Handbook of Greek and Latin palaeography

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HANDBOOK OF

GREEK AND LATIN

PALAEOGRAPHY BY

EDWARD MAUNDE THOMPSON D.C.L., LL.D., F.S.A.

HONORARY FELLOW OF UNIVERSITY COLLEGE, OXFORD; CORRESPONDENT OF THE INSTITUTE OF FRANCE; AND PRINCIPAL LIBRARIAN OF THE BRITISH MUSEUM

LONDON

KEGAN PAUL, TRENCH, TRUBNER &

CO., Ltd.

PATERNOSTER HOUSE, CHARING CROSS ROAD 1893

TO

MY FRIEND L E 0 P 0 LD

DELISLE

MEMBER OP THE INSTITUTE

AND ADMINISTRATOR-GENERAL OF THE NATIONAL LIBRARY OF FRANCE.

178138 '42

JUN16

3

PREFACE. This Hand-Look does not pretend to give more than an

Greek and Latin must be regarded as an introduction

outline of the very large

Palaeography. to the

It

subject of

study of the subject, indicating the different

branches into which

it

divided

is

and suggesting the

be followed, rather than attempting full instruction. It in no way supersedes the use of such works as the collections of facsimiles issued by the Palseographical Society and by other societies and scholars at home and abroad but it is hoped that it will serve as an aid to the more intelligent and profitable study of them. lines

to

;

Our conclusions as

to the course of development of

the handwritings of former ages are based on our

know-

ledge and experience of the development of modern

forms of writing. Children at school learn to write by copying formal text-hands in their copy-books, and the

handwriting of each child will bear the impress of the But as he grows up the child developes a handwriting of his own, diverging more and more from

models.

the models, but never altogether divesting itself of their first

influence.

Thus, at

all

times,

we have numerous

individual handwritings, but each bearing the stamp of

and of its period and they, in their turn, reupon and modify the writing of the next generation.

school

its

act

;

In this way have arisen the handwritings of nations

via

and

Preface. districts,

able from

of centuries

and periods,

all

distinguish-

And

each other by the trained eye,

faculty of distinction

is

degree, dependent on familiarity.

Anyone

will readily

distinguish the handwritings of individuals of his time,

and

the

not entirely, but to a very great

own

glance

will recognize his friend’s writing at a

he has more difficulty between the individual handwritings of a foreign country. Set before him specimens of the writing of the last century, and he will confuse the hands of different persons. Take him still farther back, and he will pronounce the writing of a whole school to be the writing of one man ; and lie will see no difference between the hands, for example, of an Englishman, a Still farther back, the Frenchman, and a Fleming. writing of one century is to him the same as the writing of another, and he may fail to name the locality where a MS. was written by the breadth of a whole continent. Pal geographical knowledge was formerly confined to a few, chiefly to the custodians or owners of collections of manuscripts works of reference on the subject were scarce and expensive and facsimiles, with certain excepIn these days, when tions, were of no critical value. photography has made accurate reproduction so simple a matter, the knowledge is within the reach of all wh^> care to acquire it. The collections of facsimiles which have been issued during the last twenty years have brought into the private study materials which the student could formerly have gathered only by travel And more than this these and personal research. as easily as he recognizes his face

;

in discriminating

;

;

:

facsimiles enable us to compare, side

by

side,

specimens

from manuscripts which lie scattered in the different libraries of Europe and which could never have been There is no longer any lack oi brought together.

Preface material

for

ix

.

the ready attainment

of

palseographical

knowledge.

Abroad, this attainment

is

encouraged

various

in

In our own countries by endowments and schools. studies is such of country, where the development Palaeoenterprise, exertion and usually left to private graphy has received but little notice in the past. In the future,

hbwever,

Universities

its

it

In the

will receive better recognition.

value has at length been acknowledged

as a factor in education.

The mere

faculty of reading an

MS. may not count for much, but it is worth something. The faculty of assigning a date and locality

ancient

an undated codex ; of deciding between the true and in a word, of applying accurate knowledge to ; minute points a faculty which is only to be acquired by long and careful training is worth much, and will give a distinct advantage to the scholar who possesses it. to

the false

—

—

I have to thank my colleague, Mr. G. P. Warner, the Assistant-Keeper of the Department of MSS., for kind help in passing this work through the press.

E.

M.

