Joni Mitchell - Complete So Far... 0739095889, 9780739095881

Citation preview

GUITAR SONGBOOK EDITION

JONI MITCHELL SO FAR …

GUITAR SONGBOOK EDITION 1

JONI MITCHELL SO FAR …

Joni wishes to express her thanks … to Joel Bernstein: “As my repertoire of tunings expanded it became necessary to have a whole fleet of guitars set up in tuning families. It was Joel’s job to tune my guitars, and to do this he needed to learn at least the first eight bars of every one of my songs, therefore preserving these tunings which may have otherwise been lost, for which I am grateful”; to Henry Diltz for capturing these special moments in time with his photos; to Jeffrey Pepper Rodgers for asking interview questions that actually pertained to the art and the music; to Dana D’Elia and all the staff at Alfred Music who participated in the making of this book; and special thanks to Aaron Stang for overseeing the production of this project with such care.

Produced by Alfred Music P.O. Box 10003 Van Nuys, CA 91410-0003 alfred.com All rights reserved. Printed in USA. No part of this book shall be reproduced, arranged, adapted, recorded, publicly performed, stored in a retrieval system, or transmitted by any means without written permission from the publisher. In order to comply with copyright laws, please apply for such written permission and/or license by contacting the publisher at alfred.com/permissions.

ISBN-10: 0-7390-9588-9 ISBN-13: 978-0-7390-9588-1 Transcriptions by Joel Bernstein, Daniel Libertino, and Andrew DuBrock Cover photo by Jack Robinson, The Jack Robinson Archive, LLC; robinsonarchive.com All inside photos by Henry Diltz; morrisonhotelgallery.com

Contents

Foreword.................................................................................................................................................................................. 17 How to Use the Tuning Index............................................................................................................................................. 22 Tuning Index........................................................................................................................................................................... 23 TITLE RELEASE

All I Want............................................................................................ Blue.........................................................................108 Amelia................................................................................................. Hejira......................................................................238 The Arrangement........................................................................... Ladies of the Canyon........................................... 91 (You’re So Square) Baby, I Don’t Care................................. Wild Things Run Fast.........................................324 Bad Dreams...................................................................................... Shine.......................................................................495 Banquet.............................................................................................. For the Roses.......................................................134 Barangrill........................................................................................... For the Roses.......................................................140 Be Cool................................................................................................ Wild Things Run Fast.........................................322 The Beat of Black Wings............................................................. Chalk Mark in a Rain Storm............................382 Big Yellow Taxi................................................................................. Ladies of the Canyon.........................................100 Big Yellow Taxi (2007).................................................................. Shine.......................................................................498 A Bird That Whistles (Corrina, Corrina)............................... Chalk Mark in a Rain Storm............................392 Black Crow........................................................................................ Hejira......................................................................250 Blonde in the Bleachers.............................................................. For the Roses.......................................................157 Blue...................................................................................................... Blue......................................................................... 116 Blue Boy............................................................................................. Ladies of the Canyon........................................... 98 Blue Motel Room............................................................................ Hejira......................................................................255 The Boho Dance.............................................................................. The Hissing of Summer Lawns.......................220 Borderline......................................................................................... Turbulent Indigo..................................................443 Both Sides Now............................................................................... Clouds.......................................................................74 Cactus Tree....................................................................................... Song to a Seagull................................................. 52 California........................................................................................... Blue.........................................................................120 Car on a Hill...................................................................................... Court and Spark..................................................178 Carey................................................................................................... Blue......................................................................... 114 A Case of You................................................................................... Blue.........................................................................126 Chelsea Morning............................................................................. Clouds...................................................................... 58 Cherokee Louise............................................................................. Night Ride Home.................................................398 Chinese Café/Unchained Melody............................................ Wild Things Run Fast......................................... 314 The Circle Game............................................................................. Ladies of the Canyon.........................................102 Cold Blue Steel and Sweet Fire............................................... For the Roses.......................................................136 Come in from the Cold................................................................. Night Ride Home.................................................406 Conversation.................................................................................... Ladies of the Canyon........................................... 88 Cool Water........................................................................................ Chalk Mark in a Rain Storm............................379 Court and Spark............................................................................. Court and Spark..................................................168 Coyote................................................................................................. Hejira......................................................................234 The Crazy Cries of Love.............................................................. Taming the Tiger.................................................480 Dancin’ Clown.................................................................................. Chalk Mark in a Rain Storm............................376 The Dawntreader............................................................................ Song to a Seagull................................................. 46 Dog Eat Dog...................................................................................... Dog Eat Dog.........................................................349

TITLE RELEASE

Don Juan’s Reckless Daughter................................................. Don Juan’s Reckless Daughter.......................284 Don’t Interrupt the Sorrow........................................................ The Hissing of Summer Lawns....................... 211 Down to You...................................................................................... Court and Spark..................................................180 Dreamland......................................................................................... Don Juan’s Reckless Daughter.......................288 Edith and the Kingpin................................................................... The Hissing of Summer Lawns.......................208 Electricity.......................................................................................... For the Roses.......................................................148 Ethiopia............................................................................................... Dog Eat Dog.........................................................355 Face Lift............................................................................................. Taming the Tiger.................................................476 Fiction................................................................................................. Dog Eat Dog.........................................................339 The Fiddle and the Drum............................................................ Clouds...................................................................... 72 For Free.............................................................................................. Ladies of the Canyon........................................... 82 For the Roses................................................................................... For the Roses.......................................................154 Free Man in Paris........................................................................... Court and Spark..................................................188 Furry Sings the Blues................................................................... Hejira...................................................................... 241 The Gallery........................................................................................ Clouds...................................................................... 68 God Must Be a Boogie Man........................................................ Mingus....................................................................300 Good Friends.................................................................................... Dog Eat Dog.........................................................336 Hana..................................................................................................... Shine.......................................................................492 Harlem in Havana........................................................................... Taming the Tiger.................................................458 Harry’s House/Centerpiece...................................................... The Hissing of Summer Lawns.......................223 Hejira................................................................................................... Hejira......................................................................246 Help Me............................................................................................... Court and Spark..................................................171 The Hissing of Summer Lawns................................................. The Hissing of Summer Lawns.......................218 How Do You Stop............................................................................. Turbulent Indigo..................................................427 I Don’t Know Where I Stand...................................................... Clouds...................................................................... 62 I Had a King...................................................................................... Song to a Seagull................................................. 34 I Think I Understand..................................................................... Clouds...................................................................... 70 If............................................................................................................ Shine.......................................................................504 If I Had a Heart............................................................................... Shine.......................................................................490 Impossible Dreamer..................................................................... Dog Eat Dog.........................................................358 In France They Kiss on Main Street....................................... The Hissing of Summer Lawns.......................202 Jericho ............................................................................................... Don Juan’s Reckless Daughter.......................270 Judgement of the Moon and Stars (Ludwig’s Tune)........ For the Roses.......................................................162 The Jungle Line................................................................................ The Hissing of Summer Lawns.......................206 Just Like This Train........................................................................ Court and Spark..................................................184 Ladies’ Man....................................................................................... Wild Things Run Fast.........................................312 Ladies of the Canyon.................................................................... Ladies of the Canyon...........................................84 Lakota................................................................................................. Chalk Mark in a Rain Storm............................370 Last Chance Lost............................................................................ Turbulent Indigo..................................................438 The Last Time I Saw Richard.................................................... Blue.........................................................................129

TITLE RELEASE

Lead Balloon..................................................................................... Taming the Tiger.................................................465 Lesson in Survival......................................................................... For the Roses.......................................................138 Let the Wind Carry Me................................................................. For the Roses.......................................................143 Little Green....................................................................................... Blue.........................................................................112 Love...................................................................................................... Wild Things Run Fast.........................................330 Love Puts on a New Face........................................................... Taming the Tiger.................................................462 Lucky Girl.......................................................................................... Dog Eat Dog.........................................................360 The Magdalene Laundries.......................................................... Turbulent Indigo..................................................435 Man from Mars................................................................................ Taming the Tiger.................................................460 Man to Man....................................................................................... Wild Things Run Fast.........................................332 Marcie................................................................................................. Song to a Seagull................................................. 40 Michael from Mountains............................................................. Song to a Seagull................................................. 36 Moon at the Window..................................................................... Wild Things Run Fast......................................... 317 Morning Morgantown................................................................... Ladies of the Canyon........................................... 80 My Best to You................................................................................. Taming the Tiger.................................................478 My Old Man........................................................................................ Blue......................................................................... 110 My Secret Place............................................................................. Chalk Mark in a Rain Storm............................364 Nathan la Franeer.......................................................................... Song to a Seagull................................................. 42 Night in the City.............................................................................. Song to a Seagull................................................. 38 Night of the Iguana....................................................................... Shine.......................................................................500 Night Ride Home............................................................................. Night Ride Home.................................................396 No Apologies.................................................................................... Taming the Tiger.................................................468 Not to Blame..................................................................................... Turbulent Indigo..................................................440 Nothing Can Be Done.................................................................... Night Ride Home................................................. 411 Number One...................................................................................... Chalk Mark in a Rain Storm............................367 Off Night Backstreet.................................................................... Don Juan’s Reckless Daughter.......................293 One Week Last Summer.............................................................. Shine.......................................................................484 The Only Joy in Town..................................................................... Night Ride Home................................................. 414 Otis and Marlena............................................................................ Don Juan’s Reckless Daughter.......................281 Overture—Cotton Avenue........................................................ Don Juan’s Reckless Daughter.......................264 Paprika Plains................................................................................. Don Juan’s Reckless Daughter....................... 274 Passion Play (When All the Slaves Are Free).................... Night Ride Home.................................................400 People’s Parties............................................................................. Court and Spark.................................................. 174 The Pirate of Penance................................................................. Song to a Seagull................................................. 48 The Priest.......................................................................................... Ladies of the Canyon........................................... 96 Rainy Night House.......................................................................... Ladies of the Canyon........................................... 94 Raised on Robbery........................................................................ Court and Spark..................................................191 Ray’s Dad’s Cadillac...................................................................... Night Ride Home................................................. 416 Refuge of the Roads...................................................... Hejira.......................................................258 The Reoccurring Dream................................................. Chalk Mark in a Rain Storm......................389 River............................................................................... Blue......................................................... 123 Roses Blue..................................................................... Clouds.......................................................65 Same Situation............................................................... Court and Spark....................................... 176 See You Sometime......................................................... For the Roses........................................... 146 Sex Kills.......................................................................... Turbulent Indigo.......................................430

TITLE RELEASE

Shades of Scarlett Conquering..................................... The Hissing of Summer Lawns.................. 214 Shadows and Light......................................................... The Hissing of Summer Lawns..................230 Shine.............................................................................. Shine.......................................................506 Shiny Toys....................................................................... Dog Eat Dog............................................. 352 The Silky Veils of Ardor.................................................. Don Juan’s Reckless Daughter..................296 The Sire of Sorrow (Job’s Sad Song)............................. Turbulent Indigo.......................................448 Sisotowbell Lane............................................................ Song to a Seagull.......................................44 Slouching Towards Bethlehem...................................... Night Ride Home......................................408 Smokin’ (Empty, Try Another)........................................ Dog Eat Dog.............................................348 Snakes and Ladders...................................................... Chalk Mark in a Rain Storm......................384 Solid Love....................................................................... Wild Things Run Fast................................ 320 Song for Sharon............................................................. Hejira....................................................... 252 Song to a Seagull........................................................... Song to a Seagull.......................................50 Songs to Aging Children Come...................................... Clouds....................................................... 76 Stay in Touch.................................................................. Taming the Tiger....................................... 474 A Strange Boy................................................................ Hejira.......................................................244 Strong and Wrong.......................................................... Shine.......................................................502 Sunny Sunday................................................................. Turbulent Indigo....................................... 424 Sweet Bird...................................................................... The Hissing of Summer Lawns..................228 Talk to Me....................................................................... Don Juan’s Reckless Daughter..................268 Taming the Tiger............................................................ Taming the Tiger....................................... 471 Tax Free.......................................................................... Dog Eat Dog.............................................345 The Tea Leaf Prophecy (Lay Down Your Arms)............. Chalk Mark in a Rain Storm............................373 That Song About the Midway......................................... Clouds.......................................................60 This Flight Tonight......................................................... Blue......................................................... 118 This Place....................................................................... Shine.......................................................487 The Three Great Stimulants........................................... Dog Eat Dog.............................................342 Tin Angel......................................................................... Clouds.......................................................56 Trouble Child.................................................................. Court and Spark....................................... 194 Turbulent Indigo............................................................. Turbulent Indigo.......................................432 Twisted........................................................................... Court and Spark....................................... 197 Two Grey Rooms............................................................. Night Ride Home...................................... 419 Underneath the Streetlight........................................... Wild Things Run Fast................................ 328 Urge for Going................................................................ Hits..........................................................454 Wild Things Run Fast..................................................... Wild Things Run Fast................................ 310 Willy................................................................................ Ladies of the Canyon..................................86 The Windfall (Everything for Nothing).......................... Night Ride Home......................................403 The Wolf That Lives in Lindsey...................................... Mingus.....................................................304 Woman of Heart and Mind............................................. For the Roses........................................... 160 Woodstock .................................................................... Ladies of the Canyon................................ 104 You Dream Flat Tires..................................................... Wild Things Run Fast................................ 326 You Turn Me on, I’m a Radio.......................................... For the Roses........................................... 152 Yvette in English............................................................ Turbulent Indigo.......................................446 Guitar TAB Glossary.........................................................................................................................509

AlbumIndex SONG TO A SEAGULL

I Had a King........................................................................... 34 Michael from Mountains.................................................... 36 Night in the City.................................................................... 38 Marcie...................................................................................... 40 Nathan la Franeer..................................................................42 Sisotowbell Lane................................................................... 44 The Dawntreader.................................................................. 46 The Pirate of Penance......................................................... 48 Song to a Seagull................................................................. 50 Cactus Tree.............................................................................52

CLOUDS

Tin Angel................................................................ 56 Chelsea Morning.................................................... 58 I Don’t Know Where I Stand.................................... 62 That Song About the Midway.................................. 60 Roses Blue............................................................. 65 The Gallery............................................................. 68 I Think I Understand................................................70 Songs to Aging Children Come.................................76 The Fiddle and the Drum.........................................72 Both Sides Now.......................................................74

LADIES OF THE CANYON

Morning Morgantown.............................................. 80 For Free.................................................................. 82 Conversation.......................................................... 88 Ladies of the Canyon.............................................. 84 Willy....................................................................... 86 The Arrangement.....................................................91 Rainy Night House.................................................. 94 The Priest.............................................................. 96 Blue Boy................................................................. 98 Big Yellow Taxi......................................................100 Woodstock.............................................................104 The Circle Game....................................................102

BLUE

All I Want..............................................................108 My Old Man...........................................................110 Little Green...........................................................112 Carey....................................................................114 Blue......................................................................116 California..............................................................120 This Flight Tonight.................................................118 River.....................................................................123 A Case of You........................................................126 The Last Time I Saw Richard.................................129

FOR THE ROSES

Banquet................................................................134 Cold Blue Steel and Sweet Fire..............................136 Barangrill..............................................................140 Lesson in Survival.................................................138 Let the Wind Carry Me...........................................143 For the Roses........................................................154 See You Sometime.................................................146 Electricity..............................................................148 You Turn Me on, I’m a Radio..................................152 Blonde in the Bleachers.........................................157 Woman of Heart and Mind.....................................160 Judgement of the Moon and Stars (Ludwig’s Tune)...................................................162

COURT AND SPARK

Court and Spark....................................................168 Help Me.................................................................171 Free Man in Paris..................................................188 People’s Parties.....................................................174 Same Situation......................................................176 Car on a Hill..........................................................178 Down to You..........................................................180 Just Like This Train............................................... 184 Raised on Robbery................................................191 Trouble Child.........................................................194 Twisted.................................................................197

THE HISSING OF SUMMER LAWNS

In France They Kiss on Main Street....................... 202 The Jungle Line..................................................... 206 Edith and the Kingpin........................................... 208 Don’t Interrupt the Sorrow.....................................211 Shades of Scarlett Conquering..............................214 The Hissing of Summer Lawns...............................218 The Boho Dance................................................... 220 Harry’s House/Centerpiece................................... 223 Sweet Bird........................................................... 228 Shadows and Light............................................... 230

HEJIRA

Coyote.................................................................. 234 Amelia................................................................. 238 Furry Sings the Blues............................................241 A Strange Boy...................................................... 244 Hejira....................................................................246 Song for Sharon....................................................252 Black Crow........................................................... 250 Blue Motel Room...................................................255 Refuge of the Roads............................................. 258

DON JUAN’S RECKLESS DAUGHTER

Overture—Cotton Avenue.................................... 264 Talk to Me............................................................ 268 Jericho..................................................................270 Paprika Plains.......................................................274 Otis and Marlena...................................................281 Dreamland........................................................... 288 Don Juan’s Reckless Daughter.............................. 284 Off Night Backstreet............................................ 293 The Silky Veils of Ardor......................................... 296

MINGUS

God Must Be a Boogie Man.................................. 300 The Wolf That Lives in Lindsey.............................. 304

WILD THINGS RUN FAST

Chinese Café/Unchained Melody...........................314 Wild Things Run Fast.............................................310 Ladies’ Man..........................................................312 Moon at the Window..............................................317 Solid Love.............................................................320 Be Cool................................................................ 322 (You’re So Square) Baby, I Don’t Care....................324 You Dream Flat Tires.............................................326 Man to Man...........................................................332 Underneath the Streetlight....................................328 Love..................................................................... 330

DOG EAT DOG

Good Friends........................................................ 336 Fiction.................................................................. 339 The Three Great Stimulants.................................. 342 Tax Free............................................................... 345 Smokin’ (Empty, Try Another)................................ 348 Dog Eat Dog......................................................... 349 Shiny Toys.............................................................352 Ethiopia............................................................... 355 Impossible Dreamer.............................................. 358 Lucky Girl............................................................. 360

CHALK MARK IN A RAIN STORM

My Secret Place.................................................... 364 Number One..........................................................367 Lakota...................................................................370 The Tea Leaf Prophecy (Lay Down Your Arms)........373 Dancin’ Clown.......................................................376 Cool Water............................................................379 The Beat of Black Wings....................................... 382 Snakes and Ladders............................................. 384 The Reoccurring Dream........................................ 389 A Bird That Whistles (Corrina, Corrina)..................392

NIGHT RIDE HOME

Night Ride Home.................................................. 396 Passion Play (When All the Slaves Are Free).......... 400 Cherokee Louise....................................................398 The Windfall (Everything for Nothing)................... 403 Slouching Towards Bethlehem.............................. 408 Come in from the Cold......................................... 406 Nothing Can Be Done............................................411 The Only Joy in Town..............................................414 Ray’s Dad’s Cadillac..............................................416 Two Grey Rooms....................................................419

TURBULENT INDIGO

Sunny Sunday........................................................424 Sex Kills............................................................... 430 How Do You Stop...................................................427 Turbulent Indigo................................................... 432 Last Chance Lost................................................. 438 The Magdalene Laundries..................................... 435 Not to Blame........................................................ 440 Borderline............................................................ 443 Yvette in English.................................................. 446 The Sire of Sorrow (Job’s Sad Song)...................... 448

HITS

Urge for Going...................................................... 454

TAMING THE TIGER

Harlem in Havana................................................. 458 Man from Mars..................................................... 460 Love Puts on a New Face...................................... 462 Lead Balloon........................................................ 465 No Apologies........................................................ 468 Taming the Tiger....................................................471 The Crazy Cries of Love........................................ 480 Stay in Touch........................................................474 Face Lift................................................................476 My Best to You......................................................478

SHINE

One Week Last Summer........................................ 484 This Place............................................................ 487 If I Had a Heart.................................................... 490 Hana.....................................................................492 Bad Dreams..........................................................495 Big Yellow Taxi (2007)...........................................498 Night of the Iguana.............................................. 500 Strong and Wrong................................................ 502 Shine................................................................... 506 If.......................................................................... 504

9

MY SECRET PLACE T he Guitar Odyssey of Joni Mitchell

By Jeffrey Pepper Rodgers

At the heart of the music of Joni Mitchell is a constant sense of surprise and discovery. The melodies and harmonies rarely unfold in ways that our ears, tamed by pop music conventions, have come to expect. Her guitar doesn’t really sound like a guitar: the treble strings become a cool-jazz horn section, the bass snaps out syncopations like a snare drum, the notes ring out in clusters that simply don’t come out of a normal six-string. And her voice adds another layer of invention, extending the harmonic implications of the chords and coloring the melody with plainspoken commentary as well as charged poetic imagery.

you look at it,” Mitchell said. “Craving change, craving growth, seeing always room for improvement in your work.” In that statement lies the key to her music: seeing it as an ongoing process of invention, rather than a series of discrete and final statements. Joni Mitchell began playing the guitar like countless young musicians of the ’60s, but she quickly turned onto a less-traveled path. “When I was learning to play guitar, I got Pete Seeger’s How to Play Folk-Style Guitar,” she recalled. “I went straight to the Cotten picking. Your thumb went from [imitates alternating-bass sound] the 6th string, 5th string, 6th string, 5th string. I couldn’t do that, so I ended up playing mostly the 6th string but banging it into the 5th string. So Elizabeth Cotten definitely is an influence; it’s me not being able to play like her. If I could have I would have, but good thing I couldn’t, because it came out original.”

Even though all these qualities have made Mitchell one of the most revered songwriters of our time, an inspiration for several generations of musicians, the creative processes and impulses behind her music have always been clouded in mystery. A guitarist haunted by Mitchell’s playing on an At the same time that she departed from “There’s a album like Court and Spark or Hejira, for standard folk fingerpicking, Mitchell certain kind of instance, can’t find much help in the departed from standard tuning as restlessness that not music store in exploring that sound; well (only two of her early songs— many artists are cursed or what she plays, from the way she “Tin Angel” and “Urge for tunes her strings to the way she blessed with, depending Going”—are in standard strokes them with her right hand, on how you look at it,” tuning). “In the beginning, I built is utterly off the chart of how most the repertoire of the open major Mitchell said. of us approach the guitar. The only tunings that the old black blues “Craving change, published documentation of her guys came up with,” she said. craving growth, 30-year guitar odyssey is four “It was only three or four. The single-album songbooks transcribed seeing always room simplest one is D modal [D–A–D–G– by Joel Bernstein, her longtime guitar for improvement B–D]; Neil Young uses that a lot. And tech and musical/photographic then Open G [D–G–D–G–B–D], with in your work.” archivist, which show the real tunings and the 6th string removed, which is all Keith chord shapes. But that’s a very small slice of a Richards plays in. And Open D [D–A–D–F # – career that spans 17 albums, each one a departure— A–D]. Then going between them I started to get more often a radical one—from what came before. ‘modern’ chords, for lack of a better word.” As she began In the wake of her 1996 Grammy for Best Pop Album for Turbulent Indigo, which marked the stunning return of her acoustic guitar to center stage, Joni Mitchell met with me in Los Angeles to offer a rare, in-depth view into her craft as a guitarist and composer. To orient myself better in the world of Mitchell’s guitar, I also spoke with Joel Bernstein, who’s now based in San Francisco and helping to compile a Neil Young anthology. Remarkably, Mitchell herself relies on Bernstein’s encyclopedic knowledge of her work; because she has forged ahead with new tunings throughout her career and rarely plays her past repertoire, Bernstein has at several junctures helped her relearn some of her older songs. “There’s a certain kind of restlessness that not many artists are cursed or blessed with, depending on how

to write songs in the mid-’60s, these tunings became inextricably tied to her composing.

On Mitchell’s first three albums, Song to a Seagull (1968), Clouds (1969), and Ladies of the Canyon (1970), conventional open tunings coexist with other tunings that stake out some new territory. “Both Sides Now” (capo II) and “Big Yellow Taxi,” for instance, are in Open E (E–B–E–G # –B–E)—the same as Open D but a whole step higher; and “The Circle Game” (capo IV) and “Marcie” are in Open G. But it was more adventurous tunings like C–G–D–F–C–E (“Sistowbell Lane”), with its complex chords created by simple fingerings that enthralled her and became the foundation of her music from the early ’70s on.

17

18

“Pure majors are like major colors; they evoke pure well-being,” she said. “Anybody’s life at this time has pure majors in it, given, but there’s an element of tragedy. No matter what your disposition is, we are air breathers, and the rain forests coming down at the rate they are … there’s just so much insanity afoot. We live in a dissonant world. Hawaiian [music], in the pure major—in paradise, that makes sense. But it doesn’t make sense to make music in such a dissonant world that does not contain some dissonances.” The word dissonances seem to imply harsh or jarring sounds, but in fact, the “modern chords” that Mitchell found in alternate tunings have an overall softness to them, with consonances and dissonances gently playing off each other. It’s difficult to put a label on these sounds, but Mitchell is emphatic about one thing: they’re a long way from folk music. “It’s closer to Debussy and to classical composition, and it has its own harmonic movement which doesn’t belong to any camp,” she said. “It’s not jazz, like people like to think. It has in common with jazz that the harmony is very wide, but there are laws to jazz chordal movement, and this is outside those laws for the most part.” So how does Mitchell discover the tunings and fingerings that create these expansive harmonies? Here’s how she described the process: “You’re twiddling and you find the tuning. Now the left hand has to learn where the chords are, because it’s a whole new ballpark, right? So you’re groping around, looking for where the chords are, using very simple shapes. Put it in a tuning and you’ve got four chords immediately—open, barre five, barre seven, and your higher octave, like half fingering on the 12th. Then you’ve got to find where your minors are and where the interesting colors are— that’s the exciting part. “Sometimes I’ll tune to some piece of music and find [an open tuning] that way, sometimes I just find one going from one to another, and sometimes I’ll tune to the environment. Like “The Magdalene Laundries” [from Turbulent Indigo; the tuning is B–F # –B–E–A–E]: I tuned to the day in a certain place, taking the pitch of bird songs and the general frequency sitting on a rock in that landscape.” Mitchell likens her use of continually changing tunings to sitting down at a typewriter on which the letters are rearranged each day. It’s inevitable that you get lost and type some gibberish, and those mistakes are actually the main reason to use this system in the first place. “If you’re only working off what you know, then you can’t grow,” she said. “It’s only through error that discovery is made, and in order to discover you have to set up some sort of situation with a random element, a strange

attractor, using contemporary physics terms. The more I can surprise myself, the more I’ll stay in this business, and the twiddling of the notes is one way to keep the pilgrimage going. You’re constantly pulling the rug out from under yourself, so you don’t get a chance to settle into any kind of formula.” To date, Mitchell said that she has used 51 tunings. This number is so extraordinarily high in part because her tunings have lowered steadily over the years, so some tunings recur at several pitches. Generally speaking, her tunings started at a base of open E and dropped to D and then to C, and these days some even plummet to B or A in the bass. This evolution reflects the steady lowering of her voice since the ’60s, a likely consequence of heavy smoking. When Mitchell performs an older song today, she typically uses a lowered version of the original tuning. “Big Yellow Taxi,” originally in Open E, is now played in Open C (C–G– C–E–G–C, which is the same as Open E dropped two whole steps). She recorded “Cherokee Louise” on Night Ride Home with the tuning D–A–E–F # –A–D; when she performed it on the Canadian TV show Much Music last year, she played it in C–G–D–E–G–C, a whole step lower. In some cases, the same relative tuning pops up in different registers for different songs: “Cool Water” (Chalk Mark in a Rain Storm) and “Slouching Towards Bethlehem” (Night Ride Home) are in D–A–E–G–A–D; a half step down, C # – G # –D # –F # –G # –C # , is the tuning for “My Secret Place” (Chalk Mark); another half step lower, C–G–D–F–G–C, is the tuning for “Night Ride Home”; and a half step below that, B–F # –C # –E–F # –B, is the tuning for “Hejira.” These connections allow Mitchell, in some cases, to carry fingerings from one tuning to another and find a measure of consistency, but each tuning has its own little universe of sounds and possibilities. “You never really can begin to learn the neck like a standard player, linearly and orderly,” she said. “You have to think in a different way, in moving blocks. Within the context of moving blocks, there are certain things that you’ll try from tuning to tuning that will apply.” Mitchell has come up with a way to categorize her tunings into families, based on the number of half steps between the notes of adjacent strings. “Standard tuning’s numerical system is 5–5–5–4–5, with the knowledge that your bass string is E, right?” she said. “Most of my tunings at this point are 7–5 or 7–7, where the 5–5 on the bottom is. The 7–7 and the 7–5 family tunings are where I started from.” Examples of 7–5 tunings are D–A–D–G–B–D (used for “Free Man in Paris,” Court and Spark) and C–G–C–E–G–C (“Amelia,” Hejira)—in both cases, the 5th string is tuned to the 7th

19

fret of the 6th string, and the 4th string is tuned to the 5th fret of the 5th string. Similarly, examples of 7–7 tunings are C–G–D–G–B–D (“Cold Blue Steel and Sweet Fire,” For the Roses) and C # –G # –D # –E # –G # – C # (“Sunny Sunday,” Turbulent Indigo)—the intervals between the 6th and 5th strings, and the 5th and 4th strings, are seven frets.

instrument. “When I’m playing the guitar,” she said, “I hear it as an orchestra: the top three strings being my horn section, the bottom three being cello, viola—the bass being indicated but not rooted yet.” The orchestral effect is particularly vivid on “Just Like This Train,” with its “muted trumpet parts” and independent lines on the top, middle, and bottom strings.

Mitchell continued, “However, the dreaded 7–9 family— I have about seven songs in 7–9 tunings—are in total conflict with the 7–5 and the 7–7 families. They’re just outlaws. They’re guaranteed bass clams [laughs], ’cause the thumb gets used to going automatically into these shapes, and it has to make this slight adaptation.” Mitchell’s 7–9 songs include “Borderline,” “Turbulent Indigo,” and “How Do You Stop” (all from Turbulent Indigo), all of which are in the tuning B–F # –D # –D # –F # –B.

Mitchell compares the right-hand technique that maintains these separate voices to harp playing, with its fluid movement over the strings. Here’s how Joel Bernstein describes the evolution of that style: “Her first album has some very fine, detailed fingerpicking—note for note, there are very specific figures. As time goes on, she gets into more of a strumming thing until it becomes more like a brush stroke—it’s a real expressive rhythmic thing. Her early stuff doesn’t really swing, there’s not jazz stuff going on in it, and she’s not implying a rhythm section as much, whereas now she obviously has a lot going on in the right hand. It’s at the same time simpler and deeper.”

Just to confuse the fingers further, Mitchell also has some renegade tunings in which she’s written only one song. Consider the tuning for “Black Crow,” from Hejira: B b –B b –D b –F–A b –B b , with the 5th and 6th strings an octave apart. By Mitchell’s numerical system, this would be a 12–3 tuning—a very long way from 7–7 or 7–5, and a thousand miles from standard tuning. An interesting tuning can be fertile ground for writing a song, but—as a whole pile of new-age guitar CDs amply illustrate—it’s how you work the tuning with your hands and compositional sense that counts. Throughout her music, Mitchell makes the most of the freedom that open tunings allow in traveling around the neck. One of her stylistic signatures is the way she juxtaposes notes fretted high on the neck against ringing open strings. This is a great way to extend the range of the accompaniment, as you can hear on songs like “Chelsea Morning” (Clouds, Open E), in which she plays a riff up high on the top two strings that dances over the open bass strings, followed by a fretted bass part that moves below the open treble strings. In Mitchell’s later songs, with their more radical tunings, the ringing open strings take on a different sort of drone quality—she uses them between chords as a sort of connecting thread in the harmony. “It’s like a wash,” she said. “In painting, if I start a canvas now, to get rid of the vertigo of the blank page, I cover the whole thing in olive green, then start working the color into it. So every color is permeated with that green. It doesn’t really green the colors out but it antiques them, burnishes them. The drones kind of burnish the chord in the same way. That color remains as a wash. These other colors then drop in, but always against that wash.” Upper melodies, moving bass lines, drone strings: all these components of Mitchell’s guitar style are rooted in her conception of the guitar as a multi-voiced

Ever since the album Blue, percussive sounds have been central to Mitchell’s guitar style—a clear influence on all sorts of tapping and slapping contemporary players. Mitchell’s inspiration for these sounds came from a surprising place: an encounter with a dulcimer maker at a 1969 Big Sur festival. “I had never seen one played,” she said. “Traditionally it’s picked with a quill, and it’s a very delicate thing that sits across your knee. The only instrument I had ever had across my knee was a bongo drum, so when I started to play the dulcimer I beat it. I just slapped it with my hands. Anyway, I bought it, and I took off to Europe carrying a flute and this dulcimer because it was very light for backpacking around Europe. I wrote most of Blue on it.” For about a year, Mitchell played the dulcimer and didn’t have a guitar on hand. “I was craving a guitar so badly in Greece,” she said. “The junta had repressed the population at that time. They were not allowed public meeting, they were not allowed any kind of boisterous or colorful expression. The military was sitting on their souls, and even the poets had to move around. We found this floating poets’ gathering place, and there was an apple crate of a guitar there that people played. I bought it off them for 50 bucks and sat in the Athens underground with transvestites and, you know, the underbelly running around—and it was like a romance. It was a terrible guitar, but I hadn’t played one for so long, and I began slapping it because I had been slapping this dulcimer. That’s when I noticed that my style had changed. “I thought that slap came purely from the dulcimer until

20

I saw a television show [recently] that I did the day after Woodstock, where Crosby, Nash, and Stills showed up. Stephen slapped his guitar, which is a kind of Flamenco way of playing it, so I would have to cite Stephen Stills also as an influence in that department. But it was latent and not conscious. It wasn’t like I studied him and tried to play like him, but I admired the way he played. That’s the way I grow, by admiration and not by intellect. Anytime I admire something, something expands, and somewhere down the road that admiration works on me as an influence.”

she still maintained strict control over the parts. For Court and Spark, she said, “I sang all the countermelody to a scribe, who wrote it out. So anything that’s added is my composition. In a few exceptions I’ll cut a player loose, but then I’ll edit him, move him around, so even though he’s given me free lines I’m still collaging them into place. “I’ve tried to remain true to my own compositional instincts by eliminating the producer, who laminates you to the popular sounds of your time. I’ve been in conflict with the popular sounds of my time, for the most part. All through the ’70s I never liked the sound of the bass or the drums, just on a sonic level, but I couldn’t get any [drummers] to take the pillow out of their kick and I couldn’t get [bassists] to put fresh strings on and give me a resonant sound, because they were scared to be unhip. Hip is a herd mentality, and it’s very conservative, especially among boys.”

Joni Mitchell’s first five albums are essentially solo works, driven by her guitar, dulcimer, piano, and voice. But the pared-down production wasn’t a reflection of a back-to-basics philosophy, as one might have guessed. “There were no drummers or bass players that could play my music,” she said. “I tried the same sections that Carole King and James Taylor were using. I couldn’t get on Mitchell’s dissatisfaction with the standard the airwaves because there was no bass sounds of the ’70s eventually led to bass and drums on [my records], so “ … not only was it one of the most extraordinary I had incentive, but everything they difficult to be a woman collaborations of her career. “Finally, added was arbitrary. They were someone said, ‘There’s this kid in in the business at that imposing style on something Florida named Jaco Pastorius. He’s time, but the camps of without seeing what the something really weird; you’d probably like music were very was that they were playing to. I him.’ So I sent for Jaco, and he had isolated from one thought, ‘They’re putting big, dark the sound I was looking for—big polka dots along the bottom of the another. Jazzers and and fat and resonant.” music, and fence posts.’ I’d end up rockers and folkies The interplay of Mitchell’s guitar and trying to tell them how to play, and did not mix, and I had Pastorius’ bass, first heard on Hejira, they’d say, ‘Isn’t it cute, she was telling moved through all of is a marvel. Pastorius both expands on me how to play my ax, and I’ve played her chords and harmonics and weaves these camps.” with James Brown … ’ So it was difficult as melodies around her vocal line (including a female to guide males into playing [what I several Stravinsky quotes). His rhythmic/ wanted], and to make observations in regard to the melodic approach, which revolutionized the world of music that they had not made. Finally a drummer said, the electric bass, was so thick and up-front that it ‘Joni, you’re going to have to play with jazz musicians.’ demanded new approaches on Mitchell’s side. “Although So I started scouting the clubs, and I found the L.A. I wanted a wide bass sound, his was even wider, and he Express, but that was for my sixth album [Court and insisted that he be mixed up so that I was like his Spark]. It took me that long. background singer,” she said. “So to get enough meat “You have to understand, not only was it difficult to be to hold his sound, I doubled the guitar loosely—I just a woman in the business at that time, but the camps played it twice.” of music were very isolated from one another. Jazzers Years later, in the recording of Chalk Mark in a Rain and rockers and folkies did not mix, and I had moved Storm (1988), Mitchell carried this concept to its through all of these camps. I was moving into the jazz extreme, taking advantage of developments in studio camp. As far as the rockers were concerned, that was technology that allowed the recording of 48 tracks—two betrayal, and definitely to the folkies. But [jazz 24-track tapes linked together. “I decided to use up one musicians] could write out lead sheets; they also could of the reels of the tape doubling the part 24 times. ‘My analyze my chords. They were kind of snobbish at first Secret Place’ is 24 guitars playing the same part,” she when they heard the music, but when they wrote out said. Her reason for this experiment says as much about what the chord was, they were surprised, because it her adventurousness as a musician as it does about her would be like A sus diminished—these were not normal obsession with defying categorizations. “On that whole chords. In standard tuning these chords are very album, all of the guitars are played 24 or 16 times, not in difficult. They would come around with kind of a order to get a [Phil] Spector sound but to get people to different respect, or a curiosity at least.” hear my guitar playing. I thought, ‘Well, maybe it’s just As Mitchell began to work with full-band arrangements, too thin and silvery sounding. If I beef it up and make a

21

whole section of the guitars, maybe they’ll notice how these chords are moving and stop calling it folk music.’ ” As the “My Secret Place” story suggests, Joni Mitchell delved deeply into studio craft during the 1980s, especially in the synthesizer-based Dog Eat Dog. On Night Ride Home (1991), her acoustic guitar rose again in the mix, paving the way for its full return in Turbulent Indigo, a masterpiece of instrumental understatement that ranks as some of the most haunting work of her career. Turbulent Indigo also received the warmest reviews she’s gotten in many years, and her first Grammy ® victory since 1975. Does that mean we should expect more of the same in her next album? Naturally not, because Mitchell is in the midst of yet another radical departure, one that she calls “probably the biggest break for me since Court and Spark.” The new influence at work is an electric guitar that Mitchell’s old friend Fred Walecki built for her to alleviate her ongoing frustrations with using alternate tunings—one of the reasons why she stopped touring in 1983 and was on the verge of quitting the stage permanently in the spring of ’95. Walecki, of Westwood Music in Los Angeles, designed the Stratocaster-style guitar to work with the Roland VG-8—the virtual guitar—a very sophisticated processor capable of electronically creating her tunings. While the strings physically stay in standard tuning, the VG-8 tweaks the pickup signals so that they come out of the speakers in an altered tuning. This means that Mitchell can use one guitar on stage, with an off-stage tech punching in the preprogrammed tuning for each song. “This new guitar that I’m working with eliminated a certain amount of problems that I had with the acoustic guitar,” Mitchell explained. “‘Problems’ isn’t even the right word; ‘maddening frustrations’ is more accurate. The guitar is intended to be played in standard tuning; the neck is calibrated and everything. Twiddling it around isn’t good for the instrument, generally speaking. It’s not good for the neck; it unsettles the intonation. I have very good pitch, so if I’m never quite in tune, that’s frustrating.” Over the years, Mitchell has learned to slightly bend the strings to compensate for the intonation error, but that effort is still often defeated by the extreme slackness of her tunings. “In some of those tunings I’ve got an A on the bottom or a B b, and it’s banging against the string next to it and kicking the thing out of tune as I play, no matter how carefully I tweak it.” The VG-8 sidesteps all these problems; as long as the strings are accurately in standard tuning, she can play all over the neck in the virtual alternate tunings and sound in tune. In every gig since the 1995 New Orleans Jazz & Heritage Festival, Mitchell has used the VG-8, using its effects to build a guitar sound reminiscent of her Hejira era. But the VG-8 is having a much more far-reaching impact on her music than just providing a workable stage setup. In composing and recording the songs for her next album, she’s thrown herself into a heady exploration of the

VG-8’s sampled sounds. “Sonically, it’s very new,” she said of the tracks recorded so far. “I don’t know what you’d call it. It’s my impression, in a way, of ’40s music. Because I don’t like a lot of contemporary music—it’s just so formulated and artificial and false—I kind of cleared my ear and didn’t listen to anything for a while, and what emerged were these vague memories of ’40s and early ’50s sounds. Swinging brass—not Benny Goodman and not Glenn Miller but my own brand, pulled through Miles [Davis] and different harmonic stuff that I absorbed in the ’50s. Because this guitar has heavy-metal sounds in it and pretty good brass sounds, I’m mixing heavy-metal sounds with a brass section, so it’s a really strange hybrid kind of music. I’m a bit scared of it sometimes, you know. I don’t know what it is.” The richest irony of Mitchell’s VG-8 experience thus far is that this guitar rig, which was intended to make her alternate tunings more practical and usable, has in fact driven her to write her first song in 30 years in standard tuning! A technical barrier is responsible: the VG-8’s samples were created to be used with a guitar in standard tuning, and they’re not accessible (without programming modifications) in conjunction with her alternate tunings. So Mitchell’s first VG-8 composition, “Harlem in Havana,” is in that vaguely remembered thing called standard tuning. “You’d never know it was in standard tuning because I haven’t played in standard tuning for 30 years. I don’t know how to play in standard tuning, so I treated standard tuning like it was a new tuning and used my repertoire of shapes. “It’s a strange piece of music. The guitar sound that I’m using is like a marimba, but it’s not like any marimba part you’ve ever heard because it’s fingerpicked. The bass string is almost atonal and sounds almost like a didgeridoo. But off of it I’m building huge horn sections, and the poem that’s going to it is about two little girls in my hometown getting into this black revue called Harlem in Havana, which was an Afro-Cuban burlesque kind of show that you weren’t supposed to stand in front of, let alone go in.” Heavy metal mixed with brass, guitar-generated marimbas, Afro-Cuban and swing rhythms: all indications are that Mitchell’s next creation, slated for an early ’97 release, will be a real ear opener and a direct challenge to our settled perceptions of the music of Joni Mitchell. In the meantime, a number of other projects are percolating. A best-of collection is in the works, and the VG-8 seems to be encouraging her tentative steps back onto the stage (in November ’95, she played her first full-length gig in years, at the Fez in New York). Further into the future, we can look forward to a new CD anthology and probably— keep your fingers crossed—a complete songbook, with all the tunings and basic chord shapes. That book will be an invaluable map for retracing the steps of one of the most amazing guitar journeys of our time, while Joni Mitchell herself disappears around the next bend. Excerpted from Acoustic Guitar magazine, August 1996, No. 44 Reprinted with permission of String Letter Publishing, Inc.

22

HOW TO USE THE TUNING INDEX In the following tuning index, the various guitar tunings employed by Joni Mitchell are grouped into families based upon either similarity to standard tuning, or quality (major/minor) of the open chord implied by the component notes. Note that only those songs that Joni recorded on guitar are listed. Songs played on piano, dulcimer, or by guest guitarists are not included in the list. Joni has devised a system of tuning notation using the letter name of the note found on the 6th string followed by five numbers representing the fret to which the next string will be tuned. For instance, standard tuning would be notated E–5–5–5–4–5. The open 6th string is tuned to an E note. The open 5th string is tuned to the note at the 5th fret of the 6th string. The open 4th string is tuned to the note at the 5th fret of the 5th string, and so on. Sometimes Joni uses the same tuning, but starting on a different note. And sometimes she uses a capo. Both of these techniques can obscure the fact that seemingly different tunings are in fact just transpositions of the same tuning. Joni’s numerical system makes these relationships evident. See the column labeled “Tuning” and you will see that on many tunings the intervals between strings are identical, but if you were only looking at the pitches, the relationship may not be apparent. For example, the tunings used on “In France They Kiss on Main Street” (E–B–F # –A–B–E), “Hejira” (B–F # –C # –G # –F # –B), and “My Secret Place” (D b –A b –E b –G b –A b –D b) would seem to have little in common until Joni’s tuning notation is applied. Using an “X” for the pitch of the 6th string and counting up the number of frets to the next open string, you see that all three songs utilize a tuning notated X–7–7–3–2–5. The interval relationships between the strings are all the same, thus, they are all transpositions of the same tuning. Many of Joni’s tunings are simple outgrowths of another tuning. For example, two tunings may be the same with the exception of a single string, which may be changed a half- or whole-step in either direction. These relationships are easy to spot using Joni’s numerical system. To play the same chords in these tunings may require a change of position of a single finger on the fretboard. These slight variations between different tunings are noted beneath the name of the tuning in the left column.

23

TUNING INDEX SONG TITLE / TUNING TYPE

CAPO

OPEN CHORD

ALBUM

TUNING (Frets)

TUNING (Pitches)

Taming the Tiger

E–5–5–5–4–5

EADGBE

Shine

Shine

E–5–5–5–4–5

EADGBE

Tin Angel

Clouds

E–5–5–5–4–5

EADGBE

7

Hits

E–5–5–5–4–5

EADGBE

3

Clouds

D–7–5–5–4–5

DADGBE

2

Court and Spark

D–7–5–5–4–3

DADGBD

E–7–5–0–7–5

EBEEBE

C–7–5–7–5–0

CGCGCC

C no 3rd

EEEF # BE

E no 3rd(9)

(Disregarding Capo)

STANDARD TUNING Harlem in Havana

Urge for Going

DROP D I Think I Understand

DOUBLE DROP D Free Man in Paris

OPEN NO 3RD CHORD: ROOT–5TH–R–R–5TH–R I Had a King

Song to a Seagull

5

E no 3rd

OPEN NO 3RD CHORD: ROOT–5TH–R–5TH–R–R Song to a Seagull

Song to a Seagull

OPEN NO 3RD (ADD9) CHORD: ROOT–R–R–9TH–5TH–R That Song About the Midway

Clouds

E–0–12–2–5–5

OPEN MAJOR CHORD: E TUNING, ROOT–5TH–R–3RD–5TH–R Amelia

Big Yellow Taxi

Big Yellow Taxi (2007)

A Bird That Whistles (Corrina, Corrina)

Hejira

C–7–5–4–3–5

CGCEGC

Open C

Ladies of the Canyon

E–7–5–4–3–5

EBEG # BE

Open E

Shine

D–7–5–4–3–5

DADF # AD

Open D

Chalk Mark in a Rainstorm

D–7–5–4–3–5

DADF # AD

Open D

24 OPEN CHORD

SONG TITLE / TUNING TYPE

ALBUM

TUNING (Frets)

TUNING (Pitches)

CAPO

(Disregarding Capo)

Both Sides Now

Clouds

E–7–5–4–3–5

EBEG # BE

2

Open E

Song to a Seagull

E–7–5–4–3–5

EBEG # BE

2

Open E

Clouds

E–7–5–4–3–5

EBEG # BE

Ladies of the Canyon

E–7–5–4–3–5

EBEG # BE

2

Open E

Night in the City

Song to a Seagull

E–7–5–4–3–5

EBEG # BE

3

Open E

Passion Play (When All the Slaves Are Free)

Night Ride Home

D–7–5–4–3–5

DADF # AD

Open D

People’s Parties

Court and Spark

D–7–5–4–3–5

DADF # AD

Open D

The Pirate of Penance

Song to a Seagull

D–7–5–4–3–5

DADF # AD

Open D

Wild Things Run Fast

E b –7–5–4–3–5

E b B b E b GB b E b

Open E b

The Three Great Stimulants (guitar version)

Dog Eat Dog

D–7–5–4–3–5

DADF # AD

You Turn Me on, I’m a Radio

For the Roses

D–7–5–4–3–5

DADF # AD

Open D

Court and Spark

C–7–5–7–5–4

CGCGCE

Open C

Clouds

B–7–5–7–5–4

BF # BF # BD #

Open B

Cactus Tree

Chelsea Morning

Conversation

Solid Love

Open E

5

Open D

OPEN MAJOR CHORD: ROOT–5TH–R–5TH–R–3RD Raised on Robbery

Songs to Aging Children Come

OPEN MAJOR CHORD: G TUNING, 5TH–R–5TH–R-3RD–5TH The Circle Game

Ladies of the Canyon

D–5–7–5–4–3

DGDGBD

4

Open G

25 OPEN CHORD

SONG TITLE / TUNING TYPE

ALBUM

TUNING (Frets)

TUNING (Pitches)

CAPO

(Disregarding Capo)

Electricity

For the Roses

D–5–7–5–4–3

DGDGBD

3

Open G

The Gallery

Clouds

D–5–7–5–4–3

DGDGBD

Little Green

Blue

D–5–7–5–4–3

DGDGBD

Song to a Seagull

D–5–7–5–4–3

DGDGBD

Ladies of the Canyon

D–5–7–5–4–3

DGDGBD

Song to a Seagull

D–5–7–5–4–3

DGDGBD

Open G

Clouds

D–5–7–5–4–3

DGDGBD

Open G

For the Roses

G–12–7–5–4–3

GGDGBD

Blue

G–12–7–5–4–3

GGDGBD

Open G

The Hissing of Summer Lawns

A–12–4–3–5–7

AAC # EAE

Open A

Taming the Tiger

A–12–4–3–5–7

AAC # EAE

Open A

C–9–3–5–4–3

CACFAC

Open F

D b –4–8–4–3–5

D b FD b FA b D b

Open D b

BF # D # D # F # B

Open B

Marcie

Morning Morgantown

Nathan la Franeer

Roses Blue

Open G 4

Open G

Open G

2

Open G

OPEN MAJOR CHORD: ROOT–R–5TH–R–3RD–5TH For the Roses

This Flight Tonight

3

Open G

OPEN MAJOR CHORD: ROOT–R–3RD–5TH–R–5TH The Jungle Line

No Apologies

OPEN MAJOR CHORD: 5TH–3RD–5TH–R–3RD–5TH Refuge of the Roads

Hejira

OPEN MAJOR CHORD: ROOT–3RD–R–3RD–5TH–R Come in from the Cold

Night Ride Home

OPEN MAJOR CHORD: ROOT–5TH–3RD–3RD–5TH–R Borderline

Turbulent Indigo

B–7–9–0–3–5

26

SONG TITLE / TUNING TYPE

CAPO

OPEN CHORD

ALBUM

TUNING (Frets)

TUNING (Pitches)

How Do You Stop

Turbulent Indigo

B–7–9–0–3–5

BF # D # D # F # B

Open B

Turbulent Indigo

Turbulent Indigo

B–7–9–0–3–5

BF # D # D # F # B

Open B

C–12–4–3–5–4

CCEGCE

Open C

(Disregarding Capo)

OPEN MAJOR CHORD: ROOT–R–3RD–5TH–R–3RD Stay in Touch

Taming the Tiger

OPEN MAJOR CHORD, 4TH IN BASS: 4TH–ROOT–5TH–ROOT–3RD–5TH Cold Blue Steel and Sweet Fire

For the Roses

C–7–7–5–4–3

CGDGBD

G/C

Don’t Interrupt the Sorrow

The Hissing of Summer Lawns

C–7–7–5–4–3

CGDGBD

G/C

Otis and Marlena

Don Juan’s Reckless Daughter

B b –7–7–5–4–3

B b FCFAC

F/B b

Sweet Bird

The Hissing of Summer Lawns

C–7–7–5–4–3

CGDGBD

G/C

Trouble Child

Court and Spark

C–7–7–5–4–3

CGDGBD

G/C

Underneath the Streetlight

Wild Things Run Fast

C–7–7–5–4–3

CGDGBD

C–7–9–0–7–5

CGEEBE

Cmaj7

2

G/C

MAJOR 7 CHORD: ROOT–5TH–3RD–3RD–7TH–3RD Help Me

Court and Spark

MAJOR (ADD9) CHORD: ROOT–R–5TH–9TH–3RD–R I Don’t Know Where I Stand

Clouds

F–0–7–7–2–3

FFCGAC

F(9)

Michael from Mountains

Song to a Seagull

F–0–7–7–2–3

FFCGAC

F(9)

27

SONG TITLE / TUNING TYPE

ALBUM

TUNING (Frets)

TUNING (Pitches)

CAPO

B b –12–4–3–5–2

B b B b DFB b C

5

OPEN CHORD

(Disregarding Capo)

MAJOR (ADD9) CHORD: ROOT–R–3RD–5TH–R–9TH This Place

Shine

B b (9)

MAJOR (ADD9) CHORD: 5TH–3RD–5TH–ROOT–9TH–5TH Off Night Backstreet

Don Juan’s Reckless Daughter

C–9–3–5–2–5

CACFGC

F(9)

Overture— Cotton Avenue

Don Juan’s Reckless Daughter

C–9–3–5–2–5

CACFGC

F(9)

The Silky Veils of Ardor

Don Juan’s Reckless Daughter

C–9–3–5–2–5

CACFGC

F(9)

MAJOR (ADD9) CHORD: ROOT–5TH–9TH–3RD–5TH–5TH Cherokee Louise

Night Ride Home

D–7–7–2–3–5

DAEF # AD

D(9)

The Crazy Cries of Love

Taming the Tiger

C–7–7–2–3–5

CGDEGC

C(9)

Mingus

C–7–7–2–3–5

CGDEGC

C(9)

Night Ride Home

Night Ride Home

C–7–7–2–3–5

CGDEGC

C(9)

Sunny Sunday

Turbulent Indigo

C # –7–7–2–3–5

C # G # D # E# G # C #

C#(9)

Yvette in English

Turbulent Indigo

C–7–7–2–3–5

CGDEGC

C(9)

God Must Be a Boogie Man

MAJOR (ADD9) CHORD: ROOT–5TH–3RD–5TH–R–9TH Love Puts on a New Face

Taming the Tiger

C–7–9–3–5–2

CGEGCD

C(9)

Taming the Tiger

Taming the Tiger

C–7–9–3–5–2

CGEGCD

C(9)

CGDECE

C(9)

MAJOR (ADD9) CHORD: ROOT–R–5TH–9TH–3RD–5TH Face Lift

Taming the Tiger

C–7–7–2–8–4

28 SONG TITLE / TUNING TYPE

ALBUM

TUNING (Frets)

TUNING (Pitches)

CAPO

OPEN CHORD

(Disregarding Capo)

MAJOR (ADD 9, 11) CHORD: ROOT–5TH–9TH–11TH–R–3RD Coyote

Hejira

C–7–7–3–7–4

CGDFCE

C(9,11)

Don Juan’s Reckless Daughter

Don Juan’s Reckless Daughter

C–7–7–3–7–4

CGDFCE

C(9,11)

Just Like This Train

Court and Spark

C–7–7–3–7–4

CGDFCE

C(9,11)

Ladies of the Canyon

Ladies of the Canyon

C–7–7–3–7–4

CGDFCE

2

C(9,11)

Sisotowbell Lane

Song to a Seagull

C–7–7–3–7–4

CGDFCE

2

C(9,11)

Woman of Heart and Mind

For the Roses

C–7–7–3–7–4

CGDFCE

C(9,11)

D–7–5–4–1–7

DADF#GD

D(4)

D–5–7–0–7–5

DGDDAD

Dsus

D–7–3–6–3–5

DACF # AD

Night Ride Home

D–7–3–7–2–5

DACGAD

D7sus

Hejira

D–7–3–7–2–5

DACGAD

D7sus

B–7–5–5–5–7

BF # BEAE

B7sus

D–7–5–5–2–7

DADGAE

MAJOR (ADD4) CHORD: ROOT–5TH–R–3RD–4TH–R The Sire of Sorrow (Job’s Sad Song)

Turbulent Indigo

SUSPENDED CHORD: ROOT–4TH–R–R–5TH–R The Dawntreader

Song to a Seagull

7TH CHORD: ROOT–5TH–7TH–3RD–5TH–R Barangrill

For the Roses

1

D7

7SUS CHORD: ROOT–5TH–7TH–4TH–5TH–R Ray’s Dad’s Cadillac

A Strange Boy

7SUS CHORD: ROOT–5TH–R–4TH–7TH–4TH The Magdalene Laundries

Turbulent Indigo

SUS (ADD9) CHORD: ROOT–5TH–R–4TH–5TH–9TH The Priest

Ladies of the Canyon

5

Dsus(9)

29

SONG TITLE / TUNING TYPE

ALBUM

CAPO

OPEN CHORD

TUNING (Frets)

TUNING (Pitches)

Chalk Mark in a Rainstorm

D–7–7–3–2–5

DAEGAD

Dsus(9)

Hejira

B–7–7–3–2–5

BF # C # G # F # B

Bsus(9)

In France They Kiss on Main Street

The Hissing of Summer Lawns

E–7–7–3–2–5

EBF # ABE

Esus(9)

My Secret Place

Chalk Mark in a Rainstorm

D b –7–7–3–2–5

D b Ab Eb G b Ab D b

D b sus(9)

Number One

Chalk Mark in a Rainstorm

D b –7–7–3–2–5

D b Ab Eb G b Ab D b

D b sus(9)

The Only Joy in Town

Night Ride Home

D–7–7–3–2–5

DAEGAD

Dsus(9)

Slouching Towards Bethlehem

Night Ride Home

D–7–7–3–2–5

DAEGAD

Dsus(9)

Edith and the Kingpin

The Hissing of Summer Lawns

C–7–7–3–5–4

CGDFB b D

C9sus

Furry Sings the Blues

Hejira

D–7–7–3–5–4

DAEGCE

D9sus

Harry’s House/ Centerpiece

The Hissing of Summer Lawns

C–7–7–3–5–4

CGDFB b D

C9sus

Jericho

Don Juan’s Reckless Daughter

D–7–7–3–5–4

DAEGCE

D9sus

E b –7–3–4–3–2

E b B b D b FA b B b

E b 9sus

(Disregarding Capo)

SUS (ADD9) CHORD: ROOT–5TH–9TH–4TH–5TH–R Cool Water

Hejira

SUS9 CHORD: ROOT–5TH–9TH–4TH–7TH–9TH

SUS9 CHORD: ROOT–5TH–7TH–9TH–4TH–5TH Song for Sharon

Hejira

30

SONG TITLE / TUNING TYPE

ALBUM

CAPO

OPEN CHORD

TUNING (Frets)

TUNING (Pitches)

D–7–5–2–3–5

DADEGC

D9sus

D–7–3–4–3–5

DACEGC

D9sus

D–7–3–2–5–4

DACDGB

C–7–7–3–4–5

CGDFAD

Csus(6,9)

E–0–12–2–5–5

EEEF # BE

E no 3rd(9)

B b –12–3–4–3–2

B b B b D b FA b B b

B b m7

A–12–7–3–5–4

AAEGCE

Am7

(Disregarding Capo)

SUS9 CHORD: ROOT–5TH–R–9TH–4TH–7TH Talk to Me

Don Juan’s Reckless Daughter

SUS9 CHORD: ROOT–5TH–7TH–9TH–4TH–7TH Be Cool

Wild Things Run Fast

SUS13 CHORD: ROOT–5TH–7TH–R–11TH–13TH Love

Wild Things Run Fast

2

D13sus

SUS(6,9) CHORD: ROOT–5TH–9TH–4TH–6TH–9TH Blue Motel Room

Hejira

NO 3RD (9) CHORD: ROOT–R–R–9TH–5TH–R That Song About the Midway

Clouds

MINOR 7 CHORD: ROOT–R–3RD–5TH–7TH–R Black Crow

Hejira

MINOR 7 CHORD: ROOT–R–5TH–7TH–3RD–5TH The Windfall (Everything for Nothing)

Night Ride Home

MINOR 11 CHORD: ROOT–5TH–3RD–11TH–7TH–9TH Last Chance Lost

Turbulent Indigo

B b –7–8–2–5–4

B b FD b E b A b C

B b m11

The Wolf That Lives in Lindsey

Mingus

C–7–8–2–5–4

CGE b FB b D

Cm11

Shine

C–7–3–5–2–5

CGB b E b FB b

Cm11

Wild Things Run Fast

D–7–3–5–2–5

DACFGC

Dm11

MINOR 11 CHORD: ROOT–5TH–7TH–3RD–11TH–7TH If

Ladies’ Man

31

SONG TITLE / TUNING TYPE

TUNING (Frets)

TUNING (Pitches)

Lead Balloon

Taming The Tiger

E b –7–3–5–2–5

Eb Bb D b G b Ab D b

E b m11

Man to Man

Wild Things Run Fast

D–7–3–5–2–5

DACFGC

Dm11

Moon at the Window

Wild Things Run Fast

D b –7–3–5–2–5

D b A b C b Fb G b C b

D b m11

Turbulent Indigo

C–7–3–5–2–5

CGB b E b FB b

Cm11

Wild Things Run Fast

D–7–3–5–2–5

DACFGC

Dm11

Sex Kills

You Dream Flat Tires

CAPO

OPEN CHORD

ALBUM

(Disregarding Capo)

33

34

I HAD A KING *Guitar tuning: Capo 5th fret E-7-5-0-7-5

Words and Music by JONI MITCHELL

➅=E ➂=E ➄=B ➁=B ➃=E ➀=E Moderately Œ = ca. 110 Intro: E(4)

#### 4 & 4 T A B

Em9 4fr.

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ n œ œ œ nœ nœ œ œ nœ œ œ œ œ œ œ œ œ P 231

231

0

4

5

0

0

4

5

5

0

4

0

4

5

5

0

0

0

0

2

3

0

2 3

0

2

3

0

3

2

3

0

0

*Recording sounds a perfect fourth higher than written.

Verse: E(4)

Em9 4fr.

#### . Π. &

j œ œ œ œ œ

231

j œj œ œ

Cont. rhy. simile

5

3

1. I had a king in a 2.3. See additional lyrics

231

j œ œ

œ

ten - e - ment cas - tle.

&

####

j œ œ.

˙

brown;

7fr.

œ

23

E/F #

&

#### œ

7fr.

23

he’s tak - en

Esus

E

7fr.

œ nœ œ J J

œ nœ. J 23

con - tempt

E

œ œ nœ

Esus 7fr.

3

cleaned with the tears

23

of

an

ac - tor

the

cur

-

tains

G6/D

œ œ œ 3

œ œ œ

G6/B

œ

and the rooms have an emp

Esus/B

œ œ ˙

23

3

-

G6/D

ty

G6/B

5fr.

œ œ J 3

who fears

œ œ3 œ œ 23

œ

for the laugh - ter’s

˙ 3

˙.

‰

œ J

down;

5fr.

5fr.

œ œ nœ œ J

nœ œ œ. J J

œ.

23

Esus/B

5fr.

3

j nœ

‰ œj œj œ

œ

swept with the broom of

17

walls

8fr.

23

# ## œ & # J

to paint-ing the pas - tel

C/E 7fr.

E/F # 13

3 j n œj œ j œ œ œ nœ œ

Late-ly he’s tak - en

E (9) 9

j n œ œ œ œ œ

Œ

he’s F #sus

˙.

23

‰

ring;

œ J

he’s

F #sus

w

23

sting.

I Had a King - 2 - 1 © 1968 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

E5

∑

35

Chorus: Esus 22

&

####

Esus

E

5fr.

5fr.

j ‰ œ œ œ œ

œ œ J

œ

23

23 4

I can’t go back there

E

5fr.

r ‰. œ œ œ œ

œ ˙ J

-

œ

23

23 4

an - y

5fr.

more.

You know my keys won’t

œ œ ˙

œ

23 4

23 4

fit

the

door;

1.2. Esus

E

5fr.

Em9

5fr.

#### . r ‰ œ œ œ & 26

E5

œ

œ

23

œ œ ˙

œ

23 4

you know my thoughts don’t

23 4

fit

the

œ.

231

man.

œ œ. nœ œ œ J They

nev-er

˙

Ó

can,

3. E(4) 30

&

####

Em9 4fr.

œ

œ

231

they

œ

nev - er

œ J

œ.

w

.. œ 231

can.

They

E(4) 34

&

####

œ n œ3 œ ˙ nev - er

Em9 4fr.

œ œ œ

œ

231

they

&

####

Ó

can,

œ œ. œ

nev - er

w

Ó

231

can.

‰ Jœ n œ œ œ

w

They nev-er can,

E (9)

E(4) 38

˙

4fr.

7fr.

‰ œj œ œ ˙

231

they nev - er

w

∑

∑

can.

Verse 2: I had a king dressed in drip-dry and paisley Lately he’s taken to saying I’m crazy and blind He lives in another time Ladies in gingham still blush while he sings them of wars and wine But I, in my leather and lace, I can never become that kind (To Chorus:) Verse 3: I had a king in a salt-rusted carriage Who carried me off to his country for marriage too soon Beware of the power of moons There’s no one to blame, no, there’s no one to name as a traitor here The king’s on the road and the queen’s in the grove till the end of the year (To Chorus:)

I Had a King - 2 - 2

23

∑

36

MICHAEL FROM MOUNTAINS Guitar tuning: F-0-7-7-2-3

Words and Music by JONI MITCHELL

➅=F ➂=G ➄=F ➁=A ➃=C ➀=C

Slowly Ó = 56 Cm9

F

6fr.

5fr.

5fr.

5fr.

œ b œ œ œ œ œ œ œ b œ œ œ œ œ œ œ œœœ œœœ œœœ œœœ œ b C & œ œ œ œ œ œ P 213

T A B

7

2 3

6

7

7

6

7

7

6

7

6

6

7

0

7

& b .. œ 5

5fr.

œ œ œ œ œ œ

2 3

1. Mich - ael wakes 2.3. See additional lyrics 5fr.

&b œ 9

5fr.

2 3

2

side - walk mar - kets locked up

streets

and um - brel - las

j œ œ œ œ œ

11111

œ œ œ œj œ .

œ J

3

* C (9)

j œ œ.

and the rain

comes

Œ

œ

down;

F 5fr.

œ œ œ œ

j œ œ .

œ

on a grey

Œ

2

back

- ground.

‰ # œj œ œ œ

Œ

3

3

11111

œ

There’s

F (9)

Œ

#˙

that run down the

* B (9) 8fr.

drain F (9)

Gm11

œ

in Gm11

7fr.

& b b œ œ œ œ œj œ

j œ

11111

11111

œ œ œ œ œ

col - ored ar - range - ments that

Mich-ael will

Chorus:

change

‰

3

œ œ

with a

œ

stick

j œ œ œ œ. 234 1

that he

B b(9)

Cm9 6fr.

&b Ó

0

0

2

œ

3

bright,

oil in the pud - dles in taf - fe - ta pat - terns *Barre index finger from over the top of the fingerboard.

213

0

0

0 0 5

9fr.

&b œ

21

0

0 0 5

* C #maj9

10fr.

17

œ œ œ œ

œ

0 0 5

5fr.

3

23 1

3

* D9 13

0

4fr.

2

tight

5 0 5

0

B bm(6,9)

j œ œ œ œ

œ.

œ œ

0 0 5

2

F

œ

5fr.

2 3

0

0

23 1

3

he takes you up

5fr.

0 0 5

4fr.

j œ œ œ œ

2 3

you up with sweets,

œ œ œ œ

2 3

5fr.

œ.

2

0 0 5

2 3

B bm(6,9)

F

5fr.

œœ œœ œœ œœ œ œ œ œ œ œ œ œ œ

2

0

0

Verse: 5fr.

5 0 5

0

7

5fr.

found.

Am11

5fr.

Œ œ œ

œ

œ

˙

Mich-ael from moun-tains,

Michael from Mountains - 2 - 1

w

234 1

3fr.

Œ ‰ œ œ œ œ œ J œ

111111

go

where you

will

œ

go

œ ˙. to,

Œ

234 1

‰ œj œ œ œ œ

know that I will

© 1967 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

37

1.2. Gm11

B b(9)

Am11 3fr.

j œ ˙

& b œj œ 26

know

Œ

234 1

˙

234 1

œ

you.

3. 5fr.

& b ˙. 30

2 3

3fr.

.. Œ

Œ

2

234 1

˙

234 1

œ

5fr.

& b ˙. 2 3

3fr.

Œ

2

I

may

Œ

234 1

œ

know

˙

Some - day

you

œ

œ

I

may

j œ œ

j œ

11111

know

œ

I

will

bœ œ œ œ œ œ œ œ b & 7

6

j œ œ

j œ

11111

know

2 3

2

˙

you

7

œ

6

bœ œ œ œ œ œ œ 7

6

2 3

œ œ œ œ.

œ

ver - y

5fr. 2 3

œ œ œ œ

ver - y well.

well.

w

5fr. 2

œ 0

œœœ œœœ œ œ

0 0 5

0 0 5 0

0

œœœ œ 0 0 5

œœ œ œ

0 0

5 0 5 0

Verse 2: Michael brings you to a park He sings and it’s dark when the clouds come by Yellow slickers up on swings Like puppets on strings Hanging in the sky They’ll splash home to suppers in wall-papered kitchens Their mothers will scold But Michael will hold you to keep away cold Till the sidewalks are dry (To Chorus:)

Michael from Mountains - 2 - 2

2

0

0 0 5

0 0 5 0

5fr.

2 3

œ

7

œœ œœœ œœœ œœœ œ œ œ œ œ œ œ 5 0 5

0

5fr.

2 3

0

5fr.

2

7

6

7

0

5fr.

42

0

7

6

7

5fr.

5 0 5

˙

5fr.

213

T A B

2

F

39

œ & b œœ œ

well.

5fr.

5fr.

6fr.

7

ver - y

F 5fr.

œ

œ œ œ œ.

œ

2 3

you

Cm9

T A B

˙ 5fr.

* G (9)

111111

2

F

5fr.

234 1

j œ

* G (9)

111111

B b(9)

Am11

Gm11 34

œ

5fr.

2 3

5fr.

Some - day

5fr.

œ

j œ œ

11111

B b(9)

Am11

5fr.

F 5fr.

111111

Some - day

Gm11

* G (9)

5fr.

0

œœœ œœœ œ œ

0 0 5

0

5fr.

2

œ

0

0 0 5

0 0 5 0

0

œœœ œ 0 0 5

ww w w

2 3

œ

0 0

5 0 5 0

Verse 3: Michael leads you up the stairs He needs you to care And you know you do Cats come crying to the key And dry you will be In a tow’l or two There’s rain in the window, there’s sun in the painting That smiles on the wall You want to know all, but his mountains have called So you never do (To Chorus:)

0

38

NIGHT IN THE CITY *Guitar in Open E tuning w/Capo 3rd fret: E-7-5-4-3-5

➅ = E ➂ = G# ➄=B ➁=B ➃=E ➀=E

Words and Music by JONI MITCHELL

Freely

A (9)

E

#### 4 & 4 T A B

E

œ œœ œ œ œ œ œ œ P 6

0

0

0

0

0

0

1 0 2

0

0

œ

œ

2 1

œ

œ œœœ

0

4 0 3 4

Esus 4fr.

œ œ œ œ œœ œœ

21 3

1

0

0

0

0

1 0 0 0

œ

œ

0

0

*Recording sounds a minor third higher than written.

Moderately Π= 113 E7

3

&

####

T A B

Edim7

n œœœ œœœ œœœ œœœ œœ J 3 œ

œœ œ

0 0 0

0 0 0

23

23

3

0 3 3

0 3 3

0 3 3

0 3 3

E7

3

# œœœ J

œœœ

0 2 2

0 2 2

œœœ

œœœ

0 2 2

0 2 2

3

Edim7

n œœœ œœœ œœœ œœœ œœ J 3 œ

œœ œ

0 0 0

0 0 0

23

23

3

0 3 3

0 3 3

0 3 3

0 3 3

3

# œœœ J

œœœ

0 2 2

0 2 2

Edim7

# # # # .Cont. rhy. simile . n˙ & 23

5

23

Œ

˙

&

####

Œ

2 1

œ

#### Π&

23

œ

Moon’s

up,

Edim7

nœ

23

œ

Night - time, Night in the City - 2 - 1

œ

light up your

Œ

Œ

nœ

œ

night - time,

H

Œ

j œ œ

tak - ing E7

Œ

23

23

œ œ œ œ

la - zy

blue

H

2 1

up,

E

E7 23

night’s

œ

E

A (9)/E

E

œ

23

nœ œ. œ

up,

2 1

œ œ

Edim7

23

Œ

œ

E (9)

H

E7 13

œ

light

A (9)/E 9

E7

23

1. Light up, 2. See additional lyrics H

E

E7

j nœ œ 23

day left

j œ œ

œ

the town

by

Edim7

an

hour

eyes.

˙.

B7

B11

21 3

213

œ œ.

˙.

E

j œ œ œ œ œ 23

œ

sur - prise.

23

23

a - go.

œ

œœœ

0 2 2

0 2 2

3

Verse: E7

œœœ

˙.

© 1966 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

39 E (9)

A (9)/E H

17

&

####

H

Œ

2 1

œ

Œ

j œ œ.

œ œ.

#### j & œ œ

time;

H

21 3

slow?

must

œ

There are

œ

œ

plac - es

to

œ

come

œ

get

‰

j œ

from

and

œ

read

E (9)

œ

œ

œ

you

H

2 1

œ œ

œ

A (9)/E

E

j œ œ œ

21 3

œ

˙

light

B7

H

2 1

4fr.

20

H

2 1

Cit - y

E

A (9)/E

E

œ

œ

-

y

so

A (9)/E E H

2 1

H

2 1

œ

œ

plac - es

œ

œ

to

go.

˙

Chorus: E (9) 23

&

####

A (9)/E

E

H

E

H

∑

2 1

2 1

E (9)

E

A (9)/E H

E

H

E/B

2 1

2 1

21 3

3

œ œ œ

Night in E (9)

E/B

B7

B7

B11

the

E (9)

œ œ œ

cit - y looks E/B

&

####

21 3

2 1

3

œ œ œ

night in

the

E (9) 31

&

####

œ œ œ

cit - y looks

œ œ œ œ ˙

pret - ty

to

me, E

4fr. 21 3

213

fine.

˙

j œ œ.

E/B

21 3

2 1

3

œ œ œ

œ œ œ

Mu - sic comes spill - ing out

B7

B9

B13

21

213

2134

21 3

œ œ œ œ ˙

in - to

the

streets,

4fr. 21 3

2 1

œ œ. œ

col - ors

go

œ œ œ

flash - ing in {waltzing}

˙

˙

˙

time.

1. E7

#### 4 & 4 35

21 3

B7

4fr.

27

E

4fr.

∑

2 1

E (9)

23

j œ œ.

42 ˙

Edim7

E7

2. Edim7

∑

23

E7 23

E

∑

E7

..

23

rit.

∑

Verse 2: Take off, take off Take off your stay-at-home shoes Break off, shake off Chase off those stay-at-home blues Stairway, stairway Down to the crowds in the street They go their way Looking for faces to greet But we run on laughing with no one to meet (To Chorus:)

Night in the City - 2 - 2

44

23

23

E

∑

40

MARCIE Guitar in Open G tuning: D-5-7-5-4-3

➅=D ➂=G ➄=G ➁=B ➃=D ➀=D

Words and Music by JONI MITCHELL

Moderately Π= ca. 110 Intro: B b6

# & 44

A 111111

3

3

0 0

0 0 3

2

2

rhy. simile # . Cont. Œ ‰ j & . œ œ

2

23 4

œ

1. Mar - cie in 2.–4. See additional lyrics

sus2 G sus4 G

9

&

#

21

œ

can - dy

Œ

store.

sus2 G sus4

G

sus2 G G sus4

2

0 0

0

a

1

2

2

0

2 2

0 0

1 2

0

0

0 1

0

Am11

111111

111121

111111

23 1

j j œ œ œ.

of

flow

-

A

j œ œ œ œ.

Œ

0

0

0

‰

Œ

are

&

#

21

œ œ ˙.

œ

at

her door.

w

C

sour;

B

# & Œ

23 4

œ

œ œ œ.

hang them in

j j œ #œ œ

Am11

# & Π21

23 1

Marcie - 2 - 1

œ œ œ œ. œ

wave an - oth - er

sus2 G sus4

œ œ ˙

day good - bye.

j œ œ

111111

wash her

sus2 G G sus4

w

21

a

7fr.

j j œ œ œ.

111121

flow - er

j œ œ œ œ

dust her ta - bles

1.

j œ

Dsus

cur

A

‰

23 4

dry,

21

œ

Œ

111121

wind to G

‰

j œ ˙

111111

the

B b6

4fr.

0

still no let - ter

œ œ œ œ œ

Bsus 4fr.

0

0

0

0

in - side

7fr.

she’ll

0

j œ œ œ œ œ

D

So

5fr.

17

Œ

23 4

21

0 1

j j œ œ œ

‰

23 1

E bmaj7

G

1 2

Am11

j j œ œ œ.

greens

0 0

stops

111121 111111

#œ.

1 2 2 2

ers

Asus A

111111

0

0

A

coat

sus2 G sus4

1

Asus

Reds are sweet and G

0 1

1

0

8fr.

13

G

21

A

j #œ œ

œ

21

B b6 23 4

œ œ ˙

23 1

0 2

2

0

B b6

G

sus2 G G sus4

Am11

111121

Verse:

6

G

œ œ œœ œ œ œ # œ œ œ œ œ œœ œ œ œ œ œœ œ œœ œ œ œœ œœ œ œœ œ œ œœ œ œœ œœ œ œœ œ œ œ œ n œ bœ œ œ œ œ œ œ œ œ œ œ P 23 4

0

T A B

Asus

sus2 G G sus4

w

21

-

tains,

Asus A

A

j œ œ

j #œ œ

111111

111121 111111

with his

111111

œ

shirt

G

˙.

© 1968 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

and G

Œ

..

41 2.3.

sus2 G G sus4

G

B/F #

C/G 5fr.

4fr.

26

&

#

21

œ

˙.

And

Œ

111111

œ œ œ ˙

œ œ œ œ œ œ œ.

œ

sum - mer goes,

j œ œ.

111111

3

falls

to the side - walk

like

&

#

œ

œ

brown pa

-

œ œ. J

Œ

Œ

œ œ œ œ

j œ œ œ œ œ

j œ #œ

win-ter blows

up from

the

&

#

œ

take

˙.

œ

her

Am11 38

&

#

&

G

23 1

#

Ó

˙

sus2 G sus4

G

w sus2 G sus4

21

G

sus2 G sus4

∑

j œ ˙

#œ.

the

47

&

#

sus2 G sus4

G

sus2 G sus4

21

w

21

w

Verse 2: Marcie’s faucet needs a plumber Marcie’s sorrow needs a man Red is autumn, green is summer Greens are turning, and the sand All along the ocean beaches Stares up empty at the sky Marcie buys a bag of peaches Stops a postman passing by And summer goes Falls to the sidewalk like string and brown paper Winter blows up from the river There’s no one to take her to the sea

Marcie - 2 - 2

one

Asus

111111

#œ

sea.

œ

A

Am11

23 4

111111

111121

111111

23 1

w

w sus2 G sus4

G

..

G

21

#œ G

œ

˙.

sus2 G sus4

21

Verse 3: Marcie dresses warm: it’s snowing Takes a yellow cab uptown Red is stop and green’s for going Sees a show and rides back down Down along the Hudson River Past the shipyards in the cold Still no letter’s been delivered Still the winter days unfold Like magazines Fading in dusty grey attics and cellars Make a dream, dream back to summer And hear how he tells her “Wait for me”

∑

sus2 G sus4

21

w G

∑

A

˙.

Asus

4.

to

111121 111111

A

gain.

G

no

B b6

G

∑

21

œ.

A

to

21

w G

43

rit.

111111

riv-er. There’s

G 34

j œ

5fr.

111111

per;

j œ œ.

C/G

4fr.

30

and

string

B/F #

j œ

œ.

sus2 G sus4

21

∑

Verse 4: Marcie leaves and doesn’t tell us Where or why she moved away Red is angry, green is jealous That was all she had to say Someone thought they saw her Sunday Window shopping in the rain Someone heard she bought a one-way ticket And went west again

42

NATHAN LA FRANEER Guitar in Open G tuning: D-5-7-5-4-3

Words and Music by JONI MITCHELL

➅=D ➂=G ➄=G ➁=B ➃=D ➀=D Moderately Ó = ca. 90 Intro:

1.

& T A B

Gm11

3fr.

b &b C bb C

2.

Gm11

Gsus

œ P

∑

∑

314

œœ œ œ œ 5 3

œœ œ œ œ œ œ œ

œ

5 3

1

0

0

0

0

0

3 1

0

0

..

∑

œœ œ œ œ œ œ

0

1

0

0

∑

314

0

Ó

œœ œ œ . œœ œ . œ œ œ œ œ œ œ 3 1

3 0

0

∑

314

0

0

..

1

3

0

0

3 1

3

0

0

0

Œ ‰ j œ

œœ œ œ œ œ œ œ

1. I

3 1 0

0

3

1 0

0

Verse: Gm11

Gsus 3fr.

b & b .. œ .

j œ œ.

314

j œ

Cont. rhy. simile

7

314

œ

hired a coach to 2.3. See additional lyrics

œ

take

me

œ

from

œ

con

-

œ œ œ

fu

-

Dm7

j œ œ œ

214

shared

a

Œ

œ

‰

com - mon space,

j j œ œ œ.

&

314

œ

œ

driv - er

j œ œ.

œ

with his

œ

eye - brows

j œ œ.

&

bb

plane

23 1

œ.

name

œ

and though

we

G

j œ nœ

nev - er

j œ œ œ œ

meet

œ.

in

the rear-view

a - gain.

‰

˙.

and it was

œ

plain

‰ j Œ œ œ œ -

ly writ-ten:

Œ

2 1

j œ

œ.

mir - ror,

j j œ œ œ. I

‰ j j œ œ œ. 2

Na

-

than

j œ œ

j œ ˙

La Fran-eer.

j œ

The

read his

G (9)

C2/G

j j œ œ œ.

j œ œj œ

11111

fur-rowed

Am11 19

the

j œ œ

Bb

3fr.

bb

to

2 1

I know I’ll

Gsus 15

sion

œ.

C2/G

b & b œj œ 11

œ œ œ

w

Nathan la Franeer - 2 - 1 © 1967 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

43 Gm

G9

D

8fr.

b &b Ó

Œ ‰ j œ

24

j œ œ.

2 3

œ

I

œ

C2/G

7fr.

j œ

2 3

œ œ œ.

asked him would he

Am11

Gmaj7/B

10fr.

hur - ry,

but

we

j œ œ

2 34

œ.

œ

crawled the can - yons

C

G

Œ

23 1

œ

œ

slow - ly,

œ

œ

through the

Gmaj7 5fr.

29

&

bb

j œ œ.

23 1

2 1

œ

œ

œ

buy - ers

and

œ

the

sell- ers,

j œ ˙

11111

2

j nœ. œ

œ.

through

the

Œ #œ nœ

œ

bur - glar bells

and

23 1

œ

the

˙

œ

wish - ing

wells.

Gm

Am11

8fr.

34

&

bb

œ œ œ œj n œ . 3

œ

E bmaj7 12 3

shows

gangs

b &b

2 3

the ghost - ly

3.

œ

Œ Œ

. œ . ˙

3. He

j œ œ

œ

gar - den

Œ œ You

2 3

grows.

˙

feed

˙

˙.

it

all

&

w

2 34

w

w

w

-

y G

œ

G

Gsus

Œ ‰ j j œ œ . œ œ . œj ˙ w gar - den

2. The

8fr.

˙

Gm11

˙.

12 3

˙ your

œ

woes,

Dm7

G

3fr.

2 3

the ghost-ly

. œ .

Œ Œ

E bmaj7

j œ œ.

˙

8fr.

Verse 2: The cars and buses bustled through the bedlam of the day I looked through window glass at streets And Nathan grumbled at the grey I saw an aging cripple selling Superman balloons The city grated through chrome-plate The clock struck slowly half-past noon Through the tunnel, tiled and turning into daylight once again I am escaping Once again good-bye to symphonies and dirty trees With parks and plastic clothes The ghostly garden grows

Nathan la Franeer - 2 - 2

œ

Gm 7fr.

bb

girl

Gm

D 52

and

˙

1.

8fr.

45

˙

8fr.

œ œ œ œ ‰ j j œ œ. œ œ. G

˙

˙

Gm

2 34

3

Œ nœ

2 3

With

7fr.

b &b ˙ 2.

w

D

8fr.

39

Ó

23 1

grows.

314

w

314

w

214

∑

∑

Verse 3: He asked me for a dollar more, He cursed me to my face He hated ev’ryone who paid to ride and share his common space I picked my bags up from the curb and stumbled to the door Another man reached out his hand Another hand reached out for more And I filled it full of silver, and I left the fingers counting And the sky goes on forever without meter maids And peace parades You feed it all your woes The ghostly garden grows

44

SISOTOWBELL LANE

*Guitar tuning w/Capo 3rd fret: C-7-7-3-7-4:

➅=C ➂=F ➄=G ➁=C ➃=D ➀=E

Words and Music by JONI MITCHELL

Moderately Π= ca. 110 Intro: C

F/C

PP

& 44

0

0

0 2 2 0 2

0

111111

œ œ

0 0

0

Dm7

œ bœ 5

0

0

C

P

5fr.

œ œ œ œ œ œ œœ œ œ œ

23

Pœ

T A B

Fsus(9)

5

œ œ œ œ œ œœ 2

5

5

5

2 0 0

F/C

PP

œ

0 2 2 0 2

5

0

0

0

0

Dm7 P

œ œ œ œ œ œœ

5fr.

œ œ œ œ œ œ œœ œ œ œ

23

0

Fsus(9) 111111

œ œ

0 0

œ bœ

0

5

5

5

5

0

2

5

2 0 0

0

5

*Recording sounds a minor third higher than written.

Verse: C PP

F/C

5fr.

& .. Œ

23

5

j œ œ

‰

1. Si - so - tow 2.3. See additional lyrics

C

PP

23

& œ

‰

23 4

3

œ

œ

brings us

œ

no shame.

& 44

F/C

23

w

w

5fr.

& Œ

111114

& #œ

times

j œ œ.

˙

2

œ

he

C PP

Œ

He

44

2

al

F/C

j œ

G7

1

œ

‰

in the rain.

42 # œ

23

that

23

23

G7( b 5)

knew F/C

4

œ œ œ

the pump

œ

-

ways

Fsus(9) 5fr.

r j œ œ œ

‰.

Up

o

Csus/G

œ

œ œ œj œ 111111

G7( b 5) G7 1

˙. 1

23

j œ -

œ

111111

ver

œ œ ˙. the hill

C

5fr.

jo - vi - al neigh - bors

20

œ œ œ œj œ

No-ah is fix - ing

23

al - ways

Fsus(9)

F5

23

3

G7( b 5) G7

2

C PP

23

111111

Œ

G7( b 5) G7

We

5fr.

111114

lane.

1

knew.

17

bell

j j œ #œ œ.

23

C PP 13

j œ ˙

j œ œ

œ

Csus/G

Fsus(9) 5fr.

111111

Cont. rhy. simile

9

F5

Fsus(9)

2

œ

they

j œ

23

œ

come

down

G7( b 5) G7

j œ œ.

Sisotowbell Lane - 2 - 1

do,

23

1

˙

2

œ

23

4

œ œ œ

Œ

2 4 œ #œ

1

œ

œ

when they will with G7( b 5)

23

23

yes, some - times

œ

œ

sto - ries

G7 2

œ

we

C PP

4 4

Œ

23

œ

œ

to

œ

tell. F/C

j œ

Some C PP

23

23

w

w

do.

‰

23 4

© 1968 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

F/C

45

Chorus:

F5

Fsus(9)

5fr.

& Ó 25

&

111114

1. We have a rock - ing 2.3. See additional lyrics

‰

23

œ œ œ œ œ œ œ.

muf - fin, buns G7( b 5) 1

tongues

turn

C PP

& & T A B

F/C

Fsus(9)

˙

23

111111

w

w 111111

w

w

you

œ

œ œ œœ œœ œ œ œ œœ 0 0

2 2

0

0

2

0

0

0 0

0

111111

œ œ œ œ œ b œ œ œœ 2

œ œ

5

5

5

5

5

5

2 0 0

5

5

5

0

œ

5

do;

C PP

œ

0

F/C

∑ œ œ œœ œœ œ œ œ œœ 0 0

2 2

œ œ œ œ œœ œœ œ œ œ 0

0

0

2

Dm7

0

0

0 0

111111

œ œ œ œ œ b œ œ œœ 2

œ œ

5 0

Csus(9)

P

5

5

5

5

2 0 0

0

5

Verse 2: Sisotowbell Lane Anywhere else now would seem very strange The season’s are changing ev’ry day In ev’ry way Sometimes it is spring Sometimes it is not anything A poet can sing Sometimes we try, yes, we always try

Verse 3: Sisotowbell Lane Go to the city, you’ll come back again To wade through the grain You always do, yes, we always do Come back to the stars Sweet well water and pickling jars We’ll lend you the car We always do, yes, sometimes we do

Chorus 2: We have a rocking chair Somedays we rock and stare At the woodlands and the grasslands And the badlands ’cross the river Sometimes we do We like the view

Chorus 3: We have a rocking chair Someone is always there Rocking rhythms while they’re waiting With the candle in the window Sometimes we do We wait for you

Sisotowbell Lane - 2 - 2

0

0

0

Fsus(9) 5fr.

..

∑

111111

23

2 0 0

our

Fsus(9)

∑

23

5

j 42 nœ

‰

23

5fr.

5

F/C

0 2 2 0 2

2

F/C

œ œ œ œ œ œœ

œ bœ

PP

23

C PP

2

C

P

œ

Dm7 P

œ œ 0

Dm7

1

eat - ing

j œ œ

j #œ œ

23

œ œ

share,

Some - times we

2

Fsus(9)

his

G7( b 5) G7

Œ

2

Dm7 P

5fr.

23

0

1

œ œ œ

of us rocks

G7( b 5) G7

5fr.

5fr.

T A B

Each

œ œ œ œ œ œ. œ œ

F/C

Fsus(9)

&

˙

chair.

blue.

3. 38

˙

œ œ œ

‰ œ

23

by the steam - y kitch-en win - dow.

44

œ

111111

23

C PP

2

5fr.

Gsus(6)

1.2.

G7

& 42 # œ 33

and ber - ries

C7

5fr.

œ œ œ œ œ

‰ œ

111111

Csus/G 29

Fsus(9) 5fr.

ww ww w w 0 0 0 0 0 0

0

0

0 0

46

THE DAWNTREADER

Guitar tuning: D-5-7-0-7-5

➅=D ➂=D ➄=G ➁=G ➃=D ➀=D

Words and Music by JONI MITCHELL

Moderately Π= ca. 107 Intro:

Dsus

Dm9

Cmaj7

D

G5

12fr.

D

11fr.

œœ œœ œœ œ œ œ œ ## 4 n œ œ n œ œ œ œ œ œ œ œ œ œ œ œ n œ œ œ œ œ œ œ & 4 œ œ œ œ œ œ œ P œ œ œ 14fr.

9fr.

213

T A B

15

11fr.

213

14

15

0

15

14

15 0

10

9

10

0

10

9

0 12

9

10

10fr.

23

23

j œ

Dm9

# & # Œ

œ

per - i

nœ œ œ

œ

spilled

œ

œ

j œ

j œ œ

# & # Π23

œ

œ

the

sea

and

j œ nœ

he

C5 5fr.

B5

C5

5fr.

‰

tions

A5

œ

23

The roll of

G5

œ.

an

-

Dsus

D

12fr.

11fr.

j œ ˙

23 4

12 3

˙

swer for. B5

C5

j œ œ. har

j j œ œ œ.

23

-

bor

wake,

Œ

˙.

where.

C5

5fr.

23

the

œ

there’s no

5fr.

j j œ œ œ

23

-

œ

Œ

find

11fr.

œ

Œ

12 3

˙.

will

D

œ

G5 11fr.

j œ œ œ œ 12 3

ques

D

5fr.

œ œ œ nœ nœ.

213

the

li - ons,

floor,

9fr.

nœ œ œ.

-

j œ ˙

23

in

˙.

23 4

o - cean 6 C9

œ

0

0

Œ

12fr.

Cmaj7

‰

213

me - dal

j œ œ

a - cross the

œ

some - where

Nev-er mind

21

œ

23

14fr.

0

Dsus

10fr.

Dm9

6 C9

blue

F6

23

# & # Œ

kle,

12 3

7fr.

trea - sure

17

-

11fr.

n˙

œ

12 12 12 12 11 11

œ œ œ œ œ

D

D5

# & # Œ

win

213

gild - ed gal - leons

13

-

9fr.

213

12 12 12 12

5fr.

œ œ œ nœ nœ

Cmaj7

14fr.

0

0 0 12 12

23

œ

1. Per - i - dots and 2.3. See additional lyrics

9

6 C9

F6

# # .Cont. rhy. simile & .Œ œ j œ œ œ 5

12 12 11 11

0

7fr.

12 3

12 3

Verse: D5

23 4

Ó G5

A5 5fr.

23

23

œ œ

the

songs

œ œ

that

‰

j œ

23

the

j œ œ.

23

rig - ging

The Dawntreader - 2 - 1 © 1967 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

˙

makes,

47 C5 25

&

##

B5

C5

G5(9)

A5

5fr.

5fr.

Œ

23

j œ œ

j œ

23

23

œ œ

the

taste

of

23

œ œ œ œ

œ œ

œ

the

spray

he

takes

and he

&

##

j œ ˙

23

œ.

learns

to

Œ

œ

live.

on

a prom-ise

to

Dm9

&

&

&

##

his

sil

Ó

213

-

Œ

34

˙

free.

œ nœ

Mer - maids D

nœ

œ œ . n œj 213

his

D

˙

D

9fr.

j nœ œ. 213

sea - dreams

12 3

Dsus 11fr.

j œ. œ

come

12 3

œ.

j œ˙

to me.

come

23 4

D

w

∑ Dm9

11fr. 12 3

w

me.

3.

D

Dm9

213

w

11fr.

..

∑

Cmaj7

14fr.

Verse 2: City satins left at home I will not need them I believe him when he tells of loving me Something truthful in the sea, your lies will find you “Leave behind your streets,” he said “And come to me Come down from the neon nights Come down from the tourist sights Run down till the rain delights you; you do not hide Sunlight will renew your pride” Skin white by skin golden Like a promise to be free Dolphins playing in the sea All his seadreams come to me The Dawntreader - 2 - 2

D

11fr.

11fr. 12 3

1.2.

˙.

to

14fr.

Ó

12 3

213

w

D

9fr. 213

j œ ˙

col - o - nies,

23 4

D 12 3

in

12fr.

œ

œ

12fr.

12fr. 23 4

œ

Dsus 11fr.

Ó

213

w

œ

sea - dreams

9fr.

213

live

Dsus

12 3

œ.

j œ œ 3

œ œ œ

11fr.

Cmaj7

14fr.

ver G

9fr.

Cmaj7 47

he

w

G7sus

3

be

14fr.

Dm9

##

j œ

He aches and

˙

˙

Cmaj7

all

41

stakes all

j œ œ.

œ œ œ nœ œ œ

34

##

‰ j j œ œ œ

to give.

23

œ

œ

G

## Π&

37

3

œ

He

G7sus 33

learns

Œ

B bmaj7

Asus 29

j œ ˙

œ.

all

Dsus 11fr.

∑

12 3

nœ œ œ. Dm9

12fr. 23 4

∑

his

14fr. 213

∑

Verse 3: Seabird, I have seen you fly above the pilings I am smiling at your circles in the air I will come and sit by you while he lies sleeping Fold your fleet wings I have brought some dreams to share A dream that you love someone A dream that the wars are done A dream that you tell no one but the grey sea They’ll say that you’re crazy And a dream of a baby Like a promise to be free Children laughing out to sea All his seadreams come to me

48

THE PIRATE OF PENANCE Guitar in Open D tuning: D-7-5-4-3-5

➅ = D ➂ = F# ➄=A ➁=A ➃=D ➀=D

Words and Music by JONI MITCHELL

Moderately Π= ca. 99 Intro: Dm

4 &b4

7fr. 213

œ

T A B

œœ

œ

0 0

œœ

œ œ

œ

0 0

0

0

3

0

j œ œ œ. œ

Gb

1. The

&b œ

œ

8

pi-rate

œ

œ

an-chored on

œ a

Wednes

j œ ˙

213

-

3

œ

3

0

0

Dm 6fr.

213

7fr. 213

‰.

r œ œ œ œ

day

and why he

came

œ œ

œ.

to port

D

111111

I

œ œ.

˙

‰

œ J

won - der.

œ bœ

œ

To

see

a

j œ

œ bœ bœ

la - dy,

so

Dm

my

friends

j œ

œ

˙

say.

Cm6/D 7fr.

&b ≈ 11

0 0 3

0

7fr.

213

œ

0

B bm/A Am

6fr.

j œ

œ

0 0

0

œ œ œ œ œ

3

Am

213

œ

0 0

œœ

œ œ

3

7fr.

Cont. rhy. simile

œœ

œ

0

B bm/A

7fr.

&b ‰

3

0

Dm 213

œ

0 0

3

Verse:

5

œ œ œ œ œ

213

5fr.

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

She danc - es

for the sail - ors

in

a smok - y

cab - a - ret

œ œ œ

œ bœ

213

bar

un - der

-

ground,

43

˙

D

& b 43 ≈ œ œ œ œ œ . 13

down in

a

‰

cel - lar

in a B bm/A

Dm 7fr. 213

Gb

I know he told her love was 2. See additional lyrics

& b œ bœ œ œ 19

111111

boun

The Pirate of Penance - 2 - 1

-

œ ty.

˙

‰

6fr.

œ œ 213

trea

œ

har - bour Am B bm/A Am

7fr.

& b .. ‰ . œr œ œ ‰ œ œ œ œ 16

44 œ œ.

œ bœ

œ ˙.

213

-

7fr.

213

213

œ

town. Dm 6fr.

˙

w

7fr.

‰

213

sure

j œ œ

œ

‰

œ

j œ œ œ

and they would reap

the

full - est

D

œ J

He

œ

œ bœ. œ bœ bœ

on - ly comes to port for

‰

œ œ œ plea

-

œ

sure,

© 1968 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

˙

49 Dm

Cm6/D 7fr.

&b ≈ 22

213

5fr.

œ

œ

œ

œ

œ

œ

œ

œ

œ

so when the winds of morn - ing blew the

œ

œ

œ

œ

cur - tains

œ

œ

in,

œ œ œ

œ

œ

213

she woke and

found

j bœ ˙

he’d gone.

D

j œ œ

&b ‰ 24

I

œ

œ

saw

his

sails

œ

œ

œ

œ

œ bœ

œ

œ

œ

un - furl - ing

j œ

Thurs - day

˙

dawn.

w

Dm 7fr.

&b ≈ 27

213

Bb

œ

The

111111

Gb

&b ≈ 31

œ

œ

pi - rate,

he

will

sink

you

with

a

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

#œ.

œ

œ

œ

œ

œ

œ

œ.

kiss, he’ll steal your heart and

sail

8fr.

&b ≈ 29

œ

111111

œ

œ

he’ll leave you drown - ing

œ bœ

bœ

He came

œ bœ

a - gain

to

in

œ

œ

flot - sam

of

œ

7fr.

j j œ ‰ œ œ œ

& b œj # œ sea

then,

37

-

I

did - n’t

j œ ˙

&b w 41

The Pirate of Penance - 2 - 2

see

˙

swer.

w

j œ ˙

j Nœ œ 213

them.

‰.

a

bro - ken prom - ise

œ

œ

I think they told me

Dm

33

an

œ

see her; yes,

D

j &b œ œ

the

r œ œ. œ

She knows the

w

œ

it

œ

was

the bay.

≈

œ œ œ

I was at

2.

‰ . œr œ . œ

.. ˙

swer.

She knows the

8fr.

j œ œ

111111

an

in

Sat - ur - day.

w

Bb

a - way;

j œ ˙

œ. bœ ˙

1.

œ ˙.

-

œ J

˙

w

swer.

w

Verse 2: I don’t believe what you are saying It isn’t true; I hardly knew him Is this some game that you are playing? Go ask the dancer She’s the one who saw him last, the one who drew him here He hasn’t come to me since spring last year There was a time when he would bring me Silks and sandalwood and Persian lace And he would hold me close And tell me sailing stories by the fireplace I was at sea, I tell you I was nowhere near the mentioned murder place Go ask the dancer She knows the answer She knows the answer She knows the answer

w

50

SONG TO A SEAGULL

Guitar tuning: C-7-5-7-5-0

➅=C ➂=G ➄=G ➁=C ➃=C ➀=C

Words and Music by JONI MITCHELL

Moderately Π= ca. 87 Intro: C5 12fr.

& 43 T A B

2 3

œ P

œ œ œ œ œ œ 0

12

12

0

12

œ

œ

10 0 10 0 0

10

0 0

Œ

Gtr. cont. fingerpicking simile

œ

C7sus

œ œ œ œ œ œ

12fr. 2 3

œ

12

0

12

0

10fr. 2 3

œ

0

12

0 0

C5

œ œ.

1. Fly, sil - ly 2. See additional lyrics

œ

sea - bird;

œ

œ

no

dreams

œ

œ

can

5fr.

j œ œ

2 3

no voic - es

you;

C7sus

j œ bœ

r œ œ œ.

10

pos - sess

10fr.

‰.

&Œ

2 3

10 0 10 0 0

j œ œ œ œ.

2 3

C7sus 12fr.

œ

10fr.

œ

2 3

œ œ.

b œœ œ œœ

C7sus 12fr.

2 3

œ

0

10fr.

C5 9

œ

b œœ œ œœ

C7sus

12fr.

& .. Œ

2 3

0

C5

2 3

C5

10fr.

0

Verse:

5

C7sus

can blame

bœ J

œ

you

for

C

j œ œ

œ

sun

on

2 3

˙.

your

wings.

Csus

C

5fr.

‰

13

& ˙

j œ

My

Csus

2 3

œ

œ

œ

gen - tle

œ

2 3

œ

re

-

œ

la - tions

2 3

& œ œ call

œ ˙

‰.

Œ

2 3

me

& b˙.

things.

r œ œ œ.

2 3

œ

for lov - ing

C5

10fr. 2 3

œ

œ

œ

have

names

they

œ

must

5fr.

C7sus 21

œ

2 3

Csus

C

5fr.

17

œ

œ

12fr.

œ

Œ

2 3

6 C9

œ bœ

the

free - dom

My

œ

bœ

œ

of

œ

all

œ

œ

fly - ing

C5 14fr.

12fr.

2 3

œ

œ

˙

dreams

œ

œ œ

with the

bœ

2 3

œ

sea - gulls

œ

œ

fly

Song to a Seagull - 2 - 1 © 1966 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

œ

51 A bmaj7

C7sus 10fr.

25

Œ

& œ. œ bœ 2 3

out

œ.

of reach,

& œ

came

œ.

to

cit - y

& ˙

‰ œ œ bœ J

2 1

noise

in a

œ.

con - crete

‰ œ œ and the

7fr.

& bœ

2 1

-

stone

store

œ œ ˙

A bmaj7

sea.

& œ. œ b˙ 2 3

œ

œ.

2 1

stars paid

out of reach,

2.

& ˙.

‰

2 1

light

bill,

C5 12fr.

œ

6 C9

Œ

2 3

2 3

œ

My

5fr.

œ œ

and the blos - soms

˙.

A bmaj7 2 3

˙.

false

on their

10fr.

2 3

œ œ bœ œ 2 3

˙

œ

dreams

with the

∑

˙.

sea - gulls

œ œ

fly

˙.

˙.

10fr.

∑

2 3

12fr.

10fr.

∑

œ

C7sus 2 3

∑

C5

C7sus 2 3

‰ œ œ

C7sus 12fr.

Verse 2: Out of the city and down to the seaside To sun on my shoulders and wind in my hair But sand castles crumble and hunger is human And humans are hungry for worlds they can’t share My dreams with the seagulls fly out of reach, out of cry I call to the seagull who dives to the waters And catches his silver-fine dinner alone, crying “Where are the footprints that danced on these beaches And the hands that cast wishes that sunk like a stone” My dreams with the seagulls fly out of reach, out of cry Song to a Seagull - 2 - 2

hung

Œ

12fr.

2 3

out of cry.

bœ

2 1

œ

œ

C5 14fr.

were

D b/C

2 1

œ œ

‰ œj

beach - es

C5

8fr.

57

And the

4fr.

j œ œ œ‰ œ a

of

j œ œ.

œ. œ

7fr.

œ. œ ˙

is - land

2 1

1.

C (9)

on an

œ

œ

œ

C

trees.

8fr.

œ œ

Œ

œ

5fr.

b˙.

win - dow

Cru - soe

D b/C

2 3

œ

old

œ.

œ

4fr.

10fr.

œ

œ

C

œ

C7sus

Cm

50

œ

7fr.

œ

like

2 1

Cm

& œ œ

lived

œ œ

2 1

5fr.

5fr.

2 1

œ

2 1

j œ

4fr.

D b/C

cob - ble

D b/C

45

and

7fr.

2 1

œ

‰

C

5fr.

2 1

Cm

5fr.

40

œ J

Œ

I

D b/C

7fr.

œ œ. œ.

the

˙.

Cm

2 1

D b/C 35

cry.

5fr.

j œ

Œ

2 3

˙.

D b/C

4fr. 2 1

of

10fr.

2 3

œ ˙

out

C7sus 7fr.

2 3

C 30

C (9)

8fr.

2 3

∑

U ∑

..

52

CACTUS TREE

*Guitar in Open E tuning w/Capo 2nd fret: E-7-5-4-3-5

➅ = E ➂ = G# ➄=B ➁=B ➃=E ➀=E

Words and Music by JONI MITCHELL

Moderately Π= ca. 90 Intro:

A (9)

Emaj7

#### 4 & 4 T A B

œœ œ

2 1

œ P

œ

3 0

0

0

0

œ

œœ œ

œ

œ

œ

3 0

4

0

0

4

0

œ

œ 0

&

####

# ## & # T A B

œœ œ

œ

œ

œ

3 0 0

0

œ

4

0

0

œœ œ 0

0

œ

œ

œ

œ

œ

0

4

1 0 0

2 1

0

œ

E

œ œ œ œ œ

21 3

#### 4 & 4

in a

Esus(9) 21 3

treats her like A (9) 11

œ œ.

a queen, bear-ing

2 1

œ œ ˙. and

Cactus Tree - 2 - 1

œ

œ

1 0

4

0

œœ œ

0

0

2 1

man who’s been out sail - ing 2.–5. See additional lyrics

&

0

green.

˙.

dec - ade full of dreams

Emaj7

A (9)

2 1

2 1

œ. œ œ œ. œ

œ

0 0

œ 2

0

2

0

œ

‰

0

0

0

0 0

œ

œ

a

œ

œ

œ

0

2

0

Emaj7

A (9)

2 1

2 1

2

0

œ œ œ œ œ œ. œ œ

‰

œ œ

and he

Emaj7

œ

‰

2 œ 4œ

œ œ.

her from

44

2 1

œ

4 4

called

œ

and he takes her to a schoon-er

2 1

œ.

œ

1. There’s

œ

2 4

He has

œ

œ

2

0

œ

with their E

œ œ

0

œœ œ

beads from Cal - i - for - nia E A (9)

≈

œ

0 0

0

œ

Œ

cont. fingerpicking simile # # # # Gtr. . ‰ . & œ. œ œ œ. œ œ œ œ œ œ œ œ œ

####

0

œœ œ

œ

2

A (9)

Emaj7

8

œ

Ó

Verse:

5

œ

2 1

œ

0 0

œœ œ

A (9)

∑

2 1

œ

4

0

*Recording sounds a whole step higher than written. Emaj7 3

œ

œ

0

2 1

œ

the

am

œ. œ œ

-

œ

ber

Œ

œ

stones

≈

har - bour;

© 1968 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

œ œ

he has

2 4

53 A (9)

#### 2 & 4 15

44

2 1

œ.

kissed E

## & # # 44

œ

œ

her

with

œ.

œ. œ œ

≈

œ œ

21

œ œ ˙ E

25

&

####

œ

Œ

Œ

œ œ œ

21 3

like a

&

####

w

free.

œ

œ œ. J

˙

˙

21

Ó

2 1

E

œ

the

her

free.

off

to

œ œ œ

wa - ter

œ œ.

weeds,

1.–4. E

2 1

j œ œ.

œ

œ

˙

œ

Œ

‰

Œ

3

œ œ

..

2.–.5. There’s a

A (9)

œ

tree A (9)

heard E

A (9)

Esus(9)

cac - tus

E 30

was bus - y be - ing

E

of

E

2 1

œ.

21 3

the breath - ing

44

2 1

3 ‰ œ œ œj œ œ.

œ œ. œ œ

j œ œ. œ œ œ

while she

œ œ

he has

A (9)

2 1

42

Esus(9)

break - ing and

‰ œj œ .

5.

≈

21 3

œ.

Emaj7

21 3

Œ

2 1

in the

Esus(9)

&

œ œ

free - dom; A (9)

star - board

####

œ.

his

Œ

18

21

A (9)

E

A (9)

∑

2 1

2 1

œ

w

Œ

œ

Œ

œ œ.

be - ing E

A (9) 2 1

E

∑

A (9)

E

A (9)

2 1

2 1

E

∑

Verse 2: There’s a man who’s climbed a mountain And he’s calling out her name And he hopes her heart can hear three thousand miles He calls again He can think her there beside him He can miss her just the same He has missed her in the forest While he showed her all the flowers And the branches sang the chorus As he climbed the scaley towers of a forest tree While she was somewhere being free

Verse 4: There’s a lady in the city And she thinks she loves them all There’s the one who’s thinking of her There’s the one who sometimes calls There’s the one who writes her letters with his facts and figures scrawl She has brought them to her senses They have laughed inside her laughter Now she rallies her defenses For she fears that one will ask her for eternity And she’s so busy being free

Verse 3: There’s a man who’s sent a letter And he’s waiting for reply He has asked her of her travels Since the day they said goodbye He writes, “Wish you were beside me We can make it if we try” He has seen her at the office With her name on all his papers Thru the sharing of the profits He will find it hard to shake her from his memory And she’s so busy being free

Verse 5: There’s a man who sends her medals He is bleeding from the war There’s a jouster and a jester And a man who owns a store There’s a drummer and dreamer And you know there may be more She will love them when she sees them They will lose her if they follow And she only means to please them And her heart is full and hollow like a cactus tree While she’s so busy being free

Cactus Tree - 2 - 2

55

56

TIN ANGEL

*Guitar in standard tuning, w/Capo VII: E-5-5-5-4-5

➅=E ➂=G ➄=A ➁=B ➃=D ➀=E

Words and Music by JONI MITCHELL

Freely Intro:

Em

A2

Em

A2

& 44

œ œ œ œ œ P

T A B

0

0

3

0

œ œ œ œ œ œ œ œœ œœ œ œœ œ œ

3

0

0

3

0 0 2 2

0

œ œ œœœœœ œœœ œ œ œœ œœ œ œ

3

œœœ œ œ œ œ œ

23

0

0

0

2

2

2

0

2

2

3 0 0

3 0

0

0

23

3

2

2

0

0

0

0

2

0 0

2

2

3 0 0

3 0

0

0

*Recording sounds a perfect 5th higher than written.

Moderately Π= 97 Verse 1: A2

Cmaj9

23

& Π5

3

Cont. rhy. simile

œ

9

œ

˙

Cmaj7sus

& œ.

on

Em

& Π14

j j œ œ œ

re - flec-tions

j œ

of

23

œ

j œ

A2

& Π22

23

‰

Tin Angel - 2 - 1

j œ œ œ œ

ros - es dipped in

Œ

˙

‰

j j œ œ œ.

tar - nished beads

œ œ ˙

sat - in

Em

Ó

23

œ

œ œ ˙

˙

love’s mem - o - ries.

2. Let - ters 3.4. See additional lyrics

3

Kept in

Cmaj9

œ

23

jars,

‰ j œ œ

˙

A2

& .. Œ

3

Cmaj9

Verses 2–4: 19

win - dow

A2

‰

23

in

23

tap - es - tries,

A2

j œ œ.

œ œ œ œ

w

34

G/F

3

A2

j œ œ œ œ œ

3

Cmaj9

3

˙

Var - nished weeds

Cmaj9

G/F

3

œ.

from

j œ

3

Em

∑

23

∑

3

F( # 11)

23

231

œ.

œ œ

a - cross

the

F( # 11)

w

seas, A2

j œ œ

231

˙

box - es are,

A2

Cmaj7sus

œ.

œ œ œ

Ó

j j œ œ œ.

seal - ing

23

wax,

w

231

23

231

23

˙

23

Œ

œ œ œ

Val - en - tines

© 1967 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

57 Cmaj9 26

Em

& ˙ 3

Ó

23

œ œ œ œ

w

and ma - ple

&

Ó

˙

G/B

C

32 1

3

23

love

G/B

A2

3.

C

& ‰ . œr œ 32 1

œ œ œ

I found

A2 46

all

per

Asus

j œ

-

back.

Am

w

234

231

A2

w

-

day.

Em

to

∑

∑

23

C

-

day.

3

G/B

‰. r œ œ

Ó

˙

234

to love

-

j œ œ

a - way.

44 œ w œ.

23

some - one

pa

A

42 œ œ œ

3

a

23

44 œ w œ. to

œ

44 œ œ œ ˙ .

4

234

I found some - one to

œ

A2

A

A2

j 2 œ œ œj 4 œ

& ‰. r œ œ

41

32

Guess I’ll throw them

1.2. 35

2 œ œ. œ œ 4 ˙

Ó

œ

tucked in - to G

3211

23

œ œ œ

leaves,

F/A 30

A2

32 1

œ œ œ 3

I found

some - one

A

& œœ œ 23

to love

œ œ œ. œ

w

w

234

to-day.

∑

w

∑

∑

Freely

Am 9(3/ )

A2

œ œ œ œ œ œ œ œ œ œœœ œ œ œ œ 23 4

53

& T A B

23

œ 0

œ 0

œ 3

œ 0

œ 3

œ 0

œ 0

Verse 3: Dark with darker moods is he Not a golden Prince who’s come Thru columbines and wizardry To talk of castles in the sun Still I’ll take a chance and see I found someone to love today

Tin Angel - 2 - 2

œ 3

œ

œœœ œ

0

0 2 2 0

0

0

2

0 2

2 0

2

Verse 4: There’s a sorrow in his eyes Like the angel made of tin What will happen if I try To place another heart in him In a Bleeker Street cafe I found someone to love today I found someone to love today

2

0

3 0 2 2 0

3

..

58

CHELSEA MORNING

Guitar in Open E tuning: E-7-5-4-3-5

➅ = E ➂ = G# ➄=B ➁=B ➃=E ➀=E

Words and Music by JONI MITCHELL

Fast Π= 174 Intro: E9

10fr.

E6( b 9)

9fr.

#### 4 & 4 Û Û ¿j Û F 2 3

2 3

A

5

&

####

E6( b 9)

E9 10fr.

E9 10fr.

E

2 3

2 3

2 3

Û

231

¿ Û Û Û ¿ Û

Û Û Û Û Û Û Û Û

Verse: % E9

3

Û Û Û Û Û Û Û Û Û Û Û Û Û Û

1

Û

¿ Û Û Û Û Û

2 3

&

####

œ

song

j œ œ

œ

out - side my

A 17

&

####

œ œ

231

j œ

j œ œ.

win

-

dow,

œ

-

ing, and the

œ œ œ œ

111111

231

œ

ring - ing up like

œ

œ.

Christ - mas bells,

j œ œ

and

j j œ œ œ

traf - fic

&

####

Ó

w

rap - ping

F #m11

1. 6 G 9

26

&

####

3

œ 1

wear

Œ

Oh,

œ

it

Chelsea Morning - 2 - 1

3

1

œ

till

œ

the

œ

wrote

night

œ

the

words.

up

w

œ

like

j œ œ

˙

It came

˙

j œ œ.

pipes

and

a

j œ

a -

drums.

j œ nœ œ œ œ œ

A (9)/E

œ

2 1

H

H

w

œ œ

2 1

nœ œ œ.

E

comes.

j œ

21

won’t you stay?

˙.

was

A (9)/C #

3 1

˙

heard

B7sus

œ

231

˙

E

j œ œ

F #m11/E

‰ œ œj

2 3

œ J

first thing that I

231

and the

Emaj7

E

j œ œ

F #m11/E

œ œ

5fr.

œ

œ œ œ œ

E 10fr.

œ

E7sus/D 22

Û Û ¿ ¿ E9

2 3

5fr. 111111

Û

12fr.

1. Woke up, it was a Chel - sea morn 2.3. See additional lyrics E A Emaj7

13

Û

E

# # # # . Cont. rhy. simile .Œ & œ nœ œ œ œ œ nœ

3

E

10fr.

9

E/G #

1

F #m11

Emaj7

5fr. 111111

12fr.

j Û Û Û Û Û Û Û Û Û 2 3

E/F #

E

9fr.

We’ll

E A (9)/E H

H

2 1

put

on

the

day

and we’ll

E

w

© 1967 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

∑

..

59 2.3.

F #m11

6 G9

31

&

####

3

œ 1

3

œ

H

1

œ

œ

A

sec

E

œ

111111

j œ œ.

œ

&

Now the

œ

111111

cur - tain

œ

œ

are

231

231

o - pens Emaj7

paved

231

œ

2 3

Û

51

E6( b 9)

pass - ers

&

j ¿ Û

w

por

j œ œ.

-

œ

10fr.

-

E6( b 9)

Chel

œ

-

by.

j œ

trait of F #m11/E

j œ œ

And

To Coda fi

to - day,

and

j œ œ

231

j œ

œ

˙

pi - geons

‰

fly,

œ

the

j œ

and

B11

E

2 3

œ

to

E9

stay.

2 3

j œ œ sea

w

2 3

œ

D.S. % al Coda

2 3

Û Û Û Û ¿ Û F #m11/E

Emaj7

œ.

231

Pret - ty E9

w

a - way.

12fr.

œ œ

˙.

œ œ ˙.

E 10fr.

E

j œ ˙

2 3

21

blow

7fr.

œ.

ba

j œ œ

231

-

Û ¿ Û Û Û Û ¿ ¿ E9 10fr.

œ

by, won’t you

Œ

2 3

j n œ œ œ œ

wake

up,

it’s

E 10fr.

2 3

12fr.

w

2 3

w

U w

morn - ing.

Verse 2: Woke up, it was Chelsea morning And the first thing that I saw Was the sun through yellow curtains And a rainbow on the wall Blue, red, green, and gold to welcome you Crimson crystal beads to beckon Oh, won’t you stay We’ll put on the day There’s a sun show every second Now the curtain opens on a portrait of today And the streets are paved with passersby And pigeons fly And papers lie Waiting to blow away Chelsea Morning - 2 - 2

œ œ œ

ing

2 3

B

111111

-

12fr.

9fr.

12fr.

nœ.

‰

3

E

B7sus 21

E

111111

wait

E

&

a

j Û Û Û ¿ Û Û Û Û Û

2 3

Û

j œ

E9

9fr.

####

‰

lie,

10fr.

fi Coda

####

on

œ

œ

with

j œ œ œ

231

E9

55

œ.

œ œ

∑

1

5fr.

pa - pers

&

˙

A

#### j œ œ & ####

ond.

F #m11/E

Emaj7

47

w

5fr.

streets

43

2 1

Emaj7

œ

A

####

-

E/F # E/G #

E

H

5fr.

#### Π& 40

j œ

œ.

œ

œ

sun show ev - ’ry

36

A (9)/E

E

Verse 3: Woke up, it was Chelsea morning And the first thing that I knew There was milk and toast and honey And a bowl of oranges, too And the sun poured in like butterscotch And stuck to all my senses Oh, won’t you stay We’ll put on the day And we’ll talk in present tenses When the curtain closes and the rainbow runs away I will bring you incense owls by night By candlelight By jewel-light If only you will stay Pretty baby, won’t you Wake up, it’s a Chelsea morning

j œ a

60

THAT SONG ABOUT THE MIDWAY Guitar tuning: E-0-(12)-2-5-5

➅ = E ➂ = F# ➄=E ➁=B ➃=E ➀=E

Words and Music by JONI MITCHELL

Moderately Π= 111 Intro: E (9)

D/E

HH

# ## 4 œ œ & # 4 œ œ œ œ œ œ œ œ œ œ 23

0

T A B

0

0

2

0

2

0 0

231

œœ ‹ œœ œ 0 0

2

0

3 3

B5

2

3 3

5fr.

23

23 4

œ œ.

met you on 2.3. See additional lyrics

&

˙

And you stood out

like

œ

œ

a

ru

&

˙

œ.

˙

ear.

E 17

&

####

j œ

‰ œ

You

œ œ œ œ œJ œ . 231

231

˙

strings,

you

&

˙

ing

j œ œ

Œ

j œ œ.

wings,

˙

j œ œ œ. œ

wear - ing

231

wings.

year.

21

by

˙

in a black

œ œ

œ.

on

21

œ

the

man’s

E2

HH

Œ

œ

œ

hors - es,

œ

you were

Esus

j œ œ.

21

3

œ

play - in’

œ

like

œ œ a

dev

-

œ

il

œ

wear E2

HH

‰ œ

œ.

‰ œ œ œ A/E

œ

0

HH

23 4

-

j œ

D/E

HH

23

were

0

A/E

HH

‰ œ

2

˙

A/E

j œ

0

0

0

23

last

G #7

œ.

play - ing

HH

E (9)

####

fair

23 4

j œ œ.

D/E 4fr.

play - ing on the gui - tar

21

a

231

were

0

0

j œ œ.

HH

j œ

23

3

0

D/E

HH

####

0 2

HH

5fr.

j œ œ

2 3

˙ œ œ œ œ œ ˙

E (9)

A6

23

0 2

2 3

j œ œ.

at

E (9) 13

0 0

21

j œ

‰

a mid - way

j j œ œ œ

‰ œ

23

HH

7fr.

####

21

0

B5 9

HH

A/E

23 4

˙.

HH

œœ œœ œœ œœ œœ œ œœ œ œ œ œ

3

G #7

A6

rhy. simile # # # # . Cont. j j . œ œ & œ œ

2 3

3

0

0

7fr.

5

œ œ œ œ œ œ œ œ œ

0

Verse:

E (9)

A/E

HH

œ œ

œ

œ

You looked so

œ

Œ

‰ œj œ

grand,

That Song About the Midway - 2 - 1 © 1968 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

wear-ing

A5(9)

#### œ . & 25

HH

j j œ œ œ.

111111

23

w

&

j œ œ.

#### . œ &

œ œ œ

ders

fly,

Do

˙

œ

just to

you

tape

œ

them

Œ ‰ œ œj ˙

œ œ

œ

Can you

E (9)

E2

fly?

j Œ ‰ œ œ œ

like an

ea

&

˙

23

-

HH

HH

Ó

231

œ

œ œ

˙

21

∑

‰ œj œ

˙

Ó

j œ œ

j œ œ

mid - way

down

&

˙

Œ

œ

slow - in’ E (9) HH

#### Π& 52

23

j œ œ. down,

œ J

˙

œ nœ œ the

mid

œ

Ó

œ

found,

w

23

231

w

-

way, HH

j œ œ. 231

down, A/E

w

w

231

œ

A/E

D/E HH

‰

23

HH

HH

23

œ

œ

.. ˙ D/E

D/E

HH

####

Œ

23

2. I

231

’cause I’m

HH

E7sus

E (9) 48

from the

E (9)

HH

HH

&

œ œ œ

gle do - in’ your hunt - ing

E (9)

A/E

D/E

####

Can you

3.

sky?

44

‰ œj œ

j œ œ n œ œ œ n œj œ .

231

œ.

shoul -

E7sus

HH

23

D/E

HH

23

your

I heard you can.

D/E

HH

w

E (9)

####

to

j œ œ œ. œ œ nœ.

1.2.

39

œ nœ œ œ

E2

231

sing?

j j œ œ œ.

œ

HH

5fr.

111111

‰ œ œ œ œ.

231

D/E

23

A5(9) 34

Œ

HH

23

-

œ

E (9)

E7sus

####

D/E

HH

5fr.

wings.

29

61

E (9)

HH

21

˙

j œ œ. 21

˙

down, E (9) HH

w

23

down.

Verse 2: I followed with the sideshows to another town And I found you in a trailer on the camping grounds You were betting on some lover You were shaking up the dice And I thought I saw you cheating once or twice Once or twice I heard your bid, once or twice Were you wond’ring was the gamble worth the price Pack it in I heard you did, Pack it in Was it hard to fold a hand you knew could win That Song About the Midway - 2 - 2

Verse 3: So, lately you’ve been hiding It was somewhere in the news And I’m still at these races with my ticket stubs and blues And a voice calls out the numbers And it sometimes mentions mine And I feel like I’ve been working overtime, Overtime, I’ve lost my fire, overtime. Always playin’ one more hand for one more dime Slowin’ down, I’m gettin’ tired Slowin’ down And I envy you the valley that you’ve found ’Cause I’m midway down the midway Slowin’ down, down, down, down

62

I DON’T KNOW WHERE I STAND

Guitar tuning: F-0-7-7-2-3

➅=F ➂=G ➄=F ➁=A ➃=C ➀=C

Words and Music by JONI MITCHELL

Moderately Π= 111 Intro: B bm11

Gm11

& b 44 b œ œ œ œ œ œ œ œ œ œ P 234 1

T A B

4 5

1. H

&b

4

5

5

H

H

..

∑

1

œ œ œ œ œ œ œ œ œ œ 1

0

2

2

1

0

2

2

œ œ œ œ œ œ œ œ œ

0

1

0

F (9)

Fsus

1

234 1

2

2.

F (9)

Fsus 4

5

0

4

0

F (9)

Fsus

4fr.

2

2 0

0

0

0

1

0

0

0

0

0

0

% Verse:

..

∑

∑

111111

0

1

0

0

0

0

0

0

9

9

D (9)

9

9

111111

& b .. Œ

9

9

9

œ œ

9 9

œ #œ œ œ œ œ 9

9

9

Œ œ #œ. œ œ.

œ #œ œ œ

Cont. rhy. simile

1. Fun-ny day, 2.3. See additional lyrics

look - ing for

& b Œ #œ œ œ œ œ œ Sun - ny

laugh

œ œ œ -

˙

ter and

find

day,

œ #œ œ

œ œ œ 3

-

œ œ œ œ ing

it

there.

braid-ing wild

flow - ers and

œ.

leaves

w F (9)

F9

j œ

j j œ œ bœ 3

B b(9)

in

my

hair.

F9

˙

3

œ œ œ

Picked up

a

pen

I Don’t Know Where I Stand - 3 - 1

œ œ œ œ -

cil

and

wrote,

œ.

œ œj œ J

“I

love

j œ

you.”

˙

œ œ 3

234 1

œ

œ

in my fin - est

Ó

To Coda fi

Am7

5fr.

&b œ

9

111111

F (9)

111111

111111

9

7fr.

9fr.

16

9

C (9)

D (9) 12

0

∑

9

9fr.

8

0

9fr.

1

0

0

D (9)

œ #œ œ œ œ œ œ œ . œ œ b œ œ œ œ œ œ œ . œ œ œ œ œ & œ œ œ œ T A B

0

0

˙.

hand.

© 1967 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

63 1.

B bm11

B b/F

Gm11

4fr.

&b œ 20

œ

234 1

Want - ed

œ

œ

to

œ

send

H

œ

it,

but

I

œ

don’t

œ

Œ

∑

111111

1

&b

∑

œ #œ

œ

œ

T A B

know

where

9

9

∑

œ

œ

9

9

9

œ

9

9

œ

œ

B bm11

œ #œ

œ

9 9

2.

&b œ

9

œ

guess

it’s

too

Fsus

F (9)

œ

ear

stand.

-

œ

œ œ

ly

Œ

œ œ ˙

234 1

’cause I

œ

don’t

9

9

œ 9

.. ..

F (9)

2 1

œ œ.

know

œ

..

˙.

where I

stand.

A (9)

&b w 29

j œ œ

œ

B b/F

Gm11

œ

234 1

H

˙

I

9

9

9

4fr.

26

j œ œ

‰

9fr.

&b w 23

œ œ œ

2 1

D (9)

F (9)

Fsus

Œ

œ

234 1

F (9)

Ó

1

Œ

111111

œ

Doo

œ J

nœ #œ

œ.

too

too

j œ

œ

too

too

too

B bm11

G (9)

4fr.

&b ˙ 32

nœ œ œ œ œ

œ

111111

& b b œJ

234 1

too

Ó

œ.

too

I Don’t Know Where I Stand - 3 - 2

œ œ

œ

too too

too

2 1

F (9)

œ

too

bœ too

B b/F

œ.

‰

too

Gm11 35

w

234 1

œ

too

œ

too

œ

œ

too.

Fsus H

˙

w

1

F (9)

œ J

too

D.S. % al Coda

64

fi Coda

B bm11

& b œ. 38

œ œ œ

234 1

know

& b ˙.

‰

B b/F

F (9)

&b Œ

œ œ œ

I

don’t

Œ

œ

know

F (9)

Œ

œ œ. ˙

2 1

where I

stand.

Gm11

4fr.

1

2 1

œ

œ

œ

234 1

B bm11

H

44

œ

that I miss you, but

Fsus F (9) 41

B b/F

Gm11

4fr.

œ

j œ

œ œ œ

234 1

I

know

that

I

miss

œ

œ

you,

Fsus F (9)

œ œ.

where I

stand.

1

œ

but

œ

œ I

don’t

œ J

234 1

œ

j œ ˙

Ó

œ.

know

A (9)

H

œ œ.

œ

3

∑

111111

w

Too B bm11

G (9)

#œ J

too

Gm11

4fr.

&b ˙ 48

111111

too

B b/F

&b Ó 52

2 1

œ œ.

œ

too

˙

Ó

234 1

∑

too

F (9)

Œ

w

234 1

Fsus F (9)

D (9)

H

‰

9fr.

j œ œ œ œ 1

Too too too

too

j j œ œ œ. too

111111

#œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

too

too.

A b(9)

& b #w 55

111111

œ

G (9)

Œ

Ó

∑

111111

Verse 2: Telephone, even the sound of your voice is still new All alone in California and talking to you And feeling too foolish and strange to say The words that I had planned I guess it’s too early, ’cause I don’t know where I stand Verse 3: Crickets call, courting their ladies in star-dappled green Thickets tall, until the morning comes up like a dream All muted and misty So drowsy now I’ll take what sleep I can I know that I miss you, but I don’t know where I stand I know that I miss you, but I don’t know where I stand I Don’t Know Where I Stand - 3 - 3

∑

∑

65

ROSES BLUE

Guitar in Open G tuning: D-5-7-5-4-3

➅=D ➂=G ➄=G ➁=B ➃=D ➀=D

Words and Music by JONI MITCHELL

Moderately Ó = 91 Intro: Gm

Fm/G

8fr.

6fr.

œ b œ &b C œ œ œ œ œ œ œ F 2 3

0 8

T A B

0

8

0

5 3

8

8

œœ œ

œœ œ

œœ œ

œœ œ

œœ œ

0 8

0 8

0 8

0 8

0 8

0

0

0

0

0

G

œ b œ bœ b œ & œ œ œ œ

œ œ œ

œ œ œ

œ nœ œ œ œ

T A B

6 0

6 0

6 0

0

0

0

5

6 0

6

0

6

0

6

0

0 0

&b 9

T A B

b œ œ œ #œ nœ nœ œ 4 4

4

4

4

0

6

0

4

4

4

4

4

0

T A B

3 0

4

4

Roses Blue - 3 - 1

3 0

0 4

4

0

œ

nœ

4

4 4

œ

4

4

4 4

4 4

4 4

0 0

3 0

4

4

4

0

4

œ œ œ #œ œ œ œ œ nœ œ nœ 3 0

0

4

4

4

4

œ œ #œ œ

4

3 0

0

œ œ œ

œœ nœ

œœ œ

œœ œ

œœ œ

3 0

3 0

3 0

3 0

4 0

4

4

4

4

5

œ

0

4

4

4

Em7 4fr.

b œœ & b œœ # œ œ œ nœ œ

0

6

0

œ œ

23 1

Cm

13

6 0

0

Gmaj7

œœ œ

4

6 0

œ

œ œ nœ œ # œ œ nœ œ nœ

œœ œ

4

4

œ

111111

n œœ nœ

œœ œ

œ œ bœ œ œ œ

B

4

G

œ œ bœ œ œ 2 3

8fr.

23 1

œ œ 5

œ

œ

œ

4

0 5

œ œ n œ œ œ n œœ œ œ 23 1

0

8 0 9

9

8

0 9

© 1968 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

0

0

66 Dm (4)

b &b 17

b &b T A B

6fr.

∑

23 1

œ œœ

œ

6 0 7

7

∑

œ œ œ

œ œœ

0

6 0

7

7

% Verse:

∑ œ

œ œ œ

7

6

0

7

œ œ

œ

6 0

0

7

7

œ œœ

7

Gm

b & b .. œ

œ œ œ

œ œœ

0

6 0

7

7

7

‰

œ.

1. I

œ œ

œ œ œ 0

7

7

0

7

7

Fm/G

8fr.

6fr.

2 3

2 3

Cont. fingerpicking simile

21

Ó

œ

˙

œ

think of tears, 2.–4. See additional lyrics

œ

œ

I

think

œ

œ

3

of

œ

rain

˙

on

shin

œ

-

gles;

j œ

‰

˙.

I

B 25

&

bb

œ œ œ think of

j œ

œ.

rain,

œ

I

œ

think of

œ

j #œ

œ.

ros

-

œ.

es

G

b &b

#œ

think

œ

of

œ

Rose,

œ

œ

my

œ

œ #œ œ

heart

be - gins

œ.

blue;

j œ œ.

23 1

˙

to

trem

-

ble

&

j œ œ.

œ.

see

the place

j œ

she’s

œ

œ

late - ly

œ

œ

got - ten

j œ œ

to,

got - ten

j œ

To Coda

œ

to,

j œ œ.

Œ

23 1

j œ

to

8fr.

Œ

23 1

œ

‰

Em7 4fr.

bb

j #œ I

˙.

Cm 33

‰

˙.

Gmaj7

j œ

29

j #œ ˙

111111

got - ten

Dm (4) 6fr.

