Sound, Speech, Music in Soviet and Post-Soviet Cinema 0253011043, 978-0-253-01104-6, 978-0-253-01110-7, 0253011108, 978-0-253-01095-7
This innovative volume challenges the ways we look at both cinema and cultural history by shifting the focus from the ce
171 13 2MB
English Pages 314 Year 2014
Table of contents :
Content: Cover
Contents
Acknowledgments
Note on Transliteration
List of Abbreviations
Introduction
Part I. From Silence to Sound
1 From the History of Graphic Sound in the Soviet Union
or, Media without a Medium
2 Silents, Sound, and Modernism in Dmitry Shostakovich's Score to The New Babylon
3 To Catch Up and Overtake Hollywood: Early Talking Pictures in the Soviet Union
4 ARRK and the Soviet Transition to Sound
5 Making Sense without Speech: The Use of Silence in Early Soviet Sound Film
Part II. Speech and Voice
6 The Problem of Heteroglossia in Early Soviet Sound Cinema (1930-35). 7 Challenging the Voice of God in World War II-Era Soviet Documentaries8 Vocal Changes: Marlon Brando, Innokenty Smoktunovsky, and the Sound of the 1950s
9 Listening to the Inaudible Foreign: Simultaneous Translators and Soviet Experience of Foreign Cinema
Part III. Music in Film
or, The Sound Track
10 Kinomuzyka: Theorizing Soviet Film Music in the 1930s
11 Listening to Muzykal'naia istoriia (1940)
12 The Music of Landscape: Eisenstein, Prokofiev, and the Uses of Music in Ivan the Terrible
13 The Full Illusion of Reality: Repentance, Polystylism, and the Late Soviet Soundscape. 14 Russian Rock on Soviet BonesBibliography
Contributors
Index
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
R
S
T
V
W
Y.
Content: Cover
Contents
Acknowledgments
Note on Transliteration
List of Abbreviations
Introduction
Part I. From Silence to Sound
1 From the History of Graphic Sound in the Soviet Union
or, Media without a Medium
2 Silents, Sound, and Modernism in Dmitry Shostakovich's Score to The New Babylon
3 To Catch Up and Overtake Hollywood: Early Talking Pictures in the Soviet Union
4 ARRK and the Soviet Transition to Sound
5 Making Sense without Speech: The Use of Silence in Early Soviet Sound Film
Part II. Speech and Voice
6 The Problem of Heteroglossia in Early Soviet Sound Cinema (1930-35). 7 Challenging the Voice of God in World War II-Era Soviet Documentaries8 Vocal Changes: Marlon Brando, Innokenty Smoktunovsky, and the Sound of the 1950s
9 Listening to the Inaudible Foreign: Simultaneous Translators and Soviet Experience of Foreign Cinema
Part III. Music in Film
or, The Sound Track
10 Kinomuzyka: Theorizing Soviet Film Music in the 1930s
11 Listening to Muzykal'naia istoriia (1940)
12 The Music of Landscape: Eisenstein, Prokofiev, and the Uses of Music in Ivan the Terrible
13 The Full Illusion of Reality: Repentance, Polystylism, and the Late Soviet Soundscape. 14 Russian Rock on Soviet BonesBibliography
Contributors
Index
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
R
S
T
V
W
Y.
- Author / Uploaded
- Salazkina
- Masha; Kaganovsky
- Lilya