Beitish Museum, 14 th December 1892 . ,

a

T,

—

)

:

CONTENTS PAGE

—History of the Greek and Latin Alphabets Chapter. II. — Materials used to receive writing: Leaves Bark — Linen— Clay and Pottery —Wall-spaces — Metals —Lead— Bronze —Wood—Waxen and other Tablets Greek Waxen Tablets — Latin Waxen Tablets Chapter III. —Materials used to receive writing continued Papyrus — Skins — Parchment and Vellum — Paper —Inks Chapter IV. —Writing implements Stilus, pen, —Various implements Chapter V. — Forms of Books The Boll — The Codex — The — Palimpsests Text — Punctuation — Accents, Chapter VI. — Stichometry — Tachygraphy — Cryptography Chapter VII. — Abbreviations and Contractions — Numerals Chapter VIII. — Greek Palaeography Papyri — Antiquity Chapter

I.

1

12

):

(

.......

27

etc.

:

48

:

etc.

.

54 78

86

:

of

Greek writing

— Divisions of Greek Palaeography

Chapter IX.— Greek Palaeography ( continued ) or Book-Hand in Papyri

118

,

Chapter X.

— Greek Palaeography continued Cursive writ— Forms of cursive letters

Chapter XI.

etc.

— Greek

writing in vellum

Chapter XII.

)

(

ing in Papyri,

107

The Literary

:

continued (

Palaeography

MSS

130

Uncial

:

149

— Greek Palaeography continued Minuscule — Greek writing in Western (

)

:

writing in the Middle Ages

Europe

159

—

Chapter XIII. Latin Palaeography Majuscule writing Square Capitals Rustic Capitals Uncials

183

Chapter XIV. — Latin Palaeography continued ) Uncials and Minuscules — Half-uncials

196

—

:

—

(
X). In the western group the letter Z is wanting, and X, 4* have the values of x and kh while the sound^s was expressed bynz or 4>X, or rarely by a special sign In a word, ;

the special test-letters are

:

= The Greek and Latin Alphabets Eastern

:

W estern

How

this distinction

:

X = Teh. X x.

came about

= ps 'P is

.

9

.

=

not known, although

It is unnecesseveral explanations have been hazarded. sary in this place to do more than state the fact. As the Semitic languages were written from right to left, so in the earliest Greek inscriptions we find the same

Next came the method of writing order followed. called boustrophedon, in which the written lines run alternately from right to left and from left to right, or Lastly, writvice versa , as the plough forms the furrows. In the most ing from left to right became universal. ancient tomb-inscriptions of Melos and Thera we have Boustrophedon was comthe earliest form of writing. monly used in the sixth century b.c. notable exception, however, is found in the famous Greek inscription the earliest to which a date can be at Abu Simbel It is cut on one of the legs of the colossal statues given. which guard the entrance of the great temple, and records the exploration of the Nile up to the second cataract by certain Greek, Ionian, and Carian mercenaries in the service of Psammetichus. The king here mentioned may be the first (b.c. 654 617) or the second (b.c. 594—589) of the name. The date of the writing may therefore be roughly placed about 600 b.c. The fact that, besides this inscription, the work of two of the soldiers, the names of several of their comrades are also cut on the rock, proves how well established was the art of writing even at this early period.

A

—

—

The Latin Alphabet.

Like the local alphabets of Greece, the Italic alphabets varied from one another by the adoption or rejection of different signs, according to the requirements of language.

Thus the Latin and Faliscan, the Etruscan, the Umbrian, and the Oscan alphabets are sufficiently distinguished in this way but at the same time the common origin of all ;

can be traced to a primitive or so-called Pelasgian alphabet of the Chalcidian type. The period of the introduction of

:

i

Paleography

o

.

writing into Italy from the great trading and colonizing city of Chalcis must be carried back to the time when single Latin the Greeks wrote from right to left. 3 inscription has been found which is thus written ; and in the other Italic scripts this ancient system was may assume, then, that the Greek also followed. alphabet was made known to the native tribes of Italy as early as the eighth or ninth century B.C., and not improbably through the ancient Chalcidian colony of Cumae, which tradition named as the earliest Greek settlement in the land. The eventual prevalence of the Latin alphabet naturally followed the political supremacy

A

We

of

Rome. The Latin alphabet possesses twenty

of the letters of

Greek western alphabet, and, in addition, three adopted signs. Taking the Formello and Galassi abecethe

daria as representing the primitive alphabet of Italy, be seen that the Latins rejected the letter san and the double letters theta , phi, and chi (S'), and disregarded the earlier sign for xi 4 In Quintilian’s time “ ultima nostrarum 39 and closed the letter X was the alphabet. The sound z in Latin being coincident with the sound s, the letter zeta dropped out. But at a later period it was restored to the alphabet, as Z, for the purpose of transliteration of Greek words. As, however, its original place had been meanwhile filled by the new letter G, it was sent down to the end of the alphabet. With regard to the creation of G, till the middle of the third century b.c. its want was not felt, as C was employed to represent both the hard c and g sounds 5 a it will

.

