265 10 6MB
English Pages [84]
AN APOLOGY FOR
r&
non
effigiem art quern Qestgnat aSora.
;
:
CHRISTIAN ARCHITECTURE. tially the
Name
same
Church
as that yet given in the Anglican
of Jesus
respect
31
;
shown
and
to the throne
deck of a man-of-war.
by the external
paralleled in temporal matters
is
in
the House of Peers, or the quarter-
Sacred imagery
of the highest powers of art
to the holy
a noble field for the exercise
is
and painting and sculpture, when devoted
;
to the service of the Church, are calculated to
improve and elevate the
religious feelings of a nation in a surprising degree.
Now
to
sum
up.
If,
have shown, the Anglican Church requires
as I
bell towers, spires, naves, chancels, screens, fonts, altars, sacred
and ornaments,
symbols
whether the types of these various features
will ask
I
are to be found in the ancient pointed churches of England, or in the classic
temples of antiquity
Surely no one can hesitate to admit at
?
once that, in the former, we have perfect models for imitation in the latter,
we cannot
and
therefore, even in its present position,
and
rubrics, the
Anglican Church
is
by
its
own
while,
existing canons
bound, consistently, to work ex-
clusively on the principles of Christian architecture, all
;
find one corresponding arrangement or detail
and
to
renounce
pagan adaptations whatsoever.
With regard
the collegiate establishments which have continued
to
from the time of their original foundation,
in uninterrupted succession
and which are yet supported by the pious munificence of
and profess
to be
their founders,
governed by their ancient statutes, there cannot exist
a doubt as to the propriety,
such buildings as they
may
not the absolute duty, of their erecting
require, in the
same
accommodation of
originally raised for the spirit as well as style
if
for it is
style
their
and
spirit as those
predecessors.
I
say
not merely sufficient to cut tracery and
build buttresses and pinnacles, for that has been done at a vast cost
and with miserable
effect
at King’s
and other
colleges at Cambridge,
but to preserve that scholastic gravity of character, that reverend and
solemn appearance, that parture
from
Catholic
is
found in the ancient erections.
antiquity
in
a
college
frequent daily services in the chapel, the assembly of the
©
_
-
Any
unpardonable
is
.
_
:
de-
the
community
®
ON THE REVIVAL OF
32
in the refectory, the enclosure, the academical costume, the celibacy of
many
the inmates, are so
relics
demand
of ancient discipline which
continuance of the original architecture
and
;
miserable failure and cester, or the
compound
a
new quadrangle
New
instant with Merton,
or
semble sick hospitals or barracks of the piety and learning.
not a
is
Are Queen’s, Wor-
of anomalies.
compared
of Christ Church, to be
College,
where
in those instances
been neglected, not one can be pointed out which
this has
a
Magdalene
?
for
one
They rather
re-
than the abodes of
last century,
Colonnades, pediments, and heathen gods, are but
sorry substitutes for solemn cloisters, high turrets, and images of reverend
founders and saintly patrons.
During the early part of the Laudian school,
more consistent
spirit
of the seventeenth century,
some
collegiate buildings
windows
tracery five
and angels ;
Among
is
is
remarkable
:
these, the
the detail
is,
a very successful attempt for the period
filled
with
stained
glass
;
the
east
containing the Crucifixion of our Lord, with
lights,
corbels
it
are
were erected in a far
than the more recent examples.
chapel of Peter-house, at Cambridge, course, debased, but
under the influence
in the tracery.
The roof
is
;
of
the
window, of
many
saints
waggon-headed, supported on
the western bay forms an antechapel, being divided off by an
oak screen
;
within this are double rows of oak
stalls,
with a large
sanctuary.
This chapel must have been far richer in decoration when originally
founded; say,
as,
“We
in the report of the
went
“ with wings,
to
Peter-house 'and pulled
down two mighty
angels
and divers other angels, with the four evangelists, and
“ Peter with his keys, “
parliamentary writers in 1643, they
on the chapel door, together with about one
hundred cherubim, and many superstitious
letters
in
gold/’
This
account will show the correct intentions which actuated the collegiate builders of even that period, and
from their designs is
m
so
much
:
it is,
indeed,
better understood,
how completely paganism was excluded monstrous, now that the ancient detail
and the
facilities of
execution far greater,
®
CHRISTIAN ARCHITECTURE. to
see
compounds of
vile
Italian
details
rising
33
amid the
Catholic antiquity in both Oxford and Cambridge. lation,
however, to
know
show
galleries
of
some conso-
;
and
I
much
question
if
they
be allowed to remain even for that purpose, when the true prin-
more generally disseminated among
ciples of Catholic architecture are
the
glories
that neither of these edifices are intended for
collegiate purposes, but as will
It
is
members
of the University.
Hospitals for the poor ought, undoubtedly, to be erected in a style at once simple for sheltered
chambers,
and
religious
exercise,
—a
and a chapel
the aged should be provided with cloisters
:
common for
hall
and kitchen,
devotion
daily
;
—separate
religious
lodging
emblems and
memorials of their benefactors should constitute the only decorations, interspersed with
pious
and moral legends.
scriptures
Beautiful ex-
amples of these truly Christian institutions are to be found in the ancient hospitals of Stamford, Leicester, Northampton, and Coventry, or even in the later foundations of Whitgift at Croydon,
and Abbott
at Guildford. I
trust
I
have now
England,
set
forth
enough to prove that the religious
consistently designed, should
be arranged on
the same principles as the ancient buildings erected
by our Catholic
edifices
of
forefathers.
if
They must,
of course,
fall far
short of the glorious solemnity
that can alone be attained in a truly Catholic position
they go, they should have
all
in
common with
;
but, as far as
English antiquity, and
not the slightest accordance with classic arrangement and detail. o o
^cptikbraf jlemortais. These are so intimately connected with it
ecclesiastical architecture, that
seems necessary to enter upon some details on the subject before pro-
ceeding to other matters.
