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English Pages 322 [326] Year 2006
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In Revisiting Women’s Cinema, Lingzhen Wang ponders the roots of contemporary feminist stagnation and the limits of both
270 112 23MB Read more
The unprecedented increase in lesbian representation over the past two decades has, paradoxically, coincided with queer
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A sustained analysis of twenty-first century lesbian cinema through a queer theoretical lens The unprecedented increase
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By offering close readings of key contemporary films such as Blue Is the Warmest Colour, Water Lilies and Carol alongsid
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Violence: most of us would be happy if we never had to experience it, and many are driven by the belief that nonviolent
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Lingzhen Wang examines the work of Chinese women filmmakers of the Mao and post-Mao eras to theorize socialist and posts
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After Authority explores the tendency in art cinema to respond to political transition by turning to ambiguity, a system
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