,

U

Inscription de small vase found in Rome in 1880. See Melanges d’Archeologie et d’Histoire of the ficole Fran9aise de Rome, 1882, p. 147. 4 Some of these letters are generally accepted as the origin of certain of the symbols used for the Latin numerals. Bat a different origin has been lately proposed by Professor Zangemeister JSntstehung der romischen Zalilzeichen (Sitzber. d. k. Preuss. Akad., 3

On a

Duenos

in the

1887). 5 The sound represented by C in Latin no doubt also gradually, but at a very early period, became indistinguishable from that represented by K. Hence the letter K fell into general disuse in

z

SMUOd nvocn

NU3 -J.SV3

SWWOd IVOOl

O NV3WaV0

PHOENICIAN

OIJ.V

-«3IH

< _

OlHdAIO

-0U3IH

•ete,

DERIVATION OF THE CREEK AND LATIN ALPHABETS FROM THE EGYPTIAN.

1 t

The Greek and Latin Alphabets

.

1

i

survival of this use being seen in the abbreviations C. Cn. for Gaius and Gnaeus; but gradually the new

anjj,

developed from C and was placed in the alphabet in the position vacated by zeta. The digamma h^ft becoufe -the Latin F, and the iipsilon had been transliterated as the Latin V ; but in the time of Cicero upsilon, as foreign letter, was required for literary ^ purposes, and thus became again incorporated in the Latin alphabet this time without change of form, Y. Its position shows that it was admitted before Z. letter .vj^s

—

and only survived as an archaic form in certain words, ch as kalendw.

writing, sr

t

\

%

CHAPTER

II.

MATERIALS USED TO RECEIVE WRITING.

Of the various materials which have been used within memory of man to receive writing, there are three,

the

papyrus, vellum, and paper, which, from their greater abundance and convenience, have, each one in But of the other materials its turn, displaced all others. several, including some which at first sight seem of a most unpromising character, have been largely used. For such a purpose as writing, men naturally make use of the material which can be most readily procured, and is, at the same time, the most suitable. If the ordinary material fail, they must extemporize a substitute. If something more durable is wanted, metal or stone may take the place of vellum or paper. But with inscriptions on these harder materials we have, in the present work, but little to do. Such inscriptions generally fall under the head of epigraphy. Here we have chiefly to consider the softer materials on which handwriting, as distinguished from monumental engraving, has been wont to be inscribed. Still, as will be seen in what follows, there are certain exceptions and to some extent we shall have to inquire into the employment of metals, clay, potsherds, and wood, as well as of leaves, bark, linen, wax, papyrus, vellum, and paper, as materials will first dispose of those substances for writing. which were of more limited use.

viz.

;

We

Leaves. It is natural to suppose that, in a primitive state of society, leaves of plants and trees, strong enough for

—

3

.

Materials

tised to receive

Writing

1

the purpose, would be adopted as a ready-made material provided by nature for such an operation as writing. In various parts of India and the East the leaves of palm-trees have been in use for centuries, and continue to be employed for this purpose, and form an excellent and enduring substance. Manuscripts written on palm-leaves have been of late years found in Nepaul, which date back many hundreds of years. In Europe leaves of plants are not generally of the tough character of those which grow in the tropics but there can be no doubt that they were used in ancient Greece and Italy, and that the ;

references by classical writers to their employment are not merely fanciful. There is evidence of the custom of TreraXtajiLos, or voting for ostracism with olive-leaves, at Syracuse, and of the similar practice at Athens under the name of i/ccfrvWocfropLa. 1 Pliny, Nat Hist. “ Antea non fuisse chartarum usum in xiii. 11, writes: palmarum foliis primo scriptitatum, deinde quarundam .

:

arborum

libris.”

Bark. Better adapted for writing purposes than leaves was the bark of trees, liber , which we have just seen named by Pliny, and the general use of which caused its name to be attached to the book (i.e. the roll) which was made from it. The inner bark of the lime-tree, $>i\vpa, tilia , was chosen as most suitable. Pliny, Nat. Hist. xvi. 14, describing this tree, says “ Inter corticem et lignum tenues tunicas sunt multiplici membrana, e quibus vincula :

vocantur tenuissirnas

tiliae "

earum

philyrae.”