The
principal reasons assigned by sculptors for resorting to classic
costume in their monumental designs has been the unsightly form of
®
© F
0 N THE REVIVAL OF
34
modern
which would render the
habits,
effigy of the deceased ludicrous
in appearance, if represented with them.
This would be perfectly true
if
were necessary, or even correct,
it
to adopt the ordinary costume of domestic scarcely possible to find
warrant an
who
effigy,
ecclesiastical,
any person
solemn
effect
;
ones
the ancient
to
than to envelope them in the
said, architecture
and
it
ciples,
and
situation,
official
18 .
effigies little
either if
inferior
To represent persons of the
present century in the costume of the fourteenth, sistent
it is
the robes and insignia of which,
properly and severely represented, would produce in
but
;
sufficiently dignified in station to
not hold some
does
military
or
civil,
in such cases
life
Roman
toga.
little
is
As
I
less incon-
have before
art should be a consistent expression of the period,
will not be difficult to show, that, adhering strictly to these prin-
we can
in the present age revive the
memorials of the dead
most solemn and Christian
19 .
ECCLESIASTICAL PERSONS. For the English clergy, there
communion
in
is
not the slightest difficulty
;
those
with the Holy See using the same number and character
of sacred vestments as of old.
Bishops.
— Amice,
albe, stole, tunic
or cope, mitre Priests.
—Amice,
and
buskins and sandals.
staff,
albe, plain or apparelled, stole,
holding a chalice with the
18
The ancient monumental
effigies
Kings, bishops,
to express
most fully their dignities and
19
maniple and chasuble,
most Holy Sacrament.
invariably represent the deceased persons in their robes
of state.
of their birth
and dalmatic, maniple, with chasuble
priests, nobles,
knights and their ladies, are habited in a manner
office,
with a profusion of heraldic devices illustrative
and descent.
The present female costume
annexed Plate three
are engraved,
is
by no means ill-adapted
which
are accurately copied
position of the hands contributes greatly to the solemn effect.
for sepulchral brasses.
from those in
use.
(See Plate V.)
In the
The devout
v
r
BESSHES
SEP7LCHRSL
TO
fidRPCEO
CQSTVME
ED3EM
OF
fDGSHELES
r
CHRISTIAN ARCHITECTURE. Deacons.
— Amice,
albe,
and dalmatic,
35
and maniple, holding the
stole
book of the Holy Gospels. Sub-deacons.
— Amice,
Ostiarius
/
Minor
I
(
These various dignities fleury,
with the pastoral
chalice.
keys.
Lector Exorcist Acolyth
)
orders.
and maniple, with an empty
albe, tunic
in surplices
may
with
-
book.
hands joined in prayer, cruets and candlestick.
be expressed, without
staff, chalice,
by
effigy,
a cross
book, or other instruments repre-
sented by the side.
The Anglican churchmen should be habited Bishops
—
in cassock, rochet, with a cope
;
as follows
and
:
there are instances of
the pastoral staff even in the seventeenth century.
— Deacons — Priests
in cassock, albe (plain),
in
an
with a cope or chasuble.
albe.
Effigies of clergy habited in surplices, correct,
with hoods
20 ,
would be perfectly
and of these there are many ancient examples.
These habits would be rather in accordance with Anglican rubrics than practice
;
but they are enjoined by the present canons, and, though long
neglected, through the combined influence of indifference
and puritan
principles, they will be doubtless restored with the revival of reverence
and solemnity.
CIVIL PERSONAGES.
The Sovereign should be represented
in the
Royal robes which are
still
used in the coronation, and which are precisely the same in number and description as those used in the days of St. Edward. for not substituting appropriate
of those 20
There
is
no reason
and better designed ornaments
in lieu
which are generally embroidered, and a more beautiful form
The present manner
They should come
close
of wearing hoods hanging half
up
as represented in the old
to the neck,
monumental
down
the back
is
most absurd.
with the ends falling from each shoulder in front,
brasses.
—
ON THE REVIVAL OF
36 of
crown
tlian that actually in use
robes, with the
21 :
a recumbent effigy, habited in these
orb and sceptre, would not be inferior in dignity and
monuments
effect to those truly royal
and would form an admirable contrast
in
Westminster Abbey Church,
to the miserable
memorials of the
English sovereigns of the last century at Windsor.
The various ranks
of nobility should be represented in the state robes
peculiar to their several degrees, wdtli their various family badges and heraldic distinctions
;
those
who were Knights
orders, with their mantles, collars,
emblems of courage and
fidelity,
and other
of the Garter or other
insignia,
couchant at their
tombs, the niches round the sides
may
— the
and dog,
lion
When
feet.
be most appropriately
on high
by
filled
smaller effigies of relations, habited as mourners for the deceased, with their several shields of arms.
These are frequently introduced round the
ancient monuments, and might be revived with the greatest propriety.