37

&

bb

23 1

w

j œ ˙

œ.

to.

w

Gm

Œ

œ

She’s

Fm/G 8fr.

b j &b œ œ 41

Œ

œ

2 3

got - ten

Roses Blue - 3 - 2

j œ œ

to

œ

mys

-

œ.

ter

-

j œ œ

i - ous

6fr.

œ

œ

de - vo

œ

2 3

-

˙.

tions.

˙.

‰

j œ

She’s

fi

67 G

b j & b œ œ. 45

j œ

œ.

got - ten

to

œ.

the

zo

j œ œ

-

di - ac

B 111111

#œ

and

b &b

j j œ #œ œ

#œ œ œ got - ten

œ.

in

-

to

j œ œ

tar - ot

cards

#˙.

Zen.

j #œ œ

j œ ˙

23 1

œ

and

po

-

tions.

&

œ

œ

œ

lay - ing

œ

her

re

-

œ

œ

œ

li - gion

on

œ

her

b & b ˙. 57

on

her

1.2.

6fr.

œ

23 1

friends.

w

She’s

Œ

œ

23 1

friends,

.. Ó

∑

Œ

j œ œ.

on her

4. D.S. al Coda %

3.

w

fi Coda

j œ

j œ œ

friends,

Dm (4)

j œ

8fr.

Œ

23 1

œ

‰

Em7 4fr.

bb

j #œ

She’s

˙.

Cm 53

‰

˙.

Gmaj7

G 49

œ

œ

3. In

.. Ó

Œ

œ

4. I

Dm (4) 6fr.

b &b œ œ œ œ 63

23 1

to,

to,

to,

to,

œ œ œ œ œ

to,

to,

to, to, to,

42 œ

‰

j œ C œ œ œ œ

to,

to,

to,

to,

to,

œ œ ˙

to, to, to,

‰ Jœ

Gm 8fr.

b &b œ 68

to,

œ

œ

œ

œ œ ˙.

to,

to,

to,

to,

to,

to,

œœœœœ ˙

2 3

to.

Verse 2: Friends who come to ask her for their future Friends who come to find they can’t be friends Because of signs and seasons that don’t suit her She’ll prophesy your death She won’t say when Won’t say when, won’t say when When all the black cards come you cannot barter No, when all your stars are stacked you cannot win She’ll shake her head and treat you like a martyr It is her blackest spell she puts you in Puts you in, puts you in

œ

w

Verse 3: In sorrow she can lure you where she wants you Inside your own self-pity, there you swim In sinking down to drown her voice still haunts you And only with your laughter can you win Can you win, can you win You win the lasting laurels with your laughter It reaches like an arm before you sink To win the solitary truth you’re after You dare not ask the priestess how to think How to think, how to think

Verse 4 I think of tears, I think of rain on shingles I think of rain, I think of roses blue I think of Rose, my heart begins to tremble To see the place she’s lately gotten to Gotten to, gotten to…

Roses Blue - 3 - 3

w

to,

68

*Guitar in Open G tuning, down a 1/2 step: D-5-7-5-4-3

➅ = Db ➄ = Gb ➃ = Db

➂ = Gb ➁ = Bb ➀ = Db

Words and Music by JONI MITCHELL

Moderately Π= 108 Intro: F (9)

G

12fr.

# & 44

THE GALLERY

C (9)

G

10fr.

12fr.

∑

23 4

23 4

23 4

12 12

0

12

10 10

10

12

∑

∑

21

Ó

5

0

0

5

5

0

5

5

5

5

0 0

0

0

1 2

0

2

0

0

0

œ

œ œ œœ œœ œ œ œ œ œ

0

1

Œ

1. When

œ œ œ œ œœ œœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

12

0

G

HH

23 4

#4 œ œ œ œ œ & 4 œ œ nœ œ œ œ P

T A B

Gsus (9) 5fr.

0

0

0

0 0

0

0

0

*Recording sounds a half step lower than written.

Verse:

F (9)

10fr.

# & .. œJ œ 23 4

5

j œ

œ œ J J œ

Cont. rhy. simile

I first saw your 2.3.4. See additional lyrics F (9) G

9

&

#

Œ

&

#

œ œ J

œ

Gsus (9) HH

j œ ˙

œ.

œ J

To Coda fi

ler

me

˙

y,

I liked the ones

hang

j œ œ

œ

in

me;

ros

-

G/D

j œ

and

greens

j œ

scenes

‰.

j œ ˙

˙

3

and

Œ

˙

es.

that all

œ

la - dies.

to

por - tray

Asus

A 111111

j œ

j œ œ.

111121

old blue

jeans

and

F (9)

œ

œ

your work

œ

dis - clos

œ

œ

you

got

in

HH

j œ ˙

œ.

-

es.

œ J -

œ. to

G

Gsus (9) 21

œ

œ

23 4

Then G

rœ œ

˙

10fr.

5fr. 23 4

21

j œ. œ œ œ œ œ œ

j œ # œj œ

œ.

2 1

C (9)

10fr.

of

j œ. œ

you stud-ied

G

œ

the

23 4

Gmaj7/F #

j œ œ

ice

‰

j œ ˙

up

3 1

in

œ J

HH

5fr.

23

G5

Œ

Gsus (9)

C (9)

G

10fr.

3fr.

21

G7sus/F

fun - ny

to

j œ

j œ œ œ. œ

HH

nak - ed

23

‰

œ.

Gsus (9)

23 1

# j & œ œ

-

j œ

œ J œ

G

˙

21

# j & œ œ. 21

-

you be - gan

Gmaj7/B 17

œ.

23 4

G7sus/F

23 4

Then

G 13

j j œ œ

23

gal

G 5fr.

10fr.

˙

C (9)

G

G7sus/F 10fr.

œ

Œ

œ œ œ “La - dy, don’t

The Gallery - 2 - 1 © 1969 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

69

Chorus: Am7

Gmaj7/B

C

Gmaj7/B

Am7

G

œ

œ

5fr.

25

&

#

œ

23 1

love

œ œ

me

now,

˙

œ œ œ I

23 1

111111

am

dead.

Am7

‰ œJ œ œ

œ.

I am a

Gmaj7/B

j œ œ œ

23 1

saint;

turn

23 1

down your

C

‰ œ œ œ œ J

bed.

I have no

Gmaj7/B 5fr.

29

&

#

j œ œ

‰

œ

23 1

heart,”

that’s

œ

œ

œ

23 1

what

you

œ.

œ œ œ

111111

said.

œ

You said, “I

can

œ œ.

23 1

œ œ.

be

cru

-

1.2. Am7 32

&

#

23 1

œ

Gsus (9)

G

HH

‰

j œ œ œ œ œ

but

let

me

be

fi Coda 36

&

#

œ.

gen

-

G

HH

tle with

˙

111111

Œ

œ

da

‰

œ J

la

..

œ

œ

La

la

œ

la

œ œ œ

œ

œ

23 1

da

da

da

œ

da

Gmaj7/B

Am7

23 1

23 1

w

da.

da

D.S. % al Coda G

Ó

21

˙

œ

œ

la

œ

23 1

da

G

U w

Verse 2: Somewhere in a magazine I found a page about you I see that now it’s Josephine Who cannot be without you I keep your house in fit repair I dust the portraits daily Your mail comes here from ev’rywhere The writing looks like ladies’

Verse 3: I gave you all my pretty years Then we began to weather And I was left to winter here While you went west for pleasure And now you’re flyin’ back this way Like some lost homing pigeon They’ve monitored your brain, you say And changed you with religion

Chorus 2: “Lady, please love me now, I am dead I am a saint; turn down your bed I have no heart,” that’s what you said You said, “I can be cruel But let me be gentle with you”

Chorus 3: “Lady, please love me now, I was dead I am no saint; turn down your bed Lady, have you no heart?” that’s what you said Well, I can be cruel But let me be gentle with you

The Gallery - 2 - 2

˙

Gmaj7/B

5fr.

# & ˙

HH

Am7

C 38

Gsus (9)

Ó

21

you.”

el,

3.

Gsus (9)

j j œ œ œ.

21

œ

œ

Verse 4: When I first saw your gallery I liked the ones of ladies But now their faces follow me And all their eyes look shady

70

I THINK I UNDERSTAND

*Guitar in Drop D tuning, w/Capo II: D-7-5-5-4-5

➅=D ➂=G ➄=A ➁=B ➃=D ➀=E

Words and Music by JONI MITCHELL

Moderately Π= 102 Intro:

C (9)

D

G6

H

# & # 44 T A B

121

œ P

œ œ œ œ œ œ œ œ 2 0

2

3

2

H

œ

3

œ œ œ œ nœ

œ

2

œ œ

œ œ œ œ œ

0

3

2

0

0 0

0

0

0

3

œ œ

0 0

0

0 0

0

0

2

0

0

*Recording sounds a whole step higher than written. G/F

Dsus

D

A7sus

H

# & # 4

T A B

3

123

œ

œ nœ

œ œ

0 0

3

œ œ œ 0

0

œ

œ

rhy. simile # # . Cont. Œ & . œ œ 121

j œ

&

up

Dsus

D/A

123

121

œ

be

œ

-

&

##

œ

3 2

0

2

˙.

1

œ

on

˙

œ.

prey

œ œ

to dark

œ

un

œ

the

path,

˙

2 0

Œ

œ

To

2

-

œ

cer

-

œ

day

-

0

j œ œ

the

œ

121

œ

tain - ty.

˙

œ

œ

for - est

falls

G6/B

j œ œ œ

3

1

œ.

I C (9)

D

3

3

0

0

3

œ.

2

C (9)

121

0

0

3

˙

hind.

0

2

G6/B

nœ

-

3

C (9)

D 13

2

j œ

œ

1. Day - light falls 2.3. See additional lyrics

##

œ œ œ œ œ œ œ œ œ œ 121

C (9)

D

10

œ

0

Verse:

7

œ

2

0

3

œ

3

0

0

œ

œ

2

3

w

3

am

œ.

not

D 121

I Think I Understand - 2 - 1 © 1966 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

D (9)/A 13

71 C (9)

D

# & # ‰ 16

j œ œ

121

The

œ

shad - ow

2

œ

&

##

3

trem - bles

in

its

œ

œ

blind

˙.

‰

˙

2

œ. and

23

&

##

3

œ

œ

234

œ

œ

œ

came

clear

j œ

œ.

j œ

234

to

as

Asus

A

234

234

˙

my

26

&

##

Œ

j j œ œ œ.

3

think

I

un

-

I

˙

30

&

##

1

j j œ œ œ

3

œ.

is

&

##

1

A7sus

3

1 3

˙.

j œ œ

œ œ œ œ œ œ wil

-

œ

œ

or

œ

&

##

2

3

˙

œ

sink - ing

sand.

D5

13

w

Ó

3

œ.

œ œ œ

step-ping

D/A D (9)/A

1.2.

13

stones

œ

D

Œ

121

œ

Ó

3.

C (9) 38

2

w

121

‰

C (9)

13

der - land,

Ó

3

fear

D (9)/A

Dsus 123

w

121

a

2

121

D

123

like

œ

stand;

Dsus

G6/B 34

œ œ œ

-

G6/B

C (9)

D/A

123

der

j œ

‰

me.

Dsus

j œ œ

1

fear

˙

Chorus: G6/B

j œ ˙

121

sun - light

œ.

black - ness

j œ œ

3

A

its

œ.

D

j œ œ.

1

tast - ed

Asus

œ

G6/B

j œ

œ

I’ve robbed

C (9)

121

j œ

3

wrath;

D

123

‰

1

˙.

nœ œ.

œ

Dsus 19

G6/B

C (9)

D

∑

121

∑

2

3

C (9)

∑

..

Verse 2: Now the way leads to the hills Above the steeple’s chime Below me sleepy rooftops round the harbor It’s there I’ll take my thirsty fill Of friendship over wine Forgetting fear but never disregarding her (To Chorus:)

I Think I Understand - 2 - 2

2

3

G6/B

∑

1

3

Dm(4)/F

∑

2

4

Dsus

∑

123

D

∑

rit.

121

∑

Verse 3: Sometimes voices in the night Will call me back again Back along the pathway of a troubled mind When forests rise to block the light That keeps a traveler sane I’ll challenge them with flashes from a brighter time (To Chorus:)

72

THE FIDDLE AND THE DRUM Words and Music by JONI MITCHELL

Rubato

b & b 44 Œ

A cappella

‰

œ J

œ. œ

œ

And

so

once

b bw &b

friend.

&b 7

And

b œ œ œ ˙

b &b œ 10

fall!

œ

œ

Oh,

my

b &b Œ

‰

13

œ J

You

œ

œ

friend,

œ

œ

how

did

you

œ

so

once

a

turned

like

the

bœ œ.

œ

But

œ œ. I

Verse 2:

I

œ

ask

can

œ

œ

œ

re - mem - ber

œ

you please,

‰

I

œ bœ

œ

œ œ œ.

42 œ

en

-

œ e

cry,

œ.

the fid - dle

-

œ.

my dear

bœ

œ.

you

are

œ

œ

and

I

for

the drum?

œ

œ.

mies

œ J

the

œ

œ ˙.

œ

all

œ œ

can

˙.

œ

œ

John - ny,

raise your sticks and

trade

have

I

so

to

œ

say

And

come

dear

œ. œ

j œ œ.

œ.

my

œ œ œ œ 3

gain

you

œ

œ

œ

-

j œ

œ.

œ

œ

œ

˙.

œ

earned.

are.

œ

œ

b & b 44 b w

œ

œ

And when I ask you why,

16

b & b ˙.

œ

œ œ œ œ œ

‰. œ R

fight - in’ us all.

19

a - gain,

bœ J

‰

4

w

Verse 1:

you’ve

œ J

œ

good things

j œ

you

œ

œ

œ.

œ bœ

œ

œ

help

you

find

the peace

and

the

The Fiddle and the Drum - 2 - 1 © 1969 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

44

73

b &b œ

œ3 œ

22

star? Oh,

&Π&Π29

my friend,

œ

what time

is

œ. œ

œ

œ

And

so

25

œ œ.

œ

once

˙.

Verse 3:

œ

œ.

And

so

once

œ

35

&

œ

œ

˙

how

did

you

œ.

&

42

&

say

we have

bœ we

& œ. 45

help

48

& œ.

fear

why,

j œ œ. œ

‰

to

trade

œ

turned,

œ.

œ

can re - mem - ber

œ œ

all

the

œ

œ

like

the

œ

the good things you

œ

œ

œ

you find

the peace

and

the

star?

Oh,

my

-

The Fiddle and the Drum - 2 - 2

œ

œ

œ

œ

ing

of

your

˙

friend.

all.

œ

cry,

œ.

fid - dle

for

and

‰

we

œ

fall.

œ ˙ the

And

friend,

˙ drum!

Oh,

œ

my friend,

˙.

‰

b˙.

œ

œ.

œ œ.

so

we ask

œ

œ œ

we

have all

w

œ J

You

‰

you’ve earned.

œ J

œ

œ

drum?

œ.

44

œ J

And

#œ nœ #œ nœ œ

œ œ.

œ

my

fight - ing us

œ

the fist?

bw

˙.

nn

œ ˙

œ

œ œ

are.

œ

beat

12 8 œ.

˙.

œ

œ.

the

i - ca,

en - e - mies

œ bœ

œ.

-

œ.

œ

hand - shake for

œ œ J

œ œ œ

œ œ.

œ

œ.

you raise your sticks and

˙

œ œ œ

œ

œ.

œ J

come

œ œ.

A - mer

you are

˙

œ

Verse 4:

39

Oh

a - gain

& 44 œ œ œ œ ˙ ask you

œ

bœ œ.

œ

to trade the

œ œ

˙.

32

œ œ. œ

œ

this

a - gain,

bœ

when we

˙

œ J

But,

œ

œ.

œ œ

you, please,

˙

œ.

come

can we

j œ

to

74

BOTH SIDES NOW

Guitar in Open E tuning, w/Capo II: E-7-5-4-3-5

➅ = E ➂ = G# ➄=B ➁=B ➃=E ➀=E

Words and Music by JONI MITCHELL

Moderately Π= 98 Intro:

A (9)

E

#### 4 & 4 T A B

gg œœœ ggg œ gg œœ g F> ggg 00 ggg 00 ggg 0 g0

œœ œœ œ >

œœ œœœ œ œœ >œœ œœ œœ œœ œ œ > œ 2 1

hold throughout

0 0 0

0 0 0 0

0 0 0

A (9)

E

0 0 1 0 2

œœ œ œœ œ œœœ œ œœ œœ > œœ >

0 0 0 0 0

1 0 2 0

0 0 0 0 0 0

0 0 0 0

0 0 0

œœœ œ œœ œœ > œ

œœ œœ œ œœ œœ œ œœœ œ œ œ œ œ > >œ œ > œ

2 1

0 0 1 0 2

0 0 0

A (9)

E

0 0 0 0 0

1 0 2 0

0 0 0 0 0 0

0 0 0 0

0 0 0

œœœ œ œœ œœ > œ

œœ œœ œ œœ œœ œ œœœ œ œ œ œ œ > >œ œ > œ

2 1

0 0 1 0 2

0 0 0

A (9)

E

0 0 0 0 0

1 0 2 0

0 0 0 0 0 0

0 0 0 0

0 0 0

E

2 1

œœœ œ œœ œœ > œ

œœ œœ œ >

0 0 1 0 2

0 0 0 0 0

0 0 0

1 0 2 0

*Recording sounds a whole step higher than written.

Verse:

A (9)

Emaj7

! #### . .Π&

2 1

5

E

B7

2 1

21 4

1. Rows and flows of an 2.3. See additional lyrics Emaj7 A (9)

9

! ! # # # # œ œ3 œ œ

&

feath - er B7sus

#### ! & ˙. 21

12

way. E

15

&

####

Bm11

can

B7sus/C #

-

2 1

1

and

snow

œ J

/G 3

&

####

Emaj7 2 1

2 1

‰

j œ œ

œ

B7

œ.

œ J

But now E

œ

21

21 4

21 3

on

ev - ’ry

-

œ J

œ

œ

˙

would have done,

Œ

‰

œ

2 1

2 1

‰

block Emaj7

21 4

‰

œ J

So

in

the

man - y

! ˙

21

œ J

my

j œ

sun, A (9)

they

œ

œ.

2 1

things

B7sus

way.

that

A (9)

j œ œ.

œ œ œ.

E

j œ œ

got

œ J

œ.

2 1

2 1

2 1

but clouds

œ E

j œ œ

œ

A (9)

j œ œ

j œ œ

E

I’ve looked at clouds

on - ly

one.

2 1

and

A (9)

B7sus

B7

E Emaj7

air,

21

they

œ

in the

Emaj7

Œ

˙

ev - ’ry - where, A (9)

Cont. rhy. simile

21

œ

E

E

21 4

cas - tles

21 4

œ œ œ

B7

j j ! ! ! ! ! ! ! ! ! ! ! ! ! œ œ œ œJ œ . œ œ œ J J E

Cont. rhy. simile

E

21 4

B7

!

B7

21

and ice - cream

1

B7sus

18

hair

yons

/B

B7sus

œ J

gel

! ! ! j œ œ. -

B7sus

2 1

E

! ! ! ! ! ! Œ

3 1

j œ œ

rain

! œ

2 1

E

j j ! ! ! ! ! ! ! ! j j j œ œ œ œ. œ œ

¿ ! ! ¿ ! j œ œ œ œœ

2 1

A (9)

E

Bm11 B7sus/C #

!

3 1

! j œ

2 1

/B

! ‰

Both Sides Now - 2 - 1 © 1967 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

1

œ I /G

3

! ! Π1

75

% Chorus: E

#### ‰ &

œ

œ J

21

E

B7 21 3

œ

œ J

œ.

œ

21 4

I’ve looked at clouds

from

&

#### œ

21 3

œ

œ

still

&

####

œ

2 1

21 4

œ

some - how

both

real

œ

-

œ J

now,

œ J

œ œ

œ

‰

21 3

from

up

œ.

œ œ œ œ. 2 1

cloud

il - lu

-

E

œ œ

21 4

and

A (9)

œ

2 1

it’s

down,

E

A (9)

œ

2 1

sions

I

30

&

####

A (9)

w

2 1

œ

don’t

œ

j œ ‰

21

œ

w

know

clouds

35

&

####

Both Sides Now - 2 - 2

‰ œ J

œ

re - call.

Œ

Œ

I

E Emaj7 A (9) 2 1

A (9)

E

∑

A (9)

E

∑

2 1

∑

2 1

2 1

‰

To Coda fi

œ œ at

3.

all.

fi Coda

and

E

œ œ

1.2. E

‰ Jœ

œ

E B7sus

2 1

œ

ly

œ

sides,

œ.

œ.

A (9)

œ

œ

21 4

B7

E Emaj7

Emaj7 27

E

œ

21 3

B7

24

B7

D.S. % al Coda A (9)

E

..

E

∑

2 1

Play 5 times E A (9)

˙

all.

2 1

E

Ó

Emaj7 2 1

A (9) E

Emaj7

A (9) E

∑

..

∑

2 1

2 1

2 1

Emaj7

..

2 1

A (9) E

A (9) E

∑

∑

2 1

2 1

poco rit.

∑

Verse 2: Moons and Junes and Ferris wheels The dizzy dancing way you feel As every fairy tale comes real I’ve looked at love that way But now it’s just another show You leave ’em laughing when you go And if you care, don’t let them know Don’t give yourself away

Verse 3: Tears and fears and feeling proud To say “I love you” right out loud Dreams and schemes and circus crowds I’ve looked at life that way But now old friends are acting strange They shake their heads, they say I’ve changed Well, something’s lost but something’s gained In living every day

Chorus 2: I’ve looked at love from both sides, now From give and take, and still somehow It’s love’s illusions I recall I really don’t know love at all

Chorus 3: I’ve looked at life from both sides, now From win and lose, and still somehow It’s life’s illusions I recall I really don’t know life at all

76

SONGS TO AGING CHILDREN COME *Guitar in Open C tuning, down 1/2 step: B-7-5-7-5-4

➅ = B ➂ = F# ➄ = F# ➁ = B ➃ = B ➀ = D#

Words and Music by JONI MITCHELL

Moderately Π= 116 Intro: C

D/C 12fr.

œœ

34

& 44 T A B

œ œ P 0

C

D/C

10fr.

œ

12 12

œœ

0

# œœ # œœ

œ œ 0

0

14 14

œœ

4

œ œ

14 14

œ œ œ

15 15 0

C 10fr.

œ œ

34

12 12 0

15fr.

0

0

0

œ œ

0

12 12

# œœ # œœ 34

œ œ

12 12 0

0

0

œ

œœ

15fr.

14 14

0

0

œ œ 4

œ œ

14 14

15 15

œ œ œ 0

0

0

0

0

*Recording sounds a half step lower than written.

Verse: Ab

7fr.

111111

& .. Π5

Gb

G

8fr.

Cont. rhy. simile

bœ

111111

œ

œ

1. Through the wind 2. See additional lyrics

œ

-

œ

less

wells Bb

C 8

& œ

œ

light

ma

œ

-

chine,

of

111111

œ

won

Œ

œ

-

by

Ab

Œ

bœ

œ

bœ

in

the

tea

œ

the throb - bing

8fr.

œ

111111

leaf

trance

queen.

˙

-

œ bœ

bœ

der,

10fr.

111111

˙

œ

œ

6fr.

bœ

œ

œ

or

un

œ

-

der

G b(9)

6fr.

G b5

11131

11111

C

G 7fr.

& Π11

111111

œ

or

-

œ

ders

j œ

from

Eb

& Π14

111111

j œ

œ

the Gb

‰

j œ œ. Songs

Songs to Aging Children Come - 3 - 1

j œ

to

j œ

œ.

king

˙

and

6fr.

j œ bœ

111111

ag - ing

Ó

G bsus

Gb

w

111111

6fr.

œ J

chil

œ J -

bœ

dren

œ J

11113

6fr.

come.

© 1967 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

6fr.

77 G bsus

6fr.

& w 17

11113

Gb

6fr.

G b(9)

G b5

11131

11111

6fr.

111111

E

Œ

œ

Ag

E( # 11)

E

11113

111111

E (9)

4fr.

20

C 6fr.

& w

E5 4fr.

4fr.

11131

œ

-

œ

ing

E( # 11)

E

11113

111111

chil

E (9)

4fr.

11111

˙.

j œ

111111

œ.

-

dren,

I

Ab

E5 4fr.

4fr.

Œ

11131

#œ

11111

œ

am

one.

8fr.

∑

111111

G 7fr.

∑

23

&

œ

œ hur

-

bœ

don’t

j œ

œ bœ.

ry

they

hear

the

œ

mel - o

j œ

by

-

dies

the

click

-

Œ

œ

111111

œ

œ

and

the

œ laugh

-

œ

Œ

& w

j œ œ.

ing

‰

& w

6fr.

G b(9)

G b5

11131

11111

6fr.

111111

G bsus

6fr.

6fr.

w

11113

dren,

œ

in

the

chim

har

Gb

6fr.

to

ly,

œ -

bœ

ing

and

G b5

11131

11111

6fr.

111111

mo

-

E( # 11)

E

E (9)

j œ I

#œ

am

Songs to Aging Children Come - 3 - 2

œ

one.

w

11113

-

11131

nies?

˙

œ J

ing

chil

œ J

œ J

bœ

-

dren

-

œ

come.

1.

C

6fr.

ΠE5

4fr. 111111

œ

6fr.

ag

G b(9)

œ

-

111111

4fr.

& œ.

œ

œ

Ag

E 111111

bœ

j œ bœ

j œ

Songs Gb

œ

Gb

111111

11113

-

C

ing

32

6fr.

œ.

7fr.

j bœ œ

G bsus

quick

œ J

10fr.

G

111111

so

Œ

˙

œ

œ

111111

Eb

38

œ

Bb

j œ

8fr.

& œ.

35

111111

C

111111

Ab

j œ

6fr.

& Œ

29

bœ

Peo - ple

Gb 26

Œ

j œ

4fr. 11111

E( # 11)

E

ing

w

chil

E (9)

4fr.

11113

œ

E5 4fr.

111111

11131

-

4fr. 11111

78 Ab 41

&

2. C 8fr.

∑

111111

..

∑

E

E( # 11)

E

11113

111111

E (9)

4fr.

& Ó 44

Œ

111111

This

E( # 11)

E (9)

E

4fr.

47

11113

11131

111111

& w

E( # 11)

E

E (9)

4fr.

50

& &

11113

E5

111111

∑

11131

one.

E( # 11)

E

11113

111111

C

œ

∑

0

œœ

œ

12 12 0

11113

111111

4fr.

E

11113

111111

11111

œ

12 12 0

0

œ 0

4fr. 11111

E (9)

E5 4fr.

w

4fr.

11131

11111

C 15fr.

∑

# œœ 14 14

# œœ

œ œ

14 14

œ œ

15 0

∑

4

15

0

Verse 2: Some come dark and strange like dying Crows and ravens whistling Lines of weeping, strings of crying So much said in listening Songs to aging children come Aging children, I am one Does the moon play only silver When it strums the galaxy Dying roses, will they will their perfumed rhapsodies to me Songs to aging children come This is one

Songs to Aging Children Come - 3 - 3

E5

11131

4fr.

34

œœ

E (9) 4fr.

E( # 11)

10fr.

34

œ

E

4fr.

D/C 12fr.

11111

T A B

11131

E( # 11)

w

E5 4fr.

w

4fr.

∑

E (9)

4fr. 11111

˙

4fr.

11111

E5 4fr.

4fr.

11131

œ

#œ

is

4fr.

E5 4fr.

#œ

œ

∑

œ œ 0

0

œ

w

0 0

79

80

MORNING MORGANTOWN *Guitar in Open G tuning, w/Capo II: D-5-7-5-4-3

Words and Music by JONI MITCHELL

➅=D ➂=G ➄=G ➁=B ➃=D ➀=D Moderately Œ = 116 Intro: G

F/G

12fr.

#4 & 4

∑

2 3

12 0

12

12

0

∑

12

12

0

œ

œ œ

œ 10

0

0

10

G 13fr.

2 3

#4 œ œ œ œ œ œ œ œ & 4 œ œ œ P

T A B

Cm 10fr.

0

12fr.

∑

2 3

œ œ

œ

œ

œ œ

0

10

œ

œ

10

bœ œ

œ

0

13

0

0

13

0

œ œ

Ó

œ œ 0

13 0

‰

2 3

œ 13

13

œ

œ

1. When

œ œ œœ œœ œ œ œ

œ

0

12

0

œ.

12

0

0

0

0

0

0

*Recording sounds a whole step higher than written.

Verse:

B bm

Gmaj7/B

# & .. œ

23 1

5

j j œ bœ bœ

j œ ˙

23 1

Cont. rhy. simile

œ.

œ

Am7

morn - ing comes to 2.3. See additional lyrics C

G

Gsus(9)

‰

j œ œ

23 1

Mor - gan - town,

the

21

œ

mer-chants

Gmaj7/B

j œ œ.

œ

œ œ

roll

their

œ.

awn-ings

Am7

down. C/G

G

j œ

The G

5fr.

9

&

#

111111

œ

œ

œ

œ

œ œ œ

milk - trucks make their

# & ‰

23 1

˙

morn-ing rounds

j œ œ œ œ œ.

We’ll rise up ear C

j œ bœ bœ œ

j œ

in

B bm

Gmaj7/B 13

‰

23 1

ly

with the sun

œ.

morn

-

ing

j œ

Mor - gan

-

j œ œ.

Am7

‰

23 1

-

j j œ œ œ

23 1

23 1

˙.

‰

j œ œ œ œ œ

Am7

G

G

j œ œ œ œ œ 21

while C/G

Ó

town.

Gsus(9)

to ride the bus

Gmaj7/B

2 1

ev - ’ry - one G

5fr.

17

&

#

111111

œ

˙

yawn - ing

23 1

œ œ . œj œ

andthe

Morning Morgantown - 2 - 1

day

is

j œ œ. young

j œ œ

in

23 1

œ

morn - ing

œ

2 1

œ

w

Mor - gan - town.

© 1967 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

∑

is

81

Chorus: D

G

C

7fr.

22

&

#

Œ

111111

111111

Morn - ing G

12fr.

# & œJ 25

2 3

dol - lar

&

˙.

same. B bm 33

&

#

˙.

23 1

23 1

œ œ just

˙

˙

town

Gsus(9)

12 12

0

12 0

12 12

0

œ

dreams

a

Œ

j œ œ œ œ

‰ œ œ œ œ J œ œ

23 1

C/G

G

œ œ ˙ morn

Gsus(9)

˙. G

13fr.

œ

œ

œ œ œ œ œ œ œ œ œ œ

rit.

10

13

0

10 0

0

10

0

12fr.

œ 0

bœ œ 0 13

Verse 3: I’d like to buy you everything A wooden bird with painted wings A window full of colored rings In morning Morgantown But the only thing I have to give To make you smile, to win you with Are all the mornings still to live In morning Morgantown (To Chorus:)

œ œ

œ œ 0

13 0

13

œ. 13

ggg www ggg w ggg w

2 34

ggg 12 12 ggg 120 g0

the

œ -

ing’s

Œ

21

2 3

just

G

w

j œ

23 1

morn - ing’s

Cm

10

Am7

Gmaj7/B

3

Verse 2: We’ll find a table in the shade And sip our tea and lemonade And watch the morning on parade In morning Morgantown Ladies in their rainbow fashions Colored stop and go lights flashing We’ll wink at total strangers passing In morning Morgantown (To Chorus:)

Morning Morgantown - 2 - 2

your

Mm,

2 3

0

buy

Gmaj7/B

10fr.

œ œ # œ œ œ & œ œ œ œ œ

œ

2 3

G

21

F/G

38

œ

you name,

w

same.

2 3

œ

œ œ ˙

2 1

12fr.

0

an - y

.. G

the

œ

2 3

23 1

œ

œ

same.

2 1

G

T A B

œ bœ bœ œ

Ó C/G

12fr.

2 3

G

111111

G

G

G 10fr.

5fr.

3.

˙

Am7

town,

G

2 1

œ œ.

-

Morn - ing,

C/G

G

#

111111

˙

œ œ œ C

Œ

2 1

Œ

8fr.

down.

1.2.

29

8fr.

j œ

2 3

Eb

G 10fr.

œ

1 2

œ

Mor - gan

F/G 12fr.

12fr.

j œ

Œ

œ

œ

Gsus

F/G

5fr.

82

FOR FREE

Standard tuning Piano arranged for guitar

Swing waltz ŒÂ = ŒÇ‰ (Intro only) Moderately Œ = 111 Intro:

Words and Music by JONI MITCHELL

F

& 43 T A B

3211

œ œ œ œ œ œ œ œ œ œ œ œ œ œœ œ œœ œ œœ œ œ œ œ œ œ œ

œ F

3

2

3

3

0

2 3

3

0 1 0 3

∑

T A B

3 0 0

0

1 2

0

3 4

0

2

32 1

& .. ˙

Cont. rhy. simile

œ œ œ

17

2

0

1

0

A7sus

12341

2 4

˙

night

Bb

F

12341

3211

& ˙

jew

23

0

1

Bb

slept last 2.3. See additional lyrics

0

3

0

0

œ œ œ œ œ œ œ 1

3

3

2

1

0

3

1

1

0

œ œ œ œ œ œ

0

dirt - y

town,

0

231

œ œ

œ

F

œ œ œ

I went shop - ping

to

3211

-

˙

day

œ œ

for

C

∑

Œ

Œ

‰ j ˙ œ

32 1

Dm

Œ

1

0

3

Dm

Œ

1

0

3

Œ

œ

1. I

œ œ œ œ œ œ

in a good ho - tel,

œ œ . œj œ .

0

0

0

Œ

The wind

2 4

in the

5

5 0

Œ

els.

œ œ œ

5

∑

32 1

∑

12341

For Free - 2 - 1

3

0

3

32

A7sus

round

1

F b5

Bb

& ˙

0

2

∑

œ œ œ œ œ ˙

œ œ œ ˙. -

1

0

C

1

C

11

∑

3

Straight eighth feel Verse:

1

3

3211

œ œ œ œ œ œ œ œ 1

0

F

2 1

œ œ & œœ œ œœ œ œ œ œ

1

œ

4

œ œ œ œ œ œ

3

C/E

&

32

32 1

Piano (arr. for gtr.)

1

6

G

C

Œ

231

œ œ

And the

œ

F

œ œ œ œ

chil - dren

let

3211

˙.

out

© 1969 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

œ

œ

rushed a -

83

28

&

Bb

F

12341

3211

œ œ œ ˙

œ œ œ

œ

Dm

from the schools.

∑

˙. F

j œ

32 1

& ˙.

nois

œ

-

œ œ.

y cor - ner

j œ œ.

41

32

˙.

wait - ing

Œ

4

œ

Œ

46

& j œ œ. good

231

˙

œ œ

on his

clar

1.2.

Am

œ

-

i

-

231

32

˙.

‰

F

Bb

∑

12341

2 4

œ œ œ ˙.

3211

12341

‰

˙

net,

˙.

ing

green,

A7sus

Œ

œ

œ œ

stood

and he

2 4

˙

œ

played

real

j œ ˙

for

3211

œ œ œ ˙

free.

˙.

3.

Am

4

∑

∑

œ

Œ Œ œ .. ˙

231

˙.

∑

2. Now

∑

∑

Verse 2: Now me, I play for fortunes And those velvet curtain calls I got a black limousine And two gentlemen Escorting me to the halls And I play if you have the money Or if you’re a friend to me But the one man band By the quick lunch stand He was playin’ real good, for free For Free - 2 - 2

A7sus

a

F

C 4

-

12341

j œ œ œ œ œ

G 32

Bb

Bb

32 1

œ

j œ

œ œ œ.

œ œ

3

for the walk

G

& ˙.

&

œ œ ˙

a - cross thestreet he

Dm

60

32 1

C

& ˙.

52

C

3211

G

Œ

I was stand-ing on

C 34

Œ

231

∑

32 1

Am

∑

231

F

∑

3211

C

∑

32 1

Verse 3: Nobody stopped to hear him Though he played so sweet and high They knew he had never Been on their T.V. So they passed his music by I meant to go over and ask for a song Maybe put on a harmony I heard his refrain As the signal changed He was playin’ real good, for free

∑

84

LADIES OF THE CANYON *Guitar tuning, w/Capo II: C-7-7-3-7-4

Words and Music by JONI MITCHELL

➅=C ➂=F ➄=G ➁=C ➃=D ➀=E Moderately Œ = 112 Intro: G (9)

Gm11

9fr. 213

& 44 T A B

bœ

œ F

œ

10

œ œ œ œ œ œ œ œ 0

7 6

213

7

6

7

0

œ œ 5

0

0

œ

œ œ œ œ 4

5

5

œ œ

Verse:

5

4

& .. Œ

3

œ

œ œ œ

1. Tri - na wears her 2.–4. See additional lyrics

& Π9

23

Sew - ing lace

3

on

& Π3

& Œ

œ

œ.

œ œ œ

œ

Vine and leaf

are

j œ œ.

œ

œ œ

Trimmed in

œ

an - tique

Ladies of the Canyon - 2 - 1

2

she

23

2

weeds,

2

œ

œ œ œ œ

fills

2

and

œ

3

˙.

0

2

2

Fmaj7/A

F6/A

j œ œ

2

œ œ œ.

lux - ur - y,

she

is

j œ œ

23

a

2

œ

la - dy

0

2

2

0

C(4)

œ

23

-

book with

2

œ

Csus

23

j œ œ.

œ

gree

on

leaf

j œ œ

1111

a

and

C

23

2

23

the can - yon.

vine.

j j #œ œ œ. 11111

sec - ond - hand

j œ œ œ œ.

˙

A6

C(4)

of

line.

C

C

œ

j œ ˙ 2

j œ œ

Fmaj7/A F6/A

coat’s

2

0 2

23

j j œ œ bœ.

F6/A

œ œ œ œ

C

her draw - ing

fil - i

her

œ

œ œ

0

j œ œ.

j œ œ

F6/A Fmaj7/A 2

0

A7sus

and

j œ œ.

œ

0 2

Bb

fil - i - gree,

3

œ

œ œ

23

œ.

j œ

œ.

Bb

23

2

F6/A

F6/A

C 17

œ

wid - ows’

Bb 13

j œ

Bb

œ

œ œ œ

23

2

F6/A

wam - pum beads,

Csus

C

C(4)

0

Bb

Csus

Cont. rhy. simile

C

0

5

23

5

C(4)

œ

*Recording sounds a whole step higher than written. C

C 4fr.

213

10 0

G9

6fr.

Œ

one.

œ œ œ

œ

Doo - doo - doo - doo

© 1968 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

85 Bb

1.–3.

j & œ œ 22

3

j œ œ

doo - doo - doo.

j œ œ

œ œ œ

Col - or - ing

C

C(4)

23

& w

2

doo

-

doo

23

-

La - la

œ the

œ

213

j œ ˙

j œ œ

23

2

Fmaj7/A

F6/A

œ

œ.

G (9)

œ J

they

∑

F6/A

œ œ œ œ œ œ œ œ 23

are

the

G9

6fr. 213

2

2

la

2

..

C

C(4)

23

2

w

C

-

dies

C(4)

C(4)

C 23

œ

of

j œ œ œ œ. 2

the

can

-

C

4fr. 213

∑

23

Verse 2: Annie sits you down to eat She always make you welcome in Cats and babies ’round her feet And all are fat and none are thin None are thin and all are fat She may bake some brownies today Saying you are welcome back She is another canyon lady Verse 3: Estrella, circus girl Comes wrapped in songs and gypsy shawls Songs like tiny hammers hurled At bevelled mirrors in empty halls Empty halls and bevelled mirrors Sailing seas and climbing banyans Come out for a visit here To be a lady of the canyon Verse 4: Trina takes her paints and her threads And she weaves a pattern all her own Annie bakes her cakes and her breads And she gathers flowers for her home For her home she gathers flowers And Estrella, dear companion Colors up the sunshine hours Pouring music down the canyon Coloring the sunshine hours They are the ladies of the canyon Ladies of the Canyon - 2 - 2

23

la - la - la - la - la - la - la - la - la - la - la - la.

sun - shine hours,

Gm11

C(4)

w

C(4)

C

2

Bb 3

2

C

doo - doo - doo.

F6/A

23

9fr.

34

-

j œ ˙

j œ œ

2

Fmaj7/A

2

Csus

C

& Œ

doo

C(4)

C

œ. œ œ œ œ œ œ œ œ œ

doo - doo - doo.

23

-

F6/A

j & œ œ

30

23

Doo - doo - doo

Bb

3

F6/A

œ. œ œ œ œ œ œ œ œ œ 2

4.

26

Fmaj7/A

F6/A

∑

2

23

∑

yon.

86

WILLY

Standard tuning Piano arranged for guitar

Moderately Π= 117 Intro:

Words and Music by JONI MITCHELL

C

F 32 1

œ & 44 œ œ œ œ œ œ œ F

T A B

0

2

3

1

0

2

3

œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ œ

Piano (arr. for gtr.)

0

1

0

3

0

1

1

1

0

2

3

3211

2

1

3

2

3

2

2

G

œ œ œ œ œ œ œ œ & œ

32

5

T A B

6

8

5

7

6

4

0

7

œ œ œ œ œ œ œ œ œ

œœ œœ œœ œ œ œ œ œ

4

7

0

0 0

0

0 0

1 2

0

3 0

0

0

3

1

0

1

0

0

3

Verse: C

32 1

& Π7

G

œ

j œ

j œ œ

Cont. rhy. simile

œ

1. Wil - ly is my 2. See additional lyrics

child,

˙

œ œ œ œ he

is

C

j œ œ

œ œ œj œ

32 1

I would be

his

la - dy

D/F # 1

23

to

Willy - 2 - 1

œ œ ˙

œ œ J J œ live

with

œ J

me

32

œ

all

G

œ œ & J 15

3211

my

j œ ˙

4

œ.

fa

-

F

& Π11

my

32

œ

ther;

C/E

Dm

2 1

œ

˙.

C/E

œ ‰ œj œ œ œ 4

but for

an

œ

2 1

231

life.

F

œ œ œ œ. J

an - cient in

-

ju

œ.

3211

-

ry

Ó

˙

j ‰ œj œ œ

He says he’d

C/E

Dm

œ œ œ J

œ

2 1

that has

not

231

˙.

healed.

© 1969 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

œ J

love

87 Am

G

‰ œj œj j œ œj œ œ œ œ œ œ œ œ œ œ œ œj w

& Π20

32

He said, “I

feel

4

once a - gain like I

gave my heart too

G 25

32

& œ

4

œ

œ

˙

& œ

3211

œ

count - ing

œ

lace

F

œ

œ

all

the

œ

at

the

C/E

Dm

˙

œ

2 1

˙

231

cars

4

j œ œ J J œ œ ˙. win - dow - sill.

œ

œ

up

the

3211

œ œ

&

3211

˙

There are

F 39

j œ œ œ

soon.”

He stood look -

on the

˙

con

j œ

231

-

hill

œ.

quered

Œ

˙

˙

œ

œ

and

still

∑

∑

32

4

∑

and

F

Dm

˙

œ

stars

on

3211

the

& ˙

32

4

œ œ œ œ œ. he is my

fa

-

j œ ˙

ther.

w

my

œ. more

j j œ œ œ œ œ. rea - sons

œ

why

2.

..

∑

Œ

32 1

œ œ ˙

˙.

I love him. C

∑

w

Verse 2: Willy is my joy, he is my sorrow Now he wants to run away and hide He says our love cannot be real He cannot hear the chapel’s pealing silver bells But you know it’s hard to tell When you’re in the spell if it’s wrong or if it’s real But you’re bound to lose If you let the blues get you scared to feel And I feel like I’m just being born Like a shiny light breaking in a storm There are so many reasons why I love him Willy is my child, he is my father Willy - 2 - 2

œ

231

Œ

32 1

j œ œ œ œ

Wil - ly

G 45

œ

C

1.

G

Œ

˙

moon,

F

& œ. 32

œ œ œ

face

G 33

‰

Am

ing through the

29

Ó

231

w

w

is

my

j œ

child,

88

*Guitar in Open E tuning, w/Capo II: E-7-5-4-3-5

CONVERSATION

➅ = E ➂ = G# ➄=B ➁=B ➃=E ➀=E

Words and Music by JONI MITCHELL

Moderately fast Π= 150 Intro: E

Emaj7

A/E

E

3fr.

#### C . j j j j . Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û .. & > > > > > F> 3 1

% Verse: E

2 1

2 1

*Recording sounds a whole step higher than written. Emaj7

A/E

E

B7

3fr.

3fr.

rhy. simile # # # # . Cont. j . Ó & œ. œ ˙ 3 1

5

2 1

10

&

Œ

‰ j œ œ œ œ 2 1

A/E

&

con

-

ver - sa

œ

-

˙.

tion,

j œ œ

˙

2 1

œ œ ˙

œ

w

some-times,

j j œ œ œ

21

-

#### j & œ œ

‰

111111

j œ ˙

˙

tion,

‰ œ

2 1

To Coda II fi

F#

j œ ˙

nœ

he

knows

Emaj7

A/E

2 1

2 1

j œ œ

j œ ˙

w

Œ

3 1

œ œ œ

I

j œ ˙. œ œ 21

that’s

what

Emaj7

E

Ó

œ

œ œ J

bring him

A/E

ap - ples

j œ œ œ œ

21

and

chees

B7 3fr.

3 1

-

es,

Conversation - 3 - 1

he’ll

B7

3fr.

j œ œ.

con -

3fr.

find.

####

and

B7

E

111111

j œ

j j œ œ œ

com - fort

G

sul - ta

20

∑

3 1

2 1

E

&

ΠEmaj7

B7

-

25

œ œ œ ˙ 3fr.

####

####

œ œ

3

A/E

I com - fort him

15

for

3 1

21

˙.

˙

1.3. He comes 2. See additional lyrics Emaj7

2 1

˙

Œ

‰

2 1

j œ œ

He brings

2 1

œ

me

˙.

songs

3 1

21

œ œ

to

w

play,

© 1967 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

∑

˙

-

Emaj7 30

&

####

‰ œ

2 1

he

sees

j œ œ

j œ œ.

j j œ œ œ.

2 1

me

when

&

####

E

j œ ˙

21

he

B7 35

To Coda I fi

B7

A/E

pleas

&

21

œ

˙

œ

‰

˙

ca - fés

and

I

on - ly say

∑

3 1

j j œ œ œ ˙

la - dy

&

####

‰

knows

&

j œ œ

œ.

him,

&

####

œ œ

like

3 1

˙

j œ

œ.

her

2 1

w

‰

˙

a

ring,

Œ ‰ j œ œ œ œ

21

and turn a - way

A/E

B7

2 1

21

j œ œ œ

j œ œ.

21

to wash her

j œ œ.

see

‰

be-fore his

˙

him.

j œ œ œ

hands.

E

Ó

2 1

˙

Œ ‰

œ

She on - ly

œ

j œ œ

She re -

œ œ œ

brings him out

œ œto show

E

N.C.

Ó

œ œ œ

œ

I want to

free

3

friends.

A/E

œ Emaj7

111111

w F#

G

‰ j nœ œ But I

j œ

3 1

him.

œ.

w D.S. % al Coda I

A/E

E

speaks Conversation - 3 - 2

2 1

∑

2 1

∑

B7

‰

111111

˙

know

j œ œ

she keeps

21

œ

him

˙.

w

Ó

w

down.

E

œ

∑

∑

3 1

2 1

w

## & ## Ó 61

&

him

3fr.

fi

####

˙

3fr.

Coda I

67

see

j œ œ œ

j œ œ œ œ œ œ œ

A/E

Emaj7 54

I

‰

hel - lo,

how much I want to

E7sus

####

j j œ œ œ.

nœ

B7

moves

49

es,

Œ ‰ j j œ œ œ œ œ œ ˙

E 45

˙

111111

B7

E7sus

####

‰

111111

j œ œ.

-

F#

G

E

in

40

89

Œ ‰ j œ She

B7

œ

in

j œ œ

sor - ry

j j œ œ œ sen

-

j œ œ

ten - ces,

‰

j œ

21

œ

œ œ œ œ œ œ

mi - rac - u - lous

re - pent - anc

j œ œ.

-

es.

Ó

90 E7sus 71

&

####

B7

A/E

∑

3 1

Œ

‰ j œ œ œ œ œ 2 1

&

####

œ œ œ œ

come to

me

œ

and

Œ

21

œ

I don’t be-lieve her.

76

E

Ó

Ó

To - mor - row

B7

E7sus

21

3 1

j j œ œ œ.

j œ œ

speak his

j œ œ

sor - row

j œ œ

end-less - ly,

and he’ll

œ

œ œ œ 3

why can’t I

j œ

œ

leave

w

∑

fi

Coda II

&

####

3 1

her?

œ.

why,

˙

w

2 1

2 1

D.S. % al Coda II

∑

∑

∑

2 1

j œ. œ

21

˙

Œ

111111

œœœ ˙.

œ

find.

∑

F#

G

‰

j œ ˙

111111

nœ

He

E

&

œ.

A/E

A/E

2 1

B7

he’ll

####

me

3fr.

91

‰

˙

ask

w

3 1

Emaj7

96

A/E

Emaj7

#### Ó &

&

will

3fr.

81

####

he

2 1

˙

œ œ

E

86

‰ ‰ j j œ œ œ œ œ

Œ

E

‰

knows

* ‰ œj œ .. œj œ . ˙ 3 1

w

w

˙

he’ll

w

find. *First time only.

Verse 2: Secrets and sharing soda That’s how our time began Love is a story told to a friend It’s second hand But I’ll listen to his questions I’ll give my answers when they’re found He says she keeps him guessing But I know she keeps him down She speaks in sorry sentences Miraculous repentances I don’t believe her Tomorrow he will come to me And speak his sorrow endlessly And he’ll ask me why Why can’t I leave her (To Verse 3:) Conversation - 3 - 3

21

œ.

that’s

Emaj7

A/E

2 1

2 1

3fr.

w

B7

w

what

Repeat and fade

w

..

91

Standard tuning Piano arrangement for guitar

THE ARRANGEMENT

Very slowly and freely Intro:

# & 44

G 6/A Piano (arr. for gtr.)

5

&

#

3 3 4 2 0

œ œ 12

2

œ œ œ œ

12

8

9

D/E

œ œœ œ

2

4

8 12

3 3 4

10 10 7 7 7 7

0

7

14 14 14

Am

&

#

321

231

Cont. rhy. simile

œ

œ

5

3

2

3

10

10

A m7

A m11

œ œ œ

˙˙ ˙ ˙

˙˙ ˙ ˙

7

8 8 9

8 8 7

0

0

∑

˙˙ .. ˙. ˙.

Ó

3

8 7 9 0

7

7

Am

G/A

could have been more 2. See additional lyrics

œ œ

than a

œ

œ œ ˙

D7/G

Gsus

Œ

&

#

3

1

3

on

œ

œ

the

œ

œ

thir - ty - third

G

œ

œ

œ

in

the D

C/D 8fr.

15

&

# œ

211

œ nœ

swim - ming

The Arrangement - 3 - 1

2

3

∑

Em

œ

pool

in

7fr.

œ

œ

More than Am

G/A

8fr.

œ œ œ 211

œ

1123

air.

C/D

Am

a

œ

œ J

13421

cred - it

œ

the

œ

back

j œ

œ -

231

œ. yard.

321

˙

œ

To Coda fi

3fr. 231

˙

‰

card,

G/A

3fr.

211

1. You

œ œ œ

floor

E7sus

œ œ œ.

10fr.

œ

21

j œ

321

9fr.

12

‰

G/A

231

œ

name on the door

0

2

3fr.

321

231

0

2

7

3fr.

‰

œ

œ

U œ œ œ œ œ œ œ œ œ œ 3

3

10

œ. œœ .. œ.

G/A

3fr.

9

œ œœ œ

œ œ œ œ œ œ

10 10 11 0

G/A

œ. œœ .. œ.

∑

˙˙ ˙ ˙

Tempo Œ = 102–107 Verse: Am

3

D

∑

8 8 9 0

T A B

G/A

5

3 3

C/D

# ˙˙˙ & ˙

D

U œ œ œœ œ œ œ œœ œ œ œ œœ œ œ

˙˙ .. ˙˙ .. ˙. P

T A B

Words and Music by JONI MITCHELL

321

Œ

œ œ

While you

© 1969 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

œ

still

92 G/A

Am

G/A

Am 3fr.

18

&

#

3fr.

j ‰ ‰ j œ œ œ œ œ œ. œ œ œ œ œ œ 321

231

œ œ œ

have the time,

G/A

Am 3fr.

321

231

you could get a - way

and find

a

D7/G

Gsus

bet-ter

321

231

œ. œ œ œ œ

life.

You know the grind

G

œ nœ

is

&

#

3

1

3

œ

un

-

œ

grate

C/D

D 8fr.

24

&

œ

# œ

211

no

œ

-

œ

œ

cares

who

&

30

&

#

er of the cards,

#

231

œ

œ

œ

you

I

E

Bm7

231

13121

œ œ ˙

turn - ing.

know

And the

whis - key

œ

it

2

œ

˙

321

Œ

˙

œ œ œ

You’re the keep -

œ œ œ œ.

3

gets

‰

312

œ.

hard

œ œ œ œ œ

keep-ing the wheels

G

œ œ œ #œ œ

D/E

bars,

D/E

213

wife,

œ

G/A

are.

A

˙

œ œ

cars,

231

G

231

œ

3fr.

321

œ œ.

œ

real - ly

œ. œ œ

œ œ

yes,

œ

13421

3fr.

211

Œ

œ œ œ œ

œ

Am

G/A

Am

134211

œ

Rac - ing

Am

F 27

œ

ful.

œ œ œ

7fr.

1123

3

8fr.

211

one

2

C/D 10fr.

œ

∑

21

so

Em

E7sus 9fr.

21

≈ j. œ

she

2

keeps

œ. œ œ œ ˙

˙

3

‰ œ œ œ œ.

the keys.

She is

E

so

G/A

A

3fr.

# & œ. 34

j œ œ

312

pleased

to

œ #œ.

j œ

‰

be

231

a

# j & œ œ. 231

-

ment.

The Arrangement - 3 - 2

˙

œ

321

j œ œ

321

of

F/A

G/A

3fr.

37

œ.

part

G/A

Am

œ œ œ œ œ

œ

213

Am

F/A

3fr.

Œ

Ó

3211

∑

321

∑

231

Ó

3211

œ œ œ

the ar - range -

D.S. % al Coda

Œ

‰

j œ

2. You

93

fi Coda

E7sus

C/D

Em

9fr.

7fr.

# & œ œ œ œ œJ œ 1123

42

13421

More than

Am

a

cred - it

G/A

45

&

#

˙.

&

pool

in

la,

la, la,

œ

back

Em

yard. Em

la,

la,

la, la,

7fr.

œ œ œ œ œ œ. œ

œ

13421

la,

-

˙

7fr.

œ œ œ œ œ la,

321

D/E 7fr.

1111

la,

œ

œ

the

j œ œ.

231

1111

la,

G/A

13421

la,

la,

la,

la,

D/E 3fr.

œ œ œ œ œ

# ˙

œ

7fr.

œ

13421

7fr.

1111

œ œ œ

3fr.

211

D/E

œ œ œ œ œ

G/A

8fr.

211

7fr.

Em 7fr.

œ

swim-ming

1111

Am

C/D 10fr.

Em

La, la, D/E

49

card,

7fr.

Œ

321

231

œ

211

‰

D/E 3fr.

D 8fr.

13421

œ œ

la,

321

w

œ

œ.

Œ

la,

œ J

la,

E

w

312

la. G/A

Am

3fr.

53

&

# w

˙.

Ó

Œ

231

Œ

G/A

G/A

Am 3fr.

&

j œ

You Am

57

‰

#

œ

name

œ œ ˙

œ œ œ œ œ

could have been

more

on the door.

j œ

You

231

321

œ

œ

œ

œ

could have been

G/A

Am

G/A

Am

3fr.

‰

more

œ œ

than a

œ

name

&

#

œ œ ˙

on the door,

œ

œ

œ

could have been

‰

˙

more.

j œ

You G/A

Am

3fr.

Am

œ

œ

could have G/A

3fr.

# & ‰. 62

231

r œ œ

321

œ

œ

You could have been

˙

œ

been

more.

F/A

Œ

321

œ Am7/E

3fr. 231

∑

321

3211

more. Verse 2: You could have been more than a name on the door On the thirty-third floor in the air. More than a consumer lying in some room trying to die. More than a credit card, swimming pool in the backyard. (To Coda)

The Arrangement - 3 - 3

j œ

231

∑

2 14

j œ

you

G/A

Am

321

231

‰

321

231

3fr.

60

œ œ

than a

3fr.

‰

321

231

‰

321

231

∑

94

RAINY NIGHT HOUSE

Standard tuning Piano arranged for guitar

Moderately Π= 114 Intro: Asus

Words and Music by JONI MITCHELL Am7

1.

G

234 Piano (arr. for gtr.)

4 & b 4 ..

œ œ œ œ œ œ œ

œ F

..

T A B

2314

3 3

2

3 1

2

œœ

œ

3 3

2

0

œ nœ

œ œœ œ

œ

0

2

3 1

1 2

0

œ

œ

œ

3

1

0

32

0

œ n œœ œ œœ œ œ œ nœ 4

2

3

2.

G

& b n œœ 4

T A B

3 4

0

T A B

3

3

3

32 1

0

32

4

2

2

œ nœ œ

1

0

0

2

œ

2

2

3

1

3

3

1

2

12341

œ

2 3

1

1

Em

T A B

23

0 0

œ œ œ œ œ nœ œ œ 0

2

2

0 0

Rainy Night House - 2 - 1

2

2

0

0

œ œ

œ

3

#œ œ

œ

2 0

0

1

0

2

œ

œ œ œ œ œ 0

0 0

0 0

2 0

œœ œ nœ œ œ œ œ

0

2

1

2 3

0 3

3

3

1

œ

0

3 3

œ œ œ œ 0

0

0 3

œœ œ œ œ œ œ œ

1 3

0 0

3

3

0

1 3

3

3

3

Am7

2 4

3

0

3

œ œ œ œ œ œ œ

A7sus

&b œ œ œ nœ œ œ œ nœ œ œ 16

0

1

0

2

3

4

3

Bb

134211

0 0

32

2

œ œ œ œ œ œ œ œ œ

n œœ

0

3

œ

œ œ œ

œ

F

œ

0 1

231

0

G

œ &b œ œ œ T A B

0

32 1

G

3

3

3

1

C 12

0

Am

1333

1

0

2

3

œ œ œ œ &b œ œ œ œ 8

0

œ œ œ œ œ œ œ œ

4

2

Bb

1 2

0

C

œœ œ œœ œ œœ œ œ œ œ œ .. œœ n œ n œ œ œ œ œ œ œ œ œ nœ œ 0 1 0 1 0 0 1 3 1 3 .. 0 0 0 0 2 4 0 0 0 32

0 0

0

0

2

2

2

œœ

œ

3 3

œ œ

2314

3 1 2

œ œ n œ œœ œ œ œ œ œ 3

2

4

2

2

1

5

© 1970 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

0

2

2

95

Verse: Dm 231

& b .. Ó 20

Bb

Asus

A

Asus

12341

234

213

234

j œ œ

j œ œ

Cont. rhy. simile

˙

œ

1. It was a rain - y 2.3. See additional lyrics

&b œ

Œ

231

She went

&b œ

231

Flor -

œ i

-

Œ

j œ œ

32

Up - on

& b œj œ . 231

the

4

her small,

Dm

œ œ œ œ

j œ œ.

œ white

&b w

Œ

32 1

bed

Am

32 1

231

˙

œ I

C

œ

fell

me

to

œ œ

with your

fa - ther’s

F

Bb

134211

12341

in - to

a

You

to

see

œ œ œ œ œj œ .

who in the world

I

3. Dm

˙

Ó

œ

dream.

1.2.

w

home.

œ.

œ œ

œ

œ œ

gun,

Œ

œ œ ˙.

∑

∑

.. w

Verse 2: I am from the Sunday school I sing soprano in the upstairs choir You are a holy man On the FM radio I sat up all the night and watched thee To see who in the world you might be Verse 3: You called me beautiful You called your mother; she was very tanned So you packed your tent and went to live out in the Arizona sand You are a refugee from a wealthy family You gave up all the golden factories To see who in the world you might be

Rainy Night House - 2 - 2

j #œ œ.

œ œ

Dm 231

your moth - er’s

j œ

sat

a

up

-

all

G

Œ œ œ Œ

˙

night and watched

38

and left you

C

j œ œ

i

213

da

G

lone.

33

to

Œ j œ œ œ

234

˙

-

j j œ œ œ

œ.

œ #œ

A

‰

12341

Dm 28

we took a tax

Asus

j œ œ

j œ œ

œ œ œ œ 3

night,

Bb

Dm 24

Œ

32

4

œ.

j œ œ.

j œ

might

231

˙.

be.

Œ

96

THE PRIEST

*Guitar tuning, w/Capo V: D-7-5-5-2-7

➅=D ➂=G ➄=A ➁=A ➃=D ➀=E

Words and Music by JONI MITCHELL

Moderately Π= 92 Intro: D9

D7

D5(9)

7fr.

& b 44 T A B

5fr.

œ œ œ

2 3

œ F

œ

œ

7 0

0

œ œ œ

œ

œ œ œ

2 3

œ

7

0

7

0

œ

5

7 0

0

5 0

0

œœ œœ œ œ œ œ

œœ œ

0 0

2 2

23

0

2 2

0

0

0

0

œ

œ

œœ œ

œ

2

0

2 2

0

0

œ

0

0

*Recording sounds a perfect fourth higher than written. C5(9)

&b 5

T A B

3

G/B

œ œ œ œ œ œ œ 0

0

0

3

3

2

D5(9)

œ œ œ nœ œ œ œ

0

0

0

0

0

2

Dm

&b

∑

1 2

œ &b œ œ œ œ œ œ œ

T A B

0 0

2 0

0

0

0

0 0

10 10

0

∑

10 0

0

Verse: Dm

1 2

& b .. ˙ 15

œ œ œ œ œ œ œ œ J J

priest sat in the air - port bar, 2.–4. See additional lyrics

0

0

0 2

0

0

∑

1 2

0

10

0

0

1 2

œ œ œ

he was wear - ing his

œ œ œ

10 0

10

0 0

0

10fr.

Ó

Œ

1. The œ œ œ œ œ œ œ œ œ 10

10

10 0

10 0

0

0

10 0

10fr. 1 2

fa - ther’s

w

w

w

tie. D9sus

Dm

10fr.

& b œ Œ ‰ œj œ œ œ 21

And his eyes

œ œ œ œ œ œ œ. looked in

-

to my eyes

10fr.

œ œ œ œj œ œ œ œ œ œ J J 1 2

so

‰ j œ

1 2

Dm

j œ œ.

0

Dm

3 1

œ œ œ œ œ œ œ

0

0

10fr.

10fr.

Cont. rhy. simile

0 0

2 2

œœ

Dm(4)

D9sus

10fr.

0

œ

10fr.

œ œ œ œ œ œ œ œ œ œ

10

0

0

0

2 2

Dm

3 1

10 0

œ œ œ

0

10fr.

∑

œœ œœ œœ œ œ œ

2

2 2

Dm(4)

œ œ œ œ œ œ œ

0

œ

2

10fr.

10

œœ

23

0 0

Dsus(9)

far when - ev - er the words

ran

w

1 2

The Priest - 2 - 1 © 1968 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

0

97 Dm(4) 10fr.

&b 26

Dm(4)

Dm 10fr.

3 1

10fr.

1 2

w

w

dry. Em/B

& b nœ. 31

23

3 1

œ

10fr.

Œ

Œ

1 2

œ œ œ œ œ

2

œ œ J

and the

j œ. œ ˙

˙

a priest

can,

thru.

cir - cles

And his eyes

and his eyes

D9

D7 7fr.

j & b œ œ. ˙ 43

2 3

try.

œ œ ˙.

œ œ

said

you,

D5(9)

C5(9)

&b 53

23

w

now.

G/B

D5(9)

7fr.

4

my

eyes

2 3

said let us

Dsus(9)

w

2 3

∑

23

w

3

∑

∑

2

23

∑

∑

2

∑

Ó

Œ

4. Dsus

w

. œ .

2. He 3. Then he

D5(9) 23

w

D5(9)

œ

Œ Ó

.. w 23

fess.

w

Verse 2: He said, “You wouldn’t like it here No, it’s no place you should share The roof is ripped with hurricanes And the room is always bare” I need the wind and I seek the cold He reached past the wine for my hand to hold And he saw me young and he saw me old And he saw me sitting there Verse 3: Then he took his contradictions out And he splashed them on my brow So which words was I then to doubt When choosing what to vow Should I choose them all Should I make them mine The sermons, the hymns, and the valentines And he asked for truth and he asked for time And he asked for only now Verse 4: Now the trials are trumpet scored Oh, will we pass the test Or just as one loves more and more Will one love less and less Oh, come, let’s run from this ring we’re in Where the Christians clap and the Germans grin Saying let them lose, crying let them win Oh, make them both confess The Priest - 2 - 2

A5(7)

5fr.

3. D5(9)

and

me

j j œ. œ œ œ.

Œ œ œ œ. J

w

œ J

said

8fr.

1 2

1.2.

œ.

œ Œ Œ œ œ ˙

w

1 2

2

Dm(4)

‰ œJ œ œ ˙

he

10fr.

10fr.

&b ˙

blue,

Dm

D9sus 37

j œ

œ œ. J

23

Dsus(9)

œ œ œ œ ˙ J

as on - ly

‰ œj œ

Fmaj9

Be - hind the lash

D5(9) 23

looked

Dsus(9)

Dm

∑

∑

98

BLUE BOY Standard tuning Piano arranged for guitar

Words and Music by JONI MITCHELL

Moderately Π= 104 Piano (arr. for gtr.)

& 44 œ F

T A B

œ

œ

0

2

Intro:

œ. w

œ 0

3

2 0

T A B

1

0

1

2

0

0

1

0

C

œ œ œ

& .. Œ

œ

1. La - dy called the 2.3. See additional lyrics C

& Œ

32 1

œ

231

œ

˙

blue

boy,

Made him - self

an

œ

231

œ

i - dol,

& œj œ -

elled

Blue Boy - 2 - 1

to place

œ œ

her

flow

0

3

œ

1

0

œ 0

3

G

Gsus(9)

œ œ œ œ œ œ œ œ œ 0

0

œ

0

0

0

2

0

3

32

œ

œ.

4

love,

j œ œ.

231

j œ œ

œ

1

3

œ œ œ œ. she took him

Ó

˙

home.

F

E

231

3

1 3

Am

œ œ œ

œ œ

œ

G

Dm 14

2

Am

32 1

10

1

3

Verse:

6

œ œ œ œ œ œ 0

œ

œ

œ

3

0

0

w œ

0

Gsus(9)

œ œ œ œ & œ œ œ œ ˙ ˙

C (9)

0

3

2

3

Am

3

j œ

j j œ œ œ

Dm

yes,

œ

so he turned

to

j œ

stone.

œ

Am

j œ œ. -

œ . œ œ œ . œj

3211

ers

œ.

j œ

be - fore

Like a

pil - grim, she

G

231

œ

œ œ œ œ œ œ

œ

his

œ. gran

-

œ J

ite

32

œ.

4

j œ ˙ grace,

© 1969 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

trav -

99

Œ

18

& ˙

Bb

Dm7

1333

211

œ œ

œ

and she prayed

Œ

22

& œ

his

œ œ

a - loud

œ œ œ œ

in

for

4

& œ œ œ ˙.

œ

œ

love

to

Dm

C

w

32 1

˙.

231

face,

wak

-

en

in his

4

˙

face,

Am

œ bœ œ 3

231

œ.

œ ˙.

3.

∑

..

∑

Verse 2: Sometimes in the evening He would read to her Roll her in his arms And give his seed to her She would wake in the morning Without him and go to the window And look out through the pain But the statue in her garden He always looked the same He looked the same, oh Verse 3: Bring her boots of leather And she will dance for him Shyly, from a feather fan She’ll glance for him Here he comes after midnight To find her again He will come a few times more Till he finds a lady statue Standing in a door In her door, oh

Blue Boy - 2 - 2

œ œ œ œ œ œ œj œ . 32

oh.

1.2.

G 26 32

œ œ œ

G

∑

∑

100

BIG YELLOW TAXI Guitar in Open E tuning: E-7-5-4-3-5

➅ = E ➂ = G# ➄=B ➁=B ➃=E ➀=E

Words and Music by JONI MITCHELL

Bright Π= 172 Intro: A

A6

5fr.

A

A6

5fr.

A

5fr.

B

5fr.

B6

5fr.

7fr.

B

B6

7fr.

B

7fr.

E

7fr.

7fr.

## & # # 44 Û ¿ ¿ Û Û Û ¿ Û ‰ Ûj ¿ Û Û Û ¿ ¿ Û ¿ ¿ Û Û Û ¿ Û ¿ Û ¿ Û Û Û ¿ Û > > > > > > > > > F> 111111

A (9) 5

&

####

131111

111111

E7sus A (9)

2 1

3 1

A

2 1

111111

131111

111111

5fr.

E

j œ œ

111111

a

j œ œ

‰

3 1

2 1

œ J

3 1

it

&

œ al

œ

j œ œ

111111

and

a

œ - ways

œ

œ

swing

seem

to

go

Œ

-

A (9)

E

Ó

Œ

2 1

A (9) E

2 1

2 1

œ œ

with a E7sus A (9)

j œ œ.

2 1

3 1

ing

21

œ

till

œ

A6

A

it’s

œ

gone?

‰

j œ

They

111111

œ

œ

paved

A 5fr.

œ

œ

that you

5fr.

œ

1. They

A (9)

E

2 1

hot

j œ œ

Œ

2 1

E

Ó

spot.

A (9)

œ

2 1

E

B7sus

####

‰ œj

Œ

2 1

E

3fr.

Don’t

20

Ó

Ó

3 1

A (9)

‰ œ œ œ

bou - tique,

j ‰ Œ œ 2 1

Emaj7

#### œ . & 17

111111

A (9) E

E

A (9) E7sus A (9) E

Chorus: E5

131111

7fr.

131111

j j œ œ œ a

2 1

E

7fr.

111111

pink ho - tel,

A (9)

lot,

B

7fr.

131111

E7sus

j œ

park - ing

B6

B

5fr.

A (9)

E

131111

put up

A6

A

111111

5fr.

j œ œ œ œ œ œ

‰

131111

Û Û Û Û Û Û Û Û

A6 5fr.

paved par - a - dise, 2.–4. See additional lyrics

&

E

2 1

A

5fr.

# # # # .Cont. rhy. simile . . œj j œ & œ œ ####

111111

A (9)

E

2 1

A6

5fr.

13

A (9)

E

111111

Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û > > > >

Verse:

9

131111

131111

œ

E

œ

œ

don’t

know

2 1

œ

111111

par - a - dise,

Œ

what

7fr. 111111

œ

put

j œ œ

you’ve

B6

B

5fr.

œ

B 7fr.

œ

up

œ a

131111

œ

park

j œ

got E

7fr.

j œ œ

111111

-

ing

Big Yellow Taxi - 2 - 1 © 1970 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

j œ

lot.

101 1.2.3.

23

&

E

A (9)

œ

2 1

####

A (9)

E7sus

Œ

Ó

3 1

A (9)

E

2 1

A (9)

E

∑

2 1

E

2 1

A (9)

E7sus

2 1

3 1

A (9)

∑

E

2 1

4. A (9)

#### Ó & 26

A (9)

E

Œ

2 1

œ œ J

it

111111

A

œ

E

Œ

E

œ

œ œ

B6

B

5fr.

7fr.

Œ

111111

œ

œ

œ œ œj œ

2 1

that you don’t know what

E

5fr. 131111

œ

j œ

2 1

111111

E

B7sus

B

œ

œ

up

A (9)

E

œ a

131111

got

park

‰ œj

œ

till it’s gone? A (9)

E

They A (9)

E7sus

7fr.

j œ œ.

111111

œ

U

j œ œ œ œ 21

you’ve

7fr.

put

par - a - dise,

œ

said,

-

Œ

2 1

œ

ing

3 1

Ó

2 1

lot.

2. A (9)

A (9)

E

2 1

Ó

E

j .. œœj œ Ó

2 1

Œ

E

‰

They E

B

B6

7fr.

B 7fr.

7fr.

#### ◊ & j œ œ œ œ nœ œ. 111111

put

‰

2 1

E

I

to go

1.

39

Ó

2 1

A (9)

lot.

œ œ œ

œ œ

al - ways seem

5fr.

paved

&

Ó

3 1

A (9) E

E

A (9)

2 1

A6

A

####

‰

Emaj7

don’t

36

2 1

A (9)

E7sus

3fr.

3 1

## & # # ..

.. . œ

2. They

#### . œ &

33

A (9)

E

j œ

‰

2 1

E5 29

E

131111

up

a

park

Verse 2: They took all the trees Put ’em in a tree museum And they charged the people A dollar and a half just to see ’em (To Chorus:)

Big Yellow Taxi - 2 - 2

œœ

Bop, bop,

111111

-

ing

j œœ

2 1

E

j œœ

bop,

Œ

2 1

œœ ..

bop.

E

√ ‰ Jœ

Œ

Ó

3 1

2 1

5fr.

œ

paved

A 5fr.

111111

They

2 1

A6

A

A (9) E7susA (9) E A (9) 2 1

œ

A (9)

131111

œ

œ

œ

E 5fr.

111111

œ

œ

Œ

par - a - dise, E

∑

∑

lot.

Verse 3: Hey, farmer, farmer Put away that D.D.T. now Give me spots on my apples But leave me the birds and the bees. Please (To Chorus:)

Verse 4: Late last night I heard the screen door slam And a big yellow taxi Took away my old man (To Chorus:)

102

THE CIRCLE GAME *Guitar in Open G tuning, w/Capo IV: D-5-7-5-4-3

Words and Music by JONI MITCHELL

➅=D ➂=G ➄=G ➁=B ➃=D ➀=D Moderately Œ = 120 Intro: Bm( b 6)

Bm( b 6)

Am7

Bm( b 6)

Am7

Am7

C (9)/G

G

G

# & 44 œœ œ œ œ œœ œ œ œ œœ œ œ œ œœ œ œ œ œœ œ œ œ œœ œ œ œ œ œ œ œ œœ œ œœ œ œ œ œ œœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ P 23 1

T A B

3 0

23 1

4

4

0

3 1 0

23 1

2

2

0

0

3 0 4

23 1

3 1 0

0

4

23 1

2

2

0

0

3 0 4

23 1

0

4

3 1 0 2

2 1

0

1

0

2

0

0

0

0 1

0

1 0

0

0

0

2

0

0

0

0 0 0

0

0

0

0

*Recording sounds a major third higher than written.

Verse:

C (9)/G

# . Cont. rhy.œ simile & .œ œ

˙

‰ œ J

6

1. Yes - ter - day 2.–4. See additional lyrics

œ œ J

2 1

a

child

came out

j œ

œ.

to

won

C (9)/G

# & œ

œ

10

caught

a

œ

drag - on

œ J

2 1

-

fly

# & œ

œ

14

Œ

œ œ

Fear - ful

when the

*C

in

œ

2 1

# & œ

11111

-

sky

was

œ

œ

œ

œ

tear - ful at the fall - ing *Overhand Barre. Reach left hand over neck.

The Circle Game - 2 - 1

G

* Bm

side

full

of

Bm( b 6) Am7

G

œ

œ

j œ

œ œ œj œ .

5fr.

18

œ J

C (9)/G

G

œ J

2 1

-

œ œ. J

23 1

23 1

of

a

G

˙.

˙

Am/D

w

214

a

Œ

der,

D7

œ.

œ

C (9)/G

G

D7sus Am/D D7 D7sus

˙.

213

21

213

Œ

214

21

jar.

G

j œ œ.

œ œ. œ

1111

˙

œ œ œ œ

thun der *Overhand Barre. Reach left hand over neck. G

œ.

C (9)/G

œ ˙.

2 1

star.

and

G

˙

Œ

© 1966 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

œ

œ

And the

0

Bm( b 6)

Chorus: 22

&

#

œ

‰ œj œ

œ

sea - sons,

they go

# & Œ

2 1

23 1

’round

and

Bm( b 6)

G

œ œ. œ

23 1

C (9)/G

26

Am7

œ

œ

’round,

and

œ

œ œ œ œ œ

œ

the

paint - ed

C/G

œ œ œ œ œ œ

We’re cap

-

tive on the

C (9)/G

œ

2 13

po

nœ œ œ ‰ J œ

car - ou - sel

C (9)/G

nies go

G

23 1

up and

˙

down.

G

˙.

œ œ ˙

Œ

time.

Bm

G

œ œ. J

2 1

œ

of

-

Am7

23 1

C (9)/G

G

C/G

103

C

G

5fr.

30

&

#

‰ œJ œ œ œ . 2 1

We can’t re - turn,

œ œ œ

2 13

we can

&

# œ œ œ ’round and

4. G 38

&

#

œ J

# & œJ

œ œ œ œ ’round

C (9)

on - ly

œ.

˙

game. C (9)/G

œ.

and

23 1

’round

1.–3.

2 1

game.

œ

œ œ œJ œ .

the cir - cle

œ J

œ.

2 1

game.

‰

˙

œ And

C (9)

w

2 1

œ J

go

œ.

’round G

w

‰ œ œ œ

came

C (9)/G

and

go

G

˙

œ

Œ

Ó

Am7

œ J œ œ œ œ

and

C (9)/G

’round G

and

23 1

2 1

Verse 3: Sixteen springs and sixteen summers gone now Cartwheels turn to carwheels through the town And they tell him take your time, it won’t be long now Till you drag your feet to slow the circles down (To Chorus:) Verse 4: So the years spin by and now the boy is twenty Though his dreams have lost some grandeur coming true There’ll be new dreams, maybe better dreams, and plenty Before the last revolving year is through (To Chorus:)

2 1

œ.

’round

C (9)/G

Verse 2: Then the child moved ten times ’round the seasons Skated over ten clear, frozen streams Words like “when you’re older” must appease him And promises of someday make his dreams (To Chorus:)

The Circle Game - 2 - 2

œ.

11111

Bm( b 6)

G

˙

G

Am7

in

œ

be - hind from where we

23 1

œ

œ

1111

look

G

2 1

G 42

2 1

Bm( b 6)

G 34

œ œ œ ‰ ‰ j œ œ J

G

w

œ œ œJ œ .

in the cir - cle

..

104

WOODSTOCK *Standard tuning To match recording, tune down 1/2 step:

Words and Music by JONI MITCHELL

Moderately Π= 108 Em

#4 & 4

∑

23

#4 ˙ & 4 ˙ œ œ œ œ P

Piano (arr. for gtr.)

0 0

T A B

%Verse: Em

0

2

2

2

∑

∑ œœ ˙˙ œœœ œœœ œ

œœ œ 0 0

2

0

3 2 2

0 0 2

2

0

0 0

2

2

3 2 2

2

0

*Recording sounds a half step lower than written.

0

2

0 0 2

2

2

0

3 2 2

0

2

2

2

0

2

2

2

0

2

2

2

2

2

0

2

A7sus

# . Cont. piano figure simile & .œ œ œ œ 23

6

2

Œ ‰ j œ

˙˙ œ ww œ œ œ œ œ œœœ œœœ œœœ œ œ œ œ œ

0 0 2

Ó

1. I

œœ ˙˙ œœœ œœœ œ

œœ œ

∑

œ

œ

came up - on 2.3. See additional lyrics

a

œ

child

œ

œ

of

God.

j œ ‰

œ

He

œ

2 34

œ

was

œ

œ

walk - ing

œ

œ

a - long

œ

œ

the

Em

# ˙ &

Œ

9

œ œ

road,

13

&

and

# j œ œ.

I

‰

Ó

j œ œ œ œ

asked

˙

me:

j ‰ œ œ . œ him,

Œ

‰

j œ œ

“Where are

“I’m

œ. œ œ

œ

you

go - ing?”

j œ œ

go - in’ on

œ œ

23

and this

œ œ

down

to

j œ œ.

œ

Yas

he

j œ œ

-

gur’s

˙

told

j œ œ œ œ œ

Farm.

I’m gon - na

A7sus 17

&

#

2 34

œ

join

œ

in

œ a

œ

rock

œ

œ

’n’

œ

Œ

œ

roll

band; Em

# œ. œ & œ 20

land;

Woodstock - 3 - 1

œ œ œ bœ œ œ œ

I’m gon-na try and

get

œ

my

I’m

œ

œ

gon - na

œ œ. œ camp

Œ

œ

out

on

œ

the

To Coda fi

j œ. œ ˙

23

œ

œ

soul

j œ. œ ˙

∑

Ó

free.”

© 1969 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

œ œ

We are

105

Chorus: A7sus

25

&

#

Em

œ œ. œ

œ.

2 34

star

œ œ œj œ.

-

&

#

œ.

œ œ

dust,

D 30

Œ

we are

Œ

œ

j #œ

23

œ œ. œ œ œ.

œ œ œ

selves

back to the

gold

-

œ J

˙

œ

œ

en,

and we’ve

&

#

gar

∑

2 34

-

∑

˙

den.

our -

w D.S. % al Coda

2.

Ó

Œ

œ

2. Then

..

œ

∑

Em

#

get

23

j œ œ.

j œ ˙

œ.

fi Coda

Chorus:

& bœ œ œ œ 39

got to

Em

1. 35

j œ œ œ œ œ œ.

23

A7sus

Em/B

132

œ œ. J

j œ œ.

23

bove our

˙

na

˙

-

Œ

œ

tion.

j œ œ.

œ

œ

We

are

œ.

star

œ œ

-

A7sus

# j & œ œ. 43

2 34

-

dust,

œ

Œ

œ œ œœœ œ œ

œ

bil - lion year

old

car

-

œ œ

˙.

œ œ œ œ œ

bon. We are

gold

-

Em 48

&

#

j œ œ œ œ œ œ

caught in

the

dev

-

&

#

2 34

œ.

gar

œ

bar

-

G

A7sus

52

il’s

j œ

j œ œ.

œ J

32

œ

œ

gain, and

j œ œ œ œ œ œ.

we

got

˙

œ J

œ.

-

en,

to

get

our

132

-

œ

Œ

œ. œ

œ

selves

back

to

the

A7sus

Em 4

Œ

D

23

œ

˙.

œ œ. J

23

˙

w

∑

2 34

∑

den. Em

58

&

#

Woodstock - 3 - 2

∑

∑

∑

˙

23

Oh,

œ.

œ œ œ œ. J

doo,

œ.

#œ J

106 A7sus 63

&

Em

# #˙

œ œ œ œ œ.

œ.

2 34

doo,

Ó

Ó

‰ œJ

Œ

23

doo.

2 34

doo,

doo,

œ

doo, doo,

A7sus

&

#

œ

nœ #˙

œ œ œ

œ.

3

Em/B

3 3 # œ. œ œ œ œ #œ œ œ œ &

70

œ œ œ œ

Oh,

A7sus 67

œ

Œ

œ œ œ œ œ

‰

doo,

doo,

Em

‰

2 34

#œ. œ œ. œ

doo, doo, doo,

23

doo,

doo,

doo,

doo,

doo,

doo,

Œ

œ œ œ œ

2 34

‰ œ œ

doo, doo, doo,

doo,

Em 73

&

77

& T A B

#

#

œ œ

œ œ

œ

doo,

doo,

doo.

23

Œ

œ #œ 2

3

˙

w

œ œ œ ˙ 3

0

3

˙

w

j œœ œœ

j œœ œœ

0 0

0 0

0 2

0

2 0

∑

œœ

œœ

œœ

˙˙

ww w

3 3

5 5

7 8

10 10

12 12 11

2 0

Verse 2: Then can I walk beside you I have come here to lose the smog And I feel to be a cog in something turning Maybe it is just the time of year Or maybe it’s the time of man I don’t know who I am But life is for learning (To Chorus:) Verse 3: By the time we got to Woodstock We were half a million strong And ev’rywhere was song and celebration And I dreamed I saw the bombers Riding shotgun in the sky Turning into butterflies above our nation (To Coda) Woodstock - 3 - 3

#œ œ

A7sus

œ œ œ œ œ . œ œ œ œ # œ3 œ

œ œ

œ

23

w 0

108

ALL I WANT

*Guitar tuning: E b-5-5-5-4-5

➅ = Eb ➂ = Gb ➄ = Ab ➁ = Bb ➃ = Db ➀ = Eb

Words and Music by JONI MITCHELL

1.

# & # 44 ..

2.

12-bar Dulcimer Intro:

..

3

6

*Recording sounds a half step lower than written. Joni plays dulcimer on this song.

% Fast Π= 142 Verse:

A

D

F #m

D

# & # .. œ œ œ œ œ œ œ œ 12

132

123

1. I am on a lone 2.3. See additional lyrics

132

-

ly

road

G 5fr.

&

##

œ œ œ œ œ

ing,

&

##

œ

Ó

hate

‰

G

3111

13421

F #m

œ

231

132

j œ œ I

G 5fr.

hate

3fr. 3211

œ

you some,

C

A/C #

Bm

3111

13421

I

14231

D

A 123

what

can

4 ‰ jŒ 4 œ

j œ 132

œ

it

love

14231

13121

j œ œ œ œ

œ.

you

# & # œj œ ‰ ‰ œj œ œ 42 œ œ œ

44 ˙

Œ ‰ œj œ œ œ œ œ.

love you

32 1

when I for - get

A 123

long,

j œ œ œ œ œ

# & # œ

123

jive.

1 243

I want to be - long

A 32

a - bout

œ

132

I want to wreck my

All I Want - 2 - 1

-

stock - ings in some

œ J

123

‰ œj œ

œ

123

A - live,

œ œ

a - live,

D

œ

juke - box

œ

132

dive.

j œ œ œ

Oh,

jœ œ œ œ œ 21

I want to laugh a Em9

1 243

œ œ œ 21

œ œ œ œ

I want to get up and A

œ œ œ

Do you want,

œ œ

I

Em9

Bm7

ing.

A

j j‰ œ œ œ œ œ 1 243

I want to be strong,

A

œ œ œ J œ

Bm7

j œ œ œ œ œ

me.

21

to the liv

1 243

˙

Em9

Bm7

# & # œJ œ 28

123

‰

some.

Bm7

32

œ œ

Oh, I

Bm(maj7) Bm7

D

32 1

Œ

be?

A

23

1 31 21

trav - el - ing, trav - el - ing, trav- el -

32 1

j œ œ.

œ

Bm(maj7) Bm7

œ œ. œ œ œ. œ œ œ œ

œ.

C

32

D

you some,

C

Bm

am

G

Look-ing for some - thing,

123

œ

I

A/C #

‰ j ‰ j 42 ‰ œ œ œ œ œ œ

trav - el-ing.

œ

3211

and

32 1

A 19

j j œ œ

j œ œ

231

C 15

3fr.

G

œ œ œ œ œ œ œ 123

32

do you want, do you want

© 1971 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

109

A/C # 36

&

##

A

G/B

‰ œ œ œ œ œj œ

œ œ œ œ œ œ œ œ œj œ 123

3111

to dance

with me, ba

-

C

1

by?

34

œ œ œ Œ J

32 1

Do you want to

take a

chance on

1.

Bm7

# œ œ & # J 40

œ œ œ œ J

1 2 43

sweet

ro

-

œ œ J

mance

with me,

j nœ œ œ œ œ ba

-

2.

C

Bm7

123

1 243

Well, come on.

&

##

3fr.

∑

1333

.. œ

∑

fi Coda

123

&

##

∑

1 243

œ œ ˙

Well, come on.

D

50

w

w

132

œ

˙.

123

32

Hmm,hmm,

j œ œ

32 1

want

&

to

œ make

œ J

œ

œ J

you

feel

˙

œ

œ free,

œ

œ œ œ œ œ

1 243

32

hmm,

C6

123

1 243

4231

w

w

1.

œ

œ

I wan -na make you

Bm7

j œ ˙

œ.

# & # ..

hmm,

A

free.

62

œ ˙ J

œ.

123

Bm7

## ‰ & ##

G/B

j œ

j œ œ

Ó

free.

∑

A

3111

C

58

∑

1333

G A/C #

A

feel

55

D.S. % al Coda

C

3fr.

44

∑

œ œ ˙

Bm7

A

may - be find-ing some

A

œ

by?

‰ Jœ œ œ œ œ Œ

œ

œ

feel

Œ

Ó

2. 12-bar Dulcimer Ending:

4

Verse 2: All I really really want our love to do Is to bring out the best in me and in you too All I really really want our love to do Is to bring out the best in me and in you I want to talk to you I want to shampoo you I want to renew you again and again Applause, Applause–Life is our cause When I think of your kisses My mind seesaws Do you see do you see Do you see how you hurt me, baby So I hurt you too Then we both get so blue All I Want - 2 - 2

..

4

Verse 3: I am on a lonely road and I am traveling Looking for the key to set me free Oh the jealousy the greed is the unravelling It’s the unravelling And it undoes all the joy that could be I want to have fun I want to shine like the sun Want to be the one that you want to see I want to knit you a sweater Want to write you a love letter Want to make you feel better make you feel free Hmm hmm hmm hmm Want to make you feel free I want to make you feel free

œ

110

MY OLD MAN

Standard tuning Piano arranged for guitar

Moderately Œ = 107 Intro: D

A/D

E7sus

D/E

Words and Music by JONI MITCHELL

Asus 2fr.

132

23

2 3

1124

132

# # # 4 œ œœ œœ œœ œœ œœœ œ & 4 œ œ œ œ œ œ œ œ œ œ œ œ œ F Piano (arr. for gtr.)

T A B

2 3

3

0

0

0 2

0

0

2

0

2

E7sus

# # # Cont. rhy. simile Ó œ œ œ œ & 132

5

4

% Verse:

D

0 0

3 2

1. My

old

D

.. œ 2 3

3 2 4

2

0

5 3 2 0

œœ œœ œœ œ œ œ œ œœ œœ œ œœ œœ œ œ œ œ œ œ œ œ œ œ œ œ 5 3 2

2

0

2

5 3 2

0

0

0

A

D/E

œ œ œ

œ.

123

(4.) man, he’s a sing - er in 2.3. See additional lyrics E7sus D/E

2 2

0

## & # Œ

132

2 3

the

œ œ œ œ œ œ œ

He’s a walk - er

in

the

rain,

œ

D

˙

132

We don’t

œ œ œ J need

E7

œ œ

3211

2 1

and

true.

œ

er in the

pa - per from the

cit - y

j œ

œ œ ‰ œj œ œ œ

132

old

man,

œ

keep-ing

1.

&

###

2 3

œ

Œ

œ #œ œ œ

Keep - ing

œ œ

tied

D/A

œ œ œ

œ œ œ

123

a - way

us

132

my

blues.

2.3.

A 20

To Coda fi

A

œ

Œ

dark.

hall.

œ œ

3211

2 1

˙.

D/E

123

My

j œ œ

nœ #œ

A

132

3fr.

3211

œ œ œ œ œ

-

Am7 G/A 3fr.

E7sus

œ

0

Ó

G/A

2 1

œ.

he’s a danc

1 2

no piece of D

## j & # n œ œ œj œ œ œ 16

œ ˙

2 3 2

0

˙

Am7

A7

## œ & # œj 13

œ œ

2 3 2

park.

G/A

132

2 3

132

3fr.

9

0 2

D/A

œ J

132

œ œ

2

5 3 2

D/A

w

123

132

D

A

Œ

. œ œ . œ

132

œ

2. He’s My Old Man - 2 - 1

œ

my

œ

œ

sun - shine

œ in

123

the morn -

œ But

œ

œ

œ

when

he’s

© 1970 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

111

Bridge: G #m7

F#

4fr.

### j & œ #œ. 23

131111

œ œ œ #œ

gone,

C# 27

&

###

me and them lone C #m7

4fr.

12341

œ

j œ œ

-

some

j #œ ˙

‰ œj œj # œ .

134211

œ

blues

‰

˙.

col - lide.

B

The

A7

D

4fr.

#œ

‰ j œ œ

13121

œ

bed’s too

big,

the

w

œ

œ œ œ

fry - ing pan’s

˙

12341

too

Ó

1 2

∑

132

wide.

D.S. %

1. E7sus 32

&

###

D/E

∑

2 3

&

###

A

132

∑

123

Ó

œ

&

###

œ

man, A

42

&

###

œ

œ

keep-ing

D/A

2 1

and

œ œ

œ œ A

Œ

œ J

123

a - way

D/A

my

j œ œ œ œ true.

132

w

123

## œ œ œ & # œœ œœ œœ œ œ œ

œœ œ œ

œœœ œ

œœœ œ

œœ œ œ

œœ œ œ

T A B

0

0

0

0

0

0 2 2

0 2 2

2 3 2

0

0

0

2 3 2

0 2 2

0 2 2

2 3 2

2 3 2

˙

lone Bm

œœ œ œ

œœ œ œ

œœ œ œ

5 5 6

7 7 7

7 7 7

5

5

7

7

0

0

0

2 3 2

A 7fr.

œœ œ œ

˙˙˙ ˙ 0 2 2

œ J

123

-

134211

œœ .. œ. œ.

Verse 2: He’s my sunshine in the morning He’s my fireworks at the end of the day He’s the warmest chord I ever heard Play that warm chord, play and stay baby We don’t need no piece of paper from the city hall Keeping us tied and true My old man, keeping away my blues (To Bridge:) My Old Man - 2 - 2

Ó

‰

œ My

6

123

j œœœ œ 0 2 2

No,

œ œ œ œ œ œ

œ J

132

A

132

Œ

123

j œ œ œ old

D/A

A

5fr. 123

comes home

A

132

D/A

œ

j œ œ œ œ .. œ

‰

132

D

old A

132

∑

132

3. Then he

## j & # nœ œ 37

D/E 39

D

E7

œ

4. My

D/A

fi Coda

D.S. % al Coda

2.

36

j œ

5 5 6

134111

Bm 5fr.

∑

134211

œ J

some

134111

œœ œ œ

œœ œ œ

œœ œ œ

5 5 6

7 7 7

7 7 7

5

5

7

7

Bm 5fr.

134211

˙

blues.

A 7fr.

œœ œ œ 5 5 6

œ

132

A 7fr.

134111

j œœ œ œ

œœ .. œ. œ.

5 5 6

7 7 7

5

7

∑

5fr. 134211

Verse 3: Then he comes home And he takes me in his loving arms And he tells me all his troubles And he tells me all my charms We don’t need no piece of paper from the city hall Keeping us tied and true No, my old man, keeping away my blues (To Bridge:)

˙˙ ˙ ˙ 5 5 6 5

112

LITTLE GREEN

*Guitar in Open G tuning, w/Capo IV: D-5-7-5-4-3

➅=D ➂=G ➄=G ➁=B ➃=D ➀=D

Words and Music by JONI MITCHELL

Moderately Π= 107 Intro: Gmaj7

Gmaj7/B

Am11

23 1

23 1

# 4 œœ œ œœ œ œ œœ œœ œ & 4 œ œ P 34

4 3

T A B

0

Verse: %Gmaj7

# & .. Ó

34

5

3 0

4 3 0

0

0

0

0

Am11

23 1

23 1

˙

1. Born 2.3. See additional lyrics

Gmaj7/B

4

&

0

œœ œœ œ œ œœ œ œ œ œ œ

œœ œ œ œ œ œ œ œ œ œ

0 0

0 0

0

1 2

her a

j œ œ œ œ

name

shewill

œ œ œ œ œ Œ fade

&

2.3.

&

#

œ

1

form end

0

0

0

0

0

0

0

0

w

Can - cer.

call

Am11

˙

‰ œ œœ œ

2 4

to.

œ.

111111

her

Gmaj7/B

˙

œ

23 1

Call

1

œ œ ˙ - er. ing. } -

green

for

the

Am11

chil

-

œ œ œ œ. œ œ.

and the win-ters can-not

Œ

œ œ œ œ œ œ œ œ

dren

r ‰. œ œ œ œ œ œ. œ

23 1

1

danc

who’ve made

1

œ

-

er.

Bb

C

Just

a

lit - tle

œ œ. J

111111

green,

..

∑

˙

Chorus:

œ. œ œ œJ

her. Lit - tle

G (9)

Gsus

N.C.

Œ

œ.

23 1

her green,

œ œ œ œ œ J

be a gyp - sy

G (9)

Choose

G9

1

‰ œj œ

Ó

C

œ œ œ

her,

in

Gmaj7 34

5fr.

21

0

21

œ œ œ œ ˙

œ ˙ J

an - swer

green,

Gsus

0

HH

1.

34

0

Gsus(9)

1

G (9)

1

3

# ˙

1 2

0

0

G (9)

1

with the moon

Gsus

23 1

Gmaj7 17

1

0

Gsus

5fr.

#

2

2

G 14

0

1

0

œ œ œ œ œ

Am11

œ œ œJ œ

23 1

0

4

Gmaj7/B

‰ œ.

# & œ.

21

*Recording sounds two whole steps higher than written.

Cont. fingerpicking simile

10

0

G

HH

œ œ œ œ œ œ œ œ œ œ

0

0

Gsus(9)

‰ œ like

j œ b œJ œ 11111

the

col - or

œ œ œ J J

when

© 1967 (Renewed) CRAZY CROW MUSIC Little Green - 2 - 1 All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

the

j nœ

spring

113 G

Gsus

# & n œj œ . 25

is

G

1

˙

born.

‰ œj œ

˙

G (9)

Gsus

Gmaj7/B

Am11

œ J

œ

23 1

There’ll be

cro - cus

N.C.

-

j œ œ.

j œ

es

to

&

#

j j œ œ œ.

œ. 1

mor

-

33

row.

Just

Gsus

G

#

& nœ

œ œ ˙

Lights

# & œJ œ . 37

œ

23 1

-

23 1

times

lit - tle

j œ œ 1

there’ll

œ

œ

23 1

œ

i

-

G (9)

Gsus

œ

green,

There’ll be

1. Am11

be

‰ œ

111111

sor

œ œ œ

‰

ci - cles

the

j œ

and

&

# -

˙ G

45

&

#

w

œ

œ œ œ

˙

Gsus(9) HH

21

w

œ

œ

HH

21

row.

be

j œ ˙

sor

Gsus(9) HH

˙

21

w

row. G

w Gsus(9)

G

HH

∑

œ

œ

birth - day clothes and some-

j œ œ

Ó

˙

21

Verse 2: He went to California Hearing that everything’s warmer there So you write him a letter and say her eyes are blue He sends you a poem and she’s lost to you Little Green, he’s a non-conformer (To Chorus:) Verse 3: Child with a child pretending Weary of lies you are sending home So you sign all the papers in the family name You’re sad and you’re sorry but you’re not ashamed Little Green, have a happy ending (To Chorus:) Little Green - 2 - 2

œ

23 1

Gsus(9)

G 41

œ

œ œ œ

nights when the North - ern

D.S. % 2.

21

-

to -

Am11

HH

j j œ œ œ.

j œ

to school

11111

like

Gsus(9)

1

bring

j œ bœ

Gmaj7/B

Œ

˙

per - form.

Gmaj7/B

a

G

1

œ œ. J

œ. œ œ œJ

Œ

1

œ œ. J

Bb

C 5fr.

29

œ.

23 1

∑

U ∑

-

114

CAREY *To match recording, tune guitar and dulcimer down 1/2 step *To match recording, tune down 1/2 step DULCIMER TUNING :

BASS

=D

MIDDLE

=A

DOUBLE

=A

Words and Music by JONI MITCHELL

Moderately in 2 Ó = 78 Intro:

# & #C *

∑

∑

∑

Dulcimer œ œ œ œ œ œ œ œ œj ## C œ œ ‰ œ œœ œœ ‰ œ œ œ œ œœ œœ ‰ œ œ & J J F I

T A B

5 Th 0 6

# & # ..

5 0 6

5 0 6

4 0 5

134

œ

œ

œ œ

wind is in from Af 2.–4. See additional lyrics

# & # œJ œ 21

œ œ J

3

sure is

-

132

hard

to

œ

j œ œ œ œ

œ œ

are

G

# . & # œ

3

miss

œ

œ

œ œ

my clean, white lin

filth D

œ

132

-

&

##

œ œ œ œ œ œ œ

Car - ey, get Carey - 2 - 1

123

œ

œ

out

œ œ œ œ

Last night,

I could - n’t

your cane,

sleep.

‰

nœ œ œ

but it’s real - ly

not my

œ œ œ y,

‰

j œ œ

j œ œ œ œ

œ

beach

tar

on my

‰ œj œ . œ œj œ œ œ œ

j œ ˙

123

132

˙

fan

-

cy

j œ œ œ

oh, and

I’ll

¿¿ ¿

A

123

123

French co - logne.

j œ œ

Œ

Asus

A

123

123

123

j œ œ.

feet,

and

I

‰ œj n œ œ

˙

Oh,

A

œ

3 0 4

" T "

Asus

w

To Coda fi

‰

:

3 0 4

œ œ œ œ

home.

A

en and my

3 0 4

A

123

I’ve got

3 0 4

Oh, you know it

Asus

134

¿¿ ¿

j œ ˙

123

œ œ œ œ

here, Car - ey,

-

j œ œ

1. The

Œ

œ

A

D

Chorus: 21

123

‰ j œ

¿ œ œ œ ¿ œ ¿¿ œœ œœ œœ ¿¿ œœ

: - T "

A

Œ

132

leave

"

Asus

D

œ œ

My fin - ger- nails

21

1 0

Dsus

# & # ‰

17

1 2 0

ri - ca.

D 13

4 0 5

œ œ œ

œ

G 9

4 0 5

Dsus

132

œ

4 0 5

Œ

j œœ ‰ œœœ ¿¿¿ œœœ œœœ œœœ ¿¿¿ œœœ œœœ œ ¿¿ 3 3 3 ¿¿ 3 3 1 3 0 0 ¿ 04 04 04 ¿ 04 04 2 4

: - - - " : " - " : " : " : - : : - T " : " T *Recording sounds a half step lower than written. Joni plays dulcimer on this song.

% Verse: D 5

5 0 6

Ó

œ œ œ œ œ œ

put

on

some

sil

123

œ -

˙

ver.

© 1971 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

Œ

115 G 25

&

##

21

A7

D

j œ œ œ œ œ œ

j œ œ œ œ œ œj œ

3

Oh,

132

you’re a mean, old

&

##

-

j œ

˙

D

G/D

&

œ

I’ll D 35

&

##

&

##

œ œ œ

fé, have

21

˙

you

w D.S. % al Coda

‰

fine.

A

œ œ œ. œ

œ œ

put

on

my

fun

j œ œ

j œ œ œ Œ

sil

-

to

-

‰

j œ

4. The

21

ver;

œ œ œ œ œ œ ‰ œj

go

3

to

the

Mer - maid

Ca -

A

j œ ˙

132

œ

Œ

G

D

123

œ

.. ˙

œ œ œ

2. Come on 3. May - be

123

fin - est

j œ

œ.

night.

˙

‰

j œ œ I

said,

123

œ

oh,

œ œ œ

you’re a mean,

œ œ old

D 3

œ œ œ

dad - dy,

but

œ

3

œ

you’re out

j œ œ 132

œ

of

sight.

j œ ˙

w

w

Verse 2: Come on down to the Mermaid Café And I will buy you a bottle of wine And we’ll laugh and toast to nothing And smash our empty glasses down Let’s have a round for these freaks and these soldiers A round for these friends of mine Let’s have another round for the bright red devil Who keeps me in this tourist town… (To Chorus:) Verse 3: Maybe I’ll go to Amsterdam Or maybe I’ll go to Rome And rent me a grand piano And put some flowers ’round my room But let’s not talk about fare-thee-wells now The night is a starry dome And they’re playing that scratchy rock ’n’ roll (To Chorus:)

Carey - 2 - 2

211

2.

132

˙

G 39

like

j œ œ. 132

D

211

œ.

A

132

-

I

1.

341

fi Coda

##

dy, but

G/D

5fr.

132

32

j œ

1 2

dad

7fr.

29

D

Verse 4: The wind is in from Africa Last night I couldn’t sleep Oh you know it sure is hard to leave here But it’s really not my home Maybe it’s been too long a time Since I was scramblin’ down in the street Now they got me used to that clean white linen And that fancy French cologne (To Chorus:)

˙

U Ó

116

BLUE Standard tuning Piano arranged for guitar

Words and Music by JONI MITCHELL

Freely Intro:

Gmaj7

Bm7

Gmaj7

œ œ œ œ ## 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œœ œ œ œ œœ œ œœ œ & 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ F Piano (arr. for gtr.)

T A B

3

0

2

# & # œ

13421

1. Blue, E

&

0

2

3 0

2

œ œ œ œ œ œ œ D/E E

0

2 0

3

A/B

13421

1 23

œ

œ

songs are

œ œ œ

like tat - toos,

D/E

∑

&

Ó

0

3

4

2 4

4

2

3

0

2

312

0

Crown

œ. œ œ

j œ œ œ œ

œ.

œ

been

D/E

Bm7

to

sea

D/G

E/A

j j œ œ œ.

312

13121

or let me

sail

3

˙

w

˙

3121

121

a

-

&

##

Ó

Œ

Œ

Ó

j œ œ

a

song for you,

œ œ

the

skin,

œœ œ œ

œ

œ

4fr.

Ó

312

˙

on a pin. D/G

312

E/A 4fr.

j œ

j j œ œ œ

312

œ.

13421

Well, there’re so Blue - 2 - 1

D/E E

312

ink

D/E

312

œ

To Coda fi

E

312

an emp - ty

3

121

œ œ œ œ ˙

space

to

Bm 22

way.

D/E

1 23

E

Un - der - neath

be-fore.

4fr.

œ œ œ œ œ œ œ œ œ.

Blue, there is 2. See additional lyrics

œ

œ œ.

4fr.

13421

œ œ

0

0

312

4fr. 312

3 0

3

3

you know I’ve

A/B

D/E

# & # Œ

2

2

D/E

21

œ.

and an-chor me,

0

3

G

312

œ œ œ œ œ œ œ

‰. r œ œ. œ œ Hey,

18

3 0

4fr.

Bm

##

5

Moderately Π= 96

E

Œ

312

312

0 0

3

2

4fr.

% 13

0

3 0

Bm

U

1 23

4fr. 312

3

A/B

Cont. rhy. simile

##

2

3

Bm

8

0

3

0

Verse:

5

5

˙

3121

fill

˙ in.

G

œ

œ

œ

man - y

œ

œ

21

œ

œ

œ

3

sink - ing now, you’ve got

œ

œ

to

keep

œ œ ‰

think-ing

© 1971 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

‰

œ œ

you can

117 D/E 25

&

##

Bm

312

œ œ œ œ

make it

through

œ

œ

œ

œ

œ

44

œ

nee - dles, guns, and grass, F #m9

Bm7

12

of laughs,

∑

13121

œ.

œ ˙.

lots

œ

3

2fr.

U

312

œ

21

Ac - id, booze, and ass,

A5

# & # 44 œ .

œ

13421

these waves.

D/E 29

43 œ

Œ

j œ ˙.

œ.

G

œ ˙.

lots

∑

134111

of laughs.

Bm7/E 33

&

##

13121

œ. œ œ œ. œ œ œ œ œ

œ œ œ œ œ œ œ

Ev - ’ry - bod - y’s say - ing that

hell’s the hip -pest way to go. Well, A/B

Bm

13421

1 23

13421

## 4 & 4 œ œ œ œ œ œ œ œ a

look

œ

a - round it though. Blue, Em11

I

Bm 36

take

45 œ œ œ

A/E

don’t think so but I’m gon-na

Asus

312

123

2fr.

‰ œ œJ œ . J 1 23

I

D/E

F #m9

A/B

Œ

œ œ œ œ. ˙

œ œ œ œ. œ œ.

## œ œ ˙ . &

w

4121

∑

123

134111

w

love

D.S. % al Coda A

2fr.

40

∑

∑

123

you.

fi Coda

D/E

E7sus

# & # ‰ . œr œ œ œ œ œ . œ w 45

312

a fog

Bm7

j œ. œ œ œ œ œ

1 23

-

F #m9

gy

lul - la - by.

w

w

There is your song

from

Bm7/E

B7

2fr.

# & # w 50

13121

w

134111

w

13121

w

me. Verse 2: Blue, here is a shell for you Inside you’ll hear a sigh A foggy lullaby There is your song from me

Blue - 2 - 2

44

∑

∑

1 31 41

118

THIS FLIGHT TONIGHT

*Guitar in Open G tuning, w/Capo I: G(12)-7-5-4-3

➅=G ➂=G ➄=G ➁=B ➃=D ➀=D

Words and Music by JONI MITCHELL

Cut-time feel Ó = 84 Intro: Gsus

Gm11

3fr.

œœœ œœœ œœœ œœœ œœœ œœœ b n œœœ œ œ œ œ œœ œœ œœ œ œ œœ œœ œœ œœ œœ œ œ œ œ œ ** F 5 5 5 5 5 5 3 3 3 3 3 3 3 1 .. 5 5 5 5 5 5 3

# & C .. T A B

314

0 0

Verse:

0 0

0

0

0

0

0 0

0 0

0

0 0

0

0 0

0 0

0 0

*Recording sounds a half step higher than written. **6th string sounds an octave lower than written.

G11 4 1

œ

1. “Look out the left,” 2.3. See additional lyrics G7sus

the

G

j œ nœ.

cap

-

&

j œ œ

4 1

œ

tain

C

Œ j œ œ œ H H

&

#

œ

œ

-

gas

C/G H H

2 1

j œ œ.

sands.

Gm7

˙.

&

#

j œ œ œ. n œ œ

Œ

4 1

to

4 1

me

111111

G C/G G

Œ

111111

j œ œ œ œ

that you can wish up - on;

This Flight Tonight - 2 - 1

0 0

0 0

œ

..

œ

down there,

that’s G

‰ ‰ j œ œ œ œ

star burn up

a - bove the Las

G

H H

œ œ Ve

-

G11 8fr.

∑

2 1

œ

111111

Ó

2 1

Œ

‰ j jœ œ œ 4 1

G

j j œ œ œ

j œ

the one that

you G

C 5fr.

j œ œ œ œ

C

j œ œ œ œ œ œ œ œ 4 1

south,

be - tween the

trail

G

Œ

111111

œ œ œ œ œ œ

not the north-ern one that

Œ

- ers;

not the ear - ly one G

H H

œ œ œ œ œj œ 2 1

guides in

the

œ œ œ œ œ

111111

C/G

5fr.

j œ œ œ œ œ œ

3 1 3 0

5fr.

C/G

H H

that night, down G

3 1 3 0

C

G7sus

5fr.

# & ‰

lights

œ

3fr.

C 21

œ

“The G

a fall-ing

G5

gave

0 0

It was - n’t

6fr.

17

saw

Œ

2 1

œ

5fr.

I

G

Œ

C

œ œ œ œ œ œ

where we’ll land.” C/G

12

Œ

0 0

3 1 3 0

4 1

œ

said, G

111111

4 0 5 0

œœ œœ

..

3fr.

4 1

œ

3 1 3 0

œœ œœ

b n œœœ œœœ œœœ œ œ œ

G5

5fr.

#

0 0

6fr.

rhy. simile # . Cont. j & . œj œ œ œ

8

0 0

3 1 3 0

0

Gm7

8fr.

5

œœœ œœœ œœœ œ œ œ

314

Œ Œ ‰ œ j J œ œ

sail - ors.

© 1971 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

Oh,

119

Chorus: Gmaj7

25

&

Am/G

# ˙

213

213

œ œ Œ

star

-

Œ

bright,

C/G

star - bright,

œ

œ

this

cra

213

Turn

-

œ

œ

zy

bird

1.2. G

&

#

&

#

œ

this

j œ œ.

‰

flight

&

œ

213

a

-

j œ œ

Œ

2 1

œ

round.

I

Gsus(2) G

j œ ˙.

21

to - night.

œ œ œ

Gsus(2) G

21

21

Gsus(2) G

2 1

H H

j œ œ œ œ. this

flight

C/G H H

‰ j œ ˙. 2 1

to - night.

Gmaj7

all

right.

Û J

21

Gmaj7

C/G H H

got

œ

on

H H

Û Û Û Û Û Û Û Û

2 1

Gsus(2) G

21

œ

œ

C/G

Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û J C/G

like,

should-n’t have

Û Û Û Û Û Û J

2 1

H H

G

#

œ J

C/G

3. 40

got the lov - in’ that I

‰

j j œ œ œ

H H

H H

G 36

you’ve

j œ œ

C/G

C/G

œ

œ œ œ œ œ œ œ œ

Am/G

# & œ

32

2 1

œ œ œ œ ‰ œ J

Gmaj7 29

G

H H

21

G C/G

Û J

C/G

G

H H

Û Û Û Û Û Û Û Û ..

2 1

G

H H

Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û J J

2 1

C/G H H

2 1

G C/G G H H

2 1

C/G G H H

G C/G H H

G

# & Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û | J J J J J J J J J J 45

2 1

2 1

2 1

Verse 2: You got the touch so gentle and sweet But you’ve got that look so critical Now I can’t talk to you baby I get so weak Sometimes I think love is just mythical Up there’s the heavens, down there’s a town Blackness everywhere and little lights shine, oh Blackness blackness dragging me down Come on light the candle in this poor heart of mine (To Chorus:) This Flight Tonight - 2 - 2

2 1

2 1

2 1

Verse 3: I’m drinking sweet champagne got the headphones up high Can’t numb you out, can’t drum out of my mind They’re playing “Goodbye baby, baby goodbye Ooh ooh love is blind” Up go the flaps, down go the wheels I hope you got your heat turned on, baby I hope they finally fixed your automobile Hope it’s better when we meet again, baby (To Chorus:)

120

CALIFORNIA *Guitar w/Capo II

*DULCIMER TUNING :

BASS

=E

MIDDLE

=B

Words and Music by JONI MITCHELL

= G#

DOUBLE

Moderately Π= 106 Intro:

# # 4 Dulcimer œ & 4 Œ ‰ œ œ œ œ œ œ œœœ ¿¿¿ œœœ œœœ ‰ ‰ œœœ ‰ Jœ œ œ œ œ œ œœœ ¿¿¿ œœœ œ ¿¿¿ œœœ œœœ ¿¿¿ œœœ œœœ œœœ J J F hold barre (barre 4) barre ** ¿ ¿¿ 0 0 ¿¿ 0 0 ¿¿ 0 0 0 3 3 0 T ¿¿ 33 33 2 3 2 0 0 3 3 3 0 4 0 0 A ¿ 00 ¿ 00 00 ¿ 00 00 00 0 3 3 3 3 0 4 4 0 B *

(M)

(I)

: " : - - " *Recording sounds a whole step higher than written. Joni plays dulcimer on this song.

:

" :

"

:

" : - "-

*Recording sounds a whole step higher than written. To match the rest of the song we wrote Joni’s dulcimer part in D, but it will actually sound in E along with the Capo II guitar. Joni plays dulcimer on this song.

%Verse: D

# & # .. œ œ œ œ œ 6

D/F #

G

œ

œ

132

1. Sit - tin’ in a park 2.3. See additional lyrics

in

œ

œ

Par - is,

œ

21

Œ

3

œ œ œ œ œ œ œ

France,

read - in’

E 8

&

##

&

##

‰

231

œ

œ œ

œ

œ œ œ

œ œ

They won’t give

Œ

œ

peace a chance.

œ œ Still

a

œ œ lot

œ œ.

of

E 231

news

and

it

r œ œ

œ

sure

That was

œ œ.

œ

just

œ

looks

lands

21

œ

3

œ

œ J

to

see,

‰

‰

1

California - 3 - 1

old

and

cold

23

œ œ œ œ œ œ

but

œ œ œ œ œ œ œ œ œ. œ œ. œ œ œ œ œ œ œ œ œ œ too

us

I would- n’t wan - na

G

123

It’s

some of

D/F #

A

stay here.

œ œ œ

a dream

G

132

# & # ≈

‰.

123

bad.

had.

12

the

23

A

D 10

1

and

set-tled in its

ways

21

here.

3

œ

Œ

≈ j œ.œ œ œ

Ah, but Cal - i -

© 1971 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

121

Chorus: 15

&

##

œ œ

-

for

D

‰

œ œ œ. -

œ

132

œ œ œ

nia,

B7

Cal

œ

-

œ

œ

i - for

-

G 18

&

##

21

≈

3

Œ

œ. œ œ œ œ œ œ œ œ

I’m gon - na

see

the folks

I

&

23

&

##

123

œ

D/F #

‰

23

œ

I’m

œ

I’ll

œ

‰

œ

pig.

œ œ

œ

Cal - i - for

Ó

132

˙

œ

œ œ œ œ

-

nia, I’m com

Ó

E

œ.

&

##

-

œ ˙.

in’

w

home.

∑

132

j œ ˙

21

lone

-

œ

‰

3

œ

&

##

œ.

œ

when you’re walk

To Coda fi D/F #

j ‰ œ œ œ . œ œj œ . œ œ œ

32 1

œ œ

œ

ly

231

All the news of

home

C 34

œ.

1

23

œ -

œ

œ œ œ

in’

and the streets are

G

gets

21

‰ ≈ œ œ œ œ œ

gives you

œ

full

of

&

##

3

read

œ nœ œ œ œ œ. œ

California - 3 - 2

∑

132

œ

strang -

‰ œ œ œ œ. just

gives

you

231

œ œ œ.

the blues,

˙

G

123

the

œ

w

21

œ.

‰ Ó

3

blues.

D 38

so

E

j œ œ.

you

‰

132

A

just

it

D

E

ers.

j œ œ nœ œ

‰ œ Oh,

G

123

-

Sun - set

123

œ œ

‰ j .. œ

Œ

A 30

a

132

D

Bridge:

&

kiss

œ

œ

œ

A

2.3.

231

home.

D

D

##

œ œ. œ

œ

e - ven

2. I

27

œ

œ

com - in’

j œ

dig.

1.

##

nia,

1

A 20

œ œ.

œ

13141

∑

Ó

Œ

‰

D.S. % al Coda

œ œ

3. So,

I

122

fi Coda

G

41

&

##

21

D

‰

3

œ.

≈ œ

read

more

œ œ

&

##

j j ‰ ‰ œ œ œ. œ œ œ

123

&

œ œ œ 132

21

war

D/F # 1

3

œ

and

j œ ‰ œ œ œ œ œ

Oh.

Œ

œ J

œ

Will

G

# & # ˙

œ

‰

23

œ

the

j œ ‰

123

you,

œ œ œ œ Mm,

blood - y

3

I

am,

œ

œ

will

you

œ.

œ œ. take me

as

will you

take

me as

œ

œ œ œ œ mm.

j œ ‰ Œ

123

Verse 3: So I bought me a ticket I caught a plane to Spain Went to a party down a red dirt road There were lots of pretty people there Reading Rolling Stone reading Vogue They said “How long can you hang around?” I said “A week, maybe two Just until my skin turns brown and then I’m going home to California …”

1

23

am?

œ œ œ œ

Chorus 2: California, oh California I’m coming home Oh make me feel good rock ’n’ roll band I’m your biggest fan California, I’m coming home

Chorus 3: California, I’m a-coming home Oh will you take me as I am Strung out on another man California, I’m coming home

˙.

œ

231

I

Take me as

I D/F #

E

Verse 2: I met a redneck on a Grecian isle Who did the goat dance very well He gave me back my smile But he kept my camera to sell Oh the rogue, the red red rogue He cooked good omellets and stews And I might have stayed on with him there But my heart cried out for you…

California - 3 - 3

œ

.. œ œ œ œ œ œ œ œ œ œ œ . œ 21

A

œ œ Œ 132

œ

E

D 3

œ

G

Will you take me as

j œ

œ

Outro:

A

am?

49

œ

231

D

##

132

E

chang - es.

46

œ

a - bout the

A 43

3

I

Repeat and fade Vcl. ad lib.

œ. œ ˙.

231

am.

..

123

RIVER

Standard tuning Piano arranged for guitar

Moderately Π= 106 Intro:

Words and Music by JONI MITCHELL

C

Am

j œœ œœ j œ œ œ œ œ œ œ œ ˙ ˙

32 1

Piano (arr. for gtr.)

œ œ œ œ œ œ & 44 œœ œœ œœ œœ œœ œœ ˙ ˙ F 0 1 0

T A B

0 1 0

0 1 0

0 1 0

3

&

3 1 2

3 1 2

∑

0 1 2 3

3 1 2

3 1 2

3 1 2

2

Csus

2

0 1 2 3

&

21

2

1

3

œ.

way River - 3 - 1

0 1 2

œ

œ

0

of

joy

j œ ˙ on.

0 1 2

0 0 2

0

41

3

1

G7

∑

3

j œœ ˙˙ œ œ œ œ

œœ .. ˙ 1 3

2

0

C/G

3 1 2

0 1

0

2

Ó

41

3

j œœ œœ ˙ 1 3

1

1. It’s

1 3

0 1

0 0

3

32 1

34 1

32 1

34 1

32 1

œ

they’re cut-ting down

C

Am

32 1

231

œ

œ

œ œ

and peace. Oh, I

Ó

Œ

trees.

j œ

0

œ œ œ œ œ œ œ œ œ.

They’re put-ting up rein - deer

and sing-ing

To Coda fi

wish I had a

‰ j œj œ œ 34 1

it don’t

‰

j œ œ.

œ œ œ œ œ

But

‰

0

3

C

œ

j œ

j œœ œœ œ œ œ œ ˙

Csus

j œ œ œ œ œ

‰

0

3

3

2

2

0

Œ

C

‰

1 2

C/G

Csus

œ

œ

0 1 2

0

Csus 3

0 1 2

0 1 2

C

G 15

0

0 1 2

3

(1.3.) com - ing on Christ-mas, 2. See additional lyrics

songs

3

3

3 1 2 3

34 1

& œ

2

3

œœœ œ œœœ œ œœœ œ œ œ ˙ ˙

Cont. rhy. simile

34 1

2

œœ œœ œœ œ˙ œ œ

& .. œ œ œ œ

12

1 0

œœ œœœ œ œ œœ œ œ œ œ ˙ ˙

G7

321

% Verse: Csus

9

3 1 0

3

∑

3214

3 1 2 3

0 1 0

Fmaj7

œœ œœ œœ & œ˙ œ œ T A B

0 1 0

3

F (9) 5

0 1 0

œœœ œœœ œœœ œœœ œœœ œœœ ˙ ˙

231

riv

-

er

C

j œ œ

32 1

snow

œ

here;

j œ œ I

could

Csus

C

34 1

32 1

œ

stays

œ œ œ

pret - ty

œ

j œ œ

skate

≈

green.

© 1971 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

j œ

a -

œ œ œ

I’m gon - na

124

19

Csus

C

34 1

32 1

‰

& œ œ œ œ œ œ. make a

lot

C

Csus 34 1

œ œ œ œ œ

of mon - ey,

then I’m gon - na

œ

quit

this

Am 21

‰

j œ œ.

231

wish I had a

riv

-

j œj œ œ

œ

er

I

F

&

could skate

3211

j œ œ œ œ œ œ œ œ had a riv - er

so

21

a

j œ

long,

3

-

œ

zy

I would

œ œ œ

œ.

231

teach my

Fmaj7

I

wish I had a riv

F

˙.

3211

on.

I

made my ba

-

Œ

‰ œj œ œ œ œ 2 1

feet to

fly.

21

œ -

er

Œ

3

œ œ œ œ œ œ I

could

Am

∑

32 1

œ œ œ ˙.

by

skate a - way

231

∑

cry.

2. Asus2 Am Asus2

&

231

∑

23

G 21

Dm

∑

3

Ó

Œ ‰ j .. w œ

w

231

w

2. He

C

& ˙ 45

œ œ œ œ œ Oh,

River - 3 - 2

I

32 1

œ œ œ œ œ

wish I had a riv

G

j œ œ. -

er

j œ

C/E

C

Œ ‰ œ œ œ œ œ œ J

Ó

321

‰

G

œ œ œ œ ˙

œ œ

3211

œ œ œ œ œ

32 1

Oh,

23

I

I

F

Œ

œ œ œœœ œ œ

Œ

on.

C

& w

39

œ

scene.

Ó

3

way

32 1

1.

& œ

œ

-

C

Dm

33

cra

œ

j œ œ œ œ ˙. 21

G

wish I

29

œ

G

& œ œ œ œ œ

25

œ

œ

32 1

21

‰

Fmaj7 3

j œ œ I

could

321

œ œ œ œ

skate a - way

œ œ ˙. on.

F

& Ó

‰ Jœ

Œ

49

j œ œ.

œ œ J

3211

I

made my

ba

∑

&

21

32 1

by

∑

3

Ó

2

T A B

3

Piano

0 0

0 0

0

3

134211

& œœ œ J

T A B

2 3 1

& w

˙.

way

œœ w

0 0

0

3

0

3

0 3

j œœ œœ j ˙˙ œ œ œ œ œ œ œ

j œœ œ

0 0

0 0

0 0

0

3

3

0 0

0

0

3

3

œœ ..

Gsus9

j ˙ ˙˙ œ œ ˙ œ œ œ . œ œ . œ œ œ œ œ œ œ œ œ œ 3 421

3 5

3

w

on.

F/G

F 65

57

3. It’s

& œœ œ œœ œ ˙˙ œ œ œ œ œ œ 61

fi Coda

Œ ‰ j œ

G

∑

231

w

say good - bye.

D.S. % al Coda

G 54

j œ œ œ œ œ œ ˙

-

125

Am

C

3

0 0 0

2 3

0 3

3

21

1 2

3

2

0

1 2

0

3

F

2

0

3

Dm7

j j j œœ˙ œœ œœ œ˙˙ œ œ œ œœ˙ œ œ œœ œœ .. œœ œ œ œ œ œ œ œ œ œœ œœ ˙˙ œœ ˙˙ œ œ œ œ œ œ œ œ œ œ œ œ J J J J J 3211

3

2 3

3

2 3

3

1

0 0 3

3

21

1 2

1 2

1 2 3

3

2

3

1 2 3

0

2

1 2

0 0

2 3

1

2

3

2

3

2

3

1 2 0

2

0

1 2

1 2

0

0

0

j j j œ œ œœ œœ œœ . œœ ˙˙ ˙˙ ˙˙ ˙˙ ww œ & œœ œ œ œ œ˙˙ œ . œ œ œ œ œ œ ‰ ‰ ‰ ‰ ‰ œ œ œ œ œ œ œ œ œ œ ‰ œ œ œ ˙ J J J J J J 70

T A B

0 0 0

0

1 2

River - 3 - 3

0

1 2

0

0

0

1 2 0

0 1

0

0

2 3

0 0

1 2 0

0

1 2 0

0

0

1 2 0

Verse 2: He tried hard to help me You know he put me at ease And he loved me so naughty Made me weak in the knees Oh, I wish I had a river I could skate away on I’m so hard to handle I’m selfish and I’m sad Now I’ve gone and lost the best baby That I ever had Oh, I wish I had a river I could skate away on I wish I had a river so long I would teach my feet to fly (To 2nd ending:)

0

0

1 2 0

0

0

1 2 0

0

0

0

0

126

A CASE OF YOU *To match recording, tune guitar and dulcimer down 1/2 step *To match recording, tune down 1/2 step

Words and Music by JONI MITCHELL

DULCIMER TUNING : BASS

=D

MIDDLE

=A

DOUBLE

=A

Moderately Π= 102 Intro:

j ## 4 œ ¿ ‰ œ & 4 œœ ¿¿ œœ F ¿¿ 6 T 3 A 0 ¿ 08 5 B Dulcimer *

(m) (th)

œ ¿ ¿¿ ‰ œœ J ¿¿ 8 0 ¿ 10

¿ œ œ œ œ ¿¿ œ ‰ œœ ‰ œœ œœ J J ¿¿ 7 8 6 6 ¿ 09 100 08 08

¿ œ œ ¿ œ œ œ ¿ œ œ œ ¿¿ œœ œœ ¿¿ œœ œœ œœ ¿¿ œœ ‰ œœ ‰ œœ J J ¿¿ 6 6 ¿¿ 5 4 5 ¿¿ 5 5 4 0 ¿ 0 0 ¿ 0 ¿ 0 0 0 8

8

: - T - : - T : - T " - " - " : - T " " - T *Recording sounds a half step lower than written. Joni plays dulcimer on this song.

## œ & œœ 5

T A B

4 0 6

% 9

&

: Verse:

¿ œ œ ¿¿ œœ œœ ¿¿ 3 3 ¿ 05 05 "

- T

:

¿ œ ¿¿ œ œ ¿¿ 2 ¿ 04

- T

"

D

##

Ó

œ œœœ œ

132

1. Just be - fore our 2.3. See additional lyrics

2 0 4

- T

A/C #

# & # Ó 21

&

##

"

-

j j œ œ œ œ œ œ

3111

love got lost, you said,

œ

œ œ œ œ œ

"

:

-

"

-

œ Œ œ œ œ œ

œ œ œ. ˙

˙

bar.”

# & # œj œ

‰ œj œ œ œ

screen

A Case of You - 3 - 1

j j œ œ œ. light,

: - T "

4

:

4

- T

"

“I am as con - stant as a north - ern A/C #

6

"

-

4

0

:

"

-

"

0

:

0

"

On

the back

j j œ œ œ œ. œ œ 132

of

a car - toon

21

13421

at?

