African Filmmaking: North and South of the Sahara (Traditions in World Cinema) 9780748621248, 0748621245, 0748621237, 9780748621231, 9780748628063


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Table of contents :
COVER......Page 1
CONTENTS......Page 6
ACKNOWLEDGEMENTS......Page 8
LIST OF ACRONYMS......Page 9
IN MEMORY......Page 14
OPENING QUOTE......Page 15
INTRODUCTION......Page 16
1. THE AFRICAN EXPERIENCE......Page 18
PART 1 CONTEXT......Page 34
2. BEGINNINGS......Page 36
3. AFRICAN INITIATIVES......Page 51
4. THE FRENCH CONNECTION......Page 68
PART II CONFRONTING REALITY......Page 80
5. LIBERATION AND POSTCOLONIAL SOCIETY......Page 82
6. INDIVIDUAL STRUGGLE......Page 102
PART III NEW IDENTITIES......Page 122
7. EXPERIMENTAL NARRATIVES......Page 124
8. EXEMPLARY TALES......Page 137
PART IV THE NEW MILLENNIUM......Page 156
9. THE POST-INDEPENDENCE GENERATION......Page 158
10. MAHAMAT SALEH HAROUN (CHAD)......Page 173
11. DANI KOUYATÉ (BURKINA FASO)......Page 182
12. RAJA AMARI (TUNISIA)......Page 191
13. FAOUZI BENSAIDI (MOROCCO)......Page 198
14. ABDERRAHMANE SISSAKO (MAURITANIA)......Page 206
BIBLIOGRAPHY......Page 216
INDEX......Page 230

African Filmmaking: North and South of the Sahara (Traditions in World Cinema)
 9780748621248, 0748621245, 0748621237, 9780748621231, 9780748628063

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