Judges should, of course, be represented their
tabards,
degrees,
and
— Doctors
— Aldermen and
for private
and Music,
For the humbler
— Heralds,
in
in the habit of their
civic functionaries, in their
gowns
gentlemen even, a long cloak, disposed
would produce a solemn or crafts, with
of Medicine
in their robes,
of office
;
in severe folds,
effect.
classes, a cross,
with the instruments of their trades
marks and devices, would be
and, in a rural district, a mere
wooden
sufficient
and appropriate
or stone cross, with the
name
;
of
the deceased.
There
time consistent and Christian monuments for
present
persons 21
The
not, in fact, the least practical difficulty in reviving at the
is
22 ,
and
at the
present crown
a lamp top.
all
classes
of
same cost now bestowed on pagan abominations,
is far
too
heavy and clumsy, and
Still it is consoling to see that it is
is
not very dissimilar in form to
surmounted by a
cross
;
and the
yet alternated with crosses and fleurs-de-lis, emblematic of our Divine
circlet is
Redeemer and
Blessed Lady. 22
The annexed Plate
character, that
represents brasses and other sepulchral
have been lately revived.
monuments
of a Christian
(See Plate VI.)
®
SEF/LCHRALT BEF5SES p
;
CHRISTIAN ARCHITECTURE.
37
which disfigure both the consecrated enclosure which surrounds the
and the
church,
the
of
interior
building
sacred
Surely the
itself.
must be the most appropriate emblem on the tombs of those who profess to believe in God crucified for the redemption of man and it is almost incredible, that while the dead are interred in conCross
secrated ground, and in the ancient position,
—prayers
for their souls’
repose acknowledged to be of apostolical antiquity, and the office recited at their
interment composed from the ancient ritual,— the types of
modern
sepulchral
broken
pillars,
monuments should be
essentially
extinguished lamps, inverted
should have been substituted for recumbent of
pagan
;
all
and urus,
and sarcophagi,
torches,
effigies, angels,
and emblems
mercy and redemption.
CitJil Architecture.
not be
It will
Buildings In
the
roofs,
now
first
light,
cisely the
difficult to
show that the wants and purposes
are almost identical with those of our English forefathers. place,
climate,
which necessarily regulates the pitch of
warmth, and internal arrangement, remains of course pre-
same
Secondly,
as formerly.
same laws and same system of
political
we
are governed
and Commons,
— the judges
titles
— the
nobility,-
lands are held, and the privileges they enjoy, civic functionaries,
There
is
— are
all
— the
Houses of Peers
of the various courts of law,
and rank of the
essentially the
tenures
— the
same
by nearly the
The Sovereign, with
economy.
the officers of state connected with the crown,
trial,—the
of Civil
and form of
by which
their
corporate bodies and
as in former days.
no country in Europe which has preserved so much of her
ancient system as England.
We
still
see the grey tower of the parochial
church rising by the side of the manorial house
;
and, in
many
instances,
the chantry chapel yet remains, with a long succession of family monu-
ments, from the armed crusader to that of the parent of the actual possessor.
;
ON THE REVIVAL OF
38
The palace of the Sovereign
of such a country should exhibit the
evidence of dignified antiquity in every detail. cession
and
Surely the long suc-
of our kings, — their noble achievements, —-the
that
charges
they
bore,
— would
form
honourable badges
which
subjects
would
naturally suggest themselves for the decorations of the various halls
How
and apartments.
and national would a building thus
truly grand
designed and ornamented appear, where not only the general character,
but every
detail,
was expressive of the dignity of the country, and an
illustration of its history
to be found
And
are not the examples for such an edifice
in the ancient glories of St.
habitations of our
former, in
!
its
Edwards and Henrys
?
Stephen’s and Windsor, the
— The
mere diningdiall of the
present denuded state, without tapestry, glass, or enrich-
ment, conveys a far grander impression to the mind of the beholder than the most gorgeously decorated chambers of modern times
what
a splendid effect would be produced
;
and
one of those ancient palaces,
if
monarch, were restored, with
so suited for the residence of a Christian
appropriate furniture and decorations The same remarks apply with equal force
all its
!
nobility
How
and gentry.
painful
is it
to the residences of the
to behold, in the centre of a fine
old English park and vast domain, a square unsightly mass of bastard Italian, without
How
owner! with
ancestral
one expression of the faith, family, or country of the contrary to the spirit of the ancient mansions, covered
badges and memorials, and harmonizing
irregularity with the face of nature
Any modern bility,
beautiful
!
invention which conduces to comfort, cleanliness, or dura-
should be adopted by the consistent architect
;
to
copy a thing
absurd as the imitations of the modern Our domestic architecture should have a peculiar expression
merely because gjagans.
in
it is
illustrative of our
old, is just as
manners and habits
baronial mansion, so
it
may
:
as the castle merged into the
be modified to suit actual necessities
and
the smaller detached houses which the present state of society has generated, should possess a peculiar character
:
they are only objectionable
hdeeeh:
HT
smita
~KRt:HiTKfrrvRvr
sqhesekx
sot
tst
riprrrr
wuH
~
mrOTSTrNT
mrr
T
;
CHRISTIAN ARCHITECTURE. when made
And
it
39
to appear diminutive representations of larger structures.
not only possible, but easy, to work on the same consistent
is
principles as our ancestors in the erection of all our domestic buildings. It
would be absurd, with our present resources,
to build
which originated with the superabundance of that material
in towns,
and the
in former times,
difficulty of transporting stone or brick
brick fronts, adapted perfectly to internal convenience,
with the legal provisions for town buildings, capable of producing excellent
effect, if
nated by the natural form of the gable
There
is
may
and
;
but
in accordance
be erected, which are
consistently treated, and termi-
23 .
no reason in the world why noble
possible convenience of drainage, water-courses,
may
wooden houses
cities,
combining
all
and conveyance of gas
24 ,
not be erected in the most consistent and yet Christian character.
