Gods of the city: religion and the American urban landscape 9780253212764, 9780253113313, 9780253334992


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Table of contents :
Frontmatter
Foreword by Catherine L. Albanese and Stephen J. Stein (page ix)
Acknowledgments (page xi)
Introduction: Crossing the City Line (Robert A. Orsi, page 1)
1. Staying Grounded in a High-Rise Building: Ecological Dissonance and Ritual Accommodation in Haitian Vodou (Karen McCarthy Brown, page 79)
2. The Hindu Gods in a Split-Level World: The Sri Siva-Vishnu Temple in Suburban Washington, D.C. (Joanne Punzo Waghorne, page 103)
3. Diasporic Nationalism and Urban Landscape: Cuban Immigrants at a Catholic Shrine in Miami (Thomas A. Tweed, page 131)
4. Altared Spaces: Afro-Cuban Religions and the Urban Landscape in Cuba and the United States (David H. Brown, page 155)
5. Moses of the South Bronx: Aging and Dying in the Old Neighborhood (Jack Kugelmass, page 231)
6. The Religious Boundaries of an In-between People: Street Feste and the Problem of the Dark-Skinned Other in Italian Harlem, 1920-1990 (Robert A. Orsi, page 257)
7. Heritage, Ritual, and Translation: Seattle's Japanese Presbyterian Church (Madeline Duntley, page 289)
8. "We Go Where the Italians Live": Religious Processions as Ethnic and Territorial Markers in a Multi-ethnic Brooklyn Neighborhood (Joseph Sciorra, page 310)
9. The Stations of the Cross: Christ, Politics, and Processions on New York City's Lower East Side (Wayne Ashley, page 341)
10. "The Cathedral of the Open Air": The Salvation Army's Sacralization of Secular Space, New York City, 1880-1910 (Diane Winston, page 367)
Contributors (page 393)
Index (page 395)
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Gods of the City

Religion in North America Catherine L. Albanese and Stephen J. Stein, editors William L. Andrews, editor, Sisters of the Spirit: Three Black Women’s Autobiographies of the Nineteenth Century

1817 ,

Mary Farrell Bednarowski, New Religions and the Theological Imagination in America

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Reform, 1842-1846 ,

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| New Age to Orthodoxy Colleen McDannell, The Christian Home in Victorian America, 1840-1900 Ronald L. Numbers and Jonathan M. Butler, editors, The Disappointed: Millerism and Millenarianism in the Nineteenth Century Robert A. Orsi, editor, Gods of the City: Religion and the American Urban Landscape Richard W. Pointer, Protestant Pluralism and the New York Experience: A Study of Eighteenth-Century Religious Diversity Sally M. Promey, Spiritual Spectacles: Vision and Image in Mid-Nineteenth-Century Shakerism

Stephen Prothero, The White Buddhist: Henry Steel Olcott and the NineteenthCentury American Encounter with Asian Religions

Kay Almere Read, Time and Sacrifice in the Aztec Cosmos .

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Ann Taves, editor, Religion and Domestic Violence in Early New England: The Memoirs of Abigail Abbot Bailey

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Valarie H. Ziegler, The Advocates of Peace in Antebellum America

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1.15. Birthday throne for Chango tn Union City apartment bedroom (August 1/, 19560). Corresponds to the tloor plan shown tn figure 4.12.

oricha of coolness and purity, who is associated with San Manuel. Elaborate thrones of satin, vases of flowers, and statues are erected for the house’s annual October 4 misa palera (Palo mass) for Adolfo’s Siete Rayos, the

| December 4 feast day of Santa Barbara/Chang6o, the December 17 feast day of San Lazaro/Babalt Ayé, and the January | feast day of San Manuel/ Odta/Obatala Yecti-Yecti. The hybrid béveda-throne in figure 4.6, which elevates an image of the Virgin of Regla over the table of water goblets and images, was erected in mid-June 1986 for a misa dedicated to the spirit of Ramén’s deceased mother, who “had a tendency” toward this Virgin and her oricha counterpart, Yemaya. These thrones orient ritual attention and performance in the living room space, converting it from a simple social gathering place or consultation waiting room (sala) into the igbodtin/cuarto de santo itself. Prayers, tributes of gifts and money, and physical submissions to the floor (moforibale) are rendered to the room’s enthroned orichas. Draped in purple or red cloth, the throne constructed for Siete Rayos doubles as a Spiritist “white table” for the dramatic misa palera held annually on the evening of October 4, in which the apartment is transformed into a Spiritist center filled with pungent cigar smoke and the aromas of Agua Florida, cologne, and aguardiente rum. The white table form and the ritual of the Spiritist mass not only shaped, but also flexibly accommodated, local spirit cosmologies wherever it was adopted in the Western Hemisphere, whether in Puerto Rico, Cuba, or Brazil (see R. Ortiz 1989; Bermudez 1967, 1968; Castellanos and Castellanos 1992:192—202). In Cuban practice, the misa

espiritual becomes the misa palera when it is focused to attract and facilitate the work of muertos whose vocation in life was in service to the nganga. The misa espiritual and misa palera are typically conducted by two espiritistas—in this case, Adolfo and Ramén— seated at the table’s two

outer corners. Those attending sit in straight-backed chairs facing the

, table. Participants cleanse themselves before the béveda with water containing Agua Florida and flower petals, and throughout the evening they “pass” spirits (become possessed and speak) and participate in detailed spiritual inquiries into the lives and problems of all those present. The evening reaches its climax as Adolfo is possessed by his principal muerto (Francisco), who works with the energies of Siete Rayos to clean spiritually and dispense advice to each participant (see below).

Adolfo’s Spirits: A special small boveda for a cluster of spirits associated with Adolfo’s cuadro espiritual occupies the far left corner of the living

room, adjacent to a large corner wing chair, behind which sits the huge nganga cauldron of Siete Rayos. This end of the living room has become a

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