3111

˙

coast

Asus

‰ œ œ œ œ œ œ œ œ

œ

A/C #

star.”And I said,

Bm

3111

G 21

7

~~~~ œœ ¿ œœ œœ ¿ œ œ œ œ ¿ œ œ œ œ œ ~~~~ ¿¿ 0 0 0 0 0 0 0 ¿ 0 0 0 0 0

"

-

7

œ œ œ œ nœ œ œ œ œ œ œ

3

13421

where’s that

To Coda fi D

123

"

-

‰ œj œ œ

œ œ. Œ 132

“Con - stant-ly in the dark - ness, A

16

"

-

D 3

:

7

Bm

G 13

6

j j œj œj ¿¿ œœ ‰ œœ ‰ œœj œœ œ ‰ œ ‰ œ ‰ œ ¿ œ œ œ œ œ œ œ œ ¿¿ 3 1 1 1 0 0 0 0 0 0 0 0 0 ¿ 05 3 3 3 2 2 3 4

œœ œ :

7

123

3

If you want me, I’ll be

in

3

the

Bm

j œ œ.

-

Œ

13421

er,

‰

œ œ œ œ œ

in the blue T

V

D

j ‰ Œ œ 3

œ œ œ œ œ I

drew a map of

132

œ œ œ œ 3

Can - a - da,

‰

œ

oh,

© 1971 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

j 2 œ 4

127 A/C #

1.

# & # 42 œ 24

œ

Can

A/C #

-

œ œ. œ

13421

œ

œ

a

-

3111

&

j œ

Bm

A

13421

123

Oh,

in these lines

‰ œ œ œ œ œ œ œ œ œ 3

my

blood like

&

Œ

132

œ œ œ œ œ œj ‰

and so

sweet,

œ

oh,

I

Bm7 39

&

##

1

˙

œ. œ œ dar

-

ling,and I

G

D

## j & œ œ. 42

œ œ œ

-

‰ j œ œ

could drink

132

my

D

21

œ

j œ œ. 3

123

ly

still

1.

132

A Case of You - 3 - 2

123

a

case

be on

123

Asus 123

A/C #

Bm

3111

13421

œ

œ

3

bit

44 ˙

you,

œ œ. œ

2. Oh,

œ œ œ œ

Œ

123

œ œ œ

my feet.

D.S. % 2.

ter

A

œ œ

Oh, I would still

A 123

D

A

D

Û.

Û Û. J

132

123

Asus

A

Û Û Û ‰ Û ‰ Û Ó J J J J 123

123

be

A

w

A

-

14231

2 4

132

123

so

Bm(maj7)

œ

of

D

w A

A

A7sus

G 21

˙

Ó

Oh,

You taste

œ œ œ œ œ œ œ

# & # Û. Û ‰ Û ‰ Û Û Û Û ‰ Û ‰ Û Ó J J J J J J J 47

Œ

2 3

œ œ œ œ œ œ. œ œ ‰ J

wine.

‰ j 42 œ œ

it

123

132

w

feet.

Asus

3

would

A

sketched on

23

D

Œ

face

œ œ

œ

A7

œ œ œœœ

23

ho

21

œ

Em

G

13121

œ

from time to time.

D

##

132

your

D/F #

you are in

35

œ. œ œ 3

œ œ œ œ œ œ œ œ œ œ œ œ œ. ˙

G 21

21

with

Chorus:

##

‰

da,

‰ œ.

twice.

32

˙.

To Next Strain 2. # (To Chorus:) A/C

3111

D

G

44 ˙

3111

# & # œj œ . 28

Bm

123

œ

on

A

132

Û J

123

D.S. % al Coda

j j œ œ œ

3. I met

a

128

fi Coda

Chorus:

D/F #

G

##

52

&

21

‰ œ œ œ œ œ œ œ œ œ 3

you are in

my

blood like

1

Em

˙

œ œ œœœ

23

ho

-

ly

# & # Π55

œ œ œ œ œ œj ‰

132

and so

sweet,

##

2

134

-

Œ

ling. Em

2 111

23

2

134

21

w

D

œ œ J

132

feet.

I’d be on my

A7sus

3111

13421

œ

œ

132

œ.

&

##

j œ Œ

j œ œ. œ œ

123

feet.

j œ Ó

j œj œ j œœ ‰ œœ ‰ œœ ‰ œ œ œ œ œ œ œ

1 0 3

0

# œ & # œ œ

œ œ. J

T A B

2

0 0 2

0 0 3

0 0 4

0 0 4

Verse 2: Oh I am a lonely painter I live in a box of paints I’m frightened by the devil And I’m drawn to those ones that ain’t afraid I remember that time you told me you said Love is touching souls Surely you touched mine ’Cause part of you pours out of me In these lines from time to time (To Chorus:) A Case of You - 3 - 3

∑

œ œ œ. 132

mm,

U ∑

4231

0 0 1

0 0 4

0 0 4

Verse 3: I met a woman She had a mouth like yours She knew your life She knew your devils and your deeds And she said “Go to him Stay with him if you can But be prepared to bleed” (To Chorus:)

j œ mm,

C6 3

0 0 3

my

œ.

123

U ww w

0 0 2

˙

D

j œj j œœ œ ‰ œœ ‰ œœ ‰ œ œ œ œ œ 2

3

A

mm,

21

21

be on

132

mm,

œ ¿¿ œœ œ œœ œœ œœ ¿ œ œ œ œ œ ¿¿ 0 0 0 0 0 ¿ 04 09 08 07 01

G

‰ œ.

123

œ œ

œ

you,

D

∑

mm.

44 ˙

œ œ. œ

G

œ œ œ ˙.

ter

14231

132

I would still

Mm,

123

-

D

A 68

œ

of

A

‰ œj œ œ

bit

Bm(maj7) Bm

case

D

2 4

You taste so

A

j œ œ œ œ

3

˙

a

123

A/C #

j 42 œ œ

‰

could drink

Still

A/G G2

G2

&

œ

13121

dar

63

I

j œ œ

G

# œ œ œ & # 59

œ

oh,

Bm7

‰

œ œ œ œ œ œ. œ œ ‰ J

23

wine.

D

A

129

THE LAST TIME I SAW RICHARD Standard tuning Piano arranged for guitar

Moderately Π= 110 Intro: C/D

Words and Music by JONI MITCHELL

F #m

D

j j j j Ó Œ ‰ œ ˙ # œ œ . . # # 4 . Œ ‰ n œœ ˙˙ œ œ œ œ œ ˙ œ œ œœ œ œ œ œ . & 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ F 0 2 2 4 5 1 3 3 2 2 .. T 0 0 2 2 2 2 2 2 2 1

132

Piano (arr. for gtr.)

A B

0

0

0

0

0

134111

0

0

4

4

2

G (9)

Em7

4

2

D

2

A7sus

j j j œ j œ. j jœ j Œ ## œ . . œ œ œ œ œœ j œœ œ œ .. & œ œœ œ œœ œ œœ œ œœ œ œ œ œ J œ œ œ œ œ œ œ œ œ 5

2

T A B

13

12 4

0

0

0

3

2

0

2

0

3

132

3

0

2

3

2

2

0

0

1 34

3

2

0

3

0

0

0

Gmaj7

C

3

0

2

0 0 2

Fmaj7/C

0

0 0 2

0

..

2

Gmaj7

j j j nœ œ œ œ œj œ . œœ œ œœ jœ œ Ó ## Ó n œ nœ œ nœ œ œ œ œ œ œ œ & œ œ œ œ ‰ œ œ nœ œ œ œ œ ˙ œ œ œ œ œ œ œ œ œ J 2

31

32 1

3421

2

31

9

T A B

3

0

0

2

0

0

3

0 0

3

2

0

3 0

0

3

3

Dsus

2

0

1 2

1

0

0

2

1

0

3

A7sus

3

2

1

0

3

2

3

0

2

3 3

0

3

Dsus

D 2fr.

# # œœ œ œœ œ œj ‰ j œœ œ œ œ ‰ œj œ œ œ œ œ œ .œ œ œ & ˙. œ w ˙ ˙ 134

1 34

14

T A B

2 3 2 3 3 0

2

0

2

The Last Time I Saw Richard - 3 - 1

0 0

3 3

2

3 0

2

4 0

2 3

2 0

4312

j Ó œ n# n œ œ œj ˙ œ œ œ œœ œ œ œ œœœœœ 1

0 0

0

0

5 0

0

0 0

0

0

0

5

© 1971 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

4

2

3

130

Verse: G

# . & .Π19

32

≈

4

3 2 14

32

# 3 & œ œ œ œ œ œ œ œ 1134

man - tics meet the

&

#

32

œ œ œ

same

œ

œ

in

œ

œ

some dark

ca

28

&

#

œ œ œ

-

G6sus

‰

32

œ

œ. œ œ

œ

‰

œ J

“You think you’re im-mune,

31

&

Am

Asus

œ

œ œ œ œ œ

#

231

&

#

F/C

32 1

34211

ty

lies.

Fmaj7

# & Π38

321

look at your eyes,

to

œ

tell you

re - al

œ.

œ J

-

ly

123

pret - ty

lies?”

The Last Time I Saw Richard - 3 - 2

w

laugh,”

œ œ. œ

≈

23

œ

œ

4

3

32

œ

4

œ

pret - ty

œ œ

he said,

œ œ

You like

j œ œ.

2

those pret - ty

-

œ

œ J

œ œ œ

they’re

2

˙

ros

-

œ œ. J

134

˙

lies,

pret

-

Fmaj9

œ œ œ œ œj œ .

œ J

ize

œ œ.

G2

14

321

3 1

on - ly pret - ty

lies,

G

Ó

134

32

lies,

Œ

4

j œ

‰

just

D5

j œ œ .

≈

œ

“You

G2

A

# j & œ œ.

32

all

1.2.

41

j œ œ

Gsus

G

3 1

on

‰

they’re full of moon.

œ œ œ œ œ.

When you gon - na Fmaj9

bor - ing some - one

Fmaj7

œ

Ó

œ œ œ œ œ

Œ

4

G

C

œ œ œ œ

drunk and

œ œ œ œ œ

œ œ œ œ 3

pret - ty men

ro -

A2

œ œ œ œ œ œ œ œ œ

es and kiss - es and

-

∑

32

231

go

all

G

231

Chorus:

35

cy - ni - cal and

Am

234

-

œ œ Œ

1134

Am 4

œ œ

and he told me

fé.

G

3 2 14

134

œ œ œ œ

A7sus

fate some - day,

2

Œ

11

six - ty - eight

G2 4

‰

4

‰ œ œ œ œ

234

G 25

A5

œ œ œ œ œ œ œ œ

œ œ œ œ œ œ

1. The last time I saw Rich - ard was De-troit in 2.3. See additional lyrics Asus

A7sus 22

G

G6sus

∑

13

C/D

∑

1

D

∑

132

..

131 3.

A5

# j & œ 46

œ.

11

˙

j œ

œ.

dark

49

& &

# #

T A B

ca

Asus

Piano

œ œ œ œ œ œ #œ 2

3

2

1

2

3

œ

2

œ # œ œœ 0

0

2

-

œ œ œ

œ

3 2

œ

& T A B

#

œ 2

œ

0

0

4

4

3

2

2

3

2

#œ œ œ œ

2 4

œ 3

2

2

0

0

4

3

0 0

Em7

0

2 2

œ œ œ

2

0

0

œ œ 3

0

3

B7sus

œ œ œ œ 3 0

Verse 2: He put a quarter in the Wurlitzer And he pushed three buttons and the thing began to whirr And a bar maid came by in fishnet stockings and a bow tie And she said “Drink up now it’s gettin’ on time to close” “Richard, you haven’t really changed” I said “It’s just that now you’re romanticizing some pain that’s in your head You got tombs in your eyes but the songs you punched are dreaming Listen, they sing of love so sweet, love so sweet” Chorus 2: When you gonna get yourself back on your feet Oh love can be so sweet, love so sweet Verse 3: Richard got married to a figure skater And he bought her a dishwasher and a coffee percolator And he drinks at home now most nights with the TV on And all the house lights left up bright I’m gonna blow this damn candle out I don’t want nobody comin’ over to my table I got nothing to talk to anybody about Chorus 3: All good dreamers pass this way some day Hidin’ behind bottles in dark cafés, dark cafés Only a dark cocoon before I get my gorgeous wings and fly away Only a phase, these dark café days The Last Time I Saw Richard - 3 - 3

2

# œ œœ œ œ œ

3

0

3

œ œ œ

œ

3

œ œ œ #œ œ œ œ œ 4

days.

∑

G

œ œ œ œ œ #œ œ

˙

∑

3

Bm9 53

œ

j œ

œ.

fé

0 2

2

0

œ.

Gmaj9( # 11)

∑

w œ

j œ

2

2

˙˙ ˙˙ ˙ 2

˙˙ ˙˙ 5 2 4 2

3 4

133

134

BANQUET

Standard tuning Piano arranged for guitar

Moderately Π= 116 Intro:

A Piano (arr. for gtr.)

### 4 Œ ‰ j j œ œ œ. & 4 w F

T A B

2

Verse: E

231

234

‰ œ œœ w

2

3 2 4

0

j œœ œœœ ... œ

B m7

0 2 2

3 2 4

231

2

j 2 œ 4 œ

1. Come to the 2.3. See additional lyrics D Dm7

2

0

2

1

Am7

4

œ

din - ner

2

2

2 2

2

2

C/D

ta

-

### 4 & 4 Œ

j œ 42 n œ

ble

is

312

Fat

E/A

A 5fr.

311

hun - gry

E

A/E 4fr. 311

share.

-

3 4211

Œ

tle ones.

high.

To Coda fi

F

312

3211

Tuck your nap - kins

in,

Am7 Em/A

and

A5

3fr.

œ œ Œ n Jœ œ n œj 42 n œ

241

the

42 œ n œ œ œ 44

œ. œ œ nœ. J 2 1

Em7 4fr.

“Some get

D

Dm7

lit

j œ. ‰ œj œ œ œ

312

your

j œ œ œ œ

E 5fr.

j œ œ.

121

take

bel - lies and

4fr.

j ## & # 44 œ œ . 13

1

44

œ

œ

lad - en

Am7

G/A

‰ n œj œ œ œ œ n œj œ

211

2

23

3fr.

9

2

A5

nœ œ œ J J

The

0

3 2

2

2

2

44 ‰ n œ

gong.

3 2

Em/A

2 1

œ

j œ . œœ . œ œ œ

j Œ œ j œ œœ œœ œ œ˙ œ œ œ œ ˙ œ ‰ œ œ. œ J J

A

Em7

Esus E

j # # # . Cont. rhy. simile œ œ . Ó & 5

1

0

j œœ œ

D/A

Words and Music by JONI MITCHELL

gra

2 1

-

C/D

vy and

some get

the

gris

Am7

F

œ œ ‰ nœ.

42 œ

G/A

44

œ

2

23

-

tle.

3fr.

### 4 & 4 Ó

j nœ œ

211

17

312

j œ nœ œ œ œ œ.

Some get

the

E/A

A 5fr.

### 4 j & 4 œ œ 21

1

311

mar - row

bone

121

&

Œ

Banquet - 2 - 1

some get

3211

noth

-

Am7 Em/A

Em7

j œ œ œ œ

312

to

spare.”

œ œ œ nœ J 2 1

2 1

œ nœ

œ

ing though there’s Am7 Em/A

4fr.

6 4 w.

Am7 Em/A Am7 Em/A

###

and

E 4fr.

plen - ty

25

j Œ œ

3 4211

2

2 1

Pa - per plates and

j œ œ œ œ œ œ œ œ

2

Ja - vex bot-tles on the tide.

4 ‰ j œ œ œ œ 4 œ J 2

4

2 1

I took my

Esus

E

Œ œ œ œ

234

231

share

œ J

2

œ nœ J

2 1

down

by

œ j J œ œ.

2

the sea.

D/E

E7sus

œ œ œ Œ

Sea-gulls come down and they

2 4

œ œ ‰

squawk at

© 1972 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

1121

j œ œ

me

44

135 E

### Π& 29

231

œ

Esus

E7sus

œ

2 4

234

œ

down where

the

wa

-

j j œ. œ œ

ter

ski

-

Fmaj7

F

Ó

1121

j œ œ

œ

1.

D/E

ers

B7sus

œ nœ œ nœ œ œ nœ œ œ œ œ. Œ nœ œ œ nœ œ œ œ œ

3211

2.

F

&

###

j œ œ.

œ œ. J

3211

ban

-

nœ

fi Coda

œ

321

quet line,

21

young

fare.”

In

-

j œ

1

nœ œ œ œ œ. bone

2

Œ

and

B

&

some get

12341

˙.

spare.”

Û.

Û Û J

13121

E

œ

œ

œ

I

the

œ œ ‰ nœ. 2 1

some get

noth

gris

read,

234

231

Dm7

44 Ó

œ

23

-

211

tle.

œ

213

3211

-

ing Esus

’ ’ ’ ’

234

|

nœ

œ

j nœ œ

Û

231

Bm7

Û

13121

the

j œ

312

the

E/A

j œ

21

œ

though there’s plen - ty E/B

j 2 œ 4

D

Some get

A

œ

231

“Some get

F

E/B

Û

‰ œj œj œ

44 Œ

A5

Verse 2: Some turn to Jesus and some turn to heroin Some turn to rambling ’round Looking for a clean sky and a drinking stream Some watch the paint peel off some watch their kids grow up Some watch their stocks and bonds Waiting for that big deal American dream I took my dream down by the sea Yankee yachts and lobster pots and sunshine and Logs and sails and Shell Oil pails and Dogs and tugs and summer time Back in the banquet line Angry young people crying

Banquet - 2 - 2

w

cry - ing.

cook - ie

Am7

Bm7

œ

˙.

œ

2

Em/A

mar - row

###

42 œ

the

2 1

vy,

C/D

52

ple

n œ œ n œj 42 n œ J

44 œ ‰ Œ J

œ.

4

gra

&

-

œ

11111

Am7 Em/A

### 2 j & 4 œ ###

peo

œ œ

˙.

Em7

49

j œ

D.S. % al Coda

Esus

231

œ œ œ

sweet-er

2

j œ œ

..

∑

13121

E

## j & # œ œ. 213

œ

an - gry

A E/A

41

∑

13141

F #m7/B

Fmaj7

45

Bm7

2fr.

### œ . &

37

nw

œ.

glide.

F 33

321

œ J

3211

B 12341

|

Verse 3: Who let the greedy in and who left the needy out Who made this salty soup Tell him we’re very hungry now for a sweeter fare In the cookie I read… (To Coda)

j œ

to

136

COLD BLUE STEEL AND SWEET FIRE Guitar tuning: C-7-7-5-4-3

Words and Music by JONI MITCHELL

➅=C ➂=G ➄=G ➁=B ➃=D ➀=D Moderately Œ = 108 Intro: G5

F5

5fr.

# & 44 œ ¿ ¿ œ ¿ ¿ n œœ F 23

T A B

23

¿¿ ¿¿

7 7

% Verse: C

# .Π& .

5 5

G5 5fr.

23

23

call

Œ

‰

-

ing,

5 5

¿¿

7 7

¿¿

23

23

7fr. 23

7 7

¿¿

7 7

¿¿

5 5

¿¿

7 7

oneeye

G5

D5 2fr.

23

can’t

23

de - ny

for

the

23

B b/C

Sweet

C

“Come with

œ

B b/C

C

5fr.

œ œ œj œ 1111

1111

Fire,

11111

23

now you

me,

Cold Blue Steel and Sweet Fire - 2 - 1

I

11111

Œ

hol - low grey

w

G5 10fr.

F5 7fr.

fire

es

-

5fr. 23

need.”

8fr.

cape

Œ

To Coda fi

Csus2

j œ

œ

j œ œ.

321

thief

œ

Œ

C

‰ œj œ œ

Œ

B b/C C

11111

œ œ œ œ œj œ .

shad-ow of

La

D/G 5fr.

7fr.

j œ œ œ œ œ. œ œ œ

1111 11111

know the

23

23

know what you

j œ œ

œ œ œ

0 0

2fr.

321

23

23 4

0 0

D5

œ n œ œ b œ œ œ n œj œ .

me,

¿¿

5 5

5fr.

5fr.

j œ œ

1111

B b5

7fr.

23

7fr.

23

¿¿

7 7

po - lice.

G5 5fr.

Œ

G

D

œ nœ œ bœ œ œ #œ for

œ

gym,

7fr.

23

8fr.

7fr.

j œ œ.

C5 5fr.

Csus2

Gmaj7/C

23 4

G5

¿¿

j œ

beat

F5 7fr.

Csus2

5fr.

23

10 10

j œ œ. œ œ œ œ

5fr.

F5 7fr.

23

23 4

œ œ nœ œ œ œ.

j œ œ œ œ œ

G5 10fr.

œ œ ¿ œ ¿ œ ¿ b n œœ ¿ œ ¿ œ ¿ œ œ ¿ nœ ¿ œ ¿ ¿ œ ¿ n œ ¿ œœ œœ

2 2

‰ Ó

F5

23

B b5

G5 5fr.

7fr.

mon-ey,

7fr.

“You

23

Œ

23

F5 7fr.

Gmaj7/C

G5

23

F5

look - in’

&

¿¿

7 7

j œ œ

10fr.

2 1

7fr.

#

23

G5 2fr.

5fr.

G5

21

B b5

Gmaj7/C

2 1

23

23

23 4

Un - der-neath the jun - gle

#

D5 7fr.

Csus2

of

j nœ œ œ bœ

H H

&

7fr.

23

C

17

¿¿

10 10

j œ œ œ œ œ

F5

Sweet Fire

&

¿¿

7 7

2 1

7fr.

#

23

G5 5fr.

œ ¿ b n œœ ¿ œ ¿ œ ¿ œ ¿ œ œ ¿ ¿ œ ¿ nœ ¿ œ ¿ œ

1. Cold Blue Steel out 2.3. See additional lyrics 4. Instrumental

G5

13

F5 7fr.

5fr.

‰

# j & œ œ

G5 10fr.

23

Gmaj7/C

2 1

9

7fr. 23

H H

5

B b5

G5

7fr.

way,”

111111

she says,“It’s

down,

-

F/B b

dy Re - lease. C/F

10fr.

j œ œ.

111111

down,

w

5fr.

j œ œ

111111

down

œ œ œ œ œ

the dark lad - der.

© 1972 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

137 C

Gmaj7/C

H H

25

&

#

Csus2

Œ

j œ

j œ œ

2 1

2 1

œ

œ

Do

you

want

to

&

Œ

-

œ

# Û & J

œ

ter,

œ

C5

F5

7fr.

Û J

fi Coda G5

23

&

#

23

# & Û

23

F5

Û

G5 5fr.

7fr.

œ

23

B b5

23

F5

j œ œ

j j nœ œ bœ. 23

or

C 5fr.

Û Û Û Û J 1111

11111

B b/C

Û J

1111

10fr.

Û J

23

Û

Û J

B b/C C

Û Û

1111

11111

Verse 2: A wristwatch a ring a downstairs screamer Edgy—black cracks in the sky Pin cushion prick fix this poor bad dreamer “Money” cold shadows reply Pawnshops crisscrossed and padlocked Corridors spit on prayers and pleas Sparks fly up from Sweet Fire Black soot of Lady Release “Come with me, I know the way” She says, “It’s down down down the dark ladder Do you want to contact somebody first Does it really matter if you come now Or if you come later?”

Cold Blue Steel and Sweet Fire - 2 - 2

23

5fr. 23

can come

23

-

Û

23

Û

D 7fr.

23

Û

.. Û J

G

23

Û

Û J

2fr.

œ

œ

23

D.S. % al Coda G5

5fr. 23

D5

er.”

F5 7fr.

let -

7fr.

j œ œ

lat

G5 7fr.

G5 5fr.

23

5fr.

Û

j œ nœ

G5 5fr.

23

F5 7fr.

23

G5

7fr.

23

some- one a

F5

G5 10fr.

you

F5 7fr.

G5

11111

B b5

œ œ œ œ

3. G5

Û J

œ

Leave

1.2.

10fr.

C

Ó

23 4

first?

7fr.

23

7fr.

2 1

œ

G5 5fr.

now

23

œ

some - bod - y

Û Û ‰ Û ‰ Û ‰ Û ‰ Û ‰ Û Û. Û J J J J J J 23

B b/C 39

7fr.

tact

7fr. 23

B b5

G5

Û J

7fr.

34

come

5fr.

Û

23

œ

you can

G5 31

23

j œ œ

G5 2fr.

321

œ

-

D5

8fr.

#

j œ œ

23 4

con

Gmaj7/C

H H

5fr.

Csus2 28

C

7fr.

Û

23

Û

Û

C

7fr.

5fr.

Û. Û Û. Û Û. Û Û. Û Û. Û Û. Û J J J J J J

1111

11111

D/G 5fr.

7fr.

Û Û Û Û

111111

|

F/B b 111111

|

Repeat and fade

C/F

10fr.

5fr.

.. Û

111111

Û Û Û

Û Û ..

Verse 3: Red water in the bathroom sink Fever in the scum brown bowl Blue Steel still begging but it’s indistinct Someone’s hi-fi drumming Jelly Roll Concrete concentration camp Bashing in veins for peace Cold Blue Steel and Sweet Fire Fall into Lady Release “Come with me, I know the way” She says, “It’s down down down the dark ladder Do you want to contact somebody first I mean what does it really matter if you come now Or you’re going to come later?”

138

LESSON IN SURVIVAL Standard tuning Piano arranged for guitar

Words and Music by JONI MITCHELL

Moderately Π= 96

# & # 42 .. ‰

œ œ J F

œ œ

2

3

4

5

Piano (arr. for gtr.)

..

T A B Verse: G

4

&

##

21

Œ

44

‰

3

21

œ œ œ œ œ

&

21

‰

œ

œ œ œ

On - ly

a

A 213

need

œ

œ

œ

Œ

œ

F #m7

to be-lieve

in some - thing, once

œ

131111

just

#œ

œ #œ

231

œ

œ

œ œ œ œ œ œ

&

3

œ

œ œ œ œ œ

œ

camp - ers in the kitch - en, Lesson in Survival - 2 - 1

2 2 2

2 2 2

2 2 2

D/G 3

‰

3

121

œ œ œ. œ œ œ

Gu-ru books, the Bi - ble.

e - nough.

A/D

132

œ

j œ œ.

our

D

3 4

12

œ œ œ œ

œ

j œ œ.

line.

Œ

131111

You A/D

∑

4 4

12

E

A 213

132

j 45 œ

œ.

love.

Ó

Œ

231

‰ # œj œ œ Œ Friends and kin,

F #m7

121

Œ

œ

good

4 4 ˙

I could, in

1121

D/G

##

21

D

Black road, dou - ble yel - low

16

0

0 0 2

G

œ

not

D/E

‰

0

121

œ

E

œ

231

2 2 2

on turns, that gets you tough.

œ

that you’re

œ œ œ

# & # 44 Œ

3 2 5

œ. œ œ œ œ

21

E 13

3 2 5

œœ œœ œ œ

E/A

re - mind - er

21

3

œ

spin-ning out

121

E/A

# 5 & #4 œ 10

3

œœ œœ œœ œ œ œ œ œ

0

3

D/G 3

œœœ J

D/G

j ‰ œ œ œ œ

121

G

##

0

G

1. Les-son in sur - vi - val, 2.3. See additional lyrics

7

œ

0

D/G

3

œ

j œœœ œ

D/E

‰ œj 46 œ . that’s

fine

j œ œ œ œ

some - times.

‰

j œ œ

But I

44 œj œ 1121

j œ Œ

know my needs,

© 1972 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

œ

my

F #m7

E/A

## œ & J 19

œ # œj œ J

œ

21

sweet

&

œ

131111

œ

œ

œ

I

need

more

#œ

œ

œ

œ

˙.

qui - et

œ

times

Œ

œ

‰

œ œ

by

a

1.2.

7fr.

##

œ J

tum - ble - weed.

E11 22

139

œ œ Œ

412

œ œ œ.

riv - er flow

-

œ œ œ

ing.

œ œ œ œ

You and me,

œ

deep kiss - es and

the

sun

˙

go

..

œ œ œ

-

ing down.

3.

# & # Œ

j œ œ.

26

œ

œ

œ

œ œ œ

fresh salm - on

30

& &

## ##

T A B

33

& T A B

œ

the

a - like

œ œ œ œ œ œ œ œ 2

3

3

2

5

5

5

2

5

2

3

œ

Verse 2: Maybe it’s paranoia maybe it’s sensitivity Your friends protect you scrutinize me I get so damn timid Not at all the spirit that’s inside of me Oh baby I can’t seem to make it With you socially There’s this reef around me I’m looking way out at the ocean Love to see that green water in motion I’m going to get a boat and we can row it If you ever get the notion To be needed by me Fresh salmon frying And the tide rolling in Lesson in Survival - 2 - 2

i

œ

œ

3

2

2

roll

mag-net and

2

5

œ œ œ œ œ œ œ œ 3

tide

˙

≈ œ œ œ œ

Piano

5

##

fry - ing and

Ó

œ œ

hands

œ

3

œ 0

œ 3

œ 0

-

œ

w

œ

œ 3

œ 2

œ 0

œ

2

5

5

œ œ 10

ing

in.

the souls.

œ œ œ œ œ œ œ œ

œ

3

œ

œ œ ˙

j œ ˙

œ.

ron,

5

5

-

˙

3

œ

œ

10

3 5

œ

3

2

5

œ œ. 10

2

˙

10

Verse 3: I went to see a friend tonight Was very late when I walked in My talking as it rambled revealed suspicious reasoning The visit seemed to darken him I came in as bright as a neon light And I burned out right there before him I told him these things I’m telling you now Watched them buckle up in his brow When you dig down deep you lose good sleep And it makes you heavy company I will always love you Hands alike Magnet and iron The souls

3

140

BARANGRILL

*Guitar in Open D7 tuning, w/Capo I: D-7-3-6-3-5

➅=D ➂=F# ➄=A ➁=A ➃=C ➀=D

Words and Music by JONI MITCHELL

Moderately q = 120 Intro: C/D

# 4 & #4 # 4 & #4 T A B

D

10fr. 111

œ F

D7

G5

12fr.

∑ n œœ œœ œœ œœ œ œ œ œ J

5fr.

111

23

j œœ n œœ

10 10 10 12 10 10 10 12 10 10 10 12

j œœ œœ œœ n œœ

0 0 0 0

∑

F #5

C/D 111

23

0 0 0 0

0 0

5 5

¿¿

4 4

*Recording sounds a half step higher than written. Gm 69

D7

¿¿

2

0

∑ n œœ œœ œ œ J

# # Cont. rhy. simile & œ œ œ œ œ œ œ nœ wait - ress - es

all

wear - ing

Em11

D7

D5

G5 5fr.

8

&

##

j œ œ.

2341

œ

œ

Sing - a

-

œ

pore

23

‰

fac

D7

-

D5

234

es, G5 5fr.

j œ

2341

j œ

œ

from

too

much

j œ

Gm(9)

Gm 4fr.

23

F #5

2341

thumb and the satch - el

Barangrill - 3 - 1

D5 23

Œ

j œ œ œ. œ œ œ

not one anx - ious

zom

C5

E5

5fr. 23

23

œ.

choice. Em11

42 Π23

23

D7 D5 G5

Rolls

‰

2341

-

œ

bies and

12fr.

‰

23

j œ

No

44

4fr. 2341

œ œ œ nœ œ œ œ œ

none of the

cra

D

-

zy

you get

D7

42 Œ

Π5fr.

or the rent - ed

œ

12fr.

23

23

0 0

Gm(9)

D5

˙.

2341

4 4

D5 10fr.

voice,

F #5

G5

5 5

j nœ œ

œ œ œ œ

4fr.

D5

0 0

2341

3

Gm

4fr. 2341

0 0 0 0

4fr.

12fr.

23

# ‰ j & # 44 œ œ œ n œ œ œ œ œ œ ˙ œ œ 17

0 0 0 0

talk-ing a - bout

D5

‰ œj

23

Gm(9)

2341

10fr.

trou-ble in their

&

F #5

Œ

F #5 D5

Three j œœ œœ œœ n œœ j œ # œ œœ œ œ œœ

0

rings

˙.

234

##

G5 23

23

# j & # 44 œ œ œ œ œ œ œ

14

‰

Gm 69

12fr.

Em11

-

5fr.

slings.

D 11

dia-mond ear D5

j œœ n œœ

23

4fr.

j œ nœ œ œ œ œ

F #5

Ó

Gm

234

black

G5 5fr.

10 12 10 12 10 12

10fr.

5

D7 12fr.

111

¿ j œœ œœ # œœ ¿¿ œ œ ¿ œ œ

0

Verse 1:

D 10fr.

F #5

‰

111

D5

G5 5fr. 23

23

œ

F #5

23

˙.

Royce.

j œ

The

44

D7

D5 12fr. 23

42 Œ

44 œ œ

1. And you

© 1972 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

141

%Chorus: Am

Em11

Bm

D7

6fr.

## 4 . & 4 . nœ 21

2341

œ

8fr.

œ

œ

‰

œ

2341

œ œ

think she knows some-thing 2.3. See additional lyrics

&

##

œ œ œ

to - tals your

&

D7

G5 5fr.

111

Œ

23

Ó

D7

D5

∑

F #5

G5

D7

5fr.

111

23

Ó

23

Œ

j œ

‰

nœ œ œ F #5

23

œ œ œ

œ

œ

way

j œ

Em11

laugh

D7

D5

’cause

G5 5fr.

Barangrill - 3 - 2

G5

F #5

j œ œ

23

œ

o - ver

˙

eas

it’s F #5

all

D5

so

G5 23

˙.

œ

-

œ

23

23

Œ

12fr.

42 Œ

œ

And

‰

2341

j œ œ œ œ œ nœ

Ah,

D7

y.

œ

D.S. % al Coda

D

12fr.

42 Œ

œ

her mind’s on her boy - friend and

2. D

œ

you

2341

D7

12fr.

111

œ

œ

4fr.

1.

23

44

111

Gm(9)

cra - zy.

F #5 D5

œ

D7

12fr.

4fr.

5fr.

23

D

D5

Gm

œ

œ

œ œ œ œ nœ œ œ

You’re hop-in’ it’s near Fol - ly ’cause you’re

˙.

234

2341

œ

pure.”

23

23

4fr.

2341

10fr.

just have to

eggs

œ

Gm 69

234

‰

Œ

5fr.

sure.

## 4 j œ œ œ & 4 œ œ œ

2341

œ

D5

˙

for

Gm(9) 4fr.

G5

12fr.

&

Bar - an-grill.”

12fr.

111

“Hum-ble makes

2341

head - ed that

##

D

10fr.

234

D

41

C/D

to

Gm

‰

œ œ œ œ œ œ œ œ

234

38

she

44 œ œ nœ œ nœ œ

10fr.

5fr.

&

F #5

Gm 69

some say it’s in ser - vice they say, 3. See additional lyrics

##

as

2. Well,

Em11 35

42 ˙

way

23

∑

(Gtr. plays intro simile)

12fr.

&

“Show me the

D5

D

##

œ œ œ œ

you think she’s en - lighten-ed

‰ œ. j œ œ œ

12fr.

Verses 2 & 3:

32

fill,

2341

2341

bill. You say, D

œ

j œ œ œ œ

Gm(9)

‰

j ‰ œ œ œ

10fr.

##

-

‰

j œ œ 4fr.

2341

111

sec - ond re

Em11

C/D

28

by the

To Coda fi

F #m 24

œ œ œ

2341

44 .. Œ

111

œ

2. It’s

œ

3. And

44 œ

you

142

fi Coda

Gm(9)

Em11

4fr.

# & # 44 45

j ‰ œ œ œ œ œ nœ e - ven for - get to

C/D

## 4 . & 4 . œ 49

10fr.

111

# & # 44 .. T A B

D

grill?”

..

œ 0

D7

G5 5fr.

10 10 10 12 10 10 10 12 10 10 10 12

∑

23

j œœ n œœ 0 0 0 0

F #5 C/D

0 0

5 5

10fr.

4 4

42

nœ

œ

44

œ

where’s Bar - an

D7

G5

12fr.

∑

111

23

j œœ œœ œœ n œœ j œj # œ œj œœ œ œ 0 0 0 0

Œ

-

Repeat and fade D

œ ¿¿

2

¿¿

œœ 0 0

Chorus 2: It’s just a trick on you Her mirrors and your will So you ask the truck driver On the way to the till But he’s just a slave to Barangrill Verse 3: The guy at the gaspumps He’s got a lot of soul He sings Merry Christmas for you Just like Nat King Cole And he makes up his own tune Right on the spot About whitewalls and windshields And this job he’s got Chorus 3: And you want to get moving And you want to stay still But lost in the moment Some longing gets filled And you even forget to ask Hey where’s Barangrill

Barangrill - 3 - 3

œ nœ.

“Hey,

111

n œœ œœ œœ œœ œœœ œ J

3

ask,

12fr.

Œ Ó

Œ

bœ œ œ œ

˙.

2341

2341

5fr.

111

n œœ œœ œ œ J 10 12 10 12 10 12

23

j œœ n œœ 0 0 0 0

∑

j œœ œœ œœ n œœ j œ œœ œ 0 0 0 0

0 0

5 5

F #5 D5

..

23

# œœ œ œ 4 4

0 0

.. ..

143

LET THE WIND CARRY ME Standard tuning Piano arranged for guitar

Words and Music by JONI MITCHELL

Freely

Intro: F #m7

### 4 œ œ & 4 ‰ œ œ œ 43 œœœ F Piano (arr. for gtr.)

T A B

2

2 1

##4 œ œ œ œ œ & # 4 œœœ œ

8

&

2

2

2

###

A/D

D (9)

j œœœ œœ

T A B

0 3 2 4 5

0

2 2 2

∑

0 3 2 4 5

Moderately Π= 108 Verse 1:

&

2

###

j œœœ œœ 0 3 2 4 5

F #m7

E/F #

2 333

2 31

Pa - pa’s faith

is

œœ œ

0 0 1 2

2 2 2

2 2 2 0

2 4 2 2

4 2 4

œ œ j 43 œœœ œœœ œ

j œ œ œ 0

0

3

0

4 5 2

0 0 1

0

œœ œ J

0 0 1

0 0 1

2

∑

œ

4 2 4

œœœ

œ

2 4 2

2

2

4 2 2 4

0

œœ œœ œœ œ œ œ œ J œ œ 0

œ œ œ œ œ œ j œ Jœ œœ œœ œ œ

peo - ple;

œœ œ J

4 5 2

F #m

E

∑

Œ œ œ œ œ œ œ

Cont. rhy. simile

œœ 4 œœœ œœ 4 œ

4

2

F #11

j œœœ œœœ œœ œœ

0 0 1 2

4 5 2

2

### j œ & œ œœ

14

0

2 2 2 4

œœ œœ

œœ œœ œœ œ œ œ œ J œ œ

4

2 2 2 0

œœ œœ

Dmaj7

F #m9

Dmaj7

T A B

œœ œœ

2 2 2 4

4

E

∑

j œ œ j œ œ œ œœ œœœ œœ œ œœœ œœ œ Ó J J 2 4 2

4 2 4

0 0

2 4 2

4 2 4

2 2 2 4

œœ œœ

œœ œœ

2 2 2 4

2 2 2 4

œœ œœ

œœ œœ

0 0 1 2

0 0 1 2

œ œ œ œœœ œ œ œ œ œ 3 0

3

3

4

w

2 3 2 0

Oooo.

∑

∑

0 0

2

231

2 333

Ma - ma,

œ

she

j œ œ œ œ

be - lieves

j œ in

j œ œ

clean

0

w

F #m7 E/F #

œ

œœ 4 œœ 4

D

E

œ

E

2 31

j œ ˙ -

Let the Wind Carry Me - 3 - 1 © 1972 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

ing.

0

144

F #m7 17

&

###

E/F #

5fr.

∑

2 333

G/A

Am

Œ

≈ œ œ nœ

311

2 31

321

Pa - pa’s faith

Am 20

&

###

˙

311

œ nœ al

&

###

œ

-

‰

321

nœ

œ

the

&

32

&

###

321

œ œ. œ nœ

œ

my

œ

-

3fr.

Ó

321

3

œ

-

œ

œ

œ

ma, she’s

j ‰ œ

nœ

œ

œ

brought home

the

su - gar;

Am

j œ œ.

er

œ nœ œ

She don’t like

j œ œ œ œ 2 31

me

stay-ing up

F #m7

E/F #

2 333

2 31

2 333

2 31

j œ œ

œ

j œ œ.

œ. œ

danc - ing

œ

like

36

Let the Wind Carry Me - 3 - 2

3fr.

∑

311

321

mean - ing.

œ

my

E/F #

She don’t like

œ

G/A

G/A

Am

‰

œ

œ

œ œ œ

œ œ œ.

Ma - ma

5fr.

321

œ œ nœ

321

kick pleat skirt.

Instrumental section

&

Ma

œ

5fr.

2 333

She’s look - ing

###

ple;

3fr.

E/F #

132

-

321

G/A

F #m7

### ‰ &

peo

Fmaj7

œ

‰

scene.

D

38

œ

Pa - pa

œ

F #m7

G/A 5fr.

˙

œ

deep

311

311

œ

j œ œ

3fr.

rock ’n’ roll

35

21

œ

311

G/A

She don’t like

###

j œ œ

311

G

clean - ing.

j œ œ

5fr.

Am 29

in

5fr.

Am

&

is

Am

taught me

###

œ

321

˙

œ

ways

Verse 2: 26

œ

3fr.

3fr.

Fmaj7 23

5fr.

G/A 5fr.

G/A

Am 3fr.

‰

j œ

a

mov

œ

late,

-

œ

lids

paint - ed

E/F #

2 333

2 31

œ œ

green.

‰

œ

j œ œ œ

231

œ

œ œ œ œ

œ

a - lone, moth - er. F #m7

E/F #

2 333

2 31

2 333

2 31

-

321

-

ie

Œ

œ

G/A 5fr.

j ‰ œ

dap

Œ

311

Ó

queen.”

Am 3fr.

j œ œ

j œ

œ œ œ œ œ

œ

Œ

œ

E/F #

Ba

‰

liv - ing for that

F #m7

œ

œ.

œ œ œ œ

in my high - heeled shoes,

G/A

‰

nœ œ. œ

F #m7

œ œ œ.

j œ

321

E

5fr.

Œ

eye

311

Pa - pa says, “Leave the girl

Am 311

œ

3fr.

3fr.

‰

j œ œ

321

ba

-

j ‰ œ

dap.

145 G/A

Am 76

&

5fr.

###

83

&

86

&

2 333

###

###

&

###

œ œ œ

œ

E/F #

2 333

2 31

Œ

˙

2 31

2 333

œ

œ

œ

It’s

œ

rough road

to

2 31

œ

ways

called

œ

œ

œ

for

œ

me.

œ

˙

231

2 333

œ

œ

raise

a

œ

child

up

G/A 5fr.

311

j œ œ nœ œ

get that strong

œ

311

long

-

5fr.

## & # œj œ Am 311

car - ry

let

œ

œ œ

j œ œ

œ œ

he

now.

bless - es

me.

j œ

I

F #m7

œ

∑

2 333

y. G/A

Am 5fr.

j œ

321

ing

-

get that feel - ing and I want to

Œ

2 31

-

al

œ œ œ œ œ œ œ œ œ œ

E/F #

some - bod

It’s

2 333

3fr.

œ

‰

œ

go

œ œ œ œ œ œ nœ

and I want to set - tle down

and

G

j œ œ

‰

G/A

Am

321

-

y.

5fr.

### j & œ nœ

pa,

2 31

3fr.

j œ œ

j œ n œj œ

311

raise

j œ

321

a

child

up

with

Fmaj7

3fr.

311

some - bod

œ

G/A

œ

G/A

Am

œ

Some - times

5fr.

321

I

with

Am 3fr.

‰

j œ œ.

œ

œ

Ma - ma,

ΠF #m7

œ

-

F #m7

E

œ œ œ

œ

trav - el,

2 333

œ

Pa

132

œ

œ

E/F #

œ

E/F #

D

œ

a

free.

2 333

She blames her - self but

231

œ

me

˙

‰ œj œ œ œ œ œ œ

j œ œ

rot - ten.

œ nœ

F #m7

2 31

Ó

231

œ

he set

E/F #

‰

œ

F #m7

## & # ‰

98

F #m7

œ

œ œ œ

knows some - how

E/F #

321

231

E

Am

95

Pa - pa

Ma-ma thinks she spoilt me

set - tle and

92

3211

thinks she spoilt me;

F #m7

-

89

‰ œj n œ œ œ œ œ

œ

321

F #m7

Am 3fr.

œ œ œ œ œ œ

311

## & # ‰

G/A

Am

3fr.

Ma - ma

80

F

j œ ˙ me.

Let the Wind Carry Me - 3 - 3

œ œ

But it

3fr. 321

21

≈ œ œ nœ œ œ œ œ nœ œ 3

pass - es

321

like the sum - mer. F #m7

5fr. 311

œ œ œ nœ œ. œ œ

Œ

2 333

I’m E

∑

231

a

wild

œ œ œ œ œ œ

seed a -gain. Let the wind Dmaj7 D

∑

132

∑

146

SEE YOU SOMETIME

Standard tuning Piano arranged for guitar

Words and Music by JONI MITCHELL

Moderately Π= 112 Intro:

Bb Piano (arr. for gtr.)

F

œ œ œ & b 44 œ œ œ œ œ œ œ F

T A B

3

%Verse: Bb

1

2

0

1

F/B b

Cont. rhy. simile

œ

‰

1321

œ

œ

&b Ó

Œ

8

3211

œ

in

œ

œ

œ

or

3

œ

&b œ

‰

K,

œ J

hang

œ

up the phone,

&b Œ

‰

j j œ œ œ

though it’s

un

œ

œ

Why

do you have

to

be

it

j œ

-

3

it

˙.

œ

have

a

view? C/F

j œ œ

3211

- ey who came

œ.

on

3 1

œ

to

you?

21

‰ œ œ J

Œ

Œ

œ œ œ

œ

jive?

O

-

œ. œ œ œ œ œ œ œ

321

To Coda fi D

Œ

‰

A/D

D

j œ #œ

j œ

A/D

A/D

13

I’d D

G7/F

but some - thing

der - mined. A/D

nœ

so

‰ œ J

hurts,

œ

œ

3

12

still

1.

D

Ó

Œ

œ

sur - vives, D

A/D

j œ 13

like

3

D

12

13

œ

œ

to

see

2.

you

D

3fr.

& b œj nœ 21

13411

j œ œ œ. œ

some - time.

13

3

3 1

Fmaj7

3 1

32 1

D

C2

1

F

hold - ing some hon

C

321

0

C/F

1321

œ œ œ

j ‰ œ

Fmaj7 18

1 1 2 3

3

3

œ

œ œ œ œ œ œ œ œ

1333

œ

32 1

œ œ

0 1 0 3

2

F/B b

C/F

1321

1 1 2 3

G

Œ

Ó

œœ œ œ œœ œ œ

3

œ

room, does

C

3211

œœ œœ œ œœœœ œ œ

3211

œ

some ho - tel

j ‰ œ

3

3

1 1 2 3

F

F

Bb

crowd

F/B b 15

3211

œ

a

F

&b ˙

1

1333

œ

œœ œ œ œ œ œ

2

F/B b

1321

œ œ œ

3

1

F/B b

Are you caught in

12

3

œ

Bb

are you

1333

œ œ

œ

1

œ œ

1. Where are you now, 2.3. See additional lyrics F Bb

œ œ œ

1 2

2 3

1

1333

& b .. œ 5

3

1

0

3

3

œœ œ œ

œœ

C/F

∑

12

13

12

∑

13

12

13

‰ j .. œ 2. I’m

© 1972 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC See You Sometime - 2 - 1 All Rights Reserved

∑

13

1

147

Bridge:

F/G

G

&b 26

21

3

nœ

œ

Pack your

j œ œ.

3 4211

œ

F/G

G

œ

sus - pend

-

21

Œ

3

3 4211

œ

ers.

G 21

œ

I’ll

G7

j œ nœ. 3

1 2

&b

Œ

˙

j œ

‰

No

C

&b 32

3 11

œ

œ

need

to

you

a

-

j œ œ.

C

Œ

32 1

signed.

D

3 &b4 39

13

œ

sure

A/D 12

#œ

like

&b

3 1

13

œ

to

œ œ

But I’d

A/D 12

sur - ren

-

D

A/D

j œ #œ 13

12

see

∑

1333

still like

j œ œ

to

12

D 13

˙

just

want

A/D 12

j œ œ.

œ

to

D

Ó

see

D.S. % al Coda

Œ

‰

13

j œ

A/D

D

j œ œ

13

12

œ

see

you

œ œ œ

some - time.

œ

j ‰ œ

43

I would

F

4 4 w

œ œ œ œ

F

∑ Bridge: Pack your suspenders I’ll come meet your plane No need to surrender I just want to see you again

Ó

3211

w

you.

Verse 2: I’m feeling so good And all my friends all tell me that I’m looking fine I run in the woods I spring from the boulders like a mama lion I’m not ready to change my name again But you know I’m not after a piece of your Fortune and your fame ’cause I tasted mine I’d just like to see you sometime See You Sometime - 2 - 2

I

Bb

∑

œ

3. We’re

A/D

13

j œ œ

der,

12

w D

‰

3211

A/D

13

1333

œ

nœ

plane.

œ

Bb

C/F 43

D

œ

˙ D

& b œ œ œ.

œ

12

gain.

fi Coda 36

œ

A/D

13

œ

˙.

32 1

F

D

32 1

Œ

4

come meet your

F2 29

C

C/F

3211

∑

3 1

∑

Verse 3: We’re in for more rain I could sure use some sunshine on my apple trees It seems such a shame We start off so kind and end so heartlessly I couldn’t take them all on then With a head full of questions and hypes So when the hopes got so slim I just resigned But I’d still like to see you sometime I would sure like to see you

148

ELECTRICITY *Guitar in Open G tuning, w/Capo IV: G-12-7-5-4-3

Words and Music by JONI MITCHELL

➅=G ➂=G ➄=G ➁=B ➃=D ➀=D

Moderately Π= 108 Verse: G7sus

Am7

G

G7sus

G

3fr.

# & 44 ‰

3 1

j œ

œ

1. The

œ

&

#

0 0

3 0

0

3

œ

love - less,

œœ œ

0 0

1 0

0

2

he

œœ œ

talks

œ 0

œ œ œ.

3 1

to

œ

œœ

œœœ œ œ œœ œœ œ nœ œ

2

0 0

3 0 5 0

0

j œ

œ œ œ

œ

ic

œ

œœ

o - ver

œ

œ

0

1 0

œ

fall

and the pond

œ

1 0

2

2

G

0

0 0 0

&

#

and the

œœœ œ

1 0 3

œ

0

2

œ

œ

œ 1

œœ œ

œ

0

Œ

œ.

-

es.

n œœœ œ 1 0 3 0

0

G6

Am7

j œ

0 0 0

3

‰

œœœ œ

œœœ œ

œœœ œ

œœœ œ

œœœ œ

œœœ œ

1 0 3 0

1 0 3 0

1 0 3 0

1 0 3 0

1 0 3 0

1 0 3 0

G

Gmaj7

3fr.

5

œ œ

the land

3 1

# œ œ œ

T A B

1

œ œ œœ œ

œ

j œ œ

23 1

leaves

&

0

is

œ

3 1

*Recording sounds a major third higher than written. The 6th string is not played but is allowed to resonate sympathetically. G7sus

Am7 3

œ

Mi - nus

# 4 ‰ œj œ & 4 œœ n œœ P

T A B

Œ

23 1

j œ

“She

œœœ œ 1 0 3 0

G7sus 3fr.

3 1

Cont. rhy. simile

œ

œ

œ

don’t know the

23 1

œ

‰

j œ œ

sys - tem, Plus

Am7

G

213

œ œ œ

she don’t un G

3 1

213

G7sus

œ œ. œ

-

der - stand

G

œ

œ

she’s got

3 1

œ œ œ nœ œ all

the wrong fus

-

Am7

œ œ

es

and G

3fr.

# & œj œ 8

23 1

splic

-

j œ œ

es.

‰

3 1

3 1

j œ œ nœ œ ˙ œ œ

She’s

not gon - na

fix it up

‰

23 1

œ œ ˙

too

œ œ

eas

˙

-

œ.

y.

Electricity - 4 - 1 © 1972 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

j œ

The

149

% G7sus 12

&

#

G

Am7

G

G

3fr.

j œ œ œ œ œ œ

‰ œ œ œj

3 1

3 1

3 1

23 1

œ œ œ

mask - ing tape tan - gles, it’s 2. See additional lyrics

3 1

stick - y

G7sus 15

&

#

and

black.

G

j Œ œ

3 1

j œ œ

Liz

-

‰

zie

G

Am7

G7sus

3fr.

j œ

j œ

And

the

23 1

œ

œ

œ

œ

lit - tle charg - es

18

&

#

Queen

G

213

don’t get

œ œ

charg - ed back. “Well, the

G

3fr.

œ

head - ed

j j œ œ œ

j œ œ

that

œ

Gmaj7

213

j œ œ.

œ

proud

G6

Am7

G

j œ œ

cop - per

Am7

con - ducts

G7sus

j œ œ

23 1

G7sus

G

3fr.

3 1

3 1

œ œ œ nœ œ

tech - ni - cal

man

j œ œ

œ œ

-

j j ‰ œ œ

23 1

u - al’s

bus

-

‰

y.”

3 1

j œ

She’s

Am7

G

œ

œ

not

j œ

3 1

œ nœ œ œ.

gon - na

G

fix it up

too

G7sus

G

3fr.

21

&

#

j Œ œ

23 1

œ

œ œ œ

œ

œ

œ.

œ

eas

Am7

-

3 1

œ œ

y.

G

G7sus

24

&

#

23 1

œ

shines

œ œ œ œ

it

on

G

‰

me.

j œ

She

3 1

3 1

œ nœ œ œ

wants me

to

G6

Am7

œ nœ her

œ

œ

œ

œ

flash - light and she

Am7 3fr.

œ

œ

holds out

G

3fr.

œ

œ

And she

3 1

tell her what

œ

3 1

œ œ œ

the

Gmaj7

j Œ œ

23 1

trou- ble might

G

G

œ œ.

be.

Well, I’m

G7sus

G

3fr.

27

&

#

œ œ

‰

learn - ing

j j œ œ œ 23 1

it’s peace - ful

Am7

213

213

œ œ œ œ œ œ œ œ œ œ

with a

good dog and

G

G7sus

some

G

trees, out

of

3 1

œ

œ

3 1

œ nœ

œ

œ

touch with the break - down of

œ

this cen -

Am7

G

3fr.

30

&

#

3 1

23 1

œ œ ˙

tu - ry. Electricity - 4 - 2

œ œ

3 1

œ œ œ nœ œ ˙

They’re not gon - na

fix it up

œ

‰ œ œ ˙

23 1

too

œ œ

eas

˙

-

j œ œ. y.

150 G7sus

Am7

G

G

G7sus

G

Am7

3fr.

34

&

#

3 1

23 1

w

3 1

˙.

Œ

3 1

˙

Ooo,

ooo,

# & n œœœ œœœ œ œ

œœœ œœ œ œ œ œ œ

T A B

1 0 3 0

1 0 3 0

1 0 3 0

0 0

1

&

#

3 1

œ

œ

œœœ œ

‰

0

0

3 0 5 0

2

G7sus 37

‰ œ œ œ œ

23 1

j j œœ œœ n œœœ œ

j œœ

0 0

0 0

1 0 3 0

G

Am7

Œ

˙

ooo, ooo,

œœ œœ œœ œœ œœ œ œ œ œ œ

œ œœ œ

1 0

1 0

1 0

1 0

0

2

2

2

2

G6

∑

23 1

ooo,

1 0

0

0 0 0

Gmaj7

213

213

∑

ooo.

&

#

œœ n œœœ œœœ œ œ œ œ

T A B

1 0 3 0

1 0 3 0

G

3

œœœ œœ œ 1 0 3 0

1 2

œœ œ œœ œ œ œ œ œ œ œ

œ

œ

0 0

0

3

0

0

G7sus

0

0

1 0

0

2

2

1

œœœ œœœ ‰ œœœ œœœ œœœ œ œ J 2 1 2

2 1 2

4 3 4

4 3 4

4 3 4

0

0

D.S. % al Coda

Am7

G

3fr.

40

&

#

3 1

œ

œ

œ

3 1

œ

‰

ooo, ooo, ooo, ooo,

j j œ ‰ nœ ooo,

ooo,

# œ œ œ & œœ œœ œœ n œ œ œ

œœ œœ œ œ œ

œœ

T A B

1 0 3

0 0

3 0 5 0

Electricity - 4 - 3

3 0 5

3 0 5

3 0

1 0 3

0

23 1

œ nœ ˙.

‰

˙.

ooo, ooo.

j œ

2. We

j j j j ‰ œœ œœ œ œ œœ ‰ œœ ‰ œœ ‰ œœ œœ œ œ œœ œ œ œ œ œ œ 1 0

1 0 2

2

0

1 0

1 0

1 0

1 0

1 0

2

2

2

2

2

2

0

0 0

151

fi Coda

Am7

# & Π43

‰

23 1

œ œ ˙

like a

G

heart

G7sus

-

j œ œ.

˙

beat.

w

Œ

˙

‰

j œ

She’s

Am7

G

3fr.

47

&

#

3 1

œ

not

œ

‰

3 1

23 1

œ nœ œ ˙

gon - na

fix

œ œ œ

it up

too

j œ

œ.

j œ œ

eas

j œ œ œ œ -

j œ

Repeat and fade

50

&

F6/G

G7

321

3

# -

œ

œ

œ

œ

j œ

œ

‰

F6/G

G7

..

∑

321

3

y.

Verse 2: We once loved together And we floodlit that time Input output electricity But the lines overloaded And the sparks started flying And the loose wires Were lashing out at me She’s not gonna fix that up Too easy But she holds out her candle And she shines it in And she begs him to show her How to fix it again While the song that he sang her To soothe her to sleep Runs all through her circuits Like a heartbeat She’s not gonna fix it up Too easy

Electricity - 4 - 4

F6/G 321

G7

∑

3

..

152

YOU TURN ME ON, I’M A RADIO *Guitar in Open D tuning, w/Capo I D-7-5-4-3-5

➅=D ➂=F# ➄=A ➁=A ➃=D ➀=D

Words and Music by JONI MITCHELL

Moderately Π= 112 Intro: D5

1. Dmaj7

G/D

2. A7sus

A7sus

5fr.

! ¿ ! ! ¿ ! ! ¿ ! ! ! ! ! ! ! ! ! ! ! ¿ ! ! ! !!! ! ¿ ! ! ! ! ! ! F # .. Ó ∑ ∑ ∑ ∑ Œ & # 44 .. œ œ 3 1

2 1

21

2 1

21

*Recording sounds a half step higher than written.

Verses 1–3: D5

1. If you’re

Dmaj7

G/D

5fr.

6

&

##

œ œ œ œ œ

driv - ing

œ. œ œ

œ œ

3 1

in - to town

with

2 1

a

dark

%D

A7sus

# & # œj œ 9

j ‰ œ

21

to

love

you,

21 3

2 1

3 1

G/D D7

G/D

2 1

I’m

in

the

21 3

œ

-

ber who’s bound

a

21 3

œ œ. œ

œ

&

##

21 3

21 3

2 1

sta

-

5fr.

&

111111

-

tion, I’m

21 3

œ œ

5fr.

‰.

er,

a

corn

G

G6 5fr.

111111

for

D

2 1

lit - tle bit

r Œ œ œ œ œ œ œ œ 131111

wav - ing

21 3

3 1

you.

-

y,

I’m

œ

œ

I’m

a

j œ

131111

˙

a

2 1

5fr.

111111

2 1

œ œ œ œ œ œ œ œ œ

To Coda fi

G6

G

##

2 1

œ œ œ œ œ œ œ œ

coun - try

15

3 1

3 1

G6

G 5fr.

12

2 1

ra - di - o,

G/D D7 G/D

D

num

D

œ œ

you turn me on, 2.3. See additional lyrics

G/D D7 G/D

œ

dial

.. œ œ œ œ œ

Oh, hon - ey,

D

a - bove

œ œ œ œ œ œ œ

G/D D7 G/D

21 3

j œ œ œ

you.

cloud

œ œ Œ

œ

œ

2 1

wild

-

j œ œ

wood

flow -

G/D D7

D 5fr.

131111

œ œ œ œ œ œ œ œ. Broad

cast - ing

tow

D

-

21 3

21 3

œ

œ

er,

2 1

3 1

œ œ œ

wav - ing

A7sus 3fr.

18

&

##

œ œ

Œ

Œ

for you. You Turn Me On, I’m a Radio - 2 - 1

œ. œ œ œ œ

321

œ œ

And I’m

send - ing

you out

≈ œ œ this

j œ

3

œ

sig - nal

j œ œ

21

here,

j œ Œ

© 1972 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

‰

j œ I

153 D

1.

2.

A7sus

A7sus

D.S. % al Coda

3fr.

21

&

##

œ œ œ œ œ œ œ œ.

321

hope you can pick

fi Coda

it

up

##

&

œ

111111

œ

Œ

‰

what a

sor - ry

face

131111

131111

get

to

still

œ œ œ œ Œ

dark

nœ

cloud a - bove you,

D5

dial

‰

D5

5fr.

‰

131111

œ

lis - t’nin’ there.

. œ œ œ œ œ œ .œ

œ

in

œ

the

Dmaj7

num

œ

4. If you’re driv - in’ in - to town with See Verse 4 additional lyrics

-

œ

œ

œ œ

3 1

#œ

ber who’s bound

j œ œ.

j ‰ œ

21

to

G/D

a

Repeat 3 times

A7sus

œ

Œ

Verse 4:

G/D 2 1

wear.

5fr.

œ œ œ œ

j œ

œ œ œ œ

G6

111111

œ œ œ œ œ œ œ œ œ œ

2 1

3. ’Cause, hon -ey,

5fr.

you

5fr.

Dmaj7

out.

G6

œ œ

G 5fr.

# & # œ

me

111111

œ œ œ œ œ

G6

111111

tune

5fr.

I’m gon-na tell you a-gain now if you’re

29

2. I know you G

131111

5fr.

&

and clear.

5fr.

G

##

21

G6 5fr.

prayer,

26

j ‰ .. j œ œ œ œ œ œ œ œ œ œ œ.

‰

œ œ

œ

loud

G

24

21

love

you.

œ

œ

..

If you’re

A7sus

5fr.

32

&

##

∑

3 1

Ó

2 1

œ ‰ J œ œ Doo

D5

œ œ œ ‰ œ œ œ œ J

2 1

doo

doo doo

Dmaj7

doo - d - d - doo

œ œ. J

21

doo.

G/D

A7sus

‰

21

j œ œ œ œ ‰

5fr.

# & # .. ‰ 36

3 1

j œ œ œ œ œ œ

Uh - huh

Œ

2 1

œ œ œ uh

Verse 2: I know you don’t like weak women You get bored so quick And you don’t like strong women ’Cause they’re hip to your tricks It’s been dirty for dirty down the line But you know I come when you whistle When you’re loving and kind But if you’ve got too many doubts If there’s no good reception for me Then tune me out Verse 4:

You Turn Me On, I’m a Radio - 2 - 2

-

huh

œ

2 1

j œ œ œ œ œ œ uh

-

huh.

jœ œ œ œ œ œ

Verse 3: ’Cause honey who needs the static It hurts the head And you wind up cracking And the days goes dismal from Breakfast Barney to the sign-off prayer What a sorry face you get to wear I’m gonna tell you again now if you’re still listening there

If you’re lying on the beach with the transistor going Kick off the sandflies honey the love’s still flowing If your head says forget it But your heart’s still smoking Call me at the station The lines are open

j œ ..

154

FOR THE ROSES *Guitar in Open G tuning, w/Capo III: G-(12)-7-5-4-3

Words and Music by JONI MITCHELL

➅=G ➂=G ➄=G ➁=B ➃=D ➀=D Moderately slow Œ = 82 Intro: Gsus

G

3fr.

#4 & 4 T A B

j œ ‰ œœ œ œ œ

0

3

0

4

321

5 3 5

0

0

0

0

> œ. œœ # œœ œœ œœ œœ .. œ œœ œœ œœ .. œ œ œ œ œ œ œ œ

œœœ œœœ œ œ œ œœ œ ≈ œ . œ œ œ œ œ œ œ œ

314

œ # œ œ >œ F

G5 A11/G 3fr.

0 4 5 0

0 0

3

0

0

4 5 0

0

3

2 3

0 0

0

0 0 0

2 0

2 0

2 0

0 2 0

0

0

0

0

0 2 2 0

2 0 0

0

*Recording sounds a minor third higher than written.

Cm(9)/G

G

> # Nœ. & b œœ . œ œ œ œœ œœ œ œ œ 3

T A B

2 3

1 0 1 0

1

1 0

0 0

œœœ œ œ 0

1 0 0

œ œ œ

0

1 0

0 0

1

G

H H

œœ .. œ

œ

1 1

C/G 2 1

œ œ œ œœ œœœ œœ œ 0

0

0 0

0

0 0 0

˙˙ ˙œ

¿.

œ œ #œ œ œ

*

1

0 0 0 0

2

¿

0

0

3

4

0

* Tap strings w/right hand.

Verse: Gsus

G

3fr. 314

# & .. ≈ 5

G5

321

Cont. picking simile

œ

2 3

œ œ œ œ œ œ œ

1. I heard it in the 2.–5. See additional lyrics

wind

Cm(9)/G

œ

œ

last

night;

G

# ‰ Nœ œ œ œ & bœ 7

A11/G

3fr.

2 3

œ œ

œ œ œ œ

Did you get a-round re- sound - ing

For the Roses - 3 - 1

Œ

œ œ œ œ œ œ

#œ œ

it sound - ed like

C/G H H

œ œ œ ˙

2 1

for you way up here?

G

ap - plause.

Gsus

G

3fr.

Œ

œ

314

G5 3fr.

œ œ œ œ œ œ œ œ

Seems like man-y dim

321

years

© 1972 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

a - go

155

# & ‰ . # Rœ œ œ œ 10

œ œ

2 3

since I heard that

&

face

œ œ

œ

to face

or

C/G

G

12

To Coda fi

Cm(9)/G

A11/G

seen you

G

H H

# œ œ

‰ Nœ œ œ œ

you

face

to face, though to - night I

nœ

œ

œ

œ #œ

these

notes

on

but - ter

314

‰.

œ

r œ

here.

œ

I

G

Gsus

œ œ œ œ œ œ can

feel

Gm11

2 1

œ œ œ œ

œ œ

2 3

get

G

Am7

œ œ -

œ

flies

and

F/G

3fr.

œ J

# & ‰ 14

314

œ

œ

œ

œ

œ œ

œ

li - lac sprays from girls who just

œ. œ œ

23 1

have

to tell

œ œ. œ ‰ J

# œ œ. &

Œ

me

they

1.2.3.

G7

œ. nœ œ œ.

17

œ. œ œ œ œ œ œ

321

3

some - where.

you

D.S. % al Coda

4.

∑

œ

saw

..

∑

∑

fi Coda G

21

&

# œ emp

&

-

˙

œœœ

ty

spot

w

# œ. œ. œ œ œ œ œ œ œ. œ œ œ œ œ œ œ œ œ œ

T A B For the Roses - 3 - 2

0 0 0

0

0

0 0

0

0 0

0

0

0 0

0

-

˙

Ó

light.

œ. œ œ œ œ œ œ œ. œ œ œ œ œ œ œ œ œ œ

0 0

0

0

0 0

0

0 0

0

0

0 0

0

œ. œ œ œ œ œ œ œ. œ œ œ œ œ œ œ œ œ œ

0 0

0

0

0 0

0

0 0

0

0

0 0

0

0

156

24

& T A B

#

Fade

œ. œ œ œ œ œ œ œ. œ œ œ œ œ œ œ œ œ œ

0

0

0

0 0

0

0 0

0

0

0 0

0

œ. œ œ œ œ œ œ œ. œ œ œ œ œ œ œ. œ œ œ œ œ œ œ. œ œ œ œ œ œ œ œ œ œ œ œ œ œ

0

0 0

0 0 0

0 0

0 0

0

0 0

0

0 0

0

Verse 2: In some office sits a poet And he trembles as he sings And he asks some guy To circulate his soul around On your mark red ribbon runner The caressing rev of motors Finely tuned like fancy women In thirties evening gowns Up the charts Off to the airport Your name’s in the news Everything’s first class The lights go down And it’s just you up there Getting them to feel like that Verse 3: Remember the days when you used to sit And make up your tunes for love And pour your simple sorrow To the soundhole and your knee And now you’re seen on giant screens And at parties for the press And for the people who have slices of you From the company They toss around your latest golden egg Speculation–well who’s to know If the next one in the nest Will glitter for them so Verse 4: I guess I seem ungrateful With my teeth sunk in the hand That brings me things I really can’t give up just yet Now I sit up here The critic And they introduce some band But they seem so much confetti Looking at ’em on my T V set Oh the power and the glory Just when you’re getting the taste for worship They start bringing out the hammers And the boards and the nails Verse 5: I heard it in the wind last night It sounded like applause Chilly now End of summer No more shiny hot nights It was just the arbutus rustling And the bumping of the logs And the moon swept down black water Like an empty spotlight For the Roses - 3 - 3

0

0 0

0

0

0 0

0 0

0 0 0

0

0

0 0

0 0

0

157

BLONDE IN THE BLEACHERS Standard tuning Piano arranged for guitar

Words and Music by JONI MITCHELL

Moderately Π= 112 Intro:

A m/D Piano (arr. for gtr.)

A m7

œ œ œ œ œ œ œœ œ œ 4 œ œœ œ &4 œ œ œ œ œ œ œ œ F 0

T A B

0

2

1

0

0 0

1 2

0

3

1

0

1

2

0

0 2

F maj7

1

0

2

D maj7/G

D maj7/G

œœ œ œ œ œ œ œ œ œ # œœ œœ œœ œœ œœ œ œœ œ œ

œœ œœ œ œ œ œ œ

0

3 4 0

3 4 0

3

3

1

0

0

2

3

G

1

0

0

3

2

1

2 2 0

2 2 0

3

3

0

2 2 0

0

3

Verse: G

Am/D

& Ó

Œ

5

‰

& # œœœ œ

œœ œœ œ œ œ œ

T A B

2 2 0

3 4 0

3

3

0

21

The blonde in

Dmaj7/G

the loud

-

speak - ers

A

E/A

123

21

miss

the

bleach - ers,

she

∑

œ œ œ

flips her hair

‰ œ œ œ œ

for you,

a-bove

∑

3

321

& œ

œ œ œ œ œ œ œ œ œ

0

0

& œ œ . œ œ œj œ

12

2 1

Cont. rhy. simile

j œ

Fmaj7 8

Am7

œ œ œ

œ

liv - ing a - lone.

Dmaj7/G

G

j œ #œ œ ˙. 2

you

11

2

start to

43

2

Ó

11

Bm

G 2

Œ

43

‰

fall.

‰

j #œ œ

You can

131111

œ

j ‰ j #œ œ œ œ œ œ œ œ 13421

She

F #m7

A/B 1111

fol - lows you home,

but you

A/B

3

œ

œ

j œ ‰

still hear sweet mys

-

‰

1111

œ

œ

ter - ies

#œ.

call

œ

œ œ œ -

Blonde in the Bleachers - 3 - 1 © 1972 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

œ

158 E 15

j Œ #œ

231

& j œ œ -

ing

‰

you.

Emaj7

C

D/C

C

32 1

3 121

32 1

j œ œ

œ œ œ œ œ œ œ

The bands and the

road

-

Cmaj7/F

A/E

#œ œ œ œ œ œ œ

ies,

lov - in’ ’em and leav - in’

œ

Œ

œ

’em.

It’s

F

A/D

5fr.

j ‰ & ‰ # œj œ œ œ œ œ 18

plea - sure to

& Ó

j œ œ ’Cause

Am7

& 68 œ

2 1

j œ œ œ œ

trou - ble

it

œ

œ you

2 1

231

123

œ

œ

seems

œ

œ

give

up

the

j & œj œ # œ œ œ œ œ

un -known

cold, you’re in rock

44 ˙

give

Œ

up

68

231

œ

œ #œ a

piece

œ

#œ

such

j œ #œ

so sweet and

Ó

chase.

’n’ roll,

j œ œ œ œ #œ

Blonde in the Bleachers - 3 - 2

œ #œ

Ó

134111

Bm

child,

œ

like you’ve got - ta

13421

D

& œj # œ

œ

Bm/A

œ

œ

of

your

F #m

132

132

œ

23

’em.

A

Bm

and

keep

Bm/A

œ

23

to

œ œ

∑

Ó

j œ œ.

Am7

œ

D

32

134211

Em

soul when

28

1 2

try ’em, it’s

‰

22

25

‰

211

111

13421

#œ.

wild.

Feel - ing

Esus

A

234

123

œ œ œ œ œ œ

it’s the na - ture of the

j œ œ

race.

A

Esus 234

j œ #œ.

œ œ

œ

it

hot

E/A A E/A A 21

123

21

123

˙

It’s youth. It’s too good to waste.

21

Ó

Œ

œ œ It’s the

E/A A

123

œ œ #˙.

œ

123

E/A A 21

123

E/A 21

∑

159 A m/D Piano

A m7

œ œ œ œ & œ œ œ œ œœ œ 36

T A B

0 2

0

1

0

0

0

1 2

0

œ œ œ œœ œ œ œ œ œ œ 3

1

F

0

1

0 2

2

0

G

&

0 2

G/F

3

T A B

2 2 0

3 4 0

3

3

1 2

1 2

0 0

0 0

0 0

1 2

1

1

1

1

1

1

tapes

œ œ œ #œ œ

her re - grets

& .. œj œ 48

132

can’t (2.) count (3.) pete (4.) girls

to

the

42 œj

hold on with and

j œ #œ

the your the the

hand plans fans bands

œ

mi - cro

j œ œ

a rock of with a rock for your rock and the rock

3

44 œ

j œ

-

123

phone

52

Am

123

231

& w

w

3

3

1

3

man.”

Blonde in the Bleachers - 3 - 3

3 4 0

3

3

3

3

2 2 0

0

3

43

Ó

Œ

‰

Cont. rhy. simile

j #œ

∑

She

0 2

3

A

E/A

Ó

21

#œ œ. ˙

‰

123

j #œ œ œ

1. She says, “You

’n’ ’n’ ’n’ ’n’

j œ œ

13121

A

#œ œ man man man

roll roll roll roll

‰ # œJ œ œ Œ

123

œ

3211

A

∑

2 4 Œ

ver - y long. ver - y long. for ver - y long

F

w

3 4 0

0

œ œ œ œ œ œ

4. A

2 2 0

stand.

Bm7/E

13121

#œ œ

2 2 0

1.2.3.

Bm7

3 121

œ œ

A

13121

D/C #

D

3

Bm7/E

13121

œœ œ œ œ œœ œ œ

2

∑ œœ œ

Bm7

2

3

1

∑

3 4 0

0

D maj7/G

G

œœ œœ œœ œ œ œ

& #œ

0

0

G

œœ œœ œœ œ œœ

œ # œœ œœ

F

œœ œ œ

132

0

1

œœ œœ œœ n œœ œœ œ œ œœ œ œ

44

1

3

& # œœœ œ

D

D maj7/G

œœ œ œ œ œ œ œ œ œ œ

1

0

∑

40

Cmaj7/F

∑

..

2. Or 3. Com 4. The

Repeat ad lib.

123

∑

‰ œj 44..

..

G

∑

21

3

160

*Gtr. tuning: B-7-7-3-7-4

WOMAN OF HEART AND MIND Words and Music by JONI MITCHELL

➅=B ➂=E ➄ = F# ➁ = B ➃ = C# ➀ = D# Moderately Œ = 96

& 44 T A B Verse:

C

2

5

j œœ œ

œ j œ œ 0 0

0

9 9 0

0

& .. œ

œ

23

œ

œ

œ

5fr.

an

of

3

0

to

œ

raise.

and

œ

2341

˙

j œ œ

9

&œ œ œ œ œœœ œ œ

and my

∑

T A B

mind

j œ œ

œ

to

œ

with

œ

me

Gm7 G6 (2) G7sus

Cmaj9

&‰

j œ œ œj œ . œ 23

You think I’m like your Woman of Heart and Mind - 2 - 1

23

23

w

like

œ œ œ

time

3

0

œ

j œ

on her hands,

no

a

lit - tle

œœ b œœ œ œ

œœ

2 2 0 0

4 4

G7/C

C

12fr.

j œ

23

23

œœ œ œ

œœ œ œ

0 0 0 0

œ.

moth - er,

œ

and

I

Gm7 G6 (2) G7sus

œœ œ œ

œœ œ œ

0 0 0 0

2 2 0 0

Œ

23

œ

œœ

5 5

4 4

‰

œœ œ œ 0 0 0 0

œœ œ œ

œœ œ œ

œ œ bœ œ

0 0 0 0

0

2

3

0

Fmaj9

9fr. 23

Ó

23

œœ b œœ œ œ

Cmaj9 14fr.

23

boy

œ

5fr. 23

5 5

j œ ‰

œ œ œ.

œ

G

praise.

9fr.

12

2

‰

2341

5fr.

C

0

0 7

23

You come G

&

0 0

C

‰

1111

give you my scorn

œ œ bœ œ

5fr.

1311

œ

heart

œœ

4fr.

23

œ

œœ œœ

Fmaj9

9fr.

j œ œ.

23

9 9 0

0

C13sus/G D9 5fr.

1111

j œ

14fr.

23

œ

œ

-

F/G

C13sus/G

child

2

Cmaj9

12fr.

23

0 0

0 0

C

G7/C

1. I am a wom 2.3. See additional lyrics

&œ

0 0

j œœ œ

œ j œ œ

œ œ œ bœ œ

0 7

9fr.

6

œœ

œœ œœ

23

Cmaj9

Cont. rhy. simile

Cmaj9 9fr.

*Recording sounds a half step lower than written.

C

3

C

9fr.

œ œ œ œ F 0

Cmaj9

4fr.

œ œ œ œ œ

or

an - oth - er

lov

2341

œ œ œ œ œ œ

-

er,

or your sis - ter

© 1972 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

‰

œ œ

or the

C13sus/G 5fr.

15

C13sus/G D9

F/G 5fr.

1111

5fr.

1311

1111

&œ œ œ œ ˙

‰

2341

œ

queen of your dreams,

j œ œ œ œ œ 1.2.

G

& w

23

23

23

œ & œœœ b œ œ

œœ

T A B

4 4

5 5

C

23

œ

œœ œœ

œœ œœ

0 0 0 0

œœ œœ

œœ œœ

0 0 0 0

2 2 0 0

œœ b œœ œœ

œœ

5 5

4 4

œœ œœ

T A B

0 0

0

C

C7

œœ œœ

9 9 0

0 0 0 0

œœ

T A B

23

2 2 0 0

23

5 5

0 0

0

2

3

0

0

9 9 0

∑ œœ œœ œœ œ œ bœ œ 0 0

0

0 7

2

3

G

4 4

..

C

2

3

0

C7

C6 (2)Csus2,4 5fr.

23

0 0 0 0

0 0 0 0

23

œœ œœ 2 2 0 0

5 5

4 4

23

œœ œœ

œœ œœ

0 0 0 0

C7

œœ œœ

œœ œ œ

0 0 0 0

2 2 0 0

0 0 0 0

23

œœ œœ 2 2 0 0

5 5

e - ven

w

try.

∑

C9( # 11)

4fr.

œœ b œœ # œœ œœ 23

œ œ

C6 (2) Csus2,4 5fr.

0 0 0 0

œ

œ œ

when you don’t

C

23

Verse 2: After the rush when you come back down You’re always disapointed Nothing seems to keep you high Drive your bargains push your papers Win your medals Fuck your strangers Don’t it leave you on the empty side I’m looking for affection and respect a little passion You want stimulation nothing more that’s what I think But you know I’ll try to be there for you When your spirits start to sink

Woman of Heart and Mind - 2 - 2

23

4fr.

œœ b œœ # œœ n œœ œœ œœ œœ œœ œœ œœ 23

‰

23

5 5

0

0 7

Œ

23

œœ

4fr.

4 4

œœ œœ œ œ b œ œ 0 0 0 0

.. œœ b œœ œ œ œ bœ œ œ

0 0

& œœ b œœ # œœ n œœ œœ œœ œœ œœ œœ œœ 25

œœ œœj j œ œ

Gm7 G6 (2) G7sus G6 (2)

.. œ

C6 (2) Csus2,4 5fr.

œœ œœ

23

5fr.

∑

j œœ œ

of

Cmaj9

Ó

23

3.

23

œ & j œ œ

fool

9fr.

9fr.

&

œ œ œ œ œ œ

when love makes a C

Œ

23

Cmaj9

22

sil - ly girl,

j œ œ

5fr.

me.

2 2 0 0

œ œ ˙

Gm7 G6 (2) G7sus

5fr.

19

‰

23

or just an - oth - er

Gm7 G6 (2) G7sus

G

161

C

23

4 4

n œœ œœ 0 0 0 0

œœ œœ

œœ œœ œ œ b œ œ ˙ 0 0 0 0 2 0

3 0

# ˙˙ ˙˙

1111

2 2 2 2

0

Verse 3: All this talk about holiness now It must be the start of the latest style Is it all books and words or do you really feel it Do you really laugh Do you really care Do you really smile when you smile You criticize and you flatter You imitate the best And the rest you memorize You know the times you impress me most Are the times when you don’t try When you don’t even try

0

162

JUDGEMENT OF THE MOON AND STARS (Ludwig’s Tune)

Standard tuning Piano arranged for guitar

Words and Music by JONI MITCHELL

Moderately Π= 116 Intro: D Piano (arr. for gtr.)

D/G

œœœ ### 4 œ œ œ œ nœ & 4 œ nœ œ œ J F

T A B

5

&

###

T A B

9

&

œ 7

###

0

œ 0

œ 7

0

œœ œ

œ

9 10 9

A/E

7

3

2

œœœ

E/A

7 9 9

2

2

œ œ 7

7

2

5 7 7 5

0

œœœ

œœœ œ 5 7 7 5

E/A

œœœ œ J

5 7 7

œ œ œ œ 0

0

E

∑

œœœ œœœ œœœ œ œ

7 9 9 7

D

0

0

7 9 9

œœœ 5 7 7

œ 0

∑

j œœ ‰ œ

j j œœ ‰ œœ œœ œ œ œ œ œ œ œ

T A B

2 2

2 2

0

2 2 0

2 2 0

0

0

2 2 0

0 1 0

7 9 9

7

œœœ

n œœœ œ œ œ œ œ nœ œ nœ œ J

œœ œœ

A

7 8 7 5

7 8 7 5

9 10 9 7

0

0

œ

5 7 7

G

0

œœœ 5 7 7

0 2

1

3

2

2

5 7 7

0

2

0

2

0

∑

2

2

2

Bm7

œ

2

œœ

œœ œœ œ œ œ œ œ 9 10 9

œ œ œ

0

2

7

7

F #m7

œ œ œ œ

3 2

2

2

2

2

Ó

4

0

0

œœ œ œ J

2

œ œ œ œ œ 0

2

œœœ œ œ œ œ

œ

A

# # # œ œ ‰ œj ‰ œ œ œ & œ œ œ 2 2

D

‰ œj

Œ

1. No

œ œ œ œ œ œ œ œ 0

4 0

2

2

0

Judgement of the Moon and Stars (Ludwig’s Tune) - 4 - 1 © 1972 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

2

2

2

163

% Verse: E/A

F #m7

4fr.

# # # .Cont. rhy. simile .œ œ œ œ œ œ œ œ & 132

13

1

œ œ œ œ œ œ œ

tongue in the bell and the fish 2.3. See additional lyrics

-

D/G 17

&

###

2

œ œ

œ œ œ œ œ 131

1

œ

Œ

œ œ

Like the

œ

œ

song

of a warm,

warm

2

4

2

2

4

0

œ œ #œ œ 4

6

#œ

much.

G #m

A

123

œ

Œ

œ

œ

bod - y

˙

œ œ. œ

Cold white

6

0

4

Think what you’d like

Judgement of the Moon and Stars (Ludwig’s Tune) - 4 - 2

to

have

12341

Œ

2

˙

131

œ. œ œ œ

It

-

ing your

∑

0

3

4

‰

3211

j œ œ.

œ œ œ

lov

2

œ œ œ

D/G

3211

œ nœ

just

don’t

w

touch.”

Ó

3

4

4

Œ

œ œ

2. In the

œ #œ œ œ œ œ œ œ œ

4

œ

So you

B

F#

œ #œ

œ œ

4fr.

œ . Jœ Œ œ

œ œ 6

œ œ

“That’s no sub - sti - tute.

13421

4fr.

3111

œ

∑

Œ

3fr.

F#

6

4

4

2.3.

bath.

211

G #m9

∑

4

C #m

5fr.

œ œ œ œ

Piano

˙

mute.

˙

‰ . œr œ œ œ

œ œ

œ

1. A

œ

A/D

341

### œ # œ œ œ œ œ œ & œ œ

&

be

2

G

now you’re think - ing,

5fr.

do it.

###

œ œ

132

un -der your fin - gers,

### j & œ œ.

34

23

231

25

0

j œ œ.

1 32

that don’t seem like

D

2

might as well

œ œ

E/A

j œ œ œj œ

134111

T A B

œ œ œ

4fr.

keys

&

3

A

E

### j & œ œ.

###

1

‰

but they

j œ œ

œ. 2

23

Œ

G/C

to keep the pic - tures

F #m

30

yell

A/B

get

21

wives

F #m(4)

œ œ œ œ œ œ œ

2

2

4

4

4

2

4

4

C #/F # 4121

j œ œ œ œ

for sup - per,

Œ

Ó

‰ j œ œ œ or take a

.. .. ..

164 E/A 38

&

###

E

œ

‰ œj œ

D

A/D

132

walk,

42

&

###

a

bridge,

a

2

131

j œ œ

œ.

tree,

a

A

j œ œ

132

23

œ.

but not

D

A/D

œ œ.

riv

Œ

œ œ.

-

Œ

‰

er.

j œ

Re -

D/G

G

### 4 & 4 52

œ œ. œ œ œ

yet

can

lence,

in a bell

-

### j & œ œ 132

The

bro - ken

A

goes

and

a

44

18

el - e - phant

œ J œ

12341

j œ œ.

j œ œ

i - vo - ries

con

0

2

4

0

Judgement of the Moon and Stars (Ludwig’s Tune) - 4 - 3

4

D.S. % al Coda

Ó

œ œ

œ

∑

2

4

œ

to

-

w

ceal.

F#

0

2

44

2

3. You’ve got

T A B

4

42

∑

#œ œ œ œ œ œ #œ œ œ

2

In

B

G #m9

Piano

4

on.

song.

### œ # œ œ œ œ œ œ & œ œ 2

œ

4fr.

13421

trees

˙

j œ œ œ. ˙.

œ.

42

j œ œ œ œ

Ó

˙

˙

still

C #m

j œ œ.

Œ

131

œ œ. œ

gift

12341

∑

23

œ œ. œ

jar,

A/D

D

2

B

12

fi Coda

3211

j œ

celled.

œ œ ˙.

œœ œ

5

90

-

To Coda fi

23

-

‰

123

œ

j œ œ

132

si

## & #

j œ ˙

231

3fr.

### j & œ œ

94

‰ œj œ .

a park,

voked

46

D/G

4fr.

6

6

4

2

0

∑

œ #œ œ œ œ œ œ œ œ 0 2

0

3 2

3

4

4

2

165

97

& T A B

###

F #sus

F#

E/A

œ œ #œ œ œ œ œ œ 0 2

4

4

œœ œ œ œ 4 5 4

0

3

4

œ

E

4

œ

0

œ œ œ

œ œ œ œ œ

0

0

0

2

œ

0

0

2

2

2

G (9)

0

œ œ œ œ œ œ nœ œ œ

1

2

0

0

3

2

0 3

3

3

## œ œ. œ œ œ œ œ œ œ œ œ ˙˙˙ œ œ & # œ . œœ œœ œœ œ . œœ œœ œœ œ œ œ œ œ œ œ nœ. œ œ. œ nœ œ œ œ nœ. œ œ n œ œ ˙˙ 101

rit.

T A B

2 3

2 0

2 0

2

3

3

2 0

2 0

2

3

3

0

0 3

2 3

3

2 0

2

2 0

3

Verse 2: In the court they carve your legend With an apple in its jaw And the women that you wanted They get their laughs Long silk stockings On the bedposts of refinement You’re too raw They think you’re too raw It’s the judgement of the moon and stars Your solitary path Draw yourself a bath Think what you’d like to have For supper Or take a walk A park a bridge a tree a river Revoked but not yet cancelled The gift goes on In silence In a bell jar Still a song Verse 3: You’ve got to shake your fists at lightning now You’ve got to roar like forest fire You’ve got to spread your light like blazes All across the sky They’re going to aim the hoses on you Show them you won’t expire Not till you burn up every passion Not even when you die Come on now You’ve got to try If you’re feeling contempt Well then you tell it If you’re tired of the silent night Jesus, well then you yell it Condemned to wires and hammers Strike every chord that you feel That broken trees And elephant ivories Conceal

Judgement of the Moon and Stars (Ludwig’s Tune) - 4 - 4

2 0

2

3

3

3

2 0

2 3

3

2 0

3 4 7 5 3

2

168

COURT AND SPARK

Standard tuning Piano arranged for guitar

Words and Music by JONI MITCHELL

Freely Intro:

√ # 4 #˙ & 4 ˙ F

Piano (arr. for gtr.)

T A B

œ œ

16

14

16

10

16

14

16

12

œœ

œ œ œ œ ˙

˙˙ ..

3

12 12

3

2

Em

Em11

œœ3 œœ œ œœ œ œ œ œ 0

0

0

4

# & œœ œ

œœ

œœ

3 2

3 2

3

3 2 0

œ œ

œ

0

2

Em

œ

3

œ

œ

0

0

œ

œ

0

0

2

0

Em11

œ œ 0

œœ3

œœ

3 2

3 2

œœ œ

œœ

3 2

3 2

3

3 2

0

œœ

3 2

2

2

0

5

T A B

œ œ

Moderately Π= 110

2

œ œ

0

œ œ

œ

0

0

3 2

œ

2 2

0

2

0

Verses 1, 2, & 4: Em7

# & .. œ 1

Em7/A

2

Cont. rhy. simile

8

132

1. Love came to my door 2.4. See additional lyrics

with a sleep - ing

Bm7 11

&

œ œ ≈ Œ

1 24

I’d

&

To Coda fi

G

# œ œ œ œ 32 1

&

#

231

|

œ œ

roll

and a

3

œ

œ

231

3

31

111

soul.

a riv - er

j œ œ.

œ

F #m/E

231

31

Û

He thought for

in

the

dark

look -ing for a wom- an

˙

Ó

231

Ó

31

Û Û Û

E 231

Û

1.

4 4

111

231

31

Û Û Û 3

2.

E

231

to

A/E E F #m/E

|

3

spark.

E

3

œ

œ œ œ œ œ œ œ

œ #œ Œ

213

E F #m/E

Œ

A/E

œ œ ‰ œj œ

œ

mad - man’s

A/E 111

Û Û Û 42 Û

111

œ œ œ œ œ œ œ œ œ. œ œ 131

and

A/E E F #m/E

œ J

132

A

danc-ing up

court E

19

2

seen him

C

14

‰

D/G

# œ œ œ sure

œ œ. œ

œ

‰ œ œ œ

œ œ œ œ

D/A

E

∑

Ó

Œ

œ œ . .. Ó 231

Œ

2. He was

Court and Spark - 3 - 1 © 1973 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

‰ œ J It

169

Bridge: C

24

&

# œ

G

œ œ œ œ œ J

32 1

seemed like he

read

œ J

my

&

‰

he

32 1

kind.

He saw how I

E F #m/E A/E

wor

E F #m/E

-

31

111

231

ried

31

3

mis - trust

-

ing him and

111

‰ œ œœœœ œ J

some - times.

231

31

111

I

231

w

Ó

˙

23

wor - ry some - times.

E F #m/E

E 231

31

Û Û Û Û Û Û 3

still act - ing

A/D

œ

E F #m/E A/E

A/E

# Û Û3 Û Û Û3 Û & 231

saw me

132

G

‰ œJ œ œ œ œ œ œ œ Œ œ

213

œ œ œ œ œ œ œ œ œ

œ œ œ œ œ œ J

C

# œ

32

œ

mind;

A 27

3

D

∑

3

∑

Verse 3: Em7 36

&

#

1

Em7/A

œ

œ œ œ

2

“All

the

guilt

œ -

œ œ œ

y

peo - ple,” he

D/A 38

&

œ

œ

said, “they’ve

œ

œ

all

seen

the

Bm7

# œ

œ œ Œ

132

ly

‰

bread,

œ œ

œ

œ

œ œ J

names.

œ œ œ. J J

2

I

#œ

213

˙.

œ

‰ # œJ

blues,

and

œ

œ

œ

œ

&

48

&

≈ œ œ œ. œ œ œ œ œ œ I’d

#

111

œ

com - plete

E

A/E

E

231

111

Û

231

|

œ

œ

131

œ

œ

œ œ œ

I

sac - ri- ficed

you could

com

œ.

-

Court and Spark - 3 - 2

Û

3

F #m/E

Û

31

A/E

42 Û

111

E

Û

231

3

œ J

plete E F #m/E

œ

you.”

˙.

F #m/E

Û

31

Û Û Û 231

˙

3

31

3

œ J

œ

44

my

‰

me,

E

A/E

231

111

E F #m/E

Û Û Û

|

231

31

3

D.S. % al Coda

E 231

œ J

G

32 1

A/E

#

on their dai -

C

# & œ

44

stain

cleared my - self;

A 41

œ œ œ

D/G

1 24

on their Chris - tian

œ œ Œ

œ

132

∑

Ó

Œ

‰ œ J

4. His

170

fi Coda

A/D

E/D

23

an

A/D

E/D

j œ

j œ

A/D

E/D

-

D

œ.

D

# Û &

23

1

Û 3

431

Û

A/D

E/D

D

2fr. 23

Û

1

Û

3

431

Û

A/D

E/D

D

2fr. 23

Û

1

Û 3

431

Û

Û 3

E 2fr.

23

Û

1

Û

431

3

Û

Verse 2: He was playing on the sidewalk for passing change When something strange happened Glory train passed through him So he buried the coins he made in People’s Park And went looking for a woman to court and spark It seemed like he read my mind He saw me mistrusting him And still acting kind He saw how I worried sometimes I worry sometimes Verse 4: His eyes were the color of the sand and the sea And the more he talked to me You know the more he reached me But I couldn’t let go of L.A. City of the fallen angels

Court and Spark - 3 - 3

1

Û

w

gels.

2fr.

55

A/D

E/D

D

2fr.

# & œ. 52

D

231

|

431

Û

2fr. 23

Û

1

Û

3

431

Û

171

HELP ME Guitar tuning: C-7-9-0-7-5

Words and Music by JONI MITCHELL

➅=C ➂=E ➄=G ➁=B ➃=E ➀=E Moderate rock Ó = 84 Intro: Asus2 9fr.

j j j j j j j j j j j j j j j j œ œœœ œœœ ¿¿ œœœ œœœ œœœ ¿¿ œœœ œœœ œœœ ¿¿ œœœ œœœ œœœ ¿¿ œœœ œœœ œœ ¿¿ œœœ œœœ œœœ ¿¿ œœœ œœœ œœ ¿¿ œœœ œœœ œœœ ¿¿ œœœ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿

## C

&

23

Acous. Gtr.

F

T A B

0 0 0 9 9

¿¿ ¿

0 0 0 9

% Verse:

0 0 9 9

0 0 9 9

0 0 9 9

Asus2

œœœ œ œ

23

7fr.

0 0 9 9

¿¿ ¿

0 0 9 9

get that

0 0 9 9

111111

-

know

feel - in’,

ble

Fmaj7

‰

œ J

And you

12fr.

23

œ œ. J love

Gmaj13

7fr.

œ J œ. your

œ œ. J

111111

lov - in’,

w

œ J

œ œ. J

5fr.

œ œ nœ

Gmaj7

˙.

111111

I’m in

5fr.

œ

œ3

œ

œ J

Gmaj13

œ

131111

sweet talk - in’

la

-

nœ J

dies

Gmaj7 Gmaj13

7fr. 131111

œ œ

Œ

Fmaj13

111111

7fr.

131111

a - gain.

5fr.

7fr. 131111

Fmaj13

Fmaj7

a

0 0 9 9

131111

111111

in trou - ble

gam - bler, and

¿¿ ¿

0 0 9 9

7fr.

5fr.

œ œ J

131111

a

0 0 9 9

Gmaj13

Fmaj7

131111

I’m

0 0 9 9

111111

5fr.

œ

¿¿ ¿

0 0 9

gain.

Fmaj13

œ œ œ œ nœ œ œ œ œ œ

C Gmaj7

œ

œ

-

5fr.

ram - bler and

0 0 9 9

7fr.

Fmaj13

111111

Cmaj7

# & # œ nœ œ

I

0 0 9 9

Gmaj7

a

5fr.

111111

5fr.

’cause you’re a

5fr.

love

Fmaj7

œ J

zy

¿¿ ¿

0 0 9 9

œ œ œ œ œ œ in

131111

0 0 9 9

131111

in’

Fmaj7

131111

man.

0 0 9 9

7fr.

œ œ œ œ œJ œ

111111

cra

# œ œ œ ‰ ‰ nœ & # J J

111111

¿¿ ¿

0 0 9

Gmaj13

Œ

7fr.

5fr.

-

0 0 9 9

111111

Gmaj13

Fmaj13

5fr.

trou

-

‰

7fr.

131111

Fmaj7

fall

Gmaj7

7fr.

When I

œ œ œ J J

think I’m

œ œ œ œ ‰ Jœ

111111

9

Help Me - 3 - 1

0 0 9 9

Gmaj7

œ œ J

Gmaj13

Gmaj7

16

¿¿ ¿

0 0 9 9

7fr.

1. Help me, I 2.3. See additional lyrics

13

0 0 9 9

E5

23

# & # Œ

0 0 9 9

9fr.

# # . ˙˙˙ & . 5

¿¿ ¿

Œ

7fr. 111111

Ó

7fr. 131111

Œ

© 1973 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

‰ j œ but

172 Gmaj13

Gmaj7 7fr.

21

&

##

10fr.

love

Dmaj7

œ œ œ œ œ 43 23

‰

your

# # wÛ &

111111

131111

free

>

10fr.

10fr.

111111

Û

Dmaj7

131111

111111

C

-

10fr.

131111

Û

111111

Û

Û

w

111111

Dmaj13

10fr.

131111

131111

B bmaj13 B bmaj7 B bmaj13 B bmaj7 B bmaj13 B bmaj7

10fr.

10fr.

111111

Û

w

dom.

* B bmaj13 B bmaj7 B bmaj13 B bmaj7 B bmaj13 B bmaj7 10fr.

Dmaj13

9fr.

131111

not like you

C

Asus2

œ œ œ œ œ J œ

111111

B bmaj7 25

C

7fr.

Û

131111

Û

10fr.

10fr.

111111

Û

131111

Û

10fr.

111111

Û

10fr.

131111

Û

Û

10fr.

111111

Û

*Use pull-offs to alternate between B≤maj13 and B≤maj7. Fmaj7

Fmaj13

5fr.

Fmaj7

5fr.

Fmaj13

5fr.

Fmaj7

5fr.

Fmaj13

5fr.

Fmaj7

5fr.

Cmaj7

5fr.

# & # Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û 27

111111

131111

111111

131111

111111

131111

111111

Interlude: G6

Asus2 7fr.

> > # > & # Û Û ¿ Û ¿ ¿ Û 31

23

23

G6

G6

9fr.

Û

9fr.

> > > Û Û ¿ Û ¿ ¿ Û

|.

23

|.

Û

23

1.

Asus2 7fr.

Asus2 7fr.

2.

9fr.

œ œ ‰ J

# # >Û Û ¿ >Û ¿ ¿ >Û Û 3 Û Û Û Û Û Û C Û Û Û Û Û Û Û Û . C Ó . & 4 35

23

23

Gmaj7

7fr.

## œ œ œ œ & 39

111111

did-n’t it

Gmaj7

Gmaj13

7fr.

feel

œ œ œ œ

131111

good?

Gmaj7 111111

Did-n’t it

Help Me - 3 - 2

there,

feel

œ

œ ‰ J

131111

good?

talk

-

in’,

5fr.

‰

j œ

œ

111111

111111

or

Fmaj7

5fr. 131111

a

la - dy with

talk - in’.

Fmaj13

5fr.

œ œ œ œ œ œ

You danced with

131111

ly - in’ there, not

Fmaj13

Fmaj7

7fr.

œ œ œ œ œ œ œ œ

131111

7fr.

## œ œ œ œ œ & 42

sit - tin’

Gmaj13

7fr.

œ œ œ œ œ œ œ ‰ Jœ

Gmaj13

7fr.

7fr.

111111

We were

Gmaj7

Gmaj13

7fr.

Oh,

a

œ

111111

hole

5fr.

œ œ œ œ œ. 131111

in

her

stock - ing.

173 Fmaj7

Fmaj13

5fr.

# & # Π45

œ

nœ œ œ

111111

Fmaj7

5fr. 131111

Did-n’t it

œ

Fmaj7

5fr.

œ œ. J

˙

111111

feel

131111

Fmaj13

5fr.

Dmaj7

Fmaj7

5fr.

œ.

Gmaj7

Gmaj13

7fr. 111111

131111

111111

˙

w

œ.

# œ & # J 49

good?

Dmaj7

Dmaj13

œ.

œ J

Dmaj7

Dmaj13

7fr.

## œ œ . & J 111111

131111

œ

53

111111

œ

∑ Asus2

7fr.

œ

Ó

1.2.

131111

111111

˙

w Gmaj13

7fr.

œ œ

œ

it

111111

23

23

fi Coda

Outro: Dmaj7

Û

j œ œ.

œ.

feel

‰

good?

D.S. % al Coda

3.

.. 43 | .

|.

7fr. 131111

9fr.

# & # .. Û Û ¿ Û ¿ ¿ Û

7fr. 131111

Gmaj7

Did - n’t

G6 57

131111

Gmaj13

7fr.

7fr.

111111

131111

131111

feel

Gmaj7

Gmaj13

Gmaj7

˙

111111

it

7fr.

111111

131111

5fr.

œ œ. J

131111

did - n’t

Dmaj13

Fmaj13

5fr.

‰ ‰ nœ œ œ œ.

111111

good,

Dmaj13

Dmaj7

Fmaj13

5fr.

C | Play 5 times and fade

Dmaj13

Dmaj7

Dmaj13

Fmaj7

Fmaj13

5fr.

Fmaj7

5fr.

Fmaj13

5fr.

5fr.

Gtr. # # . Acous. Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û .. & . 61

111111

131111

111111

131111

111111

Verse 2: Help me, I think I’m fallin’ in love too fast It’s got me hoping for the future And worrying about the past ’Cause I’ve seen some hot hot blazes Come down to smoke and ash We love our lovin’ But not like we love our freedom Verse 3: Help me I think I’m fallin’ in love with you Are you going to let me go there by myself That’s such a lonely thing to do Both of us flirting around Flirting and flirtin’ hurtin’, too We love our lovin’ But not like we love our freedom Help Me - 3 - 3

131111

111111

131111

174

PEOPLE’S PARTIES

Guitar in Open D tuning: D-7-5-4-3-5

➅=D ➂=F# ➄=A ➁=A ➃=D ➀=D

Moderately Π= 102 Intro: A/D

A/D

D

G

F

7fr.

# 4 & #4

œœ œ œ œœ ¿ œœœ œœœ œ ¿ œ œ œ ¿ œ œ F P.M. 7 7 7 7 0 0

T A B

5fr.

1111

7 7 7 7 0 0

¿¿ ¿

Bm7

7 7 7 7 0 0

D

œœ œœ œ œ

œœ œœ œ œ

0 0 0 0 0 0

Words and Music by JONI MITCHELL

œœ œœ œ œ

0 0 0 0 0 0

œœ œœ œœ

œ ¿¿ œœœœ ¿ œ

5 5 5 5 5 5

5 5 5 5 5 5

111111

0 0 0 0 0 0

¿¿ ¿

Em11

D

œœ œœ œœ œœ ¿ œ ¿ œ œ ¿ œ

j j œ n ‰ n n œœœ ‰ # œœœ œœ n n œœ œ

1111

111111

3 3 3 3 3 3

D

7fr.

0 0 0 0 0 0

0 0 0 0 0 0

12 12 12 12 0 0

¿¿ ¿

D

C

j œœ œœ œ œœ œ œœ œ œ

12 12 12 12 0 0

j œœ œœ œ œ

0 0 0 0 0 0

A7 D

A 10fr.

n œœ œœ œj œœ ‰ # œœœ ‰ n œœœ ¿ n œ ¿ œœ œœ ¿

111111

0 0 0 0 0 0

10 10 10 10 10 10

10 10 10 10 10 10

¿¿ ¿

A7

# œœ œœ & # œœœ ¿ œœœ œ ¿ œ ¿ 2341

0 5 5 7 9 9

¿¿ ¿

œœœœ œ œ ¿ œœœ œ ¿ œ ¿ œ 0 5 5 7 9 9

D

G

0 0 1 2 2 2

0 0 1 2 2 2

¿¿ ¿

0 0 1 2 2 2

0 0 0 0 0 0

¿¿ ¿

D

4 0 3 4 0 0

œ œ œ œ œ œ œ œ œ œ ‰ 1111

1. All the peo-ple at this 2.–4. See additional lyrics

D

0 0 0 0 0 0

œœ œœ œ

2 0 1 2 0

0 0 0 0 0

j j œ n œ œœ œœ œ œ œœ œœ ¿¿ œœœ ‰ nn n œœœœ ‰ # œœœ œ œ ¿ œ nœ œœ

21 3

œœ œœ œ 0 0 0 0 0

2 0 1 2 0

2 0 1 2 0

111111

111111

5 5 5 5 5 5

3 3 3 3 3 3

¿¿ ¿

0 0 0 0 0 0

12fr.

œ

Œ

1111

style,

œ

œ œ œ œ nœ

they’ve got stamps of

man - y coun -

Bm7 10fr.

‰

1111

œ

œ

they’ve

got

œ

œ

œ

œ

œ œ

2341

pass - port smiles. Some are

2341

watch- ing

it

œ

œ

from the

œ

œ

A7

‰

œ œ œ œ.

21 3

some are stand - ing

some are cut - ting, D

21 3

in

21 3

œ œ œ œ œ

deaf, dumb, and blind.

I

7fr.

œ œ œ œ

1111

the cen-tre

giv-ing to

get

some

-

œ œ œ œ œ œ -

mor,

5fr.

Œ

1111

thing. G

G/D

wish I had more sense of hu

..

21 3

A/D

œ ‰ J

some are

1.–3.

A7

Verse 5:

4.

œ œ

‰

œ œ œ œ œ œ œ œ œ œ œ œ œ ˙ ‰

œ œ œ

wings,

D

8fr.

friend - ly,

D

## œ œ œ

# & # œ

4 0 3 4 0 0

par - ty, they’ve got a lot of

Em11

17

4 0 3 4 0 0

œœ œœ œ

œœ œœ œœ

œ œ œ œ œ œ œ

1111

tries,

&

F

D

C/D

14

œ œœœ œœ

21 3

G/D

Cont. rhy. simile

# & # n œJ

œ œœœ œœ

21 3

œœœ œ œ œ œœ ¿¿ œœœœ œœœœ ¿¿ œœœœ œ ¿ œ œ ¿ œ

5fr.

12

0 0 0 0 0 0

A/D 7fr.

# & # .. Œ

œ œœœ œœ

2341

0 0 0 0 0 0

¿¿ ¿

Verses 1–4:

9

7 7 7 7 7 7

5fr.

5

0 0 8 9 9 9

j œœ œœ œ œ

111111

8fr.

T A B

D 7fr.

F 5fr.

. œ œ œ œ œ œ 111111

keep-ing the

sad

© 1973 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved People’s Parties - 2 - 1

111111

-

175 D

C/D 12fr.

Bm7 10fr.

# nœ œ œ œ ‰ œ œ œ œ œ œ nœ œ & # J 20

1111

ness

at

bay,

on these things laugh-ing it

A7 Em11

23

&

##

21 3

œ

w

2341

˙

œ

œ

œ

D

21 3

j !

21 3

D Em11

D 21 3

8fr. 2341

# . & # œ œœ œ œ 26

a - way,

!

2341

j œ ˙

œ œ œ œ w

!

œ œ œ.

2341

all

a - way,

21 3

!

laugh - ing

D

œ œ.

it

all

A7

j ! !

j !

21 3

!

œ œ œ

Œ

œ

21 3

œ œ œ œ œ.

Œ

œ

laugh-ing it

A7 Bm7

D

Em11

D

8fr. 2341

# & # œ 30

œ œ œ

œ.

2341

j œ

a - way. F

G

˙

œ

j œ

21 3

A7 Bm7

œ.

œ

A7

j ! ! ! ! ! !

D

œ

œ œ œ

œ

1111

throw-ing the light - ness

D

8fr.

œ

œ

œ

21 3

!

w

!

21 3

!

!

D

j ! !

21 3

all

A7

j !

21 3

D

5fr.

33

&

##

œ

Œ

œ œ œ œ œ. œ

111111

Laugh-ing

111111

it

all

Verse 2: Photo Beauty gets attention, Then her eye paint’s running down She’s got a rose in her teeth and a lamp shade crown One minute she’s so happy Then she’s crying on someone’s knee saying Laughing and crying you know it’s the same release

œ œ ˙.

w

w

a - way. Verse 3: I told you when I met you I was crazy cry For us all Beauty Cry for Eddie in the corner thinking he’s nobody And Jack behind his joker And stone-cold Grace behind her fan And me in my frightened silence thinking I don’t understand

Verse 4: I feel like I’m sleeping Can you wake me You seem to have a broader sensibility I’m just living on nerves and feelings With a weak and a lazy mind And coming to people’s parties Fumbling deaf dumb and blind People’s Parties - 2 - 2

w

176

SAME SITUATION

Standard tuning Piano arranged for guitar

Words and Music by JONI MITCHELL

Moderately Π= 100 Intro:

# œ & 44 œ œ œœ œ # œ œ œ n œœ F Piano (arr. for gtr.)

T A B

4

& &

5

3 2

4

#

5

4

4

6

œ

T A B

œ

0

œ # œ œ

3 2

5 4

4

2

6

5

œ œ nœ

œ

6

6

0

5

œ œ

5

7 8 7

0

43 Œ

2 4

œœ œ

œ

5 5 6

3

2 0

œ

œ # œœ

44 œ

∑

42 œ

3

4

œ

2

42

œœ

0

œ

3

∑

#

42 œ

œ œœ

0

Œ

œ

œ 34 # œœ œ

3

5 5 6

0

œ

0

œ 0

œœ œ

œ

8 8 9

œ

7 8 7

10 10 11

0

‰

œœ œ

œœ œ

0

j œ 1. A œœ œ 8 8 9

Verse: C

G

# . Cont. rhy. simile & .œ œ œ œ 32 1

7

œ

gain and a - gain the 2. See additional lyrics

32

œ

œ œ

same

&

#

œ œ

sit - u - a - tion

C 11

D/E

Œ

‰

j œ œ

312

for

G

32 1

œ œ. nœ

teth-ered

œ

to

œ œ.

a

œ œ œ œ

ring - ing

G

‰

32

œ œ

tel - e - phone D

G/D

in

a

so

œ

man

E

Am

21

231

y

years

-

D/E

E

Am

312

21

231

œ

œ

room

full

of

Œ

‰ œ J

œ œ. œ

œ

F

D/E

œ œ. œ

œ

mir - rors,

a

D/G

2fr.

15

&

#

32

œ œ œ œ œ œ

pret - ty

girl

in

your

4312

œ

Œ

312

œ

&

#

Œ

Œ

‰ j œ œ œ 32 1

I

Same Situation - 2 - 1

nœ

bath - room

œ

check - ing

C 19

1 321

3

œ

out

œ

her

œ œ œ œ

œ

sex

G

œ nœ œ œ

32

œ

œ.

asked my - self when you said you loved

121

ap - peal.

D/E

j ‰ œ œ

me.

‰

j œ œ 312

œ œ

Œ

“Do you think this

E

j œ œ œ

21

can

© 1973 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

be

Am 23

&

#

B/A

œ œ.

˙

231

&

‰

341

#œ #œ

real?”

#

sent up

œ œ #œ œ œ

œ

132

where

it

had

F #m7

œ œ. ˙

21

go,

won- der - ing A

D/A

‰ œj # œ œ œ œ œ

Œ

œ

œ œ œ

prayer,

E/A

213

to

œ.

my

A

‰

231

œ œ

œ #œ œ

Still I

D/E 27

Œ

œ

177

E/B

with heav - en full of

44 # œ œ œ œ œ œ 43 312

213

as - tro - nauts

D/G

and the

Bm7

A/B

2fr.

# & 43 # œ 32

j œ ‰ œ œ

13 14

Lord

36

&

#

œ

œ

lone - ly D/G

# Π& 40

3

121

on D/A

213

312

œ

ones call

‰

death

A

œ

1.

Œ

Œ

œ

row.

3

out and C

the

œ. œ œ œ. œ 121

œ

œ œ œ œ œ œ œ

1111

While the

1312

mil - lions of

j œ œ 121

‰ ‰

clam - or

œ œ

to be G

32 1

32

œ œ œ nœ œ œ

strug- gle for high - er

œ

œ

po - si - tions

j œ œ

2

j œ œ

lost

and

found,

∑

43

D/E

‰

312

œ œ

œ

and their search

œ œ œ for

love

E

‰ œj œ œ 21

that sticks a -

2.

G/A

Am

his

G

D/G

œ œ.

j œ œ œ

caught in

3

Am 3fr.

44

&

#

œ œ.

231

˙

∑

˙.

321

round.

&

˙.

˙.

321

œ

31

˙

cease.

Repeat 10 times and end

5fr.

∑

∑

Verse 2: You’ve had lots of lovely women Now you turn your gaze to me Weighing the beauty and the imperfection To see if I’m worthy Like the church, like a cop, like a mother You want me to be truthful Sometimes you turn it on me like a weapon though And I need your approval Still I sent up my prayer Wondering who’s there to hear I said, “Send me somebody who’s strong and somewhat sincere” With the millions of the lost and lonely ones I called out to be released Caught in my struggle for higher achievements And my search for love that don’t seem to cease Same Situation - 2 - 2

. œ . œ œ.

2. You’ve had

3fr.

#

Œ

Am(9)

G/A 49

Œ

231

..

∑

..

178

CAR ON A HILL Standard tuning Piano arranged for guitar

Words and Music by JONI MITCHELL

Moderately Π= 114 Intro:

### 4 & 4

F #m7 2

∑

34

E/F #

F #m7

2

2

1

E/F #

34

# # 4 Œ œœ œœ œœ œœ œœ œœ œœ œœ œ œ œ œ œ œ œ œ & # 4 ˙. œ œ. œ J F Piano (arr. for gtr.)

0 2 2

T A B

&

0 2 2

&

0 0 1

0 0 1

Cont. rhy. simile

sit-ting up wait 2. See additional lyrics

2

∑

34

œœ œœ œœ œœœ œ œ œ ˙

0 2 2

0 0 1

0 0 1

0 0 1

1

2

ing for my

0 2 2

0 2 2

2

to

2

ra - di - o.

34

2

He said he’d be

0 2 2

o

-

2

ver three

A/D

2

34

0 0 1

0 0 1

Œ

1

2

œ œ 34

1. I’ve been

œœ œœ œœœ œ œ ˙

0 2 2

2

0 0 1

0 0 1

0 2 2

2

œ œ œ œ œ œ œ œ

3 4

I’ve been

F #m7

1

2

Ó

1

0 0 1

1

show,

E/F #

E/F # F #m7

E7sus

lis - t’ning to

E/F #

œ œ œ œ œ œ œ œ œ œ œ œ Œ ‰ œ œ œ J J 23

0 2 2

œ œ œ œ œ œ J ‰ œ 34

F #m7

œœœ œœœ œœœ œœœ œœ œœ œœ œœ œœœ œ œ œ œ ˙. œ œ. œ J

E/F #

sug - ar

F #m7

2

2

F #m7

œ œ œ œ 2

1

E/F #

2

E/F #

### œ œ œ œ

###

0 0 1

2

A/D 8

0 2 2

2

% Verse:

5

∑ 2

F #m7

2

hours

si - rens and the

E7sus

œ œ J

34

the

œ œ

1

a - go,

j œ

œ œ œ œ œ.

3 4

I’ve been wait - ing for his car

D/G

on

G 3fr.

12

&

###

23

œ œ œ

œ

the

Œ

Œ

hill.

‰ Jœ

&

œ

### œ 3

121

watch for

Car on a Hill - 2 - 1

œ œ.

1 321

œ F #m7

G

D/G 3fr.

16

œ

121

œ œ œ

He makes friends eas - y,

G

D/G

Ó

3

3fr.

œ

judg - ment

3

œ œ J 121

œ œ œ

anx - ious - ly.

1 321

‰ œJ

2

œ

34

he’s

‰ œJ

me.

I

E9sus

œ œ œ œ. ‰ œ J 1

Now where in the cit - y

1 321

not like

E/F # 2

œ œ J

œ œ J

can

œ œ J

11121

that boy

œ J œ

© 1973 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

be?

Œ

F #m7

A/D

### œ œ œ œ œ œ & 20

23

Wait - ing for

44

&

###

a

F #m7 2

∑

34

2

car

0 2 2

0 2 2

‰ œ œj ‰ œ œj 42 ‰ œ œ œ J climb - ing,

2

2

1

2

A

œœ œœ œœœ œ œ œ. œ J

0 0 1

0 0 1

0 2 2

213

0 0 1

T A B

0 0 1

1

2

0 0 1

0 0 1

0 0 1

0 2 2

0 2 2

Ó

1

œœœ œœœ œœœ œœœ œœ œœ œ œ ˙. œ 0 2 2

0 2 2

0 2 2

œ œ œ œ œ œœœ œ

2

2

1

1

4

2

4

1

0 0 1

2

### 3 œ & 4 œ

œ 0

0

œ

œ 0

œ œœ 0 2 2

2

0 0 1

0 0 1

F #m7

Œ

1

2

œ œ 34

2. He’s a

œœ œœ œœœ œ œ œ. œ J

œœ œœ œœœ œ œ ˙

0 2 2

2

0 0 1

0 0 1

0 2 2

2

G7sus

43 œ

0 1 2

44 n œ n œ n œ œ œ œ œ œ 43 nœ

œ

œ

0

0

1

0

2

1

3

1

0

0

3

A/E

.. 44 œ œ

œ

..

2

0 2

G/D

œ 2

G/A

œ œ

œ nœ

3

0

5

0

œ 0

Verse 2: He’s a real good talker I think he’s a friend Fast tires come screaming around the bend But there’s still no buzzer They roll on And I’m waiting for his car on the hill It always seems so righteous at the start When there’s so much laughter When there’s so much spark When there’s so much sweetness in the dark Waiting for a car Climbing climbing climbing the hill Car on a Hill - 2 - 2

E/F #

34

0

52

D.S. % al Coda

F #m7

E

34

0

∑

2

2

F #m7 2

E/F #

34

œœ œœ œœ œœœ œ œ œ ˙

20

21

hill.

F #m7

2

# # # œœ œœ œœ ‰ œ œ œ œ & œ œ œ J 48

∑ 2

œœ˙

213

climb - ing the

E/F #

34

2

fi Coda

T A B

climb - ing,

F #m7

0 0 1

E/A

44 œ .

431

1

E/F #

0 2 2

To Coda fi Interlude:

A 2fr.

34

# # Œ œœ œœ œœ œœ œœ œ œ œ œ œ & # ˙. œ T A B

D

E

179

n œœœ œ

œœœ

3 4 5

3 4 5

5

3

A m11

n œœœ œ

Repeat and fade

œœœ ˙˙˙ œ 3

3 5 5

3 5 5

5

5

3 5 5

.. ..

180

DOWN TO YOU Standard tuning Piano arranged for guitar

Freely

Words and Music by JONI MITCHELL

Intro:

E Piano (arr. for gtr.)

## 3 œ #œ œ & 4 œ P

T A B

4

œ

D

0

2

0

3

0

2

2

2

0

0 2 2 0

0 2 2

2

0

4

%Moderately Π= 96 Verses 1 & 3: D

5fr. 1341

1. Ev - ery - thing comes 3. See additional lyrics

Down to You - 4 - 1

and

goes

˙

1423

2

4

0

œœ œœ œœ 43 œœ n œ œ œ œ œ

0 2 2

0

0 0

2 3

œ œ œ œœ œ œ

œœ œ

0 2 2 2 0

2

2

2

2

0

0 0 0

4

œ œ

marked by

lov

4

-

3

2 2 0

2

4

2

D

3211

ers

0 0

3fr.

œ œ ‰ œJ œ .

3211

44

œœ œ œ œ œœ œœ œ œ œ œ œ

2 2 2 0

3fr.

‰ œJ

2

G/A

G

4fr.

## œ œ œ œ œ œ œ œ & 341

Cont. rhy. simile

œ

G

3

2 3 0

œ

3

2

0

0 2 2

F #m7

D/G

5fr.

0 2 2

A

2

2

˙ œœ œ œ ˙˙

44 œ

4

2 3

0 0

2

A/D

œ œ œ œ œ 43 œœ œ œ œœ œœ œ 44 œœœ œ

9

T A B

2

œ œ

œ

3

D

# & # 44 œœ œœ ˙˙ ..

2

œ

0

2

2

œ œœœ œœœ œœœ œ œ œ œ œ œœ œ œ œ 2

D/G

œ œ œ œ 43 œ œ

œ

A

# & # œ

13

44 œ œ

œ

2

5

T A B

0

0

Bm7

and styles

œ J

˙.

132

of clothes;

© 1973 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

Œ

5fr.

# & # œ 17

F #m7

D/G

D 341

5fr.

E/F #

4fr.

F #m7

181

E/F #

4fr.

G/A

G 3fr.

3fr.

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ‰ œ œ œ œ œ œ œ œ œ œ œ œ œ 1341

1423

things that you held

high

1423

231

and told your - self were true,

D

A

3211

231

3211

lost or chang-ing as

the days

come down to

E 4fr.

# & # ˙ 20

132

œ

œ J

‰

you.

Down

œ

213

˙

œ.

to

you,

132

œ œ

œ

œ

œ

œ

œ

œ

con - stant strang - er; you’re

G/A

œ J

‰

a

Bm7

# & # ‰

œ

œ J

23

œ œ

kind

per - son, you’re a

To Coda fi

E/B

A

231

3

25

œ

1312

cold

œ œ œ œ. per - son

œ J

‰

too.

It’s

œ œ œ down

to

D/F #

G

O !. # œ œ. ˙. & # 213

œ œ œ.

j ! O w

1

Esus

O

24

E

∑

234

∑

∑

231

∑

you.

Dm7

D5

5fr.

# & # Π31

12

Dm7

œ. œ œ nœ nœ œ œ ‰ œ nœ œ You go

D5

12

1

down to

the pick - up

5fr.

œ œ

œ

œ

sta - tion crav-ing warmth and

‰ œj n œ œ œ œ

œ œ. œ œ Œ

beau

-

12

ty.

You set-tle for less

C5/D

# & # œ œ 34

C5/D

œ œ nœ œ œ œ

12

1

than

fas

Dm7

-

ci - na - tion;

D5

C5/D

œ a

œ œ.

œ œ œ œ nœ œ œ

few drinks lat - er you’re not

so

choos

œ -

œ œ

‰

y.

When the

5fr.

36

&

## n œ œ œ 12

clos - ing

Down to You - 4 - 2

lights

œ œ œ 12

strip off

nœ œ 1

œ œ

the shad - ows

œ œ 45 œ n œ J

on

this

strange

j œ œ œ

new

flesh

œ

nœ œ.

you’ve found,

Œ

44

182 Dm7

D5

C5/D

5fr.

# nœ œ œ & # 44 38

œ œ œ

12

œ nœ œ

12

clutch-ing the

night to you

œ

1

like

a

fig

œ œ

leaf,

you

œ nœ

hur

-

œ œ œ

‰

ry

œ

‰

œ œ

to the black - ness

and the

A7sus

## n œ œ j œ œ ‰ ‰ œ œ œ 42 n œ &

œ

40

blan -kets

to

lay down

&

##

3

! ! ! ! ∑

Ó

! ! Ó

## œ œ 1423

They look

so high;

you brush a - gainst

5fr.

1341

friends seem in - dif - f’rent;

Em7

D

˙.

## w

132

1423

132

gone,

œ

1121

C

œ

‰ Jœ

G/D

Down to You - 4 - 3

song,

C 7fr.

‰ Jœ

3211

132

love is

3211

gone.

3fr.

œ

gone.

G/C 7fr.

œ ‰ Œ J

4 12 1

5fr.

œ œ œ œ œ œ œ 3211

1111

Old bonds have bro - ken down; love is

213

is

Am7

G/A 3fr.

A

8fr.

‰ Jœ œ œ n ˙ 132

G

4fr.

1423

love

5fr.

˙

œ œ œ

1423

ooh,

œ œ. J

F #m7

œ nœ œ œ #œ

Œ

Ó

132

and you both a - pol - o - gize.

Em7

32 1

˙

3211

you must have brought that on.

F/C

## ˙

œ œ œ œ œ œ œ.

œ

4fr.

1423

D 3fr.

E/F #

4fr.

3

D

&

Œ

1341

G/A

a strang - er

F #m7

D/G

341

Old

58

œ œ œ œ œ œ œ

œ

341

3211

## œ œ œ œ œ œ œ œ œ . œ œ . œ &

&

5fr.

Œ. œ œ œ

œ œ

≈ œ œ œ œ.

5fr.

54

D/G 5fr.

3fr.

œ œ

D

51

li - ness.

D

132

G

4fr.

&

! ! ! O ∑

!

-

Verse 2:

D/A

231

3

lone

w

In the morn - ing, there are lov - ers in the street. F #m7

48

and your

E/B

1312

44

‰

2 4

an im - pres - sion

Bm7

œ. œ œ

œ œ 44 ˙

D/G

œ œ œ œ œ œ œ ‰ œ 3

1 21

Writ-ten on your spir - it

Instrumental Section:

64

this

sad

D.S. % al Coda

∑

183

fi Coda 126

&

## œ

D/F #

Esus

œ œ œ ‰. œ 1

œ œ ˙.

24

˙

234

it all comes down

# & #

E

to

∑

you.

œ œœ œ œ œ œ œ œ

∑

T A B

0

## œ œ & œ 0

0 2

2

130

T A B

Ó

œ œ œ 0

0 2

œ #œ. œ œ.

0 2

4

1

4

1

0

0

2

0

0

0

2

2

0 2

œ œ œ 0

1

4

œ œ œ

0

œ #œ. œ œ.

0

œ œ œ

œ

4

0

1

2

˙ œ # œ . ˙˙ ˙ 4

1

0 0 4 0

Verse 3: Everything comes and goes Pleasure moves on too early And trouble leaves too slow Just when you’re thinking You’ve finally got it made Bad news comes knocking at your garden gate Knocking for you, constant stranger You’re a brute, you’re an angel You can crawl, you can fly too It’s down to you It all comes down to you

Down to You - 4 - 4

0

œ œ œ 0

∑

231

184

JUST LIKE THIS TRAIN Guitar tuning: C-7-7-3-7-4

Words and Music by JONI MITCHELL

➅=C ➂=F ➄=G ➁=C ➃=D ➀=E Moderately Œ = 102 Intro: C

Gm9 Gm7 5fr.

34

& 44

1111

& ‰ T A B

2 2

4 4

6 5 5 5

œœ œœ

Gm7

Am9/G Am7/G

n œœ œœ 7 7 7 7

5fr.

7fr.

1112

œœ b œœ

b œœ œœ

5 5 5 5

6 5 5 5

1111

1112

Œ

‰

7fr.

œ

8 7 7 7

n œœ œœ

œœ œœ

7 7 7 7

8 7 7 7

œ

œ

1. I’m

.. œ

just

#œ

œ J

like

this

10

œ

&

10 9 9 9

34

with the brakes com

-

plain

23

4 4

5 5

j ‰ b œ œ œœ œœ œœ # œ œ 2 2

2 2

2 2

C/G 9fr.

œ œ œ œ ˙

œ œ œ œ ‰ Œ J 23

23

..

23

be - hind

∑

the time,

∑

.. G13sus Fmaj9 4fr.

œ œ ˙.

1

œ

Œ

2341

train,

œ

œ

shak - ing

G

Am7/G 9fr.

in

-

œ

23

-

œ

˙

Œ

œ

œ œ

to

town

G

7fr.

G7 9fr.

12fr.

C/G

œ œ œ. j œ. œ œ

23

G13

12fr.

34

9 9 9 9

5fr.

9fr.

G7 Fmaj7/A

1112

Cont. rhy. simile

0 0

œ

œœ œœ

# œœ n œœ

1111

al - ways run - ning 2.3. See additional lyrics

œœ

C

9fr.

Am7/G

9fr.

23

9fr.

0

% Verse: G13

C

Gmaj7( # 11) G (9)

1112

0

œ J

& Ó

7fr.

1111

œ

G7sus

1111

7fr.

1112

5 5 5 5

5 5

Gmaj13 7

1111

0

5fr.

& Ó

2 2

Am9/G Am7/G

5fr.

œœ b œœ j œœ œœ œœ # œœ ‰ b œœ ‰ b œœ œœ J 2 2

Gm9

4

23

23

œ P

T A B

5fr.

23

13

23

13

!

!

!

! ∑

!

‰

ing.

© 1973 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC Just Like This Train - 4 - 1 All Rights Reserved

j !

23

185 G

Am7/G G 9fr.

13

&

Œ

13

7fr. 23

!

G7sus 9fr.

13

!

∑

!

!

G7sus

j œ #œ œ œ

‰

1111

I

Am7/G 9fr. 23

used to

G13

7fr.

œ œ œ

œ

23

œ œ

œ

34

23

&

ΠG

12fr.

œ

23

9fr.

œ

shuf

œ

œ

I

just

let

things

& œ

rail - road

œ

Ó

œ

œ

Late - ly

I

2341

œ œ.

fling

cards,

œ

Jeal - ous

23

G

7fr.

-

ing will

you

cra

& Œ

32

&

2341

‰

13

13

œ

œ

-

zy

‰

œ œ

œ

œ

’cause you

lost

heart.

your

Gm9 Gm7

Am9/G Am7/G

5fr.

7fr.

5fr.

j ! !

1111

1112

Just Like This Train - 4 - 2

1111

! ∑

7fr. 1112

!

w

23

˙

9fr.

j !

1111

œ

œ œ.

the

yards.

23

œ

œ

œ œ œ

5fr.

!

Ó

1111

2341

Gmaj7( # 11) G (9)

‰

œ

if you can’t find your good-ness

5fr.

œ œ

7fr.

in

23

G9( # 11)

D9

œ œ. œ

Am7/G 9fr.

C

4fr.

28

sta - tion

9fr.

1. Fmaj9

œ

œ.

œ J

G13 9fr.

23

make

œ

bang - ing

G

Am7/G 9fr.

13

œ

count on

œ J

G 12fr.

23

box - cars are

23

lov

œ

œ œ œ ‰ J

Œ

I

œ

don’t

‰

G7

œ œ œ œ œ œ œ

œ œ ‰ Jœ

œ œ œ

The

9fr.

12fr.

23

Œ

Œ

23

G13

G7 9fr.

cars,

slide.

13

œ J ‰

C

œ œ ˙.

9fr.

œ

23

œ

23

G

7fr.

œ -

To Coda fi

G13 9fr.

13

like

side.

œ

œ

1

G13 Fmaj9

œ œ œ

œ Am7/G

13

mas - ter’s G

25

lov - ers

23

my

noth - ing,

œ

#œ œ œ œ

œ

C/G

G7 22

count

G13

4fr.

Fmaj7/A

&

œ œ œ

C/G

count-ed them on

19

œ

9fr.

& œ œ œ œ œ 16

Gmaj13

C

Gm9 Gm7

9fr.

1112

!

5fr.

‰ j ‰ ! ! ! ! ! ∑ Ó

23

23

23

5fr.

! ! ! ! ∑

1112

j !

‰

23

Am9/G Am7/G G

5fr.

j ! !

1111

23

7fr. 1111

! Œ

7fr. 1112

!

9fr.

Œ œ

13

2. I

œ went

..

186

Bridge:

2. D9

Fsus(9) 5fr.

& w 35

w

2341

∑

œ œ œ

111111

∑

Ó

œ

What are you

œ

gon - na

C 5fr. 23

40

&

œ.

œ ˙ J

do

now?

You’ve got no one to

Gm9 Gm7 5fr.

44

&

5fr.

7fr.

1112

1111

7fr. 1112

!

!

9fr.

j !

‰

1111

give your love

to.

9fr.

5fr.

5fr.

‰ j ‰ ! ! ! ! ! ∑ Ó

23

!

D.S. % al Coda

Gm9 Gm7

C

1112

! ! ! !

23

23

Am9/G Am7/G G

5fr.

7fr.

j ! !

23

1111

1112

1111

! Œ

7fr. 1112

!

9fr.

Œ

13

œ

œ

3. Well,

fi Coda

G13

G

9fr.

&

I’m rock - ing

G13 12fr.

7fr.

œ œ œ œ œ œ œ œ

23

-

23

ing’s

bound

23

to make

23

13

a - way

in

G

Am7/G 9fr.

a

œ œ œ

13

cra

9fr.

-

9fr.

œ J

œ ‰ Jœ œJ

œ

23

sleep - ing

G13

G

7fr.

13

23

car.

This jeal - ous

lov -

œ J

œ

Fmaj9

G13 9fr.

œ ‰ J

me

9fr.

œ œ œ œ œ œ œ œ

23

G

50

12fr.

œ œ œ ‰ œJ œ

œ

Am7/G

G 9fr.

13

47

&

Gmaj7( # 11) G (9)

Am9/G Am7/G

‰ j ! ! œ 1111

œ œ œ œ ‰ œ œ œ œ œ. J J

‰ Jœ

Œ

! w

j !

‰

23

9fr.

4fr.

œ

≈ œ œ œ œ.

23

zy.

I can’t find my

2341

œ

‰

good- ness,

I

œ

œ

lost

my

heart,

C 5fr.

Fmaj7/A

Fsus(9)

& œ 53

34

œ oh,

œ J

Just Like This Train - 4 - 3

œ sour

œ J

œ J

111111

grapes,

Œ

34

1fr.

‰

≈ œ œ

because -

j œ œ I

lost

œ œ my heart.

œ

23

! Œ

!

! Ó

!

‰

j !

23

187 Gm9

Gm7

5fr.

& .. 56

‰

j !

1111

Gm9

58

&

‰

j !

7fr.

1111

1112

!

! ∑

!

5fr. 1111

7fr.

1112

Gm7

Gmaj7( # 11)

Am9/G Am7/G

5fr.

‰

7fr.

7fr.

1112

1111

1112

!

! ∑

!

j !

‰

j !

5fr.

1112

23

!

!

G (9)

9fr.

1111

C

9fr.

1111

Gmaj7( # 11)

Am9/G Am7/G

5fr.

G (9)

9fr.

!

! ∑

!

23

Repeat and fade

C

9fr.

5fr.

1112

23

!

!

23

!

! ∑

Verse 2: I went looking for a cause Or a strong cat without claws Or any reason to resume And I found this empty seat In this crowded waiting room Everybody waiting Old man sleeping on his bags Women with that teased up kind of hair Kids with the jitters in their legs And those wide wide open stares And the kids got Cokes and chocolate bars There’s a thin man smoking a fat cigar Jealous loving will make you crazy If you can’t find your goodness ’Cause you lost your heart What are you going to do now You’ve got no one to give your love to Verse 3: Well, I’ve got this berth and this roll-down blind I’ve got this fold-up sink and these rocks and these cactuses going by And a bottle of German wine to drink Settle down into the clickety-clack With the clouds and the stars to read Dreaming of the pleasure I’m going to have Watching your hairline recede, my vain darling Watching your hair and clouds and stars I’m rocking away in a sleeping car This jealous loving’s bound to make me crazy I can’t find my goodness I lost my heart, oh sour grapes Because I lost my heart