Every building
that is treated naturally, without disguise or conceal-
ment, cannot fail
to look well.
If our present domestic buildings
were only designed
in
accordance
with their actual purposes, they would appear ecpially picturesque with the old ones
Each
!
would
edifice
tell
its
own
tale,
and, by diversity
of character, contribute to the grand effect of the whole.
fHoDcrn Sntoentions anD fRerijantcal Emptouement#. In matters purely mechanical, the Christian architect should gladly avail himself of those
improvements and increased
The steam engine
gested from time to time. for sawing, raising,
and cleansing
The old masons used wheels buildings
:
this
23
See Plate VII.
24
A gas lamp, if
but
when
it is
incense tripod,
a
is
stone, timber,
that are sug-
most valuable power
and other
materials.
of great diameter in the erection of their
was, of course, a great increase of power over mere
designed simply with reference to
composed it
facilities
of a
Roman
becomes perfectly
altar,
its use,
would be an inoffensive object
surmounted by the
fasces,
and terminated by an
ridiculous. £$?
ON THE REVIVAL OF
40
manual strength
and had they been acquainted with a greater, they would undoubtedly have used it. Why should ten minutes be expended
in raising a
;
body which could be equally well done
and cheaper the mechanical
part
;
and
if I
required
heights.
By
shafts,
and
The readier
?
were engaged in the
up an engine that would
erection of a vast church, I should certainly set
saw blocks, turn detached
two
can be rendered, the
of building
greater will be the effect for the funds
in
raise the various materials to the
saving and expedition in
these matters, there
would be more funds and a greater amount of manual labour on enrichments and variety of
expend
to
detail.
The whole history of Pointed Architecture is a series of inventions time was when the most beautiful productions of antiquity were novelties.
:
It is only
tends
to
when mechanical invention intrudes on
subvert the principles which
objectionable.
it
the confines of art,
should advance, that
Putty pressing, plaster and iron casting
for
it
and
becomes
ornaments,
wood burning, &c., are not to be rejected because such methods were unknown to our ancestors, but on account of their being opposed in their very nature to the true principles of art and design, by substituting mo-
—
notonous repetitions for beautiful variety, flatness of execution for bold relief,
encouraging cheap and
principles of ornamental
false magnificence,
and reducing the varied
design, which should be in strict accordance
with the various buildings and purposes in which
ready-made manufacture.
But
it is
while, on the one hand,
reject the use of castings as substitutes
for
used, to a
we should
mere
utterly
ornamental sculpture, we
should eagerly avail ourselves of the great improvements in the working of metals for constructive purposes.
Had iron,
want
the old builders possessed our
means
they would have availed themselves of of proper ties has occasioned
it
of obtaining
to a great extent.
and massiveness of the work causing there
is
The
most serious settlements, and even the
destruction of some of the finest Christian edifices,
And
and working
it
— the
very weight
frequently to settle
and
give.
scarcely a tower of great dimensions erected during the
CHRISTIAN ARCHITECTURE. middle ages, which
it
has not been necessary to
41
together by iron
tie
Now,
must be evident that if these ties were built in the first instance in the body of the work, they would be free from the action of atmosphere, and prevent both fissures and the spreading of the work which would render their ultimate chains and key wedges at a subsequent period.
employment
it
necessary.
In a cruciform church these precautions are most necessary. lateral thrust of nave, transept,
and choir arches, both of
aisles
The
and
tri-
forium, rest against the four great central pillars, which are only enabled to resist the pressure
But
many
this in
by the weight
cases
was
of the great tower resting on them.
insufficient, and,
has hastened their destruction.
when they began
Hence the inverted arches
to give,
at Wells,
and
the screens at Salisbury and Canterbury, which have been added long
subsequently to the erection of the original buildings, to confine the pillars
from
giving inwards.
At Amiens they
are tied
by immense
chains extending!; the whole length of the nave and choir.
Had
this point
been considered in the original structures, the pressure
might have been
effectually counteracted,
centre of the great piers, and chains from
by inserting
them
iron shafts in the
in the thickness of the
triforium and clerestory, reaching to the four extremities of the building. I
merely mention
this
one
fact,
adduced, to show that we possess
amongst a number that might be
facilities
and materials unknown to our
and which would have greatly added
ancestors,
structures they erected.
We
do not want
to
to the stability of the
arrest the course of in-
ventions, but to confine these inventions to their legitimate uses,
prevent their substitution for nobler
We
it
as the
mock useful i
for
for masons’ skill.
in brick walling, while
erections of the day.
ments of
for constructive purposes, while
meagre substitute
employ Roman cement
We
We would
we abominate
it
we
gladly in
the
consider branding irons exceedingly
marking owners’ and makers’ names on trade, but
to
arts.
approve highly of cast iron
denounce
and
we cannot allow them
G
carts
and imple-
to replace the carver’s art.
ON THE REVIVAL OF
42 In a word,
we should
neither cling pertinaciously to ancient methods
of building, solely on the score of antiquity, nor reject inventions be-
by sound and
cause of their novelty, but try both
consistent principles,
and act accordingly.
