Sylvia Plath - Poetry

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Classic Poetry Series

Sylvia Plath - poems -

Publication Date: 2004

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A Better Resurrection I have no wit, I have no words, no tears; My heart within me like a stone Is numbed too much for hopes or fears; Look right, look left, I dwell alone; A lift mine eyes, but dimmed with grief No everlasting hills I see; My life is like the falling leaf; O Jesus, quicken me. Sylvia Plath

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A Birthday Present What is this, behind this veil, is it ugly, is it beautiful? It is shimmering, has it breasts, has it edges?

I am sure it is unique, I am sure it is what I want. When I am quiet at my cooking I feel it looking, I feel it thinking 'Is this the one I am too appear for, Is this the elect one, the one with black eye-pits and a scar? Measuring the flour, cutting off the surplus, Adhering to rules, to rules, to rules. Is this the one for the annunciation? My god, what a laugh!'

But it shimmers, it does not stop, and I think it wants me. I would not mind if it were bones, or a pearl button. I do not want much of a present, anyway, this year. After all I am alive only by accident.

I would have killed myself gladly that time any possible way. Now there are these veils, shimmering like curtains,

The diaphanous satins of a January window White as babies' bedding and glittering with dead breath. O ivory! It must be a tusk there, a ghost column. Can you not see I do not mind what it is.

Can you not give it to me? Do not be ashamed--I do not mind if it is small.

Do not be mean, I am ready for enormity. Let us sit down to it, one on either side, admiring the gleam, The glaze, the mirrory variety of it. Let us eat our last supper at it, like a hospital plate. I know why you will not give it to me, You are terrified

The world will go up in a shriek, and your head with it, Bossed, brazen, an antique shield, A marvel to your great-grandchildren. Do not be afraid, it is not so.

I will only take it and go aside quietly. You will not even hear me opening it, no paper crackle, No falling ribbons, no scream at the end.

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I do not think you credit me with this discretion.

If you only knew how the veils were killing my days. To you they are only transparencies, clear air. But my god, the clouds are like cotton. Armies of them. They are carbon monoxide.

Sweetly, sweetly I breathe in, Filling my veins with invisibles, with the million

Probable motes that tick the years off my life. You are silver-suited for the occasion. O adding machine-----

Is it impossible for you to let something go and have it go whole? Must you stamp each piece purple, Must you kill what you can? There is one thing I want today, and only you can give it to me. It stands at my window, big as the sky. It breathes from my sheets, the cold dead center Where split lives congeal and stiffen to history. Let it not come by the mail, finger by finger.

Let it not come by word of mouth, I should be sixty By the time the whole of it was delivered, and to numb to use it. Only let down the veil, the veil, the veil. If it were death

I would admire the deep gravity of it, its timeless eyes. I would know you were serious.

There would be a nobility then, there would be a birthday. And the knife not carve, but enter Pure and clean as the cry of a baby, And the universe slide from my side. Sylvia Plath

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A Lesson In Vengeance In the dour ages Of drafty cells and draftier castles, Of dragons breathing without the frame of fables, Saint and king unfisted obstruction's knuckles By no miracle or majestic means,

But by such abuses As smack of spite and the overscrupulous Twisting of thumbscrews: one soul tied in sinews, One white horse drowned, and all the unconquered pinnacles Of God's city and Babylon's Must wait, while here Suso's Hand hones his tack and needles, Scouraging to sores his own red sluices For the relish of heaven, relentless, dousing with prickles Of horsehair and lice his horny loins; While there irate Cyrus Squanders a summer and the brawn of his heroes To rebuke the horse-swallowing River Gyndes: He split it into three hundred and sixty trickles A girl could wade without wetting her shins.

Still, latter-day sages, Smiling at this behavior, subjugating their enemies Neatly, nicely, by disbelief or bridges, Never grip, as the grandsires did, that devil who chuckles From grain of the marrow and the river-bed grains. Submitted by Venus Sylvia Plath

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A Life Touch it: it won't shrink like an eyeball, This egg-shaped bailiwick, clear as a tear. Here's yesterday, last year --Palm-spear and lily distinct as flora in the vast Windless threadwork of a tapestry.

Flick the glass with your fingernail: It will ping like a Chinese chime in the slightest air stir Though nobody in there looks up or bothers to answer. The inhabitants are light as cork, Every one of them permanently busy. At their feet, the sea waves bow in single file. Never trespassing in bad temper: Stalling in midair, Short-reined, pawing like paradeground horses. Overhead, the clouds sit tasseled and fancy As Victorian cushions. This family Of valentine faces might please a collector: They ring true, like good china. Elsewhere the landscape is more frank. The light falls without letup, blindingly.

A woman is dragging her shadow in a circle About a bald hospital saucer. It resembles the moon, or a sheet of blank paper And appears to have suffered a sort of private blitzkrieg. She lives quietly With no attachments, like a foetus in a bottle, The obsolete house, the sea, flattened to a picture She has one too many dimensions to enter. Grief and anger, exorcised, Leave her alone now.

The future is a grey seagull Tattling in its cat-voice of departure. Age and terror, like nurses, attend her, And a drowned man, complaining of the great cold, Crawls up out of the sea. Submitted by Venus Sylvia Plath

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Aftermath Compelled by calamity's magnet They loiter and stare as if the house Burnt-out were theirs, or as if they thought Some scandal might any minute ooze From a smoke-choked closet into light; No deaths, no prodigious injuries Glut these hunters after an old meat, Blood-spoor of the austere tragedies.

Mother Medea in a green smock Moves humbly as any housewife through Her ruined apartments, taking stock Of charred shoes, the sodden upholstery: Cheated of the pyre and the rack, The crowd sucks her last tear and turns away. Sylvia Plath

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Among the Narcissi Spry, wry, and gray as these March sticks, Percy bows, in his blue peajacket, among the narcissi. He is recuperating from something on the lung.

The narcissi, too, are bowing to some big thing : It rattles their stars on the green hill where Percy Nurses the hardship of his stitches, and walks and walks. There is a dignity to this; there is a formalityThe flowers vivid as bandages, and the man mending. They bow and stand : they suffer such attacks! And the octogenarian loves the little flocks. He is quite blue; the terrible wind tries his breathing. The narcissi look up like children, quickly and whitely. Sylvia Plath

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An Appearance The smile of iceboxes annihilates me. Such blue currents in the veins of my loved one! I hear her great heart purr. From her lips ampersands and percent signs Exit like kisses. It is Monday in her mind: morals Launder and present themselves. What am I to make of these contradictions? I wear white cuffs, I bow.

Is this love then, this red material Issuing from the steele needle that flies so blindingly? It will make little dresses and coats, It will cover a dynasty. How her body opens and shuts -A Swiss watch, jeweled in the hinges!

O heart, such disorganization! The stars are flashing like terrible numerals. ABC, her eyelids say. Sylvia Plath

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Apprehensions There is this white wall, above which the sky creates itselfInfinite, green, utterly untouchable. Angels swim in it, and the stars, in indifference also. They are my medium. The sun dissolves on this wall, bleeding its lights. A grey wall now, clawed and bloody. Is there no way out of the mind? Steps at my back spiral into a well. There are no trees or birds in this world, There is only sourness.

This red wall winces continually: A red fist, opening and closing, Two grey, papery bagsThis is what i am made of, this, and a terror Of being wheeled off under crosses and rain of pieties. On a black wall, unidentifiable birds Swivel their heads and cry. There is no talk of immorality amoun these! Cold blanks approach us: They move in a hurry. Sylvia Plath

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April 18 the slime of all my yesterdays rots in the hollow of my skull

and if my stomach would contract because of some explicable phenomenon such as pregnancy or constipation I would not remember you

or that because of sleep infrequent as a moon of greencheese that because of food nourishing as violet leaves that because of these and in a few fatal yards of grass in a few spaces of sky and treetops a future was lost yesterday as easily and irretrievably as a tennis ball at twilight Sylvia Plath

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Ariel Stasis in darkness. Then the substanceless blue Pour of tor and distances.

God's lioness, How one we grow, Pivot of heels and knees! ---The furrow Splits and passes, sister to The brown arc Of the neck I cannot catch, Nigger-eye Berries cast dark Hooks ---

Black sweet blood mouthfuls, Shadows. Something else Hauls me through air --Thighs, hair; Flakes from my heels.

White Godiva, I unpeel --Dead hands, dead stringencies.

And now I Foam to wheat, a glitter of seas. The child's cry Melts in the wall. And I Am the arrow,

The dew that flies, Suicidal, at one with the drive Into the red Eye, the cauldron of morning. Sylvia Plath

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Balloons Since Christmas they have lived with us, Guileless and clear, Oval soul-animals, Taking up half the space, Moving and rubbing on the silk

Invisible air drifts, Giving a shriek and pop When attacked, then scooting to rest, barely trembling. Yellow cathead, blue fish-------Such queer moons we live with Instead of dead furniture! Straw mats, white walls And these traveling Globes of thin air, red, green, Delighting The heart like wishes or free Peacocks blessing Old ground with a feather Beaten in starry metals. Your small

Brother is making His balloon squeak like a cat. Seeming to see A funny pink world he might eat on the other side of it, He bites, Then sits Back, fat jug Contemplating a world clear as water. A red Shred in his little fist. 5 February 1963 Sylvia Plath

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Berck-Plage (1)

This is the sea, then, this great abeyance. How the sun's poultice draws on my inflammation.

Electrifyingly-colored sherbets, scooped from the freeze By pale girls, travel the air in scorched hands. Why is it so quiet, what are they hiding? I have two legs, and I move smilingly.. A sandy damper kills the vibrations; It stretches for miles, the shrunk voices

Waving and crutchless, half their old size. The lines of the eye, scalded by these bald surfaces,

Boomerang like anchored elastics, hurting the owner. Is it any wonder he puts on dark glasses? Is it any wonder he affects a black cassock? Here he comes now, among the mackerel gatherers

Who wall up their backs against him. They are handling the black and green lozenges like the parts of a body. The sea, that crystallized these, Creeps away, many-snaked, with a long hiss of distress. (2)

This black boot has no mercy for anybody. Why should it, it is the hearse of a dad foot, The high, dead, toeless foot of this priest Who plumbs the well of his book,

The bent print bulging before him like scenery. Obscene bikinis hid in the dunes, Breasts and hips a confectioner's sugar Of little crystals, titillating the light, While a green pool opens its eye, Sick with what it has swallowed----

Limbs, images, shrieks. Behind the concrete bunkers Two lovers unstick themselves. O white sea-crockery, What cupped sighs, what salt in the throat....

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And the onlooker, trembling, Drawn like a long material

Through a still virulence, And a weed, hairy as privates. (3)

On the balconies of the hotel, things are glittering. Things, things---Tubular steel wheelchairs, aluminum crutches. Such salt-sweetness. Why should I walk

Beyond the breakwater, spotty with barnacles? I am not a nurse, white and attendant,

I am not a smile. These children are after something, with hooks and cries, And my heart too small to bandage their terrible faults. This is the side of a man: his red ribs, The nerves bursting like trees, and this is the surgeon: One mirrory eye---A facet of knowledge. On a striped mattress in one room

An old man is vanishing. There is no help in his weeping wife.

Where are the eye-stones, yellow and valuable, And the tongue, sapphire of ash. (4)

A wedding-cake face in a paper frill. How superior he is now.

It is like possessing a saint. The nurses in their wing-caps are no longer so beautiful; They are browning, like touched gardenias. The bed is rolled from the wall.

This is what it is to be complete. It is horrible. Is he wearing pajamas or an evening suit www.PoemHunter.com - The World's Poetry Archive

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Under the glued sheet from which his powdery beak Rises so whitely unbuffeted?

They propped his jaw with a book until it stiffened And folded his hands, that were shaking: goodbye, goodbye. Now the washed sheets fly in the sun, The pillow cases are sweetening. It is a blessing, it is a blessing: The long coffin of soap-colored oak,

The curious bearers and the raw date Engraving itself in silver with marvelous calm. (5)

The gray sky lowers, the hills like a green sea Run fold upon fold far off, concealing their hollows,

The hollows in which rock the thoughts of the wife---Blunt, practical boats

Full of dresses and hats and china and married daughters. In the parlor of the stone house One curtain is flickering from the open window, Flickering and pouring, a pitiful candle.

This is the tongue of the dead man: remember, remember. How far he is now, his actions Around him like living room furniture, like a décor. As the pallors gather---The pallors of hands and neighborly faces, The elate pallors of flying iris.

They are flying off into nothing: remember us. The empty benches of memory look over stones,

Marble facades with blue veins, and jelly-glassfuls of daffodils. It is so beautiful up here: it is a stopping place. (6)

The natural fatness of these lime leaves!---Pollarded green balls, the trees march to church. The voice of the priest, in thin air,

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Meets the corpse at the gate,

Addressing it, while the hills roll the notes of the dead bell; A glittler of wheat and crude earth. What is the name of that color?---Old blood of caked walls the sun heals,

Old blood of limb stumps, burnt hearts. The widow with her black pocketbook and three daughters, Necessary among the flowers, Enfolds her lace like fine linen,

Not to be spread again. While a sky, wormy with put-by smiles,

Passes cloud after cloud. And the bride flowers expend a freshness,

And the soul is a bride In a still place, and the groom is red and forgetful, he is featureless. (7)

Behind the glass of this car The world purrs, shut-off and gentle.

And I am dark-suited and still, a member of the party, Gliding up in low gear behind the cart. And the priest is a vessel, A tarred fabric, sorry and dull,

Following the coffin on its flowery cart like a beautiful woman, A crest of breasts, eyelids and lips Storming the hilltop. Then, from the barred yard, the children Smell the melt of shoe-blacking, Their faces turning, wordless and slow, Their eyes opening On a wonderful thing----

Six round black hats in the grass and a lozenge of wood, And a naked mouth, red and awkward. For a minute the sky pours into the hole like plasma. There is no hope, it is given up. www.PoemHunter.com - The World's Poetry Archive

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Sylvia Plath

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Black Rook in Rainy Weather On the stiff twig up there Hunches a wet black rook Arranging and rearranging its feathers in the rainI do not expect a miracle Or an accident To set the sight on fire In my eye, nor seek Any more in the desultory weather some design, But let spotted leaves fall as they fall Without ceremony, or portent. Although, I admit, I desire, Occasionally, some backtalk From the mute sky, I can't honestly complain: A certain minor light may still Lean incandescent

Out of kitchen table or chair As if a celestial burning took Possession of the most obtuse objects now and then -Thus hallowing an interval Otherwise inconsequent By bestowing largesse, honor One might say love. At any rate, I now walk Wary (for it could happen Even in this dull, ruinous landscape); sceptical Yet politic, ignorant

Of whatever angel any choose to flare Suddenly at my elbow. I only know that a rook Ordering its black feathers can so shine As to seize my senses, haul My eyelids up, and grant A brief respite from fear Of total neutrality. With luck, Trekking stubborn through this season Of fatigue, I shall Patch together a content Of sorts. Miracles occur. If you care to call those spasmodic Tricks of radiance Miracles. The wait's begun again, The long wait for the angel, For that rare, random descent. Sylvia Plath

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Blackberrying Nobody in the lane, and nothing, nothing but blackberries, Blackberries on either side, though on the right mainly, A blackberry alley, going down in hooks, and a sea Somewhere at the end of it, heaving. Blackberries Big as the ball of my thumb, and dumb as eyes Ebon in the hedges, fat With blue-red juices. These they squander on my fingers. I had not asked for such a blood sisterhood; they must love me. They accommodate themselves to my milkbottle, flattening their sides.

Overhead go the choughs in black, cacophonous flocks --Bits of burnt paper wheeling in a blown sky. Theirs is the only voice, protesting, protesting. I do not think the sea will appear at all. The high, green meadows are glowing, as if lit from within. I come to one bush of berries so ripe it is a bush of flies, Hanging their bluegreen bellies and their wing panes in a Chinese screen. The honey-feast of the berries has stunned them; they believe in heaven. One more hook, and the berries and bushes end. The only thing to come now is the sea. From between two hills a sudden wind funnels at me, Slapping its phantom laundry in my face. These hills are too green and sweet to have tasted salt. I follow the sheep path between them. A last hook brings me To the hills' northern face, and the face is orange rock That looks out on nothing, nothing but a great space Of white and pewter lights, and a din like silversmiths Beating and beating at an intractable metal. Sylvia Plath

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Bucolics Mayday: two came to field in such wise : `A daisied mead', each said to each, So were they one; so sought they couch, Across barbed stile, through flocked brown cows. `No pitchforked farmer, please,' she said; `May cockcrow guard us safe,' said he; By blackthorn thicket, flower spray They pitched their coats, come to green bed. Below: a fen where water stood; Aslant: their hill of stinging nettle; Then, honor-bound, mute grazing cattle; Above: leaf-wraithed white air, white cloud.

All afternoon these lovers lay Until the sun turned pale from warm, Until sweet wind changed tune, blew harm : Cruel nettles stung her angles raw.

Rueful, most vexed, that tender skin Should accept so fell a wound, He stamped and cracked stalks to the ground Which had caused his dear girl pain. Now he goes from his rightful road And, under honor, will depart; While she stands burning, venom-girt, In wait for sharper smart to fade. Sylvia Plath

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By Candlelight This is winter, this is night, small love -A sort of black horsehair, A rough, dumb country stuff Steeled with the sheen Of what green stars can make it to our gate. I hold you on my arm. It is very late. The dull bells tongue the hour. The mirror floats us at one candle power.

