489 55 42MB
English Pages [478] Year 1961
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pages 210 and 211 are missing. Based on the author's thesis (M.A.--University of London, 1955) with title: Some as
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Explores the myriad interactions between calligraphy and architecture throughout the history of the Muslim world 30 case
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In Visible Histories, Disappearing Women, Mahua Sarkar examines how Muslim women in colonial Bengal came to be more marg
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Argues that the discursive erasure of Muslim women within colonial and Hindu nationalist discourse underpinned the const
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'[A]n excellent analytical study of a sensationally beautiful type of temple.... This work is not just art historic
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