Another great mistake of modern times
is
the supposition that Christian
architecture will not afford sufficient scope for the art of sculpture. far
from
this,
while a Greek temple admits only of such decoration in the
pediment and round the
frieze,
animal, and the
and
human
figure, in
in
groups of high
relief,
At the entrances
most majestic character.
in subjects of the
— vegetable,
wonderful diversity of position and
sometimes single in niches, sometimes
;
may
every portion of a Christian church
and should be covered with sculpture of the most varied kind, aspect
So
of
the church, the lessening arches, which form the vast recesses, are lined
with
angels,
fessors
25
patriarchs,
prophets,
martyrs,
kings,
bishops,
and con-
above the doorways, the genealogy of our Divine Redeemer,
;
doom
his birth, passion, the
or final judgment,
— subjects which,
it
must
be admitted, afford the fullest scope for the developement of the highest
powers of
human
skill.
While the whole exterior of the sacred
even to the summit of the towers,
may
edifice,
be covered with images and
sculpture, the interior presents an equally extensive field for the exercise
of art in
all
possible variety of size
and
position,
from the minute groups
of the stall seats, to the long line of sacred history that surrounds the choir
;
from the enrichments of the
walls,
aisle
level
with the eye, to
the sculptured bosses, luxuriant in foliage and rich in imagery, that key
the vaulted roof at an
25
immense
elevation.
Casts from some of these images at Notre
Dame,
Flaxman 26 was the
Paris,
which have
over to the School of Design, are wonderful examples of Christian 215
Had Flaxman lived a few years later, he would have been a day men never thought it possible to do any thing fine in
in his
from paganism
:
lately
first
of
been brought
art.
great Christian artist; but art that
was not derived
hence his great powers were unhappily expended in illustrating fables of
classic anticprity, instead of
embodying edifying
truths.
His observations on the excellence of
our Catholic ancestors, and his lamentations on the destruction of their works, are heartfelt
CHRISTIAN ARCHITECTURE. who
the modern school
43
bore testimony both to the excellence of Christian
sculpture and the scope that was afforded for the exercise
pointed structures.
in
admirable works
executed in
ference of principle between
in
There
Italy.
human
;
the difference
But
to talk of Gothic
principle, is absurd
;
—
which the
and Grecian drapery
middle ages for those of
of the classic is
in the objects
latter,
from
to
21 .
a grand expression of produced by the change of habits
We
classic antiquity.
There
have the cope is
also a great
the various stuffs, the square folds of the
Christian images being produced
by the material then
in
Different
use.
circumstances and systems must generate different expressions Phidias himself, had he worked under the faith,
the
is
instead of a toga, and the chasuble for a tunic. difference in the texture of
dif-
in sculpture as distinct in
the art of either period is
no
The pagans wished
the Christians, the divine
nature, and the distinct character in the
fact
art
The principal object of the
artists.
figure,
Christian principle of modesty, rather concealed.
human feelings,
in
is
the fine draperied works
represented and the motives of the
former was to display the
cathedrals, even while
English
the
and those of the middle ages
perpetuate
the art
His lectures contain several remarks on the
was at a comparatively low ebb
sculptors
of
would have exhibited equal
skill
influence
in abstract art,
of
the
of art.
Christian
but with a very
different developement.
The great art,
error of
modern sculptors
is
their servile imitation of classic
without endeavouring to embody existing principles in their works.
Unless art
and eloquent
is
;
the expression of the system
and when we consider that
at the period
it
should
illustrate, it loses
he wrote, the most glorious works
of the middle ages were treated with apathy and even derision, the Christian
present time must feel grateful for the good he effected
We
by
can only regret that he did not follow out his convictions to their legitimate
least in the sepulchral
monuments
See Plate VIII.
results, at
that were intrusted to him, for he does not appear to have
executed one which had the slightest reference to Catholic traditions. 27
artist of the
setting forth neglected truth.
ON THE RE 1VAL OF
44
on admiration, and
at once its greatest claim
of
sympathy
fails to
awaken any
feelings
in the heart of the spectator.
made
Since the fifteenth century, the saints of the Church have been
heathen
to resemble, as closely as possible,
The
divinities.
Christian
mysteries have been used as a mere vehicle for the revival of 'pagan
forms and
the exhibition
of the
artist’s
anatomical
longer productions to edify the faithful, but to the author
and
;
unworthy end
The albe
this
for
28 .
and chaste
girdle were
human
indecent costume, to exhibit the
and
advance the fame of
consistency and propriety was sacrificed
all
of purity
opera dancer
They were no
skill.
;
ideas, that
and modern
exchanged
figure after the
were so imbued with
artists
when they attempted
to
work
for the
and often
for light
manner
of an
classic design
Church, their repre-
sentations of the mysteries of religion were scarcely recognisable from
the fables of mythology
29 .
the works or style of any the devotion, majesty,
tending
;
—
it is
not a
and style,
We
do not want
correct
but a principle.
figure can be engrafted
naked figure
Surely
all
but
;
ive
accordance
with
;
it is
are con-
the improvements
anatomy and the proportions
on ancient excellence
costume, and treated in
would afford equal scope
revive a facsimile of
repose of Christian art, for which
that are consequent on the study of
human
to
particular individual, or even period
of the
and an image,
Catholic
in
traditions,
for the display of the sculptor’s art as a half-
in a distorted attitude,
more resembling
who had
a maniac
hastily snatched a blanket for a covering than a canonized saint.
Did our
time work with the
artists of the present
humility as the old men, and strive rather than their
28
29
own peculiar
to
same
faith
and
express the doctrines of the Church
notions,
we might soon have
a school
See Plate IX. It
is
but just to remark, that the modern German school, with the great Overbeck, are
not only free from this reproach, but deserving of the warmest eulogiums and respect for their glorious revival of Christian art
and
traditions.