Just Like This Train - 4 - 4

j !

‰

23

!

‰

j !

23

..

188

FREE MAN IN PARIS Guitar in Double Drop D tuning: D-7-5-5-4-3

Words and Music by JONI MITCHELL

➅=D ➂=G ➄=A ➁=B ➃=D ➀=D Moderately fast Œ = 164 % Intro: C

D

1.3.5.

F

5fr.

C

7fr.

10fr.

# # # 4 . n n œœœ œ œ œœœ œ n n œœœ œœœ n n œœœ œœœ œœœ œœœ œœœ œ & 4 . n œœœ œœœ ¿¿¿ œœœ n œœœ F 10 10 10 10 10 10 0 10 10 10 10 10 10 10 0 .. 555 000 000 777 ¿¿ 000 10 T 10 10 10 10 10 10 10 0 ¿ A 0 0 0 0 111

111

111

B

&

###

6fr.

∑

2341

## & # œœœœ ¿ œœœœ œœœœ œœœœ ¿ œœœœ œ ¿ œ ¿ T A B

¿¿

0 6 7 7 7

0 0 0 0

4fr.

6fr.

œœœ 43 n n œœœ œœ œ œœ 44 œœœ œœœ œœœ œœœ œœ n œœœ œœ .. œœ œœ ¿¿ œœ œœ œœ œ œ n œ œœ œœ n œœ œœ œœ œœ 2341

0 0 0 0

2341

9 10 0 0 10 0 0 10 0 0

4 5 5 5

2341

0 0 0 0 0 0 0

0 6 7 7 7

¿¿

0 6 7 7 7

0 6 7 7 7

0 6 7 7 7

6 7 7 7

0 0 0

0 0 0

..

To Coda fi

2.4.6.

A (9) 5

9fr.

œœœ œ

A (9)

G

0 6 7 7

0 6 7 7 7

0 6 7 7

¿¿

0 6 7 7

∑

∑

œœœ œ œ œ œ œ ¿ œœœ œœœ œœœ ¿ œœœ œ ¿ œ ¿

œœœ œ œ œ œ œ ¿ œœœ œœœ œœœ ¿ œœœ œ ¿ œ ¿

¿¿

0 6 7 7 7

0 6 7 7

0 6 7 7 7

0 6 7 7

¿¿

0 6 7 7

¿¿

0 6 7 7 7

0 6 7 7

0 6 7 7 7

œ œ ‰ Jœ œ

Œ

0 6 7 7

¿¿

0 6 7 7

1. “The way I 2. See additional lyrics

œœœ œ œ œ œ œ ¿ œœœ œœœ œœœ ¿ œœœ œ ¿ œ ¿ ¿¿

0 6 7 7 7

0 6 7 7

0 6 7 7 7

0 6 7 7

¿¿

0 6 7 7

Verse: A (9)

6fr.

nœ œ J

2341

9

&

D/A H

### ˙

Cont. rhy. simile

see

C/G H

it,”

œ J

œ œ J

he

said,

it for their

own

gain;

œ œ. J

˙

131111

can’t

win

D5

131111

in

“you just

œ

œ

D5

G

œ œ œ bœ œ œ nœ ˙ 2341

all.

œ nœ œ œ Ev - ’ry - bod - y’s

F (9)

4fr.

you can’t please them

Œ

it.

5fr.

# # œ œ œ œ œ bœ œ nœ & # 13

œ œ J

7fr.

D5 10fr.

‰ œJ œ œ n œ œ œ œ œ œ œ 111111

There’s al-ways some- bod - y

call - ing you down.

Free Man in Paris - 3 - 1 © 1973 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

189 A (9)

D5

6fr.

## œ œ & # J 17

œ a œJ œ J

2341

C/G H

I

œ œ J

œ J

do

my

-

ing

for

my

time.

œ.

111111

be

œ

œ J

a good friend

F/C H

10fr.

131111

of

man

in

&

&

go

131111

star

G

get

œ

a

D5

‰ œJ œ œ œ

2341

œ

-

w

head;

˙

they’re try -ing to

w

œ Œ

œ œ œ J J I was

C/G H

5fr.

œ œ œ œ œ œ œ J

I felt un - fet-tered and

a

œ œ nœ œ œ œ

‰ Œ

131111

a - live.

There was no - bod - y

call -

for

6fr.

œ J

œ œ ‰ ‰ œ œ œ œ œ œ œ œ œ œ J J

fa

-

vors

and no one’s fu - ture to

œ

œ

back there

œ œ

œ nœ. J

to - mor

-

row

œ œ J

but for

C/G H

œ J

the

de

-

‰ Jœ œJ œ .

Œ

2341

D5 10fr.

131111

### ˙

lot of peo - ple

A (9) 7fr.

ing me up

D/A H 41

There’s a

mine.

Par - is,

131111

-

˙

œ nœ J ‰ œ œ œ

### œ œ œ œ œ œ & J

### n œ

’ness.

œ bœ

They’re try - ing to

D5

nœ œ œ

free

D/A H

37

œ œ œ

œ nœ

œ

2341

Chorus:

F/C H

-

6fr.

### n œ œ œ &

33

bus

œ œ œ nœ œ œ

Œ

A (9) 10fr.

&

a good

œ œ. J

4fr.

131111

### n ˙

do

˙

131111

D5

F (9)

29

I

D5 7fr.

5fr.

ask

24

œ œ œ œ J

best and

### œ œ œ œ œ b œ œ nœ & 21

D/A H

cide.

You know, I’d

5fr.

œ œ œ œ œ œ J

131111

work I’ve tak - en

on,

œ J

œ

œ J

w

6fr.

œ œ J

mak - er

Free Man in Paris - 3 - 2

œ J

œ

œ

ma - chin - ’ry

œ J œ

be - hind

œ J

the

œ œ œ œ œ.

2341

pop - u - lar

songs.”

nœ œ J stok -ing

A (9)

D5 7fr.

Œ

œ J

the

190 D5 Em11/A

7fr.

7fr.

### . . œ œœ n œœœ & œ œ œ œ

œœœœ œ

234

45

T A B

1.3.

D5 Em11/A

..

0 0 0

6fr.

œœœœ œœ œœ œœœ œ

n œœœ œ

0 0 0

0 7 7 7

234

0 0 0 7 7

0 7 7 7

7 7 7

œœœœ œ

A (9)

0 0 0 7 7 7

7 7 7

œœœœ œœ 0 0 0 7 7 7

œœœœ œœ

œœœœ œ œœœœ œ œœœœ œœ œœ œœ œœ œœ

7 7

0 0 0 7 7 7

7 7 7

0 0 0 7 7 7

0 0 0 7 7 7

7 7 7

œœœ œœœ ¿ œœœ œœœ œ œ ¿ œ œ œ ¿ œ œ

œœœ ¿ œœœ œ ¿ œ œ ¿ œ

0 6 7 7 7

0 6 7 7 7

2341

¿¿ ¿

0 6 7 7

0 6 7 7 7

0 6 7 7 7

¿¿ ¿

0 6 7 7 7

1st time D.S. % 2nd time D.S. % al Coda

2.4.

A (9) 6fr.

# # # œœ œœ œœ œœ ¿¿ œœœœ & œ ¿ œ

œœœ œœ

œœœ ¿ œœœ .. œœœ œœœ ¿ œœ ¿¿ œœ œœ œ ¿¿

œœœ œœ

œœœ œœ

œœœ ¿ œœœ œœ ¿¿ œœ

œœœ œœ

œœœ ¿ œœœ œœœ œ ¿¿ œœ œœ

œœœ ¿ œœœ œœ ¿¿ œœ

T A B

0 6 7 7 7

0 6 7 7 7

0 6 7 7 7

0 6 7 7 7

0 6 7 7 7

0 6 7 7 7

0 6 7 7

0 6 7 7 7

48

0 6 7 7 7

¿¿ ¿

0 6 7 7

fi Coda

0 6 7 7 7

C

2341

D 5fr.

¿¿ ¿

..

0 6 7 7 7

0 6 7 7 7

0 6 7 7

¿¿ ¿

¿¿ ¿

0 6 7 7 7

F

¿¿ ¿

0 6 7 7 7

A (9)

C

7fr.

10fr.

0 6 7 7 7

9fr.

6fr.

# # # n n œœœ œœ œœ œœœ ¿ œœ n n œœœ œœœ n n œœœ œœœ œœœ œœœ œœœ œœ œœ œœ 3 n œœ n œœ œœ ¿¿ œœ n œœ œœ œœ 4 n œ œ œj œ œj 44 wwww & nœ œ œ œ œ w œ œ œ œ 5 0 0 7 0 10 10 10 10 10 10 10 0 0 0 5 0 0 7 ¿ 0 10 10 10 10 10 10 10 0 0 0 0 T ¿ 5 0 0 7 0 10 10 10 10 10 10 10 0 0 0 9 6 ¿ A 0 0 0 0 0 0 10 0 0 0 0 7 51

111

111

111

B

10 10

Verse 2: I deal in dreamers and telephone screamers Lately I wonder what I do it for If I had my way I’d just Walk through those doors And wander down the Champs Élysees Going café to cabaret Thinking how I’ll feel when I find That very good friend of mine

Free Man in Paris - 3 - 3

2341

2341

0 0

0 0

0 0

0 0

7 7

¿¿ ¿

0 6 7 7 7

191

Guitar in Open C tuning: C-7-5-7-5-4

RAISED ON ROBBERY

➅=C ➂=G ➄=G ➁=C ➃=C ➀=E

Words and Music by JONI MITCHELL

Moderately fast Π= 144

& 44

∑

∑

∑

Ó

Œ

‰ #œ œ

1. He was end Rhy. Fig. 1

Clavinet (arr. for gtr.) Rhy. Fig. 1

& 44 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ F w/wah

T A B 5

0

0

0

2

C Clavinet cont. rhy.fig. 1

& œ

œ

sit - ting

œ

œ

œ

in

0

2

‰

0

0

0

0

of the

œ œ #œ œ œ J ‰ ‰. r œ œ œ & œ for him - self.

A

0

0

0

0

2

Em - pire Ho - tel,

œ

œ

8

think - ing

2

0

0

lit - tle mon - ey

rid

he

œ

œ

-

in’

on

0

0

œ œ

was

œ

0

2

œ œ œ # œ œ œJ ‰ œ

œ œ

the lounge

0

2

drink - ing for

the

&

œ œ œ œ

Ma

-

% Verse: F

long

comes a

F

la - dy

in

-

F

F6

F6 5fr.

14

œ œ œ œ œ œ œ

111111

5fr.

5fr.

131111

111111

Cont. rhy. simile

& œ œ œ œ œ drink - ing

a - lone’s

∑

& T A B

lac

y

sleeves.

0

F6

‰ œJ

Leafs,

a -

F 5fr.

F6 5fr.

131111

5fr.

111111

131111

! ! ! ! ! ! ! ! .. œ œ œ œ œ œ œ

She says,

“Let me sit down, 2.3.4. See additional lyrics

you know,

C 5fr.

131111

Cont. in notation

œ œ a

shame,

œ œ œ œ œ œ œ œ it’s Acous. Gtr. Rhy. Riff 1

œ

œ œ

a

shame,

0

it’s

a

œ #œ œ œ œ œ 2

œ œ œ

cry - ing

shame,

Œ

œ

end Rhy. Riff 1

0 0

Raised on Robbery - 3 - 1

ple

Acous. Gtr.

œ œ

2

di - ver - sion, he was

œ œ #œ œ œ

œ

111111

œ

0

#œ œ œ œ œ œ

5fr.

11

0

2

3

4

0

2

0

œ œ bœ œ œ œ œ œ œ œ 3

0 0

2

0

0 0

© 1973 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

2

0

192 G

G6 7fr.

&

œ J

131111

look

at

F

G6 7fr.

bCont. œ rhy. œ simileœ

111111

17

G

7fr.

those

7fr.

œ

111111

F6 5fr.

œ J

131111

jok - ers

œ

glued

w F6

F7

&

&

131111

bring us ’round a

œ

G6

G7

7fr.

œ

111111

131111

raised

on

œ

G6

F6 5fr.

111111

5fr.

Bb

bœ

131111

Œ

some laughs.

œ

œ

lots

of

Bb

10fr.

131111

111111

Gin’s

what

I’m

-

ber

Œ

cash, B b6

Bb

10fr.

œ

131111

œ

10fr.

œ

œ

I

was

111111

drink - in’;

w

Û

Û

111

12fr.

Û

Û

111

Û

Û

Û

Û

Û

y.

G

F

7fr.

F6

7fr.

F

5fr.

& Û Û Û Û Û Û Û Û 131111

10fr.

131111

C

œ ˙ J

-

œ

œ

œ

œ

111111

5fr.

141111

7fr.

j œ œ

131111

F6 5fr.

131111

B b6

10fr.

C

œ œ œ

141111

rob

œ

you’ve got

F

F7 5fr.

7fr.

G6

111111

F6

111111

Œ

5fr. 131111

game.

5fr.

œ

131111

œ œ œ œ œ

bot - tle and we’ll have

7fr.

7fr.

œ

ey

œ J

#œ.

˙

F

hon - ey,

111111

-

5fr.

141111

5fr.

131111

hock

To Coda fi w/Rhy. Riff 1

7fr.

G 30

œ

œ J

131111

F6

F6

5fr.

141111

damn

5fr.

F

5fr.

œ œ œ œ œ œ œ œ œ

G 26

F6

5fr.

111111

23

œ

131111

5fr.

œ

œ J

111111

F7

Hey,

5fr.

œ

that

5fr.

Œ

F

œ

F6

111111

5fr.

131111

to

5fr.

&

œ

w/Rhy. Riff 1 C

F6

5fr.

111111

F

20

F

F6

5fr.

5fr.

Û Û Û Û Û

111111

111111

131111

F

F6

5fr.

5fr.

Û Û Û Û

111111

131111

111111

F

F6

5fr.

Û

Û

131111

5fr.

Û

111111

F 5fr.

Û

131111

5fr.

Û

111111

1.3. C

G 7fr.

& Û 33

Û

12fr.

Û Û Û Û Û

111

G6 7fr.

111

G 7fr.

C 7fr.

Û Û Û Û Û Û Û Û

111111

131111

∑

111111

Ó

‰

C

G 7fr.

& Û

œ

2. I’m 4. You know,

2.

37

œœJ

Û

111

12fr.

Û

111

Raised on Robbery - 3 - 2

G7 7fr.

Û

Û

Û

Û

G 7fr.

G6 7fr.

141111

111111

131111

a you

D.S. % al Coda

C 7fr.

Û Û Û Û Û Û Û Û

111111

j œ œ ..

∑

Ó

Œ

‰ œj 3. We

193

fi Coda C

G 7fr.

jœ œ ˙ œ & J

˙.

41

-

F

F6

F 5fr.

F6 5fr.

F

131111

G

111111

G6 7fr.

5fr.

& Û 48

111111

Û

Û

131111

T A B

G6 7fr.

Û

111111

Û

131111

G 7fr.

F6

5fr.

& Û Û Û Û Û Û Û Û 111111

Û

Û

7fr.

Û Û Û Û Û

G 7fr.

Û Û Û

111

111111

131111

G6 7fr.

Û

G 7fr.

7fr.

131111

Û

111111

Û

Û

Û

œ

œœ œœ œ

˙˙ ˙˙ ˙

111111

Û Û Û

y.

5fr.

45

Œ

111

G6

12fr.

111111

Û

131111

Û

G 7fr.

F 5fr.

Û

131111

F6 5fr.

Û

111111

F

C

5fr.

Û

5fr.

Û

131111

111111

7fr.

Û

Û

Û

Û

Û

bœ

œœ

111

111

C 7fr.

Û Û Û

111111

œ

œœ

œ #œ œ œ œ œ

0 0 0

2

3

4

0

2

Verse 2: I’m a pretty good cook I’m sitting on my groceries Come up to my kitchen I’ll show you my best recipe I try and I try, But I can’t save a cent I’m up after midnight cooking Trying to make my rent I’m rough but I’m pleasing I was raised on robbery Verse 3: We had a little money once They were pushing through a four-lane highway Government gave us three thousand dollars You should have seen it fly away First he bought a ’57 Biscayne He put it in the ditch He drunk up all the rest That son of a bitch His blood’s bad whiskey I was raised on robbery Verse 4: You know you ain’t bad looking I like the way you hold your drinks Come home with me honey I ain’t asking for no full-length mink Hey, where are you going Don’t go yet Your glass ain’t empty And we just met You’re mean when you’re loaded I was raised on robbery

Raised on Robbery - 3 - 3

12fr.

0

3

0 0

2

0 0 0 0 0

Û

194

TROUBLE CHILD Guitar tuning: C-7-7-5-4-3

Words and Music by JONI MITCHELL

➅=C ➂=G ➄=G ➁=B ➃=D ➀=D Moderately Œ = 97 Intro:

# & 44 j j œ nœ œ œ œ œ F

43

N.C.

T A B

0

2

5

7

#4 & 4 j j œ œ œ œ nœ œ

T A B

0

2

5

7

0

˙

C/F

7fr. 1111

..

œ œ œ œ œ œ 7

œ

œ

0

7

2

5

7

˙

44

œ œ

7

0

3 4

4 4

˙.

7

N.C.

7 7

7

7

23 1

œ œ

œ œ

5 7

0

œ œ œ œ œ

room where they

0

5

F/C

C/F 10fr.

let

‰

you be

0

1 0 2 2

œ. la

œ œœ

œ œœ œœ œ œ œ œ 5

Œ

1111

know - ing your at - ti-tude’s all

111111

œ

wrong

œ œ œ œ œ

and you got to

Œ

˙.

zy,

end Riff A

j j œ œ œ œ nœ œ

œ œ. œ œ nœ

j œ

0

0

0

1 0 2

Am11 23 1

-

j œ œ.

Riff A

5fr.

# & œ œ œ œ œ nœ. œ œ 13

5

4 4 j j œ œ œ œ nœ œ

Am11

111111

1. Up in thester - il - ized 2.3. See additional lyrics

T A B

2

43

5fr.

# & 44 .. œ œ œ œ œ œ œ œ

0

0

D/C

#4 & 4 ..

œ

7

Verse:

9

œ œ

7

3 4

5

˙

44 j j œ œ nœ œ œ œ

œ œ œ

j ‰ œ

change, and that’s not

5

7

7

2

5

w/Riff A N.C.

Œ

j œ œ œ. eas

- y.

˙.

Trouble Child - 3 - 1 © 1973 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

7

7

Œ

195 G (9)

C/F 5fr.

17

&

#

7fr.

111111

Drag - on shin - ing with all F5

G5 7fr.

G5 5fr.

1

1

1

œ

own.

23

&

C5

9fr. 23

G (9)

G6 7fr.

9fr.

C/F 7fr.

Œ

23

23

˙.

val - ues

23

œ. œ œ

œ

daz - zling

œ œ œ œ œ nœ œ œ 1111

the

111111

j œ

li - on in you to

23 1

œ œ œ

œ

w/Riff A N.C.

w

Ó

˙

œ

de - fy him when you’re this

2.3.

C (9) /3

your

Am11

w/Riff A (2 times) N.C.

spac - ey?

œ

5fr.

Where is

œ. œ œ œ

œ

you, keep -ing you from

1.

# ‰

œ œ œ

C/F 10fr.

Œ

5fr. 111111

known,

F/C

7fr.

# & œj œ . 20

23

œ œ œ œ œ œ œ œ œ

G (9)

G6

Œ ‰ j .. œ œ œ ˙.

Ó

2. So

Gmaj7/B

œ

weak

and this

‰ j j j œ œ œ œ

œ

need it.

Œ

œ œ œ

They o - pen and

D 7 (4 )

Am11

5fr.

29

&

#

‰

23 4

œ.

œ œ œ œ

close

‰

23 1

œ

œ

œ œ œ

you,

then they talk

œ

œ

œ

like they

Œ

23 1

know

œ œ œ

23

‰

1

you;

j œ œ

œ

they don’t know

Gsus(9) G 32

32

&

#

!

œ

32

O. j œ ‰

!

œ

you.

G (9) /3

Am11

5fr.

Œ

23 4

œ

œ

œ

œ

œ

They’re friends and they’re

foes

j ‰ œ œ œ œ œ œ œ

j œ œ.

23 1

too,

To Coda fi Gsus(9) G 35

&

# Œ

32

32

œ

œ

break - ing

j œ œ

like

G (9)

j ! ‰ 2

38

&

#

w

Trouble Child - 3 - 2

j œ

the

G

‰

j ! !

!

!

32

œ

waves

œ

at

œ

j ! ‰ 2

w

w

Mal - i - bu.

G (9)

G

‰

j ! !

!

G

2

j œ œ.

!

child,

G (9)

j ! ‰

G

Gsus(9)

trou - ble

j ! !

‰

j ! ‰

w

!

D.C. al Coda

G (9) 2

!

G

‰

j ! !

!

!

196

fi Coda

G (9)

G (9)

G

j j ! ‰ ‰ ! ! ! !

j j ! ‰ ‰ ! ! ! !

2

41

&

45

& T A B

#

#

G (9)

G

j j ! ‰ ‰ ! ! ! !

2

w

j j ! ‰ ‰ !Cont.! in!notation !

2

w

G

2

w

w

N.C.

j œ œ 0

2

5

# & 44 j œ œ 0

43

j nœ œ œ œ

49

T A B

G (9)

G

2

7

œ

7

j nœ œ œ œ 5

˙

7

7

43

˙

œ

œ

44 j œ œ

0

0

2

5

œ

44 j œ œ

0

0

2

7

5

Verse 3: So why does it come as such a shock To know you really have no one Only a river of changing faces Looking for an ocean They trickle through your leaky plans Another dream over the dam And you’re lying in some room Feeling like your right to be human is going over too Well some are going to knock you And some’ll try and clock you You know it’s really hard To talk sense to you trouble child Breaking like the waves at Malibu (To Chorus:)

˙

œ

7

7

œ 0

j nœ œ œ œ

Verse 2: So what are you going to do about it You can’t live life and you can’t leave it Advice and religion—you can’t take it You can’t seem to believe it The peacock is afraid to parade You’re under the thumb of the maid You really can’t give love in this condition Still you know how you need it (To Chorus:)

Trouble Child - 3 - 3

43

j nœ œ œ œ

7

w

44

197

TWISTED Standard tuning Piano arranged for guitar

Words and Music by WARDELL GRAY and ANNIE ROSS

Jazz swing feel Π= 138

# 4 & #4

∑

# 4 & # 4 œ. F

j œ

0

∑

Ó

‰ #œ œ œ œ J 3

1. My an - a - lyst

Piano (arr. for gtr.)

T A B

∑ j œ #œ.

j œ œ.

œ.

j œ œ bœ nœ œ #œ

0 2

2

3

3

4

0

4

1

0

2

œ

1

œ

œ

2

2

2

0

0

œ

œ

Verses 1 & 2: D7

G13 3fr.

# & # .. n œ œ Œ 5

1 234

told me 2. See additional lyrics

that

-

aœ bœ ter

dead

œ

œ

œ

than

&

œ

3241

œ

knew all

œ

A7

5fr.

# nœ & # ‰

1 234

I

j œ ‰

a - long

A7( # 5)

Twisted - 3 - 1

I

œ

The way he de - scribed

œ

œ

did - n’t

lis

F #m7( b 5)

œ

14

œ

live.

3fr.

##

my head.

œ

324

D7 11

of

3 ‰ œj œ œ œ

œ

it,

he said I’d be

G7

341

bet

3241

I was right out

D7( b 5)/C

# & # œ

3fr.

3 3 n œ œ j œ œ œ œ j ‰ #œ œ ‰ œ nœ #œ œ œ

3241

8

D7 3fr.

5fr.

‰

A7( b 5)

was cra - zy but I’m

all

œ

13141

wrong

Em

2fr.

œ

43121

not,

4fr.

œ

oh,

œ

13141

no.

his

œ

Œ

Ó

324

œ œ

and

I

I

Em 4fr.

œ

2134

œ

knew that

A7( # 5)

œ

œ

324

he

2. Em 4fr.

‰ # œj œ œ œ .. Ó 3

2. My an - a - lyst

© 1965 (Renewed) SECOND FLOOR MUSIC and RAYBIRD MUSIC All Rights Reserved Used by Permission

œ J

‰

Œ

thought

5fr.

1 234

j œ

‰

jive,

Em9

1. B7

D

4fr.

2 341

was

to

œ J

5fr.

œ œ nœ

he

ten

B7

2 341

that

œ œ œ bœ œ J 1 243

j œ

-

œ

œ J

œ

324

A7( # 5)

5fr.

Œ

1 234

‰ œj

3. They

198

Verses 3 & 4: D7

G7 3fr.

3241

œ

œ œ

œ #œ œ

# œ & # .. 18

say as a child 4. See additional lyrics

I

D7

ap - peared a

D9/F # 21

&

##

œ I

œ

&

œ #œ

œ

œ

œ

œ

œ

13141

œ

œ

1. D

B7

Em

2fr.

4fr.

Œ

43121

all

my

Ó

13141

a

œ

Ó

324

wiz - ard

A7( # 5)

ge

at

three?

D

œ œ ‰ J 4. Now, I

5fr.

˙

43121

13141

I

was

œ J

‰

324

1 243

Œ

What’s

œ

I

œ

so

œ J

œ

A7( # 5)

4fr.

œ.

324

œ

œ

œ

knew that this was meant to

Em

˙

.. ˙

1 234

but

A7

B7 2fr.

œ

43121

nius.

4fr.

œ

˙

i - deas,

œ ˙ J

-

2.

5fr.

be.

œ nœ J

œ

‰ œJ

2fr.

Em

œ

œ

D

1 234

was

œ

cra - zy

3fr.

œ œ nœ

I

2134

œ œ œ

3241

G13

3fr.

Em9

strange when you know that you’re a

# & # œ

lit - tle bit wild with

5fr.

œ

2 341

28

œ

1213

knew

B7

## œ

˙

œ

knew what was hap - pening I

F #m7( b 5)

25

œ

G9/F

4fr.

1234

œ œ3 œ œ N œ

œ

324

3fr.

‰

swing - ing.

œ J

5fr.

œ

1 234

They

œ3

œ

all laughed at

Verse 5: D7

3fr.

32

&

##

œ œ œ œ ˙

3241

j œ œ

‰

ang - ry young men.

They

œ

3

œ

all laughed at

œ œ3 œ œ Ed - i - son

œ œ3 œ œ

œ and

œ

al - so at Ein - stein,

œ ‰ J

so

G7 35

&

## œ

œ œ œ œ œ nœ œ

why should I

feel sor - ry

if

3fr.

## œ œ œ œ œ & 3241

on

Twisted - 3 - 2

in

my

head?

they

just

could - n’t

F #m7( b 5)

D7 38

œ œ nœ œ œ œ

œ

324

Œ

B7

œ œ œ

2 341

I

un - der - stand the

3

had

œ

a brain,

# œ œ3 œ n œ œ3 J 13141

it was in - sane. Oh,

œ œ3 œ n œ œ œ œ œ œ id - i - o - mat - ic

log - ic

that went

Em

Em9 5fr.

4fr.

œ œ œ œ œ œ œ œ

2134

324

they used to laugh at

me when

199 A7

D

Em

B7

5fr.

2fr.

# # œ œ œ # œ œ ≈ œ œ œ œ œ3 œ œ # œ3 n œ Œ & 1 243

41

I

# & # œJ

43121

re - fused to ride

N.C.

44

¿

top. What?

j ¿ ¿

13141

¿

No driver on

¿

¿

the top?

¿

¿

Man, the chick

¿

is

¿

324

‰ œ œ

5fr.

œ œ œ nœ œ œ œ

Nœ

3

on all those dou-ble deck- er bus - es,

¿

A7 4fr. 1 243

all be - cause there was no driv - er

¿

Œ

twist - ed,

¿

¿

¿

œ

œ

œ

¿

¿

on the

j ¿

‰

cra - zy, poop - shub - by,

hip

Verse 6: D7

G13 3fr.

47

&

##

‰ ¿j ¿ ¿ ‰ # œj œ œ œ n œ

3241

3

flip cit - y.

&

œ

3241

I think that it’s you

œ œ œ œ œ œ Œ

3241

prove it,

of

I’ll

have

the

my head,

in -stead

be-cause I B7

Em9

1 243

’cause in - stead of

To

324

one

head,

‰ Jœ œ œ

I got two.

œ Œ Œ œ And

32 œ b œ œ œ œ n œ

you know two heads are

3fr.

œ œ œ bet - ter than

Verse 2: My analyst told me that I was right out of my head He said I need treatment but I’m not that easily led He said I was the type that was most inclined When out of his sight to be out of my mind And he thought I was nuts No more ifs or ands or buts Verse 4: Now I heard little children were supposed to sleep tight That’s why I got into the vodka one night My parents got frantic didn’t know what to do But I saw some crazy scenes before I came to Now do you think I was crazy I may have only been three but I was swinging Twisted - 3 - 3

new.

4fr.

2134

13141

you,

‰ œj

œ œ œ ‰ Œ œ œ J

œ œ n œ œ œJ ‰ œ œ

last laugh on

œ œ J

Em

5fr.

2 341

N.C.

œ

I said, “Dear

D7 5fr.

# & # Ó

but

have got a thing that’s u - nique and

A7 57

3

œ œ œ œ J

324

F #m7( b 5)

3fr.

&

I was right out

‰ # œj œ œ

G7

341

doc - tor,

##

that

‰ # œj œ œ3 # œ œ œ b œ ‰ œj œ œ ‰ Jœ œ œ œ

D7 54

Œ

1 234

D7( b 5)/C

3fr.

## n œ

œ

3 nœ ‰ # œj œ œ œ

My an - a-lyst told me

D7 50

3fr.

œ nœ ˙

3241

one.”

Ó

202

IN FRANCE THEY KISS ON MAIN STREET Guitar tuning: E-7-7-3-2-5

Words and Music by JONI MITCHELL

➅=E ➂=A ➄=B ➁=B ➃ = F# ➀ = E

Moderately fast Π= 163 Intro: E7(3/ )

E7(3/ )

F/E E (9)sus

5fr.

7fr.

F/E E (9)sus

5fr.

7fr.

#### 4 . & 4 . Û Û Û Û Û Û Û Û JÛ Û JÛ JÛ Û JÛ Û Û Û Û Û Û Û Û ÛJ Û JÛ ÛJ Û JÛ .. F 234

% Verse: B9sus

B

7fr.

E (9)sus

7fr.

œ œ J

111111

œ J

113411

Cont. rhy. simile

œ

1. Down - town, my 2.3. See additional lyrics

A (9)sus 9

&

dar - ling

5fr.

œ J

113411

-

dime

&

dence,

&

store

œ

œ

234

œ œ nœ œ œ

ne

-

on

’n’ roll

rang

signs

nœ

111111

fad

œ

a

-

œ ing

œ œ œ œ ˙

girl

vic - to - ry.

F #(9)sus

œ

in - de -

˙

in

bloom

E (9)sus

œ nœ œ in

a

œ œ J

sub - ur

œ

Un - der

œ œ œ œ œ

Œ

113411

and

a wom - an was

E

3fr.

113411

œ

F#

˙

111111

was

Ó

23

sweet as

œ nœ

G

#### ˙ .

in the war of

E

œ œ

113411

œ

thief

E (9)sus

E (9)sus

#### n ˙

œ œ œ œ œ œ

Œ

234

5fr.

111111

rock

G (9)sus

17

-

A

6 G9 13

E (9)sus

w

œ

5fr.

œ.

111111

pen

234

Emaj9

œ œ œ

A (9)sus

A

5fr.

#### n ˙

234

9fr.

## ˙ & # # .. 5

234

-

œ J

ban

˙

23

˙ room.

Ó

œ

œ

I

said,

In France They Kiss on Main Street - 3 - 1 © 1975 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

203 A (9)

E (9)sus

E

4fr.

#### œ œ œ œ & 21

2341

œ

œ œ œ

œ œ œ

“Take me to the dance.” “Do you wan - na

C #(9)sus 25

&

#### œ

9fr.

111111

C#

29

113411

“They don’t take chan - ces,

&

####

B

B (9)sus 9fr.

œ œ œ œ œ. J

A (9)sus

7fr.

œ

bro - ken

in

they seem

œ

A

5fr.

œ

œ

church - es

‰ œj œj œ .

œ

nœ J

B

And we were

roll

and mold - ed

to

A (9)sus

nœ

roll

E (9)sus

-

! ! ! ! ! ! ! ! 36 #### œ ˙. &

j œ œ

œ œ œ.

23

mid - dle-class

œ J

œ.

To Coda fi

E (9)sus

G 3fr.

n˙

nœ nœ. J

113411

111111

113411

ing,

rock

’n’

j j ! ! !

˙

roll

F/E

5fr.

E (9)sus

234

j ! !

j j ! ! ! ∑

234

ing.

2. B (9)sus

B

7fr. 111111

40

&

####

!. ˙.

A (9)sus 7fr.

j ! !

113411

A

5fr. 111111

! œ

ing.

In France They Kiss on Main Street - 3 - 2

G (9)sus

G

5fr.

j ! !.

113411

3fr. 111111

∑

E (9)sus

O

113411

O

∑

O

-

7fr.

j ! ! ! ! ! ! ! ! ! ∑

234

œ J

cir - cum - stance.”

E7(3/ )

7fr.

j ! ! w

œ

They’ve been

5fr.

111111

ing,

F/E

234

‰ œj

Ó

23

G (9)sus

A

5fr.

œ œ J

5fr.

j œ œ.

E

œ

1.

E7(3/ )

œ œ

œ

113411

-

And I told him,

E

E (9)sus

113411

7fr.

œ.

dance.”

œ œ œj œ .

from ro - mance.

œ

œ J

schools

111111

Œ

5fr.

111111

and

œ

re - moved

A (9)sus

113411

to

œ

23

7fr.

111111

so

7fr.

## & ## œ

love

j œ œ

B (9)sus E (9)sus

113411

B (9)sus 32

“I

œ œ œ œ J

œ œ J

5fr.

œ nœ

œ.

7fr.

111111

A

5fr. 111111

dance?”

œ

Guitar Solo: E Play 7 times

..

∑

..

..

D.S. % al Coda

23

O

j !

∑

204

fi Coda 45

&

####

E

œ

˙.

23

w

∑

∑

ing.

1.

B

B (9)sus

#### . œ . . & 49

7fr.

7fr.

111111

Roll

A (9)sus

œ J

113411

-

5fr.

œ

nœ

roll

-

#### w & 53

234

3fr.

œ.

n˙

nœ nœ. J

113411

111111

113411

ing,

rock

’n’

œ

˙.

roll

-

ing;

7fr.

∑

∑

234

.. ˙

˙

-

Verse 2: Downtown The dance halls and cafés Feel so wild you could break somebody’s heart Just doing the latest dance craze Gail and Louise In those push-up brassieres Tight dresses and rhinestone rings Drinking up the band’s beers. Young love was kissing under bridges Kissing in cars, kissing in cafés And they were walking down Main Street Kisses like bright flags hung on holidays “In France they kiss on Main Street” “Amour, mama, not cheap display” And we were rolling, rolling, rock ’n’ rolling Verse 3: Downtown in the pinball arcade With his head full of pool hall pitches And songs from the hit parade He’d be singing “Bye, Bye, Love” While he’s racking up his free play Let those rock ’n’ roll choir boys Come and carry us away Sometimes Chickie had the car Or Ron had the car Or Lead Foot Melvin with his hot-wire head We’d all go looking for a party Looking to raise Jesus from the dead And I’d be kissing in the back seat Thrilling to the Brando-like things that he said And we be rolling, rolling, rock ’n’ rolling Rolling, rolling, rock ’n’ rolling Rolling, rolling, rock ’n’ rolling

In France They Kiss on Main Street - 3 - 3

˙

234

F/E E (9)sus

5fr. 234

5fr.

2.

F/E E (9)sus E7(3/ ) 7fr.

œ J

E7(3/ )

E (9)sus

G

5fr.

111111

ing,

G (9)sus

A

˙

˙

˙

œ œ ing.

Œ

206

THE JUNGLE LINE

Guitar in Open A tuning: A-12-4-3-5-7

➅=A ➂=E ➄=A ➁=A ➃ = C# ➀ = E

Words and Music by JONI MITCHELL

Fast Π= 170 Intro: D(9, # 11)

D(9, # 11)

D (9)

4fr.

5fr.

D (9)

4fr.

5fr.

### 4 Û Û Û Û Û Û ¿ . Û Û Û Û Û Û Û ¿ . Û Û Û Œ Û ‰ Û Û Û Û Û Û Û ¿ . Û & 4 J F 2341

234

D(9, # 11) 5

&

###

2341

D(9, # 11)

D (9)

4fr.

5fr.

Û Û Œ

Û

2341

‰ Û J

9

&

###

&

###

111111

œ

œ

Cont. rhy. simile

œ

˙

1. Rous - seau 2.–4. See additional lyrics

&

walks

&

œ

˙

trum - pet

paths, D (9)

4fr.

œ ‰ œj

Ó

1111

œ

œ

-

ris

œ œ J

to

the

D (9)

4fr.

œ J

œ

œ

2341

heart

A

5fr.

œ

j j œ œ œ.

œ

œ

of

all

w

that

jazz.

A7

∑

Œ

234

‰

123

A

5fr.

Œ

j œ #˙

‰

123

œ

through wires

2341

˙

5fr.

2341

### œ &

œ

œ œ J .

234

Through

###

w

D(9, # 11)

A

and

D(9, # 11) 25

A

9fr.

11341

on

A(9, # 5) 21

œ

#œ

5fr.

sa - fa

###

Û Û Û Û J

234

F #dim7

D(9, # 11) 17

Û Û J

2341

D/A 13

A

5fr.

Û Û Û Û Û Û ¿. Û Û Û ‰ Û Û Û Œ J 234

9fr.

.. Ó

D (9)

4fr.

Verse: F#

234

Œ

1111

5fr.

œ

˙

the mod

-

œ

ern

w

j œ. ‰ œ

œ J

œ œ J

the math - e - mat - ic

D (9) 234

bars

and

œ

gird - ers, A

pipes,

4fr.

-

D/A 5fr.

˙.

I

œ

D(9, # 11)

œ œ œ J J cir

cuits

D (9)

4fr.

2341

-

5fr.

∑

234

∑

nights.

The Jungle Line - 2 - 1 © 1975 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

œ J

of

207 B/A

C/A

### Ó & 29

œ J

1111

#œ.

œ #œ œ

Œ

Through huts,

through Har

œ -

lem,

œ

œ

œ

through the

œ

œ

class

on

Œ

œ œ

Park

œ.

trash

on

123

and the

Œ

˙

œ

111111

through

&

###

Eu

-

&

w

Vine

Œ

rope and the deep, deep heart of

j ˙ œ

œ 1.–3.

-

Dix - ie

œ3

D (9)

œ

˙ 4.

A

Œ

∑

234

∑

A

5fr.

..

234

∑

j œ œ

j œ ˙

234

the jun

D (9)

5fr.

5fr.

-

gle

line.

Repeat and fade

D(9, # 11)

D (9)

4fr.

..

2341

Verse 2: In a low-cut blouse she brings the beer Rousseau paints a jungle flower behind her ear Those cannibals of shuck and jive They’ll eat a working girl like her alive With his hard-edged eyes and his steady hand He paints the cellar full of ferns and orchid vines And he hangs a moon above a five-piece band He hangs it up above the jungle line Verse 3: The jungle line, the jungle line Screaming in a ritual of sound and time Floating, drifting on the air-conditioned wind And drooling for a taste of something smuggled in Pretty women funnelled through valves and smoke Coy and bitchy, wild and fine And charging elephants and chanting slaving boats Charging, chanting down the jungle line Verse 4: There’s a poppy wreath on a soldier’s tomb There’s a poppy snake in the dressing room. Poppy poison–poppy tourniquet It slithers away on brass, like mouthpiece spit And metal skin and ivory birds Go steaming up to Rousseau’s vines They go steaming up to Brooklyn Bridge Steaming, steaming, steaming up the jungle line The Jungle Line - 2 - 2

∑

blue,

‰ œj ˙

2341

age prog - ress cuts

D (9)

4fr.

2341

j # œ œ # œJ ˙

113411

4fr.

‰

1111

A

D(9, # 11)

through sav

###

œ J

7fr.

œ œ œ #œ œ œ œ œ

5fr.

D(9, # 11) 45

pews,

Edim7 7fr.

D/A 41

gos - pel

A

#˙

E

&

˙

5fr.

123

###

and

œ

#œ

A(9, # 5)

## & # Ó

37

œ J

through jails

A7 33

œ #œ œ.

Œ

1111

5fr.

∑

234

∑

..

208

EDITH AND THE KINGPIN Guitar tuning: C-7-7-3-5-4

➅=C ➂=F ➄ = G ➁ = Bb ➃=D ➀=D

Words and Music by JONI MITCHELL

Moderately Π= 101 A b (9, # 11)

A b (9, # 11)

C (9)

7fr.

7fr.

b œ œ œ œ & b b 44 œœ œ œ œ P fingerstyle 2 31

0

T A B

7 8

7

œ

œœ

œœ œ œœ œœ nœ œ œœ œ œ

0 0

0 0

2 2

0

0

Verse 1:

T A B

1111

The big man

œ

œ

5

œ œ J œ.

œ

œ J

w

ar - rives,

œ

5

œ

5

5

5

œ

5

b œ &bb

œ J

˙.

greet him.

E b/G

b &bb Ó

œ.

œ J

big

œ œ

œ. œ œ œ

˙

2 31

plain - clothes cops

∑

∑

A b (9, # 11)

Bb

7fr.

œ.

œ

2 31

man,

‰ œJ œ œ œ œ

soph - ’more

œ

œ

˙.

Œ

111111

jive.

œ œ œ œ œ œ

œ

˙.

type - writ - ers;

Edith and the Kingpin - 3 - 1

œ œ œ œ œ ‰ œ J the big

A b (9, # 11) 7fr.

œ

2 31

From vic - tims of type-writ - ers, Bb

5fr.

man,

w

fresh lip - stick glis - ten - ing,

7fr.

F9sus 111111

Gm11

7fr.

5

5

Bb

Small - town

œ

œ

1111

b &bb œ

A b (9, # 11)

G9sus

5fr.

16

0

0

œ

111111

0 0

0

dis - co danc - ers greet him,

œ œ œ œ J ‰

5

0

5fr.

12

7 8

Cont. fingerpicking simile

Œ

0

8

œ œ œ

111111

F9sus 8

2 2

2

G9sus

œ ‰ œj J œ

b &bb Πb &bb

0

7fr.

5fr.

4

0 2

2 2

2 2

0

8

E b/G

œœ œœ œ œ œ œ œ œ

2 31

123

he’s not

C (9)

œ œ œ.

123

‰ œ J

œ. œ œ œ

the band

Gm6

˙

w

2

lis - ten - ing.

© 1975 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

sounds like

209

A b (9, # 11)

G9sus

7fr.

b &bb Π20

7fr.

&

œ œ J

His eyes hold

E bmaj9 24

œ

‰ œJ œ

2 31

E - dith,

A b (9, # 11)

œ œ œ J

his

œ.

n˙ bbb

˙

œ J

sire

that

he

his

5fr.

b &bb Π28

1111

grips

‰

it

œ œ

Œ

2. E - dith in the ring, 3. See additional lyrics

œ J

œ

œ J

the passed o - ver

dia - mond ring

E b/G

is

purr - ing,

all

œ

˙.

œ

One by one

they

bring

his

˙

œ

girls

are

111111

glo - ries

claws

for

2 31

to her;

in

chal - lenge

they

Wom - en

he

48

&

nœ bbb J

œ

œ œ J

has

tak - en

œ J

œ

2 31

her,

œ.

fac - es

Edith and the Kingpin - 3 - 2

˙

˙

2 31

œ nœ

œ

gent - ly

to

˙

111111

and his

w

2

on.

To Coda fi

œ.

soon;

7fr.

œ œ

his crimes

w

look

œ.

Gm6

œ J

he

G9sus

7fr.

‰ œ J

123

too

A b (9, # 11)

w

with - drawn.

sto - ries to

111111

grow old

with the

Gm11

œ œ œ œ

œ œ. J

œ ˙ J

œ œ

the man

œ œ œ. J J

œ.

2 31

7fr.

œ œ œ

œ.

‰ Jœ

con - fer - ring;

G9sus

E bmaj9 2341

œ

2 31

7fr.

ren - e - gade

œ œ œ œ ‰ œ J J

œ ˙ J

111111

A b (9, # 11)

œ œ œ

7fr.

b &bb Œ

œ œ

now

111111

A b (9, # 11) 44

w

7fr.

113411

C (9)

b & b b œJ œ 40

G9sus 7fr.

A b (9, # 11)

œ œ

F9sus 5fr.

de -

that hand

7fr.

7fr.

œ œ œ

1111

does

7fr.

œ œ œ

œ

nœ J

A b (9, # 11)

G9sus

5fr.

b &bb Œ

œ.

œ J

œ œ œ œ.

tight?

111111

Gm11

111111

œ J

so

7fr.

œ ‰ œ J œ J

œ

5fr.

36

œ.

G9sus

œ œ œ

b œ &bb œ

What

nœ

111111

F9sus 32

right.

œ G9

7fr.

% Verses 2 & 3: E b/G

œ J

G9sus

nœ œ J

2 31

œ.

111111

left hand holds

7fr.

2341

œ œ. J

œ

œ. tilts G9

n˙ the

w

œ J

Bb

˙

their tired

D.S. % al Coda

G9sus 7fr.

113411

spoon.

7fr. 111111

210

fi Coda

A b (9, # 11)

E bmaj9

bb b n œJ œ . & 2341

52

(3.) to

&

bbb

œ.

‰ Jœ

˙

2 31

they dare

A b (9, # 11) C9sus

5fr.

56

œ

eye,

E b/G 1111

G9sus

7fr.

7fr.

nœ

œ ˙ J a - way.

w

w

111111

œ n œ3

not look a - way.

C (9)

7fr.

2 31

œ œ

w

123

œ

You know they dare

A b (9, # 11)

C9sus

not

1.–4.

5.

C (9)

C (9)

˙ look

7fr.

..

2 31

∑

Verse 3: Edith in his bed A plane in the rain is humming The wires in the walls are humming Some song, some mysterious song Bars in her head Beating frantic and snowblind Romantic and snowblind She says his crime belongs Edith and the Kingpin Each with charm to sway Are staring eye to eye They dare not look away You know they dare not look away

Edith and the Kingpin - 3 - 3

œ bœ

123

∑

..

123

∑

211

DON’T INTERRUPT THE SORROW Guitar tuning: C-7-7-5-4-3

Words and Music by JONI MITCHELL

➅=C ➂=G ➄=G ➁=B ➃=D ➀=D Fast Ó = 77 Intro: C/G 5fr.

&

#C

B b/G

E b/A b

F/G 10fr.

> Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û

Û ‰ ‰ Û ‰ Û Œ J J J F 1111

1111

1111

B b/G

G 5fr.

# & Û Û Û Û Û Û Û Û

Û Û Û Û Û Û. J

111111

G

# & Û Û Û Û Û Û Û

5fr.

Û ‰ ‰ Û ‰ Û Œ J J J 1111

321

7fr. 1111

1111

Û Û Û Û Û Û Û Û

111111

G

Û Û Û Û Û Û Û Û Û Û Û Û Û. J J J

9

D/G

B b/E b

C/G

1111

G C (9)/G

F6/G

G

G

Û ‰ ‰ Û ‰ Û Œ J J J

111111

C/F 5

B b/G

G

8fr.

Û Û Û Û Û Û

2 1

Û Û Û Û Û Û Û

Verses 1–4: F6/G

C (9)/G

G

G

G/F

G 5fr.

# . Cont. rhy. simile & . œ œ œ œ œj œ 321

14

1. Don’t in - ter - rupt 2.–4. See additional lyrics

j œ

the

sor

-

˙

row,

Ó

23

G

&

#

j œ œ

‰ œ

321

in

flames

œ œ

our

pro

œ œ œ œ ˙

-

8fr.

# & Œ

111111

F/B b

B b/E b

111111

111111

10fr.

‰

j bœ bœ

A room

œ œ bœ.

full of

glass

Ó

phet witch - es

E b/A b 22

23

2 1

-

j œ n˙

es,

Œ

j œ œ.

Ó

right;

G

G/F 5fr.

18

‰ œj

Œ

darn

C (9)/G

G

F6/G

j œ œ.

23

2 1

7fr.

7fr. 23

œ œ œ

be

∑

po - lite. C/F 5fr.

‰

j œ nœ

he says,

111111

œ œ nœ œ œ œ œ œ œ œ “You’re notch-es lib - er - a - tion doll;”

Don’t Interrupt the Sorrow - 3 - 1 © 1975 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

212 C (9)/G

G

F6/G

G

G

G/F

G/E

5fr.

26

&

#

‰

321

˙

j œ œ œ

and he

chains

œ œ œ œ œ œ œ œ

me with that ser-pent, to that

1.2. G 30

&

#

˙.

&

œ

E - thi - o

5. Don’t in - ter - rupt 6. See additional lyrics

.. G

F6/G

j œ œ.

j œ

the

pi - an

G/E

-

23

˙

row,

C (9)

G

G 7fr.

Ó

23

‰ œj

Œ

darn

G

&

#

j œ œ

œ.

321

G/F

“We

œ

walked

on

w

œ

the

E b/A b 42

&

#

23

F/B b

8fr.

10fr.

Œ

bœ

œ

œ

Don’t let

up

111111

œ nœ bœ

the C/F

sor

F6/G

j b œj n œ . œ

111111

œ.

G

#

& nœ

œ œ œ ˙

j œ œ

right.

He says,

row,

Ó

∑

B b/E b 111111

nœ œ œ œ œ œ œ œ

death and birth and death and birth and

C (9)/G

G

To Coda fi

G/F

G 5fr.

5fr.

45

‰

7fr.

œ œ œ œ you be po - lite.”

moon,

j œ œ.

G

23

2 1

∑

23

23

5fr.

38

G/F 5fr.

∑

23

23

G/F

2 1

sor

wall.

D.C. 4.

G/F

5fr.

j œ œ œ œ œ œ

-

w

5fr.

C (9)/G

321

23

23

œ œ œ œ œ œ

G/E

∑

23

G

F6/G

#

G/F

23

% Verses 5 & 6:

34

23

5fr.

Œ

5fr.

3.

G/E 7fr.

23

23

2 1

G/F

7fr.

Ó

111111

‰

321

death and birth;

j œ œ

he says,

7fr.

23

2 1

“Bring that bot - tle kind - ly

j j œ œ œ.

œ.

œ œ œ œ œ œ œ

œ

23

and I’ll

pad

your purse.

C (9)/G

F6/G

G/F

G 5fr.

# Ó &

‰

49

j œ œ œ

I’ve got

G/E G/F

# & ÛJ Û 23

23

œ

2 1

œ œ œ œ œ œ

head - ful

of quan-d’ry and

a

œ œ œ œ œ œ œ

might - y, might - y, might - y

G 5fr.

53

a

321

Û Û Û Û Û J

Don’t Interrupt the Sorrow - 3 - 2

thirst.

Û Û J

Û Û Û Û Û J

Û

23

Û

Ó

D.S. % al Coda

5fr. 23

23

˙

G/E G/F 7fr.

23

23

7fr.

Û Û

Û

Û

Û Û

213

fi Coda 56

&

#

G/E

G/F

G 5fr.

∑

.. Û 23

23

Û

7fr. 23

Û

Û

Û

Û

Û

Verse 2: Anima rising Queen of Queens Wash my guilt of Eden Wash and balance me Anima rising Uprising in me tonight She’s a vengeful little goddess With an ancient crown to fight Verse 3: Truth goes up in vapors The steeples lean Winds of change, patriarchs Snug in your Bible Belt dreams God goes up the chimney Like childhood Santa Claus The good slaves love the Good Book A rebel loves a cause Verse 4: I’m leaving on the 1:15 You’re darn right Since I was seventeen I’ve had no one over me He says, “Anima rising, so what— Petrified wood process Tall timber down to rock!” Verse 6: Seventeen glasses Rhine wine Milk of the Madonna Clandestine You don’t let up the sorrow He lies and he cheats It takes a heart like Mary’s these days When your man gets weak

Don’t Interrupt the Sorrow - 3 - 3

Û Û J

Û Û Û Û Û .. J

214

SHADES OF SCARLETT CONQUERING Words and Music by JONI MITCHELL

Standard tuning Piano arranged for guitar

Moderately Π= 104 Intro:

E/A Piano (arr. for gtr.)

D/A

w & 44 # ww Œ œ œ œ œ œ œ #œ P 0

3 2 4

3 2 4

0

0

E/A

0 0 1

0 0 1

0

0

0 2

0

0 0 1

0

0

3 2 4

3 2 4

0

2

E/A

0 0 1

3 2 4

0

2

3 2 4

j œœ œœ .. #œ #œ. Œ œ œ

E/B

2

˙˙ ˙ œ œ œ œ #œ

0

0

0

0

0 2

Dm9

4

D/A

0 0 1

4

2

D/A ˘ œœ œœ œ œ œœ # œ œ œ œ # œœ œœ œ œ œ œ œ œ J J

j œœ œœ .. & #œ #œ. Œ œ œ 5

4

œœ œ ‰

0 0 1

T A B

T A B

œ # œœ Œ

> j œœ .. œœ œ. #œ œ œ œ J

œ # œœ Œ

œœ œ ‰

3 2 4

3 2 4

> j œœ .. œœ œ. #œ œ œ œ J E/B

0

2

0 0 1

3 2 4

2

œ œ œ œ >œ œ œ œ œ

œ œ œ œ >œ œ œ œ œ

1

1

0

0

3

2

0

0

2

0

0

0

3

2

0

3

0 0

Verse 1: Am7

Bm7

œ œ œ œ.

& .. Π9

2 1

œ & .. œœ T A B

..

œ œ J œJ 13121

Out of the fire

œ

0 1 0

œœ œ

œ

0 1 0 0

œœ œ

32

like Cath-’lic

œ

0 1 0 0

G

œœ œ

œ

0 1 0 0

# œœ œ

œ

2 3 2 0

œ ˙ J

A7sus

‰ œJ

Œ

4

13 2

saints

0

œ. œ œ œ œ œ œ 2 4

comes Scar - lett and her deep

œœ œ œ œj œ . 2 3 2

2

Em9

0

œ #œ œ œ œ 4 0

0

3

0

œ œ œ 4

0

3

com-plaint,

œ œœ œ œ œ 0

˙.

3

œ œ œ œ j œ J 0

0

3

0

Shades of Scarlett Conquering - 4 - 1 © 1971 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

2

0

215 Bm7

& Π13

œ œ œ

œ.

mim-ick - ing

ten

Cont. rhy. simile

œ J

-

Em9

G

œ J

œ

13121

der - ness

32

she

œ J

˙

4

A7sus

Œ

œ œ œ œ œ

œ J

‰

13 2

sees

in

œ

2 4

sen - ti - men - tal mov - ies

Bm7

& w

Œ

16

j œ œ

‰

A

Dm7

œ œ œ œ œ

Œ

211

cin - e - mat - ic

G 32

œ

œ

4

sweep - ing

& Œ

rid

œ.

œ J

32 1

lov - ers

ball - room

&

œ

˙

gowns

Œ

œ.

œ J

œ

œ

œ

crin

a

œ

to

town,

œ

œ3

œ -

o

32

-

˙

œ

œ

and

˙

œ

Œ

Flynn,

˙.

-

way.

œ.

œ œ œ

Œ

4

13 2

lines

œ

œ J

through stand - in

œ J

chas - ing the ghosts

of

œ boys

œ J

œ

13121

and

G

œ

Dm7

her

‰

œ

32

œ œ ˙.

she likes

Shades of Scarlett Conquering - 4 - 2

Œ

2 1

au - burn hair.

œ

œ

to have things her

‰ œj Jœ

œ

She comes from

C 4

œ

w

32 1

way;

32

Œ

4

play - ers

To Coda fi

Bm7

G

œ œ œ œ

œ

œ

ex - tra

Am7

Mag - no - lia’s hope - ful in

and

w

Bm7

œ

œ

Em9

G

13121

in

13 2

& Œ

œ J

‰

3 1

take her breath

Bm7

2. Out in the wind 4. See additional lyrics

Ga - ble

211

œ

plan - ta - tions

œ œ

‰

2 34

œ. œ œ œ & ‰ Jœ œ œ

36

comes

œ

E7sus

Em9 32

er

sway,

w

œ œ œ

2 1

2 1

-

œ

C/F

Am7 29

œ

13121

cel - lu - loid

2 1

Verses 2 & 4: %Am7 26

œ

Am7

œ œ. & J 22

œ

œ

C

& œ 19

œ

œ.

œ J

13121

a school

j œ œ œ œ

of south-ern charm,

C/F

Œ

3 1

‰

œ œ œ

œ3

œ

an - y man

in

the

216 G 39

&

32

œ

Am7

œ œ œ œ œ œ

4

world hold - ing out

his

˙

arm

Am7

& Œ

œ.

œ

œ J

Friends have told

œ J

13121

her,

G

“Not

œ

32

so

œ J

. & œ œ ˙

4

˙

Œ

Lov-ers in

œ

&

œ

just

G

≈ œ œ œ œ

13121

an - ger

œ

œ

œ

to

be

nice.

˙

∑

132

hard-er and hard

œ & J

211

∑

‰

dreams

32

Am7

œ œ œ 4

œ3

œ

from the dark things she

G

∑

431

4

eyes

œ œ œ œ J

in the X - rat

Shades of Scarlett Conquering - 4 - 3

œ J -

..

∑

132

œ

œ

œ J

2 1

the

w

˙

13121

night

œ.

321

3 2 1

feels.

œ J She

ed scenes.

Œ

‰

œ œ œ. 2 34

run- ning the

to

dark

œ

œ3

œ

cov - ers

her

D.S. % al Coda

E7sus

œ.

œ œ œ

Fmaj7

Am7/G

2 1

Am7

œ.

er

D

œ œ œ

Ó

G

œ.

-

Bm7

211

32

œ J

1.2.

Giv - en in

58

&

..

2

and yell - in,’ “Not

œ œ œ œ.

Œ

13 2

Dm7

Dm7

61

Ó

4

“Block of ice.”

∑

D

&

32

œ œ œ œ

Em9

Gmaj7

3.

54

œ œ œ.

œ

Neigh-bors try’n’ to sleep

Am7 2 1

œ

Œ

13 2

proud.”

œ œ œ œ

so loud.”

50

pay.

Bm7

2 1

w

Em9

Am7 46

w

2 34

would soon be made to

Bm7

œ

2 1

j œ œ œ œ œ

‰

2 1

Verse 3:

43

E7sus

œ ˙ J reels.

w

217

fi Coda

G7

Dm7

& œ 65

211

32

Œ

‰

œ

1

&

˙

2 1

&

Œ.

&

iron

and

œ œ J

œ œ

still

smol - der - ing she says,

œ

321

frail

32

œ.

32

œ œ œ œ œ

con - quer - ing

32

fin

-

ger

-

4

13 2

nails.

“A wom - an must have

& .. | 82

142

132

|

œ J

Out of the fire

œ œ ˙.

and

œ œ œ

Œ

2 1

ev - ’ry-thing.”

œ

Shades of Scar - lett

‰ ¿j ¿ ¿ ¿ ¿

Œ

13 2

“A wom - an must have

234

¿ ¿

¿

Ó

∑

∑

ev - ’ry - thing.”

Play 3 times Repeat and fade Dm7

.. |

211

G

|

D

.. | 32

4

132

|

Verse 4: Beauty and madness to be praised ’Cause it is not so easy to be brave To walk around in so much need To carry the weight of all that greed Dressed in stolen clothes she stands, cast iron and frail With her impossibly gentle hands and her blood-red fingernails Out of the fire and still smoldering She says, “A woman must have everything” Shades of Scarlett conquering she says, “A woman must have everything”

Shades of Scarlett Conquering - 4 - 4

hands

Asus

she says,

Em7/A

gen - tle

œ œ œ œ.

Œ

2 1

Play 3 times A (9)

sib - ly

Am7

Em9

G

-

w

‰ j œ œ œ œ œ

Œ

4

œ œ œ œ œ œ œ

4

with her im - pos

Em9

G

œ œ œ œ œ

1 31 21

œ œ3 œ

Ó

3 2 1

œ œ œ. J J

2 34

œ

1 31 21

œ ˙ J

G

Am7

and her blood - red

Bm7 77

œ œ J

2 1

Fmaj7

E7sus

Bm7 73

œ J

cast

Am7 69

Am7/G

Am7

Dm7

.. .. |

211

..

218

THE HISSING OF SUMMER LAWNS

Words and Music by JONI MITCHELL and JOHN P. GUERIN

Standard tuning Piano arranged for guitar

Fast Π= 146 Intro:

# & # 44 ..

Bm

∑

C/B

˙ .. œ # & # 44 .. ˙ n œ ˙. œ F 0 1 .. 23 T

A B

Bm

∑

Piano (arr. for gtr.)

2

ww w

∑

C/B

2

ww w

0 1

3 4 2

..

∑

˙˙ .. n œœ ˙. œ

Am

∑

.. n ˙˙ ˙ ..

2

%Verse: Bm7

0 1

B m7

˙˙ ˙

Dm

∑

Œ ‰ j œ œ

1. He bought her a

ww w w

5 5 5

˙˙ ˙

n ˙˙˙

2 3 2

2

œ œ

3 2 3

2 3 5

2

D/G

1 31 21

## . ˙ & .

Cont. rhy. simile

8

œ œ œ

œ

3

dia - mond for her throat, 2.–4. See additional lyrics E9( b 5)

# & # Π12

2332

œ œ œ œ œ œ

she could see the val - ley

‰

j œ œ œ œ œ

he put her

in

œ

a

œ

œ œ

œ

ranch house

on

a

hill;

œ

Ó

œ

E7

Œ

2 14

œ œ œ

œ.

œ œ

bar - be - cues

Gmaj7

from her

win

j œ œ

-

Ó

œ

dow

œ

4321

blue

j œ œ

˙

pools

j j œ œ œ

j œ œ

4321

sill.

See

in

the squint-ing

sun,

hear the

the

To Coda fi

œ œ œ

œ œ

j œ

‰ œ

Gmaj7/A

# & # ˙. 16

2 413

hiss - ing of

œ œ œ œ

sum-mer lawns.

1.3.

Bm7 20

&

##

∑

1 31 21

w

w

Œ

‰

2. He put 4. He gave

2. G/D

G/D

F/D 7fr.

132

!

# & # ˙ 24

5fr.

O.

œ. Dark

-

œ J

ness,

The Hissing of Summer Lawns - 2 - 1

O œ

œ

œ

œ œ

won - der makes it

a a

5fr.

O. ! 3 œ n˙ 132

3

up her

F/D 7fr.

132

œ œ ..

j œ œ

eas - y,

132

œ. dark

-

œ J

ness

O œ

œ œ nœ.

with

a

joy

© 1975 MAD MAN’S DRUM MUSIC and CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

-

j œ

ful

219 G/D 132

28

&

##

G/D

F/D 7fr.

! ˙

mask.

5fr.

O.

O œ

132

œ.

œ J

&

##

1324

nœ

Dark - ness,

tubes come dark - ness,

∑

∑

## n ˙

13421

(Scat

! œ nœ

O. œ

1324

˙

nœ.

sing

melody)

œ

œ

col - or

∑

no

∑

211

&

##

œ

nœ œ J

#œ. 2 11

w

∑

œ

w D.S. % al Coda Dm7

∑

3421

fi Coda

G/D

∑

132

!

# & # .. ˙

Ó

œ G/D

F/D 7fr.

48

con - trast.

Em

Bm/A 44

˙.

nœ

∑

E7( # 5)

j œ œ

O

Dm7

∑

1234

œ nœ œ

3

3

dark - ness, dark - ness, no

Bm7( b 5)

3fr.

&

œ œ œ 3

132

E bmaj7

Cm 39

5fr.

132

B bmaj7 32

F/D 7fr.

5fr.

O.

œ. -

œ J

ness.

Verse 2: He put up a barbed wire fence To keep out the unknown And on every metal thorn Just a little blood of his own She patrols that fence of his To a latin drum and The hissing of summer lawns Darkness Wonder makes it easy Darkness With a joyful mask Darkness Tubes gone darkness, darkness, darkness No color no contrast

The Hissing of Summer Lawns - 2 - 2

O w

132

! Ó

œ.

œ

F/D 7fr.

132

Dark

œ

132

œ. Dark

211

Repeat and fade

5fr.

O.

j œ ˙

-

œ J

O w

ness.

Verse 3: Diamond dog Carrying up a cup and a cane Looking through a double glass Looking at too much pride and too much shame There’s a black fly buzzing, There’s a heat wave burning in her master’s voice Hissing summer lawns Verse 4: He gave her his darkness to regret And good reason to quit him He gave her a room full of Chippendale That nobody sits in Still she stays with a love of some kind It’s the lady’s choice The hissing of summer lawns

..

220

THE BOHO DANCE Standard tuning Piano arranged for guitar

Words and Music by JONI MITCHELL

Moderately Π= 110 Intro:

# # 4 n n œœ & 4 œ F

3

8 6

T A B

8

7

C/E

10 10

0

5

10 10

3 1

# œ & # .. œ

œ

œ

œ

1. Down in the cel 2.3. See additional lyrics

..

3

G2

D

2

3 2 4

3

1 0 3

4

C #m7

3 2 5

3 2 5

Bm7

1 0 3

3 2 5

U ˙.

œœœ

3 2 5

2 4 5

0

Em7

4fr.

œ

T A B

2 3 2

Bm7

# œ & # ..

2 4

F2

3

3

Verse: %A7sus 5

D/F #

œœ œœ œœ œ œœ œœ œ œ œ n œ œ3 œ œ œ3 œ n œ n œ œ œ œ œœ œœ œ n œœ œœ œœ œœ œœ œœ

F G2/B Piano (arr. for gtr.)

œœ

œ

2

œ

œ

œ

œ

-

lar

in

the

œœ

œœ

2 3

0

œ

œ œ œ

Bo - ho

œ

œœ œ œ

2

3 2 4 2

3 2

0

0

13121

13121

˙

13121

2

Œ

œ œ œ œ œ œ

4

zone,

I

œœ œœ

œœ œ œ

œ œ

2 4

3 2 4 2

0

0 0

4

œœ œ œ

went look - ing

for some

œ œ œ œ œ œ

3 0 2

3 0

2

4

0

2

0

Em9/A

C #m7

Bm7

Bm7

4fr.

8

&

# # Cont. œ rhy. simile œ œ

œ J

1 32

sweet

œ J

œ.

in - spi - ra - tion.

Oh

Em7

# & # Π11

2

4

## œ &

1 31 21

rooms

œ œ œ œ.

‰

well,

‰

œ J

with

œ

œ

Ne - gro

œ

œ -

G

œ

œ.

like

this

The Boho Dance - 3 - 1

œ J

when

32

œ

œ J

I

Ó

œ.

-

1 31 21

time

band

32

A

‰

4

œ

213

was

œ œ œJ

œ

ta - tions.

A 4

hard

213

I

Bm7

œ J

13121

˙

13121

G

2 4

af - fec

œ

œ

13121

just an - oth - er

A7sus

Bm7 14

œ.

œ

was a hope - ful

œ J

in

Em7

œ.

work - ing

2

œ œ. 4

cheap.

Œ

œ

œ

It’s

an

Œ

© 1975 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

221 A7sus

C #m7

Bm7

Bm7

Em7

F/G

A7sus

4fr.

17

&

œ œ œ. œ œ J

## œ . 2 4

old

ro - mance,

œ œ œ œ œ 13121

13121

the

Bo - ho

Œ

13121

2

Œ

‰ œj œ œ œ œ

4

dance,

it has - n’t gone to G

Cmaj7 21

&

##

‰

j œ nœ

But

œ J

œ.

œ

e - ven

on

Em7

œ

the

˙

œ

32

œ J

‰

scuf - fle

32

the

œ

œ

213

clean - er’s

13121

press

Bm7C #m7 Bm7

A7sus

Bm7

œ

œ

œ

œ

œ

was

in

my

To Coda fi

Em7

4fr.

# œ . & # J œ 24

2

˙

4

Œ

2 4

jeans

1.

A7sus 28

&

##

# & #

F2

w

F2

38

& T A B

##

10 10

7 8

9 10

4 4

an - y eye

œ J

œ œ J

for

3 3

7 8

9 10

2 3

caught

F2

a

2

lit - tle

G2

∑

˙˙ n ˙˙

10 10

13121

de - tail

C2

˙˙ ˙˙

œ œ œ œ œ J

13121 13121

3 3 œœ œ nœ nn œœœ œœœ œœœ œœœ œœœ œœœ œœ 3

3

1 0 3

3 2 5

3 2 5

œœ

3

5 5

The Boho Dance - 3 - 2

œœ 5 5

œ œ œ. œ œ J

4

a - long

1 0 3

3 2 5

3 2 5

A7sus

.. w

∑

2 4

..

www

C/E

œœ œ œ œ œ n œ 3

0 0

œœ 4 4

œœ

3

5 5

œœ 5 5

3

2

0

0

2

3

F2

n n ˙˙˙

˙ ˙˙

1 0 3

3 2 5

G2

a # œœ

3

œœ

œœ

œœ

œœ

œœ

3 4

4 5

4 5

3 4

4 5

4 5

D

www 2 4 5

∑

..

2 4 5

3

the seams.

2.

D

∑

1

œ.

lace

G2

8 8

œœ

and

8 8

˙˙ ˙˙

# # n ˙˙ & n ˙˙ 34

T A B

∑

n ˙˙ n ˙˙

T A B

œ œ œ

G2

2 4

∑

œ

3 421

sleep.

A 4

Ó

œ œ. J

2 4

˙˙ n ˙˙

œœ n œ œ œœ

3 3

1

3

3

2 3

www

D.S. % al Coda

222

fi Coda

A7sus

42

&

##

&

## œ 32

w

3 421

œ

œ

213

eith - er

Bm7

œ.

13121

side

Bm7 C #m7

œ

is

cap - sul

Em7

œ J

2

of

œ J

œ

œ J

œ

Noth - ing

A 4

Cmaj7

‰ n Jœ

2 4

G 45

F/G

-

œ J

32

ized

œ J

in

me

on

œ J

œ.

4

‰

Ó

œ

œ J

2 4

town;

the

œ

œ

streets

œ œ œ œ

were nev - er real - ly

A7sus

4fr.

# & # œJ 48

1 31 21

œ.

œ.

13121

13121

mine,

# # n ˙˙ & n ˙˙

F2

51

T A B

œ J

2

not

˙˙ ˙˙

G2

C2

˙˙ n ˙˙

8 8

10 10

3 3

7 8

9 10

2 3

œ

œ

4

‰

mine,

œ J

œ

not

F2

œ

œ

mine

G2

2 4

œ

these

3

glam - our

F2

G2

1

3

1 0 3

3 2 5

3

3

3 2 5

1 0 3

3 2 5

3 2 5

1 0 3

3 2 5

Verse 2: And you were in the parking lot Subterranean by your own design The virtue of your style inscribed On your contempt for mine Jesus was a beggar He was rich in grace And Solomon kept his head in all his glory It’s just that some steps outside the Boho dance Have a fascination for me A camera pans the cocktail hour Behind a blind of potted palms And finds a lady in a Paris dress With runs in her nylons Verse 3: You read those books where luxury Comes as a guest to take a slave Books where artists in noble poverty Go like virgins to the grave Don’t you get sensitive on me ’Cause I know your just too proud You couldn’t step outside the Boho dance now Even if good fortune allowed Like a priest with a pornographic watch Looking and longing on the sly Sure it’s stricken from your uniform But you can’t get it out of your eyes Nothing is capsulized in me On either side of town The streets were never really mine Not mine, not mine, these glamour gowns The Boho Dance - 3 - 3

œ

œœ œ œ œ œ œ œ œ œ œ nœ n n œœœ œœ œœ œœœ œœ œœ n n œœœ œœ œœ œœœ œœ œœ œœ 3

œ J

A7sus

Em7

Bm7

œ.

œ

3

3 2 5

1 0 3

3 2 5

3 2 5

˙. gowns.

D

www 2 4 5

223

HARRY’S HOUSE/CENTERPIECE Words and Music by JONI MITCHELL

Music by HARRY “SWEETS” EDISON Words by JOHN HENDRICKS

Guitar tuning: C-7-7-3-5-4

➅=C ➂=F ➄ = G ➁ = Bb ➃=D ➀=D

Moderately Π= 110 Intro: C

Cm7

F

Gm7

5fr. 123

123

& 44 T A B

œœ b b œœœ œ œ. œ œ œ œ P 0

5 5 5

œœ 2 & 4 œœ œ

œœ

b œœ

œ

0

0

2341

0

123

123

7 7 7

1111

2 2 2

0

0

œ

& .. Œ

‰

œ

œ J

œœœ ¿

0 0 2

3 3

œ bœ œ œ

1. Heat waves on 2. See additional lyrics

A bmaj9

œœœ

œœ

2

5 5 5 5

¿

0

¿

œ bœ J

‰

the run

-

œ.

œ

he

takes

his

bag

-

œ

gage

œ J

œ off

& ‰ bœ œ œ œ œ he takes

œ œ

a tax - i

œ

in - to

œ

town.

j œ œ

234

the

œ J

bœ

2341

the

œ

0 0 0

0

œ bœ

œ

wheels

œ

œ

car - ou - sel, B b/D

‰ Ó

œ

set

down,

E bmaj9

E bsus2 13

42

7 7 7 7

œœ œ

œ 0

œ bœ

as B b/D

œ J

111111

5fr.

111111

way

7fr.

œ bœ œ

Ó

E b6/F

œœ

0 0

0 2 3

3

3

B b/D

F6/G

bœ

0

0

b œœœ œœ

bœ bœ

0 0 2 3

3 3

2341

7fr.

Œ

œœœ œ

œœ

E bmaj9

Cont. fingerpicking simile

& œ

2 2 2

œœ œœ

1 11

B b/D

C

2341

2 2 2

>œœ b œœ bœ œ œ œ ¿ œ œ œ

œ œ

0

Verses 1 & 2:

10

0 0 0

0 0 0

œ

7fr.

1111

1111

œœ œ b œœ œœœ œœœ œœœ œ

œœ œ >

2

3 3 3

0

F

5fr.

0

44 b œ œœ b bœ

0 0

0 0

7

Cm7

E bmaj9

4

T A B

2 0

2 2 2

C

7fr.

∑

œ J

‰

Œ

C

Œ

1111

œ œ. œ Yel-low

œ œ

schools

Harry’s House/Centerpiece - 5 - 1 © 1975 (Renewed) CRAZY CROW MUSIC © 1960 (Renewed) MARISSA MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, and UNIVERSAL MUSIC - MGB SONGS 8 Music Square West, Nashville, TN 37203 All Rights for MARISSA MUSIC Administered by WB MUSIC CORP. Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved All Rights Reserved

of

224

E bmaj9

E b6/F

œ œ

& bœ œ œ 17

2341

tax - i

&

œ.

œ

Œ

111111

fish - es.

œ

Jo - nah B b/D

F6/G 20

5fr.

7fr.

œ œ œ œ

111111

lights

in

the

œ

œ bœ J

in

the

&

œ.

œ bœ œ ˙

œ

fish - net

caught up

win

-

Ó

j œ bœ

‰

Œ

dows Cm7

F

œ œ bœ

œ œ bœ œ

skin-ny,

black

mod - els

with

213

cred-it card

œ bœ

Œ

C (9)

Gm7

high - fash

œ J

-

œ

bœ J

123

ion

Cm7

œ œ œ œ bœ œ œ œ

œ œ ‰ ‰ œ J J J

Ra - veen

‰

curls

123

and

beau-ty par - lor

123

123

blondes

with

‰ Jœ œ œ b œ œ œ . ‰ œ œ

‰ bœ œ œ œ œ œ œ ‰

Œ

2341

eyes,

‰ Ó

look-ing

for the

chic

and

the fan - cy

∑

∑

.. œ . b œ œ

∑

2

hid.

∑

∑

∑

Verse 3:

∑

∑

E bmaj9

C

& Œ

Gm7 7fr.

to buy.

2.

2

123

F

C9sus

& œJ b œ

45

Ó

213

girls;

1.

&

œ

œ

C9sus

38

œ œ œ.

E bmaj9

œ œ œ. œ œ œ & bœ œ 30

the

5fr.

œ. œ bœ œ J

C (9)

33

œ

C

œ

at

7fr.

123

123

Watch-ing those

2341

œ J

of Bloom - ing - dale’s.

5fr.

∑

œ œ œ

‰

whale,

2341

C

234

& Œ

œ

bœ J

2341

E bmaj9

œ bœ

E bmaj9 27

7fr.

tick - ing

E bsus2 23

A bmaj9

‰

œ œ œ œ œ Yel - low

Harry’s House/Centerpiece - 5 - 2

check - ers

œ

œ for

bœ

2341

B b/D

œ

œ

the kitch - en,

Ó

∑ E b6/F

œ

111111

5fr.

œ

climb - ing

œ

œ J ‰ Œ ∑

œ bœ

i - vy

for

œ the

bœ bath.

A bmaj9

& œ. 48

B b/D

F6/G

7fr.

‰

2341

œ.

œ œ bœ

‰ bœ J

She

is

7fr.

lost

E bmaj9

œ œ.

œ J

111111

in

225

œ

œ

bœ œ ˙

2341

House and

Gar

-

Œ

dens;

E bsus2

j nœ bœ bœ

& ‰ 51

œ œ

œ œ œ

he’s caught up

in

Chief - of

& Œ

123

œ

œ

œ J

He drifts

œ

off

in

-

to the

& b œJ

‰

Œ

œ

mem - o - ry

of

œ.

œ

œ J

‰

school,

œ.

with her

7fr.

bod

œ œ. bœ œ.

œ J

111111

-

y

oiled

E b6/F

5fr.

œ

œ

111111

the

way

œ

œ.

bœ J

she

looked in

E bmaj9

F6/G

œ

∑

Ó B b/D

bœ œ bœ œ œ

7fr.

2341

Staff.

2341

A bmaj9 57

œ

E bmaj9

C 54

œ œ

-

Œ

234

œ

2341

and

œ bœ œ shin

-

œ J

œ

‰

ing

E bsus2

& Œ

‰

60

bœ

œ

œ

at

the

œ.

pub - lic

œ

œ.

œ.

234

swim-ming

pool.

Ó

œ œ

∑

“CENTERPIECE”

Suggested guitar chord voicings in standard tuning B b9

C9

3 421

21333

A9 3fr.

2fr. 3 421

A b9 G13

3 421

3fr.

131241

D b9

21333

Moderate jazz blues Œ = 74 (ŒÂ = ‰ÇŒ) Intro: N.C.(C9)

& Ó 63

œœ b œœ œ œ b œœ J œ

‰

Bkgd. Vcl.: Ah,

œ & œœ 66

œœ œ ah,

b œœœ

œœ œ

we,

b œœœ

we,

Harry’s House/Centerpiece - 5 - 3

œœ œ

C #dim7 C7 3fr.

œœ b œœ œ œ b œœ œ 2314

13141

ah,

œœ œ ah,

œœœ

G9

3fr.

œœ œ

we,

œœ œ

we.

G7

3fr.

œœ œ

T1324

œœ œ

131211

ah,

œœ œ

A b9

Am7 7fr.

œœ œ

Ó

D9

5fr. 2 333

ah,

E9 4fr.

œ bœ œœ œœ œœ b œœ œ œ 13141

1324

we,

Œ

E7

21333

21333

œœ œ

we,

Ó

D sus9 6fr.

5fr.

œœ œœ œ œ œœ œ 1111

ah,

Œ

we,

‰

œ J 1. The

226

Verse:

& .. 69

D b9

œ œ bœ œ œ

œ œ œ

G13

more I’m with you, 2. Piano solo 3. See additional lyrics

pret - ty

œ œ œ bœ œ J & 73

build - in’

all

G9

E7

. & ˙

79

&

œ J

œ

-

by,

&

C #dim7

bœ œ œ

noth - ing’s

œ

our

my love

E9

œ

œ

you’re

my

bœ

œ

œ bœ

with - out

œ

nev - er

œ J

œ.

I’m

A b9

G7

will

D9

œ J

‰

‰ œJ

œ

cease.

Œ

you,

3.

Am7

D sus9

œ

cen

œ

hap - pi - ness

an - y good

œ

G13 D b9

in - crease.

œ bœ

G13

œ J

‰

you,

œ œ.

-

∑

82

œ bœ

feel

1.2.

œ bœ.

ba

#

C9 C dim7 G9 œ œ œ bœ œ œ bœ ˙. J J

G13

the more I

œ J

œ

Am7

’Cause

G13

by,

a - round

œ J

‰

-

œ.

œ J

my dreams

76

œ.

ba

œ

C9

#

C dim7 œ b œJ J ‰ ‰ Jœ

C9

D9

˙

Am7

D sus9

..

ter - piece.

∑

D9

∑

∑

∑

Spoken: When will you be home, Harry? Get down off of there. Yeah, I sure am sick of that sofa. When will you be home, Harry? I said get down off of there. Nothing’s any good.

&

(dbld. by bass gtr.)

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ œ

œ

(alternate tuned guitar – see “Harry’s House” tuning information)

T A B

2 0

2 0

2 0

2 0

2

2

0

0

œ

œœ >

2 0

œ

7 0

5

œ

œ

œ

7 5

œ

7 5

œ

œ

7 5

œ

œ

7 5

œ

œ

7

œ

œ

7

5

5

œ

œ

7 5

5

Moderately Π= 110

“HARRY’S HOUSE”

E bsus2

86

&

234

bœ >

bœ

œœ >

hold

T A B

3

3

œ

0 3

Harry’s House/Centerpiece - 5 - 4

3

3

œ

0 3 3

œ

3

43 œœ >

bœ

0 3 3

bœ

3

œœ >

œ

b œœœœ > 0 0 0 3

0 3 3

44

227

Verse: C

Cm7

œ œ bœ

& 44 œ . 88

123

123

Shin - ing

B b/D

Gm7 C (9)

F

5fr.

7fr.

œ

œ

œ

123

hair

œ

bœ J

and

shin - ing

Gm7

œ

œ J

213

Œ

œ

& œ bœ

him

Œ

in

‰

œ œ.

œ J

123

F

to

œ bœ

tell him

she

œ reeled

C (9)

Gm7 7fr.

œ

123

œ œ œ.

‰ bœ J

shin - ing as

5fr.

91

Œ

2341

skin,

Cm7

C

E bmaj9

œ

œ

123

like

œ

bœ J

she

did

œ J

œ J

213

to

-

œ. day

E bmaj9

& Π94

2341

‰ bœ J

œ œ œ œ œ

just what he could do

œ with

Har - ry’s

C9sus

&

Œ

Œ

≈ bœ

house

and

œ œ œ œ

Ó

2

∑

T A B

∑

..

∑

..

Repeat and fade

..

∑ œ

œ >œ 2

0

œ

0

..

∑ œ >œ 2

œ

0

0

Verse 3 (Centerpiece): We’ll find a house and garden somewhere Along a country road a piece A little cottage on the outskirts Where we can really find release ’Cause nothing’s any good without you Baby, you’re my centerpiece

œ 2

0

Verse 2 (Harry’s House): He opens up his suitcase In the continental suite And people thirty stories down Look like colored currents in the street A helicopter lands on the Pam Am roof Like a dragonfly on a tomb And businessmen in button-downs Press into conference rooms Battalions of paper-minded males Talking commodities and sales While at home, their paper wives And their paper kids Paper the walls to keep their gut reactions hid

Harry’s House/Centerpiece - 5 - 5

œ

œ

Har - ry’s take-home pay.

Outro:

j & œ ‰ Œ 97

œ œ J

œ œ J

œ >

œ

0

œ >œ 2

0

œ

0

. œ >œ œ . 2

0

0

2

..

228

SWEET BIRD Guitar tuning: C-7-7-5-4-3

Words and Music by JONI MITCHELL

➅=C ➂=G ➄=G ➁=B ➃=D ➀=D Moderately Œ = 100 Intro: Fade in

1.2.

E9sus

Em7

Em9

3.

Em7

G

Em7

G/C

# & 44 .. Û ¿ Û ÛJ Û JÛ Û ¿ Û Û ¿ Û Û ¿ Û ÛJ Û JÛ Û ¿ Û Û ¿ Û .. Û ¿ Û ÛJ Û . P 2341

341

%Verse: C (9)

# œ œ œ œ œ & J œ

œ J

Cont. rhy. simile

1. Out on some bor - der - line, 2. See additional lyrics

˙

&

#

Œ œ œ œ œ

234

A/D

&

#

-

en

œ œ. J

œ

œ

Sweet

bird,

Ó

# & Œ

2 1

you

˙

time

œ

œ

œ

œ

G/C

C (9)

œ

all these vain prom - is - es

œ œ œ œ œJ

Œ

# œ œ œ œ ˙ & 2 1

must be laugh - ing.

on

23

w

G2/D 5fr.

23

23

van - ish - ing.

œ.

T

fall

-

œ œ. J

œ œ. J ing

star;

F6/C

œ beau

G/C

w

G/F

G/D

2 1

œ J

G

2 1

brief - er than a

T

be - tween,

œ œ Jœ œ œ œ J

Œ œ

G/D

œ

in

and woke up

are

C (9) 23

mark of

w

7fr.

in

˙

111111

C (9) 20

œ œ œ. J J

2 1

C (9)

111111

C/F

111111

œ œ J

321

. Œ œ œJ n œ

œ. œ ˙ J 5fr.

16

Œ

C (9)

G/C

B b/E b

234

I lay down gold

œ some

Em9

341

F6/C

234

5fr.

10

341

Em9

2 1

6

234

œ J

˙

- ty

jars,

œ

321

œ

œ

Œ

œ

some-where with your wings on

A/D 111111

œ

œ C/F

œ ‰ Jœ œJ

Be - hind our

œ J

w

œ

œ

time you

G/C 5fr.

111111

eyes

Sweet Bird - 2 - 1 © 1975 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

229 C (9)

# & Π27

C (9)

G/D

‰ œ œ œ

2 1

œ œ

cal - en-dars

of

T

our

œ.

œ J

&

#

œ J

‰

321

œ

œ

œ

of

time

œ

œ

œ

must

be

2 1

œ

œ

˙

w

w

laugh - ing,

C (9)

3 # & œ œ œ œ

œ

321

up on your feath - ers

œ J

laugh

G/C

œ œ ˙.

œ. -

E9sus

¿ Û Û

2341

ing.

1.–3.

Em7

.. Û

∑

2 1

4.

E9sus

Em7

E9sus

Em7

¿ Û 341

D.S. % al Coda

G/C

> > ¿ Œ ¿ ‰ 74 Û Û Û Û Û Û Û ¿ Û . ¿ ‰ 44 .. 74 Û Û Û Û Û Û Û ¿ Û Û Û Û 44 J J J J J J

# & Û. 38

2341

341

fi Coda

# & .. œ 41

2341

œ

321

œ

œ

œ

œ

œ

Guess - es based on what each set

œ œ

œ of

œ

2 1

œ J

œ

∑

.. .. œ 2341

œ.

w

time and change is touch - ing.

Play 4 times E9sus

#

341

C (9)

F6/C

&

T

cir - cled with com - pro - mise.

œ

œ

and change, you

F6/C

44

œ J

C (9)

Sweet bird

34

œ œ œ J J

2 1

lives

F6/C 31

‰ œ

˙

To Coda fi

G/D

Repeat and fade

Em7

œ

œ

œ

Guess - es based on

œ

œ

what each

œ

œ

set

of

œ

341

œ

œ

time and change is

Verse 2: Golden in time Cities under the sand Power ideals and beauty Fading in everyone’s hand Give me some time I feel like I’m losing mine Here on this horizon line With the earth spinning and the sky forever rushing No one knows They can never get that close Guesses at most Guesses based on what each set of time and change is touching (4x) Guesses based on what each set of time and change is touching Sweet Bird - 2 - 2

œ

œ J

œ.

touch - ing.

..

230

SHADOWS AND LIGHT a capella

# & # 44 Œ

# . & # œ

Words and Music by JONI MITCHELL

œ œ œ œ œ œ œ Ev - ’ry

# œ œ & # J

blind

per - ils

of

## 3 œ œ œ . & 4 13

blind

ben

œ

-

ness,

## œ n œ œ &

œ J

18

Threat-ened by

## n œ œ œ & drawn

&

## œ Myth

all

œ œ. J

22

26

-

œ œ3 œ œ œ . J -

i - cal dev - il

Shadows and Light - 3 - 1

e - fac

its

the

-

things,

j œ

œ all

42 œ

œ

œ

œ

bless - ings

Œ

œ œ J

and

œ sight.

44 œ n œ œ œ

nœ nœ ˙

nœ œ œ

things,

dev - il of

of the ev - er - pres

œ -

œ

ent

œ œ

of

light,

‰ Jœ

Œ

˙

The

œ œ Œ

3 4

Ó

of par - a - sites,

dev - il of

œ ‰ œ œ # œ œ # Jœ J J

source

sight.

œ J

ness

has some

œ œ

œ œ œ J

44 œ œ œ ˙ .

and

˙

œ.

to

œ J

œ.

tors,

blind

œ J

œ

blind - ness

œ œ. J

44 w

and it

œ

œ

ness,

-

œ œ œ œ J

œ.

shad - ows

œ

-

œ œ œ œ œ J

9

has

œ œ œ. 43

œ J Ó

4

pic - ture

œ œ. J

˙.

Œ

˙.

œ œ œ

Œ

˙.

cru - el - ty,

˙.

nœ ˙ J

Œ

de - light.

˙ laws

˙

œ ‰ J

œ œ œ 43

gov-ern - ing

© 1975 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

231

# œ œ œ. & # 43

œ

30

blind

-

ness,

## œ œ & J

œ

œ

blind - ness

Sun - tans

in

# . & # 43 ˙ # œ & # J

œ J

œ

smiles

# & # œ nœ

œ

# œ œ œ & # Drawn

all

-

œ

Œ

i - cal god

## 3 œ œ œ . & 4 64

day,

Shadows and Light - 3 - 2

œ

Œ

and

œ

Ó

things,

day

œ

42 œ

œ and

the

ev - er -

last

ing

w

of

of

œ

-

rays,

43

œ

in

œ

œ

the

sub

œ

-

way

˙.

˙

Œ

day.

œ3 a œ

god

44 œ œ œ ˙ . night.

scrib - bled

and

aœ œ

œ J ∑

œ œ œ

god

#œ J

œ

their lan - tern

44 œ n œ œ œ ˙

things,

œ œ #œ œ J

in

j œ œJ œ .

Œ

nœ nœ ˙

all

of

œ

œ

œ J œ

Œ

œ J

œ

œ

min - ers

free - dom

œ

œ

day.

night

j œ

to

œ œ3 œ ˙

Myth

œ

˙

œ.

∑

44 œ œ œ ˙ .

œ

night,

nœ œ. J

56

œ

œ

œ

pale

pres - i - dents,

œ J

∑

œ J

‰

night

œ œ œ.

œ J

Threat-ened by

œ

rooms,

œ

œ œ

on

it’s like

52

&

œ

‰ œj œ œ

# ˙ & # 47

## œ

œ J

night,

Hos - tage

60

œ

din - ing

œ œ œ. œ

∑

sight.

œ J

œ J

res - er - va - tion

39

44

and

œ œ œ œ J

36

44 œ œ œ ˙ .

œ

w

cru - el - ty.

˙.

˙

Œ

de - light.

˙

œ ‰ œ œ œ 43 J

˙

laws

gov-ern - ing

∑

∑

232

# œ œ & # J

œ œ œ œ œ J

70

Crit - ics

of

## 3 œ . & 4

all

œ œ

74

ex - pres

# œ & #

say

œ

pelled

œ

by

œ

œ

pre - scribed

# œ œ œ. & # # œ & # œ nœ

œ J

Threat-ened by

all

things,

# œ & #

œ

## œ &

œ

wrong

and

œ and

Shadows and Light - 3 - 3

œ

œ

44 œ œ œ ˙ . right,

and

˙

œ

-

44 ˙

Com

˙

-

j ‰ œ

Œ

we fight

for

˙

œ œ ˙

Ó

œ œ œ nœ œ. J ‰ œ

3

born a - gain, born a - gain.

œ J

‰

œ œ œ gov -ern - ing

œ œ œ

Œ

˙

gov - ern - ing

wrong

œ and

44 w

j œ

drawn

œ #œ œ œ #œ œ

24 œ

œ

Œ

œ œ. J

3

light,

say-ing it’s

˙

mark of Cain,

laws

∑

white

i - deals

œ.

œ

˙

˙.

and

43

œ œ œ

right.

œ œ œ œ

de

ken

4 œ œ 4 œ right,

œ J

man of cruel - ty,

of

-

some

j œ

wrong

˙.

œ œ œ

or

œ œ J

œ

˙.

right.

˙

Œ

in black

44 œ œ œ

Ó

œ œ œ J

man

œ

wrong

it’s

judg - es

things,

the ev - er - bro

98

102

œ.

œ J

#œ ‰ œJ # œJ œ J

# œ & # 94

ing

-

œ

34 œ .

# nœ nœ ˙ & # œ 90

all

œ

sion,

œ œ œ Œ

wrong,

86

œ

-

œ œ J

œ œ J

Œ

stand - ards

˙

82

œ

œ

Œ

wrong,

78

œ œ. J

right.

to

œ œ ˙

Man

of the laws

œ œ œ. 43

œ

wrong,

3 œ œ œ. 4 wrong,

w

œ

234

COYOTE

Guitar tuning: C-7-7-3-7-4

➅=C ➂=F ➄=G ➁=C ➃=D ➀=E

Words and Music by JONI MITCHELL

Fast Π= 162 Intro: C (9)

j j j œœœ œœœ œœœ ‰ œœœ ‰ œœœ ‰ œœ œœ œœ œœ œ œ œ œ œ

Œ œœ & 44 œœ w F 234

0 2 2 2

T A B

0 2 2 2

0 2 2 2

0 2 2 2

0 2 2 2

0 2 2 2

&

w

0 2 2 2

T A B

w

0 2 2 2 0 5 7

0 2 2 2

0 2 2 2

0 2 2 2

0 2 2 2

j œœœ œœœ œœœ œœœ ˙˙ .. œ œ œ œ ˙˙ .. ‰ œ œJ œ ˙ J

0 2 2 2

0 2 2 2

0 2 2 2

0

0 5 7

C sus(9)

Ó

234

w

0 0 0 0

0 5 7

% Verse: E bsus2

œœœ œ

œœœ Œ œ

œœœ œ w

0 2 2 2

0 2 2 2

0 2 2 2

& .. Œ

0 2 2 2

0 0 0 0

0

¿

¿

¿

¿

¿

œ

Œ

∑

¿

234

(spoken) 1. No re - grets, Coy - o - te. 2.–4. See additional lyrics

œ

We

œ

œ

œ J

œ

dif - f’rent sets

of

œ

cir - cum

-

œ J

œ

œ

C sus(9)

œ

œ

œ

I’m

up

all night

œ

234

stance.

œ

just come from such

C (9)

&

0 2 2 2

7fr.

Cont. rhy. simile

œ

j œœœ ‰ œœœ ‰ œœ .. œœ .. œ œ

G13sus

234

12

0 0 0 0

C (9)

0

9

œ œ j œ

‰ œjœ œœ œœ ‰ œjœ ‰ œjœ ‰ œœj ˙˙ œœ œœ œœ œœ œœ œœ ˙˙ ‰ œ œJ œ ˙ J

Œ

j œœœ œ

Ó

234

C sus(9)

234

C sus(9)

0 0 0 0

0

C (9) 5

C (9)

C sus(9)

œ

œ

œ

in

the

œ

œ

œ

stu - di - os

œ and

œ J

œ you’re

œ J

up

G HH

G sus(9) 7fr.

& Π15

11111

Coyote - 4 - 1

F sus(9)

7fr.

œ

œ

œ J

œ

ear - ly

on

your

œ J ranch.

œ J

113411

œ.

œ

5fr.

Œ

‰

11111

œ J

œ

You’ll be

œ brush

œ -

œ

œ

œ

ing

out

a

© 1976 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

235 F

5fr.

18

&

F

F sus(9)

HH

œ

œ

brood

mare’s

113411

œ

œ

œ

œ

while

the

sun

is

as - cend

Œ

C (9)

œ

œ J

‰

234

œ

œ J

j œ œ

œ J

get - ting home

with

my

reel

j œ œJ

-

œ J

j œ œ

œ

113411

-

ing

and

‰

j bœ bœ J

11111

œ 3

I’ll

œ

just

be

E bsus2

C sus(9)

& Π21

5fr.

œ

11111

tail

5fr.

HH

5fr.

œ.

œ J

F sus(9)

œ.

Œ

234

to - reel.

œ J

œ

There’s no

com

-

pre -

G13sus 7fr.

24

& œ.

hend

-

bœ J

œ.

œ J

ing

œ

Œ

234

just

œ

œ

how close

C (9)

œ3

œ

œ

œ

œ

œ

œ

œ

to

the

bone

and

the

skin

and

the

G HH

G sus(9) 7fr.

27

&

˙.

œ

œ

œ

œ œ œ

eyes

and

the

lips

you can get

234

œ ‰ œj

11111

Œ

G sus(9) 7fr.

Œ

œ œ œ

œ

and still

7fr.

˙

113411

feel

so

11111

a - lone, F sus(9)

F HH

F sus(9) 5fr.

& Π31

11111

œ œ ‰ J

and still

5fr.

œ œ

feel re - lat

5fr.

œ œ. J

˙

113411

-

œ œ œ œ ‰ J

Œ

3

11111

ed

C (9)

like sta - tions in

‰ Jœ œ œ œ œ

234

a

hit - and - run

driv

œ œ ˙

œ œ

-

no,

er,

no,

5fr. 5fr.

œ

113411

some

œ œ

Ó

234

bœ

œ

rac - ing

œ a

7fr.

œ3 œ Œ & 234

œ œ3 œ

You just picked up

Coyote - 4 - 2

a

œ

œ

hitch - er,

Œ

‰ Jœ a

œ

11111

œ

œ

3

re - lay. You’re not

G13sus 39

œ

a,

E bsus2

C sus(9)

& Π35

F HH

F sus(9)

œ œ œ

pris - ’ner of

œ œ

the

white

œ œ œ lines

-

˙

Œ

way.

To Coda fi

œ œ œ œ on the

free -

236 C (9)

& œ œ œ 43

& T A B

Œ

way.

w

∑

Ó

234

-

j j j œœœ œœœ œœœ œœœ ‰ œœœ ‰ œœœ ‰ œœ œœ œœ œœ œ œ œ œ œ œ 0 2 2 2

0 2 2 2

0 2 2 2

0 2 2 2

0 2 2 2

0 2 2 2

0 0 0 0

Œ ‰ œjœ œœ œœ ‰ & œœ œœ œœ w 234

0 2 2 2

T A B

0

0 2 2 2

0 2 2 2

j j œœœ ‰ œœœ ‰ œ œ ˙

0 2 2 2

0 2 2 2

j œœ œœ 0 0 0 0

˙˙ ˙˙ ‰ œ œJ œ J 0 5 7

fi Coda

5 7

∑

j j œœœ œœœ œœœ œœœ œœœ ˙˙ .. œ œ œ œ œ ˙˙ .. ‰ œ œJ œ ˙ J

w

0 2 2 2

0 2 2 2

0 2 2 2

Ó

0 2 2 2

0 2 2 2

0 2 2 2

0 2 2 2

0 2 2 2

D.S. % al Coda

3.

C sus(9)

j œœœ œœœ ‰ œœœ ‰ œ œ œ w

œœœ œœœ Œ œ œ

w

0 0 0 0

0 5 7

1.2.

234

0 2 2 2

0

C (9)

C sus(9)

∑

Ó

j œœ œ

0

C (9)

C sus(9)

234

0

47

C (9)

C sus(9)

C sus(9)

j œœ .. . œœ œœ ‰ œœ ‰ œœ .. . œœ œœ œœ w ..

0 0 0 0

0

0 2 2 2

0 2 2 2

0 2 2 2

œœ .. œœ .. 0 0 0 0

0

G13sus

7fr.

52

&

œ.

œ œ Œ J

234

Ó

pris - ’ner

Œ œ œ œ. of the fine,

C (9)

˙

57

&

‰ œ on

œ J

the

w

234

free

œ œ. J white

œ

Œ

‰ œ œ œ.

Œ

lines,

of the white

œ J

lines

C (9)

˙

œ

free

œ.

234

-

œ œ œ. J J

∑

way.

G13sus 7fr.

& Û Û Û Û Û Û Û Û 234

˙.

C sus(9)

E bsus2 62

œ J

Û Û Û Û Û Û Û Û

> Û Û Û Û Û Û Û Û

234

> Û Û Û Û Û Û Û 42 J J Repeat and fade w/rhy. simile

C (9)

2 &4 Û Û Û Û 66

Coyote - 4 - 3

4 Û Û Û >Û Û Û Û Û .. Û 4

234

C sus(9)

Û Û Û Û J

Û J

Û Û J

Û Û Û Û Û .. J

237

Verse 2: We saw a farmhouse burning down In the middle of nowhere In the middle of the night We rolled right past that tragedy Till we turned into some roadhouse lights Where a local band was playing Locals were up kicking and shaking on the floor The next thing I know That Coyote’s at my door He pins me in a corner and he won’t take “No” He drags me out on the dance floor And we’re dancing close and slow Now, he’s got a woman at home He’s got another woman down the hall and (spoken) He seems to want me anyway Why’d you have to get so drunk and Lead me on that way You just picked up a hitcher A prisoner of the white lines on the freeway Verse 3: I looked a Coyote right in the face On the road to Baljennie near my old hometown He went running through the whisker wheat Chasing some prize down And a hawk was playing with him Coyote was jumping straight up and making passes He had those same eyes, just like yours Under your dark glasses Privately probing the public rooms And peeking through keyholes in Numbered doors Where the players lick their wounds And take their temporary lovers And their pills and powders to get them through This passion play (spoken) No regrets, Coyote, I just get off up aways You just picked up a hitcher A prisoner of the white lines of the freeway Verse 4: (spoken) Coyote’s in the coffee shop He’s staring a hole in his scrambled eggs He picks up my scent on his fingers While he’s watching the waitresses’ legs He’s too far from the Bay of Fundy From Appaloosas and Eagles and tides And the air conditioned cubicles And the carbon ribbon rides Are spelling it out so clear Either he’s going to have to stand and fight Or take off out of here I tried to run away myself To run away And wrestle with my ego (spoken) and with this flame You put here in this Eskimo In this hitcher In this prisoner Of the fine white lines, of the white lines On the free freeway

Coyote - 4 - 4

238

AMELIA

Guitar in Open C tuning: C-7-5-4-3-5

➅=C ➂=E ➄=G ➁=G ➃=C ➀=C

Words and Music by JONI MITCHELL

Moderately Π= 115 Intro:

1 2

5fr.

œœ œœ 44 œœ œ œ œ œ œ œ b œœœ œœœ œ œ

j œœ œœ œ

j & 43 œœ œ P

T A B

F

œ b œœœ œœ œ œ œ œ œ œ œ œ œ œ œ

111111

hold throughout

0

0

5 5 5

3 4

Dm

Em

5

5

5

5 5 5

6 5 7

5

5

5 6 5 7 5

5 5

& 43

∑

2341

& 43 œœj œ œ œ T A B

44

2341

j œœ œœ œ J

‰

0

3

3 4

5 5 5

2

0

4

5

G

C/G

7fr. 111111

œ J

131211

driv - ing a - cross the burn - ing 2–7. See additional lyrics

C5

111111

Amelia - 3 - 1

leav-ing six

6 5 7 5

5

œ œ œ œ

111111

œ

2341

white

Œ

des - ert

5

œ œ when

I

b Bm b 96

()

C

8fr.

bœ œ œ.

5

Bb

Am7

10fr.

& Ó 10

b œœ œ œ

7fr.

Cont. fingerpicking simile

Bb

5

œ œ œ

œ

Œ

va

-

œ J

por

œ œ J

2341

trails

1. I

œœ

œ

œ œ œ

5 5 7

5

7

œ

œ

œ

131211

spot - ted

six

G

œ œ the

6

10fr.

œ

œ bœ jet

bleak

œ

111111

œ

planes

C/G 7fr.

a - cross

was

E b/B b

C

œ œ J

0

œ œ

Œ

10fr.

œ.

0

5fr.

10fr.

111111

0

5

Ó

5 5 5

5

5

131211

G 7fr.

œ & .. œ œ œ œ œJ 7

œœ œ

44 œœ œ œ œ œ

œ

1 2

Verse:

∑

111111

5

5

5

B b/F

F 5fr.

4

5

5 5

43

7fr.

œ œ œ 131211

ter - rain.

© 1976 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

Œ

8fr.

‰ Jœ œ œ

& Ó 14

œ

œ œ

œ œ œ

2 1

It was the

b Bm b 96

()

E m(# 6)

C

hex - a - gram of

the

10fr.

œ œ. J

‰ Jœ œ œ

2341

heav

-

ens;

it

G

8fr.

& œ 18

Œ

2341

Ó

Ó

Œ

5fr.

œ

‰ œ J

111111

tar.

B b/F

F 7fr. 111111

œ

Œ

œ

œ

2341

was the strings

1.–6. Am7

239

of

it was just a

F

my

gui -

œ œ œ œ

131211

A - me - lia,

œ J

5fr.

œ œ #œ œ ˙

Œ

œ œ J

false

a - larm.

Dm

Em

5fr.

22

& œœ œ T A B

111111

œ

œ

5 5

5

5

5

œ b œœœ

œœ œ

5

5

6 5 7

œœ 5 5

5

j œ œ

œ

œ J

œ 5

5

j 43 œœj œ œœ œœ œ ‰ ‰ œJ J 2341

œ œ

5

5

5

œ œ

0

1 2

0

2

F

œœ œœ b œœ œœ œ œ & 44 œœœ œ œ œ œ œ œ œ 25

111111

hold throughout

T A B

5 5 5

5

5

5

5 5 5 5

6 5 7

5

T A B

5 5 5 5

Amelia - 3 - 2

5 5

5

œœ œ 5 5 5

5

7

7

2

œ 5

œ 5

œœ œ

œ

5 5 5 5

5

œ

b œœ œ œ

5

6 5 7 5

œ

‰

0

3 4 4

7. F 5fr.

.. ‰

∑

131211

œ

j œœ œœ œ J

2341

0

5fr.

∑

Em

0

1 2

5

0 0

3 4

2341

œ œ

œ

œ

œœ

111111

œ

œ

œ

5 5 7

7

7

7

5

œ

..

6

..

44

4

43 œœj œ œ œ

B b/F

111111

& 44 œœœ œ

6 5 7 5

5

5fr.

& 44

b œœ œœ œ œ œ œ œ œ

5

F 28

0

Dm

5fr.

œœ

2341

j œ œ

œ

A - me - lia,

∑

Ó

44

240 B b/F

F 5fr.

5fr.

‰ œ bœ J

& bœ 31

131211

dreams

œ œ

and false

a - larms.

∑

&

œ

T A B

5

Dm

Ó

˙

111111

Em

œœ

œ

œ

œœ b œœ œ œ

5 5

œœ œ

6 5 7 5

5

5

43

∑ œ

5

5

5

b œœ œ œ

œœ œ

6 5 7 5

5

œ 5

5

œœ œ œ

œœ œ

6 5 7 5

5 5

œ 5

43

œœ œ 0 0 0

F 5fr.

j & 43 .. œœj œ œœ œœ œ œ ‰ ‰ œJ J 2341

34

T A B

..

1 2 2

2341

0

œœ œœ 44 œœ œ œ œ œ œ œ b œœœ œœœ œ œ

0

111111

hold throughout

3 4

5 5 5

4

5

5

5

5 5 5 5

5

6 5 7

5 5

œœ .. b œœ œœ œ œ œ œ œ œ œ œ œ œ 6 5 7 5

5 5

5

5 5 5

5 5

0 0

0

Verse 2: The drone of flying engines Is a song so wild and blue It scrambles time and seasons if it gets through to you Then your life become a travelogue Of picture-post-card-charms Oh Amelia, it was just a false alarm

Verse 5: A ghost of aviation She was swallowed by the sky Or by the sea, like me, she had a dream to fly Like Icarus ascending On beautiful foolish arms Amelia, it was just a false alarm

Verse 3: People will tell you where they’ve gone They’ll tell you where to go But till you get there yourself you never really know Where some have found their paradise Others just come to harm Oh, Amelia, it was just a false alarm

Verse 6: Maybe I’ve never really loved I guess that is the truth I’ve spent my whole life in clouds at icy altitudes And looking down on everything I crashed into his arms Amelia, it was just a false alarm

Verse 4: I wish that he was here tonight It’s so hard to obey his sad request of me To kindly stay away So this is how I hide the hurt As the road leads cursed and charmed I tell Amelia, it was just a false alarm

Verse 7: I pulled into the Cactus Tree Motel To shower off the dust And I slept on the strange pillows of my wanderlust I dreamed of 747s Over geometric farms Dreams, Amelia, dreams and false alarms

Amelia - 3 - 3

..

241

FURRY SINGS THE BLUES

Guitar tuning: D-7-7-3-5-4

➅=D ➂=G ➄=A ➁=C ➃=E ➀=E

Words and Music by JONI MITCHELL

Moderately Π= 105 Intro: F5

G/D

G5

Am9

5fr.

# 3 & #4

# & # T A B

œ

0

3

3

5

5

7

7

œ œ œ œ œ œ œ 2

2

2

2

œ

2

2

œ œ

œ œ œ œ

0 0

2

0

2

2

3

3

213

‰

œ J

œ

œ

0

œ

œ œ œ œ œ œ œ 0

2

2

œ

7

0

0

7

0

2

œ œ œ œ

œ

0

2

2

œ œ

2

0

2

0

2

0

C/F

nœ œ œ.

Œ

Ó

213

1. Old Beale Street is 2.–4. See additional lyrics

0 7 7

2 3

0

D (9)

7fr.

5

5

0 7 7 7

D(9,11)

2

0

% Verse:

7

0

0

D (9)

2 3

0

23

7

D(9,11)

0

# & # .. Œ

0

0

7

23

23

23

G/D

9

5fr.

234

D (9) 213

7fr.

G5

œ œ œ ‰ j j ‰ 44 œ œ œ œ n œ œ ‰ j œ œ œ œœœ œ œœ œœ œ œ nœ œ œ œ œ nœ nœ œ œ œ œ nœ F 23

23

T A B

5

F5

7fr.

nœ œ œ J

‰

234

com-ing down;

œ.

Sweet-ie’s Snack

Bar

Am9 7fr.

# œ & # ‰ nœ œ

œ œ œ

12

board-ed up

j œ

‰

now.

œ œ3 œ œ n œ Œ

234

And

E - gles The Tai - lor,

‰ œ œ œJ

œ

and the Shine Boy’s

nœ œ J

Œ

gone,

G/D 7fr.

15

&

## œ œ œ fad - ed out

œ J

with

œ J

œ

rag - time

D (9)

# . & # œ 18

213

œ J

blues.

œ J

œ.

Ó

œ

Œ

23

œ

Han - dy’s

œ

œ

cast

in

œ bronze

C/F

nœ œ œ

œ œ œ œ nœ œ œ.

and he’s stand - ing in a

Furry Sings the Blues - 3 - 1

234

lit - tle park

Œ

‰ œ œ œ œ œ nœ with his trum-pet in

his

œ hand,

œ

œ

œ

like he’s

© 1976 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

œ lis -

242 Am9 7fr.

# œ & # J 21

œ.

234

œ œ

‰ nœ œ

Œ

t’ning back

œ œ

to the good old

Œ

œ œ

‰

bands

œ J

and the

œ.

click

œ J

of

œ

œ J

high-heeled

shoes.

D (9)

# œ. & # œJ

‰ œJ

Œ

24

œ œ

œ œ nœ œ

213

Old

Fur - ry

sings

˙

œ

the blues,

œ

propped up

C/F

œ œ

œ œ

in his

bed

œ

œ

with

his

œ den -

Am9 7fr.

27

&

30

&

## œ

œ nœ œ

-

tures and his

234

## n œ .

œ œ œ œ œ leg

re - moved.

j œ œ œ. œ œ.

ness

and

Fur-ry’s

1.

And Gin - ny’s

She’s the old

F5

G5

7fr.

# œ & # œœ T A B

23

213

7 7 7

2 2 2

œ œ

œœ œ

2 3

0

3 œ œ 4

-

0

œ œ nœ

‰

for her kind -

œ

gel

œ

œ

o - ver - seer.

F5

To Coda fi

œ.

œ J

G5

7fr.

5fr.

‰ j j ‰ 44 œ œ œ nœ ‰ j œ .. œ œ œ œ œ n œ n œ œ œ œ œ nœ nœ 234

3

5

Am9

5

7

7

F5

G5

7fr.

23

23

0

5fr.

T A B

an

Œ

there

œ J

0

2

G5

œ

œ J

œ

234

Am9

23

23

3

F5

## 3 & 4

man’s

5fr.

2.

37

œ

‰ nœ œ œ

beer.

G/D D (9) D(9,11)

33

‰ œj œ œ n œ

Ó

3

7

0

0 7

7

3

Am9 5fr.

3

5

5

F5

0

..

0

G5

7fr.

5fr.

j ‰ j j ‰ 44 œ œ n œœ œœ œœ œj 43 ‰ j j ‰ 44 œ œ n œœ œœJ œœ œj ‰ j œ œ œ .. œ œ œ œ œ nœ nœ œ nœ nœ œ nœ nœ œ 23

23

3

3

234

5

Furry Sings the Blues - 3 - 2

5

7

23

23

7

7

0 0

0 0

234

0 0

0 3

3

5

5

7

23

23

7

7

0 0

0 3

3

5

5

0

0

0

..

D.S. % al Coda

3. D (9)

F5

G5

Am9 5fr.

42

& T A B

##

213

œœ

œ œ

œœ œ

0

2 2 2

0 0

0

0 3

3

&

# & #

213

5

5

7

7

7

0

0 0

0 0

œ œ œ. #œ J sings

∑

˙.

the blues.

Œ ∑

.. .. ..

T A B

Verse 2: Pawn shops glitter like gold tooth caps In the grey decay They chew the last few dollars off old Beale Street’s carcass Carrion and mercy Blue and silver sparkling drums Cheap guitars, eye shades and guns Aimed at the hot blood of being no one Down and out in Memphis, Tennessee Old Furry sings the blues You bring him smoke and drink and he’ll play for you It’s mostly muttering now, and side show spiel But there was one song he played I could really feel

nœ nœ 3

3

∑

0 2

2

2

2

0

2

œ

2

0

..

∑ œ œ

œ œ

œ œ . . 0

2

0

2

0

0

Verse 3: There’s a double bill murder at the New Daisy The old girl’s silent across the street She’s silent—waiting for the wrecker’s beat, Silent—staring at her stolen name Diamond boys and satin dolls Bourbon laughter—ghosts—history falls To parking lots and shopping malls As they tear down old Beale Street Old Furry sings the blues He points a bony finger at you and says “I don’t like you” Everybody laughs as if it’s the old man’s standard joke But it’s true We’re only welcome for our drink and smoke

Verse 4: W.C. Handy, I’m rich and I’m fay And I’m not familiar with what you played But I get such strong impressions of your hey-day Looking up and down old Beale Street Ghosts of the darktown society Come right out of the bricks at me Like it’s a Saturday night They’re in their finery, dancing it up and making deals Furry sings the blues Why should I expect that old guy to give it to me true Fallin’ to hard luck And time and other thieves While our limo is shining on his shanty street Old Furry sings the blues

0

Repeat and fade

2 3

œ œ œ œ œ œ œ

5

5

D(9,11)

213

œ

‰ j œ œ œ œ 23

23

0

D (9)

Fur - ry

Furry Sings the Blues - 3 - 3

j œ

234

D (9)

## œ

5fr.

3 ‰ j j ‰ 44 œ n œœ œJ œœ œ 4 œ œ œ œ œ nœ nœ

2

G5

7fr.

23

23

fi Coda 46

F5

2

..

243

244

A STRANGE BOY

Guitar tuning: D-7-3-7-2-5

➅=D ➂=G ➄=A ➁=A ➃=C ➀=D

Words and Music by JONI MITCHELL

Moderately Π= 112 Intro:

F5/D G2/D

D5

D5

7fr.

5fr.

5fr.

# 4 . Œ j ‰ ‰ œj ‰ œj œ œ j & 4 . œœ nœ œ œ œ œ œ. w P 0 0 .. 2 T 5 7 0 A 2 5 7 7 B

D 9

2 2

324

œ J

34

34

5 5

7 7

9 9

12fr.

œ œ .. œœ œœ ‰ œ œ œ œ J ..

34

34

9 9

12 12

0

0

A11 7fr.

‰ œJ œ

Œ

111111

is weav - ing

a

œ œ œœ œ œ œ œ œ

9

9fr.

0

œ œ ˙

# ‰ j œ œ œ œ œ œ & .. œ w 0 0 .. T 9 9 9 0

34

2134

1. A strange boy 2.–4. See additional lyrics

A5/D C5/D

9fr.

9fr.

. ‰ œJ œ

# & .. Œ

A B

7fr.

Bm11

9fr.

6

11

0

%Verse: ( )

2.

A5/D

Œ j ‰ ‰ œj ‰ œj œ œ ˙ . œœ nœ œ œ œ ˙. w

34

34

11

1.

F5/D G5/D

9

9

9

0 0 9

9

9

œ

course

œ œ

of grace and

œ œ œ

œ

7 7

0 7

œœ

œ œ œ œ

7

7

7

7

7

7

G11 G5

5fr.

G11 5fr.

111111

fingerpicking simile # Cont. . œ œ ‰ & J œ

œ œ

9

hav - oc D5

on a

# j & œ œ.

Ó

11

-

œ

yel - low

34

∑

Œ

324

fic.

&

Œ

111111

œ œ3 œ œ J

G11

œ J

œ

and

I

A Strange Boy - 2 - 1

œ

œ

want him

œ to

œ

be

side - walk

œ

traf -

œ œ J

2134

fool

-

œ œ J

œ

œ

ish

and child - ish,

œ

œ

œ

and

my

G5 5fr.

œ

œ

9fr.

Just when I think he’s

œ

œ

Bm11

9fr.

34

œ

through mid - day

D (9)

7fr.

#

œ

j œ œ

‰

111111

skate - board

7fr.

A11 16

œ œ œj œ .

F5/D G2/D 5fr.

12

œ J

113411

5fr.

5fr.

˙

œ

111111

man

-

ly,

‰

œ J I

œ J

113411

catch

œ my

œ J

fool

© 1976 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

child

To Coda fi D5

G11 5fr.

19

&

# œ

œ œ œ.

‰

111111

œ J

need - ing love

F5/D

G2/D

5fr.

œ

œ

11

and

G11

œ

œ

Œ

œ

G5

œ

111111

œ

What a

œ.

œ

œ J

strange,

G11

œ

5fr.

Ó

œ œ œ

113411

strange

G5

∑

34

5fr.

# & Œ

7fr.

34

un - der - stand - ing.

5fr.

22

245

j œ œ

‰

111111

boy.

He

F11

still

œ

113411

bœ œ œ œ.

Œ

Ó

113411

E - ven the war

and the

10fr.

œ J

œ

œ

could - n’t

œ

bring

fi Coda

D (9)

#

œ

œ

œ œ

him

to

ma - tu

w

-

ri

-

˙

w

5fr.

.. œ

341

˙.

341

ty.

D5

F5/D

G11

G5 5fr.

Ó

˙

111111

G2/D

5fr.

D5

7fr.

# . Œ j ‰ ‰ œj ‰ œj œ œ j œœ & . nœ œ œ œ œ œ. w 0 0 .. T 2 5 7 0

A B

34

11

2

5

34

7

0

Verse 2: He keeps referring back to school days And clinging to his child Fidgeting and bullied His crazy wisdom holding on to something wild He asked me to be patient; well, I failed “Grow up!” I cried And as the smoke was clearing, he said “Give me one good reason why” What a strange, strange boy He sees the cars and sets the waves Sequences of mass and space He sees damage in my face A Strange Boy - 2 - 2

341

me.

7fr.

2134

(4.) rules.

œ J

œ

341

D 7sus2

7fr.

A11

9fr.

324

œ J

5fr.

∑

111111

5fr.

∑

113411

1.3.

37

fam -

D.S. % al Coda

D

D 7sus2 D7sus 7fr.

Bm11

9fr.

&

his

Ó

3.

D

31

œ

œ

Na - vy

1.2. Dm7 341

with

œ.

œ œ bœ J

3

111111

i - ly.

# & ‰

lives

œ

3fr.

# œ. & œ

28

œ

F5

5fr.

25

œ

F5/D

G5/D

5fr.

Œ

11

w

2.4. Repeat and fade

A5/D

7fr.

34

34

34

5 5

7 7

9 9

0

Verse 4: A thousand glass eyes were staring In a cellar full of antique dolls I found an old piano And sweet chords rose up In waxed New England halls While the boarders were Snoring under crisp White sheets of curfew We were newly lovers then We were fire in the stiff Blue haired house rules

A5/D C5/D

9fr.

j ‰ ‰ œj ‰ œj œ œ ˙ . œœ nœ œ œ œ ˙. 2 2

7

∑

9fr.

12fr.

œ ˙ .. œœ œœ ‰ œ ˙ J ..

34

34

9 9

12 12

Verse 3: We got high on travel And we got drunk on alcohol and on love The strongest poison and medicine of all See how that feeling comes and goes Like the pull of moon on tides Now I am surf rising Now parched ribs of sand at his side What a strange, strange boy I gave him clothes and jewlery I gave him my warm body I gave him power over me

.. ..

246 Guitar tuning: B-7-7-3-2-5

HEJIRA

➅=B ➂=E ➄ = F# ➁ = F# ➃ = C# ➀ = B

Words and Music by JONI MITCHELL

Moderately in 2 Ó = 86 Intro: C #m11

>j > œœ .. j œ œ œœ œ . n œ œ œ œ œ

#### C . & # . ( œ .) œj œj œ œj œ . œj œj œ œj œ . œj œj œ (œj) œ œ œ œ œ œ œ œ œ œ œ œ F hold throughout .. T (0) 0 0 0 A 2 2 2 2 2 234

B

2

2

2

2

2

2

2

2

2

2

0 0

2

2

0 0 2

2

2

2 2

Dmaj13

5

& T A B

####

> j j j j j j j j j . . œœ . œœ . œœ œ œ ˙˙ # œ. œ œ œ œ œ œ œ œ œ œ n œœ n œ œ nœ nœ œ œ nœ nœ œ œ nœ nœ 3

3

3

0 3

3

3

3

3

1, 3, 5, & 7: % Verses 6

0 0

0

3

3

3

0

3

3

3

3

3

3

B9

## & # # # .. Ó 9

œ

Œ

1111

sit - ting

in

3

#### œ & #

the

œ3

œ œ3 œ œ œ œ œ

113411

some

ca

œ œ. J

∑

Ó

œ

œ œ.

wars

Œ ‰ j œ

Ó

111111

some ve - hi - cle,

I’m

-

5fr.

œ œ ˙

œ œ ‰ J

∑

œ

œ œ3 œ

111111

fé,

a

de - fec - tor from Bsus

5fr.

pet - ty

3

3

Esus 5fr.

˙

œ

œ

113411

Œ

Œ

‰

j œ

that

œ

œ. œ shell shock

œ

œ

love

#### ˙ & # Hejira - 4 - 1

23

Ó

∑

∑

œ

a - way.

B 21

..

0

Esus

E 18

3

3

3

5fr.

E

#### œ œ œ & #

0 0

Bsus

1. I’m trav - ’ling in 3.5.7. See additional lyrics

14

0 0

0

2

> j .. œœ .. œ œ œ

234

0

0

∑

© 1976 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

To Coda fi

247

Verses 2, 4, & 6: 6 B9

25

&

####

Bsus

# Ó

œ œ3 œ œ œ œ . œ ˙

‰ œj

Œ

1111

2. There’s com - fort in 4.6. See additional lyrics

mel - an - chol - y

Esus

‰ œJ

Œ

111111

˙

œ

no

need

œ

when there’s

5fr.

Esus

## œ & # ## 33

∑

E

5fr.

## & # ## Ó 29

œ J ‰ Œ

œ. œ œ

œ J

113411

to

ex

-

œ.

Ó

plain.

E

5fr.

œ

111111

as

œ

œ ‰ ‰ œ œ œ. J J J

œ

nat - u -

ral

as the

weath

œ

œ

It’s

just

Bsus 5fr.

œ. œ œ

113411

-

œ.

œ œ œ

er

in this

mood

œ œ œ J J

-

y

œ J

sky

to -

B

## & # ## w 37

∑

23

∑

Œ

˙

œ œ

day.

1. In

our

Bridge: E (9)

## œ & # ## 41

4fr.

œ. œ œ

2341

pos - ses - sive 2.3. See additional lyrics

œ

œ3

w

œ œ œ

∑

cou - pling,

so

œ œ3 œ

much could not

be

B

# # # # œ. & # 45

œ œ ˙

23

ex

-

˙

Ó

pressed.

So now

F #(9)

E (9)

#### œ & # 49

4fr.

turn - ing

œ

œ

œ

to

my

- self

w

Ó

#### œ œ œ & # 234

and

Hejira - 4 - 2

re

-

œ ˙ J

œ œ J

2341

things

that

you

F #sus

7fr.

53

œ these

F #sus2

am

6fr.

Œ

2341

I

F #sus

6fr.

œ3

2341

‰ œ œ. œ œ œ œ J

∑

I

6fr.

œ œ œ sup - pressed.

w

∑

‰

2341

œ

œ J

I

see

œ

œ3

œ

some - thing

248 Esus

E

5fr.

5fr.

# # # # œJ œ & # of

my - self

Bsus

in

œ œ œ. J J

113411

ev

-

’ry

-

˙

œ œ3 œ œ œ œ œ

Ó

one

just

at

this

mo-ment of

B

œ

#### œ & # 61

the

˙

w

23

Ó

Œ

as F #sus

6fr.

œ ˙ J

2341

bolts

of

œ

œ

snow

œ3

œ

gath - ers

like

F #sus2

6fr.

#### œ & # J œ

œ

œ

world,

F #(9) 65

œ.

œ œ œ œ J

111111

57

7fr.

œ

œ

2341

Ó

∑

234

œ

Œ

lace,

œ œ œ œ

waltz - ing

on

a

ball -

E (9)

#### œ & # 69

4fr.

œ

2341

-

˙

room

w

œ

Œ

Ó

∑

girl.

Intro:

C #m11

73

&

####

> >j j . j j j j œ j œ j j j j # œ. œ œ œ œ œ. œ œ œ œ œ. œ œ œ (œ ) œ . œ œœ œ . n œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 234

T A B

0 2

2

0

2

2

2

2 2

0

2

2

2

2

2

2

2

0

2 2

&

####

# œ. n œœ

T A B Hejira - 4 - 3

234

j j j . j j j . j œ œ œ œ œœ . œ œ œ œ œœ . œ nœ œ œ nœ nœ œ œ nœ nœ 0

3

0 0 2

2

3

0

3 3

3

3 3

3

0 0

0

3 3

3

3 3

j œœ œ œj œ œ 0

3

0 0

0

3 3

> ˙˙ nœ nœ

3

3 3

3

2

2

0 2

2

3

3. D.S. al Coda %

1.2.

Dmaj13 77

( 0)

2

0 0

> > j . . œœ . œ . ˙˙ œ œ nœ nœ

> œœ .. œj œ œ

0 0

0 0

3

0 3

..

0 0 3

3

3

0 3

249

fi Coda

C #m11

# ## & # # .. œ . œ 82

j j œ j œ œ œ œ œ œ

234

..

T A B

hold throughout 0 2

2

0

2

2

2

j j j œ œ œ œ œ œ œ

œ. œ

2

2

2

0

2

2

2

j j œ œj œ œ ( ) œ œ œ

œ. œ

2

2

2

Dmaj13

# # # # >œ . j & # œ. œ œ œ 85

T A B

0 0 2

2

2

Play 4 times and fade

j œœ œ œj œ œ

0 0

0

234

2

0 0 2

3

3

3

0

3 3

3

3 3

3

0 0

0

3 3

3

3 3

Verse 3: You know it never has been easy Whether you do or you do not resign Whether you travel the breadth of extremities Or stick to some straighter line Verse 4: Now, here’s a man and a woman sitting on a rock They’re either gonna thaw out or freeze Listen: strains of Benny Goodman Coming through the snow and the pinewood trees Bridge 2: I’m porous with travel fever But you know I’m so glad to be on my own Still somehow, the slightest touch of a stranger Can set up trembling in my bones I know no one’s going to show me everything We all come and go unknown Each so deep and superficial Between the forceps and the stone Verse 5: Well, I looked at the granite markers Those tributes to finality, to eternity And then I looked at myself here Chicken-scratching for my immortality Verse 6: In the church they light the candles And the wax rolls down like tears There is the hope and hopelessness I’ve witnessed Thirty years Bridge 3: We’re only particles of change, I know I know, orbiting around the sun But how can I have that point of view When I’m always bound and tied to someone White flags of winter chimneys Waving truce against the moon In the mirrors of a modern bank From the window of a hotel room Hejira - 4 - 4

(0)

2

2

>j j j j œ. j j j œ. j œœ œ . œ œ n œ œœ . n œ œ œ œ œ œ œ . n œ œ œ œ œ œ œ . n œ œ nœ œ nœ œ nœ œ 2

0

2

3

0 0

0

3 3

> ˙˙ nœ nœ

3

3 3

> œœ .. œj .. œ œ 0 0

3

3

0 3

..

250

BLACK CROW

Guitar tuning: B≤-12-3-4-3-2

➅ = Bb ➂ = F ➄ = Bb ➁ = Ab ➃ = Db ➀ = Bb

Words and Music by JONI MITCHELL

Moderately fast Π= 171

b & b b b b b 44 E bm

b & b bbbb 5

E bm

B bm

5fr.

∑

234

∑

B bm

5fr.

∑

234

rhy. simile bb b b b . Cont. j œ & b . J œ œ œ œ œ

∑

Ó

Cm/E b

œ.

‰

j œ œ œ œ black

as

the

Now

he’s

111111

-

thing

div - ing

bœ œ œ shin

-

111111

black

Black Crow - 2 - 1

down

crow

lead - ing

C bm7

j b œ œj œ

134111

to pick up

∑

113411

234

Œ

œ œ œ œ 3

8fr.

∑

me.

B bm7 C bm7

j œ ˙

Ó

111111

111111

B bm7

˙.

Œ

on

some

3fr.

∑

111111

3 ‰ œj œ b œ œ

Œ

113411

I

∫˙.

feel like that

D bm7

œ

B bm7

111111

fly

-

D b11

y.

œ

134111

12fr.

234

E (9)/F #

∑

113411

5fr.

B bm7

7fr.

134111

8fr.

111341

5fr.

tree.

D bm7

B bm7

#˙.

5fr.

way that’s

113411

3fr.

C bm7

b & b bbbb n œ

‰ œ

111341

To Coda fi D b11

D bm7

b & b b b b b œJ œ .

-

8fr.

j œ

tree to

œ œ œ

E bm/G b C b11

j j œ œ œ

ged,

œ

3

high

8fr.

111111

113411

˙

111111

A b11 D b(9)/E b

5fr.

Ó œ œ œ œ

134111

5fr.

111341

3

-

Cm/E b

5fr.

A b11 D b(9)/E b

5fr.

G bm7

b & b bbbb ‰ b œ

113411

dark and rag

5fr.

He’s

5fr.

‰ j œ œ œ œ

E bm7

b & b bbbb ‰ œ

D b(9)/E b E bm7

5fr.

111341

a crow fly - ing, 2.–4. See additional lyrics

111111

A b11

5fr.

111111

9

25

∑

5fr.

234

Cm/E b

5fr.

21

∑

1. There’s E bm7

17

E bm

B bm

5fr.

234

∑

Verse:

13

E bm

-

b˙

Œ

Ó

Œ

ing

© 1976 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

‰

œ œ

in

a

251 1.–3.

E bm

B bm

5fr.

b & b b b b b œj n œ . 29

234

˙

blue

b & b bbbb 35

E bm

œ

∑

C bm7

E bm

b & b bbbb 50

5fr.

.. w 234

˙ œ

œ J

Oh,

B bm

D bm7

w

111111

crow B bm

234

œ n˙.

‰ b Jœ

  ∑       

111111

Ó

5fr.

œ

Œ ‰

∑

œœ œ E bm

œ. I’m

blue

œ J

œ

like

j œ a

B bm

5fr.

234

in a B bm

œ J E bm

n˙.

w Repeat and fade

5fr.

B bm

..      ∑            ∑            ∑            ∑       .. 234

Verse 2: I took a ferry to the highway Then I drove to a pontoon plane I took a plane to a taxi And a taxi to a train I’ve been traveling so long How am I ever going to know my home When I see it again I’m like a black crow flying In a blue, blue sky Verse 3: In search of love and music My whole life has been Illumination Corruption And diving, diving, diving, diving Diving down to pick up on every shining light Just like that black crow flying In a blue sky

Black Crow - 2 - 2

B bm

∑

œ J

234

w

D.S. % al Coda

sky.

fly - ing

E bm

∑

5fr.

234

B bm

bœ œ œ ˙

∑

E bm

j œ œ.

B bm

5fr.

234

B bm

D bm7

˙.

5fr.

sky.

4.

E bm

3fr.

b & b bbbb    

black

sky.

D bsus 113411

111111

w

∑

41

b & b bbbb n œ

n˙.

E bm

∑

blue

fi Coda

44

B bm

