127 17 126MB
English Pages 288 [280] Year 2006
MULTIPLE ARTS
MERIDIAN
Crossing Aesthetics
Werner Hamacher
Editor
Edited by Simon Sparks
Stanford University Press
Stanford, California 2006
MULTIPLE ARTS The Muses II
Jean-Luc Nancy
The essays included in this volume are translated and published by arrangement with Editions Galilee,© Editions Galilee. "Sources," on p. 249, lists original publication details.
Stanford University Press Stanford, California English translation © 2006 by the Board ofTrustees of the Leland Stanford Junior University. All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or in any information storage or retrieval system without the prior written permission of Stanford University Press.
Library of Congress Cataloging-in-Publication Data Nancy, Jean-Luc. [Selections. English. 2006] Multiple arts : the muses II I Jean-Luc Nancy; edited by Simon Sparks. p. em. - (Meridian) Includes bibliographical references. ISBN o-8047-3953-6 (hardcover: alk. paper) ISBN o-8047-3954-4 (pbk. : alk. paper) r. Aesthetics. 2. Arts-Philosophy. I. Sparks, Simon, I970- II. Tide. III. Series: Meridian (Stanford, Calif.) B2430.N362E5 2oo6 70o'.I-dc22 20050I3559
Contents
zx
Acknowledgments PART I:
LITERATURE
I
Making Poetry
2
Taking Account of Poetry
10
3
Around the Notion of Literary Communism
22
4
He Says
35
5
Vox Clamans in Deserto
38
6
Paean for Aphrodite
50
7
Les Iris
61
8
On Writing: Which Reveals Nothing
70
9
Roger Laporte: The Page
78
10
In Blanchot's Company
82
II
On Blanchot
85
12
Deguy l'An Neufl
89
13
The Necessity of Sense
109
14
Ja, Bes
n8
15
Robert Antelme's Two "Phrases"
126
3
Contents
Vlll
PART II:
ART
16
Georges
131
17
Catalogue
143
18
Interviews
159
19
Res Extensa
166
20
Lux Lumen Splendor
171
21
Held, Held Back
175
22
The Tide's a Blank
181
23
The Technique of the Present: On On Kawara
191
24
The Soun-Gui Experience
207
25
The Look of the Portrait
220
Sources
249
Notes
253
Acknowledgments
I would like to thank all those involved in the preparation of this volume. First, the other translators: Miguel de Beistegui, Jonathan Derbyshire, James Gilbert-Walsh, Sara Guyer, Leslie Hill, Hector Kollias, and Damon McCarthy, not merely for agreeing to undertake the almost impossible task of translating some of Nancy's least translatable essays, but for their graciousness in the face of my often excessive editorial intrusions. In particular, I would like to thank Miguel de Beistegui and Leslie Hill for their readiness to offer instant clarification on numerous points. Next, I wish to thank those artists who have generously allowed their works to be reproduced here: Lucile Bertrand, Susanna Fritscher, Guerrero, On Kawara, Soun-Gui Kim, Fran