P IX
KROVF~
AC
TROW
-COKR£lilQ_
VATICAN
THE ASSYBPTION AT
PARMA
Jd_*
.CENT*
LtERARt.TJME
i>r
SJXTyS V
Nk \ ICTALiAM. JA.C£NI2
-AMGELS_
'
"ANGLtS" zest
JEKOK
^
IEETEK5' TOfTET
liTTERTX
srerm r rAUAR-
-m ihe
sr PAtiAn
AKl Ih
l
_m_
cEttt
mr
b~
Ch tiM AN
AnfiyY
.~ffbZT
rf
rHEETTOi
“IMZC
;
CHRISTIAN ARCHITECTURE. and devotion, and superior
of sculpture equal in sentiment
which existed during the ages of
correctness, to that
In conclusion,
ancient architecture in this country consistent principles.
faith.
It is
society.
is
dearest associations
based on the soundest and most
warranted by
religion,
government, climate,
It is a perfect expression of all
nor
;
is
we should hold
there in the whole world a country which
better calculated for the revival of ancient excellence
than England.
We
ground,
—
;
Sounder views and opinions are daily gaining
feelings of reverence for the past increasing in
and, with
and solemnity
have immense power, vast wealth, and great though
often misdirected zeal.
degree
of
honourable, and national, and connected with the holiest and
sacred,
is
in anatomical
must appear evident that the present revival
it
and the wants of
15
all
her faults,
we must remember
an extraordinary
that England, while
she was the last to abandon Christian architecture, has been foremost
Even in the worst and darkest times of pagan and protestant ascendancy, some of her sons were found able and willing advocates of her ancient glory and, notwithstanding the repeated mutilations they have undergone, and the sad destruction of in hailing
and aiding
its revival.
;
the monastic churches, our ecclesiastical edifices exhibit far traces of their ancient beauty than
is
more perfect
many continental hammer of the fanatic,
to be found in
buildings, which, although they have escaped the
have been more fatally injured from the chisels and pencils of revived
pagan
We
artists.
should not try the deeds of England during the last three centuries
by those which preceded them, but by the corresponding history of surrounding nations and we shall find that throughout the Christian world, the period which has intervened since the sixteenth century has been one
of bitter trial
and degradation
to the Church.
Wherever we
the great ecclesiastical works arrested at the same period, erected, naves unfinished, details uncarved,
—
go,
we
— towers
§
half
either a total stoppage of
works, or bastard pagan productions that had far better have been
undone.
see
left
For a while throughout Europe, Catholic art and traditions lay
-m
ON THE REVIVAL OF
46
neglected and despised, while paganism ruled triumphantly
penetrated the
cloister,
and even raised
its
in
the palace,
detested head under the vaulted
cathedrals and over the high altars of Christendom.
When
these lament-
able facts are considered, together with the fearful scourge in the form
of
war and revolution that has passed over the countries of the continent,
involving abbey and ruin,
common
cathedral, church and convent, in one
and reducing the most dignified clergy of France
to the condition
of stipendiary clerks, sharing a miserable pittance with
the Calvinist
minister and Jewish rabbi, received from the hands of a government official,
—not one rood of land
left for priest or altar, of all
which ancient piety had bequeathed,
— we may find cause
that matters are not worse than they are in our
The
spirit of
that of
Dunstan, of Anselm, and
Cranmer could have
St.
We
prevailed.
own
the vast estates
for thankfulness
country.
Thomas, were extinct
must not
ere
forget that this
country was separated from the Holy See by the consent of the canonically clergy of this realm, with a few noble but rare exceptions.
instituted
The people were actually betrayed by
their
own
lawful pastors.
There
were no missionaries from the Holy See to dispense the sacraments to those
who remained
the least external
broached
till
And
faithful.
demonstration
some
:
protestant opinions were not even
years after the schism
remained precisely the same
;
;
the externals of religion
and even when open scenes of
and violence began, they were conducted
mass was sung by the old clergy its
change was effected without
this vital
in
in
some measure by authority
Canterbury, while the bones
saintly martyr were burning in the garth, and his
were
the country faith,
by the
erased ;
while
sacrilege
name and
of family
and
distinction, professing the
and receiving the sacraments according
to
the
ancient
of
festival
churchmen from every missal and breviary
men
:
in
old
ritual,
And if we may judge arisen, many who bear the
shared the property of the Church with avidity.
from the disgraceful
name
of Catholic
as eagerly
trials
that have lately
would rob the Church
and with as
little
in her present
need and poverty,
remorse as they did in the days of her
®
CHRISTIAN ARCHITECTURE. former possessions. error, into
which
I
47
mention these things, because
I
was formerly
who
Catholic hierarchy of this land,
a
is
common
whole odium of the
led, to cast the
England on the king and
of the ancient faith in
it
loss
nobles, whereas the
basely surrendered the sacred charge
they should have defended even to death, essentially contributed to the sad change.
It
is
true they never contemplated the possibility of such
a state of things as
base compliance
but too
it
which shortly succeeded to their
see, or, indeed,
and many who had weakly consented afterwards
It is
late.
so indeed
;
we
a true saying, “ C’est,
turned out, to our bitter
le
rallied, ”
'premier pas qui coute
and
;
cost.
Regarding, therefore, the state of religion for the last three centuries as a
punishment
but
feel grateful
of the
cesses
for the unfaithfulness of the
that,
notwithstanding
holy place.
