1000 Photoshop Tips and Tricks (Dec 2010)

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Mmmmmotion   

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How I puppetized Charlize!  

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Out Of Bounds Shadows-Mini Tut       

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How to create rain   

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Linking Worth1000 Tutorials Directly From Photoshop   

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WormHole  

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Fur   

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Motion Tweens and Motion Guides In Flash    

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Make Grafitti with adobe photoshop  

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Zombifying Mandy Moore  

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Perspective    

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Gender Bending    

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Faceswapping  

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Saving Photographs for Contests     

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Tattoos    

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Displacement Maps and Textures   

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Zebraceros   

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How I turned Ayumi into a Pinocchio  

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The Aging Process  

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Unwrapping Hatteras    

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Photo Edit 101     

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Turning people into statues    

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Fattening Folks  

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Doing an Invisible     

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A Simple Layer Mask  

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Fire in the Night    

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How I cubed a cherry  

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Modern Ruins  

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How to make your own 3D Images  

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Masks in illustration  

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Colorizing Line Art  

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The Slime Factory   

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Out-of-Bounds  

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How to Build a Complete Photo Studio for Less Than $100   

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Hand Drawn Stitches in Photoshop   

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Sketch / Painting Effect  

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Photo Color Cast Correction  

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The Making of Secret Pond  

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Using Vector Designs & Customizing Text in Photoshop    

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Shaping Up  

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Smoking with Photoshop  

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Making a Web Photo Gallery   

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How I draw anime  

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Yet Another Colorization Tutorial     

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Blend Mode, Layers, and you...   

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How to model a wineglass in 3D  

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Primary Colorizing      

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Creating Glass  

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The making of Bayou Nights  

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The Making of the Springfield Frog  

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Building a better Zeta-Jones   

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Let It Snow, Let It Snow, Let It Snow!   

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How to spiff up yours avatars   

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Airbrushing an Image in Photoshop or PaintShopPro    

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Let's Rock  

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Short Statue Tutorial - How I made the Arsi Statue Image   

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Water Reflections   

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How I Made ''Ghostly Sight''  

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The Making of JemimaPhobia  

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Laser and Shiny Thing  

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Using Photoshop to Make Jack-O'Lantern Patterns    

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How to do Spider-Doo  

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Organization   

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Creating 'Spin Cycle'   

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Archaeological Dig  

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How to write a tutorial  

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Down and Dirty Colorization   

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Chiseled Images & Crop Circles  

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Merging Drew and Bouguereau  

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How I turned Ayumi into a Pinocchio  

Paginated View



Page 1 : The concept 



Page 2: Lets Begin... 

 

 

Page 3: Cleaning Up  



Page 4: Lip-syncing

  



Page 5: Finishing Up  

A Simple Layer Mask  

Paginated View



Page 1 : A Simple Layer Mask                

Page 2: A Simple Layer Mask

   

     

Page 3: A Simple Layer Mask

    

  

Page 4: A Simple Layer Mask







Page 5: A Simple Layer Mask





Page 6: A Simple Layer Mask

 



  

The Making of the Springfield Frog  

Paginated View



Page 1 : Getting Started 

              



Page 2: Creating a Clean Background   

   

     

         

      

         

               

Page 3: Isolating the Eyes             

  

               

Page 4: The Right Eye Stalk      

                  

    



   



    

        

Page 5: The Left Eye Stalk  

            

      

 

   

 

Page 6: The Finishing Touches                           

             



   



Page 7: But, I don’t have Adjustment Layers!!!      