This is the fluid in which we meet each other, This haloey radiance that seems to breathe And lets our shadows wither Only to blow Them huge again, violent giants on the wall. One match scratch makes you real. At first the candle will not bloom at all -It snuffs its bud To almost nothing, to a dull blue dud. I hold my breath until you creak to life, Balled hedgehog, Small and cross. The yellow knife Grows tall. You clutch your bars. My singing makes you roar. I rock you like a boat Across the Indian carpet, the cold floor, While the brass man Kneels, back bent, as best he can

Hefting his white pillar with the light That keeps the sky at bay, The sack of black! It is everywhere, tight, tight! He is yours, the little brassy Atlas -Poor heirloom, all you have, At his heels a pile of five brass cannonballs, No child, no wife. Five balls! Five bright brass balls! To juggle with, my love, when the sky falls. Sylvia Plath

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Child Your clear eye is the one absolutely beautiful thing. I want to fill it with color and ducks, The zoo of the new Whose name you meditate -April snowdrop, Indian pipe, Little Stalk without wrinkle, Pool in which images Should be grand and classical Not this troublous Wringing of hands, this dark Ceiling without a star. Sylvia Plath

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Cinderella The prince leans to the girl in scarlet heels, Her green eyes slant, hair flaring in a fan Of silver as the rondo slows; now reels Begin on tilted violins to span

The whole revolving tall glass palace hall Where guests slide gliding into light like wine; Rose candles flicker on the lilac wall Reflecting in a million flagons' shine, And glided couples all in whirling trance Follow holiday revel begun long since, Until near twelve the strange girl all at once Guilt-stricken halts, pales, clings to the prince As amid the hectic music and cocktail talk She hears the caustic ticking of the clock. Sylvia Plath

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Contusion Color floods to the spot, dull purple. The rest of the body is all washed-out, The color of pearl. In a pit of a rock The sea sucks obsessively, One hollow thw whole sea's pivot. The size of a fly, The doom mark Crawls down the wall.

The heart shuts, The sea slides back, The mirrors are sheeted. Sylvia Plath

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Conversation Among the Ruins Through portico of my elegant house you stalk With your wild furies, disturbing garlands of fruit And the fabulous lutes and peacocks, rending the net Of all decorum which holds the whirlwind back. Now, rich order of walls is fallen; rooks croak Above the appalling ruin; in bleak light Of your stormy eye, magic takes flight Like a daunted witch, quitting castle when real days break. Fractured pillars frame prospects of rock; While you stand heroic in coat and tie, I sit Composed in Grecian tunic and psyche-knot, Rooted to your black look, the play turned tragic: Which such blight wrought on our bankrupt estate, What ceremony of words can patch the havoc? Sylvia Plath

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Crossing the River Black lake, black boat, two black, cut-paper people. Where do the black trees go that drink here? Their shadows must cover Canada. A little light is filtering from the water flowers. Their leaves do not wish us to hurry: They are round and flat and full of dark advice.

Cold worlds shake from the oar. The spirit of blackness is in us, it is in the fishes. A snag is lifting a valedictory, pale hand;

Stars open among the lilies. Are you not blinded by such expressionless sirens? This is the silence of astounded souls. Sylvia Plath

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Crossing The Water Black lake, black boat, two black, cut-paper people. Where do the black trees go that drink here? Their shadows must cover Canada. A little light is filtering from the water flowers. Their leaves do not wish us to hurry: They are round and flat and full of dark advice.

Cold worlds shake from the oar. The spirit of blackness is in us, it is in the fishes. A snag is lifting a valedictory, pale hand;

Stars open among the lilies. Are you not blinded by such expressionless sirens? This is the silence of astounded souls. Sylvia Plath

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Cut What a thrill My thumb instead of an onion. The top quite gone Except for a sort of hinge Of skin, A flap like a hat, Dead white. Then that red plush.

Little pilgrim, The Indian's axed your scalp. Your turkey wattle Carpet rolls

Straight from the heart. I step on it, Clutching my bottle Of pink fizz. A celebration, this is. Out of a gap A million soldiers run, Redcoats, every one. Whose side are they one? O my Homunculus, I am ill. I have taken a pill to kill The thin Papery feeling. Saboteur, Kamikaze man -

The stain on your Gauze Ku Klux Klan Babushka Darkens and tarnishes and when The balled Pulp of your heart Confronts its small Mill of silence How you jump Trepanned veteran, Dirty girl, Thumb stump. Sylvia Plath

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Daddy You do not do, you do not do Any more, black shoe In which I have lived like a foot For thirty years, poor and white, Barely daring to breathe or Achoo. Daddy, I have had to kill you. You died before I had time--Marble-heavy, a bag full of God, Ghastly statue with one gray toe Big as a Frisco seal

And a head in the freakish Atlantic Where it pours bean green over blue In the waters off the beautiful Nauset. I used to pray to recover you. Ach, du.

In the German tongue, in the Polish town Scraped flat by the roller Of wars, wars, wars. But the name of the town is common. My Polack friend Says there are a dozen or two. So I never could tell where you Put your foot, your root, I never could talk to you. The tongue stuck in my jaw.

It stuck in a barb wire snare. Ich, ich, ich, ich, I could hardly speak. I thought every German was you. And the language obscene

An engine, an engine, Chuffing me off like a Jew. A Jew to Dachau, Auschwitz, Belsen. I began to talk like a Jew. I think I may well be a Jew.

The snows of the Tyrol, the clear beer of Vienna Are not very pure or true. With my gypsy ancestress and my weird luck And my Taroc pack and my Taroc pack I may be a bit of a Jew. I have always been scared of you, With your Luftwaffe, your gobbledygoo. And your neat mustache And your Aryan eye, bright blue.

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Panzer-man, panzer-man, O You----

Not God but a swastika So black no sky could squeak through. Every woman adores a Fascist, The boot in the face, the brute Brute heart of a brute like you.

You stand at the blackboard, daddy, In the picture I have of you, A cleft in your chin instead of your foot But no less a devil for that, no not Any less the black man who Bit my pretty red heart in two. I was ten when they buried you. At twenty I tried to die And get back, back, back to you. I thought even the bones would do.

But they pulled me out of the sack, And they stuck me together with glue. And then I knew what to do. I made a model of you, A man in black with a Meinkampf look And a love of the rack and the screw. And I said I do, I do. So daddy, I'm finally through. The black telephone's off at the root, The voices just can't worm through.

If I've killed one man, I've killed two--The vampire who said he was you And drank my blood for a year, Seven years, if you want to know. Daddy, you can lie back now.

There's a stake in your fat black heart And the villagersnever liked you. They are dancing and stamping on you. They always knew it was you. Daddy, daddy, you bastard, I'm through. Sylvia Plath

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Death & Co. Two, of course there are two. It seems perfectly natural now ---The one who never looks up, whose eyes are lidded And balled¸ like Blake's. Who exhibits The birthmarks that are his trademark ---The scald scar of water, The nude Verdigris of the condor. I am red meat. His beak Claps sidewise: I am not his yet. He tells me how badly I photograph. He tells me how sweet The babies look in their hospital Icebox, a simple Frill at the neck Then the flutings of their Ionian Death-gowns. Then two little feet. He does not smile or smoke. The other does that His hair long and plausive Bastard Masturbating a glitter He wants to be loved. I do not stir. The frost makes a flower, The dew makes a star, The dead bell, The dead bell. Somebody's done for. Sylvia Plath

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Death & Co. Two, of course there are two. It seems perfectly natural now—— The one who never looks up, whose eyes are lidded And balled¸ like Blake's. Who exhibits

The birthmarks that are his trademark—— The scald scar of water, The nude Verdigris of the condor. I am red meat. His beak Claps sidewise: I am not his yet. He tells me how badly I photograph. He tells me how sweet The babies look in their hospital Icebox, a simple Frill at the neck Then the flutings of their Ionian Death-gowns. Then two little feet. He does not smile or smoke. The other does that His hair long and plausive Bastard Masturbating a glitter He wants to be loved. I do not stir. The frost makes a flower, The dew makes a star, The dead bell, The dead bell. Somebody's done for. Sylvia Plath

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Dialogue Between Ghost and Priest In the rectory garden on his evening walk Paced brisk Father Shawn. A cold day, a sodden one it was In black November. After a sliding rain Dew stood in chill sweat on each stalk, Each thorn; spiring from wet earth, a blue haze Hung caught in dark-webbed branches like a fabulous heron. Hauled sudden from solitude, Hair prickling on his head, Father Shawn perceived a ghost Shaping itself from that mist.

'How now,' Father Shawn crisply addressed the ghost Wavering there, gauze-edged, smelling of woodsmoke, 'What manner of business are you on? From your blue pallor, I'd say you inhabited the frozen waste Of hell, and not the fiery part. Yet to judge by that dazzled look, That noble mien, perhaps you've late quitted heaven?' In voice furred with frost, Ghost said to priest: 'Neither of those countries do I frequent: Earth is my haunt.'

'Come, come,' Father Shawn gave an impatient shrug, 'I don't ask you to spin some ridiculous fable Of gilded harps or gnawing fire: simply tell After your life's end, what just epilogue God ordained to follow up your days. Is it such trouble To satisfy the questions of a curious old fool?' 'In life, love gnawed my skin To this white bone; What love did then, love does now: Gnaws me through.'

'What love,' asked Father Shawn, 'but too great love Of flawed earth-flesh could cause this sorry pass? Some damned condition you are in: Thinking never to have left the world, you grieve As though alive, shriveling in torment thus To atone as shade for sin that lured blind man.' 'The day of doom Is not yest come. Until that time A crock of dust is my dear hom.'

'Fond phantom,' cried shocked Father Shawn, 'Can there be such stubbornness-A soul grown feverish, clutching its dead body-tree Like a last storm-crossed leaf? Best get you gone

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To judgment in a higher court of grace. Repent, depart, before God's trump-crack splits the sky.' From that pale mist Ghost swore to priest: 'There sits no higher court Than man's red heart.' Sylvia Plath

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Edge The woman is perfected Her dead

Body wears the smile of accomplishment, The illusion of a Greek necessity Flows in the scrolls of her toga, Her bare

Feet seem to be saying: We have come so far, it is over.

Each dead child coiled, a white serpent, One at each little Pitcher of milk, now empty She has folded

Them back into her body as petals Of a rose close when the garden

Stiffens and odors bleed From the sweet, deep throats of the night flower. The moon has nothing to be sad about, Staring from her hood of bone. She is used to this sort of thing. Her blacks crackle and drag. Sylvia Plath

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Electra on Azalea Path The day you died I went into the dirt, Into the lightless hibernaculum Where bees, striped black and gold, sleep out the blizzard Like hieratic stones, and the ground is hard. It was good for twenty years, that wintering -As if you never existed, as if I came God-fathered into the world from my mother's belly: Her wide bed wore the stain of divinity. I had nothing to do with guilt or anything When I wormed back under my mother's heart. Small as a doll in my dress of innocence I lay dreaming your epic, image by image. Nobody died or withered on that stage. Everything took place in a durable whiteness. The day I woke, I woke on Churchyard Hill. I found your name, I found your bones and all Enlisted in a cramped necropolis your speckled stone skewed by an iron fence.

In this charity ward, this poorhouse, where the dead Crowd foot to foot, head to head, no flower Breaks the soil. This is Azalea path. A field of burdock opens to the south. Six feet of yellow gravel cover you. The artificial red sage does not stir In the basket of plastic evergreens they put At the headstone next to yours, nor does it rot, Although the rains dissolve a bloody dye: The ersatz petals drip, and they drip red. Another kind of redness bothers me: The day your slack sail drank my sister's breath The flat sea purpled like that evil cloth My mother unrolled at your last homecoming. I borrow the silts of an old tragedy. The truth is, one late October, at my birth-cry A scorpion stung its head, an ill-starred thing; My mother dreamed you face down in the sea.

The stony actors poise and pause for breath. I brought my love to bear, and then you died. It was the gangrene ate you to the bone My mother said: you died like any man. How shall I age into that state of mind? I am the ghost of an infamous suicide, My own blue razor rusting at my throat. O pardon the one who knocks for pardon at Your gate, father -- your hound-bitch, daughter, friend. It was my love that did us both to death. Sylvia Plath

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Elm I know the bottom, she says. I know it with my great tap root; It is what you fear. I do not fear it: I have been there. Is it the sea you hear in me, Its dissatisfactions? Or the voice of nothing, that was you madness?

Love is a shadow. How you lie and cry after it. Listen: these are its hooves: it has gone off, like a horse. All night I shall gallup thus, impetuously, Till your head is a stone, your pillow a little turf, Echoing, echoing. Or shall I bring you the sound of poisons? This is rain now, the big hush. And this is the fruit of it: tin white, like arsenic.

I have suffered the atrocity of sunsets. Scorched to the root My red filaments burn and stand,a hand of wires.

Now I break up in pieces that fly about like clubs. A wind of such violence Will tolerate no bystanding: I must shriek.

The moon, also, is merciless: she would drag me Cruelly, being barren. Her radiance scathes me. Or perhaps I have caught her. I let her go. I let her go Diminished and flat, as after radical surgery. How your bad dreams possess and endow me. I am inhabited by a cry. Nightly it flaps out Looking, with its hooks, for something to love.

I am terrified by this dark thing That sleeps in me; All day I feel its soft, feathery turnings, its malignity.

Clouds pass and disperse. Are those the faces of love, those pale irretrievables? Is it for such I agitate my heart? I am incapable of more knowledge. What is this, this face So murderous in its strangle of branches?-www.PoemHunter.com - The World's Poetry Archive

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Its snaky acids kiss. It petrifies the will. These are the isolate, slow faults That kill, that kill, that kill. Sylvia Plath

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Face Lift You bring me good news from the clinic, Whipping off your silk scarf, exhibiting the tight white Mummy-cloths, smiling: I'm all right. When I was nine, a lime-green anesthetist Fed me banana-gas through a frog mask. The nauseous vault Boomed with bad dreams and the Jovian voices of surgeons. Then mother swam up, holding a tin basin. O I was sick.

They've changed all that. Traveling Nude as Cleopatra in my well-boiled hospital shift, Fizzy with sedatives and unusually humorous, I roll to an anteroom where a kind man Fists my fingers for me. He makes me feel something precious Is leaking from the finger-vents. At the count of two, Darkness wipes me out like chalk on a blackboard. . . I don't know a thing.

For five days I lie in secret, Tapped like a cask, the years draining into my pillow. Even my best friend thinks I'm in the country. Skin doesn't have roots, it peels away easy as paper. When I grin, the stitches tauten. I grow backward. I'm twenty, Broody and in long skirts on my first husband's sofa, my fingers Buried in the lambswool of the dead poodle; I hadn't a cat yet. Now she's done for, the dewlapped lady I watched settle, line by line, in my mirror— Old sock-face, sagged on a darning egg. They've trapped her in some laboratory jar. Let her die there, or wither incessantly for the next fifty years, Nodding and rocking and fingering her thin hair. Mother to myself, I wake swaddled in gauze, Pink and smooth as a baby. Sylvia Plath

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Faun Haunched like a faun, he hooed From grove of moon-glint and fen-frost Until all owls in the twigged forest Flapped black to look and brood On the call this man made. No sound but a drunken coot Lurching home along river bank. Stars hung water-sunk, so a rank Of double star-eyes lit Boughs where those owls sat.

An arena of yellow eyes Watched the changing shape he cut, Saw hoof harden from foot, saw sprout Goat-horns. Marked how god rose And galloped woodward in that guise. Sylvia Plath

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Fever 103 deg. Pure? What does it mean? The tongues of hell Are dull, dull as the triple

Tongues of dull, fat Cerebus Who wheezes at the gate. Incapable Of licking clean The aguey tendon, the sin, the sin. The tinder cries. The indelible smell

Of a snuffed candle! Love, love, the low smokes roll From me like Isadora's scarves, I'm in a fright One scarf will catch and anchor in the wheel. Such yellow sullen smokes Make their own element. They will not rise, But trundle round the globe Choking the aged and the meek, The weak

Hothouse baby in its crib, The ghastly orchid Hanging its hanging garden in the air, Devilish leopard! Radiation turned it white And killed it in an hour.

Greasing the bodies of adulterers Like Hiroshima ash and eating in. The sin. The sin.

Darling, all night I have been flickering, off, on, off, on. The sheets grow heavy as a lecher's kiss. Three days. Three nights. Lemon water, chicken Water, water make me retch.

I am too pure for you or anyone. Your body Hurts me as the world hurts God. I am a lantern-My head a moon Of Japanese paper, my gold beaten skin Infinitely delicate and infinitely expensive. www.PoemHunter.com - The World's Poetry Archive

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Does not my heat astound you. And my light. All by myself I am a huge camellia Glowing and coming and going, flush on flush. I think I am going up, I think I may rise-The beads of hot metal fly, and I, love, I Am a pure acetylene Virgin Attended by roses,

By kisses, by cherubim, By whatever these pink things mean. Not you, nor him.