There
is
tion of the ancient titles in
office
the
cathedrals
honour of the ancient
something surely providential in the reten-
and
and
saints,
dignities, colleges,
patron,
St.
George,
— the
— the
daily chant of the divine
— the
dedication of churches in
— the consecration of ground
dead,—the preservation
of the
the repeated efforts and suc-
many traces of the ancient paths those who are now striving to regain
bitterest puritans, so
have yet been preserved, to guide the
all
English Church, we cannot
of the chapel
and
festivals,
anointing of the sovereign at the coronation.
seem ever
;
so
many
for there
pledges that is
and order of England’s
Catholic character of
liturgy, with its calendar of fasts
God
will not be
many
portions of the
— the solemn angry with
for the past,
Peter, from
service
many
These, and
awaken
in the breasts of her children a love
and to lead them back
to
whence the day-star of truth
Dugdale, Spelman, Bingham,
Collier,
and
more,
this land for
no other instance of a country having
the miserable state of protestantism, having retained so calculated to
for the burial
fallen
much
into
that
is
and reverence
union with the see of blessed first
beamed upon
Ashmole, and
us.
many
illustrious
English antiquaries and historians, might be cited to prove the great reverence for Catholic antiquity that was occasionally manifested in this
®
ON THE REVIVAL OF
48
country, even while the puritan faction was proceeding to violence. spirit of
Dugdale’s text and plates
most Catholic
is
Monasticon might have been written in a
;
The
every line of his
cloister of ancient Benedictines,
while his History of St. Paul’s exhibits a depth of piety and devotion
towards the glory of God’s Church, worthy of more ancient days.
Spelman, in his works, expresses himself on the subject of sacrilegious spoliation in a
manner that must
of those Catholics
who would
themselves the children
;
strike
shame and
terror into the hearts
Church of which they profess
spoil the
and he draws a
fearful but true picture of the
dismal disasters that befel the plunderers of the Church at the period of the general dissolution. It is
who had been
almost inconceivable that men,
of the Church,
who had partaken
ancient faith,
principles of the
and knelt at
sake of stone, timber,
and
its altars,
educated in the
of the sacraments
should have demolished, for the
lead, edifices
whose beauty and
have secured them from injury even in
this
skill
would
generation, and
which
should have possessed in their eyes the highest claim on their veneration
;
and we
can
only account
for
the
atrocities
which
accom-
panied the ascendancy of protestantism in England, by supposing the perpetrators
blinded
punishment of God.
to
the
To hear
enormity of
own
their
actions
by the
of the choirs of vast churches stript and
—tombs of prelates and nobles ransacked lead,— brass rent of the sanctuary profaned and from graves, — the consecrated and martyrs burnt, — the images of our melted, — the bones of for
roofless,
vessels
saints
Divine Redeemer trodden under
vestments converted burnt,
— and
all
this
to
foot,
domestic use,
dragged about and consumed,—
— monastic
libraries pillaged
without foreign foe or invasion, in once and then
but lately Catholic England, and perpetrated by
born and bred in the Catholic Church, almost incredible
;
and now the sad
— seems
men who had been
like a fearful
dream, and
recital of destruction alone,
us more than even the record of ancient glory prostrate pillars
and
:
moves
we lament over the
and scattered fragments of some once noble
pile,
— we
®
CHRISTIAN ARCHITECTURE. the fallen cross,
raise
—bare
the ancient legend on the wall,
the fragments from the shattered panes, and
so associated with ancient piety
is
clear
The study
from moulded base and tomb.
soil
49
and holy
collect
the accumulating
of Catholic antiquity
recollections, that the soul is
drawn from the contemplation of material
insensibly
—
objects to spiritual
truths.
An Englishman faith
needs not controversial writings to lead him to the
of his fathers
;
written on the wall, on the window, on the
is
it
Let him but look on the tombs of those
pavement, by the highway.
who occupy
—
-the
the most honourable position in the history of his country,
devout, the noble, the valiant, and the wise,
them with clasped hands invoking the
saints of
— and
he will behold
Holy Church, whilst
the legend round the slabs begs the prayers of the passers-by for their souls’
At Canterbury he beholds the pallium, emblem of the
repose.
jurisdiction conferred of this land
Gregory on the blessed Austen,
St.
on buttress, parapet, and
wall.
ruin that does not bear
some badge of ancient
the crosses on the walls dedication, in
tomb teaches
sculptured
in
ghostly food,
the
— the
by pious
apostles,
and
glory.
Now
sacraments seven, and regeneration
font, of
of altar
wall,
bears
and
effigies,
the chalice and
sacrifice
;
host over
the iron-clasped ambry,
of holy Eucharist reserved for
record
and Galilee of hallowed water, and
stoups in porch, ;
;
while window, niche, spandril, and tower set that
glorious
company
of angels,
prophets,
martyrs, and confessors, who, glorified in heaven, watch over
and intercede
The Cross and gable
faith
the legend on the bell inspires veneration for
:
purification before prayer forth,
Scarcely one village church or crumbling
consecrated heralds of the Church
priestly
primate
of anointings with holy chrism and solemn
tell
— the sculptured
the laver of grace
these
first
York, the keys of Peter, with triple crowns, are carved
at
;
by
;
for the faithful
upon
earth.
—that emblem of a Christian’s
in flaming red it
hopes
—
still
surmounts spire
waves from the masts of our navy, over the
towers of the sovereign’s palace, and
is
® H
blazoned on London’s shield.