5fr.

234

B bm

5fr.

234

E bm

Verse 4: I looked at the morning After being up all night I looked at my haggard face in the bathroom light I looked out the window And I saw that ragged sould take flight I saw a black crow flying In a blue sky Oh, I’m a black crow flying In a blue sky (To Guitar Solo:)

252

SONG FOR SHARON

Guitar tuning: E b-7-3-4-3-2

➅ = Eb ➂ = F ➄ = Bb ➁ = Ab ➃ = Db ➀ = Bb

Words and Music by JONI MITCHELL Eb

Moderately Œ = 106 Intro: (E≤9sus)

‰ b 4 ‰ & b b 4 œ b œ œ œ œ b œœ b œ œ œ œ œ. J F

T A B

5

&

bbb

T A B

2 5

0

0 4 5 0

0

0

0

1 2

0 0

0

1 2

0 0

0

5

rhy. simile œ œ œ œ œ b b . Cont. b Œ ‰ œJ & . 9

12

&

bbb

1. I went to Stat- en Is 2.–10. See additional lyrics

234

Db

A b sus( 9)

∑

111111

3 4 5

0 0

0

0

1 2

0

Bb

œ

œ

œ œ

land, Shar-on,

œ œ

‰

Eb

œ

œ J

œ

the long, white Db

∑

234

G b sus( 9)

3fr.

Song for Sharon - 3 - 1

of

cars,

Eb

to buy

my - self

nœ J

œ

Eb

œ œ J man

dress

of

œ J

œ.

‰

111111

œ

111111

0 0

7 7 7 7 7

j j œ œ œ.

234

a

-

do - lin.

A b sus( 9)

Db

œ

love

7fr.

Db

5fr.

œ

113411

2 2

2 2 0

0

j œœœ œœ

j œœ œœ

œœ œ

œ

œ

0

D b B b sus( 9)

234

A b(4)

œ œ bœ

G b(4)

bel - ly full

œ

œ

0 0

0

0

Db

œ bœ œ œ

œ

111111

on a store-front

G b sus( 9) 111111

‰

œ J

Big

œ bœ

0

2 2

2

2

0

111111

man - ne - quin.

113411

0 0

7fr.

œ

-

2 2

2 2 0

B b sus( 9)

1134 1

3

j œœ œœ j bœ

œœ œ

0

7fr.

0 0

5fr.

Ó

234

b œ & b b bœ œ

1 2

0

234

5fr.

Db

b & b b œ œ œ.

18

0 0

Db

0

And I saw Eb

15

12 12

0

Verse:

Eb

3

4

234

0 7 7

œ œ œœœ Jœ œ b œj

0 0

1 2

j j œ œ œ œ œ œœ b œ œ

œœ œ b œœ ‰ œ J œ .. b œ b œœ b œœ œ œœ œœ œ J œ œ Œ œ

Eb

b œœ b œœ œ œœ œœ œ œœ œœ

Db

bœ

bœ œ œ

boat

chug - ging back

œ œ

with

G b(4)

3fr.

œ.

bœ bœ

all

for some - thing

œ

œ lac

œ bœ. J

113411

-

Œ

y.

© 1976 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

‰

a

œ J Some

253 A b sus( 9)

bb œ b & 21

5fr.

and

5fr.

œ.

1.2.3.5.6.8.9.

Db

Eb

bœ

œ3

œ

bœ.

that

day

like

cra

111111

crave

Db

œ œ ˙

234

-

zy. B b sus( 9)

7fr.

(Simile to Intro)

bbb w

˙

4.

Eb

b &bb

‰

113411

A b sus( 9)

Db

234

29

œ.

gon - na see that dress

Eb

&

5fr.

bœ œ œ œ œ J

111111

girl’s

24

A b(4)

œ bœ œ bœ œ œ œ

234

∑

Ó

Db

∑

∑

..

111111

(Simile to Intro) (E≤9sus)

Ó

∑

∑

∑

(4.) bet - ter than I used to do. Eb

b &bb

∑

33

&

bbb

Db

10. Eb

41

&

bbb

b &bb T A B

234

bœ

tures

œ

Eb

∑

234

by and by.

œœœœ

0 2 2 2

0

Song for Sharon - 3 - 2

œœ œœ J 0 2

0 0

Œ

∑

..

111111

2

2

Eb

∑

234

Db

B b sus( 9)

7fr.

∑

234

0 0

..

111111

(E≤9sus)

∑

œ œ J œ 0

∑ Db

∑

j bœ œ œ œ ˙ 0

Eb

Db

234

0

7.

7fr.

Eb

œ œ œ œ

∑

D b B b sus( 9)

234

Db

(E≤9sus)

∑

234

Eb 37

Db

œ bœ œ 2

5

0

∑

œ b œ œ œ b œ œœœ 2

5

0

0

0 0 0

œœ œœ b Jœœ Jœœ œ bœ J 7 7

0 7

12 12

0 0

j œ 0

254

Eb 45

&

bbb

T A B

0 0

0

1 2

& T A B

bbb

0 0

0

Db

2 0 0

2 0 0

2 2

0

0

0 0

1 2

0

0 0

1 2

0 0

1 2

3 4

4

5

3 4 5

0

0

(E≤9sus)

( 0) 2

2 2 0 0

0 0

0

..

234

0

1 2

0 0

0

1 2

0 0

1 2

3 4

5

Verse 2: Little Indian kids on a bridge up in Canada They can balance and they can climb Like their fathers before them They’ll walk the girders of the Manhattan skyline Shine your light on me, Miss Liberty Because as soon as this ferry boat docks I’m headed to the church To play bingo Fleece me with a gambler’s flocks Verse 3: I can keep my cool at poker But I’m a fool when love’s at stake Because I can’t conceal emotion What I’m feeling’s always written on my face There’s a Gypsy down on Bleeker Street I went in to see her as a kind of joke And she lit a candle for my love luck And eighteen bucks went up in smoke

0

0

1 2

0 0

0

1 2

0 0

0

2 0 0

0 0

0

Db

. œœ œœ œœ Jœ œœ b œj . œ œ 2 0 0

2 2

0

0 0

0

..

Verse 6: Dora says, “Have children!” Mama and Betsy say “Find yourself a charity Help the needy and the crippled Or put some time into ecology” Well, there’s a wide, wide world of noble causes And lovely landscapes to discover But all I really want to do right now Is find another lover Verse 7: When we were kids in Maidstone, Sharon I went to every wedding in that little town To see the tears and the kisses And the pretty lady in the white lace wedding gown And walking home on the railroad tracks Or swinging on the playground swing Love stimulated my illusions More than anything Verse 8: And when I went skating after Golden Reggie You know it was white lace I was chasing Chasing dreams Mama’s nylons underneath my cowgirl jeans He showed me first you get the kisses And then you get the tears But the ceremony of the bells and lace Still veils this reckless fool here

Verse 4: Sharon, I left my man At a North Dakota junction And I came out to the Big Apple here To face the dream’s malfunction Love’s a repetitious danger You’d think I’d be accustomed to Well, I do accept the changes At least better than I used to do Verse 5: A woman I knew just drowned herself The well was deep and muddy She was just shaking off futility Or punishing somebody My friends were calling up all day yesterday All emotions and abstractions It seems we all live so close to that line and so far from satisfaction

Song for Sharon - 3 - 3

4

3 4 5

2 2

Repeat and fade

Eb

j œ j œ j . œ œ œ œ œ œœœ œ œ b œ . b œœ b œœ œ œœ œœ œœ œ œ œ œœ J œ b œ b œœ b œœ œ œœ œœ œ œœ œ œ 2 2

2 2 0

0

Cont. simile

234

Db

234

b œœ b œœ œ œœ œœ œ œœœ 1 2

Eb

j j j j j œ œ œ œ œ œ œ œœ j œ b œ œ œ œ œ œœ œœ œœ J œ b œ œ b œœ œ œœ œ œ œ œ œœ J œ b œ bœ œ œ œ

234

Eb

50

Db

Verse 9: Now there are twenty-nine skaters on Wollman Rink Circling in singles and in pairs In this vigorous anonymity A blank face at the window stares and stares And stares and stares and stares And the power of reason and the flowers of deep feelings Seem to serve me only to deceive me

Verse 10: Sharon, you’ve got a husband And a family and a farm I’ve got the apple of temptation And a diamond snake around my arm But you still have your music And I’ve still got my eyes on the land and the sky You sing for your friends and your family I’ll walk green pastures by and by

255

BLUE HOTEL ROOM

Guitar tuning: C-7-7-3-4-5

➅=C ➂=F ➄=G ➁=A ➃=D ➀=D

Words and Music by JONI MITCHELL

Freely Intro: 6 C9

& 44 & 44 T A B

Cmaj7

∑

23

œ P

œ œ œ œ

œ

0

œ 0

2

0

3

0

2

0

∑

1111

œ œ œ œ œ œ œ œ

0

2

2

0

0

∑

2

œ

œ

0

Ó

œœ œœ œœ œ œ œ 2 2

2 2

2 2

2

0

2

Œ

œ œœ

2

2 2 2

0

œ œœ

˙˙ ˙

5 5 5

7 7 7

œ œ œ 3

1. I’ve got a

Moderately slow Œ = 70 (ŒÂ = ŒÇ‰) Verse: Cmaj7

Am/G

j œ œj œ .

1111

& .. œ . 5

5fr.

‰

Cont. rhy. simile

œ œ œ œ œ

1111

blue mo - tel room 2. See additional lyrics

with a

5fr.

& ‰

113411

blue

5fr.

œ

œ œ œ

1111

bed - spread.

3

j œ

œ œ

out - side my

œ

head.

Œ

œ

Œ

111111

6 E b9

j bœ œ œ œ œ.

& œ œ.

-

side

œ

and

Dm/G 3fr.

Œ

œ œ œ 3

bœ

Will you still love me

when

Am7/G

∑

Ó

œ

down?

œ I

œ

œ

call you up when I’m

Gm

14

-

œ J

ing

Blue Hotel Room - 3 - 1

Œ

œ œ œ œ œ. 3

1111

Here in

œ œ.

1111

rain;

5fr.

œ

‰

1111

‰

j œ

Sa - van - nah

it’s

6 F9

Gm/F 5fr.

pour

in

Œ

Cmaj7

23

& œ.

œ œ œ œ

113411

3

6 C9 11

œ.

111111

I’ve got the blues

Fm/E b

6 F9 8

Gm/F

Gm

7fr.

5fr.

3 j œ œ œ œ œ

œ

113411

œ

palm trees in the porch light like

œ

œ

œ œ œ œ 3

slick black cel - lo - phane.

© 1976 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

Œ

256

6 E b9

Fm/E b

b œ œ œ œj œ .

& Π17

111111

Will you still love

‰

∑

&

when I

œ

call

you

‰

hang - ing

œ

œ

6 F9 113411

Ger

-

Œ

back

˙

to town?

œ œ3 œ œ

111111

œ

all those

pret - ty

girls

œ œ œ œ.

com - ing

on,

œ

5fr.

Ó

3

Œ

111111

bœ œ œ œ œ.

pach - y - derm.

Well, you tell those girls

œ œ.

œ

that you’ve got

6 C9

Dm7/G

j nœ

111111

œ

man

œ

œ

œ

mea - sles. Hon - ey,

œ

œ

œ

Dm7/G

6 G9

3

œ œ œ œ œ œ œ œ

10fr.

Ó

& œ œ œ œ 3

of

me,

be - cause

Cm/B b

10fr.

œ

œ

3

hope you’ll be think - ing

∑

7fr.

113411

j œ œ I

˙.

tell them you’ve got germs.

7fr.

3

Œ

23

œ

Am/G

113411

get

œ

5fr.

& œ.

32

I

œ

Gm/F

œ œ œ œ

Gm/F 5fr.

6 B b9

œ

œ

know that you’ve got

113411

on your boom - boom

œ

œ

when

7fr.

& œ œ œ œ œ œ. œ œ.

& ‰

up

6 G9

111111

1111

œ

10fr.

7fr.

29

œ

23

Cm/B b

j œ œ

113411

Am/G

26

œ

10fr.

I

23

bœ œ

me

6 B b9 20

3fr.

113411

3

6 C9

Dm7

I’ll

œ œ œ ˙

be think-ing of you

Fm/E b

6 E b9

Ó

113411

111111

œ bœ

home a - lone

girls

while I’m trav - ’ling Dm/G

3fr.

3 3 j œ bœ bœ œ œ œ œ

œ.

œ œ œ.

Tell those

œ bœ œ. œ

Ó

111111

3

that

you’ve

got

Jo - ni; she’s com - ing back

1.

6 C9

35

Dm/G

Ó

23

& ˙

home.

& œ T A B

2

Em/C

5fr.

œ 2

œ œ œ œœ 2

Blue Hotel Room - 3 - 2

2

0 0 2

∑

2

œœ j œ œ œ œ œœ 2 5

0

2 5

œœ

œ œ œ œ œ

0 0

0 0

3

2

0

2

∑

1111

œœ œ œ œ œ 3

0

2

0

2

j œœ œœ

œœ .. œœ ..

œœ .. œœ ..

j œ

2 2 2 2

2 2 2 2

2 2 2 2

2

Am/G

Am11

7fr.

5fr.

œœ œ œ ˙˙˙ œ œ œ œ œ œ ˙ & 1111

T A B

7 7 7 7

7

6 E b9

5

7 7 7

4

T A B

˙˙ ˙

111113

5 5 7 7

7 5 5 5 5 5

113411

3

œ œ œœ

5 5 5

7 5 5

6 C9

Dm/G

œ œœ

œœ œ œ

7

5 5

œ ‰

œ

3

5

˙˙ .. b œ ˙. b œ bœ

111111

3

3

5 7

7

5

6 C9

Dm/E

‰ œj œ œ œ œ

113411

5

5

3 3

5

23

3

0 0 0 0 0

5

2

2

2.

Dm/E

2

2

j œ œ

23

œ œ œ 3

0

2

Em/C

0

2

2

œ œ œ œ

3

2

3

2

0

& Ó

Œ

45

œ.

œ œ œ

I’ve got

j œ œj œ .

a

blue

mo - tel

5fr.

& œ.

blues 6 E b9

& Π51

œ œ œ œ œ

with a

Œ

œ œ œ œ œ in

-

side

‰

and

j œ

œ œ

out - side my

blue

œ

1111

bed-spread.

œ

head.

Œ

œ

Œ

111111

bœ

when

Blue Hotel Room - 3 - 3

œ I

j œ

get

œ

back

j œ

to

I’ve got the

j bœ œ œ œ œ.

Will you still love

3fr.

113411

œ œ œ 3

3

6 C9

Dm/G

0

Fm/E b

5fr. 113411

0

2

5fr.

6 F9

Gm/F 111111

‰

1111

room

3 j œj œ œ

Gm

Am/G

1111

3

3

2

7fr.

48

3

3

3

3 3 3

3fr.

œ œ ˙ & œ b œ œ œ œ œ ˙˙˙ ˙ 3 3 42

5fr.

˙ b ˙˙˙ ˙˙

3411

38

Fm/E b

6 F9

Gm9/F

5fr.

257

23

œ

Œ

Ó

town?

Verse 2: I’ve got road maps from two dozen states I’ve got coast to coast just to contemplate Will you still love me when I get back to town It’s funny how these old feelings hang around You think they’re gone, no, no They just go underground Will you still love me when I get back to L.A. town You and me, we’re like America and Russia We’re always keeping score We’re always balancing the power And that can get to be a cold, cold war We’re going to have to hold ourselves a peace talk In some neutral cafe You lay down your sneaking around the town Honey, and I’ll lay down the highway I’ve got a blue motel room With a blue bedspread I’ve got the blues inside and outside my head Will you still love me when I get back to town

∑

me

.. ..

258

REFUGE OF THE ROADS *Guitar in Open F tuning: C-9-3-5-4-3

Words and Music by JONI MITCHELL

➅=C ➂=F ➄=A ➁=A ➃=C ➀=C

Moderately Π= 115 Intro:

Gm11/B b

Cmaj7/G

9fr.

6fr.

& 44 œ œ œ œœ œœ œ œ œ w P 2341

œ

œ

œ

0

T A B

6

7

6 7

7

7

0 6

7

7

œ œœ b œœ œœ œœ œ œ b˙ ˙

œ

œ œ œ

2341

7

7

7

6

0 0

9 0

9 10

9 10

0

10

10

10

*Note: There are two guitars on the recording playing almost in perfect unison but with some differences. This produces interesting echo-like effects, syncopations, and repeated notes. C(9, # 11)/G

C/G 7fr.

œ œ œ œ

& œ œ b œ œ œ œ œœ œ 0 10

0

10

10

B b/F

7

7

¿¿ ¿

5 5

5

5 5

œœ J

¿¿ œœ œ. b œœ ¿ œ J J

œ

¿¿ ¿

7 7 5

7 7

5

6fr.

j & .. ‰ œ œ œ œ Cont. rhy. simile

œ œ

1. I met a friend of 2.–5. See additional lyrics

Refuge of the Roads - 4 - 1

spir

j œ œ.

2341

-

it;

œ

¿¿ ¿

Gm11/B b

Cmaj7/G

4fr.

¿¿ ¿ œ

5

Verse:

11

7

9fr.

œ

Œ

10

œœ

œ

9 9

7

œ 9

7

5fr.

5 5

5

œœ

Dm9

111111

Dm7/F 2341

9 9

7

5fr.

111341

5

7

7

B b/F

5fr.

¿¿ œ œœ J ¿ œ

111111

& bœ œ T A B

7

j ‰ # œœ œ w

111341

œ œ œ œ

7 7

7

Dm9

5fr.

7

0 0 0

10

œœ

111111

4

T A B

7fr.

‰

2341

. b œœ œ J 5 5

5

œœ J

111341

œ œœ œ œ œ œ œ 5

7 7

7 7

7

0

7 5

5

5

5

œ

œ

5

C/G

œ

œ œ œ œ œ J œ

he

drank

7fr.

œ

111111

Œ

Œ

and wom - an - ized.

© 1976 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

œ œ And I

259 Gm11/B b 15

&

œ

9fr.

2341

sat

7fr.

œ œ œ œ œ œ œ be - fore

œ

I was hold

6fr.

j & ‰ œ œ œ œ

œ œ

2341

Gm11/B b

&

œ.

-

-

j œ œ.

Œ

tions

2341

laughed

7fr.

œ œ J

œ œ

B b/F

how our

per - fec

œ.

œ œ œ

111111

-

tion would

me

5fr.

ways

be

& Ó

œ œ

“Heart and

C

mor

and hu - mil

-

i - ty,”

œ œ œ. &

Ó

œ œ

œ œ œ œ œ

2341

I

left him

then

for

the

œ J

9fr.

2341

1234

& œ 36

6fr.

Œ

Ó

∑

Resume intro fingerpicking simile

∑

2341

∑

6fr. 1234

& œ 42

Resume intro fingerpicking simile

Œ

Ó

Refuge of the Roads - 4 - 2

∑

111341

2341

œ.

œ œ œ œ œ œ œ

light - en

To Coda fi

˙

up

˙

your heav-y load.”

œ œ œ œ of

the roads.

2341

∑

∑

∑

∑

Gm11/B b

Cmaj7/G

7fr.

∑

111111

9fr.

3.

C

5fr.

Gm11/B b

Cmaj7/G

7fr.

œ

8fr.

ref - uge

1.2. C

∑

1234

he said,“will

Gm11/B b

6fr.

1234

5fr.

111341

œ œ œ

œ œ . ‰ Jœ œ œ œ œ œ J

Cmaj7/G

7fr.

32

-

And we

F/C

1234

hu

pli - fied.

de - nied.

7fr.

‰ œJ

-

5fr.

C 28

œ œ

œ œ œ œ Œ

111111

back sim

111111

-

∑

7fr.

œ œ œ œ œ

œ œ œ œ œ œ Ó

al

Œ

C/G

mir - rored

C/G

9fr.

œ

111341

ing back from cry - ing.

2341

and he

œ œ

œ bœ

œ œ. J

œ œ

5fr.

111111

9fr.

2341

He saw my com - pli - ca

œ J

Dm9 5fr.

Gm11/B b

Cmaj7/G

4fr.

23

œ. ‰ œ œ

111111

his san - i - ty;

Dm7/F 19

B b/F

C/G

9fr.

∑

∑

2341

..

260 C(9, # 11)/G

* C/G 7fr.

48

&

B b/F

7fr.

∑

111111

111341

∑

Dm9 5fr.

5fr.

∑

111111

∑

111111

G/D

∑

111341

43

∑

111111

*Simile to second half of intro. G(9, # 11)/D

& 43 55

44

∑

111341

A b/E b

A b(9, # 11)/E b

111111

111341

3fr.

∑

4. C 7fr.

& œ 59

∑

111341

G b(9, # 11)

G b/D b

Œ

1234

Ó

∑

A b/E b

A b(9, # 11)/E b

111111

111341

A b/E b

A b(9, # 11)/E b

111111

111341

A b/E b A b(9, # 11)/E b A b/E b

3fr.

3fr.

∑

3fr.

∑

A b/E b

A b(9, # 11)/E b

111111

111341

..

∑

111341

111111

111111

D.S. % al Coda

A b/E b A b(9, # 11)/E b A b/E b

3fr.

3fr.

∑

∑

111341

111111

111111

fi Coda

Gm11/B b 9fr.

C

2341

64

&

w

w

œ

Ó

1234

∑

2341

B b/F

j œ œ & œ œ

œ œ J œ œ

T A B

7

T A B

111111

7

7

œ # œœ œœ œœ œœ œ œ 7

9 9

7

9 9

9

œ œ ‰ œœ ¿ œ bœ œ J

œœ œœ œœ œ

111341

œœ œ

7

7

5fr.

111111

¿

5 5 5

7

5 5

5

5

7 7 5

5

œœ b œ . J œ.

7 7

7

7 7

5 5

Repeat and fade

G b/D b

G/D

111111

111111

1 1 1

∑

Dm9 5fr.

j bœ j 3 b œ œ j œ œ œ œ œ # œ b œ ‰ œ ‰ b œœ œœ œ J œ œ œ ¿ œ œœ 4 œœœ # œœ œœœ & bœ ¿ b œ œ œ bœ œ œ bœ œ 75

∑

in the roads.

7fr.

7 7

6fr.

Œ ‰ b œJ œ œ œ Œ

C/G

71

Cmaj7/G 7fr.

¿

1 1 1

Refuge of the Roads - 4 - 3

1

3 3 1

1

3 3

1

3 3

0 0

2 2 2

¿

2 2 2

2

4 4 2

4 4

2 4 4

A b(9, # 11)/E b 3fr.

.. b Jœ œ Jœ .. b œœ bœ 111341

..

3

3 3 3

5

3

..

261

Verse 2: I fell in with some drifters Cast upon a beachtown Winn Dixie cold cuts And highway hand-me-downs And I wound up fixing dinner For them and Boston Jim I well up with affection Thinking back down the roads to them The nets were overflowing In the Gulf of Mexico They were overflowing In the refuge of the roads Verse 3: There was spring along the ditches There were good times in the cities Oh, radiant happiness It was all so light and easy Till I started analyzing And I brought on my old ways A thunderhead of judgement Was gathering in my gaze And it made most people nervous They just didn’t know What I was seeing In the refuge of the roads Verse 4: I pulled off into a forest Crickets clicking in the ferns And a wheel of fortune I heard my fate turn, turn, turn And I went running down a white sand road I was running like a white-assed deer Running to lose the blues To the innocence in here These are the clouds of Michelangelo Muscular with gods and sungold Shine on your witness In the refuge of the roads Verse 5: In a highway service station Over the month of June Was a photograph of the earth Taken coming back from the moon And you couldn’t see a city On that marbled bowling ball Or a forest or a highway Or me here least of all You couldn’t see these cold water restrooms Or this baggage overload Westbound and rolling Taking refuge in the roads

Refuge of the Roads - 4 - 4

263

264

OVERTURE— COTTON AVENUE

Guitar tuning: C-9-3-5-2-5

➅=C ➂=F ➄=A ➁=G ➃=C ➀=C

Words and Music by JONI MITCHELL

Moderately fast Π= 138 Intro: @ 2:45 C5

& 44

&

j œœœ œœ œ

2 1

œ. F

T A B 4

N.C.

œœœ j ‰ œœ œ œ bœ

0 0 2 0 3 0

0

0

3

œ œ œ œ œ œ

T A B

5

5

5

5

5

harm.

12 12 12 12 12 12

0

œ œ œ œ œ 5

√ j ‚ b ‚‚‚ ‚ ‚

. ‚‚‚‚ ... ‚. ‚.

j ‚‚‚ ‚‚ ‚

5 5 5 5 5 5

5

‚‚‚ .. ‚‚ ... ‚. 7 7 7 7 7 7

C (9)

‰ œj œ

& Ó 8

11111

A

œ œ J J ‰ ‰ b œJ

œ œ J

red

sun came

roll

Fm9/A b

Dm11/F 4fr.

12

& œ

frogs

and

œ

œ bœ

œ

dogs

F (9)

&

1

œ3 œ

5

5

∑

Ó

11111

‰ Jœ œ œ

7 7 7 7 7 7

œ œ œ

2341

j j œ œ œ.

0

0

5

0

3

5

5

5

A b(9)/E b

Cot - ton Av - e - nue.

Overture—Cotton Avenue - 4 - 1

œ

2341

5

7

5fr.

œ œ œ œ œ.

œ J

111111

111111

ing down a

gray

œ œ3 œ ˙ sing - ing

7

B b(9)/F

˙

‰ œ

sky

œ

sweet

and F (9)/C

C5

A b(9)/E b

5fr.

Ó

‰ bœ

111111

111111

3

Fm9/A b

œ œ

œ œ œ œ œ œ œ œ œ œ œ

That’s where I’m goin’ to take my - self

3

to - night with a

œ bœ J

2341

œ

Some-where in there’s

7fr.

3

1

B b(9)/F

cit - y lights?

3

the

F (9)/E b

bœ œ œ œ œ œ 2 1

œ J

coun - try lull - a - by.

4fr.

b œ3 œ œ œ3 œ ˙ & œ

3

j œ œ

Dm11/F 19

0

j œ

œ. ˙ œ œ œ

You see that patch of

‚‚‚ ‚‚ j ‰ ‚ œ bœ

j œ bœ œ œ œ

C (9) 7fr.

5 5 5 5 5 5

N.C.

and night birds then start- ed up

5fr.

15

-

7fr.

œ

2341

5

harm.

j ‚‚‚ ‚‚ ‚

3

Verse 1: 7fr.

Œ

3

3

√ ‚. b ‚‚‚ ... ‚. ‚.

œ ˙ J

spit - shine

© 1977 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

265 C5 22

& & T A B

N.C.

œ

œ œ œ œ œ

2 1

on

my

œ.

danc - ing

j œœœ œœ œ 0 0 2 0 3 0

0

˙. 3

œ œ œ œ œ œ

3

5

5

5

5

5

∑

√ ‚. b ‚‚‚ ... ‚. ‚.

shoes.

œœœ j ‰ œœ œ œ bœ 0

Œ

harm.

j ‚‚‚ ‚‚ ‚

5 5 5 5 5 5

7 7 7 7 7 7

0

∑

‚‚‚ ‚‚ j ‰ ‚ œ bœ 0

‰ j Œ œ œ œ œ œ

3

5

5

0

5

5

Chorus:

B b(9)/F

C (9)

5fr.

7fr.

bœ œ œ œ œ

& .. Ó 26

3

111111

If you’ve got a

place

A b(9)/E b

œ œ J

like

that

& & T A B

3 ‰ b œJ œ

111111

œ œ J

œ

If you’ve got

bœ œ J J œ.

no

T A B

go

bœ œ œ

bœ œ. J

œ bœ. J

well, then, you

just

no

Ó

place spe - cial,

œ N˙ J

œ.

2 1

˙

Ó

√ . b ‚‚‚‚ ... ‚. ‚.

spe - cial.

j œœœ œœ œ

œ.

œœœ œœ œ

0 0 2 0 3 0

0

œ 0

3

œ 5

Ó

you just have to

111111

there.

Œ

œ

go

place

N.C.

37

&

to go,

10fr.

C5 34

‰ œ œ œ œ œ œ

Œ

3

11111

E (9)/B

& Ó 30

j œ œ œ œ

œ 5

œ

œ œ œ 0

5

5

Overture—Cotton Avenue - 4 - 2

j bœ

‰

3

3

. ‚‚‚‚ ... ‚. ‚.

harm.

12 12 12 12 12 12

√ j ‚ b ‚‚‚ ‚ ‚ 5 5 5 5 5 5

œ

œ

œ

œ œ œ

5

5

5

5

j ‚‚‚ ‚‚ ‚

‚‚‚ .. ‚‚ ... ‚. 7 7 7 7 7 7

5

0

3

œ bœ œ œ œ 0

3

5

5

5

harm.

j ‚‚‚ ‚‚ ‚

5 5 5 5 5 5

7 7 7 7 7 7

‰

∑ ‚‚‚ ‚‚ ‚

j ‰ œ bœ 0

3

‰ j Œ j œ œ œ œ œ œ 0

5

5

0

7

7

266

Verses 2 & 3: Fm9/A b

C (9)/G

7fr.

2341

Ó

111111

2. I guess it’s just the 3. See additional lyrics Dm11/F

ripe

Fm9/A b

j & œ

bœ

Œ

œ.

young blood, N.C.

œ

œ œ3 œ œ

F (9)/C

N.C.

œ

2341

teas

-

ing

to

go

down

œ J

2341

to hear the shin

A (9)/E

‰

to

Cot - ton

-

œ J

bœ œ œ œ. J

œ

shin - y

mu

Dm11/F

&

˙

#œ

111111

shin

-

y

œ

3

j œ

2341

œ

peo - ple

C5

& ‰ 55

& T A B

2 1

œ. 0

œ

bœ œ œ J J j œœœ œœ œ

Cot - ton

0 0 2 0 3 0

Av - e

œ J

-

0

œ

œ

œ

2 1

1

Œ

Av - e - nue

Ó

sic;

see

Fm9/A b

œ

œ

all

the

3

œ

2341

to

it

œ bœ

2341

an - y

time

you

œ

œ J

go

œ. to

Œ

œ œ œ œ œ 5

5

5

5

√ . b ‚‚‚‚ ... ‚. ‚.

Œ

5

harm.

j ‚‚‚ ‚‚ ‚

5 5 5 5 5 5

7 7 7 7 7 7

∑

‚‚ ‚‚ j ‰ ‚ ‚ œ bœ 0

3

..

∑ 3

œ œ œ œ œ œ 5

5

5

5

5

0

N.C.

j œœœ œœ œ

- ing you on

0

-

3 b œ œ ‰

œ

3

3

œ & œ œ œ œ ‰

T A B

œ

˙.

œœœ j ‰ œœ œ œ bœ

bœ J

2 1

œ.

j œ

nue.

C5

&

C5 F (9)/C F (9)/E b

N.C.

2.

59

in the

7fr.

danc - ing

1.

y

4fr.

4fr.

52

-

Dm11/F

111111

y,

œ #œ œ œ

juic

7fr.

œ. ‰ œJ œ b œ

∑

&

œ

œ bœ

C (9)/G

Dm11/F 4fr.

48

and

œ œ. J

111111

N.C.

7fr.

2341

œ J

œ.

2341

sum - mer in the young blood,

4fr.

45

4fr.

œ œ œ œ3 œ œ œ . J

bœ œ œ œ œ & ‰ œ J 41

A (9)/E

Dm11/F

7fr.

0 0 2 0 3 0

Cot - ton

œœœ j‰ œœ œ œ bœ

Overture—Cotton Avenue - 4 - 3

0

3

œ œ3 œ Œ

Ó

Av - e - nue. 3

œ

œ

œ œ œ œ

5

5

5

5

5

0

√ . b ‚‚‚‚ ... ‚. ‚.

harm.

j ‚‚‚ ‚‚ ‚

5 5 5 5 5 5

7 7 7 7 7 7

∑

‚‚‚ ‚‚ j‰ ‚ œ bœ 0

3

∑ ‰ j Œ œ œ œ œ œ 5

5

0

5

5

.. ..

267

B b(9)/F

C (9)

5fr.

7fr.

bœ œ œ œ œ

& Ó 63

If you got a

place

111111

bœ

3

œ

œ

œ.

If

you

got

no

C5

& & T A B

& T A B

œ J N˙

œ.

j œœœ œœ œ

œ.

0 0 2 0 3 0

0

T A B

Œ

place spe - cial,

go

œ

œ

Œ

well, my dear,

œœœ j‰ œœ œ œ bœ 0

3

5

5

5

5

5

√ . b ‚‚‚‚ ... ‚. ‚.

œ bœ œ œ œ œ 3

Ó

0

5

harm.

j ‚‚‚ ‚‚ ‚

5 5 5 5 5 5

7 7 7 7 7 7

5

5

5 5 5 5 5 5

0

‚‚ ‚‚ j ‰ ‚ ‚ œ bœ 0

1.2.

&

b œ3

111111

√ 3 . b ‚‚‚‚ ... ‚. œ œ œ œ œ œ ‚. harm.

3

80

you just have to

bœ bœ J J œ.

˙

spe - cial.

0

to go,

there.

bœ

œ3

œ

you

just

go

œ J bœ. no

place

N.C.

2 1

76

that

˙

10fr.

& Ó

71

like

3 ‰ œ œ œ œ œ œ

Œ

11111

E (9)/B

A b(9)/E b 67

j œ œ œ œ

œ œ J

3

111111

3

j ‚‚‚ ‚‚ ‚ 7 7 7 7 7 7

∑

∑

‚‚‚ j‰ ‚‚ ‚ œ bœ 0

œ œ œ œ œ œ

3

5

5

3

œ œ œ œ œ œ 5

5

5

5

. ‚‚‚‚ ... ‚. ‚.

3

5

0

5

5

5

√‚ . ‚‚ . .. ‚‚ .... ‚ ..

12 12 12 12 12 12

0

harm.

j ‚‚‚ ‚‚ ‚

5 5 5 5 5 5

7 7 7 7 7 7

œ

œ

œ

œ

œ

5

5

5

5

5

Overture—Cotton Avenue - 4 - 4

œ 0

.. ..

harm.

‚‚‚ .. ‚‚ ... ‚.

5 5 5 5 5 5

7 7 7 7 7 7

‚‚ ‚‚ j ‰ ‚ ‚ œ bœ 0

3

Repeat and fade

3. 3

∑ √ j j ‚ b ‚‚‚ ‚‚‚‚ ‚ ‚ ‚ ‚

3

3

œ

œ

œ

œ

˙

5

5

5

5

5

.. ..

bœ

œ

œ

œ

œ

œ

6

5

5

6

5

5

Verse 3: You see that summer storm brewing in the southern sky By the time it hits here I’ll be dancing high and dry To rhythm and blues on Cotton Avenue Poor boys’ll be hanging around outside in the street They got all the latest words They’re dancing to the latest beat While they’re hustling and sizing you on Cotton Avenue

.. ..

268

TALK TO ME

Guitar tuning: D-7-5-2-3-5

➅=D ➂=E ➄=A ➁=G ➃=D ➀=C

Words and Music by JONI MITCHELL

Moderately fast Π= 176 Intro: C5/B b

8fr.

j j ! ! ¿ ¿ ! ! ! ! ! ¿ ¿ ! ! ¿ ¿ ∑ ∑

! ! ¿ ¿ ! ! ¿ ¿ F # ∑ & # 44 TTTT

j j ! ! ¿ ¿ ! ! ! ∑

Am9 7fr.

j j ! ! ¿ ¿ ! ! ¿ ¿ ! ! ¿ ¿ ! ! ¿ ¿ ! ! ! ! ! ! ! # ∑ ∑ ∑ & # TTTT

! ! ! ! ! ! ! ! Ó ‰ œJ œ œ

5

Verse:

1. There was

F/G

a

5fr. 5fr.

Cont. rhy. simile ## . n œ œ œ œ œ œ . J & .

5fr.

5fr.

5fr.

111111

Ó

9

moon and a street 2.–4. See additional lyrics

12

&

5fr.

## ˙

111134

111134

5fr. 111111

I

1111

ing

# # œJ œ & 19

gain,

I

œ ˙ J

Ó

talk

nœ œ

œ

too

-

o

œ œ œ

œ

œ

did - n’t know

I

drank

nœ

œ

111111

œ nœ

111134

pen

and

10fr.

œ J

111111

œ

œ nœ J

I

talk too

œ.

10fr.

111134

œ J

TTTT

pen talk - ing like you

Talk to Me - 2 - 1

œ nœ

111111

the

5fr.

œ #œ

111134

111111

the

10fr.

Œ

111111

park -

10fr.

‰

111134

10fr.

œ J

111111

A -

8fr.

œ œ œ œ œ œ nœ œ œ

TTTT

free.

I

pay

a

C5/B b

high

price for my o -

8fr.

œ nœ œ

œ œ œ

do for your

si - lent mys - t’ry.

TTTT

5fr.

œ

œ

full length of

111134

lot

5fr.

10fr.

˙

œ

a

C5/B b

10fr. 111111

such

loose.

Gsus(9)

## œ œ n œ œ œ œ . & J

œ

111134

œ nœ

5fr.

10fr.

œ

œ

5fr.

an - a - con - da

B b/C

10fr.

7fr.

-

te - qui - la

Oh,

Am9 22

a

œ

lot!

œ J Œ

œ J

111111

œ nœ œ œ œ œ

C5/D

# œ & # J œ -

œ

pissed

D (9) 15

111134

I

5fr.

‰ Jœ œ till

‰

111111

lamp.

5fr. 111111

Œ

111134

˙

Ó

‰ n Jœ œ n œ œ œ œ

TTTT

Come and

talk

© 1976 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

to

me.

269

Am9 Gsus(9)

7fr.

26

&

##

Ó

Œ

œ

œ

œ J œ

Please

E b6/F TTTT

Mis - ter

œ J

talk

œ nœ œ œ. J

# & # Π31

nœ ‰ J

TTTT

œ nœ

Mys

-

ter

˙

œ

to

5fr.

Œ

Ó

TTTT

‰

me.

nœ Talk

C5/B b

œ J

to

œ nœ J

œ œ J

me, talk

Œ

to me,

8fr.

œ œ J -

‰

∑

TTTT

∑

∑

y.

1.–3.

Am9

4.

7fr.

36

&

##

∑

TTTT

∑

∑

∑

Ó

‰

Œ

j œ

œœ

œ ..

∑

2. We could 3. You could 4. Is your

Outro C5/B b

8fr.

TTTT

Intro rhy. simile

! ! ¿ ¿ ! ! ¿ ¿ ## . ∑ & . 42

j ! ! ¿ ¿ ! ! ∑

j ! ! ! ¿ ¿ ! ! ¿ ¿ ∑

1.2.

j ! ! ¿ ¿ ! ! ∑

j !

3.

Am9 7fr.

j j ! ! ¿ ¿ ! ! ¿ ¿ ! ! ¿ ¿ ! ! ¿ ¿ ! ! ! ! ! ! ! # ∑ ∑ ∑ & # TTTT

46

51

&

##

! ! ! ! ! ! ! ! ! ! ¿ ¿ ! ! ¿ ¿ .. ∑ ∑ rit. to the end

! ! ¿ ¿ ! ! ¿ ¿ ! ! ¿ ¿ ! ! ¿ ¿ ! ! ¿ ¿ ! ! ¿ ¿ ! ! ¿ ¿ ! ! ¿ ¿ O ∑ ∑ ∑ ∑

Verse 2: We could talk about Martha We could talk about landscapes I’m not above gossip But I’ll sit on a secret Where honor is at stake Or we could talk about power About Jesus and Hitler And Howard Hughes, Or Charlie Chaplin’s movies Or Bergman’s nordic blues Please just talk to me Any old theme you chose Just come and talk to me Mr. Mystery, talk to me Talk to Me - 2 - 2

Verse 3: You could talk like a fool—I’d listen You could talk like a sage Anyway, the best of my mind All goes down on the strings and the page That mind picks up all these pictures It still gets my feet up to dance Even though it’s covered with keloids From The “slings and arrows of outrageous romance” I stole that! From Willy the Shake! You know—“Neither a borrower nor a lender be” Romeo, Romeo talk to me!

∑

Verse 4: Is your silence that golden? Are you comfortable in it? Is it the key to your freedom? Or is it the bars on your prison? Are you gagged by your ribbons? Are you really exclusive or just miserly? You spend every sentence As if it was marked currency! Come and spend some on me Shut me up and talk to me! I’m always talking! Chicken squawking! Please talk to me

270

JERICHO Guitar tuning: D-7-7-3-5-4

Words and Music by JONI MITCHELL

➅=D ➂=G ➄=A ➁=C ➃=E ➀=E Moderately Œ = 103 Intro: Fmaj9

B b(9)

Bm7/E

7fr.

2341

7fr.

2341

111111

œ œ œ # œœ œ œ & 44 œœ œ œ # œœ œœ œœ œ œœ œœ œ œœ > œ b œ œ œ œ P

T A B

2

3 3 3

0 0

2 2 2 2

2 2 2 2

0

2

7 8 8 8

0

C #(9)

Em7/A

7 8 8 8

0

œœ œœ

111111

9fr.

œœ œœœ œœ n œ œ œœœ œœœ # # œœœ œ œ œ > œ œ 7

7

7

111111

9 9 10 10 10 10 10 10

D (9)

œœ # œœ œ œ 2 & 4 # # œœ œ 9 9

T A B

9 9

9 9 9 9

œœ # œœ œ œœ œ œ œ œ

44 # œœœ # œ

5

9 9

9 9 9 9

9

9

& &

9

T A B

9 9 9

9

9

9 9 9

9

9 9 9 9

9

9 9 9

9

9

œœ œœ 0 2

N.C.

œ œ œœ œ 0

0 2

L 22 0

2 2 0

0

0

j œœ Lœœœ j œ œ œ œ œ #œ œ œ

23

0

0

0

2

0

2

0

N.C.

5 4

∑

213

œ

# œœ 2 2

9

D (9) 9

œ

9 9 9 9

9 9 9

0

#œ #œ œœ œœœ œœ # œœ œ œ œœ 2 œœ œ œ # œ œ œ œ œ œ œ 4

C/EAsus

213

9 9

9 9 9 9

9fr.

2341

7 7 7 7

7 7 7 7

F #m7/B

œ œœ œœœ # œœ 2 2 2

0

Jericho - 4 - 1

0 2

œ

0 0 2

œ œœ 5 œœ L œœœ œ 4 œ #œ 0

0

2 2 2

4 4

∑

L 22 0

œ

2

œ œ 2

0

0

j œ œ 2

0

j 4 œ 4

∑

Ó

Œ

‰ œJ

1. I’ll

œ

œ

œ

œ

œ

œ

œ

œ

0

0

0

0

0

0

0

0

2

© 1974 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

271

Verses 1, 2, & 4: C

Em7/A 12fr.

Dm7/G

7fr.

5fr.

œ œ œ œ & .. œ œ œ œ œ œ ˙ 1111

13

111111

try to keep my - self 2.4. See additional lyrics

o - pen up

to you.

Am7

Dm7/G

œ

œ

that I made

to

love

111111

That’s a prom-ise

N.C.

œ œ œ

œ œ œ œ

‰

Cont. fingerpicking simile

˙

Fmaj9

5fr.

j œ œ œ œ ‰ œ & 16

œ œ

111111

when it was

new.

œ œ œ

“Just like

Bm7/E

Jer - i - cho,”

œ

I

said,

œ œ bœ œ œ œ. œ œ œ

‰ œ œ

œ

234

3

“let these

walls

Em7/A

. & ˙

œ œ œ

œ J

‰

111111

111111

I

come

tum-bling down.”

Cm7/F

7fr.

19

œ

2341

said it

like

œ

œ

œ

I

fi

-

œ

œ

n’lly

œ

11 111

found

bœ œ ˙. the

way

To Coda fi

Dm7/G

& ‰ 22

œ œ œ œ bœ

œ

œ. bœ

to

feel

-

keep

the good

5fr.

3 œ œ œ œ œ œ ‰ Jœ œ œ œ œ œ

œ œ œ œ

111111

ings

a - live.

I

said it like

it

was some - thing

to strive for.

68

1. A 9fr.

6 &8 25

∑

1111

# œœ œ 6 & 8 #œ

œ

9 9 9 9

10

Rhy. Fig. 1

T A B

Jericho - 4 - 2

œ 9

∑ œœ œœ

œ

9 9 9 9

10

œ 9

# œœ # œœ

œ

9 9 9 9

10

œ 9

œœ œœ

œ

9 9 9 9

10

œ 9

3 4 Œ

Œ

œ

œ #œ

43

9

‰

œ 4. J 4.

2. I’ll

9

9

44 ..

end Rhy. Fig. 1

œ 0

œ 0

..

272 2.

A 9fr.

& 68 28

1111

# œœ œ 6 & 8 #œ

œ

9 9 9 9

10

T A B

œ

∑

9

œœ œœ

œ

9 9 9 9

10

œ 9

# œœ # œœ

œ

9 9 9 9

10

∑

œ 9

œœ œœ

œ

9 9 9 9

10

43

œ

34 œ

9

9

44

∑ œ #œ 9

œ

9

0

œ

œ

0

0

44

Verse 3: B b(9)

Em7/A

7fr.

3 œ & 44 œ œ œ 31

œ

2341

Any-one will tell

A7

Em7/A 9fr.

&   34

1111

 

just how hard

Em7/A 9fr.

∑ 

111111

1111

œ

111111

&

-

œ J

œ œ œ œJ œ

it is

to make and

œ œ œ

 

111111

œ

111111

keep

œ œ ˙ a

friend.

Fmaj9

7fr. 2341

œ

May - be they’ll short

Bm7/E 37

‰ œ œ

Œ

you

A7

7fr.

œ

œ

3

7fr.

œ

œ

sell

œ œ œ

‰

you, or

Em7/A

œ œ œ œ. œ

œ J

‰

may-be it’s you,

Ju -

Cm7/F

7fr.

œ œ œ œ œ. ‰ œ œ œ œ œ œ œ œ œ bœ 111111

3

das, in the end,

when you just can no long - er pre - tend

œ

11 111

bœ

œ nœ œ œ œ bœ œ

that you’re get - ting what you need

Dm7/G 5fr.

& œ. 40

œ bœ

œ

œ

3

œ

œ

œ

111111

‰

œ œ œ œ œ

œ œ œ .

œ

or you’re giv - ing

an - y - thing

for

out

w/Rhy. Fig. 1 A 9fr.

œ. œ œ. œ œ & 42

them

Jericho - 4 - 3

to grow and feed

œ œ œ

on.

6 ˙. 8

1111

∑

3 4 Œ

D.S. % al Coda

Œ

‰ œJ 44 4. I’ll

273

fi Coda

Em7/A 7fr.

& 44 Π46

‰ œJ ˙

111111

œ œ ˙

œ.

ken - nelled

œ œ

in

œ ˙.

me.

A

Fmaj9

68

Œ

˙. Bm7/E

9fr.

# œœ œ œ œœ œ œ # œœ œ œ œœ œ œ œ œ œœ œœ œœ œœ 6 3 # # #œ &8 4 1111

44 œ œ œœ œœ œœ # œœ œœ œœ œ 2341

50

9 9 9 9

T A B

10

9

B b(9)

9 9 9 9

9 9 9 9

10

2341

& œœœ œœœ bœ œ 7 8 8 8

9

9 9 9 9

10

œ 0

7 7 7 7

7 7 7 7

9

9

9

œ

0 0

7

7

7

œœœ œ

œœœ œ

9 10 10 10

9 10 10 10

0

# œœ œœ 2 2 2 2

2 2 2 2

œ œ # œœ œ #œ #œ œ œœ 6 œ œœ # œœ œ œœ œœ œ œœ # œœ œ œœ œœ # œœ œœ 8 # œ œ 1111

9 9

9 9 9

9 9

9 9

9 9

9 9

9 9

9 9

9 9

9 9

9 9

9 9

9 9

# œœ œ #œ #œ #œ #œ œ œ œ œ œ # œœ œ œœ œœ œ œœ # œœ œ œœ œœ œ œœ # œœ œ œœ œœ œ œœ # œœ œ œœ œœ œJ œœ & rit. to the end

9 9

9 9

9 9

9 9

9 9

9 9

9 9

9 9

9 9

9 9

9 9

9 9

9 9

9 9

9 9

9 9

9 9

9 9

9 9

9 9

9 9

Verse 2: I’ll try to keep myself open up to you And approve your self-expression I need that too I need your confidence, baby, and the gift of your extra time In turn I’ll give you mine, sweet darling It’s a rich exchange, it seems to me It’s a warm arrangement! (To Verse 3:) Verse 4: I’ll try to keep myself open up to you It gets easier and easier to do Just like Jericho, let these walls come tumbling down now Let them fall right on the ground Let all these dogs go running free The wild and the gentle dogs kennelled in me Jericho - 4 - 4

0

0

9fr.

58

T A B

œ œ

A

111111

œ

0 0

2

3 3

0

9fr.

œœ œœœ œœ N œ œ œ œ

œœ œœ

111111

9

F #m7/B

C (9)

7fr.

54

7 8 8 8

9

Em7/A

7fr.

T A B

10

œ

111111

9 9

9 9

9 9

9 9

9 9

9 9

9 9

œœ ..

9 9

274

PAPRIKA PLAINS

Standard tuning Piano arranged for guitar

Words and Music by JONI MITCHELL

Freely, in a moderate tempo

& 44 ˙˙w P

T A B

0

F #(# 5# 9)

T A B

9

3 3 4

5

5

G sus

1 0 3 0

3

5

0

3

3

1

0

5 3

˙˙ ˙˙

œ œ œ œ

1

3 1 2 3

0

3

C/E

∑

6 6 6

8

0

1

8

3 1

3

3 1

3

3 1 0

2

3

3

3 1

3 1 0 2

3

3

3 1

0

2

3 1

3

2

3

3

2

3 1

1

1

5

3 1 0

3

œ œ œœ œ

œœ œ œ

3 1

3

3 1

Ó

œœ œœ œ œœ œœ œ œ œ 3

3 1

3 1

3

0

Œ œ

œœ œ œœ œœ œ

It

3 1

3

0

2

3 1 0

3

C/E

∑

3 1

0

3

œœ œ 0

3 1

œ œ

5 6 7

5

7

7

Gsus/D

3

3

G sus

∑

3

5

A b/E b

G (4)/B

3 1

3

8

œœ œ œ œ œ œ b œ œœ bœ

∑

3

6

˙œ œ œ œ œœœ œ œ 5

œœ œ œ œœ œœ œ œœ œ œ œœ œ œ œœ œ œ œœ œœ œ œ œ œ œ œ & œ œ œ œ œ T A B

8

œ

Dm

7

C/E

œ œ

G (4)/B

&

1

F (9)

œ œ œ œœ œ & # # ˙˙ 5

F (9)/A

˙˙

0 0 3

B bm9/A b

j ‰w œ œ œ b œ œœœ œ œ b b ww œ œ œ œ œ

Cmaj9(11) Piano (arr. for gtr.)

3

3 1

3 1

2 3

3

Verse 1: 6 C9

14

G (9)

j œj œ œ

& œ. œœ & œœ œ

j œ œ 3

from mid-night

skies;

œ œ œ œ œ œ

hold throughout

T A B

3 3 2 2 3

C (9)/E

3fr.

21134

fell

F (9)

Cmaj7 C2

2

0

2

3

0

œ œ

2

Œ

j œ œ

œ

413

it

311

drummed on

œ œ. œ œ œ œ œ œœ œœ .. œ œ J

3

0 3

Paprika Plains - 7 - 1

Œ

2 4

2

0

3

2

0

3

3 1 4

3 3 5

j œ œ

3214

21 34

œ œ

the gal - va - nized.

œ œœœ 3 1 2 3

œ œ œœ œ 1

3 3 0 2

Œ

˙

œ œ

In the

œœ œœ œ œ œ œ œ œ œ 0

2

0 3

© 1977 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

0

0 3

Am

G(9,11)

B bmaj7/D

Em

E bmaj7

3fr.

18

231

‰

Cont. simile

& œ

œ

3

j œ œ

wash - room,

œ

wom - en

œ œ œ. 21

tracked

œ œ œ œ œ œ œ

˙

the rain

up

Em7

∑

22

&

Ó

& œ

crash

Œ

œ œ œ œ

˙

œ

on

Pine- Sol and

∑

&

j œ

6 F9

∑

Œ

≈

œ œ œ œ œ œ œ œ

Œ

‰.

&

∑

& Ó 3

134

r œ œ œ œ

23 4

∑

Ó

2 1

G 3

‰

Am7

F (9)

Em7

j œ œ

2 1

œ

they would have

23 4

œ œ œ

cleared the

3

œ œ

floor

just to

G (9)

œ œ

œ

in

my

œ

home

watch

˙.

œ œ ˙

œ

14

the

3

come down.

Dmaj7

Ó

2 4

& ˙

1 32 4

& œ.

geared

Œ

œ

#œ

They’re such

B bmaj7 48

Ó

3

Cmaj7

œ

1324

sky

3fr.

j #œ œ œ œ.

to chang-ing

Paprika Plains - 7 - 2

3

j œ œ.

peo - ple, 6 F9

G (4)/B

14

weath - er.

j œ œ.

1324

o - ri - ent - ed

Gsus

j œ œj œ .

˙

town,

Ó

Œ

œ œ œ

rain

5fr.

44

œ œ œ œ

Gsus

3214

œ

here.

j œ œ. œ œ.

3214

Cont. simile

Back Am7

in

F (9)/A

air. G

40

∑

Ó

fling

Dsus

Em7

˙

-

I’m go - in’ out - side to get some

C (9) 21 34

14

3 12

I’ve got to get some air.

34

j j œ œ œ.

œ œ J

3

6 G9

14

Gar - de - nia

Gsus

Gsus 3

#œ

7fr.

7fr.

21133

œ

œ

Jun - gle

‰ . œr œ

Ó

3

œ #œ

It’s sti

6 F9

413

3121

21133

413

beer.

G (4)/B 31

Ó

j œ œ.

œ œ bœ

mir - ror.

and G (4)/B

1214

3

‰

grass,

F9/E b

3 1241

the make - up

∑

4311

Bm7/A

134211

Liq - uid soap and

26

to

F

23 4

F13/G

3fr.

31114

23

275

Π3

œ

I’m

413

œ

˙

7fr.

œ œ œ œ œ œ œ

float - ing

21133

off

in

time.

276 Gsus 52

3

Ó

Œ

14

& ˙.

Œ

I’m

float - ing

I’m

float - ing

Ó

j œ œ œ œ œ

Œ

œ

tall

Œ

œ

and

Am

œ œ œ œ œ œ

3214

œ

wide - eyed, o

Em7

G

j œ œ

& œj œ 231

tas - selled

teams

3

œ

œ

they

-

pen to

to

23 4

œ œ œ

all

œ

œ

j œ œ.

in their bead - ed

I would

& œ œ œ œ œj ‰ Œ

Ó

Œ

Œ

F (9)/A

413

œ

I’d

œ

beat

œ

I would beat

G (4)/B

& Ó

413

œ œ

beat the drum like war.

76

tie

3214

œ

the

œ

j œ œ. I’d

3

beat

Store,

To Coda fi

œ

œ.

col - ored

œ

the

drum

like

3

war.

324

21 34

j œ œ.

like

Ó

œ œ œ.

C (9)

drum

and I’d

14

F6

œ

j œ œ

Gsus

j œ œ œ œ.

the

‰

œ

feath - ers,

3214

14

œ

Ó

b˙

3 1241

F (9)/A

Gsus

drum,

j œ

on

G (4)/B

21

with their

F13/G

œ #œ

œ œ

leath-ers.

3

œ

Gen - ’ral

3121

D7sus/G

3 14 1

œ

˙.

œ œ

all,

1231

Mc - Gee’s

Œ

it

31114

Bm7/A

3214

3

˙

F13/E b

œ œ ˙

F (9)/A

E b6/G 72

œ

Œ

2 1

B bmaj7/D

23 4

œ

came

Em7

& Ó

time.

C/E

3fr.

68

in

Œ

F (9)

I was three feet 3. See additional lyrics

64

off

2. When

C9

& œ.

œ œ. œ œ œ œ

œ

∑

2 & 3: % Verses 6 21134

off,

∑

& w

231 4

j œ œ œ œ.

œ

œ

C (9)/G 7fr.

21133

413

56

60

6 F9

G (4)/B

Ó

˙

war.

Em 80

&

∑

∑

∑

Œ

23

‰.

r œ œ

But when Paprika Plains - 7 - 3

œ

œ

œ

the church got

277 F 84

&

G

Œ

134211

œ

Ó

3

Am7

Ó

G

2 1

Am7

G

‰ œj œ œ œ œ œ

Œ

3

F (9)/A

Em7

2 1

through

23 4

they

œ œ

3214

trad - ed their beads

3

for bot - tles

6 C9

œ œ œ œ œ & œ œ

Œ

88

-

œ œ

œ

Œ

œ

smashed on

Rail -

Bm7/A

∑

21134

Ó

Œ

3121

3

œ

way Av - e - nue.

œ

œ

And they

cut

˙

3

œ #œ

off their

braids

F13/G

Œ

92

& œ

413

& œ

100

&

œ œ œ œ œ œ œ

C/E

F

2 1

float - ing

105

œœ & w T A B

5 3

to

dreams.

∑

œœ œ œ œ 5 3

Paprika Plains - 7 - 4

with

œ

˙

3

Œ

Ó

Œ

14

˙.

Œ

œ

3

na - ture.

I’m

F (9)/A

G (4)/B

Œ

413

3214

j œ œ œ œ.

œ

œ

I’m

∑

w

float - ing

off,

I’m

3 1

∑

∑

dreams.

D m11

0

some link

231 4

in - to my

0

œ bœ

Ó

Ó

3

C (9)/G

œ œ œ

Dm

&

-

3211

œ

3

Gsus

3214

in

œ

lost

F (9)/A

float - ing

œ

˙

œ

and

G (4)/B 96

Œ

3 1241

Dm

D m11

∑

Dm

œœ œ

œœ w

œœ œ œ œ

œœ œ

3 1

5 3

5 3

5 3

3

0

0

3 1

0

D m11

∑

œœ w

œœ œ œ œ

œœ œ

3 1

5 3

5 3

0

0

3 1

3

Ó

Œ

œœ w

œœ œ ˙ ˙

3 1

5 3

0

0

1 1

œ I

278

Eb 109

œ ˙ œ œ

& œ

Pa - pri - ka

w & ww T A B

œ

Plains,

œ

21 34

œ

œ

vast

and

∑

œ.

œ

bleak

and

God

∑

j œ

-

j œ œ.

for - sak - en.

˙

∑

0

Eb

C/D 5fr.

& Π113

Œ

43121

3

dreamed

C (9) 3fr.

1111

œ œ œ ˙

43121

œ

3

Pa -pri - ka Plains,

D.S. % al Coda

3fr.

Œ

œ

œ

and

œ

a

F9/E b

Ó

& ˙

Ó

As I’m

& Ó

‰

j œ œ 413

œ.

I’m

com - in’

snak - ing.

3214

com - in’

through the

Gsus

j j œ œ œ.

3214

back,

3

I’m

Gsus

j œ œ œ œ œ œ

j œ œ 413

F (9)/A

G (4)/B 122

Œ œ œ 3

∑

˙

F (9)/A

G (4)/B

1214

j œ œ.

œ

tur - quoise ri - ver

fi Coda 118

œ

œ

Orchestra instrumental section

j œ œ

j œ œ

3211

com - in’

∑

&

∑

Œ

23 4

back

& Ó 130 3

Am7 2 1

G 3

‰

Am7

for

more.

j œ œ

2 1

You

see

œ

that

j œ œ

j œ œ

23 4

3214

mir - rored

ball

‰.

j œ

r œ œ.

& w Paprika Plains - 7 - 5

43 œ

œ and

œ

spin,

44 w

21134

Œ

Ó

3214

œ

plugs

œ

in

˙.

a - gain.

G

œ

œ

be - gin

3

j œ ‰

to

6 C9 133

œ

F (9)/A

F (9)/A

Em7

21 34

œ œ

The band G

Ó

œ

C (9)

F

14

Œ

14

door

Em7 126

3

œ œ

œ œ

sput - ter

lights

Œ

Bm7/A

∑

Ó

3121

‰

j œ œ œ

diz - zy on

279

B bmaj7/D

N.C.

6 F9

3fr.

& # œj œ

j œ ˙

138

the

danc

-

Ó

31114

˙

ers

œ

3

œ

geared

to

chang

∑

&

Ó

Œ

413

œ

œ

No

& Ó

Œ

146

413

œ

j œ œ œ œ.

float - ing

I’m

C (9)/G

3214

œ

back,

I’m

œ

3214

œ

mat - ter

F (9)/A

G (4)/B

˙ -

what

Gsus

F

3

3211

14

œ

float - ing

3

œ

ing

˙

˙

rhy - thms.

Gsus

j œ œ.

3

you

14

œ

do,

œ

˙.

2 4 œ bœ œ ˙

œ œ œ

œ

21133

F (9)/A

G (4)/B 142

œ

3

7fr.

back

to

44

you

œœ 4 &4 œ œ

œœ œ œ

œœ œ œ

œœ œ œ

œœ œ œ

œœ œ œ

œœ œ œ

œœ œ œ

œœ œ œ

œœ œ œ

œœ œ œ

œœ œ œ

œœ œ œ

œœ œ œ

˙˙ ˙ ˙

3 3

3 3

3 3

3 3

3 3

3 3

3 3

3 3

3 3

3 3

3 3

3 3

3 3

3 3

3 3

2

2

2

2

2

2

2

2

2

2

2

2

2

2

2

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

˙˙ ˙˙

œœœ œ

˙˙ ˙˙

3 3 0 2

3 3 5 3

150

T A B

œœ œ & œ 154

œœ œœ

œœ œœ

œœ œœ

œœ œœ

3 3 2 3

3 3 2 3

3 3 2 3

3 3 2 3

6 G (4) F 9

3 0 5 5

T A B

œœœ œ

Œ

3 3 5 3

C (9)/E

3

F 69 C (9)/E

G5

ww ˙

3

3 3 0 2

3

œ œ œ œ

ww ˙

3

3

3

œ œ œ œ

3

3

3 0 3

3

3

3

3

3

3

3

Sax Solo: G (4) F 69/G F/G Cont. rhy. simile

& .. œœœ œ

˙˙ ˙ ˙

œ œ

T A B

3 5 5

3 2 3

3

3

3

3

158

..

3

Paprika Plains - 7 - 6

G

œ

3

2

F 69/G C/G

G5

œ

˙˙ ˙˙

œœ œ œ

˙˙ ˙ ˙

˙˙ ˙

1

0 0 0

3 2 3

1 0 2

0 0

3

3

3

3

3

Repeat ad lib. 3

œ 3

œ 3

œ 3

3

3

œœ

œœ

œœ

œœ œœ

œœ

0

0

0

0

0

0

3

3

3

3

3

3

.. ..

280 G (4) F 69/G

F/G

œ ˙ & œœ ˙˙ œ ˙

3

162

T A B

3 5 5

3 2 3

3

3

3

3

œ œ

˙˙ ˙ ˙

œœ œ œ

˙˙ ˙ ˙

1

0 0 0

3 2 3

1 0 2

3

3

3

3

œ œ

F 69/G C/G

G

2

G5

G (9/11)

˙ ˙

œœœ œ œ

œœœ œ œ

œœœ œ œ

œœœ œ œ

œœœ œ œ

œœœ œ œ

œœœ œ œ

œœœ œ œ

œœœ œ œ

5 3

3 5 7 5 3

3 5 7 5 3

3 5 7 5 3

3 5 7 5 3

3 5 7 5 3

3 5 7 5 3

3 5 7 5 3

3 5 7 5 3

3 5 7 5 3

3

3

3

3

C (9)

& œœœœ œ

œœœ œœ

œœœ œœ

œœœ œœ

œœœ œœ

œœœ œœ

œœœ œœ

œœœ œœ

œœœ œœ

œœœ œœ

œœœ œœ

œœœ œœ

œœœ œœ

œœœ œœ

œœœ œœ

œœœ œœ œ

T A B

3 5 7 5 3

3 5 7 5 3

3 5 7 5 3

3 5 7 5 3

3 5 7 5 3

3 5 7 5 3

3 5 7 5 3

3 5 7 5 3

3 5 7 5 3

3 5 7 5 3

3 5 7 5 3

3 5 7 5 3

3 5 7 5 3

3 5 7 5 3

3 5 7 5 3

166

3 5 7 5 3

˙. & Ó 169

T A B

3

˙˙

0 0 3

3

œ

w ˙.

3

1 2

œ 2

3

# w˙ . 4

3

C 69

œ 2

#˙ 4

˙ 3

Verse 3: The rain retreats like troops to fall on other fields and streets Meanwhile they’re sweet-talkin’ and name-callin’ And brawlin’ on the fringes of the floor I spot you through the smoke With your eyes on fire from J&B and Coke As I’m comin’ through the door I’m comin’ back, I’m comin’ back for more The band plugs in again You see that mirrored ball begin to sputter lights and spin Dizzy on the dancers geared to changing rhythms No matter what you do I’m floating back, I’m floating back to you

Paprika Plains - 7 - 7

3

ww ww w 3 3 2 2

3

œ 0

3

281

OTIS AND MARLENA

Guitar tuning: B≤-7-7-5-4-3

➅ = Bb ➂ = F ➄=F ➁=A ➃=C ➀=C

Words and Music by JONI MITCHELL

Moderately Π= 117 E b(2)

(Bb)

b & b 44 Πb & b 44 T A B

0

% Verse: E b(2)

œ œ

0

œ œ œœ 5

rhy. simile b . Cont. œ. Œ œ b & .J

3 1

111111

That girl

b & b œJ

111111

œ

b . &b œ 2 1

5fr.

stained

0

Ó

Grants,

5fr.

œ ˙ J

œ œ J

pink ro

œ œ -

sé.

˙

3 1

5

5 5 5

5 5 5

5

5 5 5

5

5

7

drained,

sky,

it’s

red

B b(2)

B b/E b

Ó

111111

2 1

œ J

Œ

œ

113121

as

œ œ œ

113121

O - tis,

œ J

2 1

-

er from the dawn’s

ad -

5fr.

œ œ œ œ J

œ

œ J

111111

113121

ne - on

mer

-

cu - ry

F (9)

F

F

5fr.

E b(2)

5fr.

0

œ œ œ œ œ.

B b/E b E b(2) 111111

0

Bb

5fr.

and the

5fr.

5

B b/E b E b(2)

œ ‰ J œ

˙

113121

113121

Mi - am - i

5

6 5 7

she’s un - der - cov

œ œ œ œ œ œ œ œ œ œ œ J 111111

5

6 5 7

œ œ œ œ

2 1

5fr.

F7sus

Otis and Marlena - 3 - 1

0

E b(2)

trav - el

B b(2) 17

7

B b/E b E b(2)

œ œ. J

va - por

5

5

œ œ ˙

œ œ J

is

5fr.

113121

5

5

7

5 6 5

8fr.

5fr.

œ

Œ

F

Fos - ter

2 1

Ó

111111

œ œ œ œœœ œœœ œ œœœ œœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ◊ ◊ 5

113121

B b/E b

B b/E b E b(2) 13

5

Bb

vance.

5fr.

7

œ

œ œ

œ œ œ ‰ J

b &b ˙ 9

5 6

∑

113121

5fr.

le - na un - der 2.3. See additional lyrics

F7sus

œ

(Bb)

5fr.

1. Mar -

E b(2)

(Bb)

113121

œœ

B b/E b

5fr.

∑ œ

6 5 7

5

5

5fr.

5

∑

113121

œ œ ◊ P

E b(2)

(Bb)

5fr.

in

œ œ œ. J J

‰ œj œ œ

Ó

32

meat.

It’s a cheap

B b/E b E b(2)

5fr.

5fr.

œ the

œ

111111

driv

5fr.

113121

-

œ œ ˙ er’s

seat,

© 1977 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

282

B b/E b E b(2) 5fr.

b &b ‰ 21

111111

œ

113121

watch - es

B b/E b

b &b Œ

Dm7

5fr.

œ

34

on

œ

freck - led hands

are

113121

œ ˙ J

34

yards.

sun

C

Œ

113121

cards.

‰ œj

œ

œ.

˙

&b

b

œ

œ J

Mus - lims

T A B

0

0

0

0

0

0

0

&b &b T A B

b b

œ.

0

(Bb) 41

œ œ. J

∑ œ 5

œ

œ

œœ

œ

œ

œ.

nœ J

stick up

Wash - ing

5

Otis and Marlena - 3 - 2

j j œ œ œ 0

0

-

Œ

j œ ˙

0

2.

0

w

ton. E b(2)

5fr.

œ œ ◊

0

œ œœ œ

0

œ œ

0

5

5

5

6 5 7

5

œ œ ◊

7 0

0

..

œ

œ

w

5

7

∑

œ œ œ œ œ œ œ œ œ œ œ œ

w

0

0

0

0

0

0

0

0

0

0

0

0

0

œœ

œ

5 6

F

.. œ œ ˙ . .. Ó

œ J

and

Wash-ing - ton.

5 6 7

0

œ.

3 1

fun

113121

œ œ œ œ œ œ œ œ

F7sus

2 1

for

chairs;

1.

(Bb) 37

fold - ing

œ

They’ve come

N.C.

11111

while

air,

œ œ ˙

Bb

7fr.

œ J ˙

shuf - fling

œ

F

F (2)

113121

nœ

œ J

‰

2 1

œ J œ.

green sea

Slip - pers are shuf-fling in - to

7fr.

b . &b ˙

in

‰ œJ œ œ œ œ œ œ

5fr.

œ

œ J

F

œ

œ

Dm7

113121

111111

To Coda fi

œ J

5fr.

5fr.

œ œ œ

œ œ œ œ œ.

lou-vered blocks

B b/E b E b(2)

5fr.

Bb 33

113121

œ œ ˙

fos - sil

E b(2)

111111

111111

œ

œ J

111111

in fluo - res - cent

5fr.

29

œ

113121

B b/E b

œ J

5fr.

œ œ œ

111111

E b(2)

5fr.

B b/E b E b(2)

5fr.

b &b Œ

B b/E b

the street lights fade a - way

E b(2)

5fr.

25

œ œ œ J J

5fr.

5

283

D.S. % al Coda

(Bb)

&b 45

&b

b b

(Bb)

∑ Œ

˙

∑ œ œ ◊

T A B

0

œ

0

5

œ

œ 5

5

œœ œ 6 5 7

Ó œ

œ

œœ

œ

5 6 5

7

5

fi Coda C

&

bb n œ

11111

Mus

-

œ

œ

œ

lims

hold

up

nœ J

œ

Wash - ing

-

œ J

˙

ton.

Verse 2: Otis empties out the trunk On the steps of that celebrated dump Sleazing by the sea Bow down to her royal travesty In her ballrooms, heads of state In her bedrooms, rented girls Always the grand parades of cellulite Jiggling to her golden pools Through flock and cupid colonnades They jiggle into surgery Hopefully beneath the blade They dream of golden beauty They’ve come for fun and sun While Muslims stick up Washington Verse 3: Marlena, white as stretcher sheet Watches it all from her 10th floor balcony Like it’s her opera box All those Pagliacci summer frocks Otis is fiddling with the TV dial All he gets are cartoons and reruns She taps her glass with an emery file Watching three rings in the sun The golden dive, the fatted flake And sizzle in their mink oil It’s all a dream She has awake Checked into Miami Royal Where they’ve come for fun and sun While Muslims hold up Washington

Otis and Marlena - 3 - 3

5

œ

œ

œœ

3. Mar

œ

œ

5 6 7

5

F 7fr.

48

œ

œ

Œ

U w

5

-

œ œ ◊

7 0

0

284

DON JUAN’S RECKLESS DAUGHTER

Guitar tuning: C-7-7-3-7-4

➅=C ➂=F ➄=G ➁=C ➃=D ➀=E

Words and Music by JONI MITCHELL

Moderately fast Π= 163 Intro:

F (9)

F2

5fr.

& 44 œœ œ F

œœ œ

œœ œ

œœ œ

5 5 5

5 5 5

5 5 5

5 5 5

234

T A B

5fr.

œœ œ

5 5 5

5 5 5

5 5 5

234

œ

4 5 5 5

0

4 5 5 5

0

234

5

œ

Cont. rhy. simile

œ

œ

1. I’m Don Juan’s 2.–5. See additional lyrics A

œ

œœ œ

œœ œ

5 5 5

5 5 5

œ

œ

reck - less

Œ

¿¿ ¿

¿¿ ¿

œ œ œ

& œ 234

-

œ

œ

5

Ó

œ J

‰ # œJ œ œ

ter.

I

œ œ œ

111111

came out

œ

2341

9fr.

and

sub - tle plains

Don Juan’s Reckless Daughter - 4 - 1

of

in

œ

234

œ œ œ

mys - ter - y,

234

œ J

113411

No - vem

5 5 5

5 5 5

j œœœ œœœ œœœ ... œ œ œ. 4 5 5 5

4 5 5 5

œ

#œ J

œ

œ J

œ

œ

on

your

-

œ ber

œ

be - fore

the

F (9)

œ #œ tail,

œ

œ

first snow C2

4fr.

∑

234

B b2

A2

œ J

œœ œ

two days

œ

5fr.

∑

234

œ

F2 4fr.

7fr.

œ œ œ œ œ

œœ œ

2341

9fr.

F (9) 5fr.

G2

vast

0

5 5 5

4fr.

7fr.

F2

2341

F (9)

.. œ œ œ ..

œ

5

A (9,11)

œ œ. J

flakes sail

& œ

4 5 5 5

those two bald - head-ed days 4fr.

0

G

œ

Ó

5fr.

234

4 5 5 5

113411

daugh

111111

F (9)

F2

16

œ œ œ œœ œœ œœ œ œ œ œ

œ

œ

4 5 5 5

234

7fr.

‰

œ œœ œ

2.

G (9,11)

9fr.

œ œœ œ

4 5 5 5

9fr.

& .. ‰ # Jœ

12

¿¿ ¿

¿¿ ¿

A

111111

& œJ

œ œœ œ

¿¿ ¿

5fr.

9fr.

113411

5

5 5 5

¿¿ ¿

F2

A (9,11)

9

œ

œ œ œ

2341

5fr.

Verse:

6

4fr.

F2

œ œœ œœ œ œ œ œ

& œœ œ

2341

T A B

œ œœ œ

2341

4fr.

234

5fr.

1.

F (9)

F2

F (9)

F2 4fr.

Ó

2341

‰

œ œ œ J

Out

on

the

C (9) 10fr.

‰ œj œ

213

a

œ

œ J œ

split - tongued spir - it

œ J

talks,

œ

‰ œJ œ . no

© 1976 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

-

œ J

ble

285 G (9,11)

C (9)

G

7fr.

œ œ œ œ œ œ. & J 20

111111

a

nick - el

œ œ œ œ

Ó

113411

as

chief

strik - ing up

G (9,11)

& Œ

“Snakes

feath - ers and

un - der the

œ

“Big

bird

drag-ging its

-

œ

œ œ -

He says,

C (9,11)

ons

on

Ó

∑

scales…

G

j œ œ.

7fr.

˙

Œ

111111

ly plates…” He says,

œ œ

“Wind

in

j ‰ œ œ

˙

113411

the Wings…”

He says,

C (9)

œ œ œ œ œ

C (9,11)

tail

in

the

F (9)

œ

œ

Œ

2341

dust…

Snake

j ! ! ! ! ! ! ∑

5fr.

‰

Œ

234

!

œ œ œ œ

Ó

kite

fly - ing on

F (9)

F2 4fr.

2341

œ œ J

213

F (9)

234

4fr.

œ.

Œ

113411

F2

5fr.

F (9)

F2 4fr.

2341

!

5fr.

! ! ∑

Œ

a

4fr.

j ! ! ! ! ! ! ∑

234

2341

‰

string.”

4.

F (9)

F2 5fr.

ers,

trails.”

7fr.

113411

bel

œ œ œ œ

F2

&

jet

G (9,11)

5fr.

œ.

113411

7fr.

111111

234

tal

G

1.–3.

44

‰ œj œ

œ œ. J

bœ œ œ œ

j œ œ.

7fr.

7fr.

& œ

7fr.

213

G

Grav - el

234

says,

C (9)

œ œ œ œ œ œ œ

œ œ œ œ

G (9,11)

40

and he

“Ea-gles in

113411

œ œ œ œ œ œ

& œ

Ó

111111

C (9,11)

7fr.

36

box,

7fr.

“Coils a - round the

& Œ

-

œ

G

tracks.” He says,

G

111111

111111

œ œ œ œ J

rail - road

G (9,11) 32

juke

7fr.

bœ œ J

7fr.

& Ó

old

‰ œj œ

Œ

G (9,11)

113411

a - long the

G (9,11) 28

an

7fr.

‰ bœ œ œ œ œ J

111111

j j œ œ œ.

œ.

213

G

7fr.

24

C (9,11)

7fr.

œ œ œ œ J 2341

you and

F (9)

F2 4fr.

I.

Don Juan’s Reckless Daughter - 4 - 2

5fr.

w

234

2341

F (9)

F2 4fr.

5fr. 234

2341

F (9)

F2 4fr.

5fr.

∑

Œ

234

4fr.

‰ œJ œ œ œ 2341

Ea - gles

in

the

..

286 C (9)

C (9,11) C (9)

C (9,11)

F (9)

F2 5fr.

œ œ œ œ

œ & J œ. 48

213

sky,

5fr. 234

∑

F (9) 5fr.

2341

you

5fr.

œ œ J .

2341

œ

F (9)

F2 4fr.

œ

234

in the grass,

and

234

C (9)

2341

∑

∑

213

F (9)

F2

∑

5fr.

∑

234

œ J

‰

2341

C (9)

F (9) 5fr.

œ œ. & J 234

Outro: F2

œ œ œ

234

! & .. Π68

œ œ œ

œ œ

you and I,

F (9)

! ! ! ¿ ¿ œ œ œ œ œ œ

1.–4.

C (9)

j . 72 ! ! ! ! ! ! Ó & ˙

234

˙

‰ œ (By

F (9) 5fr.

2341

œ œ

you and I.

F2 4fr.

*You and I, you and I, *Begin lyric on 2nd repeat.

213

you and I.

˙.

F (9)

F2 4fr.

w

2341

5fr.

4fr.

234

2341

hoh,

C (9)

C (9,11)

213

and I,

5fr. 234

fly,

C (9,11)

4fr.

2341

you

œ œ œ œ œ Ó

œ J

F (9)

F2 4fr.

Oh, F2

63

œ œ J

Ó

Crawl and

C (9,11)

œ J

C (9,11)

213

5fr.

&

œ.

Ó

2341

4fr.

I.

C (9) 58

∑

234

Snakes

F2 4fr.

& œ œ œ œ ˙ 53

Ó

213

you and I.

F (9)

F2

˙

4fr.

¿ ! ! ! ! ! œ œ œ œ œ œ œ œ

C (9,11)

you and I.

C (9)

234

œ

! ! œ œ. J

! ! ¿ ¿ ˙

Oh,

234

! ˙ You

C (9,11)

!!!! ! !! !! ! !!!! ! !!!! ! ∑ ∑ ∑ & 77

Don Juan’s Reckless Daughter - 4 - 3

)

F (9) 5fr.

j j j j j ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !. ∑ ∑ ∑ 213

light.

F2 4fr.

2341

œ œ ˙.

œ

ear - ly

F (9) 5fr.

2341

you and I

˙

213

the dawn’s

F2 4fr.

œ J

4fr. 2341

¿ ! ! ! ! œ œ œ J J and

I.

5.

C (9)

j ! ! ! ! !. .. ∑ 213

!rit.! ! ! ! ! ! ! ! ! ! ! ! ! ! ∑ ∑

O. ∑

287 Verse 2: I come from open prairie Given some wisdom and a lot of jive Last night the ghost of my old ideals Reran on channel five And it howled so spooky for its eagle soul I nearly broke down and cried But the split-tongued spirit laughed at me He said, “Your serpent cannot be denied” Our serpents love the whiskey bars They love the romance of the crime But didn’t I see a neon sign Fester on your hotel blind And a country road come off the wall And swoop down on the crowd at the bar And put me at the top of your danger list Just for being so much like you are Verse 3: You’re a coward against the altitude You’re a coward against the flesh Coward—caught between yes and no Reckless this time on the line for yes, yes, yes! Reckless brazen in the play Of your changing traffic lights Coward—slinking down the hall To another restless night As we centre behind the eight ball As we rock between the sheets As we siphon the colored language Off the farms and the streets Here in Good-Old-God-Save-America The home of the brave and the free We are all hopelessly oppressed cowards Of some duality Of restless multiplicity (Oh say can you see) Verse 4: Restless for streets and honky-tonks Restless for home and routine Restless for country, safety and her Restless for the likes of reckless me Restless sweeps like fire and rain Over virgin wilderness It prowls like hookers and thieves Through bolt-locked tenements Behind my bolt-locked door The eagle and the serpent are at war in me The serpent fighting for blind desire The eagle for clarity What strange prizes these battles bring These hectic joys—these weary blues Puffed up and strutting when I think I win Down and shaken when I think I lose Verse 5: There are rivets up here in this eagle There are boxcars down there on your snake And we are twins of spirit No matter which route home we take Or what we forsake We’re going to come up to the eyes of clarity And we’ll go down to the beads of guile There is danger and education In living out such a reckless life style I touched you on the central plains It was plane to train, my twin It was just plane shadow to train shadow But to me it was skin to skin The spirit talks in spectrums He talks mother earth to father sky Self-indulgence to self-denial Man to woman Scales to feathers You and I Don Juan’s Reckless Daughter - 4 - 4

288

DREAMLAND a capella

Words and Music by JONI MITCHELL

&C

œ

œ J

It’s

a

œ

œ

œ

œ

œ œ œ

long,

long

way

from

Can - a - da,

œ

œ œ œJ œ .

œ œ œ œ

&˙ 4

chains.

Don - key ven - dors

& ˙. 8

œ

dream on,

& œ œ œ œ œJ œ

& Ó

œ J

lay down

œ

Dream - land,

&w 24

‰

œ.

œ.

nut,

no

par

œ J

˙

œ.

some - place

dream

from

ba

œ. shad

-

œ J

-

-

œ J y

œ

con

flour;

œ J

œ. with

Œ

land,

j œ œ.

(Dream on,

the cook’s

œ J

œ.

-

kas

œ J

œ

œ J

dream on,

j œ œ.

dream on.)

to

j œ œ.

dream on,

œ œ œ œ œ œ got

a

car - ni - val song.

œ œ. J

dream - land

dream-land,

j œ œ.

œ

snow

j j . œ œ œ

j œ œ.

œ œ œ œ ‰ œ J J J

œ.

œ œ J J

œ

(Dream on,

œ œ. J

land.

Dreamland - 5 - 1

-

long way

∑

œ J

˙

-

co

Black ba - bies cov - ered in

16

20

˙

œ œ3 œ œ œ œ œ

dream on.)

We’re gon - na

-

œ J

names.

j œ œ.

j & œ œ.

co

‰ œ J a

w

their

12

slic - ing

Œ

œ

com - ing

˙

dream

on.

œ

œ -

Ó

Œ

j œ œ.

(Dream on,

© 1977 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

œ

289

j & œ œ.

j œ œ.

Ó

Ó

28

dream on,)

(Dream on,

œ œ J

& Ó 32

œ J

Wal - ter

œ œ œ

Ra

-

& œJ œ

œ œ œ œ J

&˙

œ J

36

and

claim

40

sun

-

&œ

rong,

tan

& œ

I

œ J

&w

œ J

land

&

65

œ

œ

Mar - y

Dreamland - 5 - 2

œ

œ

and

a

œ

œ J

tion - al

˙

œ

-

land,

j œ œ.

dream on,

for - tune

œ hun

œ J -

œ

a - march-ing

œ œ J

œ J

in

œ.

œ

ter

all

j œ œ

the name

œ

of

the

j œ œ.

Ó

‰ œ like

a

with

œ œ. J

dream - land

œ œ J

Œ

dreamland,

œ J

˙

œ

œ

dressed

up

œ

œ

œ

j œ œ.

dream on.)

œ

j œ œ.

dream on.)

j œ œ

to

on.

-

j œ œ.

‰

œ J

com - ing

(Dream on,

dream on,

sa -

œ œ J

dream

∑ j œ œ.

œ J

Do - ro - thy La - mour

œ J

‰ œ

Œ

œ œ œ œ œ.

œ J

dream on.)

dream on,

the waves

(Dream on,

j œ œ.

j œ œ.

out of

œ.

Ó

me

-

dream on,

œ

sions

œ œ. J

œ œ. J

j œ œ.

(Dream on,

-

a - round

dream

j œ œ.

∑

61

œ œ

œ.

(Dream on,

con - ces

dream on.)

na

j œ œ.

˙

-

&

œ.

œ œ. J

œ œ

(Dream on,

flag

think - ing

come

j œ œ.

œ

œ œ J

bus

‰ œ œ œ œ

œ œ J

œ J

‰ œ

j œ œ.

˙

wrapped that

-

∑

dream on.)

œ œ. J

Co - lum

‰ œ œ J

œ

Dream-land,

56

œ œ

Chris

j œ œ.

dream on,

and all

œ

lay down

Œ

52

Œ

slaves.

œ œ œ œ. J

and

leigh and

j œ

œ

I dreamon.)

dream on,

œ

the beach

‰ œ. œ œ. J

j & œ œ. 44

48

j œ œ.

œ

Good - time

œ

fol - low

œ the

œ drums.

290

œ & œJ

‰ œ œ œ œ

&˙

œ

68

Mar - y

72

3

œ

rose

on

‰ œ J

j & œ œ.

in

76

a

œ

her

big

œ. œ.

œ ‰ œ œ œ & œ J J

Propped up

œ J

& Ó 84

œ

Dream-land,

œ œ J a

œ J

œ.

land,

j œ œ.

(Dream on,

dream on,

œ

˙

ing

on

the

in

œ

œ œ Œ Won - der

˙ -

side

-

beat

œ J

œ with

For

-

œ J

the

dream on,

dream on,

œ

trum-pets

œ œ J J œ

œ J

-

w -

∑

j œ œ.

j œ œ.

(Dream on,

dream on.)

o - ver

˙ -

a

œ œ

glass

j . œ œ

ledge

of

of

œ ˙

Tar dream on.)

j œ œ.

j œ œ.

j œ œ.

(Dream on,

dream on,

dream on,

dream on,

dream on,

dream on,

-

‰ œ.

Œ

burn -

Œ

j œ

‰

things

j œ œ.

Dreamland - 5 - 3

œ. œ.

rum;

j œ œ.

&˙

‰ œ J

j œ œ.

j œ œ.

105

on.

dream

œ

long.

œ œ œ Œ J

ing

œ œ œ œ

˙

œ J

all night

œ œ J

with dream - land com

œ J

‰ œJ œ

œ œ J

heed those

œ œ œ

know

a

(Dream on,

dream on,

œ

with

j œ œ.

œ œ J

œ

tune

j œ œ.

∑

talk - ing

‰

Miss

j œ œ œ œ

j œ œ.

ing,

œ J

œ.

‰ œ

dream-land,

j œ œ.

œ

shin

˙

dream on.)

œ

œ œ J

sam - ba

dream on,

œ

œ J

œ œ œ J J

-

ba - by and the Great White

come.

sin - ners

dream

œ œ œ œ œ

-

all

˙

∑

&œ

saints,

(Dream on,

&

101

œ œ J

j œ œ.

93

&

œ

j œ œ.

&˙

97

gun.

œ

on

hoop,

game

œ

Œ

˙

j œ œ.

89

land

œ J

hu - la

˙

-

œ J

80

˙

œ œ. J

feath - er

˙

All dream on.)

dream on,

j œ œ.

to

‰ œ J

œ. œ.

There’s dream on.)

291 109

&

œ

œ

œ

gam - bling

& œJ œ

as

for

œ &J &

-

œ

œ œ ˙

œ J

-

œ J

back

eign

˙

flag

j œ œ.

(Dream on,

dream on.)

œ in

œ

œ

New

York

3

œ œ œ œ œ œ J tle’s lawn as

Dreamland - 5 - 4

they

œ J

push

the

œ J

œ

j œ œ.

j œ œ.

(Dream on,

dream on,

œ J

œ

of

œ œ

com - ing

on.

œ J

her

œ

the re - cline but - tons down with

Ó

œ œ.

œ

In dream on.)

a

-

in

a

œ

bo - ro

‰

œ J

The

drifts

œ

œ

Œ œ J

foot

la - dy

Marl

dream on.)

œ œ. J

Œ œ J

œ

(Dream on,

-

3

œ.

j œ œ.

œ

Ó

a

j œ œ. Ó œ J

lawn

‰ œj œ œ œ œ

œ

sand,

six

œ œ J

œ

œ

w

dream on.)

Cit - y;

œ œ œ

the

land

(Dream on,

œ

‰

-

j œ œ.

˙ Ó

on

œ

j œ œ.

full of trop - ic

Ó

œ

-

shoes

arm

œ

œ œ œ

˙

œ œ œ J œ

œ œ J

on

j œ œ. œ.

Ó

œ

‰ œJ

dream

œ J

œ

œ

ram - blin’

‰ Œ

Ó

in

œ

with

dream

‰ œ.

‰

œ

mid - night

œ œ J

Ó

win - ter,

œ

tion

land,

œ

œ œ J

Ó

œ œ Œ

to

and

˙ -

dream on.)

˙

-

dream

(Dream on,

hawk howls

144

-

j œ œ.

&˙ 141

ta

temp

j œ œ.

137

Man.

œ œ

dream on.)

fly - ing

133

&œ

œ

to - ward

œ œ. J

œ œ œ œ J

plane

j œ œ

‰

ter - race

(Dream on,

& Ó

œ

the

j œ œ.

125

œ

œ

j œ œ.

&˙

land.

œ J

on

Dream - land,

121

&

œ œ œ

they lean

œ œ J

&˙

129

out

œ œ J

112

116

œ J

œ

dream - land

œ

on

œ œ J

com - ing

œ J

Myr -

œ J

on.

292

&œ

œ J

Œ

148

œ

Dream-land,

&w 152

j œ œ.

& Ó 157

&

œ

La

&œ don

œ

-

(Dream on,

dream on.)

˙

œ

la

la

la

la.

& ˙œ J

Œ

j œ

œ œ.

Ba (Dream on,

Ó

œ.

&

œ œ œ

œ

&œ œ œ the

œ.

&˙ -

and

œ œ. J

œ J

œ J

˙

land

185

land.

‰ œ

j œ œ.

(Dream on,

Dreamland - 5 - 5

dream on.)

Œ

the

œ

Ó

œ

Œ

œ

Ó

œ

wœ J œ.

Da

œ J

j œ œ.

dream on,

dream on,

dream on.)

the Am - a

œ

œ

-

œ œ J Œ

on.

˙

œ œ œ J J

zon

as

œ J

da

œ.

j œ œ.

dream

.. Ó

da da dreamon.)

dream on,

j œ œ.

com - ing

œ

œœ œœ œ J . 3

dream on,

œ œ. J

3

dream on.)

du dream on,

on

dream - land

œ3

ra

œ œ œ œ œ J

sun

j œ œ.

˙œ œ J .

Œ œ œ. œ J

(Dream on,

œ œ J

j œ

le du dream on,

j œ œ.

dream - land,

j œ œ.

la

∑

dream on,

j œ œ œ J œ.

dream on,

œ J

re - cline but - tons down with

181

&˙

œ.

on the trade-winds

œ œ J

177

œ J

-

j œ œ.

dream on,

œ

œ

œ

dream

j œ œ.

œ

œ.

˙ ∑

du. dream on,

∑ œ œ

Af - ri - can sand

œœ J

du

doh. dream on.)

173

œœ. 3

La (Dream on,

‰ œ J

Ó

œ J

Ó

dream on,

Œ œ J

œ

dream - land,

j œ œ.

dream on,

œ

dee.

169

j œ œ.

œ3

˙.

land,

j œ œ.

dream on,

œ J

˙

j œ œ. j œ œ.

(Dream on,

˙

165

dream

land

œ J

œ.

˙

˙

-

161

œ J

they

œ

Dream -land,

œ J

push

œ J

dream-

w -

j œ œ.

(Dream on,

j œ œ.

dream on,

Repeat and fade

j œ œ.

dream on.)

..

293

OFF NIGHT BACKSTREET

Guitar tuning: C-9-3-5-2-3

➅=C ➂=F ➄=A ➁=G ➃=C ➀=C

Words and Music by JONI MITCHELL

Moderately Π= 129 Intro:

& 44 T A B

&

œ

œ F

0 0 0

T A B

0

œ œ œœœ

bœ

nœ œ

0 0 0

% Verse:

8

8

œ bœ œ

0 0 2

2 0 3

0

œœœ

4

œœœ

œœœ

3

œ

0

0

0

œœ j œ bœ œ œ

œ

1/2

0 0 5

5

œ œœœ œœ 0 0 2

2 0 3

0

5

œ bœ œ

œ

0

2

3

j œ

5

0

œ œ œ œœ œ

j œœœ œœ

œœœ œ bœ 1/2

j œœœ

0 0 0

1/2

5

& .. Ó

3

‰

œ œ œ

œ œ œ

œ

1. May- be I’m just 2.3. See additional lyrics B b(9)/F

G (9)/D

5fr.

œ. & œ 111111

˙.

Œ

111111

know.

œ

œ œ œ œ œ œ œ

kid - ding my - self when I

œ œ œ œ J

Lov - ing

œ J

with - out

say

œ œ J

trust - ing,

œ

& ˙.

Œ

15

‰ œj œ œ

Ó

I

0

0

wish

œ œ J

I

œ

Œ

you get

œ

don’t

œ œ J

œ J

‰ Jœ œJ œ

‰

frost - bite

and sun - stroke.

6fr.

œ

felt

œ

Cmaj7/G

œ œ œ

2341

I

œ

Œ

Œ

Œ

2341

noth - ing!

You

pimp,

B b(9)/F

Dm11/A 4fr.

& ‰

0 5

I love you;

7fr.

2341

5

3 2

Fm9/A b

19

5

C5

Cont. simile

11

3

1/2

0 0 0

5

C7sus

8

0 0 2

œ œ œœ œ b œ œ œ œ œ

œ

0 0 0

5

œ bœ œ 0

1/2

0 0 0

0 0 2

0

3 0

œœœ

Csus

5fr.

œ

œ J

laugh - ing

Off Night Backstreet - 3 - 1

œ J

œ

œ J

and strut - ting

111111

œ

her

œ

to

œ my

œ J

œ

char - tered

œ J

seat,

œ

‰

œ J

your

œ old

© 1977 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

œ œ. off

-

294 1.

˙

& œ

œ

&

œœœ œœœ

22

w

w

˙.

Œ

night back - street!

œ

T A B

0

œ bœ œ

0 0 2

2 0 3

œœ œ œ j œ b œ œ œ œj œ œ œœ œœ œ œ œ bœ œ

0

3

1/2

0 0

5

5

0

5

0

& &

œ

T A B

∑

œœœ œ œœœ 0

2 0 3

0

2.3.

0 0 2

0

˙.

& œ 29

back

-

œ bœ œ

œœœ œ bœ

œ

3

0

3 0

∑

26

0 0 2

j œœœ œœ

w

j œ œ

œ J

&

5

5

&

œ œ J

111111

j œ œ. fin

œ J

-

w

œ.

-

..

0

0

˙.

Œ

B b(9)/F

œ

feel - ing

‰ œ œ J

Ó

To Coda fi

œ œ œ ˙ 3

rase.

Off Night Backstreet - 3 - 2

234

˙

œ

lines

you

œ

111111

some

4fr. 2341

4

4fr.

∑

234

face.

4fr.

œ

2341

1.

4fr.

my

Dm/F

7fr.

2341

111111

3

C (9)/G

˙.

œ

Œ œ œ

Œ

2341

7fr.

Œ

5fr.

gers

There are

2341

..

œ

œ

5

w

Fm9/A b

4fr.

43

0

.. œ

1/2

Dm/F

1. I can feel your 2. See additional lyrics

˙.

39

0

0 0 0

4fr.

& Ó

8

œœœ œ bœ

œœ

5

G (9)/D

Cm 231

nœ œ

street.

Bridge: 34

0 0 0

8

1/2

w

bœ

5

0 0 0

5

0 0 0

œ œ œœœ

∑

j œœœ

0 0 0

2

3

1/2

1/2

0 0 0

œ

0 0 2

0

œœœ

 

2341

4fr.

 

234

4fr.

∑ 

2341

4fr.

j œ œ

œ

œ 3

œ J

234

put there and some you

D.S. % 2. 4fr.

 

2341

 

2341

4

4fr.

 

234

e -

D.S. % al Coda 4fr.

∑ 

2341

4fr.

 

2341

295

fi Coda

j & œ œ

œ J

47

-

tub

œ

œ

œ

œ

w

w

drain.

Outro:

& œ

Œ

&

œœœ œœœ

50

T A B

œ

54

& T A B

0

œœœ

œ

2 0 3

0

j œ & œœ œ b œ 57

T A B

1/2

0 0 0

œ bœ œ

0 0 2

2 0 3

0

∑

Ó

œœœ 0 0 2

3

j œœ œ

œ

1/2

0 0 0

5

œ

5

0

5

œ

0

0

œœ œ

œ

1/2

0 0 0

5

œ

5

œ

j œœœ

1/2

1/2

0 0 0

0 0 0

5

œœ œ œ bœ 1/2

0 0 0

5

œ

0 0 2

0

j œœœ œœ

œœœ œ bœ 0 0 0

0

0 0 2

0

5

5

Verse 2: It’s been stinger to stinger, darling It’s been heart to heart You still keep me from finishing Any new love I start Now she’s moved in with you She’s keeping your house neat And your sheets sweet And I’m your off-night backstreet (To Bridge:)

Off Night Backstreet - 3 - 3

1/2

0 0

œ bœ œ 3

∑

œœ œ œ j œ b œ œ œ œj œ œ œœ œœ œ œ œ bœ œ

5

0

∑

3

œœœ œ bœ

1/2

1/2

0 0 0

8

0

œ

œœœ œœ

1/2

0 0 0

1/2

5

j œœ œ

œ

5

Verse 3: I can feel your fingers Feeling my face These are some lines you put there And some you erase Maybe I’m just dramatizing I don’t care It’s home—it can be heaven when we play fair But these sentimental journeys Late at night High in some back room you’re calling me To be your off-night backstreet

bœ 1/2

0 0 0

5

nœ œ

0 0 0 8

5

j œœ œ œœ

bœ

œ œ œ œœ

0 0 0

5

œ

œ

œœœ

5

œœ œ œœ

˙

1/2

0 0 0

5

Bridge 2: You give me such pleasure You bring me such pain Who left her long black hair In our bathtub drain

0

296

Guitar tuning: C-9-3-5-2-3

THE SILKY VEILS OF ARDOR

➅=C ➂=F ➄=A ➁=G ➃=C ➀=C

Words and Music by JONI MITCHELL

Moderately fast Ó = 87 Intro: C5

F

F6 5fr.

œœ &C œ œ œœ œœœ œ œ œ bœ P 0

1

3 2

T A B

2 0

%Verse: 6 B b9

3

2

0

3

0

3

5

0

0

0

0

0

5

5

5

B b6 Fm9/A b

b œ œ3 œ œ w

Cont. fingerpicking simile

& .. Ó

œ œ œœœ œœœ œœœœœœ ˙ œ œ œ œ œ œ œ œ ˙

0

10fr.

7

12

0

0

9fr.

2341

5fr.

1. I am a poor 2.–4. See additional lyrics

0 5

B b6

7fr.

˙

234

0

Ó

2341

& ˙

Ó

Ó

Œ

œ trav

B b(9)/F

œ ˙

A b(9)/F

& ˙

w

lows.

0

w

Cmaj7/G 6fr.

œ œ bœ ˙

bœ œ

˙.

el - ing

w

Œ œ œ œ œ œ œ

2341

through

˙

Ó

‰ œj œ

Œ

œ

I heard there

B b(9)/F

all

these highs

œ œ J

œ œ J

2341

was no

sick

˙

Ó

œ -

w

ness

5fr.

Ó

111111

bœ œ œ œ. J

˙

111111

and no

toil or

˙ dan

w -

ger

4fr.

just

7fr.

œ œ œ œ & 2341

w

cy and plen - ty

The Silky Veils of Ardor - 3 - 1

Ó

Œ ‰ Jœ

œ

œ

where peace - ful

œ J œ

wa - ters

œ J

˙.

2341

flow,

˙.

bœ

Fm9/A b

Dm11/F

-

5

4fr.

111111

and

31

0

Dm11/F

& œJ œ b œJ ˙ 25

0

strang - er,

5fr.

19

5

œ

111111

way - far - ing

2341

-

0

7fr.

234

Fm9/A b

0

C (9)/G

œ œ œ3 œ

Œ

0 5

5

10fr.

7fr.

13

0

0

5

˙

œ where

mer

˙. peace

© 1977 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

-

bœ -

ful

297

To Coda fi

C (9)/G 7fr.

& œ

œ

& œ œ

œ œ œJ œ .

37

111111

œ J

œ.

wa - ters

T A B

7 7 7

w œœ

flow.

& w

T A B

œ

7

7

7

7

7

œ œ

œ

7 7

& œ œ

œ œ

œ

7

7 7

7

œœ

3

0

œ

0 0

2

0

3

7

7

œ œ œ œ œ œ

2 0

7

7

7

7

7

7

&

œ

œ bœ 0

œ

0 5

Ó

œ œ œ œ œ œ 5

0

The Silky Veils of Ardor - 3 - 2

0 5

0

œœ œ

œ

7 7

7

3

5

ww 0 5

7

7

7

0

∑

49

T A B

œ

œ

7 7

7

7 7

7 7

0

0 0

7 7 7 0

7

œ œ œ œ œ œ œ œ

0 5

œ

2. Come

all

.. Ó .. w w ..

5 5

0

5

5

2.

bœ

‰ b Jœ œ

I’d

.. Ó .. ..

0 5

3.

3. If

∑

7

œ œ œ œ œ œ 0

7

7

www w

œ œ œ œ œ œ œ œ

œ œ

œ

1.

&

œœ

w

œœ

œ

œ

7

7

7

w œ

œ œ

œ

7

45

T A B

œ œ

w

7 7

41

& œ œ

œ

7 7

7

7

œ œ

œ

w

ww 0 5

5

0

0

D.S. % al Coda

bœ œ œ 4. I

wish

I

298

fi Coda

w

53

&

w

œœ &

&

œ 7

7

rit.

œ œ

œ

7 7 7

œ

œ

7

7

œ

œ

7

œ

œ

7

œ

œœ

7

Verse 4 I wish I had the wings Of Noah’s pretty little white dove So I could fly this raging river To reach the one I love But I have no wings And the water is so wide We’ll have to row a little harder It’s just in dreams we fly In my dreams we fly!

The Silky Veils of Ardor - 3 - 3

7

∑ œ œ ¿ œ œ 7

7

Verse 2: Come all you fair and tender school girls Be careful, now when you court young men They are like the stars On a summer morning They sparkle up the night And they’re gone again Daybreak, gone again Verse 3 If I’d only seen Through the silky veils of ardor What a killing crime This love can be I would have locked up my heart In a golden sheath of armor And kept its crazy beating Under strictest secrecy High security

œ

œ

œ

œ

7 7

7 7

7

7

œœ

7

7

∑ œ œ

œ 7

7

7

7 7

7

7

œœ

œ

œ

7 7

7

7

7

œœ

w

œ & œ T A B

œ

7 7

T A B

56

œ

œ

œ

w

¿

0 0

œ

7

7

7

7

œœœœ œ 7 7 7 7 7

U ∑ œ 0

U˙ ˙˙˙ ˙ 7 7 7 7 7

300

GOD MUST BE A BOOGIE MAN Guitar tuning: C-7-7-2-3-5

Words and Music by JONI MITCHELL

➅=C ➂=E ➄=G ➁=G ➃=D ➀=C Freely Intro: E b(9)

#4 & 4 T A B

b bn œœœœ b œœ

111111

b˙ F

Œ

3 3 3 3 3 3

3

Verses 1 & 2: 5fr.

# . Ó & . # & .. ..

T A B

œ

j œ

œn œœœ

˙

7 5 5 5

œ œœœ Œ 5 5 5 5

0

3

œ œ œ 3

˙

one’s in the

˙˙˙ ˙

œœ œœœ Œ œ œ

7fr.

Ó

111

œ œ œ œ œ ˙ 3

mid - dle un

-

moved,

˙

7 7 7 7

7

7 7 7 7 7 7

3

˙

˙

˙

2

2

sees

to the

j œ œ

oth - er

j œ œ

Ó

Œ

Œ

two,

˙

0

2

j bœ œ

tack - ing,

j nœ ˙ so

God Must Be a Boogie Man - 4 - 1

3

œ œ œ

0

111111

œ bœ

the

œœ œœ œœ

˙˙ ˙˙ ˙˙

9 7 7 7 7 7

9 7 7 7 7 7

to

3

Gm9 3fr. 31

˙

one

œ.

j œ

at -

B b6/E b

3fr.

111111

˙.

3

to

E b(9)

&

œ œ

œ

0 2

111113

wait - ing

7fr.

131211

#

Ó

G (9)

show what he

14

3

3

œ œ

j Œ œ

G (9)

7fr.

# Cont. fingerpicking simile & œ œ œ œ œ.

‰

3

C6/G

10

j Œ bœ

‰

9fr.

111111

1. He is three: 2. See additional lyrics

Ó

Am9

7fr.

j œ

1113

j Œ bœ

‰

3

G (9)

C6 5

j Œ bœ

‰

Ó

œ bœ

a - fraid

j œ œ.

Œ

‰

131211

œ œ

and the

œ œ œ

œ bœ œ œ

one that keeps try’ng to love and

© 1979 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

301 1.

Eb

18

&

#

1

B b6/E b

E b(9)

3fr.

Œ

111

bœ

Ó

‰

131211

j œ bœ œ œ œ

trust,

and

get - ting him - self

A (9)

C6/G 7fr.

22

&

27

& &

#

j . œ œ

oh,

# #

Tacet

œ

Œ

˙

œ

‰ jŒ œ

(God must be

j œ œ

boog - ie

bœ œ. to

41

&

#

3

œ

œ

cheap work and

j . œ œ

131211

∑

oh,

#

Ó

b˙

Ó

‰ jŒ bœ

œ

boog - ie

œ

man.

God Must Be a Boogie Man - 4 - 2

j œ

3

Ó

œ.

a

plan,

œ œ ˙

boog - ie

man.

..

∑

111111

Œ

bœ œ 3

bœ œ

3

3

Œ

œ œ

3

3

∑

Œ

‰

111111

D6/A

the

œ

œ

j œ

œ

in - sult - ing

œ

œ

œ.

œ œ ˙

(God

must

be

a

˙

131211

boog - ie

œ

man.

˙

)

plan

G (9)

N.C.

plan,

œ

3

3

9fr.

j œ œ.

..

7fr.

In the

3

Π..

G (9)

cheap thrills?

j #œ œ

œ.

˙

Ó

9fr.

Tacet

œ

j œ œ

œ.

∑

A (9) 111

˙

œ

E b(9)

131211

bœ

the

man. )

7fr.

&

œ

1111

God must be

B b6/E b

C6/G 37

Œ

∑

œ œ ˙ ∑

Œ

In

plan,

3fr.

&

j œ ˙

œ

7fr.

3

#

‰

G (9)/C

di - vine

T A B

33

Ó

111111

N.C.

∑

2.

7fr.

111111

9fr. 131211

the

a

be - trayed.

‰ j œ œ.

111

j œ œ

œ.

Œ

œ

D6/A

9fr.

131211

œ

œ

3

G (9)

7fr.

œ

œ

111111

œ.

God

must

be

∑

j œ a

302

E b(9) 45

&

#

T A B

N.C.

b˙

b bn œœœœ b œœ

3

3 3 3 3 3 3

111111

œœ Œ œœœ œ

Ó

3

3 3 3 3 3 3

Verse 3:

bœ

œ

3

3

3

5fr.

œ œ œ œ œ œ

œ œ œ œ œ œ

0

0

0

0

0

0

1113

œ

œ

œ

Which would

it

111

œ œ œ œ

˙

be,

0

0

0

0

0

0

9fr.

111111

œ

0

Am9

7fr.

# Ó &

3

3

œ

G (9)

C6 49

3

Min - gus one or

j œ

œ.

˙

two

j œ œ.

or

Ó

three?

G (9)

C6/G 5fr.

53

&

#

Ó

7fr.

1113

œ œ œ œ

Which one

do

you

œ

œ

think he’d

˙.

œ.

want

3fr.

# & Œ

œ

the world

to

31

œ

j œ b œj œ

œ.

Well, world

o - pin - ion’s

j œ œ.

j œ n˙

111111

not

a

j œ

œ.

lot

of

B b6/E b

#

Œ

131211

& bœ

man’s

œ œ œ bœ œ œ

on - ly try’ng to find out

bœ œ œ

‰

j œ bœ

how to feel

A (9)

7fr.

# & Œ

œ

Œ

Œ

‰

help

‰

3

131211

œ œ ˙

In the

God Must Be a Boogie Man - 4 - 3

plan,

111111

oh,

∑

D6/A

9fr.

j œ. œ

˙.

œ

˙

111

œ.

9fr.

j œj œ . #œ 131211

the cock - eyed

bœ œ

when a

a - bout him - self.

C6/G 65

see?

E b(9)

3fr.

61

w

E b(9)

Gm9 57

j œ œ

111111

j œ œ.

plan,

Ó

303 G (9) 7fr.

69

&

#

œ

œ

œ.

God

must

be

j œ

111111

˙.

a

boog

œ

-

œ

ie

man

œ w

(God

œ

œ.

j œ

must

be

a

E b(9) 73

&

#

111111

œ

man.

G (9) 5fr.

∑

b bn œœœœ Œ & œ b˙ b œ 3

œ

boog - ie

C6

#

T A B

œ

∑

∑

∑

j œ

Ó

1113

3 3 3 3 3 3

‰ jŒ bœ

‰ jŒ Ó bœ

‰ jŒ Ó bœ

b˙

œœ œœ 7 5 5 5

3

3

3

3

Verse 2: One’s so sweet, so overly loving and gentle He lets people into his utmost sacred temple Blind faith to care, blind rage to kill Why’d he let ’em talk him down to cheap work and cheap thrills In the plan, oh, the insulting plan God must be a boogie man God must be a boogie man (To Verse 3:)

God Must Be a Boogie Man - 4 - 4

j œ w

111111

œ

He is

Ó

7fr.

œœ œœ Œ 7 5 5 5

three.

ww www w 7 7 7 7 7 7

˙

)

304

THE WOLF THAT LIVES IN LINDSEY Guitar tuning: C-7-8-2-5-4

Words and Music by JONI MITCHELL

➅=C ➂=F ➄ = G ➁ = Bb ➃ = Eb ➀ = D Freely Intro:

√ U ‚‚‚ œ b b 4 ··· .. œ b & 4 · .. ‚ >œœ > F hold throughout harm. √ * Cm11

T A B

3

0 0 0 0

7 7 7 7

*Implied harmony.

b &bb

˙ >

œ œ œ

0

0

˙

0

œ œ œ

œ œ œ œ œ œ œ œ >

0

0

0

0

5

T A B

œ œ œ œ œ œ œ œ >

*

œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ

0

0

0

0

0

0

0

>j ‚ · ‰ ‚‚‚ ···

Œ

œ œ œ

harm.

œ œ œ œ

12 12 12 12 0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

*Strike 6th string with extra force to raise pitch.

9

&

‚ bb b ‚‚‚ œ J

œ

> ‚‚ ‚‚

(harm.)

T A B

œ J

12 12 12 12 0

0

> ‚‚ ‚‚ œ J

œ

12 12 12 12 0

The Wolf That Lives in Lindsey - 5 - 1

> ‚‚ ‚‚

œ J

12 12 12 12 0

> ‚‚ ‚‚ œ J

œ

12 12 12 12 0

> ‚‚ ‚‚

œ J

12 12 12 12 0

> ‚‚ ‚‚ œ J

œ

12 12 12 12 0

> ‚‚ ‚‚

œ J

12 12 12 12 0

> ·· 24 ·· œ J

œ.

12 12 12 12 0

0

© 1979 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

44

305

Moderately Π= 106 %Verse: Gm11

7fr.

b & b b 44 .. Œ

œ œ ‰ œ œ œ œ

b b 4 . n œœœœ b & 4 .œ

œœ œœ œœ œœ

12

111111

..

T A B

7 7 7 7 7

1. Of the dark - ness 2.3. See additional lyrics

œ

7 7 7 7

œ J œ.

in

7 7 7 7 7

0

7 7 7 7

7 7 7 7 7

Ó

œ3

Œ

men’s minds,

10 7 7 7

7 7

7

7

œ

what can

œœ œ œœ œ œ œ œ œ œ œ

œœ œœ œœ œœ œœ œœ œ œ œ

7 7 7 7

˙

7

7

7

7

œ œ œœœ œ >œœ œ œ œ œœ œ 0

8

0 0 0

7

0

0 0 0

0

0

0 0 0

Fm11 5fr.

b œ &bb J 15

111111

you

œ.

˙

Ó

say

that

œ œ œ

was - n’t

œ œ

marked

‰ œJ œ b œ œ œ

111111

or

the

T

œ ˙.

œ

news

to - day?

111111

V

œ

b˙

Ó

his - to - ry

bœ ‰ Jœ

Œ

He

9fr.

˙. bbb

Œ

Ó

‰

214

nœ

der.

œ œ œ

œ The

7fr.

œ

111111

stab

œ and

a - way

œ

œ

œ

112341

and

œ.

œ œ J

œ J

˙

go.

‰ œJ œ œ œ 42 œ œ œ

œ œ. J

glare and buck - shot

of

the heav-y,

œ œ with mur -

To Coda fi

Gm11

b ˙. b & b

gets

8fr.

The bliz - zards come

26

œ œ œ

A bmaj9( b 5)

C9

&

œ.

8fr.

b &bb Œ

23

by

œ J

A bm11

E bm11 19

œ

œ

Œ

heav - y

œ œ. snow.

Fm11

b w & b b 44 30

5fr.

111111

The Wolf That Lives in Lindsey - 5 - 2

Œ

‰

j œ

œ

It comes

œ œ and

goes,

w

œ.

œ œ œ œ œU œ J it comes and

goes.

44

306 1.

Freely

U b · & b b ···

U· ···

T A B

12 12 12 12

Cm11

34

> > ‚‚‚ ‚‚‚ ‚ ‚ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ‰ œ œ > > > > J

harm.

> > ‚‚‚ ‚‚‚ . ‚ ‚ . œ œ œ J J

harm.

7 7 7 7

0 0

0

0

0

0

0

0

0 0

0

0

0

0

0

0

0

0 0

0

0

0

0

0 0

0

0

7 7 7 7

0

0

7 7 7 7

7 7 7 7

0

0

7 7 7 7

0

..

2.

Freely

√ U 39 b · & b b ···

Cm11

U‚ . ‚‚‚ ...

harm.

T A B

b &bb

12 12 12 12

7 7 7 7

œ œ œ œ œ œ œ œ >

œ œ œ œ œ œ œ œ >

0

0

0

0

‚. ‰ ‚‚ ..

43

T A B

j œ œ œ œ œ œ œ œ œ > >

œ œ œ œ œ

0

œ œ

harm.

0

0

0

0

0

0

0

0

0

0

√> n ·· ··

·· ·

√ 7 7 7 7

0

0

0

0

0

0

0

0

n ‚‚ ‚

0

0

rit. poco a poco

œ œ œ œ œ œ œ œ

12 12 12 0

0

œ œ J 7 7 7

0

0

0

‚‚‚

0

‚‚ ‚‚

‚‚ ‚‚

7 7 7 7

7 7 7 7

œ œ œ J J

7 7 7

0

0

0

0

œ J

0

0

0

0

0

0

0

> ‚‚ ‚‚

n‚ 24 ‚‚‚

œ œ œ œ 7 7 7 7

0

44

7 7 7 7 0

0

Moderately q = 106 Bridge: Gm11

Fm11

7fr.

b & b b 44 Π47

111111

5fr.

‰ nœ œ œ œ œ œ. The cops

Dm11

bb ˙ b & 51

111111

don’t seem

œ œ J

‰ Ó

to care

œ. They’re

The Wolf That Lives in Lindsey - 5 - 3

nœ.

weeds

œ J

˙

or

la

œ œ œ nœ -

dies of the night.

Fm11

9fr. 111111

œ œ J

for der - e - licts

Am11

œ J

‰ œj œ

111111

5fr.

œ nœ J

œ

for yank - ing

œ nœ. out of

w

111111

sight.

∑

307 Gm11

Fm11

7fr. 111111

If

you’re

smart,

Dm11

&

≈ œ œ œ

or rich,

œ œ nœ œ nœ

n˙ bbb

Ó

may - be you’ll

œ.

œ œ J

beat

the laws

b &bb Œ

œ3

œ

œ

no man can,

œ œ. œ œ œ nœ œ Œ laws

of

œ œ. ‰. R

poco rit.

œ œ œ œ œ œ œ ‰ œ œ and the out-er

laws

of

na - ture,

D.C. al Coda

w

œ.

˙

˙

Ó

can.

w

˙

œ œ. J

snow.

It comes

Cm11

˙.

and

5fr.

111111

heav - y, heav - y

bb œ b &

œ ‰ . R œJ

Fm11

bbb œ œ œ œ ˙

71

‰ Œ

no man

Cm11

&

of man.

w

111111

spir - it

no,

fi Coda 67

w

œ œ œ œ ‰ J

goes,

it comes and

œ. œ ˙

Ó

goes.

Freely Outro:

b &bb

w/wolf howls throughout N.C.

75

T A B

œ œ œ œ œ. > > 0

0

0

0

The Wolf That Lives in Lindsey - 5 - 4

U Œ

œ œ œ œ œ. > > 0

œ

5fr.

111111

Cm11 63

œ

Fm11

9fr.

But the in - ner

œ œ3 œ

111111

or luck-y,

Am11

111111

59

œ œ œ.

œ. œ œ œ

b &bb Ó 55

5fr.

0

0

0

U Œ

œ œ œ œ œ. > > 0

0

0

0

U Œ

U

œ œ œ œ ˙ > > 0

0

0

0

308

> > ‚‚ ·· 79 bb b ‚‚ ·· & œ œ. œ. J

> ‚‚ ‚‚

harm.

T A B

12 12 12 12

12 12 12 12

12 12 12 12

12 12 12 12

> ‚ 87 bb ‚‚‚ & b œ œ J T A B

12 12 12 12

˙

œ œ J

œ œ œ J J √ 7 7 7 7

0

> ‚‚ ‚‚

0

0

12 12 12 12

> ‚‚ ‚

5 5 5

> ‚‚ ‚‚

œ J

> ‚‚ ‚‚

> ‚‚ ‚‚

12 12 12 12

12 12 12 12

œ œ J

0

> ‚‚ ‚‚

œ J

0

> ‚‚ ‚‚

> ‚‚ ‚‚

12 12 12 12

12 12 12 12

œ œ J

12 12 12 12 0

0

0

> ‚‚ ‚‚

> ‚‚ ‚‚

12 12 12 12

12 12 12 12

œ œ œ J J

0

0

œ J

0

œ œ œ J J

.. œœ œ œ œ œ J J

12 12 12 12

12 12 12 12

0

0

12 12 12 12

0

0

..

> ‚‚ ‚‚

12 12 12 12

12 12 12 12

0

0

> ‚‚ ‚‚

> ‚‚ ‚‚

12 12 12 12

12 12 12 12 0

˙

œ œ œ. J J

0

0 0 0 0

0

0

0

12 12 12 12

harm.

> ‚‚ ‚‚

12 12 12 12

12 12 12 12

œ œ J

0

œ œ œ J J

U^ ·· ·

> ‚‚ ‚‚

œ J

0

> √ ‚‚ n >‚ ‚‚ ‚‚‚

0

rit. poco a poco

Verse 2: His grandpa loved an empire His sister loved a thief And Lindsey loved the ways of darkness Beyond belief Girls in chilly blouses The blizzards come and go The stab and glare and buckshot Of the heavy, heavy snow It comes and goes It comes and goes It comes and goes

The Wolf That Lives in Lindsey - 5 - 5

œ

> ‚‚ ‚‚

œ œ œ J J

œ œ J

Play 5 times simile/ad lib. Cm11

rit. poco a poco on 5th time

0

> ‚‚ ‚‚

poco accel.

12 12 12 12

> √ ‚‚ n >‚ ‚‚ ‚‚‚

0

(harm.)

> ‚‚ ‚‚

0

(harm.)

..

œ J

12 12 12 12

0

> ‚ 83 bb b . ‚‚‚ & . œ œ J T A B

> ·· ··

0

√

œ J

7 7 7 7

0

0

> ‚‚ ‚‚

> ‚‚ ‚‚

12 12 12 12

12 12 12 12

œ œ œ J J

0

0

12 12 12 12 0

U

12 12 12 12 0

0

> ‚‚ ‚‚

œ J

12 12 12 12 0

0

Fade “wolf howls”

w >

12 12 12 0

0

> > > ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚ œ œ œ œ œ J J J 5 5 5

œ J

0

Verse 3: There lives a wolf in Lindsey That raids and runs Through the hills of Hollywood And the downtown slums He gets away with murder The blizzards come and go The stab and glare and buckshot Of the heavy, heavy snow It comes and goes It comes and goes

309

310

WILD THINGS RUN FAST Standard tuning

Moderately fast q = 165 Intro: E b/A b

Words and Music by JONI MITCHELL

B b/E b

3fr.

D b/G b

3fr.

b & b b b b 44 Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û F 3 4121

4111

Db

3 4121

4fr.

b nnnnn & b bbb Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Œ Œ nœ œ P f 1. He came; 6

1333

Moderately bright q = 155 % Verse: C

3fr.

& .. œ 11

1333

Œ

Œ

œ

she 2.3. See additional lyrics

Œ

œ

Œ

‰

j œ œ

smiled.

œ

œ

œ

œ

She thought she had him tamed,

F sus2

j ‰ œ

but

j œ ˙

& œ.

3 11

as

wild,

E bsus2 20

œ œ œ œ œj œ .

B bsus2 C sus2

& œ

hand

Ó

œ

at

∑

Œ

œ

b˙

Wild

Œ

Ó

Ó

Œ

fast.

. œ œ . w

2. In the

∑

fast.

E b/A b

C/F

5fr.

3fr.

∑

4121

Œ

œ bœ œ

Win - ter beat

œ

the

j œ œ

œ.

3 1

˙

pines

& œ

œ bœ œ

heard the

heat

Wild Things Run Fast - 2 - 1

-

œ

er

1111

œ

Œ

Ó

Ó

Œ

4 12 1

œ

a - bout.

Gm7/F 30

Ó

2.

œ

run

F/B b

&

just

4121

last.

1.

1341

1341

things

25

was

3fr.

Œ

1341

eat - ing from her

he

j œ. œ

3fr.

1333

œ

j œ œ

To Coda fi E b/A b

C 3fr.

15

‰

He

C/F

œ

cut - ting

œ

in

œ

and

œ

out

Œ

Ó

3 1

∑

œ

while

œ

she

© 1982 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

˙

dreamed

311 D b5 35

& w

Œ

˙

∑

133

œ bœ

∑

∑

a - way.

3. In the night

E b/A b

3fr.

Œ

41

& œ

Ó

∑

∑

∑

b˙

& œ

Wild

B bsus2

Œ

1341

C sus2 3fr.

‰

1341

œ

things

run

E bsus2

3fr.

& b˙

Ó

4121

Œ

j œ œ

1341

1341

œ

Wild

B bsus2

Œ

& œj ‰ Œ

∑

∑

∑

œ

run

Ó

6 C9

Œ

1341

things

56

Ó

fast.

E b/A b 51

Ó

4121

fast.

46

‰ œj œ œ

Ó

fi Coda

E bsus2

D.S. % al Coda

4

Œ

21134

˙.

w

fast

∑

∑

¿

œ

What

Œ

¿

Wild

Œ

œ bœ œ

makes you run?

Œ

∑

thing.

G (9)

& Π61

‰

j ¿ ¿

¿

¿

¿

∑

2

134

I thought you loved me.

Verse 2: In the dark He could see The trap that was lying in her Sweet company Eating from her hand at last Wild things run fast Verse 3: In the night It snowed Fast tracks in the powder white Leading out to the road Winding from her tender grasp Wild things run fast Wild Things Run Fast - 2 - 2

∑

∑

312

LADIES’ MAN

Guitar tuning: D-7-3-5-2-5

➅=D ➂=F ➄=A ➁=G ➃=C ➀=C

Moderately Ó = 60 Intro: Gm11

Am11

5fr.

œœœ œœ œ

œ œ & b C œœœœ ¿¿¿ œ œ œœ œ ¿ œ œ F 5 5 5 5 T ¿¿ 5 5 A 5 5 ¿ 5 5 B ¿ 5 5 0

Gm11

&b &b T A B

1111

¿¿ ¿¿

7 7 7 7 7 7

∑

7

œ œ ¿¿ œœ œœœ œœœ œœœ œ ¿¿ œ ¿¿ ¿¿

5 5

5 5 5

5 5 5 5

0

0

7

7 7 7 7

0 0

0 0

0 0

∑

∑

1111

5

7 7 7

¿¿ ¿

7 7 7

7

7

7 7 7 7

0

0

Cm11

0 0

0 7

0 0

7 7 7

7

7 7 7

0 0

& b .. œJ ‰

œ ‰ J

Cont. rhy. simile

heart

œ

-

œ œ

break - ers

but

œ

you

œ

œ

take the

j œ ‰

œ

‰

œ J nœ bœ

You could Dm7

D11

‰

la - dies’ man.

B bm11

j ‰ bœ œ œ

&b Ó

111111

œœœ œœœ œœœ œ œœ œ œ œ œ œ œ œ œ 7 7 7

7 7 7

0 0

œ ‰ œJ ‰ œ J

Ladies’ Man - 2 - 1

œ œ J a

0 0

0 0

Ó

œ œ œ a

j œ œ

j œ nœ

œ

man.

j œ œ

Œ

Œ

rat - tle snake, Gm11 5fr.

œ œ œJ ‰ œ œ œ œ

bring it

j j ‰ œ œ

111111

111111

La-dies

chance.

‰

1111

la - dies’

the dia -monds off Cm11

‰ Jœ n œ ‰ J

111111

7

0 0

5fr.

111111

charm

Œ

œ

they don’t stand

0

1. Well, I’ve known 3. Cross my heart,

cake,

on

Œ

j œ œ œ œ œ ‰ Œ

111111

o - ver when you give ’em a glance; F 7sus2 F/A

Fm11

8fr.

19

j œ nœ œ

0

‰ œJ n œ b œ

10fr.

&b Ó

œ œ

Gm11

7fr. 1111

7 7 7 7

0

Ó

Œ

Cm11

Œ

œœœ œ

7fr.

10fr.

&b œ

7 7 7 7

œœœ œ œ

D11

111111

œ

Dm7 12

7 7 7 7

0

5fr.

111111

œ

7 7 7 7

0 0

Gm11

10fr.

15

7 7 7 7

œœœ œœœ œ ‰ œ J

D11

œœœ œœœ œœœ œœœ ¿ œœ ¿¿ œ œ œ œ ¿ œ œ œ œ œ œ œ œ œ œ œ

7 7 7 7

œœœ œœœ œ ‰ œ J

7fr.

111111

Verse:

9

7 7 7

7fr.

111111

5

7fr.

œ œœœœ ¿¿¿ œ œœ ¿ œ œ œ œœ œœ œœ

111111

Am11

5fr.

5

D11

7fr.

111111

Words and Music by JONI MITCHELL

j ‰ ‰ œj œ œ

First,

you un

234

-

œ

fold

œ

them.

© 1981 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

Ó

313

To Coda fi 1.

Gm11

7fr.

&b Π23

Dm7

D11

5fr. 111111

œ

œ

œ

œ

Then you

j ‰ œ

1111

œ

œ

pi - geon - hole

œ

’em,

œ

Ó

∑

la - dies’ man.

2. D11

Dm7

D11

7fr.

&b

7fr.

∑

26

Ó

1111

œ J nœ bœ

‰

2. Well,

fi Coda D11

it

sure

Dm7

..

&b Ó

‰ j œ nœ œ

la - dies’ man,

T A B

¿¿¿

œ

œ œ

¿¿ ¿

0

0

œœœ œ 7 7 7 7

0

D11

Œ Ó

œ

œœœ œœœ œ œ

œ

Ó

7 7 7 7

0

0

0

0

0 0

0

0

0

7 7 7 7

œ

œœœœ

7 7 7 7

Œ Ó

œ œ

œ

œ

0 0

œ 0

0

0

D11 7fr.

‰ j œ nœ œ

1111

la - dies’ man,

œ œ œ

œ œ œ œœ ‰ œJœ 0

0

œœœ œœœ œ ‰ œ J œ œ œ œ

œ œ œ œ œ

Dm7

&b Ó

T A B

‰ j œ nœ œ

1111

7fr.

&b

Dm7

la- dies’ man,

0

D11 34

∑

7fr.

1111

&b

∑

1111

7fr.

30

D.C. al Coda

Dm7

0

0

7 7 7

7 7 7

œ

œœœ œ

Œ Ó

Ó

la -dies’ man.

œ œ

œ

œ

0 0

0

0

œ

œœœ œœœ œ ‰ œ J œ œ œ œ

0 0

0

Verse 2: Well, it sure takes a lot of good-natured self control Ladies’ man When I’m so hot for you, and you’re so cold, so cold Ladies’ man Why do you keep on trying to make a man of me Couldn’t you just love me like you love cocaine, cocaine head games Ladies’ man

Ladies’ Man - 2 - 2

‰ j œ nœ œ

1111

0

0

0

7 7 7 7

œ

wwww

∑

Œ Ó wwww

7 7 7 7

Verse 3: Cross my heart, I swear I’m not trying to trick you No tricks, ladies’ man It’s just a straight ahead feeling I have for you Nothing slick, ladies’ man I guess you learn to refuse what you think you can’t handle You’re acting like a vandal Wrecking the dream At the first bad scene Ladies’ man Ladies’ man Ladies’ man Ladies’ man

314

CHINESE CAFÉ / UNCHAINED MELODY Standard tuning Piano arranged for guitar

Words and Music by JONI MITCHELL

Moderately Π= 124 Verse: D

# & # 44 .. Ó

nœ

132

Gmaj9

œ

œ

œ

œ J

‰

nœ

Œ

1. Caught in the mid - dle, 2.3. See additional lyrics

œ

œ

œ

2 413

Car - ol, we’re

œ

œ

Œ

‰

mid - dle class.

œ J

We’re

Am11 4

&

## œ œ .

œ

mid - dle

‰

aged.

œ.

œ

œ J

We

3fr.

nœ œ œ.

341

were

wild

in

Gmaj9

œ œ

the old

Ó

days,

nœ

œ

œ

œ

birth

of

rock

’n’

Em11 2fr.

7

&

## œ .

œ œ œ. Œ J

2 413

roll

∑

Œ

1412

‰

days.

j nœ œ œ œ

Now your kids are

6 C9 11

&

##

Am9

Ó

œ J

nœ œ

œ

my

child’s

a

‰

2113

&

## œ

œ œ.

œ

strang

-

œ.

œ œ

œ

er.

I

bore

œ

241

Œ

œ œ œ nœ ‰ œ but I

could not

&

Ó

œ œ œ noth-ing lasts

3

œ œ œ œ œ ˙ 121

raise

Chinese Café/Unchained Melody - 3 - 1

Ó

her.

nœ œ œ Noth- ing lasts

œ œ ˙

Œ

1412

for

long,

6 C9

œ œ ˙.

4112

for

her

2fr.

2fr.

##

˙.

œ

Em11

D2 18

œ

com - ing up straight and

D/G 14

œ

œ œ œ

long,

Ó

œ œ œ noth-ing lasts

œ œ ˙.

2113

for

˙

long.

© 1982 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

Ó

315

Chorus: Am9

# & # nœ œ œ œ œ 23

œ œ

241

Down at the Chi - nese Ca

## Π&

32 4

œ

œ ‰ œ œJ ‰ -œ J -

fé,

C (9) 27

2fr.

1412

we’d be

dream -ing on

Am7

my

‰ œJ

Œ

2 1

“Oh,

our

œ

dimes.

We’d be play-ing

love,

œ nœ. J

œ.

1 3 2

my

‰

˙

132

˙

Ó

dar - ling,”

one more

2.

C (9)

&

A m7

nœ

œ

n˙

“Oh,

my

love,

Ó

32 4

&

## n ˙

32 4

Œ

touch

œ œ n˙

2 1

a

&

## n ˙

2 1

by

Œ

Œ

so

œ nœ. J

slow - ly,

Chinese Café/Unchained Melody - 3 - 2

dar - ling,

G

œ ‰ ‰ œ J J

I’ve

G

œ

32

bœ nœ œ

lone - ly

F maj7 321

321

my

long

‰ œJ

œ nœ. J

‰ œJ

A m7

A m7 49

F maj7

2 1

C (9) 44

∑

Words by HY ZARET Music by ALEX NORTH

“Unchained Melody”

##

D.C. al Coda

..

∑

5

time.

40

‰ Jœ œ

Ó

1.

## œ œ . & J

œ œ œ œ

Œ

Fmaj9

œ œ œ n˙

œ nœ œ

œ œ œ œ œ œ

D

31

To Coda fi

Em11

time.

w

Œ

32

œ

j œ œ.

hun-gered

∑

4

Œ

32 4

œ

œ

for

your

œ œ œ.

and time can do

j nœ œ

‰

And time

C (9) 4

4

C (9)

G

‰ œJ

32

œ J n˙

32 4

so much.

© 1955 (Renewed) FRANK MUSIC CORP. This Arrangement © 1983 FRANK MUSIC CORP. Reprinted by Permission of HAL LEONARD CORP. All Rights Reserved

œ goes

A m7

Œ

œ œ n˙

2 1

Are

you

Œ

œ still

316 Em11

C

## œ œ . & J 54

˙

11121

˙

Œ

mine?

œ ‰ J

œ nœ

# & # Ó

I

Œ

œ

œ.

3211

j nœ ˙

## . œ œ & .J Time

œ ˙ J goes.

œ.

‰

Ó

Œ

3

Ó

1 4

32

˙

œ3

Where does

œ nœ. J

2 1

need

w

4

œ œ œ

your love.

15

132

to

œ

œ

D

me.

Repeat and fade

œ the

œ œ J time

œ ˙ J go?

Verse 2: Uranium money Is booming in the old home town now Putting up sleek concrete Tearing the old landmarks down Paving over brave little parks Ripping off Indian land again How long–How long Short-sighted businessmen Ah, nothing lasts for long Nothing lasts for long Nothing lasts for long (To Chorus:)

Verse 3: Christmas is sparkling Out on Carol’s lawn This girl of my childhood games Has kids nearly grown and gone Grown so fast Like the turn of a page. We look like our mothers did now When we were those kids’ age Nothing lasts for long Nothing lasts for long Nothing lasts for long (To Chorus:)

Chinese Café/Unchained Melody - 3 - 3

4

I

G

your love

Outro:

Ó

32

A m7

need your love.

G (9)

God - speed

78

œ

32 1

F 59

G

œ

‰ Jœ œ œ œ I

œ . .

won - der where the…

317

MOON AT THE WINDOW

*Guitar tuning: D≤-7-3-5-2-5

➅ = Db ➂ = Fb ➄ = Ab ➁ = Gb ➃ = Cb ➀ = Cb

Words and Music by JONI MITCHELL

Moderate swing Œ = 127 (ŒÂ = ŒÇ‰) Dm11

& b 44 ..

5fr.

∑

111111

1.

Am11

12fr.

∑

7fr.

111111

∑

111111

*Recording sounds a half step lower than written.

Verse 1:

2.

Am11

Gm11

7fr.

j œ œ

&b Ó 5

‰

Ó

œ œ œ 3

It takes

cheer - ful

res

Œ

&b œ

111111

‰ œ.

Cont. rhy. simile

œ œ œ 3

That’s all

it

Ó

&b

takes,

∑

13

‰ j œj œ œ

Œ

a cheer - ful

‰ bœ.

œ

-

œ

bod - y’s

How could they

Gm11 Am11 5fr. 111111

3

Moon at the Window - 3 - 1

ty.

j Œ œ œ œ

-

son

me.

Œ

Ó

5fr.

j Œ bœ œ œ ‰ œ œ

hard - er

told

on

111111

me than

Cm11

œ

me.

Fm11

10fr.

‰ j b œ œ œj ‰ b œ œ œ bœ 111111

And no - bod - y’s

hard - er on

œ œ Œ

you than

111111

w

you.

Dm11

3

! ! ! ! ! ! &b w 21

Œ

be?

7fr. 111111

‰

111111

-

Gm11

8fr.

‰ & b ‰ œj œ œ œ

per

111111

Bm11 17

j œ œ

10fr.

111111

No

j œ

111111

Cm11

8fr.

hu - mil - i

j œ

7fr.

111111

Bm11

j œ œ

œ

Am11

5fr. 111111

œ

heart and

Gm11

7fr.

111111

3

œ

ig - na - tion,

5fr.

9

Œ

œ œ œ œ œ

-

7fr.

111111

3

Am11

Gm11

Am11

5fr.

111111

..

∑

23

!.

j > Œ ! ! ! ∑

!.

j > Œ ! ! ! ∑

!.

j > Œ ! ! ! ∑

! ! !

1111

∑

© 1981 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

! ! !

318 Dm11

Verses 2, 3, & 6: Gm11

Œ

111111

œ œ

23

j j œ œ ‰ Œ

‰ œ

j œ. œ

3

2. Bet - sy’s blue. 3.6. See additional lyrics

She

says,

&b

! ! !

Am11

∑

111111

œ œ œ

œ

j œ ‰

œ

3

Oh,

You know I’d

help her out

Ó

111111

œ

j œ œ.

but

œ

some - times

Œ

œ œ œ 3

At least the

&b

on - ly

111111

Œ

œ ˙

œ œ œ

moon at

‰

111111

3

3

the win - dow,

‰ œj

Œ

could.

œ

can

> j Œ ! ! ! ∑ 23

!.

111111

Verses 4 & 5:

j œ œ

3

œ œ œ

Œ œ œ

the thieves left

> j Œ ! ! ! ∑ 23

Ó

Œ

that

&b œ

! ! !

∑

! ! !

..

! ! !

j œ œ.

œ

j œ œ œ œ œ

slide 7fr.\0

111111

mem

-

Ó

Ó

111111

’ries

Œ Ó

111111

˙

nœ œ

rat-tle.

Bm11

Am11 7fr.

.. ˙

111111

spoon

!.

111111

&b 56

> j Œ ! ! ! ∑

Moon at the Window - 3 - 2

!.

111111

> j Œ ! ! ! ∑ 23

12fr.

!.

111111

> j Œ ! ! ! ∑ 23

!

Cm11

9fr.

œ œ œ

and the glass.

!

!

10fr.

Ó

111111

D.S. % al Coda

1111

∑

111111

˙

Dm11 12fr.

œ

bœ œ œ

deep in the dark

2.

j j œ œ œ.

∑

bat - tles,

7fr.

3

! ! !

1111

10fr.

1.

23

find.

Cm11

Am11

