')=8>@Q 'O=' 'O='@ 'O=')Q 'O=) 'O=O 'O=@ 'O=X 'O=X> 'O=X'' 'O=[ 'O=K 'O=> 'O='Q 'O='' 'O=')'[ 'O='@ 'O='X 'O='[ 'O='K 'O='K'> 'O='> 'O=)Q 'O=)' 'O=)')) 'O=)')X 'O=)'OQ 'O=)) 'O=)O 'O=)8 'O=)8)X 'O=)X 'O=)[
Index of Sources 'O=)K 'O=)K)> 'O=OQ 'O=O' 'O=OO 'O=O8 'O=O@ 'O=OX 'O=OXOK 'O=OXO> 'O=O[ 'O=OK '8=' '8='O '8=)O '8=8X '8=8[ '8=@ '8=X '8=X[ '8=[ '8=K '8=> '8='Q '8='Q'' '8=') '8=')'8 '8='@ '8='@'[ '8='X '8='[ '8='K '8='K)Q '8='> '8='>)Q '8=)Q '8=)' '8=)) '8=)@ '8=)X '8=)[ '8=)K '8=)> '8=OQ '@=''[ '@=O '@=K '@=> '@='@ '@='X
'@='X'[ '@='K'> '@='K)[ '@='> '@=)X)[ 'X='O 'X='8 'X='8 'X=) 'X=8 'X=K 'X='O 'X='O'8 'X='O'@ 'X='8 'X='X 'X='X'> 'X='[ 'X='['K 'X='> 'X=)Q 'X=)) 'X=)O 'X=)O 'X=)@ 'X=)X)[ 'X=)[ 'X=)>OQ 'X=)>OO 'X=OQ 'X=O' 'X=O) 'X=OO '[=' '[='@ '[=')X '[=O '[=@ '[=X '[=XK '[=X'> '[=X)X '[=[K '[=K '[='' '[=') '[='8 '[='@ '[='[ '[='K
)@O
)@8 '[=)Q 'K=' 'K='@ 'K=''' 'K=) 'K=)@ 'K=O 'K=8 'K=@ 'K=K> 'K=> 'K='Q 'K='' 'K='))[ 'K='O 'K='@ 'K='@'X 'K='@'K 'K='@)[ 'K='X 'K='[ 'K='K 'K='K 'K='> 'K='>)8 'K=)Q 'K=)@ 'K=)X)[ 'K=OXO[ 'K=O[ '>='K '>=)@ '>=)@)[ '>=)@ '>=)X '>=)X)[ '>=)[ '>=)[ '>=OQ '>=O'O8 '>=O8 '>=O@ '>=O@O[ '>=OXO[ '>=O[ '>=OK '>=OK8) )Q=' )Q=')
Index of Sources
)Q=''Q )Q=) )Q=)K )Q=)> )Q=)'Q )Q=) )Q=8 )Q=@ )Q=X )Q=X[ )Q=K )Q=K> )Q=> )Q='Q )Q='' )Q='''K )Q='' )Q=') )Q=')'O )Q='O )Q='8 )Q='8'@ )Q='@ )Q='X )Q='[ )Q='K )Q='> )Q='>)O )Q='>)K )Q='>)> )Q=)Q )Q=)' )Q=)')) )Q=)')O )Q=)) )Q=)O )Q=)8 )Q=)8)@ )Q=)8)> )Q=)@ )Q=)X )Q=)X)> )Q=)[ )Q=)K )Q=)> )Q=)> )Q=OQO' )Q=O'
Index of Sources )'=' )'=''8 )'=')O )'=')@ )'=) )'=O )'=O'O )'=8 )'=X )'=[ )'=[ )'='' )'=') )'='8 )'='@ )'='@'[ )'='@'>
)'='X )'='[ )'='K )'='K'> )'='> )'='>)O )'=)Q )'=)Q)) )'=)Q)O )'=)Q)8 )'=)' )'=)) )'=)O )'=)8 )'=)8)@ )'=)@
)@@
( } ! ! ! ! 'XO?X8 W')@ 'K8
