Table of contents : Cover Title page Copyright page Crime Fiction and Ecology: From the Local to the Global Contents Introduction: Ecological Crime Fiction – From the Local to the Global ‘A Sense of Planet’: World Crime Fiction and the Imagination of Place Ecological Crime Fiction: From the Local to the Global 1 ‘Continuities of Experience’: Mapping the Global through the Local ‘This Has Everything to Do with Oil’: Crude Criminality in Black Water Rising and Hurricane Season ‘Benevolent Colonialism’: Capitalism, Colonialism and Environmental Justice in Madukka the River Serpent and Cold Skies 2 The ‘Glocal’ Turn: Ecological Crime Fiction and the Re/Deterritorialised State Local Crimes from Global Seeds: Environmental Crime and the Reterritorialised State in Pale Horses and Don’t Cry Tai Lake Broken Borders and Climate Dystopias: Environmental Crime and the Deterritorialised State in The Healer and Earthly Remains 3 ‘Some New Thing’: Speculative Futures and Hybrid Ecological Crime Fiction Satirical Eco-thrillers: Gabriela Alemán’s Poso Wells and Yun Ko-eun’s The Disaster Tourist ‘People Aren’t the Future’: Ecocentric Posterity and Speculative Noir in Alexandra Kleeman’s Something New Under the Sun and Jeff VanderMeer’s Hummingbird Salamander Conclusion: Plotting Against Climate Change Conclusion: Plotting Against Climate Change Works Cited