Not him, nor him (My selves dissolving, old whore petticoats)-To Paradise. Sylvia Plath

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Fever 103° Pure? What does it mean? The tongues of hell Are dull, dull as the triple

Tongues of dull, fat Cerebus Who wheezes at the gate. Incapable Of licking clean The aguey tendon, the sin, the sin. The tinder cries. The indelible smell

Of a snuffed candle! Love, love, the low smokes roll From me like Isadora's scarves, I'm in a fright One scarf will catch and anchor in the wheel. Such yellow sullen smokes Make their own element. They will not rise, But trundle round the globe Choking the aged and the meek, The weak

Hothouse baby in its crib, The ghastly orchid Hanging its hanging garden in the air, Devilish leopard! Radiation turned it white And killed it in an hour.

Greasing the bodies of adulterers Like Hiroshima ash and eating in. The sin. The sin.

Darling, all night I have been flickering, off, on, off, on. The sheets grow heavy as a lecher's kiss. Three days. Three nights. Lemon water, chicken Water, water make me retch.

I am too pure for you or anyone. Your body Hurts me as the world hurts God. I am a lantern ---My head a moon Of Japanese paper, my gold beaten skin Infinitely delicate and infinitely expensive. www.PoemHunter.com - The World's Poetry Archive

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Does not my heat astound you. And my light. All by myself I am a huge camellia Glowing and coming and going, flush on flush. I think I am going up, I think I may rise ---The beads of hot metal fly, and I, love, I Am a pure acetylene Virgin Attended by roses,

By kisses, by cherubim, By whatever these pink things mean. Not you, nor him.

Not him, nor him (My selves dissolving, old whore petticoats) ---To Paradise. Sylvia Plath

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Fiesta Melons In Benidorm there are melons, Whole donkey-carts full Of innumerable melons, Ovals and balls,

Bright green and thumpable Laced over with stripes

Of turtle-dark green. Chooose an egg-shape, a world-shape, Bowl one homeward to taste In the whitehot noon : Cream-smooth honeydews, Pink-pulped whoppers, Bump-rinded cantaloupes With orange cores.

Each wedge wears a studding Of blanched seeds or black seeds To strew like confetti Under the feet of

This market of melon-eating Fiesta-goers. Sylvia Plath

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Full Fathom Five Old man, you surface seldom. Then you come in with the tide's coming When seas wash cold, foam-

Capped: white hair, white beard, far-flung, A dragnet, rising, falling, as waves Crest and trough. Miles long

Extend the radial sheaves Of your spread hair, in which wrinkling skeins Knotted, caught, survives The old myth of orgins Unimaginable. You float near As kneeled ice-mountains

Of the north, to be steered clear Of, not fathomed. All obscurity Starts with a danger:

Your dangers are many. I Cannot look much but your form suffers Some strange injury And seems to die: so vapors Ravel to clearness on the dawn sea. The muddy rumors Of your burial move me To half-believe: your reappearance Proves rumors shallow,

For the archaic trenched lines Of your grained face shed time in runnels: Ages beat like rains On the unbeaten channels Of the ocean. Such sage humor and Durance are whirlpools

To make away with the groundWork of the earth and the sky's ridgepole. Waist down, you may wind One labyrinthine tangle To root deep among knuckles, shinbones, Skulls. Inscrutable, Below shoulders not once Seen by any man who kept his head, You defy questions; www.PoemHunter.com - The World's Poetry Archive

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You defy godhood. I walk dry on your kingdom's border Exiled to no good. Your shelled bed I remember. Father, this thick air is murderous. I would breathe water. Sylvia Plath

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Getting There How far is it? How far is it now? The gigantic gorilla interior Of the wheels move, they appall me --The terrible brains Of Krupp, black muzzles Revolving, the sound Punching out Absence! Like cannon. It is Russia I have to get across, it is some was or other. I am dragging my body Quietly through the straw of the boxcars. Now is the time for bribery. What do wheels eat, these wheels Fixed to their arcs like gods, The silver leash of the will ---Inexorable. And their pride! All the gods know destinations. I am a letter in this slot! I fly to a name, two eyes. Will there be fire, will there be bread? Here there is such mud. It is a trainstop, the nurses Undergoing the faucet water, its veils, veils in a nunnery, Touching their wounded, The men the blood still pumps forward, Legs, arms piled outside The tent of unending cries ---A hospital of dolls. And the men, what is left of the men Pumped ahead by these pistons, this blood Into the next mile, The next hour ---Dynasty of broken arrows!

How far is it? There is mud on my feet, Thick, red and slipping. It is Adam's side, This earth I rise from, and I in agony. I cannot undo myself, and the train is steaming. Steaming and breathing, its teeth Ready to roll, like a devil's. There is a minute at the end of it A minute, a dewdrop. How far is it? It is so small The place I am getting to, why are there these obstacles ---The body of this woman, Charred skirts and deathmask Mourned by religious figures, by garlanded children. And now detonations ---Thunder and guns. The fire's between us.

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Is there no place Turning and turning in the middle air, Untouchable and untouchable. The train is dragging itself, it is screaming ---An animal Insane for the destination, The bloodspot, The face at the end of the flare. I shall bury the wounded like pupas, I shall count and bury the dead. Let their souls writhe in like dew, Incense in my track. The carriages rock, they are cradles. And I, stepping from this skin Of old bandages, boredoms, old faces Step up to you from the black car of Lethe, Pure as a baby. Sylvia Plath

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Gigolo Pocket watch, I tick well. The streets are lizardly crevices Sheer-sided, with holes where to hide. It is best to meet in a cul-de-sac, A palace of velvet With windows of mirrors. There one is safe, There are no family photographs,

No rings through the nose, no cries. Bright fish hooks, the smiles of women Gulp at my bulk And I, in my snazzy blacks, Mill a litter of breasts like jellyfish. To nourish The cellos of moans I eat eggs -Eggs and fish, the essentials,

The aphrodisiac squid. My mouth sags, The mouth of Christ When my engine reaches the end of it. The tattle of my Gold joints, my way of turning Bitches to ripples of silver Rolls out a carpet, a hush.

And there is no end, no end of it. I shall never grow old. New oysters Shriek in the sea and I Glitter like Fontainebleu Gratified, All the fall of water an eye Over whose pool I tenderly Lean and see me. Sylvia Plath

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Goatsucker Old goatherds swear how all night long they hear The warning whirr and burring of the bird Who wakes with darkness and till dawn works hard Vampiring dry of milk each great goat udder. Moon full, moon dark, the chary dairy farmer Dreams that his fattest cattle dwindle, fevered By claw-cuts of the Goatsucker, alias Devil-bird, Its eye, flashlit, a chip of ruby fire.

So fables say the Goatsucker moves, masked from men's sight In an ebony air, on wings of witch cloth, Well-named, ill-famed a knavish fly-by-night, Yet it never milked any goat, nor dealt cow death And shadows only--cave-mouth bristle beset-Cockchafers and the wan, green luna moth. Sylvia Plath

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I Am Vertical But I would rather be horizontal. I am not a tree with my root in the soil Sucking up minerals and motherly love So that each March I may gleam into leaf, Nor am I the beauty of a garden bed Attracting my share of Ahs and spectacularly painted, Unknowing I must soon unpetal. Compared with me, a tree is immortal And a flower-head not tall, but more startling, And I want the one's longevity and the other's daring.

Tonight, in the infinitesimal light of the stars, The trees and flowers have been strewing their cool odors. I walk among them, but none of them are noticing. Sometimes I think that when I am sleeping I must most perfectly resemble them-Thoughts gone dim. It is more natural to me, lying down. Then the sky and I are in open conversation, And I shall be useful when I lie down finally: The the trees may touch me for once, and the flowers have time for me. Sylvia Plath

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In Plaster I shall never get out of this! There are two of me now: This new absolutely white person and the old yellow one, And the white person is certainly the superior one. She doesn't need food, she is one of the real saints. At the beginning I hated her, she had no personality -She lay in bed with me like a dead body And I was scared, because she was shaped just the way I was Only much whiter and unbreakable and with no complaints. I couldn't sleep for a week, she was so cold. I blamed her for everything, but she didn't answer. I couldn't understand her stupid behavior! When I hit her she held still, like a true pacifist. Then I realized what she wanted was for me to love her: She began to warm up, and I saw her advantages.

Without me, she wouldn't exist, so of course she was grateful. I gave her a soul, I bloomed out of her as a rose Blooms out of a vase of not very valuable porcelain, And it was I who attracted everybody's attention, Not her whiteness and beauty, as I had at first supposed. I patronized her a little, and she lapped it up -You could tell almost at once she had a slave mentality.

I didn't mind her waiting on me, and she adored it. In the morning she woke me early, reflecting the sun From her amazingly white torso, and I couldn't help but notice Her tidiness and her calmness and her patience: She humored my weakness like the best of nurses, Holding my bones in place so they would mend properly. In time our relationship grew more intense.

She stopped fitting me so closely and seemed offish. I felt her criticizing me in spite of herself, As if my habits offended her in some way. She let in the drafts and became more and more absent-minded. And my skin itched and flaked away in soft pieces Simply because she looked after me so badly. Then I saw what the trouble was: she thought she was immortal.

She wanted to leave me, she thought she was superior, And I'd been keeping her in the dark, and she was resentful -Wasting her days waiting on a half-corpse! And secretly she began to hope I'd die. Then she could cover my mouth and eyes, cover me entirely, And wear my painted face the way a mummy-case Wears the face of a pharaoh, though it's made of mud and water. I wasn't in any position to get rid of her. She'd supported me for so long I was quite limp -I had forgotten how to walk or sit, So I was careful not to upset her in any way

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Or brag ahead of time how I'd avenge myself. Living with her was like living with my own coffin: Yet I still depended on her, though I did it regretfully.

I used to think we might make a go of it together -After all, it was a kind of marriage, being so close. Now I see it must be one or the other of us. She may be a saint, and I may be ugly and hairy, But she'll soon find out that that doesn't matter a bit. I'm collecting my strength; one day I shall manage without her, And she'll perish with emptiness then, and begin to miss me. Sylvia Plath

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Insomniac The night is only a sort of carbon paper, Blueblack, with the much-poked periods of stars Letting in the light, peephole after peephole . . . A bonewhite light, like death, behind all things. Under the eyes of the stars and the moon's rictus He suffers his desert pillow, sleeplessness Stretching its fine, irritating sand in all directions.

Over and over the old, granular movie Exposes embarrassments--the mizzling days Of childhood and adolescence, sticky with dreams, Parental faces on tall stalks, alternately stern and tearful, A garden of buggy rose that made him cry. His forehead is bumpy as a sack of rocks. Memories jostle each other for face-room like obsolete film stars. He is immune to pills: red, purple, blue . . . How they lit the tedium of the protracted evening! Those sugary planets whose influence won for him A life baptized in no-life for a while, And the sweet, drugged waking of a forgetful baby. Now the pills are worn-out and silly, like classical gods. Their poppy-sleepy colors do him no good. His head is a little interior of grey mirrors. Each gesture flees immediately down an alley Of diminishing perspectives, and its significance Drains like water out the hole at the far end. He lives without privacy in a lidless room, The bald slots of his eyes stiffened wide-open On the incessant heat-lightning flicker of situations.

Nightlong, in the granite yard, invisible cats Have been howling like women, or damaged instruments. Already he can feel daylight, his white disease, Creeping up with her hatful of trivial repetitions. The city is a map of cheerful twitters now, And everywhere people, eyes mica-silver and blank, Are riding to work in rows, as if recently brainwashed. Sylvia Plath

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Jilted My thoughts are crabbed and sallow, My tears like vinegar, Or the bitter blinking yellow Of an acetic star. Tonight the caustic wind, love, Gossips late and soon, And I wear the wry-faced pucker of The sour lemon moon. While like an early summer plum, Puny, green, and tart, Droops upon its wizened stem My lean, unripened heart. Sylvia Plath

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Kindness Kindness glides about my house. Dame Kindness, she is so nice! The blue and red jewels of her rings smoke In the windows, the mirrors Are filling with smiles.

What is so real as the cry of a child? A rabbit's cry may be wilder But it has no soul. Sugar can cure everything, so Kindness says. Sugar is a necessary fluid, Its crystals a little poultice. O kindness, kindness Sweetly picking up pieces! My Japanese silks, desperate butterflies, May be pinned any minute, anesthetized. And here you come, with a cup of tea Wreathed in steam. The blood jet is poetry, There is no stopping it. You hand me two children, two roses. Sylvia Plath

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Lady Lazarus I have done it again. One year in every ten I manage it----

A sort of walking miracle, my skin Bright as a Nazi lampshade, My right foot A paperweight, My face a featureless, fine Jew linen. Peel off the napkin 0 my enemy. Do I terrify?----

The nose, the eye pits, the full set of teeth? The sour breath Will vanish in a day. Soon, soon the flesh The grave cave ate will be At home on me

And I a smiling woman. I am only thirty. And like the cat I have nine times to die. This is Number Three. What a trash To annihilate each decade.

What a million filaments. The peanut-crunching crowd Shoves in to see

Them unwrap me hand and foot The big strip tease. Gentlemen, ladies These are my hands My knees. I may be skin and bone,

Nevertheless, I am the same, identical woman. The first time it happened I was ten. It was an accident. The second time I meant To last it out and not come back at all. I rocked shut www.PoemHunter.com - The World's Poetry Archive

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As a seashell. They had to call and call And pick the worms off me like sticky pearls. Dying Is an art, like everything else, I do it exceptionally well.

I do it so it feels like hell. I do it so it feels real. I guess you could say I've a call.

It's easy enough to do it in a cell. It's easy enough to do it and stay put. It's the theatrical

Comeback in broad day To the same place, the same face, the same brute Amused shout: 'A miracle!' That knocks me out. There is a charge

For the eyeing of my scars, there is a charge For the hearing of my heart---It really goes. And there is a charge, a very large charge For a word or a touch Or a bit of blood Or a piece of my hair or my clothes. So, so, Herr Doktor. So, Herr Enemy. I am your opus, I am your valuable, The pure gold baby

That melts to a shriek. I turn and burn. Do not think I underestimate your great concern. Ash, ash --You poke and stir. Flesh, bone, there is nothing there---A cake of soap, A wedding ring, A gold filling.

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Herr God, Herr Lucifer Beware Beware.

Out of the ash I rise with my red hair And I eat men like air. Sylvia Plath

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Landowners From my rented attic with no earth To call my own except the air-motes, I malign the leaden perspective Of identical gray brick houses, Orange roof-tiles, orange chimney pots, And see that first house, as if between Mirrors, engendering a spectral Corridor of inane replicas, Flimsily peopled. But landowners Own thier cabbage roots, a space of stars, Indigenous peace. Such substance makes My eyeful of reflections a ghost's Eyeful, which, envious,would define Death as striking root on one land-tract; Life, its own vaporous wayfarings. Sylvia Plath

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Last Words I do not want a plain box, I want a sarcophagus With tigery stripes, and a face on it Round as the moon, to stare up. I want to be looking at them when they come Picking among the dumb minerals, the roots. I see them already -- the pale, star-distance faces. Now they are nothing, they are not even babies. I imagine them without fathers or mothers, like the first gods. They will wonder if I was important. I should sugar and preserve my days like fruit! My mirror is clouding over -A few more breaths, and it will reflect nothing at all. The flowers and the faces whiten to a sheet.

I do not trust the spirit. It escapes like steam In dreams, through mouth-hole or eye-hole. I can't stop it. One day it won't come back. Things aren't like that. They stay, their little particular lusters Warmed by much handling. They almost purr. When the soles of my feet grow cold, The blue eye of my tortoise will comfort me. Let me have my copper cooking pots, let my rouge pots Bloom about me like night flowers, with a good smell. They will roll me up in bandages, they will store my heart Under my feet in a neat parcel. I shall hardly know myself. It will be dark, And the shine of these small things sweeter than the face of Ishtar. Sylvia Plath

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Leaving Early Lady, your room is lousy with flowers. When you kick me out, that's what I'll remember, Me, sitting here bored as a loepard In your jungle of wine-bottle lamps, Velvet pillows the color of blood pudding And the white china flying fish from Italy. I forget you, hearing the cut flowers Sipping their liquids from assorted pots, Pitchers and Coronation goblets Like Monday drunkards. The milky berries Bow down, a local constellation, Toward their admirers in the tabletop: Mobs of eyeballs looking up. Are those petals of leaves you've paried with them --Those green-striped ovals of silver tissue? The red geraniums I know. Friends, friends. They stink of armpits And the invovled maladies of autumn, Musky as a lovebed the morning after. My nostrils prickle with nostalgia. Henna hags:cloth of your cloth. They tow old water thick as fog. The roses in the Toby jug Gave up the ghost last night. High time. Their yellow corsets were ready to split. You snored, and I heard the petals unlatch, Tapping and ticking like nervous fingers. You should have junked them before they died. Daybreak discovered the bureau lid Littered with Chinese hands. Now I'm stared at By chrysanthemums the size Of Holofernes' head, dipped in the same Magenta as this fubsy sofa. In the mirror their doubles back them up. Listen: your tenant mice Are rattling the cracker packets. Fine flour Muffles their bird feet: they whistle for joy. And you doze on, nose to the wall. This mizzle fits me like a sad jacket. How did we make it up to your attic? You handed me gin in a glass bud vase. We slept like stones. Lady, what am I doing With a lung full of dust and a tongue of wood, Knee-deep in the cold swamped by flowers? Submitted by Venus Sylvia Plath

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Lesbos Viciousness in the kitchen! The potatoes hiss. It is all Hollywood, windowless, The fluorescent light wincing on and off like a terrible migraine, Coy paper strips for doors -Stage curtains, a widow’s frizz. And I, love, am a pathological liar, And my child -- look at her, face down on the floor, Little unstrung puppet, kicking to disappear -Why she is schizophrenic, Her face is red and white, a panic, You have stuck her kittens outside your window In a sort of cement well Where they crap and puke and cry and she can’t hear. You say you can’t stand her, The bastard’s a girl. You who have blown your tubes like a bad radio Clear of voices and history, the staticky Noise of the new. You say I should drown the kittens. Their smell! You say I should drown my girl. She’ll cut her throat at ten if she’s mad at two. The baby smiles, fat snail, From the polished lozenges of orange linoleum. You could eat him. He’s a boy. You say your husband is just no good to you. His Jew-Mama guards his sweet sex like a pearl. You have one baby, I have two. I should sit on a rock off Cornwall and comb my hair. I should wear tiger pants, I should have an affair. We should meet in another life, we should meet in air, Me and you. Meanwhile there’s a stink of fat and baby crap. I’m doped and thick from my last sleeping pill. The smog of cooking, the smog of hell Floats our heads, two venemous opposites, Our bones, our hair. I call you Orphan, orphan. You are ill. The sun gives you ulcers, the wind gives you T.B. Once you were beautiful. In New York, in Hollywood, the men said: 'Through? Gee baby, you are rare.' You acted, acted for the thrill. The impotent husband slumps out for a coffee. I try to keep him in, An old pole for the lightning, The acid baths, the skyfuls off of you. He lumps it down the plastic cobbled hill, Flogged trolley. The sparks are blue. The blue sparks spill, Splitting like quartz into a million bits.