ON THE REVIVAL OF
50
The order of of famous
St.
memory,
George, our patron saint, founded by King Edward is
yet the highest honour that can be conferred
sovereigns on the subject
Our
solemnly.
;
and
his chapel is glorious,
towns, and
cities,
localities,
the
and
by
his feast kept
rocky islands which
surround our shores, are yet designated by the names of those saints of old through
whose
martyrdoms, or benefactions, they have become
lives,
famous.
The various seasons these holy tides.
by the masses of
of the year are distinguished
Scarcely
is
there one noble house or family whose
honourable bearings are not identical with those blazoned on ancient
church or window, or chantry tomb, which are so pious deeds and faith of their noble ancestry. is
many
witnesses of the
Nay, more, our sovereign
solemnly crowned before the shrine of the saintly Edward, exhorted to
follow in the footsteps of that pious king, and anointed with
oil
poured
from the same spoon that was held by Canterbury’s prelates eight centuries ago.
In
short,
Catholicism
is
so
interwoven with
every thing sacred,
honourable, or glorious in England, that three centuries of puritanism, indifference,
and
infidelity,
It clings to this land,
have not been able effectually to separate
and developes
itself
better feelings of a naturally honourable
What
into sin.
!
from time to
man who had been
an Englishman and a protestant
parricide, to sever those holy ties that
!
it.
time, as the
betrayed
Oh, worse than
bind him to the past, to deprive
communion of soul with those holy men, now blessed spirits with God, who brought this island from pagan obscurity who covered its once dreary face to the brightness of Christian light, who gave those lands with the noblest monuments of piety and skill, which yet educate our youth, support the learned, and from whom we
himself of that sweet
—
received
all
we have yet
left
that
is
glorious, even to our political govern-
ment and privileges. Can a man of soul look on the cross-crowned chime of distant
bells, or
—
spire,
and
listen
to the
stand beneath the lofty vault ol cathedral
:
r
rr ;
MMiJ
bsg
CHVKCH
WRNI7WKFT
SENSES
725!
BIRflMSEKET
i».
CHRISTIAN ARCHITECTURE. on long and lessening
choir, or gaze
aisles,
51
or kneel
by ancient tomb,
and yet protest against aught but that monstrous and unnatural system that has mutilated their beauty
And
not.
and marred
their fair design
Surely
?
truly such feelings of reverence for long-despised excellence
has been awakened
men, that we
among
may begin
so
many
and devout country-
of our learned
to hope, indeed, that our
redemption draws nigh.
"We have already lived to hear the name of Canterbury’s blessed martyr
pronounced with accents of veneration
;
—a
hundred pens, most ably
wielded, are writing in defence of ancient piety and practice voices are raised against the abominations of
land
is,
;
— a thousand
modern innovation.
indeed, awakening to a sense of her ancient dignity
and
to appreciate the just merits of the past,
The
future.
few years must, or ought
last
to,
she begins
;
work eagerly
to
Engfor the
have worked a great
change in the feelings of English Catholics towards the Anglican church-
men
;
and
it is
to be restored,
of Zion than
evident that, it
will
if it
be God’s
will that
departed glories are
be effected rather by rebuilding the ruined walls
by demolishing the poor remains that
are
seems providentially stayed.
God
forbid
The
left.
common
popular innovation that so lately threatened us with
tide of
destruction
we should endeavour
to obtain
a transept in a scramble with dissenters, but rather prove ourselves to
possess the feelings of the true mother in Solomon’s judgment,
give up
all,
than see what we hold so dear divided
;
and
freely
and by perfecting
ourselves,
and carrying out true Catholic principles
and
hasten forward that union to which, in the words of an eccle-
zeal,
siastical
periodical,
we may even begin
in charity, devotion,
to look forward,
and which
is
rather to be obtained through the sacrifice of the altar and midnight supplication, than
by the clamours
of
an election platform or the tumult
of popular commotion.
ilaus
Deo!
—
——
DESCRIPTION OF THE
REVIVED CHURCH ORNAMENTS FIGURED IN PLATE In the centre, a lectern of carved oak, surmounted by a cross
A
turning on the shaft.
Psalter and book of the
bosses of gilt metal, enamelled and engraved, are
Immediately over the lectern
is
fleury,
X.
with a double desk
Holy Gospels, bound with
shown lying on
a corona or circlet for lights,
clasps,
and
it.
and on either side an
altar
lamp.
On
the altar are various examples of altar candlesticks, and a small tower tabernacle for the reservation of the blessed Eucharist.
The
frontal
represents the four Evangelists and other sacred
On
needle-work and gold.
the step,
emblems embroidered
two high standing candlesticks
in
for consecration
tapers.
Curtains suspended to rods are shown on each side of the altar; and, immediately behind the candlesticks and tabernacle, a small reredos of gilt or embroidered work, over which is
On
a ferettum or portable shrine.
the right side of the altar
A processional cross. A pastoral staff. A faldistorium, with A monstrance. Three
A On
it.
chalices.
standing altar
cross.
the left side of the altar
A A A A A On
a precious mitre lying on
processional cross and a standing altar cross. pastoral staff.
verge or cantor’s
staff.
ciborium.
pax and an Agnus Dei
case.
the pavement
Two thuribles,
with a ship
for incense,
a chrismatory, enamelled,
These ornaments, and authorities
by the
many
care of a devout
by the ancient methods
of
and
others,
and
two holy water
vats, a processional candlestick,
a sacrying bell.
have been most faithfully revived from ancient skilful goldsmith of
working metals.
Birmingham, and are produced
* *