V ! ! VWK'X)XO %\'8' \))' !'> :')> V 3:'O'?)') /:[K>'>Q>' VV')X %K'>K?>> ; 'OO V)Q %@'Q>'XX 5 _'[' Y'@8 :''[>Q'Q''>X :'O>Q>O>8'[>'K@'K> '>[)'))'>?)[ * 'K> % %%)'O?'@ % /!)KO8OX[Q[>'Q@'Q[ ''Q'K' % 4@'X8'XX % :V)[ % :*)['K@'K> %VYXX % %V[8>'OQ?O''@X?@[ 'KK?>Q'>) % :4'X8 % :!)O@[>)''['8>'@' 'XO'XK?[Q'KQ'K)'K@?KX'K>)QK
/ ;!'X['>8 / VX)QX)Q>?'Q ;V'>O)'8 & ('@8'@X'XQ / !'K)?KO /&/@ /)Q)?QO)'Q *3/'[[ * V'KX * :$'>[ *;])'8'X *7'XO 33@)QO?Q8 3 WOO'KO 3 !;'XX?X['X>?[Q 3;;>@ W 4')8 W ;'X@?X['KX W 'XX?X[ WV'88 W Y )Q@ W4K \ %:'KX?K[ ( @ \ :)Q>?'Q \ />> \ !;'@>''[)'[@ Y/!8K)'))'@> Y:W'[> Y!O> Y" 4 %'XX Y !$]>)Q?)'@QX)KQK@>K ''O')>'XK?[Q'[>)Q'
Index of Authors Y :3'>[?>K V :3'@@?@X V /'[''>'?>) V V'[X?[[ V 3) V /'8) V*;)X)>?OQO8OX>>'88?8@ 'KK V4/X V$'>K V ))) 7 Y''' 6/ 3:@>[X'O''8))QK & !] & \'QK''@ & ;''>X?>[ & V'OO & *'>K?>> & ]'XX &; '> \>X'Q)
: /'K@ : ;YX'Q8'X8 : &@ : W7O8OX8@ 4+)QQ 4 :'X?'[ 4 **XO 4%'@' 4 _')K 4 /V))Q 4 V 3X@K $ $X'@Q $ ;%X@ $ '>[ $/X)QO $V'>K?>> ] V)[ ] :''> ] *'[> :'QO ;OX[O'O8?O@'8O'8[ '[[?[K
)@[
( } 4# )O)[?)KOO8)@)@XX@?XX [O?[8K[>8')O'8X ! )O?)KO'88@XX'K>?>''Q@ ''X')>'@) )OO'')>'O''X@'>) / 'Q'8)QX[[>KQ?K) K[?KK>8?>@'QQ?'Q)'Q@'')''X ')K8>'@Q?@)'@>'X>'[)'[8'[X 'K8'K@?'KX '>Q?>')Q')QX 8[8>XQX8XX?XK[K >)>8?>@>['QO''['OQ'O)?OO '8K'[O'KK'>8 ? '8'X@'KX ? 'X@'X['KX ? 'XX ? '8)Q?)'K>''X'XO?X[ '[Q?[''[>'KX'K>'>) ? 'KX'K> ? 'X['[Q'K> ? OQ''@''[')8 ')K'8''X>'K@>Q ? ''['OQ'O8'X['K@?>Q O[?'O'['>)KO8OK 8K@Q@>XOXK[>K8K>>'?>)>@? >['Q8?Q@'QX'QK'''''@?'K''> ')O')@'OO?O8'O['88?8@'@Q?'@' '@8'@X'@K'X''X)?>@)'[))X '8KX'QO'Q@?'QX'))? )O')X'@>?'XQ'XK'[Q'[)?[X'K> )'[ 'K@ )QQ?Q')'8?'X))X ''')X?)KO[8)8[?8>@8 @X[@[[KQK@?KX>Q?>)'Q8'Q[ ''K')O')@?)['[O'[K'KO'K[
'>8'>X)QQ?Q'))> 'X8O8@?8[@XXQ'Q['X> 88?8@@)?@8@[?@K>>? 'QQ'QX''O?''X'@8'KK'>X))[ ''XK[[[>KX?K[>@?>X>K? 'QX''>'OO'O8'[Q'[8'K''>8 O)O)[8)8[8>@'?@)@X X)?XOX[[OKQ>X'QQ'QX''O')Q '@Q'KO'KX'>'?>)))' ')K8''K'))')@')[ '>[)'X?'[)'>))8?))X ')>'O>?'8Q'8K ? 'O['>X ?} 'Q@'>O ? ')[X'>X?>[ ? O[8K@>[OKX '')'[>'KO?K8'>)?>O'>@'>K)'[ ))X))K ? 'OK'8) ? 5 )O[ ? [Q'Q)''O''['@@ ?
