Music in Early Franciscan Thought 9789004248175, 9789004248182, 2013002764

Table of contents :
Cover
Music in Early Franciscan Thought
Copyright
Dedication
Contents
List of Illustrations
Abbreviations
Introduction
I. Music and Preaching in the Life of St. Francis of Assisi
Hagiographical Sources
Music in the Life of a Wanton Youth
Fiddle Sticks, Dancing for Joy, and the Heavenly Cithara
Music and Preaching in the Rule of St. Francis
The Nativity Play and Mass at Greccio
Francis and his Joculatores Domini
II. Music and the Narrative of Penance in Lotario dei Segni’s De missarum mysteriis
Pope Innocent III (Lotario dei Conti di Segni)
De missarum mysteriis
Prologue
Epistle, Gradual, Alleluia, and Gospel
The Epistle
The Gradual
The Alleluia
The Gospel
Conclusion
III. William of Middleton’s Opusculum super missam: Musical Instruction for Simple Priests and Clerics
De opusculum super missam
The Epistle
The Gradual
The Alleluia
The Gospel
Conclusion
IV. David von Ausburg: Music for the Outer and Inner Human
Musical Comportment
Vocal Prayer
Scribal Reception of De exterioris et interioris hominis compositione
De exterioris et interioris hominis compositione in Augsburg, Universitätsbibliothek, cod. II.1.2o 5
De exterioris et interioris hominis compositione in Munich, Bayerische Staatsbibliothek, Clm. 16072
Conclusion
V. Robert Grosseteste on Music, Science, and the Cura animarum
De artibus liberalibus and Templum Dei
Septenary Virtue
Music as Motion
The Ministry of Music
Conclusion
VI. Roger Bacon on the Science of Music and Preaching
Scholarship and Controversy
The Opus maius
Grammar and Logic Through the Measurement of Music
Bodily Motion, and Music as a Universal Science
Music and Moral Philosophy
The Opus Tertium
Music and Bodily Motion
Singing and Preaching
“The Modus of All Church Music was Established as Enharmonic”
Music and Preaching
Berthold von Regensburg’s Preaching
Conclusion
VII. Bartholomaeus Anglicus on Music and Preaching in De proprietatibus rerum
Sensual Perception of Music in De proprietatibus rerum
Concord in Music and Relationships
Vocal Timbre and the Voice of the Preacher
Concord in Music and Among Religious
Universal Concord and the Music of Preaching
Conclusion
VIII. The Ars musica of Juan Gil de Zamora: Musical Expression and Instruments of the Reconquista
Historia naturalis, Dictaminis Epithalamium, and Ars musica
Who Commissioned Ars musica?
St. Cecilia, the Music of the Bees, and Preaching in Historia naturalis
Ars musica as a Primer for Singing Chant
Ars musica
The Ethos of the Church Modes
The Ethos of Mode Five
“Musicalia instrumenta inventa fuerunt secundum diversitatem temporum a diversis”
Conclusion
Conclusion
Bibliography
Index