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O jewel! O valuable! That night the moon Dragged its blood bag, sick Animal Up over the harbor lights. And then grew normal, Hard and apart and white. The scale-sheen on the sand scared me to death. We kept picking up handfuls, loving it, Working it like dough, a mulatto body, The silk grits. A dog picked up your doggy husband. He went on.

Now I am silent, hate Up to my neck, Thick, thick. I do not speak. I am packing the hard potatoes like good clothes, I am packing the babies, I am packing the sick cats. O vase of acid, It is love you are full of. You know who you hate. He is hugging his ball and chain down by the gate That opens to the sea Where it drives in, white and black, Then spews it back. Every day you fill him with soul-stuff, like a pitcher. You are so exhausted. Your voice my ear-ring, Flapping and sucking, blood-loving bat. That is that. That is that. You peer from the door, Sad hag. 'Every woman’s a whore. I can’t communicate.' I see your cute décor Close on you like the fist of a baby Or an anemone, that sea Sweetheart, that kleptomaniac. I am still raw. I say I may be back. You know what lies are for.

Even in your Zen heaven we shan’t meet. Sylvia Plath

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Letter in November Love, the world Suddenly turns, turns color. The streetlight Splits through the rat's tail Pods of the laburnum at nine in the morning. It is the Arctic,

This little black Circle, with its tawn silk grasses - babies hair. There is a green in the air, Soft, delectable. It cushions me lovingly.

I am flushed and warm. I think I may be enormous, I am so stupidly happy, My Wellingtons Squelching and squelching through the beautiful red. This is my property. Two times a day I pace it, sniffing The barbarous holly with its viridian Scallops, pure iron, And the wall of the odd corpses. I love them. I love them like history. The apples are golden, Imagine it . . .

My seventy trees Holding their gold-ruddy balls In a thick gray death-soup, Their million Gold leaves metal and breathless.

O love, O celibate. Nobody but me Walks the waist high wet. The irreplaceable Golds bleed and deepen, the mouths of Thermopylae. Sylvia Plath

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Lorelei It is no night to drown in: A full moon, river lapsing Black beneath bland mirror-sheen, The blue water-mists dropping Scrim after scrim like fishnets Though fishermen are sleeping,

The massive castle turrets Doubling themselves in a glass All stillness. Yet these shapes float Up toward me, troubling the face Of quiet. From the nadir They rise, their limbs ponderous

With richness, hair heavier Than sculptured marble. They sing Of a world more full and clear Than can be. Sisters, your song Bears a burden too weighty For the whorled ear's listening Here, in a well-steered country, Under a balanced ruler. Deranging by harmony

Beyond the mundane order, Your voices lay siege. You lodge On the pitched reefs of nightmare, Promising sure harborage; By day, descant from borders Of hebetude, from the ledge

Also of high windows. Worse Even than your maddening Song, your silence. At the source

Of your ice-hearted calling -Drunkenness of the great depths. O river, I see drifting

Deep in your flux of silver Those great goddesses of peace. Stone, stone, ferry me down there. Sylvia Plath

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Love Letter Not easy to state the change you made. If I'm alive now, then I was dead, Though, like a stone, unbothered by it, Staying put according to habit. You didn't just tow me an inch, noNor leave me to set my small bald eye Skyward again, without hope, of course, Of apprehending blueness, or stars.

That wasn't it. I slept, say: a snake Masked among black rocks as a black rock In the white hiatus of winterLike my neighbors, taking no pleasure In the million perfectly-chisled Cheeks alighting each moment to melt My cheeks of basalt. They turned to tears, Angels weeping over dull natures, But didn't convince me. Those tears froze. Each dead head had a visor of ice. And I slept on like a bent finger. The first thing I was was sheer air And the locked drops rising in dew Limpid as spirits. Many stones lay Dense and expressionless round about. I didn't know what to make of it. I shone, mice-scaled, and unfolded To pour myself out like a fluid Among bird feet and the stems of plants. I wasn't fooled. I knew you at once.

Tree and stone glittered, without shadows. My finger-length grew lucent as glass. I started to bud like a March twig: An arm and a leg, and arm, a leg. From stone to cloud, so I ascended. Now I resemble a sort of god Floating through the air in my soul-shift Pure as a pane of ice. It's a gift. Sylvia Plath

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Lyonnesse No use whistling for Lyonnesse! Sea-cold, sea-cold it certainly is. Take a look at the white, high berg on his foreheadThere's where it sunk. The blue, green, Gray, indeterminate gilt

Sea of his eyes washing over it And a round bubble Popping upward from the mouths of bells People and cows. The Lyonians had always thought Heaven would be something else, But with the same faces, The same places... It was not a shock-

The clear, green, quite breathable atmosphere, Cold grits underfoot, And the spidery water-dazzle on field and street. It never occurred that they had been forgot, That the big God Had lazily closed one eye and let them slip

Over the English cliff and under so much history! They did not see him smile, Turn, like an animal,

In his cage of ether, his cage of stars. He'd had so many wars! The white gape of his mind was the real Tabula Rasa. Sylvia Plath

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Mad Girl's Love Song "I shut my eyes and all the world drops dead; I lift my lids and all is born again. (I think I made you up inside my head.) The stars go waltzing out in blue and red, And arbitrary blackness gallops in: I shut my eyes and all the world drops dead.

I dreamed that you bewitched me into bed And sung me moon-struck, kissed me quite insane. (I think I made you up inside my head.) God topples from the sky, hell's fires fade: Exit seraphim and Satan's men: I shut my eyes and all the world drops dead. I fancied you'd return the way you said, But I grow old and I forget your name. (I think I made you up inside my head.)

I should have loved a thunderbird instead; At least when spring comes they roar back again. I shut my eyes and all the world drops dead. (I think I made you up inside my head.)" Sylvia Plath

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Mary's Song The Sunday lamb cracks in its fat. The fat Sacrifices its opacity. . . . A window, holy gold. The fire makes it precious, The same fire

Melting the tallow heretics, Ousting the Jews. Their thick palls float

Over the cicatrix of Poland, burnt-out Germany. They do not die. Grey birds obsess my heart, Mouth-ash, ash of eye. They settle. On the high

Precipice That emptied one man into space The ovens glowed like heavens, incandescent. It is a heart, This holocaust I walk in, O golden child the world will kill and eat. Sylvia Plath

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Medusa Off that landspit of stony mouth-plugs, Eyes rolled by white sticks, Ears cupping the sea's incoherences, You house your unnerving head--God-ball, Lens of mercies, Your stooges Plying their wild cells in my keel's shadow, Pushing by like hearts, Red stigmata at the very center, Riding the rip tide to the nearest point of departure,

Dragging their Jesus hair. Did I escape, I wonder? My mind winds to you Old barnacled umbilicus, Atlantic cable, Keeping itself, it seems, in a state of miraculous repair. In any case, you are always there, Tremulous breath at the end of my line, Curve of water upleaping To my water rod, dazzling and grateful, Touching and sucking. I didn't call you. I didn't call you at all. Nevertheless, nevertheless You steamed to me over the sea, Fat and red, a placenta

Paralyzing the kicking lovers. Cobra light Squeezing the breath from the blood bells Of the fuchsia. I could draw no breath, Dead and moneyless, Overexposed, like an X-ray. Who do you think you are? A Communion wafer? Blubbery Mary? I shall take no bite of your body, Bottle in which I live, Ghastly Vatican. I am sick to death of hot salt. Green as eunuchs, your wishes Hiss at my sins. Off, off, eely tentacle! There is nothing between us. Sylvia Plath

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Metaphors I'm a riddle in nine syllables, An elephant, a ponderous house, A melon strolling on two tendrils. O red fruit, ivory, fine timbers! This loaf's big with its yeasty rising. Money's new-minted in this fat purse. I'm a means, a stage, a cow in calf. I've eaten a bag of green apples, Boarded the train there's no getting off. Sylvia Plath

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Mirror I am silver and exact. I have no preconceptions. Whatever I see I swallow immediately Just as it is, unmisted by love or dislike. I am not cruel, only truthful ‚ The eye of a little god, four-cornered. Most of the time I meditate on the opposite wall. It is pink, with speckles. I have looked at it so long I think it is part of my heart. But it flickers. Faces and darkness separate us over and over.

Now I am a lake. A woman bends over me, Searching my reaches for what she really is. Then she turns to those liars, the candles or the moon. I see her back, and reflect it faithfully. She rewards me with tears and an agitation of hands. I am important to her. She comes and goes. Each morning it is her face that replaces the darkness. In me she has drowned a young girl, and in me an old woman Rises toward her day after day, like a terrible fish. Sylvia Plath

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Monologue At 3 AM Better that every fiber crack and fury make head, blood drenching vivid couch, carpet, floor and the snake-figured almanac vouching you are a million green counties from here,

than to sit mute, twitching so under prickling stars, with stare, with curse blackening the time goodbyes were said, trains let go, and I, great magnanimous fool, thus wrenched from my one kingdom. Submitted by Venus Sylvia Plath

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Morning Song Love set you going like a fat gold watch. The midwife slapped your footsoles, and your bald cry Took its place among the elements. Our voices echo, magnifying your arrival. New statue. In a drafty museum, your nakedness Shadows our safety. We stand round blankly as walls.

I'm no more your mother Than the cloud that distills a mirror to reflect its own slow Effacement at the wind's hand. All night your moth-breath Flickers among the flat pink roses. I wake to listen: A far sea moves in my ear.

One cry, and I stumble from bed, cow-heavy and floral In my Victorian nightgown. Your mouth opens clean as a cat's. The window square Whitens and swallows its dull stars. And now you try Your handful of notes; The clear vowels rise like balloons. Sylvia Plath

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Mushrooms Overnight, very Whitely, discreetly, Very quietly

Our toes, our noses Take hold on the loam, Acquire the air.

Nobody sees us, Stops us, betrays us; The small grains make room. Soft fists insist on Heaving the needles, The leafy bedding,

Even the paving. Our hammers, our rams, Earless and eyeless,

Perfectly voiceless, Widen the crannies, Shoulder through holes. We Diet on water, On crumbs of shadow, Bland-mannered, asking Little or nothing. So many of us! So many of us!

We are shelves, we are Tables, we are meek, We are edible, Nudgers and shovers In spite of ourselves. Our kind multiplies:

We shall by morning Inherit the earth. Our foot's in the door. Sylvia Plath

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Mystic The air is a mill of hooks -Questions without answer, Glittering and drunk as flies Whose kiss stings unbearably In the fetid wombs of black air under pines in summer. I remember The dead smell of sun on wood cabins, The stiffness of sails, the long salt winding sheets. Once one has seen God, what is the remedy? Once one has been seized up Without a part left over, Not a toe, not a finger, and used, Used utterly, in the sun's conflagration, the stains That lengthen from ancient cathedrals What is the remedy? The pill of the Communion tablet, The walking beside still water? Memory? Or picking up the bright pieces Of Christ in the faces of rodents, The tame flower-nibblers, the ones

Whose hopes are so low they are comfortable -The humpback in his small, washed cottage Under the spokes of the clematis. Is there no great love, only tenderness? Does the sea

Remember the walker upon it? Meaning leaks from the molecules. The chimneys of the city breathe, the window sweats, The children leap in their cots. The sun blooms, it is a geranium. The heart has not stopped. Sylvia Plath

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Never Try to Trick Me with a Kiss Never try to trick me with a kiss Pretending that the birds are here to stay; The dying man will scoff and scorn at this.

A stone can masquerade where no heart is And virgins rise where lustful Venus lay: Never try to trick me with a kiss.

Our noble doctor claims the pain is his, While stricken patients let him have his say; The dying man will scoff and scorn at this. Each virile bachelor dreads paralysis, The old maid in the gable cries all day: Never try to trick me with a kiss.

The suave eternal serpents promise bliss To mortal children longing to be gay; The dying man will scoff and scorn at this. Sooner or later something goes amiss; The singing birds pack up and fly away; So never try to trick me with a kiss: The dying man will scoff and scorn at this. Sylvia Plath

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Nick and the Candlestick I am a miner. The light burns blue. Waxy stalactites Drip and thicken, tears The earthen womb

Exudes from its dead boredom. Black bat airs Wrap me, raggy shawls, Cold homicides. They weld to me like plums. Old cave of calcium Icicles, old echoer. Even the newts are white,

Those holy Joes. And the fish, the fish— Christ! They are panes of ice, A vice of knives, A piranha Religion, drinking

Its first communion out of my live toes. The candle Gulps and recovers its small altitude, Its yellows hearten. O love, how did you get here? O embryo Remembering, even in sleep, Your crossed position. The blood blooms clean In you, ruby. The pain You wake to is not yours.

Love, love, I have hung our cave with roses. With soft rugs— The last of Victoriana. Let the stars Plummet to their dark address, Let the mercuric Atoms that cripple drip Into the terrible well,

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You are the one Solid the spaces lean on, envious. You are the baby in the barn. Sylvia Plath

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Night Shift It was not a heart, beating. That muted boom, that clangor Far off, not blood in the ears Drumming up and fever To impose on the evening. The noise came from outside: A metal detonating Native, evidently, to

These stilled suburbs nobody Startled at it, though the sound Shook the ground with its pounding. It took a root at my coming Till the thudding shource, exposed, Counfounded in wept guesswork: Framed in windows of Main Street's Silver factory, immense Hammers hoisted, wheels turning, Stalled, let fall their vertical Tonnage of metal and wood; Stunned in marrow. Men in white

Undershirts circled, tending Without stop those greased machines, Tending, without stop, the blunt Indefatigable fact. Submitted by Venus Sylvia Plath

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On Looking Into The Eyes Of A Demon Lover Here are two pupils whose moons of black transform to cripples all who look: each lovely lady who peers inside take on the body of a toad.

Within these mirrors the world inverts: the fond admirer's burning darts

turn back to injure the thrusting hand and inflame to danger the scarlet wound.