when the spooks of

12fr.

to

be - hind.

1111

I know these

5fr. 111111

hard

2.

‰ j œ œ

111111

4. I wish her heart. 5. See additional lyrics

Gm11 51

œ œ

j œ ‰ œ œ œj ‰ Œ

œ

Gm11

111111

œ

so

5fr.

& b .. Ó

To Coda fi

œ

be

1. 12fr.

Fm11 46

Ó

7fr.

Dm11

!.

I

Œ

œ

Am11

5fr.

42

if

the light

Gm11

111111

3

12fr.

&b Ó

12fr.

111111

œ œ œ œ œ #œ œ

3

Dm11

111111

&b œ

9fr.

111111

Ó

10fr.

38

Bm11

7fr.

1111

Cm11 34

œ

“Tell me some-thing good!”

5fr.

! ! !

œ œ œ

111111

Gm11

30

!. œ

7fr.

& b .. Ó 26

> j Œ ! ! ! Œ Ó

Am11

5fr.

!

!

!

319

fi Coda

&b

Gm11

Am11

5fr.

Œ

60

œ

find.

œ

œ

At

least

3

7fr.

111111

œ

3

œ

the

œ

œ

moon

œ

at

the

Œ

‰

111111

˙

3

j œ ‰

j œ œ

win - dow,

the thieves

left

Dm11

!. & b œj ‰

j !

23

63

œ

that

œ

be - hind.

> ! ! j ‰ œ

Œ

!

Œ

!

1111

!

∑

!

!

Gm11

!

5fr.

Ó

bœ

111111

œ

3

Moon

œ

at

the

Dm11 12fr.

Am11

j œ ‰

& b œ œ œ œj ‰ 66

111111

j ! ! ! Œ Œ Ó

!.

111111

7fr.

3

win - dow, they left

œ

œ

that

be - hind.

23

œ

1111

! ! ! Ó

! ! ! Œ ‰

At Dm11 12fr.

Gm11

Am11

5fr.

& b bœ 69

least

&b 72

œ

!

œ

they

!

œ

left

!

Œ

‰

111111

the

1111

∑

!

œ.

bœ

moon

!

!

œ

3

!.

be - hind

œ

Œ

œ

the

Gm11

!

Am11

5fr.

Ó

! Ó

23

blind.

7fr.

111111

œ

Moon

3

œ

at

111111

œ

the

Verse 3: People don’t know how to love They taste it and toss it Turn it off and on like a bathtub faucet Oh, but sometimes the light can be so hard to find At least the moon at the window The thieves left that behind (To Verse 4:) Verse 5: Ghosts of the future Phantoms of the past Rattle, rattle, rattle in the spoon and the glass

Moon at the Window - 3 - 3

j !

111111

7fr.

111111

j œ

Verse 6: Is it possible to learn how to care And yet not care Since love has two faces Hope and despair And pleasure always turns to fear, I find At least the moon at the window The thieves left that behind Moon at the window They left that behind At least they left the moon behind the blind Moon at the window

œ

win

3

-

˙

dow.

˙

Œ

320

SOLID LOVE

Guitar in Open E≤ tuning: E≤-7-5-4-3-5

➅ = Eb ➂ = G ➄ = Bb ➁ = Bb ➃ = Eb ➀ = Eb

Words and Music by JONI MITCHELL

Moderately fast Ó = 76 Intro: Eb

b & b bbb C

∑

∑ F

5

&

bbbb

∑

b

∑

111111

Db

œ

131211

Db

b & b bbb œ 12

right Ab

œ

œ

in

the

&

œ

Ó

Db

Œ

10fr.

j œ

‰

111111

œ

œ

mid - dle

of

œ

this

b œ œ œ œ

Œ

D b(9)/A b

Ab

Ó

131211

Love ban - dits con

œ

love.

Solid Love - 2 - 1

œ

œ

œ

Œ

3

œ

We’ve

E bmaj7/G

Fm11 2341

Ab

œ

œ œ œ œ œ œ

D b(9)/A b

‰

j j œ œ œ

Let

j j œ œ œ

no - bod - y

j œ œ.

are go - ing

put

a

un - der. Ab

5fr.

j œ œ œ œ sun -

got

Ó Bb

7fr.

111111

111111

-

œ

5fr.

111111

234

131211

- der this

œ œ œ 3

sol - id

2.4.

E b(9)/B b

7fr.

131211

break

Ó

Œ

a - round the town, good hearts

‰ Œ

and plun-der.

a

Hol - ly - wood heart - ache.

1.3.

j b & b bbb œ n œ .

got

5fr.

j j œ œ œ

b œ œ œ œ.

We

5fr.

5fr.

111111

3

œ œ œ œ œ

D b(9)/A b

œ œ œ œ

All

Œ

131211

a - ble.

131211

Eb 3

10fr.

111111

-

5fr.

œ

G b(9)/D b

10fr.

œ œj ‰

œ œ

E b(9)/B b 23

∑

111111

5fr.

111111

œ Ab

this sol - id love.

bbbb

111111 131211 111111

Un - be - liev

10fr.

111111

5fr.

19

131211

Db

(3.) got a break. 2.4. See additional lyrics

&

F B b(9)/F F

10fr.

j œ ‰ œj œ ‰ Œ

111111

bbbb

B b(9)/F

G b(9)/D b

10fr.

b & b b b b .. œ

15

∑

1. We

Verse:

9

∑

7fr.

˙

Ó

Œ

‰ œj .. œj n œ . 131211

2. We

love.

˙

∑

© 1982 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

44

321

Chorus: G b(9)/D b

D b(9)/A b

10fr.

b & b b b b 44 ˙ 27

Ab 30

&

33

&

j œ œ

131211

Test

bbbb

111111

b œ -

bbbb

-

ed

&

bbbb

131211

y

œ

best.

111111

131211

111111

131211

j œ

B b(9)/F

111111

131211

Ó

111111

œ

Œ

b & b bbb ˙

111111

you’re my

œ You

œ.

are

my

B b(9)/F

F

B b(9)/F

F

131211

111111

131211

111111

Ó

œ

œ

131211

B b(9)/F

131211

111111

131211

nœ œ

do.

œ

hap - pi - ness.

œ

3

o - pen

B b(9)/F

F

131211

111111

œ

my

b & b b b b ..

111111

Solid Love - 2 - 2

∑

œ

give you

œ.

j œ ‰ Œ

111111 131211

œ

heart

˙

3

œ

up,

œ

you F

‰

111111

ver -

5fr.

111111

œ

˙

B b(9)/F

Œ

131211

‰

111111

do.

Gb

111111

F

j œ nœ.

111111

œ

my Ab

j œ

131211

You

D.S. % al Coda

B b(9)/F

N.C.

∑

j œ nœ œ 131211

Yes, you do. F

B b(9)/F

F

B b(9)/F

111111

131211

111111

131211

œ

œ

œ.

j œ

You

B b(9)/F

F

B b(9)/F

F

B b(9)/F

131211

111111

131211

111111

131211

œ

œ

œ

˙

you

do.

œ B b(9)/F

∑

œ

F B b(9)/F

j œ

F B b(9)/F

111111 131211

œ

œ

hap - pi - ness.

F

F 47

œ

5fr.

j œ

œ

131211

œ

D b(9)/A b

111111

111111

gon - na

B b(9)/F

you

10fr.

b & b bbb ΠF

œ

my hope,

F B b(9)/F

o - pen my heart,

41

j œ œ

131211

œ œ œ

131211

111111

5fr.

3

B b(9)/F

Gb

5fr.

D b(9)/A b

o - pen my heart,

F

Œ

I’m

10fr.

Ó

˙

‰

G b(9)/D b

F

You

œ

‰

111111

F

b œ œ œ 3

Œ

j œ œ

dar - lin’,

10fr.

111111

Œ

œ

œ

You’re

B b(9)/F

111111 131211

Db

5fr.

111111

œ

F

œ.

Ab

131211

B b(9)/F

œ

œ

To Coda fi

5fr.

F

b œ

œ

131211

blessed,

5fr.

111111

œ

œ

fi Coda D b

44

and

5fr.

F B b(9)/F 37

j œ

D b(9)/A b A b D b(9)/A b

5fr.

Ab

5fr.

∑

Verses 2 & 4: We got a chance Hot dog, darling We got a chance No more, no more fly-by-night romance We got this solid love Love has always made me feel so uneasy I couldn’t relax and just be me More like some strange disease than this solid love… (To Bridge:)

131211

Repeat and fade

∑

..

322

BE COOL

Guitar tuning: D-7-3-4-3-5

➅=D ➂=E ➄=A ➁=G ➃=C ➀=C

Words and Music by JONI MITCHELL

Moderately Œ˘ = 105 Intro: Am/D

# 12 & # 8 T A B

œ F

2 2

0

# & # & T A B

œ œ

∑

j œœ œœ n œœ 2 2

0

A

7fr.

0

0

0

Em/A

7fr.

0

# & # .. œ 1

111

j œ œ œ œ œ. 1111

nœ.

fool

Keep

Be Cool - 2 - 1

œ œ œ

1134

if

1134

G

j œ œ

5fr. 1134

1111

Bm/E

j . œ Ó

1111

things light.

keep

Œ.

1134

D

Am/D

Œ.

‰

j œ œ

j œ œ.

nœ

“be

Œ.

cool.”

G

5fr.

G5 5fr.

5fr.

‰ nœ œ œ œ ‰ ‰ œ œ œ œ œj

1134

1111

1134

11

if your feel -ings are hurt - in’, you’re a E

Ó.

Bm/E

Œ.

1134

œ

j j j œ ‰ œ œ œ œ ‰

1111

Charm ’em.

1111

0 0 0 0

0

Dm/G

E

Bm/E

œ

0

it’s

cool.

E

0

5 5

23

5fr.

Œ.

œ.

2 2

Am/D

Am/D

23

1. If there’s

G

un - cer - tain; D

you can’t

name,

5fr.

j œ œ

j œ œ

1111

j œœ n œœ n œœ ‰ ‰ Œ . œ œ œ œ œœ

j Œ. œ

1111

Dm/G

5fr.

j œ œ

7fr.

ev - ’ry - bo - dy’s gon - na

Dm/G

0 0

0 0

0

Œ.

0

Em/A 7fr.

7 7

Ó.

œœ

œ œ

0

0

0 0

0

œœ

5 5

0 0

7 7

A

œ

0

œ œ œ œ œ œ œ

j ‰ ‰ j ‰ ‰ œ n œj œ œ

# & # œj ‰ ‰ œ 1134

0

1111

Am/D

E 15

0

7fr.

1134

If you’re wor - ried or

D

&

j œ œ

Œ. nœ

23

23

0

0 0

j nœ œ

n œœ

2 2

0

0

5 5

Em/A

5fr.

# & # Ó. ##

0

7fr.

(4.) one rule to this game 2. See additional lyrics 3. Instrumental w/additional lyrics D G Am/D

12

0 0

œ

1134

Cont. rhy. simile

9

0 0

2 2

A

7fr.

6

0 0

œ

œ

œœ

nœ œ j œœ n œœ j œ œœ œ œœ œ œ œ œ œ œ œ œ œ œ 0

G/A

0

0

j œ œ

∑

0 0

0

Verse:

0 0

0

3

##

j œ nœ œ œ œ œ œ œ

j œœ œ

j œ œ œ œ

Keep your wor - ries

out of

1134

œ

sight.

Don’t a - larm ’em.

Bm/E

‰ Œ.

1111

Œ

j œ œ

And play

© 1981 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

j œ

it

323 G

F/G 5fr.

18

&

##

1

œ.

111

Dm/G 5fr.

5fr.

1111

play

it

# & #

j œ

œ

cool:

To Coda

Œ.

Œ.

œ

If

D

j œ

1

111

fire

and

G

œ

ice.

nœ

get

Am7/D

∑

Dm/G 5fr.

G

j œ œ

‰

1134

5fr.

# & # Œ.

‰ œ

23

1134

don’t get

Am7/D

G

&

1111

œ

9fr.

j œ œ

that flak - y

fi Coda

# & # .. T A B

..

Œ

j œ œ.

val - en - tine.

j œ œ

j nœ

no

1134

o - ver - zeal - ous. Dm/G 5fr.

Œ.

1134

whine.

Œ.

1111

œ.

Kiss

j #œ œ

˙.

œ J

bod - y’s

off

D.S. %

7fr.

-

j œ

œ

A/B

1111

You’re

5fr.

1111

9fr.

j œ œ

1134

Ó.

1134

fool.

Repeat and fade

œ

j œœ œ 2 2

0

0

j n œœ œ œ œ œ œ œ 0 0

0

0

0 0

Verse 2: If your heart is on the floor ’Cause you’ve just seen your lover Coming through the door With a new fool, be cool Don’t you sweat it Start right in, right now, trying to forget it Be cool Don’t get riled Smile Keep it light Be your own best friend tonight And play it cool, play it cool Fifty–fifty, fire and ice Be Cool - 2 - 2

F #m/B

B

7fr.

j œ œ

1134

œ

Don’t

Em/A 7fr.

##

œ œ.

Œ.

Keep your cool.

A 30

Ó.

Œ.

23

G

5fr.

‰ œ ‰ Œ. œ œ nœ œ œ œ

1111

5fr.

27

To Next Strain (To Bridge:)

Dm/G

5fr.

jeal - ous;

D

..

your

G

5fr. 1111

œ.

œ.

œ

Dm/G 5fr.

1134

there’s Don’t

j œ

Ó.

‰ Œ.

Resume Intro simile

j œ

œ

2. If

5fr.

# & # Ó.

1134

2.

F/G

24

1111

ty - fif - ty,

fi 1.

D.S. % al Coda Bridge:

3.

-

Am/D 5fr.

j œ œ.

1134

œ

G

5fr.

j œ œ

1111

fif

Dm/G 5fr.

Ó.

∑

21

5fr.

1134

nœ œ œ œ.

G

Dm/G

5fr.

1134

cool,

G

0 0

j œ œ 0 0

œ 0

œ 0

œ

œœ

œ

2 2 0

n œœ

j nœ œ 0

5 5 0

œœ 7 7

0

Verse 3: Be cool, fool (spoken:) Be cool (whispered:) Lots of other fish are in the sea Play it cool, play it cool Fifty–fifty, fire and ice (To Verse 4:)

œ œ 0 0

œœ .. 0 0

..

324

(YOU’RE SO SQUARE) BABY, I DON’T CARE Standard tuning

Words and Music by JERRY LEIBER and MIKE STOLLER

Moderately fast Π= 169 Intro: G5

# & 44

2

∑

34

∑

∑

∑

∑

∑

j œ œ

Œ

∑

∑

D/G 9

&

#

3

j œ œ

121

œ.

You’re

˙.

œ

so

Œ

square,

œ.

ba

-

∑

by,

C (9)/G 13

&

#

j œ œ

231 4

œ.

you’re

so

%Verse: G

# & .. œ

w

square.

C

œ

œ

j œ œ

din

C

-

&

œ œ œ

C

to

C7

a

12341

mov - ie

show

and

œ œ

134211

bands.

C

sit

œ

there

you

Œ

Œ

‰

3fr.

j ‰ œ œ œ

12341

hold-ing

œ.

134211

hands.

œ œ J

You’re

G5

3fr.

25

&

#

3241

œ

square.

œ

Ó

Œ

3241

j ¿ ¿ ¿ ¿ ¿ ‰

Ba - by,

I

don’t care.

2

34

j œ

G

To Coda fi 1.

N.C.

œ

You

3fr.

134211

œ

3fr.

slea - zy

3fr.

j j ‰ ‰ j œj ‰ œ œ œ œ

j œ œ

D7

like

bœ

12341

G 3fr.

134211

œ œ

just wan - na go

œ

you don’t

3fr.

12341

œ

ers,

G 3fr.

#

‰ Œ

‰ œj œ

œ

G 3fr.

134211

œ œ

don’t like greas - y 2.–4. See additional lyrics

21

1. Oh,

3fr.

12341

bœ

C

3fr.

134211

Œ

G

3fr.

17

œ

∑

∑

(You’re So Square) Baby, I Don’t Care - 2 - 1 © 1957 (Renewed) SONY/ATV MUSIC PUBLISHING LLC This Arrangement © 2005 SONY/ATV MUSIC PUBLISHING LLC All Rights Administered by SONY/ATV MUSIC PUBLISHING LLC, 8 Music Square West, Nashville, TN 37203 Reprinted by Permission of HAL LEONARD CORP. All Rights Reserved

∑

œ so

325 2.3. G5 29

&

#

∑

Ó

Œ

..

œ

2

∑

34

Ó

Œ

‰

2. You

1. You

Bridge:

G7

C7 33

&

#

3241

œ

3fr.

œ

œ

don’t know an 2. Instrumental

œ œ y

dance

j œ ‰ ‰ œj œ œ

œ

steps

that are

˙.

13124

&

3241

œ

œ œ œ

no - bo - dy else

&

#

Œ

bœ

œ

could love

bœ

œ

4. Oh,

&

#

‰ œj œ

œ me

∑

you’re

the way

34211

œ

˙.

you

do.

# & .. œ . 42

3

121

You’re

j œ œ

so

Ó

Œ

‰

j . œ .

3. I

œ

square,

Œ

˙.

∑

Repeat till fade

j œ œ

so

œ

square.

w

Verse 2: You don’t like going to parties To toot and talk all night long You just wanna park Where it’s nice and dark And kiss me, sweet and strong You’re so square Baby, I don’t care Verses 3 & 4: I don’t know why my heart flips I only know it does I wonder why I love you, baby I guess it’s just because You’re so square Darlin’, I don’t care (You’re So Square) Baby, I Don’t Care - 2 - 2

But

D/G

I

œ.

‰ œj

Œ

fi Coda

œ

231 4

Œ

N.C.

C (9)/G 45

œ

3fr.

D.S. % al Coda

2.

41

œ

2314

œ

1. G/D

3fr.

#

œ

new.

C #dim7

C7 37

j œ

∑

∑

..

326

YOU DREAM FLAT TIRES

Guitar tuning: D-7-3-5-2-5

➅=D ➂=F ➄=A ➁=G ➃=C ➀=C

Words and Music by JONI MITCHELL

Moderately fast Œ˘ = 134 Intro:

& b 12 8 .. & b 12 8 ..

4.

∑

..

∑

0

0

0

% Verse:

0

5

0

2

0

0

Am11

7fr.

Œ . œj ‰ œj Ó. 1. It came (Riff) œœœ œjœ œ j Œ. œ . œ œ n # œœœ œœœ

Bass Riff (arr. for gtr.)

0

Bm11 Am11 9fr.

jœ œ œ œ œ j œ œ ‰ œ b œ œ œ œ .. œ œ œ œ œ œ œ œ œ F 1 0 .. .. 4 0 0 2 4 0 2 0 2

T A B

0

111111

111111

9 9 9 9 9 9

7 7 7 7 7 7

2

Bm11 Am11

N.C.

9fr.

7fr.

7fr.

& b .. œ . 4

œ

to

œœœ .. . b . œœ ... Œ . & œ.

j œ œ

j œ œ

pass,

j œ œ j œœœ œœ œ

like

Œ.

j œ œ

111111

light

Œ

..

T A B

1.–3.

7 7 7 7 7 7

-

ww .. ww .. w .. w

j œ œ.

œ.

ning strik - ing from

a

Œ. Ó.

œ.

-

111111

Ó.

111111

j œ

Œ. œ

Cont. rhy. simile

bove.

E

∑

-

lec -

∑

Gm11 5fr.

& b œ. 8

-

œ

tric

j j j ‰ œ œ œ

j œ œ

flash,

just like

œ

light G5/D

j œ œ

j œ œ.

œ

ning strik - ing from Dm7 Gm11

a

-

bove.

& b Œ.

j œ ‰ œj œ

Struck Am11

by

j b Œ b œ & œ 111111

Am7

7fr.

j œ œ 1 34

so hope - less and You Dream Flat Tires - 2 - 1

pre -cious

D5/A

7fr.

14

œ œ J

j œ œ

so

œ.

111111

œ.

in - spired.

j œ œ 1 34

pre

5fr.

j œ œ

-

cious love, Cm11

7fr.

Œ.

Œ.

œ œ œj œ .

111111

Why do you dream

‰

1111

Am11

7fr. 1 3411

œ

pre - cious

Gm11

j j œ œ œ

Ó.

5fr.

love,

7fr. 1111

‰ Œ.

23

Gm7

C5/G

5fr.

11

Ó.

‰ Œ.

j œ œ

111111

10fr.

j œ. œ ‰ œj œ œ œ

111111

flat

tires

when you dream

© 1981 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

327 1.

N.C.

Am11

Bm11 9fr.

& b b œj ‰ œj œ 17

flat

w/Bass Riff

j œ. œ

tires?

œ.

You dream

œ.

flat

&b

∑

3

Œ.

b C5-B PP

bœ œ œ

b C5-B PP

& b bœ 3

man

G5/D

j j œ œ œ

œ.

113411

could

G5/D

j j œ œ œ

Œ

both

&b œ 23

tease

me,

2.

to

-

hear

œ

1 34

3

D5/A

7fr.

œ œ. J

1111

me

‰ Œ.

‰

111111

But

Œ.

bœ

œ œ œ œ œ ‰ œj 113411

you tell - in’ me this

1.

œ.

1 34

Am7

“Please,

¿

don’t

to

Am11

slide 7fr. \0

7fr.

œ.

a

b C5-B PP

7fr.

beg,

œ œ

y.

Are

7fr.

1 3411

or just

Ó.

D5/A Am7

j œ œ.

j œ œ

eas

legs.”

G5/A

j j œ œ ‰ ‰ Œ

j œ œ

23

F5/G

Œ.

23

his

Dm7

back

j œ œ

Dm7

7fr.

28

œ

j œ œ

113411

break

œ œ œ ..

111111

Dm7

G5/D

1. “Wom - an, she bounce 2. See additional lyrics F5/G

∑

Œ.

2. With a jack

F5/G

22

∑

Ó.

tires.

Bridge:

2.3.

25

Œ. Ó.

7fr.

j œ

j j ¿ ¿ ‰ œj œ 1111

go”?

D.S. %

111111

3. ’Cause I

know

Am11 slide 7fr.\0

& b œ. 31

don’t

be cold”?

N.C. to the end w/Bass Riff Vocal tacet on repeat

& b .. 34

¿

j ¿ ¿ ‰ œ

˙.

do?

I

j j œ œ ‰ ‰ œj ‰ œj œ

111111

know

1.–3.

you love me, but

œ œ œ œ

j œ œ.

whatare you gon - na let

œ.

love

4.

∑

˙.

that

j ‰ ‰ œ œj

..

∑

Œ . # œj ‰ œj œ ‰ Œ œj œ ‰ Œ . Œ # œj œj œ Flat

1.2.

tires.

Love,

Love

3.

j j j j j j j j j & b .. œ # œ œ ‰ œ œ ‰ Œ œj œ ‰ Œ . Œ # œ œ œ .. œ ‰ Œ . Œ # œ œ œ œ # œ œ ‰ ‰ Ó . 39

pre - cious. Flat

tires.

Verse 2: With a jack and a spare you’re there Trying to get to where love is Coming in on a rim and a prayer Trying to get to where love is ’Cause love is precious love, love You said it was precious love First you felt my fire Before you dreamed flat tires You dream flat tires (To Bridge 1:) You Dream Flat Tires - 2 - 2

Love,

love

is

Verse 3: ’Cause I know that you love me But, what are you going to let love be Just a vague flirtation Or extra special company? ’Cause love is precious love Everybody knows it’s precious When first they feel that fire Before they dream flat tires They dream flat tires

love

is

pre - cious.

Bridge 2: “Woman she bounce back easy But a man could break both his legs” Do you tell me that to tease me Or just to hear me beg “Please, don’t be cold”

is

328

UNDERNEATH THE STREETLIGHT *Guitar tuning, w/Capo II C-7-7-5-4-3

Words and Music by JONI MITCHELL

➅=C ➂=G ➄=G ➁=B ➃=D ➀=D Bright Ó = 150 Intro:

1.

G sus2

G/D

j œœ œœ

# j & C .. œœ œœ œœ œœ œœ œœœ œœœœœ œ F .. 2 2 2 2 2 00 T 2

A B

0 0 0 0 0 0 0 0 0 0

G sus2

j œœ œ œ œ œ œœ œœ œœ œœ œœ œœ œœ 2

0 0 0 0

0 0

G/D

0 0 0 0

2 2 2 2 0 0 0 0 0 0 0 0

G sus2

G 12fr.

G/D

œœ œ œ ¿ œ œ œ œœ œœ œœ ¿¿ œœ œœ œœ 2

0 0 0 0

¿¿ ¿

2 2 0 0 0 0

*Recording sounds a whole step higher than written.

œœ œœ

œœ œœ

0 2 2 2 0 0 0 0 0 0 0 0 0

¿¿ ¿¿

¿¿ ¿¿

A

C

5fr.

5fr.

œœ ¿¿ œ ‰ œœœ ... .. œœ ¿¿¿ ¿¿¿ # œœœ ¿¿ œ œ œ¿¿ œ . œ¿¿ œ ¿¿ 12 5 . ¿¿¿ ¿¿¿ 22 5 . ¿ ¿ 22 ¿¿ 12 12 5 ¿¿ 2 0 0 111

j œœ œœ

2.

C/G 11111

11111

11111

œ. ‰ n œœœ ... œ. 5 5 5 5 5

Verse: D/G

G

7fr.

D/G

G 7fr.

# & .. Œ

11111

j œ œ œ Œ

Cont. rhy. simile

6

œ œ œ.

1. Yes, I do. I 2.–4. See additional lyrics

‰ œj œj œ

Œ

I swear on

j œ œ nœ

11111

swear on

C

the street - light

Gmaj7/C

G

œ

on

&

#

11111

∑

œ

One

D/G 16

&

#

œ

shad - ow

7fr.

j œ œ. œ œ œ œ

11111

11312

un - der - neath the street-light. Underneath the Streetlight - 2 - 1

œ

curs

G

G 7fr.

Œ

111

I

C

G 7fr.

‰

11111

œ œ œ œ

-

in’ an - oth - er

5fr. 11111

j œ I

7fr.

j j ‰ œ œ

shad - ow

D/G

C/G

‰

˙

shad - ows.

D/G

12fr.

Ó

the

7fr. 11312

œ

do!

j œ œ.

œ

back

G

11111

j œ

2 1

œ œ

shov - in’

7fr. 2 1

11111

œ œ

cor - ner

D/G

5fr.

‰

5fr.

j nœ œ.

the

I

G/C

C/G

11312

œ

j œ œ

j œ œ

11312

a - bove,

5fr.

# & œj œ G/C

œ œ

the stars

F 5fr.

13

j œ œ

11111

love you!

C/G 10

7fr.

œ

laugh - ing

G 7fr.

7fr.

11111

œ

j ‰ œ

11312

11312

œ

œ

œ

œ œ

don’t know where they’re com - in’

j œ œ from.

© 1982 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

‰

329 G

D/G 7fr.

19

&

#

11111

7fr.

j ‰ œ

11312

œ

œ

I

just

œ

œ

œ

see

’em pass

4.

A

C

22

&

#

∑

œ

œ

œ

un - der - neath the street

∑

œ

-

light.

G 7fr.

7fr.

Œ

œ

œ

Yes,

I

11111

D/G

j œ

œ.

do.

j œ

I

G 7fr.

love

œ

11111

I

œ

œ

œ

real - ly

love

j œ

œ.

you!

5fr.

Ó

œ.

11312

Ó

œ J

111

you.

Yes,

D/G

&

#

œ

œ

œ

Yes,

I

œ

do.

Œ

Ó

11111

I

do.

7fr.

Œ

‰

j œ I

œ love

Verse 2: Yes, I do. I love you! I swear on the buildings above I do! I swear on a billion yellow and TV blue windows Gay boys with their pants so tight out in the neon light Underneath the street light M–M–M– Madman, madman, kickin’ over garbage cans Underneath the streetlight Verse 3: Yes, I do. I love you! I swear on the blinkin’ planes above I do! I swear on the truck at the stoplight With his airbrakes moanin’ All night the trucks roll up to the tunnel toll Underneath the streetlight They come rollin’, rollin’ Rollin’ for a livin’ Underneath the streetlight Verse 4: Yes, I do. I love you! I swear on the disco sparkle dark, I do! I swear on the bebop boys chasin’ the black bird Rock ’n’ roll broadcast movin’ up now full blast Underneath the streetlight They come dancin’, dancin’ Really rock ’n’ rollin’ Underneath the streetlight Underneath the Streetlight - 2 - 2

j œ

œ

G 7fr.

28

Ó

11312

D/A 7fr.

# & Ó 25

j ‰ œ

11111

11111

D/G

11111

11111

C 5fr.

11312

œ

5fr.

A

7fr.

11111

- in’

1.–3.

G

D/G 7fr.

11312

œ

you.

Œ

Ó

..

330

LOVE

*Guitar tuning, w/Capo II: D-7-3-2-5-4

➅=D ➂=C ➄=A ➁=G ➃=D ➀=B Freely

# & # 44 Œ

Words and Music by JONI MITCHELL

Verse: Gmaj9/A 7fr. 111111

œ

˙

œ

œ

œ

1. Al - though *Recording sounds a whole step higher than written.

I

.. Œ

œ

speak

j œ œ

‰

Gtr. use ad lib. fingerpicking throughout

in

œ

œ

œ

tongues of men 2.–5. See additional lyrics

and

Moderately Π= 117

Dmaj9 4

&

##

œ œ œ œ

œ

j ‰ œ

1111

œ œ

an - gels, I’m just sound - ing

brass

œ

Œ

‰

j œ

and

Am7/D

j œ œ

tin

-

j j œ œ œ

kling

Amaj9/B

cym

&

##

Œ

2 1

œ

∑

Ó

Œ

234

œ

Love

Dmaj9

œ

œ

œ

suf - fers

&

##

Amaj9/B

Œ

1111

œ

Ó

∑

Œ

111111

Œ

œ

œ

Love

is

long.

with-out

Em7/A

9fr.

11

bals

7fr.

111111

love.

-

Em7/A

9fr.

7

œ œ

7fr.

‰

j œ œ œ œ œ

kind!

En - dur - ing all

‰

234

things,

œ

œ œ œ

hop-ing all

œ

things.

1. Am7/D 5fr.

15

&

##

‰ n œj œ œ

Ó

2 1

œ œ œ

Love has no

e - vil

in

1111

˙

mind.

œ

Œ

Ó

j œ ..

j œ œ œ nœ

œ

2. If

I

had

2. Dmaj9

Am7/D

## Ó & 19

‰

2 1

j nœ œ I’d

be

œ

noth

j œ nœ. -

Ó

∑

∑

1111

ing.

Am7/D 5fr.

23

&

##

1111

Love - 2 - 1

5fr.

∑

∑

2 1

∑

∑

1111

∑

˙.

3. Love © 1981 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

œ

..

331 3. Am7/D 5fr.

29

&

##

Ó

1111

2 1

œ

n˙.

child

w

sees.

4.

˙

‰

j œ œ œ ˙

4. As

a

..

child,

Am7/D 5fr.

## Ó &

‰ n œj œ

33

2 1

through a

œ

glass

j œ nœ.

Ó

1111

˙

dark - ly.

w

˙

5fr.

37

&

##

∑

2 1

∑

‰ n œj œ œ ˙

∑

1111

5. Where, as

a child,

5. Am7/D 5fr.

41

&

##

‰ n œj œ œ œ œ

Œ

2 1

love’s

the great - est

œ œ

‰ n œj œ

Œ

beau - ty.

1111

w

Love,

Gmaj9/A

Œ

œ

Ó

Dmaj9

7fr.

# & # Œ

‰ œj ˙

# & #

∑

45

111111

50

love,

∑

Love - 2 - 2

w

love.

∑

Verse 2: If I had the gift of prophecy And all knowledge And the faith to move mountains Even if I understood all the mysteries If I didn’t have love I’d be nothing Verse 3: Love never looks for love Love’s not puffed up Or envious, or touchy Because it rejoices in the truth Not in iniquity Love sees like a child sees

‰ œj ˙

Œ

w

1111

∑

∑

˙

∑

∑

Verse 4: As a child I spoke as a child I though and I understood as a child But when I became a woman I put away childish things And began to see thru a glass darkly Verse 5: Where, as a child, I saw it face to face Now I only know it in part Fractions inme Of faith and hope and love And of these great three Love’s the greatest beauty

Ó

∑

..

332 Guitar tuning: D-7-3-5-2-5

MAN TO MAN

➅=D ➂=F ➄=A ➁=G ➃=C ➀=C

Words and Music by JONI MITCHELL

Moderately Ó = 54 Intro:

Bm7

Dm11

1111

¥¥ ¥¥

¥ & b C ¥¥¥ harm. F 1111

7fr.

j j œ œœ ‰ ‰ œœ ˙˙˙ œ n#œ œ ˙

12fr.

T A B

Am11

9fr. 1

7 7 7

7

12 12 12 12

9 9 9

Dm11

7 7 7

7

Bm7

&b

∑

23

&b ˙ ˙

T A B

∑ œ œ œ œ

œ

0 0

0

0

0

2 2

0 0

2 2

0

0

2 2

∑

1

7

Verse: Gm11 1

‰ Œ

111

mands. 2.3. See additional lyrics

œ & b .. œœœ ..

T A B

œ œ œ

5 5 5 5

5

1

‰

j œ

111

Just

œœœ œ

œœœ œ œ

5 5 5 5

7 7 7 7

7

j œ œ œ œ œ œ œ

pleas-ur - ’ble

sen - sa - tions,

˙˙˙˙

&b Ó

No

Man to Man - 3 - 1

1

7

7

0 0

111

j ‰ Œ œ œ œ œ œ

Cont. rhy. simile

hand

œ

far

j œ œ

reach-ing

in - hand.

∑

0

7

7

Gm11

7fr.

111

œ

1

Am11

5fr.

‰ b œj œ œ

de -

œ œ œ œ œ 7

œ œ œ œ

7 7 7 7

Gm11

111

‰

3

7

7fr. 1

7

1. No

5fr.

5

Am11 12

7 7 7

7fr.

j & b .. œ œ 9

˙˙˙ ˙

‰ b œj œ œ

Gm11

Am11

5fr.

Ó

111

7 7 7

9 9 9 9

0

7

7fr.

j j œ œœ ‰ ‰ œœ ˙˙˙ œœ # œ n œ œ ˙

0 0 0

7

7

Am11

1111

œœ œœ œœ œœ œ œ œ œ

œœœ œ œ œ œ

7

9fr.

5

˙˙˙ ˙

111

j œ œ œ Œ 1

plans,

111

5fr.

‰

‰ j j œ œ œ œ œ œ œ 1

œ

no,

no,

111

3

no, no,

hand - in - hand.

© 1981 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

333 Am11 7fr.

&b 16

1

Am11

7fr.

7fr.

‰ Ó

111

Ó

1111

œ.

&b

D m11

Am7

Œ

∑

œ

œ œ

œ

111

Well, I

keep

∑

T A B Dm11

on

œ

œ

0

0

3 j œ œ œ œ œ

&b ‰

j ‰ œ

œ

How come I keep mov - ing

un

œœœ œœœ J 2 2 2

0 0 0

-

˙˙˙ ˙

7fr.

1

der - stand

&b œ œ œ œ ‰ œ 111

giv - ing my sweet

love,

‰

1

∑

day - light bright.

œœœ œ œ

œ

œ

7

7

7

5fr.

‰ œj œ

Œ

111

1

œ œ

to

œ

man

to

man,

Am11

5fr.

7fr.

œ œj ‰ ‰ œj ‰ œj œ Œ ‰ œ . 111

1

tast - ing

sweet

‰

j œ œ œ œ

111

Gm11

7fr. 1

œ

Gm11

Am11

111

œ

7 7 7

man

5fr.

œ

œ

7

from

Gm11

Am11 1

j œœœ œ

to

œ

7fr.

1111

23

try - in’

œ

111

Am11

12fr.

20

œ œ œ œ 1

œ

111

love,

1

real

œ œ œ œ œ œ 111

sweet love

wom-an to

1.2. Dm11

Bm11

PP

& b œj œ 28

Am11

9fr.

‰ Ó

23

∑

1

7fr.

∑

111

1

‰ b œj œ n œœ ..

Ó

111

man?

2. Some - times it’s 3. I don’t like to

3. Dm11 PP

j & b œ œ. 32

23

man.”

&b

œ œœ œ œ

˙

T A B

Ó

0

0

0

0

∑

∑

œœ œœ œœ œœ œœ œ œ œ œ

œœ œœ œœ œœ œœ œ œ œ œ

0 0

2 2 0

Gm11

&b œ 1

111

man

2 2 0

0

0 0

2 2 0

0

œ œ œ

to

Man to Man - 3 - 2

man

œ œ to

man

111

œ

0

0 0

0

0

to

man

to

1

man.

111

œ œ

œ œ œ œ

2 2 0

0

0

0

Am11

5fr.

‰ œj œ œ œ œ

’Cause I’ve been mov - in’

œœ œœ œœ œ œ

2 2

Gm11

7fr. 1

0 0

2 2

0

Am11

5fr.

36

0 0

‰ œj œ œ œ œ

Œ

7fr.

Œ

‰ œ. Oh,

1

œ

111

œ œ3 œ œ œ œ what am

I look - in’ for?

0

334 Gm11

&b œ 40

1

111

Man

7fr.

œ œ

œ œ œ

to

man

to

Gm11

1

man,

&b

1

œ

1

7fr.

Ó

‰ œj œ œ œ

Œ

111

1

a

Gm11

∑

1

111

œ

Am11

∑

1

Gm11

& b œJ œ 1

111

‰

Ó

∑

111

1

œ

to

∑

111

1

∑

111

‰ b œj œ

Ó

Bm7

PP

T A B

∑

man.

˙

˙

œœ œ œ œ 0

0

0

1111

1

0 0

0

2 2 0

0 0 0

9 9 9 9

0

0

7 7 7

7 7 7

7

7

˙˙˙ ˙

j œœ ‰ n # œœ

0

œ 0

œ 0

œ

œœ

0

2 2

œœ œ

œœ 0 2

0

Verse 2: Sometimes it’s easy You drift with the empty gladness Like it all belongs Sometimes it’s lowdown sadness Like it’s all gone so wrong When I saw you standing there I said to myself “Mm, here’s a place I could breakdown and care I’ll give him sweet love, tasting sweet love Real sweet love, woman to man” Man to Man - 3 - 3

œ

œœ

œœ

œ

0 0

œ

0 0

œ 0

0

9 9 9 9

7

7

7fr.

1111

23

œ œ œ

Am11

9fr.

PP

T A B

œ 7

Bm7

˙

∑

111

j j œ œœ ‰ ‰ œœ ˙˙˙ œœ œœ œœ œœ n # œœ œ œ ˙ œ œ œ œ

2 2

to

7fr.

Dm11

&b

œ

Am11

9fr.

23

0

to

wom - an

Dm11

&b

man

7fr.

Outro:

j & b œ œ.

œ œ

œ œ œ

111

man;

53

door.

œ

Am11

5fr. 1

œ

5fr.

Man

7fr.

œ

Gm11

7fr.

111

œ

œ

lot - ta good guys gone through my

5fr.

111

Am11 49

Ó

1

7fr.

∑

111

Œ

111

Am11

5fr.

Am11

5fr.

44

Gm11

Am11

5fr.

1

‰

j œœœ ˙˙˙ œ ˙ 111

7 7 7

7 7 7

7

7

Verse 3: I don’t like to lie But I sure can be phony when I get scared I stick my nose up in the air, stony, stony when I get scared When I saw you standing there, I was scared I thought, “Ooh, I hope he can care Sure hope I can care Hope we can really care and share woman to man”

7

336

GOOD FRIENDS Standard tuning Piano arranged for guitar

Words and Music by JONI MITCHELL

Moderately Π= 116

### 4 & 4 ‰

N.C.

j œ œ I

œ

œ

œ

‰ œ

œ œ Œ

have to come and

see you

œ J

may - be

E/F #

### Π&

œ I

œ think

œ œ

œ

œ

œ

no - thing would suit

once

F #m

me

1

2

a

year.

34

j ¿ ‰ Œ

bet - ter

B5

or twice

N.C.

Œ ‰ !j !j ! . Ó œ œ Œ 2

3

œ ‰ ‰ œJ œ œ œ J

right

j ‰ œ œ ¿ now, than some

D5 5fr.

Ó ! ! 6 ### œ œ œ œ œ œ & 134

down - town

O ### œ œ & 9

j ! !.

! ! œ

&

Œ

œ

D

Ó

Œ

4312

‰

Cont. rhy. simile

œ J

Syn - chro - nized

nœ like

œ

234

œ œ œ œ œ

œ

bet - ting in the O.

T.

B.

Œ

Ó

G

C 3fr.

321

Good Friends - 3 - 1

œ œ œ

œ

œ

D/E

or

œ œ œ

234

‰

2fr.

G

### œ

O Œ

In the dance halls and

G/D

5fr.

12

j !

134

at - mo-sphere

gal - ler - ies,

C

j ! ! ∑

5fr.

mag - ic;

‰

321

œ

Œ

Ó

D5 3fr.

œ

œ

1121

5fr.

œ J

œ

134

œ œ œ

good friends you and me.

© 1985 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

∑

œ the

337

% Verse:

A

E/A

## & # .. Π16

j œ œ

‰

21

œ

œ

E/A

œ

213

œ

1. The sun goes down in 2.3. See additional lyrics

œ

### œ &

œ œ œ

‰

213

y.

We could talk

E/F #

j œ

œ

1

œ œ

it

up

’til the block gets

sto - ries.

Ó

2

### œ &

œ

œ

C

&

234

Ó

œ

2

œ

œ

34

Ó

Ó

G

Œ

œ

œ œ œ

134

œ

œ

in

some

D/E

134

321

‰ Jœ œ

No hearts

of

134

it

run

like

a

œ

œ œ

œ

œ

gold,

no

4312

Œ

œ œ J nerves

D5/E

Œ

œ

A5

œ

11

34

of

steel.

œ

B5/A

Ó

Good Friends - 3 - 2

∑

34

To Coda fi

E5

∑

me.

B5/A

j œ

Ó

A(9,11)

Asus

A

Asus

Csus

2fr.

œ œ œ œ œ J

‰

No blame for what we

œ œ Œ

112

can

‰ œ

134

and

3fr.

œ J

œ œ ˙

œ

132

can - not feel.

214

1.

###

Ó

mov - ie.

134

good friends you and

D

134

œ3

5fr.

‰ œ J 2fr.

œ

1121

D5

321

mag - ic; F #5

œ

œ

3fr.

œ

234

like

œ

œ 3

G

B5

### Π&

œ

œ

4312

3

5fr.

œ

œ œ œ nœ

### Π&

&

œ

Swap - ping

D

C 3fr.

B5

40

œ

Œ

up.

∑

34

Watch - ing

Chorus:

36

Lit - tle It - al -

5fr.

œ

zoo.

Syn - chro - nized

32

o - ver

2fr.

134

### œ

œ œ œ œ

D5

G/D

all - night

28

œ 1

7fr.

5fr.

es

œ

Sit - ting a - round

E5 25

œ

F #m

œ

2

œ J

-

F #m

### œ & J 2

œ.

21

Ris

œ

E/F # 22

‰

Jer - sey.

A 19

Œ

œ.

∑

∑

∑

213

2.

∑

..

∑

1334

214

D.S. % al Coda

∑

338

fi Coda

Am

G/A 3fr.

## & # w 45

∑

321

231

feel.

Chorus:

F #5

B5

## & # Œ

‰ œJ œ

134

47

No hearts

œ

œ

œ

gold,

no

134

of

D5

B5/A

A5

34

11

5fr.

œ œ J

j œ

134

nerves

œ

of

steel.

œ

Ó

∑ Asus A5 Asus

Csus 3fr.

B5 51

&

###

D5/E

E5

214

2fr.

‰ œJ œ œ œ œ

Œ

134

No blame for what we

œ œ Œ 112

‰ œ

134

can

and

œ J

œ œ ˙

can - not feel.

œ

11

!

!

1334

214

! ! ! ! ∑

Repeat and fade

## & # .. 55

O

∑

O. Ó

‰

j œ

! œ

! nœ œ

Good friends you and

O

nœ

Œ

me.

Verse 2: But now it’s cloak and dagger Walk on eggshells and analyze Every particle of difference Gets like mountains in our eyes You say “You’re unscrupulous!” You say “You’re naive!” Synchronized–like magic– Good friends you and me (To Chorus:) Verse 3: Sometimes change comes at you Like a broadside accident There is chaos to the order Random things you can’t prevent There could be trouble around the corner There could be beauty down the street Synchronized–like magic– Good friends you and me Coda No hearts of gold, no nerves of steel No blame for what we can and cannot feel No nerves of steel, no hearts of gold No blame for what we can and can’t control Good friends you and me Good friends you and me Good Friends - 3 - 3

Ó

O

∑

..

339

FICTION Standard tuning Keyboard arranged for guitar

Moderately fast Π= 141 Intro:

% Verse: F/C

N.C.

& 44 ..

Words and Music by JONI MITCHELL G/C

.. .. ‰ œj œ œ œ ‰ Œ J

∑

34211

3

3

3

3

N.C.

3

3

3

F/C

& œ Œ Ó

3

-

ti - ply

j ‰ œ œ œ œ & 34211

3

4

Cont. rhy. simile

Œ

Œ

What should I buy?

&‰

j œ œ

‰ œJ

œ œ

œ

3

go?

0 0

N.C.

œ Œ Ó

4

j j ‰ œœ œœ œœ ‰ Œ

to go?

∑

0 0

2 3

What should

I

3

œ

4

34211

be?

œ. œ Œ you.

Œ

œ œ ‰ J Too much

N.C.

œ œ œ œ œ œ œ J J

32 1

3

4

Which way

C

So much comes at

Fiction - 3 - 1

34211

F/A G/C

G/C

F/C 34211

2 3

to

j j œœ œœ ‰ Œ

œ œ œ œ œ œ œ J J

0 1 0

C

14

0 1 0

grow. Which way

œœ œ

7 8 7

œ œ œ œ œ J 4

G/C

F/C

10

œ œ

The choic - es

0 0

2 3

‰ œœ

F/C G/C

32 1

œœ œœ Œ ‰ Jœ œ

j j œœ œœ ‰ Œ

‰ œœ

T A B

œ œ Œ ‰ Jœ œ

3

which way

œœ œ

3 3 4

0 0

C

4

The op-tions mul

∑

œ œ Œ ‰ œœ œœ J

G/C

34211

34211

3

‰ œj œ œ œ

5

&

3

‰ œ

32 1

I don’t know

j j œœ œœ ‰ Œ

& 44 .. œ œ œ œ œ œ œ œ .. .. ‰ œœ F .. .. .. 2 T A 3

F/C G/C

œ

Œ ‰ Jœ œ

4

1. I can’t de - cide. 2.3. See additional lyrics

Keybd. (arr. for gtr.)

B

C

F/C

œ œ

32 1

for

to go?

me.

œ œ J

34211

Which

œ œ œ œ œ

N.C.

œ œ œ œ œ J 4

way

œ

(Doc-tor, Law-yer, In - dian Chief.)

G/C 3

œ

to

go?

© 1985 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

∑

340

B b5 18

& & T A B

22

&

C5

∑

133

œ œ ‰ J

Œ

œ bœ œ œ œ œ œ œ Keybd.

6

œ

œ

6 8

7

3fr.

œ

œ œ. J

E - lu - sive

b œ œj œ .

8

7

5

and vague de - sires.

œ bœ œ œ œ œ œ œ 6

8

7

8

7

8

7

5

133

∑

œ

133

Fanned

to

fier - y needs

w

œ

œ

‰ œJ

of

œ œ œ

gold - en

œ œ œ œ œ œ œ œ

T A B

8

ad

em - pires.

5

7

5

7

5

8

5

2 1

Fic-tion

7

5

5

7

Bb 12341

∑

¿ Truth.

Œ

œ J

œ œ œ œ œ

11

œ

Fic - tion of the boob tube;

œ œ œ œ œ œ œ

12341

Cont. rhy. simile

Fic-tion of the mag - a - zines;

Fiction - 3 - 2

in

5

7

5

7

5

œ œ. J

Œ

œ œ œ œ œ œ œ œ

8

Fic-tion.

5

7

5

5

7

5

∑

2 1

¿

Fic - tion.

Œ

œ J

œ.

Fic - tion.

Truth. F5

Bb

&

5

œ.

E5

38

boys

Am7

30 Cont. rhy. simile

&

œ

12341

Am7

j œ œ. œ œ. J

j œ œ.

œ œ Œ

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ &

&

5

3fr.

Truth.

34

7

Bb

œ

Ó

Cont. rhy. simile

8

8

C5

¿

&

b œ œj œ .

6

5

∑

26

œ

œ

6

5

B b5

œ œ œj œ .

‰ œj œ

dreams

6

5

œ

133

œ œ œ œ œ œ. J fic - tion of the pa - pers;

œ œ œ œ œ œ œ œ bœ œ œ œ ˙

134

fic - tion of the im - age and the

im - age mak - ers.

To Coda fi 1.

Am

œ œ œ œ œ œ Œ fic - tion of the mov-ies;

5fr.

œ œ œ œ ¿ ¿

3111

¿

¿ ¿ ¿ ¿ ¿ Ó

fic - tion of the “Buy me,”“Watch me,” “List-en

to me.”

..

Am

Cm7 5fr.

42

&

341

Bridge:

2.

œ œ œ œ

3111

3fr.

œ œ œ œ œ œ œ œ ˙

bœ œ œ œ bœ œ œ 1312

fic - tion of peace-mak - ers and s*** dis - turb - ers.

œ. œ œ œ J

bœ œ œ œ bœ œ œ & œ bœ 46

fic - tion of the in - no - va - tor

B b2

and

Fic-tion of the mor - al - ist;

fic - tion of the ni - hil - ist;

2fr.

bœ œ œ œ bœ 412

the styl - ist.

bœ œ œ œ bœ œ œ

bœ œ œ œ

œ

Fic-tion of the kill - joy;

œ œ œ

fic - tion of the charm - er;

A b/C

3fr.

œ œ œ œ œ œ œ &œ 50

‰ œ

fic - tion of the clay feet and the

54

& bœ

bœ œ œ œ

no

-

œ bœ. J

nuk - ers.

D.S. % al Coda

bœ œ œ œ œ bœ œ b œ & 58

fic - tion of this is this and that

Fiction - 3 - 3

œ

shin - ing ar - mor.

œ œ b˙

fic - tion of the pro - and the

j œ œ

œ œ œ œ ‰ J is that ahh!

bœ œ œ œ œ. J

bœ

1432

Fic - tion of

B b/C

de-claim-ers;

bœ

bœ œ œ œ œ. J

fic - tion of

re - buk - ers;

6fr.

bœ

3 4211

bœ œ œ œ

œ

Fic - tion of the giz - mo;

fi Coda

bœ

bœ œ œ œ œ. J

fic - tion of the da - ta;

Am

5fr.

60

&

œ œ œ œ œ œ œ œ œ œ œ œ ˙

3111

fic - tion of the mon - u- ments re - duced to ze - ro.

Verse 2: I can’t decide I’m so confused Which way to go? I’m being useful here I’m being used Which way to go? Some line gets drawn What line is this? Which way to go? Could be a threshold or a precipice Which way to go?

Verse 3: I can’t decide I don’t know Which way to go? The more you learn The less you know Which way to go? Some follow blind And never know Which way to go? To lead you need some place to go Which way to go?

Elusive dreams and vague desires Fanned to fiery needs by sexy boys In flaming TV fires Fiction Truth Fiction Truth Fiction Truth Fiction Fiction of obedience Fiction of rebellion Fiction of the goody-goody And the hellion Fiction of destroyers Fiction of preservers Fiction of peacemakers And s*** disturbers (To Bridge:)

Elusive dreams and vague desires Fanned to fiery needs by deadly deeds In falling empires Fiction Truth Fiction Truth Fiction Truth Fiction Fiction of the diplomat Fiction of the critic Fiction of the Pollyanna and the cynic Fiction of the coward Fiction of the hero Fiction of the monuments Reduced to zero

342

THE THREE GREAT STIMULANTS Standard tuning Piano arranged for guitar

Words and Music by JONI MITCHELL

Moderately Π= 112 Intro:

& 44 ¿

¿

¿

¿

¿

¿

¿

¿

¿

¿

¿

¿

¿

¿

¿

¿

T A B Am7

1.

2 1

ww . & . w w F 3 T .. 10

A B

j œ œ.

ww˙ w

Piano (arr. for gtr.)

0

C

& .. Œ

‰

2 1

œ J

œ

œ

œ

œ

& œ

œ œ œ

of

œ

oth - er

3

3

24

& Œ

œ œ. J

œ œ

Œ

1

pa - per

1

œ œ. J

Œ

peo - ple’s

œ J

œ

Would -n’t they

like

their

The Three Great Stimulants - 3 - 1

œ œ Œ

Ó

1 324

off the

œ œ lit - tle

Cmaj9

œ œ œ

..

Ó

œ œ

Œ

floor.

It was

F6

G 5(9)

16

.. www w

F6

C

Cont. rhy. simile

full

3

1. I picked the morn - ing 2.–4. See additional lyrics

Am7 2 1

7

3

A m7

8

œ

˙˙ .. ˙ .. ˙

0 1 0

0

% Verse:

12

ww w w

2.

œ J peace?

œ

2143

œ œ

1 324

Œ

Ó

∑

wars.

Am7

Œ

Ó

2 1

Œ

œ

œ

Don’t we

œ get

œ œ Œ

Œ

bored?

© 1985 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

œ œ And we

343 F

G

& œ

œ œ œ

20

3211

32

call

C 4

œ

œ œ œ

3

for the three great

1

Ó

œ œ œ ‰ J

Ó

stim - u - lants

œ

œ

œ

Œ

Œ

of the ex - haust - ed ones:

œ œ œ œ & ‰ J

‰ Jœ

bru - tal - i - ty

C

œ œ œ

in - no-cence.

œ œ œ

Ó

1

in - no -cence.

2.3.

∑

&

3

Ar - ti - fice and

To Coda fi 1. 29

œ œ œ œ

Ó

Ó

2 1

and

Œ

art - i - fice,

Am7 25

œ œ œ

∑

Ó

œ œ . .

Œ

∑

œ œ œ œ œ

Œ

2. No

Oh, and deep in

the

Bridge: Am7

& œ œ Œ 34

2 1

Ó

‰ Jœ œ œ œ

Œ

night

our ap - pe - tites

œ

œ

find

Ó

‰ œj œ

Œ

us.

Re-lease

C 3

& Ó

Deep in

Cmaj9

43

œ

2143

&

the

1

Ó

Ó

Œ

night.

Ó

˙ ‰ Jœ œ œ

2 1

and mak - ing laws

1

hind

œ

Ó

us.

The Three Great Stimulants - 3 - 2

us.

œ

œ

and

bars,

‰ Jœ

24

œ œ

they’d like

∑

∑

œ œ

œ œ œ œ œ

3

to

up build - ing bombs

F

G

œ

œ œ œ

3211

slam

32

free

D.S. % 2.

1.

& œ 3

Œ

œ

us and blind

While mad - men sit

C 47

œ J ‰

Am7

Œ

˙

G 5(9)

œ œ. œ œ œ œ ‰ J

39

œ œ

∑

4

choice

œ be

-

D.S. % al Coda

∑

344

fi Coda

Am7

∑

52

&

‰ œJ œ œ

Ó

Oh,

these

.. œ

Œ

2 1

Ó

times

1

œ

Œ

Ó

œ

Œ

times.

& Π3

‰

œ J

32

œ

œ.

œ

œ J

the hearts

œ

4

Oh,

œ

œ

œ

these chang - ing

3

of

œ

all

Ó

œ

man - kind.

Repeat and fade w/vocal ad lib.

œ

1

Œ

Ó

Œ

times.

Verse 2: No tanks have ever rumbled Through these streets And the drone of planes at night Has never frightened me I keep the hours and the company That I please And we call for the Three great stimulants Of the exhausted ones Artifice, brutality and innocence Artifice and innocence (To Bridge:) Verse 3: I saw a little lawyer on the tube He said “It’s so easy now Anyone can sue” “Let me show you how your petty Aggravations can profit you!” Call for the three great stimulants Of the exhausted ones Artifice, brutality and innocence Artifice and innocence (To Bridge:) Verse 4: Last night I dreamed I saw the planet flicker Great forests fell like buffalo Everything got sicker And to the bitter end Big business bickered And they call for the Three great stimulants Of the exhausted ones Artifice, brutality and innocence Artifice and innocence (To Coda)

The Three Great Stimulants - 3 - 3

œ

2 1

C

G 1

œ

Chang - ing

C 59

œ

Am7

& œ 3

œ

Oh, these chang - ing

C 56

œ

Ó

‰

œ J

œ

œ

œ

œ

Oh, these times, these times.

..

345

TAX FREE

Standard tuning Piano arranged for guitar

Moderately Π= 116 Intro:

Words and Music by JONI MITCHELL and LARRY KLEIN

A2

A

##4 & # 4

1

Piano (arr. for gtr.)

œ œ œ œ œ œ F

T A B

% Verse: Œ

# # # Piano Π& 6

### Π& 10

2

0

&

18

&

###

œ

clock.

###

Œ

2

1

213

! œ

j !. ! ! Œ ‰ œ Œ J Œ

Joke a-round,

I

1 312

‰ Jœ œ œ œ œ

Œ

..

0 2 5

2 3

Cont. rhy. simile

rooms.

0 2 5

2 3

‰ œJ œ œ œ

Œ

Slide in - to ta -bles,

Œ

‰ Jœ Œ

Œ

œ

œ

crowd in - to bath-rooms.

deep

œ

‰ œ œ J 1

213

lie

down.

talk.

C #/E #

A

‰ œJ Œ

Œ

j œ ‰ œj ‰ œ œ œ œ

œ

2 111

talk,

A2

Crawl home,

1 312

Talk,

talk,

Teeth

‰ œJ Œ

Œ

œ œ

talk a - round the

chat - ter,

œ

heart

pounds,

A/G

2 31 4

œ

213

cheap

œ

œ

C #/E #

‰ Jœ Œ

A

œ

0 2 5

2

3

Cont. in slashes

A/G

‰ Jœ œj œ . 213

0

A

! œ

back

2 314

1

j j . . . œ œ œ œ œ œ œ œ œ œ œ œ œ . . . n œ œ n œ œ nœ . nœ œ . n œ œœ n œœœ œ œ 0

1

2.

213

2 2

A2

1. Front rooms, 2. See additional lyrics F #m9

F #m9

0

A

j ! ! ‰ œ Œ J ‰

œ . œj œ œœ œ œ 2

A2

A2 14

0

2

213

1.

Dm/A

œ

œ

don’t feel

œ

Œ

œ

¿

so good.

¿

I

¿

don’t feel

¿

¿ J

‰

œ

Œ

œ

213

œ

œ

Push your but - ton

so good.

œ

œ

to

es -

‰

œ J

A2

## & # œj ‰ 21

‰

cape. Dm/A

24

&

###

nœ

213

œ

œ

Preach - er

on

the

œ J

œ

œ

œ 1

tube

œ J

‰

œ

cry - ing

œ

˙

œ

œ nœ œ œ in

this land.”

2fr.

Œ

¿

1412

¿

“Rock ’n’

¿ roll

¿

¿ ‰ J

mu - sic!”

nœ

Œ

“Lord!

G (9)/B

e - vil

Tax Free - 3 - 1

œ

œ

A (9)/C #

œ

4fr.

1412

“Cast down these

There’s

œ

œ J

œ.

dope - fiends!

© 1985 CRAZY CROW MUSIC and DEE KLEIN MUSIC All Rights Excluding Print for CRAZY CROW MUSIC Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

346

B (9)/D #

6fr.

## & # Ó

œ

Œ

27

œ

œ

and their

Chorus: Esus

30

&

7fr.

### œ

nois - y

&

œ œ œ œ ‰ J

&

###

&

45

Œ

1234

œ J

and

&

Ó

Œ

œ

Œ

1234

œ

œ

will have

es - tates.

œ nœ œ œ. . ‰ R

5fr.

œ J

1234

be-hind the pearl

œ œ œ œ œ œ

1234

-

y

gates.

Dsus 7fr.

œ

œ

in

this

1234

his

œ J

‰

D

5fr.

œ J

œ.

life

but,

œ.

œ J

nœ ‰ J

Œ

1234

1

œ

œ

He’s

### ¿ &

213

im - ma

œ

œ

œ

œ

1234

to

wait.

(play intro simile)

-

œ

œ

œ

cu - late - ly

tax

Ó

≈ ¿ ¿ ¿ ¿

¿

¿

free.

3

“Mul - ti - ple hun - dreds of A2

¿

3

¿ ‰

thou-sands of…”

j œ Œ

Tax

œ

Œ

free.

¿

¿ ¿ ¿ ¿ ¿ ¿ 3

3

¿ ‰

3

Œ

1

‰ œj œ Tax

“Hun-dreds of mil- lions of dol - lars.”

E/F #

## & # ¿ ¿ ¿ ¿ ¿ ¿ Œ 51

hun-dred bil - lion dol - lars!

Tax Free - 3 - 2

5fr.

yours will have

Dm/A 48

Ó

œ J

To Coda fi A2

˙

Œ

œ

œ J

D

5fr.

an - gel bands

œ.

hate.

1234

Prom - i - sing

Ó

Ó

5fr.

nœ œ œ.

1234

E

7fr.

like

œ œ. J

D

5fr.

œ œ œ

1234

œ J

1234

Dsus

Œ

Preach - er

5fr.

Preach-ing love

œ

œ

œ

Œ

souls.”

œ.

œ

Dsus 7fr.

œ œ œ.

He

###

Œ

E

7fr.

Roll-ing lawns

###

Ó

do - na - tions.

Esus 42

Œ

nœ

1234

7fr.

1234

Call - ing for large

¿ J

D

5fr.

œ

œ œ

1234

¿

“Damn their

E

7fr.

¿ J

bands.”

like ven - geance.

Esus 38

ΠDsus

1234

preach - ing love 2. See additional lyrics

###

œ

7fr.

œ œ

Esus 34

œ

œ

E

œ œ œ

1234

œ

1412

‰

free. “A

D.S. % al Coda

9fr.

1111

œ ¿

¿ ¿ J

And who

¿ ¿ ¿ is

pay-ing

¿

¿

œ Œ

the price? Who?

‰

œ J

¿

Who? Your

¿ ¿

¿

chil-dren are.”

347

fi Coda

### . . & 54

A2

A

Ó

1

œ

œ

œ

cu - late - ly 2. See additional lyrics Piano

### . . & T A B

..

œ 0

œ

œ

œ

0

2

2

‰

œ J

Œ

j œœ

œœ

tax

œ

œ

Œ

213

œ.

2

free.

2 2

2

Repeat and fade

## & # Œ

‰

###

nœ

& T A B

213

œ 0

¿ J œ

“Our

œ 0

3

¿

¿

¿

¿

¿

na - tion has

lost

its

guts!”

œ

n œœœ

2

Verse 2: Pissed off Jacked up Scream into the mike Spit into the loving cup Strut like a rooster March like a man God’s hired hands and the devil bands Packing the same grandstands Different clothes “Pot in their pockets!” Different hair “Sexually active!” Raise a screaming guitar or a bible in the air Theatre of anguish Theatre of glory God’s hired hands and the devil bands Oh come let us adore–ME! Lord, there’s danger in this land You get witch-hunts and wars When church and state hold hands F*** it! Chorus 2: Tonight I’m going dancing With the drag queens and the punks Big beat deliver me from this sanctimonious skunk We’re no flaming angels And he’s not heaven–sent How can he speak for the Prince of Peace When he’s hawk-right-militant? (To Coda) Tax Free - 3 - 3

œœ

0

Dm/A 56

œ

¿

0 2 5

‰

œœœ ...

j œ

œ

j n œœ

œœ

Save

2 3

œ me.

n œœœ 0 2 5

Coda And he’s immaculately tax free “Our nation has lost its guts” Save me “Our nation has lost its strength” Tax free “Our nation has whimpered and cried” Save me “And petted the Castro’s” Tax free “The Khomeini’s and the Kaddafi’s” Save me “For so long” Tax free “That we don’t know how to act like a man” Save me “I think we should turn the United States Marines loose on that little island south of Florida and stop that problem!” “I am preachin’ love I am!”

.. .. ..

348

SMOKIN’ (EMPTY, TRY ANOTHER) Words and Music by JONI MITCHELL

A capella

& 44 Œ

&Π4

‰

œ

œ

Hey,

hey.

œ œ œ

& Ó

&Π15

an-oth-er.

hey.

.. œ . Try

Try

Ó

Hey,

œ œ œ.

Ó

an - oth - er.

œ œ œ

an-oth-er.

œ

a

nic - o - tine at - tack!

œ.

œ œ œ.

Try

Emp - ty,

emp - ty,

try

Ó

an - oth - er.

œ œ œ. œ œ œ.

œ

œ

#˙

˙

an-oth - er.

Ooo.

3.

#˙

#˙

Ó

Ooo.

‰

Ooo.

œ œ œ

Nic - o - tine,

& œ. œ œ œ. Ó 18

Try

Hey,

nic - o - tine.

1.2. 11

œ

œ. œ œ œ. Œ

7

Try

œ

œ œ œ

Nic - o - tine,

& œ. œ œ œ. Ó

Ó

bœ nœ. œ œ œ ≈

an-oth-er.

.. Ó

œ œ œ

nic - o - tine.

œ. œ œ œ. Œ

Try

an - oth - er.

Œ

œ œ.

Smoke,

œ. Try

œ œ œ.

œ œ.

smoke,

œ.

Ó

an - oth - er.

œ œ œ Emp - ty,

Try

œ

œ

œ œ.

smoke,

try

œ œ.

smoke,

œ œ œ.

smoke.

Ó

an - oth - er.

œ œ. œ œ œ.

emp - ty,

œ œ.

˙

an - oth - er.

© 1985 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

Ó

349

DOG EAT DOG

Standard tuning Keyboards arranged for guitar

Words and Music by JONI MITCHELL

Moderately Π= 112

C

œ œ œ œ 4 ‰ &4 J ‰ ¿ ¿ ¿ ¿ J Dog eat dog. 32 1

Œ

Bkgd. Vcl.: Dog eat dog, Keybds. (arr. for gtr.)

& 44 Ó T A B

2

3

1 0

2

3

dog eat dog,

>œ œ œ œ œ œ œ œ œ œ œ œ

1 0

2

1 0

3

2

1 0

3

Œ

‰ j ¿ ¿ ¿ ¿

dog eat dog,

œ œ œ œ >œ œ œ œ F

Œ

Œ

‰ j ¿ ¿ ¿ ¿

œœœ œ œ œ œ œ œ œ œ œ

3 3 5

2

0

2

1 0

3

2

1 0

3

D

Œ

& ‰ ¿j ¿ ¿ ¿ 4

‰ j ¿ ¿¿ ¿

dog eat dog,

Œ

Œ

‰ j ¿ ¿¿ ¿

dog eat dog,

132

dog eat dog,

œ œ & œ œ œœ œ œ œœ œ œœ œœ œ œ œ œœ œ œ œœ œ œ œœ œ œ œœ œ # œœœ œœœ > T A B

2 3

1 0

2

3

1 0

2

3 3 5

0

2 3

1 0

2 3

1 0

2 3

1 0

2

3

1 0

>œœ œœ # >œœ œœ œ œ œ œ œœœ 2 3 2

2

%Verse: C œ

2

2

Œ

>œ œ # œœ. œ>œœ # œœ œœ œ J œ J

dog eat dog.

5 7 7

10 10 11

14 15 15 15 14 17

7

Am7

32 1

& .. ‰ 9

‰ j ¿ ¿ ¿ ¿

dog eat dog,

3 2 4

2

Œ

‰ j ¿ ¿ ¿ ¿

¿ J

Bkgd. Vcl.: Dog

¿ eat

¿

Œ

¿

œ

Œ

œ J

œ

‰

1. It’s a dog 2.3. See additional lyrics

dog. F sus2

& œ œ Œ 12

in’ up.

Dog Eat Dog - 3 - 1

Œ

The dove is

œ

eat

‰ b œJ

Œ

2 1

dog.

I’m

œ

œ

just wak -

G7sus

‰ œj œ œ œ œ œ 3 1

œ

œ

in the dun - geon

œ

œ

and

j œ ‰

the

‰

3 4 1

œ J

œ

white - washed

œ

œ

hawks

© 1985 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

œ

œ

ped - al

350 Am7

D

& œ œ œ œ œJ œ 15

‰

2 1

hate and call

it

œ J ‰ œJ ‰

Ó

love.

Dog

œ

Œ

132

eat

œ

Ó

Ó

dog.

œ J ‰

#

1. Ho - ly

Chorus: E11

Em7 19

&

12fr.

# œ

2 333

œ

œ

œ

3 421

&

œ J

œ

hope in the hands 2. See additional lyrics F

22

#

12fr.

Ó

Œ

‰ œ J

of

1

and

œ

2 333

‰

œ

œ

snake - bite

2

big

-

wig

œ

3 421

œ

œ

œ

&

#

‰

j ¿ ¿

dog

¿

eat

dog,

¿

‰

3211

Ó

œ

and rack - et - eers

3 1

3fr.

œ J

34

œ‰ ¿ ¿ ¿ ¿ J

Œ

134211

fin - an - ciers. Bkgd. Vcl.: Dog eat

Œ

œ

œ

œ

‰

dog,

j ¿ ¿ ¿ ¿

dog eat

1. 26

C/F

G

œ œ œ ‰ œ œ J J 3

F

10fr.

e - van - gel - ists

D/F #

G/B

3211

E11

Em7 10fr.

Œ

dog,

2.3.

j ¿ ¿

dog

¿

eat

dog.

‰ ¿

j œ œ

œ

Dog eat

.. ‰

dog.

j ¿ ¿

dog

¿

eat

Œ

¿

dog.

Bridge: Bm7

Cmaj7

7fr.

# & .. Ó 29

œ

2 333

œ œ œ

œ.

œ

1. Where the wealth’s 2.–4. See additional lyrics

œ

# œ

D7sus 3fr.

œ

œ

‰

rade.

j œ œ

œ

And where

it’s

œ

Œ

made,

1.3.

G

Œ

‰

œ J

the

‰

œ.

23

pa -

‰

2

slaves

‰

34

j œ œ

will

be

# j & œ œ 134211

en.

Dog Eat Dog - 3 - 2

‰ Ó

∑

..

œ

tak -

D.S. %

2.

3fr.

35

œ J

D/F #

Em

13241

Œ

311

syc - o - phants

3fr.

Œ

134211

œ

13241

thieves and

Cmaj7 3fr.

&

Œ

dis - played,

G 32

‰

œ

3fr.

∑

∑

Ó

‰ Jœ œ œ n Dog eat

dog.

351 4. 40

&

#

∑

∑

Ó

Dog

Outro:

n

œ

œ

œ J

‰

eat

dog.

G

C

3fr.

œ & .. ‰ 43

32 1

¿ J

Bkgd. Vcl.: Dog

¿

¿

eat

¿

‰

Œ

j ¿ ¿

dog,

dog

eat

¿

134211

‰

Œ

¿

j ¿ ¿

dog,

dog

‰ ¿

¿

eat

j œ œ Peo - ple

dog.

C

œ œ

46

& œ œ.

- ing {look lust - ing,

‰

œ œ œ œ

and see - ing lov - ing

32 1

}noth-ing.

j ¿ ¿

Dog

eat

¿

dog,

‰

Œ

¿

j ¿ ¿

dog

3fr.

& ‰

134211

dog,

Œ

¿

Play 3 times and fade

G 49

eat

¿

j ¿

‰ ¿

dog

eat

j œ¿

j œ¿

Peo - ple dog.

œ lis

Π-

j œ

œ

t’ning

and

œ. hear

œ

œ -

Verse 2: On prime time crime, the victim begs Money is the road to justice And power walks in on crooked legs Prime time crime (To Chorus:) Bridge 2: Some are treated well In these games of buy and sell And some, like poor beasts Are burdened down to breaking Verse 3: It’s a dog eat dog Ain’t it Flim-Flam, man Dog eat dog You can lie, cheat, skim, scam Beat ’em any way you can Chorus 2: You’ll do well in this land of Snakebite evangelists and racketeers You could get to be a Big-wig financeer Bridge 3: Land of snap decisions Land of short attention spans Nothing is savored long enough To really understand Bridge 4: In every culture in decline The watchful ones among the slaves Know all that is genuine will be Scorned and conned and cast away (To Outro:) Dog Eat Dog - 3 - 3

ing…

œ

œ

œ

Dog

eat

œ dog.

..

352

SHINY TOYS Standard tuning Piano arranged for guitar

Words and Music by JONI MITCHELL

Moderately fast Π= 150 Intro:

√ #4 ‚‚ .. ‰ & 4

‚‚√.. ‰

Piano (arr. for gtr.)

F

harm.

T A B

1.

··

7 7

√ ‰ ‚‚ ..

··

7 7

2.

··

.. ··

∑

..

7 7

1.

G

Em9 3fr.

# & .. œ 6

Shin - y

# & .. Ó

∑

toys.

œ œ œ œ

..

T A B

Œ

œ œ œ

3211

4

4

2

Ó

‰ œj œ œ œj ‰

Œ

5

2

2

5

‰ œœ ... œ

2

&

3 0 2

3 0 4 2 0

..

∑ œœ œ œœ œ

˙˙ ˙˙ ˙

0 3 0 4 2 0

3 0 4 2 0

œœœ œœ œ

œœœ œœ œ

0 3 0 4 2 0

0 3 0 4 2 0

œœœ .. œœ œ ..

0 3 0 4 2 0

Verse: G

Em9

&

j œ œ œ Right on time. j j œœ œœ œœ œœ œ œœ œ œ

3 0 2

2.

10

‰

13 2

3fr.

# Ó

‰ œj œ œ œ œ

3211

‰

j œ œ œ Right on time. j j œœ œœ œœ œœ œœ œœ œ œ œœ œœ œ œ œ

13 2

# Œ

T A B

3 0 2

3 0 2

3 0 4 2 0

3 0 4 2 0

j œœœ œ œ

œœ .. œœ . œ ..

0 3 0

3 0 4 2 0

2 0

.. œ

Cont. rhy. simile

∑

j œœœ œœ œ 0 3 0 4 2 0

œ œ œ

Œ

Œ

1. Shin - y toys. 2. See additional lyrics

œœœ œœ œ

..

I’m read - ing peo - ple

∑

∑

..

0 3 0 4 2 0

Em9

G 3fr.

14

&

#

13 2

œ

œ

rags

in

Shiny Toys - 3 - 1

œ

the

j œ

œ

check - out

j œ

lane.

œ

Œ

‰

œ J

œ

Look, here’s

œ a

œ

œ

œ

hunk–

here’s

a

3211

© 1985 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

˙ hon

-

353 Em9

# & œ 17

Œ

œ

-

œ

œ

ey.

œ

œ

13 2

œ

Ce - le - brat - ed

œ

peo - ple

C 20

&

&

# œ

œ

œ

and

his

32 1

boy

œ

œ J

mon

œ. -

Ó

# œ

œ

Rate

-

&

œ

and their claims

ey;

œ.

œ J

132

poll

œ

œ

pic - tures

‰

3211

games.

3211

‰

œ J

œ

œ

œ

œ

œ

œ your

œ

the

3fr.

¿

¿

¿

¿

¿

I’m

so

ex - cit - ed”

‰

3211

œ

œ

œ

in

the

œ

Œ

œ

lat - est

makes

you,

¿.

‰

¿ -

hoo. C

G 3fr.

œ

œ

Œ

132

Ya

3211

‰

sat - is - fied.

œ

œ J

œ

œ

œ

œ

32 1

What - ev - er makes

&

134211

œ

“Oh,

D

œ

œ

œ

32 1

What - ev - er makes

you,

œ

œ

feel

œ

œ

œ

132

like you’re right

œ

on

time.

F

# œ

¿

you,

Chorus:

32

a

D

C

œ J

œ J

Here’s

œ

win - ners

œ

132

feel

G

132

of

œ

231

œ

œ

œ

œ

time

D

# & ¿

œ

D

What - ev - er makes

29

œ

32 1

What - ev - er

32 1

fame.

C

œ J

3fr.

˙

to

œ

‰

Am

3

C 3fr.

#

2

G

G

26

œ

G/B

D 23

œ

œ

D

nœ

bœ ‰ J

Œ

1. Par - ty night. 2. See additional lyrics

œ

Good bands

œ

œ

œ

all

o - ver

œ.

œ J

Œ

‰

town.

œ J

132

(Good,

F 35

&

# œ.

œ J

good,

œ J

œ

œ.

134211

good.)

œ

Meg - a

nœ

Ó

Œ

lights

D

# œJ & 38

œ.

sounds.

Shiny Toys - 3 - 2

Œ

‰

œ J

132

(Good,

‰

bœ J

œ

œ

œ

and

su - per - son - ic

F

œ.

œ J

good,

œ J

œ. good.)

œ

134211

Flash

-

nœ

œ

y

boys

Ó

œ

354 D

bœ œ œ œ œ ‰ J

# & Π41

œ œ. J

and girls that real - y

F

œ.

œ ‰ J

Œ

132

play.

(Good,

good,

bœ

# & Œ

œ

when it’s

œ

œ

œ

œ

œ

œ

œ

hate

to

have

132

o - ver don’t you

œ

œ

œ

œ

to

put

your

fi

Shin - y toys, A

D

213

œ

toys

a

œ

1.–3.

G

4.

3fr.

# & .. œ 48

œ œ œ

3211

Œ

∑

Œ

‰

1. Shin - y toys. 2.–4. See additional lyrics

fi Coda A

52

&

# œ

213

toys

“I

D

œ

¿ J

G

¿ J

love

my

¿ J

Porsche.”

..

˙

132

-

way.

D.S. % al Coda

∑ Repeat and fade

Em9 3fr.

˙

132

a - way.

.. œ œ œ œ Œ 3211

Shin - y

∑

Ó

13 2

toys.

Verse 2: Shiny toys “I love my Porsche” Shiny toys Shiny toys “I love my Porsche” Shiny toys Simple joys Walking on the beach at the end of the day Between the sand and the seagulls Watching the glorious sun setting on the bay Here comes a boy and his beagle Walking with a man in a toupee And a man with his head shaved Whatever makes you “Mmm, mmm” Whatever makes your time feel satisfyin’ Whatever makes you “Mmm, mmm, mmm” Whatever makes you feel like you’re right on time Chorus: Party night Super bands all over town. (Good, good, good) Super lights and supersonic sound. (Good, good, good) Flashy boys and girls that really play (Good, good, good) Shiny toys, when it’s over don’t you Hate to have to put your toys away Shiny toys Right on time Shiny toys Right on time Shiny toys Right on time Shiny Toys - 3 - 3

¿

nœ œ Ó

134211

good.)

To Coda

D 45

œ

œ œ œ. J J

‰

j œ œ œ

Right on time.

∑

..

355

ETHIOPIA Standard tuning Piano arranged for guitar

Words and Music by JONI MITCHELL

Moderately Π= 100 Intro:

1.–3.

G #m7

#### 4 . 4 . & ..

T A B

% Verse: #

œ œ œ œ œ œ .. œ œ œ œ œ œ œ œ œ œ œ œ

Piano (arr. for gtr.)

œ œ œ œ œ œ œ œ œ P 4

6

4

6 4

4

6

4.

6

6

4

4

6

4

6

4

#### . . Π&

œ J

2 31 4

# ## & # .. ..

T A B

œ.

‰

1. Hot winds 2.3. See additional lyrics

œ

œ

6

4

œ # œœ œœ .. 3 6

4

and

hun

j œœ

œ œ. J

œ

œ

œ J

-

ger

2

cries.

j œ

œœœ ... œ œ œ œ

3 6

6

4

4

6

4 6 6

&

####

Cont. rhy. simile

Œ

œ

Ó

Ó

11

&

####

B/A

Œ

œ

Ó

Œ

321

#### Π&

321

Ethiopia - 3 - 1

œ œ. J

œ

ba - bies’s

A

5fr.

œ œ œ 411

Œ

Walk-ing sticks

rœ œ

œ

œ. œ

a - ban-doned by

œ œ

Œ

the

œ œ ˙.

2 333

rains.

34

4

4

2

E/F #

œ

A

2

œ œ

œ œ

1

-

pi - a

B/A 5fr.

‰ œ œ œ œ J

321

pi - a

j œœœ œœœ œ œ œ 0 1 2

2

-

E - thi - o

B/A

6

œ œ

1

E - thi - o

eyes.

Œ

411

on burn - ing plains,

G #m7

5fr.

‰.

2

œ

5fr.

A 15

œ

Flies in your A

Œ

34

2

‰ œ œ ‰

4

6

4

F #m7

2 314

6

E/F #

0 2 2

G #m9 7

4

œœœ .. . œ.

2

4

6

F #m7

G m9

4

..

6

‰

321

j œ œ œ œ œ œ 411

be -trayed by pol - i - tics,

A/B

∑

œ

1 23

On

B

œ œ œ œ Œ 1 34

and on,

© 1985 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

356 A/B

B

A/B

#### ‰ œ œ œ œ & œ Œ J 19

1 23

B

œ

Œ

1 34

1 23

the hu - man need.

A/B

j œ Œ

œ œ J

1 34

On

and on

## & ## Œ

4fr.

4311

## & ## Π27

‰ œj œ œ . J

∑

Œ

13121

&

œ #œ

œ

E - thi - o

E - thi - o

œ #œ -

####

œ #œ

œ

pi - a,

œ #œ

œ

E - thi - o

œ #œ -

œ #œ -

pi - a,

(simile intro)

Œ

œ

pi - a.

∑ E

..

∑

&

#### -

œ

j œ œ œ œ.

∑

Ó

den plan - et,

o - a - sis

in

Œ

231

œ œ œ

Lit - tle gar -

‰ œj œ # œ œ œ

Œ

Ó

Ó

2.3.

∑

Œ

œ

G #m7

G #m 35

∑

the hu - man greed

œ

pro - fanes.

1. 31

œ J

A #m7

Emaj7 23

‰ œj œ œ J

1 23

space.

œ

Œ

œ

œ

4fr.

Ó

Ó

œ

134111

œ

œ

Some hearts hurt,

E

## & ## ‰ 39

œ œ œ they can hard

œ #œ -

ly

œ

Ó

œ

stand

it.

œ

Œ

231

œ

œ

Œ

Fam - ine phan - toms

at

œ

œ

œ #œ

the

gar - den

œ gates.

A #m7

## & ## œ 42

46

&

1 31 21

####

œ #œ

œ

œ #œ

E - thi - o - pi - a,

Ó

Œ

œ

œ #œ

E - thi - o - pi - a,

N.C.

œ

Ethiopia - 3 - 2

Œ

Ó

œ #œ

∑

∑

œ

œ

œ #œ

œ #œ

E - thi - o - pi - a.

D.S. % al Coda

∑

357

fi Coda

A #m7

#### . Π. & 50

13121

œ

œ #œ

E - thi - o

œ #œ -

pi - a,

œ

Œ

Ó

Œ

œ

E - thi - o

## & ## œ

œ

œ #œ

œ #œ

E - thi - o - pi - a.

œ

Œ

Ó

∑

Verse 2: Your top soil flies away–Ethiopia We pump ours full of poison spray–Ethiopia Between the brown skies and sprinkling lawns I hear the whine of chain saws Hacking rain forests down On and on–insanities On and on–Short-sighted greed abounds Ethiopia–Ethiopia–Ethiopia (To Bridge:) Verse 3: Every Sunday on TV–Ethiopia You suffer with such dignity–Ethiopia A TV star with a P.R. smile Calls your baby “It” while strolling Through your tragic trials On and on–stupidity On and on–the basic needs are defiled Good air–good water–good earth Ethiopia–Ethiopia–Ethiopia (To Bridge:)

Ethiopia - 3 - 3

œ #œ -

pi - a,

Repeat and fade

N.C. 53

œ #œ

∑

∑

..

358

IMPOSSIBLE DREAMER

Standard tuning

Moderately Π= 106 Intro: G (9)

G

# & # 44 T A B

3

&

##

T A B

2

3

0

0

2

0

3

3

0

3

3

2

œ

œ

œ

3

3

0

3

3

3

œ œ

2

œ œ

0

0 3

0

3

3

œ

œ œ

œ

2 3

œ œ

2

0

3

œ œ

3

0 3

3

œ

œ

œ

œ

3

2

œ œ

0 3

2

0

3

3

œ œ

0

2

3

2

2

0

3

3

3

3

G (9)

G

0 3

2

0

2

0

G (9)

3

3

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ F hold throughout

G 5

3

Gtr.

Words and Music by JONI MITCHELL

G (9)

G

3

œ

2

0

3

œ

3

œ œ 0

3

œ œ

2

3

œ œ 2

0 3

œ

3

3

Verse:

Dmaj9

# w & # .. w

12

9

C/D

∑

Œ

Cont. rhy. simile

Bm7

œ œ œ ‰ œJ

1

# & # œ 13

214

I

&

##

32 1

A

Asus

‰ œj œ œ j ‰ œ

214

thought of you,

A

E/B

‰ œj œ œ j ‰ œ

œ

213

213

I

thought of you,

21

&

##

Œ

2 413

231

∑

˙.

œ œ œ

dream - er.

A

∑

œ

Ó

Land Gmaj9

‰ œ œ œ œ œ œ

Œ

1111

from an an - gry crowd and

C 17

∑

13121

1. The street was loud 2.3. See additional lyrics

(er.) Asus

A/B

A/G

Gmaj9

œ œ œ œ œ 2 111

im - pos

Impossible Dreamer - 2 - 1

-

si - ble,

Œ

2 413

œ œ

of

the

œ œ œ

Ó

free,

A/G

œ

Œ

œ

213

2 111

im - pos - si - ble

Œ

œ ‰ Jœ œ œ œ œ no hun - gry bel - lies,

E/B 231

œ œ œ œ. ˙

dream - er.

Ó

Œ

œ œ In the

© 1985 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

####

359

Pre-chorus: C #m11

25

&

#### œ

4fr.

1 31 4

B11

œ J ‰ œ œ œ œ

dark - est

part of the night,

C #m11 29

&

#### œ

1 31 4

4fr.

2fr.

œ ‰ J œ œ

œ ‰ Œ J

œ

œ œ Œ

1234

blue shad-ows

con - jure you.

œ œ œ œ

˙

‰ œJ

Mm,

and in the

B11 2fr.

œ œ J ‰ ‰ J œ œ

bright - est

height of the

œ œ œ ‰ ‰ œ J J

day - light,

œ œ

some-times I

Chorus:

œ

1234

œ œ

blink ’cause I

œ

œ

think

I

œ

œ J

see

you

G (9)

G

G (9)

G

## œ œ œ œ ˙ & ##

nn## œ œ œ 3

32

dream-ing like you

&

##

Œ

&

Œ

G (9)

##

œ œ œ œ œ ‰ J

3

ww

3

œ œ œ œ œœ ‰ J

Œ

2

Œ

‰

œ

œ

œ

œ

im - pos - si - ble dream

# & # Œ

œ œ œ œ œ ‰ J

3

Œ

3

‰

-

w

w

im - pos - si - ble dream - er, Verse 2: The moon was bright Like day for night And I thought of you I thought of you Dreamer No acid rain Love without pain Impossible, impossible dreamer (To Pre-chorus:)

Impossible Dreamer - 2 - 2

3

ww

3

2

G (9)

G

œ J

œ

œ

œ

œ

3

w

3

2

im - pos - si - ble dream - er, G (9) 3

2

G (9)

G

Œ

im - pos - si - ble dream - er,

œ œ œ œ œ ‰ J

G (9)

Start slow fade

.. Œ

G

##

2

im - pos - si - ble dream - er,

3.

œ J

3

G

im - pos - si - ble dream - er,

43

&

Ó

ww

3

Im - pos - si - ble dream - er,

G

47

œ œ œ œ œ ‰ J

2

do.

1.2. 40

3

Resume Intro fig. simile

G 36

‰

œ œ œ œ œ ‰ J

3

ww

3

2

im - pos - si - ble dream - er, G (9) 3

2

G

Œ

œ œ œ œ œ ‰ J

3

w

im - pos - si - ble dream - er. Verse 3: The room was dark And full of sharks And I thought of you I thought of you Dreamer Give peace a chance Don’t think, just dance Impossible, impossible dreamer (To Pre-chorus:)

G (9) 3

2

Fade

360

LUCKY GIRL Standard tuning Piano arranged for guitar

Words and Music by JONI MITCHELL

Moderately Π= 103 Intro:

& 44

F

‰ œ œ œ œ

∑

321

œ œ

3

I’m

a luck - y

Œ

girl.

‰ œ œ œ œ

œ œ

3

I’m

a luck - y

Œ

girl.

N.C. (G)

& ‰ œ œ œ œ 4

œ œ

3

I’m

a

luck - y

‰ œ œ œ œ

Œ

œ œ

3

girl.

I’m

a

luck - y

Œ

∑

girl.

G6

G9 4fr.

&

∑

&

∑

7

‰ œ œ œ œ œ œ 3

I’m a luck - y

∑

Œ

girl.

‰ œ œ œ œ 3

I’m a luck - y Piano (arr. for gtr.)

Ó

œ œ œ3 œ œ œ œ 213

213

3

girl. 1. I’m a luck - y

œœ œ F

Œ

T A B

5 4 5

%Verse: 10

&

œ

G6

G9

G6

4fr.

Œ

Œ

œ

213

I 2. See additional lyrics 3. Instrumental

& ˙˙˙

Œ

T A B Lucky Girl - 3 - 1

G9

œ œ

Œ

Œ

found

œœ œ

œœ ˙˙ œ ˙

5 4 5

3 2 3

Œ

œ

Ó

my

friend.

œœ œ

œœ ˙˙ œ ˙

Ó

5 4 5

G9 4fr.

œ œ œ Œ

213

3 2 3

G6

4fr. 213

œœ œ

girl

213

œ3 œ œ œ ‰ œ œ œ œ œ œ 213

3

I’m a luck-y

Ó

girl.

213

I’ve been all

Œ

1 0 2

© 1985 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

a-

œœ œ

œœ œ

5 4 5

3 2 3

361 G9

G6

14

&

œ

Cont. rhy. simile

œ

round

œ

the

3fr.

world:

213

F(9, # 11)

Am9

21

&

24

&

1114

œ

Ó

bad,

bed - room

œ

œ

œ

far

as

I

eyes.

œ

could pitch

my

rain - bow’s

∑

end.

-

3fr.

guys

I

œ

and

œ œ œ œ.

œ

j œ

‰

321

3

nev - er loved a

œ J

œ

œ J

œ

œ

shy

œ

œ. œ œ. j J œ

213

œ œ œ 3

Chas-ing the

œ

21 31

œ

321

G

7fr.

1. Wise guys, 2.–4. See additional lyrics

œ. œ œ big,

œ

œ

& Ó 18

Œ

mis - sion im - pos - si - ble

Bridge: 5fr.

œ œ3 œ œ

œ œ3 œ

213

œ

To Coda fi

G9

G

4fr.

sly

j œ

œ œ. man

lov - er

œ J

I

œ œ.

œ œ3

œ

boys

with

Œ

œ.

œ

j œ

‰

trust - ed

as

N.C.

˙

Ó

˙.

œ

œ

Woo!

’til

I

∑

shoe.

1.

G6

G9 4fr.

28

&

˙.

œ œ

œ œ œ œ œ œ œ 3

loved you.

I’m a luck-y

Œ

‰

girl.

œ 3

I’m

œ a

œ œ

œ œ

luck - y

girl.

œ3

œ

œ3

œ

213

213

2. You’re my luck - y

2.

G6

œ star

..

G9 4fr.

. & ˙

œ

31

œ J

loved

œ.

‰ œ œ œ œ

Ó

3

you.

I’m

a

luck - y

œ œ

Œ

213

213

girl.

D.S. % al Coda

3.

G6

G9

4fr.

. & ˙ 34

Lucky Girl - 3 - 2

..

œ loved

œ you.

œ œ œ œ œ 3

I’m

a luck - y

œ œ girl.

Œ

‰ œ œ œ œ 3

I’m

a luck - y

3 œ œ œ3 œ œ œ œ 213

213

girl. 4. I’m a luck - y girl,

362

fi Coda

F #(9, # 11)

Am9

5fr.

& Ó 37

œ J

œ

œ

big,

bad

40

&

1114

œ

œ

Wise

guys,

œ

œ J

bed - room

œ

G

7fr.

œ J

21 31

‰

eyes.

boo

-

œ J

3fr.

œ

by - prize - guys

j œ œ œ œ

œ.

I

œ J

nev - er loved

œ

321

and

a

œ œ œ

Œ

sly

œ

œ

œ

œ

man

lov - er

Œ

œ

boys

Œ

œ with

œ

œ

I

trust -

Fade out to the end F

& œ 43

-

œ

Œ

Œ

‰

ed

as

& ‰ œ œ œ œ œ œ 46

œ J

3

I’m a luck - y

girl.

Œ

œ

œ

œ

far

as

I

œ

œ J

œ

could throw my

w

œ J shoe.

Ó

Wooo!

œ œ œ œ

Bridge 2: Playboys Stray boys And “Say hey, hey” boys’ll treat you like a toy I never loved a man I trusted As far as I could pitch my shoe ’Til I loved you Verse 4: I’m a lucky girl I found my friend I been all around the world Mission impossible Chasing the rainbow’s end Bridge 4: Wise guys Booby-prize-guys And sly lover boys With big bad bedroom eyes I never loved a man I trusted As far as I could throw my shoe ’Til I loved you

œ œ

3

I’m

Œ œ œ 3

’til

Verse 2: You’re my lucky star You’re my magician You make the night prowling disappear Vanished from the Star Wars bars Empty repetition I get my heart full here

Lucky Girl - 3 - 3

œ

321

I

a luck - y

œ loved

Œ

girl.

œ œ œ you.

Verse 3: Instrumental Bridge 3: Cheaters Woman beaters And Huck Finn shucksters Hopping parking meters I never loved a man I trusted As far as I could pitch my shoe ’Til I loved you

Œ

364

MY SECRET PLACE

Guitar tuning: D≤-7-7-3-2-5

➅ = Db ➂ = Gb ➄ = Ab ➁ = Ab ➃ = Eb ➀ = Db

Words and Music by JONI MITCHELL

Moderately Π= 105 Intro: E bm11

‰ œ.

234

b & b b b b 44 .. j j ‰ œ œ œ F .. T A 0

% Verse: b

2

2

0 0 0 2 2 2

T A B

œ œ œ œ œ

‰ œ.

j œœœœ œœ

‰ œœœœ œœ 0 0 6 7 7 7

A b(9,11)

0 0 6 7 7 7

˙˙˙˙ ˙˙

bb &bbb Œ

like no

one

else

A b(9,11)

234

œ. œ œ I

bb œ & b b b J œ. 2341

place.

My Secret Place - 3 - 1

0 0 0 9 9 9

˙˙˙˙˙ .. œœœœœ œœœœ œœœœœ ˙ œ œœ œ ..

0 0 0 9 9 9

know,

œ œ ˙

234

an - y - one

2 2 2 2 0 0

E bm11

˙

Ó

My spe - cial

0 0 0 9 9 9

you,

0 0 0

D bsus

Œ

∑

G b(9)

4fr.

‰ œ œ œ œ

Ó

234

G b(9)

œ

2341

you’re a spe - cial case

1.

4fr.

‰ Jœ œ œ

0 0 0 9 9 9

j œœœ œœ . œ œ .. œ œ

˙˙˙ ˙ ˙ ˙

œ œ œ œ œ

might ap - pre - ci - ate.

but

0 0 0 9 9 9

It’s a place that

1111

œ œ

œ

0 0 0 9 9 9

j œœœœœ œœœœœ ... œ œ ...

‰ œ œ œ œ œ œ

Œ

6 D b9

Œ

B bm9( b 13)

I don’t go there with

0 0 0 9 9 9

‰ œœœœ .... œ .. œ

Ó

6fr.

18

place.

0 0 0 7 7 7

9fr.

‰ œj œ œ œ œ

234

my spe - cial

7fr.

E bm11 14

j œœœœ œœœœ ... œœ œœ ...

to

A b7sus

rhy. simile b b b Cont. œ b ‰ Jœ œ . œ œ œ & b

œœœœœ œœœœœ œ œ

Ó

1111

0 0 0 7 7 7

2341

œœœœœ œ

∑

234

D bsus

j ‰ œj œ œ œ œ .

234

1. I’m going to take you 2.3. See additional lyrics

2

..

∑

234

0 0 0 2 2 2

9fr.

6 D b9

7fr.

6fr.

10

2

A b7sus

2341

b & b bbb Ó

∑

0

B bm9( b 13)

9fr.

œ. j j ‰ œœœ ... œ. œ œ œ œ.

˙˙˙˙˙ ˙

2.4.

B bm9( b 13)

234

0 0 0 9 9 9

9

6fr.

b & b bbb Ó

j œœœœœ œ

se - cret.

œœœ .. œ .. œœ . œ . .

A (9,11)

6

œ . œj œ Œ

234

My

1.3.

E bm11

9fr.

bb 4 & b b b 4 .. Ó

B

B bm9( b 13)

œ œ. J

2341

place,

Ó

Œ

Œ

‰ œ œ œ œ for my spe - cial D bsus

D.C.

‰ œ œ œ œ œ

for my se - cret place.

© 1988 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

365

2.3.

Bridge: 6 C b9

D bsus

b & b bbb Ó

œ œ

Œ

22

1. I

B bm9( b 13)

9fr.

œ œ

œ

Ó

2341

was

A b7sus

9fr.

born and 2. See additional lyrics

œ

‰ œJ Jœ œ .

234

b & b bbb ‰

œ J

I’m

œ

just

G b(9)/B b

get-ting used

2341

1

raised G b(9)

‰

œ œ œ

œ œ

car

ry

-

A b7sus

9fr.

A b7sus

œ

place

2341

˙

œ

wild

œ

œ

Why did

œ J

and

œ

Œ

œ

œ œ œ

Ó

23

234

b œ. In

b & b bbb œ . 234

in

My Secret Place - 3 - 2

œ

mug -gers af - ter

œ

you

œ

œ

œ

bring

me

to

Œ

œ

Œ

234

Œ

G b(9)/B b

Œ

œ.

my

se

-

j œ œ

œ

œ

se

œ J

in

these

œ.

gold

-

j œ œ cret

Œ

˙

place,

œ

œ

pi - geons in

1

-

œ J

this

œ J

œ.

en

trees,

‰ œ œ œ œ

Œ

œ

7fr.

œ

in the se - cret place?

B bm9( b 13) 9fr.

Ó

234

˙

234

in

œ

in

œ

se - cret,

B bm13

9fr.

234

œ

my

D.S. % 2.

1.

B bm13

Ó

œ

œ

place,

234

œ

2341

∑

E bm11

9fr.

234

Œ

cret

B bm9( b 13)

my

‰

A b11

4fr.

E bm11

234

œ.

do

a

Are there

dark,

9fr.

Œ

œ

œ

œ

pret - ty?

B bm9( b 13)

j œ œ

-

9fr.

in the se - cret place,

j œ œ

œ J

œ

œ J

street brav - a

2341

Œ

œ œ œ ‰ œ œ

Œ

E bm11 46

Œ

œ

œ J

‰

234

6 C b9

7fr.

E bm11

&

oh,

A b7sus

b & b bbb ˙ bbbb

do,

œ

œ J

j ‰ œ œ

-

œ œ ‰

234

Db

42

ra

me.

œ

234

so

park,

38

-

œ

4fr.

b & b bbb œ

o

23

G b(9) 35

-

7fr.

2341

œ.

Cit - y.

E bm11

7fr.

œ

234

Col

œ

Ó

234

in New York

Db

B bm9( b 13)

b œ & b bbb

to

7fr.

b & b bbb Ó

32

œ œ œ

A b11

4fr.

29

œ œ œ

œ œ. œ

234

4fr.

26

E bm11

7fr.

œ

my

œ

œ

se - cret.

234

œ

in

9fr.

œ

my

œ

œ

se - cret.

366

Outro: E bm11

b & b b b b .. œ . 51

234

In

B bm9( b 13)

E bm11

9fr.

j œ œ

my

Œ

œ.

234

se

-

j œ œ

cret

Œ

234

˙

place,

Verse 2: People talk to tell you something Or to take up space Guess I’m only talking To be talking to your pretty face I don’t talk much to anyone But you’re a special case For my special place My special place (To Bridge 1:) Verse 3: I’m going to take you to My special place It’s a place no amount of hurt and anger Can deface I put things back together there It all falls right in place– In my special space My special place Bridge 2: Once I saw a film In New York City That was shot in Colorado– Girl meets desperado In the trembling mountain trees. Out of all of the girls you see In bleachers and café windows Sitting–flirting with someone Looking to have some fun Why did you pick me For the secret place? (To Coda)

My Secret Place - 3 - 3

Repeat and fade

B bm9( b 13) 9fr.

Ó

234

œ

in

œ

my

œ

œ

se - cret.

..

367

NUMBER ONE

Guitar tuning: D≤-7-7-3-2-5

➅ = Db ➂ = Gb ➄ = Ab ➁ = Ab ➃ = Eb ➀ = Db

E bm11

Moderately Œ˘ = 92

b & b b b b 12 8

Drums

j j œ œ Œ œ œ œœœ œœ F

∑

T A B

2 2

2

B bm9( b 13)

0 0 0 2 2 2

D b(9)sus

9fr.

bb &bbb T A B

be

a

œœ

œ. 2

. œœœ ..

0 0

0 9

b & b bbb

b & b bbb œ . ‰ œ 234

get

)

œ

to

∑

get

)

to

bb & b b b œj œ 12

234

One,

E bm11

Œ.

Œ.

up

D b(9)sus

œ

œ

œ

a

win - ner, tro - phy win - ner, (Num-ber One! D b(9)sus

9fr.

œ

Œ.

234

œ.

œ

œ J œ œ œ œ

me when your work

-

j œ œ

ing day

9fr.

j œ œ

reach - ing to

be

œ œ œ

j œ

œ

Num - ber

D b(9)sus B bm9( b 13)

j Œ. œ

Œ.

One D b(9)sus

7fr.

234

be

B bm9( b 13)

high up!) Num - ber

234

D b(9)sus A b7sus

reach-ing for the high rung,

∑

)

Œ. Ó. ‰ œ œ œ œ œ œ œ œ œœ œœ œ J

7fr.

hon - ey, tell

234

up!

D b(9)sus

A b7sus

œ œ œ

j bb & b b b œ œ œ œj œ œj œ . 15

œ

D b(9)sus

9fr.

hold your head up high

234

Œ. œ nœ bœ

hold your head

B bm9( b 13)

D b(9)sus

9fr.

234

Œ. œ œ

0 7

Ó. œ. ‰ œ œ œ œ œ œ nœ bœ œ.

Cont. rhy. simile

(Got to

10

0

B bm9( b 13)

7fr.

∑

9fr.

0 0 7

Œ.

234

One!

A b7sus

234

B bm9( b 13)

0 0 0 7 7 7

0 0 0

E bm11

7

œœœœ ... œœœ .. œœœ œ œ œ . œœ ... .

9fr.

win - ner, tro - phy win - ner, (Num-ber

œœ œœ .. J

2 2

B bm9( b 13)

234

(Got to

7fr.

234

2

Œ. b b Ó. &bbb ‰ œ œ œ œ œ œ œ œ œ œ œ œ œ J 5

j œœœ œj œœ œœœœ œœ œœ œ

˙˙˙ .. ˙˙ .. ˙ ..

234

Ó.

Words and Music by JONI MITCHELL

A b7sus

234

num - ber one?

œ.

G bsus2

D b(9)sus

5fr.

j œ œj œ 234

is

Œ.

Œ.

done,

D b(9)sus B bm9( b 13)

œ

were you

D b(9)sus

9fr.

Œ. Ó.

234

Number One - 3 - 1 © 1988 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

j œ

∑

368 B bm9( b 13) 9fr.

19

&

bbbb

b

Verse:

D b(9)sus B bm9( b 13)

D b(9)sus B bm9( b 13)

9fr.

. Œ œj œ œ œ . œ.

Ó.

∑

234

234

1. You get a

&

een - ie-meen-ie

min

j œ œj œ

-

&

bbbb

j œ œ œ œ œ.

234

b œ

mort - gage and

a

to

E bm11 29

&

bbbb

234

b œ

j œ œ œ œ œ

and luck - y

B bm9( b 13)

D b(9)sus

9fr.

b & b bbb Ó . 32

breaks

Œ.

234

Peo -ple cheer

234

win - ner!

j ‰ ‰ Ó. œ

2.

B bm9( b 13) 39

&

bbbb

b

Ó.

b & b bbb œ 43

234

D b(9)sus

j œ œ

bet - ting by

Number One - 3 - 2

j œ œ.

all

it

takes

Ó.

Œ.

win-ner. D b(9)sus

7fr.

j œ œ

j œ œ œ œ œ

234

œ

D b(9)sus

9fr.

a

A b7sus

peo - ple want your au - to - graph

j œ œ

when you’re

D b(9)sus B bm9( b 13)

9fr.

Ó.

∑

Œ.

234

j œ a

D b(9)sus

9fr.

234

work

B bm9( b 13)

j œj œ œ

to be

1.

œ

the start - ing

j j œ œ œ œ.

run,

run, run, D b(9)sus

5fr.

j œ œ. gun!

D b(9)sus

9fr.

G bsus2 234

œ

Bridge:

B bm9( b 13) 234

Run,

7fr.

is

∑

Œ.

234

A b7sus

œ œ œ

234

j œ œ

D b(9)sus B bm9( b 13)

D b(9)sus

9fr.

∑

234

Œ.

œ œ œ ..

2. Win and lose,

D b(9)sus B bm9( b 13)

9fr.

than a

D b(9)sus

Ó.

œ J œ œ œ œ

and peo - ple gasp,

234

‰ œ œ

to liv - ing

234

D b(9)sus

j œ œ œ œ œ. 9fr.

be more

j œ œj œ

Sweat - y

D b(9)sus

D b(9)sus B bm9( b 13)

9fr.

b & b b b b œj œ

œ

Ó.

Œ.

E bm11

œ œ œ

B bm9( b 13) 35

and blood and tears

234

234

7fr.

j œ œ

j œ œ

j œ œ

A b7sus 234

D b(9)sus

9fr.

9fr.

œ.

j œ œ

you want an

D b(9)sus B bm9( b 13)

234

mow.

D b(9)sus

boat,

Oh, there must

9fr.

j œ

a

B bm9( b 13)

œ

B bm9( b 13)

œ

lawn

Œ.

moe.

D b(9)sus

7fr.

Œ.

j œ œ

ey, min - ey

A b7sus 26

D b(9)sus

234

j Œ œj œ œ

234

5fr.

œ œ œ œ œ J

b œ 234

D b(9)sus

9fr.

you want 2. See additional lyrics

D b(9)sus G bsus2

7fr.

bbbb

car,

B bm9( b 13)

Œ. Œ œj œ œj j œ œ

Œ.

234

A b7sus 23

D b(9)sus

9fr.

Œ.

Œ.

œ

Shall

Œ

B bm9( b 13)

j œ œ œj œj œ Œ . 234

let’s see you

234

j œ œ

Œ.

run.

E bm11

j œ œ

D b(9)sus

9fr.

j œ œ

We’ll be D b(9)sus

j œ œ œ œ œ œ œ

we show - er you with flow-ers

or

shall we

A b7sus

D b(9)sus

7fr.

46

&

bbbb

j œ œ.

234

b œ

shun

234

with flow- ers

B bm9( b 13)

D b(9)sus

9fr.

b & b bbb Ó . 52

Œ.

234

&

bbbb

234

j œ œ

D b(9)sus B bm9( b 13) 9fr.

Ó.

234

b w.

a

5.

234

‰

when your race

D b(9)sus

Œ.

œ œ œ

Num-ber one! D b(9)sus

9fr.

to hold your head up high up! Num - ber

63

œ .. œ n œ b œ œ œ œ œ œ œ œ

Got to hold your head up high up! Num - ber

œ

Got

œ

to

œ

hold

œ

œ

your head

œ

up

nœ

high

bœ

up!

One!

œ

œ

One!

j œ œ œ œ œ œ œ œ œ œ

Got

œ

Num - ber

Verse 2: Win and lose Win and lose To the loser go the heartsick blues To the victor goes the spoiling Honey, did you win or lose? Sweaty work, lucky break Blood and tears is all it takes To be a winner! People cheer, people gasp People want your autograph When you’re a winner! (To Bridge:) Number One - 3 - 3

Ó.

1.–4.

œ œ n œ b œ œ œ œ œ œ œ œ

Got

b & b bbb ‰

Ó.

Œ.

œ œ

D b(9)sus

9fr.

bb &bbb ‰

ya

B bm9( b 13) 234

œ

9fr.

œ.

run?

j Œ. œ

234

D b(9)sus

D b(9)sus

D b(9)sus B bm9( b 13)

234

win - ner, tro - phy win - ner!

B bm9( b 13)

will they shun

9fr.

j œ œ œ œ œ œ œ œ œ œ be

or

œ œ œ

9fr.

œ œ œ œ

we

Ó.

Œ.

run?

234

B bm9( b 13)

D b(9)sus

Got to

9fr.

is

A b7sus

with flow - ers

is

234

B bm9( b 13)

j œ œj œ

‰ œ œ œ

j œ

œ

Will

234

when your race

D b(9)sus

Outro:

61

j œ œ

j œ œ œ œ œ.

Œ.

234

b & b b b b .. œ

Œ.

234

Œ.

7fr.

B bm9( b 13) 59

D b(9)sus

5fr.

Will they show - er you

9fr.

run?

will we shun ya

G bsus2

j œ œ

œ

B bm9( b 13) 55

or

Ó.

234

7fr.

j œ œ œ œ œ œ œ

show - er you

Ó.

Œ.

j œ œ

A b7sus

D b(9)sus

9fr.

234

is

D b(9)sus

j œ œ

b & b bbb œ 49

j œ

when your race

5fr.

D b(9)sus B bm9( b 13)

9fr.

‰ œ œ œ

ya

G bsus2

B bm9( b 13)

369

to

œ One!

be

a

œ.

win - ner, tro - phy win - ner!

Œ.

Ó.

370

LAKOTA

Standard tuning Keyboard arranged for guitar

Moderately fast Π= 156 Intro:

& 44

Words and Music by JONI MITCHELL and LARRY KLEIN

1.–3.

4.

.. œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ .. œ œ œ œ œ œ œ œ F .. 3 0 1 2 0 0 0 3 0 1 2 0 0 0 3 0 .. 0 1 2 0 0 0 3 0

∑

Keybd. (arr. for gtr.)

Lakota chant

T A B Am

1.

œ. & .. œœœ ... œ.

œœ œœ œ œœ J

T A B

1 2

231

5

..

0 1 2 2 0

2

œœ

œœ

3 2

2 2

%Verse: Am

j . ! ! ! ! 10 j & .. œ œ œ œ œ œ . 231

1. I am La - ko 2. See additional lyrics Fmaj7

F

. 14 ! & œj œ 321

Look - ing

œœ

1 2

3 2

0 1 2 2 0

A5

Am

A sus

Am

! Œ

! Ó

!

!.

A sus

! œ

Keybd.

at

œœ œœ œ œœ J 1 2

œœ

3 2

2

œœ 2 2

œœ

œœ

.. œœ

1 2

3 2

..

A sus

j ! ! ∑

!

! Œ

œœ

œœ

1 2

3 2

Cont. in slashes

A5

Am

A sus

! ‰

!

!

j j œ œ œ.

La - ko - ta! F

!

!

œ œ

mon - ey

œœ 2 2

ta! F6

j ! ! j œ œ

œœœ .. œ ... œ

œœ

2.

man.

!

˙

! Ó

F6

F maj7

!

!.

F

F6

j ! ! ∑

F

!

!

F6

!

∑

!

!

Am

j œ œ & 18

231

j œ ˙

Cont. rhy. simile

Dig - gin’

the dead

œ -

œ

ly

∑

˙

Ó

quo - tas.

œ. Out

F

& ‰ 23

œ out

Lakota - 3 - 1

j œ œ.

F6

j œ

j œ œ.

of

bal - ance,

Em11 5fr.

j œ

of

œ œ hand.

Œ

Ó

Œ

‰

j j œ. œ œ

We want the

Ó

2341

œ.

land!

j œ œ. Lay down

j œ

the

© 1988 CRAZY CROW MUSIC and DEE KLEIN MUSIC All Rights Excluding Print for CRAZY CROW MUSIC Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights for CRAZY CROW MUSIC Administered by ALFRED MUSIC All Rights Reserved

371 G7sus 3fr.

‰

27

& œ

œ

reek - ing

‰

œ.

ore!

j œ

œ

Don’t

j œ

œ.

you hear

the

Œ œ œ œ œ œ 3

‰

shriek-ing

in

j œ œ.

131411

3

œ

the trees?

j œ

Ev - ’ry - where

you

Em11 5fr.

31

& œ

‰

œ œ œ œ œ

touch

œ

the earth she’s sore.

j ‰ œj œ œ œ œ

j œ œ.

Ev - ’ry time

you

skin her

œ œ

all

‰ œj œj œ .

2341

things weep.

œ

Your mon - ey

G7sus 3fr.

j œ œ

35

& œ.

mocks

Œ

j œ œ œ Œ

‰ œ

us.

‰ œj œ œ j œ œ.

Res - ti - tu - tion,

what good can

1.

& œj œ .

me-tered

œ

œ

do?

Ken - nelled

œ œ œ

œ

red dogs in

debt

3

box - es

to

‰ œj œ œ

.. Ó

Œ

œ œ œ you.

F

j & œ œ I

am

cars.

Dm7

j œ œ

134211

in

œ œ Ó

œ

(2.) in the smoke of

Chorus: 44

j œ

2.3.

Ó

39

it

j œ œ

Ó

131411

˙

œ

La - ko - ta,

œ

Œ

brave,

˙

Œ

sun

Œ

œ œ

œ

pit - y

me.

Ó

j œ œ

j œ œ

I

La - ko - ta,

211

am

œ

F/B b

Ó & w

Œ

49

bro

& œ 54

œ -

Œ

Œ

Œ Œ

˙ ˙

moon

ken,

œ

œ.

stretch - ing,

œœ œœ

pit - y (pit - y

j œ œ

Œ

œœ

Ó

me. me.) Dm7

œ

La - ko - ta.

211

œ

˙.

˙

Œ

Oh,

j œ œ

j œ œ

I

am

La - ko - ta,

˙.

œ œ

13211

œ

pit - y

œ

œ

Œ

œ

shad - ows

grave,

j œ œ.

Ó

Œ

Ó

me.

F 59

&

Lakota - 3 - 2

∑

j œ œ

j œ œ

I

La - ko - ta,

134211

am

œ

weak,

œ grass,

˙

Œ

œ œ

œ

pit - y

me.

372

F/B b

Dm7

j & œ œ 64

j œ œ

211

I

am

& œ

œ

La - ko - ta,

Œ

69

Œ

meek,

Ó w

œ

Œ

œ -

faith

˙

Œ

˙ ˙

rocks

œ

stand - ing

wa

-

& œ

1

pit - y pit - y

j œ œ

ter,

Œ

œœ

me. me. Dm7

Œ

œ

211

œ

˙

Ah,

j œ œ

I

La - ko - ta,

am

œ

˙

‰ œ

œ J

134211

pit - y

Gsus

Œ

œ

Ó

∑

3

œ

Œ

œ

1

Ó

∑

me.

Am

& ..

j œ œ

F

La - ko - ta.

me.

78

Ó

D.S. % 2.

1.

3

œœ œœ

ful,

œ.

Gsus 74

Œ

13211

Fmaj7

231

∑

Ó

Œ Œ œ œ œ Œ œ œ œ Œ Œ œ œ œ

˙

Resume verse fig. simile

321

Sun

pit - y

me.

Moth-er earth,

Ó

˙

moth - er,

moon

Am 84

& œ

Œ

Œ

œ œ œ

pit - y

Œ

Œ

me.

œ œ

œ

231

Fa - ther sky,

Œ

œ

œ

Ó

fa - ther,

œ

∑

œ

shad - ows

Repeat and fade

Fmaj7 89

& œ

œ œ œ œ œ œ

321

∑

stretch - ing on the for - est floor. Verse 2: I am Lakota! Lakota! Fighting amongst ourselves All we can say with one whole heart Is we won’t sell No, we’ll never sell We want the land! The lonely coyote calls In the woodlands–footprints of the deer In the barrooms–poor drunk bastard falls In courtrooms–deaf ears–sixty years. You think we’re sleeping–but Quietly like rattlesnakes and stars We have seen the trampled rainbows In the smoke of cars (To Chorus:) Lakota - 3 - 3

Ó

˙

˙

Oh,

œ œ œ œ

pit - y

Ó

Œ

me.

Verse 3: I am Lakota! Lakota! Standing on sacred land We never sold these Black Hills To the missle-heads To the power plants We want the land! The bullet and the fence—broke Lakota The black coats and the booze—broke Lakota Courts that circumvent—choke Lakota Nothing left to lose Tell me, grandfather You spoke the fur and feather tongues Do you hear the wimpering waters When the tractors come? (To Chorus:)

. œ œ .

Fa - ther

373

THE TEA LEAF PROPHECY (Lay Down Your Arms)

Standard tuning Synthesizer arranged for guitar

Words and Music by JONI MITCHELL and LARRY KLEIN

Moderately Π= 105 Intro: Em11

Am11 3fr.

& 44 & 44 T A B

∑

1 234

∑

Synth. (arr. for gtr.)

œ P

œ

œ œ œ œ œ

3 5

3

œ

œ œ œ œ œ

3

3

5

5

œ

5

0

∑

3411

3 5

œ

œ

5

œ œ œ œ œ

3

3

Œ

3

5

5

0

0

Em11

5

œ

œ œ œ

œ

Stud - y war

no

œ œ œ œ

œ

3

3

œ

3

5

5

0

5

Am11 3fr.

1 234

Œ & œ œ 5

Cont. rhy. simile

Ó

‰ œj œ

Œ

more,

lay down

œ œ œ

your

Œ

3411

œ

arms.

Em11

Ó

Œ

œ œ œ

Stud - y

œ

war

no

œ œ œ

œ

Am11 3fr.

Œ & œ œ 9

1 234

Ó

Œ

œ œ œ œ

more,

lay ’em down,

Ó

3411

œ œ œ

œ œ œ

lay ’em down

Em11

Œ

now.

Stud - y

war

no

Am11 3fr.

13

&

Œ

1 234

œ œ

Ó

Œ

œ œ œ

more,

lay

% Verse: Fmaj7

& .. œ 17

321

down

œ œ

your

œ œ œ œ

1. News - reels rat - tle the Na more. 2.3. See additional lyrics

3 1

œ œ œ -

arms.

œ

Ó

Œ

œ œ œ Stud - y

war

œ no

C (9)

Fmaj9

œ

Œ

3411

zi dread,

Œ

‰

j œ œ

32 4

the

a

-

œ œ œ œ œ ble

-

œ

œ œ

Œ

Ó

bod - ied have shipped a - way.

The Tea Leaf Prophecy (Lay Down Your Arms) - 3 - 1 © 1988 CRAZY CROW MUSIC and DEE KLEIN MUSIC All Rights Excluding Print for CRAZY CROW MUSIC Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights for CRAZY CROW MUSIC Administered by ALFRED MUSIC All Rights Reserved

3

374 Fmaj7

& Π21

œ œ œ œ

321

Mol - ly Mc - Gee

œ œ

gets her

Fmaj7

‰

321

œ œ

œ

Œ

32 4

j œ

œ

œ

Fmaj7

You’ll be mar - ried in

Œ j œ œ

œ.

j ‰ œ œ œ œ. &

Œ

Just frail old boys

ba

Ó

œ œ

month they say.

œ œ œ

œ

Look at this town,

Ó

j œ œ œ œ

there’s

no men left!

To Coda fi

C (9)

3 1

and

‰

32 4

cra - zy!

j œ œ.

a

œ

C (9)

Fmaj9

321

œ œ œ œ œ œ

tea leaves read.

3 1

“These leaves are

29

Ó

3 1

Fmaj9

& Ó 25

C (9)

Fmaj9

-

j œ œ

Œ

j œ œ œ œ œ

j œ œ

32 4

bies

talk - ing

to teach - er

in

Ó

œ œ œ

the

tre - ble clef.”

Chorus: Am11

Em11

3fr.

33

&

1 234

∑

‰

j œ œ

œ

œ

œ

œ

1. She plants her gar - den 2. See additional lyrics

Œ

3411

œ

in

œ

the

Ó

∑

spring.

Am11

Em11

3fr.

37

&

1 234

∑

‰

j œ œ œ œ œ œ œ

3411

œ

Œ

Ó

∑

She does the win - ter shov - el - ing.

Em11

Am11

Em11

3fr.

& Π41

1 234

œ œ œ ˙ Tok-y - o

œ

Œ

Rose

œ J

œ. on

the

3411

œ.

ra

-

j œ ˙

∑

di - o.

1.

Am11

2.

3fr.

& ‰ œj œ œ œ œ œ œ 46

She says she’s leav - in’

but she

The Tea Leaf Prophecy (Lay Down Your Arms) - 3 - 2

j œ œ.

3411

don’t go.

Ó

∑

1 234

∑

..

D.S. % al Coda

∑

375

fi Coda

Am11

Em11

& .. 50

1 234

3fr.

∑

‰

j œ œ œ œ œ œ œ

She plants her gar - den

in

Ó

3411

˙

the

∑

spring.

Am11

Em11

3fr.

54

&

1 234

∑

‰

j œ œ œ œ . œ œ œ œ

He does the win - ter

Ó

∑

j œ œj œ .

∑

3411

˙

shov -el - ing.

Em11

Am11 3fr.

& Ó 58

1 234

‰

j œ œ œ œ The three of ’em

œ J

œ.

laugh - in’

Œ

œ. œ

3411

œ.

’round the

ra

-

di - o.

Am11

Em11

Repeat and fade

3fr.

62

&

1 234

∑

‰ œj œ œ œ œ œ œ

She says “I’m leav - ing here” but

3411

œ œ œ

she don’t go.

Verse 2: Out of the blue just passin’ thru A young flight sergeant On two weeks leave Says “Molly McGee, no one else will do!” And seals the tea-leaf prophecy Oh these nights are strong and soft Private passions and secret storms Nothin’ about him ticks her off And he looks so cute in his uniform Chorus 2: She plants the garden in the spring He does the winter shovelling But summer’s just a sneeze In a long-long-bad winter cold She says, “I’m leavin’ here” But she don’t go Verse 3: “Sleep, little darlin! This is your happy home Hiroshima cannot be pardoned! Don’t have kids when you get grown Because, this world is shattered The wise are mourning The fools are joking Oh, what does it matter? The wash needs ironing And the fire needs stoking” (To Coda) The Tea Leaf Prophecy (Lay Down Your Arms) - 3 - 3

Ó

Œ

œ œ œ

(Stud - y

war

œ

no

..

376

DANCIN’ CLOWN Standard tuning

Moderately fast Π= 160 Intro:

Words and Music by JONI MITCHELL

F/B b

& b 44 Œ

Elec. Gtr.

œœ œœ œœ œœ œ œ œ œ œœ œœ Œ F 5 6 5

5 6 5

5 6 5

F

œœ œœ J

Ó

13211

5 6 5

T A B

C

5 6

6 5

5 7

6 8

G

&b &b T A B

∑

134211

1 2 3 1

3 1

1 2

2 3

1 2

1 2

3 4

could-n’t call Jes - se 2.3. See additional lyrics

F/B b

&b œ 13

3 4

4 5

5 3

3 4

3 4

5 3

13211

so

&b œ 17

push

œ

3 1

a

babe

Bb

G/C

12341

13211

œ

in the

thin skinned he

can’t

œ œ œ œ œ

take

woods, he’s just

5 3

5 5 3

5 3

œ œj œ œ

5 3

5 5 3

œœ œœ œœœ 5 3

5 3

Œ

œ

3 1

5 5 3

B b/F F

‰ œ

234 134211

weak in self - de - fense.

C/F

j œ œ

12341

a

’Cause

j œ

he’s

F

œ

at

C/F B b/F

F

Œ

234

j œ œ

Ó

3 1

joke

3 1

œ œ œ

5 3

œ œ œœ œ œ œ

you

3fr.

but - ton win-dow,” says Row - dy Yates,

Dancin’ Clown - 3 - 1

‰

134211

C

j œ œ

œœ œœ œœœ

1. No,

C/F

œ œ œ œ œ œ œ 3fr.

œ œ

234

5 5 3

5 3

‰ œj œ œ

Ó

F

134211

œ œ œ œ

3

∑

œ œ œœ œ œ œ

C/F B b/F

Cont. rhy. simile

3 5

134

n œœ œœ œœ œœ œœ

1 2 5 3

& b .. œ œ . œ 9

∑

œ œ œ œ

%Verse: F

1 3

∑

3fr.

13211

œœ œ œœ œœ œœ œœ œ œœ œœ

œ ˙ J

12341

C5 3fr.

5

œœ ..

œœ J

3fr.

his

134211

œ œ

“I can

œ

run

œ

you

ex

-

j œ œ

up and

j œ

œ

Œ

j œ œ

Œ

pense.

134211

‰ œ

“You’re

Œ

down.

© 1988 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

j œ a

‰ œ J

An -

377 F/B b

Bb

-

G/C

&b

13211

n˙

-

you my danc - in’,

danc

in’

clown.

Danc

C/F

˙

-

œ

˙

in’

G/C

clown,

œ

F

3 1

˙

clown!”

œ

{

œ

You’re He’s Be

Csus

C

1

34 11

32 1

-

in’,

danc

C/F

F

3211

˙

˙

3 1

C/F

∑

3211

3 1

F

{ }

in’,

my a her

C/F

3211

Ó

3 1

{

œ

œ

You’re He’s Be

F

F

C/G

13211

œ

12341

n˙

danc

-

D/G

G

C/G

˙

˙

in’

clown.

3211

œ

˙

Danc - in’,

danc

1

3211

in’,

danc

˙

˙

-

1.

j œ

1

œ.

-

{ }

in’,

my a her

2.3.

3fr.

œ

∑

˙

134211

danc - in’

∑

∑

clown.

..

∑

∑

Bridge:

Intro simile F/B b

&b

C

˙

∑

13211

œ

G

œ

la

Ó

12341

˙

˙

femme,

134211

œ œ œ

œ

when - ev - er

œ

some-one’s

Dancin’ Clown - 3 - 2

œ a

134

œ

danc

œ

-

œ

in’

œ

œ

œ

œ

F/B b

3fr.

134211

œ

love comes a - round,

C5 3fr.

&b œ

F 3fr.

Cher - chez

48

}

my a her

3fr.

2fr.

43

}

my a her

j œ

œ.

-

danc - in’,

C 3fr.

& b #œ

œ

C/G

˙

w

3211

4121

134211

my danc - in’

3211

F

&b ˙

37

j œ œ

‰

F

˙

3 1

&b

can make

Œ

œ

12341

C/F

33

œ œ œ

œ

3 1

3fr.

danc

29

I

12341

C

3fr.

25

œ œ

y time I want

Chorus:

3fr.

13211

12341

F

C/F

3fr.

&b œ œ œ œ œ 13211

21

C

G/C

œ

clown.

œ

Ó

∑

13211

∑

Œ

378 C

F 3fr.

&b ˙ 52

œ

Cher

-

˙

œ

chez

Ó

12341

la

femme

when

G

-

&b œ

œ

some - one’s

-

er

œ

œ

a

danc

œ

œ

-

œ œ œ

in’

Cher

∑

œ

∑

-

˙

œ

chez

Ó

12341

la

when

œ

œ

œ

love comes a - round,

Œ

ev

œ

-

œ

er

3fr.

134211

œ

-

œ

Repeat and fade

C5 3fr.

134211

˙

femme,

G

œ

some-one’s

œ a

134

œ

danc

œ

-

œ

in’

Verse 2: Rowdy Yates is a as bold as Jove— He’s all chide and snide and bluff— Stuck in the romantic tradition Of acting rough and tough “You’re always charging thru” says Jesse Nervous, looking all around— To see who’s seein’ bein’ a dancin’ A dancin’ clown (To Chorus:) Verse 3: Down the street comes last-word-Suzie— She’s high yellow —lookin’ top nice You hear the swoosh of jungle blades And the crackle of northern ice “Hot damn!” says Rowdy—lookin’ up “Yum!” says Jesse lookin’ down “How would you like to be her dancin’ Her dancin’ clown?” (To Chorus:)

Dancin’ Clown - 3 - 3

œ

pound,

clown.

˙

∑

œ

Œ

3fr.

13211

&b œ

to

œ

C

F 64

œ

D.S. % 2.

Ó

134

œ

hearts start

1.

Intro simile F/B b

& b ..

ev

œ

3fr.

134211

60

œ œ œ

C5 3fr.

56

˙

134211

œ œ œ clown.

Ó

∑

..

379

COOL WATER

Guitar tuning: D-7-7-3-2-5

Words and Music by BOB NOLAN Revised Lyrics by JONI MITCHELL

➅=D ➂=G ➄=A ➁=A ➃=E ➀=D Moderately Œ = 98 Intro: E (9)sus

# & # 44 Ó

..

# & # 44 œ œ œœœ P

T A B

2

0

Verse:

# & # .. œ 6

..

1 2

∑

1 2

D (9)sus

1 2

œ

j œœœ œ œœ

A11

1

the

0 0 0 0 0 0

œ

œ

1 2

1 2

Œ

œ

0

2

..

0 0 0

0 2

D (9)sus

Œ

‰

j œ œ œ œ

j œœœ œœœ

with - out a taste

œœœ .. œœ ... œ.

j œœœ œ œœ

˙˙˙ ˙ ˙˙

0 0 0 0 0 0

0 0 2 2 0 0

j Œ ‰ œœœœ œœ 1. All

0 0 2 2 0 0

A11

D (9)sus

j œ œ 1

of

œ

wa - ter.

œœœ .. œœ ... œ.

˙˙˙ ˙˙˙

0 0 0 0 0 0

0 0 0 0 0 7

Ó j œœœ œœœ

œœœ .. œœ ... œ. 0 0 0 0 0 0

D

7fr. 1

23

w

œ

Cool

wa

6fr.

2341

œ œ œ

and

I,

‰

j œ

-

Ó

œ

our throats slate

œ

dry,

Œ

Œ

234

Œ

ter.

‰

j œ

Old

G (9)

9fr.

2341

œ

˙.

B m9( b 6)

A (9)sus

4fr.

Cool Water - 3 - 1

0

23

D (9)sus

A11

1

Dan

0 2 2

1 2

waste

0 0 0 0 0 7

# # Cont. rhy. simile∑

œ

j œ œ . œ œ œœœ .. ˙

Œ ‰ œj

7fr.

˙˙˙ ˙˙˙

G (9)

&

1 2

.. Ó

∑

D

bar - ren

œœœ .. œœ ... œ.

D (9)sus

7fr.

##

∑

23

A11

j œ

œ.

A B

14

1 2

2.

7fr.

# & # .. ˙˙˙˙ ˙˙ .. T

&

∑

2341

.. # œœ . œjœ ‰ œjœ œœ # œœ . œjœ ‰ œjœ œœ œœœ œ œ ˙ . .

0 0 0

day I face 2. See additional lyrics

10

1.

D

4fr.

‰

j œj œ . œ

our spir - its

˙

2341

cry

© 1936 (Renewed) VALLEY PUBLISHERS, INC. All Rights for the Extended Renewal Term in the U.S. Controlled by MUSIC OF THE WEST and Administered by THE SONGWRITERS GUILD OF AMERICA All Rights for the World outside of the U.S. Controlled by UNICHAPPELL MUSIC, INC. All Rights Reserved

œ œ. œ œ out

for

380 D (9)sus

D

A11 7fr.

18

&

##

œ

wa

œ

-

∑

Ó

23

1

œ

ter.

Cool,

B m9( b 6)

D (9)sus

Œ

œ

Ó

clear,

D (9)sus

D

œ

&

##

7fr.

œ œ Œ

Ó

234

∑

‰

23

œ œ œ œ œ

wa - ter.

Keep on mov - in’, Dan,

D

j œ œ œ œ œ œ œ

some dev - il’s had a

# & # œj œ

Œ

23

œ œ œ œ.

poi - son

1

‰

Don’t drink it,

man.

&

##

Œ

œ œ

Ó

j œ œ

œ.

Cool,

G (9)

Œ

Œ œ œ

&

##

œ

œ

my mind

œ I

œ

‰

j œ

see

a

6fr.

&

##

Œ

2341

&

œ œ œ œ œ

Œ Ó œ œ clear,

Cool Water - 3 - 2

the

Ó

∑

4fr.

‰

2341

œ

œ

big

green

œ

tree,

2341

œ œ. œ

œ œ

and a

riv - er

œ

flow - in’

œ

Œ

free,

E (9)sus

9fr.

wait-ing up

##

in

G (9)

‰

a - head

j œ

for

œ œ Œ Ó

23

wa-ter.

Œ

˙ œ œ

234

∑

Œ œ œ

2341

you and me.

∑

Ó

Cool,

1.

E (9)sus

D 41

œ

wa - ter.

B m9( b 6)

A (9)sus 37

œ œ Œ

6fr.

œ

In

Ó

A (9)sus

2341

j œ œ

It’s

23

clear,

4fr.

34

‰

234

D

2341

wa - ter.

Ó

Œ

œ

E (9)sus 29

bur - ied

9fr.

j œ œ œ œ

in the sand.

plan,

œ œ

B m9( b 6)

A11

D (9)sus

‰

1

7fr.

26

Ó

D (9)sus

A11

9fr.

22

Œ

œ

2341

∑

Ó

D

2.

Œ ‰ œj .. Ó 23

2. The

D

Œ ‰ œj 23

The

381

Chorus:

A11

D

A11

7fr.

47

&

##

œ

œ

œ

shad - ows

sway,

7fr.

‰ . œr œ œ œ

‰.

Ó

1

r œ œ œj œ œ

23

they seem to say,

“To - night

we

Œ j œ œ œ

Ó

1

pray

for

wa - ter.

G (9)

D

4fr.

51

&

##

∑

Cool

6fr.

&

##

Œ

wa

-

∑

if

Œ

Œ

œ œ œ

234

G (9)

&

##

‰

j œ œ

you care,

D

˙.

2341

œ œ

please,

∑

show us

Œ œ œ

2341

Ó

Œ œ œ

cool,

# & # .. œ œ Œ 2341

there’s

Cool,

Ó

clear,

œ œ Œ

23

œ œ clear,

Œ

Ó

Ó

∑

23

œ œ

Repeat and fade

Œ

wa - ter.

Verse 2: The nights are cool and I’m a fool Each star is a pool of water Cool water But come the dawn We carry on We won’t last long without water Cool, clear, water Keep on movin’, Dan We’re still in no-man’s land Dry bones and sand People never planned here for water Cool, clear, water (To Chorus:)

Cool Water - 3 - 3

good wa - ter,

wa - ter.

D

Ó

j œ œ

œ

where

j Ó œ

23

D

E (9)sus 65

Œ

4fr.

E (9)sus 60

j œ œ œ œ

And way up there,

9fr.

2341

‰

2341

ter.”

B m9( b 6)

A (9)sus 56

œ.

w

Œ

j œ œ

23

Ó

∑

..

382

THE BEAT OF BLACK WINGS Standard tuning Piano arranged for guitar

