Artistic Circulation between Early Modern Spain and Italy 9781138605817, 9780429467936
303 36 30MB
English Pages [267] Year 2020
Table of contents :
Cover
Half Title
Series
Title
Copyright
Contents
List of Illustrations
Acknowledgments
Introduction: Spanish Italy/Italian Spain
1 Domenico Fancelli and the Tomb of the Catholic Kings: Carrara, Italian Wars and the Spanish Renaissance
2 The Tomb of Bishop Alonso de Madrigal (“El Tostado”) in the Cathedral of Ávila—The Monumentalization of the “Autorbild”
3 Architecture of the Retablo between Spain and Italy: On the Work of Jacopo L’Indaco, Alonso Berruguete and Diego de Siloé (1520–1530)
4 An Italian Fountain for the Emperor: The Fuente del Águila (1539)
5 Michelangelo Re-read: A Note on the Reception of His Pictorial Language in Spanish Sculpture of the Second Half of the Sixteenth Century
6 Circulation of Sculpture Across the Spanish Empire: The Case of Martino Regio’s Genoese Workshop and the Multiple Variations of His Name
7 Ribera’s Northern Italian Nexus
8 Courtiers, Fables and Dictionaries: Italian Books in the Collections of Velázquez, Carducho and Guerra Coronel
9 Guido Reni’s Influence in Seville Through Originals, Copies and Prints
10 Some Spanish Paintings in Florentine Collections: The Legacy of the Iberian Journey of Cosimo III de’ Medici
Bibliography
Author Biographies
Index
Cover
Half Title
Series
Title
Copyright
Contents
List of Illustrations
Acknowledgments
Introduction: Spanish Italy/Italian Spain
1 Domenico Fancelli and the Tomb of the Catholic Kings: Carrara, Italian Wars and the Spanish Renaissance
2 The Tomb of Bishop Alonso de Madrigal (“El Tostado”) in the Cathedral of Ávila—The Monumentalization of the “Autorbild”
3 Architecture of the Retablo between Spain and Italy: On the Work of Jacopo L’Indaco, Alonso Berruguete and Diego de Siloé (1520–1530)
4 An Italian Fountain for the Emperor: The Fuente del Águila (1539)
5 Michelangelo Re-read: A Note on the Reception of His Pictorial Language in Spanish Sculpture of the Second Half of the Sixteenth Century
6 Circulation of Sculpture Across the Spanish Empire: The Case of Martino Regio’s Genoese Workshop and the Multiple Variations of His Name
7 Ribera’s Northern Italian Nexus
8 Courtiers, Fables and Dictionaries: Italian Books in the Collections of Velázquez, Carducho and Guerra Coronel
9 Guido Reni’s Influence in Seville Through Originals, Copies and Prints
10 Some Spanish Paintings in Florentine Collections: The Legacy of the Iberian Journey of Cosimo III de’ Medici
Bibliography
Author Biographies
Index
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