I sought my image in the scorching glass, for what fire could damage a witch's face? So I stared in that furnace where beauties char but found radiant Venus reflected there. Submitted by Venus Sylvia Plath

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Paralytic It happens. Will it go on? ---My mind a rock, No fingers to grip, no tongue, My god the iron lung That loves me, pumps My two Dust bags in and out, Will not

Let me relapse While the day outside glides by like ticker tape. The night brings violets, Tapestries of eyes, Lights, The soft anonymous Talkers: 'You all right?' The starched, inaccessible breast. Dead egg, I lie Whole On a whole world I cannot touch, At the white, tight

Drum of my sleeping couch Photographs visit meMy wife, dead and flat, in 1920 furs, Mouth full of pearls,

Two girls As flat as she, who whisper 'We're your daughters.' The still waters Wrap my lips, Eyes, nose and ears, A clear Cellophane I cannot crack. On my bare back I smile, a buddha, all Wants, desire Falling from me like rings Hugging their lights. The claw Of the magnolia, Drunk on its own scents, Asks nothing of life. Sylvia Plath

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Perseus The Triumph of Wit Over Suffering

Head alone shows you in the prodigious act Of digesting what centuries alone digest: The mammoth, lumbering statuary of sorrow, Indissoluble enough to riddle the guts Of a whale with holes and holes, and bleed him white Into salt seas. Hercules had a simple time, Rinsing those stables: a baby's tears would do it. But who'd volunteer to gulp the Laocoon, The Dying Gaul and those innumerable pietas Festering on the dim walls of Europe's chapels, Museums and sepulchers? You. You Who borrowed feathers for your feet, not lead, Not nails, and a mirror to keep the snaky head In safe perspective, could outface the gorgon-grimace Of human agony: a look to numb Limbs: not a basilisk-blink, nor a double whammy, But all the accumulated last grunts, groans, Cries and heroic couplets concluding the million Enacted tragedies on these blood-soaked boards, And every private twinge a hissing asp To petrify your eyes, and every village Catastrophe a writhing length of cobra, And the decline of empires the thick coil of a vast Anacnoda. Imagine: the world Fisted to a foetus head, ravined, seamed With suffering from conception upwards, and there You have it in hand. Grit in the eye or a sore Thumb can make anyone wince, but the whole globe Expressive of grief turns gods, like kings, to rocks. Those rocks, cleft and worn, themselves then grow Ponderous and extend despair on earth's Dark face. So might rigor mortis come to stiffen All creation, were it not for a bigger belly Still than swallows joy. You enter now, Armed with feathers to tickle as well as fly, And a fun-house mirror that turns the tragic muse To the beheaded head of a sullen doll, one braid, A bedraggled snake, hanging limp as the absurd mouth Hangs in its lugubious pout. Where are The classic limbs of stubborn Antigone? The red, royal robes of Phedre? The tear-dazzled Sorrows of Malfi's gentle duchess? Gone In the deep convulsion gripping your face, muscles And sinews bunched, victorious, as the cosmic Laugh does away with the unstitching, plaguey wounds

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Of an eternal sufferer. To you Perseus, the palm, and may you poise And repoise until time stop, the celestial balance Which weighs our madness with our sanity. Sylvia Plath

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Poems, Potatoes The word, defining, muzzles; the drawn line Ousts mistier peers and thrives, murderous, In establishments which imagined lines

Can only haunt. Sturdy as potatoes, Stones, without conscience, word and line endure, Given an inch. Not that they're gross (although Afterthought often would have them alter To delicacy, to poise) but that they Shortchange me continuously: whether More or other, they still dissatisfy. Unpoemed, unpictured, the potato Bunches its knobby browns on a vastly Superior page; the blunt stone also. Sylvia Plath

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Polly's Tree A dream tree, Polly's tree: a thicket of sticks, each speckled twig ending in a thin-paned leaf unlike any other on it or in a ghost flower flat as paper and of a color

vaporish as frost-breath, more finical than any silk fan the Chinese ladies use to stir robin's egg air. The silver -

haired seed of the milkweed comes to roost there, frail as the halo rayed round a candle flame, a will-o'-the-wisp nimbus, or puff of cloud-stuff, tipping her queer candelabrum. Palely lit by snuff-ruffed dandelions, white daisy wheels and a tiger faced pansy, it glows. O it's no family tree, Polly's tree, nor

a tree of heaven, though it marry quartz-flake, feather and rose.

It sprang from her pillow whole as a cobweb ribbed like a hand,

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bleeding hearts on its sleeve and, crowning it, one blue larkspur star. Sylvia Plath

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Poppies In July Little poppies, little hell flames, Do you do no harm?

You flicker. I cannot touch you. I put my hands among the flames. Nothing burns

And it exhausts me to watch you Flickering like that, wrinkly and clear red, like the skin of a mouth. A mouth just bloodied. Little bloody skirts!

There are fumes I cannot touch. Where are your opiates, your nauseous capsules? If I could bleed, or sleep! If my mouth could marry a hurt like that!

Or your liquors seep to me, in this glass capsule, Dulling and stilling. But colorless. Colorless. Sylvia Plath

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Poppies in October Even the sun-clouds this morning cannot manage such skirts. Nor the woman in the ambulance Whose red heart blooms through her coat so astoundingly -A gift, a love gift Utterly unasked for By a sky

Palely and flamily Igniting its carbon monoxides, by eyes Dulled to a halt under bowlers.

O my God, what am I That these late mouths should cry open In a forest of frost, in a dawn of cornflowers. Sylvia Plath

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Prospect Among orange-tile rooftops and chimney pots the fen fog slips, gray as rats, while on spotted branch of the sycamore two black rooks hunch and darkly glare,

watching for night, with absinthe eye cocked on the lone, late, passer-by. Sylvia Plath

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Purdah Jade -Stone of the side, The antagonized

Side of green Adam, I Smile, cross-legged, Enigmatical,

Shifting my clarities. So valuable! How the sun polishes this shoulder! And should The moon, my Indefatigable cousin

Rise, with her cancerous pallors, Dragging trees -Little bushy polyps, Little nets, My visibilities hide. I gleam like a mirror.

At this facet the bridegroom arrives Lord of the mirrors! It is himself he guides

In among these silk Screens, these rustling appurtenances. I breathe, and the mouth Veil stirs its curtain My eye Veil is

A concatenation of rainbows. I am his. Even in his Absence, I Revolve in my Sheath of impossibles,

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Attendants of the lip! I shall unloose One note

Shattering The chandelier Of air that all day flies Its crystals A million ignorants. Attendants!

Attendants! And at his next step I shall unloose

I shall unloose -From the small jeweled Doll he guards like a heart -The lioness, The shriek in the bath, The cloak of holes. Sylvia Plath

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Pursuit Dans le fond des forêts votre image me suit. RACINE There is a panther stalks me down: One day I'll have my death of him; His greed has set the woods aflame, He prowls more lordly than the sun. Most soft, most suavely glides that step, Advancing always at my back; From gaunt hemlock, rooks croak havoc: The hunt is on, and sprung the trap. Flayed by thorns I trek the rocks, Haggard through the hot white noon. Along red network of his veins What fires run, what craving wakes? Insatiate, he ransacks the land Condemned by our ancestral fault, Crying: blood, let blood be spilt; Meat must glut his mouth's raw wound. Keen the rending teeth and sweet The singeing fury of his fur; His kisses parch, each paw's a briar, Doom consummates that appetite. In the wake of this fierce cat, Kindled like torches for his joy, Charred and ravened women lie, Become his starving body's bait.

Now hills hatch menace, spawning shade; Midnight cloaks the sultry grove; The black marauder, hauled by love On fluent haunches, keeps my speed. Behind snarled thickets of my eyes Lurks the lithe one; in dreams' ambush Bright those claws that mar the flesh And hungry, hungry, those taut thighs. His ardor snares me, lights the trees, And I run flaring in my skin; What lull, what cool can lap me in When burns and brands that yellow gaze? I hurl my heart to halt his pace, To quench his thirst I squander blood; He eats, and still his need seeks food, Compels a total sacrifice. His voice waylays me, spells a trance, The gutted forest falls to ash; Appalled by secret want, I rush From such assault of radiance. Entering the tower of my fears,

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I shut my doors on that dark guilt, I bolt the door, each door I bolt. Blood quickens, gonging in my ears: The panther's tread is on the stairs, Coming up and up the stairs. Sylvia Plath

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Resolve Day of mist: day of tarnish with hands unserviceable, I wait for the milk van the one-eared cat laps its gray paw

and the coal fire burns

outside, the little hedge leaves are become quite yellow a milk-film blurs the empty bottles on the windowsill no glory descends

two water drops poise on the arched green stem of my neighbor's rose bush o bent bow of thorns

the cat unsheathes its claws the world turns

today today I will not disenchant my twelve black-gowned examiners or bunch my fist in the wind's sneer. Sylvia Plath

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Sculptor To his house the bodiless Come to barter endlessly Vision, wisdom, for bodies Palpable as his, and weighty.

Hands moving move priestlier Than priest's hands, invoke no vain Images of light and air But sure stations in bronze, wood, stone. Obdurate, in dense-grained wood, A bald angel blocks and shapes The flimsy light; arms folded Watches his cumbrous world eclipse Inane worlds of wind and cloud. Bronze dead dominate the floor, Resistive, ruddy-bodied, Dwarfing us. Our bodies flicker

Toward extinction in those eyes Which, without him, were beggared Of place, time, and their bodies. Emulous spirits make discord, Try entry, enter nightmares Until his chisel bequeaths Them life livelier than ours, A solider repose than death's. Sylvia Plath

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Sheep in Fog The hills step off into whiteness. People or stars Regard me sadly, I disappoint them. The train leaves a line of breath. O slow Horse the colour of rust, Hooves, dolorous bells All morning the Morning has been blackening,

A flower left out. My bones hold a stillness, the far Fields melt my heart.

They threaten To let me through to a heaven Starless and fatherless, a dark water. Sylvia Plath

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Sleep in the Mojave Desert Out here there are no hearthstones, Hot grains, simply. It is dry, dry. And the air dangerous. Noonday acts queerly On the mind's eye erecting a line Of poplars in the middle distance, the only Object beside the mad, straight road One can remember men and houses by. A cool wind should inhabit these leaves And a dew collect on them, dearer than money, In the blue hour before sunup. Yet they recede, untouchable as tomorrow, Or those glittery fictions of spilt water That glide ahead of the very thirsty. I think of the lizards airing their tongues In the crevice of an extremely small shadow And the toad guarding his heart's droplet. The desert is white as a blind man's eye, Comfortless as salt. Snake and bird Doze behind the old maskss of fury. We swelter like firedogs in the wind. The sun puts its cinder out. Where we lie The heat-cracked crickets congregate In their black armorplate and cry. The day-moon lights up like a sorry mother, And the crickets come creeping into our hair To fiddle the short night away. Sylvia Plath

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101

Sleepers No map traces the street Where those two sleepers are. We have lost track of it. They lie as if under water In a blue, unchanging light, The French window ajar

Curtained with yellow lace. Through the narrow crack Odors of wet earth rise. The snail leaves a silver track; Dark thickets hedge the house. We take a backward look.

Among petals pale as death And leaves steadfast in shape They sleep on, mouth to mouth. A white mist is going up. The small green nostrils breathe, And they turn in their sleep. Ousted from that warm bed We are a dream they dream. Their eyelids keep up the shade. No harm can come to them. We cast our skins and slide Into another time. Sylvia Plath

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102

Snakecharmer As the gods began one world, and man another, So the snakecharmer begins a snaky sphere With moon-eye, mouth-pipe, He pipes. Pipes green. Pipes water. Pipes water green until green waters waver With reedy lengths and necks and undulatings. And as his notes twine green, the green river Shapes its images around his sons. He pipes a place to stand on, but no rocks, No floor: a wave of flickering grass tongues

Supports his foot. He pipes a world of snakes, Of sways and coilings, from the snake-rooted bottom Of his mind. And now nothing but snakes Is visible. The snake-scales have become Leaf, become eyelid; snake-bodies, bough, breast Of tree and human. And he within this snakedom Rules the writhings which make manifest His snakehood and his might with pliant tunes From his thin pipe. Out of this green nest

As out of Eden's navel twist the lines Of snaky generations: let there be snakes! And snakes there were, are, will be--till yawns

Consume this pipe and he tires of music And pipes the world back to the simple fabric Of snake-warp, snake-weft. Pipes the cloth of snakes To a melting of green waters, till no snake Shows its head, and those green waters back to Water, to green, to nothing like a snake. Puts up his pipe, and lids his moony eye. Sylvia Plath

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103

Southern Sunrise Color of lemon, mango, peach, These storybook villas Still dream behind Shutters, thier balconies Fine as handMade lace, or a leaf-and-flower pen-sketch. Tilting with the winds, On arrowy stems, Pineapple-barked, A green crescent of palms Sends up its forked Firework of fronds.

A quartz-clear dawn Inch by bright inch Gilds all our Avenue, And out of the blue drench Of Angels' Bay Rises the round red watermelon sun. Sylvia Plath

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104

Sow God knows how our neighbor managed to breed His great sow: Whatever his shrewd secret, he kept it hid In the same way He kept the sow--impounded from public stare, Prize ribbon and pig show.

But one dusk our questions commended us to a tour Through his lantern-lit Maze of barns to the lintel of the sunk sty door To gape at it: This was no rose-and-larkspurred china suckling With a penny slot For thrift children, nor dolt pig ripe for heckling, About to be Glorified for prime flesh and golden crackling In a parsley halo; Nor even one of the common barnyard sows, Mire-smirched, blowzy,

Maunching thistle and knotweed on her snoutcruise-Bloat tun of milk On the move, hedged by a litter of feat-foot ninnies Shrilling her hulk To halt for a swig at the pink teats. No. This vast Brobdingnag bulk Of a sow lounged belly-bedded on that black compost, Fat-rutted eyes Dream-filmed. What a vision of ancient hoghood must

Thus wholly engross The great grandam!--our marvel blazoned a knight, Helmed, in cuirass, Unhorsed and shredded in the grove of combat By a grisly-bristled Boar, fabulous enough to straddle that sow's heat. But our farmer whistled, Then, with a jocular fist thwacked the barrel nape, And the green-copse-castled Pig hove, letting legend like dried mud drop,

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Slowly, grunt On grunt, up in the flickering light to shape

A monument Prodigious in gluttonies as that hog whose want Made lean Lent

Of kitchen slops and, stomaching no constraint, Proceeded to swill The seven troughed seas and every earthquaking continent. Sylvia Plath

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106

Spinster Now this particular girl During a ceremonious april walk With her latest suitor Found herself, of a sudden, intolerably struck By the bird's irregular babel And the leaves' litter.

By this tumult afflicted, she Observed her lover's gestures unbalance the air, His gait stray uneven Through a rank wilderness of fern and flower; She judged petals in disarray, The whole season, sloven. How she longed for winter then!Scrupulously austere in its order Of white and black Ice and rock; each sentiment within border, And heart's frosty discipline Exact as a snowflake.

But here - a burgeoning Unruly enough to pitch her five queenly wits Into vulgar motleyA treason not to be borne; let idiots Reel giddy in bedlam spring; She withdrew neatly.

And round her house she set Such a barricade of barb and check Against mutinous weather As no mere insurgent man could hope to break With curse, fist, threat Or love, either. Sylvia Plath

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107

Stillborn These poems do not live: it's a sad diagnosis. They grew their toes and fingers well enough, Their little foreheads bulged with concentration. If they missed out on walking about like people It wasn't for any lack of mother-love.

O I cannot explain what happened to them! They are proper in shape and number and every part. They sit so nicely in the pickling fluid! They smile and smile and smile at me. And still the lungs won't fill and the heart won't start.

They are not pigs, they are not even fish, Though they have a piggy and a fishy air -It would be better if they were alive, and that's what they were. But they are dead, and their mother near dead with distraction, And they stupidly stare and do not speak of her. Sylvia Plath

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108

Stings Bare-handed, I hand the combs. The man in white smiles, bare-handed, Our cheesecloth gauntlets neat and sweet, The throats of our wrists brave lilies. He and I Have a thousand clean cells between us, Eight combs of yellow cups, And the hive itself a teacup, White with pink flowers on it, With excessive love I enameled it Thinking 'Sweetness, sweetness.' Brood cells gray as the fossils of shells Terrify me, they seem so old. What am I buying, wormy mahogany? Is there any queen at all in it?

If there is, she is old, Her wings torn shawls, her long body Rubbed of its plush ---Poor and bare and unqueenly and even shameful. I stand in a column Of winged, unmiraculous women, Honey-drudgers. I am no drudge Though for years I have eaten dust And dried plates with my dense hair.

And seen my strangeness evaporate, Blue dew from dangerous skin. Will they hate me, These women who only scurry, Whose news is the open cherry, the open clover? It is almost over. I am in control. Here is my honey-machine, It will work without thinking, Opening, in spring, like an industrious virgin

To scour the creaming crests As the moon, for its ivory powders, scours the sea. A third person is watching. He has nothing to do with the bee-seller or with me. Now he is gone In eight great bounds, a great scapegoat. Here is his slipper, here is another, And here the square of white linen He wore instead of a hat.

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109

He was sweet,

The sweat of his efforts a rain Tugging the world to fruit. The bees found him out, Molding onto his lips like lies, Complicating his features.

They thought death was worth it, but I Have a self to recover, a queen. Is she dead, is she sleeping? Where has she been, With her lion-red body, her wings of glass? Now she is flying More terrible than she ever was, red Scar in the sky, red comet Over the engine that killed her ---The mausoleum, the wax house. Sylvia Plath

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110

Strumpet Song With white frost gone And all green dreams not worth much, After a lean day's work Time comes round for that foul slut: Mere bruit of her takes our street Until every man, Red, pale or dark, Veers to her slouch.

Mark, I cry, that mouth Made to do violence on, That seamed face Askew with blotch, dint, scar Struck by each dour year. Walks there not some such one man As can spare breath To patch with brand of love this rank grimace Which out from black tarn, ditch and cup Into my most chaste own eyes Looks up. Sylvia Plath

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111

Tale of a Tub The photographic chamber of the eye records bare painted walls, while an electric light lays the chromium nerves of plumbing raw; such poverty assaults the ego; caught naked in the merely actual room, the stranger in the lavatory mirror puts on a public grin, repeats our name but scrupulously reflects the usual terror.

Just how guilty are we when the ceiling reveals no cracks that can be decoded? when washbowl maintains it has no more holy calling than physical ablution, and the towel dryly disclaims that fierce troll faces lurk in its explicit folds? or when the window, blind with steam, will not admit the dark which shrouds our prospects in ambiguous shadow? Twenty years ago, the familiar tub bred an ample batch of omens; but now water faucets spawn no danger; each crab and octopus -- scrabbling just beyond the view, waiting for some accidental break in ritual, to strike -- is definitely gone; the authentic sea denies them and will pluck fantastic flesh down to the honest bone. We take the plunge; under water our limbs waver, faintly green, shuddering away from the genuine color of skin; can our dreams ever blur the intransigent lines which draw the shape that shuts us in? absolute fact intrudes even when the revolted eye is closed; the tub exists behind our back; its glittering surfaces are blank and true.