Words and Music by JONI MITCHELL

Moderately Π= 112

# & # 43

‰ j œ œ œ œ

&

j œ œ

‰

4321

œ

Œ

œ

1111

2fr.

&

##

j œ œ

‰

1 4 1 21

œ

Verse:

Œ

œ

G

3fr.

# # . œ œ œJ œ . & .

13111

met a young 2.–5. See additional lyrics Bm7

œ

œ

œ

‰

œ

Œ

œ

œ

1111

2fr.

œ

‰

œ.

1

13421

œ œ ‰ œj # œ œ

œ

23

he said his

œ

œ.

œ

j œ œ

Œ

œ

œ

‰ œ

Œ

13111

..

œ.

F #m/B

Gmaj9/B 14121

Œ

2143

F #m7/A

j œ œ

4321

Bm

sol - dier,

‰ j œ œ œ œ

333

2fr.

D/F #

3211

Cont. rhy. simile

17

4fr.

Gmaj7/A

F #m/B

2. Gmaj9/B 13

Œ

F #m7/A

Dmaj9 7fr.

2143

Vocal chant

2fr.

D/A

4fr.

333

4

1.

##

Dmaj9

7fr.

Drums/perc.

Gmaj7/A 9

D/A

j œ 1. I

Dmaj9/F #

œ

œ.

œ œ

name was

Kill - er

E7

Kyle.

œ œ

Œ

œ

œ

2

∑

34

G/A 3fr.

22

&

##

Œ

1 3 1 21

Œ

œ œ

He was G sus2

G5

## Π& 27

œ œ œ œ œ

2

34

œ This

2

œ œ 134

is

his

Bm7

œ œ Œ

132

shak - in’

all

o - ver

D/F # 1

˙

œ œ

3211

like a

night

-

fright -ened

23

sto - ry.

It’s

a

E7

œ œ œ œ œ œ

œ

13421

tough one

for me to

E13

Œ

## Π&

1 3 1 21

œ Hard

œ œ

as

The Beat of Black Wings - 2 - 1

œ

132

œ œ œ œ

the squawk and

the

œ

13

flap,

child.

Œ

œ œ and the

∑

34

6 A9

A9

Œ

2

sing.

2fr.

32

Œ

Dmaj9/F #

Bm

œ œ œ J ‰ œ œ

œ œ œ Œ

œ

41

beat

œ ‰ ‰ œ J J

of,

the

œœ œ œ ‰ œ J

31

beat

of

© 1988 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

black

383

Chorus: D/A

Dmaj9 7fr.

&

##

&

##

37

4fr.

&

##

œ œ ˙

7fr.

Œ

2143

œ

wings.

‰ œj œ œ œ

Œ

œ

∑

∑

4321

Œ

1111

‰ œj œ œ œ

œ Dmaj9

7fr.

Œ

&

Gmaj9/B

4fr.

∑

# & # ‰ œj œ œ œ

Œ

2143

2fr.

Œ

œ œ

Char-ly

Œ

œ

œ

œ œ ˙

14121

œ œ œ œ Œ

Verse 3: He said, “I never had nothin’ Nothin’ I could believe in My girl killed our unborn child Without even grievin’ I put my hands on her belly To feel the kid kickin’–damn She’d been to some clinic Oh, the beat of black wings” (To Chorus:)

œ

Start fade after last verse

An - gel.

‰ œj œ œ œ

œ

Dmaj9 7fr.

Œ

œ œ

œ

4fr.

œ œ ˙

˙.

333

2143

An - gel.

‰ œj œ œ œ

œ.

Œ

œ

‰ œj œ œ œ

œ.

Repeat and fade

F #m/B

Gmaj9/B 2fr.

∑

13111

14121

∑

Œ

Œ

An - gel.

Verse 2: “They gave me a gun” he said “They gave me a mission For the power and the glory, Propaganda-piss on ’em There’s a war zone inside me I can feel things exploding I can’t even hear the f***in’ music playin’ For the beat of, the beat of black wings” (To Chorus:)

The Beat of Black Wings - 2 - 2

œ œ

D/A

Char - ly

œ

Œ

Œ

F #m7/A

Fade

333

Œ

2143

‰ œj œ œ œ

œ

2fr.

1111

∑

333

Gmaj7/A

D/A

##

2fr.

4fr.

Char - ly

Œ

Vocal chant

# & # Œ

47

Gmaj7/A

Dmaj9

4321 333

F #m7/A 42

D/A

œ ‰ J ..

2. “They

Œ

œ

œ.

‰ œj œ œ œ

Œ

Verse 4: “They want you, they need you, They train you to kill To be a pin on some map, Some vicarious thrill The old hate the young That’s the whole heartless thing The old pick wars We die in ’em To the beat of, the beat of black wings” (To Chorus:) Verse 5: There’s a man drawing pictures On the sidewalk with chalk Just as fast as he draws ’em Rain come down and wash ’em off “Keep the drinks comin’, girl ’Til I can’t feel anything I’m just a chalk mark in a rainstorm I’m just the beat of black wings”

œ

œ

..

384

SNAKES AND LADDERS Standard tuning Piano arranged for guitar

Words and Music by JONI MITCHELL

Moderately fast Π= 156 Intro: C (9)

C

32 4

32 1

œ. & 44 œœ .. F

C (9)

œœ œœ œ œ J

œ œ

0 1 0

0

Piano (arr. for gtr.)

T A B

Am7

2 4

2 1

. & œœœ .. œ. 3 0 2 0

F6

œ. & œœ .. 9

T A B

T A B

j œœ œ œ

1

Am11

Am7

j œœ œ œ

2 1

3 0

0 1 0

0

œœ œ œ

œ œ 0

œ

œœœ œ

œ œ 0

œœ œ œ

0 1 0 0

Snakes and Ladders - 5 - 1

1

1

œ œ 0

1

3

œ œ œ 0

Œ

œœ œ œ

œ œ

œ

œ œ œ 0

3

œ 3

1

2 4

2 1

œœ .. œœ ..

F6

0 1 2 3

œ œ

Am7

Fmaj7

œœœ œ J

œœ œœ œ œ J

Am11

0

3 2 3

3 0 2 0

0

3

Œ

3 0 2 0

321

2 4

1

32 1

œ œ œ J œ.

œ

1

0

3

1

0

3

0 1 0

324

œ. & œœ .. œ. 13

œ

32 4

œœ .. œ.

3

Am11

5

T A B

3 0

œ œ œ

C

1

œ œ œ 0

Œ

1

Œ

œœ .. œ.

j œœ œ œ 0 1 0

œœœ œ J

3 2 3

0 1 2 3

Am11

Am7

3 0 2 0

3

0

1

0

Fmaj7 321

œ .. œœ . œ.

1

œ œ œ J œ.

0

324

2 4

0

œ

j œœ œ œ

2 1

0 1 0

œœœ œ

œ œ 0

œœ œ œ

1

œ œ 0

1

œ 3

œ 3

œ œ œ œ J . 0

1

2

œ œ œ J œ. 0

1

0

© 1988 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

0

385

1: %Verse C (9)

C

& .. w 17

32 4

C (9)

w Ó

32 1

Cont. rhy. simile

21

Œ

œ œ

& ˙. per

-

25

29

œ

324

321

œ

œ

the

Am7

2 4

2 1

snakes

œ

and

C (9)

œ œ

˙.

(She is

all

˙

girl.

j œ œ.

Ó

2 4

Œ

∑

32 4

œ

lad

j œ œ. -

Ó

& ˙

air F6 41

324

& œ

all

œ

w Ó

j œ œ.

Œ

˙

brushed

an

j œ œ œ œ 321

brain

Snakes and Ladders - 5 - 2

œ

œ

that

mat

324

321

∑

-

fi - n’lly met

)

œ the

œ

œ

œ -

gel.

œ

to

œ J

cells.

j œ

Ó

Œ

∑

32 1

œ J

have

doll.

2 1

œ

and Am7

2 4

2 1

œ

œ œ œ

(Like a

˙ œ

œ

bie

œ.

Am11

œ

œ

The on - ly

ters. )

in

œ œ œ

Œ

Oh, )

one

love

is

Ó

∑

Œ œ

j ‰ œ œ œ Œ œ

C

˙. œ.

œ

-

lad - ders.

32 4

(Makes you

Œ ‰ j œ œ. œ œ œ œ œ J

Am7

2 4

C (9)

Fmaj7

his

∑

Fmaj7

Bar

Snakes and

(Is

-

mall.

F6

(Like a

œ

ders.

32 1

2 1

œ

ping

2 1

˙.

Œ

Am11 Am7 2 4

‰ œ œj œ Œ œ

Œ œ

Am11

She

37

-

œ œ

C

& w 33

œ J

shop

Œ

world.

Am11

& œ

œ

fect Fmaj7

all

a

32 1

Am11 Am7

F6

& œ

1. (In

Am7 2 1

2 4

˙. œ.

32 4

1. He 2.3. See additional lyrics Am11

C

hold.

∑

hot

324

321

∑ œ œ J

œ. cen

look - ing

just Fmaj7

-

ter

the

per - fect

Ó œ œ œ œ œ œ œ œ œ Œ

œ

F6

is

)

œ

œ œ -

fold. )

at

her.

˙ Oh,

Sta - pled in - to )

œ œ œ

love

is

386

45

Am11

Am7

2 4

2 1

& œ

œ

snakes

and

Am11

j œ œ.

œ

lad

-

Am/E

C/E

231

2 1

49

œ

œ J

œ.

2 4

œ

Snakes and

and slide

lad - ders. C/E

231

back down,

get

to

the

bot -

Fmaj7

C/F

tom,

1341

(Get to

the

top

Call

Am/E

C/E

231

2 1

57

Dm7

and the

Œ & ˙œ œ œ œ œ

and slide

132

the

œ

Ó

back down,

bot

tom,

-

and slide ly crea B b(2)

Œ

Ó œ

13411

back up.) cho - ker.

œ œ œœ -

œœ Œ

back down, ture

j œ œ œ œ œ œ 231

climb

get to the

bot - tom,

climb

back up.) Set up cred - it

Snakes and Ladders - 5 - 3

for the

To Coda fi 1.

C/F

‰ œj ˙œ œ œ œ ˙œ œ J 1341

321

get to the bot - tom, the love ly

true love,

true love.) He’s so ner - vous,

1

Œ

w

3 1

Oh,

Ó

Ó œ

2

Œ œ œ ‰ J œ ‰ b œ œ œœ J

(New love,

new love,

new love.) when he’s

F

Œ

‰

j œ œ

134211

œ œ

he’s wast - ing

..

climb back up.) crea - ture.

C9/B b

j œ œ Œ

œ œœ . œ J

œ J

Fmaj9/A

her.

back up.)

j œ œ œ œ œ œ œ œœ œ Œ

2 1

Œ œ œ ‰ J œ ‰ b œœ œœ œ . J

(True love,

6 B b9

j œ œ

Ó

œ œ œ

C/E

Bridge:

& œ œœ ˙ Ó J .

with

œ œ

j œ

3fr.

œ œœ

341

65

& œ.

to

3fr.

2.

12314

get

Fmaj7

(Get to the top love

69

slide back down, preach - er.

j œ œ œ œ œ œ

Ó

1341

321

C/D

5fr.

61

j œœ œœ . œ

œœ œœ

œ œ

(Get to the top

back up.) Buy the town -house.

C/F

Am/E

& œ œ œ œ œ

climb

œ

3fr.

Ó & œ œ œ œ œœ 321

j j ‰ œœ œ œ œ œ œ Ó

2 1

3fr.

53

∑

j œ œ œ œ œ œ

œ Ó

œ œ

œ œ

Ó

2 1

Am/E

top

Fmaj7

Œ

ders.

& œ œ œ œ œ (Get to the

Ó

Am7

a

-

œ œ way.

Œ

Ó

387 B b2

Ó œ

∑

73

&

C9/B b

Œ œ ‰ Jœ œ ‰ b œ œ œœ œ . J

13411

(True love,

true love,

6 B b9

kiss to

80

‰

œ

j œ

her,

(New love,

ious.

new love,

new love.) Just

‰

131111

œ

œ

to

j œ œ

kiss her,

to

‰

œ

j œ

kiss her,

to

œ

‰

œ

j œ œ

kiss her,

to

‰

œ

j œ

kiss her,

to

N.C.

œ œ

‰

kiss her,

j ‰ j œ œ œ œ œ œ œ œ œ

to kiss her,

to

∑

84

&

Ó

back up. her.

Œ

j j & œ œ ‰ œ œ ‰ œ œ 92

j œ & Œ œ. ‰

lad - ders,

95

ders.

œ

to

shave.

∑

Ó

∑

D.S. % al Coda

∑

∑

3fr.

& œj œ . ˙ œ

(Lad-ders,

has

Œ

œ

C/D

89

roy

kiss her he

∑

fi Coda

-

Œ œ ‰ Jœ œ ‰ b œ œ œœ J

2

3fr.

43121

&

-

Ó œ

3fr.

12314

Eb

true love.) It’s so cur

Œ

1

Gm7

j & œ œ. 77

j œ œ

œ J

The

Snakes and Ladders - 5 - 4

œ˙

.. œ

341

‰

œ

(Lad - ders,

Œ Œ

œ

œ

) so - cial whirl.

lad - ders,

œ

œ

(Lad - ders,

‰

j j œ œ ‰ lad - ders.)

‰

j œ œ

œ

œ

The per - fect girl.

B b2

œ. œ œ

13411

(Love is The pa - per chase

œ

Œ

œ

lad - ders.)

j j œ œ œ. œ œ œ œ J

‰ ‰

lad - ders.)

j j œ œ ‰

(Lad - ders,

œ

œ.

The

rat

‰

j œ œ œ œ J J

snakes lad - ders,

and lad lad - ders.)

Repeat and fade

j œ œ (Bar race.

œœ

œœ

‰

œ -

bie

œ

doll.)

..

388

Verse 2: He On a corporate climb Set his sights on power for her On a silver platter He gave up happy hour for her Perrier and Lime Oh, love is snakes and ladders Snakes and Ladders She In a handsome world Put her mind to social graces All the privileged chatter Setting pretty table places For the girls in pearls Oh, love is snakes and ladders Snakes and ladders Get to the top and slide back down Get to the bottom, climb back up Buy the earphone— Call the broker Get to the bottom — climb back up Get to the top and slide back down Get to the bottom — climb back up Buy the wife a diamond choker A diamond choker (To Bridge:) Verse 3: She In the gilded mirrors In the swing of fancy places Where the black ties flatter Started seeing other faces Young-fogie-financiers Oh, love is snakes and ladders Snakes and ladders In the crimes of time How the seasons steal away How the rungs are shattered First you’re green then you’re grey Still the snakes unwind Still playin’ snakes and ladders Snakes and ladders Get to the top and slide back down Get to the bottom, climb back up Sell the vineyard Call the lawyer Get to the bottom, climb back up Get to the top and slide back down Get to the bottom — climb back up Gather garbage to destroy her To destroy her (To Coda)

Snakes and Ladders - 5 - 5

389

THE REOCCURRING DREAM *Guitar tuned down 1/2 step:

E b-5-5-5-4-5 ➅ = Eb ➂ = Gb ➄ = Ab ➁ = Bb ➃ = Db ➀ = Eb

Words and Music by JONI MITCHELL

Moderately fast Π= 150

Note: Guitar chord frames are suggested fingerings.

Intro:

# & # 44 # œœœ

N.C.

œœœ

œœœ

œœœ

œœœ ...

œœœ J

This is the re oc *Recording sounds a half step lower than written.

4

&

œœ œ

# # N Nœœœ gap

œœœ

be - tween

2fr.

&

##

Œ

4321

œœ œ

More

¿

¿

œœ œ

œœœ

Œ

have

œœ œ

now.

born

j ¿

‰

‰

¿

j ¿

ful - fill - ing

œœ œ

# œ & # œœ

in

(F# /C)

¿

¿

less

¿

.. # œœœ

Œ

¿

¿

¿ ¿. ¿

we

-

y

could have.

(G/B)

œœœ

œœœ

œœœ

œœœ ...

œœœ J

1. Out of the en 2. See additional lyrics

frus - trat - ing.

œœ œ

our

œœ œ

¿

eyes,

Look!

œœ œ

œœœ b n b œœœ ... J

œœœ

œœ œ

glam - or - ous

pic

-

# # œœœ n œœœ & 13

Gleam - ing

œœ œ

œœ œ

œœ œ

us

down.

‰

G6 3fr.

¿

¿

¿

fore your ver - y

¿. eyes.

‰

j ¿

ture

peo

2fr.

and

A/C #

D

œ

œ

Is - n’t

œ

it

132

true,

pag

¿

4321

j ¿ ¿

¿.

213

œ

œœœ

-

ple

rise.

Gmaj7

From screens

3111

œœ œ

œ N N œœ

A

(A/E)

321

¿

¿

drear

vy

-

(A)

10

# & # ¿

the

what we wish

(A/E)

16

in

œœœ b nb œœœ ... J

œœœ

œœœ

Verse:

321

and

œœœ

¿

Bkgd. Vcl.: And

3fr.

412

¿

œœ œ

œœ œ

G6

2fr.

3

œœ œ

cur - ring dream,

what we

Gmaj9

Gmaj7 7

œœœ

Œ

œœœ

¿ -

es.

2fr.

‰

144

412

¿

¿

‰

glam - our,

Oo,

‰ #œ

Ra - di - ant!

Gmaj9

¿ J

B/D #

œ J

¿ ¿ ¿

j ¿ be -

E

œ

is - n’t

œ J

it

œ.

21

true?

¿ Good

The Reoccurring Dream - 3 - 1 © 1988 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

¿

¿

ques - tion,

390 E6

## ‰ . r & ¿ ¿ 19

213

I

‰ # œœ œœ # œœ œœ j ¿‰ J Look here, they tell

¿. ¿ ¿

know,

who cares?

E 22

&

##

œ œ. J 21

¿ ¿

{Lat-est F #m7

Gmaj7 2fr.

# # ˙˙˙ &

œœ you.

131111

had

¿¿ ¿ .¿

¿ ¿

¿

styles

and

¿

co-lors. If we Bm7

had that

Œ ¿ J

œ

If

you

œ Nœ

œ J

had

this,

‰ #œ

œœ œ

œœ œ

13121

Œ

that

house,

œœ œ

car,

œœ œ

if

3

bot - tle,

us,

it

G #m7

jar,

you

If

Mm. would - n’t

œœ œ

œ

144

. r Œ œ œ ¿ ¿¿ ¿ ¿ ¿ ‰ ¿ ¿ ¿ ¿

‰.

¿

for

œ

132

be

#œ

œ

œ

131111

F #m7

your

lov - ers

u - lous?

œ.

œ

3

you

-

fab

4fr.

œœ œ

4321

Π
213

B/D #

D

3111

E6

had that.

25

A/C #

œ.

131111

would look

like

1.

Bm9 2fr.

28

&

##

œ œ œ

¿

œ œ œ

13421

mov - ie stars,

mov - ie stars.

¿

¿¿ ¿

¿

Mov - ie stars,

¿

¿¿

≈ ¿j .

¿ ¿ ¿ ¿ ¿ ¿.

mov ie. Or -der your youth

se - crets of

the

Call

stars.

¿

now,

2.

Bm9 2fr.

31

&

##

¿

just

¿ ¿ ¿

¿

mov - ie stars,

Outro:

# & # .. ‰

23 4

&

##

œœœ

23 4

¿ hair.

œœœ

¿ Ó

# & # ¿¿ ¿¿ ¿¿

Mov - ie stars. Oth - ers will

The Reoccurring Dream - 3 - 2

no - tice.

Π
Bm7

‰ œœœ ... œ œ œ œ 13121

He’s gon - na

¿ ¿

¿

Œ

œ¿ .

j œ

Mov - ie leg - ends.

j j ¿ ¿ ‰

‰

Dream - er. Mov - ie stars, mov - ie stars.

Dream on.

40

œ¿

mov - ie stars. Hol - ly - wood’s great - est

23 4

this?

˙˙˙

mov - ie stars,

œ¿ ¿ œ¿

œ œ œ Œ ¿ ¿ ¿ ¿ ¿

23 4

¿ ¿ ¿.

œ œ œ

j œ¿ J

stars.

Em6

Em7

Re - cog - nize Em6/B 37

13421

nine - nine - ty-nine.

Em6/B 34

.. œ œ œ

Œ

¿

¿

Sex - y.

¿

Soft,

¿

sex - y

Em7

œ

love

≈ ¿ ¿

œ

œ

œ

me

in

this

Who cares?

¿

Ó

j œ œ œ œ œ ‰

œ œ

ru - by,

stick.

23 4

¿

ru - by

¿

Mov - ie

lip

¿

stars.

-

Play 6 times w/vcl. ad lib.

Ó

..

Em7

Em6/B

# & # ‰ ¿ ¿ ¿. ¿ Ó 43

23 4

23 4

Em6

Œ

# œ & # J

132

mm,

œ

œ

Œ

∑

32

Dream - er.

D/A 47

œ

23 4

Re - cog - nize this?

391

Bass tacet G

Œ

4

˙¿

¿

Mm, I love

¿

œ Œ

it.

D

˙ mm,

œ œœ J Jœ

dream

www

132

-

er.

Verse 2: Our discontent is their delight They offer relief for the purchase price Love in a bottle Love in four wheels Is that our new car, Charles Isn’t it true, isn’t it true We guarantee it, pick up your phone and dial See here they sell you If you had this If you had that I want a new truck – More power! If you use this shampoo True love will come to you If you had that house, car, bottle jar Your lovers would look like movie stars, Movie stars, movie stars, movie stars Hollywood’s greatest legends Outro 2: Recognize this? Dreamer Latest styles and colors Oh, dream on, dream on, dream on The fashion looks you’ve been hoping for Sexy, sexy Outro 3: Recognize this? Dreamer So special Dream on We will have happiness in heaven The place you dreamed of retiring to Who cares?

The Reoccurring Dream - 3 - 3

œœœ ¿ ¿ ¿ Is - n’t there

¿ ¿

¿ ¿

some oth - er way?

¿

¿

Who cares?

Outro 4: Recognize this? Dreamer I know that glamour is sexy Oh, dream on, dreamer What could go wrong Dream on Who cares? Outro 5: Recognize this? Dreamer I’m afraid I can’t go below two million Dream on Life would be easy if I had that new appliance Food processors for all of us Who cares? Outro 6: Recognize this? Dreamer There are lots of strings Dream on We can solve everything in science Naturally Science It’s a picture of how to get what you want out of life Recognize this? Dreamer I love it

392

A BIRD THAT WHISTLES (Corrina, Corrina)

*Guitar in Open D tuning: To match recording, tune down 1/2 step:

➅ = D ➂ = F# ➄=A ➁=A ➃=D ➀=D Note: Strings ➅ ➄ ➃ and ➂ are 8va up

Words and Music by JONI MITCHELL

Moderately slow Π= 89 Intro: F #m

G

Em D

G

5fr.

# 4 & #4

111111

23 1

**Acous. Gtr.

œ œœ œ œ

T A B

0

0

3

5 5

4 4

111111

23 1

Em D

G

0

1 0

2 2

0

0 0 0 0

0

5fr.

23 1

111111

23 1

œ œ œœ œ œ œ œ œœ œœ œ œ œ

œœ œ œ œ œ œ œ œ œ œ œ œ œ œœ œœ œœ œ œ

œ œ œ

5

F #m

5fr.

5

3

5 5

4 4

0 0

1

œœ œ œ

Em D

23 1

œ œ œœ

23 1

œ œ œ œ œ œ œ œ œ œ œ œœ œœ

0

0

0 0 0 0

2 2

F #m

5

3

1

5 5

4 4

2 2

0

0 0 0 0

*Recording sounds a half step lower than written. **All notes played on strings 6–3 sound one octave higher than written. See tuning information.

%Verse:

A 7fr.

# & # Ó 4

111111

# & # œœ œ œ

T A B

D

&

##

œœ Ó œœ

8 7 9 7

7 7 7 7

G 111111

œ D

F #m

Œ

&

##

D

G

j œ. œ œ œ.

Œ

23 1

131211

Œ

‰

111111

2 1

G 5fr.

Em D

Em

Ó

23 1

G

D

C/G 5fr.

111111

Œ œ. œ œ

Em

D

Em

111111

3

œ

D

œ

3

œ

the

a

A

5fr.

131211

by

111111

G 5fr.

œ

5fr.

took

∑

23 1

F #m

C/G

G 5fr.

Pret - ty house

111111

œ

A/D

1. I took a house by the wa - ter, 2. See additional lyrics

Ó

23 1

5fr.

11

‰ . œr œ . œ œ

œœ œ œ

5fr.

7

D

œ

man on

D/A

œ œ œ œ

Œ

111111

wa

-

ter,

œ

3

3

œ

œ

a moun -tain side.

A 7fr.

131211

œ

œ

∑

7fr.

3

œ

3

7fr.

œ nœ 3 œ œ œ œ œ 111111

love - ly

3

lov - er by the wa - ter-

A 7fr.

Ó

23 1

side.

23 1

∑

Œ

111111

nœ. Last

A Bird That Whistles (Corrina, Corrina) - 2 - 1

œ œ œ œ œ œ œ 3

3

time I

saw

that

© 1988 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

man, he

G

C/G 5fr.

# & # Π14

G

D

5fr.

œ J

‰

111111

œ œ œ œ

hung

5fr.

# j & # œ 17

D

œ

Ó

G

## Ó &

D

23 1

‰

111111

œ

C/G

Œ

G 5fr.

&

##

111111

F #m

Em

3

D

C/G

111111

œ œ œ

to

Œ

Ó

23 1

Œ

111111

5fr.

5fr.

## œ 3 & œ œ œ 111111

love ya,

G

3 ‰ œ œ œ œ œ œ

131211

111111

Ó

3

131211

A

D/A

Œ

girl,

G

‰ œ œ œ œ 3

3

œ

j œ

now you pack your things and

111111

œ.

F #m 23 1

Em

to

go?

7fr.

nœ J

œ

111111

A/D

œ

œ

me

come

œ

to

D.S. % and fade on Chorus A

7fr.

Ó

23 1

go.

Verse 2: Leave me this bird that whistles Leave me this bird that sings I got a bird that whistles I got a bird that’s singin’ If I don’t have you, darlin’ Birds don’t mean nothin’ (To Chorus:)

A Bird That Whistles (Corrina, Corrina) - 2 - 2

D

œ

A

‰

111111

5fr.

111111

œ.

tell me why do you have

∑

D

5fr.

23 1

go?

Just made

C/G

Ó

23 1

œ

D

7fr.

D

23 1

Em

Cor -

A

a,

Em

œ

5fr.

3

-

3 j œ œ œ œ

F #m

7fr.

23 1

œ

G 26

œ œ J

œ.

you have

5fr.

131211

3

Cor - rin - a, Cor - rin

D 23

œ œ œ3 œ J

G 5fr.

5fr.

œ

3

do

111111

G

5fr.

131211

G

3

Œ

D

5fr.

5fr.

20

Ó

111111

23 1

1. Cor - rin - a,

rin - a, 2. Saxophone solo-ad lib. and fade

Em

Ó

23 1

C/G

G 111111

23 1

œ.

A 7fr.

Œ

111111

5fr.

Ó

111111

D

down his head and cried.

F #m

G

D

Em

5fr.

111111

Chorus:

F #m

G

5fr.

œ

131211

393

Ó

2 1

Œ

111111

œ œ œ 3

2. Leave me this

396

NIGHT RIDE HOME

Guitar tuning: C-7-7-2-3-5

➅=C ➂=E ➄=G ➁=G ➃=D ➀=C

Words and Music by JONI MITCHELL

Moderately Π= 115 Intro: C (9)

Am9 11fr.

& 44 T A B

231

œ P 0

œ œœ œ

12

œ œœ ‰ J

œ

11 12 12 0

7fr.

œ œ œœ

T A B

œ œ 7

9

7

7 7 9

œœœ

œ

7 7 9 7

7

% Verse:

œ

2

7

9

7 7

6 7

7

231

6 7

œ

6 7

œ

12

0

œ & ..

œ

œ

œ

1.3. Once 2. Back

in at

a the

while bar

œ œ

‰

in

a the

big blue band tears

11 12

12

‰ œj œ

& ˙

this; beams,

œ

113411

G

7fr.

œ

like some sur - real - ist the sil - ver pow’r lines

Œ

7fr.

0

2 2

œœ .. œœJ œœ œ œœœœ

0 0 11 12

0 0

œ

11 12

12

111111

there comes but out there

To Coda fi

113411

in - ven - ted gleam on

this this

Fourth of Fourth of

œ

œ

234

j œ œ œ œ œ

œ œ J

‰ œ J

œ J

moon down,

G sus(9) 7fr.

œ

œ.

œ.

œ J

2341

G 12

2

0 0

0 0 11 12

Dm11

7fr.

231

0 2

2

Am9

Cont. fingerpicking simile

0 2

œ œ œ œ œ œ œ œœœ

0

7

11fr.

0 0

œ

œ œ œ œ

11fr.

œ œœ œœ œœ œœ œjœ ‰ œ œ 7 7

2

2

œœ œ

C (9)

2 31

C (9)

9

9

6fr.

111111

œ

œ j œœ .. œ œ œ œ œ

234

7 9

9

G (9)

G sus(9)

113411

7 9

9

9

9

7fr.

&

œ œœ œ œœ ‰ œ J œ œ

2341

11 12 12

G

5

Dm11

7fr.

a in the

œ

night like head - light

C (9) 11fr.

j œ œ œ œ œ

œ.

231

Ju - ly Ju - ly

night ride night ride

Am9 7fr.

œ & J œ. 16

home. home.

Night Ride Home - 2 - 1

Ó

∑

∑

œ

œ œ œ

Hu - la ’Round the

girls curve

‰ Jœ and

and a

œ

2341

œ

œ

œ

cat - er - pil - lar big dark horse, red

© 1988 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

397 Dm11

G

G sus(9) 7fr.

& œ 21

œ

234

trac - tors tail - lights

‰ Jœ œ œ

in the sand, on his hide,

œ œ ‰ j œ œ

œ

113411

˙

the

231

ly ly

œ œ. J

113411

I

C (9) 7fr.

113411

we love the o

-

∑

Ó

231

˙

‰ œj œ .

Œ

113411

pen road.

œ J

No phones

Ju Ju -

œ œ J

Œ

me,

till

œ œ œ Ó

Fri - day.

2. G sus(9) 7fr.

& Œ

G

G

7fr.

œ

113411

œ œ œ œ œ

œ

Œ

111111

Far from the o - ver-kill,

G sus(9)

7fr.

œ from

œ

113411

the

far

7fr.

œ

œ

from the

œ

œ

œ

o - ver - load.

œ

7fr.

œ

113411

œ

o - ver - load.

.. œ

113411

œ

œ. œ œ œ œ

Far

from the un - der-tow,

œ J

œ œ œ œ Ó

Œ

fi Coda

D.S. % al Coda

G

7fr.

far

this Fourth of stride Fourth of

5fr.

G

& œ

œ.

love the man be - side

1.

111111

j œ œ œ œ œ

F 11fr.

œ œ œ œ œ œ

& Œ

37

fire - works rev for

‰ œj œ œ œ œ

Œ

Ó

}

home. home.

night ride night ride

G

34

œ

113411

5fr.

j œ œ œ œ œ

& œ.

29

Œ

111111

7fr.

F 11fr.

25

œ

‰ œj œJ

the u - ku - le - le man, is keep - ing right along-side,

C (9)

G

7fr.

C (9)

11fr.

& ˙. 38

œ

‰

231

ly

night

ride

home.

Repeat and fade

& .. 40

Night Ride Home - 2 - 2

∑

Ó

Œ

œ

œ

Night ride

œ home.

œ

˙.

∑

..

398 Guitar tuning: D-7-7-2-3-5

CHEROKEE LOUISE

➅ = D ➂ = F# ➄=A ➁=A ➃=E ➀=D

Words and Music by JONI MITCHELL

Moderately Œ˘ = 101 Intro: Gm(9)

5fr.

# 12 & # 8 œœœ ... œ. F 1111

T A B

5 5 5 5

A (9)

œœœ

j œœœ

5 5 5

5 5 5

Bm9

œ œ œ 5

5

5 5 5

9

8 9 9

9

8 9 9

9

œœ

1

œ œ 7

9

& T A B

8 9 9

8 9 9

5

5

5

0

7 7 7 7

0

0

9

9

œœ

1

0

0

0

0

j j œœœ œœœ œœœ œœœ œ œ œ œ œ 5

5 5 5

5

5 5 5

5

5

5 5 5

5

5 5 5

D (9) 12fr.

œœ œœœ œœœ œ œœ J J 10 10

0

1111

0 0

8 0 0

234

œ œ œ

0

5fr.

œ œœ œ œœ J 2

7 7 7 7

G (9)

10fr.

1111

5 5 5

5 5 5

œœœ œ œ œ œ œ 1111

D11

r œ œœœ ‰ œœ œœœ ≈ ‰ œ œ œ œ œ œ œ 5 5 5

5 5 5

8fr.

j œœœ œœœ œœœ œ

7fr.

##

5

œœœ

r œœœ ≈ ‰

Asus

A (9) 6

5

2341

0 0

8 0 0

9

5

8fr.

j ## œ œœ œœ œ œ œ & j œ œ œ œ œ œJ œ œ œ œ 2

œ œ œ

Bm9

8fr.

2341

T A B

5 5 5

Asus

8fr.

3

5

œœœ

j œœœ

7fr.

0 10 10

10 10

10

0

j œ œ œ œ

œœ Jœœ œœJ œœ œ 234

12 12

12 12 0

0

0

12 12

12

0

j œ 7

Verse: Bm9

Asus

8fr.

rhy. simile # # . Cont. œ œ œ œ œ . Œ & . J 9

2341

2

1. Cher - o - kee Lou - ise 2.–4. See additional lyrics A (9)

# & # Ó.

Œ . œ Jœ 1111

is

8fr.

œ

2341

8fr.

œ œ œ œ œ. J

hid - ing in this tun - nel

Bm9

7fr.

12

œ. 1

Asus

8fr.

œ

2341

We’re crawl

-

ing on our knees;

2

j œ œ 1

we got

2

5fr.

œ

œ J

1

in

œ

œ œ J J œ

1111

the Broad - way

Bm9

8fr.

œ œ œ œ œ. J

G (9)

Asus

Bm9

8fr.

Ó.

bridge. Asus

8fr.

œ

2341

8fr.

œ

œ

œ

œ

œ

flash-lights and bat - ter - ies,

œ.

2

œ

œ

we

got

1

Note: G(9) and A(9) are overhand barre chords, played with the index finger pointing downward over the neck. Cherokee Louise - 2 - 1

© 1991 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

œ cold

399 G (9)

D (9)

D (9) Em11

5fr.

15

&

## œ

œ œ œ œ œ . J

1111

cuts from the

Ó.

Œ.

fridge.

Last

D (9)

Em11

&

## œ

œ œ œ œ œ. J

2341

up

œ

in the branch-es

just

œ J

&

##

œ.

2341

œ

1111

to

Œ

œ J œ.

Œ.

1111

œ œ J J œ

Œ.

they want

time

we used to climb

Œ.

œ œ œ J J

some breeze.

œ œ œ œ œ J

Now the cops

œ

on

j œ

the street,

1.–3.

œ.

œ J

œ

D (9) 10fr.

Cher - o - kee

234

12fr.

Œ.

Ó.

∑

234

Lou - ise.

..

Repeat and fade Bm9

12fr. 234

œ

œ œ œ œ.

4.

# & # Œ.

œ œ œ œ J D (9)

sway there in

D (9) 25

a - bout this

D11

7fr.

21

year

A (9)

Em11

œ œ œ œ œ J

œ

G (9) 5fr.

18

œ J

œ

Œ.

2341

Asus

8fr.

Œ

œ œ œ œ œ œ œ J Oh,

Cher - o - kee Lou - ise.

Verse 2: People like to talk Tongues are waggin’ over fences Waggin’ over phones All their doors are locked God, she can’t even come to our house but I know where she’ll go To the place where you can stand And press your hands like it was bubblebath In dust piled high as me Down under the street My friend Poor Cherokee Louise

.. œ . 2341

8fr.

Œ.

Ó.

2

Asus

8fr.

Ó.

1

2341

8fr.

‰ œ œ œ œ œ .. 2

1

Cher - o - kee Lou - ise.

Verse 3: Ever since we turned 13 It’s like a minefield Walking to the door Going out you get the 3rd degree And comin’ in you get the 3rd world war Tuesday after school We put our pennies on the rails And when the train went by We were jumpin’ ’round like fools Goin’ “Look, no heads or tails” Goin’ “Look, my lucky prize” She runs home to her foster dad He opens up a zipper And he yanks her to her knees Oh, please be here please My friend Poor Cherokee Louise

Verse 4: Cherokee Louise is hiding in this tunnel In the Broadway bridge We’re crawling on our knees I’ve got Archie and Silver Screen I know where she is The place where you can stand And press your hands like it was bubblebath In dust piled high as me Down under the street My friend Poor Cherokee Louise Cherokee Louise - 2 - 2

Bm9

400

PASSION PLAY

(When All the Slaves Are Free)

Guitar in Open D tuning: D-7-5-4-3-5

➅ = D ➂ = F# ➄=A ➁=A ➃=D ➀=D

Words and Music by JONI MITCHELL

Moderately in 2 Ó = 86 Intro: D (9)

&

## C

T A B

..

œ œ P 0

..

2

% Verse:

2

œ > 0

œ œ

œ

œ

œ

harm. 12 12 12

0

2

0

œ

>‚ ‚‚

2

0

0

œ œ œ œ œ

0

0 0

0

œ

2 0

œ œ 0

œ

œ

œ œ

0

2 0

2

0

√ >‚ ‚‚

œ

harm. 5 5 5

. œ œ œ œ œ . 2

0

0 0

0

D (9)

œ œ œ.

# & # .. Π2

5

œ J

Cont. fingerpicking simile

1. Mag - da - lene is 2.–4. See additional lyrics

œ

œ ‰ ‰ œ J

trem - bling

œ J

like

œ

œ

a

wash - ing

œ. on

œ J a

œ J

œ.

˙

line.

Am11 6fr.

# & # Π9

nœ œ œ œ œ œ

2341

Trem - bl

-

ing

œ.

and gleam

-

j œ œ

Œ

∑

∑

ing.

D (9) 13

&

##

œ œ œ œ ˙

∑

2

Nev - er

œ

be - fore

œ

œ

was

a

œ

œ.

man

œ J

so

˙

œ œ. J

kind.

Am11 6fr.

17

&

## œ 2341

Œ

nœ œ J

Nev - er

œ J

so

œ

Passion Play (When All the Slaves Are Free) - 3 - 1

œ

œ

re - deem

œ.

-

j œ

ing.

˙

Ó

∑

© 1991 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

2

..

401

Chorus: Em11 21

&

##

∑

2341

Ó

œ œ. J

œ œ œ œ

En - ter

Œ

∑

the mul - ti - tudes

D (9)

E

œ

Bm9 8fr.

25

&

##

∑

111111

‰ œJ Jœ œ .

Œ

w

in

œ

2341

2

Ex - xon

‰ œj œ œ œ œ

blue,

in

ra - di - a - tion

D (9) 29

&

##

∑

2

w

œ

rose.

œ

Ec

œ

- sta - sy,

Œ

˙

j j œ œ œ.

‰

now you tell

To Coda fi

A 7fr.

33

&

##

œ

Ó

˙

me.

œ œ œ œ œ œ œ

Who’re you gon - na

get

to

do

the

œ

œ œ œ

111111

dirt - y

Œ

‰ œj œ

Œ

work

when all

œ

the

D (9)

# & # œ 37

œ œ ˙

2

slaves are

∑

∑

∑

∑

free?

1.

# œ & #

œ

42

œ

Who’re you

œ

œ J

gon - na

‰

∑

Œ

2.3.

.. Ó

∑

get?

Em11

œ œ Œ Oh.

G 5fr.

46

&

##

∑

2341

Ó

œ œ œ œ

En - ter the mul - ti - tudes C/G

G 5fr.

51

&

œ œ. J

## n œ .

131211

œ ‰ Œ J

wound - ed,

they

œ.

111111

come

Passion Play (When All the Slaves Are Free) - 3 - 2

Ó

‰ œj œ œ

The walk-ing

C/G 5fr.

œ œ œ œ J

∑

111111

Em11 5fr.

œ œ œ œ J

to

this

œ

131211

œ œ œ œ Œ

div - er

of

the

‰ œj œ

2341

heart

œ œ œ of

j œ

the

402 G

# & # œ

œ

55

mul

-

œ

˙

∑

œœ œœ Œ

Ó

ti - tudes.

Thy king - dom

D.S. % 2.

1. A

D/A

5fr.

&

##

7fr.

œ nœ. J

‰

131211

come,

‰ œj œ œ

Ó

111111

Oh.

C/G 59

5fr.

œ.

7fr.

œ.

a˙

111111

thy

will

œ J

be

131211

œ.

done,

oh.

˙

D.S. % al Coda

D/A

œ J

7fr.

131211

œ.

done,

oh.

˙

œ J

fi Coda

D (9)

# & # ˙ 63

œ J

œ.

2

slaves

# & #

# & # ..

are

∑

∑

free?

∑

67

71

w

∑

∑

Ó

œ

œ

Œ

Oh.

Outro:

∑

œ

œ

Who’re you

œ

œ

gon - na

œ J

‰

Œ

get?

Verse 2: I am up a sycamore Looking through the leaves A sinner of some position Who in the world can this heart healer be This magical physician (To Chorus:) Verse 3: Climb down climb down he says to me From the middle of the unrest They think his light is squandered But he sees a stray in the wilderness And I see how far I’ve wandered (To Chorus:)

Passion Play (When All the Slaves Are Free) - 3 - 3

Verse 4: All around the market place The buzzing of the flies The buzzing and the stinging Divinely barren and wickedly wise The killer nails are ringing (To Chorus:)

∑

Play 6 times and fade

∑

..

403

THE WINDFALL (Everything for Nothing)

Guitar in Open Am7 tuning: A-12-7-3-5-4

➅=A ➂=G ➄=A ➁=C ➃=E ➀=E

Words and Music by JONI MITCHELL

Moderately Π= 112 Intro: Am7

G/A

12fr.

œœ œœ œ œœ 4 &4 œ œ œ œ œ ◊ P

œœ œœ œœ œœ œ œ œ œ œ ◊

23

T A B

0

0

12 12 0

0

12

0

0

0 0

7 7 0

0

213

..

∑

&

0

0

0

0

0

0

∑

0

Am7

Œ

0

0

0

0

2 2

œ

œ

œ

œ

œ

j œ

j œ œ

œ

1. Be - cause El - vis gave them

∑

0

G/A

12fr.

0

2 0

tacet

œ œ .. j ‰ ‰ j ‰ j #œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ◊ ◊ 2 .. 0 2 0

0

2

7 7

2.

4

T A B

œ œ œ œ #œ œ œ œ œ œ œ œ ◊

23

12 12

1.

&

D/A 7fr.

D/A 7fr.

7

23

Œ

‰

Cont. fingerpicking simile

& œ

cars

j œ œ

Œ

23

you think

œ

œ

I’m

Ó

Œ

‰

213

cheap

Am7

and you’re hard

Am7

G/A

12fr.

10

&

œ

by.

œ

œ

Look, you

œ

live

œ

here

23

œ

like

D/A

œ

œ

a

star;

7fr.

œ

Œ

œ

Œ

23

œ

rent - free

Am7

œ

Ó

suite, Dm7 5fr.

& Π13

213

œ

big

œ

blue

œ.

pool

The Windfall (Everything for Nothing) - 3 - 1

œ œ

that you

œ

sun

œ

by.

Œ

œ

Trips

œ

to

œ œ.

trop - ic

˙

111111

Ó

shores,

© 1991 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

j œ

done

404

Dsus

Dm7

5fr.

j œ œ

& Ó 16

j œ œ œ œ œ ˙

111341

clothes

from

fan - cy

stores.

‰ œj œ

Œ

& œ œ

bad - ly.

‰ œj œ œ œ œ

Œ

213

ev

Am7

-

œ œ

’ry - thing for

& .. œ

Œ

23

Œ

church, (2.) blind, (3.) lies,

too

‰ Œ

Ó

Ó

Œ

œ

Ó

Œ

tion

as Spit

œ

œ

œ

Chant - ing for you be - gan spun be - tween

D/A

œ

-

j œ

fall. ac web.

G/A 7fr.

Œ

œ

œ

house, climb, trees,

my to the Am7

j œ

for my down but I took no your spi - der

23

œ

œ œ œ œ

j œ

‰

213

chant saw, scam, Am7

tacet

Œ

œ

œ

too

Go - ing to the

12fr.

&

you want

D/A

23

you I your

27

much,

j œ œ

7fr.

j œ

‰

want

‰

œ

23

noth-ing.

G/A

12fr.

j œ

Am7

You want

%Verse:

24

You

D/A 7fr.

23

12fr.

‰ œj œj œ

Œ

111111

G/A 20

Am7

5fr.

‰

j œ

Œ

23

œ

my green doors

Ó

friends. clawed. slam. Dm7 5fr.

& Π30

j œ œ

‰

213

Œ

œ

œ

You want it all; Dis - sat - is - fac You want my head.

‰

the pil - lows It was - n’t You’d eat your

tion.

5fr.

& Œ

j œ œ

‰

111341

that

& œ

j œ œ

‰

much, much, much, Am7

œ

œ

j œ

111111

œ

To Coda fi G/A

12fr. 23

bed, my guess to a - live

on hard young

5fr.

vi - sions in my end would be a a Jag - uar

the the for

Am7 36

Ó

˙

œ

œ œ

Dm7

Dsus 33

j œ œ œ

111111

you want you want you want

too too too

œ

œ.

head. mess. in the

Œ

j œ

‰

j œ

You You You

drive.

j œ

œ

want want want

too too too

D/A 7fr.

23

œ

Ó

œ

Œ

‰

bad - ly. bad - ly.

j œ œ

Œ

j œ œ

‰

213

You want You want

ev ev

œ

-

œ

’ry - thing ’ry - thing

œ

for for

Dm7 5fr.

39

& œ œ

‰

Œ

Ó

noth - ing. noth - ing.

The Windfall (Everything for Nothing) - 3 - 2

Ó

Œ

œ

In In

œ

the the

œ

œ

land land

of of

111111

œ

lit mass

-

œ

œ

i - ga frus - tra -

405 Am7

Em7 7fr.

& œj 42

111111

Ó

œ.

-

Œ

œ

111111

the the

œ

j œ œ

j œ

Take what’s be - hind count - ing wool - y lit

G/A

the tle

-

œ

œ

œ

courts are judg - es

like are

œ

œ

∑

Am7

j œ œ.

‰

111111

cur - tain, law - yers

j œ œ

the and

œ

jur - y grind - ing

Œ

cries. their

œ œ œ

œ

111111

œ

Am7

end Hol

-

œ

of your ly - wood

œ

Em7

œ

111111

jus - tice al - ley

‰ j œ œ œ

has runs

œ

one some

Ó

œ œ œ

j œ

tacet

‰

œ

2. Oh,

it’s

61

Œ

& œ œ

in your

23

bad - ly.

G/A

Ó

noth-ing.

The Windfall (Everything for Nothing) - 3 - 3

23

∑

‰ œj œ

Œ

213

You want

not

œ

like

œ I

œ

was

..

213

‰ œj œ œ œ œ ev

-

∑

Œ

’ry - thing for

Repeat and fade

Am7

D/A

∑

œ

D/A

7fr.

7fr.

‰ Œ & .. œ œ

œ

not if lo - cal down some search - lit

23

G/A

œ œ œ œ œ œ

63

œ

good eye. lost be - lief.

fi Coda

tacet

Am7

œ

7fr.

∑

3. Oh, I’m tan - gled

the the

1.

D.S. % al Coda

2.

at

G/A

23

∑

60

œ

while

Am7

213

& Œ

Œ

e - ven

D/A

&

Ó

12fr.

& œj œ

57

œ

Ó

Am7

7fr.

54

Œ

111111

rain - bow, are shriek -ing,

per - jured si - rens

œ

5fr.

23

œ

œ

Dm7

7fr.

Œ

Œ

œ

jack - pot win - dow

gon - na be the my sleep - less

G/A

œ œ œ

teeth.

7fr.

j œ œ

‰

111111

Am7

& œ

Œ

˙

œ

Em7

I’m not Out - side

51

Ó

7fr.

5fr.

23

Œ

game shows. sleep - ing,

Dm7

Am7 7fr.

&

j œ

23

Em7

& Œ

48

‰

tion tion

5fr.

Am7 7fr.

23

Dm7 45

G/A

12fr.

.. ‰ œj œ œ œ œ Ev

-

’ry - thing for

406

COME IN FROM THE COLD

Guitar in Open D≤ tuning: D≤-4-8-4-3-5

➅ = Db ➄=F ➃ = Db

➂=F ➁ = Ab ➀ = Db

Words and Music by JONI MITCHELL

Intro:

a tempo G b(9)

Db

5fr.

b œ & b b b b 44 ggg œœœ gg œœ gP ggg 00 T ggg 50 A ggg 55 B

˙˙˙ ˙

23 4

œ

0 0 5 0 5

Moderately Π= 108 Verse: Db

12fr.

b & b b b b .. Ó 4

Db

7

9

œ

œ

œ

8

G b(9)

D b/A b

œ

23 4

œ

œ

1. Back in nine - teen 2.–7. See additional lyrics

œ

œ

fif - ty

œ

œ

œ

sev - en,

œœœ .. œœ ... œ.

œœœ œœ œ

Œ

we

j œ Œ œ

12

&

bbbb

had

b

œœœ œ

A b/C

∑

Œ

‰ Db

10fr.

&

bbbb

‰ œj œ œ

Œ b œ œ 21

rul - ers

with -out

D b/A b

a

12

&

bbbb

b œ

‰ œj œ œ 12

gers,

oh,

Come in from the Cold - 2 - 1

œ

dance

a

‚‚‚ .. .

œ

foot

‚‚‚ J

harm. 7 7 7

j œ œ.

a - part

‚‚‚ J

‚‚‚ .. .

7 7 7

7 7 7

B bm7

21

8fr.

us

from the side-lines

we could make our

Ab 1111

Ó

Ó

‰ œj œ œ

hold-ing their

G b(9)

‰

j œ œ œ

And so with Db

7fr.

harm.

œ

Ó 5fr.

heart.

œ œ

Ó

j œ œ œ œ.

œ

21

12fr.

œ œ Œ

12fr.

15

œ

œ œ œ

and they hawk - eyed

A b/C 11

to

œ

7

12fr.

Cont. fingerpicking simile

œ

harm.

0 0 7

5 0

7fr.

1111

œ

10fr.

7

Ab

12fr.

0 0 5 0 5 5

12

ggg wwww ggg w gw ggg 00 ggg 00 ggg 00

12

5

..

T A B

˙

5fr.

12

b & b b b b .. Ó

œ

œ

12fr.

j . œ œ œ œ

cir - cuit - ry

ex - plode.

12

œ

œ

just

a

23 4

œ œ œ œ

touch of our fin A b/C

12fr.

10fr.

∑

Ó

œ œ œ œ 21

All we ev - er

© 1991 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

B bm7

Db

8fr.

b & b b b b œj œ. 19

21

Ó

Ó

‰

B bm7

21

21

10fr.

b & b bbb œ 23

œ

œ

œ œ

come in). Come in

from

b & b bbb œ

œ

œ

œ œ

come in.) Come in

Db

10fr.

Ó

∑

B bm7

21

21

Come in Come in from the cold (You were so warm) Please, come in Come in from the cold

Come in from the Cold - 2 - 2

12fr.

Œ

œ œ œ

œ œ

come in, A b/C

7.

Œ

Ó

‰ j œ œ .. Œ œ

Ó

the cold.

12

2. We real - ly

21

Verse 3: I feel your legs under the table Leaning into mine I feel renewed I feel disabled By these bonfires in my spine I don’t know who the arsonist was Which incendiary soul But, all I ever wanted Was to come in from the cold

12

come in,

10fr.

come in.) Come in

7. Please

21

œ

21

j œ

come A b/C

8fr.

10fr.

œ œ œ œ œ œ

from the cold. (Come in,

Verse 4: I am not some stone commission Like some statue in a park I am flesh and blood and vision I am howling in the dark Long blue shadows of the jackals Are falling on a pay phone By the road Oh, all we every wanted Was to come in from the cold Come in Come in from the cold (I was so low) Please, come in Come in from the cold Verse 5: Is this just vulgar electricity? Is this the edifying fire? (It was so pure) Does your smiles covert complicity Debase as it admires? (Just a flu with a temperature) Are you checking out your mojo? (Oohoo) Or am I just fighting off growing old? (Just a high fever) All I ever wanted Was just to come in from the cold Come in Come in from the cold (It was so pure) Please, come in Come in from the cold

‰ œj œ .

Repeat and fade

B bm7

10fr.

Come in Come in from the cold (We were so sure) Please, come in Come in from the cold

Db

1.–6.

A b/C

Verse 2: We really thought we had a purpose We were so anxious to achieve We had hope The world held promise For a slave To liberty Freely I slaved away for something better And I was bought and sold And all I ever wanted Was to come in from the cold

cold. (Come in,

œ œ

8fr.

œ œ. œ œ

come in,

œ œ œ

(Come in,

12fr.

in. (Come in,

21

12fr.

œ

the A b/C

b & b b b b .. œ œ œ œ œ œ œ œ œ œ œ œ œ . œ 31

from

407

12

j œ

harm.

the cold.

A b/C

from

j œ œ.

1111

come in

Œ

œ œ. œ œ

Db

7fr.

8fr.

10fr.

27

j œ œ

harm.

was just to A b/C

5fr.

1111

j œ œ œ

want - ed

Ab

come in,

œ œ œ.

21

j. œ .

come in.) Please come

Verse 6: I know we never will be perfect Never entirely clear (When the moon shines) We get hurt and we just panic And we strike out Out of fear (You were only being kind) I fear the sentence of this solitude 200 years on hold (For my loving crime) Oh, and all we ever wanted Was to come in from the cold Come in Come in from the cold (When the moon shines) Please, come in Come in from the cold Verse 7: When I thought life had some meaning Then I thought I had some choice (I ws running blind) And I made some value judgments In a self-important voice (I was outta line) But, then absurdity came over me And I longed to lose control (Into no mind) Oh, all I ever wanted Was to come in from the cold Come in Come in from the cold (You were so kind) Please, come in (So kind) Come in from the cold Come in, come in Come in from the cold Etc.

408

SLOUCHING TOWARDS BETHLEHEM Guitar tuning: D-7-7-2-3-5

Based on a poem by W.B. YEATS Words and Music by JONI MITCHELL

➅=D ➂=G ➄=A ➁=A ➃=E ➀=D Moderately fast Ó = 86 Intro: D7

7fr.

# œ. & # C .. œ P .. 7 T A 321

B

G (9) 4fr.

j j œ. n œ œ œ œ œ

˙

˙˙ œ

œ

œ 0

8

9

0

9

0

œ

0 0

7 9

0

4 0

0

G m/D 5

& T A B

5

5

j ‰ j j bœ œ œ œ œ œ œ

## Œ

23

œ

˙

5

5

5

˙˙ œ

œ

0 0

4

œ

0 0 5

5

0

0

3

3

3

2

0

5

0

0

0

˙˙ œ

œ

0 0

0 0

œ

0

0

2

j œ œ œ œj œj œ œ œ œ

5

0

0

2

0

5

0

2

œ

3

5

0

2

5

0

*B m11

5

5

˙˙ œ 0 0

5

0

œ

0 0 0

œ

˙˙ œ

5

œ

0 0 5

0

5

A7sus 7fr.

1111

turn

˙˙ œ

5

D sus(9)

9fr.

# # . Cont. fingerpicking simile & .œ ˙ œ. œ

0

0

2

% Verse:

1. Turn - ing and 2.–5. See additional lyrics

5

0

œ

0 0

j œ œ œ œj œj œ œ œ œ

0 0 5

3

0

0

˙˙ œ

˙˙ œ

23

˙ œ

œ

œ

0

# j & # œ œ œ œj œj œ œ œ œ

13

˙˙ œ

D

9

T A B

j j œ œ œ. œ œ œ

œ. œ

2341

-

j œ ˙

ing

∑

Ó

Œ

‰ j œ œ 1111

with - in’

œ œ œ œ œ

the wid - en - ing

*Note: Bm11 and A7sus chords are played with overhand barre, with the first finger pointing downwad over the top of the neck. Slouching Towards Bethlehem - 3 - 1

© 1991 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

.. ..

409

D (9) 18

&

##

B m11

11fr.

Ó

21

œ œ ˙.

Œ

‰

j œ œ

the

&

fal - con

˙

&

##

∑

21

j œ œ

1111

˙

A7sus

fall

‰

&

##

˙.

j œ œ œ œ.

j œ œ 1111

a

j œ w

-

œ.

is

part,

9fr.

Ó

21

œ œ ˙.

loosed

hold.

the

A (9)

4fr.

# j & # œ œ

j j œ œ œ.

2341

Sure - ly

some rev - e

..

D sus(9)

œ

-

9fr.

œ

2341

∑

B m11

œ œ œ œ

la - tion

is

at

Ó

1111

hand.

˙

∑

D sus(9)

A7sus

œ œ œ œ œ

it’s the sec - ond D sus(9)

œ

com - ing and the wrath has D sus(9)

A (9)

4fr.

j œ œ

j j œ œ œ.

what is

this

2341

˙

rough

1111

œ œ œ œ œ

fi - n’lly tak

-

en

2341

œ.

Œ

beast,

‰ j j œ œ œ 1111

it’s

hour

j œ w

j œ œ. come

at

∑

last. 9fr.

j j œ œ œ.

to - wards

œ œ œ

Beth - le - hem

‰

œ

to

j œ w 1111

be

born.

j œ

For

B m11

Slouch - ing

Slouching Towards Bethlehem - 3 - 2

‰

9fr.

6fr.

∑

form.

˙

Œ

B m11

6fr.

2341

2341

œ

D sus(9)

7fr.

A (9)

&

∑

∑

6fr.

j œ œ œ œ œ œ.

Sure ly

##

blood - dimmed

4fr.

G (9)

54

˙

˙

Ó

˙

G (9)

&

œ œ And a

23

world.

∑

G (9)

##

1111

D

up - on

∑

Chorus:

49

Œ

2.4.5.

# & #

&

∑ B m11

j œ œ œ œ

1111

œ

37

##

œ œ

the fal - con - er.

11fr.

1.3.

45

j œ œ

7fr.

tide

41

hear

D (9)

7fr.

Œ

‰

9fr.

the cen - ter can - not D sus(9) A7sus 33

can - not

Things

Ó

Œ

w

œ

œ

1111

B m11

D sus(9) 28

œ

11fr.

Ó

7fr.

1111

D (9)

##

A7sus

9fr.

gyre,

23

D sus(9)

∑

410 A (9)

D7

D sus(9)

59

&

##

j j œ œ œ.

2341

œ.

Slouch - ing

œ œ œ

to-wards

Œ

œ œ

Beth - le - hem

to

Œ

&

##

∑

be

∑

&

G (9)

∑

321

∑

œ œ œ œ

##

∑

23

∑

2341

∑

∑

23

born.

∑

∑

..

to

be

born.

4fr.

∑

∑

G m/D

∑

23

∑ G (9)

Gtr. intro simile

œ œ œ œ

∑

23

∑

2341

D

∑

D.S. % al Coda

∑

7fr. 321

∑

D.S. % 2.

D7

# & # Ó

##

be

G m/D

1.

80

&

Ó

4fr.

fi Coda

84

∑

to

##

∑

2341

To Coda fi

23

D 75

Ó

˙

born,

∑

23

7fr.

&

˙.

D

D7 69

4fr.

321

Gtr. intro simile

G m/D 64

G (9)

7fr.

6fr.

Repeat and fade

∑

Verse 2: Nothing is sacred The ceremony sinks Innocence is drowned In anarchy The best lack conviction Given some time to think And the worst are full of passion Without mercy (To Chorus:)

Verse 4: Shaped like a lion It has the head of a man With a gaze as blank And pitiless as the sun And it’s moving its slow thighs Across the desert sands Through dark indignant Reeling falcons (To Chorus:)

Verse 3: Hoping and hoping As if by my weak faith The spirit of this world Would heal and rise Vast are the shadows That straddle and strafe And struggle in the darkness Troubling my eyes

Verse 5: Raging and raging It rises from the deep Opening its eyes After twenty centuries Vexed to a nightmare Out of a stony sleep By a rocking cradle By the Sea of Galilee (To Chorus:)

Slouching Towards Bethlehem - 3 - 3

∑

..

411

NOTHING CAN BE DONE Standard guitar tuning

Moderately Π= 104 Amaj9 Intro:

### 4 & 4

√ >œœ œ

23

Words by JONI MITCHELL Music by LARRY KLEIN

ww w

F

Ó

√ œœ œ

Œ

16 17 16

T A B

˙˙ .. ˙.

Œ

16 17 16

F #m11 4

&

###

∑

### Ó &

∑

2 34

√ œœ> œ

Œ

ww w

∑ Ó

√ >œœ œ

Œ

16 17 16

T A B

Ó

∑

˙˙ .. ˙.

œ ‰ J œ. œ 1. Must I

Œ

∑

for -

16 17 16

Verse:

Amaj9

simile # # # . Cont. œ rhy. œ œ . .J & J ‰ Œ 23

9

Ó

œ . œ œ œ . œ œ œJ ‰ Œ

Œ

give you 2.3. See additional lyrics

each

Ó

time

j ‰ œ œ œ

and say you

F #m11 13

&

### œ 2 34

œ

œ. œ œ J

œ

‰

Ó

Œ

don’t know what you’re do - ing?

œ

œ

Œ

Ó

Ó

Mm.

‰ œJ œ œ

There are no

Amaj9

17

&

###

23

œ

œ 3

œ

vic - tim - less

œ. Œ œ

˙. crimes

œ œ œ I

know

œ

of,

Œ

Ó

Ó

j ‰ œ œ œ

out here in

Nothing Can Be Done - 3 - 1 © 1991 CRAZY CROW MUSIC, DEE-KLEIN MUSIC and LITTLE REATA MUSIC, INC. All Rights Excluding Print for CRAZY CROW MUSIC Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights for CRAZY CROW MUSIC Administered by ALFRED MUSIC All Rights Reserved

412 F #m11 21

&

### œ .

œ œ œ œ œ œ. J

2 34

these

graf - fi - ti

ru

-

œ. œ Œ

œ œ œ œj ‰ Œ

Œ

ins

that I

know.

Oh, I’m

Chorus:

&

###

Œ

2

œ.

not

F #m11

D6sus2 25

≈ œ. œ œ œ

Ó

Ó

Œ

œ J

‰

old,

œ

I’m

Œ

‰

told,

but

I

œ

œ

œ œ œ

am

Œ

2 34

not

Œ

young,

œ

œ

oh,

and

D6sus2

### œ œ & 28

noth - ing

œ œ œ œ can

œ

be done.

œ œ œ œ œ œ Œ Œ

œ

2

Don’t

start, Bkgd. Vcl.: Don’t

start,

Œ œ

Œ œ

my

heart

œ . œ œ œœ œ Œœ œ Œ ‰ my

is a smok - ing

heart,

F #m11

# # # ‰œ & 31

2 34

gun.

œ œ œ œ Œ

it’s

a smok-ing

œ œ œ œ œ œ Œ Oh, and gun. }

œ œ noth - ing

œ œ Ó

œ œ œ œ can

be done.

nœ œ œ œ

Noth - ing

can

Amaj9 33

&

### œ œ 23

Noth-ing

œ œ œ œ can

œ

œ

œ œ

Œ

be done.

Noth-ing

œ œ œ œ can

be done.

œ J

˙.

œ

‰

œ

Mm.

F #m11

### Ó & 36

Œ

œ œ œ Mm,

œ œ

œ œ3 œ œ

˙

2 34

mm.

Yeah.

Noth-ing

œ œ œ œ can

be

1.2. 39

&

### w

Nothing Can Be Done - 3 - 2

œ.

done.

œ J

œ

‰

Hoo,

3.

œ œ hoo.

œ œ œ

œ

I {3. 2.Must

œ. heard I

œ .. Ó

you sur

-

Œ

}

be done.

œ Oh.

œ

413

Outro: Amaj9

## & # .. œ œ 42

œ œ œ œ

23

Noth-ing

can

be done.

œ œ

Œ

œ

Noth-ing

œ œ œ œ can

be

œ J

done.

‰

œ

œ. œ Œ -

Noth

œ œ.

Œ

ing.

Oh.

F #m11 45

&

### œ

œ

r nœ œ

‰.

œ

œ

And noth - ing

### œ œ & 47

Noth-ing

œ œ œ œ can

be

can

œ

œ be

œ

œ

œ

2 34

œ

Œ

done.

Repeat and fade

œ J

‰

Œ

∑

done.

Ó

Œ

œ

Oo.

Verse 2: I heard you leaving late last night I heard you screaming down the mountain Like you were running red lights, red lights You had some trash-can rock band pounding (To Chorus:) Verse 3: Must I surrender with grace The things I loved when I was younger? Must I remember your face so well? What do I do here with this hunger? (To Chorus:)

Nothing Can Be Done - 3 - 3

œ œ œ

..

414

THE ONLY JOY IN TOWN

Guitar tuning: D-7-7-3-2-5

➅=D ➂=G ➄=A ➁=A ➃=E ➀=D

Words and Music by JONI MITCHELL

Moderately Π= 112 Intro: D7

# 4 & #4 T A B

321

œ P 0

% Verse:

7 8 8

9

5fr.

113411

1. I want to paint 2.–4. See additional lyrics

&

‰

113411

j œ

5 6

œ œ

Œ

113411

Œ

&

œ

&

j œ œ.

‰

a clam,

j œ œ.

the air

&

I’d paint this

Œ

‰ œ J

flow - er child.

“You

Œ

œ œ œ œ œ. œ œ œ Œ

he

calls

and the la - dies turn

Œ

‰

œ œ

a - round.

On the

7fr.

Œ

nœ œ œ œ œ

on

Ó

D7 321

my flow - ers breath,”

321

œ

Œ

œ œ ˙

D7

first day of

##

D11

2341

j œ œ œ

‰ œj œ .

Œ nœ œ œ

Spring

I’m look - ing

-

Œ

321

œ œ

at the

œ œ œ

on - ly

œ œ

joy

a - round.

D11

Chorus: 22

∑

œ œ œ œ œ 4fr.

5fr.

##

321

G (9)

C7/D 18

113411

7fr.

œ œ œ œ œ

are

D11 7fr.

D7

Ve - nus on

0 0

0 0 0

D7

Bot - ti - cel - li style.

œ œ

b n œœ ‰ œ .. œ 5 6

7fr.

pic - ture,

D11

21

D11

œœœ

..

0 0

A

G

Ó

321

j œ œ œ œ

5 6 0 0 0

7fr.

113411

b n œœ ‰ œ .. .. œ

5 6

5fr.

11fr.

##

0

0 0

D11

321

a

œœœ

0 0 0

D (9) 14

b n œœ œœ œ œœ

7fr.

7fr.

In - stead of

œœœ

0 0 0

A 5fr.

##

7 8

321

D7

113411

G

n œœ ‰ œ . œ.

7 8

7fr.

fingerpicking simile # # . Cont. ‰ & . j œ. œ œ œ

10

œœœ

A

G

6

2.

D11

5fr.

œ œ œ œ nœ œ œ œ œ

9

1.

D11 C7/D

7fr.

œ

ly

œ

joy

The Only Joy in Town - 2 - 1

œ

œ

œ

a - round,

œ

j œ œ œ œ œ œ

(Bot - ti - cel - li black boy)

œ

Œ

Œ

œ œ

He’s the

E sus(9)

j œ

the

œ

2341

on

-

œ

ly

œ

joy

j œ œ. I

© 1991 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

found,

415 D11

G (9)

G11 4fr.

# & # Œ

j #œ œ œ œ œ œ

25

(Bot - ti - cel - li black boy)

1.

j œ

the

2.3.

D11

œ

2341

4fr.

œ œ œ

on - ly

D11

œ œ

joy

in

town.

Œ

œ

Ó

∑

34 1

D7

D11 7fr.

29

&

##

∑

5fr.

&

##

∑

321

j œ œ œ œ œ œ

Œ

D7

D11 7fr.

∑

∑

321

j œ œ œ œ œ œ

Œ

D.S. % 2.

1.

fi Coda

D.S. % al Coda

D11

D11

5fr.

&

‰

(Bot - ti - cel - li black boy.)

C7/D 37

‰

(Bot - ti - cel - li black boy.)

D11

∑

321

∑

To Coda fi

C7/D 33

..

##

∑

321

∑

## Ó &

∑

40

‰

j œ œ œ

He

is

the

Repeat and fade

D7

D11

7fr.

D11

C7/D 5fr.

# & # .. œ œ œ œ œ œ Œ 41

321

Gtr. cont. intro simile

on - ly

joy

in town,

j œ œ œ œ œ œ

‰

(Bot - ti - cel - li black boy.)

∑

321

Œ

‰ j n œ œ œ œ .. œ œ The on - ly joy I

Verse 2: The Spanish steps are crowded Bunch of bodies brooding there Deadpan sidewalk vendors Hustling vacant stares Making all the more exceptional This fool in a flower crown On the first day of Spring I’m looking At the only joy in town

Verse 3: The Botticelli black boy With the fuchsias in his hair Is breathing in women like oxygen On the Spanish stairs In my youth I would have followed him All through this terra-cotta town On the first day of spring We’d dance and sing And be the only joy in around

Verse 4: At night these streets are empty Where does everybody go? Where are the brash and tender rooms In Roman candle glow? Where are Fellini’s circus’ La Dolce Vita clowns? On the first day of Spring I’m looking At the only joy around

He’s the only joy around (Botticelli black boy) The only joy I found (Botticelli black boy) The only joy in town

We’d be the only joy around (Botticelli black boy) The only joy in town (Botticelli black boy) He’s the only joy I found All day

The only joy around (Botticelli black boy) The only joy I found (Botticelli black boy) He’s the only joy in town

The Only Joy in Town - 2 - 2

Repeat and fade He is the only joy around The only joy I found He is the only joy in town

416

RAY’S DAD’S CADILLAC

Guitar tuning: D-7-3-7-2-5

➅=D ➂=G ➄=A ➁=A ➃=C ➀=D

Words and Music by JONI MITCHELL

Moderately Œ = 111 (ŒÂ = ŒÇ‰) Intro: D (9)

#4 & 4 Œ

.. Œ

#4 & 4 Œ

..

T A B

..

11fr.

234

œ

& &

# #

T A B

œœ

‰

3

œ œ F

9 9 0

&

0

7fr.

& T A B

∑ ‰ œœ œœ œœ

3

œ œ

3

œ œ

7 7

œœ œ 7 7

0

0

0

7

9 9

D6

3

œ œ

9 9

∑

œ œ

œœ œœ œœ 9 9

0

Ray’s Dad’s Cadillac - 3 - 1

9 9

œœ œœ 9 9

9

9

9

0 0

œœ œœ œœ 9 9

0 0

0

..

9fr.

∑

234

3

œ œ

9 9 0

9

2 34

‰ œœ œœ œœ

3

œ œ

9 9

œœ œœ

9

0 0

9

D6 9fr.

∑

œ œ

0 0

œœ œœ œœ 9 9

0

œœ œ œ 9 9

0

234

9 9 9

11 11

9fr.

2 34

9 9

11

œ

D6

D (9)

œ œ

œœ

0

9fr.

œ œ 0

..

9

3

œ

9fr.

D6

∑

11 11

2.

œœ œ . œ . 9 9

0

234

œ œ

œ œ

9fr.

2 34

3

3

11 11

œœ

D (9)

2 34

0 0

D (9) 9fr.

234

‰ œœ œœ œœ

œœ

0

9fr.

∑

œœ

œ

D6

0

Ó

˙

j œœ

9 9

234

9fr.

0

œœ

3

œ

9fr.

234

0

#

9 9

œ

234

Cad - il - lac.

j j 3 œœ œœ œœ

3

œ

1.

7 7

#

dad’s

3

D (9)

D (9) 6

œ

Ray’s

E m7/D 3

E 9/D

9fr.

0

2 34

3

œ œ

9 9

œœ œœ 9 9

9

9

© 1991 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

0 0

417

% Verse: D (9)

D 7sus

9fr.

F 13

9fr.

rhy. simile # . Cont. & .Œ œ 234

9

œ

œ

œ

œ

6fr.

12

&

#

œ

2341

rink,

Œ

Ó

234

2341

3

˙

1. Ray’s dad’s Cad - il - lac, 2.3. See additional lyrics D (9)

A7

E 7sus

D (9)

111111

roll - in’

œ

œ

œ

past

the

œ

Œ

œ

œ

rec - ord shack.

œ

Pink

j œ

œ œ œ

fins

in

the

œ

œ

œ

roll - in’

to

œ

the

œ

blue

œ œ œ œ 3

lights,

œ

Œ

234

œ

œ

past the wa - ter mains.

Ray’s

‰

˙

œ

‰

3

œ œ œ

Week-ends we

œ

œ œ œ 3

dad’s

Cad - il - lac.

B m11 9fr.

3

rain,

D (9)

D (9)

2 34

234

9fr.

2341

œ

œ

Ó

œ.

fall - ing

D 7sus

9fr.

&

the D (9)

2341

3

A7

111111

#

past

9fr.

234

B m11 18

œ

œ

F 13

D 7sus

6fr.

# & Œ

œ

9fr.

E 7sus 15

œ

œ

9fr.

Œ

234

œ

get

œ

Ray’s

œ œ œ

dad’s

Cad - il - lac.

E7

Ó

2 34

3

˙

D 7sus

A7 6fr.

21

&

#

Ó

Œ

œ œ œ

œ

2341

3

Rock ’n’

œ œ œ œ 3

roll

D (9)

in the dash - board, E 9/D

9fr.

24

&

#

Œ

234

œ

3

œ

dad’s

œ œ œ

Cad - il - lac.

D (9)

Ray’s

œ

dad’s

D6 9fr.

32

&

#

234

3

œ œ œ

Cad - il - lac.

Ó

˙

9fr.

∑

2 34

Ray’s Dad’s Cadillac - 3 - 2

Ó

˙ D6

9fr. 234

∑

D (9)

9fr.

∑

2 34

234

∑

∑

2 34

D (9)

D6 9fr.

9fr.

∑

234

2 34

D (9) 9fr.

2 34

9fr.

2.

D6 9fr.

D6

234

∑

234

œ

of

9fr.

7fr.

234

œ

back

D (9)

E m7/D

To Coda fi 1.

D (9)

œ œ œ œ 3

mance in the

234

11fr.

œ

D (9)

-

œ

7fr.

E 9/D

234

ro

œ

E m7/D

234

9fr.

# & Œ

œ

11fr.

Ray’s

28

œ

œ

2341

9fr.

.. Ó 234

Œ

œ œ œ 3

When it comes

418

Bridge: G 7sus

G9

5fr.

36

&

#

œ œ œ œ nœ œ ‰ œ œ

111111

to math - e - mat - ics,

I

&

‰

234

˙

j nœ

œ

I’ll

be

œ

111111

&

Ó

the

at - tic.

‰

‰ œ nœ œ

œ œ

Œ

œ

œ

noth - in’s clear!”

D 7sus

œ nœ

Mon - day,

œ

‰

j œ

2341

dream

œ

-

œ

in’

œ nœ

œ

of

‰

j œ œ

111111

D (9)

D6

9fr.

9fr.

234

!. 45 # .Π& .

A

œ

j ! O

Ray’s

œ

dad’s

234

3

œ œ œ

Cad - il - lac.

Verse 2: Ray’s dad teaches math Zero I’m a dunce I’m a decimal in his class Last night’s kisses won’t erase Zero I just can’t put the numbers in their place Ray’s dad’s Cadillac Last night we had Ray’s dad’s Cadillac Rock ’n’ roll in the dashboard Romance in the back of Ray’s dad’s Cadillac When it comes to mathematics I got static in the attic “No sir, nothin’s clear” I’ll be blackboard blind on Monday Dreamin’ of blue runways On the edge of here A little atmosphere (To Bridge:)

Ray’s Dad’s Cadillac - 3 - 3

lit - tle

!. ˙

œ

œ

fi Coda

D (9)

9fr.

j ! O Ó

2 34

œ

œ

#

44

&

D6 9fr.

9fr.

∑

234

2 34

at - mos - phere. Blue

D (9)

D6

9fr.

2 34

œ

Œ

œ

blue run - ways

D.S. % al Coda

on the edge of here.

D (9)

œ

4fr.

A 7sus 3

2 34

“No, sir,

7fr. 2341

j œ œ

G9

black-board by

6fr.

#

in

5fr.

A7

42

stat - ic

9fr.

234

3

G 7sus 9fr.

#

‰ œ œ œ œ œ nœ œ œ

got

D6 9fr.

2341

3

D (9) 39

D (9) 4fr.

234

!.

D (9)

D6

9fr.

9fr.

j ! O ∑

2 34

D6

9fr. 234

!.

9fr.

j ! O ∑

2 34

Verse 3: Blue lights out on airport road Motown, in a field in a farmer’s grove Big planes comin’ overhead. Lowdown You can see the bolts You can see the tire treads Ray’s dad’s Cadillac Weekends we get Ray’s dad’s Cadillac Oh, little darlin’ Rock ’n’ roll in the dashboard Romance in the back of Ray’s dad’s Cadillac Ray’s dad’s Cadillac Ray’s dad’s Cadillac Ray’s dad’s Cadillac

..

419

TWO GREY ROOMS Standard tuning Piano arranged for guitar

Words and Music by JONI MITCHELL

Moderately Ó = 58 Intro: D/E D/G Piano (arr. for gtr.)

# C ˙˙ .. ˙˙ .. & P

5

&

#

T A B

9

&

& T A B

œ œ œ œ œ 1

0

2 2 0

3 0

3

#

#

3

3

2

4

G maj9

œ

œ

œœ œ œ œ

3

0

3 2

4

A sus

œ œ œ œ œ #œ œ œ 0

0

0 0

œ œ œ

œ

2

4

4

œ œ 0

2

œ œ œ

0

3

0

3

2

4

œ œ œ œ

œœ

3

2

4

2 4

œ œ 0

2

3

E m7

œ

2

3 2

4

œ œ

œ

3

œ œ œ œ

0

1

2

œœ œ œ œ

0

2 2

D

œ

G maj9

3 œœ œ œ

# ˙˙ œ œ. J

2 3 2 5

C

0

T A B

13

œ œœœ

2 3 2 2

T A B

A

2

4

3 2

œ œ œ œ œ 0

1

0

1

0

œ 0

2

œ œ 0

œ #œ 3

2

2

5

2 3 2

œœ œ œ œ œ 0

œ œ 3

0

4

0

œ

œ3 œ 3

3

G maj9

2

œ

œ œ œ 3

2

4

œ œ œ œœ œ œ œ

œ œ œ

œœ œ

œœ œ

3

3

3 2

3 2

3

3

4

0 0

3

Two Grey Rooms - 3 - 1

œ

4

œ œ 0

2

3

œ œ œ œ 3

œ

G maj9

2

D

0

3

œ 5

4

C

A

4

3 2 3

5

4

œ œ 4 3

© 1991 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

œ œ 0

2

420

Verse: G maj9

A

rhy. simile # . Cont. Œ ‰ j œ œ œ & . œ 2 413

17

˙

213

1. To - mor - row is 2. See additional lyrics

C 21

&

#

Sun

Œ

œ

-

Ó

day,

Œ

‰

Ó

2 413

j œj œ . œ

‰

&

#

32 1

œ

˙.

213

The week - ends

j Œ œ

33

&

#

≈

Ó

&

œ

‰

˙

œ

132

&

#

Ó

23 4

A

‰ œ with

Two Grey Rooms - 3 - 2

j œ w

213

a

view

A/B

Œ

˙

1 111

j œ œ

1111

œ œ

oh,

j œ

be - low

too

sad,

Ó

j œ œ.

my

win - dow.

D 132

œ

œ.

A

Œ

Ó

j œ œ

‰ nœ

here.

One

day

I

œ

just

D

‰

213

j œ

132

œ œ œ œ œ.

And I took these two

E m7

win - dow.

hol - i - days are

Ó

I’m

∑

Ó

j œ œ.

my

œ œ œ œ

2 413

213

knows

Ó

to

G maj9

dis - ap -peared.

41

mad,

A

132

one

Œ

œ

go

D

3 1

œ œ

œ

w

œ œ

you don’t

œ

No

#

me

D

3 1

left

F #m7

23 4

132

’cause

F (9) 37

œ

drive

F (9)

day

j œ

be - low

D

‰

j ‰ ‰ j œ œ 1111

œ

one

E m7

C 29

j œ œ

till you walk by

A

# Π&

œ

1 111

now there’s on - ly

j œ œ œ œ

go,

25

œ œ œ

A/B

G maj9

132

w

œ

23 4

D

32 1

F #m7

E m7

œ.

grey rooms

G maj9

Ó

2 413

j œ œ

up here C

Œ

œ œ

when you

˙

Œ

32 1

œ

walk

w

by

Œ

421 1. D

# & Ó 46

132

G maj9

‰

j œ œ œ

be - low my

∑

Ó

2 413

j œ œ.

∑

..

∑

win-dow.

2. D 51

&

#

Ó

132

G maj9

‰

j œ œ œ

be - low my

C

œ œ. J

˙

2 413

œ œ œ

œ

win - dow.

Œ

Ó

32 1

# & .. Ó

2 413

œ œ œ

Ó

132

˙

by

Repeat and fade

j œ œ

be - low

j œ

my

œ

˙

Œ

∑

win - dow.

Verse 2: You look so youthful Time has been untruthful Heaven knows I loved you 30 years ago Hot days your shirt’s undone Rainy days you run Oh and then you fade so fast Below my window No one knows I’m here One day I just disappeared And I took these two grey rooms up here With a view Only when you walk by Below my window When you walk by Below my window Below my window Hey hey Below my window Below my window Below my window

Two Grey Rooms - 3 - 3

3

When you walk

G maj9 56

D

∑

..

424

SUNNY SUNDAY Guitar tuning: C≥-7-7-2-3-5

➅ = C# ➂ = E# ➄ = G# ➁ = G# ➃ = D# ➀ = C#

Words and Music by JONI MITCHELL

Moderately Π= 110 Intro: C #(9)

12fr.

#### ## 4 . & # 4 . ..

T A B

1234

‚

œ P

‚œ

‚

‚

*harm.

0 12

12

12

12

0

‚

‚

‚

12

œ‚

12

12

¿

œ

¿

0 12

0

‚ œ

‚

12 0

12

ggg œœœ

gg œœœ‚ g

ggg 00 g0

ggg 00 ggg 120

*Harmonic on all notes on the 12th fret.

1.

# ## # & # ## ¿ 3

T A B

œ œ

¿

0

0

‚‚ ‚‚ ‚œ ‚ ‚

12 12

12 12

0 12

12

œ‚

2.

œ

0

12

12

0

¿ ‚‚ ¿

12 12

œ 0

ggg œœœ

ggg œœœ

ggg 00 g0

ggg 00 g0

Verse:

A bmaj9

B (69 )

8fr.

# # # # # # Cont. fingerpicking simile ‰ j & # Ó nœ œ nœ 6

1234

j œ nœ

She pulls the shade; it’s

# ## # & # ## Ó

‰

j œ œ œ

She dodg - es Sunny Sunday - 3 - 1

j œ œ

the light

0

j œ œ œ œ œ just

1234

¿

œ

¿

0 12 0

j œœœ œ œ 0 0 0

0

F #(9)

5fr.

∑

Œ

1234

an - oth - er

œ œ œj œ .

sun - ny Sun -day;

C #(9)

7fr.

1234

..

12fr.

G #(49 ) 10

œ

C #(9)

10fr.

1234

.. œ‚

12fr.

j j œ œ œ like

j œ

1234

˙

Ó

∑

Blanche Du - bois.

©1994 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

j ¿ ¿

425 B (69 )

A maj9 8fr.

#### ## & #

∑

14

∑

Ó

‰

1234

1234

j nœ œ nœ

œ nœ œ œ

Bright col - ors C #(9)

#### ## & # 18

fade

F #(9)

12fr.

∑

3

œ

a - way

on

œ

œ

such

a

G #(49 )

5fr.

1234

10fr.

7fr.

Œ

1234

Ó

œ œ œj œ .

‰

1234

j œ œ

sun - ny Sun-day;

œ œ œ œ œ œj œ .

she waits

for the night

to

fall.

C #(9)

#### ## & # 22

12fr.

∑

Ó

1234

˙ F #(9)

G #(49 )

5fr.

#### # & ## Ó 26

∑ A #m9

7fr.

‰

1234

8fr.

Œ

1234

œ

œ œ œ

Then she points

a

∑

j œ œ.

pis - tol

Ó

j œ œ.

2341

œ

Ó

Œ

‰

œ œ

through the door,

and she D #m11

#### # & ##

j œ œ œ œ

30

œ

aims

at

the

j œ œ

#### ## Π& #

œ œ œ œ

while the free - way G #(49 )

5fr.

j œ œ œ œ œ Dogs

bark as

the

gun

Ó

∑

hiss - es.

8fr.

‰

1234

œ

j œ œ.

A #m9

7fr.

‰

1234

‰

street - light

F #(9) 34

Œ

2341

˙

falls

j œj œ . œ

Ó

2341

to

Ó

‰ œj

Œ

the floor.

The

D #m11

## # j & # ## # œ œ 38

j œ œ

street - light’s still

Sunny Sunday - 3 - 2

œ

œ

burn - ing;

˙

‰

j œ œ

she

al

2341

œ -

3

œ

œ

˙

ways miss - es.

∑

426 F #(9)

## # & # ## # Ó 42

G #(49 )

5fr.

‰

1234

œ œ œ

F #(9)

#### ## & # Œ

œ

œ

she

8fr.

Œ

1234

But the day

46

A #m9

7fr.

‰

hits,

œ

that’s

j œ œ 2341

the

day

A #m9

5fr.

8fr.

œ

1234

œ

œ

œ

3

one

lit - tle

2341

œ

œ œ

‰ œj œ

vic - t’ry, that’s

B (69 )

8fr.

#### ## & #

∑

50

Ó

‰

1234

j nœ œ nœ

She pulls the

#### # & ## Œ

F #(9)

1234

1234

5fr.

she

needs!

C #(9)

10fr.

12fr.

j œ œ

j œ nœ

1234

shade; it’s

Ó

œ

œ

œ

‰

sun - ny Mon - day.

Outro:

#### ## ‰ & # 57

T A B

#### ## ‰ & #

œ 0

61

T A B Sunny Sunday - 3 - 3

œ 0

œœœ œœœ œœ œ œ J 12 12 12 12 12 12

0 12

12

œ. j œœ œ . œ J

12

12 12

12 12

12

She

œœœ œ 0 0 12 12

œ .. œœ . 0 12 12

œ œ œ 0

œœ œœ œ œ 0 0 0

0 0 0

0

j œ œ 0

for

0 0 0

0 0 0

‰

C #(9)

12fr.

7fr.

1234

j œ œ

the

j j œ œ œ.

night

to

œœœ œœœ œ œ œ J

œ

12 12 12 12 12 12

0

œœ œœ œ œ

œ

an - oth - er

œ œ

waits

‰

œ

1234

j œ œ

œ 0

12

12

12

œ œ œœ œœ œ œ œ œ J rit.

12 12

∑

1234

œ

just

5fr.

œ

∑

˙

G #(49 )

1234

œ

That

E (69 )

F #(9) 54

Œ

˙

she’ll leave.

j œ œ.

all

A maj9

œ œ ˙

12 12

12 12 12 12

12

12

fall.

œœœ .. œ ..

j œœœ œœœ œœ œœ œ œ œ œ

0 0 12 12

0 0 12 12

ww w w 12 12 12 0

0 0 0

0 0 0

427

HOW DO YOU STOP Guitar in Open B tuning: B-7-9-0-3-5

➅ = B ➂ = D# ➄ = F# ➁ = F# ➃ = D# ➀ = B

Words and Music by DAN HARTMAN and CHARLIE MIDNIGHT

Moderately Π= 106 Intro:

G #m7

B

12fr.

12fr.

j j # # # # 4 œjœ œ œ œ œ ‰ ‰ Œ ‰ & #4 œ œ œ œœœ œœœ œœœ œœœ œœœ œœœ Œ œ œ œ œ œ œ œ œ F 11111

T A B

12 12 12 0

B 12fr.

#### Π& # 5

11111

T A B

j œ ‰ œœ Œ œ

j œ ‰ œœ œ

12 12 12 0

12fr.

&

#

11111

8 0 9 9

0 0 8

8 0 9 9

∑

12fr.

˙˙ ˙˙ ˙

j j ‰ ‰ œœ ‰ œ . œ œ œœ .. œ œ

‰ œ. œ.

23 1

0 8 0 9 9

12 0

œ œ œ

Œ

23 1

Œ

8 9

‰ Jœ œ œ soft

F#

8fr.

Œ

‰ œJ

so

œ

23 1

Œ

‰ œJ

Œ

fast,

œœ œœ œœ 7 7 7 7 7 7

7 7 7 7

0

œœ œœ œœ 7 7 7 7 7 7

˙

111111

so

12fr.

‰

The world

œ is

œ

23 1

at

e - mo - tions

Ó

∑ F#

œ

œ

your feet,

‰

Ó

smart,

8fr.

j œ œ

˙

7fr.

G #m7

B 11111

7fr.

111111

9 9

Ó

G #m7

12fr.

2. See additional lyrics

## & # ## Ó

23 1

0 0 0

12 12 12 0

0 0

œ œ œ œ œœœ œœœ œ œ œ

11111

0 0

F#

8fr.

‰ œ. œ.

˙˙ ˙˙˙ 0 8 0 9 9

12 12 12 0

G #m7

B

8fr.

1. Hard bod - ies

11111

12 12 12 0

23 1

8fr.

Cont. rhy. simile

#### . Ó & # .

17

8 0 9 9

G #m7

B 13

8 0 9 9

11111

8fr.

G #m7

B

####

12 12 12 0

12 12 12 0

Verse:

9

j j Œ ‰ œœœ Œ ‰ œœœ œ œ

23 1

12 12 12 0

G #m7

B

8fr.

j œ Œ

but

Œ

111111

7fr.

œ œ œ

œ J

œ.

what a - bout your heart?

How Do You Stop - 3 - 1 © 1986 EMI APRIL MUSIC INC., SECOND NATURE MUSIC, INC., EMI BLACKWOOD MUSIC INC. and JANICEPS MUSIC All Rights for SECOND NATURE MUSIC, INC. Controlled and Administered by EMI APRIL MUSIC INC. All Rights for JANICEPS MUSIC Controlled and Administered by EMI BLACKWOOD MUSIC INC. Reprinted by Permission of HAL LEONARD CORP. All Rights Reserved

œœ œœ œœ 7 7 7 7 7 7

428

C #m11 20

&

####

∑

#

5fr.

œ

Œ

23 1

&

####

# ‰

F#

23 1

œ œ

œ

œ

œ J

in the late, late

12fr.

œ œ

Œ

Ó

stop

30

&

####

33

&

####

# Ó

F# 36

&

####

j œ. œ

F#

7fr.

111111

&

####

‰

# Œ

‰

œ J

too 5fr.

# œj 111111

don’t

œ

hold

œ J

œ. F#

late?

41

&

####

!.

#

Œ

œ

œ

œ

do

you

Œ

œ

Ó

you

hes

œ

œ -

œ

œ

Œ

i - tate.

G #m7

8fr.

œ

Œ

Ó

stop

Œ

œ

late?

œ

œ

12fr.

Ó

j œ œ

‰

23 1

be - fore

C #m11

Ó

Œ

‰

23 1

j œ œ

œ œ œ

You think love will wait,

œ it’s

œ œ

so you

B

j œ

111111

on

12fr.

œ

œ

œ

œ

œ

oh,

and

then

it’s

G #m7

1.

B

j ! ! ! ! ! ∑

How Do You Stop - 3 - 2

œ J

‰

7fr.

111111

7fr.

G #m7

8fr.

too

F#

if

11111

œ

Ó

111111

‰ Jœ œ

Ó

lose

do you

7fr.

7fr.

111111

7fr.

111111

23 1

œ œ œ.

œ œ œ

tight

How

be - fore it’s

To Coda fi B

œ J

111111

night.

111111

and you

How

E 39

œ œ

You choose

111111

Ó

5fr.

‰ 5fr.

œ

112311

E

# Œ

E

œ œ.

oh,

23 1

F#

7fr.

F#

C #m11

you

F #sus

7fr.

‰ œJ œ œ œ œ

23 1

œ

œ

7fr.

j œ Ó

j œ œ

111111

for - tune can’t hold

111111

of the

œ

8fr.

Œ

11111

œ

G #m7

B

## œ & # ##

œ

hours

% Chorus: 26

œ

Fame and

C #m11 23

F#

E

12fr.

!.

11111

j j ! ! !. ∑

8fr.

23 1

Œ

11111

œ

‰

œ

˙

gone. F# 111111

G #m7

2.

7fr.

8fr.

23 1

F# 111111

7fr.

! ! ! ! ! ! ! ! ! ! ! ! ! ! ! .. ∑ ∑

429

Bridge: C #m11

5fr.

rhy. simile # # # # Cont. œ œ œ & # 23 1

45

How

do

œ

you

F#

E

## & # ## œ 48

5fr.

œ

œ

111111

driv - ing

œ

‰

stop

C #m11

7fr.

œ

a

œ

œ

111111

œ

œ

train?

œ

œ

How

do

œ J

œ

you

fi Coda

How

do

j œ

œ

you

stop

G #m7

12fr.

Œ

Ó

#

ba

-

‰

11111

œ œ œ

œ

How do you

stop?

#### Ó & #

‰

23 1

B 12fr.

#### œ œ œ & # 65

11111

you

stop

How Do You Stop - 3 - 3

œ

oh,

from

œ

G #m7

Ó

Ó

œ J

œ

œ

Œ

You’re 7fr.

slip - pin’

a

œ

œ

œ

How

G #m7

do

you

11111

œ -

œ

œ

Œ

Ó

way?

Ó

11111

be - fore it’s

Verse 2: You’ve had success Lots of fancy friends You’ve tasted the good life You thought it would never end One day you’re too young Then you’re in your prime Then you’re looking back At the hands of time (To Chorus:)

‰

too

œ J

œ J

23 1

late?

œ

œ J

F#

8fr.

‰ œ

Œ

How

G #m7

12fr.

œ

stop

23 1

B

‰ œj œ œ .

˙

12fr.

111111

œ

late?

lost

8fr.

œ

œ

B

8fr.

23 1

‰

too

23 1

∑

23 1

11111

you

Ó

12fr.

œ J

do

11111

B

8fr.

D.S. % al Coda

How

G #m7

Ó

F#

8fr.

œ

Œ œ

8fr.

11111

œ

œ œ

it’s

12fr.

œ œ œ

œ

be - ing born?

œ

if you hes - i - tate.

G #m7

62

by

j œ œ

‰

G #m7

12fr.

corn?

111111

be - fore

∑

œ

7fr.

œ œ œ œ œ

B

8fr.

#### Π& #

F#

7fr.

111111

rip - en - ing

the

12fr.

Ó

G #m7

j œ

‰

B

23 1

B 59

the

œ

œ

œ

111111

œ J

stop

23 1

F#

8fr.

œ

11111

‰

111111

the

B

## œ & # ## 53

&

œ J

stop

œ

How do you stop 5fr.

23 1

œ J

œ œ œ

Œ

E

5fr.

23 1

####

˙

23 1

E

## & # ## Œ

56

C #m11

7fr.

111111

run - a - way

Œ

Ó

111111

j œ

rain?

C #m11

51

F#

E

œ.

˙

111111

do 7fr.

430

SEX KILLS

Guitar tuning: C-7-3-5-2-5

➅ = C ➂ = Eb ➄=G ➁=F ➃ = Bb ➀ = Bb

Moderately Π= 110 Intro:

B b/C

C9

9fr.

b & b b 44 ‰ j œ œ . P 1234

T A B

0

0 9 9

9 9 9 9

¿¿ ¿

0 9 9

9 9 9 9

&

9 9 9 9

9 9 9 9

1234

∑

∑

Cont. strumming simile

9 9 9

B b/C

9fr.

bbb

9 9 9

9 9 9

C9 5

7fr.

j j œœœ œœœ œœœ œœœ œœœ ¿¿ œœ œœœ œœœ œœœ œœœ nœ œ œ ¿ nœ J œ œ

0

Words and Music by JONI MITCHELL

7fr.

∑

1234

∑

∑

1234

∑

Verse: Cm11

12fr.

b & b b .. Π9

1234

j œ œ œ œ œ

‰

œ

œ

Cont. strumming simile

1. I pulled up be-hind 2.3. See additional lyrics

a

7fr.

bb œ . b &

‰

Œ

Ó

‰

1234

Ó

Œ

‰

light

œ

œ œ

Cad - il - lac;

B b/C

12

œ œ ‰ J

œ

œ. œ

we were wait - ing

œ œ œ œ œ

œ œ

and I took a look

at his

œ

œ

li

-

œ

œ

cense

plate.

œ J

for

‰

the

Œ

Cm11

b &bb Π15

19

&

‰ Jœ œ œ œ It

bbb œ

b &bb œ 22

‰ Jœ Œ

‰

said,

œ

Œ

“JUST

œ

œ

œ

Gov - erned by

œ

what they

Sex Kills - 2 - 1

12fr.

œ œ. can

œ

œ

greed and

Œ

Œ

œ.

‰

Ó

1234

ICE.”

‰ œj œ œ

œ

œ ‰ J œ œ

Œ

Is just - ice

just ice?

B b/C

7fr.

œ

Œ

Ó

Œ

‰

1234

œ J

lust?

‰

Just

œ œ

œ

and the weak

œ

œ

suf - f’ring

œ

œ

œ the

‰

œ

strong

œ J

œ J

œ œ do - ing

œ.

what they must?

©1994 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

431

Chorus: Fm11

Gm11

5fr.

7fr.

b &bb Ó 25

œ J

‰

111111

œ œ œ

Oh,

and the

œ J

gas

œ

‰

Ó

Ó

leaks,

and the

Fm11 28

&

œ J

˙

Œ

spills,

and

1234

œ

sells

ev

œ J

111111

-

nœ

˙

Sex

kills.

∑

∑

1234

B b/C

9fr.

∑

Ó

1234

’ry - thing.

Ó

‰

1.2.

∑

1234

Outro: 9fr.

Œ

Ó

∑

∑

1234

Œ

&

sex

∑

1234

œ œ

Œ

Sex kills.

9fr.

œ. œ œ. œ œ ‰ Ó J 1234

sex

kills.

C9 9fr.

∑

Ó

Œ

œ Sex

Verse 2: Doctors’ pills give you brand new ills And the bills bury you like an avalanche And lawers haven’t been this popular Since Robespierre slaughtered half of France And Indian chiefs with their old beliefs know The balance is undone — crazy ions You can feel it out in traffic Everyone hates everyone And the gas leaks And the oil spills And sex sells everything Sex kills Sex kills Sex Kills - 2 - 2

œ œ ‰ J Oh,

7fr.

bbb

Oh,

C9

7fr.

B b/C 45

œ

.. Ó

∑

B b/C

C9

1234

œ œ œ

3.

kills.

b œ &bb

Ó

7fr.

b œ & b b J œ.

40

œ.

7fr.

C9 35

sex

œ œ

B b/C

9fr.

b &bb Œ

7fr.

œ.

j œ

‰

111111

C9 31

oil

Gm11

5fr.

œ. bbb

œ œ œ

‰

111111

œ

1234

Œ

Ó

U ∑

kills. Verse 3: All these jackoffs at the office The rapist in the pool Oh, and the tragedies in the nurseries Little kids packin’ guns to school The ulcerated ozone These tumors of the skin This hostile sun beatin’ down on This massive mess we’re in And the gas leaks And the oil spills And sex sells everything And sex kills Sex kills Sex kills Sex kills Sex kills

∑

432

TURBULENT INDIGO Guitar in Open B tuning: B-7-9-0-3-5

➅ = B ➂ = D# ➄ = F# ➁ = F# ➃ = D# ➀ = B

Words and Music by JONI MITCHELL

Moderately fast Π= 136 Intro: B7 15fr.

# ## 3 & # # 4 œjœ F T A B

..

œ œ

..

0 0

nœ œ

œœ

1234

œ œ œ

0 15

15 15 0

0

œ

0

0

nœ œ

œœ

œ œ

œ œ œ

0

0

0

0

0

0

0

&

####

# nœ

T A B

œ

œ

œ

0 15

0

0 0 0

0

œœ

œ œ œ

0

0

0

12fr.

n œœ

nœ

œœ

œ

œ

œ

13 13

13 13

0

0

0

B

1234

œ

0

œ

1.

13fr.

œœ œ

0 0 0

15 15

0

0

Em/B 4

œœ œ

œ œ œ œ

œ

0 15

15 15

œœ

13

0

13 13

13

0

0

œ

14

œœ

œ œ œ œ 13 13 0

0

0

œ‚

œœ

1234

œ œ œ œ œ œ *harm.

0

0

12 12

12 12 0

0

0

0

0

*Harmonic played on 1st string.

2.

B

#### & #

œ‚

œœ

8

12fr.

œ œ œ œ œ œ *harm.

T A B

0

12 12

12 12 0

0

0

0

0

œœ

œ œ œ œ 0

12 12 0

0

0

œœ œ 0 0 0

œœ œ

œ

12 12 12

0

œ

œœ œ

œ

0 0 0

0

0

œœ œ 0 0 0

œ 0

..

1234

∑

Cont. rhy. simile

..

*Harmonic played on 1st string.

12

&

####

#

∑

Turbulent Indigo - 3 - 1

∑

∑

∑

∑

∑

©1994 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

∑

433

Verse: E

A/E

5fr.

rhy. simile # # # # . Cont. j & # . ‰ œ œ œ nœ

E 5fr.

111111

19

A/E

5fr.

131211

1. You wan - na make 2.3. See additional lyrics

œ

œ

Van

∑

111111

œ

B7 5fr.

15fr.

Œ nœ œ œ œ

131211

Goghs,

raise ’em up

like

E 24

&

####

∑

#

∑

∑

&

####

Œ

111111

&

####

‰ œj n œ œ

Œ

131211

Œ

1234

and wom - en

∑

#

&

####

5fr.

œ.

œ nœ œ œ

œ

131211

Es

-

j œ

111111

ki

-

mos

15fr.

nœ œ œ if

you

please.

œ œ

œ œ nœ

Make ’em nice

and

˙.

# œ œ œ œ œ œ 111111

and

Blood - ied

neat;

‰ œj you

7fr.

111111

there?

Œ

œ

131211

B/F #

7fr.

œ œ œ œ œ

131211

see him with his shot - gun

œ nœ

make ’em nice

F#

7fr.

5fr.

œ œ œ

mal;

B/F #

7fr.

A/E

111111

œ œ ˙ -

∑

5fr.

131211

nor

œ.

œ.

E 5fr.

F# 39

E 5fr.

B7 5fr.

A/E 34

A/E

Make ’em out of

# ˙.

œ

sheep.

5fr.

A/E 29

j œ œ.

1234

in

the

œ

42 œ

131211

wheat.

43

Oh,

Chorus: B7

Em/B

15fr.

intro simile # # # # 3 Gtr. œ œ nœ & #4

B

13fr.

12fr.

1234

43

what

do

you

œ

know

œ

1234

œ

œ

a - bout

œ

liv - ing

œ.

œ

in

j œ œ

Tur - bu - lent

1234

œ.

In

-

j œ œ

˙.

di - go?

1.

49

&

####

#

∑

Turbulent Indigo - 3 - 2

∑

∑

∑

∑

2.

∑

..

∑

434

Soprano Sax Solo:

G #m7 56

&

61

&

####

####

C #m11

8fr.

#

∑

23 1

F#

#

7fr.

111111

∑

B/F #

∑

∑

131211

∑ F#

7fr.

∑

111111

∑

∑

D.S. % al Coda

2.

F#

7fr.

..

∑

∑

∑

Gtr. intro simile

∑

7fr.

131211

∑

12fr. 1234

B/F #

∑

111111

B

#### & #

∑

Verse 2: Brash fields, crude crows In a scary sky In a golden frame Roped off Tourists guided by Tourists talking about the madhouse Talking about the ear The madman hangs in fancy homes They wouldn’t let him near He’d piss in their fireplace He’d drag them through Turbulent Indigo (To Chorus:) Verse 3: “I’m a burning hearth,” he said “People see the smoke But no one comes to warm themselves Sloughing off a coat And all my little landscapes All my yellow afternoons Stack up around this vacancy Like dirty cups and spoons No mercy, sweet Jesus No mercy from Turbulent Indigo” (To Chorus:)

Turbulent Indigo - 3 - 3

7fr.

Outro:

66

## & # ##

∑

23 1

1.

fi Coda

70

F#

∑

∑

∑

111111

B

7fr.

435

THE MAGDALENE LAUNDRIES Guitar tuning: B-7-5-5-5-7

Words and Music by JONI MITCHELL

➅=B ➂=E ➄ = F# ➁ = A ➃=B ➀=E Moderately Œ = 120 Verses 1 & 3:

F #m11

A

### 4 & 4 Ó

9fr.

7fr.

œ œ œ œ œ œ

T231

&

###

Œ

Ó

Œ

en

when they F #m(9) F #m11

7fr.

7fr.

### œ . œ œ œ œ œ œ œ & 111111

way

men

looked at

1134

### œ J &

me

A5

D (9)

œ not

bound

Mag

∑

sis

œ -

œ œ œ œ

Ó

T23

Brand - ed as

for

œ

œ.

‰

Œ

heav - en.

œ

œ œ

‰

ters

for the

a

œ œ œ

‰ œJ œ œ .

Jez - e - bel,

I knew I

D (9)

œ

œ

I’d

be

œ

œ

T231

cast

in

œ

œ #œ

œ nœ

shame

in - to

the

7fr.

-

œ œ œ. J J da

-

‰ œ

234

lene

j œ ˙

∑

∑

∑

laun - dr - ies. F #m11

A

T231

just turned twen-ty - sev -

F #m7

4fr.

T231

### Ó &

the

T231

Verses 2 & 4: 19

œ

D sus2

me.

œ œ. œ

œ J

E(11)

&

to

7fr.

111111

œ œ

œ.

A5

111111

### œ .

œ œ

œ

7fr.

was

14

œ

sent

F #m11 11

j œ œ

‰

I

œ œ œ œ. œ

‰

T231

F #m11 7

Œ

A 9fr.

œ

‰ Ó

111111

1. I was an un -mar - ried girl, 3. See additional lyrics A5

4

œ œ J

9fr.

A5

7fr.

œ œ. J

œ

œ

2. Most girls come here 4. See additional lyrics

The Magdalene Laundries - 3 - 1

œ œ œ. œ preg - nant,

Œ

Ó

111111

œ œ œ œ.

some by their own

œ œ. J

fa - thers.

©1994 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

œ

Œ

436

F #m11

A 23

&

###

9fr.

7fr.

œ

∑

T231

### œ & 26

7fr.

F #m11

### œ

&

œ J

‰

T231

œ œ œ

woe

-

œ

œ

Ó

œ

œ œ œ œ J -

Œ

234

lene

&

Ó

T231

œ œ œ

œ œ J

œ

&

˙

&

œ J

‰

4fr.

œ

œ

white

as

œ

‰

snow;

œ J

œ

œ

of

us

œ

œ

of

the

T231

all

D (9)

œ

œ

in

the

j œ œ

T231

steam - ing

j œ œ

stains

∑

A5

7fr.

Œ

‰ œJ œ

Œ

111111

œ œ œ

and tempt - ress - es

sen - tenced

in - to

œ

œ

call

this

T23

‰

œ. Oh,

The Magdalene Laundries - 3 - 2

œ œ ˙.

T231

char - i - ty!

œ3

œ

heart - less

me, A5

œ J

œ œ œ œ J

œ

111111

dream - less

∑

drudg - er - y. F #m11

7fr.

œ

œ

place

‰

œ J

Our

œ œ3 œ œ

111111

La - dy

D sus2 T23

like

Ó

7fr.

D sus2

œ œ œ

œ œ œ.

F #m11

T23

Ó

∑

F #m11

3 œ œ œ. œ œ ‰ œ œ œ œ œ J

T231

Ó

get things

D sus2

Why do they

###

œ

∑

œ œ J

D 48

œ

to

œ œ ˙

fall - en wom - en

###

E

T23

and des - ti - tutes

D (9) 45

priest.

laun - dr - ies.

Pros - ti - tutes

###

par - ish

˙

7fr.

D (9) 41

her

œ

œ

111111

F #m7

Mag - da

T231

œ œ.

œ

A5

D (9)

&

œ

œ

be - got - ten daugh - ters

4fr.

T231

###

by

To Coda fi

7fr.

Bridge:

37

bel - ly

We’re try’n’

111111

### œ .

that

œ.

D sus2

Œ

Ó

111111

E(11) 32

œ

œ

D (9)

A5

Œ

1134

got

œ

7fr.

F #m11

&

œ

Bridg - et F #m(9)

29

œ

œ

˙

of Char - i - ty?

D.C. al Coda

∑

∑

∑

437

fi Coda

F #m11

53

&

###

D (9)

7fr.

∑

111111

Œ

‰

T231

like some lame

F #m11

### Π& 56

œ J

œ

œ J

œ

œ

bulb

that

&

###

œ

nev - er

‰ œJ œ œ œ

Ó

T231

come an - y spring,

not

‰ œJ œ

Œ

Mm,

mm.

œ

Ó

an - y spring.

œ œ œ œ Œ

111111

Mm,

mm,

mm.

F #m11

7fr.

Œ

œ

blooms

˙

9fr. T231

Œ

7fr.

Œ ‰ œj œ œ œ

Ó

œ

F #m11

9fr.

A 61

œ

A

7fr.

111111

œ J

Ó

Ó

‰ œj

Œ

Mm,

˙

111111

mm,

œ Œ J

œ œ mm,

F #m11

D (9)

7fr.

65

&

###

œ.

j œ ˙ T231

œ œ œ J J

mm,

Ó

Œ

mm.

‰ Jœ œ .

œ J

Oh,

111111

w

œ œ Œ

ho.

Œ

Ah,

Outro: D 70

&

###

j œ œ.

T231

74

&

T23

˙

mm.

D

###

T231

D

D sus2

D sus2

∑

T23

Ó

‰

œ No,

D

Ó

T231

œ J

not

D sus2

Œ

T23

The Magdalene Laundries - 3 - 3

œ

œ

‰

œ J

Ó

T23

D T231

D sus2

∑

T23

an - y spring.

D

Not

Verse 3: These bloodless brides of Jesus If they had just once glimpsed their womb Then they’d know, and they’d drop the stones Concealed behind their rosaries They wilt the grass they walk upon They leech the light out of a room They’d like to drive us down the drain At the Magdalene laundries

œ

T231

D sus2

œ

T231

D sus2

œ

œ

Ó

T23

an - y spring.

Verse 4: Peg O’Connell died today She was a cheeky girl, a flirt They just stuffed her in a hole Surely to God you’d think at least Some bells should ring One day I’m going to die here, too And they’ll plant me in the dirt Like some lame bulb that never blooms Come any spring Come any spring No, not any spring

‰ œj

∑

438

LAST CHANCE LOST

Guitar tuning: B≤-7-8-2-5-4

➅ = Bb ➂ = Eb ➄ = F ➁ = Ab ➃ = Db ➀ = C

Moderately Π= 114 Intro:

G m11

B b(9)

9fr.

b & b 44 T A B

1234

œ

0

B b(9)

9

9

9

G m11

G m7(4)

9fr.

1234

9fr.

b &b ¿

œœ

¿

0 0

9

9

9 9 9 9

¿

¿

9

10 9 9

9

9

9

9

9fr.

1234

œ

œ œ 0

9

0

œ œ œ œœœ œœ œ œ œœ œ œ œ œ œ

œ œ œ œœ œœ

9

0 9 9

œœ œœ œ

111111

0 9 9

9 9 9 9

9

9

9 9 9

9 9 9 9

9 9 9 9

9

9

G m11

9fr.

111112

9 9 9 9

10 9 9

B b(9)

œœ œœ œ œ œœ œ œ œ ¿ œœ ¿ œ œ œ œ œ œ œœœ 111111

5

¿

9 9 9 9 9

9fr.

T A B

0 9

G m11

9fr.

111112

œœ œœ

œ œ œ œ œ Œ

B b(9)

9fr.

œœ œœ ¿ œ œ œ œ œ œ œ

111111

œ P hold throughout 9

G m7(4)

9fr.

Words and Music by JONI MITCHELL

F m11

9fr.

1234

7fr.

111111

œœ œœ œ œ œ œœ œœ œœ œœ œœ œ œœ œ œœ b œœœ œ œ œ œœ œ œ œœ œ œœ œœ œœ œ œ œœ œ œ œœœ œ œ

9 9 9 9 9

0 0 0

9 9 9

9 9 9

9 9 9

9

111111

9 9 9 9

9

9 9 9 9 9 9

9 9 9 9

9 9 9 9

9 9 9 9

9 9 9 9 9 9

9 9 9 9

7 7 7 7 7 7

0

Verse: F m11

G m7(4)

7fr.

G m11 9fr.

9fr.

j bœ œ

b & b .. œ . 10

111111

Cont. rhy. simile

1. Last chance 2. See additional lyrics B b(9)

œ œ

w

lost

B b9

9fr.

b & b œj œ . 14

1234

œ

long F m11

b & b œ. 18

7fr.

111111

Last

b &b œ

1234

œ

good - bye.

Œ

B b11

9fr.

123

in

j bœ œ chance

lost.

œ

w

9fr.

‰

j œ œ œ œ

j œ

with dead - ly ear - nest

Last Chance Lost - 2 - 1

B b9

˙ 9fr.

123

w

eyes.

Ó B b11 12

˙

tyr - an - ny

∑

of

a

∑ G m11

9fr.

œ

the

œ œ

9fr.

12

w

œ œ bœ œ

œ

G m7(4)

B b(9)

22

œ

Ó

˙

111111

111112

9fr.

Œ

111112

111111

‰

j œ bœ œ œ

We talk of 9fr.

Ó

∑

©1994 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

us

E bm11

E bm7(4)

26

&

bb

j bœ œ

111111

œ.

Last

&

Œ

1234

œ œ

lost.

Œ

∑

w B b9

9fr.

bb

B b11

9fr.

œ œ

‰ œj

Œ

123

terms of

˙

sac - ri - fice

E bm11

j ‰ b œj œ œ .

111111

Last

9fr.

‰

1234

j œ ˙

111111

G m11

9fr.

111112

111112

Ó

Lost.

∑

∑

9fr.

œœ œœ

0

9 9 9

9 9 9

9 9 9

Ó

œ¿

9 9 9 9 9

¿

9fr.

∑

10 9 9 9 9

¿

∑

111111

1.

2.

G m11

G m11

9fr.

∑

1234

œ œ ¿ œœ

..

∑

9fr.

..

∑

111111

111111

œœ ww œœœ œœœ œœœ œœ œ œœ œœ .. ww œœœ œ œ œœ œ œ œœ œ œ ww œ œœœ œ 9 9 9 9 9 .. 999 9 9 9 9 9 9

9 9 9 0

9 0

9 0

9 0

9

9

9

9

Verse 2: Last chance lost The hero cannot make the change Last chance lost The shrew will not be tamed Last chance lost They bicker on the rifle range Blame takes aim (To Outro:) Last Chance Lost - 2 - 2

œ œ. Œ

1234

2.

9fr.

∑

œœ œ œœ œœœ œœœ œœœ œœœ œœœ œœ 9 9 9

∑

111111

B b(9)

G m7(4) 111112

9 9 9

9fr.

G m11

111111

111111

9 9 9

B b(9)

9fr.

9fr.

9fr.

1234

chance

1.

G m11

b & b .. œ œ . Œ

w

G m11

9fr.

..

œ ˙ J

Lost.

1234

B b(9)

T A B

‰ G m11

1234

Outro:

œ

˙.

9fr.

9fr.

∑

111111

b & b ..

∑

œ

last

B b(9)

9fr.

B b(9)

G m7(4)

9fr.

Œ

111111

w

lost.

48

9fr.

com - pro - mise.

Ó

G m11 G m7(4)

b &b Œ

&

We talk of love in

œ

and

˙

chance,

9fr.

bb

j bœ bœ bœ œ œ

7fr.

B b(9)

43

‰

F m11

b &b Œ

38

Œ

111111

12

5fr.

34

5fr.

111112

œ œ

chance

B b(9) 30

E bm11

5fr.

5fr.

439

9

9 9 9

9 9

9 9 9 9

9

9 9

0

9 9 9

∑

440

NOT TO BLAME Standard tuning Piano arranged for guitar

Words and Music by JONI MITCHELL

Freely Intro: C #m7

F #m7

4fr.

13124

Piano (arr. for gtr.)

#### 4 ‰ œ œ œ œœ œ œœ œ & œ œ 4 œ P T A B

4

7

5

5 6

6

4

4

5 6

6

j œ œ. œ. œ œ œœ œ œ œ 2

2

#### . œ . œœ & œ œ œ œ œ œ œ œ 231

..

0 0 1

2

2

0

2

# ## & # T A B

2

2

0

2

0

2

2

0

2

2

2 2 2 2

œœ œœ .. œœœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 2

0

2

2

0

œœ œ œ œ œ œ œ œ œ œ

231

0 0 1 0

2

2

2

2

2

0

2

231

2

2 2 2

2

..

0 0 1 0

2

2

2

0

F #m7/B F #m7( b 5)/B

B13

rhy. simile # # # # . Cont. Œ ‰ j œ œ œ. œ ˙ . & œ 21334

11111

1. The sto - ry hit 2.3. See additional lyrics

Not to Blame - 3 - 1

5 4 4

E

Verse:

10

2

2 2 2 0

2.

1111

2 2 2

4

E

œœ œœ œ œ œ œœ œ œ œ œ œ 2 2 2

˙˙ ˙

123

1.

1111

A (9)/E

7

2

2

A (9)/E

E

T A B

5 2 4

213

˙˙ ˙˙

œ Œ œ

2

Moderately Π= 105

4

4fr.

13111

4

Bsus/F #

A

the news

‰ œj œ

2 314

from coast

2

2

œ œ œ œ œ œ œ œ

2

0

2

2

0

2

2

A (9)/E

E

j œ œ.

231

to

2

coast

˙

1111

©1994 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

2

E

∑

231

441 F #m7/B F #m7( b 5)/B

B13

#### Π& 14

‰

21334

j œ œ œ œ œ

#### Π& 18

‰

13111

j œ œ

Your char - i

A (9)/E 21

&

####

∑

1111

E

F #m7

231

13111

girl

A

E/B

2 31

213

231

acts

œ œ

with the beau

A (9)/E

24

&

####

Ó

231

j œ œ.

∑

1111

E

G #m7

231

2 333

&

œ

for

-

F #m7/B 31

&

####

11111

œ.

line

œ

œ œ

tunes

j œ

21

œ.

E/B

‰

231

œ œ œ

and their fame

F #m7( b 5)/B 2 314

and you were not

to

A E/A 213

21

35

&

####

Not to Blame - 3 - 2

∑

1111

Œ

‰

21334

her

To Coda fi E

Ó œ. œ œ œ 231

by; they bet their

j œ œ

that

A (9)/E

∑

231

1111

w

she

œ œ œ œ

was out of

E

∑

231

blame.

2.

E 231

œ

on

B13

1. A (9)/E

œ

1111

j œ œ œ œ œ

E

j œ nœ œ œ œ

œ

with your fist marks

‰

∑

œ.

A/B

Œ

E/A

213

A

Your bud - dies all stood

A

####

place

ty

face.

28

œ

213

œ

j œ

of

Œ

2 31

-

231

Ó

231

seemed out

œ

∑

1111

˙

most.

j œ œ

E/F #

‰

the

E

E

‰

˙

œ

j œ œ.

231

you loved

- ta - ble

Œ

E

j œ œ

E/F #

œ

œ

2 314

˙

They said you beat the

F #m7

‰

11111

A (9)/E

E

∑

∑

..

D.S. % al Coda

∑

442

fi Coda

F #m7/B

A

#### j & œ 39

213

grave.

œ

F #m7( b 5)/B

42

&

####

Ó

Ó

Œ

‰

j œ

Ó

11111

Said,

U j œ

œ œ œ

of line,

Œ

231

˙

girl,

œ

you

Outro:

A (9)/E

#### . . &

∑

45

∑

1111

œ

œ

were

not

œ

to

œ

blame.

&

54

&

A (9)/E

E

1111

231

A (9)/E

∑

231

was

∑

1111

∑

F #m7/B F #m7( b 5)/B

∑

11111

2 314

∑

E 231

A

∑

Verse 2: Six hundred thousand doctors Are putting on rubber gloves And they’re poking At the miseries made of love They say they’re learning How to spot the battered wives Among all the women They see bleeding through their lives I bleed For your perversity These red words That make a stain On your white-washed claim that She was out of line And you were not to blame

Not to Blame - 3 - 3

∑

213

∑

E/A

∑

21

21334

∑

E

∑

231

Verse 3: I heard your baby say When he was only three, “Daddy, let’s get some girls One for you and one for me” His mother had the frailty You despise And the looks You love to drive to suicide Not one wet eye around Her lonely little grave Said, “He was out of line, girl You were not to blame”

E 231

B13

####

####

˙

1.

E

j œ

œ “He

2. 49

‰

E

2 31 4

out

j œ

∑

..

443

BORDERLINE

Guitar in Open B tuning: B-7-9-0-3-5

➅ = B ➂ = D# ➄ = F# ➁ = F# ➃ = D# ➀ = B

Words and Music by JONI MITCHELL

Moderately Π= 100 Intro: * E (9)

#### 4 . & # 4 . œœ œ œ P .. 5 T A 5 1111

B

B

5fr.

œ

5 5

œ

œœ

5

0 5

œœ

œ

œ

5 5

5

œ

5

5

¿ ¿

5

*E(9) is an overhand barre chord, played with the index finger pointing downward over the neck. C #m11 3

&

####

j # œœœ œœ œ

j œœ

23 1

0 0 1 0 2

T A B

1.

œ œœ œ

œ

1 0

1 0

2

0 0

2

% Verse: E

œ

¿

2

œœ œ œ

œ

0 0

1 0

# # # # . Cont. rhy. simile Œ & # . Ó

0 0 5 5

0 0 0 0

**Unison notes played on 4th and 3rd strings shown in TAB only.

2.

B

.. ¿ œœ

œœ œœ

.. ¿

0 0 0 0

œ

1 0

œœ œ œ 0 0

‰

œ

0 0 0 0

2

2

∑

111111

œ œ

œ œ

œœ œœ

1 0

131211

œ œ

œ

œ

looks

so

ill

œ

at

œ

ease,

E 5fr.

‰

111111

œ

œ

œ

œ

œ

dis - trust - ful,

A/E

so

œ

dis

-

˙

pleased

# œj œ. 131211

ta - ble

œ

œ

I

see

a

œ

the

B 6fr.

‰ œj œ œ

œ

Run - ning down

B7 5fr.

Borderline - 3 - 1

œœ œ

5fr.

5fr.

so

&

5

0 0 5 5

œœœ

E

131211

####

5 5 5 5

2

A/E

11

1 0

2

1. Ev - ’ry - bod - y 2.3. See additional lyrics

#### Π& #

œ

œœœ

5fr.

111111

9

œ

A/E

5fr.

6

œœ œ œ

B

¿ œœ

œœœ

**

1

œ œ œ

12fr.

Ó

∑

Ó

234

Œ

bor - der - line.

©1994 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

œ œ

Like

a

444 Em/B 15

&

####

B

Em/B

13fr.

12fr.

# ˙ 234

barbed

Ó

234

˙

˙

wire

&

####

# œj œ

&

j œ œ œ œ with

Ó

F#

œ

B/F #

27

&

####

7fr.

# œ

131211

œ

be

œ

at

your

F#

friend?

7fr.

œ

## & # ## Ó

œ

Œ

œ

night

&

####

œ

œ

cred - i

œ

-

‰

œ

j œ

skin,

Borderline - 3 - 2

œ

œ

œ

Ó

˙

œ

well - wish - ing

ends?

Œ

œ

-

œ

‰

ty

Œ

111111

j œ

œ

5fr.

Œ

œ

‰

131211

œ œ œ

jokes!

œ

œ

Can we blame

it

E (9)

on B5 5fr.

j œ œ œ œ. œ w

∑

1111

bor

-

12

Ó

œ

œ

the smoke,

C #m11

To Coda fi

∑

23 1

der - line? B C #m11

E (9) 1111

Ó

re - voked?

5fr.

∑

to

A/E

111111

thick

B

this

this

5fr.

bil - i

12fr.

‰

j œ œ œ

E

5fr.

#

‰

5fr.

B 40

Ó

E

B 234

œ œ œ

131211

5fr.

Thin

# ## & # # Œ

∑

B

when all

j œ œ

131211

36

111111

Is

‰

A/E

## & # ## Œ

131211

5fr.

‰

j œ œ œ

7fr.

A/E

All

33

F#

23 1

5fr.

111111

‰

G #m7

E 30

Ó

111111

8fr.

111111

the

Ó

7fr.

Why are you

B/F #

7fr.

œ

Ó

j œ œ œ ˙ œa bor - der - line.

7fr.

111111

œ

smirk - ing

‰

pre-tense,

7fr.

# œ

F#

23 1

Ó

˙

strung tense,

8fr.

234

131211

œ œ

G #m7

prick-ling

####

œ œ œ

strung tight,

13fr.

B/F # 23

Œ

234

fence,

Em/B 19

B

13fr.

∑

∑

23 1

1.

∑

2. D.S. % al Coda

B

∑

..

∑

fi Coda

#### Ó & # 46

E (9)

œ . œ œ . œ .. œ 1111

Just

#### Π& #

Œ

∑

Ó

2.

3.

∑

23 1

B

E (9) 5fr.

‰ œj œ œ œ . .. Ó œ an - oth - er bor - der -

œ . œ œ . œ ..

Just

a bor - der -

Verse 2: Every bristling shaft of pride Church or nation Team or tribe Every notion we subscribe to Is just a borderline Good or bad, we think we know As if thinking makes things so All convictions grow along a borderline Smug in your jaded expertise You scathe the wonder world And you praise barbarity Is this illusionary place This scared hard-edged rat race All liberty is laced with Borderlines Verse 3: Every income, every age Every fashion-plated rage Every measure, every gauge Creates a borderline Every stone thrown through glass Every mean-streets-kick-ass Every swan caught on the grass Will draw a borderline You snipe so steady You snub so snide So ripe and ready To diminish and deride You’re so quick to condescend My opinionated friend All you deface, all you defend Is just a borderline Just a borderline Just a borderline Another borderline Just a borderline

Borderline - 3 - 3

C #m11

a bor - der - line,

1. 50

B 5fr.

445

∑

1111

∑

446

YVETTE IN ENGLISH Guitar tuning: C-7-7-2-3-5

Words and Music by DAVID CROSBY and JONI MITCHELL

➅=C ➂=E ➄=G ➁=G ➃=D ➀=C Moderately Œ = 118 Intro: A bmaj9

A m9

8fr.

9fr.

j 4 œ œ œ œ œ œ œ œ œ ¿ b œ b œ œ œ œ & 4b œ œ œ œ œ œ œœ œœœ ... bœ P

T A B

0 0

8

8 8 8

¿

8

0 0 8 8

0 0 8 8

0 0 8 8

9 9

0 0 0

9 9

0 0 0 9 9

9 9

9 9

9 9

9 9

9 9

0

9 9

j b œœœ œœœ œœœ œœœ œœœ ...

& b b œœœ œœœ œœœ œœ ¿ œœœ bœ œ 0 0 8

¿

0 0 8

9fr.

*

1234

8 8 8 8

0 0 8 8

A m9

8fr.

T A B

0 0 8 8

123

*Unison C notes played on 1st and 3rd strings.

A bmaj9 5

j j j œœ œj œœ œœ œœ œ œœ œœ œœ œœ œœ œœ œœ œœ œœ œ

*

1234

0 0 8

0 0 8 8

0 0 8 8

0 0 8 8

œœ œœœ œœœ œœ œ œ œ œ œ œ

œœ œ ‰ œ. œ œ œ œœ œœœ .. .

123

0 0 8 8

8

9

0 9 9

0 0 0

0 9 9

0 0 0 9

9

0 0 0

0 0 0

9

9

0 0 0 0

9

Verse: F (9)

7fr.

1234

& .. Π9

A m9

G (9)

5fr.

œ

œ

1. He met her in 2.–5. See additional lyrics

a

‰

Gtr. cont. simile

j œ œ 1234

œ

A m9

œ

123

French

&

œ

œ

œ

œ

like

a

cat.

5fr.

& Œ

1234

œ

œ

ca - fé.

œ

She slipped in

œ J

œ

side - ways

A m9 9fr.

œ œ

Side - long glanc - es,

what a

1234

œ

œ

123

œ

war - y

œ

œ

œ

lit - le

stray!

œ

œ

(Y - vette)

C (9) 7fr.

12fr.

‰ œj œ œ œ œ 1234

She sticks in

Yvette in English - 2 - 1

œ

œ

1234

(Y - vette)

œ

‰

œ

œ

œ J

‰ œj œ

Œ

7fr.

œ

7fr.

1234

G (9)

(Y - vette)

G (9)

F (9) 15

œ

5fr. 1234

G (9) 5fr.

F (9)

9fr.

12 123

F (9)

9fr.

his

mind

œ œ J

1234

like

œ ˙ J

that.

Ó

Œ

œ œ Say - ing,

œ

œ œ œ.

“A - vez

vous

œ J

un

© 1993 STAY STRAIGHT MUSIC and CRAZY CROW MUSIC All Rights Excluding Print for CRAZY CROW MUSIC Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights for CRAZY CROW MUSIC Administered by ALFRED MUSIC All Rights Reserved

447 A m9

Dm11

9fr.

& œ 19

œ

123

œ

Œ

œ

œ œ

‰

al - lum - ette?”

F (9)

œ

23 1

With her

lips

5fr.

œ.

œ

œ J

wrapped a - round

œ

a

A m9 7fr.

& Ó

Œ

œ

(Y - vette)

5fr.

œ œ œ œ œ œ

& Œ

1234

lit - tle bit of

Y - vette

‰ œJ ˙

Œ

w

Gtr. intro simile

in-stant

‰

say - ing,

j œ ˙

œ “Please,

have

this

∑

123

∑

1.–4.

5.

9fr.

∑

∑

∑

123

A bmaj9

8fr.

& ..

œ

bliss.”

Outro:

35

Eng - lish

œ

123

A m9

1234

1234

œ

9fr.

1234

8fr.

&

9fr.

A m9

A bmaj9 30

in

œ

8fr.

7fr.

1234

œ

1234

A bmaj9

G (9)

F (9) 25

œ

‰

j œ œ

Ó

œ

cig - a - rette.

G (9) 22

œ

1234

∑

..

∑

1.

2.

A m9

A m9

9fr.

∑

Gtr. intro simile

∑

Verse 2: He’s fumbling with a foreign tongue Reaching for words and drawing blanks A loud mouth is stricken deaf and dumb In a bistro on the left bank “If I were a painter,” Picasso said “I’d paint this girl from toe to head” Yvette in English saying “Please have this Little bit of instant bliss” Verse 3: Burgundy nocturne tips and spills They trot along nicely in the spreading stain New chills, new thrills For the old uphill battle How did he wind up here again Walking and talking Touched and scared Uninsulated wires laid bare And Yvette in English going “Please have this Little bit of instant bliss” Yvette in English - 2 - 2

123

9fr.

∑

∑

..

123

Verse 4: What blew her like a leaf his way (Up in the air and down to Earth) First she flusters Then she frays So quick to question her own worth Her cigarette burns her finger tips As it falls like fireworks she curses it Then sweetly in English she says “Please have this Little bit of instant bliss” Verse 5: He sees her turn and walk away Skittering like a cat on stone Her high heels clicking What a wary little stray She leaves him by the Seine Alone With her black water and the amber lights And the bony bridge between left And right Yvette in English saying “Please have this Little bit of instant bliss”