'K@'>K?>>)'O)'[))X ? '))XK@'))')@ '8)'OO'@)'@@?@K'X''K@'>Q '>@?)QQ)Q@)Q[))8 ? ))'?))) ? O)?OOO[?OK@>'>' ? '>[ '''8?'X)Q)))8)[?)>O' OOO[8)8[8>@)?@@X)XK[>?KQ KK>Q?>'>O>X'QQ'Q8?Q[''[?'> 'O'?O@'8@'8K'@)'[Q'[)'[8 '[>))> 8'X)[8'QQ'[)?[O
Index of Subjects
)QO'?O)8'@'@[?@K XQ?XOXX['[8[[?[KKO>8'Q8 '''''>')''O[?OK'8>'X''[)?[8 '>X'>K)Q'?Q8)QX?QK)'')'X?'[ ))8))X?)[ )>O)?OO8)X'?X)X8XX[8?[@ KQKO>X'O['[8'K')Q))Q[)Q> )''?'))'@)'[
')['@K'X>'[K ; 'X)Q)[8O')K'X> ; 'Q?'''@8>?@XXQXO?XK[K>8? >[>>'QX?'['OQ'O)'[O'K@?KX 'KK'>8 Y @Q@[?@>''K'8) '8'8[?8>@'@@?@XX@X>K@?KX >'?>)'Q['OK?O>'8>'[Q'>8)QQ )''?'8)'X?'[)))))@?)K V V 'Q?''K'?K)'QQ'@Q? X''[)'K@'K['>''>O '?)')OQO88Q@K[@ [>>K'QQ'Q@?QX''Q''>')'')O ')[)K'@[?@>'X''XK'[Q[''[@ '[>?KX'>O?>8'>[))O?)K ; )KOOKQ'O@'O['@) 'K@'>Q 7 )8?)[O'?O)KX'Q)'88'KX '>' 7 ''OKKQ'@@'K@?KX & '['?[O[[KQ?K'KO?K8KK 'O['8>'X>'[8?[@'K8'>X)Q' )Q@)'@)'[ &'Q'''@)O)8)[O'8[?8>@) @>X8?XK[8[[?[>K'?K)KX?'QK ''Q?')''X''>')[')>?OQ'O)?O@ '8Q?8['8>'@)?@O'@@'@['[Q'[) '[8?[X'K@?K>'>''>8'>[)Q@ & )O?)@)[O'8O@XX'[Q[8'K) 'K@ )K')'8'[)>@[XKK)'QX''' ''X'['OO'X)?[8'[X'KO'KX'>)
)@>
? K'Q'[''>)'>8)'>)Q ? K'Q'K88)Q[)'>))' ? K)Q@'''X )QQ?Q))Q[?QK)'8)'K ? K'QO88'@'[X'>@)'K )'>)Q))X)OX O8?OX8))Q8?QX)QK)'[ ')@XK@'X)?XO'[X?K8'KX '>Q'>8)QX)'K))X OO?O[8)?8OXQ?X'[)[X K)'8Q'8O'8>'[8)Q')Q8?QX))X 4 )QOK?8'@'>O'X>?[Q 'KX'KK'>Q'>O 4 O8?O[8O8@@QX'K'?KOKK 'Q''')''8'O>?8Q'8)?8O'8>'X> '[8)Q8?QX))X )Q))?)O)@)[?)KOQ?O8O> 8'?8@8>@>X'?X)X>?['[8K'?KK 'Q'?Q)''O''X''K')Q?)>'OK'8Q? 8@'@O'@@'@[?XQ'XK'[)'KO'K[ '>O)Q@)Q[)'8))'))O))@ )Q8'@Q?@'@8@[X[X>?[Q[[ K)?K8K[?KK')X?)['[)?[O'[@'K[ )'))'[))@ K>'Q>'>8 8[?@'['?[)K'KOKK'OK'8O '8>'@>'[8?[@'K''>X?>>)Q' )Q@?QX)'@')[))8?)[ '[8?[X'KO'K>)Q')QX)'[))[ $ 'Q?'''@)O@>X>[8K'KO?KX 'Q)''X''K?)K'8)'88'@X'XQ '['?[)'K@?K['>Q?>' ')?'OO8?O[8)X8 X[?XK[)[X>Q>O'8@'X)?XO'X[ '[8'>@?)'K ? 'XO)Q>?'' ?)QQ)Q))'Q ? )Q)?Q8)Q>?'')'X ? )'Q?'' ? )QQ?Q[ )Q>)'O?'K ? K'Q)')>@''XO)Q)?Q[)'Q ? )Q>?'' ?: )QQ?Q[ )Q?)'@O['[K?[>>O'QQ'QX
)XQ
Index of Subjects
'O8?O@'O>'8>'XK?[)'[X'[>?KQ 'KO'K>)Q')QX)'X)'K ^$`'''@?'['Q['@' + ? O[8'@O@[XQXK[Q[8 K'>O>['Q''Q['8) ? 5 OQ8)888X @XXOKK')''[''>@ ? )X?)[OO8)88KX 'XQ?X''[@?[X'KO'>@)QX?)Q[)'[ ? @O>8'Q@ ? )'>)> ? )X?)KOQO8OX8[@X@KX' [Q[8[X[>>X?>['Q)''K'8)'@X? @['[X'KO'>O)Q8?Q@)Q[
? 'K)Q?)'O@'8['[> 'K)?K8'>Q'>)?>O)QX)'[ ? 'O8O[8)X[?XK [8?[@K'KO>O'Q''8Q'8O'@>?XQ '[8?[@'K''>X'>K)Q')QO?QX)'[ ? ''O'O['8Q)QX ? OX?O['8Q'8O'8>'[8 ? '>K?>> '>)Q?)@)[O'O>8O@) X'XOX[['[8[KKQ?KK>K'QQ?QO 'Q@''Q''8'))?)[')>'O''O@ 'O[?8''8O?@O'@@'@>'X''XK?[> 'KO?K8'K['>Q?>@)Q')QX)'[?'K ))[?)K ^ `'X?'[@Q[X>X''@'[@