Yet always the ridiculous nude flanks urge the fabrication of some cloth to cover such starkness; accuracy must not stalk at large: each day demands we create our whole world over, disguising the constant horror in a coat of many-colored fictions; we mask our past in the green of Eden, pretend future's shining fruit can sprout from the navel of this present waste. In this particular tub, two knees jut up like icebergs, while minute brown hairs rise on arms and legs in a fringe of kelp; green soap navigates the tidal slosh of seas breaking on legendary beaches; in faith we shall board our imagined ship and wildly sail among sacred islands of the mad till death shatters the fabulous stars and makes us real.

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112

Sylvia Plath

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113

The Applicant First, are you our sort of a person? Do you wear A glass eye, false teeth or a crutch, A brace or a hook, Rubber breasts or a rubber crotch,

Stitches to show something's missing? No, no? Then How can we give you a thing? Stop crying. Open your hand. Empty? Empty. Here is a hand To fill it and willing To bring teacups and roll away headaches And do whatever you tell it. Will you marry it? It is guaranteed To thumb shut your eyes at the end And dissolve of sorrow. We make new stock from the salt. I notice you are stark naked. How about this suit----

Black and stiff, but not a bad fit. Will you marry it? It is waterproof, shatterproof, proof Against fire and bombs through the roof. Believe me, they'll bury you in it. Now your head, excuse me, is empty. I have the ticket for that. Come here, sweetie, out of the closet. Well, what do you think of that ? Naked as paper to start

But in twenty-five years she'll be silver, In fifty, gold. A living doll, everywhere you look. It can sew, it can cook, It can talk, talk , talk.

It works, there is nothing wrong with it. You have a hole, it's a poultice. You have an eye, it's an image. My boy, it's your last resort. Will you marry it, marry it, marry it. Sylvia Plath

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114

The Arrival of the Bee Box I ordered this, clean wood box Square as a chair and almost too heavy to lift. I would say it was the coffin of a midget Or a square baby Were there not such a din in it.

The box is locked, it is dangerous. I have to live with it overnight And I can't keep away from it. There are no windows, so I can't see what is in there. There is only a little grid, no exit. I put my eye to the grid. It is dark, dark, With the swarmy feeling of African hands Minute and shrunk for export, Black on black, angrily clambering.

How can I let them out? It is the noise that appalls me most of all, The unintelligible syllables. It is like a Roman mob, Small, taken one by one, but my god, together!

I lay my ear to furious Latin. I am not a Caesar. I have simply ordered a box of maniacs. They can be sent back. They can die, I need feed them nothing, I am the owner.

I wonder how hungry they are. I wonder if they would forget me If I just undid the locks and stood back and turned into a tree. There is the laburnum, its blond colonnades, And the petticoats of the cherry. They might ignore me immediately In my moon suit and funeral veil. I am no source of honey So why should they turn on me? Tomorrow I will be sweet God, I will set them free. The box is only temporary. Sylvia Plath

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115

The Bee Meeting Who are these people at the bridge to meet me? They are the villagers---The rector, the midwife, the sexton, the agent for bees. In my sleeveless summery dress I have no protection, And they are all gloved and covered, why did nobody tell me? They are smiling and taking out veils tacked to ancient hats. I am nude as a chicken neck, does nobody love me? Yes, here is the secretary of bees with her white shop smock, Buttoning the cuffs at my wrists and the slit from my neck to my knees. Now I am milkweed silk, the bees will not notice. They will not smell my fear, my fear, my fear.

Which is the rector now, is it that man in black? Which is the midwife, is that her blue coat? Everybody is nodding a square black head, they are knights in visors, Breastplates of cheesecloth knotted under the armpits. Their smiles and their voces are changing. I am led through a beanfield. Strips of tinfoil winking like people, Feather dusters fanning their hands in a sea of bean flowers, Creamy bean flowers with black eyes and leaves like bored hearts. Is it blood clots the tendrils are dragging up that string? No, no, it is scarlet flowers that will one day be edible.

Now they are giving me a fashionable white straw Italian hat And a black veil that molds to my face, they are making me one of them. They are leading me to the shorn grove, the circle of hives. Is it the hawthorn that smells so sick? The barren body of hawthon, etherizing its children. Is it some operation that is taking place? It is the surgeon my neighbors are waiting for, This apparition in a green helmet, Shining gloves and white suit. Is it the butcher, the grocer, the postman, someone I know?

I cannot run, I am rooted, and the gorse hurts me With its yellow purses, its spiky armory. I could not run without having to run forever. The white hive is snug as a virgin, Sealing off her brood cells, her honey, and quietly humming. Smoke rolls and scarves in the grove. The mind of the hive thinks this is the end of everything. Here they come, the outriders, on their hysterical elastics. If I stand very still, they will think I am cow-parsley, A gullible head untouched by their animosity,

Not even nodding, a personage in a hedgerow. The villagers open the chambers, they are hunting the queen. Is she hiding, is she eating honey? She is very clever. She is old, old, old, she must live another year, and she knows it.

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116

While in their fingerjoint cells the new virgins

Dream of a duel they will win inevitably, A curtain of wax dividing them from the bride flight, The upflight of the murderess into a heaven that loves her. The villagers are moving the virgins, there will be no killing. The old queen does not show herself, is she so ungrateful?

I am exhausted, I am exhausted ---Pillar of white in a blackout of knives. I am the magician's girl who does not flinch. The villagers are untying their disguises, they are shaking hands. Whose is that long white box in the grove, what have they accomplished, why am I cold. Sylvia Plath

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117

The Bull of Bendylaw The black bull bellowed before the sea. The sea, till that day orderly, Hove up against Bendylaw.

The queen in the mulberry arbor stared Stiff as a queen on a playing card. The king fingered his beard.

A blue sea, four horny bull-feet, A bull-snouted sea that wouldn't stay put, Bucked at the garden gate. Along box-lined walks in the florid sun Toward the rowdy bellow and back again The lords and ladies ran. The great bronze gate began to crack, The sea broke in at every crack, Pellmell, blueblack.

The bull surged up, the bull surged down, Not to be stayed by a daisy chain Nor by any learned man. O the king's tidy acre is under the sea, And the royal rose in the bull's belly, And the bull on the king's highway. Sylvia Plath

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118

The Colossus I shall never get you put together entirely, Pieced, glued, and properly jointed. Mule-bray, pig-grunt and bawdy cackles Proceed from your great lips. It's worse than a barnyard.

Perhaps you consider yourself an oracle, Mouthpiece of the dead, or of some god or other. Thirty years now I have labored To dredge the silt from your throat. I am none the wiser.

Scaling little ladders with glue pots and pails of Lysol I crawl like an ant in mourning Over the weedy acres of your brow To mend the immense skull-plates and clear The bald, white tumuli of your eyes. A blue sky out of the Oresteia Arches above us. O father, all by yourself You are pithy and historical as the Roman Forum. I open my lunch on a hill of black cypress. Your fluted bones and acanthine hair are littered In their old anarchy to the horizon-line. It would take more than a lightning-stroke To create such a ruin. Nights, I squat in the cornucopia Of your left ear, out of the wind,

Counting the red stars and those of plum-color. The sun rises under the pillar of your tongue. My hours are married to shadow. No longer do I listen for the scrape of a keel On the blank stones of the landing. Sylvia Plath

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119

The Couriers The word of a snail on the plate of a leaf? It is not mine. Do not accept it. Acetic acid in a sealed tin? Do not accept it. It is not genuine. A ring of gold with the sun in it? Lies. Lies and a grief. Frost on a leaf, the immaculate Cauldron, talking and crackling All to itself on the top of each Of nine black Alps.

A disturbance in mirrors, The sea shattering its grey one ---Love, love, my season. Sylvia Plath

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120

The Dead Revolving in oval loops of solar speed, Couched in cauls of clay as in holy robes, Dead men render love and war no heed, Lulled in the ample womb of the full-tilt globe. No spiritual Caesars are these dead; They want no proud paternal kingdom come; And when at last they blunder into bed World-wrecked, they seek only oblivion.

Rolled round with goodly loam and cradled deep, These bone shanks will not wake immaculate To trumpet-toppling dawn of doomstruck day : They loll forever in colossal sleep; Nor can God's stern, shocked angels cry them up From their fond, final, infamous decay. Anonymous submission. Sylvia Plath

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121

The Disquieting Muses Mother, mother, what ill-bred aunt Or what disfigured and unsightly Cousin did you so unwisely keep Unasked to my christening, that she Sent these ladies in her stead With heads like darning-eggs to nod And nod and nod at foot and head And at the left side of my crib?

Mother, who made to order stories Of Mixie Blackshort the heroic bear, Mother, whose witches always, always Got baked into gingerbread, I wonder Whether you saw them, whether you said Words to rid me of those three ladies Nodding by night around my bed, Mouthless, eyeless, with stitched bald head.

In the hurricane, when father's twelve Study windows bellied in Like bubbles about to break, you fed My brother and me cookies and Ovaltine And helped the two of us to choir: 'Thor is angry; boom boom boom! Thor is angry: we don't care!' But those ladies broke the panes. When on tiptoe the schoolgirls danced, Blinking flashlights like fireflies And singing the glowworm song, I could Not lift a foot in the twinkle-dress But, heavy-footed, stood aside In the shadow cast by my dismal-headed Godmothers, and you cried and cried: And the shadow stretched, the lights went out. Mother, you sent me to piano lessons And praised my arabesques and trills Although each teacher found my touch Oddly wooden in spite of scales And the hours of practicing, my ear Tone-deaf and yes, unteachable. I learned, I learned, I learned elsewhere, From muses unhired by you, dear mother. I woke one day to see you, mother,

Floating above me in bluest air On a green balloon bright with a million Flowers and bluebirds that never were Never, never, found anywhere. But the little planet bobbed away Like a soap-bubble as you called: Come here!

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And I faced my traveling companions.

Day now, night now, at head, side, feet, They stand their vigil in gowns of stone, Faces blank as the day I was born. Their shadows long in the setting sun That never brightens or goes down. And this is the kingdom you bore me to, Mother, mother. But no frown of mine Will betray the company I keep. Sylvia Plath

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123

The Eye-Mote Blameless as daylight I stood looking At a field of horses, necks bent, manes blown, Tails streaming against the green Backdrop of sycamores. Sun was striking White chapel pinnacles over the roofs, Holding the horses, the clouds, the leaves Steadily rooted though they were all flowing Away to the left like reeds in a sea When the splinter flew in and stuck my eye, Needling it dark. Then I was seeing A melding of shapes in a hot rain: Horses warped on the altering green,

Outlandish as double-humped camels or unicorns, Grazing at the margins of a bad monochrome, Beasts of oasis, a better time. Abrading my lid, the small grain burns: Red cinder around which I myself, Horses, planets and spires revolve. Neither tears nor the easing flush Of eyebaths can unseat the speck: It sticks, and it has stuck a week. I wear the present itch for flesh, Blind to what will be and what was. I dream that I am Oedipus.

What I want back is what I was Before the bed, before the knife, Before the brooch-pin and the salve Fixed me in this parenthesis; Horses fluent in the wind, A place, a time gone out of mind. Sylvia Plath

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124

The Moon and the Yew tree "This is the light of the mind, cold and planetary. The trees of the mind are black. The light is blue. The grasses unload their griefs at my feet as if I were God, Prickling my ankles and murmuring of their humility. Fumy spiritious mists inhabit this place Separated from my house by a row of headstones. I simply cannot see where there is to get to. The moon is no door. It is a face in its own right, White as a knuckle and terribly upset. It drags the sea after it like a dark crime; it is quiet With the O-gape of complete despair. I live here. Twice on Sunday, the bells startle the sky Eight great tongues affirming the Resurrection. At the end, they soberly bong out their names.

The yew tree points up. It has a Gothic shape. The eyes lift after it and find the moon. The moon is my mother. She is not sweet like Mary. Her blue garments unloose small bats and owls. How I would like to believe in tenderness The face of the effigy, gentled by candles, Bending, on me in particular, its mild eyes.

I have fallen a long way. Clouds are flowering Blue and mystical over the face of the stars. Inside the church, the saints will be all blue, Floating on their delicate feet over cold pews, Their hands and faces stiff with holiness. The moon sees nothing of this. She is bald and wild. And the message of the yew tree is blackness - blackness and silence." Sylvia Plath

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125

The Munich Mannequins Perfection is terrible, it cannot have children. Cold as snow breath, it tamps the womb Where the yew trees blow like hydras, The tree of life and the tree of life

Unloosing their moons, month after month, to no purpose. The blood flood is the flood of love, The absolute sacrifice. It means: no more idols but me,

Me and you. So, in their sulfur loveliness, in their smiles

These mannequins lean tonight In Munich, morgue between Paris and Rome, Naked and bald in their furs, Orange lollies on silver sticks,

Intolerable, without mind. The snow drops its pieces of darkness,

Nobody's about. In the hotels Hands will be opening doors and setting Down shoes for a polish of carbon Into which broad toes will go tomorrow.

O the domesticity of these windows, The baby lace, the green-leaved confectionery,

The thick Germans slumbering in their bottomless Stolz. And the black phones on hooks Glittering Glittering and digesting

Voicelessness. The snow has no voice. 28 January 1963 Sylvia Plath

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126

The Night Dances A smile fell in the grass. Irretrievable!

And how will your night dances Lose themselves. In mathematics? Such pure leaps and spirals ---Surely they travel

The world forever, I shall not entirely Sit emptied of beauties, the gift

Of your small breath, the drenched grass Smell of your sleeps, lilies, lilies. Their flesh bears no relation. Cold folds of ego, the calla,

And the tiger, embellishing itself ---Spots, and a spread of hot petals. The comets Have such a space to cross,

Such coldness, forgetfulness. So your gestures flake off ----

Warm and human, then their pink light Bleeding and peeling

Through the black amnesias of heaven. Why am I given These lamps, these planets Falling like blessings, like flakes Six sided, white On my eyes, my lips, my hair Touching and melting. Nowhere. Sylvia Plath

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127

The Other You come in late, wiping your lips. What did I leave untouched on the doorstep--White Nike, Streaming between my walls?

Smilingly, blue lightning Assumes, like a meathook, the burden of his parts. The police love you, you confess everything. Bright hair, shoe-black, old plastic, Is my life so intriguing? Is it for this you widen your eye-rings?

Is it for this the air motes depart? They rae not air motes, they are corpuscles.

Open your handbag. What is that bad smell? It is your knitting, busily Hooking itself to itself, It is your sticky candies.

I have your head on my wall. Navel cords, blue-red and lucent,

Shriek from my belly like arrows, and these I ride. O moon-glow, o sick one, The stolen horses, the fornications Circle a womb of marble.

Where are you going That you suck breath like mileage?

Sulfurous adulteries grieve in a dream. Cold glass, how you insert yourself Between myself and myself. I scratch like a cat.

The blood that runs is dark fruit--An effect, a cosmetic. You smile. No, it is not fatal.

Submitted by Venus Sylvia Plath

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128

The Other Two All summer we moved in a villa brimful of echos, Cool as the pearled interior of a conch. Bells, hooves, of the high-stipping black goats woke us. Around our bed the baronial furniture Foundered through levels of light seagreen and strange. Not one leaf wrinkled in the clearing air. We dreamed how we were perfect, and we were. Against bare, whitewashed walls, the furniture Anchored itself, griffin-legged and darkly grained. Two of us in a place meant for ten moreOur footsteps multiplied in the shadowy chambers, Our voices fathomed a profounder sound: The walnut banquet table, the twelve chairs Mirrored the intricate gestures of two others. Heavy as a statuary, shapes not ours Performed a dumbshow in the polished wood, That cabinet without windows or doors: He lifts an arm to bring her close, but she Shies from his touch: his is an iron mood. Seeing her freeze, he turns his face away. They poise and grieve as in some old tragedy.

Moon-blanched and implacable, he and she Would not be eased, released. Our each example Of temderness dove through their purgatory Like a planet, a stone, swallowed in a great darkness, Leaving no sparky track, setting up no ripple. Nightly we left them in their desert place. Lights out, they dogged us, sleepless and envious: We dreamed their arguments, their stricken voices. We might embrace, but those two never did, Come, so unlike us, to a stiff impasse, Burdened in such a way we seemed the lighterOurselves the haunters, and they, flesh and blood; As if, above love's ruinage, we were The heaven those two dreamed of, in despair. Sylvia Plath

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129

The Queen's Complaint In ruck and quibble of courtfolk This giant hulked, I tell you, on her scene With hands like derricks, Looks fierce and black as rooks; Why, all the windows broke when he stalked in. Her dainty acres he ramped through And used her gentle doves with manners rude; I do not know What fury urged him slay Her antelope who meant him naught but good.

She spoke most chiding in his ear Till he some pity took upon her crying; Of rich attire He made her shoulders bare And solaced her, but quit her at cock's crowing.

