Shaping Shakespeare for Performance : The Bear Stage 9781611477856, 9781611477849

Shakespeare, Language and the Stage: the Fifth Wall Only: Approaches to Shakespeare from Criticism, Performance and Theatre Studies 9781472555472, 9781904271499

Resulting from workshops at Shakespeare’s Globe between leading critics, performance theorists and theatre practitioners

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Shakespeare on the Global Stage: Performance and Festivity in the Olympic Year 9781472520333, 9781472520326, 9781474213561, 9781472520357

Long held as Britain’s ‘national poet’, Shakespeare’s role in the 2012 London Cultural Olympiad confirmed his status as

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Shakespeare On Stage and Off 9780228000068

Essays for all readers on new directions in Shakespearean performance, adaptation, and criticism. Essays for all reade

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Shakespeare on Page and Stage: Selected Essays 9780198786542, 9780191090110, 0198786549

This volume presents a winning selection of the very best essays from the long and distinguished career of Stanley Wells

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Shakespeare on Page and Stage: Selected Essays 0198786549, 9780198786542

This volume presents a winning selection of the very best essays from the long and distinguished career of Stanley Wells

199 89 2MB Read more

Ian McKellen on King Lear (Shakespeare On Stage) 9781780018799, 9781780018911

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Shakespeare: Text, Stage and Canon 9781903436110, 9781474243025, 9781474243001

Based on three lectures given by Professor Richard Proudfoot in October 1999 to celebrate the 400th anniversary of The G

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Sloth Bear: The Barefoot Bear of Sri Lanka 9789675492518, 9675492511

Meet one of the most enigmatic animals of the lowland forests. This book provides a wealth of resources and imagery on:

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How Shakespeare Put Politics on the Stage: Power and Succession in the History Plays 9780300225662

A masterful, highly engaging analysis of how Shakespeare’s plays intersected with the politics and culture of Elizabetha

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Theatre for Shakespeare 9781442615175

Mr. Harbage, distinguished critic and scholar, advocates a movement to give Shakespeare back to the audiences. In his op

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