∑

448

THE SIRE OF SORROW

Guitar tuning: D-7-5-4-1-7

(Job’s Sad Song)

➅ = D ➂ = F# ➄=A ➁=G ➃=D ➀=D

Words and Music by JONI MITCHELL

Moderately Π= 117 % Verse: B m(4)

D

8fr.

# & # 44 œ œ

.. ˙

Ó

Ó

2341

1. Let me

speak 2.–4. See additional lyrics

j œœ .. ‰ œœœ œ œ P 0 0 .. 8

# & # 44 ΠT A B

9 9

9

Œ

œ œ œ

œœ

œ œ

0 0 9

9

9

œœ œ

0 0

0 0

0 0

A 7(4)

A 7fr.

4

&

##

2341

234

Ó

∑

Gtr. cont. fingerpicking simile

˙

‰

1234

ness.

8

&

##

Œ

12fr.

‰

123

j j œ œ œ.

j j œ œ œ and

fes - t’ring

œ

# & # Ó

Ó

Œ

œ œ

Can you

see

œ

soured

œ

‰

12

œ

Ó j œ œ œ œ œ

The Sire of Sorrow (Job’s Sad Song) - 4 - 1

8fr.

‰ œj œ œ ˙

Ó

1234

Ó

2341

A 7(4) 7fr.

Ó

234

˙

∑

Œ

1234

sees?

7fr.

œ

‰

Why D (4)

123

and

B m(4)

7fr.

A

12fr.

2341

Œ

sleep

A 7(4)

E m9

D

# & # œj œ .

∑

0 0

Do you have eyes?

like man - kind

8fr.

∑

12 12

nights with-out

12fr. 12

12 12

12 0

0 0

j œ œ œ. œ

‰

2341

and D (4)

ter -

œœ œœ œœ œ œ œ œ J

12fr.

œ

œ

B m(4)

123

D (4)

123

of grief

-

8fr.

œ

12fr.

12

12fr.

14

1234

j œ

B m(4)

flesh.

D

19

j œ œ

D

D (4) 12fr.

12 0

12

my bit

j œ œ œ œ

7fr.

Born

D

spit out

9

9

j œ œ.

j œ œ

œ œ

œœ œœ

12fr.

123

let me

E m9

Em 7

D (4) 12fr.

D 12fr.

12

∑

œ

have you D (4)

12fr. 123

∑

cur-dled me?

©1994 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

j œ

1234

12fr.

∑

12

449

Chorus:

A 7(4)

G

5fr.

24

&

##

B m(4)

7fr.

œ.

j œ œ œ œ œ

Em 7

E m9

1234

12fr.

Ó

j œ œ.

1234

2341

1.–3. Oh, you tire - less 4. See additional lyrics

∑

&

##

˙

j œ œ

5fr.

12

you,

B m(4)

G

‰ œj j œ œ.

234

j œ œ.

What have

D (4)

Œ

Ó

2341

12fr.

123

watch- er!

12fr.

28

D (4)

D

8fr.

j œ

done

to

A 7(4)

A

8fr.

1234

7fr.

‰

2341

œ œ œ œ œ

that you make

I

12

ev - ’ry - thing I dread

7fr.

j œ œ œ œ œ ˙ 1234

and

1234

ev - ’ry - thing I

fear

1. D

12fr.

# & # Ó 32

D

D (4) 12fr.

Œ

123

‰

Ó

12

j œ ˙

D (4) 12fr.

123

A 7(4) 12fr.

∑

7fr.

∑

Ó

12

come true?

2. Once I was

To Coda fi

2.–4. D

D (4) 12fr.

37

&

##

D 12fr.

Ó

‰

123

‰ œ œ œ œ. J

come true?

(Man is

12fr.

j œ

12

j œ œ

j . œ œ œ .

‰

1234

the sire

of

sor

12fr.

j œ ˙

123

œ.

D (4)

-

row.

∑

12

)

C (9)/D

D (4)

10fr.

41

&

##

12fr.

∑

123

∑

∑

Bridge:

D/F #

Em 7

## Π& 45

‰

2341

j œ œ œ œ œ

1. I’ve lost all taste for 2. See additional lyrics

˙

life.

Œ

‰

2 41

G

A 7(4) 5fr.

j œ

I’m

B m(4)

1234

&

##

œ

all

œ œ

Œ

Ó

œ. œ œ œ œ. starve

j j œ œ œ.

the

The Sire of Sorrow (Job’s Sad Song) - 4 - 2

faith-ful?

Why do you

œ

123

œ

œ

Tell

me A 7(4)

A 12fr.

‰ œj œ œ

1234

com - plaints.

D

2341

why do you

7fr.

œ

8fr.

49

∑

12

7fr.

œ œ œ.

cru - ci - fy

j j œ œ œ. 1234

the

saints?

7fr.

Ó

1234

450 B m(4)

Em 7

D (4)

8fr.

## ‰ & 53

12fr.

Œ

2341

œ œ œ œ œ œ œ œ œ

And you let the wicked

pros - per.

A

You

&

##

≈

1234

j œ œ

let

their

œ

œ

j œ

œ.

œ

and my loves are dead

or

deer,

D (4) 12fr.

Œ

2341

œ

dy

Ó

˙

œ

D

8fr.

œ œ

œ

chil - dren frisk like

B m(4) 7fr.

57

j j œ œ œ

‰

12

2341

˙

-

12fr.

Œ

‰

123

ing,

j œ œ œ

12

œ

j œ

œ

œ œ ..

or theydon’t come

near.

1. D (4)

D 12fr.

60

&

##

12fr.

˙

12

as

the sparks

5fr.

&

A 7(4)

j œ œ œ œ œ œ. 2341

ev - ’ry - thing I

D

&

##

œ.

sor

-

Œ

row. )

12

D

you

# & # Ó 123

‰

j œ ˙

j œ

make

(Man is

8fr.

1234

2341

œ œ œ œ œ

ev - ’ry-thing I dread

the sire

A

B m(4) 5fr.

Œ

‰

j œ

come The Sire of Sorrow (Job’s Sad Song) - 4 - 3

Ó

˙

true.

∑

of

A 7(4) 7fr.

‰

7fr.

j œ œ œ œ œ ˙ 1234

and

1234

ev - ’ry-thing I fear

12fr. 12

j œ

‰ œ œ œ œ. J 12

D (4) 12fr.

75

12fr.

G

‰ œj œj œ Oh,

D (4)

come true.

12fr.

j œ ˙

∑

12fr. 123

D (4)

123

# & #

hope

fear

12fr.

and look

fi Coda

œ

Œ

œ œ œ œ ˙ 1234

3. Oh,

D

7fr.

1234

œ œ Œ

1234

66

4. Where is

7fr.

Ev - ’ry - thing I dread and

71

j œ œ

‰

A

8fr.

1234

Ó

1234

7fr.

cor - rect - ing you.)

D.S. % al Coda

as - cend.)

B m(4)

G

##

12

God is

7fr.

œ œ

‰ œ œ œ œ J

123

sure

67

œ œ œ œ

123

A 7(4) 12fr.

A 7(4) 12fr.

Ó

12

D (4) 12fr.

&

12fr.

(We don’t de - spise your chas - ten - ing

D

##

123

D (4)

D 12fr.

œ œ œ œ œ

œ

12

2.

64

12fr.

‰ œ œ œ J

123

D (4)

D

∑

451

Verse 2: Once I was blessed I was awaited like the rain Like eyes for the blind Like feet for the lame Kings heard my words And they sought out my company But now the janitors of Shadowland Flick their brooms at me (To Chorus:) Verse 3: Oh, and look who comes to counsel My deep distress These pompous physicians Oh what carelessness (Antagonists: Oh all this ranting, all this wind Filling our ears with trash) Breathtaking ignorance adding insult to injury They come blaming and shaming (Antagonists: This vain man wishes to seem wise A man born of asses) (To Chorus:) Bridge 2: Already on a bed of sighs and screams And still you torture me with visions You give me terrifying dreams Better I was carried from the womb straight to the grave I see the diggers waiting, they’re leaning on their spades (Antagonists: Man is the sire of sorrow Sure as the sparks ascend) Verse 4: Where is hope while you’re wondering What went wrong Why give me light and then this dark Without a dawn (Antagonists: Evil is sweet in your mouth Hiding under your tongue) Show your face (Antagonists: What a long fall from grace) Help me understand What is the reason for your heavy hand (Antagonists: You’re stumbling in shadows You have no name now) Chorus 4: Was it the sins of my youth What have I done to you That you made everything I dread And everything I fear come true (Antagonists: Oh your guilt must weigh So greatly) Everything I dread and everything I fear Come true. (Antagonists: Man is the sire of sorrow) Oh you make everything I dread And everything I fear come true

The Sire of Sorrow (Job’s Sad Song) - 4 - 4

453

454

URGE FOR GOING

*Standard tuning w/Capo III

Moderately Π= 114 Intro: B b( # 11)

A

321

321

Words and Music by JONI MITCHELL

1.

6fr.

2.3.

5fr.

# # 4 œ nœ œ œ œ œ œ nœ nœ œ œ œ œ œ ¿ œ œ œ œ œ œ œ œ œ œ œ œ œ bœ œ œ & # 4 .. J‰ F 0 0 ¿ 50 50 5 50 50 6 6 .. 7 6 0 7 6 0 7 6 T 7 7 6 6 6 6

A B

8

7

7

.. œ œ œ œ œ œ œ œ ..

5

0 6

7

5

0

5

6

*Recording sounds a minor third higher than written.

Verses 1 & 4:

G6/A

## & # Œ

œ œ œJ œ .

Cont. fingerpicking simile

6

A

3fr.

œ œ J

1. I a - woke 4. See additional lyrics

to - day

### œ œ & J

in

a

D/A

### œ œ œ œ œ

œ

132

When the

&

###

œ.

sun

-

frost perched on

the

zen

œ nœ.

32 1

Œ

˙

town.

‰ œ œ œ œ. œ œ

Œ

321

sky,

then it

‰ Jœ

It

trait - or

cold

j œ Œ

œ

œ J œ n Jœ n œJ œ 32 1

all

the trees

are

‰ Œ

shiv - ’ring

Chorus:

E7

down.

C

132

and

œ œ ˙

œ

gob - bled sum - mer

D/A

nœ

turns

œ œ œ œ

3fr.

œ œ œ. J J

321

fro

œ

321

G6/A

A

œ nœ

in

a

G

5fr.

œ œ œ

231

na

-

ked

œ œ œ

‰ ‰ œ

œ.

2314

row,

œ J

1. I A sus2

### j & nœ œ

œ œ œ. J J

22

nev - er

+~```~~ _ ## ()

œ. & #

12(3)

œ

12

seem

A(9)

26

the

C

E 18

found

5fr.

nœ œ œ œ œ J

3

hov - ered

&

and

j œ nœ

A 7fr.

14

œ œ J J nœ

321

A9 10

5fr.

œ

to

j j œ œ œ.

go - ing

Urge for Going - 3 - 1

when

go.

grass

œ J

21

for

is

œ œ J 3

I

+~```~~ _ ()

œ.

12(3)

but

I

D/A

nœ œ. ‰ n œj J 21

œ Œ nœ œ J

go - ing,

G 3

get

A(9)

132

the mead - ow

œ.

get the urge 4. See additional lyrics A

˙.

nœ œ œ œ œ ‰ j œ 3

œ

213

D/A

G 21

˙.

œ

321

the

nœ #œ nœ œ 132

urge

for

G

j j œ œ œ

turn - ing

œœ Œ

brown and

21

3

nœ œ œ œ œ sum-mer - time

© 1966 (Renewed) CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

is

455

+~```~~ _ ## œ A(9)

G

j j œ œ œ

()

.

& # 30

12(3)

fall

-

ing

j œ

down,

and

Verses 2 & 3: A

### . .œ & 34

œ J

had me a man 3. See additional lyrics

win - ter’s

&

in

an - oth

&

### œ

132

when

### œ &

-

œ J

er

œ

in

town

fell

on

œ

œ

pushed them

the

Asus

œ

face

21

for

œ

21

He

+~```~~ _ ##

in

Œ

go - ing,

nœ œ and

132

bul - ly

-

ing

urge

j œ

## & # œ œ œ œ œ. 59

and

Urge for Going - 3 - 2

was clos

+~```~~ _ A(9)

2

win - ter

21

-

j nœ ing

Œ

had

œ

œ nœ came

œ

˙

snow,

to

œ

a - round,

œ

œ

2. he

let

go

-

ing

nœ

œ

w

in.

go.

D/A

nœ œ œ œ œ ‰ j œ 3

132

the mead-ow

+~```~~ _

grass

was

A(9)

D/A 3

21

when

œ

œ

132

sum - mer - time

()

œ.

œ

12(3)

was

fall

-

j œ œ

ing

1.

2.

()

12(3)

him

j j œ œ œ.

œ.

12(3)

for

j œ œ.

˙

12

G

()

132

got the

G/B

But

œ

2314

A(9)

œ #œ œ œ

3

brown

œ

‰ Œ

winds

œ œ œ œ œ

+~```~~ _

D/A

j j œ œ œ

And

win.

œ œ œ

Œ

œ

the

nœ

I

G

()

œ œ J

213

heart could

and

≈ œj. œ

Œ

A(9)

12(3)

ored skin.

E7

231

œ

3

G

213

‰ Jœ

˙

A sus2

nœ œ. ‰ n œj J

˙.

turn

œ J

ground

down

œ J

A

123

-

G

œ œ. J

213

œ. & #

œ.

32 1

œ

œ

213

œ J

E

nœ

2. I

D/A

the

leaves

œ œ

Œ

A

my dar - ling’s

nœ. œ œ œ œ

got the urge 3. See additional lyrics

56

He had sum - mer - col

‰ Jœ œ œ œJ œ

œ nœ

### j œ œ &

&

nœ œ œ œ œ œ

2

œ œ œ

A

###

in.

Œ

œ œ. J

œ

213

girl

Chorus:

52

ing

C

32 1

48

-

E m( 4)

C 45

clos

j nœ ˙

3

D/A 42

Ó

213

sum - mer - time.

œ nœ œ œ J

2

j nœ w

3

A

### œ not

œ.

A

œ œ J

2

E m( 4) 38

21

Em7

œ œ œ.

213

œ œ œ

A

Ó

Œ

œ œ ..

3. Now the

œ

down

œ

œ

and

D.C. al Coda

∑

456

fi Coda

Asus

A

123

213

###

63

&

˙

&

###

21

‰

nœ J

œ

œ J

‰

And

G 66

G 21

I

j œ

nœ

œ

the mead - ow

œ

132

3

get

œ.

œ

the

urge

+~```~~ _

### œ & J

()

œ

œ

grass

˙

fall

is

œ.

12(3)

turn

˙.

-

œ

-

ing

Outro:

B b( # 11)

# # # Gtr. play intro simile ∑ & 321

2. 77

&

###

j œ

œ.

for

go

j j œ œ œ ing

j œ

brown

-

ing

21

Œ

j œ

œ.

when

D/A 3

and

w

nœ

œ

œ

132

sum - mer - time

œ

œ is

w

123

down.

1.

6fr.

73

œ

œ

12(3)

Asus

œ.

12

()

132

G

A sus2 69

A(9)

A(9)

D/A 3

+~```~~ _

D/A

A 5fr.

∑

321

∑

∑

∑

∑

A 5fr. 321

∑

∑

Verse 3: Now the warriors of winter they give a cold triumphant shout And all that stays is dyin’, all that lives is gettin’out See the geese in chevron flight Flappin’ and a-racin’ on before the snow Chorus 3: They got the urge for going and they’ve got the wings so they can go They get the urge for going when the meadow grass is turning brown and Summertime is falling down, and winter’s closing in Verse 4: I’ll ply the fire with kindling now, I’ll pull the blankets up to my chin I’ll lock the vagrant winter out, and I’ll bolt my wandering in I’d like to call back summertime And have her stay for just another month or so Chorus 4: But she’s got the urge for going, so I guess she’ll have to go She gets the urge for going when the meadow grass is turning brown And all her empire’s falling down, and winter’s closing in

Urge for Going - 3 - 3

..

457

458

HARLEM IN HAVANA Guitar synth. in standard tuning

Words and Music by JONI MITCHELL Verse:

Moderate swing Π= 88

# & 44

E m7

12fr.

12

dou-ble Fer - ris wheel, there’s a

&

#

œ œ œ œ œ œ ‰ j #œ #œ

band that plays so snak - ey

œ

œ œ œ œ

œ

ran

a - way

with

#œ œ œ œ œ œ œ

123

‰ Œ

3

3

Œ

# & Π46

123

j j œ œ œ

‰

j j œ œ œ Black

Œ

œ

œ

‰

E (9)

long

# & Œ

œ #œ œ

and

‰

sna-key.

B m7 7fr.

3

#œ œ

‰

Œ

7fr.

‰

123

leg - gy.

11111

j j œ œ œ

3

(1.2.) Bark - ers

œ

œ

‰

j œ

bark - in’,

A9 9fr.

49

j œ œ

j œ œ

3

so D

1234

girls danc - in’,

‰

play “Night Train”

9fr.

3

1234

Œ

œ

œ

E (9) 7fr.

11111

if you go there;

9fr.

3

They

B m7 7fr.

Œ

3

E (9)

11111

‰

j œ œ œ œ 3

see him

7fr.

sec - ond trum-pet to the right.

D

œ œ

You can

11111

‰ ‰

3

œ œ

Em - my May

7fr.

B m7 7fr.

3

‰

œ œ œ

B m7

123

3

man as black as night!

D

1234

the

3

can’t help how you feel.

7fr.

œ œ œ œ œ

9fr.

# & ‰

by

œ œ œ œ

D

12

a

mid - way,

3

œ

12fr.

E (9) 43

you

E m7

œ

œ

1234

12fr.

3

3

9fr.

E m7 1234

‰ œ œ

E (9)

123

œ œ

œ

far end of the 2. See additional lyrics

7fr.

3 # ‰ œ & œ œ œ œ œ

40

3

D 12fr.

3

œ œ œ

1234

1. At the

E m7 37

Œ œ œ .. œ

Ó

34

‰

1234

4fr.

j j œ œ œ #œ “Step

Harlem in Havana - 2 - 1

213

3

right

up,

œ

folks!

œ

‰

j œ #œ œ œ œ

The show is

a - bout

œ

œ to

œ #œ

be - gin.

œ

© 1998 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

It’s

459 E

G 13 52

&

#

œ

213

œ

bœ œ œ

Har - lem

in

œ bœ

3

œ

Ha - va - na

4fr.

&

#

#œ

œ

‰

time.

œ œ #œ

1234

3

œ

œ œ

see ’em dan - gle

in

the

E m6

Step right

# Ó &

Œ

3

31

œ œ œ

œ

Sil - ver E

œ.

j œ

farm

-

boys’

E maj13

œ.

we

j œ œ œ œ œ

were on the

in - side.

œ

3

&

#

∑

œ

would have

70

&

#

Ó

∑

if

E m7

‰

j œ

2. When

œ

3

œ

œ

Em - my May

..

∑

she

N.C.

∑

213

E m7

N.C.

∑

213

2.

Verse 2: When Emmy May ran away She came back a bottle-blonde god The gossips had a gourmet feast Chomping on how she went wrong But miracle of miracles (’Cause we were under age) She got us nearly front row seats To the right side of the stage See that tall girl That’s a man That one, too With the yellow feather fan Harlem in Havana - 2 - 2

j œ œ

‰

} {cried died ∑

Ó

∑

1.

w

˙

A 66

1234

12fr.

œ

Aunt - ie Ruth - ie

œ

16fr.

231

eyes.

1234

#œ œ #œ œ

œ

E maj13

E m7

16fr. 1234

3

j œ

A

# j & œ œ

œ œ

in!”

12 3

œ

31

Œ

31

12fr.

E m9(maj7)

Hoo - chie - coo - chie.

62

Ó

E m7

4fr.

59

#œ œ

Ó

1234

12fr.

1234

3

nœ œ

œ

E m7

16fr.

31

span - gles,

‰ Œ

3

E m9(maj7) E maj13 56

16fr.

231

3

E m6

E maj13

12fr.

∑

œ knew

460

MAN FROM MARS Standard tuning Keyboard arranged for guitar

Words and Music by JONI MITCHELL

Moderately Π= 100 Intro: B m7

# 4 & # 4 .. ..

T A B

1.

œœ œœ œœ œœ œ œ œ. J F 13121

Keybd. (arr. for gtr.)

2 3 2

2 3

œ

0 2

2

2

œœ œœ œ œœ ‰Jœ 4

4

2 3

2.

œœ œœ œ . œœ œ œœ j œœ œœ .. œ œ œ J œ J œ. œ œ

œœ œœ œœ œœ œ œ œ. J

2 0 3 2

2 3 2

2 3

0 2

3 4

2

4

2

4

2 3

0 2

0 2

4

..

2

4

4

5 3

0 2

Verse: G (9)

G (9)/B 2fr.

6

&

##

# & # T A B

.. Ó

∑

3

‰

1

4

2

2 3

0 2

..

0 2

4

œ œ œ. 0

0

2

œ œ ˙.

j œ œœ œ 2

3

E m11

œ œœ œœ œ œ

3

3 2

0

4 2

A6

5fr.

# # Cont. j rhy. simile j & œ œ œ œ. 10

can’t

get through

j œ

the

324

˙

‰

day

j œ œ œ

with - out

1

at

Œ

The

pain

2fr.

‰

444

least

Œ

1412

j œ œ

won’t

œ

go

œ œ

a - way;

324

˙

œ œ ˙

one big

boo - hoo.

G maj7 6fr.

2 341

3 2

0

4

2

A6

‰ œj œ œ œ

3fr.

‰ œj œ œ what am

I

1

444

œ œ œ.

gon -na do?

E9 18

&

##

∑

œ

œ œ ˙

Man from Mars, Man from Mars - 2 - 1

∑

I

G (9)/B

˙

5fr.

# & # Ó

3

0

3fr.

E m11 14

4

‰ œj

Œ

œ œ œœ ˙˙ œ œ

G maj7 6fr.

2 341

Ó

1. Since I lost you, 2.3. See additional lyrics

œœ j œœ œœ . œ œ J . œ œ œ 4

j œ œ

1412

2 1 3

j œ #œ

this time

j œ œ

you went

œ

too

#w

far.

© 1998 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

Ó

461 1.2. 23

&

B m7

##

œœœ œœœ œœ .. œ œ J œ

13121

∑

T A B

4

4

2

2

2 3 4

4

4

0 2

&

##

..

∑

..

&

##

T A B

& T A B

##

œ 2

2 3

4 5

4

4

2

2 3 4

2 3

4

4 5

4

4

2

2 3 4

4

# œœ œœ œœ œœ œœ œ œ

œ

0 2

œœ œ œœœ œœœ œœ .. œ J œ

4 5

œœœ œœœ œœ .. œ J œ œ

4 5

4 5

œ œœ œœ œ œ œ œ

0 2

2 2

4

4

2

2 3

4

4

2

4

2 2

4

œœ ‰ œœ œœ œ J œ œ

13121

4

2 3 4

0 2

œ

2 2 2

œ 4

4

4

2

œ

œœ œ

4

5 3 4

2 3

2 3

2

2

œœœ œœœ œœ .. œ J œ œ

0 2

œœ œ J

4

4

2

0 2

2 3

4

4

2 3 4

3.

œœœ œ œ 4

4

2 3 4

œœœ œœ .. J 0 2

œ 2

œœ j œœ œ œ œ 4

4

Verse 2: I fall apart Everytime I think of you Swallowed by the dark There is no center to my life now No grace in my heart Man from Mars This time you went too far Man from Mars - 2 - 2

2 3

0 2 4

œœ œœ œ . œœ . œ. J . œ œ œ œ œJ 0 2

..

2

4

2 3 4

0 2

œœ œœœ œœ œœ œ ‰ J œ œ

œœ ..

2

1.2. 39

0 2

2

œœ œœ ‰ œœ œ œ œ J œ 2

2 3

œœ œœœ œœœ œœ .. œ œ J œ

B m7

T A B

36

4

4 5

4

4

2

3. 32

2 3

4

# œœ œœ œœ œœ œ œ œ

# œ œ œ œ. & # œ œ œ œœ œœJ œ . œ 2 3

0 2

2

28

T A B

2 3 4

œ

œœ œœ œœ œ ‰ J œ

4

5 3 4

0 2

www w 0 3 2 2

Verse 3: I call and call The silence is so full of sounds You’re in them all I hear you in the water And the wiring in the walls Man from Mars This time you went too far

2 3

0 2

2 3

.. ..

462

LOVE PUTS ON A NEW FACE Guitar tuning: C-7-9-3-5-2

Words and Music by JONI MITCHELL

➅=C ➂=G ➄=G ➁=C ➃=E ➀=D

Moderately Π= 116 Intro: C (9)

& 44 ‰ j œ P œ. 1234

T A B

0

A m11

œ œœœ J

œ œ œœœ œ œœœ

œœ j œœ œ

œœ œœ J

0 12 12 12

0 12 12 12

0 12 12

0 12 12

12

12

12fr.

12

0

12

œœ œœ œ œ œœ œ 231

12

C (9)

j œ œ

& j œ œœ

0 0

0

0 0

œœ œœ œœ œ œ œœ

12 12 12

0 12 12

0 12 12

12

F (9)

F (9)sus 5fr.

∑ œ œ œ œ œœ œœ œ œœ 5

5 5 5

Love Puts on a New Face - 3 - 1

5

5 5 5

5

5 5 5

9

9

9

6 5 5

9

8fr.

œœ œœœ 24 œ œœ œ

1234

231

0 0 0

0 0 9

9

0 0

A m11

j œœ œœ œœœ œ 0 0

0 0

0 0

12fr.

7 7 7

7 7 7

7 7

∑

111111

j œ œœ œ bœ œ œœ 5 5

0 0 0

œ

œœ œœ

5

5fr.

112111

j œ œ œœ

œ

j œœ œœ

F (9)

∑

111111

8fr.

231

C (9)

0 0

5fr.

5 5 5 5

0 0

12

111111

& 44 œœ œ

0

j œœ œ

0 0

0

9

j œœ œ œ

231

7fr.

T A B

9

œ œ œ œ œœœ œœ œ œœ œœ œ œ œœ œ œ

0 12 12 12

12 12 12

G (9)

4 &4

0

8fr.

1234

A m11

j œœ œ œ œœ œ œ J œ

A m11

5

9

C (9)

0 0

0 0

12fr.

T A B

8fr.

5 5

Ó

‰

j œ œ œ

1. He said,“You

œœ œœ 5 5 5 5

œœ œœ œœ œ œœ œœ œ œ œ 5

5 5 5 5

5 5 5

5

5

ww ww 5 5 5 5

© 1998 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

44

463

Verse: D m11

A m11

C (9) 12fr.

231

& .. œ 13

œ œ œ œ Œ

‰

1234

Cont. fingerpicking simile

think you’re a la - dy, 2.3. See additional lyrics

& œj

œ.

‰

œ œ œ œj œ .

know

˙ C (9)

j œ œ œ œ œ œ œ

you’re a wom - an,

j œ

‰

and we’re as young as

231

œ

œ

said,

“No

tel

-

C (9)

D m11

œ

œ

e - phones

j œ œ

231

No

‰

231

œ œ œj œ .

œ

œ œ

com - pan - y com - ing! C (9)

œ œ œ

Just the lap

œ œ

of the lake and the

G (9)

∑

22

&

‰

œ œ œ

F (9)

œ œ.

œ

œ

pock - et

j ‰ j bœ œ œ

of

F (9)

C (9)

Œ

& œ. œ œ say,

32

&

j œ

œ.

œ

œ œ œ 3

œ œ œ

grace!”

day,

∑

Love

œ œ.

œ bœ

moon.

What a

≈

œ

œ

œ œ.

But in

France

a

œ

new

face.”

˙

C (9)

A m11 12fr.

111111

has

œ œ œ œ œ puts on

5fr.

j œ œ

Ó

1234

love

F (9)

j œ œ

œ

Ó

˙

‰ œj œ

˙

7fr. 111111

‰

1234

C (9)

1111

G (9)

231

light,

12fr.

1234

8fr.

-

12fr.

‰

D9

“Ev - er - y

A m11

re

C (9)

12fr.

111111

-

and the cres - cent

111111

heav - en - ly

5fr.

they

˙

5fr.

112111

Chorus:

fi

œ

231

loon,

5fr.

‰

œ

œ

F (9)

F (9)sus 5fr.

28

Œ

111111

111111

œ

231

8fr.

and the lone - ly

œ

œ

ring - ing!

A m11 7fr.

&

œ.

8fr.

& ‰

25

j œ

A m11

8fr.

19

the night.”

C (9)

D m11

œ

I

A m11

1234

231

C (9)

Ó

12fr.

1234

3

œ œ œ

16

C (9)

12fr.

231

but I

D m11

C (9)

8fr.

3

œ œ œ

man - y fac

8fr.

∑

1234

œ œ ˙. -

231

∑

es.

1.2.

G (9)

F (9)

7fr.

37

111111

& œ

F (9)sus 5fr.

3

œ

Man - y,

111111

œ œ œ

Ó

112111

3

˙

man - y fac - es.

Love Puts on a New Face - 3 - 2

F (9)

5fr.

˙

5fr. 111111

∑

Ó

‰

.. j œ œ œ

2. A - bout

a

464 3. G (9)

F (9) 7fr.

41

111111

& œ.

Man

C (9) 5fr.

-

111111

œ œ

œ

y,

A m11

12fr.

man

C (9)

œ

-

y

&

fac

G (9)

8fr.

44

œ.

œ.

-

œ

F (9) 7fr.

∑

231

˙

es.

C (9) 5fr.

j œ

j œ

œ

111111

Love

111111

puts

12fr.

œ œ œ œ œ

on

A m11

a

&

∑

231

new

œ

face.

˙ F (9)

7fr.

∑

42

111111

5fr.

∑

Verse 2: About a month or so later, he said “Why can’t you be happy You make me feel helpless when you get this way” I said, “I’m up to my neck in alligators— Jaws gnashing at me Each one tryin’ to pull a piece away Darlin’, you can’t slay These beasts of prey Some bad dreams even love can’t erase” (To Chorus:) Verse 3: He wrote, “I wish you were with me here The leaves are electric They burn on the river bank, countless, heatless flames” I said, “Well, send me some pictures, then And I’ll paint pyrotechnic Explosions of your autumn till we meet again I miss your touch And your lips so much I long for our next embrace” (To Chorus:)

Love Puts on a New Face - 3 - 3

Ó

1234

G (9)

8fr.

47

∑

Ó

1234

44

111111

∑

465

LEAD BALLOON Guitar tuning: E≤-7-3-5-2-5

➅ = Eb ➂ = Gb ➄ = Bb ➁ = Ab ➃ = Db ➀ = Db

Words and Music by JONI MITCHELL

Moderately fast Π= 122 Intro:

B bm11

E b7sus

7fr.

7fr.

O

O

12

b & b b 44 Ó

∑

O

∑

O

∑

O

∑

∑

Verse 1: Cm11

rhy. simile b Cont. Œ œ œ œ œ b & b 111111

9

“Kiss my ass!”

E bm11

Œ

j ‰ œ

I

‰

&

bbb

111111

bœ

œ

œ

his

œ

bus

-

œ

‰.

9fr. 111111

r œ œ

and I threw my drink…

œ

b &bb Ó

‰

œ

j œ œ. œ œ

Must

E bm11

Te - qui - la

trick

œ

œ

-

ling

be

‰

111111

œ

Chorus:

Too

œ

œ

you can’t kow

his

œ

œ

œ

-

j œ œ.

b j &bb œ œ lead,

fight

Œ

tow,

œ

œ

œ

œ

be - fore you think!

œ œ œ J J town,

j œ

and,

‰

œ

œ bœ œ.

‰ . œr œ

œ bœ

andthat went

G b/A b

lead bal - loon

bœ

œ bœ

œ

can’t

un - do

it!

Œ

7fr.

2341

2341

œ

E b7sus

6fr.

down

œ bœ

like

œ a

4fr.

21

œ

I - rish blood,

B bm9

4fr.

2341

bœ œ œ

late now,

G b/A b

b & b b œJ œ

the

Œ

111111

12fr.

111111

Lead Balloon - 3 - 1

œ

F m11

111111

’ness suit.

9fr.

It’s

Cm11 9fr.

1111

œ

∑

9fr.

C m11

18

œ

œ œ œ

O. ! ! O. Œ ∑ ∑

C m11

down

15

111111

said,

12fr.

12

E b2

Fm11

9fr.

O

111111

12

œ

œ

œ bœ œ œ

lead

B bm9

bal - loon,

lead,

œ lead,

6fr.

œ

He said,

Œ

œ

œ bœ

œ

“Sic her, Ro - ver!”

Œ

2341

œ

œ bœ

That went

œ bœ

o - ver

© 1998 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

like

œ a

466

E b7sus

7fr.

b &bb ‰ œ 24

lead

j œ œ

j œ bœ œ. œ œ

12

bal - loon, lead, lead,

‰ œ œ œ œ.

lead,

2 & 3: %Verses C m11

‰

˙

lead bal - loon.

Lead bal E b2

F m11

9fr.

b & b b ‰. 28

111111

r œ œ

œ

œ

2. An an - gry man 3. Inst. solo ad lib.…

E bm11

œ

œ

is

just

111111

an

an - gry

‰.

b˙

r œ œ

œ

I had

9fr.

9fr.

‰

œ

111111

œ œ œ

man.

Œ

111111

œ

œ œ œ

Him with the heart

Chorus: G b/A b

œ

But an an - gry wom- an…

him

œ

for

Œ

œ

‰

111111

œ

j œ œ

a,

a

of

‰

of

œ

help - ing hand…

œ his

œ J

town,

œ J

œ.

œ

b j &bb œ œ

‰

œ

œ

œ bœ

and that went

G b/A b

lead,

œ

Œ bœ œ

lead bal - loon.

fish!

œ

bœ

down

like

œ a

‰

12

j œ bœ œ. œ

œ

B bm9

lead

bal - loon,

He said,

œ œ bœ œ

Œ

“Sic her, Ro - ver!”

lead,

To Coda fi

œ

2341

œ

lead,

6fr.

2341

œ bœ œ.

a fro - zen

7fr.

4fr.

40

œ bœ œ. Œ

E b7sus

7fr.

111111

œ

bœ œ

a Bo - na- parte,

B bm11

4fr.

It’s

ask

œ

¿ ¿ ¿ ¿ ¿.

‰

111111

2341

œ œ

12fr.

b &bb Ó

b & b b œJ

œ

to

E bm11

C m11

E b7sus

C m11

F m11

111111

Bitch!

37

j œ œ œ œ

loon.

9fr.

b &bb Ó

34

‰

-

9fr.

1111

111111

Ó

j œ œ .

C m11

12fr.

31

Œ

œ a,

j œ œ bœ

œ bœ

That went

œ

o - ver

œ

bœ

like

a

7fr.

b &bb ‰ œ 43

12

G b9 47

&

bbb

234

lead

j œ œ

j œ bœ œ. œ œ

bal - loon

lead, lead,

lead,

A bm11

‰ œ œ bœ œ. lead bal - loon.

∑

Inst. solo ad lib.…

Lead Balloon - 3 - 2

∑

‰

j œ œ bœ

Lead bal

B13

5fr.

111111

˙

7fr.

∑

∑

2341

∑

∑

E b2

-

1111

j œ œ .

Ó

loon.

9fr.

∑

∑

E bm11

E b7sus

12fr.

55

&

bbb

∑

∑

∑

1111

E bm11

7fr.

∑

∑

12

6 B9

12fr.

∑

111111

E b7sus

7fr.

G b9

7fr.

∑

2341

467

12

∑

234

E b7sus

7fr.

63

&

bbb

12

œ

œ

œ bœ œ œ

Lead

bal - loon,

b j &bb œ œ

‰

66

lead,

lead

œ œ bœ œ.

lead,

j œ œ

œ

‰

lead,

Œ

lead bal - loon.

Lead bal - loon,

lead,

&

bbb

‰

˙

j œ œ bœ Lead

b j &bb œ œ 72

‰

œ

lead,

b &bb œ 75

lead

œ bœ œ. œ

Lead bal - loon,

bal

-

lead

71

&

bbb

12

œ

‰

‰ œj ‰ œj ‰ œj Œ

œ

bal - loon.

œ

lead,

bal - loon.

bal - loon,

j œ ‰ lead,

lead.

œ

j œ ‰

&

j œ œ . loon.

Lead Balloon - 3 - 3

Ó

5

∑

1

lead,

lead.

j œ œ bœ

lead

7fr.

bbb

œ

j œ Œ

lead,

œ bœ œ. ‰

Lead bal - loon,

lead,

E bm9 78

lead,

œ bœ œ.

œ bœ œ œ

Lead bal - loon,

lead,

lead

lead,

7fr.

Œ œ œ.

œ

œ

lead,

lead

Œ

‰

œ

E b7sus

loon.

œ bœ œ.

Œ

j œ œ

fi Coda

Ó

j œ œ .

œ bœ œ. œ

Lead bal - loon,

œ

D.S. % al Coda 69

œ

lead bal - loon.

œ bœ œ. œ

œ

Œ

œ œ bœ œ.

∑

bal -

468

NO APOLOGIES

Guitar in Open A tuning: A-12-4-3-5-7

➅=A ➂=E ➄=A ➁=A ➃ = C# ➀ = E

Words and Music by JONI MITCHELL

Moderately Π= 120 Intro: A

## & # 44 œœ ..

12fr.

1234

œ P.

T A B

œœ œœ œ œ J 12 12 12

12 12 0

12 12 12

D

œœ œœ œ œ 0 0 0

### œ . œ. & 5

œ.

T A B

œœ œ

œœ œ J 12 12 12

12 12 0

œœ œ

E

œœ œ

1234

0 0 0

œœ œ 5 5 5

œœ œ J

œœ .. œ.

12 12 0

j œ n œœ œœœ ... œ œ.

j # œœ œœ .. œ œ. 2 2 2

0 5 5 5

2 2 2

0 5 5 5

5

D (9) 14

&

###

5

1234

0 5 5 5

∑

1234

12 12 0

˙˙ ˙ 12 12 0

No Apologies - 3 - 1

12 12 12 12 12 12

n ˙˙˙ ˙

10 10 10 0

˙

∑

1234

œ n œ œœ 10

œœœ œ

0 5 5 5

0 5 5 5

0 10

0 5 5 5

10 10 10 0

10

1234

0

10

10

˙˙˙ ˙

˙˙ ˙

5 5 5 5

5 5 5

D (9) 5fr.

10

7 7 7

5fr.

œ n œ œœ

D

10fr.

œœ œœ œœ

0 0 7

D

1234

12 12 12 12 12 12

G6/A

∑

0 5 5 5

n ˙˙˙

œœ œœ œœ .. J J

œ.

1234

123

j œœœ œœœ œ œ

10fr.

œœ ..

12fr.

j œœœ œœœ œ œ

G6/A

1234

0 5 5 5

A

5fr.

### & www w

T A B

0 5 5 5

œ œœ œœ œ

1234

5 5 5

0 5 5 5

12fr.

0 5 5 5

0 0 0

1234

1234

A

T A B

œœ œ

7fr.

5fr.

0 0 7

### j j & œœœ œœœ œ œœœ œ œœœ www œ œ œ œ w

œœ œ

1234

Esus 7fr.

D (9)

B

œ œœ œœ œ

9

E 5fr.

œœ œ J œœœ ...

12 12 12

7fr. 123

7 7 7

D 12fr.

1234

0 0 7

7 7 7

7fr. 1234

A

7fr.

123

Esus

5fr.

œœ œ J œœœ ...

1234

5 5 5

D

1234

Esus 7fr.

œ œœ œœ œ

1234

0 0 0

A 12fr.

E 5fr.

5fr.

∑

Ó

Œ

1234

‰

j œ

1. The

˙˙ ˙

œœœ .. . œ.

j œ œœœ œ œœœ œœœ œ œ œ œ œ œ

5 5 5

5 5 5 5

5

0 5 5 5

5

0 5 5 5

© 1998 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

5 5

5

469

Verse: #

D ( 49 )

D (9)

4fr.

# # # . Cont. rhy. simile ‰ .œ œ œ & œ

gen - er - al of - fered 2.3. See additional lyrics #

D ( 49 ) 23

&

###

sol - diers

‰ œ

erred

in

F#

### Π& 31

Ó

œ

No

‰

He said, “The

a - pol

-

œ

Œ

˙

o - gies

to

#˙

lit - tle

œ

a hook - er!”

10fr.

˙

1234

the

œ œ

out - raged

F #sus

F#

Ó

111111

˙

Ó

1234

Jap - a - nese.

9fr.

Œ

112111

111111

G6

œ

œ œ

12fr.

∑

111111

12fr.

1234

‰ œJ œ œ œ # œ

œ. œ œ

1234

A

9fr.

No, “Sor - ry,

A 10fr.

They should have hired

9fr.

111111

j œ œ

5fr.

œ œ œ.

‰ œj œ œ

111111

o - gies.

D (9)

j œ

Ó

111111

G

judge - ment.

4fr.

2341

Ó

1234

12fr.

12fr.

1234

#

### Π&

-

Œ

10fr.

A

j œ œ

D ( 49 ) 27

a - pol

j œ œ

5fr.

œ

œ

no

œ.

D (9)

4fr.

2341

œ

1234

A

G 12fr.

j œ œ

2341

19

A

5fr.

girl.”

‰ œj œ œ # œ 3

Ó

˙

The pigs just took

her.

Chorus: A 35

&

###

D 12fr.

œ œ œ œ

Ó

1234

Tire

Œ

7fr.

‰ Jœ œ œ

1234

marks.

What hap-pened

1.2. A

### Ó & 39

12fr.

1234

5fr.

œ œ3 œ

Œ

Law - yers and

G6/A 1234

No Apologies - 3 - 2

1234

7fr.

œ

œ

1234

1234

D (9)

5fr.

# # # Gtr. play intro simile ∑ &

Esus

loan sharks

D

10fr.

43

E

D

œ œ

lay - ing

A

5fr.

∑

1234

∑

1234

j œ œ

to

∑

waste.

D (9)

D

10fr. 1234

5fr.

∑

place?

˙.

1234

A - mer - i - ca

G6/A

this

12fr.

1234

12fr.

1234

A

j œ œ œ œ œ œ

are

7fr.

˙

1234

to

5fr.

1234

œ

œ

D (9)

B

7fr. 123

E 5fr.

Ó

1234

teeth

D 12fr.

˙

œ

1234

skids and

A

E 5fr.

1234

5fr.

∑

1234

∑

..

470 3.

D (9)

B

5fr.

50

&

###

1234

œ

œ

œ

lay - ing

j œ

œ

1234

A - mer - i

-

œ.

w

ca

12fr.

### Ó &

‰ œj œ

Œ

53

1234

to

waste.

A

œœ œ J

### . œ . . œ. & 1234

..

10fr.

˙.

5fr.

Ó

˙

1234

œ.

12 12 12

12 12 0

œœ œ J

œœ .. œ. 12 12 12

∑

10fr.

n ˙˙˙

1234

˙

10 10 10 0

∑

1234

1.2.

D (9)

G6/A 12fr.

T A B

D (9)

G6/A

A

58

w

5fr.

œ n œ œœ 10

10

1234

0 10

˙˙˙ ˙

œœœ .. . œ.

0 5 5 5

0 5 5 5

j œ

0 5 5 5

5

3.

62

&

###

Ó

œ 5

œœœ œ 0 5 5 5

œ 5

.. ..

A (9)

Œ

‰ œj The

œ œ œ

gen - er - al

‰ œ

j œ

of - fered

œ

no

œ

œ.

a - pol

-

Verse 2: Freddy said that Juan thinks I think he’s the devil What a lofty title for such a petty, little tyrant Bigger beasts abound and they kick this world around At this crazy speed with violence and greed (To Chorus:) Verse 3: So what makes a man a man in these tough times As drug lords buy up the banks and warlords radiate the oceans Ecosystems fail, snakes and snails and puppy tails are Wagging in the wound beneath the trampled moon (To Chorus:)

No Apologies - 3 - 3

œœœ œ

j œ

1

w

o - gies.

..

471

TAMING THE TIGER Guitar tuning: C-7-9-3-5-2

Words and Music by JONI MITCHELL

➅=C ➂=G ➄=G ➁=C ➃=E ➀=D Moderately Œ = 104 Intro:

D 11/C

C

14fr.

& 44

w F

T A B

0 14 14

0

D/C

C

12 12

12

T A B

0 0 0

0

%Verse:

0

14 14

0

12fr.

2 2

0 0

j ‰ œj œ œœ œœ ‰ Œ #œ œ w w 2 2

0 0

0 0

2 2

& .. Œ

‰

j œ œ

œ

œ

1. I stepped out - side 2.3. See additional lyrics

œ

to

j œ œ

j œ œ

1 1

C (9)

‰ b œj œ œœœ œœœ œ œœœ b œ œœ œ œœœ œ œ œ œ w w

12

1 1

0

0 0 1

0

‰ œj œ œ œ

Œ

111111

breathe the air

A m11

and stare up at

0 0 1

0 0

1 1

1 1

0 0 0 0

œ

w

the

stars.

G (9)

8fr.

7fr.

‰

‰

j j œ œ œ.

Big Dip - per

œ

‰ œj œ œ œ œ

j œ ˙

Ó

111111

hang - ing there

œ

o - ver the rent - a - car,

F (9)

G/F 5fr.

˙ F

5fr.

j & ‰ œ œ œ œ œ œ 18

1 1

7fr.

Cont. rhy. simile

& Œ

1 1

0 0

0 0

G (9)

231

231

ww

2 2

0 0

8fr.

14

12

F m69/C

0 0

A m11

10

2 2

13

12 12 12 12 12 12 12 12

12 0 12 7 0

0

14fr.

1111

14 14 14 14

12 12

0 0

j j œ œ œ. œ œ b œœ œœ œ.

‰

13

D 11/C

jœ œ œ œ œ œ œ œ #œ œ œ œ œ ‰ œ & œœ jœ œ J œ œ œ œ œ w 1111

j ‰ j œ œ œ. œ œ # œœ œœ œ. ww

1111

C

14fr.

5

14fr.

‰ # œ j œj œ . œœ œ œ œ . ˙. œ œ 13

F m69/C

D 11/C 12fr.

111111

o - ver the rent - a

Taming the Tiger - 3 - 1

car.

˙

Œ

‰

11341

œ œ œ œ œ

I’m a

run - a - way

5fr.

‰

œ œ œ

11111

œ

from the rec - ord

œ

biz,

© 1998 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

œ œ

from the

472

Chorus: G/F 5fr.

21

D (9)

F

11341

& œ

hoods

F (9)

5fr.

œ œ œ

œ œ œ

5fr.

11111

‰ œj œ

Œ

111111

œ

œ

in the hood and the whin - y

œ

white kids.

Bor

#œ

-

ing!

The old

12fr.

14fr.

Œ

1234

& œ

œ œ œ

œ

I’m

tam - ing the ti

F m69/C 27

j œ œ.

-

C

ger.

˙.

œ

burn - ing bright

ly

13

œ œ

the

œ

ti

-

C

œ

Ti - ger,

ti

Œ

nice

kit - ty,

Œ

13

œ œ #œ.

kit - ty.

ger,

To Coda fi

14fr.

œ œ œ œ Œ

j œ

-

D 11/C

1111

1.

œ #œ.

œ

ger.)

12fr.

Œ

#œ

˙

-

œ

(You can’t tame

14fr. 1111

Ti - ger,

ti

-

˙.

œ

..

∑

12

œ

˙.

œ

‰ œ œ œj œ

Œ

12

burn - ing bright

œ œ

in the for - est

of the

Bridge:

C (9)

D7

∑

Ó

35

& ˙

∑

∑

‰.

Œ

1234

r œ œ

night.

œ

The moon shed

F6

œ

light

C (9) 5fr.

& ‰ 1234

j œ œ

on

my

œ

‰

j œ œ.

hope - less plight

D7

œ œ œ.

œ œj œ

as the ra - di - o

F6

œ œ

blared

Ó

j œ œ.

so

bland.

C (9) 5fr.

& Π43

ger,

F m69/C

burn - ing bright.

40

j œ

2.

F m69/C

& œ

œ

œ

D/C

12

& œ

31

man is snor - ing and

D 11/C

C (9) 24

j œ œ œ œ œ

≈ rœ œ

111111

1234

œ œ œ

Ev - ’ry disc Taming the Tiger - 3 - 2

‰

j œ a

1234

œ œ ˙

pok - er chip,

œ œ

œ.

ev - ’ry

song

j œ œ just

a

3

œ

œ

one - night

œ

stand.

œ

Ó

473 B b(9)

8fr.

& œ œ œ œ œ œ Œ 47

‰

1234

For - mu - la

mu

-

œ

Girl - ie C

12

& œ bœ

Up and

œ œ

down

fi Coda

œ

˙

14fr.

Ó

13

mer - ce

œ œ

œ œ

œ œ

F m69/C

14fr.

& Œ

œ œ #œ.

-

œ œ.

nar

-

y

˙.

C

œ

Œ

œ

‰ #œ

-

˙

ly,

#œ

be

& œ œ ˙

burn - ingbright.

œ

œ

Œ

Fight to the light,

Œ

Œ

Œ

fight to the light

Œ

13

kit - ty, kit - ty.

j œ œ œ œ

in

Verse 3: I watched the stars Chuck down their spears And a plane went blinking by And I thought of Anna Wild and dear Like fireworks in the sky Fireworks in the sky I’m so sick of this game It’s hip It’s hot Life’s too short The whole thing’s gotten… (To Chorus:)

Œ

kit - ty.

14fr.

œ œ œ œ Œ

1111

nice

œ œ œ œ

œ

D 11/C

the for - est

œ œ #œ.

j œ

Ti - ger, ti - ger, C (9)

œ œ œ œ

œ

kit - ty,

12fr.

Verse 2: Sophia says it’s hard to catch And harder still to ride The time to watch the beast the best Is when it’s purring at your side Purring at your side Accolades and honors One false move And you’re a goner (To Chorus:)

Taming the Tiger - 3 - 3

nice,

C 14fr.

j œ œ œ ˙.

1111

Oh,

D/C 1111

j œ #œ

1111

ti - ger.)

12

12fr.

F m69/C 12

∑

style.

D/C

C

Ti - ger, ti - ger, burn - ing bright

63

ju - veniles!

D.S. % al Coda

14fr.

D 11/C 13

œ

Ó

œ œ œ.

Gen - u - ine junk food for

C

burn - ing bright. (You can’t tame the

58

j bœ œ œ œ œ œ

1234

3

C (9)

œ. œ œ

the dial,

12

& œ

guile!

œ

7fr.

12

F m69/C

55

‰

1234

G 8fr.

F m69/C

D 11/C 12fr.

1234

j œ œ

231

sic.

E b6 51

Ab

A m11

10fr.

œ œ w

of the night.

474

STAY IN TOUCH Guitar in Open C tuning: C-12-4-3-5-4

Words and Music by JONI MITCHELL

➅=C ➂=G ➄=C ➁=C ➃=E ➀=E Moderately Œ = 104 Intro: F

C

5fr.

& 44 œœœ ... œ. P TTTT

T A B

5 5 5 5

C/E

j œœœ œœœ .. . œ œ.

j œœ œœ œ

5 5 5 5

0 0 0 0 0

C

5 5 5 5

& œœœ œœœ œ œ œ œ œ 6

0 0 0 0

0

0

0

% Verse: F

F

C

C/E

5fr.

˙˙˙ ˙ ˙

œœœ œ œ

œœ œœ œ

0 0 3 4 4

0 0 3 4 4

0 0 0 0 0

231

F

C 5fr.

T A B

C

œœœ œ

TTTT

5 5 5 5

C/E

œœœ œ

œœœ ‰ œœ œœ œ œ

5 5 5 5

0 0 0 0 0

5 5 5 5

D m11

D m11

j œœœ œ œ

œœœ œ œ

231

5 5 5 5

5 5 5 5

0 0 0 0

0 0 0

0

C

C/E

j j œœœ ‰ œœœ œœœ œ œjœ œœ œ œ œ œ œ

œœ .. œœœ ... œ.

0 0 0

TTTT

231

5 5 5 5

0 0 0

5 5 5

5

0 0 0 0

0 3 4 4

C

œœœ œ

0 0 0

0 1 2 2

œœœ œ 0 1 2 4

231

0 3 4 4

œœ œ J

231

0 0 3 4 4

œœœ .. . œ.

231

F 5fr.

j j œœ œœœ ‰ œ œ œ œ œ œ œœ œ œ œ Jœ œœœ j œ œ œ œ œ œ œ œ

TTTT

C

0 0 0 0

0

j œœ œj œ j œœ j œ œ œ œ œ œ œ œ œ œ œ œœ œ œ œ œ œ œ œ œ œ 0 0

0 0 0

0 0

0 0 0

0 0

0 0

0 0 0 0

0 0 0

0 0

A m7

5fr.

8fr. TTTT

& .. œ

Cont. rhy. simile

bœ

1. This is real 2.3. See additional lyrics

ly

11

œ

œ

C/E

œ

some

j œ -

œ.

thing.

œ

Peo - ple

F

C

œ

œ

231

C

will

œ œ œ

& Œ

231

œ

œ œ œ œ

œ

but our roles aren’t clear,

A m7

so we must- n’t

œ

TTTT

rush.

C/E

be

-

vi

-

C

Œ

‰ œj Œ

TTTT

Œ

Still,

C

j œ œ

‰

œ œ & œ œ œ œ œ

cling-ing like fire to fuel.

Stay in Touch - 2 - 1

‰

231

œ J

I’m

œ œ œ œ œ

F

grin-ning like

a fool.

Œ

œ

œ

œ

we’re burn - ing bright - ly,

C

F

5fr.

231

ous,

5fr.

8fr.

16

en

œ.

œ J

F

5fr.

13

œ

œ

Ó

TTTT

C 5fr.

‰ œj œ œ TTTT

Stay in touch.

œ Œ Ó

© 1998 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

475 F

C

D m11

C

F

C

5fr.

‰ œj œ œ œ

∑

20

&

TTTT

To Coda fi C

C/E

in

œ Œ Ó

C

touch.

‰ œj œ œ œ

˙.

Œ

TTTT

231

œ œ

We should stay

F

C/E

5fr.

Oh,

stay in

1.

D m11 C

Œ

231

touch,

2.

5fr.

& Ó 25

Œ

TTTT

231

œ œ

in

touch.

∑

231

w

Bridge: A m7

G/B

8fr. 231

times

like

œ

œ

‰. œ R

these

œ. œ œ. œ œ

the wise

33

œ

œ

œ

keep

œ J

the

œ

œ

œ

D m11

œ

Œ

œ

No doubt a - bout

C

œ

& ‰ 231

No

fi Coda 38

& w

œ J

doubt!

œ

œ

231

it,

‰

That’s

œ

no doubt

that’s es - sen - tial.

D.S. % al Coda

œ

al - ways been

∑

Verse 2: Part of this is permanent Part of this is passing So we must be loyal and wary Not to give away too much Till we build a firm foundation And empty out old habits Old habits Stay in touch We should stay in touch Oh, stay in touch In touch (To Bridge:) Stay in Touch - 2 - 2

œ

œ a

œ

TTTT

œ

trick - y

œ

one

œ

œ

for

œ

me.

œ

3. So

D m11 C 231

theycan

œ

œ œ œ

F

œ

œ œ C

5fr.

36

œ

10fr.

3

har - mo - ny.

231

G/B

œ œ œ œ

Œ

231

œ œ3 œ œ J

bear the im - per - fec - tions,

8fr.

‰

& œ

œ J

‰

A m7

TTTT

Dur-ing

C/E

231

are in - flu - en - tial, they can

5fr.

‰ œ œ

13fr.

231

F

Œ

D m13 10fr.

œ

& œ 30

.. Ó

∑

∑

∑

Verse 3: We should just surrender Let fate and duty shape us Let light hearts remake us Let the worries hush In the middle of this continent In the middle of our time on earth We perceive one another Stay in touch We should stay in touch Oh, stay in touch In touch

∑

476

FACE LIFT

Guitar tuning: C-7-7-2-8-4

➅=C ➂=E ➄=G ➁=C ➃=D ➀=E

Words and Music by JONI MITCHELL

Moderately Π= 104 Intro:

Am(9)

C (9)

12fr.

& 44 j œ P œ. 1234

T A B

0

œ œ œ œ œ œ œœ œ œ J 12 12

2341

12 12 12 12

12

12 12 12

12 12 12 12 12

1234

œ

T A B

111111

0 0

8

9 9 9

12

0

œ œ

œ œ œ œ œœ J J

12 12

12

12 12

œ œ œœ œ J

12 12 12

12 12

0

12 12

7fr.

j œœ œ œ œ œ 0

8

9 9 9

7

7 7 7 0

G (9)

œ œ. J

œ œ œ

2341

0 0

0

7 7 7

7

8fr.

œœ j œœ J œ

7

7

7 7

0 0

Am(9) 12fr.

& 44

7fr.

œ œ œ œ œ œ œ. œœ œœ œœ œ œ œ œœ œœ œ œ œ œ 54 œœ œ œœ œœ œ œœ .. j 44 J J œ œ œ œ œ œ

C (9) 5

G (9)

8fr.

111111

œ œ

0 0 0

7

7

7

7

œœ

œ J œjœ œ 7

7 7

7 7

7

7

Verse: G (9)

F (9)

7fr.

‰ . œr œ œ œ œ

111111

& .. Π9

C (9) 5fr.

45 œ

111111

Cont. rhy. simile

1. I went so numb on 2.–4. See additional lyrics G (9)

12fr.

œ

œ

œ

Christ-mas day

I

j œ 44 œ

‰

œ œ œ bœ œ

could-n’t feel my hands

or

∑

&

‰

111111

feet.

5fr.

œ J I

œ œ œ should-n’t have

œ

œ

j œ 43 œ

‰

111111

come,

she

made

C (9)

me

pay

44

for

8fr.

& 44 ‰ Jœ œ œ œ œ œ 3

1234

œ

gleam - ing with Don - ald down her

œ

Ó

Ó

œ œ

Œ

street.

& œ œ œ

shame on me.

Face Lift - 2 - 1

Ó

œ

œ

on

him

‰ œj and

Fmaj9 12fr.

2341

œ

2341

She put blame

C (9)

Dm9 19

j œ

œ.

œ

Am(9) 12fr.

15

Ó

F (9)

7fr.

12

Œ

1234

5fr.

œ œ œ œ œ ‰ œJ œ

1234

She made it

œ

all seem so taw - dry

œ œ œ 1234

and

Œ

Ó

Œ

cheap.

© 1998 CRAZY CROW MUSIC All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

œ Oh,

477 B b/F

F (9) 5fr.

23

œ bœ

& œ

111111

131211

let’s

be

G (9) 7fr.

5fr.

œ

nice,

œ

œ

œ.

111111

1234

best

face

F (9)

5fr.

œ œ œ

‰

111111

ma - ma!

To Coda fi C (9)

& w 26

B b/F

F (9)

5fr.

O - pen up

5fr.

œ bœ. œ œ

131211

your gifts, you know

œ ˙ J

∑

∑

& œ 44

1.

∑

Dm9

∑

∑

..

∑

∑

1234

2341

∑

∑

Dm9

D.S. % al Coda (with repeat)

2341

∑

∑

∑

Ó

‰ œJ œ 3. Oh,

C (9)

C

C 12fr.

˙.

∑

∑

∑

1234

∑

∑

∑

face lift.

Verse 3: Verse 2: Oh, love takes so much courage I mean, after all she introduced us Love takes so much s*** Oh, but she regrets that now She said, “You’ve seen too many movies, Joni” Shacked up downtown She said, “Snap out of it” Making love without a license Oh, the cold winds blew Same old sacred cow At our room with a view She said, “Did you come home to disgrace us?” All helpful and hopeful I said, “Why is this joy not allowed? And candlelit For God’s sake We kissed the angels I’m middle-aged, mama Verse 4: And the moon eclisped And time moves swift We pushed the bed You know And you know Up to the window Happiness Happiness To see the Christmas lights Is the best Is the best On the east bank Face lift Face lift” Across the steaming river Between the bridges Lit up Paris like This river has run through both our lives Between these banks of our continuing delights Bless us Don’t let lose the drift You know Happiness Is the best Face lift Face Lift - 2 - 2

the

12fr.

∑

fi Coda

..

lift.

2.

&

is

2.

∑

C (9)

Saxophone solo ad lib.

38

hap - pi - ness

∑

8fr.

&

œ. œ

œ

12fr.

Am(9) 2341

œ

œ

1.3.

Bridge:

32

Œ

œ

111111

478

MY BEST TO YOU

Standard tuning Synthesizer arranged for guitar

Words and Music by GENE WILLADSEN and ISHAM JONES

Moderately Π= 90 Intro: D

1.

Gmaj7/A

D

2fr. 132

# 3 œœ & # 4 œœ œ œ œ œœ œ œ œ œœ œ œ œ œœ œ œ œ œœ œ œ œ œœ œ P Synth. (arr. for gtr.)

T A B

3

3

2

0

3

2

3

2

4

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

4321

3

2

2

4

3

3

2

3

2

0

3

2

3

2

4

132

2 3 4 5 0

2

3

3

2

0

3

2

3

2

4

3

2

2

4

3

2

2. D 4

&

##

..

∑

∑

132

Œ

Œ

œ J

‰

So

# & # œœ œ œ œ œœ œ œ œ œœ œ œ œ .. œœ œ œ œ œœ œ œ œ œœ œ œ œ œœ œ œ œ œœ œ œ œ œœ œ œ œ T A B

3

3

2

0

3

2

3

2

4

2

3

2

4

3

2

..

3 0

3

2

2

3 4

# ˙ & # ..

œ.

7

œ

œ ˙

here’s

to you.

3 0

2

3

2

3

2

4

3

3

2

4

G rhy. simile # # Cont. ˙ œ. œ ˙ & 11

32

fa

&

3

3

2

4

-

## ˙ 23

tears.

My Best to You - 2 - 1

2

3

œ

∑

4

ther time

œ.

œ J

12

œ

come

œœ .. œœ .. 3 2 2 0

2

3

2

4

3

œ

They’re just

2

4

3

2

0 2 2

˙

œ

œ

true.

May

old

213

˙˙ .. ˙ .. ˙ 2 2 2 0

G

œ œ

œ.

nev - er

be

132

j œ œ

un

˙

-

kind.

œ. #œ ˙

‰ œj ˙ And

through

the years

œ œ

œ. œ

˙

-

˙

ve - nirs.

œ

œ

They’ll make

œ

3

˙

4

‰ œ œ and your

A

œ

mu - sic

© 1942 (Renewed) FORSTER MUSIC PUBLISHER INC. All Rights Reserved Used by Permission

32

save your smiles

G/A

13421

sou

3

2

A

j œœœ œœœ

dreams

Bm

œ

0

3

2

A2

124

2

3

2

D

Em 18

2

May your

# œ œ œ œ œ œ & # .. œ œ œ œ œ œ œ œ œ ..

3

Asus

Verse 1:

T A B

2

‰ œ œ

˙

213

in your heart.

‰ œj

2. Re -

479

% Verses 2 & 3: D

# & # ˙ 23

Asus

œ.

132

(3.) mem

-

œ ber

this:

G

# & # ˙ 28

32

œ

œ

œ.

with

an

an

4

˙

‰ œ œ

124

each new

day

is

œ

˙

213

a

-

gel’s

œ œ œ J

4

skies

kiss

œ

˙

sent from

œ

œ.

up

a -

love.

So

here’s

˙

‰

blue

to you,

A

œ. œ œ

œ œ

and your love

blessed.

your

‰ . Rœ ˙ .

œ œ

213

That’s

may D

œ.

‰ Jœ

132

œ

œ

. ‰ Jœ œ # œ ˙

Œ

D

23

be

j œ

‰

˙

Em

## œ . 32

j œ œ

132

G

&

œ

D

bove

33

œ

˙

A

my

132

best

To Coda fi

to

you.

1.

Gmaj7/A 2fr.

# œ & # .. œœ œ œ œ œœ œ œ œ œœ œ œ œ œœ œ œ œ œœ œ œ œ œœ œ œ œ œœ œ œ œ œœ œ œ œ œœœ œ

4321

38

T A B

..

3

3

2

0

3

2

3

2

4

3

2

3

2

4

3

2

0

2

3

2

3

3

2

4

2.

D

3

2

2

4

Gmaj7/A

3

3

2

3

2

0

2

3 4

2

3

2

2 3 4 5 0

D

2fr.

# œ & # œœ œ œ œ œœ œ œ œ œœ œ œ œ .. œœ œ œ œ œœ œ œ œ œœœ œ 41

T A B

4321

132

3 0

2

3

2

# & # Œ

3 4

2

2

3 4

3

2

2

D.S. % al Coda

‰ œj

Œ

44

3

3. Re -

..

3 0

2

3

2

3

3

2

4

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 132

2 3 4 5 0

2

3

3

2

0

2

3

2

4

fi Coda

# & # œœ œ œ œ œœ œ œ œ œœ œ

## œ œ œ œ œ œ . & œ œ œ œ œ œ œ œ œ ˙˙˙˙ ...

T A B

T A B

3 0

2

3

My Best to You - 2 - 2

2

3 4

2

3

2

3 4

2

45

3 0

2

3

2

3 4

2

3

2

3 4

2

3

2

3 2 4 5

3

2

3 4

2

3

2

480

THE CRAZY CRIES OF LOVE Guitar tuning: C-7-7-2-3-5

Music by JONI MITCHELL Words by DON FREED

➅=C ➂=E ➄=G ➁=G ➃=D ➀=C Moderate swing Œ = 94 (ŒÂ = ŒÇ‰) Intro: C (9)

12fr.

œœ œœ œœ œœ & 44 œ œ œ F 0 0

œœ œœ œœ œœœ œœ œ

1234

T A B

12 0

&

T A B

12

12 12

œœœ

3

0

12 12 12

12 12 12

12

0 0

0

œœœ œœœ œœœ œ

œ

0 12

12

0

∑

5

&

12 12

œ

0 12 12

12 12 12

12 12 12

0

œœ œœœ œœœ œœ œœ 3 œ œ œ

12 12

0

∑

œ

0

∑

œœœ œ œœ 12 12 12

0

0 12

12 12 12

œ œ

0 0 12

0

0

0

œœœ œœ œ 12 12 12

0 12 12

œœœ œ œ œ œ œ œ 0

0

12 12 12

12 0

A m9

C (9) 12fr. 1234

& .. œ 9

Cont. rhy. simile

5fr.

12

& œj œ. 111111

F (9) 7fr.

5fr.

2341

œ

B b/F

j œ œ

œ

storm - y

wing - ding.

The Crazy Cries of Love - 3 - 1

night.

5fr.

Ó

111111

˙

‰

œœœœ œœ œ 12 12 12 12

B b/F

12 12 12

12 12 12 12

Œ

œ œ œ 3

1. It was a

Œ

œ 0

5fr.

131211

œ œ œ œ œ œ

G (9)

8fr.

j œ

12 12 12 12 12

Ó

‰

111111

A m9 12fr.

1234

0 0 0

Ev - ’ry - one was at the

C (9)

F (9) 5fr.

131211

œ

œ

Ó

Ó

111111

3

dark and a 2.3. See additional lyrics

F (9)

G (9)

8fr.

0 12

0 0

Verse:

œœ œœœ œœ œœ œœ œœ œ

7fr.

2341

œ

They weren’t

œ

the

œ

œ

111111

œ

wing - ding

œ

type,

œ

Œ

Ó

© 1994, 1998 CRAZY CROW MUSIC and SCRATCHATUNE PUBLISHING All Rights Excluding Print for CRAZY CROW MUSIC Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights for CRAZY CROW MUSIC Administered by ALFRED MUSIC All Rights Reserved

F (9) 5fr.

B b/F

F (9)

131211

111111

5fr.

& ‰ 15

481

111111

5fr.

œ œ œ œ œ œ œ œ.

so they went up

on the

G (9)

& ‰

j ‰ j œ œ œ

where the weath - er

oh,

my,

my!

train

‰

111111

3

œ

œ œ œ

œ

œ

pa - per - thin walls, no folks

œ

œ

œ œ œ

∑

Ó

& ˙

Ó

œ œ .. ˙

Œ

B b/F

F (9)

5fr.

‰

111111

œ

œ

back booth

œ œ œ

of

an

œ

œ

all - night

œ

the

∑

33

&

B b/F

j œ

no

cra

œ œ œ

œ

-

3

zy

cries of love.

Œ

7fr.

3

œ œ

Œ

111111

œ

111111

œ œ œ œ

œ

œ œ.

œ

two drip-pin’ rain - coats are

œ

hang - ing. G (9)

5fr.

7fr.

‰

j œ œ œ œ œ 111111

3

3

in

the weath - er

111111

j œ œ

œ œ œ œ œ œ 3

the shade

œ.

Ó

Œ

clang - ing.

7fr.

‰ œ œ œ

111111

œ

œ

œ

And

they

street - light is

G (9) 5fr.

Ó

3

on the

F (9)

2341

Ó

2341

F (9)

131211

œ

8fr.

8fr.

& j œ

‰

A m9

G (9) 5fr.

A m9

111111

3

smile

ear

to

œ œ œ 3

ear

and eye

to

B b(9)

A m9 8fr.

10fr.

2341

eye.

Ó

In the

5fr.

Out - side

& œ

œ

∑

3

œ

ca - fé

5fr.

39

œ

œ

Ó

131211

3

F (9)

36

œ

by,

2. They were

Bridge:

&

‰

2341

2.

24

30

And

12fr.

no one else can hear

1.

j œ œj œ .

roll - ing

Œ

˙

œ

ing.

8fr.

1234

3

a - bove,

comes

To Coda fi C (9)

7fr.

œ œ œ.

-

A m9

j œ œ œ œ œ œ

When that

howl

7fr. 111111

G (9)

111111

was

G (9)

111111

œ œ

˙.

œ œ

œ

œ

5fr.

2341

œ œ

3

œ

œ

F (9)

5fr.

&

œ

8fr.

F (9) 21

3

bridge

A m9

111111

oh,

œ

train

7fr.

17

‰

œ

œ

The Crazy Cries of Love - 3 - 2

Ó

3 ‰ b œj œ œ j œ œ œ

111111

3

Ice

cream is melt - ing

Œ

‰

3

œ œ œ

on

œ

a piece of

œ

pie.

‰

3

œ œ

And

482 F (9)

G (9) 5fr.

42

C (9) 7fr.

j œ œj œ .

111111

& œ. oh,

my,

12fr.

œ

no

one

œ

else

œ

œ

œ

can

∑

&

Ó

1234

3

œ

my,

45

j œ

111111

œ

hear

the

œ

cries

∑

of

Ó

œ.

love.

D.S. % al Coda

Œ

œ

œ

3. Ev - ’ry

fi Coda A m9

F (9)

8fr.

5fr.

& Π48

2341

œ œ œ œ œ œ œ

the

cra

-

zy cries of

Œ

˙

3

‰

j œ

love.

No

111111

3

œ œ œ œ

œ

pa - per - thin walls, no

œ

œ

œ

folks

a - bove,

Outro: C (9)

G (9)

12fr.

7fr.

& ‰ 51

111111

1234

3

œ œ œ

no one else

54

&

∑

œ

can

Œ

Gtr. play intro simile

˙

hear

∑

œ

the

∑

œ

cra

œ -

œ

œ œ œ

zy

cries of

∑

Verse 2: They were laughing They were dancing in the rain They knew their love was a strong one When they heard the far-off whistle of a train They were hoping It was going to be a long one Cause oh, oh, my, my When that train comes rolling by No paper thin walls No folks above No one else can hear The crazy cries of love (To Bridge:) Verse 3: Every kiss was sweet and strong Every touch was totally tandem As the train comes a-rumbling along They sang a lover’s song Of wild abandon Oh, oh, my my When that train comes rolling by No paper-thin walls No folks above No one else can hear The crazy cries of love (To Coda) The Crazy Cries of Love - 3 - 3

˙

3

love.

∑

Ó

∑

484

ONE WEEK LAST SUMMER Standard tuning Piano arranged for guitar

Moderately Π= 98 F #m7

D/G

2 333

2

# 3 & # 4 œœœ œ F

T A B

4

&

##

œœ œ œ.

2 2 2

3 2 0

2

3

Bm7

F #m7

13121

2 333

Alto Sax.

˙.

œ

T A B

4

3 2 4 2

œœ œœ

13121

˙˙ ˙ ˙

2 333

2 2 2 0

3 2 4 2

2 2

j œ œ œ œ

œœ

œœ œ

G (9)

3fr.

8

&

##

2

1

321

˙.

˙

# & # œœ œ œ œ

T A B

13

&

21

&

0 2

0

0

œ œ 0

2

3

##

##

Bm7

F #m7

13121

2 333

œœœ œ 3 4 5 0

Œ

2 333

œœ

œ œ ‰

6 5

4

A

œœ œ œ.

˙.

˙

∑

One Week Last Summer - 3 - 1

∑

œ

∑

13

2

3

13421

‰ œ J

œ.

3 2 0

3 2 0

2 2 2 0

2

3

A

∑

Œ

˙˙ ˙˙

2 2 2 0

3 4 4 2

F #m7

13421

Œ

Œ

œœ œœ

œœ œ œ

œœ œ

2 2 2 0

3 4 4 2

3 4 4

A

13421

œœ œœ

Bm

111

141

œœ œœ

Bm

111

3 2 0

111

Œ

œ œœ œœ 2 2 2 0

D/G

œ

2 333

2

A

˙

œ œ

13

111

œœ œ œ

œœ œ œ

œœ œ

œœ œœ

2 2 2

3 2 0

3 2 0

2

3

2 2 2 0

D

Œ œ œ œj œ

1111

œœ œ

A

13

œœ œœ .

3

111

Bm

Œ

2

A (9)

Bm7

A/B

Œ

D/G

œœ œ œ

3 2 0

13121 2

13

œœ œ œ 2 2 2

2

D/G

2

œœ œ œ

111

13

3

D/G

A

3

2 2 2

F #m7

G/A

2

œ œ œ ˙

4 2

2

œ

2 333

3

œœ

2 2

2 2

2

2

F #m7

13421

D/G

œœ œ

Bm

œ.

# & # ˙˙˙ ˙

Bm7

111

Œ

F #m7

A

13

Piano (arr. for gtr.)

Music by JONI MITCHELL

3

∑

132

˙.

∑

A 111

œ œ œ œ œ 3

˙

œ œ

˙

∑ G

Œ

© 2007 CRAZY CROW MUSIC (ASCAP) All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

32

4

∑

G/A

A/B

D

# & #

∑

∑

132

E

Bm

Œ

&

##

∑

231

G/A

∑

13421

∑

321

˙. F #m7

A 41

&

##

˙

œ œ œ œ œ œ ˙

&

##

13421

˙.

F #m7

# & # ‰ 54

58

&

D/G

&

##

A

F #m7

3

D/G 2

˙

A

∑

13

œ

≈

D/G 2

∑

∑

∑

A

13

Bm

œ œ œ œ œ . œ.

13

111

A

F #m7

Bm7

111

∑

13121

D/G

2 333

G (9)

A

111

œ œ œ œ J œ

Œ

1 31 21

Œ

2

A

∑

13

111

G/A

D/E

2

˙.

D/G

2

13

œ

3

A

œ

˙

˙.

E

D/E

Bm7

111

13121

˙.

To Coda fi

Œ

˙

132

∑

321

1

D

141

œ

111

œ œ J

3

A (9)

j œ œ œ

2 333

3

Bm7

13421

F #m7

1 31 21

3

2 333

2

Bm7

13

3

Bm 65

Œ

œ œ #œ œ œ œ œ œ 2

2 333

%

3

Œ ‰ Jœ œ

˙

Œ

3fr.

111

2 333

##

D/G

2 333

˙.

∑

111

F #m7

Bm 48

∑

3

3

œ œ œ œJ œ .

3 ‰ j 3 ˙ œ œ œ œ œ œ œ

3fr.

34

13421

1111

28

485

Bm

Bm

∑

∑ G/A

A

Gmaj7/A 3fr.

∑

13421

G/A

∑

312

A7

231

∑

312

∑

13421

111

Bm

∑

D/E

E

312

231

∑

231

D/E

Bm

312

13421

3fr.

71

&

##

∑

321

G/A

3fr.

# & # Œ

Œ

G/A

&

##

j œ œ

2 3

œ œ œ œ

One Week Last Summer - 3 - 2

∑ G/A

∑

A7 Gmaj7/A

G

∑

A7

3fr.

G/A

3

Œ

A7

∑

321

A7

3

Œ

3fr.

œ œ œ ˙

œ

231

111

3 ≈œœœœ œ œ œ

13421

A Gmaj7/A G/A

77

83

Œ

2 3

∑

2 3

A7

∑

2 3

G/A

A7

∑

2 3

G/A

∑

2 3

A7

∑

2 3

231

32

4

2 3

œ œ œ œ œ œ 3

3

D.S. % al Coda F #m7

A7sus 1 3

Œ

∑

∑

2 333

486

fi Coda D

89

&

##

G

&

##

32

132

32

∑

##

&

Œ

4

4

2 111

˙

A 111

D

2 3

∑

∑

D5

2

132

∑

G (9)

132

˙.

˙.

˙.

D/A

1

A/B

132

˙.

1111

˙.

˙.

D7sus

Bm7

13

œ œ œ œ œ œ œ œ œ. œ

œ

A7

321

∑

D

Em/D 101

G/A 3fr.

G 94

A/G

œ J

3

214

˙

œ

œ

œ

3

dim.

j œ œ

13121

œ

˙. P

G (9)

##

106

&

##

112

&

∑

2

&

2 3

2 333

˙.

F #m7

&

2 333

## œ

&

13121

# & # Œ

Bm

Œ

2 333

2

13

A

∑

Bm7

129

˙

œ ˙

1 31 21

A

G (9)

111

2

˙

One Week Last Summer - 3 - 3

F #m7

Bm7

111

135

13421

1

P

∑

2 333

∑

∑

G

≈ œ œ œ F

˙

13421

F #m7 D/G

##

∑ F #m7

## ˙ .

123

∑

1

A7

Bm 117

A/E

F #m7 2 333

32

A 4

D/G

A

Ó

13

13121

2 333

Œ œ œ œ œ œ œ œ

Bm

A

D/G

A

2

111

13

Œ

G (9)

Œ

œ

G/A 3fr.

2

13

∑

Œ

111

D/G 2

œ

F #m7

Œ

œ œ œ œ

œ

œ

Bm7

111

∑

123

13421

A

∑

œ

Œ

111

˙.

œ

˙.

321

1

D/G

˙

13121

œ

˙.

F #m7

Bm7

111

2

œ

2 333

Œ

j œ œ œ œ œ œ œ J œ œ œ œ 3

3

2

A

‰ œ 13

˙.

D

∑

molto rit.

∑

Πp

132

œ œ œ œ œ œ

œ œ

U

œ ˙

j œ

111

487

THIS PLACE *Guitar tuning, w/Capo V: B b-12-4-3-5-2

➅ = Bb ➂ = F ➄ = Bb ➁ = Bb ➃=D ➀=C

Words and Music by JONI MITCHELL

Moderately fast Π= 144 B b(9)

B b/D

12fr.

‚ ‚ ‚‚ b 3 ‚‚ b & 4 F œ œ œ. harm. 11111

T A B

12 12 12

12

12 12

0

0

‚‚ ‚

¿¿

12 12 12

¿¿

0

Eb

Bb

111111

b & b œœ T A B

‚‚.

œ

0 0

œ

œ

5 5

4 4

¿

5

0

¿

12 12 12

12 12

0

¿

0

œ

œ œ.

0

4 4

œ

0 0

œ

œ

0 0

0 0 0

0

œ n œœ

œ

Eb

œ

9 9 9 9

¿¿

œ

œœ .

œ

9 9 9

0

œœ œ

œœ

5fr.

œœ

œ

5 5

5

5

E b(9)

F

111111

11111

œ

5 5 5

œ

œ

5 5

5

œœœ .

5 5 5

¿¿ ¿¿

5 5

5fr.

11111

¿¿

¿ ¿

5

5

œ

¿

5

11111

œœœ .

¿

5 5

9fr.

b & b œœ

5 5 5

5 5

5 5

5fr.

œœ

G7

9

Eb

¿

¿ ¿ œœ

11111

23

harm.

B b(9)

T A B

‚‚ ‚

11111

5

œœœ

œœ œ œœ ¿ œ ¿ œ

œ œ

B b/D

12fr.

5fr.

11111

23

*Recording sounds a perfect fourth higher than written. Bb

E b(9)

5fr.

œœ

¿ ¿

5 5

F (9) 7fr.

œ

œœ œ

7fr. 111111

œ

7 7 7 5

œ

œ.œ

œ

7 7

7 7

œ

7

7

B b(9) 13

&

simile bb Gtr. cont. fingerpicking ∑

This Place - 3 - 1

∑

∑

Œ

Œ

œ

œ

1. Spar - kle

© 2007 CRAZY CROW MUSIC (ASCAP) All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

488

% Verse B b(9)

b & b ..

Œ

17

œ

œ

œ

œ

œ

on the o - cean, 2.–6. See additional lyrics 7. (Inst. solo ad lib.)

&

bb

Œ

Eb

9fr. 11111

œ œ œ œ

œ

œ nœ

a

9fr.

j œ

11111

œ.

home

cra - zy

bb

top

of

a

Œ

crows,

F (9) 7fr.

∑

œ

‰

111111

j œ œ

œ

this

œ

land

is

To Coda fi 1.3.5.

∑

∑

Œ

œ

me.

2. I

œ

œ

œ

..

was talk - ing

Bridge: Eb

D.S. % al Coda 2.4.

6.

j œ œ

˙

œ

com - mo - tion,

œ

to

the

5fr.

11111

œ

at

œ

B b(9)

G7

&

gle

j œ œ

5fr.

11111

23

G7

al - ways mak - ing

33

Eb

-

those

b &b Œ

bb

j œ œ

œ

tree,

25

&

‰

B b/D

∑

B b(9)

29

Œ

11111

5fr.

ea

Œ

˙

Eb

23

B b(9) 21

B b/D

∑

∑

Œ

Œ

‰

j œ

1. You E b(9)

5fr.

11111

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

see those love - ly hills? 2. (Inst. solo ad lib.)

5fr.

b &b Œ

Œ

37

œ

They

œ

won’t

œ

œ

œ

œ

œ

&

bb

and sell them to

This Place - 3 - 2

Cal

œ

œ

Bb

-

œ

œ

œ

i - for - nia.

œ

They’re gon

11111

œ œ œ œ œ œ

Œ

be there for long. Bb

41

Œ

111111

œ

B b(9)

12fr.

Œ

Œ

-

na

tear ’em

down

C (9) 111111

œ

Here

œ

come

œ œ œ the

tox

-

œ œ

ic

spills,

489

b &b œ

Œ

45

Œ

œ œ œ œ œ œ

min - ers pok - ing

all

‰

œ

a - round.

j œ œ œ

When this place

œ

‰

j œ œ

looks

like

F 7fr.

49

&

bb -

œ

œ

Œ

scape,

‰

11111

j œ

don’t

œ

say

œ

œ œ œ

I

did - n’t warn

Œ

˙

ya.

fi Coda

B b(9)

b &b 52

∑

10

Verse 2: I was talking to my neighbor He said, “When I get to heaven, if it is not like this I’ll just hop a cloud and I’m coming right back down here Back to this heavenly bliss” (To Bridge:) Verse 3: Money, money, money Money makes the trees come down It makes mountains into mole-hills Big money kicks the wide, wide world around Verse 4: Black bear in the orchard At night he’s in my garbage cans He’s getting so bold, but no one wants to shoot him He’s got a right to roam this land (To Bridge:) Verse 5: I feel like Geronimo I used to be as trusting as Cochise But the white eyes lies He’s out of whack with nature And look how far his weapons reach! Verse 6: Spirit of the water Give us all the courage and the grace To make genius of this tragedy unfolding The genius to save this place (To Verse 7:)

This Place - 3 - 3

U ∑

a

œ

moon -

D.S. %

490

IF I HAD A HEART Standard tuning Keyboards arranged for guitar

Words and Music by JONI MITCHELL

Moderately slow Π= 88 Intro: N.C. Keybds. (arr. for gtr.)

# & # 44 T A B

œœ. J œ . œ >œ b ˙˙˙ P 3 2

0

b b ˙˙ ˙ 4 3

0 0 1

0

˙˙ .. ˙. 3 2 0

0

## œ œœ 3 3 & œ bœ œ œ œ œ œ bœ œ œ œ œ œ 3

7

T A B

3

3 0

3 0

1

0

3

1

0

3

% *Verse: G

# & # 44 .. Π12

32

# # 4 . œœ & 4 . œœ

0

1

3

0

3

œœ œ Œ œœ

˙˙ ˙

2 2 0

3 2 2

2 3 3

cresc.

3

3

3

&

132

œ

2

3 3

˙ 24 ˙˙ ˙ F

44

5 3 4 0

2

3

2 0

3

E/D 3fr.

œ œ œ

Œ

‰

321

1. Ho - ly war, 2.3. See additional lyrics

œœ œœ œœ 2 2

3 4

3 4

D

##

3

2

œ œ œ œ

ge - no

œ

œœœ .. . œ.

0

2 2 5 0

-

‰

cide,

œ œ œ œ

œ

œ œ œ

# œœ ..

su - i

œœ œœ œ œœœ .. . œ. 3 4

0

-

Œ

Ó

4

G/A

13241

321

how

1.

#œ. œ œ œ œ

cide,

hate

2

0

cru - el -

0

1 0

A

and

œ œ œ œ. œ œ œ œ. 0

2 2 5 0

B bmaj7

0

To Coda fi

0 1

D

3fr.

nœ. œ œ œ œ œ œ

ty,

Œ

1

*Instrumental verse, third time.

15

bœ. œ œ nœ œ nœ. œ

3

2 0 3

˙ ˙

n˙

G/A

4

..

T A B

1

0 0 1

0

˙

œ œ.bœ ˙ n œœ œœ .. n ˙˙

˙ b ˙˙

œ >

can

this be

ho - ly?

‰. r œ œ œ œ œ

‰

123

If I

had a heart

j œ

I’d

Ó

132

˙

cry.

2.3.

# & # Ó

Œ

19

œ

2. These

If I Had a Heart - 2 - 1

..

∑

∑

Ó

Œ

‰

œ

œ

1. There’s just

© 2007 CRAZY CROW MUSIC (ASCAP) All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

491

Bridge: Am

23

&

26

&

##

Dm7

231

œ

nœ. œ œ

too man - y 2. See additional lyrics

##

j ‰ œ œ

œ œ

peo - ple

now,

‰.

Œ

231

si - re. Dm7

œ. œ œ nœ

211

Big

&

##

œ.

bombs and

barbed Ab

Œ

13411

œ. nœ œ œ œ

love - ly

fi Coda D

# & # .. 36

Slower

&

##

&

132

-

Œ

re.

œ

‰

1 342

4fr.

Œ

2 111

nœ

nœ

fi

∑

13241

-

Ó

œ

Œ

Gm/B b

∑

1

3

dim.

sky,

our

œ nœ œ œ œ œ

re!

our G/A

fu-ner-al

py - re!

A 3fr.

‰.

∑

321

123

rœ œ œ œ œ

132

I

had a heart

∑

1

3

∑

D

∑

132

p

∑

Bridge 2: There’s just too many people now And too little land Too much rage and desire It makes you feel so feeble now It’s so out of hand Big bombs and barbed wire… Can’t you see Our destiny? We are making this Earth Our funeral pyre!

∑

œ

I’d

Gm/B b

D

∑

love - ly

œ

D.S. % al Coda

If

3

out of hand.

j œ œ œ. œ œ nœ œ D.S. % 2.

1.

Ó

1

œ œ œ

It’s so

We’ve set our B b/A b

1 423

Verse 2: These ancient tales… The good go to heaven And the wicked ones burn in hell… Ring the funeral bells! If I had a heart I’d cry (To Bridge:)

If I Had a Heart - 2- 2

wi

Ó

Ó

D

##

œ œ nœ

Gm/B b

˙

r nœ œ

A bmaj7

cry.

132

de -

4fr.

on

Œ

œ

cry.

44

+

‰.

Œ

B bmaj7

132

j œ

Much too much

r nœ œ œ œ œ œ

sky

D

40

land.

13241

B bs us 2 32

lit - tle

You feel so fee - ble now.

B bmaj7

# & # Ó 29

too

‰ n œj n œj œ

Œ

Am

Ó

j œ nœ.

Œ

nœ. œ œ œ œ

211

U ∑ Verse 3: Holy Earth How can we heal you? We cover you like a blight… Strange birds of appetite… If I had a heart I’d cry If I had a heart I’d cry If I had a heart I’d cry

..

492

HANA Fast Drum & Bass groove Π= 160

Words and Music by JONI MITCHELL

N.C.(D5)

j j j j j j j j # # 4 .* œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ œ œ œ œ œ œ œ œ œ œ œ œ œ œ .. & 4 . œœ œœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ F Play 3 times

13

..

T A B

% Interlude:

3 2 0

3 2 0

3 2 0

3 2 0

3 2 0

3 2 0

3 2 0

3 2 0

&

##

˙

## œ & œœ

œœ œ

T A B

3 2 0

3 2 0

∑

j j œ œ ‰ œ ‰ œ œœ œ œ œ

(2. champ.)

3 2 0

3 2 0

(G5)

Ó

13

3 2 0

3 2 0

3 2 0

3 2 0

..

3 2 0

*Drums and instruments arr. for guitar.

N.C. (D5)

5

3 2 0

3 2 0

3 2 0

(A)

j j œ œ ‰ œ ‰ œ œ œ

œœ œ

3 2 0

2

3 2 0

3 2 0

3 2 0

( G/A)

(Bm)

∑

34

∑

13421

j j œœ œœ ‰ œ ‰ œ œ œ œ œ

œœ œœ œ

œœ œœ œ

3 3 0 0

3 3 0 0

3 3 0 0

3 3 0 0

3

3

3

3

œœœ œ œ

œœœ œ œ

2 3 4 4 2

2 3 4 4 2

j j œœœ œœœ ‰ œ ‰ œ œ œ 2 3 4 4 2

(D)

2 3 4 4 2

C

D

3fr.

9

&

##

∑

123

# œ & # œœœ œ

œœœ œœ

0 2 2 2 0

0 2 2 2 0

T A B

∑

321

j j œ œ ‰ œœœ ‰ œœœ œ œ 0 2 2 2 0

0 2 2 2 0

N.C. (D5)

∑

132

j j ‰ œœœ ‰ œœœ œ œ

œœœ œ

œœœ œ

3 4 5

3 4 5

3 4 5

3 4 5

5

5

5

5

(G5)

œœ œ œ

œœ œ œ

2 3 2 0

2 3 2 0

(Bm)

j j œœ œœ ‰ œ ‰ œ œ œ 2 3 2 0

2 3 2 0

(A)

Ó

j ‰ œœ

32 1

132

œœ

Ha - na.

œœ œ œ

œœ n œœ œ œœ œ nœ

2 3 2 0

2 3 2 0

œœ œ œ

0 1 0 2 3

2 3 2 0

( G/A) 3fr.

# & # 13

13

∑

Cont. rhy. simile

Hana - 3 - 1

∑

2

34

∑

13421

∑

123

∑

321

© 2007 CRAZY CROW MUSIC (ASCAP) All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

∑

493 D 19

&

##

D

C

∑

132

Ó

C

j ‰ œœ

32 1

∑

132

œœ

D

∑

32 1

132

Ha - na.

Verse: Bm11

# & # .. 23

∑

1 31 2

3

3

œ œ œ

œ œ œ

1. Ha - na steps out of 2.–4. See additional lyrics

Em9

a

Œ

˙

‰

j œ

storm

œ

œ œ

in - to

G5

3

3

œ ˙

a strang- er’s warm,

N.C.

G/A 3fr.

27

&

32

&

##

∑

13 2

Œ

œ

but

##

œ sees

œ

&

##

Œ

j œ œ.

œ

what must

be

œ

Ó

œ

&

##

Ó

up

j œ œ

œ

3

132

j œ œ.

her

She

œ

œ

coat

and

rolls

Ó

.. Ó

∑

œ

3

œ

up

her

D.S. % al Coda (with repeat)

2.

j œ

nœ.

like

G5

Ó

˙

the

‰ œj

Œ

in.

13

j œ

nœ.

œ

œ

off

Ó

321

kitch-en.

N.C. (D5)

Light (A)

œ œ Œ

˙

To Coda fi 1.3.

pitch - in’

fi Coda 40

‰

D

j œ œ.

starts

-

˙

She takes

32 1

˙

sleeves, and

˙

done. C

132

34

hard

D 35

Ó

2

∑

2

a

Bm

∑

34

13421

∑

lamp.

( G/A)

C

D

D

N.C. (D5)

3fr.

45

&

##

123

∑

321

∑

132

∑

j‰ œœ œœ

Ó

32 1

132

13

∑

∑

Ha - na. G5

Bm

(A)

( G/A)

D

C

D

3fr.

51

&

##

2

Hana - 3 - 2

34

∑

13421

∑

123

∑

321

∑

132

∑

Ó

j‰ œœ œœ

32 1

132

Ha - na.

494 D5

# & # .. 57

∑

13

∑ C

63

&

##

∑

Ó

∑ D

∑

∑

D5

j . œœ œœ ‰ .

32 1

∑

132

13

C

∑

∑

∑

∑

32 1

Ha - na. D5

# & # œœœ 69

T A B

13

3 2 0

œœ œ 3 2 0

j j ‰ œœ ‰ œœ œœ œ œ œ 3 2 0

3 2 0

3 2 0

œœ œ 3 2 0

j j ‰ œœ ‰ œœ ww œ œ w 3 2 0

3 2 0

3 2 0

Verse 2: Hana has a special knack For getting people back on the right track ’Cause she knows They all matter So she doesn’t argue or flatter She doesn’t fight the slights She takes it on the chin Like a champ Verse 3: Hana says when life’s a drag Don’t cave in Don’t wave a white flag Raise up A white banner In this manner— Straighten your back Dig in your heals And get a good grip on your grief! Verse 4: Hana says, “Don’t get me wrong This is no simple Sunday song Where God or Jesus comes along And they save ya” You’ve got to be braver than that You tackle the beast alone With all its tenacious teeth! Light the lamp

Hana - 3 - 3

U ww w

D 132

495

BAD DREAMS

Standard tuning Piano arranged for guitar

Words and Music by JONI MITCHELL

Moderately slow, somberly Π= 80 Intro: A/B

Bm

G/A

A7

D/E

D/G

G maj7

G/A

3fr.

j # # 4 œ œ g œœ œœ œœ œœ œœ œœ œœ ggg œ œ œ œ œ & 4 œ P gg œ 3 0 0 2 2 ggg 02 02 2 3 2 2 3 3 T 2 2 2 2 ggg A 2 g0 B 1 23

Piano (arr. for gtr.)

D

13421

A/B

3211

1 2

1121

2

131

2

œœœ œœœ œœ œœ œœ œ œ œ œ œ œ œ œ œ œ

œ J 3

3 4 5 0

Bm

A7

3fr.

0 2 0

3 4 5

0 2 0

3 2 2

0

0

2 0

4

2

2

0

3

Bm

G (9)

13421

2

3211

1 2

3 4 5 0

2 0 2 0

œœ œ œ œ œœœ œ œ 0 0

3

G/A

1

œœ œ œœ 3

A7

3fr. 132

# & # œœœ 4

T A B

œœ œœ œœ ..

3 2 0

4 5

2 4

4 5

j œ 2

1 23

ggg œœœ œœœ œœœ œœœ œœœ œœ œœ œ œ ggg œ œ 3 0 0 2 2 2 ggg 02 02 2 2 3 3 3 2 2 2 2 ggg 2 g0

D

A/D

# ˙ & # ˙˙˙

132

8

T A B

2 3 2 0

3211

13421

˙˙

˙˙

˙˙

2 3

2 3

2 3

j œœ œœœ œœœ œœœ œœœ œœœ œœ œ œ œ œ

3 4 5 0

2 0

0

2

0

0

2 2

132

0

2 3 2 0

3 4 2

0 2 0

0 2 0

0 2 0

0 2 0

3 0 2 0

3

2 0

0

12

0

2 2

œœ .. œ.

. j œœ . œ

j ˙˙ œ

0

0

0

132

2 3

2 3

œœ

œ œ œ

2 3

0

4

Verse: G m6/D

# & # .. Π13

2314

..

D

G m6/D

3fr.

‰.

r bœ œ œœ œœ

5 3 5 5

5 3 5 5

Bad Dreams - 3 - 1

A7

3fr. 1 2

œ

132

œ. œ

1. The cats are in 2.3. See additional lyrics

# # . b ˙˙ & . ˙˙ T A B

A7

œœ œœ 2 0 2 0

the

œ œ œ.

flow - er bed.

˙˙ ˙ ˙ 2 3 2 0

2

D

œœ .. œ œ œ. œœ .. œ œ œ. œœ . œ œ œœ . œ œ . .

2 3 2 0

1 2

œœœ œ œ œ œœ .. œ. œ œ

D A/D

12

1 3

Ó

Œ

2314

œœ .. œ. œ œ œ. 2

œ

b ˙˙˙ ˙

3

5 3 5 5

‰.

r œ œ

1 2

œ

œ

A red hawk rides

œœ œœ 5 3 5 5

© 2007 CRAZY CROW MUSIC (ASCAP) All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

œœ œœ 2 0 2 0

2

496

D

G m6/D

G (9)

D

A7

3fr.

# & # j œ œ. 132

16

2314

1 2

‰.

Œ

Ó

Gtr. cont. simile

132

r œ œ œ œ bœ

the sky.

Œ

j œ œ.

I guess I should be

2

‰

œ œ

hap - py

G m6/D

Ó

œ œ.

œ

just to

A7

1 3

be a - live.

D

3fr.

20

&

##

∑

‰.

Œ

2314

r bœ œ œ.

But we have

G m6/D

A7

1 2

œ œ

œ œ.

poi-soned

D

G m6/D

‰

2314

1 2

œ œ

œ œ œ

to

it

˙

all.

Œ

132

œ

bies

œ

œ œ.

# & # Œ

123

‰

2

œ

bab - ble

A/B

œ

‰ j œ œ œ œ œ œ œ ˙ A7( b 9)

G m6

&

##

Ó

2 134

œ. bœ œ

A/D

&

##

zom -

shop-ping malls

Œ

13421

2

Œ

‰

1 3

12

dreams are

D

∑

œ œ

A13( b 9)

die

œ

in

˙

sand.

Ó

∑

132

œ. œ œ

good

in

œ œ. œ

the great

plan.

2.

D

12

œ œ

Ó

D

1.

A/D

132

j œ

Whales beach and

1243

˙

œ

To Coda fi

5fr.

1324

Bad

37

j œ

∑

G (9)

Bm

1 23

Ó

1 3

while con-dors fall from In - dian skies.

33

r j œ œ œ

1 2

The cell phone

œ œ œ.

through the

A 29

2314

G (9)

D

&

‰.

Œ

Ó

132

œ œ bœ œ

and o - bliv - i - ous

##

A7

3fr.

# & # Œ

26

œ œ

ev - ’ry - thing

3fr.

23

Ó

132

D

132

∑

..

∑

∑

132

Ó

Œ

‰. r œ

Be-

Bridge: Bm

A/B

G/A

A

Gmaj7/A

A

G

3fr.

42

&

##

1 23

œ

œ

fore that Bad Dreams - 3 - 2

3

13421

œ œ œ œ

al - t’ring ap - ple,

‰

3211

œ œ

123

œ œ œ œ œ

2

we were one with ev - ’ry - thing.

‰

j œ

No

32

j ‰ œ œ œ œ œ œ œ 4

123

3

sense of self and oth - er,

no

497 D 45

&

##

‰

132

œ

œ

œ

œ

self - cons - cious - ness.

œ

j œ

A/B

Bm

1 23

13421

œ

But

œ

now

œ

we

G/A

œ

have

œ œ

to

œ œ

grap - ple

œ

with

our

A

G 3fr.

47

&

##

3211

œ œ œ.

œ œ

man-made

world

‰

œ œ.

32

œ 3

back - fir - ing,

œ

œ

keep - ing

‰

4

123

œ

3

one

œ

eye

œ

3

œ

on

œ

our broth - er’s

œ

dead

&

##

Œ

132

œ œ œ œ œ dim. fi Coda

G m6

54

&

##

∑

P

self - ish - ness.

∑

A

Ó

2 134

Œ

123

œ

A/D

&

bœ. œ

˙

##

D

∑

12

132

A/D 12

&

##

132

˙

∑

∑

œ œ. œ

the great

plan.

D

A/D

∑

132

∑

Verse 3: Everyone’s a victim! Nobody’s hands are clean There’s so very little left of wild Eden Earth So near the jaws of our machines We live in these electric scabs These lesions once were lakes No one knows how to shoulder the blame Or learn from past mistakes… So who will come to save the day? Mighty Mouse? Superman? Bad dreams are good in the great plan Bad Dreams - 3 - 3

œ. œ

∑ A/D

∑

∑

132

in

D 62

ly

D

Bad dreams are good

58

-

D.S. % al Coda

D 49

j œ

12

D

∑

12

D

∑

132

poco rit.

A/D 12

132

A/D 12

D 132

U ∑

Verse 2: You cannot be trusted Do you even know you’re lying? It’s dangerous to kid yourself You go deaf and dumb and blind You take with such entitlement You give bad attitude You have no grace, no empathy, No gratitude You have no sense of consequence Oh, my head is in my hands Bad dreams are good In the great plan (To Bridge:)

498

BIG YELLOW TAXI (2007)

Guitar in Open D tuning: D-7-5-4-3-5

➅ = D ➂ = F# ➄=A ➁=A ➃=D ➀=D

Words and Music by JONI MITCHELL

Moderately fast Π= 168 D

# & # 44 œ ¿ œœ œœ œœ ¿¿ œ F ¿¿ œ œ œ ¿ œœ

‰ j‰ j œ œœ ¿¿ œœ ¿¿ ¿¿ œ œ ¿ œ ¿ ¿

*

T A B

¿¿ ¿

0

0 0 12

¿¿ ¿

0 0 12

*Two gtrs. arr. for one.

# & # & T A B

‰ j‰ œ

¿¿¿ œœœ œ œœ œœ œœ ¿ œ œœœ œ œ œœ 0 0 ¿ ¿¿¿ 0 0 0 0 0 0 ¿ 0 0 0 0 0

% Verse G (9)

¿¿ ¿

¿¿ ¿¿ ¿ ¿

0 0 0 0

¿¿ ¿

0 0 0

0 0 12

∑

œœ¿ œ

12

0 0 0

0

∑

5

##

0 0 0

12

12

0

œœ ¿ ¿ œœ ¿¿ ¿¿

0

0

0 0 0

0 0 0

¿ ¿ ¿¿

0

¿¿ ¿

¿¿ ¿¿ ¿ ¿

¿¿ ¿

12 12 0 0

0 0 12

0 0 0

0 0 0

0 0 12

¿¿ ¿

0 0 0

¿¿ ¿¿ ¿ ¿

j œ

‰ œ

‰ j‰ œœ œ

0 0 0

¿¿ ¿

0 0 0

Ó

œœ œœ ¿¿¿ œœœ œœœ œœœ ¿¿¿ œœœ

A(4)

5fr.

0 0 12

∑

j œœ¿ œœ ¿¿¿

‰ œj ‰ œj œœ œœ ¿¿ œœ ¿¿ ¿¿ ¿ œ ¿ ¿

œœ ¿¿ œœ œœ œœ ¿¿ œ œ ¿ œ œ œ ¿ œœ

0 0 0

1. So,

j œœ ¿¿ œœ ¿¿ œ ¿ œ ¿ 0 0 0

¿¿ ¿

they

¿¿ ¿

0 0 0

D

7fr.

9

&

##

TTTT

j œ œ

Cont. rhy. simile

œ

œ œ ˙

paved par - a - dise, 2.–4. See additional lyrics G (9)

put

j œ œ.

up

a

&

##

œ

œ

pink

-

ing

with

a

D

ho - tel,

‰ j œj œ œ a

TTTT

bou - tique,

œ œ œ

œ

12fr. TTTT

Don’t

Big Yellow Taxi - 2 - 1

night

-

Œ

˙.

∑

spot.

G (9)

D

# & # ‰ œ

œ

and a swing - ing

Chorus:

17

lot,

j œ

‰ œ

7fr.

TTTT

œ

park

Ó

˙.

œ

A(4)

5fr.

13

j œ

TTTT

5fr.

j œ œ it

œ

al - ways

œ.

seem

j œ œ

to

go

TTTT

œ œ

œ

j œ œ œ œ

that you don’t know what

you

j œ

got

œ œ œ

’til it’s

œ

gone.

© 2007 CRAZY CROW MUSIC (ASCAP) All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

‰

j œ

They

499

To Coda fi 1.

A(4) 21

&

##

œ

paved

œ œ œ

&

j œœ œœ

put

j œœ œœ

TTTT

up

a

œœ

park - ing

lot.

Instrumental:

D

∑

ww

lot.

ww

..

∑

ww

D.C. al Coda 2.

D

##

Œ

par - a - dise,

3. 25

D

7fr.

A7sus

∑

(Inst. solo ad lib.)

∑

∑

∑

∑

∑

∑

21

lot. G (9)

D

5fr.

32

&

##

∑

∑

∑

TTTT

∑ G (9)

D

5fr.

39

&

##

∑

∑

∑

∑

∑

∑

TTTT

A(4)

∑ D.S. %

N.C.

7fr.

46

&

##

∑

∑

∑

TTTT

∑

∑

∑

Ó

˙

3. Hey,

fi Coda D

# & # w w

Ó

53

Œ

lot.

j j œ œ œ œ œ œ œ

‰

They

put

up

a

park - ing

j œ

lot.

œ

Œ

Ó

Outro:

## . & . 57

(Inst. solo ad lib.)

∑

∑

(2nd time:) They paved paradise.

Verse 2: They took all the trees Put ’em in a tree museum And they charged all the people An arm and a leg just to see ’em (To Chorus:)

Big Yellow Taxi - 2 - 2

∑

∑

∑

A parking lot.

Verse 3: Hey, farmer farmer Put away your DDT Give me spots on my apples But leave me the birds and bees, now (To Chorus:)

∑

∑

∑

Verse 4: Late last night I heard the screen door slam And a big yellow taxi come And took away my old man (To Chorus:)

..

500

NIGHT OF THE IGUANA

Standard tuning

Words and Music by JONI MITCHELL

Moderately Π= 100

## 4 U & 4 w P

%

T A B

*

œ. œ œ

œ

œ. œ œ

œ

œ. œ œ

œ

œ. œ œ

œ

0

0

0

0

0

0

0

0

(Sixteenth note percussion)

0

0

0

0

0

*Percussion and instruments arr. for gtr.

D

A7

# œ. œ. œ œ œ œ . œ œ œ ˙˙˙ ... & # .. œ . œœ œœ œœ œœ .. œ œ œ œ . œœ œœ œœ œœ .. œ œ œ œ . œœ œœ œœ œœ .. œ œ œ œ. ˙. 132

4

..

T A B

3

3

3

2

4

4

4

2

Gmaj7/A 9

& &

## ##

2

A

∑

3

2 0 0

2 0 0

2

0

3

3

2

4

4

2

Gmaj7/A

123

A

∑

3

œœ .. œ œ œ œœ œ . œœ œœ œœ œ 2 0 0

T A B

œ

2 3

œ

0 2 2

123

2 0 0

3

3

3

2

4

4

4

2

D/A

∑

3

0 2 2

0

2 0 0

2 0 0

2 0 0

2

0

2

2

3

2

0

2 0 2 0

0

2

D

132

∑

132

œœ .. œ œ œ œœ œ . œœ œœ œœ œ

œ

cresc. 2 0 0

2

Gmaj7/A

œœ .. œ œ œ œœ œ . œœ œœ œœ œ

2 0 0

2

Ó

‰. r œ

Œ

œ. œ œœœ .. œ œ œ œ œ œ œ œœœ .. œ œ œ œ œ œ œ . . . . œ

1. The

2 3 2

2

0

0

2 3 2 0

0

0

0

0

3 2 0

0

0

0

0

0 0

0

Verse: D

14

&

##

œ.

œ

œ

tour bus 2.3. See additional lyrics

# & # ‰ 16

œ œ

œ

œ

came

yes

œ œ œ œ œ

It’s a dump of

&

##

a

des

œ œ œ œ œ œ in

œ

- ter - day.

œ

the

Night of the Iguana - 2 - 1

r œ œ

œ

œ

The driv - er’s

-

œ œ œ œ

œ

a

œ

mess

ti - ny

but

see - through

123

œ œ

blouse,

Œ

2 3

œ

it’s

œ œ

got a

œ ˙

œ

to - day.

Ó

‰

j œ

she’s

œ ‰ œ œ

Now the

A

œ œ œ œ œ œ œ 3

mov - ing

Œ

view.

Gmaj7/A

A

3

kid

œ

3

A7

Gmaj7/A 19

‰.

132

Cont. simile

in

hard

on

his

123

œ œ

ho - ly

œ œ

vows.

© 2007 CRAZY CROW MUSIC (ASCAP) All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

501 Gmaj7/A

# & # ‰. 21

3

D

r œ œ œ Since

œ

j œ œ ‰

œ œ

the preach - er’s not

œ.

132

dead,

œ œ œ œ

dead

œ œ.

drunk will have

to

To Coda fi

∑

œ

do.

Chorus: Bm

24

&

##

13421

∑

Œ

œ. œ œ œ œ

œœœ œœœ œœœ œœœ œœœ œœœ ˙˙˙

Ooh.

Night of the

Œ

˙˙˙ .. .

i - gua - na;

Em

# & # Π28

Bm

‰ . œr œ œ œ œ

23

the jas - mine is 33

&

##

œ œ œ ˙

so

mer - ci - less - ly

Œ

œ. œ œ œ œ

œ

Ooh.

&

##

1

sweet.

œœ œœœ œœ œœ œœœ œœ ˙˙˙ œ œ

i - gua - na;

œ œ œ œ œ

Œ

Œ

œ œ œ

‰.

3

Œ

œ œ

down on

œ œ

the beach.

..

‰

&

##

Ó

3

œ

r œ œœ œœ œœ œœ œœ

{It’s

œœ . œ

œ

}

The wi - dow is danc - ing the wi - dow and her lov - er - boys

fi Coda

Gmaj7/A

∑

41

&

Gmaj7/A

∑

123

D.S. % al Coda

2.

39

42

Œ

23

A

can you hear the cas - ta - nets?

1.

∑

13421

Em

Gmaj7/A

32

# & # Ó

˙ ˙˙˙ .. .

œ

Night of the

Em9 37

œ

∑

Œ

3

##

Ó

A7

Œ

3

œ

2 3

Ooh.

œ

D

Œ

œ

Nnn.

œ

Ó

Œ

j œ œ.

œ œ œ

132

3

Night of the

i - gua

-

∑

˙

na.

D

# & # 46

Night of the Iguana - 2 - 2

∑

∑ Verse 2: The starlight is steaming He’d like to be dreaming His senses are screaming Not to be denied… But if the spell of the night should win He could lose his bus For the same sweet sin That took his church from him Then how will he survive? (To Chorus:)

..

132

∑

Repeat ad lib. and fade

Verse 3: The night is so fragrant These women so flagrant They could make him a vagrant With the flick of a shawl. The devil’s in sweet sixteen The widow’s good looking but she gets mean He’s burning like Augustine With no help from God at all

∑

..

502

STRONG AND WRONG Standard tuning Piano arranged for guitar

Words and Music by JONI MITCHELL

Very slow ballad, with emotion Π= 48 B m7

G (9)

Gmaj7/A 13121

Piano (arr. for gtr.)

œœœ œœœ œœœ œj œ œ œ

# œ œ jg œœ & # 44 œœ œ œg œ œ 3 œ p

4321

3

T A B

2 4 2

D

2fr.

2

2

3

4

gg 32

3 4 5 0

4 2

B m7

3

2 3 4

3 4 5

4 5

2

3

j œ œJœ œ Jœœ œ œ 3

œœ œ œ œJ œ g œœ œ œ œ œ gg œ œ 3 1 3

2 0

132

3

0

3

3

3 0

2

3

ggg 0 g0

4

0

2

3

4 0

0 3

2

0

2 3

2

2

G (9)

Gmaj7/A 2fr.

## œ œ œ œ œ œ & œœ J œ 1 31 21

5

3

3

T A B

3 2 4 2

2

3

3 2

4

gg œœ gg 23

œœ

4321

œ

œœ œœ œœ œœœ œ œ

3

4 5 0

4 2

3

3 4

% Verse: Gmaj7 2

3 4 5 0

œœ œœ

2 3

2 3

0 0

œ. œœ œœ .. œ

1 3

œœ œ

j œœ

3 0 2

0 2

2 0 3

A/B

˙ œœ ˙˙ œ

œœ œ

0 2

3

3 0 2

0 2

2 0 3

3

Em9

Bm

5fr.

# # . Cont. simile & .Œ ‰ œ 9

3 4

œœ

2

1

1 23

Œ

Œ

œ œ œ.

13421

‰

Œ

œ œ œ

1. Strong and wrong 2.3. See additional lyrics

you

2134

Œ

Œ

œ œ œ œ œ

win,

on - ly be - cause

G/A 3fr.

12

&

##

≈

œ

œ

that’s

the

œ

way

œ

its

œ

œ

al - ways

D

œ

Œ

œ.

Œ

321

been.

œ Men

œ

love

œ

war!

Œ

œ.

1.

G/A 3fr.

# & # Π14

132

œ

œ œ œ œ

That’s what his - t’ry’s for: Strong and Wrong - 2 - 1

Œ

Œ

321

‰.

r œ œ

œ œ œ œ.

a mass - mur-der mys-t’ry,

Œ

. œ œ œ .

j Œ œ œ 3

his - t’ry,

3

his stor - y.

© 2007 CRAZY CROW MUSIC (ASCAP) All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

503

Bridge:

2.3.

G/A

Em7

3fr.

17

&

##

Œ

Œ

œ œ œ

œ œ œ

might is right!

∑

12 4

3

≈

Œ

321

œ œ œ œ.

Might is right!

œ œ

The dawn of man

œ

comes

slow.

D.S. %

1. Em7

Gmaj7/A

# & # Π20

12 4

‰.

3

œ

œ œ œ

r œ œ

Thou-sands of years,

and here

3

Œ

œ œ œ

3

we

1

are

still wor - ship - ing

Gmaj7/A

# & # ‰.

3 r œ œ œ œ œ

Œ

# & #

œ

our own

e

œ œ

wor - ship - ing

∑

24

3

∑

‰

2 41

œ

-

gos.

Ó

œ

Œ

‰

j œ

Strong

28

& T A B

##

œœ œœ œ œ œ œ œœ œœ œ œ œ œ œ œ œ œ 3

3

0 0

2 2

3

3

3 3

3

3

0 2

0 0 3

2 2

3

3 3

0 2

dim.

0 0

2 2

3

Verse 2: Strong and wrong You lose everything Without the heart You need To hear a robin sing Where have all the songbirds gone? Gone! All I hear are crows in flight Singing might is right Might is right! (To Bridge:)

Strong and Wrong - 2 - 2

3

3 3

0 2

0 0 3

2 2

3

3

Ó

œ

and wrong!

3

3

wrong!

œ œ œ

œœ œœ œ œ œ œ œœ œœ œ œ œ œ œ œ œ œ 3

3

Œ

œ œ œ.

Strong and

0 2

3

Verse 3: Strong and wrong What is God’s will? Onward Christian soldiers… Or thou shall not kill… Men love war! Is that what God is for? Just a Rabbit’s foot? Just a lucky paw For shock and awe? Shock and awe! (To Bridge:)

U œ œ œœ œ ˙˙˙ ... œ ˙. pp molto rit. 3

0 0 3

2 2

3

0 2 4 3

œ

e - gos.

Gmaj9

1

still

our own

Ending:

2.

22

r œ œ œ

‰.

œ œ œ œ 3

504

IF

Guitar tuning: C-7-3-5-2-5

➅ = C ➂ = Eb ➄=G ➁=F ➃ = Bb ➀ = Bb

Music by JONI MITCHELL Lyrics by RUDYARD KIPLING, Adapted by JONI MITCHELL

Moderately Π= 120 Cm11

12fr.

b & b b 44 T A B

˙ F

b &bb & T A B

‚‚‚ J

12 12 12

œ

‚ ‚ ‚ harm. 12

0

œ

‚‚ ‚‚ ‚ ‚‚ ‚‚

‚

‚ ‚‚‚ J

12

12 12 12

12

0

12

‚‚‚ ‚ J

‚

harm.

12

12 12

0

2222

12

12

12

12

œ

head

Œ

‰ œj . œ œ œj œ .

Ó

12

Œ

···

œœ œ

1. If

12 12 12

Ó

11111

while all

B b(9)

∑

a - bout you

Cm11

7fr.

b &bb Ó

11111

12fr.

œ œ œ œ œ

peo - ple are A b(9) 11111

œ œ ˙

trust your - self

los

-

j œ œ

j œ œ œ œ œ

ing theirs and blam-ing

B b(9)

5fr.

If - 2 - 1

12 12

12

5fr.

you can keep your 2.–7. See additional lyrics

&

12 12

A b(9)

b & b b .. œ œ œ œ œ . œ œ œ œ

bbb

·

0

12fr.

17

12 12

‚ ‚‚‚ ‚ ‚ ‚ J

‚ J ‚ œ

Cm11

13

12 12

12 12

∑

Verse:

9

‚‚ ‚ ‚‚

0

∑

12 12 12

‚‚ ‚‚

harm. 12 12

0

∑ œ

j œ ˙

œ

harm.

0

5

bbb

···

2222

you.

Œ

Œ

œ

Œ

Ó

Ó

‰ œj œ œ

If you can

Cm11

7fr.

11111

2222

12fr.

‰

j j œ œ œ when

j œ

2222

œ œ œ œ œ. ˙

ev - ’ry - bod - y

doubts

Ó

Œ

you

© 2007 CRAZY CROW MUSIC (ASCAP) All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC Lyrics used by permission of THE KIPLING ESTATE All Rights Reserved

‰

j œ

and

A b(9)

B b(9)

5fr.

21

&

bbb

505 Cm11

7fr.

j œ

11111

œ.

make

j œ œ

b &bb

œ.

for

1.–6.

∑

25

Ó

j œ œ

11111

j œ

al - low - ance

12fr.

b &bb

∑

.. Ó

œœ œ

Ó

b & b b œœ

Œ

got

œœ œœ œœ œ œ œ œ

the

b &bb œ œ 36

You’ve got

b &bb 39

œ œ

the

∑

the in

œ

œ

You’ve got

be al

-

Œ

œ œ.

Ó

∑

right.

Œ ‰. r œ œ œ œ œ œ œ œ J

œ œ

the fight, you’ve got

the

∑

œœ

in

-

sight. (You’ve

∑

in - sight.)

Œ ‰. r œœ œœ œ œ œ œ œ œ J

the fight, you’ve got

œ œ.

you’ve got

∑

too.

œ œ

œ

œ œ. œ œ.

fight, you’ve got

œ

you’ll

’Cause

33

œ

their doubt - ing

2. If

30

œ

7.

Œ

∑

2222

-

sight. (You’ve got

œ œ

œœ œœ œœ œœ œœ the fight, you’ve got

œ œ œ œ œ

the fight, you’ve got

the

in

-

∑

œœ œ . œ œ. œ the in - sight.)

j œ

sight.

U

˙.

Œ

Verse 2: If you can wait And not get tired of waiting And when lied about Stand tall Don’t deal in lies And when hated Don’t give in to hating back Don’t need to look so good Don’t need to talk too wise

Verse 4: If you can force your heart And nerve and sinew To serve you After all of them are gone, And so hold on When there is nothing in you Nothing but the will That’s telling you to hold on! Hold on!

Verse 6: If you can draw a crowd And keep your virtue Or walk with Kings And keep the common touch If neither enemies nor loving friends Can hurt you If everybody counts with you But none too much

Verse 3: If you can dream And not make dreams your master If you can think And not make intellect your game If you can meet With triumph and disaster And treat those two imposters just the same

Verse 5: If you can bear to hear The truth you’ve spoken Twisted and misconstrued By some smug fool Or watch your life’s work Torn apart and broken down And stoop to build again With worn out tools

Verse 7: If you can fill the journey Of a minute With sixty seconds worth Of wonder and delight Then the earth is yours And everything that’s in it But more than that, I know You’ll be alright You’ll be alright

If - 2 - 2

506

SHINE

Standard tuning

Slowly Π= 92 Intro:

Words and Music by JONI MITCHELL

D5

## 4 * œ j œœ œœ & 4 œ œ œ P 13

T A B

3

0

&

##

1

T A B

&

##

ww w

23

2

2

3

T A B

œ

œ œ œ 2 2

0 2

&

##

T A B

2 0

2 0

2 0

2

2

3

3

4

4

4

& T A B

##

1 3

œ

Shine - 3 - 1

3 2

˙˙ . ˙ ..

œœ œ œ œ .. œ œ 0

3 0

œ J 0

˙˙ .. ˙˙ ..

4

3 2

3 0 2 0

2

2

2

4

4

23

œ 0

2

0

2

œ 2

˙.

2

2

0

œœ œ œ œ œ œ œ 2

1 3

œ

œ

D/E

2 0

œ 2

1 2

0 2

2

0 0 2

2

2

œœ œ 132

2 4

2

A7sus

œœ œ œ œ 0

œœ J

Em

1 2

2 0

3 4

2

0

D

œœ œœ

A7

4

0 4

˙˙ ..

1 3

132

4

0

œ

œœ œœ œ œ J œ œ

œ

œ œœ

1 3

A7

3 2 0

œ

œ œ œ œ œ œ œ œ œ

A7sus

17

3

1 3

3111

3

0

A7sus

A/C #

œ œ œJ œ Jœ œ œ

2 0

0

œœ œ

13421

2

2

œœ œ

Bm 13

œ œ œ œ œœ œ

G (9) 2

0

j œ w

A7sus

˙˙ ˙ 0 0

23

0

1 3

2 0

1

0

j œœ œœ œ œ

œ 3

0

D/F # 9

œ

*Composite arr. for gtr. G (9)

D/F # 5

2 0

0

j œ w

˙ 2

2

œ 0

j œœ œ œ

œœ J

3 2

3 2

2

A7

œ .. œ œ œ œ œ œ œ. 3 0 0

3 0

2

˙˙ .. ˙.

1 2

2 0 0

© 2007 CRAZY CROW MUSIC (ASCAP) All Rights Excluding Print Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 Exclusive Print Rights Administered by ALFRED MUSIC All Rights Reserved

œœ œ

œ 0

507

Verse: D/F #

# & # ..

1

21

G (9)

23

∑

2

Gtr. cont. simile

Œ

‰

1 3

A7sus

A7

1 3

1 2

j œ ˙

œ

œ œ œ œ œ

1. Oh, 2.–4. See additional lyrics D/F # 25

&

##

1

Ó

Œ

23

‰

2

œ œ

let your

# & # Ó 29

Ó

1 3

œ œ œ.

œ

œ

on

Œ

j œ ˙

∑

1 2

Em

Ó

132

∑

23

j œ œ

Veg - as

A7

shine.

D

3111

Shine

‰

1 3

lit - tle light

j œ œ

13421

shine,

A7sus

A/C #

Bm

œ œ. œ

let your lit - tle light

G (9)

∑

œ

œ œ œ œ.

and Wall Street,

place your

bets.

A7sus 33

&

##

Ó

1 3

Œ

‰

œ. œ œ œ œ œ œ œ

Shine on

all the fish - er - men

with

G (9) 37

&

##

2

Ó

1 3

j œ œ.

œ œ œ œ

A7sus

# & # Ó

1 3

2

1 3

noth-ing in

Œ

‰ œj

1 2

œ

their nets.

Œ

‰

D/E

Em

132

Ó

23

œ œ œ œ œ œ

œ œ. œ

and e-vap - o - rat - ing

œ

œ

œ

Œ

œ

Œ

13

‰

our Frank - en - stein

j œ

œ

132

seas.

˙

Ó

œ

∑

œ

tech - nol - o - gies.

D/E

Em

‰ œj œ œ

∑

˙

Dsus2

Shine on sci - ence

Shine - 3 - 2

Œ

œ

o - ceans

G (9)

# & # Ó

œ

D/E

23

A7

Shine on

45

œ œ œ

Em

Shine on ris - ing

41

j ‰ œ

Œ

23

‰

Em

132

œ œ œ

œ

with its tun - nel

œ

Ó

23

œ

vis - ion,

D/E 132

œ œ œ œ

tun - nel vis - ion.

508 A7sus 49

&

52

&

##

##

1 3

œ

A7

Œ

Ó

A7sus

1 2

œ

œ

Shine

1.–3.

4.

A7

A7

Ó

1 2

œ œ. œ

..

on

œ œ œ

&

bur-ied un

∑

1 2

j œ œ

Ó

13

j œ

Ó

˙

≈

shine, Asus

der

sub -

2 1

#œ œ œ œ œ

let their lit - tle lights

D

2 1

Œ

132

œ œ œ œ œ œ

may all their lit - tle A

‰

˙

E7

Ó

-

œ

œ

E7

past them - selves,

132

œ œ œ

D5

D

##

‰

fer - tile farm - lands

div - i - sions.

56

Œ

Œ

œ

1 3

œ

lights

œ œ. shine.

œ

D5 2fr.

59

&

##

T A B

123

∑

j œœ œ . œ

124

3 2

0

0

Verse 2: Let your little light shine Let your little light shine Shine on the dazzling darkness That restores us in deep sleep Shine on what we throw away And what we keep Shine on Reverend Pearson Who threw away The vain old God Kept Dickens and Rembrandt and Beethoven And fresh-plowed-sod Shine on good earth, good air, good water And a safe place For kids to play Shine on bombs exploding Half a mile away

Shine - 3 - 3

œ . J œ

124

3

œœ j œ œ œ œœ œœ œ œ

j œ

5 3 2 0

0

0

2

2 0

Verse 3: Let your little light shine Let your little light shine Shine on world-wide traffic jams Honking day and night Shine on another asshole Passing on the right! Shine on the red light runners Busy talking on their cell phones Shine on the Catholic Church And the prisons that it owns Shine on all the Churches They all love less and less Shine on a hopeful girl In a dreamy dress

0

w

Verse 4: Let your little light shine Let your little light shine Shine on good humor Shine on good will Shine on lousy leadership Licensed to kill Shine on dying soldiers In patriotic pain Shine on mass destruction In some God’s name! Shine on the pioneers Those seekers of mental health Craving simplicity They traveled inward Past themselves Let their little lights shine May all their little lights shine

509

TABLATURE EXPLANATION

TAB illustrates the six strings of the guitar. Notes and chords are indicated by the placement of fret numbers on each string.

String 6 , 3rd fret

String 1 , 12th fret A “C” chord String 3 , 13th fret

C chord arpeggiated

BENDING NOTES Half Step: Play the note and bend string one half step (one fret).

Whole Step: Play the note and bend string one whole step (two frets).

Prebend (Ghost Bend): Bend to the specified note before the string is plucked.

Prebend and Release: Play the already-bent string, then immediately drop it down to the fretted note.

Bend and Release: Play the note and bend to the next pitch, then release to the original note. Only the first note is attacked.

Reverse Bend: Play the already bent string, then immediately release to drop pitch to fretted note.

Bends Involving More Than One String: Play the note and bend the string while playing an additional note on another string. Upon release, relieve the pressure from the additional note allowing the original note to sound alone.

Unison Bend: Play both notes and immediately bend the lower note to the same pitch as the higher note.

Slight Bend/ Quarter-Tone Bend: Play the note and bend string sharp.

Unison Bend: Play both notes and immediately bend the lower note to the same pitch as the higher note.

Bends Involving Stationary Notes: Play both notes and immediately bend the lower note up to pitch. Release bend as indicated.

Double Note Bend: Play both notes and immediately bend both strings simultaneously up the indicated intervals.

510

ARTICULATIONS

Hammer On (Ascending Slur): Play the lower note, then “hammer” your finger to the higher note. Only the first note is plucked.

Muted Strings: A percussive sound is produced by striking the strings while laying the fret hand across them.

Glissando: Play note and slide in specified direction.

Pick Slide: Slide the edge of the pick in specified direction across the length of the strings.

Vibrato: The pitch of a note is varied by a rapid shaking of the frethand finger, wrist, and forearm.

Pull Off (Descending Slur): Play the higher note with your first finger already in position on the lower note. Pull your finger off the first note with a strong downward motion that plucks the string— sounding the lower note.

Legato Slide: Play the first note and, keeping pressure applied on the string, slide up to the second note. The diagonal line shows that it is a slide and not a hammer-on or a pull-off.

Palm Mute: The notes are muted (muffled) by placing the palm of the pick hand lightly on the strings, just in front of the bridge.

Left Hand Hammer: Using only the left hand, hammer on the first note played on each string.

Bend and Tap Technique: Play note and bend to specified interval. While holding bend, tap onto fret indicated with a “t.”

Fretboard Tapping: Tap onto the note indicated by the “t” with a finger of the pick hand, then pull off to the following note held by the fret hand.

Tremolo Picking: The note or notes are picked as fast as possible.

Trill: Hammer on and pull off consecutively and as fast as possible between the original note and the grace note.

Accent: Notes or chords are to be played with added emphasis.

Staccato (Detached Notes): Notes or chords are to be played about half their noted value and with separation.

511

HARMONICS Artificial Harmonic: Fret the note at the first TAB number, lightly touch the string at the fret indicated in parens (usually 12 frets higher than the fretted note), then pluck the string with an available finger or your pick.

Natural Harmonic: A finger of the fret hand lightly touches the string at the note indicated in the TAB and is plucked by the pick producing a bell-like sound called a harmonic.

Artificial “Pinch” Harmonic: A note is fretted as indicated in the TAB, then the picking hand produces a harmonic by squeezing the pick firmly while using the tip of the index finger in the pick attack. If parenthesis are found around the fretted note, it does not sound. No parenthesis means both the fretted note and the A.H. are heard simultaneously.

RHYTHM SLASHES

Strum Marks/ Rhythm Slashes: Strum with the indicated rhythm pattern. Strum marks can be located above the staff or within the staff.

Single Notes with Rhythm Slashes: Sometimes single notes are incorporated into a strum pattern. The circled number below is the string and the fret number is above.

TREMOLO BAR Specified Interval: The pitch of a note or chord is lowered to the specified interval and then return as indicated. The action of the tremolo bar is graphically represented by the peaks and valleys of the diagram.

Unspecified Interval: The pitch of a note or chord is lowered, usually very dramatically, until the pitch of the string becomes indeterminate.

PICK DIRECTION Downstrokes and Upstrokes: The downstroke is indicated with this symbol and the upstroke is indicated with this .

Joni Mitchell is widely regarded as one of the most influential and revered songwriters of the twentieth century. Her category-defying style seamlessly links the worlds of acoustic music, rock, jazz, and classical impressionism. Her lyrical sense, phrasing, and poetic imagery are as visual as they are musical. The music of Joni Mitchell defies any attempt at neat classification, and throughout her career she’s consistently broken through all existing boundaries. Joni Mitchell Complete So Far contains 167 songs drawn from 18 landmark studio albums. The songs and lyrics are transcribed accurately and include over 40 of Joni’s critical guitar tunings. The book also contains a beautiful color photo section, a foreword about Joni’s groundbreaking guitar style, and an extensively cross-referenced tuning index for those in search of a deeper understanding of her approach to guitar.

Y Featuring Songs from

SONG TO A SEAGULL CLOUDS LADIES OF THE CANYON BLUE FOR THE ROSES COURT AND SPARK THE HISSING OF SUMMER LAWNS HEJIRA DON JUAN’S RECKLESS DAUGHTER MINGUS WILD THINGS RUN FAST DOG EAT DOG CHALK MARK IN A RAIN STORM NIGHT RIDE HOME TURBULENT INDIGO HITS TAMING THE TIGER SHINE

Z 40964

US $64.99

U(a38081*OPTSOo(Y

ISBN-10: 0-7390-9588-9 ISBN-13: 978-0-7390-9588-1

y(7IA7D9*KTPSSL( +,!.![!;!}