A hundred heralds she sent out To summon in her slight all doughty men Whose force might fit Shape of her sleep, her thoughtNone of that greenhorn lot matched her bright crown. So she is come to this rare pass Whereby she treks in blood through sun and squall And sings you thus : 'How sad, alas, it is To see my people shrunk so small, so small.' Sylvia Plath

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The Rival If the moon smiled, she would resemble you. You leave the same impression Of something beautiful, but annihilating. Both of you are great light borrowers. Her O-mouth grieves at the world; yours is unaffected,

And your first gift is making stone out of everything. I wake to a mausoleum; you are here, Ticking your fingers on the marble table, looking for cigarettes, Spiteful as a woman, but not so nervous, And dying to say something unanswerable. The moon, too, abuses her subjects, But in the daytime she is ridiculous. Your dissatisfactions, on the other hand, Arrive through the mailslot with loving regularity, White and blank, expansive as carbon monoxide.

No day is safe from news of you, Walking about in Africa maybe, but thinking of me. Sylvia Plath

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The Sleepers No map traces the street Where those two sleepers are. We have lost track of it. They lie as if under water In a blue, unchanging light, The French window ajar

Curtained with yellow lace. Through the narrow crack Odors of wet earth rise. The snail leaves a silver track; Dark thickets hedge the house. We take a backward look.

Among petals pale as death And leaves steadfast in shape They sleep on, mouth to mouth. A white mist is going up. The small green nostrils breathe, And they turn in their sleep. Ousted from that warm bed We are a dream they dream. Their eyelids keep up the shade. No harm can come to them. We cast our skins and slide Into another time. Sylvia Plath

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The Swarm Somebody is shooting at something in our town -A dull pom, pom in the Sunday street. Jealousy can open the blood, It can make black roses. Who are the shooting at? It is you the knives are out for At Waterloo, Waterloo, Napoleon, The hump of Elba on your short back, And the snow, marshaling its brilliant cutlery Mass after mass, saying Shh!

Shh! These are chess people you play with, Still figures of ivory. The mud squirms with throats, Stepping stones for French bootsoles. The gilt and pink domes of Russia melt and float off In the furnace of greed. Clouds, clouds. So the swarm balls and deserts Seventy feet up, in a black pine tree. It must be shot down. Pom! Pom! So dumb it thinks bullets are thunder.

It thinks they are the voice of God Condoning the beak, the claw, the grin of the dog Yellow-haunched, a pack-dog, Grinning over its bone of ivory Like the pack, the pack, like everybody. The bees have got so far. Seventy feet high! Russia, Poland and Germany! The mild hills, the same old magenta Fields shrunk to a penny Spun into a river, the river crossed.

The bees argue, in their black ball, A flying hedgehog, all prickles. The man with gray hands stands under the honeycomb Of their dream, the hived station Where trains, faithful to their steel arcs,

Leave and arrive, and there is no end to the country. Pom! Pom! They fall Dismembered, to a tod of ivy. So much for the charioteers, the outriders, the Grand Army! A red tatter, Napoleon! The last badge of victory. The swarm is knocked into a cocked straw hat. Elba, Elba, bleb on the sea! The white busts of marshals, admirals, generals

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Worming themselves into niches.

How instructive this is! The dumb, banded bodies Walking the plank draped with Mother France's upholstery Into a new mausoleum, An ivory palace, a crotch pine. The man with gray hands smiles -The smile of a man of business, intensely practical. They are not hands at all But asbestos receptacles. Pom! Pom! 'They would have killed me.'

Stings big as drawing pins! It seems bees have a notion of honor, A black intractable mind. Napoleon is pleased, he is pleased with everything. O Europe! O ton of honey! Sylvia Plath

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The Thin People They are always with us, the thin people Meager of dimension as the gray people On a movie-screen. They Are unreal, we say:

It was only in a movie, it was only In a war making evil headlines when we Were small that they famished and Grew so lean and would not round

Out their stalky limbs again though peace Plumped the bellies of the mice Under the meanest table. It was during the long hunger-battle They found their talent to persevere In thinness, to come, later, Into our bad dreams, their menace Not guns, not abuses,

But a thin silence. Wrapped in flea-ridded donkey skins,

Empty of complaint, forever Drinking vinegar from tin cups: they wore The insufferable nimbus of the lot-drawn Scapegoat. But so thin,

So weedy a race could not remain in dreams, Could not remain outlandish victims

In the contracted country of the head Any more than the old woman in her mud hut could Keep from cutting fat meat Out of the side of the generous moon when it Set foot nightly in her yard Until her knife had pared

The moon to a rind of little light. Now the thin people do not obliterate

Themselves as the dawn Grayness blues, reddens, and the outline

Of the world comes clear and fills with color.

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They persist in the sunlit room: the wallpaper

Frieze of cabbage-roses and cornflowers pales Under their thin-lipped smiles, Their withering kingship. How they prop each other up!

We own no wilderness rich and deep enough For stronghold against their stiff Battalions. See, how the tree boles flatten And lose their good browns

If the thin people simply stand in the forest, Making the world go thin as a wasp's nest And grayer; not even moving their bones. Sylvia Plath

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Three Women A Poem for Three Voices

Setting: A Maternity Ward and round about

FIRST VOICE: I am slow as the world. I am very patient, Turning through my time, the suns and stars Regarding me with attention. The moon's concern is more personal: She passes and repasses, luminous as a nurse. Is she sorry for what will happen? I do not think so. She is simply astonished at fertility. When I walk out, I am a great event. I do not have to think, or even rehearse. What happens in me will happen without attention. The pheasant stands on the hill; He is arranging his brown feathers. I cannot help smiling at what it is I know. Leaves and petals attend me. I am ready.

SECOND VOICE: When I first saw it, the small red seep, I did not believe it. I watched the men walk about me in the office. They were so flat! There was something about them like cardboard, and now I had caught it, That flat, flat, flatness from which ideas, destructions, Bulldozers, guillotines, white chambers of shrieks proceed, Endlessly proceed--and the cold angels, the abstractions. I sat at my desk in my stockings, my high heels, And the man I work for laughed: 'Have you seen something awful? You are so white, suddenly.' And I said nothing. I saw death in the bare trees, a deprivation. I could not believe it. Is it so difficult For the spirit to conceive a face, a mouth? The letters proceed from these black keys, and these black keys proceed From my alphabetical fingers, ordering parts, Parts, bits, cogs, the shining multiples. I am dying as I sit. I lose a dimension. Trains roar in my ears, departures, departures! The silver track of time empties into the distance, The white sky empties of its promise, like a cup. These are my feet, these mechanical echoes. Tap, tap, tap, steel pegs. I am found wanting.

This is a disease I carry home, this is a death. Again, this is a death. Is it the air, The particles of destruction I suck up? Am I a pulse That wanes and wanes, facing the cold angel? Is this my lover then? This death, this death? As a child I loved a lichen-bitten name.

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Is this the one sin then, this old dead love of death?

THIRD VOICE: I remember the minute when I knew for sure. The willows were chilling, The face in the pool was beautiful, but not mine-It had a consequential look, like everything else, And all I could see was dangers: doves and words, Stars and showers of gold--conceptions, conceptions! I remember a white, cold wing

And the great swan, with its terrible look, Coming at me, like a castle, from the top of the river. There is a snake in swans. He glided by; his eye had a black meaning. I saw the world in it--small, mean and black, Every little word hooked to every little word, and act to act. A hot blue day had budded into something. I wasn't ready. The white clouds rearing Aside were dragging me in four directions. I wasn't ready. I had no reverence. I thought I could deny the consequence-But it was too late for that. It was too late, and the face Went on shaping itself with love, as if I was ready.

SECOND VOICE: It is a world of snow now. I am not at home. How white these sheets are. The faces have no features. They are bald and impossible, like the faces of my children, Those little sick ones that elude my arms. Other children do not touch me: they are terrible. They have too many colors, too much life. They are not quiet, Quiet, like the little emptinesses I carry. I have had my chances. I have tried and tried. I have stitched life into me like a rare organ, And walked carefully, precariously, like something rare. I have tried not to think too hard. I have tried to be natural. I have tried to be blind in love, like other women, Blind in my bed, with my dear blind sweet one, Not looking, through the thick dark, for the face of another. I did not look. But still the face was there, The face of the unborn one that loved its perfections, The face of the dead one that could only be perfect In its easy peace, could only keep holy so. And then there were other faces. The faces of nations, Governments, parliaments, societies, The faceless faces of important men. www.PoemHunter.com - The World's Poetry Archive

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It is these men I mind: They are so jealous of anything that is not flat! They are jealous gods That would have the whole world flat because they are. I see the Father conversing with the Son. Such flatness cannot but be holy. 'Let us make a heaven,' they say. 'Let us flatten and launder the grossness from these souls.' FIRST VOICE: I am calm. I am calm. It is the calm before something awful: The yellow minute before the wind walks, when the leaves Turn up their hands, their pallors. It is so quiet here. The sheets, the faces, are white and stopped, like clocks. Voices stand back and flatten. Their visible hieroglyphs Flatten to parchment screens to keep the wind off. They paint such secrets in Arabic, Chinese! I am dumb and brown. I am a seed about to break. The brownness is my dead self, and it is sullen: It does not wish to be more, or different. Dusk hoods me in blue now, like a Mary. O color of distance and forgetfulness!-When will it be, the second when Time breaks And eternity engulfs it, and I drown utterly?

I talk to myself, myself only, set apart-Swabbed and lurid with disinfectants, sacrificial. Waiting lies heavy on my lids. It lies like sleep, Like a big sea. Far off, far off, I feel the first wave tug Its cargo of agony toward me, inescapable, tidal. And I, a shell, echoing on this white beach Face the voices that overwhelm, the terrible element.

THIRD VOICE: I am a mountain now, among mountainy women. The doctors move among us as if our bigness Frightened the mind. They smile like fools. They are to blame for what I am, and they know it. They hug their flatness like a kind of health. And what if they found themselves surprised, as I did? They would go mad with it.

And what if two lives leaked between my thighs? I have seen the white clean chamber with its instruments. It is a place of shrieks. It is not happy. 'This is where you will come when you are ready.' The night lights are flat red moons. They are dull with blood. I am not ready for anything to happen. I should have murdered this, that murders me. FIRST VOICE: There is no miracle more cruel than this.

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I am dragged by the horses, the iron hooves. I last. I last it out. I accomplish a work. Dark tunnel, through which hurtle the visitations, The visitations, the manifestations, the startled faces. I am the center of an atrocity. What pains, what sorrows must I be mothering?

Can such innocence kill and kill? It milks my life. The trees wither in the street. The rain is corrosive. I taste it on my tongue, and the workable horrors, The horrors that stand and idle, the slighted godmothers With their hearts that tick and tick, with their satchels of instruments. I shall be a wall and a roof, protecting. I shall be a sky and a hill of good: O let me be! A power is growing on me, an old tenacity. I am breaking apart like the world. There is this blackness, This ram of blackness. I fold my hands on a mountain. The air is thick. It is thick with this working. I am used. I am drummed into use. My eyes are squeezed by this blackness. I see nothing.

SECOND VOICE: I am accused. I dream of massacres. I am a garden of black and red agonies. I drink them, Hating myself, hating and fearing. And now the world conceives Its end and runs toward it, arms held out in love. It is a love of death that sickens everything. A dead sun stains the newsprint. It is red. I lose life after life. The dark earth drinks them. She is the vampire of us all. So she supports us, Fattens us, is kind. Her mouth is red. I know her. I know her intimately-Old winter-face, old barren one, old time bomb. Men have used her meanly. She will eat them. Eat them, eat them, eat them in the end. The sun is down. I die. I make a death.

FIRST VOICE: Who is he, this blue, furious boy, Shiny and strange, as if he had hurtled from a star? He is looking so angrily! He flew into the room, a shriek at his heel. The blue color pales. He is human after all. A red lotus opens in its bowl of blood; They are stitching me up with silk, as if I were a material. What did my fingers do before they held him? What did my heart do, with its love? I have never seen a thing so clear.

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His lids are like the lilac-flower And soft as a moth, his breath. I shall not let go. There is no guile or warp in him. May he keep so.

SECOND VOICE: There is the moon in the high window. It is over. How winter fills my soul! And that chalk light Laying its scales on the windows, the windows of empty offices, Empty schoolrooms, empty churches. O so much emptiness! There is this cessation. This terrible cessation of everything. These bodies mounded around me now, these polar sleepers-What blue, moony ray ices their dreams? I feel it enter me, cold, alien, like an instrument. And that mad, hard face at the end of it, that O-mouth Open in its gape of perpetual grieving. It is she that drags the blood-black sea around Month after month, with its voices of failure. I am helpless as the sea at the end of her string. I am restless. Restless and useless. I, too, create corpses. I shall move north. I shall move into a long blackness. I see myself as a shadow, neither man nor woman, Neither a woman, happy to be like a man, nor a man Blunt and flat enough to feel no lack. I feel a lack. I hold my fingers up, ten white pickets. See, the darkness is leaking from the cracks. I cannot contain it. I cannot contain my life. I shall be a heroine of the peripheral. I shall not be accused by isolate buttons, Holes in the heels of socks, the white mute faces Of unanswered letters, coffined in a letter case. I shall not be accused, I shall not be accused. The clock shall not find me wanting, nor these stars That rivet in place abyss after abyss. THIRD VOICE: I see her in my sleep, my red, terrible girl. She is crying through the glass that separates us. She is crying, and she is furious. Her cries are hooks that catch and grate like cats. It is by these hooks she climbs to my notice. She is crying at the dark, or at the stars That at such a distance from us shine and whirl.

I think her little head is carved in wood, A red, hard wood, eyes shut and mouth wide open. And from the open mouth issue sharp cries Scratching at my sleep like arrows, Scratching at my sleep, and entering my side.

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My daughter has no teeth. Her mouth is wide. It utters such dark sounds it cannot be good.

FIRST VOICE: What is it that flings these innocent souls at us? Look, they are so exhausted, they are all flat out In their canvas-sided cots, names tied to their wrists, The little silver trophies they've come so far for. There are some with thick black hair, there are some bald. Their skin tints are pink or sallow, brown or red; They are beginning to remember their differences.

I think they are made of water; they have no expression. Their features are sleeping, like light on quiet water. They are the real monks and nuns in their identical garments. I see them showering like stars on to the world-On India, Africa, America, these miraculous ones, These pure, small images. They smell of milk. Their footsoles are untouched. They are walkers of air. Can nothingness be so prodigal? Here is my son. His wide eye is that general, flat blue. He is turning to me like a little, blind, bright plant. One cry. It is the hook I hang on. And I am a river of milk. I am a warm hill.

SECOND VOICE: I am not ugly. I am even beautiful. The mirror gives back a woman without deformity. The nurses give back my clothes, and an identity. It is usual, they say, for such a thing to happen. It is usual in my life, and the lives of others. I am one in five, something like that. I am not hopeless. I am beautiful as a statistic. Here is my lipstick. I draw on the old mouth. The red mouth I put by with my identity A day ago, two days, three days ago. It was a Friday. I do not even need a holiday; I can go to work today. I can love my husband, who will understand. Who will love me through the blur of my deformity As if I had lost an eye, a leg, a tongue. And so I stand, a little sightless. So I walk Away on wheels, instead of legs, they serve as well. And learn to speak with fingers, not a tongue. The body is resourceful. The body of a starfish can grow back its arms And newts are prodigal in legs. And may I be As prodigal in what lacks me.

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THIRD VOICE: She is a small island, asleep and peaceful, And I am a white ship hooting: Goodbye, goodbye. The day is blazing. It is very mournful. The flowers in this room are red and tropical. They have lived behind glass all their lives, they have been cared for tenderly. Now they face a winter of white sheets, white faces. There is very little to go into my suitcase. There are the clothes of a fat woman I do not know. There is my comb and brush. There is an emptiness. I am so vulnerable suddenly. I am a wound walking out of hospital. I am a wound that they are letting go. I leave my health behind. I leave someone Who would adhere to me: I undo her fingers like bandages: I go.

SECOND VOICE: I am myself again. There are no loose ends. I am bled white as wax, I have no attachments. I am flat and virginal, which means nothing has happened, Nothing that cannot be erased, ripped up and scrapped, begun again. There little black twigs do not think to bud, Nor do these dry, dry gutters dream of rain. This woman who meets me in windows--she is neat. So neat she is transparent, like a spirit. how shyly she superimposes her neat self On the inferno of African oranges, the heel-hung pigs. She is deferring to reality. It is I. It is I-Tasting the bitterness between my teeth. The incalculable malice of the everyday. FIRST VOICE: How long can I be a wall, keeping the wind off? How long can I be Gentling the sun with the shade of my hand, Intercepting the blue bolts of a cold moon? The voices of loneliness, the voices of sorrow Lap at my back ineluctably. How shall it soften them, this little lullaby?

How long can I be a wall around my green property? How long can my hands Be a bandage to his hurt, and my words Bright birds in the sky, consoling, consoling? It is a terrible thing To be so open: it is as if my heart Put on a face and walked into the world.

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THIRD VOICE: Today the colleges are drunk with spring. My black gown is a little funeral: It shows I am serious. The books I carry wedge into my side. I had an old wound once, but it is healing. I had a dream of an island, red with cries. It was a dream, and did not mean a thing.

FIRST VOICE: Dawn flowers in the great elm outside the house. The swifts are back. They are shrieking like paper rockets. I hear the sound of the hours Widen and die in the hedgerows. I hear the moo of cows. The colors replenish themselves, and the wet Thatch smokes in the sun. The narcissi open white faces in the orchard.

