Cinema Anime [1st ed.] 9781403970602, 1403970602
This collection charts the terrain of contemporary Japanese animation, one of the most explosive forms of visual culture
249 45 137KB
English Pages 257 Year 2006
Table of contents :
Cover......Page 1
Contents......Page 8
1 Screening Anime......Page 10
Part I Towards a Cultural Politics of Anime......Page 30
2 “Excuse Me, Who Are You?”: Performance, the Gaze, and the Female in the Works of Kon Satoshi......Page 32
3 The Americanization of Anime and Manga: Negotiating Popular Culture......Page 52
4 The Advent of Meguro Empress: Decoding the Avant-Pop Anime TAMALA 2010......Page 74
Part II Posthuman Bodies in the Animated Imaginary......Page 88
5 Frankenstein and the Cyborg Metropolis: The Evolution of Body and City in Science Fiction Narratives......Page 90
6 Animated Bodies and Cybernetic Selves: The Animatrix and the Question of Posthumanity......Page 122
7 The Robots from Takkun’s Head: Cyborg Adolescence in FLCL......Page 148
Part III Anime and the Limits of Cinema......Page 168
8 The First Time as Farce: Digital Animation and the Repetition of Cinema......Page 170
9 “Such is the Contrivance of the Cinematograph”: Dur(anim)ation, Modernity, and Edo Culture in Tabaimo’s Animated Installations......Page 198
Bibliography......Page 236
Notes on Contributors......Page 248
C......Page 250
E......Page 251
I......Page 252
M......Page 253
N......Page 254
S......Page 255
U......Page 256
Z......Page 257
Cover......Page 1
Contents......Page 8
1 Screening Anime......Page 10
Part I Towards a Cultural Politics of Anime......Page 30
2 “Excuse Me, Who Are You?”: Performance, the Gaze, and the Female in the Works of Kon Satoshi......Page 32
3 The Americanization of Anime and Manga: Negotiating Popular Culture......Page 52
4 The Advent of Meguro Empress: Decoding the Avant-Pop Anime TAMALA 2010......Page 74
Part II Posthuman Bodies in the Animated Imaginary......Page 88
5 Frankenstein and the Cyborg Metropolis: The Evolution of Body and City in Science Fiction Narratives......Page 90
6 Animated Bodies and Cybernetic Selves: The Animatrix and the Question of Posthumanity......Page 122
7 The Robots from Takkun’s Head: Cyborg Adolescence in FLCL......Page 148
Part III Anime and the Limits of Cinema......Page 168
8 The First Time as Farce: Digital Animation and the Repetition of Cinema......Page 170
9 “Such is the Contrivance of the Cinematograph”: Dur(anim)ation, Modernity, and Edo Culture in Tabaimo’s Animated Installations......Page 198
Bibliography......Page 236
Notes on Contributors......Page 248
C......Page 250
E......Page 251
I......Page 252
M......Page 253
N......Page 254
S......Page 255
U......Page 256
Z......Page 257
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