Table of contents : BLACK AND WHITE DIGITAL PHOTOGRAPHY PHOTO WORKSHOP......Page 1 CONTENTS......Page 11 INTRODUCTION......Page 19 CHAPTER 1: BLACK-AND-WHITE VISION......Page 21 WHY BLACK AND WHITE?......Page 22 CREATING BLACK-AND-WHITE IMAGES......Page 24 VISUALIZING IN MONOCHROME......Page 25 SELECTING YOUR IMAGES......Page 27 TIMING THE MOMENT......Page 29 WHEN SHOULD YOU USE BLACK AND WHITE?......Page 36 FINDING PHOTOS WHEREVER YOU ARE......Page 39 CHAPTER 2: PHOTOGRAPHY FUNDAMENTALS......Page 45 EXPOSURE......Page 46 APERTURE, SHUTTER SPEED, AND ISO......Page 61 WHITE BALANCE......Page 71 COMPOSITION......Page 73 YOUR UNIQUE POINT OF VIEW......Page 76 CHAPTER 3: GETTING THE MOST OUT OF YOUR CAMERA......Page 81 READ THE MANUAL......Page 82 KNOWING THE CONTROLS......Page 84 USING THE EXPOSURE MODES......Page 85 FILE SETTINGS......Page 92 ADJUSTING TONE AND CONTRAST IN CAMERA......Page 96 WHITE BALANCE QUESTIONS......Page 97 USING FILTERS......Page 98 SETTINGS TO START WITH......Page 103 CHAPTER 4: WORKING WITH LIGHT......Page 111 METERING AND EXPOSURE FOR BLACK AND WHITE......Page 112 ZONE SYSTEM BASICS......Page 113 LEARNING YOUR METERING SYSTEMS......Page 116 LIGHT DIRECTION......Page 121 LIGHT QUALITY......Page 126 LOOKING FOR LANDSCAPE LIGHTING......Page 128 GREAT LIGHT FOR PEOPLE AND PORTRAITS......Page 130 DEALING WITH TONES AT TWILIGHT......Page 135 BLACK AND WHITE AFTER DARK......Page 137 CHAPTER 5: TOOLS AND TOYS......Page 141 INFRARED DIGITAL PHOTOGRAPHY......Page 142 LENSBABY......Page 146 BLACK AND WHITE BY YOUR SIDE......Page 148 STROBES......Page 154 TRIPODS......Page 158 CHAPTER 6: TONAL QUALITY IN BLACK AND WHITE......Page 163 COLORS IN BLACK AND WHITE......Page 164 TONES AND CONTRAST......Page 165 WORKING WITH SHADOWS AND CONTRAST......Page 167 LIGHT QUALITY......Page 169 DEALING WITH WEATHER......Page 175 LOOKING FOR HIGHLIGHTS......Page 177 BUILDING DEPTH IN THE SHADOWS......Page 178 CHAPTER 7: THE BLACK-AND-WHITE DIGITAL FILE......Page 181 CONVERTING TO MONOCHROME......Page 182 LEARNING FROM FILM FILTERS......Page 184 RAW OR JPEG?......Page 187 DIGITAL RAW BLACK-AND-WHITE CONVERSIONS......Page 189 CHAPTER 8: WORKING IN THE DIGITAL DARKROOM......Page 207 UNDERSTANDING LOCAL AND GLOBAL CHANGES......Page 208 MULTIPLE RAW PROCESSING......Page 209 WORKING WITH ADJUSTMENT LAYERS......Page 213 DODGING AND BURNING......Page 220 LAYER MASKS......Page 223 SHADOW AND HIGHLIGHT TOOL......Page 226 ADDITIONAL FILTERS AND TOOLS......Page 228 SELECTIVE EFFECTS......Page 236 FILM SIMULATIONS......Page 240 CREATE YOUR OWN WORKFLOW......Page 241 CHAPTER 9: TONING, COLORING, AND SPECIAL EFFECTS......Page 247 OLD-PROCESS EFFECTS......Page 248 ADDING TINTS AND TONES......Page 251 SPLIT TONING......Page 253 COLORING MONOCHROME IMAGES......Page 255 INFRARED EFFECTS......Page 256 HIGH DYNAMIC RANGE......Page 258 COMPOSITING NEW IMAGES......Page 259 CHAPTER 10: OUTPUT: PRINTING AND PRESENTATION......Page 267 INKJET PRINTERS AND PAPERS......Page 268 CALIBRATING YOUR EQUIPMENT......Page 271 CREATING BLACK-AND-WHITE PRINTS......Page 274 DIGITAL OUTPUT OPTIONS AND IDEAS......Page 282 GLOSSARY......Page 291 INDEX......Page 297