It

was

these delicate shreds, philyrx } of this inner skin or bark which formed the writing material. In the enumeration of different kinds of books by Martianus Capella, ii. 136, those consisting of lime-bark are quoted, though as “ Rari vero in philyrae cortice subnotati.” Ulpian rare r

:

The olive-leaf, used in this ceremony, is also mentioned, (frvWov eXaias, as the material on which to inscribe a charm. Cat. GJc. Papyri in Brit. pap. cxxi. 213 ; and a bay-leaf is enjoined for the same purpose in Papyrus 2207 in the Bibliotheque 1

Mus

Rationale.

.

Paleography

14 also,

Digest,

xxxii.

52,

.

mentions “volumina

.

•

.

in

But not only was the bark of the philyra aut in tilia.” lime-tree used, but tablets also appear to have been made from its wood the “ tiliae pugillares ” of Symmachus, iv. 34 ; also referred to by Dio Cassius, lxxii. 8, in the passage “ ScoSe/ca ypaixpLareta, old ye etc (fitXvpas iro^e?tcli” It seems that rolls made from lime-bark were coexistent at Rome with those made from papyrus, after the introduction of the latter material but the homemade bark must soon have disappeared before the imported Egyptian papyrus, which had so many advantages both in quantity and quality to recommend it.

—

:

;

Linen.

Linen cloth, which is found in use among the ancient Egyptians to receive writing, appears also as the material Livy, x. 38, refers for certain rituals in Roman history. “ liber vetus linteus,” among to a book of this character, the Samnites ; and again, iv. 7, he mentions the “ lintei ” in the temple of Moneta at Rome. Pliny, Nat. Hist. libri xiii. 11, names “volumina lintea” as in use at an early period for private documents, public acts being recorded

Martianus Capella, iii. 136, also refers to on lead. “ carbasina volumina 33 and in the Codex Theodos ; .

xi.

27, 1,

“mappae

linteae” occur.

Clay and Pottery.

Clay was a most common writing material among the Babylonians and Assyrians. The excavations made of late years on the ancient sites of their great cities have brought to light a whole literature impressed on sun-dried or firePotsherds came ready to the hand in burnt bricks. Egypt, where earthenw are vessels were the most common kind of household utensils. They have been found in large numbers, many inscribed in Greek with such ephemeral documents as tax and pay receipts, generally r

To such of the period of the Roman occupation. 2 inscribed potsherds has been given the title of ostraka a term which will recall the practice of Athenian ostracism ,

3

See autotypes of some specimens in Pal. Soc.

ii.

pi. 1, 2.

5

Materials used to receive Writing.

1

which the votes were recorded on such fragments. 3 That such material was used in Greece only on such passing occasions or from necessity is illustrated by the passage in Diogenes Laertius, vii. 174, which narrates that the Stoic Oleanthes was forced by poverty to write on potsherds and the shoulder-blades of oxen. Tiles also, upon which alphabets or verses were scratched with the stilus before baking, were used by both Greeks and in

Romans

for educational purposes. 4

Wall-spaces.

perhaps straining a term to include the walls of buildings under the head of writing materials ; but the in such large graffiti or wall-scribblings, discovered numbers at Pompeii, 5 hold such an important place in the history of early Latin palaeography, that it must not be forgotten that in ancient times, as now, a vacant wall was held to be a very convenient place to present appeals to the public, or to scribble idle words. It is

Metals.

The precious metals were naturally but seldom used as writing materials. For such a purpose, however, as working a charm, an occasion when the person specially interested might be supposed not to be too niggard in his outlay in order to attain his ends, we find thin plates or 6 leaves of gold or silver recommended, a practice which is paralleled by the crossing of the palm of the hand with 3 Votes for ostracism at Athens were probably recorded on fragments of broken vases which had been used in religious services, and which were given out specially for the occasion. Only two such voting ostraka appear to be known the one is described by Benndorf, Griech. und sicilische Vasenbilder, tab. xxix. 10 the other, for the ostracism of Xanthippos, the father :

;

(see Aristotle, Const. Athens, p. 61), is noticed by Studniczka, Antenor und archaische Malerei in Jalirbuch des Jcais. Deutschen Arch. Instituts bd. ii. (1887), 161. 4 Facsimiles in Corjp. Inscr. Lat. iii. 962.

of Pericles

,

5 6

Ibid. iv. Cat. GJc.

Papyri in Brit. Mus., pap. cxxi. 680 in the Bibl. Rationale, 268, 2705, 2228*.

;

also papyri

\

;

i

Paleography.

i6

a gold or silver coin as enjoined by the gipsy fortuneteller.

Lead.

Lead was used at an

ancient date. Pliny, Nat. Hist. xiii. 11, refers to ‘/plumbea volumina” as early writing material. Pausanias, ix. 31, 4, states that at Helicon he saw v a leaden plate (/Lto'Xi/SSo?) on which the Ep