Film and Phenomenology: Towards a Realist Theory of Cinematic Representation 0521411327, 9780521411325, 9780521108546, 0521108543

In Film and Phenomenology, Allan Casebier develops a theory of representation first indicated in the writings of the fat

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English Pages 174 Year 1991

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Table of contents :
Cover......Page 1
Contents......Page 6
Acknowledgments page......Page 8
Introduction......Page 10
Husserl's theory of artistic representation......Page 18
The concept of the noema......Page 34
The ontology of cinematic representation......Page 43
The epistemology of cinematic representation......Page 56
Transaction, transparency, and transcendence......Page 71
Husserl's epistemology as told by Jean-Louis Baudry......Page 82
Notes......Page 87
An oriental mode of cinematic representation......Page 92
Cinematic sound......Page 100
The fabula......Page 108
The diegesis......Page 114
The Imaginary......Page 121
Feminist theories of cinematic representation......Page 128
Notes......Page 141
Rescuing the documentary......Page 146
Derridean deconstruction and the documentary......Page 156
Notes......Page 162
Conclusion......Page 164
Selected bibliography......Page 159
Filmography......Page 161
Index......Page 163

Film and Phenomenology: Towards a Realist Theory of Cinematic Representation
 0521411327, 9780521411325, 9780521108546, 0521108543

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