I am reassured. I am reassured. These are the clear bright colors of the nursery, The talking ducks, the happy lambs. I am simple again. I believe in miracles. I do not believe in those terrible children Who injure my sleep with their white eyes, their fingerless hands. They are not mine. They do not belong to me. I shall meditate upon normality. I shall meditate upon my little son. He does not walk. He does not speak a word. He is still swaddled in white bands. But he is pink and perfect. He smiles so frequently. I have papered his room with big roses, I have painted little hearts on everything. I do not will him to be exceptional. It is the exception that interests the devil. It is the exception that climbs the sorrowful hill Or sits in the desert and hurts his mother's heart. I will him to be common, To love me as I love him, And to marry what he wants and where he will. THIRD VOICE: Hot noon in the meadows. The buttercups Swelter and melt, and the lovers Pass by, pass by. They are black and flat as shadows. It is so beautiful to have no attachments! I am solitary as grass. What is it I miss? Shall I ever find it, whatever it is? www.PoemHunter.com - The World's Poetry Archive

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The swans are gone. Still the river Remembers how white they were. It strives after them with its lights. It finds their shapes in a cloud. What is that bird that cries With such sorrow in its voice? I am young as ever, it says. What is it I miss?

SECOND VOICE: I am at home in the lamplight. The evenings are lengthening. I am mending a silk slip: my husband is reading. How beautifully the light includes these things. There is a kind of smoke in the spring air, A smoke that takes the parks, the little statues With pinkness, as if a tenderness awoke, A tenderness that did not tire, something healing. I wait and ache. I think I have been healing. There is a great deal else to do. My hands Can stitch lace neatly on to this material. My husband Can turn and turn the pages of a book. And so we are at home together, after hours. It is only time that weighs upon our hands. It is only time, and that is not material.

The streets may turn to paper suddenly, but I recover From the long fall, and find myself in bed, Safe on the mattress, hands braced, as for a fall. I find myself again. I am no shadow Though there is a shadow starting from my feet. I am a wife. The city waits and aches. The little grasses Crack through stone, and they are green with life. Sylvia Plath

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Totem The engine is killing the track, the track is silver, It stretches into the distance. It will be eaten nevertheless. Its running is useless. At nightfall there is the beauty of drowned fields, Dawn gilds the farmers like pigs, Swaying slightly in their thick suits,

White towers of Smithfield ahead, Fat haunches and blood on their minds.

There is no mercy in the glitter of cleavers, The butcher's guillotine that whispers: 'How's this, how's this?' In the bowl the hare is aborted, Its baby head out of the way, embalmed in spice, Flayed of fur and humanity. Let us eat it like Plato's afterbirth,

Let us eat it like Christ. These are the people that were important ----

Their round eyes, their teeth, their grimaces On a stick that rattles and clicks, a counterfeit snake. Shall the hood of the cobra appall me ---The loneliness of its eye, the eye of the mountains Through which the sky eternally threads itself? The world is blood-hot and personal Dawn says, with its blood-flush. There is no terminus, only suitcases

Out of which the same self unfolds like a suit Bald and shiny, with pockets of wishes,

Notions and tickets, short circuits and folding mirrors. I am mad, calls the spider, waving its many arms. And in truth it is terrible, Multiplied in the eyes of the flies. They buzz like blue children In nets of the infinite,

Roped in at the end by the one Death with its many sticks. Sylvia Plath

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Tulips The tulips are too excitable, it is winter here. Look how white everything is, how quiet, how snowed-in I am learning peacefulness, lying by myself quietly As the light lies on these white walls, this bed, these hands. I am nobody; I have nothing to do with explosions. I have given my name and my day-clothes up to the nurses And my history to the anaesthetist and my body to surgeons.

They have propped my head between the pillow and the sheet-cuff Like an eye between two white lids that will not shut. Stupid pupil, it has to take everything in. The nurses pass and pass, they are no trouble, They pass the way gulls pass inland in their white caps, Doing things with their hands, one just the same as another, So it is impossible to tell how many there are.

My body is a pebble to them, they tend it as water Tends to the pebbles it must run over, smoothing them gently. They bring me numbness in their bright needles, they bring me sleep. Now I have lost myself I am sick of baggage ---My patent leather overnight case like a black pillbox, My husband and child smiling out of the family photo; Their smiles catch onto my skin, little smiling hooks. I have let things slip, a thirty-year-old cargo boat Stubbornly hanging on to my name and address. They have swabbed me clear of my loving associations. Scared and bare on the green plastic-pillowed trolley I watched my teaset, my bureaus of linen, my books Sink out of sight, and the water went over my head. I am a nun now, I have never been so pure. I didn't want any flowers, I only wanted To lie with my hands turned up and be utterly empty. How free it is, you have no idea how free ---The peacefulness is so big it dazes you, And it asks nothing, a name tag, a few trinkets. It is what the dead close on, finally; I imagine them Shutting their mouths on it, like a Communion tablet.

The tulips are too red in the first place, they hurt me. Even through the gift paper I could hear them breathe Lightly, through their white swaddlings, like an awful baby. Their redness talks to my wound, it corresponds. They are subtle: they seem to float, though they weigh me down, Upsetting me with their sudden tongues and their colour, A dozen red lead sinkers round my neck. Nobody watched me before, now I am watched. The tulips turn to me, and the window behind me Where once a day the light slowly widens and slowly thins, And I see myself, flat, ridiculous, a cut-paper shadow

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Between the eye of the sun and the eyes of the tulips, And I hve no face, I have wanted to efface myself. The vivid tulips eat my oxygen.

Before they came the air was calm enough, Coming and going, breath by breath, without any fuss. Then the tulips filled it up like a loud noise. Now the air snags and eddies round them the way a river Snags and eddies round a sunken rust-red engine. They concentrate my attention, that was happy Playing and resting without committing itself.

The walls, also, seem to be warming themselves. The tulips should be behind bars like dangerous animals; They are opening like the mouth of some great African cat, And I am aware of my heart: it opens and closes Its bowl of red blooms out of sheer love of me. The water I taste is warm and salt, like the sea, And comes from a country far away as health. Sylvia Plath

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Two Campers in Cloud Country (Rock Lake, Canada)

In this country there is neither measure nor balance To redress the dominance of rocks and woods, The passage, say, of these man-shaming clouds.

No gesture of yours or mine could catch their attention, No word make them carry water or fire the kindling Like local trolls in the spell of a superior being.

Well, one wearies of the Public Gardens: one wants a vacation Where trees and clouds and animals pay no notice; Away from the labeled elms, the tame tea-roses. It took three days driving north to find a cloud The polite skies over Boston couldn't possibly accommodate. Here on the last frontier of the big, brash spirit The horizons are too far off to be chummy as uncles; The colors assert themselves with a sort of vengeance. Each day concludes in a huge splurge of vermilions And night arrives in one gigantic step. It is comfortable, for a change, to mean so little. These rocks offer no purchase to herbage or people:

They are conceiving a dynasty of perfect cold. In a month we'll wonder what plates and forks are for. I lean to you, numb as a fossil. Tell me I'm here. The Pilgrims and Indians might never have happened. Planets pulse in the lake like bright amoebas; The pines blot our voices up in their lightest sighs. Around our tent the old simplicities sough Sleepily as Lethe, trying to get in. We'll wake blank-brained as water in the dawn. Sylvia Plath

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Two Sisters of Persephone Two girls there are : within the house One sits; the other, without. Daylong a duet of shade and light Plays between these. In her dark wainscoted room The first works problems on A mathematical machine. Dry ticks mark time

As she calculates each sum. At this barren enterprise Rat-shrewd go her squint eyes, Root-pale her meager frame.

Bronzed as earth, the second lies, Hearing ticks blown gold Like pollen on bright air. Lulled Near a bed of poppies, She sees how their red silk flare Of petaled blood Burns open to the sun's blade. On that green alter

Freely become sun's bride, the latter Grows quick with seed. Grass-couched in her labor's pride, She bears a king. Turned bitter

And sallow as any lemon, The other, wry virgin to the last, Goes graveward with flesh laid waste, Worm-husbanded, yet no woman. Sylvia Plath

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Two Views of a Cadaver Room 1 The day she visited the dissecting room They had four men laid out, black as burnt turkey, Already half unstrung. A vinegary fume Of the death vats clung to them; The white-smocked boys started working. The head of his cadaver had caved in, And she could scarcely make out anything In that rubble of skull plates and old leather. A sallow piece of string held it together.

In their jars the snail-nosed babies moon and glow. He hands her the cut-out heart like a cracked heirloom. 2 In Brueghel's panorama of smoke and slaughter Two people only are blind to the carrion army: He, afloat in the sea of her blue satin Skirts, sings in the direction Of her bare shoulder, while she bends, Finger a leaflet of music, over him, Both of them deaf to the fiddle in the hands Of the death's-head shadowing their song. These Flemish lovers flourish;not for long. Yet desolation, stalled in paint, spares the little country Foolish, delicate, in the lower right hand corner Sylvia Plath

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Vanity Fair Through frost-thick weather This witch sidles, fingers crooked, as if Caught in a hazardous medium that might Merely by its continuing Attach her to heaven.

At eye's envious corner Crow's-feet copy veining on a stained leaf; Cold squint steals sky's color; while bruit Of bells calls holy ones, her tongue Backtalks at the raven

Claeving furred air Over her skull's midden; no knife Rivals her whetted look, divining what conceit Waylays simple girls, church-going, And what heart's oven Craves most to cook batter Rich in strayings with every amorous oaf, Ready, for a trinket, To squander owl-hours on bracken bedding, Flesh unshriven. Against virgin prayer This sorceress sets mirrors enough To distract beauty's thought; Lovesick at first fond song, Each vain girl's driven

To believe beyond heart's flare No fire is, nor in any book proof Sun hoists soul up after lids fall shut; So she wills all to the black king. The worst sloven

Vies with best queen over Right to blaze as satan's wife; Housed in earth, those million brides shriek out. Some burn short, some long, Staked in pride's coven. Anonymous submission. Sylvia Plath

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Virgin in a Tree How this tart fable instructs And mocks! Here's the parody of that moral mousetrap Set in the proverbs stitched on samplers Approving chased girls who get them to a tree And put on bark's nun-black

Habit which deflects All amorous arrows. For to sheathe the virgin shape In a scabbard of wood baffles pursuers, Whether goat-thighed or god-haloed. Ever since that first Daphne Switched her incomparable back For a bay-tree hide, respect's Twined to her hard limbs like ivy: the puritan lip Cries: 'Celebrate Syrinx whose demurs Won her the frog-colored skin, pale pith and watery Bed of a reed. Look: Pine-needle armor protects Pitys from Pan's assault! And though age drop Their leafy crowns, their fame soars, Eclipsing Eva, Cleo and Helen of Troy: For which of those would speak For a fashion that constricts White bodies in a wooden girdle, root to top Unfaced, unformed, the nipple-flowers Shrouded to suckle darkness? Only they Who keep cool and holy make

A sanctum to attract Green virgins, consecrating limb and lip To chastity's service: like prophets, like preachers, They descant on the serene and seraphic beauty Of virgins for virginity's sake.' Be certain some such pact's Been struck to keep all glory in the grip Of ugly spinsters and barren sirs As you etch on the inner window of your eye This virgin on her rack:

She, ripe and unplucked, 's Lain splayed too long in the tortuous boughs: overripe Now, dour-faced, her fingers Stiff as twigs, her body woodenly Askew, she'll ache and wake Though doomsday bud. Neglect's Given her lips that lemon-tasting droop: Untongued, all beauty's bright juice sours. Tree-twist will ape this gross anatomy

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Till irony's bough break. Sylvia Plath

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Winter landscape, with rocks Water in the millrace, through a sluice of stone, plunges headlong into that black pond where, absurd and out-of-season, a single swan floats chaste as snow, taunting the clouded mind which hungers to haul the white reflection down. The austere sun descends above the fen, an orange cyclops-eye, scorning to look longer on this landscape of chagrin; feathered dark in thought, I stalk like a rook, brooding as the winter night comes on.

Last summer's reeds are all engraved in ice as is your image in my eye; dry frost glazes the window of my hurt; what solace can be struck from rock to make heart's waste grow green again? Who'd walk in this bleak place? Sylvia Plath

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Winter Landscape, With Rooks Water in the millrace, through a sluice of stone, plunges headlong into that black pond where, absurd and out-of-season, a single swan floats chaste as snow, taunting the clouded mind which hungers to haul the white reflection down. The austere sun descends above the fen, an orange cyclops-eye, scorning to look longer on this landscape of chagrin; feathered dark in thought, I stalk like a rook, brooding as the winter night comes on.

Last summer's reeds are all engraved in ice as is your image in my eye; dry frost glazes the window of my hurt; what solace can be struck from rock to make heart's waste grow green again? Who'd walk in this bleak place? Sylvia Plath

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Winter Trees The wet dawn inks are doing their blue dissolve. On their blotter of fog the trees Seem a botanical drawing. Memories growing, ring on ring, A series of weddings. Knowing neither abortions nor bitchery, Truer than women, They seed so effortlessly! Tasting the winds, that are footless, Waist-deep in history.

Full of wings, otherworldliness. In this, they are Ledas. O mother of leaves and sweetness Who are these pietas? The shadows of ringdoves chanting, but chasing nothing. Sylvia Plath

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Wintering This is the easy time, there is nothing doing. I have whirled the midwife's extractor, I have my honey, Six jars of it, Six cat's eyes in the wine cellar, Wintering in a dark without window At the heart of the house Next to the last tenant's rancid jam and the bottles of empty glitters ---Sir So-and-so's gin.

This is the room I have never been in This is the room I could never breathe in. The black bunched in there like a bat, No light But the torch and its faint Chinese yellow on appalling objects ---Black asininity. Decay. Possession. It is they who own me. Neither cruel nor indifferent,

Only ignorant. This is the time of hanging on for the bees--the bees So slow I hardly know them, Filing like soldiers To the syrup tin To make up for the honey I've taken. Tate and Lyle keeps them going, The refined snow. It is Tate and Lyle they live on, instead of flowers. They take it. The cold sets in. Now they ball in a mass, Black Mind against all that white. The smile of the snow is white. It spreads itself out, a mile-long body of Meissen, Into which, on warm days, They can only carry their dead. The bees are all women, Maids and the long royal lady. They have got rid of the men,

The blunt, clumsy stumblers, the boors. Winter is for women ---The woman, still at her knitting, At the cradle of Spanis walnut,

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Her body a bulb in the cold and too dumb to think. Will the hive survive, will the gladiolas Succeed in banking their fires To enter another year? What will they taste of, the Christmas roses? The bees are flying. They taste the spring. Sylvia Plath

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Words Axes After whose stroke the wood rings, And the echoes! Echoes traveling Off from the center like horses. The sap Wells like tears, like the Water striving To re-establish its mirror Over the rock

That drops and turns, A white skull, Eaten by weedy greens. Years later I Encounter them on the road-

Words dry and riderless, The indefatigable hoof-taps. While From the bottom of the pool, fixed stars Govern a life. Sylvia Plath

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Wuthering Heights The horizons ring me like faggots, Tilted and disparate, and always unstable. Touched by a match, they might warm me, And their fine lines singe The air to orange Before the distances they pin evaporate, Weighting the pale sky with a soldier color. But they only dissolve and dissolve Like a series of promises, as I step forward. There is no life higher than the grasstops Or the hearts of sheep, and the wind Pours by like destiny, bending Everything in one direction. I can feel it trying To funnel my heat away. If I pay the roots of the heather Too close attention, they will invite me To whiten my bones among them.

The sheep know where they are, Browsing in their dirty wool-clouds, Gray as the weather. The black slots of their pupils take me in. It is like being mailed into space, A thin, silly message. They stand about in grandmotherly disguise, All wig curls and yellow teeth And hard, marbly baas. I come to wheel ruts, and water Limpid as the solitudes That flee through my fingers. Hollow doorsteps go from grass to grass; Lintel and sill have unhinged themselves. Of people and the air only Remembers a few odd syllables. It rehearses them moaningly: Black stone, black stone.

The sky leans on me, me, the one upright Among all horizontals. The grass is beating its head distractedly. It is too delicate For a life in such company; Darkness terrifies it. Now, in valleys narrow And black as purses, the house lights Gleam like small change. Sylvia Plath

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Years They enter as animals from the outer Space of holly where spikes Are not thoughts I turn on, like a Yogi, But greenness, darkness so pure They freeze and are.

O God, I am not like you In your vacuous black, Stars stuck all over, bright stupid confetti. Eternity bores me, I never wanted it. What I love is The piston in motion . . . My soul dies before it. And the hooves of the horses, There merciless churn.

And you, great Stasis . . . What is so great in that! Is it a tiger this year, this roar at the door? It is a Christus, The awful

God-bit in him Dying to fly and be done with it? The blood berries are themselves, they are very still. The hooves will not have it, In blue distance the pistons hiss. Sylvia Plath

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You're Clownlike, happiest on your hands, Feet to the stars, and moon-skulled, Gilled like a fish. A common-sense Thumbs-down on the dodo's mode. Wrapped up in yourself like a spool, Trawling your dark, as owls do. Mute as a turnip from the Fourth Of July to All Fools' Day, O high-riser, my little loaf.

Vague as fog and looked for like mail. Farther off than Australia. Bent-backed Atlas, our traveled prawn. Snug as a bud and at home Like a sprat in a pickle jug. A creel of eels, all ripples. Jumpy as a Mexican bean. Right, like a well-done sum. A clean slate, with your own face on. Sylvia Plath

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